WEBVTT - The Fever and the Flowers

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<v Speaker 1>During most of the Tago scandal, the other two members

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<v Speaker 1>of the group, DJ two Cuts and myth Regin had

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<v Speaker 1>been away serving the mandatory military service. This meant that

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<v Speaker 1>Epic High was more or less on hiatus. It also

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<v Speaker 1>meant that Tableau was left to deal with everything on

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<v Speaker 1>his own. So in November, he released a solo album,

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<v Speaker 1>Fevers in Double Cone, San Maybe then that was my

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<v Speaker 1>first and last. I never released another solo album because

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<v Speaker 1>um art's not worth that much suffering. I will do

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<v Speaker 1>a song here and there, maybe, But I enjoyed just

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<v Speaker 1>doing music with my group because like, I don't want

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<v Speaker 1>music to be that kind of experience for me again.

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<v Speaker 1>Music critics were praising the album. It was raw, it

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<v Speaker 1>was unfiltered. It was a little like reading from Tablow's journal,

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<v Speaker 1>and you could tell through the music that he was

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<v Speaker 1>going through something terrible. My dad had always said that

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<v Speaker 1>he like, he was happy when I came back with

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<v Speaker 1>my solo album and I was starting to make music again,

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<v Speaker 1>but he said, like, why did you make such sad songs?

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<v Speaker 1>And that kind of stuck with me. So there's sort

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<v Speaker 1>of an aside here. In English, Tableau's album is called

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<v Speaker 1>Fever's End, but The Korean title is yell good, which

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<v Speaker 1>literally translates out to fever flowers. That doesn't really make

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<v Speaker 1>any sense in English, but it's a phrase the Korean

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<v Speaker 1>people use for the spots in your skin that show

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<v Speaker 1>up when your fever is broken and it's at its

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<v Speaker 1>absolute worst, and in a sort of poetic sense, it's

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<v Speaker 1>like a sign that things can only get better from there.

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<v Speaker 1>And that was the kind of hope that Tableau's dad

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<v Speaker 1>had for him, that everything he was feeling now was

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<v Speaker 1>a sign that the worst was behind him, that he

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<v Speaker 1>should move on from Tanjanio and be happy. But in

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<v Speaker 1>a matter of months, the man who told him that

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<v Speaker 1>his father suddenly passed away. What was the funeral like?

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<v Speaker 1>Child going often Jeeneen myth Regin the other rapper and

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<v Speaker 1>epic high I wouldn't even chere. M m Mithra said

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<v Speaker 1>that he had never gone to a funeral of a

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<v Speaker 1>close friend before. He used to see Tablow's father a lot,

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<v Speaker 1>and he wanted to comfort Tableau, but he didn't really

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<v Speaker 1>know how. This was also the first time in a

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<v Speaker 1>long time that all three members of the group we're

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<v Speaker 1>in one room together. What was he like when you

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<v Speaker 1>got there? Oh? Say Song him, didn't go touch it

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<v Speaker 1>on your jaw. Two Cuts, the DJ of the group,

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<v Speaker 1>topped up hill. I'm catching motan done hung you know.

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<v Speaker 1>Dot two Cut said that he was mad at himself.

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<v Speaker 1>Epic High had always been there for each other, but

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<v Speaker 1>his being away in the military meant that he couldn't,

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<v Speaker 1>and he felt like that had put a burden on Tableau.

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<v Speaker 1>And this is real. I've seen footage of the funeral.

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<v Speaker 1>Mithra and two cuts or buy Tableau's side. They helped

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<v Speaker 1>carry the casket. Tableau's wife and his mom are also there,

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<v Speaker 1>and everyone looks incredibly sad, But the way Tableau looked

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<v Speaker 1>was different. People had seen Tableau sad before he cried

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<v Speaker 1>in the documentary when he went to Stanford. It was

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<v Speaker 1>something beyond just sadness. He looks numb. My dad died

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<v Speaker 1>of this and I don't even know what this is.

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<v Speaker 1>H they killed him, I'm sure of that. Two Cuts

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<v Speaker 1>and Mithra agree with Tableau that this death was because

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<v Speaker 1>of what Tagno had done. They wanted to give Tableau

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<v Speaker 1>time to heal from everything. Music was the last thing

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<v Speaker 1>on their minds. Right after my dad passed away, uh

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<v Speaker 1>like two or three days after I went into the

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<v Speaker 1>studio and made an album with Epecai. It's hard to

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<v Speaker 1>imagine the same three friends who were just at a

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<v Speaker 1>funeral going into a studio days later to make music.

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<v Speaker 1>But for Tableau, this was the only way he knew

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<v Speaker 1>how to cope. Epicchai was finally back in the studio

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<v Speaker 1>working on music again, doing the thing that brought them

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<v Speaker 1>together in the first place, and it got them to

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<v Speaker 1>this point. Then a few months later the album dropped

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<v Speaker 1>and it was not what people expected. The album was

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<v Speaker 1>called it was a full one from fevers In and

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<v Speaker 1>that was on purpose. So those two albums coupled together

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<v Speaker 1>are like a perfect like documentation of like what must

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<v Speaker 1>be going through someone's head when they experienced something like

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<v Speaker 1>really difficult and then try everything possible to like escape

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<v Speaker 1>it or to avoid it. One Tableau and Epic High

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<v Speaker 1>tried to bottle his dad's optimism and reclaim the time

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<v Speaker 1>and the energy and the youth that they lost in

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<v Speaker 1>that scandal. But moving on wasn't going to be so easy,

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<v Speaker 1>partially because the conspiracy had become bigger than Tableau. Even

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<v Speaker 1>though the Tajanio Forum was now relatively small, their model

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<v Speaker 1>for organizing followers was spreading Tajanio didn't get what they wanted,

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<v Speaker 1>but they did set a blueprint of how a small

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<v Speaker 1>rumor can start online and transform into a global movement.

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<v Speaker 1>It also became a test case for the legacy of

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<v Speaker 1>our lives online, how we all have to reckon with

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<v Speaker 1>whatever we do lasting forever on the Internet. And maybe,

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<v Speaker 1>if we've been paying attention, tableau story could have acted

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<v Speaker 1>as a warning sign for all of us of FIP hop.

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<v Speaker 1>What my Name? I can writing my book saw the

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<v Speaker 1>first time the mask Yeah from Vice and I heart

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<v Speaker 1>this is authentic. I'm XR Thomas Episode eight Fever Flowers.

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<v Speaker 1>When Epic Hies album came out in October of two

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<v Speaker 1>thousand twelve, Tableau's fans and his record label, we're not happy.

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<v Speaker 1>Our core fans hated it. They say that it's the

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<v Speaker 1>worst album I've ever made, and coming right after Fever's end,

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<v Speaker 1>they can't believe it right, they can't believe it's the

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<v Speaker 1>same person. Juan and count two Cuts says the fans

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<v Speaker 1>didn't like their album because it was different from what

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<v Speaker 1>people were expecting before this. Epic High was known for

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<v Speaker 1>being subversive. This is the group that got banned from

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<v Speaker 1>radio airplay for lyrics criticizing society to directly I think

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<v Speaker 1>we're just reckless. They had lyrics about religion and depression

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<v Speaker 1>and things that everyday Korean kids were going through, but

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<v Speaker 1>was none of that. I didn't want to talk about

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<v Speaker 1>anything introspective because I had so many things that would,

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<v Speaker 1>you know, may possibly destroy me again, right if I

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<v Speaker 1>started thinking so all all these songs are just really

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<v Speaker 1>really keen pop almost. I think I just kind of

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<v Speaker 1>wanted to avoid it. But I also had to make

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<v Speaker 1>that album to survive. Part of that survival meant getting

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<v Speaker 1>back to public life slowly. At first, Tableau stayed away

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<v Speaker 1>from any deep interviews and he was really hesitant about

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<v Speaker 1>live TV. If you did see him on TV, it

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<v Speaker 1>was almost definitely a prerecorded performance. He still wasn't sure

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<v Speaker 1>if he could handle the pressure, and he really wasn't

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<v Speaker 1>interested in going back to being all over the media again.

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<v Speaker 1>But then by Sheer accident, things changed. Epic High had

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<v Speaker 1>just started doing concerts again, and in China we were

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<v Speaker 1>We did a show and afterwards we were having a

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<v Speaker 1>drink and I tried to jump kick Mithra I slipped

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<v Speaker 1>on an ice cube, landed on my shoulder, instantly broke it.

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<v Speaker 1>Oh my god, very bad, like just bones shattered. Tableau

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<v Speaker 1>was rushed to a nearby hospital and they put him

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<v Speaker 1>on some pretty serious pain killers, and then at that moment,

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<v Speaker 1>out of all times, he got a proposal. And then

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<v Speaker 1>we're rolling me into the surgery and my managers like,

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<v Speaker 1>you know, this show came in and I'm like, do

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<v Speaker 1>you have to choose now? Like I don't know what

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<v Speaker 1>you're saying. He's like, we have to give him an

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<v Speaker 1>answer like now, and I was like, okay, whatever, Yeah,

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<v Speaker 1>I just do it. And then I came out and

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<v Speaker 1>I had agreed to do this show, and that is

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<v Speaker 1>how Tableau ended up on the Return of Superman. This

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<v Speaker 1>was a reality TV show where celebrity dads are left

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<v Speaker 1>alone with their kids for a couple of days while

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<v Speaker 1>their wives take some time off. The whole premise is

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<v Speaker 1>loki kind of sexist, but the idea was that dads

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<v Speaker 1>would probably struggle with basic household tasks or talking to

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<v Speaker 1>their kids, and so it would be funny. But for

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<v Speaker 1>Tableau it didn't quite work out that way because he

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<v Speaker 1>has a really good relationship with his daughter Lan. The

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<v Speaker 1>show was a big step for Tableau because he still

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<v Speaker 1>wasn't really comfortable with being famous, but having his family

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<v Speaker 1>there made things easier, and actually his interaction with his

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<v Speaker 1>daughter ended up being one of the most memorable parts

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<v Speaker 1>of the show. There's this one scenes from how to

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<v Speaker 1>showing off her stuffed animals. She's got horses and zebra,

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<v Speaker 1>and she's explaining to Tableau that each one of them

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<v Speaker 1>represents a different member of the family. So Tableau asks, okay,

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<v Speaker 1>is the entire family there, and had says yes, and

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<v Speaker 1>Tableau says, well, where's the grandpa. The camera hands over

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<v Speaker 1>to Hat and she says, Grandpa, Grandpa's gone to heaven,

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<v Speaker 1>and there's this silence, and then, totally unprompted, how It

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<v Speaker 1>gets up and hugs her dad Carboy. This show brought

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<v Speaker 1>in a whole different audience. People who might not be

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<v Speaker 1>interested in Tableau's music or even his grades at Stanford,

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<v Speaker 1>interested in him as a dad. I didn't show my

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<v Speaker 1>daughter's face for like three years. I was very private after,

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<v Speaker 1>you know, sheltering them for so long and trying to

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<v Speaker 1>hide them. And it's weird watching this show because you

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<v Speaker 1>realize how much time it passed. Remember the first time

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<v Speaker 1>that Tableau realized something was wrong, was when Tao member

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<v Speaker 1>started tweeting at him when he posted a picture from

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<v Speaker 1>the hospital when his baby was born. That baby was

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<v Speaker 1>now walking around and talking on TV, and Tableau was

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<v Speaker 1>now in his thirties and he was just straight up

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<v Speaker 1>a different person. I often feel like we are always

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<v Speaker 1>watching celebrities suffer something and get crushed by it. We

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<v Speaker 1>don't ever really get a chance to see like chapter

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<v Speaker 1>two of that life, at least in my mind. Dedicated

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<v Speaker 1>in my career too to showing that, to showing how

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<v Speaker 1>there is possibility of a great chapter two if you

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<v Speaker 1>don't let chapter one be the end, right, and really,

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<v Speaker 1>this chapter two of Tableau's career looks pretty good. Epic

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<v Speaker 1>HAIs celebrated being around for a decade. Over the next

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<v Speaker 1>few years, they went on tour and they even made

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<v Speaker 1>it back to the States. They not only hit up

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<v Speaker 1>South By Southwest, but they got on stage of Coachella.

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<v Speaker 1>Tableau stopped going on the Return of Superman, but then

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<v Speaker 1>he joined a different program, a rap competition show called

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<v Speaker 1>Show Me the Money What. Tableau was a producer throughout

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<v Speaker 1>their career. Epic High has released ten studio albums, and

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<v Speaker 1>in that time they've collaborated with some major artists not

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<v Speaker 1>just in Korea but from all over the place. Baby Joe, Joey, Badass,

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<v Speaker 1>Eric now dumbfounded Galian. The list just goes on. In

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<v Speaker 1>the relatively short history of Korean hip hop, Tableau and

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<v Speaker 1>Epic High are now elder statesmen, and their music has

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<v Speaker 1>been massively influential for the younger generation of Korean musicians,

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<v Speaker 1>including what might possibly be the biggest band in the world,

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<v Speaker 1>BTS Base bts IS, RM and Sugar have both spoken

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<v Speaker 1>pretty openly over the years about being inspired by Epic High,

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<v Speaker 1>and even though their group is known for K pop,

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<v Speaker 1>they are influenced by lyrical hip hop that directly speaks

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<v Speaker 1>to broader issues, which is what Epic Hai has been

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<v Speaker 1>doing since day one, and Yungi and RM have said

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<v Speaker 1>that Epic High's song Fly is the thing that made

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<v Speaker 1>them want to try wrap. But if you ask Tableau

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<v Speaker 1>about all this, he's a little shy. I'm sure they

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<v Speaker 1>would have discovered music, they're obviously um in love with it,

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<v Speaker 1>and they would have become musicians regardless. It's still gonna

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<v Speaker 1>be wild to hear that, though. I think what's most flattering, though,

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<v Speaker 1>is that their lyrical content and what they're trying to

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<v Speaker 1>do through music, just trying their best to be like

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<v Speaker 1>a good influence. I'm certain that now kids are listening

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<v Speaker 1>to bts the way they were listening to epic Ai right,

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<v Speaker 1>and sheer amount of kids has exponentially grown, and one

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<v Speaker 1>of those kids are gonna do something cool too. Tableau

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<v Speaker 1>and epic Hi have come a long way from couch

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<v Speaker 1>surfing and struggling to pay for dinner. They have a

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<v Speaker 1>real legacy now, even if Tableau doesn't quite know what

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<v Speaker 1>that means for him personally. And also, like I've feel

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<v Speaker 1>like hip hop and Korea is so young that it's

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<v Speaker 1>just weird to already like have our mount rushmore. You know,

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<v Speaker 1>we'll be right. Back when Tablo got started in Korea,

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<v Speaker 1>hip hop was really niche. But now, more than a

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<v Speaker 1>decade later, Korean hip hop is just part of the

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<v Speaker 1>normal mainstream landscape. In a lot of ways, the industry

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<v Speaker 1>has caught up to what people like Tableau were already doing.

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<v Speaker 1>Back when he was getting started, people in the music

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<v Speaker 1>industry might have called Tableau a quote unquote bedroom producer.

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<v Speaker 1>This was a word that people use for artists who

0:16:55.840 --> 0:16:59.000
<v Speaker 1>were making tracks on cheap equipment or just their laptops.

0:16:59.680 --> 0:17:03.520
<v Speaker 1>But nowadays the term is almost irrelevant because just about

0:17:03.560 --> 0:17:06.639
<v Speaker 1>every producer is starting out from their bedroom. And we

0:17:06.720 --> 0:17:09.359
<v Speaker 1>now take it for granted that thanks to social media,

0:17:09.880 --> 0:17:17.080
<v Speaker 1>anyone could be a star. How many guys and I

0:17:17.440 --> 0:17:20.080
<v Speaker 1>for a little time in Canada and major artists have

0:17:20.200 --> 0:17:23.600
<v Speaker 1>adapted to that too. Musicians and artists have started to

0:17:23.600 --> 0:17:26.160
<v Speaker 1>open up their lives on social media, and we're talking

0:17:27.000 --> 0:17:31.200
<v Speaker 1>seven coverage people cooking or doing their makeup or whatever.

0:17:32.240 --> 0:17:36.399
<v Speaker 1>He I just wanted to pop in and say hello,

0:17:36.960 --> 0:17:42.560
<v Speaker 1>I am live. It is bide minded, live with money, alright,

0:17:42.600 --> 0:17:45.040
<v Speaker 1>So let me cut this cucumber. Okay, I'm looking at

0:17:45.080 --> 0:17:47.160
<v Speaker 1>the d MS, but I actually can't because it goes

0:17:47.200 --> 0:17:52.160
<v Speaker 1>so fast because you guys are so amazing. There used

0:17:52.160 --> 0:17:55.359
<v Speaker 1>to be like this distance between the artists and the fans,

0:17:55.520 --> 0:17:58.399
<v Speaker 1>Professor hedging Lee Again. The artists didn't feel like it

0:17:58.520 --> 0:18:01.240
<v Speaker 1>was their job to use social media up to broadcast

0:18:01.280 --> 0:18:04.440
<v Speaker 1>everything that they're doing or to like express their feelings.

0:18:04.720 --> 0:18:06.959
<v Speaker 1>They would use the social media as a tool for

0:18:07.040 --> 0:18:11.280
<v Speaker 1>promotional purposes. But now we're seeing the artists using these

0:18:11.320 --> 0:18:15.199
<v Speaker 1>tools to just casually talk with the fans, not necessarily

0:18:15.240 --> 0:18:18.520
<v Speaker 1>inviting a conversation, but at least kind of revealing their

0:18:18.600 --> 0:18:22.200
<v Speaker 1>private self a little bit, and I think that has

0:18:22.320 --> 0:18:25.040
<v Speaker 1>allowed the fans to kind of feel like they're getting

0:18:25.040 --> 0:18:28.359
<v Speaker 1>to know the artists at a more personal level. But

0:18:28.600 --> 0:18:32.400
<v Speaker 1>that amount of access and interaction also means that fans

0:18:32.440 --> 0:18:37.080
<v Speaker 1>can criticize artists directly like never before. And today we're

0:18:37.119 --> 0:18:39.760
<v Speaker 1>counting down our picks for the top ten celabs who

0:18:39.760 --> 0:18:43.040
<v Speaker 1>are constantly getting canceled. Christie he Can also recently try

0:18:43.119 --> 0:18:45.639
<v Speaker 1>to show off the results of her eyebrow transplant, and

0:18:45.680 --> 0:18:49.040
<v Speaker 1>her critics were appalled by her rich people problems. This

0:18:49.040 --> 0:18:53.560
<v Speaker 1>this is a serious situation. I'm just hard to al

0:18:53.640 --> 0:18:58.399
<v Speaker 1>Ovid has been dead since two thousand and three, and

0:18:58.440 --> 0:19:01.159
<v Speaker 1>the fact that Korean artists are now more global than

0:19:01.200 --> 0:19:05.280
<v Speaker 1>ever means they're being exposed to new demands from fans

0:19:05.359 --> 0:19:08.960
<v Speaker 1>in other countries to use their platform for something. We're

0:19:09.000 --> 0:19:12.120
<v Speaker 1>not satisfied with just art. We want to know who

0:19:12.160 --> 0:19:16.200
<v Speaker 1>these artists really are. This might be weird and other

0:19:16.280 --> 0:19:19.560
<v Speaker 1>genres of music, but within the culture of hip hop

0:19:19.640 --> 0:19:23.400
<v Speaker 1>that's always kind of been there, It's just more serious now.

0:19:23.760 --> 0:19:27.800
<v Speaker 1>I feel like that's one of the tough things about

0:19:28.160 --> 0:19:33.080
<v Speaker 1>hip hop, right We value maybe above all else being real,

0:19:33.480 --> 0:19:37.600
<v Speaker 1>being authentic, But what counts for quote unquote real is

0:19:37.640 --> 0:19:42.880
<v Speaker 1>actually fairly rigid, what kind of real that we are

0:19:42.920 --> 0:19:46.399
<v Speaker 1>interested in. There, there's a real way to dress, you know,

0:19:46.440 --> 0:19:48.480
<v Speaker 1>there's an authentic way to address it is an authentic

0:19:48.480 --> 0:19:50.480
<v Speaker 1>way to talk. And if you don't do that, then

0:19:50.480 --> 0:19:53.560
<v Speaker 1>it's just who is this nerd? Who is this outsider?

0:19:54.040 --> 0:19:56.280
<v Speaker 1>And so you should adjust yourself accordingly. But then the

0:19:56.280 --> 0:20:00.600
<v Speaker 1>flip of that is if you're adjusting yourself, that's not real. Yeah.

0:20:00.680 --> 0:20:04.479
<v Speaker 1>And also the concept of real just constantly changes. And

0:20:04.520 --> 0:20:07.760
<v Speaker 1>this isn't just like just in Korea. Like remember when

0:20:07.840 --> 0:20:13.280
<v Speaker 1>Kanye came out and how that was like the moment

0:20:13.320 --> 0:20:16.360
<v Speaker 1>where we had to like the world had to decide

0:20:17.000 --> 0:20:21.679
<v Speaker 1>are you going to be for or are you going

0:20:21.760 --> 0:20:27.080
<v Speaker 1>to be for Kanye? Because in all ways they were different.

0:20:27.520 --> 0:20:32.600
<v Speaker 1>And then Kanye happened and everyone just started, you know,

0:20:33.600 --> 0:20:39.080
<v Speaker 1>wearing like skinny jeans, And when that happened, I think

0:20:39.119 --> 0:20:44.800
<v Speaker 1>a lot of Korean kids kind of felt like, oh, yes,

0:20:45.119 --> 0:20:52.240
<v Speaker 1>because now Kanye is dressing like us. Really yeah, And

0:20:52.520 --> 0:20:55.680
<v Speaker 1>there's something really interesting about the way that Tableau talks

0:20:55.680 --> 0:20:59.080
<v Speaker 1>about culture shifting over time, about who gets to be

0:20:59.160 --> 0:21:03.119
<v Speaker 1>real and what authentic is, because I think in some ways,

0:21:03.359 --> 0:21:06.359
<v Speaker 1>hip hop might be the one culture that makes us

0:21:06.400 --> 0:21:11.399
<v Speaker 1>ask all these uncomfortable questions. Hip hop is perhaps the

0:21:11.440 --> 0:21:17.160
<v Speaker 1>one genre in which authenticity is at a premium, Professor

0:21:17.280 --> 0:21:20.200
<v Speaker 1>Que Tugley, if it if it even comes across as

0:21:20.800 --> 0:21:25.200
<v Speaker 1>quote unquote fake or not real or inauthentic, you're done. Yeah,

0:21:25.200 --> 0:21:28.919
<v Speaker 1>you will not be hip hop. Yeah, questionable. Authenticity always matters.

0:21:29.040 --> 0:21:33.280
<v Speaker 1>Where do you draw the line between appreciation or learning

0:21:33.320 --> 0:21:38.800
<v Speaker 1>from our hybridization and appropriation? It is very difficult to answer.

0:21:39.440 --> 0:21:46.120
<v Speaker 1>But if you only like imitate something that original hip

0:21:46.119 --> 0:21:51.719
<v Speaker 1>hop musicians are doing without understanding why they are doing

0:21:52.040 --> 0:21:57.080
<v Speaker 1>or without showing your own interpretation, I may consider it

0:21:57.080 --> 0:22:01.840
<v Speaker 1>as a cultural appropriation because if you if I call

0:22:01.920 --> 0:22:05.359
<v Speaker 1>it as a cultural hybridization, it means that you understand

0:22:05.359 --> 0:22:09.639
<v Speaker 1>the different culture and try to mix with the culture,

0:22:10.000 --> 0:22:13.560
<v Speaker 1>with the different culture with your own to create something

0:22:13.640 --> 0:22:17.080
<v Speaker 1>different from your original culture as well as the original

0:22:17.160 --> 0:22:19.639
<v Speaker 1>hip hop music. For example, there's a reason why I

0:22:19.720 --> 0:22:23.680
<v Speaker 1>waited to the last episode before even mentioning cultural appropriation.

0:22:24.000 --> 0:22:26.359
<v Speaker 1>It's not that I think the topic needs to be avoided.

0:22:27.080 --> 0:22:30.960
<v Speaker 1>It's that there's something particularly American about the way that

0:22:31.000 --> 0:22:33.480
<v Speaker 1>we tend to ask questions about whether or not somebody's

0:22:33.480 --> 0:22:37.679
<v Speaker 1>done enough homework to properly understand the culture. Topics like

0:22:37.760 --> 0:22:41.439
<v Speaker 1>culture and authenticity, these are difficult things to talk about,

0:22:42.160 --> 0:22:44.520
<v Speaker 1>and in theory, this is where the Internet should come in.

0:22:45.040 --> 0:22:47.919
<v Speaker 1>Thanks the message boards and social media, we have a

0:22:47.960 --> 0:22:51.280
<v Speaker 1>convenient way to have conversations where at the very least

0:22:51.359 --> 0:22:54.040
<v Speaker 1>you can learn how other people think. But as we

0:22:54.080 --> 0:22:59.000
<v Speaker 1>saw with Tajnyo, an online conversation can also quickly become

0:22:59.040 --> 0:23:02.119
<v Speaker 1>an online mob. I think what was interesting about the

0:23:02.280 --> 0:23:07.000
<v Speaker 1>taching your case is that people were using the internet

0:23:07.080 --> 0:23:11.080
<v Speaker 1>asked a way to like uncover truth or whatever truth

0:23:11.160 --> 0:23:14.240
<v Speaker 1>that they had in mind right and thinking that that

0:23:14.359 --> 0:23:18.320
<v Speaker 1>was their way of pursuing justice. And I wonder if

0:23:18.440 --> 0:23:21.480
<v Speaker 1>that's what we're seeing with so many like fringe groups

0:23:21.560 --> 0:23:24.800
<v Speaker 1>in the United States. Fringe groups are organizing in a

0:23:24.840 --> 0:23:28.800
<v Speaker 1>pretty similar model to the way that Tajanio did on Reddit, forums,

0:23:29.000 --> 0:23:34.879
<v Speaker 1>telegram channels, discords. They're demanding the truth from politicians, the media,

0:23:35.280 --> 0:23:39.040
<v Speaker 1>and really anyone that they believe is lying. And just

0:23:39.080 --> 0:23:43.080
<v Speaker 1>like with Tajano, as those ideas become more mainstream, it

0:23:43.160 --> 0:23:46.720
<v Speaker 1>becomes harder to call them fringe groups there, you know,

0:23:47.320 --> 0:23:53.719
<v Speaker 1>just groups with questions and alternative facts. And as they

0:23:53.760 --> 0:23:58.200
<v Speaker 1>continue to spread misinformation, they gain more followers. And look,

0:23:58.440 --> 0:24:01.119
<v Speaker 1>it's probably a little stream to say that we can

0:24:01.200 --> 0:24:03.760
<v Speaker 1>draw a straight line from Taijanyo to Q and on,

0:24:04.400 --> 0:24:08.800
<v Speaker 1>But both groups share not only a mission, but a methodology.

0:24:09.440 --> 0:24:13.840
<v Speaker 1>A distributed, decentralized group with anonymous leaders who can be

0:24:13.880 --> 0:24:17.800
<v Speaker 1>swapped in or out at any time, that relentlessly pursues

0:24:18.160 --> 0:24:21.639
<v Speaker 1>their version of justice and truth. Truth is such a

0:24:21.640 --> 0:24:25.199
<v Speaker 1>subjective thing right now. My truth might not be the

0:24:25.200 --> 0:24:27.760
<v Speaker 1>same as yours. So if that's the world that we're

0:24:27.760 --> 0:24:30.640
<v Speaker 1>living in, then how can we survive together? How can

0:24:30.680 --> 0:24:34.399
<v Speaker 1>we coexist? This question from Professor Hedging sticks with me,

0:24:34.440 --> 0:24:38.080
<v Speaker 1>because listen, it's easy to look at the conspiracy theories

0:24:38.200 --> 0:24:41.000
<v Speaker 1>like Taijano and Q and on and look at the

0:24:41.040 --> 0:24:45.480
<v Speaker 1>frankly bonkers research that they're doing and laugh and say, yo,

0:24:45.560 --> 0:24:48.200
<v Speaker 1>these people, they lost their minds. Just forget about them

0:24:48.359 --> 0:24:51.639
<v Speaker 1>and just move on. But the reality is is that

0:24:51.920 --> 0:24:56.439
<v Speaker 1>these people are victims of misinformation. And that's not me

0:24:56.520 --> 0:24:58.640
<v Speaker 1>telling you that you have to feel sorry for them.

0:24:58.680 --> 0:25:02.800
<v Speaker 1>I'm just saying we have to live with these people, because,

0:25:02.880 --> 0:25:06.800
<v Speaker 1>if anything, the story of Tajano is a warning that

0:25:06.880 --> 0:25:10.480
<v Speaker 1>these pursuits of truth and justice can start to warp

0:25:10.520 --> 0:25:14.840
<v Speaker 1>our ability to understand each other as people. Tablet was

0:25:14.920 --> 0:25:17.840
<v Speaker 1>just one of the first people to experience with the future.

0:25:18.200 --> 0:25:22.560
<v Speaker 1>Was gonna look like I was in the hospital because

0:25:22.560 --> 0:25:26.280
<v Speaker 1>of my dad. And this mom and her daughter, like

0:25:26.400 --> 0:25:30.119
<v Speaker 1>her middle school, high school daughter are walking by, and

0:25:30.200 --> 0:25:32.760
<v Speaker 1>this the mom just comes straight to my face as

0:25:32.800 --> 0:25:36.000
<v Speaker 1>if I'm not an actual person but maybe like a

0:25:36.119 --> 0:25:40.200
<v Speaker 1>character or an avatar. Uh, And right to my face

0:25:40.240 --> 0:25:43.000
<v Speaker 1>says this guy. This isn't this the guy that lied

0:25:43.040 --> 0:25:46.520
<v Speaker 1>about his school, like right to my face, to her daughter.

0:25:47.640 --> 0:25:55.320
<v Speaker 1>And these things were happening constantly. Jesus, you know all

0:25:55.359 --> 0:25:59.680
<v Speaker 1>the articles then and after that have described this as

0:25:59.760 --> 0:26:05.480
<v Speaker 1>like an online phenomenon, right as problems with the Internet,

0:26:06.119 --> 0:26:10.119
<v Speaker 1>like as if fake news is confined to this like

0:26:10.200 --> 0:26:15.200
<v Speaker 1>digital space, and it certainly is not. It is so

0:26:15.359 --> 0:26:19.800
<v Speaker 1>connected to the real world. The longer we neglect that,

0:26:20.960 --> 0:26:24.880
<v Speaker 1>the harder it will become to do anything about it.

0:26:26.440 --> 0:26:28.399
<v Speaker 1>It is hard to put into words what exactly we

0:26:28.440 --> 0:26:31.960
<v Speaker 1>witnessed today because we have not seen this before. Thousands

0:26:31.960 --> 0:26:41.920
<v Speaker 1>storming the Capitol after a rally with President Trump sucking

0:26:42.000 --> 0:26:45.040
<v Speaker 1>he man, glad to see you guys. You guys are

0:26:45.040 --> 0:26:52.080
<v Speaker 1>fucking patriots. Look at this guy's got blood. And maybe,

0:26:52.520 --> 0:26:56.840
<v Speaker 1>just maybe, if we've been paying attention at the very least,

0:26:57.040 --> 0:27:00.280
<v Speaker 1>we wouldn't have been so unprepared when missing from Nation

0:27:00.640 --> 0:27:05.480
<v Speaker 1>grew to extremism and spilled offline into real life consequences.

0:27:16.960 --> 0:27:20.240
<v Speaker 1>It's now been more than ten years since Tableau's life

0:27:20.680 --> 0:27:24.640
<v Speaker 1>was changed forever by Tajanio. When you talk about sort

0:27:24.680 --> 0:27:29.040
<v Speaker 1>of the effects on you, you sort of seemed to

0:27:29.040 --> 0:27:33.480
<v Speaker 1>be more or less okay with that, and even when

0:27:33.480 --> 0:27:36.400
<v Speaker 1>it was happening, it seemed like you'd sort of accepted, Okay,

0:27:36.480 --> 0:27:39.639
<v Speaker 1>my my career is over, okay, And then when it

0:27:40.640 --> 0:27:44.240
<v Speaker 1>spread to your family, that was when it was okay. Now,

0:27:44.720 --> 0:27:49.280
<v Speaker 1>like fighting this. You also told me about how it

0:27:49.280 --> 0:27:53.239
<v Speaker 1>affected your brother. What what kind of conversations do you

0:27:53.240 --> 0:27:55.960
<v Speaker 1>have with your brother now? I mean ten years on

0:27:56.560 --> 0:27:59.360
<v Speaker 1>and we don't talk about this really, Yeah, we don't

0:27:59.359 --> 0:28:02.680
<v Speaker 1>talk all. Lot of it just brings up too many

0:28:02.760 --> 0:28:10.800
<v Speaker 1>different things, you know. Yeah, after my dad passed away, honestly, um,

0:28:10.840 --> 0:28:14.120
<v Speaker 1>our family has not been the same. We don't talk

0:28:14.160 --> 0:28:19.240
<v Speaker 1>that much anymore. It's just yeah, because it just brings

0:28:19.280 --> 0:28:23.040
<v Speaker 1>up too much mhm, especially in this case, we just

0:28:23.080 --> 0:28:28.800
<v Speaker 1>don't discuss it. It's just it's connected to too many ah,

0:28:29.200 --> 0:28:34.320
<v Speaker 1>too many different bad things. I guess, so we are,

0:28:35.359 --> 0:28:39.160
<v Speaker 1>you know, we don't talk that much anymore because there's

0:28:39.240 --> 0:28:43.800
<v Speaker 1>nothing we can talk about to avoid talking about this.

0:28:44.040 --> 0:28:51.160
<v Speaker 1>You know, it's our biggest shared memory, which sucks, but

0:28:53.640 --> 0:28:57.520
<v Speaker 1>it's impossible for us to not talk about this, so

0:28:57.560 --> 0:29:02.280
<v Speaker 1>we just talk about stupid things, you know, irrelevant and

0:29:02.360 --> 0:29:07.160
<v Speaker 1>possib things. I guess. I don't think I've ever talked

0:29:07.200 --> 0:29:10.880
<v Speaker 1>about this with my brother and my sister. I've talked

0:29:10.920 --> 0:29:13.440
<v Speaker 1>about it with my sister, she was sort of detached,

0:29:14.240 --> 0:29:16.360
<v Speaker 1>but I don't think I've ever talked to my mom

0:29:16.400 --> 0:29:19.280
<v Speaker 1>about it or after this. Do you think there's a

0:29:19.320 --> 0:29:24.360
<v Speaker 1>point where you'll be able to do that? Uh? I

0:29:24.360 --> 0:29:29.320
<v Speaker 1>don't think I really want to, um, to tell you

0:29:29.360 --> 0:29:35.320
<v Speaker 1>the frank truth, like I intended to never revisit this. Uh.

0:29:35.440 --> 0:29:38.440
<v Speaker 1>And I told the people that I work with. I

0:29:38.520 --> 0:29:40.720
<v Speaker 1>told my team, you know, like, this is just something

0:29:40.760 --> 0:29:43.520
<v Speaker 1>I don't want to discuss. I don't want to think about.

0:29:43.600 --> 0:29:47.400
<v Speaker 1>I'm doing. I'm doing much better now with these memories

0:29:47.400 --> 0:29:52.840
<v Speaker 1>tucked away right, and Uh, I had a conversation with

0:29:52.920 --> 0:30:00.080
<v Speaker 1>like my you know, my manager, and like I I

0:30:00.000 --> 0:30:05.280
<v Speaker 1>I started seeing like this world, you know, I seeing

0:30:05.320 --> 0:30:09.280
<v Speaker 1>things happen that just constantly reminded me of what I

0:30:09.320 --> 0:30:12.960
<v Speaker 1>went through and noticing how it's not getting any better.

0:30:13.880 --> 0:30:18.240
<v Speaker 1>And now that my daughter is uh you know, she's

0:30:18.320 --> 0:30:23.440
<v Speaker 1>she's gonna she's gonna have to live in that world. Uh.

0:30:23.480 --> 0:30:25.960
<v Speaker 1>And I was telling my manager, you know, like I

0:30:26.600 --> 0:30:30.560
<v Speaker 1>really don't want to, but I think I need to

0:30:30.560 --> 0:30:34.200
<v Speaker 1>start talking about like what I experienced. I need to

0:30:34.960 --> 0:30:40.160
<v Speaker 1>uh start you know, revisiting it because you know, I

0:30:40.520 --> 0:30:43.800
<v Speaker 1>know that this isn't going to change anything. I know

0:30:43.920 --> 0:30:47.000
<v Speaker 1>that it's not gonna like just one day snap all

0:30:47.160 --> 0:30:54.880
<v Speaker 1>these problems away. At the very least, Tableau can keep

0:30:54.920 --> 0:30:58.560
<v Speaker 1>moving forward. Epic High just dropped their latest album. There

0:30:58.640 --> 0:31:01.760
<v Speaker 1>was a lot of anticipation for this one, but even

0:31:01.800 --> 0:31:06.120
<v Speaker 1>Tableau surprised not only the critical reception but the fans.

0:31:06.680 --> 0:31:09.280
<v Speaker 1>People are saying that this is their favorite Epic High

0:31:09.360 --> 0:31:13.280
<v Speaker 1>album ever. But I don't think this is surprising at all.

0:31:13.960 --> 0:31:17.840
<v Speaker 1>For almost twenty years, Epic High has been proving themselves.

0:31:18.120 --> 0:31:20.760
<v Speaker 1>In their first albums, they were trying to teach an

0:31:20.880 --> 0:31:24.760
<v Speaker 1>entire country what hip hop even was. Then they wanted

0:31:24.800 --> 0:31:27.800
<v Speaker 1>to prove that they could do pop music too. Then

0:31:27.880 --> 0:31:31.200
<v Speaker 1>they had to prove that, despite the scandals and the haters,

0:31:31.240 --> 0:31:34.280
<v Speaker 1>that they still had it. But they don't have to

0:31:34.280 --> 0:31:38.640
<v Speaker 1>prove anything anymore, and today Tableau is known for being

0:31:38.720 --> 0:31:41.480
<v Speaker 1>Tableau the Dad, just as much as he's known for

0:31:41.560 --> 0:31:48.640
<v Speaker 1>his music. Would you rather be stuck in a bast

0:31:48.720 --> 0:31:52.200
<v Speaker 1>room for twenty four hours or be stuck in our

0:31:52.400 --> 0:31:57.440
<v Speaker 1>car for twenty four hours? Is the car moving? When

0:31:57.440 --> 0:32:00.480
<v Speaker 1>you search Tableau and Epic High on YouTube, you'll see

0:32:00.520 --> 0:32:03.440
<v Speaker 1>his music, but you'll also see even more clips of

0:32:03.520 --> 0:32:06.000
<v Speaker 1>him hanging out with the other members, telling stories about

0:32:06.000 --> 0:32:10.040
<v Speaker 1>his family and just joking around. And he's cool with that.

0:32:10.920 --> 0:32:14.360
<v Speaker 1>The Tajano thing is more in the background now. He

0:32:14.480 --> 0:32:17.080
<v Speaker 1>tries not to think about it too much, but it's

0:32:17.120 --> 0:32:20.760
<v Speaker 1>hard because people still bring it up. Anytime there's a

0:32:20.800 --> 0:32:25.600
<v Speaker 1>rumor or an online accusation, people compared to Tableau and

0:32:25.720 --> 0:32:30.600
<v Speaker 1>start talking about Tajano all over again. For the longest time,

0:32:30.840 --> 0:32:33.600
<v Speaker 1>Tableau was trying to take the advice of everyone around

0:32:33.640 --> 0:32:37.280
<v Speaker 1>him to put all that in the past behind him.

0:32:37.320 --> 0:32:41.680
<v Speaker 1>But he knows that's not happening. It made me wonder something,

0:32:42.480 --> 0:32:45.280
<v Speaker 1>are you worried talking about this again? It's like kicking

0:32:45.280 --> 0:32:53.720
<v Speaker 1>the hornet's nest again. Um. I mean, like, but but

0:32:54.000 --> 0:32:56.840
<v Speaker 1>you know, I gotta kick the hornet's nest for people

0:32:56.880 --> 0:33:01.280
<v Speaker 1>to realize there's hornets here. M Uh. Whether or not

0:33:01.400 --> 0:33:05.560
<v Speaker 1>this will kick the hornet's nest again, I don't know.

0:33:05.640 --> 0:33:09.240
<v Speaker 1>It's actually something I didn't really that didn't really occur

0:33:09.360 --> 0:33:13.920
<v Speaker 1>to me until now until yeah, you mentioned it and

0:33:14.160 --> 0:33:19.160
<v Speaker 1>kind of scares me too. Yeah, of course, because now

0:33:20.160 --> 0:33:23.560
<v Speaker 1>my daughter can google stuff and she she has a

0:33:24.080 --> 0:33:28.200
<v Speaker 1>she has a phone, like she has friends with phones,

0:33:29.240 --> 0:33:33.720
<v Speaker 1>and um, yeah, of course, of course. Uh, it's something

0:33:33.760 --> 0:33:41.080
<v Speaker 1>that worries me. Like this experience I had resulted in

0:33:41.200 --> 0:33:48.520
<v Speaker 1>nothing good. I didn't like overcome this. I didn't like

0:33:48.720 --> 0:33:51.760
<v Speaker 1>have a big victory just because these people went to jail.

0:33:52.640 --> 0:33:56.680
<v Speaker 1>I didn't. I wasn't vindicated like um, people want to say,

0:33:57.280 --> 0:34:01.560
<v Speaker 1>like there was nothing really good about this, no matter

0:34:01.560 --> 0:34:05.840
<v Speaker 1>how you spend it. I lost too much that I

0:34:05.880 --> 0:34:11.279
<v Speaker 1>can't get back. Uh, So there's nothing good about it.

0:34:11.280 --> 0:34:13.600
<v Speaker 1>But I don't want to leave it at that. It

0:34:13.719 --> 0:34:18.080
<v Speaker 1>sounds to me like you're saying you hope that people

0:34:18.120 --> 0:34:20.960
<v Speaker 1>should be able to learn from this, but you don't

0:34:20.960 --> 0:34:24.160
<v Speaker 1>sound optimistic that they will. Yeah, but I gotta try

0:34:29.360 --> 0:34:32.200
<v Speaker 1>being real. I think Tableau is doing what a lot

0:34:32.239 --> 0:34:34.880
<v Speaker 1>of us do when we go through something terrible. You

0:34:34.960 --> 0:34:38.560
<v Speaker 1>know that phrase everything happens for a reason. And you

0:34:38.600 --> 0:34:40.759
<v Speaker 1>know how when somebody tells you that when you're going

0:34:40.800 --> 0:34:45.280
<v Speaker 1>through it that it just feels kind of empty. Well,

0:34:45.560 --> 0:34:49.560
<v Speaker 1>Tableau is living through that, and he's hoping it's true.

0:34:50.360 --> 0:34:55.000
<v Speaker 1>Maybe it happened because I uh, I have the ability

0:34:55.120 --> 0:34:58.440
<v Speaker 1>to to use it in some way, like in some

0:34:58.520 --> 0:35:04.400
<v Speaker 1>positive way, and if it becomes uh, you know, like

0:35:04.480 --> 0:35:11.120
<v Speaker 1>a conversation between people about misinformation about um you know what,

0:35:11.360 --> 0:35:15.160
<v Speaker 1>how easy we trust things, we believe things. It's just

0:35:15.680 --> 0:35:20.440
<v Speaker 1>just the various different things that are like that are

0:35:20.560 --> 0:35:24.839
<v Speaker 1>a part of this story. I feel like some of

0:35:24.880 --> 0:35:29.439
<v Speaker 1>it could lead to something good. The fever is not over,

0:35:30.239 --> 0:35:33.719
<v Speaker 1>not by a long shot. Looking around at the world online,

0:35:34.239 --> 0:35:40.320
<v Speaker 1>it might get worse, but maybe someday, well at least

0:35:40.600 --> 0:36:26.759
<v Speaker 1>get to see the flowers. M h Authentic is a

0:36:26.840 --> 0:36:31.200
<v Speaker 1>production of Vice Audio and I Heart Podcast Network special

0:36:31.200 --> 0:36:35.400
<v Speaker 1>thanks to Junior Khn from Vice Korea, Spion Home Threes Reez,

0:36:35.800 --> 0:36:39.840
<v Speaker 1>Nina Sudra and Kim Pierce. Also thanks to Stacy Harrington,

0:36:40.120 --> 0:36:44.160
<v Speaker 1>Samantha Rodriguez, and Jason Guberman. We'd also like to thank

0:36:44.160 --> 0:36:48.680
<v Speaker 1>Adi Nam, Brian Gold and Jim Are. Translators for the

0:36:48.719 --> 0:36:53.680
<v Speaker 1>series were Sarah Ree and Jen Quan. Authentic is produced

0:36:53.760 --> 0:36:58.160
<v Speaker 1>and reported by Stephanie Kryuki, Minji Coop, Kate Osborne and

0:36:58.360 --> 0:37:03.880
<v Speaker 1>myself with Janet, Stephanie Brown and Sam Egan. Sound design

0:37:04.000 --> 0:37:07.800
<v Speaker 1>and original music composition by Kyle Murdock with additional support

0:37:07.920 --> 0:37:12.280
<v Speaker 1>from Natasha Jacobs. Our supervising producer is Janet Lee, editing

0:37:12.360 --> 0:37:16.920
<v Speaker 1>from Lazy Roberts, fact checking by Minji Ku and Nicole Pasuka.

0:37:18.080 --> 0:37:21.080
<v Speaker 1>This episode features music from Epic High from their album

0:37:21.200 --> 0:37:25.560
<v Speaker 1>Fever's End, distributed by y G Entertainment. This episode also

0:37:25.600 --> 0:37:29.480
<v Speaker 1>features music from BTS of Big Hit Entertainment. Thanks also

0:37:29.560 --> 0:37:33.359
<v Speaker 1>to KBS for their show The Return of Superman. Our

0:37:33.400 --> 0:37:37.680
<v Speaker 1>executive producer and VP Advice audio is Kate Osborne from

0:37:37.680 --> 0:37:41.799
<v Speaker 1>I Heart Podcast Network. Executive producers Nikki e Tor and

0:37:42.000 --> 0:37:46.880
<v Speaker 1>Lindsay Hoffman. I'm Dexter Thomas. Make sure to subscribe wherever

0:37:46.920 --> 0:37:49.160
<v Speaker 1>you get your podcast so you don't miss an episode

0:37:49.680 --> 0:37:51.440
<v Speaker 1>and if you dig it, give us a rating and

0:37:51.480 --> 0:38:00.239
<v Speaker 1>a review.