WEBVTT - Chedda Da Connect Interview

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<v Speaker 1>I'm real people, real celebrity Real joined the Breakfast Morning.

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<v Speaker 1>Everybody is DJ Envy, angela Ye, Charlomagne the Guard. We

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<v Speaker 1>are the Breakfast Club. Special guests in the building with

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<v Speaker 1>us this morning, Chat Connect Play. It was difficult getting

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<v Speaker 1>you in here because our camera guy was like, what

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<v Speaker 1>do I call him? Do I call him Cheddar? Him?

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<v Speaker 1>Mister connect it Cheddar connect man, mister flicker. How did

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<v Speaker 1>you get the name? Well, you know in the egh time,

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<v Speaker 1>you know, bagging the streets. You know, they gave me

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<v Speaker 1>their name. So I've been running with it for a while,

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<v Speaker 1>about like fifteen sixteen. Don't know Chatter to connect. You

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<v Speaker 1>definitely know the record. Look at the flick of the rists.

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<v Speaker 1>Is that song about cooking dot Hey for the public eye,

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<v Speaker 1>it's about watching, you know what I'm saying about watching

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<v Speaker 1>and working your risk. Many string up eggs, but you

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<v Speaker 1>know for the streets. You know what I'm said, were

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<v Speaker 1>in the kitchen with its risk. He broke his risk.

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<v Speaker 1>Depending on who you are, could be anything. Basketball, So

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<v Speaker 1>you gotta flick the risk when you're shooting. And my

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<v Speaker 1>son believes me it was crazy something dude brought his

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<v Speaker 1>mama to me. He was like, man, tell him this

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<v Speaker 1>song is cooking dope. I was like, nah, it's not.

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<v Speaker 1>I couldn't. It was a trap queen, and she was

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<v Speaker 1>like the look at you. She was like, please don't

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<v Speaker 1>tell me it's a dope song. Please don't. I did

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<v Speaker 1>that work flicking. What made you lead the streets to

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<v Speaker 1>start rapping? Well? Who said I love the streets? No joke.

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<v Speaker 1>Why would you assume this guy's attack got little kill

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<v Speaker 1>package up? Yeah? You know what I I got? Yeah? I

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<v Speaker 1>got something in the show made you start rapping? Now?

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<v Speaker 1>I was always writing a few years. I was just

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<v Speaker 1>doing recording for my personal use, and I just I

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<v Speaker 1>went in the studio one day and I just I

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<v Speaker 1>like my voice. So everybody was like, I let people here,

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<v Speaker 1>and I was like, man, you got a nice voice.

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<v Speaker 1>You need to keep it up. So I just kept

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<v Speaker 1>it from there. So I just stuck to it. So

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<v Speaker 1>you liked your voice. You never heard yourself before? You

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<v Speaker 1>know when you're talking, you know what I'm saying. You

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<v Speaker 1>can't really hit yourself. You know what he came until

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<v Speaker 1>you when you're rapping, Like when I jump on the track,

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<v Speaker 1>I sound different. You know what I'm saying from how

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<v Speaker 1>I sounded in person. So I was like, okay, okay,

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<v Speaker 1>you know what I'm saying. I like this. I like

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<v Speaker 1>I like the little style. So you had good relationships

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<v Speaker 1>with other artists in Houston, alybody, because I say you

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<v Speaker 1>had kirk O bangs. You know that's my brother, right,

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<v Speaker 1>the Kirk Kole that's my brother yeo. You know, slumped

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<v Speaker 1>up power, all of them. You know, we're family, man,

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<v Speaker 1>and we stick together. So, I mean I knew him

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<v Speaker 1>from the streets. I mean I haven't heard a lot

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<v Speaker 1>of you, but I heard the flick of the rist.

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<v Speaker 1>Of course you don't have it. Don't sound like you

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<v Speaker 1>got a traditional Houston style. Now, Well, unfortunately I don't.

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<v Speaker 1>Because you know, I was in an a for a while.

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<v Speaker 1>You know what I'm saying. I was out there in

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<v Speaker 1>a kitchen place. You know what I'm saying. I had

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<v Speaker 1>got in the mix with them. Hey, you know they

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<v Speaker 1>got they got that axm. Hey, they chirped many times

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<v Speaker 1>they chirped, you know what I'm saying. But we're gonna

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<v Speaker 1>talk about that though. Now a little bite through some

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<v Speaker 1>shots your way, he said. The fat boy from Texas

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<v Speaker 1>that may flick the wrist song is so disrespectful. Hey, man,

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<v Speaker 1>that's funny. But he tried to get so much plebisit

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<v Speaker 1>right now, I mean somebody that. I mean, they just

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<v Speaker 1>need to give it to a for real, you know

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<v Speaker 1>what I said. But I got a lot of a

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<v Speaker 1>little bit ready to I blast him if if he

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<v Speaker 1>really just coyby, I'm gonna blast him for show. Are

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<v Speaker 1>you afraid of the base God curse? Hey, I all

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<v Speaker 1>know about the curse? Many say that superstitious to be.

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<v Speaker 1>You know what I said, like put your purse on

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<v Speaker 1>the floor, But did you know did you know a

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<v Speaker 1>little bee? Did you know the cooking dance or anything?

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<v Speaker 1>I actually was a fan of a little bit. I

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<v Speaker 1>ain't gonna lie at first, but now I hate it

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<v Speaker 1>what it is. I'm trying to figure out how this

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<v Speaker 1>little bee has a pattern on the cooking dance when

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<v Speaker 1>the cooking dance derived from actually cooking dope. So I mean, man,

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<v Speaker 1>I don't see how you got a pattern on the

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<v Speaker 1>cooking dance for so, I mean because if we flicking though,

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<v Speaker 1>you know, it's a different way. You can gonna watch

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<v Speaker 1>the video and it's a whole different way how we

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<v Speaker 1>do it. You know what we're gonna do it like this.

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<v Speaker 1>You know they cook they do it, they do it

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<v Speaker 1>totally different. And to me, Atlanta, you know, they've been

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<v Speaker 1>cooking before anybody say that's why I first seen it.

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<v Speaker 1>That was before I even hit the public. You know,

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<v Speaker 1>the Boy State. They was always in the kitchen women

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<v Speaker 1>PMC was doing it back in the day. You know

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<v Speaker 1>what I'm saying before little b So you know what

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<v Speaker 1>I'm saying, Chefio, what's the best way to cook your Hey?

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<v Speaker 1>The best way? You gotta get that for you gotta

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<v Speaker 1>you gotta play with it for real, just get that risk.

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<v Speaker 1>You gotta work in that circular mootion man, like you

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<v Speaker 1>opened up cooking some age. Man. You gotta stir that

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<v Speaker 1>ship man. Okay. Now I heard a lot of unofficial

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<v Speaker 1>remixes for this song, but I know you have an

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<v Speaker 1>official one. Yeah, yep, yep. So how do you how

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<v Speaker 1>do you decide? This is who I won on it?

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<v Speaker 1>Because I'm sure a lot of people probably came to

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<v Speaker 1>you and said, I want to be on the remix. Yeah,

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<v Speaker 1>I mean we wanted, uh, you know, especially like two

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<v Speaker 1>China doll But I guess they were just like, you know,

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<v Speaker 1>they couldn't wait, so they just dropped the virgie. We

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<v Speaker 1>gotta put this thing got like at so but the

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<v Speaker 1>official remix it will be out this week. This week,

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<v Speaker 1>there's gonna be official one coming out. I don't know

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<v Speaker 1>which one. Was it offish up a bunch of one, Yeah,

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<v Speaker 1>because everybody that was reaching out, you know, who was

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<v Speaker 1>showing low. We wanted tripping, like, let's put it together,

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<v Speaker 1>let's make it work. Did you keep it? Houston? You

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<v Speaker 1>got some of the new guys, like the Sauce Twins

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<v Speaker 1>on there with you. No, no, not on this track

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<v Speaker 1>right here, but you know so I got them on

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<v Speaker 1>a few ruggers though, for show come coming up together? Yeah?

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<v Speaker 1>For show many they catching play man, They move man,

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<v Speaker 1>that Sauce way moving man. Who's this one? Uh? I

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<v Speaker 1>can't really just talk about it yet because we went

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<v Speaker 1>on like too much exactly went on two more clearances Manu. Yeah, yeah,

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<v Speaker 1>you almost got me on the show, and he ruined it.

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<v Speaker 1>Rihanna and Drake for real, especially coming from what we

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<v Speaker 1>call from the streets. But you looking at just as

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<v Speaker 1>we were like, hey, little big pop starts. So I

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<v Speaker 1>ain't gonna lie. We was. We was the living room

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<v Speaker 1>the trap house jumped up and diving. Hey, Like, you know,

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<v Speaker 1>I chilled my folks. May we were chilling many a

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<v Speaker 1>little nun chain man, I stay humble, man, I just yeah,

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<v Speaker 1>felt any jealousy from people or anything yet? Yeah for sure, Yeah,

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<v Speaker 1>little b Yeah, a lot of jealousy. You know what

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<v Speaker 1>I'm saying. I mean, like instead of in the region,

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<v Speaker 1>now you're trying to salute. You know what I'm saying, Like,

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<v Speaker 1>you know, because it's twenty fifteen, like people they slowed

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<v Speaker 1>down on doing a lot of that cook you know,

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<v Speaker 1>we brought it back a different way, you know what

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<v Speaker 1>I'm saying, Like a new age, like like the new

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<v Speaker 1>age rap style. You know what I'm like, Igno, R

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<v Speaker 1>and B. We got a new It's flicking right now,

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<v Speaker 1>you know what I'm saying. So when you said you

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<v Speaker 1>blast a little bit, you don't mean like with a gun, right, Na, Na,

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<v Speaker 1>you know what I'm saying Now, I ain't gonna bless him.

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<v Speaker 1>I'm saluted when I see him. Now you in New York,

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<v Speaker 1>I see what your jury on. I saw a video

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<v Speaker 1>back in March where some dudes jumped jumped on you

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<v Speaker 1>in the club and took your jury. Yeah. Man, nah man, hey, man,

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<v Speaker 1>it ain't. It ain't what it looked like. You know

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<v Speaker 1>what I'm saying. You know they made it look like

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<v Speaker 1>it was more than what it was. But it wasn't

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<v Speaker 1>even for us. We're just in the wrong play the

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<v Speaker 1>wrong time, just street popped out. But we're hand the

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<v Speaker 1>elections though for sure, I know that's your explanation for that.

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<v Speaker 1>Like I was in the wrong, was out knowing, you know,

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<v Speaker 1>saying in the streets honeygoons. Okay, you know what I'm saying.

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<v Speaker 1>Not in New York for show Come of Age, Tiler,

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<v Speaker 1>this that Gary t Higgett took off the show, something

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<v Speaker 1>like that happens. Is that make you say, Okay, now

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<v Speaker 1>I gotta move differently because I wasn't anticipating that. You

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<v Speaker 1>know what I'm saying, because it means now I opened

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<v Speaker 1>my eyes, you know what I'm saying. Whenever we go places,

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<v Speaker 1>but I still reach out to the people like I

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<v Speaker 1>ain't moving no different. You were moving the same way

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<v Speaker 1>the club with me last I ain't moved the same way.

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<v Speaker 1>Got on stage, tell him again, but we turned up

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<v Speaker 1>and up Brooklyn. You say it wasn't even meant for you,

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<v Speaker 1>though I won't meant for me at out. You know

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<v Speaker 1>what sad that we got down to. It wasn't made

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<v Speaker 1>for me at out. You know what I'm saying. We

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<v Speaker 1>just wrong played the wrong time. You know what I'm saying.

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<v Speaker 1>It's just like it is what it is. It seems

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<v Speaker 1>in throwing up your set, I guess you and I

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<v Speaker 1>don't even game bang man, Hey, I'm out about green Man.

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<v Speaker 1>You know what I'm saying. That's how the media took it.

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<v Speaker 1>You know what I'm saying. But from the streets, they

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<v Speaker 1>know what it is. It wasn't for us, but we

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<v Speaker 1>just wrong played the wrong time. Around wrong didn't make

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<v Speaker 1>you feel like you want to move a little more

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<v Speaker 1>cautiously though, like oh yeah, yeah, I keep them hitters

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<v Speaker 1>with men though for Shore got you, I'm keeping all chained.

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<v Speaker 1>I'm gonna add the mouth now. You want to say

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<v Speaker 1>that they said you were too shy to put out

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<v Speaker 1>a record because you didn't want to be turned down.

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<v Speaker 1>Oh no, they said it like that. It wasn't like that.

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<v Speaker 1>I told me. I told you I take back in

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<v Speaker 1>the day. I take criticism hard. You know what I'm saying.

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<v Speaker 1>With people be like, hey that it don't sound good.

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<v Speaker 1>You know what I'm saying. Okay, let me go back

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<v Speaker 1>and then fix it then. But there wasn't no about shot.

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<v Speaker 1>You know what I'm saying. I always I've been quiet,

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<v Speaker 1>the quiet person, you know what I'm saying. But I'm

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<v Speaker 1>very outgoing. You're not supposed to take anything personally. Man.

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<v Speaker 1>It's a great book called The Four Agreements. You should

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<v Speaker 1>pick it up. Teaches you how not to take things

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<v Speaker 1>personally because you know, somebody might say they don't like

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<v Speaker 1>your stuff. Yeah, but then somebody else might say they

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<v Speaker 1>like it for sure, So who's right who's wrong? That's

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<v Speaker 1>what I want. The thing I learned to like. You

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<v Speaker 1>can't like a lot of It's a lot of negativity,

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<v Speaker 1>especially when you're jumping. The game was new order. First thing.

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<v Speaker 1>They always call you one hit one to one hit

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<v Speaker 1>one to Oh you ain't got another track, you know

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<v Speaker 1>what I'm saying. But I looked the other way because

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<v Speaker 1>I'm I'm gonna keep them coming for show. But what

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<v Speaker 1>made you decide to do a deal, because you could

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<v Speaker 1>have not done a deal yet and held out. What

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<v Speaker 1>made you decide, Okay, this is the right move. Well,

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<v Speaker 1>because for the same fact, teamwork make dream work. You

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<v Speaker 1>know what I'm saying. So when you got a lot

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<v Speaker 1>of people pushing one thing, you're gonna get father and

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<v Speaker 1>a lot of people will be stubbing some time in

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<v Speaker 1>their ways. But you know that's how they is. You know,

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<v Speaker 1>people raise different. I feel like, hey, you put the

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<v Speaker 1>like in the streets. If everybody get on the same page,

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<v Speaker 1>everybody hustling out the same black someone that it's gonna pop.

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<v Speaker 1>You know what I'm saying. So we got the machine

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<v Speaker 1>working e one working hard right now. I don't care

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<v Speaker 1>when nobody says they working hard right now. They're pumping

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<v Speaker 1>man for real. But you don't see nothing in the

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<v Speaker 1>back end though. Now now I ain't gonna lie. That's wrong.

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<v Speaker 1>That's totally wrong. Right, Oh, that's totally wrong. For shows,

0:09:44.000 --> 0:09:49.560
<v Speaker 1>and that's totally wrong. They stuff little chicks. They come

0:09:50.040 --> 0:09:52.880
<v Speaker 1>for show, they give you up front money, but back

0:09:52.960 --> 0:09:56.120
<v Speaker 1>in people say, especially because you your record is so big,

0:09:56.400 --> 0:09:57.880
<v Speaker 1>is that well is he a one hit wonder? So

0:09:57.880 --> 0:09:59.719
<v Speaker 1>when we're getting some more music, well we got to

0:10:00.000 --> 0:10:03.079
<v Speaker 1>another regular feature of my brother Twang is twinkles. You know,

0:10:03.360 --> 0:10:05.040
<v Speaker 1>they wanted me going there. It would like lay a

0:10:05.080 --> 0:10:07.640
<v Speaker 1>beasty hook, you know, for the women. So I kept

0:10:07.800 --> 0:10:10.160
<v Speaker 1>real simple. When they lay the Beast hook. It's called

0:10:10.200 --> 0:10:12.120
<v Speaker 1>a twinkle like a star, but we're just gonna call

0:10:12.160 --> 0:10:16.000
<v Speaker 1>it twinkle though. What that mean? Twinkling for the stripple?

0:10:16.160 --> 0:10:18.439
<v Speaker 1>You know what I'm saying, Hey, twinkle man, you know,

0:10:18.960 --> 0:10:22.000
<v Speaker 1>get that ass up the jiggling on you just a

0:10:22.040 --> 0:10:27.280
<v Speaker 1>little bit. He no way, this guy, that's hey, what

0:10:27.600 --> 0:10:33.360
<v Speaker 1>I'm gonna give as to Dia? What did the twinkle?

0:10:34.720 --> 0:10:36.400
<v Speaker 1>You know when they are strip club shaking that as

0:10:36.520 --> 0:10:37.760
<v Speaker 1>bouncing at that, you know what I'm saying. I like

0:10:37.840 --> 0:10:40.079
<v Speaker 1>when they when they've been over halfway, you know what

0:10:40.080 --> 0:10:42.360
<v Speaker 1>I'm saying, be jumping a little bit. So that's what

0:10:42.400 --> 0:10:44.880
<v Speaker 1>we're gonna call it right there, Twinkle How how much

0:10:44.960 --> 0:10:46.439
<v Speaker 1>long a you can call yourself mister flick of the

0:10:46.520 --> 0:10:48.520
<v Speaker 1>risk because you know, a a matter of fact, after

0:10:48.600 --> 0:10:51.640
<v Speaker 1>we live here is done straight ched to connect right.

0:10:52.760 --> 0:10:54.240
<v Speaker 1>I just dropped to other world too on a lot

0:10:54.240 --> 0:10:56.280
<v Speaker 1>of mixtape. Man. You know what, it's doing real good

0:10:56.360 --> 0:10:58.600
<v Speaker 1>right now, getting a lot of feedback the world. That's

0:10:58.640 --> 0:11:02.559
<v Speaker 1>the mixtape. Ye a mixtape hosted by DJ Screen. Are

0:11:02.600 --> 0:11:04.319
<v Speaker 1>you good with Gucci? Man? Because I haven't always I

0:11:04.480 --> 0:11:06.760
<v Speaker 1>hear people say, oh, he kind of reminds me of Gucci. Man,

0:11:07.040 --> 0:11:08.079
<v Speaker 1>I never met him, you know what I say, But

0:11:08.120 --> 0:11:10.520
<v Speaker 1>I'm a big fan of Gucci for show Man the show,

0:11:11.040 --> 0:11:15.280
<v Speaker 1>big fan of oh yeah, a lot. When I read

0:11:15.320 --> 0:11:19.319
<v Speaker 1>the article, I was like, yeah, I liked that because Gucci,

0:11:19.559 --> 0:11:22.280
<v Speaker 1>Gucci had a big influence on people. Man, I ain't

0:11:22.280 --> 0:11:24.160
<v Speaker 1>gonna lot. Guccia had out of the run man for

0:11:24.240 --> 0:11:27.000
<v Speaker 1>real good music, and I'm sure and he's supposed to

0:11:27.040 --> 0:11:31.280
<v Speaker 1>be coming home soon, right. I was a freestyle at first,

0:11:31.360 --> 0:11:34.360
<v Speaker 1>freestyle straight out top of the dome, two cups and

0:11:34.480 --> 0:11:42.800
<v Speaker 1>three switches, two cups and three switches. But you know,

0:11:43.280 --> 0:11:44.920
<v Speaker 1>we had a lot, a lot of freestyle tracks and

0:11:44.920 --> 0:11:47.840
<v Speaker 1>there was good hooks like I'm just waiting on at

0:11:47.880 --> 0:11:49.959
<v Speaker 1>least these things. Man, what made you decide that? Yeah?

0:11:50.000 --> 0:11:51.920
<v Speaker 1>What made you decide that was the one? It was

0:11:51.920 --> 0:11:54.360
<v Speaker 1>a freestyle? Well, when I first brought it, I brought

0:11:54.400 --> 0:11:56.400
<v Speaker 1>it to the club like we used to. I used

0:11:56.400 --> 0:11:58.839
<v Speaker 1>to promote the clubes. I bring cup of artists. So

0:11:59.280 --> 0:12:01.120
<v Speaker 1>I took it to the look like the first reaction

0:12:01.160 --> 0:12:03.559
<v Speaker 1>that we got like it was two different riggors, suce rigget.

0:12:03.800 --> 0:12:05.640
<v Speaker 1>There was flick of the ridge. I was saying push souts.

0:12:05.840 --> 0:12:07.640
<v Speaker 1>Everybody else is like, now we need to push flick.

0:12:08.040 --> 0:12:10.400
<v Speaker 1>So when the reaction from the flick, we just kept

0:12:10.440 --> 0:12:12.240
<v Speaker 1>getting me there soon as dropped and telling me like

0:12:12.320 --> 0:12:14.120
<v Speaker 1>people just they don't even know it, but they turned

0:12:14.160 --> 0:12:16.160
<v Speaker 1>out were like, oh yeah, well this gotta be the one,

0:12:16.200 --> 0:12:18.280
<v Speaker 1>so we're gonna test the waters with it, and they

0:12:18.400 --> 0:12:20.760
<v Speaker 1>just started taking out. Man. Djay started calling me verywell

0:12:20.760 --> 0:12:22.679
<v Speaker 1>and mister Rodgers like he wanted the first ones to

0:12:22.880 --> 0:12:25.240
<v Speaker 1>break it out. Yeah, mister Rodgers, Man, I ain't gonna lie.

0:12:25.440 --> 0:12:27.840
<v Speaker 1>I was at the trade count certain bag stay up

0:12:27.840 --> 0:12:29.599
<v Speaker 1>to I ain't released the rigging number two weeks he

0:12:29.640 --> 0:12:32.079
<v Speaker 1>already can't say. Man, I stayed up all night cleaning

0:12:32.120 --> 0:12:34.120
<v Speaker 1>that rigget He said, listen to the riddle about eight

0:12:34.160 --> 0:12:36.320
<v Speaker 1>o'clock when I got you from You know that. Mister

0:12:36.400 --> 0:12:38.160
<v Speaker 1>Rodgers a good dude. Man. He's on the ninety three

0:12:38.240 --> 0:12:40.079
<v Speaker 1>seven to be Yeah. Yeah, So the soft Ones I

0:12:40.120 --> 0:12:41.680
<v Speaker 1>long you've been down with them? You knew them before

0:12:41.679 --> 0:12:43.880
<v Speaker 1>the music? Yeah, well, like right when I got into

0:12:43.920 --> 0:12:45.920
<v Speaker 1>the music, you know, I met him, but I always

0:12:45.960 --> 0:12:47.920
<v Speaker 1>seen him around in the city because I wasn't rapping

0:12:47.920 --> 0:12:49.959
<v Speaker 1>it then, but I always see the souce factor, sutis factor.

0:12:50.160 --> 0:12:52.760
<v Speaker 1>They dripping mixtapes at the mixtape. But they're some cool cats. Man.

0:12:52.960 --> 0:12:54.319
<v Speaker 1>A lot of people get the wrong you know what

0:12:54.360 --> 0:12:56.480
<v Speaker 1>I'm saying, perspection about them, you know what I'm saying.

0:12:56.480 --> 0:12:59.640
<v Speaker 1>But they're real cool man, they humble. You know, some

0:12:59.720 --> 0:13:02.240
<v Speaker 1>people got they gotta entertain in front of the cameras.

0:13:02.280 --> 0:13:04.800
<v Speaker 1>How do you feel about that? A little issue with Drake.

0:13:05.960 --> 0:13:07.760
<v Speaker 1>I feel like that just is that's is open. You

0:13:07.800 --> 0:13:09.800
<v Speaker 1>know what I'm saying. If he feel that way about Drake,

0:13:09.880 --> 0:13:11.840
<v Speaker 1>that's what it is, you know. But saluted the Drake

0:13:11.880 --> 0:13:13.520
<v Speaker 1>for showed up. You know what I'm saying. I'll rock

0:13:13.559 --> 0:13:16.319
<v Speaker 1>with Drake though, but it's a Walker feel that way

0:13:16.320 --> 0:13:18.120
<v Speaker 1>about Drake. That's the way he feels. You know. I

0:13:18.160 --> 0:13:20.240
<v Speaker 1>don't think nobody should just really go with him because

0:13:20.240 --> 0:13:22.120
<v Speaker 1>I mean, everybody got their own open. I think they

0:13:22.120 --> 0:13:25.120
<v Speaker 1>should just be looked over and just gone about your bidding. Yeah,

0:13:25.120 --> 0:13:27.640
<v Speaker 1>I think he said he reps he can never properly

0:13:27.679 --> 0:13:30.320
<v Speaker 1>refuse them because he's not from there. No, I don't

0:13:30.400 --> 0:13:32.400
<v Speaker 1>really like Drake showing a lot of love like it

0:13:32.480 --> 0:13:35.160
<v Speaker 1>ain't just because he ain't because he's trying to dig

0:13:35.280 --> 0:13:37.079
<v Speaker 1>ride him. He just because he wasn't show him a

0:13:37.120 --> 0:13:38.640
<v Speaker 1>lot of loves, so he's showing it back. You know

0:13:38.679 --> 0:13:40.400
<v Speaker 1>what I'm saying. Like he's in a big city, so

0:13:40.840 --> 0:13:42.920
<v Speaker 1>a lot of artists come out there and get loved. Man,

0:13:42.920 --> 0:13:44.560
<v Speaker 1>because a lot of people. We don't see too many

0:13:44.600 --> 0:13:47.160
<v Speaker 1>people out there often, and when we do, they texting.

0:13:47.320 --> 0:13:49.719
<v Speaker 1>They busted across the head, go see them. So when

0:13:49.880 --> 0:13:51.680
<v Speaker 1>you know what I'm saying, somebody coming. When everybody got

0:13:51.800 --> 0:13:53.640
<v Speaker 1>love for Houston, that's what they're rocking with it. Just

0:13:53.720 --> 0:13:56.199
<v Speaker 1>like Rick rolled all of them, Houston loved them artists like,

0:13:57.320 --> 0:14:02.360
<v Speaker 1>oh yeah, black expert, he's black. Watch a lot of

0:14:02.400 --> 0:14:07.959
<v Speaker 1>the new artists coming out are getting with Switch the House, Rappert, Well,

0:14:07.960 --> 0:14:09.679
<v Speaker 1>I got a lot of you know, rapper Lite. I

0:14:09.679 --> 0:14:11.480
<v Speaker 1>don't really think they've taken Tom of you right now.

0:14:11.559 --> 0:14:13.599
<v Speaker 1>You know what I'm saying, They solid Jay, Prince salad On.

0:14:13.800 --> 0:14:15.120
<v Speaker 1>You know what I'm saying. If he's gonna rock with,

0:14:15.400 --> 0:14:17.319
<v Speaker 1>gonna rock with, but right now, I don't really that

0:14:17.400 --> 0:14:19.840
<v Speaker 1>he's just looking for nobody. And then Switch House they're

0:14:19.840 --> 0:14:21.560
<v Speaker 1>doing the thing. They got a lot of locals right now.

0:14:21.920 --> 0:14:25.480
<v Speaker 1>You know, watch he building like they got that hispanic basse.

0:14:25.600 --> 0:14:27.400
<v Speaker 1>You know what I'm saying, so they got a strong

0:14:27.600 --> 0:14:29.320
<v Speaker 1>basse right now. So he kind of pulled on, like

0:14:29.360 --> 0:14:31.480
<v Speaker 1>a lot of Hispanic artists to switch house right and

0:14:31.520 --> 0:14:34.960
<v Speaker 1>look at the flick of the wrist. Look at the

0:14:35.000 --> 0:14:39.200
<v Speaker 1>flick they had. They I see somebody say the Spanish.

0:14:39.240 --> 0:14:40.720
<v Speaker 1>I can't remember how they saying it, though I wish

0:14:40.720 --> 0:14:44.240
<v Speaker 1>I can't see. I spake flicking the risk Spanish que

0:14:44.920 --> 0:14:51.040
<v Speaker 1>he doesn't speak Spanish. Kill produce he doesn't. He doesn't.

0:14:56.200 --> 0:15:05.520
<v Speaker 1>You could ask Carlos, tell them you ain't. Tell them

0:15:05.520 --> 0:15:07.640
<v Speaker 1>you ain't. I wake up feeling like I need a

0:15:07.760 --> 0:15:13.160
<v Speaker 1>hundred that same thing. No man, all right, well yeah

0:15:13.200 --> 0:15:16.160
<v Speaker 1>we will be It's Texas Black Expo. And he said,

0:15:16.200 --> 0:15:17.920
<v Speaker 1>this week where should we go eat? What we are used?

0:15:17.960 --> 0:15:20.320
<v Speaker 1>What should we do on in Houston? Wet been used before.

0:15:21.040 --> 0:15:23.160
<v Speaker 1>I'm gonna be back therefter trade at like so fool

0:15:23.200 --> 0:15:25.520
<v Speaker 1>Ye'll want to pull up in Mickey going some broths

0:15:25.680 --> 0:15:28.840
<v Speaker 1>and waffles, chicken while you know the Brothers Club and

0:15:29.000 --> 0:15:32.000
<v Speaker 1>uh they got like Mexicans wine and dine, Eddy V's

0:15:32.080 --> 0:15:35.000
<v Speaker 1>like them some good risk runs for shows. You're gonna

0:15:35.000 --> 0:15:37.680
<v Speaker 1>do trade a this year if we got the I

0:15:37.800 --> 0:15:40.160
<v Speaker 1>know right now, we booked we booked always to like

0:15:40.760 --> 0:15:46.600
<v Speaker 1>me July, like coach Brook. We all tell you know

0:15:46.640 --> 0:15:49.800
<v Speaker 1>what I'm saying. We paid team right now for show. Okay,

0:15:50.440 --> 0:15:51.720
<v Speaker 1>just trying to get you to give one hundred dollars

0:15:51.720 --> 0:15:53.440
<v Speaker 1>because it sharing gave him a hundred dollars. He was

0:15:53.440 --> 0:15:56.160
<v Speaker 1>hoping he was going to tribute. But I go to

0:15:56.200 --> 0:15:58.600
<v Speaker 1>the bay right that gives shot. Man, Come on, everybody

0:15:59.160 --> 0:16:03.400
<v Speaker 1>shot everybody. No, let me give he got a twig on.

0:16:04.360 --> 0:16:08.280
<v Speaker 1>Less fortunate you got a twig on. He got a

0:16:08.280 --> 0:16:19.040
<v Speaker 1>twigle for that plays man, I appreciate, makes you bless you. You.

0:16:19.240 --> 0:16:21.160
<v Speaker 1>You gotta make sure you buy Envy lunch though for

0:16:22.160 --> 0:16:25.120
<v Speaker 1>damn thing. But I'm gonna thank you, my brother. You

0:16:25.200 --> 0:16:27.440
<v Speaker 1>have third I'm gonna give. I'm gonna eat with it. No, no,

0:16:27.600 --> 0:16:31.080
<v Speaker 1>no no. My man told me to go have lunch.

0:16:31.080 --> 0:16:37.560
<v Speaker 1>I'm gonna have lunch. But I don't get lu You

0:16:37.600 --> 0:16:42.600
<v Speaker 1>can't get man, for sure. They don't. Don't squeeze. You

0:16:42.640 --> 0:16:46.560
<v Speaker 1>ain't something wrong. When the album coming out should be

0:16:46.680 --> 0:16:49.400
<v Speaker 1>like it's in the septemb I told you got a

0:16:49.520 --> 0:16:52.000
<v Speaker 1>name for it, not Hi. But I'm looking like catching

0:16:52.040 --> 0:16:55.200
<v Speaker 1>players the album because the whole movement catching players getting

0:16:55.240 --> 0:16:57.920
<v Speaker 1>big right now strong, No, I ain't really. I never

0:16:58.280 --> 0:17:00.760
<v Speaker 1>heard nobody save but that can't stray out top of

0:17:00.800 --> 0:17:06.120
<v Speaker 1>the donk. We appreciate you joining us and let's catching place.

0:17:06.440 --> 0:17:11.480
<v Speaker 1>Yeah yeah, we just cut and pay all the live right.

0:17:12.080 --> 0:17:15.840
<v Speaker 1>I wasn't pay anything more than a hundred and fifty dollars.

0:17:17.720 --> 0:17:21.200
<v Speaker 1>I've read the manual. My goodness, all right, it's the

0:17:22.119 --> 0:17:22.960
<v Speaker 1>hut it unt