WEBVTT - TGI – Episode 420 “Security Guy”

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<v Speaker 1>Every night when I put Adler to bed. It's some

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<v Speaker 1>of my favorite times with him because Jensen hangs out

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<v Speaker 1>with him in his room while I put Keaton to bed,

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<v Speaker 1>and then I leave Keaton's room and I go into

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<v Speaker 1>Adler's room, and then Jensen says good night to Adler

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<v Speaker 1>and he turns off the lights, and Jensen leaves, and

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<v Speaker 1>Adler and I just stay there in his room in

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<v Speaker 1>the pitch black, and we talk and we can't see

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<v Speaker 1>each other. So there's a whole new freedom, he feels.

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<v Speaker 1>It's one of the reasons I think kids talk when

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<v Speaker 1>they're in the car, like there isn't that direct eye contact,

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<v Speaker 1>so they feel more free to talk about things. And

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<v Speaker 1>every night he starts the same way moms talk about something,

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<v Speaker 1>and I say, Okay, what do you want to talk about? Now?

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<v Speaker 1>Adler will be five at the end of June, so

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<v Speaker 1>he's not quite five. He says to me the other night, Mom,

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<v Speaker 1>did you know that Damien, who's one of his best

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<v Speaker 1>friends in his class and is also in his karate class,

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<v Speaker 1>did you know that Damien had a dog named Angel?

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<v Speaker 1>And I said I did know that, Yeah, Yeah, Damien

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<v Speaker 1>had a dog named Angel. And he goes, yeah, an

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<v Speaker 1>angel died.

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<v Speaker 2>Oh no, And.

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<v Speaker 1>I said yeah. I said, it's you know, it's unfortunate,

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<v Speaker 1>but dogs don't live forever. And he goes, well, not

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<v Speaker 1>Brunch and Bill, right, Brunch and Bill, They're not going

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<v Speaker 1>to die, oh no, And I go, well, uh, you know, yeah,

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<v Speaker 1>they will die. They will die, and he goes no,

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<v Speaker 1>And I just I feel the anxiety and the social

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<v Speaker 1>just dread Phil in his little body. And I said, well, honey,

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<v Speaker 1>nobody knows when that time will be. The good news

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<v Speaker 1>is neither Brunch or Bill are sick. There's no reason

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<v Speaker 1>to think we have any reason to worry about them

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<v Speaker 1>dying anytime soon. We don't know when it will be.

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<v Speaker 1>But you may even be ten like that, you know,

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<v Speaker 1>because to him, the idea of when he's going to

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<v Speaker 1>be ten, he feels like he's been hearing about his

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<v Speaker 1>fifth birthday forever. So no need to go into the

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<v Speaker 1>fact that we had the radioactive cat.

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<v Speaker 2>And I wasn't even you don't.

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<v Speaker 1>I didn't even I didn't even bring it up. I

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<v Speaker 1>just said, you know, absolutely not, no no problems there.

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<v Speaker 1>He goes, well, are you I mean, are you sure?

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<v Speaker 1>I really don't think I don't want Brench and Bill

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<v Speaker 1>to die. I don't. I just don't know why that

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<v Speaker 1>needs to happen. And I said, but honey, nothing lives forever,

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<v Speaker 1>which was a no, because his next question.

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<v Speaker 2>Was what about you and Dad? No, what about me?

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<v Speaker 1>I'm not gonna die, right, And I just silent, And

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<v Speaker 1>he says again, Mommy, I'm not gonna die, right, And

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<v Speaker 1>I again silent because I'm in my head. What do

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<v Speaker 1>I say?

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<v Speaker 2>The terminator going through all the possible things you can say.

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<v Speaker 1>You know, I really pride myself on being able to

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<v Speaker 1>tell him Mommy and Daddy don't lie to you. When

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<v Speaker 1>Mommy and Daddy tell you something, it's because it's the truth,

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<v Speaker 1>or at the very least, it's what we believe. When

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<v Speaker 1>I tell him something I believe, I say, I don't

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<v Speaker 1>know for sure, but this is what I believe. Other

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<v Speaker 1>people believe other things, and they don't. Also they also

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<v Speaker 1>don't know for sure, and people are allowed to believe

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<v Speaker 1>different things. It doesn't mean you have to try to

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<v Speaker 1>change somebody's beliefs. So I'm also I'm very clear about that.

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<v Speaker 1>And if he asks me something and I truly do

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<v Speaker 1>not know the answer, I just say I do not know,

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<v Speaker 1>and if there is the answer to be found, I say,

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<v Speaker 1>but let me find out for you, and then I

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<v Speaker 1>can go on the journey of finding it out. So

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<v Speaker 1>I'm like my gut, which is to immediately just stop

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<v Speaker 1>the no, not you, you're court because I because that's

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<v Speaker 1>all I want in this moment is for him.

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<v Speaker 2>I don't know, let me find out. I don't let

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<v Speaker 2>me go.

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<v Speaker 1>And I also I refuse to lie. And so he

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<v Speaker 1>says it a third time, Mommy, I'm not going to die,

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<v Speaker 1>right And then what came out of my mouth was, honey,

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<v Speaker 1>these are adult problems. And he said, what does that mean?

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<v Speaker 1>And I said, you're talking to down the road. Yes,

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<v Speaker 1>I'm punching it down the road.

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<v Speaker 2>And I suppose you're the concept of death. So I

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<v Speaker 2>don't have to do.

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<v Speaker 1>And I said, these are these are not the things

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<v Speaker 1>that for almost five year olds should be thinking about.

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<v Speaker 1>You don't need to think about this right now, I said.

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<v Speaker 1>And he said, well, I said, there are adult problems

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<v Speaker 1>and there are kid problems. He said, what's a kid problem?

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<v Speaker 1>And I said, at your age, you're learning to read.

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<v Speaker 1>Learning to read is your problem. That's a kid problem.

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<v Speaker 1>Making friends, being kind to people, learning to regulate your

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<v Speaker 1>big emotions. Those are all things that you should spend

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<v Speaker 1>your time thinking about and working on. And these things

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<v Speaker 1>that we're talking about are things that mommy and Daddy

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<v Speaker 1>think about and and not him. And he, thankfully that

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<v Speaker 1>worked very well for him. He said I love you, mom.

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<v Speaker 1>I said I love you too, and then he said

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<v Speaker 1>you can leave now, and which is always what he

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<v Speaker 1>says when he's done, when he's done, when he's ready

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<v Speaker 1>for me to leave because he's ready to go to sleep. Yeah,

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<v Speaker 1>I've been dismissed. And then he's never brought it up again.

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<v Speaker 1>He did bring up Angel again. He did bring up

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<v Speaker 1>somehow something came up. I think I said to Keaton, well,

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<v Speaker 1>thank you Angel, and he was like, Mommy, Damien's dog's

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<v Speaker 1>name was Angel. And I was like, I know, but

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<v Speaker 1>but he didn't bring up any of the other stuff.

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<v Speaker 2>So I remember this moment from my own childhood. I

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<v Speaker 2>really yeah. I was playing war with Keith Stackhouse, my

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<v Speaker 2>best friend, and we were running around.

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<v Speaker 1>The war or is there a different.

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<v Speaker 2>In War?

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<v Speaker 3>And we were like running around in the woods at

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<v Speaker 3>my house and and we were like and I like fell.

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<v Speaker 2>I was like, oh, and then I die and.

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<v Speaker 3>I fell on the ground and played dead and started bowling,

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<v Speaker 3>and I remember poor Keith being like, right, are you okay?

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<v Speaker 2>What happens after I died?

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<v Speaker 3>And then I walked in and I was like and

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<v Speaker 3>he he like probably helped pick me up. And we

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<v Speaker 3>walked to my dad in the garage, and I remember

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<v Speaker 3>my dad was like working us up, and I was like,

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<v Speaker 3>am I going to die?

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<v Speaker 2>And in classic kings run.

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<v Speaker 3>Yeah, everything does here just like and I just remember this,

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<v Speaker 3>you know, And then we just sat and talked about

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<v Speaker 3>it all afternoon. And but it's so interesting, like I've

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<v Speaker 3>off thought of that as a good example of how

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<v Speaker 3>important play is, right, like how important imagination is, because

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<v Speaker 3>it probably had been told some version of death or thought.

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<v Speaker 3>But like, for whatever me, acting out death made it

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<v Speaker 3>real for me, and like I was able to like

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<v Speaker 3>have to like realize, oh, I can't imagine what happens

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<v Speaker 3>after I am there, I was next, and what happens next?

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<v Speaker 3>And I didn't know how to act it. I didn't

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<v Speaker 3>know how to play it in my imagination. And it

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<v Speaker 3>was like and yeah, so I just this, like I

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<v Speaker 3>still still see the grass like sideways laying on the ground,

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<v Speaker 3>like trying to and being like.

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<v Speaker 2>Oh, there's there's nothing beyond that. I don't know where

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<v Speaker 2>to go. Yeah, I think yeah, play is important. Man

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<v Speaker 2>with your friends.

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<v Speaker 1>Thankfully has handled it well. He wears all black now

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<v Speaker 1>and he listens to nine inch nails, and I don't

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<v Speaker 1>think there's nothing that nothing eyeliner.

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<v Speaker 2>Yeah.

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<v Speaker 4>No, my parents told me I am going to live forever,

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<v Speaker 4>and I believe them, So I'm good.

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<v Speaker 1>You'll carry on the podcast in ant.

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<v Speaker 4>I'm just gonna keep going the entire time, gonna do

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<v Speaker 4>the re listen of the re listen of the re listen.

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<v Speaker 2>It'd be great, be like, yeah, this is so here

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<v Speaker 2>we are. It's twenty three forty.

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<v Speaker 1>Arcause he's also never gonna die.

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<v Speaker 2>Yes, just Adler and I together. I love it.

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<v Speaker 4>An angel wherever rest in peace angel right now. Yeah,

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<v Speaker 4>like luckily, our luckily, our cat and dog aren't sick

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<v Speaker 4>at all. It's like you just irradiated your cat where

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<v Speaker 4>you had to be at arm's length away.

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<v Speaker 1>Listen. We did it so we could buy the kid

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<v Speaker 1>like five or six more years. And by the cat,

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<v Speaker 1>I mean the cat, I mean this cat's now gonna

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<v Speaker 1>live forever. We've we've taken care of the one thing

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<v Speaker 1>that was causing him to be at rich. Oh, welcome

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<v Speaker 1>to Pod Meets World. I'm Daniel Fischel, I'm.

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<v Speaker 2>Right or Strong, and I'm wilfordell.

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<v Speaker 1>Well. Welcome to this episode of Pod Meets the World.

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<v Speaker 1>It's season four, episode twenty Security Guy. It originally aired

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<v Speaker 1>April fourth, nineteen ninety seven. The synopsis. After getting fired

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<v Speaker 1>from Alan's store, Eric gets a job as a security guard,

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<v Speaker 1>but mister Feenie and his family think he's wasting his potential.

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<v Speaker 1>All the while, Cori and Tapanga try to convince Sean

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<v Speaker 1>to take an sat prep course. It was directed by

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<v Speaker 1>Jeff McCracken. It was written by There's a story by

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<v Speaker 1>Mark Bluman and Howard Buskang and a teleplay by Matthew Nelson. So,

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<v Speaker 1>before I jump into guest stars, did you guys have

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<v Speaker 1>any overall thoughts? I can start if you want. I know,

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<v Speaker 1>I always ask a question, and you guys feel like

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<v Speaker 1>I'm putting you on the spot. I okay, I'll get

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<v Speaker 1>my complaint out of the way first. I find it

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<v Speaker 1>a little off putting that no matter how many different

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<v Speaker 1>things Eric tries to do, everything is presented as he

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<v Speaker 1>will end up being a loser unless he takes the

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<v Speaker 1>SATs and goes to college. I know, I find that

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<v Speaker 1>a little off putting. Like I just and I know

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<v Speaker 1>that it was the nineties, and I know that it's

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<v Speaker 1>you know, one of the things that especially back then,

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<v Speaker 1>you know, going to college and getting an education, did

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<v Speaker 1>feel like if you didn't do that, your life was

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<v Speaker 1>at risk, Like, well, what could happen to you? Yeah?

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<v Speaker 1>So I know that. I know that I'm not judging

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<v Speaker 1>the show by it, but it does just every time

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<v Speaker 1>every time we have an episode about it, I get

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<v Speaker 1>a little irked because I'm like, geez, is there nothing

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<v Speaker 1>anyone can do without this? With that said, I loved

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<v Speaker 1>this episode.

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<v Speaker 2>Oh cool.

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<v Speaker 1>I really loved it. I thought it was I thought

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<v Speaker 1>the performances were great, I thought the I thought the

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<v Speaker 1>there's some you know, kind of maybe outdated stuff with

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<v Speaker 1>the parents and who the blaming and what the roles

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<v Speaker 1>are of parenting that's outdated whatever, But none of that

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<v Speaker 1>really bumped me. I just I loved it. I loved

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<v Speaker 1>the episode. I was very entertained. I thought it was

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<v Speaker 1>really well done and I just enjoyed it.

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<v Speaker 4>So I agree with you one hundred percent. I had

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<v Speaker 4>the same problem. I also think, and again looking hindsight

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<v Speaker 4>being what it is and what we're learning more about

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<v Speaker 4>today when it comes to four year schools and things

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<v Speaker 4>like that, I think it's a big missed opportunity to

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<v Speaker 4>show that you could do other things. Eric didn't need

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<v Speaker 4>to go to college, that you know, he could have

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<v Speaker 4>learned a trade. Would have been a very interesting way

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<v Speaker 4>to go about it. I thought would have been empowering

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<v Speaker 4>for the character. But that being said, it was a

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<v Speaker 4>fun episode to watch. I remember, unfortunately can't remember the

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<v Speaker 4>actor's name, but the guy who played the other security

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<v Speaker 4>guard I remember. He and I got along very well

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<v Speaker 4>this week. I love episodes where I just got to

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<v Speaker 4>work with Rusty and Betsy and Bill. I felt like

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<v Speaker 4>as an actor, and again I had my own little ooh,

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<v Speaker 4>I wish I could have done that moment over ooh,

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<v Speaker 4>I hamm that up a little bit.

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<v Speaker 2>I had that a couple times.

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<v Speaker 4>But for me, it felt like, ooh, they're putting me

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<v Speaker 4>with the adults, and there was something I liked where

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<v Speaker 4>I was like I was now a member of this cast.

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<v Speaker 2>With the adults where it was always kind of floating.

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<v Speaker 4>And so to be in that kind of realm as

0:12:06.200 --> 0:12:08.800
<v Speaker 4>an actor of It's Gonna be You and Bill and

0:12:08.920 --> 0:12:12.000
<v Speaker 4>Rusty and Beat. I mean that to me was was great.

0:12:12.080 --> 0:12:13.599
<v Speaker 4>Like I felt like they were kind of hating me

0:12:13.640 --> 0:12:15.280
<v Speaker 4>on the back, like you're gonna go You're gonna go

0:12:15.320 --> 0:12:17.880
<v Speaker 4>play with the big kids this week, right, So I

0:12:17.960 --> 0:12:19.720
<v Speaker 4>really love that. But yeah, that was my only other

0:12:19.760 --> 0:12:23.280
<v Speaker 4>problem was I thought they they really do, really are

0:12:23.320 --> 0:12:24.840
<v Speaker 4>harping on that you need to go to college. And

0:12:24.840 --> 0:12:26.440
<v Speaker 4>we talked about this in the other episode, which is

0:12:26.440 --> 0:12:30.920
<v Speaker 4>really interesting because Michael didn't and so it was I

0:12:30.960 --> 0:12:33.880
<v Speaker 4>thought a real opportunity to show that you do not

0:12:34.040 --> 0:12:35.320
<v Speaker 4>need to go to a four year school.

0:12:35.360 --> 0:12:35.720
<v Speaker 2>You don't.

0:12:35.720 --> 0:12:38.440
<v Speaker 4>You know, sets are what they are, but you know,

0:12:38.520 --> 0:12:40.760
<v Speaker 4>you don't need to go to a four year college.

0:12:40.760 --> 0:12:43.600
<v Speaker 4>And having Foene say things like, yes, I think you're settling.

0:12:43.600 --> 0:12:46.040
<v Speaker 4>I think you're doing that, it got a little much.

0:12:46.120 --> 0:12:48.559
<v Speaker 4>But I loved I thought the episode was fun. I

0:12:48.600 --> 0:12:51.080
<v Speaker 4>thought it was funny. There's times I was I felt emotional,

0:12:51.160 --> 0:12:54.000
<v Speaker 4>which I don't normally do that with Boy Meets World episodes.

0:12:54.760 --> 0:12:56.920
<v Speaker 2>So yeah, I very much liked it. Yeah, it was

0:12:57.000 --> 0:12:59.160
<v Speaker 2>you know, it's funny because it's not even the college thing,

0:12:59.160 --> 0:13:00.800
<v Speaker 2>which we've talked a lot about.

0:13:00.720 --> 0:13:06.080
<v Speaker 3>It's specifically distilled to SASA over and over and over again.

0:13:06.160 --> 0:13:08.600
<v Speaker 3>I had no idea our show. I mean, this is

0:13:08.640 --> 0:13:12.440
<v Speaker 3>probably the seventh episode of Boy Meets World dedicated to

0:13:12.920 --> 0:13:17.160
<v Speaker 3>taking the SATs as the locus of all of your

0:13:17.320 --> 0:13:20.760
<v Speaker 3>academic energy and the benchmark. And I mean, I.

0:13:20.720 --> 0:13:23.760
<v Speaker 2>Guess, you know, I guess that's.

0:13:23.600 --> 0:13:31.680
<v Speaker 3>A an oversimplification, probably because it makes for just a

0:13:31.840 --> 0:13:34.200
<v Speaker 3>very easy story point. Yeah, it's like are you going

0:13:34.240 --> 0:13:36.160
<v Speaker 3>to take them? And then what's your score going to be?

0:13:36.440 --> 0:13:40.319
<v Speaker 3>And it becomes this like a sort of condensed, distilled

0:13:40.360 --> 0:13:43.600
<v Speaker 3>way to be, like, you know, here's a very clear choice.

0:13:43.640 --> 0:13:47.120
<v Speaker 3>But yeah, it doesn't age very well because it's so specific.

0:13:47.120 --> 0:13:49.840
<v Speaker 3>And of course, like colleges haven't been requiring the SATs

0:13:49.920 --> 0:13:52.400
<v Speaker 3>for like the last ten years. It's now coming back

0:13:52.440 --> 0:13:54.720
<v Speaker 3>in vogue, but like, you know, there's all these questions

0:13:54.760 --> 0:13:57.360
<v Speaker 3>around SAT this is a thing, but back then it was.

0:13:57.840 --> 0:14:01.319
<v Speaker 3>And I guess it's just fascinating that our writing staff,

0:14:01.360 --> 0:14:05.560
<v Speaker 3>our creative team really decided to just hammer this home

0:14:05.720 --> 0:14:09.079
<v Speaker 3>and like make that all the focus. And yeah, it

0:14:09.200 --> 0:14:11.680
<v Speaker 3>just it just kind of I was like rolling my

0:14:11.720 --> 0:14:13.480
<v Speaker 3>eyes at that. But I wonder if I had been

0:14:13.640 --> 0:14:16.760
<v Speaker 3>if I'd seen this episode without having seen going back

0:14:16.800 --> 0:14:19.880
<v Speaker 3>to season one, you and Jason Marsden studying for the SATs,

0:14:20.000 --> 0:14:21.400
<v Speaker 3>if I wouldn't feel that way, if I would just

0:14:21.440 --> 0:14:23.800
<v Speaker 3>be like, oh, this is good storytelling because the sat

0:14:23.960 --> 0:14:26.880
<v Speaker 3>is here actually have a result. We get the number

0:14:27.320 --> 0:14:29.560
<v Speaker 3>like we see it, and it does play well within

0:14:29.600 --> 0:14:32.040
<v Speaker 3>the context that it's just I'm a little exhausted by

0:14:32.120 --> 0:14:36.560
<v Speaker 3>sat talk. Your performance is unbelievable in this world. I

0:14:36.640 --> 0:14:39.200
<v Speaker 3>think I think that you have a lighter touch than

0:14:39.280 --> 0:14:42.080
<v Speaker 3>in other dramatic episodes. It's a dramatic episode, but you

0:14:42.400 --> 0:14:45.200
<v Speaker 3>play it with such a lighter touch. It's really effective.

0:14:45.240 --> 0:14:46.800
<v Speaker 3>And like you said, you're just in it with the

0:14:46.840 --> 0:14:49.760
<v Speaker 3>adults and you're holding your own and like watching you

0:14:50.040 --> 0:14:51.880
<v Speaker 3>when you walk out in the security guard outfit, it

0:14:52.000 --> 0:14:55.240
<v Speaker 3>just gets a laugh. It's just a great It's just great.

0:14:55.560 --> 0:15:01.280
<v Speaker 3>I find the episode really really really sweet. Yeah too sweet,

0:15:01.440 --> 0:15:04.240
<v Speaker 3>Like there's just not enough sour for me. I need

0:15:04.320 --> 0:15:06.360
<v Speaker 3>a little I need a little bit more conflict, a

0:15:06.360 --> 0:15:08.240
<v Speaker 3>little bit more like I don't know.

0:15:08.240 --> 0:15:10.040
<v Speaker 2>It was just it was just like, well, that's it's

0:15:10.040 --> 0:15:10.480
<v Speaker 2>a lot of.

0:15:10.440 --> 0:15:13.080
<v Speaker 3>Sweet moments in a row, like oh yeah, and now

0:15:13.160 --> 0:15:15.160
<v Speaker 3>we're gonna tell Feenie what we think, and now Eric's

0:15:15.160 --> 0:15:17.880
<v Speaker 3>gonna tell a Feenie what he thinks. No, Russy's gonna

0:15:17.880 --> 0:15:20.080
<v Speaker 3>tell Eric what he thinks. And now it's just like, oh,

0:15:20.280 --> 0:15:20.720
<v Speaker 3>gets all.

0:15:20.920 --> 0:15:24.040
<v Speaker 1>And there's just a little bit of minor confrontation between

0:15:24.200 --> 0:15:26.280
<v Speaker 1>Eric and Amy, but we don't really ever see it.

0:15:26.280 --> 0:15:29.040
<v Speaker 1>It's like because he's talking, but you're you know, we

0:15:29.080 --> 0:15:32.080
<v Speaker 1>see Alan say you're not mad at me? No, daddy,

0:15:32.080 --> 0:15:34.240
<v Speaker 1>I'm not mad at you. So the conflict is like, yes,

0:15:34.280 --> 0:15:36.320
<v Speaker 1>but inside roiling, but it's off screen.

0:15:36.520 --> 0:15:39.560
<v Speaker 4>But the other thing, but it's also it's it's again

0:15:39.680 --> 0:15:42.320
<v Speaker 4>like if we're going to nitpicky stuff, it does show

0:15:42.320 --> 0:15:43.880
<v Speaker 4>and they and she was in the episode a lot,

0:15:43.880 --> 0:15:47.360
<v Speaker 4>but maybe a more powerful episode if instead of going

0:15:47.400 --> 0:15:50.080
<v Speaker 4>to Alan and talking to Alan about how he's mad

0:15:50.120 --> 0:15:54.680
<v Speaker 4>at Amy, it's the scenes with Amy, like you know, why,

0:15:54.720 --> 0:15:57.480
<v Speaker 4>why is that not the focus? We've we've established that

0:15:57.800 --> 0:16:01.480
<v Speaker 4>like if it was and again machine wayback machine, all

0:16:01.480 --> 0:16:03.440
<v Speaker 4>the stuff we always talk about, but if we if

0:16:03.440 --> 0:16:07.520
<v Speaker 4>it was still Alan trying to protect him and keeping

0:16:07.560 --> 0:16:09.360
<v Speaker 4>him at the store, and it was Amy who just

0:16:09.440 --> 0:16:11.320
<v Speaker 4>flat out as like, no, he has to go, this

0:16:11.440 --> 0:16:12.120
<v Speaker 4>is now bad.

0:16:12.240 --> 0:16:12.960
<v Speaker 2>He has to go.

0:16:13.440 --> 0:16:15.440
<v Speaker 4>It does add another layer of everything that's kind of

0:16:15.440 --> 0:16:18.280
<v Speaker 4>going on, so I get that. But yeah, overall, I

0:16:18.280 --> 0:16:21.440
<v Speaker 4>thought it was great and I remember, and we'll get

0:16:21.480 --> 0:16:23.760
<v Speaker 4>into it as we get to the especially the opening scene.

0:16:23.760 --> 0:16:26.960
<v Speaker 4>But I remember, especially the opening scene with Rusty and

0:16:27.160 --> 0:16:30.360
<v Speaker 4>us just losing it with the one armed bear trainer

0:16:30.520 --> 0:16:31.200
<v Speaker 4>and how we.

0:16:31.280 --> 0:16:34.920
<v Speaker 1>Speaking of which it was mentioned the one arm bear

0:16:35.000 --> 0:16:39.000
<v Speaker 1>trainer with Rusty when we did the sleepover and I

0:16:39.080 --> 0:16:42.040
<v Speaker 1>thought the real bear trainer had one arm. I didn't

0:16:42.120 --> 0:16:45.120
<v Speaker 1>realize you guys were talking about the show. I was like, wait,

0:16:45.200 --> 0:16:47.720
<v Speaker 1>you mean to tell me the bear trainer only had

0:16:47.720 --> 0:16:50.000
<v Speaker 1>one arm, And you guys were like yes, And I

0:16:50.080 --> 0:16:53.000
<v Speaker 1>was like, this is the That's one of the craziest

0:16:53.040 --> 0:16:55.560
<v Speaker 1>Hollywood stories I've ever heard. Then there was a bear

0:16:55.640 --> 0:16:59.520
<v Speaker 1>trainer with only one arm. No, no, of the show, right.

0:16:59.440 --> 0:17:01.680
<v Speaker 2>Yeah, this is how Hollywood lawa is birthed.

0:17:01.760 --> 0:17:05.320
<v Speaker 3>Right here, the misunderstanding of what's in scene out of scene,

0:17:05.320 --> 0:17:06.880
<v Speaker 3>and the story gets told and retold.

0:17:06.960 --> 0:17:13.200
<v Speaker 2>Until my cousin knew that the.

0:17:13.119 --> 0:17:17.439
<v Speaker 1>Hospital Danielle was on the show, she would and she

0:17:17.600 --> 0:17:19.919
<v Speaker 1>said that there was a one bear was one, that

0:17:19.960 --> 0:17:22.639
<v Speaker 1>the trainer only had one arm. You guys like you

0:17:22.720 --> 0:17:23.199
<v Speaker 1>was scared.

0:17:23.960 --> 0:17:25.800
<v Speaker 4>Oh, yes, exactly how it would be to it's how

0:17:25.760 --> 0:17:27.280
<v Speaker 4>it works works.

0:17:27.560 --> 0:17:30.520
<v Speaker 1>So guest starring Troy Evans, who returns to Boy Meets

0:17:30.520 --> 0:17:33.280
<v Speaker 1>World Now as the Bear Trainer and yes, you recognize

0:17:33.359 --> 0:17:39.200
<v Speaker 1>him as the hilarious Ranger Marker, he says, the pod

0:17:39.280 --> 0:17:43.240
<v Speaker 1>meets world favorite city Slackers. He's a legendary character actor

0:17:43.320 --> 0:17:46.439
<v Speaker 1>with a hey that guy face and credits like a spentcher,

0:17:46.520 --> 0:17:50.080
<v Speaker 1>a pet detective, teen wolf E r and Bosh And

0:17:50.119 --> 0:17:53.359
<v Speaker 1>then the guy you remembered so well Will Chris Eyer

0:17:53.520 --> 0:17:57.000
<v Speaker 1>as Ronnie. He played Nigel on two episodes of Buffy

0:17:57.080 --> 0:17:59.680
<v Speaker 1>and Doctor pran Jeep on four episodes of Two and

0:17:59.680 --> 0:18:03.000
<v Speaker 1>a Half Men. So, jumping into our recap, we are

0:18:03.080 --> 0:18:06.640
<v Speaker 1>in the Wilderness store. There's a line outside to get in.

0:18:07.040 --> 0:18:09.919
<v Speaker 1>Eric explains it's because he called a little lady named

0:18:10.040 --> 0:18:14.760
<v Speaker 1>Hollywood and arranged for all those customers to meet TV's Bear.

0:18:15.560 --> 0:18:18.520
<v Speaker 1>The camera pans to a real grizzly bear sitting in

0:18:18.560 --> 0:18:21.720
<v Speaker 1>the store. This is the first of two bears. I

0:18:21.880 --> 0:18:26.360
<v Speaker 1>have no memory of being on set. Apparently, Alan politely

0:18:26.400 --> 0:18:29.160
<v Speaker 1>whispers to his son what shows he was on. Eric

0:18:29.200 --> 0:18:32.960
<v Speaker 1>guesses Grizzly Adams, gentleman, national geographic. It doesn't matter. He's

0:18:32.960 --> 0:18:35.760
<v Speaker 1>been on TV, which means he's famous and people love that.

0:18:36.359 --> 0:18:38.080
<v Speaker 1>And then a bear trainer walks up to Alan and

0:18:38.200 --> 0:18:41.320
<v Speaker 1>Eric and we see he's missing one of his arms.

0:18:41.920 --> 0:18:44.760
<v Speaker 1>The man would like to discuss the business portion of things,

0:18:44.760 --> 0:18:47.439
<v Speaker 1>as Eric has agreed to pay twenty five hundred dollars

0:18:47.560 --> 0:18:49.639
<v Speaker 1>for the bear's appearance. That's a lot of money.

0:18:49.680 --> 0:18:53.359
<v Speaker 2>That's a lot of money, especially in bear money, because

0:18:53.359 --> 0:18:54.840
<v Speaker 2>I can get I can get you a bear right

0:18:54.880 --> 0:18:58.040
<v Speaker 2>now for seven hundred bucks and a great one, really

0:18:58.119 --> 0:18:58.720
<v Speaker 2>so crazy.

0:18:58.760 --> 0:19:01.480
<v Speaker 3>What's the day rate for a set? It's less than that.

0:19:01.680 --> 0:19:04.600
<v Speaker 3>It's not that, it's not that that I mean, but

0:19:04.640 --> 0:19:06.520
<v Speaker 3>it's you. I think it's less than two grand for

0:19:06.880 --> 0:19:09.960
<v Speaker 3>a day. So the bear's, you know, command on a

0:19:10.000 --> 0:19:10.920
<v Speaker 3>salary here.

0:19:11.280 --> 0:19:13.560
<v Speaker 1>So it's a steep price. But Alan assumes these people

0:19:13.600 --> 0:19:15.679
<v Speaker 1>are going to buy enough merchandise to make it worth it.

0:19:15.800 --> 0:19:20.200
<v Speaker 1>The bear handler stops him. Those customers can't come inside

0:19:21.280 --> 0:19:25.879
<v Speaker 1>his TV bear can't be around people. Allan is confused.

0:19:25.920 --> 0:19:28.960
<v Speaker 1>It's a TV bear, isn't it trained? The one armed

0:19:28.960 --> 0:19:34.680
<v Speaker 1>man shouts back, you can't train a bear, Alan forces

0:19:34.800 --> 0:19:36.919
<v Speaker 1>Eric to fix this mess. So Eric brings up the

0:19:36.920 --> 0:19:39.240
<v Speaker 1>fact that this bear was on little house on the prairie.

0:19:39.359 --> 0:19:42.320
<v Speaker 1>The man knowingly tells them, sure, he's great with children,

0:19:42.800 --> 0:19:45.239
<v Speaker 1>so Alan is somewhat relieved. Well, great, then they can

0:19:45.280 --> 0:19:46.840
<v Speaker 1>have the kids come in and play with the bear.

0:19:46.880 --> 0:19:49.560
<v Speaker 1>And then the bear trainer warns them, oh, I wouldn't

0:19:49.600 --> 0:19:53.359
<v Speaker 1>do that. They need another twenty five hundred dollars for

0:19:53.440 --> 0:19:56.720
<v Speaker 1>the female bear as well. Alan is not happy about

0:19:56.720 --> 0:20:00.600
<v Speaker 1>this five thousand dollars mistake. Eric inches his closer to

0:20:00.600 --> 0:20:03.760
<v Speaker 1>the grizzly to assure his dad this is just a gentle,

0:20:03.960 --> 0:20:07.280
<v Speaker 1>meek TV bear, and then the bear stands up on

0:20:07.320 --> 0:20:10.359
<v Speaker 1>his hind legs, looking furious. Eric looks up as if

0:20:10.400 --> 0:20:12.320
<v Speaker 1>he's looking at the bear about to strike, and we

0:20:12.400 --> 0:20:16.359
<v Speaker 1>hear a terrifying roar from just the sound. Eric's hair

0:20:16.440 --> 0:20:18.560
<v Speaker 1>blow's in the wind, and he's screaming at the top

0:20:18.600 --> 0:20:21.159
<v Speaker 1>of his lungs. Alan and the bear handler are screaming

0:20:21.200 --> 0:20:24.240
<v Speaker 1>as well. Eventually, the bear calms and Eric slowly walks away,

0:20:24.280 --> 0:20:26.640
<v Speaker 1>his face still in horror and his hair all messed up.

0:20:26.960 --> 0:20:28.920
<v Speaker 1>We hear the trainer frantically trying to calm the bear

0:20:28.960 --> 0:20:31.359
<v Speaker 1>down and Alan sternly tells his son to get out.

0:20:31.840 --> 0:20:33.880
<v Speaker 1>Eric reminds him he works there, and Alan tells him

0:20:34.040 --> 0:20:38.240
<v Speaker 1>not anymore. Will What do you remember about shooting that

0:20:38.280 --> 0:20:38.720
<v Speaker 1>with the bear?

0:20:40.880 --> 0:20:43.080
<v Speaker 2>I mean, I remember that it wasn't a real bear.

0:20:43.320 --> 0:20:47.000
<v Speaker 4>It was an actor named John Smoles who was actually

0:20:47.040 --> 0:20:47.920
<v Speaker 4>in the costume.

0:20:48.920 --> 0:20:52.119
<v Speaker 2>I'm not kidding you. It was you know it was.

0:20:52.960 --> 0:20:58.680
<v Speaker 4>I mean, I remember committed to that was great.

0:20:59.760 --> 0:21:03.200
<v Speaker 2>He looks realistic. I remember were you know, it's a bear.

0:21:03.440 --> 0:21:06.120
<v Speaker 2>You're sitting there with a bear, and I'm thinking it's

0:21:06.160 --> 0:21:07.240
<v Speaker 2>fun and all this kind of stuff.

0:21:07.280 --> 0:21:09.119
<v Speaker 4>And I was just googling because I this is one

0:21:09.160 --> 0:21:11.679
<v Speaker 4>of those Hollywood stories that I had heard over and

0:21:11.720 --> 0:21:14.320
<v Speaker 4>over again that I thought it was the same bear.

0:21:14.359 --> 0:21:16.200
<v Speaker 4>I don't think it is the same bear. But the

0:21:16.680 --> 0:21:20.280
<v Speaker 4>bear then that Will Ferrell wrestles in Semi Pro, which

0:21:20.320 --> 0:21:22.560
<v Speaker 4>wasn't that much later than this four or five years

0:21:22.960 --> 0:21:26.840
<v Speaker 4>killed its trainer on the set. So, I mean, these

0:21:26.880 --> 0:21:29.200
<v Speaker 4>things where the guys like, you can't train a bear.

0:21:29.400 --> 0:21:32.199
<v Speaker 2>Is kind of accurate. You can't. It's at the end

0:21:32.200 --> 0:21:33.240
<v Speaker 2>of the day, it's a bear.

0:21:34.240 --> 0:21:37.680
<v Speaker 4>So they brought him into the Wilderness Store, which again

0:21:37.720 --> 0:21:41.600
<v Speaker 4>they decided to use the set finally, and there.

0:21:41.240 --> 0:21:43.479
<v Speaker 2>Was a full sized bear. And I mean, it looks like,

0:21:43.680 --> 0:21:45.760
<v Speaker 2>unless they've shot it in a way that I haven't

0:21:45.760 --> 0:21:48.199
<v Speaker 2>been able to figure out, it looks like there's a

0:21:48.200 --> 0:21:51.320
<v Speaker 2>bear about three feet from all of us. So yeah,

0:21:51.400 --> 0:21:53.440
<v Speaker 2>I'm pretty sure there was. Just Hey, this is the bear.

0:21:53.600 --> 0:21:55.120
<v Speaker 2>Have we talked about Barth the Bear on the show?

0:21:55.119 --> 0:21:56.600
<v Speaker 2>I feel like we have. On this podcast we talked

0:21:56.640 --> 0:21:57.320
<v Speaker 2>about Barth the Bear.

0:21:57.520 --> 0:21:59.919
<v Speaker 1>Was it on this podcast or was it just personal?

0:22:00.280 --> 0:22:02.720
<v Speaker 2>That's probably just in our every day of talking.

0:22:02.960 --> 0:22:06.000
<v Speaker 3>So barta bear was like the most famous working bear

0:22:06.119 --> 0:22:08.720
<v Speaker 3>through the nineties, and he was huge, but he was

0:22:08.840 --> 0:22:12.000
<v Speaker 3>trained because he had been raised from a cub with

0:22:12.119 --> 0:22:14.720
<v Speaker 3>his trainer, and he was the only, as far as

0:22:14.720 --> 0:22:17.120
<v Speaker 3>I know, one of the only bears that could wrestle

0:22:18.000 --> 0:22:19.200
<v Speaker 3>with his trainer on camera.

0:22:19.280 --> 0:22:19.960
<v Speaker 2>So Legends of.

0:22:19.960 --> 0:22:23.920
<v Speaker 3>The Fall, the Edge, there's like these classic movies where

0:22:23.960 --> 0:22:26.920
<v Speaker 3>Bart was the go to bear because he was he

0:22:26.960 --> 0:22:30.560
<v Speaker 3>was well trained and he never never killed anybody but

0:22:30.960 --> 0:22:34.440
<v Speaker 3>his trainer. His trainer had worked with him from when

0:22:34.440 --> 0:22:37.159
<v Speaker 3>he was a cub to wrestle the trainer. So whenever

0:22:37.200 --> 0:22:39.400
<v Speaker 3>you see a bear wrestling a person in the late

0:22:39.480 --> 0:22:41.840
<v Speaker 3>nineties with Barth the bear. It's the trainer himself in

0:22:42.000 --> 0:22:44.919
<v Speaker 3>costume doing, you know, stepping in for the actors. But

0:22:44.960 --> 0:22:46.680
<v Speaker 3>as far as I know, that's the only bear that's

0:22:46.680 --> 0:22:49.119
<v Speaker 3>been able to do that on camera or like relar, Yeah,

0:22:49.119 --> 0:22:50.399
<v Speaker 3>we have a bear.

0:22:50.840 --> 0:22:54.760
<v Speaker 1>Yeah, and I'm sure the shot that we get where

0:22:54.760 --> 0:22:56.840
<v Speaker 1>the bear stands on his hind legs and he growls

0:22:56.840 --> 0:22:59.400
<v Speaker 1>and all that, nobody was probably on set for that.

0:22:59.480 --> 0:23:04.120
<v Speaker 1>The trainer camera, you know, isolated and then obviously your

0:23:04.160 --> 0:23:06.760
<v Speaker 1>shot there's really no bay like they they did as

0:23:06.800 --> 0:23:11.320
<v Speaker 1>little with the actual bear as possible, but man, just

0:23:12.080 --> 0:23:17.000
<v Speaker 1>so crazy. Bart the bear too is also dead now

0:23:17.359 --> 0:23:18.480
<v Speaker 1>with a note I got.

0:23:20.359 --> 0:23:24.879
<v Speaker 2>Early adds, I think, wait, so animals.

0:23:24.400 --> 0:23:27.119
<v Speaker 1>Die, You're not going to die?

0:23:27.160 --> 0:23:28.719
<v Speaker 2>Hurry? Am I going to die?

0:23:29.080 --> 0:23:29.440
<v Speaker 3>No? No?

0:23:29.240 --> 0:23:32.200
<v Speaker 1>No, well okay these are adult problems.

0:23:33.880 --> 0:23:35.760
<v Speaker 2>Okay, you can go now.

0:23:40.160 --> 0:23:43.120
<v Speaker 1>So then we're in the Matthew's kitchen. Amy reminds Alan

0:23:43.160 --> 0:23:45.080
<v Speaker 1>that this isn't the first time Eric's messed up at

0:23:45.080 --> 0:23:48.200
<v Speaker 1>the store. He's given him enough chances. It was time

0:23:48.280 --> 0:23:52.160
<v Speaker 1>to let him go, and I was like shaming Amy.

0:23:52.320 --> 0:23:59.359
<v Speaker 3>Season four has been like a real, like practical hardcore parent. Yeah, yeah, definitely,

0:23:59.400 --> 0:24:04.199
<v Speaker 3>I mean not like you know, I correctly so in

0:24:04.200 --> 0:24:06.320
<v Speaker 3>some way, you know, like it's al she never it's

0:24:06.320 --> 0:24:08.520
<v Speaker 3>not like she's just being vindictive or that.

0:24:08.760 --> 0:24:11.480
<v Speaker 1>She's done taking exactly.

0:24:11.600 --> 0:24:14.400
<v Speaker 2>She's like, I'm finished, I'm finished with this now, I'm.

0:24:15.560 --> 0:24:17.360
<v Speaker 1>You know what my patient's gone.

0:24:17.920 --> 0:24:19.639
<v Speaker 2>Do you think she has a job at this point?

0:24:20.440 --> 0:24:22.040
<v Speaker 2>It's really interesting that they don't know.

0:24:22.080 --> 0:24:24.720
<v Speaker 1>We see her serving food a lot now.

0:24:24.800 --> 0:24:28.080
<v Speaker 2>Yeah, and it's like an eighth of a glass.

0:24:27.760 --> 0:24:28.840
<v Speaker 1>Of milk orange.

0:24:29.280 --> 0:24:31.479
<v Speaker 2>She only pours like a little bit.

0:24:31.520 --> 0:24:35.280
<v Speaker 4>I was like, get shots of stuff, yes, okay, But

0:24:35.359 --> 0:24:36.119
<v Speaker 4>now I was wondering that.

0:24:36.160 --> 0:24:39.200
<v Speaker 2>I was like, is she working herself now or I

0:24:39.240 --> 0:24:40.000
<v Speaker 2>don't know what's happening.

0:24:40.480 --> 0:24:42.200
<v Speaker 1>She might maybe they make so much money at the

0:24:42.200 --> 0:24:44.560
<v Speaker 1>Wilderness Store. She just helps out at the Wilderness Store

0:24:44.560 --> 0:24:46.800
<v Speaker 1>because she's there later behind the counter, you know, right,

0:24:47.560 --> 0:24:50.480
<v Speaker 1>so maybe she's working there anyway. Morgan's size, I don't

0:24:50.520 --> 0:24:53.240
<v Speaker 1>want you to let Eric go. I love Eric, Alan

0:24:53.280 --> 0:24:55.760
<v Speaker 1>explains Eric's still living with them, he's just no longer

0:24:55.800 --> 0:24:56.560
<v Speaker 1>working at the store.

0:24:56.840 --> 0:24:58.680
<v Speaker 2>Amy did she I'm sorry, did she?

0:24:58.760 --> 0:25:04.879
<v Speaker 4>Did Lindsey look like seriously older this episode to anybody else?

0:25:05.440 --> 0:25:07.920
<v Speaker 2>No? I just noticed her hair was like I know, she.

0:25:07.840 --> 0:25:10.000
<v Speaker 3>Really kind of done up or like it was like

0:25:10.520 --> 0:25:11.879
<v Speaker 3>that's what it was.

0:25:11.880 --> 0:25:14.879
<v Speaker 2>Was older to me, all of a sudden, she's now twelve.

0:25:15.119 --> 0:25:17.440
<v Speaker 1>I noticed the same thing about the hair she had,

0:25:17.480 --> 0:25:21.000
<v Speaker 1>like a it almost looked like an actual natural beach wave,

0:25:21.200 --> 0:25:23.359
<v Speaker 1>like the way your hair really does look if you

0:25:23.400 --> 0:25:25.080
<v Speaker 1>go in the ocean and then come out and let

0:25:25.119 --> 0:25:28.520
<v Speaker 1>it air dry. I thought, this doesn't look like it

0:25:28.560 --> 0:25:30.479
<v Speaker 1>was done with a curling iron. It really has this

0:25:30.600 --> 0:25:32.159
<v Speaker 1>like cool natural wave to it.

0:25:32.440 --> 0:25:33.720
<v Speaker 2>Yeah, she looked older to me. I was like, Oh,

0:25:33.720 --> 0:25:35.800
<v Speaker 2>she's okay, growing up. They're growing her up. She wasn't

0:25:35.840 --> 0:25:36.800
<v Speaker 2>in the footy pajamas.

0:25:37.080 --> 0:25:37.760
<v Speaker 1>Yeah.

0:25:37.800 --> 0:25:38.080
<v Speaker 2>Well.

0:25:38.160 --> 0:25:40.720
<v Speaker 1>Amy hopes their son understands it's just tough love and

0:25:40.760 --> 0:25:43.320
<v Speaker 1>he needs to learn his lesson. Alan assures her he

0:25:43.359 --> 0:25:46.680
<v Speaker 1>made it very clear to Eric he was fired right on. Cute.

0:25:46.800 --> 0:25:49.359
<v Speaker 1>Eric runs down the steps, Come on, daddy, Oh got

0:25:49.400 --> 0:25:51.199
<v Speaker 1>to get to work early. Get that get out that

0:25:51.240 --> 0:25:54.000
<v Speaker 1>bear stink. Amy stops him and asks Eric if he's

0:25:54.040 --> 0:25:56.680
<v Speaker 1>going to work. Eric quickly responds, oh, yeah, put a

0:25:56.680 --> 0:25:58.639
<v Speaker 1>little food on the table, keep you in pretty things.

0:25:59.000 --> 0:26:02.119
<v Speaker 1>Let's go pop. He opens the door to leave, but

0:26:02.160 --> 0:26:04.600
<v Speaker 1>he remembers he forgot one detail. Oh I've got to

0:26:04.640 --> 0:26:06.320
<v Speaker 1>take an early lunch and then not come back at

0:26:06.359 --> 0:26:08.000
<v Speaker 1>all because I met a really nice girl and I'm

0:26:08.000 --> 0:26:09.800
<v Speaker 1>gonna have a second lunch with her. He laughs and

0:26:09.880 --> 0:26:13.639
<v Speaker 1>nudges Morgan. Working for your dad is so great. Amy

0:26:13.680 --> 0:26:17.399
<v Speaker 1>has seen enough. Eric, you're fired. Eric turns around and

0:26:17.440 --> 0:26:21.000
<v Speaker 1>disregards his mom's comment. Amy doubles down, telling Eric she's serious.

0:26:21.560 --> 0:26:24.800
<v Speaker 1>Eric smiles, you can't file fire me. You're the mama.

0:26:24.920 --> 0:26:27.320
<v Speaker 1>I work for the data. He pats Alan on the back,

0:26:27.359 --> 0:26:30.439
<v Speaker 1>but Alan doesn't respond. Eric's uneasiness begins to show as

0:26:30.480 --> 0:26:34.320
<v Speaker 1>Alan stands up. You really don't help yourself, pal, and

0:26:34.359 --> 0:26:35.880
<v Speaker 1>then he walks out without him leaving.

0:26:35.960 --> 0:26:38.320
<v Speaker 2>I was waiting. I was waiting for you to actually

0:26:38.400 --> 0:26:44.680
<v Speaker 2>quote back to the future here right, dad, Daddy.

0:26:47.160 --> 0:26:49.240
<v Speaker 1>And then we're in the Matthew's living room. Corey, Sewan,

0:26:49.280 --> 0:26:52.640
<v Speaker 1>and Tapanga are hanging out and Topanga is eating a

0:26:52.680 --> 0:26:56.840
<v Speaker 1>whole broccoli because Ioli phil leads apparently.

0:26:56.320 --> 0:26:59.960
<v Speaker 3>Who does that? I was waiting for her to be referend.

0:27:00.320 --> 0:27:02.640
<v Speaker 3>I think probably what happened is they were like, Sean

0:27:02.680 --> 0:27:05.760
<v Speaker 3>should be eating licorice because I'm in the Brad Pitt

0:27:06.000 --> 0:27:08.720
<v Speaker 3>Wilford El School of Acting. Now where it's like, of course, casual,

0:27:08.840 --> 0:27:11.159
<v Speaker 3>don't care, you're sitting here chewing on my liquorice. And

0:27:11.160 --> 0:27:15.680
<v Speaker 3>then they were like what if god eating? It's such

0:27:15.720 --> 0:27:17.320
<v Speaker 3>a visual gag to be like.

0:27:17.440 --> 0:27:20.760
<v Speaker 2>The difference between these two characters. One just thinking ahead

0:27:20.760 --> 0:27:22.760
<v Speaker 2>and being healthy, the other is going.

0:27:22.600 --> 0:27:23.280
<v Speaker 1>For the sugar.

0:27:24.920 --> 0:27:27.640
<v Speaker 2>Why is it? Also? What is it with broccoli? It's

0:27:27.680 --> 0:27:29.920
<v Speaker 2>healthy on our show, right, but no, but then again

0:27:30.040 --> 0:27:34.320
<v Speaker 2>later vergetable tray. I know you're just holding a crown

0:27:34.359 --> 0:27:37.159
<v Speaker 2>of broccoli. I'm saying. Later we have the broccoli poster

0:27:37.280 --> 0:27:42.280
<v Speaker 2>behind Ben Clary Celery right, sor I'm making I don't

0:27:42.280 --> 0:27:45.720
<v Speaker 2>need any that's why. Just go for the liquorice.

0:27:45.840 --> 0:27:48.960
<v Speaker 4>I'm a militarian. Danielle, by the way, loves liquors. Everybody

0:27:48.960 --> 0:27:49.320
<v Speaker 4>out there.

0:27:50.119 --> 0:27:56.280
<v Speaker 2>I cannot as much licorice as is possible. Your favorite.

0:27:56.800 --> 0:28:01.080
<v Speaker 1>It's the literally the only food you could name or

0:28:01.200 --> 0:28:04.879
<v Speaker 1>mention red licorice. It doesn't matter. It can't beat me

0:28:04.920 --> 0:28:06.480
<v Speaker 1>in the house. It's the only thing.

0:28:06.560 --> 0:28:11.760
<v Speaker 2>What about redes discuss twizzlers? I told you this little matter.

0:28:11.800 --> 0:28:13.680
<v Speaker 1>Those are just like strawberry storage.

0:28:14.280 --> 0:28:16.160
<v Speaker 2>Yeah. Oh god, she's driving driving in.

0:28:16.119 --> 0:28:19.480
<v Speaker 1>The car, but I okay, driving the car and.

0:28:19.600 --> 0:28:22.000
<v Speaker 4>Just driving in the car and I just hear a

0:28:22.000 --> 0:28:26.240
<v Speaker 4>wrapper being undone, and then i'd hear Jensen, Jensen, is

0:28:26.240 --> 0:28:26.960
<v Speaker 4>that licorice.

0:28:27.200 --> 0:28:29.879
<v Speaker 2>He's like, well, yeah, but it's god, oh god, and

0:28:30.040 --> 0:28:33.920
<v Speaker 2>she has to roll down all the windows in the car.

0:28:33.160 --> 0:28:36.560
<v Speaker 1>And there was a licorice flavored taffy. So we just

0:28:36.560 --> 0:28:38.200
<v Speaker 1>had a bag of taffy and he was just reaching

0:28:38.240 --> 0:28:40.440
<v Speaker 1>his hand in and eating piece after piece after piece,

0:28:40.480 --> 0:28:43.240
<v Speaker 1>and all of a sudden it just the waft of

0:28:43.440 --> 0:28:46.880
<v Speaker 1>licorice smell, and I was like, is that licorage? Oh

0:28:47.160 --> 0:28:49.280
<v Speaker 1>my god, it's the only thing. It's the only thing

0:28:49.280 --> 0:29:06.600
<v Speaker 1>I disgusting. Anyway, that's my favorite. So Sean hands Corey

0:29:06.600 --> 0:29:08.320
<v Speaker 1>a note with a list of colleges on it. These

0:29:08.360 --> 0:29:10.200
<v Speaker 1>are the schools he wants to Panga and Corey to

0:29:10.240 --> 0:29:12.440
<v Speaker 1>go to. Even if Sean isn't going, the three of

0:29:12.480 --> 0:29:15.320
<v Speaker 1>them should still be together. Corey reads the first Entry

0:29:15.480 --> 0:29:19.280
<v Speaker 1>University of Italy, good old you of it. Sean nods

0:29:19.520 --> 0:29:22.120
<v Speaker 1>he'll be taking tourists around in his big canoe while

0:29:22.120 --> 0:29:24.600
<v Speaker 1>the two of them are studying hard in school. To

0:29:24.680 --> 0:29:27.720
<v Speaker 1>Panga correct him, it's called Gondola, Sean states, and that's

0:29:27.760 --> 0:29:30.880
<v Speaker 1>why you're going to college. Shawn attempts to leave, but

0:29:30.960 --> 0:29:33.120
<v Speaker 1>Corey stops him. You've worked too long to throw it

0:29:33.120 --> 0:29:35.240
<v Speaker 1>all away. Now, why don't you take the SATs. I

0:29:35.320 --> 0:29:36.440
<v Speaker 1>bet you do really well.

0:29:36.600 --> 0:29:39.560
<v Speaker 2>Two two characters, two characters that.

0:29:40.080 --> 0:29:43.040
<v Speaker 4>Your life is going to be completely ruined if you

0:29:43.080 --> 0:29:44.640
<v Speaker 4>don't take this test and go to college.

0:29:44.640 --> 0:29:45.280
<v Speaker 2>What are you going to do?

0:29:45.320 --> 0:29:47.720
<v Speaker 4>You're gonna end up on the streets alone selling drugs. Yep,

0:29:47.800 --> 0:29:50.320
<v Speaker 4>those are your two options. You go to college, or

0:29:50.320 --> 0:29:51.840
<v Speaker 4>you're a drug dealer. That's it.

0:29:52.400 --> 0:29:54.400
<v Speaker 1>That's it. Or just a big old loser doing a

0:29:54.440 --> 0:29:56.240
<v Speaker 1>normal job. Yes, like it.

0:29:56.360 --> 0:29:57.960
<v Speaker 2>Like my god, oh my god.

0:29:59.040 --> 0:30:01.800
<v Speaker 1>Sean siys, and I'll take your test. What's ten minutes

0:30:01.840 --> 0:30:05.240
<v Speaker 1>of my life? Right to Panga is shocked. Ten minutes Sean,

0:30:05.280 --> 0:30:08.760
<v Speaker 1>they take it? Least frantically cuts her off before she

0:30:08.800 --> 0:30:09.440
<v Speaker 1>says too much.

0:30:09.440 --> 0:30:09.920
<v Speaker 2>I love it.

0:30:10.360 --> 0:30:12.960
<v Speaker 1>He encourages Sean to take Phoene's review course so he

0:30:13.000 --> 0:30:15.320
<v Speaker 1>can knock the test out in five. Even Sean's not

0:30:15.400 --> 0:30:17.400
<v Speaker 1>up for it. Too much school and too much Foenie.

0:30:17.520 --> 0:30:19.200
<v Speaker 1>He walks out the door, telling him he's going to

0:30:19.240 --> 0:30:22.560
<v Speaker 1>go canoe shopping, and I hope he's going to the

0:30:22.560 --> 0:30:23.560
<v Speaker 1>Matthew's wilderness.

0:30:24.200 --> 0:30:26.920
<v Speaker 2>You're having a great sale right now. Kind of a

0:30:26.920 --> 0:30:29.400
<v Speaker 2>weak button to the scene. It just ended. The whole

0:30:29.400 --> 0:30:31.840
<v Speaker 2>scene just ended. It was like, oh, I bet you.

0:30:31.880 --> 0:30:34.080
<v Speaker 2>There was another couple lines. I bet you.

0:30:34.200 --> 0:30:36.760
<v Speaker 3>I went out and then Corey and to Panga said something.

0:30:36.800 --> 0:30:38.560
<v Speaker 3>Topanga had a line of it, and for whatever reason

0:30:38.560 --> 0:30:40.560
<v Speaker 3>they cut it for time or it just didn't work.

0:30:40.760 --> 0:30:42.200
<v Speaker 3>But it really felt like a weird out.

0:30:42.240 --> 0:30:44.040
<v Speaker 1>And I was like, ye're right, that is you usually

0:30:44.040 --> 0:30:46.479
<v Speaker 1>want a button to be a hard laugh. And I'm

0:30:46.560 --> 0:30:48.800
<v Speaker 1>going canoe shopping as you wander out, and.

0:30:48.720 --> 0:30:51.280
<v Speaker 3>I was walking on a laugh, which is not what

0:30:51.320 --> 0:30:53.240
<v Speaker 3>you're ever supposed to it. And it's true, you feel it.

0:30:53.280 --> 0:30:55.959
<v Speaker 3>That is the like, because I'm walking, you're waiting for

0:30:56.000 --> 0:30:58.480
<v Speaker 3>something else to happen. You're like, oh, Sean said a joke.

0:30:58.600 --> 0:31:00.920
<v Speaker 3>We can laugh at it, but you the laugh has

0:31:01.000 --> 0:31:04.600
<v Speaker 3>to like it's it's it feels like lead to something

0:31:04.640 --> 0:31:06.760
<v Speaker 3>because I'm moving and I'm walking, and then it doesn't.

0:31:06.880 --> 0:31:09.560
<v Speaker 1>Yeah, yeah, well then we get a little weird transition

0:31:09.680 --> 0:31:12.200
<v Speaker 1>back to the Matthew's kitchen, Alan laments there were so

0:31:12.320 --> 0:31:14.520
<v Speaker 1>many times he should have fired Eric, but he didn't.

0:31:14.760 --> 0:31:17.040
<v Speaker 1>He was too scared to admit he was a lousy

0:31:17.080 --> 0:31:20.560
<v Speaker 1>boss or worse, a lousy father. Amy scoffs, how could

0:31:20.560 --> 0:31:22.560
<v Speaker 1>you look at Corey and Morgan and think you're anything

0:31:22.640 --> 0:31:25.840
<v Speaker 1>but the best father? Again, harsh thing to say.

0:31:26.400 --> 0:31:30.280
<v Speaker 2>Wow, I mean just wow. You just found out you.

0:31:30.240 --> 0:31:32.440
<v Speaker 4>Had this kid like half a season ago, and now

0:31:32.440 --> 0:31:34.160
<v Speaker 4>you're already just kicking him to the curb.

0:31:34.840 --> 0:31:41.240
<v Speaker 1>Well, and like, you know, it's such a my, it's

0:31:41.280 --> 0:31:44.680
<v Speaker 1>such a weird thing to think as a parent that

0:31:44.800 --> 0:31:47.560
<v Speaker 1>your whether or not you have done well as a

0:31:47.640 --> 0:31:52.200
<v Speaker 1>parent is determined by one characteristic, which is is your

0:31:52.320 --> 0:31:56.400
<v Speaker 1>kid smart? Like, is your kid classically smart in the

0:31:56.440 --> 0:31:58.960
<v Speaker 1>sense of gonna go to college and then quote unquote

0:31:59.080 --> 0:32:03.120
<v Speaker 1>be successful, and that if that's if that's not the case,

0:32:03.240 --> 0:32:06.840
<v Speaker 1>if even let's say Eric was lazy, doesn't like school,

0:32:07.560 --> 0:32:12.000
<v Speaker 1>isn't the way we think of classically smart. Man, I

0:32:12.120 --> 0:32:14.560
<v Speaker 1>really failed as a parent as opposed to all the

0:32:14.680 --> 0:32:18.240
<v Speaker 1>other things we are supposed to be instilling in our kids.

0:32:18.400 --> 0:32:21.120
<v Speaker 3>Like yeah, Well, in the Phoenie conversation later, it was

0:32:21.160 --> 0:32:25.360
<v Speaker 3>interesting to me, you know that he Alan is seeking

0:32:25.360 --> 0:32:29.360
<v Speaker 3>reassurance that Eric is actually good at school, is actually smart,

0:32:29.560 --> 0:32:31.720
<v Speaker 3>And I feel like that it's an opportunity to say,

0:32:31.760 --> 0:32:34.520
<v Speaker 3>there are different types of intelligence, different types of like

0:32:34.560 --> 0:32:38.520
<v Speaker 3>if you actually think about it, finding a bear, getting

0:32:38.560 --> 0:32:41.200
<v Speaker 3>it from Hollywood to Philadelphia, like.

0:32:42.280 --> 0:32:43.920
<v Speaker 2>Inventive, that's an inventive.

0:32:44.280 --> 0:32:50.200
<v Speaker 3>And of course Eric is incredibly witty, uh like he

0:32:50.280 --> 0:32:54.000
<v Speaker 3>was witty and your kids, But that could also just

0:32:54.040 --> 0:32:57.360
<v Speaker 3>be another option in life, right, But instead it's just well,

0:32:57.400 --> 0:33:00.200
<v Speaker 3>then he could also take the SATs. He could will

0:33:00.240 --> 0:33:03.760
<v Speaker 3>fit this already predetermined notion of intelligence and evaluation.

0:33:04.800 --> 0:33:06.800
<v Speaker 2>So it seems like a missed opportunity. And I agree in.

0:33:06.880 --> 0:33:09.680
<v Speaker 1>Terms of and in terms of what a wonderful person

0:33:09.880 --> 0:33:12.600
<v Speaker 1>Eric is. If you look at the three kids, I mean,

0:33:13.240 --> 0:33:17.120
<v Speaker 1>one is clearly more like a better person than the

0:33:17.160 --> 0:33:22.959
<v Speaker 1>other two I don't know, like snarky and like and

0:33:23.000 --> 0:33:24.760
<v Speaker 1>like you guys are self.

0:33:24.480 --> 0:33:28.560
<v Speaker 3>Obsessed and erotic, and Eric just gives him himself. And

0:33:28.600 --> 0:33:31.880
<v Speaker 3>Eric's just giving and funny and entertaining that he won't.

0:33:31.640 --> 0:33:36.880
<v Speaker 1>Take the SATs. So Alan says, then why is he

0:33:36.960 --> 0:33:39.080
<v Speaker 1>having such a difficult time with Eric. It's not like

0:33:39.120 --> 0:33:41.760
<v Speaker 1>he did anything different with him. Amy reminds him, we

0:33:41.840 --> 0:33:46.040
<v Speaker 1>did everything different. We coddled him. Alan says, Eric is

0:33:46.080 --> 0:33:48.520
<v Speaker 1>different from their other kids. He needs to be protected.

0:33:48.960 --> 0:33:51.120
<v Speaker 1>Amy wonders, would you be willing to listen to someone

0:33:51.120 --> 0:33:54.800
<v Speaker 1>else's opinion and not overreact? Alan looks at her suspiciously,

0:33:54.840 --> 0:33:57.600
<v Speaker 1>and then we get an optical flip. And I do

0:33:57.800 --> 0:34:01.240
<v Speaker 1>like this part, the idea that at what did I

0:34:01.360 --> 0:34:05.640
<v Speaker 1>do differently? And it's just the age old question nature

0:34:05.720 --> 0:34:08.440
<v Speaker 1>versus nurture. My mom says, for sure, she had to

0:34:08.560 --> 0:34:11.319
<v Speaker 1>raise my brother and I differently. My brother was much

0:34:11.360 --> 0:34:17.359
<v Speaker 1>more sensitive and didn't take took any sort of took

0:34:17.520 --> 0:34:20.600
<v Speaker 1>everything as criticism instead of and I had a much

0:34:20.600 --> 0:34:23.759
<v Speaker 1>thicker skin, and I talk back and my mom had

0:34:23.760 --> 0:34:26.200
<v Speaker 1>to be a little harsher with me. But she couldn't

0:34:26.200 --> 0:34:27.719
<v Speaker 1>talk the same way to my brother that she was

0:34:27.760 --> 0:34:29.360
<v Speaker 1>able to, you know, So she just she knew she

0:34:29.440 --> 0:34:32.279
<v Speaker 1>had to adjust. And I like that idea of being

0:34:32.360 --> 0:34:36.320
<v Speaker 1>like somebody pointing out to you that, no, you may think, well,

0:34:36.560 --> 0:34:38.640
<v Speaker 1>if I'm the person that I am, I must do

0:34:38.680 --> 0:34:41.239
<v Speaker 1>the same things with everyone I know, But no, you've

0:34:41.320 --> 0:34:44.160
<v Speaker 1>probably done different things and that could lead to different outcomes.

0:34:44.280 --> 0:34:46.239
<v Speaker 4>It's also I mean, I think by the time your

0:34:46.280 --> 0:34:48.120
<v Speaker 4>first child, from what I've heard, I've had friends that

0:34:48.160 --> 0:34:50.439
<v Speaker 4>are like, oh, our first kid, you know you drive

0:34:50.480 --> 0:34:52.399
<v Speaker 4>home from the hospital at five miles an hour.

0:34:52.480 --> 0:34:53.840
<v Speaker 2>You think the kids made of glassed or like.

0:34:53.880 --> 0:34:55.680
<v Speaker 4>By the third or fourth kid, you're like, they're with

0:34:55.719 --> 0:34:57.719
<v Speaker 4>a babysitter, their fourth day, their home when you're out

0:34:57.719 --> 0:34:59.680
<v Speaker 4>of dinner, like you get there, they're fine, They're going

0:34:59.719 --> 0:35:01.880
<v Speaker 4>to be so of course you're gonna, I mean, anything

0:35:01.920 --> 0:35:03.880
<v Speaker 4>you do more than once, you're going to do differently.

0:35:04.200 --> 0:35:06.799
<v Speaker 1>Yep, it's just so absolutely. And then we're outside of

0:35:06.800 --> 0:35:10.000
<v Speaker 1>Phoenie's house, a turtle necked and cardigan. Phoenie states the

0:35:10.040 --> 0:35:13.479
<v Speaker 1>obvious Eric is lazy. Alan gets in his face, that's

0:35:13.520 --> 0:35:17.160
<v Speaker 1>my son you're talking about. Corey appears and addresses Phoene

0:35:17.280 --> 0:35:19.680
<v Speaker 1>the reason I signed up for your SAT prep courses

0:35:19.719 --> 0:35:22.480
<v Speaker 1>to prep, possibly even review. He then flips through a

0:35:22.480 --> 0:35:26.000
<v Speaker 1>gigantic prep book. But you've gone way beyond that, haven't you.

0:35:26.520 --> 0:35:29.560
<v Speaker 1>Phoene crosses his arms. Too much work for you, mister Matthews.

0:35:29.800 --> 0:35:32.920
<v Speaker 1>Corey responds, Oh, I'll do it. I'm not afraid of you.

0:35:32.920 --> 0:35:35.200
<v Speaker 1>You remember that while I'm in the kitchen working and

0:35:35.320 --> 0:35:38.680
<v Speaker 1>watching you. He walks away without breaking eye contact with Phoenie.

0:35:39.040 --> 0:35:41.600
<v Speaker 1>Amy apologizes their son should not be talking to him

0:35:41.640 --> 0:35:44.440
<v Speaker 1>like that. Phoenie assures her, No, No, I like his determination.

0:35:44.719 --> 0:35:48.919
<v Speaker 1>Corey works hard for his grades despite just the other

0:35:49.000 --> 0:35:52.479
<v Speaker 1>week on a quiz show episode where he was a

0:35:52.560 --> 0:35:55.279
<v Speaker 1>certified slacker and a dumb dumb.

0:35:55.400 --> 0:35:58.880
<v Speaker 2>Ni He also, are they insinuating they seem to do

0:35:58.880 --> 0:36:01.520
<v Speaker 2>this several times that in a way a Feenie wrote

0:36:01.560 --> 0:36:04.640
<v Speaker 2>the s a T prep book. I know, because they're

0:36:04.640 --> 0:36:07.200
<v Speaker 2>always like in your course, Phoenie, and it's like that's

0:36:07.360 --> 0:36:11.920
<v Speaker 2>everybody's a saty pep book. It's like standardized. That's the

0:36:11.960 --> 0:36:14.399
<v Speaker 2>whole point point of it.

0:36:14.600 --> 0:36:16.400
<v Speaker 1>I know, because later when he wants to flip there,

0:36:16.480 --> 0:36:18.800
<v Speaker 1>let me see that as if he wrote the questions himself.

0:36:20.360 --> 0:36:25.440
<v Speaker 1>It is interesting. Uh so, Alan wonders, and Eric Peoene replies,

0:36:25.640 --> 0:36:28.240
<v Speaker 1>Eric could get passing grades in his sleep. In fact,

0:36:28.400 --> 0:36:30.600
<v Speaker 1>he did, which is a shame because I'd be hard

0:36:30.640 --> 0:36:32.640
<v Speaker 1>pressed to come up with a handful of students who

0:36:32.680 --> 0:36:37.960
<v Speaker 1>are brighter, wittier, or smarter than Eric. So there was

0:36:38.000 --> 0:36:41.640
<v Speaker 1>also that time that Eric's brain activity was more stagnant

0:36:41.640 --> 0:36:42.560
<v Speaker 1>than a rats but.

0:36:43.120 --> 0:36:47.480
<v Speaker 3>More active, No more stagnant, right, yes, I think that's

0:36:47.480 --> 0:36:49.879
<v Speaker 3>what they're referring to, was that he did in his sleep.

0:36:50.080 --> 0:36:52.399
<v Speaker 1>Right, Yeah, and he does say that he actually slept through.

0:36:52.520 --> 0:36:56.200
<v Speaker 1>You know, whenever Amy feels vindicated, see Alan, Eric is smart,

0:36:56.200 --> 0:36:58.480
<v Speaker 1>which proves we haven't been too hard on him. He

0:36:58.640 --> 0:37:02.320
<v Speaker 1>is capable of reaching their expectations. Just then, Eric walks

0:37:02.360 --> 0:37:05.680
<v Speaker 1>outside wearing a full on security guard uniform. Alan asks

0:37:05.719 --> 0:37:08.520
<v Speaker 1>why he's wearing a costume, and Eric clarifies he's found

0:37:08.560 --> 0:37:12.040
<v Speaker 1>his calling law enforcement. Alan a shock. You took a

0:37:12.160 --> 0:37:14.759
<v Speaker 1>job as a security guard. Amy asks why would you

0:37:14.800 --> 0:37:17.080
<v Speaker 1>possibly want to do that? And Eric lifts off his

0:37:17.160 --> 0:37:24.640
<v Speaker 1>ten reasons talking. I mean, it's this smious one walkie talkie,

0:37:24.640 --> 0:37:28.840
<v Speaker 1>two partner, three dog, four partner sometimes they switch partners.

0:37:29.160 --> 0:37:31.200
<v Speaker 1>Five Do you want me to keep going? Six? I

0:37:31.400 --> 0:37:34.720
<v Speaker 1>pack heat your time? Maybe?

0:37:35.440 --> 0:37:37.680
<v Speaker 3>Oh my god, that's one of those things you write.

0:37:38.080 --> 0:37:39.640
<v Speaker 3>You look at the script, you go, can we pull

0:37:39.680 --> 0:37:41.279
<v Speaker 3>this off? And then somebody like Will does it and

0:37:41.280 --> 0:37:42.600
<v Speaker 3>you're like, just keep.

0:37:42.520 --> 0:37:45.160
<v Speaker 1>Going, exactly how many more can we to this guy?

0:37:45.280 --> 0:37:48.319
<v Speaker 2>It's so brilliant. I would also like to point out

0:37:48.360 --> 0:37:52.919
<v Speaker 2>that Eric got fired yesterday, has a new job.

0:37:53.040 --> 0:37:56.400
<v Speaker 3>Yeah, he's so capable about not lazy.

0:37:56.880 --> 0:37:57.120
<v Speaker 2>I know.

0:37:57.520 --> 0:38:00.720
<v Speaker 1>Also you're talking about getting a bear. It's not lazy

0:38:00.880 --> 0:38:03.319
<v Speaker 1>calling Hollywood finding the bear, getting in touch with the bear,

0:38:03.360 --> 0:38:04.200
<v Speaker 1>getting the bear on there.

0:38:04.760 --> 0:38:05.160
<v Speaker 2>Interesting.

0:38:05.280 --> 0:38:09.479
<v Speaker 1>Now, Amy gasps, you carry a gun. Eric clarifies, nope,

0:38:09.560 --> 0:38:11.280
<v Speaker 1>a heater gets cold out there in the shed.

0:38:12.280 --> 0:38:12.520
<v Speaker 2>Great.

0:38:13.719 --> 0:38:16.280
<v Speaker 1>Eric doesn't understand what they want from him. He got fired,

0:38:16.480 --> 0:38:18.840
<v Speaker 1>so he got another job? Valid question?

0:38:19.239 --> 0:38:19.759
<v Speaker 2>Yeah.

0:38:20.080 --> 0:38:21.799
<v Speaker 1>Eric tries to get help from his dad, but Alan

0:38:21.880 --> 0:38:24.480
<v Speaker 1>takes Amy's side on this. They're tired of him taking

0:38:24.520 --> 0:38:27.239
<v Speaker 1>the easy way out. From now on, the free ride

0:38:27.320 --> 0:38:29.839
<v Speaker 1>is over. Eric needs some help here. He asks Foene

0:38:29.920 --> 0:38:32.720
<v Speaker 1>if he thinks he's taking the easy way out. Phoene says,

0:38:32.800 --> 0:38:37.919
<v Speaker 1>oh God, not another question, Yes, Eric, I do. Eric

0:38:37.960 --> 0:38:40.960
<v Speaker 1>realizes he's defeated, although he'd love to stay in debate.

0:38:41.040 --> 0:38:43.680
<v Speaker 1>He's late for work. But before he leaves, one more thing,

0:38:44.280 --> 0:38:46.439
<v Speaker 1>don't wait up for me tonight. I won't be coming home.

0:38:46.760 --> 0:38:49.680
<v Speaker 1>I'm moving out. And then he casually swings his baton

0:38:49.760 --> 0:38:53.000
<v Speaker 1>as he walks away. So question, is he going to

0:38:53.040 --> 0:38:57.000
<v Speaker 1>be looking for apartments all night like overnight? Is that

0:38:57.040 --> 0:39:01.480
<v Speaker 1>why he can't come home? Uh? Is he? When's he planning?

0:39:01.600 --> 0:39:04.680
<v Speaker 1>He has to come back to move out unless he's stuff.

0:39:05.000 --> 0:39:06.560
<v Speaker 2>He doesn't. He doesn't necessarily.

0:39:06.560 --> 0:39:08.520
<v Speaker 4>He makes a lot of declarative statements that may not

0:39:08.600 --> 0:39:11.440
<v Speaker 4>really be able to be backed up that quickly, right,

0:39:11.480 --> 0:39:12.399
<v Speaker 4>But but you.

0:39:12.320 --> 0:39:14.960
<v Speaker 2>Know he's stand stand firm, stand in firm with it.

0:39:15.040 --> 0:39:17.279
<v Speaker 1>I liked the idea. And by the way, you don't

0:39:17.280 --> 0:39:19.560
<v Speaker 1>have to worry about me for much longer. I'm moving out.

0:39:19.600 --> 0:39:21.200
<v Speaker 1>It's more about like, don't wait up for me tonight.

0:39:21.200 --> 0:39:22.360
<v Speaker 1>It's like, what are you going to be doing in

0:39:22.360 --> 0:39:24.200
<v Speaker 1>the middle of the night. I'm a little concerned.

0:39:24.880 --> 0:39:27.080
<v Speaker 2>Well, I'm going to I've the night shift. That John

0:39:27.120 --> 0:39:28.120
<v Speaker 2>Adams the night shift.

0:39:28.200 --> 0:39:30.520
<v Speaker 1>Yeah, that's right. Yeah. So then we're in the John

0:39:30.520 --> 0:39:32.920
<v Speaker 1>Adams hallway. Corey and Tapanga are studying their s a

0:39:33.040 --> 0:39:35.680
<v Speaker 1>T prep book, and Corey spots Sean headed their way.

0:39:35.800 --> 0:39:39.680
<v Speaker 1>He cues Tapanga and she says, very loudly, Okay, Corey,

0:39:39.800 --> 0:39:43.960
<v Speaker 1>give me another one of those tough sat questions. Corey warns,

0:39:44.040 --> 0:39:46.080
<v Speaker 1>or this one's a doozy. It kept him up most

0:39:46.160 --> 0:39:48.920
<v Speaker 1>of the night. Shawn's listening as Corey reads which of

0:39:48.960 --> 0:39:53.800
<v Speaker 1>these ingredients does not help you make mud, dirt, water,

0:39:54.400 --> 0:39:57.720
<v Speaker 1>or turkey. Sean walks over to them curiously and answers

0:39:58.000 --> 0:40:02.200
<v Speaker 1>turkey turkey. Corey, he says, correct, and Ta Panga pretends

0:40:02.239 --> 0:40:04.759
<v Speaker 1>to be in awe. I didn't even know that one.

0:40:05.200 --> 0:40:09.320
<v Speaker 1>Sean's confused that came from Phoene's prep course. Corey confirms

0:40:09.360 --> 0:40:12.640
<v Speaker 1>it was well, one of the tougher ones. Phoene's been

0:40:12.680 --> 0:40:15.759
<v Speaker 1>nearby listening to the entire conversation. He asks to see

0:40:15.800 --> 0:40:18.680
<v Speaker 1>this question. Corey points out it's right beneath the question,

0:40:18.840 --> 0:40:22.560
<v Speaker 1>which is sweeter, sugar or salt. Sean answers again, sugar.

0:40:23.040 --> 0:40:27.040
<v Speaker 1>Tapega congratulates him. Wow, two in a row. Phoene fumbles

0:40:27.040 --> 0:40:29.840
<v Speaker 1>around for his glasses. What is going on? Corey explains,

0:40:29.840 --> 0:40:32.440
<v Speaker 1>we're just trying to show Sean that through your review course,

0:40:32.480 --> 0:40:34.759
<v Speaker 1>a student builds a certain level of confidence through a

0:40:34.840 --> 0:40:39.120
<v Speaker 1>series of not quite questions. Sean excitedly asks, is it

0:40:39.160 --> 0:40:42.319
<v Speaker 1>really this basic? Phoene admits, I don't want anyone misleading you.

0:40:42.440 --> 0:40:45.960
<v Speaker 1>My prep course involves a lot of hard work. Sean shrugs, well,

0:40:46.000 --> 0:40:47.960
<v Speaker 1>and I want to do it. Corey adds, but it's

0:40:48.000 --> 0:40:51.000
<v Speaker 1>fun to Panga encourages mister Phoene to tell Sean all

0:40:51.040 --> 0:40:54.239
<v Speaker 1>about the carnival like atmosphere of his prep course so

0:40:54.280 --> 0:40:57.000
<v Speaker 1>Sean will join. Corey takes him aside.

0:40:56.640 --> 0:40:57.880
<v Speaker 2>And I love this.

0:40:57.880 --> 0:41:01.840
<v Speaker 3>This whole What follows is just I mean, it's a

0:41:01.880 --> 0:41:06.440
<v Speaker 3>perfect setup for SNI. I love Phoenie under pressure, and

0:41:06.480 --> 0:41:09.600
<v Speaker 3>this episode has a couple like Phoenie under pressure is

0:41:09.760 --> 0:41:13.160
<v Speaker 3>so fun. And to see him do this calculation and

0:41:13.200 --> 0:41:16.000
<v Speaker 3>then this run for the rest of the same bill's performance,

0:41:16.680 --> 0:41:20.040
<v Speaker 3>I mean, god, it's it's it's it's broad and big

0:41:20.080 --> 0:41:25.160
<v Speaker 3>and yet entirely believable and well delivered, and it's so funny.

0:41:25.440 --> 0:41:25.640
<v Speaker 2>Oh.

0:41:26.239 --> 0:41:31.960
<v Speaker 1>I love the fact that we see that Phoenie trying

0:41:32.080 --> 0:41:34.400
<v Speaker 1>to come up with what is.

0:41:34.400 --> 0:41:37.439
<v Speaker 2>Fun yes, and just not knowing there's not.

0:41:37.400 --> 0:41:42.239
<v Speaker 1>Really knowing Cake And the fact that Cake is a

0:41:42.320 --> 0:41:46.080
<v Speaker 1>runner in our show is so strange but wonderful, and

0:41:46.120 --> 0:41:48.359
<v Speaker 1>you know what, so much So I love that.

0:41:48.520 --> 0:41:50.880
<v Speaker 4>I love what Phoenie's gonna do. I've seen him do

0:41:50.920 --> 0:41:53.759
<v Speaker 4>it before. It's phenomenal, it's amazing. But you know what,

0:41:53.760 --> 0:41:56.800
<v Speaker 4>I loved even more about this scene. I loved seeing

0:41:57.239 --> 0:42:03.320
<v Speaker 4>finally Corey and Topanga working together as like a team,

0:42:03.320 --> 0:42:06.840
<v Speaker 4>pulling a caper themselves. I want to see this fifty

0:42:06.920 --> 0:42:10.720
<v Speaker 4>times during the show, and we're finally getting that that.

0:42:10.680 --> 0:42:14.040
<v Speaker 2>Relationship between the two of them. Sean's involved. So I

0:42:14.120 --> 0:42:18.640
<v Speaker 2>loved seeing Phoenix Coy was great, but think about great

0:42:18.680 --> 0:42:20.160
<v Speaker 2>the super Bowl up, the super Bowl coming.

0:42:20.280 --> 0:42:23.399
<v Speaker 3>It's definitely to Penga hygiene. That is a big one.

0:42:23.400 --> 0:42:24.840
<v Speaker 3>So I think we're gonna get more of this, I.

0:42:24.840 --> 0:42:25.319
<v Speaker 2>Think, I hope.

0:42:25.400 --> 0:42:28.480
<v Speaker 3>So maybe they've settled down on the love stuff, you know,

0:42:28.800 --> 0:42:30.239
<v Speaker 3>so that Topanga can just.

0:42:30.160 --> 0:42:32.640
<v Speaker 2>Be part of the crew now. Yeeah, you're right. It's

0:42:32.640 --> 0:42:33.000
<v Speaker 2>so cool.

0:42:33.360 --> 0:42:35.239
<v Speaker 4>I loved that about the scene. It's like, oh, they're

0:42:35.280 --> 0:42:37.000
<v Speaker 4>working together, they're doing.

0:42:36.760 --> 0:42:38.000
<v Speaker 2>All this, like that's what. I love.

0:42:38.040 --> 0:42:41.160
<v Speaker 1>The faces while Bill is doing his thing. Yes, seeing

0:42:41.200 --> 0:42:43.959
<v Speaker 1>our faces looking at each other, like all right, yeah

0:42:44.000 --> 0:42:45.279
<v Speaker 1>it is. It's so much fun.

0:42:45.320 --> 0:42:48.440
<v Speaker 4>It was finally another level, finally another level of relationship.

0:42:48.440 --> 0:42:48.919
<v Speaker 2>It was great.

0:42:49.200 --> 0:42:51.759
<v Speaker 1>Loved everything about this, loved all of us working with Bill.

0:42:52.080 --> 0:42:53.560
<v Speaker 1>Just just so much fun.

0:42:53.840 --> 0:42:54.120
<v Speaker 2>Yep.

0:42:54.239 --> 0:42:57.160
<v Speaker 1>So Corey takes Phoene aside. If Sean doesn't get into college,

0:42:57.160 --> 0:42:59.960
<v Speaker 1>he starts washing windows, playing lotto. Then he loses his tea,

0:43:00.120 --> 0:43:02.200
<v Speaker 1>becomes a ward of the state and moves in with

0:43:02.280 --> 0:43:10.280
<v Speaker 1>you no SATs moves on the touthless and then Phoene

0:43:10.400 --> 0:43:15.520
<v Speaker 1>racks his brain. Well if I tell him about the cake,

0:43:16.120 --> 0:43:18.480
<v Speaker 1>well then everyone will want to take the class and

0:43:18.520 --> 0:43:20.759
<v Speaker 1>again the return of cake. I'm just so excited about

0:43:20.800 --> 0:43:25.360
<v Speaker 1>it and excited, Sean asks cake. Phoene nods, it's delicious

0:43:25.400 --> 0:43:29.319
<v Speaker 1>cake actually from the Westchester Bakery. That's where they get

0:43:29.320 --> 0:43:29.640
<v Speaker 1>the cake.

0:43:30.800 --> 0:43:35.720
<v Speaker 3>Sean is intrigued, like just having to be created under pressure,

0:43:35.880 --> 0:43:38.560
<v Speaker 3>not like they get the cake.

0:43:40.000 --> 0:43:42.839
<v Speaker 2>He's just rambling and it doesn't even.

0:43:43.040 --> 0:43:46.000
<v Speaker 1>Say what else, and he realizes.

0:43:45.680 --> 0:43:46.920
<v Speaker 2>He has to keep goings.

0:43:46.920 --> 0:43:48.920
<v Speaker 1>Not enough, I have to I didn't I thought I

0:43:49.000 --> 0:43:51.719
<v Speaker 1>was going to be done. He continues, Well, we have

0:43:51.760 --> 0:43:53.480
<v Speaker 1>a talent show some.

0:43:53.480 --> 0:44:00.560
<v Speaker 2>Nights, some nights, and Sean is loving this this.

0:44:00.600 --> 0:44:03.000
<v Speaker 1>Why didn't he know about it? Phoene butts back in,

0:44:03.080 --> 0:44:05.680
<v Speaker 1>Well between the hooplaw there will be learning going on.

0:44:05.880 --> 0:44:10.360
<v Speaker 1>Sean blows him off. Yeah yeah, cake right, Phoene says, yes, cake.

0:44:10.880 --> 0:44:13.440
<v Speaker 1>Sean happily walks away, and Corey thanks him he did

0:44:13.480 --> 0:44:17.799
<v Speaker 1>the right thing. Phoene shrugs. I suppose. I suppose, after all,

0:44:17.920 --> 0:44:19.440
<v Speaker 1>what good is it if you can't get the butts

0:44:19.480 --> 0:44:23.160
<v Speaker 1>in the seats. So then we're back in the Wilderness

0:44:23.200 --> 0:44:26.360
<v Speaker 1>store and Alan is tagging items when Eric slyly walks

0:44:26.400 --> 0:44:29.080
<v Speaker 1>in uniformed up and he's brought a fellow security guard

0:44:29.160 --> 0:44:32.160
<v Speaker 1>with him. He awkwardly asks his dad, in a while,

0:44:32.400 --> 0:44:40.080
<v Speaker 1>hasn't it Alan responds about twelve hours. Eric shrugs, seems

0:44:40.120 --> 0:44:43.080
<v Speaker 1>longer when you're on your own. He introduces his partner,

0:44:43.239 --> 0:44:46.320
<v Speaker 1>Ronnie Patel, to Alan. Ronnie compliments Alan on the store.

0:44:46.480 --> 0:44:48.399
<v Speaker 1>He hopes to own his own business one day too.

0:44:48.880 --> 0:44:50.960
<v Speaker 1>Ronnie is letting Eric crash at his place. They're gonna

0:44:50.960 --> 0:44:54.160
<v Speaker 1>be roomies. Ronnie admits he knows about the family crisis.

0:44:54.280 --> 0:44:56.920
<v Speaker 1>He's sorry to hear about the mother going insane and

0:44:56.960 --> 0:44:58.440
<v Speaker 1>throwing people out of the house.

0:44:59.760 --> 0:45:02.319
<v Speaker 3>Yeah, I wanted this to be a little bigger, Like

0:45:02.560 --> 0:45:04.520
<v Speaker 3>I wanted the story like the story that he spun,

0:45:04.640 --> 0:45:08.280
<v Speaker 3>and I also just it it's it's an interesting story

0:45:08.280 --> 0:45:11.960
<v Speaker 3>point that Eric blames Amy even though it was clearly

0:45:12.320 --> 0:45:15.360
<v Speaker 3>driven by Alan, right, And like, yeah, I think there

0:45:15.400 --> 0:45:17.480
<v Speaker 3>could have been a little bit more on that, like

0:45:17.480 --> 0:45:20.840
<v Speaker 3>a little more expansion of like the the you know,

0:45:21.600 --> 0:45:23.839
<v Speaker 3>blame factor, Like why does he write why?

0:45:24.080 --> 0:45:25.840
<v Speaker 2>But a little bit? But I want to be.

0:45:25.719 --> 0:45:29.400
<v Speaker 4>Another strange runner for the show though, because Corey blamed

0:45:29.680 --> 0:45:33.920
<v Speaker 4>Amy when he didn't support she seemingly didn't support the

0:45:34.200 --> 0:45:37.520
<v Speaker 4>conversation with Japan, So why is the blame always tend

0:45:37.600 --> 0:45:41.160
<v Speaker 4>to go on Amy, Right. Yeah, it's very strange where

0:45:41.200 --> 0:45:43.080
<v Speaker 4>it's just kind of like, all right, well, no, you

0:45:43.120 --> 0:45:46.399
<v Speaker 4>were fine, Alan, But Amy, it's like, oh, okay.

0:45:46.080 --> 0:45:48.560
<v Speaker 1>I will say that I did think right to your

0:45:48.600 --> 0:45:50.840
<v Speaker 1>point that I thought. This episode actually did a pretty

0:45:50.880 --> 0:45:54.880
<v Speaker 1>good job of explaining this in the way that Alan

0:45:55.040 --> 0:45:57.960
<v Speaker 1>is saying, Listen, i know why you're mad at your

0:45:58.000 --> 0:46:02.160
<v Speaker 1>mom because I've always been the play shover basically, even

0:46:02.160 --> 0:46:05.440
<v Speaker 1>though I'm the one you screwed over technically, even though

0:46:05.440 --> 0:46:08.000
<v Speaker 1>it's a family business, but whatever, it was me who

0:46:08.080 --> 0:46:09.560
<v Speaker 1>you put in the position of having to pay a

0:46:09.560 --> 0:46:11.799
<v Speaker 1>bear trainer five thousand dollars. And even though I said

0:46:11.800 --> 0:46:14.400
<v Speaker 1>to you you don't work here anymore, the only reason

0:46:14.480 --> 0:46:17.200
<v Speaker 1>you felt comfortable the next morning waking up and saying,

0:46:17.200 --> 0:46:19.360
<v Speaker 1>come on, dad, let's go to the store is because

0:46:19.520 --> 0:46:22.040
<v Speaker 1>anytime in the past I've tried to put my foot down,

0:46:23.080 --> 0:46:25.960
<v Speaker 1>you've barrel ran over me, and I've allowed it because

0:46:25.960 --> 0:46:29.160
<v Speaker 1>I'm wearing these gloves, I keep protecting you. And so

0:46:29.800 --> 0:46:32.239
<v Speaker 1>it's such a good speech and it really felt very

0:46:32.320 --> 0:46:34.080
<v Speaker 1>much to me in that moment where I was like,

0:46:34.200 --> 0:46:37.759
<v Speaker 1>I feel the Matthew nelsonness of this script, which like

0:46:37.880 --> 0:46:44.040
<v Speaker 1>I feel this, I feel the Matthew Nelson theme, and

0:46:44.080 --> 0:46:47.120
<v Speaker 1>so I actually thought that was that ended up being

0:46:47.160 --> 0:46:50.560
<v Speaker 1>pretty clear about your mom's the one who when she

0:46:50.760 --> 0:46:54.080
<v Speaker 1>says something, you know to take her seriously for some reason,

0:46:54.480 --> 0:46:56.239
<v Speaker 1>not for some reason. The reason why you don't take

0:46:56.239 --> 0:46:58.200
<v Speaker 1>it seriously when I say it is because I have

0:46:58.400 --> 0:47:01.600
<v Speaker 1>been using these kid gloves with you. I've allowed you

0:47:01.680 --> 0:47:04.120
<v Speaker 1>to walk all over me because I feel they need

0:47:04.160 --> 0:47:07.000
<v Speaker 1>to protect you. So I kind of I kind of

0:47:07.080 --> 0:47:07.680
<v Speaker 1>liked that part.

0:47:07.840 --> 0:47:11.080
<v Speaker 3>I just I like the exaggeration of like mom is

0:47:11.200 --> 0:47:13.839
<v Speaker 3>Mom's crazy, and I wanted that to be a bigger thing,

0:47:13.920 --> 0:47:15.920
<v Speaker 3>Like I wanted that to be a runner that keeps going.

0:47:15.960 --> 0:47:18.319
<v Speaker 3>And then in the scene with Amy have even more

0:47:18.360 --> 0:47:21.719
<v Speaker 3>details tumbling out of like how Eric misinterpret or took

0:47:21.760 --> 0:47:24.719
<v Speaker 3>Amy's like pretty much normal mother aid and made it

0:47:24.719 --> 0:47:28.680
<v Speaker 3>into this like she's a crazy, hysterical woman and because

0:47:28.760 --> 0:47:31.840
<v Speaker 3>that does happen, right, and like the sexism inherent, and

0:47:31.880 --> 0:47:34.480
<v Speaker 3>that is interesting to me, And like we didn't really

0:47:34.520 --> 0:47:35.160
<v Speaker 3>go there, and.

0:47:35.080 --> 0:47:35.719
<v Speaker 2>I think we could have.

0:47:35.840 --> 0:47:37.520
<v Speaker 3>I mean, we just don't have time, of course, But

0:47:37.560 --> 0:47:39.520
<v Speaker 3>I just like that because I do think people do

0:47:39.560 --> 0:47:42.800
<v Speaker 3>that especially back then, you would be like, mom's nuts,

0:47:43.480 --> 0:47:44.520
<v Speaker 3>girlfriend's mad.

0:47:44.680 --> 0:47:46.680
<v Speaker 2>She went, you know, and it's like, well is she

0:47:46.880 --> 0:47:47.239
<v Speaker 2>is this?

0:47:47.360 --> 0:47:47.560
<v Speaker 1>Yeah?

0:47:48.080 --> 0:47:48.160
<v Speaker 4>Right?

0:47:48.200 --> 0:47:50.719
<v Speaker 1>Because later Eric does say my mom's not insane, when

0:47:50.760 --> 0:47:52.359
<v Speaker 1>really the truth would have been that he'd be like, oh,

0:47:52.680 --> 0:47:55.120
<v Speaker 1>I know it is, No, she's not. She's still baddy. Yeah,

0:47:55.400 --> 0:47:58.880
<v Speaker 1>you know, whatever it is. So Eric tells Ronnie to

0:47:58.920 --> 0:48:01.560
<v Speaker 1>check out the store. Wants to confirm Eric is mad

0:48:01.600 --> 0:48:04.200
<v Speaker 1>at Amy, but he's not mad at him. Eric agrees.

0:48:04.400 --> 0:48:06.799
<v Speaker 1>Alan admits, you should be mad at me because as

0:48:06.880 --> 0:48:09.239
<v Speaker 1>much as you messed up, I messed up even more.

0:48:09.480 --> 0:48:12.359
<v Speaker 1>I should have fired you a million times. Eric tells

0:48:12.400 --> 0:48:15.000
<v Speaker 1>his dad to ease up. They're friends. Alan says he's

0:48:15.000 --> 0:48:17.200
<v Speaker 1>a goof off. Eric frowns, well, I don't want to

0:48:17.200 --> 0:48:19.640
<v Speaker 1>be friends with you anymore. Alan doesn't hold back. Do

0:48:19.680 --> 0:48:21.799
<v Speaker 1>you know when I really started messing up? The day

0:48:21.840 --> 0:48:24.959
<v Speaker 1>you were born? Alan remembers being in the delivery room.

0:48:25.120 --> 0:48:27.160
<v Speaker 1>Eric admits the only thing he remembers is the cute

0:48:27.239 --> 0:48:29.960
<v Speaker 1>nurse who slapped him on the tushi. Alan says that

0:48:30.040 --> 0:48:31.920
<v Speaker 1>in the delivery room he was told to put on

0:48:32.000 --> 0:48:34.720
<v Speaker 1>gloves to be safe, and when Eric came out moaning

0:48:34.760 --> 0:48:37.200
<v Speaker 1>and groaning as he still does. He checked all of

0:48:37.200 --> 0:48:39.320
<v Speaker 1>his fingers and toes and made sure he was healthy,

0:48:39.400 --> 0:48:42.440
<v Speaker 1>which made Alan happy. But then Alan had a realization.

0:48:43.000 --> 0:48:46.280
<v Speaker 1>It's twenty years later and he's never taken off those gloves.

0:48:46.600 --> 0:48:50.799
<v Speaker 1>It's not Amy's fault or Feoene's fault, it's his. And

0:48:50.840 --> 0:48:53.880
<v Speaker 1>that's the moment when I was like Matt now Elson.

0:48:53.960 --> 0:48:58.440
<v Speaker 2>Yeah, Matt Nelson. It's a sweet trap. Great analogy, Yep, great.

0:48:58.239 --> 0:49:03.000
<v Speaker 1>Analogy, Eric saying all he did was love him. Alan agrees.

0:49:03.120 --> 0:49:05.280
<v Speaker 1>He still loves Eric and he loves his other kids,

0:49:05.520 --> 0:49:08.480
<v Speaker 1>but since Eric was the firstborn, he loved him differently.

0:49:08.920 --> 0:49:11.359
<v Speaker 1>He lets Eric take advantage of him without preparing him

0:49:11.400 --> 0:49:13.719
<v Speaker 1>for the real world. He let Eric take advantage of

0:49:13.760 --> 0:49:16.760
<v Speaker 1>him without preparing him for the real world. Alan questions

0:49:16.960 --> 0:49:19.320
<v Speaker 1>what will happen with Eric when he's not around someday?

0:49:19.560 --> 0:49:23.200
<v Speaker 1>And we get some very dramatic strings and Eric ponders

0:49:23.239 --> 0:49:26.399
<v Speaker 1>this worry, and then we're in John Adams High Eric

0:49:26.400 --> 0:49:28.439
<v Speaker 1>and Ronnie are on the beat, walking with a non

0:49:28.520 --> 0:49:31.080
<v Speaker 1>mandatory guard dog that Eric thought would be a good

0:49:31.160 --> 0:49:34.000
<v Speaker 1>backup for the rough and rowdy John Adams High School.

0:49:34.120 --> 0:49:35.080
<v Speaker 1>It's a cute.

0:49:34.920 --> 0:49:39.839
<v Speaker 2>Beagle amazing dog, no point in being there whatsoever. And

0:49:40.239 --> 0:49:45.080
<v Speaker 2>we had an animal. They were like, we could probably

0:49:45.120 --> 0:49:46.680
<v Speaker 2>get a dog for half fime. Absolutely.

0:49:46.719 --> 0:49:48.400
<v Speaker 4>I mean, if they're in there anyway, they're probably like,

0:49:48.400 --> 0:49:49.840
<v Speaker 4>what else you got in the truck?

0:49:50.880 --> 0:49:54.280
<v Speaker 2>Great, bring the dog, because there's literally have been what happened.

0:49:54.680 --> 0:49:58.360
<v Speaker 3>They might have just been like, oh, you know, the

0:49:58.640 --> 0:50:01.160
<v Speaker 3>animal trainer also has this dog in the truck, so

0:50:01.280 --> 0:50:03.160
<v Speaker 3>let's just write a whole scene for that, Yeah.

0:50:03.600 --> 0:50:06.960
<v Speaker 1>A scene where Eric has a guard dog. And it's yeah, exactly, yeah.

0:50:06.880 --> 0:50:09.520
<v Speaker 4>Because there's no point in it means nothing, there's no

0:50:09.600 --> 0:50:11.920
<v Speaker 4>point whatsoever. It's a cute little aside like, oh, and

0:50:11.960 --> 0:50:13.759
<v Speaker 4>by the way, I have this little dog, and that's it.

0:50:13.960 --> 0:50:14.719
<v Speaker 2>So I think you're right.

0:50:14.719 --> 0:50:16.160
<v Speaker 4>It was just it's like, oh, it's in the trunk,

0:50:16.200 --> 0:50:17.960
<v Speaker 4>so let's just go grab it.

0:50:18.239 --> 0:50:19.480
<v Speaker 1>He needs some air anyway, he.

0:50:19.520 --> 0:50:21.160
<v Speaker 2>Needs Let him out, Let the dog out.

0:50:21.760 --> 0:50:23.839
<v Speaker 1>Ronnie doesn't think the dog is very threatening, and Eric

0:50:23.880 --> 0:50:26.160
<v Speaker 1>proves him right by talking to poppy Seed in a

0:50:26.320 --> 0:50:29.680
<v Speaker 1>Baby boys. Ronnie asks if Eric's mom is back from

0:50:29.760 --> 0:50:32.239
<v Speaker 1>the insane. Eric breaks it to him that his mom

0:50:32.280 --> 0:50:34.920
<v Speaker 1>isn't actually insane and asks if he can just keep

0:50:35.200 --> 0:50:38.000
<v Speaker 1>that between them. While the boys wait around for trouble,

0:50:38.080 --> 0:50:41.000
<v Speaker 1>Ronnie asks Eric if he can help him with his studies. Apparently,

0:50:41.160 --> 0:50:43.560
<v Speaker 1>Ronnie is looking to get into college, so he's preparing

0:50:43.640 --> 0:50:47.000
<v Speaker 1>for the entrance exam. Eric's confused. He thought Ronnie was

0:50:47.000 --> 0:50:49.359
<v Speaker 1>an engineer back home. Ronnie says he was, but since

0:50:49.360 --> 0:50:51.239
<v Speaker 1>he's moved here, it's time for him to start over

0:50:51.280 --> 0:50:54.680
<v Speaker 1>and try something new. Eric's flabbergasted. Ronnie wants to go

0:50:54.719 --> 0:50:58.279
<v Speaker 1>to college for a second time. Ronnie explains anything of

0:50:58.360 --> 0:51:00.840
<v Speaker 1>value is worth that hard work. He points out that

0:51:00.880 --> 0:51:03.640
<v Speaker 1>in this country there are so many opportunities. He uses

0:51:03.760 --> 0:51:05.920
<v Speaker 1>Eric as an example, fulfilling his dream of being a

0:51:05.920 --> 0:51:09.560
<v Speaker 1>security guard. Eric questions, you think this is my dream?

0:51:10.120 --> 0:51:13.160
<v Speaker 1>Ronnie nods, well, sure you're doing it. Eric gets defensive,

0:51:13.160 --> 0:51:15.720
<v Speaker 1>pointing out that Ronnie also has this job, but Ronnie

0:51:15.760 --> 0:51:19.000
<v Speaker 1>shakes his head. No, I'm an engineer and soon they

0:51:19.000 --> 0:51:19.520
<v Speaker 1>will know it.

0:51:20.600 --> 0:51:23.760
<v Speaker 2>Now this was okay. So I really liked this scene.

0:51:24.000 --> 0:51:25.000
<v Speaker 2>I I like the guy.

0:51:25.480 --> 0:51:28.080
<v Speaker 4>I love the message of because we hear about this

0:51:28.120 --> 0:51:30.520
<v Speaker 4>all the time. You know, a hard working immigrant comes

0:51:30.560 --> 0:51:32.880
<v Speaker 4>to this country, there's somebody in their own country and

0:51:32.920 --> 0:51:34.040
<v Speaker 4>they have to start over here.

0:51:35.160 --> 0:51:36.280
<v Speaker 2>I mean, you hear it constantly.

0:51:37.239 --> 0:51:40.560
<v Speaker 4>The one problem I had with kind of the entire episode,

0:51:40.640 --> 0:51:44.960
<v Speaker 4>and actually Eric's entire arc, is I don't know if

0:51:45.080 --> 0:51:50.040
<v Speaker 4>anybody ever asks Eric what he wants? Right, Nobody ever

0:51:50.080 --> 0:51:52.959
<v Speaker 4>says what is your dream? What do you want? We're

0:51:52.960 --> 0:51:55.280
<v Speaker 4>telling you you have to go to college, You're thinking

0:51:55.280 --> 0:51:57.160
<v Speaker 4>you're lazy, maybe you want to be a security guard,

0:51:58.120 --> 0:51:59.840
<v Speaker 4>you get the world at your feet?

0:52:00.080 --> 0:52:04.560
<v Speaker 2>What do you want? And I don't think that ever happens.

0:52:04.680 --> 0:52:07.200
<v Speaker 3>Right because the answer would probably be too complicated for

0:52:07.440 --> 0:52:09.520
<v Speaker 3>the show, right because because if the answer is I

0:52:09.560 --> 0:52:12.279
<v Speaker 3>don't know, then it opens up the possibility that maybe

0:52:12.280 --> 0:52:14.240
<v Speaker 3>you don't need to go to college. If the answer

0:52:14.320 --> 0:52:17.160
<v Speaker 3>is I want to be a you know, birthday clown

0:52:17.320 --> 0:52:19.880
<v Speaker 3>for birthday parties, everyone would be like, well, then just

0:52:19.920 --> 0:52:22.560
<v Speaker 3>go do that, right, you know? But they really needed

0:52:22.600 --> 0:52:24.840
<v Speaker 3>to channel everything into the SATs.

0:52:24.920 --> 0:52:27.920
<v Speaker 4>So I would just have loved the sum scene of

0:52:28.000 --> 0:52:31.080
<v Speaker 4>somebody saying what it should have been FIENI at some

0:52:31.239 --> 0:52:35.000
<v Speaker 4>point going Eric, what do you want to do?

0:52:35.640 --> 0:52:37.960
<v Speaker 2>And then they figure out whatever, you know, whatever the

0:52:38.000 --> 0:52:42.680
<v Speaker 2>answer is could have still led to absolutely.

0:52:41.480 --> 0:52:43.680
<v Speaker 1>So they do think the idea was you figure out

0:52:43.719 --> 0:52:46.120
<v Speaker 1>what you want to do in college you go to

0:52:46.200 --> 0:52:48.640
<v Speaker 1>college to figure out what is.

0:52:48.600 --> 0:52:50.160
<v Speaker 3>Also a good answer, Well that could have been the

0:52:50.160 --> 0:52:52.120
<v Speaker 3>answered then, like if Eric just says I don't know,

0:52:52.160 --> 0:52:53.719
<v Speaker 3>and it's like, well, college is a great way to

0:52:53.760 --> 0:52:54.880
<v Speaker 3>find fit, yeah.

0:52:54.760 --> 0:52:56.719
<v Speaker 4>You know, or even if it's just like you know, well,

0:52:56.760 --> 0:52:58.400
<v Speaker 4>the only thing I ever really, ever wanted to be

0:52:58.440 --> 0:52:59.719
<v Speaker 4>in my life was a weather man.

0:52:59.760 --> 0:53:04.000
<v Speaker 2>It's okay, well that's how you do it.

0:53:04.040 --> 0:53:06.439
<v Speaker 4>This is like, you know, this, this is your step forward.

0:53:06.480 --> 0:53:08.120
<v Speaker 4>It would it would have just been nice to have

0:53:08.280 --> 0:53:12.160
<v Speaker 4>somebody ask Eric what he wanted, which just never happened.

0:53:12.280 --> 0:53:24.960
<v Speaker 1>Good point. Well, then we hear a wrestling from the

0:53:24.960 --> 0:53:27.040
<v Speaker 1>side of the school. Eric panics and he tries to

0:53:27.040 --> 0:53:29.720
<v Speaker 1>get poppy Seed to help. It's Feenie. They both scream

0:53:29.760 --> 0:53:32.040
<v Speaker 1>when they see each other. Eric explains he needs to

0:53:32.040 --> 0:53:32.680
<v Speaker 1>go buy the book.

0:53:33.920 --> 0:53:36.960
<v Speaker 3>You were like looking right at Phoenie, sneaking up on

0:53:37.040 --> 0:53:37.920
<v Speaker 3>him from a foot away.

0:53:39.080 --> 0:53:41.160
<v Speaker 2>What's that? What's that? You're like, well, you see, it's

0:53:41.160 --> 0:53:41.839
<v Speaker 2>a human being.

0:53:46.000 --> 0:53:48.320
<v Speaker 1>The fact that he didn't cross in front of camera.

0:53:48.440 --> 0:53:51.520
<v Speaker 1>We know he came facing you, and so you would

0:53:51.560 --> 0:53:54.839
<v Speaker 1>have seen or felt a person come up. He didn't

0:53:54.880 --> 0:53:58.000
<v Speaker 1>just pop up from the ground. But you know, listen, you.

0:53:57.960 --> 0:54:01.480
<v Speaker 4>Never know, you never never know the blood of all

0:54:01.480 --> 0:54:04.160
<v Speaker 4>his victims has serious powers exactly.

0:54:04.840 --> 0:54:07.239
<v Speaker 1>So Eric clears his throat, So what are you doing

0:54:07.239 --> 0:54:10.560
<v Speaker 1>at John Adams High School after hours? Phoene size he's

0:54:10.600 --> 0:54:13.520
<v Speaker 1>there for his SAT prep course and from the hotbed

0:54:13.600 --> 0:54:16.319
<v Speaker 1>of criminal activity raging out here, I think your time

0:54:16.360 --> 0:54:19.439
<v Speaker 1>would be better spent inside with us. Eric responds, take

0:54:19.440 --> 0:54:21.160
<v Speaker 1>the class. No, I don't think I'm gonna do that.

0:54:21.560 --> 0:54:23.560
<v Speaker 1>Phoene asks Eric what he's afraid of, and Eric says

0:54:23.560 --> 0:54:26.200
<v Speaker 1>he's not afraid of anything. But PHOENI knows that's not true,

0:54:26.360 --> 0:54:28.719
<v Speaker 1>and this thing Eric is afraid of is stopping him

0:54:28.760 --> 0:54:31.719
<v Speaker 1>from becoming what they all know he's capable of. So yeah,

0:54:31.800 --> 0:54:34.160
<v Speaker 1>interesting point will that they don't ever ask him what

0:54:34.200 --> 0:54:36.680
<v Speaker 1>he wants, but they do ask him the deep question

0:54:36.760 --> 0:54:39.880
<v Speaker 1>of what are you afraid of? They know there's something

0:54:39.920 --> 0:54:42.319
<v Speaker 1>more going on, but they haven't actually said, like, what

0:54:42.440 --> 0:54:43.320
<v Speaker 1>do you want?

0:54:43.680 --> 0:54:45.239
<v Speaker 2>It's also the way what are you afraid of?

0:54:45.320 --> 0:54:48.799
<v Speaker 4>Is like everyone knows this is right for you, right

0:54:48.880 --> 0:54:51.920
<v Speaker 4>except you, And it's like, well maybe it's not right.

0:54:52.160 --> 0:54:53.719
<v Speaker 4>I mean again, yeah, we can talk about that forever,

0:54:53.800 --> 0:54:55.400
<v Speaker 4>but it's yeah, strange.

0:54:55.719 --> 0:54:58.280
<v Speaker 1>So Eric is always hearing the phrase what you're capable

0:54:58.280 --> 0:54:59.960
<v Speaker 1>of and he's sick of it. He took the essay

0:55:00.080 --> 0:55:02.400
<v Speaker 1>teas last year and he blew them. He's just not

0:55:02.560 --> 0:55:06.319
<v Speaker 1>meant to be in college. Phoene counters, maybe you're just

0:55:06.360 --> 0:55:09.280
<v Speaker 1>someone who gives up to easily. What'll it be, mister Matthews,

0:55:09.440 --> 0:55:12.640
<v Speaker 1>who are you? And then more sad music begins to

0:55:12.640 --> 0:55:14.799
<v Speaker 1>play as Eric's partner goes back to working on his

0:55:14.920 --> 0:55:18.440
<v Speaker 1>SAT prep book, helping cement that the SATs are the

0:55:18.480 --> 0:55:22.520
<v Speaker 1>most important thing that has ever existed in the world,

0:55:22.719 --> 0:55:25.799
<v Speaker 1>in the world. And then we're inside John Adams. Eric

0:55:25.920 --> 0:55:29.480
<v Speaker 1>gazes into Poenie's classroom with even sadder music playing. He's

0:55:29.520 --> 0:55:32.399
<v Speaker 1>watching mister Foenie teach the prep course. Eric takes out

0:55:32.400 --> 0:55:34.879
<v Speaker 1>an SAT prep book of his own and apparently can

0:55:35.000 --> 0:55:37.800
<v Speaker 1>hear everything through the closed window.

0:55:38.160 --> 0:55:38.440
<v Speaker 2>Yep.

0:55:38.640 --> 0:55:41.440
<v Speaker 1>As he watches the class, he notices Sean in the

0:55:41.480 --> 0:55:44.200
<v Speaker 1>back happily eating a slice of cake.

0:55:44.440 --> 0:55:46.680
<v Speaker 2>Eating cakes. Best joke of the show, by the way,

0:55:47.040 --> 0:55:51.240
<v Speaker 2>just like you see Sean eating cake, thrill my god,

0:55:51.320 --> 0:55:55.080
<v Speaker 2>You're like, yep, this is so great, went out and

0:55:55.160 --> 0:55:56.160
<v Speaker 2>actually bought cake.

0:55:58.960 --> 0:56:01.160
<v Speaker 3>It could have been a whole epis the whole separate

0:56:01.200 --> 0:56:03.600
<v Speaker 3>storyline of like Corey into Panga having to procure the

0:56:03.640 --> 0:56:06.680
<v Speaker 3>cake for and then we got to do a talent show.

0:56:06.440 --> 0:56:10.040
<v Speaker 2>Like what you guys do for your talent? Sean tap

0:56:10.120 --> 0:56:12.560
<v Speaker 2>dancing for everyone.

0:56:12.400 --> 0:56:17.080
<v Speaker 1>Is like, how why are you doing? Corey sees his

0:56:17.080 --> 0:56:20.319
<v Speaker 1>brother outside and smiles, and then we're outside Phoene's house.

0:56:20.360 --> 0:56:23.000
<v Speaker 1>Corey bangs on Phoene's door, with Sewan and Tapanga behind him.

0:56:23.120 --> 0:56:25.399
<v Speaker 1>Phoene's surprised to see them as Corey yells, We've got

0:56:25.400 --> 0:56:28.120
<v Speaker 1>a few issues to discuss with you. Shawn shouts yeah.

0:56:28.239 --> 0:56:30.440
<v Speaker 1>To Panga jumps in, we just came from taking our

0:56:30.520 --> 0:56:34.399
<v Speaker 1>SATs and Shawn shouts again yeah. Phoene asks, how did

0:56:34.440 --> 0:56:38.600
<v Speaker 1>you do? Shawn shouts yeah, yeah. Corey is on a

0:56:38.680 --> 0:56:41.160
<v Speaker 1>mission for years. You've driven us nuts by filling our

0:56:41.200 --> 0:56:44.000
<v Speaker 1>heads with dates and ideas and numbers and concepts to

0:56:44.080 --> 0:56:46.040
<v Speaker 1>Panga picks up where he left off and with the

0:56:46.120 --> 0:56:48.560
<v Speaker 1>last three weeks of that course of yours, drilling us,

0:56:48.600 --> 0:56:51.359
<v Speaker 1>pushing us to the edge, and Seawan adds, yeah, and

0:56:51.440 --> 0:56:54.440
<v Speaker 1>making me eat cake. He pats his tummy. He's gained

0:56:54.440 --> 0:56:59.120
<v Speaker 1>five pounds right here, baby. Corey concludes, and now that

0:56:59.160 --> 0:57:01.279
<v Speaker 1>it's all over, and we taken the test. We had

0:57:01.280 --> 0:57:04.400
<v Speaker 1>to come here and tell you to your face. Sean says, sincerely,

0:57:04.800 --> 0:57:07.799
<v Speaker 1>thanks a lot, man. Corey admits, we understand why you

0:57:07.800 --> 0:57:10.439
<v Speaker 1>pushed us so hard to Panga tells him, we're really

0:57:10.440 --> 0:57:13.160
<v Speaker 1>glad you did. They all give Feenie a warm smile

0:57:13.160 --> 0:57:17.000
<v Speaker 1>as they walk away. Phoenie couldn't be prouder. And then

0:57:17.240 --> 0:57:19.720
<v Speaker 1>we're at the Wilderness Store. Amy is at the counter

0:57:20.000 --> 0:57:23.000
<v Speaker 1>and proving that you definitely have to wear plaid if

0:57:23.040 --> 0:57:26.760
<v Speaker 1>you work at the Wilderness Store of blaid shirt.

0:57:26.560 --> 0:57:29.640
<v Speaker 2>And so is the uniform has to be done.

0:57:31.080 --> 0:57:33.560
<v Speaker 1>Eric approaches her and asks if she fired him. She

0:57:33.640 --> 0:57:36.160
<v Speaker 1>says she did. He admits that I deserve to be

0:57:36.200 --> 0:57:38.560
<v Speaker 1>fired because she loves him, and he knows it must

0:57:38.560 --> 0:57:41.160
<v Speaker 1>have been really hard to fire her son. Next, Eric

0:57:41.200 --> 0:57:43.400
<v Speaker 1>points to Alan, and you said something wrong to me.

0:57:43.720 --> 0:57:45.600
<v Speaker 1>Alan looks at Amy. I was the good guy in

0:57:45.640 --> 0:57:47.840
<v Speaker 1>all this, and you turned it around, didn't you. He

0:57:47.880 --> 0:57:50.680
<v Speaker 1>smiles and gives her a kiss. Good for you. Eric

0:57:50.720 --> 0:57:52.560
<v Speaker 1>tells him you said there would come a time where

0:57:52.600 --> 0:57:54.800
<v Speaker 1>you weren't going to be around anymore, and that's not so.

0:57:55.360 --> 0:57:57.480
<v Speaker 1>I remember everything you taught me and I'm going to

0:57:57.520 --> 0:58:00.240
<v Speaker 1>teach that to my children, so you're always going to

0:58:00.280 --> 0:58:04.160
<v Speaker 1>be around and again, Maddie Nelson, I just feel it.

0:58:05.080 --> 0:58:08.800
<v Speaker 1>Felt it very much there. Alan genuinely thanks him. Eric

0:58:08.840 --> 0:58:10.840
<v Speaker 1>remembers one of the things Alan tought him was that

0:58:10.920 --> 0:58:13.240
<v Speaker 1>he could be anything he wanted to be. He asks

0:58:13.280 --> 0:58:16.080
<v Speaker 1>his dad if he still believes that. Alan nods, yes,

0:58:16.160 --> 0:58:18.640
<v Speaker 1>I do, if you don't take the easy way out

0:58:18.680 --> 0:58:20.960
<v Speaker 1>and try as hard as you can. Eric hopes his

0:58:21.040 --> 0:58:23.240
<v Speaker 1>dad is right, because he did try as hard as

0:58:23.240 --> 0:58:25.400
<v Speaker 1>he could. He slaps an envelope down on the counter,

0:58:25.440 --> 0:58:28.800
<v Speaker 1>and Amy realizes it's his essat score. Eric thought they

0:58:28.800 --> 0:58:31.560
<v Speaker 1>should all open it together. His parents look at the score,

0:58:31.560 --> 0:58:33.760
<v Speaker 1>and Amy says, it's a good thing you're not working

0:58:33.800 --> 0:58:35.760
<v Speaker 1>for your father anymore, or I'd have to fire you.

0:58:36.120 --> 0:58:40.080
<v Speaker 1>He got an eleven twenty. That's two hundred points higher

0:58:40.080 --> 0:58:43.600
<v Speaker 1>than last time. Eric is in shock. Alan ecstatically tells

0:58:43.680 --> 0:58:46.760
<v Speaker 1>him a little semi out of character, I am so

0:58:47.200 --> 0:58:49.600
<v Speaker 1>proud of you. I knew you could do it. This

0:58:49.680 --> 0:58:55.480
<v Speaker 1>is the happiest I've seen Alan in any scene in

0:58:55.600 --> 0:58:56.600
<v Speaker 1>any point of going.

0:58:56.800 --> 0:58:59.360
<v Speaker 4>Kind of catching Rusty's voice got me, and it was

0:58:59.520 --> 0:59:00.919
<v Speaker 4>just as a great great moment.

0:59:01.720 --> 0:59:04.240
<v Speaker 1>Eric smiles. I knew I could do it too. He

0:59:04.320 --> 0:59:06.320
<v Speaker 1>and Alan give each other a big high five, and

0:59:06.360 --> 0:59:09.280
<v Speaker 1>the shot freezes on the three of them looking over joyed,

0:59:09.400 --> 0:59:10.960
<v Speaker 1>and I got emotional.

0:59:11.360 --> 0:59:12.000
<v Speaker 2>Yep, me too.

0:59:12.600 --> 0:59:26.280
<v Speaker 1>I loved it. I really did well up. And then

0:59:26.400 --> 0:59:32.520
<v Speaker 1>we're at the tag outside of Phoenie's house. Here it is.

0:59:32.640 --> 0:59:34.360
<v Speaker 1>Did you remember this was the moment?

0:59:34.640 --> 0:59:36.920
<v Speaker 2>No, no idea, but this is like, this is not

0:59:37.120 --> 0:59:41.600
<v Speaker 2>the moment, guys, it's still this is already he's already done.

0:59:43.160 --> 0:59:46.080
<v Speaker 1>No, he's never yelled at this high of a pitch

0:59:46.840 --> 0:59:47.240
<v Speaker 1>in this.

0:59:47.400 --> 0:59:49.800
<v Speaker 2>No, yes, he is. We could go back. It's that

0:59:49.920 --> 0:59:53.120
<v Speaker 2>other episode he did exactly. It's he hasn't extended the

0:59:53.240 --> 0:59:58.360
<v Speaker 2>name yet. It's just I think maybe I did with you.

0:59:58.560 --> 1:00:01.080
<v Speaker 1>I don't think of the Phoenie call as just being

1:00:01.200 --> 1:00:05.000
<v Speaker 1>the extension of the name. That's that's it at the

1:00:05.200 --> 1:00:09.440
<v Speaker 1>at its height, for sure. But like, this is so

1:00:10.080 --> 1:00:13.840
<v Speaker 1>clearly the call, the Phoenie call. There's no the other

1:00:13.880 --> 1:00:16.320
<v Speaker 1>ones have felt like, ooh, I could see how this

1:00:16.520 --> 1:00:18.720
<v Speaker 1>led to the Phoenie call. But this feels like this

1:00:18.800 --> 1:00:20.800
<v Speaker 1>is the first Phoenie call. And then the other ones,

1:00:20.840 --> 1:00:22.720
<v Speaker 1>Oh wow, you just think it's just the extension.

1:00:23.320 --> 1:00:24.040
<v Speaker 2>I think.

1:00:23.720 --> 1:00:26.520
<v Speaker 3>If they ask Will to do the Phoenie call at

1:00:26.520 --> 1:00:29.720
<v Speaker 3>a convention and he goes better, that's not what they're

1:00:29.720 --> 1:00:30.240
<v Speaker 3>asking for.

1:00:30.320 --> 1:00:33.560
<v Speaker 2>If he goes that's it, sir.

1:00:34.160 --> 1:00:36.560
<v Speaker 1>That one is definitely I think the peak. But I

1:00:36.560 --> 1:00:39.480
<v Speaker 1>don't know that to me still isn't I don't know.

1:00:39.800 --> 1:00:41.480
<v Speaker 2>I still call.

1:00:41.960 --> 1:00:45.640
<v Speaker 1>Oh wow, I disagree with you. This is a sideyard, backyard.

1:00:45.880 --> 1:00:48.880
<v Speaker 3>Uh, this is the toddler toddler Phoenie call. It still

1:00:48.880 --> 1:00:49.640
<v Speaker 3>has yet to grow.

1:00:51.040 --> 1:00:53.880
<v Speaker 1>So we're outside Phoene's house. Eric is standing outside and

1:00:53.920 --> 1:00:55.960
<v Speaker 1>he yells mister Phoenie a couple of times, but he

1:00:55.960 --> 1:00:58.240
<v Speaker 1>gets no response. He yells it at the top of

1:00:58.280 --> 1:01:00.760
<v Speaker 1>his lungs in a high pitched voice, for wherever, in

1:01:00.760 --> 1:01:04.440
<v Speaker 1>my opinion, changing the trajectory of boy meets world. In response,

1:01:04.440 --> 1:01:06.680
<v Speaker 1>mister Phoene comes stumbling out of his house looking like

1:01:06.680 --> 1:01:11.000
<v Speaker 1>a dishevelled Hugh Hefner Eric. Eric greets him, Hi, it's

1:01:11.080 --> 1:01:13.680
<v Speaker 1>me Eric, What are you doing right now? Phoene explains

1:01:13.720 --> 1:01:16.680
<v Speaker 1>he was sleeping. It's something he's gotten accustomed to in

1:01:16.720 --> 1:01:17.520
<v Speaker 1>the middle of the night.

1:01:17.680 --> 1:01:18.480
<v Speaker 2>The middle of the night.

1:01:19.120 --> 1:01:21.760
<v Speaker 1>Eric tells him to get dressed, Phoene shouts, are you crazy?

1:01:21.800 --> 1:01:22.000
<v Speaker 4>Man?

1:01:22.560 --> 1:01:24.520
<v Speaker 1>Eric nods, confirming he is, but he's got a book

1:01:24.520 --> 1:01:26.520
<v Speaker 1>of colleges and he needs help picking out a good one.

1:01:26.760 --> 1:01:29.200
<v Speaker 1>Phoene pats him on the shoulder. First thing in the morning,

1:01:29.240 --> 1:01:31.960
<v Speaker 1>we'll go a college pickin'. Eric really needs his help.

1:01:32.000 --> 1:01:35.680
<v Speaker 1>Now those spaces are filling up fast. Eric asks about Penbrook.

1:01:36.640 --> 1:01:40.240
<v Speaker 1>Phoene tells him that's a really great I know, and

1:01:40.280 --> 1:01:43.840
<v Speaker 1>we know from Jeff Sherman he said he named Penry yep.

1:01:44.080 --> 1:01:46.600
<v Speaker 1>Phoene tells him that's a really great school. Eric asks

1:01:46.680 --> 1:01:49.080
<v Speaker 1>how about Harvard? Any good? The audience lets out a

1:01:49.120 --> 1:01:52.320
<v Speaker 1>big laugh, and Phene realizes this boy does need his help.

1:01:52.720 --> 1:01:54.400
<v Speaker 1>He tells Eric to put the coffee on and he'll

1:01:54.400 --> 1:01:56.479
<v Speaker 1>meet him in the kitchen. Eric begins to walk away,

1:01:56.480 --> 1:01:58.880
<v Speaker 1>but he stops himself. I heard you told my parents

1:01:58.920 --> 1:02:01.400
<v Speaker 1>you thought I was smart. Feenie nods and Eric says,

1:02:02.120 --> 1:02:04.440
<v Speaker 1>just knowing you said that was worth about one thousand

1:02:04.600 --> 1:02:08.040
<v Speaker 1>s A t points and I welled up again, and

1:02:08.080 --> 1:02:09.360
<v Speaker 1>I got it.

1:02:11.680 --> 1:02:16.560
<v Speaker 2>Now. See for me, it's like we've had three scenes

1:02:16.920 --> 1:02:20.120
<v Speaker 2>of just sweetness. Like just the entire last ten minutes

1:02:20.160 --> 1:02:23.200
<v Speaker 2>of this episode have just been and now we're gonna

1:02:23.240 --> 1:02:25.960
<v Speaker 2>express an't right for one another. And it's just a

1:02:26.080 --> 1:02:26.960
<v Speaker 2>look I want.

1:02:27.000 --> 1:02:28.840
<v Speaker 1>Come on, come on.

1:02:30.480 --> 1:02:33.240
<v Speaker 2>Since the cake, it's just been all sweet.

1:02:34.320 --> 1:02:35.520
<v Speaker 1>The cakes in the cake.

1:02:35.600 --> 1:02:36.959
<v Speaker 2>Want you see cake on.

1:02:36.880 --> 1:02:39.440
<v Speaker 3>The screen, It's all sugar for the rest of the episode,

1:02:39.480 --> 1:02:40.560
<v Speaker 3>I wanted a little more.

1:02:42.600 --> 1:02:46.720
<v Speaker 1>They both give each other a smile, and that is

1:02:46.800 --> 1:02:49.560
<v Speaker 1>our show. I absolutely loved it.

1:02:49.640 --> 1:02:51.000
<v Speaker 2>Another great one for season four.

1:02:51.320 --> 1:02:54.560
<v Speaker 1>Gosh, really, I really enjoyed it. I know writer wants

1:02:54.560 --> 1:02:57.400
<v Speaker 1>there to be some, you know something.

1:02:57.080 --> 1:03:00.800
<v Speaker 2>Some some to the door because it's fall upstairs. He's

1:03:00.800 --> 1:03:05.560
<v Speaker 2>heard himself just going through the episode. Now it's like

1:03:05.600 --> 1:03:09.880
<v Speaker 2>it's Bill's biggest part maybe all it's so great and

1:03:09.920 --> 1:03:12.520
<v Speaker 2>he is and of course a legend.

1:03:13.040 --> 1:03:15.200
<v Speaker 1>Join us all for our next episode, recap it You'll

1:03:15.240 --> 1:03:18.040
<v Speaker 1>be Season four, episode twenty one, a little episode called

1:03:18.960 --> 1:03:20.240
<v Speaker 1>cult fiction.

1:03:20.920 --> 1:03:22.720
<v Speaker 2>Oh here we are people.

1:03:24.080 --> 1:03:26.400
<v Speaker 4>This is a big episode for Ann like a number

1:03:26.400 --> 1:03:28.000
<v Speaker 4>of reasons, it's a big episode.

1:03:28.520 --> 1:03:32.280
<v Speaker 1>It originally aired April twenty fifth, nineteen ninety seven. As always,

1:03:32.320 --> 1:03:34.400
<v Speaker 1>you can follow us on Instagram pod Meets World Show.

1:03:34.440 --> 1:03:36.400
<v Speaker 1>You can send us your emails pod meets World Show

1:03:36.440 --> 1:03:40.160
<v Speaker 1>at gmail dot com. And we've got merch We're all

1:03:40.160 --> 1:03:44.120
<v Speaker 1>Gonna Live Forever March writer send us out.

1:03:44.440 --> 1:03:46.160
<v Speaker 2>We love you all, pod dismissed.

1:03:48.040 --> 1:03:50.680
<v Speaker 3>Pod Meets World is an iHeart podcast producer hosted by

1:03:50.760 --> 1:03:54.760
<v Speaker 3>Danielle Fischel, Wilfredell and Ryder Strong executive producers, Jensen Karp

1:03:54.760 --> 1:03:57.960
<v Speaker 3>and Amy Sugarman Executive in charge of production, Danielle Romo,

1:03:58.160 --> 1:04:01.800
<v Speaker 3>producer and editor, TaRaSu Bosch, producer, Maddie Moore engineer and

1:04:01.840 --> 1:04:04.880
<v Speaker 3>boy Meets World Superman Easton Allen. Our theme song is

1:04:04.920 --> 1:04:08.040
<v Speaker 3>by Kyle Morton of Typhoon. Follow us on Instagram at

1:04:08.080 --> 1:04:12.360
<v Speaker 3>Podmets World Show or email us at podmetsworldshowat gmail dot

1:04:12.400 --> 1:04:15.920
<v Speaker 3>com