WEBVTT - #146 - Ben Hoffman: The Man Behind Wheeler Walker Jr.

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<v Speaker 1>They welcome to episode on the Bobby Cast. And and

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<v Speaker 1>we've had Wheeler Walker Jr. In Before, but actually Wheeler

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<v Speaker 1>Walker Jr. It's character Ben Hoffman, who is the first

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<v Speaker 1>time because you know, I talked about this. It was like, hey,

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<v Speaker 1>why don't you it was your idea? Actually, well my

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<v Speaker 1>thing is, um. I was we were talking about doing this,

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<v Speaker 1>and I was like, it's always weird for me to

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<v Speaker 1>do it with people I know, and now that I

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<v Speaker 1>know you, um And I'll talk about that in a

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<v Speaker 1>second because it's interesting to me, but it's just weird

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<v Speaker 1>for me to come over to your place, sit down

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<v Speaker 1>and talk as a as a character, as a character,

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<v Speaker 1>because it's the first time. We didn't really know each

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<v Speaker 1>other that well. Yeah, I mean the first one was

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<v Speaker 1>still I knew. I felt like I we'd met, and

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<v Speaker 1>I was like, you know, you know, I know, it's

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<v Speaker 1>like the fun for me is and I'm just I'm

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<v Speaker 1>just not as I just at the beginning, it was

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<v Speaker 1>just like, let's go full in. I'm just gonna do

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<v Speaker 1>the character. And now that we're on the third record,

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<v Speaker 1>which just came out, which by the way, is number

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<v Speaker 1>one in the iTunes Country charts, to talk to you

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<v Speaker 1>right now, so let's keep it up. Sorry, Dolly number two.

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<v Speaker 1>She'll take me down any second now, probably by the

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<v Speaker 1>time I get out of here, but she might actually

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<v Speaker 1>have you killed, not just take you down on the chart. Well,

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<v Speaker 1>yeah she could. I mean if she you know what

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<v Speaker 1>if for someone who could? Who could? Um? Who? I

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<v Speaker 1>wouldn't mind to see if that's the last person I'm

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<v Speaker 1>gonna see. I love it. Oh, I forgotten to cuss

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<v Speaker 1>on this, right, but let's say this first thing. If

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<v Speaker 1>I don't curse at all, but if if you don't

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<v Speaker 1>like bad words, you may want to turn this one off.

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<v Speaker 1>Not that we're gonna go full blue, but part of

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<v Speaker 1>Wheeler's characters, he's very blue. And that's all I enjoy

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<v Speaker 1>Wheeler because he's so blue. So um, there will be

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<v Speaker 1>curse words said. And if that's not your deal, we're

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<v Speaker 1>not gonna say it for the sake of saying it.

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<v Speaker 1>But I'm just getting everybody heads up because mostly people

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<v Speaker 1>cards a little bit because there's no rules. Do you know.

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<v Speaker 1>I wonder what the audience is like for for Bobby

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<v Speaker 1>Cass the same pretty much the same as the radio. Yeah,

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<v Speaker 1>I mean, what do you uh? You're talking about like

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<v Speaker 1>reach or no, no, no, no, I mean you can

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<v Speaker 1>tell me the reach. I don't care. I'm just saying,

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<v Speaker 1>like the type of audience members more like people's six

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<v Speaker 1>pretty five female between the ages of twenty two and

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<v Speaker 1>forty eight. When I look at the data, I don't

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<v Speaker 1>know my data, but I gotta believe it's way different,

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<v Speaker 1>probably oppos I would think so two, which is why

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<v Speaker 1>I think it's actually funny and cool that you're on

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<v Speaker 1>this show and talking has been because I think people

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<v Speaker 1>will be not only they'll see we learned most of

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<v Speaker 1>them a go, well that's dumb, but because you're it's

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<v Speaker 1>very dude centric. Yeah, and it's it's I mean, it's

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<v Speaker 1>a part of me. It's something I enjoyed and I've

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<v Speaker 1>always loved music. I wanted to get into it, and

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<v Speaker 1>it's kind of something I kind of you know, created

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<v Speaker 1>and it felt like a good I was really I

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<v Speaker 1>will say I was much angrier at the time when

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<v Speaker 1>I first started doing it, but I've since again, like

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<v Speaker 1>I said, sitting here is bend is not a big

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<v Speaker 1>deal for me because I'm not as piste, piste off

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<v Speaker 1>or angry to these older women. I'll use the word

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<v Speaker 1>angry as I was when older, How old are you?

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<v Speaker 1>You're like, you're exactly I should be there, like that

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<v Speaker 1>should be you know, that's who Sho should be. That's exactly.

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<v Speaker 1>I'm forty three. I'm not a kid. I can grow

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<v Speaker 1>a full beard. Look on. Um and yeah, I just

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<v Speaker 1>it just it feels different to me now and I

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<v Speaker 1>feel like, um, I don't really like hiding bend is

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<v Speaker 1>not important to me? What was it? And before I

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<v Speaker 1>get to that, here's the funny thing to me is

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<v Speaker 1>that when Wheeler first existed, because I didn't know you

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<v Speaker 1>until I knew of Wheeler, and I think you had

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<v Speaker 1>came out and you kept me online or something. I

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<v Speaker 1>I came after you hard because my my thing was, Um,

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<v Speaker 1>I'll tell a little people about my background. I'm from Kentucky.

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<v Speaker 1>My mom is from nash I mean I literally passed

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<v Speaker 1>the house from my mom grew up is right down

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<v Speaker 1>I won't say the name of the street for the

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<v Speaker 1>sick year crazy fans, but um, my mom grew up

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<v Speaker 1>right down the street from here. I whentn't. I've been

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<v Speaker 1>to your place before and I always enjoy stopping, you know,

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<v Speaker 1>driving by. They since put an extra story on it,

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<v Speaker 1>but you know, my family is from here, so I

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<v Speaker 1>I just had decided that I was going to I

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<v Speaker 1>had a show on Comedy Central and I did a

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<v Speaker 1>kind of a a a country music show on Comedy Central,

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<v Speaker 1>and I did a sketch where I because I always

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<v Speaker 1>loved playing music, I wanted to I wanted to do

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<v Speaker 1>a song and I sang like a country or song

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<v Speaker 1>that was really dirty, and he got a great reaction.

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<v Speaker 1>I'm like, I stoet a whole album with this, and

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<v Speaker 1>I kind of I knew a lot of just from

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<v Speaker 1>growing up here, I knew a lot of people and

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<v Speaker 1>I a lot of people at that time were from

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<v Speaker 1>my hometown, Kentucky were starting to get big, and they

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<v Speaker 1>introduced me to Dave Cobb, the producer who did Stapleton

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<v Speaker 1>and is Bell, Sturgel, lot, you know all the you know,

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<v Speaker 1>he's got a hand of a closet full of Grammy's now,

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<v Speaker 1>none of which are mine. But and we I talked.

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<v Speaker 1>I sat down and talked to Dave and he was

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<v Speaker 1>really into I just want to go. I wanted to

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<v Speaker 1>make because what had happened is I had taken a

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<v Speaker 1>break from kind of what I guess you would call

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<v Speaker 1>commercial country for so long, like I literally turned off

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<v Speaker 1>the radio in I don't know what year exactly, but

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<v Speaker 1>it feels like I turned off the radio when it

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<v Speaker 1>was Alan Jackson and Travis Tritt and turned it back

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<v Speaker 1>on it was Florida Georgian line I did. I honestly

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<v Speaker 1>didn't know what was happening, because you would Los Angeles

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<v Speaker 1>and you weren't. I think it was that. I think, yeah,

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<v Speaker 1>I think it was that. I think I had also

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<v Speaker 1>maybe just kind of I've never really been a radio guy.

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<v Speaker 1>I always you know, I'm an album collector. I love

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<v Speaker 1>listening to what I want to listen to, and I

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<v Speaker 1>just I never really was, you know, I never needed

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<v Speaker 1>the radio to tell me what to listen to. I

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<v Speaker 1>was always reading about it, Like I used to go

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<v Speaker 1>to the University of Kentucky library and and borrow Rolling

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<v Speaker 1>Stone magazines like like the old old ones on microfiche

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<v Speaker 1>and see like what they liked that week. Yeah, exactly

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<v Speaker 1>have to put him in, I mean, which you don't

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<v Speaker 1>need anymore because they have the Internet. But I would like,

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<v Speaker 1>who's this guy lou read? I want to learn more

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<v Speaker 1>about him? You just go buy the record. So I

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<v Speaker 1>just never kept up with what was going on commercially.

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<v Speaker 1>I was really blown away by the how pop it

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<v Speaker 1>had become. And it's kind of and I thought that

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<v Speaker 1>would be kind of a good and I'm not gonna lie.

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<v Speaker 1>I don't love that stuff and you know that, you

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<v Speaker 1>know that, But I just thought it was kind of

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<v Speaker 1>a good metaphor. It was like it was a good

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<v Speaker 1>um and still is. It's a good um like a

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<v Speaker 1>superhero movie. It's a good villain, you know, Like I'm

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<v Speaker 1>real country. You guys are fake country on the real thing.

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<v Speaker 1>And that's what where the whole fun of it came

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<v Speaker 1>to me was. And I've read a million reviews how

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<v Speaker 1>Wheeler is the real thing and these guys suck and

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<v Speaker 1>I'm and I get a chuckle, you know, I'm like,

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<v Speaker 1>I'm made up, you know. So it's just, you know,

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<v Speaker 1>just like I think what happened was I and I

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<v Speaker 1>was honestly angry that, like how is this? Because like

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<v Speaker 1>I had family members who are you know? And I

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<v Speaker 1>would see back in when I would come to Nashville,

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<v Speaker 1>which was pretty much every few weeks as a kid,

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<v Speaker 1>and you know, you'd see you know, um, Crystal Gale

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<v Speaker 1>walking down the street. It was just a small town

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<v Speaker 1>with a few country stars around, and it felt like

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<v Speaker 1>really organic, real music. And it feels like and it

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<v Speaker 1>felt like almost a Hollywood had taken over in my

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<v Speaker 1>back of my mind. I think living out in l A,

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<v Speaker 1>it's like I can always go back to country music

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<v Speaker 1>and listen to country radio and just remind me of

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<v Speaker 1>the good old days, and it just it just disappeared again.

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<v Speaker 1>You know, no personal offense, but um, it's just kind

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<v Speaker 1>of and you've had your issues with the two um

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<v Speaker 1>but um. And as you as almost the face of

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<v Speaker 1>country radio at the time, I think I was. I

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<v Speaker 1>singled you as an enemy, and then there was a

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<v Speaker 1>few people who would, like, you know, I don't remember

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<v Speaker 1>who it was, but a few different people were They're like, no, no, no,

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<v Speaker 1>he's a this, he's um. I'm trying to think of

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<v Speaker 1>the word they use. They always used the same. He

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<v Speaker 1>likes he likes to um stir stir s up. Yeah,

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<v Speaker 1>but he's like, no, no, Bobby, Bobby is a UM.

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<v Speaker 1>You know, Bobby's the guy likes this, you know, start ship.

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<v Speaker 1>And I was like, um, huh, maybe I got him wrong.

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<v Speaker 1>And then we met and we remember we came after

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<v Speaker 1>me on Twitter and I was like, well, I've already

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<v Speaker 1>been a fan of what the character supposedly stood for,

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<v Speaker 1>and I knew it was a character too, So I

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<v Speaker 1>enjoyed the hyperbole of Wheeler Walker, loved it. And you

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<v Speaker 1>came after me, and I remember just going, O get

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<v Speaker 1>this funny, And I think I replied back, like, you're right, yeah,

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<v Speaker 1>you're everything. You're things right about me, about me specifically. Yeah,

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<v Speaker 1>but you'd also i'd heard that, um you uh, um,

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<v Speaker 1>what do you? What do you? What do you know?

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<v Speaker 1>Shouldn't you shut the door? People are like cooking downstairs.

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<v Speaker 1>You gotta you know what's in the house. Well, this

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<v Speaker 1>is how you know you want dancing with the Star.

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<v Speaker 1>You got a team of people cooking you food. We

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<v Speaker 1>have a Christmas party at my house tonight. Okay, so

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<v Speaker 1>like my whole show is coming over tonight. So the

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<v Speaker 1>team of people actually a friend of mine who said

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<v Speaker 1>I will come and cook the crystal. Well, I said,

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<v Speaker 1>I've been there. I don't remember teams. There's no teams,

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<v Speaker 1>just hanging out. Mike's the only team. So back back

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<v Speaker 1>before the blender jumped into our conversation, uh, I remember

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<v Speaker 1>just your messaging at me and making fun of me

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<v Speaker 1>online like, well, I did that all the time, and

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<v Speaker 1>I didn't. For the most I did it and I

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<v Speaker 1>still do it. A lot of the people I have

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<v Speaker 1>no idea who they are. I just know they're you know,

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<v Speaker 1>I have my people, that's you know. There's plenty of

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<v Speaker 1>people I've made fun of online since met And then

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<v Speaker 1>as someone go, you know, you should actually listen to him,

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<v Speaker 1>you know, and it's like, you know what, it's not

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<v Speaker 1>that bad, you know, but but but it's usually insult

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<v Speaker 1>first and ask questions later, which is probably probably gets

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<v Speaker 1>me in trouble. Well, and you know, that's what you

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<v Speaker 1>did to me, But again its with the character of it,

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<v Speaker 1>and what's funny and hard for me because you're actually

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<v Speaker 1>a really nice guy when you're not Wheeler like we

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<v Speaker 1>learned been to me or there. The juxtaposition between you

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<v Speaker 1>two is night and day because you're actually pretty soft

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<v Speaker 1>spoken human. That's really funny. And Wheeler is this big,

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<v Speaker 1>loud character and so's and used to come after me.

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<v Speaker 1>But I see you come after my friends too, and

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<v Speaker 1>they don't know Ben, they only see Wheeler and I

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<v Speaker 1>laugh and just see how they react because again, how

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<v Speaker 1>someone reacts to a character, well, the best way for

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<v Speaker 1>what it's worth about like a band who i've since

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<v Speaker 1>I think I want to say I met him. I

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<v Speaker 1>don't remember, but I went hard after Old Dominion and

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<v Speaker 1>they just came back with a joke, making like a

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<v Speaker 1>really funny joke. I never made fun of him since

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<v Speaker 1>it's just like if you go along with it and

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<v Speaker 1>you just and I'll never touch Old Dominion again. It's

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<v Speaker 1>just like you go out the DNA and I love

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<v Speaker 1>those guys, but I just laugh. But they're but they're

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<v Speaker 1>just they don't take it that well, and it just

0:10:02.320 --> 0:10:04.440
<v Speaker 1>brings it's just fun. It's just fun to have that.

0:10:04.760 --> 0:10:07.960
<v Speaker 1>And I'm not and not joking. My therapist thinks this

0:10:08.000 --> 0:10:10.160
<v Speaker 1>whole thing. He's like, he thinks it's great for me.

0:10:10.200 --> 0:10:12.880
<v Speaker 1>He's like, you've really improved. It's like, well, I'm getting

0:10:13.080 --> 0:10:18.240
<v Speaker 1>um a um uh. Well, let me just give you

0:10:18.240 --> 0:10:20.320
<v Speaker 1>a quick example. I had a a sketch on the

0:10:20.520 --> 0:10:22.280
<v Speaker 1>On the Bench show where I just scream at this

0:10:22.559 --> 0:10:25.440
<v Speaker 1>group of football players and it was the end of

0:10:25.440 --> 0:10:28.440
<v Speaker 1>a long day. We've been shooting all day and I

0:10:28.520 --> 0:10:31.440
<v Speaker 1>was screaming and yelling like, oh we didn't get that

0:10:31.480 --> 0:10:33.080
<v Speaker 1>to you know, we gotta redo it. The lightning was

0:10:33.120 --> 0:10:37.160
<v Speaker 1>off and I lost my voice screaming so hard and um,

0:10:38.160 --> 0:10:40.680
<v Speaker 1>and I've always been insomniac. And I told my therapist,

0:10:40.760 --> 0:10:43.400
<v Speaker 1>you know, I didn't have to take amby and do anything.

0:10:43.400 --> 0:10:45.560
<v Speaker 1>That night. I just fell asleep. He's like, well, you

0:10:45.600 --> 0:10:47.439
<v Speaker 1>got it all out. There's a lot of your system.

0:10:47.480 --> 0:10:49.959
<v Speaker 1>I slept like a baby that night. I was like, well,

0:10:50.120 --> 0:10:53.240
<v Speaker 1>actually I should just yell and screaming strangers every day,

0:10:53.320 --> 0:10:56.280
<v Speaker 1>you know. And that's kind of what the character became,

0:10:56.400 --> 0:11:00.280
<v Speaker 1>you know, um a little with more social media. Yeah,

0:11:00.320 --> 0:11:02.080
<v Speaker 1>I was just it was just there's so much pent

0:11:02.160 --> 0:11:04.920
<v Speaker 1>up and you see the soft nice guy, but inside

0:11:04.960 --> 0:11:07.800
<v Speaker 1>it's just like it's raging. See I don't because you

0:11:07.880 --> 0:11:10.719
<v Speaker 1>and I socially more than once, and it's a very

0:11:10.760 --> 0:11:13.480
<v Speaker 1>soft nice guy. But also I know creatives are nuts,

0:11:14.080 --> 0:11:16.440
<v Speaker 1>and to be a creative, there's some nutty part of

0:11:16.440 --> 0:11:19.440
<v Speaker 1>you that is just sitting in there waiting to jump out. Yeah,

0:11:19.480 --> 0:11:21.840
<v Speaker 1>and that that that it's nice to have a release

0:11:21.920 --> 0:11:23.720
<v Speaker 1>for that nutty part, you know. And I didn't know

0:11:23.720 --> 0:11:27.400
<v Speaker 1>how badly I needed it. Um. But I also do

0:11:27.559 --> 0:11:30.199
<v Speaker 1>love country music and I love playing. I've really enjoyed,

0:11:30.440 --> 0:11:33.200
<v Speaker 1>you know, every you've enjoyed every second of it. Um,

0:11:33.320 --> 0:11:35.880
<v Speaker 1>you do love country music, that's the truth, of course. Yeah.

0:11:35.880 --> 0:11:37.080
<v Speaker 1>I mean I grew up with it. I don't think

0:11:37.120 --> 0:11:40.320
<v Speaker 1>you can. I don't think you can do what I'm doing.

0:11:40.320 --> 0:11:42.880
<v Speaker 1>And I sincerely love the music and know it really well.

0:11:43.480 --> 0:11:45.040
<v Speaker 1>The first song that you put on the Bench show

0:11:45.120 --> 0:11:48.120
<v Speaker 1>was called Eating p and Kicking a Yeah, and that guy.

0:11:48.280 --> 0:11:50.440
<v Speaker 1>That one was so much fun because we brought in

0:11:50.480 --> 0:11:53.640
<v Speaker 1>a group of um, you can still watch it online,

0:11:54.600 --> 0:11:58.040
<v Speaker 1>and we brought in a group of Hollywood extras, mostly

0:11:58.080 --> 0:12:00.959
<v Speaker 1>older folk who didn't there's just it was almost like

0:12:01.000 --> 0:12:04.240
<v Speaker 1>a jackass type thing, and we shot their reactions just

0:12:04.280 --> 0:12:06.760
<v Speaker 1>like you're you're just audience members at a country show,

0:12:06.840 --> 0:12:08.400
<v Speaker 1>you know. And they just sat there and we just

0:12:08.600 --> 0:12:11.520
<v Speaker 1>we went and I sang that song straight, and I

0:12:11.800 --> 0:12:14.440
<v Speaker 1>mean a couple of people left and without getting their

0:12:14.520 --> 0:12:16.000
<v Speaker 1>check just they were just so upset, and I was

0:12:16.000 --> 0:12:17.880
<v Speaker 1>just like, I'd like to do this every day, you know.

0:12:18.320 --> 0:12:20.480
<v Speaker 1>I want to talk about sleep Number for one second,

0:12:20.640 --> 0:12:22.040
<v Speaker 1>so as you know, I do this show from my

0:12:22.080 --> 0:12:25.720
<v Speaker 1>house and uh the studios upstairs, but downstairs, actually right

0:12:25.720 --> 0:12:28.720
<v Speaker 1>below where I am now is my bedroom and I

0:12:28.760 --> 0:12:32.040
<v Speaker 1>do have a sleep Number bed and right now the

0:12:32.080 --> 0:12:35.120
<v Speaker 1>new Sleep Number three sixties smart bed It's all about

0:12:35.200 --> 0:12:38.600
<v Speaker 1>quality sleep. My sleep number setting is thirty and it

0:12:38.640 --> 0:12:40.720
<v Speaker 1>has been for a long time. And you know for me,

0:12:40.960 --> 0:12:43.360
<v Speaker 1>if I sleep better, then I feel better. And if

0:12:43.400 --> 0:12:45.520
<v Speaker 1>I feel better, then I work better. Did you just

0:12:45.559 --> 0:12:47.360
<v Speaker 1>do everything better? You feel better, you think better. It's

0:12:47.360 --> 0:12:50.199
<v Speaker 1>all about sleep. So let me encourage you. If you're

0:12:50.200 --> 0:12:51.760
<v Speaker 1>not getting a great night's sleep, or maybe you don't

0:12:51.760 --> 0:12:54.000
<v Speaker 1>even know you're not getting a great night's sleep, head

0:12:54.000 --> 0:12:56.520
<v Speaker 1>over to a sleep number store and check one out

0:12:56.760 --> 0:12:58.559
<v Speaker 1>and see what you're Sleep number setting is going to

0:12:58.600 --> 0:13:01.880
<v Speaker 1>see the newest sleeping about three sixty smart beds. You

0:13:01.880 --> 0:13:03.720
<v Speaker 1>know it's more than just a bed, it's a brighter

0:13:03.800 --> 0:13:06.880
<v Speaker 1>you for the holidays. From Sleep Number is the official

0:13:06.960 --> 0:13:09.280
<v Speaker 1>Sleeping while Less partner of the NFL. You'll only find

0:13:09.320 --> 0:13:11.480
<v Speaker 1>a sleep Number one of the five hundred seventy five

0:13:11.640 --> 0:13:15.240
<v Speaker 1>sleep number stores nationwide. Visit sleep number dot com slash

0:13:15.280 --> 0:13:18.120
<v Speaker 1>bones to find the one nearest to you. Sleep number

0:13:18.160 --> 0:13:20.679
<v Speaker 1>dot com slash bones to find the one nearest to you.

0:13:21.040 --> 0:13:23.360
<v Speaker 1>All Right, so you want to praying Justin Bieber fans

0:13:23.400 --> 0:13:25.120
<v Speaker 1>by by doing a Q and A with Justin Bieber

0:13:25.320 --> 0:13:27.520
<v Speaker 1>except you just stole a picture off of Instagram. Yeah,

0:13:27.559 --> 0:13:29.600
<v Speaker 1>I told that. I told that story on Conan. I

0:13:29.679 --> 0:13:33.200
<v Speaker 1>um um, I took a somebody ted a picture of

0:13:33.240 --> 0:13:39.319
<v Speaker 1>a biber on on a plane and and I said,

0:13:39.440 --> 0:13:42.040
<v Speaker 1>as this is as Ben And I said, um, hey,

0:13:42.080 --> 0:13:44.640
<v Speaker 1>I'm sitting next to Biber and our planes stuck on

0:13:44.679 --> 0:13:48.240
<v Speaker 1>the runway. And I'll ask him and he says, I'll

0:13:48.240 --> 0:13:50.640
<v Speaker 1>do He collided any question because I was trying to

0:13:50.640 --> 0:13:53.160
<v Speaker 1>promote the show. Go. He'll answer any question you guys want.

0:13:54.040 --> 0:13:55.760
<v Speaker 1>He's really being really cool because we're gonna be here

0:13:55.800 --> 0:13:58.360
<v Speaker 1>for like an hour. And I got fans from Bieber

0:13:58.360 --> 0:14:00.120
<v Speaker 1>fans from all over the world. They're like, you know,

0:14:01.000 --> 0:14:03.200
<v Speaker 1>can we ask him when he's coming to Australia and

0:14:03.520 --> 0:14:05.160
<v Speaker 1>we're right back. I just asked him. He said he

0:14:05.200 --> 0:14:08.439
<v Speaker 1>hates Australians ever coming, and he's like any and some girls,

0:14:08.440 --> 0:14:11.040
<v Speaker 1>some poor little girl. May I feel bad for these kids? Now?

0:14:11.120 --> 0:14:13.520
<v Speaker 1>This girl goes, um, you know, can you ask me

0:14:13.559 --> 0:14:16.320
<v Speaker 1>if he likes girls with glasses? I mean like he

0:14:16.400 --> 0:14:18.760
<v Speaker 1>says he just thinks that he thinks there they suck

0:14:18.800 --> 0:14:20.440
<v Speaker 1>and you should get contacts, you know, and just like

0:14:20.480 --> 0:14:22.680
<v Speaker 1>you know, just being rude and if they all believed it,

0:14:22.680 --> 0:14:24.480
<v Speaker 1>I don't know why. I think it was maybe the

0:14:24.480 --> 0:14:27.520
<v Speaker 1>early days a Twitter or something. And so that was

0:14:27.760 --> 0:14:29.480
<v Speaker 1>been You did the Bench, which I thought the Ben

0:14:29.480 --> 0:14:32.840
<v Speaker 1>show was so funny. I thought it was so funny.

0:14:31.920 --> 0:14:35.560
<v Speaker 1>It was it was only it was tough show to do. Um,

0:14:35.600 --> 0:14:37.800
<v Speaker 1>and we I talked about it with the right around

0:14:37.800 --> 0:14:40.960
<v Speaker 1>the time of Key and Peel were Um, it was

0:14:41.000 --> 0:14:43.880
<v Speaker 1>a sketch show, which is a really hard thing to

0:14:43.920 --> 0:14:46.800
<v Speaker 1>do nowadays with like and even Key and Peel had

0:14:46.840 --> 0:14:49.200
<v Speaker 1>this issue, which is, why would I watch a show

0:14:49.320 --> 0:14:51.800
<v Speaker 1>a sketch on TV. I'll just wait for my friends

0:14:51.800 --> 0:14:56.640
<v Speaker 1>to text me the you know, the best sketches, and

0:14:56.680 --> 0:14:59.840
<v Speaker 1>it's just hard to keep them involved. So um, it

0:14:59.880 --> 0:15:01.720
<v Speaker 1>was always my goal to kind of have my own

0:15:01.760 --> 0:15:03.360
<v Speaker 1>sketch show. So I was happy that I had it,

0:15:03.360 --> 0:15:06.120
<v Speaker 1>but yeah, I didn't really. What's ironic is that if

0:15:06.160 --> 0:15:09.200
<v Speaker 1>I if I've gotten those numbers today, I'd be the

0:15:09.200 --> 0:15:11.200
<v Speaker 1>biggest thing on television, which at the time it just

0:15:11.200 --> 0:15:13.560
<v Speaker 1>didn't work well enough. So when when you decided to

0:15:13.640 --> 0:15:16.760
<v Speaker 1>Wheeler Walker, and you had to fully commit to being

0:15:16.760 --> 0:15:19.360
<v Speaker 1>Wheeler because do you have the beard all the time.

0:15:19.640 --> 0:15:21.640
<v Speaker 1>I've never known you without the beard. Yeah, No, I

0:15:21.640 --> 0:15:23.680
<v Speaker 1>grew it up for I Like, when I meant to

0:15:23.720 --> 0:15:25.280
<v Speaker 1>make the record, I was starting to grow I was

0:15:25.320 --> 0:15:27.560
<v Speaker 1>like the first record, Yeah, while I was writing for

0:15:27.640 --> 0:15:31.320
<v Speaker 1>James Gordon at the time. So I went, um, we

0:15:31.360 --> 0:15:33.480
<v Speaker 1>had a chuiz a Thanksgiving break and I went back,

0:15:33.520 --> 0:15:35.840
<v Speaker 1>I have Thanksgiving a national over years for my family is.

0:15:35.880 --> 0:15:38.760
<v Speaker 1>So I was like, I told Dave Cobego, I got

0:15:38.840 --> 0:15:41.080
<v Speaker 1>these and we'd record the whole record in four days

0:15:41.680 --> 0:15:46.920
<v Speaker 1>and I um, I put the um. We record the

0:15:46.960 --> 0:15:49.720
<v Speaker 1>whole album that fast, just like I would take breaks

0:15:49.720 --> 0:15:52.800
<v Speaker 1>from Thanksgiving and run over the record and then um

0:15:52.840 --> 0:15:55.560
<v Speaker 1>I UM. During that time, I was like, I'm gonna

0:15:55.560 --> 0:15:57.520
<v Speaker 1>grow out the beard just to like take pictures because

0:15:57.560 --> 0:15:59.560
<v Speaker 1>I'd already been asked. You know what if it takes

0:15:59.600 --> 0:16:02.000
<v Speaker 1>off enough to tour, I'm like, I'm never fucking touring.

0:16:02.720 --> 0:16:04.280
<v Speaker 1>So that was the thing. You didn't want to tour,

0:16:04.360 --> 0:16:08.280
<v Speaker 1>huh never. It was just a comedy music correct my well,

0:16:08.320 --> 0:16:10.920
<v Speaker 1>you know, my brother was in this band. Scissor Sisters

0:16:10.960 --> 0:16:13.160
<v Speaker 1>were a huge band in the Europe especially. I mean

0:16:13.160 --> 0:16:16.280
<v Speaker 1>he was he still selling out arenas sold I want

0:16:16.280 --> 0:16:18.440
<v Speaker 1>to say he sold five or six million copies of

0:16:18.560 --> 0:16:21.960
<v Speaker 1>his first record. At least it was huge, and I

0:16:22.000 --> 0:16:24.560
<v Speaker 1>just saw it. I knew it moved for very similar

0:16:24.560 --> 0:16:26.640
<v Speaker 1>in a lot of ways. And he just couldn't. He

0:16:26.680 --> 0:16:28.360
<v Speaker 1>just didn't like life on the road. And I'm like, well,

0:16:28.840 --> 0:16:31.640
<v Speaker 1>and my I mean mid late late thirties. Then you know,

0:16:31.680 --> 0:16:34.000
<v Speaker 1>I'm like, I don't want to leave a good paying

0:16:34.040 --> 0:16:37.080
<v Speaker 1>off his job at cord that that's that's good money

0:16:37.160 --> 0:16:39.760
<v Speaker 1>to go sitting. I knew. I never thought people would

0:16:39.760 --> 0:16:41.040
<v Speaker 1>show up to gigs. I don't want to sit in

0:16:41.040 --> 0:16:43.800
<v Speaker 1>a in a in a sprinter van outside of some

0:16:44.720 --> 0:16:46.920
<v Speaker 1>tiny club. That's not what I want. I wanted it.

0:16:47.000 --> 0:16:49.840
<v Speaker 1>Maybe at twenty one, I just didn't. It's not something

0:16:49.840 --> 0:16:53.760
<v Speaker 1>I wanted. So and I finished the album. I think

0:16:53.800 --> 0:16:56.440
<v Speaker 1>I took the album cover shaved, just like that's the

0:16:56.520 --> 0:16:58.160
<v Speaker 1>end that I know. And then of course they call

0:16:58.680 --> 0:17:00.920
<v Speaker 1>so and so is gonna pay X amount to play Chicago.

0:17:01.000 --> 0:17:03.320
<v Speaker 1>I'm like, but while you're on the way back, you

0:17:03.320 --> 0:17:05.240
<v Speaker 1>can play this, this, this place. I was starting to

0:17:05.240 --> 0:17:07.240
<v Speaker 1>get offers to give you offers and a route you

0:17:07.359 --> 0:17:09.439
<v Speaker 1>other close by places. Yeah, I was starting to get

0:17:09.760 --> 0:17:12.080
<v Speaker 1>enough offers that made me think about it. And this

0:17:12.160 --> 0:17:14.600
<v Speaker 1>is after the first record, this after the first Yeah,

0:17:14.600 --> 0:17:17.920
<v Speaker 1>the first record debuted at number nine on the Billboard

0:17:17.920 --> 0:17:20.440
<v Speaker 1>Country Charts, and that was called it was called redneck

0:17:20.800 --> 0:17:24.720
<v Speaker 1>S Work, redneck Ship. And when they called to tell

0:17:24.760 --> 0:17:26.679
<v Speaker 1>me that it was I didn't have a manager, I

0:17:26.720 --> 0:17:29.880
<v Speaker 1>didn't have anything. I had a I left Cops studio

0:17:29.960 --> 0:17:32.560
<v Speaker 1>with them with a the album on a hard drive

0:17:32.600 --> 0:17:34.639
<v Speaker 1>because I just made the ben choice head so I

0:17:34.640 --> 0:17:36.679
<v Speaker 1>just paid him in cash for the album and I

0:17:36.760 --> 0:17:38.639
<v Speaker 1>left with the album on a hard drive and I go,

0:17:39.040 --> 0:17:40.399
<v Speaker 1>you know, it's a bummer that no one's going to

0:17:40.480 --> 0:17:42.560
<v Speaker 1>hear it. Because we were both like, this, this is

0:17:42.600 --> 0:17:46.760
<v Speaker 1>really actually a really interesting, great country record. It's too bad.

0:17:46.800 --> 0:17:48.520
<v Speaker 1>It's just gonna be. It's gonna be something I play

0:17:48.560 --> 0:17:50.600
<v Speaker 1>for my friends when they come over. I was like,

0:17:50.640 --> 0:17:52.720
<v Speaker 1>I was trying to And then I we sent around

0:17:52.800 --> 0:17:55.000
<v Speaker 1>and I actually talked to a couple of a couple

0:17:55.040 --> 0:17:56.480
<v Speaker 1>of the big labels, and I can tell that they

0:17:56.480 --> 0:17:58.720
<v Speaker 1>were just they thought, you know, it would be it

0:17:58.720 --> 0:18:00.280
<v Speaker 1>would end up being in the closet. So where So

0:18:00.280 --> 0:18:02.440
<v Speaker 1>I talked to thirty Tigers, the local distributor does a

0:18:02.480 --> 0:18:06.120
<v Speaker 1>lot of you know, big stuff, and like, we think

0:18:06.119 --> 0:18:07.720
<v Speaker 1>it can sell, so let's put it out and see

0:18:07.720 --> 0:18:12.800
<v Speaker 1>what happens. And we did. I want to I don't

0:18:12.840 --> 0:18:15.800
<v Speaker 1>know what, really, I don't know what made it take

0:18:15.840 --> 0:18:17.640
<v Speaker 1>off like that. I think it was just something new

0:18:17.760 --> 0:18:21.000
<v Speaker 1>in country and I think, yeah, well that was the

0:18:21.040 --> 0:18:24.280
<v Speaker 1>thing too where I am like Dave Cobb would call

0:18:24.359 --> 0:18:26.920
<v Speaker 1>me like, how do you know so and so go,

0:18:27.040 --> 0:18:28.359
<v Speaker 1>I don't know, I don't know who you're talking about.

0:18:28.400 --> 0:18:30.080
<v Speaker 1>He's like, because he just came to me at dinner.

0:18:30.119 --> 0:18:31.320
<v Speaker 1>So he loves the record. And this is when the

0:18:31.359 --> 0:18:34.200
<v Speaker 1>record wasn't out. I was getting calls emails from people

0:18:34.240 --> 0:18:37.560
<v Speaker 1>who've heard the record. I think it really was being

0:18:37.600 --> 0:18:40.680
<v Speaker 1>handed around in Nashville, Ton, so I think a lot

0:18:40.720 --> 0:18:43.639
<v Speaker 1>of kind of taste makers um And he was a

0:18:43.680 --> 0:18:45.600
<v Speaker 1>really funny story which I can now tell is I

0:18:45.640 --> 0:18:50.560
<v Speaker 1>was writing at Cordon and Dirk Spentley and Luke Bryan

0:18:50.600 --> 0:18:53.919
<v Speaker 1>We're hosting. The was a c M, probably a c M,

0:18:54.000 --> 0:18:55.600
<v Speaker 1>so they had to come in and do a bit

0:18:55.680 --> 0:18:59.160
<v Speaker 1>on Cordon and they're like, Ben, you're a fucking redneck.

0:18:59.160 --> 0:19:01.320
<v Speaker 1>Why don't you go deal with Luke and Dirk's and

0:19:01.359 --> 0:19:03.320
<v Speaker 1>help him with this song? Was like all right, and

0:19:04.119 --> 0:19:06.520
<v Speaker 1>we started working on it was the the bit was

0:19:07.200 --> 0:19:09.120
<v Speaker 1>and I'm not being they were good, it just wasn't

0:19:09.119 --> 0:19:10.760
<v Speaker 1>that funny a bit. It was a bit about how

0:19:10.880 --> 0:19:13.359
<v Speaker 1>like there's never been a country hit out of England,

0:19:13.359 --> 0:19:16.119
<v Speaker 1>so they're gonna write an English country hit for James.

0:19:16.240 --> 0:19:20.200
<v Speaker 1>And we started hanging out and like working on this sketch.

0:19:20.240 --> 0:19:22.000
<v Speaker 1>And then midway through I was like, oh, I know

0:19:22.119 --> 0:19:25.719
<v Speaker 1>your agent Ja, and they're like and they both look

0:19:25.720 --> 0:19:28.000
<v Speaker 1>at each other like you know j reps comedy writers,

0:19:28.640 --> 0:19:30.520
<v Speaker 1>and I was like you, no, No, I do some

0:19:30.560 --> 0:19:32.320
<v Speaker 1>country this My album has been out for a few

0:19:32.320 --> 0:19:34.080
<v Speaker 1>weeks and I was like, no, I do some comedy.

0:19:34.280 --> 0:19:36.280
<v Speaker 1>I do some country music on the side. That's like

0:19:36.280 --> 0:19:39.360
<v Speaker 1>a side thing like oh, what's your what's the what's

0:19:39.400 --> 0:19:41.159
<v Speaker 1>the side thing on called It's Wheeler Walker Jr. I

0:19:41.200 --> 0:19:43.000
<v Speaker 1>saw their eyes light up and everyone was like your

0:19:43.040 --> 0:19:46.639
<v Speaker 1>wheeler Wheeler Walker Jr. And I I didn't know it

0:19:46.680 --> 0:19:48.919
<v Speaker 1>had reached to that, you know, the guys at the

0:19:48.920 --> 0:19:51.040
<v Speaker 1>top of the church. I had no idea. And then

0:19:51.040 --> 0:19:53.200
<v Speaker 1>I got a text from Jay who was talking about

0:19:53.240 --> 0:19:56.159
<v Speaker 1>like Luke and Dirks can't believe that they're working with you.

0:19:56.520 --> 0:19:59.840
<v Speaker 1>I'm like, We're who's who's telling people about this album

0:19:59.840 --> 0:20:02.399
<v Speaker 1>we're to coming from. You know, I just had no idea,

0:20:02.600 --> 0:20:05.639
<v Speaker 1>so I just kind of it just kind of word

0:20:05.680 --> 0:20:09.600
<v Speaker 1>spreads to this day. I mean, that album we'll probably sell.

0:20:09.840 --> 0:20:14.040
<v Speaker 1>I mean that's an independent album, just from word of mouth. Obviously,

0:20:14.040 --> 0:20:17.960
<v Speaker 1>no radio playing, the videos, know nothing. It'll it'll it's

0:20:18.000 --> 0:20:20.600
<v Speaker 1>getting near a couple of hundred thousand albums. That's how

0:20:20.640 --> 0:20:22.639
<v Speaker 1>I heard about it was Eddie, my producer, comes in

0:20:22.600 --> 0:20:26.119
<v Speaker 1>and goes, do you know this Wheeler guy? That was

0:20:26.160 --> 0:20:27.960
<v Speaker 1>like I didn't at the time, and I was like,

0:20:27.960 --> 0:20:30.080
<v Speaker 1>I don't. He goes, listen to this song. That's something

0:20:30.160 --> 0:20:33.119
<v Speaker 1>that beating off beat off. Yeah, probably better off beating off.

0:20:33.200 --> 0:20:36.479
<v Speaker 1>That's what I was. And he played it and I

0:20:36.520 --> 0:20:39.320
<v Speaker 1>was like, that's what And we had put out, um

0:20:39.480 --> 0:20:41.040
<v Speaker 1>like a raging idiot's record at the same time. I

0:20:41.040 --> 0:20:44.360
<v Speaker 1>remember going after that and they you know, yeah, yeah, yeah,

0:20:44.359 --> 0:20:45.879
<v Speaker 1>because it was it was ahead of me on some

0:20:45.960 --> 0:20:48.080
<v Speaker 1>kind of all. I was looking at the charts a bunch,

0:20:48.280 --> 0:20:50.920
<v Speaker 1>because when you're a comedy writer, you're just like half

0:20:51.000 --> 0:20:53.560
<v Speaker 1>your job is looking at the Internet. The other I

0:20:53.560 --> 0:20:55.800
<v Speaker 1>mean a lot of it. The internet looking is if

0:20:55.800 --> 0:20:58.520
<v Speaker 1>you're comedian, you're looking at yourself you know, how's my

0:20:58.680 --> 0:21:00.320
<v Speaker 1>stand up? Because I did never have never were done

0:21:00.320 --> 0:21:02.880
<v Speaker 1>stand up to this day. It was never interested in it.

0:21:03.480 --> 0:21:06.760
<v Speaker 1>And people, you know, everyone's googling themselves, others, tickets song,

0:21:06.840 --> 0:21:08.560
<v Speaker 1>so I would just be on iTunes or you know,

0:21:09.080 --> 0:21:11.639
<v Speaker 1>googling Wheeler Walker Jr. Seeing what's going on. So I

0:21:11.720 --> 0:21:13.160
<v Speaker 1>was just like checking it all. There was a story

0:21:13.160 --> 0:21:15.200
<v Speaker 1>they did about both I remember now the Watchington posted

0:21:15.280 --> 0:21:18.760
<v Speaker 1>a story about comedy country. Yeah, no, you know what

0:21:18.800 --> 0:21:20.240
<v Speaker 1>this is? New York Times? Is that what it was?

0:21:20.800 --> 0:21:23.320
<v Speaker 1>I remember that just like someone called me like like

0:21:23.320 --> 0:21:25.160
<v Speaker 1>I said back to a publicist, like the New York

0:21:25.160 --> 0:21:27.159
<v Speaker 1>Times wants to talk to you. I was like, what

0:21:27.200 --> 0:21:28.600
<v Speaker 1>the hell heck is this about? And then we were

0:21:28.600 --> 0:21:30.639
<v Speaker 1>in the same arm and then Edie goes, you hear

0:21:30.680 --> 0:21:32.960
<v Speaker 1>this beating off song? And I listened when we started

0:21:32.960 --> 0:21:34.679
<v Speaker 1>sitting in the studio playing your music, and the problem

0:21:34.720 --> 0:21:36.400
<v Speaker 1>was when you're in the studio, if that accidentally goes

0:21:36.400 --> 0:21:38.879
<v Speaker 1>over the airwaves. I've already been fined a million dollars

0:21:38.880 --> 0:21:41.240
<v Speaker 1>by the FCC. I'm really yeah. When when you get

0:21:41.280 --> 0:21:42.560
<v Speaker 1>those and I have to feel like I've asked you

0:21:42.600 --> 0:21:45.320
<v Speaker 1>this before, When you get those fines, who do you

0:21:45.359 --> 0:21:48.720
<v Speaker 1>actually have to pay it? So I didn't have to

0:21:48.760 --> 0:21:50.960
<v Speaker 1>pay it because my company said we'll take the hit

0:21:51.000 --> 0:21:53.800
<v Speaker 1>for you. I would have had to pay it if

0:21:53.840 --> 0:21:56.640
<v Speaker 1>they would have wanted me to pay it. They can,

0:21:56.640 --> 0:21:58.080
<v Speaker 1>they can force you to pay well, I mean I

0:21:58.400 --> 0:22:02.040
<v Speaker 1>did it. So it was a whole thing too. But

0:22:02.160 --> 0:22:04.520
<v Speaker 1>my company took took all of it, and I think

0:22:04.520 --> 0:22:06.600
<v Speaker 1>in the end they split it up over a few years.

0:22:07.040 --> 0:22:09.480
<v Speaker 1>But no, they came at me. Um, but it was

0:22:09.560 --> 0:22:12.280
<v Speaker 1>it was so it was an accident. But I was

0:22:12.280 --> 0:22:14.359
<v Speaker 1>already find a million bucks. And once that happened, I

0:22:14.359 --> 0:22:15.840
<v Speaker 1>think there's only three of us have ever been find

0:22:15.880 --> 0:22:19.560
<v Speaker 1>that much, Stern being another one. He's been finding multiple times. Um,

0:22:19.680 --> 0:22:21.439
<v Speaker 1>So I got fined and we were playing this in

0:22:21.440 --> 0:22:22.879
<v Speaker 1>the studio and what did you get fined? Do you

0:22:22.880 --> 0:22:24.760
<v Speaker 1>remember one of the ones you're gonna find for I

0:22:24.800 --> 0:22:26.879
<v Speaker 1>gotta find one time for one million dollars? What was

0:22:26.920 --> 0:22:30.840
<v Speaker 1>that for? Playing? So here's the story is. I was

0:22:30.880 --> 0:22:33.840
<v Speaker 1>on the air in Dallas, uh, doing my show from Dallas,

0:22:34.560 --> 0:22:38.200
<v Speaker 1>and the World Series was happening, and in the DC

0:22:38.359 --> 0:22:42.320
<v Speaker 1>market which my show is on, they cut in right

0:22:42.400 --> 0:22:44.480
<v Speaker 1>at a home run and played the E A. S.

0:22:44.600 --> 0:22:47.520
<v Speaker 1>Testing signal, so it's like three to pitch uh and

0:22:47.600 --> 0:22:51.359
<v Speaker 1>then here down you didn't see the home run that

0:22:51.440 --> 0:22:54.639
<v Speaker 1>actually changed the game the course of the game. And

0:22:54.680 --> 0:22:56.960
<v Speaker 1>so it was like a thirty second deal where I

0:22:57.000 --> 0:22:59.800
<v Speaker 1>was just kind of re enacting huge life moments and

0:22:59.840 --> 0:23:03.119
<v Speaker 1>I was like, Okay, here comes the head in the

0:23:03.119 --> 0:23:05.120
<v Speaker 1>A S. Like you're having a baby, like big things

0:23:05.160 --> 0:23:07.399
<v Speaker 1>in life. And instead of actually that moment happening, I

0:23:07.520 --> 0:23:09.639
<v Speaker 1>puy the E. S tone um because it was a

0:23:09.640 --> 0:23:11.440
<v Speaker 1>big part of the world series, actually one, the whole whole,

0:23:11.520 --> 0:23:13.640
<v Speaker 1>the whole thing. I think I know anything about it

0:23:14.440 --> 0:23:17.920
<v Speaker 1>that the tone that we had taken from the Internet

0:23:18.600 --> 0:23:22.199
<v Speaker 1>was the old presidential E A S tone somehow they

0:23:22.200 --> 0:23:23.760
<v Speaker 1>put on the internet. And so when I played it,

0:23:23.760 --> 0:23:26.480
<v Speaker 1>it triggered off E A S alerts in all these

0:23:26.480 --> 0:23:29.200
<v Speaker 1>other cities like that, you know, the old world War

0:23:29.240 --> 0:23:31.800
<v Speaker 1>of the world, so exactly what it was. And so

0:23:32.080 --> 0:23:35.439
<v Speaker 1>it was like Atlanta shut down, Detroit shutdown, and not

0:23:35.520 --> 0:23:37.800
<v Speaker 1>only that A T you were shut down the entire

0:23:37.840 --> 0:23:40.399
<v Speaker 1>TV system. And so what happens when that thing goes off,

0:23:40.400 --> 0:23:42.560
<v Speaker 1>It turns to like Channel five and it's like you're

0:23:42.560 --> 0:23:45.480
<v Speaker 1>now on Channel five waiting for the whatever the either

0:23:45.520 --> 0:23:47.960
<v Speaker 1>this is a test of the emergency broadcast system or

0:23:48.520 --> 0:23:50.359
<v Speaker 1>everyone series. I remember being on a lot of TV

0:23:50.400 --> 0:23:52.840
<v Speaker 1>shows where there's certain things you can't you know, you

0:23:52.880 --> 0:23:56.920
<v Speaker 1>can't have a like a like an ambiance alarm too

0:23:56.960 --> 0:23:59.240
<v Speaker 1>loud that makes that people think there's actually an ambulance

0:23:59.320 --> 0:24:01.520
<v Speaker 1>or anything in that kind of so, but we that

0:24:01.640 --> 0:24:05.000
<v Speaker 1>tone hadn't been updated supposedly in a lot of these systems.

0:24:05.040 --> 0:24:07.280
<v Speaker 1>So what happens was they triggered because one triggers another,

0:24:07.400 --> 0:24:11.280
<v Speaker 1>so they all go off and shut down multiple cities

0:24:11.320 --> 0:24:14.360
<v Speaker 1>to shut down an entire television service accidentally, like there

0:24:14.400 --> 0:24:16.239
<v Speaker 1>was nothing malicious. I didn't even know I did it. Well,

0:24:16.280 --> 0:24:18.439
<v Speaker 1>if you knew, I mean, my guess is you probably

0:24:18.480 --> 0:24:22.320
<v Speaker 1>got enough um publicity from it that it was probably

0:24:22.320 --> 0:24:24.760
<v Speaker 1>not worth it. But you you know, I didn't really

0:24:24.760 --> 0:24:27.800
<v Speaker 1>give I couldn't talk about it. It was so legal,

0:24:28.320 --> 0:24:29.640
<v Speaker 1>you know, when you're in the middle of a court case.

0:24:29.840 --> 0:24:34.879
<v Speaker 1>Did did it make news? Though it made news that

0:24:35.000 --> 0:24:39.840
<v Speaker 1>I was the traditional country radio community and country community

0:24:39.880 --> 0:24:41.480
<v Speaker 1>and talent. My first three or four years was a

0:24:41.560 --> 0:24:44.760
<v Speaker 1>nightmare because they hated me because I stood for not

0:24:44.960 --> 0:24:46.680
<v Speaker 1>I didn't even stand for things that just was me,

0:24:47.320 --> 0:24:49.120
<v Speaker 1>and so anytime I would get in trouble, they would

0:24:49.119 --> 0:24:51.600
<v Speaker 1>just really hyper focus on it. Did you take it

0:24:51.680 --> 0:24:54.720
<v Speaker 1>over for nobody? Now? What happened was Jerry House was

0:24:54.760 --> 0:24:58.240
<v Speaker 1>on in Nashville, he retired, they put on another show.

0:24:58.920 --> 0:25:02.600
<v Speaker 1>The other show failed old move them off and they

0:25:02.640 --> 0:25:04.680
<v Speaker 1>really weren't going to do a nationally. But Jerry House

0:25:04.720 --> 0:25:06.919
<v Speaker 1>was the guy was on forever right, Yes, yeah, that's

0:25:06.960 --> 0:25:09.440
<v Speaker 1>the guy who when I mentioned I was doing this show,

0:25:09.560 --> 0:25:12.159
<v Speaker 1>my uncle was like, oh, is that the same station?

0:25:12.200 --> 0:25:13.840
<v Speaker 1>You know? Is that Jerry Alice? I'm like, no, I'm

0:25:13.880 --> 0:25:16.159
<v Speaker 1>not going to Jerry. Years before me, Jerry House was on.

0:25:16.359 --> 0:25:18.359
<v Speaker 1>So but anyway, I got fine million bucks by the

0:25:18.400 --> 0:25:21.159
<v Speaker 1>SEC because of what had happened with all those eyes

0:25:21.160 --> 0:25:23.320
<v Speaker 1>alerts which can't can't do that? Is that was that Mike?

0:25:23.320 --> 0:25:25.680
<v Speaker 1>Did you grab that sound? Did not know? Let's play

0:25:25.680 --> 0:25:29.840
<v Speaker 1>it now what happens? Okay, so yeah that happened. Um

0:25:30.200 --> 0:25:32.080
<v Speaker 1>My point was we couldn't play with the studio because

0:25:32.080 --> 0:25:33.639
<v Speaker 1>if it was to go over the air through a

0:25:33.760 --> 0:25:36.760
<v Speaker 1>microphone that happened to be on that's another fine exactly. Yeah,

0:25:36.760 --> 0:25:38.359
<v Speaker 1>I mean once you get the first one, I guess,

0:25:38.400 --> 0:25:40.679
<v Speaker 1>but do everything about doing an edited record, so that

0:25:40.720 --> 0:25:42.720
<v Speaker 1>could happen or was that against what Wheeler stood from? No,

0:25:42.760 --> 0:25:44.879
<v Speaker 1>it was against what he what he and I stood for,

0:25:45.000 --> 0:25:47.320
<v Speaker 1>which is my thing was always like, you want to

0:25:47.320 --> 0:25:49.560
<v Speaker 1>play my songs, go edit them yourselves, because I just

0:25:49.600 --> 0:25:51.879
<v Speaker 1>don't want to. It's kind of like I said, it's

0:25:51.960 --> 0:25:54.040
<v Speaker 1>kind of how I felt at the time. I think

0:25:54.080 --> 0:25:58.040
<v Speaker 1>I just, um, I just had a show canceled. I

0:25:58.119 --> 0:26:01.240
<v Speaker 1>was kind of I was a Kentucky boy. He wasn't

0:26:01.240 --> 0:26:05.080
<v Speaker 1>happy about being in Los Angeles period, and also being unemployed,

0:26:05.160 --> 0:26:08.760
<v Speaker 1>and you know it's like, let's just be rowdy and

0:26:08.760 --> 0:26:10.919
<v Speaker 1>and make everyone angry. You know, That's kind of how

0:26:10.920 --> 0:26:15.000
<v Speaker 1>I felt. I really, I mean I really didn't care. Um,

0:26:15.040 --> 0:26:18.080
<v Speaker 1>it's weird now doing Wheeler. That's why I made this

0:26:18.359 --> 0:26:21.440
<v Speaker 1>the new records is he's married, as his son a kid,

0:26:21.560 --> 0:26:24.360
<v Speaker 1>because I wanted to make a to see what a

0:26:24.400 --> 0:26:26.640
<v Speaker 1>happy Wheeler would sound like. And he's still just as

0:26:26.680 --> 0:26:29.840
<v Speaker 1>angry as he always was. But so it's what w

0:26:29.840 --> 0:26:32.280
<v Speaker 1>W three Yeah, as in Weil Walking three, also World

0:26:32.320 --> 0:26:36.360
<v Speaker 1>War three. Yeah, the name after after my son, Wheeler

0:26:36.359 --> 0:26:38.720
<v Speaker 1>Walker the third. But you know, like I I thought

0:26:38.840 --> 0:26:41.119
<v Speaker 1>w W three would be a good title, just because

0:26:41.880 --> 0:26:43.840
<v Speaker 1>first of all, what World War three could be happening

0:26:44.040 --> 0:26:46.080
<v Speaker 1>as we as we speak right now, but also putting

0:26:46.080 --> 0:26:49.359
<v Speaker 1>out my albums as always, he is always tough. You know.

0:26:49.920 --> 0:26:51.680
<v Speaker 1>Any guilt for going after some of these people, they're

0:26:51.720 --> 0:26:55.320
<v Speaker 1>probably good people. Does Benfield guilt? Um? I'm trying to

0:26:55.359 --> 0:26:57.760
<v Speaker 1>think who I have felt guilt for and if any

0:26:57.760 --> 0:27:01.240
<v Speaker 1>of them come back and said please stop, like oh yeah, yeah,

0:27:01.320 --> 0:27:03.800
<v Speaker 1>I've had some big the big artists you know, come

0:27:04.119 --> 0:27:06.919
<v Speaker 1>reach out through management agents whatever, Can you leave me alone?

0:27:06.960 --> 0:27:10.760
<v Speaker 1>And I'm like, no, Well, it's just I was just

0:27:10.840 --> 0:27:13.439
<v Speaker 1>always were a very shy person, as you know, like

0:27:13.480 --> 0:27:17.320
<v Speaker 1>I would go down you know, um, and it just

0:27:17.359 --> 0:27:19.679
<v Speaker 1>felt it was really liberating to just tell people to

0:27:19.720 --> 0:27:21.679
<v Speaker 1>f off to their face. It's just really cool. And

0:27:21.720 --> 0:27:25.240
<v Speaker 1>then I, um, I would probably feel, you know, I

0:27:25.280 --> 0:27:27.280
<v Speaker 1>would get you know, so and so is you know,

0:27:27.920 --> 0:27:30.280
<v Speaker 1>really really angry about what you said about I'm just

0:27:30.320 --> 0:27:33.080
<v Speaker 1>like we'll tell them to like the character would get

0:27:33.119 --> 0:27:36.280
<v Speaker 1>into Ben and I and I actually, you know, I

0:27:36.280 --> 0:27:39.159
<v Speaker 1>would go to meetings in Hollywood and trying to you know,

0:27:39.200 --> 0:27:42.040
<v Speaker 1>work on TV shows. I literally have agents, managers, you know,

0:27:42.920 --> 0:27:44.919
<v Speaker 1>throw a little wheeler into this meeting, you know, let

0:27:44.960 --> 0:27:46.439
<v Speaker 1>him know, you know, because I would go in so

0:27:46.560 --> 0:27:49.520
<v Speaker 1>timid before, and it's kind of help, you know, turn

0:27:49.600 --> 0:27:51.399
<v Speaker 1>up to like I would literally heard the phrase you

0:27:51.640 --> 0:27:54.320
<v Speaker 1>maybe do a half wheeler at this Netflix meeting and

0:27:54.359 --> 0:27:56.399
<v Speaker 1>see what you can get out of it, because when

0:27:56.440 --> 0:27:59.239
<v Speaker 1>I'm I'm just too. La is a tough place for

0:27:59.280 --> 0:28:02.560
<v Speaker 1>like a shy, you know, timid, small town kid, you know.

0:28:02.640 --> 0:28:05.440
<v Speaker 1>So it's helped me in that respect too, I think.

0:28:05.840 --> 0:28:10.680
<v Speaker 1>So with a new record, what's the you have a single? Yeah,

0:28:10.680 --> 0:28:12.560
<v Speaker 1>it's not. It's just the order you know what's I sell.

0:28:12.600 --> 0:28:14.720
<v Speaker 1>It's not singles. It's just the order of things, the

0:28:14.760 --> 0:28:16.680
<v Speaker 1>songs that we decided about, the songs out But what's

0:28:16.680 --> 0:28:20.679
<v Speaker 1>the song? If there if comedy radio, if if satellite,

0:28:20.680 --> 0:28:22.639
<v Speaker 1>it was like, we gotta play a song. Well the

0:28:22.680 --> 0:28:26.800
<v Speaker 1>one people I think Outlaw Country has been playing. Um yeah,

0:28:26.800 --> 0:28:28.840
<v Speaker 1>they've been play because that that album the first time

0:28:28.920 --> 0:28:32.800
<v Speaker 1>especially was really good for Outlaw Outlaw Country station on Sirius.

0:28:33.480 --> 0:28:37.520
<v Speaker 1>It was a song they loved, Um, they loved say

0:28:37.560 --> 0:28:40.360
<v Speaker 1>some Titty Milk for Me, which is a song to

0:28:40.400 --> 0:28:44.360
<v Speaker 1>my obviously wife and sons, Some Titty Milk for Me,

0:28:44.520 --> 0:28:47.280
<v Speaker 1>which is actually I was talking to a buddy of mine, who,

0:28:48.120 --> 0:28:49.720
<v Speaker 1>like I said, all this stuff comes from real stuff.

0:28:49.720 --> 0:28:51.640
<v Speaker 1>He's like, have you ever tasted breast milk? And I'm

0:28:51.640 --> 0:28:55.560
<v Speaker 1>like I'm like, of course not. He's like, you know, oh,

0:28:55.600 --> 0:29:08.720
<v Speaker 1>here we go. See sounds like country mansb lap two

0:29:08.800 --> 0:29:18.400
<v Speaker 1>years never just like I love you, but I'm just

0:29:25.000 --> 0:29:28.080
<v Speaker 1>when you go into a right, okay, And you wrote

0:29:28.080 --> 0:29:31.200
<v Speaker 1>with some really great writers, yeah I do. I do

0:29:31.360 --> 0:29:34.120
<v Speaker 1>most of the majority still on my own. The first

0:29:34.160 --> 0:29:37.760
<v Speaker 1>album was eleven so right, so I didn't know what

0:29:37.800 --> 0:29:39.400
<v Speaker 1>co writing was. You know, I've never been in a

0:29:39.400 --> 0:29:41.959
<v Speaker 1>writer's room. Uh, certainly. I mean I was used to,

0:29:42.480 --> 0:29:44.680
<v Speaker 1>you know, comedy writers rooms are eleven people. I didn't

0:29:44.680 --> 0:29:46.480
<v Speaker 1>even know they had co writers. I mean I knew

0:29:46.560 --> 0:29:48.800
<v Speaker 1>Lennon McCartney and that kind of stuff. I didn't know

0:29:48.840 --> 0:29:53.720
<v Speaker 1>that like especially countries, you know, co writes have like, um,

0:29:53.760 --> 0:29:56.560
<v Speaker 1>you know, it's a big thing, and uh you know,

0:29:56.880 --> 0:29:59.120
<v Speaker 1>you know in Nashville, I didn't know you were allowed

0:29:59.120 --> 0:30:00.040
<v Speaker 1>to do that. So I just wear every so on

0:30:00.120 --> 0:30:02.080
<v Speaker 1>with myself. That's what you had to do. By the

0:30:02.120 --> 0:30:04.720
<v Speaker 1>second album is when I started getting calls some of

0:30:04.760 --> 0:30:06.840
<v Speaker 1>the big writers, you know, like I want to write

0:30:06.880 --> 0:30:10.120
<v Speaker 1>a song if you like, it can only make it better.

0:30:10.160 --> 0:30:12.080
<v Speaker 1>Why not try it? You know? Do you like that

0:30:12.120 --> 0:30:15.160
<v Speaker 1>process of writing with songwriters? I do, but I also

0:30:15.280 --> 0:30:17.479
<v Speaker 1>like doing it by my I mean I I've had

0:30:17.520 --> 0:30:20.320
<v Speaker 1>some great experiences and I've had some you know, Um,

0:30:20.360 --> 0:30:21.640
<v Speaker 1>I met a lot of cool people, you know, I

0:30:21.680 --> 0:30:24.239
<v Speaker 1>think like a lot of them, guys won't put their

0:30:24.320 --> 0:30:26.000
<v Speaker 1>names on the albums. And I'll tell you off the

0:30:26.000 --> 0:30:27.720
<v Speaker 1>hear I just won't say it on the air, but

0:30:27.800 --> 0:30:30.360
<v Speaker 1>there's a one song on my new album, one of

0:30:30.400 --> 0:30:33.120
<v Speaker 1>my favorite songs. One of the co writers is a guy,

0:30:33.240 --> 0:30:35.160
<v Speaker 1>you know, a huge guy who you play all the time,

0:30:35.840 --> 0:30:37.200
<v Speaker 1>and he just you know, and I don't want to

0:30:37.200 --> 0:30:40.320
<v Speaker 1>get him in trouble, but you know, those guys call

0:30:40.400 --> 0:30:42.960
<v Speaker 1>and now I get called, and I've gotten calls you

0:30:43.000 --> 0:30:46.320
<v Speaker 1>know to like you know, for guys on their albums.

0:30:46.320 --> 0:30:48.120
<v Speaker 1>You know, we want that Wheeler sound, you know, can

0:30:48.120 --> 0:30:49.840
<v Speaker 1>you come in and write with me? And that's that's

0:30:49.840 --> 0:30:51.520
<v Speaker 1>the tough ones for me, which is like, you know,

0:30:52.120 --> 0:30:56.160
<v Speaker 1>just like you know you just said, you know, you

0:30:56.200 --> 0:30:59.960
<v Speaker 1>know grit, there's like I can I got good word

0:31:00.080 --> 0:31:01.720
<v Speaker 1>to rhyme with that? You no, no, we can't use this,

0:31:02.600 --> 0:31:05.160
<v Speaker 1>you know, you know this is for the radio, and

0:31:05.200 --> 0:31:06.560
<v Speaker 1>I'm like, you know, so I gotta kind of hold

0:31:06.600 --> 0:31:08.880
<v Speaker 1>myself back. And it's just I have respect for those

0:31:08.880 --> 0:31:10.320
<v Speaker 1>guys who can sit in that room and be that

0:31:10.400 --> 0:31:13.720
<v Speaker 1>kind of vulnerable and kind of real with other people.

0:31:13.800 --> 0:31:16.480
<v Speaker 1>Just seems weird to me. You know, the records out

0:31:17.280 --> 0:31:19.840
<v Speaker 1>and there's nothing that's completely clean that you could play

0:31:19.840 --> 0:31:22.080
<v Speaker 1>on that I could play no, And I thought about it,

0:31:22.120 --> 0:31:25.400
<v Speaker 1>you know, um, not completely clean because a lot of

0:31:25.400 --> 0:31:28.080
<v Speaker 1>a lot of songs have cursing in them or references.

0:31:28.160 --> 0:31:30.000
<v Speaker 1>But you know, Wheelers over the pretty over the top.

0:31:30.560 --> 0:31:33.040
<v Speaker 1>It's over the top end Like I also too, there's

0:31:33.240 --> 0:31:36.360
<v Speaker 1>I don't want. I didn't want to be on any

0:31:36.560 --> 0:31:38.280
<v Speaker 1>like I don't like the things that I would get

0:31:38.320 --> 0:31:42.560
<v Speaker 1>me for example, radio play and doing a radio to

0:31:42.640 --> 0:31:43.920
<v Speaker 1>I have a lot of you know, I've made a

0:31:43.960 --> 0:31:45.880
<v Speaker 1>lot of good friends in country music. I'll tell you

0:31:45.920 --> 0:31:49.520
<v Speaker 1>that that's been the highlight for me. Um and spending

0:31:49.520 --> 0:31:51.360
<v Speaker 1>a lot of time in Nashville, which is basically you know,

0:31:51.440 --> 0:31:53.920
<v Speaker 1>home for me has been more of my favorite things.

0:31:53.960 --> 0:31:56.160
<v Speaker 1>But the other like I don't want to go on

0:31:56.200 --> 0:31:58.680
<v Speaker 1>the late night shows. I actually, I mean, I've had

0:31:58.960 --> 0:32:01.920
<v Speaker 1>after the second an album, I had two big talk shows,

0:32:01.960 --> 0:32:05.320
<v Speaker 1>say give us a clean song, and when you come

0:32:05.360 --> 0:32:08.680
<v Speaker 1>on our show, I'm just and then the part of

0:32:08.720 --> 0:32:11.920
<v Speaker 1>me that's just like I won't listen to and it's

0:32:11.920 --> 0:32:13.600
<v Speaker 1>that's part of actually who I am. I don't know

0:32:13.640 --> 0:32:14.920
<v Speaker 1>where I get that. I think you have a little

0:32:14.920 --> 0:32:16.640
<v Speaker 1>bit of that too, which is like, whatever you tell

0:32:16.680 --> 0:32:18.320
<v Speaker 1>me to do, I'm not gonna you know, if that's

0:32:18.280 --> 0:32:19.360
<v Speaker 1>not I'm supposed to do, I don't want to do

0:32:19.360 --> 0:32:21.520
<v Speaker 1>it exactly. It's like, oh, so a clean song will

0:32:21.560 --> 0:32:24.440
<v Speaker 1>get me on you know, NBC at whatever time. I

0:32:24.480 --> 0:32:26.920
<v Speaker 1>don't want it, even though deep inside I probably did,

0:32:26.960 --> 0:32:31.320
<v Speaker 1>but it just my immediate reaction is I don't want that. So,

0:32:31.560 --> 0:32:33.560
<v Speaker 1>you know, those opportunities are there, and I don't want

0:32:33.560 --> 0:32:35.520
<v Speaker 1>to fly out to l A or to New York

0:32:35.560 --> 0:32:38.080
<v Speaker 1>and do three minutes on a late night show. I

0:32:38.120 --> 0:32:40.640
<v Speaker 1>also don't think it really helps. But I don't think

0:32:40.680 --> 0:32:42.760
<v Speaker 1>now it helps near even as much as I did

0:32:42.800 --> 0:32:44.680
<v Speaker 1>three years ago. I don't think it helps it. I

0:32:44.680 --> 0:32:47.160
<v Speaker 1>mean those those because again I've worked in late night

0:32:47.200 --> 0:32:50.080
<v Speaker 1>and those those ratings we got, it's just you know,

0:32:52.120 --> 0:32:55.280
<v Speaker 1>we're so so. I mean, I I mainly do you know,

0:32:55.360 --> 0:32:59.440
<v Speaker 1>podcasts out my my, my press tours, going to l

0:32:59.520 --> 0:33:00.880
<v Speaker 1>A for five of days and do a bunch of

0:33:00.880 --> 0:33:03.640
<v Speaker 1>podcasts and those things. I mean, you know, the numbers

0:33:03.640 --> 0:33:06.240
<v Speaker 1>on these big podcasts, those are you know, millions and

0:33:06.280 --> 0:33:07.960
<v Speaker 1>millions of people. I mean this one here does seven

0:33:08.000 --> 0:33:13.000
<v Speaker 1>digits seven yeah, so and people underestimate how valuable a

0:33:13.080 --> 0:33:15.000
<v Speaker 1>podcast is. Well that was a big thing too, because

0:33:15.000 --> 0:33:17.800
<v Speaker 1>I knew Joe Rogan from going on his show. I

0:33:17.880 --> 0:33:19.840
<v Speaker 1>knew him a little bit around town. I knew him

0:33:19.840 --> 0:33:24.720
<v Speaker 1>from him from UM. I had gone on his show

0:33:24.760 --> 0:33:27.240
<v Speaker 1>to promote the Ben Show, and then I was like,

0:33:27.240 --> 0:33:29.280
<v Speaker 1>why don't I come in and promote my this record

0:33:29.320 --> 0:33:31.640
<v Speaker 1>I put out? And then right before we went on,

0:33:31.640 --> 0:33:33.440
<v Speaker 1>there was like, why don't you just do it as Wheeler?

0:33:33.600 --> 0:33:36.800
<v Speaker 1>Be more fun? And even though he knew Ben, and

0:33:36.840 --> 0:33:39.680
<v Speaker 1>then I get like, mam went back up the charts

0:33:40.040 --> 0:33:43.520
<v Speaker 1>and I still remember, um, somebody tell me that Margot

0:33:43.560 --> 0:33:46.280
<v Speaker 1>Price had done SNL that week and I sold more

0:33:46.320 --> 0:33:51.280
<v Speaker 1>records from Rogan, Like Joe Rogans literally has bigger numbers

0:33:50.200 --> 0:33:53.520
<v Speaker 1>on his podcast. On his podcast, and I'm starting to

0:33:53.560 --> 0:33:56.560
<v Speaker 1>night live like a big night of SNL is low

0:33:56.680 --> 0:33:59.240
<v Speaker 1>numbers for Joe Rogan, which is crazy to think that

0:33:59.280 --> 0:34:03.320
<v Speaker 1>you could. You know, the way people consume media is

0:34:03.360 --> 0:34:06.800
<v Speaker 1>just so much different. Again too, I don't know if

0:34:06.840 --> 0:34:08.520
<v Speaker 1>my album will be in the running to be near

0:34:08.560 --> 0:34:10.640
<v Speaker 1>the top of the charts this time, but the numbers,

0:34:10.719 --> 0:34:13.360
<v Speaker 1>certainly slow weeks in country music, you could have a

0:34:13.480 --> 0:34:16.439
<v Speaker 1>number one record with I don't know how many albums sold.

0:34:16.480 --> 0:34:19.600
<v Speaker 1>Certainly ten to fifteen thousand wouldn't be crazy, no, And

0:34:19.640 --> 0:34:21.680
<v Speaker 1>you know it's funny the slow week which is what

0:34:21.920 --> 0:34:25.120
<v Speaker 1>where we targeted, and we had the number one comedy

0:34:25.120 --> 0:34:27.320
<v Speaker 1>record and then we had the number four country record

0:34:27.480 --> 0:34:30.440
<v Speaker 1>with the record we just goofed off. We were not

0:34:30.480 --> 0:34:32.399
<v Speaker 1>I shouldn't say g gooped doped. You know, it's not

0:34:33.080 --> 0:34:37.400
<v Speaker 1>what these guys do like. Their life is making a record. Um,

0:34:37.440 --> 0:34:39.319
<v Speaker 1>and so I'll let me do a lifefule. I'm talking

0:34:39.320 --> 0:34:41.960
<v Speaker 1>about live flock for one second. The Better Business Bureau

0:34:42.239 --> 0:34:44.320
<v Speaker 1>is urging us to watch out for scammers looking to

0:34:44.360 --> 0:34:48.120
<v Speaker 1>steal holiday year. Top scams include things like bogus emails

0:34:48.239 --> 0:34:51.840
<v Speaker 1>with links that are to look like websites, so you

0:34:52.080 --> 0:34:53.680
<v Speaker 1>it's a site that you know, but they have one

0:34:53.760 --> 0:34:56.920
<v Speaker 1>letter off or punctuation. So don't do that because you

0:34:56.960 --> 0:34:58.680
<v Speaker 1>go and all of a sudden, they get your private information.

0:34:59.120 --> 0:35:01.520
<v Speaker 1>There's a lot of these there, so let me just

0:35:01.640 --> 0:35:04.239
<v Speaker 1>encourage you first of all, to be vigilant. And because

0:35:04.239 --> 0:35:07.040
<v Speaker 1>we're doing more things that we do to expose ourselves

0:35:07.120 --> 0:35:10.040
<v Speaker 1>during the holidays, like shopping online and booking travel, cyber

0:35:10.040 --> 0:35:13.000
<v Speaker 1>criminals are all out there looking looking for us being dumb,

0:35:13.000 --> 0:35:15.680
<v Speaker 1>because I'm dumb too. Good thing, life Flock Identity Deft

0:35:15.680 --> 0:35:18.920
<v Speaker 1>Protection has the power of Norton Security to protect your

0:35:18.920 --> 0:35:21.440
<v Speaker 1>devices against cyber threats. If you have a problem, they

0:35:21.440 --> 0:35:23.600
<v Speaker 1>have agents who work to fix it. A love life flock.

0:35:23.760 --> 0:35:26.200
<v Speaker 1>Of course, no one can prevent all identity theft or

0:35:26.239 --> 0:35:29.719
<v Speaker 1>cyber crime or monitor transactions at all businesses, but life

0:35:29.719 --> 0:35:31.719
<v Speaker 1>Flock with Norton Security is the right choice to help

0:35:31.719 --> 0:35:33.319
<v Speaker 1>look out for threats that you might miss on your own.

0:35:33.560 --> 0:35:36.000
<v Speaker 1>Go to life flock dot com or call one LifeLock,

0:35:36.120 --> 0:35:38.480
<v Speaker 1>use the promo code bones for an additional fifteen percent

0:35:38.520 --> 0:35:40.959
<v Speaker 1>off your first year promo code bones for an extra

0:35:41.000 --> 0:35:43.799
<v Speaker 1>fifteen percent off and life flock dot com. Okay, so

0:35:45.160 --> 0:35:46.799
<v Speaker 1>we have the third record out is what does weed

0:35:46.800 --> 0:35:51.480
<v Speaker 1>a live past this? I gotta see I have some

0:35:51.600 --> 0:35:55.680
<v Speaker 1>awesome talks now of a possible. Um, a couple of

0:35:55.719 --> 0:35:58.560
<v Speaker 1>possible concert specials, but I'm not sure. I have mixed

0:35:58.560 --> 0:36:00.359
<v Speaker 1>feelings on them. We'll see where that goes. But yeah,

0:36:00.400 --> 0:36:02.879
<v Speaker 1>I don't. I don't know because we'll talk about a second.

0:36:02.880 --> 0:36:05.879
<v Speaker 1>I've got some other stuff, bruins, so we've got to see. Um,

0:36:06.040 --> 0:36:07.799
<v Speaker 1>I don't think it's I just don't. I love playing

0:36:07.880 --> 0:36:09.480
<v Speaker 1>music too much. I don't know how it can be there.

0:36:09.480 --> 0:36:12.200
<v Speaker 1>And I also don't want to do a bend album,

0:36:12.239 --> 0:36:14.120
<v Speaker 1>you know. So so what about your face? Do you

0:36:14.160 --> 0:36:15.319
<v Speaker 1>shave it? Or do you have to leave the full

0:36:15.360 --> 0:36:17.359
<v Speaker 1>beard forever? Is it part of no? I think I shave.

0:36:17.400 --> 0:36:19.759
<v Speaker 1>I think I'm gonna shave now. I gotta we'll talk.

0:36:20.040 --> 0:36:21.880
<v Speaker 1>You talk about LifeLock first, and then we can talk

0:36:21.920 --> 0:36:24.040
<v Speaker 1>about it. That was it, that's it, that's your that's

0:36:24.080 --> 0:36:26.160
<v Speaker 1>your probo. Just saying the word LifeLock. That just did

0:36:26.239 --> 0:36:27.960
<v Speaker 1>They did the whole commercial. You aren't even listening. Oh

0:36:28.000 --> 0:36:30.200
<v Speaker 1>they did it often? Okay, yeah I missed it. But anyway,

0:36:30.239 --> 0:36:33.000
<v Speaker 1>but we record the commercials before you walk in. I

0:36:33.080 --> 0:36:35.920
<v Speaker 1>don't have to stop. I'll give him another plug. I'm

0:36:35.920 --> 0:36:38.480
<v Speaker 1>just curious. What's life loss? So, for example, people have

0:36:38.560 --> 0:36:40.719
<v Speaker 1>tried to open up bank accounts of my name or

0:36:41.000 --> 0:36:44.000
<v Speaker 1>open up credit cards and so it monitors make sure

0:36:44.000 --> 0:36:46.680
<v Speaker 1>nobody's trying to steal your identity. Actually quite fantastic. I

0:36:46.719 --> 0:36:50.320
<v Speaker 1>used it a long time before they I signed a

0:36:50.360 --> 0:36:53.799
<v Speaker 1>partnership with them. Yeah, no, I'm I'll look into that. Yeah,

0:36:53.800 --> 0:36:55.680
<v Speaker 1>I don't want people. I don't want people using my

0:36:55.760 --> 0:36:58.680
<v Speaker 1>name too, because once it gets out there, people can

0:36:58.680 --> 0:37:02.280
<v Speaker 1>try to jack all kinds of stuff, including your your name. Yeah,

0:37:02.320 --> 0:37:05.279
<v Speaker 1>well yeah, I don't want that, um, especially now thanks

0:37:05.280 --> 0:37:07.640
<v Speaker 1>to you, people are gonna know my real name. Um people.

0:37:07.680 --> 0:37:10.000
<v Speaker 1>And it was funny to be when people would not

0:37:10.080 --> 0:37:12.239
<v Speaker 1>to completely change the stuff to here, but you would

0:37:12.239 --> 0:37:14.360
<v Speaker 1>say something as we other people get pissed off and

0:37:14.360 --> 0:37:16.759
<v Speaker 1>they'd be like, hey, listen, we know you're really been

0:37:17.040 --> 0:37:18.960
<v Speaker 1>and it's like, of course it takes one google. That's

0:37:19.000 --> 0:37:21.600
<v Speaker 1>what that's I would say, if everything that makes me

0:37:21.680 --> 0:37:23.520
<v Speaker 1>angry about this whole thing, that's what makes me the

0:37:23.560 --> 0:37:27.000
<v Speaker 1>most angries, Like, man, you tricked me, and that's what

0:37:27.680 --> 0:37:30.120
<v Speaker 1>which just had nothing to do. Like they would go, listen,

0:37:30.120 --> 0:37:32.200
<v Speaker 1>you're just some dude from New York who's trying to

0:37:32.200 --> 0:37:35.759
<v Speaker 1>trick us. It's like, no, I'm from you know, I

0:37:35.800 --> 0:37:40.759
<v Speaker 1>grew up in Kentucky. My family's all from Nashville. I

0:37:40.800 --> 0:37:42.640
<v Speaker 1>was like, I grew up with this music. I love

0:37:42.719 --> 0:37:45.600
<v Speaker 1>this music, and trying to trick people was the was

0:37:45.719 --> 0:37:47.279
<v Speaker 1>the last thing I wanted to do. I didn't want

0:37:47.360 --> 0:37:49.920
<v Speaker 1>nothing to do with it. It's just I wanted to Honestly,

0:37:49.920 --> 0:37:51.640
<v Speaker 1>I just wanted to make music and I wanted to

0:37:51.640 --> 0:37:56.480
<v Speaker 1>do it. I think the Ben Show was so because

0:37:56.520 --> 0:37:58.879
<v Speaker 1>of the let me know if I'm going too off topic,

0:37:58.920 --> 0:38:00.680
<v Speaker 1>but the Bench Show because of the lead reasons, had

0:38:00.719 --> 0:38:05.240
<v Speaker 1>to be called the Ben Show with Ben Hoffman to separate,

0:38:05.280 --> 0:38:07.200
<v Speaker 1>you know, like they do The Daily Show with John Stewart,

0:38:07.480 --> 0:38:10.279
<v Speaker 1>We're not Trevor Noah, so they you know, the Daily

0:38:10.320 --> 0:38:12.520
<v Speaker 1>Show name was I think taken, so they're like multiple take.

0:38:12.840 --> 0:38:15.600
<v Speaker 1>Someone had copyrighted. So the Daily Show with John Stewart's

0:38:15.600 --> 0:38:17.160
<v Speaker 1>not taken, so do that. So my show was the

0:38:17.160 --> 0:38:20.360
<v Speaker 1>Ben Show with Ben Hoffman. All the billboards, posters, everything

0:38:20.400 --> 0:38:23.440
<v Speaker 1>was my face going on Kimmel, going on con and

0:38:23.440 --> 0:38:26.680
<v Speaker 1>all that stuff. I just gotten really sick of of

0:38:27.120 --> 0:38:29.000
<v Speaker 1>me and being banned. I was like, why don't just

0:38:29.000 --> 0:38:30.440
<v Speaker 1>be someone else for a couple of years. See how

0:38:30.480 --> 0:38:33.080
<v Speaker 1>it goes and like I said, it took off in

0:38:33.120 --> 0:38:36.600
<v Speaker 1>a way I didn't expect. But um, that was kind

0:38:36.640 --> 0:38:40.360
<v Speaker 1>of That was my reasoning for it. Had nothing to

0:38:40.360 --> 0:38:42.120
<v Speaker 1>do with like, oh man, I'm gonna trick all these

0:38:42.160 --> 0:38:46.400
<v Speaker 1>country fans. I mean, it's still good. I mean people

0:38:46.440 --> 0:38:49.480
<v Speaker 1>still when people are at the shows, they're not sitting

0:38:49.480 --> 0:38:51.480
<v Speaker 1>down laughing, They're they're up there and they're you know,

0:38:51.480 --> 0:38:56.280
<v Speaker 1>they're loving the music. So when people really believe Wheeler

0:38:56.360 --> 0:38:58.799
<v Speaker 1>is real and they message, you're like, oh, like this

0:38:58.880 --> 0:39:00.279
<v Speaker 1>is the real deal, like you are the real there

0:39:00.280 --> 0:39:02.479
<v Speaker 1>and they really mean it sincerely. How do you feel

0:39:02.480 --> 0:39:07.680
<v Speaker 1>about that? Well? So, I mean, like, for example, while

0:39:07.680 --> 0:39:09.759
<v Speaker 1>I was backstage, I was did I opened a tour

0:39:09.840 --> 0:39:12.120
<v Speaker 1>for kid Rock and I was backstage and Guy Fieri

0:39:12.719 --> 0:39:15.440
<v Speaker 1>wanted to make me real bad and I introduced myself

0:39:15.440 --> 0:39:16.919
<v Speaker 1>as Bend. He's like, what the hell are you talking about?

0:39:17.160 --> 0:39:20.000
<v Speaker 1>Don't I'm not really His real name is Guy Fiery,

0:39:20.719 --> 0:39:22.920
<v Speaker 1>He's got he pronounced it Fieri or something like that.

0:39:23.520 --> 0:39:26.120
<v Speaker 1>And I'm like, and he said to me, it's like

0:39:26.160 --> 0:39:28.120
<v Speaker 1>telling me saying I ain't real, and I'm like, and

0:39:28.120 --> 0:39:31.040
<v Speaker 1>it made me think, like what, well, sorry, Guy Fiery.

0:39:31.080 --> 0:39:33.560
<v Speaker 1>But I'm like, but I'm thinking my head, like, what's

0:39:33.600 --> 0:39:36.080
<v Speaker 1>the different mean? Does the songs change, the music change?

0:39:36.080 --> 0:39:38.720
<v Speaker 1>You know? Another thing too is you know these country stars,

0:39:38.760 --> 0:39:41.640
<v Speaker 1>half of them aren't using their real name. This outlawing

0:39:41.760 --> 0:39:44.000
<v Speaker 1>like a cowboy head is not a practical thing to

0:39:44.040 --> 0:39:46.719
<v Speaker 1>wear on it's on a stage. These out you know,

0:39:46.880 --> 0:39:50.360
<v Speaker 1>cowboy boots have no use while you're playing guitar. Like,

0:39:50.440 --> 0:39:52.359
<v Speaker 1>it's all in that, it's all showbiz, it's all in act.

0:39:52.840 --> 0:39:54.600
<v Speaker 1>So in that respect, I feel like I'm not really

0:39:54.600 --> 0:39:57.400
<v Speaker 1>doing anything different. Certainly the content is different than what

0:39:57.400 --> 0:40:01.840
<v Speaker 1>most people do, but it's something that makes me giggle

0:40:01.960 --> 0:40:03.839
<v Speaker 1>or something that I get enjoyment from. But it has

0:40:03.880 --> 0:40:06.920
<v Speaker 1>nothing to do with um, none of zero percent of

0:40:06.920 --> 0:40:08.680
<v Speaker 1>what I was trying to do was like some kind

0:40:08.680 --> 0:40:11.759
<v Speaker 1>of jackass style prank or something. So that really and

0:40:11.800 --> 0:40:14.160
<v Speaker 1>then like you said, we know your name is really

0:40:14.160 --> 0:40:17.200
<v Speaker 1>really Ben Hoffman, I'm like, oh really, sure, Lot Holmes,

0:40:17.200 --> 0:40:20.279
<v Speaker 1>you got Google. You know, it's like because Wikipedia doesn't

0:40:20.280 --> 0:40:22.400
<v Speaker 1>even have a because I've tried a multiple time to

0:40:22.480 --> 0:40:25.720
<v Speaker 1>change give Wheeler his own Wikipedia page and they refused

0:40:25.760 --> 0:40:28.640
<v Speaker 1>to do it. Wikipedia pages, Ben Hoffman, So it's not

0:40:28.680 --> 0:40:31.680
<v Speaker 1>that I mean nothing could be easier to do, so

0:40:32.040 --> 0:40:35.319
<v Speaker 1>talk about that Netflix that anyway. Yeah, so that's kind

0:40:35.320 --> 0:40:37.600
<v Speaker 1>of why I think you were asking about what happened now,

0:40:37.600 --> 0:40:41.439
<v Speaker 1>because I just I have a I gotta spend next

0:40:41.520 --> 0:40:44.239
<v Speaker 1>year in Los Angeles. I sold an animated TV show

0:40:44.239 --> 0:40:45.960
<v Speaker 1>which had been a passion of mine for a while,

0:40:46.480 --> 0:40:50.880
<v Speaker 1>to um that I created about a high school basketball

0:40:50.920 --> 0:40:53.919
<v Speaker 1>coach in Kentucky, and it's gonna I have to spend

0:40:53.960 --> 0:40:57.040
<v Speaker 1>all of two thousand nineteen, it sounds like to me

0:40:57.360 --> 0:41:02.359
<v Speaker 1>doing that show. So, um, it's a great I'll tell

0:41:02.360 --> 0:41:03.560
<v Speaker 1>you what, It's a great problem to have is to

0:41:03.680 --> 0:41:05.799
<v Speaker 1>have to to have to take time off this to

0:41:05.880 --> 0:41:08.799
<v Speaker 1>do it, to to run your own television show. It's

0:41:08.840 --> 0:41:11.640
<v Speaker 1>it's gonna be a blast. And I mean, no one's

0:41:11.640 --> 0:41:13.640
<v Speaker 1>gonna remember because I don't think because animation takes a

0:41:13.640 --> 0:41:17.080
<v Speaker 1>long probably won't come out NTI that's my next year.

0:41:17.600 --> 0:41:22.560
<v Speaker 1>So it's gonna be a break for me, you know. Um.

0:41:22.600 --> 0:41:24.719
<v Speaker 1>So I'm looking at both both your books by well

0:41:24.760 --> 0:41:28.120
<v Speaker 1>you have people still even you run and keep Wheeler

0:41:28.120 --> 0:41:30.279
<v Speaker 1>alive a little bit at least. So well, that's that's

0:41:30.320 --> 0:41:32.919
<v Speaker 1>what I'm trying to figure out, is how much because

0:41:32.960 --> 0:41:35.640
<v Speaker 1>I kind of liked the idea. I put out three

0:41:35.640 --> 0:41:38.360
<v Speaker 1>albums pretty fast because I write pretty fast and do

0:41:38.400 --> 0:41:41.960
<v Speaker 1>the records pretty fast. But I would like for people

0:41:42.000 --> 0:41:45.880
<v Speaker 1>to forget not I mean, I feel like, I mean

0:41:45.920 --> 0:41:47.759
<v Speaker 1>the old days, you know, Elbon would put out Elton

0:41:47.800 --> 0:41:50.960
<v Speaker 1>John put on an album every year, and nowadays, like

0:41:51.000 --> 0:41:54.520
<v Speaker 1>YouTube spent six years between records. And my thing was,

0:41:54.520 --> 0:41:56.600
<v Speaker 1>if I'm doing this, I'm going on record a year,

0:41:56.680 --> 0:41:59.319
<v Speaker 1>record a year. And I did three records and three years,

0:41:59.320 --> 0:42:01.760
<v Speaker 1>and it took everything I had to make these records.

0:42:01.920 --> 0:42:04.040
<v Speaker 1>And I'm really proud of him, but it's just I

0:42:04.080 --> 0:42:06.719
<v Speaker 1>think people need I think what he kind of represents

0:42:07.160 --> 0:42:08.960
<v Speaker 1>for people, I think people just need to break from

0:42:09.040 --> 0:42:11.680
<v Speaker 1>right now, is my personal opinion. Yeah, that's true too.

0:42:11.800 --> 0:42:14.600
<v Speaker 1>I can see now there's there's so much of that

0:42:14.760 --> 0:42:18.160
<v Speaker 1>just aggression to where I can see what people will

0:42:18.160 --> 0:42:21.040
<v Speaker 1>go it's adding to it. Yeah, I feel like I'm

0:42:21.080 --> 0:42:22.920
<v Speaker 1>on the on the wrong side of it. There's certainly

0:42:22.960 --> 0:42:26.759
<v Speaker 1>issues and I'm not an aggressive person, and there's there's

0:42:26.760 --> 0:42:29.480
<v Speaker 1>an aggression to it that just kind of naturally comes out.

0:42:29.520 --> 0:42:31.600
<v Speaker 1>But I don't make the albums in an aggressive way,

0:42:31.640 --> 0:42:34.799
<v Speaker 1>you know, like um, like you were like you were

0:42:34.800 --> 0:42:36.680
<v Speaker 1>saying that one time before better Off beating off? That

0:42:36.760 --> 0:42:40.200
<v Speaker 1>to me is just silly, silly, like why go out tonight,

0:42:41.120 --> 0:42:43.000
<v Speaker 1>I'm not getting a girl anyway. Why not just stay

0:42:43.000 --> 0:42:46.160
<v Speaker 1>home and beat off? Whereas people will other people see

0:42:46.160 --> 0:42:49.640
<v Speaker 1>the songs like yeah, man, screw girls just beating off

0:42:49.719 --> 0:42:51.799
<v Speaker 1>better Man, it's like it's like some kind of male

0:42:51.840 --> 0:42:54.400
<v Speaker 1>empowerment song, which you know, but that happens with all

0:42:54.440 --> 0:42:58.240
<v Speaker 1>comedy you do or any song anyway, you know, um,

0:42:58.640 --> 0:43:00.560
<v Speaker 1>you know, okay from a Skokie. You know, it's not

0:43:00.880 --> 0:43:04.400
<v Speaker 1>that's he was not like you know, that was not literal,

0:43:04.520 --> 0:43:07.560
<v Speaker 1>as he explained how to explain years later. But you

0:43:07.560 --> 0:43:09.319
<v Speaker 1>don't complain about the time when you got to hit

0:43:09.400 --> 0:43:11.120
<v Speaker 1>with it, you know, yeah, when it's paying the bills.

0:43:11.280 --> 0:43:13.680
<v Speaker 1>Did you make money if you make money off Wheeler? Yeah, yeah,

0:43:14.200 --> 0:43:16.839
<v Speaker 1>like enough to survive and like yeah, I mean I had.

0:43:16.880 --> 0:43:21.319
<v Speaker 1>I took a three year hiatus from Hollywood and been fine. Um,

0:43:21.360 --> 0:43:24.000
<v Speaker 1>mainly because I would say the biggest reason is because

0:43:24.560 --> 0:43:26.600
<v Speaker 1>I put out I have a distributor, but I put

0:43:26.600 --> 0:43:32.120
<v Speaker 1>out my albums myself, and you know, I make all

0:43:32.160 --> 0:43:35.520
<v Speaker 1>but a couple of bucks on every album sold, which

0:43:35.719 --> 0:43:37.279
<v Speaker 1>now everyone's gonna think because I said I sold a

0:43:37.280 --> 0:43:39.200
<v Speaker 1>few hundred thousand records and I have that much money.

0:43:39.200 --> 0:43:40.719
<v Speaker 1>I don't have that much money. Still gotta pay for

0:43:40.719 --> 0:43:44.279
<v Speaker 1>the records, as you know, going on tours, expand like

0:43:44.280 --> 0:43:47.000
<v Speaker 1>all this stuff. Yeah, I mean it's just like, yeah,

0:43:47.080 --> 0:43:50.319
<v Speaker 1>you gotta pay them, ever pay them and apparently they

0:43:50.360 --> 0:43:53.439
<v Speaker 1>gotta eat and hotel. It's just like it's just too much,

0:43:54.200 --> 0:43:55.680
<v Speaker 1>you know. That's what I was psyched about the show.

0:43:55.680 --> 0:43:57.360
<v Speaker 1>It's just like they're telling me, like, you know, my

0:43:57.360 --> 0:43:59.360
<v Speaker 1>people are negotiating the deal. It's like, wait a second,

0:43:59.360 --> 0:44:01.759
<v Speaker 1>so this is just my money, Like how do I

0:44:01.800 --> 0:44:03.719
<v Speaker 1>pay the band? It's like there's no band, there's no

0:44:03.800 --> 0:44:06.200
<v Speaker 1>nothing anymore. It's like because usually I'll see a number

0:44:06.280 --> 0:44:11.279
<v Speaker 1>in the band, the hotel, manager, agent, lawyer, everything, you know,

0:44:11.320 --> 0:44:13.600
<v Speaker 1>it's like I don't even know what numbers me anymore.

0:44:13.719 --> 0:44:15.799
<v Speaker 1>Just like take a tenth of it. You know. I

0:44:15.800 --> 0:44:17.680
<v Speaker 1>did a whole podcast, only do a whole podcast once

0:44:17.719 --> 0:44:19.759
<v Speaker 1>where I broke down how much money, Like if I'm

0:44:19.760 --> 0:44:22.160
<v Speaker 1>paid a dollar, I think I make thirty eight cents.

0:44:22.640 --> 0:44:26.480
<v Speaker 1>That sounds that actually sounds pretty good. Yeah, and um yeah,

0:44:26.520 --> 0:44:28.880
<v Speaker 1>And that's mostly so when you see these these numbers

0:44:28.880 --> 0:44:31.799
<v Speaker 1>that are inflated, and I'll use a very inflated. I

0:44:31.880 --> 0:44:33.560
<v Speaker 1>use a dollar because it's just simple to hear. But

0:44:33.600 --> 0:44:36.680
<v Speaker 1>like Luke Bryan sixty five million dollars. Now listen, he's

0:44:36.719 --> 0:44:39.120
<v Speaker 1>not going broke, but he's not really making six five

0:44:39.120 --> 0:44:44.040
<v Speaker 1>million bucks, probably making not twenty Now listen, he's still

0:44:44.080 --> 0:44:47.520
<v Speaker 1>got Luke Brian money. But you know all those numbers.

0:44:47.880 --> 0:44:50.200
<v Speaker 1>It's like these guys, the Battery Boys or somebody who

0:44:50.239 --> 0:44:53.120
<v Speaker 1>doesn't pay their taxes. Right. What happens is I talked

0:44:53.120 --> 0:44:54.759
<v Speaker 1>about this on my show sometimes, So how do people

0:44:54.760 --> 0:44:56.520
<v Speaker 1>not pay their taxes? Well, when you get paid as

0:44:56.560 --> 0:44:59.640
<v Speaker 1>like an independent contract goes to something else about the

0:44:59.640 --> 0:45:01.799
<v Speaker 1>backstree boys, imagine that Luke Bryan money were talking about

0:45:01.800 --> 0:45:04.759
<v Speaker 1>divided by five to well and even that, Like I

0:45:04.800 --> 0:45:07.000
<v Speaker 1>have a job, and I've had jobs that have taken

0:45:07.000 --> 0:45:09.839
<v Speaker 1>my taxes out, but now I have jobs that don't

0:45:09.920 --> 0:45:11.640
<v Speaker 1>and not only have to pay the taxes myself, to

0:45:11.640 --> 0:45:15.160
<v Speaker 1>pay my manager, my agent. But what happens with some

0:45:15.160 --> 0:45:17.520
<v Speaker 1>of these folks whenever they get in tax trouble is

0:45:17.560 --> 0:45:19.680
<v Speaker 1>that you just get a paycheck and you have to

0:45:19.719 --> 0:45:22.720
<v Speaker 1>figure it out like yourself, meaning who you pay taxes.

0:45:22.840 --> 0:45:24.040
<v Speaker 1>That was my thing to I was like, I don't

0:45:24.480 --> 0:45:26.279
<v Speaker 1>forge someone told me I need a business mansors like,

0:45:26.320 --> 0:45:28.000
<v Speaker 1>I don't need a business manaors just pay the guys.

0:45:28.480 --> 0:45:31.280
<v Speaker 1>So then they go, well, you know, when you play Indiana,

0:45:31.320 --> 0:45:33.719
<v Speaker 1>you gotta pay the band and and pay Indiana tax

0:45:33.760 --> 0:45:36.600
<v Speaker 1>And I'm like what I was like, I wouldn't even

0:45:36.680 --> 0:45:38.560
<v Speaker 1>know how to do that. That's where they get not

0:45:38.560 --> 0:45:41.959
<v Speaker 1>that I'm not saying, you know, it's not a libel job,

0:45:41.960 --> 0:45:44.840
<v Speaker 1>but it's just it's just like, of course that's you

0:45:44.960 --> 0:45:46.520
<v Speaker 1>need a business, How would you ever know how to

0:45:46.560 --> 0:45:48.040
<v Speaker 1>do that? You know, you're just gonna get, you know,

0:45:48.600 --> 0:45:51.160
<v Speaker 1>So the amount of work it takes, I mean it takes.

0:45:51.160 --> 0:45:52.480
<v Speaker 1>I mean that that would happen to me all the

0:45:52.520 --> 0:45:55.360
<v Speaker 1>time with my writing checks. I'm just like, oh awesome.

0:45:55.440 --> 0:45:57.440
<v Speaker 1>You know I'm seeing these big numbers. First of all,

0:45:57.640 --> 0:46:01.480
<v Speaker 1>California taxes take out a third already, and then ten

0:46:01.480 --> 0:46:04.000
<v Speaker 1>percent manager ten percent while you're alreadyking. Mean, I've never

0:46:04.040 --> 0:46:07.040
<v Speaker 1>gotten more than half of paycheck in my life. Um,

0:46:07.200 --> 0:46:09.920
<v Speaker 1>because it's it's been creative. You've done creating. Yeah, well,

0:46:09.960 --> 0:46:11.840
<v Speaker 1>I mean when I was a farmhand, I got the

0:46:11.840 --> 0:46:14.680
<v Speaker 1>whole check to myself. But but that six bucks an

0:46:14.680 --> 0:46:17.680
<v Speaker 1>hour didn't really mean anything. But um, as I've been

0:46:17.680 --> 0:46:20.359
<v Speaker 1>an adult and done creative stuff, they always mean they'll

0:46:20.400 --> 0:46:22.719
<v Speaker 1>get you with you know, I guess what they're paying

0:46:22.760 --> 0:46:25.000
<v Speaker 1>you per week on this TV show to right, like,

0:46:25.040 --> 0:46:26.640
<v Speaker 1>oh no way, and they forget to tell you the

0:46:26.680 --> 0:46:30.279
<v Speaker 1>part word and I forget to subtract you know, two

0:46:30.280 --> 0:46:32.919
<v Speaker 1>thirds of it. How funny's Norm McDonald because you wrote

0:46:32.960 --> 0:46:35.520
<v Speaker 1>for Norm McDonald, Um, I think he's the To me,

0:46:35.640 --> 0:46:38.880
<v Speaker 1>he's the funniest person I've ever met and the funniest

0:46:39.840 --> 0:46:42.120
<v Speaker 1>guy I've ever written for. And also to this day,

0:46:42.160 --> 0:46:46.440
<v Speaker 1>the like the most and I think all comedians feel this,

0:46:46.520 --> 0:46:48.719
<v Speaker 1>but the most anyone who's written form certainly is the

0:46:48.760 --> 0:46:52.239
<v Speaker 1>most joy I get writing a joke that he says

0:46:52.360 --> 0:46:55.520
<v Speaker 1>most A lot of shows all right for people. Um,

0:46:55.560 --> 0:46:57.719
<v Speaker 1>and I still do write, like I wrote on the

0:46:58.280 --> 0:47:02.240
<v Speaker 1>wrote on the Who's the Last Know? Bruce Willis roast

0:47:02.320 --> 0:47:04.239
<v Speaker 1>was just recently I'm like, I can't do it. I'm

0:47:04.280 --> 0:47:05.799
<v Speaker 1>in Nashville and they're just like, we'll just do it

0:47:05.800 --> 0:47:08.879
<v Speaker 1>from so I wrote that was where life just gets

0:47:08.920 --> 0:47:10.399
<v Speaker 1>a little too heckty and I can't do it all.

0:47:10.440 --> 0:47:14.160
<v Speaker 1>You know, people don't know between tours or on a

0:47:14.239 --> 0:47:16.440
<v Speaker 1>day off Wheelers, right, and you know for to me

0:47:16.520 --> 0:47:21.399
<v Speaker 1>more on the Bruce Willis Rose. But but um, going

0:47:21.440 --> 0:47:23.600
<v Speaker 1>back to Norm. But he's he's just kind of he's

0:47:23.640 --> 0:47:29.200
<v Speaker 1>the like the ultimate comedians comedian. Everyone wants Norm's approval everyone,

0:47:29.280 --> 0:47:32.520
<v Speaker 1>you know, there was so much competitiveness on that show.

0:47:33.440 --> 0:47:36.359
<v Speaker 1>Everyone wanted you all, everyone wanted Norm to read their joke,

0:47:36.520 --> 0:47:39.200
<v Speaker 1>you know, and a lot of times the monologue. You know,

0:47:39.239 --> 0:47:42.879
<v Speaker 1>you think about it if there's sometimes there's only ten

0:47:42.960 --> 0:47:46.080
<v Speaker 1>or fifteen jokes a long monologue, you know, so that's

0:47:46.320 --> 0:47:49.799
<v Speaker 1>you know, the percentages of how many, Like getting two

0:47:49.880 --> 0:47:55.120
<v Speaker 1>jokes in a week is a huge accomplishment, that's huge. Um,

0:47:55.160 --> 0:47:57.120
<v Speaker 1>but you're sitting around. He's also the smartest guy I

0:47:57.120 --> 0:47:59.360
<v Speaker 1>ever met too. Did you want you watch the Netflix

0:47:59.400 --> 0:48:01.759
<v Speaker 1>Netflix show? That was great? I don't. I don't know

0:48:01.800 --> 0:48:03.080
<v Speaker 1>if it's coming back. I haven't talked to him a

0:48:03.120 --> 0:48:06.719
<v Speaker 1>little while, but I'm a huge Norm fan. Yeah. Well

0:48:06.760 --> 0:48:08.719
<v Speaker 1>he I mean he is everything you want. I mean,

0:48:08.920 --> 0:48:11.200
<v Speaker 1>that's what I that's what I love. My favorite performers

0:48:11.600 --> 0:48:16.719
<v Speaker 1>for framers, famous like entertainers is you meet them, that's

0:48:16.760 --> 0:48:20.120
<v Speaker 1>the guy. I mean, like you meet Norm, he's funnier

0:48:20.160 --> 0:48:22.720
<v Speaker 1>that he's just just you're the guy off the screen

0:48:22.760 --> 0:48:26.000
<v Speaker 1>comes out and you're just hanging out with him. Um,

0:48:26.000 --> 0:48:28.240
<v Speaker 1>maybe a bad segue, but the same thing guy Fieri.

0:48:28.320 --> 0:48:29.960
<v Speaker 1>I'm talking to him. He grabs the food with his

0:48:30.040 --> 0:48:32.200
<v Speaker 1>fingers like eats it like street like he like he's

0:48:32.200 --> 0:48:34.239
<v Speaker 1>not doing a character. That's the guy Fiery. You know.

0:48:34.400 --> 0:48:37.560
<v Speaker 1>I like those genuine guys the most, which is the

0:48:37.560 --> 0:48:39.439
<v Speaker 1>opposite of what I do. So it's kind of weird.

0:48:39.480 --> 0:48:41.960
<v Speaker 1>But have you met because I know you're on the

0:48:42.000 --> 0:48:44.239
<v Speaker 1>wrap up show on Stern? Have you met Stern? I've

0:48:44.280 --> 0:48:47.560
<v Speaker 1>not met Stern. No, Um, I met everyone kind of

0:48:47.600 --> 0:48:50.120
<v Speaker 1>around him. But he's another one, you know on my

0:48:50.200 --> 0:48:53.919
<v Speaker 1>top people i'd love to meet. I'm a massive Stern fan.

0:48:54.080 --> 0:48:55.520
<v Speaker 1>I just wouldn't be able to do what I do

0:48:56.239 --> 0:48:59.799
<v Speaker 1>without him doing what he did and does. Yeah, I

0:48:59.800 --> 0:49:01.560
<v Speaker 1>think that's the part of you. I didn't know was

0:49:01.600 --> 0:49:04.279
<v Speaker 1>that I now understand you know what you love about

0:49:04.320 --> 0:49:05.960
<v Speaker 1>sterning it. At the time, I was just like, you know,

0:49:06.640 --> 0:49:10.800
<v Speaker 1>I think radio DJs have a bad rap something for

0:49:10.880 --> 0:49:12.759
<v Speaker 1>good reasons, just like it just thought of it was was like,

0:49:12.800 --> 0:49:18.239
<v Speaker 1>you know, yeah, exactly. Yeah, and anyone who just kind

0:49:18.239 --> 0:49:19.719
<v Speaker 1>of messes with the system at all, and you know,

0:49:19.719 --> 0:49:22.120
<v Speaker 1>I'm into you know, like those billboards you did that

0:49:22.360 --> 0:49:25.640
<v Speaker 1>that was wild ago four years ago. Yeah, I put

0:49:25.640 --> 0:49:28.400
<v Speaker 1>out billboards. If you're not knowing that, I bought billboards secretly,

0:49:28.440 --> 0:49:30.799
<v Speaker 1>didn't tell anyone, didn't e tell my company, and they

0:49:30.800 --> 0:49:32.640
<v Speaker 1>said go away, Bobby Bones, And it was the whole thing.

0:49:32.640 --> 0:49:34.680
<v Speaker 1>I hit it until I wrote my book. Yeah, I didn't.

0:49:34.719 --> 0:49:36.160
<v Speaker 1>I didn't know. That's what I mean, Like, that's the

0:49:36.200 --> 0:49:38.680
<v Speaker 1>kind of stuff I like, you know, actually was gonna buy.

0:49:39.040 --> 0:49:40.880
<v Speaker 1>We're in talks to buy a billboard across from the

0:49:40.920 --> 0:49:44.760
<v Speaker 1>c M as you know on Bridgestone for my new record.

0:49:45.040 --> 0:49:47.040
<v Speaker 1>And I hired all these people to figure out how

0:49:47.080 --> 0:49:49.080
<v Speaker 1>you know, those like things you squint at and then

0:49:49.120 --> 0:49:52.359
<v Speaker 1>you see an immage. I was a squint one where

0:49:52.600 --> 0:49:53.960
<v Speaker 1>it would be an ad for my album. Then you

0:49:54.000 --> 0:49:57.240
<v Speaker 1>squint it would be like fatlex, you know, like there'll

0:49:57.239 --> 0:50:01.080
<v Speaker 1>be a giant penis across the street bridge bridge stone

0:50:01.120 --> 0:50:02.720
<v Speaker 1>that no one would be able to see until they squinted.

0:50:02.719 --> 0:50:04.759
<v Speaker 1>And then when they found out what I wanted was

0:50:04.800 --> 0:50:06.920
<v Speaker 1>the c m AS footage to be a bunch of

0:50:07.040 --> 0:50:10.440
<v Speaker 1>construction guys taking the the billboard down, but we couldn't

0:50:10.480 --> 0:50:12.520
<v Speaker 1>get a guy to do it right. Yeah. I don't

0:50:12.520 --> 0:50:17.600
<v Speaker 1>know there's a huge market for squinny billboard. But but

0:50:17.719 --> 0:50:19.160
<v Speaker 1>my thing was I wanted to be up for a

0:50:19.160 --> 0:50:21.320
<v Speaker 1>while and then I would spread the news and everyone

0:50:21.320 --> 0:50:23.480
<v Speaker 1>in nashvillood knows, like look at that billboard and then

0:50:23.600 --> 0:50:27.759
<v Speaker 1>squint there it is, you know. But it couldn't get right. Ah,

0:50:27.960 --> 0:50:30.520
<v Speaker 1>So you did, Norm, you did. Uh. I was gonna

0:50:30.520 --> 0:50:32.200
<v Speaker 1>ask about Stern. You haven't. You haven't met Stern, but

0:50:32.239 --> 0:50:34.399
<v Speaker 1>you did the wrap up show. I'm a big fan. Um,

0:50:34.440 --> 0:50:35.880
<v Speaker 1>you did the roast. The roast are interesting to me.

0:50:35.880 --> 0:50:38.080
<v Speaker 1>We've talked about this and socially you and I were

0:50:38.320 --> 0:50:39.959
<v Speaker 1>when you write the roast for some of those people,

0:50:39.960 --> 0:50:41.160
<v Speaker 1>like you were just write a bunch of jokes and

0:50:41.200 --> 0:50:43.000
<v Speaker 1>you just put them in like a binder. Yeah, we

0:50:43.080 --> 0:50:46.759
<v Speaker 1>just used right. It's like, I mean I remember writing, um,

0:50:46.840 --> 0:50:50.160
<v Speaker 1>the Roseanne roast and Um, I would spend I spent

0:50:50.200 --> 0:50:53.240
<v Speaker 1>a little time with her, super nice woman. UM couldn't

0:50:53.239 --> 0:50:57.760
<v Speaker 1>have been nicer. Um, and you just right, it is real.

0:50:57.920 --> 0:51:00.719
<v Speaker 1>I mean I will say that, I mean I remember,

0:51:00.880 --> 0:51:02.640
<v Speaker 1>I'll just tell some of us about this the other day,

0:51:02.680 --> 0:51:04.560
<v Speaker 1>which is we did. We shot that one in the

0:51:04.600 --> 0:51:06.239
<v Speaker 1>Hollywood Palladium, and I was in the back of the

0:51:06.320 --> 0:51:10.560
<v Speaker 1>room watching rehearsal. And it is real. Whereas Roseanne can't

0:51:10.600 --> 0:51:14.000
<v Speaker 1>hear the other jokes, performers can't hear their jokes, so

0:51:14.040 --> 0:51:16.160
<v Speaker 1>they clear out the room to make sure Roseanne's not there.

0:51:16.800 --> 0:51:19.960
<v Speaker 1>And I was in the back of the room during rehearsals.

0:51:20.000 --> 0:51:23.040
<v Speaker 1>I think Schumer was on stage rehearsing, and I look

0:51:23.080 --> 0:51:24.799
<v Speaker 1>in the back and I see a cell phone in

0:51:24.800 --> 0:51:26.160
<v Speaker 1>the air, and I go back and I see and

0:51:26.160 --> 0:51:29.279
<v Speaker 1>I had met Roseanne's husband through the process of thuring

0:51:29.320 --> 0:51:31.399
<v Speaker 1>the roast, and he was holding up his cell phone.

0:51:31.480 --> 0:51:33.560
<v Speaker 1>She was at in the hotel listening to the roast

0:51:33.600 --> 0:51:35.239
<v Speaker 1>and I had to kick the guy tell the EP

0:51:35.360 --> 0:51:37.440
<v Speaker 1>and of them kicked out. Um, but yeah, it is.

0:51:37.520 --> 0:51:39.400
<v Speaker 1>It is real. And it's also I call it the

0:51:39.440 --> 0:51:41.319
<v Speaker 1>most cowardly job in Hollywood. So all you're doing is

0:51:41.320 --> 0:51:43.560
<v Speaker 1>saying the meanest things you can say about somebody. Then

0:51:43.760 --> 0:51:45.920
<v Speaker 1>hear you say it, you know, So you're writing the

0:51:45.960 --> 0:51:47.759
<v Speaker 1>meanest things and giving it to someone else's day. I

0:51:47.760 --> 0:51:49.759
<v Speaker 1>mean it's funny too, how fast those people become bit

0:51:49.800 --> 0:51:53.200
<v Speaker 1>because I remember having the conversation with Roseanne, like and

0:51:53.280 --> 0:51:55.839
<v Speaker 1>she wouldn't say these jokes about Amy Schumer. She's like,

0:51:55.880 --> 0:51:57.360
<v Speaker 1>what am I gonna do making fun of this no

0:51:57.520 --> 0:52:01.120
<v Speaker 1>name comedian. She's like, everyone's'm gonna just look like a

0:52:01.160 --> 0:52:03.520
<v Speaker 1>bad person making fun of this. We know this woman's

0:52:03.520 --> 0:52:05.319
<v Speaker 1>not gonna become famous, so why would I make fun

0:52:05.360 --> 0:52:07.480
<v Speaker 1>of It's like, I go, I think, you know, I

0:52:07.480 --> 0:52:10.399
<v Speaker 1>think she's she's doing pretty well right now. She's gonna

0:52:10.400 --> 0:52:12.120
<v Speaker 1>be fine, She's getting good money for the roast. Just

0:52:12.160 --> 0:52:14.480
<v Speaker 1>go for it, you know. And I remember them becoming

0:52:14.520 --> 0:52:17.600
<v Speaker 1>friendly after that. But it's just a weird the ones

0:52:17.640 --> 0:52:19.439
<v Speaker 1>I tend to like. I don't I love those old

0:52:19.480 --> 0:52:21.759
<v Speaker 1>like Dan Martin roast, like I liked the rose An

0:52:21.840 --> 0:52:24.600
<v Speaker 1>one because the Roseanne one was more than any of

0:52:24.640 --> 0:52:27.120
<v Speaker 1>them that I've worked on, was the most her actual

0:52:27.239 --> 0:52:29.279
<v Speaker 1>friends and Tom, even Tom Arnold came out. I don't

0:52:29.280 --> 0:52:32.000
<v Speaker 1>know if you saw it, but um it felt like

0:52:32.040 --> 0:52:35.360
<v Speaker 1>a bunch of friends rasing her, whereas a lot of

0:52:35.400 --> 0:52:38.759
<v Speaker 1>nowadays are just whatever celebrity will show up, you know,

0:52:39.280 --> 0:52:44.080
<v Speaker 1>like your buddy Nikkilazer wasn't was on the Bruce Willis Frost.

0:52:44.080 --> 0:52:46.320
<v Speaker 1>I guarantee you that was not like Bruce Willis was

0:52:46.360 --> 0:52:48.120
<v Speaker 1>not like, you know, nothing against Nikki, but I don't

0:52:48.120 --> 0:52:50.160
<v Speaker 1>think he was like you gotta get my old pal

0:52:50.239 --> 0:52:52.280
<v Speaker 1>Nikki on the show. Is just like she's a funny comedian,

0:52:52.760 --> 0:52:55.520
<v Speaker 1>can good at telling jokes, and you know they have

0:52:55.680 --> 0:52:58.080
<v Speaker 1>so it's usually it's just usually just a bunch of

0:52:58.840 --> 0:53:01.080
<v Speaker 1>you know, ringers, bunch of stand ups making fun of

0:53:01.080 --> 0:53:02.759
<v Speaker 1>a random celebrity, which I don't like, but if it's

0:53:02.760 --> 0:53:04.879
<v Speaker 1>their friends and stuff means a little. And I still

0:53:04.920 --> 0:53:07.240
<v Speaker 1>were in my favorite story I nowhere. I just remember

0:53:07.800 --> 0:53:09.960
<v Speaker 1>calling up. These are a cool part. So I remember

0:53:09.960 --> 0:53:12.680
<v Speaker 1>calling up. I was going to write something for Carrie

0:53:12.680 --> 0:53:16.319
<v Speaker 1>Fisher and she was never quite with it. If you

0:53:16.320 --> 0:53:19.319
<v Speaker 1>don't remember, she was always her issues in a bit

0:53:19.360 --> 0:53:21.040
<v Speaker 1>of a drug problem, to put it modelly. And I

0:53:21.080 --> 0:53:24.120
<v Speaker 1>called her up talking to her about, you know, getting

0:53:24.160 --> 0:53:26.000
<v Speaker 1>some background so I could write her to help write

0:53:26.000 --> 0:53:28.839
<v Speaker 1>her roast and and at the and she kept said

0:53:28.840 --> 0:53:30.600
<v Speaker 1>a few times she's like, I know, I know Roseanne

0:53:30.680 --> 0:53:32.560
<v Speaker 1>rom somewhere, but I can't put my finger on it.

0:53:32.960 --> 0:53:35.160
<v Speaker 1>What is it? And she kept asking me, I know,

0:53:35.200 --> 0:53:37.200
<v Speaker 1>I know, I've met her, I know I've done something

0:53:37.200 --> 0:53:39.120
<v Speaker 1>with her. Then I have the phone. I am d

0:53:39.239 --> 0:53:45.080
<v Speaker 1>beat her. She wrote two episodes of Roseanne. Yeah, and

0:53:45.080 --> 0:53:48.319
<v Speaker 1>then I'm uh uh. Then I remember sometimes you have

0:53:48.360 --> 0:53:49.960
<v Speaker 1>to write jokes in the hall. I remember I had

0:53:49.960 --> 0:53:53.200
<v Speaker 1>write write a joke for not Seth Rogan, whose other Seth?

0:53:53.200 --> 0:53:57.000
<v Speaker 1>Who has that robot chicken? Seth Green? Yeah, I had

0:53:57.040 --> 0:53:58.520
<v Speaker 1>to write a joke for him at the last second.

0:53:58.520 --> 0:54:01.760
<v Speaker 1>And no, it's a joke for Carrie Fisher that wrote

0:54:02.040 --> 0:54:04.040
<v Speaker 1>like we needed. She doesn't have a joke about Seth Green,

0:54:04.680 --> 0:54:06.719
<v Speaker 1>and it works just because she's out of it. I go,

0:54:07.320 --> 0:54:09.719
<v Speaker 1>she goes, I am The joke I gave her was

0:54:11.760 --> 0:54:14.160
<v Speaker 1>you know, I didn't know this. I learned two things

0:54:14.200 --> 0:54:16.840
<v Speaker 1>talking to Seth Green. Apparently he's a big Star Wars

0:54:16.920 --> 0:54:19.480
<v Speaker 1>fan and also apparently I was in the film and

0:54:19.520 --> 0:54:22.680
<v Speaker 1>then in a film called Star Wars. So it's just

0:54:22.760 --> 0:54:24.279
<v Speaker 1>I like the fun, the pressure of just having to

0:54:24.280 --> 0:54:25.680
<v Speaker 1>come up with something. Really, I'm not saying that's a

0:54:25.680 --> 0:54:28.799
<v Speaker 1>brilliant joke, but just in the per second that I

0:54:28.920 --> 0:54:31.799
<v Speaker 1>took to write it, it was pretty good. Um. But yeah,

0:54:31.840 --> 0:54:34.080
<v Speaker 1>I always love you know. Just there's a lot of

0:54:34.120 --> 0:54:38.880
<v Speaker 1>similarities I think between comedy and joke writing and and songwriting.

0:54:38.880 --> 0:54:41.920
<v Speaker 1>There's a lot, you know, I mean, what's the I

0:54:41.920 --> 0:54:44.839
<v Speaker 1>mean there's exceptions, there's stairway and all that. There's long

0:54:44.920 --> 0:54:46.640
<v Speaker 1>but the most part is like you gotta say everything

0:54:46.680 --> 0:54:49.520
<v Speaker 1>you need just saying what three minutes three and a

0:54:49.560 --> 0:54:53.520
<v Speaker 1>half sometimes, and I mean joke it's it's fun to

0:54:53.600 --> 0:54:55.200
<v Speaker 1>figure out, you know. Then there's a rhythm to a

0:54:55.280 --> 0:54:57.239
<v Speaker 1>joke too. It's like you've got one line, you know,

0:54:57.680 --> 0:54:59.920
<v Speaker 1>and you gotta say something. I mean, even sitcoms are

0:55:00.600 --> 0:55:04.040
<v Speaker 1>they're not with commercials and stuff. Um Actually, with my

0:55:04.080 --> 0:55:08.560
<v Speaker 1>brother I scored a sitcom. Um, as my music career

0:55:08.600 --> 0:55:11.920
<v Speaker 1>took on, I scored a sitcom and out on CBS

0:55:12.080 --> 0:55:16.080
<v Speaker 1>last year called the Great Indoors was Joel mckel sitcom

0:55:16.160 --> 0:55:18.399
<v Speaker 1>And this guy knew my music. It's like, why don't

0:55:18.440 --> 0:55:21.319
<v Speaker 1>you do them? I kind of goes CBS to give

0:55:21.360 --> 0:55:23.239
<v Speaker 1>me all least writers. But you know, I can't have

0:55:23.280 --> 0:55:24.680
<v Speaker 1>you writing, but you can do the music for it

0:55:24.680 --> 0:55:26.640
<v Speaker 1>if you want. I'm like, I can't, really, I'll bet

0:55:26.640 --> 0:55:28.040
<v Speaker 1>I can't. On my own. I couldn't do it. So

0:55:28.080 --> 0:55:29.640
<v Speaker 1>my brothers producer, I have him do it with me,

0:55:30.360 --> 0:55:32.799
<v Speaker 1>and um, we sent them the theme song like we

0:55:32.800 --> 0:55:35.000
<v Speaker 1>need it really sure the sname theme song for the

0:55:35.040 --> 0:55:38.319
<v Speaker 1>show was we sent them a ten second theme song

0:55:38.400 --> 0:55:40.640
<v Speaker 1>as like a sample what they like, and they actually

0:55:40.719 --> 0:55:43.160
<v Speaker 1>loved the ten seconds we sent They go there are

0:55:43.360 --> 0:55:45.680
<v Speaker 1>The only note is we need to seconds take it off.

0:55:46.400 --> 0:55:50.600
<v Speaker 1>They needed the theme song because you and I remember

0:55:50.640 --> 0:55:53.480
<v Speaker 1>probably you know cheers the song. But nowadays with commercials

0:55:53.520 --> 0:55:55.480
<v Speaker 1>and all that stuff, they gotta get chopped the whole

0:55:55.480 --> 0:55:57.879
<v Speaker 1>show down. So it's like it was an eight second

0:55:57.960 --> 0:56:01.800
<v Speaker 1>theme song. That right the record out w W three

0:56:02.400 --> 0:56:05.440
<v Speaker 1>Wheeler Walker your most wheel Walker is my father's name.

0:56:05.480 --> 0:56:07.760
<v Speaker 1>I'm Weither Walker Jr. Bad And then weel a Walker.

0:56:08.640 --> 0:56:10.839
<v Speaker 1>The third is now is he gonna have a music career?

0:56:10.880 --> 0:56:12.919
<v Speaker 1>Are you gonna hire a kid? Have you thought about

0:56:12.920 --> 0:56:14.839
<v Speaker 1>that yet? Well, there is a kid in my video.

0:56:15.080 --> 0:56:19.040
<v Speaker 1>I don't want to do music, to do vulgar music? Well,

0:56:19.080 --> 0:56:21.560
<v Speaker 1>i'm um, I don't think. I didn't want to take

0:56:21.600 --> 0:56:23.919
<v Speaker 1>it that far. I got a lot of I went

0:56:24.040 --> 0:56:25.640
<v Speaker 1>real hard after you want to put a penis on

0:56:25.640 --> 0:56:28.160
<v Speaker 1>a billboard? But I went real but yeah, I went

0:56:28.320 --> 0:56:31.080
<v Speaker 1>real hard after Yodel Kid and got a lot of

0:56:31.080 --> 0:56:36.200
<v Speaker 1>blowback on that, And then I offered yodel Kid bucket

0:56:36.200 --> 0:56:38.240
<v Speaker 1>load of money to do as for my new record,

0:56:38.719 --> 0:56:41.560
<v Speaker 1>and they said no, because you know that's not the

0:56:41.560 --> 0:56:44.760
<v Speaker 1>direction is career is going. Even though he's playing like fraternity,

0:56:44.800 --> 0:56:46.440
<v Speaker 1>but it's getting really weird. I think the whole yottle

0:56:46.480 --> 0:56:49.080
<v Speaker 1>kid thing, Um, he's not gonna be a Yoto kid anymore.

0:56:49.360 --> 0:56:52.080
<v Speaker 1>Just eventually a yodel man. Yodel Man's gonna be is

0:56:52.080 --> 0:56:54.560
<v Speaker 1>that's gonna be where they's gonna get interested. It's gonna be. Yeah,

0:56:54.600 --> 0:56:57.200
<v Speaker 1>that's gonna be. Well, that's gonna be. Um, Danny Bonnet

0:56:57.239 --> 0:57:00.680
<v Speaker 1>Duci territory. I think I saw you recently. Um, you

0:57:00.760 --> 0:57:02.680
<v Speaker 1>and Cam Brown? Where are You're You're going to came

0:57:02.719 --> 0:57:05.160
<v Speaker 1>Brown a little bit. Yeah, that's another one where like

0:57:05.640 --> 0:57:07.080
<v Speaker 1>we went after each other little bit. Then I ran

0:57:07.120 --> 0:57:09.920
<v Speaker 1>into him. It's something We started talking and he was

0:57:09.960 --> 0:57:11.560
<v Speaker 1>a nice kid, and I just we just talked. I

0:57:11.640 --> 0:57:13.399
<v Speaker 1>was like, you know, I'm not gonna lie and say

0:57:13.400 --> 0:57:15.160
<v Speaker 1>I listen to his music or no could even name

0:57:15.200 --> 0:57:20.320
<v Speaker 1>you a song, but like the conversation was cordial. On Twitter.

0:57:20.360 --> 0:57:22.720
<v Speaker 1>It's just like actually I've talked to him before. It's

0:57:22.760 --> 0:57:24.920
<v Speaker 1>like I know, I'm like there's a nice guy. I

0:57:24.960 --> 0:57:29.600
<v Speaker 1>got nothing against the dude, and I think it anchors

0:57:29.640 --> 0:57:31.400
<v Speaker 1>people to know that I that, you know, I don't

0:57:31.400 --> 0:57:33.000
<v Speaker 1>hate some of these people. I don't know why, but

0:57:33.840 --> 0:57:36.440
<v Speaker 1>they want to know. That's what I was saying about

0:57:36.440 --> 0:57:38.840
<v Speaker 1>the The aggression of it is starting to bout. They

0:57:38.920 --> 0:57:40.880
<v Speaker 1>they want me to hate these people. That that bad,

0:57:40.920 --> 0:57:43.280
<v Speaker 1>and it's really it's it's bugging. It's bugging me and

0:57:43.280 --> 0:57:44.919
<v Speaker 1>I just want to make great songs and make great

0:57:45.000 --> 0:57:47.280
<v Speaker 1>music and give people a few laughs. And you know,

0:57:47.440 --> 0:57:50.080
<v Speaker 1>a Wheeler holiday album next year, Well that I would

0:57:50.080 --> 0:57:52.440
<v Speaker 1>say nothing. I've gotten more requests for is than a

0:57:52.440 --> 0:57:56.720
<v Speaker 1>Wheeler Christmas album. But there's another touchy stuff. I mean,

0:57:56.920 --> 0:57:59.720
<v Speaker 1>do I want to have the biggest selling dirty Christmas

0:57:59.760 --> 0:58:02.439
<v Speaker 1>album of all time? If that's even possibility to even

0:58:02.440 --> 0:58:04.120
<v Speaker 1>want that, I don't know. I got thinking about it.

0:58:04.160 --> 0:58:09.440
<v Speaker 1>There's only so many nasty things you could say about Christmas.

0:58:09.480 --> 0:58:12.320
<v Speaker 1>That being said, I could, I'd be fine without ever

0:58:12.360 --> 0:58:15.840
<v Speaker 1>hearing um where am I got run over by reindeer?

0:58:15.840 --> 0:58:17.680
<v Speaker 1>Over in my life again? So there's gonna better songs

0:58:17.680 --> 0:58:20.920
<v Speaker 1>than that. The money that song is made though, And

0:58:20.960 --> 0:58:22.680
<v Speaker 1>that's what also upsets me too, is I mean, I

0:58:22.720 --> 0:58:24.320
<v Speaker 1>go back and forth. I'm like, man, how much money

0:58:24.320 --> 0:58:26.600
<v Speaker 1>would have made if it has been record selling days?

0:58:26.600 --> 0:58:29.080
<v Speaker 1>But then I go, well, I would I wouldn't have

0:58:29.240 --> 0:58:33.040
<v Speaker 1>had wouldn't be able to see here, do podcasts, advertise,

0:58:33.160 --> 0:58:36.400
<v Speaker 1>YouTube and streaming all this stuff to what I do

0:58:36.440 --> 0:58:39.840
<v Speaker 1>wouldn't be possible back then. So this will be up

0:58:40.520 --> 0:58:42.240
<v Speaker 1>that we're doing this on December three. It will be

0:58:42.280 --> 0:58:44.479
<v Speaker 1>up tonight. So I'm gonna rattle off a few dates

0:58:44.520 --> 0:58:47.240
<v Speaker 1>to go see Wheeler December six, Cannery Ballroom in Nashville,

0:58:47.280 --> 0:58:50.520
<v Speaker 1>December seven, Joe's Sports Bar in Chicago, and December eight

0:58:50.560 --> 0:58:55.480
<v Speaker 1>the Rave two in Milwaukee, Wisconsin. And uh, listen, I

0:58:55.520 --> 0:58:57.520
<v Speaker 1>hope your record sells wonderfully to those who want to buy.

0:58:57.520 --> 0:58:58.960
<v Speaker 1>At least people can check it out. I just got

0:58:59.040 --> 0:59:00.480
<v Speaker 1>a number. I'm not going to read it, but I

0:59:00.480 --> 0:59:03.000
<v Speaker 1>got someone sent me a number of what it's sold

0:59:03.080 --> 0:59:05.920
<v Speaker 1>in the first two days on my text. Shall i'll

0:59:05.920 --> 0:59:08.320
<v Speaker 1>tell you off the year. It's a hundred fifty million

0:59:11.120 --> 0:59:12.840
<v Speaker 1>what I expect. Yeah, so we're gonna we'll probably do

0:59:12.840 --> 0:59:15.680
<v Speaker 1>a billion sales the first week. And if if you're

0:59:15.800 --> 0:59:18.800
<v Speaker 1>making all but two dollars, yeah, so yeah, I'll probably

0:59:18.800 --> 0:59:20.360
<v Speaker 1>make That's what I'm saying. It's hard to lift because

0:59:20.400 --> 0:59:22.160
<v Speaker 1>I'm only going to make a hunter million. That's pretty good.

0:59:22.200 --> 0:59:24.360
<v Speaker 1>That's pretty good. You'll be all right, all right, Ben,

0:59:24.360 --> 0:59:26.120
<v Speaker 1>Good to see Bud YouTube Man. Thanks for having me.

0:59:26.120 --> 0:59:31.800
<v Speaker 1>I appreciate Wheelow Walker Jr. Or Ben Hoffman spend time

0:59:31.840 --> 0:59:35.520
<v Speaker 1>with them? Both both interesting characters. Which one? Which one

0:59:35.560 --> 0:59:42.440
<v Speaker 1>you like better? I mean, I appreciate Wheeler as much

0:59:42.480 --> 0:59:44.600
<v Speaker 1>as you can appreciate, but I like I like people

0:59:44.600 --> 0:59:46.840
<v Speaker 1>to like me and not appreciate me. I love the

0:59:46.880 --> 0:59:49.760
<v Speaker 1>comedy of Wheeler and what it represents two people because

0:59:49.800 --> 0:59:54.200
<v Speaker 1>I just enjoy comedy. But I'd rather hang out with Ben. Yeah,

0:59:54.200 --> 0:59:56.320
<v Speaker 1>I think I'm with you on that. Yeah, all right.

0:59:56.360 --> 0:59:58.960
<v Speaker 1>There is six I think to sleep number on Life

0:59:58.960 --> 1:00:02.120
<v Speaker 1>Flock check down, Wheeler Walker Jr. And w W three.

1:00:02.200 --> 1:00:09.280
<v Speaker 1>We'll see you next time. By m HM