1
00:00:19,000 --> 00:00:22,880
Speaker 1: You guys. We announced it this week and we're here

2
00:00:22,920 --> 00:00:26,360
Speaker 1: to tell you it's true. We said we may never

3
00:00:26,480 --> 00:00:29,880
Speaker 1: do it again, but yet here we are. We are

4
00:00:30,080 --> 00:00:32,680
Speaker 1: going back on the road with Pod meets World Live,

5
00:00:32,840 --> 00:00:35,440
Speaker 1: and tickets are now on sale.

6
00:00:35,720 --> 00:00:37,400
Speaker 2: Wait a second, you guys are going back on a

7
00:00:37,400 --> 00:00:38,839
Speaker 2: live tour. Why did I not hear about that?

8
00:00:44,040 --> 00:00:51,040
Speaker 3: So two of the kids want to jump, the important kids,

9
00:00:51,080 --> 00:00:53,320
Speaker 3: younger kids, younger kids, that's so much.

10
00:00:53,680 --> 00:01:00,800
Speaker 1: The ones with good knees jumps, No will. We're never

11
00:01:00,840 --> 00:01:04,160
Speaker 1: going anywhere without Joe. Who would be funny? Who would

12
00:01:04,200 --> 00:01:08,039
Speaker 1: be funny? It just be me and writer and crying.

13
00:01:07,680 --> 00:01:09,760
Speaker 3: On stage and reading poetry and.

14
00:01:11,640 --> 00:01:14,440
Speaker 2: Post. Do you like who wants to come up on stage?

15
00:01:14,520 --> 00:01:15,720
Speaker 2: Anybody who can be funny?

16
00:01:15,880 --> 00:01:16,880
Speaker 3: Who can light this up?

17
00:01:20,000 --> 00:01:23,000
Speaker 1: We are going to be visiting some cities we missed

18
00:01:23,040 --> 00:01:25,440
Speaker 1: the first time around. So do you want to hear

19
00:01:25,440 --> 00:01:29,959
Speaker 1: the schedule? Yes, we're filled that in with Yes. June fourth,

20
00:01:30,080 --> 00:01:32,160
Speaker 1: we are going to be in Denver, Colorado at the

21
00:01:32,200 --> 00:01:35,720
Speaker 1: Paramount Theater. June fifth, we will be in Phoenix, Arizona,

22
00:01:35,840 --> 00:01:40,440
Speaker 1: at the Van Buren. And June sixth Austin, Texas, also

23
00:01:40,760 --> 00:01:42,520
Speaker 1: at the Paramount Theater.

24
00:01:43,360 --> 00:01:44,240
Speaker 3: Paramount theaters.

25
00:01:44,640 --> 00:01:47,280
Speaker 1: Hmm, I feel like that might end up being a mistake,

26
00:01:47,360 --> 00:01:52,400
Speaker 1: but we'll find out. And then on June nineteenth, we

27
00:01:52,440 --> 00:01:55,080
Speaker 1: are going to be in Columbus, Ohio at Joe Anne

28
00:01:55,160 --> 00:01:59,640
Speaker 1: Davison Theater. June twentieth, Las Vegas.

29
00:02:01,200 --> 00:02:03,400
Speaker 2: Oh, I'm so excited.

30
00:02:03,600 --> 00:02:08,560
Speaker 1: Oh God, guys, that show starts at ten.

31
00:02:09,400 --> 00:02:11,440
Speaker 2: I thought that was a mistake when they said it

32
00:02:11,440 --> 00:02:13,280
Speaker 2: starts at ten pm? Are you kidding me?

33
00:02:13,320 --> 00:02:14,080
Speaker 1: So at ten?

34
00:02:14,480 --> 00:02:17,400
Speaker 2: How I'm gonna have gonna have to sleep till nine

35
00:02:17,480 --> 00:02:19,320
Speaker 2: thirty and then and then get up and do the

36
00:02:19,320 --> 00:02:20,000
Speaker 2: show and then go back.

37
00:02:20,040 --> 00:02:27,120
Speaker 1: I'm gonna gamble away from the blackjack table. Guys, I'm

38
00:02:27,120 --> 00:02:29,560
Speaker 1: gonna have a blackjack dealer on the stage with us.

39
00:02:30,160 --> 00:02:31,080
Speaker 1: We can keep playing.

40
00:02:31,240 --> 00:02:33,240
Speaker 2: Wow, are we going to Vegas it up? Are we

41
00:02:33,240 --> 00:02:35,520
Speaker 2: going to have like like a chorus line and all

42
00:02:35,560 --> 00:02:36,959
Speaker 2: that kind of like can we do like the court,

43
00:02:36,960 --> 00:02:41,480
Speaker 2: the showgirls and all the cool kind of vegacy stuff? Awesome?

44
00:02:42,040 --> 00:02:45,119
Speaker 1: On July eleventh, We're gonna be in Portland, Oregon at

45
00:02:45,200 --> 00:02:49,280
Speaker 1: Revolution Hall. July thirteenth, will be in Seattle at the

46
00:02:49,320 --> 00:02:54,480
Speaker 1: Neptune Theater. July twenty fifth, in San Francisco the Palace

47
00:02:54,520 --> 00:02:58,959
Speaker 1: of Fine Art and July twenty seventh in Sacramento at

48
00:02:59,000 --> 00:03:03,560
Speaker 1: the Crest and I just got word it's not a mistake.

49
00:03:03,919 --> 00:03:06,960
Speaker 1: June fourth and June sixth. Both theaters are called the

50
00:03:07,000 --> 00:03:10,600
Speaker 1: Paramount Theater in Denver and in Austin, so we're just

51
00:03:11,080 --> 00:03:12,040
Speaker 1: we like paramounts.

52
00:03:12,160 --> 00:03:15,080
Speaker 2: Yeah. I also I did some research to see how

53
00:03:15,160 --> 00:03:17,120
Speaker 2: much I knew my country, because I was like, okay,

54
00:03:17,160 --> 00:03:18,840
Speaker 2: this is easy. I've been to a bunch of these places.

55
00:03:19,200 --> 00:03:22,079
Speaker 2: Maybe we can drive between, like the first ones, which

56
00:03:22,080 --> 00:03:24,680
Speaker 2: are Denver to what it's like, Oh, it's like a

57
00:03:24,720 --> 00:03:29,000
Speaker 2: forty two hour drive. Okay, so we're we will be flying.

58
00:03:29,160 --> 00:03:32,519
Speaker 1: You could have texted writer this. He does this every summer.

59
00:03:32,680 --> 00:03:34,520
Speaker 2: It's a twelve hour drive for the first one. I

60
00:03:34,560 --> 00:03:35,720
Speaker 2: was like, okay, that's not that's not good.

61
00:03:36,000 --> 00:03:38,680
Speaker 3: We're doing the west Man. Nothing's close together. Everything is

62
00:03:38,720 --> 00:03:39,880
Speaker 3: like a day drive apart.

63
00:03:39,960 --> 00:03:44,080
Speaker 1: Yeah, exactly. So we will be bringing behind the scenes stories,

64
00:03:44,200 --> 00:03:46,640
Speaker 1: some new bits for our college years, a Q and

65
00:03:46,680 --> 00:03:50,720
Speaker 1: a crowd participation and a costume contest for a real

66
00:03:51,080 --> 00:03:53,960
Speaker 1: signed Boy Meets World script from the nineties that Will

67
00:03:54,080 --> 00:03:57,000
Speaker 1: still has because he's gone under They're gone.

68
00:03:57,040 --> 00:03:58,680
Speaker 2: We gave him all the way we gave him all

69
00:03:58,680 --> 00:04:00,040
Speaker 2: the way in the first one. No, of course, and

70
00:04:00,160 --> 00:04:01,600
Speaker 2: I've got like three hundred left.

71
00:04:03,400 --> 00:04:05,800
Speaker 1: So make sure you get dressed up, either as something

72
00:04:05,840 --> 00:04:09,640
Speaker 1: from the show or get very podcast obscure. We love

73
00:04:09,680 --> 00:04:12,360
Speaker 1: to see that and meet and greet tickets will be

74
00:04:12,400 --> 00:04:15,520
Speaker 1: available again. We love to hang out, take pictures, and

75
00:04:15,680 --> 00:04:17,560
Speaker 1: spend a few minutes getting to know you. So as

76
00:04:17,600 --> 00:04:20,960
Speaker 1: Pod meets World listeners, you get first DIBs on tickets.

77
00:04:21,200 --> 00:04:24,160
Speaker 1: The pre sale opens Thursday, March thirteenth at ten am

78
00:04:24,240 --> 00:04:28,000
Speaker 1: local time for your city, it's probably open right now.

79
00:04:28,240 --> 00:04:31,160
Speaker 1: Go to podmeets worldshow dot com and just use the

80
00:04:31,200 --> 00:04:34,200
Speaker 1: code romp romp to be.

81
00:04:38,080 --> 00:04:38,880
Speaker 2: I love that.

82
00:04:39,360 --> 00:04:42,200
Speaker 1: Then tickets go on sale to the general public Friday,

83
00:04:42,240 --> 00:04:44,839
Speaker 1: March fourteenth at ten am local time, and that's it.

84
00:04:45,000 --> 00:04:47,120
Speaker 1: You can meet us in person. Tickets on sale at

85
00:04:47,120 --> 00:04:50,960
Speaker 1: podmeetsworldshow dot com for the kids. Still want a jump

86
00:04:51,000 --> 00:04:53,279
Speaker 1: tour coming to all new cities.

87
00:04:53,960 --> 00:04:55,599
Speaker 2: I can't wait to see the new poster, just my

88
00:04:55,760 --> 00:04:57,680
Speaker 2: name in big print right there.

89
00:04:57,680 --> 00:05:01,480
Speaker 1: I'm really really excited for see for now one it says,

90
00:05:02,480 --> 00:05:08,440
Speaker 1: damn you people, welcome to Pod Meets World. I'm Danielle Fischel.

91
00:05:08,600 --> 00:05:11,520
Speaker 2: I'm right or strong, and I'm C four C apparently

92
00:05:11,560 --> 00:05:13,840
Speaker 2: still I'm well for Dell.

93
00:05:14,160 --> 00:05:17,880
Speaker 1: Welcome to season six episode for a Friendly Persuasion. It

94
00:05:17,920 --> 00:05:22,479
Speaker 1: originally aired October sixteenth, nineteen ninety eight. The synopsis when

95
00:05:22,600 --> 00:05:25,760
Speaker 1: Sean and Angela break up, she hides her true feelings

96
00:05:25,960 --> 00:05:29,679
Speaker 1: and shuns Corey's offer of support, claiming they were never friends.

97
00:05:30,040 --> 00:05:33,159
Speaker 1: Can our four John Adams grad stay pals in college

98
00:05:33,440 --> 00:05:37,080
Speaker 1: or will a split break them up forever? It was

99
00:05:37,120 --> 00:05:39,919
Speaker 1: directed by Jeff McCracken. It was written by Barbie Feldman.

100
00:05:40,320 --> 00:05:43,120
Speaker 1: And before we jump into our guest stars, do you

101
00:05:43,160 --> 00:05:45,520
Speaker 1: guys have overall thoughts?

102
00:05:46,080 --> 00:05:49,600
Speaker 3: It's a weird episode, wasn't wasn't really bad. It just

103
00:05:49,640 --> 00:05:50,799
Speaker 3: also wasn't very funny.

104
00:05:51,080 --> 00:05:54,960
Speaker 2: Yeah, and creepy intense. Corey's back in a really horrible way.

105
00:05:55,360 --> 00:05:58,600
Speaker 3: Yeah, But I like that that he kind of is

106
00:05:58,800 --> 00:06:01,200
Speaker 3: made out to be self and creepy, you know, like

107
00:06:01,240 --> 00:06:04,960
Speaker 3: it's part of the storyline, self involved in that he's

108
00:06:04,960 --> 00:06:08,520
Speaker 3: never given Angela any time, which I liked that that true, right.

109
00:06:08,400 --> 00:06:10,760
Speaker 2: It's like, but the bathroom scene where he's like, I'm

110
00:06:10,760 --> 00:06:13,880
Speaker 2: not going anywhere, it was like, oh my god, Jesus.

111
00:06:13,640 --> 00:06:13,840
Speaker 1: I know.

112
00:06:14,040 --> 00:06:16,720
Speaker 3: Yeah, Yeah, the whole bathroom thing is just like not that.

113
00:06:17,000 --> 00:06:18,839
Speaker 3: I just don't get it, and I think like that's

114
00:06:18,920 --> 00:06:21,400
Speaker 3: kind of the only comedy in the whole story, right, Yeah,

115
00:06:21,440 --> 00:06:23,640
Speaker 3: like there's no other comedy, right except that Corey's nervous

116
00:06:23,640 --> 00:06:25,520
Speaker 3: are go in the bathroom and lots of jokes about that,

117
00:06:25,560 --> 00:06:27,080
Speaker 3: and it's like, Okay.

118
00:06:27,279 --> 00:06:29,599
Speaker 2: This is also we're really starting to see though your

119
00:06:29,640 --> 00:06:32,040
Speaker 2: storylines are going to be more dramatic and then you're

120
00:06:32,040 --> 00:06:33,600
Speaker 2: going to cut to Eric and Jack for the for

121
00:06:33,640 --> 00:06:36,039
Speaker 2: the comedy. This is really where it's it's really starting

122
00:06:36,040 --> 00:06:36,960
Speaker 2: to take off that way.

123
00:06:38,800 --> 00:06:39,520
Speaker 3: What'd you guys think?

124
00:06:40,120 --> 00:06:41,920
Speaker 2: I kind of felt the same way. Scale of one

125
00:06:41,960 --> 00:06:43,640
Speaker 2: to ten to me, this is like a five, Like

126
00:06:43,680 --> 00:06:45,960
Speaker 2: it's kind of it's just right in the middle of yeah,

127
00:06:46,000 --> 00:06:49,520
Speaker 2: really right right, completely and totally forgettable. Episode. Didn't hate it,

128
00:06:49,520 --> 00:06:50,799
Speaker 2: didn't love it, right.

129
00:06:51,320 --> 00:06:58,000
Speaker 1: Yeah, I I will say I whenever we talk about

130
00:06:58,240 --> 00:07:03,719
Speaker 1: female povs on the show, this was a great Angela pov,

131
00:07:04,440 --> 00:07:09,680
Speaker 1: A real you find out who we all as an audience,

132
00:07:09,800 --> 00:07:12,520
Speaker 1: find out a little bit more about who she is

133
00:07:12,760 --> 00:07:16,400
Speaker 1: and how she operates and how mature she is, and

134
00:07:18,000 --> 00:07:23,000
Speaker 1: your heart breaks for her. And I did even though

135
00:07:23,000 --> 00:07:29,240
Speaker 1: I was a little turned off by the Corey being like, no, no, no,

136
00:07:29,360 --> 00:07:32,000
Speaker 1: we are going to be friends and being like, man,

137
00:07:32,040 --> 00:07:34,200
Speaker 1: if she says she doesn't, if she if she says

138
00:07:34,200 --> 00:07:35,600
Speaker 1: she doesn't want to be your friend, back off. But

139
00:07:36,080 --> 00:07:38,520
Speaker 1: really she never did say that. She really did just

140
00:07:38,600 --> 00:07:41,560
Speaker 1: keep saying, you don't even know me, you don't know me,

141
00:07:41,640 --> 00:07:43,520
Speaker 1: you've never tried to get to know me, and he

142
00:07:43,600 --> 00:07:45,920
Speaker 1: kept saying, well, then let me let me try. I

143
00:07:45,920 --> 00:07:48,760
Speaker 1: would like to. And so even though that like there

144
00:07:48,840 --> 00:07:51,080
Speaker 1: was something about it that rubbed me the wrong way,

145
00:07:51,440 --> 00:07:56,400
Speaker 1: I really loved the ending that they share where she

146
00:07:57,200 --> 00:08:01,400
Speaker 1: just tells him something very vulnerable and he gets it

147
00:08:01,600 --> 00:08:05,320
Speaker 1: and he asks if he can ask tell Tapanga and

148
00:08:05,400 --> 00:08:08,600
Speaker 1: she says, well, Topanga doesn't even know and he really

149
00:08:08,640 --> 00:08:13,040
Speaker 1: that feels he now feels special. I loved that and

150
00:08:15,000 --> 00:08:17,840
Speaker 1: it made me kind of happy that this was the

151
00:08:17,840 --> 00:08:20,880
Speaker 1: first moment where we did see that happen between Corey

152
00:08:20,960 --> 00:08:24,920
Speaker 1: and Angela, like as opposed to them having more of

153
00:08:24,920 --> 00:08:27,960
Speaker 1: a friendship developed and then we lost the opportunity for this.

154
00:08:28,120 --> 00:08:30,080
Speaker 1: It really was kind of a nice It was a

155
00:08:30,160 --> 00:08:30,800
Speaker 1: nice journey.

156
00:08:31,440 --> 00:08:35,560
Speaker 2: This is also a way worse episode if Trina isn't

157
00:08:35,559 --> 00:08:38,880
Speaker 2: as good as she is, I know, because she met

158
00:08:38,960 --> 00:08:42,120
Speaker 2: the kind of intensity that Ben was playing everything with,

159
00:08:42,400 --> 00:08:46,679
Speaker 2: almost like a subtlety y that was she was underplaying

160
00:08:46,760 --> 00:08:50,000
Speaker 2: some of the beats that just really worked well with

161
00:08:50,040 --> 00:08:51,880
Speaker 2: the intensity. If you have to be together forever, and

162
00:08:51,880 --> 00:08:53,320
Speaker 2: I'm going to be in your life forever. If she

163
00:08:53,400 --> 00:08:56,720
Speaker 2: had met that intensity with the same intensity, it would

164
00:08:56,720 --> 00:09:00,720
Speaker 2: have gone way soap opera, way way fast. And she didn't.

165
00:09:00,800 --> 00:09:03,880
Speaker 2: She played everything under and it saved it for me.

166
00:09:04,000 --> 00:09:08,640
Speaker 1: Frankly, Yeah, you're right because also had she reacted to

167
00:09:08,679 --> 00:09:11,760
Speaker 1: it as if he was creeping her out, it would

168
00:09:11,800 --> 00:09:14,120
Speaker 1: have felt different. Instead, she was like, I understand, I

169
00:09:14,160 --> 00:09:16,160
Speaker 1: know who you are. You may not know me, but

170
00:09:16,280 --> 00:09:18,400
Speaker 1: I know I know, I know you. This is what

171
00:09:18,440 --> 00:09:21,079
Speaker 1: you do and it's not it's not it's not it's

172
00:09:21,080 --> 00:09:24,800
Speaker 1: not offensive. It's also not scary. It's just you don't you.

173
00:09:25,840 --> 00:09:28,040
Speaker 3: So you're she is just wrapped in a towel for

174
00:09:28,440 --> 00:09:31,760
Speaker 3: I know that it's weird. It's like it was kind

175
00:09:31,760 --> 00:09:33,679
Speaker 3: of like, okay, I mean it's.

176
00:09:33,600 --> 00:09:37,400
Speaker 1: I don't well, it adds certainly to the vulnerability, right,

177
00:09:37,480 --> 00:09:37,760
Speaker 1: you know.

178
00:09:37,760 --> 00:09:39,520
Speaker 2: But you couldn't have played the exact same scene before

179
00:09:39,559 --> 00:09:41,080
Speaker 2: she had gotten into the shower like she was just

180
00:09:41,120 --> 00:09:42,040
Speaker 2: turning it on, and.

181
00:09:42,160 --> 00:09:44,840
Speaker 1: Well, sure, but the other thing, I'll say, even though

182
00:09:44,880 --> 00:09:48,560
Speaker 1: all the jokes about the bathroom are like wompomp uh,

183
00:09:48,679 --> 00:09:52,200
Speaker 1: the idea that he kind of proves to her. She goes, look,

184
00:09:52,480 --> 00:09:54,120
Speaker 1: I know how I can get away from you. You

185
00:09:54,160 --> 00:09:55,720
Speaker 1: want to be my friend, but not bad enough to

186
00:09:55,760 --> 00:09:59,160
Speaker 1: overcome this whole thing. And then he actually does go

187
00:09:59,280 --> 00:10:01,920
Speaker 1: in and she's like, that's what makes her realize he's

188
00:10:02,120 --> 00:10:04,760
Speaker 1: he really means what he says because he's willing to

189
00:10:04,920 --> 00:10:07,719
Speaker 1: Like that'd be like if I, you know, you guys

190
00:10:07,760 --> 00:10:09,360
Speaker 1: were like, I'm just gonna go stand behind this wall

191
00:10:09,360 --> 00:10:12,320
Speaker 1: of Tarantula's and and and if Danielle really wants to

192
00:10:12,320 --> 00:10:14,040
Speaker 1: be my friend, she'll come over there. And if I

193
00:10:14,200 --> 00:10:18,200
Speaker 1: like came in the wall of Tarantula's, you'd be like, whoa.

194
00:10:18,120 --> 00:10:24,400
Speaker 2: He would never see you again. No past.

195
00:10:24,679 --> 00:10:34,840
Speaker 1: We had a great thirty two years So guest starring

196
00:10:35,040 --> 00:10:40,360
Speaker 1: Bonnie Bartlett is bad Dean. Lilah Bolander returns to Boy

197
00:10:40,400 --> 00:10:43,400
Speaker 1: Meets World to remind you. The award winning actress has

198
00:10:43,440 --> 00:10:46,520
Speaker 1: had a career that spanned almost seven decades. Known for

199
00:10:46,559 --> 00:10:48,920
Speaker 1: her roles on Little House on the Prairie Gun Smoke,

200
00:10:49,080 --> 00:10:52,360
Speaker 1: Golden Girls, and Saint Elsewhere, the show where she won

201
00:10:52,400 --> 00:10:55,160
Speaker 1: the award on the same night as her husband on

202
00:10:55,280 --> 00:10:58,559
Speaker 1: the same show, and her real life husband is William

203
00:10:58,679 --> 00:11:00,680
Speaker 1: Daniels aka mister Feenie.

204
00:11:01,040 --> 00:11:02,680
Speaker 2: And I'm not sure I ever knew her name was

205
00:11:02,960 --> 00:11:03,760
Speaker 2: it was Lilah.

206
00:11:04,320 --> 00:11:06,720
Speaker 1: Yeah, she walks in Lilah Bolander.

207
00:11:06,960 --> 00:11:07,560
Speaker 2: Did we know that.

208
00:11:07,440 --> 00:11:10,280
Speaker 3: Before this episode that it was Lila just Dean Bollander?

209
00:11:10,559 --> 00:11:14,080
Speaker 1: When she said it, I remembered when she said, I

210
00:11:14,160 --> 00:11:15,760
Speaker 1: remembered it. But I wouldn't like that would have been

211
00:11:15,800 --> 00:11:17,679
Speaker 1: a trivia question somebody had asked, and I don't think

212
00:11:17,679 --> 00:11:19,400
Speaker 1: I would have come up with, Okay, Lila.

213
00:11:19,600 --> 00:11:20,000
Speaker 2: Interesting.

214
00:11:20,520 --> 00:11:23,920
Speaker 3: But then what was Phoene's ex's name? Wasn't it like Lillian?

215
00:11:25,160 --> 00:11:28,880
Speaker 2: Lillian gott a thing else?

216
00:11:33,200 --> 00:11:34,760
Speaker 3: Confusing alone?

217
00:11:35,960 --> 00:11:37,520
Speaker 2: No, just so he doesn't have to change any of

218
00:11:37,640 --> 00:11:38,840
Speaker 2: the monogram stuff.

219
00:11:46,480 --> 00:11:49,360
Speaker 1: And then we have Sarah Downing as Cameron. It appears

220
00:11:49,440 --> 00:11:52,079
Speaker 1: this was her first job ever. She would go on

221
00:11:52,160 --> 00:11:55,240
Speaker 1: to appear on shows like Smallville, Roswell and Charmed and

222
00:11:55,440 --> 00:11:57,120
Speaker 1: movies like Never Been Kissed.

223
00:11:58,120 --> 00:11:59,800
Speaker 2: I recognized her from somewhere when she walked in. She

224
00:11:59,840 --> 00:12:02,839
Speaker 2: has a very she was on boy me, Look, is

225
00:12:02,880 --> 00:12:04,480
Speaker 2: that where I know her from? Maybe that's where I

226
00:12:04,520 --> 00:12:06,640
Speaker 2: know her from. Yeah, it's like I recognize her.

227
00:12:06,679 --> 00:12:08,360
Speaker 3: From this scene from working.

228
00:12:10,760 --> 00:12:13,240
Speaker 1: And then we have Chris Marley as guy. He was

229
00:12:13,280 --> 00:12:16,520
Speaker 1: seen in movies like Doctor Doolittle two and Simone and

230
00:12:16,800 --> 00:12:19,719
Speaker 1: the TV show Jag, but it appears he is no

231
00:12:19,840 --> 00:12:35,080
Speaker 1: longer in the business. Jumping into our recap, we start

232
00:12:35,120 --> 00:12:38,080
Speaker 1: in the student union. Corey into Panga are straight up

233
00:12:38,480 --> 00:12:40,480
Speaker 1: loading on the PDA.

234
00:12:41,760 --> 00:12:44,319
Speaker 3: I mean, we have never I don't think you guys

235
00:12:44,360 --> 00:12:45,080
Speaker 3: have ever made out.

236
00:12:45,320 --> 00:12:46,960
Speaker 1: Never made out this intensely.

237
00:12:47,160 --> 00:12:49,760
Speaker 3: Watching it, I was like, it's funny because in my mind,

238
00:12:50,160 --> 00:12:51,120
Speaker 3: you guys did this a lot.

239
00:12:51,440 --> 00:12:53,520
Speaker 2: I know. Actually it wasn't the first time.

240
00:12:53,840 --> 00:12:57,840
Speaker 3: Correct, you guys have only pretty much like nice chased kissing. Yeah,

241
00:12:58,240 --> 00:12:59,760
Speaker 3: this is like full on macking.

242
00:13:00,120 --> 00:13:02,439
Speaker 2: Yes, And I realized we we do this a lot,

243
00:13:03,040 --> 00:13:03,280
Speaker 2: I know.

244
00:13:03,640 --> 00:13:06,680
Speaker 1: I was like, oh, this is when that starts. Yeah,

245
00:13:06,800 --> 00:13:08,960
Speaker 1: it's it's uh, it's kind of gross.

246
00:13:10,080 --> 00:13:13,280
Speaker 2: She's out of place, it's so passionate in the middle

247
00:13:13,320 --> 00:13:15,520
Speaker 2: of the student union, where it's like, had they saved

248
00:13:15,559 --> 00:13:17,160
Speaker 2: this kind of passion for when you guys were alone

249
00:13:17,200 --> 00:13:18,200
Speaker 2: in the dorm. That's one thing.

250
00:13:18,320 --> 00:13:21,800
Speaker 1: But this was like, oh, okay, I know I yeah, not,

251
00:13:22,200 --> 00:13:25,280
Speaker 1: I don't dig it a lot. Again, there are just

252
00:13:25,440 --> 00:13:26,960
Speaker 1: a lot of background actors.

253
00:13:27,520 --> 00:13:31,280
Speaker 2: I'm sorry. It is loaded on the PDA. How you

254
00:13:31,400 --> 00:13:31,640
Speaker 2: say it?

255
00:13:32,000 --> 00:13:34,200
Speaker 1: What you just said? I mean that is what I said,

256
00:13:34,360 --> 00:13:35,080
Speaker 1: loading on the.

257
00:13:35,120 --> 00:13:37,760
Speaker 2: PDO, loading on the Oh they're loading on the PDA.

258
00:13:37,920 --> 00:13:39,600
Speaker 2: I didn't know. That was like a cool hip thing

259
00:13:39,640 --> 00:13:40,080
Speaker 2: that I didn't.

260
00:13:40,120 --> 00:13:42,760
Speaker 1: No, no, there's no. Actually really sounds like an old

261
00:13:42,800 --> 00:13:45,559
Speaker 1: person way of saying, gotcham Yeah, yeah, it wasn't cool

262
00:13:45,720 --> 00:13:48,960
Speaker 1: cot do that. Sean tries to get them to stop,

263
00:13:49,000 --> 00:13:51,320
Speaker 1: but they are too focused on the spit swapping. Angela

264
00:13:51,400 --> 00:13:52,840
Speaker 1: breaks it to him. He can't talk.

265
00:13:53,120 --> 00:13:56,880
Speaker 3: She's got the podswapping discomfort. You see, it's spit swapping.

266
00:13:57,000 --> 00:13:59,920
Speaker 2: It's just all right.

267
00:14:02,200 --> 00:14:05,160
Speaker 1: Sean reminds them it's college. They're supposed to be meeting

268
00:14:05,240 --> 00:14:07,959
Speaker 1: new people. Then, out of nowhere, Angela taps him on

269
00:14:07,960 --> 00:14:10,480
Speaker 1: the shoulder. I want to make out. Shawn is flustered.

270
00:14:10,600 --> 00:14:12,839
Speaker 1: Come on, this is our freshman orientation. This is a

271
00:14:12,920 --> 00:14:16,000
Speaker 1: new place. We're supposed to be meeting new people. Angela's offended.

272
00:14:16,280 --> 00:14:18,559
Speaker 1: You don't want to make out with me, shawna shuser

273
00:14:18,640 --> 00:14:21,320
Speaker 1: he definitely does. They walk away from Corey and t Panga,

274
00:14:21,360 --> 00:14:24,920
Speaker 1: who are still making out, and he repeats he just

275
00:14:25,040 --> 00:14:27,240
Speaker 1: wants to meet new people. He has said this now

276
00:14:27,840 --> 00:14:31,520
Speaker 1: three times. It's true.

277
00:14:33,440 --> 00:14:35,400
Speaker 2: Even I was like, oh man, he's spelling this out.

278
00:14:35,480 --> 00:14:40,160
Speaker 3: Sean's motivation, what's doing this?

279
00:14:40,840 --> 00:14:42,040
Speaker 2: But also he's.

280
00:14:41,880 --> 00:14:45,680
Speaker 3: Trying to stop his friends from making out so they

281
00:14:45,840 --> 00:14:49,720
Speaker 3: can also meet new people. Like, just go meet new people, Sean,

282
00:14:49,840 --> 00:14:52,200
Speaker 3: shut up. I don't understand what's up with my character

283
00:14:52,280 --> 00:14:53,400
Speaker 3: This entire season.

284
00:14:54,720 --> 00:14:56,320
Speaker 2: Is the second episode in a row where I was like,

285
00:14:56,400 --> 00:14:58,760
Speaker 2: who is Sean such.

286
00:14:58,560 --> 00:15:00,800
Speaker 3: A weird vibe? I don't know what, like what your

287
00:15:01,280 --> 00:15:04,040
Speaker 3: angela is right there and I'm like totally acting like

288
00:15:04,080 --> 00:15:05,240
Speaker 3: an ass and like.

289
00:15:05,760 --> 00:15:08,080
Speaker 1: And then you call her your friend?

290
00:15:08,680 --> 00:15:10,840
Speaker 3: Yeah, but I also just don't know what is Sean?

291
00:15:11,000 --> 00:15:13,760
Speaker 3: Like one like what I expecting from college? Is this

292
00:15:13,920 --> 00:15:16,000
Speaker 3: going to pay off in some way? Like I was waiting,

293
00:15:16,000 --> 00:15:17,280
Speaker 3: you know, like I was waiting for there to be

294
00:15:17,360 --> 00:15:19,680
Speaker 3: a term in this episode where it's like, look, Corey,

295
00:15:19,760 --> 00:15:21,920
Speaker 3: here's what I've been going through since we got to college.

296
00:15:21,960 --> 00:15:24,400
Speaker 3: I missed my brother and my dad, my mom, and

297
00:15:24,440 --> 00:15:27,960
Speaker 3: I'm thinking about that and nothing like it's literally this unmotivated.

298
00:15:28,640 --> 00:15:33,240
Speaker 1: Like what we're forgetting, guys, is that the idea of

299
00:15:33,520 --> 00:15:41,440
Speaker 1: college for men apparently is oh yeah, strange, strange, just

300
00:15:41,640 --> 00:15:46,600
Speaker 1: getting all the strange because it was pointed out in

301
00:15:46,680 --> 00:15:49,680
Speaker 1: the conversation with Corey and Topanga, Oh are you going

302
00:15:49,760 --> 00:15:52,200
Speaker 1: to get to college? And then wish you were single

303
00:15:52,360 --> 00:15:54,480
Speaker 1: and could meet all the way and you were come on,

304
00:15:54,680 --> 00:15:57,760
Speaker 1: you were married. So it's been set up, set up,

305
00:15:57,800 --> 00:15:59,680
Speaker 1: set up, set up. It's been set up that the

306
00:15:59,720 --> 00:16:04,360
Speaker 1: two options are long term committed relationship or do you

307
00:16:04,520 --> 00:16:07,400
Speaker 1: keep your options open right when you're in college.

308
00:16:07,640 --> 00:16:10,400
Speaker 2: And but for the guy, you're right because both our

309
00:16:10,440 --> 00:16:12,880
Speaker 2: women wanting to stay very The women.

310
00:16:12,720 --> 00:16:16,960
Speaker 1: Are loyal to the relationships they are in, and one

311
00:16:17,040 --> 00:16:19,360
Speaker 1: of the couples is the man. The man has said,

312
00:16:19,400 --> 00:16:21,840
Speaker 1: you know what, I've always been committed to you anyway,

313
00:16:22,160 --> 00:16:24,240
Speaker 1: so I might as well stay committed to you. And

314
00:16:24,400 --> 00:16:27,400
Speaker 1: in this situation, it's a guy going, you know, maybe

315
00:16:27,440 --> 00:16:27,640
Speaker 1: I do.

316
00:16:27,760 --> 00:16:31,320
Speaker 2: Want to keep my options open, which is just And

317
00:16:31,440 --> 00:16:32,720
Speaker 2: then the woman is going to go out of her

318
00:16:32,760 --> 00:16:35,400
Speaker 2: way to hide her discomfort so she doesn't make the

319
00:16:35,520 --> 00:16:38,760
Speaker 2: man uncomfortable about wanting to go and sleep with a

320
00:16:38,800 --> 00:16:39,720
Speaker 2: whole bunch of different women.

321
00:16:40,000 --> 00:16:42,040
Speaker 1: Correct, she just doesn't want him to feel bad.

322
00:16:41,920 --> 00:16:45,240
Speaker 3: About that, right, Yes, don't let Sean feel bad.

323
00:16:46,360 --> 00:16:48,280
Speaker 1: We don't want we don't want men to feel.

324
00:16:48,120 --> 00:16:50,800
Speaker 2: Bad or whoever this person is who's taken over a

325
00:16:50,880 --> 00:16:54,240
Speaker 2: Sean shod body, because it really is a totally different character,

326
00:16:54,360 --> 00:16:56,280
Speaker 2: really is, and I can't tell. I think it's a

327
00:16:56,360 --> 00:16:59,520
Speaker 2: combination of the writing and you're playing it differently, like

328
00:16:59,600 --> 00:17:02,680
Speaker 2: you're playing more subtly, and it's just it's it is

329
00:17:02,760 --> 00:17:03,680
Speaker 2: a different guy.

330
00:17:03,960 --> 00:17:06,479
Speaker 3: It's basically because like you know, I've talked about how

331
00:17:06,600 --> 00:17:08,719
Speaker 3: like in some ways it seems I can tell when

332
00:17:08,760 --> 00:17:10,880
Speaker 3: I've checked out as an actor. It seems like Shawn's

333
00:17:10,960 --> 00:17:13,800
Speaker 3: checked out. Yeah, it's like Sean has checked out of

334
00:17:13,840 --> 00:17:16,240
Speaker 3: Boy Meets World and he's still here, but he's like,

335
00:17:16,400 --> 00:17:17,800
Speaker 3: like the way I talked to Cory in the next thing,

336
00:17:17,800 --> 00:17:19,520
Speaker 3: I ever, dude, just get out of my face, Like

337
00:17:19,600 --> 00:17:20,280
Speaker 3: just leave me alone.

338
00:17:20,480 --> 00:17:24,240
Speaker 1: Yeah, dude, I don't want to be a pudding boy's

339
00:17:24,280 --> 00:17:24,720
Speaker 1: best friend.

340
00:17:25,359 --> 00:17:29,639
Speaker 3: I'm like just dismissive. And it's like this sort of

341
00:17:29,760 --> 00:17:32,639
Speaker 3: like confidence, but it's like just misplaced.

342
00:17:32,840 --> 00:17:35,840
Speaker 1: Like Sean feels like he's decided he's too cool for

343
00:17:36,000 --> 00:17:36,560
Speaker 1: the y.

344
00:17:37,680 --> 00:17:38,960
Speaker 2: Yeah, which writer.

345
00:17:39,119 --> 00:17:43,920
Speaker 3: I decided years ago, but correct, Seanean is still in it.

346
00:17:44,080 --> 00:17:48,600
Speaker 2: But yes, you can act, but not anymore. Yeah, no,

347
00:17:48,720 --> 00:17:49,800
Speaker 2: it was very Yeah it's different.

348
00:17:50,440 --> 00:17:52,960
Speaker 1: So Sean explains he's never met someone while he's making out,

349
00:17:53,040 --> 00:17:55,240
Speaker 1: and then he remembers except one night, but I was

350
00:17:55,280 --> 00:17:57,440
Speaker 1: a fluke. Angela laughs and then goes to get some

351
00:17:57,520 --> 00:18:02,920
Speaker 1: refills of what appears to be red drink. She looks

352
00:18:03,240 --> 00:18:07,720
Speaker 1: like we brought from the cafeteria. As soon as Angela's gone,

353
00:18:07,760 --> 00:18:10,000
Speaker 1: a pretty girl walks up to Sean and introduces herself

354
00:18:10,040 --> 00:18:12,960
Speaker 1: as Cameron. Sean shakes her hand and introduces her to

355
00:18:13,320 --> 00:18:15,359
Speaker 1: his friend, Angela.

356
00:18:15,640 --> 00:18:17,760
Speaker 2: Oh, that's where I recognize her from? Is this scene

357
00:18:19,359 --> 00:18:23,280
Speaker 2: right where?

358
00:18:25,480 --> 00:18:29,240
Speaker 1: Angela is confused behind her fake smile what She points

359
00:18:29,240 --> 00:18:31,400
Speaker 1: out that he just said friend and Sean can't believe

360
00:18:31,440 --> 00:18:34,600
Speaker 1: he did that and giggles, I this is my girlfriend, Angela,

361
00:18:35,040 --> 00:18:38,399
Speaker 1: my girlfriend. Cameron is interested. Oh you two are together.

362
00:18:38,800 --> 00:18:41,159
Speaker 1: Sean doesn't respond right away, so Angela pokes him on

363
00:18:41,200 --> 00:18:44,400
Speaker 1: the head. He points to himself and Angela yep, girlfriend

364
00:18:44,440 --> 00:18:47,800
Speaker 1: and boyfriend. Cameron leaves. She hopes to see him around campus.

365
00:18:48,040 --> 00:18:51,360
Speaker 1: Angela gives him a death stare to a smiling Sean. Meanwhile,

366
00:18:51,440 --> 00:18:53,600
Speaker 1: Cory and t Panga literally are now on top of

367
00:18:53,680 --> 00:18:57,920
Speaker 1: each other on the couch the cow making out. Sean

368
00:18:58,040 --> 00:19:01,159
Speaker 1: turns to Angela and awkwardly breaks the sun islands. How

369
00:19:01,240 --> 00:19:05,080
Speaker 1: you doing, attends angela response, I'm good friend. How you doing?

370
00:19:05,760 --> 00:19:08,119
Speaker 1: Sean says, Oh, come on, Angela, I'm sorry. I made

371
00:19:08,160 --> 00:19:11,640
Speaker 1: a mistake. All right, let's make out. But Angela has reservations.

372
00:19:11,880 --> 00:19:14,320
Speaker 1: It's okay, we don't have to. We can meet new people.

373
00:19:14,800 --> 00:19:16,320
Speaker 1: I just didn't know it was that important to you.

374
00:19:16,640 --> 00:19:19,040
Speaker 1: I don't want you to miss out on anything. Sean

375
00:19:19,119 --> 00:19:21,440
Speaker 1: doesn't understand, so Angela puts it simply.

376
00:19:21,640 --> 00:19:24,000
Speaker 3: Want to would have been so much better if it

377
00:19:24,119 --> 00:19:27,960
Speaker 3: was just she was she I'm taking a class in

378
00:19:28,200 --> 00:19:31,760
Speaker 3: name a subject, like Sean takes a history class, and

379
00:19:31,920 --> 00:19:34,720
Speaker 3: this girl comes up and is like, hey, Sean, and

380
00:19:34,840 --> 00:19:38,439
Speaker 3: we have a shared interest. Like suddenly something new correct

381
00:19:38,520 --> 00:19:41,280
Speaker 3: that Sean is suddenly like exploring is like this is

382
00:19:41,320 --> 00:19:43,879
Speaker 3: a new part of me that like college is offering. Right. Yes,

383
00:19:44,119 --> 00:19:47,400
Speaker 3: it's not just hi, good to meet you because you're

384
00:19:47,400 --> 00:19:50,280
Speaker 3: a hot woman and then later I'm gonna make out

385
00:19:50,359 --> 00:19:52,240
Speaker 3: or try and make out with you. It would have

386
00:19:52,280 --> 00:19:54,560
Speaker 3: been so much more motivated if it was like, hey,

387
00:19:54,920 --> 00:19:56,800
Speaker 3: this is what happens, because you know, you go to college,

388
00:19:56,840 --> 00:19:58,600
Speaker 3: you take the classes, you meet new people. And if

389
00:19:58,600 --> 00:19:59,919
Speaker 3: I was like, oh, yeah, I have you met Angela.

390
00:20:00,000 --> 00:20:02,000
Speaker 3: Angel's my friend from high school, and then I just

391
00:20:02,119 --> 00:20:05,320
Speaker 3: kept going and then he'd be like, well that's your girlfriend.

392
00:20:05,800 --> 00:20:07,720
Speaker 1: Oh right, And you know, but at least to be

393
00:20:07,840 --> 00:20:10,639
Speaker 1: motivated by right, because at least, like Cory in the

394
00:20:10,720 --> 00:20:13,679
Speaker 1: ski lodge, they talked all night, he got to know her.

395
00:20:14,280 --> 00:20:16,760
Speaker 1: But it's exactly the same thing here. And we said

396
00:20:16,800 --> 00:20:19,960
Speaker 1: the same thing with Tapanga and Ricky Lips Waterman or

397
00:20:20,040 --> 00:20:23,560
Speaker 1: not Ricky but Lips Waterman Andrew Keegan in the Disneyland episode.

398
00:20:23,560 --> 00:20:25,200
Speaker 1: It was like Corey was all upset about him going,

399
00:20:25,240 --> 00:20:26,800
Speaker 1: and yet we know nothing about him. We have no

400
00:20:26,880 --> 00:20:30,000
Speaker 1: reason to think Topang is interested in him. But like

401
00:20:30,160 --> 00:20:33,200
Speaker 1: just completely just because apparently good looking people. You can't

402
00:20:33,240 --> 00:20:35,600
Speaker 1: help yourself every time there's a looking person in front

403
00:20:35,600 --> 00:20:38,200
Speaker 1: of your face. You must break up with people to

404
00:20:38,680 --> 00:20:39,159
Speaker 1: make out.

405
00:20:39,160 --> 00:20:42,640
Speaker 3: Because it just feels like conflict inserted for conflicts sake,

406
00:20:42,800 --> 00:20:45,119
Speaker 3: and it feels like Sean is doing it for no reason,

407
00:20:45,240 --> 00:20:47,959
Speaker 3: whereas it could have very easily been motivated, and then

408
00:20:48,040 --> 00:20:51,240
Speaker 3: Sean's a fully fledged character and the conflict with Angela

409
00:20:51,280 --> 00:20:53,840
Speaker 3: feels more earned by both the parties, And you're like, right,

410
00:20:53,920 --> 00:20:56,440
Speaker 3: why would she want to hold him back from talking

411
00:20:56,520 --> 00:20:59,160
Speaker 3: to a girl about the history thing that he's really

412
00:20:59,200 --> 00:21:02,240
Speaker 3: into right now, him.

413
00:21:02,160 --> 00:21:04,280
Speaker 1: Having a friendship with this girl and they do have

414
00:21:04,400 --> 00:21:06,879
Speaker 1: shared interests, and she gets a little jealous, and he's like,

415
00:21:07,280 --> 00:21:09,879
Speaker 1: why are you jealous? It's just a person I'm in

416
00:21:09,960 --> 00:21:12,040
Speaker 1: a project with who And then she could be like,

417
00:21:12,119 --> 00:21:14,760
Speaker 1: you know what, You're right, This isn't making me feel good.

418
00:21:14,760 --> 00:21:16,280
Speaker 1: I shouldn't be jealous. I don't want to hold you

419
00:21:16,359 --> 00:21:18,720
Speaker 1: back from who you are. But the truth is, instead

420
00:21:19,000 --> 00:21:20,680
Speaker 1: this episode makes me not like Sean.

421
00:21:22,560 --> 00:21:26,120
Speaker 3: Sean's just a scumbags. He's not a friend to Sean.

422
00:21:26,160 --> 00:21:28,040
Speaker 3: He's not a good good friend of Corey hasn't been

423
00:21:28,040 --> 00:21:29,000
Speaker 3: the last two episodes.

424
00:21:29,400 --> 00:21:31,440
Speaker 1: He's a boyfriend.

425
00:21:31,520 --> 00:21:32,760
Speaker 3: It's like, dude, you just get.

426
00:21:34,240 --> 00:21:37,320
Speaker 2: Also, they set it up before why they didn't keep

427
00:21:37,359 --> 00:21:39,400
Speaker 2: Sean because exactly what you're saying, but why they didn't

428
00:21:39,440 --> 00:21:41,800
Speaker 2: keep him into photography? And then all of a sudden,

429
00:21:41,880 --> 00:21:44,159
Speaker 2: he's got that focus and that there's something where he

430
00:21:44,240 --> 00:21:45,600
Speaker 2: meets somebody there and they're still.

431
00:21:45,720 --> 00:21:48,680
Speaker 1: Don't even have to photograph photograph that lady naked.

432
00:21:48,640 --> 00:21:51,240
Speaker 2: Naked because they broke up, and he just wants to

433
00:21:51,320 --> 00:21:52,000
Speaker 2: kiss other people.

434
00:21:53,800 --> 00:21:56,119
Speaker 1: Okay, you want to meet new people, and I'm not

435
00:21:56,359 --> 00:21:58,800
Speaker 1: new people, So what do you want it to mean?

436
00:21:59,200 --> 00:22:01,320
Speaker 1: Sean thinks about it answer and is interrupted by an

437
00:22:01,359 --> 00:22:04,760
Speaker 1: out of breath Corey and Topanga. Corey is spent. Who

438
00:22:05,160 --> 00:22:07,960
Speaker 1: you know, whoever thought of these orientations is a genius?

439
00:22:08,480 --> 00:22:12,280
Speaker 1: Angela and Sean are unmoved, now intensely staring at each other.

440
00:22:13,000 --> 00:22:14,359
Speaker 2: What is to come?

441
00:22:15,880 --> 00:22:18,480
Speaker 1: Okay? Then we're in the dorm hallway. Corey is back

442
00:22:18,520 --> 00:22:21,160
Speaker 1: at the co ed bathroom, confused, staring at the sign

443
00:22:21,240 --> 00:22:24,200
Speaker 1: with a towel wrapped around his neck. Topanga approaches from behind,

444
00:22:24,280 --> 00:22:27,840
Speaker 1: sporting a robe. You're gonna have to go in there sometime.

445
00:22:28,119 --> 00:22:30,840
Speaker 1: As a girl exits, Corey is still dumbfounded. Men and

446
00:22:30,960 --> 00:22:34,879
Speaker 1: women going to the same bathroom. It's freaky. Tapega grabs

447
00:22:34,920 --> 00:22:36,359
Speaker 1: his hand and urges him to come in with her.

448
00:22:36,440 --> 00:22:39,400
Speaker 1: Corey shouts, no, you're gonna look at me. Topanga promises

449
00:22:39,480 --> 00:22:41,760
Speaker 1: she won't look, and Corey is offended. You don't want

450
00:22:41,760 --> 00:22:44,719
Speaker 1: to look at me to Panga size fine, I'll look

451
00:22:44,760 --> 00:22:49,120
Speaker 1: at you, and Corey confidently shouts I knew it. Topanga

452
00:22:49,160 --> 00:22:52,119
Speaker 1: shakes her head, you have issues. She enters the bathroom,

453
00:22:52,200 --> 00:22:54,960
Speaker 1: leaving Corey in the hall. Then a muscular guy and

454
00:22:55,080 --> 00:22:57,159
Speaker 1: only a towel around his waist tries to enter, but

455
00:22:57,280 --> 00:23:00,720
Speaker 1: Corey blocks him. Where are you going, sunshine? The stead

456
00:23:00,800 --> 00:23:02,920
Speaker 1: looks Cory up and down. I'm going to shower and

457
00:23:02,960 --> 00:23:06,080
Speaker 1: meet chicks. Corey briefly pushes his bare chest, but then

458
00:23:06,160 --> 00:23:09,600
Speaker 1: quickly recoils. Hey, my girlfriend's in there. The dude loves

459
00:23:09,640 --> 00:23:12,840
Speaker 1: that all right. As he lets himself inside, Corey tries

460
00:23:12,880 --> 00:23:15,040
Speaker 1: to stop him by yanking at his towel, pulling the

461
00:23:15,119 --> 00:23:18,680
Speaker 1: whole thing off. Just as the bro enters, Corey is panicked.

462
00:23:18,880 --> 00:23:22,359
Speaker 1: Then we hear Tapanga say wow. Just before the door opens.

463
00:23:22,760 --> 00:23:25,600
Speaker 1: She exits with her her jaw dropped and walks right

464
00:23:25,680 --> 00:23:29,720
Speaker 1: past Corey in a zombie like Days and Sean walks out.

465
00:23:29,640 --> 00:23:32,640
Speaker 2: Of the bathroom episode.

466
00:23:37,600 --> 00:23:48,520
Speaker 4: Great Moment's super impressed, maybe a little disturbed, like, yeah,

467
00:23:48,560 --> 00:23:49,760
Speaker 4: I don't know what happen.

468
00:23:50,119 --> 00:23:52,920
Speaker 2: Wow, I think about that wow.

469
00:23:55,520 --> 00:23:55,720
Speaker 3: Joke.

470
00:23:56,040 --> 00:23:59,080
Speaker 1: Sean sees Corey and just grins. Still can't go in there, huh,

471
00:23:59,160 --> 00:24:01,120
Speaker 1: I'm telling you you might like it. I for one

472
00:24:01,200 --> 00:24:04,560
Speaker 1: can't get enough of it. Girls shower in there naked.

473
00:24:05,040 --> 00:24:07,480
Speaker 2: Again with the being naked under their clothes.

474
00:24:07,359 --> 00:24:11,720
Speaker 1: Jokes, Cory argues, what do you care about naked girls?

475
00:24:11,760 --> 00:24:14,280
Speaker 1: You have your own naked girl. I mean she has

476
00:24:14,440 --> 00:24:16,960
Speaker 1: the potential to be naked at some point in.

477
00:24:17,040 --> 00:24:19,240
Speaker 3: Her career, her career as a girl.

478
00:24:21,280 --> 00:24:23,879
Speaker 1: Worse is her career as a girlfriend.

479
00:24:24,000 --> 00:24:26,320
Speaker 3: As a girl friend. Yeah, it totally reveals the way

480
00:24:26,920 --> 00:24:30,199
Speaker 3: I know everyone thinks about I mean, it's like it's

481
00:24:30,240 --> 00:24:32,360
Speaker 3: a joke, but it is also the way our writers

482
00:24:32,480 --> 00:24:33,639
Speaker 3: thought about these kids.

483
00:24:34,200 --> 00:24:36,920
Speaker 2: Yes, they've also kind of told us now that Sean

484
00:24:36,960 --> 00:24:40,800
Speaker 2: and Angela are also not sleeping together. Yeah, like you

485
00:24:40,880 --> 00:24:42,760
Speaker 2: figured by this point they set it up enough to

486
00:24:42,760 --> 00:24:45,240
Speaker 2: where there's a chance Sean and Angela were actually having sex,

487
00:24:45,280 --> 00:24:46,720
Speaker 2: But now they kind of set it up that no,

488
00:24:46,880 --> 00:24:48,359
Speaker 2: they're yeah, not well.

489
00:24:48,280 --> 00:24:49,960
Speaker 3: But it's also just this weird Like I was thinking

490
00:24:50,000 --> 00:24:52,359
Speaker 3: about that with the Corey topanga making out. It's like,

491
00:24:53,200 --> 00:24:56,240
Speaker 3: it's it's not something that I feel happens in college.

492
00:24:56,280 --> 00:24:58,320
Speaker 3: Like what happens in college is you make out of parties, right, Like,

493
00:24:58,760 --> 00:25:01,080
Speaker 3: but the idea that like you would be making out

494
00:25:01,280 --> 00:25:04,120
Speaker 3: in the student union when you have dorm rooms. You're

495
00:25:04,320 --> 00:25:07,200
Speaker 3: you know, over eighteen, you can go do it wherever

496
00:25:07,240 --> 00:25:09,440
Speaker 3: you Like, what are you doing right now? Like just

497
00:25:09,600 --> 00:25:12,520
Speaker 3: making out? Like getting no, Like it's so weird. In

498
00:25:12,640 --> 00:25:14,720
Speaker 3: high school, you have nowhere to go, right, You're stuck

499
00:25:14,800 --> 00:25:17,399
Speaker 3: in school. It's like legally you cannot leave, so you

500
00:25:17,560 --> 00:25:19,879
Speaker 3: have to make out in the whatever public area.

501
00:25:20,080 --> 00:25:22,520
Speaker 2: But in this case, you guys are just being gross.

502
00:25:22,920 --> 00:25:24,200
Speaker 1: Exactly, we're just being rude.

503
00:25:25,400 --> 00:25:27,800
Speaker 2: Were you making out in high school a lot me

504
00:25:28,080 --> 00:25:30,440
Speaker 2: you make out of Yes to both that. Were you

505
00:25:30,440 --> 00:25:32,439
Speaker 2: guys making out in the hallways of high school?

506
00:25:32,920 --> 00:25:34,119
Speaker 3: Never at school?

507
00:25:34,240 --> 00:25:35,720
Speaker 2: Okay, well that's what you just said. You're like, you're

508
00:25:35,720 --> 00:25:37,040
Speaker 2: stuck there, so you got to make out there. I'm

509
00:25:37,040 --> 00:25:39,280
Speaker 2: just worrying if you're just backing on people in high school.

510
00:25:39,440 --> 00:25:41,800
Speaker 3: Well, but it makes sense, right, Like, yeah, it does

511
00:25:41,920 --> 00:25:45,000
Speaker 3: make sense that you are children who don't have power,

512
00:25:45,080 --> 00:25:46,440
Speaker 3: like you don't have the agency, so you have to

513
00:25:46,520 --> 00:25:49,159
Speaker 3: make out somewhere public because you have nowhere else to go.

514
00:25:49,280 --> 00:25:51,320
Speaker 3: Like that definitely used to happen to me when I

515
00:25:51,440 --> 00:25:54,400
Speaker 3: was a teenager, But the second I got to college,

516
00:25:54,440 --> 00:25:56,520
Speaker 3: you can just go to your dorm room, right, you know,

517
00:25:57,080 --> 00:25:57,480
Speaker 3: I don't know.

518
00:25:57,600 --> 00:26:01,520
Speaker 1: It's weird, so Sean's eye actually not anymore. Angela and

519
00:26:01,600 --> 00:26:04,040
Speaker 1: I decided to take a break. Corey is shocked you

520
00:26:04,200 --> 00:26:07,239
Speaker 1: broke up. He nods, yeah, I guess that's what we did,

521
00:26:07,480 --> 00:26:10,520
Speaker 1: and they both walk into their dorm room. Corey wants

522
00:26:10,560 --> 00:26:13,359
Speaker 1: to know why. Sean reveals it wasn't just his idea,

523
00:26:13,440 --> 00:26:17,240
Speaker 1: it was Angela's too. Corey asks again why Sean tells

524
00:26:17,320 --> 00:26:19,399
Speaker 1: him about the orientation party and how neither of them

525
00:26:19,440 --> 00:26:21,960
Speaker 1: want to miss out on new opportunities at college. Corey

526
00:26:22,000 --> 00:26:24,840
Speaker 1: thinks he's making a terrible mistake. Sean explains, we just

527
00:26:24,880 --> 00:26:26,600
Speaker 1: want to see what else is out there, and Corey

528
00:26:26,680 --> 00:26:28,880
Speaker 1: calls him on his crap. You know there's nothing better

529
00:26:28,960 --> 00:26:31,359
Speaker 1: than you and her, Sewn shrugs, ever in.

530
00:26:31,440 --> 00:26:33,760
Speaker 2: Your life because you've been dating since high school. You

531
00:26:33,880 --> 00:26:38,440
Speaker 2: know that you've met that forever. You'll never find someone

532
00:26:38,560 --> 00:26:39,040
Speaker 2: better for you.

533
00:26:39,160 --> 00:26:42,640
Speaker 3: Like, oh god, yeah, I didn't remember that Corey espoused

534
00:26:42,760 --> 00:26:46,119
Speaker 3: this view. It's really it's because it's sort of the

535
00:26:46,680 --> 00:26:48,639
Speaker 3: it's the big question of boy mets world right, right,

536
00:26:48,680 --> 00:26:50,760
Speaker 3: and I feel like girl meets world, like, well, you know,

537
00:26:50,920 --> 00:26:54,520
Speaker 3: are Sean and Angela and came, yeah, should they have been?

538
00:26:54,720 --> 00:26:56,640
Speaker 3: You know, I mean, we still get this question. Yeah,

539
00:26:56,640 --> 00:26:59,160
Speaker 3: that's so interesting that it's in the mouth of Corey

540
00:26:59,320 --> 00:27:02,240
Speaker 3: back then and to say, like the way the universe works,

541
00:27:02,359 --> 00:27:06,200
Speaker 3: is that right, you are supposed to be together, which

542
00:27:07,000 --> 00:27:09,159
Speaker 3: I don't know. It's just interesting. I didn't realize that

543
00:27:09,200 --> 00:27:11,360
Speaker 3: I didn't remember that. Yeah, and I like the fact

544
00:27:11,400 --> 00:27:13,480
Speaker 3: that you know, and it doesn't really come back to

545
00:27:13,560 --> 00:27:15,840
Speaker 3: reflect on what he's saying now. But he doesn't know

546
00:27:16,000 --> 00:27:18,720
Speaker 3: Angela at all, I know. So his argument that like

547
00:27:18,800 --> 00:27:23,760
Speaker 3: you're supposed is from this complete naivete, Like it doesn't

548
00:27:23,760 --> 00:27:26,040
Speaker 3: come from an informed position of like she's an awesome

549
00:27:26,080 --> 00:27:28,200
Speaker 3: person and you're an awesome person, and you guys make

550
00:27:28,280 --> 00:27:30,879
Speaker 3: sense together. It comes from a place of that's just

551
00:27:30,920 --> 00:27:33,320
Speaker 3: the way the world works. You date somebody because they're

552
00:27:33,400 --> 00:27:34,840
Speaker 3: perfect and you're going to be with them forever.

553
00:27:35,160 --> 00:27:37,159
Speaker 1: Yeah, well I think it is. I think it is

554
00:27:37,280 --> 00:27:40,760
Speaker 1: coming from his idea that you think you have all

555
00:27:40,880 --> 00:27:43,800
Speaker 1: this time thought Angela was so perfect that probably in

556
00:27:43,880 --> 00:27:47,679
Speaker 1: your private conversations Sean and Corey, Sean talks about how

557
00:27:47,760 --> 00:27:51,199
Speaker 1: amazing Angela is, and so without Corey knowing her, at

558
00:27:51,240 --> 00:27:54,920
Speaker 1: all himself. He is saying, No, the whole point is,

559
00:27:55,200 --> 00:27:57,159
Speaker 1: the whole point of life is you go out, you

560
00:27:57,359 --> 00:28:00,399
Speaker 1: find an amazing person, you partner up with them, and

561
00:28:00,680 --> 00:28:05,680
Speaker 1: then you stick with them forever. And you have already discussed,

562
00:28:05,720 --> 00:28:08,040
Speaker 1: you already know that there's no one better than Angela.

563
00:28:08,280 --> 00:28:12,320
Speaker 3: Particularly if they make you miserable and correct that shows

564
00:28:12,400 --> 00:28:12,880
Speaker 3: real love.

565
00:28:13,000 --> 00:28:16,360
Speaker 2: Then that is the sign you gotta sufferer.

566
00:28:16,920 --> 00:28:20,800
Speaker 1: Yes, exactly, So that's where I think he's coming from

567
00:28:20,920 --> 00:28:24,360
Speaker 1: with that. Sean shrugs. Not everybody's like you. Not everybody

568
00:28:24,440 --> 00:28:26,920
Speaker 1: spends the rest of their life with one girlfriend. And

569
00:28:27,040 --> 00:28:29,520
Speaker 1: that's when Tapega walks in. Corey asks her, did you

570
00:28:29,680 --> 00:28:32,320
Speaker 1: know that? And she completes his sentence. Sean and Angela

571
00:28:32,400 --> 00:28:34,720
Speaker 1: broke up. Yeah, she told me. I think you're both

572
00:28:34,760 --> 00:28:38,440
Speaker 1: handling it with incredible maturity. Corey gets heated and asks Topanga,

573
00:28:38,520 --> 00:28:40,960
Speaker 1: how is breaking up mature? Working it out is mature?

574
00:28:41,040 --> 00:28:45,000
Speaker 1: Sticking together is mature. Tapega reminds him not every single

575
00:28:45,080 --> 00:28:47,720
Speaker 1: couple is like them, but Corey insists, but I want

576
00:28:47,760 --> 00:28:50,320
Speaker 1: them to be like us. This gets a laugh, and

577
00:28:50,440 --> 00:28:53,520
Speaker 1: I'm not really sure it was supposed to be a joke.

578
00:28:54,280 --> 00:28:57,280
Speaker 1: I don't think, but they already laughs. I want them

579
00:28:57,360 --> 00:28:59,880
Speaker 1: to be happy. Shawn assures Corey that he and Angela

580
00:28:59,880 --> 00:29:01,880
Speaker 1: are aren't going to let this affect their friendship. Neither

581
00:29:01,880 --> 00:29:04,360
Speaker 1: should he to Panga nods, You're both my friends, no

582
00:29:04,440 --> 00:29:07,400
Speaker 1: matter what happens. Sean looks to Corey for the same response,

583
00:29:07,440 --> 00:29:11,040
Speaker 1: and Corey, not so convincingly replies, yeah, you guys are

584
00:29:11,080 --> 00:29:15,120
Speaker 1: both my friends. Sean wonders, no matter what happens. Instead,

585
00:29:15,240 --> 00:29:17,880
Speaker 1: Corey adds, and I know you'll be together in the end,

586
00:29:18,080 --> 00:29:20,680
Speaker 1: and he walks out of the room. Sean shakes his head.

587
00:29:20,960 --> 00:29:25,080
Speaker 3: The television show, the television show.

588
00:29:25,320 --> 00:29:28,960
Speaker 1: Right in the end of the world in a grave together. Yeah,

589
00:29:30,360 --> 00:29:32,200
Speaker 1: and he walks out of the room. Sean shakes his head.

590
00:29:32,280 --> 00:29:34,240
Speaker 1: You try and tell that guy something's over, and he

591
00:29:34,520 --> 00:29:47,760
Speaker 1: just won't let it go. And then we're in our

592
00:29:47,920 --> 00:29:52,160
Speaker 1: first college class, developmental Psychology. Jack, Eric and Rachel are

593
00:29:52,160 --> 00:29:55,200
Speaker 1: sitting together waiting for class to start. Jack turns to

594
00:29:55,200 --> 00:29:59,040
Speaker 1: get a glimpse of his classmates again, tall background actors.

595
00:29:59,240 --> 00:30:01,080
Speaker 2: Yes, I think because of Maitland.

596
00:30:01,360 --> 00:30:03,400
Speaker 1: Yeah, they needed to balance out some of that height.

597
00:30:04,760 --> 00:30:09,320
Speaker 1: And then uh, Jack nudges Eric, Hey, doesn't that guy

598
00:30:09,400 --> 00:30:12,240
Speaker 1: behind me look like mister Feenie. Eric warns him, Oh,

599
00:30:12,520 --> 00:30:15,680
Speaker 1: don't even feoene moved. He's closed that chapter in his

600
00:30:15,760 --> 00:30:17,320
Speaker 1: life and he opened a new one, and he calls

601
00:30:17,400 --> 00:30:21,160
Speaker 1: that new chapter chapter five. Rachel admits, I think he's right.

602
00:30:21,320 --> 00:30:22,800
Speaker 1: That guy does look like the guy in the poster

603
00:30:22,920 --> 00:30:27,240
Speaker 1: by your bed. Eric finally turns to look and guess

604
00:30:27,280 --> 00:30:30,160
Speaker 1: who's sitting behind them. It's mister Feenie. He greets his

605
00:30:30,200 --> 00:30:32,600
Speaker 1: old pal with a casual how you doing, Eric?

606
00:30:33,080 --> 00:30:34,320
Speaker 3: How you doing?

607
00:30:34,400 --> 00:30:36,000
Speaker 2: With that's right?

608
00:30:36,200 --> 00:30:36,720
Speaker 1: How you doing?

609
00:30:37,680 --> 00:30:38,160
Speaker 2: How you doing?

610
00:30:39,320 --> 00:30:44,320
Speaker 1: Eric scoffs, you think that kid's Feenie? Jack sarcastically says

611
00:30:44,400 --> 00:30:46,600
Speaker 1: he's pretty sure. So Eric is going to ask a

612
00:30:46,680 --> 00:30:48,800
Speaker 1: question that only mister Feenie would know the answer to.

613
00:30:49,240 --> 00:30:52,520
Speaker 1: He turns around and gets very serious. Are you George Feeney?

614
00:30:52,880 --> 00:30:56,000
Speaker 1: Feeney responds with a straight face, it's me, you, moron.

615
00:30:57,360 --> 00:31:01,160
Speaker 1: Eric is ecstatic. Correct, Hey, mister Feenie, you couldn't stay

616
00:31:01,160 --> 00:31:04,000
Speaker 1: away from me. Eric embraces his neighbor, and then phoene

617
00:31:04,120 --> 00:31:06,960
Speaker 1: shakes Jack's hand. He introduces himself to Rachel, who says

618
00:31:07,040 --> 00:31:09,320
Speaker 1: Eric talks about him all the time. It's so nice

619
00:31:09,360 --> 00:31:11,040
Speaker 1: to finally meet Eric's grandpa.

620
00:31:13,080 --> 00:31:17,000
Speaker 3: This is just another example of amazing acting by Bill,

621
00:31:17,320 --> 00:31:21,200
Speaker 3: his ability to come downstairs, introduce himself to Rachel, and

622
00:31:21,320 --> 00:31:25,320
Speaker 3: then still block himself up stage so that the camera.

623
00:31:25,880 --> 00:31:28,440
Speaker 3: I saw it, and it's like it's an actor who's

624
00:31:28,480 --> 00:31:31,960
Speaker 3: done stage his entire life. It doesn't bump anybody, but

625
00:31:32,040 --> 00:31:32,880
Speaker 3: it watch it.

626
00:31:33,000 --> 00:31:34,800
Speaker 2: It makes no logical sense.

627
00:31:35,040 --> 00:31:38,720
Speaker 3: Human beings don't do this, and yet Bill Daniels boom

628
00:31:38,880 --> 00:31:40,400
Speaker 3: and you're like, you believe it, You believe it.

629
00:31:41,280 --> 00:31:44,480
Speaker 1: He's such a bro ye look so well, it's so funny.

630
00:31:44,520 --> 00:31:47,040
Speaker 1: And notice that moment because I also noticed that moment

631
00:31:47,200 --> 00:31:50,520
Speaker 1: was a beautiful block beautiful, and I wondered, was that

632
00:31:50,600 --> 00:31:52,240
Speaker 1: on a peg? Didn't we just raise up high?

633
00:31:52,600 --> 00:31:54,600
Speaker 3: You're sitting there going like this is one of those

634
00:31:54,640 --> 00:31:57,000
Speaker 3: moments that most of the time as a director you're like,

635
00:31:57,360 --> 00:31:57,880
Speaker 3: just try it?

636
00:31:58,160 --> 00:31:58,560
Speaker 2: Could you just?

637
00:31:58,880 --> 00:31:59,920
Speaker 3: I know it feels awkward.

638
00:32:00,000 --> 00:32:01,040
Speaker 1: I'm gonna put a mark down.

639
00:32:00,880 --> 00:32:01,760
Speaker 2: Before you weak enough.

640
00:32:01,840 --> 00:32:03,920
Speaker 3: We won't think about it. And you have to like

641
00:32:04,120 --> 00:32:07,320
Speaker 3: argue into this because it's really doesn't make any sense.

642
00:32:07,440 --> 00:32:10,160
Speaker 3: Bill just freaking up, and you know, McCracken didn't have

643
00:32:10,200 --> 00:32:11,760
Speaker 3: to say a word. Bill was just like all right,

644
00:32:11,800 --> 00:32:14,640
Speaker 3: I'll come down here and just fall into place.

645
00:32:15,520 --> 00:32:18,920
Speaker 1: So great, Phoene is beside himself. You're what Eric says,

646
00:32:19,360 --> 00:32:21,680
Speaker 1: maybe someday, which is.

647
00:32:25,800 --> 00:32:27,000
Speaker 2: That such a hope for him?

648
00:32:27,120 --> 00:32:34,640
Speaker 1: It's such a hope. I mean, you'd have to marry

649
00:32:34,760 --> 00:32:38,000
Speaker 1: his granddaughter, and then he could you could just call

650
00:32:38,360 --> 00:32:39,000
Speaker 1: my grandfather.

651
00:32:39,240 --> 00:32:39,400
Speaker 4: You know.

652
00:32:40,920 --> 00:32:43,880
Speaker 3: We asked Phoene's niece was your first kids?

653
00:32:44,160 --> 00:32:44,640
Speaker 2: Right? Yeah?

654
00:32:45,560 --> 00:32:46,719
Speaker 3: So is that Myron's?

655
00:32:48,560 --> 00:32:50,560
Speaker 2: Is that Mildred's kid?

656
00:32:50,800 --> 00:32:54,479
Speaker 3: Myron? We got to write a favorite.

657
00:32:54,800 --> 00:32:56,640
Speaker 2: We got to figure out the Foe family tree. Yep.

658
00:32:58,760 --> 00:33:01,640
Speaker 1: Jack asks Phoene why he there, and Eric answers for him.

659
00:33:02,040 --> 00:33:04,680
Speaker 1: He couldn't stay away from me. He's conveniently come back

660
00:33:04,760 --> 00:33:08,080
Speaker 1: to teach this class. Phoene clarifies, I actually came back

661
00:33:08,080 --> 00:33:10,360
Speaker 1: to be a student. Retired life didn't turn out to

662
00:33:10,400 --> 00:33:12,880
Speaker 1: be what I was looking for. Just then, the professor,

663
00:33:13,080 --> 00:33:16,680
Speaker 1: a familiar looking Dean Bolander, walks in and welcomes everyone

664
00:33:16,760 --> 00:33:18,040
Speaker 1: to developmental psychology.

665
00:33:18,280 --> 00:33:23,760
Speaker 2: She's just commands this space. Ye, so she teaches. She

666
00:33:23,880 --> 00:33:26,600
Speaker 2: explains it later, she does, she talks about it. She

667
00:33:26,680 --> 00:33:27,400
Speaker 2: talks about it later.

668
00:33:27,600 --> 00:33:33,480
Speaker 1: She fully mentions it's teaching. Dean, She's a teaching Dean, okay, uh,

669
00:33:33,760 --> 00:33:35,720
Speaker 1: she's in a rotten mood and she doesn't check her

670
00:33:35,800 --> 00:33:38,640
Speaker 1: mood at the door. Phoene seems slightly horned up by

671
00:33:38,640 --> 00:33:41,959
Speaker 1: this teacher and blurts out, oh my, oh my, forcing

672
00:33:42,200 --> 00:33:43,960
Speaker 1: Eric to command down.

673
00:33:44,040 --> 00:33:44,280
Speaker 3: Boy.

674
00:33:45,200 --> 00:33:47,960
Speaker 1: Dean Bolander announces their first group project will be an

675
00:33:48,000 --> 00:33:51,200
Speaker 1: exploration of human nature. Is a person able to alter

676
00:33:51,400 --> 00:33:55,400
Speaker 1: the trait ingrained in his behavioral makeup since childhood? She says,

677
00:33:55,400 --> 00:33:57,680
Speaker 1: students will need to pick a partner, and Eric yel's.

678
00:33:57,720 --> 00:34:00,880
Speaker 1: I called Jack. Jack is embarrassed, What are you doing?

679
00:34:01,320 --> 00:34:03,760
Speaker 1: Eric smirks, I knew you'd ask Rachel to be your partner,

680
00:34:03,840 --> 00:34:06,120
Speaker 1: so I got you before you could get to her.

681
00:34:07,160 --> 00:34:09,520
Speaker 1: Behind them, Rachel asks Phoeni to be her partner, and

682
00:34:09,600 --> 00:34:12,920
Speaker 1: he happily agrees. Jack wonders, why didn't you ask Rachel

683
00:34:12,960 --> 00:34:15,560
Speaker 1: to be your partner before I got the chance. Eric

684
00:34:15,640 --> 00:34:19,520
Speaker 1: ponders the question, M it's hard to say. He draps

685
00:34:19,560 --> 00:34:21,880
Speaker 1: himself on his head. I don't have a lot of

686
00:34:21,960 --> 00:34:29,959
Speaker 1: control on what goes on up here. This, this part

687
00:34:30,000 --> 00:34:32,480
Speaker 1: of you being dumb for lack of a better word,

688
00:34:32,600 --> 00:34:41,759
Speaker 1: is so endearing to me, The part where you go hmmm, valid, yes,

689
00:34:41,840 --> 00:34:46,080
Speaker 1: The self reflecting like, you're right, that was dumb. I

690
00:34:46,120 --> 00:34:47,200
Speaker 1: don't have that much control.

691
00:34:47,360 --> 00:34:52,239
Speaker 2: I just look in my hair. I am gorgeous hair.

692
00:34:56,760 --> 00:34:58,680
Speaker 1: This is the will that needed a spin off for sure.

693
00:35:00,239 --> 00:35:03,080
Speaker 1: And then Corey' and Corey in Sean's dorm. Corey joyfully

694
00:35:03,120 --> 00:35:05,000
Speaker 1: walks down the hall to find a rubber band on

695
00:35:05,080 --> 00:35:09,880
Speaker 1: his doorknob. Completely oblivious, he admires the find Nino and

696
00:35:10,080 --> 00:35:12,560
Speaker 1: blindly opens the door, only to be surprised to see

697
00:35:12,600 --> 00:35:16,160
Speaker 1: Sean sitting on his bed with a girl. Corey, slightly disgusted,

698
00:35:16,280 --> 00:35:19,680
Speaker 1: asks who are you. Sean introduces Cameron to Corey and

699
00:35:19,760 --> 00:35:23,280
Speaker 1: his roommate, the rubber band man. He adds that rubber

700
00:35:23,320 --> 00:35:26,480
Speaker 1: band was on the door for a reason. Corey giggles

701
00:35:26,560 --> 00:35:28,240
Speaker 1: and then, in a little bit of a French accent,

702
00:35:28,600 --> 00:35:33,280
Speaker 1: a little prison for me. Sean asks Cameron to excuse

703
00:35:33,320 --> 00:35:34,920
Speaker 1: them for a moment and pulls Corey out into the

704
00:35:34,960 --> 00:35:37,960
Speaker 1: hallway with the door shut. Sean explains, if there's a

705
00:35:38,040 --> 00:35:40,279
Speaker 1: rubber band on the door, it means the room is

706
00:35:40,360 --> 00:35:43,880
Speaker 1: accuba THO get it. Corey judgingly asks how he can

707
00:35:43,920 --> 00:35:45,800
Speaker 1: be with another girl so soon? Shouldn't there be a

708
00:35:45,880 --> 00:35:49,160
Speaker 1: morning period? Sean can't hide his laughter. No one died.

709
00:35:49,360 --> 00:35:51,080
Speaker 1: Angela and I broke up. She's fine with it, and

710
00:35:51,120 --> 00:35:53,080
Speaker 1: I'm fine with it, So why don't you put that

711
00:35:53,160 --> 00:35:55,880
Speaker 1: back on the door and get Sean re enters the room,

712
00:35:55,960 --> 00:35:58,760
Speaker 1: and Corey begrudgingly places the rubber band back on the doorknob.

713
00:35:58,960 --> 00:36:01,360
Speaker 1: Just as Angela walks out of her dorm. She creeps

714
00:36:01,440 --> 00:36:04,160
Speaker 1: up on Corey and asks what he's doing. Corey freezes up.

715
00:36:04,520 --> 00:36:06,359
Speaker 1: She asks about the stretched rubber band on the door,

716
00:36:06,400 --> 00:36:08,960
Speaker 1: and Corey nervously blurts out, it's fine and it has

717
00:36:09,040 --> 00:36:12,520
Speaker 1: nothing to do with what's behind the door. Angela playfully inquires,

718
00:36:12,719 --> 00:36:15,480
Speaker 1: Sean got a girl in there. Corey laughs, A, don't

719
00:36:15,480 --> 00:36:19,879
Speaker 1: be silly, Angela. I was just exercising, and this whole

720
00:36:19,920 --> 00:36:22,360
Speaker 1: little beat of him exercising and all of this is

721
00:36:22,560 --> 00:36:26,399
Speaker 1: so funny, and he's having so much fun and it's

722
00:36:26,480 --> 00:36:30,560
Speaker 1: so nice to see him like this. He continuously pulls

723
00:36:30,560 --> 00:36:33,080
Speaker 1: the rubber band from the door and huffs feel the burn.

724
00:36:33,840 --> 00:36:37,720
Speaker 1: Angela assures him he doesn't need to do that. Corey's flattered, Thanks,

725
00:36:37,840 --> 00:36:41,320
Speaker 1: but I wasn't just born with this body. But Angela

726
00:36:41,360 --> 00:36:43,920
Speaker 1: insists she's okay with Sean. Having a girl in there.

727
00:36:44,120 --> 00:36:48,080
Speaker 1: Corey siys, yeah, he said you would be. Angela surprised

728
00:36:48,560 --> 00:36:51,120
Speaker 1: he did. She tries to laugh it off. It's none

729
00:36:51,120 --> 00:36:53,800
Speaker 1: of my business anyways. Why should I care, Corey answers,

730
00:36:53,840 --> 00:36:55,920
Speaker 1: because you should care. I don't understand how you can

731
00:36:55,960 --> 00:36:58,520
Speaker 1: both be so calm about this. Angela cuts him off.

732
00:36:58,800 --> 00:37:01,840
Speaker 1: Drop it, Corey, I'm fine, Corey pushes. If it's bothering you,

733
00:37:01,920 --> 00:37:04,839
Speaker 1: you should really tell me. Angela scoffs. There's nothing to tell.

734
00:37:05,040 --> 00:37:06,880
Speaker 1: It's not bothering me, so why should it bother you?

735
00:37:07,520 --> 00:37:10,200
Speaker 1: Corey states, I'm just trying to be a friend. Angela

736
00:37:10,280 --> 00:37:13,040
Speaker 1: appreciates it, but they were never really friends to begin with.

737
00:37:13,560 --> 00:37:16,000
Speaker 1: She walks into the co ed bathroom and he's clearly

738
00:37:16,080 --> 00:37:21,239
Speaker 1: heard about the situation and wonders aloud what And then

739
00:37:21,719 --> 00:37:26,440
Speaker 1: we see Tapanga and Angela's dorm Tapega is doing homework

740
00:37:26,480 --> 00:37:26,839
Speaker 1: on her bed.

741
00:37:26,880 --> 00:37:28,120
Speaker 3: Why don't this room?

742
00:37:28,200 --> 00:37:28,920
Speaker 2: Do you? Not?

743
00:37:29,280 --> 00:37:31,319
Speaker 1: One iota? I don't think we ever see it again?

744
00:37:31,760 --> 00:37:34,279
Speaker 2: No, I think we do because at some point, and

745
00:37:34,440 --> 00:37:36,319
Speaker 2: you're gonna be like what, you and I end up

746
00:37:36,360 --> 00:37:41,239
Speaker 2: in bed together? Yep? What?

747
00:37:41,840 --> 00:37:42,040
Speaker 1: Yep?

748
00:37:42,560 --> 00:37:43,839
Speaker 2: You and I end up in bed?

749
00:37:44,160 --> 00:37:47,040
Speaker 3: Don't you also? There's also when Fred came on as

750
00:37:47,080 --> 00:37:48,960
Speaker 3: a teacher. Wasn't it in your dorm room? Yeah?

751
00:37:49,120 --> 00:37:49,520
Speaker 2: I think so.

752
00:37:49,760 --> 00:37:50,719
Speaker 3: I think it was in this room.

753
00:37:50,840 --> 00:37:53,680
Speaker 2: Yeah, he makes the move on you. Which one's throwing

754
00:37:53,719 --> 00:37:55,320
Speaker 2: you more? You don't? Do you not remember you and

755
00:37:55,400 --> 00:37:56,200
Speaker 2: I being in bed together?

756
00:37:56,320 --> 00:37:57,800
Speaker 1: Why are you and I in bed together?

757
00:37:57,960 --> 00:38:02,600
Speaker 2: No? I do so Eric, if memory serves, Eric gets

758
00:38:02,719 --> 00:38:05,440
Speaker 2: kicked out of the apartment, okay, and is looking for

759
00:38:05,560 --> 00:38:08,399
Speaker 2: places to stay, and you get into bed one time

760
00:38:08,480 --> 00:38:10,320
Speaker 2: and I'm already in bed and I'm like, hey, roomy,

761
00:38:10,440 --> 00:38:13,040
Speaker 2: and we're like in bed together, and I think it

762
00:38:13,160 --> 00:38:17,839
Speaker 2: was in your dorm room. Yeah, yep.

763
00:38:18,120 --> 00:38:20,200
Speaker 3: I had these sets for a long time, and yeah,

764
00:38:20,200 --> 00:38:22,239
Speaker 3: I don't remember any of them. I don't like that

765
00:38:22,360 --> 00:38:23,040
Speaker 3: away set.

766
00:38:23,200 --> 00:38:26,520
Speaker 1: I know, it's I don't like what dorms.

767
00:38:26,920 --> 00:38:28,520
Speaker 3: Yeah, the whole dorm situation is.

768
00:38:28,600 --> 00:38:30,560
Speaker 2: Just not is that kind of how it's supposed to

769
00:38:30,600 --> 00:38:32,080
Speaker 2: be with dorms though? There was supposed to be kind

770
00:38:32,080 --> 00:38:35,239
Speaker 2: of dingy and nasty and it's like your dorm it's sure, but.

771
00:38:35,320 --> 00:38:37,640
Speaker 3: That hallway is just useless as a set, Like it's

772
00:38:37,760 --> 00:38:40,120
Speaker 3: just it's just the standing room. Like there's just this

773
00:38:40,320 --> 00:38:43,160
Speaker 3: literally like a hallway and like this weird.

774
00:38:43,040 --> 00:38:45,960
Speaker 1: Corner places for people to have conversations before they enter

775
00:38:46,080 --> 00:38:47,640
Speaker 1: either the bathroom or their dorm room.

776
00:38:47,640 --> 00:38:47,960
Speaker 2: It doesn't.

777
00:38:48,000 --> 00:38:48,399
Speaker 3: Yeah, don't.

778
00:38:48,520 --> 00:38:51,400
Speaker 2: Also, they never talk ever about why Eric gets an

779
00:38:51,440 --> 00:38:53,839
Speaker 2: apartment when he goes to Penbrooke, but everybody else stays

780
00:38:53,840 --> 00:38:56,360
Speaker 2: in the dorms. I know, like Eric never stayed in

781
00:38:56,400 --> 00:38:58,000
Speaker 2: the dorms ever, went right to moving in.

782
00:38:58,040 --> 00:39:01,000
Speaker 3: With Jack and Sean got kicked out of his apartment

783
00:39:01,080 --> 00:39:02,160
Speaker 3: to move into a dorm for me.

784
00:39:02,760 --> 00:39:03,120
Speaker 2: Yeah.

785
00:39:03,200 --> 00:39:05,520
Speaker 1: Also, when Amy and Allen show up in the first

786
00:39:05,560 --> 00:39:07,960
Speaker 1: episode here, they say, he doesn't know.

787
00:39:08,000 --> 00:39:09,000
Speaker 3: We're here here right?

788
00:39:09,120 --> 00:39:09,319
Speaker 2: Yeah?

789
00:39:09,480 --> 00:39:11,160
Speaker 1: Yeah, so I don't.

790
00:39:12,080 --> 00:39:12,600
Speaker 2: I don't know.

791
00:39:13,800 --> 00:39:16,319
Speaker 1: So Tebanka's doing homework on her bed while Corey's self

792
00:39:16,400 --> 00:39:18,400
Speaker 1: destructs next to her. How could she not like me?

793
00:39:18,520 --> 00:39:20,720
Speaker 1: How can she say I'm not her friend? I'm Corey?

794
00:39:21,160 --> 00:39:23,600
Speaker 1: Tapanga talks him off the ledge. You know, Angela likes you,

795
00:39:23,719 --> 00:39:25,640
Speaker 1: she just doesn't really know you. Well, you have to

796
00:39:25,719 --> 00:39:27,360
Speaker 1: admit you never really took the time to get to

797
00:39:27,400 --> 00:39:30,120
Speaker 1: know her. Corey's defensive. What are you talking about? She's

798
00:39:30,120 --> 00:39:32,000
Speaker 1: been going out with my best friend for over a year.

799
00:39:32,520 --> 00:39:34,400
Speaker 1: Topanga asks when the four of us went out, how

800
00:39:34,480 --> 00:39:36,319
Speaker 1: many times did you pull her aside and talk to her.

801
00:39:36,520 --> 00:39:41,600
Speaker 1: He guesses eight hundred times. Tapega corrects him, not once, Corey.

802
00:39:42,000 --> 00:39:42,680
Speaker 1: Corey trices.

803
00:39:42,760 --> 00:39:45,600
Speaker 3: I just loved this whole bit. It was really nice.

804
00:39:45,719 --> 00:39:50,120
Speaker 3: It's like an awareness that our show. I don't know,

805
00:39:50,200 --> 00:39:52,320
Speaker 3: it's it's just a cool bit. I just love whenever

806
00:39:52,400 --> 00:39:54,560
Speaker 3: Corey is like, oh, the whole world does not revolve

807
00:39:54,600 --> 00:39:57,040
Speaker 3: around you, dude, It's like me, it's always nice when

808
00:39:57,080 --> 00:39:58,120
Speaker 3: our show has that moment.

809
00:39:58,360 --> 00:40:00,600
Speaker 1: It's also really nice to see a little bit of

810
00:40:00,640 --> 00:40:04,879
Speaker 1: an insight into the Corey Intopanga relationship where like they're

811
00:40:04,960 --> 00:40:08,880
Speaker 1: having a real conversation. They're having a real conversation about

812
00:40:08,960 --> 00:40:12,400
Speaker 1: one of their friends, where Corey is mouthing off about

813
00:40:12,480 --> 00:40:15,600
Speaker 1: something and she's going, Corey, none of that's true, Corey,

814
00:40:15,719 --> 00:40:18,080
Speaker 1: your perception is just wrong, Bud, let me tell you.

815
00:40:18,280 --> 00:40:23,080
Speaker 1: And he's going, wait, really, It's like we never get

816
00:40:23,200 --> 00:40:26,120
Speaker 1: to see them workout problems together ever.

817
00:40:26,880 --> 00:40:28,680
Speaker 2: And I also think it's really nice because I think

818
00:40:28,680 --> 00:40:31,600
Speaker 2: it's an insight into somebody like Barbie Feldman, who's writing

819
00:40:31,640 --> 00:40:34,600
Speaker 2: the script, probably going, you do realize we've never had

820
00:40:34,600 --> 00:40:36,719
Speaker 2: a scene where Corey even tries to get to know

821
00:40:37,040 --> 00:40:40,160
Speaker 2: and Ya yeah, and I think there's something to that too,

822
00:40:40,239 --> 00:40:41,840
Speaker 2: where a new writer is kind of and she's not

823
00:40:41,880 --> 00:40:43,719
Speaker 2: a new writer, but a new voice in the room

824
00:40:43,840 --> 00:40:45,960
Speaker 2: kind of coming in going like, you guys are missing

825
00:40:46,120 --> 00:40:49,200
Speaker 2: nine different relationships here. Yeah, and it's like, here's one

826
00:40:49,280 --> 00:40:51,239
Speaker 2: we should start to talk about. And so that's why

827
00:40:51,320 --> 00:40:52,840
Speaker 2: when I saw her name, I was like, ah, that

828
00:40:53,000 --> 00:40:53,479
Speaker 2: makes sense.

829
00:40:54,920 --> 00:40:57,200
Speaker 1: So Corey tries to push the blame onto Angela. She

830
00:40:57,320 --> 00:40:59,839
Speaker 1: never took me aside either. Tapega tells him to let

831
00:40:59,880 --> 00:41:02,000
Speaker 1: it go, but Corey laughs at the thought, when do

832
00:41:02,120 --> 00:41:06,520
Speaker 1: I ever let anything go to Pega dangles a rubber

833
00:41:06,560 --> 00:41:08,719
Speaker 1: band in front of him. We have the room to ourselves.

834
00:41:09,200 --> 00:41:12,320
Speaker 1: She holds onto the rubber band, which completely disregards the

835
00:41:12,360 --> 00:41:15,320
Speaker 1: point of her offer, and they very awkwardly shuffle to

836
00:41:15,400 --> 00:41:18,840
Speaker 1: the bed. They lay down and again have a makeout sash.

837
00:41:18,840 --> 00:41:20,400
Speaker 2: Which you can do. What do you need a rubber

838
00:41:20,440 --> 00:41:22,359
Speaker 2: band for? Because you do that in the student union,

839
00:41:22,400 --> 00:41:25,120
Speaker 2: you're not going any farther, so you know who cares well.

840
00:41:25,160 --> 00:41:26,560
Speaker 1: And that's my point is that I'm like, I have

841
00:41:26,600 --> 00:41:28,560
Speaker 1: the rubber band, and then we just ignore the rubber

842
00:41:28,640 --> 00:41:30,040
Speaker 1: band and we walk on.

843
00:41:30,160 --> 00:41:31,440
Speaker 2: I think you should have just walked up with the

844
00:41:31,480 --> 00:41:33,560
Speaker 2: rubber band, snapped him on the nipple to show that

845
00:41:33,640 --> 00:41:35,200
Speaker 2: this is what he likes, and then gone from there

846
00:41:35,440 --> 00:41:37,640
Speaker 2: like that, you find out Corey's freaky.

847
00:41:37,800 --> 00:41:38,000
Speaker 3: Yeah.

848
00:41:38,080 --> 00:41:40,720
Speaker 1: They start making out and then Corey pulls away, forcing

849
00:41:40,800 --> 00:41:43,919
Speaker 1: Topanga to ask what Corey asks again ruining the mood.

850
00:41:44,200 --> 00:41:47,239
Speaker 1: How could she not like me? And then we're back

851
00:41:47,280 --> 00:41:50,600
Speaker 1: in developmental psychology class. As students file in. Before the class,

852
00:41:51,000 --> 00:41:55,840
Speaker 1: Eric stands in front doing a series of karate kid moves.

853
00:41:56,000 --> 00:41:58,160
Speaker 2: Yes, was this in the script? Or is this house?

854
00:41:58,360 --> 00:42:00,000
Speaker 1: No idea just starting the scene.

855
00:41:59,880 --> 00:42:02,320
Speaker 2: Like this, I absolutely have no idea. I don't know

856
00:42:02,360 --> 00:42:06,440
Speaker 2: where that came from, why it was happening funny movements.

857
00:42:07,040 --> 00:42:09,120
Speaker 1: When the dean enters, he quickly takes a seat as

858
00:42:09,160 --> 00:42:11,560
Speaker 1: the other students continue to chat. The dean tries to

859
00:42:11,600 --> 00:42:14,760
Speaker 1: get their attention, but no avail. Phoene shouts, everybody pipe

860
00:42:14,800 --> 00:42:17,880
Speaker 1: down and the class turns silent. Phoene grins at the professor.

861
00:42:18,120 --> 00:42:21,840
Speaker 1: They're all yours. Dean Bolander questions, you've done this before? George.

862
00:42:22,120 --> 00:42:24,799
Speaker 1: Phoene whispers to Rachel with glee, she knows my name.

863
00:42:25,680 --> 00:42:28,200
Speaker 1: The professor asks if there are any brave volunteers to

864
00:42:28,280 --> 00:42:31,440
Speaker 1: start them off, and Phoenie immediately raises his hand with enthusiasm.

865
00:42:31,840 --> 00:42:34,480
Speaker 1: Rachel asks what he's doing. Phoene tells her to trust him.

866
00:42:34,520 --> 00:42:37,760
Speaker 1: Teachers love firsters, and they will set an impossible standard

867
00:42:37,800 --> 00:42:40,160
Speaker 1: for the rest of the class. He raises his hand again,

868
00:42:40,200 --> 00:42:42,840
Speaker 1: so Dean Bolander picks them to start things off. Rachel

869
00:42:42,880 --> 00:42:46,120
Speaker 1: begs Phoenie not to go first. She can't. Phoene assures

870
00:42:46,160 --> 00:42:48,440
Speaker 1: her they have a great presentation and ushers her up

871
00:42:48,480 --> 00:42:50,719
Speaker 1: to the front. Eric jumps up. If they aren't ready,

872
00:42:50,800 --> 00:42:53,279
Speaker 1: Jack and I are ready to prove. He stops mid

873
00:42:53,360 --> 00:42:54,799
Speaker 1: sentence and ask Jacks.

874
00:42:54,600 --> 00:42:55,200
Speaker 2: What was her thing?

875
00:42:55,760 --> 00:42:59,799
Speaker 1: What was our thing? Regardless, Feenie and Rachel have taken

876
00:42:59,840 --> 00:43:02,520
Speaker 1: the podium to begin. Phoene tells her to go ahead

877
00:43:02,560 --> 00:43:04,840
Speaker 1: with the presentation, but Rachel stares wide eyed into the

878
00:43:04,880 --> 00:43:06,920
Speaker 1: class and begs him to do it. You do it,

879
00:43:07,440 --> 00:43:11,680
Speaker 1: you you. Phoene obliges. It is our postulation that free

880
00:43:11,760 --> 00:43:15,440
Speaker 1: will determines behavior and not one's environment. He throws it

881
00:43:15,520 --> 00:43:17,839
Speaker 1: over to Rachel, but she is still a panicked wreck.

882
00:43:18,360 --> 00:43:20,160
Speaker 1: She tries to tell the class what they're going to prove,

883
00:43:20,200 --> 00:43:23,040
Speaker 1: but can't quite get the words out, I am so nervous.

884
00:43:23,520 --> 00:43:25,800
Speaker 1: Phoene tries to alleviate the pressure by taking over the

885
00:43:25,960 --> 00:43:28,600
Speaker 1: entire presentation, posing a question to the class that Jack

886
00:43:28,760 --> 00:43:33,080
Speaker 1: raises his hand to answer. Jack's response supports the presentation's claims,

887
00:43:33,120 --> 00:43:36,560
Speaker 1: and Phoene nods, very good, mister hunter. Eric sneers at him,

888
00:43:36,880 --> 00:43:40,600
Speaker 1: very good, mister suck up to the teacher. Jack reminds

889
00:43:40,680 --> 00:43:43,560
Speaker 1: him he's not the teacher, so Eric asks, why'd you

890
00:43:43,640 --> 00:43:48,239
Speaker 1: answer him? Jack admits his will is too strong. Dean

891
00:43:48,320 --> 00:43:52,040
Speaker 1: Bolander digs deeper, you're suggesting that environment has no effect

892
00:43:52,120 --> 00:43:55,480
Speaker 1: on behavior. Phoene holds up his hand to silence her.

893
00:43:55,920 --> 00:43:59,200
Speaker 1: There will be ample time for questions after my presentation.

894
00:44:00,120 --> 00:44:03,080
Speaker 1: The inmates in the audience let out an oh yah,

895
00:44:04,200 --> 00:44:07,919
Speaker 1: and Phoenie adds and a hand raise wouldn't kill you. Oh.

896
00:44:09,560 --> 00:44:12,560
Speaker 1: The Dean storms up to him in response to the disrespect,

897
00:44:12,920 --> 00:44:17,840
Speaker 1: excuse me, and Phoene is very embarrassed. He apologizes and

898
00:44:17,920 --> 00:44:20,680
Speaker 1: admits he has no idea what got into him. He

899
00:44:20,760 --> 00:44:23,360
Speaker 1: asks Rachel to continue with their thesis, and she shrugs,

900
00:44:23,640 --> 00:44:26,800
Speaker 1: I can't. He encourages her, You're an excellent student and

901
00:44:26,960 --> 00:44:30,959
Speaker 1: very well prepared. Rachel clarifies, No, I mean, I can't

902
00:44:31,000 --> 00:44:33,520
Speaker 1: continue with our theory, but I think I can do

903
00:44:33,600 --> 00:44:38,040
Speaker 1: the presentation now, Rachel continues, as my partner just demonstrated

904
00:44:38,400 --> 00:44:42,440
Speaker 1: our theory was all wrong. Phoene's confused. So Rachel explains,

905
00:44:42,880 --> 00:44:46,480
Speaker 1: environment obviously has a stronger effect on behavior than we realized.

906
00:44:47,120 --> 00:44:49,960
Speaker 1: Phoeni argues, but you're not nervous now, you have overcome

907
00:44:50,000 --> 00:44:55,640
Speaker 1: your environment. Rachel nods, yeah, but you haven't. This hits

908
00:44:55,680 --> 00:44:57,840
Speaker 1: Phoenie like a ton of bricks and we had a

909
00:44:57,920 --> 00:45:00,919
Speaker 1: long pause to let it all see sinking.

910
00:45:01,800 --> 00:45:01,920
Speaker 2: Uh.

911
00:45:02,320 --> 00:45:05,680
Speaker 1: Nice, This was a great little scene. I thought, Maitland

912
00:45:05,800 --> 00:45:09,759
Speaker 1: was wonderful. Yep, I thought, I love that they tied

913
00:45:09,840 --> 00:45:11,200
Speaker 1: in this little theory.

914
00:45:11,680 --> 00:45:17,319
Speaker 3: Uh, I thought, yeah, you thought laid on too thick.

915
00:45:17,360 --> 00:45:19,880
Speaker 3: And also just I don't know, I mean it just

916
00:45:20,040 --> 00:45:22,520
Speaker 3: maybe just a rewrite. Something's off for me. It wasn't

917
00:45:22,640 --> 00:45:24,760
Speaker 3: like I was like, oh, we're going to do the environment.

918
00:45:24,880 --> 00:45:26,879
Speaker 3: There her turn at the end. I was like, wait,

919
00:45:27,120 --> 00:45:28,160
Speaker 3: now she's comfortable.

920
00:45:28,360 --> 00:45:30,120
Speaker 2: And that was the only part situation.

921
00:45:31,800 --> 00:45:33,880
Speaker 3: I don't know. It was also like undercut by the

922
00:45:34,040 --> 00:45:35,879
Speaker 3: opening of the scene, Like the opening of the scene

923
00:45:35,920 --> 00:45:38,560
Speaker 3: is Phoenie taking control of the room for Bolander, Like

924
00:45:38,640 --> 00:45:41,360
Speaker 3: he literally does the thing that he then does already,

925
00:45:41,400 --> 00:45:43,719
Speaker 3: so it's like, what's already happened, Like we already know

926
00:45:43,800 --> 00:45:46,120
Speaker 3: that he's the teacher and he's taking control for you.

927
00:45:46,400 --> 00:45:46,680
Speaker 2: So what.

928
00:45:46,920 --> 00:45:51,320
Speaker 3: Yeah, it just felt, yeah, felt obvious and predictable and

929
00:45:51,719 --> 00:45:53,080
Speaker 3: just kind of I liked it.

930
00:45:53,200 --> 00:45:56,400
Speaker 1: It definitely was obvious, and we definitely saw little moments

931
00:45:56,440 --> 00:45:59,480
Speaker 1: in it. It felt very sit calmy, but also it

932
00:45:59,560 --> 00:46:02,040
Speaker 1: felt it was kind of comforting. It was kind of

933
00:46:02,120 --> 00:46:05,719
Speaker 1: nice and like, you know, one of those one of

934
00:46:05,760 --> 00:46:08,400
Speaker 1: those old boy meets world things where this where the

935
00:46:08,480 --> 00:46:11,280
Speaker 1: book ties into what's going on in the real life situation.

936
00:46:11,520 --> 00:46:14,000
Speaker 2: And it's also Cheenie at the front of a classroom.

937
00:46:14,120 --> 00:46:16,560
Speaker 2: You can wrong with Feenie at the front of a classroom.

938
00:46:16,600 --> 00:46:20,800
Speaker 1: Also Feenie being rude and put in his place to appear.

939
00:46:20,960 --> 00:46:23,839
Speaker 1: We don't often get to see, you know, we get

940
00:46:23,880 --> 00:46:26,640
Speaker 1: to see that kind of a jokey situation with the

941
00:46:26,719 --> 00:46:29,400
Speaker 1: with the parents, with Amy and Allen and how they

942
00:46:29,480 --> 00:46:32,160
Speaker 1: interact as adults. But to see Foenie as a student

943
00:46:33,239 --> 00:46:35,160
Speaker 1: talk to a dean and get put in his place

944
00:46:35,239 --> 00:46:37,080
Speaker 1: the way any of us have been put in our

945
00:46:37,120 --> 00:46:39,080
Speaker 1: place by a Feoenie was kind of cute in.

946
00:46:39,120 --> 00:46:41,879
Speaker 2: That moment too, when you see Bill realize what he's

947
00:46:42,040 --> 00:46:44,440
Speaker 2: just done. I mean, those little acting moments for him

948
00:46:44,480 --> 00:46:46,840
Speaker 2: are just they're so they're effortless, they're just.

949
00:46:46,920 --> 00:47:00,719
Speaker 1: So good, so great. Then we're back into Panga. In

950
00:47:00,760 --> 00:47:02,880
Speaker 1: Angela's dorm. Angela is at her desk when there's a

951
00:47:02,960 --> 00:47:05,120
Speaker 1: knock at the door. It's Corey. He says hi to

952
00:47:05,160 --> 00:47:08,440
Speaker 1: Angela notices something. Oh look, I see you got my flowers.

953
00:47:08,760 --> 00:47:11,520
Speaker 1: But he wonders, huh, who sent you these balloons? He

954
00:47:11,600 --> 00:47:14,720
Speaker 1: looks at the tag, Oh, yeah, I did, he reads

955
00:47:14,840 --> 00:47:18,160
Speaker 1: from your friend Corey. Angela admits, I don't want you

956
00:47:18,239 --> 00:47:21,000
Speaker 1: to send me anything. He shrugs, well, it's too late.

957
00:47:21,400 --> 00:47:23,319
Speaker 1: He wonders what she's doing, and she says she's trying

958
00:47:23,360 --> 00:47:25,759
Speaker 1: to study. Corey mentions that one time they studied for

959
00:47:25,800 --> 00:47:29,000
Speaker 1: a test together. Wasn't that something? Angela shakes her head.

960
00:47:29,320 --> 00:47:33,080
Speaker 1: We never studied for anything together. Corey responds with hope, yeah,

961
00:47:33,160 --> 00:47:36,160
Speaker 1: but we did other stuff together, right, didn't we find

962
00:47:36,200 --> 00:47:39,920
Speaker 1: out how Stella got her groove back together? Angela laughs,

963
00:47:40,080 --> 00:47:43,719
Speaker 1: you are so down, brother, which is really I think

964
00:47:43,760 --> 00:47:46,399
Speaker 1: this is really funny that they just called it out.

965
00:47:46,440 --> 00:47:50,320
Speaker 1: He's such a try hard, not only trying with the

966
00:47:50,360 --> 00:47:53,400
Speaker 1: flowers and the balloons, but like making up experiences and

967
00:47:53,520 --> 00:47:55,840
Speaker 1: then naming a movie that he thinks she would have

968
00:47:55,960 --> 00:47:59,640
Speaker 1: seen because it started a black actress a quote unquote

969
00:47:59,640 --> 00:48:02,040
Speaker 1: black face, and then she just calls it right out. Oh,

970
00:48:03,280 --> 00:48:06,600
Speaker 1: it's the equivalent of now saying you are so woke.

971
00:48:06,880 --> 00:48:10,160
Speaker 1: Friend gets a little bit of the nineties version of that,

972
00:48:10,719 --> 00:48:15,960
Speaker 1: which is pretty funny. Corey gets serious, I want you

973
00:48:16,040 --> 00:48:18,080
Speaker 1: to know that your friendship is really important to me,

974
00:48:18,320 --> 00:48:21,600
Speaker 1: no matter what happens between you and Sean. Angela gets

975
00:48:21,680 --> 00:48:24,040
Speaker 1: up and grabs her towel without saying a word. Corey

976
00:48:24,120 --> 00:48:26,239
Speaker 1: asks where are you going, and she says she's going

977
00:48:26,320 --> 00:48:28,600
Speaker 1: to take a shower. Corey follows her out into the hall.

978
00:48:28,640 --> 00:48:30,960
Speaker 1: Why do you have to take a shower now, she admits,

979
00:48:31,080 --> 00:48:33,000
Speaker 1: because it's the one place I know you won't follow

980
00:48:33,120 --> 00:48:36,040
Speaker 1: me and walks inside. Corey tries to muster up the courage,

981
00:48:36,040 --> 00:48:38,879
Speaker 1: but he can't quite do it. Eventually, he rushes toward

982
00:48:38,960 --> 00:48:41,480
Speaker 1: the door and throws it open. Finally stepping inside the

983
00:48:41,560 --> 00:48:44,920
Speaker 1: dreaded co ed bathroom, he shouts out Angela and she

984
00:48:45,040 --> 00:48:47,680
Speaker 1: throws a shower curtain open in surprise. I thought she

985
00:48:47,760 --> 00:48:50,440
Speaker 1: were scared to death of this place, Corey admits, I'm

986
00:48:50,480 --> 00:48:52,759
Speaker 1: more scared of losing you. She rolls her eyes and

987
00:48:52,840 --> 00:48:54,880
Speaker 1: yanks the curtain clothes before grabbing her towel off the

988
00:48:54,880 --> 00:48:57,360
Speaker 1: hook and exiting. Corey shields his eyes, but then a

989
00:48:57,440 --> 00:48:59,880
Speaker 1: guy walks out of another shower and throws him into chaos.

990
00:49:00,280 --> 00:49:03,319
Speaker 1: He stands there awkwardly until Angela finally appears next to him.

991
00:49:03,719 --> 00:49:06,879
Speaker 1: She asks, Okay, what do you want with me? Corey

992
00:49:07,080 --> 00:49:08,879
Speaker 1: wants to know why she won't be friends with him.

993
00:49:09,120 --> 00:49:11,760
Speaker 1: Don't you think I'm worth being friends with? She assures

994
00:49:11,840 --> 00:49:14,080
Speaker 1: Corey it has nothing to do with him, and then

995
00:49:14,160 --> 00:49:17,480
Speaker 1: she gathers her things to leave. Corey guesses, it's Sean right.

996
00:49:18,120 --> 00:49:20,080
Speaker 1: Just because you broke up with Sean doesn't mean that

997
00:49:20,160 --> 00:49:23,920
Speaker 1: we can't be friends. Angela breaks the news. I didn't

998
00:49:23,960 --> 00:49:26,480
Speaker 1: break up with Sean. He broke up with me. Can

999
00:49:26,520 --> 00:49:28,800
Speaker 1: I get back to my shower now? Corey doesn't get it.

1000
00:49:29,040 --> 00:49:30,640
Speaker 1: What do you mean he broke up with you? He

1001
00:49:30,719 --> 00:49:34,040
Speaker 1: thinks it's mutual, Angela reveals, because that's what I want

1002
00:49:34,160 --> 00:49:36,600
Speaker 1: him to think. She tells Corey to stop asking her

1003
00:49:36,640 --> 00:49:38,680
Speaker 1: about this, but he wonders, why didn't you just tell

1004
00:49:38,760 --> 00:49:40,120
Speaker 1: him that you don't want to break up with him then?

1005
00:49:40,600 --> 00:49:43,640
Speaker 1: And Angela quips, Oh yeah, that's every girl's dream to

1006
00:49:43,719 --> 00:49:46,360
Speaker 1: beg somebody to stay with her. He needs his space,

1007
00:49:46,800 --> 00:49:49,480
Speaker 1: he wants to meet new people. Corey shakes his head. No,

1008
00:49:50,000 --> 00:49:52,680
Speaker 1: he's wrong. You know he's never going to find anybody

1009
00:49:52,719 --> 00:49:55,440
Speaker 1: as good as you. Angela tells him, you don't even

1010
00:49:55,520 --> 00:49:59,440
Speaker 1: know me. Corey agrees, you're right, I don't even know you.

1011
00:50:00,080 --> 00:50:01,520
Speaker 1: Why don't you give me a chance to get to

1012
00:50:01,600 --> 00:50:04,680
Speaker 1: know you. Angela admits that maybe Sean's right. We've all

1013
00:50:04,719 --> 00:50:06,960
Speaker 1: been together so long, it's just time for us to

1014
00:50:07,640 --> 00:50:13,320
Speaker 1: Corey demands that she shut up. Angela is shocked what

1015
00:50:14,320 --> 00:50:17,760
Speaker 1: Corey says it again, shut up. You couldn't be more wrong.

1016
00:50:18,239 --> 00:50:21,000
Speaker 1: Friendship is exactly what's going to get us all through this.

1017
00:50:21,840 --> 00:50:24,480
Speaker 1: Angela tries to argue, but Corey continues, and I am

1018
00:50:24,600 --> 00:50:27,400
Speaker 1: never going to go away. He places his hands on

1019
00:50:27,480 --> 00:50:31,120
Speaker 1: her shoulders and stares at her with intensity.

1020
00:50:30,480 --> 00:50:35,080
Speaker 2: So intense, never going anywhere like no Jesus, Yeah, I know.

1021
00:50:35,719 --> 00:50:38,960
Speaker 1: Angela says, you just don't get it, do you. It's

1022
00:50:39,000 --> 00:50:40,759
Speaker 1: hard enough to be in the same school with him,

1023
00:50:40,960 --> 00:50:43,200
Speaker 1: in the same class with him, and just when I

1024
00:50:43,239 --> 00:50:45,640
Speaker 1: get a moment where I'm not thinking about him, you

1025
00:50:45,760 --> 00:50:49,960
Speaker 1: want to come out and play. Corey is speechless. Angela continues,

1026
00:50:50,239 --> 00:50:51,800
Speaker 1: how do you expect me to hang out with you

1027
00:50:52,000 --> 00:50:55,360
Speaker 1: and not think about him? Corey argues, because I'm not Sean,

1028
00:50:55,840 --> 00:50:57,839
Speaker 1: I'm me and I know that if you just let

1029
00:50:57,920 --> 00:51:00,319
Speaker 1: me be friends with you, I promise I can make

1030
00:51:00,440 --> 00:51:05,080
Speaker 1: things better for you. And then sad music plays in

1031
00:51:05,120 --> 00:51:08,560
Speaker 1: the background as Angela asks him, you want to be

1032
00:51:08,640 --> 00:51:12,319
Speaker 1: my friend? Corey nodds. Angela prod's more, and you're gonna

1033
00:51:12,360 --> 00:51:15,399
Speaker 1: keep to yourself how I feel about him. Corey nods again,

1034
00:51:16,080 --> 00:51:17,839
Speaker 1: because I don't want him to stop looking for who

1035
00:51:17,920 --> 00:51:20,560
Speaker 1: he is because he feels sorry for me. Okay, so

1036
00:51:20,680 --> 00:51:22,879
Speaker 1: you promise me you're not going to say anything about

1037
00:51:22,960 --> 00:51:26,120
Speaker 1: this ever. Corey innocently asks, can I talk about it

1038
00:51:26,200 --> 00:51:30,720
Speaker 1: with Tabanga? Angela admits Tepanga doesn't know. Corey is shocked.

1039
00:51:30,960 --> 00:51:34,719
Speaker 1: Tapanga is your best friend. Angela nods, right, Corey can't

1040
00:51:34,760 --> 00:51:37,680
Speaker 1: believe it, and you haven't told her. She nods again.

1041
00:51:38,400 --> 00:51:42,160
Speaker 1: Corey realizes, but you told me. Corey gives her a

1042
00:51:42,239 --> 00:51:45,520
Speaker 1: soft smile and promises it'll stay between friends. They give

1043
00:51:45,560 --> 00:51:48,040
Speaker 1: each other a big hug as the music fades out.

1044
00:51:48,160 --> 00:51:51,520
Speaker 3: See this, I really I like this journey. I just

1045
00:51:51,560 --> 00:51:53,640
Speaker 3: wish it was more concrete, like I want it to be,

1046
00:51:53,880 --> 00:51:56,680
Speaker 3: like what if you know, let's say, you know, Sean

1047
00:51:56,800 --> 00:51:59,280
Speaker 3: chose a class, like he dropped a class with Angela

1048
00:51:59,360 --> 00:52:01,640
Speaker 3: and chose their class, and this other subject meets this

1049
00:52:01,719 --> 00:52:04,839
Speaker 3: other girl and has to say and that's what she's

1050
00:52:04,920 --> 00:52:07,040
Speaker 3: upset about. But she can't be upset about it because

1051
00:52:07,040 --> 00:52:10,800
Speaker 3: it's like, oh, Sean's into you know, Roman history or

1052
00:52:10,800 --> 00:52:13,960
Speaker 3: whatever the class is there. Then this scene would not

1053
00:52:14,120 --> 00:52:16,800
Speaker 3: be just the I'm letting him become his own person

1054
00:52:16,920 --> 00:52:20,400
Speaker 3: by dating other people. And it's all this abstract stuff

1055
00:52:20,400 --> 00:52:23,160
Speaker 3: that I don't know what, Like, yeah, you've just described everything,

1056
00:52:23,200 --> 00:52:26,200
Speaker 3: and I still can't tell you what she's She's basically saying, Corey,

1057
00:52:26,239 --> 00:52:28,160
Speaker 3: do you want to be my friend? Then keep information

1058
00:52:28,320 --> 00:52:30,600
Speaker 3: that I'm going through separate from Sean, But I don't

1059
00:52:30,600 --> 00:52:32,799
Speaker 3: even know what that information is, like that she.

1060
00:52:32,880 --> 00:52:35,200
Speaker 1: Didn't want you to be broken up, that she's really

1061
00:52:35,760 --> 00:52:37,759
Speaker 1: that you want to be with other women and she

1062
00:52:37,880 --> 00:52:38,800
Speaker 1: doesn't understand it.

1063
00:52:39,000 --> 00:52:41,680
Speaker 3: I just it's still so like, I don't know, it's

1064
00:52:41,719 --> 00:52:44,000
Speaker 3: just loose and weird, Like I just wanted to be concrete,

1065
00:52:44,080 --> 00:52:47,040
Speaker 3: Like I'm upset that he left this class and went

1066
00:52:47,160 --> 00:52:49,279
Speaker 3: did this with this other girl. Yeah, I'm'm upset about that,

1067
00:52:49,560 --> 00:52:51,480
Speaker 3: and I know I shouldn't be upset about it, but

1068
00:52:51,560 --> 00:52:53,759
Speaker 3: I am. Could you keep that from him? But it's

1069
00:52:54,080 --> 00:52:56,560
Speaker 3: I just wanted to be concrete, Like it's not a story.

1070
00:52:56,719 --> 00:52:59,879
Speaker 3: It's like we're talking. We're characters talking about our own

1071
00:53:00,120 --> 00:53:02,200
Speaker 3: characters in this. You know, it's set thing that just

1072
00:53:02,280 --> 00:53:03,000
Speaker 3: drives me crazy.

1073
00:53:03,280 --> 00:53:05,800
Speaker 2: It's like, what are we I just thought it was

1074
00:53:05,840 --> 00:53:08,520
Speaker 2: too intense. I just I would have It's like, can

1075
00:53:08,560 --> 00:53:12,080
Speaker 2: we racket down the performance one? I'm not going anywhere?

1076
00:53:12,560 --> 00:53:15,120
Speaker 3: Okay, But part of that is because it's about nothing.

1077
00:53:15,280 --> 00:53:20,560
Speaker 3: It's all unmotivated. It's all characters talking about their emotions

1078
00:53:20,640 --> 00:53:23,640
Speaker 3: in this like it's just not real. It's like that's

1079
00:53:23,680 --> 00:53:25,680
Speaker 3: not how. I don't know, man, it just drives me crazy,

1080
00:53:25,800 --> 00:53:27,080
Speaker 3: Like I think I think.

1081
00:53:27,040 --> 00:53:29,120
Speaker 1: Also maybe what we're feeling a little bit is like

1082
00:53:29,440 --> 00:53:31,880
Speaker 1: Corey when he says it really hit me when I

1083
00:53:32,120 --> 00:53:35,040
Speaker 1: was just rereading it for the recap, when he says,

1084
00:53:35,640 --> 00:53:37,840
Speaker 1: you let me be your friend. I can make things

1085
00:53:37,960 --> 00:53:41,040
Speaker 1: better for you. This idea of like Corey being a

1086
00:53:41,239 --> 00:53:44,800
Speaker 1: savior in all of his friend's lives, like he somehow

1087
00:53:45,080 --> 00:53:49,319
Speaker 1: knows better than every other person. There's a little bit

1088
00:53:49,360 --> 00:53:52,320
Speaker 1: of an ickiness to him saying it to Angela, like,

1089
00:53:52,719 --> 00:53:57,120
Speaker 1: what's your grand plan here? She's telling you her feelings,

1090
00:53:57,200 --> 00:54:00,600
Speaker 1: which is like, I'm really hurt your best friend is

1091
00:54:00,840 --> 00:54:03,840
Speaker 1: being a little to me. But I don't want to

1092
00:54:03,920 --> 00:54:05,840
Speaker 1: beg him to stay with me. If he wants to

1093
00:54:05,840 --> 00:54:08,239
Speaker 1: put rubber bands on the door with new girls, then

1094
00:54:08,320 --> 00:54:10,720
Speaker 1: I guess that's what he should do, and I should

1095
00:54:11,120 --> 00:54:12,880
Speaker 1: realize I should think whether or not I actually want

1096
00:54:12,920 --> 00:54:15,600
Speaker 1: to be with him. But then him being like, let

1097
00:54:15,719 --> 00:54:17,840
Speaker 1: me be your friend. I will fix this. It's like,

1098
00:54:17,920 --> 00:54:20,040
Speaker 1: what's your what's your grand plan here? How do you

1099
00:54:20,239 --> 00:54:21,920
Speaker 1: So there's like a there is a bit of a

1100
00:54:22,400 --> 00:54:24,640
Speaker 1: an ickiness in like his savior.

1101
00:54:25,000 --> 00:54:27,160
Speaker 2: Well, I think his grand plan in his mind is

1102
00:54:27,360 --> 00:54:29,600
Speaker 2: I will sit Sean down and sit you guys down.

1103
00:54:29,800 --> 00:54:31,520
Speaker 2: I will be a counselor to you, and you will

1104
00:54:31,560 --> 00:54:36,080
Speaker 2: get married right right, endgame? Yeah, exactly, that's his endgame.

1105
00:54:36,160 --> 00:54:40,080
Speaker 2: It's very it's really strange, but that's boy me thorlled.

1106
00:54:40,160 --> 00:54:41,959
Speaker 2: That's one of the tenets of boy mean thrilled.

1107
00:54:42,680 --> 00:54:44,880
Speaker 1: And then we're in the developmental psychology class. Eric and

1108
00:54:44,960 --> 00:54:46,760
Speaker 1: Jack are standing at the front of the class, finishing

1109
00:54:46,800 --> 00:54:52,560
Speaker 1: up their presentation. Eric closes with watches chocolate. Geez, ladies

1110
00:54:52,600 --> 00:54:57,360
Speaker 1: and gentlemen, we give you the Swiss. Thank you. No

1111
00:54:57,480 --> 00:55:00,400
Speaker 1: one is impressed, and Jack whispers to his partner, we

1112
00:55:00,520 --> 00:55:04,840
Speaker 1: were supposed to prove something. Dean Bolander chimes in, he did.

1113
00:55:06,480 --> 00:55:06,959
Speaker 2: So great.

1114
00:55:07,640 --> 00:55:09,719
Speaker 1: She addresses the class. I think that's about all we

1115
00:55:09,760 --> 00:55:12,000
Speaker 1: can take today. I'll see you all on Thursday. As

1116
00:55:12,080 --> 00:55:15,359
Speaker 1: the students leave, Jack Bee lines for the Dean. He apologizes,

1117
00:55:15,400 --> 00:55:17,600
Speaker 1: I am so sorry. I bet you have a really

1118
00:55:17,719 --> 00:55:21,960
Speaker 1: strong first impression of us. Huh, she equips indelible. Eric

1119
00:55:22,080 --> 00:55:24,320
Speaker 1: chimes in, you know this didn't all come from me.

1120
00:55:24,719 --> 00:55:27,320
Speaker 1: My boy Jackie here deserves the same grade I do.

1121
00:55:27,800 --> 00:55:29,840
Speaker 1: She has no problem with that done.

1122
00:55:31,200 --> 00:55:34,080
Speaker 2: She approaches the psychology class. What is he talking about?

1123
00:55:34,080 --> 00:55:34,560
Speaker 2: The Swiss?

1124
00:55:34,680 --> 00:55:36,320
Speaker 1: Swiss? I don't know.

1125
00:55:36,440 --> 00:55:39,200
Speaker 2: Psychology class, I don't know.

1126
00:55:39,520 --> 00:55:42,040
Speaker 1: I want to also know were those was that? Did

1127
00:55:42,080 --> 00:55:45,240
Speaker 1: that change throughout the week A bunch of times? I Swiss?

1128
00:55:45,400 --> 00:55:47,080
Speaker 2: I think it was always the Swiss but it's just

1129
00:55:48,080 --> 00:55:49,839
Speaker 2: like you're in a psychology class. What are you doing?

1130
00:55:50,600 --> 00:55:52,880
Speaker 1: So she approaches Phoenie next and asks to have a

1131
00:55:52,960 --> 00:55:55,200
Speaker 1: word with him. His eyes go wide. You want me

1132
00:55:55,239 --> 00:55:58,240
Speaker 1: to stay after school, she chuckles. It's nothing so severe.

1133
00:55:58,600 --> 00:56:01,200
Speaker 1: She tells him he had quite the present. He admits

1134
00:56:01,239 --> 00:56:02,799
Speaker 1: he doesn't know what got into him, but she has

1135
00:56:02,880 --> 00:56:05,080
Speaker 1: the answer. It was something that never really left you.

1136
00:56:05,520 --> 00:56:07,799
Speaker 1: Phoene assures her he came to the school strictly as

1137
00:56:07,800 --> 00:56:11,400
Speaker 1: a student. He thought he'd retired from teaching. She understands,

1138
00:56:11,719 --> 00:56:14,480
Speaker 1: when I stop teaching to become dean, I thought the

1139
00:56:14,520 --> 00:56:17,720
Speaker 1: same thing. But here I am. We are teachers, George.

1140
00:56:18,000 --> 00:56:21,240
Speaker 1: You put us in a classroom, We teach. Phoene admits,

1141
00:56:21,640 --> 00:56:23,919
Speaker 1: after all these years, I still have a lot to learn.

1142
00:56:24,320 --> 00:56:27,000
Speaker 1: He turns to Rachel and apologizes, I guess I was

1143
00:56:27,040 --> 00:56:30,160
Speaker 1: a poor choice for a partner. Rachel explains, I'd much

1144
00:56:30,239 --> 00:56:32,080
Speaker 1: rather have you as a teacher than as a partner.

1145
00:56:32,560 --> 00:56:35,040
Speaker 1: The Dean agrees, I'd rather have him as a colleague

1146
00:56:35,040 --> 00:56:37,520
Speaker 1: than a student. Perhaps you'd like to call my office

1147
00:56:37,560 --> 00:56:40,600
Speaker 1: about that. Phoene says, she has his gratitude, and Dean

1148
00:56:40,680 --> 00:56:43,640
Speaker 1: Bolander says she looks forward to his call what.

1149
00:56:46,080 --> 00:56:46,640
Speaker 2: Did you have?

1150
00:56:48,320 --> 00:56:51,160
Speaker 1: Once she leaves, we see Eric, who's been standing by

1151
00:56:51,280 --> 00:56:56,239
Speaker 1: listening woo, and we get this the is this the

1152
00:56:56,320 --> 00:56:59,320
Speaker 1: one you remember most writer? This is like the start

1153
00:56:59,360 --> 00:57:00,600
Speaker 1: of the crazy Feenie call.

1154
00:57:01,000 --> 00:57:02,920
Speaker 3: Well, yeah, I mean now it's not even to call him,

1155
00:57:02,960 --> 00:57:05,200
Speaker 3: it's yeah, this is the most famous one.

1156
00:57:05,440 --> 00:57:07,399
Speaker 2: I think over this is the most famous one.

1157
00:57:08,239 --> 00:57:12,680
Speaker 1: Yes, the yeah, we get the famous, the craziest.

1158
00:57:15,640 --> 00:57:16,440
Speaker 3: What what what?

1159
00:57:16,680 --> 00:57:19,720
Speaker 2: What? Hey?

1160
00:57:19,800 --> 00:57:22,080
Speaker 3: Hey, I would love to see all the tastes.

1161
00:57:22,400 --> 00:57:22,640
Speaker 2: I know.

1162
00:57:24,840 --> 00:57:28,680
Speaker 3: Three, at least three, you know, each one is completely different.

1163
00:57:28,840 --> 00:57:35,200
Speaker 1: Oh, absolutely so fun man, I will love that. Feenie

1164
00:57:35,280 --> 00:57:38,760
Speaker 1: responds with zero emotion. Reading the room, Eric tells Jack, dude,

1165
00:57:38,840 --> 00:57:43,120
Speaker 1: let's just go in turn, everyone walks out, leaving Foenie

1166
00:57:43,200 --> 00:57:45,920
Speaker 1: alone in the classroom. He stares at the empty desks,

1167
00:57:45,960 --> 00:57:50,560
Speaker 1: remembering his true love teaching, and salads for one. A

1168
00:57:50,640 --> 00:57:54,560
Speaker 1: smile spreads across his face, and then we're in the tag.

1169
00:57:54,800 --> 00:57:57,440
Speaker 1: In the co ed bathroom, Ta Panga is brushing her

1170
00:57:57,480 --> 00:58:02,000
Speaker 1: teeth straight up, pantiless like Winnie the Pooh. Yeah, Corey happily,

1171
00:58:02,360 --> 00:58:12,120
Speaker 1: uh huh yeah it just in a big Phillies T

1172
00:58:12,240 --> 00:58:16,160
Speaker 1: shirt or lossleeve. Yeh As Corey happily exits one of

1173
00:58:16,200 --> 00:58:18,680
Speaker 1: the showers, she grins, I'm really happy that you've gotten

1174
00:58:18,680 --> 00:58:20,560
Speaker 1: over your fear of the bathroom. But that's your fifth

1175
00:58:20,600 --> 00:58:23,840
Speaker 1: shower today. Corey boasts, I'm the cleanest boy in school.

1176
00:58:24,240 --> 00:58:26,280
Speaker 1: To Pega wonders, you know that guy Tim in our

1177
00:58:26,320 --> 00:58:29,000
Speaker 1: econ class. I was thinking maybe he and Angela could

1178
00:58:29,200 --> 00:58:31,880
Speaker 1: What do you think? Corey shakes his head. No, he's

1179
00:58:31,960 --> 00:58:34,640
Speaker 1: not right for I mean, she's not right for him.

1180
00:58:35,000 --> 00:58:36,360
Speaker 1: I mean I don't think we should be setting up

1181
00:58:36,360 --> 00:58:39,320
Speaker 1: Angela so quickly. Then on cue, Angela walks in. She

1182
00:58:39,400 --> 00:58:41,880
Speaker 1: sees Corey and asks, what do you like live here now?

1183
00:58:42,320 --> 00:58:44,480
Speaker 1: Corey laughs, No, no, I don't know what I was

1184
00:58:44,520 --> 00:58:47,520
Speaker 1: so afraid of. These coed bathrooms are just a sensational concept.

1185
00:58:47,840 --> 00:58:49,880
Speaker 1: To Pega nods. Just think if these things catch on,

1186
00:58:50,000 --> 00:58:52,920
Speaker 1: we'll be putting them in people's homes. Corey agrees, what

1187
00:58:53,080 --> 00:58:57,400
Speaker 1: a terrific idea. Then Sean enters. He's happy to see everyone.

1188
00:58:57,480 --> 00:59:00,560
Speaker 1: Hey guys, Hey Angela. She smiles and greets, I'm like normal.

1189
00:59:00,920 --> 00:59:03,560
Speaker 1: Sean takes the spot next to Cory. What's up. Corey

1190
00:59:03,640 --> 00:59:06,480
Speaker 1: brushes his teeth, then glances over at Angela, who's staring

1191
00:59:06,600 --> 00:59:09,439
Speaker 1: right back at him. He tells Sean nothing and goes

1192
00:59:09,480 --> 00:59:11,960
Speaker 1: back to brushing. Angela can't hide a smile from her

1193
00:59:12,080 --> 00:59:15,000
Speaker 1: end of the sink, as their secret stays safe between

1194
00:59:15,240 --> 00:59:16,240
Speaker 1: those two friends.

1195
00:59:16,640 --> 00:59:20,000
Speaker 3: It's nice and I do like a Cory Angela connections.

1196
00:59:20,120 --> 00:59:21,040
Speaker 2: Too, cor Angela.

1197
00:59:22,080 --> 00:59:24,480
Speaker 1: It's a nice the cor Angela car Angela.

1198
00:59:24,560 --> 00:59:24,920
Speaker 2: I like it.

1199
00:59:26,120 --> 00:59:26,320
Speaker 3: Well.

1200
00:59:26,400 --> 00:59:28,080
Speaker 1: Thank you all for joining us for this episode of

1201
00:59:28,120 --> 00:59:29,800
Speaker 1: Pod Meets World. As always, you can follow us on

1202
00:59:29,880 --> 00:59:32,120
Speaker 1: Instagram pod Meets World Show. You can send us your

1203
00:59:32,120 --> 00:59:34,800
Speaker 1: emails pod Meets World Show at gmail dot com and

1204
00:59:35,320 --> 00:59:43,160
Speaker 1: we've got merch March Brother March March March, Podmeets Worldshow

1205
00:59:43,400 --> 00:59:45,320
Speaker 1: dot com will send us out.

1206
00:59:45,800 --> 00:59:49,840
Speaker 2: We love you all, pod dismissed. Pod Meets World is

1207
00:59:49,920 --> 00:59:53,320
Speaker 2: nheart podcast producer and hosted by Danielle Fischel, Wilfordell and

1208
00:59:53,480 --> 00:59:57,640
Speaker 2: Ryder Strong. Executive producers Jensen Carp and Amy Sugarman. Executive

1209
00:59:57,640 --> 01:00:01,000
Speaker 2: in charge of production, Danielle Romo, producer and editor, Tara

1210
01:00:01,080 --> 01:00:04,800
Speaker 2: Sudbaksh producer, Maddy Moore, engineer and Boy Meets World super

1211
01:00:04,840 --> 01:00:07,480
Speaker 2: fan Easton Allen. Our theme song is by Kyle Morton

1212
01:00:07,520 --> 01:00:09,640
Speaker 2: of typhoon and you can follow us on Instagram at

1213
01:00:09,680 --> 01:00:13,160
Speaker 2: Podmets World Show or email us at Podmetsworldshow at gmail

1214
01:00:13,200 --> 01:00:13,640
Speaker 2: dot com.