1 00:00:00,760 --> 00:00:03,000 Speaker 1: I Am all In. 2 00:00:08,200 --> 00:00:08,760 Speaker 2: Let's you. 3 00:00:17,000 --> 00:00:20,640 Speaker 3: I Am all In with Scott Patterson and iHeartRadio Podcast. 4 00:00:20,760 --> 00:00:23,280 Speaker 1: Hey Everybody, Scott Patterson, I Am all In Podcast one 5 00:00:23,320 --> 00:00:27,600 Speaker 1: eleven productions, iHeartRadio, Heart Media, iHeart Podcast joined by my 6 00:00:27,720 --> 00:00:32,160 Speaker 1: Intrepid crew, Tara sud Susanne French. One on one interview 7 00:00:32,280 --> 00:00:36,640 Speaker 1: with the One the Only, Julie Berman, who portrayed Serena 8 00:00:36,720 --> 00:00:40,400 Speaker 1: Ainsworth in one episode of A Year in the Life 9 00:00:40,440 --> 00:00:42,240 Speaker 1: she was in Fall. Let me tell you a little 10 00:00:42,240 --> 00:00:47,400 Speaker 1: bit about Julie. She's an actress known for casual Chicago 11 00:00:47,520 --> 00:00:52,400 Speaker 1: Med portrayed Lulu Spencer for over one thousand, wow, one 12 00:00:52,440 --> 00:00:56,520 Speaker 1: thousand episodes of General Hospital, for which she received three 13 00:00:56,720 --> 00:01:01,760 Speaker 1: countum three Daytime Emmy Awards. Jewel. Are they in your 14 00:01:01,960 --> 00:01:05,360 Speaker 1: house right now? Can we see one? We just want 15 00:01:05,400 --> 00:01:08,440 Speaker 1: to see one, emy, I just want to see one. 16 00:01:09,800 --> 00:01:10,200 Speaker 4: Bathroom. 17 00:01:10,480 --> 00:01:11,040 Speaker 1: Where do you keep it? 18 00:01:11,080 --> 00:01:11,840 Speaker 5: Where do you keep it? 19 00:01:12,600 --> 00:01:15,920 Speaker 2: I keep them on a shelf. They've definitely had some 20 00:01:16,120 --> 00:01:19,680 Speaker 2: movement in the house. At times, I put them away 21 00:01:19,720 --> 00:01:22,440 Speaker 2: because I thought it was like too much having them 22 00:01:22,520 --> 00:01:24,640 Speaker 2: looking at them, and then that felt like, oh no, 23 00:01:24,720 --> 00:01:27,240 Speaker 2: I need to have them out. I'm proud. So they're 24 00:01:27,480 --> 00:01:31,000 Speaker 2: on a shelf some we're not not accessible at the moment, unfortunately. 25 00:01:30,440 --> 00:01:33,800 Speaker 1: But unfortunately, but what a thrill. All right, so let's 26 00:01:33,840 --> 00:01:38,200 Speaker 1: get started. Thanks for joining us, really appreciate it. How 27 00:01:38,200 --> 00:01:40,360 Speaker 1: did you get the role of Serena? 28 00:01:41,200 --> 00:01:45,760 Speaker 2: I did the old fashioned way of auditioning. It was 29 00:01:45,800 --> 00:01:50,640 Speaker 2: actually very quick. They they sent me the audition on 30 00:01:50,720 --> 00:01:54,720 Speaker 2: like a Thursday night for the next Friday. It would 31 00:01:54,760 --> 00:01:57,160 Speaker 2: be for Friday night, so I had to like read 32 00:01:57,200 --> 00:01:58,920 Speaker 2: it see if I could do it. I think I 33 00:01:59,080 --> 00:02:01,920 Speaker 2: was filming another show at the time too, so it 34 00:02:02,000 --> 00:02:04,120 Speaker 2: was a little bit of a question mark whether or 35 00:02:04,120 --> 00:02:08,400 Speaker 2: not I could make the audition, and auditioned on a 36 00:02:08,440 --> 00:02:11,560 Speaker 2: Friday night. Found out I got the part that night, 37 00:02:11,880 --> 00:02:14,240 Speaker 2: which I love. I mean, I'm sure you know, as 38 00:02:14,280 --> 00:02:17,000 Speaker 2: an actor, to just get the immediate response of a 39 00:02:17,080 --> 00:02:20,359 Speaker 2: yes or a no waiting is very satisfying. 40 00:02:20,800 --> 00:02:21,160 Speaker 1: Yes. 41 00:02:21,760 --> 00:02:23,880 Speaker 2: So yeah, I got that and then we filmed on 42 00:02:23,919 --> 00:02:25,880 Speaker 2: it the following Tuesday. That was it. 43 00:02:26,280 --> 00:02:28,800 Speaker 1: You know, isn't it amazing? It's a common It's a 44 00:02:28,840 --> 00:02:33,200 Speaker 1: common story amongst Gilmour actors that they knew right away. 45 00:02:33,639 --> 00:02:34,720 Speaker 1: I knew the same day. 46 00:02:35,880 --> 00:02:38,480 Speaker 2: Oh you knew like in your heart or they told 47 00:02:38,520 --> 00:02:39,240 Speaker 2: you no, no, no, no. 48 00:02:39,400 --> 00:02:43,960 Speaker 1: I I by the time my manager called me and said, 49 00:02:44,560 --> 00:02:46,280 Speaker 1: I left your message on your machine. You got the offer. 50 00:02:46,280 --> 00:02:48,440 Speaker 1: I said, wait a minute, I just like left, I 51 00:02:48,480 --> 00:02:49,840 Speaker 1: just left the wow. 52 00:02:50,120 --> 00:02:50,400 Speaker 2: Yeah. 53 00:02:50,440 --> 00:02:52,880 Speaker 1: So and that that's with other people too, so like 54 00:02:52,919 --> 00:02:55,240 Speaker 1: it's like when they know they know love that. 55 00:02:55,360 --> 00:02:58,880 Speaker 2: I wish every audition was like that. Just no, you're 56 00:02:58,919 --> 00:03:01,760 Speaker 2: not wondering, yeah, you know, it's very. 57 00:03:01,720 --> 00:03:03,560 Speaker 1: Usually usually I do know and it's a no and 58 00:03:03,560 --> 00:03:09,560 Speaker 1: they're like, yeah, well you know, or you can tell 59 00:03:09,600 --> 00:03:11,239 Speaker 1: they don't even need to say anything that just sort 60 00:03:11,280 --> 00:03:12,720 Speaker 1: of look at you and you're like. 61 00:03:12,720 --> 00:03:14,880 Speaker 2: Well that I can close the book on that. 62 00:03:15,040 --> 00:03:20,639 Speaker 1: Yeah, right, right, right, all right. So you sit there 63 00:03:20,880 --> 00:03:25,880 Speaker 1: in this scene just taking it all in with Emily 64 00:03:26,200 --> 00:03:30,600 Speaker 1: going off about you and just ripping your life apart, 65 00:03:30,880 --> 00:03:33,679 Speaker 1: and what was that? 66 00:03:33,960 --> 00:03:42,960 Speaker 2: Like? Oh? So fun? I love it. I knew, you 67 00:03:43,000 --> 00:03:46,360 Speaker 2: know that this was a big moment because she got 68 00:03:46,360 --> 00:03:48,920 Speaker 2: to say bullshit a bunch of times, which was out 69 00:03:48,920 --> 00:03:53,960 Speaker 2: of a character. So I sort of, uh was able 70 00:03:54,040 --> 00:03:59,400 Speaker 2: to enjoy the importance of this scene for her character 71 00:03:59,560 --> 00:04:02,280 Speaker 2: and what it meant as a turning point for her 72 00:04:02,520 --> 00:04:07,040 Speaker 2: in many ways. And it's fun. I mean, the show 73 00:04:07,240 --> 00:04:10,120 Speaker 2: is so much about pacing and timing and comedy and 74 00:04:10,200 --> 00:04:16,000 Speaker 2: heart altogether. That there's a vitality that makes it really 75 00:04:16,040 --> 00:04:19,800 Speaker 2: really enjoyable. So yeah, to have someone just rip me 76 00:04:19,839 --> 00:04:22,320 Speaker 2: a new one, and she had quite a mouthful of 77 00:04:22,800 --> 00:04:25,320 Speaker 2: like it was. That speech took a long time, and 78 00:04:25,360 --> 00:04:29,800 Speaker 2: it was incredible that she was able to just continuously 79 00:04:29,920 --> 00:04:32,800 Speaker 2: do it for many, many, many takes. That scene we 80 00:04:32,839 --> 00:04:36,640 Speaker 2: had to film. Almost the whole day was just for 81 00:04:36,680 --> 00:04:42,520 Speaker 2: that one scene. So she really was incredible and it 82 00:04:42,560 --> 00:04:43,040 Speaker 2: was fun. 83 00:04:43,279 --> 00:04:47,520 Speaker 1: I know Suzanne had a question about this particular scene. 84 00:04:47,600 --> 00:04:50,920 Speaker 1: She texted me earlier. Go ahead, Susanne. 85 00:04:51,960 --> 00:04:54,480 Speaker 5: I'm trying to remember. I've sent so many texts this morning. 86 00:04:55,960 --> 00:04:59,360 Speaker 5: So I'm Suzanne. Good morning, I'm the super fan designated 87 00:04:59,440 --> 00:05:04,279 Speaker 5: on the So I well, I two questions, actually, one 88 00:05:04,680 --> 00:05:07,080 Speaker 5: was you just answered. I was going to ask how 89 00:05:07,120 --> 00:05:11,000 Speaker 5: many takes that whole scene took. My other question was, 90 00:05:11,440 --> 00:05:12,840 Speaker 5: you know this was a year in the life, so 91 00:05:12,880 --> 00:05:16,039 Speaker 5: this was twenty sixteen. Were you a fan of the 92 00:05:16,080 --> 00:05:18,440 Speaker 5: original show when it originally aired. 93 00:05:20,000 --> 00:05:23,640 Speaker 2: I didn't watch the I did watch some of the show, 94 00:05:23,680 --> 00:05:25,800 Speaker 2: but I didn't I would not be able to quote 95 00:05:25,839 --> 00:05:28,680 Speaker 2: like every season of the show. It started right when 96 00:05:28,720 --> 00:05:34,720 Speaker 2: I was starting into college, So I didn't sit around 97 00:05:34,760 --> 00:05:37,200 Speaker 2: watching a whole bunch of TV when I was in college. 98 00:05:37,720 --> 00:05:40,160 Speaker 2: Maybe there were other college students that that thought I was. 99 00:05:40,760 --> 00:05:43,640 Speaker 2: I wouldn't say. I was also studying. I was very social, 100 00:05:44,080 --> 00:05:47,800 Speaker 2: and I think that was my priority. So I was 101 00:05:47,880 --> 00:05:51,240 Speaker 2: a fan enough to know, like I knew the characters, 102 00:05:51,240 --> 00:05:53,640 Speaker 2: I knew the love interests, but I did not follow 103 00:05:53,680 --> 00:05:56,480 Speaker 2: the trajectory of the show. When I got the audition, 104 00:05:56,920 --> 00:06:00,800 Speaker 2: I was very excited because the fact that it was 105 00:06:00,839 --> 00:06:04,440 Speaker 2: a revival, I knew it was a huge deal, and 106 00:06:04,760 --> 00:06:10,720 Speaker 2: to have a tiny toe in the bigger story of 107 00:06:10,800 --> 00:06:14,640 Speaker 2: this huge show was like it was a big deal, 108 00:06:14,720 --> 00:06:17,200 Speaker 2: you know, to get the part, like, no matter how small, 109 00:06:17,279 --> 00:06:18,240 Speaker 2: it was awesome. 110 00:06:18,600 --> 00:06:19,120 Speaker 5: Yeah. 111 00:06:19,480 --> 00:06:32,240 Speaker 3: No, did anyone tell you like about Emily as the 112 00:06:32,320 --> 00:06:34,720 Speaker 3: character before jumping into this? I know you said you 113 00:06:34,760 --> 00:06:37,160 Speaker 3: knew it was so important, but like, did you kind 114 00:06:37,200 --> 00:06:40,040 Speaker 3: of get like the gist of the build up of why. 115 00:06:39,839 --> 00:06:42,560 Speaker 4: This was such a big moment in this episode. 116 00:06:43,400 --> 00:06:46,920 Speaker 2: No, I mean everything was very secretive at the time, 117 00:06:47,040 --> 00:06:49,760 Speaker 2: you know, with I mean to even get a script, 118 00:06:49,839 --> 00:06:52,040 Speaker 2: I think I got it the day before and it 119 00:06:52,120 --> 00:06:55,200 Speaker 2: was like it's watermarked with your name. Nobody, you know, 120 00:06:55,279 --> 00:06:57,760 Speaker 2: you can't pass this around. So I didn't have any 121 00:06:57,839 --> 00:07:02,680 Speaker 2: context for the scene. Okay, I knew, you know, the scene, 122 00:07:02,880 --> 00:07:09,800 Speaker 2: but what what was happening. Obviously, the language was a 123 00:07:09,800 --> 00:07:12,200 Speaker 2: little bit of a clue that like, okay, this is 124 00:07:12,480 --> 00:07:15,720 Speaker 2: this is a deviation, so something has changed. And then 125 00:07:15,800 --> 00:07:21,120 Speaker 2: obviously she gets kicked out Slash decides she's over the dar. 126 00:07:21,920 --> 00:07:26,280 Speaker 2: I knew, okay, this is a is an important piece 127 00:07:26,320 --> 00:07:29,720 Speaker 2: of her story, and where my character comes in is 128 00:07:29,800 --> 00:07:34,680 Speaker 2: such a direct opposition to her personality. And you know, 129 00:07:34,840 --> 00:07:37,760 Speaker 2: her son is setting on the dar and mine is 130 00:07:37,800 --> 00:07:40,800 Speaker 2: hopefully rising, and I'm going to come in and be 131 00:07:40,840 --> 00:07:44,320 Speaker 2: a part of this little you know, uptight fancy network. 132 00:07:44,400 --> 00:07:47,520 Speaker 2: And it just was a nice I knew that that 133 00:07:47,760 --> 00:07:51,480 Speaker 2: was the importance, was to be a foil for uh, 134 00:07:51,520 --> 00:07:55,200 Speaker 2: for her character and and and uh and then you know, 135 00:07:55,280 --> 00:07:57,960 Speaker 2: obviously seeing it when it was all put together, it 136 00:07:58,000 --> 00:08:00,080 Speaker 2: was it was fun. It was fun to be a 137 00:08:00,080 --> 00:08:00,600 Speaker 2: big piece. 138 00:08:01,120 --> 00:08:02,760 Speaker 4: Yeah, it was one of our favorite scenes. 139 00:08:04,480 --> 00:08:07,560 Speaker 1: It was it really It might be my favorite Emily 140 00:08:07,600 --> 00:08:11,480 Speaker 1: scene of so many great Emily scenes, but that one. 141 00:08:11,600 --> 00:08:11,880 Speaker 4: Wow. 142 00:08:13,640 --> 00:08:15,520 Speaker 1: So I've talked about this a couple of times before 143 00:08:16,920 --> 00:08:20,800 Speaker 1: from an acting perspective, just how important it is, and 144 00:08:20,840 --> 00:08:24,560 Speaker 1: how difficult it is to be on the other side 145 00:08:26,200 --> 00:08:31,000 Speaker 1: with far less dialogue but still so much acting required 146 00:08:32,600 --> 00:08:36,440 Speaker 1: and not to trip up you know, Kelly Bishop when 147 00:08:36,480 --> 00:08:39,840 Speaker 1: she's doing her monologues and timing, timing, timing, tell us, 148 00:08:40,440 --> 00:08:42,360 Speaker 1: how did you prepare for that scene? Because that's a 149 00:08:42,520 --> 00:08:47,800 Speaker 1: monster scene to prepare for, And for me personally, I 150 00:08:47,840 --> 00:08:51,120 Speaker 1: always found it more challenging to have a line here 151 00:08:51,160 --> 00:08:54,240 Speaker 1: and there in between a rapid fire monologue, Lauren coming 152 00:08:54,280 --> 00:08:57,479 Speaker 1: in on fire and she's got a two page monologue 153 00:08:57,480 --> 00:08:59,880 Speaker 1: and you've gone, well but wait, but no it doesn't 154 00:09:00,200 --> 00:09:04,360 Speaker 1: and then yeah, and it's very easy to to kind 155 00:09:04,360 --> 00:09:06,400 Speaker 1: of screw up your partner if your timing is just 156 00:09:06,440 --> 00:09:08,520 Speaker 1: a little off. Tell us about how you're prepared for 157 00:09:08,559 --> 00:09:09,520 Speaker 1: that scene. 158 00:09:10,280 --> 00:09:13,200 Speaker 2: You only got it the night before, so yeah, I well, 159 00:09:13,520 --> 00:09:17,880 Speaker 2: interesting enough. I I do frequently go back to classes 160 00:09:18,600 --> 00:09:22,640 Speaker 2: and I've I've worked with different teachers and uh, in 161 00:09:22,880 --> 00:09:25,240 Speaker 2: the class that I was in at the time, we 162 00:09:25,240 --> 00:09:28,120 Speaker 2: were doing a lot of scene work that was fast 163 00:09:28,160 --> 00:09:32,440 Speaker 2: paced stuff, including some Gilmore Girls scenes. So I had 164 00:09:32,480 --> 00:09:38,080 Speaker 2: a sense of like that muscle of just thinking faster. 165 00:09:38,360 --> 00:09:41,240 Speaker 2: That for me, the key is like to just be 166 00:09:41,440 --> 00:09:44,800 Speaker 2: present to worry about it thinking about it being fast, 167 00:09:44,800 --> 00:09:47,320 Speaker 2: but just have your brain work faster and that that 168 00:09:47,480 --> 00:09:52,480 Speaker 2: seems to for me help keep me alive and engage 169 00:09:52,520 --> 00:09:57,640 Speaker 2: in not slowing the boat down. I think in the 170 00:09:57,800 --> 00:10:00,920 Speaker 2: in the scene, I don't think I actually interjected. I 171 00:10:00,960 --> 00:10:03,000 Speaker 2: think it was the other women that had to interject 172 00:10:03,000 --> 00:10:06,000 Speaker 2: a couple of times. So luckily I didn't have that 173 00:10:06,040 --> 00:10:09,600 Speaker 2: responsibility because I've I've had that before, when you're waiting 174 00:10:09,600 --> 00:10:12,760 Speaker 2: for that one key word to pick up and so 175 00:10:12,880 --> 00:10:16,920 Speaker 2: that you can time your line. I don't think I 176 00:10:17,000 --> 00:10:19,959 Speaker 2: had to do a whole lot except just be present 177 00:10:20,080 --> 00:10:22,920 Speaker 2: and listen to her and take in what she was 178 00:10:22,960 --> 00:10:24,840 Speaker 2: giving me. And each time she did it it was 179 00:10:25,080 --> 00:10:29,400 Speaker 2: a little different, so you know, it was it was 180 00:10:29,520 --> 00:10:31,600 Speaker 2: kind of fun. I kind of just got to be 181 00:10:32,160 --> 00:10:38,240 Speaker 2: just alive listening to her RiPP me apart. 182 00:10:39,760 --> 00:10:42,520 Speaker 1: I mean, this scene it became a pivotal part of 183 00:10:42,559 --> 00:10:47,000 Speaker 1: Emily's transformation in the revivals, as she's walking away from 184 00:10:47,040 --> 00:10:50,480 Speaker 1: her her former life. Did you understand that you obviously 185 00:10:50,559 --> 00:10:52,559 Speaker 1: understood the gravity of the scene when you were filming it. 186 00:10:52,720 --> 00:10:54,160 Speaker 2: Yeah, yeah, yeah, definitely. 187 00:10:54,600 --> 00:10:57,080 Speaker 1: What's your best memory of being on set? 188 00:10:58,720 --> 00:11:02,160 Speaker 2: The women? I mean, everyone was really, really nice and 189 00:11:02,160 --> 00:11:06,080 Speaker 2: and you know, some some sets have different energies. This 190 00:11:06,280 --> 00:11:11,079 Speaker 2: group of women, they were just friendly and welcoming, and 191 00:11:11,760 --> 00:11:13,800 Speaker 2: you know, we all rehearsed a bunch because it was 192 00:11:13,800 --> 00:11:16,600 Speaker 2: such a big scene. We had to just get the 193 00:11:16,640 --> 00:11:21,360 Speaker 2: timing down, get it in our bodies. Carolyn Hennessy, who 194 00:11:21,440 --> 00:11:26,080 Speaker 2: was another woman who played Tony. She and I have 195 00:11:26,160 --> 00:11:29,160 Speaker 2: worked together. She worked on General Hospital with me, and 196 00:11:29,200 --> 00:11:33,280 Speaker 2: she's a delight. So it was nice to have somebody 197 00:11:33,320 --> 00:11:38,400 Speaker 2: I knew, and I mean she can she she really 198 00:11:38,520 --> 00:11:41,000 Speaker 2: helped anchor the scene as well and just made it 199 00:11:41,080 --> 00:11:43,280 Speaker 2: so much fun. And so I think we all fed 200 00:11:43,320 --> 00:11:45,520 Speaker 2: off of each other. I think for me, the best 201 00:11:45,559 --> 00:11:50,040 Speaker 2: part of that was, uh was just the energy of 202 00:11:50,080 --> 00:11:51,600 Speaker 2: the scene. To be able to do one scene all 203 00:11:51,679 --> 00:11:57,480 Speaker 2: day and enjoy your day, I think says a lot. 204 00:11:58,520 --> 00:11:59,880 Speaker 1: Did you have a favorite it? But did you see 205 00:12:00,080 --> 00:12:02,760 Speaker 1: all of the episodes of their revival all four? 206 00:12:03,240 --> 00:12:06,840 Speaker 2: I didn't see all I didn't see all four. I mean, 207 00:12:06,880 --> 00:12:12,800 Speaker 2: of course, my favorite is Gonna Fall because privotal scene 208 00:12:13,920 --> 00:12:16,480 Speaker 2: it really was. But I do not you know, I 209 00:12:16,520 --> 00:12:21,160 Speaker 2: do like with Rory, you know, just jumping to her story, 210 00:12:21,360 --> 00:12:25,800 Speaker 2: I really liked that at the end she was her 211 00:12:25,840 --> 00:12:28,640 Speaker 2: own woman, and I think that was like, who's she 212 00:12:28,679 --> 00:12:30,439 Speaker 2: going to end up with? Is she going to pick 213 00:12:30,480 --> 00:12:35,040 Speaker 2: a person? Like to have her be like I choose myself? 214 00:12:35,120 --> 00:12:39,840 Speaker 2: I think was is is just so cool me growing 215 00:12:39,920 --> 00:12:43,000 Speaker 2: up and watching you know, women or girls coming of 216 00:12:43,040 --> 00:12:45,439 Speaker 2: age that I loved. It was like they always had 217 00:12:45,440 --> 00:12:48,839 Speaker 2: to find their their love and so I was very 218 00:12:48,920 --> 00:12:50,920 Speaker 2: satisfied with that ending. 219 00:12:52,640 --> 00:12:54,760 Speaker 1: All right, So let's switch up a little bit. You 220 00:12:54,760 --> 00:12:58,720 Speaker 1: you did an eight episode arc on Chicago med and 221 00:12:58,760 --> 00:13:02,760 Speaker 1: then film Cash the same time, and this episode of 222 00:13:02,760 --> 00:13:06,800 Speaker 1: Gilmore Girls all happened simultaneously. What was it like going 223 00:13:06,840 --> 00:13:10,719 Speaker 1: from roll to roll to roll at that time in 224 00:13:10,760 --> 00:13:11,319 Speaker 1: your life? 225 00:13:11,520 --> 00:13:15,280 Speaker 2: I mean, that's like, that's the best. That's an actor's dream. 226 00:13:15,960 --> 00:13:20,679 Speaker 2: I had the at the timing of my life, I 227 00:13:20,800 --> 00:13:23,360 Speaker 2: was able to do that. I had the freedom to 228 00:13:23,520 --> 00:13:26,160 Speaker 2: pick up and get on a plane and go wherever 229 00:13:26,200 --> 00:13:29,920 Speaker 2: I needed to go. And you know, there's times when 230 00:13:29,960 --> 00:13:36,800 Speaker 2: the work isn't quite as abundant, so that time in 231 00:13:36,840 --> 00:13:40,120 Speaker 2: my life was awesome. Like that just was a high 232 00:13:40,160 --> 00:13:46,560 Speaker 2: and playing different characters, exploring different sides of yourself to 233 00:13:46,600 --> 00:13:49,960 Speaker 2: be able to utilize and jump into is just it's 234 00:13:50,280 --> 00:13:53,320 Speaker 2: that's why I got into the business was to just 235 00:13:53,800 --> 00:13:57,640 Speaker 2: play and not get stuck doing one thing. So for 236 00:13:57,760 --> 00:14:02,400 Speaker 2: me that was like, that's like the you know, the playoffs. 237 00:14:02,440 --> 00:14:04,400 Speaker 2: That's great. I'll take that all day long. 238 00:14:04,720 --> 00:14:05,920 Speaker 1: What are you working on now? 239 00:14:07,400 --> 00:14:11,840 Speaker 2: I'm working on raising two children, right, the role of 240 00:14:11,880 --> 00:14:17,120 Speaker 2: your life real humans? Oh yeah, that's been my life. 241 00:14:17,120 --> 00:14:20,120 Speaker 2: But I'm excited to I feel like I'm finally getting 242 00:14:20,120 --> 00:14:22,560 Speaker 2: to a place. My oldest is in kindergarten, so I'm 243 00:14:22,600 --> 00:14:25,520 Speaker 2: starting to see the light again where I might be 244 00:14:25,560 --> 00:14:30,680 Speaker 2: able to start jumping back into stuff and getting my 245 00:14:31,480 --> 00:14:32,360 Speaker 2: toes wet again. 246 00:14:33,320 --> 00:14:36,280 Speaker 1: Those these years are so great. They're so great, and 247 00:14:36,320 --> 00:14:37,480 Speaker 1: they go by so fast. 248 00:14:37,960 --> 00:14:38,720 Speaker 2: You have kids. 249 00:14:38,960 --> 00:14:42,320 Speaker 1: I have a ten year old. Yeah, and he's just 250 00:14:42,480 --> 00:14:44,960 Speaker 1: you know, all of a sudden, you know, he's it 251 00:14:44,960 --> 00:14:47,160 Speaker 1: seems like he was born yesterday and now he's ten. 252 00:14:47,440 --> 00:14:49,040 Speaker 1: It's like, what happened? You know? 253 00:14:49,080 --> 00:14:51,520 Speaker 2: I think that's I'm not quite at that. I mean, 254 00:14:52,000 --> 00:14:55,680 Speaker 2: it hasn't started going fast yet. For me, it is 255 00:14:55,720 --> 00:14:58,680 Speaker 2: a lot. I think I have two boys, and so 256 00:14:59,200 --> 00:15:03,360 Speaker 2: I am just I feel very sleep deprived all the time. 257 00:15:03,400 --> 00:15:06,640 Speaker 2: So all my d just blend into one crazy long. 258 00:15:07,680 --> 00:15:09,160 Speaker 1: Right man, all that energy. 259 00:15:09,680 --> 00:15:11,440 Speaker 4: Guys, they're just bouncing around. 260 00:15:20,480 --> 00:15:24,200 Speaker 1: All right, So now we're going to do well. I 261 00:15:25,120 --> 00:15:28,920 Speaker 1: hope you get back in the business. You did a 262 00:15:28,920 --> 00:15:31,480 Speaker 1: great job on this. The business needs you, let me 263 00:15:31,520 --> 00:15:33,680 Speaker 1: tell you. So you bring those three ms into the 264 00:15:33,680 --> 00:15:37,200 Speaker 1: business and show us how it's done, would you. Okay, 265 00:15:37,200 --> 00:15:39,480 Speaker 1: so we're gonna be rapid fire now, Susann, I'm gonna 266 00:15:39,560 --> 00:15:41,080 Speaker 1: let you start off, all right. 267 00:15:41,800 --> 00:15:46,720 Speaker 2: How do you like your coffee with a little milk 268 00:15:46,840 --> 00:15:50,600 Speaker 2: and in normal drip coffee? Like I'm not a fancy 269 00:15:50,680 --> 00:15:54,480 Speaker 2: I have like a very basic coffee machine and with 270 00:15:54,600 --> 00:15:55,160 Speaker 2: a little milk. 271 00:15:55,200 --> 00:15:58,040 Speaker 1: That's it, Tara, all right? 272 00:15:58,040 --> 00:16:00,840 Speaker 4: Are you team Logan, Team Jets, Team Dean? 273 00:16:03,600 --> 00:16:10,520 Speaker 2: Can I just be team Rory? I? This is hard. 274 00:16:11,080 --> 00:16:16,040 Speaker 1: I have to choose, right, Yeah, I'm sorry, but you must, 275 00:16:16,080 --> 00:16:16,720 Speaker 1: you must. 276 00:16:17,640 --> 00:16:23,240 Speaker 2: Must, I must, all right. I don't know Team Dean, 277 00:16:23,400 --> 00:16:24,119 Speaker 2: I guess. 278 00:16:27,840 --> 00:16:28,200 Speaker 4: I don't know. 279 00:16:28,240 --> 00:16:31,840 Speaker 2: It's hard. They all were like important parts of her 280 00:16:32,120 --> 00:16:34,280 Speaker 2: evolution and I can see where they all fit. 281 00:16:34,400 --> 00:16:39,160 Speaker 1: So, yeah, who's your favorite Gilmour girls couple? Luke and 282 00:16:39,200 --> 00:16:40,160 Speaker 1: Laura or Emily and. 283 00:16:40,280 --> 00:16:42,480 Speaker 2: Richard, Luke and Laurel. 284 00:16:42,480 --> 00:16:48,600 Speaker 1: I shah, come on, why is this question even here? 285 00:16:49,040 --> 00:16:49,360 Speaker 4: Yeah? 286 00:16:49,640 --> 00:16:50,080 Speaker 1: All right? 287 00:16:51,480 --> 00:16:55,520 Speaker 5: Would you rather work with Michelle or Kirk. 288 00:16:56,800 --> 00:16:58,880 Speaker 2: Well, at first you have to tell me who's Michelle 289 00:16:58,920 --> 00:16:59,720 Speaker 2: and who's Kirk. 290 00:17:03,440 --> 00:17:08,320 Speaker 5: So Michelle was the concierge at the first the Independence 291 00:17:08,320 --> 00:17:09,720 Speaker 5: in and then the dragon Fly in. 292 00:17:09,840 --> 00:17:15,160 Speaker 1: So he word Lorele I okay, snooty, the snooty French frenchman. 293 00:17:15,320 --> 00:17:18,040 Speaker 5: Yes, yes, okay, and then Kirk was kind of the 294 00:17:18,080 --> 00:17:21,119 Speaker 5: man about town that had a different job in every episode. 295 00:17:22,680 --> 00:17:27,000 Speaker 2: Yeah, I'm gonna go with the snooty. I would rather that. 296 00:17:27,560 --> 00:17:31,280 Speaker 2: I I think that that is something I would enjoy 297 00:17:31,400 --> 00:17:34,400 Speaker 2: going toe to toe with. And I think I could 298 00:17:34,440 --> 00:17:36,000 Speaker 2: out snoot if I really. 299 00:17:35,760 --> 00:17:38,840 Speaker 1: Had right right, right, it's Tara. 300 00:17:39,240 --> 00:17:40,879 Speaker 4: What would you order at Luke's Diner? 301 00:17:41,600 --> 00:17:45,280 Speaker 2: I mean coffee, I would, but I know that that's 302 00:17:45,359 --> 00:17:52,000 Speaker 2: like I'm just like cough, like a good, good cup 303 00:17:52,160 --> 00:17:57,800 Speaker 2: of diner coffee is like, that's all all I need. 304 00:17:57,840 --> 00:17:59,359 Speaker 1: You know, I have a coffee company and I'm co 305 00:17:59,480 --> 00:18:01,639 Speaker 1: branding with Warner Brothers. We have a Luke's Diner Blend. 306 00:18:01,680 --> 00:18:07,000 Speaker 5: Now it's wonderful, no way kidding, Oh my gosh, that's 307 00:18:07,080 --> 00:18:08,199 Speaker 5: awesome kidding. 308 00:18:08,240 --> 00:18:10,720 Speaker 1: You can own it. There's like a oh cool, there's 309 00:18:10,720 --> 00:18:12,680 Speaker 1: an eight hundred number to Warner Brothers. And I'll send 310 00:18:12,680 --> 00:18:17,480 Speaker 1: it to ye. Yes, there's a there's a dragonfly in blend. 311 00:18:17,520 --> 00:18:20,280 Speaker 1: There's a there's a stars Hollow blind. We just launched 312 00:18:20,280 --> 00:18:23,520 Speaker 1: a fall Blend. No way, we're going to launch a 313 00:18:23,560 --> 00:18:26,719 Speaker 1: winter Blend. We're doing a live podcast at Warner Brothers. 314 00:18:26,960 --> 00:18:31,760 Speaker 2: What's the flavor palette of the fall Blend? God? I 315 00:18:31,840 --> 00:18:35,840 Speaker 2: think jeez, Sorry I put you on the spot. 316 00:18:35,880 --> 00:18:37,360 Speaker 4: There no. 317 00:18:38,480 --> 00:18:43,680 Speaker 1: Pumpkin spice. Yeah, very popular with Gilmore fans. 318 00:18:44,000 --> 00:18:47,320 Speaker 2: I love this. I'm going to get one. 319 00:18:47,480 --> 00:18:52,920 Speaker 1: Get one. Okay, is it my turn? Who would you 320 00:18:53,040 --> 00:18:56,240 Speaker 1: rather hang out with? Paris or Lane? 321 00:18:58,160 --> 00:19:01,280 Speaker 2: I'm going to choose Paris. 322 00:19:02,640 --> 00:19:06,480 Speaker 1: Why the truth? 323 00:19:07,640 --> 00:19:12,879 Speaker 2: Because I don't know who pairs are laye are? So 324 00:19:12,960 --> 00:19:15,720 Speaker 2: tell me, give me, tell me which one is Paris, 325 00:19:15,760 --> 00:19:18,760 Speaker 2: which one is Lane? And then and then I if 326 00:19:18,800 --> 00:19:22,440 Speaker 2: I remember that, I'll tell you with more context. 327 00:19:23,400 --> 00:19:28,000 Speaker 1: Paris is Rory's not best friend. I said Lane's the 328 00:19:28,000 --> 00:19:31,480 Speaker 1: best friend, but Paris becomes her good friend at Yale 329 00:19:32,480 --> 00:19:40,920 Speaker 1: and Paris is a highly competitive, a highly intelligent, and 330 00:19:41,359 --> 00:19:47,000 Speaker 1: a bit touched. She's a little disturbed. She's she's very aggressive, 331 00:19:48,600 --> 00:19:52,879 Speaker 1: she's you know, the parents are divorced, divorcing, and she's 332 00:19:53,320 --> 00:19:56,800 Speaker 1: she's going through it, you know what I mean. So 333 00:19:57,040 --> 00:20:00,440 Speaker 1: her social skills are not what they should probably bleep 334 00:20:00,440 --> 00:20:03,720 Speaker 1: be Okay, she's just kind of bulldozing over everybody all 335 00:20:03,760 --> 00:20:04,160 Speaker 1: the time. 336 00:20:04,280 --> 00:20:06,960 Speaker 2: Well that that sounds like somebody I don't. I don't 337 00:20:06,960 --> 00:20:11,760 Speaker 2: think I would want to. I think I think that's 338 00:20:11,800 --> 00:20:17,320 Speaker 2: my answer right there, right, Oh gosh, you guys, all right. 339 00:20:18,760 --> 00:20:22,920 Speaker 5: Harvard or Yale or drop out and live in the poolhouse. 340 00:20:24,600 --> 00:20:31,880 Speaker 2: Oh man, I'm gonna go with I'm gonna go with Harvard. 341 00:20:33,920 --> 00:20:38,680 Speaker 2: I you know, I have I have mixed feelings about like, 342 00:20:38,800 --> 00:20:40,719 Speaker 2: if you wanna you want to pursue your own thing, 343 00:20:40,760 --> 00:20:43,800 Speaker 2: you don't want to finish college. But I went to 344 00:20:43,920 --> 00:20:50,120 Speaker 2: college and I finished, and the lessons that I gained 345 00:20:50,720 --> 00:20:56,439 Speaker 2: from it outside of just academically were like life changing 346 00:20:56,520 --> 00:21:03,080 Speaker 2: for me. So and then Harvard is somewhere close to 347 00:21:03,080 --> 00:21:07,480 Speaker 2: my heart. I spent some time in Boston and I 348 00:21:07,520 --> 00:21:12,320 Speaker 2: have some friends that went there, And yeah, I choose 349 00:21:12,320 --> 00:21:15,960 Speaker 2: hard Tara, all. 350 00:21:15,960 --> 00:21:18,639 Speaker 3: Right, would you rather attend a DAR event with Emily 351 00:21:18,800 --> 00:21:20,440 Speaker 3: or a town meeting with Taylor? 352 00:21:22,040 --> 00:21:23,560 Speaker 4: I feel like we know the answer to this. 353 00:21:25,200 --> 00:21:29,040 Speaker 2: I had a DAR event one thousand percent. I would 354 00:21:29,119 --> 00:21:34,880 Speaker 2: do that. I mean, I think Serena probably would never 355 00:21:34,960 --> 00:21:37,480 Speaker 2: want to go back. I think she would have PTSD 356 00:21:38,440 --> 00:21:44,600 Speaker 2: after that experience. But no, that is fun. I would 357 00:21:44,680 --> 00:21:46,840 Speaker 2: I would one hundred percent do that with those women 358 00:21:47,000 --> 00:21:47,440 Speaker 2: all time. 359 00:21:47,920 --> 00:21:52,320 Speaker 1: Gil More girl's character that you would want as a roommate. 360 00:21:53,200 --> 00:21:56,399 Speaker 2: Oh my gosh, Laura, l is that fair? I mean, 361 00:21:56,440 --> 00:22:00,399 Speaker 2: I don't I don't think she would necessarily want me 362 00:22:00,440 --> 00:22:04,040 Speaker 2: as a roommate. But she is just like so fun 363 00:22:04,080 --> 00:22:09,840 Speaker 2: and smart and wonderful and uh loving and complicated and 364 00:22:10,040 --> 00:22:13,440 Speaker 2: just everything I would want in a in a person 365 00:22:13,520 --> 00:22:16,760 Speaker 2: who's figuring their lives out, Like I just feel like 366 00:22:17,320 --> 00:22:18,160 Speaker 2: a kin't that. 367 00:22:19,640 --> 00:22:24,199 Speaker 1: Something in your life? You are all in on. I 368 00:22:24,200 --> 00:22:25,000 Speaker 1: think we know what. 369 00:22:24,880 --> 00:22:29,840 Speaker 2: That is all and on. I mean the obvious is 370 00:22:29,880 --> 00:22:30,920 Speaker 2: my children. 371 00:22:30,680 --> 00:22:34,040 Speaker 1: There you go, Yeah, that's it. 372 00:22:34,760 --> 00:22:40,000 Speaker 2: Yeah, you know, I mean there's there's there are other things, 373 00:22:40,000 --> 00:22:43,520 Speaker 2: but at the moment, yes, yes, they're the kids are 374 00:22:43,640 --> 00:22:46,880 Speaker 2: like they're sucking the life out of me in the best. 375 00:22:48,880 --> 00:22:54,240 Speaker 1: Possible Julie, it's been a pleasure. Thanks for taking the time. 376 00:22:56,119 --> 00:22:57,879 Speaker 1: I know you have to get back to your kids, 377 00:22:58,240 --> 00:23:01,160 Speaker 1: and uh, you know, all the best to you, and 378 00:23:01,560 --> 00:23:04,040 Speaker 1: thank you. Thank you for providing us with such an 379 00:23:04,119 --> 00:23:09,120 Speaker 1: enjoyable scene. I mean, really terrific work continued, good luck, 380 00:23:09,680 --> 00:23:12,720 Speaker 1: thank you, and hopefully we'll see you down the road 381 00:23:12,720 --> 00:23:13,280 Speaker 1: at some point. 382 00:23:13,320 --> 00:23:16,200 Speaker 2: Okay, nice to meet you guys. Thank you so much, 383 00:23:16,720 --> 00:23:47,960 Speaker 2: thank you, take care, Thank you all right, everybody, and 384 00:23:48,000 --> 00:23:51,600 Speaker 2: don't forget Follow us on Instagram at I Am all 385 00:23:51,640 --> 00:24:00,000 Speaker 2: In Podcast and email us at Gilmore at iHeartRadio dot com.