WEBVTT - Offset talks "KIARI" & Migos Winning EVERY Verzuz

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<v Speaker 1>The volume.

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<v Speaker 2>All right, Rory, Today we are back back joined by

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<v Speaker 2>another friend of the show, somebody that we probably even

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<v Speaker 2>talked about the last fifteen years of our lives.

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<v Speaker 1>I guess something like that.

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<v Speaker 2>Been that long, probably, I feel like we've been podcasting

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<v Speaker 2>for like twenty years. Yeah at this point, Yeah, gentlemen,

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<v Speaker 2>that we've been talking about stayleing the culture, one third

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<v Speaker 2>of the most iconic, most fashionable, most legendary groups in

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<v Speaker 2>hip hop history. But now you know, obviously stepping out

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<v Speaker 2>doing his own thing, and he's here to join us

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<v Speaker 2>today to talk some shit talk, some music talk, some

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<v Speaker 2>culture talk, a lot of the things that you know,

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<v Speaker 2>we'd like to talk about here day to day Ymas Show.

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<v Speaker 2>Today we are joined by Gwynett County legend Moshit.

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<v Speaker 3>You're a love of studio audience. All right, So before

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<v Speaker 3>we get started, I have to ask what happened in

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<v Speaker 3>Tom Square last night because it kind of looked like

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<v Speaker 3>Jonestown a bit. I wasn't sure if you were starting

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<v Speaker 3>to cult, if people were sacrificing themselves.

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<v Speaker 4>I just saw a lot of littered bodies laid out.

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<v Speaker 2>Yeah, and there wasn't much you have some funny times

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<v Speaker 2>Square yesterday and.

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<v Speaker 5>Put the bodies on the phone shots of content and

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<v Speaker 5>I mean it was me just letting the world know

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<v Speaker 5>I'm coming with the album, yeah, Embrace the Helves.

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<v Speaker 3>Yeah, so I was not in Times Square, but what

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<v Speaker 3>I was reading and saw you also had some quote

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<v Speaker 3>unquote doppler gangers. Can you walk me through the casting

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<v Speaker 3>process of trying to find your twins?

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<v Speaker 4>Who didn't make it? Like who did you see? Like

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<v Speaker 4>now he look who on your team was like now

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<v Speaker 4>you look like then you got offended?

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<v Speaker 1>Like now I don't look like that.

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<v Speaker 5>We just trying to make everybody like coordinate with the

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<v Speaker 5>clothes and ship like didn't make it like not, it's

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<v Speaker 5>just it's it's just different versions. Yeah, I mean, just

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<v Speaker 5>like how I'm coming on the album of me just

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<v Speaker 5>by itself, trying to name my real name, Like different

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<v Speaker 5>version of me through the through my career.

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<v Speaker 1>No, just raw.

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<v Speaker 6>Yeah.

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<v Speaker 2>The last time we saw you, we saw you with

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<v Speaker 2>uh was used with Car. Yeah at the crib with Car,

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<v Speaker 2>you look like you had a lot of fun. People

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<v Speaker 2>don't see that side of you, Like people don't know

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<v Speaker 2>that side of off set. They think rappers, they think Atlanta.

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<v Speaker 2>They're like, oh, this niggas gonna come in gooomed up.

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<v Speaker 1>Serious.

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<v Speaker 4>You went in there, you had a lot of fun.

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<v Speaker 4>You was dancing, Like what was that energy?

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<v Speaker 2>Like, did you go in and knowing like we're about

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<v Speaker 2>to go ahead, just act the fool have fun.

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<v Speaker 5>No, I was just I went in like just be yourself.

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<v Speaker 5>Like I felt like people thought I was too serious.

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<v Speaker 1>Yeah. Yeah, and them niggas is funny though. Yeah, so

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<v Speaker 1>they create.

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<v Speaker 5>The environment and just bouncing off their energy the niggas

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<v Speaker 5>be turned.

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<v Speaker 1>So I feel like it be off balance.

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<v Speaker 5>When niggas going there trying to be cool and ship

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<v Speaker 5>that that ain't for that.

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<v Speaker 2>That Chinda is like you can't go in cos crib

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<v Speaker 2>serious and sleepover nasty sleepover.

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<v Speaker 1>It's crazy.

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<v Speaker 4>Yeah, but why do people think that about you?

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<v Speaker 2>Like why do people get this uh feeling that offset

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<v Speaker 2>is this serious?

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<v Speaker 1>You know?

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<v Speaker 5>I think I think it's because we're getting in my crew.

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<v Speaker 5>I was a little going a little crazy. Then I

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<v Speaker 5>ain't no internet that like, I don't I'm not I'm

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<v Speaker 5>not showing you me on the internet unless you have

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<v Speaker 5>to see it, okay something like that.

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<v Speaker 1>I'm not going I don't know.

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<v Speaker 5>I just maybe I should, but I don't I don't

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<v Speaker 5>like going live and like just showing I don't be

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<v Speaker 5>doing that so so often because at one time I

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<v Speaker 5>felt like it's too much exposure.

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<v Speaker 1>Get motherfuckers off you.

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<v Speaker 2>Yeah, the last year, the last year, I've had a

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<v Speaker 2>rough year.

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<v Speaker 1>I would say online like my name, they was killing

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<v Speaker 1>me for ship.

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<v Speaker 2>Wake up every day. I'm looking at my phone like

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<v Speaker 2>I never even said that. I never even did that. Yeah,

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<v Speaker 2>what is some of the most misleading things that you've

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<v Speaker 2>opened your phone? It just was like what, like why

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<v Speaker 2>y'all think that about me? Like what's some of the

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<v Speaker 2>crazy shit? Because it's some ship out there by it

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<v Speaker 2>and I'm like.

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<v Speaker 4>Bro, he didn't say that.

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<v Speaker 1>I know there maybe a lot of CAFs ship.

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<v Speaker 5>Yeah, yeah that I said, like somebody said success like

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<v Speaker 5>stop referring me as a husband or something some.

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<v Speaker 1>Weird ship that.

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<v Speaker 4>I mean correct, that's all.

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<v Speaker 1>Or it was just like.

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<v Speaker 5>Niggas just be saying like it was just like clickbait,

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<v Speaker 5>Like I don't know, I started this little thing where

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<v Speaker 5>like nigga be talking so this is the reason why

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<v Speaker 5>I've said it's not going to.

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<v Speaker 4>And they know your whole life and they got it

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<v Speaker 4>all that shit.

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<v Speaker 1>Yeah, I feel like it just come with it. Just

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<v Speaker 1>it's just it's just come with it. It is what

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<v Speaker 1>it is.

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<v Speaker 4>Yeah, I mean listen, Rory.

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<v Speaker 3>Know.

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<v Speaker 2>I spoke to Rory last year a lot through all

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<v Speaker 2>of that ship and I was like, Bro, what the

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<v Speaker 2>fuck this internet shit?

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<v Speaker 4>I thought I had it figured out, but it's not

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<v Speaker 4>a crazy fucking work.

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<v Speaker 3>I tried to tell you to do the best strategy

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<v Speaker 3>to say your Twitter was acting.

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<v Speaker 4>Yeah, I tried that, but that don't always work. But like,

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<v Speaker 4>what's some of the things.

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<v Speaker 2>You do to be like do you how do you

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<v Speaker 2>how do you detach from the from the grid? How

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<v Speaker 2>do you attack detaching the matrix and be like, all right, man,

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<v Speaker 2>I know who I am, My people know who I am.

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<v Speaker 4>That's all that matters.

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<v Speaker 2>But you're somebody that has been such a big figure

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<v Speaker 2>in the culture on social media for years? How do

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<v Speaker 2>you navigate around the bullshit?

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<v Speaker 1>I just don't let it troll, like.

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<v Speaker 5>How I'm thinking about myself and doing ship like with

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<v Speaker 5>music and ship like, because I don't let it get

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<v Speaker 5>I don't let it let me get lost in it

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<v Speaker 5>because I don't see it outside of the Internet. So

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<v Speaker 5>first I drop the record bodies streams going crazy I

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<v Speaker 5>don't see like a deflation.

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<v Speaker 1>Oh none of my ship.

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<v Speaker 5>Okay, So that's what keep me like, okay, just that

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<v Speaker 5>entertainment ship. This is the entertainment aspect of it. But

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<v Speaker 5>what I do with is like, oh, niggas talking crazy.

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<v Speaker 5>Oh it's crazy crazy your Google search drop a song

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<v Speaker 5>because I'm having a good product.

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<v Speaker 1>Got you You know what I'm saying, Yeah, I got

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<v Speaker 1>good products.

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<v Speaker 4>They in line for something, so let me give them.

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<v Speaker 1>Something, give them a little taste of Okay, okay, that

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<v Speaker 1>makes sense.

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<v Speaker 3>How do you think the internet is going to react

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<v Speaker 3>to the opening record Enemies where you say that you

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<v Speaker 3>love hard but you're also toxic Because coming out the

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<v Speaker 3>gate that way, I was like, you're trying to start

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<v Speaker 3>some boos.

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<v Speaker 1>I see where they're not.

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<v Speaker 4>The problem is not to paint the picture, but I

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<v Speaker 4>listen to the people. I was just like, I don't know,

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<v Speaker 4>I said.

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<v Speaker 1>I don't know.

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<v Speaker 2>You can't if that's how he should be coming into

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<v Speaker 2>the record, because it's kind of like people.

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<v Speaker 4>Gonna be like word I identify with that though no

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<v Speaker 4>I get it too.

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<v Speaker 2>I think most men get that. But I don't know

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<v Speaker 2>if off Sets should lead the album with that bar.

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<v Speaker 1>I'm domn I'm coming shit, it's the truth. Okay, you

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<v Speaker 1>know what I mean?

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<v Speaker 5>People gonna I feel like saying that shit like it's

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<v Speaker 5>the truth.

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<v Speaker 1>Niggas feel that. People feel like girls feel that.

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<v Speaker 5>Both sides feel that because like everybody dealing with that,

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<v Speaker 5>then dealt with that, like bring a.

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<v Speaker 1>Little excitement to the relationship sometimes, did.

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<v Speaker 3>You feel like you had to be a little bit

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<v Speaker 3>more personal on this project just because of what everyone

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<v Speaker 3>pays attention to.

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<v Speaker 1>And yes, I know I learned from father Foe.

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<v Speaker 5>When I dropped the first solo one, I got a

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<v Speaker 5>big ass fan based because I was actually talking about

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<v Speaker 5>some shit, like I had context to the music. It

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<v Speaker 5>was just my kids. It was ups and downs to

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<v Speaker 5>the car crash. And so I just looked at that

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<v Speaker 5>book even though she set it off did great numbers two,

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<v Speaker 5>but like touching people and people like when I hear

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<v Speaker 5>people quote my solo shit, they quote that motherfucker bother

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<v Speaker 5>fo And so it was like put some I wanted

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<v Speaker 5>to put context. I ain't want to because the end

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<v Speaker 5>of the day, you still like you on the screen.

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<v Speaker 5>So I don't talk online. So I talking too music,

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<v Speaker 5>you know what I mean. And I feel like people

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<v Speaker 5>go and hear what I got to say about certain

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<v Speaker 5>shit and certain shit, and they gonna think I'm on

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<v Speaker 5>certain bullshit bullshit, and I really ain't.

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<v Speaker 1>Too much on bullshit.

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<v Speaker 5>Yeah, but I'm just being a man about shit like

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<v Speaker 5>balance that song. It's still like me saying taking my account,

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<v Speaker 5>taking accounability for a certain things that have MH. Is

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<v Speaker 5>that why it was true feeling.

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<v Speaker 3>A year in between, because I mean, you were on

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<v Speaker 3>a pretty quick cycle with the solo joints in twenty

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<v Speaker 3>twenty four. You was I mean quiet for the most part.

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<v Speaker 3>Is that because you were life? Yeah, life's going on,

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<v Speaker 3>and I be believing in timing, Like the odds weren't

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<v Speaker 3>so on me. They only know so now I'm about

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<v Speaker 3>to get to you.

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<v Speaker 5>It just makes sense, like I take all anything that

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<v Speaker 5>come with this shit and try to turn into music.

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<v Speaker 2>How how how often do you think about when you're

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<v Speaker 2>in an album mode? Like how often do you think

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<v Speaker 2>about writing? Or is it just something like you gotta

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<v Speaker 2>just it's just spur of the moment, I'm going to

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<v Speaker 2>the studio tonight. Or is it like when this album

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<v Speaker 2>mode everything else is just like on the backburn. It's

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<v Speaker 2>like now I'm an album mode or or you make

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<v Speaker 2>your album, Like, if I get inspired tonight, I'm going

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<v Speaker 2>to the step to the studio right now.

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<v Speaker 5>Kind of both. If I get inspired, I'm going to

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<v Speaker 5>the studio. But when it's album time, it's like a

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<v Speaker 5>different mode, Like I'm trying to see what the fuck

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<v Speaker 5>the story is in this, in this project? What is

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<v Speaker 5>what picture I'm painting with this, with this where they

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<v Speaker 5>gonna get from this? So then they get to breaking

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<v Speaker 5>down the songs and saying that's how I narrate picking

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<v Speaker 5>my songs and shit, Cuz if it ain't mentioning a

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<v Speaker 5>story of like me being me myself rap kind of

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<v Speaker 5>like not I don't want to say vulnerable, but it

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<v Speaker 5>ain't sad shit, But it's like say, shit, I would

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<v Speaker 5>never say on this project.

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<v Speaker 1>Have you done that often? Like and then the record

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<v Speaker 1>comes out in your.

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<v Speaker 2>Hear and you like, I hate that I said that

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<v Speaker 2>because you don't really that way, Like, how often does

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<v Speaker 2>that happen for you?

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<v Speaker 5>It happens, it happens not all the time, but a

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<v Speaker 5>recent drop, I did that when I dropped that record

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<v Speaker 5>ten I just like I shouldn't it. I didn't really

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<v Speaker 5>fuck with the record like that. It was it was

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<v Speaker 5>more of a me not being a player and kind

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<v Speaker 5>of being in spiteful spite for records don't work or

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<v Speaker 5>ship like that, like.

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<v Speaker 3>Spiteful records that quickly after the release, did you feel

0:09:28.520 --> 0:09:30.480
<v Speaker 3>that way of like damn, maybe I should have done

0:09:30.480 --> 0:09:32.640
<v Speaker 3>this probably today damn.

0:09:32.840 --> 0:09:36.400
<v Speaker 5>So it was like immediate, Yeah, not even off what

0:09:36.400 --> 0:09:39.160
<v Speaker 5>people saying though, it's just like you didn't.

0:09:39.040 --> 0:09:40.640
<v Speaker 4>Like to make you don't really feel that, like that's

0:09:40.640 --> 0:09:41.320
<v Speaker 4>not what you really felt.

0:09:41.400 --> 0:09:45.559
<v Speaker 5>Was trying to No, not that, but it was It

0:09:45.760 --> 0:09:48.760
<v Speaker 5>just wasn't. It wasn't to play like, yeah, there was

0:09:48.800 --> 0:09:51.760
<v Speaker 5>no story to that ship. It was no like music

0:09:51.880 --> 0:09:54.600
<v Speaker 5>drive to that the fans wouldn't that wasn't It was

0:09:54.640 --> 0:09:57.800
<v Speaker 5>just me doing some ship. I can say that I

0:09:57.840 --> 0:09:58.560
<v Speaker 5>was just doing.

0:09:58.320 --> 0:09:59.600
<v Speaker 4>Some shit, try some ship.

0:10:00.040 --> 0:10:02.000
<v Speaker 2>What's one of the biggest things you want people to

0:10:02.040 --> 0:10:04.320
<v Speaker 2>take from Offset as far as like a rapper because

0:10:04.320 --> 0:10:07.040
<v Speaker 2>from years, you know, all of the records with me, gos,

0:10:07.080 --> 0:10:09.240
<v Speaker 2>like you know, the joints that y'all gave us, we

0:10:09.320 --> 0:10:13.679
<v Speaker 2>always kind of recognize that it's been a conversation like

0:10:13.679 --> 0:10:16.880
<v Speaker 2>like Offset really be saying some shit like y'all having fun, y'all,

0:10:16.920 --> 0:10:19.719
<v Speaker 2>y'all y'all styling and you know, y'all getting y'all fly

0:10:19.800 --> 0:10:22.559
<v Speaker 2>shit off. But it's like when we listen to Offset,

0:10:22.600 --> 0:10:25.480
<v Speaker 2>it's like, hold up, he kind of like he seemed

0:10:25.480 --> 0:10:27.200
<v Speaker 2>like he just being a different part of the room,

0:10:27.280 --> 0:10:29.200
<v Speaker 2>like really trying to get some shit off. As a

0:10:29.240 --> 0:10:31.600
<v Speaker 2>solo artist, now you have more space to kind of.

0:10:31.520 --> 0:10:33.280
<v Speaker 4>Be Offset obviously.

0:10:33.520 --> 0:10:35.920
<v Speaker 2>What's one of the things you want people to take

0:10:35.960 --> 0:10:39.079
<v Speaker 2>from this project in particular about you as a rappers,

0:10:39.080 --> 0:10:41.559
<v Speaker 2>about you as a writer and an artist that people

0:10:41.559 --> 0:10:44.000
<v Speaker 2>probably don't know about off set my.

0:10:44.040 --> 0:10:46.240
<v Speaker 5>Craft, like to take it serious, like the hours I'll

0:10:46.280 --> 0:10:49.840
<v Speaker 5>be putting in, and like how I break so much

0:10:49.840 --> 0:10:52.840
<v Speaker 5>shit down to details, even like the sequence of my songs,

0:10:53.440 --> 0:10:57.000
<v Speaker 5>and like the art inside of the music too, Like

0:10:57.040 --> 0:10:58.480
<v Speaker 5>I like to paint the picture because I feel like

0:10:58.480 --> 0:11:01.000
<v Speaker 5>people don't get shited sometimes you gotta put it in

0:11:01.000 --> 0:11:03.360
<v Speaker 5>their face and the ship they go behind that Like

0:11:03.960 --> 0:11:06.560
<v Speaker 5>last album I had Jamis Lee Curtis doing doing ship

0:11:06.720 --> 0:11:08.880
<v Speaker 5>like me reaching out myself personally.

0:11:09.040 --> 0:11:12.800
<v Speaker 1>The DM to this is also starting Jamilee Curtis as

0:11:12.800 --> 0:11:15.120
<v Speaker 1>a flex well now working on some other ship.

0:11:15.200 --> 0:11:20.640
<v Speaker 5>Now you feel that that ship that behind the scenes

0:11:20.679 --> 0:11:24.000
<v Speaker 5>work niggas never see what niggas gotta do to try

0:11:24.040 --> 0:11:26.520
<v Speaker 5>to please you, to please y'all. You know what I'm saying,

0:11:27.000 --> 0:11:28.920
<v Speaker 5>because I'm I study the game. That's why I don't

0:11:29.000 --> 0:11:30.640
<v Speaker 5>drop so much, because I got to see what the

0:11:30.640 --> 0:11:33.560
<v Speaker 5>fuck going on? Because I feel like I'm, like you said,

0:11:33.559 --> 0:11:35.760
<v Speaker 5>I come from such a heavy background. I can't it's

0:11:35.760 --> 0:11:39.120
<v Speaker 5>no hiccups. They can't drop no bullshit. You ain't gonna

0:11:39.120 --> 0:11:40.520
<v Speaker 5>able to come back from that. It'd be too hard

0:11:40.520 --> 0:11:42.360
<v Speaker 5>to come back with that. So sometimes I strategize to

0:11:42.400 --> 0:11:43.199
<v Speaker 5>see what the folks.

0:11:43.520 --> 0:11:44.040
<v Speaker 4>You don't have the.

0:11:44.000 --> 0:11:46.520
<v Speaker 2>Luxury to dropping because you're you're under a microscope that's

0:11:46.600 --> 0:11:46.960
<v Speaker 2>so big.

0:11:47.000 --> 0:11:48.559
<v Speaker 4>They waiting for you to drop some bulls.

0:11:48.920 --> 0:11:51.440
<v Speaker 5>Wat you you know how many when I drop, by

0:11:51.600 --> 0:11:53.360
<v Speaker 5>how many times I'm like, I've seen.

0:11:53.480 --> 0:11:56.120
<v Speaker 1>I ain't gonna lie. I wanted to be, but I

0:11:56.160 --> 0:11:58.720
<v Speaker 1>can't say. Yeah.

0:11:58.880 --> 0:12:01.319
<v Speaker 3>I mean, as a spokesperson for all of the whites,

0:12:02.000 --> 0:12:05.040
<v Speaker 3>we did feel seen when you sampled bodies at the floor,

0:12:05.080 --> 0:12:17.000
<v Speaker 3>Like I really was like, yeah.

0:12:12.120 --> 0:12:14.120
<v Speaker 4>Me and Peach was that morning that ship came out.

0:12:14.120 --> 0:12:16.760
<v Speaker 4>We was gamming in the studio. Yeah, yeah, that's how ship.

0:12:16.800 --> 0:12:19.120
<v Speaker 4>That's the White Boys ship. Was that intentional of picking

0:12:19.160 --> 0:12:19.600
<v Speaker 4>that sample.

0:12:20.679 --> 0:12:24.959
<v Speaker 1>No, honestly, Vinyl shout out to Vinys of the cold.

0:12:24.960 --> 0:12:28.600
<v Speaker 5>He's so cold him. Vinyls is my man. He made

0:12:28.640 --> 0:12:30.960
<v Speaker 5>it with a Vinyl center to me. I sent it

0:12:30.960 --> 0:12:34.240
<v Speaker 5>to wit. I made the record two years ago. Oh okay,

0:12:34.280 --> 0:12:36.720
<v Speaker 5>so when I made the record, he's been pressing me

0:12:36.720 --> 0:12:38.360
<v Speaker 5>for that ship for two years, Like, what the fuck

0:12:38.440 --> 0:12:38.840
<v Speaker 5>is you doing?

0:12:38.840 --> 0:12:38.960
<v Speaker 4>Bro?

0:12:39.120 --> 0:12:42.160
<v Speaker 5>You know the sample we got along is one of

0:12:42.160 --> 0:12:45.320
<v Speaker 5>the ones, and niggas don't get this sample. And then

0:12:46.320 --> 0:12:49.080
<v Speaker 5>my shot at the reservoir, my posing, m hmm. They're

0:12:49.120 --> 0:12:51.640
<v Speaker 5>on the same team, they don't They on reservoir too,

0:12:52.280 --> 0:12:53.959
<v Speaker 5>And shout out to them. Man, they was easy to

0:12:53.960 --> 0:12:57.800
<v Speaker 5>word with. Cleared it. They fucked with the record. I

0:12:57.880 --> 0:13:00.360
<v Speaker 5>hit them on the d M two vo get this

0:13:00.400 --> 0:13:04.040
<v Speaker 5>record clear man. They did that ship immediately. Yeah, shout

0:13:04.040 --> 0:13:04.439
<v Speaker 5>out to them.

0:13:04.679 --> 0:13:07.199
<v Speaker 1>Now we listening to but yeah, we listened to the

0:13:07.240 --> 0:13:09.280
<v Speaker 1>joint last night. I told you to love you down.

0:13:09.280 --> 0:13:09.880
<v Speaker 1>That's my ship.

0:13:10.160 --> 0:13:12.560
<v Speaker 2>Yeah, I mean that sample is you know, that's that's

0:13:12.559 --> 0:13:14.600
<v Speaker 2>the eighties, that's my er, that's going back.

0:13:14.920 --> 0:13:15.600
<v Speaker 4>But that's to me.

0:13:15.640 --> 0:13:18.400
<v Speaker 2>It's point of the records that I think everybody's gonna

0:13:18.400 --> 0:13:18.720
<v Speaker 2>fuck with.

0:13:18.800 --> 0:13:19.880
<v Speaker 1>I think every.

0:13:20.120 --> 0:13:23.240
<v Speaker 2>Woman on social media is gonna post that song at

0:13:23.320 --> 0:13:25.319
<v Speaker 2>least once on the algorithm.

0:13:25.520 --> 0:13:27.719
<v Speaker 1>When you heard that, was that a no brainer? Like, oh,

0:13:27.760 --> 0:13:29.840
<v Speaker 1>we I can show the text. I've seen it.

0:13:29.880 --> 0:13:35.040
<v Speaker 5>I'm scrolling on Instagram and I seen the original yeah

0:13:35.360 --> 0:13:38.160
<v Speaker 5>being live perform. Yeah, I send it the Lennon on

0:13:38.200 --> 0:13:41.120
<v Speaker 5>the tray like as like, share this link, share this

0:13:41.160 --> 0:13:43.720
<v Speaker 5>to him, I said, sample this, put this in the front.

0:13:43.720 --> 0:13:45.000
<v Speaker 1>I got. I got all the text.

0:13:45.040 --> 0:13:47.960
<v Speaker 5>Yeah, put this in the front and don't muffle it,

0:13:48.000 --> 0:13:49.800
<v Speaker 5>don't put it in the background. Make this stand out

0:13:49.800 --> 0:13:52.280
<v Speaker 5>off rip, So start the song off like this. Then

0:13:52.520 --> 0:13:54.960
<v Speaker 5>put let Me Love You down throughout the record. Literally

0:13:54.960 --> 0:13:56.520
<v Speaker 5>got the text? How did it? Because you sent it

0:13:56.559 --> 0:13:58.200
<v Speaker 5>back to the first time. I was like, nah, turn

0:13:58.280 --> 0:13:59.920
<v Speaker 5>that ship up because this is the part my mama,

0:14:00.160 --> 0:14:03.320
<v Speaker 5>my grandma, every know this part right right, and so

0:14:03.440 --> 0:14:06.120
<v Speaker 5>put this right here. And then then when I played

0:14:06.160 --> 0:14:08.240
<v Speaker 5>it out, I first did a verse and I just stopped,

0:14:08.240 --> 0:14:09.960
<v Speaker 5>and I just had to beat stopping. And then I

0:14:10.000 --> 0:14:12.719
<v Speaker 5>called him back like, hey, put that same ship in

0:14:13.120 --> 0:14:15.360
<v Speaker 5>the middle of this motherfucker. Let it breathe, and then

0:14:15.360 --> 0:14:16.880
<v Speaker 5>I'm gonna come back in with a different flow. And

0:14:16.920 --> 0:14:17.960
<v Speaker 5>that's how that's how I did it.

0:14:18.080 --> 0:14:21.720
<v Speaker 2>Let's called producing ladies and gentlemen people out there, Like

0:14:21.760 --> 0:14:24.440
<v Speaker 2>he's not just texting you know what I'm saying, saying dumps,

0:14:24.480 --> 0:14:25.800
<v Speaker 2>He's producing a record.

0:14:25.800 --> 0:14:27.040
<v Speaker 1>At that point, it was.

0:14:27.000 --> 0:14:29.400
<v Speaker 4>Good to see you with Tiso. How did that record

0:14:29.440 --> 0:14:29.880
<v Speaker 4>come together?

0:14:30.600 --> 0:14:30.960
<v Speaker 1>Town?

0:14:31.920 --> 0:14:35.640
<v Speaker 2>He always incredibly talented. Yeah, and he got that old

0:14:35.680 --> 0:14:38.200
<v Speaker 2>school edge. It maints since that you and TSO would

0:14:38.440 --> 0:14:41.680
<v Speaker 2>Yeah connect though, and he'll take it there so like

0:14:41.920 --> 0:14:44.920
<v Speaker 2>video anything. He I feel like he he ain't got

0:14:45.000 --> 0:14:46.960
<v Speaker 2>no fear with his sh his credits book so open.

0:14:47.040 --> 0:14:50.280
<v Speaker 2>He'll go anywhere, like anywhere with it. And I respect

0:14:50.320 --> 0:14:52.600
<v Speaker 2>his vocal game, Like his sound is different. It sound

0:14:52.680 --> 0:14:55.000
<v Speaker 2>older than to me, so like some older ship to me,

0:14:55.480 --> 0:14:57.760
<v Speaker 2>but it sounds different. In the whole purpose of my eye,

0:14:57.840 --> 0:14:59.400
<v Speaker 2>I wanted to work with niggas that I feel like

0:14:59.480 --> 0:15:03.040
<v Speaker 2>Nigga getting cycle right now, Like yeah, same song, same

0:15:03.520 --> 0:15:07.920
<v Speaker 2>same features, features, and I wanted to go different route,

0:15:08.000 --> 0:15:10.400
<v Speaker 2>like because I feel like collaborations post to be like

0:15:10.800 --> 0:15:12.960
<v Speaker 2>you deal with somebody that you work with, somebody.

0:15:12.760 --> 0:15:16.440
<v Speaker 5>That's unexpected, like the jed that Nigga gonna walk something.

0:15:16.520 --> 0:15:18.320
<v Speaker 5>You just had to find a pocket and we found

0:15:18.360 --> 0:15:21.680
<v Speaker 5>the packet and it go crazy. And they're like the

0:15:21.760 --> 0:15:24.960
<v Speaker 5>low key niggas like that be having their own fan

0:15:25.040 --> 0:15:27.320
<v Speaker 5>base to solid Spamish.

0:15:28.000 --> 0:15:30.320
<v Speaker 4>Got a core fan base, and it's it's crazy.

0:15:30.400 --> 0:15:33.520
<v Speaker 3>Just shows the versatility of Atlanta because that record still sound.

0:15:33.520 --> 0:15:36.400
<v Speaker 3>Atlanta and y'all are two totally different rappers in that regard.

0:15:36.480 --> 0:15:39.600
<v Speaker 3>But nothing fat weird on that ship a little. But Teas,

0:15:39.680 --> 0:15:41.680
<v Speaker 3>I'm curious to see what that video is gonna look like.

0:15:42.200 --> 0:15:43.600
<v Speaker 3>You want to put on some football.

0:15:43.280 --> 0:15:46.640
<v Speaker 1>Paths, n I might let him do that. Yeah, yeah,

0:15:49.280 --> 0:15:51.480
<v Speaker 1>lets do that. Yeah, I'm gonna come through that with

0:15:51.600 --> 0:15:52.120
<v Speaker 1>some dripping.

0:15:52.920 --> 0:15:55.120
<v Speaker 3>I put something together which I didn't even tell more

0:15:56.240 --> 0:15:58.320
<v Speaker 3>somewhat of a bando ballet, if you will.

0:15:58.560 --> 0:16:02.120
<v Speaker 4>I was. I was looking up Sabrina Carpenter lyrics just

0:16:02.200 --> 0:16:03.880
<v Speaker 4>in general because I like, now, hold on before we

0:16:03.960 --> 0:16:04.400
<v Speaker 4>get it to that.

0:16:05.320 --> 0:16:07.000
<v Speaker 2>Did you see the clip where I said, because now

0:16:07.040 --> 0:16:09.080
<v Speaker 2>we was talking about you, and I said, yo, you

0:16:09.200 --> 0:16:09.880
<v Speaker 2>know what off set?

0:16:10.000 --> 0:16:13.080
<v Speaker 4>I didn't see that to after okay, he he manifested,

0:16:13.520 --> 0:16:14.480
<v Speaker 4>you tired left no.

0:16:14.600 --> 0:16:17.520
<v Speaker 2>But but the thing that the thing that fucked Rory

0:16:17.600 --> 0:16:19.920
<v Speaker 2>up is because when that came out pg at, the

0:16:20.000 --> 0:16:21.800
<v Speaker 2>child was like, damn all you called it, and I

0:16:21.920 --> 0:16:25.640
<v Speaker 2>just started laughing. Rory didn't know I actually said Sabrina

0:16:25.720 --> 0:16:27.480
<v Speaker 2>carp but he thought I just said a white girl,

0:16:27.480 --> 0:16:29.520
<v Speaker 2>because I didn't all white women looking like I said, Nah.

0:16:29.440 --> 0:16:32.720
<v Speaker 4>I said, off Set gotta go get Sabrina competence. I said,

0:16:32.760 --> 0:16:35.160
<v Speaker 4>he gonna piss everybody over if you do that and

0:16:35.360 --> 0:16:37.600
<v Speaker 4>sow enough to come out. They said, Offset says he

0:16:37.680 --> 0:16:41.560
<v Speaker 4>has a crunch on Sabrina competence. I said, I said,

0:16:41.600 --> 0:16:44.560
<v Speaker 4>my nigga started get up, everybody off and then dropped

0:16:44.600 --> 0:16:45.320
<v Speaker 4>the fucking album.

0:16:45.480 --> 0:16:48.080
<v Speaker 3>I was hoping that there would be some secret feature somewhere,

0:16:48.200 --> 0:16:49.760
<v Speaker 3>like back in the day when you would skip through

0:16:49.880 --> 0:16:51.840
<v Speaker 3>to the bonus track, you should be there. But I

0:16:52.480 --> 0:16:54.680
<v Speaker 3>do think that there could be like a Bando ballet

0:16:54.800 --> 0:16:56.920
<v Speaker 3>joint album between the two of yo. But when I

0:16:57.000 --> 0:16:58.800
<v Speaker 3>was looking up her lyrics, trying to like get to

0:16:58.840 --> 0:17:01.080
<v Speaker 3>know somewhere the music, like this might be one of

0:17:01.120 --> 0:17:03.600
<v Speaker 3>the most toxic white women I've ever.

0:17:03.440 --> 0:17:05.119
<v Speaker 4>Heard of my life, Sabrina were talking crazy.

0:17:05.280 --> 0:17:07.760
<v Speaker 3>So then I decided to put a segment together to

0:17:07.880 --> 0:17:09.920
<v Speaker 3>ask you guys, if you can guess whether this is

0:17:10.080 --> 0:17:13.320
<v Speaker 3>future lyrics or Sabrina Carpenter lyrics.

0:17:13.600 --> 0:17:18.320
<v Speaker 4>Or future Sabrina carpenters. All right, we'll start with the

0:17:18.359 --> 0:17:21.000
<v Speaker 4>first one. Now, I'm a homewrecker. I'm a slut. I

0:17:21.080 --> 0:17:24.680
<v Speaker 4>got death threats filling up semi trucks. Is that gotta be?

0:17:24.760 --> 0:17:27.480
<v Speaker 2>That gotta be Sabrina. Future ain't gonna say. He might

0:17:27.560 --> 0:17:30.200
<v Speaker 2>say he's not, but he ain't. I'm going Sabrina.

0:17:31.400 --> 0:17:33.720
<v Speaker 1>Who you say it again, I'm.

0:17:33.600 --> 0:17:35.639
<v Speaker 3>A home wrecker, I'm a slut. I got death threats

0:17:35.640 --> 0:17:36.720
<v Speaker 3>filling up semi trucks.

0:17:37.880 --> 0:17:41.960
<v Speaker 4>They got to wait. Wait, death, I don't know. I

0:17:42.000 --> 0:17:45.560
<v Speaker 4>got death said, death threats filling up semi trucks.

0:17:45.560 --> 0:17:47.560
<v Speaker 2>I'm gonna go Future. I don't think, I don't think.

0:17:47.600 --> 0:17:49.560
<v Speaker 2>I don't think Sabrina had death threats. She ain't gonna

0:17:49.560 --> 0:17:50.200
<v Speaker 2>say death threats.

0:17:50.440 --> 0:17:52.640
<v Speaker 4>Yeah she did, that's the carpenter.

0:17:54.480 --> 0:17:59.359
<v Speaker 3>No, No, she's toxic as fucking all right, go to

0:17:59.400 --> 0:18:02.439
<v Speaker 3>the next one. My clothes are off, I'm coming over

0:18:02.520 --> 0:18:04.480
<v Speaker 3>to your place. And if you don't need my love,

0:18:04.560 --> 0:18:06.199
<v Speaker 3>I didn't want your bitch ass anyway.

0:18:07.520 --> 0:18:09.720
<v Speaker 2>Now, if that's Sabrina, we gotta have a different conversation

0:18:09.800 --> 0:18:10.399
<v Speaker 2>about Sabrina.

0:18:10.440 --> 0:18:14.480
<v Speaker 4>Carpenter. I'm gonna just say Future. I'm gonna say Future, what.

0:18:14.600 --> 0:18:20.359
<v Speaker 1>You're saying, I'm gonna say Sabna. That's Sabrina. Listen, she'd

0:18:20.400 --> 0:18:20.800
<v Speaker 1>be talking.

0:18:21.840 --> 0:18:24.119
<v Speaker 3>That's what I'm telling you. I was going through the

0:18:24.160 --> 0:18:26.600
<v Speaker 3>lyrics like this woman is insane. All right, I can

0:18:26.680 --> 0:18:28.280
<v Speaker 3>hear your tears when they drop over the phone.

0:18:28.320 --> 0:18:28.879
<v Speaker 4>Get mad at you.

0:18:29.080 --> 0:18:29.639
<v Speaker 1>That's future.

0:18:29.840 --> 0:18:31.119
<v Speaker 4>Okay, all right, well there we go.

0:18:31.960 --> 0:18:34.200
<v Speaker 3>Uh why you always come running to me and fuck

0:18:34.280 --> 0:18:36.120
<v Speaker 3>my life? Never heard of self care? Half your brain

0:18:36.240 --> 0:18:41.680
<v Speaker 3>just ain't even there. I heard it in the future, casen.

0:18:43.280 --> 0:18:45.240
<v Speaker 4>Is that future? Sabrina? What?

0:18:45.880 --> 0:18:46.000
<v Speaker 1>Bro?

0:18:46.640 --> 0:18:49.080
<v Speaker 4>How will we not hearing? These are these singles?

0:18:49.240 --> 0:18:49.960
<v Speaker 1>You know what happened?

0:18:50.119 --> 0:18:52.480
<v Speaker 5>I think the records they be pop records, so they

0:18:52.640 --> 0:18:57.000
<v Speaker 5>be so it's the music they're like, huh yeah, I'm

0:18:57.040 --> 0:18:58.480
<v Speaker 5>saying it's toxic as fuck.

0:18:59.240 --> 0:19:01.240
<v Speaker 3>All right, Well up this morning thought i'd write a

0:19:01.280 --> 0:19:03.719
<v Speaker 3>pop hit. How quickly can you take your clothes off?

0:19:04.080 --> 0:19:10.399
<v Speaker 3>Like a pop quiz? I'm just gonna say future, that

0:19:10.520 --> 0:19:11.480
<v Speaker 3>is Sabrina Carpenter.

0:19:15.680 --> 0:19:16.280
<v Speaker 1>She talking.

0:19:17.080 --> 0:19:20.040
<v Speaker 3>This one might be tough for y'all, so cracked to

0:19:20.119 --> 0:19:23.800
<v Speaker 3>a pregnant lady. Forgive me for the crack babies. That's

0:19:23.840 --> 0:19:25.920
<v Speaker 3>definitely if Sabrina.

0:19:26.119 --> 0:19:28.639
<v Speaker 4>If that's a Sabrina Carpenter line, we got to get

0:19:28.680 --> 0:19:31.760
<v Speaker 4>her out of here, like she's so cracked, Like, come on, man,

0:19:32.000 --> 0:19:34.360
<v Speaker 4>Jesus Christ, that is in fact future. I didn't want

0:19:34.359 --> 0:19:34.879
<v Speaker 4>to stump you on that.

0:19:34.960 --> 0:19:35.479
<v Speaker 1>Did she did?

0:19:35.640 --> 0:19:37.040
<v Speaker 4>Did Did she see the clip?

0:19:37.119 --> 0:19:39.760
<v Speaker 2>Did her team reach out in response to you said

0:19:39.800 --> 0:19:41.879
<v Speaker 2>because we have a bed in the office, like yo,

0:19:42.080 --> 0:19:44.120
<v Speaker 2>I'm like off gonna pop out on the dinner dates?

0:19:44.880 --> 0:19:47.720
<v Speaker 1>No, I don't know. Did they reach out? I don't

0:19:47.720 --> 0:19:48.200
<v Speaker 1>know if they.

0:19:48.880 --> 0:19:51.399
<v Speaker 3>Reached out This Nigga went on the Day with Sabrina

0:19:51.480 --> 0:19:54.800
<v Speaker 3>car Is that like celebrities actually date now, just be

0:19:54.960 --> 0:19:56.200
<v Speaker 3>the PR teams putting it together.

0:19:56.640 --> 0:19:58.440
<v Speaker 4>I mean, we should bring the PR team on the

0:19:58.520 --> 0:20:00.639
<v Speaker 4>couch to ask. Well, most of the time that's.

0:20:00.640 --> 0:20:02.399
<v Speaker 2>That's the easier way to reach out is through the

0:20:02.440 --> 0:20:05.240
<v Speaker 2>PR team. But sometimes it'll be, you know, a cold DM.

0:20:05.320 --> 0:20:07.399
<v Speaker 2>We've seen instances with people like Yes the Day and

0:20:07.400 --> 0:20:08.360
<v Speaker 2>it was like just DM.

0:20:08.240 --> 0:20:11.680
<v Speaker 1>Does just certain certain status of women you don't DM player.

0:20:12.000 --> 0:20:14.240
<v Speaker 2>How do you differentiate that though? Like, how does somebody

0:20:14.320 --> 0:20:16.000
<v Speaker 2>like off Set say, damn, I can't.

0:20:17.440 --> 0:20:18.800
<v Speaker 4>I'm gonna artists.

0:20:19.040 --> 0:20:21.960
<v Speaker 5>No artists don't read right, I don't even want to

0:20:22.000 --> 0:20:24.080
<v Speaker 5>hit no DM to no female to do a song

0:20:24.840 --> 0:20:26.440
<v Speaker 5>because it's just don't That's what I'm gonna say. Do

0:20:26.480 --> 0:20:30.119
<v Speaker 5>you even d rep and read write it? Don't my

0:20:30.240 --> 0:20:32.960
<v Speaker 5>rep and then read write I'll go together. I'm already

0:20:32.960 --> 0:20:35.920
<v Speaker 5>knowing that, so I rather go through like like for

0:20:36.680 --> 0:20:39.720
<v Speaker 5>doing music. I'm not dming no female to my a,

0:20:39.960 --> 0:20:43.640
<v Speaker 5>let's do a song. I just feel like it reads wrong.

0:20:44.000 --> 0:20:47.560
<v Speaker 2>Yeah, that screenshots if she decided to post that one

0:20:47.640 --> 0:20:48.680
<v Speaker 2>day out despite.

0:20:48.400 --> 0:20:50.520
<v Speaker 5>It just ready if you got to think like that,

0:20:50.600 --> 0:20:52.760
<v Speaker 5>because like you say, if it was right, what do

0:20:52.800 --> 0:20:53.400
<v Speaker 5>people gonna say?

0:20:53.400 --> 0:20:54.000
<v Speaker 1>What you're trying to do.

0:20:55.840 --> 0:20:55.879
<v Speaker 5>That?

0:20:56.359 --> 0:20:58.120
<v Speaker 3>Because I think there's plenty of artists yourself and Clue

0:20:58.119 --> 0:21:00.000
<v Speaker 3>that probably just want to work with a female artis

0:21:00.320 --> 0:21:01.120
<v Speaker 3>to just make music.

0:21:01.760 --> 0:21:03.480
<v Speaker 4>It's not there's nothing, bro.

0:21:03.800 --> 0:21:06.000
<v Speaker 5>Yo, got this drop dry the album, let's get in,

0:21:06.160 --> 0:21:10.359
<v Speaker 5>But female artists definitely not. Because it's I respect you too,

0:21:10.440 --> 0:21:12.520
<v Speaker 5>so I don't even want to do respect you. It's

0:21:12.640 --> 0:21:14.720
<v Speaker 5>like making you don't want to come as the wrong way. Yeah,

0:21:14.720 --> 0:21:16.840
<v Speaker 5>because I'm really trying his record, you know what I'm saying.

0:21:17.720 --> 0:21:19.560
<v Speaker 3>I feel like I'm snitching a little bit here. But

0:21:19.640 --> 0:21:21.720
<v Speaker 3>when I once I found out there was producers just

0:21:22.080 --> 0:21:24.639
<v Speaker 3>doing sessions with chicks of records. They was never going

0:21:24.720 --> 0:21:27.200
<v Speaker 3>to clear. That was just their way in. I was like, y'all,

0:21:27.320 --> 0:21:29.960
<v Speaker 3>y'all might be the nastiest people. Oh the industry is crazy.

0:21:30.920 --> 0:21:33.679
<v Speaker 4>You just invited chicks to the studio records that's never

0:21:33.760 --> 0:21:35.920
<v Speaker 4>going to come out. She's not even dope. Yeah I sign.

0:21:36.000 --> 0:21:39.480
<v Speaker 4>You don't even say you don't think anything is talented

0:21:39.480 --> 0:21:39.760
<v Speaker 4>about it?

0:21:39.800 --> 0:21:41.040
<v Speaker 1>Oh she's not talented.

0:21:41.080 --> 0:21:41.600
<v Speaker 4>She looks good.

0:21:41.680 --> 0:21:43.000
<v Speaker 1>That's you know that ship go.

0:21:49.119 --> 0:21:50.960
<v Speaker 2>So who's some of the guys that you wanted to

0:21:51.000 --> 0:21:54.040
<v Speaker 2>work with that it hasn't happened yet, Like some of

0:21:54.080 --> 0:21:55.560
<v Speaker 2>the artists that you're like, damn, I gotta get a

0:21:55.640 --> 0:21:56.800
<v Speaker 2>joint with them.

0:21:57.840 --> 0:22:01.919
<v Speaker 5>Oh and hundred three thousand for sure. Just so that's

0:22:01.960 --> 0:22:04.240
<v Speaker 5>a dream collapse what I mean. I feel like it

0:22:04.400 --> 0:22:06.520
<v Speaker 5>was the best thing shit ever came out Atlanta. They

0:22:06.600 --> 0:22:07.200
<v Speaker 5>came out harder.

0:22:07.240 --> 0:22:09.400
<v Speaker 2>Do you feel like that because we've we've seen we've

0:22:09.480 --> 0:22:12.399
<v Speaker 2>seen you know, this generation now they give you know

0:22:12.520 --> 0:22:14.280
<v Speaker 2>that Atlanta gives more credence and.

0:22:14.760 --> 0:22:15.960
<v Speaker 1>Our cast is always on the list.

0:22:17.160 --> 0:22:18.680
<v Speaker 4>I think that is the greatest group of all time.

0:22:18.760 --> 0:22:22.760
<v Speaker 2>But but there's the people that have like they they

0:22:22.880 --> 0:22:27.639
<v Speaker 2>hold a higher you know, kind of respect for future

0:22:27.680 --> 0:22:30.119
<v Speaker 2>than they do Entred three thousand. Now, this generation and

0:22:30.200 --> 0:22:32.840
<v Speaker 2>you can understand it. Three thousand hasn't been as active,

0:22:33.880 --> 0:22:34.840
<v Speaker 2>but you're from.

0:22:35.040 --> 0:22:36.800
<v Speaker 1>The generation, but he comes from them.

0:22:37.600 --> 0:22:38.160
<v Speaker 4>Yeah, he's done.

0:22:40.320 --> 0:22:41.680
<v Speaker 2>But there's the thing where you maybe be like, I

0:22:41.720 --> 0:22:44.000
<v Speaker 2>don't even know undred two thousands, it's future, and I'm like,

0:22:45.119 --> 0:22:47.560
<v Speaker 2>but being from Atlanta, you gotta know Audret that.

0:22:47.640 --> 0:22:48.440
<v Speaker 4>I don't care how old you.

0:22:48.520 --> 0:22:50.600
<v Speaker 2>I think he's one of the artists that you have

0:22:50.800 --> 0:22:55.040
<v Speaker 2>to know is held here. Yeah, but there's a lot

0:22:55.080 --> 0:22:57.680
<v Speaker 2>of there's a younger generation now that's like they don't

0:22:57.720 --> 0:22:59.200
<v Speaker 2>know him though, so you can't follow him, you know

0:22:59.200 --> 0:22:59.479
<v Speaker 2>what I mean.

0:22:59.560 --> 0:23:00.800
<v Speaker 1>They don't know Yeah, but.

0:23:00.840 --> 0:23:03.840
<v Speaker 2>I didn't know Marvin Gay either though, Like I wasn't

0:23:03.920 --> 0:23:06.280
<v Speaker 2>outside for Marvin Gay. But as I as you go

0:23:06.440 --> 0:23:08.199
<v Speaker 2>through music, like he was was.

0:23:08.240 --> 0:23:10.679
<v Speaker 5>Raised in the house on that though, Right, So they

0:23:10.920 --> 0:23:12.880
<v Speaker 5>niggas ain't even rais in the house on DRE.

0:23:13.840 --> 0:23:14.159
<v Speaker 1>But I'm not.

0:23:14.800 --> 0:23:16.960
<v Speaker 3>Yeah, you don't have to be number one on everyone's list,

0:23:17.040 --> 0:23:19.439
<v Speaker 3>but there's no way you grew up and didn't hear

0:23:19.480 --> 0:23:21.040
<v Speaker 3>Missus Jackson or even.

0:23:20.920 --> 0:23:23.720
<v Speaker 4>I mean ship, I'm just on Thug records. He's been

0:23:23.720 --> 0:23:24.720
<v Speaker 4>on Future the.

0:23:24.760 --> 0:23:26.320
<v Speaker 5>Niggas do because at the end of the day when

0:23:26.320 --> 0:23:29.119
<v Speaker 5>they came out the South, they was not fucking with us.

0:23:29.400 --> 0:23:32.480
<v Speaker 5>It was really on some West Coast New York l

0:23:32.520 --> 0:23:36.560
<v Speaker 5>A ship only. Yeah, and them niggas winning the wars,

0:23:36.600 --> 0:23:38.600
<v Speaker 5>pushing it how they do it. And they came in

0:23:38.760 --> 0:23:40.320
<v Speaker 5>on some my niggas don't get them credit on like

0:23:40.400 --> 0:23:44.159
<v Speaker 5>the creative on Dre Yeah, Trey was doing all this

0:23:44.320 --> 0:23:48.760
<v Speaker 5>crazy can't West dressing ship with Poti for Sures, with

0:23:48.840 --> 0:23:51.080
<v Speaker 5>the orange shoot on, with the with the Jays on

0:23:52.040 --> 0:23:55.120
<v Speaker 5>he Ben did show the pass Yeah, so like it's

0:23:55.200 --> 0:23:59.679
<v Speaker 5>not just about the wraps. The influence, Yeah, I look

0:23:59.720 --> 0:24:01.280
<v Speaker 5>at him be like, Okay, I could do some ship

0:24:01.320 --> 0:24:01.920
<v Speaker 5>that I wouldn't do.

0:24:03.600 --> 0:24:06.760
<v Speaker 2>How much did how much did Outcasts like really influence?

0:24:07.000 --> 0:24:09.160
<v Speaker 2>Because I feel like it has Like seeing y'all live

0:24:09.240 --> 0:24:13.560
<v Speaker 2>performance aesthetically visually with the Migos was doing that to

0:24:13.680 --> 0:24:15.080
<v Speaker 2>me because I saw Outcasts.

0:24:15.920 --> 0:24:18.080
<v Speaker 1>I know that that was some of that DNA was

0:24:18.200 --> 0:24:18.600
<v Speaker 1>in y'all.

0:24:18.640 --> 0:24:22.760
<v Speaker 2>But what are the conversations like away from the stage

0:24:22.840 --> 0:24:26.440
<v Speaker 2>and and just the public eye about Outcasting the influence

0:24:26.480 --> 0:24:28.480
<v Speaker 2>on y'all, Like is it like damn like they was

0:24:28.560 --> 0:24:30.800
<v Speaker 2>the illest like, is it like that or is it

0:24:30.920 --> 0:24:33.560
<v Speaker 2>like I like what they did, but let's let's kind

0:24:33.600 --> 0:24:34.920
<v Speaker 2>of take that torch and run with it.

0:24:35.040 --> 0:24:37.119
<v Speaker 1>Yeah, it's like that. Okay, it's like that. It's like

0:24:37.200 --> 0:24:38.960
<v Speaker 1>I take that torchure wrong with it because.

0:24:40.240 --> 0:24:45.560
<v Speaker 5>Still like the influence they had is super big, but

0:24:45.640 --> 0:24:49.119
<v Speaker 5>I feel like my group influences bigger.

0:24:49.240 --> 0:24:50.960
<v Speaker 1>Oh yeah, then then a.

0:24:50.960 --> 0:24:53.639
<v Speaker 5>Lot of group influences because you still hear it and

0:24:53.760 --> 0:24:56.560
<v Speaker 5>see it right now, different genres, but different genres get

0:24:56.640 --> 0:24:58.679
<v Speaker 5>doing what you're doing and get the copy and how

0:24:58.720 --> 0:24:59.160
<v Speaker 5>you do shit.

0:24:59.359 --> 0:25:02.240
<v Speaker 1>It's just like you see it like that. Even right now,

0:25:02.320 --> 0:25:03.600
<v Speaker 1>new artists can come out right now with just a

0:25:03.760 --> 0:25:04.679
<v Speaker 1>flow we created.

0:25:04.480 --> 0:25:07.040
<v Speaker 3>And yeah, go on on on, yeah, how did that

0:25:07.119 --> 0:25:09.960
<v Speaker 3>triple flow style come about with you guys?

0:25:11.440 --> 0:25:14.240
<v Speaker 1>Just it was never a strategy for it. It's just

0:25:14.320 --> 0:25:16.440
<v Speaker 1>like niggas was rapping like that. I don't know, God.

0:25:20.920 --> 0:25:23.600
<v Speaker 5>Was not trying to like it. Maybe was like bouncing

0:25:23.640 --> 0:25:26.040
<v Speaker 5>off each other. Energy really was taken. He was the

0:25:26.080 --> 0:25:28.840
<v Speaker 5>first nigga to do it, and we didn't see it.

0:25:28.880 --> 0:25:32.399
<v Speaker 5>We just trying to do that, all right, and we

0:25:32.480 --> 0:25:34.879
<v Speaker 5>started running with it and then I don't know, the

0:25:34.960 --> 0:25:37.960
<v Speaker 5>guy was like, Okay, y'all this Yeah.

0:25:37.880 --> 0:25:41.200
<v Speaker 3>Yeah, I mean Billboard put y'all at number eleven of

0:25:41.240 --> 0:25:43.879
<v Speaker 3>the Greatest Rap Groups of All Time, which is a

0:25:44.080 --> 0:25:47.920
<v Speaker 3>Billboard list, So who really cares arguing that y'all could

0:25:47.920 --> 0:25:50.000
<v Speaker 3>have been higher at.

0:25:50.400 --> 0:25:53.280
<v Speaker 5>The list though, is a superbo list. Though, like the

0:25:53.440 --> 0:25:55.280
<v Speaker 5>people in front of us, it ain't no, it ain't

0:25:55.320 --> 0:25:58.520
<v Speaker 5>no slouts in front of us. You gotta repay the

0:25:58.560 --> 0:26:02.120
<v Speaker 5>respects you got to run DMC yeah, carus one, yeah,

0:26:02.359 --> 0:26:07.439
<v Speaker 5>bug you got it's real, you got its respect versus now.

0:26:07.520 --> 0:26:09.040
<v Speaker 5>But some of the other ship, like the Rust was

0:26:09.119 --> 0:26:10.879
<v Speaker 5>like twenty five or something. It's kind of crazy.

0:26:10.920 --> 0:26:11.359
<v Speaker 4>That's crazy.

0:26:11.400 --> 0:26:13.800
<v Speaker 1>Yeah, yeah, the Ruts being number twenty five is crazy.

0:26:15.000 --> 0:26:16.720
<v Speaker 4>Absolutely, that's crazy.

0:26:17.119 --> 0:26:20.639
<v Speaker 3>Hypothetically, if there were to be a versus like, not

0:26:20.800 --> 0:26:22.680
<v Speaker 3>obviously the way they did it during COVID or anything,

0:26:22.720 --> 0:26:26.000
<v Speaker 3>but just just catalog versus catalog, who would.

0:26:25.800 --> 0:26:28.040
<v Speaker 4>Be a group that you wouldn't want to go against?

0:26:28.480 --> 0:26:32.800
<v Speaker 1>Shit, Run it up, line it up a group, yeah, catalog.

0:26:32.880 --> 0:26:37.639
<v Speaker 4>Come on, because I put I put a little bit

0:26:37.680 --> 0:26:39.879
<v Speaker 4>of a hip hop nigga.

0:26:41.800 --> 0:26:44.480
<v Speaker 3>All right to me when we were talking before y'all,

0:26:44.560 --> 0:26:47.960
<v Speaker 3>we did because I think y'all as far as the

0:26:48.040 --> 0:26:51.480
<v Speaker 3>New generation would be the number one iconic group.

0:26:51.480 --> 0:26:54.439
<v Speaker 1>I don't even think, not evenst I'm saying that I.

0:26:54.520 --> 0:26:55.119
<v Speaker 4>Want to get to there.

0:26:55.760 --> 0:26:57.879
<v Speaker 3>We was like, all right, Race Remen, we love them,

0:26:57.960 --> 0:27:00.000
<v Speaker 3>but Migo is probably gonna clean up Race Remen.

0:27:01.440 --> 0:27:02.680
<v Speaker 4>Records, great record.

0:27:03.640 --> 0:27:07.040
<v Speaker 1>Yeah, like come on, I just don't think that's gonna.

0:27:07.040 --> 0:27:09.000
<v Speaker 4>It's a whole different thing. Then we were trying to

0:27:09.000 --> 0:27:11.640
<v Speaker 4>figure out, like certain sounds that may match a bit.

0:27:11.680 --> 0:27:14.280
<v Speaker 4>We were talking about three six. I don't know where

0:27:14.280 --> 0:27:14.920
<v Speaker 4>you would stand on that.

0:27:15.240 --> 0:27:17.240
<v Speaker 5>We're gonna smoke three six and I love them and

0:27:17.320 --> 0:27:19.800
<v Speaker 5>them niggas gave us this. This is also somebody we

0:27:20.240 --> 0:27:20.680
<v Speaker 5>looked up to.

0:27:20.920 --> 0:27:23.480
<v Speaker 4>Yeah, yeah, but that would be dope to just be.

0:27:24.640 --> 0:27:26.720
<v Speaker 5>I want to see who you're gonna say who in

0:27:26.760 --> 0:27:28.280
<v Speaker 5>the group, because you ain't gonna say none of them?

0:27:28.880 --> 0:27:33.080
<v Speaker 5>Three six the group wise who catalog catalog.

0:27:33.200 --> 0:27:34.880
<v Speaker 3>The one, the one that I thought would be tough

0:27:34.880 --> 0:27:38.359
<v Speaker 3>would be Hot Boys because at any versus the rules

0:27:38.480 --> 0:27:40.760
<v Speaker 3>was everyone's allowed to also do their solo ship as well.

0:27:41.680 --> 0:27:46.119
<v Speaker 1>Oh yeah, definitely the Hot Boys. They get to do

0:27:46.200 --> 0:27:52.040
<v Speaker 1>their solo our solo shi Rick Flair and I can

0:27:52.119 --> 0:27:54.960
<v Speaker 1>do all that. Yeah of course, Yeah, yeah, we're gonna

0:27:55.320 --> 0:27:59.480
<v Speaker 1>what worries.

0:27:59.640 --> 0:28:00.680
<v Speaker 4>I love saying.

0:28:00.720 --> 0:28:02.680
<v Speaker 2>I'm not saying that migos might not have a better cattle,

0:28:02.720 --> 0:28:04.960
<v Speaker 2>but I'm saying smoke is when I'm just like, I

0:28:05.000 --> 0:28:06.159
<v Speaker 2>don't know if y'all gonna smoke.

0:28:06.280 --> 0:28:10.720
<v Speaker 1>Now you kind of telling about it's kind of cheating

0:28:10.880 --> 0:28:16.960
<v Speaker 1>because you can't use Wayne Wayne Solo.

0:28:18.160 --> 0:28:21.080
<v Speaker 5>You don't even need to Don Solo. It's crazy, Juie

0:28:21.080 --> 0:28:23.840
<v Speaker 5>Solo is crazy. But Wayne Solo is crazy.

0:28:24.760 --> 0:28:26.399
<v Speaker 4>We know that. But say, but he part of the

0:28:26.440 --> 0:28:26.960
<v Speaker 4>hot boys.

0:28:27.560 --> 0:28:30.680
<v Speaker 1>They can't beat Wayne Solo ship. All right, So no, sir,

0:28:30.840 --> 0:28:36.120
<v Speaker 1>all right, you GK. I love you and I don't

0:28:36.119 --> 0:28:41.800
<v Speaker 1>want to be putting this come out, you know, but

0:28:42.040 --> 0:28:44.200
<v Speaker 1>but yeah, come on.

0:28:44.320 --> 0:28:45.800
<v Speaker 4>But you got to meet I respect.

0:28:45.880 --> 0:28:47.640
<v Speaker 5>I think that because we got that that well, I'm

0:28:47.680 --> 0:28:50.520
<v Speaker 5>saying that because niggas got street records, right ye, hit

0:28:50.600 --> 0:28:54.680
<v Speaker 5>restaurant records, and we got Global records, then we got

0:28:55.840 --> 0:28:57.240
<v Speaker 5>Hit Forever records.

0:28:57.400 --> 0:28:59.880
<v Speaker 1>Yeah, that's been wealthy like that. Bro, that'ship like that.

0:29:00.040 --> 0:29:02.880
<v Speaker 5>That's just like that sounds like it's it came out

0:29:02.920 --> 0:29:07.080
<v Speaker 5>in the nineties. I mean so like, and I'm always

0:29:07.200 --> 0:29:10.560
<v Speaker 5>I just feel like I don't see it. But now,

0:29:10.600 --> 0:29:13.000
<v Speaker 5>how boys it's tough.

0:29:13.160 --> 0:29:13.760
<v Speaker 4>That's tough.

0:29:13.840 --> 0:29:15.320
<v Speaker 1>That's tough. Now we're going straight group.

0:29:16.360 --> 0:29:19.840
<v Speaker 4>If it's just straight group, then cleaning up to have

0:29:19.880 --> 0:29:21.800
<v Speaker 4>a hard time with the migo Yeah.

0:29:22.280 --> 0:29:26.160
<v Speaker 5>Yeah, Nigga came tunes is the blueprint for all of

0:29:26.240 --> 0:29:28.000
<v Speaker 5>us young leiggas don't even know what niggas said.

0:29:28.040 --> 0:29:30.080
<v Speaker 1>Yeah, but even style now I had.

0:29:31.360 --> 0:29:34.240
<v Speaker 2>I had another bit of a viral moment last year

0:29:34.320 --> 0:29:38.400
<v Speaker 2>when we were talking about uh Drake in regards to

0:29:38.480 --> 0:29:40.480
<v Speaker 2>you know, people calling him a culture vulture and things

0:29:40.560 --> 0:29:44.720
<v Speaker 2>like that. And in one of my rants, I said,

0:29:45.440 --> 0:29:47.600
<v Speaker 2>if it wasn't for Drake, we might not have never

0:29:47.640 --> 0:29:48.880
<v Speaker 2>even known who the migos was.

0:29:49.560 --> 0:29:53.600
<v Speaker 4>That was in regards to me saying when Drake remixed.

0:29:54.400 --> 0:30:01.160
<v Speaker 5>Was its yeah, nigga, that's my man. What he stamped

0:30:01.240 --> 0:30:04.160
<v Speaker 5>niggas and put it in and but just do that

0:30:04.400 --> 0:30:05.320
<v Speaker 5>he you do that though.

0:30:06.960 --> 0:30:09.320
<v Speaker 2>Right, right, But people didn't understand what I was saying.

0:30:09.360 --> 0:30:10.840
<v Speaker 2>They were saying, like I was trying to give Drake

0:30:10.880 --> 0:30:12.840
<v Speaker 2>oli but it was like no. But one of the

0:30:12.920 --> 0:30:17.960
<v Speaker 2>biggest artists remixed a record from a group that it

0:30:18.080 --> 0:30:20.480
<v Speaker 2>was making noise and was known in Atlanta and and

0:30:20.560 --> 0:30:22.640
<v Speaker 2>kind of bubbling around the country. A little bit in

0:30:22.880 --> 0:30:26.080
<v Speaker 2>different pockets that sit'stound a different type of way. So

0:30:26.360 --> 0:30:27.400
<v Speaker 2>I'm the artist that's.

0:30:27.200 --> 0:30:31.040
<v Speaker 4>Coming from that's coming from all set. It stamped the migos.

0:30:31.320 --> 0:30:33.720
<v Speaker 1>So y'all can stop killing me every time that clip goes.

0:30:33.640 --> 0:30:35.800
<v Speaker 4>Viral and say, I don't know what the fuck I'm talking.

0:30:35.600 --> 0:30:38.600
<v Speaker 5>About, because they've been trying to say like they're gonna

0:30:38.600 --> 0:30:39.880
<v Speaker 5>say like we're gonna be great regards, we will be

0:30:39.920 --> 0:30:40.520
<v Speaker 5>great regardless.

0:30:40.560 --> 0:30:41.840
<v Speaker 1>But you can't skip this down.

0:30:42.120 --> 0:30:45.280
<v Speaker 4>Yeahah no, that definitely changed the Versace record for sure.

0:30:45.480 --> 0:30:48.840
<v Speaker 2>She was going and you know, and then I saw

0:30:48.920 --> 0:30:51.280
<v Speaker 2>Coach k On he was doing an interview somewhere where

0:30:51.320 --> 0:30:54.840
<v Speaker 2>he basically reiterated that, like nah, when Drake did that,

0:30:55.880 --> 0:30:56.440
<v Speaker 2>he just did that.

0:30:56.480 --> 0:30:58.120
<v Speaker 4>On the love like he fucked with the record, and

0:30:58.200 --> 0:30:58.600
<v Speaker 4>it was just.

0:30:58.680 --> 0:31:00.800
<v Speaker 5>Like it wasn't even know, so Sit, if all like

0:31:00.840 --> 0:31:02.320
<v Speaker 5>give me all the work behind the scene, like I

0:31:02.400 --> 0:31:04.640
<v Speaker 5>own everything because I'm doing it. No, but every start,

0:31:05.400 --> 0:31:07.080
<v Speaker 5>I know, we went from doing the type show to

0:31:07.120 --> 0:31:07.800
<v Speaker 5>the type show.

0:31:09.520 --> 0:31:12.280
<v Speaker 1>She changed up. I don't know what that was.

0:31:12.320 --> 0:31:17.400
<v Speaker 4>What twenty fourteen, fifteen, fourteen, fourteen, what what was that?

0:31:17.600 --> 0:31:20.120
<v Speaker 1>Like that thirteen it was Bando that was the Atlanta ship. Yeah,

0:31:20.560 --> 0:31:21.760
<v Speaker 1>that was bubbling. Yeah.

0:31:21.800 --> 0:31:23.720
<v Speaker 3>I mean Bando made it up to New York a

0:31:23.760 --> 0:31:26.200
<v Speaker 3>little bit, a little bit right towards the thirteen.

0:31:26.240 --> 0:31:30.040
<v Speaker 5>I think then when that then drop riverside you. Then

0:31:30.120 --> 0:31:32.000
<v Speaker 5>we did Birthday I'm in jail by the way, did

0:31:32.040 --> 0:31:32.680
<v Speaker 5>Birthday bash?

0:31:32.880 --> 0:31:35.560
<v Speaker 1>Yeah? And then when Buddy got on there and motherfucker

0:31:35.600 --> 0:31:38.200
<v Speaker 1>went to the moon. Yeah, And after that it was.

0:31:38.360 --> 0:31:40.080
<v Speaker 4>It was like what was that called? Like when you

0:31:40.200 --> 0:31:41.720
<v Speaker 4>got vocals?

0:31:42.360 --> 0:31:46.560
<v Speaker 1>I was in a bad situation. I was. I heard

0:31:46.600 --> 0:31:47.840
<v Speaker 1>it like the that the world heard it.

0:31:48.040 --> 0:31:50.920
<v Speaker 5>Yeah, whenever fucking came out like like over the phone,

0:31:52.200 --> 0:31:55.480
<v Speaker 5>damn you locked up and you hear that verse, yes.

0:31:55.440 --> 0:31:58.360
<v Speaker 4>Sir, Oh them walls got smaller now you couldn't wait

0:31:58.400 --> 0:32:02.680
<v Speaker 4>to get out that. That was like Yayo and get

0:32:02.760 --> 0:32:05.120
<v Speaker 4>Rich dropped like wait, hold on you the biggest, like

0:32:05.160 --> 0:32:08.600
<v Speaker 4>I gotta get the fut were going crazy right now.

0:32:08.880 --> 0:32:10.560
<v Speaker 1>I heard that's on now.

0:32:10.600 --> 0:32:12.520
<v Speaker 2>We and Rory went to the Scorpion Show when y'all

0:32:12.520 --> 0:32:14.800
<v Speaker 2>won tour with Drake, and I remember telling Rory when

0:32:14.800 --> 0:32:17.560
<v Speaker 2>we left, I said, I always knew that Migos had

0:32:17.640 --> 0:32:19.400
<v Speaker 2>records and they was dope and you know all that,

0:32:20.160 --> 0:32:23.560
<v Speaker 2>But seeing y'all perform that set list on the Scorpion Tour.

0:32:24.920 --> 0:32:27.360
<v Speaker 2>For me, it gained a different level of respect for

0:32:27.400 --> 0:32:30.640
<v Speaker 2>y'all because I was like, Yo, they was doing back

0:32:30.760 --> 0:32:35.320
<v Speaker 2>to back to back to back hit records the entire set.

0:32:35.880 --> 0:32:38.000
<v Speaker 4>There wasn't no opening fifteen minute no no, no, no.

0:32:38.120 --> 0:32:38.360
<v Speaker 6>No no.

0:32:38.560 --> 0:32:41.200
<v Speaker 2>They could have easily headlined a tour like that. But

0:32:42.160 --> 0:32:45.880
<v Speaker 2>is that a testament to just y'all always knowing that, Yo,

0:32:45.960 --> 0:32:48.680
<v Speaker 2>we dope, We're gonna be who we are and when

0:32:48.720 --> 0:32:50.400
<v Speaker 2>the time comes, everybody to catch on.

0:32:51.200 --> 0:32:54.720
<v Speaker 5>Yeah, that's been the story of that since the beginning

0:32:54.720 --> 0:32:58.920
<v Speaker 5>of time. I always caught catch I'll be liking this shit, Okay.

0:32:59.240 --> 0:33:02.160
<v Speaker 5>I feel like the ship that hit fast, go faster.

0:33:02.360 --> 0:33:05.720
<v Speaker 5>Oh yeah, it phades quick, especially now. Yeah, they get

0:33:05.760 --> 0:33:07.320
<v Speaker 5>over it super quick, super quick.

0:33:07.320 --> 0:33:08.120
<v Speaker 1>Like I rather a record.

0:33:08.160 --> 0:33:10.920
<v Speaker 5>I rather start from twenty five on board and clown

0:33:10.960 --> 0:33:12.520
<v Speaker 5>in the more. I didn't go no more and then

0:33:13.200 --> 0:33:16.440
<v Speaker 5>next week come ninety eight. M I rather do that

0:33:16.480 --> 0:33:19.200
<v Speaker 5>because that means the record ain't sticking. Yeah, it's just

0:33:19.280 --> 0:33:21.360
<v Speaker 5>some hype, right, they should be down now.

0:33:21.680 --> 0:33:23.400
<v Speaker 2>Yeah, and now that should working the record as one

0:33:23.400 --> 0:33:25.920
<v Speaker 2>of the more fashionable guys in the culture.

0:33:26.040 --> 0:33:27.400
<v Speaker 4>Yeah, being from Atlanta.

0:33:27.480 --> 0:33:30.040
<v Speaker 2>Now, Yachty had some things to say about New York

0:33:30.120 --> 0:33:32.720
<v Speaker 2>and it's fashion sense a few months ago, and then

0:33:32.800 --> 0:33:33.600
<v Speaker 2>they kind of killed him.

0:33:33.600 --> 0:33:35.320
<v Speaker 4>You spend a lot of time in New York. You

0:33:35.400 --> 0:33:36.720
<v Speaker 4>do a lot of shopping in New York.

0:33:37.440 --> 0:33:40.920
<v Speaker 2>Being from Atlanta, where do you feel like which city

0:33:41.080 --> 0:33:45.000
<v Speaker 2>has more sense of fashion and style and taste between

0:33:45.120 --> 0:33:46.320
<v Speaker 2>New York and Atlanta.

0:33:47.760 --> 0:33:50.160
<v Speaker 1>I'm gonna say it like this, you can't never play

0:33:50.200 --> 0:33:54.440
<v Speaker 1>with New York. Okay. Ever, it's just it's a. It's a.

0:33:54.640 --> 0:33:57.800
<v Speaker 5>It's just it's the brain. So the semester, it's the mecca. Yeah,

0:33:58.000 --> 0:34:06.080
<v Speaker 5>it's the mecca. Now we got sauce and like how

0:34:06.160 --> 0:34:09.400
<v Speaker 5>we do it, how we carry it? Yeah, I feel like,

0:34:10.120 --> 0:34:11.360
<v Speaker 5>if I want to shot, I'm gonna come to New

0:34:11.440 --> 0:34:12.080
<v Speaker 5>York for sure.

0:34:12.560 --> 0:34:15.279
<v Speaker 1>Ain't no playing. But I'm not gonna copy high in

0:34:15.280 --> 0:34:17.200
<v Speaker 1>New York and get dressed though. Okay, you ain't gonna

0:34:17.200 --> 0:34:18.640
<v Speaker 1>put it on. Youin't gonna put it, put it together

0:34:18.680 --> 0:34:20.440
<v Speaker 1>the same way. I'm gonna put it together the same way. Okay,

0:34:20.480 --> 0:34:20.719
<v Speaker 1>got you.

0:34:20.760 --> 0:34:23.120
<v Speaker 5>I'm gonna respect it now. I would never say what

0:34:23.239 --> 0:34:25.239
<v Speaker 5>was the question? Was what they asked him, And then

0:34:25.600 --> 0:34:26.160
<v Speaker 5>he said he.

0:34:26.160 --> 0:34:28.920
<v Speaker 1>Said, got exactly what yacht he said, but it was

0:34:29.360 --> 0:34:30.280
<v Speaker 1>like who's flyer?

0:34:31.120 --> 0:34:33.080
<v Speaker 3>And then they pulled up a million photos of him

0:34:33.120 --> 0:34:36.520
<v Speaker 3>dressing just like DMX, and it was just like, I mean,

0:34:41.200 --> 0:34:44.040
<v Speaker 3>you can't say New York doesn't dress better than Atlanta

0:34:44.120 --> 0:34:46.719
<v Speaker 3>and all these photos you just taken influence from New

0:34:46.760 --> 0:34:50.480
<v Speaker 3>York fashion. Yeah, but I mean I get Atlanta's put

0:34:50.520 --> 0:34:51.480
<v Speaker 3>their their sauce.

0:34:51.320 --> 0:34:55.440
<v Speaker 1>On, so then we haven't sauce man. But it's a

0:34:55.520 --> 0:34:56.160
<v Speaker 1>cheat thote now.

0:34:56.160 --> 0:34:59.480
<v Speaker 2>And I always say this with social media because before

0:34:59.560 --> 0:35:02.080
<v Speaker 2>social medi if you was flying your city, it was

0:35:02.120 --> 0:35:03.880
<v Speaker 2>because you really went and looked for pieces.

0:35:04.360 --> 0:35:05.560
<v Speaker 4>You have to put pieces together.

0:35:05.920 --> 0:35:08.319
<v Speaker 2>Now, with social media, I could just follow off set

0:35:08.400 --> 0:35:09.880
<v Speaker 2>and be like, Yo, what hoodie off set got on?

0:35:10.120 --> 0:35:12.200
<v Speaker 4>I'm gonna go get that, Yo. What shorts off set

0:35:12.239 --> 0:35:13.480
<v Speaker 4>got on? I'm gonna go get that.

0:35:13.560 --> 0:35:13.680
<v Speaker 6>Yo.

0:35:13.760 --> 0:35:15.680
<v Speaker 4>How he did his socks with the with the laces.

0:35:16.760 --> 0:35:17.480
<v Speaker 1>It's easy.

0:35:17.960 --> 0:35:21.040
<v Speaker 3>That doesn't mean ship fashion me is also like Colonne,

0:35:21.120 --> 0:35:22.640
<v Speaker 3>It's gonna smell different on everybody.

0:35:23.040 --> 0:35:26.200
<v Speaker 4>Like you could copy somebody's whole fit. You could look

0:35:26.280 --> 0:35:29.279
<v Speaker 4>nothing absolutely you see we see the mannequins that got

0:35:29.280 --> 0:35:34.400
<v Speaker 4>the whole bilin like you you want to tell you

0:35:34.520 --> 0:35:37.520
<v Speaker 4>that find the one person, like, yeah, I.

0:35:37.520 --> 0:35:40.160
<v Speaker 1>Don't like that. I don't like niggas to go print crazy.

0:35:39.880 --> 0:35:43.600
<v Speaker 2>To grab some pieces he there and then like you said, sauce,

0:35:43.800 --> 0:35:44.640
<v Speaker 2>how you throw it together?

0:35:44.680 --> 0:35:45.400
<v Speaker 1>How you throw it together?

0:35:45.520 --> 0:35:47.440
<v Speaker 5>Yeah, because it ain't no rules and this ship right,

0:35:47.719 --> 0:35:49.479
<v Speaker 5>so it's it's it's a free book.

0:35:49.960 --> 0:35:52.160
<v Speaker 1>Some niggas. I hate man calling niggas.

0:35:53.960 --> 0:35:54.400
<v Speaker 4>It's funny.

0:35:54.440 --> 0:35:57.799
<v Speaker 1>I just said that about Yes, nigg straight Louis.

0:35:58.320 --> 0:36:02.200
<v Speaker 5>Every time that Louise shoe Lewis socks, that's nasty.

0:36:03.520 --> 0:36:05.640
<v Speaker 1>Get that nast work.

0:36:06.200 --> 0:36:07.920
<v Speaker 4>Before we let you get out of here.

0:36:08.320 --> 0:36:11.800
<v Speaker 3>We do have fans and listeners that call in and

0:36:11.920 --> 0:36:13.320
<v Speaker 3>ask for advice, tell us stories.

0:36:13.560 --> 0:36:15.800
<v Speaker 4>We want to do one quick voicemail with you, so

0:36:15.880 --> 0:36:16.840
<v Speaker 4>we give a fan advice.

0:36:17.400 --> 0:36:19.439
<v Speaker 1>Yeah, god mail, how.

0:36:19.400 --> 0:36:20.120
<v Speaker 6>It's going game?

0:36:20.640 --> 0:36:21.439
<v Speaker 4>Fuck with the pod?

0:36:22.400 --> 0:36:25.080
<v Speaker 6>Uh to come down to Louisiana for a live show year.

0:36:26.160 --> 0:36:29.640
<v Speaker 6>You know I'm a beat up, but uh, the reason

0:36:29.680 --> 0:36:31.600
<v Speaker 6>I was hitting a love man is because the nigga

0:36:31.680 --> 0:36:32.320
<v Speaker 6>needs some advice.

0:36:32.400 --> 0:36:32.560
<v Speaker 3>You know.

0:36:33.320 --> 0:36:35.080
<v Speaker 6>Nah, I haven't been around the block a few times.

0:36:35.160 --> 0:36:38.239
<v Speaker 6>You know, I'm not new to this, but still I

0:36:38.360 --> 0:36:41.520
<v Speaker 6>still like to hear different perspectives so that shorty, I'm

0:36:41.520 --> 0:36:41.960
<v Speaker 6>talking soon.

0:36:42.719 --> 0:36:44.520
<v Speaker 4>You know, I love I love my life type ship

0:36:44.640 --> 0:36:45.640
<v Speaker 4>like you know.

0:36:45.719 --> 0:36:48.239
<v Speaker 6>Our interests a line, our morals, a line, everything like

0:36:48.480 --> 0:36:51.439
<v Speaker 6>we're good and every everything good, everything pure, everything great

0:36:52.120 --> 0:36:56.880
<v Speaker 6>except one problem. Trust the shoes she got. Trust the shoes,

0:36:56.960 --> 0:36:59.960
<v Speaker 6>and they are bad now I know where they stem from.

0:37:00.400 --> 0:37:01.759
<v Speaker 6>Like she ain't had the best, like you know what

0:37:01.760 --> 0:37:03.160
<v Speaker 6>I'm saying. She's been through a lot, and one of

0:37:03.160 --> 0:37:05.560
<v Speaker 6>the things I love about it is her perseverance, Like

0:37:05.640 --> 0:37:08.600
<v Speaker 6>how she how she's still such a great person after

0:37:08.640 --> 0:37:10.000
<v Speaker 6>dealing with all the stuff that she's been.

0:37:09.880 --> 0:37:10.399
<v Speaker 4>Through in life.

0:37:10.920 --> 0:37:14.400
<v Speaker 6>But that caused this issue is you know, and she

0:37:14.520 --> 0:37:17.359
<v Speaker 6>needs therapy. But that's a whole nother conversation. You ain't

0:37:17.360 --> 0:37:20.520
<v Speaker 6>about to have no time. But I'll be killing bro.

0:37:21.000 --> 0:37:22.839
<v Speaker 6>I don't be doing nothing wrong like a nigga, don't.

0:37:22.880 --> 0:37:24.319
<v Speaker 6>I don't text no all the bitches. I don't focking

0:37:24.360 --> 0:37:26.399
<v Speaker 6>all the bitches, Like you know what I'm saying, I ain't.

0:37:26.640 --> 0:37:28.160
<v Speaker 6>I'm not on that, like I'm off there. I want

0:37:28.200 --> 0:37:30.440
<v Speaker 6>to I want a real relationship or whatever, you know,

0:37:30.760 --> 0:37:34.560
<v Speaker 6>So basically, like how would y'all deal with that without

0:37:35.000 --> 0:37:36.640
<v Speaker 6>I don't want to break up with her, like she'd

0:37:36.640 --> 0:37:37.840
<v Speaker 6>be trying to go through a nigga phone, like she

0:37:37.880 --> 0:37:40.359
<v Speaker 6>went through my phone. She don't find nothing, but it's still, Oh,

0:37:40.520 --> 0:37:42.360
<v Speaker 6>you must be hiding something, you must delete messages like

0:37:42.400 --> 0:37:44.600
<v Speaker 6>it's all kind of bullshit and not just I don't

0:37:44.640 --> 0:37:47.400
<v Speaker 6>want to break up with her, but nigga kind of

0:37:47.440 --> 0:37:47.880
<v Speaker 6>tired of it.

0:37:47.960 --> 0:37:49.719
<v Speaker 4>Yo, maw leave.

0:37:51.480 --> 0:37:53.640
<v Speaker 2>Yeah, I feel like it sounds like she's already like

0:37:53.800 --> 0:37:55.800
<v Speaker 2>just way too insecure and it's not gonna get no

0:37:55.880 --> 0:37:57.439
<v Speaker 2>better if she going through your phone and she don't

0:37:57.440 --> 0:37:59.480
<v Speaker 2>find nothing and she still feel like you hiding something.

0:38:00.560 --> 0:38:01.359
<v Speaker 4>She got to do the work.

0:38:01.440 --> 0:38:03.120
<v Speaker 1>Get up out of the man, Get up out of there,

0:38:05.000 --> 0:38:06.880
<v Speaker 1>he said, he got You.

0:38:07.320 --> 0:38:12.040
<v Speaker 3>Know she has she she has, she passed, has those,

0:38:12.440 --> 0:38:14.799
<v Speaker 3>so she'd be going through his phone. Yeah, going through

0:38:14.800 --> 0:38:15.040
<v Speaker 3>a ship.

0:38:15.080 --> 0:38:17.320
<v Speaker 4>He's gonna be doing nothing. He said, he's chilling no holes.

0:38:19.200 --> 0:38:23.400
<v Speaker 1>I'm saying, though he had to do it, Like is

0:38:23.480 --> 0:38:24.520
<v Speaker 1>it like a past.

0:38:24.840 --> 0:38:27.720
<v Speaker 2>Well, her previous relationships. She's been through some ship before

0:38:28.320 --> 0:38:28.920
<v Speaker 2>now that day.

0:38:29.320 --> 0:38:32.080
<v Speaker 1>Sometimes people do the good to the oh yeah, what

0:38:32.239 --> 0:38:36.160
<v Speaker 1>she doing? What she got going on? Check her phone?

0:38:36.280 --> 0:38:36.960
<v Speaker 4>That's that's y'all.

0:38:40.440 --> 0:38:42.839
<v Speaker 5>But I'm just saying, like she keeps pressing she checking

0:38:42.880 --> 0:38:46.840
<v Speaker 5>him like he hurt by that ship, like you're in

0:38:46.880 --> 0:38:47.239
<v Speaker 5>love with her?

0:38:47.239 --> 0:38:48.239
<v Speaker 2>He's something like you want to be with her, but

0:38:48.280 --> 0:38:49.960
<v Speaker 2>he like she making it all like damn, I'm not

0:38:50.040 --> 0:38:51.960
<v Speaker 2>fucking around. Why you keep pressing me about this?

0:38:53.360 --> 0:38:54.280
<v Speaker 1>They don't want my advice.

0:38:56.000 --> 0:38:59.919
<v Speaker 4>He wants to trust me, He doesn't want all said,

0:39:00.680 --> 0:39:02.440
<v Speaker 4>like hell, yeah, I'm I'm rolling with that. So what

0:39:02.560 --> 0:39:04.080
<v Speaker 4>does all said tell a gentleman like that?

0:39:07.120 --> 0:39:08.480
<v Speaker 1>What you're telling? She too, like.

0:39:10.640 --> 0:39:12.920
<v Speaker 5>Maybe maybe maybe you got you make her feel a

0:39:12.920 --> 0:39:15.120
<v Speaker 5>little bit more secure than know what I mean? Maybe Okay,

0:39:15.520 --> 0:39:18.760
<v Speaker 5>maybe you maybe you the trauma, look at the trauma

0:39:18.840 --> 0:39:21.080
<v Speaker 5>she's been through and try to do the opposite of that.

0:39:21.520 --> 0:39:25.400
<v Speaker 1>Yeah, maybe that can help, But I don't know.

0:39:25.880 --> 0:39:28.319
<v Speaker 3>I hear that, but I'm not changing my whole life

0:39:28.400 --> 0:39:30.279
<v Speaker 3>for you to look through my phone like I'm on

0:39:30.400 --> 0:39:32.680
<v Speaker 3>fucking parole every night because you went through some ship

0:39:32.760 --> 0:39:35.319
<v Speaker 3>before me, Like I'm just not really, I can't pay

0:39:35.400 --> 0:39:38.200
<v Speaker 3>for his The other guy like ups to me, that's

0:39:38.200 --> 0:39:39.880
<v Speaker 3>odd because I'm not going to go through your phone.

0:39:41.160 --> 0:39:41.360
<v Speaker 1>To me.

0:39:41.520 --> 0:39:43.680
<v Speaker 3>That's if she don't work on that ship by herself,

0:39:44.600 --> 0:39:46.920
<v Speaker 3>I would leave because that's only going to get word

0:39:47.000 --> 0:39:49.680
<v Speaker 3>you can't cure that ship just by showing your phone

0:39:49.719 --> 0:39:52.360
<v Speaker 3>every fucking night, right, What I didn't do anything?

0:39:53.000 --> 0:39:53.839
<v Speaker 4>Is that one of your things?

0:39:53.880 --> 0:39:54.040
<v Speaker 3>Though?

0:39:54.200 --> 0:39:56.840
<v Speaker 2>Never never go through a woman's phone, even if you

0:39:56.880 --> 0:39:58.680
<v Speaker 2>feel like there may be some shit going on, like

0:39:58.760 --> 0:40:00.279
<v Speaker 2>you just never like, I'm never doing on it.

0:40:00.560 --> 0:40:02.440
<v Speaker 1>I ain't gonna say I've done it.

0:40:03.040 --> 0:40:06.080
<v Speaker 4>But did you find what she was looking for? Her?

0:40:06.320 --> 0:40:07.480
<v Speaker 4>That shit hurt you?

0:40:07.719 --> 0:40:10.640
<v Speaker 1>Just no, Actually, don't find nothing.

0:40:10.719 --> 0:40:14.200
<v Speaker 4>That's what hers When you don't find nothing, explain that

0:40:14.239 --> 0:40:14.720
<v Speaker 4>when you're.

0:40:14.600 --> 0:40:16.560
<v Speaker 5>Hired as a man like that's the lame ash like

0:40:16.880 --> 0:40:18.759
<v Speaker 5>after you Okay, I say it just when you when

0:40:18.800 --> 0:40:20.759
<v Speaker 5>you you do some shit that as you're like, what

0:40:20.920 --> 0:40:21.239
<v Speaker 5>the fuck?

0:40:21.360 --> 0:40:23.359
<v Speaker 1>Why would I even playing myself go in the phone?

0:40:23.800 --> 0:40:27.000
<v Speaker 1>Ain't nothing in there? Yeah? Damn I'm laming. Then you

0:40:27.120 --> 0:40:29.200
<v Speaker 1>just sitting there layming head going through the girl phone.

0:40:29.600 --> 0:40:31.439
<v Speaker 2>Do you tie them went through it and you didn't

0:40:31.440 --> 0:40:33.520
<v Speaker 2>find nothing? Or you just just tuck that and be like, damn,

0:40:33.520 --> 0:40:35.160
<v Speaker 2>that's fucking corny. I just some corny ship.

0:40:35.360 --> 0:40:36.640
<v Speaker 1>It's so corny. You got took that.

0:40:39.800 --> 0:40:41.600
<v Speaker 4>There's no winning going through the far. You're gonna find something.

0:40:41.600 --> 0:40:42.000
<v Speaker 1>You don't like it.

0:40:42.080 --> 0:40:43.480
<v Speaker 3>If you don't find something you don't like. You gonna

0:40:43.480 --> 0:40:45.759
<v Speaker 3>think she deleted something. So now you're just walking around

0:40:45.760 --> 0:40:46.440
<v Speaker 3>the house pacing, like.

0:40:46.440 --> 0:40:49.640
<v Speaker 1>Just don't get in the phone, pay stay away from

0:40:49.880 --> 0:40:50.600
<v Speaker 1>from the phone.

0:40:50.360 --> 0:40:52.680
<v Speaker 2>Don't go through no phones. I don't recommend going through

0:40:52.719 --> 0:40:55.000
<v Speaker 2>no phones. Either You're gonna find a reason to leave

0:40:55.160 --> 0:40:57.239
<v Speaker 2>or find a reason to stay. Either way, don't do it.

0:40:57.320 --> 0:40:58.960
<v Speaker 4>No, my ego can handle it. That's why I've never

0:40:58.960 --> 0:41:01.719
<v Speaker 4>went through the phone set tell us the album.

0:41:02.000 --> 0:41:08.360
<v Speaker 1>Yes album, man, So this album when August twenty second

0:41:09.920 --> 0:41:10.560
<v Speaker 1>visual album.

0:41:10.600 --> 0:41:13.880
<v Speaker 5>I should be doing a video for each song or

0:41:13.960 --> 0:41:15.360
<v Speaker 5>some type of visual content for you.

0:41:16.320 --> 0:41:18.719
<v Speaker 1>You know what I'm saying. Getting in my actor back,

0:41:18.800 --> 0:41:19.719
<v Speaker 1>I like, I like doing it.

0:41:19.920 --> 0:41:22.080
<v Speaker 5>I feel like that ship make records be bigger because

0:41:22.120 --> 0:41:24.919
<v Speaker 5>it's like more into its that's just dropping shit. Yeah,

0:41:25.440 --> 0:41:28.280
<v Speaker 5>collab with I got a collab with poly the clothing

0:41:28.360 --> 0:41:31.920
<v Speaker 5>brand with all my boxes and merch. Okay, I got

0:41:32.200 --> 0:41:35.480
<v Speaker 5>yets Am box has anti stretch like I did with

0:41:35.600 --> 0:41:36.160
<v Speaker 5>Dental Tears.

0:41:39.280 --> 0:41:39.480
<v Speaker 1>Yeah.

0:41:39.600 --> 0:41:42.959
<v Speaker 5>Man, I worked on this album for like five six months.

0:41:43.400 --> 0:41:46.240
<v Speaker 5>I had one already, and because of life, I scratched

0:41:46.280 --> 0:41:49.440
<v Speaker 5>that ship and just got into this. Changed my energies

0:41:49.719 --> 0:41:52.160
<v Speaker 5>started focusing back on music, like getting it back into

0:41:53.200 --> 0:41:56.279
<v Speaker 5>like getting the studio every day type vie because it

0:41:56.320 --> 0:41:57.560
<v Speaker 5>had got to a point where I was just like

0:41:57.640 --> 0:42:00.520
<v Speaker 5>I would go here and there, I would do showhit go.

0:42:00.600 --> 0:42:01.879
<v Speaker 1>There, started feeling like a job.

0:42:02.080 --> 0:42:06.680
<v Speaker 5>Yeah, it's a lot back into it and first time

0:42:06.760 --> 0:42:10.279
<v Speaker 5>opportunity being able to like expressed me. That's why I

0:42:10.360 --> 0:42:14.160
<v Speaker 5>just said named it myself because it's just like it's

0:42:14.200 --> 0:42:15.760
<v Speaker 5>selting whatever the motherfuckers.

0:42:15.360 --> 0:42:18.239
<v Speaker 1>Say about me and putting it into the music. Yeah.

0:42:19.360 --> 0:42:22.799
<v Speaker 2>Grimm off Set August twenty second, Kat the album bro,

0:42:23.040 --> 0:42:23.839
<v Speaker 2>thank you for coming through.

0:42:23.880 --> 0:42:25.600
<v Speaker 4>Put next job boys come back soon.

0:42:25.719 --> 0:42:25.879
<v Speaker 1>Man?

0:42:25.960 --> 0:42:27.640
<v Speaker 4>You that home here with Roy and more.

0:42:27.920 --> 0:42:28.600
<v Speaker 1>I'm that nigga.

0:42:28.640 --> 0:42:29.240
<v Speaker 4>He's just Jinger.

0:42:29.320 --> 0:42:30.680
<v Speaker 1>That's off set. Yep.

0:42:31.600 --> 0:42:31.640
<v Speaker 4>No,