WEBVTT - Severance Season 2 Episode 8: Sweet Vitriol

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<v Speaker 1>Warning today's episode Today spoilers for episode two eight of

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<v Speaker 1>Severance Sweet Vitriol. If you have not watched that, watch

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<v Speaker 1>it come back here you warning. Hello, my name is

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<v Speaker 1>Jason Concepcion and I'm rosday Night and welcome back to

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<v Speaker 1>Excervader of the podcast where we dive deep in your

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<v Speaker 1>favorite shows, movies, comics and pop culture coming from our

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<v Speaker 1>podcast or we're bringing you three episodes week every Tuesday, Wednesday,

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<v Speaker 1>and Thursday on Saturday.

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<v Speaker 2>In today's episode, we are recapping and discussing the raw,

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<v Speaker 2>the sad, and depressing new episode of Severance Sweet Vitriol, which.

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<v Speaker 3>Is currently on Apple TV Plus. We will be recapping

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<v Speaker 3>the episode. Then we're gonna fall up on our theory

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<v Speaker 3>corner and see where that's at. Maybe let's get to.

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<v Speaker 1>It, okay. Episode two eight Sweet Vitriol, directed by Benjamin Stiller,

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<v Speaker 1>written oh by series creator Dan Erickson, Adam County, and

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<v Speaker 1>Casey Perry. This is a Kobel bottle and a little

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<v Speaker 1>bottle of ether for all you fans of Cobel out

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<v Speaker 1>and also the shortest run time of the season, and

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<v Speaker 1>I think almost of the series I need to go

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<v Speaker 1>and look back, but just over thirty five minutes, Cobell

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<v Speaker 1>is driving what I assume to be north.

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<v Speaker 3>It feels like somewhere north, especially.

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<v Speaker 1>In the North Ish, to a desolate coastal town called

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<v Speaker 1>salts Neck. It will turn out that this is her hometown.

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<v Speaker 1>On the way, Devin is like blowing up her phone,

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<v Speaker 1>but Cobel is just gonna.

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<v Speaker 4>Leave her on read.

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<v Speaker 1>She pulls up to the town and is brushing her

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<v Speaker 1>teeth and she's just looking around. And we get our

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<v Speaker 1>first look at this husk of a town where as

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<v Speaker 1>we will see, everyone who lives there is somehow attached

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<v Speaker 1>to the illicit ether trade. They are either huff in

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<v Speaker 1>the stuff out of a rag or as with Cobel's

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<v Speaker 1>former coworker Hampton, selling it. So she pulls up to

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<v Speaker 1>this diner, the Drippy Pot Cafe. Incredibly, the manager Hampton

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<v Speaker 1>is her old colleague aka former child laborer, alongside Harmony

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<v Speaker 1>Cobell at the Lumen Plant, which is on the outskirts

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<v Speaker 1>of town back.

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<v Speaker 5>In the day.

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<v Speaker 1>There is clearly something happened between them. Because clearly there's

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<v Speaker 1>something between them I seen as something like almost anger,

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<v Speaker 1>but just under the surface. Yes, Cobell says, wow, the

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<v Speaker 1>town looks like shit doesn't look anything like I remember

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<v Speaker 1>remembered it and Hampton, and one of my favorite parts

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<v Speaker 1>of this episode is this little spiel that Hampton gives,

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<v Speaker 1>which is he basically goes into the corporate jargony reasons

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<v Speaker 1>that the town now looks like absolute fucking shit, and

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<v Speaker 1>it's clear that he's like regurgitating this corporate pr speaks

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<v Speaker 1>story that was given to the inhabitants of the town

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<v Speaker 1>when Luman pulled out, She's like, can we go to

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<v Speaker 1>the factory to go discuss some things? So they go

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<v Speaker 1>there out by the factory, Cold Harbor question mark, Yeah,

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<v Speaker 1>the entire town mark Cold Harbor.

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<v Speaker 3>They definitely want us to think that because it's literally

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<v Speaker 3>icy cold, coupled by the ocean, webs can come and go.

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<v Speaker 1>So yes, they have an annoyingly cryptic conversation out here.

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<v Speaker 1>And I will say this was the one. This is

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<v Speaker 1>the This is not a bad episode, although I've seen

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<v Speaker 1>it as semi divisive, and.

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<v Speaker 3>I think it's a little divisive. I think it widened well,

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<v Speaker 3>we'll talk about mobile. I think it widens the wild

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<v Speaker 3>of severance that is very different to what the peak

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<v Speaker 3>of the show has been. So I'm I'm not surprised

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<v Speaker 3>that it got people.

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<v Speaker 1>Yes, but this is very This is an episode is

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<v Speaker 1>very dependent on those kind of maybe like the lowest

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<v Speaker 1>value cryptic conversations that Severance is known for, where two

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<v Speaker 1>characters or more characters are having a conversation with the

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<v Speaker 1>important information kind of lifted out that they know and

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<v Speaker 1>we don't. And this is one of those episodes where

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<v Speaker 1>I'm like noticing that.

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<v Speaker 4>They're just having a scryptic conversation.

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<v Speaker 1>Anyway, They're talking about Sissy, who it will turn out,

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<v Speaker 1>is Kobel's maternal aunt and a full on cure cultist

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<v Speaker 1>who took in Harmony when Harmony's mom was was ill

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<v Speaker 1>with ether related lung disease. Coobel admits that listen, I've

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<v Speaker 1>got some lumin heat on me. They're mad at me,

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<v Speaker 1>and so they're after me for whatever reason, and I

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<v Speaker 1>need to go talk to Sissy, but also I can't

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<v Speaker 1>be seen in case anybody's watching the house. So Cobel

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<v Speaker 1>is like, can you take me up there? So Cobel

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<v Speaker 1>then drops some cure lore about the factory, saying, you

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<v Speaker 1>know Kiri, which we've seen, We've seen the painting right

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<v Speaker 1>where yeah.

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<v Speaker 3>There's a g I will say if you are not

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<v Speaker 3>somebody who watches the recaps, this is a great episode

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<v Speaker 3>because I have to say, if there is an editing

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<v Speaker 3>award for a recap and a previously on that actually

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<v Speaker 3>tells you every single thing you need to know, this

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<v Speaker 3>episode has an unbelievable recap where you get some really

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<v Speaker 3>great quotes and kind of context from Helena. There's this

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<v Speaker 3>great moment where she and me and Joel were kind

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<v Speaker 3>of going mad about this one where she shows her

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<v Speaker 3>saying to Harmony in a previous episode like you overestimate

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<v Speaker 3>your brilliance and underestimate your blessings. And you can start

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<v Speaker 3>to see the bitterness and kind of why the vegans

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<v Speaker 3>might not like Harmony in this episode. And then yeah,

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<v Speaker 3>we get the Imagiant and Kia paintings and kind of

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<v Speaker 3>the the we it's such a good raycap, Like give

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<v Speaker 3>that head some money, because I was really like, whoa

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<v Speaker 3>they they drool the threads together for me? But yes,

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<v Speaker 3>so we've seen the paintings. We kind of know a

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<v Speaker 3>bit more. But now we're getting the real law.

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<v Speaker 1>Right, So apparently according to the Egan lower kir Met.

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<v Speaker 4>His partner imagen imaging imaging.

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<v Speaker 3>Yeah, I'm a giant imagine they say it and strange.

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<v Speaker 3>They say it in a stranger basically imagen at the.

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<v Speaker 1>Ether factory, and Hampton is like, oh was her Like

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<v Speaker 1>were her lungs ravaged as well? And then Cobel is like,

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<v Speaker 1>take me up to Sissy. So they go up there,

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<v Speaker 1>and Cobel rides in the in the bed of Hampton's

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<v Speaker 1>pickup just in case the Luogoons are watching. Hampton is

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<v Speaker 1>clearly not a fan of Sissy at all. Cobel knocks

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<v Speaker 1>on the door, barges in, and Cissy's like, what the

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<v Speaker 1>fuck are you doing here? She just goes in and

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<v Speaker 1>starts looking around, and we see that there. You know

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<v Speaker 1>that clearly Harmony and Hampton grew up here because we

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<v Speaker 1>see their growth markers on the door, like any house

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<v Speaker 1>that has children in it. And Cobel is looking for

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<v Speaker 1>desperately looking around for her stuff. There's something in her

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<v Speaker 1>stuff that was that she needs. There's a plaque on

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<v Speaker 1>the wall announcing that Sissy real name Celestine. Cobel was

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<v Speaker 1>like the lumin version of employee of the Month, but

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<v Speaker 1>it's like employee.

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<v Speaker 4>Of the Quarter, like the striver of the quarter.

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<v Speaker 3>You're like a cult follower of yes.

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<v Speaker 1>Like so, Harmony's like, where's my stuff, Where's my childhood stuff?

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<v Speaker 1>Where's my stuff from when I was a kid, when

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<v Speaker 1>I was a student, when I was in the Fellow

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<v Speaker 1>Tide Wintertide Fellowship.

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<v Speaker 4>I need all that stuff. Cecy's like, well, I sold

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<v Speaker 4>it to the.

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<v Speaker 3>Poor everyone has bo babe, why did you sell it to?

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<v Speaker 4>Yeah?

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<v Speaker 3>Why did you do that?

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<v Speaker 1>And Harmony's like, well, has anybody from Lumen come.

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<v Speaker 4>By or called?

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<v Speaker 1>And He's like, yeah, mister Drummond called. And it's clear

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<v Speaker 1>that Sissy knows that Harmony is in some kind of trouble.

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<v Speaker 1>Harmony immediately runs over, disconnects the phone, rips the fucking

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<v Speaker 1>cordla phone, and then is like, give me the key

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<v Speaker 1>to my mom's room. And here's an interesting exchange. She

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<v Speaker 1>then asks Cissy, what were my mother's last last words?

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<v Speaker 1>And it basically accuses Cissy of like against.

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<v Speaker 4>Her mother's will, pulling her mother.

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<v Speaker 1>Off of life support, and Cissy is basically implies that

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<v Speaker 1>her mother wanted her to take her off life support

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<v Speaker 1>and then says of Harmony's mom quote, if only she

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<v Speaker 1>was a believer, perhaps she would have found solace in

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<v Speaker 1>the Nine. The nine, you know, the command.

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<v Speaker 3>Potentially, which is also of cure. Yeah, okay, So if

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<v Speaker 3>I'm dying of lung disease from either recycle, I'm going

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<v Speaker 3>to be I'm like, I'm gonna be thinking about vision

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<v Speaker 3>of witch, realty, benevolence, nimbleness, wild, how you.

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<v Speaker 1>Will be lifted away. But I found the the last

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<v Speaker 1>word it felt very weighted, to the point where I

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<v Speaker 1>was like, it almost made me wonder if Sissy.

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<v Speaker 4>Truly knew her reasons for.

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<v Speaker 1>In a severance kind of way, truly understood what happened

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<v Speaker 1>when she took Mom off life support, was that her

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<v Speaker 1>doing that was There's some because clearly, you know, Ether

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<v Speaker 1>was one and early product of Women, which we now

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<v Speaker 1>understand is a pharma tech kind of company makes a

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<v Speaker 1>lot of products, but forman tech seem to be the mainstays,

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<v Speaker 1>and that Ether was an early attempt at like wiping

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<v Speaker 1>people's minds so that they would not experience and the

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<v Speaker 1>rigor of the work they were doing.

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<v Speaker 3>They were like, oh, you can basically just use ether

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<v Speaker 3>as essentially an anesthetic, but a walking anesthetic, because ether

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<v Speaker 3>is an anesthetic. But they were like, can you get

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<v Speaker 3>people to be on it so they don't notice how

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<v Speaker 3>bad their lives are, which is honestly very real. Like

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<v Speaker 3>up north in England in places where there was a

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<v Speaker 3>lot of minds, there was big like pain huffing culture

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<v Speaker 3>and like different kind of substance abuse because of how

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<v Speaker 3>bad it was to work in the minds and to

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<v Speaker 3>be a child laborer and stuff. So this is actually

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<v Speaker 3>like very depressingly real. But it's interesting to see how

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<v Speaker 3>they're now going to take that and as we learn

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<v Speaker 3>later in this episode, kind of how it became severance

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<v Speaker 3>as we know it now.

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<v Speaker 1>We get a lot of information from this back and

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<v Speaker 1>forth argument between Harmony and her aunt, including that Harmony's

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<v Speaker 1>mom really started to serious declined when Harmony was at

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<v Speaker 1>school and Cissy kept this from her. She said, I

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<v Speaker 1>would have come back to take care of her. But

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<v Speaker 1>Sissy is like, no, it was so important that you

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<v Speaker 1>were in the Wintertide Fellow and like you're a Wintertide

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<v Speaker 1>fellow and Keer saw you with his own eye, Jamee,

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<v Speaker 1>and you know it was like you are you're such

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<v Speaker 1>an incredible striver, like you were hand hicked by the Egans.

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<v Speaker 1>He saw Kier and you yes, say James saw here

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<v Speaker 1>in you. All that kind of stuff Harmony is like, well,

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<v Speaker 1>what a drummond want when he called? And Sissy doesn't say,

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<v Speaker 1>but basically is like, just go back, ask forgiveness from

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<v Speaker 1>the Egans and they will agree to forgive you. And

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<v Speaker 1>Harmony looks down in Cissy's hands as she's playing with

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<v Speaker 1>some kind of like jame Egan dollhead, which will become

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<v Speaker 1>clear what this reminds her of later, but that sparks

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<v Speaker 1>something in her. She remembers something about the things she's

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<v Speaker 1>looking for, runs up to Sissy's room and then basically

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<v Speaker 1>like cop tosses it, looks through everything, finds the key

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<v Speaker 1>to mom's room, and then goes to open the door.

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<v Speaker 1>And we're gonna take a quick break to.

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<v Speaker 4>Listen to a word from our sponsors.

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<v Speaker 5>Then we're going to talk about what is inside there,

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<v Speaker 5>and we're back.

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<v Speaker 1>First of all, I would have just kicked the door open,

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<v Speaker 1>because this house looks like it hasn't been updated built

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<v Speaker 1>like one. Yeah, just like bad boy in worry about

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<v Speaker 1>the Pompy.

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<v Speaker 3>Is strong compared to everyone else here, who's like fucked

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<v Speaker 3>up on etha like she.

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<v Speaker 1>Anyway, she gets the key, she goes inside and there's

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<v Speaker 1>her mother's room just as it must have appeared when

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<v Speaker 1>she was ill and when she passed away. You know,

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<v Speaker 1>the the bed is raised at at like a forty

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<v Speaker 1>five degree angle, so that which is easier for people

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<v Speaker 1>with bathing issues. It's easier to breathe when you're resting.

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<v Speaker 4>When you're sitting up slightly.

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<v Speaker 1>We see the breathing machine, We see her moth eaten,

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<v Speaker 1>her mother's moth eaten clothes in the closet. We see

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<v Speaker 1>a picture what I assume to be Harmony when she

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<v Speaker 1>was a child. And then Harmony lays on the bed.

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<v Speaker 1>And it's interesting because I perceive this as she puts

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<v Speaker 1>the breathing tube to her mouth and begins breathing through it.

0:13:29.360 --> 0:13:34.840
<v Speaker 1>And I perceive this as she's trying to get in

0:13:34.920 --> 0:13:37.599
<v Speaker 1>touch with her mother's last week's, last.

0:13:37.400 --> 0:13:41.560
<v Speaker 3>Months exactly like what did it feel like. It's a

0:13:41.720 --> 0:13:46.559
<v Speaker 3>really unsettling and kind of depressing image because there's also

0:13:47.080 --> 0:13:50.439
<v Speaker 3>the duality of like she's like laying there like breathing

0:13:50.600 --> 0:13:53.360
<v Speaker 3>into her breathing in and out, and it's very similar

0:13:53.400 --> 0:13:56.520
<v Speaker 3>to kind of the ether huffing kind of breathing that

0:13:56.559 --> 0:13:58.320
<v Speaker 3>you would do. There's a lot of layers here, and

0:13:58.520 --> 0:14:00.840
<v Speaker 3>I have to say which I'm way you feel about

0:14:00.840 --> 0:14:05.120
<v Speaker 3>the episode. Patricia Ucat is absolutely killing it, like this

0:14:05.200 --> 0:14:07.640
<v Speaker 3>is a powerhouse episode and I wouldn't be surprised with

0:14:07.720 --> 0:14:12.120
<v Speaker 3>that trying to put forward for some awarned contention here.

0:14:13.040 --> 0:14:16.840
<v Speaker 1>So she Harmony cries herself sleep, and then we see

0:14:16.840 --> 0:14:23.000
<v Speaker 1>this image that I originally thought was like something under

0:14:23.000 --> 0:14:27.520
<v Speaker 1>a microscope, like crystals and her microscope, but which our

0:14:27.600 --> 0:14:32.920
<v Speaker 1>discord chief Heidi tells me is like a satellite shot

0:14:33.000 --> 0:14:38.360
<v Speaker 1>of ice that they then superimposed over the waters in

0:14:38.440 --> 0:14:43.200
<v Speaker 1>the bay, kind of sloshing around against the testing. And

0:14:43.240 --> 0:14:49.320
<v Speaker 1>then time passes and Harmony is awakened to the sound

0:14:49.440 --> 0:14:53.480
<v Speaker 1>of Hampton and Sissy arguing as he comes in to

0:14:53.560 --> 0:14:57.240
<v Speaker 1>basically look for and he's he's just like, you.

0:14:57.160 --> 0:14:59.040
<v Speaker 4>Know, it's been a long time, and I'm freezing like what.

0:14:59.120 --> 0:15:02.920
<v Speaker 3>He outside of a truck? Why are you having a nap? Like, please,

0:15:02.960 --> 0:15:04.080
<v Speaker 3>it's very cold out there.

0:15:04.480 --> 0:15:06.800
<v Speaker 1>Harmony is like, I can't find it, whatever it is,

0:15:07.040 --> 0:15:11.760
<v Speaker 1>and they talk about her mom. Hampton liked her. When

0:15:11.960 --> 0:15:14.400
<v Speaker 1>Harmony says, well you barely knew her, he says she

0:15:14.480 --> 0:15:16.680
<v Speaker 1>hated lumin more than I did. That's all I needed

0:15:16.680 --> 0:15:19.360
<v Speaker 1>to know. So interesting interesting details.

0:15:19.080 --> 0:15:22.240
<v Speaker 3>Yeah, it also feels like adds to the idea that

0:15:22.640 --> 0:15:25.480
<v Speaker 3>Sissy probably took her off life support or you know,

0:15:25.760 --> 0:15:30.080
<v Speaker 3>killed her, because potentially, I don't know, maybe she was

0:15:30.120 --> 0:15:33.320
<v Speaker 3>an early hater of Lumen in a way that could

0:15:33.440 --> 0:15:36.080
<v Speaker 3>impact the rest of what we see going on in

0:15:36.120 --> 0:15:36.760
<v Speaker 3>the rest of the seas.

0:15:36.800 --> 0:15:39.640
<v Speaker 1>Hampton then asks like, do you want to get huh,

0:15:40.120 --> 0:15:44.360
<v Speaker 1>pulls out an ether rag and gets into it. You know,

0:15:44.440 --> 0:15:47.120
<v Speaker 1>Harmony huffs a little, rag gets into that rag, and

0:15:47.160 --> 0:15:49.080
<v Speaker 1>she's like, I haven't done that since I was eight,

0:15:49.960 --> 0:15:53.800
<v Speaker 1>And it was clear this was part of the work day,

0:15:53.920 --> 0:15:55.720
<v Speaker 1>because Hampton is like, you're ready to man the that

0:15:56.000 --> 0:15:58.800
<v Speaker 1>for ten hours, which is just dire.

0:15:59.280 --> 0:15:59.560
<v Speaker 3>Yeah.

0:15:59.640 --> 0:16:00.600
<v Speaker 4>She then tells.

0:16:00.400 --> 0:16:04.640
<v Speaker 1>Hampton that it's shameful that you sell this, and they kiss,

0:16:05.360 --> 0:16:09.400
<v Speaker 1>and then suddenly Harmony's like, oh, now I'm getting another

0:16:09.400 --> 0:16:12.239
<v Speaker 1>piece of where that stuff might be. And we're realizing

0:16:12.280 --> 0:16:16.240
<v Speaker 1>that whether it's ether or her long life, Harmony's memory

0:16:16.360 --> 0:16:19.920
<v Speaker 1>is spotty as like, not as spotty as obviously someone

0:16:19.920 --> 0:16:22.360
<v Speaker 1>has been severed, but like she's trying to claw back

0:16:22.400 --> 0:16:25.240
<v Speaker 1>that year in a way that many characters.

0:16:26.280 --> 0:16:27.880
<v Speaker 3>There's still stuff she can't remember.

0:16:28.480 --> 0:16:30.560
<v Speaker 1>So she gets the idea and she's like, Sissy would

0:16:30.600 --> 0:16:32.480
<v Speaker 1>not have thrown my stuff away or given it to

0:16:32.520 --> 0:16:32.760
<v Speaker 1>the poor.

0:16:32.800 --> 0:16:33.400
<v Speaker 4>I don't believe that.

0:16:33.680 --> 0:16:36.400
<v Speaker 1>She goes outside to like a kind of underground pantry,

0:16:36.440 --> 0:16:39.840
<v Speaker 1>a cold room, and she finds her stuff, including like

0:16:39.880 --> 0:16:45.160
<v Speaker 1>a lumin yearbook and with her like Wintertide fellow right

0:16:45.320 --> 0:16:49.120
<v Speaker 1>up in there, and some stuff animals, and then she

0:16:49.240 --> 0:16:55.760
<v Speaker 1>finds her Wintertide like Fellowship award bust of James Egan.

0:16:55.920 --> 0:16:59.520
<v Speaker 1>And that is the thing that sparked when she looked

0:16:59.680 --> 0:17:03.480
<v Speaker 1>in Cissy's hands and saw her holding like a Jame

0:17:03.640 --> 0:17:07.399
<v Speaker 1>Egan doll head. This is what sparked in her because

0:17:07.480 --> 0:17:11.240
<v Speaker 1>inside of the bust, she unscrews the base. Inside there

0:17:11.320 --> 0:17:14.920
<v Speaker 1>is a rolled up leather bound notebook, and then she goes.

0:17:15.000 --> 0:17:19.440
<v Speaker 1>She immediately runs into Sissy, and she's brandishing the rolled

0:17:19.480 --> 0:17:22.320
<v Speaker 1>up notebook and she's like, I'm leaving now. Don't tell

0:17:22.320 --> 0:17:24.119
<v Speaker 1>the lumins that I was here. And Sissy's like, I

0:17:24.119 --> 0:17:25.720
<v Speaker 1>would never lie to an Egan.

0:17:25.920 --> 0:17:30.320
<v Speaker 3>Oh, come on.

0:17:32.280 --> 0:17:36.560
<v Speaker 1>Sissy is like, listen, you owe the Egans. You're fealty

0:17:36.600 --> 0:17:39.320
<v Speaker 1>because of what they lifted you up from nothing and

0:17:39.680 --> 0:17:42.560
<v Speaker 1>the fellowship, and look at your great success and all

0:17:42.600 --> 0:17:44.320
<v Speaker 1>the things you've done in your life. It's all because

0:17:44.320 --> 0:17:48.000
<v Speaker 1>of them, so you can never go against them. Harmony

0:17:48.040 --> 0:17:51.040
<v Speaker 1>then says, oh, I owe them, and she opens the

0:17:51.080 --> 0:17:54.520
<v Speaker 1>notebook and she's screaming that like, basically, severance was her idea.

0:17:55.080 --> 0:17:55.639
<v Speaker 3>Quite to me.

0:17:55.720 --> 0:17:56.720
<v Speaker 4>It's the design, the.

0:17:56.760 --> 0:18:00.919
<v Speaker 1>Chip, the surgery, the brain waves, the glass go block,

0:18:01.080 --> 0:18:03.880
<v Speaker 1>all the fucking shit that is involved in the process,

0:18:03.880 --> 0:18:08.440
<v Speaker 1>the technology created by her and stolen essentially by Jame

0:18:08.520 --> 0:18:12.399
<v Speaker 1>Egan and passed off as his own. She Harmony says, like,

0:18:12.520 --> 0:18:15.040
<v Speaker 1>they told me if I sought credit for this, that

0:18:15.119 --> 0:18:18.159
<v Speaker 1>I would be banished whatever that means from the e

0:18:18.400 --> 0:18:22.119
<v Speaker 1>I guess from the Egan cult. And Sissy then tries

0:18:22.160 --> 0:18:25.920
<v Speaker 1>to burn the notebook, which come on, baby, why Harmony

0:18:25.920 --> 0:18:29.080
<v Speaker 1>snatches it out of the fire and says basically that

0:18:29.400 --> 0:18:32.760
<v Speaker 1>she hopes that she dies, and then Sissy's like, well,

0:18:32.840 --> 0:18:37.120
<v Speaker 1>oh yeah, well your mom pulled the tube out herself.

0:18:37.200 --> 0:18:40.080
<v Speaker 1>She clawed it out of her neck, and Harmony's like,

0:18:40.119 --> 0:18:42.679
<v Speaker 1>oh well, I don't fucking believe you. Meanwhile, Hampton is

0:18:42.680 --> 0:18:48.960
<v Speaker 1>honking because someone's coming. Harmony gets into Hampton's car is like,

0:18:49.200 --> 0:18:51.919
<v Speaker 1>I'm leaving, and Hampton is like, well, I'm gonna stay here,

0:18:51.920 --> 0:18:55.480
<v Speaker 1>and face whatever this is, and then Harmony speeds off

0:18:55.960 --> 0:18:58.920
<v Speaker 1>and you see these headlights approaching and Hampton says, come

0:18:58.920 --> 0:19:04.240
<v Speaker 1>to take these tempers assholes. Meanwhile in the truck, Harmony

0:19:04.240 --> 0:19:07.960
<v Speaker 1>finally answers her phone. It's Devin. Devin is like, oh

0:19:07.960 --> 0:19:11.520
<v Speaker 1>my god, thank God. Like Mark is integrating, but we

0:19:11.560 --> 0:19:14.639
<v Speaker 1>want to we want to try something else, she says,

0:19:15.400 --> 0:19:23.080
<v Speaker 1>and immediately Harmony understands that only Regabi could have done this,

0:19:23.960 --> 0:19:27.800
<v Speaker 1>the reintegration process with Mark, and then she's like, put

0:19:27.800 --> 0:19:30.800
<v Speaker 1>Mark on the phone, markets on the phone, and then

0:19:31.040 --> 0:19:32.040
<v Speaker 1>we basically cut.

0:19:32.200 --> 0:19:33.840
<v Speaker 3>Yeah, She's like tell me everything.

0:19:34.280 --> 0:19:36.880
<v Speaker 4>Yeah to Oh, what's the name of that bed?

0:19:37.040 --> 0:19:43.440
<v Speaker 3>Oh everyone's favorite patent?

0:19:44.000 --> 0:19:47.160
<v Speaker 4>Oh yeah it was what was it? Firewoman? I think

0:19:47.240 --> 0:19:48.400
<v Speaker 4>by the Cult.

0:19:49.760 --> 0:19:53.720
<v Speaker 1>Which pointed here's a little trivia, a little trivia for you. Yeah,

0:19:54.119 --> 0:19:56.800
<v Speaker 1>very pointed, right. The Cult also a little trivia that

0:19:56.840 --> 0:19:58.600
<v Speaker 1>I think the lead singer for the Cult was like

0:19:58.840 --> 0:20:01.840
<v Speaker 1>in the Running for Play Jim Morrison in the Doors movie. Anyway,

0:20:03.080 --> 0:20:05.480
<v Speaker 1>let's go to a quick ad and then come back

0:20:05.680 --> 0:20:24.159
<v Speaker 1>and talk about this episode. And we're back, Rosie. We

0:20:24.240 --> 0:20:28.040
<v Speaker 1>got a lot of interesting stuff in this episode. It

0:20:28.119 --> 0:20:31.360
<v Speaker 1>is a little light of an episode in terms of

0:20:31.400 --> 0:20:33.639
<v Speaker 1>connected to something to everything else.

0:20:33.680 --> 0:20:35.240
<v Speaker 4>But your thoughts on this episode.

0:20:35.480 --> 0:20:39.560
<v Speaker 3>I think that it broadens the world in a way

0:20:40.520 --> 0:20:44.000
<v Speaker 3>I do find intriguing, but I give.

0:20:43.840 --> 0:20:45.600
<v Speaker 4>You some of the really important backstory.

0:20:45.680 --> 0:20:48.000
<v Speaker 3>It gives us some of the backstory. It also kind

0:20:48.040 --> 0:20:51.240
<v Speaker 3>of hints at what is out there, because I've always

0:20:51.320 --> 0:20:54.119
<v Speaker 3>thought one of the most interesting things about separance is

0:20:55.560 --> 0:20:57.960
<v Speaker 3>we know what the Ennis are trying to escape, but

0:20:58.000 --> 0:21:01.240
<v Speaker 3>we never really know what the our ties are kind

0:21:01.240 --> 0:21:05.760
<v Speaker 3>of living through, Like is the Egan cult something that

0:21:06.000 --> 0:21:09.200
<v Speaker 3>is in control of the world like we we it's

0:21:09.320 --> 0:21:12.560
<v Speaker 3>there's They could do a broad kind of rug pull

0:21:12.680 --> 0:21:15.399
<v Speaker 3>where they reveal and I think this does broaden it

0:21:15.440 --> 0:21:19.600
<v Speaker 3>a bit. I get why people were kind of shocked

0:21:19.640 --> 0:21:24.360
<v Speaker 3>by the shift, but I do also think that there

0:21:24.440 --> 0:21:29.439
<v Speaker 3>is something very interesting about Harmony's journey here and the

0:21:30.000 --> 0:21:32.199
<v Speaker 3>you know, yeah, it is as I saw a lot

0:21:32.240 --> 0:21:35.200
<v Speaker 3>of people talking about, it's very interesting to be like, oh,

0:21:35.240 --> 0:21:38.679
<v Speaker 3>a woman made this and it was stolen, but also

0:21:38.760 --> 0:21:42.520
<v Speaker 3>then she stayed within the company and used it to

0:21:42.680 --> 0:21:47.600
<v Speaker 3>exploit many other people, And I think that it adds

0:21:48.080 --> 0:21:52.640
<v Speaker 3>a moral complexity. I also think that Regarbi and Harmony

0:21:52.840 --> 0:21:56.760
<v Speaker 3>clearly have some kind of past together and I'm interested

0:21:56.880 --> 0:22:00.920
<v Speaker 3>also to know. I believe what Sis she said when

0:22:00.960 --> 0:22:04.680
<v Speaker 3>she said that Harmony's mom pulled out her own breathing tube.

0:22:04.760 --> 0:22:07.359
<v Speaker 3>And I think the reason why is because Harmony's mom

0:22:07.480 --> 0:22:10.399
<v Speaker 3>was told that her daughter had created this kind of

0:22:10.440 --> 0:22:14.200
<v Speaker 3>even more extreme, horrible thing, and I think she was horrified.

0:22:14.800 --> 0:22:17.000
<v Speaker 3>I thought this was a very hard episode to watch,

0:22:17.040 --> 0:22:21.679
<v Speaker 3>but not because it wasn't good. It's just incredibly depressing. Amply,

0:22:21.920 --> 0:22:23.960
<v Speaker 3>it is a very very depressing episode something I mean

0:22:24.560 --> 0:22:28.840
<v Speaker 3>Severance has had. I just think that they the genre

0:22:28.960 --> 0:22:31.880
<v Speaker 3>concept and the mystery when You're in with the Innies

0:22:32.600 --> 0:22:34.639
<v Speaker 3>has kind of had a lightness to it that this

0:22:34.720 --> 0:22:35.680
<v Speaker 3>episode does not have.

0:22:36.400 --> 0:22:39.520
<v Speaker 1>You know, it's it's a very very bleak episode, down

0:22:39.520 --> 0:22:43.879
<v Speaker 1>to the landscape being bleak and like it's almost lifeless,

0:22:43.920 --> 0:22:49.199
<v Speaker 1>like a moonscape this episode. I agree with you in

0:22:49.240 --> 0:22:52.240
<v Speaker 1>everything you're saying about, you know, the harmony of it all.

0:22:52.320 --> 0:22:55.560
<v Speaker 1>I think that the way I perceived this, the complexity

0:22:55.600 --> 0:22:58.000
<v Speaker 1>of her creating the Severance procedure, is that, like I

0:22:58.000 --> 0:22:59.560
<v Speaker 1>think it was an act of love. I think she

0:22:59.600 --> 0:23:03.159
<v Speaker 1>saw her mom be damaged by the mines, she watched

0:23:03.160 --> 0:23:05.640
<v Speaker 1>everyone around her be damaged by breathing in this ether,

0:23:06.320 --> 0:23:08.159
<v Speaker 1>and she thought, okay.

0:23:09.000 --> 0:23:09.640
<v Speaker 4>Since.

0:23:10.920 --> 0:23:13.240
<v Speaker 1>I mean, like, it's crazy that the culture of working

0:23:13.280 --> 0:23:18.320
<v Speaker 1>for Egan is like, we do such crazy, rigorous, dangerous

0:23:18.440 --> 0:23:21.240
<v Speaker 1>work that you want to not remember you were there

0:23:21.320 --> 0:23:23.680
<v Speaker 1>when you leave, Like, how can we make how can

0:23:23.720 --> 0:23:25.840
<v Speaker 1>we make that part of it essentially like a kind

0:23:25.880 --> 0:23:29.600
<v Speaker 1>of punch clock slavery situation, you know, where you're a

0:23:29.640 --> 0:23:31.679
<v Speaker 1>slave when you punch in, but then you leave and

0:23:31.720 --> 0:23:35.960
<v Speaker 1>you're and you're fine, you're yourself. And clearly coming up

0:23:35.960 --> 0:23:39.320
<v Speaker 1>with this procedure was an act of love, almost like

0:23:39.440 --> 0:23:41.720
<v Speaker 1>the others would have saved my mom's life, her lungs

0:23:41.720 --> 0:23:45.000
<v Speaker 1>would not have been ravage. Here's a way that you

0:23:45.119 --> 0:23:49.679
<v Speaker 1>can separate yourself from the dangerous work that you do

0:23:49.800 --> 0:23:52.040
<v Speaker 1>and still be able to like have a family and

0:23:52.119 --> 0:23:56.439
<v Speaker 1>have an enriching life outside of that. Not understanding the

0:23:56.520 --> 0:23:59.440
<v Speaker 1>horrors of the thing that she had created clearly, and

0:23:59.480 --> 0:24:02.520
<v Speaker 1>it's uncles to me now whether she really believes it,

0:24:02.560 --> 0:24:05.560
<v Speaker 1>believes in the horrors of what she's mad having seen

0:24:05.600 --> 0:24:09.080
<v Speaker 1>all the things that she's must have seen. So I

0:24:09.119 --> 0:24:12.680
<v Speaker 1>thought that I really enjoyed that part of it. I

0:24:12.720 --> 0:24:15.240
<v Speaker 1>thought it was so interesting. This is a good episode

0:24:15.240 --> 0:24:16.639
<v Speaker 1>not a bad one. I think, on the scale of

0:24:16.880 --> 0:24:19.000
<v Speaker 1>severance is so high quality that it's like there are

0:24:19.040 --> 0:24:19.880
<v Speaker 1>no bad episodes.

0:24:19.920 --> 0:24:21.760
<v Speaker 4>But this was the one episode.

0:24:21.440 --> 0:24:23.879
<v Speaker 1>Where I became a little worried as I texted you

0:24:24.520 --> 0:24:28.680
<v Speaker 1>about the Donnie Darko syndrome, which is that when the

0:24:28.720 --> 0:24:32.919
<v Speaker 1>mystery is active and you don't know air quotes what

0:24:33.040 --> 0:24:37.320
<v Speaker 1>the show is about, there's this propulsion to you know,

0:24:37.359 --> 0:24:40.600
<v Speaker 1>there's this fascination, almost like a magical hold that the

0:24:40.640 --> 0:24:43.679
<v Speaker 1>story has on you, where it's so intriguing, but as

0:24:43.680 --> 0:24:48.800
<v Speaker 1>soon as you know, it becomes dumb. And this only

0:24:48.880 --> 0:24:52.800
<v Speaker 1>I was only worried about it because you barely notice

0:24:53.400 --> 0:24:55.560
<v Speaker 1>watching this show and being a fan of it, that

0:24:55.840 --> 0:24:59.439
<v Speaker 1>almost all the mystery would go away if only certain

0:24:59.560 --> 0:25:03.280
<v Speaker 1>characters would just have a conversation. For instance, if we

0:25:03.320 --> 0:25:06.359
<v Speaker 1>would just like have a conversation or watch a conversation

0:25:06.440 --> 0:25:09.120
<v Speaker 1>between like Cobell and Regabi, or like a full conversation

0:25:09.200 --> 0:25:13.119
<v Speaker 1>between Mark and Regaby, almost everything that we were wondering

0:25:13.119 --> 0:25:16.200
<v Speaker 1>about would be like lifted, like the veil would be lifted.

0:25:16.440 --> 0:25:18.800
<v Speaker 1>The fact that we're not annoyed by that shows us

0:25:18.840 --> 0:25:19.919
<v Speaker 1>what a great show this is.

0:25:19.960 --> 0:25:22.359
<v Speaker 4>And I think, mm hmm. I while I thought this

0:25:22.480 --> 0:25:25.400
<v Speaker 4>was a good episode. I hope not too many more

0:25:25.440 --> 0:25:26.760
<v Speaker 4>of these, because.

0:25:26.480 --> 0:25:28.680
<v Speaker 3>I'm interested to see where they go next.

0:25:29.080 --> 0:25:31.199
<v Speaker 1>A few more of these and people will start to

0:25:31.240 --> 0:25:33.480
<v Speaker 1>be like, why can't we have that conversation with Gaby,

0:25:33.520 --> 0:25:36.240
<v Speaker 1>Why can't we know more about what's going on in Yeah?

0:25:36.280 --> 0:25:38.240
<v Speaker 3>So I agree, no, no, no, no, I agree. I

0:25:38.320 --> 0:25:42.000
<v Speaker 3>think I've definitely seen a lot of very divisive reactions

0:25:42.040 --> 0:25:44.640
<v Speaker 3>online as well, like is this the first bad episode

0:25:44.640 --> 0:25:46.800
<v Speaker 3>of Severance? Like I don't think, no, this is not

0:25:46.880 --> 0:25:50.600
<v Speaker 3>a badly made episode of television. Now does it fit

0:25:50.680 --> 0:25:53.800
<v Speaker 3>into your world of what you were hoping Severance would be?

0:25:53.920 --> 0:25:56.040
<v Speaker 3>Now that's the question, because I do think something else

0:25:56.080 --> 0:25:59.880
<v Speaker 3>that's really interesting that this episode raises is we've will

0:25:59.880 --> 0:26:03.320
<v Speaker 3>be and like, you know, clones, goats, like what's going on?

0:26:03.640 --> 0:26:07.040
<v Speaker 3>But also I'm like, miss Wang, maybe it's just child labor,

0:26:07.240 --> 0:26:13.639
<v Speaker 3>Like she's another child, just child labor, and they you

0:26:13.800 --> 0:26:17.399
<v Speaker 3>do it. So I'm interested because I think that the

0:26:18.000 --> 0:26:22.320
<v Speaker 3>moral complexity of where this show is at could get

0:26:22.560 --> 0:26:26.880
<v Speaker 3>very very very intriguing and messy and real if they've

0:26:26.920 --> 0:26:29.600
<v Speaker 3>got the chops. I do believe the show has the chops.

0:26:29.800 --> 0:26:33.080
<v Speaker 3>I also want before we get into kind of where

0:26:33.080 --> 0:26:35.639
<v Speaker 3>this leaves us before the last two episodes. I want

0:26:35.880 --> 0:26:38.320
<v Speaker 3>super producer Joelle to jump in because she is the

0:26:38.359 --> 0:26:40.080
<v Speaker 3>queen of theories on this show, and I know she

0:26:40.160 --> 0:26:45.800
<v Speaker 3>has a lot of thoughts about Severs episode eight from

0:26:45.880 --> 0:26:46.440
<v Speaker 3>season two.

0:26:47.560 --> 0:26:51.159
<v Speaker 6>Hi, guys, Hi, there's really just one theory for me

0:26:51.359 --> 0:26:53.840
<v Speaker 6>this week, and I text you guys about it, and

0:26:53.880 --> 0:26:57.840
<v Speaker 6>it's a thing that's been talked about in sevent for

0:26:57.880 --> 0:27:00.199
<v Speaker 6>a really long time. You have all these illusions to

0:27:00.320 --> 0:27:03.400
<v Speaker 6>the Civil War. Cold Harbor is a big battle that

0:27:03.520 --> 0:27:07.080
<v Speaker 6>the South one really decimated the North during the Civil War.

0:27:07.320 --> 0:27:09.760
<v Speaker 6>People have been online being like, hey, we don't want

0:27:09.800 --> 0:27:13.880
<v Speaker 6>this show, for very obvious reasons, to be about slavery.

0:27:13.920 --> 0:27:16.960
<v Speaker 6>But I'm just like, with the child labor infusion this week,

0:27:17.119 --> 0:27:19.000
<v Speaker 6>I just have to think, like, is this show just

0:27:19.080 --> 0:27:23.320
<v Speaker 6>about the impact of slavery on labor and throughout like

0:27:23.480 --> 0:27:25.760
<v Speaker 6>American history, Like, there's a reason we keep going back

0:27:25.800 --> 0:27:29.280
<v Speaker 6>to all of these different these and time periods. There's

0:27:29.280 --> 0:27:31.040
<v Speaker 6>a reason. Like I really liked this episode. I was

0:27:31.080 --> 0:27:33.600
<v Speaker 6>kind of surprised by the reaction, although maybe I shouldn't be.

0:27:33.600 --> 0:27:36.840
<v Speaker 6>Bottle episodes are notoriously Yeah, not a bottle episode but

0:27:36.840 --> 0:27:39.320
<v Speaker 6>these all shoots of like one character far away from

0:27:39.320 --> 0:27:42.400
<v Speaker 6>everybody are often controversial, but to me, I always feel

0:27:42.400 --> 0:27:44.320
<v Speaker 6>like this is the writers being able to expand the

0:27:44.359 --> 0:27:49.119
<v Speaker 6>story in such an interesting way and watching Harmony navigate

0:27:49.200 --> 0:27:55.120
<v Speaker 6>her past, and especially like that whole breathing tube scene.

0:27:55.720 --> 0:27:58.840
<v Speaker 6>So you guys mentioned, oh like it. It's sort of

0:27:58.880 --> 0:28:01.200
<v Speaker 6>like the huffing. It's sort of her connected to her mother.

0:28:01.440 --> 0:28:03.080
<v Speaker 6>To me, I was like, is she suckling? Is this

0:28:03.160 --> 0:28:06.520
<v Speaker 6>her like perverting to being a right?

0:28:06.680 --> 0:28:09.040
<v Speaker 4>Yeah, in a way, there's that too, for sure.

0:28:09.320 --> 0:28:12.000
<v Speaker 6>I was like this, this whole episode to me, really

0:28:12.080 --> 0:28:14.040
<v Speaker 6>cemented a lot, to the point where I was like,

0:28:14.040 --> 0:28:15.920
<v Speaker 6>are there mysteries left in this show?

0:28:16.040 --> 0:28:18.280
<v Speaker 5>Like hop like this is a series.

0:28:17.960 --> 0:28:21.680
<v Speaker 6>About it's just just about the impact of slavery, labor

0:28:21.720 --> 0:28:24.560
<v Speaker 6>and throughout history. And I was so compelled by that

0:28:24.640 --> 0:28:26.760
<v Speaker 6>as like a thought experiment, And I was curious if

0:28:26.800 --> 0:28:29.480
<v Speaker 6>that works for you guys, or if that idea of

0:28:29.520 --> 0:28:31.119
<v Speaker 6>that it's off putting for you. I know a lot

0:28:31.160 --> 0:28:33.760
<v Speaker 6>of people are like, please don't touch this, Oh messy,

0:28:33.800 --> 0:28:34.639
<v Speaker 6>it's so difficult.

0:28:35.119 --> 0:28:40.520
<v Speaker 1>Well, I think that obviously in America, first of all,

0:28:41.360 --> 0:28:46.080
<v Speaker 1>slavery as a practice is like sadly an age old

0:28:46.520 --> 0:28:50.840
<v Speaker 1>and global industry or was, and it has a very

0:28:50.880 --> 0:28:54.760
<v Speaker 1>specific and I think different kind of connotation here in America,

0:28:55.520 --> 0:29:02.000
<v Speaker 1>which I'm not super eager to is like the basis

0:29:02.720 --> 0:29:07.440
<v Speaker 1>of a show, but I don't think that that's necessarily

0:29:07.440 --> 0:29:09.240
<v Speaker 1>what this show is about. I think what this show

0:29:09.320 --> 0:29:13.760
<v Speaker 1>is about is like the gray line between work and exploitation.

0:29:14.720 --> 0:29:17.920
<v Speaker 1>And like one thing I was thinking about with this show,

0:29:18.320 --> 0:29:21.880
<v Speaker 1>you have this factory in this town, and then it

0:29:21.920 --> 0:29:24.880
<v Speaker 1>closes down and you see the devastation that it leaves behind.

0:29:25.200 --> 0:29:30.480
<v Speaker 1>But when it was active, it was actively devastating the community,

0:29:30.640 --> 0:29:34.160
<v Speaker 1>getting kids looked on ether and then it's pulled out

0:29:34.240 --> 0:29:39.760
<v Speaker 1>and you get this very cynical, cutting mini speech from

0:29:39.800 --> 0:29:43.280
<v Speaker 1>Hampton in which he spouts the kind of corporate capitalist

0:29:43.480 --> 0:29:46.239
<v Speaker 1>jargon about the reasons that they pulled the heart out

0:29:46.280 --> 0:29:48.360
<v Speaker 1>of the town. The heart of the town was this

0:29:48.520 --> 0:29:51.720
<v Speaker 1>terrible factory that was killing everybody. But now that it's gone,

0:29:51.760 --> 0:29:54.959
<v Speaker 1>nobody's happy about that either. And I think that's what

0:29:55.080 --> 0:29:58.840
<v Speaker 1>this show is about. It's about the fact that we've

0:29:58.880 --> 0:30:04.880
<v Speaker 1>created this exploit tative system that nurtures and sustains and

0:30:04.960 --> 0:30:08.720
<v Speaker 1>exploits us all and the only thing worse than this

0:30:08.840 --> 0:30:13.040
<v Speaker 1>terrible exploitive system is if it goes away, And I think,

0:30:13.840 --> 0:30:17.080
<v Speaker 1>because there's nothing else, there's only chaos afterwards.

0:30:17.440 --> 0:30:19.760
<v Speaker 4>And to me, that's what this show is about.

0:30:20.920 --> 0:30:24.640
<v Speaker 1>It's about quote air quotes late stage capitalism, which is

0:30:24.920 --> 0:30:28.720
<v Speaker 1>late stage capitalism to me means we don't have any

0:30:28.760 --> 0:30:32.600
<v Speaker 1>other ideas except this horrible thing that we are actively.

0:30:32.160 --> 0:30:34.000
<v Speaker 3>Doing that's getting more horrible.

0:30:34.400 --> 0:30:36.520
<v Speaker 1>Yeah, So that to me is what this show is about,

0:30:36.560 --> 0:30:39.000
<v Speaker 1>not necessarily not slavery.

0:30:39.040 --> 0:30:40.200
<v Speaker 4>It's about exploitation.

0:30:41.240 --> 0:30:43.840
<v Speaker 6>It's like, yeah, we're trying to like recreate or something

0:30:43.880 --> 0:30:45.560
<v Speaker 6>like that, which I've seen some theory.

0:30:45.600 --> 0:30:47.360
<v Speaker 1>Oh yeah, you see that theory.

0:30:47.760 --> 0:30:50.600
<v Speaker 6>That's the case. But I do think if when you

0:30:50.640 --> 0:30:56.520
<v Speaker 6>look at labor structure through it's consistently like our laws

0:30:56.520 --> 0:30:58.200
<v Speaker 6>are constantly Oh, let me, it's the reason we have,

0:30:58.280 --> 0:31:01.600
<v Speaker 6>like was like two thirty minimm wage for waiters and

0:31:01.640 --> 0:31:05.160
<v Speaker 6>things like that. I think like that thread is being

0:31:05.200 --> 0:31:08.360
<v Speaker 6>constantly put to your point, this space now where people

0:31:08.600 --> 0:31:11.520
<v Speaker 6>are like, hey, as awful as places, I would rather

0:31:11.680 --> 0:31:13.400
<v Speaker 6>just be high so I can survive it because I

0:31:13.480 --> 0:31:16.600
<v Speaker 6>don't seem like an outside of it, And I think

0:31:16.600 --> 0:31:19.239
<v Speaker 6>that works really well. I'm excited to see Harmony re

0:31:19.440 --> 0:31:21.360
<v Speaker 6>enter the picture. The thing that was also really interesting

0:31:21.400 --> 0:31:23.400
<v Speaker 6>to me and Rosie and I Sideline talked about this

0:31:23.440 --> 0:31:26.000
<v Speaker 6>a little bit, was like this the way people felt

0:31:26.040 --> 0:31:28.960
<v Speaker 6>about Harmony after this episode. I thought it was really

0:31:28.960 --> 0:31:32.720
<v Speaker 6>interesting because it's massively divided. Some people were like, hey,

0:31:32.760 --> 0:31:34.360
<v Speaker 6>you were a part of the system, and then you

0:31:34.440 --> 0:31:37.800
<v Speaker 6>created a device that a sort of allows you to

0:31:37.920 --> 0:31:39.920
<v Speaker 6>survive being a part of that system, which I think

0:31:40.040 --> 0:31:41.920
<v Speaker 6>is haunting.

0:31:42.240 --> 0:31:45.440
<v Speaker 3>Probably came from yeah, like she doesn't want about how

0:31:45.600 --> 0:31:46.840
<v Speaker 3>was it used.

0:31:47.480 --> 0:31:50.560
<v Speaker 6>Yeah, because it's really interesting to think about, Like, Okay,

0:31:50.600 --> 0:31:53.520
<v Speaker 6>so Harmony is both a victim and a supporter of

0:31:53.560 --> 0:31:58.120
<v Speaker 6>the system, right and and potentially making the lives of

0:31:58.160 --> 0:32:01.560
<v Speaker 6>folks within the sysem much worse. But she was trying

0:32:01.600 --> 0:32:05.040
<v Speaker 6>to do that by alleviating the daily stress and impact

0:32:05.080 --> 0:32:07.080
<v Speaker 6>of the ten hours you have to be on the grind.

0:32:07.520 --> 0:32:09.080
<v Speaker 6>And I think that there are a lot of folks

0:32:09.120 --> 0:32:11.800
<v Speaker 6>who are like, oh, she's a hero now because she

0:32:11.920 --> 0:32:14.880
<v Speaker 6>sees the evil and she's marching back.

0:32:15.640 --> 0:32:20.720
<v Speaker 3>But we don't know, I mean, we don't know. I'm like, guys,

0:32:20.800 --> 0:32:23.000
<v Speaker 3>I will say too ahead of the game. We don't

0:32:23.040 --> 0:32:25.320
<v Speaker 3>know what she's I don't know. Also, I just want

0:32:25.360 --> 0:32:28.440
<v Speaker 3>to say before Joel and Jason, I both think you're right.

0:32:28.480 --> 0:32:31.840
<v Speaker 3>I think that this is a show and I do

0:32:31.880 --> 0:32:35.560
<v Speaker 3>think that to talk about exploitation in America well around

0:32:35.600 --> 0:32:38.760
<v Speaker 3>the world and the way labor works is to recognize

0:32:38.800 --> 0:32:45.600
<v Speaker 3>that when slavers were stopped from owning people, they had

0:32:45.640 --> 0:32:47.760
<v Speaker 3>to find new ways to exploit people. And I do

0:32:47.800 --> 0:32:51.040
<v Speaker 3>think that the show wants to reckon with how that

0:32:51.200 --> 0:32:55.680
<v Speaker 3>impacts global economy and capitalism. And I also want to say,

0:32:55.880 --> 0:32:57.880
<v Speaker 3>and I'm sorry if you don't want to hear me,

0:32:57.960 --> 0:33:00.479
<v Speaker 3>make this about real life right now, how you can

0:33:00.480 --> 0:33:02.560
<v Speaker 3>put your ear off song, because I know sometimes people

0:33:02.600 --> 0:33:06.640
<v Speaker 3>get tired of me. But like, guess what, Slavery still exists,

0:33:06.720 --> 0:33:10.120
<v Speaker 3>and it's called the prison industrial system, and in its

0:33:10.160 --> 0:33:13.960
<v Speaker 3>own way, severance is very much akin to that, because

0:33:13.960 --> 0:33:16.640
<v Speaker 3>it is this idea of you go into somewhere and

0:33:16.680 --> 0:33:18.560
<v Speaker 3>when you are in there, you are allowed to be

0:33:18.720 --> 0:33:22.200
<v Speaker 3>a slave, even though in every other part of American

0:33:22.240 --> 0:33:25.800
<v Speaker 3>culture allegedly slavery does not exist. But in the prison

0:33:25.840 --> 0:33:30.600
<v Speaker 3>system people are used as indentured servitude labor. They don't

0:33:30.600 --> 0:33:34.000
<v Speaker 3>earn money, and giant corporations make millions and millions of

0:33:34.080 --> 0:33:37.800
<v Speaker 3>dollars of the off of them, huge companies like Walmart,

0:33:38.000 --> 0:33:42.080
<v Speaker 3>like you know, Victoria's Secret, Like, there are companies that

0:33:42.160 --> 0:33:44.640
<v Speaker 3>do that. And I think that if this show has

0:33:44.640 --> 0:33:47.320
<v Speaker 3>the chops and it is exploring that, I think there's

0:33:47.360 --> 0:33:51.120
<v Speaker 3>a lot of similarities there that could be explored. And

0:33:51.280 --> 0:33:54.280
<v Speaker 3>obviously child labor is a part of that too, because

0:33:54.520 --> 0:33:57.160
<v Speaker 3>that has long been a way that working class people

0:33:57.200 --> 0:34:00.960
<v Speaker 3>and people without opportunities to move up the social lata

0:34:01.120 --> 0:34:05.600
<v Speaker 3>in capitalism have been exploited. But yes, so I think

0:34:05.640 --> 0:34:08.680
<v Speaker 3>that it's really interesting. I don't think we're getting any

0:34:08.680 --> 0:34:11.960
<v Speaker 3>of those answers in the next two episodes. I think

0:34:12.000 --> 0:34:14.120
<v Speaker 3>that's like a season three season full type.

0:34:14.239 --> 0:34:16.279
<v Speaker 1>You know, I've been thinking about this before we dive

0:34:16.320 --> 0:34:19.680
<v Speaker 1>into a real theory corner, I think it's maybe useful

0:34:19.760 --> 0:34:22.279
<v Speaker 1>to just kind of list off what we actually know

0:34:22.600 --> 0:34:28.200
<v Speaker 1>for sure, and so let's start here Lumen. Lumen is

0:34:28.440 --> 0:34:31.280
<v Speaker 1>a company with its roots in the mid nineteenth century.

0:34:31.360 --> 0:34:35.560
<v Speaker 1>We know that they started, you know, with topical salves

0:34:36.200 --> 0:34:40.799
<v Speaker 1>and clearly ether this is kind of like early pharmaceutical industry,

0:34:40.880 --> 0:34:45.839
<v Speaker 1>and are now a company that works in the kind

0:34:45.880 --> 0:34:52.280
<v Speaker 1>of confluence of tech medicine and pharmaceuticals somewhere in there, right.

0:34:52.160 --> 0:34:52.719
<v Speaker 3>And they do.

0:34:52.800 --> 0:34:55.400
<v Speaker 1>They probably do other stuff as well, but it seems

0:34:55.400 --> 0:35:00.680
<v Speaker 1>like medical supplies, technology and pharmaceuticals is where Lumen works

0:35:00.680 --> 0:35:04.360
<v Speaker 1>because we remember, I remember there was like a piece

0:35:04.360 --> 0:35:07.839
<v Speaker 1>of dialogue earlier in the show where they were talking

0:35:07.840 --> 0:35:10.200
<v Speaker 1>about someone was sick because they had taken like non

0:35:10.280 --> 0:35:14.319
<v Speaker 1>lumin medication. So we understand that there's Helene I had

0:35:14.320 --> 0:35:19.560
<v Speaker 1>taken non limit. We know that we know that Severance

0:35:19.760 --> 0:35:22.839
<v Speaker 1>was created by a Harmony Cobell who was then the

0:35:22.920 --> 0:35:26.279
<v Speaker 1>manager of the Severed Floor but lost her job in

0:35:26.320 --> 0:35:30.640
<v Speaker 1>the Severance Uprising for reasons that are kind of still

0:35:30.680 --> 0:35:31.680
<v Speaker 1>like a little.

0:35:31.600 --> 0:35:34.400
<v Speaker 3>Is it because they felt like she failed because the

0:35:34.560 --> 0:35:38.920
<v Speaker 3>seven people were able to rebel? I'm interested in that also,

0:35:38.960 --> 0:35:40.560
<v Speaker 3>how much I think it's.

0:35:40.480 --> 0:35:42.760
<v Speaker 1>Because I think it's because she was being too nice

0:35:43.640 --> 0:35:46.880
<v Speaker 1>or what they perceived to be. It's very clear to

0:35:46.920 --> 0:35:50.320
<v Speaker 1>me that they part of what they like about Miltchik

0:35:50.520 --> 0:35:53.120
<v Speaker 1>is milk Chick. When they're like, you got to crack down,

0:35:53.120 --> 0:35:56.440
<v Speaker 1>Meltchick's like fine, and Cobel was not willing, perhaps to

0:35:56.520 --> 0:35:58.880
<v Speaker 1>crack down in the way that Miltchick is.

0:35:59.440 --> 0:36:02.120
<v Speaker 6>Cobell did what she wanted to do.

0:36:02.960 --> 0:36:04.000
<v Speaker 4>She did what she wanted to do.

0:36:04.080 --> 0:36:06.759
<v Speaker 6>At this point, like when they're like, hey, be less smart,

0:36:06.800 --> 0:36:08.560
<v Speaker 6>he's like, all right, I'll grow up. I'll just yell

0:36:08.600 --> 0:36:10.319
<v Speaker 6>at myself in a mirror until I conform to year

0:36:10.400 --> 0:36:12.960
<v Speaker 6>they were. His harmony is like I'll pretend to be

0:36:13.120 --> 0:36:15.759
<v Speaker 6>a milk helper and like teach this woman.

0:36:16.840 --> 0:36:18.080
<v Speaker 3>Yeah yeah, yeah, yeah.

0:36:19.920 --> 0:36:22.800
<v Speaker 1>Well I think like the introduction of miss Casey into

0:36:23.320 --> 0:36:26.680
<v Speaker 1>the severed flass clearly her idea, and it went badly.

0:36:27.040 --> 0:36:30.280
<v Speaker 1>We know that you can be severed multiple times, which

0:36:30.400 --> 0:36:35.440
<v Speaker 1>was a big question mark, right. We know that specifically

0:36:35.480 --> 0:36:39.600
<v Speaker 1>the board level people and probably management level people look

0:36:39.600 --> 0:36:43.359
<v Speaker 1>at Innis with utter disdain. And we know that that

0:36:43.480 --> 0:36:47.480
<v Speaker 1>this process was seen, at least in some leadership circles

0:36:47.560 --> 0:36:50.560
<v Speaker 1>in Lumen as a kind of way to like rehabilitate

0:36:51.760 --> 0:36:56.600
<v Speaker 1>people who were either criminals as we saw with Bert,

0:36:56.800 --> 0:36:59.480
<v Speaker 1>or maybe something else. Is that all we know?

0:36:59.640 --> 0:37:02.080
<v Speaker 3>But that's a lot, that's a lot. We That's the

0:37:02.120 --> 0:37:04.160
<v Speaker 3>funny thing, like Joelle said where she was like she

0:37:04.200 --> 0:37:06.600
<v Speaker 3>watched this episode and she was like, is there a mystery?

0:37:06.680 --> 0:37:09.200
<v Speaker 3>Like is it just about this person who is like

0:37:09.360 --> 0:37:15.040
<v Speaker 3>escape child labor by creating apparently a more humane way

0:37:15.120 --> 0:37:17.800
<v Speaker 3>to create a labor force and is now living with it.

0:37:18.080 --> 0:37:21.960
<v Speaker 3>I think it really could be that simple. I'm interested

0:37:22.000 --> 0:37:26.920
<v Speaker 3>to see if they do a big swing kind of

0:37:27.520 --> 0:37:30.960
<v Speaker 3>genre hint moment at the end, because they have to

0:37:31.080 --> 0:37:35.040
<v Speaker 3>have that hook in the last two episodes to make

0:37:35.080 --> 0:37:36.600
<v Speaker 3>people want to watch season three.

0:37:36.760 --> 0:37:40.800
<v Speaker 1>Here's what the miss there's there's two mysteries to me.

0:37:41.080 --> 0:37:45.920
<v Speaker 1>One is why is Jemma down there? Like why what

0:37:46.080 --> 0:37:50.440
<v Speaker 1>does specifically her being down there accomplish for the company,

0:37:50.640 --> 0:37:54.919
<v Speaker 1>Because clearly that's important, right and Mark's work with Cold

0:37:54.960 --> 0:37:57.040
<v Speaker 1>Harbor is tied up in that. That's to me the

0:37:57.120 --> 0:37:59.680
<v Speaker 1>central mystery. Why is Jemma down there? Why they kidnap her?

0:38:00.000 --> 0:38:02.640
<v Speaker 1>Why do they make her disappear? And why is she

0:38:02.719 --> 0:38:05.600
<v Speaker 1>so important or whatever the project is, because what the

0:38:05.600 --> 0:38:08.560
<v Speaker 1>project is, I think is kind of that the central mystery.

0:38:08.880 --> 0:38:12.840
<v Speaker 1>And then the second overall missing piece, to me, that

0:38:13.000 --> 0:38:15.799
<v Speaker 1>is kind of mystery, and we've gotten hints of it.

0:38:16.120 --> 0:38:18.640
<v Speaker 1>What does the rest of the world know about Severance

0:38:19.040 --> 0:38:20.759
<v Speaker 1>and what do they think about it?

0:38:20.840 --> 0:38:22.399
<v Speaker 4>Like we get these hints.

0:38:22.080 --> 0:38:25.920
<v Speaker 1>That like, oh, the story of your innies became very popular,

0:38:26.120 --> 0:38:28.120
<v Speaker 1>like on the outside, it was all over the news

0:38:28.200 --> 0:38:30.600
<v Speaker 1>like this. Uprising notes we get these hints right where

0:38:30.640 --> 0:38:32.880
<v Speaker 1>they say stuff like that, but we don't really know

0:38:32.920 --> 0:38:33.800
<v Speaker 1>what people almost.

0:38:33.880 --> 0:38:36.680
<v Speaker 3>It's like, is it just a company town.

0:38:36.400 --> 0:38:39.319
<v Speaker 1>We don't really know what people think about it. And

0:38:39.360 --> 0:38:43.040
<v Speaker 1>I think that's an important part of this, because do

0:38:43.080 --> 0:38:46.279
<v Speaker 1>we live in a world in which this is fine, right,

0:38:46.920 --> 0:38:48.279
<v Speaker 1>or do we live in a world in which this

0:38:48.360 --> 0:38:48.560
<v Speaker 1>is not?

0:38:48.680 --> 0:38:50.600
<v Speaker 3>Okay? That's kind of a big deal.

0:38:51.040 --> 0:38:54.040
<v Speaker 6>I got a hint of it when Dylan was interviewing

0:38:54.080 --> 0:38:58.200
<v Speaker 6>at the Door Factory and it was all going well

0:38:58.280 --> 0:39:00.319
<v Speaker 6>until the guys are like leaning into like, oh, you're

0:39:00.480 --> 0:39:04.080
<v Speaker 6>severed and so definitely, and then a little bit when

0:39:04.440 --> 0:39:06.800
<v Speaker 6>we go to Birt's place and when you're like, okay,

0:39:07.160 --> 0:39:11.960
<v Speaker 6>so the church is okay with it. Is it like

0:39:12.080 --> 0:39:15.840
<v Speaker 6>connected to Lumen in a larger way or is it

0:39:15.880 --> 0:39:18.600
<v Speaker 6>that like there's something really about that where they're like, hey, no,

0:39:19.000 --> 0:39:21.440
<v Speaker 6>these are like individuals who still have a chance of

0:39:21.719 --> 0:39:23.600
<v Speaker 6>getting saved at the end of their lives. I think

0:39:23.600 --> 0:39:27.480
<v Speaker 6>it's probably split. I'm curious to see, like to what level, Yeah, like,

0:39:27.520 --> 0:39:30.360
<v Speaker 6>are were people marching in the streets against it? Is

0:39:30.360 --> 0:39:31.759
<v Speaker 6>this just a thing where like, hey, if you choose

0:39:31.760 --> 0:39:33.080
<v Speaker 6>to do it like that's your business. I think that

0:39:33.120 --> 0:39:35.000
<v Speaker 6>will be really interesting. I do hope we find out

0:39:35.040 --> 0:39:36.960
<v Speaker 6>like I hope we get a world opener at the

0:39:37.080 --> 0:39:39.840
<v Speaker 6>very end. I hope we see a different space or

0:39:39.880 --> 0:39:43.160
<v Speaker 6>a different angle outside of the main building to sort

0:39:43.200 --> 0:39:46.200
<v Speaker 6>of fill that space. And I'm also hoping, yeah, I'm

0:39:46.200 --> 0:39:50.000
<v Speaker 6>also hoping, like I really love when the penultimate episode

0:39:50.840 --> 0:39:54.600
<v Speaker 6>has a big reveal and then the finale is questions.

0:39:54.880 --> 0:39:57.080
<v Speaker 6>That's always really thrilling to me. I hope that's the

0:39:57.080 --> 0:39:58.680
<v Speaker 6>direction we're going with season two.

0:39:58.760 --> 0:40:01.080
<v Speaker 3>Yeah, I do think. I I would love to see

0:40:01.080 --> 0:40:03.360
<v Speaker 3>if it's going to be like a kind of, you know,

0:40:03.440 --> 0:40:06.480
<v Speaker 3>a classic very divisive pull out where you kind of

0:40:06.520 --> 0:40:10.040
<v Speaker 3>realize that the places that have severance are almost like

0:40:10.520 --> 0:40:13.160
<v Speaker 3>company towns where no one else can go, and there's

0:40:13.360 --> 0:40:17.320
<v Speaker 3>kind of like what Saltsneck was, but in an even

0:40:17.400 --> 0:40:21.280
<v Speaker 3>more broad way where there's I'm very interested. I think,

0:40:21.560 --> 0:40:24.120
<v Speaker 3>as much as we know, they're doing a good job

0:40:24.160 --> 0:40:28.600
<v Speaker 3>of keeping us intrigued with questions like this that could

0:40:28.600 --> 0:40:32.600
<v Speaker 3>be completely relevant or absolutely irrelevant, and we never get

0:40:32.640 --> 0:40:35.359
<v Speaker 3>the answers to them. So I'm interested for the next

0:40:35.440 --> 0:40:36.760
<v Speaker 3>two episodes to see.

0:40:36.560 --> 0:40:41.360
<v Speaker 1>Why any theories any did this episode change or create

0:40:41.480 --> 0:40:42.720
<v Speaker 1>any new theories for you, Joel.

0:40:43.680 --> 0:40:46.400
<v Speaker 6>No, I'm just more convinced than ever that Milchik is

0:40:46.440 --> 0:40:51.640
<v Speaker 6>also part of this like fellowship program back in the day, I.

0:40:52.640 --> 0:40:54.920
<v Speaker 4>Know that miss as a wintertime.

0:40:54.440 --> 0:40:56.680
<v Speaker 6>Fellow harmony was like his like.

0:40:58.080 --> 0:41:01.480
<v Speaker 4>Teacher or like maybe she victim or something.

0:41:01.600 --> 0:41:05.279
<v Speaker 6>Yeah, And then I saw a really good theory that

0:41:05.320 --> 0:41:09.120
<v Speaker 6>I liked, which is that Burt isn't severed and never

0:41:09.200 --> 0:41:09.640
<v Speaker 6>has been.

0:41:13.560 --> 0:41:17.480
<v Speaker 3>He could sell it. I believe it. One of the

0:41:17.520 --> 0:41:19.879
<v Speaker 3>ones that something you sent me, Joel that I thought

0:41:19.880 --> 0:41:22.040
<v Speaker 3>was really interesting that I'd love to know more about.

0:41:22.200 --> 0:41:28.400
<v Speaker 3>Is the connection between Like what Natalie wears is essentially

0:41:28.440 --> 0:41:32.000
<v Speaker 3>the same jumpsuit as we see Gemma when she is where,

0:41:32.200 --> 0:41:35.279
<v Speaker 3>and I think there's some interesting stuff there, Like, is

0:41:35.320 --> 0:41:38.560
<v Speaker 3>the reason that mil Chick and Natalie connect not because

0:41:38.960 --> 0:41:41.640
<v Speaker 3>of some you know, they're looking at each other and

0:41:41.680 --> 0:41:45.080
<v Speaker 3>being like, oh, maybe we're both being exploited in this system,

0:41:45.239 --> 0:41:48.799
<v Speaker 3>or but actually because she is his Gemma? Like is

0:41:48.840 --> 0:41:52.040
<v Speaker 3>that something do they make? They do they bring in

0:41:52.200 --> 0:41:55.720
<v Speaker 3>people who are close and see to test how well

0:41:55.800 --> 0:41:58.920
<v Speaker 3>the severance is working. And do those women have to

0:41:59.000 --> 0:42:02.480
<v Speaker 3>constantly be traumatized and tortured and in this case, two

0:42:02.560 --> 0:42:04.839
<v Speaker 3>women of color that we've seen to keep proving that.

0:42:05.239 --> 0:42:09.760
<v Speaker 3>I think that that I don't think anything is aesthetically

0:42:09.800 --> 0:42:13.240
<v Speaker 3>an accident here. So I want to know the jumpsuit connection.

0:42:13.400 --> 0:42:17.319
<v Speaker 3>I think that's so interesting and otherwise I just want

0:42:17.320 --> 0:42:19.000
<v Speaker 3>to I would like to know, and I think this

0:42:19.040 --> 0:42:21.919
<v Speaker 3>is doable in a way that doesn't explode the show out.

0:42:22.320 --> 0:42:24.720
<v Speaker 3>I want to know the connection between Harmony and mcgarby

0:42:24.760 --> 0:42:28.040
<v Speaker 3>because I think that is going to be very very interesting.

0:42:29.520 --> 0:42:33.680
<v Speaker 1>I mean, that is sadly the one you know, it's like,

0:42:34.080 --> 0:42:37.560
<v Speaker 1>that's the one conversation that if they are allowed to

0:42:37.600 --> 0:42:40.279
<v Speaker 1>have a five minute conversation on screen, then we know

0:42:40.400 --> 0:42:41.439
<v Speaker 1>everything about the show.

0:42:41.600 --> 0:42:46.600
<v Speaker 3>Maybe maybe the writing's good enough to get around it,

0:42:46.680 --> 0:42:47.640
<v Speaker 3>but yeah.

0:42:47.880 --> 0:42:52.440
<v Speaker 1>My takeaway theory wise from this episode is, listen, we

0:42:52.480 --> 0:42:55.880
<v Speaker 1>saw the previous episode that Devin was like really struggling,

0:42:56.560 --> 0:42:59.360
<v Speaker 1>not really struggling with where to call Harmony was gonna

0:42:59.440 --> 0:43:01.319
<v Speaker 1>call her, and where Gobbi walked out and was like,

0:43:01.320 --> 0:43:03.439
<v Speaker 1>don't you dare call that woman. You're on your own

0:43:03.960 --> 0:43:08.080
<v Speaker 1>understandably right, And then then you know, Mark woke up

0:43:08.120 --> 0:43:10.560
<v Speaker 1>and we wondered what she would do, and clearly she

0:43:10.640 --> 0:43:13.640
<v Speaker 1>made the call but then she puts Mark on the

0:43:13.680 --> 0:43:15.520
<v Speaker 1>phone and says, we have a different idea.

0:43:15.600 --> 0:43:16.520
<v Speaker 4>I think a lot of it.

0:43:18.280 --> 0:43:23.960
<v Speaker 1>I do think that this call was significantly Mark's idea,

0:43:24.160 --> 0:43:28.200
<v Speaker 1>because I think whatever he has come to discover through reintegration,

0:43:28.840 --> 0:43:30.080
<v Speaker 1>he understands that.

0:43:32.280 --> 0:43:33.320
<v Speaker 4>He needs Cobel.

0:43:33.600 --> 0:43:33.839
<v Speaker 5>Now.

0:43:34.320 --> 0:43:37.200
<v Speaker 3>Yeah, I was wondering if he's trying to draw her

0:43:37.280 --> 0:43:41.399
<v Speaker 3>back in and they're planning on taking Cabell as not

0:43:41.440 --> 0:43:44.640
<v Speaker 3>necessarily like a hostage, but holding her and trying to

0:43:44.640 --> 0:43:47.200
<v Speaker 3>get answers out of her. That was kind of the

0:43:47.239 --> 0:43:48.120
<v Speaker 3>feeling I got.

0:43:48.760 --> 0:43:51.759
<v Speaker 1>I think he knows obviously knows a lot more now

0:43:51.840 --> 0:43:54.640
<v Speaker 1>about the and has the full a fuller picture, and

0:43:54.680 --> 0:43:57.799
<v Speaker 1>I think he knows that Cobell in her position would

0:43:57.920 --> 0:44:00.520
<v Speaker 1>have much more of the picture, and maybe he sees

0:44:00.560 --> 0:44:02.759
<v Speaker 1>her actions differently to that end.

0:44:02.800 --> 0:44:04.320
<v Speaker 4>You know, we had been earlier.

0:44:03.920 --> 0:44:06.279
<v Speaker 1>In the season, not now, I've been talking about like

0:44:06.320 --> 0:44:09.360
<v Speaker 1>a milk Chick redemption arc. I do think it's that

0:44:09.440 --> 0:44:11.920
<v Speaker 1>we get. I don't think that's happening, but I do

0:44:12.000 --> 0:44:16.400
<v Speaker 1>think we get a Cobel redemption arc for the wrong reasons,

0:44:16.480 --> 0:44:22.440
<v Speaker 1>Like I think that she will help Mark, but probably

0:44:22.560 --> 0:44:27.480
<v Speaker 1>not for pure reasons, not fully pure reasons, but I

0:44:27.480 --> 0:44:30.319
<v Speaker 1>think there we're gonna get something like a Cobel redemption arc.

0:44:30.440 --> 0:44:34.279
<v Speaker 3>Okay here this is my bleakest possible ending, but I

0:44:34.280 --> 0:44:37.680
<v Speaker 3>do think it would hook people up. What if Cobell

0:44:37.840 --> 0:44:41.880
<v Speaker 3>somehow convinces Mark to essentially like go back in and

0:44:42.000 --> 0:44:44.600
<v Speaker 3>just like essentially take over her role as a manager,

0:44:45.360 --> 0:44:47.960
<v Speaker 3>to be able to be close to Jemma to kind

0:44:48.000 --> 0:44:50.319
<v Speaker 3>of and it's kind of about this systemic like what

0:44:50.400 --> 0:44:53.040
<v Speaker 3>will you accept if it works for you, Like if

0:44:53.080 --> 0:44:55.400
<v Speaker 3>you can get something you want out of this interesting

0:44:55.440 --> 0:44:57.160
<v Speaker 3>what will you do to other people? I don't think

0:44:57.200 --> 0:44:58.680
<v Speaker 3>they'll go there, but I do think it would be

0:44:58.719 --> 0:45:02.600
<v Speaker 3>an interesting hook. Obviously, then you know, sorry, right as Room,

0:45:02.640 --> 0:45:04.799
<v Speaker 3>I know I'm not part of you season three? You do?

0:45:04.920 --> 0:45:07.200
<v Speaker 3>Oh well, Mark's actually like a spy, a kind of

0:45:07.239 --> 0:45:09.840
<v Speaker 3>reverse Helena, and he wants to help everyone out. But

0:45:09.880 --> 0:45:11.400
<v Speaker 3>I think that could be a good hook on the

0:45:11.480 --> 0:45:14.120
<v Speaker 3>end where it seems like to get Jemma back, he's

0:45:14.120 --> 0:45:16.800
<v Speaker 3>willing to become part of the lumin system.

0:45:17.320 --> 0:45:21.279
<v Speaker 1>Do we think that Mark, in his reintegration, has discovered

0:45:21.320 --> 0:45:24.239
<v Speaker 1>that there are more any any Marks than he was

0:45:24.280 --> 0:45:28.319
<v Speaker 1>aware of, because there is that Yeah, there is that

0:45:29.000 --> 0:45:32.400
<v Speaker 1>thing from the credits, the earlier version of the credits

0:45:32.400 --> 0:45:33.719
<v Speaker 1>where Cobel is looking.

0:45:33.480 --> 0:45:36.800
<v Speaker 4>Down at all the little marks, and.

0:45:38.160 --> 0:45:42.120
<v Speaker 1>I would not be completely surprised if on reintegration Mark

0:45:42.160 --> 0:45:44.080
<v Speaker 1>discovered all these other pieces of himself in there.

0:45:44.120 --> 0:45:47.719
<v Speaker 6>There's also somebody did a rewatch of the first episode

0:45:47.760 --> 0:45:51.360
<v Speaker 6>for hints we may have missed, and there seems to

0:45:51.400 --> 0:45:55.920
<v Speaker 6>be this feeling that Mark is missing time in between

0:45:56.000 --> 0:45:58.520
<v Speaker 6>him going into the building and him appearing on the

0:45:58.560 --> 0:46:01.759
<v Speaker 6>lower floor, Like when he walks in, his boots are dry.

0:46:01.800 --> 0:46:03.640
<v Speaker 6>When he's taking them off before he goes down, they're

0:46:03.680 --> 0:46:07.799
<v Speaker 6>like covered and water. It seems to me that they

0:46:07.840 --> 0:46:09.720
<v Speaker 6>made such a big deal. What was that like episode

0:46:10.320 --> 0:46:13.920
<v Speaker 6>two where like the time was suddenly completely messed up

0:46:13.920 --> 0:46:17.480
<v Speaker 6>after he got reintegrated. So you kind of wonder, like, oh,

0:46:18.040 --> 0:46:20.720
<v Speaker 6>as he's getting further into his reintegration, will he discover

0:46:20.960 --> 0:46:22.080
<v Speaker 6>additional ania.

0:46:22.239 --> 0:46:25.600
<v Speaker 3>And that's the one that also would would make sense

0:46:25.680 --> 0:46:28.080
<v Speaker 3>because of how hard it was to reintegrate him and

0:46:28.080 --> 0:46:30.560
<v Speaker 3>how he was kind of the reintegration was so dangerous

0:46:30.560 --> 0:46:34.120
<v Speaker 3>because how do you reintegrate into like how do you

0:46:34.160 --> 0:46:36.840
<v Speaker 3>reintegrate if there's like multiple versions of you that have

0:46:36.920 --> 0:46:39.879
<v Speaker 3>been seven Yeah, where is the time. Okay, I think

0:46:40.120 --> 0:46:43.800
<v Speaker 3>you guys here and I think that is a good likely.

0:46:44.000 --> 0:46:47.719
<v Speaker 3>We were right theory for the last two episodes. I'm

0:46:47.880 --> 0:46:49.400
<v Speaker 3>saying it now.

0:46:50.440 --> 0:46:52.640
<v Speaker 1>On tomorrow's episode of Extra Vision, we're getting back into

0:46:52.680 --> 0:46:55.319
<v Speaker 1>the suit visiting our favorite Hell's Kitchen restaurant. In the

0:46:55.360 --> 0:46:58.360
<v Speaker 1>third episode of daredel Board again, that's it for this episode.

0:46:58.680 --> 0:47:00.960
<v Speaker 1>Thanks for listening, Thanks for joining us, Joelle.

0:47:01.000 --> 0:47:04.920
<v Speaker 3>Thank you, Joel, and goodbye from luman our sponsor.

0:47:08.239 --> 0:47:11.120
<v Speaker 1>X ray Vision is hosted by Jasoncepcion and Rosie Knight

0:47:11.200 --> 0:47:13.000
<v Speaker 1>and is a production of iHeart Podcast.

0:47:13.360 --> 0:47:16.960
<v Speaker 3>Our executive producers are Joel Monique and Aaron Kaufman.

0:47:17.200 --> 0:47:19.240
<v Speaker 4>Our supervising producer is Abu Zafar.

0:47:19.600 --> 0:47:23.560
<v Speaker 3>Our producers are Common Laurent Dean Jonathan and Fay Wag.

0:47:23.680 --> 0:47:26.439
<v Speaker 1>A theme song is by Brian Vasquez, with alternate theme

0:47:26.520 --> 0:47:27.800
<v Speaker 1>songs by Aaron Kaufman.

0:47:27.960 --> 0:47:31.319
<v Speaker 3>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

0:47:31.440 --> 0:47:33.200
<v Speaker 3>Heidi our discord moderator.