1
00:00:04,200 --> 00:00:07,640
Speaker 1: All right, this is the I m RAP before podcast

2
00:00:09,160 --> 00:00:12,760
Speaker 1: coming live from the Gloom Tomb. Many of them man

3
00:00:12,880 --> 00:00:16,560
Speaker 1: G Moody, Yes, yes, And we were just talking about

4
00:00:16,600 --> 00:00:20,320
Speaker 1: the I would say that this was a great finals

5
00:00:20,720 --> 00:00:24,600
Speaker 1: between the Warriors and the Cleveland Cavaliers. It was dramatic.

6
00:00:24,640 --> 00:00:26,760
Speaker 1: It wasn't the best finals by any means, but they

7
00:00:26,800 --> 00:00:29,360
Speaker 1: had a lot of great moments, great playoffs, and and

8
00:00:29,360 --> 00:00:31,560
Speaker 1: I have to say, G Moody, I was trying to

9
00:00:31,600 --> 00:00:34,560
Speaker 1: think like what was the sort of defining moment, and

10
00:00:34,560 --> 00:00:37,159
Speaker 1: and because Steph Curry didn't win m v P, I

11
00:00:37,159 --> 00:00:38,720
Speaker 1: feel like if he had won m VP of this season,

12
00:00:38,760 --> 00:00:40,800
Speaker 1: the MVP VP of the Finals, I would have said

13
00:00:40,800 --> 00:00:43,200
Speaker 1: that the defining moment would have been Steph Curry winning

14
00:00:43,240 --> 00:00:46,600
Speaker 1: m VP of the NBA Finals. But andre Iguodala played great,

15
00:00:46,920 --> 00:00:49,479
Speaker 1: so you could say, was that the defining moment? Was

16
00:00:49,520 --> 00:00:54,240
Speaker 1: it Riley Curry and how much joy and sort of controversy,

17
00:00:54,760 --> 00:01:00,200
Speaker 1: weird controversy that cause? Was it Lebron's greatness? Was it? Uh?

18
00:01:00,480 --> 00:01:04,280
Speaker 1: You know the folding of the Clippers, them them dropping

19
00:01:04,560 --> 00:01:08,080
Speaker 1: three to one lead, was it? You know? Derrick Rose

20
00:01:08,200 --> 00:01:10,480
Speaker 1: with I mean, there's there were so many John Wall

21
00:01:10,600 --> 00:01:13,080
Speaker 1: they played good, like you know there. You could say

22
00:01:13,120 --> 00:01:15,640
Speaker 1: so many different things, but the actual finals. Is it

23
00:01:15,720 --> 00:01:18,680
Speaker 1: the greatness of Andrew dre Agudala and the surprise of

24
00:01:18,760 --> 00:01:21,640
Speaker 1: him winning the m v P. No, is it Stefan

25
00:01:21,720 --> 00:01:26,680
Speaker 1: Curry's incredible ability? No? Was it Delava Nova? No? Uh,

26
00:01:26,680 --> 00:01:29,000
Speaker 1: it could easily be Lebron it could. But but but

27
00:01:29,040 --> 00:01:32,800
Speaker 1: I have to say the moment that to me was

28
00:01:32,840 --> 00:01:36,880
Speaker 1: the most defining of these NBA playoffs, and and it's

29
00:01:36,959 --> 00:01:41,240
Speaker 1: beyond the NBA playoffs. It's really a cultural moment because

30
00:01:41,240 --> 00:01:43,679
Speaker 1: you know how people say about like the culture is different,

31
00:01:44,760 --> 00:01:47,560
Speaker 1: and they say like, uh, you know, like, well you're

32
00:01:47,640 --> 00:01:51,320
Speaker 1: old and culturally it's different. Uh you know, But I say, like,

33
00:01:51,560 --> 00:01:54,400
Speaker 1: this is probably one of the most defining moments of

34
00:01:54,400 --> 00:01:57,000
Speaker 1: of the of the youth of today because we're older now,

35
00:01:57,520 --> 00:02:01,800
Speaker 1: these guys are it's their time. The most defining moment

36
00:02:01,840 --> 00:02:04,160
Speaker 1: of where we are at in the NBA this year

37
00:02:04,920 --> 00:02:09,400
Speaker 1: and during these NBA Finals is is the moment j R.

38
00:02:09,520 --> 00:02:12,720
Speaker 1: Smith decided to show up to a finals game on

39
00:02:12,760 --> 00:02:18,720
Speaker 1: a fucking scooter, on a fucking scooter with no handlebars,

40
00:02:18,760 --> 00:02:22,680
Speaker 1: no nothing, with a shit eating grin, and and and

41
00:02:22,680 --> 00:02:25,639
Speaker 1: and and some stylists dressed him in like you're gonna

42
00:02:25,680 --> 00:02:27,519
Speaker 1: be like now, you're gonna be like you're gonna be

43
00:02:27,560 --> 00:02:29,799
Speaker 1: like Kurt Kobain today it's like sort of like grunge.

44
00:02:30,120 --> 00:02:31,840
Speaker 1: And and then you're gonna come on your scooter. And

45
00:02:31,880 --> 00:02:33,760
Speaker 1: he's so happy that yoem would be the first one

46
00:02:33,840 --> 00:02:35,600
Speaker 1: of the duty. You know, he talks without his teeth

47
00:02:35,600 --> 00:02:42,840
Speaker 1: doing scooter like grinding tehoever j R. Smith speak, you know,

48
00:02:43,000 --> 00:02:45,720
Speaker 1: his teacher doesn't really move. He really gets really good excited.

49
00:02:45,919 --> 00:02:48,120
Speaker 1: I think that fucking seeing j R. Smith on that school,

50
00:02:48,120 --> 00:02:51,160
Speaker 1: I've never seen him be. He wasn't that excited any

51
00:02:51,200 --> 00:02:53,040
Speaker 1: other time during the place. I've never seen j R.

52
00:02:53,160 --> 00:02:56,440
Speaker 1: Smith smile that much. If you see him in his pictures,

53
00:02:56,440 --> 00:02:59,320
Speaker 1: he wants like he never smiles. He rarely gets excited.

54
00:02:59,360 --> 00:03:01,240
Speaker 1: Even when he does something good, when his team wins,

55
00:03:01,320 --> 00:03:04,200
Speaker 1: he really smiles. But coming in on that scooter, it

56
00:03:04,360 --> 00:03:09,520
Speaker 1: was he was so fucking proud of himself. It looked

57
00:03:09,560 --> 00:03:12,800
Speaker 1: like he was. He was so fucking just overjoyed, like

58
00:03:12,680 --> 00:03:15,000
Speaker 1: a like a little kid had a new outfit on

59
00:03:15,600 --> 00:03:17,840
Speaker 1: and he was gonna dress up like a like a grunge,

60
00:03:17,880 --> 00:03:20,520
Speaker 1: like like Kurt Cobain. Day. It was Kurt Cobain day,

61
00:03:20,600 --> 00:03:22,919
Speaker 1: for for for for Jr. Smith And you're gonna show

62
00:03:23,000 --> 00:03:26,880
Speaker 1: up to a game on a scooter your game five,

63
00:03:26,919 --> 00:03:29,680
Speaker 1: I don't, it doesn't matter what it is. It doesn't,

64
00:03:29,919 --> 00:03:33,520
Speaker 1: it doesn't. But it's the finals. And it made me think.

65
00:03:33,560 --> 00:03:38,040
Speaker 1: It made me think that now Lebron James wants to

66
00:03:38,080 --> 00:03:40,800
Speaker 1: get rid of the coach. There's like you know that

67
00:03:40,840 --> 00:03:43,360
Speaker 1: he does. It's it's pretty apparent that he wants to,

68
00:03:43,520 --> 00:03:46,240
Speaker 1: but he's probably not because it would look so bad

69
00:03:46,280 --> 00:03:47,920
Speaker 1: if he was to get rid of it. It would

70
00:03:47,960 --> 00:03:50,200
Speaker 1: look so bad. But you you want to get rid

71
00:03:50,240 --> 00:03:53,560
Speaker 1: of David Blatt. But but you allowed j R. Smith

72
00:03:53,600 --> 00:03:56,040
Speaker 1: to play in a finals game with you showing up

73
00:03:56,040 --> 00:04:00,160
Speaker 1: on a scooter, big wheel, a fucking big wheel, a

74
00:04:00,240 --> 00:04:04,440
Speaker 1: fucking tricycle. Yeah, you're you want to get rid of

75
00:04:04,480 --> 00:04:08,160
Speaker 1: David Blatts the problem. But that was okay, You're that's

76
00:04:08,200 --> 00:04:10,200
Speaker 1: the guy you're in the fucking in the in the

77
00:04:10,200 --> 00:04:12,120
Speaker 1: belly of the Beast with. That's the guy you're in

78
00:04:12,160 --> 00:04:15,400
Speaker 1: the fucking the foxhole with. He shows up in the

79
00:04:15,520 --> 00:04:18,240
Speaker 1: fucking like it's Coney Island and you're okay with it.

80
00:04:18,279 --> 00:04:20,200
Speaker 1: And you and they said you're a great leader. You're

81
00:04:20,200 --> 00:04:22,440
Speaker 1: the great you said you're the greatest player on the planet,

82
00:04:22,839 --> 00:04:25,679
Speaker 1: and you're you're a great leader, and you're all about team.

83
00:04:25,839 --> 00:04:28,080
Speaker 1: If you're all about team, it doesn't always mean like

84
00:04:28,240 --> 00:04:30,640
Speaker 1: letting things go like that. Should have he should have

85
00:04:30,640 --> 00:04:35,719
Speaker 1: been made an example of, like you you like me?

86
00:04:35,920 --> 00:04:41,000
Speaker 1: Because he and the Lebron's like, you take your fucking scooter,

87
00:04:41,400 --> 00:04:44,360
Speaker 1: get the funk out of here, Scoot the funk back

88
00:04:44,400 --> 00:04:46,320
Speaker 1: to where you came from. You're not playing in this game.

89
00:04:50,040 --> 00:04:53,040
Speaker 1: He's like, if you were a real fucking leader. Imagine

90
00:04:53,839 --> 00:04:59,120
Speaker 1: Silk Wilks. Imagine fucking Jamal silk Wilks showing up to

91
00:04:59,200 --> 00:05:02,640
Speaker 1: a game and ball Euston Garden versus Celtics with with

92
00:05:02,800 --> 00:05:07,080
Speaker 1: the finals on a fucking skateboard or a unicycle and

93
00:05:07,160 --> 00:05:09,880
Speaker 1: coming in and imagine with the look on on on

94
00:05:10,000 --> 00:05:14,359
Speaker 1: fucking Kareem's face. Mike McGee, what would Michael Cooper have

95
00:05:14,440 --> 00:05:17,560
Speaker 1: done to fucking silk Wilks if he showed up to

96
00:05:17,600 --> 00:05:20,960
Speaker 1: a game like that on a skateboard? That ship would

97
00:05:21,120 --> 00:05:27,120
Speaker 1: never ever fly. I imagine if fucking Danny aingels like

98
00:05:27,200 --> 00:05:30,920
Speaker 1: you look at this ship. I'm now doing Danny Angels

99
00:05:31,000 --> 00:05:33,719
Speaker 1: j R. Smith showed up to a game, Larry Bird,

100
00:05:33,839 --> 00:05:36,680
Speaker 1: Robert Parrison, Kevin mckill would have stomped his ass out,

101
00:05:36,800 --> 00:05:40,560
Speaker 1: sent them on but ass naked, and David blats the

102
00:05:40,600 --> 00:05:42,800
Speaker 1: fucking problem. We're gonna have to hear about all this

103
00:05:42,960 --> 00:05:45,880
Speaker 1: bullshit with David Black And you're supposed to be the

104
00:05:45,880 --> 00:05:51,160
Speaker 1: fucking greatest player and you let this ship slide? Isaiah?

105
00:05:52,320 --> 00:05:54,920
Speaker 1: What is John Sally showed up to with the bad

106
00:05:54,960 --> 00:05:58,040
Speaker 1: boys run on a fucking let's just say it was

107
00:05:58,080 --> 00:06:00,960
Speaker 1: a bicycle forget a nice go forget something that you

108
00:06:00,960 --> 00:06:03,680
Speaker 1: could have really hurt yourself, Just a regular bicycle for

109
00:06:03,720 --> 00:06:08,240
Speaker 1: the finals? How would that make the hard working Detroit

110
00:06:08,320 --> 00:06:12,839
Speaker 1: Pistons fan And you think this is cool, That's not okay,

111
00:06:12,880 --> 00:06:15,680
Speaker 1: Isaiah Thomas would have fucking yo. He would have fucking

112
00:06:16,120 --> 00:06:18,480
Speaker 1: beat the ship out of John Sally. He'd have beat

113
00:06:18,520 --> 00:06:21,119
Speaker 1: him up with the bike, dismantled it with his teeth,

114
00:06:21,160 --> 00:06:23,159
Speaker 1: take him to part with his team. Bill Amber would

115
00:06:23,200 --> 00:06:24,919
Speaker 1: have ate the fucking bike and then they would have

116
00:06:24,920 --> 00:06:27,200
Speaker 1: sent him to fuck home. What about if Steve Kerr

117
00:06:27,240 --> 00:06:29,200
Speaker 1: would have came when he was with Mike and them

118
00:06:29,279 --> 00:06:33,799
Speaker 1: on a skateboard. Mike would have hooked off on the hallway,

119
00:06:33,920 --> 00:06:36,120
Speaker 1: Mike beat up Steve Kerr and practice snuff him and

120
00:06:36,120 --> 00:06:39,120
Speaker 1: practice for talking ship. Yeah, imagine rodding down the hallway.

121
00:06:39,160 --> 00:06:45,760
Speaker 1: Imagine he showed up on the good The Cleveland fans

122
00:06:45,880 --> 00:06:48,120
Speaker 1: must have been like, Yo, know, the Cleveland fans are

123
00:06:48,160 --> 00:06:51,240
Speaker 1: so fucking happy to be there. But you, Lebron James

124
00:06:51,360 --> 00:06:54,599
Speaker 1: is the leader, the great leader. You're the greatest player

125
00:06:54,600 --> 00:06:57,599
Speaker 1: in the world. You're the great leader. That was okay,

126
00:06:57,760 --> 00:07:00,760
Speaker 1: But David Blatt is a piece of ship, Ron Louise.

127
00:07:00,800 --> 00:07:04,200
Speaker 1: He answered all your probably, Telu, if you're so fucking

128
00:07:04,279 --> 00:07:07,360
Speaker 1: dope and bounted bount it, Tlu. And you're such a

129
00:07:07,360 --> 00:07:09,320
Speaker 1: great coach. You know how you could have got that

130
00:07:09,360 --> 00:07:12,600
Speaker 1: coaching job if you had fucking stuck that fucking scooter

131
00:07:12,720 --> 00:07:15,320
Speaker 1: up j R. Smith's ass. And then they would have

132
00:07:15,320 --> 00:07:17,720
Speaker 1: been like, Yo, t L ship in the coach. But

133
00:07:17,800 --> 00:07:19,560
Speaker 1: I bet you, Tlu, what did you do when you

134
00:07:19,640 --> 00:07:22,280
Speaker 1: saw JR. Smith? I bet your game him a pound

135
00:07:22,280 --> 00:07:25,600
Speaker 1: and laughed at off. You let that ship slide. And

136
00:07:25,680 --> 00:07:27,600
Speaker 1: you've been in the championship with Kobe And that's why

137
00:07:27,600 --> 00:07:30,360
Speaker 1: Alan Iverson stepped over you there because he knows he

138
00:07:30,400 --> 00:07:35,000
Speaker 1: knows you're not about that. I like Tu man Yo.

139
00:07:35,120 --> 00:07:38,280
Speaker 1: T Lou didn't do ship, and he's a coach. He's

140
00:07:38,280 --> 00:07:40,400
Speaker 1: a coach, and his players showed up to the game

141
00:07:40,440 --> 00:07:42,000
Speaker 1: and they want you want him to be the coach

142
00:07:42,520 --> 00:07:45,200
Speaker 1: that whole coaching staff. If I'm Dan Gilbert, the owner

143
00:07:45,240 --> 00:07:47,000
Speaker 1: of the Cleveland Cavaliers, I give her to the whole

144
00:07:47,040 --> 00:07:52,640
Speaker 1: coaching staff because of that. Maybe that's one of your players.

145
00:07:52,640 --> 00:07:56,520
Speaker 1: He shows up to a game with that ship. Get

146
00:07:56,600 --> 00:08:01,200
Speaker 1: the fuck out six, Daniello. Oh, Dannel has just joined

147
00:08:03,440 --> 00:08:11,480
Speaker 1: this motherfucker ship. This cocksucker Lebron James, You dumb fuck you.

148
00:08:12,720 --> 00:08:17,240
Speaker 1: I would have posted je Orge Smith's fucking taking. I

149
00:08:17,280 --> 00:08:21,520
Speaker 1: would have broke that fucking scooter over his fucking head.

150
00:08:23,120 --> 00:08:29,160
Speaker 1: And you call yourself a fucking leader Peano. If fucking

151
00:08:29,280 --> 00:08:33,320
Speaker 1: Mookie ever shows up delivering the fucking pizza with a

152
00:08:33,480 --> 00:08:39,400
Speaker 1: fucking scooter, I'm gonna fucking killed that motherfucker right where

153
00:08:39,400 --> 00:08:49,920
Speaker 1: he fucking stands. Peter, Peter, Oh, Chris, Chris Brochard has

154
00:08:49,960 --> 00:08:54,960
Speaker 1: come in. My sources have told me that Lebron James

155
00:08:55,320 --> 00:08:59,559
Speaker 1: was not really upset with j R. Smith coming to

156
00:08:59,679 --> 00:09:02,000
Speaker 1: the game aim and a scooter. My source says has

157
00:09:02,040 --> 00:09:06,360
Speaker 1: also told me that Imon Schopper was supposed to show

158
00:09:06,440 --> 00:09:08,880
Speaker 1: up to one of the games on a scooter too,

159
00:09:09,640 --> 00:09:13,240
Speaker 1: but thought better of it. My sourcers have also that's

160
00:09:13,320 --> 00:09:17,880
Speaker 1: the christ Bouchard. That was good, my friend. Oh wait,

161
00:09:17,960 --> 00:09:21,520
Speaker 1: you want to say something else, Danny, you want to

162
00:09:21,559 --> 00:09:28,560
Speaker 1: fire the fucking coach, You motherfucker. You're a rich, fucking man,

163
00:09:28,720 --> 00:09:32,480
Speaker 1: Brian Brunt, big fucking deal, and you want to get

164
00:09:32,559 --> 00:09:36,360
Speaker 1: rid of the coach. He calls himself a fucking leader.

165
00:09:36,800 --> 00:09:40,040
Speaker 1: Get the funk out of here, all right, it's it's

166
00:09:40,120 --> 00:09:45,959
Speaker 1: it's cool, Danny Eloa. Man, damn, he's he's too rough sometimes, Yo,

167
00:09:46,640 --> 00:09:50,120
Speaker 1: I gotta say, man, that's the fucking the image that

168
00:09:50,160 --> 00:09:52,000
Speaker 1: I'm gonna walk away when I when? When? When? When

169
00:09:52,040 --> 00:09:55,880
Speaker 1: I think about NBA two fifteen, that that exemplifies not

170
00:09:55,920 --> 00:09:58,840
Speaker 1: just the NBA and where we are at, it exemplifies

171
00:09:58,960 --> 00:10:03,240
Speaker 1: the youth of today. Just one more example. Remember when

172
00:10:03,320 --> 00:10:05,880
Speaker 1: Doc finally got Moses and it was his last chance

173
00:10:05,920 --> 00:10:10,600
Speaker 1: to win. Imagine if Mo Cheeks showed up to the

174
00:10:10,679 --> 00:10:14,120
Speaker 1: game doing the electric slide down the hole, even that,

175
00:10:14,200 --> 00:10:16,240
Speaker 1: they would have been like, Yo, what the fuck? Doc

176
00:10:16,280 --> 00:10:20,520
Speaker 1: would have sucked you up? We're gonna win. What Moses Malone,

177
00:10:21,040 --> 00:10:22,960
Speaker 1: you show up doing that, Even if you showed up

178
00:10:23,040 --> 00:10:26,199
Speaker 1: dancing doing Michael Jackson ship Electric Bok, they would have

179
00:10:26,240 --> 00:10:28,400
Speaker 1: sucked you up. So you don't even need to come

180
00:10:28,400 --> 00:10:31,000
Speaker 1: in on the fucking coach door. We're gonna fuck this guy.

181
00:10:31,360 --> 00:10:34,240
Speaker 1: Y imagine more you do that if your sinners Moses

182
00:10:34,280 --> 00:10:37,520
Speaker 1: Malone and he and Dr J's like, you know, this

183
00:10:37,559 --> 00:10:40,000
Speaker 1: is his last chance to win the final and he's

184
00:10:40,000 --> 00:10:42,920
Speaker 1: went through everything that his whole Career's the Doc and

185
00:10:42,960 --> 00:10:46,200
Speaker 1: you show up Dot Doc, the prim and proper, cool

186
00:10:46,240 --> 00:10:49,040
Speaker 1: and collected. He would Doc Doc would have been like

187
00:10:49,520 --> 00:10:52,800
Speaker 1: you come up, boogie woogie woogie. Woggie would have fucking

188
00:10:52,880 --> 00:10:56,080
Speaker 1: plaid shirt, cut off sleeve, a fucking a pair of

189
00:10:56,120 --> 00:10:59,600
Speaker 1: skin type jeans on a scooter with doc fucked up

190
00:10:59,600 --> 00:11:05,079
Speaker 1: hat with a fucked up hatch. Clint Richardson come out

191
00:11:05,120 --> 00:11:08,720
Speaker 1: on some ship like that. Steve Mix. Imagine Steve Mix

192
00:11:08,760 --> 00:11:12,760
Speaker 1: showed up to the fucking the Spectrum and Steve Mix

193
00:11:12,840 --> 00:11:18,040
Speaker 1: and he comes down game game two, they'll fucking jump him.

194
00:11:18,200 --> 00:11:21,160
Speaker 1: See that's the that's the difference. And people say, oh

195
00:11:21,800 --> 00:11:27,200
Speaker 1: you guys, oh well so what And I like it?

196
00:11:27,280 --> 00:11:30,240
Speaker 1: That way too. You couldn't do that ship with Kobe now,

197
00:11:30,360 --> 00:11:32,760
Speaker 1: and it's good that you can't do that ship with Kobe.

198
00:11:32,960 --> 00:11:35,520
Speaker 1: You know, you can't do that ship with Kobe. Kobe

199
00:11:35,600 --> 00:11:39,280
Speaker 1: laughs at Nick Young and those guys, Swaggy p. He

200
00:11:39,400 --> 00:11:41,040
Speaker 1: laughed at him this year when they were when they

201
00:11:41,040 --> 00:11:44,000
Speaker 1: won one game and they're jerking off. More reason not

202
00:11:44,080 --> 00:11:45,920
Speaker 1: to like Lebron. But besides the fact that he said,

203
00:11:46,400 --> 00:11:49,560
Speaker 1: I'm the greatest player in the world. Okay, but he

204
00:11:49,640 --> 00:11:52,680
Speaker 1: said that, deside the fact that he's in a movie

205
00:11:52,720 --> 00:11:55,120
Speaker 1: trying to act in a real part took like, which

206
00:11:55,160 --> 00:11:58,240
Speaker 1: is a joke. Lebron. You didn't like his shops, you suck.

207
00:11:59,280 --> 00:12:01,839
Speaker 1: You're not a good act there, Okay, I'll say you.

208
00:12:01,840 --> 00:12:04,000
Speaker 1: You are the best player. And even I could separate

209
00:12:04,080 --> 00:12:06,320
Speaker 1: church and state, like I have my problems with some

210
00:12:06,360 --> 00:12:08,520
Speaker 1: of the decisions and some of the bullshit, some of

211
00:12:08,559 --> 00:12:10,440
Speaker 1: the you know, all that stuff. He's the best player.

212
00:12:10,800 --> 00:12:14,160
Speaker 1: I could tell you you're not a good act you see,

213
00:12:14,240 --> 00:12:17,400
Speaker 1: I promise you you're not a good actor. Rest ashore.

214
00:12:17,480 --> 00:12:19,040
Speaker 1: And even if you were sort of a good actor,

215
00:12:19,440 --> 00:12:21,640
Speaker 1: which you're not even sort of good like you know,

216
00:12:21,679 --> 00:12:24,559
Speaker 1: like I don't know an athlete who was kind of like,

217
00:12:24,800 --> 00:12:27,040
Speaker 1: you know, Kareem kind of spooped himself in the movies.

218
00:12:27,080 --> 00:12:28,920
Speaker 1: It was kind of like it was good for Kareem.

219
00:12:28,960 --> 00:12:31,720
Speaker 1: You're not a good actor for Lebron, Like Lebron James

220
00:12:31,760 --> 00:12:35,160
Speaker 1: isn't even a good actor playing Lebron James. So if

221
00:12:35,160 --> 00:12:39,240
Speaker 1: you can't play yourself, shut it down in there. So

222
00:12:39,240 --> 00:12:41,520
Speaker 1: I'm gonna tell you, yes, you are the best player

223
00:12:41,559 --> 00:12:44,280
Speaker 1: in the world. But maybe you should not be a

224
00:12:44,320 --> 00:12:47,880
Speaker 1: SAG member. Okay, maybe for the commercials and your dre

225
00:12:48,040 --> 00:12:50,679
Speaker 1: beats and you got your clothes off and your hair

226
00:12:50,760 --> 00:12:52,280
Speaker 1: and you got your hair the dust on your hair,

227
00:12:52,280 --> 00:12:54,120
Speaker 1: so you look like I have a regular hairline like

228
00:12:54,160 --> 00:12:56,720
Speaker 1: everybody else, and you should looks good with the lightning

229
00:12:56,760 --> 00:12:58,760
Speaker 1: and all that ship. Maybe that's good. But a real

230
00:12:58,840 --> 00:13:01,160
Speaker 1: part in a real movie. No, I don't want to

231
00:13:01,160 --> 00:13:04,480
Speaker 1: go see the Amy Schumer movie. That it looks away

232
00:13:04,520 --> 00:13:06,000
Speaker 1: from the age. It looks like it's a real part.

233
00:13:06,000 --> 00:13:08,200
Speaker 1: It's not just like a cameo like one scene with Lebron,

234
00:13:08,440 --> 00:13:10,600
Speaker 1: like he's like a friend, like he's like the sidekick.

235
00:13:12,000 --> 00:13:15,560
Speaker 1: What do you think Omar Reps and Malik Yoba and uh,

236
00:13:15,720 --> 00:13:18,120
Speaker 1: what do you think they're saying, they're like that motherfucker

237
00:13:18,160 --> 00:13:20,160
Speaker 1: what Harris is like that cock sucker. He just took

238
00:13:20,160 --> 00:13:24,679
Speaker 1: a job out of me. What do they cast Lebron James?

239
00:13:24,679 --> 00:13:26,720
Speaker 1: Just like what the fund is going on here? So

240
00:13:26,720 --> 00:13:30,080
Speaker 1: so you didn't like his like I could I this

241
00:13:30,120 --> 00:13:33,480
Speaker 1: is what I do. They just put They put Lebron

242
00:13:33,559 --> 00:13:35,920
Speaker 1: in there, so you didn't like what you saw. I

243
00:13:35,920 --> 00:13:38,600
Speaker 1: didn't tell you he can't act. I know he can't act,

244
00:13:39,600 --> 00:13:41,040
Speaker 1: and I can tell you he's not even good for

245
00:13:41,120 --> 00:13:44,160
Speaker 1: Lebron James. You can't act Lebron. So just I'm gonna

246
00:13:44,160 --> 00:13:45,959
Speaker 1: tell you that. You say you're the best player in

247
00:13:45,960 --> 00:13:47,520
Speaker 1: the earth, and I say you might be one of

248
00:13:47,559 --> 00:13:51,160
Speaker 1: the worst actors. So not everybody's great at everything. So

249
00:13:51,200 --> 00:13:53,080
Speaker 1: the people who cast them, you don't think they know

250
00:13:53,200 --> 00:13:56,800
Speaker 1: that they see what you see. Okay, so why is

251
00:13:56,800 --> 00:14:00,240
Speaker 1: he in it? Because it's Lebron James. They think it's funny, like, oh,

252
00:14:00,240 --> 00:14:02,000
Speaker 1: it's Lebron James. And they in the in the movie

253
00:14:02,000 --> 00:14:04,120
Speaker 1: they call him. They don't say Lebron. They didn't give

254
00:14:04,160 --> 00:14:06,560
Speaker 1: him a cary. He's not like Jeff or like Doug

255
00:14:06,800 --> 00:14:10,520
Speaker 1: or like Lebron. Lebron James see him Okay, I see

256
00:14:10,679 --> 00:14:14,440
Speaker 1: that's Hollywood ship. Yeah, that's whack. So you you wanted

257
00:14:14,520 --> 00:14:16,880
Speaker 1: lebron you were you wanted him in there so bad?

258
00:14:16,600 --> 00:14:18,760
Speaker 1: You might have I didn't see the movie, and I

259
00:14:18,840 --> 00:14:21,720
Speaker 1: funk with Judd Apatow, but I didn't see the movie.

260
00:14:22,560 --> 00:14:25,320
Speaker 1: But they might have compromised your entire movie just by

261
00:14:25,360 --> 00:14:28,200
Speaker 1: putt him in there. Putting him in there. He looks

262
00:14:28,200 --> 00:14:31,320
Speaker 1: like he has a role. Yo. Yo, I heard about

263
00:14:31,320 --> 00:14:37,200
Speaker 1: that guy, Judd Ape Yeah. He he great director, great producer.

264
00:14:37,800 --> 00:14:41,360
Speaker 1: I've known him. He forty year old virgin all the

265
00:14:41,400 --> 00:14:45,360
Speaker 1: seth Rogan stuff, shipping on my man Bill Cosby, like

266
00:14:45,480 --> 00:14:48,960
Speaker 1: hard oh yeah, yeah. He's been speaking out against Bill Cosby.

267
00:14:49,000 --> 00:14:52,080
Speaker 1: He's been real adamant about speaking out against Bill Cosby.

268
00:14:52,120 --> 00:14:55,000
Speaker 1: And we were watching the other day, but I never

269
00:14:55,080 --> 00:14:59,400
Speaker 1: heard him, you know, Woody Allen with the same ferocity.

270
00:14:59,520 --> 00:15:02,720
Speaker 1: That's a good point. I never heard him talk about

271
00:15:02,760 --> 00:15:06,640
Speaker 1: this cat who married his stepdaughter. You know, I'm gonna

272
00:15:06,720 --> 00:15:08,240
Speaker 1: kind of leave that alone because I'm looking for a

273
00:15:08,320 --> 00:15:12,360
Speaker 1: job from Jed app yo. But you know, I'm out

274
00:15:12,360 --> 00:15:15,360
Speaker 1: here in the street and everybody wonders that why the

275
00:15:15,480 --> 00:15:18,880
Speaker 1: double standards. That's that's cool, that's a good question. This

276
00:15:18,960 --> 00:15:21,560
Speaker 1: is not question being raised by me, Michael Rapper, because Jed,

277
00:15:21,600 --> 00:15:24,320
Speaker 1: I funk with you, hard, hard body, because me, man,

278
00:15:24,760 --> 00:15:28,960
Speaker 1: this is sucking me. This is what people wanted, Like, Yo,

279
00:15:29,000 --> 00:15:30,760
Speaker 1: why are you going to have money like that when

280
00:15:30,800 --> 00:15:35,000
Speaker 1: you don't go at this cat for doing like marrying stepdaughter.

281
00:15:35,040 --> 00:15:37,440
Speaker 1: And that's kind of while I would think it would

282
00:15:37,480 --> 00:15:40,320
Speaker 1: be fair and balanced. Again, I'm looking for a part

283
00:15:40,360 --> 00:15:42,560
Speaker 1: in the next jota just out here and to beat

284
00:15:42,760 --> 00:15:44,400
Speaker 1: this is you. This has nothing to do with the

285
00:15:44,440 --> 00:15:49,280
Speaker 1: Micael rapport and the IRA beep beep. It's no disrespect

286
00:15:49,280 --> 00:15:54,240
Speaker 1: to my beep beep beep. I'm gonna tell you see peep,

287
00:15:54,680 --> 00:15:59,240
Speaker 1: we motherfucker fuck him, you know, Okay, be be be

288
00:15:59,440 --> 00:16:01,800
Speaker 1: we support jet apataw here I I do. I don't

289
00:16:01,840 --> 00:16:05,200
Speaker 1: know my co host series off the fucking rails about

290
00:16:05,240 --> 00:16:11,280
Speaker 1: that if I'm beeping out, No no, no, beppp. The

291
00:16:11,480 --> 00:16:16,720
Speaker 1: I Am Rappaport podcast is sponsored by Casper Mattresses Casper

292
00:16:16,840 --> 00:16:20,760
Speaker 1: dot com. It's an award winning sleep start up. Go

293
00:16:20,840 --> 00:16:24,880
Speaker 1: to Casper dot com fifty dollars off purchase of any

294
00:16:25,000 --> 00:16:28,880
Speaker 1: size mattress. Put in the cold. Rappaport r A P

295
00:16:28,960 --> 00:16:32,000
Speaker 1: A p O R. T. Casper mattress in New York City.

296
00:16:32,520 --> 00:16:34,400
Speaker 1: You could keep the bed for a hundred knights. You

297
00:16:34,400 --> 00:16:36,600
Speaker 1: could get your freak on for a hundred knights. If

298
00:16:36,600 --> 00:16:39,280
Speaker 1: you do not like the bed after a hundred nights,

299
00:16:39,600 --> 00:16:43,480
Speaker 1: you can return the mattress within a hundred days. That's

300
00:16:43,480 --> 00:16:46,760
Speaker 1: a guarantee. The bed will be delivered between two to

301
00:16:46,840 --> 00:16:50,880
Speaker 1: five days anywhere in the United States and Canada, same

302
00:16:51,040 --> 00:16:54,760
Speaker 1: day delivery in New York City. We do not plug,

303
00:16:54,840 --> 00:16:58,160
Speaker 1: We do not support, We do not take sponsorship from anything.

304
00:16:58,160 --> 00:17:00,720
Speaker 1: We have not tried, and we are not passed about

305
00:17:01,080 --> 00:17:08,840
Speaker 1: four hundred. We uh have to do one more thing

306
00:17:08,920 --> 00:17:15,680
Speaker 1: on Rachel Oh, Rachel Dozel, yea Rachel Dozel who's now

307
00:17:15,800 --> 00:17:21,880
Speaker 1: saying she's a bisexual. So she's a trans racial bisexual.

308
00:17:21,960 --> 00:17:26,600
Speaker 1: She doesn't know what the fun she wants men women,

309
00:17:26,880 --> 00:17:29,239
Speaker 1: black wife. But I'll bet you this, she only likes

310
00:17:29,359 --> 00:17:33,280
Speaker 1: black women and black man. What do you think, correct,

311
00:17:33,720 --> 00:17:36,960
Speaker 1: as long as it's black. She probably only needs the

312
00:17:36,960 --> 00:17:40,959
Speaker 1: fucking outside of Oreo cookies. Right. She's she's like super black.

313
00:17:41,200 --> 00:17:44,679
Speaker 1: She's like a mega black. She's like three times black,

314
00:17:44,720 --> 00:17:48,760
Speaker 1: like the group three times. Like she's anything. She didn't

315
00:17:48,760 --> 00:17:51,320
Speaker 1: give a funk what it is? Three times dope? Yeah

316
00:17:51,359 --> 00:17:55,400
Speaker 1: you remember that group three radis there from Philly? Right? Yeah,

317
00:17:55,520 --> 00:18:00,320
Speaker 1: So but now she's she's she's she's a bisexual trans racial.

318
00:18:00,400 --> 00:18:06,520
Speaker 1: She she the first transracial I never heard of, not

319
00:18:06,520 --> 00:18:08,359
Speaker 1: not to not to the extent that she's doing it.

320
00:18:08,640 --> 00:18:12,480
Speaker 1: And you know, you know, well going back to when

321
00:18:12,520 --> 00:18:15,560
Speaker 1: that fucking reporter when when when laur and that other

322
00:18:15,560 --> 00:18:19,840
Speaker 1: woman asked her are you black? And she says, yes,

323
00:18:19,920 --> 00:18:22,480
Speaker 1: I'm black with a little smirk on your face. The

324
00:18:22,600 --> 00:18:27,320
Speaker 1: follow up questions should have been, Okay, were you at

325
00:18:27,359 --> 00:18:32,600
Speaker 1: any time in your life not black? And were you

326
00:18:32,680 --> 00:18:35,640
Speaker 1: in any time in your life white? When did you

327
00:18:35,720 --> 00:18:38,919
Speaker 1: declare yourself black? Was it a day? Was it like

328
00:18:40,119 --> 00:18:42,760
Speaker 1: a moment? Did it? Did it evolve over time? Was

329
00:18:42,800 --> 00:18:45,119
Speaker 1: it this is like a premeditated thing to take a

330
00:18:45,119 --> 00:18:47,800
Speaker 1: few weeks, a few months, Like what was the moment

331
00:18:47,800 --> 00:18:51,680
Speaker 1: where you said I'm actually yes, I'm black? And were

332
00:18:51,720 --> 00:18:56,000
Speaker 1: you actually ever white? You fucking whack a do your

333
00:18:56,040 --> 00:19:00,800
Speaker 1: fucking nut job your netcase? She said, I mean, you

334
00:19:00,800 --> 00:19:05,520
Speaker 1: know she's not a dark skinned sister, right, So you

335
00:19:05,640 --> 00:19:08,119
Speaker 1: experience in life as a black woman a light skinned

336
00:19:08,119 --> 00:19:13,760
Speaker 1: black women, So share with us. The struggles with that

337
00:19:14,320 --> 00:19:18,119
Speaker 1: because elaborate what do you mean? Because light skin within

338
00:19:18,160 --> 00:19:20,560
Speaker 1: the within the black community, within the black community, light

339
00:19:20,640 --> 00:19:26,720
Speaker 1: skinned people get treated a little different, like how they

340
00:19:26,760 --> 00:19:32,160
Speaker 1: get called names, like what kind of names? High yella? Uh?

341
00:19:32,240 --> 00:19:36,480
Speaker 1: What what? What? Fair? Red bone? Yeah, so I wonder

342
00:19:36,560 --> 00:19:39,600
Speaker 1: did she get those? Did you? I don't think she

343
00:19:39,640 --> 00:19:41,560
Speaker 1: got that because as a kid, she was just white

344
00:19:41,560 --> 00:19:44,920
Speaker 1: on white. So she missed out on that. But she said,

345
00:19:45,000 --> 00:19:47,399
Speaker 1: she feels black and she lives the black experience. But

346
00:19:47,520 --> 00:19:52,200
Speaker 1: as a child, she didn't get ridiculed for being light skinned, right,

347
00:19:52,359 --> 00:19:56,359
Speaker 1: which is what happens two light skinned black people in

348
00:19:56,400 --> 00:19:59,720
Speaker 1: the black experience. So you missed out on the first

349
00:19:59,800 --> 00:20:01,840
Speaker 1: third of the years of the black experience and maybe

350
00:20:01,880 --> 00:20:05,520
Speaker 1: seven five six, seven years ago. Then so she she

351
00:20:05,520 --> 00:20:09,120
Speaker 1: she has the black experience. Now, she never got called

352
00:20:09,640 --> 00:20:14,920
Speaker 1: hi or red bone or what else? This color? All

353
00:20:14,960 --> 00:20:18,119
Speaker 1: those fucking terms. Where you're from? You're from where you

354
00:20:18,280 --> 00:20:20,600
Speaker 1: explained in your neighbor because there was one dude in

355
00:20:20,640 --> 00:20:24,720
Speaker 1: your neighborhood who I remember, well, there was actually another

356
00:20:24,880 --> 00:20:27,560
Speaker 1: white mic in your neighborhood. He was so he he

357
00:20:27,640 --> 00:20:31,040
Speaker 1: was black, he was black, but he's really um light

358
00:20:31,080 --> 00:20:35,240
Speaker 1: skin they called him white mic or mighty Whitey. He

359
00:20:35,400 --> 00:20:38,760
Speaker 1: wasn't even white. He's black, Puerto Rican, half Puerto Rican,

360
00:20:38,800 --> 00:20:42,480
Speaker 1: half black and all Puerto Rican. But there was another

361
00:20:42,520 --> 00:20:45,359
Speaker 1: dude in your neighborhood who was light skin similar to

362
00:20:45,440 --> 00:20:48,520
Speaker 1: the way like i'll be shore looking or Stefancour. They

363
00:20:48,560 --> 00:20:52,480
Speaker 1: called him slave. So well, tell me some of the

364
00:20:52,520 --> 00:20:54,600
Speaker 1: things you witnessed about light skinned blacks, like how they

365
00:20:54,600 --> 00:20:57,920
Speaker 1: were treated with within the black community. That Rachel Dozel

366
00:20:57,960 --> 00:21:00,560
Speaker 1: since she lived a black experience, but as a kid,

367
00:21:00,600 --> 00:21:05,000
Speaker 1: she missed out on it's a it's a fifty fifty thing.

368
00:21:05,480 --> 00:21:08,199
Speaker 1: Light skinned guys are usually the pretty boys, right, like

369
00:21:08,240 --> 00:21:12,320
Speaker 1: I'll be sure Steph Curry. So the women look up

370
00:21:12,359 --> 00:21:15,480
Speaker 1: to them, and the guys don't really funk with them

371
00:21:15,480 --> 00:21:18,000
Speaker 1: too much. And what about light skinned girls they getting

372
00:21:18,000 --> 00:21:20,720
Speaker 1: fucked around with. You've got good hair. She would have

373
00:21:20,760 --> 00:21:22,919
Speaker 1: gotten her ass, kid, and she grew up in New

374
00:21:23,000 --> 00:21:25,960
Speaker 1: York City with all that all that light skin ship

375
00:21:26,800 --> 00:21:28,879
Speaker 1: she she lived a black, she would have got ed.

376
00:21:30,640 --> 00:21:34,400
Speaker 1: They always getting the ask kicked at least once like twice.

377
00:21:35,200 --> 00:21:38,320
Speaker 1: They're getting their ass kicks because you're gonna be it's

378
00:21:38,359 --> 00:21:40,199
Speaker 1: just gonna be assumed that you think you're better than

379
00:21:40,240 --> 00:21:45,000
Speaker 1: everybody else because you have a lighter skin. But Rachel Dozel, Rachel,

380
00:21:45,359 --> 00:21:48,320
Speaker 1: she didn't go through that. She was white. What black

381
00:21:48,359 --> 00:21:51,679
Speaker 1: neighbor you was in? It wasn't even living in a

382
00:21:51,680 --> 00:21:55,200
Speaker 1: blacks in fucking white farms, Idaho. We said this, So

383
00:21:55,240 --> 00:21:57,800
Speaker 1: she missed out on a lot of the black experience.

384
00:21:57,920 --> 00:22:00,080
Speaker 1: So how are you black? How are you black? And

385
00:22:00,200 --> 00:22:04,199
Speaker 1: when were you White's major question? That's the fucking major question.

386
00:22:04,520 --> 00:22:06,440
Speaker 1: Is the iron Rapport podcast and we'll be right back.

387
00:22:07,920 --> 00:22:11,919
Speaker 1: American Giants sponsors the Iron wrapp Report podcast. Go to

388
00:22:11,960 --> 00:22:17,119
Speaker 1: American hyphen Giant dot com. Check it out. T shirts, sweatshirts,

389
00:22:17,160 --> 00:22:25,560
Speaker 1: American made, American manufactured, really good quality soft rugged hoodies, sweatpants,

390
00:22:25,640 --> 00:22:29,920
Speaker 1: all of it. American Giant dot Com, American hyphen Giant

391
00:22:29,960 --> 00:22:32,840
Speaker 1: dot Com. The slogan for American Giant that we created

392
00:22:32,880 --> 00:22:40,560
Speaker 1: is American Giant Clothing Champion. Can't fuck this ship though. Alright, alright,

393
00:22:40,600 --> 00:22:45,240
Speaker 1: this is the I Am Wrappingport podcast coming live from

394
00:22:45,240 --> 00:22:49,879
Speaker 1: the Gloom Tomb in Los Angeles, California, The Iron wrap

395
00:22:50,040 --> 00:22:53,520
Speaker 1: Port Podcast Studios. I'm in here with my man g Moody,

396
00:22:54,760 --> 00:23:00,160
Speaker 1: Gimo Netti. We are in the midst of the Los

397
00:23:00,240 --> 00:23:05,400
Speaker 1: Angeles Iron rapp Por podcast tour. Just been out here

398
00:23:05,400 --> 00:23:09,399
Speaker 1: in the streets. What what have you noticed in l A? Uh?

399
00:23:09,440 --> 00:23:12,240
Speaker 1: You know, Uh, you've been in l A many many times.

400
00:23:12,280 --> 00:23:14,560
Speaker 1: We we we we were gonna. The first time you

401
00:23:14,600 --> 00:23:19,320
Speaker 1: came to l A was what year eighty five? Eight five,

402
00:23:19,400 --> 00:23:21,159
Speaker 1: eighty five. You've been coming to l A back and

403
00:23:21,240 --> 00:23:25,880
Speaker 1: forth since eighty five. But this trip, what have you noticed?

404
00:23:26,000 --> 00:23:31,640
Speaker 1: What have you enjoyed? Uh, I've enjoyed larch Mont. Yeah,

405
00:23:31,680 --> 00:23:34,360
Speaker 1: we hang out in large month boulevard. Everyone. That's good.

406
00:23:34,359 --> 00:23:37,200
Speaker 1: So now if anybody wants to find me or own money,

407
00:23:37,440 --> 00:23:40,800
Speaker 1: that's good. Thanks for telling everybody that. Sorry, uh fucking

408
00:23:40,920 --> 00:23:44,000
Speaker 1: um of course I love the weather. Yeah, you like

409
00:23:44,080 --> 00:23:47,040
Speaker 1: the weather. No humidity, no humidity, the pool. You've been

410
00:23:47,040 --> 00:23:49,920
Speaker 1: in the pool and ship. You can't swim. People don't

411
00:23:49,960 --> 00:23:54,280
Speaker 1: know this about Gimo Netti Gerald Moody, Gimo Nettie d

412
00:23:54,400 --> 00:23:56,680
Speaker 1: d the co host with the most of the Iron

413
00:23:56,760 --> 00:24:00,080
Speaker 1: Rap Por podcast. He's how old are you? For what?

414
00:24:00,160 --> 00:24:04,680
Speaker 1: He's six young? Can't swim though, I haven't been able

415
00:24:04,760 --> 00:24:08,280
Speaker 1: to crack the code on that any reason. Why remember

416
00:24:08,320 --> 00:24:10,840
Speaker 1: the time you told me you couldn't swim. I was like,

417
00:24:11,080 --> 00:24:12,720
Speaker 1: it would be like as if you said you didn't

418
00:24:12,760 --> 00:24:16,440
Speaker 1: eat food, like you don't like like you don't you

419
00:24:16,520 --> 00:24:18,520
Speaker 1: can't swim. So if I if I get your ass,

420
00:24:18,600 --> 00:24:22,080
Speaker 1: I push you in the fucking pool, you're fucked panic

421
00:24:22,680 --> 00:24:25,000
Speaker 1: And then you didn't sink and didn't sink and drown.

422
00:24:25,000 --> 00:24:28,680
Speaker 1: So I don't even try to You can't fucking swim phobia.

423
00:24:28,920 --> 00:24:32,119
Speaker 1: Who who out there wants to try to teach gimnetti

424
00:24:32,720 --> 00:24:35,680
Speaker 1: g Moody had to fucking swim kill swim. I don't

425
00:24:35,720 --> 00:24:38,440
Speaker 1: even like going underwater. I don't like that sound because

426
00:24:38,440 --> 00:24:41,280
Speaker 1: you can't swim. No, no, you know what I mean.

427
00:24:42,040 --> 00:24:45,119
Speaker 1: You don't know the sound. You've never been underwater. Have

428
00:24:45,160 --> 00:24:47,480
Speaker 1: you ever been in a bathtub and and and went

429
00:24:47,600 --> 00:24:49,879
Speaker 1: under the water? Can you hold your breath? I can

430
00:24:49,960 --> 00:24:52,520
Speaker 1: do that, but I don't like to sound all right,

431
00:24:52,600 --> 00:24:55,399
Speaker 1: But you're forty six. You have a daughter, beautiful daughter.

432
00:24:55,440 --> 00:24:56,919
Speaker 1: I just think we should get her on the potty.

433
00:24:56,960 --> 00:25:01,400
Speaker 1: He got a daughter. She's like a cuter, way prettier,

434
00:25:01,440 --> 00:25:06,160
Speaker 1: better looking, funnier version of him, but without the cursing

435
00:25:06,200 --> 00:25:12,640
Speaker 1: and the yelling uh emany c But we're I think

436
00:25:12,680 --> 00:25:14,200
Speaker 1: of it. We should get a segment on her hook

437
00:25:14,320 --> 00:25:18,760
Speaker 1: up with my uh, my nephew Duncan. Because Duncan's in sabbatical.

438
00:25:19,119 --> 00:25:22,840
Speaker 1: People have been asking about my my nephew Duncan was

439
00:25:22,920 --> 00:25:25,720
Speaker 1: wilding out got his fucking phone taking, which I think

440
00:25:25,760 --> 00:25:28,400
Speaker 1: is a good thing. You act fucking dumb because these

441
00:25:28,440 --> 00:25:32,080
Speaker 1: kids are cracked out on phones. They're fucking whacked out

442
00:25:32,080 --> 00:25:34,800
Speaker 1: and cracking So if you say you're taking their phone away,

443
00:25:34,920 --> 00:25:36,680
Speaker 1: it'd be like when we were kids, if you say

444
00:25:36,760 --> 00:25:39,760
Speaker 1: you can't go outside. Now, if you take their phone,

445
00:25:39,800 --> 00:25:42,080
Speaker 1: that's their entire life. They don't know what the fun.

446
00:25:42,240 --> 00:25:44,280
Speaker 1: They don't know whether they're coming or going. You know

447
00:25:44,320 --> 00:25:46,720
Speaker 1: that they take ships and pisces with their phones. These

448
00:25:46,760 --> 00:25:52,320
Speaker 1: young kids. My son, my son, uh dropped his phone

449
00:25:52,440 --> 00:25:55,560
Speaker 1: in the bathroom twice, once while taking a dog ship

450
00:25:55,800 --> 00:25:58,560
Speaker 1: and the other time while washing his hands after pissing

451
00:25:59,200 --> 00:26:01,280
Speaker 1: two times in the in the in the in the thing.

452
00:26:01,600 --> 00:26:05,159
Speaker 1: They can't even ship without the phone, you know. Probably

453
00:26:05,200 --> 00:26:08,879
Speaker 1: the filthiest, filthiest with the contamination and the dirt and

454
00:26:08,880 --> 00:26:12,040
Speaker 1: the germs are probably those cell phones because we always

455
00:26:12,080 --> 00:26:14,240
Speaker 1: pick our no, we're on them. I mean, I mean,

456
00:26:14,440 --> 00:26:17,960
Speaker 1: I'm cracked out online. You're crack. You've gotten progressively cracked

457
00:26:17,960 --> 00:26:21,480
Speaker 1: out on you. It's funny because G Moody some of

458
00:26:21,520 --> 00:26:24,440
Speaker 1: these things, uh, I would love for you to see.

459
00:26:24,480 --> 00:26:26,879
Speaker 1: But G Moody has an iPhone. It's got a fancy

460
00:26:26,920 --> 00:26:30,120
Speaker 1: I phone. But um, you know, like when your car

461
00:26:30,240 --> 00:26:32,960
Speaker 1: has been through the snow and the storm and the

462
00:26:33,000 --> 00:26:36,560
Speaker 1: window hasn't been washed somehow or another. Your cell phone

463
00:26:36,760 --> 00:26:40,400
Speaker 1: glass it looks like it went through some sort of tornado.

464
00:26:40,400 --> 00:26:42,960
Speaker 1: It's not broken, it's a fresh pizza. But do you

465
00:26:43,240 --> 00:26:45,520
Speaker 1: know that there's things that you could use to clean it?

466
00:26:46,000 --> 00:26:47,680
Speaker 1: Do you know that it looks like it's got like

467
00:26:47,680 --> 00:26:49,679
Speaker 1: like smeared peanut butter, and you wiped it off with

468
00:26:49,760 --> 00:26:51,680
Speaker 1: like like a like a like a napkin, you know,

469
00:26:51,880 --> 00:26:54,520
Speaker 1: not even a napkin, like some like maybe some toilet paper,

470
00:26:54,520 --> 00:26:56,840
Speaker 1: and then it got stuck like there's toilet paper, kind

471
00:26:56,840 --> 00:26:58,960
Speaker 1: of like your cell phone is all funked up, but

472
00:26:59,000 --> 00:27:01,639
Speaker 1: it works good. It's terrible. It's never charged. But the

473
00:27:01,720 --> 00:27:05,960
Speaker 1: glass I noticed is dingy heavy usage, my friend. But

474
00:27:05,960 --> 00:27:08,320
Speaker 1: but why don't you there's windex for that? Like clean

475
00:27:08,400 --> 00:27:11,159
Speaker 1: the fucking cellphone like that? Your cell phone looks like

476
00:27:11,320 --> 00:27:14,240
Speaker 1: like a homeless person. But it's a nice iPhone five.

477
00:27:14,680 --> 00:27:17,520
Speaker 1: I can't see you, you can't see on you. Okay,

478
00:27:17,640 --> 00:27:19,520
Speaker 1: So so okay, so back to the So you you

479
00:27:19,520 --> 00:27:21,480
Speaker 1: you've enjoyed the trip, like you know, we've been out

480
00:27:21,480 --> 00:27:25,000
Speaker 1: there with the people. Yes, we've been all over all

481
00:27:25,040 --> 00:27:30,280
Speaker 1: over Hollywood and and and mountains and mountains. Still searching

482
00:27:30,400 --> 00:27:33,639
Speaker 1: for those criminals. I think those guys are gone. I

483
00:27:33,680 --> 00:27:36,800
Speaker 1: think those long dick criminals from the escaped comics in

484
00:27:36,840 --> 00:27:39,040
Speaker 1: New York City, those guys are gone. If you didn't

485
00:27:39,080 --> 00:27:41,679
Speaker 1: catch them yet, they're fucking out. They got on the

486
00:27:41,720 --> 00:27:45,760
Speaker 1: plane and they're cooling somewhere. Yeah, land Pipe. You know,

487
00:27:45,840 --> 00:27:49,000
Speaker 1: it's funny. It's interesting because in in New York it's

488
00:27:49,000 --> 00:27:51,600
Speaker 1: such a walking city out here, I've been having to

489
00:27:51,720 --> 00:27:55,200
Speaker 1: drive your ass everywhere, and I'll never let you drive

490
00:27:55,280 --> 00:27:57,399
Speaker 1: my car because I don't find you g moody to

491
00:27:57,440 --> 00:28:00,159
Speaker 1: be a safe driver. You do an underhanded turn. I

492
00:28:00,160 --> 00:28:03,160
Speaker 1: don't really like that. You don't do your underhanded I don't.

493
00:28:03,160 --> 00:28:05,720
Speaker 1: I've never liked it, and it's always made me feel comfortable.

494
00:28:06,080 --> 00:28:08,600
Speaker 1: It's a one handed, underhand turning, and it's almost like

495
00:28:08,640 --> 00:28:11,720
Speaker 1: you're can't get it. I don't like it, so you're not.

496
00:28:11,760 --> 00:28:14,399
Speaker 1: I have to fucking drive this guy all over the place.

497
00:28:14,440 --> 00:28:16,520
Speaker 1: But we've been in the streets with the people and

498
00:28:16,560 --> 00:28:21,560
Speaker 1: the mountains and restaurants and the different hangout spots. But

499
00:28:21,600 --> 00:28:24,520
Speaker 1: the thing I see, man, you know, you know, I'm

500
00:28:24,520 --> 00:28:28,880
Speaker 1: walking with a celebrity and a lot of guys are

501
00:28:28,960 --> 00:28:32,280
Speaker 1: pitching things to you. People come up, they want to talk,

502
00:28:32,560 --> 00:28:37,840
Speaker 1: and I noticed that they talk long, and we get annoyed.

503
00:28:37,920 --> 00:28:40,480
Speaker 1: No matter of fact, you get annoyed. No, you get

504
00:28:40,560 --> 00:28:44,520
Speaker 1: annoyed because I let motherfucker talk to me. My thing

505
00:28:44,680 --> 00:28:49,600
Speaker 1: is it should be fifteen seconds. You should get fifteen

506
00:28:50,880 --> 00:28:53,120
Speaker 1: because you're just coming up on rolling up on somebody

507
00:28:53,120 --> 00:28:55,479
Speaker 1: and you're talking about your cousin and all that. You're

508
00:28:55,520 --> 00:28:58,800
Speaker 1: going into a gray area where motherfucker's is gonna say

509
00:28:58,880 --> 00:29:04,080
Speaker 1: fuck you see me and me and g Mornetti. We

510
00:29:04,160 --> 00:29:07,320
Speaker 1: ran into a guy who was telling us that he

511
00:29:07,400 --> 00:29:12,160
Speaker 1: was a musician. Okay, and then and then and then

512
00:29:12,240 --> 00:29:15,520
Speaker 1: and then he makes hip hop okay. And then somehow

513
00:29:15,760 --> 00:29:17,600
Speaker 1: the other day we were at the max store and

514
00:29:17,720 --> 00:29:22,240
Speaker 1: the guy started talking about his cousin and that his

515
00:29:22,360 --> 00:29:26,040
Speaker 1: cousin's cousins and then and and and all this other bullshit.

516
00:29:27,000 --> 00:29:31,640
Speaker 1: I'm saying, you should say you got fifteen seconds if

517
00:29:31,680 --> 00:29:36,479
Speaker 1: you're pitching. If Money just telling you I love your work, right,

518
00:29:36,560 --> 00:29:38,800
Speaker 1: that's great, give it to me. But if Money is

519
00:29:38,880 --> 00:29:44,800
Speaker 1: talking about movies and this and that, fifteen seconds, But

520
00:29:44,880 --> 00:29:48,760
Speaker 1: why don't you do something about you're monitoring ship. I

521
00:29:48,840 --> 00:29:51,280
Speaker 1: just checked it out and I saw how they annoy

522
00:29:51,640 --> 00:29:55,160
Speaker 1: the whole situation where we're just looking at each other, like,

523
00:29:55,360 --> 00:29:59,360
Speaker 1: when is this fucking guy gonna stop talking? I don't,

524
00:29:59,480 --> 00:30:02,320
Speaker 1: I don't, I don't know. I don't know you, but

525
00:30:02,440 --> 00:30:05,360
Speaker 1: I really don't know your cousin that you're telling me

526
00:30:06,160 --> 00:30:08,440
Speaker 1: we from New York how to funk. We're gonna know

527
00:30:08,560 --> 00:30:11,320
Speaker 1: a cousin you're from saying, we don't even know. I

528
00:30:11,440 --> 00:30:13,240
Speaker 1: just met you, and now you're telling me about your

529
00:30:13,240 --> 00:30:17,080
Speaker 1: cousins and your cousin's cousin see im lot of celebrity.

530
00:30:17,120 --> 00:30:19,960
Speaker 1: I fucking witnessed that ship and I was like, damn,

531
00:30:20,000 --> 00:30:22,320
Speaker 1: I don't know how my man handles it. Remember in

532
00:30:22,440 --> 00:30:25,160
Speaker 1: Los Angeles, we we were hanging out the improv the

533
00:30:25,160 --> 00:30:34,360
Speaker 1: improvisation the comedy club in nine five six. Yes, yes,

534
00:30:34,560 --> 00:30:37,480
Speaker 1: that's that's how you know the year. Yes, I don't

535
00:30:37,520 --> 00:30:41,360
Speaker 1: know years though, like came out, So let me ask

536
00:30:41,360 --> 00:30:43,200
Speaker 1: you a question. We we've had a right so people

537
00:30:43,240 --> 00:30:46,080
Speaker 1: have been asking a couple of people, well one person.

538
00:30:46,160 --> 00:30:47,920
Speaker 1: See I try to make people like we're like it's

539
00:30:47,920 --> 00:30:50,280
Speaker 1: a whole like thing of like people want to know

540
00:30:50,760 --> 00:30:54,000
Speaker 1: one person, Well it was two people that how Gimo

541
00:30:54,120 --> 00:30:57,600
Speaker 1: Nettie Now they call him the Blackhead McMahon and he's

542
00:30:57,640 --> 00:31:00,160
Speaker 1: a sidekick for one of the most pop of the

543
00:31:00,280 --> 00:31:04,720
Speaker 1: podcast in the worldwide phenomenon, Like how did we meet?

544
00:31:05,400 --> 00:31:08,000
Speaker 1: Like when like we we we we met? Me and

545
00:31:08,040 --> 00:31:11,480
Speaker 1: Gimo Natty. I'm forty five, Gimo Natti, Generald G. Moody.

546
00:31:11,600 --> 00:31:15,520
Speaker 1: Mr Moody is right. We met in eight two, me

547
00:31:15,560 --> 00:31:18,280
Speaker 1: and Gimo Natti playing ball. I think it was I

548
00:31:18,280 --> 00:31:20,160
Speaker 1: feel like it was the winter of eighty two. I

549
00:31:20,240 --> 00:31:23,680
Speaker 1: was in the seventh grade in New York City, eight

550
00:31:23,720 --> 00:31:27,680
Speaker 1: d two and that was in power was the winter

551
00:31:27,840 --> 00:31:30,680
Speaker 1: of the winter of the winter of eighty three. We

552
00:31:30,800 --> 00:31:35,040
Speaker 1: met playing ball and a mutual friend introduced us. And

553
00:31:35,200 --> 00:31:38,000
Speaker 1: that's how many fucking years ago? Is that? Thirty four?

554
00:31:38,480 --> 00:31:42,160
Speaker 1: Thirty four fucking years it is? Ship So we've essentially

555
00:31:42,200 --> 00:31:45,080
Speaker 1: been doing this podcast. The reason why we're we've been

556
00:31:45,120 --> 00:31:48,440
Speaker 1: doing this podcast different, we just haven't been recording it

557
00:31:48,720 --> 00:31:51,400
Speaker 1: for this is what we read. We've been this is

558
00:31:51,440 --> 00:31:54,240
Speaker 1: what we do, this is this is what we talk shit,

559
00:31:55,440 --> 00:31:59,920
Speaker 1: talk shit. And we met. General is from the brown

560
00:32:00,000 --> 00:32:03,560
Speaker 1: Innsville section of Brooklyn, and I met I'm from Manhattan.

561
00:32:03,960 --> 00:32:09,280
Speaker 1: And this relationship, this sort of unusual relationship that we

562
00:32:09,280 --> 00:32:12,400
Speaker 1: we've had that's been all over these years. We we

563
00:32:12,400 --> 00:32:15,240
Speaker 1: we we got to witness things that we wouldn't have

564
00:32:15,320 --> 00:32:18,600
Speaker 1: we not met, Like I grew up getting to go

565
00:32:18,680 --> 00:32:21,440
Speaker 1: like you have to understand, like my time that I

566
00:32:21,480 --> 00:32:23,800
Speaker 1: got to spend from the Upper east Side in Manhattan

567
00:32:23,840 --> 00:32:26,960
Speaker 1: and then going to the Brownsville section of Brooklyn. It's

568
00:32:27,040 --> 00:32:31,959
Speaker 1: like if and and and Mike Tyson had dinner, Like

569
00:32:32,200 --> 00:32:34,600
Speaker 1: not to say that, like all there's all just nebush

570
00:32:34,800 --> 00:32:36,400
Speaker 1: Jews on the Upper east Side, but if you're not

571
00:32:36,480 --> 00:32:38,080
Speaker 1: from New York, that's a good way to put it.

572
00:32:38,360 --> 00:32:41,479
Speaker 1: Woody Allen and Mike Tyson. Gerald is not Mike Tyson

573
00:32:41,520 --> 00:32:43,840
Speaker 1: and tough and tough and he's not like he's acts

574
00:32:43,880 --> 00:32:46,560
Speaker 1: like that, but he's from that same neighbor. I'm trying

575
00:32:46,600 --> 00:32:48,000
Speaker 1: to give you a picture of it with the neighbors

576
00:32:48,040 --> 00:32:52,120
Speaker 1: So when I would go visit Gerald in Brownsville three,

577
00:32:52,480 --> 00:32:55,440
Speaker 1: I'm thirteen years old. I am white. It would be

578
00:32:55,480 --> 00:32:57,200
Speaker 1: cool if I said, back then I was black, and

579
00:32:57,200 --> 00:33:01,400
Speaker 1: then I turned white, like Rachel is black and then

580
00:33:01,640 --> 00:33:05,640
Speaker 1: and since ninety six, I turned white. When's that person

581
00:33:05,720 --> 00:33:09,320
Speaker 1: going to come out? When is that motherfucker someone's gonna

582
00:33:09,360 --> 00:33:12,040
Speaker 1: call it? Like, now I'm white like you, you've changed.

583
00:33:12,360 --> 00:33:16,680
Speaker 1: So I I feel white. Jesus okay. So I would

584
00:33:16,720 --> 00:33:19,080
Speaker 1: go around his neighborhood, and he lived in the projects

585
00:33:19,080 --> 00:33:24,360
Speaker 1: of Brownsville, Howard Project, Howard Projects. Look it up and

586
00:33:24,560 --> 00:33:27,280
Speaker 1: people that are from Brownsville, Mike Tyson is probably the

587
00:33:27,360 --> 00:33:30,440
Speaker 1: most famous person. Who else that is from Brownsville section

588
00:33:30,440 --> 00:33:34,480
Speaker 1: of Brooklyn World b Free, Riddick Bow, Jimmy Smits grew

589
00:33:34,520 --> 00:33:38,400
Speaker 1: up in Brownswell. Willie Randolph Lyle Alzado. It used to

590
00:33:38,400 --> 00:33:41,000
Speaker 1: be if you look at the opening sequence of Good Fellows,

591
00:33:41,000 --> 00:33:43,000
Speaker 1: of one of the opening sequences of Good Places, it

592
00:33:43,080 --> 00:33:45,440
Speaker 1: says a certain street blah blah blah blah blah, East

593
00:33:45,480 --> 00:33:48,680
Speaker 1: New York, Brooklyn and East New York and browns like

594
00:33:50,120 --> 00:33:52,400
Speaker 1: and he used to be like a jew Jewe. My

595
00:33:52,480 --> 00:33:57,640
Speaker 1: grandmother grew up in Brownsville and then now it's snow Jews.

596
00:33:58,280 --> 00:34:00,600
Speaker 1: There's no Jews. So when I came him around there

597
00:34:00,600 --> 00:34:05,840
Speaker 1: in three to play basketball. When we were hanging out,

598
00:34:06,120 --> 00:34:10,879
Speaker 1: I remember the first time that I walked through Howard Projects. Uh,

599
00:34:10,920 --> 00:34:13,440
Speaker 1: it was as if like a fucking like a fucking

600
00:34:13,520 --> 00:34:16,239
Speaker 1: spaceman landed there. And the reason why it was because

601
00:34:16,239 --> 00:34:18,120
Speaker 1: of what what were the realities of that? Like do

602
00:34:18,160 --> 00:34:23,400
Speaker 1: you remember that that they've never seen, you know, a

603
00:34:23,480 --> 00:34:28,480
Speaker 1: white person come through a kid. There was cops you

604
00:34:28,680 --> 00:34:32,960
Speaker 1: really you would only see cops that are white in

605
00:34:32,960 --> 00:34:36,000
Speaker 1: this neighborhood. This is no bullshit. So to see you,

606
00:34:36,120 --> 00:34:39,520
Speaker 1: of course, and you they're hanging out playing ball and

607
00:34:39,560 --> 00:34:43,000
Speaker 1: we're all cooling out. Of course, it's people are gonna

608
00:34:43,040 --> 00:34:46,279
Speaker 1: look and stare, stare, And I remember one little how

609
00:34:46,280 --> 00:34:49,719
Speaker 1: did you feel? You know? In a weird way, it

610
00:34:49,800 --> 00:34:53,359
Speaker 1: was almost like it was almost like setting me up

611
00:34:53,400 --> 00:34:56,440
Speaker 1: that whole experience, not just then that moment, but that

612
00:34:56,520 --> 00:35:00,719
Speaker 1: whole experience of being sort of you know, like not outcast,

613
00:35:00,760 --> 00:35:04,400
Speaker 1: but just that uniqueness is similar to like famousness getting

614
00:35:04,440 --> 00:35:08,200
Speaker 1: famed because you I was looked upon, like because it

615
00:35:08,280 --> 00:35:10,440
Speaker 1: was like people, would you know you that kid from Brooklyn,

616
00:35:10,920 --> 00:35:13,200
Speaker 1: that that's what it was like. But but the first

617
00:35:13,239 --> 00:35:15,600
Speaker 1: time I walked through during eight three, I remember like

618
00:35:15,640 --> 00:35:18,040
Speaker 1: a six or seven year old little kid was touching

619
00:35:18,120 --> 00:35:21,760
Speaker 1: my face and and the mom says she's never touched

620
00:35:21,760 --> 00:35:23,960
Speaker 1: a white person before. And I was like, you remember that,

621
00:35:24,040 --> 00:35:27,799
Speaker 1: I remember that ship. I mean, so so for me

622
00:35:27,840 --> 00:35:30,319
Speaker 1: and you, you're in the projects. I'm on the Upper

623
00:35:30,320 --> 00:35:32,200
Speaker 1: east Side. I live in like a regular apartment building,

624
00:35:32,200 --> 00:35:34,759
Speaker 1: but like to go up, I mean, this is this

625
00:35:34,800 --> 00:35:38,160
Speaker 1: is the project in so all that crack ship you're

626
00:35:38,200 --> 00:35:40,960
Speaker 1: talking about, all that crime, Mike Tyson was out, this

627
00:35:41,000 --> 00:35:46,880
Speaker 1: is one Mike Tyson was in Brown's terrorizing Brownsville, terrorizing Brooklyn,

628
00:35:46,960 --> 00:35:51,279
Speaker 1: and there was hundreds of Mike Tyson all over. Mike

629
00:35:51,280 --> 00:35:53,000
Speaker 1: Tyson is just the one who made it as a boxer.

630
00:35:53,000 --> 00:35:55,680
Speaker 1: But there's there's Mike Tyson's that are now deceased. There's

631
00:35:55,719 --> 00:35:58,880
Speaker 1: Mike Tyson's that are in jail. There's Mike Tyson's that

632
00:35:58,920 --> 00:36:01,000
Speaker 1: have come out of jail and that are doing well.

633
00:36:01,160 --> 00:36:06,840
Speaker 1: Like from this neighborhood, that reference of like rough and tumble, fuggish, criminal,

634
00:36:07,239 --> 00:36:10,480
Speaker 1: hard living, hard living, you're bad and everything in between.

635
00:36:10,560 --> 00:36:13,600
Speaker 1: It we're not glorifying it because it's certainly Listen, a

636
00:36:13,600 --> 00:36:16,440
Speaker 1: lot of people died. This is a fucking This is

637
00:36:16,480 --> 00:36:20,000
Speaker 1: still a bad neighborhood, Brownsville section of Brooklyn. But but

638
00:36:20,160 --> 00:36:22,359
Speaker 1: coming out there, it was it was just an interesting time.

639
00:36:22,360 --> 00:36:25,520
Speaker 1: And we we came together play ball. We both love basketball,

640
00:36:25,600 --> 00:36:28,759
Speaker 1: we both love hip hop. You are you never break danced? Huh?

641
00:36:29,239 --> 00:36:31,000
Speaker 1: People think that if you're from New York and you're

642
00:36:31,000 --> 00:36:32,839
Speaker 1: from the you don't break dance on No, you don't

643
00:36:32,880 --> 00:36:36,879
Speaker 1: do graffiti. But we were around it and we loved it.

644
00:36:37,440 --> 00:36:40,799
Speaker 1: You never wrapped gm Ani. But let me go back.

645
00:36:40,800 --> 00:36:47,480
Speaker 1: Brooklyn at that time was not like Brooklyn today. No no,

646
00:36:47,480 --> 00:36:51,279
Speaker 1: no, no no, no no no. You couldn't where ship like

647
00:36:51,400 --> 00:36:54,359
Speaker 1: certain ship, not no gang ship. You just get your

648
00:36:54,400 --> 00:36:59,920
Speaker 1: ship taken, taken your pockets, Doug. What that means is

649
00:37:00,200 --> 00:37:03,759
Speaker 1: not pickpocketed where people go into your pocketsifling through your

650
00:37:03,760 --> 00:37:07,799
Speaker 1: ship while you're looking at you. Yeah, do you understand, Like,

651
00:37:07,840 --> 00:37:11,000
Speaker 1: so they're looking at you, talking to you, and going

652
00:37:11,000 --> 00:37:15,640
Speaker 1: through your pockets. So now we have gentrification. So where's Rockaway?

653
00:37:15,680 --> 00:37:19,360
Speaker 1: Aven on a train was all black Ralph avenu Utica.

654
00:37:19,800 --> 00:37:25,040
Speaker 1: Now all you see is white folks. So white heads.

655
00:37:25,840 --> 00:37:31,120
Speaker 1: So the Brooklyn we're talking aboutore it doesn't exist anymore,

656
00:37:31,360 --> 00:37:34,080
Speaker 1: and it's there the time. But but but right now,

657
00:37:34,200 --> 00:37:36,120
Speaker 1: let's just articulate. I'm gonna say it one more time,

658
00:37:36,320 --> 00:37:39,000
Speaker 1: not this isn't I was a tough guy. The reason

659
00:37:39,080 --> 00:37:41,600
Speaker 1: why I was able to make it and be sort

660
00:37:41,600 --> 00:37:44,239
Speaker 1: of accepted in this neighbors because Gerald grew up there.

661
00:37:44,440 --> 00:37:47,720
Speaker 1: I played ball and because Gerald was well, like we're kids,

662
00:37:47,920 --> 00:37:50,359
Speaker 1: we weren't it like his our whole little click of dudes.

663
00:37:50,400 --> 00:37:52,520
Speaker 1: They were ball players, but then there was or there

664
00:37:52,520 --> 00:37:54,200
Speaker 1: were dudes at the time they were ball players, but

665
00:37:54,239 --> 00:37:56,680
Speaker 1: then they started branching out in the criminals. Like we

666
00:37:56,800 --> 00:38:00,600
Speaker 1: have a very good friend who I met in three

667
00:38:00,680 --> 00:38:03,560
Speaker 1: who was a great ballplayer, one of the best ball players,

668
00:38:03,600 --> 00:38:05,840
Speaker 1: but then two years later he's one of the most

669
00:38:06,480 --> 00:38:10,640
Speaker 1: talked about feared criminals in Brooklyn. And that means if

670
00:38:10,640 --> 00:38:12,680
Speaker 1: you're from Brooklyn and that at that time, you if

671
00:38:12,719 --> 00:38:14,480
Speaker 1: you say, if we said his name, you would go

672
00:38:14,760 --> 00:38:16,640
Speaker 1: and you were in that world, you knew who he was.

673
00:38:16,920 --> 00:38:18,680
Speaker 1: Like this the kind of ship that was going on,

674
00:38:19,480 --> 00:38:21,680
Speaker 1: and and Gerald and Hindset would be coming to the

675
00:38:21,680 --> 00:38:24,959
Speaker 1: East side of Manhattan, which like I mean you're coming

676
00:38:25,000 --> 00:38:27,760
Speaker 1: to Micrift, there's like, you know, like a doorman building.

677
00:38:27,880 --> 00:38:29,799
Speaker 1: I don't have a doorman, but like it's it's a

678
00:38:29,800 --> 00:38:33,520
Speaker 1: regular building. It's more of a like, you know, like

679
00:38:33,680 --> 00:38:35,880
Speaker 1: what are you seeing over there? Like you were tripping out.

680
00:38:36,080 --> 00:38:39,480
Speaker 1: I was fucking bugging the fun out for what you've

681
00:38:39,520 --> 00:38:41,759
Speaker 1: bugged out off of the like the Knicks games or

682
00:38:41,760 --> 00:38:45,799
Speaker 1: some ship. Cable didn't exist in Brown's time telling this

683
00:38:45,840 --> 00:38:50,120
Speaker 1: story in nine there was not Time Warner or Manhattan

684
00:38:50,160 --> 00:38:54,120
Speaker 1: cable in because cable wasn't everywhere at the time anyway.

685
00:38:54,320 --> 00:38:57,080
Speaker 1: But the last people to get it, we're in Brown's projects.

686
00:38:57,160 --> 00:39:00,839
Speaker 1: That's the last that's the very last place. So when

687
00:39:00,920 --> 00:39:04,759
Speaker 1: Gerald came to my my parents, my father's apartment, my apartment,

688
00:39:05,040 --> 00:39:08,840
Speaker 1: and you saw what I saw a fucking the TV

689
00:39:09,080 --> 00:39:11,960
Speaker 1: and a fucking little box on top of the TV.

690
00:39:12,520 --> 00:39:15,560
Speaker 1: And I'm like, what the fund is that you never

691
00:39:15,640 --> 00:39:19,760
Speaker 1: saw one? Like, I'm like, oh ship, like just seeing

692
00:39:19,760 --> 00:39:23,920
Speaker 1: I'm like, no, all right, whatever, And then we're watching

693
00:39:23,960 --> 00:39:29,040
Speaker 1: the game MSG network. I said, oh shit in my

694
00:39:29,080 --> 00:39:32,799
Speaker 1: mind because it didn't like your Madison Square Garden got

695
00:39:32,800 --> 00:39:35,279
Speaker 1: a fucking network and but you never told me at

696
00:39:35,280 --> 00:39:39,759
Speaker 1: the time. Now, but I never thought like that was anything, right, Yeah,

697
00:39:39,760 --> 00:39:41,800
Speaker 1: I mean we're just kids. Were in the room and ship,

698
00:39:42,360 --> 00:39:47,479
Speaker 1: but that was like I was flabbergasted. I was like, oh, Ship,

699
00:39:47,840 --> 00:39:51,040
Speaker 1: I went to your crop the first time I had

700
00:39:51,520 --> 00:39:54,680
Speaker 1: chitlands like a lot of my Oh Mike, you think

701
00:39:54,719 --> 00:39:57,919
Speaker 1: you're black a lot, Oh Mike, you're you you grew

702
00:39:57,960 --> 00:40:01,560
Speaker 1: up around black people all that, but whatever. Some people

703
00:40:01,600 --> 00:40:03,879
Speaker 1: don't ask questions. But I go after the white people

704
00:40:03,920 --> 00:40:07,360
Speaker 1: that I I sometimes say this, who you think you're black?

705
00:40:07,760 --> 00:40:13,080
Speaker 1: That's I've only been accused or asked that by white people.

706
00:40:14,640 --> 00:40:16,480
Speaker 1: I don't know what that means. And I'm I'm white.

707
00:40:16,640 --> 00:40:18,839
Speaker 1: I'm not like, I'm not. This is no race, but

708
00:40:18,880 --> 00:40:21,520
Speaker 1: it's just I know there's because there's some white people

709
00:40:21,560 --> 00:40:25,439
Speaker 1: they don't like that. And those same white people that

710
00:40:25,440 --> 00:40:28,720
Speaker 1: that don't like that another white person would hang around

711
00:40:29,120 --> 00:40:32,560
Speaker 1: black people are the same white people that are gonna

712
00:40:32,600 --> 00:40:37,600
Speaker 1: give rachelle Dochell, Rachel Dozell. They're they're they're not having that.

713
00:40:38,800 --> 00:40:41,080
Speaker 1: These are the white people that invented the term wiggor.

714
00:40:42,080 --> 00:40:44,000
Speaker 1: These are the white people that if you are a

715
00:40:44,000 --> 00:40:48,320
Speaker 1: white person with black friends, you're worse than a black person.

716
00:40:48,880 --> 00:40:51,680
Speaker 1: These are these are that's those kinds of white people there,

717
00:40:51,680 --> 00:40:54,360
Speaker 1: they're they're there, they exist, and they'll speak to me

718
00:40:54,480 --> 00:40:57,160
Speaker 1: differently than they'll speak to you. Yeah, they're they're ones

719
00:40:57,200 --> 00:40:59,239
Speaker 1: to watch. Not to say that all because this is

720
00:40:59,280 --> 00:41:02,600
Speaker 1: not a partial show, because uh, this isn't like all

721
00:41:02,640 --> 00:41:05,160
Speaker 1: the white guys great and the black people are are bad,

722
00:41:05,160 --> 00:41:08,799
Speaker 1: because uh that's not true either, because there's I mean,

723
00:41:08,840 --> 00:41:11,360
Speaker 1: there's all sorts of funx out there that ever were black,

724
00:41:11,600 --> 00:41:13,640
Speaker 1: and there's the other ones that are white. But so

725
00:41:13,719 --> 00:41:16,120
Speaker 1: do you this is no liberal ship. I wouldn't say

726
00:41:16,160 --> 00:41:18,040
Speaker 1: this is a liberal podcast. Did you say this is

727
00:41:18,040 --> 00:41:21,000
Speaker 1: a liberal podcast? We go back at full Yeah, we're liberal.

728
00:41:21,080 --> 00:41:23,200
Speaker 1: We don't we don't take This is the I M

729
00:41:23,320 --> 00:41:26,840
Speaker 1: Rappapor podcast. We will take bribes from any political party

730
00:41:26,840 --> 00:41:30,040
Speaker 1: that wants us. If you want us to back your

731
00:41:30,040 --> 00:41:32,800
Speaker 1: political movement, We'll only do it for money and or

732
00:41:32,880 --> 00:41:36,000
Speaker 1: sponsorship for the Iron rapp Or podcast. But other than that,

733
00:41:36,040 --> 00:41:37,920
Speaker 1: we're probably just not gonna funk with you. We're like,

734
00:41:38,400 --> 00:41:42,160
Speaker 1: we're not in that so anyway. So eighty three ninety

735
00:41:42,160 --> 00:41:45,839
Speaker 1: eight point seven Kiss FM one oh seven point five

736
00:41:46,000 --> 00:41:49,239
Speaker 1: w BLS. This is where we're getting the majority of

737
00:41:49,280 --> 00:41:52,319
Speaker 1: the hip hop. I could say you weren't like a

738
00:41:52,360 --> 00:41:54,480
Speaker 1: record buyer. We didn't go to the store to buy

739
00:41:57,680 --> 00:42:03,000
Speaker 1: Mr Magic p Fine eighty nine point one. Uh, motherfucker

740
00:42:03,040 --> 00:42:06,400
Speaker 1: awesome to Awesome to Teddy ted we're listening to the radio.

741
00:42:06,480 --> 00:42:10,480
Speaker 1: Hip hop is a big deal. Getting tapes getting shipped

742
00:42:10,520 --> 00:42:13,200
Speaker 1: off the radio, it is a big deal. That's the

743
00:42:13,239 --> 00:42:15,240
Speaker 1: only way I'm getting the music except from my father's

744
00:42:15,280 --> 00:42:19,040
Speaker 1: bringing home records from w K to you Disco ninety to.

745
00:42:19,200 --> 00:42:22,160
Speaker 1: My father was the program manager, you know, the general

746
00:42:22,160 --> 00:42:25,760
Speaker 1: manager of a radio station, and he would bring home records.

747
00:42:25,800 --> 00:42:28,360
Speaker 1: I had Rappers the Light before it was actually released

748
00:42:28,400 --> 00:42:31,000
Speaker 1: as a promo cost a sort of vinyl and your

749
00:42:31,000 --> 00:42:34,800
Speaker 1: fucking orange copy. It's a promotional copy. I still have it.

750
00:42:34,800 --> 00:42:36,759
Speaker 1: It's maybe it's worth something again. I want to maybe

751
00:42:36,800 --> 00:42:40,640
Speaker 1: we'll sell that funker. Uh if we're not getting any

752
00:42:40,840 --> 00:42:44,120
Speaker 1: political bribes. Um. But I remember the first time I

753
00:42:44,200 --> 00:42:48,600
Speaker 1: had chitlands, um, and I love them. I didn't bat

754
00:42:48,600 --> 00:42:52,160
Speaker 1: an eye and Moucker's don't clean it right, go ahead.

755
00:42:52,360 --> 00:42:56,239
Speaker 1: I know I can't even think that Rachel Dogel, but

756
00:42:56,520 --> 00:42:59,600
Speaker 1: I guarantee you she knows how to make chitlands. I

757
00:42:59,719 --> 00:43:02,439
Speaker 1: bet she studied up on all her black ship, all

758
00:43:02,480 --> 00:43:05,960
Speaker 1: her soul food ship. She could probably cook some fucking ship.

759
00:43:07,360 --> 00:43:10,759
Speaker 1: She probably doesn't eat like regular regular food. Like her,

760
00:43:10,760 --> 00:43:13,560
Speaker 1: she probably has the most unhealthy, fucked up like she

761
00:43:13,680 --> 00:43:17,480
Speaker 1: has the soul food that no one makes anymore. Black

762
00:43:17,520 --> 00:43:19,400
Speaker 1: people like this ship is too this is not healthy.

763
00:43:19,440 --> 00:43:20,960
Speaker 1: We can't eat this ship, and were like, she's got

764
00:43:21,000 --> 00:43:24,919
Speaker 1: old recipe because she's so black. But but the chip

765
00:43:25,000 --> 00:43:28,840
Speaker 1: lands that I remember one time in four I was

766
00:43:29,120 --> 00:43:32,200
Speaker 1: we got home something to your apartment, uh in the

767
00:43:32,239 --> 00:43:35,160
Speaker 1: Howard Products fifteen sixties New York Avenue, and I was

768
00:43:35,320 --> 00:43:37,360
Speaker 1: looking for some food in the kitchen, and and and

769
00:43:37,440 --> 00:43:41,040
Speaker 1: a very I remember your mom. I was, I was,

770
00:43:41,160 --> 00:43:43,759
Speaker 1: I was. I was probably in shorts or sweatpants. Your

771
00:43:43,800 --> 00:43:47,319
Speaker 1: mom caught me with my bare hand in a pot

772
00:43:47,400 --> 00:43:50,759
Speaker 1: of chip lands, and she said, oh, no, you want

773
00:43:50,800 --> 00:43:52,560
Speaker 1: something to eat? And I was like no. It was

774
00:43:52,560 --> 00:43:55,520
Speaker 1: just so embarrassed, but I would I had my hand.

775
00:43:55,719 --> 00:43:58,000
Speaker 1: She caught me red handed with my hands in the

776
00:43:58,080 --> 00:44:02,279
Speaker 1: chipland that why shouldn't I be? I I didn't bat

777
00:44:02,280 --> 00:44:03,600
Speaker 1: an eye. I didn't even know what the funk that

778
00:44:03,719 --> 00:44:05,839
Speaker 1: I mean? That was some good ship, because I grew

779
00:44:05,920 --> 00:44:09,160
Speaker 1: up with a father cooking who didn't like to, nor

780
00:44:09,280 --> 00:44:13,200
Speaker 1: could he really cook. So when I was eating that

781
00:44:13,160 --> 00:44:19,600
Speaker 1: a South Carolina chicken, livers and chicken, straight soul food, fish,

782
00:44:20,400 --> 00:44:24,360
Speaker 1: the fried fish, the catfish, all that good sweet potato

783
00:44:24,480 --> 00:44:27,640
Speaker 1: banana pudding and all our other friends, I'd go over

784
00:44:27,680 --> 00:44:29,840
Speaker 1: there and eat and eat and eat and heat. I

785
00:44:29,880 --> 00:44:33,160
Speaker 1: mean I was eating some good ship, good ship George.

786
00:44:33,239 --> 00:44:38,360
Speaker 1: His mom was more like Panamanian ship, so like they were.

787
00:44:38,600 --> 00:44:41,520
Speaker 1: You know, I would go into these dudes cribs thirteen

788
00:44:41,520 --> 00:44:43,120
Speaker 1: and fourteen. You have to growing up with a single

789
00:44:43,200 --> 00:44:48,360
Speaker 1: dad who couldn't cook. Dick couldn't cook. My father's specialty

790
00:44:48,560 --> 00:44:51,360
Speaker 1: is he would take a chop steak, put it in

791
00:44:51,400 --> 00:44:55,080
Speaker 1: the oven, unseasoned, bring it out, cut it in the

792
00:44:55,160 --> 00:45:01,319
Speaker 1: little pieces, take boiled pasta that would the mix it

793
00:45:01,320 --> 00:45:04,160
Speaker 1: into the steak, and then open a jar of rag ou,

794
00:45:04,440 --> 00:45:07,759
Speaker 1: not heat the jar of a rag oo. Okay, everything's hot,

795
00:45:07,760 --> 00:45:09,880
Speaker 1: the steaks hot, and and the spaghetti's hot of the

796
00:45:10,120 --> 00:45:13,960
Speaker 1: rigatoni and then stir the whole fucking thing off and

797
00:45:13,960 --> 00:45:16,760
Speaker 1: and and when he made that, it was like Christmas dinner.

798
00:45:16,800 --> 00:45:19,799
Speaker 1: At my That's what we ate. Me and my brother

799
00:45:19,840 --> 00:45:22,239
Speaker 1: and I have a great father, but he couldn't cook shit.

800
00:45:22,880 --> 00:45:25,560
Speaker 1: I mean, I wouldn't want to cooking for two boys

801
00:45:25,600 --> 00:45:27,400
Speaker 1: on a pre like. You know, the thing is is

802
00:45:27,440 --> 00:45:30,640
Speaker 1: that why do anything because boys eat anything? Like At

803
00:45:30,680 --> 00:45:33,040
Speaker 1: that point, I eat any fucking thing. I didn't give

804
00:45:33,040 --> 00:45:35,960
Speaker 1: a fuck like my kids today. My kids they eat

805
00:45:36,040 --> 00:45:39,000
Speaker 1: sushi and like they're they have like opinions about food.

806
00:45:39,000 --> 00:45:43,960
Speaker 1: There was no opinion about cheese or you might want

807
00:45:44,000 --> 00:45:46,920
Speaker 1: to just get that steak in the ragoo sauce. I

808
00:45:46,920 --> 00:45:49,520
Speaker 1: don't give a fuck. Kids will eat anything. Parents that

809
00:45:49,520 --> 00:45:51,080
Speaker 1: are going out of their way trying to feed their

810
00:45:51,120 --> 00:45:55,120
Speaker 1: kids healthy ship and then got their kids on vegetarian

811
00:45:55,200 --> 00:45:57,520
Speaker 1: diets and oh, I take my kids to this or

812
00:45:57,680 --> 00:45:59,120
Speaker 1: I I you know I I do it too. I

813
00:45:59,160 --> 00:46:01,680
Speaker 1: take my kids to nice places to eat, as if

814
00:46:01,960 --> 00:46:05,120
Speaker 1: they have a fucking choice. How about I don't fucking

815
00:46:05,160 --> 00:46:08,759
Speaker 1: feed you. How about you don't eat anything I had?

816
00:46:08,920 --> 00:46:13,280
Speaker 1: I had TV dinners and ship like and to TV dinners,

817
00:46:13,560 --> 00:46:17,120
Speaker 1: I was fucking head over heels besides myself, and these

818
00:46:17,160 --> 00:46:20,360
Speaker 1: fucking kids are eating it. Fucking four star restaurants. We

819
00:46:20,520 --> 00:46:23,200
Speaker 1: we take your daughter and my kids to deed like

820
00:46:23,440 --> 00:46:26,960
Speaker 1: crab like like crab rolls and lops with lion ship.

821
00:46:28,200 --> 00:46:30,880
Speaker 1: If I stuck a fucking too hot dogs down my

822
00:46:30,960 --> 00:46:33,440
Speaker 1: son's throat, they wouldn't know the fucking difference between a

823
00:46:33,480 --> 00:46:37,359
Speaker 1: crab roll and two fucking hot dogs. You feed your

824
00:46:37,360 --> 00:46:41,120
Speaker 1: door good good ship, man, we go out. It's one

825
00:46:41,160 --> 00:46:43,000
Speaker 1: thing if you cook good ship. But then we we

826
00:46:43,000 --> 00:46:44,799
Speaker 1: we take them the nice restaurants like they have a

827
00:46:44,840 --> 00:46:49,279
Speaker 1: fucking saying it you won't eat, motherfucker? How about that?

828
00:46:49,880 --> 00:46:53,440
Speaker 1: How about that, I don't feed you, you won't you

829
00:46:53,480 --> 00:46:54,759
Speaker 1: have or you go go go to the like I

830
00:46:54,760 --> 00:46:57,520
Speaker 1: would go get a fucking slice for fifty cents, and

831
00:46:57,520 --> 00:47:01,360
Speaker 1: and and I'd be fucking besides my off my kids

832
00:47:01,360 --> 00:47:03,839
Speaker 1: eating sushi. My kids eats good food. Man, When were

833
00:47:04,000 --> 00:47:08,680
Speaker 1: your daughter eats lobsters? Lobsters, lobsters and all kind of

834
00:47:09,640 --> 00:47:14,800
Speaker 1: Chilean sea bad? All that ship, you know, all that ship. Anyway,

835
00:47:14,840 --> 00:47:17,040
Speaker 1: This is the iron wrap for podcast, and we're up.