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Speaker 1: It's time to wake up on a Tuesday. Is the

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Speaker 1: wedding day, Nana bed May, it's time to wake up

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Speaker 1: on a tunesday. We had to change that the native bed.

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Speaker 1: Good morning, Danielle, Hi Froggy, Good morning us. There's scary

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Speaker 1: Welcome to the Day. Nile Horns on the way, and

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Speaker 1: I just want to get that out of the way.

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Speaker 1: Let you know he's coming in. I didn't know he's

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Speaker 1: performing for us. Oh, that's awesome. We'll look. They're setting

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Speaker 1: up in the Elvis Durant Performing Arts Center. I guess

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Speaker 1: that's Niles performing for us. Engineer Jeff is here, bright

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Speaker 1: and early. Is that for Nil? Is he really performing

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Speaker 1: for us? Yeah? So excited? All right, bring it on,

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Speaker 1: Nile Horns and today. Any other guests or that's that's

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Speaker 1: all we need? Right? Alright? Well, Welcome to Tuesday. It's mate.

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Speaker 1: Always love that song Return of the Mac. You like

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Speaker 1: that Welcome to the Day? M hmm. Is this a

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Speaker 1: pre recorded show or a live show? Are you wondering?

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Speaker 1: Are you wondering it for sitting in a studio on

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Speaker 1: a Wednesday recording a show for the following day with

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Speaker 1: this run, maybe Tuesday, Tuesday, I wonder, how do you know?

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Speaker 1: How do you know? You know? What if this is recorded?

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Speaker 1: What if this is not happening as you're hearing it?

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Speaker 1: I know how to prove that it's real? Well? Well,

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Speaker 1: I don't know if I want you to quite yet?

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Speaker 1: Do we have Well, you know, someone screwed this up?

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Speaker 1: Everyone let it go. Someone sent a text and asking

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Speaker 1: if we were alive. I was gonna call them, but

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Speaker 1: how can I all them when it's a week later?

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Speaker 1: I don't know. Do you have to go back in time? Hi,

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Speaker 1: I'm calling from the future to let you know that

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Speaker 1: were i'd be calling from the past to let you

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Speaker 1: know that we're calling you in the future. Yeah, okay,

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Speaker 1: how can you prove to everyone we're live? I can

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Speaker 1: record on Snapchat this conversation because I can't pre post

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Speaker 1: a Snapchat. I bet someone could find a way to

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Speaker 1: do that. Yeah, but I won't do it, so maybe

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Speaker 1: it is fake. Hello Dave, going well, good morning Dave.

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Speaker 1: People are wondering if this is a live show or

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Speaker 1: if this is recorded. So are we recording you on

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Speaker 1: like a Wednesday to play back on the following Tuesday. No,

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Speaker 1: this is this was right after moment day. Okay, thanks

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Speaker 1: for playing along. But Dave, but what if we had

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Speaker 1: told you, Okay, pretend it's the day after a Memorial Day?

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Speaker 1: What if what if Dave is acting? That's true. I

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Speaker 1: don't know, we could have hired you. You're an actor.

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Speaker 1: All right, Well, we are live. We're totally totally live.

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Speaker 1: It is Tuesday. We're live because my dad would say,

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Speaker 1: unless you're listening to this tomorrow. And now Dave is

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Speaker 1: thinking about calling out of work today and doing a

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Speaker 1: road trip to Pennsylvania from Long Island just to get

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Speaker 1: out of town. We kind of fun. You should do that. Yeah,

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Speaker 1: I'm trying to extend a weekend since the weekend wasn't

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Speaker 1: really that uh that night. Figure, what's one more day

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Speaker 1: really gonna hurt anybody? I agree, Let's turn this baby

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Speaker 1: off and put on an album. It's true though. No, Okay,

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Speaker 1: So if you decided to call in sick today or whatever,

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Speaker 1: and you drove all the way to Pennsylvania, where would

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Speaker 1: you go? What would you do? Probably see my cousins?

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Speaker 1: Uh near Lancaster. Oh excellent, we're on out there on

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Speaker 1: w l A N Lancaster. Yeah. All I gotta I

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Speaker 1: gotta do is take one fold over the bridge and

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Speaker 1: I'm there. It's gonna cost you a couple of pennies

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Speaker 1: to get over there. You should go, I say go.

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Speaker 1: We allow you to go because you have another station

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Speaker 1: you can get us on, so you can basically listen

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Speaker 1: to us the hallway. So I have a wonderful trip, Dave,

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Speaker 1: and extend that weekend. You do it, buddy, A god

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Speaker 1: to say. One thing? That's the Bethany what My wife

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Speaker 1: got mad at me because I said that you actually

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Speaker 1: eat Big Newton's the same way I do, and I

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Speaker 1: didn't think anybody else. No, wait a minute, Dave, how

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Speaker 1: do you and Bethany eat Fig Newton's. You eat like

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Speaker 1: the outside first, so you save the fruit in the middle. Yeah,

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Speaker 1: especially like peel off the side, the thicker sides, the

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Speaker 1: ants last. Yeah, the crunchy ants are last. It up.

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Speaker 1: I had Fig Newton yesterday and by Brody loves Fig

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Speaker 1: Newton is so good. They have the crunchy ants inside.

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Speaker 1: All right, Well, Dave, you and Bethany you do have

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Speaker 1: that in common. You'd like to peel your Fig Newton. Dave,

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Speaker 1: you're the first caller of the day. No matter what

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Speaker 1: you're doing today, We're going to send you an Elvis

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Speaker 1: Duran shirt. Thank you for listening to a sir, Thank

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Speaker 1: you so much, big fan of the show. Well, thank you.

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Speaker 1: Hold on one second, enjoy your road trip around the room.

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Speaker 1: We'll start with you, Bethune. What's going on all right?

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Speaker 1: If you are an introvert like me, do not agree

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Speaker 1: to something when you're in a good mood because when

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Speaker 1: you then the day actually comes, you're going to have

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Speaker 1: to do it, but you're not going to be the

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Speaker 1: same good mood you were before. So never go grocery

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Speaker 1: shopping when you're hungry, and never agree to something when

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Speaker 1: you're in a good mood. It's true, Like I do

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Speaker 1: what I invite you on vacation time, that's when you're wasted.

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Speaker 1: Never ever meant it. Every froggy, what's up with you today?

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Speaker 1: You know, Elvis, if you really want to feel loved

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Speaker 1: in life, I'll tell you what you do. We went

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Speaker 1: away for a couple of days and we put our

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Speaker 1: puppy at the pet lodge. Yesterday we picked them up.

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Speaker 1: I have never seen anything in my life happy or

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Speaker 1: to see a group of human beings that he was

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Speaker 1: when we walked in the door. He has so much

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Speaker 1: fun when he's there playing with the puppies, but man,

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Speaker 1: he could not get enough of the three of us.

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Speaker 1: He didn't know who to run two first to me.

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Speaker 1: Lisa was so excited we got home. He kissed our

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Speaker 1: faces and we were like, okay, rocky enough. But it

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Speaker 1: just makes you feel another reason everyone needs a pet.

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Speaker 1: They do, or at least one person that sort of

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Speaker 1: likes them, right both, Hey, what's up with you today,

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Speaker 1: Danielle Mike is also about pets. I found out over

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Speaker 1: the weekend that it's very hard to sort socks with

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Speaker 1: the kittens. You put one sock down and one kitten

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Speaker 1: drags it away. You put another stock down and that

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Speaker 1: one disappears, and then they come in and they fight

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Speaker 1: with each other. And that's like, guys, I'm not getting

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Speaker 1: anything done that I want to play with them. So

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Speaker 1: it took me about an hour to sort a bunch

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Speaker 1: of socks because I was distracted by kittens yesterday. And

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Speaker 1: kittens are so small you can actually turn them into

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Speaker 1: another song where the cat but cats dogs love them all.

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Speaker 1: Let's get into your horse culture at first. My Happy

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Speaker 1: birthday to Elsa Dina Manzel is her birthday today and

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Speaker 1: we love her so Happy birthday to her Capricorn. You

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Speaker 1: have a ton of ambition and lots to do. Don't

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Speaker 1: let it go by the waist. Don't they dream Your

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Speaker 1: days of nine Aquarius realized that some thoughts need to

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Speaker 1: be kept to yourself. Be cautious of what you share

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Speaker 1: with others. Your days of seven. He's a friend will

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Speaker 1: mock one of your goals. Remember, life is a different

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Speaker 1: path for those who dare to dream. Your days and

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Speaker 1: nine aries, you have an extremely persuasive personality. Use that

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Speaker 1: to your advantage, but don't overdo it. Your days of

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Speaker 1: seven tours achieving satisfaction. Maybe more challenge lenging than you

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Speaker 1: once thought, but don't give up. You're so close to success.

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Speaker 1: Your days in eight Gemini, you don't like to reveal

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Speaker 1: much about your personal needs, but sometimes it's beneficial to

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Speaker 1: be open. Your Days of nine Cancer, somebody's going to

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Speaker 1: prove that they're less reliable than you hoped. Thankfully, you're

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Speaker 1: going to find the inner strength to bounce back. In

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Speaker 1: your days of nine Leo, your creativity will reach a peak.

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Speaker 1: Take time to explore this newfound energy. Your days of

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Speaker 1: ten Verago, you might waste precious time trying to clean

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Speaker 1: up a recent misunderstanding, take a few steps back to

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Speaker 1: avoid making the situation worse. And your days of seven Libra,

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Speaker 1: lack of communication is going to cause problems with a

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Speaker 1: loved one. Try to express your feelings in a better way.

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Speaker 1: Your days and eight Scrapy will be aware of your surroundings.

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Speaker 1: You might meet somebody that you connect with on a

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Speaker 1: magical level. Your days of seven and Sagittarius. Don't be

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Speaker 1: overwhelmed by tasks on your to do list. Start crossing

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Speaker 1: off things at your own pace. Your day is in

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Speaker 1: eight and those are your Tuesday morning horoscope. Once again,

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Speaker 1: if you're just turning us on, we are live. There's

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Speaker 1: nothing recorded about this. Nile Horn is on the way in.

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Speaker 1: We're gonna talk to him. It's performing for us. I

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Speaker 1: still sound like I have a break in my head. Yeah, hello,

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Speaker 1: I'm a break in my hand. Everyone has to feel good.

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Speaker 1: Sound like crap. Keep that in mind. Let's get into

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Speaker 1: your headlines, Bethany, what's going on? Tiger Woods was arrested

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Speaker 1: for d u I over the weekend. He was spotted

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Speaker 1: driving erratically, and when police pulled him over, he reportedly

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Speaker 1: became arrogant and refused a breathalyzer, which in Florida means

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Speaker 1: automatic arrests and license suspension. He was out eight hours

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Speaker 1: later and released a statement saying he had an unexpected

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Speaker 1: reaction to prescribed medications and that alcohol was not involved.

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Speaker 1: Former Panamania und dictator Manuel Noriega has died at the

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Speaker 1: age of eighty three. He was recovering from surgery for

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Speaker 1: a brain tumor. Noriega took power in nineteen eighty three

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Speaker 1: ran Panama as a military dictator until nine when US

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Speaker 1: forces invaded the country and arrested him. We also lost

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Speaker 1: a legendary rocker, Greg Allman over the weekend. He was

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Speaker 1: sixty nine. He'd had multiple health issues over the years.

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Speaker 1: He fronted the Almond Brothers band for forty five years

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Speaker 1: and also had a successful solo career. And l was

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Speaker 1: when do you shower? Do you shower at night before

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Speaker 1: bed or in the morning when you wake up? Always

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Speaker 1: in the morning. See it now, they're saying showering at

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Speaker 1: night could be better. Why did they say that? They

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Speaker 1: say it's actually the center for sleep medicine. They say

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Speaker 1: it might be better to shower at night. It cools

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Speaker 1: you down before you go to bed, and if you

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Speaker 1: give yourself about an hour and a half. Post shower,

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Speaker 1: your body will cool down, so the shower actually heats

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Speaker 1: you up, but then your body cools back down to

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Speaker 1: tell your brain that it's time for sleep. So if

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Speaker 1: you have a hard time sleeping, try taking a shower

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Speaker 1: one and a half hours before you go to bed.

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Speaker 1: I will No, you won't, Well no I won't. I

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Speaker 1: mean I have to shower in the morning or I

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Speaker 1: can't wake up. Oh see, I shower before I go

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Speaker 1: to bed, all clean and like nice when I get

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Speaker 1: into the shop. Well, there is something to be said about,

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Speaker 1: you know, staying clean for your sheets. Yeah, so maybe

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Speaker 1: you shower in both and you wipe all the oils

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Speaker 1: off your body. Perfect doing you dirty the sheets up anyway?

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Speaker 1: Later on wink, Come on, not me, I'm sorry. Someone

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Speaker 1: Just send a text Elvis. You can prove that your

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Speaker 1: lie by sending me a thousand daughter of Visa gift.

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Speaker 1: Good Try w hasta feeling Elvis Duran in the morning

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Speaker 1: show like the I Heart Summer seventeen Weekend by A

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Speaker 1: T and T is almost here. Your chance to party

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Speaker 1: with Fifth Harmony in Miami. Your way is almost gone,

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Speaker 1: So enter now by posting a video on social describing

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Speaker 1: the ultimate Summer Your Way and use hashtag Summer Your

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Speaker 1: Way and hashtag contest. Phone tap replay Elvis Elvis Duran

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Speaker 1: the Elvis Durant phone tap. There she is. There's Web

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Speaker 1: Girl Kathleen. High Web Girl, Kathleen. We love your phone

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Speaker 1: taps because you really do kind of slice through and

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Speaker 1: you show off your skills at being a very very

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Speaker 1: very cunning bitch. Yes, but you know you're acting. You're

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Speaker 1: merely acting. That's the beauty. So web growl, Kathleen. What's

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Speaker 1: your phone tap about today? So our listener, Becca is

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Speaker 1: a senior in high school and she wants to phone

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Speaker 1: tap her dad about prom. So apparently Becca has some

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Speaker 1: plans that her dad doesn't know about. And that's where

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Speaker 1: I come in as her dates mom. Oh boy, you

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Speaker 1: don't mess with a dad about this, little girl. You

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Speaker 1: know that. I'm sorry. We'll see what happens in today's

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Speaker 1: phone tap. Here we go, Becca, Yeah, Becca, Hi, this

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Speaker 1: is what girl Kathleen from ellistran in the morning show.

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Speaker 1: Oh my god, Yeah, my dad's home right now. Okay, great,

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Speaker 1: just act like you're talking to your dates mom right

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Speaker 1: now and uh and then ask your dad if he

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Speaker 1: wants to ask or anything. Okay, Dad, I'm talking to

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Speaker 1: christ and Mom right now. Do you want to talk

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Speaker 1: to about anything? Do you want to thank or and stuff?

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Speaker 1: I would love to talk to them. Hi, Michelle, Hi, Hi.

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Speaker 1: I just wanted to thank you guys for extending this

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Speaker 1: to my daughter. It was absolutely no problem. We're so

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Speaker 1: excited for them to go to the prom together. I

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Speaker 1: am so happy. Good. Okay. So, um, I just want

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Speaker 1: to go over some of the costs with you. If

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Speaker 1: you could throw me a couple of bucks, that would

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Speaker 1: be awesome. Yeah, okay, okay, So I just wanted to

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Speaker 1: let you know that the cost of the prom ticket

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Speaker 1: per person was seventy five, and um, the limo was

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Speaker 1: one person, and um the hotel room was too thirty.

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Speaker 1: But that was just a little something extra I wanted

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Speaker 1: to give them. So let's just say about seventy on that. Well,

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Speaker 1: are they staying over? Yeah, after problem, they're going to

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Speaker 1: go to the hotel. I'm not too crazy about hustaying

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Speaker 1: in the hotel room overnight. To tell you the truth,

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Speaker 1: I think all the kids are going, you know, they

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Speaker 1: all go and they stay in the hotel with each

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Speaker 1: other and you know they have fun. It's the after

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Speaker 1: prom party. I'm not crazy about this idea at all

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Speaker 1: and this is the first time hearing about it. And no, sorry, Becca,

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Speaker 1: get in here. I want to talk to you. What

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Speaker 1: what is this about you staying in a hotel room

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Speaker 1: with this disploy overnight and now I'm going to have

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Speaker 1: to pay for pay for hotel room. This is not happening.

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Speaker 1: Are now in year old enough and I Am not

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Speaker 1: going to allow this. You understand, but don't give me

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Speaker 1: that dad. Okay, you are not going to no hotel

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Speaker 1: room and staying overnight. It's really okay because the one

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Speaker 1: who picked the place. A lot of the kids are

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Speaker 1: staying in this hotel room. But if it makes you

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Speaker 1: feel any better, I'll take out the beer and the

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Speaker 1: wine that I got them and just leaves. What beer

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Speaker 1: and wine? What kind of you starting to run you?

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Speaker 1: And now this kid is only sixteen years old. You

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Speaker 1: cannot give a child beer and wine and let us

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Speaker 1: stay in out prom night. Let them have a little fun.

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Speaker 1: It's gonna be totally fine one my ass. My daughter

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Speaker 1: is not going to this problem, no matter what you say. Now,

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Speaker 1: better package stuff going to your mother for that weekend.

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Speaker 1: You are not going to this hotel room with beer

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Speaker 1: and wine and kids and drugs and sacks and god

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Speaker 1: knows what else you people have got set up with

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Speaker 1: my daughter. I really don't understand what the problem is.

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Speaker 1: I've seen the room, some mirrors, a hot tub, a

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Speaker 1: really nice bell, really found their bathing suits and turning

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Speaker 1: around thinking that my daughter it's gonna go with your

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Speaker 1: son to some hotel room and they're gonna have some

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Speaker 1: sort of an orgy. I'm not playing, sir. You're really

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Speaker 1: blowing this out of proportion. If he comes anywhere near here,

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Speaker 1: I'm going to kick out of him. When do you

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Speaker 1: get up setting up my daughter to have sex with

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Speaker 1: your son? And I'll tell room with liquor and wine.

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Speaker 1: If this is really how it's going to be, then

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Speaker 1: I'll just take the money for the laman and the

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Speaker 1: prom tickets. That's fine, you can stick the money up.

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Speaker 1: You're you're not getting a dime from me because she's

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Speaker 1: gonna have nothing to do with you when you're playing.

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Speaker 1: And if you push stirs and you're trying and shake

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Speaker 1: me down for money, I will file chargers on you.

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Speaker 1: And don't worry. This is web girl Kathleen from Elvis

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Speaker 1: Strand in the Morning Show, And you're being phone tapped?

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Speaker 1: What it's all jokes? What did you say if Becca

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Speaker 1: wanted to play? Are you so good? Be you? You?

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Speaker 1: You set me up like this? Or is yours? Do

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Speaker 1: you know where my blood pressure is? Right now? Back there?

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Speaker 1: Have an idea for a phone to have Go to

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Speaker 1: tell Vester and dot com. Click on the phone tab

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Speaker 1: tab tell us what you want to do is prerecorded

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Speaker 1: with permission granted by all parts tab on Elvie Strand

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Speaker 1: in the Morning Show. A good friend of mine loves

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Speaker 1: to post pictures on Instagram of the food she makes,

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Speaker 1: the incredible stuff she prepares. I'm I'm looking at her pictures.

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Speaker 1: I'm thinking I made that last week, I made that

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Speaker 1: same dish. Is she copying you? Yes, she's on Blue

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Speaker 1: Apron and she's taking pictures of her Blue Apron dish.

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Speaker 1: I'm like, well, wait, mine look better than her? Or

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Speaker 1: is she just copying that? Like she's literally just taking

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Speaker 1: screenshots of the pictures from the Blue Apron website. She

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Speaker 1: could be doing that too. That's what I would do.

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Speaker 1: So Blue Apron, as you know, it's been got in

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Speaker 1: my life for over a year now, you too, Daniel, Right,

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Speaker 1: I gotta I keep the recipe cards. So I wanted

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Speaker 1: to count the other day how many recipes I've made

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Speaker 1: because I keep them all in like a little bundle.

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Speaker 1: They're cool, so you can go back and make your

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Speaker 1: favorite recipes again. But what they do is they included

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Speaker 1: with that card is all the food you need prepare

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Speaker 1: that recipe, and they give you the right amount so

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Speaker 1: there's no food waste. And that's really what it's all

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Speaker 1: about these days, is let's stop wasting food. And it's affordable.

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Speaker 1: I mean right around ten dollars per person per meal,

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Speaker 1: sensational recipes, variety, they're flexible. Oh my god, I mean, uh,

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Speaker 1: Persian style chicken with crispy rice. The other day, I'm

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Speaker 1: gonna pay for three meals and take care of your shipping.

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Speaker 1: I'm gonna do it. Go to blue apron dot com

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Speaker 1: slash elvis. Just check out the website. You'll see what

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Speaker 1: I'm talking about. Blue apron dot com slash elvit in

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Speaker 1: the Morning Show. Yeah, I apologize. I sound like I'm

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Speaker 1: all stopped up because I am all stopped up. I

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Speaker 1: feel so you Both you and Nate have the worst

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Speaker 1: allergies of anyone I've seen ever, It's pretty bad this year,

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Speaker 1: and it changes yearly. Uh Nate went down to Mexico

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Speaker 1: City over the long weekends. You have a good time.

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Speaker 1: I had a great time, and my allergies did not

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Speaker 1: bother me one iota. I wanted to sing, I'll go

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Speaker 1: back to Mexico City right now. Was that more of

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Speaker 1: the vacation for you? Just the vacation from the allergies

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Speaker 1: from that was more of a vacation than the actual vacation. Yeah. Wow.

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Speaker 1: All weekend long we were out of the farm. And

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Speaker 1: of course it was as soon as you clean off

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Speaker 1: a table and it gets all the green off from

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Speaker 1: the pollen, it's back in ten minutes. And so but

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Speaker 1: I didn't want to enjoy. I wanted to enjoy the

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Speaker 1: out of doors. So I said, screw it, I'm gonna

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Speaker 1: snort and sniff and I don't care. So we had

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Speaker 1: the windows open, the doors open. It was a great weekend, beautiful.

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Speaker 1: I had a great time, and even when it was raining,

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Speaker 1: it was nice. We should have felt better in the rain,

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Speaker 1: because it's supposed to that, like people with allergies, it's

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Speaker 1: supposed to pray for rain. Because supposedly it kind of

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Speaker 1: like calms it all down, right. Yeah, it didn't help.

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Speaker 1: So we went to Italy last night, sat on our

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Speaker 1: favorite seats and just drink some rose and watch the

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Speaker 1: world walk by. And it was it was a great,

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Speaker 1: a great Monday. But look at Greg to the front boy,

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Speaker 1: it was all chipperd today. I had a great weekend,

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Speaker 1: really did Okay, I got a little some so that

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Speaker 1: was good. That makes it always better. You got something,

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Speaker 1: you know, I was a good boy and reported to

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Speaker 1: the world, which I think is so classic. What do

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Speaker 1: you mean you were a good boy. Well, if I'm

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Speaker 1: not good, I'm not gonna you know, I'm not gonna

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Speaker 1: get any reward. But it was a good weeke? What

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Speaker 1: are you What are you talking about? It's a reward

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Speaker 1: you know you do well? Then you know you sound

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Speaker 1: like you're a puppy. What do you mean? Just okay,

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Speaker 1: let's break it down. So great, tea, what did you

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Speaker 1: do well at I don't know. I everything was firing

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Speaker 1: on all cylinders. I was very nice. I was calm, happy,

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Speaker 1: everyone just having a good time. So it was the

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Speaker 1: way it should always be. Yeah, but that's not how

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Speaker 1: it always is. You know, don't make that noise because

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Speaker 1: I know you are making that noise right now, and

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Speaker 1: it means that you think that all relationships and marriages

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Speaker 1: are like that, and it is not. You know, I

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Speaker 1: just think that sex shouldn't be held as a as

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Speaker 1: a reward, like a doggy biscuit. That's the way I

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Speaker 1: think that sex should be a doggy biscuit. Listen, you

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Speaker 1: know you don't get lucky all the time. You know,

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Speaker 1: it just happens, and I just things were good and

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Speaker 1: it was the right moment. In Scary's house, his girlfriend

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Speaker 1: thinks sex is a punishment. You've been bad, bad, now

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Speaker 1: you are forced to have sex super long tone nails

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Speaker 1: that I have anyway. Well, so I'm just saying, look, look,

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Speaker 1: if I do see your point in in this, in

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Speaker 1: this light, if we're having a great weekend together and

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Speaker 1: we're just happy and things are rolling, I can see

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Speaker 1: how sex would occur more easily than if everyone's a

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Speaker 1: pissy mood. I get it, But sex as a reward,

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Speaker 1: I don't know. I mean, really, you've been good, I'm

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Speaker 1: going to give you sex now. Well you kind of

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Speaker 1: have to ask, like, you know, hey, you know, can

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Speaker 1: we hook up? You have to ask, that's so weird.

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Speaker 1: Look what does she get as a reward? Like, instead

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Speaker 1: of not could she not have sex with me? I

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Speaker 1: put her over the moon? Man, that's the way one

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Speaker 1: for her. I just dove in my mouth a little.

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Speaker 1: Can I leave? What are you talking about? Manages should

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Speaker 1: be filled with sex? Not well they're not. But but

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Speaker 1: but it shouldn't be. I mean, I'm like, scary. It

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Speaker 1: shouldn't be like I did something good to now I

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Speaker 1: get sex. I mean, good boy, this is weird. That's

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Speaker 1: not reality, all right? You know what I guess it's

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Speaker 1: the way to look at this is all relationships are different.

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Speaker 1: And so if you live in a relationship where you

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Speaker 1: get sex as a reward for doing something good, then

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Speaker 1: then you know what, who are we to say that's wrong?

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Speaker 1: But you know what, maybe he worded it wrong because

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Speaker 1: when you're married or you have children, sometimes it's hard

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Speaker 1: to make time. Sometimes you have to set aside time

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Speaker 1: or if you get the opportunity, or it's got to

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Speaker 1: be quick. So maybe he meant to say it that

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Speaker 1: way and not that it's a reward. I don't think

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Speaker 1: you take out the trash and put away a laundry

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Speaker 1: you'll get sexy. There's no saving I'm going to dig

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Speaker 1: this whole right back open. I don't care to reward

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Speaker 1: fill it in good point, yes, good point, the coordinated

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Speaker 1: good Come here, let me rub your belly. Okay, let's

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Speaker 1: be honest in marriage sexist currency than you what? All right? Well,

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Speaker 1: okay again in your marriage maybe yeah, okay, let's move on.

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Speaker 1: Let's will move on, Danielle, and let's sound about the

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Speaker 1: Fires of the Caribbean. Beautiful. My decongestion just arrived. Thank you,

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Speaker 1: sweet Jesus. I'm sorry. What were you saying? Some Pirates

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00:21:28,080 --> 00:21:30,399
Speaker 1: of the Caribbean dead Men Tell No Tales was number

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Speaker 1: one of the box office seventies seven million bucks. I

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00:21:33,240 --> 00:21:36,040
Speaker 1: saw Guardians of the Galaxy Volume two that it was,

424
00:21:36,080 --> 00:21:37,959
Speaker 1: oh yes, and Chris Pratt, how could you not love it?

425
00:21:38,160 --> 00:21:41,919
Speaker 1: That was number two. Bay Watch very disappointing with twenty

426
00:21:41,960 --> 00:21:44,920
Speaker 1: three million dollars. Uh so, yeah, I'm going to see

427
00:21:44,960 --> 00:21:46,879
Speaker 1: Diary of a Wimpy Kid today and that came in

428
00:21:46,880 --> 00:21:50,320
Speaker 1: at number six. Is that the story behind greg life?

429
00:21:51,200 --> 00:21:54,600
Speaker 1: It just mind be so. Ariana Grande has set the date.

430
00:21:54,640 --> 00:21:56,840
Speaker 1: It is June four. That's when she will be returning

431
00:21:56,880 --> 00:21:59,440
Speaker 1: to Manchester to put on a benefit concert for the

432
00:21:59,520 --> 00:22:03,200
Speaker 1: victim the victims of last week's bombing. Um TMZ says

433
00:22:03,200 --> 00:22:05,119
Speaker 1: that she's reaching out for the biggest names in the

434
00:22:05,119 --> 00:22:07,239
Speaker 1: business to get them to come on board and do

435
00:22:07,280 --> 00:22:09,040
Speaker 1: this with her. So that's awesome. So I'll keep you

436
00:22:09,040 --> 00:22:11,359
Speaker 1: posting on all the details. So we all know that

437
00:22:11,480 --> 00:22:13,919
Speaker 1: Katy Perry got off for twenty five million dollars to

438
00:22:13,920 --> 00:22:16,680
Speaker 1: do American I AD all, so we're hearing that Ryan

439
00:22:16,760 --> 00:22:18,879
Speaker 1: Seacrest only got all for ten million dollars and that

440
00:22:19,040 --> 00:22:22,119
Speaker 1: he's kind of like, you know what, We're gonna negotiate

441
00:22:22,119 --> 00:22:23,919
Speaker 1: a little bit more, and if you really want me,

442
00:22:24,000 --> 00:22:27,440
Speaker 1: you gotta up the auntie. I don't know, but let

443
00:22:27,440 --> 00:22:30,000
Speaker 1: me tell you something. If I was Ryan Seacrest and

444
00:22:30,040 --> 00:22:32,480
Speaker 1: I was on American Idol as long as I was,

445
00:22:32,520 --> 00:22:34,640
Speaker 1: and I was like the backbone to it, and then

446
00:22:34,680 --> 00:22:38,840
Speaker 1: somebody else comes along and gets a much bigger paycheck,

447
00:22:39,320 --> 00:22:43,600
Speaker 1: I'd be piste off as well, because dude, Ryan Seacrest

448
00:22:43,640 --> 00:22:45,399
Speaker 1: and American Idol kind of go hand in hand if

449
00:22:45,400 --> 00:22:48,639
Speaker 1: you think about it. So yeah, show me the money.

450
00:22:48,680 --> 00:22:51,359
Speaker 1: That's what I would say to hold out Mr Seacrest,

451
00:22:51,560 --> 00:22:53,960
Speaker 1: all right. Lincoln Park's One More Light opens at number

452
00:22:53,960 --> 00:22:56,919
Speaker 1: one of the Billboard Top two hundred albums, So congratulations

453
00:22:56,960 --> 00:23:00,240
Speaker 1: to them. And the twelve season premiere of Amery Because

454
00:23:00,240 --> 00:23:02,600
Speaker 1: Got Talent is tonight. You've got prison Break. I am

455
00:23:02,640 --> 00:23:05,040
Speaker 1: so excited because the World of Dance with Jennifer Lopez

456
00:23:05,080 --> 00:23:08,359
Speaker 1: is on tonight as well. You've got Fear Factor this

457
00:23:08,600 --> 00:23:11,760
Speaker 1: eighth season premiere. Fear Factor, the revamped Fear Factor the

458
00:23:11,800 --> 00:23:14,560
Speaker 1: Americans is on tonight as well. House of Cards over

459
00:23:14,600 --> 00:23:18,280
Speaker 1: on Netflix. And next hour we're gonna talk about Robert Pattinson.

460
00:23:18,560 --> 00:23:22,680
Speaker 1: He almost got fired from Twilight. Really can you imagine

461
00:23:22,720 --> 00:23:25,760
Speaker 1: someone else in that role? And now here's the story

462
00:23:25,760 --> 00:23:30,880
Speaker 1: of great teas love life. Let's listen in and learn

463
00:23:31,520 --> 00:23:37,679
Speaker 1: love and marriage. Love and marriage go together like a

464
00:23:37,800 --> 00:23:44,639
Speaker 1: horse and carriage. This I tell you, bro, you can't

465
00:23:44,800 --> 00:23:52,080
Speaker 1: have one without the really love and marriage boom. Well, okay,

466
00:23:52,119 --> 00:23:54,760
Speaker 1: good for you. We've been together as long as we have,

467
00:23:54,920 --> 00:23:57,600
Speaker 1: that's what happens. Christ been together nearly twenty years. You know.

468
00:23:57,960 --> 00:24:01,000
Speaker 1: It's just you gotta plan things out. Okay, but that's

469
00:24:01,000 --> 00:24:03,480
Speaker 1: not what you said. Playing things that you said you

470
00:24:03,520 --> 00:24:06,240
Speaker 1: got a reward for being a good boy. That's just

471
00:24:06,359 --> 00:24:08,760
Speaker 1: said that's what you said, Blanche, and then we said

472
00:24:08,760 --> 00:24:10,240
Speaker 1: maybe you didn't seen that, and then you're like, no,

473
00:24:10,320 --> 00:24:12,400
Speaker 1: that's what I meant. Right, Yeah, okay, so now we're

474
00:24:12,400 --> 00:24:13,879
Speaker 1: all caught up in case you're just turning us on.

475
00:24:13,920 --> 00:24:17,520
Speaker 1: Everyone say good morning to Gi, Hello, g G, good

476
00:24:17,600 --> 00:24:20,080
Speaker 1: morning again, Welcome to the day. What can we do

477
00:24:20,119 --> 00:24:23,480
Speaker 1: for you? How do you want to add to this? Okay, well,

478
00:24:23,520 --> 00:24:25,520
Speaker 1: so I sent in a message saying that I agree

479
00:24:25,520 --> 00:24:29,000
Speaker 1: with Greg t um So. My husband and I we

480
00:24:29,040 --> 00:24:32,200
Speaker 1: worked full time, we have two children, so whenever he's

481
00:24:32,240 --> 00:24:37,600
Speaker 1: not pissing me off, I reward him. Okay, all right, okay,

482
00:24:37,640 --> 00:24:41,360
Speaker 1: but wait a minute. Okay, no, now are you sure?

483
00:24:41,480 --> 00:24:43,040
Speaker 1: Let me just ask you to look at it from

484
00:24:43,080 --> 00:24:45,360
Speaker 1: a different perspective and tell me maybe if it's it's

485
00:24:45,400 --> 00:24:48,399
Speaker 1: the same. Okay. I'm saying that if you if you

486
00:24:48,400 --> 00:24:50,600
Speaker 1: were living a life where you weren't piste off, you'd

487
00:24:50,600 --> 00:24:54,280
Speaker 1: be having sex anyway. It's and so if you're piste off,

488
00:24:54,280 --> 00:24:56,400
Speaker 1: you don't want to give them sex. So it appears

489
00:24:56,400 --> 00:24:59,119
Speaker 1: that someone's being rewarded for not pissing you off, but

490
00:24:59,119 --> 00:25:02,000
Speaker 1: actually you're just doing what you would normally do if

491
00:25:02,080 --> 00:25:09,640
Speaker 1: you weren't piste off if I wasn't tired. Yeah, so,

492
00:25:09,640 --> 00:25:13,000
Speaker 1: so in other words, where you're saying is that you

493
00:25:13,080 --> 00:25:17,879
Speaker 1: are giving him incentive to be good by having sex

494
00:25:17,920 --> 00:25:24,080
Speaker 1: with him. Yes, okay, okay, I think we can reframe this.

495
00:25:24,800 --> 00:25:28,840
Speaker 1: I think I've tried. We can say, you're you're catching

496
00:25:28,920 --> 00:25:33,760
Speaker 1: him doing something right. Yeah, we could do that. Oh

497
00:25:33,800 --> 00:25:37,399
Speaker 1: you're so Dale Carnegie. That is Dale Carnegie, catch him

498
00:25:37,480 --> 00:25:39,800
Speaker 1: doing something right and then have sex with sex with him.

499
00:25:39,960 --> 00:25:42,680
Speaker 1: Answer the question, isn't sexy reward for you as well?

500
00:25:42,800 --> 00:25:53,520
Speaker 1: Or now? Okay? Okay, all right, we have a six

501
00:25:53,560 --> 00:25:55,800
Speaker 1: months old, so I'm always tired and when I do,

502
00:25:55,960 --> 00:25:58,040
Speaker 1: you know, when we do, of course, it's always nice.

503
00:25:58,119 --> 00:26:01,560
Speaker 1: You know, it's always nice. It's pleasant. But you're you're

504
00:26:01,600 --> 00:26:05,000
Speaker 1: tired and you have her reward is probably with a

505
00:26:05,040 --> 00:26:11,600
Speaker 1: six month old, an extra couple of hours of sleep, honestly. Yeah. Alright, alright, well,

506
00:26:11,640 --> 00:26:13,840
Speaker 1: good Gi. Thank you for shining light on this a

507
00:26:13,840 --> 00:26:17,639
Speaker 1: little brighter for us. Thank you for letting me all right,

508
00:26:17,680 --> 00:26:20,360
Speaker 1: have a great day, Thanks for texting in. Okay, everywhere

509
00:26:20,480 --> 00:26:22,720
Speaker 1: here it really wants to get married. Now, let's say

510
00:26:23,200 --> 00:26:27,800
Speaker 1: it was super fun being single. Let's be very very

511
00:26:27,840 --> 00:26:31,560
Speaker 1: clear there are people who are married who look at

512
00:26:31,560 --> 00:26:34,359
Speaker 1: this totally different in a different way. If I said

513
00:26:34,359 --> 00:26:36,199
Speaker 1: to my husband, I'm going to give you sex if

514
00:26:36,280 --> 00:26:39,560
Speaker 1: your good boy, he would laugh his ass off at me.

515
00:26:39,640 --> 00:26:43,480
Speaker 1: That would it would just what? So yes, not not

516
00:26:43,480 --> 00:26:46,520
Speaker 1: not every case. So look, let's say we have a

517
00:26:46,560 --> 00:26:48,560
Speaker 1: great day at the house and we do things and

518
00:26:48,600 --> 00:26:50,159
Speaker 1: we hang out. I make a nice dinner and we

519
00:26:50,200 --> 00:26:52,760
Speaker 1: watched some TV and we're just cuddly and you know,

520
00:26:52,840 --> 00:26:56,399
Speaker 1: spooning and and happy, and then sex happens. I'm not

521
00:26:56,440 --> 00:26:59,680
Speaker 1: going to stop and think, well, see I'm getting sex

522
00:26:59,720 --> 00:27:03,280
Speaker 1: because I was really like a good guy today. I

523
00:27:03,320 --> 00:27:07,359
Speaker 1: think that's why this is happening. Because I didn't start

524
00:27:07,359 --> 00:27:11,800
Speaker 1: a fight. This gives me insensive to stop fighting. It

525
00:27:11,800 --> 00:27:14,080
Speaker 1: didn't work that well. But I'm sure you know you

526
00:27:14,160 --> 00:27:16,720
Speaker 1: joke around like I know Sheldon, and I'll say, if

527
00:27:16,760 --> 00:27:19,760
Speaker 1: you're good later or you'll get something. That's like kinting

528
00:27:19,800 --> 00:27:22,280
Speaker 1: around and playing. It's not like there's a little truth

529
00:27:22,320 --> 00:27:28,399
Speaker 1: every joke. You behave yourself, and behave I want to

530
00:27:28,400 --> 00:27:32,960
Speaker 1: reward your good behavior with a round of sexual activity. Scary,

531
00:27:33,080 --> 00:27:36,280
Speaker 1: my observation is, and in my humble opinion, I think

532
00:27:36,320 --> 00:27:39,119
Speaker 1: that holding sex as a reward is the road to

533
00:27:39,240 --> 00:27:43,800
Speaker 1: cheating and divorce. They should be separated completely. You should

534
00:27:43,840 --> 00:27:48,679
Speaker 1: not hold it ransome ever. Thank you, Scary. I know

535
00:27:48,840 --> 00:27:54,280
Speaker 1: this is why you've had a long standing, successful marriage.

536
00:27:55,600 --> 00:27:58,240
Speaker 1: I'm sorry. I just I don't feel like I should

537
00:27:58,240 --> 00:28:00,359
Speaker 1: be sitting here telling mary people how they should be

538
00:28:00,359 --> 00:28:02,520
Speaker 1: acting in life when I'm not married. I don't know

539
00:28:02,800 --> 00:28:08,040
Speaker 1: who am I. I'm not married either, but I am,

540
00:28:08,359 --> 00:28:10,560
Speaker 1: and I think it's a little strange. Okay, let's say

541
00:28:10,600 --> 00:28:13,360
Speaker 1: hi to Jay, Hi, ja, Hi, that's how you doing

542
00:28:13,440 --> 00:28:15,479
Speaker 1: doing well? So your ex girlfriend used to give you

543
00:28:15,600 --> 00:28:21,000
Speaker 1: sex tickets and it's like going to David Busters exactly,

544
00:28:21,640 --> 00:28:23,840
Speaker 1: here's a sex ticket, and how many sex tickets would

545
00:28:23,840 --> 00:28:26,760
Speaker 1: it take to add up to actually turn them in?

546
00:28:27,040 --> 00:28:29,080
Speaker 1: And works? Well? No, I mean, I mean it was

547
00:28:29,119 --> 00:28:32,000
Speaker 1: more hassen Like she was like, if I did something,

548
00:28:32,480 --> 00:28:34,440
Speaker 1: you know, for her, like you know, I took care

549
00:28:34,440 --> 00:28:37,320
Speaker 1: of something while she was gone, or or I brought

550
00:28:37,320 --> 00:28:39,320
Speaker 1: her flowers or something like that, if she deemed it

551
00:28:39,400 --> 00:28:41,320
Speaker 1: like oh that was really sweet. You know what you

552
00:28:41,400 --> 00:28:44,600
Speaker 1: get you get a sex ticket? And wo, I was like,

553
00:28:44,680 --> 00:28:47,080
Speaker 1: what is a sex ticket? Did she actually print up

554
00:28:47,080 --> 00:28:56,280
Speaker 1: sex tickets? Yeah? She had like peace little tickets, you know,

555
00:28:56,360 --> 00:28:58,360
Speaker 1: kind of this in a provocative pose. It's kind of

556
00:28:58,360 --> 00:29:00,720
Speaker 1: just being like it just said one repaths and I

557
00:29:00,840 --> 00:29:03,920
Speaker 1: was I was really confused. Let's just say the relationship

558
00:29:03,960 --> 00:29:07,720
Speaker 1: did not last very long. Well, I don't know. Welcome

559
00:29:07,760 --> 00:29:10,920
Speaker 1: to the Midway, Welcome to the big Top. The bonuses

560
00:29:10,960 --> 00:29:12,680
Speaker 1: Like if you gave her two tickets, did you get

561
00:29:12,720 --> 00:29:15,480
Speaker 1: extra or was it like a one ticket? Pert, I'm asking,

562
00:29:15,680 --> 00:29:17,880
Speaker 1: do you have to earn like five to get sex

563
00:29:18,000 --> 00:29:19,920
Speaker 1: or is it just each ticket is worth around in

564
00:29:19,960 --> 00:29:22,640
Speaker 1: that Froggy would be proud of me, Like I just

565
00:29:22,680 --> 00:29:24,520
Speaker 1: decided at the end before I broke it off to

566
00:29:24,600 --> 00:29:26,400
Speaker 1: just cash them all in at one time proc the

567
00:29:26,440 --> 00:29:28,000
Speaker 1: world and then just kind of to be like, Okay,

568
00:29:28,000 --> 00:29:31,560
Speaker 1: I think we should see other people. Okay, you turn

569
00:29:31,600 --> 00:29:36,880
Speaker 1: in twelve sex tickets, Like yeah, I get monetary bonuses.

570
00:29:37,280 --> 00:29:40,520
Speaker 1: What Yeah, Well if I do something well on my paycheck,

571
00:29:40,560 --> 00:29:44,640
Speaker 1: I get extra in the bedroom. Yeah for real, I'm

572
00:29:44,640 --> 00:29:50,320
Speaker 1: not kidding uh from your way, Thank you, Ja, we

573
00:29:50,400 --> 00:29:57,120
Speaker 1: gotta run all right, Thank guys. Elvis lay Hello, real

574
00:29:57,200 --> 00:30:01,720
Speaker 1: name Elvis Beyonce marshwa mothers Dren. This is Elvis durrand

575
00:30:01,920 --> 00:30:05,600
Speaker 1: In The Morning Show. Did you know you can submit

576
00:30:05,680 --> 00:30:08,760
Speaker 1: ideas for the next Oreo cookie or Oreo candy bar flavor.

577
00:30:09,000 --> 00:30:12,760
Speaker 1: Submit your idea of using hashtag my Oreo creation, then

578
00:30:12,800 --> 00:30:15,560
Speaker 1: hashtag contest on Instagram and Twitter for a chance to win.

579
00:30:15,640 --> 00:30:18,360
Speaker 1: No propercessary RECONSIFTU sepre we go eating old and contests left.

580
00:30:28,040 --> 00:30:32,160
Speaker 1: You know you've gotta be careful. I'll tell you what

581
00:30:32,240 --> 00:30:36,240
Speaker 1: happened this past weekend. I fried up a big mess

582
00:30:36,240 --> 00:30:39,040
Speaker 1: of shrimp. You know, shrimp don't travel to schools. They

583
00:30:39,200 --> 00:30:42,640
Speaker 1: traveled in a mess. I've fried up this mess of shrimp,

584
00:30:42,720 --> 00:30:44,040
Speaker 1: and of course I put it out there for the

585
00:30:44,080 --> 00:30:47,880
Speaker 1: world to see. I know this happens to YouTube. As

586
00:30:47,920 --> 00:30:50,600
Speaker 1: soon as I put it out there, my phone starts

587
00:30:50,640 --> 00:30:52,560
Speaker 1: buzzing with people who are trying to get in touch

588
00:30:52,600 --> 00:30:55,200
Speaker 1: with me. Oh, I see you just posted your shrip.

589
00:30:55,240 --> 00:30:56,520
Speaker 1: That means you're on your phone. I need to talk

590
00:30:56,560 --> 00:31:00,200
Speaker 1: to you about X y z ds. Me crazy. They

591
00:31:00,240 --> 00:31:02,240
Speaker 1: think that if you're on your phone then they have

592
00:31:02,280 --> 00:31:04,000
Speaker 1: access to you right then and there. Yes, I have

593
00:31:04,080 --> 00:31:06,080
Speaker 1: a friend who I don't want to be friends with anymore,

594
00:31:06,120 --> 00:31:08,240
Speaker 1: but I don't know how to break it off, and

595
00:31:08,840 --> 00:31:11,800
Speaker 1: this happens to me, I will like post something, especially

596
00:31:11,840 --> 00:31:14,920
Speaker 1: on Snapchat because that's so live, right, and then she'll

597
00:31:14,960 --> 00:31:17,920
Speaker 1: text me right after I posted. Yeah, she knows I'm

598
00:31:17,920 --> 00:31:20,800
Speaker 1: on my phone schatting, and you have to answer because

599
00:31:20,800 --> 00:31:23,000
Speaker 1: you're on your phone. Faslier that you're avoiding them if

600
00:31:23,040 --> 00:31:26,720
Speaker 1: you don't. Last night, I put a put a video

601
00:31:26,720 --> 00:31:29,040
Speaker 1: of me making coffee on Snapchat, said, this is what

602
00:31:29,080 --> 00:31:31,200
Speaker 1: happens when you get home at ten o'clock and you

603
00:31:31,240 --> 00:31:33,520
Speaker 1: have work to do before bed. All of a sudden,

604
00:31:33,720 --> 00:31:37,240
Speaker 1: you're three texts come in. Yeah, see you're making coffee.

605
00:31:37,240 --> 00:31:38,560
Speaker 1: You've got plenty of energy to talk to me. Now

606
00:31:38,600 --> 00:31:40,360
Speaker 1: I'm calling you now, ring ring, ring, You're trying to

607
00:31:40,400 --> 00:31:41,800
Speaker 1: call you. I know you're on the line because I

608
00:31:41,800 --> 00:31:46,040
Speaker 1: know you're You have no way you're there's no plausible

609
00:31:46,080 --> 00:31:48,880
Speaker 1: deniability because you're on your phone. You know that happens

610
00:31:48,960 --> 00:31:52,600
Speaker 1: with the Apple Watch as well, because you're so attached

611
00:31:52,640 --> 00:31:55,000
Speaker 1: to it that if a phone call comes in or

612
00:31:55,000 --> 00:31:57,400
Speaker 1: a text message comes in, they right away like, well,

613
00:31:57,440 --> 00:31:59,440
Speaker 1: I know she has an Apple Watch. I know your

614
00:31:59,440 --> 00:32:02,400
Speaker 1: wrist was was rotating, but I don't even look at

615
00:32:02,400 --> 00:32:04,280
Speaker 1: the watch. I just clicked the button because I'm in

616
00:32:04,320 --> 00:32:05,920
Speaker 1: the middle of something and then I looked at it later.

617
00:32:06,000 --> 00:32:08,560
Speaker 1: But people don't get that. They think that she's ignoring me.

618
00:32:09,120 --> 00:32:10,920
Speaker 1: Is the same way. That was the way this weekend

619
00:32:10,960 --> 00:32:13,000
Speaker 1: in Orlando, and I posted a picture of us as

620
00:32:13,000 --> 00:32:15,560
Speaker 1: a family doing something, and I got a text needly, Hey,

621
00:32:15,600 --> 00:32:17,040
Speaker 1: I know you're on vacation with the family, but I

622
00:32:17,040 --> 00:32:19,840
Speaker 1: need to ask you a question real quick. I didn't

623
00:32:19,840 --> 00:32:22,600
Speaker 1: answer that, okay, So my answer is this, because you

624
00:32:22,640 --> 00:32:25,040
Speaker 1: will get caught from time to time. They want to

625
00:32:25,040 --> 00:32:26,400
Speaker 1: get in touch with you. They've been trying to get

626
00:32:26,440 --> 00:32:27,920
Speaker 1: in touch with you, but you know what they want

627
00:32:27,920 --> 00:32:29,520
Speaker 1: to talk about. You're like, I don't want to talk

628
00:32:29,520 --> 00:32:32,080
Speaker 1: to them about that now. Also, I don't like you anymore.

629
00:32:32,240 --> 00:32:35,960
Speaker 1: Well that's okay, that's another thing. Okay, Sorry, So, oh

630
00:32:36,000 --> 00:32:38,440
Speaker 1: I just saw you. You posted your shrimp and you're

631
00:32:38,440 --> 00:32:40,480
Speaker 1: on answering your phone. I surely if you posted your shrimp,

632
00:32:40,560 --> 00:32:43,880
Speaker 1: your phone is right there. Well no, I posted the

633
00:32:43,920 --> 00:32:47,280
Speaker 1: shrimp and then I left my phone in the other room.

634
00:32:47,600 --> 00:32:50,240
Speaker 1: I walked away. I posted the shrimp. I posted the shrimp,

635
00:32:50,240 --> 00:32:53,120
Speaker 1: and then I walked away from my phone. I snapchatted

636
00:32:53,240 --> 00:32:58,520
Speaker 1: myself puking rainbows shows another filter, and then I walked away.

637
00:32:58,560 --> 00:33:01,560
Speaker 1: My phone's in the other room. Simple. What But who

638
00:33:01,640 --> 00:33:04,000
Speaker 1: posts something on Instagram and then puts their phone down?

639
00:33:04,040 --> 00:33:05,760
Speaker 1: What's the first thing you do? He's trying to see

640
00:33:05,760 --> 00:33:11,480
Speaker 1: how many lights are coming in fresh Well, I don't

641
00:33:11,480 --> 00:33:16,360
Speaker 1: know people, Okay, So I guess what we're trying to

642
00:33:16,360 --> 00:33:18,800
Speaker 1: say is people should not hold you hostage just because

643
00:33:18,840 --> 00:33:22,040
Speaker 1: you posted a picture of your shrimp. Yeah right, all right,

644
00:33:22,080 --> 00:33:24,360
Speaker 1: there I said it. And if you're one of those people,

645
00:33:24,360 --> 00:33:28,080
Speaker 1: and you know who you are, knock it off. I

646
00:33:28,120 --> 00:33:29,600
Speaker 1: don't want to be friends with you anymore. You're in

647
00:33:29,600 --> 00:33:32,600
Speaker 1: your crazy Shenanigan. Hey, so we're setting up for Nile Horn.

648
00:33:33,240 --> 00:33:35,960
Speaker 1: He's performing for us, which I love. I thought I

649
00:33:36,040 --> 00:33:37,760
Speaker 1: thought we were just lucky enough to have him walk in,

650
00:33:37,840 --> 00:33:40,480
Speaker 1: but no, he's also performing. So we're gonna talk to Nile.

651
00:33:40,560 --> 00:33:42,640
Speaker 1: He's performing for us. It's gonna be kind of crazy.

652
00:33:42,760 --> 00:33:45,200
Speaker 1: That's happening in about an hour, maybe less than an hour.

653
00:33:45,360 --> 00:33:49,000
Speaker 1: He straighting Nate. How was Mexico City? Mexico City was amazing.

654
00:33:49,040 --> 00:33:52,640
Speaker 1: I recommend everybody go check it out. The food was incredible.

655
00:33:52,720 --> 00:33:57,160
Speaker 1: The pyramid, you climbed the pyramid. The chefs of Mexico City.

656
00:33:57,160 --> 00:33:59,120
Speaker 1: They're saying are at their peak. They're saying that the

657
00:33:59,200 --> 00:34:04,080
Speaker 1: food in Mexico City is the best. The mole a fantastic,

658
00:34:04,880 --> 00:34:18,160
Speaker 1: so good, lovely, mesical, yes, smoky. Yeah. You and the boys? Yeah,

659
00:34:18,160 --> 00:34:21,240
Speaker 1: who are these boys are traveling? My boys trip every years? Bros?

660
00:34:21,840 --> 00:34:24,640
Speaker 1: Are they bros? Now? They're not bros? There are my boys?

661
00:34:24,680 --> 00:34:26,239
Speaker 1: Are those the same guys that go to Russia and

662
00:34:26,280 --> 00:34:32,080
Speaker 1: pick up women? Not? Not anymore. We've all grown up.

663
00:34:32,760 --> 00:34:35,759
Speaker 1: It happen. Are you all like kind of seeing people now? Yeah?

664
00:34:35,960 --> 00:34:38,080
Speaker 1: So now this is our last boys trip. Now it's

665
00:34:38,120 --> 00:34:43,920
Speaker 1: turned into we started planning a couple's trip. Pretty soon,

666
00:34:44,400 --> 00:34:48,480
Speaker 1: someone's going to want to bring their kids. Gotta draw

667
00:34:48,600 --> 00:34:53,480
Speaker 1: lines somewhere. That's not gonna happen. Our little naties growing up,

668
00:34:53,520 --> 00:34:55,839
Speaker 1: little puppy toes is growing up. Only my mom calls

669
00:34:55,880 --> 00:35:01,120
Speaker 1: me right, But it's fine, all right. Day's good for

670
00:35:01,160 --> 00:35:09,160
Speaker 1: you though, That's cute? Is it cute? Because it's you

671
00:35:09,200 --> 00:35:14,239
Speaker 1: and you're like the forever you know bachelor? Yeah, like

672
00:35:14,239 --> 00:35:21,719
Speaker 1: the George Clooney of the show. Yeah, okay, good for you. Well,

673
00:35:21,760 --> 00:35:24,280
Speaker 1: thank you, Elvis. I appreciate I for one. I'm happy

674
00:35:24,320 --> 00:35:25,640
Speaker 1: for you. What I don't know what it is I'm

675
00:35:25,640 --> 00:35:27,680
Speaker 1: happy for. I'm happy, ye what are you happy for?

676
00:35:27,719 --> 00:35:31,240
Speaker 1: I'm happy that you're moving into a different stage of life.

677
00:35:31,440 --> 00:35:33,640
Speaker 1: It was bound to happen. Well, I didn't want to

678
00:35:33,640 --> 00:35:37,319
Speaker 1: be this miser that I'm old alone and sitting in

679
00:35:37,320 --> 00:35:40,920
Speaker 1: my living room watching you know, reruns of People's Court

680
00:35:41,080 --> 00:35:44,280
Speaker 1: with Judge Wapner. I didn't want that. I'm just surprised

681
00:35:44,280 --> 00:35:48,240
Speaker 1: people put up with you. I'm a pretty great guy

682
00:35:48,320 --> 00:35:51,320
Speaker 1: once you get to know me, a little quirky, Okay,

683
00:35:51,360 --> 00:35:56,200
Speaker 1: I'm a nice guy. You're a very nice guy. Now

684
00:35:56,239 --> 00:35:59,440
Speaker 1: I got a complex alright. Moving on, there's a new

685
00:35:59,480 --> 00:36:03,520
Speaker 1: study telling us when what age women have the best

686
00:36:03,600 --> 00:36:11,359
Speaker 1: sex of their lives? Um or as straight Nate would say,

687
00:36:12,640 --> 00:36:15,480
Speaker 1: whatever age they are when they have sex with him,

688
00:36:15,520 --> 00:36:19,839
Speaker 1: it's the best sex of their lives. Of course, it's

689
00:36:19,840 --> 00:36:22,239
Speaker 1: not eighty, by the way, Nate. A new study tried

690
00:36:22,280 --> 00:36:24,160
Speaker 1: to figure out the exact age when women have the

691
00:36:24,200 --> 00:36:28,839
Speaker 1: best sex, and the answer is thirty six. And they're

692
00:36:28,840 --> 00:36:31,400
Speaker 1: saying it stays good from that point on. They're saying,

693
00:36:31,680 --> 00:36:34,640
Speaker 1: when you hit on average, not every woman. Don't start

694
00:36:34,760 --> 00:36:43,880
Speaker 1: yelling at me. Now, they're saying that that's when typically

695
00:36:43,960 --> 00:36:48,880
Speaker 1: a woman's confidence peaks and they're most likely to to,

696
00:36:50,360 --> 00:36:52,880
Speaker 1: you know, hit all cylinders when they're that hand motion

697
00:36:52,960 --> 00:36:56,080
Speaker 1: you're doing and they're help me out here, can you

698
00:36:56,120 --> 00:36:58,239
Speaker 1: help me out? Yeah? It's basically when you know what

699
00:36:58,360 --> 00:37:00,359
Speaker 1: you like, you know what works for you, and you're

700
00:37:00,400 --> 00:37:02,839
Speaker 1: not afraid to tell the other person exactly, and that's

701
00:37:02,880 --> 00:37:05,920
Speaker 1: when you you hit most likely hit all cylinders when

702
00:37:05,920 --> 00:37:09,680
Speaker 1: you're having sex, all cylinders, all of those cylinders exactly,

703
00:37:09,719 --> 00:37:13,840
Speaker 1: and then your cylinders like what as I said before,

704
00:37:14,400 --> 00:37:16,360
Speaker 1: as I said before, and then from that point forward,

705
00:37:16,400 --> 00:37:19,800
Speaker 1: it's it stays good. So they're saying at thirty six, okay,

706
00:37:20,040 --> 00:37:23,040
Speaker 1: so you're maybe having great sex now at twenty three,

707
00:37:24,640 --> 00:37:28,680
Speaker 1: damn if I'm looking forward to yeah, mind blowing, you know.

708
00:37:28,760 --> 00:37:32,680
Speaker 1: I'm saying, how old are you? Daniel? I am forty four? Okay, Okay,

709
00:37:32,719 --> 00:37:34,839
Speaker 1: look back about ten years and where you were in life.

710
00:37:35,800 --> 00:37:38,200
Speaker 1: Do you think maybe think about this with you. Do

711
00:37:38,239 --> 00:37:41,560
Speaker 1: you think that's when you started really enjoying it the most? Probably?

712
00:37:41,719 --> 00:37:44,600
Speaker 1: I don't think so, yeah, because then yeah, because before

713
00:37:44,640 --> 00:37:47,480
Speaker 1: that you're like whatever, and Bethany, you're not thirty six,

714
00:37:48,320 --> 00:37:50,960
Speaker 1: not at all. So you're you're having I'm excited you're

715
00:37:50,960 --> 00:37:52,960
Speaker 1: having bad sex. I'm like, when I wake up in

716
00:37:53,000 --> 00:37:54,400
Speaker 1: the morning and I don't know how I'm going to

717
00:37:54,440 --> 00:37:56,040
Speaker 1: get out of bad or what the point is that

718
00:37:56,120 --> 00:37:59,400
Speaker 1: I can think, Oh, but when I'm thirty six, I'm

719
00:37:59,440 --> 00:38:02,600
Speaker 1: good sex on the way. Just you wait, It's something

720
00:38:02,640 --> 00:38:06,719
Speaker 1: to think about, something to look forward to. I'm excited good.

721
00:38:07,200 --> 00:38:10,960
Speaker 1: But it makes total sense when you were like in

722
00:38:11,040 --> 00:38:14,600
Speaker 1: high school and college, you're so insecure by and large,

723
00:38:14,880 --> 00:38:17,000
Speaker 1: and you don't know what you're doing. I mean, I

724
00:38:17,040 --> 00:38:21,239
Speaker 1: remember the first time I had sex. I had no

725
00:38:21,320 --> 00:38:23,399
Speaker 1: clue what I was doing. He didn't have a clue

726
00:38:23,440 --> 00:38:25,560
Speaker 1: what he was doing. It was our first time equally

727
00:38:25,719 --> 00:38:32,240
Speaker 1: like what you were like seventeen okay, funny and uh

728
00:38:32,239 --> 00:38:34,080
Speaker 1: it just no clue, no clue, no clue. And it

729
00:38:34,120 --> 00:38:36,719
Speaker 1: took a really long time for me to figure out anything.

730
00:38:37,800 --> 00:38:40,280
Speaker 1: So yeah, it makes sense. So you have confidence because

731
00:38:40,640 --> 00:38:42,959
Speaker 1: great sexes in your mind, you know, and of course

732
00:38:43,320 --> 00:38:45,319
Speaker 1: in how you connect with your body. A lot of

733
00:38:45,320 --> 00:38:49,000
Speaker 1: times you think you're so good afterwards the person she

734
00:38:49,080 --> 00:38:55,120
Speaker 1: was like, yeah, that's well, speak for yourself. Hello, Valerie, Hi, guys,

735
00:38:55,120 --> 00:38:57,800
Speaker 1: how are you doing well? So you agree? You agree?

736
00:38:57,800 --> 00:39:01,520
Speaker 1: So so for all women who are who are younger

737
00:39:01,560 --> 00:39:05,200
Speaker 1: than you, you're telling them, Yeah, it's on the way.

738
00:39:05,480 --> 00:39:08,880
Speaker 1: It is definitely on the way, which is why women

739
00:39:09,200 --> 00:39:12,600
Speaker 1: my age usually date men who are a lot younger. Yeah,

740
00:39:12,600 --> 00:39:16,960
Speaker 1: because I hit my sexual peak at seventeen, exactly. Exactly.

741
00:39:17,160 --> 00:39:18,920
Speaker 1: You want somebody who's going to be able to keep

742
00:39:19,000 --> 00:39:23,440
Speaker 1: up with you, basis, Well, I may I ask how

743
00:39:23,719 --> 00:39:27,880
Speaker 1: your age, Valerie, how old are you? And you're saying

744
00:39:28,040 --> 00:39:31,360
Speaker 1: right around thirty six, as this study says, that's really

745
00:39:31,400 --> 00:39:35,520
Speaker 1: when you started hitting it. Yeah, when I got into

746
00:39:35,560 --> 00:39:39,040
Speaker 1: my later thirties, mid thirties, later thirties, that's when, like

747
00:39:39,080 --> 00:39:41,960
Speaker 1: you said, the confidence kicks as a play and everything

748
00:39:42,040 --> 00:39:46,560
Speaker 1: just sort of clicks and it just gets incredible at

749
00:39:46,600 --> 00:39:51,160
Speaker 1: that point. And you know, for me personally, it's gotten better.

750
00:39:52,040 --> 00:39:54,799
Speaker 1: There you go, that's good news. And so it's very

751
00:39:54,800 --> 00:39:57,440
Speaker 1: good news. And so you're saying that you're you're typically

752
00:39:57,480 --> 00:40:01,399
Speaker 1: dating guys who are younger than you. Yeah, about ten

753
00:40:01,520 --> 00:40:06,040
Speaker 1: twelve years younger. Like straight Nate likes older women, exactly,

754
00:40:06,160 --> 00:40:08,919
Speaker 1: we have something in common. We both figured it out.

755
00:40:08,960 --> 00:40:11,920
Speaker 1: I just figured it out at a younger age. And exactly,

756
00:40:12,000 --> 00:40:13,480
Speaker 1: it's got to be a bit of a relief for

757
00:40:13,520 --> 00:40:16,960
Speaker 1: the younger guy too, because he doesn't have to wonder

758
00:40:17,280 --> 00:40:19,520
Speaker 1: am I doing the right saying is she into this

759
00:40:19,640 --> 00:40:22,239
Speaker 1: or not? Like he's with someone who's going to tell

760
00:40:22,320 --> 00:40:26,200
Speaker 1: him that isn't working. Try something else. They are easily trained,

761
00:40:27,760 --> 00:40:32,920
Speaker 1: you go. They are trained, and they are so willing

762
00:40:33,000 --> 00:40:37,399
Speaker 1: to be trained. They actually love it to stop peeing

763
00:40:37,400 --> 00:40:41,280
Speaker 1: on the floor. At some point, we really do. Yeah, exactly, Froggy,

764
00:40:43,120 --> 00:40:44,640
Speaker 1: I think about that for a second. What are you

765
00:40:44,719 --> 00:40:46,920
Speaker 1: all that? Okay, puppies, Okay, I just want to be trained,

766
00:40:47,000 --> 00:40:49,640
Speaker 1: just want to be trained. Well, thank you, Valerie, congratulations.

767
00:40:49,640 --> 00:40:51,960
Speaker 1: And there are so many, so many younger women out there,

768
00:40:52,120 --> 00:40:54,880
Speaker 1: and so many women your age and older. They're listening, going, okay,

769
00:40:54,920 --> 00:40:58,480
Speaker 1: this is good for everyone. Yes, don't worry, ladies, it's coming.

770
00:40:59,040 --> 00:41:00,840
Speaker 1: If anyone ever looks at and says, oh god, you

771
00:41:00,840 --> 00:41:02,759
Speaker 1: know you look like you're getting a little older, you

772
00:41:02,760 --> 00:41:06,640
Speaker 1: can say to them, well, but the sex is much better. Yeah,

773
00:41:06,719 --> 00:41:09,239
Speaker 1: I'm just getting exactly. And if I'm dating guys who

774
00:41:09,280 --> 00:41:12,160
Speaker 1: are ten and twelve years younger, I can't look bat old. No,

775
00:41:12,239 --> 00:41:15,040
Speaker 1: you're you're doing okay, Valerie, I can. I can feel

776
00:41:15,040 --> 00:41:18,279
Speaker 1: your confidence on the phone edge fabulous. Valerie takes her

777
00:41:18,320 --> 00:41:24,239
Speaker 1: men to parties and says, I made this under construction.

778
00:41:24,760 --> 00:41:30,240
Speaker 1: Pardon our dust. Thank you, Valerie, thanks for listening. Loving

779
00:41:30,239 --> 00:41:32,879
Speaker 1: you don't you love it, Valerie or anyone you meet

780
00:41:32,920 --> 00:41:35,759
Speaker 1: in life. Men, women doesn't matter even young old. When

781
00:41:35,760 --> 00:41:39,080
Speaker 1: they have that confidence, it makes you want to feel

782
00:41:39,080 --> 00:41:41,240
Speaker 1: more confident to. Yeah. I just made a new friend

783
00:41:41,440 --> 00:41:43,759
Speaker 1: and all I call her is rock Star because she

784
00:41:43,840 --> 00:41:47,719
Speaker 1: has the most confidence and she is so much fun

785
00:41:47,760 --> 00:41:50,680
Speaker 1: to be around. And she's not egotistical, she's just confidence.

786
00:41:50,719 --> 00:41:54,680
Speaker 1: So everything she does is fun because she just she

787
00:41:54,680 --> 00:41:56,960
Speaker 1: sees life as a giant adventure. I love that we

788
00:41:56,960 --> 00:42:00,120
Speaker 1: should all be more like that. Hello Brittany, Hey, how

789
00:42:00,120 --> 00:42:02,000
Speaker 1: are you doing well? Thanks for texting, and we gave

790
00:42:02,000 --> 00:42:04,520
Speaker 1: you a call back your thirty seven next week. And

791
00:42:04,560 --> 00:42:07,000
Speaker 1: you totally agree that thirty six and thirty seven is

792
00:42:07,040 --> 00:42:11,520
Speaker 1: when you really hit it into overdrive. Oh my god, yes, totally.

793
00:42:12,120 --> 00:42:16,160
Speaker 1: I just found a new thing with my boyfriend and

794
00:42:16,200 --> 00:42:22,960
Speaker 1: we just had the most amazing facts. Could you keep

795
00:42:23,000 --> 00:42:30,080
Speaker 1: that to yourself? Ye, I have to found the new thing. Yeah,

796
00:42:31,719 --> 00:42:35,279
Speaker 1: the whole time, like we've just been finding like more

797
00:42:35,480 --> 00:42:41,400
Speaker 1: and better ways different, I mean everything, fruits vegetables everything.

798
00:42:41,840 --> 00:42:45,440
Speaker 1: Oh yeah, fabulous. Well good for you. And see and

799
00:42:45,560 --> 00:42:48,000
Speaker 1: do you think maybe because you have more confidence now,

800
00:42:48,000 --> 00:42:51,360
Speaker 1: you're not afraid to just try new things. Yeah, because

801
00:42:51,640 --> 00:42:54,320
Speaker 1: at this point you're just like, what the hell? What

802
00:42:54,480 --> 00:42:57,200
Speaker 1: the hell? I like that. That's the attitude, Brittany. Thank

803
00:42:57,200 --> 00:43:01,120
Speaker 1: you very much. Thanks. By the way, a guy who's

804
00:43:01,120 --> 00:43:04,920
Speaker 1: really into car sent me a text it's not hitting cylinders,

805
00:43:04,960 --> 00:43:08,640
Speaker 1: just firing on all cylinders, and I stand corrected. I

806
00:43:08,680 --> 00:43:10,680
Speaker 1: will say firing on all cylinders from now on. I

807
00:43:10,760 --> 00:43:13,200
Speaker 1: love learning things. Finally, we can talk to Chris. I

808
00:43:13,239 --> 00:43:17,000
Speaker 1: got time for one call. Let's talk to Chris. Hi, Chris, Hey,

809
00:43:17,000 --> 00:43:19,319
Speaker 1: how's it going. I want to get a guy's perspective. So,

810
00:43:19,360 --> 00:43:21,120
Speaker 1: when you were twenty three, you were dating a forty

811
00:43:21,160 --> 00:43:22,879
Speaker 1: four year old woman. It was the best sex ever.

812
00:43:24,280 --> 00:43:29,879
Speaker 1: It was like rip roaring, unbelievable, Like my friends were

813
00:43:29,880 --> 00:43:31,600
Speaker 1: all of a sudden, they were everyone was trying to

814
00:43:31,680 --> 00:43:33,719
Speaker 1: snag like a cougar. You know. It was just like

815
00:43:34,080 --> 00:43:39,319
Speaker 1: snagging honestly of thirty eight years old and like lits

816
00:43:39,360 --> 00:43:42,080
Speaker 1: Thank you guys. It brought back like an instant memory

817
00:43:42,080 --> 00:43:43,759
Speaker 1: of this woman, and I was like, holy cow, I

818
00:43:43,840 --> 00:43:49,040
Speaker 1: gotta call these people. Yeah, well, good, I love I love,

819
00:43:49,120 --> 00:43:51,879
Speaker 1: I love a man or woman anyone who finds that

820
00:43:52,080 --> 00:43:54,680
Speaker 1: confident spot, no matter at what age, because that spot

821
00:43:54,680 --> 00:43:56,640
Speaker 1: of confidence is something we're all kind of striving for

822
00:43:56,680 --> 00:43:59,280
Speaker 1: and sometimes it's what we're missing in life, that confidence

823
00:43:59,320 --> 00:44:02,360
Speaker 1: that we need to do things other than sex, including sex.

824
00:44:02,640 --> 00:44:05,560
Speaker 1: And uh yeah, see it's so obvious. This is one

825
00:44:05,600 --> 00:44:10,160
Speaker 1: of those things. I love it. You know, all day long,

826
00:44:10,200 --> 00:44:14,040
Speaker 1: you're gonna be thinking about that. Language language, language, alright, Chris,

827
00:44:14,080 --> 00:44:16,359
Speaker 1: thank you. That's okay, it's okay, buddy, thanks for listening

828
00:44:16,360 --> 00:44:19,480
Speaker 1: to us though. I have a good one. Okay, thank you,

829
00:44:19,560 --> 00:44:22,319
Speaker 1: thank you. Yeah, we brought back a good memory for Chris.

830
00:44:22,680 --> 00:44:24,719
Speaker 1: Let's get into your headline, Bethany, what is going on

831
00:44:24,800 --> 00:44:27,360
Speaker 1: right now? Okay. Tiger Woods was arrested for d u

832
00:44:27,440 --> 00:44:30,080
Speaker 1: I over the weekend. He was spotted driving erratically, and

833
00:44:30,120 --> 00:44:33,640
Speaker 1: when police pulled him over, he reportedly refused a breathalyzer,

834
00:44:33,719 --> 00:44:37,200
Speaker 1: which in Florida means automatic arrests and licensed suspension. He

835
00:44:37,239 --> 00:44:39,640
Speaker 1: was out eight hours later and released a statement. He

836
00:44:39,640 --> 00:44:42,839
Speaker 1: said that alcohol was not involved, that he had had

837
00:44:42,880 --> 00:44:48,360
Speaker 1: an unexpected reaction to prescribed medications. The Navy has identified

838
00:44:48,400 --> 00:44:51,160
Speaker 1: the Seal team member who died when his parachute failed

839
00:44:51,160 --> 00:44:54,480
Speaker 1: to open during a Fleet week's demonstration. He is twenty

840
00:44:54,520 --> 00:44:57,000
Speaker 1: seven year old Remington Peters. He was a member of

841
00:44:57,040 --> 00:45:01,399
Speaker 1: an elite Navy parachute team called the Leap Frog. This

842
00:45:01,520 --> 00:45:05,439
Speaker 1: is your hourly reminder to take a deep breath. Thank you.

843
00:45:05,760 --> 00:45:09,560
Speaker 1: And according to a new study, magic mushrooms are the

844
00:45:09,640 --> 00:45:13,920
Speaker 1: safest recreational drug to take. Really yeah. They found that

845
00:45:14,000 --> 00:45:16,840
Speaker 1: only point two percent of the more than twelve thousand

846
00:45:16,880 --> 00:45:21,280
Speaker 1: people who admitted to taking mushrooms in required emergency medical treatment.

847
00:45:21,760 --> 00:45:24,200
Speaker 1: The rates were way higher from people who took the

848
00:45:24,320 --> 00:45:28,600
Speaker 1: really scary ones like cocaine and meth and heroine. The

849
00:45:28,600 --> 00:45:31,200
Speaker 1: biggest risk for mushroom fans came from picking and eating

850
00:45:31,239 --> 00:45:33,640
Speaker 1: the wrong ones. Yeah yeah, that's why I don't eat

851
00:45:33,719 --> 00:45:35,560
Speaker 1: mushrooms at all. I saw take them and put them

852
00:45:35,600 --> 00:45:38,120
Speaker 1: on my steaks. Yeah yeah, I don't know. I don't

853
00:45:38,160 --> 00:45:40,200
Speaker 1: feel like going foraging for mushrooms. I think if they

854
00:45:40,200 --> 00:45:42,239
Speaker 1: sell them at the grocery store, that's well, I don't

855
00:45:42,280 --> 00:45:43,960
Speaker 1: like the texture. If I want to eat a mushroom

856
00:45:44,000 --> 00:45:45,960
Speaker 1: all two on someone's ear, like, I just I'm not

857
00:45:46,000 --> 00:45:50,000
Speaker 1: into that. Well, thank you. That's good drug news. I

858
00:45:50,080 --> 00:45:52,560
Speaker 1: can't thank you for sharing. You're welcome. All the kids

859
00:45:52,560 --> 00:45:54,360
Speaker 1: love that. Okay. Nile Horn is on the way and

860
00:45:54,400 --> 00:45:58,560
Speaker 1: Performing Forest were talking to him. He'll be here about minutes.

861
00:45:59,520 --> 00:46:03,360
Speaker 1: I don't know. This is Elvis Duran in the Morning Show.

862
00:46:03,800 --> 00:46:06,359
Speaker 1: The first ever Wonder Woman movie is coming your way.

863
00:46:06,560 --> 00:46:09,200
Speaker 1: Go see the movie when it opens everywhere on Friday,

864
00:46:09,280 --> 00:46:12,600
Speaker 1: June second, and witness how Diana kicks ass and finds

865
00:46:12,600 --> 00:46:15,000
Speaker 1: her true destiny as one of the greatest superheroes of

866
00:46:15,080 --> 00:46:18,120
Speaker 1: all time. Wonder Woman, her time has come rate to

867
00:46:18,200 --> 00:46:25,520
Speaker 1: PG thirteen in theaters everywhere Friday. Oh, this is obnoxious,

868
00:46:25,760 --> 00:46:28,840
Speaker 1: Elvis Duran in the Morning Show. All right, about to

869
00:46:28,840 --> 00:46:31,880
Speaker 1: get into a free trip phone tap. We want you

870
00:46:31,920 --> 00:46:34,440
Speaker 1: at our I Heart Summer seventeen weekend by a T

871
00:46:34,600 --> 00:46:37,279
Speaker 1: and T at the Found Blue Hotel in Miami Beach.

872
00:46:37,640 --> 00:46:39,680
Speaker 1: Here's how it works. We're gonna give you the free

873
00:46:39,719 --> 00:46:42,359
Speaker 1: trip phone tap. After the phone tap, you'd be called

874
00:46:42,440 --> 00:46:43,719
Speaker 1: one hund when I tell you to call it, and

875
00:46:43,719 --> 00:46:46,839
Speaker 1: don't call now, because don't wait, don't waste your time.

876
00:46:46,880 --> 00:46:48,880
Speaker 1: I want you to listen to the phone tap. So

877
00:46:49,000 --> 00:46:50,640
Speaker 1: when you are calling one hundred, you will win round

878
00:46:50,640 --> 00:46:53,840
Speaker 1: trip coach air affair too and from Miami unless you

879
00:46:53,880 --> 00:46:56,000
Speaker 1: live in Miami. We haven't figured that out. Could someone

880
00:46:56,040 --> 00:46:57,640
Speaker 1: give me an answer on that. We'll send someone with

881
00:46:57,680 --> 00:47:01,080
Speaker 1: a biker could be to I. It's at the Fountain

882
00:47:01,120 --> 00:47:04,439
Speaker 1: Blue Hotel in Miami Beach. Admission for two to our

883
00:47:04,520 --> 00:47:06,600
Speaker 1: I Heart Summer seventeen weekends at the fountin lou By

884
00:47:06,600 --> 00:47:10,400
Speaker 1: the way. Like I said before, we're adding more to

885
00:47:10,480 --> 00:47:13,680
Speaker 1: the stage, more to the lineup. It's all I can

886
00:47:13,719 --> 00:47:15,160
Speaker 1: tell you. I know who it is, and I'm doing

887
00:47:15,200 --> 00:47:19,280
Speaker 1: my best to keep it quiet. Who is it? Someone

888
00:47:19,600 --> 00:47:23,160
Speaker 1: you love? You love this person? Bethany, Oh my god,

889
00:47:23,239 --> 00:47:24,799
Speaker 1: I know. Okay, we're gonna tell you about an hour

890
00:47:24,800 --> 00:47:27,919
Speaker 1: and a half. Danielle, let's get into the phone tap,

891
00:47:27,920 --> 00:47:30,600
Speaker 1: shall we? All right? Who does the phone tap today?

892
00:47:30,640 --> 00:47:35,239
Speaker 1: Scaryellel Durand in the morning shows free trip phone tap?

893
00:47:35,320 --> 00:47:38,600
Speaker 1: All right, we established that, I'll tell you get it's

894
00:47:38,600 --> 00:47:40,680
Speaker 1: the I Heart Summer seventeen weekend by a T and

895
00:47:40,719 --> 00:47:42,440
Speaker 1: T at the Fountain Blue, Miami Beach. You can win

896
00:47:42,480 --> 00:47:45,560
Speaker 1: your trip there after the phone tap. Don't call in yet.

897
00:47:45,760 --> 00:47:47,359
Speaker 1: Let's do the phone tap and I'll tell you what

898
00:47:47,440 --> 00:47:53,040
Speaker 1: to do Elvis, Elvis durand the Elvis durand phone tap, Danielle,

899
00:47:53,239 --> 00:47:55,640
Speaker 1: what's your phone tap all about? So Maggie called wanted

900
00:47:55,719 --> 00:47:58,040
Speaker 1: us to play a phone tap on her grandma Doris.

901
00:47:58,120 --> 00:48:01,200
Speaker 1: Doris likes to leave the bathroom and blinds open when

902
00:48:01,239 --> 00:48:05,200
Speaker 1: she showers, doors, and Maggie keeps saying, Grandma, you need

903
00:48:05,239 --> 00:48:07,239
Speaker 1: to close them. So she said, you know, call her,

904
00:48:08,000 --> 00:48:10,319
Speaker 1: call her someone that has seen a little bit too much.

905
00:48:11,440 --> 00:48:14,239
Speaker 1: So that's what I did, too much, Grandma, Grandma? All right,

906
00:48:14,320 --> 00:48:17,719
Speaker 1: Daniel's phone tap. Hello, this has got to stop, is

907
00:48:17,719 --> 00:48:21,480
Speaker 1: this Doris? Yes, it is. It doesn't matter who I am.

908
00:48:21,760 --> 00:48:24,480
Speaker 1: I can't do it anymore though I I physically feel

909
00:48:24,520 --> 00:48:27,759
Speaker 1: ill after watching. I don't know who you are, what

910
00:48:27,800 --> 00:48:32,000
Speaker 1: you're talking about. I'm talking about you showering with no

911
00:48:32,239 --> 00:48:35,960
Speaker 1: blinds or likes something. I got to see it all.

912
00:48:36,000 --> 00:48:37,759
Speaker 1: I don't want to see it all. What are you

913
00:48:38,040 --> 00:48:40,600
Speaker 1: looking at binoculars? Are you a neighbor? What's your name?

914
00:48:40,880 --> 00:48:42,840
Speaker 1: I'm not going to tell you my name. I'm calling

915
00:48:42,880 --> 00:48:45,040
Speaker 1: me because I physically want to lose my breakfast in

916
00:48:45,080 --> 00:48:47,560
Speaker 1: the morning because I'm watching you shower. You sound like

917
00:48:47,560 --> 00:48:49,359
Speaker 1: a pervert to me. I don't know what you look

918
00:48:49,480 --> 00:48:52,840
Speaker 1: what why you're even looking in? I can shower, however,

919
00:48:52,920 --> 00:48:55,600
Speaker 1: I like, and I like the sunlight on my body.

920
00:48:55,960 --> 00:48:59,319
Speaker 1: How old you like? Eighty five? Uh, that's none of

921
00:48:59,320 --> 00:49:01,760
Speaker 1: your business. But why do you leave your blinds open?

922
00:49:02,120 --> 00:49:04,399
Speaker 1: Why do you stare in? You must like what you're

923
00:49:04,440 --> 00:49:07,480
Speaker 1: looking at? Really? The other day I had eggs for

924
00:49:07,520 --> 00:49:10,439
Speaker 1: breakfast and they did not stay down, and you made

925
00:49:10,440 --> 00:49:12,719
Speaker 1: a point of looking out because I just might be

926
00:49:12,800 --> 00:49:16,560
Speaker 1: taking a shower. That's sick. That's really sick. You could

927
00:49:16,560 --> 00:49:19,400
Speaker 1: be some sexual predator out there. Why don't you just

928
00:49:19,440 --> 00:49:23,440
Speaker 1: stop staring and take a picture to lift a lot longer? Really? Yeah,

929
00:49:23,600 --> 00:49:25,960
Speaker 1: why don't you do that? I mean, how old are we? Teenagers?

930
00:49:26,320 --> 00:49:29,319
Speaker 1: Who are you? What? Why don't you just close your

931
00:49:29,320 --> 00:49:36,560
Speaker 1: blinds and leave me alone? Hello? Hey, why would you

932
00:49:36,560 --> 00:49:39,080
Speaker 1: hang up on me? That's why you kidding? I thought

933
00:49:39,160 --> 00:49:43,400
Speaker 1: old people had more respect. Really, maybe you're just jealous,

934
00:49:43,840 --> 00:49:46,200
Speaker 1: jealous of what your boobs down to your knees. How

935
00:49:47,120 --> 00:49:51,840
Speaker 1: very good body for somebody my age. I'm not ashamed

936
00:49:51,840 --> 00:49:54,319
Speaker 1: of it. Okay, So here's the deal. Sitting at my

937
00:49:54,440 --> 00:49:57,640
Speaker 1: dining room table, I look across and I can see

938
00:49:57,719 --> 00:50:01,480
Speaker 1: your shower from my I'm not going to deal with you.

939
00:50:01,480 --> 00:50:08,400
Speaker 1: You sound a little disturbed to me. Seriously, what is

940
00:50:08,440 --> 00:50:11,080
Speaker 1: your name? Okay, you want to know my name? Yeah,

941
00:50:11,760 --> 00:50:15,279
Speaker 1: it's Rebecca, Rebecca. I wonder if that's You're really? Well,

942
00:50:15,600 --> 00:50:17,000
Speaker 1: how the hell would you even know if it was,

943
00:50:17,040 --> 00:50:19,919
Speaker 1: I could tell you my name is. Why do you know? Well?

944
00:50:19,920 --> 00:50:22,399
Speaker 1: That sounds more like it to me. Are you done?

945
00:50:22,400 --> 00:50:24,920
Speaker 1: I'm really in the middle of my programs and the

946
00:50:25,040 --> 00:50:26,920
Speaker 1: next time I'm in the shower, you can watch me.

947
00:50:26,960 --> 00:50:29,279
Speaker 1: What you want to kiss? My aunts? Maybe you want

948
00:50:29,280 --> 00:50:33,840
Speaker 1: to kiss Elvis Duran's ass, really, because that's who's playing

949
00:50:33,840 --> 00:50:39,160
Speaker 1: this phone? Tap on you and your granddaughter? Yes, hi him,

950
00:50:39,880 --> 00:50:44,080
Speaker 1: Maggie's at you. Yeah, what are you doing? Grandma? This

951
00:50:44,239 --> 00:50:47,480
Speaker 1: is just a huge joke, Grandma, I told you that

952
00:50:47,600 --> 00:50:50,880
Speaker 1: you have to shut the flight? Are you kidding me?

953
00:50:51,480 --> 00:50:55,719
Speaker 1: The house listen to me? So I had to do this.

954
00:50:56,800 --> 00:51:01,800
Speaker 1: I'm sorry. Would you do this to me? Oh my goodness,

955
00:51:02,080 --> 00:51:07,640
Speaker 1: how many people heard this? I mean this is on

956
00:51:07,719 --> 00:51:11,960
Speaker 1: the air. It will be Oh my gosh, he's something

957
00:51:12,000 --> 00:51:14,359
Speaker 1: about it. All we've done here. I'm going to get

958
00:51:14,400 --> 00:51:22,160
Speaker 1: back to my show now. We love Grandma. Grandma Doris

959
00:51:22,320 --> 00:51:28,600
Speaker 1: rightly what do you is some kind of predator program

960
00:51:28,840 --> 00:51:31,919
Speaker 1: that was hilarious. Thank you Danielle, and thank you Grandma Doris.

961
00:51:32,000 --> 00:51:35,200
Speaker 1: You were fabulous. She likes the sunlight on her body.

962
00:51:36,960 --> 00:51:38,239
Speaker 1: All right. If you have an idea, if you have

963
00:51:38,239 --> 00:51:39,719
Speaker 1: an idea for a phone tap, someone in your life

964
00:51:39,800 --> 00:51:42,440
Speaker 1: is very phone tappable, like Grandma Doris, simply go to

965
00:51:42,480 --> 00:51:44,600
Speaker 1: Elvis Duran dot com and click on the phone tap link.

966
00:51:44,960 --> 00:51:47,640
Speaker 1: Durand in the Morning shows, Free trip foods. All right,

967
00:51:47,680 --> 00:51:49,360
Speaker 1: now you get to work. Be called her one hundred

968
00:51:49,360 --> 00:51:52,719
Speaker 1: You win round trip for two to Miami, Florida for

969
00:51:52,800 --> 00:51:55,719
Speaker 1: two nights at the Beautiful Fountain Blue Hotel, Miami Beach

970
00:51:56,000 --> 00:51:58,400
Speaker 1: for our I Heart Summer seventeen weekends by a T

971
00:51:58,560 --> 00:52:01,239
Speaker 1: and T called me one eight hundred to four two

972
00:52:01,360 --> 00:52:03,399
Speaker 1: zero one hundred ran the morning shows I Heart Summer

973
00:52:03,400 --> 00:52:05,479
Speaker 1: seventeen feature phone tap, No purchis necessary Way in Montana,

974
00:52:05,520 --> 00:52:07,440
Speaker 1: New Mexico watching didn't wear prohibited Open to legal residents

975
00:52:07,440 --> 00:52:08,960
Speaker 1: of the fifth United States DC must be eighteen or

976
00:52:08,960 --> 00:52:11,680
Speaker 1: older and nineteen am Eastern Time, Une second and sank

977
00:52:12,480 --> 00:52:15,200
Speaker 1: till Mr Rand in the morning shows Free trip phones.

978
00:52:16,520 --> 00:52:20,320
Speaker 1: Let's go talk to Carrie calling him from Staten Island.

979
00:52:20,320 --> 00:52:25,239
Speaker 1: How you doing carry'd? Thank you? Well, guess what you're called?

980
00:52:25,239 --> 00:52:30,120
Speaker 1: A one hundred out? Okay, all my friends from Staten

981
00:52:30,160 --> 00:52:33,600
Speaker 1: Island to say that out? No, I don't want to

982
00:52:33,640 --> 00:52:36,240
Speaker 1: get out or my other favorite is my other favorite

983
00:52:36,280 --> 00:52:38,440
Speaker 1: carries like you'll say something nice to someone, they'll go

984
00:52:38,520 --> 00:52:42,080
Speaker 1: shut up? What did I don't understand. I'm like a

985
00:52:42,120 --> 00:52:44,840
Speaker 1: black cloud. I don't want anything, but you just didn't.

986
00:52:45,800 --> 00:52:48,479
Speaker 1: So now the black clouds coming to our pool party?

987
00:52:48,560 --> 00:52:51,640
Speaker 1: I do know. Well, so bring someone you love, Bring

988
00:52:51,719 --> 00:52:53,920
Speaker 1: someone you love. Carry. We're all gathering for the I

989
00:52:54,040 --> 00:52:56,160
Speaker 1: Heart Summer seventeen weekend by a T and T at

990
00:52:56,160 --> 00:52:57,719
Speaker 1: the Fountain Loo, Miami Beach. Have ever been to the

991
00:52:57,760 --> 00:53:01,759
Speaker 1: Fountain Blue? Never been? Well that that is enough right there.

992
00:53:01,840 --> 00:53:06,359
Speaker 1: But we have on the stage Backstreet Boys and uh

993
00:53:09,960 --> 00:53:12,480
Speaker 1: and I'm adding a couple more performers in about an hour,

994
00:53:12,560 --> 00:53:14,360
Speaker 1: So we'll see you there. Thank you for listening to us.

995
00:53:15,000 --> 00:53:17,960
Speaker 1: Thank you. Hold on one second another chance to win

996
00:53:18,200 --> 00:53:20,919
Speaker 1: with another free trip phone tap tomorrow morning. Daniel would

997
00:53:20,920 --> 00:53:23,280
Speaker 1: you have coming up in the Danielle Report, funny story

998
00:53:23,320 --> 00:53:26,040
Speaker 1: about Bill Cosby. Let's do it now. There's a funny

999
00:53:26,080 --> 00:53:28,720
Speaker 1: story about It's interesting because it's kind of like Karma

1000
00:53:28,880 --> 00:53:32,800
Speaker 1: at work. So apparently he is very worried that someone's

1001
00:53:32,840 --> 00:53:35,800
Speaker 1: going to poison his food or drink and put something

1002
00:53:35,880 --> 00:53:39,920
Speaker 1: in it. So during his recent free trial hearings in Pittsburgh,

1003
00:53:40,360 --> 00:53:43,200
Speaker 1: he brought his own meals, he brought his own bottled water,

1004
00:53:43,360 --> 00:53:45,839
Speaker 1: all from his home in Philly because he's a little

1005
00:53:46,000 --> 00:53:50,399
Speaker 1: afraid that people are going to revenge to Yeah, okay,

1006
00:53:50,520 --> 00:53:54,560
Speaker 1: karma would he allegedly do exactly. Let's talk about Harrison Ford.

1007
00:53:54,600 --> 00:53:57,279
Speaker 1: People are getting worried about him and his flying these days.

1008
00:53:57,719 --> 00:53:59,880
Speaker 1: He had some trouble with his private jet on Friday.

1009
00:54:00,000 --> 00:54:02,239
Speaker 1: He had to abort his take off, which is not

1010
00:54:02,600 --> 00:54:05,040
Speaker 1: normally such a big deal in some cases, but because

1011
00:54:05,120 --> 00:54:07,000
Speaker 1: he's been having some problems lately, a lot of people

1012
00:54:07,040 --> 00:54:10,320
Speaker 1: are concerned about him flying. And so I don't know, know.

1013
00:54:11,760 --> 00:54:13,799
Speaker 1: I remember when we had to take God rest his soul,

1014
00:54:13,840 --> 00:54:15,880
Speaker 1: when I had to take my father's keys away from

1015
00:54:15,960 --> 00:54:17,640
Speaker 1: him and said, Dad, you know, he really shouldn't be

1016
00:54:17,680 --> 00:54:20,040
Speaker 1: driving no more. And that was a car. I can't

1017
00:54:20,040 --> 00:54:22,680
Speaker 1: imagine taking Dad's keys to the airplane away, I don't think.

1018
00:54:22,880 --> 00:54:28,200
Speaker 1: And Dad's not gonna happen. Maybe you shouldn't be flying around. God,

1019
00:54:30,800 --> 00:54:34,480
Speaker 1: that's just Harrison, don't mind. Katy Perry is thirty two

1020
00:54:34,520 --> 00:54:38,160
Speaker 1: and she says sex in her thirties is absolutely amazing.

1021
00:54:38,680 --> 00:54:40,640
Speaker 1: Kind of like what we were talking about before. Right.

1022
00:54:41,040 --> 00:54:44,840
Speaker 1: And Robert Pattinson you know him from Twilight, right? He

1023
00:54:44,920 --> 00:54:48,279
Speaker 1: was Edward calling. So can you imagine the movie without him? What?

1024
00:54:48,400 --> 00:54:51,480
Speaker 1: We almost did see the movie without him because he

1025
00:54:51,520 --> 00:54:56,200
Speaker 1: almost got himself fired. He was not so nice on

1026
00:54:56,280 --> 00:54:57,960
Speaker 1: the movie set. A lot of times he kind of

1027
00:54:58,040 --> 00:55:00,600
Speaker 1: thought who he was. He said, even though I didn't

1028
00:55:00,640 --> 00:55:03,520
Speaker 1: really have a name for myself, I had a snotty attitude.

1029
00:55:04,160 --> 00:55:07,160
Speaker 1: His agents had to fly in from England to talk

1030
00:55:07,280 --> 00:55:09,720
Speaker 1: some sentence to him so that he would not get fired.

1031
00:55:09,920 --> 00:55:11,840
Speaker 1: Good thing, how about that? Remember when he came to

1032
00:55:11,920 --> 00:55:13,479
Speaker 1: visit us, he was still drunk from the night before.

1033
00:55:13,600 --> 00:55:16,680
Speaker 1: He smelled of cigarettes and booze. He was great. Some

1034
00:55:16,760 --> 00:55:19,520
Speaker 1: people are just extra sexy when they reek of a party. Yes.

1035
00:55:19,800 --> 00:55:22,239
Speaker 1: By the way, the question from Straight Night about what

1036
00:55:23,040 --> 00:55:26,239
Speaker 1: do planes have keys? Yes, they some of them do.

1037
00:55:26,440 --> 00:55:31,960
Speaker 1: Look here's the keys to mind some plan some planes?

1038
00:55:34,080 --> 00:55:38,600
Speaker 1: Can you take my plane out? Haven't washed? So? On?

1039
00:55:38,760 --> 00:55:41,280
Speaker 1: Some sad news. Ben Stiller and his wife Christina Taylor

1040
00:55:41,280 --> 00:55:45,600
Speaker 1: have announced their separation after seventeen years ago. Ben Stiller

1041
00:55:45,640 --> 00:55:48,359
Speaker 1: and his wife Christina Taylor, who are married seventeen years.

1042
00:55:48,440 --> 00:55:50,239
Speaker 1: So best goes out to both of them. By the way,

1043
00:55:50,239 --> 00:55:53,359
Speaker 1: I don't have a plane. Tonight on Televisionledgar, he has

1044
00:55:53,400 --> 00:55:56,120
Speaker 1: a tank. The twelfth Diseason form of American's Got Talent

1045
00:55:56,239 --> 00:55:58,800
Speaker 1: is on tonight. You've got Prison Break, You've got World

1046
00:55:58,880 --> 00:56:01,120
Speaker 1: of Dance, the series from Mere That that's your Jennifer

1047
00:56:01,160 --> 00:56:04,440
Speaker 1: Lopez show. Fear Factor is back tonight. The Americans is

1048
00:56:04,480 --> 00:56:07,120
Speaker 1: on House of Cards over on Netflix. A lot of

1049
00:56:07,160 --> 00:56:09,719
Speaker 1: cool stuff tonight, And next time we're gonna talk about

1050
00:56:09,880 --> 00:56:12,759
Speaker 1: Ariana Grande and what awesome thing she is doing for

1051
00:56:12,880 --> 00:56:16,600
Speaker 1: Manchester excellent, and I love that story and I love

1052
00:56:16,640 --> 00:56:20,239
Speaker 1: that she's going back. Hello Cindy, Hi, how are you

1053
00:56:20,480 --> 00:56:23,120
Speaker 1: doing well? Some people see the strangest things in traffic

1054
00:56:23,200 --> 00:56:26,200
Speaker 1: because you're out there surrounded by thousands of people all

1055
00:56:26,280 --> 00:56:28,120
Speaker 1: doing their own thing. What did you just see in traffic?

1056
00:56:29,320 --> 00:56:31,960
Speaker 1: So I'm sitting in bumpt for traffic and that the

1057
00:56:32,239 --> 00:56:35,320
Speaker 1: last twenty minutes, and I see a car he just stopped,

1058
00:56:35,320 --> 00:56:36,640
Speaker 1: so I thought he ran out of gas. It was

1059
00:56:36,680 --> 00:56:39,239
Speaker 1: a newer car and people are driving around him. I

1060
00:56:39,280 --> 00:56:40,800
Speaker 1: saw he had his head back on the seat, but

1061
00:56:40,800 --> 00:56:42,400
Speaker 1: I thought he was just annoyed, you know, it just

1062
00:56:42,480 --> 00:56:45,560
Speaker 1: looks like he was annoyed. So finally people drive past

1063
00:56:45,640 --> 00:56:48,360
Speaker 1: him on the shoulder and somebody reaches out their window

1064
00:56:48,400 --> 00:56:50,360
Speaker 1: and knocked on it, and he starts to go. He

1065
00:56:50,480 --> 00:56:55,719
Speaker 1: was asleep, like in the middle of the road, like

1066
00:56:55,840 --> 00:57:02,360
Speaker 1: on the left hand ling, doing theres obviously not listening

1067
00:57:02,360 --> 00:57:08,160
Speaker 1: to our show. Oh my gosh. I mean, it's one

1068
00:57:08,200 --> 00:57:11,640
Speaker 1: thing that people eat while they're driving, but this guy

1069
00:57:11,719 --> 00:57:16,240
Speaker 1: just fell asleep. Asleep, definitely asleep. Must have had a

1070
00:57:16,320 --> 00:57:21,440
Speaker 1: hard weekend. Oh my god. I love that. All Right, Well, good,

1071
00:57:21,520 --> 00:57:25,200
Speaker 1: he's awaken. Everyone's safe. Yes, he's awake, everyone's safe, and

1072
00:57:25,280 --> 00:57:29,280
Speaker 1: we're finally moving. Cindy, I'm gonna ask you a question,

1073
00:57:29,360 --> 00:57:32,680
Speaker 1: not related to this phone call at all. Was that

1074
00:57:32,720 --> 00:57:38,840
Speaker 1: Tiger Woods in the car? By the way. I know

1075
00:57:39,440 --> 00:57:41,040
Speaker 1: I'm not expecting an answer from you, but I am.

1076
00:57:41,080 --> 00:57:42,520
Speaker 1: I asking everyone in the room to think about this.

1077
00:57:42,600 --> 00:57:45,560
Speaker 1: Everyone listening. Is there a secret you have that you're

1078
00:57:45,600 --> 00:57:50,440
Speaker 1: going to take to your grave? Yes? Absolutely, yeah, and

1079
00:57:50,520 --> 00:57:55,479
Speaker 1: you're thinking about it right now because I was thinking

1080
00:57:55,480 --> 00:57:57,960
Speaker 1: about this overnight, and I have two that I that

1081
00:57:58,080 --> 00:58:01,200
Speaker 1: I can readily recall. But I bet there are many

1082
00:58:01,240 --> 00:58:03,760
Speaker 1: secrets that we don't even allowed to come out in

1083
00:58:03,840 --> 00:58:08,520
Speaker 1: our memory anymore because we just know they're done when

1084
00:58:08,560 --> 00:58:11,280
Speaker 1: you go. Do you think it will come out? I

1085
00:58:11,360 --> 00:58:14,760
Speaker 1: don't know. Well, when I'm gone, I don't care. All right, Well, Cindy,

1086
00:58:14,800 --> 00:58:16,919
Speaker 1: thank you very much. Have a great day and you're

1087
00:58:16,920 --> 00:58:19,280
Speaker 1: in your secret. Have a nice day. Well, can you

1088
00:58:19,320 --> 00:58:21,320
Speaker 1: think of any secrets you're going to carry to your grave? Oh?

1089
00:58:21,440 --> 00:58:25,240
Speaker 1: I have a big one. But what about the secret

1090
00:58:25,280 --> 00:58:30,760
Speaker 1: you're carrying to your grave? What about you? What is it?

1091
00:58:31,000 --> 00:58:33,640
Speaker 1: What does each word rhyme with? I'm not even gonna

1092
00:58:33,680 --> 00:58:35,920
Speaker 1: go there, but and that's okay. I'm not expecting anyone

1093
00:58:36,000 --> 00:58:38,600
Speaker 1: to admit anything. So I did some research over the

1094
00:58:38,640 --> 00:58:41,920
Speaker 1: weekend and Discover magazine actually wrote a story about secrets

1095
00:58:41,960 --> 00:58:43,800
Speaker 1: that we are most likely to keep until we go

1096
00:58:43,920 --> 00:58:46,440
Speaker 1: to the grave. Uh, don't you love to do research

1097
00:58:48,280 --> 00:58:52,000
Speaker 1: thoughts or fantasies about cheating on our significant other? You're

1098
00:58:52,000 --> 00:58:54,040
Speaker 1: about three times more likely to tell someone if you

1099
00:58:54,080 --> 00:58:56,480
Speaker 1: actually cheat then if you just think about it, all right?

1100
00:58:56,680 --> 00:58:59,320
Speaker 1: So I think fantasy is about cheating on your significant other,

1101
00:58:59,600 --> 00:59:03,800
Speaker 1: who yeah, that's right, all right. But the other things

1102
00:59:03,880 --> 00:59:06,000
Speaker 1: you keep until you go to your grave. Something you

1103
00:59:06,080 --> 00:59:08,880
Speaker 1: did sexually that you're not proud of, that's the thing.

1104
00:59:09,800 --> 00:59:12,800
Speaker 1: It could be a lie that you told that you'll

1105
00:59:12,920 --> 00:59:16,400
Speaker 1: never admit the truth about, like you have to buy

1106
00:59:16,480 --> 00:59:22,280
Speaker 1: into that lie, a secret romantic desire m, something you

1107
00:59:22,440 --> 00:59:26,640
Speaker 1: did that would violate someone's trust, secrets. A lot of

1108
00:59:26,680 --> 00:59:30,400
Speaker 1: people carry to the grave something you stole, cheating on

1109
00:59:30,520 --> 00:59:34,560
Speaker 1: someone emotionally, a secret ambition or dream that you have,

1110
00:59:35,560 --> 00:59:41,120
Speaker 1: oh wow, a dark family secret, or just a bad

1111
00:59:41,200 --> 00:59:44,000
Speaker 1: financial decision that you made that you were so embarrassed

1112
00:59:44,000 --> 00:59:47,120
Speaker 1: you didn't tell anyone about. So you know, there could

1113
00:59:47,120 --> 00:59:49,760
Speaker 1: be a whole rainbow of things that you're taking to

1114
00:59:49,840 --> 00:59:54,600
Speaker 1: your grave, things that were illegal, things that you witnessed

1115
00:59:55,440 --> 00:59:58,280
Speaker 1: that could get someone else in trouble, things that could

1116
00:59:58,320 --> 01:00:03,240
Speaker 1: embarrass the family name exactly. So I think, look at straight, Nate,

1117
01:00:03,840 --> 01:00:06,520
Speaker 1: Yeah you got something. Look at that. Yeah I got

1118
01:00:06,560 --> 01:00:11,400
Speaker 1: a lot thinking about it. Wow, dangerous, Nate. I think

1119
01:00:11,440 --> 01:00:14,200
Speaker 1: everybody does. But it really kind of hits you when

1120
01:00:14,240 --> 01:00:15,800
Speaker 1: you think about it. I think a lot of people

1121
01:00:15,840 --> 01:00:17,960
Speaker 1: are probably just sitting there in silence, right now thinking

1122
01:00:18,000 --> 01:00:20,480
Speaker 1: about those names, I know I can. One of the

1123
01:00:20,840 --> 01:00:23,760
Speaker 1: two things that I'm thinking about I've repressed for many years.

1124
01:00:23,880 --> 01:00:25,400
Speaker 1: I just don't want to think about it. But it's

1125
01:00:25,400 --> 01:00:27,920
Speaker 1: something that happened to me when I was younger. What

1126
01:00:28,040 --> 01:00:31,280
Speaker 1: made you suddenly remember it? Because this topic it made

1127
01:00:31,280 --> 01:00:33,240
Speaker 1: me think about something I've done in my life that

1128
01:00:33,280 --> 01:00:35,320
Speaker 1: I'm kind of ashamed of, not ashamed about, but I

1129
01:00:35,440 --> 01:00:37,480
Speaker 1: just don't want to talk about ever, and I won't

1130
01:00:37,600 --> 01:00:39,800
Speaker 1: like you suddenly get a flash of you with a

1131
01:00:39,880 --> 01:00:45,520
Speaker 1: shovel in the middle of It wasn't illegal, and no

1132
01:00:45,640 --> 01:00:49,960
Speaker 1: it wasn't a woman it was. I will tell you.

1133
01:00:50,160 --> 01:00:51,920
Speaker 1: I will craft it in a way that doesn't give

1134
01:00:51,960 --> 01:00:54,640
Speaker 1: anything away and because maybe someone will relate with it.

1135
01:00:55,200 --> 01:01:00,360
Speaker 1: I witnessed someone doing something that was so awful that

1136
01:01:00,520 --> 01:01:04,280
Speaker 1: i'll and I just I will never ever tell anyone

1137
01:01:04,320 --> 01:01:08,320
Speaker 1: that I saw it because what they did. If I

1138
01:01:08,560 --> 01:01:11,920
Speaker 1: if I talked about it, it wouldn't fix anything, It

1139
01:01:11,920 --> 01:01:14,520
Speaker 1: wouldn't help anything. It would not get any any justice

1140
01:01:14,560 --> 01:01:17,360
Speaker 1: for anyone. You know, So you can think about it

1141
01:01:17,520 --> 01:01:19,320
Speaker 1: whatever it is, But it does the person know that

1142
01:01:19,400 --> 01:01:23,880
Speaker 1: you saw them, No, not at all. Those are the

1143
01:01:23,920 --> 01:01:27,240
Speaker 1: weird ones. It doesn't do anyone any good if you

1144
01:01:27,280 --> 01:01:31,160
Speaker 1: tell anyone? Yeah, yeah, there's no point. Now. I want

1145
01:01:31,160 --> 01:01:33,720
Speaker 1: to know what it is and you know, and I

1146
01:01:33,800 --> 01:01:37,040
Speaker 1: won't tell. I want what I know something about somebody

1147
01:01:37,080 --> 01:01:40,080
Speaker 1: who works on this floor, not at this radio station,

1148
01:01:40,440 --> 01:01:42,520
Speaker 1: that they don't even know that I know what. I

1149
01:01:42,600 --> 01:01:44,800
Speaker 1: know that I'm taking it to the grave. Okay, good,

1150
01:01:45,680 --> 01:01:50,160
Speaker 1: and so you should and I will. They don't know

1151
01:01:50,320 --> 01:01:52,200
Speaker 1: that I know that he knows that, she knows that

1152
01:01:52,400 --> 01:01:55,160
Speaker 1: they know I know, but but I know, I'm like

1153
01:01:55,200 --> 01:01:56,680
Speaker 1: trying to figure out who the hell knows what at

1154
01:01:56,720 --> 01:01:59,560
Speaker 1: this point. But I guess there is a deeper meaning

1155
01:01:59,640 --> 01:02:02,440
Speaker 1: to this conversation in thought process, you know me, I

1156
01:02:02,520 --> 01:02:05,240
Speaker 1: like to think about how everything affects us because we

1157
01:02:05,680 --> 01:02:08,160
Speaker 1: we are truly formed into the people we are from

1158
01:02:08,200 --> 01:02:09,760
Speaker 1: the good and bad things that we have learned and

1159
01:02:09,800 --> 01:02:13,720
Speaker 1: seen and experienced in life. Truly believer in that plus genetics. Okay,

1160
01:02:14,720 --> 01:02:17,320
Speaker 1: I'm wondering that these things that we're carrying to the grave,

1161
01:02:17,440 --> 01:02:19,320
Speaker 1: how they have changed us as human beings for the

1162
01:02:19,400 --> 01:02:22,040
Speaker 1: better or for the worst. Because I think the things

1163
01:02:22,120 --> 01:02:24,560
Speaker 1: I know, as dark as they are, have made me

1164
01:02:24,600 --> 01:02:27,680
Speaker 1: a better person. Well, and I think that for some people,

1165
01:02:27,800 --> 01:02:32,000
Speaker 1: their deepest, darkest secret is probably like a rock bottom

1166
01:02:32,440 --> 01:02:35,320
Speaker 1: and it probably helped them realize they needed to make

1167
01:02:35,400 --> 01:02:37,600
Speaker 1: some changes. Like I have a couple of friends who

1168
01:02:38,480 --> 01:02:41,040
Speaker 1: you know, have some addiction issues or whatever, and they've

1169
01:02:41,160 --> 01:02:45,080
Speaker 1: told me things that I'm like that that made them

1170
01:02:45,160 --> 01:02:47,320
Speaker 1: into the better person that I know them as today

1171
01:02:47,440 --> 01:02:50,120
Speaker 1: because they did something that they're not proud of. Hey,

1172
01:02:50,160 --> 01:02:52,360
Speaker 1: great tea, what's up? You know, Scary and I were

1173
01:02:52,440 --> 01:02:55,320
Speaker 1: roommates for like four years. We've got some secrets that

1174
01:02:55,360 --> 01:02:58,280
Speaker 1: will be taken to the grave zone ourselves. Right. Scary Absolutely.

1175
01:02:59,520 --> 01:03:02,080
Speaker 1: The way you're parading that into the room is sort

1176
01:03:02,120 --> 01:03:04,640
Speaker 1: of kind of rude. Well, he has stuff on me

1177
01:03:04,680 --> 01:03:06,560
Speaker 1: and I have stuff on him. But listen to but

1178
01:03:06,640 --> 01:03:08,520
Speaker 1: listen to the turn the sound of his voice. Well,

1179
01:03:08,720 --> 01:03:13,440
Speaker 1: I've got Scary right, Scary, Right, you know what I'm

1180
01:03:13,440 --> 01:03:16,400
Speaker 1: talking about? Don't you careful? I'm telling you everyone, don't

1181
01:03:16,440 --> 01:03:20,240
Speaker 1: you hear that kind of sassy things? But what the

1182
01:03:20,320 --> 01:03:22,400
Speaker 1: thing that you just said is funny because when I

1183
01:03:22,520 --> 01:03:26,560
Speaker 1: think of these things during this conversation about Scary and Eye,

1184
01:03:26,920 --> 01:03:31,080
Speaker 1: I think that I have learned from the not mistakes.

1185
01:03:31,120 --> 01:03:33,360
Speaker 1: Were the things that we've done that he has on me?

1186
01:03:33,720 --> 01:03:36,960
Speaker 1: Or that vice versa that I'll never do again. And

1187
01:03:37,120 --> 01:03:39,720
Speaker 1: like Bethany said, you learn from that exactly. We're very

1188
01:03:39,800 --> 01:03:42,640
Speaker 1: weird how you learn from the things that people know

1189
01:03:42,800 --> 01:03:46,320
Speaker 1: about you. Weird. We do have a thing though, where

1190
01:03:46,440 --> 01:03:49,080
Speaker 1: we were taking it to the we've actually sworn the

1191
01:03:49,160 --> 01:03:51,959
Speaker 1: secrecy each other and it has made me a better person.

1192
01:03:52,840 --> 01:03:57,240
Speaker 1: It has for the voice, right, we're like bon Jovi,

1193
01:03:57,440 --> 01:04:03,360
Speaker 1: Richard Sam Boy here what that's who? Alright, Okay, but

1194
01:04:03,440 --> 01:04:05,880
Speaker 1: wait a minute, hold on, greg t. We pretty much

1195
01:04:05,960 --> 01:04:08,080
Speaker 1: know everything about you. You are an open book as

1196
01:04:08,160 --> 01:04:10,360
Speaker 1: disgusting as the things are that we do know about you.

1197
01:04:10,520 --> 01:04:12,280
Speaker 1: So if someone knows something about you that can't be

1198
01:04:12,320 --> 01:04:15,280
Speaker 1: talked about, that must beech just gone awful exactly. Let's

1199
01:04:15,280 --> 01:04:20,520
Speaker 1: go talk to Brittany. Hello, Brittany h you you don't

1200
01:04:21,240 --> 01:04:22,800
Speaker 1: have one thing in your life that you're going to

1201
01:04:22,880 --> 01:04:26,280
Speaker 1: take to the grave a secret? No, but like I'm thinking,

1202
01:04:26,480 --> 01:04:29,160
Speaker 1: the only one that doesn't kind of want one now. No, no, no,

1203
01:04:29,480 --> 01:04:33,080
Speaker 1: you don't strive. You don't strive for secrets to take

1204
01:04:33,120 --> 01:04:36,240
Speaker 1: to the grave. They just happen organically. It's just you know,

1205
01:04:36,960 --> 01:04:39,760
Speaker 1: And would you really go out and cause trouble and

1206
01:04:39,960 --> 01:04:42,400
Speaker 1: carry it to the grave. I want to witness. No,

1207
01:04:42,560 --> 01:04:44,720
Speaker 1: I don't want to cause trouble or anything. But I mean,

1208
01:04:45,800 --> 01:04:48,439
Speaker 1: I guess I'm only I mean, I guess I still

1209
01:04:48,440 --> 01:04:50,960
Speaker 1: have some life to kind of throw one or yeah yeah,

1210
01:04:51,000 --> 01:04:53,720
Speaker 1: yeah yeah. And like I said before, you may have

1211
01:04:53,920 --> 01:04:55,320
Speaker 1: something that you're gonna take to the grave that you

1212
01:04:55,360 --> 01:04:57,840
Speaker 1: have repressed so deeply you don't even think about it anymore. So,

1213
01:04:57,920 --> 01:05:00,400
Speaker 1: I mean, we don't know, you don't know. I just

1214
01:05:00,920 --> 01:05:04,080
Speaker 1: but not striving to have something to take to the grave. Man,

1215
01:05:04,160 --> 01:05:06,240
Speaker 1: I'm not living my life until I've witnessed a murder,

1216
01:05:06,960 --> 01:05:10,080
Speaker 1: or if until I've done something so illegal. Yeah, yeah,

1217
01:05:10,320 --> 01:05:13,240
Speaker 1: it'll happen, it'll probably find you don't even worry about it.

1218
01:05:13,320 --> 01:05:18,840
Speaker 1: You're good. Well, thank you, Brittany. All right, she's just

1219
01:05:18,920 --> 01:05:20,880
Speaker 1: gonna start going to the wrong part of town at

1220
01:05:20,960 --> 01:05:25,280
Speaker 1: midnight hoping that something happened. All right, Are we all happy?

1221
01:05:25,680 --> 01:05:28,080
Speaker 1: Are we all tucked in? All right? So nil horn?

1222
01:05:28,920 --> 01:05:30,800
Speaker 1: Oh no, he's not going to our men's room, is he?

1223
01:05:33,600 --> 01:05:36,120
Speaker 1: Don't go to that bathroom. It's so gross, nile. He

1224
01:05:36,160 --> 01:05:38,160
Speaker 1: can hear me in the hole. Don't go to that bathroom.

1225
01:05:39,840 --> 01:05:43,240
Speaker 1: He'll came, he'll come back a changed. Man, Did you

1226
01:05:43,320 --> 01:05:46,480
Speaker 1: really let him go to that bathroom? What are you

1227
01:05:46,520 --> 01:05:49,440
Speaker 1: gonna do? He'll come back with that like thousand yards stare. Oh,

1228
01:05:49,480 --> 01:05:51,439
Speaker 1: it's not going to be good. His accent maybe gone

1229
01:05:51,440 --> 01:05:53,400
Speaker 1: when he comes back, but you have the accent to him,

1230
01:05:53,440 --> 01:05:55,720
Speaker 1: you know. Anyway, Nil Horn's coming up. He's performing a

1231
01:05:55,800 --> 01:05:57,560
Speaker 1: couple of songs for us. We're going to talk to him.

1232
01:05:57,800 --> 01:05:59,840
Speaker 1: So cool. What a great way to have a tues

1233
01:06:00,000 --> 01:06:04,600
Speaker 1: eg show me a Tuesday, got something crazy to tell us? Hello, Alicia,

1234
01:06:06,360 --> 01:06:08,280
Speaker 1: You're at a start box and there's a guy with

1235
01:06:08,360 --> 01:06:13,080
Speaker 1: the most massive boner. Call us you were one hundred.

1236
01:06:13,360 --> 01:06:17,080
Speaker 1: This is Elvis Durrand in the morning show. The I

1237
01:06:17,240 --> 01:06:19,440
Speaker 1: Heart Summer seventeen Weekends by A T and T is

1238
01:06:19,560 --> 01:06:22,800
Speaker 1: almost here. Your chance to party with Fifth Harmony in Miami.

1239
01:06:23,000 --> 01:06:25,960
Speaker 1: Your way is almost gone, So enter now by posting

1240
01:06:25,960 --> 01:06:29,320
Speaker 1: a video on social describing the ultimate Summer Your Way

1241
01:06:29,680 --> 01:06:38,000
Speaker 1: and use hashtag Summer Your Way and hashtag contest. It's

1242
01:06:38,040 --> 01:06:42,160
Speaker 1: time a wake up on a tune day. This the

1243
01:06:42,280 --> 01:06:45,640
Speaker 1: wedding day in the Dead May. It's time to wake

1244
01:06:45,800 --> 01:06:49,640
Speaker 1: up on a tune day. We had to change, but

1245
01:06:49,800 --> 01:06:53,840
Speaker 1: the native bed. Elvis Durand in the Morning Show. All right,

1246
01:06:54,200 --> 01:07:00,320
Speaker 1: scary Froggy Daniel. I'm so excited to have my horror

1247
01:07:00,320 --> 01:07:03,480
Speaker 1: in here today. I'm excited to have him with us

1248
01:07:03,480 --> 01:07:06,080
Speaker 1: anytime he wants to be here. Should we go ahead

1249
01:07:06,120 --> 01:07:11,200
Speaker 1: and give him the You're always invited speech today? Because

1250
01:07:11,240 --> 01:07:12,760
Speaker 1: I tell you, you know, at the I Heart Radio

1251
01:07:12,840 --> 01:07:15,960
Speaker 1: Music Festival this past September in Las Vegas, where's a

1252
01:07:16,080 --> 01:07:18,440
Speaker 1: jingle bawll, when did we last see him? I don't know.

1253
01:07:20,080 --> 01:07:22,160
Speaker 1: He doesn't remember this because we were working our asses off.

1254
01:07:22,200 --> 01:07:24,480
Speaker 1: We were working, we were very, very busy. You know,

1255
01:07:24,560 --> 01:07:27,040
Speaker 1: it's not all fun and games these festivals. And when

1256
01:07:27,080 --> 01:07:29,560
Speaker 1: he came up for his interview, he had this. He

1257
01:07:29,680 --> 01:07:33,680
Speaker 1: had the hugest smile, the biggest, tightest hug, and I

1258
01:07:33,800 --> 01:07:35,480
Speaker 1: was just kind of stopped when you know what, what

1259
01:07:35,600 --> 01:07:38,200
Speaker 1: a nice guy. And I was like, I just forgot

1260
01:07:38,240 --> 01:07:40,680
Speaker 1: about all the hard work. And I was reminded of

1261
01:07:40,920 --> 01:07:42,800
Speaker 1: what a great guy he is. And you know, we

1262
01:07:42,880 --> 01:07:46,200
Speaker 1: still are getting to know Nile. But when he performs,

1263
01:07:46,560 --> 01:07:49,600
Speaker 1: you can see every note he owns, every word he

1264
01:07:49,680 --> 01:07:52,919
Speaker 1: sings that he writes, he owns it. And it makes

1265
01:07:53,000 --> 01:07:57,560
Speaker 1: him a true artist beyond beyond selling out these am

1266
01:07:57,560 --> 01:08:00,160
Speaker 1: I going on and on and on beyond. You know,

1267
01:08:00,280 --> 01:08:03,240
Speaker 1: his days with one direction and selling out these stadiums.

1268
01:08:03,760 --> 01:08:07,800
Speaker 1: You know, just it's just he's just a fantastic artist.

1269
01:08:08,040 --> 01:08:09,840
Speaker 1: To have him here this morning doing this for us

1270
01:08:10,040 --> 01:08:13,040
Speaker 1: is just quite the gift. With that said, I hope

1271
01:08:13,080 --> 01:08:16,880
Speaker 1: he doesn't screw this up. Please welcome to the Elvis

1272
01:08:16,960 --> 01:08:20,080
Speaker 1: Durand Performing Arts Center, the one and only Nile Horrn.

1273
01:08:21,800 --> 01:08:31,320
Speaker 1: Bring it on already, turn him up. Wow. That was

1274
01:08:31,479 --> 01:08:39,680
Speaker 1: so perfect until I ruined it by saying, Nile, if

1275
01:08:39,720 --> 01:08:42,439
Speaker 1: I beg will you do one more? Yeah, I'm begging.

1276
01:08:42,479 --> 01:08:47,040
Speaker 1: We're begging more from Nile. All right, let's use every

1277
01:08:47,160 --> 01:08:51,559
Speaker 1: drop of sound. Here we go, Nile Horror. You're listening,

1278
01:08:51,760 --> 01:09:12,719
Speaker 1: listening live? All right, let's do it so head, it's nice, perfect.

1279
01:09:13,160 --> 01:09:14,720
Speaker 1: You know, this is where people are listening on the

1280
01:09:14,760 --> 01:09:17,080
Speaker 1: way to work. They're going, there's no way this guy's

1281
01:09:17,120 --> 01:09:21,120
Speaker 1: live because it sounds so good and so so Now

1282
01:09:21,160 --> 01:09:22,840
Speaker 1: I'll get in here. We gotta talk about this. You

1283
01:09:22,960 --> 01:09:25,880
Speaker 1: sound too good. You gotta gotta throw in some wrong Yeah,

1284
01:09:26,160 --> 01:09:28,000
Speaker 1: you gotta hit some bad notes every once in a

1285
01:09:28,040 --> 01:09:33,320
Speaker 1: while so people will know you're live. Nile Horns Anyboddy,

1286
01:09:33,760 --> 01:09:36,439
Speaker 1: thank you, for coming in. Thank you. You know it's

1287
01:09:36,520 --> 01:09:41,800
Speaker 1: it's but you and your musicians. You sound so fantastic

1288
01:09:42,160 --> 01:09:43,800
Speaker 1: that no one believes it's life. They think we're playing

1289
01:09:43,840 --> 01:09:46,880
Speaker 1: a track. Would you tell them that was you? Please?

1290
01:09:47,000 --> 01:09:50,679
Speaker 1: That was definitely me Yet was it in the morning? Yeah,

1291
01:09:50,880 --> 01:09:53,479
Speaker 1: that was a lot harder than I thought it was

1292
01:09:53,520 --> 01:09:55,719
Speaker 1: going to be. But really, I did Today Show yesterday,

1293
01:09:55,760 --> 01:09:57,920
Speaker 1: so I kind of used to this early singing thing. Yeah,

1294
01:09:57,960 --> 01:09:59,920
Speaker 1: two days in a row, waking up before you use

1295
01:10:00,040 --> 01:10:03,920
Speaker 1: we wake up. Actually, I was reading on Twitter earlier.

1296
01:10:04,000 --> 01:10:07,120
Speaker 1: Someone was like, Nile, are you okay? Are you staying hydrated?

1297
01:10:07,920 --> 01:10:10,360
Speaker 1: I'm no good? Yeah, yeah you don't all right? If

1298
01:10:10,360 --> 01:10:12,800
Speaker 1: you need to be hydrated, let me know. Well, so, um,

1299
01:10:13,200 --> 01:10:14,840
Speaker 1: I have to tell you. You know, we're in here

1300
01:10:14,920 --> 01:10:18,000
Speaker 1: listening to you do uh do you do? Your your songs?

1301
01:10:18,080 --> 01:10:20,040
Speaker 1: And you, by the way, on the Loose? I heard

1302
01:10:20,080 --> 01:10:21,880
Speaker 1: you do on the Loose the other day. I love

1303
01:10:21,920 --> 01:10:24,679
Speaker 1: that one too. Yeah. I just thought i'd kind of released.

1304
01:10:25,000 --> 01:10:26,519
Speaker 1: I was sick of just playing the same two songs

1305
01:10:26,560 --> 01:10:28,439
Speaker 1: over and over again, so I thought, kind of just

1306
01:10:28,920 --> 01:10:32,439
Speaker 1: the two you just did for us. Thanks. But I

1307
01:10:32,479 --> 01:10:34,280
Speaker 1: just thought I had something because I was doing these

1308
01:10:34,360 --> 01:10:36,519
Speaker 1: radio shows, and I thought I would add a little

1309
01:10:36,520 --> 01:10:39,840
Speaker 1: bit more to it. Whatever you do, we're happy with.

1310
01:10:39,960 --> 01:10:42,240
Speaker 1: But when, Okay, we're in our room listening to you

1311
01:10:42,320 --> 01:10:43,920
Speaker 1: perform in the other room, we have our headphones on,

1312
01:10:44,479 --> 01:10:48,519
Speaker 1: and when you're doing this town, it's like you're breathing

1313
01:10:48,560 --> 01:10:52,080
Speaker 1: in my ear. It was kind of creepy in a way.

1314
01:10:52,160 --> 01:10:56,479
Speaker 1: But we could hear every sound coming out of your voice.

1315
01:10:56,960 --> 01:10:58,439
Speaker 1: And that's one of those songs that you're nice and

1316
01:10:58,640 --> 01:11:01,320
Speaker 1: delicate on. We heard every bit and take it easy,

1317
01:11:01,360 --> 01:11:03,439
Speaker 1: and it was I think you could just take your

1318
01:11:03,479 --> 01:11:06,080
Speaker 1: headphones off. I think that's OK. But I'm not used

1319
01:11:06,080 --> 01:11:09,840
Speaker 1: to this radio business. But now, what I said, you know,

1320
01:11:09,960 --> 01:11:13,760
Speaker 1: going into your set, was you know, you you have

1321
01:11:13,960 --> 01:11:16,639
Speaker 1: to own every note you're saying, every word you write,

1322
01:11:16,720 --> 01:11:18,920
Speaker 1: it's all you. You take this very seriously as fun

1323
01:11:18,960 --> 01:11:20,599
Speaker 1: as it looks. It looks like you take it very seriously.

1324
01:11:20,640 --> 01:11:22,400
Speaker 1: Yeah I do. Yeah, I've spent a lot of time

1325
01:11:22,479 --> 01:11:23,800
Speaker 1: right now all these things, so I might as well

1326
01:11:24,120 --> 01:11:25,360
Speaker 1: if I'm going to give them to the public, you

1327
01:11:25,439 --> 01:11:28,160
Speaker 1: might as well do it right, right, try and put

1328
01:11:28,200 --> 01:11:30,920
Speaker 1: everything into it. And do you digest other people's music

1329
01:11:30,960 --> 01:11:32,679
Speaker 1: as well? Do you are you a fan? Of music

1330
01:11:32,720 --> 01:11:35,400
Speaker 1: beyond your own. Yeah, of course, like that's that's all

1331
01:11:35,439 --> 01:11:39,400
Speaker 1: I know. Really brought up on all schools, seventies, eighties Rocks,

1332
01:11:39,400 --> 01:11:41,160
Speaker 1: so I was kind of that was what I was.

1333
01:11:41,400 --> 01:11:42,880
Speaker 1: That's why I've been listening to since I was a kid.

1334
01:11:42,960 --> 01:11:45,679
Speaker 1: So he was kind of funny about that, I'm fifty.

1335
01:11:45,960 --> 01:11:50,519
Speaker 1: What am I fifties something? In your twenty one? You

1336
01:11:50,600 --> 01:11:52,519
Speaker 1: and I grew up on the same music, like Eagles,

1337
01:11:53,080 --> 01:11:55,280
Speaker 1: the same stuff. So I'm assuming you grew up in

1338
01:11:55,320 --> 01:11:57,320
Speaker 1: a household that love music. Your mom and dad must

1339
01:11:57,320 --> 01:11:59,600
Speaker 1: have were not like musicians are, but just love. We

1340
01:11:59,640 --> 01:12:01,920
Speaker 1: don't know record player in the house, and that's all

1341
01:12:01,960 --> 01:12:04,000
Speaker 1: we listened to all the time. You do, do you

1342
01:12:04,120 --> 01:12:06,200
Speaker 1: let your family like help you decide which songs are

1343
01:12:06,200 --> 01:12:09,439
Speaker 1: going to make it onto the record? Sometimes, yeah, I'll play,

1344
01:12:10,280 --> 01:12:11,920
Speaker 1: although it's hard to play because my mom will just

1345
01:12:12,080 --> 01:12:15,479
Speaker 1: be like, yeah, it's great, that's great, that's right. You

1346
01:12:15,640 --> 01:12:17,920
Speaker 1: just don't get anything, you just you just don't get

1347
01:12:17,960 --> 01:12:20,639
Speaker 1: an honest opinion. So I tend to not really actually

1348
01:12:20,680 --> 01:12:22,519
Speaker 1: just more of my Like I live with my cousin,

1349
01:12:22,600 --> 01:12:23,880
Speaker 1: so like I would play if I come back from

1350
01:12:23,920 --> 01:12:25,479
Speaker 1: the shoo, I play something to him. Because he's got

1351
01:12:25,600 --> 01:12:27,800
Speaker 1: a good here for that anything, because and tell me

1352
01:12:27,840 --> 01:12:30,880
Speaker 1: the truth if it's crap, right, So yeah, so yeah,

1353
01:12:30,880 --> 01:12:32,640
Speaker 1: I don't ask the parents because they always tell you

1354
01:12:32,640 --> 01:12:34,719
Speaker 1: it's good. We were talking to some artists about crap

1355
01:12:34,840 --> 01:12:37,160
Speaker 1: music the other day. Who was that? And we're like,

1356
01:12:37,520 --> 01:12:40,000
Speaker 1: I bet what you think is crap to us is fantastic.

1357
01:12:40,960 --> 01:12:42,920
Speaker 1: If you put out an album of all crap, we'd

1358
01:12:42,960 --> 01:12:45,200
Speaker 1: buy it anyway. Yeah, you can call it Nile Horn's

1359
01:12:45,280 --> 01:12:49,679
Speaker 1: all crap. We paid talk dollars. We paid dollars talk dollar,

1360
01:12:50,720 --> 01:12:53,320
Speaker 1: pay double. It's like it's it's a double album I've had.

1361
01:12:53,680 --> 01:12:57,479
Speaker 1: I've got five cuts. They're all just crap. We love that. Yeah,

1362
01:12:57,560 --> 01:12:59,240
Speaker 1: put a spare album of all the songs that weren't

1363
01:12:59,280 --> 01:13:00,920
Speaker 1: on the main album out. You know, it's just kind

1364
01:13:00,920 --> 01:13:02,640
Speaker 1: of funny how you've got a few of them. Are

1365
01:13:02,720 --> 01:13:05,360
Speaker 1: you your own worst critic? I mean, do you you

1366
01:13:05,560 --> 01:13:07,719
Speaker 1: just beat the hell out of yourself so so compelled,

1367
01:13:07,720 --> 01:13:10,360
Speaker 1: I'm the only person that competitive is with me, Like

1368
01:13:10,520 --> 01:13:13,880
Speaker 1: I can't if I Like I thought I was finished

1369
01:13:13,880 --> 01:13:16,840
Speaker 1: the album at Christmas, and then I end up righting

1370
01:13:16,840 --> 01:13:18,920
Speaker 1: like slowhands in February, and I just kind of kept

1371
01:13:18,960 --> 01:13:21,040
Speaker 1: going I just I just couldn't stop. I was getting

1372
01:13:21,120 --> 01:13:23,080
Speaker 1: too I felt like I was going to a period

1373
01:13:23,120 --> 01:13:26,360
Speaker 1: of writing terrible stuff and then you go to a

1374
01:13:26,400 --> 01:13:29,280
Speaker 1: periods where you're writing good stuff. And I thought and Christmas,

1375
01:13:29,320 --> 01:13:31,920
Speaker 1: I thought, right, that's me done. I've kind of overdone

1376
01:13:31,960 --> 01:13:34,400
Speaker 1: the whole studio thing, right. And then when I took

1377
01:13:34,400 --> 01:13:36,080
Speaker 1: a break at Christmas and went back in January and

1378
01:13:36,640 --> 01:13:39,519
Speaker 1: and went over it again and finished the album. So

1379
01:13:39,560 --> 01:13:41,760
Speaker 1: I probably roll about fifteen songs after Christmas. So now

1380
01:13:41,960 --> 01:13:44,640
Speaker 1: you are your own worst critic. You just performed and

1381
01:13:44,800 --> 01:13:49,120
Speaker 1: what I thought were too excellent songs and of themselves.

1382
01:13:49,200 --> 01:13:51,879
Speaker 1: But I thought you sounded great. But you give today's

1383
01:13:51,920 --> 01:13:55,519
Speaker 1: performance what great? Oh? How did that's too bad? Actually

1384
01:13:55,560 --> 01:13:57,479
Speaker 1: considering um, I did get out of bed about a

1385
01:13:57,479 --> 01:13:59,679
Speaker 1: hour and a half ago, so that's not too Yesterday

1386
01:14:00,320 --> 01:14:02,200
Speaker 1: on the Today's Show, I was sitting in the shower

1387
01:14:02,200 --> 01:14:05,040
Speaker 1: at like four am. It's rough. You have to do

1388
01:14:05,160 --> 01:14:08,320
Speaker 1: sound checks so early on six sound checks, so I

1389
01:14:08,400 --> 01:14:10,200
Speaker 1: was like, you know, these kind of things are earlier,

1390
01:14:10,200 --> 01:14:12,559
Speaker 1: they're they're kind of they're they're tough to do, right,

1391
01:14:12,720 --> 01:14:17,920
Speaker 1: But I love you, So I'm glad you did say

1392
01:14:17,960 --> 01:14:23,160
Speaker 1: to all the girls I'm not. I'm not just any girl.

1393
01:14:23,439 --> 01:14:25,760
Speaker 1: I'm a very special girl in Niles eyes. Do you

1394
01:14:25,960 --> 01:14:29,560
Speaker 1: know do you know when the project is done, the

1395
01:14:29,640 --> 01:14:31,160
Speaker 1: album is done, to the song is done, or do

1396
01:14:31,280 --> 01:14:33,840
Speaker 1: you will you obsessively work on it until someone else

1397
01:14:33,880 --> 01:14:36,800
Speaker 1: in your life is like, dude, pull it back, like

1398
01:14:36,960 --> 01:14:40,760
Speaker 1: in individual songs or or just any like if you're

1399
01:14:40,760 --> 01:14:42,519
Speaker 1: working on an album music you thought the album was

1400
01:14:42,560 --> 01:14:44,760
Speaker 1: done at Christmas and then you were like, oh, no,

1401
01:14:44,800 --> 01:14:47,240
Speaker 1: I'm going to keep adding songs. Does someone tell you

1402
01:14:47,320 --> 01:14:49,560
Speaker 1: when to stop? Or do you know in your heart? No?

1403
01:14:49,720 --> 01:14:51,360
Speaker 1: I kind of I kind of said that the start

1404
01:14:51,439 --> 01:14:54,800
Speaker 1: that kind of let my label and management kind of

1405
01:14:54,880 --> 01:14:58,240
Speaker 1: know when I was finished. And I really wasn't finished

1406
01:14:58,280 --> 01:15:02,040
Speaker 1: until probably about eight weeks ago. Like I was still

1407
01:15:02,080 --> 01:15:03,639
Speaker 1: I was still now, it's probably less. I was still

1408
01:15:03,680 --> 01:15:06,120
Speaker 1: recording songs a couple of weeks ago and changing bits

1409
01:15:06,160 --> 01:15:09,040
Speaker 1: and pieces and I'm still doing that now, like production stuff,

1410
01:15:09,120 --> 01:15:11,560
Speaker 1: changing drum sounds and adding strings and stuff like that.

1411
01:15:11,720 --> 01:15:14,080
Speaker 1: And yeah, I kind of never know when to finish.

1412
01:15:14,120 --> 01:15:17,360
Speaker 1: But um, I suppose someone's gonnax had me a deadly

1413
01:15:17,400 --> 01:15:21,880
Speaker 1: and we're gonna hear nil in the bathroom. Mommy, I'm done,

1414
01:15:22,880 --> 01:15:26,360
Speaker 1: come white me. But speaking speaking of bathrooms, how bad

1415
01:15:26,439 --> 01:15:30,800
Speaker 1: was our bath I saw Nile walking out to our bathroom, like,

1416
01:15:30,840 --> 01:15:35,479
Speaker 1: dear God, no, someone stop him because I mean, it's vile.

1417
01:15:36,960 --> 01:15:39,559
Speaker 1: You've been been worse room. Yeah, it's a nice building.

1418
01:15:40,360 --> 01:15:43,840
Speaker 1: Yeah no, no, we're paying. We're paying for this building.

1419
01:15:44,120 --> 01:15:46,840
Speaker 1: But the bathroom. But have you, okay, have you ever

1420
01:15:46,880 --> 01:15:49,920
Speaker 1: been to a ladies room twice as disgusting as men's?

1421
01:15:50,400 --> 01:15:52,400
Speaker 1: You know? I haven't. Actually, not about Daniel, take him

1422
01:15:52,400 --> 01:15:54,519
Speaker 1: down to the women's How is it you don't go

1423
01:15:54,600 --> 01:15:57,200
Speaker 1: in the first stall? The first stall? What are they doing?

1424
01:15:57,439 --> 01:16:00,080
Speaker 1: I don't know, but it's something about that stall. We

1425
01:16:00,200 --> 01:16:03,519
Speaker 1: just don't go in. And I don't know what are

1426
01:16:03,520 --> 01:16:07,280
Speaker 1: they eating? Trees? How much fiber can you put it?

1427
01:16:08,120 --> 01:16:10,920
Speaker 1: There's a there's also a hole in the wall. We

1428
01:16:11,040 --> 01:16:17,240
Speaker 1: don't know who's on the other side of the Seriously,

1429
01:16:17,280 --> 01:16:19,120
Speaker 1: who never goes to the first doll? I mean they

1430
01:16:19,520 --> 01:16:24,639
Speaker 1: are they building condos in their col retan furniture? I'm sorry,

1431
01:16:24,640 --> 01:16:27,000
Speaker 1: we digress. We're talking to Nile horror and we're talking

1432
01:16:27,040 --> 01:16:31,200
Speaker 1: about awful things. What's that scary? What did the text say?

1433
01:16:31,520 --> 01:16:34,960
Speaker 1: This one comes from Irish Blonde Nugget for Life thought

1434
01:16:35,040 --> 01:16:39,479
Speaker 1: those two songs that Nile was doing were recorded radio versions.

1435
01:16:39,520 --> 01:16:42,519
Speaker 1: They thought that was the radio song. It was. It

1436
01:16:42,680 --> 01:16:46,120
Speaker 1: was so slick, it was too perfect, thank you know.

1437
01:16:47,040 --> 01:16:48,800
Speaker 1: Like I saw an interview with Pink Ones, and you

1438
01:16:48,880 --> 01:16:51,880
Speaker 1: know Pink sometimes, especially a few years ago, wo do

1439
01:16:51,920 --> 01:16:54,320
Speaker 1: all that acrobatic aerials stuff during her shows. And she

1440
01:16:54,400 --> 01:16:57,120
Speaker 1: would sing live, which was impressive, very impressive, and she

1441
01:16:57,320 --> 01:17:00,120
Speaker 1: said on purpose she would throw in bad notes to

1442
01:17:00,240 --> 01:17:03,519
Speaker 1: prove to everyone she was sinking alive. That's when you

1443
01:17:03,600 --> 01:17:05,639
Speaker 1: know you're good when you can do flips and turns

1444
01:17:05,640 --> 01:17:07,640
Speaker 1: through an arena and still singing tune. Yeah, I think

1445
01:17:07,680 --> 01:17:10,519
Speaker 1: you're there though, I think you got next for you. Like, yeah,

1446
01:17:10,560 --> 01:17:11,920
Speaker 1: I was just you know, I was just thinking that

1447
01:17:12,479 --> 01:17:13,960
Speaker 1: I need to have a shot with my creative director.

1448
01:17:14,040 --> 01:17:17,639
Speaker 1: We need to get this tour start. Someone just hiting

1449
01:17:17,640 --> 01:17:18,960
Speaker 1: me a note. It's I'm supposed to ask you what

1450
01:17:19,040 --> 01:17:22,080
Speaker 1: happened to the monkey? What is that? Oh there's a

1451
01:17:22,160 --> 01:17:24,479
Speaker 1: monkey sound? A monkey alright? But what is that? There

1452
01:17:24,560 --> 01:17:29,000
Speaker 1: was like a guttural sound like, well, you know what? Yeah,

1453
01:17:29,040 --> 01:17:31,479
Speaker 1: what is that? I was just literally like when I'm

1454
01:17:31,479 --> 01:17:33,400
Speaker 1: when we're writing, we always leave a microphone on, like

1455
01:17:33,479 --> 01:17:35,320
Speaker 1: just one of these kind of just sitting in the room, right,

1456
01:17:35,680 --> 01:17:37,920
Speaker 1: just hit picking up everything in case we like sink

1457
01:17:38,000 --> 01:17:40,200
Speaker 1: something and we like it and you have a moment

1458
01:17:40,240 --> 01:17:43,960
Speaker 1: of b and then uh yeah, I just I think

1459
01:17:44,000 --> 01:17:45,880
Speaker 1: I was just you know, it was all jamming out,

1460
01:17:45,880 --> 01:17:46,840
Speaker 1: and then I just kind of went up to the

1461
01:17:46,880 --> 01:17:49,760
Speaker 1: mic and just shouted into it. And then afterwards we

1462
01:17:50,200 --> 01:17:53,040
Speaker 1: went this is your moment of greatness? Home keep trying

1463
01:17:53,040 --> 01:18:00,519
Speaker 1: to put my headphones off. The sounds like a freaking monkey,

1464
01:18:00,600 --> 01:18:02,360
Speaker 1: and I just screamed into the microphone. And then obviously

1465
01:18:02,560 --> 01:18:04,920
Speaker 1: in post we just try turned it up somewhere and

1466
01:18:05,600 --> 01:18:08,800
Speaker 1: made it all screaming and show you genius I know, right,

1467
01:18:09,280 --> 01:18:12,080
Speaker 1: I mean it's probably it's probably one of the best moments.

1468
01:18:14,720 --> 01:18:16,840
Speaker 1: It's up there with like some of the best songs

1469
01:18:16,880 --> 01:18:20,280
Speaker 1: about time because of that sound. So I mean, not

1470
01:18:20,439 --> 01:18:22,880
Speaker 1: to get too cerebral, but let's get cerebral. What is

1471
01:18:22,960 --> 01:18:25,960
Speaker 1: it What is it nil about music? What does music

1472
01:18:26,080 --> 01:18:28,080
Speaker 1: mean to you? I know that's such a general question,

1473
01:18:28,760 --> 01:18:33,920
Speaker 1: but what is it about music that just turns you on? So? Um,

1474
01:18:34,880 --> 01:18:36,960
Speaker 1: I don't know, it's I guess it's it's all have

1475
01:18:37,080 --> 01:18:39,560
Speaker 1: known my whole life, and it's a same everyone in

1476
01:18:39,640 --> 01:18:42,880
Speaker 1: this room. We wouldn't like everywhere you go, no matter

1477
01:18:43,000 --> 01:18:45,639
Speaker 1: what kind of life style you live, where you live,

1478
01:18:46,120 --> 01:18:49,640
Speaker 1: any sort of culture, there's there's music for everyone. And

1479
01:18:49,720 --> 01:18:51,840
Speaker 1: I think that's there's not many other things in the

1480
01:18:51,880 --> 01:18:53,920
Speaker 1: world that is has that. Do you find us we

1481
01:18:53,960 --> 01:18:56,120
Speaker 1: don't even speak the same language and we can listen

1482
01:18:56,160 --> 01:18:58,840
Speaker 1: to the same music. Well, they kind of lea but

1483
01:18:59,439 --> 01:19:03,200
Speaker 1: the language luck. No. But I mean, if if you find,

1484
01:19:03,680 --> 01:19:06,200
Speaker 1: as as a man, you have something you want to

1485
01:19:06,280 --> 01:19:10,680
Speaker 1: say to someone or the world, you can't just say it.

1486
01:19:10,840 --> 01:19:14,719
Speaker 1: You gotta sing it. There's something about music that gives

1487
01:19:14,760 --> 01:19:18,439
Speaker 1: you or anyone, any artist, the license to say what

1488
01:19:18,560 --> 01:19:20,360
Speaker 1: you need to say. Yeah, I have I have certain

1489
01:19:20,400 --> 01:19:22,920
Speaker 1: songs on this album that some of them like I've

1490
01:19:23,000 --> 01:19:24,760
Speaker 1: just kind of made up stories and I kind of

1491
01:19:24,800 --> 01:19:27,599
Speaker 1: write stuff down and all the time to write songs, right,

1492
01:19:27,720 --> 01:19:30,519
Speaker 1: makeup concepts are and then some of them are most

1493
01:19:30,560 --> 01:19:33,360
Speaker 1: of them are from personal stuff. So yeah, it does

1494
01:19:33,400 --> 01:19:36,760
Speaker 1: give you the the artistic license because we would say

1495
01:19:36,800 --> 01:19:38,920
Speaker 1: in the arts, well, I know, but if you if

1496
01:19:38,960 --> 01:19:42,080
Speaker 1: you look at the songs on this album, the personal ones,

1497
01:19:42,880 --> 01:19:45,719
Speaker 1: could you ever imagine you're saying those things like speaking

1498
01:19:45,800 --> 01:19:48,320
Speaker 1: those words. Definitely not it's something you have, you get,

1499
01:19:48,360 --> 01:19:50,479
Speaker 1: you get away with so much more. And when you're yeah,

1500
01:19:50,520 --> 01:19:52,160
Speaker 1: you don't, you won't have the confidence to do. But

1501
01:19:52,160 --> 01:19:54,320
Speaker 1: when you're in the studio and you're just spewing stuff out,

1502
01:19:54,400 --> 01:19:56,880
Speaker 1: then it's a lot easier to do. Yeah. So I'm

1503
01:19:56,920 --> 01:19:59,080
Speaker 1: just wondering, like all the incredible artists that we've had

1504
01:19:59,120 --> 01:20:01,920
Speaker 1: come through this door and performing the show, including Nile, like,

1505
01:20:02,040 --> 01:20:04,559
Speaker 1: you know, what life would be like for them if

1506
01:20:04,600 --> 01:20:08,200
Speaker 1: they didn't have music. I don't know, it would just

1507
01:20:08,280 --> 01:20:10,479
Speaker 1: be just tragedy. I don't know what I've been doing.

1508
01:20:10,560 --> 01:20:13,880
Speaker 1: This is the saddest story I've ever heard. Do you

1509
01:20:14,040 --> 01:20:16,839
Speaker 1: remember the moment in your life when you, I'm assuming

1510
01:20:16,880 --> 01:20:19,800
Speaker 1: you're very very young, when you were like, oh this

1511
01:20:20,000 --> 01:20:23,200
Speaker 1: is it? Oh music like you? You that light bulb

1512
01:20:23,200 --> 01:20:25,320
Speaker 1: went off in your head. I guess it was like

1513
01:20:26,320 --> 01:20:28,880
Speaker 1: I always knew I was, like, I like music a lot.

1514
01:20:28,960 --> 01:20:30,760
Speaker 1: Just picture of me two or three with guitars and

1515
01:20:30,800 --> 01:20:32,559
Speaker 1: singing into mikes, and it was obviously one of those

1516
01:20:33,160 --> 01:20:35,240
Speaker 1: drama school kids that was dancing around the sitting room

1517
01:20:35,280 --> 01:20:38,200
Speaker 1: type thing. Um, but I guess I did. I did

1518
01:20:38,240 --> 01:20:41,400
Speaker 1: it like a musical when I was seven or eight

1519
01:20:41,800 --> 01:20:45,840
Speaker 1: at school and played Oliver. And I remember after that,

1520
01:20:46,400 --> 01:20:48,519
Speaker 1: like my teacher at the girl who was doing the

1521
01:20:48,560 --> 01:20:50,439
Speaker 1: teacher at the school that was doing the production of it.

1522
01:20:51,000 --> 01:20:52,920
Speaker 1: It was kind of like getting me singing choirs and

1523
01:20:53,080 --> 01:20:55,320
Speaker 1: stuff like that, and I just kind of thought that

1524
01:20:55,439 --> 01:20:58,160
Speaker 1: maybe this is this is my calling and it is

1525
01:20:59,680 --> 01:21:07,000
Speaker 1: what Maybe maybe you let me hear it say it

1526
01:21:07,840 --> 01:21:16,479
Speaker 1: have some more standing ovation, thank you, So come on Broadway.

1527
01:21:17,360 --> 01:21:20,320
Speaker 1: Of course, Slow Hands is available now. You gotta you

1528
01:21:20,400 --> 01:21:23,320
Speaker 1: gotta download it, make it happen. A full album though

1529
01:21:24,080 --> 01:21:30,360
Speaker 1: it would be great. Yeah, I don't know. I'm gonna

1530
01:21:30,400 --> 01:21:32,280
Speaker 1: be like busy all summer now with Slow Hands going

1531
01:21:32,320 --> 01:21:35,160
Speaker 1: all over the place. Um. And then after that, probably

1532
01:21:35,200 --> 01:21:36,840
Speaker 1: in the fall sometime. Might imagine I haven't got a

1533
01:21:36,920 --> 01:21:38,600
Speaker 1: debt for that yet, but when I do, I'll be

1534
01:21:38,680 --> 01:21:40,840
Speaker 1: kind of letting people know. I suppose used to used

1535
01:21:40,840 --> 01:21:42,760
Speaker 1: to be all the time of secrets, remember that, like

1536
01:21:42,840 --> 01:21:45,040
Speaker 1: the days of like you know where you'd be like

1537
01:21:45,960 --> 01:21:48,400
Speaker 1: giving people a six month advance on your albums like

1538
01:21:48,520 --> 01:21:51,120
Speaker 1: that coming out in six months get ready. Um, But no,

1539
01:21:51,240 --> 01:21:52,560
Speaker 1: it's none of that anymore. It's just kind of like

1540
01:21:52,880 --> 01:21:56,040
Speaker 1: whenever I feel like I'm finished, and whenever promos finished

1541
01:21:56,080 --> 01:21:58,559
Speaker 1: for Slow Hands, I'll be giving you an album. Well,

1542
01:21:58,600 --> 01:22:02,240
Speaker 1: that's what art should be about. You can't rush perfection.

1543
01:22:02,280 --> 01:22:04,439
Speaker 1: I've been telling you first. But it's like you keep

1544
01:22:04,479 --> 01:22:08,639
Speaker 1: adding strings and then you keep adding a never ends,

1545
01:22:09,760 --> 01:22:12,559
Speaker 1: never have release. I will. I'll be finished soon. It's

1546
01:22:12,560 --> 01:22:13,960
Speaker 1: going to be. It's not too far away. I don't

1547
01:22:13,960 --> 01:22:15,920
Speaker 1: think is there a cap on how many songs you

1548
01:22:16,000 --> 01:22:17,519
Speaker 1: can put on an album or is it up to

1549
01:22:19,040 --> 01:22:20,720
Speaker 1: have the law. I kind of want every song to

1550
01:22:20,760 --> 01:22:22,680
Speaker 1: be as good as the other, you know, as good

1551
01:22:22,720 --> 01:22:25,080
Speaker 1: as the next. So there's been songs that I really

1552
01:22:25,160 --> 01:22:26,680
Speaker 1: liked that I don't think as good as the next one.

1553
01:22:26,720 --> 01:22:28,519
Speaker 1: So I've kind of pulled them and I've let down

1554
01:22:28,520 --> 01:22:31,840
Speaker 1: to us certain number. Well I'm not but still, if

1555
01:22:31,960 --> 01:22:34,160
Speaker 1: the ones that are in production now don't turn out

1556
01:22:34,200 --> 01:22:36,840
Speaker 1: how I like them, they might not make it a

1557
01:22:38,600 --> 01:22:45,360
Speaker 1: four track. I'm bringing out the mix tape. So when when, uh,

1558
01:22:46,280 --> 01:22:48,519
Speaker 1: I'll never forget this moment when This Town, when you

1559
01:22:48,600 --> 01:22:51,439
Speaker 1: first released This Town, what was it jingle Ball or

1560
01:22:51,520 --> 01:22:57,000
Speaker 1: was it I Heart did a Christmas here and you're

1561
01:22:57,000 --> 01:22:59,519
Speaker 1: saying that one song, yeah, and this is this was

1562
01:22:59,560 --> 01:23:03,559
Speaker 1: the first i'd seen you perform solo and you came

1563
01:23:03,600 --> 01:23:05,800
Speaker 1: out on stage Madison Square Garden not a bad room,

1564
01:23:07,840 --> 01:23:11,280
Speaker 1: and jingle Ball not a bad show. You came out

1565
01:23:11,320 --> 01:23:14,040
Speaker 1: on stage by yourself, You and your guitar. It was

1566
01:23:14,120 --> 01:23:17,160
Speaker 1: just you, your guitar and one little light shining up

1567
01:23:17,320 --> 01:23:20,840
Speaker 1: in a huge, huge arena, and you sang that song.

1568
01:23:21,439 --> 01:23:24,439
Speaker 1: And I was thinking, this is probably the most pure,

1569
01:23:25,280 --> 01:23:27,679
Speaker 1: wonderful performance we're going to hear in a long time.

1570
01:23:27,720 --> 01:23:31,240
Speaker 1: And I still, I still look. I get goose bumped

1571
01:23:31,280 --> 01:23:32,800
Speaker 1: because when you sang the song earlier to night, it

1572
01:23:32,880 --> 01:23:35,200
Speaker 1: took me back to that performance, because you know, this

1573
01:23:35,360 --> 01:23:38,479
Speaker 1: is when you know, you guys were the one direction

1574
01:23:38,560 --> 01:23:40,320
Speaker 1: or were in direction, decided to do their own things,

1575
01:23:40,439 --> 01:23:42,680
Speaker 1: go solo, and so everyone was like, well, what's not

1576
01:23:42,720 --> 01:23:44,840
Speaker 1: all gonna do? You came out and sang that song.

1577
01:23:44,920 --> 01:23:48,600
Speaker 1: I'm thinking, this guy, is that that was it? That

1578
01:23:48,720 --> 01:23:52,640
Speaker 1: was the perfect song to launch with. Yeah, I just

1579
01:23:52,680 --> 01:23:54,479
Speaker 1: felt I just felt right, Like I try and write

1580
01:23:55,080 --> 01:23:57,280
Speaker 1: songs that I would naturally just pick up the guitar

1581
01:23:57,360 --> 01:24:00,120
Speaker 1: and play right. And that's what I would do when

1582
01:24:00,160 --> 01:24:02,400
Speaker 1: I'm sitting sitting home watching TV or whatever, I'll just

1583
01:24:02,439 --> 01:24:04,920
Speaker 1: pick up and start fingerpicking or you know, playing that

1584
01:24:05,000 --> 01:24:06,960
Speaker 1: kind of thing. And then it just kind of happened,

1585
01:24:07,000 --> 01:24:09,280
Speaker 1: and the whole release of that song kind of happened

1586
01:24:09,800 --> 01:24:12,800
Speaker 1: weirdly because I just wanted to release I had, like

1587
01:24:13,240 --> 01:24:15,439
Speaker 1: I've only written about ten songs at that stage, and

1588
01:24:15,520 --> 01:24:17,439
Speaker 1: I kind of I kind of just wanted to let

1589
01:24:17,479 --> 01:24:19,920
Speaker 1: people know I was still doing music. So I just

1590
01:24:20,000 --> 01:24:21,680
Speaker 1: kind of said, we're just we're going to drop it

1591
01:24:21,760 --> 01:24:25,719
Speaker 1: on like right now, like just tweeted or putting soundcout

1592
01:24:25,800 --> 01:24:28,559
Speaker 1: or something like that, and then we're just and then

1593
01:24:28,600 --> 01:24:30,280
Speaker 1: we just we just tweeted it one night and then

1594
01:24:30,920 --> 01:24:32,559
Speaker 1: I was just it was just like to let people

1595
01:24:32,600 --> 01:24:34,320
Speaker 1: know I was still doing something, and then I ended

1596
01:24:34,400 --> 01:24:37,080
Speaker 1: up doing all like a whole radio tour and a

1597
01:24:37,160 --> 01:24:39,680
Speaker 1: whole it turned into a major thing. Yeah, it kind

1598
01:24:39,680 --> 01:24:41,160
Speaker 1: of shocked me, to be honest and everyone. But this

1599
01:24:41,280 --> 01:24:43,040
Speaker 1: song is just said, it speaks volumes about you because

1600
01:24:43,080 --> 01:24:46,000
Speaker 1: it's such a gentle, wonderful song. By the way, you

1601
01:24:46,040 --> 01:24:48,200
Speaker 1: need your headphones on for one second. Because Froggy, who's

1602
01:24:48,200 --> 01:24:50,800
Speaker 1: working in our Miami studios, he reminds me that you're

1603
01:24:50,840 --> 01:24:57,160
Speaker 1: a golfer. You're yeah, you're golfers. I've never understood golfers

1604
01:24:57,520 --> 01:25:00,800
Speaker 1: because you wear those weird pants. It's getting good. No

1605
01:25:01,520 --> 01:25:05,760
Speaker 1: sport golf Froggy wants to invite you out to play

1606
01:25:05,800 --> 01:25:07,840
Speaker 1: golf next time you're in South Florida. Al right, next

1607
01:25:07,880 --> 01:25:09,840
Speaker 1: time I'm done to give you a shout. Oh my god,

1608
01:25:09,840 --> 01:25:11,599
Speaker 1: I would love that. I've got a friend of mind

1609
01:25:11,640 --> 01:25:12,920
Speaker 1: this playing with you a couple of times. He says

1610
01:25:12,960 --> 01:25:15,479
Speaker 1: you're pretty good as well too. So who's played with?

1611
01:25:15,600 --> 01:25:18,599
Speaker 1: Who do I know that name? Actually one of them

1612
01:25:18,640 --> 01:25:21,240
Speaker 1: is Brian Whacker from Golf Digest the other and the

1613
01:25:21,320 --> 01:25:24,200
Speaker 1: other is Justin Rose. He's a professional player. What a

1614
01:25:24,320 --> 01:25:28,120
Speaker 1: name for a golfer? I know Ryan Wacker, He's Whacker.

1615
01:25:28,160 --> 01:25:34,679
Speaker 1: I didn't even know her. I didn't even know alright,

1616
01:25:34,720 --> 01:25:36,640
Speaker 1: So I say you're good friends with Justin Rose as well?

1617
01:25:36,680 --> 01:25:39,840
Speaker 1: That's right? Yeah, oh my god, you're dropping names on alright.

1618
01:25:39,880 --> 01:25:42,639
Speaker 1: So we're hooking up a golf I'll drive the cart. Yeah,

1619
01:25:43,479 --> 01:25:45,920
Speaker 1: this is an amazing cart driver. And he orders food

1620
01:25:46,000 --> 01:25:48,280
Speaker 1: right at the turn, so it's ready, right, is it? Okay?

1621
01:25:48,320 --> 01:25:50,800
Speaker 1: What is it about golf? Before you leave? Why golf?

1622
01:25:50,880 --> 01:25:53,840
Speaker 1: Couldn't you play tennis? Couldn't you swim? I used to

1623
01:25:53,880 --> 01:25:58,160
Speaker 1: play soccer right as we say in the States. And

1624
01:25:58,240 --> 01:26:01,120
Speaker 1: then I did my and and I had to get

1625
01:26:02,280 --> 01:26:04,840
Speaker 1: a knee reconstruction, basically at twenty years old. So let's

1626
01:26:04,840 --> 01:26:08,040
Speaker 1: stop that. And I kind of well, I played. I

1627
01:26:08,080 --> 01:26:09,599
Speaker 1: was still I was playing. I was always playing golf,

1628
01:26:09,640 --> 01:26:11,439
Speaker 1: but I started taking it like serious when I couldn't

1629
01:26:11,439 --> 01:26:13,800
Speaker 1: play football anymore. If there's something zen about golf being

1630
01:26:13,840 --> 01:26:15,040
Speaker 1: out there, and that it was great because like we

1631
01:26:15,160 --> 01:26:18,400
Speaker 1: we would be touring and be housands and thousands of

1632
01:26:18,439 --> 01:26:21,800
Speaker 1: people outside the hotel or hundreds or whatever and won't

1633
01:26:21,840 --> 01:26:23,560
Speaker 1: be able to like just walk the streets. So I

1634
01:26:23,720 --> 01:26:25,160
Speaker 1: just found you know me, and how are you used

1635
01:26:25,200 --> 01:26:28,000
Speaker 1: to just go and play golf? And obviously people don't

1636
01:26:28,000 --> 01:26:29,320
Speaker 1: want to be walking around the golf course with you.

1637
01:26:29,439 --> 01:26:32,880
Speaker 1: So have you ever thrown a golf club in anger? Yeah? Yes,

1638
01:26:33,800 --> 01:26:39,599
Speaker 1: how can that be even? Well? Yeah, yeah, Froggy, we're

1639
01:26:39,640 --> 01:26:41,080
Speaker 1: gonna let you go on a second. But Froggy took

1640
01:26:41,120 --> 01:26:42,360
Speaker 1: me golf, and he said, you've got to come out

1641
01:26:42,840 --> 01:26:44,800
Speaker 1: and watch how relaxing this is because you're out there

1642
01:26:44,840 --> 01:26:47,439
Speaker 1: with the trees and the birds or turp. I've never

1643
01:26:47,520 --> 01:26:52,280
Speaker 1: seen a grown man so mad you throw like ten

1644
01:26:52,360 --> 01:26:55,040
Speaker 1: golf clubs at people. Well, I'm starting on this is

1645
01:26:55,120 --> 01:26:56,920
Speaker 1: you hit the greatest drive ever. You go to get

1646
01:26:56,920 --> 01:26:59,719
Speaker 1: your second shot and you hit it horribly angry before

1647
01:26:59,720 --> 01:27:02,320
Speaker 1: you go. There's nothing relaxing about this. We're gonna find

1648
01:27:02,320 --> 01:27:04,960
Speaker 1: you in the inconsistency that brings you back every time. Right,

1649
01:27:05,160 --> 01:27:07,800
Speaker 1: We're gonna find you a new sport now. Thanks slow

1650
01:27:07,880 --> 01:27:10,400
Speaker 1: hands of I wanted at number one on iTunes today.

1651
01:27:11,280 --> 01:27:13,439
Speaker 1: That is your goal. That's our goal. I wanted number

1652
01:27:13,439 --> 01:27:15,360
Speaker 1: one is already number one, and we'll make it number

1653
01:27:15,400 --> 01:27:18,840
Speaker 1: one slow hands download, right, that would be great. We're

1654
01:27:18,840 --> 01:27:21,600
Speaker 1: gonna We're gonna do what we can. But thank you

1655
01:27:21,680 --> 01:27:23,280
Speaker 1: for coming in. You always have a home with us.

1656
01:27:23,680 --> 01:27:25,639
Speaker 1: Ever you need to say something to the world, say

1657
01:27:25,640 --> 01:27:27,920
Speaker 1: it in that microphone. We always want to invite you

1658
01:27:27,960 --> 01:27:33,120
Speaker 1: here sometime you're in town Nile Horror and everyone. You

1659
01:27:33,160 --> 01:27:35,200
Speaker 1: guys are only going to keep your way throughout the day.

1660
01:27:35,920 --> 01:27:43,439
Speaker 1: Literally alive zero really made Thank you. Thank you for listening.

1661
01:27:43,720 --> 01:27:47,920
Speaker 1: You get Elvis story in in the morning show. The

1662
01:27:48,000 --> 01:27:50,600
Speaker 1: first ever Wonder Woman movie is coming your way. Go

1663
01:27:50,760 --> 01:27:53,880
Speaker 1: see the movie when it opens everywhere on Friday, June second,

1664
01:27:53,960 --> 01:27:56,800
Speaker 1: and witness how Diana kicks ass. And finds her true

1665
01:27:56,800 --> 01:27:59,519
Speaker 1: destiny as one of the greatest superheroes of all time.

1666
01:27:59,720 --> 01:28:02,240
Speaker 1: One a Woman her time has come rate to PG

1667
01:28:02,400 --> 01:28:09,080
Speaker 1: thirteen in theaters everywhere. Friday. I know it's a Tuesday,

1668
01:28:10,560 --> 01:28:15,200
Speaker 1: don't We usually do uh topic train on Tuesday minutes.

1669
01:28:15,720 --> 01:28:18,160
Speaker 1: We have a topic training on the perfect making sure

1670
01:28:18,240 --> 01:28:25,120
Speaker 1: Greg t is working today? What I'm active listening? No, no, no, no,

1671
01:28:25,240 --> 01:28:28,240
Speaker 1: no no, Bethany, you were forming a word with your mouth.

1672
01:28:28,320 --> 01:28:29,880
Speaker 1: You know what I was actually doing. You're about to

1673
01:28:29,920 --> 01:28:33,160
Speaker 1: say something started with a w whistling. I was whistling

1674
01:28:33,360 --> 01:28:35,439
Speaker 1: along to the background music, and then I caught myself

1675
01:28:35,520 --> 01:28:37,960
Speaker 1: whistling and I stopped because I realized that that's not

1676
01:28:38,040 --> 01:28:40,760
Speaker 1: appropriate DJ behavior. Can you can you actually whistle? No?

1677
01:28:40,840 --> 01:28:46,160
Speaker 1: I'm terrible at it. My dad used to whistle. We

1678
01:28:46,280 --> 01:28:49,479
Speaker 1: used to call him the whistler, and he would do

1679
01:28:50,840 --> 01:28:53,040
Speaker 1: and after a while, you're like, stop it. Think like

1680
01:28:53,120 --> 01:28:58,840
Speaker 1: the murder calling car whistler. Whistler Anyway. Yeah, he would

1681
01:28:58,840 --> 01:29:00,800
Speaker 1: just whistle constantly, anybody is always because he was in

1682
01:29:00,840 --> 01:29:03,000
Speaker 1: a good mood. And I guess whistling it means you're

1683
01:29:03,000 --> 01:29:04,720
Speaker 1: in a good mood. I don't know. I've never seen

1684
01:29:04,760 --> 01:29:07,519
Speaker 1: anything I've never seen sad whistlers. Well, no, and like

1685
01:29:07,720 --> 01:29:10,760
Speaker 1: my grandmother whistled and she would whistle with vibrato. And

1686
01:29:10,800 --> 01:29:13,000
Speaker 1: then I went there was an episode of Mr. Rogers

1687
01:29:13,040 --> 01:29:15,280
Speaker 1: where he had a whistler on and she had like

1688
01:29:15,360 --> 01:29:18,679
Speaker 1: this crazy whistling vibrato. You know, no one whistles anymore.

1689
01:29:19,560 --> 01:29:23,720
Speaker 1: Let's bring back the lost art of whistling. Whistle while

1690
01:29:23,800 --> 01:29:27,960
Speaker 1: you work. Now, see scary is the fake whistle. We

1691
01:29:28,040 --> 01:29:29,880
Speaker 1: talked about this every year. It's a fall whistle I have.

1692
01:29:30,040 --> 01:29:31,880
Speaker 1: I have this chip between my teeth. It makes me

1693
01:29:31,920 --> 01:29:40,680
Speaker 1: whistle between whistling. Whistling is well? Hold on, then what

1694
01:29:40,840 --> 01:29:44,080
Speaker 1: is your definition of whistling? Froggy when you blow out

1695
01:29:44,479 --> 01:29:47,800
Speaker 1: through a small, tiny little hole that you make by

1696
01:29:47,840 --> 01:29:50,120
Speaker 1: pursing your lips. But see, I can whistle, I can

1697
01:29:50,200 --> 01:29:53,519
Speaker 1: suck and whistle. Oh I can't do Wait hold on,

1698
01:29:53,760 --> 01:29:57,840
Speaker 1: this is blowing. Here's sucking. So you can do both ways.

1699
01:29:57,880 --> 01:30:03,679
Speaker 1: So watch this, watch me blow suck. Read Your boyfriend

1700
01:30:03,800 --> 01:30:09,920
Speaker 1: is like, you're quite the talents. You know. I'm talking

1701
01:30:09,920 --> 01:30:12,240
Speaker 1: about whistling in here? Can you whistle between your teeth?

1702
01:30:12,400 --> 01:30:14,200
Speaker 1: I don't need to because I have I have a

1703
01:30:14,240 --> 01:30:19,800
Speaker 1: beautiful blow whistle straight, Nate, come on, what do you

1704
01:30:19,840 --> 01:30:22,479
Speaker 1: want to hear? I don't know when you suck? Are

1705
01:30:22,479 --> 01:30:25,040
Speaker 1: you a better sucker or blower? I'm a better blower.

1706
01:30:25,200 --> 01:30:28,920
Speaker 1: He has a little vibrato. Wow, that's so good. Oh

1707
01:30:29,000 --> 01:30:30,680
Speaker 1: my god, there's dogs that are going to stop it.

1708
01:30:33,240 --> 01:30:37,559
Speaker 1: The girl. I love a party whistle. You know, back

1709
01:30:37,600 --> 01:30:39,360
Speaker 1: in my old days, I used to have the party

1710
01:30:39,360 --> 01:30:44,160
Speaker 1: whistle on. You know, it was recorded, so I was

1711
01:30:44,439 --> 01:30:47,640
Speaker 1: that DJ. I was that DJ no. I parlay that

1712
01:30:47,760 --> 01:30:50,040
Speaker 1: into quite the cool you really have. It's done well

1713
01:30:50,120 --> 01:30:55,760
Speaker 1: for you. That's the triple layer. It's like ring ring Ready,

1714
01:30:56,160 --> 01:31:00,800
Speaker 1: y's like my siren sounds like that. I heard I

1715
01:31:00,880 --> 01:31:02,439
Speaker 1: heard a start in this weekend and I looked at

1716
01:31:02,479 --> 01:31:04,599
Speaker 1: Alex and I said, oh, there's Danielle do it, Daniel

1717
01:31:04,640 --> 01:31:06,800
Speaker 1: do it. Here's Daniel Sien Ready away from the mic.

1718
01:31:12,560 --> 01:31:15,560
Speaker 1: You do that. And now the European, the European is,

1719
01:31:18,080 --> 01:31:21,280
Speaker 1: what's this? This is a dog? Don't put your lips

1720
01:31:21,360 --> 01:31:26,000
Speaker 1: on these things. I don't know what kind of that is.

1721
01:31:26,080 --> 01:31:28,439
Speaker 1: You don't know whose lips have been on this? Well?

1722
01:31:28,479 --> 01:31:30,840
Speaker 1: I love this one. Elvis is, oh, you know, I

1723
01:31:30,880 --> 01:31:36,760
Speaker 1: don't care. And Russ Britton where all these whistle? What's

1724
01:31:36,800 --> 01:31:40,960
Speaker 1: that one? Is that a fun stick? Where we get

1725
01:31:41,000 --> 01:31:44,400
Speaker 1: all this stuff? This is the most awful show ever.

1726
01:31:45,760 --> 01:31:47,840
Speaker 1: Let's get into sound. Let's persons go around the room.

1727
01:31:50,360 --> 01:31:53,280
Speaker 1: His junk box. We have a junk box down here.

1728
01:31:53,360 --> 01:31:56,880
Speaker 1: Give a slide whistle. We used to stole that baby.

1729
01:31:56,960 --> 01:31:59,800
Speaker 1: Those are collector's eye. Let's start with you, Bethany, what's

1730
01:31:59,800 --> 01:32:01,680
Speaker 1: on your mind today. You know you have a good

1731
01:32:01,760 --> 01:32:03,920
Speaker 1: friend when you can sit in the room quietly together

1732
01:32:04,040 --> 01:32:07,960
Speaker 1: and not talk and it's fine and not uncomfortable. My

1733
01:32:08,040 --> 01:32:11,000
Speaker 1: friend came over yesterday and he had a project he

1734
01:32:11,080 --> 01:32:12,960
Speaker 1: was working on. I had a project I was working on,

1735
01:32:13,080 --> 01:32:15,400
Speaker 1: and so we just sat quietly for like three hours

1736
01:32:15,560 --> 01:32:18,000
Speaker 1: and on our separate computers and just typed and worked

1737
01:32:18,040 --> 01:32:20,240
Speaker 1: and worked, and it was lovely. There is a collective

1738
01:32:20,280 --> 01:32:23,320
Speaker 1: energy that's going on. Yeah, it's there. There is such

1739
01:32:23,400 --> 01:32:27,160
Speaker 1: thing as an energy that is relaxing, relaxing energy. They

1740
01:32:27,200 --> 01:32:28,840
Speaker 1: seem to fight each other, but they don't always. And

1741
01:32:28,880 --> 01:32:31,400
Speaker 1: there are some people that you can't just be like,

1742
01:32:31,560 --> 01:32:34,479
Speaker 1: trust enough to not talk to like it. It feels weird,

1743
01:32:34,640 --> 01:32:36,400
Speaker 1: but it's nice when you find a person that it's like,

1744
01:32:36,439 --> 01:32:38,120
Speaker 1: I can just be quiet, I think we all trust

1745
01:32:38,200 --> 01:32:40,000
Speaker 1: each other enough on this show to be quiet. Let's

1746
01:32:40,040 --> 01:32:41,920
Speaker 1: do a four hour show of us just being quiet. Okay,

1747
01:32:44,040 --> 01:32:48,080
Speaker 1: can you pass me that salt? Daniel? What's on your mind?

1748
01:32:48,240 --> 01:32:51,280
Speaker 1: So I always say that baseball is boring to me,

1749
01:32:51,439 --> 01:32:53,400
Speaker 1: right I what a Yankee fan and a Yankee house

1750
01:32:53,439 --> 01:32:57,560
Speaker 1: coming from the Bronx. But this season of Yankee Baseball

1751
01:32:57,720 --> 01:33:01,360
Speaker 1: has gotten me back into baseball. For you Aaron Judges,

1752
01:33:01,439 --> 01:33:04,640
Speaker 1: the c C Sabathia's the Brett Gardners. I am so

1753
01:33:04,840 --> 01:33:07,040
Speaker 1: excited to watch it and watch my kids play it

1754
01:33:07,080 --> 01:33:08,759
Speaker 1: and get excited about it and go to the games

1755
01:33:08,960 --> 01:33:10,840
Speaker 1: that I'm like, you know what, I'm not just in

1756
01:33:10,920 --> 01:33:15,120
Speaker 1: the soccer. I'm gonna be into Bay'm loving it. It's awesome.

1757
01:33:15,160 --> 01:33:17,479
Speaker 1: It's so much fun to watch it. So it's good.

1758
01:33:17,800 --> 01:33:23,160
Speaker 1: It's the finger for Bertie. One of the benefits of

1759
01:33:23,240 --> 01:33:25,280
Speaker 1: going to the same vacation spot over and over is

1760
01:33:25,560 --> 01:33:28,000
Speaker 1: you start peeling back the layers and discovering new things.

1761
01:33:28,240 --> 01:33:30,240
Speaker 1: I was fortunate enough to go to Atlantis over the

1762
01:33:30,280 --> 01:33:33,720
Speaker 1: weekend and I decided I decided to get into the culture. Um.

1763
01:33:33,800 --> 01:33:36,240
Speaker 1: They have this awesome junk a new festival. They've added

1764
01:33:36,320 --> 01:33:39,120
Speaker 1: some new things there. It's like this awesome things with

1765
01:33:39,520 --> 01:33:42,320
Speaker 1: costumes and they bang on these drums and had food.

1766
01:33:42,680 --> 01:33:46,080
Speaker 1: The food an authentic Bahamian fest. And then I I

1767
01:33:46,280 --> 01:33:49,720
Speaker 1: also got to go to uh snorkeling. There's this new

1768
01:33:49,760 --> 01:33:56,080
Speaker 1: snorkeling thing called um oh my god. Anyway, I got

1769
01:33:56,160 --> 01:33:58,400
Speaker 1: to see the dolphins in their natural habitat at seven

1770
01:33:58,439 --> 01:34:00,080
Speaker 1: o'clock in the morning. Did you crush it all off

1771
01:34:00,080 --> 01:34:02,800
Speaker 1: into this tree? No? I did not, No, I did not.

1772
01:34:03,360 --> 01:34:07,680
Speaker 1: And you know injured in this trip. Yeah, that poured

1773
01:34:07,680 --> 01:34:09,760
Speaker 1: dolphins still swimming left. And I got to go see

1774
01:34:09,880 --> 01:34:12,640
Speaker 1: this art walk thing, you know, on Saturdays, they have

1775
01:34:12,800 --> 01:34:16,280
Speaker 1: this wonderful thing where that is Bahamian. The art walk

1776
01:34:16,400 --> 01:34:20,040
Speaker 1: thing they invite They invite local vendors, artists and artisans

1777
01:34:20,120 --> 01:34:22,880
Speaker 1: to show up like a farmer's market and hang out

1778
01:34:23,080 --> 01:34:25,479
Speaker 1: and sell their goods in their wares. And I think

1779
01:34:25,479 --> 01:34:27,479
Speaker 1: that is a wonderful thing that Atlantis does. And I

1780
01:34:27,560 --> 01:34:29,559
Speaker 1: got to go get cultured. I almost bought a conk

1781
01:34:29,640 --> 01:34:35,000
Speaker 1: shell back for everybody, incase I love the word kunkah.

1782
01:34:36,360 --> 01:34:38,559
Speaker 1: The goods and wears. People sell their goods and wears.

1783
01:34:39,960 --> 01:34:45,080
Speaker 1: What's a good? What's aware? Jelly's jams? Breads, cool bags.

1784
01:34:45,320 --> 01:34:48,040
Speaker 1: All right, I'm with you. Well he speaks the truth.

1785
01:34:48,160 --> 01:34:51,040
Speaker 1: Atlantis is uh a lot of fun to visit for

1786
01:34:51,120 --> 01:34:53,559
Speaker 1: many reasons, but now you know you can also learn

1787
01:34:53,600 --> 01:34:56,519
Speaker 1: a lot about the culture of the Bahamas when you're there.

1788
01:34:57,160 --> 01:35:00,160
Speaker 1: So how much did you win at the casino? Um?

1789
01:35:00,280 --> 01:35:02,720
Speaker 1: I want the right to come back home? All right,

1790
01:35:02,880 --> 01:35:08,400
Speaker 1: thank you? Alright, Uh, what are we doing? We have

1791
01:35:08,479 --> 01:35:11,200
Speaker 1: to take a break. We have an announcement coming up.

1792
01:35:11,240 --> 01:35:13,760
Speaker 1: We have sound with Garrett coming up. We may have

1793
01:35:13,880 --> 01:35:15,439
Speaker 1: a topic train with great Tea. We're kind of off

1794
01:35:15,479 --> 01:35:17,400
Speaker 1: because it's seven Monday on a Tuesday. It's kind of weird.

1795
01:35:18,720 --> 01:35:24,160
Speaker 1: Thanks to Nile Horn again, an incredible, incredible It's right.

1796
01:35:24,240 --> 01:35:27,280
Speaker 1: You can clap, you can clap it two. Okay, we'll

1797
01:35:27,360 --> 01:35:29,000
Speaker 1: come back in a second and do all the things

1798
01:35:29,080 --> 01:35:32,160
Speaker 1: we promised we would do this break. We'll do the

1799
01:35:32,320 --> 01:35:36,360
Speaker 1: next break right Okay, what's hot right now? And Elvis

1800
01:35:36,439 --> 01:35:39,640
Speaker 1: durand dot Com here's web girl Kathleen. We just had

1801
01:35:39,720 --> 01:35:42,800
Speaker 1: our friend Nile Horne in studio to perform live. If

1802
01:35:42,840 --> 01:35:45,360
Speaker 1: you miss the performance or the interview, those videos will

1803
01:35:45,360 --> 01:35:47,120
Speaker 1: be up for you later, so make sure you check

1804
01:35:47,160 --> 01:35:49,639
Speaker 1: back for that. And if you're thinking about getting a tattoo,

1805
01:35:49,720 --> 01:35:51,840
Speaker 1: Bethany has you covered in Today's Which Trending with a

1806
01:35:51,920 --> 01:35:55,439
Speaker 1: temporary option that looks incredibly real. You have to check

1807
01:35:55,479 --> 01:35:57,040
Speaker 1: it out. It's right there for you on the homepage.

1808
01:35:57,120 --> 01:35:59,920
Speaker 1: Get all this and more. Elvis Durand dot com Elvis

1809
01:36:00,080 --> 01:36:03,599
Speaker 1: Duran dot com. Hey there, it's Bethany. If you've ordered

1810
01:36:03,640 --> 01:36:05,640
Speaker 1: clothes online, it can be really tough to know what

1811
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Speaker 1: size you are because every company uses a different sizing

1812
01:36:09,000 --> 01:36:11,479
Speaker 1: method and it's so annoying to get something in the mail,

1813
01:36:11,520 --> 01:36:13,360
Speaker 1: you try it on and it does not fit, and

1814
01:36:13,400 --> 01:36:15,040
Speaker 1: now you have to go through the process of sending

1815
01:36:15,080 --> 01:36:18,080
Speaker 1: it back and then getting a new one. With Littote,

1816
01:36:18,439 --> 01:36:21,920
Speaker 1: that's not an issue. They are the style and fit experts.

1817
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Speaker 1: They use data to fit you better than any other retailer.

1818
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Speaker 1: They use your sizes, but they also use your measurements,

1819
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Speaker 1: so they send you clothes based on the way your

1820
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Speaker 1: body is actually sized. With Litote, you can rent up

1821
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Speaker 1: to seven hundred dollars worth of fashion from designer brands

1822
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Speaker 1: like Rebecca Minkoff, bc b G, Nike, and more all

1823
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Speaker 1: month long, and if you're expecting, they have maternity totes

1824
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Speaker 1: to get as many totes as you want a month.

1825
01:36:44,720 --> 01:36:48,160
Speaker 1: Simply wear them, return and repeat. Go to latote dot com.

1826
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1827
01:36:50,320 --> 01:36:52,559
Speaker 1: get started for as low as thirty nine dollars a month.

1828
01:36:52,880 --> 01:36:55,720
Speaker 1: Enter promo code Elvis at checkout to get off your

1829
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Speaker 1: first month. Once you sign up, you're gonna receive your

1830
01:36:58,280 --> 01:37:01,280
Speaker 1: completely customized tote within day. Where would you want? Return

1831
01:37:01,360 --> 01:37:03,439
Speaker 1: everything in the mail when you're done, and repeat all

1832
01:37:03,520 --> 01:37:06,679
Speaker 1: month long. Again, that's litote dot com. Enter your code

1833
01:37:06,720 --> 01:37:09,800
Speaker 1: Elvis and feel fabulous with fashion delivered right to your door.

1834
01:37:10,960 --> 01:37:14,600
Speaker 1: They're like normal people. They talk about everyday things. Do

1835
01:37:14,840 --> 01:37:20,840
Speaker 1: you get into light bondage In the morning show, We're

1836
01:37:20,840 --> 01:37:23,360
Speaker 1: about to get into great tea and the topic train.

1837
01:37:23,400 --> 01:37:26,080
Speaker 1: I like today's topic train looks great so sound. With

1838
01:37:26,160 --> 01:37:28,760
Speaker 1: garrets coming up, we gotta get to that. Also, it's

1839
01:37:28,800 --> 01:37:31,960
Speaker 1: time to make a major announcement. As you know, we're

1840
01:37:32,000 --> 01:37:34,960
Speaker 1: gearing up for our I Heart Summer seventeen weekend by

1841
01:37:35,040 --> 01:37:39,639
Speaker 1: a T n T at The Fountain Blue, Miami Beach.

1842
01:37:40,200 --> 01:37:43,559
Speaker 1: So far, we've announced on stage DJ Kalet, who are

1843
01:37:43,640 --> 01:37:47,759
Speaker 1: so blessed up to be with Halsey, Miley, Cyrus, Noah

1844
01:37:47,840 --> 01:37:52,840
Speaker 1: Cirus Backstreet Boys in fifth Harmony. Today we're adding two

1845
01:37:52,920 --> 01:37:57,479
Speaker 1: more to the show. So excited to announce we're adding

1846
01:37:57,800 --> 01:38:04,840
Speaker 1: Luis Falsi. He is amazing And are you sitting down, Bethany, Yes,

1847
01:38:08,080 --> 01:38:10,759
Speaker 1: I know she's your she's your girl. He's my girlfriend.

1848
01:38:10,800 --> 01:38:13,000
Speaker 1: I love her so much. So to Nash and Louis

1849
01:38:13,040 --> 01:38:15,000
Speaker 1: Fonse have been added to our lineup at the I

1850
01:38:15,120 --> 01:38:17,800
Speaker 1: Heart Summer seventeen weekend by A T and T more

1851
01:38:17,920 --> 01:38:20,400
Speaker 1: reasons you need to be there listen to win your

1852
01:38:20,400 --> 01:38:22,800
Speaker 1: trips with us. Just listen, just keep listening whatever you're

1853
01:38:22,840 --> 01:38:24,400
Speaker 1: listening to. Now, this is where you need to be

1854
01:38:25,439 --> 01:38:28,360
Speaker 1: more than a weekend after a while, this is crazy.

1855
01:38:28,400 --> 01:38:30,479
Speaker 1: All right, we'll stay a whole week Yeah, seriously. All right,

1856
01:38:30,520 --> 01:38:33,200
Speaker 1: so I's gonna pay for that. But anyway, so keep listening.

1857
01:38:33,200 --> 01:38:37,120
Speaker 1: You gotta get in. We've announced these two incredible performers

1858
01:38:37,640 --> 01:38:40,040
Speaker 1: added to the lineup. We're so excited, by the way,

1859
01:38:40,080 --> 01:38:43,759
Speaker 1: did I mention Backstreet Boys are gonna be there? Froggy Yes, okay,

1860
01:38:43,840 --> 01:38:47,360
Speaker 1: just making sure he's so happy with that. All right, Great,

1861
01:38:48,400 --> 01:38:51,880
Speaker 1: here we go, great teas topic trains, please call me.

1862
01:38:57,760 --> 01:39:03,840
Speaker 1: I gotta tell you this. Uh Clarenton. Yeah, it's got

1863
01:39:03,920 --> 01:39:12,120
Speaker 1: me high. Yeah. Fourth of July it is Greg stopic train. Yeah,

1864
01:39:12,560 --> 01:39:17,040
Speaker 1: he's calling clar I need more Clarenton. I'm gonna start

1865
01:39:17,040 --> 01:39:20,600
Speaker 1: taking Clarenton a year round. Can you snort it? No?

1866
01:39:21,080 --> 01:39:23,240
Speaker 1: I don't know. I'm kidding, stop it all right. These

1867
01:39:23,280 --> 01:39:24,880
Speaker 1: are from the mind of Greg to the frat boy.

1868
01:39:24,960 --> 01:39:26,760
Speaker 1: If one of these topics hits a nerve with you,

1869
01:39:26,920 --> 01:39:30,240
Speaker 1: call us participate. Topic number one locked out. So I'm

1870
01:39:30,280 --> 01:39:32,320
Speaker 1: just curious you ever got locked out of your house? Now?

1871
01:39:32,360 --> 01:39:34,240
Speaker 1: Do you have a special way of getting in? I'd

1872
01:39:34,280 --> 01:39:35,599
Speaker 1: love for you to share it with us. Don't give

1873
01:39:35,600 --> 01:39:37,880
Speaker 1: it your don't give us your address, because then we'll

1874
01:39:37,920 --> 01:39:39,680
Speaker 1: come in and, you know, break into your house. But

1875
01:39:40,000 --> 01:39:42,000
Speaker 1: just tell us how you'll get in. Yeah, I would

1876
01:39:42,000 --> 01:39:43,519
Speaker 1: like to find out. Everybody's got a funny way of

1877
01:39:43,560 --> 01:39:45,680
Speaker 1: getting into their house. Did you used to have a

1878
01:39:45,760 --> 01:39:47,320
Speaker 1: way to break into your house? What I would do

1879
01:39:47,439 --> 01:39:50,360
Speaker 1: is I would climb up the pole on my front porch,

1880
01:39:50,720 --> 01:39:52,679
Speaker 1: then scale out to the next roof of the house,

1881
01:39:52,920 --> 01:39:55,920
Speaker 1: and then push in the left window and we'll see

1882
01:39:56,120 --> 01:39:58,200
Speaker 1: that went in. Then I can crawl in tomorrow address.

1883
01:39:58,280 --> 01:40:01,320
Speaker 1: Oh yeah, all right, I'm what is your crafty way

1884
01:40:01,360 --> 01:40:04,280
Speaker 1: of breaking into your own house. One eight zero one hundred.

1885
01:40:04,320 --> 01:40:07,840
Speaker 1: Next topic broken arms. Seriously, you broke your arm this weekend?

1886
01:40:08,040 --> 01:40:09,920
Speaker 1: How did you break it? And how long are you

1887
01:40:09,960 --> 01:40:11,400
Speaker 1: going to be in a cast? And how are you now?

1888
01:40:11,720 --> 01:40:14,599
Speaker 1: How are you? How are you call us now? Broken armed? One?

1889
01:40:14,680 --> 01:40:20,000
Speaker 1: Call us with your good arm? One zero one? Next

1890
01:40:20,160 --> 01:40:23,719
Speaker 1: topic played a new drinking game? What fun? Oh my god,

1891
01:40:23,840 --> 01:40:26,000
Speaker 1: you can't wait to play it again? This weekend was

1892
01:40:26,160 --> 01:40:28,600
Speaker 1: awesome because you learned a new drinking games. So we

1893
01:40:28,640 --> 01:40:30,439
Speaker 1: want to know what was it because we would like

1894
01:40:30,520 --> 01:40:32,720
Speaker 1: to play it alright. One eight hundred two two one

1895
01:40:33,400 --> 01:40:36,240
Speaker 1: and final topic knocked it over in the store. Seriously,

1896
01:40:36,400 --> 01:40:39,040
Speaker 1: this was great. I'm in Target and this little kid

1897
01:40:39,400 --> 01:40:41,479
Speaker 1: is playing with the picture frames and I can almost

1898
01:40:41,520 --> 01:40:43,800
Speaker 1: hear his mom saying, don't do that, And all of

1899
01:40:43,840 --> 01:40:47,280
Speaker 1: a sudden, crash, bang three or four foo fell to

1900
01:40:47,360 --> 01:40:50,519
Speaker 1: the ground, boy glass everywhere. Nobody got hurt, but man,

1901
01:40:50,640 --> 01:40:54,559
Speaker 1: it was funny. I don't want what did your kids smashing?

1902
01:40:54,640 --> 01:40:59,160
Speaker 1: What store? There you go? And how are you today? Funny?

1903
01:40:59,280 --> 01:41:02,000
Speaker 1: Hundred two four two Z all right into style with Garrett.

1904
01:41:02,000 --> 01:41:03,400
Speaker 1: What do you have going on? Garrett? Let's start with

1905
01:41:03,439 --> 01:41:07,519
Speaker 1: the drama from the Bachelorette. Last night, Rachel was confronted

1906
01:41:07,560 --> 01:41:09,600
Speaker 1: by a random woman who claims that one of the

1907
01:41:09,640 --> 01:41:12,040
Speaker 1: guys on this show to Mario was her boyfriend two

1908
01:41:12,080 --> 01:41:14,760
Speaker 1: weeks prior to them taping the show, because she never

1909
01:41:15,520 --> 01:41:18,040
Speaker 1: he left the house, said hey, I'll be right back,

1910
01:41:18,200 --> 01:41:21,280
Speaker 1: never came back, went on the show, and she's confronting him.

1911
01:41:21,800 --> 01:41:24,240
Speaker 1: What you've seen you last week? And I saw that

1912
01:41:25,240 --> 01:41:27,439
Speaker 1: the first couple of guys were brought on to meet you. Yeah,

1913
01:41:27,760 --> 01:41:29,560
Speaker 1: and I before one guy kind of live an a

1914
01:41:29,600 --> 01:41:32,760
Speaker 1: gagement rank and up until hours before that, he even

1915
01:41:32,800 --> 01:41:37,639
Speaker 1: my boyfriend have seven months oh boy to Mario, Yeah,

1916
01:41:38,600 --> 01:41:41,559
Speaker 1: he's liked all of us and he's really deceived everybody here.

1917
01:41:42,000 --> 01:41:44,719
Speaker 1: But he literally still has the keys to my apartment.

1918
01:41:45,000 --> 01:41:47,360
Speaker 1: When he got on the show, were you all still

1919
01:41:47,400 --> 01:41:49,960
Speaker 1: together or did he break up? A we haven't came

1920
01:41:50,040 --> 01:41:52,200
Speaker 1: on the show. He we never broke up. He literally

1921
01:41:52,479 --> 01:41:54,519
Speaker 1: was supposed to be coming over and then just stop

1922
01:41:54,640 --> 01:41:57,000
Speaker 1: responding until I saw him on the TVs froom. There

1923
01:41:57,120 --> 01:41:59,479
Speaker 1: was no nothing at up and a thing to fight

1924
01:41:59,520 --> 01:42:03,200
Speaker 1: in oarless, so he just disappeared. Literally, just hadn't heard

1925
01:42:03,200 --> 01:42:05,280
Speaker 1: from him in three days and then suddenly turned my

1926
01:42:05,320 --> 01:42:10,240
Speaker 1: TV on. He was on it. I am completely taken

1927
01:42:10,280 --> 01:42:13,560
Speaker 1: aback this girl. Lexei says she's in a relationship with

1928
01:42:13,640 --> 01:42:16,840
Speaker 1: Tomorrio and he disappears for a couple of days and

1929
01:42:16,880 --> 01:42:19,240
Speaker 1: the next time she's seeing him is on after the

1930
01:42:19,320 --> 01:42:23,599
Speaker 1: final rows. Oh my god, Oh my god, where did

1931
01:42:23,640 --> 01:42:26,759
Speaker 1: that guy I was dating? Go? Oh my, he just left?

1932
01:42:26,840 --> 01:42:29,439
Speaker 1: He must be over on ABC. So what happens now?

1933
01:42:29,840 --> 01:42:33,040
Speaker 1: Both women confront to Mario and listen to him. If

1934
01:42:33,080 --> 01:42:35,160
Speaker 1: I asked her to show me her phone, is they

1935
01:42:35,200 --> 01:42:37,599
Speaker 1: going to coincide with what she said or what you said?

1936
01:42:37,880 --> 01:42:41,000
Speaker 1: It depends on the dates, Like it just depends on

1937
01:42:41,040 --> 01:42:44,120
Speaker 1: the bat I'm asking you. Am I going to see

1938
01:42:44,200 --> 01:42:47,240
Speaker 1: messages that allude to the fact that y'all has something?

1939
01:42:47,360 --> 01:42:48,760
Speaker 1: If I look at her phone right now, that we

1940
01:42:48,840 --> 01:42:51,320
Speaker 1: had something, I mean, we've that you have something more

1941
01:42:51,680 --> 01:42:54,559
Speaker 1: than friendship, don't have something. We've had sexual intercourse before,

1942
01:42:54,640 --> 01:42:57,000
Speaker 1: but we don't have them. I'm not here to be played.

1943
01:42:57,320 --> 01:42:59,080
Speaker 1: I'm not here to be made a joke of, which

1944
01:42:59,160 --> 01:43:00,800
Speaker 1: is what I feel like you're doing right now with me.

1945
01:43:01,360 --> 01:43:02,720
Speaker 1: So I'm really going to meet you to give the

1946
01:43:04,320 --> 01:43:08,240
Speaker 1: she re wrote, and he erased him, all right. Halsey

1947
01:43:08,400 --> 01:43:10,439
Speaker 1: and Lauren from Fifth Harmony released a new song called

1948
01:43:10,520 --> 01:43:13,320
Speaker 1: Strangers came out on Friday, and they're saying it's Halsey's

1949
01:43:13,360 --> 01:43:15,960
Speaker 1: best song yet, all right, and we love Lauren. Yeah,

1950
01:43:16,120 --> 01:43:34,479
Speaker 1: I loved it. They're together on this. Maybe when Halsey's

1951
01:43:34,479 --> 01:43:36,799
Speaker 1: performing Us with Us at the I Heart Summer seventeen

1952
01:43:36,840 --> 01:43:40,400
Speaker 1: weekend by AT and T, maybe maybe Lauren will accidentally

1953
01:43:40,439 --> 01:43:42,559
Speaker 1: trip out on stage. Lauren jumps out of a pool.

1954
01:43:42,720 --> 01:43:45,360
Speaker 1: You never know. Alright, I'm here. So there was a

1955
01:43:45,520 --> 01:43:48,640
Speaker 1: very boogie music festival going on in Napa Valley over

1956
01:43:48,680 --> 01:43:52,559
Speaker 1: the weekend called Bottle Rock Festival. Food Fighters were performing. Now,

1957
01:43:52,760 --> 01:43:55,200
Speaker 1: on these festivals, you get a lot of time to perform,

1958
01:43:55,280 --> 01:43:57,719
Speaker 1: so you get forty five minutes half hour. Who fighters

1959
01:43:57,760 --> 01:43:59,680
Speaker 1: went over their time? So what does the festival do?

1960
01:44:00,040 --> 01:44:02,240
Speaker 1: They pulled the plug on food fighters. Grape growers are

1961
01:44:02,320 --> 01:44:04,640
Speaker 1: very serious. Yes, what do food fighters do? They rock

1962
01:44:04,760 --> 01:44:10,080
Speaker 1: on and keep on playing. Let's listen to it live,

1963
01:44:22,040 --> 01:44:30,519
Speaker 1: keep going, turn on the backups. But they kept on playing. Really,

1964
01:44:30,640 --> 01:44:34,160
Speaker 1: they come out looking at heroes. So thirteen years ago,

1965
01:44:34,240 --> 01:44:36,800
Speaker 1: Mark Zuckerberg dropped out of Harvard to start this little

1966
01:44:36,880 --> 01:44:38,720
Speaker 1: thing called Facebook. So what what did he get to

1967
01:44:38,760 --> 01:44:41,240
Speaker 1: do over the weekend? Give the commencement at Harvard? You

1968
01:44:41,320 --> 01:44:45,560
Speaker 1: accomplished something I never could. If I get through this

1969
01:44:45,680 --> 01:44:48,599
Speaker 1: speech today, it'll be the first time I actually finished

1970
01:44:48,640 --> 01:44:53,920
Speaker 1: something here at Harvard. Purpose is that feeling that you

1971
01:44:54,160 --> 01:44:57,479
Speaker 1: are a part of something bigger than yourself, that you

1972
01:44:57,560 --> 01:45:00,439
Speaker 1: are needed, and then you have something better her ahead

1973
01:45:00,479 --> 01:45:05,160
Speaker 1: to work for. Purpose is what creates true happiness. And

1974
01:45:05,240 --> 01:45:07,680
Speaker 1: there you go. You're good American Garret. There you go.

1975
01:45:07,840 --> 01:45:12,880
Speaker 1: There's your sound. Great. You could have invented Facebook, saying

1976
01:45:12,960 --> 01:45:15,080
Speaker 1: he didn't even graduate and asked the guy to come

1977
01:45:15,120 --> 01:45:18,040
Speaker 1: back and speak at the graduation. I graduated. You haven't

1978
01:45:18,040 --> 01:45:20,439
Speaker 1: even asked me to come back. There you go. Seriously,

1979
01:45:20,439 --> 01:45:22,560
Speaker 1: he got lucky. He had some big idea about some

1980
01:45:22,640 --> 01:45:27,240
Speaker 1: Facebook things. Let's get back to your job here. You're

1981
01:45:27,280 --> 01:45:33,519
Speaker 1: a you're a mean old man. Say let's start with Jeremy. Hi, Jeremy,

1982
01:45:33,560 --> 01:45:36,360
Speaker 1: welcome to Great Teas Topic Trade. How are you we're

1983
01:45:36,360 --> 01:45:38,439
Speaker 1: doing okay? Which have great tea's topics you're calling about?

1984
01:45:39,000 --> 01:45:41,600
Speaker 1: I'm calling about getting locked out? Yeah, Jeremy, how do

1985
01:45:41,640 --> 01:45:44,760
Speaker 1: you get in? All? Right? So, at the time I

1986
01:45:44,880 --> 01:45:47,200
Speaker 1: lived on the top on the second floor of a

1987
01:45:47,320 --> 01:45:51,560
Speaker 1: two story house. And what happened was I got locked out, obviously,

1988
01:45:51,720 --> 01:45:54,439
Speaker 1: so I had to climb a ladder that was probably

1989
01:45:54,560 --> 01:45:57,680
Speaker 1: about maybe high feet away from the windows. I'm on

1990
01:45:57,760 --> 01:45:59,479
Speaker 1: the top of it, and I had to jump in.

1991
01:46:00,120 --> 01:46:03,320
Speaker 1: At the time, my mom had driven up the driveway

1992
01:46:03,560 --> 01:46:05,719
Speaker 1: because she wasn't home, so she drove up the driveway

1993
01:46:05,720 --> 01:46:12,920
Speaker 1: and saw my feet dangling out the window. So she

1994
01:46:13,240 --> 01:46:16,640
Speaker 1: came in and she obviously got into my room and

1995
01:46:16,960 --> 01:46:18,880
Speaker 1: what are you doing. I'm like, oh, obviously I got

1996
01:46:19,000 --> 01:46:23,000
Speaker 1: locked out, mom, and you pulled me in. Pulled me

1997
01:46:23,080 --> 01:46:25,280
Speaker 1: in mean while, I like, I'm kind of a big guy,

1998
01:46:25,520 --> 01:46:28,880
Speaker 1: so the window didn't exactly fit for me, so my

1999
01:46:29,040 --> 01:46:34,920
Speaker 1: hips were stucky. You know, this is why we should

2000
01:46:34,920 --> 01:46:38,720
Speaker 1: always have cameras that basically like that. Like if someone

2001
01:46:38,760 --> 01:46:40,800
Speaker 1: had snapchat at the time or a video, that would

2002
01:46:40,800 --> 01:46:42,479
Speaker 1: have been awesome. Hey, Jeremy, when you ask your mom

2003
01:46:42,600 --> 01:46:43,800
Speaker 1: to pull you in and save your life, do you

2004
01:46:43,880 --> 01:46:49,280
Speaker 1: think she hesitated for a second thinking to say that?

2005
01:46:49,439 --> 01:46:51,720
Speaker 1: Because she was a type of person that if she

2006
01:46:51,760 --> 01:46:53,960
Speaker 1: saw a spider on my shoulder, she would say, hey, look,

2007
01:46:54,280 --> 01:46:57,960
Speaker 1: there's something on your shoulder. She wouldn't say sure the spider.

2008
01:46:58,160 --> 01:47:00,120
Speaker 1: She would say, oh, look, there's something on your shoulder there,

2009
01:47:00,880 --> 01:47:05,280
Speaker 1: so he broke into his own house. Sort of, thank you, Jeremy,

2010
01:47:05,360 --> 01:47:10,519
Speaker 1: thanks for listening to us. Let's go talk to Alia. Alicia. Hi, Alicia, Hello, lady, Well,

2011
01:47:10,560 --> 01:47:12,600
Speaker 1: hello lighty, Welcome to Great Tea's topic train. Which of

2012
01:47:12,640 --> 01:47:16,760
Speaker 1: his topics are you calling about? Knocking stuff over? What'd

2013
01:47:16,760 --> 01:47:18,719
Speaker 1: you crash? What'd you crash? Now? Where was it? What store?

2014
01:47:19,720 --> 01:47:25,000
Speaker 1: It was a liquor store, liquor? How many bottles fell?

2015
01:47:25,120 --> 01:47:29,600
Speaker 1: What was anything expensive? It was an entire shot. What

2016
01:47:29,680 --> 01:47:33,320
Speaker 1: did you do? What happened? So I was this was

2017
01:47:33,360 --> 01:47:35,200
Speaker 1: a while ago. It was I went to the liquor

2018
01:47:35,240 --> 01:47:38,120
Speaker 1: store with my mom and my brother, and I was younger,

2019
01:47:38,200 --> 01:47:40,760
Speaker 1: so I was pouting because I wanted to go somewhere else.

2020
01:47:41,360 --> 01:47:43,680
Speaker 1: And I had like a little purse withst me and

2021
01:47:43,800 --> 01:47:46,160
Speaker 1: I swung it over my shoulder, but in doing so,

2022
01:47:46,360 --> 01:47:49,519
Speaker 1: I hit the shelf. It stocks over all of these

2023
01:47:49,600 --> 01:47:53,400
Speaker 1: bottles of liquor. Oh my, oh my gosh. Did you

2024
01:47:53,479 --> 01:47:55,200
Speaker 1: have to your mom have to pay for all of them?

2025
01:47:55,280 --> 01:47:58,080
Speaker 1: Or did they have insurance? They just said it was

2026
01:47:58,160 --> 01:48:03,880
Speaker 1: okay because my mom and they're stuff, But oh my, god,

2027
01:48:04,160 --> 01:48:05,960
Speaker 1: and that's the nectar of the gods as well. We

2028
01:48:06,040 --> 01:48:09,000
Speaker 1: got to say to the gym exactly right, all right, Alicia,

2029
01:48:09,160 --> 01:48:12,280
Speaker 1: thank you. It's probably the loudest experience you've ever had

2030
01:48:12,320 --> 01:48:15,880
Speaker 1: in a store. It was, I guess. So there you go,

2031
01:48:15,960 --> 01:48:18,960
Speaker 1: throwing your little purse off your shoulder. Thank you, Alicia.

2032
01:48:19,040 --> 01:48:24,800
Speaker 1: Let's go talk to or Kendra. I'm sorry, I'm sorry,

2033
01:48:24,840 --> 01:48:28,200
Speaker 1: I'm sorry. The D the O is a D. Hello, Sorry, Kendra?

2034
01:48:28,360 --> 01:48:32,600
Speaker 1: What's going on? My god? I'm blind? Kendra? Which of

2035
01:48:32,600 --> 01:48:35,960
Speaker 1: great topics you're calling about? I'm calling about getting locked

2036
01:48:36,000 --> 01:48:37,400
Speaker 1: out of my house? All right? How did you get

2037
01:48:37,479 --> 01:48:39,640
Speaker 1: locked down? And how do you get back in? So

2038
01:48:40,280 --> 01:48:41,960
Speaker 1: I want to take your trash out in. My three

2039
01:48:42,040 --> 01:48:43,960
Speaker 1: year old decided it would be funny to lock me out,

2040
01:48:44,840 --> 01:48:46,720
Speaker 1: So I want to try to get back in, and

2041
01:48:47,120 --> 01:48:49,400
Speaker 1: their was locked, so I had to go to the window,

2042
01:48:49,760 --> 01:48:51,880
Speaker 1: and I was going through the window. My neighbor saw

2043
01:48:52,000 --> 01:48:54,800
Speaker 1: me and called the cops. Of course, thank god for

2044
01:48:54,920 --> 01:48:58,200
Speaker 1: your nosy neighbors. You know what I'm saying. Yeah, and

2045
01:48:58,240 --> 01:49:00,400
Speaker 1: you're looking at your kids at the window, going opened

2046
01:49:00,560 --> 01:49:08,160
Speaker 1: door over the door, Manda laughing at me. They're not

2047
01:49:08,360 --> 01:49:09,720
Speaker 1: unlock it. But they don't have how to open it,

2048
01:49:09,840 --> 01:49:12,360
Speaker 1: you know exactly. We've learned that when we're four. Thank

2049
01:49:12,439 --> 01:49:15,080
Speaker 1: you Kendra, And now we can talk to Samantha. Hello, Samantha,

2050
01:49:15,160 --> 01:49:17,479
Speaker 1: Welcome to Great Tie's Topic train. Which topic you're calling about?

2051
01:49:18,200 --> 01:49:20,800
Speaker 1: I am calling about knocking our stuff in a store?

2052
01:49:21,360 --> 01:49:25,800
Speaker 1: What'd you crash? So this wasn't the early just the

2053
01:49:26,000 --> 01:49:28,879
Speaker 1: movement like the middle of the nineties in Orlando, Florida,

2054
01:49:29,400 --> 01:49:31,839
Speaker 1: and my brother and I we were in a laundry

2055
01:49:31,920 --> 01:49:34,760
Speaker 1: store with my mom and we were so interested in

2056
01:49:34,840 --> 01:49:38,000
Speaker 1: the mannequins because these mannequins actually had nipples. So we

2057
01:49:38,360 --> 01:49:40,840
Speaker 1: wanting to look at the mannequins. When I went to

2058
01:49:40,920 --> 01:49:43,479
Speaker 1: go a climb up the mannequin, I knocked down the

2059
01:49:43,880 --> 01:49:48,920
Speaker 1: entire display, which is probably about ten mannequins. My brother

2060
01:49:49,120 --> 01:49:52,160
Speaker 1: was at the edge in the last mannequin. Hate my

2061
01:49:52,360 --> 01:49:56,400
Speaker 1: brother the nipples in his eyes. Oh my gosh, you

2062
01:49:56,479 --> 01:49:58,639
Speaker 1: gotta put eye out with that thing. So ten mannequins,

2063
01:49:58,680 --> 01:50:02,240
Speaker 1: that's twenty nipples, A lot of nip nipples galore. That

2064
01:50:02,400 --> 01:50:09,599
Speaker 1: was That was my dragon Nate last weekend, poor guy,

2065
01:50:09,720 --> 01:50:12,960
Speaker 1: because I was never right again. Mom, Look the meticans,

2066
01:50:13,000 --> 01:50:17,600
Speaker 1: they have nipples. Glorious nipples. Yeah, those mannequins. Man, you

2067
01:50:17,680 --> 01:50:21,479
Speaker 1: can't climb them. I learned that the hardy too. You

2068
01:50:21,520 --> 01:50:25,000
Speaker 1: gotta lay him down for that. Scary does Samantha. Thank you.

2069
01:50:26,960 --> 01:50:29,920
Speaker 1: By the way, A texture just called you out. You

2070
01:50:30,040 --> 01:50:33,000
Speaker 1: did the same topic the day after Memorial Day last year.

2071
01:50:33,360 --> 01:50:36,160
Speaker 1: I didn't, Yes, you did. Who would do something like that?

2072
01:50:36,800 --> 01:50:43,479
Speaker 1: I would never come on? Now? Everything on? Fine? Did it?

2073
01:50:44,120 --> 01:50:47,800
Speaker 1: An excellent phone tap from Danielle coming up. You're trying

2074
01:50:47,800 --> 01:50:51,200
Speaker 1: to tricking with words. That's what you're doing, Elvis Duran

2075
01:50:51,320 --> 01:50:54,160
Speaker 1: in the Morning Show. The first ever Wonder Woman movie

2076
01:50:54,320 --> 01:50:56,280
Speaker 1: is coming your way. Go see the movie when it

2077
01:50:56,360 --> 01:50:59,839
Speaker 1: opens everywhere on Friday, June second, and witness how Diana

2078
01:51:00,240 --> 01:51:02,439
Speaker 1: asked and finds her true destiny as one of the

2079
01:51:02,520 --> 01:51:06,000
Speaker 1: greatest superheroes of all time. Wonder Woman her time has

2080
01:51:06,080 --> 01:51:10,880
Speaker 1: come rate to PG thirteen in theaters everywhere, Elvis, Elvis

2081
01:51:10,960 --> 01:51:14,519
Speaker 1: durand the Elvis Durant phone tap, dan You, Yes, what's

2082
01:51:14,520 --> 01:51:17,160
Speaker 1: your phone all about? Maggie called wanted us to play

2083
01:51:17,200 --> 01:51:20,280
Speaker 1: a phone tap on her grandma Doris. Doris likes to

2084
01:51:20,360 --> 01:51:23,880
Speaker 1: leave the bathroom blinds open when she showers doors and

2085
01:51:24,120 --> 01:51:27,160
Speaker 1: Maggie keeps saying, Grandma, you need to close him. So

2086
01:51:27,280 --> 01:51:29,920
Speaker 1: she said, you know, call her, call her someone that

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01:51:30,080 --> 01:51:33,040
Speaker 1: has seen a little bit too much. That's what I

2088
01:51:33,200 --> 01:51:38,000
Speaker 1: did too much, Grandma Daniel's phone tap here? This has

2089
01:51:38,000 --> 01:51:42,080
Speaker 1: got to stop, is this, Doris? Yes, it doesn't matter

2090
01:51:42,120 --> 01:51:44,200
Speaker 1: who I am. I can't do it anymore, though I

2091
01:51:44,439 --> 01:51:48,120
Speaker 1: I physically feel ill after watching. I don't know who

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01:51:48,280 --> 01:51:50,640
Speaker 1: you are, what you're talking about. I'm talking about you

2093
01:51:51,800 --> 01:51:56,800
Speaker 1: showering with no blinds or like something. I gotta see

2094
01:51:56,800 --> 01:51:58,439
Speaker 1: it all. I don't want to see it all. What

2095
01:51:58,560 --> 01:52:00,960
Speaker 1: are you looking at? But I lose? Are you a neighbor?

2096
01:52:01,120 --> 01:52:03,160
Speaker 1: What's your name? I'm not going to tell you my name.

2097
01:52:03,360 --> 01:52:05,479
Speaker 1: I'm calling me because I physically want to lose my

2098
01:52:05,560 --> 01:52:08,160
Speaker 1: breakfast in the morning because I'm watching you show. You

2099
01:52:08,240 --> 01:52:10,000
Speaker 1: found like a pervert to me. I don't know what

2100
01:52:10,120 --> 01:52:12,840
Speaker 1: you look at? What why you're even looking in? I

2101
01:52:12,920 --> 01:52:15,799
Speaker 1: can shower however I like, and I like the sunlight

2102
01:52:15,880 --> 01:52:20,040
Speaker 1: on my body. How old you like five? Uh, that's

2103
01:52:20,080 --> 01:52:22,000
Speaker 1: none of your business. Well why do you leave your

2104
01:52:22,040 --> 01:52:25,040
Speaker 1: blinds open? Why do you stare in? You must like

2105
01:52:25,200 --> 01:52:28,080
Speaker 1: what you're looking at. Really, the other day I had

2106
01:52:28,160 --> 01:52:31,040
Speaker 1: eggs for breakfast, and they did not stay down, and

2107
01:52:31,160 --> 01:52:33,360
Speaker 1: you made a point of looking out because I just

2108
01:52:33,560 --> 01:52:36,920
Speaker 1: might be taking a shower. That's sick, that's really sick.

2109
01:52:37,320 --> 01:52:40,240
Speaker 1: You could be some sexual predator out there. Why don't

2110
01:52:40,240 --> 01:52:42,479
Speaker 1: you just stop staring and take a picture to lift

2111
01:52:42,520 --> 01:52:45,439
Speaker 1: a lot longer? Really? Yeah, why don't you do that?

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01:52:45,600 --> 01:52:48,160
Speaker 1: I mean, how old are we? Teenagers? Who are you?

2113
01:52:49,120 --> 01:52:57,000
Speaker 1: Why don't you disclose your blinds and leave me alone? Hello? Hey,

2114
01:52:57,160 --> 01:52:58,920
Speaker 1: why would you hang up on me? That's why are

2115
01:52:58,960 --> 01:53:03,599
Speaker 1: you kidding? What? Old people have more respect? Really? Maybe

2116
01:53:03,640 --> 01:53:06,360
Speaker 1: you're just jealous, jealous of what your booths it down

2117
01:53:06,439 --> 01:53:10,479
Speaker 1: to your knees. How very good body for somebody my age.

2118
01:53:12,120 --> 01:53:14,439
Speaker 1: I'm not ashamed of it. Okay, so here's the deal.

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01:53:14,800 --> 01:53:18,000
Speaker 1: Sitting at my dining room table, I look across and

2120
01:53:18,120 --> 01:53:21,600
Speaker 1: I can see your shower from I'm not going to

2121
01:53:21,720 --> 01:53:28,280
Speaker 1: deal with you. You sound a little disturbed to me. Seriously,

2122
01:53:29,120 --> 01:53:31,639
Speaker 1: What is your name? Okay? You want to know my name?

2123
01:53:32,840 --> 01:53:36,559
Speaker 1: It's Rebecca? Rebecca. I wonder if that's your real name? Well, well,

2124
01:53:36,680 --> 01:53:38,080
Speaker 1: how the hell would you even know if it was?

2125
01:53:38,120 --> 01:53:40,960
Speaker 1: I could tell you my name is why do you know? Well?

2126
01:53:41,040 --> 01:53:43,479
Speaker 1: That sounds more like it to me, are you done?

2127
01:53:43,520 --> 01:53:46,000
Speaker 1: I'm really in the middle of my programs and the

2128
01:53:46,120 --> 01:53:48,000
Speaker 1: next time I'm in the shower, you can watch me.

2129
01:53:48,080 --> 01:53:50,360
Speaker 1: All you want to kiss my aunt? Maybe you want

2130
01:53:50,400 --> 01:53:54,880
Speaker 1: to kiss Elvis Duran's ass, really, because that's who's playing

2131
01:53:54,920 --> 01:54:01,480
Speaker 1: this phone tap on you and your granddaughter, Rema Maggie's

2132
01:54:01,520 --> 01:54:05,240
Speaker 1: are you yeah? What are you doing? Grandma? This is

2133
01:54:05,479 --> 01:54:08,720
Speaker 1: just a huge joke, Granma. I told you that you

2134
01:54:08,880 --> 01:54:12,479
Speaker 1: have to set the flight? Are you kidding me? To

2135
01:54:12,560 --> 01:54:16,800
Speaker 1: the house? Listen to me? So I had to do this.

2136
01:54:17,880 --> 01:54:22,879
Speaker 1: I'm sorry? Would you do this to me? Oh my goodness,

2137
01:54:23,160 --> 01:54:28,720
Speaker 1: how many people heard this? I mean he is on

2138
01:54:28,840 --> 01:54:33,040
Speaker 1: the air, it will be Oh my gosh, he's something

2139
01:54:33,080 --> 01:54:35,440
Speaker 1: about it. All we've done here. I'm going to get

2140
01:54:35,480 --> 01:54:41,760
Speaker 1: back to my show. Now, have an idea for a

2141
01:54:41,840 --> 01:54:44,120
Speaker 1: phone tab. Go to ellis Ran dot com, click on

2142
01:54:44,200 --> 01:54:46,080
Speaker 1: the phone tap tab. Tell us what you want to do.

2143
01:54:46,680 --> 01:54:49,400
Speaker 1: This phone tab was prerecorded with permission granted by all

2144
01:54:49,440 --> 01:54:52,680
Speaker 1: of our two spies. The Elvis Duran phone tab were

2145
01:54:53,400 --> 01:55:03,000
Speaker 1: on Elvis Duran in the morning show. We have about

2146
01:55:03,760 --> 01:55:06,960
Speaker 1: a minute a minute of Danielle. Let's spend a quality

2147
01:55:07,080 --> 01:55:10,080
Speaker 1: sixty seconds with our girlfriend. All right, thank you, all right,

2148
01:55:10,080 --> 01:55:12,160
Speaker 1: So check out this, check out this, check this out

2149
01:55:12,240 --> 01:55:15,839
Speaker 1: at Elvis Durrand dot com. Chris Pratt, he was encouraging

2150
01:55:15,920 --> 01:55:18,560
Speaker 1: fans to do the Murph Challenge on Memorial Day in

2151
01:55:18,640 --> 01:55:21,360
Speaker 1: honor of the late Michael Patrick Murph Murphy, who is

2152
01:55:21,400 --> 01:55:23,800
Speaker 1: a Navy seal who passed away in two thousand five.

2153
01:55:24,040 --> 01:55:26,440
Speaker 1: And it's a CrossFit challenge. You have to check it

2154
01:55:26,480 --> 01:55:28,840
Speaker 1: out at Elvis Durand dot com. It's actually really cool

2155
01:55:28,920 --> 01:55:32,160
Speaker 1: and it helps us to understand what Memorial Day really

2156
01:55:32,240 --> 01:55:33,960
Speaker 1: is all about. So gole, look at that at Elvis

2157
01:55:33,960 --> 01:55:36,919
Speaker 1: surroand dot com. Ariana Grande will be returning to Manchester

2158
01:55:37,040 --> 01:55:38,840
Speaker 1: to put on a benefit concert for the victims of

2159
01:55:38,960 --> 01:55:41,600
Speaker 1: last week's bombing. TMZ is saying it's going to happen

2160
01:55:41,640 --> 01:55:44,040
Speaker 1: as early as June four, and she is reaching out

2161
01:55:44,080 --> 01:55:46,280
Speaker 1: to the biggest names in the business to come on

2162
01:55:46,360 --> 01:55:49,640
Speaker 1: out and do this with her. So we heard Katy

2163
01:55:49,720 --> 01:55:51,560
Speaker 1: Perry was off for twenty five million bucks to do

2164
01:55:51,640 --> 01:55:54,760
Speaker 1: American Idol. Then we heard that Ryan Seacrest was only

2165
01:55:54,800 --> 01:55:56,440
Speaker 1: all for ten million bucks to come back and do

2166
01:55:56,520 --> 01:56:00,760
Speaker 1: American Idol, and that he's kind of said, uh, hello, yeah,

2167
01:56:00,880 --> 01:56:03,600
Speaker 1: lady and to be honest, I don't blame him because

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Speaker 1: let me tell you something. Wait wait do you Ryan?

2169
01:56:05,560 --> 01:56:08,880
Speaker 1: Do you believe yes? And Ryan Seacrest is American Idol.

2170
01:56:08,960 --> 01:56:11,560
Speaker 1: It's like you can't have one without the other. So

2171
01:56:11,720 --> 01:56:14,160
Speaker 1: you need to pay the man. You're welcome, Ryan, write

2172
01:56:14,160 --> 01:56:20,880
Speaker 1: me a check. Thank you. Danielle l In the Morning

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01:56:20,960 --> 01:56:21,200
Speaker 1: Show