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Speaker 1: No, wid.

2
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Speaker 2: He eyeballed Demarus' weight and was right on part Yeah,

3
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Speaker 2: I still.

4
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Speaker 3: Don't know how to do. Yeah, they got right. Now

5
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Speaker 3: stand up. Let me look at you.

6
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Speaker 2: Now we're starting. Now you're cool.

7
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Speaker 3: I'm gonna say you down to about you about that's

8
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Speaker 3: looking like one? What did I say last time you.

9
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Speaker 1: Said one seventy two? I was on seventy four?

10
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Speaker 3: Okay, so right now you're about that's looking like one.

11
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Speaker 4: God damn, oh yeah, he's like a beautiful mind.

12
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Speaker 2: It's unbi like he has this rare time. You should

13
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Speaker 2: go in. America's got talent.

14
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Speaker 4: The just and guess it's exactly everybody's weight exactly.

15
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Speaker 1: Like one hundred and four.

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Speaker 4: I stepped on the scale yesterday, one hundred and forty

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Speaker 4: eight exactly.

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Speaker 3: Miss me.

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Speaker 2: Yo, that's to put back Neflix.

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Speaker 3: Now, I'm not going back to the streets. That's what

21
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Speaker 3: every time they they to pull me back in. I'm

22
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Speaker 3: not going back, man, I'm not going back. My mom done. Yo.

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Speaker 2: That's just that's a hilarious, Like.

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Speaker 1: Look at what I'm all good at, like you.

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Speaker 2: Being your autistic power of weight is hilarious.

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Speaker 3: Man. You gotta be able to see I'm saying I

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Speaker 3: ball that that you're pretty much the scale that they

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Speaker 3: weigh the whales.

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Speaker 4: Yeah, during Black History Month. You caught me a whale

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Speaker 4: during Black History Month.

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Speaker 3: It's no let him know for the journy. Do it

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Speaker 3: for the journey.

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Speaker 2: I wasn't even thinking. Do it for the journey, baby,

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Speaker 2: do it for I think you can stand again a

35
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Speaker 2: few pounds. Yeah, that's the er though. You know the scale,

36
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Speaker 2: you know, I can see that scale.

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Speaker 3: You know what I'm saying.

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Speaker 1: Right there?

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Speaker 3: You go, look that you used to do.

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Speaker 2: You could have had a crazy rap career just based

41
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Speaker 2: on being a leader.

42
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Speaker 3: And telling don't want that with me. Don't really want

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Speaker 3: an issue with me? I don't know, man, that swist

44
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Speaker 3: snipp you don't want you don't want no problem with me?

45
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Speaker 1: Man, that swist snippet is crazy.

46
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Speaker 2: How many how many of your friend's families do you

47
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Speaker 2: think Stove ruined?

48
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Speaker 1: What?

49
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Speaker 2: Oh like a stove or stove got Stove got himself

50
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Speaker 2: in Syracuse?

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Speaker 3: Stop?

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Speaker 2: How many families he tore apart with his old trade?

53
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Speaker 3: Stop his old trade? That was a trade.

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Speaker 2: I can tell when someone is telling the truth.

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Speaker 3: On Yeah, yeah, yeah, you can't create.

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Speaker 2: You can't make that greater Syracuse area isn't fucking disarrayed

57
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Speaker 2: because of that guy is.

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Speaker 3: So happy he made it up. It's so happy the.

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Speaker 2: Order could be restored. So happy Stove found another hobby

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Speaker 2: allowed to bring his sun there to restore order. Like, nah,

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Speaker 2: I gotta go back to QS man.

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Speaker 3: Shout out the stove gut that swist that Swiss and

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Speaker 3: Stove song sound alright though, Yeah, that's that, that's that lane.

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Speaker 3: I like Stoven. Right there? We are back sponsored by

65
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Speaker 3: boost on limitade texts and that. How is everyone feeling

66
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Speaker 3: on this beautiful, beautiful time? Feel good man? Feel good?

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Speaker 1: Due?

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Speaker 3: I bet you do? Why? Why you better? I do

69
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Speaker 3: you know some baby? Because you saying you got you

70
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Speaker 3: feel like you got some smoke for me. You say

71
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Speaker 3: you got a question for me? You got what happened?

72
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Speaker 4: Because I was sitting at home, sitting at home yesterday,

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Speaker 4: you know, alone, paying my toe nails, rocking back and forth,

74
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Speaker 4: just really thinking about the lack of love I have.

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Speaker 3: Else, Like when I be seeing you with your feet,

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Speaker 3: be you that's your work? Seeing her feet like that?

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Speaker 4: No, I was that bored you be seeing her feet?

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Speaker 4: You fear my feet always out in this honest podcast.

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Speaker 4: That's what I'm saying, but no, I get him done.

80
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Speaker 4: But I was bored, so yes, said, I'm just sitting

81
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Speaker 4: up there, you know, just twiddling my toes and I

82
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Speaker 4: look on the net.

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Speaker 1: I was the computer, say.

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Speaker 4: I was not saying computer computer all outside. He was

85
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Speaker 4: all over mitched job, oh oh last.

86
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Speaker 1: Ye did Yes he did, Rory, Yes he did.

87
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Speaker 3: Yeah. I want up town because my man is in town.

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Speaker 3: My man, my man Black from LA was in town.

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Speaker 3: So he was there, so I had to stop by

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Speaker 3: seeing him.

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Speaker 2: Wait wait wait wait wait what time was this?

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Speaker 4: Uh?

93
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Speaker 3: The nick game had just started for like seven thirty. Yeah.

94
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Speaker 2: I called you and I said, YO, hit me back

95
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Speaker 2: when you get a second. I was in Harlem when

96
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Speaker 2: I called you.

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Speaker 3: Oh yeah, I mean you didn't tell me he was.

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Speaker 3: I thought you was a tomorrow Mars Birthday weekend.

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Speaker 2: I thought Mars Birthday was on Friday. I'm talking about yesterday,

100
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Speaker 2: which was Sunday. I filmed here with Princeton. I had

101
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Speaker 2: to take a hard drive up to Eddin and Eddon

102
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Speaker 2: happened to be in Harlem, and I called you after

103
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Speaker 2: I dropped it off, just so we could rap about

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Speaker 2: some other ship.

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Speaker 3: But I would have I would have pulled up. I

106
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Speaker 3: didn't know you was in Harlem. I thought you was.

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Speaker 3: You know you was home when I spoke to you.

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Speaker 2: I know when I hit you, I was in Harlem.

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Speaker 3: Yeah, but I wasn't when I spoke to you, I

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Speaker 3: wasn't in Halem yet. I had to give my location,

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Speaker 3: wasn't it.

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Speaker 1: Hall, I got to give you my location.

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Speaker 3: Yeah. So I went uptown to see Mitt shout out

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Speaker 3: to Mitchea, and my man Black was in town from La.

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Speaker 3: He was there.

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Speaker 1: So I keep telling y'all, y'all hit me next time.

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Speaker 1: Y'all go yo, hit me.

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Speaker 3: Niggas hit me.

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Speaker 2: It was on Mitch's I g or it was on Mass.

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Speaker 1: It was on Mitch. I think mar reposted.

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Speaker 3: I did not report it. Yeah, yeah, see that's baby

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Speaker 3: the stars, and you know I did not recollect.

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Speaker 2: Was he smiling? Was he having fun? No?

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Speaker 3: He was righty like. Was he happy to be outside?

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Speaker 3: I mean I was happy to see my people's man.

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Speaker 3: I saw you gotta go uptown to show love some time.

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Speaker 2: Man, respectfully, that's what Mitch has been hiding under the

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Speaker 2: baggy clothes.

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Speaker 3: Oh no, Mitch is you.

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Speaker 1: Could be the ass under the baggie clause.

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Speaker 2: I don't beat that's a that's a coworker. I don't

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Speaker 2: look I don't look that way. Mitch, wait, talk about

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Speaker 2: that black that's my man. Yeah, he was he in town, Yo,

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Speaker 2: that's crazy.

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Speaker 3: So he was there. Decided to, you know, make sure

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Speaker 3: I stopped buying and see you. So I went uptown

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Speaker 3: for a minute. Shout out to old people uptown. So

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Speaker 3: some old faces that I ain't seen in a few years.

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Speaker 3: It's a good the best side for a little bit.

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Speaker 1: How much bad Bunny you heard while he was there?

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Speaker 3: How much bad money? None? Really, no bad money played

142
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Speaker 3: in there in Harlem? No, yeah, not that spot I

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Speaker 3: was in. Bad Bunny would have played. They started throwing them.

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Speaker 3: Who's el Barrio racks? All right?

145
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Speaker 2: West side?

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Speaker 3: That makes sense. It was on I got you cool man,

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Speaker 3: that's the that's the Civil War. People don't know about

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Speaker 3: Eastern talk about that when we kind of keep that

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Speaker 3: on the like, don't really address it.

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Speaker 2: But yeah, yeah, once you passed with the park and

151
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Speaker 2: then it turns into get a little all that bunny.

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Speaker 3: Great food, great food.

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Speaker 4: But I told I was like, oh, I'm like, oh

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Speaker 4: ma out without us like again again.

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Speaker 3: When was the last time I was out without you.

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Speaker 3: The last time you went, I didn't go. I never went.

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Speaker 3: That's my first time going. She look are you trying

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Speaker 3: to you?

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Speaker 4: Literally didn't he admit last time and say that you

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Speaker 4: said you wasn't going and you ended up going.

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Speaker 3: And no, no, Mitch, Mitch wasn't gonna go. They flaked

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Speaker 3: and didn't and then she ended up going. Like I

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Speaker 3: opened my g and saw hers and she was there.

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Speaker 3: I was like this morning at eleven o'clock, you told

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Speaker 3: me you wasn't.

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Speaker 2: My mom was watching Tomara like I was kind of outside.

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Speaker 2: I mean, I didn't do anything, but I could have.

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Speaker 3: Yeah.

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Speaker 2: I was only there for like maybe one on nine

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Speaker 2: and fifth.

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Speaker 3: I was right there. Oh yeah, you get definitely pulled up.

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Speaker 3: I was only there for like an hour and a

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Speaker 3: half though I was going before the game went off.

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Speaker 4: I heard that the the Hookah plays that you told

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Speaker 4: me to check out, sorry for being to New York, Mitra.

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Speaker 4: I heard that that's where the ballers be like one

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Speaker 4: of my whole home girls. That's what jered ballers, shot callers, brawlers.

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Speaker 4: I heard that's Destiny shout in two thousand and one.

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Speaker 3: That's what they baby, So you about to go about

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Speaker 3: to pull up.

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Speaker 4: No, oh no, not me. I'm I'm me personally. I'm

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Speaker 4: not looking for a baller. But I just heard that

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Speaker 4: that's where they be.

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Speaker 2: Are you talking about like basketball player or people with money?

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Speaker 1: Yes, basketball players.

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Speaker 4: The shot callers are the people with money, and the

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Speaker 4: brawlers are the boxers.

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Speaker 2: Know.

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Speaker 3: The brawlers are the football players. The brawlers, Oh yeah,

190
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Speaker 3: they got helmet syndrome bad. They'd be so mad. Nobody

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Speaker 3: recognize them when they walk outside. They try to make

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Speaker 3: their name. No, I play free safety the NFL. I

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Speaker 3: do not get I tell you all the time. I

194
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Speaker 3: do not party with football players, No, sir, not me.

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Speaker 1: They always end up shirtless by the end of the night.

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Speaker 3: That's what they do. That's what they do. They gonna

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Speaker 3: take their shirt off, They're gonna flip the table over,

198
00:07:58,040 --> 00:08:00,440
Speaker 3: They're gonna fight security, and then he gonna be on

199
00:08:00,440 --> 00:08:01,920
Speaker 3: the daily news and then they're gonna be at the

200
00:08:01,920 --> 00:08:04,640
Speaker 3: podium with the turtleneck and cardia glasses. Told them that

201
00:08:04,720 --> 00:08:08,000
Speaker 3: I'm going to therapy, put the steroids down, that's what

202
00:08:08,040 --> 00:08:11,280
Speaker 3: you mean, and get ready for week seven. That's what

203
00:08:11,320 --> 00:08:11,760
Speaker 3: you need.

204
00:08:12,080 --> 00:08:14,240
Speaker 2: But I will say anytime like a football player has

205
00:08:14,280 --> 00:08:16,640
Speaker 2: a meltdown or does something crazy. They do now have

206
00:08:16,720 --> 00:08:20,640
Speaker 2: the awful cushion that we give them some grace.

207
00:08:20,840 --> 00:08:21,760
Speaker 3: He probably a CP.

208
00:08:22,280 --> 00:08:24,360
Speaker 2: Yeah, like that is kind of nice to have that

209
00:08:24,400 --> 00:08:25,840
Speaker 2: cushion of Like I could just go wild the fuck

210
00:08:25,840 --> 00:08:27,520
Speaker 2: out and it was gonna be like, Yo, we can

211
00:08:27,520 --> 00:08:30,000
Speaker 2: we have the conversation now. Finally, Maybe CT is a problem.

212
00:08:30,200 --> 00:08:32,280
Speaker 2: Maybe Will Smith needs to put his African voice back

213
00:08:32,320 --> 00:08:33,360
Speaker 2: on and teach us.

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Speaker 3: It's kind of like Kanye's frontal lobe. You got to you

215
00:08:36,120 --> 00:08:38,320
Speaker 3: know what I'm saying. Make sure the frontal lobes are okay?

216
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Speaker 3: Get them cat scans.

217
00:08:39,559 --> 00:08:42,280
Speaker 1: Have you guys seen the clips from his performance in Mexico?

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Speaker 3: I did that one song he did was dope. That

219
00:08:45,520 --> 00:08:48,319
Speaker 3: new song he uh.

220
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Speaker 2: I didn't see that one. I saw like runaway can't

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Speaker 2: tell me nothing. I loved what he did with North.

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Speaker 2: I mean, despite Kanye disagreements, it's great to see you

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Speaker 2: and your daughter perform for forty two thousand people in

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Speaker 2: Mexico City.

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Speaker 3: Yeah, that's fire.

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Speaker 2: Just to let her get her shit off, Like that's

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Speaker 2: the nepotism I want to see.

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Speaker 3: I was like your dog, like Tom flies, like North

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Speaker 3: is like a teenager yeah, like that is crazy, Like.

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Speaker 1: She's only twelve, but yeah, but I mean, yeah, she'll

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Speaker 1: be thirteen.

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Speaker 3: You know, I mean what you're saying, it's crazy. Yeah.

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Speaker 2: Remember when the viral birth like insane? They have like

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Speaker 2: seven kids though. Yeah no, listen, man, how old is Blue?

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Speaker 2: So Blue danced on a whole tour? Blue Blue? She's

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Speaker 2: older than twelve? Blue out to be like fourteen. Yeah,

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Speaker 2: she's definitely not twelve fourteen.

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Speaker 3: Yeah.

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Speaker 2: Well, either way, we'll eventually get to that news and

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Speaker 2: we can't talk about the Kanye concert at some point.

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Speaker 2: But I do want to start with the Grammys. I

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Speaker 2: know you were out having fun talking to old Yeah.

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Speaker 2: I just watched the video you and Black talking at

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Speaker 2: the bar. I was making some play. Yeah, I was

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Speaker 2: even scheming on something right there. There was definitely at

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Speaker 2: a frame, there was something. I can tell how Mitch

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Speaker 2: framed it that it wasn't just y'all to sitting right there.

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Speaker 2: I know our frames work. Oh man, were you able

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Speaker 2: to catch the Grammys? I do want to do a

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Speaker 2: Grammy recap twenty twenty six. This one's powered by Boos too.

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Speaker 2: Boos literally powers the whole world.

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Speaker 3: Boost is definitely powering this segment of our Grammy recap.

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Speaker 3: This is our favorite time of year. We get to

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Speaker 3: kind of talk about some of our predictions. Not your

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Speaker 3: favorite time, well some a little bit. We talk about

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Speaker 3: some of our predictions. Who was right, surprises, uh snubs

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Speaker 3: if you will, Who should have gotten award that didn't.

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Speaker 3: But yeah, I mean, you know, I don't. We don't

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Speaker 3: really hold the Grammy to the regard we once did,

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Speaker 3: you know, I guess it's kind of like that whatever,

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Speaker 3: But it is a special time of year for all

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Speaker 3: recording artist stuff.

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Speaker 2: We were talking off Mike, I thought they did good

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Speaker 2: this year, Like I actually thoroughly enjoyed the Grammys with

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Speaker 2: from performances to winners or whatever, because that doesn't necessarily

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Speaker 2: matter too much to me. But I thought they put

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Speaker 2: on a pretty good show for where award shows are

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Speaker 2: at these days, I thought they did well. And I

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Speaker 2: almost feel like the energy around Grammy Weekend this year

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Speaker 2: was higher. And I don't know if that's my algorithm

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Speaker 2: or just everyone I know was in LA for it,

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Speaker 2: but it.

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Speaker 3: Was definitely different.

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Speaker 2: I don't know, it just felt like the Grammys cared

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Speaker 2: more this year about the presentation and the whole weekend.

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Speaker 2: But I could be off. That's just my perception.

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Speaker 1: There were a lot of blacks nominated this year, and

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Speaker 1: I think.

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Speaker 3: Is that the energy is that the shift that you

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Speaker 3: were feeling?

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Speaker 4: Maybe no, for there were a lot of black people

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Speaker 4: nominated this year, and I think that that when that happens,

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Speaker 4: there is a different energy that we see because our

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Speaker 4: algorithms and our connections and who we know.

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Speaker 1: Like, yeah, there was a little bit of a different energy.

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Speaker 4: We were nominated in a lot of big categories this year,

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Speaker 4: which a lot of the times what the Grammys doesn't happen.

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Speaker 2: So what did you think overall? Before we start breaking down,

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Speaker 2: I thought it was performances.

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Speaker 3: I thought it was cool. There was a few artists

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Speaker 3: that I thought would win that didn't. Some artists that

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Speaker 3: won that I didn't think would. You know, both goes

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Speaker 3: both ways, But I think overall the vibe was cool.

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Speaker 3: I think it was definitely a you know, a little

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Speaker 3: better than it's been in the previous years. And again

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Speaker 3: it may be to what Damaras are saying, maybe certain

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Speaker 3: artists that we actually really liked were nominated. It's felt

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Speaker 3: like that, like the new artists that we really liked,

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Speaker 3: what they was representing so it was kind of like

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Speaker 3: that energy of having new blood on the stage and

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Speaker 3: you know, given the next generation of superstars, like kind

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Speaker 3: of a knight to Sean and win some Grammy. So

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Speaker 3: maybe that's what it was. Maybe it was a mix of.

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Speaker 2: It just felt more balanced and not like in the

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Speaker 2: way the NFL puts like n racism in the end

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Speaker 2: zone or like tries to make it more of a

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Speaker 2: marketing thing of what It just felt like a good

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Speaker 2: balance of every genre of music and who should actually

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Speaker 2: be nominated.

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Speaker 3: There was something for everybody this year.

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Speaker 2: And that's not even like an ad for the Grammys

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Speaker 2: because we've shoped on the Grammys constantly. I just felt

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Speaker 2: like this year they got it right. The best way

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Speaker 2: that they.

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Speaker 3: Could do is Trevor Noah, the official host of every

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Speaker 3: Grammy's moving forward.

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Speaker 1: He was, but now it's his time. This was his

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Speaker 1: last year.

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Speaker 3: Yeah, so this was his Obama second term is over

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Speaker 3: a year. Yeah, this is twenty sixteen.

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Speaker 2: Yeah, or is Jersey swap Okay season?

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Speaker 3: So Who's who's next? Do we know?

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Speaker 1: It needs to be Nicki?

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Speaker 3: Yeah?

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Speaker 2: Jamarison and I were talking during the Grammys because Nicki

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Speaker 2: the Laser was she was up there.

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Speaker 3: What Nicki minajs, I'll say, all right, hold on, do

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Speaker 3: we know the kind of like how they feeling about

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Speaker 3: my girl? Now? You know what? You know what? Let

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Speaker 3: her host?

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Speaker 2: Like I was ready to go, so let's go crazy.

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Speaker 2: Let her host and we'll just sit there.

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Speaker 3: Oh my god, you want to see the ratings go

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Speaker 3: through the rules.

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Speaker 2: Did you see her tweets during the Grammys? No, she

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Speaker 2: might as well host it.

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Speaker 3: No, I didn't see him. Nicki was getting up something,

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Speaker 3: she was giving something to think about. No, nothing about Yeah,

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Speaker 3: let Nikki host it next well, but no, Nicki. Nicki Glazer,

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Speaker 3: she's uh, she's funny. Though she was up there with

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Speaker 3: Sisy who was it? Tiana? She was up there with Tiana.

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Speaker 3: I think she would be great to host the entire thing.

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Speaker 3: She's she's hilarious. But I mean, I Trevor did great

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Speaker 3: for what it's worth. I feel like he's been there

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Speaker 3: since what COVID problem was there for COVID for sure?

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Speaker 3: He was out, he was he was at the outside Grammys. Yeah.

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Speaker 2: I mean to me, I would love if Jamie Fox

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Speaker 2: hosted the Grammys every year because Jamie and Jamie Fox

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Speaker 2: can't do And I think he embodies as far as

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Speaker 2: I like Ricky Gervais with the Oscars or Jimmy Kimmel

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Speaker 2: with the Oscars. They're in that side of show business

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Speaker 2: and they're comedians. Like to me, that makes sense. Jamie

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Speaker 2: being how the greatest comedian music artist of all.

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Speaker 3: Time, comedian musician, you can go from a joke sitting

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Speaker 3: down at the piano play.

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Speaker 2: Yeah, he's like I would love if Jamie was great.

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Speaker 3: He has a great impersonation. He can impersonate different artists

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Speaker 3: and things like that. I think Jamie Fox is definitely

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Speaker 3: he would be the perfect Grammy host.

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Speaker 2: But Trevor did Gray from twenty twenty one to twenty

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Speaker 2: twenty six, so he was difficult.

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Speaker 3: Okay.

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Speaker 2: I think we've talked about for the last few years

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Speaker 2: that award shows. Obviously, their ratings are plummeting because there's

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Speaker 2: so much other stuff to do. I liked that they

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Speaker 2: tried to revamp it in a music way. The new

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Speaker 2: artist versus I thought was cool, and of course I'm

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Speaker 2: coining that myself, but everyone that was nominated for Best

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Speaker 2: New Artists did a medley of their own songs together

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Speaker 2: as one performance.

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Speaker 3: I like that one.

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Speaker 2: I think that's dope just to highlight all the next

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Speaker 2: talent and even if you weren't a winner, you got

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Speaker 2: to perform at the Grammys as the Best New Artist.

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Speaker 2: And it allows us as the viewers that want to

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Speaker 2: debate and be idiots on a microphone to say, yo,

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Speaker 2: who got who? Like I thought, it was the perfect

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Speaker 2: way to try to pivot with what's going on on

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Speaker 2: the internet for an award show.

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Speaker 3: And it definitely doesn't hurt their streaming those. So there's that.

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Speaker 3: Everybody woke up happy today, all of these artists, and

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Speaker 3: we can start with that one. Listen, man, it's different

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Speaker 3: when Leon steps on the stage. Shout out to Leon

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Speaker 3: Thomas and congrats to him as well, a friend of

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Speaker 3: the show, somebody who we all felt like would eventually

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Speaker 3: win a Grammy for his Mutt album, and he did

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Speaker 3: last night. He won on two if I'm correct, Yeah, yes,

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Speaker 3: two Tom Grammy winner Leon Thomas Brooklyn's very own.

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Speaker 2: Yeah, he won for a Best Traditional R and B

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Speaker 2: Performance with Vibes Don't Lie, And then he won for

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Speaker 2: R and.

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Speaker 3: B Album and you know what, very well deserved.

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Speaker 2: Let's make it about me, Okay, every time you guys

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Speaker 2: clown me when I go to a studio session or

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Speaker 2: I'm I'm on camera with Jim Jones just knocking my

396
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Speaker 2: head a little too hard to what's in the speakers.

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Speaker 2: I came in here the day that Leon and I

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Speaker 2: did our record together. That's out now, who are you anyway?

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Speaker 2: He played me Mutt the day that we did that

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Speaker 2: Mud had not been out. I came in here and

401
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Speaker 2: I said, bro, I might be It's going to be

402
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Speaker 2: the best album of the year, Like this is this

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Speaker 2: is Leon Thomas is out of here.

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Speaker 3: This is going to be.

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Speaker 2: I tried to get my record out so quick because

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Speaker 2: I knew if I waited, I wouldn't be able to

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Speaker 2: get it out, because I knew the ascension of Leon

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Speaker 2: Thomas was about that. When he played that shit, I

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Speaker 2: was like, no, I don't care. This is the studio speakers,

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Speaker 2: just the great shit I have ever heard in the last

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Speaker 2: however many years.

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Speaker 3: No, Leon is He's definitely one of my favorite artists

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Speaker 3: right now, Like you know, just the attention to detail

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Speaker 3: to the artist, the musicianship, and I was happy to

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Speaker 3: see him see him get two Grammys because he definitely deserved.

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Speaker 3: That album is incredible, And I mean, granted I'm biased.

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Speaker 3: I wanted him to win Best New Artists, But if

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Speaker 3: anyone were to get it, I'm so happy for Olivia Dean.

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Speaker 3: She she's fired another another talent. Now let's come with

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Speaker 3: some hate.

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Speaker 2: Yes, boys, the girl that's that popped off the verses

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Speaker 2: when she was in the loading dock, like where they

423
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Speaker 2: drop off all the folding chairs, Addison Ray, she could

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Speaker 2: be dope.

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Speaker 3: I don't know.

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Speaker 2: My first time seeing it, that was like, I don't

427
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Speaker 2: want to be mad at her. Who's your who choreographed

428
00:17:43,320 --> 00:17:47,399
Speaker 2: that ship, who produced that fam He just got some

429
00:17:47,520 --> 00:17:51,160
Speaker 2: random guy pushing a fucking laundry thing to pick you up?

430
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Speaker 2: And then you asked naked it like the direction of

431
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Speaker 2: that entire thing was secondhand embarrassment to me. And then

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Speaker 2: you saw the journey through the rest of the Best

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Speaker 2: New Artist. If I'm that girl's manager, seeing the difference

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Speaker 2: of everyone's performance compared to the one that popped it off, yeah,

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Speaker 2: you need to fire your whole thing. I mean, if

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Speaker 2: y'all thought that shit was cool, she looked nuts.

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Speaker 3: Yeah, but we've we've seen performances some artists before that

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Speaker 3: looked nuts and it's just not the artist that we

439
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Speaker 3: really you know.

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00:18:20,359 --> 00:18:21,800
Speaker 2: And I know they thought they probably killed. You know,

441
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Speaker 2: we're gonna have the drone coming in with the truck.

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Speaker 2: I was on board right away. I said, oh, this

443
00:18:25,240 --> 00:18:29,880
Speaker 2: is fire. This is where things got really dark and

444
00:18:29,960 --> 00:18:30,720
Speaker 2: really weird.

445
00:18:32,240 --> 00:18:34,000
Speaker 3: What is this is awkward?

446
00:18:34,920 --> 00:18:37,199
Speaker 2: Y'all don't have second embarrassment without the volume even on.

447
00:18:38,200 --> 00:18:40,040
Speaker 3: I mean, but this is this is loading, This is

448
00:18:40,080 --> 00:18:43,800
Speaker 3: loading dock choreography though, this is like choreography.

449
00:18:44,280 --> 00:18:47,919
Speaker 2: This is like bad West Side Story Broadway. She's like,

450
00:18:47,960 --> 00:18:49,640
Speaker 2: what are we crawling on? Like, come on, we were doing?

451
00:18:49,800 --> 00:18:51,720
Speaker 2: Then she ends up ask naked after men in black

452
00:18:51,720 --> 00:18:52,240
Speaker 2: pick her up.

453
00:18:53,040 --> 00:18:55,360
Speaker 3: Oh that was my favorite, my favorite part of the set.

454
00:18:55,440 --> 00:18:58,000
Speaker 3: Right that's when I was like, nah, this is out

455
00:18:58,000 --> 00:19:02,480
Speaker 3: of here, like what we what are we doing? Good

456
00:19:02,480 --> 00:19:03,879
Speaker 3: panther right there? Good diaper.

457
00:19:04,080 --> 00:19:05,960
Speaker 1: I mean, I've seen worse. I don't think that that's

458
00:19:06,000 --> 00:19:07,159
Speaker 1: that bad.

459
00:19:07,640 --> 00:19:08,120
Speaker 2: Demerits.

460
00:19:08,200 --> 00:19:09,920
Speaker 1: It's bad, but it's not that bad.

461
00:19:10,440 --> 00:19:12,159
Speaker 4: And then they took her magical cape and put it

462
00:19:12,200 --> 00:19:16,160
Speaker 4: over the camera. It's pop it's pop starshit, bad pop starshit.

463
00:19:16,520 --> 00:19:17,879
Speaker 1: Yeah.

464
00:19:17,960 --> 00:19:20,800
Speaker 3: That wasn't that mad at it though, but it was rough.

465
00:19:21,680 --> 00:19:26,240
Speaker 2: As the performance continued with everyone else and that kind

466
00:19:26,240 --> 00:19:27,760
Speaker 2: of just shows and again I'm not taking anything away

467
00:19:27,800 --> 00:19:29,959
Speaker 2: from that that woman. I'm sure she is very talented

468
00:19:30,000 --> 00:19:31,919
Speaker 2: to where she's gotten. I've never gotten there. I'm really

469
00:19:31,960 --> 00:19:34,600
Speaker 2: not hating like that. It's just different when a real

470
00:19:34,680 --> 00:19:37,359
Speaker 2: musician shows up. When when the Bentley pulls up to

471
00:19:37,400 --> 00:19:41,160
Speaker 2: the Chrysler, all Leon Thomas needed to do was walk

472
00:19:41,200 --> 00:19:43,760
Speaker 2: on that stage with his guitar. Did you watch the

473
00:19:44,040 --> 00:19:50,959
Speaker 2: entire was the stable center, everyone stood up like crypto?

474
00:19:51,040 --> 00:19:51,240
Speaker 3: Yes?

475
00:19:51,280 --> 00:19:54,959
Speaker 2: Sorry, did you see the difference when Leon Thomas came

476
00:19:55,000 --> 00:19:59,680
Speaker 2: with just his guitar? Everyone stood up toward Damarica sand

477
00:20:00,119 --> 00:20:02,439
Speaker 2: Different when when a real musician pulls up.

478
00:20:02,760 --> 00:20:05,800
Speaker 3: Shit just looked different everybody. But again, people I think

479
00:20:05,840 --> 00:20:08,520
Speaker 3: were in, you know, in the room. I think everybody

480
00:20:08,560 --> 00:20:10,280
Speaker 3: was kind of excited to see Leon perform.

481
00:20:10,600 --> 00:20:12,680
Speaker 2: So every one of these one of those crowds saying

482
00:20:13,040 --> 00:20:14,280
Speaker 2: were He's one of those.

483
00:20:14,200 --> 00:20:16,480
Speaker 3: Artists that I think everybody knows his music is song

484
00:20:16,600 --> 00:20:18,639
Speaker 3: and you know, seeing him on stage, it's like a

485
00:20:18,680 --> 00:20:21,040
Speaker 3: lot of people probably never saw Leon perform live yet

486
00:20:21,440 --> 00:20:22,880
Speaker 3: that was in that building, so you know what I mean.

487
00:20:22,920 --> 00:20:25,600
Speaker 3: It's it's just a different energy when the artist that

488
00:20:25,640 --> 00:20:27,920
Speaker 3: we all unanimously is like yo, his album was crazy

489
00:20:28,200 --> 00:20:28,560
Speaker 3: and on.

490
00:20:28,560 --> 00:20:31,320
Speaker 4: Top of that, even people who might not be familiar

491
00:20:31,320 --> 00:20:34,639
Speaker 4: with Leon or his album and you just see like

492
00:20:34,720 --> 00:20:36,920
Speaker 4: you know them, people who are in the country world

493
00:20:37,040 --> 00:20:38,679
Speaker 4: or deep deep in the pop world or the K

494
00:20:38,760 --> 00:20:40,840
Speaker 4: pop world. And then you have this artist get on

495
00:20:40,920 --> 00:20:43,359
Speaker 4: stage where there's plenty of artists, especially in R and B,

496
00:20:43,480 --> 00:20:44,919
Speaker 4: they get on stage and they bore you know he's

497
00:20:44,920 --> 00:20:47,040
Speaker 4: gonna get on stage and he's like, Oh, he's a musician,

498
00:20:47,359 --> 00:20:48,640
Speaker 4: you know what I'm saying. So then it's like, oh,

499
00:20:48,680 --> 00:20:50,560
Speaker 4: I didn't know he was like that, because even when

500
00:20:50,560 --> 00:20:52,520
Speaker 4: I went to go see Leon performing, I've seen Leon

501
00:20:52,600 --> 00:20:54,879
Speaker 4: running from the damn drums to the guitar to that and.

502
00:20:54,880 --> 00:20:57,199
Speaker 1: I was like, oh, I know. Leon was like, that's like,

503
00:20:57,640 --> 00:20:58,560
Speaker 1: you know what I'm saying.

504
00:20:58,359 --> 00:21:00,720
Speaker 3: So music, Yeah, definitely musician.

505
00:21:00,800 --> 00:21:02,720
Speaker 4: Yeah, So I think that that's dope for more people

506
00:21:02,760 --> 00:21:06,040
Speaker 4: to discover him, even people in his arena, not fans,

507
00:21:06,080 --> 00:21:08,040
Speaker 4: but people in his arena to be like, you know, like, oh,

508
00:21:08,040 --> 00:21:09,160
Speaker 4: I might want to work with this person.

509
00:21:09,200 --> 00:21:10,119
Speaker 1: This is a real musician.

510
00:21:10,200 --> 00:21:13,879
Speaker 3: Yeah. No. Leon definitely took that tom last night on

511
00:21:13,920 --> 00:21:16,560
Speaker 3: that stage too. If you didn't know about me and

512
00:21:16,680 --> 00:21:18,560
Speaker 3: know who I was, you know now and you know

513
00:21:18,600 --> 00:21:20,359
Speaker 3: what I'm capable of. You could just see the energy.

514
00:21:20,400 --> 00:21:23,160
Speaker 3: You can see it in his performance, like he knew

515
00:21:23,200 --> 00:21:24,920
Speaker 3: what he needed to do with that Tom slot. He

516
00:21:24,960 --> 00:21:26,840
Speaker 3: had to make a statement, He had to kind of

517
00:21:26,880 --> 00:21:30,080
Speaker 3: separate himself from anybody else and show that he is

518
00:21:30,119 --> 00:21:30,920
Speaker 3: a real musician.

519
00:21:31,359 --> 00:21:34,320
Speaker 2: And that's why I think ty Dollars Sign has been

520
00:21:34,359 --> 00:21:36,240
Speaker 2: such like I don't want to say mentor to him,

521
00:21:36,240 --> 00:21:38,119
Speaker 2: because that's for Leon to say if he's his mentor,

522
00:21:38,160 --> 00:21:39,760
Speaker 2: but he signed to Tide aleis sign.

523
00:21:40,400 --> 00:21:41,520
Speaker 3: I don't know if you guys saw any.

524
00:21:41,400 --> 00:21:43,520
Speaker 2: Of the clips of the Tide Dollars Sign jam session

525
00:21:43,720 --> 00:21:49,600
Speaker 2: that was happening over the Grammys weekend. Again, when other

526
00:21:49,640 --> 00:21:52,480
Speaker 2: people show you just see the difference Chrysler to Bentley.

527
00:21:53,600 --> 00:21:55,360
Speaker 2: He did a whole jam session that people come out.

528
00:21:55,400 --> 00:21:56,359
Speaker 3: Tye is just different.

529
00:21:57,000 --> 00:21:59,160
Speaker 2: You don't need the bells and whistles when you're that

530
00:21:59,280 --> 00:22:02,080
Speaker 2: fucking talent. Every clip I saw was like, Oh, this

531
00:22:02,160 --> 00:22:04,399
Speaker 2: is why, this is why even Kanye would do a

532
00:22:04,480 --> 00:22:05,119
Speaker 2: joint out like this.

533
00:22:05,400 --> 00:22:07,119
Speaker 3: He's the guy you don't need ship.

534
00:22:07,160 --> 00:22:11,040
Speaker 2: He had a fucking keyboard MPC and everyone was just

535
00:22:11,080 --> 00:22:13,480
Speaker 2: surrounding him and he had a two hour jam session

536
00:22:13,520 --> 00:22:14,000
Speaker 2: of his stuff.

537
00:22:14,040 --> 00:22:16,120
Speaker 3: He brought people up, like, when you're.

538
00:22:15,960 --> 00:22:18,240
Speaker 2: That good, you don't need you don't you don't need

539
00:22:18,280 --> 00:22:19,840
Speaker 2: men in black to pick you up so you can

540
00:22:19,840 --> 00:22:23,679
Speaker 2: show your one hundred percent cotton white underwear. You just

541
00:22:23,840 --> 00:22:25,040
Speaker 2: you just need to be talented.

542
00:22:25,040 --> 00:22:26,679
Speaker 3: What did you do to say? I don't know what.

543
00:22:28,040 --> 00:22:30,320
Speaker 2: No, I just saw all the clips on. People were

544
00:22:30,320 --> 00:22:32,800
Speaker 2: filming it. But it last maybe there was a last stream.

545
00:22:32,840 --> 00:22:35,240
Speaker 2: I wish I would have watched it. But I liked

546
00:22:35,720 --> 00:22:39,080
Speaker 2: Somber's performance is great. Obviously, Olivia Dean's performance is great.

547
00:22:39,440 --> 00:22:41,639
Speaker 2: H the gentleman who had the the fucked up thing

548
00:22:41,680 --> 00:22:45,040
Speaker 2: with his his earpiece, he was cool.

549
00:22:45,840 --> 00:22:48,400
Speaker 3: It was great. I think this new artist versus thing

550
00:22:48,520 --> 00:22:50,800
Speaker 3: is I like that great great. I think that was

551
00:22:50,840 --> 00:22:54,439
Speaker 3: a great addition to the show. Again, given the new

552
00:22:54,520 --> 00:22:57,520
Speaker 3: Artist stage that big to perform on because it takes

553
00:22:57,560 --> 00:22:59,960
Speaker 3: so you had to as an artist. It takes a

554
00:23:00,160 --> 00:23:01,439
Speaker 3: lot to get to that point where you have a

555
00:23:01,440 --> 00:23:03,920
Speaker 3: set on the Grammy stage to perform like you got

556
00:23:03,920 --> 00:23:07,879
Speaker 3: to go through a whole maybe five ten years before

557
00:23:07,920 --> 00:23:09,840
Speaker 3: you even get half of a look like that, before

558
00:23:09,880 --> 00:23:12,240
Speaker 3: somebody even brings you on as a guest on their

559
00:23:12,320 --> 00:23:16,679
Speaker 3: set for a Grammy performer. So this new segment that

560
00:23:16,720 --> 00:23:20,000
Speaker 3: they implemented to this this year's Grammys, I think that

561
00:23:20,000 --> 00:23:24,080
Speaker 3: that was a great addition. Yeah, now in some non

562
00:23:24,119 --> 00:23:26,240
Speaker 3: hat and shit, I want to speak we just be

563
00:23:26,320 --> 00:23:28,040
Speaker 3: done with the hate. Now I want to speak to

564
00:23:28,760 --> 00:23:30,399
Speaker 3: I have some more hate, but I want to speak

565
00:23:30,400 --> 00:23:34,480
Speaker 3: to the haters. Y'all don't deserve Justin Bieber.

566
00:23:36,400 --> 00:23:40,040
Speaker 2: Here you go, y'all, do not deserve the fucking got

567
00:23:40,200 --> 00:23:43,800
Speaker 2: the nerve of y'all, the fucking nerve of y'all to

568
00:23:43,800 --> 00:23:47,119
Speaker 2: say anything about the god Justin Bieber and his performance.

569
00:23:47,160 --> 00:23:52,680
Speaker 2: That performance was incredible. The fucking nerve we be saying

570
00:23:52,680 --> 00:23:55,000
Speaker 2: about this retire We don't bro we do not. We

571
00:23:55,040 --> 00:23:57,760
Speaker 2: take you for granted, Justin Bieber, which camera, Justin Bieber,

572
00:23:57,840 --> 00:24:00,399
Speaker 2: we take you for granted. I'm so sorry as a

573
00:24:00,480 --> 00:24:04,240
Speaker 2: music consumer that me and my fellows we take you

574
00:24:04,359 --> 00:24:07,240
Speaker 2: for They was hating all all through. X said it

575
00:24:07,280 --> 00:24:09,480
Speaker 2: was the worst performance. He went nuts on that ship.

576
00:24:09,560 --> 00:24:12,200
Speaker 4: Nobody said it was the worst performance. They said, why

577
00:24:12,200 --> 00:24:12,880
Speaker 4: are you in your.

578
00:24:13,480 --> 00:24:15,000
Speaker 2: I was even when I was putting together the list

579
00:24:15,000 --> 00:24:18,400
Speaker 2: today they said the number one worst moment was Justin

580
00:24:18,400 --> 00:24:20,919
Speaker 2: Bieber in his draws and socks. He walked off the

581
00:24:20,920 --> 00:24:23,800
Speaker 2: stages and came back. Bro, y'all, we don't deserve you.

582
00:24:23,920 --> 00:24:24,160
Speaker 3: Justin.

583
00:24:24,240 --> 00:24:27,680
Speaker 2: I'm sorry. I'm apologizing for the world. We don't think

584
00:24:27,720 --> 00:24:28,320
Speaker 2: he should.

585
00:24:28,040 --> 00:24:28,639
Speaker 3: Have been dressed.

586
00:24:29,280 --> 00:24:30,359
Speaker 2: I think he'd been dressed.

587
00:24:31,000 --> 00:24:33,240
Speaker 3: I think he sounded great. Love the records, love the songs.

588
00:24:33,680 --> 00:24:36,320
Speaker 3: But you know, it's like, Bro, this is the grams

589
00:24:36,320 --> 00:24:38,440
Speaker 3: you could have put what statement? Was Justin trying to

590
00:24:38,480 --> 00:24:41,160
Speaker 3: get us with the boxes and just the boxers, Like.

591
00:24:41,280 --> 00:24:43,480
Speaker 4: He said, with the with the boxes and it's it

592
00:24:43,560 --> 00:24:45,679
Speaker 4: was a box down version of you ansome.

593
00:24:45,840 --> 00:24:49,119
Speaker 3: He stripped himself down. You didn't see the genius in it.

594
00:24:49,520 --> 00:24:52,840
Speaker 3: My bad, Justin, I my bad. Okay, now now that

595
00:24:53,400 --> 00:24:54,960
Speaker 3: now that I present it like that he was. He

596
00:24:55,040 --> 00:24:56,320
Speaker 3: was on part. He knew what he was doing.

597
00:24:56,680 --> 00:25:00,439
Speaker 2: I'm not even trying to do a hot taker statement.

598
00:25:00,480 --> 00:25:03,040
Speaker 2: I actually really, like, really do believe this. I think

599
00:25:03,080 --> 00:25:07,359
Speaker 2: because Justin Bieber has been famous his entire life, and

600
00:25:07,400 --> 00:25:10,399
Speaker 2: we're so used to Justin Bieber, I really think that

601
00:25:10,560 --> 00:25:13,560
Speaker 2: Justin Bieber is underrated and does not get the actual

602
00:25:13,600 --> 00:25:14,600
Speaker 2: credit he really deserves.

603
00:25:14,680 --> 00:25:18,560
Speaker 3: I think we're so used to Justin. Justin Bieber is

604
00:25:18,560 --> 00:25:20,560
Speaker 3: not underrated. It was wrong with you I think.

605
00:25:20,400 --> 00:25:24,560
Speaker 4: He's trying to balance close a last night it's O Dan,

606
00:25:25,160 --> 00:25:26,439
Speaker 4: Justin Bieber's underrated.

607
00:25:26,560 --> 00:25:29,320
Speaker 2: We're so used to Justin that it's just like this

608
00:25:29,400 --> 00:25:32,280
Speaker 2: greatness just happens all the time. Anytime people are talking

609
00:25:32,320 --> 00:25:36,960
Speaker 2: about pop stars as far as album desography, singles, performance,

610
00:25:37,200 --> 00:25:41,240
Speaker 2: actual real fucking talent of somebody producing their own fucking album,

611
00:25:41,600 --> 00:25:43,600
Speaker 2: no one brings up Justin When we have those pop

612
00:25:43,600 --> 00:25:47,360
Speaker 2: star conversations. Everyone just leaves Justin because we're so used

613
00:25:47,359 --> 00:25:47,640
Speaker 2: to him.

614
00:25:47,680 --> 00:25:49,760
Speaker 1: Who did they bring up Roy?

615
00:25:50,000 --> 00:25:50,920
Speaker 3: Uh?

616
00:25:51,160 --> 00:25:55,040
Speaker 2: I mean the regulars from Michael, Chris, Beyonce, Usher, everything,

617
00:25:56,440 --> 00:25:56,800
Speaker 2: get him?

618
00:25:56,920 --> 00:25:57,080
Speaker 3: Yeah?

619
00:25:57,119 --> 00:25:57,239
Speaker 4: Him?

620
00:25:57,400 --> 00:26:00,000
Speaker 3: Okay, so yeah those are the those are the odd comes.

621
00:26:00,720 --> 00:26:03,200
Speaker 3: But Justin is He's in that conversation we talk about this.

622
00:26:03,119 --> 00:26:06,440
Speaker 2: Take out the dancing part, and yeah, of course he

623
00:26:06,480 --> 00:26:10,320
Speaker 2: shouldn't be in those conversations. But when we talk about Adele,

624
00:26:10,720 --> 00:26:14,800
Speaker 2: just straight up pop stars that are incredible, Justin should

625
00:26:14,800 --> 00:26:17,359
Speaker 2: be brought up without a fucking thought, And he's not

626
00:26:17,400 --> 00:26:18,639
Speaker 2: brought up in those conversations.

627
00:26:19,560 --> 00:26:21,119
Speaker 3: But I think the conversations you talked about them.

628
00:26:21,160 --> 00:26:22,240
Speaker 2: Have you listened to Swag?

629
00:26:22,320 --> 00:26:26,000
Speaker 3: It's flawless, great album. But I'm just saying, I mean,

630
00:26:26,440 --> 00:26:28,320
Speaker 3: I don't think just Justin Bieber was not under It's

631
00:26:28,320 --> 00:26:29,639
Speaker 3: not underrated. He's not under it.

632
00:26:29,720 --> 00:26:32,840
Speaker 2: Anytime you have anytime we even have pop star conversations

633
00:26:32,880 --> 00:26:37,280
Speaker 2: on this podcast outside of dancing, no one runs immediately

634
00:26:37,320 --> 00:26:39,040
Speaker 2: to Justin the way we do with every other name.

635
00:26:39,119 --> 00:26:41,719
Speaker 4: Okay, so well, let's also let's let's tone it down

636
00:26:41,720 --> 00:26:45,520
Speaker 4: a little bit. When your swag came out, everybody thought

637
00:26:45,600 --> 00:26:49,040
Speaker 4: Justin like had set his career out, sent it out

638
00:26:49,080 --> 00:26:51,399
Speaker 4: to pasture like y'all, you were not. You were not

639
00:26:51,520 --> 00:26:55,080
Speaker 4: on this Justin Bieber wave outside of journals, outside of journal's.

640
00:26:55,320 --> 00:26:57,440
Speaker 4: You were not on this Justin Bieber wave until swag

641
00:26:57,520 --> 00:26:59,080
Speaker 4: came out. You weren't even mentioning his name.

642
00:26:59,800 --> 00:27:03,920
Speaker 3: You excuse me? Okay, now I will say when on

643
00:27:03,960 --> 00:27:06,560
Speaker 3: that uh that that that Diddy album, that Love album,

644
00:27:06,840 --> 00:27:08,119
Speaker 3: that's that Justin record.

645
00:27:08,119 --> 00:27:10,080
Speaker 4: We did come here, We didn't talk about that for sure,

646
00:27:10,080 --> 00:27:12,399
Speaker 4: But I'm talking about Justin solo himself. You were not

647
00:27:12,480 --> 00:27:16,080
Speaker 4: checking for Justin outside of journals. You were not checking

648
00:27:16,080 --> 00:27:16,760
Speaker 4: for Justin before.

649
00:27:16,800 --> 00:27:19,639
Speaker 2: Do you know how much I brought up purpose the

650
00:27:19,680 --> 00:27:21,719
Speaker 2: album after journals changes.

651
00:27:22,560 --> 00:27:22,919
Speaker 1: Okay?

652
00:27:23,240 --> 00:27:24,960
Speaker 4: You know we record all this ship, yeah, we do.

653
00:27:25,160 --> 00:27:27,080
Speaker 4: But you just said that we don't have those conversations.

654
00:27:27,320 --> 00:27:28,959
Speaker 4: You're included in that.

655
00:27:28,960 --> 00:27:29,800
Speaker 3: That's your Chris Brown.

656
00:27:31,720 --> 00:27:33,200
Speaker 1: Like like while we having a cover, you know what

657
00:27:33,200 --> 00:27:34,359
Speaker 1: I'm saying, like he tripping.

658
00:27:34,520 --> 00:27:40,920
Speaker 2: That's this is why commentors people on the internet real,

659
00:27:41,680 --> 00:27:42,879
Speaker 2: you have to tell me what I'm tripping on.

660
00:27:43,880 --> 00:27:45,280
Speaker 3: C B. That's what j B.

661
00:27:45,640 --> 00:27:50,720
Speaker 4: C B funniest fuck. Justin Bieber is extremely talented. I'm

662
00:27:50,720 --> 00:27:51,760
Speaker 4: not taking anything away from him.

663
00:27:52,320 --> 00:27:54,520
Speaker 3: N he just should have put some Janes on that.

664
00:27:56,280 --> 00:27:59,320
Speaker 1: He's not underrated, but c B.

665
00:27:59,560 --> 00:28:02,760
Speaker 2: I think Chris Brown gets his flowers the moment we

666
00:28:02,800 --> 00:28:05,040
Speaker 2: have those debates. Sometimes, I even think Chris Brown is underrated,

667
00:28:05,040 --> 00:28:07,240
Speaker 2: which we talked about as far as FOP stars going.

668
00:28:09,040 --> 00:28:13,840
Speaker 3: Chris Branny underrated, He underrated to.

669
00:28:13,800 --> 00:28:18,040
Speaker 2: Mike Okay cool because because demeris and myself included sometimes

670
00:28:18,080 --> 00:28:22,840
Speaker 2: with his discography compared to other legends, his his peers,

671
00:28:23,440 --> 00:28:25,760
Speaker 2: Chris Brown is a legend, but compared to his peers,

672
00:28:26,440 --> 00:28:29,560
Speaker 2: people debate his disography is not there. It's more of singles.

673
00:28:29,600 --> 00:28:32,399
Speaker 2: It's more of that. On top of that, everything that

674
00:28:32,480 --> 00:28:35,840
Speaker 2: happened with his personal life and the Rihanna thing put

675
00:28:35,840 --> 00:28:38,040
Speaker 2: a stain on everything, which also takes away from it.

676
00:28:38,320 --> 00:28:39,040
Speaker 3: That's what I'm saying.

677
00:28:39,160 --> 00:28:42,160
Speaker 2: I think CB doesn't get his flowers the way maybe

678
00:28:42,200 --> 00:28:45,440
Speaker 2: he would had. Obviously that not happened, and maybe the

679
00:28:45,480 --> 00:28:47,880
Speaker 2: desogphy looked different. Justin never gets brought.

680
00:28:47,720 --> 00:28:50,960
Speaker 3: Up Africa gave Hims flowers for show? What was he

681
00:28:51,160 --> 00:28:51,560
Speaker 3: Joe Berg?

682
00:28:51,800 --> 00:28:54,600
Speaker 2: Where I was at MetLife throwing flowers at him? No,

683
00:28:54,720 --> 00:28:58,160
Speaker 2: I'm with you, but I'm just saying Beeves is never

684
00:28:58,200 --> 00:29:01,200
Speaker 2: brought up in those conversations. I think I think we

685
00:29:01,240 --> 00:29:03,120
Speaker 2: take them for granted. I think we take Justin Bieber

686
00:29:03,160 --> 00:29:03,520
Speaker 2: for granted.

687
00:29:03,560 --> 00:29:05,479
Speaker 4: White people don't take Justin Bieber for granted. So let

688
00:29:05,480 --> 00:29:07,320
Speaker 4: me let me clear this up. We're talking about maybe

689
00:29:07,360 --> 00:29:08,760
Speaker 4: pop stars. Okay, okay, of.

690
00:29:08,760 --> 00:29:10,960
Speaker 2: Course they'll sell out. I'm not saying, like, yo, Justin

691
00:29:10,960 --> 00:29:11,720
Speaker 2: should go do will be.

692
00:29:11,840 --> 00:29:14,680
Speaker 4: But you're saying in these conversations, and I think you're

693
00:29:14,720 --> 00:29:17,800
Speaker 4: referring to conversations that black people are having. White people

694
00:29:17,840 --> 00:29:20,479
Speaker 4: who discuss pop stars are never leaving Justin Bieber out

695
00:29:20,520 --> 00:29:22,960
Speaker 4: of a conversation. Do you understand that? So when you

696
00:29:23,000 --> 00:29:24,840
Speaker 4: say we you must meet us in his room, because

697
00:29:24,840 --> 00:29:28,280
Speaker 4: that's not like talking m okay, So when you underrated,

698
00:29:28,520 --> 00:29:30,640
Speaker 4: say but in this room, like not outside of.

699
00:29:30,560 --> 00:29:34,600
Speaker 2: This room, mas, what hipster barbershop? Are white people having

700
00:29:34,840 --> 00:29:40,120
Speaker 2: pop star debates? You're saying that the white pef, not Justin,

701
00:29:40,160 --> 00:29:42,880
Speaker 2: gets his flowers. Where are white people debating pop stars?

702
00:29:43,280 --> 00:29:44,160
Speaker 2: I'd like to go to that.

703
00:29:44,160 --> 00:29:46,480
Speaker 1: Room, white people, white people, Me and.

704
00:29:46,440 --> 00:29:49,120
Speaker 2: Jeremy The only one is talking about it.

705
00:29:49,400 --> 00:29:52,200
Speaker 4: White people talk about pop and Justin Bieber is not.

706
00:29:52,440 --> 00:29:54,440
Speaker 4: He's not underrated. But that's your opinion. If you want

707
00:29:54,440 --> 00:29:57,520
Speaker 4: to just say not underrated, just say you like him,

708
00:29:57,520 --> 00:29:59,720
Speaker 4: and so you do that like sometimes just say you.

709
00:29:59,680 --> 00:30:01,600
Speaker 1: Really like you got to say he underrated.

710
00:30:01,920 --> 00:30:07,440
Speaker 2: H swag one into our amazing They're amazing, amazing is amazing.

711
00:30:07,640 --> 00:30:11,080
Speaker 3: Last night, Rory wouldn't even be saying this. All he

712
00:30:11,120 --> 00:30:15,600
Speaker 3: had to do is put on some denims. That's old beamer,

713
00:30:15,680 --> 00:30:16,840
Speaker 3: what's some pants.

714
00:30:17,240 --> 00:30:19,239
Speaker 2: I wouldn't be on this ramp right now if I

715
00:30:19,320 --> 00:30:25,400
Speaker 2: didn't see the overall response to that of saying it

716
00:30:25,440 --> 00:30:28,680
Speaker 2: was an awful performance, which to me is insane, Like

717
00:30:29,240 --> 00:30:30,400
Speaker 2: find somebody that could do that?

718
00:30:30,400 --> 00:30:31,960
Speaker 3: Are they saying vocally he didn't sound good?

719
00:30:32,000 --> 00:30:34,520
Speaker 2: They just said it was an awful, awkward performance. I

720
00:30:34,560 --> 00:30:37,760
Speaker 2: was like being or you were you listening to how

721
00:30:37,800 --> 00:30:38,800
Speaker 2: he being on stage and.

722
00:30:38,840 --> 00:30:41,840
Speaker 3: The Grammys in your underwear is awkward. Yeah, maybe that's

723
00:30:41,840 --> 00:30:45,680
Speaker 3: what they were as as opposed as opposed to what

724
00:30:48,240 --> 00:30:49,240
Speaker 3: jeans pants?

725
00:30:50,720 --> 00:30:50,960
Speaker 2: Uh?

726
00:30:51,360 --> 00:30:55,120
Speaker 4: Fucking uh? What's the chick that's saying? Girl, who got

727
00:30:55,120 --> 00:30:56,920
Speaker 4: your titties out? What are we talking about? He keeps saying,

728
00:30:56,960 --> 00:31:03,600
Speaker 4: girls chaperone is she? They had our old titties out?

729
00:31:04,520 --> 00:31:08,959
Speaker 4: Justin can't sit there and socks and is underwear, you know,

730
00:31:09,080 --> 00:31:10,520
Speaker 4: I just I'd rather I thought it was free the.

731
00:31:10,600 --> 00:31:13,720
Speaker 3: Nipple always, but yeah, but not Beabs nipples though nobody

732
00:31:13,760 --> 00:31:17,760
Speaker 3: want to. Some people want to see bes chaplains nipples. Yes, Beabs.

733
00:31:17,840 --> 00:31:20,600
Speaker 3: Put the fucking shirt on, bro, that's just me though.

734
00:31:20,680 --> 00:31:24,600
Speaker 3: It's just me. And speaking of outfits, I'll stop my

735
00:31:24,640 --> 00:31:26,000
Speaker 3: rint in a second so we can get to more

736
00:31:26,000 --> 00:31:26,560
Speaker 3: fun stuff.

737
00:31:27,400 --> 00:31:29,760
Speaker 2: I've noticed that I am the old parent at this point.

738
00:31:30,000 --> 00:31:32,080
Speaker 2: Anytime people used to be like, Yo, get this devil

739
00:31:32,120 --> 00:31:35,640
Speaker 2: Illuminati shit off our Grammy stages, I've been like, oh,

740
00:31:35,640 --> 00:31:36,280
Speaker 2: that's art.

741
00:31:36,160 --> 00:31:38,400
Speaker 3: Y'all just don't understand it. I turned into that person

742
00:31:38,440 --> 00:31:38,840
Speaker 3: last night.

743
00:31:39,360 --> 00:31:41,520
Speaker 1: He was hating Lady got got so fucking bad.

744
00:31:41,760 --> 00:31:43,800
Speaker 2: Was that that wasn't lady guy who had all the red.

745
00:31:43,640 --> 00:31:44,520
Speaker 1: And all the guy guy.

746
00:31:44,720 --> 00:31:46,640
Speaker 3: Yeah, man, I'm mart don't need to see this devil shit.

747
00:31:46,840 --> 00:31:53,080
Speaker 3: Just not look at the parent coming out of him.

748
00:31:53,280 --> 00:31:56,400
Speaker 2: I'm becoming the person that I used to clown so

749
00:31:56,480 --> 00:31:58,160
Speaker 2: much like Broy. Y'all don't understand art. You have to

750
00:31:58,160 --> 00:32:00,640
Speaker 2: push the limits. But sit there like this isiculous? Can

751
00:32:00,680 --> 00:32:02,000
Speaker 2: we get Jesus back in the shop?

752
00:32:02,160 --> 00:32:08,880
Speaker 4: But I know you're gay right because about plain about

753
00:32:08,920 --> 00:32:11,720
Speaker 4: Lady God got wearing red but you and having like

754
00:32:11,760 --> 00:32:15,240
Speaker 4: a mask on. But you're not mad at like with

755
00:32:15,360 --> 00:32:18,520
Speaker 4: his fucking draws. It's cool for that's how dad dresses

756
00:32:18,520 --> 00:32:18,840
Speaker 4: at home.

757
00:32:19,880 --> 00:32:25,880
Speaker 1: Yeah, white and draws. You're right, none new nah.

758
00:32:25,920 --> 00:32:28,000
Speaker 2: But was it the Grammys last year where they did

759
00:32:28,000 --> 00:32:31,640
Speaker 2: that really weird like last supper thing. I used to

760
00:32:31,640 --> 00:32:33,680
Speaker 2: defend a lot of the Like was that for the

761
00:32:33,720 --> 00:32:36,600
Speaker 2: Demonic Jay? The Jay record, the calib record? No, no, no, no,

762
00:32:37,240 --> 00:32:40,360
Speaker 2: that closed? It was the beginning? Oh I can't remember

763
00:32:40,360 --> 00:32:43,960
Speaker 2: that it was it was the Olympics. Yeah, I used

764
00:32:43,960 --> 00:32:47,120
Speaker 2: to like really defend that stuff. It's getting to a

765
00:32:47,160 --> 00:32:49,440
Speaker 2: point that it's it's hard to defend. Just like this

766
00:32:49,560 --> 00:32:51,880
Speaker 2: is you got to see the artist. This is so obvious.

767
00:32:51,920 --> 00:32:53,600
Speaker 3: You have to see the artistry and everything. You gotta

768
00:32:53,640 --> 00:32:53,920
Speaker 3: see it.

769
00:32:53,920 --> 00:32:56,440
Speaker 2: And this isn't like some right wing Jesus, but.

770
00:32:56,960 --> 00:32:57,760
Speaker 3: It's just obvious.

771
00:32:59,520 --> 00:33:01,600
Speaker 1: You got got career has always the whole time.

772
00:33:01,640 --> 00:33:04,760
Speaker 2: She had the fucking uh what Wilson looked like and

773
00:33:05,080 --> 00:33:07,960
Speaker 2: castaway mask, like, she's been like that.

774
00:33:08,520 --> 00:33:10,560
Speaker 3: You're not even ready for that, love God, but she's

775
00:33:10,560 --> 00:33:14,080
Speaker 3: just trying to bounce back from that Joker too. Movieof

776
00:33:14,280 --> 00:33:14,880
Speaker 3: that was rough.

777
00:33:15,200 --> 00:33:15,720
Speaker 1: I mean.

778
00:33:17,280 --> 00:33:19,120
Speaker 3: That Joker what was the name of that with Peas?

779
00:33:19,200 --> 00:33:19,800
Speaker 3: That was rough?

780
00:33:20,040 --> 00:33:23,480
Speaker 2: It was fucking it was really bad. Yeah, Joker the

781
00:33:23,520 --> 00:33:26,600
Speaker 2: musicals really what it was. But de Marius we were

782
00:33:26,640 --> 00:33:29,960
Speaker 2: even saying, we were texting back and forth during the Grammys.

783
00:33:30,760 --> 00:33:33,120
Speaker 2: I don't know if if go God gets some of

784
00:33:33,120 --> 00:33:34,280
Speaker 2: the respects she deserves.

785
00:33:35,120 --> 00:33:37,120
Speaker 4: She gets it from the Grammys for sure, but Got

786
00:33:37,160 --> 00:33:39,520
Speaker 4: Guy has Like I texted Rory, and I say, Gody

787
00:33:39,600 --> 00:33:42,200
Speaker 4: been eating the pop girls up for like twenty years.

788
00:33:41,960 --> 00:33:43,920
Speaker 2: I said, I said, go Got is who everyone thinks

789
00:33:43,960 --> 00:33:47,520
Speaker 2: Taylor Swift is not by numbers.

790
00:33:47,400 --> 00:33:49,080
Speaker 1: Well, who do people think Taylor talent is?

791
00:33:50,280 --> 00:33:55,240
Speaker 2: Who's the great white hope with talent with the girlies? Yeah,

792
00:33:55,520 --> 00:33:57,000
Speaker 2: God Guy is who everyone thinks Taylor is.

793
00:33:57,880 --> 00:33:59,560
Speaker 3: Got tailor. I think Taylor is Taylor.

794
00:34:00,240 --> 00:34:01,160
Speaker 1: That guy eats bad.

795
00:34:01,280 --> 00:34:03,360
Speaker 3: Bro. Gagays is a different level of talent.

796
00:34:03,680 --> 00:34:06,160
Speaker 2: Oh no talent, Oh no, Lady Gaga and Taylor Swift

797
00:34:06,160 --> 00:34:06,480
Speaker 2: is talent.

798
00:34:06,600 --> 00:34:08,920
Speaker 3: I want to make that. Yeah, I don't want to smoke. No,

799
00:34:09,000 --> 00:34:14,120
Speaker 3: But Lady Gagays she's you know that. We've to Damaris's point.

800
00:34:14,160 --> 00:34:18,520
Speaker 3: For years, Lady Gaga has been killing any and everybody

801
00:34:18,520 --> 00:34:21,840
Speaker 3: in her category like she's she's Gaga. When they just

802
00:34:21,880 --> 00:34:25,760
Speaker 3: call you gagahm, that's when you know, like the lady

803
00:34:25,840 --> 00:34:28,280
Speaker 3: is gone. It's Gaga, Lady Gaga.

804
00:34:28,360 --> 00:34:35,480
Speaker 2: Yeah, h no, Maul, that appears to be the iPhone sixteen.

805
00:34:35,760 --> 00:34:38,840
Speaker 3: It is. That's nasty, man, it is. Come on, do

806
00:34:38,840 --> 00:34:40,080
Speaker 3: you love yourself? I do.

807
00:34:40,680 --> 00:34:42,399
Speaker 2: If you loved yourself, you would get the all new

808
00:34:42,440 --> 00:34:46,160
Speaker 2: iPhone seventeen Pro with Boost Mobile, the most powerful iPhone

809
00:34:46,160 --> 00:34:48,880
Speaker 2: of all time. And even if you're about to say,

810
00:34:49,000 --> 00:34:51,360
Speaker 2: what about traffic or trying to go to the store

811
00:34:51,400 --> 00:34:53,840
Speaker 2: and transfer the data, that's probably what that's why you

812
00:34:53,880 --> 00:34:57,120
Speaker 2: got this this nasteen, that's nasty. Exactly, get your sweet

813
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Speaker 2: sixteen out of here, traffic. But I have good news.

814
00:35:01,760 --> 00:35:04,439
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815
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816
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817
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818
00:35:13,280 --> 00:35:16,040
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819
00:35:16,040 --> 00:35:19,320
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820
00:35:25,239 --> 00:35:26,319
Speaker 3: All right, get your hate off?

821
00:35:26,320 --> 00:35:26,520
Speaker 4: Now?

822
00:35:28,360 --> 00:35:29,719
Speaker 1: What hate? What do you want?

823
00:35:30,320 --> 00:35:33,920
Speaker 3: All right, it's gonna be the Rory hatecast. I mean,

824
00:35:33,960 --> 00:35:36,360
Speaker 3: I'm here, I'm sitting next to you, dragging it as always.

825
00:35:37,000 --> 00:35:37,839
Speaker 1: Do you hate?

826
00:35:37,880 --> 00:35:39,399
Speaker 3: Go ahead? What's next?

827
00:35:39,440 --> 00:35:41,279
Speaker 2: They're gonna think I have a personal vendetta and that's

828
00:35:41,280 --> 00:35:42,680
Speaker 2: what they do to them on and I feel them

829
00:35:42,680 --> 00:35:45,000
Speaker 2: now because I don't have no issues. Well my hate,

830
00:35:45,040 --> 00:35:46,799
Speaker 2: let me get it ivens and I can't wait for

831
00:35:46,800 --> 00:35:47,080
Speaker 2: a hour.

832
00:35:48,760 --> 00:35:49,719
Speaker 1: Let me get my head off her.

833
00:35:49,920 --> 00:35:50,479
Speaker 3: I love.

834
00:35:50,840 --> 00:35:52,280
Speaker 1: This is toward the Grammys.

835
00:35:53,280 --> 00:35:54,759
Speaker 2: I hardly got eight hours of sleep because of that

836
00:35:54,760 --> 00:35:55,480
Speaker 2: Bruno performance.

837
00:35:55,480 --> 00:35:58,120
Speaker 4: Go ahead, not not. We're gonna get to ry Hayten

838
00:35:58,120 --> 00:36:01,520
Speaker 4: on Bruno again. It's such an old topic now, not

839
00:36:02,320 --> 00:36:06,440
Speaker 4: televising the R and B fucking Awards and then not

840
00:36:06,719 --> 00:36:10,560
Speaker 4: having kay Lonnie perform folded great, that's where well, that's

841
00:36:10,640 --> 00:36:11,600
Speaker 4: fucking insane.

842
00:36:11,960 --> 00:36:14,720
Speaker 3: Yeah, that's definitely thought we was gonna get a folded performance.

843
00:36:14,760 --> 00:36:16,040
Speaker 1: That's in insane.

844
00:36:16,920 --> 00:36:18,640
Speaker 2: Let's give the Grammy some great I feel like that

845
00:36:18,760 --> 00:36:21,600
Speaker 2: was a huge conversation and based off the hours that

846
00:36:21,640 --> 00:36:25,000
Speaker 2: they had, that was probably the last thing that got cut.

847
00:36:25,520 --> 00:36:27,960
Speaker 3: There's no way they didn't think about that. You can't

848
00:36:28,000 --> 00:36:32,840
Speaker 3: cut kay Lonnie folded, how you cut that? I disagree

849
00:36:32,880 --> 00:36:40,680
Speaker 3: with the new artist versus.

850
00:36:39,000 --> 00:36:41,279
Speaker 2: Yeah, he brings up a point.

851
00:36:41,640 --> 00:36:44,040
Speaker 3: We love the new artists versus thing, but that just

852
00:36:44,080 --> 00:36:47,480
Speaker 3: took a whole slot that could have been broken up

853
00:36:47,480 --> 00:36:50,000
Speaker 3: into probably two or three different performances from other artists.

854
00:36:50,400 --> 00:36:52,880
Speaker 3: I get it, but I do as much as I

855
00:36:52,880 --> 00:36:55,799
Speaker 3: love legacy stuff. I like the new artists, get that.

856
00:36:56,160 --> 00:36:58,120
Speaker 3: I'm not mad at that slot being there. I'm not

857
00:36:58,160 --> 00:36:59,719
Speaker 3: mad at it, but maybe it does need to be

858
00:36:59,760 --> 00:37:02,239
Speaker 3: made three of the new artists four.

859
00:37:02,520 --> 00:37:04,680
Speaker 2: But then it's weird because if you get nominated, like

860
00:37:05,480 --> 00:37:08,000
Speaker 2: and it was because Olivia Dean went last, right, and

861
00:37:08,040 --> 00:37:12,360
Speaker 2: then she won, Like that'd be awkward if like just

862
00:37:12,400 --> 00:37:13,000
Speaker 2: current lyon.

863
00:37:13,960 --> 00:37:16,640
Speaker 3: Get that. Now we know what we're talking.

864
00:37:16,719 --> 00:37:19,400
Speaker 2: But my thing is with this great concept, almost to

865
00:37:19,400 --> 00:37:23,640
Speaker 2: Paes point as well, what if what if next year

866
00:37:23,719 --> 00:37:25,240
Speaker 2: the new artist category.

867
00:37:25,280 --> 00:37:28,400
Speaker 3: Isn't isn't John Blaze like that? And they just forced

868
00:37:28,480 --> 00:37:33,359
Speaker 3: us to watch or Rory. What if it came down

869
00:37:33,400 --> 00:37:35,400
Speaker 3: to Bebe or Kaylannie.

870
00:37:35,800 --> 00:37:37,719
Speaker 4: B I mean Kaylanie, but we're not going to do

871
00:37:37,719 --> 00:37:39,719
Speaker 4: that because Bebe is the bigger name. But Kaylan I

872
00:37:39,760 --> 00:37:41,680
Speaker 4: would rather see kay Lonnie folded.

873
00:37:42,080 --> 00:37:44,520
Speaker 1: Yeah, kay Lonnie deserved that spot, but in.

874
00:37:44,480 --> 00:37:45,640
Speaker 2: The same outfit that Bee was.

875
00:37:46,239 --> 00:37:51,239
Speaker 3: I'm not bad. I'm sorry that faction some skims I

876
00:37:51,239 --> 00:37:55,080
Speaker 3: could do. Would you be mad? If K were, I

877
00:37:55,080 --> 00:37:56,799
Speaker 3: would still be watching. It would still be like, God,

878
00:37:56,880 --> 00:37:59,080
Speaker 3: damn whe is his goal and.

879
00:37:59,120 --> 00:38:04,120
Speaker 4: Shout out to Kayline for her rent win for best.

880
00:38:03,920 --> 00:38:06,759
Speaker 3: And our brother. I mean what we surprised? That was

881
00:38:06,800 --> 00:38:11,239
Speaker 3: like shout out to Dixon our guys Folded winning. But

882
00:38:11,360 --> 00:38:12,960
Speaker 3: were we surprised? I mean we knew that kaylin he

883
00:38:13,080 --> 00:38:14,480
Speaker 3: was gonna We knew that.

884
00:38:15,080 --> 00:38:16,760
Speaker 4: No, there was a part of me that was afraid,

885
00:38:16,800 --> 00:38:18,640
Speaker 4: Like when we talked about our predictions. I was afraid

886
00:38:18,640 --> 00:38:22,080
Speaker 4: that Leon was going to take it from her, but

887
00:38:22,160 --> 00:38:24,040
Speaker 4: she deserved it, But I was afraid that Leon was

888
00:38:24,040 --> 00:38:24,759
Speaker 4: gonna take it from her.

889
00:38:25,400 --> 00:38:29,359
Speaker 3: Wait because Folded was up against Mutt No nah h Yes,

890
00:38:29,360 --> 00:38:30,640
Speaker 3: it is was not.

891
00:38:30,880 --> 00:38:31,279
Speaker 1: Yes it is.

892
00:38:31,280 --> 00:38:31,680
Speaker 3: I'm sorry.

893
00:38:31,719 --> 00:38:38,319
Speaker 4: Yes, that's my ship too.

894
00:38:35,200 --> 00:38:37,759
Speaker 3: That's what this said.

895
00:38:37,760 --> 00:38:44,800
Speaker 2: This sounds like it's fucking Thomas. You know the album,

896
00:38:44,840 --> 00:38:46,920
Speaker 2: what the song all its nominated. Then you go to

897
00:38:47,000 --> 00:38:49,520
Speaker 2: Best Traditional R and B Performance, it's Vibes Don't Lie

898
00:38:49,600 --> 00:38:51,960
Speaker 2: Leon Thomas Best R and B Songs, Yes it is.

899
00:38:52,719 --> 00:38:54,480
Speaker 2: That's kind of unheard of that you would have that

900
00:38:54,600 --> 00:38:58,880
Speaker 2: many different records and that mut album is. Usually somebody

901
00:38:58,920 --> 00:39:03,120
Speaker 2: has one record, one album that cleans everything up. You

902
00:39:03,200 --> 00:39:04,839
Speaker 2: got B sides that's on Best R and.

903
00:39:04,800 --> 00:39:08,160
Speaker 3: B like Leon a True once you get R and

904
00:39:08,160 --> 00:39:11,160
Speaker 3: B Album of the Year, Yeah, oh that other one.

905
00:39:11,320 --> 00:39:12,840
Speaker 2: Usually find one.

906
00:39:12,719 --> 00:39:14,640
Speaker 3: Song that means all My ship was fire.

907
00:39:14,760 --> 00:39:16,200
Speaker 4: I feel like I feel like they got it right,

908
00:39:16,239 --> 00:39:17,279
Speaker 4: like with the R and B.

909
00:39:17,800 --> 00:39:18,640
Speaker 1: I don't know who they.

910
00:39:18,560 --> 00:39:20,680
Speaker 4: Got in the voting category, I mean in the voting

911
00:39:20,760 --> 00:39:23,760
Speaker 4: back beer backstage now, but they got that right, Jam,

912
00:39:23,800 --> 00:39:29,200
Speaker 4: they did that right, and the Secret Boys and that

913
00:39:29,040 --> 00:39:29,760
Speaker 4: to that, I'm sorry.

914
00:39:30,200 --> 00:39:32,480
Speaker 2: I do think that they they nailed R and B

915
00:39:32,920 --> 00:39:38,279
Speaker 2: RB Performance folded, Best Traditional Vibes Don't Lie, Best RB

916
00:39:38,360 --> 00:39:41,439
Speaker 2: Song Folded, Best Progressive R and B Album, bloom uh

917
00:39:42,239 --> 00:39:44,759
Speaker 2: Daran Bernard. After we had our end of the year,

918
00:39:45,040 --> 00:39:46,600
Speaker 2: like R and B list, did you guys ever go

919
00:39:46,680 --> 00:39:48,040
Speaker 2: back to listen to my list?

920
00:39:48,040 --> 00:39:48,560
Speaker 3: I know you didn't.

921
00:39:48,600 --> 00:39:53,600
Speaker 2: I'm asking rhetorical question, Bloom Bloom is it when.

922
00:39:53,480 --> 00:39:55,319
Speaker 3: You get into your arm what you've put me onto

923
00:39:55,360 --> 00:39:57,200
Speaker 3: a lot of R and B. I'm never ignoring your

924
00:39:57,280 --> 00:39:58,759
Speaker 3: R and B list, Bro, I definitely went back and

925
00:39:58,800 --> 00:40:02,000
Speaker 3: listed that Bloom album. I'm so happy that that one.

926
00:40:02,239 --> 00:40:04,719
Speaker 2: Yeah, and when he ran on stage, like I love

927
00:40:04,800 --> 00:40:07,400
Speaker 2: to watch that whole shit of people that fucking deserve.

928
00:40:07,120 --> 00:40:08,719
Speaker 3: It, Like Duran Banar was one of those names we

929
00:40:08,760 --> 00:40:12,560
Speaker 3: should have had in our R and B. He's so draft,

930
00:40:12,719 --> 00:40:15,160
Speaker 3: He's so fucking good. Yeah, Dura Bernar, his his his

931
00:40:15,160 --> 00:40:17,799
Speaker 3: his vocal ability is just on a whole different level. Yeah,

932
00:40:18,000 --> 00:40:20,160
Speaker 3: it's almost like it's almost embarrassing to have that type

933
00:40:20,200 --> 00:40:23,200
Speaker 3: of vocal talent, Like like he's one of those people

934
00:40:23,200 --> 00:40:25,479
Speaker 3: that sing, like if you could sing, and he walks

935
00:40:25,480 --> 00:40:29,839
Speaker 3: in the room, You're like this it is nigga. Is nigga?

936
00:40:30,000 --> 00:40:33,800
Speaker 3: This nigga? Dura Berna is He's one of those dudes. Vocally,

937
00:40:33,840 --> 00:40:34,719
Speaker 3: he's on a whole different level.

938
00:40:34,840 --> 00:40:37,080
Speaker 2: It's literally when you're doing birthday karaoke and then a

939
00:40:37,200 --> 00:40:39,080
Speaker 2: train You're trying to have fun with you.

940
00:40:39,160 --> 00:40:40,680
Speaker 3: Like, we ain't even come here for all that you

941
00:40:40,719 --> 00:40:43,120
Speaker 3: coming here with this extra shit, all these pretty ass

942
00:40:43,200 --> 00:40:44,680
Speaker 3: runs you doing and ship like, come on.

943
00:40:44,800 --> 00:40:47,320
Speaker 2: Yeah it takes it takes me forty minutes of my

944
00:40:47,360 --> 00:40:49,479
Speaker 2: engineering pro tools. You just show up at.

945
00:40:49,400 --> 00:40:51,480
Speaker 3: The fuck man shout out to durand I was. I

946
00:40:51,520 --> 00:40:53,600
Speaker 3: was happy to see him when whin the Grammy do same.

947
00:40:53,960 --> 00:40:56,280
Speaker 4: So Rory is about to hate on Bruno mars performance,

948
00:40:56,320 --> 00:40:58,320
Speaker 4: and this time I'm actually not going to stop him

949
00:40:58,640 --> 00:41:03,239
Speaker 4: because you Jack, I wasn't Bruno. I'm starting to get

950
00:41:03,239 --> 00:41:06,120
Speaker 4: bored and I know I'll die about Bruno. I am

951
00:41:06,160 --> 00:41:06,960
Speaker 4: starting to get bored.

952
00:41:07,120 --> 00:41:09,520
Speaker 2: And when it comes to legends in their own right,

953
00:41:09,640 --> 00:41:13,120
Speaker 2: I only compare their work to them, nobody else. Bruno

954
00:41:13,200 --> 00:41:16,760
Speaker 2: Mars performances when it whether it be fucking doing verses

955
00:41:16,760 --> 00:41:19,800
Speaker 2: with Beyonce at the super Bowl, Bruno Mars is a great,

956
00:41:20,160 --> 00:41:25,680
Speaker 2: great performer that I felt like a very lazy, lazy

957
00:41:26,719 --> 00:41:31,920
Speaker 2: like iHeartMedia commercial like it looked like like the way

958
00:41:32,040 --> 00:41:34,640
Speaker 2: Target like sets. It was like the cars for kids

959
00:41:35,160 --> 00:41:37,839
Speaker 2: set up, like you just threw on some red shit

960
00:41:37,880 --> 00:41:40,360
Speaker 2: in the back and I don't know to me, Bruno

961
00:41:40,440 --> 00:41:43,399
Speaker 2: in an album cycle year where all of us are

962
00:41:43,440 --> 00:41:46,640
Speaker 2: focused on one of the biggest pop icons of our

963
00:41:46,680 --> 00:41:49,719
Speaker 2: generation with all the flowers. To me, I think you

964
00:41:49,800 --> 00:41:52,400
Speaker 2: give a better effort. And this is Monday morning quarterback.

965
00:41:52,400 --> 00:41:52,640
Speaker 3: Shit.

966
00:41:52,880 --> 00:41:54,600
Speaker 2: I know I sound like I hated. I just think

967
00:41:54,600 --> 00:41:56,440
Speaker 2: Bruno is so much better than that for what.

968
00:41:56,440 --> 00:41:57,719
Speaker 3: I've seen him do.

969
00:41:58,160 --> 00:42:00,799
Speaker 2: Yeah, I agree, and I think that okay to say,

970
00:42:01,040 --> 00:42:03,840
Speaker 2: as a fan of Bruno Mars that I think you

971
00:42:03,880 --> 00:42:04,759
Speaker 2: can do better than that.

972
00:42:04,840 --> 00:42:07,080
Speaker 3: Yeah, I mean, listen, we obviously this is the best

973
00:42:07,080 --> 00:42:09,160
Speaker 3: of the best on this night in music. So all

974
00:42:09,200 --> 00:42:11,319
Speaker 3: of these artists are incredible and deserved to be there.

975
00:42:12,000 --> 00:42:14,279
Speaker 3: But you know, Bruno just that performance just wasn't one

976
00:42:14,280 --> 00:42:17,080
Speaker 3: of the best times that we've seen Bruno. It happens.

977
00:42:17,320 --> 00:42:20,759
Speaker 2: Yeah, do we want to go through some of the categories?

978
00:42:20,800 --> 00:42:22,360
Speaker 2: I know we just did the R and B stuff.

979
00:42:22,920 --> 00:42:24,239
Speaker 1: We can't I mean, do you want to talk about

980
00:42:24,239 --> 00:42:25,440
Speaker 1: the tribute before we get into that.

981
00:42:25,480 --> 00:42:29,959
Speaker 2: I want to end with the tribune and and sorry

982
00:42:30,000 --> 00:42:32,279
Speaker 2: to everyone guy. Right, this is the music podcast. We

983
00:42:32,320 --> 00:42:34,160
Speaker 2: care a lot about music. We're gonna be talking about

984
00:42:34,160 --> 00:42:37,799
Speaker 2: the Grammys for a little bit here. Yeah, I will

985
00:42:37,840 --> 00:42:43,279
Speaker 2: say with rap album. Even though Jid did not win.

986
00:42:46,000 --> 00:42:50,840
Speaker 2: I really enjoyed just seeing Jid's face like on that

987
00:42:50,840 --> 00:42:53,800
Speaker 2: that stage when they said the nominees, like it's just

988
00:42:54,040 --> 00:42:56,960
Speaker 2: just knowing Jid and how long he's been working like

989
00:42:57,600 --> 00:42:59,880
Speaker 2: that ship was just cool to see. I'm sure you're

990
00:42:59,920 --> 00:43:02,040
Speaker 2: like to win as well, but that's one of those

991
00:43:02,080 --> 00:43:04,040
Speaker 2: like as a as a fan, like you feel like

992
00:43:04,080 --> 00:43:07,319
Speaker 2: you want too, like damn been watching this kid for well,

993
00:43:07,400 --> 00:43:09,239
Speaker 2: let me say, man, I'm sorry the kid. People get

994
00:43:09,280 --> 00:43:10,920
Speaker 2: offended in New York. We say kid. We don't mean

995
00:43:10,960 --> 00:43:13,600
Speaker 2: it in a bad way. I've been watching Jid for

996
00:43:14,200 --> 00:43:17,239
Speaker 2: a very very long time. It's great just to see

997
00:43:17,239 --> 00:43:20,319
Speaker 2: his face on that stage. Whether it doesn't it does

998
00:43:20,360 --> 00:43:24,600
Speaker 2: not validate you. It doesn't change anything really when it

999
00:43:24,600 --> 00:43:27,000
Speaker 2: comes to who you are as an artist. But it

1000
00:43:27,040 --> 00:43:29,480
Speaker 2: was great to just see Jid up there.

1001
00:43:30,000 --> 00:43:33,040
Speaker 3: No Ed is one of those guys that you know,

1002
00:43:33,120 --> 00:43:37,520
Speaker 3: we watched the snsion of his career. We always knew

1003
00:43:37,560 --> 00:43:40,799
Speaker 3: that his talent would would have him where he is now,

1004
00:43:42,000 --> 00:43:43,800
Speaker 3: and we always talk about it too, like being nominated

1005
00:43:43,800 --> 00:43:46,920
Speaker 3: sometimes the win hell, yet you know, getting the trophy

1006
00:43:47,000 --> 00:43:50,400
Speaker 3: is just like you know, a dream, but like just

1007
00:43:50,440 --> 00:43:53,200
Speaker 3: being nominated, being in the room, you know, and being

1008
00:43:53,239 --> 00:43:56,360
Speaker 3: next to these other incredible artists and nominated together in

1009
00:43:56,400 --> 00:44:00,200
Speaker 3: these categories. For anybody that's ever taken time to sit

1010
00:44:00,239 --> 00:44:03,560
Speaker 3: down and write music and record music and things like that, Like,

1011
00:44:04,000 --> 00:44:06,719
Speaker 3: that's what it's about. Just the fact that I was recognized,

1012
00:44:06,840 --> 00:44:09,719
Speaker 3: My work was recognized. So it was, like you said,

1013
00:44:09,719 --> 00:44:11,560
Speaker 3: it was. It was good to see somebody like Jid

1014
00:44:12,360 --> 00:44:15,480
Speaker 3: be recognized and just be nominated on you know, the

1015
00:44:15,520 --> 00:44:16,439
Speaker 3: biggest night in music.

1016
00:44:16,520 --> 00:44:19,959
Speaker 2: Yeah, and congrats to to Kendrick gn X one Best

1017
00:44:20,239 --> 00:44:21,680
Speaker 2: Rap Album.

1018
00:44:23,280 --> 00:44:25,799
Speaker 3: You know, I get it, I totally get it.

1019
00:44:26,520 --> 00:44:28,680
Speaker 2: My personal I would have loved to see one of

1020
00:44:28,680 --> 00:44:31,120
Speaker 2: my favorite rap roofs of all time get their flowers.

1021
00:44:31,120 --> 00:44:34,239
Speaker 2: But again, Grammys are great, they also don't find anything I.

1022
00:44:34,320 --> 00:44:35,960
Speaker 1: Understand why they made the decision they made.

1023
00:44:36,000 --> 00:44:38,560
Speaker 2: I just want I'm not sitting here saying gen X

1024
00:44:38,560 --> 00:44:42,600
Speaker 2: should not get a Grammy what whatsoever? Which kobia I

1025
00:44:42,600 --> 00:44:43,640
Speaker 2: think deserves.

1026
00:44:43,280 --> 00:44:44,719
Speaker 1: A rap album we're talking about right now?

1027
00:44:44,800 --> 00:44:50,560
Speaker 2: Okay, this whole category, the Grammy's actually, for the most part,

1028
00:44:50,880 --> 00:44:53,640
Speaker 2: as of recent has has gotten I think the Best

1029
00:44:53,719 --> 00:44:58,040
Speaker 2: Rap Album category kind of right on par for a while.

1030
00:44:58,280 --> 00:45:01,000
Speaker 3: So anyone of the these albums could have won. I

1031
00:45:01,000 --> 00:45:03,480
Speaker 3: would have been fine. What was the what was the

1032
00:45:03,520 --> 00:45:04,440
Speaker 3: nominees for Best.

1033
00:45:04,320 --> 00:45:10,040
Speaker 4: Wrap Album, Best Rap Album, Clips, NX, Clips, Chromocopia, God

1034
00:45:10,080 --> 00:45:12,360
Speaker 4: does like Ugly and Glorious by Glorilla.

1035
00:45:14,120 --> 00:45:17,840
Speaker 3: I mean I would Clips maybe listen.

1036
00:45:18,400 --> 00:45:19,759
Speaker 2: I don't know, I've been I've been a fan of

1037
00:45:19,800 --> 00:45:21,200
Speaker 2: Clips since I know thirteen years.

1038
00:45:21,200 --> 00:45:22,960
Speaker 3: I would have loved to see Stove get one, get

1039
00:45:22,960 --> 00:45:23,440
Speaker 3: a Grammy.

1040
00:45:24,520 --> 00:45:29,759
Speaker 4: What album reasonable drought from? Now he's got the album?

1041
00:45:28,560 --> 00:45:33,000
Speaker 3: He Sorry, so I'm saying I would have loved to

1042
00:45:33,000 --> 00:45:35,120
Speaker 3: see No, I'm just saying Stove would have got a

1043
00:45:35,120 --> 00:45:37,480
Speaker 3: Grammy if the Clips win. Oh yeah, for sure. You

1044
00:45:37,520 --> 00:45:37,960
Speaker 3: know what I'm saying.

1045
00:45:38,280 --> 00:45:40,560
Speaker 2: But to that point, to that point, I can you

1046
00:45:40,600 --> 00:45:43,560
Speaker 2: push back. I was happy with gn X winning because

1047
00:45:43,680 --> 00:45:45,960
Speaker 2: of all the young talent in l A that he

1048
00:45:46,080 --> 00:45:49,200
Speaker 2: had as features them getting their Grammys.

1049
00:45:49,320 --> 00:45:51,759
Speaker 3: I did out the lefty gun Play, Yeah, shout out

1050
00:45:51,760 --> 00:45:54,360
Speaker 3: that Yeah left.

1051
00:45:54,120 --> 00:45:56,279
Speaker 4: The gun Play got one directly because they also won

1052
00:45:56,400 --> 00:45:57,960
Speaker 4: Best Rap Song for TV Off.

1053
00:45:58,080 --> 00:46:02,600
Speaker 3: Yeah, so ashake. I'm sorry, I'm from New York. I

1054
00:46:02,600 --> 00:46:04,600
Speaker 3: see azy. I'm thinking yeah, same.

1055
00:46:04,920 --> 00:46:07,719
Speaker 4: My best rap song was it was up TV Off

1056
00:46:07,840 --> 00:46:14,120
Speaker 4: versus Sticky The Birds don't sing anxiety tg if Okay,

1057
00:46:14,600 --> 00:46:15,160
Speaker 4: I ain't gonna lie.

1058
00:46:15,160 --> 00:46:15,440
Speaker 1: I don't know.

1059
00:46:16,360 --> 00:46:19,640
Speaker 3: Here's my thing. Running up is incredible.

1060
00:46:19,680 --> 00:46:23,279
Speaker 4: It's seven pm Friday, is ninety five degrees. I ain't

1061
00:46:23,320 --> 00:46:29,799
Speaker 4: got no nigga and no nigga ain't gotten memin best

1062
00:46:29,840 --> 00:46:31,040
Speaker 4: rap song, they're gonna make fun of me.

1063
00:46:31,239 --> 00:46:34,320
Speaker 2: But that was the performance on that best rap performance,

1064
00:46:35,040 --> 00:46:39,400
Speaker 2: glorial I don't know Gloriala got off on that, you know.

1065
00:46:39,480 --> 00:46:44,000
Speaker 2: But and again TV off is fucking incredible. I'm saying

1066
00:46:44,000 --> 00:46:45,560
Speaker 2: all this so you guys don't think this is not

1067
00:46:45,719 --> 00:46:49,400
Speaker 2: Hey having two brothers that are legends and one of

1068
00:46:49,400 --> 00:46:53,040
Speaker 2: the greatest rap groups in rap history, do two verses

1069
00:46:53,120 --> 00:46:56,360
Speaker 2: about their parents dying with a John Legend hook that

1070
00:46:56,400 --> 00:46:58,319
Speaker 2: we finally fucking love in this era.

1071
00:46:58,360 --> 00:46:59,640
Speaker 1: The song was made for the Grammys.

1072
00:46:59,760 --> 00:47:00,600
Speaker 3: Hey, if you don't.

1073
00:47:00,400 --> 00:47:04,320
Speaker 2: Listen to that fucking song and don't cry like birds.

1074
00:47:03,920 --> 00:47:07,160
Speaker 3: Don't, Yeah, I know, I was waiting for John to

1075
00:47:07,200 --> 00:47:12,479
Speaker 3: come out that the birds don't sing they screeching. Yeah,

1076
00:47:12,520 --> 00:47:14,040
Speaker 3: I was backstage ready for that come by.

1077
00:47:14,239 --> 00:47:17,000
Speaker 4: TikTok said, John Legends sing like he's driving off.

1078
00:47:22,160 --> 00:47:25,799
Speaker 3: Y'all were fucked up, man, y'all y'all are so fucked up.

1079
00:47:26,000 --> 00:47:27,640
Speaker 1: You we don't want to talk about John Legend.

1080
00:47:27,680 --> 00:47:30,480
Speaker 3: We love John Legend. I'm just saying he reminds me

1081
00:47:30,520 --> 00:47:32,680
Speaker 3: of the w B Frog, that's all. I'm just you know,

1082
00:47:33,120 --> 00:47:33,920
Speaker 3: the WV.

1083
00:47:33,800 --> 00:47:38,960
Speaker 2: Frog is legendary. Also also Sticky. I could be up

1084
00:47:39,000 --> 00:47:42,439
Speaker 2: there too. Gloriala had two chances of winning this ship,

1085
00:47:43,200 --> 00:47:45,760
Speaker 2: like Sticky. I think again, I think they got wrapped

1086
00:47:45,960 --> 00:47:50,440
Speaker 2: right because anxiety birds don't sing Sticky t j I

1087
00:47:50,520 --> 00:47:52,719
Speaker 2: F I think you know, the restaurant and TV off

1088
00:47:52,760 --> 00:47:55,000
Speaker 2: any of those could have won, and I would have agreed, like.

1089
00:47:55,520 --> 00:47:57,400
Speaker 3: I get it. Why was all Push you in for

1090
00:47:57,440 --> 00:48:00,319
Speaker 3: real dressed like the Migos though the clips in forro

1091
00:48:00,360 --> 00:48:02,440
Speaker 3: wh would they dressed like the Migos, which means they

1092
00:48:02,480 --> 00:48:06,719
Speaker 3: had on a pick suits strawberry strawberry way for velvat suits.

1093
00:48:07,040 --> 00:48:09,200
Speaker 2: I don't have the Migo dress. That all you're saying,

1094
00:48:09,239 --> 00:48:10,680
Speaker 2: like just the batch type ship.

1095
00:48:10,800 --> 00:48:13,000
Speaker 3: They had on the same exactly suit, all three of them.

1096
00:48:13,040 --> 00:48:15,600
Speaker 2: I mean the double breasted one Push had on. I

1097
00:48:15,600 --> 00:48:17,399
Speaker 2: thought it was fucking fire. I was looking up suit

1098
00:48:17,440 --> 00:48:19,640
Speaker 2: supply ship to see if I could get one close

1099
00:48:19,680 --> 00:48:21,680
Speaker 2: to it. Yeah, I just white people don't look good

1100
00:48:21,680 --> 00:48:24,160
Speaker 2: in that that. I just don't much, patdon't. Nobody was

1101
00:48:24,200 --> 00:48:24,879
Speaker 2: dressed the same.

1102
00:48:25,080 --> 00:48:26,239
Speaker 3: It was just a little awkward for them to be

1103
00:48:26,239 --> 00:48:29,680
Speaker 3: wearing the same But that I collect them together, that

1104
00:48:29,760 --> 00:48:31,440
Speaker 3: means they got to wear the same ship kiss all

1105
00:48:31,480 --> 00:48:35,360
Speaker 3: wore the same makeup. Well, that's you know, that's different.

1106
00:48:35,680 --> 00:48:38,480
Speaker 2: I guarantee that your mother put you and your your

1107
00:48:38,520 --> 00:48:39,399
Speaker 2: sister in the same clothes.

1108
00:48:39,440 --> 00:48:40,040
Speaker 3: Y'all was swims.

1109
00:48:41,160 --> 00:48:42,480
Speaker 2: You guys wore the same outfits every day.

1110
00:48:42,480 --> 00:48:44,520
Speaker 3: But I'm just trying to figure out why Pharrell has

1111
00:48:44,560 --> 00:48:44,879
Speaker 3: on the.

1112
00:48:44,800 --> 00:48:48,520
Speaker 2: Same because he produced the whole problem. They coming as

1113
00:48:48,880 --> 00:48:50,440
Speaker 2: a click, okay.

1114
00:48:50,280 --> 00:48:53,120
Speaker 1: Yo, Malice is just so effortlessly cool.

1115
00:48:54,320 --> 00:48:55,680
Speaker 3: I thought she was about to take that somewhere else.

1116
00:48:55,719 --> 00:48:58,719
Speaker 4: But I hear you like, he's just so effortlessly like

1117
00:48:58,840 --> 00:49:01,440
Speaker 4: effortlessly like just cool ast fuck like you could tell

1118
00:49:01,440 --> 00:49:03,040
Speaker 4: he just don't give a funk about nothing.

1119
00:49:04,080 --> 00:49:07,000
Speaker 3: You vibe that, Yeah, I love that. Mm hmm. That's

1120
00:49:07,000 --> 00:49:12,520
Speaker 3: that Tracy Towers, It's that Gunhill right, nothing about that.

1121
00:49:12,840 --> 00:49:14,320
Speaker 1: Virginia boys, Virginia.

1122
00:49:14,520 --> 00:49:18,399
Speaker 2: I will say, though, we should give as arrogant New Yorkers,

1123
00:49:18,920 --> 00:49:21,840
Speaker 2: we should give credit between Farrell and the clips.

1124
00:49:22,160 --> 00:49:24,640
Speaker 3: They are some of the coolest, best dressed people. Virginia,

1125
00:49:24,960 --> 00:49:26,959
Speaker 3: got it. There's a lot of cities that y'all dress

1126
00:49:27,120 --> 00:49:31,560
Speaker 3: really fucking bad. Virginia, Beach, Northfolk, y'all, y'all are stylish.

1127
00:49:32,040 --> 00:49:33,040
Speaker 3: That's that New York though.

1128
00:49:34,680 --> 00:49:37,520
Speaker 1: Yeah, New York todays bias.

1129
00:49:37,480 --> 00:49:39,239
Speaker 3: Because you know, even when niggas leave New York go

1130
00:49:39,239 --> 00:49:41,160
Speaker 3: to Virginia, they still come back to New York to shop. Though.

1131
00:49:42,320 --> 00:49:44,080
Speaker 2: You got to come back from New York, go down

1132
00:49:44,080 --> 00:49:45,239
Speaker 2: to Virginia, got to come back back.

1133
00:49:45,560 --> 00:49:47,000
Speaker 3: They go down to Virginia to get some money, they

1134
00:49:47,000 --> 00:49:50,480
Speaker 3: come back shop. You gotta come to New York City

1135
00:49:50,520 --> 00:49:51,439
Speaker 3: to shop though, for sure.

1136
00:49:52,840 --> 00:49:54,719
Speaker 2: But no, I like their performance. I thought they were

1137
00:49:54,719 --> 00:49:56,600
Speaker 2: gonna do Birds on things. I really thought they were

1138
00:49:56,600 --> 00:49:58,560
Speaker 2: going to open the Grammys with birds Don't Sing with

1139
00:49:58,640 --> 00:49:59,200
Speaker 2: John Legend.

1140
00:49:59,320 --> 00:50:08,239
Speaker 3: I thought they was gonna the stir Froy shut the

1141
00:50:08,320 --> 00:50:11,080
Speaker 3: fuck Up recipes take off.

1142
00:50:11,160 --> 00:50:12,879
Speaker 2: Man, when was the last time you listened to stir Fry?

1143
00:50:13,920 --> 00:50:16,919
Speaker 3: Probably like a couple of weeks ago. That's so hard.

1144
00:50:17,680 --> 00:50:21,520
Speaker 2: No, that song is incredible. Hell yeah, yo, go listen

1145
00:50:21,560 --> 00:50:25,680
Speaker 2: to Culture one and two. I understand why Migos is

1146
00:50:25,760 --> 00:50:26,759
Speaker 2: top five greatest rapper.

1147
00:50:27,760 --> 00:50:31,920
Speaker 3: They they run crazy. They absolutely crazy.

1148
00:50:32,360 --> 00:50:34,360
Speaker 2: I just had some some other notes. I fucked with

1149
00:50:34,400 --> 00:50:40,359
Speaker 2: the Aussie tribute. Sizza, you looked incredible. I'm not gonna

1150
00:50:40,360 --> 00:50:43,040
Speaker 2: say what I said in the chat or what's what's

1151
00:50:43,080 --> 00:50:49,080
Speaker 2: on our list right now that says scissors cans Sis

1152
00:50:49,239 --> 00:50:49,920
Speaker 2: the girls out man.

1153
00:50:50,320 --> 00:50:55,000
Speaker 3: Oh oh okay, okay, scissors cans got it, Jesus Christ respectfully,

1154
00:50:55,000 --> 00:50:56,800
Speaker 3: respect I'm saying this very respectfully.

1155
00:50:56,880 --> 00:51:00,880
Speaker 2: Sissor looked incredible, always looks. And congrats to her and

1156
00:51:01,120 --> 00:51:04,759
Speaker 2: Kendrick on Luther. It was super funny that bro that

1157
00:51:04,880 --> 00:51:06,000
Speaker 2: Share came and.

1158
00:51:05,920 --> 00:51:09,160
Speaker 4: I'm sorry, congratulate Luther Van Shrus that's the greatest.

1159
00:51:09,280 --> 00:51:10,480
Speaker 1: That might be one of the greatest.

1160
00:51:10,680 --> 00:51:13,520
Speaker 4: Fucking Like, when I was watching it and shar was talking,

1161
00:51:14,000 --> 00:51:16,040
Speaker 4: at first, I thought she was like being sarcastic in

1162
00:51:16,040 --> 00:51:18,640
Speaker 4: like a cute, cheeky way, and I was like, nah, Share,

1163
00:51:18,760 --> 00:51:20,560
Speaker 4: dead ass right now. She don't know what the fuck

1164
00:51:20,680 --> 00:51:22,160
Speaker 4: is going on, nor does she care what the fuck

1165
00:51:22,239 --> 00:51:25,440
Speaker 4: is going on here. She forgot that she was supposed

1166
00:51:25,440 --> 00:51:26,960
Speaker 4: to be up there presenting an award.

1167
00:51:27,560 --> 00:51:29,319
Speaker 1: She walked off stage. They was like, oh, Share, can

1168
00:51:29,320 --> 00:51:29,719
Speaker 1: you come back?

1169
00:51:29,760 --> 00:51:33,160
Speaker 4: And she was like, oh, congratston Luther Van draw. She

1170
00:51:33,160 --> 00:51:35,120
Speaker 4: got so excited, like she was gonna like Luther because

1171
00:51:35,120 --> 00:51:37,200
Speaker 4: she probably know Luther. She thought Luther was gonna come

1172
00:51:37,239 --> 00:51:39,480
Speaker 4: up and hugger. I was like, oh my god.

1173
00:51:39,560 --> 00:51:41,359
Speaker 3: If she know Luther and she ain't know Luther has

1174
00:51:41,400 --> 00:51:43,680
Speaker 3: left us a few years ago, we might need.

1175
00:51:43,600 --> 00:51:46,520
Speaker 2: To check that Luther may have song of the Year,

1176
00:51:46,840 --> 00:51:48,680
Speaker 2: like you didn't hear the Luther record that.

1177
00:51:48,880 --> 00:51:50,759
Speaker 4: I think I think Share might be, like even when

1178
00:51:50,760 --> 00:51:52,399
Speaker 4: Share said, oh, thank god about the time they gave

1179
00:51:52,400 --> 00:51:54,920
Speaker 4: me this award, because like I got good jeans, like,

1180
00:51:55,320 --> 00:51:57,720
Speaker 4: but I probably wouldn't have been here that much longer, AKA,

1181
00:51:57,760 --> 00:51:59,879
Speaker 4: like I know I look good, but I'm old as fuck.

1182
00:52:00,120 --> 00:52:02,240
Speaker 4: It's about time y'all gave me my Lifetime Achievement award.

1183
00:52:02,400 --> 00:52:04,240
Speaker 4: I think Share might be a little on the scene outside,

1184
00:52:04,320 --> 00:52:07,279
Speaker 4: and that's fine. She's old enough to be there. But

1185
00:52:07,320 --> 00:52:10,080
Speaker 4: I think that's why. I think that's why she.

1186
00:52:10,040 --> 00:52:11,799
Speaker 1: Got you know what I'm saying, like she thought Luther

1187
00:52:11,960 --> 00:52:13,319
Speaker 1: was still alive, and what I was.

1188
00:52:13,239 --> 00:52:15,400
Speaker 3: Like when Biden they asked Biden what day the week was,

1189
00:52:15,400 --> 00:52:15,800
Speaker 3: he said.

1190
00:52:15,719 --> 00:52:23,040
Speaker 2: Vanilla that I don't mind, just don't put don't put

1191
00:52:23,120 --> 00:52:25,520
Speaker 2: Joe Biden on a bike, what like who in the

1192
00:52:25,560 --> 00:52:31,640
Speaker 2: campaign was like, let's put them on bike. But also, yo,

1193
00:52:31,760 --> 00:52:35,439
Speaker 2: that's never mind. Thank We'll stay far far away from

1194
00:52:35,440 --> 00:52:40,200
Speaker 2: that entire thing. What was worse the Steve Harvey Moonlight

1195
00:52:40,280 --> 00:52:42,520
Speaker 2: situation or or the share thing.

1196
00:52:43,520 --> 00:52:46,920
Speaker 4: Worse Moonlight was was embarrassing. You know, they had the

1197
00:52:46,960 --> 00:52:51,080
Speaker 4: whole crewing up there for La La Lamb. That was embarrassing.

1198
00:52:51,400 --> 00:52:54,640
Speaker 4: What Moonlight versus La La Lamb. Foe Pah.

1199
00:52:56,640 --> 00:52:57,919
Speaker 2: Jay Z made a hook out of it on four

1200
00:52:57,960 --> 00:53:02,000
Speaker 2: forty four, like one and.

1201
00:53:01,880 --> 00:53:07,080
Speaker 1: But they called upland yeah, yeah, yeah.

1202
00:53:06,880 --> 00:53:08,359
Speaker 3: That was bad. That was bad.

1203
00:53:08,400 --> 00:53:10,680
Speaker 2: And by the way, that the whole crew of La

1204
00:53:10,800 --> 00:53:13,560
Speaker 2: Land was very gracious about yeah, because.

1205
00:53:13,320 --> 00:53:14,200
Speaker 3: That would piss me off.

1206
00:53:14,840 --> 00:53:17,000
Speaker 2: Yeah, in general, they were they were very they were

1207
00:53:17,040 --> 00:53:18,520
Speaker 2: very over the podium.

1208
00:53:18,680 --> 00:53:20,799
Speaker 3: Yeah that was that was bad though that that that

1209
00:53:20,840 --> 00:53:21,960
Speaker 3: fumble was crazy.

1210
00:53:22,320 --> 00:53:24,839
Speaker 2: And if they they showed what Steve was reading, because

1211
00:53:24,840 --> 00:53:27,840
Speaker 2: everyone killed Steve Harvey, but if you looked at what

1212
00:53:27,880 --> 00:53:30,879
Speaker 2: he was reading, it was an honest mistake, Like they

1213
00:53:30,920 --> 00:53:33,359
Speaker 2: fucked up how they gave him the card. It looked

1214
00:53:33,400 --> 00:53:36,200
Speaker 2: I think maybe Google, I think Lola Land was like

1215
00:53:36,239 --> 00:53:40,040
Speaker 2: above Moonlight in the nominations, so it looked like it

1216
00:53:40,080 --> 00:53:42,440
Speaker 2: was bolded, it really wasn't Steve's fault.

1217
00:53:43,920 --> 00:53:46,680
Speaker 3: If it was Steve, if I remember correctly, it was

1218
00:53:46,719 --> 00:53:49,719
Speaker 3: warm that was Warren Betty, Warren Betty. Oh, okay, so

1219
00:53:49,760 --> 00:53:52,240
Speaker 3: Steve Steve fucked up with something else. The miss universe,

1220
00:53:53,120 --> 00:53:55,839
Speaker 3: that's what it was. Miss universe was LEXI, I'll get it.

1221
00:53:56,239 --> 00:53:57,840
Speaker 3: I understand. I help you. That's what I'm here for.

1222
00:53:57,960 --> 00:54:00,480
Speaker 3: I got you. Yeah, I don't know how I did that.

1223
00:54:00,560 --> 00:54:02,600
Speaker 2: But oh yeah, how you fucked that up?

1224
00:54:02,800 --> 00:54:03,239
Speaker 1: Yeah, I don't know.

1225
00:54:04,840 --> 00:54:09,080
Speaker 4: Clearly they got up there, I was like, it's moonlight man. Yeah,

1226
00:54:09,120 --> 00:54:12,840
Speaker 4: but that was that was very funny, like that ship

1227
00:54:12,960 --> 00:54:15,319
Speaker 4: was that share gave me a laugh. I was like,

1228
00:54:15,320 --> 00:54:20,239
Speaker 4: oh my god, Luther van Dross, A room is not

1229
00:54:20,400 --> 00:54:20,920
Speaker 4: a room.

1230
00:54:23,800 --> 00:54:28,120
Speaker 3: It came out well over the past. They told us

1231
00:54:28,160 --> 00:54:32,520
Speaker 3: she was going, yo, anything is possible. Now at this point,

1232
00:54:32,960 --> 00:54:33,640
Speaker 3: Oh my god.

1233
00:54:33,920 --> 00:54:36,560
Speaker 4: I think that Kendrick in them handled that very well

1234
00:54:36,600 --> 00:54:38,680
Speaker 4: because I would have been on the floor. I would

1235
00:54:38,719 --> 00:54:39,920
Speaker 4: have been able to do my speech. I would have

1236
00:54:39,920 --> 00:54:44,120
Speaker 4: been screaming, crying like yo. And then she looked up

1237
00:54:44,160 --> 00:54:45,920
Speaker 4: at them when they came up, She's like, we're luthed,

1238
00:54:45,920 --> 00:54:46,800
Speaker 4: like she ain't.

1239
00:54:46,680 --> 00:54:49,279
Speaker 3: Order Rory's Roy's mom said some funny ship when when

1240
00:54:49,360 --> 00:54:49,879
Speaker 3: Kendrick won.

1241
00:54:50,800 --> 00:54:52,879
Speaker 2: Don't even put that on my mom, Why, I thought

1242
00:54:52,880 --> 00:54:54,800
Speaker 2: it was funny saving from Patroon.

1243
00:54:57,080 --> 00:54:58,399
Speaker 3: Yeah, we gotta save it.

1244
00:55:00,239 --> 00:55:03,719
Speaker 2: We could say I'm not doing this. What Let's get

1245
00:55:03,719 --> 00:55:05,480
Speaker 2: to the greatest part of the grammy so we can

1246
00:55:05,560 --> 00:55:10,440
Speaker 2: wrap this up. Yeah, The Di'angelo and Roberts of Flack

1247
00:55:10,760 --> 00:55:16,319
Speaker 2: Tribute presented by Laurn Hill. Where the fuck do we

1248
00:55:16,360 --> 00:55:22,360
Speaker 2: even begin? Lauren Hill, Vanguard, Shaka Khan, John Legend, Raphaelsa

1249
00:55:22,480 --> 00:55:28,440
Speaker 2: deec Ala Hathaway, wax Up, John, Anthony Hamilton, Marcus Miller,

1250
00:55:28,840 --> 00:55:33,840
Speaker 2: John Baptiste, Leon Bridges, October London, Lucky Day, Blao, Leon Thomas.

1251
00:55:34,880 --> 00:55:35,759
Speaker 3: Yeah, I pay for that.

1252
00:55:37,200 --> 00:55:38,399
Speaker 2: Can can this go on the road?

1253
00:55:38,480 --> 00:55:38,640
Speaker 3: Yeah?

1254
00:55:39,040 --> 00:55:41,000
Speaker 2: That? Can we just do a DiAngelo tribute for all

1255
00:55:41,040 --> 00:55:43,680
Speaker 2: of twenty twenty six in every major city. Yeah, I'll

1256
00:55:43,680 --> 00:55:46,480
Speaker 2: go see that exact same set list live. I'll pay

1257
00:55:46,480 --> 00:55:46,919
Speaker 2: top dollar.

1258
00:55:47,120 --> 00:55:48,280
Speaker 1: Who was your favorite part?

1259
00:55:50,080 --> 00:55:51,719
Speaker 3: Damn, you can't pick your favorite part of it?

1260
00:55:52,440 --> 00:55:53,160
Speaker 1: Was my favorite part?

1261
00:55:53,200 --> 00:55:56,000
Speaker 2: I was like, oh my god, Bla outside of the

1262
00:55:56,040 --> 00:55:58,920
Speaker 2: obvious Lucky Day doing Brown Sugar, I thought was an

1263
00:55:58,920 --> 00:56:02,759
Speaker 2: incredible pick. He went nuts on that and you could

1264
00:56:02,760 --> 00:56:05,520
Speaker 2: tell like Lucky knew what stage he was on and

1265
00:56:05,520 --> 00:56:07,879
Speaker 2: who he was with and what what did the kids

1266
00:56:07,880 --> 00:56:11,680
Speaker 2: say understood the assignment? Lucky went nuts on brown Sugar,

1267
00:56:11,719 --> 00:56:17,279
Speaker 2: Which that's intimidating very Can you imagine Lucky Days is

1268
00:56:17,600 --> 00:56:20,359
Speaker 2: a star in his own right, but imagine Lauren Hill

1269
00:56:20,440 --> 00:56:25,320
Speaker 2: asking you to do brown sugar for di'angelo tribute at

1270
00:56:25,360 --> 00:56:28,920
Speaker 2: the Grammys. But I'd be so scared, Like I don't

1271
00:56:28,920 --> 00:56:29,759
Speaker 2: even know if I want to touch.

1272
00:56:30,920 --> 00:56:32,360
Speaker 3: Yeah, but there was somebody sitting right there in that

1273
00:56:32,400 --> 00:56:35,000
Speaker 3: audience that should have been on that stage though. Who

1274
00:56:35,080 --> 00:56:38,560
Speaker 3: is that? Duran? Mm hmm.

1275
00:56:39,120 --> 00:56:40,719
Speaker 2: You're not wrong, He's not wrong.

1276
00:56:40,760 --> 00:56:42,640
Speaker 3: He definitely should He definitely should have been on that

1277
00:56:42,719 --> 00:56:44,160
Speaker 3: set somewhere. You're not wrong.

1278
00:56:45,880 --> 00:56:48,399
Speaker 2: Yeah, I mean even the Africa record, he could have went.

1279
00:56:49,120 --> 00:56:50,480
Speaker 2: John Baptist did his thing with.

1280
00:56:50,480 --> 00:56:52,520
Speaker 3: No, no, no, for sure. I'm just saying that they

1281
00:56:52,520 --> 00:56:54,400
Speaker 3: could have found another song to get Duran up there

1282
00:56:54,440 --> 00:56:56,960
Speaker 3: to you know what I mean, Like, that's come on, man,

1283
00:56:57,200 --> 00:56:59,160
Speaker 3: I thought that type of voice he got sitting right

1284
00:56:59,160 --> 00:57:01,680
Speaker 3: there for the Angelid tribute. Like, I'm just saying, somebody

1285
00:57:01,719 --> 00:57:02,560
Speaker 3: should have called Duran.

1286
00:57:03,080 --> 00:57:06,799
Speaker 2: I think Leon for Devil's Pie was a perfect pick

1287
00:57:07,080 --> 00:57:10,120
Speaker 2: like with tone and shout out to DJ Premier who

1288
00:57:10,160 --> 00:57:13,680
Speaker 2: produced that, not that Devil's Pie isn't like a famous

1289
00:57:13,719 --> 00:57:14,600
Speaker 2: D'Angelo record.

1290
00:57:14,600 --> 00:57:16,360
Speaker 3: I was kind of surprised though, that they picked Devil's

1291
00:57:16,360 --> 00:57:19,560
Speaker 3: Pie in the mix of that year of all the like,

1292
00:57:19,960 --> 00:57:22,680
Speaker 3: I thought that was fire, and I liked what Vanguard

1293
00:57:22,760 --> 00:57:25,840
Speaker 3: did with that beat, And I mean, where do we

1294
00:57:25,880 --> 00:57:29,320
Speaker 3: fucking begin? Sha Ka Khan came out and performed Where's

1295
00:57:29,440 --> 00:57:32,360
Speaker 3: Love Crazy? This was the.

1296
00:57:34,160 --> 00:57:37,200
Speaker 2: Where do we rank this? In tributes? This is this

1297
00:57:37,320 --> 00:57:42,080
Speaker 2: is up there. They got them. This was the top five.

1298
00:57:42,680 --> 00:57:44,120
Speaker 3: That's definitely about.

1299
00:57:44,880 --> 00:57:47,800
Speaker 4: For Grammys or total because BT used to do them

1300
00:57:47,880 --> 00:57:48,360
Speaker 4: very well.

1301
00:57:48,960 --> 00:57:50,280
Speaker 3: Yeah, for sure.

1302
00:57:50,320 --> 00:57:52,960
Speaker 1: BT used to smoke that every year. That was my favorite.

1303
00:57:52,680 --> 00:57:56,720
Speaker 3: Part of one year. I think they rolled was it

1304
00:57:56,760 --> 00:57:58,440
Speaker 3: the Prince shoot with They rolled Trey songs out for

1305
00:58:00,080 --> 00:58:03,000
Speaker 3: shut us that shut us back about that set us

1306
00:58:03,040 --> 00:58:05,600
Speaker 3: back about you know what I mean shouts to trade,

1307
00:58:05,640 --> 00:58:08,760
Speaker 3: but that Prince tribute. I don't think we needed trade

1308
00:58:08,760 --> 00:58:09,800
Speaker 3: songs from Prince Tribute.

1309
00:58:10,120 --> 00:58:12,320
Speaker 2: We'll get to the Mariah thing after this, but we

1310
00:58:12,600 --> 00:58:18,120
Speaker 2: can close out the uh di Angelo. Yo, Why Lauren

1311
00:58:18,160 --> 00:58:19,840
Speaker 2: Hill brought up her ex just to play bass?

1312
00:58:21,000 --> 00:58:23,960
Speaker 3: Sometimes you need to I mean your ex just do

1313
00:58:24,160 --> 00:58:25,560
Speaker 3: pick up, clean up, do something.

1314
00:58:25,560 --> 00:58:27,880
Speaker 1: You know. I love that ship, I screamed. I was like,

1315
00:58:28,280 --> 00:58:31,560
Speaker 1: oh my god, I like this toxic ship. Yeah.

1316
00:58:31,880 --> 00:58:36,440
Speaker 2: With but with ROBERTA. Flack passing last last February, I

1317
00:58:36,680 --> 00:58:39,240
Speaker 2: did think that was great that y cleft and and

1318
00:58:39,320 --> 00:58:42,640
Speaker 2: Lauren did did a tribute for killing me softly. Obviously

1319
00:58:42,680 --> 00:58:46,080
Speaker 2: they sampled that and that's that. That's her record. So yeah,

1320
00:58:46,080 --> 00:58:48,600
Speaker 2: sometimes you gotta you have to squash the past.

1321
00:58:50,240 --> 00:58:50,520
Speaker 3: They did.

1322
00:58:50,600 --> 00:58:52,040
Speaker 1: They had a little kiss on the cheek that and

1323
00:58:52,160 --> 00:58:52,880
Speaker 1: the Grammy's off.

1324
00:58:54,560 --> 00:58:56,760
Speaker 2: Here's my thing, can we go is Prose didn't go

1325
00:58:56,800 --> 00:59:00,160
Speaker 2: in yet, right, didn't go yet. I know we got

1326
00:59:00,240 --> 00:59:02,480
Speaker 2: just but like Proz couldn't have a night out. Maybe

1327
00:59:02,480 --> 00:59:03,600
Speaker 2: get some commissary money.

1328
00:59:03,680 --> 00:59:10,720
Speaker 3: Like, nah, they're not jacking Proz, not on this night,

1329
00:59:11,520 --> 00:59:13,680
Speaker 3: not on the Grammy stage, not trying to not.

1330
00:59:13,640 --> 00:59:16,360
Speaker 4: To keep in jail. Yeah, he's gonna stay sentenced. You

1331
00:59:16,360 --> 00:59:17,280
Speaker 4: you going to jail?

1332
00:59:17,440 --> 00:59:17,920
Speaker 3: No something.

1333
00:59:17,960 --> 00:59:19,520
Speaker 2: I mean, I didn't know if there was some.

1334
00:59:19,840 --> 00:59:22,280
Speaker 3: Turner donna let him out to get his affairs in order. Yeah,

1335
00:59:22,680 --> 00:59:25,000
Speaker 3: go getting that back cell back there that back south.

1336
00:59:26,600 --> 00:59:27,400
Speaker 3: Last one.

1337
00:59:28,720 --> 00:59:32,840
Speaker 2: In Prose defense bro selling photos photo ops with Obama

1338
00:59:33,160 --> 00:59:36,920
Speaker 2: compared to what politicians and lawmakers do man free prose.

1339
00:59:38,640 --> 00:59:42,120
Speaker 3: Politicians compared to what Wyck club do with that Haiti money,

1340
00:59:42,480 --> 00:59:46,600
Speaker 3: that Haiti earthquake com We ain't forget should that'd be

1341
00:59:46,680 --> 00:59:49,840
Speaker 3: the problem when you remember everything. Niggas hate you because

1342
00:59:49,840 --> 00:59:52,480
Speaker 3: you were we saw you, like, we know what you

1343
00:59:52,560 --> 00:59:56,000
Speaker 3: did for the Haiti or where's that money at? Where's

1344
00:59:56,040 --> 01:00:00,320
Speaker 3: that bread at? Let's talk about that listen. And this

1345
01:00:00,360 --> 01:00:02,560
Speaker 3: is old jokes. I'm just you know, fucking around. I'm

1346
01:00:02,560 --> 01:00:05,160
Speaker 3: not joking where's that money yet? I mean, you know

1347
01:00:05,160 --> 01:00:06,120
Speaker 3: we're not in the accouncil.

1348
01:00:06,240 --> 01:00:07,920
Speaker 1: That was a nice little jacket he had on at

1349
01:00:07,960 --> 01:00:09,160
Speaker 1: the Grammys.

1350
01:00:09,120 --> 01:00:11,720
Speaker 3: Part of it. Yeah, I start asking how much that costs.

1351
01:00:13,480 --> 01:00:16,360
Speaker 4: Somebody owe you money, bro, you look at everything on them,

1352
01:00:16,400 --> 01:00:18,720
Speaker 4: might be looking at a nigga socks like yo, somebody

1353
01:00:18,720 --> 01:00:19,600
Speaker 4: owed a whole country money.

1354
01:00:19,680 --> 01:00:22,400
Speaker 3: Yeah, you gotta do that. I texted that number right away.

1355
01:00:22,760 --> 01:00:25,280
Speaker 2: Two weeks later, Why cleft is butt assd on a

1356
01:00:25,320 --> 01:00:26,400
Speaker 2: motorcycle greased up?

1357
01:00:26,400 --> 01:00:32,000
Speaker 3: I'm like, all right, man, were still bring I thought, yeah,

1358
01:00:32,080 --> 01:00:32,880
Speaker 3: like what happened just now?

1359
01:00:33,360 --> 01:00:38,400
Speaker 2: You want you want to speed up my apologies? But anyways,

1360
01:00:38,840 --> 01:00:40,560
Speaker 2: I thought the Grammys that did a great job in

1361
01:00:40,560 --> 01:00:43,400
Speaker 2: twenty twenty six. Congrats to everybody that won. Congrats to

1362
01:00:43,400 --> 01:00:46,040
Speaker 2: everybody that was nominated. That is incredible, even though it

1363
01:00:46,080 --> 01:00:49,160
Speaker 2: does not define you as an artist. I'd be a

1364
01:00:49,240 --> 01:00:51,400
Speaker 2: liar if I said I wouldn't be geeked off getting

1365
01:00:51,400 --> 01:00:52,120
Speaker 2: a Grammy.

1366
01:00:51,880 --> 01:00:53,880
Speaker 3: Or even being nominated or being in that room.

1367
01:00:53,960 --> 01:00:56,320
Speaker 2: So congrats to everyone that made music this year that

1368
01:00:56,440 --> 01:01:00,720
Speaker 2: is being acknowledged. Congrats to Kendrick lam Are for being

1369
01:01:01,120 --> 01:01:04,920
Speaker 2: the how do you word it, the most not award

1370
01:01:05,000 --> 01:01:09,160
Speaker 2: winning rapper of all time. For the Grammys, Congrats congrats

1371
01:01:09,160 --> 01:01:13,040
Speaker 2: to to Kendrick for that surpassed Jay Z most Grammys

1372
01:01:13,120 --> 01:01:18,000
Speaker 2: in rap history. And that's because of Boost. If it

1373
01:01:18,000 --> 01:01:20,400
Speaker 2: wasn't for Boost, Kendrick Lamar would not have the most Grammys.

1374
01:01:21,440 --> 01:01:29,160
Speaker 2: Everything is powered in the world by Boost. Demeris, did

1375
01:01:29,200 --> 01:01:30,960
Speaker 2: you watch the Mariah tribute?

1376
01:01:34,160 --> 01:01:35,080
Speaker 1: What you laughing at.

1377
01:01:36,480 --> 01:01:39,280
Speaker 3: Right now? What you're laughing at, I'm not laughing. That's

1378
01:01:39,320 --> 01:01:40,840
Speaker 3: wrong with you. I was having a moment.

1379
01:01:43,840 --> 01:01:46,840
Speaker 2: I claugh in a moment and then telling me what's

1380
01:01:46,840 --> 01:01:47,320
Speaker 2: wrong with me.

1381
01:01:48,640 --> 01:01:52,400
Speaker 4: I could answer your question, Rory about the Mariah Carey tribute.

1382
01:01:52,440 --> 01:01:56,480
Speaker 4: That music heres through I saw some of it and

1383
01:01:56,600 --> 01:01:58,200
Speaker 4: the some of it that I saw was too.

1384
01:01:58,080 --> 01:02:04,000
Speaker 2: Much food Fighters, Jonnifer Hudson, John Legend, Billy Porter, Yo

1385
01:02:04,400 --> 01:02:05,560
Speaker 2: Kesha Kesha.

1386
01:02:05,840 --> 01:02:07,040
Speaker 3: She understood the assignment.

1387
01:02:08,360 --> 01:02:11,240
Speaker 2: I just like that Mariah, which who you think I hate,

1388
01:02:12,280 --> 01:02:14,720
Speaker 2: was able to get her flowers in the way. Prince

1389
01:02:14,840 --> 01:02:17,840
Speaker 2: also got his where he's disgusted by everybody that's up there.

1390
01:02:18,560 --> 01:02:23,480
Speaker 4: Yeah, was nobody available, I think as it was Grammy Weekend.

1391
01:02:23,480 --> 01:02:26,439
Speaker 4: Ariota Grande, Tori Kelly, Jennifer Hudson.

1392
01:02:26,200 --> 01:02:31,240
Speaker 3: Not being Weekend is hilarious. We you at as a

1393
01:02:31,280 --> 01:02:32,040
Speaker 3: recording artist.

1394
01:02:32,160 --> 01:02:32,800
Speaker 4: But that's what I'm.

1395
01:02:34,280 --> 01:02:36,600
Speaker 3: Ship. Was cool what other ship?

1396
01:02:36,920 --> 01:02:39,200
Speaker 4: Because well, what I'm saying is because ever when there's

1397
01:02:39,200 --> 01:02:41,880
Speaker 4: so much going on during Grammy Weekend. There's so much

1398
01:02:41,920 --> 01:02:44,040
Speaker 4: going on during Grimmy Weekend, so it's like they might

1399
01:02:44,080 --> 01:02:44,360
Speaker 4: not be.

1400
01:02:44,280 --> 01:02:48,480
Speaker 2: A Mariah Carey tribute. You moved it around.

1401
01:02:48,480 --> 01:02:51,240
Speaker 3: If somebody we're giving a tribute to Mariah Carey want

1402
01:02:51,280 --> 01:02:52,360
Speaker 3: you to, I'll be on.

1403
01:02:52,360 --> 01:02:53,800
Speaker 2: Tequila event do you need to go to?

1404
01:02:53,920 --> 01:02:56,520
Speaker 4: But there's also so there's also the part of it

1405
01:02:56,600 --> 01:03:04,160
Speaker 4: where I, even if I'm an astronomical singer, I might

1406
01:03:04,280 --> 01:03:06,560
Speaker 4: turn down the Mariah Carey tribute because that's a lot

1407
01:03:06,600 --> 01:03:08,680
Speaker 4: of pressure. That's not that's a lot of pressure.

1408
01:03:08,720 --> 01:03:11,280
Speaker 3: You could sing and they call you to tribute Mariah Carey.

1409
01:03:11,680 --> 01:03:13,840
Speaker 3: It ain't no pressure. You've been waiting for this fucking

1410
01:03:13,840 --> 01:03:15,520
Speaker 3: moment Mariah about to be there.

1411
01:03:17,760 --> 01:03:19,720
Speaker 4: Some people aren't real for that type of pressure, especially

1412
01:03:19,760 --> 01:03:22,440
Speaker 4: if if people have told you you sound like Mariah Carey.

1413
01:03:23,080 --> 01:03:28,040
Speaker 3: Yeah who but that's fire. And not only do they

1414
01:03:28,040 --> 01:03:30,600
Speaker 3: say I sound like Maria, y'all want me to tribute

1415
01:03:30,640 --> 01:03:34,400
Speaker 3: Mariah as well, this is what I do, Like, yeah,

1416
01:03:34,480 --> 01:03:36,960
Speaker 3: hell yeah, Because if you sound like Mariah, you've heard

1417
01:03:37,040 --> 01:03:40,120
Speaker 3: that before and you've obviously probably almost certainly looked up

1418
01:03:40,120 --> 01:03:43,560
Speaker 3: to Mariah. So now that you have the opportunity to

1419
01:03:44,160 --> 01:03:46,440
Speaker 3: pay tribute to Mariah, you're pulling up.

1420
01:03:46,480 --> 01:03:48,439
Speaker 4: But also a lot of people have so this isn't

1421
01:03:48,480 --> 01:03:51,840
Speaker 4: Mariah's first tribute, right of course, So some people have

1422
01:03:51,960 --> 01:03:55,600
Speaker 4: like Arianna Grande has already sung from Mariah Carey, and

1423
01:03:55,760 --> 01:03:58,280
Speaker 4: you know, and that's the first person you would think about.

1424
01:03:58,440 --> 01:04:00,720
Speaker 4: So she's done that already, you see what I'm saying.

1425
01:04:00,760 --> 01:04:02,760
Speaker 4: So this is like the third or fourth one, like

1426
01:04:02,800 --> 01:04:03,760
Speaker 4: they run it out of people.

1427
01:04:05,560 --> 01:04:07,880
Speaker 1: I do want to give props to Taylor Momson.

1428
01:04:07,960 --> 01:04:10,400
Speaker 4: If you don't know who Taylor Momson is, most of

1429
01:04:10,440 --> 01:04:12,960
Speaker 4: y'all know her as the little girl from The Grinch?

1430
01:04:13,800 --> 01:04:16,640
Speaker 1: Who Are Where Are You? Chris mus So?

1431
01:04:16,680 --> 01:04:19,840
Speaker 4: She did a tribute to Mariah for Mariah's unreleased Like

1432
01:04:19,960 --> 01:04:23,640
Speaker 4: Grunge Funk, not grunge Funk, but like grunge pop rock album.

1433
01:04:24,520 --> 01:04:29,120
Speaker 4: She performed someone Ugly, well Someone's ugliest daughter, some someone

1434
01:04:29,240 --> 01:04:30,960
Speaker 4: Ugly's daughter or something like. That's the name of the song,

1435
01:04:31,000 --> 01:04:33,480
Speaker 4: but she performed but funny enough just to give Mariah

1436
01:04:33,480 --> 01:04:34,280
Speaker 4: her writing credit.

1437
01:04:34,360 --> 01:04:35,840
Speaker 1: She wrote where are You Christmas?

1438
01:04:35,880 --> 01:04:38,520
Speaker 4: By the way, she could perform it, yeah, because Tommy

1439
01:04:38,560 --> 01:04:40,080
Speaker 4: Watola and all that shit that was going on with

1440
01:04:40,120 --> 01:04:42,520
Speaker 4: her ex at the time. So faith Hill ended up

1441
01:04:42,560 --> 01:04:45,240
Speaker 4: being the one who officially like performed it when it

1442
01:04:45,280 --> 01:04:46,040
Speaker 4: was like a bigger song.

1443
01:04:46,080 --> 01:04:48,040
Speaker 1: But yeah, Mariah wrote where are You Christmas?

1444
01:04:48,240 --> 01:04:52,720
Speaker 4: I thought I should let you know, Okay, yeah, two

1445
01:04:52,760 --> 01:04:55,480
Speaker 4: two legendary Christmas songs under her motherfucking bit.

1446
01:04:55,800 --> 01:04:59,040
Speaker 2: We have said numerous times that Mariah carry owns Christmas,

1447
01:04:59,160 --> 01:05:03,040
Speaker 2: not Mariah care Santa Now Jesus Fox News, Mariah Carey

1448
01:05:03,080 --> 01:05:04,240
Speaker 2: owns Christmas.

1449
01:05:04,560 --> 01:05:06,920
Speaker 4: Yeah, bringing it back out, but she deserves better than

1450
01:05:06,960 --> 01:05:08,880
Speaker 4: what she got and I'm happy she was screwing her

1451
01:05:08,880 --> 01:05:10,200
Speaker 4: face about all those people.

1452
01:05:11,600 --> 01:05:13,800
Speaker 3: Yet, maull.

1453
01:05:13,880 --> 01:05:17,000
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Speaker 2: Did any of you guys, watch Hip Boy versus Mike

1491
01:07:16,320 --> 01:07:20,920
Speaker 2: Will made it versus Yes, I did too.

1492
01:07:24,120 --> 01:07:27,280
Speaker 1: Long night for you boy, hit boy.

1493
01:07:26,800 --> 01:07:30,800
Speaker 2: Here's my thing. It's I love when you have a thing.

1494
01:07:32,160 --> 01:07:34,160
Speaker 2: We can get into the track lists and this and

1495
01:07:34,160 --> 01:07:40,600
Speaker 2: that both these guys make the best music ever. I

1496
01:07:40,680 --> 01:07:44,680
Speaker 2: just don't want to see y'all rap those songs aspect

1497
01:07:44,760 --> 01:07:47,520
Speaker 2: of it. I could even see in Hip Boy's face

1498
01:07:47,520 --> 01:07:49,440
Speaker 2: that he almost felt like why, Like I don't even

1499
01:07:49,480 --> 01:07:52,720
Speaker 2: want to Why am I rapping a Drake record right now?

1500
01:07:52,800 --> 01:07:54,840
Speaker 2: Why is Mike Will rapping a Kendrick like I just

1501
01:07:56,560 --> 01:07:59,960
Speaker 2: versus is great? And most of the producer verses we

1502
01:08:00,120 --> 01:08:02,919
Speaker 2: had was when it was you know, on IG Live

1503
01:08:03,000 --> 01:08:06,919
Speaker 2: and they were just playing records, and it's turned into

1504
01:08:06,920 --> 01:08:09,240
Speaker 2: a performance thing for artists, even with the cash money,

1505
01:08:09,320 --> 01:08:11,600
Speaker 2: no limit shit, like they brought out people to wrap

1506
01:08:11,640 --> 01:08:16,240
Speaker 2: the ship. I just don't know if producers are the

1507
01:08:16,280 --> 01:08:21,439
Speaker 2: people to be performing these records in a versus no. Well,

1508
01:08:21,520 --> 01:08:23,120
Speaker 2: and then it's awkward too, because if it's just the

1509
01:08:23,240 --> 01:08:25,280
Speaker 2: DJ and it's just y'all going back and forth and

1510
01:08:25,320 --> 01:08:26,960
Speaker 2: just sitting there like this, I get it. It's just

1511
01:08:27,000 --> 01:08:29,360
Speaker 2: an awkward setup. Well, it was.

1512
01:08:29,720 --> 01:08:32,200
Speaker 3: It was very awkward for me only because hip Boy

1513
01:08:32,240 --> 01:08:35,720
Speaker 3: can actually rap. Hip Boy is an incredible rapper, and

1514
01:08:35,800 --> 01:08:38,280
Speaker 3: so you know, it was it was kind of weird

1515
01:08:38,320 --> 01:08:40,680
Speaker 3: to see him kind of like stumble a little bit.

1516
01:08:40,680 --> 01:08:43,040
Speaker 3: I don't know if the sound and there was was

1517
01:08:43,080 --> 01:08:45,519
Speaker 3: all the way right, and when the playback mindits, he

1518
01:08:45,520 --> 01:08:48,280
Speaker 3: seemed to be ahead of the music. Sometimes that could

1519
01:08:48,280 --> 01:08:51,000
Speaker 3: have been the stream. Maybe it sounded fine there. Yeah,

1520
01:08:51,040 --> 01:08:53,760
Speaker 3: Buck knows, but yeah, I don't know. I think they

1521
01:08:53,800 --> 01:08:56,280
Speaker 3: should have treated this more like a party. I think

1522
01:08:56,720 --> 01:09:00,880
Speaker 3: it's obviously grammy weekend. I think they should have treated

1523
01:09:00,960 --> 01:09:03,960
Speaker 3: it more like a party, like like boiler room type.

1524
01:09:03,800 --> 01:09:07,599
Speaker 3: Let Mike DJ play a couple of his records, Let

1525
01:09:07,680 --> 01:09:11,160
Speaker 3: Hit DJ play a couple of his records. I think

1526
01:09:11,200 --> 01:09:13,559
Speaker 3: that should have been more of the vibe with this versus.

1527
01:09:13,600 --> 01:09:16,599
Speaker 3: I think letting these two guys perform it just kind

1528
01:09:16,600 --> 01:09:19,200
Speaker 3: of felt I don't know, like, hey, yeah, I did

1529
01:09:19,200 --> 01:09:21,160
Speaker 3: this too, and it's kind of like we stunting on

1530
01:09:21,160 --> 01:09:24,080
Speaker 3: each other instead of let's just play our hits for

1531
01:09:24,240 --> 01:09:28,600
Speaker 3: a room full of people and everybody have a good time. Yeah.

1532
01:09:28,680 --> 01:09:32,360
Speaker 2: The structure of versus, I think outgrew its own structure,

1533
01:09:32,439 --> 01:09:36,080
Speaker 2: Like after Locke's dipset. It's tough to go back to

1534
01:09:36,240 --> 01:09:39,400
Speaker 2: just having two producers sit there play music and rap.

1535
01:09:39,439 --> 01:09:42,479
Speaker 3: Yeah, the songs, it's just gotten odds.

1536
01:09:42,640 --> 01:09:44,559
Speaker 2: Like I love when Big Big Sean came out, Like

1537
01:09:44,960 --> 01:09:47,600
Speaker 2: I think that stuff's great if you can't commit to

1538
01:09:47,680 --> 01:09:51,600
Speaker 2: having at least a good majority, if not half, of

1539
01:09:51,640 --> 01:09:53,200
Speaker 2: those songs be somewhat performed.

1540
01:09:53,240 --> 01:09:53,639
Speaker 3: But it's toff.

1541
01:09:53,640 --> 01:09:55,280
Speaker 2: You're talking about Mike will and Hippoy who make your

1542
01:09:55,320 --> 01:09:58,000
Speaker 2: hears for Kenrick Lamar Drake, Like.

1543
01:09:58,080 --> 01:10:01,400
Speaker 3: Yeah, that's tough, but it's I don't know.

1544
01:10:01,720 --> 01:10:05,040
Speaker 2: They have to find a different way where the producer

1545
01:10:05,080 --> 01:10:08,559
Speaker 2: doesn't need to carry the mic version of every Yeah no,

1546
01:10:08,680 --> 01:10:11,000
Speaker 2: just let the records play, like let people this is

1547
01:10:11,040 --> 01:10:13,479
Speaker 2: actually a great host, Like I don't know if Swiss

1548
01:10:13,479 --> 01:10:15,800
Speaker 2: could be like somehow they need to fix that because

1549
01:10:15,840 --> 01:10:18,200
Speaker 2: I just don't want to see versus like I love versus.

1550
01:10:18,360 --> 01:10:20,759
Speaker 3: Just play the songs, don't let them, don't don't perform

1551
01:10:20,880 --> 01:10:24,439
Speaker 3: the record, play the music. Let people that's there have

1552
01:10:24,520 --> 01:10:27,920
Speaker 3: a good time, Like keep it. I get his versus

1553
01:10:28,000 --> 01:10:29,559
Speaker 3: and gots to feel like a battle. I get that

1554
01:10:29,600 --> 01:10:32,160
Speaker 3: whole part of it, but not what we're talking about.

1555
01:10:32,240 --> 01:10:35,200
Speaker 3: You know, the producers now the artists themselves are in

1556
01:10:35,240 --> 01:10:37,960
Speaker 3: the verses, then let you know, let them do their records.

1557
01:10:38,000 --> 01:10:41,080
Speaker 3: But producers trying to perform records that they did for artists.

1558
01:10:41,080 --> 01:10:42,600
Speaker 3: It's just a little weird to me.

1559
01:10:42,800 --> 01:10:45,760
Speaker 2: And with with with Mike Will and hip Boy, two

1560
01:10:46,520 --> 01:10:52,479
Speaker 2: producers that actually play like NBC keys everything I was

1561
01:10:52,520 --> 01:10:56,040
Speaker 2: expecting and maybe I overly expected that that was going

1562
01:10:56,080 --> 01:10:58,840
Speaker 2: to be an element in the type of thing I thought, like,

1563
01:10:59,400 --> 01:11:02,240
Speaker 2: to me, that would be crazy. If you get Goldie

1564
01:11:02,240 --> 01:11:04,160
Speaker 2: with hip Boy and he's playing at least just the

1565
01:11:04,240 --> 01:11:07,240
Speaker 2: drums on everything. You could add in a little remix,

1566
01:11:07,320 --> 01:11:10,439
Speaker 2: like a different way of going about it would add

1567
01:11:10,439 --> 01:11:13,439
Speaker 2: that element instead of two people that are quiet producers. Man,

1568
01:11:13,680 --> 01:11:15,360
Speaker 2: Michael and hip Boy are just two cool people that

1569
01:11:15,439 --> 01:11:18,840
Speaker 2: kick back and our icons in their fields. But they're

1570
01:11:18,880 --> 01:11:20,639
Speaker 2: not like they don't host things.

1571
01:11:20,840 --> 01:11:23,160
Speaker 3: But Hit kind of did that with the trophies a bit, Yeah,

1572
01:11:23,160 --> 01:11:25,360
Speaker 3: when he played the sample in the beginning. Yeah, but I.

1573
01:11:25,360 --> 01:11:27,920
Speaker 2: Would have seen I can see that with producers that

1574
01:11:28,000 --> 01:11:30,200
Speaker 2: don't actually play, Like, how do you even do that?

1575
01:11:30,280 --> 01:11:33,400
Speaker 2: But Hit Man, I know, again that's a big ask,

1576
01:11:33,520 --> 01:11:35,320
Speaker 2: But to me, that's how important versus is. Set up

1577
01:11:35,360 --> 01:11:38,320
Speaker 2: the fucking keys and your NPC. Not every record, but

1578
01:11:38,439 --> 01:11:40,920
Speaker 2: sit there and do do the record. Yeah, as a

1579
01:11:40,960 --> 01:11:44,720
Speaker 2: whole different effect, different element of like okay, parents may hit.

1580
01:11:44,720 --> 01:11:47,519
Speaker 2: Different when I see somebody like oh shit all right

1581
01:11:47,600 --> 01:11:49,759
Speaker 2: and they once you can see the real genius sample,

1582
01:11:50,160 --> 01:11:52,280
Speaker 2: Like it's like people want to hear it, like oh shit, okay.

1583
01:11:52,520 --> 01:11:55,600
Speaker 2: Like even the way Al kind of DJs. Yeah, with

1584
01:11:55,920 --> 01:11:57,680
Speaker 2: what he does, he obviously want to see there. But

1585
01:11:57,720 --> 01:12:01,000
Speaker 2: he has everything loaded into that and you see him

1586
01:12:01,040 --> 01:12:04,200
Speaker 2: put everything together when he DJ's and it's like, yo,

1587
01:12:04,479 --> 01:12:07,120
Speaker 2: Al's a genius. Because even when we were in London,

1588
01:12:07,760 --> 01:12:09,640
Speaker 2: there was it obviously like we're gonna make it. You

1589
01:12:09,680 --> 01:12:13,320
Speaker 2: can catch those samples. But even when he did meet

1590
01:12:13,320 --> 01:12:15,559
Speaker 2: the grams in uh in London, I was like that

1591
01:12:15,760 --> 01:12:16,720
Speaker 2: was the how did.

1592
01:12:16,680 --> 01:12:18,000
Speaker 3: You even find that? Yeah?

1593
01:12:18,200 --> 01:12:21,519
Speaker 2: It was crazy that it's more entertaining when it comes

1594
01:12:21,560 --> 01:12:23,120
Speaker 2: to real producers like Mike will And.

1595
01:12:23,479 --> 01:12:26,439
Speaker 3: And hit Boy. Yeah, but you know, but they I mean,

1596
01:12:27,560 --> 01:12:32,160
Speaker 3: I feel like the hits boy they got between those two,

1597
01:12:32,200 --> 01:12:33,679
Speaker 3: they got some hits.

1598
01:12:34,320 --> 01:12:36,479
Speaker 2: We gave hit Boy his flowers all the time on

1599
01:12:36,520 --> 01:12:39,920
Speaker 2: this podcast and I'm not doing another justin Bieber rant,

1600
01:12:39,960 --> 01:12:41,320
Speaker 2: but Mike will name.

1601
01:12:42,640 --> 01:12:45,120
Speaker 3: We should bring it up quicker. Yeah, I agree, that's

1602
01:12:45,240 --> 01:12:47,320
Speaker 3: one game. Should we should bring it up? Quicker. It

1603
01:12:47,360 --> 01:12:49,200
Speaker 3: was a couple of records that I was like, oh, ship,

1604
01:12:49,200 --> 01:12:51,000
Speaker 3: I didn't know what was it was it D n D.

1605
01:12:51,920 --> 01:12:55,280
Speaker 3: I didn't even know. Yeah, So when he played that,

1606
01:12:55,320 --> 01:12:57,000
Speaker 3: I was just like, I didn't even know he did that.

1607
01:12:57,080 --> 01:12:58,120
Speaker 3: He was fucking insane.

1608
01:12:58,320 --> 01:13:02,240
Speaker 2: Yeah, but yeah, I want them to keep versus moving.

1609
01:13:02,280 --> 01:13:04,400
Speaker 2: I hope it's not something that Apple just takes to

1610
01:13:04,439 --> 01:13:07,880
Speaker 2: fall on the wayside, Like maybe give Mike Willing and

1611
01:13:07,960 --> 01:13:10,400
Speaker 2: hit Boy more money and they'll sit there and put together.

1612
01:13:10,520 --> 01:13:14,840
Speaker 2: I'll play liven but get more money. Are we going

1613
01:13:14,880 --> 01:13:19,040
Speaker 2: to touch touch the topic that the Internet said we'd

1614
01:13:19,040 --> 01:13:19,719
Speaker 2: never touched?

1615
01:13:19,920 --> 01:13:21,439
Speaker 3: I hope you guys in here, I don't know if

1616
01:13:21,479 --> 01:13:23,160
Speaker 3: touch with the right words you want to use. I

1617
01:13:23,160 --> 01:13:23,599
Speaker 3: hope you.

1618
01:13:23,560 --> 01:13:27,519
Speaker 2: Two in here specifically are not just going to ignore

1619
01:13:27,560 --> 01:13:32,639
Speaker 2: this topic and hold everyone accountable that Jay Z has

1620
01:13:32,720 --> 01:13:36,599
Speaker 2: been fucking women with Harvey Weinstein in Lord Year nineteen

1621
01:13:36,640 --> 01:13:41,679
Speaker 2: ninety six and pusha T was a handler for Jeffrey Epstein.

1622
01:13:42,160 --> 01:13:44,280
Speaker 2: I hope you guys are not going to be the

1623
01:13:44,400 --> 01:13:47,439
Speaker 2: podcasters that are on the payroll for Rock Nation. You

1624
01:13:47,479 --> 01:13:51,280
Speaker 2: sit here and take accountability for your legends based off

1625
01:13:51,400 --> 01:13:58,600
Speaker 2: this FBI hotline tip that somebody called in that's homeless

1626
01:13:59,400 --> 01:14:02,480
Speaker 2: and suggest yeah, so unhousedus.

1627
01:14:03,000 --> 01:14:05,599
Speaker 4: Okay, let's clear this up in a serious way, because

1628
01:14:05,600 --> 01:14:06,880
Speaker 4: these are serious allegations.

1629
01:14:06,960 --> 01:14:07,160
Speaker 1: Right.

1630
01:14:08,280 --> 01:14:10,479
Speaker 4: There was a tip that was given to the FBI,

1631
01:14:10,880 --> 01:14:12,920
Speaker 4: by which means on.

1632
01:14:12,880 --> 01:14:14,600
Speaker 1: A tip line, right, I could have called in.

1633
01:14:14,680 --> 01:14:17,160
Speaker 4: Anybody could have called in and said that jay Z

1634
01:14:17,880 --> 01:14:22,599
Speaker 4: included pusha t qu'ar on Epstein Island doing whatever this is.

1635
01:14:23,439 --> 01:14:27,200
Speaker 2: It wasn't on Epstein Island a woman or man because

1636
01:14:27,200 --> 01:14:30,200
Speaker 2: we didn't get the gender. Suggested that they were kidnapped

1637
01:14:30,280 --> 01:14:32,360
Speaker 2: multiple times, and one of the times they were kidnapped,

1638
01:14:32,439 --> 01:14:35,439
Speaker 2: I believe seven times they were kidnapped. One of those

1639
01:14:35,439 --> 01:14:39,880
Speaker 2: times they woke up in nineteen ninety six and they

1640
01:14:39,920 --> 01:14:43,040
Speaker 2: saw jay Z and Harvey Weinstein together in the room

1641
01:14:43,280 --> 01:14:46,439
Speaker 2: after their kidnapping, and then Harvey Weinstein went on to

1642
01:14:46,479 --> 01:14:54,960
Speaker 2: sexually assault them while jay Z was was watching. She's yeah.

1643
01:14:56,320 --> 01:15:00,120
Speaker 2: Now I'm with Damarus. I'm making jokes here. I and

1644
01:15:00,320 --> 01:15:03,479
Speaker 2: very pro leak all the files. I leak everything of

1645
01:15:03,560 --> 01:15:06,679
Speaker 2: every tip that ever came through. I think anonymous phone

1646
01:15:06,680 --> 01:15:10,200
Speaker 2: lines are important. They eventually do get to the real thing.

1647
01:15:10,360 --> 01:15:14,679
Speaker 2: But they sift through a lot of shit on hotlines

1648
01:15:14,720 --> 01:15:16,280
Speaker 2: and they take the ones that are serious and actually

1649
01:15:16,320 --> 01:15:19,519
Speaker 2: investigate them. This lands in the pile of.

1650
01:15:20,880 --> 01:15:24,160
Speaker 4: Shit that never got investigated because it's not fucking real.

1651
01:15:25,240 --> 01:15:27,920
Speaker 3: It's just it's unfortunate because they are real victims, and

1652
01:15:27,920 --> 01:15:31,720
Speaker 3: that's my asty, like this is happening, but it's just,

1653
01:15:31,760 --> 01:15:34,720
Speaker 3: you know, it's just it's beyond ridiculous. At this point, though,

1654
01:15:34,840 --> 01:15:38,840
Speaker 3: nineteen ninety six Jay Z and Harvey Cohnstein Stop Stop Mall.

1655
01:15:39,200 --> 01:15:42,720
Speaker 2: Everyone on the internet was suggesting that reasonable doubt that

1656
01:15:42,840 --> 01:15:45,200
Speaker 2: was the year his first album came out. He was

1657
01:15:45,240 --> 01:15:47,479
Speaker 2: on his way to start him. Biggie had just died,

1658
01:15:47,520 --> 01:15:51,400
Speaker 2: so he was definitely the next one up, and the

1659
01:15:50,880 --> 01:15:51,920
Speaker 2: at least.

1660
01:15:51,800 --> 01:15:59,120
Speaker 3: Understood that he wasn't. I'm trying to take it serious.

1661
01:15:59,120 --> 01:16:02,800
Speaker 2: I'm sorry people are pushesting that that that Jay was,

1662
01:16:03,160 --> 01:16:05,439
Speaker 2: that the photos of him and Russell Simmons in nineteen

1663
01:16:05,520 --> 01:16:08,519
Speaker 2: ninety six jay Z was maybe maybe he was a

1664
01:16:08,560 --> 01:16:11,519
Speaker 2: little bit bigger than we think when he when he

1665
01:16:11,560 --> 01:16:12,720
Speaker 2: was still seeing drugs.

1666
01:16:12,479 --> 01:16:15,040
Speaker 3: And flash Simmons in ninety six. They didn't they know

1667
01:16:15,120 --> 01:16:20,920
Speaker 3: that Rockefeller deaf jam was a thing exactly. No, you're

1668
01:16:20,960 --> 01:16:24,280
Speaker 3: proving the point. Oh yeah, I guess. I don't know. Man.

1669
01:16:24,680 --> 01:16:27,200
Speaker 3: It's unfortunate because people that were asking for these files

1670
01:16:27,200 --> 01:16:30,920
Speaker 3: to be released. Myself included the files and I released

1671
01:16:31,280 --> 01:16:34,360
Speaker 3: over three million pages or something like that, videos, all

1672
01:16:34,520 --> 01:16:36,879
Speaker 3: kinds of things. They have to empty the files. Everybody

1673
01:16:36,920 --> 01:16:39,160
Speaker 3: could do what they want to do and kind of

1674
01:16:39,240 --> 01:16:41,439
Speaker 3: you know, shift through it and you know, whatever they're

1675
01:16:41,479 --> 01:16:45,400
Speaker 3: I guess looking for, maybe they would find. But nobody

1676
01:16:45,479 --> 01:16:48,719
Speaker 3: had this being definitely not Push your Tea days.

1677
01:16:48,720 --> 01:16:51,120
Speaker 4: I pushing T was one of the handlers of the

1678
01:16:51,160 --> 01:16:53,479
Speaker 4: girl that was drugging. That's also Push your Tea was

1679
01:16:53,479 --> 01:16:57,880
Speaker 4: like moving her like wait, like that's yeah, this is

1680
01:16:58,880 --> 01:17:00,320
Speaker 4: I don't want you guys.

1681
01:17:01,640 --> 01:17:03,160
Speaker 2: First of all, we're on record when it comes to

1682
01:17:03,200 --> 01:17:05,600
Speaker 2: this type of shit. We don't play about it. I

1683
01:17:05,640 --> 01:17:07,560
Speaker 2: know we're joking right now, but sometimes you need to

1684
01:17:07,640 --> 01:17:09,960
Speaker 2: joke about shit that is so fucking ridiculous when it

1685
01:17:10,000 --> 01:17:13,400
Speaker 2: comes to serious topics that actually need real focus.

1686
01:17:13,520 --> 01:17:15,320
Speaker 3: Yeah, that's my issue.

1687
01:17:15,320 --> 01:17:18,720
Speaker 2: And if anyone has pushback on this, go look at

1688
01:17:18,720 --> 01:17:21,599
Speaker 2: our resume when it comes to these types of topics,

1689
01:17:21,640 --> 01:17:24,200
Speaker 2: when it was taboo to even say and what we

1690
01:17:24,280 --> 01:17:26,840
Speaker 2: actually said at the time when y'all was defending Diddy

1691
01:17:27,080 --> 01:17:28,960
Speaker 2: before any video came out, we was the only pod

1692
01:17:28,960 --> 01:17:29,439
Speaker 2: talking about this.

1693
01:17:29,439 --> 01:17:30,599
Speaker 3: We don't play about this type of shit.

1694
01:17:31,160 --> 01:17:34,400
Speaker 2: To the point that I'm laughing at this ridiculous bullshit

1695
01:17:34,840 --> 01:17:38,360
Speaker 2: based off what came out with those Epstein files that

1696
01:17:38,600 --> 01:17:43,000
Speaker 2: was true and does need actual real focus. This is ridiculous. Yes,

1697
01:17:43,080 --> 01:17:44,960
Speaker 2: so y'all are making this a stan war thing.

1698
01:17:45,760 --> 01:17:47,040
Speaker 3: That's my thing. When you stand.

1699
01:17:46,800 --> 01:17:51,439
Speaker 2: Pages, you were happy to see this, oh yeah, And

1700
01:17:51,479 --> 01:17:54,240
Speaker 2: that was my issue even with the other jay Z

1701
01:17:54,400 --> 01:17:58,840
Speaker 2: case that was dismissed that clearly was absolutely insane with

1702
01:17:58,880 --> 01:18:01,760
Speaker 2: the timeline ran with that tooto, y'all got, y'all got,

1703
01:18:02,120 --> 01:18:03,920
Speaker 2: y'all got mad that somebody wasn't raped.

1704
01:18:04,640 --> 01:18:07,040
Speaker 3: Yeah, that's not weird, y'all. Yeah.

1705
01:18:07,280 --> 01:18:09,960
Speaker 4: And I don't even want to I don't even want

1706
01:18:09,960 --> 01:18:12,800
Speaker 4: to make this just a standpage thing because this has

1707
01:18:12,920 --> 01:18:17,080
Speaker 4: reached so far, Like like I said, like when it

1708
01:18:17,160 --> 01:18:20,400
Speaker 4: hits Facebook and shit like that, and the old people

1709
01:18:20,479 --> 01:18:22,680
Speaker 4: start getting in touch with it who don't have the

1710
01:18:22,800 --> 01:18:25,360
Speaker 4: media literacy. Shit, the young people apparently don't have media

1711
01:18:25,400 --> 01:18:28,640
Speaker 4: literacy either to actually go and research things and not

1712
01:18:28,760 --> 01:18:31,559
Speaker 4: just look at the big shiny headlines that the blogs post.

1713
01:18:32,080 --> 01:18:34,559
Speaker 4: It's like they don't even know what they're taking from this.

1714
01:18:34,880 --> 01:18:37,599
Speaker 4: So everything that was released into Epstein Files, like, like

1715
01:18:37,640 --> 01:18:41,479
Speaker 4: they said, under the Transparency Act, every single tip that

1716
01:18:41,600 --> 01:18:43,920
Speaker 4: was received was also released, whether it was.

1717
01:18:43,880 --> 01:18:44,640
Speaker 1: Bullshit or not.

1718
01:18:45,200 --> 01:18:47,880
Speaker 4: This so saying, oh, the Epstein Files, that doesn't mean

1719
01:18:47,880 --> 01:18:50,280
Speaker 4: that every single thing that's in there is fact. So

1720
01:18:50,400 --> 01:18:51,800
Speaker 4: at this point you have to kind of have to

1721
01:18:51,800 --> 01:18:54,280
Speaker 4: take your common sense and be like, why the fuck

1722
01:18:54,320 --> 01:18:56,479
Speaker 4: would jay Z be hanging out with Harvey Weinstein?

1723
01:18:56,520 --> 01:18:58,320
Speaker 1: Why would Harvey Weinstein.

1724
01:18:58,320 --> 01:19:01,960
Speaker 4: Trust nineteen ninety six jay Z enough to do dirt

1725
01:19:01,960 --> 01:19:04,320
Speaker 4: in front of him? I just like, there's no common

1726
01:19:04,320 --> 01:19:06,479
Speaker 4: sense anywhere. There's no context clues. It's the same thing

1727
01:19:06,560 --> 01:19:08,960
Speaker 4: I was fucking fighting about when we were talking about

1728
01:19:08,960 --> 01:19:11,240
Speaker 4: the j Cole Simba bar and people are like Jay

1729
01:19:11,280 --> 01:19:13,000
Speaker 4: Cole used to call himself Young Simba and we're over

1730
01:19:13,000 --> 01:19:14,880
Speaker 4: here like, broh, we know that. Look at the Look

1731
01:19:14,920 --> 01:19:17,599
Speaker 4: at the text above and the text below. There's no

1732
01:19:17,720 --> 01:19:20,760
Speaker 4: con nobody pays attention to context clues. We are a

1733
01:19:20,800 --> 01:19:22,439
Speaker 4: fucking literacy crisis.

1734
01:19:22,920 --> 01:19:25,400
Speaker 2: And the song on the Chris playing in the background

1735
01:19:25,479 --> 01:19:31,519
Speaker 2: is Young Symbol by Jacoba me crazy. What's unfortunate again

1736
01:19:31,600 --> 01:19:36,559
Speaker 2: with this type of stuff is that common sense is

1737
01:19:36,760 --> 01:19:39,639
Speaker 2: they're not ignoring their common sense. It just fits better

1738
01:19:39,680 --> 01:19:43,280
Speaker 2: with their narrative of what they are doing in their

1739
01:19:43,320 --> 01:19:48,880
Speaker 2: stand wars. Is having Push or having jay Z a

1740
01:19:48,960 --> 01:19:52,599
Speaker 2: part of this whole thing. And what's unfortunate. The FBI

1741
01:19:52,680 --> 01:19:55,760
Speaker 2: hotline should always be open, but you're gonna get ninety

1742
01:19:55,800 --> 01:20:00,679
Speaker 2: nine point nine percent of fucking insane tips. Yeah, now

1743
01:20:00,880 --> 01:20:02,599
Speaker 2: we said release all Epstein files.

1744
01:20:02,600 --> 01:20:03,080
Speaker 3: That's what we want.

1745
01:20:03,160 --> 01:20:07,320
Speaker 2: We still want more. That's part of it. Sift through

1746
01:20:07,320 --> 01:20:08,920
Speaker 2: the ship the way that BI didn't find the real

1747
01:20:08,920 --> 01:20:15,479
Speaker 2: ones and pro FBI or pro d o J just

1748
01:20:15,520 --> 01:20:17,559
Speaker 2: like this is kind of fucking ridiculous, Like.

1749
01:20:18,439 --> 01:20:21,400
Speaker 3: It's just but it's unfortunate because one, again, there are

1750
01:20:21,439 --> 01:20:25,519
Speaker 3: real victims. That's two. When you have a name as

1751
01:20:25,520 --> 01:20:28,400
Speaker 3: polarizing as a jay Z attached to it, that's the

1752
01:20:28,439 --> 01:20:30,439
Speaker 3: only thing that people kind of see and hear and

1753
01:20:30,479 --> 01:20:35,960
Speaker 3: read instead of like, you know, more real things and

1754
01:20:36,040 --> 01:20:39,559
Speaker 3: things that have more credence. It's unfortunate. And then it's

1755
01:20:39,600 --> 01:20:42,680
Speaker 3: unfortunate because again, like you know, to Damaris's point, some

1756
01:20:42,720 --> 01:20:45,479
Speaker 3: people are gonna run with this and really feel like

1757
01:20:45,800 --> 01:20:48,559
Speaker 3: you know, there is gonna be conversations in different communities like,

1758
01:20:48,760 --> 01:20:51,080
Speaker 3: oh no, jay Z is in the Epstein's files, and

1759
01:20:51,120 --> 01:20:53,960
Speaker 3: it's like, but they don't know that this is not

1760
01:20:54,600 --> 01:20:55,920
Speaker 3: a real thing, Like and.

1761
01:20:55,880 --> 01:20:57,080
Speaker 2: I don't even want to make a jay Z thing.

1762
01:20:57,080 --> 01:20:59,680
Speaker 2: When we were talking about the Puff trial, you can

1763
01:20:59,680 --> 01:21:02,360
Speaker 2: go back whatever episode that was, we had talked about

1764
01:21:02,400 --> 01:21:06,320
Speaker 2: how unfortunate it was the amount of names knowing that

1765
01:21:06,320 --> 01:21:09,560
Speaker 2: Puff is guilty for what he's done. There's going to

1766
01:21:09,600 --> 01:21:11,240
Speaker 2: be a bunch of names that just happen to be

1767
01:21:11,280 --> 01:21:13,599
Speaker 2: around Puff that are going to be in those files

1768
01:21:13,680 --> 01:21:17,360
Speaker 2: that did not do a fucking thing and now their

1769
01:21:17,439 --> 01:21:19,600
Speaker 2: name is going to be tartarsed. And that's so unfortunate

1770
01:21:19,760 --> 01:21:22,479
Speaker 2: that some people, just being in proximity without any knowledge

1771
01:21:22,520 --> 01:21:25,120
Speaker 2: of what was going on, are now in files that

1772
01:21:25,160 --> 01:21:29,120
Speaker 2: are tainted like this, and idiots on the internet are

1773
01:21:29,160 --> 01:21:31,240
Speaker 2: now going to put that type of smut on your name.

1774
01:21:32,600 --> 01:21:35,160
Speaker 2: And it's not a j Z defense in that regard,

1775
01:21:35,800 --> 01:21:41,400
Speaker 2: but other people in the Epstein files that honestly, yeah, yeah, yeah,

1776
01:21:41,400 --> 01:21:42,320
Speaker 2: I was at a party with EPs.

1777
01:21:42,400 --> 01:21:43,439
Speaker 3: I didn't even know. I don't know he was on

1778
01:21:43,479 --> 01:21:44,160
Speaker 3: that side. I don't know him.

1779
01:21:44,160 --> 01:21:45,280
Speaker 2: I didn't even say how to him.

1780
01:21:45,360 --> 01:21:47,880
Speaker 1: Yeah, and y'all like, yeh, he.

1781
01:21:47,840 --> 01:21:49,760
Speaker 2: Was in the same room as me. I don't fucking know.

1782
01:21:50,160 --> 01:21:52,559
Speaker 2: And now your name is on that forever, which is

1783
01:21:52,560 --> 01:21:54,160
Speaker 2: fucked up. But I think it's also the price to

1784
01:21:54,200 --> 01:21:56,879
Speaker 2: pay to eventually try to get justice though, because anybody

1785
01:21:56,880 --> 01:21:59,760
Speaker 2: that is around that person should be looked into. I'm

1786
01:21:59,800 --> 01:22:01,240
Speaker 2: not saying throw spun on their name for the rest

1787
01:22:01,240 --> 01:22:03,679
Speaker 2: of your life, but yeah, if you was around somebody

1788
01:22:03,720 --> 01:22:06,160
Speaker 2: that did foulshit, we should vet what happened.

1789
01:22:06,320 --> 01:22:07,559
Speaker 3: Yeah, for sure, We've all.

1790
01:22:07,400 --> 01:22:10,400
Speaker 2: Been around foul people without knowledge of things they were

1791
01:22:10,439 --> 01:22:11,519
Speaker 2: doing in their personal life.

1792
01:22:12,760 --> 01:22:14,360
Speaker 3: Even though it's fucked up. If you put something on

1793
01:22:14,360 --> 01:22:17,000
Speaker 3: our neck, vet me, then right.

1794
01:22:16,800 --> 01:22:19,280
Speaker 2: I'm fine with that. I wouldn't be offended. You should

1795
01:22:19,360 --> 01:22:22,000
Speaker 2: vet me being around that person, to get down to

1796
01:22:22,080 --> 01:22:25,320
Speaker 2: exactly what I knew and what I was around for.

1797
01:22:25,760 --> 01:22:29,400
Speaker 2: I'm never mad at somebody saying that. Now I maybe

1798
01:22:29,439 --> 01:22:31,439
Speaker 2: just have a bit more knowledge of nineteen ninety six

1799
01:22:31,479 --> 01:22:32,720
Speaker 2: and jay Z and where the fuck he was at

1800
01:22:32,720 --> 01:22:35,400
Speaker 2: in his life. If jay Z and Harvey Weinstein were

1801
01:22:35,400 --> 01:22:38,040
Speaker 2: involved in a kidnapping and drugging and sexually, if jay

1802
01:22:38,080 --> 01:22:41,519
Speaker 2: Z and Harvey Weinstein sexually assaulted somebody in the room together.

1803
01:22:42,439 --> 01:22:44,840
Speaker 3: Throw jay Z in jail for sure. And this is

1804
01:22:45,160 --> 01:22:45,479
Speaker 3: just when I.

1805
01:22:45,479 --> 01:22:47,799
Speaker 2: Say that sentence out loud, it sounds fucking hilarious.

1806
01:22:47,920 --> 01:22:49,759
Speaker 1: The FBI been had these files.

1807
01:22:49,800 --> 01:22:51,759
Speaker 4: Why the fuck do you think that they got released

1808
01:22:51,760 --> 01:22:54,120
Speaker 4: to y'all and y'all life like yo, So this person

1809
01:22:54,200 --> 01:22:54,960
Speaker 4: is guilty, it is.

1810
01:22:55,040 --> 01:22:58,280
Speaker 1: The FBI had all of this information, ain't charged j

1811
01:22:58,439 --> 01:23:00,320
Speaker 1: with a fuck thing? Like what are y'all like?

1812
01:23:00,400 --> 01:23:02,160
Speaker 4: I just need you to use your brains and actually,

1813
01:23:02,280 --> 01:23:04,000
Speaker 4: if you go on chat GBT, what y'all do for

1814
01:23:04,000 --> 01:23:05,800
Speaker 4: every single thing else? Y'all y'all don't even know how

1815
01:23:05,800 --> 01:23:07,719
Speaker 4: to DM a bitch without going on chat chat GBT

1816
01:23:07,920 --> 01:23:10,200
Speaker 4: because you have no fucking social skills. Go on chat

1817
01:23:10,240 --> 01:23:12,679
Speaker 4: GBT and look this shit up and they'll also tell

1818
01:23:12,720 --> 01:23:14,519
Speaker 4: you what the fuck is going on? Y'all use it

1819
01:23:14,560 --> 01:23:15,439
Speaker 4: for everything the fuck.

1820
01:23:15,320 --> 01:23:17,519
Speaker 3: Else, But that it doesn't it doesn't fit, It doesn't

1821
01:23:17,520 --> 01:23:19,720
Speaker 3: fit their narrative right because people this is supposed to

1822
01:23:19,760 --> 01:23:22,479
Speaker 3: be the smoking gun. Oh it got them because you

1823
01:23:22,479 --> 01:23:24,240
Speaker 3: know it's fucked up. But people feel like you can't

1824
01:23:24,240 --> 01:23:29,760
Speaker 3: attain these you know, levels of success and accolades and

1825
01:23:30,240 --> 01:23:32,639
Speaker 3: you know things that Jay has been able to do

1826
01:23:32,760 --> 01:23:35,880
Speaker 3: without doing some nasty shit or some some fucking shit

1827
01:23:35,960 --> 01:23:37,640
Speaker 3: on the way up. You know what I'm saying. So

1828
01:23:38,360 --> 01:23:41,120
Speaker 3: for years they've been you know, hinting at ship like this. Yeah,

1829
01:23:41,120 --> 01:23:43,200
Speaker 3: he's he's nasty. He been doing this, he's doing that.

1830
01:23:43,560 --> 01:23:46,960
Speaker 3: So when these come out, now, this gives those people

1831
01:23:47,760 --> 01:23:51,240
Speaker 3: just a little bit of up there is. Look, he's

1832
01:23:51,240 --> 01:23:53,240
Speaker 3: in the fire, his name is there. That means it's

1833
01:23:53,280 --> 01:23:55,559
Speaker 3: something going. And it's like, but no, that's not what

1834
01:23:55,600 --> 01:23:56,160
Speaker 3: that means.

1835
01:23:56,200 --> 01:23:58,360
Speaker 4: And what kills me is that, like y'all are going

1836
01:23:58,439 --> 01:24:02,080
Speaker 4: after the wrong thing, jay Z is when you hit

1837
01:24:02,120 --> 01:24:05,040
Speaker 4: that billionaire close to billionaire status. In order to be

1838
01:24:05,080 --> 01:24:08,200
Speaker 4: a billionaire, you have to have exploited something someone like

1839
01:24:08,400 --> 01:24:11,559
Speaker 4: you wealth hoarding, you have to have exploiting someone. Go

1840
01:24:11,760 --> 01:24:13,800
Speaker 4: find something that has to do with a business deal,

1841
01:24:13,880 --> 01:24:16,040
Speaker 4: y'all keep trying to make him nasty, like you know

1842
01:24:16,080 --> 01:24:17,920
Speaker 4: what I'm saying, Like you're going after there's plenty of

1843
01:24:17,960 --> 01:24:21,360
Speaker 4: shit you can get billionaires on somebody. Somebody somewhere ain't

1844
01:24:21,360 --> 01:24:23,559
Speaker 4: getting paid what they should be getting paid. As far

1845
01:24:23,600 --> 01:24:26,320
Speaker 4: as there's a sweatshop somewhere, who knows right, I'm not

1846
01:24:26,320 --> 01:24:28,439
Speaker 4: putting out on jay Z. I'm just talking about billionaires period.

1847
01:24:28,560 --> 01:24:30,400
Speaker 4: There's plenty of shit you can get them for. Stop

1848
01:24:30,400 --> 01:24:32,759
Speaker 4: trying to make them all rapist. It's like it's juvenile.

1849
01:24:32,760 --> 01:24:34,720
Speaker 4: It's surface level. If you really want to dig deep,

1850
01:24:34,720 --> 01:24:35,559
Speaker 4: go find something else.

1851
01:24:35,640 --> 01:24:39,000
Speaker 2: And in those Epstein files of stuff that of course

1852
01:24:39,280 --> 01:24:43,760
Speaker 2: needs to be investigated, there's some really nasty shit in

1853
01:24:43,800 --> 01:24:48,400
Speaker 2: there with leads and kids and testimony that I think

1854
01:24:48,479 --> 01:24:50,599
Speaker 2: needs to be focused on as well, and as somebody

1855
01:24:50,600 --> 01:24:53,400
Speaker 2: that is also a conspiracy theorist, and a lot of stuff.

1856
01:24:53,840 --> 01:24:56,760
Speaker 2: I'm not sitting here hoping and trying to create thoughts

1857
01:24:56,800 --> 01:24:59,799
Speaker 2: in my head of everyone fucks children, yeah, or sexually

1858
01:25:00,040 --> 01:25:03,080
Speaker 2: old someone and we've just gotten That's why I love

1859
01:25:03,200 --> 01:25:08,040
Speaker 2: Chappelle's closer off the last special, that last forty minutes

1860
01:25:08,120 --> 01:25:11,280
Speaker 2: of him just trying to plead with the worlds that, yes,

1861
01:25:11,400 --> 01:25:12,479
Speaker 2: some things are what they seem.

1862
01:25:12,560 --> 01:25:13,240
Speaker 3: Some things aren't.

1863
01:25:13,680 --> 01:25:18,040
Speaker 2: Listen, when Nipsy passed, he agreed with everything doctor Sebbe

1864
01:25:18,200 --> 01:25:19,720
Speaker 2: that could be a thing. Then Dave Spelle brought his

1865
01:25:19,760 --> 01:25:22,000
Speaker 2: mans to doctor Sebbe and his man's god like. Some

1866
01:25:22,080 --> 01:25:24,519
Speaker 2: things are not always conspiracy. Some things are just what

1867
01:25:24,600 --> 01:25:28,280
Speaker 2: we're looking at in plain sight. Sometimes gang violence actually

1868
01:25:28,360 --> 01:25:29,640
Speaker 2: kills people and there's no conspiracy.

1869
01:25:29,720 --> 01:25:33,240
Speaker 4: You hear who's th horses, not zebras, And it's it's

1870
01:25:33,360 --> 01:25:33,920
Speaker 4: just I.

1871
01:25:33,920 --> 01:25:35,000
Speaker 3: Don't know it.

1872
01:25:35,000 --> 01:25:37,920
Speaker 2: It's draining, and I fall into it a lot with

1873
01:25:38,040 --> 01:25:42,519
Speaker 2: YouTube and rabbit hole stuff. But like, I'm not speaking

1874
01:25:42,520 --> 01:25:44,559
Speaker 2: to the when you see one tweet and try to

1875
01:25:44,600 --> 01:25:47,679
Speaker 2: categorize it as this is what everyone's saying. I've seen

1876
01:25:47,760 --> 01:25:51,360
Speaker 2: videos with millions of views that talk about Huff and

1877
01:25:51,560 --> 01:25:55,200
Speaker 2: Hove having tunnels between their house and like the maps,

1878
01:25:55,200 --> 01:25:55,639
Speaker 2: and I'm.

1879
01:25:55,560 --> 01:25:57,520
Speaker 1: Just like, people are so easy.

1880
01:25:57,280 --> 01:25:59,880
Speaker 2: Dude, Like I hear y'all because I'm in the con

1881
01:26:00,000 --> 01:26:02,040
Speaker 2: sspiracy worlds. I have a tinfoil I had on with

1882
01:26:02,280 --> 01:26:06,519
Speaker 2: so much stuff, Like we are dragging this so far

1883
01:26:06,640 --> 01:26:09,040
Speaker 2: with so much stuff, and I'm not even saying specifically

1884
01:26:09,120 --> 01:26:13,920
Speaker 2: to the people that I may champion for, But dude,

1885
01:26:15,080 --> 01:26:17,320
Speaker 2: can we just know. I don't think that Jay Z

1886
01:26:17,439 --> 01:26:20,519
Speaker 2: and Harvey Weinstein sexually assaulted somebody together in a room.

1887
01:26:20,439 --> 01:26:22,720
Speaker 3: In nineteen ninety six. I just don't.

1888
01:26:22,960 --> 01:26:24,840
Speaker 2: I don't think pusha t was a handler for some

1889
01:26:24,920 --> 01:26:27,320
Speaker 2: Do I think there was probably handlers around one hundred percent?

1890
01:26:27,920 --> 01:26:29,200
Speaker 2: Do I think push your Tea may have been at

1891
01:26:29,200 --> 01:26:31,000
Speaker 2: a party that this person maybe was at.

1892
01:26:31,720 --> 01:26:35,040
Speaker 3: Okay, you know what's crazy about old shit? We just

1893
01:26:35,040 --> 01:26:37,400
Speaker 3: said and said, they're gonna try to paint it like

1894
01:26:37,439 --> 01:26:38,280
Speaker 3: we making excuses.

1895
01:26:38,960 --> 01:26:41,920
Speaker 2: No, No, for sure, I already knew how none of this, none.

1896
01:26:41,760 --> 01:26:43,280
Speaker 3: Of this is gonna be like Okay, I can kind

1897
01:26:43,320 --> 01:26:44,880
Speaker 3: of understand that thought process, and.

1898
01:26:44,840 --> 01:26:46,920
Speaker 4: Once you start going down that rabbit hole is just like,

1899
01:26:48,160 --> 01:26:51,320
Speaker 4: why am I explaining myself to very stupid.

1900
01:26:51,200 --> 01:26:54,040
Speaker 3: And people that also are.

1901
01:26:56,080 --> 01:27:00,479
Speaker 2: Misrepresenting jay Z's history because they just they found out

1902
01:27:00,479 --> 01:27:02,559
Speaker 2: what reasonable doubt was the.

1903
01:27:02,600 --> 01:27:03,439
Speaker 3: Day this came out.

1904
01:27:03,760 --> 01:27:06,960
Speaker 2: Yeah, yeah, they don't know that he sold fucking like, uh,

1905
01:27:07,760 --> 01:27:10,200
Speaker 2: what the thirty thousand copies in a time when people

1906
01:27:10,240 --> 01:27:14,000
Speaker 2: were doing quadruple platinum. Even jay Z jokes in interviews

1907
01:27:14,080 --> 01:27:16,559
Speaker 2: when he would walk around with Biggie I think it

1908
01:27:16,600 --> 01:27:18,439
Speaker 2: was on one fen or something. He's just like, dude,

1909
01:27:18,439 --> 01:27:20,080
Speaker 2: I was going to the supermarket. I sold like fifteen

1910
01:27:20,080 --> 01:27:22,920
Speaker 2: thousand records. No one knehere the fuck I was yeah,

1911
01:27:22,960 --> 01:27:25,759
Speaker 2: like I think Rosenberger asked like, yo, was it crazy

1912
01:27:25,800 --> 01:27:27,519
Speaker 2: when you move with big Like did you had to

1913
01:27:27,520 --> 01:27:30,200
Speaker 2: move severy He's like, dude, I sold fifteen thousand, No

1914
01:27:30,240 --> 01:27:31,360
Speaker 2: one knew who the fuck I was.

1915
01:27:31,760 --> 01:27:33,680
Speaker 3: Yeah, I literally just would go to the supermarket, like

1916
01:27:33,960 --> 01:27:35,040
Speaker 3: Harve Harvey knew him.

1917
01:27:36,320 --> 01:27:39,040
Speaker 2: Did jay Z Harvey Wynstein eventually work together thousand percent?

1918
01:27:39,240 --> 01:27:43,360
Speaker 3: Yeah? Eh, not in ninety six. I'll promise you that.

1919
01:27:43,479 --> 01:27:47,920
Speaker 2: I also don't believe Harvey Weinstein and jay Z sexually

1920
01:27:47,960 --> 01:27:51,720
Speaker 2: sold someone in a room together in two thousand and seven. Yeah,

1921
01:27:52,400 --> 01:27:56,200
Speaker 2: but that's another conversation. You guys are just now using

1922
01:27:56,479 --> 01:27:59,600
Speaker 2: Wikipedia to put together a narrative of a history you

1923
01:27:59,600 --> 01:28:03,080
Speaker 2: don't even understand. Just be very careful because it works

1924
01:28:03,080 --> 01:28:04,599
Speaker 2: for your r people got to be very careful.

1925
01:28:04,680 --> 01:28:08,120
Speaker 3: Yes, they are. Na, there are nasty people out here.

1926
01:28:08,360 --> 01:28:12,040
Speaker 3: There are there disgusting people that should be thrown under

1927
01:28:12,040 --> 01:28:14,240
Speaker 3: the jail. Shit, you get me to talking too long.

1928
01:28:14,320 --> 01:28:16,160
Speaker 3: I think those type of people should be killed. That's

1929
01:28:16,200 --> 01:28:18,559
Speaker 3: just me. I'm just I'm just different when it comes

1930
01:28:18,560 --> 01:28:21,080
Speaker 3: to that. Oh no, I'm on the side. If you.

1931
01:28:22,560 --> 01:28:25,240
Speaker 2: Grape someone, we should throw you onto the jit like,

1932
01:28:25,360 --> 01:28:25,920
Speaker 2: shoot you.

1933
01:28:25,920 --> 01:28:28,479
Speaker 3: To the lions, dip you and barbecue sauce to the lions,

1934
01:28:28,720 --> 01:28:32,440
Speaker 3: shoot you out back. Yeah, I'm with that. But everybody

1935
01:28:32,479 --> 01:28:36,200
Speaker 3: that is successful, everybody that has you know, reached heights

1936
01:28:36,240 --> 01:28:39,439
Speaker 3: that coming from the places we're from, don't seem don't

1937
01:28:39,479 --> 01:28:43,920
Speaker 3: seem attainable. They they all did not do nasty things,

1938
01:28:44,000 --> 01:28:45,800
Speaker 3: and then they're not those type of people. A lot.

1939
01:28:46,240 --> 01:28:50,559
Speaker 3: It's a lot of very good, very you know, great

1940
01:28:50,640 --> 01:28:54,600
Speaker 3: moral compass and integrity and honorable people that get to

1941
01:28:54,640 --> 01:28:57,080
Speaker 3: those heights and do it the right way, that don't

1942
01:28:57,120 --> 01:28:58,840
Speaker 3: do no nasty shit. And it's just fucked up when

1943
01:28:59,360 --> 01:29:01,280
Speaker 3: we feel like we can only make it to those

1944
01:29:01,360 --> 01:29:03,840
Speaker 3: levels because we did some nasty shit. That's just it's

1945
01:29:03,880 --> 01:29:07,240
Speaker 3: stupid to do that. We shouldn't do it again. The

1946
01:29:07,240 --> 01:29:10,599
Speaker 3: ones that are nasty and do shit like that, let's

1947
01:29:10,600 --> 01:29:13,559
Speaker 3: do away with them. You know, I have nothing to

1948
01:29:13,840 --> 01:29:16,280
Speaker 3: Those are pieces of shit. But there's some people that

1949
01:29:16,320 --> 01:29:19,280
Speaker 3: are just genuinely good people that are very successful and

1950
01:29:19,280 --> 01:29:21,400
Speaker 3: have done well for themselves, and we should just leave

1951
01:29:21,400 --> 01:29:24,200
Speaker 3: that there and respect people's talent and not be so

1952
01:29:24,280 --> 01:29:27,120
Speaker 3: quick to throw nasty shit on somebody's jacket, all in

1953
01:29:27,160 --> 01:29:29,720
Speaker 3: the name of a conspiracy and trying to piece it

1954
01:29:29,760 --> 01:29:33,200
Speaker 3: together for content or whatever it is. It's just disrespectful,

1955
01:29:33,200 --> 01:29:35,840
Speaker 3: it's distasteful, and it's fucked up because there are real

1956
01:29:35,920 --> 01:29:37,720
Speaker 3: victims out there. No for sure.

1957
01:29:37,760 --> 01:29:41,320
Speaker 2: To get out of that whole nasty weekend. Keep the

1958
01:29:41,320 --> 01:29:45,519
Speaker 2: Epstein files coming, but let's orders keep a conscious straight

1959
01:29:45,560 --> 01:29:51,080
Speaker 2: mind through reading them. But cour Stevenson, congratulations. I mean,

1960
01:29:51,160 --> 01:29:52,839
Speaker 2: I did anyone think otherwise?

1961
01:29:53,680 --> 01:29:55,960
Speaker 3: I thought there would be a closer fight. Yeah, I

1962
01:29:56,000 --> 01:30:00,080
Speaker 3: was bugging, he's not acting like your females like s

1963
01:30:00,400 --> 01:30:04,439
Speaker 3: my guy being biased and no, I had court winning,

1964
01:30:04,479 --> 01:30:06,040
Speaker 3: but I didn't think it would look the way it did.

1965
01:30:06,280 --> 01:30:09,280
Speaker 3: He got his as. Yeah, he definitely. I didn't think

1966
01:30:09,280 --> 01:30:11,680
Speaker 3: it would look that way. But shout out to Cote Stevenson.

1967
01:30:11,400 --> 01:30:15,479
Speaker 2: Yeah, congrats, and shout out to our brother Prince Miller,

1968
01:30:15,520 --> 01:30:17,760
Speaker 2: who had an interview with him right before the fight.

1969
01:30:18,040 --> 01:30:20,160
Speaker 2: He also had an interview with Jay Prince, who manages

1970
01:30:20,439 --> 01:30:23,040
Speaker 2: Chart Stevenson, so check that out on his YouTube page.

1971
01:30:23,560 --> 01:30:26,160
Speaker 2: Interview both of them after the fight was kicking it,

1972
01:30:27,160 --> 01:30:30,000
Speaker 2: which I thought was a cool sit down. But outside

1973
01:30:30,000 --> 01:30:33,720
Speaker 2: of the court beaten Lopez's ass.

1974
01:30:33,560 --> 01:30:40,040
Speaker 3: Another Miller, Jerald Miller, there was a lot of Millers Gerald, Darrell, Darrell,

1975
01:30:40,120 --> 01:30:45,599
Speaker 3: I'mrell Miller. He's a legend. This is going. We've never

1976
01:30:45,640 --> 01:30:49,200
Speaker 3: seen no ship like this. He literally got the two

1977
01:30:49,240 --> 01:30:51,919
Speaker 3: pay knocked off his night. He got his wig blown off,

1978
01:30:52,240 --> 01:30:54,840
Speaker 3: he got his wig blown off, he got his wig

1979
01:30:54,920 --> 01:30:59,120
Speaker 3: pushed back. I mean, he had to know, like this

1980
01:30:59,240 --> 01:31:01,600
Speaker 3: was like a possible There's no way he went and

1981
01:31:01,640 --> 01:31:04,639
Speaker 3: got this head piece put on his head and thought

1982
01:31:04,640 --> 01:31:07,439
Speaker 3: that it was secure enough to withstand a fucking left

1983
01:31:07,439 --> 01:31:11,440
Speaker 3: hook to the face. I blame the Paul Brothers.

1984
01:31:12,800 --> 01:31:18,400
Speaker 2: Why serious boxing has obviously, I would say, taken a hit,

1985
01:31:18,439 --> 01:31:21,240
Speaker 2: but a lot of us have numbers wise, have watched

1986
01:31:21,240 --> 01:31:23,600
Speaker 2: more of the spectacle stuff. We saw Mike Tyson with

1987
01:31:23,600 --> 01:31:27,040
Speaker 2: his ash cheeks out fighting the Paul brother like, you

1988
01:31:27,160 --> 01:31:29,160
Speaker 2: gotta do shit now to go viral, and if you're

1989
01:31:29,160 --> 01:31:30,320
Speaker 2: in the undercard.

1990
01:31:31,040 --> 01:31:32,200
Speaker 1: Bro, he did not do this.

1991
01:31:32,360 --> 01:31:32,760
Speaker 3: He did that.

1992
01:31:32,880 --> 01:31:35,280
Speaker 2: Oh if y'all think this is an accident, y'all out

1993
01:31:35,280 --> 01:31:35,960
Speaker 2: of y'all fucking mind.

1994
01:31:36,280 --> 01:31:38,320
Speaker 3: He thought that he thought that was secured up there.

1995
01:31:38,360 --> 01:31:40,280
Speaker 3: He didn't think that a punch is gonna knock that loose.

1996
01:31:40,720 --> 01:31:41,439
Speaker 3: You got to beat us.

1997
01:31:41,680 --> 01:31:44,160
Speaker 4: Sweat, Yeah, that was he was sweating in the sweat

1998
01:31:44,160 --> 01:31:45,800
Speaker 4: probably loosened it more than he thought it was.

1999
01:31:45,840 --> 01:31:47,599
Speaker 2: He did not he was gonna sweat in his fight,

2000
01:31:48,000 --> 01:31:49,599
Speaker 2: but not not to the point where it was gonna

2001
01:31:49,880 --> 01:31:50,600
Speaker 2: peel off like that.

2002
01:31:50,760 --> 01:31:52,519
Speaker 3: No, he looked like a pringle can.

2003
01:31:53,120 --> 01:31:55,160
Speaker 2: I'm not saying it was stage where he was waiting

2004
01:31:55,240 --> 01:31:58,679
Speaker 2: for a right uppercut to get the whole two payoffs,

2005
01:31:59,120 --> 01:32:00,880
Speaker 2: but he knew at some point, even if he was

2006
01:32:00,920 --> 01:32:03,360
Speaker 2: getting busy, way possibility that that ship was coming off.

2007
01:32:03,479 --> 01:32:07,360
Speaker 2: Y'all come on, And I'm not mad at the setup

2008
01:32:07,479 --> 01:32:10,680
Speaker 2: like that is crazy and undercas oviral is a thing

2009
01:32:11,000 --> 01:32:13,120
Speaker 2: you have to play these games. Boxers are the best

2010
01:32:13,120 --> 01:32:13,960
Speaker 2: marketers on earth.

2011
01:32:13,960 --> 01:32:16,120
Speaker 3: That's the gig. I get what you're saying, but that's

2012
01:32:16,160 --> 01:32:16,760
Speaker 3: a you.

2013
01:32:16,720 --> 01:32:18,960
Speaker 2: Think Tyson just happened to have no no fucking draws

2014
01:32:19,000 --> 01:32:20,240
Speaker 2: on when he walked away from that camera.

2015
01:32:21,720 --> 01:32:25,679
Speaker 3: But that was a way in though right was framed.

2016
01:32:25,960 --> 01:32:27,640
Speaker 2: When have we ever seen someone walk away from an

2017
01:32:27,640 --> 01:32:30,920
Speaker 2: interview and it stay framed the exact same way. That's

2018
01:32:30,960 --> 01:32:34,479
Speaker 2: the lock that was planned and everyone knows now outside

2019
01:32:34,479 --> 01:32:37,400
Speaker 2: of how you used to just promote boxing with spectacles.

2020
01:32:38,000 --> 01:32:39,639
Speaker 2: Now you got to do spectacles in the ring.

2021
01:32:40,280 --> 01:32:42,759
Speaker 4: But that was bad thinking as a constant creator, you

2022
01:32:42,760 --> 01:32:43,400
Speaker 4: know creator?

2023
01:32:43,560 --> 01:32:46,960
Speaker 2: Okay, yeah, and I think boxers are they invented marketing

2024
01:32:47,000 --> 01:32:47,759
Speaker 2: and content creation?

2025
01:32:48,439 --> 01:32:52,160
Speaker 3: Yeah, but this is this this one, don't I'm not content.

2026
01:32:52,439 --> 01:32:54,599
Speaker 3: I'm saying you wrong. But whoever thought of this one?

2027
01:32:55,800 --> 01:32:57,479
Speaker 3: They need a raise.

2028
01:32:57,560 --> 01:33:00,439
Speaker 2: We need to call somebody that that does for real

2029
01:33:00,479 --> 01:33:03,120
Speaker 2: and glues that ship in and they'll let us know

2030
01:33:04,680 --> 01:33:06,800
Speaker 2: if they knew that ship was coming off, because no

2031
01:33:06,840 --> 01:33:08,599
Speaker 2: way you glue to pay on as someone that does

2032
01:33:08,640 --> 01:33:11,200
Speaker 2: as a crap. That brother, he's gonna come off, you know, right, Yeah,

2033
01:33:11,200 --> 01:33:14,439
Speaker 2: but you speak to that. She knows about wigs and

2034
01:33:14,439 --> 01:33:14,920
Speaker 2: two pays.

2035
01:33:14,960 --> 01:33:15,439
Speaker 3: She's a woman.

2036
01:33:15,560 --> 01:33:17,360
Speaker 1: Sometimes just ship lift more.

2037
01:33:17,439 --> 01:33:22,000
Speaker 4: Sometimes you get more sweat and get oilier, get more

2038
01:33:22,040 --> 01:33:24,000
Speaker 4: oily than you think, and some ship can lift up.

2039
01:33:24,040 --> 01:33:25,240
Speaker 1: It can happen sometimes.

2040
01:33:24,960 --> 01:33:27,719
Speaker 2: Every world fight the wig comes off.

2041
01:33:28,400 --> 01:33:30,719
Speaker 3: Yeah, but they're not hitting like this exactly.

2042
01:33:31,400 --> 01:33:32,679
Speaker 2: They're hitting way less.

2043
01:33:34,160 --> 01:33:36,400
Speaker 3: No, you're about a wig on a on a guy.

2044
01:33:36,640 --> 01:33:39,120
Speaker 3: You never seen no goy. Same lace front can cut

2045
01:33:39,120 --> 01:33:40,960
Speaker 3: it off. You've never seen a god get his wig

2046
01:33:41,000 --> 01:33:42,400
Speaker 3: punched off on world stuff. I know.

2047
01:33:42,479 --> 01:33:46,400
Speaker 2: No, I'm saying, you're saying, baby, and I'm saying every woman,

2048
01:33:47,360 --> 01:33:49,760
Speaker 2: but the lace front everything comes off, The glue comes off.

2049
01:33:49,840 --> 01:33:52,000
Speaker 3: No, but a wig and a hair piece of tupid,

2050
01:33:52,000 --> 01:33:53,160
Speaker 3: that's to different things.

2051
01:33:53,200 --> 01:33:54,920
Speaker 2: A wig is it the same lace front glue?

2052
01:33:54,960 --> 01:33:55,320
Speaker 3: Yes or no?

2053
01:33:56,160 --> 01:33:58,559
Speaker 1: I don't know what glue he used. But I know if.

2054
01:34:00,080 --> 01:34:03,440
Speaker 3: A gorilla he put gorilla glue on that motherfucker.

2055
01:34:03,600 --> 01:34:06,360
Speaker 4: If I'm his girl, I'm in the audience, I'm mortified.

2056
01:34:06,520 --> 01:34:08,200
Speaker 4: I'm leaving, not only as you getting your ass.

2057
01:34:08,200 --> 01:34:10,080
Speaker 3: Well, if you his girl and he went and got

2058
01:34:10,080 --> 01:34:13,599
Speaker 3: a hair piece, period, you mortified. Just get the baldy

2059
01:34:13,640 --> 01:34:14,240
Speaker 3: what you're doing.

2060
01:34:14,479 --> 01:34:16,000
Speaker 1: She might not know some hair piece.

2061
01:34:18,960 --> 01:34:19,360
Speaker 2: She did.

2062
01:34:19,479 --> 01:34:21,439
Speaker 1: He said, he knows you know his girl, like I

2063
01:34:21,479 --> 01:34:21,960
Speaker 1: still love you.

2064
01:34:22,000 --> 01:34:23,960
Speaker 3: How do you know his girlfriend?

2065
01:34:25,120 --> 01:34:26,120
Speaker 1: She used to hang out best.

2066
01:34:26,280 --> 01:34:30,160
Speaker 3: Oh okay, you know, she said, I still love you.

2067
01:34:30,600 --> 01:34:32,400
Speaker 3: M h yo.

2068
01:34:32,439 --> 01:34:35,160
Speaker 2: That's a wild sixgrees of separation. Peace know his girl?

2069
01:34:36,760 --> 01:34:39,000
Speaker 3: How does peace know this man's girlfriend?

2070
01:34:41,200 --> 01:34:43,519
Speaker 2: Is he from uh? Is he from Brooklyn?

2071
01:34:43,600 --> 01:34:45,400
Speaker 3: He sounds like you're from New York? Yeah? In the

2072
01:34:45,400 --> 01:34:47,360
Speaker 3: postfight he's sound he definitely sounding from New York.

2073
01:34:48,120 --> 01:34:50,360
Speaker 2: I will either way. I mean getting in the ring.

2074
01:34:50,400 --> 01:34:53,800
Speaker 2: Shout out to him forgetting it, just getting in there.

2075
01:34:54,200 --> 01:34:56,960
Speaker 2: Anybody that gets in the ring to fight, I have.

2076
01:34:57,080 --> 01:35:01,559
Speaker 2: You have my respect for sure, and I respect being

2077
01:35:01,560 --> 01:35:04,160
Speaker 2: an undercard and going viral this way. If you don't

2078
01:35:04,160 --> 01:35:06,600
Speaker 2: think he's gonna get more eyes the next time he fights.

2079
01:35:06,640 --> 01:35:08,760
Speaker 3: Oh, he about to get brand deals. He about to

2080
01:35:08,760 --> 01:35:10,800
Speaker 3: get all kind of deals after that, And I just

2081
01:35:10,840 --> 01:35:15,240
Speaker 3: don't think it's accident. I mean, sometimes magic just happens. Yeah, fact, No,

2082
01:35:15,280 --> 01:35:17,280
Speaker 3: that's the fact. That is a fact. Maybe D says something.

2083
01:35:17,760 --> 01:35:20,679
Speaker 3: Sometimes magic just happens. I might look crazy in the moment.

2084
01:35:20,760 --> 01:35:22,640
Speaker 3: That is a factor. But if we spind this the

2085
01:35:22,680 --> 01:35:24,120
Speaker 3: right way, if I got the right people around me

2086
01:35:24,160 --> 01:35:26,160
Speaker 3: to spend this the right way, we all right, we're

2087
01:35:26,160 --> 01:35:26,639
Speaker 3: gonna eat.

2088
01:35:27,200 --> 01:35:28,840
Speaker 2: I just think if you're putting on the two pay

2089
01:35:29,280 --> 01:35:31,599
Speaker 2: for a fight, you really care about your image.

2090
01:35:32,479 --> 01:35:36,240
Speaker 1: Like he wears a two pay regularly, I'm not just don't.

2091
01:35:36,040 --> 01:35:36,479
Speaker 2: Know his life.

2092
01:35:36,520 --> 01:35:38,640
Speaker 1: If I wear too, his girlfriend, I don't see my

2093
01:35:38,680 --> 01:35:39,759
Speaker 1: ship sit up regularly.

2094
01:35:39,800 --> 01:35:41,439
Speaker 4: I'm not gonna go into the fight with a body

2095
01:35:41,479 --> 01:35:42,800
Speaker 4: and then come back with a two pay.

2096
01:35:42,880 --> 01:35:45,599
Speaker 1: That's crazy. That's crazy.

2097
01:35:45,640 --> 01:35:47,400
Speaker 2: You can run around with the two pay and then

2098
01:35:47,520 --> 01:35:49,760
Speaker 2: just take it over like shame my head for the fight.

2099
01:35:50,040 --> 01:35:52,639
Speaker 2: Vasiline is when you hit it's it's a little easier

2100
01:35:52,680 --> 01:35:54,439
Speaker 2: if I don't have hair, like.

2101
01:35:55,400 --> 01:35:59,280
Speaker 3: I ain't gonna lie. Well, that shit came up.

2102
01:35:58,360 --> 01:36:00,640
Speaker 4: You know how, when like back on like the like

2103
01:36:00,680 --> 01:36:03,080
Speaker 4: the old cartoons, when they hitch in your head with

2104
01:36:03,200 --> 01:36:05,559
Speaker 4: like the mat with the little thing and then like

2105
01:36:05,600 --> 01:36:06,920
Speaker 4: the head swell up on the top.

2106
01:36:07,000 --> 01:36:08,520
Speaker 1: That's what he looked like.

2107
01:36:10,439 --> 01:36:14,040
Speaker 3: Bro, that ship looked crazy, yo. Putting on someone else's

2108
01:36:14,080 --> 01:36:15,439
Speaker 3: two pay that got knocked off in the.

2109
01:36:17,479 --> 01:36:19,120
Speaker 1: That's like catching the catching the game ball.

2110
01:36:19,840 --> 01:36:21,519
Speaker 3: But didn't he say after the fight something like he

2111
01:36:22,040 --> 01:36:23,280
Speaker 3: picked up the wrong but he thought it was a

2112
01:36:23,400 --> 01:36:26,080
Speaker 3: shampool or something. It was it was ammonia, That's what

2113
01:36:26,160 --> 01:36:28,200
Speaker 3: I think he said. Oh, and it's his post his

2114
01:36:28,240 --> 01:36:29,880
Speaker 3: post game said something like that was the reason, Like

2115
01:36:29,920 --> 01:36:31,519
Speaker 3: it was like it took his hair. It was ammonia

2116
01:36:31,720 --> 01:36:36,000
Speaker 3: he put in his hair. Oh wow, that's ship. How

2117
01:36:36,040 --> 01:36:37,160
Speaker 3: did you even make that mistake?

2118
01:36:38,240 --> 01:36:39,960
Speaker 2: One of my one of my line brothers, we were

2119
01:36:39,960 --> 01:36:42,880
Speaker 2: in college that I don't know, his barber like fucked

2120
01:36:42,960 --> 01:36:45,840
Speaker 2: up with cleaning the clippers and and when he gave

2121
01:36:45,880 --> 01:36:48,680
Speaker 2: him a haircut, he started losing all his hair. And

2122
01:36:48,720 --> 01:36:51,200
Speaker 2: everyone that got cut that day, same shit happened.

2123
01:36:51,000 --> 01:36:54,520
Speaker 3: Like from what from what dirty clippers?

2124
01:36:54,640 --> 01:36:57,960
Speaker 2: Yeah, there was something I forgot exactly what he found

2125
01:36:58,000 --> 01:37:00,200
Speaker 2: out what was on the clippers that somebody had or

2126
01:37:00,200 --> 01:37:02,080
Speaker 2: some ship and he started his whole ship.

2127
01:37:02,720 --> 01:37:05,720
Speaker 3: Bro, you gotta see that ship before I sit so, yeah,

2128
01:37:05,880 --> 01:37:09,120
Speaker 3: that ship better be here. He won.

2129
01:37:10,680 --> 01:37:12,800
Speaker 4: I didn't know, that's what's up.

2130
01:37:13,160 --> 01:37:14,360
Speaker 2: I thought you were joking, he said when he was

2131
01:37:14,400 --> 01:37:16,680
Speaker 2: getting asked. I mean watch the fight.

2132
01:37:16,720 --> 01:37:17,040
Speaker 1: He won.

2133
01:37:17,840 --> 01:37:20,760
Speaker 3: Yeah, no, he won. He just you know, he's a

2134
01:37:20,880 --> 01:37:22,360
Speaker 3: viral sensation today. But he won.

2135
01:37:22,479 --> 01:37:22,960
Speaker 1: Oh they said.

2136
01:37:22,960 --> 01:37:24,519
Speaker 4: He said in the ring afterward that he lost his

2137
01:37:24,600 --> 01:37:26,559
Speaker 4: hair a couple of days earlier, so this is new

2138
01:37:26,600 --> 01:37:28,320
Speaker 4: to him. A couple of days earlier, after using a

2139
01:37:28,320 --> 01:37:30,200
Speaker 4: bottle of shampool, he found out his mother's house that

2140
01:37:30,320 --> 01:37:33,240
Speaker 4: was like ammonium bleached. Miller laughed, saying he knocked that

2141
01:37:33,280 --> 01:37:36,639
Speaker 4: ship off and called himself a comedian. Okay, so he's

2142
01:37:36,640 --> 01:37:38,040
Speaker 4: new to being bald headed. I would have got a

2143
01:37:38,040 --> 01:37:38,599
Speaker 4: two pay two.

2144
01:37:39,439 --> 01:37:41,559
Speaker 2: No, I would have sat out to shave my head. Yeah,

2145
01:37:41,720 --> 01:37:43,800
Speaker 2: for the fight. I could rub vascoline all over the.

2146
01:37:43,720 --> 01:37:46,400
Speaker 3: Ball and go baldy for the fight, like I'm a boxer.

2147
01:37:46,439 --> 01:37:49,400
Speaker 3: Bro the other dude ball like we both hit bald.

2148
01:37:49,439 --> 01:37:53,120
Speaker 3: That's it. You can put vasoline is better. I'm not

2149
01:37:53,160 --> 01:37:54,760
Speaker 3: getting a hair piece. I'm not doing that. That's just

2150
01:37:54,800 --> 01:37:58,200
Speaker 3: great hair pieces. Damn, that's crazy.

2151
01:37:59,680 --> 01:37:59,880
Speaker 1: Hair.

2152
01:38:00,360 --> 01:38:04,640
Speaker 3: They call it a hair system. Hair hair system.

2153
01:38:04,800 --> 01:38:06,519
Speaker 2: You know, I give a lot of respect to the

2154
01:38:06,640 --> 01:38:08,360
Speaker 2: NFL players that play with dreads. I don't know how

2155
01:38:08,400 --> 01:38:11,559
Speaker 2: the fuck they do that locks like that. That's kind

2156
01:38:11,560 --> 01:38:16,000
Speaker 2: of nuts to me. Why it would be an insecurity

2157
01:38:16,040 --> 01:38:17,880
Speaker 2: thing for me. If I'm a running back, I would

2158
01:38:17,880 --> 01:38:20,240
Speaker 2: just have the fear that someone is going to grab

2159
01:38:20,280 --> 01:38:23,759
Speaker 2: my hair when I'm when I'm going past the outside linebacker,

2160
01:38:23,800 --> 01:38:25,120
Speaker 2: they just may grab that.

2161
01:38:26,320 --> 01:38:28,080
Speaker 4: They just try to do that with Troy Polamolo. Shout

2162
01:38:28,080 --> 01:38:30,000
Speaker 4: out to Troy Palamolo for going to the Hall of Fame.

2163
01:38:30,880 --> 01:38:34,400
Speaker 3: It wasn't already. Now with the timing, I think that

2164
01:38:34,479 --> 01:38:37,240
Speaker 3: does so he've been in the Hall of Fame. But yes,

2165
01:38:37,280 --> 01:38:40,200
Speaker 3: shout out to Troy poalm I mean definitely first ballot.

2166
01:38:40,560 --> 01:38:43,680
Speaker 2: Yeah, definitely fucking deserves. But I mean you want to

2167
01:38:43,680 --> 01:38:47,840
Speaker 2: talk real conspiracies, Yeah, keeping Bill out the Hall of Fame,

2168
01:38:49,160 --> 01:38:50,840
Speaker 2: It's it's been covered everywhere. We don't need to do

2169
01:38:50,880 --> 01:38:52,320
Speaker 2: a lot of time on it. I'm not going to

2170
01:38:52,360 --> 01:38:55,000
Speaker 2: say anything that every sports pundit hasn't said already.

2171
01:38:55,000 --> 01:38:56,840
Speaker 3: But what are we doing right now? Bill Belichick? What

2172
01:38:56,880 --> 01:39:00,599
Speaker 3: are we doing? What we what do we It's crazy,

2173
01:39:00,640 --> 01:39:02,400
Speaker 3: but he has to be in Hall of Fame. It's

2174
01:39:02,439 --> 01:39:04,760
Speaker 3: just nothing even talking about that, but.

2175
01:39:05,560 --> 01:39:08,519
Speaker 2: The greatest, not even arguably if you can go with

2176
01:39:08,520 --> 01:39:10,760
Speaker 2: the stats greatest coach of all time, why is that

2177
01:39:10,800 --> 01:39:13,640
Speaker 2: not first ballot? And if you want to go with

2178
01:39:13,680 --> 01:39:17,040
Speaker 2: the flay Gate and spygate, all right, keep that same

2179
01:39:17,120 --> 01:39:19,559
Speaker 2: energy when when it's Brady's stern and tell me Brady

2180
01:39:19,560 --> 01:39:22,160
Speaker 2: getting Ship get in the boot for first ballot Hall

2181
01:39:22,160 --> 01:39:22,559
Speaker 2: of Fame.

2182
01:39:22,880 --> 01:39:25,719
Speaker 3: Well maybe they want them to go in together. That's

2183
01:39:25,760 --> 01:39:27,320
Speaker 3: not maybe.

2184
01:39:27,600 --> 01:39:29,040
Speaker 2: I mean that the Hall of Fame is built up

2185
01:39:29,040 --> 01:39:32,320
Speaker 2: mostly of writers and Ship. And you know Bill was

2186
01:39:32,360 --> 01:39:33,280
Speaker 2: not a media darling.

2187
01:39:34,920 --> 01:39:37,440
Speaker 3: He ain't got to be. We win that many fucking games.

2188
01:39:38,960 --> 01:39:43,880
Speaker 3: Themerous is giving us one of these do all right?

2189
01:39:43,880 --> 01:39:45,559
Speaker 2: Well, for this is a big moment for us. If

2190
01:39:45,960 --> 01:39:47,360
Speaker 2: we're not going to do a full top because everyone

2191
01:39:47,400 --> 01:39:51,600
Speaker 2: talked about it, but the integrity of the NFL is

2192
01:39:51,640 --> 01:39:54,000
Speaker 2: being questioned, Marius, That's that's a big thing for us.

2193
01:39:54,560 --> 01:39:59,679
Speaker 3: Okay, look at the marriage vision board. Put what is that?

2194
01:39:59,680 --> 01:40:01,920
Speaker 3: That's by she got vitamins up there? What is that?

2195
01:40:01,920 --> 01:40:04,720
Speaker 4: That's that's actually ADHD medication because I want to get

2196
01:40:04,720 --> 01:40:05,799
Speaker 4: medicated for my ADHD.

2197
01:40:06,640 --> 01:40:08,720
Speaker 3: Oh that was young, that's twenty twenty five. Anyway, you

2198
01:40:08,760 --> 01:40:10,880
Speaker 3: got to up. You gotta update it. What on hair

2199
01:40:10,960 --> 01:40:13,559
Speaker 3: did you did you meet? Well?

2200
01:40:13,600 --> 01:40:17,479
Speaker 4: I did fall in love okay, okay, Unfortunately I did

2201
01:40:17,520 --> 01:40:18,040
Speaker 4: go viral.

2202
01:40:18,960 --> 01:40:19,400
Speaker 3: Uh.

2203
01:40:20,479 --> 01:40:23,280
Speaker 4: I did read a lot. I did go on vacation.

2204
01:40:23,479 --> 01:40:26,040
Speaker 4: My hair did get longer. I did get a new apartment.

2205
01:40:26,960 --> 01:40:29,080
Speaker 4: So the majority of that actually did come true.

2206
01:40:29,640 --> 01:40:31,080
Speaker 3: Did you set any insile on the beach?

2207
01:40:31,600 --> 01:40:31,920
Speaker 1: I did?

2208
01:40:32,120 --> 01:40:34,679
Speaker 3: Nice? Okay? Are we there? Yeah?

2209
01:40:34,840 --> 01:40:38,720
Speaker 4: Only thing that really didn't come the brand trip, the

2210
01:40:38,760 --> 01:40:42,960
Speaker 4: money and the abs. The abs were there for a

2211
01:40:43,000 --> 01:40:46,120
Speaker 4: second though. They left, but I think on their way back. No,

2212
01:40:46,200 --> 01:40:47,960
Speaker 4: they had to go get milk down their way back.

2213
01:40:48,960 --> 01:40:50,840
Speaker 3: Yeah, abs like when they saw your father wants to

2214
01:40:50,880 --> 01:40:53,040
Speaker 3: store to get cigarettes. That niggas in the prison. He

2215
01:40:53,080 --> 01:40:56,000
Speaker 3: ain't coming back. He won't be back.

2216
01:40:56,760 --> 01:40:57,880
Speaker 1: They're coming, They're coming back.

2217
01:40:58,520 --> 01:41:00,720
Speaker 3: Yeah.

2218
01:41:00,760 --> 01:41:02,440
Speaker 1: What did you put on your board?

2219
01:41:03,640 --> 01:41:05,839
Speaker 2: I took a picture of it. Punk ass honkys.

2220
01:41:08,040 --> 01:41:10,320
Speaker 1: It's black, It's Black History Month, all the non black.

2221
01:41:11,320 --> 01:41:14,120
Speaker 3: I like Honkey. I wish we'd bring hockey back. Good

2222
01:41:14,120 --> 01:41:16,280
Speaker 3: word love Honkey. Honkey is a good one. And shout

2223
01:41:16,280 --> 01:41:17,679
Speaker 3: out to the Honky Tonk Man, one of my favorite

2224
01:41:17,720 --> 01:41:23,479
Speaker 3: restlus man right there, and maybe maybe Cracker back this year.

2225
01:41:24,120 --> 01:41:25,280
Speaker 1: Oh, cracker never left.

2226
01:41:25,560 --> 01:41:27,439
Speaker 4: You know what, Last time I played around like this,

2227
01:41:27,640 --> 01:41:29,000
Speaker 4: y'all took it and clipped it in staid I was

2228
01:41:29,000 --> 01:41:29,439
Speaker 4: a racist.

2229
01:41:29,479 --> 01:41:31,280
Speaker 1: I am joking. This is my white friend. I can

2230
01:41:31,360 --> 01:41:31,920
Speaker 1: joke with him.

2231
01:41:31,960 --> 01:41:34,320
Speaker 4: I do not use We need to do this because

2232
01:41:34,360 --> 01:41:37,880
Speaker 4: we need this is a better world our white friends,

2233
01:41:38,160 --> 01:41:40,320
Speaker 4: and throw fake racist jokes at him, you know what

2234
01:41:40,320 --> 01:41:40,599
Speaker 4: I mean?

2235
01:41:40,680 --> 01:41:42,400
Speaker 3: Like it's good, we need this dialogue.

2236
01:41:42,439 --> 01:41:44,920
Speaker 2: I don't think anyone is going to say that Damaris

2237
01:41:45,040 --> 01:41:47,599
Speaker 2: is racist because she called me honk.

2238
01:41:47,960 --> 01:41:52,080
Speaker 4: Seriously, anyway, Happy Black History Mond.

2239
01:41:52,439 --> 01:41:55,720
Speaker 3: Happy Black History Month. If you celebrate Black History Month,

2240
01:41:55,760 --> 01:41:56,760
Speaker 3: I guess I don't know how the.

2241
01:41:56,720 --> 01:41:59,680
Speaker 4: Fuck you don't celebrate black I celebrate Black History every day,

2242
01:41:59,720 --> 01:42:01,080
Speaker 4: every year, period.

2243
01:42:01,160 --> 01:42:04,280
Speaker 2: Every words of Kanye West make black history every day.

2244
01:42:04,320 --> 01:42:11,040
Speaker 3: I don't need a month. We talk about legendary black artists, athletes, musicians, creators.

2245
01:42:12,000 --> 01:42:16,040
Speaker 3: Every day. Every day, every day is Black History period.

2246
01:42:16,240 --> 01:42:19,160
Speaker 3: But if you don't February, I get it. I understand.

2247
01:42:19,160 --> 01:42:20,240
Speaker 3: I'm not going to be that guy. I'm not gonna

2248
01:42:20,240 --> 01:42:20,839
Speaker 3: be a stickler.

2249
01:42:21,240 --> 01:42:21,640
Speaker 1: I get it.

2250
01:42:21,760 --> 01:42:24,880
Speaker 3: Yes, it is February, so yes, and in.

2251
01:42:24,840 --> 01:42:28,040
Speaker 2: The words of Bill Burr, shortest month. These are tropical people.

2252
01:42:28,040 --> 01:42:34,280
Speaker 2: Maybe give them July makes me these are tropical people.

2253
01:42:34,640 --> 01:42:37,479
Speaker 2: Will talk to y'all soon. Be safe, be blessed.

2254
01:42:37,680 --> 01:42:39,960
Speaker 3: I'm not new, he's just just peace.