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Speaker 1: You realized you were the first big artist to ever

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Speaker 1: rap on a be to mar Oh man, I'm a

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Speaker 1: cap for you today. I'm I'm capping for you today.

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Speaker 1: Hold on, let me yo. I bet you don't even

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Speaker 1: remember what's up.

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Speaker 2: Y'ad's the biggest in the motherfucking game. Joe cracked the dawn.

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Speaker 3: No, it is your boy, Jada did Joe and Jada

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Speaker 3: show every show legendary, every show iconic, And today is

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Speaker 3: another one of those ladies and gentlemen.

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Speaker 1: Super le you gotta go a little more less. He

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Speaker 1: got him. Excuse his cutting me off.

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Speaker 3: Okay, But ladies and gentlemen, viewers, people with airs, if

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Speaker 3: you love music, if you love authentic hip hop, if

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Speaker 3: you love the culture, please make some noise for our

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Speaker 3: guests today, hit Boy and my brother Alchemy.

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Speaker 2: I know you got motherfucking Beethoven and most sacks of

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Speaker 2: the fucking of the twenty fifth century. These motherfuckers, this's hieroglyphics. Man,

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Speaker 2: These ain't even icons. These are different type of solicitors

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Speaker 2: up on the program over here.

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Speaker 1: These guys were giving you.

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Speaker 2: They If you don't know who they are, they've been

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Speaker 2: making your head not for the last twenty thirty years.

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Speaker 1: How long? I mean shit for me? Yeah, what I'm

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Speaker 1: saying I started occamist.

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Speaker 2: You know, I'm like dolchemists. You need that rewind. We

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Speaker 2: need a white boy on the cover. I gotta talk

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Speaker 2: to you, boxer, rewind.

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Speaker 1: Get you that bad?

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Speaker 2: Why fight the tom where you could rewind the time?

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Speaker 2: Sometimes that ship like Lego looks like Lego. No, no,

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Speaker 2: not this time. Don't fuck with me. This is the

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Speaker 2: real ship. You know you be switching that shape. Yeah, yeah,

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Speaker 2: so sweet. Say you don't like the fake look to

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Speaker 2: shoot my ship. Don't look fake shooting. It's my product.

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Speaker 2: Trying to make your money. White sleep Yeah, heah boy.

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Speaker 2: One thing you're gonna do is you're gonna throw that

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Speaker 2: ship on. Man, it was ninety degrees yesterday. I seen

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Speaker 2: you wear a.

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Speaker 1: Fur coat on in the in the middle of it.

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Speaker 1: You don't get the fock ice for the fly man you.

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Speaker 2: In the entertainment zone right like like I've seen all

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Speaker 2: the fact of the day. Diana Ross were fur coach

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Speaker 2: in the summer, Like, who gets we got adapt to

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Speaker 2: any you know, adapt to any weather.

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Speaker 4: I'm dropped, so you have to listen in the Stone Island.

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Speaker 4: So they gave us some like custom pieces and you

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Speaker 4: got to throw that shit.

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Speaker 1: On, shut out the Stone Island and wave fro you.

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Speaker 3: You know what I mean. I've been connected, but it ain't.

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Speaker 3: It ain't Flemouth Rock. Then nobody give us ship. I

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Speaker 3: don't get ship a free go crazy motherfucker set up

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Speaker 3: this No, no, the game.

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Speaker 2: Okay, he makes that my business part. I always wanted

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Speaker 2: to be humble about this ship. This is I'm not

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Speaker 2: delusion though, Like I know, we're the biggest in the game.

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Speaker 2: Were moving the whole fucking culture. We the guys, you know,

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Speaker 2: we playing record niggas change their singles. Be careful, you'll

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Speaker 2: got new music here, because I guarantee you're going to

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Speaker 2: change the single.

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Speaker 1: Play that, Joe.

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Speaker 2: Whatever you play here becomes the fucking single. Tianna Taylor came,

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Speaker 2: he said, I play the thirteenth song on the album.

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Speaker 1: Became a single. Too many people came here and played that.

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Speaker 1: Mom see what he's doing.

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Speaker 2: Came up here in the fucking country with a sombrero,

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Speaker 2: five million views. It changed the single. We are controlling

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Speaker 2: the culture right now. We're not delusional. You're not lying, man, yo,

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Speaker 2: but listen, we love you man. You ain't bring that up,

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Speaker 2: Ericaba do to this one though, I didn't even got

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Speaker 2: Erkabad over here.

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Speaker 1: She's gonna pull up, man, we ain't gonna talk it.

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Speaker 3: We ain't gonna We're gonna get into y'all new project,

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Speaker 3: y'all collaborating.

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Speaker 1: In a minute.

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Speaker 3: But it don't even make sense for y'all to do

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Speaker 3: something that goether, because yeah, I've been controlling the fucking

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Speaker 3: I've been controlling Ship for the past.

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Speaker 1: How does that just feel? You know what I mean?

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Speaker 4: You know, I mean, shit, the last was about five years.

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Speaker 4: Every end of the year list is to be like

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Speaker 4: Alchemis hit Boy rolling producer lists and Ship. So for

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Speaker 4: us to tip in it just you know, it made sense,

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Speaker 4: you know. I mean, I got hell of respect for

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Speaker 4: bout and obviously legendary, and I'm getting to learn from

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Speaker 4: you know what I mean. I'm a student and this ship,

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Speaker 4: I'm always trying to learn, trying to pick up new techniques,

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Speaker 4: new ways think about shit.

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Speaker 1: And I was just he got that game. So I'm

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Speaker 1: gonna drop some titles and you just give us what

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Speaker 1: was it?

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Speaker 3: Like?

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Speaker 1: Megan it? What was the what was the whole journey?

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Speaker 1: When when I named these joints. First things first, niggas

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Speaker 1: in Paris, damn straightforward. Let's not even play with it. Man,

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Speaker 1: you found for making. I threw a flag ship.

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Speaker 4: You know what I mean, Bro, ship that was that

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Speaker 4: shi it's still ringing off. I just seen hole do

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Speaker 4: it at the last say, there's one hundred thousand more

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Speaker 4: fuckers in that ship. I was just a kid, excited

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Speaker 4: making beats, having fun with the ship, you know what

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Speaker 4: I mean. I flew out of New York. I did

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Speaker 4: some records with over yay On that never seen a

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Speaker 4: lot of day. I was hyping on them records and ship.

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Speaker 4: I'm going back to the city telling the homies. Man,

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Speaker 4: I got hold rapping on my ship.

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Speaker 5: Hey.

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Speaker 4: And then none of them joints became anything like the

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Speaker 4: beat for niggas in Paris was just beat out an

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Speaker 4: email yay like once prior. I wasn't thinking about the

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Speaker 4: ship at all. He hit me like, Bro, we just

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Speaker 4: did this song out in Paris, and when it should dropped,

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Speaker 4: your life about to change. Nigga was right, that's what

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Speaker 4: you said. Just talk about this sickle mo, ma, I

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Speaker 4: mean ship. I did the first part of it. This nigga,

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Speaker 4: my nigga I mean I did the first part of it,

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Speaker 4: you know what I mean, Like the Drake Park Me

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Speaker 4: and my.

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Speaker 1: Boy Rose produced that together.

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Speaker 4: And uh, that actually is crazy because I did some

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Speaker 4: ship on the Travis album that came out prior to

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Speaker 4: Astraal World, Birds in the Trap. I did a song

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Speaker 4: called way Back the day that ship came out, Birds

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Speaker 4: in the Trap. Travis see me like, bro I got

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Speaker 4: a big session and that I got some I got

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Speaker 4: a session with Drake, I need you to send me

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Speaker 4: some bombs and I sent the sygam Moore beat that

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Speaker 4: nigga facetimed me the next day going crazy playing the joint.

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Speaker 4: But he was like, gonna have to hold the ship

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Speaker 4: to the next album. So I had to hold that

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Speaker 4: beef for two years. Yeah, but you knew that was

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Speaker 4: that was that was a force feeling. You knew that

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Speaker 4: show whenever that ship, you know that was Come on,

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Speaker 4: what you're talking about? You just asking about niggas in Paris,

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Speaker 4: the Sycamore them joints. That's unconscious ship.

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Speaker 1: Like you know what I'm saying. We heard Sycamore just

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Speaker 1: as fans.

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Speaker 2: That ship was unfucking real and that was something that

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Speaker 2: my daughter kept, Like I think COVID, right, that ship

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Speaker 2: just was like that was playing in COVID.

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Speaker 1: It was like legend.

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Speaker 2: You know, I had a kukuzzie in COVID, so I

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Speaker 2: was scared to go to the pool, so I had

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Speaker 2: like a little round kokuzzie every game.

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Speaker 1: It ain't quite at jacuzzi.

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Speaker 2: It's a concusion mixed with maybe like a three hundred

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Speaker 2: dollars plastic fucking filled up with water sitting in the

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Speaker 2: sun in Miami. Like I wasn't fucking with nobody here.

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Speaker 2: I had the kukuzzie. But that's sycamore, dude.

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Speaker 1: Every little let me ask you about some more hold on, click,

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Speaker 1: yeah click.

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Speaker 4: Ain't nobody messing with my class there for that? Yeah,

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Speaker 4: I'm only a big shine too, you know what I mean.

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Speaker 4: We didn't have all type of planning records and ship.

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Speaker 4: But uh yeah, the first time I heard that, I

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Speaker 4: was actually I was in the half this working on

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Speaker 4: Beyonce and Yay brought the version three right before you

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Speaker 4: put the album out of Cold Was it Cold Summer

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Speaker 4: some shit like that, and uh yeah, I did a

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Speaker 4: few records on there, but click, that's just.

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Speaker 3: You know, they all snapped on that s Speaking of bees,

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Speaker 3: let's go right and in the feeling myself, what was how.

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Speaker 1: You bos it? What's that love man? Game? Bro?

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Speaker 4: Just having joints like you know, she invited me to

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Speaker 4: the stow. She was like record playing Beyonce and I

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Speaker 4: went and play some Beasts four. She did that joint.

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Speaker 1: The next thing I know, Nikki was on it. She

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Speaker 1: used that ship and don't Nigga the video all like, yeah,

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Speaker 1: I got more Drop the world Man and Little Wayne feature.

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Speaker 4: I was like, that was the first time people really

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Speaker 4: in the hip hop world start seeing with you know,

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Speaker 4: like my name and ship on a bigger platform, you know.

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Speaker 4: I mean that was probably the first like platinum song

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Speaker 4: I had produced, Me and my boy Chasing Cash Out,

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Speaker 4: Chasing Cash and Ship. Yeah, just young niggas. That was

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Speaker 4: like twenty ten, Bro, that was the first one I was.

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Speaker 4: That was before streaming and all that. So I'm on

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Speaker 4: the iTunes charge watching that shit just go up and

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Speaker 4: it went to number one. I'm like, damn, that shit

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Speaker 4: was crazy for this.

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Speaker 3: Fight super fun back see Free Style Man, Kendrick lamar

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Speaker 3: Man Legend. Yeah shit, I had a I went to

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Speaker 3: Vegas fucking with TV and Kendrick before we put out

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Speaker 3: good Kid, Mad City.

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Speaker 1: We was just locked in on joints again.

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Speaker 4: That was another one where it's like he had put

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Speaker 4: his vocals on some other beats and I was like,

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Speaker 4: hype off that ship. He like, bro, I fuck with

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Speaker 4: them joints, but let me let me hear a few

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Speaker 4: more beats type shit. Him and Dave Free pulled up

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Speaker 4: to my crib and that was one of the first

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Speaker 4: beats I played. He was like, this is it to

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Speaker 4: get roll to it and he was on tory, text

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Speaker 4: me like, bro, we got one. He's like this ship

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Speaker 4: on the album for sure. Yeah, good ship, man, go

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Speaker 4: be asap rocky Man. I fucked up because I got

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Speaker 4: invited to that video with him and Yams in Paris

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Speaker 4: and I didn't make it.

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Speaker 1: I don't know why I didn't go, but that would

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Speaker 1: have been a crazy look you know what I mean.

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Speaker 4: RPMs and ship you know here go that was like

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Speaker 4: that was really bro like first single on the major

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Speaker 4: label type ship, you know what I mean. So that

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Speaker 4: was pivotal moment, like that shit, you know, helped bout,

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Speaker 4: you know, going to that stratosphere. Let's talk about the

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Speaker 4: King's disease triloge, how you rappy that's coaches coldure and

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Speaker 4: said that really my boy double.

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Speaker 1: Right here was with with Bro. Yeah, they was a

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Speaker 1: doing noble business.

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Speaker 4: I seen Double posts nas on the story. I just

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Speaker 4: hit that nigga like, Bro, you gotta have this nigga

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Speaker 4: pull up. Literally, he like, man, he's gonna slide tomorrow.

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Speaker 4: I'm thinking niggas bullshit and he's slid and was opening

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Speaker 4: my ideas. I had some hook ideas with like Don

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Speaker 4: Tolliver that ended up going on the album. I had

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Speaker 4: some Handerson packed ship. I just playing my ideas and

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Speaker 4: he was laying versus and really fucking with me. So

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Speaker 4: I'm like he like after the session, like I'm gonna

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Speaker 4: keep pulling up. I'm thinking, like, come on, this is

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Speaker 4: no This nigga'tna keep pulling up. The niggas pulled up

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Speaker 4: for three years straight with just six hours process.

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Speaker 2: Does he take long spit averse because he looked like

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Speaker 2: one of the guys take longness.

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Speaker 3: No, I mean if he is for sure, it's like

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Speaker 3: if it's the right vig, I mean, bro, don't know

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Speaker 3: how you we threw it without eighty songs for three years.

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Speaker 1: Yeah, he was. He was being through like a kidd already. Yeah,

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Speaker 1: he was speaking through Ship eighty longs in another three years.

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Speaker 2: Yeah, I like that Car eighty five. That Krity five

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Speaker 2: was my ship on that out and I really loved

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Speaker 2: that first album. You know what I'm saying that Car

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Speaker 2: eighty five and bady ate that they call me baby face.

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Speaker 1: That was hard. Now, that was hard Charlie Wilson singing

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Speaker 1: on him. That was hall.

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Speaker 3: Now, the the valleys and peaks in the industry. You

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Speaker 3: just got out of a publishing deal. Yeah, who helped

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Speaker 3: you get out of that?

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Speaker 1: Ye? Shut out the eight Joe he always coming through it.

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Speaker 4: Shout out to him and deserate they I mean with

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Speaker 4: you know, pulled that power play man and got me

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Speaker 4: an in date because I didn't have no in dates on.

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Speaker 2: My shitt one of them I think heard I got

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Speaker 2: robbed for like fourteen years. My ship has differently came

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Speaker 2: to me like, Yo, we the only Latinos in the

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Speaker 2: industry and this and that nigga robbed me in punt

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Speaker 2: fourteen years man, and you slapping couldn't that We never

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Speaker 2: saw him who we got?

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Speaker 1: He got mission after that? Na, He's just he's in

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Speaker 1: a different run. He's kid.

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Speaker 2: It's jelly Bean Ben days and he hanging out with

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Speaker 2: Madonna and them. He ain't coming around our shit. So

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Speaker 2: if he would have came around allegendly you know what's up, right,

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Speaker 2: But he's nowhere to be you know what I'm saying.

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Speaker 2: He was no way, he was no where to be found.

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Speaker 2: So were in different circles. But eventually, like you know

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Speaker 2: what happened to me beat this? I did a soundtrack, right,

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Speaker 2: and I asked him for one hundred and fifty thousand, right,

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Speaker 2: I'm like, y'all and I did this song and I said,

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Speaker 2: y'all need one hundred and fifty thousand At that time.

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Speaker 2: I was really going for that bread at that time.

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Speaker 2: And they said, hold up, we ain't approve it all

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Speaker 2: the way. Yeah, I said why. He said, well, your

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Speaker 2: publisher's action for three hundreds. I said, what, I ain't

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Speaker 2: see this man in fourteen years. That's when it was

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Speaker 2: all no, we got, we got, we got the final

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Speaker 2: this is this. You gotta find her, this, gotta find

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Speaker 2: this way out of here. Because I didn't know this

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Speaker 2: guy was raping me on that level. He wasn't giving

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Speaker 2: them the permission for me to be on the soundtrack,

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Speaker 2: and he wanted double the money and I've never seen him.

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Speaker 1: Man never gave me. He got out of one thousand

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Speaker 1: dollars check man just before laying back. So I got

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Speaker 1: ax song that that was laid back.

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Speaker 2: Yeah, I think how that shit happened to be. And

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Speaker 2: so with you, how did they get you for the publisher?

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Speaker 2: That was like raping you records?

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Speaker 1: I mean shit, I was the one year out of

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Speaker 1: high school. I SAI, why you got to use my label?

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Speaker 1: This man? Yesterday I came up with some old labels. Yeah, Ship.

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Speaker 4: I signed the deal one year out of high school

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Speaker 4: at nineteen. I mean, fifty racks sounded like everything at

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Speaker 4: that time with me. Get this man, man, same.

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Speaker 1: Thing with me.

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Speaker 2: I bought the Lexus for forty nine and fifty. They

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Speaker 2: stole ship. The first day I went to full Master

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Speaker 2: Flex birthday party. Niggas robbed the whole garage. I'm all

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Speaker 2: over Brooklyn, Mop. Everybody was with me looking for the Lexus.

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Speaker 2: Let me tell you something. You talking about it all

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Speaker 2: the way fucked up there. The fifty they gave me,

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Speaker 2: they stole the car. The first fucking day.

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Speaker 1: Mop was looking for the Lexus to with me. The

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Speaker 1: whole Brooklyn.

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Speaker 2: Took one of the guys. One of the guys got caught,

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Speaker 2: so they robbed the whole garage. It was a palladium

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Speaker 2: for Master of flex birth cars. The whole garage took

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Speaker 2: the Mexican man robbed them, which which my palladium around

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Speaker 2: the corner. They robbed the whole garage. Any fly off.

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Speaker 2: One of them got caught. He happened to be from Brooklyn,

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Speaker 2: So we studied. We was all over Brooklyn, all over

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Speaker 2: Brooklyn looking for this fucking lexus. In every garage. Every

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Speaker 2: MP was with us, Frank Billy, everybody running through. What's

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Speaker 2: the little guy down with them too? What's my little man?

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Speaker 2: Damn man Fox all of them? But anyway, we're a

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Speaker 2: thousand deep, drepped the whole Brooklyn, New Fat Joe's looking

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Speaker 2: for this Lexus.

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Speaker 1: We all over.

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Speaker 2: Come on, man, let me tell you something. Let me

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Speaker 2: tell you the story. Three months later, I'm like, one

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Speaker 2: day to get in my fifty thousand dollars check back,

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Speaker 2: they find the fucking Lexuis I wanted my fifty thousand Backbee,

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Speaker 2: I might have had a g in a bank account.

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Speaker 2: B I was like, Yo, I'm gonna get fifty back, yo.

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Speaker 2: Chill I made a mistake with the lectures. One day,

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Speaker 2: your Lexus has been found him like fuck, like, I

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Speaker 2: ain't want that shit found. I wasn't fifty thousand they found. No,

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Speaker 2: this guy was driving it like it was his car.

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Speaker 2: When they found that, he had car seat in the back,

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Speaker 2: kids books. This guy was driving his kids to school.

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Speaker 2: He owned the Lexus for three months. You can't tell

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Speaker 2: nobody to this day. He probably get Brooklyn. Y'all remember

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Speaker 2: you at the LS four. Yeah, you know that's how

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00:16:03,720 --> 00:16:05,840
Speaker 2: that ship go. You know what I'm saying, bus crazy.

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Speaker 1: We got it back. But I know about that ship.

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Speaker 3: Man.

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00:16:10,000 --> 00:16:13,040
Speaker 1: How's it working with your pops? Man did a lot

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Speaker 1: of time.

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Speaker 3: I just came from the prisons talking to the dudes

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Speaker 3: up Norfolk, shut Out to Marshy and mid State.

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Speaker 1: He was working with him. He backed down right now, man,

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Speaker 1: free him. You know what I mean.

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Speaker 4: It's some thirty years, you know what I mean, Saga

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00:16:26,560 --> 00:16:29,200
Speaker 4: dealing with the ship my home like, but you know,

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00:16:29,320 --> 00:16:31,440
Speaker 4: you know that sh it is some fucking roller coaster.

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00:16:31,960 --> 00:16:34,240
Speaker 4: He really, he really is who you say is you

334
00:16:34,320 --> 00:16:36,080
Speaker 4: know what I mean? Like, he really about that ship.

335
00:16:36,200 --> 00:16:39,400
Speaker 4: So it's kind of hard to tame that. But you know,

336
00:16:39,560 --> 00:16:41,160
Speaker 4: I'll be doing the best I can, just trying to

337
00:16:41,200 --> 00:16:43,640
Speaker 4: keep that nigga busy, keeping working. He was on stage

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00:16:43,640 --> 00:16:46,520
Speaker 4: with Kendrick got to pop out, Yeah, your songs with Snoop,

339
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Speaker 4: whole album.

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Speaker 1: With Game, And what's the problem that he keeps going back? Like?

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00:16:50,840 --> 00:16:53,560
Speaker 1: What is it is like substance abuse?

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00:16:53,720 --> 00:16:54,120
Speaker 6: Is it like?

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Speaker 1: It's just a real nigg standing here. I want to

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Speaker 1: be a real nigga at home. Yeah for sure.

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00:17:00,080 --> 00:17:03,920
Speaker 4: You know damn shame Oh god too. I couldn't imagine

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00:17:03,960 --> 00:17:06,160
Speaker 4: Bro being being around niggas all day.

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00:17:06,200 --> 00:17:09,320
Speaker 1: Bro, hell, no, fucked up. But you know he just

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00:17:09,840 --> 00:17:12,920
Speaker 1: he's just a wild dude. He don't really follow don't

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00:17:12,960 --> 00:17:13,960
Speaker 1: follow rules.

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Speaker 2: Man, Yeah, Alchemy you ready for the Alchemists, So you

351
00:17:16,480 --> 00:17:20,080
Speaker 2: got like I mean you know your alchemists say something.

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Speaker 1: We prepared for him.

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Speaker 2: You we know you like the back of the head,

354
00:17:24,040 --> 00:17:27,760
Speaker 2: Bro were like, my favorite beat I ever rapped you

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Speaker 2: in my whole career of thirty some years is definition

356
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Speaker 2: of a dom. Wow, it's my favorite, I said all

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00:17:34,359 --> 00:17:35,680
Speaker 2: the time. I don't know if you see it on

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00:17:35,800 --> 00:17:36,879
Speaker 2: interviews or whatever the.

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00:17:36,920 --> 00:17:40,400
Speaker 1: Case, that's crazy. It's because it's it's such.

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Speaker 2: A real song. Real The beat is just when I

361
00:17:46,480 --> 00:17:48,600
Speaker 2: hear that that. You know, if you ever want to

362
00:17:48,680 --> 00:17:51,800
Speaker 2: know the real Fat Joe, you listen to that song.

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00:17:52,160 --> 00:17:54,520
Speaker 2: That's Fat Joe telling you that's the real Fat Joe,

364
00:17:54,760 --> 00:17:57,040
Speaker 2: like they like I made a song for this and

365
00:17:57,160 --> 00:18:01,080
Speaker 2: that that that's like me. Definition just groping auto biography

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Speaker 2: of my life, definition of a dawn that you can

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Speaker 2: thrown U.

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Speaker 1: I'm like, yo, my god man, but I remember that.

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Speaker 1: You don't even know how much. I bet it's some

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00:18:09,920 --> 00:18:13,680
Speaker 1: shit you forgot. You realize you realized you were the

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00:18:13,760 --> 00:18:16,040
Speaker 1: first big artists to ever wrap on a be to

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Speaker 1: mar Oh, man, I'm a cap for you today. I'm

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Speaker 1: capping for you today. Hold on, let me yo. I

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00:18:24,359 --> 00:18:26,760
Speaker 1: bet you don't even remember. You remember the Cypress Hill

375
00:18:26,800 --> 00:18:32,000
Speaker 1: remix Tequila Sunrise. I was just underneath Mugs at the time.

376
00:18:32,040 --> 00:18:34,639
Speaker 1: I was still living in LA You weren't even flying

377
00:18:34,720 --> 00:18:37,520
Speaker 1: yet you had to do the bus. I don't forget

378
00:18:37,560 --> 00:18:39,119
Speaker 1: none of this shit because this was a big you know,

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00:18:39,200 --> 00:18:41,640
Speaker 1: Mugs was giving me a shot like, Yo, you're gonna

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Speaker 1: do the remix and we're gonna get Fat Joe on it.

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00:18:44,280 --> 00:18:46,760
Speaker 1: And that was a big break for me. Like Yo's

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00:18:46,880 --> 00:18:49,480
Speaker 1: Tequila Sunrise remix man. Not only you said that.

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Speaker 2: I get goosebumps right now because Cypress Hills is only

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00:18:52,800 --> 00:18:55,719
Speaker 2: you know, us being Latino, Me and Punt. They were

385
00:18:55,760 --> 00:18:58,520
Speaker 2: pretty much the only guys we looked up to, you

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00:18:58,600 --> 00:19:01,160
Speaker 2: know what I'm saying. They set the are to where

387
00:19:01,200 --> 00:19:03,320
Speaker 2: it was like, yo, we want to be like Cyprus Hell's,

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00:19:03,960 --> 00:19:06,560
Speaker 2: you know, like they was like on another level of

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00:19:07,240 --> 00:19:08,720
Speaker 2: you know what I mean. They were the only guys

390
00:19:08,800 --> 00:19:12,280
Speaker 2: we could look up to. And what's crazy is we

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00:19:12,400 --> 00:19:14,480
Speaker 2: still look up to them, you know what I'm saying.

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00:19:14,560 --> 00:19:17,280
Speaker 2: So those guys, but damn, I ain't know that. You

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00:19:17,359 --> 00:19:19,920
Speaker 2: know it around a long time. You know, you guys

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00:19:19,960 --> 00:19:20,720
Speaker 2: are producers.

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Speaker 1: Well here was a ninety six man.

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Speaker 2: one of the greater, it is from one of the greatest,

433
00:21:43,080 --> 00:21:48,000
Speaker 2: changed my life, made me millionaire, This guy, rob Reef

434
00:21:48,119 --> 00:21:50,680
Speaker 2: twolo because the other dah on A and R's but

435
00:21:50,880 --> 00:21:52,840
Speaker 2: I don't like, here's a different breed here.

436
00:21:52,880 --> 00:21:56,000
Speaker 7: He's from that Arab rug there was the best maybe

437
00:21:56,080 --> 00:21:58,360
Speaker 7: ever and even back in those days, he made sure

438
00:21:58,400 --> 00:22:00,000
Speaker 7: I got my bread, even if it was a little

439
00:22:00,000 --> 00:22:01,960
Speaker 7: little bit, because they didn't have to do that shit.

440
00:22:02,040 --> 00:22:04,119
Speaker 7: He was one of those guys like, I don't know,

441
00:22:04,200 --> 00:22:06,919
Speaker 7: hats off to, you know, to Reef man. Straight up,

442
00:22:07,240 --> 00:22:07,840
Speaker 7: let me explain.

443
00:22:08,160 --> 00:22:10,040
Speaker 2: I don't even want to go there because I don't

444
00:22:10,040 --> 00:22:12,520
Speaker 2: want to turn this interview into a cap interview, right.

445
00:22:12,560 --> 00:22:19,560
Speaker 1: But what I can say. Go. Let me tell you so,

446
00:22:20,760 --> 00:22:23,320
Speaker 1: Rob Reef too Lott changed my life. You know what

447
00:22:23,359 --> 00:22:25,960
Speaker 1: I'm saying. He heard, you know what I'm saying.

448
00:22:26,000 --> 00:22:28,840
Speaker 2: I was working with Biggie on a project and he

449
00:22:28,960 --> 00:22:32,200
Speaker 2: came and Divide and Conquer. He said, Yo, you're doing

450
00:22:32,280 --> 00:22:34,240
Speaker 2: this work with Biggie. I said, yeah, I only had

451
00:22:34,920 --> 00:22:36,040
Speaker 2: two albums before that.

452
00:22:36,359 --> 00:22:37,200
Speaker 1: I had no money.

453
00:22:37,720 --> 00:22:40,240
Speaker 2: No, nothing flowed Joe. None of that ship made money,

454
00:22:40,320 --> 00:22:42,080
Speaker 2: sold records, this, this, and that. He was like, y'all

455
00:22:42,119 --> 00:22:44,440
Speaker 2: want to give you your own label. He took me

456
00:22:44,560 --> 00:22:47,080
Speaker 2: to Atlantic and because I was going to put out

457
00:22:47,119 --> 00:22:50,080
Speaker 2: a project with Biggie. It's the only reason I never

458
00:22:50,160 --> 00:22:52,920
Speaker 2: saw I didn't deserve my own record. Like, wait a minute,

459
00:22:53,359 --> 00:22:56,200
Speaker 2: Wait a minute, you had records with Biggie?

460
00:22:56,960 --> 00:22:59,359
Speaker 1: Yes, where you are under a rock. I'm trying to

461
00:22:59,440 --> 00:23:01,520
Speaker 1: tell you this, that's what you got out. They never care.

462
00:23:01,600 --> 00:23:06,920
Speaker 2: That's the inception. That's the exception of Cap Joe. Because

463
00:23:06,960 --> 00:23:10,080
Speaker 2: I told people I was doing the man, where are

464
00:23:10,160 --> 00:23:13,240
Speaker 2: these records? Listen, I don't have it.

465
00:23:13,760 --> 00:23:16,800
Speaker 1: No, No, how come to know? I'm too will you know?

466
00:23:16,880 --> 00:23:17,640
Speaker 1: I ain't gonna lie?

467
00:23:18,040 --> 00:23:20,200
Speaker 2: Never me and Biggie was cutting records. He want to

468
00:23:20,240 --> 00:23:23,640
Speaker 2: be the Black Dawn. I'm the Spanish Dawn. Some people

469
00:23:23,800 --> 00:23:27,960
Speaker 2: call it cap whatever. This is Rob Toolo, as the

470
00:23:28,080 --> 00:23:30,880
Speaker 2: A and R of Atlantic, heard that I was doing

471
00:23:30,960 --> 00:23:33,280
Speaker 2: this project and stepped to me and was like, yo,

472
00:23:33,400 --> 00:23:35,399
Speaker 2: you're doing it and I'm like yeah. He was like, yo, yo,

473
00:23:35,440 --> 00:23:37,399
Speaker 2: I want to give you your own record label. I

474
00:23:37,480 --> 00:23:40,840
Speaker 2: didn't even deserve the recording sound on a million dollars.

475
00:23:40,880 --> 00:23:42,800
Speaker 2: I might have had two brand in my fucking back.

476
00:23:42,960 --> 00:23:43,960
Speaker 2: Can't you have pun already?

477
00:23:44,040 --> 00:23:47,720
Speaker 1: Right? No, not yet? This was this is ter Scud Records. Yeah,

478
00:23:47,760 --> 00:23:48,800
Speaker 1: but this is the beginning.

479
00:23:49,200 --> 00:23:52,240
Speaker 2: This is keep it fun or nothing like that. It

480
00:23:52,359 --> 00:23:55,399
Speaker 2: was just me only had two albums. Are hustling is

481
00:23:55,400 --> 00:23:58,320
Speaker 2: the key to successful flow Joe? So Rob came and

482
00:23:58,400 --> 00:24:02,280
Speaker 2: gave me a million. It is my own record label.

483
00:24:02,680 --> 00:24:04,880
Speaker 2: And that's why they gave me my record label. Because

484
00:24:04,880 --> 00:24:07,640
Speaker 2: he was like a biggie fucking with this guy. Fat

485
00:24:07,760 --> 00:24:09,639
Speaker 2: Joe's on our shot you with l O and.

486
00:24:09,720 --> 00:24:12,080
Speaker 1: All of them. That was out already, let's grab him

487
00:24:12,160 --> 00:24:13,000
Speaker 1: right here. That was out.

488
00:24:13,080 --> 00:24:16,000
Speaker 2: So he was like, you know, the momentum, the projection

489
00:24:16,359 --> 00:24:18,760
Speaker 2: was there, it just wasn't there. You know how we

490
00:24:18,840 --> 00:24:21,680
Speaker 2: all say Big l wouldn't have died, he would have

491
00:24:21,720 --> 00:24:24,880
Speaker 2: been the biggest. So I was like projected to win,

492
00:24:25,720 --> 00:24:28,240
Speaker 2: but I wasn't there yet. And Rob took the chance

493
00:24:28,320 --> 00:24:30,600
Speaker 2: with me and did that same thing with Scott Storch

494
00:24:30,680 --> 00:24:33,720
Speaker 2: when he when he introduced me to Scott Storch, and

495
00:24:33,920 --> 00:24:36,159
Speaker 2: he was just so talented, and I was just like, yo,

496
00:24:36,320 --> 00:24:37,560
Speaker 2: and I'm the.

497
00:24:37,640 --> 00:24:40,359
Speaker 1: First to go yo. Scott Storch on a hit record.

498
00:24:40,440 --> 00:24:41,960
Speaker 1: I just use that tag on the song.

499
00:24:41,880 --> 00:24:43,640
Speaker 4: Tom just he just plays some keys on the song.

500
00:24:43,720 --> 00:24:47,480
Speaker 4: I just drive with a chike and baby charing and yeah,

501
00:24:47,920 --> 00:24:48,520
Speaker 4: you heard the yo.

502
00:24:48,640 --> 00:24:52,440
Speaker 2: Scott Storch was up after that. He had cheese lines

503
00:24:53,000 --> 00:24:55,200
Speaker 2: outside the state. But let me tell you what's crazy

504
00:24:55,280 --> 00:24:58,879
Speaker 2: about you producers? Man, Yo, Jada, it's the truth.

505
00:24:59,119 --> 00:25:01,920
Speaker 1: Scott's too good. After I shout it out, Scott Storch,

506
00:25:03,080 --> 00:25:04,280
Speaker 1: I'm going to the studio.

507
00:25:04,359 --> 00:25:07,320
Speaker 2: It's met the man Redman. This one that was cheese

508
00:25:07,440 --> 00:25:10,280
Speaker 2: lines of rappers? Whoever is your number one rapper?

509
00:25:10,680 --> 00:25:13,680
Speaker 1: Is Jada? Was you on the line? Yes?

510
00:25:13,760 --> 00:25:16,880
Speaker 2: He what he was gonna sit with over Scott. He's

511
00:25:16,960 --> 00:25:19,800
Speaker 2: a y'all, what up, nephew, ain't see you on man, y'all.

512
00:25:19,880 --> 00:25:22,480
Speaker 2: Let me tell you something you've fed your credit. But

513
00:25:22,560 --> 00:25:24,880
Speaker 2: I said, I said, a lot of trends in this game.

514
00:25:25,000 --> 00:25:26,080
Speaker 2: I've seen Scott's story.

515
00:25:26,200 --> 00:25:30,720
Speaker 8: You know, we have it boy, and now miss Scott Storches.

516
00:25:30,800 --> 00:25:37,000
Speaker 8: Oh nothing, Scott Storch down, you don't care.

517
00:25:37,240 --> 00:25:39,680
Speaker 1: But let me tell you something. No, it's a lot

518
00:25:39,760 --> 00:25:43,160
Speaker 1: of Scott Storge stories. Listen. So I got Scott Storch

519
00:25:44,960 --> 00:25:51,840
Speaker 1: you know yo. That man is Leonardo DiCaprio of the

520
00:25:52,040 --> 00:25:52,720
Speaker 1: Music Game.

521
00:25:52,840 --> 00:25:58,320
Speaker 2: When he tells his story, he got stories. Oh my god, life,

522
00:25:59,040 --> 00:26:02,000
Speaker 2: he lived a life. You guys have no super like

523
00:26:02,480 --> 00:26:06,520
Speaker 2: do you guys ever? Like make a pack so you

524
00:26:06,640 --> 00:26:09,439
Speaker 2: come see Jada and it's like, all right, I hear

525
00:26:09,560 --> 00:26:11,600
Speaker 2: this for Jada, but you keep the other pack for

526
00:26:11,760 --> 00:26:12,040
Speaker 2: jay Z.

527
00:26:12,560 --> 00:26:15,359
Speaker 1: I used to hate these produces. They come in the

528
00:26:15,440 --> 00:26:16,359
Speaker 1: studio to bring.

529
00:26:16,320 --> 00:26:19,000
Speaker 2: Us feet and pass some ship and they be like, oh,

530
00:26:19,160 --> 00:26:24,680
Speaker 2: this is for Holey, It's all I'm over there trying

531
00:26:24,720 --> 00:26:28,520
Speaker 2: to make a fucking hit my mind. I got a

532
00:26:28,640 --> 00:26:32,800
Speaker 2: fucking wrench around my brain trying to crack open us something.

533
00:26:32,960 --> 00:26:36,440
Speaker 1: We went to a boy with big to be just

534
00:26:36,520 --> 00:26:39,480
Speaker 1: say no, that's for big for me.

535
00:26:41,760 --> 00:26:44,000
Speaker 2: If you were running wild, all them they were coming

536
00:26:44,040 --> 00:26:48,399
Speaker 2: to the ship, would they'd be like all can't really

537
00:26:48,480 --> 00:26:51,959
Speaker 2: give you that, that's the red man, and me like, yo,

538
00:26:52,119 --> 00:26:54,159
Speaker 2: my man, like what the fuck were you giving me

539
00:26:54,440 --> 00:26:54,920
Speaker 2: chopped liver?

540
00:26:55,200 --> 00:26:57,400
Speaker 7: We used to come to the studio, you remember those days,

541
00:26:57,480 --> 00:26:59,560
Speaker 7: like in Battery when y'all would have like album mode

542
00:26:59,560 --> 00:27:01,560
Speaker 7: and we used to come and line up. It would

543
00:27:01,560 --> 00:27:03,920
Speaker 7: be buck wild Rock Wilder, whoever come with the dats

544
00:27:03,960 --> 00:27:04,840
Speaker 7: and have to play beats.

545
00:27:05,280 --> 00:27:07,680
Speaker 1: But y'all used to have the fucking shenanigans. Like I

546
00:27:07,800 --> 00:27:09,280
Speaker 1: remember one time it was.

547
00:27:09,320 --> 00:27:11,399
Speaker 7: You and punted at the studio and I came in

548
00:27:11,600 --> 00:27:13,840
Speaker 7: in the studio to play beats, and it was it

549
00:27:14,000 --> 00:27:16,840
Speaker 7: was it was a hammer on the table allegedly saying

550
00:27:16,880 --> 00:27:19,520
Speaker 7: all right. So I walked in and Plumb was sitting

551
00:27:19,560 --> 00:27:21,040
Speaker 7: all the way on the back on the couch against

552
00:27:21,080 --> 00:27:21,400
Speaker 7: the wall.

553
00:27:21,800 --> 00:27:23,240
Speaker 1: Right, that's what he used to say.

554
00:27:23,400 --> 00:27:25,240
Speaker 7: And he put a he he went and grabbed the apple.

555
00:27:25,600 --> 00:27:29,160
Speaker 7: He put an apple on his head. That let's see

556
00:27:29,200 --> 00:27:30,280
Speaker 7: for lying. He put an apple on.

557
00:27:32,560 --> 00:27:35,840
Speaker 1: Take the he put out. Listen. I spoke to Joe.

558
00:27:35,920 --> 00:27:36,399
Speaker 1: In a minute.

559
00:27:36,520 --> 00:27:39,520
Speaker 7: He put an apple on his head. He said, yo, Joe, Joe.

560
00:27:40,880 --> 00:27:42,879
Speaker 7: Joe said right now, right here, he said, Joe, go go,

561
00:27:43,000 --> 00:27:45,439
Speaker 7: go ahead, go ahead. Joe said, now we can't do that, right,

562
00:27:45,480 --> 00:27:46,159
Speaker 7: he said, go go go.

563
00:27:46,880 --> 00:27:50,840
Speaker 1: Joe took the hammer and playing with like this, it

564
00:27:50,960 --> 00:27:52,399
Speaker 1: made the made the fucking it was a it was

565
00:27:52,400 --> 00:27:55,160
Speaker 1: an airgun like he made it. He made the apple.

566
00:27:56,480 --> 00:27:58,520
Speaker 2: I tell you I started recently if I eat did

567
00:27:58,640 --> 00:28:00,679
Speaker 2: that with Tody sun Shot to the You know, they

568
00:28:00,760 --> 00:28:04,240
Speaker 2: never put us in battery studios again. Tom Sunshaw put

569
00:28:04,280 --> 00:28:08,000
Speaker 2: the apple on some young this little white engineer, and

570
00:28:08,119 --> 00:28:10,800
Speaker 2: they pluned it the same ship shot it. They never

571
00:28:10,960 --> 00:28:13,840
Speaker 2: let me rant bad studio again in my life. It

572
00:28:14,000 --> 00:28:18,479
Speaker 2: was my favorite fucking studios. Them sessions were crazy. Sessions

573
00:28:18,520 --> 00:28:18,920
Speaker 2: were crazy.

574
00:28:19,200 --> 00:28:22,960
Speaker 3: Cap He gets one taken back, he guess from the

575
00:28:23,320 --> 00:28:26,760
Speaker 3: story checks out, He gets his time out, then he

576
00:28:26,800 --> 00:28:27,800
Speaker 3: gets another challenge.

577
00:28:28,320 --> 00:28:30,560
Speaker 1: Those were crazy days, man, But yeah, I mean, you know,

578
00:28:30,640 --> 00:28:32,800
Speaker 1: but they were the fun days for sure. See I

579
00:28:32,880 --> 00:28:36,160
Speaker 1: thought you was a member of marv D. I mean shitty.

580
00:28:36,440 --> 00:28:40,120
Speaker 1: You can say that well the way I looked at it, right,

581
00:28:40,200 --> 00:28:41,400
Speaker 1: because you got havoc.

582
00:28:41,720 --> 00:28:44,240
Speaker 2: You know, Nigga's calling that the number one album of

583
00:28:44,360 --> 00:28:48,480
Speaker 2: all time produced straight up. I see I see less

584
00:28:48,680 --> 00:28:53,000
Speaker 2: all the time with infamous yes influences. And so you

585
00:28:53,280 --> 00:28:56,760
Speaker 2: come afterwards and team up with Prodigy music. You're putting

586
00:28:56,840 --> 00:28:59,400
Speaker 2: in and work with came in Murder Murdered music is

587
00:28:59,400 --> 00:29:01,680
Speaker 2: when I got there, Who come in when he already

588
00:29:01,800 --> 00:29:05,000
Speaker 2: has a doctor drake, So I thought you was the

589
00:29:05,160 --> 00:29:06,320
Speaker 2: third member of Malty.

590
00:29:06,560 --> 00:29:09,280
Speaker 7: I swear to God me listen, I tell half all

591
00:29:09,320 --> 00:29:11,880
Speaker 7: the time. I thank him, And that's a real testament

592
00:29:11,960 --> 00:29:16,400
Speaker 7: to confidence he's having. He made a whole sound. So

593
00:29:16,480 --> 00:29:19,960
Speaker 7: when I got to New York, I was around soaking

594
00:29:20,040 --> 00:29:22,120
Speaker 7: up all that shit, figuring out how to make the

595
00:29:22,240 --> 00:29:25,040
Speaker 7: drums a certain way like hab as a mastermind genius.

596
00:29:25,240 --> 00:29:27,720
Speaker 1: We know this, you know what I'm saying. But you

597
00:29:27,800 --> 00:29:30,880
Speaker 1: know the connection was through Cyprus. So it's funny how

598
00:29:30,960 --> 00:29:31,240
Speaker 1: it work.

599
00:29:31,480 --> 00:29:33,000
Speaker 7: You know, Mugs was working with them all but I

600
00:29:33,080 --> 00:29:35,120
Speaker 7: came to New York and he linked me with them,

601
00:29:35,400 --> 00:29:37,120
Speaker 7: and they just saw me in New York like just

602
00:29:37,680 --> 00:29:41,040
Speaker 7: out here Dolo still reping sol Assassins. But they were like,

603
00:29:41,760 --> 00:29:43,680
Speaker 7: come fuck with us, you know, and I just I

604
00:29:43,840 --> 00:29:46,640
Speaker 7: was out here kind of by myself. So them putting

605
00:29:46,680 --> 00:29:48,440
Speaker 7: me into the mix, you know how that made me feel?

606
00:29:48,560 --> 00:29:51,680
Speaker 7: Like think of that Marvedie Murder music is they already

607
00:29:51,720 --> 00:29:55,360
Speaker 7: did Hell on Earth infamous, So what I'm trying.

608
00:29:55,440 --> 00:29:56,960
Speaker 1: I was a fan when I met him, you know

609
00:29:57,000 --> 00:29:57,440
Speaker 1: what I'm saying.

610
00:29:57,480 --> 00:29:59,120
Speaker 7: So the fact they left me, and you know how

611
00:29:59,160 --> 00:30:01,880
Speaker 7: it is is it was gradual too, because they't not

612
00:30:01,960 --> 00:30:03,880
Speaker 7: the type to just be like, come on and you

613
00:30:04,000 --> 00:30:04,280
Speaker 7: with us.

614
00:30:04,720 --> 00:30:07,280
Speaker 2: It took a while until I was like red Quorn's

615
00:30:07,320 --> 00:30:10,440
Speaker 2: wedding and I went, you know how you go to

616
00:30:10,480 --> 00:30:13,240
Speaker 2: a wedding, they give you them shuttle bus, sit next

617
00:30:13,280 --> 00:30:17,720
Speaker 2: to Riz and his wife. The wizard turns around. It's like, no,

618
00:30:17,840 --> 00:30:21,480
Speaker 2: I used to let you, you know, work with Gray.

619
00:30:22,760 --> 00:30:25,440
Speaker 1: Yo, Like you know some cruise they wouldn't even let

620
00:30:25,520 --> 00:30:27,239
Speaker 1: you work with each other. They be like yo.

621
00:30:27,320 --> 00:30:29,880
Speaker 2: He was like, yo, you know, I'm glad we got

622
00:30:29,920 --> 00:30:33,520
Speaker 2: the wedding because I don't feel about that. I mean,

623
00:30:33,720 --> 00:30:36,720
Speaker 2: that's you know Rizzard as it was a boss. That's

624
00:30:36,800 --> 00:30:40,720
Speaker 2: like you called my outfit a little elf. He kind

625
00:30:40,760 --> 00:30:41,840
Speaker 2: of like a little out of way.

626
00:30:42,040 --> 00:30:43,800
Speaker 1: I used to let you wear vinky.

627
00:30:43,560 --> 00:30:45,960
Speaker 2: In the brain that shit looking fly right there. But

628
00:30:46,360 --> 00:30:49,880
Speaker 2: you know your brother compliments your outfits. Manuld say something

629
00:30:49,960 --> 00:30:53,240
Speaker 2: about my outfit. Man, it's outfit to motherfucker boy. He

630
00:30:53,320 --> 00:30:57,320
Speaker 2: won't give me a compliment for nothing, Like you're covering

631
00:30:57,440 --> 00:31:02,040
Speaker 2: men all the time, yo, listen. But where we was

632
00:31:02,080 --> 00:31:05,840
Speaker 2: at with the crews like even me right, and I please,

633
00:31:06,920 --> 00:31:09,240
Speaker 2: I don't want to start no type of beef. I

634
00:31:09,360 --> 00:31:11,800
Speaker 2: worship you guys. I love you guys to death. But

635
00:31:11,960 --> 00:31:14,320
Speaker 2: I'm a member of Digging in the Crates from the beginning.

636
00:31:14,800 --> 00:31:17,440
Speaker 2: And I remember when they asked me to do I

637
00:31:17,600 --> 00:31:21,600
Speaker 2: shot you l's I shot you with keeping. Of course,

638
00:31:21,720 --> 00:31:24,400
Speaker 2: some of the members was like they don't rock with it. No,

639
00:31:24,680 --> 00:31:28,880
Speaker 2: they was the underground. They they was underground. They didn't

640
00:31:28,920 --> 00:31:32,360
Speaker 2: believe that forbidden for you to do a shingle that

641
00:31:32,520 --> 00:31:33,240
Speaker 2: was about to blow.

642
00:31:33,320 --> 00:31:36,080
Speaker 1: They didn't want Yeah with my idol, well on cool ja.

643
00:31:36,160 --> 00:31:37,880
Speaker 1: I was like, yo, this is my idol.

644
00:31:38,320 --> 00:31:41,720
Speaker 2: This guy's full time planer. I was like David James.

645
00:31:41,760 --> 00:31:45,080
Speaker 2: There was like strictly underground. It's seven members and Digging

646
00:31:45,120 --> 00:31:47,160
Speaker 2: in the cruise was it.

647
00:31:47,280 --> 00:31:47,920
Speaker 1: No, I can't.

648
00:31:48,640 --> 00:31:53,080
Speaker 9: I'm what I'm saying. Two of the three members, No,

649
00:31:53,680 --> 00:31:55,320
Speaker 9: I think I know who it was two to three.

650
00:31:55,760 --> 00:31:58,360
Speaker 9: I know who it was like, Yo, No, it was

651
00:31:58,440 --> 00:31:58,800
Speaker 9: a show.

652
00:31:59,000 --> 00:32:00,960
Speaker 1: It was a show. It was like it's two or

653
00:32:01,000 --> 00:32:03,320
Speaker 1: three members. That was like, yo, we rock with us.

654
00:32:04,560 --> 00:32:06,840
Speaker 2: When I was just like I said, Look, that was

655
00:32:06,880 --> 00:32:09,280
Speaker 2: the one time I say, man, I wasn't it wasn't

656
00:32:09,960 --> 00:32:11,440
Speaker 2: giant leave it alone.

657
00:32:11,520 --> 00:32:14,200
Speaker 1: So it wasn't week and there were down but that

658
00:32:14,320 --> 00:32:15,120
Speaker 1: record was hard.

659
00:32:15,480 --> 00:32:18,760
Speaker 2: I was born yesterday. No, it was a stepping stone,

660
00:32:19,480 --> 00:32:20,960
Speaker 2: you know what I'm saying. It was almost like a

661
00:32:21,080 --> 00:32:24,760
Speaker 2: pop that French Montana like it was a time like

662
00:32:25,000 --> 00:32:26,840
Speaker 2: I shot to put me on another Was that a

663
00:32:26,920 --> 00:32:30,880
Speaker 2: Chris Lighty is Chris light and Chris Lighty and.

664
00:32:32,600 --> 00:32:33,320
Speaker 1: Track masters?

665
00:32:33,640 --> 00:32:33,840
Speaker 6: Yeah?

666
00:32:34,080 --> 00:32:36,160
Speaker 2: Yeah, but Chris talked through me. They fucked through me hard,

667
00:32:36,240 --> 00:32:38,120
Speaker 2: so they came. They hurt my second album. I was

668
00:32:38,200 --> 00:32:41,720
Speaker 2: working that battery. It was like, Yo, want to jump

669
00:32:41,760 --> 00:32:45,200
Speaker 2: on this l But I know about you know you

670
00:32:45,440 --> 00:32:48,440
Speaker 2: working with Prodigy. You know, I know they must have

671
00:32:48,560 --> 00:32:51,600
Speaker 2: had some internal talks like yo, ah.

672
00:32:51,640 --> 00:32:53,960
Speaker 1: Man, we ain't talking about that. He made it in

673
00:32:54,160 --> 00:32:57,040
Speaker 1: he made this ship. It was always love. Have always

674
00:32:57,080 --> 00:32:59,280
Speaker 1: showed me love. But we kind of you know, still

675
00:32:59,320 --> 00:33:00,200
Speaker 1: sharp and still yo.

676
00:33:00,400 --> 00:33:04,720
Speaker 3: We we gotta shout out my man keg ak rock

677
00:33:04,840 --> 00:33:10,280
Speaker 3: Star ak time Rollie because he put us together, that's right.

678
00:33:10,560 --> 00:33:13,160
Speaker 3: And Yo, you know what's crazy. He's doing this thing

679
00:33:13,280 --> 00:33:15,800
Speaker 3: now shouting God. You might go eive him the best

680
00:33:15,840 --> 00:33:16,360
Speaker 3: wreck it ever.

681
00:33:16,680 --> 00:33:18,680
Speaker 1: You know what's crazy? Do you remember? No? No, that's

682
00:33:18,720 --> 00:33:21,920
Speaker 1: a phone. No, it's definitely timeless. He had a fan.

683
00:33:22,120 --> 00:33:23,640
Speaker 1: I don't know what he like. One he gave me

684
00:33:23,760 --> 00:33:26,600
Speaker 1: still feeling and feel me. This is another connection. That's

685
00:33:26,640 --> 00:33:31,520
Speaker 1: crazy kidding me. Remember the beat for bringing on? Remember

686
00:33:31,560 --> 00:33:34,200
Speaker 1: to be for bringing on, Remember to bring it on?

687
00:33:34,320 --> 00:33:36,560
Speaker 1: Beat right, bring it on? So there was a stretch.

688
00:33:38,000 --> 00:33:43,720
Speaker 1: It was a stretch that beat in the cobra clutch

689
00:33:43,760 --> 00:33:44,440
Speaker 1: you're talking about.

690
00:33:44,600 --> 00:33:47,600
Speaker 7: And then and then Stretch came and told me. Y'all

691
00:33:47,680 --> 00:33:50,160
Speaker 7: was asking who did the beat? Because I didn't know

692
00:33:50,280 --> 00:33:52,320
Speaker 7: y'all yet, Stretch on.

693
00:33:52,400 --> 00:33:56,840
Speaker 1: Stretching, but went up on stretch. We bowed there.

694
00:33:57,560 --> 00:34:00,520
Speaker 3: Now, what's the real story? Just the last time we

695
00:34:00,640 --> 00:34:03,040
Speaker 3: ever going to talk about this? Could shout out to

696
00:34:03,160 --> 00:34:07,400
Speaker 3: my brother, last cat shout hold on's gonna say Shoutow's

697
00:34:09,080 --> 00:34:11,640
Speaker 3: Joe Rost cast the lesson. Let me say your moses,

698
00:34:11,760 --> 00:34:14,640
Speaker 3: chill out. I'm talking a moment for me. Can I

699
00:34:14,719 --> 00:34:17,360
Speaker 3: have my mom? You want to take my moment?

700
00:34:17,520 --> 00:34:17,560
Speaker 6: No?

701
00:34:18,760 --> 00:34:21,919
Speaker 1: No, let me get my it's cafe. You can truck.

702
00:34:21,960 --> 00:34:22,560
Speaker 1: You know what I'm saying.

703
00:34:22,680 --> 00:34:27,520
Speaker 3: So whatever happened because all I know you came in

704
00:34:27,640 --> 00:34:28,760
Speaker 3: played me some pets.

705
00:34:29,640 --> 00:34:32,160
Speaker 1: I picked that in that and then I got a

706
00:34:32,400 --> 00:34:34,080
Speaker 1: you know what I mean, so with because.

707
00:34:33,840 --> 00:34:37,279
Speaker 3: It's really you he took. I took the heat for it,

708
00:34:37,960 --> 00:34:39,920
Speaker 3: but it was really our He didn't tell me what

709
00:34:40,120 --> 00:34:43,520
Speaker 3: was going on with it. This is the last time we.

710
00:34:43,560 --> 00:34:46,400
Speaker 1: Ever gonna talk about this because he's all love, so let's.

711
00:34:46,600 --> 00:34:48,680
Speaker 7: It was just a mix up, man, it was. It

712
00:34:48,800 --> 00:34:51,319
Speaker 7: was a misunderstanding. I had love for both of y'all still,

713
00:34:51,400 --> 00:34:54,120
Speaker 7: do you know shout the rack. Just saw Rash last week,

714
00:34:54,880 --> 00:34:57,680
Speaker 7: you know, living legend, his killing it. It was contrast

715
00:34:57,680 --> 00:34:58,759
Speaker 7: shouting chill.

716
00:34:58,880 --> 00:34:59,040
Speaker 5: It was.

717
00:34:59,200 --> 00:35:00,520
Speaker 1: It was a mix up.

718
00:35:00,640 --> 00:35:02,560
Speaker 7: It was early in my career, you know what I'm saying,

719
00:35:02,600 --> 00:35:05,239
Speaker 7: And it was like it was a It was a

720
00:35:05,320 --> 00:35:07,360
Speaker 7: lot of little moving parts and ship that happened. But

721
00:35:07,480 --> 00:35:10,399
Speaker 7: in the end, I you know, I wish it didn't

722
00:35:10,400 --> 00:35:11,920
Speaker 7: go that way, you know what I'm saying. But then

723
00:35:12,120 --> 00:35:15,120
Speaker 7: in the end, the record we made definitely became something

724
00:35:15,760 --> 00:35:18,200
Speaker 7: that lasted forever. And shouts to Rass too, you know

725
00:35:18,239 --> 00:35:19,719
Speaker 7: what I mean. It was it was just a mix

726
00:35:19,800 --> 00:35:21,440
Speaker 7: up and back in that time, but you know, I

727
00:35:21,480 --> 00:35:23,920
Speaker 7: wish the best for everybody going. Everybody's doing great now.

728
00:35:24,000 --> 00:35:25,320
Speaker 7: Well you know what happened to me?

729
00:35:26,320 --> 00:35:32,719
Speaker 1: Yeah, well yeah, I told it ahead of top did

730
00:35:32,760 --> 00:35:33,359
Speaker 1: he have first?

731
00:35:36,200 --> 00:35:39,600
Speaker 2: The fogie Lot was star spheggeled manner in my face

732
00:35:39,760 --> 00:35:42,920
Speaker 2: by salam Remby right after the flow Joring. I'm not

733
00:35:43,080 --> 00:35:44,759
Speaker 2: telling you I wouldn't have did a better job than

734
00:35:44,800 --> 00:35:49,120
Speaker 2: Fuji Lot, but I was in his house in man.

735
00:35:49,200 --> 00:35:52,279
Speaker 1: He made foujie line in my face for fat Joe.

736
00:35:52,360 --> 00:35:54,959
Speaker 1: We used to be nothing but what he said.

737
00:35:55,080 --> 00:35:57,560
Speaker 2: Laurence Hill came like two hours later and was like,

738
00:35:57,719 --> 00:36:02,360
Speaker 2: oh no Joe, this is my ship and they snatched

739
00:36:02,440 --> 00:36:03,360
Speaker 2: up that Fuji Li.

740
00:36:03,560 --> 00:36:05,360
Speaker 1: It was made for me. If you.

741
00:36:06,920 --> 00:36:10,200
Speaker 2: It's the same type of drums, just flow Joe, same pace,

742
00:36:10,239 --> 00:36:12,279
Speaker 2: say and everything. She came in through that ship and

743
00:36:12,320 --> 00:36:13,400
Speaker 2: Nicobra Clutch.

744
00:36:13,320 --> 00:36:15,360
Speaker 1: Was like, Yo, I need this, we get that.

745
00:36:15,520 --> 00:36:18,880
Speaker 3: Betch I just heard recently you said when the Lose

746
00:36:19,080 --> 00:36:20,680
Speaker 3: was originally for me and Pete.

747
00:36:20,880 --> 00:36:24,440
Speaker 1: I never told you, nap. See this is what happened.

748
00:36:25,480 --> 00:36:28,040
Speaker 1: You know, when we were doing all albums, can we

749
00:36:28,160 --> 00:36:30,279
Speaker 1: hit it? Could you play when the Lose right out?

750
00:36:32,040 --> 00:36:34,120
Speaker 1: Think about imagine that too. Imagine this.

751
00:36:35,400 --> 00:36:37,839
Speaker 7: We were finishing the Mall album and like when we're

752
00:36:37,880 --> 00:36:39,399
Speaker 7: doing the album we would go to the studio and work,

753
00:36:39,440 --> 00:36:41,320
Speaker 7: but sometimes they would come to my crib and you

754
00:36:41,400 --> 00:36:43,320
Speaker 7: record joints, So that was a joint I had in

755
00:36:43,360 --> 00:36:46,480
Speaker 7: my crib in the computer. The album was done, and

756
00:36:46,640 --> 00:36:49,200
Speaker 7: I was like, I secretly I hadn't told you, but

757
00:36:49,280 --> 00:36:51,479
Speaker 7: I was like hoping they would forget as I wanted

758
00:36:51,520 --> 00:36:54,520
Speaker 7: to put sp and kiss on it. And then Pete

759
00:36:54,600 --> 00:36:56,840
Speaker 7: came to my crib like a week before they were

760
00:36:56,880 --> 00:36:59,200
Speaker 7: finishing the album was like, Yo, remember that. It was

761
00:36:59,239 --> 00:37:03,160
Speaker 7: that one joint in the computer and I was like, oh, yeah,

762
00:37:05,040 --> 00:37:06,480
Speaker 7: but you know, you know what I'm saying. I always

763
00:37:06,840 --> 00:37:08,880
Speaker 7: would what would that have been like? Man, because all

764
00:37:08,920 --> 00:37:11,040
Speaker 7: they want to say, imagine you know what I'm saying.

765
00:37:11,680 --> 00:37:13,960
Speaker 7: You know here, Joe j we don't let nobody finish

766
00:37:14,080 --> 00:37:19,480
Speaker 7: their answer. I'm glad, he said, I'm glad. That was

767
00:37:19,560 --> 00:37:25,600
Speaker 7: one of the best things you ever said, you brother that, Yeah,

768
00:37:26,239 --> 00:37:30,680
Speaker 7: I need to do a clip of like you know

769
00:37:30,760 --> 00:37:34,440
Speaker 7: what happens is. I'd just be like, the ideas come up.

770
00:37:34,480 --> 00:37:36,200
Speaker 7: While I'm hearing that. I'm like, oh, I got a

771
00:37:36,239 --> 00:37:38,120
Speaker 7: better Phil, I gotta work on that.

772
00:37:38,520 --> 00:37:39,160
Speaker 1: Put it up.

773
00:37:43,360 --> 00:37:46,879
Speaker 2: Cranky dropping man, Oh you would have wear crazy, right,

774
00:37:49,960 --> 00:37:52,160
Speaker 2: Imagine that you know you would have wear craz I.

775
00:37:52,239 --> 00:37:54,480
Speaker 1: Had the right idea, whoa.

776
00:38:00,480 --> 00:38:06,080
Speaker 6: Yes, yes, another day, another dollar. It's about getting give

777
00:38:06,120 --> 00:38:08,239
Speaker 6: me a hout of my nose, running up and out

778
00:38:08,320 --> 00:38:11,439
Speaker 6: in the cold. Put sold on my hands number but better.

779
00:38:11,440 --> 00:38:12,399
Speaker 1: I feel that peper hit.

780
00:38:12,400 --> 00:38:14,960
Speaker 6: My bunks like all ship saw it's time to go

781
00:38:15,160 --> 00:38:16,840
Speaker 6: shopping for cars not passing.

782
00:38:17,080 --> 00:38:19,880
Speaker 1: I went beat the ball my clothes hard ship that

783
00:38:20,000 --> 00:38:21,319
Speaker 1: we had all fuck.

784
00:38:21,400 --> 00:38:23,640
Speaker 6: Look at you say that for the bro it's the

785
00:38:23,719 --> 00:38:27,200
Speaker 6: a J video see dump a reload, knock knock, gifted

786
00:38:27,280 --> 00:38:30,160
Speaker 6: that a platform through the pin pole black starts paint

787
00:38:30,239 --> 00:38:32,560
Speaker 6: loy and so we eat those to get locked in

788
00:38:32,640 --> 00:38:33,800
Speaker 6: them slutting the seyo.

789
00:38:34,040 --> 00:38:36,520
Speaker 1: The only niggas you know that fuck the pos. They

790
00:38:36,600 --> 00:38:38,840
Speaker 1: push our fast at the top. You're still on parole.

791
00:38:39,120 --> 00:38:44,520
Speaker 1: We got money your roll. Look time for pen was different.

792
00:38:46,080 --> 00:38:50,560
Speaker 1: If I was you on't one to hear that that's it?

793
00:38:51,200 --> 00:38:54,840
Speaker 2: Well anyway, that's a legendary song, but that that definitely

794
00:38:55,080 --> 00:38:57,799
Speaker 2: uh got the locks written off.

795
00:38:58,120 --> 00:39:00,439
Speaker 1: They would have on boom times.

796
00:39:00,480 --> 00:39:04,280
Speaker 3: So they toast when we're talking about we're gonna toasted

797
00:39:04,360 --> 00:39:06,200
Speaker 3: the new album, then we're gonna talk about it.

798
00:39:06,239 --> 00:39:09,520
Speaker 1: When we could toast the Light and the Light. They

799
00:39:09,600 --> 00:39:11,120
Speaker 1: got the new album Goldfish.

800
00:39:11,560 --> 00:39:13,560
Speaker 3: You know what I mean with these joke albums in

801
00:39:13,640 --> 00:39:18,000
Speaker 3: the film album in the film We're Gonna Toast quick.

802
00:39:18,360 --> 00:39:21,320
Speaker 1: What who came up with the title? And why is

803
00:39:21,360 --> 00:39:24,360
Speaker 1: it called goldfish? I mean, shit, life be like that.

804
00:39:24,480 --> 00:39:26,480
Speaker 4: We'll be stuck in the ball just going in circles

805
00:39:26,520 --> 00:39:29,040
Speaker 4: and ship sometimes, you know what I mean, It's like,

806
00:39:29,120 --> 00:39:31,960
Speaker 4: you know, mentally whatever it is, but so it's a

807
00:39:32,000 --> 00:39:33,279
Speaker 4: couple of meanings when you see it.

808
00:39:33,280 --> 00:39:34,879
Speaker 1: You know what I mean, you don't really understand what's

809
00:39:34,880 --> 00:39:35,879
Speaker 1: going on now, y'all.

810
00:39:35,920 --> 00:39:40,560
Speaker 3: Both spinners turn producers or producers turn spinners.

811
00:39:41,280 --> 00:39:43,160
Speaker 4: I was making I was making my own songs before

812
00:39:43,200 --> 00:39:45,960
Speaker 4: I made beats, and man, to be honest, to beat

813
00:39:45,960 --> 00:39:47,960
Speaker 4: shit was just on some like fun shit for me,

814
00:39:48,200 --> 00:39:50,839
Speaker 4: you know, just still is. It's like I replaced playing

815
00:39:50,920 --> 00:39:53,480
Speaker 4: video games with making beats because the fl studio look

816
00:39:53,600 --> 00:39:56,000
Speaker 4: like tetras. They was clowning that ship when they drove

817
00:39:56,120 --> 00:39:58,640
Speaker 4: like they was like real producers don't use you know,

818
00:39:58,719 --> 00:40:01,560
Speaker 4: fruity loose. Now it's like all the Drake hits, a

819
00:40:01,640 --> 00:40:03,919
Speaker 4: lot of Kendrick hits, a lot of niggash getting made

820
00:40:03,960 --> 00:40:06,680
Speaker 4: on fix you know what I mean, you know what

821
00:40:06,840 --> 00:40:08,720
Speaker 4: me uh, I don't.

822
00:40:08,560 --> 00:40:10,040
Speaker 1: Care where the funk the beat came from.

823
00:40:10,120 --> 00:40:13,040
Speaker 3: Long as it's knocking, either with two fruit of pockets

824
00:40:13,120 --> 00:40:15,520
Speaker 3: us and ship ship is knocking. I don't really get

825
00:40:16,000 --> 00:40:17,800
Speaker 3: they got the woman that have it came up with

826
00:40:17,880 --> 00:40:18,960
Speaker 3: the ship from the project.

827
00:40:19,080 --> 00:40:22,880
Speaker 1: The light that from some stove, from the stove in

828
00:40:22,960 --> 00:40:26,160
Speaker 1: the project that really came from it. Well that's what

829
00:40:26,360 --> 00:40:27,000
Speaker 1: the woman is.

830
00:40:27,160 --> 00:40:30,240
Speaker 3: I don't know if it's confessed hard because everybody stove

831
00:40:30,360 --> 00:40:30,600
Speaker 3: did that.

832
00:40:30,719 --> 00:40:33,719
Speaker 1: It's good, you know. I think it was just the

833
00:40:33,800 --> 00:40:35,680
Speaker 1: engineer playing the high hats in the BEG game that

834
00:40:35,840 --> 00:40:36,640
Speaker 1: maybe it.

835
00:40:37,800 --> 00:40:43,080
Speaker 3: I like it like point men, point gold bottles, goldfish

836
00:40:43,360 --> 00:40:45,480
Speaker 3: go the gold fish, like man.

837
00:40:45,680 --> 00:40:48,680
Speaker 1: More than light, God more. Well, don't risk.

838
00:40:50,080 --> 00:40:50,239
Speaker 5: Here.

839
00:40:51,719 --> 00:40:55,160
Speaker 1: Fish that made times you have a shipped a son

840
00:40:55,239 --> 00:40:56,200
Speaker 1: of a suspect.

841
00:40:56,400 --> 00:40:59,360
Speaker 3: Yeah, right right now, it's this classic. This her classy

842
00:40:59,440 --> 00:41:02,520
Speaker 3: right man back on the dream. It was just the

843
00:41:02,600 --> 00:41:06,600
Speaker 3: start his last night hours ago. Man, sh I'm still recovering.

844
00:41:09,239 --> 00:41:11,000
Speaker 1: We don't bring that into these conversations.

845
00:41:11,000 --> 00:41:13,200
Speaker 2: Every time somebody say some ship like that, you start

846
00:41:13,239 --> 00:41:15,640
Speaker 2: to hide behind the pillow with ship yo.

847
00:41:15,800 --> 00:41:19,160
Speaker 1: I was started. It was amazing, man, great time.

848
00:41:20,520 --> 00:41:23,560
Speaker 2: It was your family and that motherfucker hunh Man, that's

849
00:41:23,600 --> 00:41:24,560
Speaker 2: the Devil's dame.

850
00:41:25,520 --> 00:41:28,400
Speaker 1: It's a good spot, man, Let me a good spot.

851
00:41:28,440 --> 00:41:31,840
Speaker 2: I'm sitting in Barbie Booby trapped one night in fucking Miami.

852
00:41:32,200 --> 00:41:34,960
Speaker 2: I'm my man money and we're throwing so much money,

853
00:41:35,120 --> 00:41:37,480
Speaker 2: so much dish. And I turned around I seen the

854
00:41:37,760 --> 00:41:44,640
Speaker 2: greatest Caribbean Asian white. The Spanish said, oh no, the devil.

855
00:41:44,680 --> 00:41:48,160
Speaker 2: I gotta seek the kingdom. The Devil's in here, the

856
00:41:48,400 --> 00:41:51,440
Speaker 2: Devil's layer. We gotta get out of it. Sometimes you

857
00:41:51,480 --> 00:41:53,440
Speaker 2: gotta run out of a splace, the place like that.

858
00:41:54,560 --> 00:41:56,960
Speaker 2: I'm at the Yankee Get. By the way, they call

859
00:41:57,080 --> 00:41:59,440
Speaker 2: me the bad news. What they call me the Jinks,

860
00:42:00,160 --> 00:42:04,480
Speaker 2: I'm the mush We won last night. That boy Judge

861
00:42:04,560 --> 00:42:07,040
Speaker 2: hit that ship out the park. Maya had to he

862
00:42:07,200 --> 00:42:13,320
Speaker 2: told the whole yo. He fucked himself so royally. He

863
00:42:13,520 --> 00:42:16,160
Speaker 2: told the whole section. If Judge it's a home run,

864
00:42:16,239 --> 00:42:19,640
Speaker 2: I'm buying drinks that nigga hit the home run. Maya

865
00:42:19,760 --> 00:42:24,120
Speaker 2: had to buy every don't go messing with cotton a joke.

866
00:42:24,320 --> 00:42:26,840
Speaker 2: He's a different kind of fans out there, you know,

867
00:42:27,000 --> 00:42:32,040
Speaker 2: like drimple of Titos, doubles. I say, yo, you got yo.

868
00:42:32,160 --> 00:42:34,359
Speaker 2: They was ordering doubles and trip they yo.

869
00:42:34,520 --> 00:42:34,800
Speaker 1: Listen.

870
00:42:35,120 --> 00:42:37,879
Speaker 2: Some women came by and she said, I noticed you've

871
00:42:37,920 --> 00:42:41,239
Speaker 2: been drinking dia pepsi and she brought me a diapeps

872
00:42:41,320 --> 00:42:42,640
Speaker 2: The whole section looked at me.

873
00:42:42,719 --> 00:42:49,240
Speaker 1: I said, seek the Kingdom, what's going.

874
00:42:49,120 --> 00:42:49,480
Speaker 2: On with that?

875
00:42:49,680 --> 00:42:53,400
Speaker 1: Who's on out y'all? To features? We got what's going Get.

876
00:42:53,960 --> 00:42:57,799
Speaker 4: Sneak Conway, Conway, gotta you gotta actually gotta solo song

877
00:42:57,880 --> 00:42:58,200
Speaker 4: on there.

878
00:42:58,920 --> 00:43:03,280
Speaker 1: Ship. We got James Bold Shot, he got my pops

879
00:43:03,360 --> 00:43:07,719
Speaker 1: being hit on the head. Oh hav it. But we

880
00:43:07,760 --> 00:43:09,919
Speaker 1: didn't want to do a compilation album. I think people

881
00:43:09,960 --> 00:43:11,520
Speaker 1: probably expect it because we do the beats.

882
00:43:12,280 --> 00:43:14,440
Speaker 7: But once we linked, it's just where it went because

883
00:43:14,600 --> 00:43:16,440
Speaker 7: it started from a record that we did together, Like

884
00:43:16,680 --> 00:43:18,880
Speaker 7: was it two years ago? He was working on the

885
00:43:18,920 --> 00:43:21,160
Speaker 7: project Hit Me Up, and it was like, yo, I

886
00:43:21,239 --> 00:43:23,319
Speaker 7: think he saw I just did a verse on.

887
00:43:23,360 --> 00:43:24,000
Speaker 1: The Larry June.

888
00:43:24,080 --> 00:43:26,520
Speaker 7: I don't really wrap a lot, you know what I'm saying.

889
00:43:26,520 --> 00:43:28,040
Speaker 7: But when I was working with shouts to my brother

890
00:43:28,120 --> 00:43:30,160
Speaker 7: Larry June. He was like, Yo, what did you get

891
00:43:30,200 --> 00:43:30,640
Speaker 7: on this joint?

892
00:43:30,719 --> 00:43:31,640
Speaker 1: Right here with me?

893
00:43:31,719 --> 00:43:33,000
Speaker 7: I was say you want me to rap on it?

894
00:43:33,040 --> 00:43:35,360
Speaker 7: He said, yeah, yeah, it had to be dope, and

895
00:43:35,440 --> 00:43:37,960
Speaker 7: it was like a twelve bar so it was easy.

896
00:43:38,000 --> 00:43:40,880
Speaker 7: You know, sometimes when I'm making beats, I just write

897
00:43:41,080 --> 00:43:42,640
Speaker 7: just to test drive the beat.

898
00:43:42,440 --> 00:43:43,080
Speaker 1: You know what I'm saying.

899
00:43:43,800 --> 00:43:46,680
Speaker 2: So I come from one of the greatest producer rappers

900
00:43:47,080 --> 00:43:49,200
Speaker 2: ever done, Domend He ain't shout the Dimond d and

901
00:43:49,320 --> 00:43:51,600
Speaker 2: so he got a classic album and all that, and

902
00:43:51,760 --> 00:43:54,160
Speaker 2: so actually he brought me in the game.

903
00:43:54,320 --> 00:43:54,680
Speaker 1: Like I was.

904
00:43:54,760 --> 00:43:57,080
Speaker 2: I was born and raised by a producer that rapped.

905
00:43:57,120 --> 00:44:00,560
Speaker 2: So I always had love for producers. That rap is

906
00:44:00,800 --> 00:44:03,680
Speaker 2: hip hop that bad? Now that the producers got to say, Yo,

907
00:44:03,840 --> 00:44:04,760
Speaker 2: we're gonna rap.

908
00:44:05,760 --> 00:44:07,840
Speaker 1: It's not even about that. It ain't even about that,

909
00:44:07,960 --> 00:44:08,440
Speaker 1: you know what I mean.

910
00:44:08,520 --> 00:44:11,000
Speaker 4: It's just like this is a natural, organic leakup when

911
00:44:11,040 --> 00:44:13,840
Speaker 4: Nigga like we we just made good songs together, you know,

912
00:44:13,880 --> 00:44:16,560
Speaker 4: and it s just, you know, just just became something,

913
00:44:16,840 --> 00:44:18,560
Speaker 4: you know what I mean. Trying to you know, this

914
00:44:18,640 --> 00:44:20,880
Speaker 4: is our first real album. We dropped the EP with

915
00:44:21,000 --> 00:44:23,319
Speaker 4: like three songs like a year and a half, two

916
00:44:23,400 --> 00:44:25,919
Speaker 4: years ago something like that. But it's like a full

917
00:44:26,000 --> 00:44:29,080
Speaker 4: length joint. Yeah, it's showing the camaraderie, you know what

918
00:44:29,080 --> 00:44:32,040
Speaker 4: I'm saying. Producers, I don't think it's as competitive as

919
00:44:32,880 --> 00:44:36,120
Speaker 4: the rapper thing. Like I feel like the producers like

920
00:44:36,239 --> 00:44:37,719
Speaker 4: we all fuck with each other, you know what I mean.

921
00:44:37,800 --> 00:44:40,200
Speaker 4: So once, like I used to hit them up every year,

922
00:44:40,280 --> 00:44:40,600
Speaker 4: like he was.

923
00:44:40,600 --> 00:44:42,120
Speaker 7: Saying the end of the year, like, damn, you're kicking

924
00:44:42,160 --> 00:44:44,600
Speaker 7: my ass, Like I got it, saying I gotta go crazier,

925
00:44:44,760 --> 00:44:45,359
Speaker 7: you know what I'm saying.

926
00:44:45,400 --> 00:44:47,320
Speaker 1: So it was just a natural connect.

927
00:44:47,880 --> 00:44:50,200
Speaker 7: And then after the one record that we did when

928
00:44:50,239 --> 00:44:52,120
Speaker 7: he saw me rapping and we did a record and

929
00:44:52,239 --> 00:44:54,759
Speaker 7: it went up and he's like got like millions of

930
00:44:54,840 --> 00:44:57,440
Speaker 7: views on YouTube, and we were like, damn, I think

931
00:44:57,480 --> 00:44:59,839
Speaker 7: people like seeing the camaraderie, you know what I'm saying.

932
00:45:00,600 --> 00:45:04,719
Speaker 2: Yeah, I think that's what's Uh, The biggest attribute to

933
00:45:04,880 --> 00:45:09,399
Speaker 2: the Locks, besides them being very, very talented, is their

934
00:45:10,160 --> 00:45:13,840
Speaker 2: their unity and their loyalty and the people love that,

935
00:45:14,320 --> 00:45:17,319
Speaker 2: you know what I'm saying. So many unfortunately, so many

936
00:45:18,080 --> 00:45:21,040
Speaker 2: legendary groups, these artists don't even talk to each other

937
00:45:21,160 --> 00:45:23,320
Speaker 2: no more, they don't tall with each other. They do this,

938
00:45:23,960 --> 00:45:26,520
Speaker 2: so when we see the unity like that, we really

939
00:45:26,640 --> 00:45:40,320
Speaker 2: really appreciate that. You yourself, right, you're having pause what

940
00:45:40,440 --> 00:45:44,040
Speaker 2: we call it, like to blow up. Okay, So this guy,

941
00:45:44,120 --> 00:45:48,160
Speaker 2: he'd been already. You know, he was making beats in

942
00:45:48,320 --> 00:45:51,359
Speaker 2: Paris with them giving him makaoun. You know, he's hand

943
00:45:51,400 --> 00:45:56,520
Speaker 2: out with fucking Beyonce and fucking Hamptons, they bringing them

944
00:45:56,960 --> 00:45:58,160
Speaker 2: kill trimp and shit.

945
00:45:58,360 --> 00:45:59,960
Speaker 1: This guy his profile.

946
00:46:00,040 --> 00:46:06,560
Speaker 2: I've been really odd, right, Kanye raised from that whole factory, right,

947
00:46:07,360 --> 00:46:11,640
Speaker 2: but you you've always been an underground ah. And lately

948
00:46:12,880 --> 00:46:19,680
Speaker 2: I've been seeing collaborations that's already, that's babies, fathers, this

949
00:46:19,800 --> 00:46:23,480
Speaker 2: top five getto alive, right, So it's like, yo, you

950
00:46:23,640 --> 00:46:27,440
Speaker 2: collaborate with us. So I'm seeing this like everybody is

951
00:46:27,719 --> 00:46:33,960
Speaker 2: real on a mainstream level appreciation of alchemists. Do you

952
00:46:34,080 --> 00:46:35,960
Speaker 2: know you in that moment right now or do you

953
00:46:36,760 --> 00:46:39,560
Speaker 2: you know? Does it feel different with all of these collabs?

954
00:46:39,640 --> 00:46:41,360
Speaker 2: Do you have any joints left for me?

955
00:46:43,520 --> 00:46:46,759
Speaker 1: Don't make me pull up my text messages? We have

956
00:46:47,280 --> 00:46:47,960
Speaker 1: We got here.

957
00:46:49,440 --> 00:46:54,480
Speaker 10: You did a lot of yes, Hold on a minute,

958
00:46:55,080 --> 00:46:58,960
Speaker 10: Hold on a minute, definitely I deserve that flat Now,

959
00:47:00,320 --> 00:47:01,400
Speaker 10: come on, we got work to do.

960
00:47:01,520 --> 00:47:04,919
Speaker 1: You know that unfinished business. But I mean it too though. Man,

961
00:47:05,680 --> 00:47:07,279
Speaker 1: it's the one joint.

962
00:47:07,360 --> 00:47:11,359
Speaker 11: We never got to do it, but I need well, yeah,

963
00:47:12,239 --> 00:47:13,680
Speaker 11: I mean I think I think I know what it

964
00:47:13,880 --> 00:47:17,840
Speaker 11: was in the valume of my life, you know what

965
00:47:17,920 --> 00:47:18,160
Speaker 11: it was.

966
00:47:18,239 --> 00:47:21,399
Speaker 7: It's like it feels like, you know, when you're playing

967
00:47:21,440 --> 00:47:23,879
Speaker 7: a video game and you kind of playing the good

968
00:47:23,920 --> 00:47:25,319
Speaker 7: and you turn the speed up or put it.

969
00:47:25,320 --> 00:47:26,239
Speaker 1: On the more evanced level.

970
00:47:26,280 --> 00:47:27,520
Speaker 7: We'll be like, I don't know if I could play,

971
00:47:27,560 --> 00:47:29,920
Speaker 7: and then you start figuring it out, like damn, I

972
00:47:30,000 --> 00:47:32,320
Speaker 7: could go. I'm speeding now. I'm like, this was easier

973
00:47:32,320 --> 00:47:34,640
Speaker 7: than I thought. It's starting to feel like that a

974
00:47:34,719 --> 00:47:37,440
Speaker 7: little bit, like because we got the rint and repeat formula.

975
00:47:37,480 --> 00:47:39,719
Speaker 7: In the last five ten years of you know, just

976
00:47:39,840 --> 00:47:42,600
Speaker 7: doing records with different artists like Body James or Rock

977
00:47:42,680 --> 00:47:45,520
Speaker 7: Marcy or you know, Action Bron saying I could name

978
00:47:45,600 --> 00:47:47,400
Speaker 7: you know what I'm saying, I could go on. The

979
00:47:47,560 --> 00:47:50,759
Speaker 7: current one is Freddy Gibbs, you know Alfredo, and it's

980
00:47:50,880 --> 00:47:54,640
Speaker 7: like it just feels like a right, we in motion.

981
00:47:54,840 --> 00:47:58,040
Speaker 7: Shit is going. I'm not second guessing, I'm pulling the trigger,

982
00:47:58,480 --> 00:47:59,879
Speaker 7: you know what I'm saying. I'm thinking about my brother.

983
00:48:00,680 --> 00:48:02,879
Speaker 7: You know, this time was limited, you know, especially going

984
00:48:02,920 --> 00:48:05,319
Speaker 7: through the stuff we got him, like if we got

985
00:48:05,400 --> 00:48:07,279
Speaker 7: it now, we gotta we gotta go, and it's like

986
00:48:07,400 --> 00:48:08,920
Speaker 7: I still got it in me. I don't feel like

987
00:48:09,840 --> 00:48:12,480
Speaker 7: I still feel like I could get better. I feel

988
00:48:12,520 --> 00:48:14,600
Speaker 7: like we got to finished business. I felt like I

989
00:48:14,760 --> 00:48:16,600
Speaker 7: hit you every now and then like what's up, crack,

990
00:48:16,880 --> 00:48:19,520
Speaker 7: Like we could still make some magic. Like I still

991
00:48:19,840 --> 00:48:21,800
Speaker 7: I don't care about none of that. It's not a

992
00:48:21,880 --> 00:48:23,839
Speaker 7: young man's sport. They gotta stop talking about.

993
00:48:23,840 --> 00:48:27,359
Speaker 1: That is bullshit. I don't know where that narrative came from.

994
00:48:27,640 --> 00:48:29,600
Speaker 7: I don't know where it's lonely at the top came from,

995
00:48:29,920 --> 00:48:31,720
Speaker 7: because why can't we all be at the top together?

996
00:48:32,000 --> 00:48:34,400
Speaker 7: Like all of that stuff. I don't it doesn't register

997
00:48:34,520 --> 00:48:36,920
Speaker 7: with me. So you know, it's just timing, man, And

998
00:48:37,000 --> 00:48:39,719
Speaker 7: I feel blessed that you saying that, y'all. Y'all was like,

999
00:48:41,000 --> 00:48:42,600
Speaker 7: you know how I feel about both of the offers.

1000
00:48:42,640 --> 00:48:44,879
Speaker 7: So to get that from you guys, that means I'm

1001
00:48:44,920 --> 00:48:46,480
Speaker 7: doing the right thing. And you know what I'm saying,

1002
00:48:46,640 --> 00:48:49,800
Speaker 7: just tied in when my brother hit you know, he

1003
00:48:49,960 --> 00:48:51,840
Speaker 7: goes as crazy as I do, and I felt like

1004
00:48:51,920 --> 00:48:55,120
Speaker 7: that's where we connected, you know what I'm saying, So yeah,

1005
00:48:55,760 --> 00:48:56,400
Speaker 7: I appreciate it.

1006
00:48:56,480 --> 00:48:59,640
Speaker 1: You know what I mean, definitely. I mean I feel

1007
00:48:59,680 --> 00:49:05,080
Speaker 1: like you are part of the white mafia too. Yo.

1008
00:49:07,880 --> 00:49:10,359
Speaker 1: That's could be because you could be that's the fact.

1009
00:49:15,280 --> 00:49:20,480
Speaker 2: No, because it's like you guys are very talented, but

1010
00:49:20,560 --> 00:49:24,239
Speaker 2: you all you're all well. I feel like Eminem he

1011
00:49:24,360 --> 00:49:29,880
Speaker 2: got this crew Rose Rosenberg will snatch up brief alchemist,

1012
00:49:30,360 --> 00:49:32,759
Speaker 2: he'll go get action, promising, he'll go.

1013
00:49:33,000 --> 00:49:34,080
Speaker 1: He he got like this.

1014
00:49:34,640 --> 00:49:39,959
Speaker 2: Y'all got a white mafia thing. They gotta know, they gotta.

1015
00:49:40,840 --> 00:49:44,200
Speaker 2: Y'all got mafia, and I'm I'm happy for it. You know,

1016
00:49:44,320 --> 00:49:45,440
Speaker 2: y'all got a mob like that.

1017
00:49:46,000 --> 00:49:52,279
Speaker 1: I see them's over there on that side, nems over

1018
00:49:52,320 --> 00:49:54,640
Speaker 1: there on that side too. I feel like who reached

1019
00:49:54,640 --> 00:49:57,359
Speaker 1: his eye? Is it Eminem or Paul who says, y'all

1020
00:49:57,440 --> 00:50:02,120
Speaker 1: we got ready to be down with us? Look, you

1021
00:50:02,200 --> 00:50:04,880
Speaker 1: don't know that sounds fly though, man, When I'm ato

1022
00:50:07,200 --> 00:50:12,399
Speaker 1: get I'm not delusional that was going on and shot it? Oh,

1023
00:50:12,600 --> 00:50:13,080
Speaker 1: you know what I mean?

1024
00:50:13,239 --> 00:50:16,400
Speaker 2: Eminem, We don't talk about him enough on this platform.

1025
00:50:16,480 --> 00:50:18,680
Speaker 2: He's my brother, he's my friend. You know, I got

1026
00:50:19,120 --> 00:50:21,560
Speaker 2: I can't tell you like I get it all the time.

1027
00:50:21,680 --> 00:50:25,440
Speaker 2: But I remember I did the album? What album was

1028
00:50:25,560 --> 00:50:28,840
Speaker 2: where I said I retired, and I remember I was

1029
00:50:28,880 --> 00:50:31,560
Speaker 2: in my mother's house. My phone rang from an unknown

1030
00:50:31,680 --> 00:50:33,880
Speaker 2: number and I picked it up and it was Marshall

1031
00:50:34,520 --> 00:50:36,440
Speaker 2: and he talked to me for two hours like your

1032
00:50:36,560 --> 00:50:39,640
Speaker 2: job been listening, you still got it, you don't need

1033
00:50:39,680 --> 00:50:39,840
Speaker 2: to be.

1034
00:50:39,920 --> 00:50:42,800
Speaker 12: I was like, I wanted to knock on the nigh's

1035
00:50:42,920 --> 00:50:44,480
Speaker 12: house as if all I'd be like, Yo, this shit

1036
00:50:44,600 --> 00:50:47,319
Speaker 12: fucking Eminata talking to me for an hour or two

1037
00:50:47,440 --> 00:50:51,080
Speaker 12: telling me yo, talking me off the retirement list, like Yo,

1038
00:50:51,280 --> 00:50:51,680
Speaker 12: you got it.

1039
00:50:51,760 --> 00:50:55,000
Speaker 2: You know you gotta stay working, you got it. And

1040
00:50:55,120 --> 00:50:57,920
Speaker 2: that's one of the biggest honest I ever had. And

1041
00:50:58,040 --> 00:51:04,600
Speaker 2: to have that relationship with him is amazing, because you know,

1042
00:51:04,760 --> 00:51:08,239
Speaker 2: people they forget like you know how you just said, y'all,

1043
00:51:08,880 --> 00:51:11,560
Speaker 2: let's go back to Robbery's tool, Let's go back to that.

1044
00:51:11,840 --> 00:51:14,640
Speaker 1: A lot of people forget all these different layers of

1045
00:51:14,840 --> 00:51:15,239
Speaker 1: what's going.

1046
00:51:15,320 --> 00:51:18,200
Speaker 2: You know, we'd just be stuck on twenty twenty five, right,

1047
00:51:18,600 --> 00:51:21,160
Speaker 2: and sometimes you don't think about what And when them

1048
00:51:21,280 --> 00:51:25,280
Speaker 2: came out of men, Big Pun was online and fucking

1049
00:51:25,560 --> 00:51:28,000
Speaker 2: La that was just before the Grammy's in the Sunset,

1050
00:51:28,600 --> 00:51:31,600
Speaker 2: The fucking we waited online for that album and you

1051
00:51:31,680 --> 00:51:33,920
Speaker 2: ain't waiting on that line for that album if he

1052
00:51:34,200 --> 00:51:35,000
Speaker 2: wasn't the guy.

1053
00:51:35,800 --> 00:51:37,480
Speaker 1: You know what I'm saying. He was phenomenal.

1054
00:51:37,560 --> 00:51:39,800
Speaker 2: He was incredible, and sometimes you try to explain it

1055
00:51:39,880 --> 00:51:41,480
Speaker 2: to kids that wasn't there at that time.

1056
00:51:41,680 --> 00:51:42,160
Speaker 1: Change shit.

1057
00:51:42,680 --> 00:51:44,359
Speaker 7: And I'm gonna tell you you think we work hard,

1058
00:51:44,840 --> 00:51:47,120
Speaker 7: I've never seen nobody work like him to this day,

1059
00:51:47,640 --> 00:51:49,800
Speaker 7: the level that like right now, he's in the studio,

1060
00:51:49,880 --> 00:51:53,279
Speaker 7: right now, I can put Betty every day, I'm telling you,

1061
00:51:53,640 --> 00:51:59,239
Speaker 7: on tour headphones in the hotel room writing still. So

1062
00:51:59,400 --> 00:52:01,200
Speaker 7: you know when I and some dings like that too,

1063
00:52:02,160 --> 00:52:04,479
Speaker 7: all the way in it all like inside the middle

1064
00:52:04,480 --> 00:52:06,400
Speaker 7: of a tornado, like they're not coming out of it, you.

1065
00:52:06,400 --> 00:52:06,799
Speaker 1: Know what I mean.

1066
00:52:07,520 --> 00:52:10,279
Speaker 2: I was crazy, It's crazy. I remember when I got

1067
00:52:10,360 --> 00:52:14,759
Speaker 2: him on the Lean Back remix. He said the same

1068
00:52:14,960 --> 00:52:18,239
Speaker 2: verse thirty times. It was this same verse, but he

1069
00:52:18,239 --> 00:52:20,480
Speaker 2: would say the word a little different or say it

1070
00:52:20,640 --> 00:52:23,279
Speaker 2: this way and this this, and we like, fuck, we

1071
00:52:23,400 --> 00:52:26,680
Speaker 2: got the MNEM verse. We let this bitch oh and

1072
00:52:26,760 --> 00:52:29,439
Speaker 2: he's just like yo yo yo, but hold up sending

1073
00:52:29,520 --> 00:52:32,759
Speaker 2: you another verse. It's the same verse, but like with

1074
00:52:32,920 --> 00:52:36,279
Speaker 2: a different tone of cateren to this and it's like

1075
00:52:36,440 --> 00:52:37,759
Speaker 2: thirty times and I'm like.

1076
00:52:38,280 --> 00:52:43,839
Speaker 5: It's just the one lifeectionist Jim Why he's a perfectionist man,

1077
00:52:43,920 --> 00:52:46,080
Speaker 5: and shout out, m what's so with the film that's

1078
00:52:46,160 --> 00:52:47,960
Speaker 5: attached to the project?

1079
00:52:49,000 --> 00:52:50,120
Speaker 1: Man? It was a little bit.

1080
00:52:50,920 --> 00:52:52,520
Speaker 7: It was a good idea that it came up with

1081
00:52:52,560 --> 00:52:54,000
Speaker 7: when we were working because we were gonna do a

1082
00:52:54,040 --> 00:52:54,800
Speaker 7: bunch of videos.

1083
00:52:54,880 --> 00:52:57,759
Speaker 1: You know. Of course he was like, we should shoot

1084
00:52:57,800 --> 00:52:58,520
Speaker 1: a movie. You know.

1085
00:52:58,640 --> 00:53:00,960
Speaker 7: I'm like about what you know, and it was like

1086
00:53:01,960 --> 00:53:03,520
Speaker 7: first it was like about us, and we were like, no,

1087
00:53:04,320 --> 00:53:06,520
Speaker 7: let's just let's give it somebody and get a script,

1088
00:53:07,239 --> 00:53:09,400
Speaker 7: put some bread up and shoot fucking movie to go

1089
00:53:09,480 --> 00:53:09,680
Speaker 7: with this.

1090
00:53:09,760 --> 00:53:12,200
Speaker 4: Out like characters outside of ourselves, not just at a

1091
00:53:12,280 --> 00:53:15,240
Speaker 4: conventional music movie where it's like it's a little scene

1092
00:53:15,320 --> 00:53:17,279
Speaker 4: and the music video pop up. It ain't no ship

1093
00:53:17,400 --> 00:53:20,160
Speaker 4: like that. It's like a real beginning, middle end type shit.

1094
00:53:20,200 --> 00:53:23,040
Speaker 4: It's a real story to it. So yeah, got Danny

1095
00:53:23,080 --> 00:53:23,920
Speaker 4: Trejo in there.

1096
00:53:24,200 --> 00:53:28,760
Speaker 7: Got Simon Record, a bunch of good actors, Cochin Conways

1097
00:53:28,800 --> 00:53:29,240
Speaker 7: in their.

1098
00:53:29,200 --> 00:53:32,680
Speaker 4: Level, high level shit shot on film, sixteen millimeters film.

1099
00:53:33,160 --> 00:53:35,359
Speaker 4: It's like there's some some high level art.

1100
00:53:36,000 --> 00:53:36,200
Speaker 6: You know.

1101
00:53:36,280 --> 00:53:39,440
Speaker 1: What's crazy is you know, when we're talking movies.

1102
00:53:39,480 --> 00:53:43,279
Speaker 2: It made me remember that Taylor Swift just put out

1103
00:53:43,280 --> 00:53:46,640
Speaker 2: of a movie with her You know, she sold three

1104
00:53:46,719 --> 00:53:50,360
Speaker 2: million records in one day. Cardi B had a record

1105
00:53:50,400 --> 00:53:54,320
Speaker 2: for like three days. This ship incredible Carty three million

1106
00:53:54,360 --> 00:53:56,960
Speaker 2: in a day in the day. So how many streams

1107
00:53:57,040 --> 00:53:59,440
Speaker 2: is that? We gotta find out? Man, how it's like

1108
00:53:59,560 --> 00:54:00,560
Speaker 2: two billions.

1109
00:54:00,880 --> 00:54:03,560
Speaker 1: It was like merch and strength.

1110
00:54:03,680 --> 00:54:06,120
Speaker 2: Yeah, you know, Birdman just said he got he did

1111
00:54:06,200 --> 00:54:08,320
Speaker 2: a trillion streams with all his artists.

1112
00:54:08,520 --> 00:54:12,759
Speaker 1: I believe it. Birdman just said it streams. It's crazy, yo.

1113
00:54:12,920 --> 00:54:18,040
Speaker 2: But but Taylor Swift Cardi B broke the grinnest world

1114
00:54:18,080 --> 00:54:18,760
Speaker 2: of world record.

1115
00:54:19,000 --> 00:54:20,320
Speaker 1: Her shit lasted.

1116
00:54:20,000 --> 00:54:23,120
Speaker 2: Three day, three work days. It came Taylor Swift. Taylor

1117
00:54:23,160 --> 00:54:25,600
Speaker 2: Swift came with the three million in one day, like

1118
00:54:25,800 --> 00:54:29,120
Speaker 2: this ship and a movie. This shit sold like thirty

1119
00:54:29,200 --> 00:54:31,920
Speaker 2: sixty millions all stream.

1120
00:54:32,080 --> 00:54:32,120
Speaker 3: No.

1121
00:54:32,239 --> 00:54:35,680
Speaker 2: No, she sold The Brother Man. She sold one million

1122
00:54:35,800 --> 00:54:39,760
Speaker 2: copies and one day. There's a fact on world goodness,

1123
00:54:40,000 --> 00:54:43,000
Speaker 2: look it up. Taylor Swift came out less than a

1124
00:54:43,080 --> 00:54:46,440
Speaker 2: week later and sold two point seven million in one

1125
00:54:46,560 --> 00:54:54,280
Speaker 2: day with the movie listened out. I love Travis Kelsey's

1126
00:54:54,320 --> 00:54:56,640
Speaker 2: My Brother. I love everything about do you know who

1127
00:54:56,719 --> 00:55:02,760
Speaker 2: got me full Taylor Swift. Taylor Swift got me fooled

1128
00:55:03,960 --> 00:55:07,000
Speaker 2: because we all know you be waiting to meet people.

1129
00:55:07,800 --> 00:55:11,000
Speaker 2: How many times you waited to meet somebody forever and

1130
00:55:11,160 --> 00:55:13,400
Speaker 2: you like, you know, man, this guy ain't shit or

1131
00:55:13,440 --> 00:55:16,120
Speaker 2: they got an attitude that they cocky or they arrogant.

1132
00:55:16,120 --> 00:55:19,840
Speaker 3: Youft, No, I just think I really believe she's a

1133
00:55:19,960 --> 00:55:20,680
Speaker 3: niceties person.

1134
00:55:21,080 --> 00:55:23,960
Speaker 2: Boy, No, you're not listening to what I'm saying. I'm honestly,

1135
00:55:24,400 --> 00:55:26,960
Speaker 2: I met everybody I've hung out with. I've hung out

1136
00:55:27,000 --> 00:55:32,960
Speaker 2: with the biggest superstars in the world in the history

1137
00:55:33,160 --> 00:55:35,920
Speaker 2: a man kid with Swift, I'm talking about the biggest

1138
00:55:37,880 --> 00:55:40,600
Speaker 2: and we talked to some crazy ship and the fan

1139
00:55:40,719 --> 00:55:43,960
Speaker 2: come over to go and come back. Yeah, fuck these

1140
00:55:44,000 --> 00:55:48,120
Speaker 2: motherfucker's this this I'm like, damn like like I've been

1141
00:55:48,160 --> 00:55:52,440
Speaker 2: with the biggest full of shitters in the world. I'm

1142
00:55:52,520 --> 00:55:55,759
Speaker 2: trying to tell you, Taylor Swift got me fooled. I'm

1143
00:55:55,800 --> 00:56:00,840
Speaker 2: believing she's a nice person. Great now, I'm telling you

1144
00:56:00,960 --> 00:56:04,000
Speaker 2: the truth. My whole since she came around, I said, Man,

1145
00:56:04,040 --> 00:56:09,920
Speaker 2: it's a nice girl. She's a fucking just tell us Swift,

1146
00:56:09,960 --> 00:56:13,080
Speaker 2: she's a nice lady. Man, This girl you know, and

1147
00:56:13,680 --> 00:56:16,440
Speaker 2: everybody's full of shit. And when you get to know

1148
00:56:16,640 --> 00:56:20,520
Speaker 2: people and you be like, holy, you know what this ship.

1149
00:56:21,120 --> 00:56:23,640
Speaker 1: I'll tell your story. Fucking I said, name right.

1150
00:56:24,360 --> 00:56:32,080
Speaker 2: I waited maybe ten years, maybe fifteen to me Bruno

1151
00:56:32,200 --> 00:56:34,400
Speaker 2: Mars Okay.

1152
00:56:34,360 --> 00:56:37,400
Speaker 1: Where do you don't want me to do? This is

1153
00:56:37,480 --> 00:56:38,160
Speaker 1: a true story.

1154
00:56:38,239 --> 00:56:38,640
Speaker 2: Guy, you.

1155
00:56:40,560 --> 00:56:44,040
Speaker 1: Waited? What do you mean you waited? Because nah, I

1156
00:56:44,120 --> 00:56:46,719
Speaker 1: gotta let it go. It's all you know.

1157
00:56:46,800 --> 00:56:50,000
Speaker 2: It's Puerto Rican at least that's what they say. So

1158
00:56:50,200 --> 00:56:56,680
Speaker 2: I like, like, we know, we know Affacant. We don't

1159
00:56:56,760 --> 00:57:00,799
Speaker 2: know that that's my basketball agahead listen, we know bad

1160
00:57:00,840 --> 00:57:01,839
Speaker 2: Bunny's Puerto Rican.

1161
00:57:02,000 --> 00:57:04,400
Speaker 1: Like he got the flag. J Lo does the Super

1162
00:57:04,440 --> 00:57:05,920
Speaker 1: Bowl with the flag, this and this and that.

1163
00:57:06,120 --> 00:57:09,560
Speaker 2: I've been I've been hearing that Bruno Marris Puerto Rican,

1164
00:57:10,200 --> 00:57:11,960
Speaker 2: but I never got to meet him. So the whole

1165
00:57:12,040 --> 00:57:14,719
Speaker 2: time I'm excited. You don't want to bring him into

1166
00:57:14,719 --> 00:57:18,920
Speaker 2: Puerto Rican mafia? Right, No, how y'all got the white mafia.

1167
00:57:19,080 --> 00:57:19,200
Speaker 1: Right.

1168
00:57:20,200 --> 00:57:24,800
Speaker 2: So I'm at the awards and I'm sitting next to him, James,

1169
00:57:24,960 --> 00:57:27,160
Speaker 2: I'm telling you a story. James, don't look at the

1170
00:57:27,240 --> 00:57:32,240
Speaker 2: fucking computer. I'm telling you the truth. I'm sitting next

1171
00:57:32,280 --> 00:57:35,080
Speaker 2: to him at the awards. I'm gonna keep it all

1172
00:57:35,120 --> 00:57:37,200
Speaker 2: the way, Honey. I'm sitting right next to somebody in

1173
00:57:37,280 --> 00:57:39,040
Speaker 2: the wards and I say, oh shit, Bruna, mam to

1174
00:57:39,080 --> 00:57:41,000
Speaker 2: talk to somebody, say Yo, he's a fuck.

1175
00:57:40,920 --> 00:57:42,720
Speaker 1: Nigga, say.

1176
00:57:43,520 --> 00:57:45,360
Speaker 2: The guy next to me said, you might not want

1177
00:57:45,440 --> 00:57:49,920
Speaker 2: to do it. He's a fuck nigger. I said, what yo, Bruno,

1178
00:57:50,000 --> 00:57:50,360
Speaker 2: what's up?

1179
00:57:50,480 --> 00:57:50,640
Speaker 1: Man?

1180
00:57:51,800 --> 00:57:51,920
Speaker 11: Yo?

1181
00:57:52,200 --> 00:57:53,120
Speaker 1: Say yoo, what's up?

1182
00:57:53,240 --> 00:57:53,400
Speaker 3: Joe?

1183
00:57:53,880 --> 00:57:57,080
Speaker 1: He's with Anderson Pack. I'm like, yo, you Puerto Rican?

1184
00:57:57,520 --> 00:57:58,200
Speaker 1: He got up.

1185
00:57:59,400 --> 00:58:01,840
Speaker 2: Fuck you mean I'm a real fucking Puerto Rican for

1186
00:58:01,920 --> 00:58:03,840
Speaker 2: bresh Rick Brookley? Do I have to ask me ship

1187
00:58:03,920 --> 00:58:06,000
Speaker 2: in your life? And went and sat on the other

1188
00:58:06,160 --> 00:58:11,360
Speaker 2: side of the man broke my heart. Dude, he tripped

1189
00:58:11,400 --> 00:58:14,440
Speaker 2: on What did you know? He was real wrinky bro

1190
00:58:15,480 --> 00:58:18,840
Speaker 2: I wasn't challenging. This wasn't a flag of He's a

1191
00:58:18,880 --> 00:58:21,120
Speaker 2: real Like tell me something, who's your father pays?

1192
00:58:22,760 --> 00:58:27,080
Speaker 1: They're nicest way being no wars. I'm wearing her mask.

1193
00:58:27,960 --> 00:58:30,040
Speaker 1: I'm not bothering nobody. I'm in there. Do you have

1194
00:58:30,120 --> 00:58:32,960
Speaker 1: a demeanor, Joe, you have a demean Oh no, Mars,

1195
00:58:33,080 --> 00:58:36,360
Speaker 1: I've been waiting fifteen years. The action is he was body?

1196
00:58:37,280 --> 00:58:40,200
Speaker 1: He could have just said, yeah, I'm Boddy, what's up body? Okay,

1197
00:58:40,760 --> 00:58:42,480
Speaker 1: I don't know what a lot of you artists is

1198
00:58:42,560 --> 00:58:46,120
Speaker 1: weird now? Like I asked a motherfucker question that starts

1199
00:58:46,160 --> 00:58:49,400
Speaker 1: a gang war. Like I answer to the question, is

1200
00:58:49,760 --> 00:58:53,440
Speaker 1: we want peace? Yo, you in the gang. We want peace?

1201
00:58:55,080 --> 00:58:56,840
Speaker 1: Joe you in a gang. Yeah, I'm in a gang,

1202
00:58:56,920 --> 00:58:58,720
Speaker 1: but we want Pete. Nah, I'm in the gang. Fuck you.

1203
00:58:58,800 --> 00:59:02,160
Speaker 2: Let everybody jelly jumping this. No, the answer is yeah,

1204
00:59:02,240 --> 00:59:04,919
Speaker 2: Puerto Rican was sub bro, I love big pun something.

1205
00:59:04,960 --> 00:59:08,560
Speaker 2: I thought that's a normal movie. Man screamed on me

1206
00:59:08,760 --> 00:59:11,520
Speaker 2: and left, went to the other movements mad like you

1207
00:59:11,600 --> 00:59:13,960
Speaker 2: know on this side of the fucking awards, looking like.

1208
00:59:15,240 --> 00:59:18,440
Speaker 1: And I didn't. That was like, Yo, you beat up

1209
00:59:18,480 --> 00:59:19,480
Speaker 1: his positive? We did?

1210
00:59:20,000 --> 00:59:20,120
Speaker 11: You know?

1211
00:59:20,200 --> 00:59:21,720
Speaker 1: We've been around for a minute.

1212
00:59:21,880 --> 00:59:24,320
Speaker 2: Like no, I swear to god, I said, Yo, we

1213
00:59:24,440 --> 00:59:26,400
Speaker 2: need to see if we beat up his bobs and something?

1214
00:59:27,280 --> 00:59:33,920
Speaker 1: This ship seemed personal? What's the anders? Pet love me?

1215
00:59:34,040 --> 00:59:34,200
Speaker 5: Man?

1216
00:59:34,320 --> 00:59:39,920
Speaker 1: Yo, you got some teeth and ship got some teeth?

1217
00:59:40,040 --> 00:59:42,800
Speaker 1: Are you crazy? Got the head? Dude? That was like, yo, faty,

1218
00:59:42,960 --> 00:59:43,640
Speaker 1: what's up? Brother?

1219
00:59:43,800 --> 00:59:43,960
Speaker 10: Oh?

1220
00:59:44,240 --> 00:59:44,479
Speaker 1: Shit?

1221
00:59:44,720 --> 00:59:49,360
Speaker 2: Man? Digging in a crazy baby? You know that's my guy.

1222
00:59:49,400 --> 00:59:52,160
Speaker 2: I responded, like I thought Bruno was gonna respond to me.

1223
00:59:52,280 --> 00:59:55,520
Speaker 2: I was like, yo, Bruno, if you don't remember it,

1224
00:59:55,680 --> 00:59:59,520
Speaker 2: I forgive you. But you did that, brother, he did

1225
00:59:59,600 --> 01:00:01,880
Speaker 2: that to there you forgiving me.

1226
01:00:02,240 --> 01:00:03,920
Speaker 1: You gotta apologize that. You should.

1227
01:00:04,120 --> 01:00:07,640
Speaker 2: Okay, say the lady, it's sung that it was over.

1228
01:00:08,080 --> 01:00:12,080
Speaker 2: Like a fab from Yonkery. You go up to Fonder

1229
01:00:12,200 --> 01:00:15,760
Speaker 2: Ray then you say hey, hey, Fonder you from Yonkers

1230
01:00:15,800 --> 01:00:19,080
Speaker 2: and she gets the fuck up, Jadykins, don't ever talk to.

1231
01:00:19,120 --> 01:00:21,440
Speaker 1: Me like this and your fucking and you're like, yo, that.

1232
01:00:22,160 --> 01:00:24,680
Speaker 2: All never happened. She's seen me going to the store

1233
01:00:24,760 --> 01:00:28,320
Speaker 2: for red. Well, it happened to me with Bruno Mars.

1234
01:00:29,440 --> 01:00:31,640
Speaker 2: So what I'm trying to tell you, sometimes you can't wait.

1235
01:00:31,720 --> 01:00:34,920
Speaker 2: I waited fifteen years to meet Bruno Mars, like I.

1236
01:00:35,000 --> 01:00:37,040
Speaker 1: Really, you know a lot of the way I so low.

1237
01:00:37,120 --> 01:00:39,480
Speaker 1: You should have went to his grind. A lot of

1238
01:00:39,520 --> 01:00:42,960
Speaker 1: these guys could break your heart. Man. You now, I'm

1239
01:00:43,000 --> 01:00:45,520
Speaker 1: telling you the truth. You meet him and you just

1240
01:00:45,680 --> 01:00:49,200
Speaker 1: like you know, I go above and beyond a smile

1241
01:00:49,280 --> 01:00:51,680
Speaker 1: at everybody when they come up to me. Hey, fat Joe.

1242
01:00:53,520 --> 01:00:56,440
Speaker 1: Some guys just sew you. Hes Ton sweat the other day,

1243
01:00:56,440 --> 01:01:06,400
Speaker 1: he said, what's up? Yeah, got Jady? You giving.

1244
01:01:08,240 --> 01:01:13,640
Speaker 2: Come on, he said, I'm not pussy up from Southern Boulevard.

1245
01:01:13,800 --> 01:01:16,560
Speaker 2: Joey for the Bros. Said I'm not pussy Uprotos. Damn

1246
01:01:16,600 --> 01:01:20,520
Speaker 2: the motherfucker I heard me. We all found you know, yo, Jady,

1247
01:01:20,600 --> 01:01:21,240
Speaker 2: you're giving.

1248
01:01:21,080 --> 01:01:27,880
Speaker 1: Up the sequel? When is the album dropping? Twenty fourth? Yep, yep,

1249
01:01:27,960 --> 01:01:29,600
Speaker 1: this month, twenty fourth with the film.

1250
01:01:29,920 --> 01:01:32,640
Speaker 3: Make sure you check it out, man, real hip hop,

1251
01:01:32,920 --> 01:01:33,840
Speaker 3: authentic ship.

1252
01:01:34,080 --> 01:01:35,760
Speaker 1: You got you gotta try to play one. Yeah, we

1253
01:01:35,840 --> 01:01:39,720
Speaker 1: got here by that Britain his merger by business merger business,

1254
01:01:39,880 --> 01:01:41,080
Speaker 1: mergerlay that joint.

1255
01:01:41,400 --> 01:01:43,960
Speaker 2: Play me the joint that you think Mike could be

1256
01:01:44,040 --> 01:01:47,880
Speaker 2: the biggest because the file is gonna be the biggest

1257
01:01:47,920 --> 01:01:48,520
Speaker 2: after the show.

1258
01:01:49,280 --> 01:01:51,760
Speaker 1: Lay video with the joint. That's the song. Sure you

1259
01:01:51,800 --> 01:01:55,160
Speaker 1: want to do the video because our ship is listening. No,

1260
01:01:55,360 --> 01:01:57,520
Speaker 1: but we could hear it in see okay, Yeah here

1261
01:01:57,720 --> 01:02:01,280
Speaker 1: here let's go. This exclusive is exclusive. You might have

1262
01:02:01,400 --> 01:02:06,240
Speaker 1: given us nobody. You have to multitask you watching the video.

1263
01:02:06,280 --> 01:02:10,560
Speaker 1: He never played nobody's video. This is just exclusive. We're getting.

1264
01:02:10,600 --> 01:02:12,280
Speaker 1: We're getting exclusive in first time.

1265
01:02:12,360 --> 01:02:15,520
Speaker 2: This is exclusive. That's Bradie Anderson. Pack was a great

1266
01:02:15,600 --> 01:02:16,680
Speaker 2: guy at the same time.

1267
01:02:18,520 --> 01:02:21,240
Speaker 1: With each other. Yeah, you're sitting right there with him.

1268
01:02:21,760 --> 01:02:24,360
Speaker 1: He's with him. I got a different yacht. He's probably

1269
01:02:24,400 --> 01:02:29,240
Speaker 1: a great guy too, mother, You probably own something. Legend.

1270
01:02:30,240 --> 01:02:33,520
Speaker 2: He was on that Yagos when I see no, no, no,

1271
01:02:33,720 --> 01:02:35,720
Speaker 2: he was trobly on that bars. Matter of fact, he

1272
01:02:35,920 --> 01:02:37,840
Speaker 2: must have been on that dead end when I met him.

1273
01:02:37,880 --> 01:02:40,920
Speaker 1: He was on that dead end. He was on that

1274
01:02:41,040 --> 01:02:45,920
Speaker 1: dead end. He was on that dead end. Loud please

1275
01:02:49,640 --> 01:02:55,640
Speaker 1: yeah out West coach.

1276
01:03:01,920 --> 01:03:02,120
Speaker 3: Yeah.

1277
01:03:06,800 --> 01:03:08,240
Speaker 1: I closed in my heart.

1278
01:03:08,080 --> 01:03:10,240
Speaker 4: Open just to get this off my chest and left

1279
01:03:10,320 --> 01:03:12,720
Speaker 4: my heart broken seeing how goofies are moved for the

1280
01:03:12,800 --> 01:03:14,720
Speaker 4: Green saying we're on the same team.

1281
01:03:14,840 --> 01:03:15,760
Speaker 1: But what do that mean?

1282
01:03:16,000 --> 01:03:17,960
Speaker 4: While build a bridge just to watch the Nigga set

1283
01:03:18,000 --> 01:03:20,120
Speaker 4: of the Blaze, don't get me heated. Ain't no way

1284
01:03:20,160 --> 01:03:22,760
Speaker 4: to control the front, Old Philippe hear the Prodigy.

1285
01:03:22,840 --> 01:03:24,960
Speaker 1: I've been keeping the thor row. I'd rather do it

1286
01:03:25,040 --> 01:03:27,040
Speaker 1: by my lonely the faith with the Pack and.

1287
01:03:27,120 --> 01:03:29,480
Speaker 4: If you can't stay down and stay where you wade,

1288
01:03:29,520 --> 01:03:29,960
Speaker 4: I feel like.

1289
01:03:30,000 --> 01:03:32,160
Speaker 1: We're the new standard. I'm going over the.

1290
01:03:32,240 --> 01:03:35,000
Speaker 4: Matters from information I gather that I'm finding the answers.

1291
01:03:35,160 --> 01:03:38,000
Speaker 4: I've been reading over the chapters. They doctoring up the numbers.

1292
01:03:38,200 --> 01:03:40,960
Speaker 4: Fortunate all of their dad and my godly value speak

1293
01:03:41,000 --> 01:03:44,120
Speaker 4: at how value ons without ever having to beat allowed to.

1294
01:03:44,120 --> 01:03:47,080
Speaker 1: Send the room. I'm moving like a commander in the military.

1295
01:03:47,320 --> 01:03:50,920
Speaker 4: You ain't even qualified get past the preliminaries separate award

1296
01:03:50,960 --> 01:03:53,880
Speaker 4: winners from a war presenters. I seen some eagle dune.

1297
01:03:53,880 --> 01:03:56,960
Speaker 4: I'm still shaking off the jettis. I'm coming with the thunder. Yeah,

1298
01:03:56,960 --> 01:03:58,240
Speaker 4: I'm going through with the hammer.

1299
01:03:58,440 --> 01:04:00,960
Speaker 1: Was counting six seven eighths before I lived in Atlanta.

1300
01:04:01,120 --> 01:04:03,120
Speaker 4: It's my heart that makes me different. This link is

1301
01:04:03,160 --> 01:04:06,640
Speaker 4: apocalyptic me and out moving period and niggas in our division.

1302
01:04:06,680 --> 01:04:08,640
Speaker 4: I'm tired of acting like this said. It ain't watered,

1303
01:04:08,720 --> 01:04:10,800
Speaker 4: damn for real fucking nine to five and you can't

1304
01:04:10,840 --> 01:04:12,080
Speaker 4: relate to this type of fail.

1305
01:04:12,200 --> 01:04:16,800
Speaker 13: Nine gay boys are breaking now. I gotta deal with me.

1306
01:04:16,920 --> 01:04:18,880
Speaker 13: I try to give them the game. They ain't keeping

1307
01:04:18,960 --> 01:04:21,280
Speaker 13: real with me. Eye honies are supposed to come up

1308
01:04:21,320 --> 01:04:23,600
Speaker 13: and get rich with me. I'm sure these are supposed

1309
01:04:23,600 --> 01:04:24,680
Speaker 13: to stay down and have kids.

1310
01:04:24,720 --> 01:04:27,160
Speaker 1: With long story, it's a lot now.

1311
01:04:27,280 --> 01:04:29,720
Speaker 4: My circle so small that it's closer to a diet

1312
01:04:29,800 --> 01:04:31,360
Speaker 4: that thought I was repping Gray Street.

1313
01:04:31,360 --> 01:04:33,040
Speaker 3: I'm turning up the wise while I'm.

1314
01:04:32,920 --> 01:04:33,760
Speaker 1: Beating up the post.

1315
01:04:33,920 --> 01:04:36,280
Speaker 14: Right now, I'm speaking with my chest out smoke to

1316
01:04:36,320 --> 01:04:38,680
Speaker 14: prevent from getting stretched out through Lamborghini.

1317
01:04:38,800 --> 01:04:39,640
Speaker 1: Got the pressed out.

1318
01:04:40,440 --> 01:04:43,360
Speaker 14: I'm working with a different type of text out everything

1319
01:04:43,480 --> 01:04:45,120
Speaker 14: simple gin it and to protect out.

1320
01:04:45,200 --> 01:04:46,360
Speaker 1: And you know I'm not a vegan.

1321
01:04:46,400 --> 01:04:51,200
Speaker 14: I'm a rept out me for my protection. Don't go

1322
01:04:51,720 --> 01:04:54,560
Speaker 14: if I can't sneak a rifling. Got paper in circulation,

1323
01:04:54,920 --> 01:04:56,040
Speaker 14: keep a cycling spending.

1324
01:04:56,080 --> 01:04:58,240
Speaker 1: You don't do collaboration. It's a business merger.

1325
01:04:58,640 --> 01:05:00,840
Speaker 14: Cut a posts with a burger, making stretch like a

1326
01:05:00,920 --> 01:05:04,040
Speaker 14: fitness worker. I'm on my shit for certain, on stage,

1327
01:05:04,120 --> 01:05:07,400
Speaker 14: checking the mic behind the custom doctor Romanelli curtain on you.

1328
01:05:07,640 --> 01:05:10,080
Speaker 1: I'll give you extra cuts, like a DeLux version, a

1329
01:05:10,160 --> 01:05:11,480
Speaker 1: couple of stripes when I'm finished.

1330
01:05:11,480 --> 01:05:14,280
Speaker 14: Your need to cut searching, kids, drumming, got the trucks,

1331
01:05:14,320 --> 01:05:16,560
Speaker 14: worthing meetings with a truck shirt and you.

1332
01:05:16,560 --> 01:05:18,000
Speaker 1: Could never put enough work in it.

1333
01:05:18,040 --> 01:05:19,920
Speaker 14: No I put a couple of hundred k hours and

1334
01:05:20,160 --> 01:05:22,480
Speaker 14: days without showering, No face.

1335
01:05:22,320 --> 01:05:24,840
Speaker 1: To put a flower in, no paper to put.

1336
01:05:24,720 --> 01:05:27,320
Speaker 14: The saddel still, no way I'm gonna throw the towling

1337
01:05:27,680 --> 01:05:30,120
Speaker 14: me and as be standing five seven is still looking

1338
01:05:30,200 --> 01:05:32,439
Speaker 14: down on buns and towering Talo.

1339
01:05:34,640 --> 01:05:38,560
Speaker 4: Never heard it like this, back go back, back back,

1340
01:05:38,680 --> 01:05:42,000
Speaker 4: beef for beet he bring it back. I gave you

1341
01:05:42,080 --> 01:05:44,240
Speaker 4: boys a break. Now I gotta deal with me. I

1342
01:05:44,320 --> 01:05:46,800
Speaker 4: try to give him the game name keeping real with me?

1343
01:05:46,920 --> 01:05:49,160
Speaker 4: Eye howmies. I supposed to come up and get risk

1344
01:05:49,280 --> 01:05:49,880
Speaker 4: with me, as I.

1345
01:05:49,920 --> 01:05:51,960
Speaker 11: Show these, I supposed to stay down and have kids

1346
01:05:52,000 --> 01:05:52,240
Speaker 11: with me.

1347
01:05:53,000 --> 01:05:55,640
Speaker 4: Long story is a lot, and now myself so small

1348
01:05:55,720 --> 01:05:57,680
Speaker 4: that it's supposed to a diet that thought I was

1349
01:05:57,760 --> 01:06:00,680
Speaker 4: webbing Gray Street. I'm telling enough to wasting beat up.

1350
01:06:04,520 --> 01:06:12,760
Speaker 1: Yes, yes, good out here, gonna be good.

1351
01:06:13,880 --> 01:06:18,200
Speaker 2: Make sure you'll get you like two different arm like

1352
01:06:18,720 --> 01:06:21,720
Speaker 2: it's that one part towards I don't know if it's

1353
01:06:21,760 --> 01:06:22,880
Speaker 2: the fourth for a ball and.

1354
01:06:24,640 --> 01:06:29,320
Speaker 1: What the fuck? That was crazy? That was nuts.

1355
01:06:29,480 --> 01:06:34,840
Speaker 3: Goldfish Man, the album, the movie, the experience. Make sure

1356
01:06:34,880 --> 01:06:37,880
Speaker 3: you'll get it on all platforms. Make sure y'all that's

1357
01:06:37,880 --> 01:06:38,760
Speaker 3: gonna go on tour.

1358
01:06:39,240 --> 01:06:43,600
Speaker 1: Man on right now. Listen, you're getting it in man,

1359
01:06:43,720 --> 01:06:45,320
Speaker 1: You're gonna do some shows. You gotta do it.

1360
01:06:45,400 --> 01:06:46,840
Speaker 7: Let's see where it goes. You know, we got a

1361
01:06:46,880 --> 01:06:49,080
Speaker 7: lot of stuff on the plate. Got man, I got man,

1362
01:06:49,160 --> 01:06:51,560
Speaker 7: sure going but good. Right now we're in this face

1363
01:06:51,720 --> 01:06:52,440
Speaker 7: going fish.

1364
01:06:53,080 --> 01:06:56,560
Speaker 2: Your alchemistment love overing man, I'm out of here. You guys,

1365
01:06:58,000 --> 01:07:00,760
Speaker 2: you're moving here, boy, you already are? You know you

1366
01:07:01,080 --> 01:07:05,160
Speaker 2: when you're fucking sneaker is a melting You are so

1367
01:07:05,360 --> 01:07:06,720
Speaker 2: on fire when your sneakers.

1368
01:07:07,320 --> 01:07:10,440
Speaker 1: Jada looked to the left. Man, he got some melting

1369
01:07:10,600 --> 01:07:13,080
Speaker 1: this man, I say that a mirror.

1370
01:07:13,520 --> 01:07:14,560
Speaker 11: He got.

1371
01:07:19,400 --> 01:07:21,720
Speaker 1: And you got the melting joints. Check this out. This

1372
01:07:21,840 --> 01:07:26,520
Speaker 1: ain't that? That ain't this cracking kiss? Motherfucker. I guess

1373
01:07:26,640 --> 01:07:29,600
Speaker 1: I can missing hit boy one time. Joe and Jada

1374
01:07:29,680 --> 01:07:35,720
Speaker 1: show appreciate what there you right there