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Speaker 1: The volume.

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Speaker 2: All right, Rory, Today we are back back joined by

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Speaker 2: another friend of the show, somebody that we probably even

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Speaker 2: talked about the last fifteen years of our lives.

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Speaker 1: I guess something like that.

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Speaker 2: Been that long, probably, I feel like we've been podcasting

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Speaker 2: for like twenty years. Yeah at this point, Yeah, gentlemen,

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Speaker 2: that we've been talking about stayleing the culture, one third

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Speaker 2: of the most iconic, most fashionable, most legendary groups in

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Speaker 2: hip hop history. But now you know, obviously stepping out

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Speaker 2: doing his own thing, and he's here to join us

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Speaker 2: today to talk some shit talk, some music talk, some

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Speaker 2: culture talk, a lot of the things that you know,

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Speaker 2: we'd like to talk about here day to day Ymas Show.

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Speaker 2: Today we are joined by Gwynett County legend Moshit.

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Speaker 3: You're a love of studio audience. All right, So before

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Speaker 3: we get started, I have to ask what happened in

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Speaker 3: Tom Square last night because it kind of looked like

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Speaker 3: Jonestown a bit. I wasn't sure if you were starting

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Speaker 3: to cult, if people were sacrificing themselves.

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Speaker 4: I just saw a lot of littered bodies laid out.

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Speaker 2: Yeah, and there wasn't much you have some funny times

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Speaker 2: Square yesterday and.

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Speaker 5: Put the bodies on the phone shots of content and

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Speaker 5: I mean it was me just letting the world know

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Speaker 5: I'm coming with the album, yeah, Embrace the Helves.

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Speaker 3: Yeah, so I was not in Times Square, but what

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Speaker 3: I was reading and saw you also had some quote

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Speaker 3: unquote doppler gangers. Can you walk me through the casting

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Speaker 3: process of trying to find your twins?

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Speaker 4: Who didn't make it? Like who did you see? Like

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Speaker 4: now he look who on your team was like now

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Speaker 4: you look like then you got offended?

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Speaker 1: Like now I don't look like that.

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Speaker 5: We just trying to make everybody like coordinate with the

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Speaker 5: clothes and ship like didn't make it like not, it's

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Speaker 5: just it's it's just different versions. Yeah, I mean, just

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Speaker 5: like how I'm coming on the album of me just

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Speaker 5: by itself, trying to name my real name, Like different

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Speaker 5: version of me through the through my career.

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Speaker 1: No, just raw.

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Speaker 6: Yeah.

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Speaker 2: The last time we saw you, we saw you with

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Speaker 2: uh was used with Car. Yeah at the crib with Car,

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Speaker 2: you look like you had a lot of fun. People

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Speaker 2: don't see that side of you, Like people don't know

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Speaker 2: that side of off set. They think rappers, they think Atlanta.

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Speaker 2: They're like, oh, this niggas gonna come in gooomed up.

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Speaker 1: Serious.

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Speaker 4: You went in there, you had a lot of fun.

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Speaker 4: You was dancing, Like what was that energy?

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Speaker 2: Like, did you go in and knowing like we're about

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Speaker 2: to go ahead, just act the fool have fun.

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Speaker 5: No, I was just I went in like just be yourself.

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Speaker 5: Like I felt like people thought I was too serious.

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Speaker 1: Yeah. Yeah, and them niggas is funny though. Yeah, so

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Speaker 1: they create.

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Speaker 5: The environment and just bouncing off their energy the niggas

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Speaker 5: be turned.

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Speaker 1: So I feel like it be off balance.

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Speaker 5: When niggas going there trying to be cool and ship

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Speaker 5: that that ain't for that.

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Speaker 2: That Chinda is like you can't go in cos crib

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Speaker 2: serious and sleepover nasty sleepover.

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Speaker 1: It's crazy.

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Speaker 4: Yeah, but why do people think that about you?

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Speaker 2: Like why do people get this uh feeling that offset

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Speaker 2: is this serious?

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Speaker 1: You know?

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Speaker 5: I think I think it's because we're getting in my crew.

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Speaker 5: I was a little going a little crazy. Then I

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Speaker 5: ain't no internet that like, I don't I'm not I'm

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Speaker 5: not showing you me on the internet unless you have

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Speaker 5: to see it, okay something like that.

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Speaker 1: I'm not going I don't know.

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Speaker 5: I just maybe I should, but I don't I don't

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Speaker 5: like going live and like just showing I don't be

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Speaker 5: doing that so so often because at one time I

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Speaker 5: felt like it's too much exposure.

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Speaker 1: Get motherfuckers off you.

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Speaker 2: Yeah, the last year, the last year, I've had a

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Speaker 2: rough year.

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Speaker 1: I would say online like my name, they was killing

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Speaker 1: me for ship.

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Speaker 2: Wake up every day. I'm looking at my phone like

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Speaker 2: I never even said that. I never even did that. Yeah,

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Speaker 2: what is some of the most misleading things that you've

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Speaker 2: opened your phone? It just was like what, like why

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Speaker 2: y'all think that about me? Like what's some of the

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Speaker 2: crazy shit? Because it's some ship out there by it

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Speaker 2: and I'm like.

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Speaker 4: Bro, he didn't say that.

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Speaker 1: I know there maybe a lot of CAFs ship.

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Speaker 5: Yeah, yeah that I said, like somebody said success like

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Speaker 5: stop referring me as a husband or something some.

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Speaker 1: Weird ship that.

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Speaker 4: I mean correct, that's all.

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Speaker 1: Or it was just like.

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Speaker 5: Niggas just be saying like it was just like clickbait,

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Speaker 5: Like I don't know, I started this little thing where

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Speaker 5: like nigga be talking so this is the reason why

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Speaker 5: I've said it's not going to.

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Speaker 4: And they know your whole life and they got it

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Speaker 4: all that shit.

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Speaker 1: Yeah, I feel like it just come with it. Just

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Speaker 1: it's just it's just come with it. It is what

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Speaker 1: it is.

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Speaker 4: Yeah, I mean listen, Rory.

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Speaker 3: Know.

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Speaker 2: I spoke to Rory last year a lot through all

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Speaker 2: of that ship and I was like, Bro, what the

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Speaker 2: fuck this internet shit?

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Speaker 4: I thought I had it figured out, but it's not

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Speaker 4: a crazy fucking work.

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Speaker 3: I tried to tell you to do the best strategy

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Speaker 3: to say your Twitter was acting.

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Speaker 4: Yeah, I tried that, but that don't always work. But like,

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Speaker 4: what's some of the things.

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Speaker 2: You do to be like do you how do you

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Speaker 2: how do you detach from the from the grid? How

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Speaker 2: do you attack detaching the matrix and be like, all right, man,

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Speaker 2: I know who I am, My people know who I am.

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Speaker 4: That's all that matters.

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Speaker 2: But you're somebody that has been such a big figure

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Speaker 2: in the culture on social media for years? How do

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Speaker 2: you navigate around the bullshit?

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Speaker 1: I just don't let it troll, like.

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Speaker 5: How I'm thinking about myself and doing ship like with

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Speaker 5: music and ship like, because I don't let it get

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Speaker 5: I don't let it let me get lost in it

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Speaker 5: because I don't see it outside of the Internet. So

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Speaker 5: first I drop the record bodies streams going crazy I

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Speaker 5: don't see like a deflation.

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Speaker 1: Oh none of my ship.

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Speaker 5: Okay, So that's what keep me like, okay, just that

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Speaker 5: entertainment ship. This is the entertainment aspect of it. But

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Speaker 5: what I do with is like, oh, niggas talking crazy.

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Speaker 5: Oh it's crazy crazy your Google search drop a song

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Speaker 5: because I'm having a good product.

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Speaker 1: Got you You know what I'm saying, Yeah, I got

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Speaker 1: good products.

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Speaker 4: They in line for something, so let me give them.

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Speaker 1: Something, give them a little taste of Okay, okay, that

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Speaker 1: makes sense.

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Speaker 3: How do you think the internet is going to react

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Speaker 3: to the opening record Enemies where you say that you

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Speaker 3: love hard but you're also toxic Because coming out the

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Speaker 3: gate that way, I was like, you're trying to start

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Speaker 3: some boos.

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Speaker 1: I see where they're not.

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Speaker 4: The problem is not to paint the picture, but I

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Speaker 4: listen to the people. I was just like, I don't know,

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Speaker 4: I said.

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Speaker 1: I don't know.

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Speaker 2: You can't if that's how he should be coming into

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Speaker 2: the record, because it's kind of like people.

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Speaker 4: Gonna be like word I identify with that though no

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Speaker 4: I get it too.

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Speaker 2: I think most men get that. But I don't know

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Speaker 2: if off Sets should lead the album with that bar.

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Speaker 1: I'm domn I'm coming shit, it's the truth. Okay, you

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Speaker 1: know what I mean?

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Speaker 5: People gonna I feel like saying that shit like it's

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Speaker 5: the truth.

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Speaker 1: Niggas feel that. People feel like girls feel that.

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Speaker 5: Both sides feel that because like everybody dealing with that,

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Speaker 5: then dealt with that, like bring a.

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Speaker 1: Little excitement to the relationship sometimes, did.

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Speaker 3: You feel like you had to be a little bit

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Speaker 3: more personal on this project just because of what everyone

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Speaker 3: pays attention to.

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Speaker 1: And yes, I know I learned from father Foe.

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Speaker 5: When I dropped the first solo one, I got a

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Speaker 5: big ass fan based because I was actually talking about

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Speaker 5: some shit, like I had context to the music. It

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Speaker 5: was just my kids. It was ups and downs to

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Speaker 5: the car crash. And so I just looked at that

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Speaker 5: book even though she set it off did great numbers two,

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Speaker 5: but like touching people and people like when I hear

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Speaker 5: people quote my solo shit, they quote that motherfucker bother

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Speaker 5: fo And so it was like put some I wanted

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Speaker 5: to put context. I ain't want to because the end

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Speaker 5: of the day, you still like you on the screen.

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Speaker 5: So I don't talk online. So I talking too music,

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Speaker 5: you know what I mean. And I feel like people

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Speaker 5: go and hear what I got to say about certain

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Speaker 5: shit and certain shit, and they gonna think I'm on

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Speaker 5: certain bullshit bullshit, and I really ain't.

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Speaker 1: Too much on bullshit.

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Speaker 5: Yeah, but I'm just being a man about shit like

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Speaker 5: balance that song. It's still like me saying taking my account,

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Speaker 5: taking accounability for a certain things that have MH. Is

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Speaker 5: that why it was true feeling.

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Speaker 3: A year in between, because I mean, you were on

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Speaker 3: a pretty quick cycle with the solo joints in twenty

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Speaker 3: twenty four. You was I mean quiet for the most part.

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Speaker 3: Is that because you were life? Yeah, life's going on,

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Speaker 3: and I be believing in timing, Like the odds weren't

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Speaker 3: so on me. They only know so now I'm about

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Speaker 3: to get to you.

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Speaker 5: It just makes sense, like I take all anything that

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Speaker 5: come with this shit and try to turn into music.

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Speaker 2: How how how often do you think about when you're

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Speaker 2: in an album mode? Like how often do you think

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Speaker 2: about writing? Or is it just something like you gotta

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Speaker 2: just it's just spur of the moment, I'm going to

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Speaker 2: the studio tonight. Or is it like when this album

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Speaker 2: mode everything else is just like on the backburn. It's

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Speaker 2: like now I'm an album mode or or you make

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Speaker 2: your album, Like, if I get inspired tonight, I'm going

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Speaker 2: to the step to the studio right now.

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Speaker 5: Kind of both. If I get inspired, I'm going to

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Speaker 5: the studio. But when it's album time, it's like a

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Speaker 5: different mode, Like I'm trying to see what the fuck

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Speaker 5: the story is in this, in this project? What is

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Speaker 5: what picture I'm painting with this, with this where they

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Speaker 5: gonna get from this? So then they get to breaking

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Speaker 5: down the songs and saying that's how I narrate picking

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Speaker 5: my songs and shit, Cuz if it ain't mentioning a

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Speaker 5: story of like me being me myself rap kind of

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Speaker 5: like not I don't want to say vulnerable, but it

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Speaker 5: ain't sad shit, But it's like say, shit, I would

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Speaker 5: never say on this project.

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Speaker 1: Have you done that often? Like and then the record

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Speaker 1: comes out in your.

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Speaker 2: Hear and you like, I hate that I said that

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Speaker 2: because you don't really that way, Like, how often does

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Speaker 2: that happen for you?

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Speaker 5: It happens, it happens not all the time, but a

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Speaker 5: recent drop, I did that when I dropped that record

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Speaker 5: ten I just like I shouldn't it. I didn't really

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Speaker 5: fuck with the record like that. It was it was

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Speaker 5: more of a me not being a player and kind

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Speaker 5: of being in spiteful spite for records don't work or

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Speaker 5: ship like that, like.

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Speaker 3: Spiteful records that quickly after the release, did you feel

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Speaker 3: that way of like damn, maybe I should have done

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Speaker 3: this probably today damn.

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Speaker 5: So it was like immediate, Yeah, not even off what

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Speaker 5: people saying though, it's just like you didn't.

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Speaker 4: Like to make you don't really feel that, like that's

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Speaker 4: not what you really felt.

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Speaker 5: Was trying to No, not that, but it was It

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Speaker 5: just wasn't. It wasn't to play like, yeah, there was

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Speaker 5: no story to that ship. It was no like music

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Speaker 5: drive to that the fans wouldn't that wasn't It was

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Speaker 5: just me doing some ship. I can say that I

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Speaker 5: was just doing.

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Speaker 4: Some shit, try some ship.

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Speaker 2: What's one of the biggest things you want people to

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Speaker 2: take from Offset as far as like a rapper because

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Speaker 2: from years, you know, all of the records with me, gos,

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Speaker 2: like you know, the joints that y'all gave us, we

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Speaker 2: always kind of recognize that it's been a conversation like

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Speaker 2: like Offset really be saying some shit like y'all having fun, y'all,

256
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Speaker 2: y'all y'all styling and you know, y'all getting y'all fly

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Speaker 2: shit off. But it's like when we listen to Offset,

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Speaker 2: it's like, hold up, he kind of like he seemed

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Speaker 2: like he just being a different part of the room,

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Speaker 2: like really trying to get some shit off. As a

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Speaker 2: solo artist, now you have more space to kind of.

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Speaker 4: Be Offset obviously.

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Speaker 2: What's one of the things you want people to take

264
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Speaker 2: from this project in particular about you as a rappers,

265
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Speaker 2: about you as a writer and an artist that people

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Speaker 2: probably don't know about off set my.

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Speaker 5: Craft, like to take it serious, like the hours I'll

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Speaker 5: be putting in, and like how I break so much

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Speaker 5: shit down to details, even like the sequence of my songs,

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Speaker 5: and like the art inside of the music too, Like

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Speaker 5: I like to paint the picture because I feel like

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Speaker 5: people don't get shited sometimes you gotta put it in

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Speaker 5: their face and the ship they go behind that Like

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Speaker 5: last album I had Jamis Lee Curtis doing doing ship

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Speaker 5: like me reaching out myself personally.

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Speaker 1: The DM to this is also starting Jamilee Curtis as

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Speaker 1: a flex well now working on some other ship.

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Speaker 5: Now you feel that that ship that behind the scenes

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Speaker 5: work niggas never see what niggas gotta do to try

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Speaker 5: to please you, to please y'all. You know what I'm saying,

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Speaker 5: because I'm I study the game. That's why I don't

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Speaker 5: drop so much, because I got to see what the

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Speaker 5: fuck going on? Because I feel like I'm, like you said,

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Speaker 5: I come from such a heavy background. I can't it's

285
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Speaker 5: no hiccups. They can't drop no bullshit. You ain't gonna

286
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Speaker 5: able to come back from that. It'd be too hard

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Speaker 5: to come back with that. So sometimes I strategize to

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Speaker 5: see what the folks.

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Speaker 4: You don't have the.

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Speaker 2: Luxury to dropping because you're you're under a microscope that's

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Speaker 2: so big.

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Speaker 4: They waiting for you to drop some bulls.

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Speaker 5: Wat you you know how many when I drop, by

294
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Speaker 5: how many times I'm like, I've seen.

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Speaker 1: I ain't gonna lie. I wanted to be, but I

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Speaker 1: can't say. Yeah.

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Speaker 3: I mean, as a spokesperson for all of the whites,

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Speaker 3: we did feel seen when you sampled bodies at the floor,

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Speaker 3: Like I really was like, yeah.

300
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Speaker 4: Me and Peach was that morning that ship came out.

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Speaker 4: We was gamming in the studio. Yeah, yeah, that's how ship.

302
00:12:16,800 --> 00:12:19,120
Speaker 4: That's the White Boys ship. Was that intentional of picking

303
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Speaker 4: that sample.

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Speaker 1: No, honestly, Vinyl shout out to Vinys of the cold.

305
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Speaker 5: He's so cold him. Vinyls is my man. He made

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Speaker 5: it with a Vinyl center to me. I sent it

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Speaker 5: to wit. I made the record two years ago. Oh okay,

308
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Speaker 5: so when I made the record, he's been pressing me

309
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Speaker 5: for that ship for two years, Like, what the fuck

310
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Speaker 5: is you doing?

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Speaker 4: Bro?

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Speaker 5: You know the sample we got along is one of

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Speaker 5: the ones, and niggas don't get this sample. And then

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Speaker 5: my shot at the reservoir, my posing, m hmm. They're

315
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Speaker 5: on the same team, they don't They on reservoir too,

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Speaker 5: And shout out to them. Man, they was easy to

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Speaker 5: word with. Cleared it. They fucked with the record. I

318
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Speaker 5: hit them on the d M two vo get this

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Speaker 5: record clear man. They did that ship immediately. Yeah, shout

320
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Speaker 5: out to them.

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Speaker 1: Now we listening to but yeah, we listened to the

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Speaker 1: joint last night. I told you to love you down.

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Speaker 1: That's my ship.

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Speaker 2: Yeah, I mean that sample is you know, that's that's

325
00:13:12,559 --> 00:13:14,600
Speaker 2: the eighties, that's my er, that's going back.

326
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Speaker 4: But that's to me.

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Speaker 2: It's point of the records that I think everybody's gonna

328
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Speaker 2: fuck with.

329
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Speaker 1: I think every.

330
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Speaker 2: Woman on social media is gonna post that song at

331
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Speaker 2: least once on the algorithm.

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Speaker 1: When you heard that, was that a no brainer? Like, oh,

333
00:13:27,760 --> 00:13:29,840
Speaker 1: we I can show the text. I've seen it.

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Speaker 5: I'm scrolling on Instagram and I seen the original yeah

335
00:13:35,360 --> 00:13:38,160
Speaker 5: being live perform. Yeah, I send it the Lennon on

336
00:13:38,200 --> 00:13:41,120
Speaker 5: the tray like as like, share this link, share this

337
00:13:41,160 --> 00:13:43,720
Speaker 5: to him, I said, sample this, put this in the front.

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Speaker 1: I got. I got all the text.

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00:13:45,040 --> 00:13:47,960
Speaker 5: Yeah, put this in the front and don't muffle it,

340
00:13:48,000 --> 00:13:49,800
Speaker 5: don't put it in the background. Make this stand out

341
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Speaker 5: off rip, So start the song off like this. Then

342
00:13:52,520 --> 00:13:54,960
Speaker 5: put let Me Love You down throughout the record. Literally

343
00:13:54,960 --> 00:13:56,520
Speaker 5: got the text? How did it? Because you sent it

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Speaker 5: back to the first time. I was like, nah, turn

345
00:13:58,280 --> 00:13:59,920
Speaker 5: that ship up because this is the part my mama,

346
00:14:00,160 --> 00:14:03,320
Speaker 5: my grandma, every know this part right right, and so

347
00:14:03,440 --> 00:14:06,120
Speaker 5: put this right here. And then then when I played

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00:14:06,160 --> 00:14:08,240
Speaker 5: it out, I first did a verse and I just stopped,

349
00:14:08,240 --> 00:14:09,960
Speaker 5: and I just had to beat stopping. And then I

350
00:14:10,000 --> 00:14:12,719
Speaker 5: called him back like, hey, put that same ship in

351
00:14:13,120 --> 00:14:15,360
Speaker 5: the middle of this motherfucker. Let it breathe, and then

352
00:14:15,360 --> 00:14:16,880
Speaker 5: I'm gonna come back in with a different flow. And

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00:14:16,920 --> 00:14:17,960
Speaker 5: that's how that's how I did it.

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Speaker 2: Let's called producing ladies and gentlemen people out there, Like

355
00:14:21,760 --> 00:14:24,440
Speaker 2: he's not just texting you know what I'm saying, saying dumps,

356
00:14:24,480 --> 00:14:25,800
Speaker 2: He's producing a record.

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00:14:25,800 --> 00:14:27,040
Speaker 1: At that point, it was.

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00:14:27,000 --> 00:14:29,400
Speaker 4: Good to see you with Tiso. How did that record

359
00:14:29,440 --> 00:14:29,880
Speaker 4: come together?

360
00:14:30,600 --> 00:14:30,960
Speaker 1: Town?

361
00:14:31,920 --> 00:14:35,640
Speaker 2: He always incredibly talented. Yeah, and he got that old

362
00:14:35,680 --> 00:14:38,200
Speaker 2: school edge. It maints since that you and TSO would

363
00:14:38,440 --> 00:14:41,680
Speaker 2: Yeah connect though, and he'll take it there so like

364
00:14:41,920 --> 00:14:44,920
Speaker 2: video anything. He I feel like he he ain't got

365
00:14:45,000 --> 00:14:46,960
Speaker 2: no fear with his sh his credits book so open.

366
00:14:47,040 --> 00:14:50,280
Speaker 2: He'll go anywhere, like anywhere with it. And I respect

367
00:14:50,320 --> 00:14:52,600
Speaker 2: his vocal game, Like his sound is different. It sound

368
00:14:52,680 --> 00:14:55,000
Speaker 2: older than to me, so like some older ship to me,

369
00:14:55,480 --> 00:14:57,760
Speaker 2: but it sounds different. In the whole purpose of my eye,

370
00:14:57,840 --> 00:14:59,400
Speaker 2: I wanted to work with niggas that I feel like

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00:14:59,480 --> 00:15:03,040
Speaker 2: Nigga getting cycle right now, Like yeah, same song, same

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00:15:03,520 --> 00:15:07,920
Speaker 2: same features, features, and I wanted to go different route,

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Speaker 2: like because I feel like collaborations post to be like

374
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Speaker 2: you deal with somebody that you work with, somebody.

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Speaker 5: That's unexpected, like the jed that Nigga gonna walk something.

376
00:15:16,520 --> 00:15:18,320
Speaker 5: You just had to find a pocket and we found

377
00:15:18,360 --> 00:15:21,680
Speaker 5: the packet and it go crazy. And they're like the

378
00:15:21,760 --> 00:15:24,960
Speaker 5: low key niggas like that be having their own fan

379
00:15:25,040 --> 00:15:27,320
Speaker 5: base to solid Spamish.

380
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Speaker 4: Got a core fan base, and it's it's crazy.

381
00:15:30,400 --> 00:15:33,520
Speaker 3: Just shows the versatility of Atlanta because that record still sound.

382
00:15:33,520 --> 00:15:36,400
Speaker 3: Atlanta and y'all are two totally different rappers in that regard.

383
00:15:36,480 --> 00:15:39,600
Speaker 3: But nothing fat weird on that ship a little. But Teas,

384
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Speaker 3: I'm curious to see what that video is gonna look like.

385
00:15:42,200 --> 00:15:43,600
Speaker 3: You want to put on some football.

386
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Speaker 1: Paths, n I might let him do that. Yeah, yeah,

387
00:15:49,280 --> 00:15:51,480
Speaker 1: lets do that. Yeah, I'm gonna come through that with

388
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Speaker 1: some dripping.

389
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Speaker 3: I put something together which I didn't even tell more

390
00:15:56,240 --> 00:15:58,320
Speaker 3: somewhat of a bando ballet, if you will.

391
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Speaker 4: I was. I was looking up Sabrina Carpenter lyrics just

392
00:16:02,200 --> 00:16:03,880
Speaker 4: in general because I like, now, hold on before we

393
00:16:03,960 --> 00:16:04,400
Speaker 4: get it to that.

394
00:16:05,320 --> 00:16:07,000
Speaker 2: Did you see the clip where I said, because now

395
00:16:07,040 --> 00:16:09,080
Speaker 2: we was talking about you, and I said, yo, you

396
00:16:09,200 --> 00:16:09,880
Speaker 2: know what off set?

397
00:16:10,000 --> 00:16:13,080
Speaker 4: I didn't see that to after okay, he he manifested,

398
00:16:13,520 --> 00:16:14,480
Speaker 4: you tired left no.

399
00:16:14,600 --> 00:16:17,520
Speaker 2: But but the thing that the thing that fucked Rory

400
00:16:17,600 --> 00:16:19,920
Speaker 2: up is because when that came out pg at, the

401
00:16:20,000 --> 00:16:21,800
Speaker 2: child was like, damn all you called it, and I

402
00:16:21,920 --> 00:16:25,640
Speaker 2: just started laughing. Rory didn't know I actually said Sabrina

403
00:16:25,720 --> 00:16:27,480
Speaker 2: carp but he thought I just said a white girl,

404
00:16:27,480 --> 00:16:29,520
Speaker 2: because I didn't all white women looking like I said, Nah.

405
00:16:29,440 --> 00:16:32,720
Speaker 4: I said, off Set gotta go get Sabrina competence. I said,

406
00:16:32,760 --> 00:16:35,160
Speaker 4: he gonna piss everybody over if you do that and

407
00:16:35,360 --> 00:16:37,600
Speaker 4: sow enough to come out. They said, Offset says he

408
00:16:37,680 --> 00:16:41,560
Speaker 4: has a crunch on Sabrina competence. I said, I said,

409
00:16:41,600 --> 00:16:44,560
Speaker 4: my nigga started get up, everybody off and then dropped

410
00:16:44,600 --> 00:16:45,320
Speaker 4: the fucking album.

411
00:16:45,480 --> 00:16:48,080
Speaker 3: I was hoping that there would be some secret feature somewhere,

412
00:16:48,200 --> 00:16:49,760
Speaker 3: like back in the day when you would skip through

413
00:16:49,880 --> 00:16:51,840
Speaker 3: to the bonus track, you should be there. But I

414
00:16:52,480 --> 00:16:54,680
Speaker 3: do think that there could be like a Bando ballet

415
00:16:54,800 --> 00:16:56,920
Speaker 3: joint album between the two of yo. But when I

416
00:16:57,000 --> 00:16:58,800
Speaker 3: was looking up her lyrics, trying to like get to

417
00:16:58,840 --> 00:17:01,080
Speaker 3: know somewhere the music, like this might be one of

418
00:17:01,120 --> 00:17:03,600
Speaker 3: the most toxic white women I've ever.

419
00:17:03,440 --> 00:17:05,119
Speaker 4: Heard of my life, Sabrina were talking crazy.

420
00:17:05,280 --> 00:17:07,760
Speaker 3: So then I decided to put a segment together to

421
00:17:07,880 --> 00:17:09,920
Speaker 3: ask you guys, if you can guess whether this is

422
00:17:10,080 --> 00:17:13,320
Speaker 3: future lyrics or Sabrina Carpenter lyrics.

423
00:17:13,600 --> 00:17:18,320
Speaker 4: Or future Sabrina carpenters. All right, we'll start with the

424
00:17:18,359 --> 00:17:21,000
Speaker 4: first one. Now, I'm a homewrecker. I'm a slut. I

425
00:17:21,080 --> 00:17:24,680
Speaker 4: got death threats filling up semi trucks. Is that gotta be?

426
00:17:24,760 --> 00:17:27,480
Speaker 2: That gotta be Sabrina. Future ain't gonna say. He might

427
00:17:27,560 --> 00:17:30,200
Speaker 2: say he's not, but he ain't. I'm going Sabrina.

428
00:17:31,400 --> 00:17:33,720
Speaker 1: Who you say it again, I'm.

429
00:17:33,600 --> 00:17:35,639
Speaker 3: A home wrecker, I'm a slut. I got death threats

430
00:17:35,640 --> 00:17:36,720
Speaker 3: filling up semi trucks.

431
00:17:37,880 --> 00:17:41,960
Speaker 4: They got to wait. Wait, death, I don't know. I

432
00:17:42,000 --> 00:17:45,560
Speaker 4: got death said, death threats filling up semi trucks.

433
00:17:45,560 --> 00:17:47,560
Speaker 2: I'm gonna go Future. I don't think, I don't think.

434
00:17:47,600 --> 00:17:49,560
Speaker 2: I don't think Sabrina had death threats. She ain't gonna

435
00:17:49,560 --> 00:17:50,200
Speaker 2: say death threats.

436
00:17:50,440 --> 00:17:52,640
Speaker 4: Yeah she did, that's the carpenter.

437
00:17:54,480 --> 00:17:59,359
Speaker 3: No, No, she's toxic as fucking all right, go to

438
00:17:59,400 --> 00:18:02,439
Speaker 3: the next one. My clothes are off, I'm coming over

439
00:18:02,520 --> 00:18:04,480
Speaker 3: to your place. And if you don't need my love,

440
00:18:04,560 --> 00:18:06,199
Speaker 3: I didn't want your bitch ass anyway.

441
00:18:07,520 --> 00:18:09,720
Speaker 2: Now, if that's Sabrina, we gotta have a different conversation

442
00:18:09,800 --> 00:18:10,399
Speaker 2: about Sabrina.

443
00:18:10,440 --> 00:18:14,480
Speaker 4: Carpenter. I'm gonna just say Future. I'm gonna say Future, what.

444
00:18:14,600 --> 00:18:20,359
Speaker 1: You're saying, I'm gonna say Sabna. That's Sabrina. Listen, she'd

445
00:18:20,400 --> 00:18:20,800
Speaker 1: be talking.

446
00:18:21,840 --> 00:18:24,119
Speaker 3: That's what I'm telling you. I was going through the

447
00:18:24,160 --> 00:18:26,600
Speaker 3: lyrics like this woman is insane. All right, I can

448
00:18:26,680 --> 00:18:28,280
Speaker 3: hear your tears when they drop over the phone.

449
00:18:28,320 --> 00:18:28,879
Speaker 4: Get mad at you.

450
00:18:29,080 --> 00:18:29,639
Speaker 1: That's future.

451
00:18:29,840 --> 00:18:31,119
Speaker 4: Okay, all right, well there we go.

452
00:18:31,960 --> 00:18:34,200
Speaker 3: Uh why you always come running to me and fuck

453
00:18:34,280 --> 00:18:36,120
Speaker 3: my life? Never heard of self care? Half your brain

454
00:18:36,240 --> 00:18:41,680
Speaker 3: just ain't even there. I heard it in the future, casen.

455
00:18:43,280 --> 00:18:45,240
Speaker 4: Is that future? Sabrina? What?

456
00:18:45,880 --> 00:18:46,000
Speaker 1: Bro?

457
00:18:46,640 --> 00:18:49,080
Speaker 4: How will we not hearing? These are these singles?

458
00:18:49,240 --> 00:18:49,960
Speaker 1: You know what happened?

459
00:18:50,119 --> 00:18:52,480
Speaker 5: I think the records they be pop records, so they

460
00:18:52,640 --> 00:18:57,000
Speaker 5: be so it's the music they're like, huh yeah, I'm

461
00:18:57,040 --> 00:18:58,480
Speaker 5: saying it's toxic as fuck.

462
00:18:59,240 --> 00:19:01,240
Speaker 3: All right, Well up this morning thought i'd write a

463
00:19:01,280 --> 00:19:03,719
Speaker 3: pop hit. How quickly can you take your clothes off?

464
00:19:04,080 --> 00:19:10,399
Speaker 3: Like a pop quiz? I'm just gonna say future, that

465
00:19:10,520 --> 00:19:11,480
Speaker 3: is Sabrina Carpenter.

466
00:19:15,680 --> 00:19:16,280
Speaker 1: She talking.

467
00:19:17,080 --> 00:19:20,040
Speaker 3: This one might be tough for y'all, so cracked to

468
00:19:20,119 --> 00:19:23,800
Speaker 3: a pregnant lady. Forgive me for the crack babies. That's

469
00:19:23,840 --> 00:19:25,920
Speaker 3: definitely if Sabrina.

470
00:19:26,119 --> 00:19:28,639
Speaker 4: If that's a Sabrina Carpenter line, we got to get

471
00:19:28,680 --> 00:19:31,760
Speaker 4: her out of here, like she's so cracked, Like, come on, man,

472
00:19:32,000 --> 00:19:34,360
Speaker 4: Jesus Christ, that is in fact future. I didn't want

473
00:19:34,359 --> 00:19:34,879
Speaker 4: to stump you on that.

474
00:19:34,960 --> 00:19:35,479
Speaker 1: Did she did?

475
00:19:35,640 --> 00:19:37,040
Speaker 4: Did Did she see the clip?

476
00:19:37,119 --> 00:19:39,760
Speaker 2: Did her team reach out in response to you said

477
00:19:39,800 --> 00:19:41,879
Speaker 2: because we have a bed in the office, like yo,

478
00:19:42,080 --> 00:19:44,120
Speaker 2: I'm like off gonna pop out on the dinner dates?

479
00:19:44,880 --> 00:19:47,720
Speaker 1: No, I don't know. Did they reach out? I don't

480
00:19:47,720 --> 00:19:48,200
Speaker 1: know if they.

481
00:19:48,880 --> 00:19:51,399
Speaker 3: Reached out This Nigga went on the Day with Sabrina

482
00:19:51,480 --> 00:19:54,800
Speaker 3: car Is that like celebrities actually date now, just be

483
00:19:54,960 --> 00:19:56,200
Speaker 3: the PR teams putting it together.

484
00:19:56,640 --> 00:19:58,440
Speaker 4: I mean, we should bring the PR team on the

485
00:19:58,520 --> 00:20:00,639
Speaker 4: couch to ask. Well, most of the time that's.

486
00:20:00,640 --> 00:20:02,399
Speaker 2: That's the easier way to reach out is through the

487
00:20:02,440 --> 00:20:05,240
Speaker 2: PR team. But sometimes it'll be, you know, a cold DM.

488
00:20:05,320 --> 00:20:07,399
Speaker 2: We've seen instances with people like Yes the Day and

489
00:20:07,400 --> 00:20:08,360
Speaker 2: it was like just DM.

490
00:20:08,240 --> 00:20:11,680
Speaker 1: Does just certain certain status of women you don't DM player.

491
00:20:12,000 --> 00:20:14,240
Speaker 2: How do you differentiate that though? Like, how does somebody

492
00:20:14,320 --> 00:20:16,000
Speaker 2: like off Set say, damn, I can't.

493
00:20:17,440 --> 00:20:18,800
Speaker 4: I'm gonna artists.

494
00:20:19,040 --> 00:20:21,960
Speaker 5: No artists don't read right, I don't even want to

495
00:20:22,000 --> 00:20:24,080
Speaker 5: hit no DM to no female to do a song

496
00:20:24,840 --> 00:20:26,440
Speaker 5: because it's just don't That's what I'm gonna say. Do

497
00:20:26,480 --> 00:20:30,119
Speaker 5: you even d rep and read write it? Don't my

498
00:20:30,240 --> 00:20:32,960
Speaker 5: rep and then read write I'll go together. I'm already

499
00:20:32,960 --> 00:20:35,920
Speaker 5: knowing that, so I rather go through like like for

500
00:20:36,680 --> 00:20:39,720
Speaker 5: doing music. I'm not dming no female to my a,

501
00:20:39,960 --> 00:20:43,640
Speaker 5: let's do a song. I just feel like it reads wrong.

502
00:20:44,000 --> 00:20:47,560
Speaker 2: Yeah, that screenshots if she decided to post that one

503
00:20:47,640 --> 00:20:48,680
Speaker 2: day out despite.

504
00:20:48,400 --> 00:20:50,520
Speaker 5: It just ready if you got to think like that,

505
00:20:50,600 --> 00:20:52,760
Speaker 5: because like you say, if it was right, what do

506
00:20:52,800 --> 00:20:53,400
Speaker 5: people gonna say?

507
00:20:53,400 --> 00:20:54,000
Speaker 1: What you're trying to do.

508
00:20:55,840 --> 00:20:55,879
Speaker 5: That?

509
00:20:56,359 --> 00:20:58,120
Speaker 3: Because I think there's plenty of artists yourself and Clue

510
00:20:58,119 --> 00:21:00,000
Speaker 3: that probably just want to work with a female artis

511
00:21:00,320 --> 00:21:01,120
Speaker 3: to just make music.

512
00:21:01,760 --> 00:21:03,480
Speaker 4: It's not there's nothing, bro.

513
00:21:03,800 --> 00:21:06,000
Speaker 5: Yo, got this drop dry the album, let's get in,

514
00:21:06,160 --> 00:21:10,359
Speaker 5: But female artists definitely not. Because it's I respect you too,

515
00:21:10,440 --> 00:21:12,520
Speaker 5: so I don't even want to do respect you. It's

516
00:21:12,640 --> 00:21:14,720
Speaker 5: like making you don't want to come as the wrong way. Yeah,

517
00:21:14,720 --> 00:21:16,840
Speaker 5: because I'm really trying his record, you know what I'm saying.

518
00:21:17,720 --> 00:21:19,560
Speaker 3: I feel like I'm snitching a little bit here. But

519
00:21:19,640 --> 00:21:21,720
Speaker 3: when I once I found out there was producers just

520
00:21:22,080 --> 00:21:24,639
Speaker 3: doing sessions with chicks of records. They was never going

521
00:21:24,720 --> 00:21:27,200
Speaker 3: to clear. That was just their way in. I was like, y'all,

522
00:21:27,320 --> 00:21:29,960
Speaker 3: y'all might be the nastiest people. Oh the industry is crazy.

523
00:21:30,920 --> 00:21:33,679
Speaker 4: You just invited chicks to the studio records that's never

524
00:21:33,760 --> 00:21:35,920
Speaker 4: going to come out. She's not even dope. Yeah I sign.

525
00:21:36,000 --> 00:21:39,480
Speaker 4: You don't even say you don't think anything is talented

526
00:21:39,480 --> 00:21:39,760
Speaker 4: about it?

527
00:21:39,800 --> 00:21:41,040
Speaker 1: Oh she's not talented.

528
00:21:41,080 --> 00:21:41,600
Speaker 4: She looks good.

529
00:21:41,680 --> 00:21:43,000
Speaker 1: That's you know that ship go.

530
00:21:49,119 --> 00:21:50,960
Speaker 2: So who's some of the guys that you wanted to

531
00:21:51,000 --> 00:21:54,040
Speaker 2: work with that it hasn't happened yet, Like some of

532
00:21:54,080 --> 00:21:55,560
Speaker 2: the artists that you're like, damn, I gotta get a

533
00:21:55,640 --> 00:21:56,800
Speaker 2: joint with them.

534
00:21:57,840 --> 00:22:01,919
Speaker 5: Oh and hundred three thousand for sure. Just so that's

535
00:22:01,960 --> 00:22:04,240
Speaker 5: a dream collapse what I mean. I feel like it

536
00:22:04,400 --> 00:22:06,520
Speaker 5: was the best thing shit ever came out Atlanta. They

537
00:22:06,600 --> 00:22:07,200
Speaker 5: came out harder.

538
00:22:07,240 --> 00:22:09,400
Speaker 2: Do you feel like that because we've we've seen we've

539
00:22:09,480 --> 00:22:12,399
Speaker 2: seen you know, this generation now they give you know

540
00:22:12,520 --> 00:22:14,280
Speaker 2: that Atlanta gives more credence and.

541
00:22:14,760 --> 00:22:15,960
Speaker 1: Our cast is always on the list.

542
00:22:17,160 --> 00:22:18,680
Speaker 4: I think that is the greatest group of all time.

543
00:22:18,760 --> 00:22:22,760
Speaker 2: But but there's the people that have like they they

544
00:22:22,880 --> 00:22:27,639
Speaker 2: hold a higher you know, kind of respect for future

545
00:22:27,680 --> 00:22:30,119
Speaker 2: than they do Entred three thousand. Now, this generation and

546
00:22:30,200 --> 00:22:32,840
Speaker 2: you can understand it. Three thousand hasn't been as active,

547
00:22:33,880 --> 00:22:34,840
Speaker 2: but you're from.

548
00:22:35,040 --> 00:22:36,800
Speaker 1: The generation, but he comes from them.

549
00:22:37,600 --> 00:22:38,160
Speaker 4: Yeah, he's done.

550
00:22:40,320 --> 00:22:41,680
Speaker 2: But there's the thing where you maybe be like, I

551
00:22:41,720 --> 00:22:44,000
Speaker 2: don't even know undred two thousands, it's future, and I'm like,

552
00:22:45,119 --> 00:22:47,560
Speaker 2: but being from Atlanta, you gotta know Audret that.

553
00:22:47,640 --> 00:22:48,440
Speaker 4: I don't care how old you.

554
00:22:48,520 --> 00:22:50,600
Speaker 2: I think he's one of the artists that you have

555
00:22:50,800 --> 00:22:55,040
Speaker 2: to know is held here. Yeah, but there's a lot

556
00:22:55,080 --> 00:22:57,680
Speaker 2: of there's a younger generation now that's like they don't

557
00:22:57,720 --> 00:22:59,200
Speaker 2: know him though, so you can't follow him, you know

558
00:22:59,200 --> 00:22:59,479
Speaker 2: what I mean.

559
00:22:59,560 --> 00:23:00,800
Speaker 1: They don't know Yeah, but.

560
00:23:00,840 --> 00:23:03,840
Speaker 2: I didn't know Marvin Gay either though, Like I wasn't

561
00:23:03,920 --> 00:23:06,280
Speaker 2: outside for Marvin Gay. But as I as you go

562
00:23:06,440 --> 00:23:08,199
Speaker 2: through music, like he was was.

563
00:23:08,240 --> 00:23:10,679
Speaker 5: Raised in the house on that though, Right, So they

564
00:23:10,920 --> 00:23:12,880
Speaker 5: niggas ain't even rais in the house on DRE.

565
00:23:13,840 --> 00:23:14,159
Speaker 1: But I'm not.

566
00:23:14,800 --> 00:23:16,960
Speaker 3: Yeah, you don't have to be number one on everyone's list,

567
00:23:17,040 --> 00:23:19,439
Speaker 3: but there's no way you grew up and didn't hear

568
00:23:19,480 --> 00:23:21,040
Speaker 3: Missus Jackson or even.

569
00:23:20,920 --> 00:23:23,720
Speaker 4: I mean ship, I'm just on Thug records. He's been

570
00:23:23,720 --> 00:23:24,720
Speaker 4: on Future the.

571
00:23:24,760 --> 00:23:26,320
Speaker 5: Niggas do because at the end of the day when

572
00:23:26,320 --> 00:23:29,119
Speaker 5: they came out the South, they was not fucking with us.

573
00:23:29,400 --> 00:23:32,480
Speaker 5: It was really on some West Coast New York l

574
00:23:32,520 --> 00:23:36,560
Speaker 5: A ship only. Yeah, and them niggas winning the wars,

575
00:23:36,600 --> 00:23:38,600
Speaker 5: pushing it how they do it. And they came in

576
00:23:38,760 --> 00:23:40,320
Speaker 5: on some my niggas don't get them credit on like

577
00:23:40,400 --> 00:23:44,159
Speaker 5: the creative on Dre Yeah, Trey was doing all this

578
00:23:44,320 --> 00:23:48,760
Speaker 5: crazy can't West dressing ship with Poti for Sures, with

579
00:23:48,840 --> 00:23:51,080
Speaker 5: the orange shoot on, with the with the Jays on

580
00:23:52,040 --> 00:23:55,120
Speaker 5: he Ben did show the pass Yeah, so like it's

581
00:23:55,200 --> 00:23:59,679
Speaker 5: not just about the wraps. The influence, Yeah, I look

582
00:23:59,720 --> 00:24:01,280
Speaker 5: at him be like, Okay, I could do some ship

583
00:24:01,320 --> 00:24:01,920
Speaker 5: that I wouldn't do.

584
00:24:03,600 --> 00:24:06,760
Speaker 2: How much did how much did Outcasts like really influence?

585
00:24:07,000 --> 00:24:09,160
Speaker 2: Because I feel like it has Like seeing y'all live

586
00:24:09,240 --> 00:24:13,560
Speaker 2: performance aesthetically visually with the Migos was doing that to

587
00:24:13,680 --> 00:24:15,080
Speaker 2: me because I saw Outcasts.

588
00:24:15,920 --> 00:24:18,080
Speaker 1: I know that that was some of that DNA was

589
00:24:18,200 --> 00:24:18,600
Speaker 1: in y'all.

590
00:24:18,640 --> 00:24:22,760
Speaker 2: But what are the conversations like away from the stage

591
00:24:22,840 --> 00:24:26,440
Speaker 2: and and just the public eye about Outcasting the influence

592
00:24:26,480 --> 00:24:28,480
Speaker 2: on y'all, Like is it like damn like they was

593
00:24:28,560 --> 00:24:30,800
Speaker 2: the illest like, is it like that or is it

594
00:24:30,920 --> 00:24:33,560
Speaker 2: like I like what they did, but let's let's kind

595
00:24:33,600 --> 00:24:34,920
Speaker 2: of take that torch and run with it.

596
00:24:35,040 --> 00:24:37,119
Speaker 1: Yeah, it's like that. Okay, it's like that. It's like

597
00:24:37,200 --> 00:24:38,960
Speaker 1: I take that torchure wrong with it because.

598
00:24:40,240 --> 00:24:45,560
Speaker 5: Still like the influence they had is super big, but

599
00:24:45,640 --> 00:24:49,119
Speaker 5: I feel like my group influences bigger.

600
00:24:49,240 --> 00:24:50,960
Speaker 1: Oh yeah, then then a.

601
00:24:50,960 --> 00:24:53,639
Speaker 5: Lot of group influences because you still hear it and

602
00:24:53,760 --> 00:24:56,560
Speaker 5: see it right now, different genres, but different genres get

603
00:24:56,640 --> 00:24:58,679
Speaker 5: doing what you're doing and get the copy and how

604
00:24:58,720 --> 00:24:59,160
Speaker 5: you do shit.

605
00:24:59,359 --> 00:25:02,240
Speaker 1: It's just like you see it like that. Even right now,

606
00:25:02,320 --> 00:25:03,600
Speaker 1: new artists can come out right now with just a

607
00:25:03,760 --> 00:25:04,679
Speaker 1: flow we created.

608
00:25:04,480 --> 00:25:07,040
Speaker 3: And yeah, go on on on, yeah, how did that

609
00:25:07,119 --> 00:25:09,960
Speaker 3: triple flow style come about with you guys?

610
00:25:11,440 --> 00:25:14,240
Speaker 1: Just it was never a strategy for it. It's just

611
00:25:14,320 --> 00:25:16,440
Speaker 1: like niggas was rapping like that. I don't know, God.

612
00:25:20,920 --> 00:25:23,600
Speaker 5: Was not trying to like it. Maybe was like bouncing

613
00:25:23,640 --> 00:25:26,040
Speaker 5: off each other. Energy really was taken. He was the

614
00:25:26,080 --> 00:25:28,840
Speaker 5: first nigga to do it, and we didn't see it.

615
00:25:28,880 --> 00:25:32,399
Speaker 5: We just trying to do that, all right, and we

616
00:25:32,480 --> 00:25:34,879
Speaker 5: started running with it and then I don't know, the

617
00:25:34,960 --> 00:25:37,960
Speaker 5: guy was like, Okay, y'all this Yeah.

618
00:25:37,880 --> 00:25:41,200
Speaker 3: Yeah, I mean Billboard put y'all at number eleven of

619
00:25:41,240 --> 00:25:43,879
Speaker 3: the Greatest Rap Groups of All Time, which is a

620
00:25:44,080 --> 00:25:47,920
Speaker 3: Billboard list, So who really cares arguing that y'all could

621
00:25:47,920 --> 00:25:50,000
Speaker 3: have been higher at.

622
00:25:50,400 --> 00:25:53,280
Speaker 5: The list though, is a superbo list. Though, like the

623
00:25:53,440 --> 00:25:55,280
Speaker 5: people in front of us, it ain't no, it ain't

624
00:25:55,320 --> 00:25:58,520
Speaker 5: no slouts in front of us. You gotta repay the

625
00:25:58,560 --> 00:26:02,120
Speaker 5: respects you got to run DMC yeah, carus one, yeah,

626
00:26:02,359 --> 00:26:07,439
Speaker 5: bug you got it's real, you got its respect versus now.

627
00:26:07,520 --> 00:26:09,040
Speaker 5: But some of the other ship, like the Rust was

628
00:26:09,119 --> 00:26:10,879
Speaker 5: like twenty five or something. It's kind of crazy.

629
00:26:10,920 --> 00:26:11,359
Speaker 4: That's crazy.

630
00:26:11,400 --> 00:26:13,800
Speaker 1: Yeah, yeah, the Ruts being number twenty five is crazy.

631
00:26:15,000 --> 00:26:16,720
Speaker 4: Absolutely, that's crazy.

632
00:26:17,119 --> 00:26:20,639
Speaker 3: Hypothetically, if there were to be a versus like, not

633
00:26:20,800 --> 00:26:22,680
Speaker 3: obviously the way they did it during COVID or anything,

634
00:26:22,720 --> 00:26:26,000
Speaker 3: but just just catalog versus catalog, who would.

635
00:26:25,800 --> 00:26:28,040
Speaker 4: Be a group that you wouldn't want to go against?

636
00:26:28,480 --> 00:26:32,800
Speaker 1: Shit, Run it up, line it up a group, yeah, catalog.

637
00:26:32,880 --> 00:26:37,639
Speaker 4: Come on, because I put I put a little bit

638
00:26:37,680 --> 00:26:39,879
Speaker 4: of a hip hop nigga.

639
00:26:41,800 --> 00:26:44,480
Speaker 3: All right to me when we were talking before y'all,

640
00:26:44,560 --> 00:26:47,960
Speaker 3: we did because I think y'all as far as the

641
00:26:48,040 --> 00:26:51,480
Speaker 3: New generation would be the number one iconic group.

642
00:26:51,480 --> 00:26:54,439
Speaker 1: I don't even think, not evenst I'm saying that I.

643
00:26:54,520 --> 00:26:55,119
Speaker 4: Want to get to there.

644
00:26:55,760 --> 00:26:57,879
Speaker 3: We was like, all right, Race Remen, we love them,

645
00:26:57,960 --> 00:27:00,000
Speaker 3: but Migo is probably gonna clean up Race Remen.

646
00:27:01,440 --> 00:27:02,680
Speaker 4: Records, great record.

647
00:27:03,640 --> 00:27:07,040
Speaker 1: Yeah, like come on, I just don't think that's gonna.

648
00:27:07,040 --> 00:27:09,000
Speaker 4: It's a whole different thing. Then we were trying to

649
00:27:09,000 --> 00:27:11,640
Speaker 4: figure out, like certain sounds that may match a bit.

650
00:27:11,680 --> 00:27:14,280
Speaker 4: We were talking about three six. I don't know where

651
00:27:14,280 --> 00:27:14,920
Speaker 4: you would stand on that.

652
00:27:15,240 --> 00:27:17,240
Speaker 5: We're gonna smoke three six and I love them and

653
00:27:17,320 --> 00:27:19,800
Speaker 5: them niggas gave us this. This is also somebody we

654
00:27:20,240 --> 00:27:20,680
Speaker 5: looked up to.

655
00:27:20,920 --> 00:27:23,480
Speaker 4: Yeah, yeah, but that would be dope to just be.

656
00:27:24,640 --> 00:27:26,720
Speaker 5: I want to see who you're gonna say who in

657
00:27:26,760 --> 00:27:28,280
Speaker 5: the group, because you ain't gonna say none of them?

658
00:27:28,880 --> 00:27:33,080
Speaker 5: Three six the group wise who catalog catalog.

659
00:27:33,200 --> 00:27:34,880
Speaker 3: The one, the one that I thought would be tough

660
00:27:34,880 --> 00:27:38,359
Speaker 3: would be Hot Boys because at any versus the rules

661
00:27:38,480 --> 00:27:40,760
Speaker 3: was everyone's allowed to also do their solo ship as well.

662
00:27:41,680 --> 00:27:46,119
Speaker 1: Oh yeah, definitely the Hot Boys. They get to do

663
00:27:46,200 --> 00:27:52,040
Speaker 1: their solo our solo shi Rick Flair and I can

664
00:27:52,119 --> 00:27:54,960
Speaker 1: do all that. Yeah of course, Yeah, yeah, we're gonna

665
00:27:55,320 --> 00:27:59,480
Speaker 1: what worries.

666
00:27:59,640 --> 00:28:00,680
Speaker 4: I love saying.

667
00:28:00,720 --> 00:28:02,680
Speaker 2: I'm not saying that migos might not have a better cattle,

668
00:28:02,720 --> 00:28:04,960
Speaker 2: but I'm saying smoke is when I'm just like, I

669
00:28:05,000 --> 00:28:06,159
Speaker 2: don't know if y'all gonna smoke.

670
00:28:06,280 --> 00:28:10,720
Speaker 1: Now you kind of telling about it's kind of cheating

671
00:28:10,880 --> 00:28:16,960
Speaker 1: because you can't use Wayne Wayne Solo.

672
00:28:18,160 --> 00:28:21,080
Speaker 5: You don't even need to Don Solo. It's crazy, Juie

673
00:28:21,080 --> 00:28:23,840
Speaker 5: Solo is crazy. But Wayne Solo is crazy.

674
00:28:24,760 --> 00:28:26,399
Speaker 4: We know that. But say, but he part of the

675
00:28:26,440 --> 00:28:26,960
Speaker 4: hot boys.

676
00:28:27,560 --> 00:28:30,680
Speaker 1: They can't beat Wayne Solo ship. All right, So no, sir,

677
00:28:30,840 --> 00:28:36,120
Speaker 1: all right, you GK. I love you and I don't

678
00:28:36,119 --> 00:28:41,800
Speaker 1: want to be putting this come out, you know, but

679
00:28:42,040 --> 00:28:44,200
Speaker 1: but yeah, come on.

680
00:28:44,320 --> 00:28:45,800
Speaker 4: But you got to meet I respect.

681
00:28:45,880 --> 00:28:47,640
Speaker 5: I think that because we got that that well, I'm

682
00:28:47,680 --> 00:28:50,520
Speaker 5: saying that because niggas got street records, right ye, hit

683
00:28:50,600 --> 00:28:54,680
Speaker 5: restaurant records, and we got Global records, then we got

684
00:28:55,840 --> 00:28:57,240
Speaker 5: Hit Forever records.

685
00:28:57,400 --> 00:28:59,880
Speaker 1: Yeah, that's been wealthy like that. Bro, that'ship like that.

686
00:29:00,040 --> 00:29:02,880
Speaker 5: That's just like that sounds like it's it came out

687
00:29:02,920 --> 00:29:07,080
Speaker 5: in the nineties. I mean so like, and I'm always

688
00:29:07,200 --> 00:29:10,560
Speaker 5: I just feel like I don't see it. But now,

689
00:29:10,600 --> 00:29:13,000
Speaker 5: how boys it's tough.

690
00:29:13,160 --> 00:29:13,760
Speaker 4: That's tough.

691
00:29:13,840 --> 00:29:15,320
Speaker 1: That's tough. Now we're going straight group.

692
00:29:16,360 --> 00:29:19,840
Speaker 4: If it's just straight group, then cleaning up to have

693
00:29:19,880 --> 00:29:21,800
Speaker 4: a hard time with the migo Yeah.

694
00:29:22,280 --> 00:29:26,160
Speaker 5: Yeah, Nigga came tunes is the blueprint for all of

695
00:29:26,240 --> 00:29:28,000
Speaker 5: us young leiggas don't even know what niggas said.

696
00:29:28,040 --> 00:29:30,080
Speaker 1: Yeah, but even style now I had.

697
00:29:31,360 --> 00:29:34,240
Speaker 2: I had another bit of a viral moment last year

698
00:29:34,320 --> 00:29:38,400
Speaker 2: when we were talking about uh Drake in regards to

699
00:29:38,480 --> 00:29:40,480
Speaker 2: you know, people calling him a culture vulture and things

700
00:29:40,560 --> 00:29:44,720
Speaker 2: like that. And in one of my rants, I said,

701
00:29:45,440 --> 00:29:47,600
Speaker 2: if it wasn't for Drake, we might not have never

702
00:29:47,640 --> 00:29:48,880
Speaker 2: even known who the migos was.

703
00:29:49,560 --> 00:29:53,600
Speaker 4: That was in regards to me saying when Drake remixed.

704
00:29:54,400 --> 00:30:01,160
Speaker 5: Was its yeah, nigga, that's my man. What he stamped

705
00:30:01,240 --> 00:30:04,160
Speaker 5: niggas and put it in and but just do that

706
00:30:04,400 --> 00:30:05,320
Speaker 5: he you do that though.

707
00:30:06,960 --> 00:30:09,320
Speaker 2: Right, right, But people didn't understand what I was saying.

708
00:30:09,360 --> 00:30:10,840
Speaker 2: They were saying, like I was trying to give Drake

709
00:30:10,880 --> 00:30:12,840
Speaker 2: oli but it was like no. But one of the

710
00:30:12,920 --> 00:30:17,960
Speaker 2: biggest artists remixed a record from a group that it

711
00:30:18,080 --> 00:30:20,480
Speaker 2: was making noise and was known in Atlanta and and

712
00:30:20,560 --> 00:30:22,640
Speaker 2: kind of bubbling around the country. A little bit in

713
00:30:22,880 --> 00:30:26,080
Speaker 2: different pockets that sit'stound a different type of way. So

714
00:30:26,360 --> 00:30:27,400
Speaker 2: I'm the artist that's.

715
00:30:27,200 --> 00:30:31,040
Speaker 4: Coming from that's coming from all set. It stamped the migos.

716
00:30:31,320 --> 00:30:33,720
Speaker 1: So y'all can stop killing me every time that clip goes.

717
00:30:33,640 --> 00:30:35,800
Speaker 4: Viral and say, I don't know what the fuck I'm talking.

718
00:30:35,600 --> 00:30:38,600
Speaker 5: About, because they've been trying to say like they're gonna

719
00:30:38,600 --> 00:30:39,880
Speaker 5: say like we're gonna be great regards, we will be

720
00:30:39,920 --> 00:30:40,520
Speaker 5: great regardless.

721
00:30:40,560 --> 00:30:41,840
Speaker 1: But you can't skip this down.

722
00:30:42,120 --> 00:30:45,280
Speaker 4: Yeahah no, that definitely changed the Versace record for sure.

723
00:30:45,480 --> 00:30:48,840
Speaker 2: She was going and you know, and then I saw

724
00:30:48,920 --> 00:30:51,280
Speaker 2: Coach k On he was doing an interview somewhere where

725
00:30:51,320 --> 00:30:54,840
Speaker 2: he basically reiterated that, like nah, when Drake did that,

726
00:30:55,880 --> 00:30:56,440
Speaker 2: he just did that.

727
00:30:56,480 --> 00:30:58,120
Speaker 4: On the love like he fucked with the record, and

728
00:30:58,200 --> 00:30:58,600
Speaker 4: it was just.

729
00:30:58,680 --> 00:31:00,800
Speaker 5: Like it wasn't even know, so Sit, if all like

730
00:31:00,840 --> 00:31:02,320
Speaker 5: give me all the work behind the scene, like I

731
00:31:02,400 --> 00:31:04,640
Speaker 5: own everything because I'm doing it. No, but every start,

732
00:31:05,400 --> 00:31:07,080
Speaker 5: I know, we went from doing the type show to

733
00:31:07,120 --> 00:31:07,800
Speaker 5: the type show.

734
00:31:09,520 --> 00:31:12,280
Speaker 1: She changed up. I don't know what that was.

735
00:31:12,320 --> 00:31:17,400
Speaker 4: What twenty fourteen, fifteen, fourteen, fourteen, what what was that?

736
00:31:17,600 --> 00:31:20,120
Speaker 1: Like that thirteen it was Bando that was the Atlanta ship. Yeah,

737
00:31:20,560 --> 00:31:21,760
Speaker 1: that was bubbling. Yeah.

738
00:31:21,800 --> 00:31:23,720
Speaker 3: I mean Bando made it up to New York a

739
00:31:23,760 --> 00:31:26,200
Speaker 3: little bit, a little bit right towards the thirteen.

740
00:31:26,240 --> 00:31:30,040
Speaker 5: I think then when that then drop riverside you. Then

741
00:31:30,120 --> 00:31:32,000
Speaker 5: we did Birthday I'm in jail by the way, did

742
00:31:32,040 --> 00:31:32,680
Speaker 5: Birthday bash?

743
00:31:32,880 --> 00:31:35,560
Speaker 1: Yeah? And then when Buddy got on there and motherfucker

744
00:31:35,600 --> 00:31:38,200
Speaker 1: went to the moon. Yeah, And after that it was.

745
00:31:38,360 --> 00:31:40,080
Speaker 4: It was like what was that called? Like when you

746
00:31:40,200 --> 00:31:41,720
Speaker 4: got vocals?

747
00:31:42,360 --> 00:31:46,560
Speaker 1: I was in a bad situation. I was. I heard

748
00:31:46,600 --> 00:31:47,840
Speaker 1: it like the that the world heard it.

749
00:31:48,040 --> 00:31:50,920
Speaker 5: Yeah, whenever fucking came out like like over the phone,

750
00:31:52,200 --> 00:31:55,480
Speaker 5: damn you locked up and you hear that verse, yes.

751
00:31:55,440 --> 00:31:58,360
Speaker 4: Sir, Oh them walls got smaller now you couldn't wait

752
00:31:58,400 --> 00:32:02,680
Speaker 4: to get out that. That was like Yayo and get

753
00:32:02,760 --> 00:32:05,120
Speaker 4: Rich dropped like wait, hold on you the biggest, like

754
00:32:05,160 --> 00:32:08,600
Speaker 4: I gotta get the fut were going crazy right now.

755
00:32:08,880 --> 00:32:10,560
Speaker 1: I heard that's on now.

756
00:32:10,600 --> 00:32:12,520
Speaker 2: We and Rory went to the Scorpion Show when y'all

757
00:32:12,520 --> 00:32:14,800
Speaker 2: won tour with Drake, and I remember telling Rory when

758
00:32:14,800 --> 00:32:17,560
Speaker 2: we left, I said, I always knew that Migos had

759
00:32:17,640 --> 00:32:19,400
Speaker 2: records and they was dope and you know all that,

760
00:32:20,160 --> 00:32:23,560
Speaker 2: But seeing y'all perform that set list on the Scorpion Tour.

761
00:32:24,920 --> 00:32:27,360
Speaker 2: For me, it gained a different level of respect for

762
00:32:27,400 --> 00:32:30,640
Speaker 2: y'all because I was like, Yo, they was doing back

763
00:32:30,760 --> 00:32:35,320
Speaker 2: to back to back to back hit records the entire set.

764
00:32:35,880 --> 00:32:38,000
Speaker 4: There wasn't no opening fifteen minute no no, no, no.

765
00:32:38,120 --> 00:32:38,360
Speaker 6: No no.

766
00:32:38,560 --> 00:32:41,200
Speaker 2: They could have easily headlined a tour like that. But

767
00:32:42,160 --> 00:32:45,880
Speaker 2: is that a testament to just y'all always knowing that, Yo,

768
00:32:45,960 --> 00:32:48,680
Speaker 2: we dope, We're gonna be who we are and when

769
00:32:48,720 --> 00:32:50,400
Speaker 2: the time comes, everybody to catch on.

770
00:32:51,200 --> 00:32:54,720
Speaker 5: Yeah, that's been the story of that since the beginning

771
00:32:54,720 --> 00:32:58,920
Speaker 5: of time. I always caught catch I'll be liking this shit, Okay.

772
00:32:59,240 --> 00:33:02,160
Speaker 5: I feel like the ship that hit fast, go faster.

773
00:33:02,360 --> 00:33:05,720
Speaker 5: Oh yeah, it phades quick, especially now. Yeah, they get

774
00:33:05,760 --> 00:33:07,320
Speaker 5: over it super quick, super quick.

775
00:33:07,320 --> 00:33:08,120
Speaker 1: Like I rather a record.

776
00:33:08,160 --> 00:33:10,920
Speaker 5: I rather start from twenty five on board and clown

777
00:33:10,960 --> 00:33:12,520
Speaker 5: in the more. I didn't go no more and then

778
00:33:13,200 --> 00:33:16,440
Speaker 5: next week come ninety eight. M I rather do that

779
00:33:16,480 --> 00:33:19,200
Speaker 5: because that means the record ain't sticking. Yeah, it's just

780
00:33:19,280 --> 00:33:21,360
Speaker 5: some hype, right, they should be down now.

781
00:33:21,680 --> 00:33:23,400
Speaker 2: Yeah, and now that should working the record as one

782
00:33:23,400 --> 00:33:25,920
Speaker 2: of the more fashionable guys in the culture.

783
00:33:26,040 --> 00:33:27,400
Speaker 4: Yeah, being from Atlanta.

784
00:33:27,480 --> 00:33:30,040
Speaker 2: Now, Yachty had some things to say about New York

785
00:33:30,120 --> 00:33:32,720
Speaker 2: and it's fashion sense a few months ago, and then

786
00:33:32,800 --> 00:33:33,600
Speaker 2: they kind of killed him.

787
00:33:33,600 --> 00:33:35,320
Speaker 4: You spend a lot of time in New York. You

788
00:33:35,400 --> 00:33:36,720
Speaker 4: do a lot of shopping in New York.

789
00:33:37,440 --> 00:33:40,920
Speaker 2: Being from Atlanta, where do you feel like which city

790
00:33:41,080 --> 00:33:45,000
Speaker 2: has more sense of fashion and style and taste between

791
00:33:45,120 --> 00:33:46,320
Speaker 2: New York and Atlanta.

792
00:33:47,760 --> 00:33:50,160
Speaker 1: I'm gonna say it like this, you can't never play

793
00:33:50,200 --> 00:33:54,440
Speaker 1: with New York. Okay. Ever, it's just it's a. It's a.

794
00:33:54,640 --> 00:33:57,800
Speaker 5: It's just it's the brain. So the semester, it's the mecca. Yeah,

795
00:33:58,000 --> 00:34:06,080
Speaker 5: it's the mecca. Now we got sauce and like how

796
00:34:06,160 --> 00:34:09,400
Speaker 5: we do it, how we carry it? Yeah, I feel like,

797
00:34:10,120 --> 00:34:11,360
Speaker 5: if I want to shot, I'm gonna come to New

798
00:34:11,440 --> 00:34:12,080
Speaker 5: York for sure.

799
00:34:12,560 --> 00:34:15,279
Speaker 1: Ain't no playing. But I'm not gonna copy high in

800
00:34:15,280 --> 00:34:17,200
Speaker 1: New York and get dressed though. Okay, you ain't gonna

801
00:34:17,200 --> 00:34:18,640
Speaker 1: put it on. Youin't gonna put it, put it together

802
00:34:18,680 --> 00:34:20,440
Speaker 1: the same way. I'm gonna put it together the same way. Okay,

803
00:34:20,480 --> 00:34:20,719
Speaker 1: got you.

804
00:34:20,760 --> 00:34:23,120
Speaker 5: I'm gonna respect it now. I would never say what

805
00:34:23,239 --> 00:34:25,239
Speaker 5: was the question? Was what they asked him, And then

806
00:34:25,600 --> 00:34:26,160
Speaker 5: he said he.

807
00:34:26,160 --> 00:34:28,920
Speaker 1: Said, got exactly what yacht he said, but it was

808
00:34:29,360 --> 00:34:30,280
Speaker 1: like who's flyer?

809
00:34:31,120 --> 00:34:33,080
Speaker 3: And then they pulled up a million photos of him

810
00:34:33,120 --> 00:34:36,520
Speaker 3: dressing just like DMX, and it was just like, I mean,

811
00:34:41,200 --> 00:34:44,040
Speaker 3: you can't say New York doesn't dress better than Atlanta

812
00:34:44,120 --> 00:34:46,719
Speaker 3: and all these photos you just taken influence from New

813
00:34:46,760 --> 00:34:50,480
Speaker 3: York fashion. Yeah, but I mean I get Atlanta's put

814
00:34:50,520 --> 00:34:51,480
Speaker 3: their their sauce.

815
00:34:51,320 --> 00:34:55,440
Speaker 1: On, so then we haven't sauce man. But it's a

816
00:34:55,520 --> 00:34:56,160
Speaker 1: cheat thote now.

817
00:34:56,160 --> 00:34:59,480
Speaker 2: And I always say this with social media because before

818
00:34:59,560 --> 00:35:02,080
Speaker 2: social medi if you was flying your city, it was

819
00:35:02,120 --> 00:35:03,880
Speaker 2: because you really went and looked for pieces.

820
00:35:04,360 --> 00:35:05,560
Speaker 4: You have to put pieces together.

821
00:35:05,920 --> 00:35:08,319
Speaker 2: Now, with social media, I could just follow off set

822
00:35:08,400 --> 00:35:09,880
Speaker 2: and be like, Yo, what hoodie off set got on?

823
00:35:10,120 --> 00:35:12,200
Speaker 4: I'm gonna go get that, Yo. What shorts off set

824
00:35:12,239 --> 00:35:13,480
Speaker 4: got on? I'm gonna go get that.

825
00:35:13,560 --> 00:35:13,680
Speaker 6: Yo.

826
00:35:13,760 --> 00:35:15,680
Speaker 4: How he did his socks with the with the laces.

827
00:35:16,760 --> 00:35:17,480
Speaker 1: It's easy.

828
00:35:17,960 --> 00:35:21,040
Speaker 3: That doesn't mean ship fashion me is also like Colonne,

829
00:35:21,120 --> 00:35:22,640
Speaker 3: It's gonna smell different on everybody.

830
00:35:23,040 --> 00:35:26,200
Speaker 4: Like you could copy somebody's whole fit. You could look

831
00:35:26,280 --> 00:35:29,279
Speaker 4: nothing absolutely you see we see the mannequins that got

832
00:35:29,280 --> 00:35:34,400
Speaker 4: the whole bilin like you you want to tell you

833
00:35:34,520 --> 00:35:37,520
Speaker 4: that find the one person, like, yeah, I.

834
00:35:37,520 --> 00:35:40,160
Speaker 1: Don't like that. I don't like niggas to go print crazy.

835
00:35:39,880 --> 00:35:43,600
Speaker 2: To grab some pieces he there and then like you said, sauce,

836
00:35:43,800 --> 00:35:44,640
Speaker 2: how you throw it together?

837
00:35:44,680 --> 00:35:45,400
Speaker 1: How you throw it together?

838
00:35:45,520 --> 00:35:47,440
Speaker 5: Yeah, because it ain't no rules and this ship right,

839
00:35:47,719 --> 00:35:49,479
Speaker 5: so it's it's it's a free book.

840
00:35:49,960 --> 00:35:52,160
Speaker 1: Some niggas. I hate man calling niggas.

841
00:35:53,960 --> 00:35:54,400
Speaker 4: It's funny.

842
00:35:54,440 --> 00:35:57,799
Speaker 1: I just said that about Yes, nigg straight Louis.

843
00:35:58,320 --> 00:36:02,200
Speaker 5: Every time that Louise shoe Lewis socks, that's nasty.

844
00:36:03,520 --> 00:36:05,640
Speaker 1: Get that nast work.

845
00:36:06,200 --> 00:36:07,920
Speaker 4: Before we let you get out of here.

846
00:36:08,320 --> 00:36:11,800
Speaker 3: We do have fans and listeners that call in and

847
00:36:11,920 --> 00:36:13,320
Speaker 3: ask for advice, tell us stories.

848
00:36:13,560 --> 00:36:15,800
Speaker 4: We want to do one quick voicemail with you, so

849
00:36:15,880 --> 00:36:16,840
Speaker 4: we give a fan advice.

850
00:36:17,400 --> 00:36:19,439
Speaker 1: Yeah, god mail, how.

851
00:36:19,400 --> 00:36:20,120
Speaker 6: It's going game?

852
00:36:20,640 --> 00:36:21,439
Speaker 4: Fuck with the pod?

853
00:36:22,400 --> 00:36:25,080
Speaker 6: Uh to come down to Louisiana for a live show year.

854
00:36:26,160 --> 00:36:29,640
Speaker 6: You know I'm a beat up, but uh, the reason

855
00:36:29,680 --> 00:36:31,600
Speaker 6: I was hitting a love man is because the nigga

856
00:36:31,680 --> 00:36:32,320
Speaker 6: needs some advice.

857
00:36:32,400 --> 00:36:32,560
Speaker 3: You know.

858
00:36:33,320 --> 00:36:35,080
Speaker 6: Nah, I haven't been around the block a few times.

859
00:36:35,160 --> 00:36:38,239
Speaker 6: You know, I'm not new to this, but still I

860
00:36:38,360 --> 00:36:41,520
Speaker 6: still like to hear different perspectives so that shorty, I'm

861
00:36:41,520 --> 00:36:41,960
Speaker 6: talking soon.

862
00:36:42,719 --> 00:36:44,520
Speaker 4: You know, I love I love my life type ship

863
00:36:44,640 --> 00:36:45,640
Speaker 4: like you know.

864
00:36:45,719 --> 00:36:48,239
Speaker 6: Our interests a line, our morals, a line, everything like

865
00:36:48,480 --> 00:36:51,439
Speaker 6: we're good and every everything good, everything pure, everything great

866
00:36:52,120 --> 00:36:56,880
Speaker 6: except one problem. Trust the shoes she got. Trust the shoes,

867
00:36:56,960 --> 00:36:59,960
Speaker 6: and they are bad now I know where they stem from.

868
00:37:00,400 --> 00:37:01,759
Speaker 6: Like she ain't had the best, like you know what

869
00:37:01,760 --> 00:37:03,160
Speaker 6: I'm saying. She's been through a lot, and one of

870
00:37:03,160 --> 00:37:05,560
Speaker 6: the things I love about it is her perseverance, Like

871
00:37:05,640 --> 00:37:08,600
Speaker 6: how she how she's still such a great person after

872
00:37:08,640 --> 00:37:10,000
Speaker 6: dealing with all the stuff that she's been.

873
00:37:09,880 --> 00:37:10,399
Speaker 4: Through in life.

874
00:37:10,920 --> 00:37:14,400
Speaker 6: But that caused this issue is you know, and she

875
00:37:14,520 --> 00:37:17,359
Speaker 6: needs therapy. But that's a whole nother conversation. You ain't

876
00:37:17,360 --> 00:37:20,520
Speaker 6: about to have no time. But I'll be killing bro.

877
00:37:21,000 --> 00:37:22,839
Speaker 6: I don't be doing nothing wrong like a nigga, don't.

878
00:37:22,880 --> 00:37:24,319
Speaker 6: I don't text no all the bitches. I don't focking

879
00:37:24,360 --> 00:37:26,399
Speaker 6: all the bitches, Like you know what I'm saying, I ain't.

880
00:37:26,640 --> 00:37:28,160
Speaker 6: I'm not on that, like I'm off there. I want

881
00:37:28,200 --> 00:37:30,440
Speaker 6: to I want a real relationship or whatever, you know,

882
00:37:30,760 --> 00:37:34,560
Speaker 6: So basically, like how would y'all deal with that without

883
00:37:35,000 --> 00:37:36,640
Speaker 6: I don't want to break up with her, like she'd

884
00:37:36,640 --> 00:37:37,840
Speaker 6: be trying to go through a nigga phone, like she

885
00:37:37,880 --> 00:37:40,359
Speaker 6: went through my phone. She don't find nothing, but it's still, Oh,

886
00:37:40,520 --> 00:37:42,360
Speaker 6: you must be hiding something, you must delete messages like

887
00:37:42,400 --> 00:37:44,600
Speaker 6: it's all kind of bullshit and not just I don't

888
00:37:44,640 --> 00:37:47,400
Speaker 6: want to break up with her, but nigga kind of

889
00:37:47,440 --> 00:37:47,880
Speaker 6: tired of it.

890
00:37:47,960 --> 00:37:49,719
Speaker 4: Yo, maw leave.

891
00:37:51,480 --> 00:37:53,640
Speaker 2: Yeah, I feel like it sounds like she's already like

892
00:37:53,800 --> 00:37:55,800
Speaker 2: just way too insecure and it's not gonna get no

893
00:37:55,880 --> 00:37:57,439
Speaker 2: better if she going through your phone and she don't

894
00:37:57,440 --> 00:37:59,480
Speaker 2: find nothing and she still feel like you hiding something.

895
00:38:00,560 --> 00:38:01,359
Speaker 4: She got to do the work.

896
00:38:01,440 --> 00:38:03,120
Speaker 1: Get up out of the man, Get up out of there,

897
00:38:05,000 --> 00:38:06,880
Speaker 1: he said, he got You.

898
00:38:07,320 --> 00:38:12,040
Speaker 3: Know she has she she has, she passed, has those,

899
00:38:12,440 --> 00:38:14,799
Speaker 3: so she'd be going through his phone. Yeah, going through

900
00:38:14,800 --> 00:38:15,040
Speaker 3: a ship.

901
00:38:15,080 --> 00:38:17,320
Speaker 4: He's gonna be doing nothing. He said, he's chilling no holes.

902
00:38:19,200 --> 00:38:23,400
Speaker 1: I'm saying, though he had to do it, Like is

903
00:38:23,480 --> 00:38:24,520
Speaker 1: it like a past.

904
00:38:24,840 --> 00:38:27,720
Speaker 2: Well, her previous relationships. She's been through some ship before

905
00:38:28,320 --> 00:38:28,920
Speaker 2: now that day.

906
00:38:29,320 --> 00:38:32,080
Speaker 1: Sometimes people do the good to the oh yeah, what

907
00:38:32,239 --> 00:38:36,160
Speaker 1: she doing? What she got going on? Check her phone?

908
00:38:36,280 --> 00:38:36,960
Speaker 4: That's that's y'all.

909
00:38:40,440 --> 00:38:42,839
Speaker 5: But I'm just saying, like she keeps pressing she checking

910
00:38:42,880 --> 00:38:46,840
Speaker 5: him like he hurt by that ship, like you're in

911
00:38:46,880 --> 00:38:47,239
Speaker 5: love with her?

912
00:38:47,239 --> 00:38:48,239
Speaker 2: He's something like you want to be with her, but

913
00:38:48,280 --> 00:38:49,960
Speaker 2: he like she making it all like damn, I'm not

914
00:38:50,040 --> 00:38:51,960
Speaker 2: fucking around. Why you keep pressing me about this?

915
00:38:53,360 --> 00:38:54,280
Speaker 1: They don't want my advice.

916
00:38:56,000 --> 00:38:59,919
Speaker 4: He wants to trust me, He doesn't want all said,

917
00:39:00,680 --> 00:39:02,440
Speaker 4: like hell, yeah, I'm I'm rolling with that. So what

918
00:39:02,560 --> 00:39:04,080
Speaker 4: does all said tell a gentleman like that?

919
00:39:07,120 --> 00:39:08,480
Speaker 1: What you're telling? She too, like.

920
00:39:10,640 --> 00:39:12,920
Speaker 5: Maybe maybe maybe you got you make her feel a

921
00:39:12,920 --> 00:39:15,120
Speaker 5: little bit more secure than know what I mean? Maybe Okay,

922
00:39:15,520 --> 00:39:18,760
Speaker 5: maybe you maybe you the trauma, look at the trauma

923
00:39:18,840 --> 00:39:21,080
Speaker 5: she's been through and try to do the opposite of that.

924
00:39:21,520 --> 00:39:25,400
Speaker 1: Yeah, maybe that can help, But I don't know.

925
00:39:25,880 --> 00:39:28,319
Speaker 3: I hear that, but I'm not changing my whole life

926
00:39:28,400 --> 00:39:30,279
Speaker 3: for you to look through my phone like I'm on

927
00:39:30,400 --> 00:39:32,680
Speaker 3: fucking parole every night because you went through some ship

928
00:39:32,760 --> 00:39:35,319
Speaker 3: before me, Like I'm just not really, I can't pay

929
00:39:35,400 --> 00:39:38,200
Speaker 3: for his The other guy like ups to me, that's

930
00:39:38,200 --> 00:39:39,880
Speaker 3: odd because I'm not going to go through your phone.

931
00:39:41,160 --> 00:39:41,360
Speaker 1: To me.

932
00:39:41,520 --> 00:39:43,680
Speaker 3: That's if she don't work on that ship by herself,

933
00:39:44,600 --> 00:39:46,920
Speaker 3: I would leave because that's only going to get word

934
00:39:47,000 --> 00:39:49,680
Speaker 3: you can't cure that ship just by showing your phone

935
00:39:49,719 --> 00:39:52,360
Speaker 3: every fucking night, right, What I didn't do anything?

936
00:39:53,000 --> 00:39:53,839
Speaker 4: Is that one of your things?

937
00:39:53,880 --> 00:39:54,040
Speaker 3: Though?

938
00:39:54,200 --> 00:39:56,840
Speaker 2: Never never go through a woman's phone, even if you

939
00:39:56,880 --> 00:39:58,680
Speaker 2: feel like there may be some shit going on, like

940
00:39:58,760 --> 00:40:00,279
Speaker 2: you just never like, I'm never doing on it.

941
00:40:00,560 --> 00:40:02,440
Speaker 1: I ain't gonna say I've done it.

942
00:40:03,040 --> 00:40:06,080
Speaker 4: But did you find what she was looking for? Her?

943
00:40:06,320 --> 00:40:07,480
Speaker 4: That shit hurt you?

944
00:40:07,719 --> 00:40:10,640
Speaker 1: Just no, Actually, don't find nothing.

945
00:40:10,719 --> 00:40:14,200
Speaker 4: That's what hers When you don't find nothing, explain that

946
00:40:14,239 --> 00:40:14,720
Speaker 4: when you're.

947
00:40:14,600 --> 00:40:16,560
Speaker 5: Hired as a man like that's the lame ash like

948
00:40:16,880 --> 00:40:18,759
Speaker 5: after you Okay, I say it just when you when

949
00:40:18,800 --> 00:40:20,759
Speaker 5: you you do some shit that as you're like, what

950
00:40:20,920 --> 00:40:21,239
Speaker 5: the fuck?

951
00:40:21,360 --> 00:40:23,359
Speaker 1: Why would I even playing myself go in the phone?

952
00:40:23,800 --> 00:40:27,000
Speaker 1: Ain't nothing in there? Yeah? Damn I'm laming. Then you

953
00:40:27,120 --> 00:40:29,200
Speaker 1: just sitting there layming head going through the girl phone.

954
00:40:29,600 --> 00:40:31,439
Speaker 2: Do you tie them went through it and you didn't

955
00:40:31,440 --> 00:40:33,520
Speaker 2: find nothing? Or you just just tuck that and be like, damn,

956
00:40:33,520 --> 00:40:35,160
Speaker 2: that's fucking corny. I just some corny ship.

957
00:40:35,360 --> 00:40:36,640
Speaker 1: It's so corny. You got took that.

958
00:40:39,800 --> 00:40:41,600
Speaker 4: There's no winning going through the far. You're gonna find something.

959
00:40:41,600 --> 00:40:42,000
Speaker 1: You don't like it.

960
00:40:42,080 --> 00:40:43,480
Speaker 3: If you don't find something you don't like. You gonna

961
00:40:43,480 --> 00:40:45,759
Speaker 3: think she deleted something. So now you're just walking around

962
00:40:45,760 --> 00:40:46,440
Speaker 3: the house pacing, like.

963
00:40:46,440 --> 00:40:49,640
Speaker 1: Just don't get in the phone, pay stay away from

964
00:40:49,880 --> 00:40:50,600
Speaker 1: from the phone.

965
00:40:50,360 --> 00:40:52,680
Speaker 2: Don't go through no phones. I don't recommend going through

966
00:40:52,719 --> 00:40:55,000
Speaker 2: no phones. Either You're gonna find a reason to leave

967
00:40:55,160 --> 00:40:57,239
Speaker 2: or find a reason to stay. Either way, don't do it.

968
00:40:57,320 --> 00:40:58,960
Speaker 4: No, my ego can handle it. That's why I've never

969
00:40:58,960 --> 00:41:01,719
Speaker 4: went through the phone set tell us the album.

970
00:41:02,000 --> 00:41:08,360
Speaker 1: Yes album, man, So this album when August twenty second

971
00:41:09,920 --> 00:41:10,560
Speaker 1: visual album.

972
00:41:10,600 --> 00:41:13,880
Speaker 5: I should be doing a video for each song or

973
00:41:13,960 --> 00:41:15,360
Speaker 5: some type of visual content for you.

974
00:41:16,320 --> 00:41:18,719
Speaker 1: You know what I'm saying. Getting in my actor back,

975
00:41:18,800 --> 00:41:19,719
Speaker 1: I like, I like doing it.

976
00:41:19,920 --> 00:41:22,080
Speaker 5: I feel like that ship make records be bigger because

977
00:41:22,120 --> 00:41:24,919
Speaker 5: it's like more into its that's just dropping shit. Yeah,

978
00:41:25,440 --> 00:41:28,280
Speaker 5: collab with I got a collab with poly the clothing

979
00:41:28,360 --> 00:41:31,920
Speaker 5: brand with all my boxes and merch. Okay, I got

980
00:41:32,200 --> 00:41:35,480
Speaker 5: yets Am box has anti stretch like I did with

981
00:41:35,600 --> 00:41:36,160
Speaker 5: Dental Tears.

982
00:41:39,280 --> 00:41:39,480
Speaker 1: Yeah.

983
00:41:39,600 --> 00:41:42,959
Speaker 5: Man, I worked on this album for like five six months.

984
00:41:43,400 --> 00:41:46,240
Speaker 5: I had one already, and because of life, I scratched

985
00:41:46,280 --> 00:41:49,440
Speaker 5: that ship and just got into this. Changed my energies

986
00:41:49,719 --> 00:41:52,160
Speaker 5: started focusing back on music, like getting it back into

987
00:41:53,200 --> 00:41:56,279
Speaker 5: like getting the studio every day type vie because it

988
00:41:56,320 --> 00:41:57,560
Speaker 5: had got to a point where I was just like

989
00:41:57,640 --> 00:42:00,520
Speaker 5: I would go here and there, I would do showhit go.

990
00:42:00,600 --> 00:42:01,879
Speaker 1: There, started feeling like a job.

991
00:42:02,080 --> 00:42:06,680
Speaker 5: Yeah, it's a lot back into it and first time

992
00:42:06,760 --> 00:42:10,279
Speaker 5: opportunity being able to like expressed me. That's why I

993
00:42:10,360 --> 00:42:14,160
Speaker 5: just said named it myself because it's just like it's

994
00:42:14,200 --> 00:42:15,760
Speaker 5: selting whatever the motherfuckers.

995
00:42:15,360 --> 00:42:18,239
Speaker 1: Say about me and putting it into the music. Yeah.

996
00:42:19,360 --> 00:42:22,799
Speaker 2: Grimm off Set August twenty second, Kat the album bro,

997
00:42:23,040 --> 00:42:23,839
Speaker 2: thank you for coming through.

998
00:42:23,880 --> 00:42:25,600
Speaker 4: Put next job boys come back soon.

999
00:42:25,719 --> 00:42:25,879
Speaker 1: Man?

1000
00:42:25,960 --> 00:42:27,640
Speaker 4: You that home here with Roy and more.

1001
00:42:27,920 --> 00:42:28,600
Speaker 1: I'm that nigga.

1002
00:42:28,640 --> 00:42:29,240
Speaker 4: He's just Jinger.

1003
00:42:29,320 --> 00:42:30,680
Speaker 1: That's off set. Yep.

1004
00:42:31,600 --> 00:42:31,640
Speaker 4: No,