WEBVTT - This right here is all I will ever need (A Year in the Life: Fall) 0:00:00.760 --> 0:00:03.000 I am all in. 0:00:08.200 --> 0:00:14.560 That's just you. 0:00:17.000 --> 0:00:20.640 I am all in with Scott Patterson and iHeartRadio podcast. 0:00:20.720 --> 0:00:23.320 Hey everybody, Scott Patterson, I am all in Podcast one 0:00:23.360 --> 0:00:29.160 eleven Productions. iHeart radio, iHeart media, iHeart podcasts. We are 0:00:29.240 --> 0:00:34.520 gonna break down a year in the life Fall recap. 0:00:34.600 --> 0:00:39.520 I'm joined by partial intrepid crew, but pretty darn intrepid 0:00:39.560 --> 0:00:42.400 in their own right. Suzanne French, Tyre suit, Amy and 0:00:42.479 --> 0:00:49.199 Danielle will be joining us momentarily. And uh, are we 0:00:49.240 --> 0:00:50.879 gonna do a recap? Or you want to just get 0:00:50.960 --> 0:00:51.600 right into this? 0:00:53.760 --> 0:00:55.400 Should we start with overall thoughts? 0:00:56.040 --> 0:01:02.160 Or should we Okay, So I'm going to chime in here. 0:01:04.200 --> 0:01:10.120 I thoroughly enjoyed this. Yeah, I thought that it was 0:01:11.720 --> 0:01:15.560 I always try to look at these as movies and 0:01:15.680 --> 0:01:18.000 not to TV shows. It's an hour and a half. 0:01:18.080 --> 0:01:23.440 It's a whole different structure, as I've said before. And 0:01:23.640 --> 0:01:29.000 I thought Amy did a fantastic job of infusing all 0:01:29.040 --> 0:01:32.840 of her influences, I mean, from Fellini to Fincher. I 0:01:32.920 --> 0:01:35.920 saw her give a nod to so many different directors 0:01:37.120 --> 0:01:41.920 in this film. I thought the Light and Death Brigade 0:01:41.920 --> 0:01:46.320 stuff was magic. I thought the Luke and laurel ized 0:01:46.319 --> 0:01:50.040 stuff was fraught with tension and just great. I thought 0:01:50.160 --> 0:01:52.640 the Jess stuff was great. I thought a lot of it, 0:01:53.920 --> 0:01:57.720 and I thought Alexis was great. I thought the entire 0:01:59.160 --> 0:02:04.120 I thought the story or telling was spot on. I 0:02:04.120 --> 0:02:07.800 think it's really hard and plus it didn't seem like 0:02:07.880 --> 0:02:11.840 Gilmore Girls at all when it's in a film format, 0:02:11.960 --> 0:02:16.359 because it's taking more time, it's breathing, it's more open. 0:02:16.760 --> 0:02:20.040 You're getting close up of people reacting to things and 0:02:20.080 --> 0:02:24.760 feeling things and emoting things. We can read thoughts without words. 0:02:24.760 --> 0:02:27.640 And then at times it kicks in to our old 0:02:27.800 --> 0:02:32.400 familiar Gilmour banter right to bring us back in to it. 0:02:32.520 --> 0:02:34.880 It's like, oh, yes, this is but so it had 0:02:34.919 --> 0:02:39.240 the DNA, but it also Amy infused it with her 0:02:39.360 --> 0:02:44.640 love of dance, her love of cinema, because she's not 0:02:44.800 --> 0:02:49.840 just a TV gal, right, I mean she's an erudite, 0:02:50.400 --> 0:02:57.679 accomplished consumer of film and literature and anything pop culture obviously, 0:02:58.280 --> 0:03:03.320 and it was all infused into this film. And I 0:03:03.360 --> 0:03:07.519 thought as a film as a romantic comedy or a dramedy, 0:03:07.639 --> 0:03:11.200 it worked on every level and I enjoyed every single 0:03:11.919 --> 0:03:15.160 part of it. Blew me away Blew Me Away could 0:03:15.200 --> 0:03:17.560 have stood alone if they released it as a film, 0:03:18.320 --> 0:03:20.880 like here you go, fans, let's let's release it into 0:03:20.960 --> 0:03:23.600 three thousand theaters. I bet it would have done pretty 0:03:23.680 --> 0:03:24.160 darn well. 0:03:24.960 --> 0:03:28.680 No, and you watched it before, I mean no, you haven't. 0:03:28.800 --> 0:03:33.359 Okay, Well, I had to do a dr on our 0:03:34.360 --> 0:03:37.200 you know, my big speech in the kitchen with Laura 0:03:37.800 --> 0:03:41.520 when she returns from wilding. So i'd seen that before, Okay, 0:03:41.960 --> 0:03:44.080 but that's pretty much it. I think I did a 0:03:44.080 --> 0:03:46.840 little a dr on the just scene when the when 0:03:46.880 --> 0:03:51.840 the flower broke over me oh h covered flower. Yeah, 0:03:51.920 --> 0:03:55.760 but I hadn't seen anything else, and I was I 0:03:55.880 --> 0:04:00.680 was shocked, surprised and delighted by all of it. Yeah, 0:04:00.760 --> 0:04:04.840 I mean in the first act, I was just like wow, Wow, Wow, 0:04:05.000 --> 0:04:08.440 what an accomplishment. And I was so happy for Amy 0:04:08.440 --> 0:04:13.320 Sherman Palladino because somebody had given her the money and 0:04:15.640 --> 0:04:21.720 the means to make what really, you know, goes on 0:04:21.760 --> 0:04:24.400 in her head in a film makes sense and get 0:04:24.440 --> 0:04:27.560 it up on screen. She had free life, pretty much, 0:04:27.560 --> 0:04:29.240 free license to do what she wanted. I thought she 0:04:29.279 --> 0:04:32.320 did a beautiful job, a beautiful job. Yeah, And I 0:04:32.320 --> 0:04:36.200 think a real contribution to the Gilmour Cannon. I don't 0:04:36.240 --> 0:04:42.200 see it as my whole opinion of these episodes has changed. 0:04:42.440 --> 0:04:44.720 You know, some are week better than others. But this 0:04:44.960 --> 0:04:48.840 was just wow, krem de la creme, and actually kind 0:04:48.880 --> 0:04:54.400 of it was almost like, I hate to use the term. 0:04:54.839 --> 0:04:56.920 I don't want to say autopsy of the series or 0:04:56.960 --> 0:05:01.200 a post mortem of the series, but it kind of 0:05:01.279 --> 0:05:05.400 rightfully ended it in a way, you know what I'm saying. 0:05:05.440 --> 0:05:08.400 It's like, it's like all the loose ends were tied 0:05:08.520 --> 0:05:11.800 up pretty much, except of course you've got this, yeah, 0:05:11.839 --> 0:05:14.920 the cliffhanger, the four words at the end, right which 0:05:14.960 --> 0:05:18.160 opens it all back up again. But I just thought, 0:05:18.160 --> 0:05:21.839 what a delight, and they kept honoring Richard appropriately and 0:05:21.880 --> 0:05:26.400 those were big moments. And I really do like how 0:05:26.440 --> 0:05:31.040 they did the elopement and the wedding, but there's still 0:05:31.400 --> 0:05:35.320 more room for storytelling. I just loved it all. I 0:05:35.360 --> 0:05:37.960 loved it all anyway, I'll shut up you guys chime in. 0:05:40.480 --> 0:05:43.400 I also loved it, and I also realized I hadn't 0:05:43.440 --> 0:05:45.880 watched it in a really long time. I think I 0:05:46.000 --> 0:05:50.039 kind of avoid it because it's like the end, like 0:05:50.120 --> 0:05:54.159 the end, the end, kind of like how Amy avoided, 0:05:54.240 --> 0:05:57.839 you know, the last episode of the series. But what 0:05:57.880 --> 0:06:00.880 stood out to me, and again I agree with everything 0:06:00.920 --> 0:06:03.560 you said, Scott, but I thought the directing, like the 0:06:03.640 --> 0:06:06.360 camera work was so interesting that I actually looked up 0:06:06.400 --> 0:06:09.880 and I noticed it was Amy who directed it, and 0:06:09.880 --> 0:06:12.640 and the camera work was so interesting, the way like 0:06:13.160 --> 0:06:15.200 it would turn or it was like kind of it 0:06:15.240 --> 0:06:18.480 seemed like a handheld I don't know the like terminology of. 0:06:19.240 --> 0:06:22.360 A lot of those shots were on a dolly, which 0:06:22.400 --> 0:06:25.240 is actually like a train track. It's a mini train 0:06:25.360 --> 0:06:29.000 track for yeah, for the platform that the camera sits 0:06:29.000 --> 0:06:31.400 on so you can can it smoothly move And. 0:06:32.880 --> 0:06:35.800 It's like my favorite scene and we'll get to it, 0:06:36.000 --> 0:06:39.400 but was when Rory is alone in her grandparents' house, 0:06:39.560 --> 0:06:41.800 Like that was my favorite scene, just the way it 0:06:41.880 --> 0:06:42.279 was shot. 0:06:42.839 --> 0:06:46.240 Are you talking about how this is the best episode ever? 0:06:50.760 --> 0:06:51.000 Yes? 0:06:51.680 --> 0:06:52.360 Amazing. 0:06:53.520 --> 0:06:55.159 I wrote out of text to you last night. I 0:06:55.200 --> 0:06:56.880 deleted it because I was like, I need to wait, 0:06:56.920 --> 0:06:58.719 but I was like I needed to know what you 0:06:58.760 --> 0:06:59.480 thought of the just. 0:07:01.120 --> 0:07:02.440 I feel like he redeems it. 0:07:02.920 --> 0:07:08.040 I cannot handle this episode. It was everything I needed 0:07:08.400 --> 0:07:11.080 and then some. And I just wish all four were 0:07:11.160 --> 0:07:15.960 like this because it was so Gilmore Girls in every heart, 0:07:16.200 --> 0:07:20.400 every scene was Gilmore Girls, and I, oh my god, 0:07:20.440 --> 0:07:23.120 I'm just so happy it ended this way, like so 0:07:23.680 --> 0:07:24.960 thrilled me too. 0:07:25.120 --> 0:07:29.360 Me too. I think it's the you know, it gave 0:07:29.440 --> 0:07:33.240 me this. I mean, it opened up a whole new world. 0:07:33.280 --> 0:07:35.840 It's like, why is an Amy Sherman Paladina writing and 0:07:35.880 --> 0:07:41.040 directing films? I think she likes the immediacy of TV 0:07:41.960 --> 0:07:45.960 and the length and the width and the breadth and 0:07:46.000 --> 0:07:48.480 the depth of the storytelling that she can accomplish in 0:07:48.520 --> 0:07:51.160 a short period of time with TV because she does 0:07:51.160 --> 0:07:54.840 it at such a high level. But what she would 0:07:54.920 --> 0:07:58.680 be a great film director too. Oh, I mean just 0:07:58.720 --> 0:08:01.840 some of those like the shots like Tara, that shot 0:08:01.880 --> 0:08:05.160 of Rory opening up her laptop in Richard's office and 0:08:05.240 --> 0:08:10.280 starting to write her boss. The lighting there, it was gorgeous. 0:08:10.320 --> 0:08:12.680 It was like the beautiful movie shots. 0:08:12.840 --> 0:08:15.320 And there we was there was I feel like every 0:08:15.360 --> 0:08:18.080 loop was closed, Like That's what I loved about it. 0:08:18.080 --> 0:08:22.560 It's just every but then obviously left on a massive cliffhanger, 0:08:22.920 --> 0:08:25.760 but it just felt like we got closure on a 0:08:25.840 --> 0:08:28.400 lot on a loaned mm hmm. 0:08:29.480 --> 0:08:33.040 It was definitely the most cinematic of the four episodes, 0:08:33.160 --> 0:08:36.720 and I have to also, you know, give props to 0:08:36.800 --> 0:08:45.040 the set decoration, Like absolutely, the whole Life and Death 0:08:45.080 --> 0:08:48.240 Brigade thing, I thought that was a little drawn out, 0:08:48.320 --> 0:08:53.120 but visually lighting with it, it was so stunning. And 0:08:53.200 --> 0:08:56.240 then the whole wedding scene that's kind of the Alice 0:08:56.240 --> 0:09:00.480 in Wonderland theme, Like it just was like this magical Wonderland. 0:09:00.800 --> 0:09:04.400 Did not take your breath away. When Rory went into 0:09:04.440 --> 0:09:08.160 the stars Hollow Gazette at night and she was having 0:09:08.240 --> 0:09:12.439 that you know, this felliniesque experience outside with the crow 0:09:12.720 --> 0:09:15.280 talking to her, Yeah, you know all that, and the 0:09:15.320 --> 0:09:19.280 guy going by on a unicycle predicting doom and all stuff. 0:09:21.040 --> 0:09:21.640 It was good. 0:09:21.880 --> 0:09:25.160 It was It was so Italian noir. 0:09:25.840 --> 0:09:29.960 There was a lot of references to other things as well, 0:09:30.120 --> 0:09:34.000 like at the end of should we just jump into it, guys, 0:09:34.040 --> 0:09:34.720 because I feel. 0:09:34.559 --> 0:09:41.199 Like I wrote them down, but I mean that when 0:09:41.200 --> 0:09:43.880 she's inside and then she and then the camera comes 0:09:43.920 --> 0:09:46.679 around and gets a little bit behind her and we 0:09:46.760 --> 0:09:50.719 see three of the Light and Death Brigades coming emerging 0:09:50.800 --> 0:09:56.679 from the mist, it was like, wow, it was so beautiful. 0:09:56.720 --> 0:09:59.119 I'm gonna watch this again to you. 0:09:59.280 --> 0:10:01.640 I already watched twice. I'm gonna watch it third, fourth, Ye, 0:10:01.800 --> 0:10:02.200 I want. 0:10:02.040 --> 0:10:02.680 To watch it again. 0:10:03.640 --> 0:10:05.520 It was I mean, I have to admit I want 0:10:05.559 --> 0:10:08.640 to watch episode one again, like of the whole series 0:10:08.720 --> 0:10:10.439 right after because I was like, it can't end. 0:10:12.160 --> 0:10:14.319 This was like an hour and forty minutes. It was 0:10:14.360 --> 0:10:19.600 the longest before. It felt like twenty It felt so short. 0:10:19.679 --> 0:10:21.360 I don't know how to explain it. I was just 0:10:21.400 --> 0:10:24.880 hooked and fully invested the whole. 0:10:25.040 --> 0:10:27.440 What a gift, What a gift to the fans, you know, 0:10:27.800 --> 0:10:30.600 I mean, what a gift. Thank you, thank you, thank you, 0:10:30.679 --> 0:10:35.720 Amy Sherman peld you know, for this brilliant piece of filmmaking, 0:10:35.880 --> 0:10:40.560 brilliant on every level. It's like, as witty as the 0:10:40.600 --> 0:10:46.400 banter she creates, as funny as she can write, as 0:10:46.480 --> 0:10:49.680 dramatic as she can write. She also knows what the 0:10:49.679 --> 0:10:52.320 hell to do with a camera. She knows how to 0:10:52.360 --> 0:10:56.000 move a camera. And it's like, wow, what a what 0:10:56.080 --> 0:11:03.000 a what a talent? My gosh, my gosh. Anyway, should 0:11:03.080 --> 0:11:11.160 we even bother synopsizing? Yeah, let's get into it. 0:11:11.240 --> 0:11:15.440 Yeah, okay, so gosh, there is so much to talk about. 0:11:16.200 --> 0:11:20.720 So we start out. Lorelai is doing wild in air quotes. 0:11:20.840 --> 0:11:24.880 She's got this crazy backpack that is practically a character 0:11:25.240 --> 0:11:30.960 by itself. And then uh, so we see Jason Ritter. 0:11:34.200 --> 0:11:37.040 He's the first park ranger and of course probably most 0:11:37.080 --> 0:11:39.200 people know they work together in Parenthood. There were all 0:11:39.280 --> 0:11:41.600 there were like a lot of connections to Parenthood and. 0:11:41.559 --> 0:11:43.440 It is I think we talked about it. Parenthood had 0:11:43.480 --> 0:11:46.600 just ended because we had May Whitman. Then you have 0:11:46.760 --> 0:11:48.960 Peter Krause in this episode as well, and then. 0:11:49.040 --> 0:11:55.640 She's right, you also had Lauren's assistant. Yes, who was 0:11:56.200 --> 0:12:00.560 who was the whale? Uh in the Whale Museum? Right. 0:12:00.679 --> 0:12:03.440 I recommended the voice immediately because he was in that 0:12:03.520 --> 0:12:05.600 other episode. He was the one that wanted the steel 0:12:05.600 --> 0:12:13.960 cut oats. She's six sometime. Yeah, so lot lots of callbacks. 0:12:17.200 --> 0:12:23.160 So okay, Booker movie, she doesn't have her permit. Oh 0:12:23.160 --> 0:12:24.720 that's right. They were all going to start again the 0:12:24.720 --> 0:12:27.600 next day because the conditions were bad for boot throwing, 0:12:27.760 --> 0:12:32.439 So they all go back to their motel and then 0:12:32.480 --> 0:12:35.840 this is the part that you were talking about, Scott, 0:12:35.840 --> 0:12:40.680 where they're back at the Gazette and first Rory gets 0:12:40.679 --> 0:12:43.959 that message on her computer like this is like pre 0:12:44.120 --> 0:12:47.160 I am I guess she's she's got like the message 0:12:47.200 --> 0:12:51.280 on her computer. Ready says ready, and then the pedal 0:12:51.360 --> 0:12:55.800 the pig runs by, So you already know like, okay, something, 0:12:55.880 --> 0:12:59.640 this is going to be like super literal. There's gonna 0:12:59.640 --> 0:13:04.599 be some sort of fantasy elements here. And then we 0:13:04.679 --> 0:13:07.440 go to the diner scene. I loved the diner scene 0:13:07.559 --> 0:13:11.520 with Jess and Luke and everybody's on their laptops. 0:13:11.760 --> 0:13:14.400 And I said this after the last episode, where is 0:13:14.520 --> 0:13:18.679 Jess and Luke that was missing and I'm finally. 0:13:18.760 --> 0:13:20.680 I told you to stay tuned, Remember. 0:13:21.000 --> 0:13:23.199 You did, and it was a great payoff. 0:13:23.640 --> 0:13:27.160 Yeah, it was. I love that scene. And you know, 0:13:27.280 --> 0:13:32.880 Luke is all confused and off balance and funny little 0:13:32.920 --> 0:13:36.520 thing about how the vegetable cult kicked out TJ because 0:13:36.520 --> 0:13:41.680 they were two heard and then they have they have 0:13:41.760 --> 0:13:44.800 that nice conversation about Lorelei, you know, what is her 0:13:44.880 --> 0:13:48.080 ultimate intent with you know, leaving town and going out 0:13:48.120 --> 0:13:52.440 on this hike, and so that was that was just 0:13:52.480 --> 0:13:54.839 a great, a great moment between them, and so we 0:13:54.960 --> 0:13:55.559 seen it. 0:13:55.600 --> 0:13:57.400 There was a lot that was in that scene though. 0:13:57.800 --> 0:14:01.000 You you saw that Luke was come to terms that 0:14:01.360 --> 0:14:05.080 with the fact that Laurla may leave him right because 0:14:05.480 --> 0:14:09.720 you know, there was rockiness there and Jess can sniff 0:14:10.200 --> 0:14:12.840 that out like a mile away that something was going 0:14:12.880 --> 0:14:17.280 on with Luke, and Luke just revealed, you know, he 0:14:17.400 --> 0:14:19.880 revealed his biggest fear, that Laura I was going to 0:14:19.960 --> 0:14:21.520 leave him. I thought that was super powerful. 0:14:21.800 --> 0:14:24.560 Yeah, And it was such a role reversal too, because 0:14:25.200 --> 0:14:28.280 in the original series, it was always Luke trying to 0:14:28.360 --> 0:14:31.440 help Jess, and now it's completely the opposite, Like Jess 0:14:31.560 --> 0:14:34.160 is the adult and he's trying to help Luke through 0:14:34.520 --> 0:14:38.200 think through this situation. I really love Jess in that scene. 0:14:38.880 --> 0:14:40.480 And then he like the Internet. 0:14:43.080 --> 0:14:44.080 That was so funny. 0:14:44.800 --> 0:14:47.920 I'll also laugh about bagels split four ways. 0:14:47.960 --> 0:15:05.720 Really yeah, just a great scene all around. And then 0:15:05.920 --> 0:15:08.640 we go back to the motel where laurel I is 0:15:08.720 --> 0:15:11.480 with the other hikers and they're sitting around the fire 0:15:11.560 --> 0:15:16.840 pit talking about their stories. I really liked Lorelei's line 0:15:16.920 --> 0:15:19.320 when they asked her what her story was and she says, oh, 0:15:19.320 --> 0:15:22.280 there's no story, just a punchline like that kind of 0:15:22.760 --> 0:15:26.360 sums up her story, like it how she kind of 0:15:26.440 --> 0:15:30.880 uses humor to push other things away and to put 0:15:30.960 --> 0:15:33.840 up that wall around herself, and it really just in 0:15:33.920 --> 0:15:38.040 her mind, everything just boils down to a punchline. I 0:15:38.080 --> 0:15:39.520 thought that was powerful. 0:15:41.560 --> 0:15:43.840 I didn't even pick that up, but you're right, you're 0:15:43.960 --> 0:15:44.360 very right. 0:15:44.480 --> 0:15:51.560 Yeah, yeah, And let's see. So they all are talking about, 0:15:52.120 --> 0:15:54.720 you know, they all want to get some insight from this, 0:15:54.760 --> 0:15:57.360 which I think that's just the theme of Wild is, 0:15:57.400 --> 0:16:01.000 you know, everybody wants to get some insight from that height, 0:16:01.120 --> 0:16:07.000 whether it's you know, theoretical or physical. And just like 0:16:07.040 --> 0:16:09.080 we saw in the last scene with Luke talking about 0:16:09.080 --> 0:16:11.800 his fears, now we're seeing Laurel I talking about her fears. 0:16:13.320 --> 0:16:15.280 You know, she thought she had everything figured out and 0:16:15.320 --> 0:16:18.000 now she's not so sure anymore. 0:16:21.160 --> 0:16:22.840 You know, before we got your father's a little behind 0:16:22.880 --> 0:16:25.360 the scenes stuff that I should have shared. While we're 0:16:25.840 --> 0:16:30.200 talking about the Luke and Jess scene. How did how 0:16:30.200 --> 0:16:33.240 did they get the flower on me? Oh? Yeah, there 0:16:33.280 --> 0:16:37.120 was somebody back there. I forget who it was. It 0:16:37.200 --> 0:16:40.400 might have been Robert Lee. Somebody was back there, and 0:16:40.440 --> 0:16:43.840 they poured it on me every take. Gosh, I had 0:16:43.840 --> 0:16:45.760 to try to close my eyes and then they dumped 0:16:45.800 --> 0:16:49.280 it on you, and then I dacked forrassled walkout and. 0:16:49.240 --> 0:16:52.000 Did you have to change your clothes. Hi, everybody, Sorry 0:16:52.040 --> 0:16:56.040 I was late. Hi, I missed you all. Did you 0:16:56.080 --> 0:16:59.880 have to change your clothes and restart the front part? 0:17:00.280 --> 0:17:01.760 They got the flower off of you. 0:17:02.840 --> 0:17:06.119 Uh well, I emerge with the flower on, so I 0:17:06.200 --> 0:17:07.400 always have it on. 0:17:08.280 --> 0:17:11.359 Go back there, okay, because we just hear you okay. 0:17:11.200 --> 0:17:14.240 Oh gosh. I don't think we had to do it. 0:17:14.320 --> 0:17:16.160 I only think we had to do it the one time, 0:17:16.240 --> 0:17:22.280 maybe one or two times. It wasn't knocked right. I 0:17:22.320 --> 0:17:23.879 mean it's like with the with the push in the 0:17:23.960 --> 0:17:26.359 in the water, it's one take. With this was one take. 0:17:26.400 --> 0:17:29.119 You know, it's all easy. It's all easy. 0:17:29.200 --> 0:17:31.960 Ry sort of dryness. I don't know what the like 0:17:33.119 --> 0:17:36.200 right where it is the dry sarcasm of the scenes 0:17:36.200 --> 0:17:39.239 with you and Mila. They always have that sort of 0:17:39.400 --> 0:17:46.720 like there's a sarcasm, there's sort of a it's very understated, 0:17:46.880 --> 0:17:51.360 it's never overacted. And both of you play. I literally 0:17:51.400 --> 0:17:58.800 remember when I was watching Fall, thinking these two are buds, right, 0:17:58.920 --> 0:18:02.720 like you see it in the episode like and I 0:18:02.760 --> 0:18:05.439 want to talk all about Milo in this episode. I 0:18:05.440 --> 0:18:07.280 love Fall, It's my favorite one of all the movies. 0:18:07.320 --> 0:18:11.000 But I because it made me think about the podcast 0:18:11.040 --> 0:18:15.040 episode where we had Milo on the friendship and the 0:18:15.080 --> 0:18:19.560 sort of like bromance between the two of you is 0:18:19.680 --> 0:18:23.959 so obvious. It's obvious in this episode, and it's obvious 0:18:24.000 --> 0:18:26.399 when we had him on just the love that you 0:18:26.440 --> 0:18:27.360 guys have for each other. 0:18:27.480 --> 0:18:29.520 So jealous, I want a bromance with Milo. 0:18:31.080 --> 0:18:36.320 He also looked extra for Buff this episode. He was jazzed, I. 0:18:36.320 --> 0:18:38.240 Think in the in this in the scene in the house, 0:18:38.280 --> 0:18:40.240 I was like, man, he's. 0:18:40.080 --> 0:18:43.840 A real highlight to this episode, and I know, well, 0:18:44.160 --> 0:18:48.000 I don't know what I missed. The scene at his 0:18:48.119 --> 0:18:51.440 sort of final moment looking in on Rory. 0:18:52.480 --> 0:18:56.159 At it, real emotional. 0:18:58.200 --> 0:19:01.120 The whole episode was like that cried multiple times. 0:19:01.800 --> 0:19:06.200 Really was better this time, Susanne, you were so right 0:19:06.840 --> 0:19:11.480 watching it multiple times because for me when I whatever, 0:19:11.520 --> 0:19:12.919 I don't know, I don't want to give the end, 0:19:13.000 --> 0:19:16.359 but like I have a total different take on the 0:19:16.640 --> 0:19:19.400 end now than I did eight years ago. 0:19:20.280 --> 0:19:21.480 M hm. And the. 0:19:22.960 --> 0:19:25.600 Writing of the new series in my head where the 0:19:25.680 --> 0:19:28.840 baby is Logan's but Milo is the is the boyfriend 0:19:29.200 --> 0:19:30.840 is just everywhere. 0:19:30.520 --> 0:19:32.840 For me right now, like we have to we have 0:19:32.920 --> 0:19:36.160 to talk about it. I completely disagree. Oh, I feel 0:19:36.240 --> 0:19:39.399 like that was that an actual spin off, Like, no, 0:19:39.640 --> 0:19:40.800 I'm making it up to me. 0:19:42.000 --> 0:19:47.160 To me, the Logan is the baby daddy, but she's 0:19:49.080 --> 0:19:53.000 reconcile with Jess and that is a series. I'm like, 0:19:53.160 --> 0:19:55.840 I am, why do you hate that? 0:19:56.359 --> 0:19:59.600 No, I just I don't think. I think this is 0:19:59.600 --> 0:20:02.119 going to say really weird, but I think Jess is 0:20:02.160 --> 0:20:04.520 too good for Rorri. Now. I don't think he's going back. 0:20:04.600 --> 0:20:07.080 I think he's moved on. I think he's on his path. 0:20:07.560 --> 0:20:11.200 And say that except for the way he looks, I know, 0:20:11.520 --> 0:20:13.800 but it's it's that look that he gave is. I 0:20:13.920 --> 0:20:16.320 will always love her, but we're not meant to be. 0:20:16.560 --> 0:20:16.920 I didn't. 0:20:16.920 --> 0:20:18.080 I will always love her. 0:20:18.800 --> 0:20:20.520 I love her. 0:20:21.960 --> 0:20:24.720 That. I don't know if I got the it's not 0:20:24.880 --> 0:20:25.640 meant to be part. 0:20:26.520 --> 0:20:29.119 See, I agree with you, Scott, I got Yeah, I 0:20:29.200 --> 0:20:31.760 love her and this is fun to speculate. 0:20:31.840 --> 0:20:33.520 I did want to do that on this episode. I 0:20:33.560 --> 0:20:37.159 wanted to speculate on what's next, Like what if if 0:20:37.200 --> 0:20:40.399 there was one more uh year in the life, what 0:20:40.560 --> 0:20:41.200 that would look like? 0:20:42.440 --> 0:20:44.560 Well, I mean with a with a Logan baby and 0:20:44.640 --> 0:20:47.960 being together with Jess. That's history repeating itself, right, That's 0:20:48.440 --> 0:20:51.840 that's Christopher. And then Luke, and it's. 0:20:52.000 --> 0:20:56.280 It's Dean and Jess mirrors it's also Dean and Jess. 0:20:56.320 --> 0:20:59.600 It's like, look, this show doesn't doesn't shy away from 0:20:59.640 --> 0:21:02.600 trying right. It loves a triangle everything in the show, 0:21:03.000 --> 0:21:05.040 which is like a whole psychology of this show. But 0:21:05.560 --> 0:21:14.359 the triangle of Grandma, mother daughter, the triangle of Christopher, Lorli, Luke, Dean, Jesse, Rory. 0:21:14.640 --> 0:21:22.359 Like we had triangles throughout this series, and fans like triangles. Yeah, yeah, 0:21:23.600 --> 0:21:26.040 the tale is oldest time. Guys. Wait what did I miss? 0:21:26.080 --> 0:21:27.200 By the way, how far did we get? 0:21:27.920 --> 0:21:28.440 Not that far? 0:21:28.600 --> 0:21:29.000 Not that far. 0:21:29.800 --> 0:21:32.640 We're just coming up to the scene where they were 0:21:32.720 --> 0:21:34.360 the Life and Death Brigade. 0:21:34.119 --> 0:21:39.680 And we were lavishing Fall with excessive praise to the 0:21:39.760 --> 0:21:41.440 point where it all made us sick. 0:21:42.080 --> 0:21:44.480 So yeah, it was a significant amount of life. 0:21:44.640 --> 0:21:47.240 If you will indulge me, If you will indulge me, 0:21:47.440 --> 0:21:50.560 I agree. Fall is great. 0:21:51.040 --> 0:21:51.280 Great. 0:21:51.480 --> 0:21:56.959 Fall is great from start to finish. The hair has 0:21:57.040 --> 0:21:57.880 totally improved. 0:21:58.240 --> 0:22:01.960 I'm sorry, except from my hair piece. I'm sorry that 0:22:02.200 --> 0:22:03.440 it wasn't that bad. 0:22:03.640 --> 0:22:04.440 It's not great. 0:22:04.600 --> 0:22:07.520 The camera move around at the gazebo and the wedding, 0:22:08.160 --> 0:22:11.199 and that looked like it fell from about ten thousand 0:22:11.240 --> 0:22:13.400 feet and splatted on top of my head. I'm sorry, 0:22:14.040 --> 0:22:14.800 not terrible. 0:22:15.080 --> 0:22:17.280 It's not terrible that here. 0:22:17.440 --> 0:22:22.200 I really noticed it though the other scene, right it 0:22:22.280 --> 0:22:22.960 looked okay, but. 0:22:23.040 --> 0:22:27.320 That Lauren Lorelei's hair is totally improved back to normal. 0:22:27.720 --> 0:22:30.879 I looked like Earl Shibe, you know, selling paint. It 0:22:31.040 --> 0:22:36.199 was it was. It was bad. Go ahead, all right. 0:22:37.000 --> 0:22:37.520 Zan was. 0:22:39.200 --> 0:22:40.879 Was leading the charge here. 0:22:41.080 --> 0:22:44.159 Great, I was trying to We keep getting distracted though, 0:22:44.160 --> 0:22:46.159 because we keep going off. I mean, that's just what 0:22:46.280 --> 0:22:46.440 we do. 0:22:46.520 --> 0:22:48.639 We got It's what we do. It's Tangent City. Our 0:22:48.760 --> 0:22:52.439 love for Fall makes us visit Tangent City so often 0:22:52.560 --> 0:22:53.960 now so we have. 0:22:55.480 --> 0:22:57.760 We were talking about how there's so many throwbacks in 0:22:57.880 --> 0:23:01.400 this episode to the original show, and I I realized 0:23:01.520 --> 0:23:03.159 we already missed one of them. And that was at 0:23:03.200 --> 0:23:05.640 the very opening scene where she's got the backpackage. She's 0:23:05.680 --> 0:23:07.359 on the phone leaving a message for Luke and she 0:23:07.440 --> 0:23:10.120 makes a comment about how all parts of the tree 0:23:10.200 --> 0:23:13.560 are edible, and that was from she had a conversation 0:23:13.720 --> 0:23:16.560 with Jess about that when he was cleaning out the gutters. 0:23:17.680 --> 0:23:19.879 And I know that's a pop culture reference. It's from 0:23:19.920 --> 0:23:21.240 her book. I don't we maybe. 0:23:22.920 --> 0:23:22.960 Me? 0:23:23.600 --> 0:23:24.080 And then. 0:23:25.560 --> 0:23:29.560 So in this scene we have the gorilla masks are back. 0:23:29.720 --> 0:23:32.600 Remember R's in missile encounter with the Life and Death 0:23:32.600 --> 0:23:35.200 Brigade was the girl and the gorilla mask in the bathroom. 0:23:35.640 --> 0:23:38.520 I will say, like with the computer and the pig 0:23:38.720 --> 0:23:41.879 and like all that, I didn't piece it together that 0:23:42.520 --> 0:23:45.200 they were coming back. But then when I saw them, 0:23:45.280 --> 0:23:45.679 I was like. 0:23:46.160 --> 0:23:52.240 Yeah, yeah, yes, yes, yes, I need another Life and 0:23:52.320 --> 0:23:55.640 Death Brigade like throw I needed that again. 0:23:56.080 --> 0:23:59.120 Yeah, you know that some people don't love it, which 0:23:59.160 --> 0:24:01.240 I think is look because I saw in the comments 0:24:01.280 --> 0:24:03.720 when we were all talking about the musical that people 0:24:03.800 --> 0:24:06.760 were like, I know, Amy's gonna love this part and 0:24:06.880 --> 0:24:08.160 it's so cringey. 0:24:08.800 --> 0:24:10.600 Whatever, I don't like this. 0:24:11.520 --> 0:24:14.199 Some people don't. I mean that was my inference, if 0:24:14.240 --> 0:24:18.440 that's a word inference, inference inference from their comments, because 0:24:18.440 --> 0:24:20.840 they didn't come out and say it. They said, oh, 0:24:21.000 --> 0:24:23.639 they're gonna like this or they're not gonna like this whatever. 0:24:25.440 --> 0:24:28.399 I love it so much that I YouTube just this 0:24:28.600 --> 0:24:31.879 scene all the time. I love the music, I love 0:24:31.920 --> 0:24:33.560 the dancing, I love the mist, I love. 0:24:33.480 --> 0:24:34.600 The dark miss. 0:24:36.760 --> 0:24:39.600 The way they yeah, the way they're revealed. 0:24:40.280 --> 0:24:40.800 I love her. 0:24:40.880 --> 0:24:44.160 I love that blue coat. I literally have been scouring 0:24:44.200 --> 0:24:46.080 the internet for that blue. 0:24:47.280 --> 0:24:51.600 Right. And it's stuff, it's film, it's cinema, it's actual 0:24:52.200 --> 0:24:56.920 high level cinema or homage to high level cinema. 0:24:56.800 --> 0:24:58.760 Right, fol Dancing with the Stars number. 0:24:59.359 --> 0:25:01.560 We were at the Tata Club a little too long. 0:25:01.800 --> 0:25:05.239 It could have been a little I did. I did 0:25:05.440 --> 0:25:05.720 love it. 0:25:06.560 --> 0:25:13.040 I wanted Matt Zuger and Alexis to learn a full dance. 0:25:13.359 --> 0:25:15.159 I could have stayed longer, Thank you, Scott. 0:25:15.240 --> 0:25:19.720 I just thought I thought dance was so bad. 0:25:20.960 --> 0:25:22.960 They both looked awkward to me, like. 0:25:26.000 --> 0:25:29.520 World class dancers that were hired. How are they going 0:25:29.600 --> 0:25:30.399 to shine? You know? 0:25:30.560 --> 0:25:31.360 I love those. 0:25:33.359 --> 0:25:38.320 Yeah, I love the jokes of their just like astonishing privilege, right, 0:25:38.520 --> 0:25:43.200 just buying this and buying that, and then it ends. 0:25:43.520 --> 0:25:46.040 With my heartbreaking like. 0:25:48.200 --> 0:25:52.200 Rory, It's almost like it's just painful. And even though 0:25:52.200 --> 0:25:55.800 I'm like, yes, and even though he's such a cheater, cheater, 0:25:55.920 --> 0:25:59.480 pumpkin eater, I'm so like forgiving of it. And she's 0:25:59.640 --> 0:26:02.280 like they're both wrong, but like it's. 0:26:02.200 --> 0:26:06.960 So right, and you just it takes on, you know 0:26:07.160 --> 0:26:09.080 a lot of what Rory was doing what was going 0:26:09.160 --> 0:26:11.880 on in this is it was taking on tragic proportions 0:26:12.720 --> 0:26:13.960 and it's. 0:26:14.880 --> 0:26:18.439 So well done, so you just want one of them 0:26:18.480 --> 0:26:21.200 so badly to be like can we be together? And 0:26:21.480 --> 0:26:24.720 I feel like Rory gave that her shot by saying, 0:26:25.160 --> 0:26:26.000 are you really going to. 0:26:26.080 --> 0:26:26.760 Marry your debt? 0:26:26.920 --> 0:26:31.240 Like, yeah, she tried to go there. She gave it 0:26:31.840 --> 0:26:34.400 the shot that it needed. And I think that's why 0:26:34.520 --> 0:26:38.040 she's so easily able to move on because she gave 0:26:38.080 --> 0:26:41.200 it the shot and realized that it's not happening, that 0:26:41.320 --> 0:26:43.199 that's that that's not happening. 0:26:43.760 --> 0:26:44.000 Yeah. 0:26:44.200 --> 0:26:47.800 I want to spend a second on that because I 0:26:47.920 --> 0:26:53.320 always see on comments on social media people say things like, oh, 0:26:53.680 --> 0:26:57.200 you know, Logan would have been Logan would have left 0:26:57.280 --> 0:26:59.480 Odette if Rory had asked him to. 0:26:59.840 --> 0:27:03.760 She did then shed, and that to me, that was her. 0:27:03.760 --> 0:27:06.800 Giving him an opening and she said are you really 0:27:06.880 --> 0:27:08.680 going to marry her? That would have been the perfect 0:27:08.720 --> 0:27:10.959 time for him to say something flip like, well, make 0:27:11.080 --> 0:27:14.240 me a better offer or something like that, and he doesn't. 0:27:14.440 --> 0:27:17.760 He says that's the dynastic plan. He to me, that's 0:27:17.920 --> 0:27:21.600 totally a cop out, and you know he's in his 0:27:21.800 --> 0:27:24.440 mid thirties. Now he doesn't have to marry who Mommy 0:27:24.480 --> 0:27:26.639 and Daddy tell him to marry. If he wants to 0:27:26.720 --> 0:27:29.879 be with Rory, he can leave Odette without her telling 0:27:29.960 --> 0:27:33.280 him to, like, he can make that choice, and he doesn't. 0:27:33.560 --> 0:27:36.320 But here's why that doesn't happen. Sorry, I don't want 0:27:36.320 --> 0:27:36.800 to interrupt you. 0:27:36.880 --> 0:27:41.280 Right to withdraw his stock options. 0:27:41.359 --> 0:27:43.840 Well, no, God, he's got the best of both worlds 0:27:43.920 --> 0:27:46.000 right now. He's got his cake and he's eating it. 0:27:46.240 --> 0:27:49.960 So storytelling wise, here's why I think that doesn't happen 0:27:51.080 --> 0:27:54.600 because if he says to her, then I want to 0:27:54.640 --> 0:27:57.120 be with you, we don't have our end of mom 0:27:57.200 --> 0:27:59.680 I'm pregnant. It would be like I'm marrying Logan and 0:27:59.800 --> 0:28:03.320 I'm pregnant. It's just a totally different mic drop. So 0:28:03.520 --> 0:28:07.200 for me, it's all part of this story, right, and 0:28:07.280 --> 0:28:10.920 we're left with a huge cliffhanger essentially. So I think 0:28:11.080 --> 0:28:15.000 the storytelling is because he doesn't say like no, never, 0:28:15.640 --> 0:28:17.920 It's like he sort of gives that answer Susanne. I 0:28:17.960 --> 0:28:20.720 think you said it like that's the plan. That doesn't 0:28:20.760 --> 0:28:22.919 mean yes, he said that's the plan. 0:28:23.160 --> 0:28:25.960 And it doesn't mean no on Logan's part either. There's 0:28:26.000 --> 0:28:28.440 still storytelling to be had there. 0:28:28.720 --> 0:28:31.840 Yeah, right, you're right, You're right, And then we get 0:28:31.960 --> 0:28:35.760 to this end because the end, everything is leading to 0:28:35.920 --> 0:28:39.440 the end, right, we're heartbroken for her. Oh gosh, I 0:28:39.840 --> 0:28:43.280 clearly he's the daddy, right, Like there's nothing It's never 0:28:43.400 --> 0:28:45.320 been more obvious to me than on this rewatch that 0:28:45.720 --> 0:28:50.920 he is the father. Yeah, but that's why we're left. 0:28:51.040 --> 0:28:55.280 That's why she's so brilliant Amy, because that's why we 0:28:55.440 --> 0:28:58.120 have that moment with Jess of him looking in the 0:28:58.200 --> 0:28:59.920 window and all of us going, oh my god, he 0:29:00.120 --> 0:29:04.160 because otherwise why would Luke say, is that is that over? 0:29:04.360 --> 0:29:04.440 Oh? 0:29:04.560 --> 0:29:07.200 Yeah, that's over? And then he looks at her like, 0:29:08.560 --> 0:29:10.880 we'll get into it, and and I do. At the 0:29:10.960 --> 0:29:13.280 end of this, stew want to talk about what we 0:29:13.520 --> 0:29:17.280 all think is coming up, because I think the we'll 0:29:17.280 --> 0:29:20.880 talk about it. The scene with Christopher was very important too. 0:29:21.720 --> 0:29:24.280 There's a lot in there. There's a lot in there 0:29:24.440 --> 0:29:26.120 about Yeah, so we'll get. 0:29:26.040 --> 0:29:29.400 Into this scene scene and then I want to let 0:29:29.440 --> 0:29:30.040 you finish. 0:29:31.440 --> 0:29:35.640 What I love about about this part though, is I 0:29:36.560 --> 0:29:39.680 I actually as a fake, as a as a viewer 0:29:39.760 --> 0:29:42.600 who's been watching this in season one, I have never 0:29:42.800 --> 0:29:44.760 liked Rory. I will be the first person to say 0:29:44.880 --> 0:29:48.320 I have been saying that I loved her so much 0:29:48.440 --> 0:29:50.480 in this scene because she was like, you know what, 0:29:50.600 --> 0:29:52.360 I'm going to get my own car and I'm going 0:29:52.440 --> 0:29:54.320 to get the hell out of here and I'm going 0:29:54.400 --> 0:29:56.360 to start doing things for myself. And I feel like 0:29:56.520 --> 0:29:59.720 we finally saw the wheels start to turn in her 0:29:59.760 --> 0:30:03.400 brain and this, and I really really love that. I 0:30:03.440 --> 0:30:05.520 don't know, I just got to give like kudos to 0:30:05.640 --> 0:30:06.120 Rory here. 0:30:06.200 --> 0:30:06.640 I just do. 0:30:08.240 --> 0:30:11.680 Yeah, yeah, And she didn't take the keys and she's 0:30:11.720 --> 0:30:12.560 the keys. 0:30:12.400 --> 0:30:15.000 And she fad and I love that she was like 0:30:15.160 --> 0:30:17.160 I know where I want to write this, and I'm like, 0:30:17.200 --> 0:30:18.720 where is she going to write this? And then we 0:30:18.800 --> 0:30:22.480 get the payoff, you know, like there's oh god, Amy 0:30:22.680 --> 0:30:25.880 is such a freaking genius. All this stuff is just. 0:30:27.520 --> 0:30:32.800 Shows real growth as a character and real maturity as 0:30:33.200 --> 0:30:37.440 as as a character. I mean, it's it's yeah, it's 0:30:37.480 --> 0:30:38.200 wonderful to watch. 0:30:38.320 --> 0:30:43.560 Think you also really feel like Amy Sherman Palladino loves 0:30:43.720 --> 0:30:47.400 these characters right, because she did right by them all 0:30:47.560 --> 0:30:49.560 pretty much, except for the one joke that I just 0:30:49.720 --> 0:30:52.920 was like, he doesn't think that's how surrogacy works. But whatever, 0:30:52.960 --> 0:30:58.880 we'll get to that. She really did not other than 0:30:58.960 --> 0:31:02.920 that one line, she really didn't write by all the characters, 0:31:03.720 --> 0:31:07.440 all of them, and I, frankly, we can argue this. 0:31:08.960 --> 0:31:11.280 I'm not mad about how they get married. I thought 0:31:11.320 --> 0:31:17.800 it was beautiful and I'm frank Yeah, so we'll get 0:31:17.840 --> 0:31:19.480 to that. But anyway, Susanne, I wanted to let you 0:31:19.560 --> 0:31:21.280 finish your thought. 0:31:21.440 --> 0:31:22.800 Still have a big wedding. 0:31:23.240 --> 0:31:25.960 They're having a party, the party is not canceled. 0:31:27.360 --> 0:31:30.760 There's more story to be told her. I I completely agree. 0:31:30.960 --> 0:31:36.000 They just needed that they ceremony to be so intimate 0:31:37.120 --> 0:31:40.080 and just when you're and you're like, oh, Michelle's there 0:31:40.320 --> 0:31:44.080 and Lane's there, this is It gives me chills. I 0:31:44.280 --> 0:31:47.480 was so pleased. I was just like, this is and 0:31:47.800 --> 0:31:52.200 that and she's walking through and then to not end 0:31:52.280 --> 0:31:55.000 on that scene that you end on the morning after 0:31:55.200 --> 0:31:59.200 before the big celebration with this bomb drop. But anyway, Susanne, 0:31:59.240 --> 0:32:01.920 keep talking about because I don't want to not acknowledge 0:32:01.920 --> 0:32:05.680 your frustration with logan, even though I saw great meaning 0:32:05.800 --> 0:32:05.960 in it. 0:32:06.840 --> 0:32:09.120 Yeah, I think I made my point. I just was 0:32:09.200 --> 0:32:12.000 saying that, you know, a lot of people think that 0:32:12.600 --> 0:32:15.800 Rory needs to tell Logan to leave Odette and then 0:32:15.840 --> 0:32:17.920 he will be with her. But my point was really 0:32:17.960 --> 0:32:21.080 that he is making a choice to be with Odette 0:32:21.120 --> 0:32:22.440 and not Rory because. 0:32:22.200 --> 0:32:24.719 Of the ball here he got. She was leading him 0:32:24.760 --> 0:32:27.480 to water and he didn't take like she she was 0:32:27.560 --> 0:32:29.840 doing it. I did want to say in this scene. 0:32:29.880 --> 0:32:32.320 It was a callback that I wanted to bring up. 0:32:32.680 --> 0:32:35.640 When she was saying bye to the three was Wizard 0:32:35.720 --> 0:32:37.280 of Oz? Did anybody? 0:32:37.800 --> 0:32:38.000 Yeah? 0:32:38.560 --> 0:32:38.760 Yeah? 0:32:39.480 --> 0:32:39.720 Yeah? 0:32:39.800 --> 0:32:42.040 And I was literally I was like, this is she 0:32:42.120 --> 0:32:45.880 was saying by the tin man and the lie exactly? 0:32:46.200 --> 0:32:47.240 It was exactly it. 0:32:48.080 --> 0:32:49.160 Yeah, that's dumb. 0:32:50.040 --> 0:32:51.480 Yeah, guys, I did not get that. 0:32:51.760 --> 0:32:54.880 Okay, really maybe watch it, watch it back Amy. 0:32:55.080 --> 0:32:57.000 Just now maybe Susanne, I don't know if you have 0:32:57.160 --> 0:33:01.320 the what she says, but natural when she's saying her yeah, 0:33:01.320 --> 0:33:03.000 I know right where it is now and I'm now 0:33:03.120 --> 0:33:06.560 getting it and the whole you know, I felt, you 0:33:06.600 --> 0:33:08.240 can alsoy one thing really fast and then I'll shut 0:33:08.280 --> 0:33:11.560 the hell up. This scene. I don't know if I 0:33:11.760 --> 0:33:14.360 love it so much because it resonates so much with me. 0:33:14.840 --> 0:33:18.160 Have you ever had that night, that that night with 0:33:18.320 --> 0:33:21.240 the person you love and you're surrounded by these like 0:33:21.840 --> 0:33:24.840 the cool kids, and the whole thing's just firing on 0:33:24.920 --> 0:33:27.360 all cylinders and you love this night, and yet you 0:33:27.480 --> 0:33:29.960 keep looking at your watch because you're like, oh god, 0:33:30.000 --> 0:33:31.959 we only have seven more hours. Oh god, we only 0:33:32.000 --> 0:33:35.120 have six more hours. And I just felt that and 0:33:35.240 --> 0:33:38.440 it's like, oh gosh, that was three nights. 0:33:38.280 --> 0:33:39.880 A week when I lived in New York City. I 0:33:39.960 --> 0:33:40.480 mean that was like. 0:33:42.400 --> 0:33:44.600 I just kind of blew my mind a little bit. Sorry, 0:33:45.800 --> 0:33:48.160 But back to the whole Wizard of Oz thing. If 0:33:48.160 --> 0:33:51.440 you think about uh, Wizard of Oz and Rory and 0:33:51.560 --> 0:33:55.440 this is Dorothy, she's saying goodbye to these you know, 0:33:55.560 --> 0:33:58.880 the line and the tin Man and the Scarecrow, and 0:33:59.760 --> 0:34:02.640 she is going back home, right, So she's staying back, 0:34:02.960 --> 0:34:06.640 saying bye to this like beautiful land of Oz or whatever, 0:34:06.880 --> 0:34:09.759 and is going back home. I feel like that is 0:34:09.880 --> 0:34:12.360 literally what Rory's doing in the scene. She's saying goodbye 0:34:12.480 --> 0:34:15.399 to the Life and Death Brigade but going back home 0:34:15.520 --> 0:34:18.440 to write her book. Like there's a lot of something 0:34:18.520 --> 0:34:19.120 there I don't know. 0:34:19.440 --> 0:34:21.759 And the whole point and we're getting a little bit 0:34:21.760 --> 0:34:23.560 ahead because we're actually not at that scene yet, but 0:34:25.200 --> 0:34:27.880 the whole point in the Wizard of Oz was that 0:34:28.080 --> 0:34:31.759 Dorothy had the power the whole time. She didn't need 0:34:31.880 --> 0:34:34.239 the Wizard, she didn't need to go on this whole 0:34:34.320 --> 0:34:36.880 physical journey. She had the power the whole time. It's 0:34:36.960 --> 0:34:39.560 kind of the same thing with Rory, like she's always 0:34:39.600 --> 0:34:43.480 had that internal power and now she's going to exercise. 0:34:42.880 --> 0:34:46.040 It and go, you know, you, guys, this is so good. 0:34:46.200 --> 0:34:47.759 I can't even handle it. 0:34:47.840 --> 0:34:50.240 Yeah, it's so good, so much. 0:34:59.280 --> 0:35:01.680 Before we leave the tango club or the Yeah, the 0:35:01.719 --> 0:35:07.680 tango club, I just wanted to club. So the cigarette 0:35:07.760 --> 0:35:12.120 girl was Amy shrim Palladino's mom. I don't know if 0:35:13.280 --> 0:35:17.200 that or not really, Yeah, And then the other thing. 0:35:17.560 --> 0:35:22.759 I realized this last night for the first time. The room, 0:35:23.120 --> 0:35:25.560 like the physical room at the studio where they shot 0:35:25.680 --> 0:35:28.439 that scene, I realized last night is the same room, 0:35:29.760 --> 0:35:32.879 a different end of it where Luke and LORLEI had 0:35:33.040 --> 0:35:36.160 the I am all in conversation. One end of that 0:35:36.360 --> 0:35:39.719 room was the restaurant where they went on that date 0:35:39.880 --> 0:35:43.440 and said I am all in. And I figured it 0:35:43.520 --> 0:35:47.560 out because when we were on the lot for the 0:35:47.840 --> 0:35:51.440 coffee event back in January, we went in there and 0:35:51.520 --> 0:35:53.960 you were, Scott, you were talking about how yeah, this 0:35:54.120 --> 0:35:56.200 is where we filmed that scene. I took a picture, 0:35:57.200 --> 0:35:59.560 and when I was watching the episode last. 0:35:59.480 --> 0:36:01.040 Night, I'm like, wait a minute, did you go back 0:36:01.040 --> 0:36:02.000 the same stairs? 0:36:02.239 --> 0:36:06.400 And so I pulled up when Rory and Logan are 0:36:06.440 --> 0:36:09.600 standing there like on a balcony and the ceiling is 0:36:09.640 --> 0:36:12.120 really low and they're like leaning over the rail looking 0:36:12.160 --> 0:36:14.160 out at the dancers, and then they go down the stairs. 0:36:14.640 --> 0:36:17.320 I went back and looked at my picture. It's exactly 0:36:17.400 --> 0:36:18.320 the same staircase. 0:36:18.880 --> 0:36:23.280 Does that Did that room seem large enough to shoot 0:36:23.320 --> 0:36:25.200 all that tango club scene? 0:36:26.040 --> 0:36:30.239 Really, the dancing was from a different angle, so the 0:36:30.400 --> 0:36:32.759 dancing may have been in a different place, but when 0:36:33.440 --> 0:36:36.759 when they're coming down those steps, that was in that 0:36:37.360 --> 0:36:38.840 same room as the restaurant. 0:36:39.000 --> 0:36:41.600 By the way, speaking of coffee events at Warner Brothers, 0:36:41.640 --> 0:36:45.640 we just had another one to launch the Fall Blend 0:36:46.080 --> 0:36:50.360 and it was eruptive. It was fantastic. I got the 0:36:50.440 --> 0:36:53.680 surprise fifty fans from the tour. It was really great, 0:36:53.840 --> 0:36:54.880 serve them all coffee. 0:36:55.400 --> 0:36:57.680 You can see the videos are so great. 0:36:57.920 --> 0:37:01.080 We had such a good time. Anyway back anyway, so 0:37:01.160 --> 0:37:01.799 I just wanted to. 0:37:02.040 --> 0:37:04.200 Say those two things about the Tango Club so then 0:37:04.239 --> 0:37:07.600 they go to the inn, which, if you look closely, 0:37:07.840 --> 0:37:11.560 that was the Dragonfly. They just repainted it and put 0:37:11.640 --> 0:37:14.759 some furniture in some different places, but the inn in 0:37:14.840 --> 0:37:16.879 New Hampshire that they all go to was the Dragon 0:37:16.960 --> 0:37:17.400 dragon Fly. 0:37:18.880 --> 0:37:19.120 Wow. 0:37:19.800 --> 0:37:22.879 And then so then there was after that. They get 0:37:22.960 --> 0:37:26.520 to the inn and they go up to Logan's room. 0:37:28.120 --> 0:37:30.560 Then there was a short quick scene back at the 0:37:30.600 --> 0:37:34.680 motel with Lorelei and her new friends that was just 0:37:34.800 --> 0:37:37.080 kind of filler. They're all coming back out for the 0:37:37.160 --> 0:37:37.719 next round. 0:37:38.000 --> 0:37:39.719 You guys might have already said this, but I was 0:37:40.040 --> 0:37:46.440 happily surprised because in my memory Wild took way too long, 0:37:46.960 --> 0:37:48.080 but it actually doesn't. 0:37:48.239 --> 0:37:48.720 It doesn't. 0:37:49.080 --> 0:37:51.839 In my memory, I was like, oh, Wild, And now 0:37:51.920 --> 0:37:56.080 I'm like, actually, Wild was fine. It was totally appropriately long. 0:37:56.080 --> 0:38:02.280 And i'll tell you appropriately short. That phone call to Emily, Wow, 0:38:02.880 --> 0:38:09.359 I know, wow, what a performance I know. I mean, 0:38:09.800 --> 0:38:14.120 Gez Chock put that in the top five of of 0:38:14.320 --> 0:38:17.160 Lauren Graham scenes. I mean, that was something that was 0:38:17.280 --> 0:38:19.160 some display of good. 0:38:19.760 --> 0:38:23.160 It was really amazing, and it was it was so real, 0:38:23.400 --> 0:38:25.600 like you could tell the emotion was real. 0:38:27.160 --> 0:38:30.040 I also think Amy and Dan wrote that or Amy 0:38:30.160 --> 0:38:32.480 wrote it so well because you could picture it like 0:38:33.040 --> 0:38:36.080 every like every word she said in that monologue, I 0:38:36.160 --> 0:38:38.800 could like picture Richard and her as a little girl 0:38:38.920 --> 0:38:40.719 and them at the mall and the pretzels, like it 0:38:40.840 --> 0:38:45.600 was just so perfectly explained and it was a beautiful 0:38:45.640 --> 0:38:46.200 story told. 0:38:46.760 --> 0:38:48.959 I literally had chills talking about it. Again. 0:38:51.000 --> 0:38:55.920 That's so great that that Emily has. She just listens. Yeah, 0:38:56.760 --> 0:38:57.800 that's how powerful it was. 0:38:58.000 --> 0:38:59.880 And they just hung up at the end, like there 0:39:00.120 --> 0:39:02.279 there didn't she just knew. 0:39:02.560 --> 0:39:04.759 She just thank you, right, she just thank you for 0:39:04.880 --> 0:39:05.279 telling me. 0:39:05.560 --> 0:39:08.600 And I do love that because I think Emily needed 0:39:08.680 --> 0:39:10.560 that from Lauralai so bad. 0:39:10.880 --> 0:39:15.840 You know, they needed to another major on from that moment. 0:39:16.160 --> 0:39:20.239 Yeah, it was it was like what she needed back 0:39:20.320 --> 0:39:22.520 at the funeral, that she that's what that's the story 0:39:22.600 --> 0:39:23.560 she wanted at the funeral. 0:39:23.840 --> 0:39:26.360 But she accepted it this time, which I feel like 0:39:26.520 --> 0:39:31.320 in normal Emily what you know, uh, in her normal behavior, 0:39:31.400 --> 0:39:34.600 she would have been like, Okay, Laura, I well you know. 0:39:36.160 --> 0:39:37.439 What, you should have told me this then? 0:39:38.000 --> 0:39:41.640 Yeah, yeah, how nice of you to bring this up now, 0:39:41.880 --> 0:39:45.040 you know, like I some kind of backhanded remark. And 0:39:45.120 --> 0:39:47.400 I feel like the fact that she accepted it was 0:39:47.480 --> 0:39:50.760 so beautiful. There was just something really sweet to that moment. 0:39:51.040 --> 0:39:53.680 You know what was beautiful about this entire episode? It 0:39:53.840 --> 0:39:58.360 was completely lacking and correct me if I'm wrong. It 0:39:58.520 --> 0:40:03.000 was completely lacking in what we grew grew very used to, 0:40:03.120 --> 0:40:07.040 which was all of this conflict. It was just it 0:40:07.200 --> 0:40:11.200 was an entire hour and forty minutes of resolution and 0:40:12.360 --> 0:40:15.759 coming to terms and accepting reality and letting things go 0:40:16.480 --> 0:40:21.000 and opening your heart and new horizons opening up and 0:40:21.160 --> 0:40:25.319 getting married, and it was just all a celebration. Uh, 0:40:25.800 --> 0:40:32.080 wonderful style, just wonderful, shockingly great episode, shocking, shockingly great film. 0:40:32.120 --> 0:40:33.520 I agree, it's so good. 0:40:33.840 --> 0:40:34.480 It's so good. 0:40:35.719 --> 0:40:38.880 So then we go back to the scene at the 0:40:39.200 --> 0:40:43.480 end and this is this is where Rory and Logan 0:40:43.600 --> 0:40:48.440 are in bed and she he gives, she gives. 0:40:48.360 --> 0:40:50.680 Unsee that it's a dragon fly. Now I'm sorry, I 0:40:50.719 --> 0:40:54.319 can I literally cannot keep going. 0:40:55.000 --> 0:40:57.759 Had this is where the Wizard of Oz moment was. 0:40:58.000 --> 0:41:00.840 Was when they're getting ready to leave the end and 0:41:01.400 --> 0:41:03.640 they have their nice little moment. He puts the hat 0:41:03.760 --> 0:41:08.600 on her, they kiss. Yeah, that was And I'm not 0:41:08.719 --> 0:41:10.560 even a team Logan person, it was. 0:41:10.719 --> 0:41:14.680 I was choked. But I mean, for those four three guys, 0:41:15.680 --> 0:41:20.600 Finn and I'm sorry, the Dames, Sister and Robert, Robert, 0:41:20.760 --> 0:41:26.160 Colin Finn just impeccable work. I mean, it was just 0:41:26.400 --> 0:41:31.799 perfect that the blocking, the timing, the delivery of all 0:41:31.840 --> 0:41:33.880 the lines. It was just the. 0:41:35.520 --> 0:41:39.279 Way that they move is so good but smooth, like yeah, 0:41:39.360 --> 0:41:39.759 they were. 0:41:40.200 --> 0:41:44.080 It was like it was like a brilliantly rehearsed Broadway play. 0:41:44.360 --> 0:41:48.120 I totally the five, all five of them, Matt, Alexis 0:41:48.160 --> 0:41:51.400 and then the three guys. They really nail every moment. 0:41:51.520 --> 0:41:54.080 And in my mind, I know it's not like that's this, 0:41:54.280 --> 0:41:59.640 but in my mind it's one long, ongoing shot that 0:41:59.840 --> 0:42:02.879 just never stops that it's just like here they come 0:42:03.000 --> 0:42:06.200 in the mass and out she goes and oh my gosh, 0:42:06.320 --> 0:42:08.520 and into the car and the back of that rumble 0:42:08.640 --> 0:42:10.920 seat and boom, boom boom, and we're in the club 0:42:10.960 --> 0:42:13.279 and it's a damn And to me, it just was 0:42:13.400 --> 0:42:17.279 like the whole thing flowed, like, oh, I just I 0:42:17.400 --> 0:42:20.239 love that scene. I know people there's not but. 0:42:20.360 --> 0:42:24.239 I love magical about the Life and Death Brigade. There's 0:42:24.320 --> 0:42:27.160 just some magic that it just brings to this show. 0:42:27.800 --> 0:42:32.239 Even back in the original series, especially during this this episode. 0:42:32.320 --> 0:42:34.960 It's Yeah, I didn't really care for them in the 0:42:35.080 --> 0:42:38.440 original series because they just to me, they just came 0:42:38.520 --> 0:42:41.879 off like spoiled brats. But in this I loved them, 0:42:42.000 --> 0:42:44.120 Like I totally love the scenes with them. 0:42:45.239 --> 0:42:47.000 I loved them from the start, but I love them 0:42:47.000 --> 0:42:48.800 in this And I love how they dragged in the 0:42:48.920 --> 0:42:55.200 lady from the paper. Yeah they got her all flash light. Now, 0:42:55.320 --> 0:42:57.720 Jackie's saying the scene took a few months to shoot, 0:42:57.760 --> 0:42:59.600 But I don't see how that's possible since the whole 0:43:00.239 --> 0:43:02.560 he guys only shot the whole series for a few months, 0:43:03.600 --> 0:43:05.040 she says, because of schedule. 0:43:05.239 --> 0:43:06.800 I mean they did it intermittently. 0:43:06.920 --> 0:43:10.040 They know, they did it over throughout. They didn't shoot 0:43:10.080 --> 0:43:11.120 it all like shoot a. 0:43:11.160 --> 0:43:14.080 Piece here and a piece there and a piece there. Yeah, 0:43:14.360 --> 0:43:15.920 it was a three and a half month shoot. By 0:43:15.960 --> 0:43:17.480 the way, for all well, Matt. 0:43:17.440 --> 0:43:22.840 Was really a part of this entire four movies, you know, 0:43:22.960 --> 0:43:27.560 Like it wasn't like Matt was like Milo, right, It's 0:43:27.600 --> 0:43:31.400 like Matt is really integrated into this whole thing, Like 0:43:31.480 --> 0:43:34.440 I know how at the very end, it's like Lauren Graham, 0:43:35.120 --> 0:43:39.480 Alexis Bludell, Scott Patterson, and Emily Bishop it's like Matt 0:43:39.800 --> 0:43:42.680 really deserved to be right after that, and I know 0:43:42.760 --> 0:43:45.799 you couldn't put him in there, but like he's very 0:43:46.440 --> 0:43:49.640 major in these movies. Yeah. 0:43:52.400 --> 0:43:56.120 So then after that, then it cuts back to this, 0:43:56.600 --> 0:44:02.080 the the second attempt to hike the trail, and now 0:44:02.160 --> 0:44:07.040 we see this Peter Krause. Yeah, yeah, as the park 0:44:07.160 --> 0:44:09.800 ranger irritated me a lot. 0:44:09.920 --> 0:44:13.560 Less this time. The first time I was so irritated 0:44:13.640 --> 0:44:14.240 by this scene. 0:44:14.280 --> 0:44:17.440 I was like, yeah, she forgot her registration or whatever. 0:44:17.560 --> 0:44:20.480 It's just like it just goes on and on. But 0:44:20.560 --> 0:44:22.520 this time I was like, that's kind of fine, and 0:44:22.680 --> 0:44:23.800 I love Peter Krause. 0:44:23.920 --> 0:44:24.320 Was cute. 0:44:24.480 --> 0:44:28.839 Another another Parenthood reference. I always this scene always makes 0:44:28.880 --> 0:44:33.120 me laugh because, like personal story here, my husband is 0:44:34.120 --> 0:44:37.240 a scout master for our Boy Scout Troop. My oldest 0:44:37.320 --> 0:44:41.239 is about to get his Eagle Scout and he goes 0:44:41.360 --> 0:44:44.360 to the meetings. He puts on the boy Scout uniform. 0:44:44.400 --> 0:44:46.280 I tell him he looks like a park ranger. 0:44:48.880 --> 0:44:51.040 And so every time is he's you. 0:44:51.040 --> 0:44:53.440 Know, leaving the to go to the meetings and he's like, 0:44:53.480 --> 0:44:54.759 you know, i'll be back in an hour. I'm like, 0:44:54.760 --> 0:44:58.399 all right, park, and oh, it's just kind of that's 0:44:58.520 --> 0:45:10.360 funny in our house. With both of the ranger scenes, 0:45:10.440 --> 0:45:13.560 the physical comedy from Lauren, I thought was hilarious, Like 0:45:13.600 --> 0:45:15.919 she's trying to wrangle this giant backpack and she bends 0:45:15.960 --> 0:45:18.719 over and the whole thing falls over her head. I 0:45:19.080 --> 0:45:20.200 thought those scenes were funny. 0:45:20.280 --> 0:45:22.920 I thought there was a lot of comedic value there, 0:45:23.360 --> 0:45:26.400 a lot of comedic stuff on her own, just with 0:45:26.520 --> 0:45:31.560 a backpack, right exactly, Yeah, yeah, she really pulled it off. 0:45:32.000 --> 0:45:37.000 Yeah, and then uh so then she we. 0:45:37.040 --> 0:45:41.239 See the Halfway House cafe, which is another thing that 0:45:41.360 --> 0:45:45.759 was from Parenthood. Actually when oh really yeah, when I 0:45:45.800 --> 0:45:48.600 can't remember the daughter's name, May Whitman's character when she 0:45:48.719 --> 0:45:50.239 ran away, that was where they found her. 0:45:51.960 --> 0:45:53.520 Par It's a great show, by the way, I don't 0:45:53.520 --> 0:45:56.759 know if aout that. I loved it so good, you'll 0:45:56.840 --> 0:45:58.759 cry like a baby. It's kind of this is Us 0:45:58.840 --> 0:46:04.200 before this is Us. Yeah, watched it could could fly 0:46:04.480 --> 0:46:07.879 because Parenthood locked or whatever. The saying is like yeah, yeah, yeah. 0:46:08.640 --> 0:46:11.800 And so this is where where we have the scene 0:46:11.920 --> 0:46:17.760 with the monologue about Lorelai and Richard the mall great moment. 0:46:18.040 --> 0:46:20.560 We just talked about that. Oh, and she talked about 0:46:21.000 --> 0:46:25.080 the one of the movies they watched was An Unmarriaged Woman, 0:46:25.680 --> 0:46:28.120 which was a Kelly Bishop movie, so it was kind of. 0:46:28.320 --> 0:46:28.719 I didn't know that. 0:46:29.040 --> 0:46:29.760 Jill Clayburg. 0:46:32.640 --> 0:46:37.560 Jill Clayburg, Wow, I didn't see it. Maybe it's from 0:46:37.600 --> 0:46:41.560 that era. I laughed. When she goes up to the 0:46:41.600 --> 0:46:44.360 cafe and she tries the door knob and it's locked, 0:46:44.440 --> 0:46:45.880 and then she's like, I hate nature. 0:46:47.480 --> 0:46:48.439 Yeah, she's doing wild. 0:46:49.520 --> 0:46:52.680 These scenes played much better this round than they did 0:46:52.760 --> 0:46:55.360 for me when I watched it eight years ago. It's like, 0:46:55.440 --> 0:46:56.160 all just better. 0:46:57.360 --> 0:47:00.120 Yeah, because the first time you watch it, you're just 0:47:00.200 --> 0:47:02.160 so thrown off by how different it is, and then 0:47:02.160 --> 0:47:03.759 the second time you're kind of like over that. 0:47:03.960 --> 0:47:05.520 And yes, yes, I. 0:47:07.040 --> 0:47:09.120 Said, that's the first time I've seen it. I wasn't 0:47:09.160 --> 0:47:11.400 thrown at all. I was. I was delighted by it. 0:47:12.560 --> 0:47:15.120 I'm so happy for I was so happy for it, 0:47:15.400 --> 0:47:15.560 you know. 0:47:18.040 --> 0:47:21.279 And I love this scene like that whole, the whole. 0:47:22.440 --> 0:47:25.600 Lauren was great in this scene. And then the one thing, 0:47:25.920 --> 0:47:27.400 and I don't know that this scene would have been 0:47:27.440 --> 0:47:29.439 the place to put it in, could have gone somewhere else. 0:47:29.800 --> 0:47:34.080 The one resolution I feel like we didn't get was 0:47:34.400 --> 0:47:39.920 any kind of acknowledgment from Emily of her role in 0:47:40.520 --> 0:47:42.560 any of the problems with Laura. 0:47:42.680 --> 0:47:47.239 I oh, I think that's I think that's just at 0:47:47.320 --> 0:47:48.840 this point, that would be cruel. 0:47:49.400 --> 0:47:51.200 I think we're just the I think that's asking to 0:47:51.280 --> 0:47:52.879 be And that's what I said. 0:47:52.880 --> 0:47:55.000 I don't think this scene was the place for that. 0:47:55.280 --> 0:47:58.680 But nowhere in the revival. I just mean, for me, 0:47:58.920 --> 0:48:00.520 that's an unresolved. 0:48:00.480 --> 0:48:02.960 Thing, correct, because she's not going to be different, Like 0:48:03.040 --> 0:48:04.759 it's not like when we see these people again. It's 0:48:04.760 --> 0:48:06.160 not like Emily is just suddenly going to be the 0:48:06.239 --> 0:48:08.520 perfect mother to me. If there was some sort of 0:48:08.560 --> 0:48:11.880 acknowledgment of it, it would just come across trite. The 0:48:12.040 --> 0:48:16.400 most we got was in the we get a little 0:48:16.600 --> 0:48:19.000 we get little glimpses of that, and then I think 0:48:19.040 --> 0:48:22.239 we get a little glimpse of that when she wants 0:48:22.320 --> 0:48:25.319 the money to expand the in But Emily's not going 0:48:25.400 --> 0:48:26.640 to become a different person. 0:48:28.280 --> 0:48:28.880 I didn't know. 0:48:29.160 --> 0:48:31.240 That's not what I'm asking for. I don't want Emily 0:48:31.320 --> 0:48:35.120 to become a different person. I just would have liked 0:48:35.200 --> 0:48:38.680 for her to acknowledge that maybe she made lorealized life 0:48:38.760 --> 0:48:39.799 difficult once in a while. 0:48:40.040 --> 0:48:41.759 I just don't think she would be the person to. 0:48:41.960 --> 0:48:44.279 Yeah, it was like she's not the person to she'd 0:48:44.320 --> 0:48:46.279 throw it under the rug. But I don't think she'd 0:48:46.320 --> 0:48:48.520 ever come and be like it was my fault. I 0:48:48.560 --> 0:48:49.080 just don't think. 0:48:51.040 --> 0:48:52.319 Again, Okay, I. 0:48:54.040 --> 0:48:56.640 Understand what you actually do. Understand what you're saying. I 0:48:56.800 --> 0:48:59.920 think the moment with the phone call did that for me. 0:49:00.680 --> 0:49:04.000 I think it kind of like made them at peace. 0:49:04.560 --> 0:49:07.440 Yeah, and she says thank you, right, well, she I 0:49:07.520 --> 0:49:09.920 mean she got an apology from Laura I, which is 0:49:10.040 --> 0:49:13.360 basically what that whole call was was, you know, in 0:49:13.360 --> 0:49:19.440 a kind of an apology from Laura I. Well, Carline 0:49:19.640 --> 0:49:22.759 put all that out there, and then Emily said thank you, 0:49:23.080 --> 0:49:25.040 which I guess is all we can expect from her. 0:49:25.480 --> 0:49:27.920 But I didn't feel like she gave anything back to 0:49:28.000 --> 0:49:28.320 Laura I. 0:49:28.840 --> 0:49:31.720 That's all I'm saying. I think the most we could expect, 0:49:32.640 --> 0:49:35.719 I think it would even almost be too much, is 0:49:35.800 --> 0:49:38.120 if we knew as an audience that she was beginning 0:49:39.280 --> 0:49:42.839 to start that conversation or she was starting to open 0:49:42.960 --> 0:49:44.880 up a little bit before she even said anything, and 0:49:44.960 --> 0:49:48.120 then stopped herself. Right. I think that's I think that 0:49:48.239 --> 0:49:50.839 stays true to her character. I do. I do agree 0:49:50.880 --> 0:49:52.359 with you though, that it could have been a very 0:49:52.440 --> 0:49:56.600 powerful moment had she done it. But it's like, where 0:49:56.719 --> 0:49:58.759 is she going to do it? When is she going 0:49:58.840 --> 0:50:01.400 to do it, because I think after she loses Richard, 0:50:02.520 --> 0:50:05.319 you know, it's hard to you know, call her onto 0:50:05.400 --> 0:50:07.799 the carpet and say, apologize for what you've been. 0:50:09.080 --> 0:50:10.040 We got what we could get. 0:50:10.080 --> 0:50:14.320 Yeah, And you know, obviously I'm not the writer, so 0:50:14.440 --> 0:50:15.880 I don't know where I would have put it, But 0:50:16.040 --> 0:50:18.680 it just would have been nice to, you know, talking 0:50:18.760 --> 0:50:22.400 about how this whole episode is about resolutions and closing 0:50:22.480 --> 0:50:23.080 the loop. 0:50:22.920 --> 0:50:25.880 And I just would have liked to have just like 0:50:26.040 --> 0:50:28.160 throw me a bone on that, like, just you know 0:50:28.239 --> 0:50:28.960 a lot, I think. 0:50:29.040 --> 0:50:30.800 But I think that's what Laurel. I did it. 0:50:30.960 --> 0:50:31.480 It it. 0:50:32.960 --> 0:50:37.680 Released. She was releasing Emily from any obligation to do 0:50:37.880 --> 0:50:41.000 that in the future because of the intimate nature of 0:50:41.040 --> 0:50:43.840 the and the length of that story and the emotion 0:50:43.960 --> 0:50:47.520 attached to it. And I think that's the reaction gave 0:50:47.800 --> 0:50:52.160 was one of pure delight and relief, and she was 0:50:52.239 --> 0:50:58.400 completely moved and it was all sins are forgiven. That 0:50:58.680 --> 0:51:02.200 that speech was all sins are forgiven on both sides 0:51:02.680 --> 0:51:06.400 and now we can start anew You know, it's like 0:51:06.480 --> 0:51:10.720 maybe the first moment I've ever seen those two, maybe 0:51:10.880 --> 0:51:14.400 before the bad stuff happened when she was fifteen or sixteen, 0:51:15.080 --> 0:51:20.440 where there it was a moment of just utter motherly 0:51:20.560 --> 0:51:25.160 love and open heartedness toward her daughter. Yeah. 0:51:26.719 --> 0:51:28.880 Yeah, I mean, I guess I just have it different. 0:51:29.840 --> 0:51:34.319 Incredibly and incredibly powerful moment, incredibly and great acting from 0:51:34.960 --> 0:51:42.399 from Kelly. The nonverbal stuff is just the hardest, so great. Yeah. Wow, 0:51:44.560 --> 0:51:44.920 all right. 0:51:45.080 --> 0:51:48.520 So then we go back to Luke and Laurelai's kitchen 0:51:48.600 --> 0:51:51.200 and the scene where Luke is cooking the steak for this. 0:51:51.400 --> 0:51:57.879 Is such an amazing scene. Scott, you are no good 0:51:57.960 --> 0:51:58.120 in this. 0:52:01.280 --> 0:52:04.239 Yeah, I know, I Scott. I'll let you talk about 0:52:04.280 --> 0:52:06.799 the scene because this was probably some of the most 0:52:06.960 --> 0:52:12.000 powerful Luke material in the entire series. 0:52:12.640 --> 0:52:15.720 I think the hard the hard part was on Lauren. 0:52:16.680 --> 0:52:22.640 You know, the difficult part about like when Lauren would 0:52:22.719 --> 0:52:26.760 deliver a speech to me, right, the many long speeches 0:52:26.880 --> 0:52:30.719 she would she would deliver to me, What you don't 0:52:30.800 --> 0:52:35.520 want to do as a scene partner is screw her up, right, 0:52:35.719 --> 0:52:37.920 because you have a little word here and there that 0:52:38.120 --> 0:52:39.759 can often She had. 0:52:39.680 --> 0:52:43.680 Those sort of funny comedy relief moments, right, and and she. 0:52:44.000 --> 0:52:46.040 The balance of it and the timing of it is 0:52:46.120 --> 0:52:50.200 all so crucial so as not to step on what 0:52:50.320 --> 0:52:53.600 I'm saying and keep the momentum going, but also get 0:52:53.640 --> 0:52:57.000 in you know, her intention, which is equally as important 0:52:57.160 --> 0:52:59.040 as the you know, the chunks of dialogue that I 0:52:59.160 --> 0:53:02.800 am saying. And she did it beautifully and it really 0:53:02.960 --> 0:53:06.120 made the scene fly. So it's thank you for the 0:53:06.200 --> 0:53:09.600 nice comments. It was a tough scene to do, you know, 0:53:09.680 --> 0:53:13.279 it's a very emotional thing, but it was easy. It 0:53:13.400 --> 0:53:16.440 was much easier because I knew I had a partner 0:53:16.480 --> 0:53:21.520 who could knows what the shot is that I'm making 0:53:21.640 --> 0:53:24.640 and hits the ball back where I can continue, We 0:53:24.719 --> 0:53:29.040 can continue to volley the ball back and forth. And 0:53:29.719 --> 0:53:32.640 that's what she's also so good at, which is why 0:53:32.760 --> 0:53:38.879 those scenes really pop. So I commend her for being 0:53:39.040 --> 0:53:41.680 so astute and so focused and so concentrated, because you 0:53:41.800 --> 0:53:46.279 really have to focus harder not to trip the other 0:53:46.520 --> 0:53:49.319 actor up when they have volumes of dialogue that they 0:53:49.400 --> 0:53:51.360 have to execute, you know it. 0:53:51.440 --> 0:53:54.080 And they have to be in a certain like mindset 0:53:54.200 --> 0:53:56.480 or place because it's so emotional and you feel like, 0:53:56.760 --> 0:53:59.360 I just thought that scene is so good, and I 0:53:59.440 --> 0:54:03.520 actually her little sort of like moments of it where 0:54:03.560 --> 0:54:05.840 she's kind of being a little bit funny and like 0:54:06.040 --> 0:54:07.200 it's just just so good. 0:54:07.239 --> 0:54:11.200 From thee From a technical point of view, what she 0:54:11.360 --> 0:54:14.680 had to deal with was not get distracted by what 0:54:14.800 --> 0:54:17.000 I was saying, but feel it because she has to 0:54:17.080 --> 0:54:20.160 feel it as the character, but not miss her cues 0:54:20.160 --> 0:54:21.960 because she had a bunch of cues in there where 0:54:22.000 --> 0:54:23.480 she had to throw in a line or a look 0:54:23.560 --> 0:54:27.120 or whatever. Right, And it's hard when somebody's you know, 0:54:27.440 --> 0:54:32.879 delivering with with real intensity something coming at you, it's 0:54:32.920 --> 0:54:34.560 easy to get caught up in that and get lost 0:54:34.600 --> 0:54:37.319 and oh shoot, I forgot my line, so sorry, well 0:54:37.360 --> 0:54:40.400 we'll have to do it again. You get that, So 0:54:40.520 --> 0:54:44.960 it's able to split focus within how you're focusing and 0:54:45.680 --> 0:54:49.160 and staying character, but while still being technical. It's it's 0:54:49.239 --> 0:54:52.480 it's incredibly difficult, and she just did such a great job, 0:54:52.960 --> 0:54:53.439 such a boat. 0:54:53.480 --> 0:54:55.000 How many times did you guys have to do that? 0:54:55.080 --> 0:54:58.200 Do you remember? It was a few, Yeah, it was 0:54:58.239 --> 0:55:01.480 a few. I remember being quite aust after that. But yeah, 0:55:02.520 --> 0:55:06.400 but you know Amy as a director, you know, you 0:55:06.480 --> 0:55:09.960 know she knows which moments are going to be really 0:55:10.320 --> 0:55:14.160 you know, the fireworks moments, and you really want to 0:55:14.239 --> 0:55:18.640 nail those. And I don't know that we did it. 0:55:19.080 --> 0:55:21.279 I think we did three or four takes, five takes 0:55:21.360 --> 0:55:24.320 maybe at the most, because it was going well. I 0:55:24.440 --> 0:55:27.320 remember it was going well right from the beginning. But 0:55:27.400 --> 0:55:30.560 there's always little adjustments and things like that, you know. Yeah, 0:55:30.880 --> 0:55:34.960 so there's some lighting things. There's always lighting issues and 0:55:35.560 --> 0:55:38.280 that's to be expected. But it went very very smoothly, 0:55:38.400 --> 0:55:42.040 very well that scene. Yeah, yeah, actually fun to do. 0:55:42.760 --> 0:55:45.560 And it's such a nice resolution in that scene, and 0:55:45.640 --> 0:55:48.880 I'm so glad, like that's not the end of the show, right, 0:55:49.080 --> 0:55:52.319 Like it's like it's so cool that you're like, oh, 0:55:52.480 --> 0:55:55.719 what a relief, and then we get to have some fun, 0:55:55.840 --> 0:55:56.480 do you know what I mean? 0:55:56.640 --> 0:55:59.240 Like that was sort of how I know, because at first, 0:55:59.280 --> 0:56:01.200 like the first time you watch it, you don't know 0:56:01.320 --> 0:56:02.399 what she's gonna say. 0:56:02.600 --> 0:56:05.240 You don't know, like here we go again. 0:56:05.200 --> 0:56:07.880 See I'm out of here, like I'm leaving, Like you 0:56:07.960 --> 0:56:10.719 don't know what conclusion she has reached inside her head. 0:56:10.800 --> 0:56:12.440 And so then when she says I think we should 0:56:12.440 --> 0:56:16.640 get married, then you're like, yes, yeah, so yeah, that 0:56:16.840 --> 0:56:18.680 was that was a great scene. And then he's got 0:56:18.840 --> 0:56:21.359 he's still got the same engagement ring and he gives 0:56:21.400 --> 0:56:23.160 it back to her and I thought that was cute 0:56:24.000 --> 0:56:24.400 and he. 0:56:24.760 --> 0:56:31.640 Just had a handy yeah, right there waiting for that moment. 0:56:32.920 --> 0:56:35.680 All right, gang, we're loving Fall so much, we're gonna 0:56:35.719 --> 0:56:37.719 split it up into two because we can't stop gab it. 0:56:37.880 --> 0:56:40.160 So we're gonna we're gonna bring part one to an 0:56:40.320 --> 0:57:12.520 end and stay tuned for part two. Hey, everybody tell again. 0:57:12.600 --> 0:57:16.600 Follow us on Instagram at I Am all In podcast 0:57:16.760 --> 0:57:21.120 and email us at Gilmore at iHeartRadio dot com.