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Speaker 1: Lip serping. What's up? What's up is lip service? I'm angela, Ye,

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Speaker 1: I'm g g McGuire, I'm love'a. And we have a

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Speaker 1: virgin And when I say a mergan, I mean a

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Speaker 1: lip service version here with us, so you know what

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Speaker 1: that means. He has an EPR right now, and I'm

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Speaker 1: just here for promotional We're just gonna talk about music. Yeah, right,

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Speaker 1: you can't talk about me because while I think it's

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Speaker 1: so diverse with this music, you can tell that he's

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Speaker 1: a lover type of guy, which is the kind of

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Speaker 1: music that we like. But then we also like the

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Speaker 1: lyrical music and we got a great imagination. Oh so

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Speaker 1: you've never been in love? Yeah, I don't think everybody is.

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Speaker 1: What's right, comar com Why you're acting all nervous. It's

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Speaker 1: a question. I've been in love of I've been I've

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Speaker 1: been in love for els, okay, And so what makes

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Speaker 1: somebody fall out of love? Um? I think sometimes people

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Speaker 1: just grow apart. That that was I was trying to

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Speaker 1: say that in a shorter way. You just grow apart.

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Speaker 1: It's just in one word. I think, Yeah, you grow apart.

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Speaker 1: And those are those are kind of like the most

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Speaker 1: painful ones though, because it's like you really can't pinpoint

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Speaker 1: what it is, and sometimes people think it's because of

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Speaker 1: somebody else. It's just like this part mean, you're just

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Speaker 1: not like the same, Like your views on the world

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Speaker 1: might just might change, or your views or the things

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Speaker 1: that you thought were important to you aren't the same

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Speaker 1: no more. And it's just like you're not even arguing,

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Speaker 1: but you're just not the same. And you know, the

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Speaker 1: beast of mine to be in love with mine, you

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Speaker 1: gotta really be their friend and be like have things

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Speaker 1: in common, even if it's the opposite to track. Then

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Speaker 1: you still have to have this some type of like

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Speaker 1: vibe with each other. And sometimes people vibe change and

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Speaker 1: then then they don't align with each other. Sure, but

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Speaker 1: sometimes it is another person. Sometimes it's another person. Somebody

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Speaker 1: might come along and you think that what you got

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Speaker 1: going on is great, and this person might just you

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Speaker 1: something a whole another world. But I think when you

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Speaker 1: when you when you, when you say I love you,

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Speaker 1: I think you know all the sides of that person.

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Speaker 1: By that point, you can't love someone unless you know

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Speaker 1: all sides and them and what they're capable of. You

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Speaker 1: know what I'm saying. That's true, but like you said,

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Speaker 1: love not fall out right sometimes, I think, and this

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Speaker 1: goes for men and for women whoever you wish you

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Speaker 1: help you step your game up, because sometimes you're showing

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Speaker 1: somebody so much and you're like, okay, what about me

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Speaker 1: show me something? Man? When I get back, what can

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Speaker 1: I get back? Like? And you know, like the older

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Speaker 1: I get, the more like you know, you go through

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Speaker 1: this phase and you go, do you know dating or whatever?

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Speaker 1: Like me, it's like I'm almost like I can't. I

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Speaker 1: can't do this no more, like I don't even know.

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Speaker 1: And then um, even when I was talking to Jad,

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Speaker 1: I was like, okay, y'all, how how where am I

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Speaker 1: supposed to meet? If I'm really trying to like I'm

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Speaker 1: also serious, and where? Why would where would I meet?

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Speaker 1: Said woman? Like where's she gonna be at? I mean,

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Speaker 1: all I do is work. I go to the studio.

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Speaker 1: I might host the club that night or when I'm

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Speaker 1: out of the studio it is nighttime. It's not like

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Speaker 1: nowhere to go, Like it's only one place that I'm

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Speaker 1: really that are actually women at you know what I'm

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Speaker 1: saying that the the strip club or like or or

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Speaker 1: the industry where it's like it's really difficult to do.

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Speaker 1: Uh when when I get like screenshot or something, why

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Speaker 1: don't you go grocery shopping that whole one grocery shopping

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Speaker 1: and it's just or in the gym it took before

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Speaker 1: I was to just get like eight items. Yeah, but

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Speaker 1: you're supposed to be looking at the women that's their

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Speaker 1: shot exactly when I'm gonna go. I mean, everybody like

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Speaker 1: your famous, it's like you know you already got it,

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Speaker 1: Like you already like worrying about somebody's intentions. You know

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Speaker 1: what I'm saying, You're worried about like who, Like my

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Speaker 1: thing is you can have whatever, like you could have

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Speaker 1: been through whoever. But like when it's might when it's

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Speaker 1: industry people, and it's like it might be like, oh man,

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Speaker 1: when she used to date like one of the producers

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Speaker 1: I work with, or you know, one of the directors

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Speaker 1: I'm cool with or whatever, like so you kind of

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Speaker 1: just you don't start, you don't pursue something that you

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Speaker 1: know what it is, Like, I'm like, you already started dating. Yeah,

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Speaker 1: Like there's been girls that like, you know, I felt

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Speaker 1: like I felt chemistry with, But I'm like, you know

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Speaker 1: what I'm saying you dealt with that person, man, Like

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Speaker 1: I'm not even gonna like acknowledge it, Like I'm gonna

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Speaker 1: just that. Meek posted that he said, you can't come

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Speaker 1: for John when you're close homies dunked already. That's a rule, dog. Yeah.

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Speaker 1: I mean, I don't like to make anything absolute because

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Speaker 1: because if there is, if if love is love and

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Speaker 1: what we say it is, then it could conquer all

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Speaker 1: of that. But you know, my thing is, I think

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Speaker 1: it might like I might not not know. I would

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Speaker 1: have to get to know them and spend time with

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Speaker 1: him to fall in love. I wouldn't allow myself if

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Speaker 1: I even see that some type of chemistry potentially, you

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Speaker 1: gotta just cut it off. Yeah. Woman that has a

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Speaker 1: baby by two of the Jackson's and their brothers, so

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Speaker 1: I felt like if she can accomplish that, some of

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Speaker 1: these holes two or more friends, I feel like they

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Speaker 1: could accomplish if you she got kids by both of them.

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Speaker 1: Everybody don't because I think about the repercussions, you know

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Speaker 1: what I'm saying. And even me, I've been single, I've

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Speaker 1: been single for so long, but I just always felt like, Okay,

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Speaker 1: my my daughter's mother, I respect her she's such a

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Speaker 1: great mom. Like you know what I'm saying, Like I'm

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Speaker 1: it's hard to be a dad on the road. She's

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Speaker 1: a great mom, But I never liked I wanted to

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Speaker 1: be seen out with a girl or rub it in

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Speaker 1: her face or whatever, like, so you care about her

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Speaker 1: feeling care about I mean even right now, I'm just

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Speaker 1: like like, but I don't at the very at the

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Speaker 1: very least, she deserves that much, or she deserves that

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Speaker 1: much for me not to be like flawinging and around

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Speaker 1: to grow. People grow apart, you know what I'm saying,

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Speaker 1: When people grow apart. And I know how I'm white now,

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Speaker 1: you know what I'm saying. I had to toe and

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Speaker 1: I know she why. And it's like, in order for

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Speaker 1: us to obtain your happiness in our lives, it cannot

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Speaker 1: be because we don't. I'm not trying to trap you

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Speaker 1: in this situation where you're with somebody that you're you're

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Speaker 1: not living your best live. But you know what I'm saying,

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Speaker 1: I'm not trying to trap you in there because because

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Speaker 1: because we feel like we have to, because we made

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Speaker 1: life together, like nobody should do that. That's detrimental to

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Speaker 1: everybody because now you're gonna now that kid might grow

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Speaker 1: up in the house where the parents are fighting all

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Speaker 1: the time because they really don't want to, like you

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Speaker 1: might as well just say, like we've grown apart, Like

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Speaker 1: I see a lot of people are like, well, for

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Speaker 1: the sake of my child, Like I'm just gonna stay

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Speaker 1: with this person. And then guess what it's. It's it's

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Speaker 1: false hope, because it's there's gonna come a time and

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Speaker 1: when Lloyd's getting there's no matter some kind of way,

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Speaker 1: it's gonna You're not. It's not gonna there's there's an

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Speaker 1: expiration date on the right. When I into college. Yeah,

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Speaker 1: I think it was like your brothers in college. You're

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Speaker 1: in college, all right, Oh yeah, that's not it's kind

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Speaker 1: of like like nonsenorus, don't worry about I don't know

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Speaker 1: if it's mascula borderline emasculating. Alright, So we're gonna get

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Speaker 1: into it. And since we have while here, which by

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Speaker 1: the way, I didn't. I didn't think he was going

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Speaker 1: to really happen into it. Yeah, yeah, not yet. That

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Speaker 1: was the tip of the heis. But now we want

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Speaker 1: to ask you getting anothering. Yeah, listen, my little sisters

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Speaker 1: said raised raised that we came up in grew up

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Speaker 1: in the same house, about to say, we're gonna need

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Speaker 1: you to step outside while we finished these questions. Now

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Speaker 1: we were somebody had asked the question right on social

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Speaker 1: media to us. Yeah about directions. Okay, so the question

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Speaker 1: and quick see that's an was saying, she grow Okay,

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Speaker 1: so I know a girl that reached out to me,

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Speaker 1: and she basically said, she went out on a date.

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Speaker 1: She's grown about, you know, early thirties, late twenties, and um,

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Speaker 1: she went out on a date with this guy. They

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Speaker 1: were dancing and out of nowhere she felt an erection,

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Speaker 1: a little pokee coming, a little poke you know, you

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Speaker 1: know the song. So I guess it was a little

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Speaker 1: weird for her, like a little awkward because she didn't

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Speaker 1: know how to confront it. She felt like she should

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Speaker 1: be I mean, she should be flattered. You can't control that,

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Speaker 1: That's what I was saying. It's not like I said,

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Speaker 1: God that baby like he's like, oh ship, Like I've

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Speaker 1: enjoying this a little bit. So he didn't say anything.

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Speaker 1: Good if you're getting close, this sounds good to have,

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Speaker 1: especially John warmed up a little bit. If that's the

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Speaker 1: vibe between you and so you know what I'm saying,

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Speaker 1: clearly the dancing, she's attracted to him. That's what I

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Speaker 1: was thinking. But here's where the problem. You know, it's

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Speaker 1: on the man. You know what this could go, but

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Speaker 1: even it could be more beautiful. But unfortunately, you know,

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Speaker 1: nothing was said, nothing happened, and he just said, all right,

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Speaker 1: by I have a good day. Came under the date.

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Speaker 1: No you think he came? Yes, yes, they can. I'm

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Speaker 1: just saying it wasn't a lap dance. Dry don't don't it?

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Speaker 1: Can guys come from you just grinding on that like

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Speaker 1: absolutely all the time. He probably noted It was like,

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Speaker 1: all right, I don't think, I don't think. I don't know,

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Speaker 1: but I think you gotta be You gotta be a

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Speaker 1: different type to come while you're dancing on someone if

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Speaker 1: you have a good imagination. Man, this music so loud

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Speaker 1: and some there's so much going on. What the hell? No,

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Speaker 1: just maybe he don't have that much sex before in life, right,

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Speaker 1: that's why he got excited. Never really had sex, So

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Speaker 1: shut up about his daughter. Question of the story released

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Speaker 1: to the question, so, basically, have you ever been in

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Speaker 1: a situation where you know your things got hard? Are

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Speaker 1: random erections. Random erection control has grown out. You don't

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Speaker 1: get random erections still. I thought every guy random yeah yeah,

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Speaker 1: like yeah yeah, like like nipples get hard and when

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Speaker 1: you want cold when that happens, But you got y'all

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Speaker 1: get hard to do. Your nipples get hard every time

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Speaker 1: you get a direction. I don't know. I don't feel nipples.

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Speaker 1: You can't tell I feel like that when guys get

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Speaker 1: I don't think when guys get a direction, their nipples

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Speaker 1: get hard. I think it's not you, it's weird. I

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Speaker 1: don't know. I don't know. Every time your nipples are

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Speaker 1: hard doesn't mean a man's dick is hard to be

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Speaker 1: cold out? Yeah, but getting them jones while you dancing,

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Speaker 1: I don't. I don't know about that life. I think

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Speaker 1: that's why it would be fun sometimes. Guess what you

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Speaker 1: look what? You didn't start it all? You thought it

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Speaker 1: was a party, But there's a party party she's supposed

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Speaker 1: to be like? Is that a gun in your bad

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Speaker 1: I'm very happy to see you in your pocket? Can't

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Speaker 1: you remember anytimes you got a random erection there was

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Speaker 1: a terrible time for it to happen, that you would

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Speaker 1: like fun. I gotta sweatpants. I can't. I can't. I

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Speaker 1: might just probaly. I probably just, you know, because I'm not.

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Speaker 1: It's not like I'm around. It's just happens. My body

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Speaker 1: just just doing his own thing. Right now, how do

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Speaker 1: you get it down? I mean, it's just you probably

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Speaker 1: got out head. I don't speed out, because that can

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Speaker 1: be different. You definitely have head on speed out somewhere

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Speaker 1: in that phones No, I got headaches. All right. Now,

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Speaker 1: we're gonna play a little game. It's called is it cheating?

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Speaker 1: And you guys are going to weigh in and say

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Speaker 1: that it's not your question. You got to ask the

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Speaker 1: cheating already? Is it cheating? Yes? If you flirt and

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Speaker 1: go to lunch with a coworker, is that cheating? Your

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Speaker 1: motherfucker cheating. You're flirting and enjoying isolated company with another person.

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Speaker 1: If they yeah, But if you go Dutch, that's they don't.

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Speaker 1: It's about the time, about the money, It's about the

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Speaker 1: times isolated environment with somebody with another dude. And you

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Speaker 1: said flirting already, not ship when they're in relationships. What well, well,

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Speaker 1: I think the last time I really had a girlfriend,

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Speaker 1: I was in a different mental spaces about life, like

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Speaker 1: I kind of believe that, you know, she could be perfect.

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Speaker 1: So I don't know, uh maybe so that is cheating.

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Speaker 1: It was definitely cheating. But about flirting with I don't know,

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Speaker 1: because does the significant other know that you're going to

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Speaker 1: lunch with you a coworker. Yeah, you could be like

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Speaker 1: I want to lunch today and work wise, like you

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Speaker 1: know what I'm I'm not. I'm kind of like, uh

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Speaker 1: like contradicting myself because like at this point in my life,

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Speaker 1: I would I would data shipper, like our data stripper,

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Speaker 1: and like that's my girlfriend. She's definitely flirting. But guess

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Speaker 1: what though, I guess maybe flirting is within it's an

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Speaker 1: actor that may be nervous. I'm nervous, but this guy's

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Speaker 1: he's not. He's not ugly, he's funny. But it's also

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Speaker 1: a nerve thing because a lot of girls flirt when

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Speaker 1: they're nervous, you know what I'm saying. But if you

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Speaker 1: actually like low key, like feeling the nigger like and

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Speaker 1: in your mind he's a he's he's playing like second strink,

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Speaker 1: like just in case your man act up. Yeah, it's

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Speaker 1: definitely No, that's super cheating. One is regular cheating. This

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Speaker 1: one is super cheating. And if if the flirting is

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Speaker 1: multiple times a day, you're super saying cheating Goku levels

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Speaker 1: of cheating. Flirting makes me uncomfortable if I don't like

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Speaker 1: the person. What if that when people think you're floating

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Speaker 1: in your nuts, I don't like that. Because I'm nice

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Speaker 1: to you does not mean I'm flirting. As you get over,

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Speaker 1: the flirting comes with them like you like, some girls

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Speaker 1: are just charismatic. If you're charismatic, you charismatic around women

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Speaker 1: or men, you just charming motherfucker like and Nigga's going

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Speaker 1: last like or some women um speak more like it's

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Speaker 1: just not like that's might be the way it might be,

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Speaker 1: the way they raised, They might be whatever. Like that's

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Speaker 1: why people are more like they put their hand on

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Speaker 1: your leg when they talk to you. That's why I

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Speaker 1: never do that. That's why I never reacting in the shot.

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Speaker 1: I never think. I always think like like I was

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Speaker 1: with female artists and the male artists the other day

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Speaker 1: and like, you can't tell I'm like bro. You don't

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Speaker 1: want to assume, especially in this hypersensitive age and ship

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Speaker 1: like that. You don't want to assume bro like because

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Speaker 1: you assume and you take too much lead, it's going

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Speaker 1: to be like, uh, I was just being nice to

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Speaker 1: feel friends. We're just good friends. I see a lot

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Speaker 1: of inspiration on her, Like I'm very inspired by what

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Speaker 1: she does. Like we talk a lot, like during like

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Speaker 1: the season when she's making the show, and I get

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Speaker 1: a lot of that energy that she gave me, whether

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Speaker 1: it's what's going she could be mad on the set

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Speaker 1: that day or whatever. I get like a lot of

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Speaker 1: energy because she's thriving, she's trying to go up. She

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Speaker 1: work and she hustled, she was I'm literally seeing her

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Speaker 1: evolved into something greater, and you know it's I'm so

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Speaker 1: proud of her for that. I take that energy and

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Speaker 1: I write like she's definitely my muse sometimes though she's

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Speaker 1: definitely she's definitely not both of them is that both

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Speaker 1: of them are my muses a lot. And there's probably

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Speaker 1: like forty songs that y'all nobody who ever here that

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Speaker 1: are along the lines of like bad and low thiss

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Speaker 1: and stuff like that, like and I've used I definitely

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Speaker 1: used the sales my music a lout. Why would we

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Speaker 1: never what happens when we never hear that? I mean,

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Speaker 1: you don't I can't. I can't if you've got too

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Speaker 1: many options, you've got none. So I can't just brought

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Speaker 1: drop a whole lot of music. I gotta spread it out.

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Speaker 1: Even We love when Wild talks to the ladies on

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Speaker 1: his record because a lot of you know, artists shot

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Speaker 1: to talk to the ladies and they don't really connect.

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Speaker 1: This is for the ladies. Hold up my four or

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Speaker 1: five talks every day with heart used to be and

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Speaker 1: then you gotta put up what the funk I don't

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Speaker 1: like just such a fucking hole. Let me just tell

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Speaker 1: y'all something right now. That song came up four months

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Speaker 1: ago would probably be one of the biggest songs of

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Speaker 1: the summer, whether you'll like it or not. I'm just

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Speaker 1: like that. But we're just saying that's not to the lady.

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Speaker 1: That is for the like me. Don't you how I

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Speaker 1: know him? He's like, they going stay. The girl's gonna

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Speaker 1: sing this louder than the Niggers, and it will be

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Speaker 1: You're gonna you're gonna hear the high pitched voice in

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Speaker 1: the club over the mail boy. It's gonna sound like

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Speaker 1: a unison of women that want to get ratchet. The new,

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Speaker 1: the new, the new like the mot New in my opinion,

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Speaker 1: let me just the modern new woman's highly educated and

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Speaker 1: Holly Ratchet. That's she's and educated, not meaning books smart,

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Speaker 1: but like just like well well read like you know,

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Speaker 1: street smarts, but Ratchett know what meaning And I'm using

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Speaker 1: Ratchet in the cartoonistic way, like Ratchet in the way

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Speaker 1: it's like, um, I want to go turn up the

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Speaker 1: city girls like you get in the car and it's

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Speaker 1: just all city girls in nineties R and B. Right,

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Speaker 1: that's it. She get out, she know all the words,

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Speaker 1: she can wraps, she's yeah, and she goes there and

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Speaker 1: ventage that she started and she sells bundles and make

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Speaker 1: drug the money. Like you know what I'm saying, Like

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Speaker 1: that's that's that's almost like the modern girl, like the

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Speaker 1: modern you know in nineteen girl on the come up? Okay,

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Speaker 1: now is this cheating getting a lap dance in the

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Speaker 1: strip club? No? I knew that. You answered the strip club.

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Speaker 1: That's on the menu. That's already on the menu. Like

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Speaker 1: it's like if you vegan or you're going to McDonald's,

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Speaker 1: Like you know what I'm saying, Like it's McDonald's, McDonald's,

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Speaker 1: get a quarter pan and meatges health purposes. It's McDonald's.

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Speaker 1: When you're actually sure if you get lap dances and everything,

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Speaker 1: I would, I would, I would. I mean in the

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Speaker 1: perfect world, but we don't live in one, but I would,

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Speaker 1: like I would go get in with my girl. We're

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Speaker 1: going out gold together. A couple of that lap dances together.

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Speaker 1: She's picking her nose, trying to move from the cameras.

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Speaker 1: Get that, now you got a bugger? Ain't your raw?

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Speaker 1: Honestly you're going ain't know because I mean, like, obviously

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Speaker 1: I'm on the road. I'm like, I hold Ship Club

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Speaker 1: from time to time. Djy so hit me, I want

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00:19:13,960 --> 00:19:15,520
Speaker 1: to host one of these New York I got some

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Speaker 1: new I want what I'm saying, that's why he don't

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Speaker 1: had no girlfriend, like I mean, I like, I like

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Speaker 1: strip club. I just said I dated Ship. I ain't

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Speaker 1: gonna get her at work though, I ain't gonna meet

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Speaker 1: her at work most likely all the strippers. But no,

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Speaker 1: I ain't. No, I don't want it. I don't want

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Speaker 1: no smoke. Ya is that cheating? If your man gotta

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Speaker 1: a lap dance, would you feel away? So first of all, yeah,

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Speaker 1: I gotta go with him, but like, don't go here

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Speaker 1: not that with me. I'm a lot of girls get

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Speaker 1: turned on by looking at they man getting up joint.

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Speaker 1: I didn't say all of them, like like some of

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Speaker 1: my best female friends are strippers, bro, and I I

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Speaker 1: would I know what it's like, I like go to

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Speaker 1: a ship club or whatever, and like I want to

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Speaker 1: get a lap dance or whatever. But like we might

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Speaker 1: even just talk a little bit while she danced, and

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Speaker 1: I'd be like, you know what we talked. G got

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Speaker 1: away in on this because well as women know, why

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Speaker 1: why does she have a wig? Well because she was

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Speaker 1: a strip so she knows. But it's like it was

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Speaker 1: a girl named G. I mentioned in the song one time.

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Speaker 1: I think everybody thought we were having sex because you

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Speaker 1: said my name is so we canna talk about that later.

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Speaker 1: How talk about the question, Michael Jordan? Don't you think

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Speaker 1: I think you? Michael Jordan absolutely, thank you, thank you

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Speaker 1: for sure, thank you. I appreciate that it wasn't It

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00:20:47,200 --> 00:20:51,560
Speaker 1: wasn't really a thing like an athletic like a like

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Speaker 1: a like an Olympic sport. Yo yo another idea we

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Speaker 1: yo Olympic people, he pold and it takes a lot

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Speaker 1: of strip No, it is a sport, isn't. It's in

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Speaker 1: other countries, but it's more in other countries. Yeah, but

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Speaker 1: it hasn't made it to the in the United States.

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Speaker 1: It's still tab about the Moody List in Germany laughing

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Speaker 1: when you found out a lot of sport, I mean

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Speaker 1: the little dancing is a sport. I'm just internationally, yes, Germany, Australia.

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Speaker 1: There's a lot of companies where polling teach you to

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Speaker 1: go I'm sure, I'm sure, and stuff like how it

378
00:21:32,280 --> 00:21:34,320
Speaker 1: is when we teach class. It's not it's not like

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Speaker 1: I'm not gonna lie. We want to go see sir days.

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00:21:36,320 --> 00:21:38,240
Speaker 1: So later Michael Jackson went and I was like, just

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00:21:38,400 --> 00:21:41,520
Speaker 1: one of my favorite dances killing Kane. Yeah he has that.

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00:21:41,600 --> 00:21:43,159
Speaker 1: You killed that in the show. Yeah, saw it when

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00:21:43,160 --> 00:21:45,720
Speaker 1: they came to Atlanta. But I had got to do

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00:21:45,800 --> 00:21:51,399
Speaker 1: like a poll dance and musical that fired out. You

385
00:21:51,480 --> 00:21:54,080
Speaker 1: make this happen. I know a lot of a lot

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Speaker 1: of white people. I feel like you're giving it away.

387
00:21:56,400 --> 00:22:01,159
Speaker 1: We'll talk about this because I can. I can jest

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00:22:05,560 --> 00:22:10,120
Speaker 1: that bold how many people. It's like a burlesque show,

389
00:22:10,200 --> 00:22:17,200
Speaker 1: slash fire, five people, nothing choreography. It's real, so good Jesus,

390
00:22:17,280 --> 00:22:19,080
Speaker 1: So why should we not as women be worried when

391
00:22:19,080 --> 00:22:20,800
Speaker 1: our man goes and get to lap dance at the

392
00:22:20,800 --> 00:22:25,160
Speaker 1: strip club. Well, for starters in the era that we're

393
00:22:25,280 --> 00:22:27,679
Speaker 1: in right now, the type of dancing that goes on

394
00:22:27,760 --> 00:22:30,240
Speaker 1: in the strip club, in the mainstream strip club, in

395
00:22:30,280 --> 00:22:33,360
Speaker 1: your onyx, in your magic City and your v lives,

396
00:22:34,200 --> 00:22:36,800
Speaker 1: it's not like they're on a couch getting grinded on

397
00:22:37,000 --> 00:22:40,359
Speaker 1: and like a close and personal ship. Most of those clubs,

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Speaker 1: unless it's a private bad they're just dance, standing in

399
00:22:48,280 --> 00:22:50,920
Speaker 1: front of you, dancing, you know, like they just stand

400
00:22:50,920 --> 00:22:52,720
Speaker 1: in front of you and dance. Now, that's when they're

401
00:22:52,720 --> 00:22:57,919
Speaker 1: a percent. Now I'm talking about those Miami Atlanta. Do

402
00:22:58,000 --> 00:22:59,679
Speaker 1: that mean they like you? Or they want some more more?

403
00:23:01,920 --> 00:23:03,960
Speaker 1: I don't know if like you? That's the real question

404
00:23:03,960 --> 00:23:06,639
Speaker 1: I want. How do you know if like you in

405
00:23:06,680 --> 00:23:09,120
Speaker 1: real life? Likes you in real life she spends time

406
00:23:09,160 --> 00:23:12,080
Speaker 1: with you and she spent if she if she spent

407
00:23:12,200 --> 00:23:14,159
Speaker 1: time with you, and it's not like and she's not like,

408
00:23:14,200 --> 00:23:18,240
Speaker 1: can you compensate me because I miss work a girl?

409
00:23:18,920 --> 00:23:21,680
Speaker 1: How many times have you heard that she said, I

410
00:23:21,760 --> 00:23:26,400
Speaker 1: got a good conversation. Listen, there's been times you get

411
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Speaker 1: inte to go to Vegas for the weekend and you're like, Okay,

412
00:23:31,440 --> 00:23:34,160
Speaker 1: what that means I'm gonna miss Friday night Saturday night?

413
00:23:34,840 --> 00:23:39,440
Speaker 1: And that's about can you replace that for me missing

414
00:23:39,480 --> 00:23:41,720
Speaker 1: work to spend No, we ain't leave like I mean,

415
00:23:41,800 --> 00:23:46,080
Speaker 1: if leaving the ship club and she got to take

416
00:23:46,080 --> 00:23:48,640
Speaker 1: off to come, it ain't. It ain't it ain't. That's

417
00:23:48,640 --> 00:23:51,720
Speaker 1: a mutual decision. I've decided I'll allow you around me,

418
00:23:51,760 --> 00:23:54,040
Speaker 1: and you decided you want to come around me. There's

419
00:23:54,080 --> 00:23:56,600
Speaker 1: no there's no payment, there's no nothing. I'm saying girls,

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00:23:56,680 --> 00:24:02,160
Speaker 1: expert girl. So if not trying to come after your pockets,

421
00:24:02,160 --> 00:24:03,480
Speaker 1: and she really want to spend time with you and

422
00:24:03,480 --> 00:24:05,160
Speaker 1: get to know you, despite the fact that it's costing

423
00:24:05,200 --> 00:24:10,480
Speaker 1: her money. I mean, that's a that's a sign you

424
00:24:10,560 --> 00:24:12,240
Speaker 1: might call me money. I could be doing you could

425
00:24:12,240 --> 00:24:13,880
Speaker 1: be doing a feature for some money right now. So

426
00:24:13,960 --> 00:24:15,880
Speaker 1: now you know, if I likes you, if he doesn't

427
00:24:15,880 --> 00:24:20,159
Speaker 1: ask you for money. Like the first thing is that

428
00:24:21,080 --> 00:24:23,399
Speaker 1: the real name? That's like the first joint. Yeah, the

429
00:24:23,400 --> 00:24:25,640
Speaker 1: real name thing is Now they're starting to get real smart.

430
00:24:25,640 --> 00:24:27,479
Speaker 1: They go like they got a shriven. I've always had

431
00:24:27,560 --> 00:24:34,560
Speaker 1: alien name fake, fake name and then the real name.

432
00:24:35,280 --> 00:24:36,560
Speaker 1: I feel like if you get rid of the real

433
00:24:36,640 --> 00:24:40,320
Speaker 1: name stages, that's true, you know, I might be in

434
00:24:40,359 --> 00:24:42,080
Speaker 1: it for the long haul. Like I ain't gonna ask

435
00:24:42,119 --> 00:24:44,680
Speaker 1: this nagtive time because in a couple of months he's

436
00:24:44,720 --> 00:24:46,600
Speaker 1: just gonna be giving it to me. That don't happen

437
00:24:46,600 --> 00:24:49,879
Speaker 1: to you. But the one thing I can say myself,

438
00:24:49,960 --> 00:24:52,480
Speaker 1: I never like tricked off on no strip of to

439
00:24:52,600 --> 00:24:55,200
Speaker 1: like kick it or like be around or whatever. Like

440
00:24:55,640 --> 00:24:58,119
Speaker 1: my thing is like yo, like you know, I ain't

441
00:24:58,119 --> 00:25:00,239
Speaker 1: so weird though, like you want to just do something them.

442
00:25:01,800 --> 00:25:04,480
Speaker 1: You also have the girls that feel like he bust

443
00:25:04,520 --> 00:25:07,800
Speaker 1: so much not come, he bust so many bands on

444
00:25:07,840 --> 00:25:10,639
Speaker 1: me in the club that yeah, it's worth it for

445
00:25:10,640 --> 00:25:13,639
Speaker 1: me to hang out. Kind of I won't even know,

446
00:25:14,280 --> 00:25:17,000
Speaker 1: but because sometimes, like you know, one thing is, I

447
00:25:17,000 --> 00:25:20,160
Speaker 1: don't even really enjoy lap dances that much because I'll

448
00:25:20,200 --> 00:25:23,080
Speaker 1: be looking at all the other strippers looking at the stripper,

449
00:25:25,480 --> 00:25:27,040
Speaker 1: and I'm like, yo, you know what, I don't even

450
00:25:27,080 --> 00:25:29,520
Speaker 1: want no conflict. Just let's get a little section and

451
00:25:29,640 --> 00:25:31,880
Speaker 1: just all y'all just dancing around. I'm gonna throwing money

452
00:25:31,880 --> 00:25:36,800
Speaker 1: and I'm gonna look cool. And see what you while

453
00:25:37,359 --> 00:25:39,320
Speaker 1: it's a little different for you because you are who

454
00:25:39,359 --> 00:25:41,320
Speaker 1: you are. You're not just average Joe coming in the

455
00:25:41,320 --> 00:25:49,320
Speaker 1: strip club. I mean, you know, not athletes and rappers

456
00:25:49,320 --> 00:25:53,040
Speaker 1: all the time, true and and and those people aren't

457
00:25:53,280 --> 00:25:56,240
Speaker 1: regular joels either. They also see Corey from up the

458
00:25:56,280 --> 00:25:59,120
Speaker 1: street and got damn great ready at work for the foot.

459
00:25:59,240 --> 00:26:02,040
Speaker 1: And they got you know what I'm saying, young, young, young,

460
00:26:03,359 --> 00:26:07,600
Speaker 1: a little rapper, and the more money than the ers,

461
00:26:09,040 --> 00:26:11,840
Speaker 1: and them all swimming them and all of them slimming them,

462
00:26:11,840 --> 00:26:14,120
Speaker 1: and all of them got they're getting all that real.

463
00:26:14,320 --> 00:26:16,480
Speaker 1: They get out brown bad money. You can throw whatever.

464
00:26:16,720 --> 00:26:19,000
Speaker 1: They know them too. So I look at suppers like

465
00:26:19,040 --> 00:26:22,200
Speaker 1: you know, rappers at least all that I consider those things.

466
00:26:22,280 --> 00:26:25,280
Speaker 1: I never considered those things like six seven years ago.

467
00:26:25,640 --> 00:26:27,080
Speaker 1: I could say it like that, like all right, we're

468
00:26:27,119 --> 00:26:29,480
Speaker 1: sitting in my man, all right, you found like that,

469
00:26:29,880 --> 00:26:32,000
Speaker 1: all right, so you probably know this person that person,

470
00:26:32,080 --> 00:26:33,800
Speaker 1: whether you tell me you're not, I know such and

471
00:26:33,840 --> 00:26:37,040
Speaker 1: such like it's just like you I said, just because

472
00:26:37,080 --> 00:26:40,879
Speaker 1: my conscious talking abo me. I'm just like you know,

473
00:26:41,560 --> 00:26:44,560
Speaker 1: I process it like, okay, I got these little philosophies

474
00:26:44,600 --> 00:26:46,280
Speaker 1: and I ain't never this is some exclusive ship. I

475
00:26:46,280 --> 00:26:49,440
Speaker 1: ain't never broke this one down before. Like I always

476
00:26:50,320 --> 00:26:54,400
Speaker 1: if I'm attracted to a woman, right, I consider all

477
00:26:54,600 --> 00:26:58,439
Speaker 1: things before I even attempt to shoot a shot in

478
00:26:58,480 --> 00:27:02,199
Speaker 1: the regular like fancy, I saw three girls within the

479
00:27:02,240 --> 00:27:06,000
Speaker 1: past like two years, I saw three girls working in

480
00:27:07,040 --> 00:27:10,800
Speaker 1: high end clothing stores, obviously cause I'm in a fashion

481
00:27:11,160 --> 00:27:13,399
Speaker 1: and then it's a it's a it's like one of

482
00:27:13,440 --> 00:27:16,439
Speaker 1: the rare environments I can actually meet a woman. I

483
00:27:16,520 --> 00:27:21,000
Speaker 1: always consider the city we end because I'm like, Okay,

484
00:27:21,400 --> 00:27:23,159
Speaker 1: I know this person, this person and this person in

485
00:27:23,200 --> 00:27:26,200
Speaker 1: this person in this city. I know they shot here.

486
00:27:26,800 --> 00:27:29,760
Speaker 1: I know at least out of this these seven, it

487
00:27:29,880 --> 00:27:32,480
Speaker 1: might be Chicago, Like I know this too was one

488
00:27:32,520 --> 00:27:34,680
Speaker 1: of the bulls I'm cool with. I got a real

489
00:27:34,720 --> 00:27:38,280
Speaker 1: close friend on the beds and I got three rout

490
00:27:38,320 --> 00:27:41,720
Speaker 1: of friends. I'm real tight with you know somebody, even

491
00:27:41,760 --> 00:27:43,880
Speaker 1: if you tell me you don't, I know you know somebody.

492
00:27:44,520 --> 00:27:46,680
Speaker 1: So my thing is like do I even want to

493
00:27:46,760 --> 00:27:50,240
Speaker 1: jump out there? So like I'm thinking, like, okay, well,

494
00:27:50,240 --> 00:27:52,040
Speaker 1: it's the vibe enough for her to give me give

495
00:27:52,040 --> 00:27:54,359
Speaker 1: me her number, or I'm like, oh am, I gonna

496
00:27:54,840 --> 00:27:57,199
Speaker 1: just end up hearing oh she used to talk to

497
00:27:57,200 --> 00:27:59,000
Speaker 1: such and such and such and such, and it makes

498
00:27:59,040 --> 00:28:01,280
Speaker 1: me impossible to make it possible for me to go forward.

499
00:28:01,560 --> 00:28:06,000
Speaker 1: But yeah, that's the past. Is really no, don't But

500
00:28:06,040 --> 00:28:08,199
Speaker 1: I'm just saying, if it's your if it's people that

501
00:28:08,240 --> 00:28:10,520
Speaker 1: you're cool with, because it's like, what if it's somebody

502
00:28:10,560 --> 00:28:13,080
Speaker 1: you cool with that y'all be you know, y'all chill together,

503
00:28:13,160 --> 00:28:15,080
Speaker 1: y'all bring you know, I might be dating, I might

504
00:28:15,080 --> 00:28:18,160
Speaker 1: bring girl I'm dating and then he was his new girl,

505
00:28:18,480 --> 00:28:20,600
Speaker 1: and it's like I'm bringing your old girl with me,

506
00:28:20,640 --> 00:28:23,119
Speaker 1: and it's like that's weird and and and if I

507
00:28:23,119 --> 00:28:26,000
Speaker 1: can stop that before I even having cool, it doesn't

508
00:28:26,000 --> 00:28:27,840
Speaker 1: make it awkward for you. Like if somebody your friends

509
00:28:27,840 --> 00:28:29,840
Speaker 1: and das somebody you used to date, how do you

510
00:28:29,840 --> 00:28:32,600
Speaker 1: feel about that? And say you over? And this is

511
00:28:32,720 --> 00:28:35,480
Speaker 1: jone did I used to work around where we didn't date,

512
00:28:35,600 --> 00:28:38,200
Speaker 1: but you know, we kicked it for a while. And

513
00:28:38,320 --> 00:28:40,200
Speaker 1: like I know a couple of niggas that has some

514
00:28:40,280 --> 00:28:43,880
Speaker 1: background vocals added the background vocals after that lad my version.

515
00:28:46,160 --> 00:28:48,520
Speaker 1: But does that make it feel weird like or it does?

516
00:28:48,560 --> 00:28:53,080
Speaker 1: It doesn't matter. It worked in some instances. I think

517
00:28:53,080 --> 00:28:56,280
Speaker 1: it depends on the copras. You know what I'm saying,

518
00:28:56,320 --> 00:28:58,200
Speaker 1: like who is it? Like if it's all right, I'm

519
00:28:58,200 --> 00:28:59,880
Speaker 1: my name, like I got like four songs and doesn't

520
00:29:00,160 --> 00:29:04,920
Speaker 1: like damn, you know what I'm saying like or like

521
00:29:05,200 --> 00:29:07,720
Speaker 1: this is my man for real, like the nigga wished

522
00:29:07,720 --> 00:29:13,959
Speaker 1: me happy birthday, nigga blows to my jump for its

523
00:29:14,000 --> 00:29:17,000
Speaker 1: aesthetic man, like you know what I'm saying. So it

524
00:29:17,120 --> 00:29:19,560
Speaker 1: all really depends because at the end of the day,

525
00:29:19,920 --> 00:29:22,240
Speaker 1: you have to come to a place in your heart

526
00:29:22,240 --> 00:29:26,400
Speaker 1: where it's like damn okay, bro, like g G and

527
00:29:26,680 --> 00:29:28,840
Speaker 1: like you we we've been in this game for a

528
00:29:28,840 --> 00:29:33,040
Speaker 1: long time, like in real in real world, like if

529
00:29:33,040 --> 00:29:35,640
Speaker 1: we was at one company, is not that long. Within

530
00:29:35,680 --> 00:29:37,720
Speaker 1: the industry when we're in people face every day, we've

531
00:29:37,720 --> 00:29:40,200
Speaker 1: been in for a long time. So it's like a

532
00:29:40,200 --> 00:29:43,240
Speaker 1: lot of times we end up, you know, dating people

533
00:29:43,280 --> 00:29:44,960
Speaker 1: in our industry, like you know what I'm saying, Like

534
00:29:45,080 --> 00:29:47,280
Speaker 1: we end up because it's like these are this is

535
00:29:47,280 --> 00:29:50,160
Speaker 1: our world. We live in, this weird devil's playground of

536
00:29:50,200 --> 00:29:53,120
Speaker 1: like yeah, it's a bubble, and it's like we don't

537
00:29:53,240 --> 00:29:57,600
Speaker 1: really have an opportunity like every so often, like you

538
00:29:57,680 --> 00:29:59,680
Speaker 1: might bump into somebody with a friend, or you might

539
00:29:59,720 --> 00:30:01,880
Speaker 1: have an your friend with a friend or something like that.

540
00:30:01,920 --> 00:30:04,720
Speaker 1: But we live in this small bubble that it's hard

541
00:30:04,760 --> 00:30:08,360
Speaker 1: to find people that understand your lifestyle outside of it.

542
00:30:08,560 --> 00:30:10,040
Speaker 1: You know what I'm saying. But we like you said,

543
00:30:10,080 --> 00:30:12,040
Speaker 1: that wasn't your girl. You just it wasn't even you

544
00:30:12,080 --> 00:30:17,240
Speaker 1: didn't even say dating, so right, no significant time together,

545
00:30:17,560 --> 00:30:19,640
Speaker 1: but it wasn't your girl, and you don't even consider

546
00:30:19,640 --> 00:30:24,080
Speaker 1: it dating. I mean so sometimes guys that sometimes I

547
00:30:24,160 --> 00:30:26,719
Speaker 1: feel like sometimes I feel like sometimes I feel like

548
00:30:26,760 --> 00:30:30,240
Speaker 1: you no, seriously, sometimes I feel like this is a

549
00:30:30,320 --> 00:30:34,160
Speaker 1: boyfriend girlfriend's situation. And then when it's over, like you reflect,

550
00:30:34,240 --> 00:30:36,920
Speaker 1: like was it really like because it's like to be

551
00:30:37,000 --> 00:30:41,040
Speaker 1: boyfriend girlfriend, Like significant moments need to happen to me,

552
00:30:41,120 --> 00:30:45,400
Speaker 1: Like it's just it's small. It's the title. The younger

553
00:30:45,440 --> 00:30:49,080
Speaker 1: you are, it's the feeling in the mutual respect for

554
00:30:49,160 --> 00:30:51,880
Speaker 1: each other as you get older, you know what I'm saying.

555
00:30:51,920 --> 00:30:55,400
Speaker 1: I also feel like relationships need to like a bottom line,

556
00:30:55,440 --> 00:30:57,440
Speaker 1: like if you're really in a relationship, then there's no

557
00:30:57,520 --> 00:30:59,479
Speaker 1: question if you were after the fact, if it was real,

558
00:30:59,600 --> 00:31:03,600
Speaker 1: like you like that was my We're in a relationship.

559
00:31:04,040 --> 00:31:06,040
Speaker 1: So it was you know for women sometimes we're like,

560
00:31:06,080 --> 00:31:10,080
Speaker 1: well he never wiped me, and so what it is exactly?

561
00:31:10,320 --> 00:31:12,479
Speaker 1: But what if she says, you know, Solange is one

562
00:31:12,520 --> 00:31:14,760
Speaker 1: of my favorite rappers and I know you sucked her

563
00:31:16,720 --> 00:31:19,239
Speaker 1: sorry singers, and I know you used to funk with her,

564
00:31:19,360 --> 00:31:24,040
Speaker 1: So I fell away about that? Would you like what

565
00:31:24,160 --> 00:31:31,720
Speaker 1: the first one was crazy rap finger? Sorry Fox? Fine,

566
00:31:31,720 --> 00:31:35,760
Speaker 1: I don't even because I was a couple right publicly.

567
00:31:35,840 --> 00:31:39,640
Speaker 1: That wasn't that that's that's not I don't know, I

568
00:31:39,640 --> 00:31:42,360
Speaker 1: don't know. I was one of my not like that.

569
00:31:42,400 --> 00:31:46,760
Speaker 1: But I mean like I wasn't trying to be you know,

570
00:31:46,920 --> 00:31:51,200
Speaker 1: I know where I'm know where I'm at. I'm just

571
00:31:51,240 --> 00:31:54,680
Speaker 1: trying to find a way to make it makes sense. Um,

572
00:31:55,120 --> 00:31:59,080
Speaker 1: Solange is a beautiful person inside and note like she's

573
00:31:59,120 --> 00:32:00,960
Speaker 1: also been one of my music like you know what

574
00:32:00,960 --> 00:32:03,520
Speaker 1: I'm saying, Like you know, I ain't saying I'm Andy

575
00:32:03,560 --> 00:32:06,920
Speaker 1: Warhol in my mind, I am U. But you know,

576
00:32:07,000 --> 00:32:12,640
Speaker 1: she's she's she's she's like the prototype of women I

577
00:32:12,800 --> 00:32:16,680
Speaker 1: personally like. And you know, me and her we were

578
00:32:16,680 --> 00:32:19,520
Speaker 1: real cool, like you know, used to kick it like

579
00:32:19,800 --> 00:32:22,280
Speaker 1: like it was real cool early on my career. She

580
00:32:22,320 --> 00:32:25,160
Speaker 1: taught me a lot about just music and just you know,

581
00:32:25,280 --> 00:32:28,360
Speaker 1: spontaneity and everything like that. But then anyone nothing like

582
00:32:28,400 --> 00:32:32,280
Speaker 1: that all right now is this cheating liking pictures of

583
00:32:32,280 --> 00:32:37,120
Speaker 1: attractive people on social media? See that? That's that's that's

584
00:32:37,120 --> 00:32:40,800
Speaker 1: weird for me because like if if I'm starting to

585
00:32:40,880 --> 00:32:42,720
Speaker 1: like a girl in any kind of way, I won't

586
00:32:42,760 --> 00:32:45,720
Speaker 1: follow her. I don't. I just try to not, but

587
00:32:45,800 --> 00:32:47,440
Speaker 1: you'll look at her page, you just won't find look

588
00:32:47,440 --> 00:32:52,400
Speaker 1: at her patients. And it was it seemed like a

589
00:32:52,400 --> 00:32:54,280
Speaker 1: guy like girls, but it's not really like that. It

590
00:32:54,400 --> 00:32:57,040
Speaker 1: was one girl I was talking to. I was like, um, like,

591
00:32:57,040 --> 00:32:59,360
Speaker 1: why are you gonna follow me on nothing? I was

592
00:32:59,440 --> 00:33:02,440
Speaker 1: like because like the way Twitter said up, I mean

593
00:33:02,480 --> 00:33:04,400
Speaker 1: I said him. Now you can see the people that

594
00:33:04,480 --> 00:33:08,120
Speaker 1: you follow that comment and it's like right in your face,

595
00:33:08,200 --> 00:33:12,040
Speaker 1: like and it's like me as like an overthinking, like

596
00:33:12,360 --> 00:33:19,080
Speaker 1: the rotic, deep thinking, ratchet slash bad decision making person,

597
00:33:19,240 --> 00:33:22,120
Speaker 1: like I don't I just don't even want the energy

598
00:33:22,120 --> 00:33:25,920
Speaker 1: in the egg because like I get real sarcastic, like

599
00:33:25,960 --> 00:33:29,000
Speaker 1: you know what I'm saying, like like passive aggressive, like

600
00:33:29,520 --> 00:33:36,440
Speaker 1: oh yeah, so you just how you know, um, such

601
00:33:36,440 --> 00:33:40,840
Speaker 1: as that you know how you know this nigga? It

602
00:33:40,920 --> 00:33:43,960
Speaker 1: was like multiple pictures. I'm just I don't know, I

603
00:33:43,960 --> 00:33:48,400
Speaker 1: don't care, but it was like multiple back to back. See,

604
00:33:48,960 --> 00:33:51,040
Speaker 1: I really don't know how to I don't know how

605
00:33:51,040 --> 00:33:53,800
Speaker 1: to figure out that. That's another thing. If I if

606
00:33:53,840 --> 00:33:56,440
Speaker 1: I figured out that time, if that's bad for me.

607
00:33:56,440 --> 00:33:57,640
Speaker 1: If I knew they were back to back to back

608
00:33:57,640 --> 00:34:01,400
Speaker 1: and back, I'm like, come on, block, how you you

609
00:34:01,440 --> 00:34:05,560
Speaker 1: would ask what I'm saying. It's just like you know,

610
00:34:05,760 --> 00:34:11,719
Speaker 1: it'll be like such and such, like it's just whack

611
00:34:11,760 --> 00:34:14,399
Speaker 1: because I feel like it sets you up. Nowadays, it's like, hey,

612
00:34:14,520 --> 00:34:17,920
Speaker 1: look who commented I didn't he here Instagram working with

613
00:34:17,960 --> 00:34:21,480
Speaker 1: the ponies. It is that cheating. If somebody said you

614
00:34:21,600 --> 00:34:24,359
Speaker 1: dating a girl and she's liking other guys, I don't

615
00:34:24,400 --> 00:34:27,319
Speaker 1: think like this cheating. I don't because I don't. That's

616
00:34:27,480 --> 00:34:29,239
Speaker 1: that's I don't know about that. But I mean it's

617
00:34:29,280 --> 00:34:33,239
Speaker 1: not cheating. It might be a tad disrespectful, but again

618
00:34:33,280 --> 00:34:35,560
Speaker 1: it's what it's the intent. What is your posting man

619
00:34:35,600 --> 00:34:39,040
Speaker 1: Crush Monday that somebody they're not cheating, But that's just wild.

620
00:34:40,360 --> 00:34:44,200
Speaker 1: That's like diet cheating. It depends on what the person

621
00:34:44,400 --> 00:34:46,880
Speaker 1: is too, Like if you're dating somebody that's like an

622
00:34:46,920 --> 00:34:49,640
Speaker 1: athlete and you put a rapper, it's kind of like, damn, bitch,

623
00:34:49,719 --> 00:34:52,359
Speaker 1: I know that, nigga, Like you can't do nothing like that.

624
00:34:53,080 --> 00:34:56,520
Speaker 1: But I'm taking from face value though, because I'm if

625
00:34:56,520 --> 00:34:57,719
Speaker 1: I'm with you, I'm with you because I know what

626
00:34:57,840 --> 00:35:00,960
Speaker 1: type of person I know, but supposed to like insalue kid.

627
00:35:01,480 --> 00:35:10,839
Speaker 1: I mean, and she's like a college girl or something. Smooth. Man.

628
00:35:10,960 --> 00:35:12,840
Speaker 1: I don't know what you're fetishes, Charlie, but like you

629
00:35:12,840 --> 00:35:15,279
Speaker 1: know what, I don't. That's it. It's the attempt though

630
00:35:15,320 --> 00:35:17,359
Speaker 1: for real, like you know what I'm saying, like like

631
00:35:17,440 --> 00:35:19,799
Speaker 1: a girl might post like a dude that's like a

632
00:35:19,880 --> 00:35:22,360
Speaker 1: gay person, like a gay dude, like a model. You know,

633
00:35:22,360 --> 00:35:24,839
Speaker 1: I'm saying that. Everybody know. It's like, you know, don't

634
00:35:24,880 --> 00:35:27,360
Speaker 1: even like women like okay, I get it, like some

635
00:35:27,480 --> 00:35:30,359
Speaker 1: fashion ship or whatever, but like man crushed, like I'm

636
00:35:30,400 --> 00:35:33,799
Speaker 1: your man to be crushed on every day in fact,

637
00:35:33,880 --> 00:35:37,520
Speaker 1: and nobody over me. I feel like that's Barack Obama.

638
00:35:37,560 --> 00:35:40,239
Speaker 1: She posts him as man ain't the president no more?

639
00:35:42,800 --> 00:35:47,799
Speaker 1: But Charlie, find another word though, you know what, you

640
00:35:47,800 --> 00:35:50,000
Speaker 1: know what you know what the connotation behind man crush

641
00:35:50,160 --> 00:35:52,919
Speaker 1: is though, Like there's a connotation behind it, and that's

642
00:35:52,920 --> 00:35:55,279
Speaker 1: like that's disrespect when you're trying to get under my

643
00:35:55,320 --> 00:35:59,000
Speaker 1: skin or like one do know woman crushed? Like you

644
00:35:59,000 --> 00:36:01,200
Speaker 1: know what I'm saying the same person that hasn't But

645
00:36:01,239 --> 00:36:04,440
Speaker 1: if you put Michelle Obama because she just did something

646
00:36:04,480 --> 00:36:11,839
Speaker 1: phenomenal superman, superwoman, Okay, that's what you can use. Women

647
00:36:11,840 --> 00:36:14,160
Speaker 1: crush your man crush, you have a connotation mind them.

648
00:36:14,800 --> 00:36:17,320
Speaker 1: Because women post other women as their women crush Wednesday.

649
00:36:17,360 --> 00:36:21,000
Speaker 1: Sometimes they might be women would would do something with

650
00:36:21,040 --> 00:36:25,000
Speaker 1: a woman even receive or give or watch or something,

651
00:36:25,040 --> 00:36:27,239
Speaker 1: because women do that for like our friends like to

652
00:36:27,239 --> 00:36:30,800
Speaker 1: shut your friends out, like women friends each other that

653
00:36:32,600 --> 00:36:36,120
Speaker 1: you know this women sucked each other the fantasy. That's why.

654
00:36:36,200 --> 00:36:39,040
Speaker 1: That's why when I say that, I think that like

655
00:36:39,200 --> 00:36:41,480
Speaker 1: any like well I haven't seen one, but if I

656
00:36:41,480 --> 00:36:46,080
Speaker 1: ever see like like a hotel cleaning service, that that's

657
00:36:46,120 --> 00:36:48,279
Speaker 1: every man. That's women. Just say, you know, like that's

658
00:36:48,320 --> 00:36:51,200
Speaker 1: the every man. You're like the main hotel queen of

659
00:36:51,239 --> 00:36:56,880
Speaker 1: her real bull. You want the lady, then make your bed.

660
00:36:58,719 --> 00:37:01,120
Speaker 1: It's not about what you do, it's about you know

661
00:37:01,160 --> 00:37:06,279
Speaker 1: what I'm saying static against that car. It's just like

662
00:37:07,360 --> 00:37:10,719
Speaker 1: security with the best. You know what it is. It's

663
00:37:10,760 --> 00:37:15,480
Speaker 1: the unexpected joint, the unexpected pop off. Like you twenty

664
00:37:15,560 --> 00:37:20,000
Speaker 1: seconds ago, I thought I'd be putting on my jeans

665
00:37:19,520 --> 00:37:25,640
Speaker 1: and trumping my jeans and you I got it. That

666
00:37:25,719 --> 00:37:29,359
Speaker 1: was But then you got to stop telling housekeeping, come

667
00:37:29,400 --> 00:37:31,399
Speaker 1: back on sleep and go take a peek out there.

668
00:37:31,760 --> 00:37:33,880
Speaker 1: It's it's it's like something that that will never happen.

669
00:37:33,920 --> 00:37:36,440
Speaker 1: Like somebody now these things like most of the women

670
00:37:37,160 --> 00:37:39,279
Speaker 1: they're cleaning the rooms and no tell just don't fall

671
00:37:39,280 --> 00:37:41,160
Speaker 1: with them. Might have to send somebody for your birthdays.

672
00:37:46,239 --> 00:37:49,480
Speaker 1: This sounds illegal, sounds mad illegal, and I have nothing

673
00:37:49,480 --> 00:37:56,440
Speaker 1: to do States comments and Vegas is fine, man. We

674
00:37:56,440 --> 00:37:58,840
Speaker 1: can send someone to your door Vegas, of Miami or

675
00:37:58,880 --> 00:38:01,000
Speaker 1: two cities that the first thing I think of in

676
00:38:01,040 --> 00:38:06,120
Speaker 1: them cities. Just hangover, yeah, hangover and you get you

677
00:38:06,120 --> 00:38:08,880
Speaker 1: get you get offered the host of call Miami and

678
00:38:09,040 --> 00:38:10,919
Speaker 1: be like yeah, man, don't get like three thirty five,

679
00:38:11,040 --> 00:38:14,480
Speaker 1: like what what type of coffee do you have for

680
00:38:14,480 --> 00:38:18,719
Speaker 1: me at the door? Like the clothes everywhere else, you

681
00:38:18,719 --> 00:38:25,680
Speaker 1: gotta be you time like yesterday. It's like next week.

682
00:38:25,760 --> 00:38:28,560
Speaker 1: Right now to meet like that is this considered cheating

683
00:38:28,680 --> 00:38:32,680
Speaker 1: somebody massaging your shoulder. Let's just say intent again, and

684
00:38:32,719 --> 00:38:37,520
Speaker 1: I hate to intent that's again, that's that's that falls

685
00:38:37,560 --> 00:38:40,440
Speaker 1: into the light cheating. These two girls are getting it

686
00:38:40,480 --> 00:38:47,640
Speaker 1: on right here, all friends, the intent, the intent, like

687
00:38:47,680 --> 00:38:52,200
Speaker 1: why why are you? Like like I never and I

688
00:38:52,239 --> 00:38:54,480
Speaker 1: struggled with this too, like even if I'm like starting

689
00:38:54,480 --> 00:38:56,879
Speaker 1: to fun with some mind like but like I don't

690
00:38:56,920 --> 00:38:58,640
Speaker 1: never want to be that Neig's like why you you?

691
00:38:58,719 --> 00:39:00,120
Speaker 1: What are you doing this? While you're doing that, I

692
00:39:00,160 --> 00:39:01,920
Speaker 1: just want you to have like be the type of

693
00:39:01,960 --> 00:39:03,920
Speaker 1: woman there to tell me that or just give me

694
00:39:03,960 --> 00:39:06,319
Speaker 1: like that reassurance you know what I'm saying that that

695
00:39:06,400 --> 00:39:07,560
Speaker 1: like you know what I'm saying like this ship ain't

696
00:39:07,560 --> 00:39:09,839
Speaker 1: about that because I'm a man too. I got my pride.

697
00:39:09,880 --> 00:39:11,440
Speaker 1: I ain't about to be like questioning what you're doing.

698
00:39:12,280 --> 00:39:14,239
Speaker 1: But I'm at the point in my life right right

699
00:39:14,239 --> 00:39:16,680
Speaker 1: now where it's like I don't ask any girl that

700
00:39:16,719 --> 00:39:19,920
Speaker 1: I deal with that we haven't really been like officially,

701
00:39:19,920 --> 00:39:21,680
Speaker 1: I don't ask them who they were, why they wear

702
00:39:21,760 --> 00:39:23,279
Speaker 1: that none of that ship. I don't give up. I

703
00:39:23,280 --> 00:39:25,600
Speaker 1: don't I really don't give a funk. I don't care

704
00:39:25,760 --> 00:39:27,600
Speaker 1: do what you want to do, you know what I'm saying.

705
00:39:27,719 --> 00:39:30,319
Speaker 1: But I'm like, but you don't expect like certain things

706
00:39:30,360 --> 00:39:32,880
Speaker 1: because we're not You're not that, We're not that, you know.

707
00:39:33,040 --> 00:39:34,799
Speaker 1: For a woman tries to ask you a question like

708
00:39:35,200 --> 00:39:38,680
Speaker 1: oh wow, I've seen you on Instagram? Who don't bring

709
00:39:38,719 --> 00:39:41,319
Speaker 1: that up? But our girls should be able to ask

710
00:39:41,320 --> 00:39:47,400
Speaker 1: you anything she can. But I'm in the entertainment business,

711
00:39:47,880 --> 00:39:50,840
Speaker 1: you know what I'm saying, Like, I don't baby, oh no,

712
00:39:51,080 --> 00:39:54,040
Speaker 1: Like I'm in the club, but what what the funk?

713
00:39:54,080 --> 00:39:56,720
Speaker 1: I ain't on pulling hub with no because if somebody

714
00:39:56,760 --> 00:39:58,960
Speaker 1: is spending a little insecure and should be able to

715
00:39:58,960 --> 00:40:02,520
Speaker 1: say something like you know, give me example, like you

716
00:40:02,520 --> 00:40:04,920
Speaker 1: can't say a girl is like um, you know what.

717
00:40:05,840 --> 00:40:07,400
Speaker 1: I just want to be honest with you. And bothered

718
00:40:07,400 --> 00:40:09,839
Speaker 1: me when I saw you take a picture and post

719
00:40:09,880 --> 00:40:12,839
Speaker 1: this picture. Say you posted a picture the other day

720
00:40:12,880 --> 00:40:15,040
Speaker 1: with tailor works and said you was a fan or whatever.

721
00:40:15,440 --> 00:40:17,000
Speaker 1: What if she was like, well, that bothered me a

722
00:40:17,000 --> 00:40:19,000
Speaker 1: little bit. And I just want to be honest because

723
00:40:19,000 --> 00:40:23,759
Speaker 1: the way your arm was around her, whatever, my girl,

724
00:40:24,400 --> 00:40:27,600
Speaker 1: this is somebody at dating Yeah, and you guys, because

725
00:40:27,600 --> 00:40:29,640
Speaker 1: you said be able to have open dialogue. I'm not

726
00:40:29,680 --> 00:40:34,800
Speaker 1: having a good what you should say? You tell me

727
00:40:38,320 --> 00:40:41,280
Speaker 1: go ahead, man, But if she's like yeah, that's number

728
00:40:41,360 --> 00:40:44,160
Speaker 1: like like actually, like tell Tailor Brooks, I said, swift

729
00:40:44,160 --> 00:40:57,399
Speaker 1: almost to French front music. It's good for a demographic, man,

730
00:40:57,640 --> 00:41:02,680
Speaker 1: it's good to eat the salaries taking days. But now, no,

731
00:41:02,840 --> 00:41:04,520
Speaker 1: tell us Swiss fans don't come at me. I was

732
00:41:04,560 --> 00:41:06,120
Speaker 1: that was like a black people joke. Women y'all make

733
00:41:06,160 --> 00:41:08,680
Speaker 1: them about. That's when we're not around. I'm always going

734
00:41:08,719 --> 00:41:19,600
Speaker 1: to see a French fry when I'm to give it

735
00:41:19,640 --> 00:41:26,040
Speaker 1: a potato. I actually, like Taylor, you were saying, no no,

736
00:41:26,160 --> 00:41:31,320
Speaker 1: I was, O god, no, no. I mean it depends

737
00:41:31,360 --> 00:41:33,560
Speaker 1: with if we hit that level like that, like it's

738
00:41:33,640 --> 00:41:35,600
Speaker 1: it's go ahead, like stop it. You know what I'm saying,

739
00:41:35,680 --> 00:41:44,040
Speaker 1: Like I ain't come in. Baby's something like that. She's

740
00:41:44,040 --> 00:41:46,120
Speaker 1: gonna point right at her cratch right here, right here.

741
00:41:49,239 --> 00:41:57,000
Speaker 1: I want to sleep. That's all guys, solution. You want

742
00:41:57,040 --> 00:42:01,200
Speaker 1: to make you some of crap class like the baby boy,

743
00:42:02,680 --> 00:42:05,120
Speaker 1: it's like this man's like, man, where am I right now?

744
00:42:05,200 --> 00:42:07,080
Speaker 1: Like but you know in the way it is double

745
00:42:07,120 --> 00:42:09,280
Speaker 1: standards though, but I don't think that. Even a picture

746
00:42:09,280 --> 00:42:11,319
Speaker 1: I took with Taylor wasn't like, no, it wasn't like

747
00:42:11,560 --> 00:42:13,160
Speaker 1: my hands on her ass and nothing like that. Like,

748
00:42:13,360 --> 00:42:15,600
Speaker 1: but somebody might be intimidateding like she's a beautiful woman,

749
00:42:15,719 --> 00:42:19,520
Speaker 1: like you know what I'm saying that I think i'd be.

750
00:42:19,560 --> 00:42:21,160
Speaker 1: I don't think i'd be. I think by the time

751
00:42:21,280 --> 00:42:23,480
Speaker 1: we got that close, I know she's built like that

752
00:42:24,120 --> 00:42:26,239
Speaker 1: because I let I't let any woman if I saw

753
00:42:26,239 --> 00:42:27,480
Speaker 1: a kind of feelings, I'm gonna let them know what

754
00:42:27,480 --> 00:42:31,120
Speaker 1: they're getting into. You know what I'm saying. It's been

755
00:42:31,160 --> 00:42:33,799
Speaker 1: a long time. It's been a long time, long time

756
00:42:33,840 --> 00:42:36,879
Speaker 1: since I've been like in a relationship publicly and everything. Like.

757
00:42:37,200 --> 00:42:40,040
Speaker 1: But it's like, Okay, do I know this person is

758
00:42:40,040 --> 00:42:43,600
Speaker 1: intelligent enough to understand how this this ship, this this game?

759
00:42:44,280 --> 00:42:47,520
Speaker 1: Do I know this person is not using me to

760
00:42:48,040 --> 00:42:50,319
Speaker 1: as a as a steppingstone to get to in the

761
00:42:50,360 --> 00:42:52,359
Speaker 1: world and get out and then get to another level

762
00:42:52,440 --> 00:42:57,640
Speaker 1: and do what she wants. Um is this person? Uh?

763
00:42:57,920 --> 00:42:59,400
Speaker 1: Is she well read it? You know what? Was she

764
00:42:59,480 --> 00:43:02,160
Speaker 1: gonna sound like? Like? You know? I mean, I don't

765
00:43:02,200 --> 00:43:04,840
Speaker 1: I would never date a woman that that's not intelligent.

766
00:43:05,520 --> 00:43:08,360
Speaker 1: I need I need I need another intellectual like that

767
00:43:08,880 --> 00:43:11,279
Speaker 1: to vibe with because you know you half of the

768
00:43:11,280 --> 00:43:13,440
Speaker 1: problem is gone. Chartie. You know what this is. You

769
00:43:13,440 --> 00:43:15,160
Speaker 1: know what I'm saying. You know how this game go.

770
00:43:15,360 --> 00:43:17,160
Speaker 1: You know I do this for a living. You do

771
00:43:17,200 --> 00:43:18,640
Speaker 1: that for a living. This is what you expect that

772
00:43:18,680 --> 00:43:20,080
Speaker 1: at your job, and this is what you gotta expect

773
00:43:20,080 --> 00:43:23,279
Speaker 1: that in my job. She already know. So if we're

774
00:43:23,280 --> 00:43:26,719
Speaker 1: going together, we were like borderline going together. She don't

775
00:43:26,719 --> 00:43:29,279
Speaker 1: even she don't even mention that. She wouldn't even mention

776
00:43:29,320 --> 00:43:31,759
Speaker 1: it to me. She fell away about a picture. She's

777
00:43:31,800 --> 00:43:35,319
Speaker 1: gonna be felling away for the whole life. Entain. Let

778
00:43:35,360 --> 00:43:36,960
Speaker 1: me tell you, let's let me get this right, Shorting.

779
00:43:37,239 --> 00:43:39,080
Speaker 1: You want to be in all my videos, you would

780
00:43:39,120 --> 00:43:42,440
Speaker 1: be every girl in the video. Baby, that's a lot

781
00:43:42,440 --> 00:43:44,520
Speaker 1: of c G. I be every girl in my video

782
00:43:44,560 --> 00:43:46,120
Speaker 1: because I mean, I got to look at the girls

783
00:43:46,120 --> 00:43:48,440
Speaker 1: in my video even more. I gotta do more. So

784
00:43:48,560 --> 00:43:51,960
Speaker 1: what you know what I'm saying? People do do that

785
00:43:52,000 --> 00:43:54,279
Speaker 1: though they'd be using the same boyfriend. You'd be like

786
00:43:55,840 --> 00:43:58,880
Speaker 1: you guys each other. But I don't think no, I

787
00:43:58,880 --> 00:44:02,839
Speaker 1: don't think no girls should even you know, well, you're

788
00:44:02,840 --> 00:44:08,239
Speaker 1: telling girls the black people. Right now, let's talk about

789
00:44:08,520 --> 00:44:11,520
Speaker 1: since we talked about Insecure and the episode of Insecure

790
00:44:12,000 --> 00:44:16,359
Speaker 1: where Easter Ray, the guy she was dating, Nathan, went ghosts.

791
00:44:16,200 --> 00:44:18,799
Speaker 1: He just all of a sudden disappeared, all right, and

792
00:44:18,840 --> 00:44:27,920
Speaker 1: we're gonna get anything. I just got I want to

793
00:44:27,960 --> 00:44:29,560
Speaker 1: friends came to New York when the l A came

794
00:44:29,640 --> 00:44:32,719
Speaker 1: right back, so you can't stream one the guy in

795
00:44:32,800 --> 00:44:37,799
Speaker 1: playing Wildfire slow ship, all right, So the guys people

796
00:44:38,480 --> 00:44:42,320
Speaker 1: spread like this and he just disappeared all of a sudden.

797
00:44:42,360 --> 00:44:45,080
Speaker 1: She's been trying to call him. He's not answering um

798
00:44:45,120 --> 00:44:46,920
Speaker 1: and she has no idea what happened. What are some

799
00:44:46,960 --> 00:44:49,680
Speaker 1: reasons that guys go? But she knows he's good because

800
00:44:49,680 --> 00:44:52,319
Speaker 1: she reached out. He reached out the song people are

801
00:44:52,440 --> 00:44:56,680
Speaker 1: scared of what they actually want. Yeah, I mean I

802
00:44:56,719 --> 00:44:58,759
Speaker 1: came up with this a long time ago. There's a

803
00:44:58,840 --> 00:45:01,200
Speaker 1: luxury and sa and being able to say could have

804
00:45:01,200 --> 00:45:03,560
Speaker 1: with the Shuldar because they could have with the sugar.

805
00:45:03,600 --> 00:45:07,880
Speaker 1: You can control the narrative. You could be like, man, no, no,

806
00:45:08,120 --> 00:45:11,959
Speaker 1: I don't I don't like what it depends what ghost

807
00:45:12,040 --> 00:45:18,040
Speaker 1: could me? I mean, some girls, some girls are one

808
00:45:18,120 --> 00:45:21,400
Speaker 1: night stand. Some girls are one night stand a regular person,

809
00:45:21,719 --> 00:45:25,000
Speaker 1: but because of what they think they can get out

810
00:45:25,000 --> 00:45:27,359
Speaker 1: of certain people, there's no sense things and one nice

811
00:45:27,360 --> 00:45:31,560
Speaker 1: saying it's like, yo, am I still stand, not even

812
00:45:31,560 --> 00:45:34,600
Speaker 1: too nice stands forever and I quit my job, and like,

813
00:45:34,640 --> 00:45:39,440
Speaker 1: what's up. I'm not just saying that. It's a lot

814
00:45:39,480 --> 00:45:41,040
Speaker 1: of people know. I'm just saying that's there. That's the

815
00:45:41,080 --> 00:45:44,160
Speaker 1: goal right there. You know what I'm saying. Well, you

816
00:45:44,160 --> 00:45:47,399
Speaker 1: wanted to bring something up because you're saying you guys

817
00:45:47,400 --> 00:45:50,040
Speaker 1: are friends in there all of a sudden ghosted you. Yeah,

818
00:45:51,360 --> 00:45:54,520
Speaker 1: what happened was she wants to't know what happened? Well, no,

819
00:45:55,120 --> 00:45:57,440
Speaker 1: on the safe let me let me go back to

820
00:45:57,480 --> 00:46:00,840
Speaker 1: the conversation we had. So me and this young gentleman

821
00:46:00,960 --> 00:46:03,120
Speaker 1: right here had a really good friendship. At one point

822
00:46:03,560 --> 00:46:06,000
Speaker 1: we were almost like besties. We spent a lot of

823
00:46:06,000 --> 00:46:11,800
Speaker 1: time together, studio in the crib, smoking, breakfast, airport runs,

824
00:46:12,640 --> 00:46:17,920
Speaker 1: the therapist. Yeah, just kicking it right. Um, I was

825
00:46:17,960 --> 00:46:21,480
Speaker 1: in the relationship. We were friends. Now, I was in

826
00:46:21,480 --> 00:46:23,680
Speaker 1: a relationship. And I met him when I was with

827
00:46:23,719 --> 00:46:26,239
Speaker 1: my significance and I was fairly new to the industry,

828
00:46:26,400 --> 00:46:29,040
Speaker 1: and I just she was a great mentor he was

829
00:46:29,160 --> 00:46:31,800
Speaker 1: kicking it. We we after we met, we were in

830
00:46:31,840 --> 00:46:34,080
Speaker 1: Miami when we met. After we met in Miami, we

831
00:46:34,120 --> 00:46:36,440
Speaker 1: found out that we had mutual friends in Atlanta. So

832
00:46:36,480 --> 00:46:38,480
Speaker 1: when he would come to Atlanta, we would kicking in Atlanta.

833
00:46:38,680 --> 00:46:42,319
Speaker 1: Right then, somehow or another, I guess, people would see

834
00:46:42,360 --> 00:46:44,360
Speaker 1: us oild or whatever. Somebody went back and told my

835
00:46:44,400 --> 00:46:46,239
Speaker 1: significant other than me and him were in some type

836
00:46:46,280 --> 00:46:50,440
Speaker 1: of relationship and that wasn't the case. Yeah, that was

837
00:46:50,560 --> 00:46:52,879
Speaker 1: the case. So that's not why he went. So I

838
00:46:52,920 --> 00:46:55,040
Speaker 1: was trying to figure my life. I was. I think

839
00:46:55,080 --> 00:46:57,960
Speaker 1: that was one of the I was trying to go.

840
00:46:58,040 --> 00:47:00,640
Speaker 1: I was like working with everybody. Yeah, you was on

841
00:47:00,680 --> 00:47:02,239
Speaker 1: a lot. It was around the time when you did

842
00:47:02,320 --> 00:47:06,759
Speaker 1: the the no hands versus that was. It was around

843
00:47:06,760 --> 00:47:11,480
Speaker 1: that time. So anyway, Um, it became an issue between

844
00:47:11,520 --> 00:47:14,480
Speaker 1: me and my relationship at the time because he couldn't

845
00:47:14,560 --> 00:47:16,680
Speaker 1: understand how me and while they became so much close

846
00:47:16,680 --> 00:47:18,680
Speaker 1: friends when we had just met, when we were together.

847
00:47:18,719 --> 00:47:20,160
Speaker 1: He's like, you just met him with me, How your

848
00:47:20,200 --> 00:47:23,359
Speaker 1: besties now and you click with people like that? He said,

849
00:47:23,400 --> 00:47:25,480
Speaker 1: we were friends, Like we're still, we still our friends.

850
00:47:26,000 --> 00:47:28,600
Speaker 1: It's us always been nothing but respect between me and him,

851
00:47:28,719 --> 00:47:30,720
Speaker 1: and while they always been able to have female friends,

852
00:47:30,760 --> 00:47:33,239
Speaker 1: and we've always we've run into each other through the

853
00:47:33,320 --> 00:47:35,640
Speaker 1: years at different events and industry events and concerts and

854
00:47:35,640 --> 00:47:37,320
Speaker 1: backstage and stuff like that, and it's always been respect.

855
00:47:37,400 --> 00:47:40,120
Speaker 1: I just remember riding in the car and you just

856
00:47:40,440 --> 00:47:44,000
Speaker 1: giving me game like ship like a just like everything

857
00:47:44,200 --> 00:47:47,719
Speaker 1: from girls to the like the industry to like just

858
00:47:47,840 --> 00:47:51,160
Speaker 1: like the club scene. And because I was just starting

859
00:47:51,200 --> 00:47:53,520
Speaker 1: to come to Atlanta a lot, you know what I'm saying,

860
00:47:53,560 --> 00:47:56,319
Speaker 1: they wasn't It wasn't really back then and that like that,

861
00:47:56,400 --> 00:47:59,960
Speaker 1: like she'd be like what like shot like supposed to

862
00:48:00,200 --> 00:48:02,839
Speaker 1: go to the studio right around whatever, and it's like

863
00:48:03,320 --> 00:48:05,719
Speaker 1: this is great, Like she don't look at me like

864
00:48:05,920 --> 00:48:08,439
Speaker 1: girls back in d C. Do you know what I'm saying,

865
00:48:08,440 --> 00:48:10,239
Speaker 1: Like they look at me like, oh my God, like

866
00:48:10,239 --> 00:48:11,960
Speaker 1: like at that time, Like you know what I'm saying,

867
00:48:12,000 --> 00:48:14,279
Speaker 1: it was just like a friend, like somebody that you

868
00:48:14,320 --> 00:48:17,719
Speaker 1: know sometimes sometimes sometimes God put people in your life

869
00:48:17,719 --> 00:48:20,520
Speaker 1: at the right time, like to save you from like

870
00:48:20,560 --> 00:48:22,719
Speaker 1: when you right on the edge. Like again, I just

871
00:48:22,800 --> 00:48:24,719
Speaker 1: left in the scope, you know what I'm saying. And

872
00:48:25,480 --> 00:48:28,120
Speaker 1: I know Big West, she's the dry dry helped me

873
00:48:28,200 --> 00:48:31,200
Speaker 1: around a little bit. Um I was torn good, So

874
00:48:31,239 --> 00:48:33,560
Speaker 1: I wasn't. I wasn't broken down, but it's like mentally

875
00:48:33,680 --> 00:48:36,640
Speaker 1: I was broken down, Like I was, like, we had

876
00:48:36,680 --> 00:48:40,000
Speaker 1: a lot of deep conversations. Why did't you're not be

877
00:48:40,080 --> 00:48:42,200
Speaker 1: friends anymore? It's not that we're not friends, but I

878
00:48:42,280 --> 00:48:45,840
Speaker 1: mean it was this the disrupt came when it was

879
00:48:45,880 --> 00:48:47,960
Speaker 1: a problem with my significant others. So I just felt like,

880
00:48:48,040 --> 00:48:50,600
Speaker 1: let me just fall back. You fell back, and I

881
00:48:51,000 --> 00:48:54,640
Speaker 1: know I didn't know what. I didn't know about that drink.

882
00:48:54,640 --> 00:49:00,320
Speaker 1: I didn't know just but I like I always figured

883
00:49:00,320 --> 00:49:04,560
Speaker 1: every woman got a man most times, but it was

884
00:49:05,080 --> 00:49:07,239
Speaker 1: it wasn't. But it wasn't like he didn't know I

885
00:49:07,360 --> 00:49:09,560
Speaker 1: had a man because he was with me right my

886
00:49:09,600 --> 00:49:11,759
Speaker 1: man when we met. So it was all respectful, but

887
00:49:11,920 --> 00:49:14,440
Speaker 1: it was it was nothing but respect. But what happens

888
00:49:14,520 --> 00:49:16,759
Speaker 1: is the outside. To be honest, I don't even know

889
00:49:17,480 --> 00:49:20,239
Speaker 1: who the man is. And maybe I would ask off

890
00:49:20,280 --> 00:49:22,120
Speaker 1: the air because I don't know what it was about

891
00:49:22,120 --> 00:49:24,279
Speaker 1: to happen. But I don't, I don't know. I didn't

892
00:49:24,320 --> 00:49:26,480
Speaker 1: know who I don't. I don't think I ever asked.

893
00:49:27,040 --> 00:49:28,839
Speaker 1: We never had to talk about that because it never

894
00:49:29,000 --> 00:49:31,360
Speaker 1: became an issue. Right, It wasn't stand because our relationship

895
00:49:31,480 --> 00:49:34,719
Speaker 1: don't our friendship wasn't going in that way where I

896
00:49:34,840 --> 00:49:38,040
Speaker 1: had to be like, oh, my man is like I

897
00:49:38,080 --> 00:49:44,440
Speaker 1: ain't know now, can y'all be friends? Like okay, Like

898
00:49:45,840 --> 00:49:48,000
Speaker 1: but you people grow up like grow part just because

899
00:49:48,040 --> 00:49:51,600
Speaker 1: of life. Like like I remember, I don't even even remember,

900
00:49:51,680 --> 00:49:54,959
Speaker 1: Like it was around the time, maybe like the tail

901
00:49:55,080 --> 00:49:57,600
Speaker 1: end of how long, Like we were just talking and

902
00:49:57,719 --> 00:49:59,800
Speaker 1: he was like, man, I'm about the style. I just

903
00:50:00,120 --> 00:50:01,440
Speaker 1: mouse like, you know what I'm saying. He was like,

904
00:50:01,440 --> 00:50:03,560
Speaker 1: I'm gonna have like a last big genre. That's what

905
00:50:07,440 --> 00:50:09,520
Speaker 1: I was just like, you know, and I think about it.

906
00:50:09,760 --> 00:50:12,280
Speaker 1: By this time, I might have just signed with MMG

907
00:50:12,400 --> 00:50:16,640
Speaker 1: maybe and I'm just like, okay, you know what I'm saying. Um,

908
00:50:18,280 --> 00:50:20,560
Speaker 1: it's like we both got new jobs essentially. I guess

909
00:50:20,600 --> 00:50:23,600
Speaker 1: that's the best metaphor. The you like, I got back

910
00:50:24,160 --> 00:50:28,520
Speaker 1: on a major label, you know, my brother, that was

911
00:50:28,600 --> 00:50:30,480
Speaker 1: higher than it was before I even sound when the

912
00:50:30,600 --> 00:50:33,399
Speaker 1: good you know, I'm kind of like skyrocket at that point.

913
00:50:33,560 --> 00:50:35,319
Speaker 1: And then and then and I was really deep into

914
00:50:35,360 --> 00:50:37,840
Speaker 1: my relationship and since there it wasn't like it was

915
00:50:37,880 --> 00:50:39,560
Speaker 1: a problem that me and you were friends. It's just

916
00:50:39,719 --> 00:50:42,040
Speaker 1: that people on the outside looking in was kind of

917
00:50:42,280 --> 00:50:44,279
Speaker 1: my name in a song like people was in this.

918
00:50:45,320 --> 00:50:47,040
Speaker 1: But the reason why I put her name of the

919
00:50:47,120 --> 00:50:51,279
Speaker 1: song is because it was just like like with the

920
00:50:51,360 --> 00:50:53,239
Speaker 1: respect of what I did and how good I was

921
00:50:53,320 --> 00:50:55,719
Speaker 1: at doing maybe like you know me being younger at

922
00:50:55,760 --> 00:51:00,360
Speaker 1: that time, like amused. Like again, women are always my muse.

923
00:51:00,520 --> 00:51:04,320
Speaker 1: Like I can guarantee you that if you came to

924
00:51:04,400 --> 00:51:06,440
Speaker 1: the studio with me, you probably hear like five or

925
00:51:06,520 --> 00:51:09,480
Speaker 1: six times where you and mom used in a certain line.

926
00:51:09,680 --> 00:51:11,759
Speaker 1: Because I'll think of all the women I know or

927
00:51:11,840 --> 00:51:14,200
Speaker 1: that I'm cool with or that I got genuine love for,

928
00:51:14,680 --> 00:51:18,239
Speaker 1: and I'll create like instances where like what they can

929
00:51:18,320 --> 00:51:20,360
Speaker 1: relate to you. Now you see what I mean by

930
00:51:20,440 --> 00:51:24,880
Speaker 1: the women love. Like, oh my god, now that I

931
00:51:25,000 --> 00:51:27,560
Speaker 1: think about this, while dated a girl who didn't like

932
00:51:27,760 --> 00:51:31,840
Speaker 1: me really and he did you and something happened she

933
00:51:31,880 --> 00:51:35,320
Speaker 1: had an issue with me, tet me. I can't remember.

934
00:51:35,360 --> 00:51:39,000
Speaker 1: It was so long ago. It's like it was when

935
00:51:39,000 --> 00:51:41,719
Speaker 1: they had them comedy shows. Remember when Cyper Sounds used

936
00:51:41,719 --> 00:51:44,160
Speaker 1: to do those comedy Yeah, yeah, And I remember I

937
00:51:44,480 --> 00:51:48,160
Speaker 1: haven't dated that many women like that. Maybe she was

938
00:51:48,280 --> 00:51:52,759
Speaker 1: dating you and you were in that happens. Yeah. I

939
00:51:52,880 --> 00:51:56,279
Speaker 1: was like, yeah, those one silent relationships are real, all right,

940
00:51:56,280 --> 00:52:04,000
Speaker 1: Now here's my my my d ms and are you

941
00:52:04,120 --> 00:52:09,440
Speaker 1: kidding me? Me? And then I was like he was

942
00:52:09,480 --> 00:52:11,680
Speaker 1: like yeah, I mean and I was like yawned and yawned,

943
00:52:11,760 --> 00:52:14,280
Speaker 1: and he was like theory, and I was like, yawned,

944
00:52:14,320 --> 00:52:18,360
Speaker 1: and I just want to tell you something. I always tried. No, no,

945
00:52:18,440 --> 00:52:24,359
Speaker 1: I'm not saying nothing crazy. I was who started lay

946
00:52:24,480 --> 00:52:26,160
Speaker 1: up and he just don't step up to the plate

947
00:52:26,280 --> 00:52:30,000
Speaker 1: like I'd be like, oh, here's an away the time

948
00:52:30,680 --> 00:52:34,680
Speaker 1: the time, it was the time she angel is very

949
00:52:34,800 --> 00:52:37,320
Speaker 1: like I always look at it like somebody who's like

950
00:52:37,400 --> 00:52:39,800
Speaker 1: seeing me come up and like see Mike Hawst. And

951
00:52:39,880 --> 00:52:44,600
Speaker 1: she was like like he's a good person, like like,

952
00:52:45,000 --> 00:52:46,680
Speaker 1: and I'm like, man, maybe I can't live up to

953
00:52:46,719 --> 00:52:51,720
Speaker 1: the standards of that. And a lot of her friends

954
00:52:51,800 --> 00:52:54,520
Speaker 1: are like come on, like come on, I know, like

955
00:52:54,600 --> 00:52:56,800
Speaker 1: six niggers that try to talk to you like and

956
00:52:57,000 --> 00:52:59,000
Speaker 1: I feel a lot of her friends fall into that category.

957
00:52:59,120 --> 00:53:01,040
Speaker 1: Up you don't know what their past might have been

958
00:53:01,120 --> 00:53:03,719
Speaker 1: and what we talked about. And you know what I

959
00:53:03,800 --> 00:53:05,719
Speaker 1: told him, I said, well, of course you're gonna like

960
00:53:05,840 --> 00:53:07,960
Speaker 1: girls that other guys like, why would you like? Why

961
00:53:08,000 --> 00:53:10,320
Speaker 1: would you like that? Other people didn't like that? And

962
00:53:10,360 --> 00:53:14,680
Speaker 1: I told her I was profound. That sounds crazy. Of

963
00:53:14,760 --> 00:53:17,360
Speaker 1: course you're gonna don't know, man, Like sometimes, how do

964
00:53:17,400 --> 00:53:19,160
Speaker 1: you think girls feel when they want to talk to you?

965
00:53:19,480 --> 00:53:22,160
Speaker 1: They probably I've never it's been a long time since

966
00:53:22,200 --> 00:53:25,279
Speaker 1: I met girls like, like, did I know like that

967
00:53:25,400 --> 00:53:28,640
Speaker 1: we speak cordially? That Dad was like, yo, I bring like,

968
00:53:28,760 --> 00:53:30,799
Speaker 1: I bring this to the table, like just let's just say,

969
00:53:30,840 --> 00:53:33,839
Speaker 1: you know, not mentally whatever all that. Like, I bring

970
00:53:33,920 --> 00:53:35,759
Speaker 1: this to the table, and I like, you know what,

971
00:53:35,880 --> 00:53:37,960
Speaker 1: I'm trying to see where this can go because in

972
00:53:38,000 --> 00:53:40,000
Speaker 1: any kind of way, I'd be wondering why later like

973
00:53:40,160 --> 00:53:45,320
Speaker 1: kicking to certain people. But I don't know, Like I

974
00:53:45,440 --> 00:53:48,360
Speaker 1: don't It's just like I want at this point, I

975
00:53:48,440 --> 00:53:50,840
Speaker 1: just want you to have something going for yourself and

976
00:53:50,960 --> 00:54:00,800
Speaker 1: just be passionate about something. And never happened, only just

977
00:54:02,360 --> 00:54:05,200
Speaker 1: and it's been some really quality quality man. They've been

978
00:54:05,239 --> 00:54:09,200
Speaker 1: like one time for real. I think and years and

979
00:54:09,320 --> 00:54:11,839
Speaker 1: years of this knowing him the way I was friend,

980
00:54:13,800 --> 00:54:15,400
Speaker 1: I don't even think I'm picking like that. I'm just

981
00:54:15,480 --> 00:54:17,839
Speaker 1: like your hats onto the table. But then it's also

982
00:54:17,960 --> 00:54:21,640
Speaker 1: like and this is my flaw. My trust issues are

983
00:54:21,880 --> 00:54:28,040
Speaker 1: so immense that I trust myself more than I trust. Yeah,

984
00:54:28,239 --> 00:54:30,720
Speaker 1: I trust myself more than trust anybody. Like I literally

985
00:54:30,800 --> 00:54:34,680
Speaker 1: got issues, like issues with within my family that make

986
00:54:34,760 --> 00:54:37,040
Speaker 1: it hard that like a damn like this happened within

987
00:54:37,120 --> 00:54:40,120
Speaker 1: my family. Look, I'm really can't trust, like or I've

988
00:54:40,120 --> 00:54:42,279
Speaker 1: known somebody for twelve years and then this happened, you

989
00:54:42,280 --> 00:54:44,440
Speaker 1: know what I'm saying, Or like you know, I had

990
00:54:44,440 --> 00:54:46,239
Speaker 1: a friend of college that was that was killed by

991
00:54:46,280 --> 00:54:48,520
Speaker 1: his own man, and that one of my best friends

992
00:54:48,560 --> 00:54:50,759
Speaker 1: in school was killed by his own man like on

993
00:54:50,920 --> 00:54:53,080
Speaker 1: some opening door and play madam, what you didn't smoke

994
00:54:53,120 --> 00:54:55,719
Speaker 1: you and rob you? Like so my trust is like

995
00:54:55,920 --> 00:54:59,520
Speaker 1: so distorted and so weird. And you know you see

996
00:54:59,600 --> 00:55:03,080
Speaker 1: stuff like sertain basketball players getting taken for child's pool

997
00:55:03,160 --> 00:55:08,000
Speaker 1: for like like like of what they're working for. Like

998
00:55:08,480 --> 00:55:11,120
Speaker 1: it's just like, man, you know what, like how can

999
00:55:11,160 --> 00:55:13,160
Speaker 1: you blame me? And then it's like the girls that's

1000
00:55:13,200 --> 00:55:15,800
Speaker 1: what the secret phone ship like trying to get you

1001
00:55:16,160 --> 00:55:20,759
Speaker 1: snoring all that, Like like I know this girl that

1002
00:55:20,880 --> 00:55:23,160
Speaker 1: takes pictures of guys without them looking so she can

1003
00:55:23,200 --> 00:55:25,080
Speaker 1: have that as insurance in case he tried to act

1004
00:55:26,560 --> 00:55:28,800
Speaker 1: that's too much. But then then but then it's a

1005
00:55:28,840 --> 00:55:31,279
Speaker 1: problem when they would be like a before we kick it,

1006
00:55:31,400 --> 00:55:34,520
Speaker 1: like put your phone away, like but then now it's

1007
00:55:34,520 --> 00:55:41,080
Speaker 1: awkward to the dynamic between y'all. Is she But even

1008
00:55:41,120 --> 00:55:43,719
Speaker 1: if she was, either way, you're gonna get the bad one.

1009
00:55:44,480 --> 00:55:46,040
Speaker 1: If she wasn't gonna do it, now she mad she

1010
00:55:46,080 --> 00:55:48,520
Speaker 1: can't do it, and she wasn't gonna do what she's insulted, right,

1011
00:55:49,120 --> 00:55:51,520
Speaker 1: so either way, you know what I'm saying, So like,

1012
00:55:51,719 --> 00:55:58,319
Speaker 1: how you relax? How do you relax and let them

1013
00:55:58,360 --> 00:55:59,919
Speaker 1: get to you. I'm trying to touch your thought because

1014
00:56:01,000 --> 00:56:04,839
Speaker 1: fairly now because I said, I got a nostalgic because

1015
00:56:05,920 --> 00:56:08,040
Speaker 1: it was it was times where I was I was

1016
00:56:08,080 --> 00:56:09,960
Speaker 1: really trying to figure out my neck and he was

1017
00:56:09,960 --> 00:56:11,880
Speaker 1: saying like, I don't know if she could see that

1018
00:56:12,080 --> 00:56:15,080
Speaker 1: in me or whatever, but she knew a little bit

1019
00:56:15,160 --> 00:56:18,160
Speaker 1: like this. That's why I was just trying to like

1020
00:56:18,719 --> 00:56:20,359
Speaker 1: get it to the other because it takes me back

1021
00:56:20,400 --> 00:56:21,960
Speaker 1: to the time when I was like I didn't know

1022
00:56:22,040 --> 00:56:24,640
Speaker 1: what was gonna happen for real. I mean, but things

1023
00:56:24,760 --> 00:56:26,480
Speaker 1: was good though, because I was recording with tips. I

1024
00:56:26,560 --> 00:56:29,920
Speaker 1: was recoring Gucci Guarti. You know, recy had me in

1025
00:56:29,960 --> 00:56:35,520
Speaker 1: the studio where like every fucking body in Atlanta everywhere. Yeah,

1026
00:56:35,560 --> 00:56:40,120
Speaker 1: I was everywhere. I was. I was enjoying and had

1027
00:56:40,120 --> 00:56:43,840
Speaker 1: a bag when no no had a bag with no radio.

1028
00:56:45,280 --> 00:56:46,880
Speaker 1: You know what I'm saying. So I was, I was enjoying.

1029
00:56:47,120 --> 00:56:49,520
Speaker 1: And he went in that studio session with Walker and

1030
00:56:49,600 --> 00:56:53,879
Speaker 1: did that no hands first sky. It was so late

1031
00:56:54,000 --> 00:56:57,640
Speaker 1: and that it was so late at night, bro, I

1032
00:56:57,800 --> 00:57:03,400
Speaker 1: was tired, and it's crazy story. I went a Gucci.

1033
00:57:03,520 --> 00:57:05,759
Speaker 1: That was the day Gucci had his dinner and I

1034
00:57:05,880 --> 00:57:09,640
Speaker 1: went out. I went out. I went to like four places. Man,

1035
00:57:10,239 --> 00:57:16,000
Speaker 1: I'm so drunk, so high, so tired, and and and

1036
00:57:16,280 --> 00:57:18,240
Speaker 1: I remember I was waiting for Gucci, and that's when

1037
00:57:18,240 --> 00:57:20,360
Speaker 1: I that's when I'm at reci for real. I was like, yeo,

1038
00:57:20,400 --> 00:57:23,240
Speaker 1: you gotta charge you my phone. So I charged my

1039
00:57:23,320 --> 00:57:26,000
Speaker 1: phone up a little bit waiting for Gucci. You know

1040
00:57:26,040 --> 00:57:27,720
Speaker 1: what I'm saying. That the engineer was in like my

1041
00:57:27,800 --> 00:57:30,880
Speaker 1: ain't coming. He probably he probably tied to what I'm saying.

1042
00:57:31,280 --> 00:57:33,400
Speaker 1: So I was like cool, about to leave. So I

1043
00:57:33,520 --> 00:57:35,720
Speaker 1: charged my phone and I was leaving out. I was

1044
00:57:35,760 --> 00:57:37,920
Speaker 1: with my man sneaking man, and I'll never get it.

1045
00:57:38,200 --> 00:57:40,680
Speaker 1: And then Recie, who I didn't really know that well

1046
00:57:40,760 --> 00:57:43,000
Speaker 1: at the time. I was like, yo, walking in there,

1047
00:57:43,080 --> 00:57:45,120
Speaker 1: you want to do a song with you? And I

1048
00:57:45,240 --> 00:57:51,000
Speaker 1: was like, damn, man, like fun with this nig ship hard, bro,

1049
00:57:51,080 --> 00:57:53,880
Speaker 1: this ni is cold. You know what I'm saying. I'm

1050
00:57:54,040 --> 00:57:56,320
Speaker 1: so tired. I was like, yo, Damn to tell him

1051
00:57:56,360 --> 00:57:58,880
Speaker 1: the email, the record. I'm gonna do it tomorrow. Like leave.

1052
00:57:58,920 --> 00:58:01,000
Speaker 1: I'm like, you know what I'm saying. And then like

1053
00:58:01,320 --> 00:58:02,960
Speaker 1: you know, I ain't no recent at the time, but

1054
00:58:03,040 --> 00:58:10,920
Speaker 1: she's looking like, just do the song. So I'm like,

1055
00:58:11,000 --> 00:58:13,439
Speaker 1: all right, cool, you know what I'm saying. And Damn

1056
00:58:13,520 --> 00:58:15,960
Speaker 1: was like, bro, just suck it up. Bro, you just

1057
00:58:16,160 --> 00:58:18,560
Speaker 1: like we're just working man. You just but mind you.

1058
00:58:18,600 --> 00:58:21,640
Speaker 1: I was. I've been in four clubs. Lord knows what

1059
00:58:21,840 --> 00:58:23,120
Speaker 1: was in my drink. Where I put in my drink,

1060
00:58:23,240 --> 00:58:27,400
Speaker 1: nor knows what that was. It was a different time,

1061
00:58:28,160 --> 00:58:31,640
Speaker 1: different time, was different town. But they put the beat on.

1062
00:58:31,960 --> 00:58:35,160
Speaker 1: You know what I'm saying. I'm already socially awkward. He

1063
00:58:35,320 --> 00:58:36,680
Speaker 1: had all like a couple of niggers in there. I'm

1064
00:58:36,720 --> 00:58:39,520
Speaker 1: just with my man. I'm like, yo, yo, I'm very

1065
00:58:39,600 --> 00:58:42,560
Speaker 1: socially awkward. That's what I'm thinking him up. And then

1066
00:58:42,640 --> 00:58:44,320
Speaker 1: I was like, let's play that jump. And then I

1067
00:58:44,400 --> 00:58:46,560
Speaker 1: went into this little small room because I was like,

1068
00:58:46,760 --> 00:58:48,120
Speaker 1: I don't want them to know how weird I am.

1069
00:58:48,120 --> 00:58:51,960
Speaker 1: When I'm right, I'll be like when the sitting upside there,

1070
00:58:52,040 --> 00:58:53,840
Speaker 1: I'll be just thinking. I'll be on some wild she

1071
00:58:53,960 --> 00:58:57,120
Speaker 1: when I'm right. So I wrote the verse. I was like, man,

1072
00:58:57,400 --> 00:59:00,360
Speaker 1: I was like, damn, I rushed his joint, like like

1073
00:59:00,400 --> 00:59:03,320
Speaker 1: I wrote it in like like seven or eight minutes.

1074
00:59:03,360 --> 00:59:05,880
Speaker 1: It's very fast. And I was like, well, I rushed it.

1075
00:59:05,960 --> 00:59:08,120
Speaker 1: I was like, I don't. Don't don't try to like

1076
00:59:08,240 --> 00:59:10,120
Speaker 1: clown me in the car, like you know what I'm

1077
00:59:10,120 --> 00:59:11,800
Speaker 1: saying that. I was like, He's like no, He's like no, Bro,

1078
00:59:12,240 --> 00:59:14,520
Speaker 1: you got it. Bro. He was like bro, and he

1079
00:59:14,640 --> 00:59:18,320
Speaker 1: was fucked up too. He was like when he's when

1080
00:59:18,360 --> 00:59:21,600
Speaker 1: he's when he's high like drug ladies, Like, Bro, it

1081
00:59:21,680 --> 00:59:25,320
Speaker 1: doesn't matter. You never let me to help. So I

1082
00:59:25,400 --> 00:59:27,520
Speaker 1: went in the booth and I did that. I was like, bro,

1083
00:59:27,920 --> 00:59:30,439
Speaker 1: don't don't clown this verse, bro, like, because that's crazy

1084
00:59:30,440 --> 00:59:34,320
Speaker 1: because everybody's in the studio that's got to feel crazy.

1085
00:59:34,880 --> 00:59:38,720
Speaker 1: I felt crazy. So I did the verse one take

1086
00:59:38,800 --> 00:59:40,680
Speaker 1: though right, I didn't want to take, and I was

1087
00:59:40,760 --> 00:59:42,880
Speaker 1: like all right. I took the headphones off and I

1088
00:59:43,000 --> 00:59:46,360
Speaker 1: was like, okay, I didn't do no. I didn't do no.

1089
00:59:46,560 --> 00:59:48,000
Speaker 1: Like if you listen to it, no ad lives, there's

1090
00:59:48,040 --> 00:59:50,640
Speaker 1: no backgrounds, there, no nothing, because at that time I

1091
00:59:50,720 --> 00:59:52,280
Speaker 1: didn't I hate it doing it. I didn't like that.

1092
00:59:52,560 --> 00:59:54,160
Speaker 1: I was just one of my boys. And I was like,

1093
00:59:54,800 --> 00:59:57,360
Speaker 1: I just hope it's like okay. And then I got out.

1094
00:59:57,400 --> 00:59:59,120
Speaker 1: I walked out the booth and walk I was l

1095
01:00:00,840 --> 01:00:02,720
Speaker 1: and I saw a dam with his like just like

1096
01:00:04,440 --> 01:00:10,520
Speaker 1: memory on seven Platinum one, that's seven. But like you know,

1097
01:00:10,760 --> 01:00:12,920
Speaker 1: my style of rappers like a little different than that.

1098
01:00:12,960 --> 01:00:14,240
Speaker 1: I can go I can dip in none out of

1099
01:00:14,320 --> 01:00:16,880
Speaker 1: that lane. But that's the versatility of it is that

1100
01:00:17,000 --> 01:00:19,200
Speaker 1: I think you can go into all these different lanes,

1101
01:00:19,240 --> 01:00:21,480
Speaker 1: like you could do the strip club banger, but then

1102
01:00:21,560 --> 01:00:23,560
Speaker 1: you can do like the lyrical, but then you could

1103
01:00:23,560 --> 01:00:30,080
Speaker 1: do then and master of None. Oh stop it. You've

1104
01:00:30,120 --> 01:00:32,320
Speaker 1: had so much more success than so many people, So

1105
01:00:32,440 --> 01:00:38,000
Speaker 1: I can't master masters Number one. Top the master would

1106
01:00:38,000 --> 01:00:41,240
Speaker 1: be the wrapping period, the master of rapping because you

1107
01:00:41,400 --> 01:00:43,640
Speaker 1: got all the other ship down. Yeah, I'm not not

1108
01:00:46,600 --> 01:00:48,480
Speaker 1: the jack of all trades. Is like I could, I

1109
01:00:48,520 --> 01:00:50,880
Speaker 1: could wrap good on everything. Like maybe I haven't mastered

1110
01:00:50,920 --> 01:00:53,240
Speaker 1: it because I can't do it on a level where

1111
01:00:53,320 --> 01:00:56,720
Speaker 1: the people it falls right into the culture every single time.

1112
01:00:57,000 --> 01:00:59,280
Speaker 1: Maybe people are used to a certain ship over and

1113
01:00:59,400 --> 01:01:01,520
Speaker 1: over and over or in their brain wash, so when

1114
01:01:01,520 --> 01:01:05,800
Speaker 1: they hear something else they think that it's different or whatever.

1115
01:01:05,880 --> 01:01:09,040
Speaker 1: They I've one I have one request. I'm not going

1116
01:01:09,120 --> 01:01:13,320
Speaker 1: to ask you sard the new project. Sometimes people don't know.

1117
01:01:14,120 --> 01:01:18,360
Speaker 1: Sometimes they happen. But um, I just wondered, boy, if

1118
01:01:18,400 --> 01:01:19,560
Speaker 1: you if you want to be like, all right, let

1119
01:01:19,600 --> 01:01:22,000
Speaker 1: me give a chance of listening to tell what's what

1120
01:01:22,080 --> 01:01:24,360
Speaker 1: he got going on. I want to listen to Three

1121
01:01:24,400 --> 01:01:28,040
Speaker 1: Days and three Hours. I want them to because that

1122
01:01:28,720 --> 01:01:31,200
Speaker 1: is it kind of shows you what I bring to

1123
01:01:31,320 --> 01:01:33,480
Speaker 1: the table as far as like an artist and like

1124
01:01:33,880 --> 01:01:36,360
Speaker 1: I try to make music that feels like you could

1125
01:01:36,360 --> 01:01:38,720
Speaker 1: see it. When I make songs like that, I feel

1126
01:01:38,760 --> 01:01:41,560
Speaker 1: like you can close your eyes. Even you guys now

1127
01:01:41,600 --> 01:01:43,360
Speaker 1: that have heard it already, I think you should close

1128
01:01:43,360 --> 01:01:46,000
Speaker 1: your eyes and listen to Three Days and three Hours. Um.

1129
01:01:46,200 --> 01:01:48,800
Speaker 1: Some people have got the concept already and some people

1130
01:01:48,880 --> 01:01:51,240
Speaker 1: just growing on because if you hear it in passing,

1131
01:01:51,320 --> 01:01:53,160
Speaker 1: if you heard it in the uber or why people

1132
01:01:53,200 --> 01:01:55,120
Speaker 1: are talking to you, you're not gonna get it. But

1133
01:01:55,680 --> 01:01:58,160
Speaker 1: I'll explain it now because when I do this, all

1134
01:01:58,240 --> 01:02:02,200
Speaker 1: my songs les quite up. But it was it's about

1135
01:02:02,920 --> 01:02:07,680
Speaker 1: a long distance relationship. And it's four thirty in Eastern time,

1136
01:02:07,720 --> 01:02:10,280
Speaker 1: where you have Charty and the am I'm saying, oh,

1137
01:02:10,760 --> 01:02:13,200
Speaker 1: when you ask Charty, I'm happy without you. We got

1138
01:02:13,280 --> 01:02:16,000
Speaker 1: my doubts CHARTI like and and it's bag. I started

1139
01:02:16,040 --> 01:02:18,080
Speaker 1: off like saying, all right, I'm gonna I'm on the West.

1140
01:02:18,120 --> 01:02:21,160
Speaker 1: You want these, but I missed you, So it's three days,

1141
01:02:21,600 --> 01:02:23,440
Speaker 1: three hours. You know what I'm saying. Like, that's like

1142
01:02:23,560 --> 01:02:26,280
Speaker 1: that's the time. I'm three hours back and I'm three

1143
01:02:26,320 --> 01:02:28,680
Speaker 1: and three days until I see you. The first versus

1144
01:02:28,760 --> 01:02:31,920
Speaker 1: like late night called second verse. If you hear me,

1145
01:02:32,880 --> 01:02:35,360
Speaker 1: it's it's it's me getting off stage. That's why it's like,

1146
01:02:35,520 --> 01:02:37,280
Speaker 1: uh yo, did she call me? Did she called me?

1147
01:02:37,560 --> 01:02:40,400
Speaker 1: And I lost my voice? You can I lost my voice?

1148
01:02:40,440 --> 01:02:41,720
Speaker 1: I'm like, yeah, look like you know what I'm saying.

1149
01:02:42,000 --> 01:02:44,280
Speaker 1: And I'm I just performing. I just performed in the

1150
01:02:44,320 --> 01:02:47,000
Speaker 1: crowd only see your face in So basically I'm saying,

1151
01:02:47,040 --> 01:02:49,480
Speaker 1: like I just did, like a big stadium, but all

1152
01:02:49,520 --> 01:02:52,560
Speaker 1: I can see is your face. But she's sleeping. You

1153
01:02:52,600 --> 01:02:54,560
Speaker 1: know what I'm saying, She's sleeping. That's why I'm leaving

1154
01:02:54,600 --> 01:02:57,600
Speaker 1: the voice msgs on the second verse right, and the

1155
01:02:57,760 --> 01:03:01,400
Speaker 1: third verse um around the want to I'm home now

1156
01:03:01,480 --> 01:03:03,440
Speaker 1: because it's the three days is up. I'm home now,

1157
01:03:03,600 --> 01:03:05,760
Speaker 1: like you know what I'm saying. And that's why I say, um,

1158
01:03:06,400 --> 01:03:09,080
Speaker 1: we're two days away from celebrating that that very tomorrow

1159
01:03:09,280 --> 01:03:11,040
Speaker 1: was to day or something like that or something like that,

1160
01:03:11,200 --> 01:03:13,440
Speaker 1: And that basically means I'm I'm like, this is what

1161
01:03:13,680 --> 01:03:15,840
Speaker 1: I'm gonna see you tomorrow. You know what I'm saying.

1162
01:03:16,240 --> 01:03:20,280
Speaker 1: And I'm around the corner and I'm writing, I'm reciting

1163
01:03:20,320 --> 01:03:23,000
Speaker 1: the poem for the third verse, like everything that I

1164
01:03:23,080 --> 01:03:25,880
Speaker 1: say is I'm around the corner. Some people don't get

1165
01:03:25,920 --> 01:03:27,680
Speaker 1: that because the way we trained to listen to music

1166
01:03:27,800 --> 01:03:31,439
Speaker 1: is different now. But I feel like once people put

1167
01:03:31,520 --> 01:03:34,680
Speaker 1: that ship together and put that all together, it's gonna

1168
01:03:34,720 --> 01:03:36,919
Speaker 1: go like but that's how right now, that's the writer

1169
01:03:37,000 --> 01:03:41,280
Speaker 1: that I've evolved in. Let's make sure we re listen it,

1170
01:03:41,320 --> 01:03:44,600
Speaker 1: and I understood it. I understand different because I did

1171
01:03:44,760 --> 01:03:47,200
Speaker 1: music for most of my life. So when I heard that,

1172
01:03:47,240 --> 01:03:50,160
Speaker 1: I'm like, this is dope. Obviously you're a West coast,

1173
01:03:50,200 --> 01:03:51,760
Speaker 1: East coast, you know what I mean, it's a different

1174
01:03:51,800 --> 01:03:54,080
Speaker 1: coast because once I heard the three hours already, obviously

1175
01:03:54,200 --> 01:03:57,600
Speaker 1: that's obviously, but you know, and then since you've been

1176
01:03:57,640 --> 01:03:59,040
Speaker 1: in music, you know that a lot of people listen

1177
01:03:59,040 --> 01:04:01,360
Speaker 1: to the beating hook first and that doesn't do that song,

1178
01:04:01,520 --> 01:04:04,400
Speaker 1: That doesn't do that particular song justice. That's what I

1179
01:04:04,520 --> 01:04:06,840
Speaker 1: like about your music, though, Like you you make people

1180
01:04:06,920 --> 01:04:08,880
Speaker 1: think like you gotta listen to you, and I'm not

1181
01:04:08,960 --> 01:04:12,560
Speaker 1: I'm not afforded that luxury. I'm not afforded that luxury

1182
01:04:12,600 --> 01:04:15,600
Speaker 1: because you're you're smart and you know music, right, I'm

1183
01:04:15,600 --> 01:04:17,360
Speaker 1: not afforded that luxury for people to go back and

1184
01:04:17,440 --> 01:04:19,640
Speaker 1: relisten and be like yo, they're even going to be

1185
01:04:19,680 --> 01:04:21,960
Speaker 1: like yeah, and they probably the first fifty second because

1186
01:04:22,000 --> 01:04:24,480
Speaker 1: of whatever narrative that that that they've got. You know

1187
01:04:24,480 --> 01:04:26,320
Speaker 1: what I'm saying, three days, three hours, like you gotta

1188
01:04:26,480 --> 01:04:29,000
Speaker 1: gotta go back, and like you gotta go back and

1189
01:04:29,080 --> 01:04:30,960
Speaker 1: listen to it. I need to see something pieces on it.

1190
01:04:31,000 --> 01:04:33,000
Speaker 1: I need to see some college kids making short movies

1191
01:04:33,080 --> 01:04:36,600
Speaker 1: to that joint. Three days, three hours, bro. Everybody understands

1192
01:04:36,640 --> 01:04:39,040
Speaker 1: what a long distance relationship the strain it is, but

1193
01:04:39,160 --> 01:04:43,200
Speaker 1: everybody also understands the passion that happens when you unite

1194
01:04:43,240 --> 01:04:45,479
Speaker 1: with that soul or that person that you're with. People

1195
01:04:45,480 --> 01:04:47,440
Speaker 1: always say with long distance relationships you know each other

1196
01:04:47,560 --> 01:04:50,200
Speaker 1: better better because you spend so much more time talking. Wow,

1197
01:04:50,400 --> 01:04:52,920
Speaker 1: I never heard that really, like face timing each other

1198
01:04:53,240 --> 01:04:57,360
Speaker 1: talking on the phone. It's such a negative connotation behind

1199
01:04:58,240 --> 01:05:00,840
Speaker 1: long distance relationships now though, But I never heard you

1200
01:05:00,880 --> 01:05:03,880
Speaker 1: get to know. But it makes total sense that it's temptations.

1201
01:05:04,000 --> 01:05:06,680
Speaker 1: I feel like from both sides are like even with men,

1202
01:05:07,160 --> 01:05:09,360
Speaker 1: I feel like there's a lot of temptations are easy

1203
01:05:09,440 --> 01:05:12,680
Speaker 1: access with like women and Instagram and stuff like that.

1204
01:05:13,240 --> 01:05:16,000
Speaker 1: I want somebody so much that I needed. I want

1205
01:05:16,000 --> 01:05:17,960
Speaker 1: to love somebody so much that I needed that she

1206
01:05:18,040 --> 01:05:19,960
Speaker 1: can get to me as soon as possible. I want

1207
01:05:19,960 --> 01:05:22,200
Speaker 1: to love somebody that is in a position that can

1208
01:05:22,240 --> 01:05:25,280
Speaker 1: do that if if I if I got it. So

1209
01:05:25,400 --> 01:05:27,400
Speaker 1: the money is not the issue. Getting near a flight

1210
01:05:27,440 --> 01:05:31,080
Speaker 1: ain't the issue, but like the procedure and doing that

1211
01:05:31,520 --> 01:05:33,080
Speaker 1: I might not have the time to do that. I'm

1212
01:05:33,120 --> 01:05:36,200
Speaker 1: doing interviews all day. I'm just doing it like I

1213
01:05:36,320 --> 01:05:39,360
Speaker 1: want to see like like hey, I'm insued, Like yeah,

1214
01:05:39,440 --> 01:05:41,280
Speaker 1: well i'm issued too, and I just took off. I'm

1215
01:05:41,280 --> 01:05:43,800
Speaker 1: about to come. I might to come fly there. That's

1216
01:05:43,840 --> 01:05:45,600
Speaker 1: when you get into that level like this ain't this

1217
01:05:45,640 --> 01:05:48,360
Speaker 1: ain't we ain't just working around like she's gonna come

1218
01:05:48,400 --> 01:05:52,080
Speaker 1: see me, like spontaneity, but she also got her own.

1219
01:05:52,280 --> 01:05:54,320
Speaker 1: It's it's it's a multiple thing because I don't care

1220
01:05:54,320 --> 01:05:56,360
Speaker 1: about the little foul hunt it out to flight whatever like.

1221
01:05:56,880 --> 01:05:58,920
Speaker 1: But it's more so like I can just get on

1222
01:05:59,040 --> 01:06:01,320
Speaker 1: the plane and do this because I liked this nigked like.

1223
01:06:01,680 --> 01:06:05,240
Speaker 1: It means multiple things. It means one on the flat services.

1224
01:06:05,640 --> 01:06:08,920
Speaker 1: I got enough money to do this spontane spontaneously. I

1225
01:06:08,960 --> 01:06:12,160
Speaker 1: got enough money to do this too. I really really

1226
01:06:12,240 --> 01:06:16,040
Speaker 1: miss you, dog, like I really miss you dog. You're

1227
01:06:16,240 --> 01:06:18,520
Speaker 1: you're my friend at this point, like I missed you.

1228
01:06:18,560 --> 01:06:21,560
Speaker 1: I missed the little things about you. It's like, Slim,

1229
01:06:21,640 --> 01:06:23,640
Speaker 1: you're really doing like you're doing this like you you

1230
01:06:23,800 --> 01:06:26,240
Speaker 1: you you you thought enough. That's that's why I haven't

1231
01:06:26,280 --> 01:06:29,520
Speaker 1: really I haven't received a birthday present. From a woman

1232
01:06:30,320 --> 01:06:36,600
Speaker 1: that says she really liked me, like a thoughtful one ever,

1233
01:06:37,920 --> 01:06:39,720
Speaker 1: like a pair of ja like I got all the

1234
01:06:39,800 --> 01:06:44,360
Speaker 1: jade's Like what I work at the gas station. You

1235
01:06:44,400 --> 01:06:45,919
Speaker 1: know what I'm saying, Like you could get something that's

1236
01:06:45,920 --> 01:06:50,840
Speaker 1: way cheaper, like something like oh, I gotta I gotta record, Like, um,

1237
01:06:51,640 --> 01:06:55,400
Speaker 1: I gotta record. I got this obscure record that maybe

1238
01:06:55,440 --> 01:06:58,360
Speaker 1: oh I heard in the interview that you you're guilty pleasures,

1239
01:06:58,400 --> 01:07:00,360
Speaker 1: wake me up before you go go. Like, know what

1240
01:07:00,360 --> 01:07:03,640
Speaker 1: I'm saying. I got the vinyl for you, Like it's

1241
01:07:03,920 --> 01:07:06,680
Speaker 1: a funny gift, but I framed it and it's it's

1242
01:07:06,720 --> 01:07:08,800
Speaker 1: in a joy we put on some creative ship. Some

1243
01:07:08,880 --> 01:07:12,040
Speaker 1: people are not creative that has that element to her.

1244
01:07:12,920 --> 01:07:15,520
Speaker 1: That's what I'm saying, Like I tweeted the other day,

1245
01:07:15,840 --> 01:07:18,040
Speaker 1: if you're if you're not creative, do not day to

1246
01:07:18,080 --> 01:07:22,160
Speaker 1: creative save yourself, not even a fact of being creative,

1247
01:07:22,200 --> 01:07:25,760
Speaker 1: but that too. But when you're dealing with somebody who

1248
01:07:25,880 --> 01:07:28,640
Speaker 1: can do just about anything for themselves, you have to

1249
01:07:28,720 --> 01:07:31,160
Speaker 1: go to the thoughtful because the money, the money value

1250
01:07:31,200 --> 01:07:33,280
Speaker 1: don't really matter when there's somebody that can buy eighteen

1251
01:07:33,280 --> 01:07:35,480
Speaker 1: of what you just bought to Mary at once. You

1252
01:07:35,520 --> 01:07:37,400
Speaker 1: know what I'm saying. This the fact that you took

1253
01:07:37,800 --> 01:07:41,440
Speaker 1: the thought out to really make it a personal, thoughtful

1254
01:07:41,480 --> 01:07:42,960
Speaker 1: gift or something that you know that person is really

1255
01:07:42,960 --> 01:07:44,560
Speaker 1: going to appreciate it. And then it's like I got

1256
01:07:44,880 --> 01:07:46,560
Speaker 1: I got a little part of me that's a little

1257
01:07:46,600 --> 01:07:49,640
Speaker 1: bit like okay, um u, I feel like I'm I'm

1258
01:07:50,240 --> 01:07:53,640
Speaker 1: I'm overly kind sometimes, you know what I'm saying. But like, okay,

1259
01:07:53,720 --> 01:07:57,120
Speaker 1: let's say it's a girl that does as a painter,

1260
01:07:58,040 --> 01:08:00,560
Speaker 1: but I'm not a fan of her work, Like just

1261
01:08:01,200 --> 01:08:03,240
Speaker 1: I'm not. I don't think just because you like somebody,

1262
01:08:03,240 --> 01:08:05,240
Speaker 1: you gotta like this, you know what I'm saying. So

1263
01:08:05,600 --> 01:08:10,560
Speaker 1: like I'm not gonna like you know, i might feel

1264
01:08:10,680 --> 01:08:13,640
Speaker 1: weird about the painting, I'm gonna love it for another

1265
01:08:13,760 --> 01:08:17,120
Speaker 1: reason because at the time and effort from from a

1266
01:08:17,240 --> 01:08:22,479
Speaker 1: taste perspective, you know what I'm saying, And if if

1267
01:08:22,520 --> 01:08:24,719
Speaker 1: it makes her happy, I'll put it up. But I would,

1268
01:08:24,760 --> 01:08:26,280
Speaker 1: you know, maybe find a way to be like yo,

1269
01:08:26,439 --> 01:08:32,400
Speaker 1: like you know it. But again I didn't. Again, if

1270
01:08:32,439 --> 01:08:34,280
Speaker 1: I knew this was her passion and she wanted to

1271
01:08:34,400 --> 01:08:37,120
Speaker 1: do this, I would just pay for her to go

1272
01:08:37,320 --> 01:08:40,320
Speaker 1: learn it. Like better, or learn from different people, or

1273
01:08:40,400 --> 01:08:43,200
Speaker 1: put her around people that do that. I'd pay for it,

1274
01:08:43,320 --> 01:08:45,240
Speaker 1: because the girl ever gonna tattoo of you want her?

1275
01:08:46,280 --> 01:08:50,280
Speaker 1: That's not a fan like someone you're dating. Okay, okay,

1276
01:08:50,640 --> 01:08:52,920
Speaker 1: we was, we was. We was, man, that was my

1277
01:08:53,360 --> 01:08:55,519
Speaker 1: I was my best friend for a while. But when

1278
01:08:55,560 --> 01:08:59,840
Speaker 1: it was when it started just deteriorate. Um, it just

1279
01:09:00,040 --> 01:09:02,639
Speaker 1: made me I just didn't love myself as much because

1280
01:09:02,640 --> 01:09:04,439
Speaker 1: it was certain things that she would say to me

1281
01:09:04,520 --> 01:09:06,800
Speaker 1: that would really hurt me. You know what I'm saying,

1282
01:09:06,880 --> 01:09:09,280
Speaker 1: like and I'm I'm I'm the only thing that can

1283
01:09:09,400 --> 01:09:11,080
Speaker 1: hurt me is my family and my career. For real,

1284
01:09:11,960 --> 01:09:13,760
Speaker 1: my family, my career is the only thing. Like what

1285
01:09:13,800 --> 01:09:15,559
Speaker 1: I'm saying. If you're my close friend, you're my family.

1286
01:09:15,680 --> 01:09:19,240
Speaker 1: So you know, if if I got a close friend

1287
01:09:19,320 --> 01:09:22,320
Speaker 1: that like the lost their job and then they kind

1288
01:09:22,320 --> 01:09:25,520
Speaker 1: of figure it out, I'm hurt. I gotta even mcmiller,

1289
01:09:25,600 --> 01:09:27,559
Speaker 1: God bless them. You know, I talked them three days

1290
01:09:27,560 --> 01:09:29,880
Speaker 1: for he passed. Like, that's family that hurt me. You

1291
01:09:29,920 --> 01:09:32,720
Speaker 1: know what I'm saying, career and stuff like, man, it's

1292
01:09:33,360 --> 01:09:35,479
Speaker 1: everybody hate me, Like what did I do? Wouldn't I

1293
01:09:35,600 --> 01:09:37,560
Speaker 1: become the villain like they hurt me, you know what

1294
01:09:37,600 --> 01:09:42,000
Speaker 1: I'm saying. And when you have kids, that ship is

1295
01:09:42,040 --> 01:09:45,000
Speaker 1: another pain. If somebody use your kids and put your

1296
01:09:45,080 --> 01:09:48,560
Speaker 1: name in the negative connotation any kind of way. That

1297
01:09:48,680 --> 01:09:53,720
Speaker 1: ship hurt like unbelievably, can't can't sleep though, and it's

1298
01:09:53,760 --> 01:09:55,880
Speaker 1: something that you really can't even explain. And I never

1299
01:09:55,960 --> 01:09:58,560
Speaker 1: talked about it. I never talked about that side. I

1300
01:09:58,680 --> 01:10:01,240
Speaker 1: never talked about like you know, I always talk about

1301
01:10:01,280 --> 01:10:05,799
Speaker 1: the the respect and admiration I have for my daughter's

1302
01:10:05,880 --> 01:10:09,559
Speaker 1: mother for being such a good mother, But I never

1303
01:10:09,600 --> 01:10:12,840
Speaker 1: talked about the pain that comes with being a father

1304
01:10:12,960 --> 01:10:17,880
Speaker 1: on the road. I'm not Kevin Laws or you know.

1305
01:10:18,000 --> 01:10:20,920
Speaker 1: Russell Simmons was like I could fly my daughter and

1306
01:10:21,120 --> 01:10:24,559
Speaker 1: nanny her mother and everything with me, and I could

1307
01:10:24,600 --> 01:10:27,679
Speaker 1: do everything like I wish I was. And I'm gonna

1308
01:10:27,720 --> 01:10:29,760
Speaker 1: keep running until I can maybe be that. If I

1309
01:10:29,840 --> 01:10:32,160
Speaker 1: can be that, or if I gotta go, then she

1310
01:10:32,400 --> 01:10:34,840
Speaker 1: she's good. Like you know what I'm saying, I'm I'm

1311
01:10:35,160 --> 01:10:37,280
Speaker 1: gonna do everything I can be like that dad that

1312
01:10:37,400 --> 01:10:39,519
Speaker 1: can do that as she get oldercause she's only two now,

1313
01:10:39,960 --> 01:10:42,080
Speaker 1: so I got a little time to cook up stuff.

1314
01:10:42,479 --> 01:10:46,080
Speaker 1: But I made the decision within myself, Like, yo, I

1315
01:10:46,200 --> 01:10:48,000
Speaker 1: do a lot to make her and her mother happy.

1316
01:10:48,400 --> 01:10:52,280
Speaker 1: I'm gonna try to find something happiness myself. That's why

1317
01:10:52,439 --> 01:10:53,960
Speaker 1: when we talked to the party, I was like, Yo,

1318
01:10:54,280 --> 01:10:57,200
Speaker 1: let's talk to him because I gotta figure it out

1319
01:10:57,800 --> 01:11:00,000
Speaker 1: on a personal level. You know, we can't have can't

1320
01:11:00,000 --> 01:11:02,120
Speaker 1: had that converse. You can't have this conversation to We

1321
01:11:02,120 --> 01:11:04,639
Speaker 1: can't Charlot Mayne would cut in with an intensitive joke

1322
01:11:04,680 --> 01:11:08,600
Speaker 1: by now, but we like, I gotta find it or

1323
01:11:09,280 --> 01:11:12,920
Speaker 1: I'm gonna probably break down. Black Bonnie is a real thing.

1324
01:11:13,360 --> 01:11:16,720
Speaker 1: It's an idea of a woman that that even if

1325
01:11:16,800 --> 01:11:19,960
Speaker 1: even if she don't work, but if she's dedicated to

1326
01:11:20,760 --> 01:11:23,479
Speaker 1: helping your braind and keeping your brain and like and

1327
01:11:23,600 --> 01:11:26,320
Speaker 1: like dedicated to you, and she's like that, Like at

1328
01:11:26,360 --> 01:11:27,800
Speaker 1: this point in my life, I wouldn't even do no

1329
01:11:27,880 --> 01:11:31,439
Speaker 1: prenup if she was dedicated like that, like my woman,

1330
01:11:31,600 --> 01:11:34,240
Speaker 1: my everything, my my my, my, my whole globe, my

1331
01:11:34,320 --> 01:11:37,240
Speaker 1: whole universe. I'm not gonna do no prenup. I'd be

1332
01:11:37,320 --> 01:11:39,280
Speaker 1: like my ship man, you're helping me, just like a

1333
01:11:39,360 --> 01:11:42,160
Speaker 1: manager would. But it's also you my girl too, so

1334
01:11:42,400 --> 01:11:44,280
Speaker 1: you feel like you passed up on some good girls

1335
01:11:44,360 --> 01:11:47,840
Speaker 1: before that you should have maybe pursued more with I

1336
01:11:47,960 --> 01:11:50,040
Speaker 1: don't I think the girls that I think I lost

1337
01:11:50,160 --> 01:11:55,720
Speaker 1: them to other men, or two maybe I sucked up

1338
01:11:55,880 --> 01:11:58,880
Speaker 1: because I got Sometimes I feel like things are timing

1339
01:11:58,960 --> 01:12:01,000
Speaker 1: to like sometimes you could be with somebody great, but

1340
01:12:01,120 --> 01:12:04,040
Speaker 1: for you, you're not ready to accept that into your

1341
01:12:04,840 --> 01:12:07,680
Speaker 1: just I just I just announced to my friends. I'm like, yo,

1342
01:12:07,760 --> 01:12:09,760
Speaker 1: you think I think I'm ready. I think I'm ready,

1343
01:12:09,800 --> 01:12:12,559
Speaker 1: Like I'm ready to at least try. And the one

1344
01:12:12,680 --> 01:12:15,439
Speaker 1: obstacle I got to hurt over is this the trust thing?

1345
01:12:15,479 --> 01:12:18,200
Speaker 1: Because it's like I kick it with a girl and

1346
01:12:18,280 --> 01:12:22,360
Speaker 1: they'd be like, I can't even enjoy this bride my bad,

1347
01:12:22,680 --> 01:12:29,720
Speaker 1: this girl bride ain't bad. I can't enjoy it. I

1348
01:12:29,760 --> 01:12:33,240
Speaker 1: can't enjoy this this girl company because I'm likely right

1349
01:12:33,240 --> 01:12:35,479
Speaker 1: now I'm thinking, like, yo, why why you like me

1350
01:12:35,600 --> 01:12:37,960
Speaker 1: like that? What you think everything is? Every moment is

1351
01:12:38,000 --> 01:12:46,360
Speaker 1: gonna be loaded flower, you know, because because my sister

1352
01:12:46,400 --> 01:12:48,000
Speaker 1: and something She's like when we was on she's like,

1353
01:12:48,240 --> 01:12:50,679
Speaker 1: she's like the idea of you, girls, like the idea

1354
01:12:50,800 --> 01:12:53,800
Speaker 1: of you because you know you you you got the

1355
01:12:53,960 --> 01:12:57,320
Speaker 1: rowdy persona. I mean I'm rowedy in real life, but

1356
01:12:57,400 --> 01:12:59,479
Speaker 1: like you got the rowdy when you when you're mad,

1357
01:12:59,600 --> 01:13:02,840
Speaker 1: you yell, but you also like got a book full

1358
01:13:02,880 --> 01:13:05,679
Speaker 1: of poems. You know what I'm saying that will connect

1359
01:13:05,720 --> 01:13:08,960
Speaker 1: with women. What's the worst thing that I happened? Right,

1360
01:13:09,040 --> 01:13:11,840
Speaker 1: say you dat a girl and it just doesn't work out.

1361
01:13:12,280 --> 01:13:18,880
Speaker 1: I think that, But that's the best. No, no, no

1362
01:13:19,439 --> 01:13:22,679
Speaker 1: you have as far as like conflict. No, no, children

1363
01:13:22,720 --> 01:13:25,519
Speaker 1: are I want to have more children because I really

1364
01:13:25,600 --> 01:13:28,439
Speaker 1: think that A it's about get into something, but take

1365
01:13:28,479 --> 01:13:30,720
Speaker 1: your time with it and enjoy it, right, And you

1366
01:13:30,760 --> 01:13:32,840
Speaker 1: don't got to rush into it and say when I

1367
01:13:32,920 --> 01:13:34,680
Speaker 1: start dating somebody, this is somebody who have to be

1368
01:13:34,760 --> 01:13:35,880
Speaker 1: with this my be all and do or I have

1369
01:13:35,960 --> 01:13:38,320
Speaker 1: to trust them right away? Of course not, but why

1370
01:13:38,400 --> 01:13:40,639
Speaker 1: not just go into something to have a good time,

1371
01:13:41,240 --> 01:13:45,799
Speaker 1: enjoy it, take it slow and see where the animal

1372
01:13:45,840 --> 01:13:51,000
Speaker 1: instinking me? Right? Yeah, I just think that Like before

1373
01:13:51,040 --> 01:13:53,559
Speaker 1: my baby mother had another girl, we we was real

1374
01:13:53,680 --> 01:13:56,280
Speaker 1: real close than the one before her. Right, this is

1375
01:13:56,320 --> 01:13:58,040
Speaker 1: when I did. At this point, I'm still working in

1376
01:13:58,080 --> 01:14:02,320
Speaker 1: the shoestore on d C. Right, we were super intimate.

1377
01:14:03,200 --> 01:14:06,160
Speaker 1: The first night, the first night we we we kicked it.

1378
01:14:06,880 --> 01:14:09,320
Speaker 1: We ended up being together and like even to this day,

1379
01:14:09,439 --> 01:14:12,080
Speaker 1: like I don't know where she got whatever. I think

1380
01:14:12,120 --> 01:14:14,640
Speaker 1: she got like two kids, now somewhere was she she was?

1381
01:14:14,720 --> 01:14:17,320
Speaker 1: She danced for a while too, but like I remember,

1382
01:14:17,439 --> 01:14:21,280
Speaker 1: like her giving me a stack a stack, like at

1383
01:14:21,360 --> 01:14:24,120
Speaker 1: this point in my life, I was maybe like one,

1384
01:14:24,720 --> 01:14:26,920
Speaker 1: give me a stack to go to the Lanta, Like

1385
01:14:27,000 --> 01:14:28,800
Speaker 1: I don't know, I know these labels trying to all

1386
01:14:28,840 --> 01:14:31,240
Speaker 1: alet you you need some money, like like she set

1387
01:14:31,320 --> 01:14:35,120
Speaker 1: the ball for those type of women, but this is

1388
01:14:35,160 --> 01:14:38,560
Speaker 1: also the same person she she got. Um, how do

1389
01:14:38,640 --> 01:14:40,880
Speaker 1: I say this for tho, Aaron? I don't want to

1390
01:14:41,080 --> 01:14:43,639
Speaker 1: put the puzzles together. Back home, she got real sick

1391
01:14:44,160 --> 01:14:46,719
Speaker 1: and I took care of her, you know what I'm saying,

1392
01:14:46,880 --> 01:14:49,640
Speaker 1: working double and making sure she had the everything she

1393
01:14:49,720 --> 01:14:52,760
Speaker 1: needed and went with and at some point, for no

1394
01:14:52,920 --> 01:14:56,840
Speaker 1: reason at all, she cheated when she got healthy. What

1395
01:14:56,920 --> 01:15:01,720
Speaker 1: I'm saying, Um, And it kind of I think, and

1396
01:15:01,800 --> 01:15:03,800
Speaker 1: you know all girls like oh you always you hopping

1397
01:15:03,880 --> 01:15:05,840
Speaker 1: up with some girl from years ago, and you guys

1398
01:15:05,880 --> 01:15:10,680
Speaker 1: were young, but I just think that yeah, yeah, it's

1399
01:15:10,680 --> 01:15:13,719
Speaker 1: it's petty, and it's it's it's it's immature. But whatever.

1400
01:15:13,920 --> 01:15:17,919
Speaker 1: I love sucking. Uh, Marcus Houston and those guys inature.

1401
01:15:18,320 --> 01:15:26,400
Speaker 1: I was like, she cheated with Marcus Houston beginning though,

1402
01:15:26,520 --> 01:15:28,679
Speaker 1: But it's a part of me though, It's really still

1403
01:15:28,680 --> 01:15:32,040
Speaker 1: a part of me. Yeah, because when you're young and immature,

1404
01:15:32,120 --> 01:15:34,479
Speaker 1: you make that's when you're supposed to make mistakes. You

1405
01:15:34,600 --> 01:15:37,439
Speaker 1: learn from them. Man. I remember I was at the

1406
01:15:37,560 --> 01:15:39,960
Speaker 1: flu man. I didn't go to school nothing. I just

1407
01:15:40,880 --> 01:15:43,600
Speaker 1: speed didn't run the red lights to our house just

1408
01:15:44,040 --> 01:15:48,560
Speaker 1: to argue, because yeah, how you found out. If I

1409
01:15:48,680 --> 01:15:52,280
Speaker 1: tell you're gonna think I'm psycho, we already know you are. Yeah,

1410
01:15:52,520 --> 01:15:59,000
Speaker 1: it's a different level of dexter investigation, like having a

1411
01:15:59,080 --> 01:16:03,519
Speaker 1: little pool. I'm going to get this tested. First of all,

1412
01:16:03,600 --> 01:16:06,120
Speaker 1: I think she of all, I think I think I

1413
01:16:06,160 --> 01:16:10,519
Speaker 1: don't want her. I don't like I never love and respect.

1414
01:16:10,520 --> 01:16:16,920
Speaker 1: I'm not trying to throw one. I think first of all,

1415
01:16:16,920 --> 01:16:18,760
Speaker 1: I think she was she had like like like a

1416
01:16:18,840 --> 01:16:21,960
Speaker 1: bitch too. I think she had a ship. But at

1417
01:16:22,000 --> 01:16:25,000
Speaker 1: that point, that point in my life, I kid a

1418
01:16:25,080 --> 01:16:28,080
Speaker 1: little bit like if if if you if you want

1419
01:16:28,080 --> 01:16:31,639
Speaker 1: a broad, I don't think I would really care. Yeah,

1420
01:16:32,920 --> 01:16:34,760
Speaker 1: But then and then it was like I found out

1421
01:16:34,880 --> 01:16:37,000
Speaker 1: like she you know, she was open to a lot

1422
01:16:37,000 --> 01:16:38,800
Speaker 1: of niggas, Like a niggas was like hardnight. She was

1423
01:16:39,120 --> 01:16:41,479
Speaker 1: receiving it and she kicked it with a couple of niggas.

1424
01:16:41,560 --> 01:16:44,400
Speaker 1: Whether it happened or not, it's between them and them too.

1425
01:16:44,479 --> 01:16:47,880
Speaker 1: But I knew it, and that the kind of shade

1426
01:16:47,920 --> 01:16:51,560
Speaker 1: me and then I had. Then I was really infatuated

1427
01:16:51,600 --> 01:16:54,840
Speaker 1: with this girl in the industry earlier micro and I

1428
01:16:55,040 --> 01:16:58,000
Speaker 1: was so I felt so like I wasn't on her level.

1429
01:16:58,400 --> 01:17:03,920
Speaker 1: I felt like you know what I'm saying, because we've

1430
01:17:03,960 --> 01:17:07,240
Speaker 1: seen you take that little slippers, but you kept going

1431
01:17:07,320 --> 01:17:11,400
Speaker 1: and something so observing. I was just like, you know,

1432
01:17:11,600 --> 01:17:14,120
Speaker 1: I was so enamored where everything she was, how how

1433
01:17:14,240 --> 01:17:18,960
Speaker 1: creative she was, and how freeze she was. And she

1434
01:17:19,200 --> 01:17:21,280
Speaker 1: was like I mean obviously was a big star and

1435
01:17:21,479 --> 01:17:23,879
Speaker 1: I'm you know, uh, and I was just like enamored

1436
01:17:23,920 --> 01:17:26,560
Speaker 1: were and I was just ready, like you know, I

1437
01:17:26,720 --> 01:17:30,160
Speaker 1: was like head over heels, like for real, like anything,

1438
01:17:31,439 --> 01:17:33,559
Speaker 1: like you know, I'm not rich, like this person had

1439
01:17:33,720 --> 01:17:36,400
Speaker 1: like right a lot more than that we could never have.

1440
01:17:37,200 --> 01:17:41,559
Speaker 1: And I was just so enamored with her spirit, her drive,

1441
01:17:41,680 --> 01:17:45,679
Speaker 1: her creativity, every spontaneity. It was just all the boxes

1442
01:17:45,760 --> 01:17:50,599
Speaker 1: was checked, and I remember just I remember being wherever

1443
01:17:50,720 --> 01:17:53,120
Speaker 1: I was. I'm not trying to leave too many clues,

1444
01:17:53,120 --> 01:17:55,519
Speaker 1: but I remember I was. I remember I just heard

1445
01:17:55,600 --> 01:17:59,200
Speaker 1: like I'm getting back on my ex, and I was

1446
01:17:59,280 --> 01:18:02,479
Speaker 1: like one of the at as they like, I'm trying

1447
01:18:02,520 --> 01:18:03,880
Speaker 1: to hold it tight, you know what I'm like. But

1448
01:18:03,960 --> 01:18:06,000
Speaker 1: I'm like, and I think I think I kind of

1449
01:18:06,120 --> 01:18:09,600
Speaker 1: changed forever that day, forever, Like I didn't become the

1450
01:18:09,960 --> 01:18:13,200
Speaker 1: super villain. Maybe maybe I became the Maybe I became

1451
01:18:13,240 --> 01:18:16,400
Speaker 1: the anti hero twice. Yes, Like your heart was broken

1452
01:18:16,439 --> 01:18:19,680
Speaker 1: twice and that's why, and you can't really I mean,

1453
01:18:19,720 --> 01:18:23,880
Speaker 1: I feel like that happens to Maybe it's a lot

1454
01:18:23,960 --> 01:18:27,439
Speaker 1: of people what I'm saying, Like we carry sometimes we

1455
01:18:27,600 --> 01:18:30,000
Speaker 1: carry stuff with us. I don't think your heart could

1456
01:18:30,000 --> 01:18:33,400
Speaker 1: be broken identically twice because after the first one, it's

1457
01:18:33,439 --> 01:18:35,519
Speaker 1: like it don't hurt as much, it's a little. If

1458
01:18:35,560 --> 01:18:38,200
Speaker 1: it happens two or three times, you turn into like

1459
01:18:39,439 --> 01:18:41,320
Speaker 1: you think you hurt my feelings? Wh should we hurt

1460
01:18:41,320 --> 01:18:45,679
Speaker 1: your feelings? A best friend of person, said person comes through,

1461
01:18:46,080 --> 01:18:49,880
Speaker 1: go best friend, go best friend, my best friend, my

1462
01:18:50,040 --> 01:18:52,880
Speaker 1: best friend. Now you know what I'm saying. Now we

1463
01:18:53,000 --> 01:18:54,680
Speaker 1: feel like now you know, like you know how to

1464
01:18:54,720 --> 01:18:56,680
Speaker 1: push people button for real, like when women know how

1465
01:18:56,720 --> 01:18:58,720
Speaker 1: to do way more than men because women know how

1466
01:18:58,760 --> 01:19:01,320
Speaker 1: to hold that ship together. Definitely know how to press buttons.

1467
01:19:01,400 --> 01:19:02,960
Speaker 1: But I think like the first time I got my

1468
01:19:03,080 --> 01:19:05,120
Speaker 1: heart broke, I was like, I'm never gonna let this

1469
01:19:05,240 --> 01:19:08,519
Speaker 1: happen again. So the second time that had happened, it

1470
01:19:08,680 --> 01:19:10,760
Speaker 1: was worse for me. But I think it was because

1471
01:19:10,760 --> 01:19:13,559
Speaker 1: I was old. I lived with the person the first time.

1472
01:19:13,560 --> 01:19:15,920
Speaker 1: I was like my first love, like you know, I

1473
01:19:16,040 --> 01:19:18,880
Speaker 1: was still kind of young growing up, but I was devastated.

1474
01:19:19,160 --> 01:19:21,200
Speaker 1: But when I lived with that was the only person

1475
01:19:21,240 --> 01:19:23,640
Speaker 1: I've lived with my life whatever, And when me and

1476
01:19:23,760 --> 01:19:26,080
Speaker 1: him broke up, it was like worse to me. So

1477
01:19:26,240 --> 01:19:28,800
Speaker 1: I feel like you do a girl with a girl

1478
01:19:28,880 --> 01:19:32,120
Speaker 1: one time, and I found out like like I was

1479
01:19:32,760 --> 01:19:38,360
Speaker 1: all right, drink drink uh one day. We lived in

1480
01:19:38,439 --> 01:19:40,600
Speaker 1: a small I'm not trying to drop clues because I

1481
01:19:40,680 --> 01:19:44,479
Speaker 1: want to smokes. That's what happened. I went through a phone.

1482
01:19:45,520 --> 01:19:50,040
Speaker 1: It was less technology back then, so I can kind

1483
01:19:50,080 --> 01:19:52,640
Speaker 1: of figure it out, like right, and you know, I

1484
01:19:52,720 --> 01:19:54,800
Speaker 1: had been out of the country for a while and

1485
01:19:54,920 --> 01:19:59,280
Speaker 1: I've seen like me me at the station Smiley phase

1486
01:19:59,400 --> 01:20:01,880
Speaker 1: and all that, like, and I just I stopped going though,

1487
01:20:01,880 --> 01:20:04,080
Speaker 1: because I could have kept going, and I just stopped.

1488
01:20:04,120 --> 01:20:05,680
Speaker 1: You know what it was, I'd have went through all

1489
01:20:05,720 --> 01:20:25,040
Speaker 1: of them. That's how Mario wanting to the time anything, everybody, everybody, everybody,

1490
01:20:25,120 --> 01:20:31,040
Speaker 1: everybody in this room, that tap day foot or about yeah,

1491
01:20:32,600 --> 01:20:35,200
Speaker 1: the first that's a different type of her. That's a

1492
01:20:35,280 --> 01:20:40,120
Speaker 1: different type of her. I'm not the wait test. So

1493
01:20:40,200 --> 01:20:43,200
Speaker 1: you went through the phone so that and I don't

1494
01:20:43,240 --> 01:20:44,920
Speaker 1: even remember what happened, but I just know it didn't

1495
01:20:44,960 --> 01:20:47,000
Speaker 1: last much longer to that and then you were living together.

1496
01:20:47,080 --> 01:20:49,720
Speaker 1: So now that's a whole separation. And I was so young,

1497
01:20:49,920 --> 01:20:51,720
Speaker 1: so I was like looking back and I'm like, why

1498
01:20:51,720 --> 01:20:54,320
Speaker 1: am I living with money? Like you know what I'm saying,

1499
01:20:54,360 --> 01:20:56,519
Speaker 1: but whatever, Like the thing is that I love a

1500
01:20:56,560 --> 01:20:59,160
Speaker 1: shorty still though, Like we've grown up, we're grown up,

1501
01:20:59,240 --> 01:21:01,439
Speaker 1: and we're grown probably I don't even bring it out,

1502
01:21:02,040 --> 01:21:04,160
Speaker 1: so you're still cool. You know that she came back

1503
01:21:04,320 --> 01:21:08,120
Speaker 1: and wanted you back. And she's one of the most

1504
01:21:08,160 --> 01:21:13,200
Speaker 1: beautiful woman I've ever like physically beautiful women I've ever known.

1505
01:21:13,560 --> 01:21:19,519
Speaker 1: And her family is amazing like everything. But I know

1506
01:21:19,600 --> 01:21:22,320
Speaker 1: I didn't know, Like like J said, like people grow up.

1507
01:21:22,680 --> 01:21:24,680
Speaker 1: You know what I'm saying, Like I don't want to

1508
01:21:24,760 --> 01:21:29,560
Speaker 1: bring the knights, I can't sleep and the torment of

1509
01:21:29,640 --> 01:21:31,439
Speaker 1: the industry. I don't want to bring that in nobody

1510
01:21:31,479 --> 01:21:34,840
Speaker 1: in the relationship. I'm not ready, like you said, was ready.

1511
01:21:34,880 --> 01:21:39,040
Speaker 1: I'm not ready for that, like like okay, like for instance,

1512
01:21:39,120 --> 01:21:43,000
Speaker 1: like I want to keep everybody away from like all right,

1513
01:21:43,080 --> 01:21:47,760
Speaker 1: fensis okay, um when Mac passed away, like let's say

1514
01:21:47,760 --> 01:21:50,240
Speaker 1: I had like a girl living girlfriend or something like

1515
01:21:50,320 --> 01:21:56,840
Speaker 1: that and she's trying to console me, I probably would

1516
01:21:56,880 --> 01:22:01,160
Speaker 1: have argue with her. And I don't know why. Well

1517
01:22:01,240 --> 01:22:07,120
Speaker 1: I do know why, because I mean, I mean so tried.

1518
01:22:07,439 --> 01:22:09,920
Speaker 1: I tried. No, I was in my mind. I was

1519
01:22:10,000 --> 01:22:14,360
Speaker 1: in my head, so you know what, It's like I needed.

1520
01:22:14,800 --> 01:22:16,720
Speaker 1: I don't know what I needed. That's the problem. I

1521
01:22:16,760 --> 01:22:18,920
Speaker 1: don't know what I needed. I just know when I

1522
01:22:19,040 --> 01:22:25,320
Speaker 1: found out, Jay Cole called me, and the message got

1523
01:22:25,360 --> 01:22:28,960
Speaker 1: to me in a weird way because somebody would receive me.

1524
01:22:28,960 --> 01:22:31,479
Speaker 1: I think recon was trying to tell me you like

1525
01:22:31,600 --> 01:22:34,040
Speaker 1: your boy, I thought, and I don't know, you know

1526
01:22:34,120 --> 01:22:36,439
Speaker 1: her accent thing. I just rested off and I'm like,

1527
01:22:37,120 --> 01:22:39,720
Speaker 1: I'm in the booth, I'm making a song and I

1528
01:22:39,840 --> 01:22:41,880
Speaker 1: keep getting a lot of texts, but my joint doesn't show.

1529
01:22:42,520 --> 01:22:45,880
Speaker 1: And then Cold told me. Cold called me, and then

1530
01:22:45,960 --> 01:22:49,439
Speaker 1: he told me, and like I went through the stages

1531
01:22:49,520 --> 01:22:52,639
Speaker 1: of grief and like fifteen seconds, like it was like crazy.

1532
01:22:52,680 --> 01:22:56,040
Speaker 1: I was like nah no no, He's like yes, bro, yes,

1533
01:22:56,120 --> 01:23:00,640
Speaker 1: bro no no no no nah nah and then they

1534
01:23:00,760 --> 01:23:03,760
Speaker 1: just started going like it just I couldn't stop. So

1535
01:23:04,360 --> 01:23:07,479
Speaker 1: I'm pacing the house, I'm walking outside. I come back

1536
01:23:07,560 --> 01:23:12,559
Speaker 1: down a little. It's here's a little small beautiful moment

1537
01:23:12,600 --> 01:23:15,599
Speaker 1: in this. I don't know if somebody told my daughter

1538
01:23:15,720 --> 01:23:17,840
Speaker 1: or what, but like she came out as with a cookie.

1539
01:23:18,240 --> 01:23:26,960
Speaker 1: She's like daddy's sad, sad. And I was like, I said,

1540
01:23:26,960 --> 01:23:30,560
Speaker 1: I was my eyes, my eyes with my room, like no,

1541
01:23:30,720 --> 01:23:33,040
Speaker 1: that he's not sad. Like no, that he's not sad.

1542
01:23:34,160 --> 01:23:37,560
Speaker 1: Oh okay. And then I just took the cookie. I

1543
01:23:37,640 --> 01:23:39,560
Speaker 1: just ate a little piece and I just laughed a

1544
01:23:39,600 --> 01:23:42,360
Speaker 1: little bit, pace a little bit and started crying more.

1545
01:23:42,600 --> 01:23:45,200
Speaker 1: You know what I'm saying. And it's like that night

1546
01:23:46,960 --> 01:23:51,000
Speaker 1: I literally could have been like an insane solum. Literally

1547
01:23:51,880 --> 01:23:53,880
Speaker 1: if what if I had a living girlfriend that moment,

1548
01:23:54,040 --> 01:23:57,160
Speaker 1: like she she won't understand, like the pain. There's paint

1549
01:23:57,200 --> 01:24:00,200
Speaker 1: this pain inside me that nobody know. Bro. Like the

1550
01:24:01,880 --> 01:24:04,960
Speaker 1: thirtieth Mac Mac sent the texted me on the thirtieth

1551
01:24:05,400 --> 01:24:06,720
Speaker 1: He's like, Yo, Bro, wants you to come here in

1552
01:24:06,760 --> 01:24:08,559
Speaker 1: this video. You know what I'm saying. I like, Bro,

1553
01:24:08,640 --> 01:24:10,280
Speaker 1: I don't know, man, I got I'm got to go

1554
01:24:10,280 --> 01:24:12,360
Speaker 1: see my daughter, my mother, my mother being DC. I

1555
01:24:12,400 --> 01:24:13,800
Speaker 1: don't know. But if I can't, I got you like

1556
01:24:15,120 --> 01:24:16,920
Speaker 1: and like, you know, the day before left the l A,

1557
01:24:17,439 --> 01:24:20,040
Speaker 1: John Gager, one of my mutual friends, was like yo.

1558
01:24:20,400 --> 01:24:22,559
Speaker 1: He was like, um, yeah, we have Max House, He'll

1559
01:24:22,640 --> 01:24:24,439
Speaker 1: come through. And I was with hit Boy all day

1560
01:24:24,560 --> 01:24:27,760
Speaker 1: making music and I was like, man, in my mind though,

1561
01:24:27,840 --> 01:24:29,600
Speaker 1: I was like I wanna you know, I want how

1562
01:24:29,720 --> 01:24:31,640
Speaker 1: that Matt because like you know, I sent him this

1563
01:24:31,800 --> 01:24:34,040
Speaker 1: long ast message to Day's album came out like, Bro,

1564
01:24:34,240 --> 01:24:35,880
Speaker 1: be proud of that ship, like I hope you can

1565
01:24:35,920 --> 01:24:38,640
Speaker 1: smell the roses and all that like, and He's like, Bro,

1566
01:24:38,800 --> 01:24:41,280
Speaker 1: feels amazing. He was suching a good spirit, but I

1567
01:24:42,000 --> 01:24:43,760
Speaker 1: noticed he was up lad And you know what I'm saying,

1568
01:24:43,760 --> 01:24:46,040
Speaker 1: I'm you know, you know and not on some judge

1569
01:24:46,120 --> 01:24:48,080
Speaker 1: ship because I know how the game go. But I

1570
01:24:48,160 --> 01:24:51,240
Speaker 1: wanted to be like yo, um, you know, not on

1571
01:24:51,320 --> 01:24:53,200
Speaker 1: some judge ship because he know, because we'd be dealt

1572
01:24:53,240 --> 01:24:56,200
Speaker 1: with the same struggles. So I wanted to go. I

1573
01:24:56,280 --> 01:24:57,400
Speaker 1: was like, Ma'm gonna just do it next time, my

1574
01:24:57,520 --> 01:25:01,479
Speaker 1: come back and the lext time that the last text

1575
01:25:01,720 --> 01:25:05,160
Speaker 1: that he sent me was like you and I ain't go.

1576
01:25:05,400 --> 01:25:08,519
Speaker 1: And so I'm dealing with the pain of losing somebody

1577
01:25:08,560 --> 01:25:11,920
Speaker 1: that I could really confide in, but also knowing like damn,

1578
01:25:12,439 --> 01:25:14,960
Speaker 1: I ain't even hear him back. You know what I'm saying,

1579
01:25:15,000 --> 01:25:16,680
Speaker 1: Like I didn't even and it's not even on those

1580
01:25:16,760 --> 01:25:18,800
Speaker 1: industry ship. It was like I believe when you hear me,

1581
01:25:18,840 --> 01:25:20,519
Speaker 1: I might have been like going through like baggage claim

1582
01:25:20,600 --> 01:25:22,400
Speaker 1: or something like that. It was like a weird time

1583
01:25:22,720 --> 01:25:24,320
Speaker 1: whereas like I aint my mind. I knew if I

1584
01:25:24,400 --> 01:25:26,200
Speaker 1: gonna hit him, like oh yeah, what's my nigga like?

1585
01:25:26,880 --> 01:25:31,240
Speaker 1: And it's just you know that there is a heavy

1586
01:25:32,240 --> 01:25:35,240
Speaker 1: tag that comes with dealing with a person that deals

1587
01:25:35,320 --> 01:25:39,920
Speaker 1: with pain like that. I not my biggest fear, but

1588
01:25:39,920 --> 01:25:42,160
Speaker 1: one of my fears is dealing with a woman that

1589
01:25:44,160 --> 01:25:46,320
Speaker 1: they look at that you're like, Yo, this thing is tripping,

1590
01:25:47,520 --> 01:25:50,640
Speaker 1: like because I know I'm not normal, like I'm hot

1591
01:25:50,680 --> 01:25:56,840
Speaker 1: and colde and code ain't normal. The levels of I'm

1592
01:25:56,880 --> 01:25:59,880
Speaker 1: not normal with that, like who do you talk? Like?

1593
01:26:00,000 --> 01:26:02,760
Speaker 1: Do you feel like you have problems expressing yourself when

1594
01:26:02,800 --> 01:26:05,400
Speaker 1: you need to and talking about things? The same thing

1595
01:26:05,439 --> 01:26:08,160
Speaker 1: we talked about me and my sister right there. So

1596
01:26:10,040 --> 01:26:12,560
Speaker 1: Nigerian's right. A lot of us, A lot of us that,

1597
01:26:12,760 --> 01:26:14,479
Speaker 1: Like in my family, I can speak for my own

1598
01:26:14,640 --> 01:26:18,080
Speaker 1: own family, A lot of us deal with like we

1599
01:26:18,360 --> 01:26:21,479
Speaker 1: look are the men a lot of times not all,

1600
01:26:22,080 --> 01:26:23,519
Speaker 1: but a lot of times we're not good at being

1601
01:26:23,640 --> 01:26:26,680
Speaker 1: gentle like not because we're not because we're trying to

1602
01:26:26,720 --> 01:26:28,920
Speaker 1: be violent enough. It's just that we don't have that,

1603
01:26:29,120 --> 01:26:33,439
Speaker 1: Like you don't have that. You don't have that, Like

1604
01:26:33,760 --> 01:26:37,240
Speaker 1: I've never seen my parents kiss before. I never I

1605
01:26:37,320 --> 01:26:39,160
Speaker 1: could count on one hand how many times my mother

1606
01:26:39,240 --> 01:26:42,280
Speaker 1: has physically said I love you. They never came to

1607
01:26:42,360 --> 01:26:44,240
Speaker 1: my games. I was one of the top athletes in

1608
01:26:44,280 --> 01:26:46,320
Speaker 1: the in the in the county. They never came to

1609
01:26:46,400 --> 01:26:49,400
Speaker 1: my stuff. My father was always in Nigeria or always

1610
01:26:49,960 --> 01:26:52,160
Speaker 1: at work, you know what I'm saying. So you know,

1611
01:26:52,520 --> 01:26:55,360
Speaker 1: we don't I'm not. I was never quote unquote friends

1612
01:26:55,400 --> 01:26:58,559
Speaker 1: with my parents ever in my life. And then imagine

1613
01:26:58,680 --> 01:27:02,040
Speaker 1: a young nigga, you know, thirteen years old and that

1614
01:27:02,160 --> 01:27:05,600
Speaker 1: juvenile little school what my p I was in was

1615
01:27:05,680 --> 01:27:08,240
Speaker 1: in the basement and it was for six people to

1616
01:27:08,320 --> 01:27:10,680
Speaker 1: a class for the security and all that like, so

1617
01:27:11,360 --> 01:27:14,400
Speaker 1: imagine imagine, yeah, I was very bad. I imagine that,

1618
01:27:14,520 --> 01:27:17,040
Speaker 1: And then imagine getting you gotta you gotta go, you

1619
01:27:17,120 --> 01:27:19,800
Speaker 1: gotta go to that facility on a small yellow bust.

1620
01:27:19,800 --> 01:27:22,000
Speaker 1: So people think that you like, you're not You're not

1621
01:27:22,840 --> 01:27:26,320
Speaker 1: like them. Yeah, you're not normal. So it's like, didn't

1622
01:27:26,479 --> 01:27:29,599
Speaker 1: you come home? You know, it's that so you don't

1623
01:27:29,640 --> 01:27:31,679
Speaker 1: see love in the house. You know what I'm saying.

1624
01:27:32,080 --> 01:27:35,679
Speaker 1: You don't get love because you are the bad child

1625
01:27:35,840 --> 01:27:38,840
Speaker 1: or whatever. And your parents aren't from this country. They

1626
01:27:38,880 --> 01:27:42,880
Speaker 1: don't they don't express themselves the way that most people do,

1627
01:27:43,360 --> 01:27:47,400
Speaker 1: you know what I'm saying. And I got maybe two

1628
01:27:47,600 --> 01:27:51,000
Speaker 1: uncles maybe out of the hundred uncles I got that

1629
01:27:51,479 --> 01:27:53,320
Speaker 1: that that expressed it. And one of them one of

1630
01:27:53,439 --> 01:27:57,120
Speaker 1: her father, he know, he knew how to give love

1631
01:27:57,200 --> 01:27:59,479
Speaker 1: to the young kids. And you know what I'm saying.

1632
01:27:59,720 --> 01:28:01,000
Speaker 1: You know, I remember he bought me a pair of

1633
01:28:01,080 --> 01:28:02,600
Speaker 1: jays when I was like in like like one of

1634
01:28:02,640 --> 01:28:04,519
Speaker 1: my first pair of jays in like seven grade, sixth

1635
01:28:04,520 --> 01:28:07,439
Speaker 1: grade or whatever. Like I never got that type of

1636
01:28:07,520 --> 01:28:09,880
Speaker 1: love for my father. And I don't even blame him.

1637
01:28:10,560 --> 01:28:14,120
Speaker 1: I blame the culture. You know that they grew up

1638
01:28:14,439 --> 01:28:17,400
Speaker 1: in raising me the same way, but in another environment.

1639
01:28:18,120 --> 01:28:20,559
Speaker 1: You know what I'm saying. Now, I feel my father's Chinese,

1640
01:28:20,600 --> 01:28:22,479
Speaker 1: and they're very like that on the Chinese side of

1641
01:28:22,520 --> 01:28:25,400
Speaker 1: the family, and it gets it's difficult. They're not you know,

1642
01:28:25,560 --> 01:28:28,519
Speaker 1: my dad's not Is it more Is it more like

1643
01:28:29,240 --> 01:28:35,559
Speaker 1: disciplinary disciplinarian than friend or like growing up that older years,

1644
01:28:36,200 --> 01:28:39,920
Speaker 1: but like you hang around your American friends and they'd

1645
01:28:39,920 --> 01:28:42,800
Speaker 1: be like, that's what happened today. It's so cool that

1646
01:28:43,720 --> 01:28:46,439
Speaker 1: mad funny now, like and cool now, but I know

1647
01:28:46,600 --> 01:28:48,479
Speaker 1: back in the day, it wasn't the same way. But

1648
01:28:48,760 --> 01:28:50,760
Speaker 1: he jokes with us and laugh and we think he's

1649
01:28:50,760 --> 01:28:54,800
Speaker 1: the funniest person in the world. But she, like my father,

1650
01:28:55,000 --> 01:28:57,200
Speaker 1: my father got like that recently though, like my father

1651
01:28:57,280 --> 01:28:59,599
Speaker 1: and my mother, my father say, my father stayed from

1652
01:28:59,720 --> 01:29:02,240
Speaker 1: stay stayed at my house. I just boy stayed with

1653
01:29:02,280 --> 01:29:04,719
Speaker 1: me for like a month to month and he was cooking,

1654
01:29:04,800 --> 01:29:06,800
Speaker 1: he was laughing, was drinking together, and I'm just like

1655
01:29:07,080 --> 01:29:09,840
Speaker 1: and he probably tells everybody else that you're his son,

1656
01:29:10,800 --> 01:29:16,360
Speaker 1: where he doesn't tell you, because bro, I'm one in

1657
01:29:16,439 --> 01:29:20,080
Speaker 1: a fucking million, like my nigga being from d C

1658
01:29:20,840 --> 01:29:24,560
Speaker 1: and being full blood Nigerian, Like it's two crowds that

1659
01:29:24,680 --> 01:29:28,160
Speaker 1: can turn you down or accept you and rarely has

1660
01:29:28,200 --> 01:29:30,240
Speaker 1: it even even happened at the same time, you know

1661
01:29:30,280 --> 01:29:31,760
Speaker 1: what I'm saying, I'm one in the mill. And then

1662
01:29:31,800 --> 01:29:35,400
Speaker 1: plus do you y'all could do a pole. Any African,

1663
01:29:35,520 --> 01:29:40,640
Speaker 1: any Jamaican, Chinese, Japanese, anybody of second generation tell your

1664
01:29:40,640 --> 01:29:43,160
Speaker 1: person you want to get an entertainment business, my parents

1665
01:29:43,200 --> 01:29:50,160
Speaker 1: will say yes, and because they went like Dr Lawyer,

1666
01:29:50,240 --> 01:29:52,320
Speaker 1: that's it. But my dad was that like, you're not

1667
01:29:52,520 --> 01:29:55,080
Speaker 1: my daughter. You want to be a rapper, that's prostitute

1668
01:29:55,200 --> 01:30:00,360
Speaker 1: towards He's Puerto Rican. He did not like no body

1669
01:30:00,400 --> 01:30:03,080
Speaker 1: else like and I mean he like my mother she black.

1670
01:30:03,280 --> 01:30:04,920
Speaker 1: But when you don't know you, when you when you

1671
01:30:04,960 --> 01:30:06,479
Speaker 1: when you, when you got your name, when you made

1672
01:30:06,479 --> 01:30:08,680
Speaker 1: a name for yourself, it was like, oh nah. He

1673
01:30:08,880 --> 01:30:12,800
Speaker 1: was telling everybody like, oh, my daughter is on me.

1674
01:30:12,920 --> 01:30:14,479
Speaker 1: I probably I don't want to play that. You remember

1675
01:30:14,520 --> 01:30:17,599
Speaker 1: when you said that I wouldn't tell that, but I could.

1676
01:30:17,720 --> 01:30:20,280
Speaker 1: I could well, my dad asked away now, but I

1677
01:30:20,479 --> 01:30:23,439
Speaker 1: was already started doing something on TV. I did loving

1678
01:30:23,520 --> 01:30:25,840
Speaker 1: hip hop, So at that time he was proud, and

1679
01:30:25,920 --> 01:30:29,120
Speaker 1: I was like, ain't this a bit because he only

1680
01:30:29,200 --> 01:30:32,360
Speaker 1: me for mad years of my life? How Yeah, I

1681
01:30:32,439 --> 01:30:34,600
Speaker 1: said something. I was scared of my dad dog, but

1682
01:30:34,720 --> 01:30:37,519
Speaker 1: I said something. Yeah, I said something because I felt

1683
01:30:37,520 --> 01:30:39,200
Speaker 1: the way for mad year. Still to this day, I

1684
01:30:39,280 --> 01:30:41,200
Speaker 1: feel away, you know what I mean, because you're gonna

1685
01:30:41,240 --> 01:30:44,360
Speaker 1: you're dealing with this your whole life, this your your parents,

1686
01:30:44,520 --> 01:30:46,439
Speaker 1: you know what I mean. So you're gonna feel away.

1687
01:30:46,880 --> 01:30:48,719
Speaker 1: But you know, how does that affect how you teat

1688
01:30:48,720 --> 01:30:50,800
Speaker 1: your daughter now? Though? Because I'm sure you have to

1689
01:30:50,840 --> 01:30:55,400
Speaker 1: show her verse talking right now, because you know, you know,

1690
01:30:55,479 --> 01:30:58,000
Speaker 1: I had a real like you had a tough morning.

1691
01:30:58,160 --> 01:31:01,040
Speaker 1: You know what I'm saying. Um, I'm sorry to put

1692
01:31:01,080 --> 01:31:03,880
Speaker 1: this the way that that that doesn't get nobody mad

1693
01:31:04,040 --> 01:31:09,200
Speaker 1: or in trouble. I've grown apart from my daughter's mother.

1694
01:31:09,520 --> 01:31:12,160
Speaker 1: I also think she's an amazing woman. First of all,

1695
01:31:12,640 --> 01:31:17,479
Speaker 1: I just think that we've grown apart and it It's

1696
01:31:17,560 --> 01:31:22,400
Speaker 1: made it really hard, like because oh no, I'm not

1697
01:31:22,640 --> 01:31:25,720
Speaker 1: gonna pry. This is not gonna happen right here. Hold

1698
01:31:25,800 --> 01:31:29,320
Speaker 1: on real quick, what's up with the Eagles? They're doing shitty.

1699
01:31:29,360 --> 01:31:30,760
Speaker 1: From the last time I checked. They thought they was

1700
01:31:30,800 --> 01:31:32,680
Speaker 1: gonna make it to the ship again this year, and

1701
01:31:32,720 --> 01:31:35,799
Speaker 1: they lost last week. We're back back from our regular

1702
01:31:35,960 --> 01:31:39,320
Speaker 1: to our regularly schedule program, the ship that hurts the most.

1703
01:31:39,560 --> 01:31:42,840
Speaker 1: Right I'm so proud of my daughter. I'm so happy

1704
01:31:42,920 --> 01:31:45,519
Speaker 1: for my daughter. I'm so in love where I love

1705
01:31:45,600 --> 01:31:50,680
Speaker 1: everything that she does. I can't physically be there as

1706
01:31:50,800 --> 01:31:54,080
Speaker 1: much as I would like to right now. Right now,

1707
01:31:54,160 --> 01:31:57,240
Speaker 1: I'm in a tricky with weird position. You live. My

1708
01:31:57,360 --> 01:31:59,479
Speaker 1: daughter live in a small city. You know what I'm saying.

1709
01:31:59,560 --> 01:32:02,840
Speaker 1: I can't go there unless I'm moving a certain way.

1710
01:32:03,160 --> 01:32:05,400
Speaker 1: And you know, I got someone to the cold work.

1711
01:32:05,479 --> 01:32:07,840
Speaker 1: I have to continue to work. I gotta see like

1712
01:32:08,120 --> 01:32:11,800
Speaker 1: to to get complacent where what I meant at now,

1713
01:32:12,400 --> 01:32:15,040
Speaker 1: it wouldn't It would be injustice to her, you know

1714
01:32:15,040 --> 01:32:17,880
Speaker 1: what I'm saying, and her mother for real, but mostly

1715
01:32:17,920 --> 01:32:22,439
Speaker 1: important is it being in justice to Zo If I

1716
01:32:23,280 --> 01:32:26,840
Speaker 1: slow up now, I don't know what's going on, Slim well,

1717
01:32:27,000 --> 01:32:30,120
Speaker 1: my closest cousin died two days after his shold was

1718
01:32:30,200 --> 01:32:33,840
Speaker 1: born in a car accident. That ship, fuck my, that's

1719
01:32:33,880 --> 01:32:36,559
Speaker 1: when that's when everything started popping up in my life

1720
01:32:36,600 --> 01:32:39,600
Speaker 1: and winking out on the media and all of that.

1721
01:32:39,880 --> 01:32:42,599
Speaker 1: You know what I'm saying, Like, I don't I look

1722
01:32:42,680 --> 01:32:45,439
Speaker 1: at that like, okay, ship, God forbid, I'm having to

1723
01:32:45,479 --> 01:32:46,960
Speaker 1: me And I hate saying these in interviews because I

1724
01:32:46,960 --> 01:32:49,880
Speaker 1: feel like you're speaking into it thisstance. But it's like, yo,

1725
01:32:50,680 --> 01:32:54,000
Speaker 1: I gotta make sure I don't care like like the mother,

1726
01:32:54,080 --> 01:32:56,840
Speaker 1: like their mother, like she was, like you're not around enough,

1727
01:32:56,880 --> 01:33:01,200
Speaker 1: And for the out of'm of my heart, I just

1728
01:33:01,320 --> 01:33:08,839
Speaker 1: be like, yo, car house comfortable. Right, All three checked off? Okay,

1729
01:33:09,600 --> 01:33:12,080
Speaker 1: let me do what I gotta do to make sure

1730
01:33:12,560 --> 01:33:18,599
Speaker 1: they're both of y'all good because we're not gonna end

1731
01:33:18,640 --> 01:33:20,840
Speaker 1: up together. But I'm not gonna let I'm not gonna

1732
01:33:20,920 --> 01:33:23,320
Speaker 1: leave you hand dry because he was my friend and

1733
01:33:23,400 --> 01:33:24,960
Speaker 1: we made her out of love. You know what I'm saying,

1734
01:33:25,000 --> 01:33:26,599
Speaker 1: We made her out of love. This wasn't no little

1735
01:33:26,600 --> 01:33:29,559
Speaker 1: whoops jointing like I'm saying, we made her out of love.

1736
01:33:29,960 --> 01:33:32,400
Speaker 1: So all I think about every day when I'm in

1737
01:33:32,439 --> 01:33:35,040
Speaker 1: that studio. Man, let me make something special. Let me

1738
01:33:35,080 --> 01:33:37,719
Speaker 1: make something great. Let me make something that's gonna change

1739
01:33:37,840 --> 01:33:41,520
Speaker 1: everybody life and put everybody on a on a strong trajectory.

1740
01:33:41,800 --> 01:33:44,479
Speaker 1: You know what I'm saying. I'm not there yet. I

1741
01:33:44,600 --> 01:33:46,680
Speaker 1: came up with a lot of niggas. Is there there

1742
01:33:46,760 --> 01:33:49,439
Speaker 1: right now? But I'm not there yet, And I could

1743
01:33:49,439 --> 01:33:51,280
Speaker 1: be wrong. A lot of women, a lot of mothers

1744
01:33:51,360 --> 01:33:55,000
Speaker 1: could watch it. Be like I think, right now, while

1745
01:33:55,040 --> 01:33:58,560
Speaker 1: I'm creative, I'm young, I'm healthy. Is gold get that

1746
01:33:58,880 --> 01:34:02,479
Speaker 1: bag and of it up for Zalah and her mother.

1747
01:34:03,160 --> 01:34:05,519
Speaker 1: It's something happened to me. There's niggas that don't like me.

1748
01:34:05,600 --> 01:34:08,599
Speaker 1: It's niggas. Ain'tthing that happened in the street. Whatever, I'm

1749
01:34:08,600 --> 01:34:10,599
Speaker 1: gonna do what I gotta do for charity right now,

1750
01:34:11,120 --> 01:34:13,400
Speaker 1: you know what I'm saying. And there's conflict a little

1751
01:34:13,439 --> 01:34:17,800
Speaker 1: bit at home because of that. Not that's a hard balance, though,

1752
01:34:18,080 --> 01:34:21,439
Speaker 1: you know it is. It's a hard balance because at

1753
01:34:21,479 --> 01:34:24,040
Speaker 1: one point you see the benefit of how important it

1754
01:34:24,200 --> 01:34:27,040
Speaker 1: is to be there for your daughter, But then for

1755
01:34:27,160 --> 01:34:33,040
Speaker 1: you it's partner. I tell myself, and it's hard not

1756
01:34:33,120 --> 01:34:36,200
Speaker 1: to be there. But I'd be like she's too. She's

1757
01:34:36,240 --> 01:34:38,320
Speaker 1: too If you could go, if you could get if

1758
01:34:38,320 --> 01:34:40,360
Speaker 1: you could get to this place right now before she's

1759
01:34:40,400 --> 01:34:43,160
Speaker 1: three and a half, then I could be like, oh ship,

1760
01:34:43,240 --> 01:34:45,120
Speaker 1: I could just take a PJA real quick and just

1761
01:34:45,200 --> 01:34:47,200
Speaker 1: stay there. And I got and I got a little

1762
01:34:47,360 --> 01:34:49,360
Speaker 1: corndo over there, like so I can just you know

1763
01:34:49,400 --> 01:34:51,280
Speaker 1: what I'm saying with the woo like, I don't want

1764
01:34:51,320 --> 01:34:53,439
Speaker 1: to argue. I don't want to argue. I don't wanna.

1765
01:34:53,760 --> 01:34:55,640
Speaker 1: I don't want to be nasty in the media. I

1766
01:34:55,640 --> 01:34:58,000
Speaker 1: don't want to blah blah blah. That's why I don't,

1767
01:34:58,479 --> 01:35:02,360
Speaker 1: you know, gallivan will win men on in public and

1768
01:35:02,439 --> 01:35:03,880
Speaker 1: all of other stuff. I don't want to do all

1769
01:35:03,920 --> 01:35:06,160
Speaker 1: of that affection with your daughter when you're around here,

1770
01:35:06,160 --> 01:35:08,240
Speaker 1: are you? Oh my god, this is this is turned

1771
01:35:08,240 --> 01:35:10,040
Speaker 1: into a therapy session. But I need it and I

1772
01:35:10,160 --> 01:35:15,240
Speaker 1: trust you. Um, I swear to God. I probably realized this,

1773
01:35:16,520 --> 01:35:20,280
Speaker 1: UM probably with MC dad when she brought the cookie.

1774
01:35:21,600 --> 01:35:25,639
Speaker 1: I have this deficiency like where it's like I'll see

1775
01:35:25,720 --> 01:35:29,960
Speaker 1: my child, I'm crying, my eyes and my eyes puffy.

1776
01:35:30,320 --> 01:35:32,000
Speaker 1: I've just calmed down. I walk back and out and

1777
01:35:32,160 --> 01:35:36,519
Speaker 1: she comes up and it's like it's weird and nobody

1778
01:35:36,600 --> 01:35:40,639
Speaker 1: might not feel me on It's like, go to your uncle,

1779
01:35:41,000 --> 01:35:46,280
Speaker 1: because I don't even want to the sad energy I

1780
01:35:46,360 --> 01:35:48,240
Speaker 1: don't want to get. I don't want to channel it

1781
01:35:48,320 --> 01:35:51,040
Speaker 1: through you through picking you up and me crying and

1782
01:35:51,200 --> 01:35:55,120
Speaker 1: holding you like you you looking at your eyes make

1783
01:35:55,240 --> 01:35:58,600
Speaker 1: me think about what if I lost you for some

1784
01:35:58,720 --> 01:36:00,720
Speaker 1: weird reason. That's where my mom I don't went And

1785
01:36:00,760 --> 01:36:03,200
Speaker 1: it's like I had to walk away from my daughter,

1786
01:36:03,360 --> 01:36:06,479
Speaker 1: like and that's when I realized I have a real

1787
01:36:06,560 --> 01:36:14,600
Speaker 1: deficiency with being gentle with a small toddler girl. You

1788
01:36:14,640 --> 01:36:16,599
Speaker 1: know what I'm saying. I don't know how because it's

1789
01:36:16,640 --> 01:36:21,200
Speaker 1: like sometimes I imagine, okay, well, if I had a boy, right,

1790
01:36:21,640 --> 01:36:23,600
Speaker 1: I feel like I probably just joked with him on

1791
01:36:23,720 --> 01:36:26,960
Speaker 1: some daddy. She's like, come on the stop crying, stop crying,

1792
01:36:27,280 --> 01:36:29,280
Speaker 1: come on with upright, go ahead, cry a little bit,

1793
01:36:29,360 --> 01:36:31,479
Speaker 1: but after you've done crying, come on, come on over

1794
01:36:31,520 --> 01:36:34,040
Speaker 1: to that like it's a tone. Come back to your father,

1795
01:36:34,160 --> 01:36:36,400
Speaker 1: come on, cry on my shoulder. Man, you're good, you're good.

1796
01:36:37,880 --> 01:36:42,080
Speaker 1: But but I'm trying to raise a strong woman. And

1797
01:36:42,200 --> 01:36:45,200
Speaker 1: it's like the strongest woman that she knows it's her mother.

1798
01:36:46,439 --> 01:36:47,880
Speaker 1: One of the strongs women. I know it is her mother.

1799
01:36:48,840 --> 01:36:50,720
Speaker 1: She's crying for her mother. I'm gonna take it to

1800
01:36:50,760 --> 01:36:53,400
Speaker 1: her mother because I don't know how to be I don't.

1801
01:36:54,520 --> 01:36:58,200
Speaker 1: I realized that I don't know how to be gentle

1802
01:36:58,880 --> 01:37:03,599
Speaker 1: and to be like, oh baby, read me a b season. Oh.

1803
01:37:04,680 --> 01:37:08,479
Speaker 1: It always feels weird with me and my sisters telling

1804
01:37:08,479 --> 01:37:10,599
Speaker 1: me this the other day, Like you know, it's because

1805
01:37:10,600 --> 01:37:12,720
Speaker 1: of the way you was raised, bro, Like you was

1806
01:37:12,840 --> 01:37:14,840
Speaker 1: raised in a way like you don't know how. You

1807
01:37:15,000 --> 01:37:20,000
Speaker 1: literally don't very hard. It's acting. It's acting if you

1808
01:37:20,080 --> 01:37:23,040
Speaker 1: don't if you don't know it, it's literally acting. And

1809
01:37:23,120 --> 01:37:25,760
Speaker 1: it's like it makes sense. But I'm coming to this

1810
01:37:25,880 --> 01:37:29,360
Speaker 1: realization right now, like like literally I'm talking about today.

1811
01:37:30,000 --> 01:37:31,640
Speaker 1: I almost ain't come because I was about to be

1812
01:37:31,720 --> 01:37:35,320
Speaker 1: too negative, bro, because I like, I hate arguments that

1813
01:37:35,400 --> 01:37:37,680
Speaker 1: have anything to do with my daughter. I hate him

1814
01:37:37,720 --> 01:37:40,360
Speaker 1: so much. And again I say, her mother is doing

1815
01:37:40,400 --> 01:37:44,320
Speaker 1: a great job. She's my daughter. Is fast, he's advanced,

1816
01:37:44,400 --> 01:37:48,320
Speaker 1: she's oh, he's just she's got like she's got it.

1817
01:37:49,160 --> 01:37:52,760
Speaker 1: But I'm not. I know, I'm not around him. In

1818
01:37:52,840 --> 01:37:55,320
Speaker 1: the past ten days, I went from l A to

1819
01:37:55,520 --> 01:38:00,080
Speaker 1: d C. To Atlanta to Paris to New York in,

1820
01:38:00,880 --> 01:38:03,639
Speaker 1: back to l A and now back to New York

1821
01:38:04,160 --> 01:38:07,680
Speaker 1: in like eleven days. Like I'm tired, you know what

1822
01:38:07,720 --> 01:38:11,360
Speaker 1: I'm saying into land and like oh, you know, I

1823
01:38:11,439 --> 01:38:13,320
Speaker 1: might see someone on Twitter or something like that, like

1824
01:38:13,439 --> 01:38:16,120
Speaker 1: from somebody that you know, which means it's like this

1825
01:38:16,280 --> 01:38:19,280
Speaker 1: is how she's feeling whatever that that ship got me, man,

1826
01:38:19,720 --> 01:38:21,880
Speaker 1: because like bro' I don't stand for that. I don't

1827
01:38:21,920 --> 01:38:24,479
Speaker 1: like know the absolute but I can't I'm not I

1828
01:38:24,560 --> 01:38:26,800
Speaker 1: can't get it. I can't get a profit to go

1829
01:38:26,960 --> 01:38:28,800
Speaker 1: to your city. But it's hard for both of y'all.

1830
01:38:29,479 --> 01:38:32,840
Speaker 1: For her, she wants you there for your daughter and

1831
01:38:32,880 --> 01:38:35,760
Speaker 1: then for you. You have a goal that you're doing

1832
01:38:35,840 --> 01:38:37,360
Speaker 1: to try to make sure you take care of her.

1833
01:38:37,640 --> 01:38:39,960
Speaker 1: Great men, and I'm not saying this for I'm not

1834
01:38:40,000 --> 01:38:42,160
Speaker 1: saying this for me personally, but like great men and

1835
01:38:42,240 --> 01:38:44,240
Speaker 1: our in our history that have tried to do great things,

1836
01:38:44,320 --> 01:38:47,600
Speaker 1: I've done great things have always had multiple women. And

1837
01:38:47,760 --> 01:38:49,720
Speaker 1: I don't think that's because it greed or anything. I

1838
01:38:49,800 --> 01:38:53,040
Speaker 1: think it's because you sign up for something. When you do,

1839
01:38:53,240 --> 01:38:54,920
Speaker 1: when you're doing, you're dealing with somebody that's trying to

1840
01:38:54,920 --> 01:38:57,560
Speaker 1: do something great. You sign up for something, and you

1841
01:38:57,680 --> 01:39:00,759
Speaker 1: know they might, they might, they might really just be like, Okay,

1842
01:39:00,880 --> 01:39:02,479
Speaker 1: I'm dedicated to me. I want to be great at

1843
01:39:02,520 --> 01:39:03,800
Speaker 1: this job. I want to be great at this speech,

1844
01:39:03,840 --> 01:39:06,920
Speaker 1: I want to be great at this invention. And they

1845
01:39:07,080 --> 01:39:10,599
Speaker 1: obsess over it. Steven Spielberg, Jim Hansen, all these people

1846
01:39:10,720 --> 01:39:13,640
Speaker 1: obsess over their job to the maximum. I tried it,

1847
01:39:13,720 --> 01:39:16,240
Speaker 1: bro If you knew how many times that I try

1848
01:39:16,280 --> 01:39:20,160
Speaker 1: to redefine black music in one session, Nick, I might

1849
01:39:20,240 --> 01:39:24,240
Speaker 1: take many condition band and uh mix it with metro

1850
01:39:24,320 --> 01:39:26,160
Speaker 1: Booman and just try to come up with a new sound,

1851
01:39:26,280 --> 01:39:28,439
Speaker 1: like for ten hours, and it never come out because

1852
01:39:28,439 --> 01:39:30,439
Speaker 1: it didn't sound right. But this is who you've always

1853
01:39:30,479 --> 01:39:34,360
Speaker 1: been though, You've always been this person. You've involved in

1854
01:39:34,479 --> 01:39:36,439
Speaker 1: to this person. But it wasn't in the past two years.

1855
01:39:36,479 --> 01:39:38,800
Speaker 1: So she knew the person that she was having a

1856
01:39:38,920 --> 01:39:40,720
Speaker 1: child with. But what I will say, I don't know.

1857
01:39:40,960 --> 01:39:42,240
Speaker 1: I don't know, I don't know if I'm the same

1858
01:39:42,280 --> 01:39:45,439
Speaker 1: exact person. Oh, you've evolved, obviously, but I think you

1859
01:39:45,560 --> 01:39:47,720
Speaker 1: have gotten You know, God could have gave you a

1860
01:39:47,760 --> 01:39:49,920
Speaker 1: little boy that's a little more tougher. He gave you

1861
01:39:49,920 --> 01:39:51,720
Speaker 1: a little girl, and that was to make you a

1862
01:39:51,800 --> 01:39:55,040
Speaker 1: little more sensitive. And you speak to women a lot,

1863
01:39:55,680 --> 01:39:58,960
Speaker 1: but you're not you're not feeling for women. You speak

1864
01:39:59,000 --> 01:40:01,439
Speaker 1: to women a lot. But when she came to give

1865
01:40:01,479 --> 01:40:04,040
Speaker 1: you the cookie, that was god, you know what I mean,

1866
01:40:04,160 --> 01:40:06,280
Speaker 1: trying to bring you to another place, and when you

1867
01:40:07,160 --> 01:40:10,120
Speaker 1: trying not to let her see me in that state,

1868
01:40:10,400 --> 01:40:12,960
Speaker 1: because but she was there to be there for you.

1869
01:40:13,160 --> 01:40:14,680
Speaker 1: But that's okay. It's coming to be there for you.

1870
01:40:15,040 --> 01:40:18,000
Speaker 1: She's not going to remember that. I hate the cookie,

1871
01:40:18,439 --> 01:40:20,600
Speaker 1: But that's okay for your daughter to see you like that.

1872
01:40:20,760 --> 01:40:24,519
Speaker 1: That's your dater, that's a human. But no, And in

1873
01:40:24,640 --> 01:40:27,760
Speaker 1: that moment, I'm just like, not baby, Daddy's okay. Everything's okay,

1874
01:40:27,880 --> 01:40:33,680
Speaker 1: Everything's okay. That's there. Was stunned the storm off, So

1875
01:40:33,800 --> 01:40:35,080
Speaker 1: it was just a weird I was just in a

1876
01:40:35,160 --> 01:40:37,439
Speaker 1: weird place and I was like, let me just get

1877
01:40:37,479 --> 01:40:39,000
Speaker 1: like I I gotta get away. The saying that you

1878
01:40:39,080 --> 01:40:41,439
Speaker 1: have to wrap up. So I hate they kicked that,

1879
01:40:41,640 --> 01:40:47,960
Speaker 1: they kicked you out, But I changed. You have changed,

1880
01:40:48,640 --> 01:40:52,800
Speaker 1: You've evolved, You've grown, You've grown into more of a man.

1881
01:40:53,040 --> 01:40:55,200
Speaker 1: You were more of a boy when I literally wasn't.

1882
01:40:57,800 --> 01:41:00,439
Speaker 1: You've definitely grown into more of a man and you

1883
01:41:00,560 --> 01:41:02,640
Speaker 1: might not realize it yet, but fatherhood has a lot

1884
01:41:02,720 --> 01:41:09,000
Speaker 1: to do with that. Anybody, you haven't you missed your mouth?

1885
01:41:10,720 --> 01:41:15,519
Speaker 1: Can we get him a napkin? Please immediately, sponsor Alex.

1886
01:41:17,400 --> 01:41:19,840
Speaker 1: I just want to end it though by saying, you know,

1887
01:41:20,000 --> 01:41:21,800
Speaker 1: just as you make time and you said you've been

1888
01:41:21,840 --> 01:41:23,920
Speaker 1: in all these different places in the past eleven days,

1889
01:41:24,400 --> 01:41:26,759
Speaker 1: you know, schedule that time also. I think that helps,

1890
01:41:26,880 --> 01:41:32,920
Speaker 1: but it's also like, um, that's part of the schedule

1891
01:41:32,920 --> 01:41:36,200
Speaker 1: of like I'm not working for these expectations to sometimes

1892
01:41:36,320 --> 01:41:39,880
Speaker 1: like you know, um, I just don't want, you know,

1893
01:41:40,200 --> 01:41:42,360
Speaker 1: I want the time for her to be And plus

1894
01:41:42,680 --> 01:41:44,960
Speaker 1: she's in that age where like she's with her mother

1895
01:41:45,080 --> 01:41:48,920
Speaker 1: so much that like too yeo old, like they she's

1896
01:41:48,960 --> 01:41:51,920
Speaker 1: a sponge and she's soaking it all in two years old,

1897
01:41:52,160 --> 01:41:55,360
Speaker 1: and she can't really be that long without her mother.

1898
01:41:56,280 --> 01:41:58,800
Speaker 1: She can't be like like, you know, I don't want

1899
01:41:58,840 --> 01:42:00,600
Speaker 1: to see her cry. Like I mean, we went for

1900
01:42:00,640 --> 01:42:03,920
Speaker 1: a walk the other day and she just started being like, um,

1901
01:42:04,560 --> 01:42:06,280
Speaker 1: I want to go to the park park Park park Park,

1902
01:42:06,320 --> 01:42:07,719
Speaker 1: And I was like, daddy has a flight. I gotta

1903
01:42:07,840 --> 01:42:09,560
Speaker 1: that he has a gets a flight. But she's a

1904
01:42:09,640 --> 01:42:11,600
Speaker 1: Park Park Park Park, and I've had to pick her

1905
01:42:11,720 --> 01:42:15,080
Speaker 1: up and she started throwing a tention. I'm like, terrible

1906
01:42:15,479 --> 01:42:21,160
Speaker 1: when you start right, but that's how you know that's

1907
01:42:21,200 --> 01:42:33,080
Speaker 1: your daughter, because you when you already already already, then

1908
01:42:33,120 --> 01:42:35,360
Speaker 1: you get it back times three. I'm not gonna lie.

1909
01:42:35,439 --> 01:42:37,400
Speaker 1: This is one of my favorite episodes, even though I

1910
01:42:37,720 --> 01:42:39,200
Speaker 1: looked like he wanted to kill me in the middle

1911
01:42:39,240 --> 01:42:43,280
Speaker 1: of it. I want to talk about it later but

1912
01:42:43,720 --> 01:42:45,800
Speaker 1: didn't bring it back up. No, I won't. We won't.

1913
01:42:45,920 --> 01:42:48,599
Speaker 1: We couldn't talk to about that right, but listen while

1914
01:42:48,640 --> 01:42:51,280
Speaker 1: they we will continue to time. We knew this was black.

1915
01:42:51,280 --> 01:42:54,320
Speaker 1: But when we first, because you know, I talk about

1916
01:42:54,320 --> 01:42:56,800
Speaker 1: your pussy, I know, we didn't want to hear something

1917
01:42:57,240 --> 01:43:03,040
Speaker 1: maybe maybe maybe maybe A come later asked me to

1918
01:43:03,280 --> 01:43:13,160
Speaker 1: ask me to eating pussy questions the first the first, Yeah,

1919
01:43:14,680 --> 01:43:17,080
Speaker 1: you go inside or you just stay on the outside.

1920
01:43:17,360 --> 01:43:20,679
Speaker 1: You read your body language. Everybody's body is wire differently,

1921
01:43:21,479 --> 01:43:24,120
Speaker 1: and that's the true technician mechanic. Did I try to

1922
01:43:24,200 --> 01:43:27,479
Speaker 1: be got to read the body language? Someone's in voluntary,

1923
01:43:27,520 --> 01:43:29,960
Speaker 1: some in voluntary. You gotta read for the involuntary, the

1924
01:43:30,040 --> 01:43:32,680
Speaker 1: involuntaries what they really like. Some girls don't like what

1925
01:43:32,760 --> 01:43:35,720
Speaker 1: they really like, you know, it's too much. It's too

1926
01:43:35,800 --> 01:43:37,720
Speaker 1: much what they Yeah, and it's like, oh my god,

1927
01:43:37,800 --> 01:43:41,240
Speaker 1: like you you hit you right, you're swimming. We're gonna

1928
01:43:41,240 --> 01:43:43,680
Speaker 1: speaking metaphor. You're swimming. You're at a certain part and

1929
01:43:43,760 --> 01:43:46,320
Speaker 1: you stay right there, and that that party hasn't really

1930
01:43:46,360 --> 01:43:48,960
Speaker 1: been tapped into in the specific manner in which that

1931
01:43:49,040 --> 01:43:52,080
Speaker 1: you're swimming. I don't want to squirt. Stop do you

1932
01:43:52,160 --> 01:43:54,240
Speaker 1: like a squirre? That was just about the accident, Um,

1933
01:43:54,960 --> 01:43:58,360
Speaker 1: trying to figure that out. It scied me the first time,

1934
01:43:59,120 --> 01:44:04,280
Speaker 1: scave me the first screen, getting your dress, my hair,

1935
01:44:07,400 --> 01:44:18,720
Speaker 1: somebody's sending us a being called squirre in my dress? Actually, um,

1936
01:44:19,080 --> 01:44:23,760
Speaker 1: now when you know me personally, like, um, if I

1937
01:44:23,920 --> 01:44:25,840
Speaker 1: like a girl, like like her, like like her, like

1938
01:44:25,960 --> 01:44:27,960
Speaker 1: you know what I'm saying, Like I'm gonna I'm gonna do,

1939
01:44:28,280 --> 01:44:31,760
Speaker 1: I'm gonna do. I'm on my try. You know, I'm

1940
01:44:31,800 --> 01:44:38,160
Speaker 1: like nineties eight percent from the field. But as far

1941
01:44:38,240 --> 01:44:41,599
Speaker 1: as as far as trying to find as far as

1942
01:44:41,600 --> 01:44:44,960
Speaker 1: trying pleasing with that, like eating pussy, like yeah, you

1943
01:44:45,080 --> 01:44:47,200
Speaker 1: gotta find it, you gotta find it, like you gotta

1944
01:44:47,240 --> 01:44:50,439
Speaker 1: find it. It's it's it's it's in there. It's every

1945
01:44:50,479 --> 01:44:52,519
Speaker 1: woman got it, but you gotta find it, and you

1946
01:44:52,600 --> 01:44:54,160
Speaker 1: gotta find it and didn't know what to do with it.

1947
01:44:54,240 --> 01:44:57,000
Speaker 1: You can't. Some you gotta come in a certain way,

1948
01:44:57,439 --> 01:44:59,840
Speaker 1: and something you gotta come a certain way. You got

1949
01:45:00,040 --> 01:45:01,400
Speaker 1: find it. Do you like for girls to sit on

1950
01:45:01,479 --> 01:45:03,920
Speaker 1: your face? Depends on what you like? Can you breathe

1951
01:45:03,960 --> 01:45:06,160
Speaker 1: when they do it? That how big they are, that's

1952
01:45:06,160 --> 01:45:08,320
Speaker 1: why you do. Curls in But you just left you

1953
01:45:10,600 --> 01:45:12,559
Speaker 1: you got, you got you grab the thighs and lift

1954
01:45:12,600 --> 01:45:14,559
Speaker 1: it up a little bit. Say they feel in control,

1955
01:45:15,000 --> 01:45:19,160
Speaker 1: and so you know what about the but you don't

1956
01:45:19,200 --> 01:45:24,040
Speaker 1: like but it's right there though, it's like a it's

1957
01:45:24,080 --> 01:45:27,599
Speaker 1: like a that's like a super uber drunk. We were

1958
01:45:27,640 --> 01:45:29,720
Speaker 1: not talking about this night, like joint. So you have,

1959
01:45:30,160 --> 01:45:35,160
Speaker 1: but you know, maybe I have. It's a possibility. It's

1960
01:45:35,240 --> 01:45:38,519
Speaker 1: the possibility that he don't want to be like, Oh,

1961
01:45:38,560 --> 01:45:41,680
Speaker 1: don't lie like you wasn't asked the other night. You

1962
01:45:41,760 --> 01:45:43,479
Speaker 1: tell me you don't eat a thing. I don't know.

1963
01:45:44,120 --> 01:45:46,720
Speaker 1: Y'all just gave a lot of girls a judge the

1964
01:45:46,800 --> 01:45:50,240
Speaker 1: lie that I don't even know you just did that.

1965
01:45:53,360 --> 01:45:56,519
Speaker 1: Do you like when they pull your jazz, like, yeah, yeah,

1966
01:45:57,640 --> 01:46:00,240
Speaker 1: show me, you know, show me that you know something

1967
01:46:00,320 --> 01:46:04,280
Speaker 1: about something. You like, let me know you're not you're

1968
01:46:04,280 --> 01:46:06,680
Speaker 1: speaking to me in another way. You let me know.

1969
01:46:06,760 --> 01:46:10,439
Speaker 1: I ain't scared. I'm scared of you. Nigga like, nigga,

1970
01:46:10,479 --> 01:46:14,160
Speaker 1: what's up? But then you're gonna still submit at some point,

1971
01:46:14,240 --> 01:46:18,880
Speaker 1: So I said, no, not verbal request is just about

1972
01:46:18,960 --> 01:46:21,280
Speaker 1: the game, you know what I mean? Do you talk

1973
01:46:21,280 --> 01:46:24,800
Speaker 1: a while you're fucking? You know he does, but she

1974
01:46:25,000 --> 01:46:29,599
Speaker 1: dirtiest line. I ain't gonna like that. What's what's up?

1975
01:46:29,640 --> 01:46:33,519
Speaker 1: That's what you say? What's up? Pull my dreads? Come

1976
01:46:33,560 --> 01:46:38,000
Speaker 1: in my hair? Do you say stuff like let me

1977
01:46:38,080 --> 01:46:45,240
Speaker 1: come out over your face? Who ethan right? And security secure? Secure?

1978
01:46:45,479 --> 01:46:50,120
Speaker 1: Insecure came on her? The guy came in her face.

1979
01:46:52,640 --> 01:46:58,679
Speaker 1: Yeah yeah, last season to like I don't want no problem.

1980
01:46:58,720 --> 01:47:01,040
Speaker 1: The first season that happened to or the sex whatever

1981
01:47:01,120 --> 01:47:06,360
Speaker 1: it was, that's when he came in. They Yeah, exactly

1982
01:47:06,520 --> 01:47:08,920
Speaker 1: do you like come in a girl's face? I don't

1983
01:47:08,960 --> 01:47:12,920
Speaker 1: know if you're hitting the girl and I want you

1984
01:47:13,000 --> 01:47:14,720
Speaker 1: to come on my face? I think I think I

1985
01:47:14,760 --> 01:47:17,920
Speaker 1: think we talk. We're talking about like like sports, sport,

1986
01:47:18,000 --> 01:47:22,400
Speaker 1: fucking and like relationship sex. You don't think you can

1987
01:47:22,479 --> 01:47:25,080
Speaker 1: mix the both that should be that. I gotta see

1988
01:47:25,080 --> 01:47:27,320
Speaker 1: a shrink of what's the difference between relationship sex and

1989
01:47:28,640 --> 01:47:32,519
Speaker 1: relationships sex love making. I don't want you, don't want

1990
01:47:32,520 --> 01:47:34,600
Speaker 1: to come. I want to learn how to because I

1991
01:47:34,640 --> 01:47:37,160
Speaker 1: feel like that's how you stay married. But I don't

1992
01:47:37,240 --> 01:47:39,200
Speaker 1: know how to, Like if I really let your job,

1993
01:47:39,360 --> 01:47:43,519
Speaker 1: like I can't, I don't know how to don't get married.

1994
01:47:43,600 --> 01:47:45,360
Speaker 1: I don't know how to. You can't be dirty with

1995
01:47:45,439 --> 01:47:50,680
Speaker 1: the girl you love. It's weird. That's why you let

1996
01:47:50,720 --> 01:47:52,280
Speaker 1: me tell you something. That's why you gotta start off

1997
01:47:52,320 --> 01:47:58,080
Speaker 1: on that motherfucking page. And then when you start. If

1998
01:47:58,080 --> 01:48:00,360
Speaker 1: you start off on that page with the nasty access

1999
01:48:00,520 --> 01:48:02,479
Speaker 1: like that, and then y'all start really liking each other,

2000
01:48:02,720 --> 01:48:05,080
Speaker 1: then you already started it. But if you're like dating

2001
01:48:05,439 --> 01:48:07,519
Speaker 1: in court and doing all that and you get to that,

2002
01:48:07,680 --> 01:48:12,080
Speaker 1: you're gonna be missionary and got throw your the first night.

2003
01:48:12,760 --> 01:48:24,280
Speaker 1: Don't throw money. Dream. I don't even dream metaphor to

2004
01:48:24,360 --> 01:48:26,360
Speaker 1: do something so crazy. You were like, I ain't doing that.

2005
01:48:26,960 --> 01:48:30,040
Speaker 1: I think my eyes say a lot before we get started,

2006
01:48:30,160 --> 01:48:32,160
Speaker 1: Like I think my eyes said a couple of things,

2007
01:48:32,280 --> 01:48:40,360
Speaker 1: like never listen e then the soundtrack, the soundtrack, with

2008
01:48:40,520 --> 01:48:44,160
Speaker 1: the soundtrack, can I give everybody in motherfucking ps A

2009
01:48:44,439 --> 01:48:47,120
Speaker 1: with the dude? You gotta be quick with it right,

2010
01:48:47,840 --> 01:48:51,000
Speaker 1: come back from the club, right, Jim in the shower,

2011
01:48:51,120 --> 01:48:55,280
Speaker 1: you go first, get her phone? Well, I M in

2012
01:48:55,320 --> 01:48:59,320
Speaker 1: the shower right right, any business? Then she got show.

2013
01:49:00,120 --> 01:49:02,200
Speaker 1: You set up the acoustics on the the sound in

2014
01:49:02,280 --> 01:49:05,439
Speaker 1: the room. I don't know if you have six minute,

2015
01:49:05,479 --> 01:49:08,200
Speaker 1: eight minute, twelve minutes, four minute, three minute kind of guys.

2016
01:49:08,240 --> 01:49:10,439
Speaker 1: Some of them look like one you make. I've been.

2017
01:49:10,720 --> 01:49:14,920
Speaker 1: I've been one one man. Unexpected sex will make you

2018
01:49:15,040 --> 01:49:20,240
Speaker 1: come fast. No unexpected sex make you come like like

2019
01:49:20,320 --> 01:49:26,519
Speaker 1: it's like, yo, where did this comfort come? Because they

2020
01:49:26,560 --> 01:49:30,640
Speaker 1: agreed all the you know about to smash it, like

2021
01:49:30,640 --> 01:49:35,360
Speaker 1: all right, we will do She in the camera, she

2022
01:49:35,439 --> 01:49:39,360
Speaker 1: in the shower. You put together your little playlist of

2023
01:49:39,560 --> 01:49:42,320
Speaker 1: however you want the sex to be visualized. You wanted

2024
01:49:42,360 --> 01:49:45,040
Speaker 1: to be gangs to sex. You wanted to be school

2025
01:49:45,120 --> 01:49:51,160
Speaker 1: ship back, Oh back, y'all back, y'all bands interpretation of

2026
01:49:52,400 --> 01:49:55,360
Speaker 1: boys to Atlantis. That would be a vibe. I wish

2027
01:49:55,400 --> 01:49:57,920
Speaker 1: they put that ship Man. Somebody gotta put that. It

2028
01:49:57,960 --> 01:50:00,519
Speaker 1: got put on Spotify. It was. It was so good.

2029
01:50:00,640 --> 01:50:02,360
Speaker 1: I grew up on that jym like that's me going

2030
01:50:02,920 --> 01:50:05,639
Speaker 1: to school and eighth and ninth grade, tenth grade listening

2031
01:50:05,680 --> 01:50:07,559
Speaker 1: into that jump They used to open with that song.

2032
01:50:07,680 --> 01:50:11,320
Speaker 1: Sometimes boys go go version. It just sounds like a

2033
01:50:12,240 --> 01:50:15,600
Speaker 1: grainy big band version of this song. But like or

2034
01:50:15,640 --> 01:50:17,920
Speaker 1: even a regular voice to women is by the Azzi brother.

2035
01:50:18,600 --> 01:50:20,600
Speaker 1: That's a good that's a good starter. We get a

2036
01:50:20,640 --> 01:50:26,720
Speaker 1: playlist together. You gotta tell yourself, I gotta make it

2037
01:50:26,800 --> 01:50:29,120
Speaker 1: to this song. I gotta make it to this song.

2038
01:50:29,280 --> 01:50:35,240
Speaker 1: That's why I do a shuffle. No song. You're gonna

2039
01:50:35,280 --> 01:50:36,840
Speaker 1: make it this song. I'm a bus to all right,

2040
01:50:36,880 --> 01:50:44,120
Speaker 1: let me let my leg about them. Yeah, it's about Yeah.

2041
01:50:45,560 --> 01:50:47,880
Speaker 1: We appreciate you so much. We're gonna have a part

2042
01:50:47,920 --> 01:50:52,120
Speaker 1: two for the world. Yo. You don't like to hold

2043
01:50:52,120 --> 01:50:59,320
Speaker 1: your mike? Just just came and it does, Mike, Baby,

2044
01:51:00,160 --> 01:51:03,640
Speaker 1: Maybe can we do another round? I got you how

2045
01:51:03,720 --> 01:51:10,600
Speaker 1: many many minutes? No? No, no, no, no, I guess no,

2046
01:51:10,720 --> 01:51:12,479
Speaker 1: no no no, just kissing a little bit, just kissing

2047
01:51:12,479 --> 01:51:16,640
Speaker 1: it a little bit. I'm gon put a condom on

2048
01:51:16,720 --> 01:51:27,880
Speaker 1: real quick. Near that happened banks my experience, imagination that

2049
01:51:28,000 --> 01:51:31,080
Speaker 1: came out with you make sure y'all download that epile

2050
01:51:31,360 --> 01:51:35,040
Speaker 1: pytoon next time you come back. Three days, three hours,

2051
01:51:36,760 --> 01:51:38,880
Speaker 1: three day, three hours, and for him three minutes. We

2052
01:51:38,920 --> 01:51:42,559
Speaker 1: didn't get no len Minday, we're still hungry. Three minutes

2053
01:51:43,600 --> 01:51:47,960
Speaker 1: where the fun is our free lunch ship three minutes,

2054
01:51:48,040 --> 01:51:54,799
Speaker 1: no hours, three times that service