1 00:00:00,600 --> 00:00:07,520 Speaker 1: I'm real people, real celebrity Real joined the Breakfast Morning. 2 00:00:07,560 --> 00:00:10,760 Speaker 1: Everybody is DJ Envy, angela Ye, Charlomagne the Guard. We 3 00:00:10,760 --> 00:00:13,440 Speaker 1: are the Breakfast Club. Special guests in the building with 4 00:00:13,520 --> 00:00:18,240 Speaker 1: us this morning, Chat Connect Play. It was difficult getting 5 00:00:18,239 --> 00:00:20,080 Speaker 1: you in here because our camera guy was like, what 6 00:00:20,120 --> 00:00:22,440 Speaker 1: do I call him? Do I call him Cheddar? Him? 7 00:00:22,480 --> 00:00:27,720 Speaker 1: Mister connect it Cheddar connect man, mister flicker. How did 8 00:00:27,720 --> 00:00:30,600 Speaker 1: you get the name? Well, you know in the egh time, 9 00:00:30,640 --> 00:00:32,600 Speaker 1: you know, bagging the streets. You know, they gave me 10 00:00:32,640 --> 00:00:34,960 Speaker 1: their name. So I've been running with it for a while, 11 00:00:35,560 --> 00:00:38,839 Speaker 1: about like fifteen sixteen. Don't know Chatter to connect. You 12 00:00:38,840 --> 00:00:41,440 Speaker 1: definitely know the record. Look at the flick of the rists. 13 00:00:41,680 --> 00:00:45,440 Speaker 1: Is that song about cooking dot Hey for the public eye, 14 00:00:45,479 --> 00:00:47,520 Speaker 1: it's about watching, you know what I'm saying about watching 15 00:00:47,600 --> 00:00:50,280 Speaker 1: and working your risk. Many string up eggs, but you 16 00:00:50,320 --> 00:00:53,479 Speaker 1: know for the streets. You know what I'm said, were 17 00:00:53,479 --> 00:00:59,160 Speaker 1: in the kitchen with its risk. He broke his risk. 18 00:01:01,080 --> 00:01:03,920 Speaker 1: Depending on who you are, could be anything. Basketball, So 19 00:01:03,920 --> 00:01:05,600 Speaker 1: you gotta flick the risk when you're shooting. And my 20 00:01:05,600 --> 00:01:08,240 Speaker 1: son believes me it was crazy something dude brought his 21 00:01:08,319 --> 00:01:10,160 Speaker 1: mama to me. He was like, man, tell him this 22 00:01:10,240 --> 00:01:12,039 Speaker 1: song is cooking dope. I was like, nah, it's not. 23 00:01:12,520 --> 00:01:18,640 Speaker 1: I couldn't. It was a trap queen, and she was 24 00:01:18,680 --> 00:01:20,680 Speaker 1: like the look at you. She was like, please don't 25 00:01:20,680 --> 00:01:23,600 Speaker 1: tell me it's a dope song. Please don't. I did 26 00:01:23,600 --> 00:01:26,840 Speaker 1: that work flicking. What made you lead the streets to 27 00:01:27,080 --> 00:01:30,800 Speaker 1: start rapping? Well? Who said I love the streets? No joke. 28 00:01:35,360 --> 00:01:39,200 Speaker 1: Why would you assume this guy's attack got little kill 29 00:01:39,200 --> 00:01:40,800 Speaker 1: package up? Yeah? You know what I I got? Yeah? I 30 00:01:40,840 --> 00:01:44,800 Speaker 1: got something in the show made you start rapping? Now? 31 00:01:45,319 --> 00:01:47,920 Speaker 1: I was always writing a few years. I was just 32 00:01:48,400 --> 00:01:51,080 Speaker 1: doing recording for my personal use, and I just I 33 00:01:51,120 --> 00:01:52,960 Speaker 1: went in the studio one day and I just I 34 00:01:53,080 --> 00:01:55,440 Speaker 1: like my voice. So everybody was like, I let people here, 35 00:01:55,480 --> 00:01:57,120 Speaker 1: and I was like, man, you got a nice voice. 36 00:01:57,120 --> 00:01:59,560 Speaker 1: You need to keep it up. So I just kept 37 00:01:59,600 --> 00:02:01,480 Speaker 1: it from there. So I just stuck to it. So 38 00:02:01,560 --> 00:02:03,320 Speaker 1: you liked your voice. You never heard yourself before? You 39 00:02:04,880 --> 00:02:06,280 Speaker 1: know when you're talking, you know what I'm saying. You 40 00:02:06,280 --> 00:02:08,160 Speaker 1: can't really hit yourself. You know what he came until 41 00:02:08,200 --> 00:02:10,399 Speaker 1: you when you're rapping, Like when I jump on the track, 42 00:02:10,480 --> 00:02:12,200 Speaker 1: I sound different. You know what I'm saying from how 43 00:02:12,240 --> 00:02:15,200 Speaker 1: I sounded in person. So I was like, okay, okay, 44 00:02:15,240 --> 00:02:16,520 Speaker 1: you know what I'm saying. I like this. I like 45 00:02:16,639 --> 00:02:19,000 Speaker 1: I like the little style. So you had good relationships 46 00:02:19,000 --> 00:02:20,800 Speaker 1: with other artists in Houston, alybody, because I say you 47 00:02:20,800 --> 00:02:23,480 Speaker 1: had kirk O bangs. You know that's my brother, right, 48 00:02:23,480 --> 00:02:26,200 Speaker 1: the Kirk Kole that's my brother yeo. You know, slumped 49 00:02:26,320 --> 00:02:28,600 Speaker 1: up power, all of them. You know, we're family, man, 50 00:02:28,919 --> 00:02:30,720 Speaker 1: and we stick together. So, I mean I knew him 51 00:02:30,760 --> 00:02:33,040 Speaker 1: from the streets. I mean I haven't heard a lot 52 00:02:33,080 --> 00:02:34,520 Speaker 1: of you, but I heard the flick of the rist. 53 00:02:34,560 --> 00:02:35,720 Speaker 1: Of course you don't have it. Don't sound like you 54 00:02:35,760 --> 00:02:40,720 Speaker 1: got a traditional Houston style. Now, Well, unfortunately I don't. 55 00:02:40,840 --> 00:02:42,880 Speaker 1: Because you know, I was in an a for a while. 56 00:02:43,800 --> 00:02:44,960 Speaker 1: You know what I'm saying. I was out there in 57 00:02:44,960 --> 00:02:47,240 Speaker 1: a kitchen place. You know what I'm saying. I had 58 00:02:47,320 --> 00:02:49,160 Speaker 1: got in the mix with them. Hey, you know they 59 00:02:49,160 --> 00:02:56,400 Speaker 1: got they got that axm. Hey, they chirped many times 60 00:02:56,600 --> 00:02:58,839 Speaker 1: they chirped, you know what I'm saying. But we're gonna 61 00:02:58,840 --> 00:03:01,640 Speaker 1: talk about that though. Now a little bite through some 62 00:03:01,680 --> 00:03:04,160 Speaker 1: shots your way, he said. The fat boy from Texas 63 00:03:04,200 --> 00:03:07,880 Speaker 1: that may flick the wrist song is so disrespectful. Hey, man, 64 00:03:07,919 --> 00:03:09,840 Speaker 1: that's funny. But he tried to get so much plebisit 65 00:03:10,000 --> 00:03:11,760 Speaker 1: right now, I mean somebody that. I mean, they just 66 00:03:11,800 --> 00:03:13,440 Speaker 1: need to give it to a for real, you know 67 00:03:13,440 --> 00:03:14,760 Speaker 1: what I said. But I got a lot of a 68 00:03:14,800 --> 00:03:16,760 Speaker 1: little bit ready to I blast him if if he 69 00:03:16,840 --> 00:03:19,040 Speaker 1: really just coyby, I'm gonna blast him for show. Are 70 00:03:19,080 --> 00:03:25,200 Speaker 1: you afraid of the base God curse? Hey, I all 71 00:03:25,280 --> 00:03:28,920 Speaker 1: know about the curse? Many say that superstitious to be. 72 00:03:29,160 --> 00:03:30,600 Speaker 1: You know what I said, like put your purse on 73 00:03:30,680 --> 00:03:32,239 Speaker 1: the floor, But did you know did you know a 74 00:03:32,280 --> 00:03:34,040 Speaker 1: little bee? Did you know the cooking dance or anything? 75 00:03:34,240 --> 00:03:35,520 Speaker 1: I actually was a fan of a little bit. I 76 00:03:35,560 --> 00:03:38,000 Speaker 1: ain't gonna lie at first, but now I hate it 77 00:03:38,040 --> 00:03:40,160 Speaker 1: what it is. I'm trying to figure out how this 78 00:03:40,200 --> 00:03:42,320 Speaker 1: little bee has a pattern on the cooking dance when 79 00:03:42,320 --> 00:03:46,520 Speaker 1: the cooking dance derived from actually cooking dope. So I mean, man, 80 00:03:46,360 --> 00:03:47,920 Speaker 1: I don't see how you got a pattern on the 81 00:03:48,000 --> 00:03:50,320 Speaker 1: cooking dance for so, I mean because if we flicking though, 82 00:03:50,360 --> 00:03:51,839 Speaker 1: you know, it's a different way. You can gonna watch 83 00:03:51,840 --> 00:03:54,200 Speaker 1: the video and it's a whole different way how we 84 00:03:54,280 --> 00:03:56,080 Speaker 1: do it. You know what we're gonna do it like this. 85 00:03:56,240 --> 00:03:58,560 Speaker 1: You know they cook they do it, they do it 86 00:03:58,600 --> 00:04:01,440 Speaker 1: totally different. And to me, Atlanta, you know, they've been 87 00:04:01,480 --> 00:04:04,640 Speaker 1: cooking before anybody say that's why I first seen it. 88 00:04:04,560 --> 00:04:06,600 Speaker 1: That was before I even hit the public. You know, 89 00:04:06,800 --> 00:04:09,040 Speaker 1: the Boy State. They was always in the kitchen women 90 00:04:09,200 --> 00:04:10,840 Speaker 1: PMC was doing it back in the day. You know 91 00:04:10,840 --> 00:04:13,080 Speaker 1: what I'm saying before little b So you know what 92 00:04:13,080 --> 00:04:19,800 Speaker 1: I'm saying, Chefio, what's the best way to cook your Hey? 93 00:04:19,880 --> 00:04:22,080 Speaker 1: The best way? You gotta get that for you gotta 94 00:04:22,200 --> 00:04:25,479 Speaker 1: you gotta play with it for real, just get that risk. 95 00:04:25,560 --> 00:04:27,440 Speaker 1: You gotta work in that circular mootion man, like you 96 00:04:27,480 --> 00:04:29,240 Speaker 1: opened up cooking some age. Man. You gotta stir that 97 00:04:29,279 --> 00:04:31,839 Speaker 1: ship man. Okay. Now I heard a lot of unofficial 98 00:04:31,920 --> 00:04:33,760 Speaker 1: remixes for this song, but I know you have an 99 00:04:33,800 --> 00:04:37,160 Speaker 1: official one. Yeah, yep, yep. So how do you how 100 00:04:37,200 --> 00:04:38,560 Speaker 1: do you decide? This is who I won on it? 101 00:04:38,600 --> 00:04:40,320 Speaker 1: Because I'm sure a lot of people probably came to 102 00:04:40,320 --> 00:04:42,279 Speaker 1: you and said, I want to be on the remix. Yeah, 103 00:04:42,360 --> 00:04:45,560 Speaker 1: I mean we wanted, uh, you know, especially like two 104 00:04:45,640 --> 00:04:47,320 Speaker 1: China doll But I guess they were just like, you know, 105 00:04:47,360 --> 00:04:49,279 Speaker 1: they couldn't wait, so they just dropped the virgie. We 106 00:04:49,279 --> 00:04:52,080 Speaker 1: gotta put this thing got like at so but the 107 00:04:52,080 --> 00:04:56,920 Speaker 1: official remix it will be out this week. This week, 108 00:04:57,240 --> 00:04:59,360 Speaker 1: there's gonna be official one coming out. I don't know 109 00:04:59,400 --> 00:05:02,960 Speaker 1: which one. Was it offish up a bunch of one, Yeah, 110 00:05:03,000 --> 00:05:05,080 Speaker 1: because everybody that was reaching out, you know, who was 111 00:05:05,120 --> 00:05:07,920 Speaker 1: showing low. We wanted tripping, like, let's put it together, 112 00:05:08,000 --> 00:05:09,600 Speaker 1: let's make it work. Did you keep it? Houston? You 113 00:05:09,640 --> 00:05:11,360 Speaker 1: got some of the new guys, like the Sauce Twins 114 00:05:11,400 --> 00:05:13,760 Speaker 1: on there with you. No, no, not on this track 115 00:05:13,839 --> 00:05:15,599 Speaker 1: right here, but you know so I got them on 116 00:05:15,640 --> 00:05:18,920 Speaker 1: a few ruggers though, for show come coming up together? Yeah? 117 00:05:18,960 --> 00:05:21,719 Speaker 1: For show many they catching play man, They move man, 118 00:05:21,760 --> 00:05:26,800 Speaker 1: that Sauce way moving man. Who's this one? Uh? I 119 00:05:26,839 --> 00:05:29,040 Speaker 1: can't really just talk about it yet because we went 120 00:05:29,120 --> 00:05:35,880 Speaker 1: on like too much exactly went on two more clearances Manu. Yeah, yeah, 121 00:05:35,880 --> 00:05:38,800 Speaker 1: you almost got me on the show, and he ruined it. 122 00:05:41,640 --> 00:05:45,840 Speaker 1: Rihanna and Drake for real, especially coming from what we 123 00:05:45,920 --> 00:05:47,600 Speaker 1: call from the streets. But you looking at just as 124 00:05:47,640 --> 00:05:49,800 Speaker 1: we were like, hey, little big pop starts. So I 125 00:05:49,839 --> 00:05:51,720 Speaker 1: ain't gonna lie. We was. We was the living room 126 00:05:51,960 --> 00:05:57,320 Speaker 1: the trap house jumped up and diving. Hey, Like, you know, 127 00:05:57,400 --> 00:06:00,320 Speaker 1: I chilled my folks. May we were chilling many a 128 00:06:00,360 --> 00:06:02,520 Speaker 1: little nun chain man, I stay humble, man, I just yeah, 129 00:06:03,480 --> 00:06:07,360 Speaker 1: felt any jealousy from people or anything yet? Yeah for sure, Yeah, 130 00:06:07,640 --> 00:06:10,800 Speaker 1: little b Yeah, a lot of jealousy. You know what 131 00:06:10,800 --> 00:06:12,720 Speaker 1: I'm saying. I mean, like instead of in the region, 132 00:06:12,760 --> 00:06:14,360 Speaker 1: now you're trying to salute. You know what I'm saying, Like, 133 00:06:14,480 --> 00:06:18,000 Speaker 1: you know, because it's twenty fifteen, like people they slowed 134 00:06:18,080 --> 00:06:19,680 Speaker 1: down on doing a lot of that cook you know, 135 00:06:19,839 --> 00:06:21,560 Speaker 1: we brought it back a different way, you know what 136 00:06:21,600 --> 00:06:23,520 Speaker 1: I'm saying, Like a new age, like like the new 137 00:06:23,560 --> 00:06:25,920 Speaker 1: age rap style. You know what I'm like, Igno, R 138 00:06:25,960 --> 00:06:27,719 Speaker 1: and B. We got a new It's flicking right now, 139 00:06:27,760 --> 00:06:29,320 Speaker 1: you know what I'm saying. So when you said you 140 00:06:29,440 --> 00:06:32,320 Speaker 1: blast a little bit, you don't mean like with a gun, right, Na, Na, 141 00:06:32,480 --> 00:06:34,200 Speaker 1: you know what I'm saying Now, I ain't gonna bless him. 142 00:06:34,680 --> 00:06:39,080 Speaker 1: I'm saluted when I see him. Now you in New York, 143 00:06:39,080 --> 00:06:40,920 Speaker 1: I see what your jury on. I saw a video 144 00:06:41,040 --> 00:06:44,080 Speaker 1: back in March where some dudes jumped jumped on you 145 00:06:44,120 --> 00:06:47,000 Speaker 1: in the club and took your jury. Yeah. Man, nah man, hey, man, 146 00:06:47,240 --> 00:06:48,800 Speaker 1: it ain't. It ain't what it looked like. You know 147 00:06:48,800 --> 00:06:50,200 Speaker 1: what I'm saying. You know they made it look like 148 00:06:50,520 --> 00:06:52,680 Speaker 1: it was more than what it was. But it wasn't 149 00:06:52,720 --> 00:06:54,400 Speaker 1: even for us. We're just in the wrong play the 150 00:06:54,440 --> 00:06:57,040 Speaker 1: wrong time, just street popped out. But we're hand the 151 00:06:57,080 --> 00:06:59,720 Speaker 1: elections though for sure, I know that's your explanation for that. 152 00:06:59,839 --> 00:07:02,280 Speaker 1: Like I was in the wrong, was out knowing, you know, 153 00:07:02,440 --> 00:07:07,599 Speaker 1: saying in the streets honeygoons. Okay, you know what I'm saying. 154 00:07:07,680 --> 00:07:09,320 Speaker 1: Not in New York for show Come of Age, Tiler, 155 00:07:09,400 --> 00:07:14,440 Speaker 1: this that Gary t Higgett took off the show, something 156 00:07:14,480 --> 00:07:16,160 Speaker 1: like that happens. Is that make you say, Okay, now 157 00:07:16,160 --> 00:07:18,960 Speaker 1: I gotta move differently because I wasn't anticipating that. You 158 00:07:19,000 --> 00:07:21,600 Speaker 1: know what I'm saying, because it means now I opened 159 00:07:21,640 --> 00:07:23,440 Speaker 1: my eyes, you know what I'm saying. Whenever we go places, 160 00:07:23,480 --> 00:07:24,840 Speaker 1: but I still reach out to the people like I 161 00:07:24,840 --> 00:07:27,800 Speaker 1: ain't moving no different. You were moving the same way 162 00:07:28,120 --> 00:07:29,600 Speaker 1: the club with me last I ain't moved the same way. 163 00:07:29,800 --> 00:07:31,760 Speaker 1: Got on stage, tell him again, but we turned up 164 00:07:31,800 --> 00:07:36,240 Speaker 1: and up Brooklyn. You say it wasn't even meant for you, 165 00:07:36,320 --> 00:07:37,680 Speaker 1: though I won't meant for me at out. You know 166 00:07:37,680 --> 00:07:39,320 Speaker 1: what sad that we got down to. It wasn't made 167 00:07:39,360 --> 00:07:40,240 Speaker 1: for me at out. You know what I'm saying. We 168 00:07:40,320 --> 00:07:42,280 Speaker 1: just wrong played the wrong time. You know what I'm saying. 169 00:07:42,360 --> 00:07:44,640 Speaker 1: It's just like it is what it is. It seems 170 00:07:44,680 --> 00:07:47,640 Speaker 1: in throwing up your set, I guess you and I 171 00:07:47,640 --> 00:07:50,480 Speaker 1: don't even game bang man, Hey, I'm out about green Man. 172 00:07:50,560 --> 00:07:52,040 Speaker 1: You know what I'm saying. That's how the media took it. 173 00:07:52,280 --> 00:07:54,000 Speaker 1: You know what I'm saying. But from the streets, they 174 00:07:54,120 --> 00:07:55,960 Speaker 1: know what it is. It wasn't for us, but we 175 00:07:56,120 --> 00:07:59,240 Speaker 1: just wrong played the wrong time. Around wrong didn't make 176 00:07:59,280 --> 00:08:01,240 Speaker 1: you feel like you want to move a little more 177 00:08:01,280 --> 00:08:03,760 Speaker 1: cautiously though, like oh yeah, yeah, I keep them hitters 178 00:08:03,760 --> 00:08:07,200 Speaker 1: with men though for Shore got you, I'm keeping all chained. 179 00:08:07,200 --> 00:08:09,920 Speaker 1: I'm gonna add the mouth now. You want to say 180 00:08:09,960 --> 00:08:11,400 Speaker 1: that they said you were too shy to put out 181 00:08:11,440 --> 00:08:13,120 Speaker 1: a record because you didn't want to be turned down. 182 00:08:13,440 --> 00:08:16,680 Speaker 1: Oh no, they said it like that. It wasn't like that. 183 00:08:16,760 --> 00:08:20,400 Speaker 1: I told me. I told you I take back in 184 00:08:20,440 --> 00:08:22,160 Speaker 1: the day. I take criticism hard. You know what I'm saying. 185 00:08:22,200 --> 00:08:24,000 Speaker 1: With people be like, hey that it don't sound good. 186 00:08:24,040 --> 00:08:26,120 Speaker 1: You know what I'm saying. Okay, let me go back 187 00:08:26,160 --> 00:08:28,040 Speaker 1: and then fix it then. But there wasn't no about shot. 188 00:08:28,240 --> 00:08:30,880 Speaker 1: You know what I'm saying. I always I've been quiet, 189 00:08:31,000 --> 00:08:32,880 Speaker 1: the quiet person, you know what I'm saying. But I'm 190 00:08:33,000 --> 00:08:35,480 Speaker 1: very outgoing. You're not supposed to take anything personally. Man. 191 00:08:35,520 --> 00:08:37,400 Speaker 1: It's a great book called The Four Agreements. You should 192 00:08:37,400 --> 00:08:39,319 Speaker 1: pick it up. Teaches you how not to take things 193 00:08:39,320 --> 00:08:41,199 Speaker 1: personally because you know, somebody might say they don't like 194 00:08:41,280 --> 00:08:43,080 Speaker 1: your stuff. Yeah, but then somebody else might say they 195 00:08:43,240 --> 00:08:45,360 Speaker 1: like it for sure, So who's right who's wrong? That's 196 00:08:45,360 --> 00:08:46,839 Speaker 1: what I want. The thing I learned to like. You 197 00:08:46,920 --> 00:08:48,880 Speaker 1: can't like a lot of It's a lot of negativity, 198 00:08:48,920 --> 00:08:51,120 Speaker 1: especially when you're jumping. The game was new order. First thing. 199 00:08:51,160 --> 00:08:52,920 Speaker 1: They always call you one hit one to one hit 200 00:08:53,000 --> 00:08:54,920 Speaker 1: one to Oh you ain't got another track, you know 201 00:08:54,960 --> 00:08:56,440 Speaker 1: what I'm saying. But I looked the other way because 202 00:08:56,440 --> 00:08:59,599 Speaker 1: I'm I'm gonna keep them coming for show. But what 203 00:08:59,720 --> 00:09:01,440 Speaker 1: made you decide to do a deal, because you could 204 00:09:01,440 --> 00:09:03,920 Speaker 1: have not done a deal yet and held out. What 205 00:09:04,040 --> 00:09:05,679 Speaker 1: made you decide, Okay, this is the right move. Well, 206 00:09:05,760 --> 00:09:08,920 Speaker 1: because for the same fact, teamwork make dream work. You 207 00:09:08,960 --> 00:09:10,360 Speaker 1: know what I'm saying. So when you got a lot 208 00:09:10,400 --> 00:09:12,679 Speaker 1: of people pushing one thing, you're gonna get father and 209 00:09:12,760 --> 00:09:14,439 Speaker 1: a lot of people will be stubbing some time in 210 00:09:14,480 --> 00:09:16,439 Speaker 1: their ways. But you know that's how they is. You know, 211 00:09:16,679 --> 00:09:19,839 Speaker 1: people raise different. I feel like, hey, you put the 212 00:09:20,120 --> 00:09:22,440 Speaker 1: like in the streets. If everybody get on the same page, 213 00:09:22,480 --> 00:09:25,679 Speaker 1: everybody hustling out the same black someone that it's gonna pop. 214 00:09:25,720 --> 00:09:27,480 Speaker 1: You know what I'm saying. So we got the machine 215 00:09:27,520 --> 00:09:29,760 Speaker 1: working e one working hard right now. I don't care 216 00:09:29,800 --> 00:09:33,000 Speaker 1: when nobody says they working hard right now. They're pumping 217 00:09:33,120 --> 00:09:34,719 Speaker 1: man for real. But you don't see nothing in the 218 00:09:34,800 --> 00:09:40,200 Speaker 1: back end though. Now now I ain't gonna lie. That's wrong. 219 00:09:40,400 --> 00:09:43,760 Speaker 1: That's totally wrong. Right, Oh, that's totally wrong. For shows, 220 00:09:44,000 --> 00:09:49,560 Speaker 1: and that's totally wrong. They stuff little chicks. They come 221 00:09:50,040 --> 00:09:52,880 Speaker 1: for show, they give you up front money, but back 222 00:09:52,960 --> 00:09:56,120 Speaker 1: in people say, especially because you your record is so big, 223 00:09:56,400 --> 00:09:57,880 Speaker 1: is that well is he a one hit wonder? So 224 00:09:57,880 --> 00:09:59,719 Speaker 1: when we're getting some more music, well we got to 225 00:10:00,000 --> 00:10:03,079 Speaker 1: another regular feature of my brother Twang is twinkles. You know, 226 00:10:03,360 --> 00:10:05,040 Speaker 1: they wanted me going there. It would like lay a 227 00:10:05,080 --> 00:10:07,640 Speaker 1: beasty hook, you know, for the women. So I kept 228 00:10:07,800 --> 00:10:10,160 Speaker 1: real simple. When they lay the Beast hook. It's called 229 00:10:10,200 --> 00:10:12,120 Speaker 1: a twinkle like a star, but we're just gonna call 230 00:10:12,160 --> 00:10:16,000 Speaker 1: it twinkle though. What that mean? Twinkling for the stripple? 231 00:10:16,160 --> 00:10:18,439 Speaker 1: You know what I'm saying, Hey, twinkle man, you know, 232 00:10:18,960 --> 00:10:22,000 Speaker 1: get that ass up the jiggling on you just a 233 00:10:22,040 --> 00:10:27,280 Speaker 1: little bit. He no way, this guy, that's hey, what 234 00:10:27,600 --> 00:10:33,360 Speaker 1: I'm gonna give as to Dia? What did the twinkle? 235 00:10:34,720 --> 00:10:36,400 Speaker 1: You know when they are strip club shaking that as 236 00:10:36,520 --> 00:10:37,760 Speaker 1: bouncing at that, you know what I'm saying. I like 237 00:10:37,840 --> 00:10:40,079 Speaker 1: when they when they've been over halfway, you know what 238 00:10:40,080 --> 00:10:42,360 Speaker 1: I'm saying, be jumping a little bit. So that's what 239 00:10:42,400 --> 00:10:44,880 Speaker 1: we're gonna call it right there, Twinkle How how much 240 00:10:44,960 --> 00:10:46,439 Speaker 1: long a you can call yourself mister flick of the 241 00:10:46,520 --> 00:10:48,520 Speaker 1: risk because you know, a a matter of fact, after 242 00:10:48,600 --> 00:10:51,640 Speaker 1: we live here is done straight ched to connect right. 243 00:10:52,760 --> 00:10:54,240 Speaker 1: I just dropped to other world too on a lot 244 00:10:54,240 --> 00:10:56,280 Speaker 1: of mixtape. Man. You know what, it's doing real good 245 00:10:56,360 --> 00:10:58,600 Speaker 1: right now, getting a lot of feedback the world. That's 246 00:10:58,640 --> 00:11:02,559 Speaker 1: the mixtape. Ye a mixtape hosted by DJ Screen. Are 247 00:11:02,600 --> 00:11:04,319 Speaker 1: you good with Gucci? Man? Because I haven't always I 248 00:11:04,480 --> 00:11:06,760 Speaker 1: hear people say, oh, he kind of reminds me of Gucci. Man, 249 00:11:07,040 --> 00:11:08,079 Speaker 1: I never met him, you know what I say, But 250 00:11:08,120 --> 00:11:10,520 Speaker 1: I'm a big fan of Gucci for show Man the show, 251 00:11:11,040 --> 00:11:15,280 Speaker 1: big fan of oh yeah, a lot. When I read 252 00:11:15,320 --> 00:11:19,319 Speaker 1: the article, I was like, yeah, I liked that because Gucci, 253 00:11:19,559 --> 00:11:22,280 Speaker 1: Gucci had a big influence on people. Man, I ain't 254 00:11:22,280 --> 00:11:24,160 Speaker 1: gonna lot. Guccia had out of the run man for 255 00:11:24,240 --> 00:11:27,000 Speaker 1: real good music, and I'm sure and he's supposed to 256 00:11:27,040 --> 00:11:31,280 Speaker 1: be coming home soon, right. I was a freestyle at first, 257 00:11:31,360 --> 00:11:34,360 Speaker 1: freestyle straight out top of the dome, two cups and 258 00:11:34,480 --> 00:11:42,800 Speaker 1: three switches, two cups and three switches. But you know, 259 00:11:43,280 --> 00:11:44,920 Speaker 1: we had a lot, a lot of freestyle tracks and 260 00:11:44,920 --> 00:11:47,840 Speaker 1: there was good hooks like I'm just waiting on at 261 00:11:47,880 --> 00:11:49,959 Speaker 1: least these things. Man, what made you decide that? Yeah? 262 00:11:50,000 --> 00:11:51,920 Speaker 1: What made you decide that was the one? It was 263 00:11:51,920 --> 00:11:54,360 Speaker 1: a freestyle? Well, when I first brought it, I brought 264 00:11:54,400 --> 00:11:56,400 Speaker 1: it to the club like we used to. I used 265 00:11:56,400 --> 00:11:58,839 Speaker 1: to promote the clubes. I bring cup of artists. So 266 00:11:59,280 --> 00:12:01,120 Speaker 1: I took it to the look like the first reaction 267 00:12:01,160 --> 00:12:03,559 Speaker 1: that we got like it was two different riggors, suce rigget. 268 00:12:03,800 --> 00:12:05,640 Speaker 1: There was flick of the ridge. I was saying push souts. 269 00:12:05,840 --> 00:12:07,640 Speaker 1: Everybody else is like, now we need to push flick. 270 00:12:08,040 --> 00:12:10,400 Speaker 1: So when the reaction from the flick, we just kept 271 00:12:10,440 --> 00:12:12,240 Speaker 1: getting me there soon as dropped and telling me like 272 00:12:12,320 --> 00:12:14,120 Speaker 1: people just they don't even know it, but they turned 273 00:12:14,160 --> 00:12:16,160 Speaker 1: out were like, oh yeah, well this gotta be the one, 274 00:12:16,200 --> 00:12:18,280 Speaker 1: so we're gonna test the waters with it, and they 275 00:12:18,400 --> 00:12:20,760 Speaker 1: just started taking out. Man. Djay started calling me verywell 276 00:12:20,760 --> 00:12:22,679 Speaker 1: and mister Rodgers like he wanted the first ones to 277 00:12:22,880 --> 00:12:25,240 Speaker 1: break it out. Yeah, mister Rodgers, Man, I ain't gonna lie. 278 00:12:25,440 --> 00:12:27,840 Speaker 1: I was at the trade count certain bag stay up 279 00:12:27,840 --> 00:12:29,599 Speaker 1: to I ain't released the rigging number two weeks he 280 00:12:29,640 --> 00:12:32,079 Speaker 1: already can't say. Man, I stayed up all night cleaning 281 00:12:32,120 --> 00:12:34,120 Speaker 1: that rigget He said, listen to the riddle about eight 282 00:12:34,160 --> 00:12:36,320 Speaker 1: o'clock when I got you from You know that. Mister 283 00:12:36,400 --> 00:12:38,160 Speaker 1: Rodgers a good dude. Man. He's on the ninety three 284 00:12:38,240 --> 00:12:40,079 Speaker 1: seven to be Yeah. Yeah, So the soft Ones I 285 00:12:40,120 --> 00:12:41,680 Speaker 1: long you've been down with them? You knew them before 286 00:12:41,679 --> 00:12:43,880 Speaker 1: the music? Yeah, well, like right when I got into 287 00:12:43,920 --> 00:12:45,920 Speaker 1: the music, you know, I met him, but I always 288 00:12:45,960 --> 00:12:47,920 Speaker 1: seen him around in the city because I wasn't rapping 289 00:12:47,920 --> 00:12:49,959 Speaker 1: it then, but I always see the souce factor, sutis factor. 290 00:12:50,160 --> 00:12:52,760 Speaker 1: They dripping mixtapes at the mixtape. But they're some cool cats. Man. 291 00:12:52,960 --> 00:12:54,319 Speaker 1: A lot of people get the wrong you know what 292 00:12:54,360 --> 00:12:56,480 Speaker 1: I'm saying, perspection about them, you know what I'm saying. 293 00:12:56,480 --> 00:12:59,640 Speaker 1: But they're real cool man, they humble. You know, some 294 00:12:59,720 --> 00:13:02,240 Speaker 1: people got they gotta entertain in front of the cameras. 295 00:13:02,280 --> 00:13:04,800 Speaker 1: How do you feel about that? A little issue with Drake. 296 00:13:05,960 --> 00:13:07,760 Speaker 1: I feel like that just is that's is open. You 297 00:13:07,800 --> 00:13:09,800 Speaker 1: know what I'm saying. If he feel that way about Drake, 298 00:13:09,880 --> 00:13:11,840 Speaker 1: that's what it is, you know. But saluted the Drake 299 00:13:11,880 --> 00:13:13,520 Speaker 1: for showed up. You know what I'm saying. I'll rock 300 00:13:13,559 --> 00:13:16,319 Speaker 1: with Drake though, but it's a Walker feel that way 301 00:13:16,320 --> 00:13:18,120 Speaker 1: about Drake. That's the way he feels. You know. I 302 00:13:18,160 --> 00:13:20,240 Speaker 1: don't think nobody should just really go with him because 303 00:13:20,240 --> 00:13:22,120 Speaker 1: I mean, everybody got their own open. I think they 304 00:13:22,120 --> 00:13:25,120 Speaker 1: should just be looked over and just gone about your bidding. Yeah, 305 00:13:25,120 --> 00:13:27,640 Speaker 1: I think he said he reps he can never properly 306 00:13:27,679 --> 00:13:30,320 Speaker 1: refuse them because he's not from there. No, I don't 307 00:13:30,400 --> 00:13:32,400 Speaker 1: really like Drake showing a lot of love like it 308 00:13:32,480 --> 00:13:35,160 Speaker 1: ain't just because he ain't because he's trying to dig 309 00:13:35,280 --> 00:13:37,079 Speaker 1: ride him. He just because he wasn't show him a 310 00:13:37,120 --> 00:13:38,640 Speaker 1: lot of loves, so he's showing it back. You know 311 00:13:38,679 --> 00:13:40,400 Speaker 1: what I'm saying. Like he's in a big city, so 312 00:13:40,840 --> 00:13:42,920 Speaker 1: a lot of artists come out there and get loved. Man, 313 00:13:42,920 --> 00:13:44,560 Speaker 1: because a lot of people. We don't see too many 314 00:13:44,600 --> 00:13:47,160 Speaker 1: people out there often, and when we do, they texting. 315 00:13:47,320 --> 00:13:49,719 Speaker 1: They busted across the head, go see them. So when 316 00:13:49,880 --> 00:13:51,680 Speaker 1: you know what I'm saying, somebody coming. When everybody got 317 00:13:51,800 --> 00:13:53,640 Speaker 1: love for Houston, that's what they're rocking with it. Just 318 00:13:53,720 --> 00:13:56,199 Speaker 1: like Rick rolled all of them, Houston loved them artists like, 319 00:13:57,320 --> 00:14:02,360 Speaker 1: oh yeah, black expert, he's black. Watch a lot of 320 00:14:02,400 --> 00:14:07,959 Speaker 1: the new artists coming out are getting with Switch the House, Rappert, Well, 321 00:14:07,960 --> 00:14:09,679 Speaker 1: I got a lot of you know, rapper Lite. I 322 00:14:09,679 --> 00:14:11,480 Speaker 1: don't really think they've taken Tom of you right now. 323 00:14:11,559 --> 00:14:13,599 Speaker 1: You know what I'm saying, They solid Jay, Prince salad On. 324 00:14:13,800 --> 00:14:15,120 Speaker 1: You know what I'm saying. If he's gonna rock with, 325 00:14:15,400 --> 00:14:17,319 Speaker 1: gonna rock with, but right now, I don't really that 326 00:14:17,400 --> 00:14:19,840 Speaker 1: he's just looking for nobody. And then Switch House they're 327 00:14:19,840 --> 00:14:21,560 Speaker 1: doing the thing. They got a lot of locals right now. 328 00:14:21,920 --> 00:14:25,480 Speaker 1: You know, watch he building like they got that hispanic basse. 329 00:14:25,600 --> 00:14:27,400 Speaker 1: You know what I'm saying, so they got a strong 330 00:14:27,600 --> 00:14:29,320 Speaker 1: basse right now. So he kind of pulled on, like 331 00:14:29,360 --> 00:14:31,480 Speaker 1: a lot of Hispanic artists to switch house right and 332 00:14:31,520 --> 00:14:34,960 Speaker 1: look at the flick of the wrist. Look at the 333 00:14:35,000 --> 00:14:39,200 Speaker 1: flick they had. They I see somebody say the Spanish. 334 00:14:39,240 --> 00:14:40,720 Speaker 1: I can't remember how they saying it, though I wish 335 00:14:40,720 --> 00:14:44,240 Speaker 1: I can't see. I spake flicking the risk Spanish que 336 00:14:44,920 --> 00:14:51,040 Speaker 1: he doesn't speak Spanish. Kill produce he doesn't. He doesn't. 337 00:14:56,200 --> 00:15:05,520 Speaker 1: You could ask Carlos, tell them you ain't. Tell them 338 00:15:05,520 --> 00:15:07,640 Speaker 1: you ain't. I wake up feeling like I need a 339 00:15:07,760 --> 00:15:13,160 Speaker 1: hundred that same thing. No man, all right, well yeah 340 00:15:13,200 --> 00:15:16,160 Speaker 1: we will be It's Texas Black Expo. And he said, 341 00:15:16,200 --> 00:15:17,920 Speaker 1: this week where should we go eat? What we are used? 342 00:15:17,960 --> 00:15:20,320 Speaker 1: What should we do on in Houston? Wet been used before. 343 00:15:21,040 --> 00:15:23,160 Speaker 1: I'm gonna be back therefter trade at like so fool 344 00:15:23,200 --> 00:15:25,520 Speaker 1: Ye'll want to pull up in Mickey going some broths 345 00:15:25,680 --> 00:15:28,840 Speaker 1: and waffles, chicken while you know the Brothers Club and 346 00:15:29,000 --> 00:15:32,000 Speaker 1: uh they got like Mexicans wine and dine, Eddy V's 347 00:15:32,080 --> 00:15:35,000 Speaker 1: like them some good risk runs for shows. You're gonna 348 00:15:35,000 --> 00:15:37,680 Speaker 1: do trade a this year if we got the I 349 00:15:37,800 --> 00:15:40,160 Speaker 1: know right now, we booked we booked always to like 350 00:15:40,760 --> 00:15:46,600 Speaker 1: me July, like coach Brook. We all tell you know 351 00:15:46,640 --> 00:15:49,800 Speaker 1: what I'm saying. We paid team right now for show. Okay, 352 00:15:50,440 --> 00:15:51,720 Speaker 1: just trying to get you to give one hundred dollars 353 00:15:51,720 --> 00:15:53,440 Speaker 1: because it sharing gave him a hundred dollars. He was 354 00:15:53,440 --> 00:15:56,160 Speaker 1: hoping he was going to tribute. But I go to 355 00:15:56,200 --> 00:15:58,600 Speaker 1: the bay right that gives shot. Man, Come on, everybody 356 00:15:59,160 --> 00:16:03,400 Speaker 1: shot everybody. No, let me give he got a twig on. 357 00:16:04,360 --> 00:16:08,280 Speaker 1: Less fortunate you got a twig on. He got a 358 00:16:08,280 --> 00:16:19,040 Speaker 1: twigle for that plays man, I appreciate, makes you bless you. You. 359 00:16:19,240 --> 00:16:21,160 Speaker 1: You gotta make sure you buy Envy lunch though for 360 00:16:22,160 --> 00:16:25,120 Speaker 1: damn thing. But I'm gonna thank you, my brother. You 361 00:16:25,200 --> 00:16:27,440 Speaker 1: have third I'm gonna give. I'm gonna eat with it. No, no, 362 00:16:27,600 --> 00:16:31,080 Speaker 1: no no. My man told me to go have lunch. 363 00:16:31,080 --> 00:16:37,560 Speaker 1: I'm gonna have lunch. But I don't get lu You 364 00:16:37,600 --> 00:16:42,600 Speaker 1: can't get man, for sure. They don't. Don't squeeze. You 365 00:16:42,640 --> 00:16:46,560 Speaker 1: ain't something wrong. When the album coming out should be 366 00:16:46,680 --> 00:16:49,400 Speaker 1: like it's in the septemb I told you got a 367 00:16:49,520 --> 00:16:52,000 Speaker 1: name for it, not Hi. But I'm looking like catching 368 00:16:52,040 --> 00:16:55,200 Speaker 1: players the album because the whole movement catching players getting 369 00:16:55,240 --> 00:16:57,920 Speaker 1: big right now strong, No, I ain't really. I never 370 00:16:58,280 --> 00:17:00,760 Speaker 1: heard nobody save but that can't stray out top of 371 00:17:00,800 --> 00:17:06,120 Speaker 1: the donk. We appreciate you joining us and let's catching place. 372 00:17:06,440 --> 00:17:11,480 Speaker 1: Yeah yeah, we just cut and pay all the live right. 373 00:17:12,080 --> 00:17:15,840 Speaker 1: I wasn't pay anything more than a hundred and fifty dollars. 374 00:17:17,720 --> 00:17:21,200 Speaker 1: I've read the manual. My goodness, all right, it's the 375 00:17:22,119 --> 00:17:22,960 Speaker 1: hut it unt