1 00:00:00,480 --> 00:00:23,000 Speaker 1: Celebto Oh my god, Jida Pink got Smith. 2 00:00:23,320 --> 00:00:28,960 Speaker 2: You what incredible? Won't stand Oh my god, Sharon, I 3 00:00:29,000 --> 00:00:32,879 Speaker 2: heard you were coming tonight. I am so blessed and 4 00:00:33,240 --> 00:00:35,920 Speaker 2: honored to meet you, to be in the presence of you, 5 00:00:36,040 --> 00:00:38,720 Speaker 2: for you to come and see my new metal band, 6 00:00:38,720 --> 00:00:41,560 Speaker 2: Wicked Wisdom, as we are just starting out on our 7 00:00:41,640 --> 00:00:43,159 Speaker 2: own metal journey. 8 00:00:43,440 --> 00:00:44,720 Speaker 3: Listen, Jida, I. 9 00:00:44,840 --> 00:00:47,720 Speaker 4: Came here because I wanted to fish out. 10 00:00:48,520 --> 00:00:52,199 Speaker 3: Get get down vocals, get down, Sorry me, pops are crazy, 11 00:00:53,000 --> 00:00:54,960 Speaker 3: Get off mommy's tips. It's not time for me. 12 00:00:55,280 --> 00:00:59,440 Speaker 2: Down down, look into my eyes down. Sorry. I hope 13 00:00:59,440 --> 00:01:01,440 Speaker 2: you don't mind the way I talked to your Dad's. 14 00:01:01,200 --> 00:01:02,680 Speaker 4: Like, wow, look at that the bitch. 15 00:01:02,760 --> 00:01:06,240 Speaker 2: Listen to you. I'm very close with Caesar Milan. He's 16 00:01:06,240 --> 00:01:08,360 Speaker 2: given me a lot of tips. Listen. 17 00:01:08,840 --> 00:01:11,280 Speaker 3: I was thinking about asking you to play os Fast. 18 00:01:11,640 --> 00:01:14,440 Speaker 3: You've gotta come. It's gonna be marvelous. 19 00:01:14,760 --> 00:01:17,839 Speaker 2: No wait, shit, this is true. We've just starting out 20 00:01:18,000 --> 00:01:21,680 Speaker 2: and you want me to play the most amazing metal festival. 21 00:01:21,760 --> 00:01:24,560 Speaker 2: I mean, ah, Jada. I would listen to him on 22 00:01:24,600 --> 00:01:27,000 Speaker 2: the streets of b More when I was dealing. 23 00:01:27,560 --> 00:01:31,640 Speaker 3: Oh, that would really tickle this rump to hear that, Jada. Listen, 24 00:01:31,880 --> 00:01:35,480 Speaker 3: you're a strong woman, and we need more strong women 25 00:01:35,560 --> 00:01:36,520 Speaker 3: at O's fast. 26 00:01:36,840 --> 00:01:40,080 Speaker 2: I mean, Jaden is all but eight years old, and 27 00:01:40,200 --> 00:01:43,039 Speaker 2: Willow she's five, but she's a hell of a fighter. 28 00:01:43,160 --> 00:01:44,679 Speaker 2: I mean all summer long. 29 00:01:45,040 --> 00:01:47,319 Speaker 3: Just bring him along. We'll throw him in a trailer. 30 00:01:47,760 --> 00:01:50,920 Speaker 3: Put some whiskey in a baby bottle. You shall be fine. 31 00:01:51,080 --> 00:01:53,240 Speaker 3: Go right to bed. She won't even hear all the 32 00:01:53,320 --> 00:01:55,600 Speaker 3: loud bangs and the bings and the clap traps. 33 00:01:56,000 --> 00:01:59,760 Speaker 2: Man, Sharon, I cannot wait to go on this journey 34 00:01:59,800 --> 00:02:00,160 Speaker 2: with you. 35 00:02:00,680 --> 00:02:04,080 Speaker 4: Play music the way it's supposed to be played, with 36 00:02:04,240 --> 00:02:07,960 Speaker 4: the guitars and the drums and the lyrics. 37 00:02:08,360 --> 00:02:10,880 Speaker 2: I have a wild, wild panther in me, and you 38 00:02:10,960 --> 00:02:12,800 Speaker 2: know how it is to be married to such a 39 00:02:12,880 --> 00:02:16,880 Speaker 2: successful and sexy man. And there was something in me 40 00:02:17,040 --> 00:02:20,040 Speaker 2: that needed to scream to find my own project. 41 00:02:20,320 --> 00:02:25,959 Speaker 4: Trada, come here, put your hand on my breast. Hmmm. 42 00:02:26,280 --> 00:02:27,840 Speaker 2: They're so small and supple. 43 00:02:28,400 --> 00:02:30,840 Speaker 4: Thank you. They're bit oh not quite well, they used 44 00:02:30,840 --> 00:02:32,560 Speaker 4: to be a little lower. But I bet you know 45 00:02:32,680 --> 00:02:34,360 Speaker 4: mind not do you? Or do you? 46 00:02:35,040 --> 00:02:39,160 Speaker 2: Oh? I'm in all of you, Sharon. I actually am heterosexual. 47 00:02:39,880 --> 00:02:41,760 Speaker 2: I love women, and I love their bodies and I 48 00:02:41,800 --> 00:02:45,799 Speaker 2: love their breast. But yeah, no, I'm I'm attracted to men. What. 49 00:02:46,200 --> 00:02:50,040 Speaker 4: Okay, Well, it doesn't sound a lot you're superhero because 50 00:02:50,080 --> 00:02:53,240 Speaker 4: you just said you'll find women's bodies quite beautiful. But listen, 51 00:02:53,560 --> 00:02:56,200 Speaker 4: we're gonna be sisters at all's best. 52 00:02:57,080 --> 00:03:02,680 Speaker 2: You're so crazy and you're a panther like me. This 53 00:03:02,760 --> 00:03:04,160 Speaker 2: is what rock and roll is all about. 54 00:03:04,400 --> 00:03:10,000 Speaker 4: All rot me ow, you're weird. Who's that knocking at 55 00:03:10,040 --> 00:03:12,720 Speaker 4: the door. It's all your friends. You've filthy horse, your 56 00:03:12,800 --> 00:03:15,240 Speaker 4: husband's gone, and we've got books and a bottle of 57 00:03:15,280 --> 00:03:19,639 Speaker 4: wine to kill. It's Hollywood, it's books, it's gossip. I'm 58 00:03:19,680 --> 00:03:21,920 Speaker 4: sure it's memoir. It's Martini. 59 00:03:24,440 --> 00:03:29,520 Speaker 2: Celebrity Poop Club. Read it while it's hot. Celebrity poop Club. 60 00:03:29,720 --> 00:03:33,959 Speaker 4: I'll tell your secrets. We won't talk celebrity books. 61 00:03:34,400 --> 00:03:39,200 Speaker 2: No boys are a loud cleo, say it loud and 62 00:03:39,320 --> 00:03:43,280 Speaker 2: pound Celebrity book Club. Buzz me in. I brought the 63 00:03:43,360 --> 00:03:47,600 Speaker 2: queer vow. Hey, best friend, I'm so honored to be 64 00:03:47,680 --> 00:03:48,400 Speaker 2: with you today. 65 00:03:48,600 --> 00:03:51,680 Speaker 4: Thank you for joining me here, and thank you to 66 00:03:51,760 --> 00:03:54,040 Speaker 4: all our listeners for joining us. 67 00:03:54,120 --> 00:03:57,640 Speaker 2: And our viewers at Facebook Live. This is a very, 68 00:03:58,680 --> 00:04:00,760 Speaker 2: very special episode. 69 00:04:00,840 --> 00:04:04,200 Speaker 4: We would like to welcome you to the Red Table, 70 00:04:05,040 --> 00:04:08,280 Speaker 4: where nothing is off limits. 71 00:04:07,920 --> 00:04:12,119 Speaker 2: And respect is the number one priority. 72 00:04:11,720 --> 00:04:16,120 Speaker 4: And honesty comes first, a place where we are all 73 00:04:16,440 --> 00:04:19,640 Speaker 4: queens who stand in our truth. 74 00:04:20,360 --> 00:04:24,120 Speaker 2: Today, we will be talking about motherhood, what it is 75 00:04:24,160 --> 00:04:29,640 Speaker 2: to be a daughter, a cousin, a granddaughter, an aunt, 76 00:04:30,160 --> 00:04:36,200 Speaker 2: a fellow, god mother to your husband's ex wife's son. 77 00:04:36,839 --> 00:04:41,400 Speaker 4: We will be talking about blended families, town homes. 78 00:04:41,520 --> 00:04:46,320 Speaker 2: Row houses, big old farm houses too. We're going to 79 00:04:46,360 --> 00:04:48,880 Speaker 2: be talking about ayahuasca trigger. 80 00:04:48,520 --> 00:04:53,960 Speaker 4: Warning, pepuscha, those who suffer from it, those who don't. Yet. 81 00:04:54,200 --> 00:04:58,080 Speaker 2: We will be talking about the LGBTQ plus community. 82 00:04:57,720 --> 00:05:00,960 Speaker 4: Of which I am not a part of. I respect. 83 00:05:01,480 --> 00:05:04,640 Speaker 2: We will be talking about open marriages. 84 00:05:04,960 --> 00:05:09,000 Speaker 4: Because nothing is off the table. When the table is 85 00:05:09,120 --> 00:05:10,480 Speaker 4: read and. 86 00:05:10,400 --> 00:05:15,279 Speaker 2: You are there with family. Who are we discussing today? 87 00:05:15,320 --> 00:05:18,679 Speaker 4: Oh my god, I'm so excited to delve into this topic. 88 00:05:18,800 --> 00:05:22,480 Speaker 4: This woman, this life, this book, this journey. We read 89 00:05:22,839 --> 00:05:26,159 Speaker 4: a thick tome and it was worth it because we 90 00:05:26,240 --> 00:05:27,280 Speaker 4: are worth it. 91 00:05:27,120 --> 00:05:30,839 Speaker 2: Because you are worth it, and you are worthy. Stephen, 92 00:05:30,920 --> 00:05:34,560 Speaker 2: Look at me. You are worthy, You are worthy. Say 93 00:05:34,600 --> 00:05:35,320 Speaker 2: it to me right now. 94 00:05:35,600 --> 00:05:38,120 Speaker 4: No, you're right, I am worthy. We of course read 95 00:05:38,160 --> 00:05:39,560 Speaker 4: the book worthy. 96 00:05:39,640 --> 00:05:42,800 Speaker 2: Bye none other then pets. 97 00:05:44,520 --> 00:05:48,440 Speaker 4: But the back is read and it just has a 98 00:05:48,520 --> 00:05:52,480 Speaker 4: quote A queen is her own savior. Her magic is quiet, 99 00:05:52,880 --> 00:05:57,400 Speaker 4: potent and mysterious. And the cover is is this called 100 00:05:57,480 --> 00:06:01,040 Speaker 4: disco page when it's a bunch of photos that make 101 00:06:01,160 --> 00:06:02,680 Speaker 4: up like a larger photo. 102 00:06:03,400 --> 00:06:05,640 Speaker 2: Isn't this also like what Chuck Close does. 103 00:06:07,440 --> 00:06:10,520 Speaker 4: But he also does like New York Times like portraiture. 104 00:06:10,240 --> 00:06:12,279 Speaker 2: Right, no, because he does hyperrealism. 105 00:06:12,400 --> 00:06:15,000 Speaker 4: Yeah, hyperrealism where it's like so like you turn the 106 00:06:15,040 --> 00:06:16,320 Speaker 4: contrast up a lot. 107 00:06:16,360 --> 00:06:19,800 Speaker 2: Right, this is a lot of little photos of Jada 108 00:06:19,800 --> 00:06:21,599 Speaker 2: Pinkett Smith and her family. 109 00:06:21,960 --> 00:06:24,440 Speaker 4: And like most memoir Okay, it's not actually in black 110 00:06:24,480 --> 00:06:26,479 Speaker 4: and white. She's in color, but in the backgrounds black 111 00:06:26,480 --> 00:06:27,760 Speaker 4: and white. But it is being. 112 00:06:27,720 --> 00:06:28,760 Speaker 2: Very like gradient. 113 00:06:29,520 --> 00:06:32,080 Speaker 4: This will be the truth and it's the font is 114 00:06:32,320 --> 00:06:34,760 Speaker 4: very live left love girl Boss, like in like a 115 00:06:34,800 --> 00:06:36,120 Speaker 4: TJ maxway. 116 00:06:35,880 --> 00:06:38,360 Speaker 2: Because it's like this big, heavy script. 117 00:06:38,600 --> 00:06:41,960 Speaker 4: It looks like it would say like I'm the boss 118 00:06:41,960 --> 00:06:45,159 Speaker 4: of my Friday, like in Neon at like a Brow 119 00:06:45,360 --> 00:06:48,200 Speaker 4: tech station in Tampa would be on the back and 120 00:06:48,560 --> 00:06:49,560 Speaker 4: this font would be there. 121 00:06:49,960 --> 00:06:54,120 Speaker 2: I could also just see it being saying Easter on 122 00:06:54,240 --> 00:06:54,760 Speaker 2: a pillow. 123 00:06:55,520 --> 00:06:57,920 Speaker 4: Absolutely, there's just. 124 00:06:57,880 --> 00:06:59,520 Speaker 2: There's so much in this book, and again it is 125 00:06:59,520 --> 00:07:02,840 Speaker 2: four hundred pages, and I think that's what almost We 126 00:07:02,920 --> 00:07:05,880 Speaker 2: needed a little time, honestly to do it right. 127 00:07:06,000 --> 00:07:07,480 Speaker 4: We got this book in the mill a few months 128 00:07:07,480 --> 00:07:09,800 Speaker 4: ago and I was it's been sitting on my shelf 129 00:07:10,720 --> 00:07:13,360 Speaker 4: not weighing it down because my alpha system from the 130 00:07:13,400 --> 00:07:16,520 Speaker 4: Container score can handle up to like two thousand pounds 131 00:07:16,520 --> 00:07:17,520 Speaker 4: of weight or something. 132 00:07:17,520 --> 00:07:21,000 Speaker 2: And there's two thousand pounds of emotional weight in this book. 133 00:07:21,080 --> 00:07:25,880 Speaker 4: Honey, the baggage is real baggage claim, Okay, head to terminal. 134 00:07:25,960 --> 00:07:29,120 Speaker 4: See And if you don't know Jada, then you're saying, 135 00:07:29,160 --> 00:07:32,800 Speaker 4: but I don't know. I mean, she's very spiritual, but 136 00:07:32,840 --> 00:07:35,720 Speaker 4: she was spiritual before she went bald due to alopecia, 137 00:07:35,800 --> 00:07:38,520 Speaker 4: because I know that like people with bald heads, like 138 00:07:38,600 --> 00:07:40,360 Speaker 4: do you read, is maybe more spiritual? 139 00:07:40,680 --> 00:07:44,840 Speaker 2: Right, No, it's like, you know, in the nineties, she 140 00:07:45,240 --> 00:07:48,640 Speaker 2: was an iconic famous actress, started out in TV. Yeah, 141 00:07:48,680 --> 00:07:51,920 Speaker 2: and then you know, got some amazing roles. You might 142 00:07:51,920 --> 00:07:53,440 Speaker 2: know her from Set It Off. 143 00:07:53,280 --> 00:07:55,640 Speaker 4: The movie WU Set It Off, which is such an 144 00:07:55,800 --> 00:07:59,920 Speaker 4: iconic lesbian film. What's weird about this book. 145 00:07:59,840 --> 00:08:02,280 Speaker 2: Is she hardly mentions. 146 00:08:01,840 --> 00:08:05,040 Speaker 4: It, well, okay, she mentions any different movies, she skips 147 00:08:05,120 --> 00:08:08,120 Speaker 4: over them a lot, but like there is this lesbian 148 00:08:08,160 --> 00:08:09,800 Speaker 4: in fact find you missied throughout the whole book where 149 00:08:09,800 --> 00:08:12,640 Speaker 4: there's these little things where she's always referencing, like and 150 00:08:12,640 --> 00:08:14,840 Speaker 4: then Mia walked in and she was fine as hell. 151 00:08:15,440 --> 00:08:18,880 Speaker 4: And she references how she loves the LGBTQA plus community, 152 00:08:19,040 --> 00:08:20,520 Speaker 4: but she's not a member of it. But she did 153 00:08:20,560 --> 00:08:23,040 Speaker 4: experiment with women in the nineties. 154 00:08:22,880 --> 00:08:26,920 Speaker 2: But hardly mentions the experimenting. But in other articles she 155 00:08:27,000 --> 00:08:29,440 Speaker 2: says or on the red Table once she says, there 156 00:08:29,480 --> 00:08:33,040 Speaker 2: are like two women she loved and experimented with in 157 00:08:33,080 --> 00:08:34,679 Speaker 2: her early twenties. 158 00:08:34,280 --> 00:08:36,040 Speaker 4: And it's like, was that you and Queen Latifa on 159 00:08:36,080 --> 00:08:39,480 Speaker 4: the seat of was it you? And mc light her homegirl, 160 00:08:39,600 --> 00:08:40,520 Speaker 4: who she loves? 161 00:08:40,600 --> 00:08:44,880 Speaker 2: Who she loves? Who I saw perform at a Liberty 162 00:08:44,960 --> 00:08:48,200 Speaker 2: WNBA basketball game last summer at the halftime, which was 163 00:08:48,240 --> 00:08:48,960 Speaker 2: really iconic. 164 00:08:49,280 --> 00:08:50,360 Speaker 4: What did she do? She did? 165 00:08:50,559 --> 00:08:53,160 Speaker 2: She did? She did rock the party. I rocked the 166 00:08:53,200 --> 00:08:56,679 Speaker 2: body that rocks the party. Oh that's her SEMs Light. 167 00:08:56,840 --> 00:09:01,600 Speaker 2: Oh fuck yeah, hip hop fiftieth anniversary years of you 168 00:09:01,600 --> 00:09:02,160 Speaker 2: did celebrate. 169 00:09:03,520 --> 00:09:08,400 Speaker 4: I've been celebrating all year at locations throughout Queens and Brooklyn. 170 00:09:10,280 --> 00:09:13,920 Speaker 4: But yeah, Jada is she's an iconic figure. She's obviously 171 00:09:13,960 --> 00:09:16,000 Speaker 4: the wife of will Smith. That's where that Smith part 172 00:09:16,000 --> 00:09:17,240 Speaker 4: of her name comes from. 173 00:09:17,480 --> 00:09:19,920 Speaker 2: And I feel like she has been like more famous 174 00:09:19,960 --> 00:09:23,400 Speaker 2: than ever because she started her Facebook show The Red 175 00:09:23,440 --> 00:09:26,920 Speaker 2: Table Talk, which is her Willow Smith and her mother 176 00:09:27,600 --> 00:09:30,160 Speaker 2: sit around a red table and they invite other strong, 177 00:09:30,280 --> 00:09:34,000 Speaker 2: powerful usually women to the table and discuss like really 178 00:09:34,000 --> 00:09:35,440 Speaker 2: honest and personal things. 179 00:09:35,880 --> 00:09:38,520 Speaker 4: So one thing that has always irked me about the 180 00:09:38,559 --> 00:09:41,640 Speaker 4: Red Table Talk, and also like kind of Tiny Desk 181 00:09:41,720 --> 00:09:45,000 Speaker 4: as well, that NPR show where it's a little bit 182 00:09:45,040 --> 00:09:48,320 Speaker 4: like the arbitrariness of like the object as the concept 183 00:09:48,400 --> 00:09:50,679 Speaker 4: of the table, where you're just like, so it's a 184 00:09:50,760 --> 00:09:54,520 Speaker 4: table and the table's read and she does explain it 185 00:09:54,559 --> 00:09:56,800 Speaker 4: in this book a little bit, but it's still to 186 00:09:56,840 --> 00:09:58,840 Speaker 4: me a little bit like because let's be honest, the 187 00:09:58,840 --> 00:10:02,080 Speaker 4: table is from Wayfair, like it is the most mcm 188 00:10:02,160 --> 00:10:04,360 Speaker 4: like Wayfair, just kind of oval red table. 189 00:10:04,480 --> 00:10:07,360 Speaker 2: The funniest part about Red Table Talk to me is 190 00:10:07,400 --> 00:10:09,880 Speaker 2: that the table is so cheap and they're just in 191 00:10:09,960 --> 00:10:13,160 Speaker 2: this black room and it's just this cheap ass table 192 00:10:13,240 --> 00:10:15,520 Speaker 2: and it's like the table means so much, and it's 193 00:10:15,559 --> 00:10:19,120 Speaker 2: where you literally like tell your husband and talk about 194 00:10:19,160 --> 00:10:22,720 Speaker 2: your like affair or entanglement. And she calls it and 195 00:10:22,800 --> 00:10:25,839 Speaker 2: it's like, so we're doing this all at the wayfair table. 196 00:10:27,080 --> 00:10:29,200 Speaker 4: And in the book when she describes it, she's just 197 00:10:29,240 --> 00:10:31,920 Speaker 4: like a round table has no one at the head, 198 00:10:32,480 --> 00:10:34,240 Speaker 4: and you're like, well, first of all, it's not round, 199 00:10:34,240 --> 00:10:37,680 Speaker 4: it's like oval, yeah, and then you're like a b. 200 00:10:37,920 --> 00:10:39,920 Speaker 4: It's kind of like, well you can still have like 201 00:10:39,960 --> 00:10:42,160 Speaker 4: someone who's centered in the frank. It's still just like 202 00:10:42,280 --> 00:10:46,000 Speaker 4: it is your show, like it is her show, not 203 00:10:46,120 --> 00:10:48,520 Speaker 4: such a non hierarchy, like you're. 204 00:10:48,400 --> 00:10:52,400 Speaker 2: Not gonna have like this boardroom table where that would 205 00:10:52,400 --> 00:10:54,280 Speaker 2: be kind of cool, where like she is sitting like 206 00:10:54,800 --> 00:10:55,959 Speaker 2: super at the head. 207 00:10:56,000 --> 00:10:57,760 Speaker 4: And you could also make the same argument about it 208 00:10:57,840 --> 00:11:02,040 Speaker 4: square table. It's also very branding deck where she's describing 209 00:11:02,080 --> 00:11:04,400 Speaker 4: the color red, where she's just kind of giving like 210 00:11:04,520 --> 00:11:06,600 Speaker 4: a pretty catch all defense of the color. 211 00:11:06,800 --> 00:11:09,000 Speaker 2: She's like, red it means powerful. 212 00:11:09,120 --> 00:11:12,800 Speaker 4: The red table, representing fire safety and warmth, is also 213 00:11:12,840 --> 00:11:16,360 Speaker 4: the color of the blood that represents life connection and 214 00:11:16,400 --> 00:11:21,960 Speaker 4: transformation through communication, through confession and through expression. The red 215 00:11:21,960 --> 00:11:23,720 Speaker 4: table is where we can purify our hearts and our 216 00:11:23,720 --> 00:11:26,160 Speaker 4: souls and clear up the confusing dynamics with innocent between 217 00:11:26,200 --> 00:11:30,280 Speaker 4: other people. And you're just like, Okay, that's pretty much 218 00:11:30,320 --> 00:11:31,439 Speaker 4: all the adjective. 219 00:11:32,120 --> 00:11:34,480 Speaker 2: So this book, which I did listen to a mix 220 00:11:34,559 --> 00:11:37,880 Speaker 2: on audio and visual actual reading. 221 00:11:38,320 --> 00:11:42,079 Speaker 4: Visual reading, what I call it, I'm a visual reader 222 00:11:42,440 --> 00:11:42,720 Speaker 4: is I. 223 00:11:42,720 --> 00:11:44,760 Speaker 2: Mean the audio is amazing because it is so spoken 224 00:11:44,800 --> 00:11:47,400 Speaker 2: word and she is just like so spiritual and spoken word. 225 00:11:48,000 --> 00:11:51,200 Speaker 2: But yeah, ant to me this. It starts out of 226 00:11:51,240 --> 00:11:55,080 Speaker 2: course as she is looking for a place to commit 227 00:11:55,160 --> 00:11:59,439 Speaker 2: suicide because she's so depressed. But what saves her challenge 228 00:11:59,440 --> 00:12:02,360 Speaker 2: to be a celebri and not be saved by say 229 00:12:02,400 --> 00:12:06,520 Speaker 2: it with me Iahwasca or ayah. 230 00:12:07,160 --> 00:12:08,200 Speaker 4: She calls it ayah. 231 00:12:09,240 --> 00:12:13,000 Speaker 2: She's a good friend. I got well to do ayah 232 00:12:13,040 --> 00:12:18,800 Speaker 2: to see him so innocent laughing. So she was so depressed. 233 00:12:18,840 --> 00:12:22,000 Speaker 2: She has like a lot of trauma as a child. 234 00:12:22,720 --> 00:12:25,920 Speaker 2: Her mother's like an on and off heroin addict. And 235 00:12:25,960 --> 00:12:28,800 Speaker 2: then like her father is there but basically says to 236 00:12:28,840 --> 00:12:30,679 Speaker 2: her at age nine like I'm a drug addict and 237 00:12:30,720 --> 00:12:33,560 Speaker 2: a criminal, like I can't be your father, you know, 238 00:12:33,640 --> 00:12:37,199 Speaker 2: And she has these like strong grandparents and then she's 239 00:12:37,320 --> 00:12:41,080 Speaker 2: you know, she's selling coke. Her mom is getting married 240 00:12:41,120 --> 00:12:44,760 Speaker 2: to like another guy that she loves, but then he leaves, 241 00:12:44,800 --> 00:12:47,480 Speaker 2: like for another family. So you know, she has a 242 00:12:47,559 --> 00:12:49,120 Speaker 2: lot of issues of. 243 00:12:49,440 --> 00:12:53,480 Speaker 4: Worth, absolutely lots of you know, trauma growing up. And 244 00:12:54,160 --> 00:12:56,280 Speaker 4: I do love this. Whether it's just so celebrity. It 245 00:12:56,360 --> 00:12:58,280 Speaker 4: also reminded me of the beginning of Demi Moore's book, 246 00:12:58,480 --> 00:13:01,280 Speaker 4: where Demi Moore is like, how being like a psychotic 247 00:13:01,320 --> 00:13:06,240 Speaker 4: episode on like K twelve or whatever, synthetic weed. Oh yes, 248 00:13:06,240 --> 00:13:06,880 Speaker 4: with her daughter. 249 00:13:07,040 --> 00:13:09,640 Speaker 2: It's a classic frame of celebrity books. Start with the. 250 00:13:09,600 --> 00:13:12,760 Speaker 4: Breakdown, breakdown when you're already famous at like age forty two. 251 00:13:12,960 --> 00:13:15,079 Speaker 2: And then you're like, I was eight years old. I 252 00:13:15,200 --> 00:13:16,160 Speaker 2: grew up in Baltimore. 253 00:13:16,280 --> 00:13:18,360 Speaker 4: But I love this thing where she goes this is 254 00:13:18,360 --> 00:13:20,240 Speaker 4: the very beginning of the book. When she first does iah, 255 00:13:21,120 --> 00:13:24,760 Speaker 4: someone's telling her about ayahuasca and Peru. A therapist friend 256 00:13:24,760 --> 00:13:26,480 Speaker 4: of mine said, Oh, yeah, I've done it several times. 257 00:13:26,520 --> 00:13:30,000 Speaker 4: I couldn't believe it. This is available right here in California. 258 00:13:30,400 --> 00:13:33,600 Speaker 4: I don't have to go to Peru. So it's like, yeah, babe, 259 00:13:33,640 --> 00:13:36,280 Speaker 4: it's like the most so CaAl thing ever. Everyone's doing 260 00:13:36,360 --> 00:13:37,640 Speaker 4: Iow Retreat and Joshua Tree. 261 00:13:37,720 --> 00:13:39,640 Speaker 2: I don't get how Also all the celebrities like don't 262 00:13:39,640 --> 00:13:41,719 Speaker 2: know yahuasca, but I guess we're all learning about their 263 00:13:41,800 --> 00:13:44,880 Speaker 2: journey of discovering what ayahuasca is. Because of course, colt 264 00:13:44,920 --> 00:13:48,560 Speaker 2: Efridge's like One Woman musical I Saw was also about 265 00:13:48,600 --> 00:13:52,120 Speaker 2: how ayahuasca saved her from being depressed after her son 266 00:13:52,320 --> 00:13:53,200 Speaker 2: had a not for dose. 267 00:13:53,679 --> 00:13:56,280 Speaker 4: Yeah, you know. The thing is though, it's like, in 268 00:13:56,360 --> 00:14:00,600 Speaker 4: some ways trauma is easier to deal with as a 269 00:14:00,679 --> 00:14:03,360 Speaker 4: child because it hasn't built up yet, and you have 270 00:14:03,480 --> 00:14:05,719 Speaker 4: this childlike exuberance in your life is ahead of you 271 00:14:05,760 --> 00:14:07,040 Speaker 4: and things are just happening to you and it's all 272 00:14:07,040 --> 00:14:08,400 Speaker 4: crazy and you don't have any of the reference point 273 00:14:08,480 --> 00:14:10,960 Speaker 4: for it. And then by the time you're forty and 274 00:14:11,040 --> 00:14:13,320 Speaker 4: these things happen to you, it's like all of the 275 00:14:13,400 --> 00:14:14,559 Speaker 4: baggage built up. 276 00:14:14,679 --> 00:14:16,480 Speaker 2: Well, of course you don't realize how bad it is. 277 00:14:16,600 --> 00:14:18,920 Speaker 2: So the whole point of ayahuasca is it takes you 278 00:14:19,000 --> 00:14:22,400 Speaker 2: back to childhood and heals your childhood. Yes, and so 279 00:14:22,520 --> 00:14:26,160 Speaker 2: you're always like giggling and Daddy's picking you up. But 280 00:14:26,240 --> 00:14:28,000 Speaker 2: then also you turn into a panther. 281 00:14:28,440 --> 00:14:30,520 Speaker 4: Yeah, would you no? 282 00:14:30,760 --> 00:14:34,720 Speaker 2: And could you everything I've heard from like Chelsea Handler 283 00:14:34,800 --> 00:14:37,680 Speaker 2: talking about it to like Gwyneth Paltrow when every white 284 00:14:37,720 --> 00:14:40,120 Speaker 2: woman is making their staff to retreats. I think it's 285 00:14:40,200 --> 00:14:45,200 Speaker 2: so much vomiting first, yeah, and like so much nausea, which, 286 00:14:45,240 --> 00:14:48,800 Speaker 2: as you know, I hate, but I get nauseous a lot. 287 00:14:48,920 --> 00:14:52,240 Speaker 2: So I'm just like, I'm just like, I don't need 288 00:14:52,280 --> 00:14:56,520 Speaker 2: to do this drought to get super nauseous vomit for 289 00:14:56,600 --> 00:15:00,360 Speaker 2: a full day. Then what like go back to my 290 00:15:00,480 --> 00:15:04,680 Speaker 2: Cambridge childhood and like be my childhood cats watching my 291 00:15:04,840 --> 00:15:06,920 Speaker 2: parents fight like through their eyes. 292 00:15:07,280 --> 00:15:09,840 Speaker 4: I mean that kind of does sound fun though, and 293 00:15:09,840 --> 00:15:13,000 Speaker 4: maybe that I guess I'm obviously really attracted to the 294 00:15:13,120 --> 00:15:15,080 Speaker 4: like one stop shopping of it all. 295 00:15:15,320 --> 00:15:18,680 Speaker 2: Yes, that part sounds cool. It's the vomiting that's holding 296 00:15:18,720 --> 00:15:23,840 Speaker 2: me back, I think from the trauma discovery mm hm. Also, 297 00:15:24,080 --> 00:15:25,960 Speaker 2: you know what has happened like a lot of times 298 00:15:26,000 --> 00:15:28,080 Speaker 2: if you have a wrong healer. I feel like some 299 00:15:28,120 --> 00:15:32,240 Speaker 2: people have done ayahuasca and have like convinced themselves that 300 00:15:32,280 --> 00:15:34,920 Speaker 2: like they were sexually abused when they actually like weren't. 301 00:15:35,200 --> 00:15:37,960 Speaker 4: I'm always worried that's gonna happen to me in therapy 302 00:15:38,200 --> 00:15:40,800 Speaker 4: and I'll like tell my analyst that's just being like, 303 00:15:41,120 --> 00:15:43,560 Speaker 4: I worry We're gonna like talk ourselves into a circle 304 00:15:43,600 --> 00:15:47,880 Speaker 4: here and I'm just gonna actually like create a horrible 305 00:15:48,040 --> 00:15:52,240 Speaker 4: like myth, this like repressed memory of sexual abuse that 306 00:15:52,280 --> 00:15:56,120 Speaker 4: never happened, because there's the need to divulge. It's like 307 00:15:56,120 --> 00:15:57,160 Speaker 4: feel so strong and you're like. 308 00:15:57,200 --> 00:15:57,960 Speaker 2: I gotta come up with. 309 00:15:59,800 --> 00:16:02,040 Speaker 4: And you're just digging and digging, You're digging. You're just like, well, 310 00:16:02,080 --> 00:16:03,520 Speaker 4: I don't know. I mean maybe that's why I have 311 00:16:03,560 --> 00:16:05,040 Speaker 4: an issue, and then the issue becomes more of an 312 00:16:05,040 --> 00:16:07,720 Speaker 4: issue and you just can like, okay, I think nothing. 313 00:16:07,720 --> 00:16:09,920 Speaker 4: So yeah, I'm worried that would be a fear is 314 00:16:10,080 --> 00:16:12,600 Speaker 4: so do you want to do well again? I'm attracted 315 00:16:12,680 --> 00:16:15,640 Speaker 4: wan Dia that it could fix everything and then I 316 00:16:15,680 --> 00:16:19,200 Speaker 4: would get rid of my anxiety. 317 00:16:17,920 --> 00:16:20,880 Speaker 2: Because you don't even want to do mushrooms, I know, 318 00:16:21,560 --> 00:16:23,920 Speaker 2: and that is actually proven to cure depression. 319 00:16:24,360 --> 00:16:26,200 Speaker 4: Yeah, I mean, I feel the loss of control. 320 00:16:26,640 --> 00:16:28,960 Speaker 2: I think, try mushrooms ers before. I I mean, it's 321 00:16:29,000 --> 00:16:31,280 Speaker 2: so celebrity to like not do mushrooms and go straight 322 00:16:31,320 --> 00:16:31,640 Speaker 2: till like. 323 00:16:33,400 --> 00:16:34,920 Speaker 4: And like act as if and I want to act 324 00:16:34,960 --> 00:16:35,840 Speaker 4: as if I'm a celebrity. 325 00:16:35,840 --> 00:16:39,360 Speaker 2: I suppose anyway, I ELSCA does cure her from like 326 00:16:39,480 --> 00:16:43,120 Speaker 2: wanting to commit suicide. But there's so much to cover here, 327 00:16:43,240 --> 00:16:46,800 Speaker 2: from the slap to scientology to is she gay? Is 328 00:16:46,920 --> 00:16:51,000 Speaker 2: will gay? Her relationship with Tupac. Did Sugar Night kill Tupac? 329 00:16:51,360 --> 00:16:54,440 Speaker 4: She seems to imply that, yeah, he knows who did. 330 00:16:54,840 --> 00:16:58,960 Speaker 2: When Tupac passes ri Ip, yeah, keep on celebrating fiftieth 331 00:16:58,960 --> 00:17:01,920 Speaker 2: anniversary of hip hop, he brings the ashes. 332 00:17:02,080 --> 00:17:04,440 Speaker 4: Sugar good Night brings her the ashes. 333 00:17:04,320 --> 00:17:07,760 Speaker 2: In a box, and she says Tupac would have never 334 00:17:08,320 --> 00:17:10,080 Speaker 2: wanted to be cremated. 335 00:17:10,080 --> 00:17:14,360 Speaker 4: Because he wanted his casket to be so like nationwide 336 00:17:14,440 --> 00:17:15,440 Speaker 4: funeral procession. 337 00:17:15,640 --> 00:17:18,919 Speaker 2: There literally is the music video where he's lying in 338 00:17:18,960 --> 00:17:21,840 Speaker 2: a casket and like wrapping out of it. So I'm 339 00:17:21,880 --> 00:17:24,520 Speaker 2: just just like he is obsessed with caskets. Yeah, why 340 00:17:24,560 --> 00:17:28,040 Speaker 2: would you do that? Also completely insane that a lot 341 00:17:28,040 --> 00:17:29,760 Speaker 2: of this book is her saying like, I have the 342 00:17:29,840 --> 00:17:32,800 Speaker 2: idea for a big, famous thing that then happened without her. 343 00:17:33,160 --> 00:17:35,639 Speaker 2: She said that she came up with the idea for 344 00:17:35,800 --> 00:17:37,200 Speaker 2: the California. 345 00:17:36,760 --> 00:17:40,320 Speaker 4: Love video, which is remind me as a non expert 346 00:17:40,320 --> 00:17:42,200 Speaker 4: in nineties hip hop it's. 347 00:17:41,920 --> 00:17:44,600 Speaker 2: Like being so mad Max and it's like a desert 348 00:17:44,680 --> 00:17:47,400 Speaker 2: and it's like Doctor Dre and like Tupac and they're 349 00:17:47,400 --> 00:17:49,720 Speaker 2: all on like big army trucks and it was like 350 00:17:49,800 --> 00:17:54,160 Speaker 2: a seminal nineties hip hop video and there wasn't such 351 00:17:54,200 --> 00:17:59,399 Speaker 2: like futuristic kind of blade style hip hop music videos 352 00:17:59,400 --> 00:18:00,879 Speaker 2: like that. And she's like, I had the idea, and 353 00:18:00,920 --> 00:18:04,400 Speaker 2: she's like, but then Easy E told me not to 354 00:18:04,440 --> 00:18:07,560 Speaker 2: get involved with sig Night and like, so I backed 355 00:18:07,560 --> 00:18:09,480 Speaker 2: out of it, and she's like, and then Hype Williams 356 00:18:09,720 --> 00:18:12,240 Speaker 2: did do the video and he did a dope job 357 00:18:12,320 --> 00:18:12,639 Speaker 2: with it. 358 00:18:13,119 --> 00:18:15,119 Speaker 4: I love it. She's always been like and that was dope, 359 00:18:15,119 --> 00:18:16,919 Speaker 4: and she's just like, and you know what, Yes, I 360 00:18:17,040 --> 00:18:19,760 Speaker 4: was up for the role of Trinity and the Matrix. Ultimately, 361 00:18:19,800 --> 00:18:23,000 Speaker 4: I didn't have any chemistry with Keanu Reeves. And I 362 00:18:23,040 --> 00:18:26,119 Speaker 4: can't think of anyone doper than carry In MASSI. She 363 00:18:26,280 --> 00:18:28,280 Speaker 4: was the dopest who's absolutely the dopest. 364 00:18:29,560 --> 00:18:32,560 Speaker 2: My favorite life would just be like m dopest person 365 00:18:32,560 --> 00:18:33,960 Speaker 2: on earth, carry on Mos. 366 00:18:34,400 --> 00:18:36,040 Speaker 4: But let's back it up for a second. So she 367 00:18:36,119 --> 00:18:38,600 Speaker 4: grows up in Baltimore, in the mean streets of be More. 368 00:18:39,280 --> 00:18:42,760 Speaker 4: She is not poor per se. Her grandfather is like 369 00:18:42,760 --> 00:18:45,320 Speaker 4: an antessiologist or something. He's like a doctor, and. 370 00:18:45,440 --> 00:18:50,040 Speaker 2: Her grandfather is like a doctor, and her grandmother is 371 00:18:50,080 --> 00:18:50,840 Speaker 2: a social worker. 372 00:18:51,320 --> 00:18:55,320 Speaker 4: Yes, but the dad is absent. The dad's kind of 373 00:18:55,359 --> 00:18:57,360 Speaker 4: a dick. I mean, dad's like physically abused to the mom, 374 00:18:57,400 --> 00:18:59,520 Speaker 4: but she never sees it. And the mom's being. 375 00:18:59,440 --> 00:19:02,920 Speaker 2: Very like trying to keep a good relationship between Jada 376 00:19:02,920 --> 00:19:03,480 Speaker 2: and her dad. 377 00:19:03,560 --> 00:19:05,919 Speaker 4: And she's like, I'm grateful to my mom that she 378 00:19:06,080 --> 00:19:08,160 Speaker 4: like didn't make me hate him so I could least 379 00:19:08,200 --> 00:19:10,919 Speaker 4: have some kind of positive feelings towards him and then 380 00:19:11,000 --> 00:19:13,480 Speaker 4: learn later that I hated him. But then she has 381 00:19:13,520 --> 00:19:15,400 Speaker 4: always kind of been like he's nice. 382 00:19:15,320 --> 00:19:18,000 Speaker 2: I mean she does basically we'll get to the scientology. 383 00:19:18,080 --> 00:19:19,840 Speaker 2: She ends up like trying to save him at the 384 00:19:19,920 --> 00:19:22,640 Speaker 2: end of his life by putting him in scientology rehab, 385 00:19:22,960 --> 00:19:28,399 Speaker 2: which he literally gets clean and then relapses, and she's like, Okay, 386 00:19:28,480 --> 00:19:30,720 Speaker 2: you have to like go home, like I'm not going 387 00:19:30,800 --> 00:19:33,439 Speaker 2: to keep on like paying for your rehab. But he 388 00:19:33,520 --> 00:19:37,320 Speaker 2: tells her we'll leave this place of scientology. 389 00:19:36,880 --> 00:19:39,680 Speaker 4: And she's just like, m you're actually an op You're 390 00:19:39,680 --> 00:19:40,719 Speaker 4: an oppressive person. 391 00:19:41,000 --> 00:19:43,760 Speaker 2: So no, no, no, She says, okay, and so soon after 392 00:19:43,840 --> 00:19:44,400 Speaker 2: I did leave. 393 00:19:44,600 --> 00:19:46,400 Speaker 4: Wait she fully left scientology. 394 00:19:46,640 --> 00:19:48,760 Speaker 2: No, she was never fully joined. 395 00:19:48,760 --> 00:19:50,800 Speaker 4: She was like in the process, and so like this 396 00:19:50,840 --> 00:19:52,959 Speaker 4: is one everything being very very spiritual, like she is 397 00:19:53,160 --> 00:19:58,360 Speaker 4: very just like I take inspiration from all religions. 398 00:19:57,400 --> 00:19:59,439 Speaker 2: Like Jewish, Buddhist, Lutherans. 399 00:20:00,160 --> 00:20:04,439 Speaker 4: She's talking about being like a badass dancer, like comping 400 00:20:04,480 --> 00:20:07,040 Speaker 4: up in the b Moore scene, and like she being 401 00:20:07,160 --> 00:20:08,160 Speaker 4: so safe the last dance. 402 00:20:08,480 --> 00:20:10,520 Speaker 2: She is the most safe last dance. 403 00:20:10,320 --> 00:20:13,240 Speaker 4: Person, Like I was doing like all of the hip 404 00:20:13,240 --> 00:20:15,360 Speaker 4: hop dances that were in the style of the time, 405 00:20:15,359 --> 00:20:31,440 Speaker 4: but I was also incorporating classical jazz, tap modern club. 406 00:20:32,960 --> 00:20:35,280 Speaker 2: So she goes to the Baltimore School of Performing Arts, 407 00:20:35,480 --> 00:20:38,280 Speaker 2: which is where she meets Tupac, and she says they 408 00:20:38,640 --> 00:20:41,520 Speaker 2: never had sexual chemistry. 409 00:20:41,080 --> 00:20:42,880 Speaker 4: But there's the time when he's in prison and he's 410 00:20:42,920 --> 00:20:43,760 Speaker 4: just like be my. 411 00:20:43,760 --> 00:20:46,399 Speaker 2: Wife, and she's like, do we have to have conjugal visits? 412 00:20:46,400 --> 00:20:48,480 Speaker 2: And he's like yes, and she's like hell no. 413 00:20:48,680 --> 00:20:50,560 Speaker 4: Yeah, I'm good, and then they kiss once and then 414 00:20:50,640 --> 00:20:52,679 Speaker 4: they both laughed like this isn't for me. 415 00:20:52,880 --> 00:20:56,639 Speaker 2: Which again begs the question is she a lesbian? But 416 00:20:56,800 --> 00:20:58,920 Speaker 2: she said then she had other boyfriends. But so she's 417 00:20:58,960 --> 00:21:03,720 Speaker 2: at the Baltimore School is very like the LaGuardia of Baltimore. 418 00:21:03,760 --> 00:21:06,040 Speaker 2: And when she's also describing all of her friends there, 419 00:21:06,080 --> 00:21:10,119 Speaker 2: she's like, Karen was half Asian, half white. She looks 420 00:21:10,200 --> 00:21:14,880 Speaker 2: like a real visual artist, you know the type black hair, 421 00:21:15,440 --> 00:21:19,159 Speaker 2: turtleneck rings, and. 422 00:21:19,280 --> 00:21:22,960 Speaker 4: You're like, okay, tea turtleneck is giving. 423 00:21:23,200 --> 00:21:24,840 Speaker 2: Yeah, And I was like, I don't know, this girl 424 00:21:24,960 --> 00:21:28,879 Speaker 2: is having so nineties visual artist and you know she 425 00:21:29,119 --> 00:21:33,320 Speaker 2: loves acting. But then she also she's on the mean streets. 426 00:21:33,320 --> 00:21:36,800 Speaker 4: She's on the mean streets. She's dealing heroin. She's like 427 00:21:37,280 --> 00:21:38,560 Speaker 4: almost getting. 428 00:21:38,800 --> 00:21:41,760 Speaker 2: Coke but like doesn't do heroin because her mom is 429 00:21:41,800 --> 00:21:44,280 Speaker 2: like a nurse. But also her mom is addicted to 430 00:21:44,320 --> 00:21:45,040 Speaker 2: her mom. 431 00:21:45,320 --> 00:21:48,320 Speaker 4: She's coming into the like store that she works at, 432 00:21:48,440 --> 00:21:51,399 Speaker 4: like so high and being just like where are the 433 00:21:51,440 --> 00:21:55,399 Speaker 4: baskets And she's like, I think my mom's tired, and 434 00:21:55,440 --> 00:21:57,240 Speaker 4: like everyone knows that her mom is being so high 435 00:21:57,320 --> 00:21:58,720 Speaker 4: and she's like kind of embarrassed by her. 436 00:21:58,760 --> 00:22:01,160 Speaker 2: Well, she calls her a high function heroin addict. 437 00:22:01,000 --> 00:22:02,800 Speaker 4: Which you know, I think a lot of heroinis can 438 00:22:02,880 --> 00:22:07,800 Speaker 4: be because it allows you to, like when you're not high, 439 00:22:07,880 --> 00:22:09,720 Speaker 4: to be like totally fine. 440 00:22:09,880 --> 00:22:11,880 Speaker 2: Well, and it's I feel like if you're a nurse 441 00:22:11,920 --> 00:22:14,159 Speaker 2: and you're being so like eighteen hour workdays and then 442 00:22:14,160 --> 00:22:16,000 Speaker 2: it's like you sleep and you do Heroine. I'm like 443 00:22:16,119 --> 00:22:17,920 Speaker 2: schedule of a high functioning Heroin addict. 444 00:22:18,280 --> 00:22:21,120 Speaker 4: But she basically says she wants to be a Queen Pin. 445 00:22:22,680 --> 00:22:24,439 Speaker 4: She goes, if anyone was going to give me the 446 00:22:24,440 --> 00:22:26,359 Speaker 4: trappings of the good life, it was going to be me. 447 00:22:26,800 --> 00:22:28,439 Speaker 4: I came to the conclusion that I could be a 448 00:22:28,440 --> 00:22:31,199 Speaker 4: successful drug dealer as any man. In my view, I 449 00:22:31,240 --> 00:22:33,800 Speaker 4: could work my way to running a whole operation be 450 00:22:33,960 --> 00:22:34,920 Speaker 4: a Queen Pin. 451 00:22:35,480 --> 00:22:37,960 Speaker 2: Well, there was that movie Queen Pins with like Kirsten 452 00:22:38,080 --> 00:22:40,600 Speaker 2: Bell and like someone else. Yeah, that was about them 453 00:22:40,640 --> 00:22:41,119 Speaker 2: like running over. 454 00:22:41,200 --> 00:22:43,240 Speaker 4: And there's also that new show like Griselda that I 455 00:22:43,320 --> 00:22:46,600 Speaker 4: feel like a friend there always just being like queen 456 00:22:46,680 --> 00:22:48,600 Speaker 4: Pin and they're like using Queen Pin in the tagline 457 00:22:48,600 --> 00:22:49,000 Speaker 4: of my time. 458 00:22:49,119 --> 00:22:50,760 Speaker 2: So when she is being a Queen Pin, I thought 459 00:22:50,760 --> 00:22:53,040 Speaker 2: this was so cute. She was like Tubac was like 460 00:22:53,080 --> 00:22:55,239 Speaker 2: so poor and he didn't have any clothes, and so 461 00:22:55,320 --> 00:22:57,880 Speaker 2: she was like, so I would go to the gap 462 00:22:58,200 --> 00:23:00,679 Speaker 2: and buy him all this stuff, but then like to 463 00:23:00,800 --> 00:23:04,400 Speaker 2: not embarrass his masculinity. I would be like, oh, I 464 00:23:04,480 --> 00:23:07,119 Speaker 2: just saw the fhighest pair of kat keys that I 465 00:23:07,119 --> 00:23:08,040 Speaker 2: thought you could rock. 466 00:23:08,600 --> 00:23:10,640 Speaker 4: Well, she's getting in play disco because she works at. 467 00:23:10,520 --> 00:23:12,640 Speaker 2: The Gap too, though, getting that thirty percent off. 468 00:23:12,880 --> 00:23:17,240 Speaker 4: Yeah, so I mean, well, the still it's like thirteen No, 469 00:23:17,280 --> 00:23:18,600 Speaker 4: it's still like really, the. 470 00:23:18,640 --> 00:23:21,399 Speaker 2: Gap is expensive to the gap used to be. The 471 00:23:21,440 --> 00:23:24,840 Speaker 2: Gap is now always forty percent off as you family 472 00:23:24,920 --> 00:23:27,520 Speaker 2: stay only to chop out when you've been locked out. Yeah, 473 00:23:27,600 --> 00:23:29,639 Speaker 2: but it used to be. I feel like more like 474 00:23:29,720 --> 00:23:32,400 Speaker 2: straight up like everything was seventy no sales. 475 00:23:32,880 --> 00:23:39,080 Speaker 4: No sales, no sales. But she is being badass. 476 00:23:39,200 --> 00:23:41,160 Speaker 2: She's being insanely badass. 477 00:23:41,359 --> 00:23:44,320 Speaker 4: The part when she goes someone tries to get her 478 00:23:44,440 --> 00:23:48,040 Speaker 4: to like fairy drugs around and she's like, no, like 479 00:23:48,080 --> 00:23:49,800 Speaker 4: I'm a dealer. She goes, I knew I didn't want 480 00:23:49,800 --> 00:23:51,359 Speaker 4: to be a mule. I don't want to put myself 481 00:23:51,359 --> 00:23:53,160 Speaker 4: in a position where dude at his boot of my neck. 482 00:23:53,440 --> 00:23:56,920 Speaker 4: Mules never called the shots. I wanted to call shots. 483 00:23:57,160 --> 00:23:58,399 Speaker 2: And then like she was always. 484 00:23:58,119 --> 00:23:59,840 Speaker 4: Like these are all lines from. 485 00:24:01,000 --> 00:24:04,639 Speaker 2: Protecting her, like random punk friends from school, because she 486 00:24:04,720 --> 00:24:07,280 Speaker 2: was being like watch out, like you don't want to 487 00:24:07,320 --> 00:24:10,399 Speaker 2: go there, like that's for Queen Pins and she was 488 00:24:10,440 --> 00:24:13,959 Speaker 2: like these were some dirty looking white punk boys. Yes, 489 00:24:15,119 --> 00:24:18,600 Speaker 2: which also this is where her love of punk and 490 00:24:18,680 --> 00:24:22,520 Speaker 2: metal and new wave starts, because later, of course, she 491 00:24:22,600 --> 00:24:26,720 Speaker 2: is famous for being in the all black new metal 492 00:24:26,720 --> 00:24:32,960 Speaker 2: band Wicked Wisdom, Wicked Wisdom female fronted toward Ozfest, which 493 00:24:32,960 --> 00:24:35,240 Speaker 2: she says, which I didn't realize, but obviously she got 494 00:24:35,280 --> 00:24:37,240 Speaker 2: like so much hate. 495 00:24:37,520 --> 00:24:39,280 Speaker 4: Yeah, there was like neo Nazis, like. 496 00:24:39,760 --> 00:24:45,160 Speaker 2: The New Jersey like PC and Banking Center, like Heiling Hitler. 497 00:24:45,240 --> 00:24:48,879 Speaker 4: And then like who like defends her j somebody. 498 00:24:48,520 --> 00:24:50,840 Speaker 2: I think, just like one of the security guards like 499 00:24:50,920 --> 00:24:52,840 Speaker 2: defends her as like this guy is trying to like 500 00:24:52,920 --> 00:24:53,800 Speaker 2: storm the stage. 501 00:24:54,160 --> 00:24:57,080 Speaker 4: But back to childhood, so she's still I guess we're 502 00:24:57,119 --> 00:25:01,439 Speaker 4: in teenage. So obviously like also librity, she is constantly 503 00:25:01,480 --> 00:25:06,840 Speaker 4: referencing how she's like so and like the thinnest person 504 00:25:06,880 --> 00:25:08,439 Speaker 4: and like, yeah, I didn't have any meat on my 505 00:25:08,480 --> 00:25:11,400 Speaker 4: bones and some of these other girls had juicy bottoms 506 00:25:11,440 --> 00:25:13,439 Speaker 4: and yes, I had to use a stunt on one 507 00:25:13,480 --> 00:25:15,840 Speaker 4: of my sex scenes because I never do nudity. 508 00:25:16,880 --> 00:25:21,440 Speaker 2: This is insane. Like Will brings his grandmother to introduce 509 00:25:21,520 --> 00:25:26,000 Speaker 2: to Jada and he like plays Jason's lyric which I 510 00:25:26,080 --> 00:25:28,520 Speaker 2: haven't seen this movie where she has some like sex 511 00:25:28,520 --> 00:25:32,280 Speaker 2: scene the forest and she walks into the grandma watching 512 00:25:32,320 --> 00:25:33,720 Speaker 2: the sex scene and. 513 00:25:33,680 --> 00:25:34,879 Speaker 4: Then she has to be like, oh, that's not me, 514 00:25:34,920 --> 00:25:37,160 Speaker 4: it's a body up and the Grandma's like okay. 515 00:25:37,200 --> 00:25:39,439 Speaker 2: She's like sure, and then Will's just like laughing and 516 00:25:39,480 --> 00:25:41,520 Speaker 2: being like we're all gonna laugh later, and. 517 00:25:41,480 --> 00:25:43,520 Speaker 4: She's like and we're still arguing about whether I was funny. 518 00:25:43,600 --> 00:25:47,680 Speaker 4: I do feel like it's like a bit of a 519 00:25:47,680 --> 00:25:52,120 Speaker 4: contradiction that she's like, I'm so bad us I am 520 00:25:52,200 --> 00:25:56,240 Speaker 4: like this rough around the edges, like take no prisoners, 521 00:25:56,280 --> 00:26:00,199 Speaker 4: take no shit, sassy woman who speaks her mind. But 522 00:26:00,240 --> 00:26:02,359 Speaker 4: then I'm like not doing nude scenes. 523 00:26:02,520 --> 00:26:04,400 Speaker 2: That makes sense to me because I feel like that's 524 00:26:04,440 --> 00:26:07,159 Speaker 2: a little more nineties feminism, Like she's like, I'm not 525 00:26:07,200 --> 00:26:08,800 Speaker 2: going to be a wet T shirt contest. I'm going 526 00:26:08,880 --> 00:26:12,040 Speaker 2: to be like a famous black actress that will be respected. 527 00:26:12,160 --> 00:26:13,800 Speaker 4: Yeah, And it makes a lot of sense also with 528 00:26:13,880 --> 00:26:17,040 Speaker 4: her politics like constantly which are always being just like 529 00:26:17,680 --> 00:26:20,639 Speaker 4: why does rap have to be so great? Women so like, 530 00:26:20,720 --> 00:26:25,440 Speaker 4: and she's confronting like on VH one like at a 531 00:26:25,520 --> 00:26:26,119 Speaker 4: round table. 532 00:26:27,080 --> 00:26:30,000 Speaker 2: She like literally was so kind of a red table. 533 00:26:30,119 --> 00:26:31,720 Speaker 2: Before the red table, she. 534 00:26:31,880 --> 00:26:35,359 Speaker 4: Was saying that like nine years before, MPR was doing 535 00:26:35,400 --> 00:26:37,359 Speaker 4: a story about how Snoop Dogg is demeaning to women, 536 00:26:37,400 --> 00:26:39,359 Speaker 4: and like, my mom was being like, I don't know 537 00:26:39,400 --> 00:26:40,640 Speaker 4: about the Snoop dog. 538 00:26:41,840 --> 00:26:44,440 Speaker 2: She was like, what does every word have to rhyme 539 00:26:44,520 --> 00:26:47,560 Speaker 2: with the famous died and Keaton line? And then easy 540 00:26:47,600 --> 00:26:51,720 Speaker 2: E is like, damn, you're right, why do I demean women? 541 00:26:51,720 --> 00:26:53,600 Speaker 2: And her and Tupac were always getting in so many 542 00:26:53,680 --> 00:26:57,480 Speaker 2: arguments because he was like, you're my like perfect friend 543 00:26:57,520 --> 00:27:00,440 Speaker 2: who I love and like hose are hose And she's like, 544 00:27:00,480 --> 00:27:02,040 Speaker 2: but I could be a hoe. He's like, but you're 545 00:27:02,080 --> 00:27:02,600 Speaker 2: not a hoe. 546 00:27:02,640 --> 00:27:05,520 Speaker 4: And he's trying to make this like exception and be 547 00:27:05,600 --> 00:27:08,200 Speaker 4: so like no, like some women are hoes and don't 548 00:27:08,200 --> 00:27:11,119 Speaker 4: deserve respect, but you're not a hoe. And she's just 549 00:27:11,160 --> 00:27:12,720 Speaker 4: being like, Okay, what if I am. 550 00:27:12,680 --> 00:27:15,359 Speaker 2: Which brings me back to her being a lesbian, because 551 00:27:15,400 --> 00:27:18,959 Speaker 2: he's like, you're my lesbian friend, yeah, who like I 552 00:27:19,040 --> 00:27:22,160 Speaker 2: am maybe attracted to, and then there are hoes. 553 00:27:22,200 --> 00:27:24,280 Speaker 4: This is kind of her being like I'm not like 554 00:27:24,359 --> 00:27:27,840 Speaker 4: other girls. It's kind of her being I'm thin, And 555 00:27:27,880 --> 00:27:30,240 Speaker 4: it's also her being a lesbian, which is her being 556 00:27:30,320 --> 00:27:33,159 Speaker 4: like I'm so hairy and like keeps talking about how 557 00:27:33,200 --> 00:27:35,960 Speaker 4: she's like, sorry, I'm so crazy hairy. 558 00:27:36,080 --> 00:27:37,800 Speaker 2: She could be like, Oh, on the East Coast, we 559 00:27:37,840 --> 00:27:40,120 Speaker 2: didn't shave, and when I moved to the West Coast, 560 00:27:40,160 --> 00:27:42,120 Speaker 2: everyone was like, oh, you're so hairy. 561 00:27:41,920 --> 00:27:44,600 Speaker 4: And yes, I think that's like partially true obviously, like 562 00:27:44,880 --> 00:27:48,520 Speaker 4: alle girls like West coasts, like across automographics, like is 563 00:27:48,600 --> 00:27:54,720 Speaker 4: more shaven, but like she's still being more lesbian about 564 00:27:54,760 --> 00:27:57,360 Speaker 4: it in this way, like I'm just all so over 565 00:27:57,400 --> 00:28:00,520 Speaker 4: here definitely shaving their legs right and getting Brazil. And 566 00:28:00,520 --> 00:28:02,640 Speaker 4: then there's that scene later when Will this. 567 00:28:02,720 --> 00:28:05,680 Speaker 2: Is so funny and like, I'm sorry, this is why 568 00:28:05,720 --> 00:28:07,840 Speaker 2: I wrote a letter to Will Smith at age six, 569 00:28:07,920 --> 00:28:09,560 Speaker 2: being like I'm obsessed with you. 570 00:28:09,840 --> 00:28:14,160 Speaker 4: Basically, he like has this hat, okay, so like it's 571 00:28:14,200 --> 00:28:17,040 Speaker 4: one of those hats, like a hat that has the 572 00:28:17,040 --> 00:28:18,600 Speaker 4: built in dread oh no, that you like. 573 00:28:18,560 --> 00:28:21,919 Speaker 2: Buy at a party store. So they're going to like 574 00:28:22,040 --> 00:28:25,399 Speaker 2: some event, and she gets out of the shower and 575 00:28:26,080 --> 00:28:28,000 Speaker 2: he like looks at her and starts like making fun 576 00:28:28,040 --> 00:28:29,359 Speaker 2: of the fact that she has like so much like 577 00:28:29,400 --> 00:28:30,200 Speaker 2: pubic hair and like. 578 00:28:30,240 --> 00:28:32,919 Speaker 4: Isn't wild unamed bush. 579 00:28:32,960 --> 00:28:37,000 Speaker 2: So he goes while she's like moisturizing and picking out outfits, 580 00:28:37,040 --> 00:28:39,440 Speaker 2: he goes and gets this hat that she describes as 581 00:28:39,800 --> 00:28:42,160 Speaker 2: a beanie with dreads coming out of it, which sounds 582 00:28:42,280 --> 00:28:45,680 Speaker 2: very ie party like yes, rosta Manhattan, And then he 583 00:28:45,840 --> 00:28:49,200 Speaker 2: pulls up his underwear so it looks like women's underwear, 584 00:28:49,240 --> 00:28:51,920 Speaker 2: and then he stuffs the hat with the dreads so 585 00:28:52,000 --> 00:28:53,040 Speaker 2: it's falling. 586 00:28:52,840 --> 00:28:55,080 Speaker 4: Out, falling out of the cross the underwear, and he's 587 00:28:55,160 --> 00:28:56,960 Speaker 4: just like, this is what I'm looking at all the 588 00:28:57,000 --> 00:29:02,480 Speaker 4: time right now. That's so fun and playful. 589 00:29:03,520 --> 00:29:07,680 Speaker 2: In your open non open marriage. Because recently when this 590 00:29:07,680 --> 00:29:10,040 Speaker 2: book came out, it came out that they have technically 591 00:29:10,040 --> 00:29:13,800 Speaker 2: been separated since twenty sixteen, her and Will. 592 00:29:13,320 --> 00:29:15,320 Speaker 4: Right, but she's still being like he's my husband. 593 00:29:15,440 --> 00:29:17,239 Speaker 2: He is my husband, because she's like, I made a 594 00:29:17,280 --> 00:29:20,920 Speaker 2: promise to his mother because they didn't get a prenup, 595 00:29:21,000 --> 00:29:22,800 Speaker 2: and she was like, I will knock out a prenup 596 00:29:22,840 --> 00:29:24,719 Speaker 2: because I will promise to trust you forever. 597 00:29:25,520 --> 00:29:27,479 Speaker 4: And she says even when she gets to the slap 598 00:29:27,680 --> 00:29:30,520 Speaker 4: like at the very end of the book when he says, 599 00:29:31,240 --> 00:29:34,320 Speaker 4: keep my wife's name out of your mouth to Chris 600 00:29:34,600 --> 00:29:38,720 Speaker 4: Rock and she's like, oh, I forgot I was his wife. 601 00:29:38,840 --> 00:29:42,280 Speaker 4: She literally was like talking about she was like. 602 00:29:42,280 --> 00:29:44,920 Speaker 2: I was even surprised that I guess he wanted me 603 00:29:45,080 --> 00:29:46,720 Speaker 2: to go with him to all the oscars because it 604 00:29:46,760 --> 00:29:49,200 Speaker 2: was when he did King Richard. But just to get 605 00:29:49,240 --> 00:29:50,760 Speaker 2: back to the lesbian. 606 00:29:50,320 --> 00:29:52,040 Speaker 4: Part of it, which is kind of the whole book 607 00:29:52,040 --> 00:29:52,240 Speaker 4: we have. 608 00:29:53,800 --> 00:29:56,040 Speaker 2: Here is the first time in the book she says 609 00:29:56,200 --> 00:29:58,320 Speaker 2: she is not gay. And this was when she's like 610 00:29:58,560 --> 00:30:01,840 Speaker 2: first moved to like La and she's like nineteen and 611 00:30:01,840 --> 00:30:05,600 Speaker 2: going out for roles. Now, there have always been rumors 612 00:30:05,600 --> 00:30:07,920 Speaker 2: that I'm gay, that I like women. Maybe that had 613 00:30:07,960 --> 00:30:09,720 Speaker 2: something to do with the clubs where I hung out, 614 00:30:09,800 --> 00:30:13,240 Speaker 2: like the Catch, one of the leading lgbt Q plus 615 00:30:13,240 --> 00:30:15,800 Speaker 2: spots in LA at this time that had nights for 616 00:30:15,800 --> 00:30:19,920 Speaker 2: getting up and doing lip syncs, describing karaoke as getting 617 00:30:20,000 --> 00:30:24,520 Speaker 2: up and doing lip syncs, and where I's not karaoke, oh, 618 00:30:24,600 --> 00:30:27,000 Speaker 2: because it's more like yeah, saying for your life. 619 00:30:27,080 --> 00:30:29,720 Speaker 4: So in the queer community life, there's this thing called 620 00:30:29,800 --> 00:30:33,120 Speaker 4: drag and it's a performance. It's also known as female impersonation. 621 00:30:34,080 --> 00:30:35,800 Speaker 4: I know that does gonna sound crazy, but men will 622 00:30:35,800 --> 00:30:38,480 Speaker 4: put on a wig, they will mouth the words to 623 00:30:38,520 --> 00:30:39,960 Speaker 4: a song, but they're not actually singing. 624 00:30:40,280 --> 00:30:45,040 Speaker 2: So it's kind of like the Montana Boys Chris Cavalari's Boyfriend's. 625 00:30:44,480 --> 00:30:46,840 Speaker 4: Crew exactly, very similar. 626 00:30:48,440 --> 00:30:52,520 Speaker 2: Yeah, so one of the leading LGBTQ plus spots in 627 00:30:52,680 --> 00:30:55,080 Speaker 2: LA at this time. They had the nights for getting 628 00:30:55,160 --> 00:30:57,320 Speaker 2: up and doing lip syncs, which I now know what 629 00:30:57,400 --> 00:31:00,720 Speaker 2: that is and where I myself on stuff all occasions, 630 00:31:00,800 --> 00:31:03,120 Speaker 2: gone up on stage and lip saying to all kinds 631 00:31:03,160 --> 00:31:07,280 Speaker 2: of songs. I killed Madonna's Vogue there one night. The 632 00:31:07,400 --> 00:31:08,760 Speaker 2: truth is that during those. 633 00:31:08,600 --> 00:31:11,600 Speaker 4: Early the way she says that is a little bit like. 634 00:31:11,720 --> 00:31:14,320 Speaker 2: It's a little like chat GPT talking. 635 00:31:14,480 --> 00:31:18,320 Speaker 4: It's a littlept on many occasions, like I sang all 636 00:31:18,400 --> 00:31:20,320 Speaker 4: kinds of songs, but I also wonder if it's a 637 00:31:20,360 --> 00:31:23,520 Speaker 4: little hard, like she's actually fully wasted. Yeah, and she's 638 00:31:23,560 --> 00:31:26,160 Speaker 4: just being like no, like I want to do like wait, 639 00:31:26,240 --> 00:31:29,120 Speaker 4: let me know, I want to you know, I'm saying 640 00:31:29,160 --> 00:31:32,040 Speaker 4: there just like again and like she's kind of in 641 00:31:32,080 --> 00:31:34,480 Speaker 4: a bad job of it. I'm like, okay, thanks Jada. 642 00:31:34,520 --> 00:31:37,080 Speaker 4: And then like the time she did Vogue, like people 643 00:31:37,080 --> 00:31:39,720 Speaker 4: were he asked queening her a lot and that was 644 00:31:39,840 --> 00:31:42,000 Speaker 4: kind of it was one time she wasn't like so sloppy. 645 00:31:42,200 --> 00:31:44,040 Speaker 2: I think she is sober now, but she goes on 646 00:31:44,120 --> 00:31:46,320 Speaker 2: and off sober, and she does say she gets quite beligible. 647 00:31:46,360 --> 00:31:48,960 Speaker 2: Let me just continue to quote. The truth is that 648 00:31:49,120 --> 00:31:51,920 Speaker 2: during those early years of exploration in Hollywood, I had 649 00:31:51,960 --> 00:31:57,160 Speaker 2: a few sexual experiences with women, only to realize that 650 00:31:57,200 --> 00:32:01,760 Speaker 2: when it comes to sex, I love men. Still, I 651 00:32:01,920 --> 00:32:06,280 Speaker 2: cherish the beauty of women inside and out, and I 652 00:32:06,360 --> 00:32:10,160 Speaker 2: have never stopped being infatuated in an awe of women 653 00:32:10,240 --> 00:32:15,120 Speaker 2: of all ages, sizes, and colors. My belief is women 654 00:32:15,160 --> 00:32:17,760 Speaker 2: are the most amazing creatures on the planet, and I 655 00:32:17,760 --> 00:32:23,280 Speaker 2: hold reverence for women through my friendship friendships, friendship friendships. 656 00:32:23,880 --> 00:32:28,920 Speaker 4: M Yeah, those two paragraphs are a big old HM 657 00:32:28,760 --> 00:32:30,960 Speaker 4: for big old question mark. 658 00:32:31,120 --> 00:32:33,280 Speaker 2: I'm like, okay, so we said it or we. 659 00:32:33,280 --> 00:32:36,200 Speaker 4: Didn't so it Ben said. But it's not so like 660 00:32:36,240 --> 00:32:39,200 Speaker 4: when it comes to sex, I love men. I mean, okay, 661 00:32:39,280 --> 00:32:42,720 Speaker 4: So the question is did you fully have sex with 662 00:32:43,040 --> 00:32:44,840 Speaker 4: Queen Latifa instead of set it off? 663 00:32:45,040 --> 00:32:46,800 Speaker 2: And then did they have a reunion on the set 664 00:32:46,800 --> 00:32:47,440 Speaker 2: of Girls Trip? 665 00:32:47,640 --> 00:32:51,240 Speaker 4: Because both of those movies are like really about Queen Latifah, 666 00:32:51,320 --> 00:32:54,360 Speaker 4: like being and but then it's like it's such like 667 00:32:54,400 --> 00:32:57,040 Speaker 4: a plot point of the movie that's also unspoken in 668 00:32:57,080 --> 00:32:57,880 Speaker 4: the movie. 669 00:32:57,960 --> 00:33:00,239 Speaker 2: Queen Latifa at least and set it Off is so 670 00:33:00,480 --> 00:33:04,040 Speaker 2: it's like just about her being a lesbian like Cornrows mechanic, 671 00:33:04,720 --> 00:33:06,120 Speaker 2: like having a girlfriend. 672 00:33:06,560 --> 00:33:09,160 Speaker 4: Yeah, I mean girls Trip. There's this whole plot though 673 00:33:09,200 --> 00:33:11,920 Speaker 4: about how they were just like she's like falling out 674 00:33:12,040 --> 00:33:15,040 Speaker 4: and she's like so Butch and Blazer. 675 00:33:15,240 --> 00:33:18,240 Speaker 2: Like she's being like the she Boss version of her 676 00:33:18,320 --> 00:33:21,560 Speaker 2: like set it Up character, and she's like Blazer and 677 00:33:21,600 --> 00:33:23,760 Speaker 2: like and like set it Off as like one of 678 00:33:23,760 --> 00:33:27,640 Speaker 2: the most canonical lesbian movies. Yeah, And I feel like 679 00:33:27,680 --> 00:33:30,320 Speaker 2: she gives a lot of pages in this book to 680 00:33:30,440 --> 00:33:35,480 Speaker 2: like the Matrix or Jason's lyric or like menace to 681 00:33:35,640 --> 00:33:38,880 Speaker 2: Society And then. 682 00:33:39,000 --> 00:33:40,560 Speaker 4: Or did she hook up with mc light who was 683 00:33:40,600 --> 00:33:41,840 Speaker 4: her homegirl for a quite some time. 684 00:33:42,200 --> 00:33:44,400 Speaker 2: Mc light is still her best friend, and I could 685 00:33:44,440 --> 00:33:47,400 Speaker 2: see them kind of maybe in a Whitney situation, like 686 00:33:47,480 --> 00:33:48,880 Speaker 2: hooked up at first. 687 00:33:48,640 --> 00:33:50,960 Speaker 4: Because that's just the scenario for an mc light. This 688 00:33:51,000 --> 00:33:53,000 Speaker 4: is like earlier in her career and like one of 689 00:33:53,000 --> 00:33:54,840 Speaker 4: those nights that they went to one of the LGBTQA 690 00:33:54,960 --> 00:33:58,280 Speaker 4: plus leading clubs of Los Angeles. In those days, I 691 00:33:58,280 --> 00:34:00,200 Speaker 4: could seriously drink a lot of folks under the table 692 00:34:00,200 --> 00:34:01,800 Speaker 4: and still be on my feet. It was the pinket 693 00:34:01,880 --> 00:34:04,240 Speaker 4: in me. Light was often at my side on those 694 00:34:04,240 --> 00:34:06,840 Speaker 4: occasions when I was straight wild, and although she partied 695 00:34:06,840 --> 00:34:08,640 Speaker 4: hard on her own right, she always maintained the wherewithal 696 00:34:08,680 --> 00:34:10,320 Speaker 4: to make sure I didn't get into too much trouble. 697 00:34:10,560 --> 00:34:13,200 Speaker 4: So it also being her tack picture, which is very 698 00:34:13,239 --> 00:34:16,359 Speaker 4: top and there's this crazy bottom on this Saturday, before 699 00:34:16,360 --> 00:34:18,480 Speaker 4: I even went out, I'd already down damn near a 700 00:34:18,520 --> 00:34:21,600 Speaker 4: full bottle of red wine. Her beverage of choice. Is 701 00:34:21,640 --> 00:34:24,359 Speaker 4: that very like butch lesbian top to be like only 702 00:34:24,400 --> 00:34:26,160 Speaker 4: drink red wine. 703 00:34:26,280 --> 00:34:28,000 Speaker 2: The red wine threw me for a sec. 704 00:34:28,080 --> 00:34:30,840 Speaker 4: Okay, maybe it's like not at all, It's actually just 705 00:34:30,840 --> 00:34:33,759 Speaker 4: a Kelsey Belleradi smoked enough weed to almost pass out 706 00:34:33,800 --> 00:34:36,520 Speaker 4: and then taken a tab of X. Light, looked at 707 00:34:36,520 --> 00:34:40,040 Speaker 4: me and my Lena james esk attire basically eclectic street wear, 708 00:34:40,480 --> 00:34:43,160 Speaker 4: and responded to my slurred question by saying, yeah, let's go. 709 00:34:43,239 --> 00:34:45,160 Speaker 4: Before we left, I took a shot of Cravasier to 710 00:34:45,160 --> 00:34:49,160 Speaker 4: top it off. Fat mix brown liquor in particular usually 711 00:34:49,200 --> 00:34:52,799 Speaker 4: became the gateway to my more aggressive dark side. 712 00:34:53,160 --> 00:34:56,360 Speaker 2: Like when she jumped off the roof into the pool 713 00:34:56,600 --> 00:34:57,720 Speaker 2: to seduce. 714 00:34:57,960 --> 00:35:00,160 Speaker 4: Well and tell him that she loved him. 715 00:35:00,239 --> 00:35:03,240 Speaker 2: After like yelling at him for talking to his ex wife, 716 00:35:03,320 --> 00:35:03,839 Speaker 2: which was. 717 00:35:03,760 --> 00:35:05,839 Speaker 4: So bold that it did make him fall in love 718 00:35:05,840 --> 00:35:09,040 Speaker 4: with her. Okay, And then if I may, if it 719 00:35:09,080 --> 00:35:12,040 Speaker 4: may please the court, if I submit another piece of 720 00:35:12,080 --> 00:35:16,120 Speaker 4: evidence into the lesbian case file. She's talking about meeting 721 00:35:16,200 --> 00:35:20,759 Speaker 4: a certain person who is Mexican German by the name 722 00:35:20,840 --> 00:35:24,480 Speaker 4: of Caesar Milan. I met him shortly after his arrival 723 00:35:24,520 --> 00:35:27,560 Speaker 4: when I needed assistance with some Rottweilers I was fostering. 724 00:35:27,840 --> 00:35:30,719 Speaker 4: I'd inherited two adult rots and their puppies, helping out 725 00:35:30,719 --> 00:35:32,880 Speaker 4: a friend in a tight squeeze. That friend sent me 726 00:35:32,920 --> 00:35:34,800 Speaker 4: to this uniquely givet the dog whisper for guidance on 727 00:35:34,840 --> 00:35:38,520 Speaker 4: how to care for the dogs, so the Rottwiler fosters. 728 00:35:38,600 --> 00:35:41,360 Speaker 2: Let's talk about the rottwiler fostering for a second. Four. 729 00:35:41,640 --> 00:35:44,160 Speaker 2: By the way, she's like twenty two later. 730 00:35:44,080 --> 00:35:46,520 Speaker 4: When I found myself with four male Rottwiler, ses was 731 00:35:46,560 --> 00:35:48,279 Speaker 4: able to make me a full fledged leader of my 732 00:35:48,440 --> 00:35:51,000 Speaker 4: first pack. It's just like I've never heard of anything 733 00:35:51,080 --> 00:35:54,279 Speaker 4: more lesbian than being the leader of backs of. 734 00:35:54,280 --> 00:35:58,239 Speaker 2: Rottweiler's and also befriending one of the most up and 735 00:35:58,320 --> 00:36:02,479 Speaker 2: coming dog trainers out there to have a pack. 736 00:36:02,760 --> 00:36:05,719 Speaker 4: And then she's like, he only spoke German, and I 737 00:36:05,760 --> 00:36:07,560 Speaker 4: was like, you're gonna need to speak English if you 738 00:36:07,600 --> 00:36:10,440 Speaker 4: want to reach the world. So she pays for his 739 00:36:10,520 --> 00:36:11,560 Speaker 4: English lessons. 740 00:36:11,760 --> 00:36:14,760 Speaker 2: That is the most honestly shocking revelation. Everyone's like, oh, 741 00:36:14,800 --> 00:36:17,400 Speaker 2: they're separate, hernbal and separated the slap. It's like the 742 00:36:17,400 --> 00:36:22,160 Speaker 2: most shocking revelations that she paid for Caesar Milan's English lessons. 743 00:36:22,480 --> 00:36:25,320 Speaker 2: I mean they are lifelong friends because like literally on 744 00:36:25,440 --> 00:36:27,640 Speaker 2: her forty ninth birthday at the end of the book, 745 00:36:28,000 --> 00:36:31,600 Speaker 2: after like in her Eyea Journey, She's just like, Caesar 746 00:36:31,680 --> 00:36:35,960 Speaker 2: Milan gifted me a frenchie that I named Bandit. What 747 00:36:36,040 --> 00:36:38,040 Speaker 2: a beautiful forty ninth present. 748 00:36:39,000 --> 00:36:42,640 Speaker 4: It's like, I'll give me a French bull love for 749 00:36:42,680 --> 00:36:44,040 Speaker 4: my former birthday. I get here. 750 00:36:44,400 --> 00:36:46,920 Speaker 2: That's literally what you're getting. Nothing is more forty nine 751 00:36:47,000 --> 00:36:49,280 Speaker 2: year old gay guy who's about to do ayahuasca. 752 00:36:49,840 --> 00:36:51,120 Speaker 4: Oh my god, that's so true. 753 00:36:51,200 --> 00:36:54,600 Speaker 2: I think also in just the lesbian category is the 754 00:36:54,640 --> 00:36:59,480 Speaker 2: fact that she did kind of Mary Will's so young 755 00:37:00,400 --> 00:37:04,520 Speaker 2: and he is. I think they're both by like, I 756 00:37:04,560 --> 00:37:07,920 Speaker 2: do believe that they had a connection and an attraction 757 00:37:08,040 --> 00:37:10,200 Speaker 2: to each other and an understanding. 758 00:37:11,239 --> 00:37:15,400 Speaker 4: There is something so tom Cruise about him in terms 759 00:37:15,440 --> 00:37:19,400 Speaker 4: of his insane like professionalism and dedication to the work 760 00:37:19,480 --> 00:37:24,279 Speaker 4: and bloodthirsty intent on being famous and like ambition and 761 00:37:24,360 --> 00:37:28,279 Speaker 4: like and like creating like a level of superstardom for 762 00:37:28,400 --> 00:37:33,000 Speaker 4: himself that was like kind of unprecedented. I feel like 763 00:37:33,080 --> 00:37:37,040 Speaker 4: it requires a certain like not just drive, but like 764 00:37:37,480 --> 00:37:42,239 Speaker 4: some like absolute crazy amount of like repressing something to 765 00:37:42,320 --> 00:37:44,239 Speaker 4: be able to focus so intently on that. 766 00:37:44,360 --> 00:37:46,839 Speaker 2: And she talks about you know, of course, like when 767 00:37:46,880 --> 00:37:48,319 Speaker 2: they first met, he was like more known as a 768 00:37:48,320 --> 00:37:51,920 Speaker 2: comedian and she's like he was not the funniest in 769 00:37:51,960 --> 00:37:54,600 Speaker 2: the room, Like he was actually very intense. 770 00:37:54,920 --> 00:37:56,680 Speaker 4: Yeah, she thinks he's so smart. 771 00:37:57,680 --> 00:38:00,239 Speaker 2: Wait, this fight they get into was actually so. 772 00:38:00,520 --> 00:38:03,000 Speaker 4: Okay movie one of the parts where she says he's 773 00:38:03,000 --> 00:38:05,000 Speaker 4: so smart and she's like they love talking. 774 00:38:05,160 --> 00:38:06,960 Speaker 2: Oh, and she's like, we talked about pie. 775 00:38:07,160 --> 00:38:10,520 Speaker 4: His level of intelligence mixed with his Westpilly grit was compelling. 776 00:38:11,000 --> 00:38:12,879 Speaker 4: We each understood where the other came from and there 777 00:38:12,920 --> 00:38:15,279 Speaker 4: was no need to offer explanations. He also had a 778 00:38:15,360 --> 00:38:17,759 Speaker 4: unique way of presenting an argument. On our very first date, 779 00:38:17,800 --> 00:38:20,080 Speaker 4: we were sitting in a restaurant having a fierce debate 780 00:38:20,120 --> 00:38:23,360 Speaker 4: over dinner. Will pointed to his glass as a visual 781 00:38:23,400 --> 00:38:27,640 Speaker 4: component understanding perception. You see that glass, it's to the 782 00:38:27,760 --> 00:38:30,520 Speaker 4: right from where you're sitting. He waited for me to agree, 783 00:38:30,560 --> 00:38:33,360 Speaker 4: and I did. But from where I'm sitting it's on 784 00:38:33,440 --> 00:38:33,960 Speaker 4: my left. 785 00:38:34,920 --> 00:38:38,239 Speaker 2: The bar was actually the most Also Tom Cruise scientology 786 00:38:38,400 --> 00:38:40,920 Speaker 2: like movie argument where it's like you leave a date 787 00:38:40,960 --> 00:38:43,040 Speaker 2: and you're kind of like, who is this guy? But 788 00:38:43,120 --> 00:38:46,520 Speaker 2: he's like, he's like, think of it this way. Look 789 00:38:46,560 --> 00:38:50,399 Speaker 2: at the way you're holding your fork. You're scared, you're 790 00:38:50,440 --> 00:38:55,040 Speaker 2: eating your chicken slowly, but surely. Now look how I 791 00:38:55,080 --> 00:38:59,000 Speaker 2: griped my knife. And then she's like, damn, he convinced me. 792 00:38:59,280 --> 00:39:01,120 Speaker 4: But it's even less for something than that. He's literally 793 00:39:01,160 --> 00:39:03,319 Speaker 4: just being like, well, I'm facing the other direction than you, 794 00:39:03,440 --> 00:39:07,080 Speaker 4: and it's a little bit college stoner dorm room philosophy, right, 795 00:39:07,120 --> 00:39:09,640 Speaker 4: And she's just like, damn, he made me think. 796 00:39:10,080 --> 00:39:12,799 Speaker 2: And she refers back to that in the book and 797 00:39:12,800 --> 00:39:16,200 Speaker 2: she's like, and then I would think back right dinner. 798 00:39:16,160 --> 00:39:19,160 Speaker 4: And sometimes something that's on your left is actually on 799 00:39:19,239 --> 00:39:20,239 Speaker 4: someone else's right. 800 00:39:20,440 --> 00:39:22,600 Speaker 2: It also feels kind of in this Tom Cruise like 801 00:39:22,640 --> 00:39:24,920 Speaker 2: gay Scientology way, where it's like they met a bunch 802 00:39:24,960 --> 00:39:27,200 Speaker 2: of times her in Will, like he came down to 803 00:39:27,320 --> 00:39:30,600 Speaker 2: like some set and like met her to Chinese restaurant 804 00:39:30,640 --> 00:39:31,960 Speaker 2: and was like, will you be in this movie? And 805 00:39:32,000 --> 00:39:35,080 Speaker 2: she was like no, no, no. He asks her out, 806 00:39:35,200 --> 00:39:37,960 Speaker 2: She's like, you're still married. Then finally when she hears 807 00:39:38,000 --> 00:39:39,960 Speaker 2: that he gets divorced, they have a phone call and 808 00:39:40,000 --> 00:39:40,960 Speaker 2: they like start courting. 809 00:39:41,000 --> 00:39:43,080 Speaker 4: He calls her and he's like, are you seeing anyone? 810 00:39:43,120 --> 00:39:45,120 Speaker 4: She goes now, He goes, you're seeing me now? 811 00:39:45,480 --> 00:39:49,439 Speaker 2: Confidence She loves, She loves. This is what I'm saying. 812 00:39:49,480 --> 00:39:54,160 Speaker 2: I feel like they did have this bisexual, chaotic bisexual connection. 813 00:39:54,480 --> 00:39:56,319 Speaker 4: You think it is sexual, because it could also just 814 00:39:56,320 --> 00:39:58,239 Speaker 4: be so Bill and Hillary in this way, I. 815 00:39:58,239 --> 00:40:00,560 Speaker 2: Think they're ault very Bill and Hillary's. 816 00:40:00,120 --> 00:40:03,279 Speaker 4: Just like they have a similarly minded political project. 817 00:40:03,840 --> 00:40:06,640 Speaker 2: And she says when they have their like separation at 818 00:40:06,640 --> 00:40:08,640 Speaker 2: twenty sixteen room, when she's like, oh, and of course 819 00:40:08,680 --> 00:40:11,520 Speaker 2: we were still entangled in tons of projects because we 820 00:40:11,600 --> 00:40:14,640 Speaker 2: always saw it and they're so like production company. Yeah, 821 00:40:14,680 --> 00:40:17,680 Speaker 2: and she's like, and I found an amazing director for 822 00:40:17,760 --> 00:40:20,520 Speaker 2: the King Charles movie and then I backed out. But 823 00:40:20,640 --> 00:40:22,720 Speaker 2: the director I found plus Hope. 824 00:40:23,239 --> 00:40:25,040 Speaker 4: Okay, but I want to talk briefly about what she 825 00:40:25,080 --> 00:40:27,440 Speaker 4: calls the Golden Age of Black Hollywood in the nineties, 826 00:40:28,080 --> 00:40:31,240 Speaker 4: because she is part of this like huge new wave 827 00:40:31,560 --> 00:40:37,200 Speaker 4: of mainstream films like geared towards black audiences, but also 828 00:40:37,880 --> 00:40:43,719 Speaker 4: crossover films. Yeah, you know Nia Long, Holly Berry, Vivica A. Fox, 829 00:40:43,800 --> 00:40:45,600 Speaker 4: and like all of these up becoween actresses are and 830 00:40:45,680 --> 00:40:48,480 Speaker 4: like I'm hil Lari Parker and like, yes you had, 831 00:40:48,520 --> 00:40:51,680 Speaker 4: like you know the Wayans Brothers and Eddie Murphy are 832 00:40:51,800 --> 00:40:54,880 Speaker 4: like going from stand up headlining like a huge movie. 833 00:40:54,920 --> 00:40:56,640 Speaker 4: But then all these women are coming up too, and 834 00:40:56,640 --> 00:40:58,319 Speaker 4: there's so many of these good movies that. 835 00:40:58,320 --> 00:40:59,640 Speaker 2: We love, Oh we love. 836 00:41:00,040 --> 00:41:02,680 Speaker 4: And I watched WU last night, which is amazing and 837 00:41:02,960 --> 00:41:03,880 Speaker 4: so kooky. 838 00:41:04,120 --> 00:41:06,480 Speaker 2: It's so kooky and it's like it's almost sci fi 839 00:41:06,719 --> 00:41:07,480 Speaker 2: in this way. 840 00:41:07,600 --> 00:41:09,759 Speaker 4: Well it's also because like some of me like kind 841 00:41:09,800 --> 00:41:12,640 Speaker 4: of nineties like pointy shoulders like makes it feel sci. 842 00:41:12,520 --> 00:41:15,520 Speaker 2: Fi, right, And she has this severe what she may say, 843 00:41:15,680 --> 00:41:17,160 Speaker 2: visual artist her cut in it. 844 00:41:17,480 --> 00:41:19,840 Speaker 4: Yeah, because it's a bob but it's like super angular 845 00:41:20,040 --> 00:41:20,480 Speaker 4: and it's. 846 00:41:20,320 --> 00:41:23,319 Speaker 2: About like a fabulous like woman who dates like and. 847 00:41:23,280 --> 00:41:26,320 Speaker 4: She's like super sassy and crazy and this guy is 848 00:41:26,320 --> 00:41:29,120 Speaker 4: such an uptight lawyer and like they have this crazy date. 849 00:41:30,000 --> 00:41:32,279 Speaker 4: But you know, I love this era and this was 850 00:41:32,280 --> 00:41:34,719 Speaker 4: such an exciting era and film because and she talks 851 00:41:34,719 --> 00:41:37,239 Speaker 4: about it, she's like, you know, Hollywood's starting to realize that, 852 00:41:37,360 --> 00:41:42,040 Speaker 4: like you know, black actors could be bankable. And I 853 00:41:42,120 --> 00:41:45,080 Speaker 4: feel like, you know, in some ways, we've almost lost that. 854 00:41:45,280 --> 00:41:47,719 Speaker 4: I mean, obviously, you know, nothing lasts forever, but. 855 00:41:47,760 --> 00:41:49,000 Speaker 2: Like, yeah, I wonder if it's all. 856 00:41:49,160 --> 00:41:51,560 Speaker 4: Even though Hollywood's so much more like diverse now, it 857 00:41:51,719 --> 00:41:54,800 Speaker 4: feels like we're not in that golden age of. 858 00:41:54,719 --> 00:41:57,520 Speaker 2: Like it's also kind of because we've like lost what 859 00:41:57,600 --> 00:42:01,000 Speaker 2: like comedy films are, yeah, which I think also has 860 00:42:01,040 --> 00:42:01,200 Speaker 2: to do. 861 00:42:01,360 --> 00:42:04,080 Speaker 4: I mean, the movies obviously are like over like in general, 862 00:42:04,239 --> 00:42:07,680 Speaker 4: like right, so every golden age of film has come 863 00:42:07,719 --> 00:42:08,200 Speaker 4: to an end. 864 00:42:09,440 --> 00:42:12,040 Speaker 2: I know, I well, I mean Girls Trip. 865 00:42:12,120 --> 00:42:14,600 Speaker 4: But Girls Ship is like the exception that proves the rule. 866 00:42:14,719 --> 00:42:16,640 Speaker 4: Like Girlship is one of the funniest movies of like 867 00:42:16,680 --> 00:42:18,960 Speaker 4: the past ten years, but it's such an outlier. 868 00:42:19,160 --> 00:42:20,720 Speaker 2: No, I know, it's like that was such an outletter 869 00:42:20,760 --> 00:42:24,760 Speaker 2: and I remember I us cracking up, like falling over 870 00:42:25,040 --> 00:42:27,880 Speaker 2: at the movie theater at Boston Common. Yeah, but I'm like, 871 00:42:28,320 --> 00:42:30,759 Speaker 2: what's the funniest movie that's happened since Girls Trip? I 872 00:42:30,760 --> 00:42:32,360 Speaker 2: can't even think of it even. 873 00:42:32,239 --> 00:42:34,520 Speaker 4: Though, but like, obviously there are trying to make comedies 874 00:42:34,560 --> 00:42:37,360 Speaker 4: that are like I mean that Jennifer Lawrence movie was 875 00:42:37,360 --> 00:42:38,960 Speaker 4: like fine, fine, but. 876 00:42:38,920 --> 00:42:40,800 Speaker 2: It's like to even put that in the same category. 877 00:42:41,200 --> 00:42:44,080 Speaker 2: Some of them it was like barely there right, you 878 00:42:44,080 --> 00:42:46,759 Speaker 2: were like, oh, I see a glimpse of what comedies 879 00:42:46,840 --> 00:42:47,319 Speaker 2: used to be. 880 00:42:47,719 --> 00:42:51,839 Speaker 4: Yeah, they're always like remaking an old film and. 881 00:42:51,800 --> 00:42:53,960 Speaker 2: Like like oh, we need to remake and now we're. 882 00:42:53,760 --> 00:42:56,120 Speaker 4: Doing like The Black Little Mermaid. But I'm just like, 883 00:42:56,200 --> 00:43:00,360 Speaker 4: we used to have like so many like original stories. 884 00:43:00,160 --> 00:43:03,000 Speaker 2: Literally comedian stories. 885 00:43:02,760 --> 00:43:04,879 Speaker 4: That like we were giving a platform two and there 886 00:43:04,960 --> 00:43:07,520 Speaker 4: was just like it was such a vibrant time. 887 00:43:07,960 --> 00:43:10,600 Speaker 2: Where did it go? We've lost We literally have lost. 888 00:43:10,840 --> 00:43:12,799 Speaker 4: I guess it's just streaming maybe. 889 00:43:12,640 --> 00:43:17,279 Speaker 2: And Netflix and Hulu. And also before we go to segments, 890 00:43:17,400 --> 00:43:20,640 Speaker 2: just a few things. One, she homeschools her children and 891 00:43:20,680 --> 00:43:23,680 Speaker 2: that's why she says she joined scientology just to learn 892 00:43:23,719 --> 00:43:26,120 Speaker 2: how to homeschool them, which is completely insane. 893 00:43:26,239 --> 00:43:29,200 Speaker 4: Yeah, also calls them her little gurus. 894 00:43:29,920 --> 00:43:35,040 Speaker 2: Two. Willow's music is amazing, And this whole part also 895 00:43:35,080 --> 00:43:38,560 Speaker 2: about how like Jaden emancipates himself at fifteen, and she 896 00:43:38,640 --> 00:43:41,680 Speaker 2: walks into a ballroom at one of their homes and 897 00:43:41,719 --> 00:43:45,400 Speaker 2: he's doing a charcoal drawing about like pollution of water. 898 00:43:45,920 --> 00:43:49,160 Speaker 2: And then of course instantly she's like, so we set 899 00:43:49,239 --> 00:43:54,279 Speaker 2: up a five oh one three CB nonprofit to like 900 00:43:54,400 --> 00:43:58,239 Speaker 2: give back to Flint, Michigan. And after setting up his 901 00:43:58,320 --> 00:44:00,359 Speaker 2: five oh one three c B, like, he just like 902 00:44:00,440 --> 00:44:02,880 Speaker 2: leaves and goes and lives with his friends and like 903 00:44:02,920 --> 00:44:04,960 Speaker 2: a hype house. I guess. 904 00:44:06,800 --> 00:44:10,440 Speaker 4: Well. And then also when Willow watches the Cony twenty 905 00:44:10,480 --> 00:44:13,440 Speaker 4: twelve YouTube video and she's like, mom, did you know 906 00:44:13,480 --> 00:44:17,000 Speaker 4: that there are more humans trafficked in the United States? 907 00:44:17,040 --> 00:44:18,600 Speaker 4: Not that like at any time, and she was just like, 908 00:44:18,880 --> 00:44:22,120 Speaker 4: I didn't know this. I thought that the sex slave 909 00:44:22,160 --> 00:44:25,759 Speaker 4: trade was something that only happened in like Southeast Asia, 910 00:44:25,960 --> 00:44:30,239 Speaker 4: And so I decided to co chair a fundraiser against trafficking. 911 00:44:31,200 --> 00:44:33,239 Speaker 4: Because Willow watched Cody twenty twelve, but like. 912 00:44:33,320 --> 00:44:35,640 Speaker 2: Yeah, and then she's like, and now we're code sharing. 913 00:44:36,560 --> 00:44:39,040 Speaker 4: It's a little bit just like her kids are like 914 00:44:39,920 --> 00:44:42,399 Speaker 4: seeing a post on Instagram and just being like a mom, 915 00:44:42,440 --> 00:44:45,040 Speaker 4: you need to see this, and she's just been like damn, damn. 916 00:44:45,160 --> 00:44:46,960 Speaker 2: I mean I think with your mom. Is Jada in 917 00:44:47,040 --> 00:44:50,040 Speaker 2: such a worthy warrior Like most kids will be like, oh, 918 00:44:50,080 --> 00:44:52,799 Speaker 2: it's so fucked up after watching the Netflix documentary about 919 00:44:52,800 --> 00:44:56,640 Speaker 2: like meat, But Jada's like, thank you so much for 920 00:44:56,680 --> 00:44:59,800 Speaker 2: seeing me and feeling safe enough to tell me about that. 921 00:45:00,760 --> 00:45:04,160 Speaker 2: Hurry and we will fight this together. And now we 922 00:45:04,200 --> 00:45:07,840 Speaker 2: are going on tour and Willow your next like TikTok 923 00:45:08,000 --> 00:45:12,640 Speaker 2: all proceeds will go to fight animals. Her talking about 924 00:45:12,719 --> 00:45:15,120 Speaker 2: how like Willow really wanted a snake and she was 925 00:45:15,120 --> 00:45:18,719 Speaker 2: so afraid of snakes, but then she learned to love 926 00:45:18,760 --> 00:45:20,800 Speaker 2: the snake and it became her snake. 927 00:45:21,080 --> 00:45:25,120 Speaker 4: Yeah. She kind of just can't not imbue everything with 928 00:45:25,239 --> 00:45:28,839 Speaker 4: an insane like spiritual journey metaphor, because the book also 929 00:45:28,920 --> 00:45:29,919 Speaker 4: each chapter. 930 00:45:29,840 --> 00:45:33,480 Speaker 2: Ends with a bell ringing on the audio it will 931 00:45:33,480 --> 00:45:35,680 Speaker 2: going okay. 932 00:45:35,360 --> 00:45:37,960 Speaker 4: I was mostly book focused that hear the ding. Okay. 933 00:45:38,040 --> 00:45:41,120 Speaker 4: She's pulling a lot from Eastern philosophy for sure. 934 00:45:41,560 --> 00:45:42,400 Speaker 2: I mean Buddha. 935 00:45:42,680 --> 00:45:44,560 Speaker 4: Yeah, but it also has this thing where it's like, 936 00:45:45,040 --> 00:45:48,640 Speaker 4: ask yourself, how has generational trauma affected you? Write down 937 00:45:48,680 --> 00:45:50,640 Speaker 4: some things that you're holding on to that you need 938 00:45:50,680 --> 00:45:52,120 Speaker 4: to let go of. Like it's also been a little 939 00:45:52,120 --> 00:45:52,720 Speaker 4: bit work book. 940 00:45:52,800 --> 00:45:55,719 Speaker 2: Yeah, it's a journal workbook and we're asking ourselves questions. 941 00:45:56,239 --> 00:45:59,799 Speaker 2: There's obviously, you know, so much more to dive into. 942 00:46:00,040 --> 00:46:03,200 Speaker 2: I think this book is more something one always will 943 00:46:03,239 --> 00:46:05,480 Speaker 2: go back to and learn from. 944 00:46:05,719 --> 00:46:08,759 Speaker 4: Oh yeah, I mean going back to this. But I 945 00:46:08,840 --> 00:46:12,040 Speaker 4: love when she's a When Will like they're like hosting 946 00:46:12,120 --> 00:46:14,359 Speaker 4: like the New Year's party at the White House, and 947 00:46:14,360 --> 00:46:17,760 Speaker 4: he's like, we get to sleep in the Lincoln bedroom. Sheida, 948 00:46:17,840 --> 00:46:19,800 Speaker 4: it's the Lincoln bedroom. We get to sleep in the 949 00:46:19,840 --> 00:46:23,440 Speaker 4: same room as the emancive patient proclamation. Will. I get it, 950 00:46:23,520 --> 00:46:25,800 Speaker 4: but after a long night, I'm not trying to stand 951 00:46:25,840 --> 00:46:27,480 Speaker 4: Lincoln's dusty ass bedroom. 952 00:46:28,080 --> 00:46:31,480 Speaker 2: Also best part of the book because this like parts 953 00:46:31,560 --> 00:46:33,560 Speaker 2: like all about how her journey of like wanting to 954 00:46:33,600 --> 00:46:35,960 Speaker 2: be alone and Will always wanted to have these huge 955 00:46:36,000 --> 00:46:39,120 Speaker 2: parties and his love language was kind of like she 956 00:46:39,160 --> 00:46:41,440 Speaker 2: basically says, also kind of gay like throwing parties. 957 00:46:41,480 --> 00:46:43,920 Speaker 4: No, she said, I think she uses the word event ties. 958 00:46:44,280 --> 00:46:47,640 Speaker 2: Yes, she was like, which is actually the game so gay? 959 00:46:48,000 --> 00:46:52,359 Speaker 4: For he always wanted to aventize things. I bet he did. 960 00:46:53,960 --> 00:46:55,840 Speaker 4: And he's just being like, ah, yeah, we're gonna have 961 00:46:55,840 --> 00:46:57,719 Speaker 4: an open mar We're having a gusts last time. 962 00:46:57,800 --> 00:47:00,279 Speaker 2: He's like, Okay, we're doing this, Santa fe. It's a 963 00:47:00,360 --> 00:47:03,680 Speaker 2: journey because like you love journeys or whatever. And then 964 00:47:03,800 --> 00:47:06,000 Speaker 2: like we're doing open bar. Then we're doing a dinner. 965 00:47:05,760 --> 00:47:08,440 Speaker 4: And he's okay, Jada, I decided on the colors for 966 00:47:08,520 --> 00:47:11,400 Speaker 4: your forty birthday past. We're going to do deep purple 967 00:47:11,920 --> 00:47:12,759 Speaker 4: and orange. 968 00:47:13,080 --> 00:47:15,920 Speaker 2: And she's like, will have you even seen what Willow 969 00:47:15,960 --> 00:47:17,960 Speaker 2: is showing me? Right now? What's happening in the world. 970 00:47:18,360 --> 00:47:20,200 Speaker 2: I want to be alone with the people I love. 971 00:47:20,560 --> 00:47:22,480 Speaker 2: And people are always coming up to her. It's always 972 00:47:22,480 --> 00:47:25,480 Speaker 2: her female friends note in the book, who are always 973 00:47:25,480 --> 00:47:30,600 Speaker 2: pulling her aside, going Jada, what's up? Something's wrong? 974 00:47:31,000 --> 00:47:44,920 Speaker 4: Well, you know, men don't know the adventize are you worthy? 975 00:47:45,040 --> 00:47:45,800 Speaker 4: For segments? 976 00:47:45,880 --> 00:47:46,560 Speaker 2: What does she wear? 977 00:47:46,680 --> 00:47:50,600 Speaker 4: What does she eat? Okay, just to get into how 978 00:47:50,640 --> 00:47:51,360 Speaker 4: does she live for? 979 00:47:51,600 --> 00:47:55,319 Speaker 2: I mean Buddha, Buddha Buddha, but she's also so real 980 00:47:55,440 --> 00:47:59,400 Speaker 2: estate and has a farmhouse. She like so many homes 981 00:47:59,440 --> 00:48:01,239 Speaker 2: that she's like putting her family members in. 982 00:48:01,400 --> 00:48:04,480 Speaker 4: She talks about liking roominess because she talks about the 983 00:48:04,480 --> 00:48:07,480 Speaker 4: town home with a two car carport that she buys 984 00:48:07,480 --> 00:48:08,960 Speaker 4: when like she first gets money. 985 00:48:09,320 --> 00:48:12,200 Speaker 2: Oh, her first apartment is haunted, and she is always 986 00:48:12,239 --> 00:48:14,520 Speaker 2: talking about how she was like, so, my girlfriends would 987 00:48:14,520 --> 00:48:16,680 Speaker 2: come and stay, but they would always be like Jada, 988 00:48:16,719 --> 00:48:17,880 Speaker 2: I think I'm gonna get a hotel. 989 00:48:18,480 --> 00:48:20,880 Speaker 4: I saw a ghost last night and like, Will didn't 990 00:48:20,920 --> 00:48:23,640 Speaker 4: like how haunted it was. I didn't mind the ghosts. 991 00:48:24,200 --> 00:48:26,560 Speaker 4: It's like okay. And then she talks about the time 992 00:48:26,560 --> 00:48:28,920 Speaker 4: when she's staying it that holiday inn and she was like, no, 993 00:48:28,960 --> 00:48:30,880 Speaker 4: it was not glamorous, but it was roomy. 994 00:48:31,320 --> 00:48:32,880 Speaker 2: And that's by the Hooters. 995 00:48:33,200 --> 00:48:36,520 Speaker 4: I will meet her in like North Carolina. I think 996 00:48:36,719 --> 00:48:40,760 Speaker 4: that for those reasons. The rooms are big. 997 00:48:40,960 --> 00:48:45,319 Speaker 2: I imagine it's the biggest couch you've ever seen in like 998 00:48:45,360 --> 00:48:47,240 Speaker 2: this in your entire life. 999 00:48:47,320 --> 00:48:49,719 Speaker 4: The bedroom is like it's not a California king, it's 1000 00:48:49,719 --> 00:48:53,640 Speaker 4: an Alaska king. The bedstands are like built in with 1001 00:48:53,680 --> 00:48:56,279 Speaker 4: like there's so many like license chargers, and it's like 1002 00:48:56,600 --> 00:48:58,640 Speaker 4: the thing with the bed where it's like there's like 1003 00:48:58,680 --> 00:49:01,120 Speaker 4: a platform before you get to the bed that is 1004 00:49:01,280 --> 00:49:04,200 Speaker 4: fabric covered. It's not like a wooden platform, you know, 1005 00:49:04,320 --> 00:49:05,959 Speaker 4: it's like before you get to the bed. 1006 00:49:06,160 --> 00:49:09,000 Speaker 2: Oh, you think it's like a padded velvet. 1007 00:49:09,280 --> 00:49:12,759 Speaker 4: If not velvet, then some kind of hm just like 1008 00:49:12,800 --> 00:49:13,760 Speaker 4: a regular fabric. 1009 00:49:14,080 --> 00:49:16,359 Speaker 2: Do you think like it's only red in the red 1010 00:49:16,400 --> 00:49:18,960 Speaker 2: room at the Red table, or like she's having these 1011 00:49:19,040 --> 00:49:21,320 Speaker 2: dramatic red curtains throughout. 1012 00:49:22,080 --> 00:49:25,600 Speaker 4: No, I think it's pretty like subdued at this point. 1013 00:49:25,840 --> 00:49:28,440 Speaker 2: Like I do think her house with Will was just 1014 00:49:28,440 --> 00:49:32,000 Speaker 2: like a little bit Kardashian, yeah, and just huge white couches. 1015 00:49:32,360 --> 00:49:35,680 Speaker 4: But maybe her personal house now that like. 1016 00:49:35,640 --> 00:49:39,560 Speaker 2: They're technically separated, is a little funkier and more Buddha. 1017 00:49:40,000 --> 00:49:43,520 Speaker 4: It's Buddha, it's statue, it's masks. 1018 00:49:43,320 --> 00:49:45,400 Speaker 2: Tons of masks, tons of Buddhas. 1019 00:49:45,719 --> 00:49:49,440 Speaker 4: It's framed like her record that didn't go Platinum, of 1020 00:49:49,520 --> 00:49:50,640 Speaker 4: a Good Wisdom. 1021 00:49:50,480 --> 00:49:52,160 Speaker 2: Right, which I was saying, is not on Spotify. You 1022 00:49:52,239 --> 00:49:55,400 Speaker 2: need to get to the bottom up. Yeah, And she's like, 1023 00:49:55,480 --> 00:49:58,800 Speaker 2: and I will not open for Guns n' Roses because 1024 00:49:58,800 --> 00:49:59,919 Speaker 2: I need to be there for Jada. 1025 00:50:00,440 --> 00:50:02,680 Speaker 4: Same even though he's emancipated. 1026 00:50:02,880 --> 00:50:05,640 Speaker 2: I think it was pre his emancipation. Willow's music is 1027 00:50:05,640 --> 00:50:08,759 Speaker 2: so good, by the way, her song with Travis Barker. 1028 00:50:08,719 --> 00:50:11,000 Speaker 4: Oh, because now she's more like she's like punk full 1029 00:50:11,120 --> 00:50:13,440 Speaker 4: rock and punk and like less pop and. 1030 00:50:13,400 --> 00:50:15,440 Speaker 2: She's kind of taken the wicked wisdom. 1031 00:50:15,760 --> 00:50:18,760 Speaker 4: I know. I kind of like her Calvin Harris music 1032 00:50:19,280 --> 00:50:22,920 Speaker 4: more I'm right and it's like more dancy. 1033 00:50:22,760 --> 00:50:24,839 Speaker 2: Give it for a rod. What about that song? 1034 00:50:26,640 --> 00:50:29,040 Speaker 4: What maybe I'm not knowing your rendition. 1035 00:50:29,640 --> 00:50:33,280 Speaker 2: Yeah, I guess I should lip sying to it. Okay, 1036 00:50:33,320 --> 00:50:37,440 Speaker 2: what does she eat? So? I do believe she is 1037 00:50:37,600 --> 00:50:39,759 Speaker 2: sober now, but she talks about this time she got 1038 00:50:39,840 --> 00:50:42,560 Speaker 2: like so waste on rum punches and like, but. 1039 00:50:42,560 --> 00:50:45,399 Speaker 4: She becomes sugitarian. She's like during her pertagnancy, she goes 1040 00:50:45,480 --> 00:50:48,520 Speaker 4: vegetarian because she's just like, I could not be giving 1041 00:50:48,600 --> 00:50:52,000 Speaker 4: my new baby meat knowing what was going on with me, 1042 00:50:52,160 --> 00:50:54,520 Speaker 4: and so I did a high carb diet that allowed 1043 00:50:54,520 --> 00:50:55,840 Speaker 4: me to gain fifty pounds. 1044 00:50:56,120 --> 00:50:59,440 Speaker 2: And then she did the craziest workout because she was 1045 00:50:59,480 --> 00:51:02,719 Speaker 2: training for like the Matrix reloaded and lost all the weight. 1046 00:51:02,960 --> 00:51:07,480 Speaker 2: But I think it's yeah, it's like amazing bootables. I 1047 00:51:07,480 --> 00:51:11,040 Speaker 2: think she's trying out dope new vegan spots and being 1048 00:51:11,120 --> 00:51:14,080 Speaker 2: like this is an amazing like black gowned female chef 1049 00:51:14,120 --> 00:51:17,200 Speaker 2: who just opened this new vegan spot on like LaBrea. 1050 00:51:17,960 --> 00:51:21,040 Speaker 4: But I also just think that she's private chef. 1051 00:51:21,040 --> 00:51:23,640 Speaker 2: Right, I mean yeah, when she's not going out, she's. 1052 00:51:23,480 --> 00:51:26,799 Speaker 4: A little bit avantizing girls night and she's having six 1053 00:51:26,800 --> 00:51:29,600 Speaker 4: friends come over and a private chef is making them 1054 00:51:29,680 --> 00:51:35,360 Speaker 4: like fingerlicking delicious fried avocado fries. Yes, with like a 1055 00:51:35,400 --> 00:51:40,320 Speaker 4: Tamarin sauce for girls night around her non hierarchical tidy table. 1056 00:51:40,719 --> 00:51:42,799 Speaker 2: I'm also just like, is she still sober? I feel 1057 00:51:42,840 --> 00:51:46,680 Speaker 2: like she is like having a hibiscus a gave like tequila. 1058 00:51:46,880 --> 00:51:50,480 Speaker 4: She screams hibiscus to me. Obviously the type of access 1059 00:51:50,520 --> 00:51:53,880 Speaker 4: no longer there, right, maybe she's just like hibiscus once 1060 00:51:53,960 --> 00:51:55,719 Speaker 4: a month ayah went some month. 1061 00:51:55,600 --> 00:52:00,879 Speaker 2: She's la sober. It's just like aya outible. Yes, Like 1062 00:52:01,800 --> 00:52:04,680 Speaker 2: what does she wear? So like right now that she 1063 00:52:04,800 --> 00:52:07,160 Speaker 2: is on alopecia journey but. 1064 00:52:07,360 --> 00:52:11,920 Speaker 4: Like not doing wigs because she's owning and celebrating her alopecia. 1065 00:52:12,080 --> 00:52:14,600 Speaker 2: And then like Willow shaved her head again, but now 1066 00:52:14,640 --> 00:52:16,520 Speaker 2: her hair is like back to long. But she was 1067 00:52:16,520 --> 00:52:17,920 Speaker 2: like so proud of like Willow. 1068 00:52:18,239 --> 00:52:22,720 Speaker 4: I think that there's a girl boss element to her obviously, 1069 00:52:22,760 --> 00:52:24,360 Speaker 4: and like Red Table Talk is. 1070 00:52:24,440 --> 00:52:25,840 Speaker 2: It's almost like I don't want to put her in 1071 00:52:25,840 --> 00:52:29,320 Speaker 2: the girl boss cart because she's so beyond just girl boss. 1072 00:52:29,560 --> 00:52:31,919 Speaker 4: Yes, But at the same time though it is cheetah. 1073 00:52:31,600 --> 00:52:33,760 Speaker 2: It's Glennon. I am a panther like. 1074 00:52:33,760 --> 00:52:37,200 Speaker 4: And I think that that like need to divulge and 1075 00:52:37,239 --> 00:52:39,400 Speaker 4: like it's like a sane like how like every female 1076 00:52:39,440 --> 00:52:42,439 Speaker 4: celebrity has a podcast called Let's Be Honest. It is 1077 00:52:42,480 --> 00:52:45,279 Speaker 4: in that category of like she kind of we are 1078 00:52:45,320 --> 00:52:46,440 Speaker 4: going to be honest here. 1079 00:52:46,400 --> 00:52:49,640 Speaker 2: Because I'm like, she walked so Glennon could run right, 1080 00:52:49,800 --> 00:52:53,240 Speaker 2: Red Table came before, Yeah, we could do hard things. 1081 00:52:53,440 --> 00:52:55,000 Speaker 2: She also was very blanket to. 1082 00:52:54,920 --> 00:52:57,480 Speaker 4: Me, wearing a blanket like all. 1083 00:52:57,239 --> 00:52:59,360 Speaker 2: Crowling up with like love is blind style with like 1084 00:52:59,400 --> 00:53:00,560 Speaker 2: a huge blanket. 1085 00:53:00,920 --> 00:53:04,279 Speaker 4: Oh yeah, are you just because she's so alopecia, which 1086 00:53:04,320 --> 00:53:07,480 Speaker 4: is like cancer coated and so she's like crapping herself up. 1087 00:53:07,680 --> 00:53:10,080 Speaker 2: I just think no, she's more like cozy and it's 1088 00:53:10,120 --> 00:53:14,279 Speaker 2: about like sharing but keeping yourself safe with blanket, right, 1089 00:53:15,200 --> 00:53:16,240 Speaker 2: who are you in the book? 1090 00:53:17,520 --> 00:53:19,960 Speaker 4: Am I the guy who steals the BMW? And it's 1091 00:53:20,000 --> 00:53:21,960 Speaker 4: like picks her up and just being like, get in, 1092 00:53:22,120 --> 00:53:26,200 Speaker 4: We're going for a ride, are you? Because I do 1093 00:53:26,239 --> 00:53:27,840 Speaker 4: feel like I was picking you up in my SOB 1094 00:53:27,880 --> 00:53:31,160 Speaker 4: and right like, get in, We're get in bed fast? 1095 00:53:31,480 --> 00:53:34,640 Speaker 2: Okay. I also feel like you're that and like also 1096 00:53:34,719 --> 00:53:36,959 Speaker 2: her white punk friend in high school who like does 1097 00:53:37,000 --> 00:53:39,080 Speaker 2: get in the car with some guys. You're like, what, 1098 00:53:39,560 --> 00:53:40,400 Speaker 2: nothing could happen? 1099 00:53:40,520 --> 00:53:41,960 Speaker 4: Yeah, nothing that could happen. 1100 00:53:41,840 --> 00:53:46,480 Speaker 2: And then you almost get murdered, which is cool. You're 1101 00:53:46,520 --> 00:53:49,359 Speaker 2: there to take your risk. I feel like, am i 1102 00:53:49,440 --> 00:53:52,279 Speaker 2: amc light drinking a whole bottle of red wine? Like 1103 00:53:53,440 --> 00:53:57,120 Speaker 2: I know, like I'm just like at Catch in nineteen 1104 00:53:57,160 --> 00:53:58,080 Speaker 2: ninety four. 1105 00:53:58,120 --> 00:54:02,120 Speaker 4: The LGBTQA just leading club. But yeah, you're being like, Hi, 1106 00:54:02,200 --> 00:54:04,839 Speaker 4: where's the karaoke contest? I'd love to sign up. 1107 00:54:05,320 --> 00:54:07,160 Speaker 2: Her mom is also really fun. I feel like I'm 1108 00:54:07,239 --> 00:54:07,960 Speaker 2: kind of her mom. 1109 00:54:08,080 --> 00:54:10,640 Speaker 4: I feel like her mom is like the same age 1110 00:54:10,680 --> 00:54:11,000 Speaker 4: as her. 1111 00:54:11,520 --> 00:54:13,680 Speaker 2: Well, her mom had her when she was like seventeen, 1112 00:54:13,760 --> 00:54:16,520 Speaker 2: so they're not you know, so far, but like on 1113 00:54:16,560 --> 00:54:18,080 Speaker 2: the Red Table Talk, it's very like. 1114 00:54:18,000 --> 00:54:19,560 Speaker 4: They look literally at the same age. 1115 00:54:19,719 --> 00:54:22,000 Speaker 2: It almost even looks like younger. Yeah, bit because I 1116 00:54:22,040 --> 00:54:24,439 Speaker 2: feel like Jada has like so many emotions that she's 1117 00:54:24,480 --> 00:54:26,080 Speaker 2: like aged herself a little bit, like. 1118 00:54:27,280 --> 00:54:30,640 Speaker 4: And she's an actress, yes as well she should. 1119 00:54:31,080 --> 00:54:32,880 Speaker 2: I give this book. 1120 00:54:33,520 --> 00:54:36,600 Speaker 4: It's tough to say for me because there is stuff 1121 00:54:36,640 --> 00:54:39,120 Speaker 4: in here that I was like, I love and I 1122 00:54:39,200 --> 00:54:41,399 Speaker 4: obviously love the golden age of Black Hollywood and going 1123 00:54:41,440 --> 00:54:45,440 Speaker 4: back and watching those movies. It's a little padded, I 1124 00:54:45,440 --> 00:54:47,800 Speaker 4: would say, at four fifty pages. 1125 00:54:48,080 --> 00:54:49,719 Speaker 2: No, it's like that things like I'm going to give 1126 00:54:49,719 --> 00:54:52,600 Speaker 2: it four panthers out of five, for like, there are 1127 00:54:52,680 --> 00:54:54,839 Speaker 2: just like so many good lines and like so much 1128 00:54:54,840 --> 00:54:57,680 Speaker 2: but you're almost like, we spent so much time here 1129 00:54:57,680 --> 00:54:59,040 Speaker 2: and maybe it's the fact that we had to read 1130 00:54:59,040 --> 00:55:01,880 Speaker 2: it in a day, but it's just like I'm finally 1131 00:55:01,920 --> 00:55:05,000 Speaker 2: getting to the slap and you're like, I'm yeah. 1132 00:55:04,840 --> 00:55:07,799 Speaker 4: I don't know, I'm giving it it's like maybe two 1133 00:55:07,840 --> 00:55:13,080 Speaker 4: point eight wow tables out of five. I really liked 1134 00:55:13,120 --> 00:55:15,239 Speaker 4: the earlier part of the book and like her upbringing. 1135 00:55:15,320 --> 00:55:17,200 Speaker 4: I thought that was like very interesting. There was like 1136 00:55:17,239 --> 00:55:19,640 Speaker 4: a lot of like plotting characters, but like when she 1137 00:55:19,640 --> 00:55:23,000 Speaker 4: starts to get famous, she's skipping over a lot of 1138 00:55:23,040 --> 00:55:25,359 Speaker 4: the stuff. She's like not really telling you about any 1139 00:55:25,400 --> 00:55:27,120 Speaker 4: of the like movies, we know her for she's always 1140 00:55:27,160 --> 00:55:30,080 Speaker 4: just like and then I was shooting like set it Off, 1141 00:55:30,160 --> 00:55:32,920 Speaker 4: like that was fun, and you're just like nothing, what 1142 00:55:33,080 --> 00:55:38,120 Speaker 4: and like it becomes like so spiritual journey and it's. 1143 00:55:38,000 --> 00:55:40,640 Speaker 2: A lot of her mental journey and you're kind of like, 1144 00:55:40,920 --> 00:55:42,919 Speaker 2: I want to know all this stuff though about her 1145 00:55:42,920 --> 00:55:45,640 Speaker 2: and Will, but then you're like it's hard to follow, 1146 00:55:45,680 --> 00:55:47,879 Speaker 2: and then you're she's just being like, but I am 1147 00:55:47,920 --> 00:55:50,200 Speaker 2: a panther, which is also why I loved it though. 1148 00:55:50,280 --> 00:55:52,680 Speaker 4: Yeah, so, and it does feel that kind of aiis 1149 00:55:52,680 --> 00:55:54,320 Speaker 4: we were reference in some part like where it feels 1150 00:55:54,320 --> 00:55:56,600 Speaker 4: like it just seems like there was more in here. 1151 00:55:56,600 --> 00:55:57,680 Speaker 4: It could have been edited down. 1152 00:55:57,760 --> 00:56:00,920 Speaker 2: And at the same time, for such a long ass book, 1153 00:56:01,000 --> 00:56:03,840 Speaker 2: I really was like tearing through it and is easy 1154 00:56:03,920 --> 00:56:09,000 Speaker 2: to read, yes, because you're just being like, okay, and 1155 00:56:09,040 --> 00:56:13,200 Speaker 2: now we're talking about Prince and now like you're talking 1156 00:56:13,239 --> 00:56:16,160 Speaker 2: about just like sugar Night giving ashes, and now we're 1157 00:56:16,160 --> 00:56:19,759 Speaker 2: talking about Set it Off. But I think where we 1158 00:56:19,880 --> 00:56:22,040 Speaker 2: come to a wall with us is that this whole 1159 00:56:22,040 --> 00:56:25,080 Speaker 2: book is about sharing and being vulnerable. Yet I still 1160 00:56:25,080 --> 00:56:26,200 Speaker 2: feel like there are. 1161 00:56:26,239 --> 00:56:29,080 Speaker 4: So many walls up. 1162 00:56:29,520 --> 00:56:32,520 Speaker 2: There's a lot of walls that are still here So Jada, 1163 00:56:32,560 --> 00:56:33,720 Speaker 2: you are worthy. 1164 00:56:33,640 --> 00:56:35,560 Speaker 4: And you're welcome to come to the Red Studio anytime. 1165 00:56:37,800 --> 00:56:46,920 Speaker 2: Okay, Best Celebrity book Club with Stephen and Lily is 1166 00:56:47,040 --> 00:56:52,520 Speaker 2: so honored to record in the Red Studio. iHeart Manhattan, 1167 00:56:52,800 --> 00:56:57,960 Speaker 2: produced by the wonderful Warrior Panther that is Darby Master's. 1168 00:56:58,760 --> 00:57:02,600 Speaker 2: Her and I met on the streets of Baltimore. She 1169 00:57:02,760 --> 00:57:07,320 Speaker 2: was skin and bones. Soon she owned those streets, making 1170 00:57:07,360 --> 00:57:11,000 Speaker 2: a band an hour. Now she runs an amazing animation 1171 00:57:11,200 --> 00:57:15,799 Speaker 2: studio in Los Angeles. Supervising producer Abu Zafar. Yes, he 1172 00:57:15,920 --> 00:57:21,880 Speaker 2: supervises this podcast, but he supervises so much more. My diet, 1173 00:57:22,160 --> 00:57:26,840 Speaker 2: my dogs. He trained me how to see into the 1174 00:57:26,880 --> 00:57:31,640 Speaker 2: soul of my Rottweilers. This podcast is executive produced by 1175 00:57:31,680 --> 00:57:35,440 Speaker 2: this wonderful woman who has taught me so much. I 1176 00:57:35,480 --> 00:57:38,000 Speaker 2: went to Vietnam with her. We did Aya together. Her 1177 00:57:38,080 --> 00:57:41,680 Speaker 2: name is Christina Everett. The music is done by Stephen 1178 00:57:41,720 --> 00:57:46,640 Speaker 2: Phillips Horse. He played with me in Wicked Wisdom and Ozfest. 1179 00:57:46,680 --> 00:57:48,880 Speaker 2: We didn't get along at first, but that's because we 1180 00:57:48,880 --> 00:57:51,520 Speaker 2: were so similar. It was hard to see eye to 1181 00:57:51,640 --> 00:57:54,680 Speaker 2: eye when you both have the same glow and fire 1182 00:57:54,920 --> 00:57:58,320 Speaker 2: in your heart. The artwork is dubbed by none other 1183 00:57:58,440 --> 00:58:02,000 Speaker 2: than Teddy Blank's one of the most amazing artists. Willow 1184 00:58:02,200 --> 00:58:08,240 Speaker 2: discovered him well and of course this podcast was co 1185 00:58:08,560 --> 00:58:14,080 Speaker 2: birthed in the canal that is Dumbo with pro log projects. 1186 00:58:14,640 --> 00:58:17,919 Speaker 2: Find us on Patreon. It is such an amazing community. 1187 00:58:18,000 --> 00:58:21,200 Speaker 2: It is more than a website, it is a lifestyle. 1188 00:58:21,760 --> 00:58:24,080 Speaker 2: So if you want to join us on their patreon 1189 00:58:24,120 --> 00:58:28,439 Speaker 2: dot com slash CBC thepod and if you have any criticism, 1190 00:58:28,480 --> 00:58:31,200 Speaker 2: anything nice to say, anything you want to share, anything 1191 00:58:31,320 --> 00:58:34,600 Speaker 2: bad to say, bring us to the red table in 1192 00:58:34,640 --> 00:58:38,880 Speaker 2: the iTunes reviews on your podcast app. Thank you very much, Amen, 1193 00:58:39,120 --> 00:58:41,919 Speaker 2: you are worthy. Look yourself in the mirror and say 1194 00:58:42,000 --> 00:58:52,040 Speaker 2: I love you.