1 00:00:00,160 --> 00:00:00,400 Speaker 1: Done. 2 00:00:00,480 --> 00:00:06,320 Speaker 2: Dundun dun du do dun dun. 3 00:00:10,760 --> 00:00:11,080 Speaker 1: Worry. 4 00:00:11,400 --> 00:00:15,600 Speaker 3: Today's episode contained spoilers for all of Superman movies. Every 5 00:00:15,560 --> 00:00:19,760 Speaker 3: Superman movie ever made, that's right, starting from nineteen seventy 6 00:00:19,760 --> 00:00:24,400 Speaker 3: eight's Richard Donner Superman the Movie up through the Snyder 7 00:00:24,480 --> 00:00:29,560 Speaker 3: Verse to get us ready for the new Superman movie 8 00:00:29,560 --> 00:00:31,560 Speaker 3: by James Gunn. So be warned if you haven't seen 9 00:00:31,560 --> 00:00:32,840 Speaker 3: those movies, we're gonna spoiler. 10 00:00:48,520 --> 00:00:48,920 Speaker 4: Hello. 11 00:00:49,320 --> 00:00:52,479 Speaker 3: My name is Jason Conceptio and I'm Mersey Night, and 12 00:00:52,520 --> 00:00:54,240 Speaker 3: welcome back to the x ray vision of the podcast 13 00:00:54,280 --> 00:00:57,320 Speaker 3: will be dive. It's your favorite shows, movies, comics, and 14 00:00:57,360 --> 00:01:00,480 Speaker 3: pop culture coming from our podcast or bring you episodes 15 00:01:00,520 --> 00:01:01,880 Speaker 3: every Tuesday and Thursday. 16 00:01:01,560 --> 00:01:02,920 Speaker 1: Plus all summer long. 17 00:01:03,040 --> 00:01:05,880 Speaker 3: We're highlighting the summer's biggest movies every Friday with our 18 00:01:06,000 --> 00:01:11,280 Speaker 3: Popcorn pop Out series, plus news news on Saturday. 19 00:01:11,520 --> 00:01:15,320 Speaker 5: In today's episode, we are recapping Superman's major film appearances 20 00:01:15,520 --> 00:01:19,199 Speaker 5: Busted than the Speeding Bullet, every single movie from nineteen 21 00:01:19,200 --> 00:01:21,320 Speaker 5: seventy eight Superman. 22 00:01:21,560 --> 00:01:28,720 Speaker 6: To the Justice League to get us ready for the majestic, 23 00:01:29,440 --> 00:01:32,640 Speaker 6: hopeful hopefully blockbuster. 24 00:01:33,040 --> 00:01:35,880 Speaker 7: Yeah, James Gunns Superman. 25 00:01:38,360 --> 00:01:39,120 Speaker 1: Rosie, what are you? 26 00:01:39,200 --> 00:01:42,000 Speaker 3: What's your what are your thoughts on the Superman films 27 00:01:42,160 --> 00:01:44,319 Speaker 3: and what's your favorite one. 28 00:01:45,040 --> 00:01:48,000 Speaker 5: Well, Okay, I grew up watching these movies, as I'm 29 00:01:48,000 --> 00:01:50,480 Speaker 5: sure you did as well. They were constantly on TV. 30 00:01:50,560 --> 00:01:53,200 Speaker 5: I have lots of good memories of them. I think that. 31 00:01:54,720 --> 00:01:57,160 Speaker 7: I know them all really well. 32 00:01:57,320 --> 00:02:00,560 Speaker 5: And I would say objectively, I think Superman one is 33 00:02:00,600 --> 00:02:03,480 Speaker 5: probably the best one. But because I was a kid, 34 00:02:04,520 --> 00:02:09,280 Speaker 5: the one that I loved was Superman three. It came 35 00:02:09,320 --> 00:02:12,160 Speaker 5: out five years before I was born. It had Richard 36 00:02:12,200 --> 00:02:13,639 Speaker 5: Pryor in it. 37 00:02:13,639 --> 00:02:16,880 Speaker 3: It's the one that taught me about how to embezzle exactly. 38 00:02:16,919 --> 00:02:18,840 Speaker 7: It's a big embezzling story. 39 00:02:19,080 --> 00:02:21,840 Speaker 5: I just think that for some reason, there was something 40 00:02:21,840 --> 00:02:28,720 Speaker 5: about like the kind of weird computer genius, like evil Tech. 41 00:02:28,840 --> 00:02:33,480 Speaker 5: I think for me, it just really created a kind 42 00:02:33,520 --> 00:02:35,920 Speaker 5: of it seemed fun. It was fun in a way 43 00:02:36,280 --> 00:02:38,359 Speaker 5: that I think we've spoken. 44 00:02:38,080 --> 00:02:42,240 Speaker 3: Recently about the cinematic history of the Black Hacker, and 45 00:02:42,320 --> 00:02:43,840 Speaker 3: I think this is kind of the first one. 46 00:02:44,280 --> 00:02:46,119 Speaker 7: Definitely, this is up there. 47 00:02:46,360 --> 00:02:48,960 Speaker 5: And also that's another reason why I was very excited 48 00:02:49,240 --> 00:02:51,680 Speaker 5: for Ironheart. Shak A Lay continues that, but this is 49 00:02:51,760 --> 00:02:54,280 Speaker 5: definitely nineteen eighty three. I think this is the first 50 00:02:54,280 --> 00:02:58,239 Speaker 5: one because my incredible friend James F. Wright actually has 51 00:02:58,320 --> 00:03:02,640 Speaker 5: a brilliant zne abouts and uh, we kind of like, 52 00:03:02,680 --> 00:03:05,280 Speaker 5: do you include a programmer like the guy in Tomine? 53 00:03:05,639 --> 00:03:06,360 Speaker 7: Do you include? 54 00:03:06,480 --> 00:03:09,080 Speaker 5: But this is like a true hacka hacka hacka and 55 00:03:09,160 --> 00:03:13,160 Speaker 5: obviously it's Richard Prya, so it's Richard Priya hacka. 56 00:03:13,240 --> 00:03:14,480 Speaker 1: How fun. He's wonderful. 57 00:03:14,760 --> 00:03:16,480 Speaker 7: Okay, what about you, what's your favorite? 58 00:03:16,680 --> 00:03:21,239 Speaker 3: It's probably gonna be Superman too, because, like you, these 59 00:03:21,240 --> 00:03:22,960 Speaker 3: were always on I've probably seen them a. 60 00:03:22,919 --> 00:03:24,959 Speaker 2: Billion million zillion times. 61 00:03:25,800 --> 00:03:31,680 Speaker 3: And for me, the the big superhero fights between. 62 00:03:31,440 --> 00:03:35,720 Speaker 1: Zod and the Versa and Non and. 63 00:03:35,720 --> 00:03:41,800 Speaker 3: Superman that occur like all throughout Metropolis with like trucks 64 00:03:41,840 --> 00:03:44,800 Speaker 3: getting thrown into buildings, it just seemed like the. 65 00:03:44,720 --> 00:03:46,280 Speaker 1: Most incredible thing I'd ever seen. 66 00:03:46,560 --> 00:03:50,320 Speaker 3: Yeah, I think there's some wonderful twists and turns, and 67 00:03:51,320 --> 00:03:53,720 Speaker 3: I love Gene Hackman in these worlds like this. I 68 00:03:53,720 --> 00:03:55,960 Speaker 3: think this is kind of like my first introduction to 69 00:03:56,000 --> 00:04:00,240 Speaker 3: Gene Hackman that makes Superman movies. So, uh, I just 70 00:04:00,240 --> 00:04:04,560 Speaker 3: think he does He's like he's he does a character 71 00:04:04,720 --> 00:04:08,960 Speaker 3: unlike any he's ever done four or since, and it's 72 00:04:09,120 --> 00:04:10,360 Speaker 3: really fun and wonderful. 73 00:04:10,680 --> 00:04:14,000 Speaker 1: Yeah, that let's go, let's still into it. 74 00:04:14,200 --> 00:04:18,280 Speaker 3: Let's start with Superman nineteen seventy. It's Superman, directed by 75 00:04:18,400 --> 00:04:21,839 Speaker 3: Richard Donner, is a film that nobody thought would be 76 00:04:22,040 --> 00:04:26,039 Speaker 3: particularly anything, but Gene Hackman signed on and that got 77 00:04:26,080 --> 00:04:30,800 Speaker 3: the film made Christopher Reeve wonderful as Clark Kenton Superman. 78 00:04:31,720 --> 00:04:35,799 Speaker 3: Marlon Brando in a crazy in a from the neck 79 00:04:36,040 --> 00:04:38,280 Speaker 3: up only basically boom. 80 00:04:38,800 --> 00:04:42,440 Speaker 7: He said, he for me where I needed. Don't be 81 00:04:42,560 --> 00:04:44,720 Speaker 7: bothered about it's pre zoom zoom. 82 00:04:44,880 --> 00:04:48,080 Speaker 3: He's like probably filming in his underpads, you know, like 83 00:04:48,160 --> 00:04:49,760 Speaker 3: we are worrying Covid. 84 00:04:50,560 --> 00:04:51,640 Speaker 4: And Marvel Kidder. 85 00:04:53,640 --> 00:04:55,240 Speaker 7: She's the lowest laying baby. 86 00:04:55,320 --> 00:04:56,719 Speaker 1: That's like the good stuff. 87 00:04:57,279 --> 00:05:00,160 Speaker 3: So we open on Krypton. It is a crystal world 88 00:05:00,200 --> 00:05:02,760 Speaker 3: and it is falling apart. It's where we're right here. 89 00:05:02,800 --> 00:05:06,440 Speaker 3: At the very very very end of Krypton, Jo l 90 00:05:06,520 --> 00:05:11,840 Speaker 3: Marlon Brando and beautiful like disco armor, discuts his baby 91 00:05:12,000 --> 00:05:15,520 Speaker 3: in a glowing bascinet, puts it on a space ship, 92 00:05:15,880 --> 00:05:17,120 Speaker 3: shoots him out into space. 93 00:05:17,920 --> 00:05:19,200 Speaker 2: The baby lands in. 94 00:05:19,760 --> 00:05:24,919 Speaker 3: A smallville out in the middle of the country, and 95 00:05:25,680 --> 00:05:29,640 Speaker 3: he is discovered in his little flying saucer by Mom 96 00:05:29,760 --> 00:05:33,320 Speaker 3: pock Kent and They're like, this kid is special because 97 00:05:33,360 --> 00:05:37,520 Speaker 3: he just lifted our truck like very easily, and so 98 00:05:37,560 --> 00:05:41,120 Speaker 3: they immediately adopt the boy Clark. As he grows, he 99 00:05:41,160 --> 00:05:43,800 Speaker 3: grapples with the fact that he's so different. He's got 100 00:05:43,800 --> 00:05:46,080 Speaker 3: these powers, he's got to keep them hidden. He like 101 00:05:46,240 --> 00:05:50,120 Speaker 3: secret leads them by like running faster than a speeding locomotive, 102 00:05:51,480 --> 00:05:56,839 Speaker 3: and then pack Kent dies, making Clark very very sad. 103 00:05:57,279 --> 00:06:01,039 Speaker 3: He discovers the glowing green crypton on crystal, which was 104 00:06:01,040 --> 00:06:05,039 Speaker 3: like hidden in the barn, and he follows. 105 00:06:04,600 --> 00:06:08,919 Speaker 1: The crystal to north, far far north. He takes a 106 00:06:08,960 --> 00:06:11,800 Speaker 1: bus I know, like I like sure. 107 00:06:11,920 --> 00:06:14,599 Speaker 3: I love that. That's the kind of public transport. I 108 00:06:14,680 --> 00:06:17,040 Speaker 3: dream all this, like can I take public transport to 109 00:06:17,120 --> 00:06:21,279 Speaker 3: and talk to He like all thea into the pole 110 00:06:22,120 --> 00:06:25,560 Speaker 3: and walks walks, walks, walks, walks like up a glacier. 111 00:06:26,160 --> 00:06:28,200 Speaker 3: And then when he gets to a certain spot, he 112 00:06:28,400 --> 00:06:32,600 Speaker 3: throws this glow stick like out and it melts into 113 00:06:32,960 --> 00:06:37,200 Speaker 3: the water underneath underneath the ice, and it builds the 114 00:06:37,240 --> 00:06:40,760 Speaker 3: Fortress of solitude. And as it's building it, Clark has 115 00:06:40,800 --> 00:06:44,159 Speaker 3: like zero. It's so funny. They cut back a different actor, 116 00:06:44,320 --> 00:06:46,400 Speaker 3: like a younger actor than Christopher Reeve. 117 00:06:46,839 --> 00:06:47,800 Speaker 1: They cut back to him and. 118 00:06:47,760 --> 00:06:50,799 Speaker 3: He has like no reaction to this incredible thing he's watching. 119 00:06:50,839 --> 00:06:51,760 Speaker 1: He's like, what's going on? 120 00:06:52,560 --> 00:06:55,400 Speaker 3: It just bubbles up out of the ocean. And then 121 00:06:56,440 --> 00:06:57,680 Speaker 3: here's where I'll pause and say this. 122 00:06:57,760 --> 00:07:00,719 Speaker 7: I was gonna say, let's stop, let's stop creepy. Listen. 123 00:07:00,880 --> 00:07:03,360 Speaker 1: I love this movie, and I think. 124 00:07:05,040 --> 00:07:06,520 Speaker 2: Formative movie. 125 00:07:07,040 --> 00:07:10,120 Speaker 3: And we love, as everyone knows, practical effects. We talk 126 00:07:10,160 --> 00:07:14,920 Speaker 3: about how great practical love them and and it's it's 127 00:07:15,000 --> 00:07:18,560 Speaker 3: so wonderful when you see them balanced with good modern effects. 128 00:07:18,640 --> 00:07:18,840 Speaker 8: You know. 129 00:07:20,360 --> 00:07:25,840 Speaker 3: But this is a film that will make you appreciate 130 00:07:26,040 --> 00:07:29,160 Speaker 3: CG and what it's done for us. Because the Fortress 131 00:07:29,200 --> 00:07:37,240 Speaker 3: of Solitude building scene looks like complete fucking ship. It 132 00:07:37,400 --> 00:07:41,160 Speaker 3: looks like it's taking place like in a jacuzzi. 133 00:07:43,840 --> 00:07:50,960 Speaker 5: Yeah, this movie is like extremely disco coded, Yes, extremely 134 00:07:51,080 --> 00:07:51,760 Speaker 5: disco code. 135 00:07:52,200 --> 00:07:54,840 Speaker 3: It's like there's lights under a jacuzzi and then somebody 136 00:07:54,880 --> 00:07:59,640 Speaker 3: underneath is like pushing these plastic like crystal things up out. 137 00:07:59,520 --> 00:08:01,960 Speaker 1: Of the water so that they look like they build 138 00:08:02,440 --> 00:08:03,640 Speaker 1: a fortress of solitude. 139 00:08:03,640 --> 00:08:07,880 Speaker 3: And if you show this to any like Zoomer who 140 00:08:08,000 --> 00:08:12,560 Speaker 3: is not who is like raised on the Mandalorian, Yeah, kids, 141 00:08:12,560 --> 00:08:15,280 Speaker 3: who was shocked when they rewatched twenty eight Days late 142 00:08:15,400 --> 00:08:17,520 Speaker 3: recently and we're like, well, it looks like shit, why 143 00:08:17,560 --> 00:08:20,040 Speaker 3: did they film it on this DV camera raised on 144 00:08:20,080 --> 00:08:23,920 Speaker 3: the Mandalorian And like the Infinity saga, they will watch 145 00:08:24,120 --> 00:08:27,760 Speaker 3: this scene in particular and be like, what are you 146 00:08:27,760 --> 00:08:31,120 Speaker 3: guys serious? Like will you peasant? Like, yeah, this is 147 00:08:31,160 --> 00:08:33,960 Speaker 3: what you watched. What is this poverty film that you 148 00:08:34,040 --> 00:08:35,680 Speaker 3: were showing me at the time? 149 00:08:35,679 --> 00:08:37,960 Speaker 7: I look very very informative. 150 00:08:39,000 --> 00:08:44,199 Speaker 5: Absolute, Yes, it's not all. Not everything has aged well 151 00:08:44,240 --> 00:08:47,200 Speaker 5: as the fantastic performance of Christopher Eve and Margot Kidd 152 00:08:47,360 --> 00:08:48,200 Speaker 5: in these roles. 153 00:08:48,360 --> 00:08:51,280 Speaker 3: So Clerk goes in. He talks to an AI version 154 00:08:51,600 --> 00:08:54,440 Speaker 3: of his dad, Marlon Brando, who is like, what do 155 00:08:54,440 --> 00:08:56,320 Speaker 3: you want to know? And then Marlon tells him everything 156 00:08:56,600 --> 00:08:59,920 Speaker 3: Krypton and the powers and why he picked Earth and 157 00:09:00,040 --> 00:09:01,400 Speaker 3: the Yellow Sun and all YadA. 158 00:09:01,480 --> 00:09:01,920 Speaker 1: Yeah, you know. 159 00:09:02,400 --> 00:09:05,600 Speaker 3: He puts on the suit. It just kind of like 160 00:09:06,480 --> 00:09:08,640 Speaker 3: he just kind of has it on and then flies 161 00:09:08,720 --> 00:09:10,800 Speaker 3: for the first time and he becomes Superman. He goes 162 00:09:10,800 --> 00:09:13,360 Speaker 3: to Metropolis where he gets a job at the Daily 163 00:09:13,400 --> 00:09:16,600 Speaker 3: Planet as a cub reporter, and he immediately falls in 164 00:09:16,600 --> 00:09:20,959 Speaker 3: love with Ace reporter Lois Lane an Ark and this 165 00:09:21,040 --> 00:09:22,800 Speaker 3: is where you're like Man Christopher Reeve. 166 00:09:22,960 --> 00:09:23,640 Speaker 1: Wow. 167 00:09:24,280 --> 00:09:27,040 Speaker 3: The way he is able to like be Clark and 168 00:09:27,080 --> 00:09:30,280 Speaker 3: be Superman and make that two distinctive characters just with 169 00:09:30,920 --> 00:09:34,200 Speaker 3: his the way he kind of hunches or straightens his 170 00:09:34,280 --> 00:09:39,880 Speaker 3: body is incredible. Yea, he is very bumbling, you know, 171 00:09:39,960 --> 00:09:42,400 Speaker 3: in the presence of Lois. But then when she has 172 00:09:42,400 --> 00:09:45,120 Speaker 3: a helicopter accident up on the roof of the planet, 173 00:09:45,600 --> 00:09:51,400 Speaker 3: he springs into action saves her life with the iconic line. 174 00:09:51,280 --> 00:09:52,640 Speaker 1: Delivered by Margot Kidder. 175 00:09:53,040 --> 00:09:56,600 Speaker 3: After Superman says I got you catch catches her she's falling. 176 00:09:56,679 --> 00:09:58,680 Speaker 1: She goes, oh no. He says, I've got you. 177 00:09:58,720 --> 00:10:03,480 Speaker 3: Don't worry, I've got you, and she says, who's got you? 178 00:10:03,760 --> 00:10:08,480 Speaker 3: And so he becomes an immediate sensation, starts doing like, 179 00:10:08,760 --> 00:10:11,240 Speaker 3: you know, saving dogs and trees and doing things around 180 00:10:11,280 --> 00:10:13,320 Speaker 3: Intropolis and Daily Planet. 181 00:10:13,320 --> 00:10:15,480 Speaker 1: At her, Perry White is like, I want, I want 182 00:10:15,520 --> 00:10:18,200 Speaker 1: everything you could give me a Superman. Does he sleep? 183 00:10:18,840 --> 00:10:20,880 Speaker 3: How much does he sleep? What does he even for breakfast? 184 00:10:21,000 --> 00:10:21,760 Speaker 3: Who does he love? 185 00:10:23,480 --> 00:10:25,720 Speaker 7: How often does he go to the bathroom? 186 00:10:25,760 --> 00:10:27,520 Speaker 1: You know, like he just wants everything. 187 00:10:27,559 --> 00:10:34,880 Speaker 3: Meanwhile, Lex Luthor, Evil real estate villain, Time Ahead of 188 00:10:34,880 --> 00:10:39,920 Speaker 3: its time living in a beautiful, palatial subterranean layer. He 189 00:10:40,000 --> 00:10:43,520 Speaker 3: has an evil plan to nuke California off the map 190 00:10:44,000 --> 00:10:49,120 Speaker 3: so that his land in Nevada becomes high priced beachfront property. 191 00:10:49,600 --> 00:10:53,160 Speaker 3: Now it's incredible, ridiculous plane. I don't it's a great 192 00:10:53,280 --> 00:10:56,480 Speaker 3: plan that's not a Superman kind of foils an early 193 00:10:56,520 --> 00:11:01,000 Speaker 3: part of the plan, causing Lex to be like, I 194 00:11:01,040 --> 00:11:03,440 Speaker 3: gotta get this guy out of the way. So he 195 00:11:03,720 --> 00:11:07,640 Speaker 3: uses like a high frequency tone to draw Superman to 196 00:11:07,760 --> 00:11:12,679 Speaker 3: his subterranean layer, where in deleted scenes that actually should 197 00:11:12,679 --> 00:11:14,600 Speaker 3: have been in the movie, we watched his Lex like 198 00:11:14,640 --> 00:11:15,920 Speaker 3: fires machine guns at. 199 00:11:15,840 --> 00:11:18,839 Speaker 7: Him, and you see all the things that don't that. 200 00:11:18,880 --> 00:11:20,360 Speaker 1: Don't work, flamethrowers. 201 00:11:20,480 --> 00:11:23,520 Speaker 3: I can't believe they cut that scene out of the movie. 202 00:11:24,280 --> 00:11:27,760 Speaker 3: But Superman gets in and he confronts Lex, and Lex 203 00:11:27,880 --> 00:11:30,400 Speaker 3: is like, well, I look at this stand on this 204 00:11:30,480 --> 00:11:32,079 Speaker 3: map of California, and I'm going to show you this 205 00:11:32,120 --> 00:11:34,600 Speaker 3: whole plan that I'm doing, and guess what, you can't 206 00:11:34,640 --> 00:11:37,760 Speaker 3: stop me because of this, and he pulls out kryptonite 207 00:11:38,120 --> 00:11:41,640 Speaker 3: that he had He discovered kryptonite would affect Superman in 208 00:11:41,640 --> 00:11:44,200 Speaker 3: this way, and he had he'd found a chunk of 209 00:11:44,240 --> 00:11:45,960 Speaker 3: it and he put it on a necklace, and he 210 00:11:45,960 --> 00:11:48,560 Speaker 3: pulls it out and puts it around super Kryptonite necklace 211 00:11:49,040 --> 00:11:51,720 Speaker 3: and Superman gets very very weak, and then he pushed 212 00:11:51,760 --> 00:11:56,520 Speaker 3: Superman into his underground swimming pool and Superman begins to 213 00:11:56,520 --> 00:11:59,000 Speaker 3: sink to the bottom of the pool and drop. But 214 00:12:00,480 --> 00:12:05,319 Speaker 3: because while this is going on, lexis hijacked to other missiles. 215 00:12:05,400 --> 00:12:09,640 Speaker 3: They're being launched and one of them is headed to Hackensack, 216 00:12:09,679 --> 00:12:15,640 Speaker 3: New Jersey, where miss Hesmacher, Lexi's assistant. Yes, very important 217 00:12:15,760 --> 00:12:18,480 Speaker 3: character who is in the new James Gun movie and 218 00:12:18,559 --> 00:12:23,000 Speaker 3: has been throughout the history of Lutha has been his 219 00:12:23,480 --> 00:12:28,000 Speaker 3: girlfriend slash assistant, but who always seems to land on 220 00:12:28,040 --> 00:12:31,280 Speaker 3: the side of good, and that is established ya. She's 221 00:12:31,320 --> 00:12:34,480 Speaker 3: got a soft spot for Superman, who is very handsome. 222 00:12:35,200 --> 00:12:38,239 Speaker 3: So when she finds out that one of the missiles 223 00:12:39,040 --> 00:12:42,040 Speaker 3: is going to New Jersey and the other one, of course, 224 00:12:42,120 --> 00:12:46,920 Speaker 3: is going to the San Andrea's Fault, she surprisingly dives 225 00:12:46,960 --> 00:12:51,280 Speaker 3: into the pool, pulls the necklace off Superman and saves him, 226 00:12:51,320 --> 00:12:55,120 Speaker 3: and while he's very very weak, kisses him a little. 227 00:12:55,200 --> 00:12:58,800 Speaker 2: It's on the line. It's it's on the line. 228 00:12:59,360 --> 00:13:03,360 Speaker 3: I mean he's adults like he's not in a good stake, 229 00:13:03,520 --> 00:13:04,640 Speaker 3: but like he let die. 230 00:13:05,320 --> 00:13:06,480 Speaker 1: But you know what, she's excited. 231 00:13:06,559 --> 00:13:10,560 Speaker 3: She's very excited area and she says, just promise me, 232 00:13:10,640 --> 00:13:13,320 Speaker 3: you'll save my mom first. So Superman flies off. He 233 00:13:13,360 --> 00:13:16,000 Speaker 3: saves uh the New Jersey missile. First, he throws it 234 00:13:16,040 --> 00:13:17,000 Speaker 3: into space. It blows up. 235 00:13:17,040 --> 00:13:20,640 Speaker 5: It's fine, He's always throwing something into space. He's gonna 236 00:13:20,640 --> 00:13:23,200 Speaker 5: be more thoughtful about that. Space is not just like 237 00:13:24,080 --> 00:13:28,000 Speaker 5: a different ecosystem that's never gonna interact with, like not 238 00:13:28,040 --> 00:13:29,559 Speaker 5: just your dumping grab eel musk. 239 00:13:29,960 --> 00:13:31,240 Speaker 1: I mean, Superman, come on. 240 00:13:32,040 --> 00:13:35,960 Speaker 3: He then flies to the San Andreas target and missile, 241 00:13:36,000 --> 00:13:36,800 Speaker 3: but he can't get it. 242 00:13:37,000 --> 00:13:37,880 Speaker 1: He can't get there in. 243 00:13:37,880 --> 00:13:41,520 Speaker 3: Time, and it triggered. It blows up, it starts triggering 244 00:13:41,600 --> 00:13:45,800 Speaker 3: the Lex earthquake, and the earthquake is like killing lots 245 00:13:45,840 --> 00:13:49,720 Speaker 3: of people, and Lois is falling into a crevice that 246 00:13:49,920 --> 00:13:53,199 Speaker 3: was created by the earthquake and she's gonna die. And Superman, 247 00:13:53,360 --> 00:13:55,800 Speaker 3: seeing all this, and what's he gonna do, he decides 248 00:13:55,840 --> 00:13:59,640 Speaker 3: to fly in the reverse direction of the Earth's orbit, 249 00:14:00,120 --> 00:14:05,120 Speaker 3: thus causing the Earth to spin backwards for a little while, 250 00:14:06,040 --> 00:14:11,079 Speaker 3: turning back time to give himself enough time to throw 251 00:14:11,120 --> 00:14:15,359 Speaker 3: the missile out into space and everyone is saved, including 252 00:14:15,640 --> 00:14:18,720 Speaker 3: Lois Lane. Now before we move on to Superman too, 253 00:14:18,960 --> 00:14:21,800 Speaker 3: there's a lot of questions about this. Yes, is does 254 00:14:22,040 --> 00:14:25,160 Speaker 3: is time only reversed around Earth or is it that 255 00:14:25,320 --> 00:14:28,080 Speaker 3: why around the entire Solar system? 256 00:14:28,520 --> 00:14:32,960 Speaker 5: Also how the people are, Like how did that affect 257 00:14:33,160 --> 00:14:33,880 Speaker 5: people on Earth? 258 00:14:33,960 --> 00:14:36,160 Speaker 7: Because I feel like physically, if. 259 00:14:36,000 --> 00:14:38,120 Speaker 5: You're going so fast that you time back time, you're 260 00:14:38,120 --> 00:14:41,760 Speaker 5: probably also going to like impact some living humans. But 261 00:14:42,400 --> 00:14:46,920 Speaker 5: it's a classic moment, yeah, and also an establishing moment 262 00:14:46,960 --> 00:14:48,680 Speaker 5: of how powerful Superman. 263 00:14:48,360 --> 00:14:51,680 Speaker 3: Is if if he's doing it by spinning the Earth 264 00:14:51,960 --> 00:14:54,600 Speaker 3: back the other way, wouldn't there be a moment as 265 00:14:54,640 --> 00:14:57,600 Speaker 3: the Earth is kind of slowing in, you know, in 266 00:14:57,640 --> 00:15:00,640 Speaker 3: its forward direction, and about it we all just. 267 00:15:00,560 --> 00:15:01,480 Speaker 7: Like, yeah that we all. 268 00:15:01,360 --> 00:15:02,080 Speaker 1: Just sty. 269 00:15:06,200 --> 00:15:09,240 Speaker 3: Also, I want to say something that this movie establishes, 270 00:15:09,280 --> 00:15:12,480 Speaker 3: aside from the fantastic eve Teshmey, who is actually created 271 00:15:12,480 --> 00:15:14,240 Speaker 3: for this movie and then went on to be in 272 00:15:14,280 --> 00:15:17,320 Speaker 3: the comics and in the continuing like Araverse and in 273 00:15:17,400 --> 00:15:21,600 Speaker 3: James Gun's upcoming Superman, but also this establishes one of 274 00:15:21,680 --> 00:15:23,920 Speaker 3: my favorite things about these movies that I think the 275 00:15:23,960 --> 00:15:26,600 Speaker 3: modern movies have not continued, and I would like to 276 00:15:26,600 --> 00:15:28,240 Speaker 3: see James Gun movie continue. 277 00:15:28,800 --> 00:15:30,320 Speaker 1: Lois Lane, played. 278 00:15:30,000 --> 00:15:33,920 Speaker 5: By Margot Kidder, is absolutely unhinged, like she will throw 279 00:15:34,000 --> 00:15:36,640 Speaker 5: herself off a building just to get Superman to come 280 00:15:36,680 --> 00:15:39,400 Speaker 5: and you know, get her and then like hold her to. 281 00:15:39,400 --> 00:15:42,160 Speaker 1: Get the get the story, to get the story. 282 00:15:42,400 --> 00:15:45,280 Speaker 3: So like I just want to say, I love unhinged 283 00:15:45,360 --> 00:15:46,480 Speaker 3: Lewis Lane, who will. 284 00:15:46,280 --> 00:15:47,600 Speaker 1: Like throw herself off a building. 285 00:15:47,920 --> 00:15:50,960 Speaker 5: But yes, Superman too, Let's get to it, because I 286 00:15:51,120 --> 00:15:54,000 Speaker 5: always remember the opening of this movie and just thinking 287 00:15:54,040 --> 00:15:55,200 Speaker 5: it was so cool. 288 00:15:56,280 --> 00:15:58,400 Speaker 3: I mean, here's the thing about the performance. But Margot 289 00:15:58,480 --> 00:16:01,760 Speaker 3: Kidder of Lois Lane, who again wonderful. She's opened up 290 00:16:01,760 --> 00:16:06,160 Speaker 3: about I think her her as many in the late 291 00:16:06,200 --> 00:16:10,680 Speaker 3: seventies were doing dabbling into the substances, and so you 292 00:16:10,720 --> 00:16:13,600 Speaker 3: get the feeling that she was, oh baby, she was 293 00:16:14,400 --> 00:16:16,360 Speaker 3: really really excited during these films. 294 00:16:17,040 --> 00:16:19,200 Speaker 7: Definitely she's loving our life. 295 00:16:19,880 --> 00:16:23,760 Speaker 3: Next up Superman two Richard Donner and Richard Lester starring 296 00:16:23,760 --> 00:16:28,320 Speaker 3: because the Gene Hackman turned stamp who Zod and of 297 00:16:28,360 --> 00:16:29,280 Speaker 3: course Margot Kidder. 298 00:16:29,720 --> 00:16:32,680 Speaker 1: Previously of course, we you know, we open like. 299 00:16:32,760 --> 00:16:35,960 Speaker 3: In the in the immediate almost wake of cerment. 300 00:16:36,080 --> 00:16:37,320 Speaker 1: During this missile into space. 301 00:16:37,680 --> 00:16:42,320 Speaker 3: That missile which went out into space blows up, and 302 00:16:42,360 --> 00:16:44,560 Speaker 3: it just so it's like the universe is. 303 00:16:44,480 --> 00:16:47,600 Speaker 1: A huge place, huge, galaxy is huge. 304 00:16:47,720 --> 00:16:57,000 Speaker 3: But by chance the blast wave shatters this space prison 305 00:16:57,760 --> 00:17:05,440 Speaker 3: created on Krypton to house vicious Kryptonian war criminal General 306 00:17:05,640 --> 00:17:13,679 Speaker 3: Zod and his two compatriots, the nonfable non and Ursa, 307 00:17:14,040 --> 00:17:19,159 Speaker 3: his right hand lieutenant. Back on Earth, Clark is in 308 00:17:19,240 --> 00:17:22,680 Speaker 3: Niagara Falls on assignment with Lois, and there's this very 309 00:17:22,680 --> 00:17:24,919 Speaker 3: funny thing where they have to stay at this like 310 00:17:25,560 --> 00:17:29,480 Speaker 3: Niagara Falls, like wedding overnightantic kind of hotel with a 311 00:17:29,480 --> 00:17:32,639 Speaker 3: big heartbed and a big like and a jacuzzi and 312 00:17:32,680 --> 00:17:35,520 Speaker 3: a fire pit and the in the room and all 313 00:17:35,600 --> 00:17:40,320 Speaker 3: this stuff, and Clark is like saving Lois during different 314 00:17:40,640 --> 00:17:43,920 Speaker 3: things during the day. And then but back at the 315 00:17:43,960 --> 00:17:49,320 Speaker 3: hotel room, he falls into the fire pit and and 316 00:17:49,440 --> 00:17:51,639 Speaker 3: Lois is like, oh my god, are you okay, and 317 00:17:51,680 --> 00:17:53,959 Speaker 3: he's likely don't look at it, don't look. And then 318 00:17:54,000 --> 00:17:56,560 Speaker 3: when he turns and she gets a look at him, 319 00:17:56,560 --> 00:17:58,800 Speaker 3: she realizes, wait a second, you're fine. Hold on a second. 320 00:17:59,000 --> 00:18:02,720 Speaker 3: He must be superman. And he's like, he takes off 321 00:18:02,720 --> 00:18:06,119 Speaker 3: his glasses. Incredible, he takes off the glasses, stands up 322 00:18:06,119 --> 00:18:06,840 Speaker 3: and you're like. 323 00:18:06,760 --> 00:18:09,600 Speaker 1: Oh shit, he is, so he admits it. 324 00:18:10,240 --> 00:18:12,880 Speaker 3: He takes her to the Fortress of Solitude, shows her 325 00:18:12,920 --> 00:18:15,119 Speaker 3: all the stuff, all the crystals. 326 00:18:14,640 --> 00:18:15,399 Speaker 1: Tells you about. 327 00:18:15,560 --> 00:18:18,760 Speaker 7: Superman is like such a trusting guy. 328 00:18:18,880 --> 00:18:21,480 Speaker 5: Like the moment he tells Lewis Lane, He's like, come 329 00:18:21,520 --> 00:18:25,560 Speaker 5: to my secret portress, Come to my secret Antarctic fortress 330 00:18:25,760 --> 00:18:28,520 Speaker 5: that was made of a disco jacuzzi, and see all 331 00:18:28,560 --> 00:18:32,040 Speaker 5: my alien history. I'm gonna tell you everything. I'm like, 332 00:18:32,119 --> 00:18:37,439 Speaker 5: come on, Beb, come on, Beb. She's not gonna betray you, 333 00:18:37,480 --> 00:18:41,960 Speaker 5: but like off jump immediately She's tell everything exactly. 334 00:18:42,240 --> 00:18:42,399 Speaker 1: You know. 335 00:18:42,480 --> 00:18:48,760 Speaker 3: She's kind of like the biggest The conversations around journalism 336 00:18:48,840 --> 00:18:52,480 Speaker 3: and Superman are so interesting. So he shows her all 337 00:18:52,520 --> 00:18:55,080 Speaker 3: the stuff and then he says, you know what for 338 00:18:55,200 --> 00:18:57,560 Speaker 3: us to be together, basically like I've got. 339 00:18:57,320 --> 00:18:58,360 Speaker 1: To be a human like you. 340 00:18:59,520 --> 00:19:01,840 Speaker 3: So the for watch this, and he steps into this 341 00:19:02,040 --> 00:19:06,240 Speaker 3: crystal phone booth and there's lights and there's sound and 342 00:19:06,720 --> 00:19:08,760 Speaker 3: happening inside the phone booth, and when he steps out, 343 00:19:09,240 --> 00:19:12,400 Speaker 3: he's just a guy, no powers anymore. They make beautiful, 344 00:19:12,560 --> 00:19:15,399 Speaker 3: satisfying love in a white bed. I feel like if 345 00:19:15,480 --> 00:19:18,520 Speaker 3: I'm Lewis Lane and I'm like falling, I'm like keep 346 00:19:18,560 --> 00:19:21,239 Speaker 3: the super powers for the first time at least, like 347 00:19:21,280 --> 00:19:21,760 Speaker 3: I want to. 348 00:19:21,840 --> 00:19:22,640 Speaker 1: I want to die. 349 00:19:23,200 --> 00:19:26,800 Speaker 7: Let's not like just let's just jump into it, like yeah, like. 350 00:19:26,760 --> 00:19:29,480 Speaker 1: The don't just like become a human like guse by. 351 00:19:29,320 --> 00:19:32,280 Speaker 3: The way, like we have to kind of get married now, 352 00:19:32,320 --> 00:19:35,320 Speaker 3: and I'm not like I'm not getting married now. 353 00:19:35,520 --> 00:19:38,119 Speaker 7: And I just get married to like some brat. 354 00:19:38,440 --> 00:19:39,480 Speaker 1: Yeah, come on, guys. 355 00:19:40,520 --> 00:19:44,320 Speaker 3: Meanwhile, Zod lands on Earth and immediately he and his 356 00:19:44,880 --> 00:19:50,040 Speaker 3: fellows realize that they're incredibly powerful because they with their 357 00:19:50,119 --> 00:19:52,880 Speaker 3: heat eyes and they're just like, you know, cars are 358 00:19:52,920 --> 00:19:56,440 Speaker 3: crashing into them and nothing's so they're like, you know what, 359 00:19:56,560 --> 00:19:59,480 Speaker 3: why don't we just take over there? Everybody's so weak here? 360 00:20:00,040 --> 00:20:03,520 Speaker 5: What do you just like take over the entire because 361 00:20:03,560 --> 00:20:06,760 Speaker 5: it was like it's meant to be because hey, power 362 00:20:07,000 --> 00:20:07,760 Speaker 5: us who. 363 00:20:07,760 --> 00:20:10,080 Speaker 3: Runs this place? And they're like the president, they're great. 364 00:20:10,400 --> 00:20:12,600 Speaker 1: They fly to watching the DC. 365 00:20:13,160 --> 00:20:17,280 Speaker 3: Get into the White House, beat up everybody, the president. 366 00:20:17,440 --> 00:20:20,600 Speaker 3: They're like smacking the president around a live TV. And 367 00:20:20,600 --> 00:20:22,720 Speaker 3: then Zoon is like put the cameras on me, and 368 00:20:22,800 --> 00:20:24,800 Speaker 3: he put the cameras on him and He's like, hey, 369 00:20:26,440 --> 00:20:29,040 Speaker 3: I run this place. I am General Zoon. I run 370 00:20:29,080 --> 00:20:32,520 Speaker 3: this place. Now, you will all kneel before. Kneel before. 371 00:20:34,080 --> 00:20:38,960 Speaker 3: And Clark sees this on television in a diner where 372 00:20:39,000 --> 00:20:42,080 Speaker 3: he just got beat up by like a regular guy. 373 00:20:42,200 --> 00:20:46,760 Speaker 3: It's the random dude who was harassing Lois and Clark 374 00:20:46,880 --> 00:20:48,920 Speaker 3: was like, hey, you don't do that, and the guy 375 00:20:49,000 --> 00:20:50,639 Speaker 3: was like, oh yeah, watch this, and he beats the 376 00:20:50,640 --> 00:20:55,040 Speaker 3: ship out of Clark and Clark realizes, fuck, I mean 377 00:20:55,320 --> 00:21:00,000 Speaker 3: I fu becomes like Lois is like wiping the blood 378 00:21:00,119 --> 00:21:01,879 Speaker 3: off his face with a navy He's like, damn, I 379 00:21:03,000 --> 00:21:09,320 Speaker 3: was hasty. One thing I appreciate about these movies and 380 00:21:09,600 --> 00:21:15,280 Speaker 3: movies of this era, man that was quick. There's not 381 00:21:15,560 --> 00:21:18,879 Speaker 3: like he just tides to lose his powers. But you 382 00:21:18,880 --> 00:21:21,000 Speaker 3: know what, immediately you get the scene in which he 383 00:21:21,080 --> 00:21:22,680 Speaker 3: realizes that was mistaken, goes back. 384 00:21:22,880 --> 00:21:25,560 Speaker 7: Yeah, and it's I need like two movies to explain. 385 00:21:25,600 --> 00:21:27,840 Speaker 7: It's just that we don't need his number it. 386 00:21:28,119 --> 00:21:30,359 Speaker 3: This doesn't need to be an entire act. You could 387 00:21:30,359 --> 00:21:32,760 Speaker 3: just like make him go back and and I really 388 00:21:32,760 --> 00:21:35,399 Speaker 3: appreciated that about this movie. So he goes back and 389 00:21:35,480 --> 00:21:38,040 Speaker 3: goes back to the fortress of Solitude and kind of 390 00:21:38,040 --> 00:21:42,840 Speaker 3: off camera becomes Supermanigan. Meanwhile, Lex loves what he's seeing 391 00:21:42,920 --> 00:21:46,000 Speaker 3: from this Zod guy, so he breaks out of jail 392 00:21:46,480 --> 00:21:51,439 Speaker 3: infiltrates the fortress, learns all about Superman, then goes to 393 00:21:51,480 --> 00:21:54,800 Speaker 3: see Zod and was like, hey, Zod is by the 394 00:21:54,840 --> 00:21:56,960 Speaker 3: way with his feed up like in the Oval office, 395 00:21:57,080 --> 00:22:00,320 Speaker 3: like hang out just like love, you know, running things. 396 00:22:00,880 --> 00:22:04,800 Speaker 3: And he's like, hey, Lex Luthor here and I've got 397 00:22:04,800 --> 00:22:08,280 Speaker 3: some incredible information for you about a guy named Superman. 398 00:22:08,720 --> 00:22:12,919 Speaker 3: He is from I believe the same planet as you, 399 00:22:13,280 --> 00:22:14,880 Speaker 3: and you might know him. And they're like, oh my god, 400 00:22:14,920 --> 00:22:16,600 Speaker 3: I know that, I know his dad. 401 00:22:16,800 --> 00:22:17,600 Speaker 1: We hate that guy. 402 00:22:18,000 --> 00:22:21,800 Speaker 3: Yeah, and so they yeah, So they fly to Metropolis 403 00:22:21,840 --> 00:22:24,879 Speaker 3: to like take this guy out there and they're destroying 404 00:22:24,920 --> 00:22:26,920 Speaker 3: the city and then Superman shows up. He's like hey, 405 00:22:28,040 --> 00:22:31,240 Speaker 3: it's me, I'm here. Superman fights all three of them. 406 00:22:31,680 --> 00:22:35,440 Speaker 3: It's an incredible fight, but it's becoming too destructive and 407 00:22:35,600 --> 00:22:38,760 Speaker 3: Superman flies away and Zod is like, aha, the coward 408 00:22:38,880 --> 00:22:42,360 Speaker 3: flees and they follow him back to the Fortress of Solitude, 409 00:22:42,800 --> 00:22:47,120 Speaker 3: where Superman tricks everybody. He's like, okay, I will give 410 00:22:47,280 --> 00:22:50,199 Speaker 3: if you will spare Earth like I will give up 411 00:22:50,200 --> 00:22:52,880 Speaker 3: my powers. So he steps back into the crystal phone 412 00:22:52,880 --> 00:22:55,600 Speaker 3: booth and then there's the lights, and then there's the sound. 413 00:22:56,080 --> 00:22:58,520 Speaker 3: But crucially, the lights and the sound are happening outside, 414 00:22:58,640 --> 00:23:02,840 Speaker 3: not inside the phone. And when he steps out, guess what, 415 00:23:03,640 --> 00:23:09,119 Speaker 3: Zod and his buddies are depowered and like easily kills. 416 00:23:09,359 --> 00:23:12,159 Speaker 1: I think he kills them in is he not? I 417 00:23:12,200 --> 00:23:12,680 Speaker 1: think he. 418 00:23:12,640 --> 00:23:16,040 Speaker 3: Throws them into like a bottomless smoke pit, and they 419 00:23:16,440 --> 00:23:17,119 Speaker 3: they don't have anything. 420 00:23:17,119 --> 00:23:18,040 Speaker 7: They never come back. 421 00:23:18,200 --> 00:23:22,280 Speaker 3: They never come back, so they're just kind of dead. 422 00:23:22,920 --> 00:23:25,960 Speaker 3: And so I think, listen, we're gonna go to break. 423 00:23:26,000 --> 00:23:28,520 Speaker 3: But let's just think about that. Do we need to 424 00:23:28,560 --> 00:23:30,840 Speaker 3: give Zack Snyder and Man of Steel a little grace? 425 00:23:30,920 --> 00:23:35,840 Speaker 3: Considering in the previous Richard Donner led Superman to film 426 00:23:35,880 --> 00:23:39,359 Speaker 3: a great sequel, Superman Kills Three. 427 00:23:40,000 --> 00:23:42,880 Speaker 7: I will say I I nobody said a thing. 428 00:23:43,440 --> 00:23:48,840 Speaker 5: I understand why people were upset, but I do agree. 429 00:23:48,960 --> 00:23:51,760 Speaker 5: I am an I've written many articles about whether or 430 00:23:51,800 --> 00:23:54,280 Speaker 5: not Batman kills and the truth is in the comics 431 00:23:54,400 --> 00:23:57,439 Speaker 5: he does kill people. In the movies, he's definitely killing. 432 00:23:57,640 --> 00:24:01,359 Speaker 5: And I think the reality is someone like Superman, even 433 00:24:01,680 --> 00:24:04,920 Speaker 5: with the festive intentions, is sometimes gonna kill. 434 00:24:04,880 --> 00:24:23,080 Speaker 4: Someone a cigarette break, and we're back with. 435 00:24:23,280 --> 00:24:31,240 Speaker 3: Rosie's favorite, my childhood favorite, Superman three. Richard Lelier takes 436 00:24:31,280 --> 00:24:34,800 Speaker 3: the rein starring Christopher Reeve, Richard. 437 00:24:34,560 --> 00:24:37,359 Speaker 1: Prior on Jackie Cooper of. 438 00:24:37,320 --> 00:24:38,560 Speaker 3: Course is Perrie White. 439 00:24:39,040 --> 00:24:39,440 Speaker 1: Uh. 440 00:24:39,480 --> 00:24:46,320 Speaker 3: And so Richard Pryor is a computer genius, but he 441 00:24:47,040 --> 00:24:51,280 Speaker 3: is always getting fired and he's he's he's got that 442 00:24:51,400 --> 00:24:54,280 Speaker 3: problem where he's smarter than everybody else. 443 00:24:54,080 --> 00:24:54,520 Speaker 1: He works with. 444 00:24:54,560 --> 00:24:56,399 Speaker 2: He's smarter than his boss, and nobody likes that. 445 00:24:56,440 --> 00:24:57,120 Speaker 1: So he gets fired. 446 00:24:57,400 --> 00:25:01,639 Speaker 3: But then he stumbles into a job working for this 447 00:25:01,840 --> 00:25:07,280 Speaker 3: evil tech computer company. And this guy wants to basically 448 00:25:07,320 --> 00:25:11,480 Speaker 3: control the He wants to completely monopolize the world's supply 449 00:25:11,560 --> 00:25:14,840 Speaker 3: of coffee, which is okay, bro all right, yes Webster 450 00:25:15,240 --> 00:25:18,800 Speaker 3: like shure my guy. And by the way, this is 451 00:25:18,840 --> 00:25:23,680 Speaker 3: the film for the first time where I where they 452 00:25:23,840 --> 00:25:27,600 Speaker 3: use the exact bit that Richard Pryor uses in this 453 00:25:28,080 --> 00:25:32,439 Speaker 3: to take the pennies from every paycheck and put it 454 00:25:32,480 --> 00:25:35,719 Speaker 3: into a secret account. This is exactly the This is 455 00:25:35,840 --> 00:25:41,080 Speaker 3: exactly uh the scheme from Office Space. Yes, and in 456 00:25:41,080 --> 00:25:43,080 Speaker 3: fact they call it out that they were doing the 457 00:25:43,119 --> 00:25:45,440 Speaker 3: exact thing from uh from Superman three. 458 00:25:47,080 --> 00:25:49,879 Speaker 7: Yeah, this is how we learned to embezzel bangs. 459 00:25:49,880 --> 00:25:53,600 Speaker 3: So at the behest of this guy, Prior creates like 460 00:25:53,640 --> 00:26:00,119 Speaker 3: a synthetic Kryptonite tar, and the tar causes Superman to 461 00:26:00,200 --> 00:26:02,280 Speaker 3: become like a meana alcoholic dad. 462 00:26:03,040 --> 00:26:03,280 Speaker 6: I know. 463 00:26:03,440 --> 00:26:06,399 Speaker 5: I'm like, okay, I'm like is this I'm like, is 464 00:26:06,480 --> 00:26:07,520 Speaker 5: this where they got that? 465 00:26:07,760 --> 00:26:07,879 Speaker 1: Like? 466 00:26:08,040 --> 00:26:10,800 Speaker 7: Is this like concurrent with Black Suit Spider Man. 467 00:26:10,840 --> 00:26:14,680 Speaker 5: I'm feeling like there's a lot of Similaritiesier he. 468 00:26:14,720 --> 00:26:18,359 Speaker 3: Gets like stubble on his face and he's like a dick, 469 00:26:18,480 --> 00:26:20,879 Speaker 3: and he goes to bars and he's date he causing 470 00:26:21,080 --> 00:26:27,040 Speaker 3: problems like flicking peanuts. Also interesting caninical choice here because, 471 00:26:27,119 --> 00:26:30,639 Speaker 3: as you will discover from reading the comics and especially 472 00:26:30,920 --> 00:26:35,200 Speaker 3: in terms of what the Supergirl Woman of Tomorrow story 473 00:26:35,400 --> 00:26:39,800 Speaker 3: taught us, this was before the kind of established canon 474 00:26:39,840 --> 00:26:44,639 Speaker 3: of like Cryptonians can't really get drunk on a Yellow 475 00:26:44,680 --> 00:26:48,040 Speaker 3: Sun planet because they're constant, their body's constantly healing. 476 00:26:47,720 --> 00:26:50,520 Speaker 5: And reviving themselves. So this was pre that, So a 477 00:26:50,680 --> 00:26:54,120 Speaker 5: rare Superman getting drunk, though I guess the Kryptonite tar 478 00:26:54,320 --> 00:26:59,919 Speaker 5: is the reason. But yes, very hilarious and outrageous and 479 00:27:00,320 --> 00:27:02,840 Speaker 5: very like venom coded, very very. 480 00:27:02,760 --> 00:27:06,640 Speaker 3: Venom coded So Superman is goes around and he's doing 481 00:27:06,680 --> 00:27:09,480 Speaker 3: all this like really dick shit he's blowing. He blows 482 00:27:09,520 --> 00:27:12,000 Speaker 3: out the Olympic flame as like the guy is about 483 00:27:12,000 --> 00:27:15,320 Speaker 3: to light the flame during the Olympic ceremonies. 484 00:27:15,440 --> 00:27:16,800 Speaker 1: He straightens the leaning. 485 00:27:17,960 --> 00:27:20,399 Speaker 3: Oh my god, that bit I always remember as a 486 00:27:20,560 --> 00:27:26,159 Speaker 3: kids like no Joe. So at the behest of the 487 00:27:26,240 --> 00:27:32,679 Speaker 3: evil CEO tech villain Richard Pryor creates a supercomputer that 488 00:27:32,880 --> 00:27:36,560 Speaker 3: he's gonna use for his grand like coffee scheme. And 489 00:27:36,840 --> 00:27:40,240 Speaker 3: this supercomputer, they lose control of it. It becomes like 490 00:27:40,480 --> 00:27:44,680 Speaker 3: kind of like alive that it becomes the ultimate computer. 491 00:27:45,400 --> 00:27:49,240 Speaker 3: And uh, it like turns a woman into a cyborg 492 00:27:49,280 --> 00:27:53,560 Speaker 3: by like it's a really bizarre fashion that is like 493 00:27:54,320 --> 00:27:59,879 Speaker 3: caused to brings to mind like Metropolis by exceptionally strange movie, 494 00:28:00,320 --> 00:28:02,800 Speaker 3: very very strange movie. It like swallows her up and 495 00:28:02,840 --> 00:28:05,520 Speaker 3: like this like computer tape like covers her and then 496 00:28:05,560 --> 00:28:08,200 Speaker 3: she turns into like this kind of cyborg woman. 497 00:28:08,520 --> 00:28:12,520 Speaker 2: Anyway, Superman saves the day. 498 00:28:12,400 --> 00:28:15,520 Speaker 3: By like dumping acid that he got from a chemical 499 00:28:15,560 --> 00:28:20,840 Speaker 3: plant on this computer, and he fixes all the things 500 00:28:20,840 --> 00:28:25,040 Speaker 3: that he did. Uh, and Gus gets a new life 501 00:28:25,200 --> 00:28:27,400 Speaker 3: in West Virginia. Because he wasn't really a bad guy. 502 00:28:27,440 --> 00:28:29,919 Speaker 3: He was just like kind of in bad circumstances and 503 00:28:30,000 --> 00:28:31,200 Speaker 3: everything's factly and. 504 00:28:31,160 --> 00:28:31,960 Speaker 1: We move on too. 505 00:28:32,320 --> 00:28:35,720 Speaker 3: Superman four The Quest for Peace. This is a dumb 506 00:28:35,760 --> 00:28:40,840 Speaker 3: movie and kind of the worst of them. Jpury directed, also. 507 00:28:40,680 --> 00:28:46,120 Speaker 5: Like very Orbits time and kind of like weirdly trying 508 00:28:46,160 --> 00:28:49,560 Speaker 5: to answer the question of like what would Superman really 509 00:28:49,640 --> 00:28:52,240 Speaker 5: try and do? But you probably think about that because 510 00:28:52,360 --> 00:28:55,959 Speaker 5: he's Superman, babe, Like he's not, he doesn't exist. 511 00:28:56,440 --> 00:29:04,320 Speaker 3: Superman saves some Russians and then later he like decides, 512 00:29:04,440 --> 00:29:08,120 Speaker 3: because of a message Juicy's getting from various people, that 513 00:29:08,440 --> 00:29:11,520 Speaker 3: he should like try and make sure that like World 514 00:29:11,600 --> 00:29:14,760 Speaker 3: War three, a nuclear war never happens. 515 00:29:15,560 --> 00:29:16,880 Speaker 1: Kids are skeed of. 516 00:29:18,320 --> 00:29:20,680 Speaker 5: War, and a kid writes him letter and it's like, 517 00:29:20,760 --> 00:29:23,800 Speaker 5: nucleip war is bad, get rid of every nuke, which 518 00:29:24,040 --> 00:29:30,320 Speaker 5: you know, great kid instinct that but not realistic to 519 00:29:30,400 --> 00:29:32,880 Speaker 5: this the kind of cultural movement of the time. 520 00:29:33,200 --> 00:29:40,680 Speaker 3: Yes. So meanwhile, Lenny, the I believe nephew of Lex 521 00:29:40,800 --> 00:29:46,520 Speaker 3: Luthor breaks his uncle Lex out just kind of for kicks. 522 00:29:47,000 --> 00:29:51,480 Speaker 3: They go to Metropolis. Lex gets a hold of some 523 00:29:51,600 --> 00:29:58,160 Speaker 3: of Superman's hair and in an early scene of dna 524 00:29:58,400 --> 00:30:05,000 Speaker 3: use ye. He creates this super villain using radioactivity. And 525 00:30:05,040 --> 00:30:07,600 Speaker 3: this guy is Nuclear Man, who's basically you know, he's 526 00:30:08,040 --> 00:30:10,520 Speaker 3: this is what I love about this era. You know, 527 00:30:10,640 --> 00:30:14,040 Speaker 3: he's edgy and bad because he has a mullet. 528 00:30:14,080 --> 00:30:19,160 Speaker 8: He has a mullet, baby crazy, which is also hilarious 529 00:30:19,200 --> 00:30:22,840 Speaker 8: because that again very influential on the comics because then 530 00:30:22,920 --> 00:30:25,640 Speaker 8: later on you will get mullet Superman in his black 531 00:30:25,680 --> 00:30:28,160 Speaker 8: suit absolutely yeah, very interesting. 532 00:30:28,280 --> 00:30:30,959 Speaker 3: So he's got that black Shazam kind of suit and 533 00:30:31,040 --> 00:30:34,560 Speaker 3: he looks like a WWE wrestler, and he's got definitely 534 00:30:34,600 --> 00:30:37,960 Speaker 3: does kind of Palpatine powers. 535 00:30:38,760 --> 00:30:40,880 Speaker 7: Yeah, yeah, yellow Palpatine powers. 536 00:30:41,280 --> 00:30:44,240 Speaker 3: And he's very very strong, but he needs to stay 537 00:30:44,440 --> 00:30:47,600 Speaker 3: in the sun kind of like Superman. He draws his 538 00:30:47,640 --> 00:30:49,840 Speaker 3: power from the sun, but and his body is a 539 00:30:49,920 --> 00:30:52,840 Speaker 3: nuclear reactor. But like when he's out of direct sunlight, 540 00:30:52,960 --> 00:30:55,520 Speaker 3: unlike Superman, who like can store it like a battery. 541 00:30:55,760 --> 00:30:57,920 Speaker 3: When he's out of it, he like powers down. So 542 00:30:58,000 --> 00:31:01,960 Speaker 3: I'm an oymous weakness for Nuclear Man. Nuclear Man and 543 00:31:02,000 --> 00:31:04,800 Speaker 3: Superman get in a little fight and Nuclear Man scratches Superman, 544 00:31:04,840 --> 00:31:08,200 Speaker 3: which gives Clark like some kind of radiation disease, and 545 00:31:08,240 --> 00:31:10,880 Speaker 3: then he gets like very very weak and very very 546 00:31:10,960 --> 00:31:15,640 Speaker 3: weak and then old again, a kind of imagery that 547 00:31:15,720 --> 00:31:17,840 Speaker 3: we will see in the comics a lot of times 548 00:31:17,840 --> 00:31:21,280 Speaker 3: with Superman, like you know, getting wilted and shrunken and 549 00:31:21,360 --> 00:31:23,600 Speaker 3: like yeah, and so he gets very very old. 550 00:31:23,640 --> 00:31:24,880 Speaker 1: But then he heals himself. 551 00:31:25,960 --> 00:31:29,040 Speaker 3: He fights radiation Man on the moon and the daily 552 00:31:29,080 --> 00:31:31,719 Speaker 3: planet building, and like a bunch of other stuff happens, 553 00:31:31,760 --> 00:31:34,120 Speaker 3: and then finally Superman throws Nuclear Man into a nuclear 554 00:31:34,120 --> 00:31:38,080 Speaker 3: reactor and the day is saved. He gives a big 555 00:31:38,120 --> 00:31:42,400 Speaker 3: speech about hey, nuclear war, we can't let it happen, 556 00:31:42,440 --> 00:31:43,440 Speaker 3: and then he flies off, and. 557 00:31:43,800 --> 00:31:46,040 Speaker 5: I also like, guess what, Yeah, they literally call make 558 00:31:46,080 --> 00:31:48,040 Speaker 5: it happen because you threw all the nukes into space, 559 00:31:48,080 --> 00:31:49,760 Speaker 5: which I feel like is also going to have like 560 00:31:49,800 --> 00:31:51,000 Speaker 5: a terrible impact. 561 00:31:51,520 --> 00:31:54,320 Speaker 1: Oh yeah, I mean in its own way, like you 562 00:31:54,360 --> 00:31:55,200 Speaker 1: break it, you bought it. 563 00:31:55,200 --> 00:31:58,680 Speaker 3: I'm not saying that wasn't good, but also like, let's 564 00:31:58,840 --> 00:32:02,240 Speaker 3: just keep an eye on what's going on. And it 565 00:32:02,320 --> 00:32:06,000 Speaker 3: must have been very very harrowing because when we come 566 00:32:06,040 --> 00:32:10,640 Speaker 3: back to Superman and Superman Returns directed by uh Oh 567 00:32:10,680 --> 00:32:16,320 Speaker 3: Bryan Singer uh Oh, starring Kevin Spacey and Brandon Rowld, 568 00:32:16,360 --> 00:32:17,360 Speaker 3: who's wonderful. 569 00:32:17,040 --> 00:32:19,120 Speaker 7: And lovely guy. 570 00:32:19,480 --> 00:32:22,720 Speaker 3: Perfect Superman casting. I'm so sorry it was in this movie, 571 00:32:22,760 --> 00:32:23,320 Speaker 3: but I love. 572 00:32:23,240 --> 00:32:26,000 Speaker 7: That he was able to literal monsters. 573 00:32:27,080 --> 00:32:30,360 Speaker 5: It was like, I am so glad he got to 574 00:32:30,400 --> 00:32:31,880 Speaker 5: come back in the Hour of Us and kind of 575 00:32:31,920 --> 00:32:34,640 Speaker 5: reclaim this kind of space. 576 00:32:34,760 --> 00:32:38,760 Speaker 3: But yeah, just no, So whatever happened in Quest for 577 00:32:38,920 --> 00:32:41,600 Speaker 3: Peace and that the fallout from that must have been 578 00:32:42,320 --> 00:32:46,640 Speaker 3: extremely tiring, because we discovered that Superman just basically. 579 00:32:46,160 --> 00:32:47,160 Speaker 1: Retired after a while. 580 00:32:47,160 --> 00:32:50,360 Speaker 3: He's gone and has not been seen for five years 581 00:32:50,920 --> 00:32:54,520 Speaker 3: because I guess he's just running around dealing with the 582 00:32:54,520 --> 00:32:58,880 Speaker 3: fact that he destroyed everybody's nukes. Anyway, Lois now has 583 00:32:58,920 --> 00:33:00,600 Speaker 3: a kid and a fiance. Say she married to a 584 00:33:00,600 --> 00:33:01,520 Speaker 3: different guy, Lex. 585 00:33:01,480 --> 00:33:05,000 Speaker 1: K Lex Lewis that crazy costing? 586 00:33:05,520 --> 00:33:10,479 Speaker 3: We see Lex sadly Kevin Spacey. He steals crystals from 587 00:33:10,560 --> 00:33:14,040 Speaker 3: the Fortress of Solitude to do something with Clark is 588 00:33:14,080 --> 00:33:16,600 Speaker 3: back of the Daily Planet and he's looking kind of 589 00:33:16,600 --> 00:33:20,880 Speaker 3: heartbroken and sad but basically just being Clark now. And 590 00:33:21,280 --> 00:33:26,080 Speaker 3: he does become Superman again when Lex's experiments with the 591 00:33:26,240 --> 00:33:30,320 Speaker 3: Fortress of Solitude crystals cause a massive power outage, which 592 00:33:30,560 --> 00:33:35,400 Speaker 3: causes the plane which is carrying the Space Shuttle which 593 00:33:35,480 --> 00:33:39,240 Speaker 3: is carrying Lois Lane with a test flight to crash, 594 00:33:39,600 --> 00:33:42,959 Speaker 3: so Superman has to come back Shades of his first 595 00:33:43,240 --> 00:33:46,760 Speaker 3: rescue of Lois Lane from nineteen seventy eighth. Superman in 596 00:33:46,760 --> 00:33:50,760 Speaker 3: the helicopter, now in a plane which is Piggybaggy Space Shuttle, 597 00:33:51,200 --> 00:33:54,600 Speaker 3: he saves her. It's actually like a very The Superman 598 00:33:54,680 --> 00:33:55,800 Speaker 3: scenes in this are wonderful. 599 00:33:56,040 --> 00:33:57,680 Speaker 1: Yeah, I save like he's. 600 00:33:58,320 --> 00:34:01,280 Speaker 5: Sequence, everyone's happy, and then they kind of try and 601 00:34:01,400 --> 00:34:06,200 Speaker 5: set up like a potential sequel with introducing the fact 602 00:34:06,280 --> 00:34:08,560 Speaker 5: that like it's Lois and. 603 00:34:08,640 --> 00:34:12,480 Speaker 7: Clock Son appearing. 604 00:34:12,880 --> 00:34:16,040 Speaker 3: We discover along with Lex because when he pulls out 605 00:34:16,040 --> 00:34:19,319 Speaker 3: this kryptonite it seems like it's affecting this child. We 606 00:34:19,440 --> 00:34:22,920 Speaker 3: discover that supermana Lowess had a sun what what. So 607 00:34:24,239 --> 00:34:28,080 Speaker 3: one of Lex's the big plans to kill Superman this 608 00:34:28,160 --> 00:34:31,200 Speaker 3: time is he drops a mountain of kryptonite on him 609 00:34:31,600 --> 00:34:36,480 Speaker 3: of like lab grown, like lab diamond grown, but kryptonite grown. 610 00:34:37,360 --> 00:34:42,680 Speaker 1: Kryptonite on Superman. It's generally a mountain of. 611 00:34:42,960 --> 00:34:47,120 Speaker 3: Kryptonite and it crushes him and he drops into the sea, 612 00:34:47,280 --> 00:34:50,759 Speaker 3: but it has you know, gets pulls the kryptonite out 613 00:34:50,760 --> 00:34:53,400 Speaker 3: of his shoulder that had pierced him, and he like 614 00:34:53,440 --> 00:34:56,040 Speaker 3: gets some of his strengths back and then using like 615 00:34:56,239 --> 00:34:58,680 Speaker 3: mud and earth like as a buffer, which I don't 616 00:34:58,760 --> 00:34:59,400 Speaker 3: think this would be. 617 00:34:59,520 --> 00:35:00,680 Speaker 1: I don't think this would whack. 618 00:35:00,719 --> 00:35:04,560 Speaker 5: I think this was an illfow out chrystonite planic. 619 00:35:04,840 --> 00:35:06,400 Speaker 1: I don't think this is what it works. 620 00:35:06,440 --> 00:35:09,920 Speaker 3: Also, like it's Superman, you can just make up something cool, babe, 621 00:35:10,000 --> 00:35:13,239 Speaker 3: like ye, like he's just like covering out with mad. 622 00:35:13,520 --> 00:35:17,080 Speaker 3: He uses earth like a layer of earth is a buffer, 623 00:35:17,520 --> 00:35:20,520 Speaker 3: and he lifts the mountain of kryptonite up into space 624 00:35:20,560 --> 00:35:24,200 Speaker 3: once again, throwing his problems in the space. 625 00:35:24,400 --> 00:35:26,680 Speaker 7: The Superman stop it, it's bad. 626 00:35:26,960 --> 00:35:29,080 Speaker 3: He throws it out of the space, but the effort 627 00:35:29,120 --> 00:35:32,280 Speaker 3: almost kills him. When he wakes up in the hospital, 628 00:35:32,320 --> 00:35:35,279 Speaker 3: he finds that Lois is there with his son, and 629 00:35:35,320 --> 00:35:37,920 Speaker 3: we are to assume, because we don't know what happens, 630 00:35:38,480 --> 00:35:39,320 Speaker 3: that they. 631 00:35:40,560 --> 00:35:41,680 Speaker 1: Are back together again. 632 00:35:41,840 --> 00:35:44,200 Speaker 3: And it certainly seems like that from what happens with 633 00:35:44,280 --> 00:35:47,239 Speaker 3: the husband and all that stuff we don't know. 634 00:35:49,560 --> 00:35:50,520 Speaker 1: Fast forward too. 635 00:35:51,600 --> 00:35:56,160 Speaker 3: Twenty Thirteen's imperfect, but at times I think pretty entertaining 636 00:35:56,320 --> 00:35:57,920 Speaker 3: at least some of the action. 637 00:35:58,120 --> 00:35:58,920 Speaker 1: I really. 638 00:36:00,520 --> 00:36:04,839 Speaker 5: It look whatever, all the all the drama, all the 639 00:36:04,880 --> 00:36:07,760 Speaker 5: feelings that people have about this. It is a totally 640 00:36:07,760 --> 00:36:11,520 Speaker 5: different take on Superman. It's very much in the This 641 00:36:11,680 --> 00:36:13,520 Speaker 5: is a man who'd already made a Watchmen movie. 642 00:36:13,600 --> 00:36:14,160 Speaker 1: At this point. 643 00:36:14,200 --> 00:36:17,280 Speaker 5: We know that he loves scrimm and gritty, he loves stark, 644 00:36:17,520 --> 00:36:20,480 Speaker 5: and I do remember at the time there was a 645 00:36:22,160 --> 00:36:24,440 Speaker 5: I was very excited, and I remember there was a 646 00:36:24,440 --> 00:36:28,480 Speaker 5: great conversation kind of in the comic shop about like, Okay, well, 647 00:36:28,640 --> 00:36:31,120 Speaker 5: we are living in a like a post nine to 648 00:36:31,160 --> 00:36:33,920 Speaker 5: eleven world. We are living in a space where like 649 00:36:34,280 --> 00:36:37,279 Speaker 5: there is a growing hatred and fear of people that 650 00:36:37,719 --> 00:36:40,240 Speaker 5: are not deemed as being like from where you're from. 651 00:36:40,280 --> 00:36:44,440 Speaker 3: So it's interesting to see Superman basically like treated as 652 00:36:44,480 --> 00:36:47,279 Speaker 3: an alien. I remember that was like a big kind 653 00:36:47,280 --> 00:36:49,000 Speaker 3: of thing people were interested to see. 654 00:36:49,040 --> 00:36:51,080 Speaker 1: Obviously as well, Henry Carville. 655 00:36:50,800 --> 00:36:56,680 Speaker 5: Looks like Superman, but English Superman very controversial because Superman 656 00:36:56,800 --> 00:36:58,040 Speaker 5: is this Midwestern boy. 657 00:36:58,360 --> 00:37:01,040 Speaker 1: You know. I thought he was wonderful and so ripped, 658 00:37:01,920 --> 00:37:03,399 Speaker 1: and you know. 659 00:37:03,480 --> 00:37:05,960 Speaker 3: He looks like a little kids perfect drawing up some 660 00:37:06,480 --> 00:37:08,320 Speaker 3: absolutely and when you see him in the suit for 661 00:37:08,360 --> 00:37:12,880 Speaker 3: the first time, you're like, oh, yeah, so starring Henry 662 00:37:12,920 --> 00:37:19,759 Speaker 3: cavill Amy Adams as lois Michael Shrandon with a incredible 663 00:37:19,880 --> 00:37:23,759 Speaker 3: score by Hans wonderful, crazy score. Hans is really in 664 00:37:23,800 --> 00:37:25,920 Speaker 3: his bag when he's in the Night of Us. He 665 00:37:26,080 --> 00:37:32,399 Speaker 3: absolutely really funny, incredible, wild themes that are just so good. 666 00:37:32,640 --> 00:37:34,799 Speaker 3: We open on Krypton, and you know what's going on 667 00:37:34,800 --> 00:37:41,719 Speaker 3: on kryptonop It is fucked, folks. It is falling apart. 668 00:37:43,160 --> 00:37:47,320 Speaker 3: But Jorell rides like a dragonfly. Now, so that's really cool. 669 00:37:47,760 --> 00:37:49,960 Speaker 3: And he's been trying to tell everybody, like, we. 670 00:37:49,960 --> 00:37:52,520 Speaker 1: Got this problem. The Krypton is gonna fall apart. 671 00:37:52,719 --> 00:37:56,560 Speaker 3: Nobody understands it but him, And we also get more 672 00:37:56,600 --> 00:38:02,040 Speaker 3: of an idea of like political issues happen within Crypton. Yes, 673 00:38:03,200 --> 00:38:05,799 Speaker 3: General Zod is part of like this very very like 674 00:38:06,480 --> 00:38:12,480 Speaker 3: uh ultra conservative faction who wants to seize power in Krypton. 675 00:38:12,520 --> 00:38:14,440 Speaker 1: But of course Krypton's falling apart. 676 00:38:14,880 --> 00:38:22,520 Speaker 3: So Jorell, who I forgot to even mention Jorell keeping 677 00:38:22,600 --> 00:38:27,440 Speaker 3: the legacy of like incredible cameos is Russell. 678 00:38:27,239 --> 00:38:31,080 Speaker 7: Crowe is keeping that it's keeping it going. 679 00:38:31,880 --> 00:38:36,440 Speaker 3: So Jorell, uh, you know, sends his son to space 680 00:38:36,560 --> 00:38:42,240 Speaker 3: and kal El clarklands in Kansas. He's adopted by Jonathan 681 00:38:42,320 --> 00:38:49,919 Speaker 3: and Martha Kent. My mom's absolute favorite person in the world. 682 00:38:50,000 --> 00:38:50,800 Speaker 3: Kevin Costner. 683 00:38:51,400 --> 00:38:53,880 Speaker 7: Yes, mom loves Cabin cost. 684 00:38:54,360 --> 00:38:57,160 Speaker 3: Loves I don't know if I have how much I've 685 00:38:57,160 --> 00:38:59,400 Speaker 3: talked about this, but let me just tell people. My 686 00:38:59,520 --> 00:39:05,399 Speaker 3: mother has been involved in a very intense one way 687 00:39:05,560 --> 00:39:09,919 Speaker 3: crush with Kevin Costner since the eighties. She loves Kevin 688 00:39:09,960 --> 00:39:15,920 Speaker 3: Costner watches Yellowstone. I was gonna say, yeah, absolutely Yellowstone. 689 00:39:17,200 --> 00:39:19,400 Speaker 3: She told me about Yellowstone. I didn't know what it 690 00:39:19,480 --> 00:39:23,000 Speaker 3: was and was very shattered when he decided to leave 691 00:39:23,040 --> 00:39:26,520 Speaker 3: the show. Diane Lane, the Wonderful Diane Lane is Martha Kent. 692 00:39:26,719 --> 00:39:31,560 Speaker 3: This is a star studed affair. So you know, Clark 693 00:39:33,480 --> 00:39:35,520 Speaker 3: has his powers, but he's got to keep him secret. 694 00:39:35,520 --> 00:39:39,640 Speaker 3: It's that whole thing. And then he basically decides, you 695 00:39:39,680 --> 00:39:43,160 Speaker 3: know what, I'm just because these are it's gonna be 696 00:39:43,200 --> 00:39:45,000 Speaker 3: hard to stay in one place with these powers. 697 00:39:45,000 --> 00:39:46,040 Speaker 1: He just becomes. 698 00:39:45,800 --> 00:39:51,239 Speaker 3: Like like Bruce Banner in The Hulk television show, kind 699 00:39:51,239 --> 00:39:57,400 Speaker 3: of like a wandering strong guy doing heroic acts secretly, 700 00:39:57,680 --> 00:40:02,440 Speaker 3: like particularly in the North regions up in Canada and stuff, 701 00:40:02,480 --> 00:40:06,120 Speaker 3: saving men from oil dereks and all this kind of stuff. 702 00:40:06,880 --> 00:40:13,040 Speaker 3: Lois Lane is sent to investigate the emergence of apparent 703 00:40:13,160 --> 00:40:17,160 Speaker 3: aliens like on Earth. The Kryptonian Scoutship has entered Earth. 704 00:40:17,560 --> 00:40:20,960 Speaker 3: Clark enters the ship disguised as a worker and he 705 00:40:21,000 --> 00:40:25,880 Speaker 3: figures out, oh, this is where I'm from, and in fact, 706 00:40:26,160 --> 00:40:28,919 Speaker 3: and that's my dad he's talking to me, and now 707 00:40:29,000 --> 00:40:31,520 Speaker 3: i'm and that's a suit for me, and he puts 708 00:40:31,560 --> 00:40:33,520 Speaker 3: it on, and he figures out his powers and he 709 00:40:33,560 --> 00:40:36,560 Speaker 3: flies for the first time in a sequence that is 710 00:40:36,600 --> 00:40:39,239 Speaker 3: actually really great, Like I think if you were just 711 00:40:39,239 --> 00:40:43,040 Speaker 3: gonna pull superhero scenes, like best superhero scenes of the 712 00:40:43,080 --> 00:40:46,799 Speaker 3: last whatever thirty years, I think Henry Cavill flying for 713 00:40:46,840 --> 00:40:51,239 Speaker 3: the first time, Yeah, is pretty pretty pretty good. Unfortunately, 714 00:40:51,320 --> 00:40:54,640 Speaker 3: Zod and his people arrive also on Earth, and they 715 00:40:54,640 --> 00:40:58,360 Speaker 3: get the powers and they just start fucking wrecking shop. 716 00:40:58,440 --> 00:41:00,520 Speaker 1: They're beating up like Mike. 717 00:41:01,960 --> 00:41:04,960 Speaker 3: Just like so good too. He is just like the 718 00:41:05,000 --> 00:41:08,480 Speaker 3: weirdest choice. I mean totally commits and I love it. 719 00:41:08,640 --> 00:41:09,239 Speaker 1: I love it. 720 00:41:09,280 --> 00:41:12,000 Speaker 3: And he just starts like they just start wrecking shop 721 00:41:12,160 --> 00:41:15,759 Speaker 3: all of it. They're just destroying shit, killing like army 722 00:41:15,800 --> 00:41:19,960 Speaker 3: guys left and right, throwing tanks around, throwing helicopters around 723 00:41:20,280 --> 00:41:23,680 Speaker 3: the entire US military cannot stop them, and they have 724 00:41:23,840 --> 00:41:27,680 Speaker 3: this cannot stop to create to use this very very 725 00:41:27,719 --> 00:41:33,640 Speaker 3: powerful like terraforming device and their ship to turn Krypton 726 00:41:33,840 --> 00:41:38,200 Speaker 3: into turn Earth into new Krypton, which of course God 727 00:41:38,239 --> 00:41:38,760 Speaker 3: will rule. 728 00:41:39,360 --> 00:41:40,920 Speaker 1: This will of course destroy the Earth. 729 00:41:41,280 --> 00:41:44,040 Speaker 3: And they turn it on and it starts destroying lots 730 00:41:44,040 --> 00:41:48,600 Speaker 3: of stuff, and like Metropolis is falling apart, Superman flies 731 00:41:48,600 --> 00:41:57,600 Speaker 3: into action. There's a incredible fight that absolutely detonates. 732 00:41:56,960 --> 00:41:59,760 Speaker 1: A good portion of Metropolis. 733 00:42:00,600 --> 00:42:05,920 Speaker 3: Rosie estimated casualties in this unbelievable, Like you're talking about 734 00:42:05,920 --> 00:42:08,480 Speaker 3: like hundreds of thousands of people, and. 735 00:42:08,840 --> 00:42:12,759 Speaker 5: Certainly it must be at least in the thousands when 736 00:42:12,800 --> 00:42:14,120 Speaker 5: it comes to casualties. 737 00:42:14,560 --> 00:42:16,120 Speaker 1: And this is a question. 738 00:42:16,680 --> 00:42:19,240 Speaker 5: This is the I think, let's not say the problem, 739 00:42:19,600 --> 00:42:22,800 Speaker 5: but this is one of the prices you have to pay. 740 00:42:22,600 --> 00:42:25,720 Speaker 7: For doing a realistic, more grounded version. 741 00:42:25,920 --> 00:42:28,279 Speaker 3: Is when you're in a city that clearly looks like 742 00:42:28,320 --> 00:42:31,799 Speaker 3: a city that we recognize, that has real buildings and 743 00:42:31,840 --> 00:42:35,799 Speaker 3: we know has we've as people who've lived through real crisises, 744 00:42:36,239 --> 00:42:38,120 Speaker 3: you could you are thinking like, this is a lot 745 00:42:38,160 --> 00:42:40,320 Speaker 3: of people who are dying at this point. 746 00:42:40,480 --> 00:42:41,920 Speaker 7: So honestly, does. 747 00:42:41,760 --> 00:42:44,400 Speaker 5: The controversial ending which we're about to talk about really 748 00:42:44,440 --> 00:42:47,000 Speaker 5: matter if there's already been thousands of people killed as 749 00:42:47,080 --> 00:42:48,200 Speaker 5: collateral damage. 750 00:42:48,800 --> 00:42:50,160 Speaker 1: That's up to what you. 751 00:42:50,080 --> 00:42:53,600 Speaker 7: Think about Superman and how he would deal with his issues. 752 00:42:53,719 --> 00:42:57,240 Speaker 3: I think if you told me fifty thousand to eighty 753 00:42:57,320 --> 00:43:00,560 Speaker 3: thousand dead in Metropolis, I believe it would that would 754 00:43:00,600 --> 00:43:06,759 Speaker 3: make sense because multiple buildings pancake, there's a huge crater. 755 00:43:06,680 --> 00:43:08,960 Speaker 1: In the middle of the city, like the city is Detroit, 756 00:43:09,400 --> 00:43:10,000 Speaker 1: it's not gone. 757 00:43:10,080 --> 00:43:15,400 Speaker 3: Well, no, so Superman before he faces Zod, he manages 758 00:43:15,440 --> 00:43:17,160 Speaker 3: to get the rest of his army sent to the 759 00:43:17,160 --> 00:43:21,680 Speaker 3: Phantom Zone. He arrives, he fights Zod. They end up 760 00:43:21,719 --> 00:43:26,800 Speaker 3: in the train station where Zod is about to fry 761 00:43:27,160 --> 00:43:30,440 Speaker 3: like innocent people with his heat beams, and so Clark 762 00:43:30,480 --> 00:43:31,279 Speaker 3: snaps his neck. 763 00:43:31,440 --> 00:43:32,000 Speaker 1: And this was. 764 00:43:33,080 --> 00:43:38,279 Speaker 3: Very, very controversial. I agree that it's Also it's not 765 00:43:38,440 --> 00:43:42,560 Speaker 3: how Superman would actually do it. Yes, I'm like, surely 766 00:43:42,600 --> 00:43:45,319 Speaker 3: he could just send him to the Phantom Zone too. Yeah, 767 00:43:45,480 --> 00:43:47,719 Speaker 3: I don't think he would do it like this. I 768 00:43:47,760 --> 00:43:50,799 Speaker 3: also feel like real Superman would have taken Zod out 769 00:43:50,800 --> 00:43:53,200 Speaker 3: into space or the moon or something to fight him 770 00:43:53,200 --> 00:43:53,480 Speaker 3: there there. 771 00:43:53,719 --> 00:43:53,879 Speaker 1: Well. 772 00:43:53,920 --> 00:43:56,319 Speaker 5: Actually also and in the comics, I believe he did 773 00:43:56,400 --> 00:43:58,759 Speaker 5: kill Zod on the moon at one point. 774 00:43:58,680 --> 00:43:59,920 Speaker 1: So pre crisis. 775 00:44:00,120 --> 00:44:02,440 Speaker 5: I mean, this is one of those interesting things where 776 00:44:02,719 --> 00:44:06,160 Speaker 5: I just deeply love the fact that people have so 777 00:44:06,280 --> 00:44:09,680 Speaker 5: much faith and hope and like put so much of 778 00:44:09,760 --> 00:44:13,399 Speaker 5: themselves into Superman that this was like really striking for them. 779 00:44:13,560 --> 00:44:16,480 Speaker 5: But you know, it is like in comics, he definitely 780 00:44:16,680 --> 00:44:19,840 Speaker 5: was killing people in the Golden Age, throwing people off roofs. 781 00:44:19,880 --> 00:44:25,799 Speaker 3: He's killed Bizarro, he kills he kills three Kryptonians, yes, 782 00:44:25,920 --> 00:44:28,040 Speaker 3: at least. 783 00:44:27,800 --> 00:44:31,360 Speaker 5: One, and also like you know, he had to kill Doomsday, 784 00:44:32,160 --> 00:44:34,600 Speaker 5: you know, but so it's not that shocking. But I 785 00:44:34,600 --> 00:44:38,320 Speaker 5: think what is shocking is kind of seeing the moment 786 00:44:38,680 --> 00:44:41,240 Speaker 5: that he breaks his neck in this like very brutal, 787 00:44:41,400 --> 00:44:43,640 Speaker 5: very interpersonal way, and then he kind of has this 788 00:44:44,000 --> 00:44:47,480 Speaker 5: scream and it really did it. 789 00:44:47,480 --> 00:44:49,600 Speaker 7: It's a very phantom menace. 790 00:44:49,840 --> 00:44:54,160 Speaker 5: I mean, I mean Revenge of the sif Like, no, yeah, 791 00:44:54,480 --> 00:44:58,239 Speaker 5: very interesting choice. And I think this is where you 792 00:44:58,280 --> 00:45:01,080 Speaker 5: start to see the split between like those who believe 793 00:45:01,120 --> 00:45:04,399 Speaker 5: Superman is this kind of hopeful symbol and those who 794 00:45:04,400 --> 00:45:06,279 Speaker 5: are trying to watch like a grounded what would it 795 00:45:06,320 --> 00:45:07,800 Speaker 5: really be like if he was here. 796 00:45:07,800 --> 00:45:14,040 Speaker 3: Yes, so, and Superman saves the day and goes to 797 00:45:14,080 --> 00:45:16,160 Speaker 3: work at the Daily Planet and as a war. 798 00:45:31,280 --> 00:45:38,240 Speaker 2: We go to Batman v. Superman Dawn of Justice. 799 00:45:39,160 --> 00:45:39,600 Speaker 1: David s. 800 00:45:39,640 --> 00:45:42,480 Speaker 3: Goyer back on the script, picking up the reins that 801 00:45:42,719 --> 00:45:46,520 Speaker 3: he had previously been holding for a Man of Steel. 802 00:45:46,600 --> 00:45:48,120 Speaker 1: He's joined by Chris Terrio. 803 00:45:48,800 --> 00:45:52,359 Speaker 3: Of course, Zack Snyder continues to be the director, and 804 00:45:52,400 --> 00:45:54,239 Speaker 3: now we enter the as Like. 805 00:45:54,280 --> 00:45:59,520 Speaker 7: Era but flock bats look so long. 806 00:45:59,560 --> 00:46:03,800 Speaker 1: Story short. Lex Luthor. 807 00:46:05,000 --> 00:46:10,640 Speaker 3: Manipulates Batman and Superman into hating each other and getting 808 00:46:10,640 --> 00:46:16,080 Speaker 3: in a big fight. Batman has to make a suit 809 00:46:16,560 --> 00:46:19,720 Speaker 3: in order to be able to deal because he's old. 810 00:46:20,040 --> 00:46:22,200 Speaker 7: He's like twenty years old. This is the very long 811 00:46:22,480 --> 00:46:23,160 Speaker 7: Night Ratuns. 812 00:46:23,280 --> 00:46:25,480 Speaker 3: He has to be able to deal with Superman. Also 813 00:46:25,600 --> 00:46:31,360 Speaker 3: Luthor again using Superman by Jesse Eisenbachi wonderfully played. 814 00:46:31,440 --> 00:46:32,800 Speaker 1: I think by Jesse Isabers. 815 00:46:33,000 --> 00:46:36,840 Speaker 7: I think he's channeling Gene Hackman. Yeah, Mark Zuckerbug, and 816 00:46:36,880 --> 00:46:37,680 Speaker 7: I like it. 817 00:46:37,920 --> 00:46:41,760 Speaker 3: I'm not gonna like So he creates a genetic monster 818 00:46:42,760 --> 00:46:46,520 Speaker 3: from the body of Zod and also like his own 819 00:46:46,600 --> 00:46:51,920 Speaker 3: body to you know, create this like threat, and Superman 820 00:46:52,080 --> 00:46:57,239 Speaker 3: and Batman figure out that they've been pitted against each other, 821 00:46:57,280 --> 00:46:59,560 Speaker 3: and they fitted out and they and they kind of 822 00:46:59,719 --> 00:47:01,920 Speaker 3: bond over the fact that. 823 00:47:03,480 --> 00:47:03,560 Speaker 6: This. 824 00:47:04,000 --> 00:47:07,680 Speaker 5: I have to say, David Escoya, you've been on the podcast, 825 00:47:07,840 --> 00:47:09,960 Speaker 5: come back on the podcast, because this is actually, I 826 00:47:10,000 --> 00:47:15,920 Speaker 5: think one of the most genius connections agree nobody else. Like, 827 00:47:16,080 --> 00:47:19,160 Speaker 5: we literally talk about this stuff every single day. At 828 00:47:19,160 --> 00:47:22,000 Speaker 5: the time this movie came out, I was working at 829 00:47:22,040 --> 00:47:25,920 Speaker 5: the cinema and literally we were talking about these movies, 830 00:47:25,920 --> 00:47:30,480 Speaker 5: about comic books, everything, And somehow when Nay said Martha. 831 00:47:30,400 --> 00:47:32,160 Speaker 1: What did you say that name? 832 00:47:32,440 --> 00:47:36,040 Speaker 7: Some reason, I had never really clocked that both of 833 00:47:36,080 --> 00:47:39,839 Speaker 7: their mums were called Martha. So, David Eskoya, good for you. 834 00:47:40,040 --> 00:47:43,520 Speaker 3: Like, this is a hilarious, hilarious scene, but also like 835 00:47:43,880 --> 00:47:47,400 Speaker 3: an incredible little subtle thing that for some reason, we 836 00:47:47,520 --> 00:47:50,319 Speaker 3: never talked about. I did the same thing watching this movie. 837 00:47:50,400 --> 00:47:53,400 Speaker 3: I'm like, this is a bad movie. Whatever, I'm gonna 838 00:47:53,520 --> 00:47:57,400 Speaker 3: enjoy it. But when the Marsa thing happened, I was like, Oh, 839 00:47:57,800 --> 00:47:58,560 Speaker 3: that's good. 840 00:47:58,800 --> 00:47:59,880 Speaker 7: How is he that score? 841 00:48:00,200 --> 00:48:00,399 Speaker 1: See? 842 00:48:00,560 --> 00:48:03,759 Speaker 7: How did we never work that before? But it is hilarious. 843 00:48:04,239 --> 00:48:05,160 Speaker 7: Would you say that name? 844 00:48:06,280 --> 00:48:09,320 Speaker 5: Also, my other favorite bit in this movie, which comes 845 00:48:09,360 --> 00:48:11,880 Speaker 5: from the kind of DC, was very much trying to 846 00:48:11,880 --> 00:48:14,359 Speaker 5: make their own MCU. At this point, they're trying to 847 00:48:14,400 --> 00:48:17,439 Speaker 5: branch out. So one of my favorite moments is when 848 00:48:18,520 --> 00:48:20,720 Speaker 5: you know, Wonder Woman arrives and you get that great 849 00:48:20,800 --> 00:48:26,279 Speaker 5: junkie xel hans Zima score dinner. It's like she's like 850 00:48:26,320 --> 00:48:31,040 Speaker 5: a rock star something. But Batman like does the secret 851 00:48:31,080 --> 00:48:35,359 Speaker 5: mission and basically just like steals like a USB drive 852 00:48:35,400 --> 00:48:37,760 Speaker 5: that has YouTube videos on it, and he's like watching 853 00:48:37,800 --> 00:48:38,840 Speaker 5: YouTube videos. 854 00:48:39,080 --> 00:48:43,920 Speaker 7: He's like the Flash YouTube video, the da Coman YouTube video. 855 00:48:44,000 --> 00:48:45,879 Speaker 7: And I was like, what is going on? 856 00:48:46,040 --> 00:48:47,080 Speaker 1: But good for you, guys. 857 00:48:47,160 --> 00:48:47,759 Speaker 7: I love this. 858 00:48:47,760 --> 00:48:48,560 Speaker 1: This is crazy. 859 00:48:48,760 --> 00:48:53,440 Speaker 3: Oh god, and I should we should note that twenty 860 00:48:53,480 --> 00:48:56,520 Speaker 3: sixteen's Captain America Civil War kind of rips off the 861 00:48:56,560 --> 00:48:57,440 Speaker 3: Martha thing. 862 00:48:57,760 --> 00:48:59,680 Speaker 1: Oh that's actually a good point. 863 00:49:00,400 --> 00:49:05,000 Speaker 3: Controversial we've got let's just acknowledge it and listen. 864 00:49:05,080 --> 00:49:06,200 Speaker 1: The history of these. 865 00:49:06,480 --> 00:49:12,280 Speaker 3: Two franchises constantly, Yes, these ip generating machines, they're always 866 00:49:12,360 --> 00:49:13,680 Speaker 3: ripping each other of Oh. 867 00:49:13,640 --> 00:49:16,520 Speaker 7: Baby, it is kind of the same. 868 00:49:16,360 --> 00:49:18,800 Speaker 1: Plot turn for the Island of. 869 00:49:19,880 --> 00:49:20,280 Speaker 4: Cool. 870 00:49:21,600 --> 00:49:23,880 Speaker 7: But yes, Luther's plan is happening. 871 00:49:24,000 --> 00:49:26,920 Speaker 5: His plan was doomsday, which if you read the comics 872 00:49:27,000 --> 00:49:28,200 Speaker 5: you probably saw that coming. 873 00:49:28,640 --> 00:49:32,799 Speaker 3: Diana shows up, they fight, the Doomsday, they beat it 874 00:49:33,200 --> 00:49:34,479 Speaker 3: and Superman dies. 875 00:49:35,160 --> 00:49:37,640 Speaker 1: Oh no, how can it happen? 876 00:49:38,200 --> 00:49:38,840 Speaker 7: How could happen? 877 00:49:39,000 --> 00:49:42,919 Speaker 5: But don't worry, because there's a post credit s dun 878 00:49:43,040 --> 00:49:46,480 Speaker 5: dun dud d And you start to hear a little. 879 00:49:48,040 --> 00:49:50,520 Speaker 7: And you realize, actually, Superman's just chilling, and that coffin 880 00:49:50,600 --> 00:49:52,520 Speaker 7: he's just and yeah. 881 00:49:53,000 --> 00:49:53,719 Speaker 1: So here we go. 882 00:49:54,040 --> 00:49:56,840 Speaker 3: It's set Snyder's fucking Justice. 883 00:49:56,680 --> 00:50:01,359 Speaker 5: League twenty seventeen and twenty twenty one. There was four 884 00:50:01,440 --> 00:50:03,799 Speaker 5: years in between that we had to deal with all 885 00:50:03,840 --> 00:50:07,800 Speaker 5: of that, and it's happening. Directed Justice League twenty seventeen, 886 00:50:07,880 --> 00:50:10,000 Speaker 5: director by Jack Snyder and Joss Whedon. 887 00:50:10,640 --> 00:50:13,040 Speaker 3: Let's not forget. They put him in, they pour him in, 888 00:50:13,040 --> 00:50:15,799 Speaker 3: and the people didn't like it. Tout sprinkle some of 889 00:50:15,840 --> 00:50:20,160 Speaker 3: that magic mcu dust on our It didn't work on 890 00:50:20,160 --> 00:50:23,680 Speaker 3: our DC verse, it didn't quite work. Superman is dead, 891 00:50:23,840 --> 00:50:29,080 Speaker 3: Earth's vulnerable. Batman puts together the Justice League. 892 00:50:30,920 --> 00:50:34,680 Speaker 5: Incredible Jason Momoa sequence where he came out of the 893 00:50:34,719 --> 00:50:36,200 Speaker 5: water and Nim. 894 00:50:36,040 --> 00:50:38,719 Speaker 7: And Bruce are like bad Eye. Also, I just want 895 00:50:38,760 --> 00:50:39,320 Speaker 7: to say something. 896 00:50:39,520 --> 00:50:41,280 Speaker 5: I don't think I think we've talked about this before. 897 00:50:41,360 --> 00:50:44,840 Speaker 5: I don't think this is particularly controversial. Obviously, I'm not 898 00:50:45,000 --> 00:50:47,520 Speaker 5: a surprised twist here. I'm not talking about Corman. We 899 00:50:47,520 --> 00:50:50,479 Speaker 5: know how much I love about Corman. But actually, when 900 00:50:50,520 --> 00:50:52,880 Speaker 5: I go back and watch these movies, which I have 901 00:50:52,960 --> 00:50:55,000 Speaker 5: to do a lot with this kind of you know pudding, 902 00:50:55,320 --> 00:50:59,080 Speaker 5: I think Ben Affleck is actually really good at being Batman. 903 00:50:59,400 --> 00:51:02,680 Speaker 5: I like this old Batman, but I wish that it's 904 00:51:02,719 --> 00:51:05,120 Speaker 5: a different space. This is one of those movies where 905 00:51:05,120 --> 00:51:09,080 Speaker 5: Batman is killing so many people, Like, he is killing 906 00:51:09,160 --> 00:51:09,880 Speaker 5: so many people. 907 00:51:09,880 --> 00:51:12,680 Speaker 3: He's got guns on the Batman bile, He's shooting up 908 00:51:12,800 --> 00:51:18,799 Speaker 3: that's he's killing everyone. It seemed to me at the 909 00:51:18,840 --> 00:51:26,080 Speaker 3: time like heavily influenced by the Arkham interpretation interpret interpretation 910 00:51:26,200 --> 00:51:31,160 Speaker 3: of Batman, in which I mean Batman is absolutely breaking 911 00:51:31,200 --> 00:51:38,000 Speaker 3: people people, fracturing skulls and like driving people off buildings. Yeah, 912 00:51:38,080 --> 00:51:41,680 Speaker 3: so like it's that level of of Batman. Anyway, So 913 00:51:41,760 --> 00:51:47,399 Speaker 3: Steppenwolf has a mother Box and that's really bad, and 914 00:51:47,480 --> 00:51:55,480 Speaker 3: so the the the Nascent Justice League, Diana Cyborg, Batman, 915 00:51:55,960 --> 00:52:00,120 Speaker 3: Barry Allen are like, well, there's we're good, but like 916 00:52:00,160 --> 00:52:02,120 Speaker 3: without Superman, what are we gonna do? So we got 917 00:52:02,120 --> 00:52:07,920 Speaker 3: to resurrect him. So they resurrect Clark, but he's like, 918 00:52:08,680 --> 00:52:13,160 Speaker 3: doesn't remember anything about what is He's basically just like 919 00:52:13,560 --> 00:52:16,279 Speaker 3: he's like a baby who's got Superman Palace, which is 920 00:52:16,360 --> 00:52:21,919 Speaker 3: very dangerous, very very dangerous. But listen, finally they all 921 00:52:21,960 --> 00:52:25,880 Speaker 3: get together. That's I mean basically that what happens is, uh, 922 00:52:27,400 --> 00:52:30,520 Speaker 3: they all get together, Clark remembers who he is, they 923 00:52:30,520 --> 00:52:37,720 Speaker 3: fight Steppenwolf, and they win. Let's eventually escapes, and that's 924 00:52:37,760 --> 00:52:41,560 Speaker 3: meant to set up the you know, the upcoming Justice 925 00:52:41,600 --> 00:52:46,720 Speaker 3: League movies, along with a little cameo in the Injustice League, 926 00:52:47,200 --> 00:52:50,239 Speaker 3: you know, trying to do that. But oh yes, as 927 00:52:50,239 --> 00:52:54,719 Speaker 3: the Jared Joker is in there somehow given job like 928 00:52:54,760 --> 00:52:59,760 Speaker 3: the stuff, they get a little Martian Manhunter a cameo. 929 00:53:00,400 --> 00:53:05,320 Speaker 2: But ultimately, uh, we've. 930 00:53:05,040 --> 00:53:09,480 Speaker 7: This twenty twenty one, it's done. 931 00:53:09,280 --> 00:53:12,080 Speaker 5: It exists, it's out there. You can watch that, you 932 00:53:12,160 --> 00:53:15,160 Speaker 5: can watch both versions of it. And now four years later, 933 00:53:15,239 --> 00:53:19,440 Speaker 5: we're entering into this new universe of gods and monsters with. 934 00:53:20,880 --> 00:53:23,200 Speaker 7: James Gunn Superman. Okay, Jason, let me ask you a question. 935 00:53:23,880 --> 00:53:26,120 Speaker 5: Is there something you want to see in a James 936 00:53:26,120 --> 00:53:28,719 Speaker 5: gun in James Gunn Superman movie that you have never. 937 00:53:28,480 --> 00:53:31,480 Speaker 7: Seen in any of these other movies. 938 00:53:31,800 --> 00:53:32,040 Speaker 1: You know. 939 00:53:34,400 --> 00:53:37,759 Speaker 3: I mean, listen, we're getting Crypto. That's what I was 940 00:53:37,840 --> 00:53:40,600 Speaker 3: gonna say. I want to see that side. I want 941 00:53:40,640 --> 00:53:43,680 Speaker 3: to see the cute side, the wild side, the crypt 942 00:53:43,840 --> 00:53:46,080 Speaker 3: And yeah, I love Crypto. I think that's a great call. 943 00:53:46,120 --> 00:53:49,200 Speaker 5: I want to see that love between Superman and his 944 00:53:49,320 --> 00:53:51,760 Speaker 5: family and the people he chooses to be in his family, 945 00:53:51,920 --> 00:53:53,720 Speaker 5: the dog and I agree. 946 00:53:53,760 --> 00:53:54,760 Speaker 1: And the comic version. 947 00:53:54,960 --> 00:53:59,160 Speaker 3: Listen, the Fortress of Solitude was always very in the 948 00:53:59,239 --> 00:54:02,000 Speaker 3: Donner movies. It's there's nothing in there. There's like no 949 00:54:02,080 --> 00:54:03,719 Speaker 3: furniti anything, there's. 950 00:54:03,520 --> 00:54:04,520 Speaker 1: No Hall of Trophy. 951 00:54:04,520 --> 00:54:05,440 Speaker 7: It's not cozy. 952 00:54:06,000 --> 00:54:08,279 Speaker 3: Yeah, there's none of the stuff like in the comics. 953 00:54:08,440 --> 00:54:10,880 Speaker 3: You go in there and it's like a playland. You know, 954 00:54:11,320 --> 00:54:15,280 Speaker 3: it's Superman's back, It's Superman's batcave. Yeah, there's this shrunken 955 00:54:15,320 --> 00:54:18,839 Speaker 3: city in a bottle. There's all the trophies, there's like 956 00:54:19,000 --> 00:54:22,440 Speaker 3: you know, like all his uh androids and stuff. There's 957 00:54:22,520 --> 00:54:23,919 Speaker 3: so much stuff in there. 958 00:54:24,040 --> 00:54:26,560 Speaker 1: His lab is like research lab. 959 00:54:27,160 --> 00:54:30,560 Speaker 3: And so I'm really eager, and I know we're going 960 00:54:30,640 --> 00:54:32,120 Speaker 3: to go in there and see some of that, So 961 00:54:32,120 --> 00:54:33,279 Speaker 3: I'm really eager to see that. 962 00:54:33,440 --> 00:54:34,640 Speaker 1: I think that what about you do you have any 963 00:54:34,640 --> 00:54:36,920 Speaker 1: particularly like, you know, what I want to see. 964 00:54:37,200 --> 00:54:41,959 Speaker 5: I want to see uh Lois and Clark with that chemistry. 965 00:54:42,640 --> 00:54:44,799 Speaker 5: I feel like we haven't gone that for a long time, 966 00:54:44,880 --> 00:54:47,680 Speaker 5: where there's that real like here at two people, the 967 00:54:47,800 --> 00:54:51,480 Speaker 5: immovable Object and the unstoppable Force, you know, coming together. 968 00:54:51,560 --> 00:54:52,160 Speaker 7: I love that. 969 00:54:52,560 --> 00:54:56,120 Speaker 5: I'm excited to see Jimmy Olsen. I'm excited to see 970 00:54:57,080 --> 00:54:59,800 Speaker 5: more in the Daily Planet, which is something we haven't 971 00:54:59,840 --> 00:55:04,360 Speaker 5: really gotten a lot since the original Donna movies. We 972 00:55:04,440 --> 00:55:06,160 Speaker 5: did get a little bit of that, and I will 973 00:55:06,200 --> 00:55:08,520 Speaker 5: say something that they got right about Lois in the 974 00:55:08,560 --> 00:55:09,640 Speaker 5: Snyder stuff is like. 975 00:55:09,640 --> 00:55:10,239 Speaker 1: She's un him. 976 00:55:10,400 --> 00:55:13,120 Speaker 5: She's going to the craziest, most deadly places because she 977 00:55:13,200 --> 00:55:15,840 Speaker 5: knows Superman will show up. I just want to see 978 00:55:16,080 --> 00:55:19,319 Speaker 5: a loving, hopeful Superman. I want to be back in 979 00:55:19,360 --> 00:55:22,000 Speaker 5: that more positive world. I want to see these crazy 980 00:55:22,360 --> 00:55:25,600 Speaker 5: kind of characters and adventures. So I'm just really excited. 981 00:55:25,760 --> 00:55:29,440 Speaker 5: Four years is not a long time between Superman movies, 982 00:55:29,560 --> 00:55:31,920 Speaker 5: as you can see from like, you know, two thousand 983 00:55:31,920 --> 00:55:34,680 Speaker 5: and six is like almost you know, twenty years after 984 00:55:34,719 --> 00:55:37,040 Speaker 5: the last Donna movie, and then two thousand and six 985 00:55:37,120 --> 00:55:39,720 Speaker 5: to twenty thirteen. This is one of the shorter amounts 986 00:55:39,760 --> 00:55:44,000 Speaker 5: of time between these kind of new, different iterations. But 987 00:55:44,280 --> 00:55:46,960 Speaker 5: I feel like in that four years, so much happened, 988 00:55:47,280 --> 00:55:48,480 Speaker 5: the world change. 989 00:55:48,640 --> 00:55:49,960 Speaker 1: We're all still living through it. 990 00:55:50,160 --> 00:55:53,759 Speaker 5: So I'm excited to see this kind of new, hopefully 991 00:55:53,920 --> 00:55:57,480 Speaker 5: kind of positive Superman that we can hold on too. 992 00:55:57,560 --> 00:56:00,399 Speaker 5: I also, I just think that David quarant So it's 993 00:56:00,440 --> 00:56:02,280 Speaker 5: like such good Superman class thing. 994 00:56:02,239 --> 00:56:05,600 Speaker 1: He's giving me great, it's giving pure clock. 995 00:56:05,719 --> 00:56:07,160 Speaker 7: So I'm just excited to see. 996 00:56:07,320 --> 00:56:09,759 Speaker 5: I also want to know how James Gunn is going 997 00:56:09,800 --> 00:56:12,280 Speaker 5: to solve the glasses issue, because he said he's gonna 998 00:56:12,280 --> 00:56:12,719 Speaker 5: solve it. 999 00:56:12,920 --> 00:56:15,520 Speaker 7: He said it's gonna happen. What's he gonna pull from? 1000 00:56:15,640 --> 00:56:17,800 Speaker 3: Is it gonna be controversial? Is it not the people 1001 00:56:17,960 --> 00:56:20,680 Speaker 3: other than me even care. I don't know, but I'm excited. 1002 00:56:20,719 --> 00:56:23,239 Speaker 3: And it's so close now. I mean, we're like three 1003 00:56:23,320 --> 00:56:25,240 Speaker 3: days away from the end of June and then boom, 1004 00:56:25,320 --> 00:56:27,280 Speaker 3: July eleventh, that's when we get Superman. 1005 00:56:27,760 --> 00:56:30,680 Speaker 1: We will be of course covering Superman. 1006 00:56:32,120 --> 00:56:36,000 Speaker 3: With our reactions and getting you ready to watch it, 1007 00:56:36,040 --> 00:56:39,880 Speaker 3: and Rosie's gonna be having giving you some omnibi to 1008 00:56:40,320 --> 00:56:41,200 Speaker 3: get us ready for that. 1009 00:56:42,480 --> 00:56:44,120 Speaker 1: On the next episode of Extra Vision, We're. 1010 00:56:44,080 --> 00:56:48,840 Speaker 2: Diving into the finale, the Strong Finale. 1011 00:56:48,440 --> 00:56:50,919 Speaker 7: The very Strong Finale. 1012 00:56:51,440 --> 00:56:54,360 Speaker 1: Iron Heart. That's it for this episode. Next We'll. 1013 00:56:56,600 --> 00:57:04,799 Speaker 3: Ii x ray Vision is hosted by Jason steps Young 1014 00:57:04,840 --> 00:57:07,480 Speaker 3: and Rosie Knight and is a production of iHeart Podcasts. 1015 00:57:07,800 --> 00:57:11,400 Speaker 5: Our executive producers are Joel Monique and Aaron Kaufman. 1016 00:57:11,640 --> 00:57:13,680 Speaker 1: Our supervising producer is Abu Zafar. 1017 00:57:14,040 --> 00:57:18,000 Speaker 5: Our producers are Common, Laurent Dean Jonathan and Fay wag. 1018 00:57:18,120 --> 00:57:20,880 Speaker 3: Our theme song is by Brian Vasquez, with alternate theme 1019 00:57:20,960 --> 00:57:22,200 Speaker 3: songs by Aaron Kaufman. 1020 00:57:22,400 --> 00:57:25,760 Speaker 5: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and 1021 00:57:25,840 --> 00:57:27,600 Speaker 5: Heidi our discord moderator.