WEBVTT - Zootopia with Matthew Mixon

0:00:00.960 --> 0:00:03.920
<v Speaker 1>On the Doll Cast. The questions asked if movies have

0:00:04.080 --> 0:00:07.520
<v Speaker 1>women and um are all their discussions just boyfriends and

0:00:07.600 --> 0:00:11.879
<v Speaker 1>husbands or do they have individualism? The patriarchy? Zef in

0:00:12.039 --> 0:00:17.440
<v Speaker 1>best start changing it with the bel Cast. Jamie, Hey,

0:00:18.840 --> 0:00:20.840
<v Speaker 1>I don't have a great intro for this, but I

0:00:20.880 --> 0:00:24.759
<v Speaker 1>was thinking that we should get those little like carrot

0:00:24.840 --> 0:00:28.920
<v Speaker 1>shaped pens. They are also voice recorders that Judy Hopps

0:00:29.000 --> 0:00:31.920
<v Speaker 1>has in the movie, and then use that to record

0:00:31.960 --> 0:00:35.479
<v Speaker 1>the beck Dold Cast on from now on. Just depend

0:00:35.520 --> 0:00:39.000
<v Speaker 1>with how much I had genuine questions about a lot

0:00:39.040 --> 0:00:41.040
<v Speaker 1>of things in this movie. One of the lower stakes

0:00:41.080 --> 0:00:43.360
<v Speaker 1>things was the pen. I was like, how much storage

0:00:43.360 --> 0:00:46.360
<v Speaker 1>is on that thing? Is there an SD card? I

0:00:46.400 --> 0:00:50.839
<v Speaker 1>think it's. I think it's we gotta we gotta go

0:00:50.960 --> 0:00:53.080
<v Speaker 1>to I. I don't want to go to zo Topia.

0:00:53.159 --> 0:00:56.160
<v Speaker 1>I really don't. Um, well, I'll still go. I gotta

0:00:56.160 --> 0:00:59.800
<v Speaker 1>be honest, you go, what would you do? Um, we'll

0:00:59.840 --> 0:01:05.000
<v Speaker 1>get to that. Welcome to the Bechtel Cast. My name

0:01:05.040 --> 0:01:08.119
<v Speaker 1>is Jamie Loftus, my name is Caitlin Darante, and this

0:01:08.160 --> 0:01:10.640
<v Speaker 1>is our show where we examine movies through an intersectional

0:01:10.680 --> 0:01:14.360
<v Speaker 1>feminist lens using the Bechtel test simply as a jumping

0:01:14.400 --> 0:01:19.920
<v Speaker 1>off point. But Jamie, I don't remember what that is. Well,

0:01:20.040 --> 0:01:23.640
<v Speaker 1>I can tell you what it is if you want, Okay,

0:01:23.640 --> 0:01:28.200
<v Speaker 1>I will. The Bechdel Test is a media metric created

0:01:28.200 --> 0:01:32.000
<v Speaker 1>by queer cartoonist Alison Bechdel, sometimes called the Bechtel Wallace Test.

0:01:32.959 --> 0:01:36.240
<v Speaker 1>Many per mutations of this test. Here's the one we use.

0:01:36.680 --> 0:01:41.080
<v Speaker 1>We require that two characters with names of a marginalized

0:01:41.120 --> 0:01:43.959
<v Speaker 1>gender speak to each other about something other than a

0:01:43.959 --> 0:01:47.760
<v Speaker 1>man for two lines of dialogue minimum, and the it

0:01:48.000 --> 0:01:51.000
<v Speaker 1>has to have some meaning to it. It's got to

0:01:51.080 --> 0:01:55.280
<v Speaker 1>have some heft. I like that. Nothink I've ever said.

0:01:55.360 --> 0:01:57.600
<v Speaker 1>I don't find myself saying heffed out loud a lot.

0:01:57.720 --> 0:02:01.160
<v Speaker 1>But and for anyone was to the show for the

0:02:01.200 --> 0:02:03.240
<v Speaker 1>first time, being like, is that all you're going to

0:02:03.320 --> 0:02:05.520
<v Speaker 1>talk about on the show? No? And in fact, I'll

0:02:05.560 --> 0:02:08.120
<v Speaker 1>say that this movie does pass um. It's not really

0:02:08.200 --> 0:02:09.880
<v Speaker 1>it's not as maybe not as much as a show,

0:02:10.600 --> 0:02:13.200
<v Speaker 1>but it does. You know, we'll talk about it. Something

0:02:13.240 --> 0:02:16.040
<v Speaker 1>that has been happening to me for the past I

0:02:16.040 --> 0:02:18.200
<v Speaker 1>don't know, one to two years of this podcast is

0:02:18.400 --> 0:02:22.760
<v Speaker 1>I forget to pay attention very I mean, it's and

0:02:22.800 --> 0:02:25.720
<v Speaker 1>you're very on top. You're great at your job. Thank you.

0:02:26.280 --> 0:02:30.079
<v Speaker 1>But that is the one thing you good is the

0:02:30.200 --> 0:02:34.160
<v Speaker 1>name of this show. We've transcended so far beyond the

0:02:34.280 --> 0:02:38.120
<v Speaker 1>very basic low bar that is the Bechdel test. Yeah,

0:02:38.240 --> 0:02:41.320
<v Speaker 1>our our third eyes are open, right, and I just

0:02:41.560 --> 0:02:49.920
<v Speaker 1>where is this? Uh? Genuinely I think they're coming up

0:02:49.919 --> 0:02:54.320
<v Speaker 1>on three hunt are definitely with our Matreon episodes, we've

0:02:54.520 --> 0:02:58.840
<v Speaker 1>covered around three D and fifty movies. Yeah, let me

0:02:58.919 --> 0:03:03.000
<v Speaker 1>consult the Wikipedia. Also shout out to the mysterious benefactor

0:03:03.040 --> 0:03:05.560
<v Speaker 1>who's been taking care of the Wikipedia page for years now.

0:03:06.080 --> 0:03:08.960
<v Speaker 1>We don't know who you are, but boy, do you

0:03:09.400 --> 0:03:14.160
<v Speaker 1>put me on blast in the footnotes sometimes? Holyishh it

0:03:14.440 --> 0:03:18.160
<v Speaker 1>I never I forget to check. Two hundred seventy seven

0:03:18.200 --> 0:03:20.440
<v Speaker 1>episodes out of today have been released on the maid

0:03:20.520 --> 0:03:23.320
<v Speaker 1>feed on the Mad Yeah, I've been doing this for

0:03:23.639 --> 0:03:27.600
<v Speaker 1>many moons. Oh my goodness. Well let's get our guests

0:03:27.639 --> 0:03:30.640
<v Speaker 1>in the mix, shall we. He's a writer and director

0:03:30.800 --> 0:03:34.400
<v Speaker 1>and that's our friend Matt Mixon. Thanks for having me,

0:03:34.480 --> 0:03:36.800
<v Speaker 1>thanks for coming on, thank you for and thank you

0:03:36.840 --> 0:03:40.160
<v Speaker 1>for bringing us a real pickle of a waiting And

0:03:40.200 --> 0:03:41.960
<v Speaker 1>why did we do this one? Again? Was this on

0:03:42.000 --> 0:03:44.600
<v Speaker 1>the list on your list, but this but my I

0:03:44.720 --> 0:03:49.720
<v Speaker 1>made my list based off of the frequently requested yeah

0:03:49.960 --> 0:03:52.720
<v Speaker 1>backtel cast list right correct. We've gotten a lot of

0:03:52.720 --> 0:03:57.880
<v Speaker 1>requests for this movie over the years, and I once again,

0:03:57.960 --> 0:04:02.240
<v Speaker 1>as with many of our popular requests, I'm like, really, everyone,

0:04:02.800 --> 0:04:07.640
<v Speaker 1>are we okay? Um? But we're We're curious, Matt, what

0:04:07.760 --> 0:04:10.080
<v Speaker 1>is your history? It was, oh yeah, the movies Utopia.

0:04:10.720 --> 0:04:15.280
<v Speaker 1>He came out in the greatest year of all time? Um, Matt,

0:04:15.280 --> 0:04:17.960
<v Speaker 1>what's your history with this movie? I watched this movie

0:04:19.000 --> 0:04:22.760
<v Speaker 1>on the day of a funeral of like a really

0:04:22.800 --> 0:04:25.720
<v Speaker 1>close loved one past and I was in Wisconsin and

0:04:25.760 --> 0:04:28.080
<v Speaker 1>it was freezing, and I was with my mom and

0:04:28.120 --> 0:04:31.040
<v Speaker 1>my sister and we popped it on and I remember

0:04:31.080 --> 0:04:36.760
<v Speaker 1>really enjoying it. It was my number fourteen movie often.

0:04:36.880 --> 0:04:40.880
<v Speaker 1>I retroactively popped it on having seen it in January.

0:04:42.839 --> 0:04:46.400
<v Speaker 1>Do you do yearly rankings? Yeah? I do him. Um,

0:04:46.560 --> 0:04:49.760
<v Speaker 1>I keep it running ranking on letterbox now. But also

0:04:49.839 --> 0:04:52.120
<v Speaker 1>have a movie journal so I can always know the

0:04:52.200 --> 0:04:55.400
<v Speaker 1>day and like, who I saw this? That's so nice.

0:04:55.640 --> 0:05:00.000
<v Speaker 1>I should be more diligent about logging my movie activity.

0:05:00.000 --> 0:05:01.719
<v Speaker 1>It's just like a it's like a life journal. You

0:05:01.720 --> 0:05:04.000
<v Speaker 1>can just look back and remember. You'll just see a

0:05:04.040 --> 0:05:06.720
<v Speaker 1>weird name, be like who Funks? Did I see that with?

0:05:06.800 --> 0:05:10.160
<v Speaker 1>Like or you know, yeah, it's just really it's a

0:05:10.240 --> 0:05:13.320
<v Speaker 1>nice way to remember. Yeah, I Maggie may Fish shout

0:05:13.360 --> 0:05:17.719
<v Speaker 1>out to someone who's wedding we just attended. UM makes

0:05:17.760 --> 0:05:20.839
<v Speaker 1>movie journals. I think we will drop the link in

0:05:20.880 --> 0:05:23.479
<v Speaker 1>there because I because I got one and I have

0:05:23.720 --> 0:05:27.520
<v Speaker 1>yet to use it because I have a fundamental resistance

0:05:27.520 --> 0:05:30.640
<v Speaker 1>to remember things that happened to me. UM, and that's

0:05:31.160 --> 0:05:35.320
<v Speaker 1>a therapy problem. So, um, Jamie, what's your history and

0:05:35.440 --> 0:05:40.480
<v Speaker 1>relationship with Zootopia? Nothing. I had not seen this movie,

0:05:40.920 --> 0:05:44.360
<v Speaker 1>and it was what a journey because I feel like

0:05:44.400 --> 0:05:46.760
<v Speaker 1>maybe if I saw this at the beginning of twenty

0:05:46.880 --> 0:05:50.120
<v Speaker 1>sixteen when it came out, I probably would have felt

0:05:50.279 --> 0:05:53.039
<v Speaker 1>different just because but I don't know. I mean, I yeah,

0:05:53.040 --> 0:05:55.760
<v Speaker 1>I hadn't seen it. I didn't really know what it

0:05:55.800 --> 0:06:00.680
<v Speaker 1>was about, and I didn't like it. It's fucking it's

0:06:00.760 --> 0:06:03.640
<v Speaker 1>such a bad movie. Okay, I'm glad that the Tension

0:06:03.640 --> 0:06:06.479
<v Speaker 1>has been released, because I fucking hated every second of

0:06:06.480 --> 0:06:10.720
<v Speaker 1>this movie. It was like kind of vile and it

0:06:10.839 --> 0:06:13.360
<v Speaker 1>was like, I don't think that there were like poor

0:06:13.440 --> 0:06:17.640
<v Speaker 1>intentions behind this movie, but like the just every bad

0:06:17.720 --> 0:06:21.400
<v Speaker 1>choice like it was. I was blown away by how

0:06:21.480 --> 0:06:24.360
<v Speaker 1>much I disliked it. I think people requested this movie

0:06:24.440 --> 0:06:29.279
<v Speaker 1>originally because they liked it. Yeah, but it's about girl

0:06:29.320 --> 0:06:35.080
<v Speaker 1>boss Cop Solves, who causes racism and then she fixes it,

0:06:35.320 --> 0:06:39.200
<v Speaker 1>but also she This movie truly blew my mind for

0:06:39.240 --> 0:06:46.760
<v Speaker 1>like how many very at least very obvious, uh flights

0:06:46.800 --> 0:06:51.440
<v Speaker 1>of logic that it just barrels through. Um. So yeah,

0:06:51.480 --> 0:06:54.800
<v Speaker 1>I'm I came to this movie with fresh eyes, and boy,

0:06:54.800 --> 0:06:58.960
<v Speaker 1>oh boy, I hated it. You remember liking it when

0:06:59.040 --> 0:07:02.160
<v Speaker 1>you first saw it as well, which was in theaters,

0:07:02.240 --> 0:07:07.120
<v Speaker 1>and when did it come out, like March of and

0:07:07.520 --> 0:07:10.440
<v Speaker 1>I remember having a good time, But that was also

0:07:10.480 --> 0:07:13.280
<v Speaker 1>the year that Mo Wanna came out, and I remember

0:07:13.280 --> 0:07:17.680
<v Speaker 1>being furious that this movie, Zutopia won the Academy Award

0:07:17.800 --> 0:07:21.040
<v Speaker 1>for Best Animated Feature the Academy Award over mo Wanna. Yes,

0:07:21.640 --> 0:07:26.320
<v Speaker 1>And I was absolutely furious because I was like, yeah,

0:07:26.400 --> 0:07:31.080
<v Speaker 1>Zutopia was fun, but Mohanna is a far superior film.

0:07:31.160 --> 0:07:35.400
<v Speaker 1>And the gap now between the quality of those two movies,

0:07:35.760 --> 0:07:39.200
<v Speaker 1>because at the time I was like, oh yeah, Zutopia

0:07:39.280 --> 0:07:42.040
<v Speaker 1>is only slightly not as good, But now I'm like

0:07:42.160 --> 0:07:47.120
<v Speaker 1>Zootopia's socks and Mohanna is still perfect, so I think

0:07:47.120 --> 0:07:50.200
<v Speaker 1>it is. Really, I mean, it's an interesting example of

0:07:50.240 --> 0:07:54.119
<v Speaker 1>like how much public thinking has changed in the last

0:07:54.160 --> 0:07:57.200
<v Speaker 1>six years alone. It came out six like less than

0:07:57.240 --> 0:08:01.120
<v Speaker 1>six years ago, and I truly was shocked at how

0:08:01.160 --> 0:08:05.320
<v Speaker 1>poorly it's aged. Like just, yeah, there's there's so much

0:08:05.320 --> 0:08:08.400
<v Speaker 1>to talk about. We're not like coming into I Sometimes

0:08:08.400 --> 0:08:10.760
<v Speaker 1>I feel like we come into a movie like this movie,

0:08:10.760 --> 0:08:12.360
<v Speaker 1>Like if you liked the movie when it came out,

0:08:12.920 --> 0:08:14.880
<v Speaker 1>I'm sure I would. Like if I had seen it

0:08:14.880 --> 0:08:16.720
<v Speaker 1>in theaters, I'm sure I would. I would have enjoyed it.

0:08:16.760 --> 0:08:21.119
<v Speaker 1>And like, if you still like it, that's also fine.

0:08:21.240 --> 0:08:26.600
<v Speaker 1>But then listen to us during the episode. Yeah, should

0:08:26.600 --> 0:08:29.520
<v Speaker 1>we just get into it? I guess so, yeah, and

0:08:29.560 --> 0:08:32.800
<v Speaker 1>Matt feel free to jump in during the recap, we

0:08:32.840 --> 0:08:34.880
<v Speaker 1>go there's so much there's so many things that I'm

0:08:34.920 --> 0:08:38.280
<v Speaker 1>going to want to be like but wait, if that's true,

0:08:38.360 --> 0:08:41.199
<v Speaker 1>how could that be true? Okay? How did she puts

0:08:41.240 --> 0:08:45.040
<v Speaker 1>her phone in a plastic ziploc baggy to like when

0:08:45.040 --> 0:08:47.240
<v Speaker 1>they flushed themselves down the toilet? But why doesn't she

0:08:47.320 --> 0:08:49.880
<v Speaker 1>do that for her little pen. That's the first thing

0:08:49.920 --> 0:08:54.200
<v Speaker 1>you're taking only because we were talking about that's the

0:08:54.520 --> 0:08:57.120
<v Speaker 1>my only gripe with the film end of episode everything else,

0:08:57.120 --> 0:08:59.920
<v Speaker 1>the message that positive. I think it made a ton

0:09:00.000 --> 0:09:03.400
<v Speaker 1>of sense. This uh well, kind of say again before

0:09:03.440 --> 0:09:05.400
<v Speaker 1>we start shooting all of this movie. I enjoyed it

0:09:05.400 --> 0:09:07.760
<v Speaker 1>when I saw it. Yeah, a lot has changed in

0:09:07.800 --> 0:09:10.800
<v Speaker 1>four or five years. So whatever, let's have a good

0:09:10.840 --> 0:09:13.640
<v Speaker 1>time here. But you know, just I it was my

0:09:13.720 --> 0:09:16.200
<v Speaker 1>number fourteen of the year. I mean that's crazy, that's wild.

0:09:16.600 --> 0:09:18.920
<v Speaker 1>I mean it's like, yeah, so so again it's like

0:09:19.240 --> 0:09:22.120
<v Speaker 1>as always on the back to cast, never feel bad

0:09:22.320 --> 0:09:24.120
<v Speaker 1>for loving him, unless I mean there's a few where

0:09:24.160 --> 0:09:25.719
<v Speaker 1>it's like you should feel bad. This is not one

0:09:25.760 --> 0:09:28.480
<v Speaker 1>of them, right. But also, you know, if we can

0:09:28.600 --> 0:09:32.839
<v Speaker 1>bring maybe a few red flags to your attention, we

0:09:33.160 --> 0:09:35.920
<v Speaker 1>would like to do that. That's our job. Okay. So

0:09:36.600 --> 0:09:42.240
<v Speaker 1>Zootopia takes place in an advanced animal society where predator

0:09:42.320 --> 0:09:48.120
<v Speaker 1>animals and prey animals coexist in harmony. Big cats can

0:09:48.160 --> 0:09:53.400
<v Speaker 1>be accountants, sheep can be astronauts. Anyone can be anything,

0:09:53.960 --> 0:09:56.679
<v Speaker 1>though it wasn't always that way in this world, predators

0:09:56.720 --> 0:10:01.040
<v Speaker 1>used to eat prey, just like in our world. Uh

0:10:01.080 --> 0:10:05.800
<v Speaker 1>but again, huge problems, enough for fun, but the animals

0:10:05.800 --> 0:10:10.040
<v Speaker 1>have evolved beyond that. So we meet Judy Hopps. She's

0:10:10.040 --> 0:10:12.960
<v Speaker 1>a young rabbit who wants to be a police officer

0:10:13.080 --> 0:10:19.679
<v Speaker 1>for the city of Zutopia number two, also voiced by

0:10:20.120 --> 0:10:24.079
<v Speaker 1>um mrs. He's just not that into you herself A

0:10:24.120 --> 0:10:27.640
<v Speaker 1>good one. I hadn't heard of this person. Oh really

0:10:27.800 --> 0:10:31.840
<v Speaker 1>she's I'm sure she's in other things, and but I

0:10:31.880 --> 0:10:35.600
<v Speaker 1>know her as the person who really was not fun

0:10:35.640 --> 0:10:37.880
<v Speaker 1>to watch in a movie that wasn't fun to watch.

0:10:38.440 --> 0:10:41.960
<v Speaker 1>He's just not that into you. Sure, wow, Okay, So

0:10:42.120 --> 0:10:43.920
<v Speaker 1>she wants to be a cop when she grows up,

0:10:44.280 --> 0:10:48.440
<v Speaker 1>something that her carrot farmer parents try to discourage her

0:10:48.480 --> 0:10:51.720
<v Speaker 1>from doing, saying that there's never been a bunny cop before.

0:10:52.280 --> 0:10:55.240
<v Speaker 1>That's again, it's like it's so at first, then the

0:10:55.240 --> 0:10:56.640
<v Speaker 1>parents are like, don't be a cop. I was like,

0:10:56.679 --> 0:11:00.560
<v Speaker 1>all right, I'm listening, and they're like, because bunny a cop,

0:11:00.679 --> 0:11:02.600
<v Speaker 1>it wouldn't have I was like, oh god, okay, we

0:11:02.679 --> 0:11:04.760
<v Speaker 1>missed it. And then it's like, oh, not wanting a

0:11:04.800 --> 0:11:10.560
<v Speaker 1>bunny to be a cop is prejudice and misogyny. It's right.

0:11:10.800 --> 0:11:15.520
<v Speaker 1>The muddled allegory is really muddled, and the movie is

0:11:15.760 --> 0:11:19.600
<v Speaker 1>confused anyway. Okay, So her parents are like, don't be

0:11:19.640 --> 0:11:24.200
<v Speaker 1>a cop and then also a bully. This fox named

0:11:24.200 --> 0:11:28.280
<v Speaker 1>Gideon also tells her that she'll never be anything more

0:11:28.320 --> 0:11:31.360
<v Speaker 1>than a week carrot farming little bunny and then he

0:11:31.400 --> 0:11:33.760
<v Speaker 1>scratches her face. So now she has all this fox

0:11:33.800 --> 0:11:38.160
<v Speaker 1>related trauma. Cut to fifteen years later, Judy is now

0:11:38.200 --> 0:11:43.920
<v Speaker 1>attending Zutopia Police Academy. She struggles at first, but learns

0:11:44.000 --> 0:11:46.720
<v Speaker 1>to play to her strengths and she starts to excel

0:11:46.880 --> 0:11:50.480
<v Speaker 1>at the academy. This whole scene was really giving me

0:11:50.800 --> 0:11:54.720
<v Speaker 1>the worst possible version of that sequence from Mulan, Oh,

0:11:54.800 --> 0:11:59.160
<v Speaker 1>where Mulan becomes a really amazing soldier, except this is

0:11:59.400 --> 0:12:04.240
<v Speaker 1>her book coming a semi competent cop, and it's like

0:12:04.280 --> 0:12:06.600
<v Speaker 1>she keeps hearing the like you'll never be a cop,

0:12:06.640 --> 0:12:08.800
<v Speaker 1>and it's like sometimes it's like listen to the voices

0:12:08.840 --> 0:12:14.920
<v Speaker 1>in your head. I mean, there's nothing wrong with giving up. Yes, Okay.

0:12:15.000 --> 0:12:18.880
<v Speaker 1>So then at her graduation from the academy, the mayor

0:12:19.000 --> 0:12:24.559
<v Speaker 1>of Zutopia, a lion named lion Heart, while also created

0:12:25.400 --> 0:12:30.839
<v Speaker 1>and his assistant mayor, a sheep named Yes literally Jenny

0:12:35.120 --> 0:12:40.360
<v Speaker 1>Yes a k a. Also Bell Weather. They recognize Judy's accomplishments.

0:12:40.400 --> 0:12:43.600
<v Speaker 1>She's the valedictorian of her class and she's the first

0:12:43.720 --> 0:12:48.800
<v Speaker 1>rabbit to become a police officer in Zootopia. So Jody

0:12:48.920 --> 0:12:51.720
<v Speaker 1>is about to ship off to Utopia. Her parents tell

0:12:51.760 --> 0:12:53.760
<v Speaker 1>her to be careful in the big city, to be

0:12:53.800 --> 0:12:58.640
<v Speaker 1>aware of predator animals like bears and wolves and especially foxes.

0:12:59.000 --> 0:13:04.360
<v Speaker 1>Then they give her some fox repellent spray. Judy then

0:13:04.600 --> 0:13:08.440
<v Speaker 1>gets assigned to Precinct one of Utopia. It's the city center,

0:13:08.920 --> 0:13:12.480
<v Speaker 1>though there are like a dozen different ecosystems in a

0:13:12.559 --> 0:13:19.840
<v Speaker 1>city like Tundra town Sahara Square, and Rainforest District Wow.

0:13:20.920 --> 0:13:23.320
<v Speaker 1>So on her first day on the job, Judy learns

0:13:23.360 --> 0:13:27.880
<v Speaker 1>about fourteen different missing animal cases. They are all predators

0:13:27.920 --> 0:13:30.720
<v Speaker 1>who have gone missing um, but she doesn't get assigned

0:13:30.760 --> 0:13:35.520
<v Speaker 1>to work on any of those. Chief Bogo, voiced by Idrisalba,

0:13:36.120 --> 0:13:39.679
<v Speaker 1>assigns her parking duty, and while she's doing that, she

0:13:39.880 --> 0:13:43.000
<v Speaker 1>sees a fox who seems to be up to no good,

0:13:43.679 --> 0:13:47.240
<v Speaker 1>but then it turns out he's just It's Jason Bateman

0:13:49.640 --> 0:13:52.400
<v Speaker 1>and he's just trying to buy his son a popsicle

0:13:52.520 --> 0:13:56.559
<v Speaker 1>from an elephant who is prejudice against foxes. But then

0:13:56.600 --> 0:13:59.200
<v Speaker 1>it turns out he is up to no good. His

0:13:59.320 --> 0:14:02.400
<v Speaker 1>name is Nick Wild. By the way, this is like

0:14:02.440 --> 0:14:05.800
<v Speaker 1>the first of many examples in this movie where a

0:14:05.880 --> 0:14:09.800
<v Speaker 1>prejudice is referenced, but then canonically in the world, it's like,

0:14:10.160 --> 0:14:14.000
<v Speaker 1>and she was right, Like, you're just like right, what

0:14:14.200 --> 0:14:16.080
<v Speaker 1>is the point? What is the function of that? I

0:14:16.080 --> 0:14:18.600
<v Speaker 1>will say that There's all these like little moments towards

0:14:18.600 --> 0:14:21.040
<v Speaker 1>the beginning of the movie when Judy is like, I

0:14:21.080 --> 0:14:23.480
<v Speaker 1>want to be a girl boss cop. But then she's like,

0:14:23.480 --> 0:14:25.680
<v Speaker 1>I guess I'll take out all my frustration about not

0:14:25.720 --> 0:14:28.040
<v Speaker 1>being able to be a real cop, which again is

0:14:28.120 --> 0:14:33.000
<v Speaker 1>like that's loaded into like issuing petty parking tickets to

0:14:33.040 --> 0:14:37.040
<v Speaker 1>the working class and what if I did that? It's okay, right?

0:14:37.400 --> 0:14:40.720
<v Speaker 1>Or are we are we jumping in to talk about it?

0:14:40.360 --> 0:14:42.160
<v Speaker 1>Or do you want to finish your thing because I

0:14:42.200 --> 0:14:45.280
<v Speaker 1>got thoughts. We'll get well, let's let's get through the

0:14:45.320 --> 0:14:51.600
<v Speaker 1>recap and then I'm going to keep jumping in. Um okay,

0:14:52.040 --> 0:14:56.000
<v Speaker 1>So Nick Wild the fox is actually up to no good.

0:14:56.280 --> 0:15:02.000
<v Speaker 1>He's yeah, not bad. He melts down the popsicle to

0:15:02.120 --> 0:15:04.760
<v Speaker 1>make a bunch of smaller popsicles to sell to lemmings

0:15:04.800 --> 0:15:10.480
<v Speaker 1>to make a profit. Fun hilarious, right, So then Judy

0:15:10.480 --> 0:15:13.000
<v Speaker 1>confronts him about it, and he's like, no, I have

0:15:13.040 --> 0:15:17.080
<v Speaker 1>all the permits I need. Also, you're a loser and

0:15:17.160 --> 0:15:19.240
<v Speaker 1>you thought that, you know, you would live here and

0:15:19.400 --> 0:15:24.040
<v Speaker 1>it would be this equitable utopia, but that's not the reality.

0:15:24.240 --> 0:15:26.440
<v Speaker 1>So then she goes home and she feels all dejected.

0:15:26.600 --> 0:15:29.160
<v Speaker 1>But then the next day she stops a thief from

0:15:29.440 --> 0:15:34.680
<v Speaker 1>stealing a bag of onion like vegetables. Those are important later,

0:15:34.720 --> 0:15:39.680
<v Speaker 1>I guess um. But even so, Chief Bogo isn't happy

0:15:39.720 --> 0:15:41.920
<v Speaker 1>with her and he's about to fire her, but then

0:15:42.160 --> 0:15:47.200
<v Speaker 1>an otter named Mrs Otterton comes in another sorry, another

0:15:47.520 --> 0:15:52.680
<v Speaker 1>genius name, perfect no notes, voiced by Octavia Spencer. Is

0:15:52.720 --> 0:15:55.680
<v Speaker 1>that right, Yeah? What a thankless voice role she does.

0:15:56.160 --> 0:16:00.320
<v Speaker 1>She has like thirty seconds of screen time. So she

0:16:00.400 --> 0:16:04.480
<v Speaker 1>comes in saying that her husband Emmett Otterton has been

0:16:04.520 --> 0:16:07.120
<v Speaker 1>missing for ten days, and Judy is like, well, I'll

0:16:07.120 --> 0:16:10.680
<v Speaker 1>help find him. So Chief Bogo gives her forty eight

0:16:10.680 --> 0:16:13.320
<v Speaker 1>hours to find the missing otter, but if she can't

0:16:13.400 --> 0:16:16.960
<v Speaker 1>then she's off the force and it seems like there

0:16:17.000 --> 0:16:21.000
<v Speaker 1>are no leads for this case. But then Judy notices

0:16:21.280 --> 0:16:25.640
<v Speaker 1>Nick the fox in the photo of Emmett Otterton's last

0:16:25.680 --> 0:16:31.080
<v Speaker 1>known sighting. So Judy finds Nick and makes him help

0:16:31.120 --> 0:16:35.400
<v Speaker 1>with her investigation. Emmett Otterton had bought a popsicle from Nick,

0:16:35.480 --> 0:16:37.600
<v Speaker 1>then he went to a spa, where Judy gets a

0:16:37.680 --> 0:16:40.120
<v Speaker 1>lead that Emmett left the spa and got into a

0:16:40.120 --> 0:16:44.040
<v Speaker 1>white car. Also, like every time that she's moving the plot,

0:16:44.200 --> 0:16:47.560
<v Speaker 1>I mean she's moving the plot forward, but she often

0:16:47.600 --> 0:16:51.200
<v Speaker 1>moves the plot forward by um breaking the rules of

0:16:51.440 --> 0:16:56.560
<v Speaker 1>being a cop, where she threatens to put Nick in

0:16:56.720 --> 0:17:03.840
<v Speaker 1>jail for tax evasion. Classic cop Like she right, yes,

0:17:04.000 --> 0:17:05.920
<v Speaker 1>she's kind of born, born to do it because she

0:17:06.040 --> 0:17:07.920
<v Speaker 1>And then there's that part that we're about to get

0:17:07.920 --> 0:17:11.480
<v Speaker 1>to where she's like, well, there's ways around getting a warrant.

0:17:11.640 --> 0:17:15.560
<v Speaker 1>You're like, what the fuck? She sorry, we'll go ahead.

0:17:16.440 --> 0:17:19.960
<v Speaker 1>She fucking tricks Nick into climbing the fence, so she

0:17:20.040 --> 0:17:23.880
<v Speaker 1>has probably cause to bake. Yeah, Like that's like fucking coption,

0:17:26.280 --> 0:17:31.320
<v Speaker 1>Jennifer Goodwin. So then they go to the d m

0:17:31.400 --> 0:17:33.600
<v Speaker 1>V and run the license plate that the guy at

0:17:33.600 --> 0:17:36.919
<v Speaker 1>the spot just happened to remember. Then there's a scene

0:17:36.960 --> 0:17:41.280
<v Speaker 1>with sloths that I find so annoying. Well, it's another

0:17:41.320 --> 0:17:46.040
<v Speaker 1>example of like, oh my god, I hated it. They

0:17:46.160 --> 0:17:48.320
<v Speaker 1>used that as promo for the movie for a while,

0:17:48.600 --> 0:17:50.000
<v Speaker 1>and I was just like, I don't want to see

0:17:50.000 --> 0:17:53.359
<v Speaker 1>this movie because this scene sucks. I really hated it

0:17:53.480 --> 0:17:56.520
<v Speaker 1>so much that. Yeah, I thought it was a funny idea.

0:17:57.119 --> 0:18:00.000
<v Speaker 1>But again it is like another example of like the predge,

0:18:00.080 --> 0:18:03.919
<v Speaker 1>this is correct, right, Yeah, we were leaning into the

0:18:03.960 --> 0:18:06.919
<v Speaker 1>stereotypes of sloths. I don't know, but as a but

0:18:07.000 --> 0:18:09.320
<v Speaker 1>as a but as a funny comedy set up where

0:18:09.320 --> 0:18:12.360
<v Speaker 1>he kept changing the words in the sentence. I was last,

0:18:14.200 --> 0:18:18.320
<v Speaker 1>maybe the movie's only truly good bit. Uh, yeah, I

0:18:18.600 --> 0:18:20.600
<v Speaker 1>suppose you're right. I just found that the way that

0:18:20.840 --> 0:18:23.159
<v Speaker 1>the line delivery of the sloths, I was like that,

0:18:23.840 --> 0:18:26.119
<v Speaker 1>I just didn't like it. The performance is what I

0:18:26.200 --> 0:18:32.000
<v Speaker 1>really took issue with. Anyway. So they go to the

0:18:32.080 --> 0:18:35.040
<v Speaker 1>d m V. That leads them to a limousine company

0:18:35.040 --> 0:18:38.320
<v Speaker 1>in Tundratown, where they find the limo and inside his

0:18:38.359 --> 0:18:41.320
<v Speaker 1>Emmett's wallet and a bunch of claw marks. Judy and

0:18:41.400 --> 0:18:43.360
<v Speaker 1>Nick are like, what the fuck. But then they get

0:18:43.400 --> 0:18:47.800
<v Speaker 1>caught by the Limos owner, which is this crime boss Mr. Big.

0:18:47.840 --> 0:18:51.600
<v Speaker 1>It's a whole like homage to the Godfather for this.

0:18:51.600 --> 0:18:54.520
<v Speaker 1>This reminded me of like there's a few sequences in

0:18:54.560 --> 0:18:57.760
<v Speaker 1>this movie where this movie is like going for this

0:18:57.840 --> 0:18:59.200
<v Speaker 1>is not the first time I've said this. In the show,

0:18:59.480 --> 0:19:03.800
<v Speaker 1>they're going for a shreky in energy, but it's perhaps

0:19:03.840 --> 0:19:07.040
<v Speaker 1>not working, um because they're just like there's this like

0:19:07.280 --> 0:19:10.399
<v Speaker 1>long homage to a movie that no child has ever seen,

0:19:10.600 --> 0:19:13.080
<v Speaker 1>and they like, hopefully the parents are going to crack

0:19:13.200 --> 0:19:18.760
<v Speaker 1>up at this weird Godfather interlude that will come back.

0:19:19.119 --> 0:19:24.880
<v Speaker 1>I hated came Also, we should put shreky In on

0:19:25.240 --> 0:19:30.080
<v Speaker 1>some new merch. Shreky and something about shreking energy, shreking

0:19:30.240 --> 0:19:35.159
<v Speaker 1>vibes something. It rarely works outside of Shrek and this one.

0:19:35.200 --> 0:19:36.960
<v Speaker 1>I mean, because there's like multiple points where it's like

0:19:37.000 --> 0:19:40.600
<v Speaker 1>this movie is very like leaning into pop culture. She's like, listen,

0:19:40.640 --> 0:19:42.880
<v Speaker 1>anytime there's like a movie where they play all by

0:19:42.920 --> 0:19:47.960
<v Speaker 1>myself when the character's sad, like, okay, shreky In, um,

0:19:48.080 --> 0:19:52.280
<v Speaker 1>but it doesn't work. It wasn't laughing, not in Zootopia, Shrek.

0:19:52.680 --> 0:19:58.880
<v Speaker 1>What I we need to stop the regarding Shrek Rock

0:19:59.560 --> 0:20:03.080
<v Speaker 1>it's good, I mean, it has its problems, and then

0:20:03.280 --> 0:20:07.080
<v Speaker 1>Shrek Too. You gotta see Shrek to Shrek Too is

0:20:08.200 --> 0:20:12.080
<v Speaker 1>has suffers from many of the same problems. Also going

0:20:12.240 --> 0:20:15.119
<v Speaker 1>to say this this seek this part rips off training day,

0:20:16.160 --> 0:20:18.760
<v Speaker 1>yeah day where they're like having in the bathtub and

0:20:18.760 --> 0:20:21.640
<v Speaker 1>they're both to kill Ethan Hawk and then they find

0:20:21.640 --> 0:20:24.800
<v Speaker 1>out that he saved the dude's daughter. It's like the

0:20:24.840 --> 0:20:27.680
<v Speaker 1>exact same thing that happens there, Okay, And again it's

0:20:27.720 --> 0:20:30.920
<v Speaker 1>like that reference is for who. I don't think it's

0:20:30.920 --> 0:20:35.040
<v Speaker 1>a reference that was just straight. That was this plagiarism

0:20:35.160 --> 0:20:38.639
<v Speaker 1>that was and that was like another bizarro girl boss

0:20:38.720 --> 0:20:41.320
<v Speaker 1>cop moment where if you like, I mean, it's like,

0:20:41.359 --> 0:20:43.160
<v Speaker 1>if you apply a second of thought to a lot

0:20:43.200 --> 0:20:45.639
<v Speaker 1>of the things that happened in this movie, it just

0:20:45.680 --> 0:20:49.960
<v Speaker 1>completely falls apart or becomes deeply unethical. Um where it's

0:20:50.000 --> 0:20:55.200
<v Speaker 1>like she saves that what animal is the Godfather is

0:20:55.200 --> 0:20:58.880
<v Speaker 1>like like a little mole. I think, awesome, No, that's

0:20:58.880 --> 0:21:01.879
<v Speaker 1>not powesome. I'm from the woods, so I know about

0:21:02.080 --> 0:21:05.359
<v Speaker 1>woodland critters. Possums are huge and they're fucking on my

0:21:05.359 --> 0:21:08.439
<v Speaker 1>neighbor's roof every single night. I think it's like a

0:21:08.440 --> 0:21:13.359
<v Speaker 1>little mole maybe, but like she saves the Godfather's daughter

0:21:14.320 --> 0:21:17.400
<v Speaker 1>from and I haven't seen the Grandfather, so I'm just assume,

0:21:17.680 --> 0:21:20.560
<v Speaker 1>but I know what happens in the movie. Basically, it's

0:21:20.560 --> 0:21:23.920
<v Speaker 1>pretty good. It's wait, that's a hot take. I've never

0:21:23.920 --> 0:21:29.080
<v Speaker 1>heard that. You check it out. But Godfather too, Godfather

0:21:29.160 --> 0:21:32.240
<v Speaker 1>to suffers from many of this. This person just told

0:21:32.240 --> 0:21:35.080
<v Speaker 1>me they saw a house of Gucci twice in two days,

0:21:35.119 --> 0:21:40.159
<v Speaker 1>like fifteen minutes ago. Look, I see, I see it.

0:21:40.240 --> 0:21:42.800
<v Speaker 1>I haven't seen you know that's true. I mean, we

0:21:42.840 --> 0:21:46.879
<v Speaker 1>all have our areas we do need to, you know,

0:21:46.960 --> 0:21:52.080
<v Speaker 1>improve upon. My Godfather spot is not good. But well,

0:21:51.880 --> 0:21:54.680
<v Speaker 1>we've been talking about for years maybe doing Godfather Month

0:21:54.720 --> 0:21:57.639
<v Speaker 1>on the Matreon because we covered a frances for Cobla

0:21:57.680 --> 0:22:04.080
<v Speaker 1>movie recently. But it was Peggy's who got married Francis Yeah, yeah, yeah,

0:22:05.119 --> 0:22:08.360
<v Speaker 1>yeah I did. It's a weird one, but oh so

0:22:08.560 --> 0:22:12.520
<v Speaker 1>the logic is that Judy saved the daughter from a

0:22:12.600 --> 0:22:17.359
<v Speaker 1>large doughnut whatever, and then Judy compliments her wedding dress,

0:22:17.520 --> 0:22:20.560
<v Speaker 1>and then all of a sudden, it's like, oh, okay,

0:22:20.600 --> 0:22:24.640
<v Speaker 1>now the cops can collude with the mob, and then

0:22:24.680 --> 0:22:26.359
<v Speaker 1>that's just cannon. For the rest of the movie, the

0:22:26.400 --> 0:22:28.880
<v Speaker 1>cops are colluding with the mob, which happens in real life.

0:22:29.400 --> 0:22:31.880
<v Speaker 1>But I don't think that that's any Like the movie

0:22:31.920 --> 0:22:33.919
<v Speaker 1>is not commenting on anything there, Like the mob is

0:22:33.920 --> 0:22:39.359
<v Speaker 1>funny r so, and we love cops that here in Zootopia,

0:22:39.560 --> 0:22:43.720
<v Speaker 1>Oh my god, they love cops. So the crime boss

0:22:44.000 --> 0:22:46.720
<v Speaker 1>is like, all right, you can get some more information

0:22:46.800 --> 0:22:50.000
<v Speaker 1>from the driver of the limo. So Judy and Nick

0:22:50.160 --> 0:22:53.000
<v Speaker 1>go to the rainforest district to talk to the limo driver,

0:22:53.440 --> 0:22:57.800
<v Speaker 1>a jaguar named Mr Manches, who says that all of

0:22:57.840 --> 0:23:01.919
<v Speaker 1>a sudden, emmet the otter went wild in the limo.

0:23:02.040 --> 0:23:06.159
<v Speaker 1>He became violent and attacked him, all while yelling about

0:23:06.359 --> 0:23:11.520
<v Speaker 1>night howlers. And then right then Mr Manches also turns

0:23:11.560 --> 0:23:16.120
<v Speaker 1>into a wild animal and attacks them. Judy and Nick

0:23:16.400 --> 0:23:19.600
<v Speaker 1>narrowly escape, but when Chief Bogo shows up to the scene,

0:23:19.680 --> 0:23:22.720
<v Speaker 1>Mr Manches is gone, so Judy has no evidence to

0:23:22.760 --> 0:23:25.640
<v Speaker 1>support her theory that for some reason, these animals are

0:23:25.640 --> 0:23:29.520
<v Speaker 1>going wild. But Judy still has a few hours to

0:23:29.520 --> 0:23:33.639
<v Speaker 1>crack the case. So she and Nick, who are getting

0:23:33.640 --> 0:23:39.960
<v Speaker 1>along better, maybe they're even becoming friends. What they set

0:23:40.000 --> 0:23:44.960
<v Speaker 1>off to city Hall to get help from Assistant Mayor Bellweather,

0:23:45.520 --> 0:23:50.879
<v Speaker 1>who Assistant Mayor Jenny Slade missing a major piece which

0:23:50.960 --> 0:23:55.200
<v Speaker 1>thing trauma. Oh, yes, okay, so there's a flashback. Yeah,

0:23:55.240 --> 0:24:00.199
<v Speaker 1>I figured we'd we'd get sometimes I gloss over. Let

0:24:00.240 --> 0:24:05.560
<v Speaker 1>me do my job, Matt. So they go to bell Weather,

0:24:05.640 --> 0:24:09.400
<v Speaker 1>who can get them access to traffic cams to see

0:24:09.520 --> 0:24:12.560
<v Speaker 1>where Mr Manches went. They discover that a couple of

0:24:12.560 --> 0:24:15.640
<v Speaker 1>wolves grabbed Mr Manches and put him in the back

0:24:15.640 --> 0:24:18.439
<v Speaker 1>of a van. Judy's like, oh, those must be the

0:24:18.600 --> 0:24:23.080
<v Speaker 1>night howlers, because wolves howl. So they track where the

0:24:23.080 --> 0:24:26.280
<v Speaker 1>wolves went, which leads Judy and Nick to this facility

0:24:26.359 --> 0:24:30.200
<v Speaker 1>where they find a number of predator animals basically all

0:24:30.200 --> 0:24:33.760
<v Speaker 1>the mammals who have recently gone missing, including Emmett Otterton,

0:24:34.200 --> 0:24:38.000
<v Speaker 1>but they're all like feral and wild. Then Mayor lion

0:24:38.040 --> 0:24:40.200
<v Speaker 1>Heart comes in. He seems to be the bad guy

0:24:40.320 --> 0:24:44.120
<v Speaker 1>behind this whole operation. So, like Judy calls it in,

0:24:44.359 --> 0:24:46.720
<v Speaker 1>the mayor is arrested and it seems like the case

0:24:46.800 --> 0:24:48.800
<v Speaker 1>is solved. And this is one of the points in

0:24:48.800 --> 0:24:51.560
<v Speaker 1>the movie that I got so frustrated because it's like, Okay,

0:24:51.920 --> 0:24:57.439
<v Speaker 1>city Hall corruption yeah, totally, but but but but you

0:24:57.480 --> 0:25:01.880
<v Speaker 1>know what institution is above criticism the cops. You're like

0:25:02.040 --> 0:25:07.720
<v Speaker 1>a fucking hey, come on. Anyways, So then during a

0:25:07.840 --> 0:25:12.439
<v Speaker 1>press conference about this case, Judy mentions that all of

0:25:12.440 --> 0:25:16.359
<v Speaker 1>the animals that went wild, we're predators and mentions that

0:25:16.440 --> 0:25:19.200
<v Speaker 1>maybe it has something to do with their biology, which

0:25:19.320 --> 0:25:23.680
<v Speaker 1>greatly upsets Nick since as a fox he is a predator,

0:25:24.000 --> 0:25:27.680
<v Speaker 1>so he storms off. And then following this press conference,

0:25:27.800 --> 0:25:34.880
<v Speaker 1>there is civil unrest around Zootopia, with more predator animals

0:25:34.920 --> 0:25:39.119
<v Speaker 1>going wild and attacking prey animals wondering if they're safe.

0:25:39.520 --> 0:25:45.200
<v Speaker 1>There's protests. Also the Shakira as a gazelle. She's like

0:25:45.840 --> 0:25:50.119
<v Speaker 1>everyone everyone in Zootopia is a huge fan of Shakira.

0:25:50.560 --> 0:25:55.560
<v Speaker 1>Also that song the Slap. Though, to be fair, try

0:25:55.680 --> 0:26:00.520
<v Speaker 1>anything pretty good for me, and I'm a fan. I

0:26:00.920 --> 0:26:03.840
<v Speaker 1>don't dislike Shakire at all, but I just feel like

0:26:03.880 --> 0:26:08.520
<v Speaker 1>there's other pop stars there. I recently watched Don't Look Up,

0:26:08.560 --> 0:26:11.960
<v Speaker 1>which I also didn't really like very much, but Ariana

0:26:12.000 --> 0:26:15.840
<v Speaker 1>Grande fills a similar role in Sure and Don't Look

0:26:15.880 --> 0:26:17.879
<v Speaker 1>Up and the song and I was equally underwhelmed by

0:26:17.920 --> 0:26:21.679
<v Speaker 1>the song Sure. I quite liked don't look up. But

0:26:21.720 --> 0:26:25.800
<v Speaker 1>that's just me, you know. Anyways, So it wasn't shrekky

0:26:25.840 --> 0:26:29.280
<v Speaker 1>and enough. And also, as Matt pointed up, I saw

0:26:29.280 --> 0:26:31.920
<v Speaker 1>how was a Gucci twice, So we're just different people

0:26:31.960 --> 0:26:38.160
<v Speaker 1>at the end of the day. So Judy feels responsible

0:26:38.200 --> 0:26:41.520
<v Speaker 1>for this civil unrest and resigns from her cop job,

0:26:41.960 --> 0:26:45.600
<v Speaker 1>much to the disappointment of Bell Weather, who is now mayor.

0:26:46.040 --> 0:26:48.959
<v Speaker 1>So then Judy goes back home to become a carrot farmer.

0:26:49.280 --> 0:26:52.760
<v Speaker 1>But when she's there, she learns about these vegetables that,

0:26:53.359 --> 0:26:57.399
<v Speaker 1>when eaton, can make an animal wild and aggressive. And

0:26:57.560 --> 0:27:02.720
<v Speaker 1>guess what they're called night how Rulers. So it turns

0:27:02.720 --> 0:27:06.600
<v Speaker 1>out that's what Emmett Otterton was talking about. Also, her

0:27:06.640 --> 0:27:11.280
<v Speaker 1>bully owns a food truck now question Mark awesome, And

0:27:11.280 --> 0:27:16.920
<v Speaker 1>it's like the most aware, self aware bully you've ever

0:27:16.960 --> 0:27:20.199
<v Speaker 1>seen in a movie. He's been in therapy for. Oh,

0:27:20.359 --> 0:27:23.960
<v Speaker 1>this was one funny. Like one of the funnier flights

0:27:23.960 --> 0:27:27.040
<v Speaker 1>of logic of the movie is that all the animals

0:27:27.160 --> 0:27:31.720
<v Speaker 1>in the Zootopia expanded universe live human length lifespans. Because

0:27:31.720 --> 0:27:35.560
<v Speaker 1>at the beginning, it's like, you know, Judy is bullied

0:27:35.560 --> 0:27:38.879
<v Speaker 1>by a future food truck owner, and then it was

0:27:38.960 --> 0:27:41.960
<v Speaker 1>fifteen years later and it's like, oh, Judy is fully dead.

0:27:42.400 --> 0:27:46.840
<v Speaker 1>She's fifteen years later, you're telling me a twenty four

0:27:46.920 --> 0:27:51.520
<v Speaker 1>year old rabbit is good. Piss me off, didn't. I

0:27:51.600 --> 0:27:55.000
<v Speaker 1>was like, there's so many there's huge, high level issues

0:27:55.040 --> 0:27:58.800
<v Speaker 1>and then there's little things that it's like, come on, well,

0:27:58.840 --> 0:28:07.320
<v Speaker 1>you know, and you're disbelieve you're fair fair? What can

0:28:07.359 --> 0:28:10.480
<v Speaker 1>I say to that? Okay? So, so it turns out

0:28:10.560 --> 0:28:14.600
<v Speaker 1>these vegetables are what has been making the predators become violent.

0:28:14.800 --> 0:28:18.720
<v Speaker 1>So Judy rushes back to Zutopia. She tells Nick her

0:28:18.840 --> 0:28:22.560
<v Speaker 1>theory that someone is targeting predators on purpose and making

0:28:22.600 --> 0:28:25.560
<v Speaker 1>them go wild. So then Nick forgives her and the

0:28:25.640 --> 0:28:29.520
<v Speaker 1>team back up and find a lab where this ram

0:28:29.680 --> 0:28:37.639
<v Speaker 1>named doug Uh is like making a serum with the

0:28:37.800 --> 0:28:42.400
<v Speaker 1>nightholler vegetables that he's been shooting predators with. So that

0:28:42.480 --> 0:28:44.880
<v Speaker 1>grabbed the evidence and make their way to the police department.

0:28:44.960 --> 0:28:51.720
<v Speaker 1>Also really clunky breaking bad reference. So on the way

0:28:51.960 --> 0:28:56.960
<v Speaker 1>they run into Shrek that that is an attempt at

0:28:56.960 --> 0:28:59.040
<v Speaker 1>the Shreky end, but it's not where it doesn't quite

0:28:59.080 --> 0:29:01.800
<v Speaker 1>work the way this movie like in the way that

0:29:01.840 --> 0:29:03.840
<v Speaker 1>I was like, I know what you're talking about, but

0:29:04.000 --> 0:29:06.800
<v Speaker 1>unlike Shrek, it's making a reference and I'm not laughing.

0:29:08.840 --> 0:29:12.840
<v Speaker 1>It's just a reference for a reference to say. So.

0:29:13.000 --> 0:29:17.120
<v Speaker 1>On the way to the police department, they run into

0:29:17.200 --> 0:29:20.000
<v Speaker 1>Mayor bell Weather, who ends up being the bad guy

0:29:20.040 --> 0:29:24.080
<v Speaker 1>who was behind the whole thing. She tries to sabotage them,

0:29:24.320 --> 0:29:27.120
<v Speaker 1>and she shoots Nick with the serum so that he

0:29:27.160 --> 0:29:30.560
<v Speaker 1>will go wild and kill Judy. But Nick had loaded

0:29:30.600 --> 0:29:36.400
<v Speaker 1>the gun with blueberries, so it didn't work. Classic classic switcher.

0:29:37.240 --> 0:29:43.680
<v Speaker 1>How does this factory into Chekov's guns principle? There's Jason

0:29:43.680 --> 0:29:47.160
<v Speaker 1>Bavin has to load it with blueberries by the third

0:29:47.200 --> 0:29:51.480
<v Speaker 1>act or it shouldn't be there. Um okay. So, and

0:29:51.520 --> 0:29:55.120
<v Speaker 1>then they managed to get an audio recording on Judy's

0:29:55.400 --> 0:29:59.520
<v Speaker 1>little Carrot pen that is also a high quality voice

0:29:59.560 --> 0:30:05.600
<v Speaker 1>recorder um of bell Weather confessing to this whole conspiracy.

0:30:06.120 --> 0:30:09.360
<v Speaker 1>Bell Weather is arrested, Lion Heart is reinstated as mayor

0:30:09.760 --> 0:30:11.520
<v Speaker 1>I think, or maybe that doesn't happen. I don't know.

0:30:12.000 --> 0:30:16.400
<v Speaker 1>Um no, he's like also in trouble, right, yeah, yeah,

0:30:16.400 --> 0:30:20.360
<v Speaker 1>because he was complicit, but Judy is a hero. And

0:30:20.400 --> 0:30:24.800
<v Speaker 1>then Nick also becomes a cop slash Judy's cop partner,

0:30:25.680 --> 0:30:29.440
<v Speaker 1>and then the movie ends on another sloth joke. I

0:30:29.560 --> 0:30:31.440
<v Speaker 1>was blown away that it was like, it was like,

0:30:31.560 --> 0:30:34.440
<v Speaker 1>there's no he's he's good in that he's a cop

0:30:34.520 --> 0:30:36.959
<v Speaker 1>at the end, and they're like, and don't we love that?

0:30:37.040 --> 0:30:40.160
<v Speaker 1>And don't we love it? Let's take a quick break

0:30:40.240 --> 0:30:50.480
<v Speaker 1>and then we'll come right back to discuss back we're

0:30:50.520 --> 0:30:57.240
<v Speaker 1>back um with odds. Where should we begin here? I

0:30:57.280 --> 0:30:59.760
<v Speaker 1>think we we um. We gave a preview of some

0:30:59.800 --> 0:31:04.560
<v Speaker 1>of the mater issues, but there's we didn't even touch

0:31:04.600 --> 0:31:08.800
<v Speaker 1>on all of them. There's Joe Biden's America. I know

0:31:08.840 --> 0:31:13.000
<v Speaker 1>this movie came out in Obama's America, but this is

0:31:13.040 --> 0:31:16.760
<v Speaker 1>a Joe bidden and then yea all day Okay, so

0:31:16.960 --> 0:31:24.360
<v Speaker 1>what who is Jason Paymon Black? Like what's what the fuck? There?

0:31:26.160 --> 0:31:32.400
<v Speaker 1>Great questions questions? Okay, our foxes black? I know this

0:31:32.480 --> 0:31:35.480
<v Speaker 1>movie doesn't know, but what do you think they thought?

0:31:35.760 --> 0:31:37.880
<v Speaker 1>I think there's a lot of shrug and going on

0:31:38.240 --> 0:31:41.440
<v Speaker 1>between these couple of writers. I feel like the movie

0:31:41.480 --> 0:31:45.680
<v Speaker 1>gets so a lot like because when the movie starts,

0:31:45.920 --> 0:31:50.200
<v Speaker 1>I thought I was like, oh, bunnies are being presented

0:31:50.240 --> 0:31:54.400
<v Speaker 1>as a minority because they're like, well, bunnies don't become cops.

0:31:54.440 --> 0:31:58.200
<v Speaker 1>Bunnies can't do anything but be carrot farmers, and there's

0:31:58.240 --> 0:32:01.040
<v Speaker 1>no reference to like jener or anything like that. I

0:32:01.080 --> 0:32:03.320
<v Speaker 1>was like, Okay, so is that the allegory being set up?

0:32:03.480 --> 0:32:07.160
<v Speaker 1>But then it turns out no, that's not. And then

0:32:07.240 --> 0:32:09.800
<v Speaker 1>and then so it's like every new character I feel

0:32:09.880 --> 0:32:12.280
<v Speaker 1>contradicts the logic of what the movie has been saying

0:32:12.320 --> 0:32:17.680
<v Speaker 1>so far. I don't know, here was my best guests.

0:32:18.520 --> 0:32:22.000
<v Speaker 1>So I think that the movie is setting up a

0:32:22.200 --> 0:32:29.280
<v Speaker 1>parallel basically that predator animals are people of color and

0:32:29.960 --> 0:32:34.840
<v Speaker 1>prey animals are white people. There are a few hints

0:32:34.840 --> 0:32:38.719
<v Speaker 1>to this as far as like the ratio of like

0:32:39.120 --> 0:32:42.200
<v Speaker 1>prey to predator, but also that's not even reflective of

0:32:42.280 --> 0:32:45.840
<v Speaker 1>like a major metropolis, where like a lot of cities

0:32:45.880 --> 0:32:50.360
<v Speaker 1>are extremely ethnically diverse, So that doesn't even track right.

0:32:50.920 --> 0:32:53.920
<v Speaker 1>But then also, although I would say, you know the

0:32:54.000 --> 0:32:57.920
<v Speaker 1>piece where her parents are super afraid of letting her

0:32:57.960 --> 0:33:01.440
<v Speaker 1>go to the city, that's real, sure, you know, like

0:33:01.920 --> 0:33:04.840
<v Speaker 1>they're they're like, oh, there's all these predators there. Don't go,

0:33:04.960 --> 0:33:09.240
<v Speaker 1>you'll get mubbed or whatever. Right, I'm not saying that

0:33:09.320 --> 0:33:12.680
<v Speaker 1>was like a good point or anything. I just right.

0:33:13.360 --> 0:33:16.120
<v Speaker 1>There were like moments where I was like, Okay, I

0:33:16.120 --> 0:33:19.040
<v Speaker 1>think I understand what the movie is trying to do here,

0:33:19.440 --> 0:33:20.840
<v Speaker 1>and then there were other scenes where I was like,

0:33:20.960 --> 0:33:24.240
<v Speaker 1>I just don't know. I just like right, because it's

0:33:24.360 --> 0:33:28.440
<v Speaker 1>so muddled. The messaging in the allegories extremely muddled. And

0:33:28.440 --> 0:33:31.480
<v Speaker 1>you'll never guess why. It's because the people who made

0:33:31.480 --> 0:33:39.200
<v Speaker 1>this movie were a lot of white men. What I okay,

0:33:39.240 --> 0:33:43.160
<v Speaker 1>So here's a little here's some context corner. So and

0:33:43.200 --> 0:33:45.640
<v Speaker 1>I got a lot of this information from So. There

0:33:45.680 --> 0:33:47.960
<v Speaker 1>was a screening of the movie in and there was

0:33:48.000 --> 0:33:50.720
<v Speaker 1>a Q and a panel with several of the filmmakers

0:33:51.360 --> 0:33:54.680
<v Speaker 1>after the screening. So it was Jared Bush, Rich Moore

0:33:55.040 --> 0:33:58.320
<v Speaker 1>Byron Howard, who all directed the movie. I will say

0:33:58.440 --> 0:34:04.680
<v Speaker 1>Richmore is a great white guy name What's More Money Baby.

0:34:05.040 --> 0:34:08.400
<v Speaker 1>Jared Bush also co wrote the screenplay, and also present

0:34:08.440 --> 0:34:11.640
<v Speaker 1>at this panel was Phil Johnston, the other co writer

0:34:11.760 --> 0:34:14.880
<v Speaker 1>of the screenplay. The movie also has several story by credits.

0:34:15.480 --> 0:34:20.080
<v Speaker 1>Jared Busch is also credited on MO Wanna big here

0:34:20.160 --> 0:34:27.200
<v Speaker 1>for that guy? J I s Jared, I saw it.

0:34:27.360 --> 0:34:29.400
<v Speaker 1>We'll do an episode on it. We got to do

0:34:29.440 --> 0:34:34.320
<v Speaker 1>it with Melissa Right, Okay, so this panel got written

0:34:34.800 --> 0:34:37.279
<v Speaker 1>about in the rap, so here's where I'm getting a

0:34:37.320 --> 0:34:42.279
<v Speaker 1>lot of this information. So basically in this like right up,

0:34:42.960 --> 0:34:47.240
<v Speaker 1>the filmmakers are really patting themselves on the backs, being like, wow,

0:34:47.280 --> 0:34:50.800
<v Speaker 1>our intentions were like so honorable when we were making,

0:34:51.040 --> 0:34:54.319
<v Speaker 1>you know, developing this movie. We wanted to do a

0:34:54.400 --> 0:34:59.520
<v Speaker 1>movie with like an easily digestible allegory for racism, isn't

0:34:59.560 --> 0:35:02.480
<v Speaker 1>that And then they talked about like the research they did,

0:35:03.200 --> 0:35:05.839
<v Speaker 1>and they were like, yeah, yeah, yeah, this movie is

0:35:06.080 --> 0:35:09.640
<v Speaker 1>so prescient during this time of political unrest because it

0:35:09.680 --> 0:35:11.920
<v Speaker 1>was released during the time that was leading up to

0:35:11.920 --> 0:35:15.440
<v Speaker 1>the election. Uh. And they're like yeah, but you know,

0:35:15.560 --> 0:35:19.000
<v Speaker 1>we've just been paying attention to what's been happening, just

0:35:19.040 --> 0:35:23.799
<v Speaker 1>like not even reflective of the movie's production history even remotely. Yes,

0:35:23.960 --> 0:35:26.920
<v Speaker 1>because it was supposed to be a sixties heist movie,

0:35:27.160 --> 0:35:31.719
<v Speaker 1>like an espionage John Lasseter and you're just like I

0:35:31.920 --> 0:35:34.920
<v Speaker 1>was like, so okay, so yeah, the movie went through

0:35:34.960 --> 0:35:40.080
<v Speaker 1>several drafts and just like wild rewrites. So the filmmakers

0:35:40.080 --> 0:35:43.160
<v Speaker 1>they're talking about how relevant their movie is. Um, you

0:35:43.239 --> 0:35:47.279
<v Speaker 1>learn about the research they did, which was mostly on animals,

0:35:48.160 --> 0:35:52.840
<v Speaker 1>Uh at the Animal Kingdom. They didn't even They literally

0:35:52.840 --> 0:35:56.040
<v Speaker 1>are like, let's go to Disney's World. We can do

0:35:56.120 --> 0:35:58.600
<v Speaker 1>that for free, and let's just stare at Lemmings for

0:35:58.680 --> 0:36:02.120
<v Speaker 1>six days and be like, all write our movie about racism.

0:36:02.880 --> 0:36:06.400
<v Speaker 1>You're forgetting about the two weeks safari they went on

0:36:06.520 --> 0:36:10.759
<v Speaker 1>in Kenya where they studied animal behavior. Uh, they did

0:36:10.800 --> 0:36:14.719
<v Speaker 1>not seem to do nearly as much research on I

0:36:14.760 --> 0:36:18.319
<v Speaker 1>don't know, critical race theory or anything like that. It

0:36:18.320 --> 0:36:22.440
<v Speaker 1>seems as that they talked to exactly one person, Dr

0:36:22.800 --> 0:36:27.040
<v Speaker 1>Shockty Butler, who is a filmmaker and an educator on

0:36:27.160 --> 0:36:32.719
<v Speaker 1>racial diversity. Director Byron Howard said, quote, she taught us

0:36:32.760 --> 0:36:36.640
<v Speaker 1>everything there was to know about bias and discrimination things

0:36:36.680 --> 0:36:40.200
<v Speaker 1>we had no idea existed. End quote. So this is

0:36:40.760 --> 0:36:44.600
<v Speaker 1>the background, Like, this is the context that these filmmakers

0:36:44.600 --> 0:36:52.120
<v Speaker 1>had for trying to develop this allegory for racism, which

0:36:52.640 --> 0:36:57.120
<v Speaker 1>they did not execute well. Which is so clear based

0:36:57.160 --> 0:37:02.520
<v Speaker 1>on like the story team assembled is I believe five

0:37:02.680 --> 0:37:08.040
<v Speaker 1>white guys, uh and then um one white woman Jennifer

0:37:08.160 --> 0:37:13.240
<v Speaker 1>Lee who is the director of The Frozen from Chies,

0:37:14.000 --> 0:37:19.799
<v Speaker 1>and then one woman of collar Josie Trinidad, who is

0:37:20.200 --> 0:37:22.160
<v Speaker 1>currently and I think at the time of this movie's

0:37:22.200 --> 0:37:25.320
<v Speaker 1>release as well, was in charge of the Disney Animation

0:37:25.440 --> 0:37:29.160
<v Speaker 1>story team. So it's kind of unclear how much actual

0:37:29.480 --> 0:37:34.120
<v Speaker 1>story she wrote because her job is primarily translating script

0:37:34.239 --> 0:37:39.319
<v Speaker 1>to visuals um like storyboarding type stuff, right, right, and

0:37:39.360 --> 0:37:42.359
<v Speaker 1>that seems to be kind of her her primary job.

0:37:42.400 --> 0:37:45.200
<v Speaker 1>So it's like impossible to know who contributed what in

0:37:45.239 --> 0:37:49.560
<v Speaker 1>a team this big. But the team is vast majority

0:37:49.800 --> 0:37:53.359
<v Speaker 1>white guys, and then you know white people in general, right,

0:37:54.040 --> 0:37:59.719
<v Speaker 1>So they fumbled it in a number. So okay, this

0:37:59.800 --> 0:38:06.280
<v Speaker 1>movie we made a billion dollars. A billion dollars, that's

0:38:06.360 --> 0:38:12.480
<v Speaker 1>so many, but it still doesn't make sense. Who is Hops?

0:38:12.520 --> 0:38:14.879
<v Speaker 1>What's Hops? As deals supposed to be? Right, So we've

0:38:14.920 --> 0:38:18.080
<v Speaker 1>got this, like you were saying, Jamie, the movie is

0:38:18.080 --> 0:38:21.520
<v Speaker 1>setting up this like the idea that people are prejudiced

0:38:21.560 --> 0:38:26.279
<v Speaker 1>against rabbits and saying you can't be a can't be

0:38:26.400 --> 0:38:30.640
<v Speaker 1>cops Hops is a woman? That okay, so right, right,

0:38:30.640 --> 0:38:32.440
<v Speaker 1>But it's like if that's the case, they need to

0:38:32.480 --> 0:38:37.600
<v Speaker 1>make that clear because it's like not like bunnies covered

0:38:37.640 --> 0:38:40.840
<v Speaker 1>the gender spectrum, but they were just like no bunny

0:38:40.920 --> 0:38:46.319
<v Speaker 1>cops period, right, So that's confusing and right, So I

0:38:46.320 --> 0:38:50.359
<v Speaker 1>guess like in this movie, rabbits are women, because there's

0:38:50.440 --> 0:38:53.279
<v Speaker 1>there's a few other references to that too, where it's like, oh,

0:38:53.600 --> 0:38:58.280
<v Speaker 1>you rabbits, you're you're so emotional, and oh you throw

0:38:58.360 --> 0:39:02.080
<v Speaker 1>like a bunny, you're bad drivers, you throw like a bunny,

0:39:02.200 --> 0:39:05.040
<v Speaker 1>like all these things that are stereotypes about women. But

0:39:05.120 --> 0:39:10.319
<v Speaker 1>we know that all rabbits are not women because Dad

0:39:11.120 --> 0:39:15.799
<v Speaker 1>multiple occasions and the front desktop calls her cute, and

0:39:15.880 --> 0:39:18.520
<v Speaker 1>she says that only another bunny can call her cute. Okay,

0:39:18.600 --> 0:39:21.719
<v Speaker 1>So there's a bunch of like weird, very cringe e

0:39:22.040 --> 0:39:27.759
<v Speaker 1>jokes that are like specifically referencing either aspects of black

0:39:27.800 --> 0:39:32.279
<v Speaker 1>culture or stereotypes about black people, right, where it's like, oh,

0:39:32.440 --> 0:39:35.879
<v Speaker 1>a bunny can call another bunny cute, right, that makes

0:39:35.880 --> 0:39:40.680
<v Speaker 1>no sense, But if she's who we think she is, right,

0:39:40.840 --> 0:39:47.560
<v Speaker 1>Jennifer Goodwin. And then there's another scene where Nick is

0:39:47.640 --> 0:39:52.200
<v Speaker 1>touching bell Weather's wool on her head and she's like,

0:39:52.280 --> 0:39:56.279
<v Speaker 1>you can't touch a sheep's wool, which is like, I

0:39:56.320 --> 0:39:59.359
<v Speaker 1>guess analogous to you, you can't touch a black woman's hair.

0:40:00.040 --> 0:40:03.600
<v Speaker 1>So this sheep with her wolf. So there's that thing

0:40:03.680 --> 0:40:08.239
<v Speaker 1>that doesn't make sense, but it's Jenny's Jenny's light has

0:40:08.239 --> 0:40:12.960
<v Speaker 1>been in this pickle a couple of different times. And

0:40:13.000 --> 0:40:17.160
<v Speaker 1>then there's another scene where shortly after Judy meets Nick

0:40:17.440 --> 0:40:21.359
<v Speaker 1>in like the popsicle place, she's like, Oh wow, you're

0:40:21.480 --> 0:40:32.359
<v Speaker 1>so articulate, but it's Jason Bates. It's pretty articulate, actually, right.

0:40:32.440 --> 0:40:36.520
<v Speaker 1>The metaphor is so messy, where sometimes it's a metaphor

0:40:36.560 --> 0:40:40.400
<v Speaker 1>about discrimination that women face, but we only see that

0:40:40.480 --> 0:40:44.640
<v Speaker 1>with one character in Judy hops and she's a prey animal,

0:40:45.239 --> 0:40:47.479
<v Speaker 1>and then the rest of the metaphor is about race

0:40:47.640 --> 0:40:51.840
<v Speaker 1>rather than gender. But sometimes references to people of color

0:40:51.920 --> 0:40:55.680
<v Speaker 1>are attributed to prey animals when the larger allegory is

0:40:55.719 --> 0:41:00.320
<v Speaker 1>that predator animals are the allegorical people of color. Christian

0:41:00.400 --> 0:41:06.280
<v Speaker 1>Mark like, it's so messy, and like, I understand that movies,

0:41:06.640 --> 0:41:09.000
<v Speaker 1>especially when it's like directed towards children, if they're trying

0:41:09.040 --> 0:41:13.319
<v Speaker 1>to tackle a complex issue, like a complex allegory, they

0:41:13.360 --> 0:41:16.719
<v Speaker 1>will simplify things and the interest of like making it

0:41:16.760 --> 0:41:21.480
<v Speaker 1>digestible for a younger audience. But there's also a responsibility

0:41:21.560 --> 0:41:26.640
<v Speaker 1>to make that allegory clear and make sure it makes

0:41:26.800 --> 0:41:30.360
<v Speaker 1>sense and that it tracks, and the movie like again,

0:41:30.400 --> 0:41:34.120
<v Speaker 1>just fumbles it and every step of the way. I

0:41:34.200 --> 0:41:37.520
<v Speaker 1>also feel like that not to bring Shreky and back.

0:41:38.440 --> 0:41:42.160
<v Speaker 1>But if you are, like, it's clear that like Disney

0:41:42.239 --> 0:41:44.279
<v Speaker 1>at this point, this is true of all Disney movies.

0:41:44.280 --> 0:41:46.759
<v Speaker 1>They're very self referential and they make it clear that's like,

0:41:46.800 --> 0:41:48.840
<v Speaker 1>we know that adults are watching this too, and we

0:41:48.880 --> 0:41:51.640
<v Speaker 1>want to give you something to enjoy too. So it's like,

0:41:51.920 --> 0:41:55.399
<v Speaker 1>if that's true, then you need to really think through

0:41:55.440 --> 0:41:57.640
<v Speaker 1>the entire metaphor. You can't just like throw in a

0:41:57.680 --> 0:42:00.600
<v Speaker 1>couple of song references and be like it's for grown

0:42:00.680 --> 0:42:05.320
<v Speaker 1>ups too. It's like the right And then another reason

0:42:05.719 --> 0:42:10.759
<v Speaker 1>that this whole metaphor doesn't track is the copaganda thing,

0:42:11.760 --> 0:42:15.560
<v Speaker 1>where the irony of a movie that is trying to

0:42:15.600 --> 0:42:19.640
<v Speaker 1>make a statement about racial prejudice that also centers a

0:42:19.719 --> 0:42:22.279
<v Speaker 1>character who is like this hero cop and in a

0:42:22.360 --> 0:42:25.840
<v Speaker 1>movie that seems to have like a very pro cop agenda,

0:42:26.920 --> 0:42:30.279
<v Speaker 1>keep saying like, wow, cops are awesome. We need them

0:42:30.280 --> 0:42:33.719
<v Speaker 1>to make our community safe. They help make society a

0:42:33.719 --> 0:42:37.840
<v Speaker 1>better place, when in the real world, like law enforcement

0:42:37.880 --> 0:42:40.480
<v Speaker 1>is an institution that was founded on and is one

0:42:40.480 --> 0:42:45.319
<v Speaker 1>of the biggest enforcers of racial prejudice, which renders the

0:42:45.400 --> 0:42:49.319
<v Speaker 1>allegory of this movie a complete paradox. Like it just

0:42:50.200 --> 0:42:54.600
<v Speaker 1>it ends the movie ends with both, Like the movie

0:42:55.560 --> 0:42:59.160
<v Speaker 1>begins with neither of our protagonists being cops and ends

0:42:59.239 --> 0:43:02.920
<v Speaker 1>optimistically with both of them being cops. They should have

0:43:02.960 --> 0:43:04.480
<v Speaker 1>ended the movie at the end of act two where

0:43:04.520 --> 0:43:07.919
<v Speaker 1>she she stops being a cop. That was the best

0:43:07.960 --> 0:43:09.799
<v Speaker 1>part of the movie. Well that was the second best

0:43:09.800 --> 0:43:11.879
<v Speaker 1>part of the way. I'll get to the best part, okay,

0:43:12.200 --> 0:43:15.719
<v Speaker 1>but yeah, I was like, hell, yeah, go off like

0:43:15.800 --> 0:43:20.000
<v Speaker 1>a back tops, be a farmer, you know, just like

0:43:20.040 --> 0:43:24.439
<v Speaker 1>work the land, or be something else, like they keep

0:43:24.600 --> 0:43:26.960
<v Speaker 1>That's why it's like, I mean, even the opening sequence

0:43:26.960 --> 0:43:29.160
<v Speaker 1>of the movie, they're like, anyone could be anything, and

0:43:29.160 --> 0:43:32.680
<v Speaker 1>then they come up with like accountant and cops, like

0:43:32.800 --> 0:43:37.359
<v Speaker 1>there's yeah, the jaguars, Like I want to be an actuary.

0:43:37.400 --> 0:43:39.880
<v Speaker 1>I don't even know what that is, and I didn't

0:43:39.880 --> 0:43:43.320
<v Speaker 1>bother looking it up. I don't know. It sounds boring.

0:43:44.160 --> 0:43:48.919
<v Speaker 1>Dream Baker kids like do and and yeah, I mean

0:43:48.920 --> 0:43:52.040
<v Speaker 1>that's of the many things that gets muddled here. It's like,

0:43:52.800 --> 0:43:55.319
<v Speaker 1>I don't know, I mean, in a movie, even in

0:43:55.800 --> 0:43:59.400
<v Speaker 1>sixteen it is a very bizarre specific route to choose

0:43:59.800 --> 0:44:02.360
<v Speaker 1>be being a cop, and then kind of like doubling

0:44:02.440 --> 0:44:04.799
<v Speaker 1>down on that by I mean, in my head, I'm like,

0:44:04.840 --> 0:44:08.160
<v Speaker 1>this is a girl boss logic firing on all cylinders,

0:44:08.160 --> 0:44:10.719
<v Speaker 1>where you know, her parents are like, it's great to

0:44:10.760 --> 0:44:14.120
<v Speaker 1>have dreams, but don't don't dream too big. You don't

0:44:14.160 --> 0:44:16.400
<v Speaker 1>want to dream out of your pay grade kind of thing,

0:44:16.480 --> 0:44:18.520
<v Speaker 1>which is something you see It happened very often at

0:44:18.520 --> 0:44:22.040
<v Speaker 1>the beginning of uh story where a woman is told,

0:44:22.080 --> 0:44:25.719
<v Speaker 1>you know, this isn't your place, and then Drew Barrymore

0:44:25.760 --> 0:44:29.200
<v Speaker 1>does whatever, and then the movie's over, and that's very

0:44:29.200 --> 0:44:32.719
<v Speaker 1>clearly what's being set up here. But her dream sucks,

0:44:32.960 --> 0:44:36.640
<v Speaker 1>and so you're sort of like, well, maybe your parents

0:44:36.640 --> 0:44:39.000
<v Speaker 1>are right. Yeah, okay, so let's let's just say that

0:44:39.080 --> 0:44:43.480
<v Speaker 1>she is like the girl boss white woman. On top

0:44:43.520 --> 0:44:46.480
<v Speaker 1>of that, she fucking sucks, like she's a piece of ship.

0:44:47.160 --> 0:44:50.400
<v Speaker 1>Yeah okay, So what do you what do you both

0:44:50.440 --> 0:44:54.239
<v Speaker 1>think is the movie saying that? Okay, because she has

0:44:54.239 --> 0:44:57.800
<v Speaker 1>this idea of like, her idea of being a cop

0:44:58.160 --> 0:45:01.200
<v Speaker 1>has nothing to do with like helping people. It's it's

0:45:01.280 --> 0:45:04.080
<v Speaker 1>like she says it does, but it does she ever

0:45:04.120 --> 0:45:06.200
<v Speaker 1>say that yeah, because she says, I want to make

0:45:06.200 --> 0:45:10.000
<v Speaker 1>the world a better place by being a copy Yeah,

0:45:10.200 --> 0:45:13.560
<v Speaker 1>but her actions do not reflect that. Right. She wants

0:45:13.560 --> 0:45:18.000
<v Speaker 1>to like cough bad guys basically, and so she gets

0:45:18.200 --> 0:45:22.480
<v Speaker 1>caught up by Gideon as a kid, and that gets

0:45:22.480 --> 0:45:27.320
<v Speaker 1>like linked to her dream of being a cop, right yeah,

0:45:27.440 --> 0:45:31.359
<v Speaker 1>and her you know, punitive ideas of justice and like

0:45:31.560 --> 0:45:34.840
<v Speaker 1>you know, tracking people down and like you know, hunting Weaselton,

0:45:35.000 --> 0:45:37.040
<v Speaker 1>who I'll get to in a bit. Weaselton's the ship

0:45:38.880 --> 0:45:41.440
<v Speaker 1>the dopest character in this movie, Weaselton, who I was like,

0:45:41.600 --> 0:45:44.160
<v Speaker 1>that sounds a lot like Steve bush Emy, but it's

0:45:44.360 --> 0:45:51.960
<v Speaker 1>not doing impression. Totally didn't it. So I don't know

0:45:52.000 --> 0:45:53.440
<v Speaker 1>what they're trying to say. They're trying to say that

0:45:53.440 --> 0:45:58.440
<v Speaker 1>Foxes are bad, so that's why she's gonna stop them,

0:45:58.600 --> 0:46:02.040
<v Speaker 1>or she's trauma ties by a fox and so now

0:46:02.560 --> 0:46:07.680
<v Speaker 1>she holds an unfair prejudice against Foxes. It maybe both

0:46:07.719 --> 0:46:10.040
<v Speaker 1>because she wants to be a cop prior to that,

0:46:10.080 --> 0:46:13.600
<v Speaker 1>but like that moment where she stops the bully and

0:46:13.600 --> 0:46:16.640
<v Speaker 1>then he specifically says you'll never be You'll never be,

0:46:16.960 --> 0:46:19.560
<v Speaker 1>and it's like it's like, Okay, I'm rooting for him,

0:46:19.760 --> 0:46:28.000
<v Speaker 1>like love the pies, like really good good stuff there.

0:46:28.040 --> 0:46:31.440
<v Speaker 1>I like, it's so I don't know. This movie like

0:46:31.560 --> 0:46:33.640
<v Speaker 1>really reads to me, like this movie went through five

0:46:33.719 --> 0:46:38.440
<v Speaker 1>million drafts because it was like her character like regresses

0:46:39.000 --> 0:46:43.920
<v Speaker 1>throughout the movie. Because before she leaves for cop Academy,

0:46:44.719 --> 0:46:48.160
<v Speaker 1>she you know, her parents are being prejudiced towards foxes

0:46:48.160 --> 0:46:49.920
<v Speaker 1>and here like you know, you gotta be carefully. Here

0:46:50.000 --> 0:46:52.680
<v Speaker 1>is repellent. And then she says, well, I was bullied

0:46:52.719 --> 0:46:55.560
<v Speaker 1>by a fox, but it was a mean person who

0:46:55.640 --> 0:47:00.600
<v Speaker 1>happened to be a fox. And then rabbits are jerks too, Yeah,

0:47:00.719 --> 0:47:03.920
<v Speaker 1>like anyone can be an asshole, and you're like, okay,

0:47:03.960 --> 0:47:06.080
<v Speaker 1>like Children's movie, I see where this is going. But

0:47:06.120 --> 0:47:09.120
<v Speaker 1>then like later in the movie, she I mean, I

0:47:09.120 --> 0:47:11.719
<v Speaker 1>guess this is maybe reflective of reality. Becoming a cop

0:47:12.040 --> 0:47:17.799
<v Speaker 1>sets her views backwards. Yeah, and she becomes more prejudice

0:47:18.440 --> 0:47:21.319
<v Speaker 1>as the movie goes on, right to the point where

0:47:21.360 --> 0:47:25.080
<v Speaker 1>she almost fox mess Jason Bateman, who's a black guy.

0:47:25.239 --> 0:47:30.759
<v Speaker 1>But she looks to constantly reorient your brain of like right,

0:47:33.239 --> 0:47:38.040
<v Speaker 1>saying right, I don't know, very stressful, right, She like really,

0:47:38.160 --> 0:47:42.160
<v Speaker 1>even after she's become friends with this fox, who she

0:47:42.280 --> 0:47:46.399
<v Speaker 1>again had this like prejudice against up until this part

0:47:46.400 --> 0:47:48.799
<v Speaker 1>of the story, and he had shared with her this

0:47:49.000 --> 0:47:53.040
<v Speaker 1>like very traumatic story, which is like that part of

0:47:53.080 --> 0:47:55.960
<v Speaker 1>the movie like does move me to tears where there's

0:47:55.960 --> 0:47:59.480
<v Speaker 1>a flashback where he's like, I wanted to join the

0:47:59.560 --> 0:48:03.480
<v Speaker 1>Junior Rangers and but I was the only predator and

0:48:03.560 --> 0:48:05.359
<v Speaker 1>I thought I was going to be welcome, but then

0:48:05.960 --> 0:48:09.080
<v Speaker 1>I got harassed and assaulted by who I thought were

0:48:09.120 --> 0:48:11.680
<v Speaker 1>my friends, and they put a muzzle on me. And

0:48:11.760 --> 0:48:15.640
<v Speaker 1>I learned to accept who I am and if if

0:48:15.640 --> 0:48:18.680
<v Speaker 1>everyone's just going to see me as a sly, sneaky

0:48:18.680 --> 0:48:22.160
<v Speaker 1>little fox, well then that's who I'm gonna be. And

0:48:22.320 --> 0:48:25.600
<v Speaker 1>he like tells her this story and like it opens

0:48:25.719 --> 0:48:29.560
<v Speaker 1>up and she's like, oh my gosh, that's awful, and

0:48:29.600 --> 0:48:35.959
<v Speaker 1>then she becomes like at a press conference, she's like, yeah,

0:48:36.000 --> 0:48:43.359
<v Speaker 1>well spouting eugenics like she's it's so wild, right, So,

0:48:43.440 --> 0:48:47.400
<v Speaker 1>like that scene is like bizarre because the movie is

0:48:47.440 --> 0:48:53.000
<v Speaker 1>suggesting that racism is the result of a press conference

0:48:53.120 --> 0:48:59.239
<v Speaker 1>from one rabbit and also like one sheep's actions of

0:48:59.400 --> 0:49:06.560
<v Speaker 1>shooting blueberry looking paintballs at animals and not like systemic,

0:49:07.000 --> 0:49:10.960
<v Speaker 1>like a systemic widespread problem. Yeah, I mean it's like

0:49:11.000 --> 0:49:16.840
<v Speaker 1>this movie is like really determination to not interrogate systemic

0:49:16.920 --> 0:49:19.160
<v Speaker 1>anything is kind of like I mean, but they kind

0:49:19.160 --> 0:49:21.520
<v Speaker 1>of do with the mayor's office, but for some reason,

0:49:21.600 --> 0:49:25.680
<v Speaker 1>like they're willing to go for it there right, but nowhere,

0:49:25.719 --> 0:49:29.000
<v Speaker 1>not in like right, not in law enforcement, but in

0:49:29.080 --> 0:49:33.879
<v Speaker 1>within this allegory. What is Jenny Slate's end game so

0:49:34.760 --> 0:49:38.600
<v Speaker 1>to like what what is also like Otter Tens a predator,

0:49:38.880 --> 0:49:43.120
<v Speaker 1>He's like smaller than the right, so like what's the

0:49:43.440 --> 0:49:45.920
<v Speaker 1>what the fuck? It's so I mean, I feel like

0:49:46.160 --> 0:49:48.760
<v Speaker 1>one of the And this is not a new point.

0:49:48.760 --> 0:49:51.120
<v Speaker 1>This point has been made about Utopia many times, and

0:49:51.160 --> 0:49:54.759
<v Speaker 1>I know that we have a famous tweet from a

0:49:54.840 --> 0:49:57.600
<v Speaker 1>friend of the show, Kate Young, about this. But the

0:49:58.239 --> 0:50:01.480
<v Speaker 1>huge issue, like one of the huge issues is like

0:50:02.239 --> 0:50:05.360
<v Speaker 1>implying that like in this world there are predators in

0:50:05.440 --> 0:50:12.319
<v Speaker 1>prey and conflating minorities with predators that have been integrated

0:50:12.320 --> 0:50:17.200
<v Speaker 1>into society like plays into so many super predator right,

0:50:17.320 --> 0:50:19.280
<v Speaker 1>like how how did they? I mean, this is classic

0:50:19.280 --> 0:50:23.000
<v Speaker 1>five white dudes in a room like uh, this is

0:50:22.719 --> 0:50:26.520
<v Speaker 1>the fucking Hillary Clinton c SPAN press conference where she's

0:50:26.560 --> 0:50:31.680
<v Speaker 1>like super predators are like mindless killing machines. These black

0:50:31.680 --> 0:50:35.479
<v Speaker 1>teens are like mindless killing machines or whatever. M fucking

0:50:35.560 --> 0:50:40.080
<v Speaker 1>Hillary Clinton, um, girl boss. And so then the whole,

0:50:40.120 --> 0:50:42.160
<v Speaker 1>the entire conceit of the movie is set up between

0:50:42.200 --> 0:50:46.080
<v Speaker 1>predators and prey like you're already like on fucking third

0:50:46.120 --> 0:50:50.200
<v Speaker 1>real city. They're like, you know, and and that's like

0:50:50.239 --> 0:50:51.759
<v Speaker 1>one of the many. I mean, I think it's like

0:50:52.120 --> 0:50:54.520
<v Speaker 1>maybe them. It's hard to say what about this movie

0:50:54.560 --> 0:50:58.040
<v Speaker 1>is the most egregious, but like that, like taking that

0:50:58.120 --> 0:51:01.160
<v Speaker 1>logic and then making it can likely true in this

0:51:01.200 --> 0:51:06.360
<v Speaker 1>world is so fucked Like, yeah, the I wanna so

0:51:06.719 --> 0:51:11.440
<v Speaker 1>the tweet you're referring to, So Christina Holland at American Wombat,

0:51:11.560 --> 0:51:14.879
<v Speaker 1>which is an amazing handle, tweeted a couple of years ago.

0:51:15.320 --> 0:51:18.560
<v Speaker 1>I think a big problem with kids allegories for racism

0:51:18.800 --> 0:51:22.000
<v Speaker 1>is it's like the Green people and the purple people

0:51:22.160 --> 0:51:26.080
<v Speaker 1>hated each other just for being the other color. Isn't

0:51:26.120 --> 0:51:30.239
<v Speaker 1>that silly? And not the purple people kidnapped the green

0:51:30.280 --> 0:51:33.480
<v Speaker 1>people and treated them like livestock for hundreds of years.

0:51:34.040 --> 0:51:36.080
<v Speaker 1>So that's the original tweet. And then friend of the

0:51:36.080 --> 0:51:39.280
<v Speaker 1>show Kate Young quote tweeted it and then just said

0:51:39.640 --> 0:51:44.160
<v Speaker 1>glares at Zootopia, which is like very much the problem

0:51:44.360 --> 0:51:51.040
<v Speaker 1>with this movie. It's ignoring the coherent enough to be

0:51:51.120 --> 0:51:56.919
<v Speaker 1>guilty and bad. It's missing so many points. But like right,

0:51:57.080 --> 0:51:59.360
<v Speaker 1>but I mean shout out to Kay. Yes, yeah, this

0:51:59.440 --> 0:52:03.440
<v Speaker 1>movie is like incoherent in such a frustrating way. But

0:52:03.560 --> 0:52:08.480
<v Speaker 1>like casting like the white coated animals question mark, because

0:52:08.520 --> 0:52:11.640
<v Speaker 1>that fluctuates throughout the movie wildly, but like I think

0:52:11.719 --> 0:52:13.960
<v Speaker 1>ultimately who we are supposed to believe for the white

0:52:14.000 --> 0:52:20.040
<v Speaker 1>coated animals as prey is like well, no, like it's

0:52:20.120 --> 0:52:23.840
<v Speaker 1>just I mean we should say that Jason Bateman's partner

0:52:23.840 --> 0:52:26.640
<v Speaker 1>in crime, he's like the blackest dude I can think of.

0:52:26.719 --> 0:52:30.360
<v Speaker 1>It's it's tiny Lester, who is like Debot from Friday,

0:52:30.480 --> 0:52:33.720
<v Speaker 1>and you know, he's like the big, bald, scary dude.

0:52:34.160 --> 0:52:36.520
<v Speaker 1>He was a very deep voice and in the movie

0:52:36.719 --> 0:52:40.000
<v Speaker 1>he's the tiny little fox with big ears or I

0:52:40.000 --> 0:52:43.040
<v Speaker 1>don't even know what kind of animal that is. But

0:52:43.160 --> 0:52:47.799
<v Speaker 1>he's like pretending to be Jason Bateman's character's son when

0:52:47.880 --> 0:52:51.359
<v Speaker 1>they do their whole like scam scam. He rules too,

0:52:51.360 --> 0:52:54.080
<v Speaker 1>because the second he the second the cop comes around,

0:52:54.120 --> 0:52:56.719
<v Speaker 1>he's like not fucking with her, and then when Bateman

0:52:57.080 --> 0:52:59.600
<v Speaker 1>decides to help the cop, he's like, I'm not fucking

0:52:59.600 --> 0:53:06.920
<v Speaker 1>with you. The movie him. Weaselton was like, oh, so

0:53:06.960 --> 0:53:10.080
<v Speaker 1>now you're helping a cop. That's why we okay. Weaselton

0:53:10.160 --> 0:53:12.400
<v Speaker 1>rules because he calls that out off the rip. And

0:53:12.440 --> 0:53:17.000
<v Speaker 1>then later when he gets like Mr Big is like

0:53:17.000 --> 0:53:19.040
<v Speaker 1>going to kill him, he's like dangling him above like

0:53:19.080 --> 0:53:22.279
<v Speaker 1>an ice pit. And Weaselton's still like, buck you for

0:53:22.400 --> 0:53:24.759
<v Speaker 1>hanging out with cops, like, I would never fucking I

0:53:24.760 --> 0:53:26.719
<v Speaker 1>would never funk with the fun with cops, Like he's

0:53:26.760 --> 0:53:29.160
<v Speaker 1>just down to die for the coups, Like Weaselton's the

0:53:29.200 --> 0:53:33.360
<v Speaker 1>hardest due in this movie. He's also selling an array

0:53:33.560 --> 0:53:39.920
<v Speaker 1>of DVDs that are referencecing shreking references to other Disney

0:53:39.920 --> 0:53:41.800
<v Speaker 1>movies that we're coming out around this time, such a

0:53:41.920 --> 0:53:44.279
<v Speaker 1>but they're all like the animal versions of it. My

0:53:44.320 --> 0:53:49.239
<v Speaker 1>favorite one is obviously Meajuana, so it's Mowanna as a cat.

0:53:51.280 --> 0:53:53.480
<v Speaker 1>I like this part, so that's the best part of

0:53:53.480 --> 0:53:56.960
<v Speaker 1>the movie. Perhaps his iPad was tight to that was

0:53:57.040 --> 0:54:02.680
<v Speaker 1>some cold design animal bands stuff. Yeah, but um, let's

0:54:02.920 --> 0:54:04.400
<v Speaker 1>you know what, Let's take a quick break and then

0:54:04.400 --> 0:54:15.839
<v Speaker 1>we'll come back. God all right, we're back. Now where

0:54:15.840 --> 0:54:18.920
<v Speaker 1>do we go? So, there's there's so many places we

0:54:18.960 --> 0:54:21.000
<v Speaker 1>could go. Here's where I would like to go next.

0:54:21.320 --> 0:54:28.280
<v Speaker 1>So the movie repeatedly uses a word that is a slur.

0:54:28.600 --> 0:54:31.720
<v Speaker 1>I will use the word to identify it. The word

0:54:31.840 --> 0:54:36.200
<v Speaker 1>is savage. Again. The movie uses it repeatedly to refer

0:54:36.280 --> 0:54:38.680
<v Speaker 1>to the animals who have gone wild and have become

0:54:38.840 --> 0:54:44.200
<v Speaker 1>violent and attacked. So, uh, this word is a very

0:54:44.239 --> 0:54:49.640
<v Speaker 1>offensive slur toward indigenous people in particular, I will say,

0:54:49.680 --> 0:54:52.600
<v Speaker 1>I guess in the movie's defense, the conversation around this

0:54:52.640 --> 0:54:55.960
<v Speaker 1>word being a slur was not a very mainstream conversation

0:54:56.000 --> 0:54:59.280
<v Speaker 1>at the time of this movie is like making and release.

0:54:59.520 --> 0:55:01.719
<v Speaker 1>It's been in kind of like more recent years that

0:55:01.800 --> 0:55:07.799
<v Speaker 1>this conversation has been brought to the forefront of cultural consciousness.

0:55:08.640 --> 0:55:11.960
<v Speaker 1>But even so, one of the many elements of this

0:55:12.000 --> 0:55:17.400
<v Speaker 1>movie that aged extraordinarily poorly five years right, um. I

0:55:17.480 --> 0:55:20.600
<v Speaker 1>asked a friend of the cast, Jess Merwin, their thoughts

0:55:20.719 --> 0:55:23.319
<v Speaker 1>on the use of this word in the context of

0:55:23.320 --> 0:55:26.200
<v Speaker 1>the movie. I said, you know, is it still offensive

0:55:26.200 --> 0:55:28.480
<v Speaker 1>in the context that it is being used in this movie?

0:55:28.600 --> 0:55:30.919
<v Speaker 1>Or is it just a word that should be eliminated

0:55:31.000 --> 0:55:35.160
<v Speaker 1>from our vocabularies entirely. And this is what just had

0:55:35.200 --> 0:55:41.200
<v Speaker 1>to say. Within Western culture, the concept of savage exists

0:55:41.239 --> 0:55:45.040
<v Speaker 1>in a binary with the concept of civilized, the idea

0:55:45.080 --> 0:55:49.200
<v Speaker 1>of one cannot exist without the other in opposition. Even

0:55:49.200 --> 0:55:51.359
<v Speaker 1>though in the film the word isn't being applied to

0:55:51.520 --> 0:55:55.040
<v Speaker 1>human beings, this binary still presents itself in the behavior

0:55:55.080 --> 0:55:58.520
<v Speaker 1>of the animals being labeled savage. They are violent, they

0:55:58.520 --> 0:56:04.319
<v Speaker 1>are volatile, they are quote other. When we associate violence, volatility,

0:56:04.560 --> 0:56:09.560
<v Speaker 1>being uncontrollable, being other with the word savage, we perpetuate

0:56:09.600 --> 0:56:12.399
<v Speaker 1>the harm that the word was intended to do when

0:56:12.400 --> 0:56:17.840
<v Speaker 1>it was applied to black and indigenous people. So basically,

0:56:18.239 --> 0:56:22.680
<v Speaker 1>for any listeners or anyone who's just not aware this word,

0:56:23.560 --> 0:56:26.920
<v Speaker 1>don't use it. Thank you, j Yes, thank you so

0:56:27.000 --> 0:56:31.879
<v Speaker 1>much Jess for your time and thoughts. So but yeah,

0:56:31.920 --> 0:56:34.720
<v Speaker 1>I was counting. The word gets used in the movie

0:56:35.400 --> 0:56:39.560
<v Speaker 1>no less than a dozen times, possibly more, just like constantly,

0:56:39.640 --> 0:56:43.359
<v Speaker 1>especially like after the halfway mark, which and and it's

0:56:43.400 --> 0:56:47.120
<v Speaker 1>the way it's used is to kind of reinforce this

0:56:47.440 --> 0:56:53.000
<v Speaker 1>gigantic failed metaphor. That is, like the word is used

0:56:53.040 --> 0:56:58.400
<v Speaker 1>to apply to predators, which again is like a hillary

0:56:58.440 --> 0:57:05.359
<v Speaker 1>the Hillary Clinton. It's infuriating and and I wanted to

0:57:05.719 --> 0:57:07.799
<v Speaker 1>get into that part two. I don't know, just like

0:57:07.840 --> 0:57:10.440
<v Speaker 1>as this movie was going on, there just more and

0:57:10.719 --> 0:57:14.560
<v Speaker 1>they were I feel like every time one metaphor would

0:57:14.600 --> 0:57:17.600
<v Speaker 1>kind of sputter and fail, they would start another one,

0:57:18.840 --> 0:57:22.240
<v Speaker 1>and that one would also be really poorly realized and

0:57:22.640 --> 0:57:26.480
<v Speaker 1>not good. The last big set piece of the movie

0:57:26.520 --> 0:57:31.680
<v Speaker 1>that's trying to comment on something unclear is the what

0:57:31.880 --> 0:57:37.400
<v Speaker 1>is it that howling the night howers right where they're implying,

0:57:37.760 --> 0:57:41.080
<v Speaker 1>you know, it's And there was a lot written about this,

0:57:41.360 --> 0:57:43.280
<v Speaker 1>like not right when the movie came out, but like

0:57:43.320 --> 0:57:46.200
<v Speaker 1>for some reason and eighteen I think people rewatch this

0:57:46.240 --> 0:57:48.080
<v Speaker 1>movie and they were like, now, hold on a second.

0:57:48.760 --> 0:57:53.960
<v Speaker 1>Is Utopia trying to comment on the drug epidemic in

0:57:54.280 --> 0:57:59.560
<v Speaker 1>the US? I'dn't even consider that. Uh well, the arguments

0:57:59.760 --> 0:58:06.440
<v Speaker 1>for that include the including this like very throwaway goofy

0:58:06.680 --> 0:58:11.400
<v Speaker 1>breaking bad reference and like basically implying that the government

0:58:11.640 --> 0:58:18.360
<v Speaker 1>is bringing drugs into quote unquote predator neighborhoods and turning

0:58:18.400 --> 0:58:22.480
<v Speaker 1>them into like, uh, I don't I don't know what

0:58:22.680 --> 0:58:25.600
<v Speaker 1>to but you know what I mean? Like, and so

0:58:25.640 --> 0:58:27.920
<v Speaker 1>I think that in the third act of this movie,

0:58:28.000 --> 0:58:32.520
<v Speaker 1>they're trying to like comment on the crack epidemic and like,

0:58:33.120 --> 0:58:36.640
<v Speaker 1>but again it's so poorly realized and so like in

0:58:36.680 --> 0:58:40.040
<v Speaker 1>this movie, like last minute like that, you're just it's like,

0:58:40.240 --> 0:58:44.760
<v Speaker 1>what are you doing, guys, Like execute one thing correctly,

0:58:45.160 --> 0:58:49.160
<v Speaker 1>like truly one thing. They simply can't. Wow, Yeah, that

0:58:49.400 --> 0:58:54.760
<v Speaker 1>doesn't occur to me either. It's now that you bring

0:58:54.800 --> 0:58:58.960
<v Speaker 1>it up, it is very wild. This is from it

0:58:59.080 --> 0:59:02.200
<v Speaker 1>was like referenced in a review of this movie from

0:59:02.320 --> 0:59:04.880
<v Speaker 1>Birth Movies Death Um that did come out at the

0:59:04.920 --> 0:59:07.840
<v Speaker 1>time that the movie came out, but yeah, just sort

0:59:07.880 --> 0:59:11.320
<v Speaker 1>of reference that. It's like it appears that like, yeah,

0:59:11.360 --> 0:59:14.760
<v Speaker 1>the government is bringing drugs into certain neighborhoods and then

0:59:15.120 --> 0:59:20.240
<v Speaker 1>you know, using the media to inspire fear and hatred

0:59:20.280 --> 0:59:24.040
<v Speaker 1>among everyone else, like in the quote unquote in Utopia,

0:59:24.080 --> 0:59:27.760
<v Speaker 1>World Prey. This movie is so funny and then like

0:59:29.320 --> 0:59:33.120
<v Speaker 1>and on top of that, the depiction of media in

0:59:33.160 --> 0:59:36.000
<v Speaker 1>this movie I also found to be very bizarre. Where

0:59:36.560 --> 0:59:40.360
<v Speaker 1>media is obviously very very up for criticism, but the

0:59:40.400 --> 0:59:44.960
<v Speaker 1>way it's used here is primarily Oh, the only reason

0:59:45.400 --> 0:59:50.080
<v Speaker 1>that Judy really fumbled and couldn't stop spouting eugenics and

0:59:50.240 --> 0:59:53.840
<v Speaker 1>her one press conference is because the media was twisting

0:59:53.880 --> 0:59:58.360
<v Speaker 1>her words and like they were like media training, but

0:59:58.560 --> 1:00:03.320
<v Speaker 1>she immediately forgot and they like and it's like implied

1:00:03.360 --> 1:00:07.800
<v Speaker 1>that like the media is misreporting on police press conferences,

1:00:08.280 --> 1:00:12.880
<v Speaker 1>which I wouldn't say is the problem, Like it's it's

1:00:13.120 --> 1:00:17.960
<v Speaker 1>I don't know, it's just incoherent. Like every issue they

1:00:17.960 --> 1:00:21.000
<v Speaker 1>try to tackle, it's like I don't know what you're saying,

1:00:21.880 --> 1:00:24.400
<v Speaker 1>but I think I disagree, And then other words it's like,

1:00:24.440 --> 1:00:27.680
<v Speaker 1>oh yeah, I definitely disagree. But like that was another

1:00:27.720 --> 1:00:30.400
<v Speaker 1>moment where I'm like, what does it take, like believe

1:00:30.920 --> 1:00:34.439
<v Speaker 1>cop press conferences, Like what is the takeaway from that?

1:00:35.480 --> 1:00:38.120
<v Speaker 1>To quote ma wanna, what is the lesson? What is

1:00:38.120 --> 1:00:41.280
<v Speaker 1>the takeaway? Don't miss with Mauie when he's on the breakaway.

1:00:42.400 --> 1:00:47.480
<v Speaker 1>This movie needed more Maui problem. One thing I think

1:00:47.480 --> 1:00:50.760
<v Speaker 1>this movie gets pretty accurate is um, dirty cop bullshit

1:00:51.320 --> 1:00:55.000
<v Speaker 1>because Hops pulls out all the tricks, but that's not

1:00:55.200 --> 1:00:59.440
<v Speaker 1>the movie. It's like presenting her as being like, look

1:00:59.480 --> 1:01:03.320
<v Speaker 1>how lever she is. She's so resourceful, she can get

1:01:03.360 --> 1:01:05.880
<v Speaker 1>stuff done, because like I think maybe one of the

1:01:05.880 --> 1:01:09.720
<v Speaker 1>reasons this movie was requested so frequently, especially like shortly

1:01:09.760 --> 1:01:12.040
<v Speaker 1>after it came out. Is because it's like an example,

1:01:12.600 --> 1:01:15.160
<v Speaker 1>I mean, very much on the surface. You could look

1:01:15.160 --> 1:01:16.880
<v Speaker 1>at this movie and be like, oh, it's a female

1:01:16.960 --> 1:01:20.959
<v Speaker 1>character who is really motivated and really active, and she's

1:01:21.000 --> 1:01:24.760
<v Speaker 1>driving the narrative and she's smart. She undergoes an arc

1:01:25.680 --> 1:01:31.520
<v Speaker 1>and she got more racist. But like she literally almost

1:01:31.520 --> 1:01:33.920
<v Speaker 1>shoots Jason Bavan at the like at the end of

1:01:33.960 --> 1:01:36.600
<v Speaker 1>the second act, just for like because he kind of

1:01:36.640 --> 1:01:51.440
<v Speaker 1>scared her and she almost one billion dollars. So anyway,

1:01:51.520 --> 1:01:55.080
<v Speaker 1>what was I saying, Um, oh, you're taking to highly

1:01:55.080 --> 1:01:59.040
<v Speaker 1>motivated a female character, like a surface feminine so so

1:01:59.080 --> 1:02:02.680
<v Speaker 1>I I guess it has that going for it. But

1:02:03.400 --> 1:02:05.960
<v Speaker 1>as we've pointed out, that female character is just like

1:02:06.520 --> 1:02:12.479
<v Speaker 1>girl Boss cop Lady, who is like doing crooked cop ship.

1:02:12.560 --> 1:02:16.080
<v Speaker 1>But the movie is not. Actually, the movie's intent is

1:02:16.120 --> 1:02:19.800
<v Speaker 1>not to be like, look at how crooked cops are.

1:02:20.320 --> 1:02:23.480
<v Speaker 1>It's like, look at how resourceful this clever bunny is

1:02:23.640 --> 1:02:27.480
<v Speaker 1>well and and like Jason Bateman Fox with Nick nick

1:02:27.560 --> 1:02:30.480
<v Speaker 1>Nick like says that once, like when she's in the

1:02:30.520 --> 1:02:34.080
<v Speaker 1>middle of doing a cop crime, he's like smart a

1:02:34.120 --> 1:02:37.920
<v Speaker 1>little bunny. It was like, what the fuck is happening?

1:02:38.480 --> 1:02:41.040
<v Speaker 1>Do we, um, did we hit on all of the

1:02:41.080 --> 1:02:43.480
<v Speaker 1>cop crimes? She did? Because we we did? Reference we

1:02:43.480 --> 1:02:46.160
<v Speaker 1>should run it down. Yeah, do you does anyone have

1:02:46.240 --> 1:02:49.440
<v Speaker 1>a comprehensive list? Because there there was a bunch. Okay,

1:02:49.480 --> 1:02:52.280
<v Speaker 1>So she tries to um. Well, first of all, she

1:02:52.520 --> 1:02:55.680
<v Speaker 1>profiles Gideon in the beginning, before she's even a cop,

1:02:55.760 --> 1:02:58.640
<v Speaker 1>she's on her fucking Kyle Rittenhouse ship and she just

1:02:58.920 --> 1:03:02.480
<v Speaker 1>fucking sticks her no into some ship that's not, frankly

1:03:02.560 --> 1:03:04.720
<v Speaker 1>her business. I mean, I guess her friends were getting robbed,

1:03:04.720 --> 1:03:09.120
<v Speaker 1>but you know, don't snitch. Um. So she profiles Gideon,

1:03:09.360 --> 1:03:12.560
<v Speaker 1>and then when she gets to Zutopia, she profiles Well.

1:03:12.600 --> 1:03:16.520
<v Speaker 1>First she's like, hype to give out parking tickets. Yeah right,

1:03:16.800 --> 1:03:19.439
<v Speaker 1>She's like hundred, I'll give out two hundred by noon,

1:03:19.840 --> 1:03:22.439
<v Speaker 1>and this is supposed to endear us to her. And

1:03:22.680 --> 1:03:25.440
<v Speaker 1>if it's a parking ticket in a city like Los Angeles,

1:03:25.480 --> 1:03:28.200
<v Speaker 1>for example, that then costs somewhere between like sixty five

1:03:28.200 --> 1:03:31.400
<v Speaker 1>and seventy five dollars. And she's so she's like basically

1:03:31.520 --> 1:03:35.720
<v Speaker 1>robbing the civilians of Utopia. She doesn't want to help people,

1:03:36.440 --> 1:03:42.640
<v Speaker 1>she just wants to facilitate. Trying to exactly from everyone.

1:03:42.880 --> 1:03:48.240
<v Speaker 1>Then she um tries to basically blackmail Wild after he

1:03:48.360 --> 1:03:51.760
<v Speaker 1>explains his scam, she pulls up she has tax forms?

1:03:52.120 --> 1:03:54.320
<v Speaker 1>Did she Why does she have those? I don't know

1:03:54.960 --> 1:03:57.240
<v Speaker 1>to blackmail him with I know, but well, I guess

1:03:57.240 --> 1:04:00.280
<v Speaker 1>she planned ahead. That was like a premeditated black if

1:04:00.360 --> 1:04:04.160
<v Speaker 1>she already had the forms. She tricks Wild into jumping

1:04:04.160 --> 1:04:07.840
<v Speaker 1>a fence, um so she can use probable cause to

1:04:07.960 --> 1:04:10.040
<v Speaker 1>also jump the fence and break into a car to

1:04:10.800 --> 1:04:14.840
<v Speaker 1>get evidence. I mean, Mr Mantchez is basically having a

1:04:14.840 --> 1:04:17.520
<v Speaker 1>mental health episode and she just calls more cops to

1:04:17.560 --> 1:04:21.440
<v Speaker 1>the scene to funk him up, which historically has never

1:04:21.800 --> 1:04:28.440
<v Speaker 1>goes well. Yeah, like she does so many cop crimes.

1:04:28.640 --> 1:04:31.120
<v Speaker 1>And also like there's just like these kind of I

1:04:31.120 --> 1:04:34.000
<v Speaker 1>mean again and maybe this is more like kids movie stuff,

1:04:34.040 --> 1:04:38.600
<v Speaker 1>but it's like kids copaganda, so it's complicated. But there's

1:04:38.640 --> 1:04:41.960
<v Speaker 1>like multiple moments where she's fired and then she's just

1:04:42.000 --> 1:04:46.080
<v Speaker 1>like no, I'm not, and then she's not, and then

1:04:46.120 --> 1:04:48.120
<v Speaker 1>at one point Jason Bateman is like no, she's not,

1:04:48.560 --> 1:04:51.840
<v Speaker 1>and then it's like you can't. You don't even work here,

1:04:51.960 --> 1:04:54.400
<v Speaker 1>what are you talking about? Like, but he will also

1:04:54.400 --> 1:04:56.960
<v Speaker 1>we should point out that like Bateman is like, you know,

1:04:57.200 --> 1:05:01.320
<v Speaker 1>he's the criminal or whatever, and then when he reforms,

1:05:01.760 --> 1:05:05.320
<v Speaker 1>he just becomes a cop. So like that's like, that's

1:05:05.400 --> 1:05:11.240
<v Speaker 1>like the station that all goodhearted animals and Utopia aspire to,

1:05:12.560 --> 1:05:16.120
<v Speaker 1>the pipeline from criminal. Before he meets Hops, he could

1:05:16.200 --> 1:05:19.720
<v Speaker 1>never dream of being a cop. It's like, catch me

1:05:19.800 --> 1:05:22.720
<v Speaker 1>if you can. When he's like, first, I'm a con

1:05:22.800 --> 1:05:24.760
<v Speaker 1>artist and I'm so good at that that I'm going

1:05:24.800 --> 1:05:28.439
<v Speaker 1>to help the cops learn about con artists. And that's

1:05:28.440 --> 1:05:31.280
<v Speaker 1>what happens at the end of the movie. They both

1:05:31.320 --> 1:05:34.920
<v Speaker 1>fucking suck. They suck so much it's so like, it's

1:05:34.920 --> 1:05:38.080
<v Speaker 1>so frustrated, like and I feel like the way that

1:05:38.200 --> 1:05:42.520
<v Speaker 1>Idris Elba's character is used is also like he's one

1:05:42.560 --> 1:05:46.080
<v Speaker 1>of the only black voices in the cast, and he's

1:05:46.160 --> 1:05:50.240
<v Speaker 1>cast in the police chief role, which is, at least

1:05:50.600 --> 1:05:53.200
<v Speaker 1>right now, is a very popular trope of like the

1:05:53.200 --> 1:05:57.680
<v Speaker 1>black police chief who just kind of unquestioning lee holds

1:05:57.760 --> 1:06:01.000
<v Speaker 1>up the establishment. It's just, I don't know, the fact

1:06:01.000 --> 1:06:04.800
<v Speaker 1>that this movie has no interest in interrogating policing at

1:06:04.840 --> 1:06:10.200
<v Speaker 1>all is just so like mind blowingly frustrating to the

1:06:10.240 --> 1:06:12.600
<v Speaker 1>Elda thing. Elda thing is so modeled too though, because

1:06:12.600 --> 1:06:16.040
<v Speaker 1>he has such a specific like South London accent and

1:06:16.160 --> 1:06:19.880
<v Speaker 1>like voice. Yeah, if they want, if they needed to

1:06:19.960 --> 1:06:23.240
<v Speaker 1>like get a black cop, like he's like the not

1:06:23.560 --> 1:06:25.840
<v Speaker 1>he wouldn't even be in like my top one voice list,

1:06:25.920 --> 1:06:31.000
<v Speaker 1>you know, right, nothing. It's just so like I just

1:06:31.040 --> 1:06:33.920
<v Speaker 1>feel like it's yet another example of like this movie

1:06:34.000 --> 1:06:37.240
<v Speaker 1>just like no one is in the room who is

1:06:37.280 --> 1:06:41.640
<v Speaker 1>thinking it through? And the little tiny bit of research

1:06:41.760 --> 1:06:46.479
<v Speaker 1>they seemed to do was to ask one person who

1:06:46.520 --> 1:06:50.160
<v Speaker 1>she taught them everything, and then they went to Disney

1:06:50.160 --> 1:06:58.320
<v Speaker 1>World to congratulate themselves. Oh my god, Oh wait, one

1:06:58.320 --> 1:07:01.720
<v Speaker 1>more thing. Um, there's a fucking you'll ever seen like

1:07:01.720 --> 1:07:04.560
<v Speaker 1>the TikTok or Instagram videos or like cops play basketball

1:07:04.560 --> 1:07:08.479
<v Speaker 1>with kids, like like you know, we're community policing. We're

1:07:08.560 --> 1:07:11.439
<v Speaker 1>like we're cool. You can talk to us like we're down.

1:07:12.240 --> 1:07:16.720
<v Speaker 1>You don't know what I'm talking about. It's just like

1:07:16.880 --> 1:07:20.600
<v Speaker 1>bad cop propaganda to be like, look, we're actually cool,

1:07:20.960 --> 1:07:23.200
<v Speaker 1>but it's like pretty popular in the social media age.

1:07:23.360 --> 1:07:24.840
<v Speaker 1>There's like a thing at the end where she plays

1:07:24.840 --> 1:07:27.080
<v Speaker 1>soccer with these two kids. Did you catch that? Like

1:07:27.320 --> 1:07:29.760
<v Speaker 1>she's walking into city off She's like hey kids, check

1:07:29.800 --> 1:07:34.840
<v Speaker 1>this out. Hello, fellow kids, it's me a cop. Um. Okay,

1:07:35.080 --> 1:07:40.160
<v Speaker 1>here's a thing I'll say. Ready, So, Gideon the Fox

1:07:40.680 --> 1:07:44.840
<v Speaker 1>speaks with a thick accent from somewhere in the American South.

1:07:45.000 --> 1:07:50.400
<v Speaker 1>I don't know. Um. So, there's obviously a tendency to

1:07:50.440 --> 1:07:54.640
<v Speaker 1>assign like American Southern accents to someone who has like

1:07:54.720 --> 1:07:58.560
<v Speaker 1>a backward way of thinking, someone who has like regressive politics.

1:07:58.920 --> 1:08:02.240
<v Speaker 1>I myself have been guilty of doing this in the past.

1:08:03.120 --> 1:08:06.320
<v Speaker 1>But it's like it's basically doing what the movie is

1:08:06.640 --> 1:08:09.400
<v Speaker 1>trying to say, Hey, don't do this, don't make sweeping

1:08:09.560 --> 1:08:14.520
<v Speaker 1>generalizations about people. Don't like lean into stereotypes. And that's

1:08:14.560 --> 1:08:19.519
<v Speaker 1>what they're doing with that character. I had that as well, Wow,

1:08:19.800 --> 1:08:22.280
<v Speaker 1>look at us, look at us. Um it is a

1:08:22.360 --> 1:08:25.200
<v Speaker 1>small thing, and I feel like it is something that

1:08:25.800 --> 1:08:29.800
<v Speaker 1>it's not even like inherent to animation, although animation tends

1:08:29.840 --> 1:08:32.120
<v Speaker 1>to be a worse perpetrator of most tropes because it's

1:08:32.120 --> 1:08:35.400
<v Speaker 1>such an exaggerated form. But yeah, I mean I feel

1:08:35.400 --> 1:08:37.360
<v Speaker 1>like that's something we see all the time of the

1:08:37.400 --> 1:08:40.960
<v Speaker 1>person who is wrong quote unquote, even though he's like,

1:08:41.000 --> 1:08:44.280
<v Speaker 1>don't be a cop, but like he's wrong. Uh, you know,

1:08:44.479 --> 1:08:51.840
<v Speaker 1>he shouldn't have hit her. Okay uh. I think the

1:08:51.920 --> 1:08:55.439
<v Speaker 1>person who is wrong is given a Southern accent, and

1:08:55.479 --> 1:08:58.800
<v Speaker 1>the person who is right has a coastal accent even

1:08:58.840 --> 1:09:02.439
<v Speaker 1>though they live in the same place, And like, why

1:09:02.800 --> 1:09:05.280
<v Speaker 1>is does everyone here have and why does everyone here

1:09:05.280 --> 1:09:07.240
<v Speaker 1>have a different accent? And it is truly I think,

1:09:07.320 --> 1:09:13.679
<v Speaker 1>like just assigning heroism and nice good ideas to people

1:09:13.840 --> 1:09:16.559
<v Speaker 1>from the coasts and if you have any kind of

1:09:16.680 --> 1:09:20.439
<v Speaker 1>any I mean really like most regional American accents are

1:09:20.479 --> 1:09:24.360
<v Speaker 1>applied to people who you're not supposed to think are

1:09:24.439 --> 1:09:27.280
<v Speaker 1>as smart as someone who talks like they you know,

1:09:27.479 --> 1:09:31.720
<v Speaker 1>like work in Manhattan or whatever the funk, you know

1:09:31.760 --> 1:09:36.719
<v Speaker 1>what I mean. So yeah, that's just yet another weird

1:09:37.680 --> 1:09:42.760
<v Speaker 1>l this movie voluntarily takes one billion dollars. Another one,

1:09:42.840 --> 1:09:46.599
<v Speaker 1>I would say is the movie leans into some fat

1:09:46.600 --> 1:09:51.840
<v Speaker 1>phobic tropes and stereotypes with the Clawhouser character and that

1:09:52.040 --> 1:09:57.439
<v Speaker 1>he's constantly eating, He's like very sedentary and out of shape.

1:09:57.479 --> 1:09:59.400
<v Speaker 1>The one time he has to like chase after someone

1:09:59.520 --> 1:10:02.720
<v Speaker 1>he like is not able to physically move very well.

1:10:02.840 --> 1:10:06.759
<v Speaker 1>Just different things like that. And there's there's the movie

1:10:06.800 --> 1:10:11.479
<v Speaker 1>being shitty yet again in in a different way. I know,

1:10:11.600 --> 1:10:13.720
<v Speaker 1>like we've we've like referenced a lot that there's just

1:10:13.760 --> 1:10:16.080
<v Speaker 1>like so many individual moments in this movie where you're

1:10:16.080 --> 1:10:22.559
<v Speaker 1>like the moment that you've brought up, Matt where um,

1:10:22.600 --> 1:10:25.320
<v Speaker 1>where Judy quits being a cop at the end of

1:10:25.320 --> 1:10:27.560
<v Speaker 1>the second actor, we're like, let's call it. We did it.

1:10:27.800 --> 1:10:32.080
<v Speaker 1>Movie done. But again how it's like just like such

1:10:32.120 --> 1:10:36.559
<v Speaker 1>a nasty feminism that is being expressed here that is

1:10:37.000 --> 1:10:42.160
<v Speaker 1>extremely white and in service of all things capitalism, where

1:10:42.200 --> 1:10:44.599
<v Speaker 1>it's like the framing for her quitting being a cop

1:10:44.920 --> 1:10:50.080
<v Speaker 1>because she, in the world of this movie has ruined

1:10:50.160 --> 1:10:54.080
<v Speaker 1>the city is like, but what about your dream? Girl?

1:10:54.479 --> 1:10:57.440
<v Speaker 1>Like they're like, girl, don't come up on your dreams

1:10:57.479 --> 1:11:02.360
<v Speaker 1>to fucking ruin society. You're like, what, but the movie

1:11:02.400 --> 1:11:05.760
<v Speaker 1>believes that the movie believes that she would be morally

1:11:05.880 --> 1:11:09.400
<v Speaker 1>wrong to give up on her dream of ruining society,

1:11:09.800 --> 1:11:15.400
<v Speaker 1>Like it's just so misguided and so like, I don't know.

1:11:17.840 --> 1:11:20.639
<v Speaker 1>And then Eadris Elba says, the world has always been broken,

1:11:20.720 --> 1:11:23.360
<v Speaker 1>that's why we need good cops like you. And then

1:11:23.479 --> 1:11:25.479
<v Speaker 1>she's like, I quit and then she's like, no, you're right,

1:11:25.520 --> 1:11:27.519
<v Speaker 1>I'm going to get a new cop on the forest

1:11:28.160 --> 1:11:33.439
<v Speaker 1>and recrude. I'm recruiting people, yea, so um, but that

1:11:33.840 --> 1:11:39.320
<v Speaker 1>sex Bole they go to fucking kicks ass. That's like

1:11:39.880 --> 1:11:42.200
<v Speaker 1>where I would hang in Utopia. I was trying to

1:11:42.200 --> 1:11:44.080
<v Speaker 1>think of, like what micro climate I would want to

1:11:44.120 --> 1:11:47.719
<v Speaker 1>go to, because that sequence where she first she takes

1:11:47.760 --> 1:11:53.240
<v Speaker 1>the train, gotta give it up. That part she's cruising

1:11:53.240 --> 1:11:56.439
<v Speaker 1>through all these climates. You've seen Utopia, which looks very

1:11:56.479 --> 1:11:59.559
<v Speaker 1>much like Asgard from the Thorn movies, by the way,

1:12:00.360 --> 1:12:01.880
<v Speaker 1>and I was like, yeah, I wonder where I would live.

1:12:01.920 --> 1:12:03.880
<v Speaker 1>I think I chose the jungle, but then once I

1:12:03.880 --> 1:12:06.880
<v Speaker 1>saw the sex Spot, it's wherever that is that your

1:12:06.960 --> 1:12:09.320
<v Speaker 1>number one favorite part of the movie. I mean, no,

1:12:09.439 --> 1:12:10.919
<v Speaker 1>I'm never a part of the movie is when Weaselton

1:12:11.080 --> 1:12:13.760
<v Speaker 1>is just like I'm ready to die, motherfucker, like I

1:12:13.800 --> 1:12:17.479
<v Speaker 1>will never help the cops like fucking kill me. But um, yeah,

1:12:17.560 --> 1:12:20.880
<v Speaker 1>the sex Spot part is sex Spot rules. Yeah. The

1:12:20.920 --> 1:12:24.840
<v Speaker 1>world building in this movie from a strictly visual point

1:12:24.880 --> 1:12:28.920
<v Speaker 1>of view, not like cultural or societal, but just like visual.

1:12:29.160 --> 1:12:32.519
<v Speaker 1>It's like very pretty and cool. I loved I loved.

1:12:32.880 --> 1:12:37.120
<v Speaker 1>Was it called Rodentia or something where it's like where

1:12:37.360 --> 1:12:40.120
<v Speaker 1>it was just a bunch of dollhouses. I liked that.

1:12:40.120 --> 1:12:42.960
<v Speaker 1>That was fun, the filmmaker. So, speaking of kind of

1:12:42.960 --> 1:12:49.080
<v Speaker 1>the world building, the filmmakers consulted experts such as zoologists,

1:12:49.120 --> 1:12:52.519
<v Speaker 1>who were like, this is how animals move and what

1:12:52.640 --> 1:12:56.080
<v Speaker 1>their fur looks like. I just like that shouldn't be

1:12:56.160 --> 1:12:58.680
<v Speaker 1>priority number one, right, That's what I'm saying. Like, But

1:12:59.160 --> 1:13:02.599
<v Speaker 1>they went so far as like consult specialists from the

1:13:02.640 --> 1:13:07.559
<v Speaker 1>Americans with Disabilities Act who helped construct a city where

1:13:07.680 --> 1:13:10.880
<v Speaker 1>like a two inch little rodent would live in the

1:13:11.000 --> 1:13:15.520
<v Speaker 1>same city as like a twenty seven foot giraffe. Um.

1:13:15.680 --> 1:13:20.439
<v Speaker 1>They also consulted h VAC system designers to figure out

1:13:20.520 --> 1:13:24.160
<v Speaker 1>how to, for example, build a tundra neighborhood next to

1:13:24.320 --> 1:13:28.160
<v Speaker 1>a desert. But they just only talked to that one

1:13:28.240 --> 1:13:32.040
<v Speaker 1>lady about how to do racism. Like that's all sounds

1:13:32.040 --> 1:13:39.320
<v Speaker 1>pretty cool, but there's one there. Oh god, that's so.

1:13:39.479 --> 1:13:41.360
<v Speaker 1>I mean, it's like and that research. I'm sure that

1:13:41.360 --> 1:13:44.240
<v Speaker 1>that was really fun and interesting. It's like, you gotta

1:13:44.320 --> 1:13:48.960
<v Speaker 1>do the whole movie. You can't just do Yeah, it

1:13:49.000 --> 1:13:50.439
<v Speaker 1>could have been awesome if they had just gone with

1:13:50.479 --> 1:13:54.840
<v Speaker 1>a different story. I mean, the setting is awesome. Um.

1:13:54.880 --> 1:13:58.439
<v Speaker 1>I read that. I forget which of the directors this was.

1:13:58.520 --> 1:14:01.000
<v Speaker 1>But basically when he was pitching to John Lasseter, who

1:14:01.040 --> 1:14:04.479
<v Speaker 1>obviously John Lasseter, but he was like, yeah, When I

1:14:04.479 --> 1:14:07.479
<v Speaker 1>told him we wanted to do a movie about talking

1:14:07.479 --> 1:14:12.280
<v Speaker 1>animals who wear clothes, John Lasseter reportedly picked him up

1:14:12.840 --> 1:14:16.599
<v Speaker 1>and like hugged him and was like we green Light

1:14:18.720 --> 1:14:21.760
<v Speaker 1>was just laughing because just like picturing a grown man

1:14:21.880 --> 1:14:25.360
<v Speaker 1>picking up another grown man and like an excited of

1:14:25.880 --> 1:14:31.280
<v Speaker 1>animals and clothes, which does happen all the time. The

1:14:31.400 --> 1:14:35.240
<v Speaker 1>design of Zutopia reminded me a lot of Richard Scarry's

1:14:35.280 --> 1:14:38.960
<v Speaker 1>Busy Town. Oh. I really loved it when I was

1:14:39.000 --> 1:14:41.640
<v Speaker 1>a kid. Oh, I can't wait to show you. It

1:14:41.800 --> 1:14:44.400
<v Speaker 1>was just like it was a city where all animals

1:14:44.400 --> 1:14:46.439
<v Speaker 1>live together, and they wear clothes, and they have jobs

1:14:46.960 --> 1:14:50.839
<v Speaker 1>and um, and they, as far as I can remember,

1:14:50.920 --> 1:14:53.960
<v Speaker 1>don't attempt any themes that are way out of their

1:14:54.000 --> 1:14:57.439
<v Speaker 1>depth like Zutopia does. I do feel like with this

1:14:57.479 --> 1:15:01.960
<v Speaker 1>movie it's kind of another example of and we've talked

1:15:01.960 --> 1:15:04.480
<v Speaker 1>about this, I think from a lot of different angles

1:15:04.479 --> 1:15:09.639
<v Speaker 1>over the years, but like taking a massive societal ill

1:15:10.240 --> 1:15:14.760
<v Speaker 1>like racism and prejudice in general, and making it like

1:15:15.280 --> 1:15:20.040
<v Speaker 1>one person's fault and then being like and then they

1:15:20.120 --> 1:15:22.800
<v Speaker 1>either learned from their miss like they learn and then

1:15:22.800 --> 1:15:25.639
<v Speaker 1>they say, let's all get along. And then one person

1:15:25.720 --> 1:15:29.360
<v Speaker 1>goes to jail and we're not going to talk about jail,

1:15:30.600 --> 1:15:34.080
<v Speaker 1>like and then problem is solved. And that's like, what

1:15:34.439 --> 1:15:38.880
<v Speaker 1>because one rabbit solved the problem? Because one rabbit became

1:15:38.960 --> 1:15:42.080
<v Speaker 1>more racist? Like I firmly believe she became more and

1:15:42.080 --> 1:15:44.400
<v Speaker 1>more racist as the movie was going on. But like,

1:15:44.479 --> 1:15:50.559
<v Speaker 1>by sending Jenny Slight to jail, racism is solved. Is

1:15:50.760 --> 1:15:54.200
<v Speaker 1>the logic that this movie is operating under. I also

1:15:54.200 --> 1:15:56.240
<v Speaker 1>think it sucks that it's like the only other like

1:15:57.040 --> 1:15:59.679
<v Speaker 1>dominant female character in this movie is like the most

1:15:59.720 --> 1:16:02.839
<v Speaker 1>evil person in the world, which you know it happens,

1:16:02.880 --> 1:16:07.120
<v Speaker 1>but but it's a there's just I feel like we've

1:16:07.200 --> 1:16:09.320
<v Speaker 1>we've seen this. I always go back to I don't

1:16:09.320 --> 1:16:11.240
<v Speaker 1>know why, I always go back to the Girl with

1:16:11.280 --> 1:16:13.439
<v Speaker 1>the Dragon tattoo, and we talked about this, but like

1:16:14.040 --> 1:16:19.719
<v Speaker 1>there's a character who assaults Lizabeth Salander in that movie

1:16:19.800 --> 1:16:23.479
<v Speaker 1>and he is like this, you know, a symbol of

1:16:23.760 --> 1:16:27.960
<v Speaker 1>all misogyny. And by defeating this one man, we have

1:16:28.400 --> 1:16:31.360
<v Speaker 1>we've we've fixed it, and nothing bad is ever going

1:16:31.400 --> 1:16:33.519
<v Speaker 1>to happen again. And I feel like that's like there's

1:16:33.560 --> 1:16:36.240
<v Speaker 1>a version of that going on here with a different

1:16:36.280 --> 1:16:42.920
<v Speaker 1>theme that it's just like attributing a systemic, centuries millennia

1:16:43.000 --> 1:16:48.439
<v Speaker 1>long problem too. It was one person who's responsible, well,

1:16:49.200 --> 1:16:52.679
<v Speaker 1>like refusing to even reference any of the issues within

1:16:52.680 --> 1:16:56.040
<v Speaker 1>the system even though the movie is about Yeah, I

1:16:56.040 --> 1:16:58.880
<v Speaker 1>mean the conspiracy goes to city Hall, so they they

1:16:59.479 --> 1:17:04.240
<v Speaker 1>they're me at the system right like and city all

1:17:04.320 --> 1:17:09.840
<v Speaker 1>and cops get along. Like that's another like, I don't know,

1:17:09.400 --> 1:17:17.240
<v Speaker 1>I don't know. Does anyone have any other thoughts? Um,

1:17:17.280 --> 1:17:22.000
<v Speaker 1>good for Shakira. Good for Shakira. I will say that

1:17:22.880 --> 1:17:28.840
<v Speaker 1>a far, far, far better animal movie with a climactic

1:17:28.880 --> 1:17:32.679
<v Speaker 1>showdown between the protagonist and the villain that takes place

1:17:32.760 --> 1:17:39.640
<v Speaker 1>in a natural history museum is Paddington One. Wow, I

1:17:39.960 --> 1:17:41.720
<v Speaker 1>didn't think of that. You know what else is like?

1:17:42.640 --> 1:17:50.360
<v Speaker 1>Um Tailspina, Yeah, but it's it was like Jungle Book

1:17:50.400 --> 1:17:54.240
<v Speaker 1>characters but they live in a city. Oh, I wow,

1:17:54.360 --> 1:17:56.760
<v Speaker 1>I haven't thought about that. In Becky Whoa it was

1:17:56.760 --> 1:17:59.800
<v Speaker 1>like on Disney Channel. Um, yeah, it might have been

1:17:59.800 --> 1:18:03.439
<v Speaker 1>on regular STV too. I can't remember Starday Morning Cartoon.

1:18:03.479 --> 1:18:08.120
<v Speaker 1>Think whoa. I wonder if that holds up. It sounds fun.

1:18:08.320 --> 1:18:11.720
<v Speaker 1>I think I remember they're doing a new Disney plus one. Okay,

1:18:12.000 --> 1:18:14.479
<v Speaker 1>well that's the law. You have to every piece of

1:18:14.520 --> 1:18:21.719
<v Speaker 1>intellectual property must be rebooted. And if it's anything like Utopia,

1:18:19.080 --> 1:18:28.400
<v Speaker 1>if it'll be Mark capaganda billion dollars. Yeah. I part

1:18:28.439 --> 1:18:32.440
<v Speaker 1>of me is like, what about though, like the target audience,

1:18:32.680 --> 1:18:37.719
<v Speaker 1>and is this, despite its many problems, is this movie

1:18:37.840 --> 1:18:41.439
<v Speaker 1>an okay, jumping off point for young children to learn

1:18:41.479 --> 1:18:46.000
<v Speaker 1>about racism and prejudice. It could be. I don't want

1:18:46.000 --> 1:18:50.880
<v Speaker 1>to like undermine that as a possibility, but like, I

1:18:50.880 --> 1:18:57.599
<v Speaker 1>wouldn't show this confusing and inconsistent so never mind scratch that.

1:18:57.840 --> 1:19:01.240
<v Speaker 1>I mean, and it's again, it's like listeners if you know,

1:19:01.760 --> 1:19:05.479
<v Speaker 1>we're not parents, so like, if your kid loves this movie,

1:19:05.880 --> 1:19:09.200
<v Speaker 1>we would be interested to hear. Yeah, personally, I don't

1:19:09.200 --> 1:19:13.080
<v Speaker 1>know this. This one is too messy. I wouldn't want

1:19:13.200 --> 1:19:17.960
<v Speaker 1>my kids first introduction to these themes be this movie

1:19:18.000 --> 1:19:21.280
<v Speaker 1>because this movie doesn't know what it's saying. Yeah, very true.

1:19:22.400 --> 1:19:27.280
<v Speaker 1>It passes the Bechdel test though apparently between Jenny Slatee

1:19:27.320 --> 1:19:31.280
<v Speaker 1>and Jennifer Goodwin iconic Wow, what do they talk about

1:19:32.000 --> 1:19:36.120
<v Speaker 1>it's like sticking together talking at cops. Us. Little guy's

1:19:36.120 --> 1:19:39.479
<v Speaker 1>got to look out for each other, and she's like

1:19:40.200 --> 1:19:46.559
<v Speaker 1>woman's solidarity, the cop and the evil mayor. Um. Okay,

1:19:46.600 --> 1:19:51.320
<v Speaker 1>So as far as feminist, that is feminism five nipples.

1:19:51.840 --> 1:19:54.200
<v Speaker 1>As far as our nipple scales zero to five nipples.

1:19:54.240 --> 1:19:57.639
<v Speaker 1>Based on how the movie fares when examining it through

1:19:57.720 --> 1:20:05.200
<v Speaker 1>an intersectional feminist lens, I'll go with we'll get with

1:20:05.240 --> 1:20:12.880
<v Speaker 1>this movie a half nipple because, uh, the main character

1:20:13.040 --> 1:20:20.479
<v Speaker 1>is a woman, and um, she's you know, people are

1:20:20.600 --> 1:20:25.120
<v Speaker 1>sexist towards her question mark. Um, but again that this

1:20:25.280 --> 1:20:31.760
<v Speaker 1>is I just because this is where we find out

1:20:31.760 --> 1:20:36.880
<v Speaker 1>you've been friends with Officer Hops the whole time. Um,

1:20:36.880 --> 1:20:40.400
<v Speaker 1>so yeah, obviously I'm having a hard time justifying this.

1:20:41.080 --> 1:20:44.920
<v Speaker 1>Um I'll give it half nipple because of weaselton character

1:20:46.080 --> 1:20:50.439
<v Speaker 1>and the horny, horny horny animals at the horny horny

1:20:50.479 --> 1:20:57.120
<v Speaker 1>sex spots, and those are the only redeeming things. Judy

1:20:57.280 --> 1:21:00.599
<v Speaker 1>shut up. She's just so happy if the movie half

1:21:00.600 --> 1:21:07.000
<v Speaker 1>a nipple. He was like, you should have been five.

1:21:08.960 --> 1:21:14.839
<v Speaker 1>What about at the end they're driving like a militarized tank, Like,

1:21:15.280 --> 1:21:17.880
<v Speaker 1>oh my god, and they just fucking pull over the

1:21:17.920 --> 1:21:22.240
<v Speaker 1>slot dude, like, come on, and even though he was speeding,

1:21:22.280 --> 1:21:24.559
<v Speaker 1>it's implied that they're like, we'll let you off the

1:21:24.560 --> 1:21:27.800
<v Speaker 1>hook because you're my friend. Oh yeah, Oh, I thought

1:21:27.840 --> 1:21:30.680
<v Speaker 1>baby was like hyped to throw the book at I

1:21:30.680 --> 1:21:33.240
<v Speaker 1>don't know, hard hard to say. I'm giving this movie

1:21:33.280 --> 1:21:37.880
<v Speaker 1>no nipples. I really didn't like it. I did. I mean,

1:21:38.040 --> 1:21:41.640
<v Speaker 1>there are like small characters and like small scenes that

1:21:41.800 --> 1:21:44.320
<v Speaker 1>I liked, but I just like, I don't know, this

1:21:44.360 --> 1:21:47.720
<v Speaker 1>movie was such a bummer to watch. It's such a

1:21:47.760 --> 1:21:51.920
<v Speaker 1>bummer that it came out so recently. I just think

1:21:51.960 --> 1:21:56.360
<v Speaker 1>it's just like, and I know I sound like an

1:21:56.360 --> 1:21:59.640
<v Speaker 1>asshole saying this, but I think it's neoliberal trash and

1:21:59.680 --> 1:22:03.400
<v Speaker 1>I gets useless and I don't like it. Um Weaselton

1:22:03.560 --> 1:22:07.880
<v Speaker 1>was fun. I laughed at the slop scene and the

1:22:07.920 --> 1:22:13.720
<v Speaker 1>Shakira song was Okay, it's slightly better than okay. Anyway,

1:22:14.560 --> 1:22:16.920
<v Speaker 1>how about you if you think I'll give it one Okay,

1:22:17.280 --> 1:22:22.000
<v Speaker 1>I think it's a problematic and neoliberal trash. But if

1:22:22.120 --> 1:22:25.800
<v Speaker 1>you aren't thinking too hard, or it's on in the background,

1:22:25.920 --> 1:22:28.000
<v Speaker 1>or you want to just drag it with your friends,

1:22:28.200 --> 1:22:33.400
<v Speaker 1>it's pretty good looking I mean visually, the world building

1:22:33.439 --> 1:22:37.360
<v Speaker 1>is kind of fun. Just talk over it one nipple.

1:22:39.240 --> 1:22:43.200
<v Speaker 1>If you are not watching it, what you're saying. If

1:22:43.200 --> 1:22:45.599
<v Speaker 1>it's un mute and you close your eyes every time

1:22:45.640 --> 1:22:48.559
<v Speaker 1>there's a cop on screen, it's actually awesome. Now I'm

1:22:48.600 --> 1:22:50.720
<v Speaker 1>just doing the thing of like thinking about how I

1:22:50.760 --> 1:22:53.960
<v Speaker 1>really liked this movie like five short years ago. Sure,

1:22:54.439 --> 1:22:56.160
<v Speaker 1>but it's like it's yeah, like we said, it's a

1:22:56.200 --> 1:23:01.000
<v Speaker 1>testament to how things are progressing, and it's fun to

1:23:01.080 --> 1:23:06.720
<v Speaker 1>reflect on that. This is this was this this, this

1:23:06.760 --> 1:23:08.720
<v Speaker 1>one broke my brain a little bit. This was a

1:23:08.760 --> 1:23:11.559
<v Speaker 1>tough This was a tough prep. But I'm I'm glad

1:23:11.600 --> 1:23:14.519
<v Speaker 1>we did it. Thank you for Thank you for bringing

1:23:14.560 --> 1:23:16.240
<v Speaker 1>it to us, Matt, even though it sounds like you

1:23:16.320 --> 1:23:20.360
<v Speaker 1>kind of didn't want to. I mean, thanks for whoever

1:23:20.640 --> 1:23:24.400
<v Speaker 1>requested it. Because I was thinking, I didn't realize it

1:23:24.400 --> 1:23:27.040
<v Speaker 1>would be such a rich text to dive into. Yeah,

1:23:27.360 --> 1:23:29.720
<v Speaker 1>I didn't either. I genuinely did not know what this

1:23:29.720 --> 1:23:33.200
<v Speaker 1>movie was about. I was like, they're at the zoo.

1:23:32.560 --> 1:23:37.240
<v Speaker 1>It's it's Madagas, it's that movie. We bought a zoo.

1:23:37.600 --> 1:23:40.880
<v Speaker 1>We bought a zoo. We should cover that movie. I'm

1:23:40.920 --> 1:23:46.760
<v Speaker 1>kidding I don't know what I mean people sentence, but

1:23:46.840 --> 1:23:50.960
<v Speaker 1>I've been wrong before. Well that yes, thank you so

1:23:51.000 --> 1:23:54.120
<v Speaker 1>much for being here. It's been a delight. Thanks so

1:23:54.200 --> 1:23:56.840
<v Speaker 1>much for having me. Where can people follow you on

1:23:56.920 --> 1:24:01.120
<v Speaker 1>social media or if there's anything you'd like to plug? Um, yeah,

1:24:01.160 --> 1:24:03.240
<v Speaker 1>I don't really post too much, but it's Matthew Mixon

1:24:03.600 --> 1:24:06.640
<v Speaker 1>at Twitter and Instagram. Oh, actually, can I point my

1:24:06.840 --> 1:24:10.920
<v Speaker 1>mutual aid thing? Absolutely? Okay, Um, yeah, we have a

1:24:10.960 --> 1:24:14.120
<v Speaker 1>small mutual aid group and um, we're not very big.

1:24:14.200 --> 1:24:16.920
<v Speaker 1>But if you go to the links on my my

1:24:17.000 --> 1:24:19.640
<v Speaker 1>link tree or whatever, all the money I'll just like

1:24:19.760 --> 1:24:22.200
<v Speaker 1>or you can buy like Amazon stuff like socks and

1:24:22.240 --> 1:24:24.680
<v Speaker 1>tents and blankets and stuff. It's pretty cold in l

1:24:24.720 --> 1:24:27.000
<v Speaker 1>A right now. We just go out every couple of weeks.

1:24:27.040 --> 1:24:29.040
<v Speaker 1>And yeah, if you send me money, it'll go to

1:24:29.080 --> 1:24:31.240
<v Speaker 1>tents and cool stuff that people need. Or if you

1:24:31.280 --> 1:24:33.240
<v Speaker 1>just want to buy stuff off the Amazon links. Um,

1:24:33.280 --> 1:24:37.160
<v Speaker 1>I really appreciate it. Hell yeah, so amazing. And if

1:24:37.200 --> 1:24:40.599
<v Speaker 1>you can follow us on social media at pecktel Cast

1:24:40.680 --> 1:24:45.120
<v Speaker 1>on Twitter and Instagram. You can subscribe to our Patreon

1:24:45.280 --> 1:24:48.759
<v Speaker 1>aka Matreon that is at patreon dot com slash pecktel Cast.

1:24:48.880 --> 1:24:50.960
<v Speaker 1>It's five dollars a month. It gets you Tube bonus

1:24:50.960 --> 1:24:55.480
<v Speaker 1>episodes every month, plus access to the entire back catalog

1:24:56.120 --> 1:25:00.639
<v Speaker 1>on a hundred episodes. We're finally this month U Matreon.

1:25:01.040 --> 1:25:05.120
<v Speaker 1>We read books. We're doing the Jane Austen adaptations. You

1:25:05.160 --> 1:25:08.720
<v Speaker 1>want to stop bugging us about um and Okay, we're

1:25:08.720 --> 1:25:11.160
<v Speaker 1>not going to make a habit of reading books, so

1:25:11.240 --> 1:25:15.840
<v Speaker 1>don't get used to it. Strongly anti book, anti reading podcast.

1:25:16.680 --> 1:25:20.000
<v Speaker 1>But just this once we each read a book. We

1:25:20.000 --> 1:25:24.000
<v Speaker 1>bought a zoom more like we read a book. Uh,

1:25:24.040 --> 1:25:28.160
<v Speaker 1>that was awful. You can get merged at dot com

1:25:28.200 --> 1:25:30.920
<v Speaker 1>slash the effectel Cast, where I will I will commit

1:25:31.040 --> 1:25:35.360
<v Speaker 1>to Shrek shreky in. I have a list of so

1:25:35.400 --> 1:25:39.160
<v Speaker 1>many shirts that we've said we would design over the years.

1:25:39.400 --> 1:25:42.040
<v Speaker 1>Ultimately I have not designed a new shirt in two years.

1:25:42.040 --> 1:25:49.400
<v Speaker 1>Since that's on me and now I uh bye, good episode, everybody,

1:25:49.439 --> 1:25:49.920
<v Speaker 1>Bye bye