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Speaker 1: Are you leaving?

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Speaker 2: I you wanna way back home? Either way, we want

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Speaker 2: to be there.

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Speaker 1: Doesn't matter how much baggage you claim and give us

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Speaker 1: time and a termino and gage aid.

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Speaker 2: We want to send you off in style.

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Speaker 1: We wanna welcome you back home. Tell us all about it.

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Speaker 1: We scared her? Was it fine? Mal porn? Do you

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Speaker 1: need to ride? Do you need to ride? Do you

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Speaker 1: need to ride? Do you need to ride? Do you

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Speaker 1: need to ride? Do your need do you ride?

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Speaker 2: Ride? Do with Karen and Chris? Welcome to Do you

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Speaker 2: need to ride? This is Chris Fairbanks.

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Speaker 1: And this is Karen get I uh had a.

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Speaker 2: Build up on my tongue and I had to deal

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Speaker 2: with it.

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Speaker 1: I build up a plaque of part time sauce.

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Speaker 2: I'm eating fish and chips again. Stop No, people have

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Speaker 2: been riding in. They're like more smacking, more swallowing, more.

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Speaker 1: Eating international dinners on the show.

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Speaker 2: Please you want me to read an entire house of pancakes?

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Speaker 2: How I'm great? I feel good. I'm woke up feeling good.

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Speaker 1: Good.

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Speaker 2: Sometimes you wake up but not feeling great. True, And

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Speaker 2: there are times in my life I think I mentioned

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Speaker 2: the like two weeks at the end of college which

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Speaker 2: that probably felt good that I graduated college. But for

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Speaker 2: on some chemical level, my brain was riddled with alcohol. No, no,

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Speaker 2: it was that was the thing. I didn't want to

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Speaker 2: mess it up, so I didn't have any forties with

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Speaker 2: my friend and friends in a basement. I was like

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Speaker 2: had endorphins or some serotonin or something that was leaking

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Speaker 2: out of my brain in a yeah, in a way

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Speaker 2: that I was like getting I was better. I wrote

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Speaker 2: a paper and it was a great paper. I was

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Speaker 2: skateboarding better. All my interactions, people are like, man, you

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Speaker 2: seem like you're doing great. I just was like, you know,

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Speaker 2: winning is Charlie Sheen. I'm sorry, let's go back.

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Speaker 1: You were hitting on all eight cylinders.

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Speaker 2: That's what it is. Yeah, okay, it's better to do

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Speaker 2: a Jesse James quote. Right the motorcycle guy.

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Speaker 1: Now, do you think this man has taken his spiders

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Speaker 1: outside so they can just be outside for the day.

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Speaker 2: I think he's say that the same. It's humpty dumpty.

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Speaker 2: He had spiders.

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Speaker 1: Well, there was an aquarium filled with spider webs.

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Speaker 2: Are you leaves?

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Speaker 1: Should we go round?

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Speaker 2: I have to know why he has the true man.

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Speaker 2: I'm gonna take the spiders out for a sin.

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Speaker 1: That's what I'm saying is like, what was what was that?

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Speaker 1: What if he was freeing his son spiders?

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Speaker 2: Yeah, I had this captivity will go on no longer, son.

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Speaker 1: I can't watch these animals in pain. I had a

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Speaker 1: spider that was in my sink that was very large

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Speaker 1: and very upsetting looking like it had like articulated feet

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Speaker 1: type of spider where you're like, oh, no, you gotta go.

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Speaker 1: And I rinsed it down the drain and then just

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Speaker 1: left the water on for a while because it was

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Speaker 1: such an upsetting looking spider.

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Speaker 2: Yep.

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Speaker 1: The next morning, that fucking spider was back up exactly

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Speaker 1: where it was the next time, and I tried to

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Speaker 1: rinse it down again, and then I watched it fight

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Speaker 1: the water and come back up and I was like,

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Speaker 1: you know what, you win because it wasn't doing well,

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Speaker 1: but it was still like coming up out of the

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Speaker 1: water and like it's little wet legs. And I was like, okay, yeah,

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Speaker 1: I'll take you outside.

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Speaker 2: Once you see a spider do that a couple times,

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Speaker 2: you're like, maybe it's better that it doesn't go down

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Speaker 2: the drain and morph into a large sewer monster.

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Speaker 1: Yeah, it needs to stay up here and feed a

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Speaker 1: bird real quick.

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Speaker 2: Yeah, or or follow figure out why a person followed

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Speaker 2: a fly. It goes fly, spider bird. Do you know

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Speaker 2: what I'm talking about?

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Speaker 1: Yeah, yep, Cat after bird, dog after cat.

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Speaker 2: Thank you, you're welcome. And then the whole purpose of

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Speaker 2: the song is I don't know why. I guess she'll die.

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Speaker 1: Yeah.

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Speaker 2: That talk about bailing, I.

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Speaker 1: Mean just pessimism right down to the bone.

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Speaker 2: You had a pretty good you had our touchwork.

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Speaker 1: You're making a list of things we like to list

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Speaker 1: off with you.

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Speaker 2: And then you just give up. I don't know why

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Speaker 2: I wrote all this stuff like we're all going to

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Speaker 2: die fight Come on, please, I know it's hard to

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Speaker 2: come up with a punchline, but it's.

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Speaker 1: Just a song for a child. They don't expect much.

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Speaker 1: You literally could. You could say some weird phrase like

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Speaker 1: fart butt and they would love it exactly.

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Speaker 2: I don't Yeah, we were all singing that at a

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Speaker 2: time where we didn't even know we were going to die.

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Speaker 1: Lazy lazy, And meanwhile that spider just won't stop fighting

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Speaker 1: to get out of that sink.

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Speaker 2: Come on, do you think the spider is still in

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Speaker 2: your house? No?

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Speaker 1: I took it all the way outside on a piece

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Speaker 1: of tissue paper. Oh okay, and said, you win, spider,

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Speaker 1: you win.

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Speaker 2: I mean that's a dangerous. Uh. I've done it a

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Speaker 2: couple times where you slide it. It's it's scary to

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Speaker 2: slide a piece of paper and try and keep it

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Speaker 2: secure to the rim of a glass. Yep, because I've

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Speaker 2: done that with some spiders, and it's like, if this

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Speaker 2: thing does get out, my hand is the first thing

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Speaker 2: it's gonna meet.

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Speaker 1: And it's pissed.

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Speaker 2: Yeah. Yeah.

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Speaker 1: This spider in my situation was so damp that it

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Speaker 1: literally couldn't do shit. And I was like, great, I'm

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Speaker 1: going to take advantage of this moment. Put you in

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Speaker 1: the bushes. And then it's you fought you fought you

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Speaker 1: one for your life, God bless Make it worth, make

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Speaker 1: it worth something.

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Speaker 2: Help people. When I was painting my mom's house, talking

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Speaker 2: to a spider, right, make it work. Not listening. Help,

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Speaker 2: it's not leastening.

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Speaker 1: It's like doing Charlotte's Web, Like, hey, everybody, keep it up.

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Speaker 2: It takes three weeks to get an answer from this spider.

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Speaker 2: You can do it.

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Speaker 1: I've heard that already.

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Speaker 2: Yeah, why just motivational? I did. That's from a bumper sticker.

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Speaker 2: You took all week to write that with your ass.

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Speaker 1: You can't do it.

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Speaker 2: That's why they call it spiders. Ass riders. My mom

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Speaker 2: made me. As I painted the eaves. There were so

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Speaker 2: many big budded Harry, I don't know what kind of

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Speaker 2: spiders they are. They look they're the same colorway as

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Speaker 2: a tarantula.

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Speaker 1: Red blue, white.

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Speaker 2: Yes, yeah, in in ingradients, just beautiful colorway. But they

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Speaker 2: are tiny but furry some of them. Yeah, and they

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Speaker 2: hang out under eaves and I think I painted over

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Speaker 2: one out of fear, and my mom was furious and said,

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Speaker 2: from now on, you have to relocate them. So I

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Speaker 2: was like, going through this hole, get a stick, get

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Speaker 2: a jar, get it to drop in there, cover it up.

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Speaker 2: And then I created like a little spider city in

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Speaker 2: the backyard because there were so many, Yeah, and they

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Speaker 2: were so calm and not they were like I know

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Speaker 2: what's happening, and they'd crawl out gently and I'm like, okay,

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Speaker 2: wait a minute, maybe I like these specific spiders.

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Speaker 1: And you were the one that was changed at the

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Speaker 1: end of the day, the spiders, but you I think

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Speaker 1: he's painting something.

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Speaker 2: Oh yeah, for spiders surfaces too late.

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Speaker 1: Oh he's painted over like twenty five spiders. His mom

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Speaker 1: is so mad.

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Speaker 2: And so it's nearby neighbor that looked just like him,

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Speaker 2: the man on the wall I must remind you of.

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Speaker 1: He lives next door to Spider Man.

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Speaker 2: They looked like the same person. Oh yeah, maybe they're

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Speaker 2: in cahoots. He calls his brother, I'm painting a house.

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Speaker 2: I got thirty seven spiders. You can give him to

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Speaker 2: your kid in the aquarium.

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Speaker 1: Yeah, oh yeah the other guy, Yeah yeah, I thought

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Speaker 1: you meant directly next door.

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Speaker 2: No, yeah, we have driven about three miles. Even the

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Speaker 2: listener knows that. So the fact I call him a

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Speaker 2: next door neighbor, I mean, judging by the hum of

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Speaker 2: the car, they're going about thirty eight. What the hell

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Speaker 2: is Chris talking about? Does he mean the guy across town?

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Speaker 1: Does he mean? Is this like a wonderful song? And

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Speaker 1: we're at the chorus again with the guy sitting on

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Speaker 1: a wall, and then we give up those people in

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Speaker 1: those bubbles.

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Speaker 2: Well, let's see, we have Luis cy K for some reason, okay,

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Speaker 2: right next to Alexander Hamilton, the president. What there's no

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Speaker 2: connection with these people in these bubbles Bacon mural. Well,

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Speaker 2: it does look like Kevin Bacon. There's current Kevin Bacon.

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Speaker 1: That was quite a mural.

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Speaker 2: Yeah, Shakespeare was in there too.

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Speaker 1: I noticed that the last second always got to include

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Speaker 1: that guy.

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Speaker 2: I mean you got to ask an artist questions before

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Speaker 2: they start with a mural. Yeah, otherwise Lucy k will

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Speaker 2: be on it.

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Speaker 1: Are you going to take your junior year portraits some

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Speaker 1: paint them up there or we or do we have

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Speaker 1: to actually have a theme figured out?

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Speaker 2: Right?

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Speaker 1: That's the question I would ask.

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Speaker 2: And maybe that was painted before the controversy, not before

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Speaker 2: the actions, but before the public had knowledge.

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Speaker 1: Of the actions, right, So think about it.

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Speaker 2: Yeah, think about that. Chew on that for a second.

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Speaker 2: Art lovers.

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Speaker 1: Chew on that from our kids show.

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Speaker 2: See you next time on Kids Beat.

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Speaker 1: Chew on that. Do you remember that you No, I'm

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Speaker 1: too old.

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Speaker 2: Yeah, I mean barely. You were already it is, you

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Speaker 2: were already driving.

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Speaker 1: And I think that kids I babysat may have watched that,

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Speaker 1: and so I would be like my brain would be.

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Speaker 2: Like, no, I remember her name. Her name was audre Lee.

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Speaker 2: I'm owdre Lee. Soe you next time on Kids Beat,

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Speaker 2: Kids be We just drove by Circus Liquor. Yeah, giant

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Speaker 2: Neon famous sign. Yes, what movie?

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Speaker 1: Oh well, it's been in a lot. But was it Magnolia?

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Speaker 2: Oh maybe?

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Speaker 1: I mean I think it's been in a ton right, Yeah,

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Speaker 1: Uh Cowboy the drugstore?

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Speaker 2: Cowboy h falling down?

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Speaker 1: Is it falling down?

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Speaker 2: I think it's been in all those.

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Speaker 1: I bet it has been.

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Speaker 2: I want to go in there. I hope the employees

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Speaker 2: are dressed like clowns.

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Speaker 1: I think you should bring it up on your phone, okay,

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Speaker 1: because I think you're right. Also, Patton Oswalt's brother, Matt Oswalt,

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Speaker 1: has a book of photography and that is one of

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Speaker 1: the main pictures and that he took of it one

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Speaker 1: night and it's so it's a gorgeous picture of that

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Speaker 1: lit up sign with like blue behind it. The sky

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Speaker 1: was all blue.

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Speaker 2: I've been meaning to go to UH to go to

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Speaker 2: the uh Neon Museum that's in Glendale. There's so many

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Speaker 2: signs that are iconic that are in there restored.

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Speaker 1: Yes, and I've heard that it's way better than you

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Speaker 1: would expect a Neon sign museum to be right.

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Speaker 2: Yeah, I do want to go revisit the one that

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Speaker 2: was at the liquor store. They're all liquor store signs,

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Speaker 2: but there was an animated one with like a train

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Speaker 2: and the plumes of smoke or animated coming out. And

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Speaker 2: it was a liquor store in Echo Park and they

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Speaker 2: were taking it down and I actually asked, are you

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Speaker 2: putting that in the Neon Museum? And they thought that

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Speaker 2: I was a crystal Ball owner because they indeed were

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Speaker 2: going there.

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Speaker 1: Did they freak out?

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Speaker 2: They freaked out? How did you know that? Man?

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Speaker 1: What if they turned on just threw it in a dumpster?

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Speaker 1: They're just like, well, no more of this sign. Yeah,

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Speaker 1: because also, why would you get rid of a sign

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Speaker 1: like that that's like such a touch point and a

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Speaker 1: kind of like famous for the neighborhood. I'm sure. So

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Speaker 1: is it? Are they more expensive than just regular light

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Speaker 1: up signs or something.

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Speaker 2: Yeah. It was left up there for a while and

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Speaker 2: it wasn't until someone stole part of it that they

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Speaker 2: were like, oh, people want this. It should probably be

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Speaker 2: in that knee On museum. And then they took it down.

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Speaker 1: That sign belongs in a museum.

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Speaker 2: And I hate snaps that sign should be in a museum. True. Oh,

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Speaker 2: I was doing Nicholas Cage I it's a national treasure.

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Speaker 2: Who's that?

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Speaker 1: That's a third guy?

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Speaker 2: I'm yeah, yeah, just an announcer of some kind. I

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Speaker 2: realized right at the beginning that I don't know what

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Speaker 2: Nick Cage sounds like.

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Speaker 1: It was, well, he I think you got in there

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Speaker 1: at the end and kind of made it, made it believable.

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Speaker 1: Did you so?

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Speaker 2: Wait?

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Speaker 1: Did you or did you not see? I asked, as

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Speaker 1: if we've been fighting about this, the Nicholas Cage movie,

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Speaker 1: The Unbearable Weight of.

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Speaker 2: I've seen it three times.

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Speaker 1: Me too in it so many times.

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Speaker 2: It's uh, no one was talking about it.

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Speaker 1: I know I was. I told everybody to watch it.

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Speaker 2: Yeah. It's weird how certain things fall under the radar

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Speaker 2: and then the next day everyone's like, oh my god,

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Speaker 2: have you seen the substance?

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Speaker 1: I know, and you're just like, guys, can we just

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Speaker 1: refocus on the what is it called the Unbearable Weight of?

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Speaker 2: The Unbearable Weight of massive talent? Massive talent? Is that it? Yeah?

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Speaker 2: I think so. But it's yeah, very good if you

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Speaker 2: haven't seen that movie. Oddly, very on a whim, last

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Speaker 2: night I went to see You're gonna Everyone's gonna laugh

275
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Speaker 2: at me? Okay, The Accountant Part two. Hell, yes, I

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Speaker 2: saw the first one recently, and I was very surprised

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Speaker 2: at how much I liked it and how good I

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Speaker 2: thought he was at being a expectrum. Yeah that was

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Speaker 2: an accountant, yes, but also raised to be a killer,

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Speaker 2: a hitman type. But the new one is who's the

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Speaker 2: guy Barenthal, the guy that plays his brother.

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Speaker 1: That's a touch John john Burnhal.

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Speaker 2: Hed the two of them together. It becomes like a

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Speaker 2: buddy comedy almost, and they're getting to know each other

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Speaker 2: and some really sweet things happen. And I loved it

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Speaker 2: so much. It reminded me of rain Man. It reminded

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Speaker 2: me of Goodwill Hunting. It reminded me of because he

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Speaker 2: was in that too, so that's the reason for that. Yeah, yeah, yeah,

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Speaker 2: it was ay. It was like a tough guy you

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Speaker 2: thought was going to be a shoot him up, guns

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Speaker 2: and hitman type movie, but it was feelings. It was

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Speaker 2: feelings and they were finding sex traffickers and all this

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Speaker 2: terrible stuff. But they didn't focus on that. They didn't

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Speaker 2: show scary men being mean to women. It was just inferred,

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Speaker 2: and you didn't you were still these guys were still scary,

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Speaker 2: and they didn't exploit the crimes. Like they didn't even

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Speaker 2: show a lot of the violence. They're just like and

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Speaker 2: you can guess what happens next, Like they got in

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Speaker 2: a big barfight and it just showed all everything leading

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Speaker 2: up to it, and then one guy flew out a

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Speaker 2: window and then they're driving off. It's like, oh, they aren't. Actually,

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Speaker 2: I came to a movie to see gratuitous violence. That

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Speaker 2: a movie that I would go watch with my dad,

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Speaker 2: and it didn't give that.

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Speaker 1: That's interesting.

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Speaker 2: Yeah, it was really a good movie.

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Speaker 1: That's cool.

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Speaker 2: I was and I went almost as a as a joke.

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Speaker 1: But that John Barenthal, I'm a real believer. That guy

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Speaker 1: is like and he is like an LA actor actor.

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Speaker 1: You if he's in something, you believe him, right, And

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Speaker 1: he has that thing of like you know, if you

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Speaker 1: saw him at the gas station, he'd be cool.

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Speaker 2: Yeah, he'd be shown cool.

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Speaker 1: Yeah, you know, and I think.

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Speaker 2: Be handy to be on your team in a fight. Yes,

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Speaker 2: in real life.

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Speaker 1: I think he's ripped to shreds.

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Speaker 2: He's ripped to shreds. And he didn't do it as

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Speaker 2: the gymnasium.

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Speaker 1: He did it working on the railroad all the live

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Speaker 1: long day, Right, I mean, that's how you really get it.

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Speaker 2: Yeah, you can't just do it every other live.

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Speaker 1: Long day, No, all day, every live long day.

325
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Speaker 2: You gotta show up every day. Please when it comes

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Speaker 2: to railroads, I been going to the gym. I don't

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Speaker 2: know if I should eat. I do want to tell

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Speaker 2: this went I am, And it's going to be a

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Speaker 2: bit of a struggle, but I think it'll be worth it.

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Speaker 1: And if it's totally out of whack, we can just

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Speaker 1: join up the part that we were hanging on from before, right,

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Speaker 1: get it all together where it all comes back together.

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Speaker 2: I went, I don't I usually go in the morning

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Speaker 2: or in the afternoon. I went later at night, and

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Speaker 2: there's a kind of nice bathroom there that has sprays

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Speaker 2: and Q tips.

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Speaker 1: Sorry, what are you talking about the gym that I

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Speaker 1: go to? Oh so sorry?

339
00:18:05,760 --> 00:18:08,719
Speaker 2: Yeah, yeah, no, it was the new gym I go to.

340
00:18:08,760 --> 00:18:13,360
Speaker 2: Everyone's very nice, A lot of guys in there with

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Speaker 2: their shirts all the way off. Yeah, but it's a

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Speaker 2: higher premium, so you know, only twenty nine people at

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Speaker 2: a time you have to sign up, and so it's like, hey,

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Speaker 2: it's almost like a private gym. Let's take our shirts off.

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Speaker 2: I don't i'd wear an extra shirt actually, because I

346
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Speaker 2: don't want anyone to know I'm less muscular than all.

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Speaker 2: I went into the bathroom and these two guys were

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Speaker 2: facing each other, left hand on the other shoulder, and

349
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Speaker 2: much like a lumberjacks who sawing a piece of wood

350
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Speaker 2: with one big saw, they were handshake style masturbating each

351
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Speaker 2: other in a well. They looked at each other in

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Speaker 2: the face, and I swear there I thought they were

353
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Speaker 2: arguing because they were saying like mean things. But then

354
00:19:03,680 --> 00:19:13,040
Speaker 2: I looks and they were handshake mutually symmetrically. I caught

355
00:19:13,280 --> 00:19:17,280
Speaker 2: just a little bit, of course, because I was like sorry,

356
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Speaker 2: and then they're like, no, we're sorry. So decent of

357
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Speaker 2: all of you, And it wasn't just peripheral. I maybe

358
00:19:24,880 --> 00:19:29,000
Speaker 2: was looked long enough that it was you.

359
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Speaker 1: Actually made some money off of this?

360
00:19:32,000 --> 00:19:37,960
Speaker 2: Yes, oh there's so much. No, I just it was brief, quick,

361
00:19:39,119 --> 00:19:41,200
Speaker 2: and there is a shower in there, so what they're

362
00:19:41,240 --> 00:19:44,040
Speaker 2: doing made more sense than me just standing there.

363
00:19:43,840 --> 00:19:46,119
Speaker 1: Like, hi, guys, yeah, what were you doing?

364
00:19:46,359 --> 00:19:50,320
Speaker 2: I was washing my hands.

365
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Speaker 1: Where to god, I did not think this was how

366
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Speaker 1: that story was.

367
00:19:53,960 --> 00:19:56,399
Speaker 2: I know, and you know, it was hard for me

368
00:19:56,440 --> 00:19:58,120
Speaker 2: to tell my back start to sweat.

369
00:19:58,160 --> 00:20:03,080
Speaker 1: But it's but also that actually happened, which is really hilarious.

370
00:20:03,280 --> 00:20:05,880
Speaker 2: Yeah, well, I've never seen that formation.

371
00:20:06,400 --> 00:20:08,840
Speaker 1: Maybe they were selling one was selling the other a car,

372
00:20:08,920 --> 00:20:09,960
Speaker 1: and you just mishook.

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Speaker 2: I know, here's the title, say every business interaction, I

374
00:20:17,320 --> 00:20:19,600
Speaker 2: like to put my hand on your shirtless shoulder.

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Speaker 1: I'm sorry that detail is a little it pushes it.

376
00:20:24,560 --> 00:20:29,280
Speaker 2: Past they Yeah, the fact that they it was there.

377
00:20:29,720 --> 00:20:31,639
Speaker 2: They each had their left hand on the other one

378
00:20:31,680 --> 00:20:35,320
Speaker 2: shoulder and their right hand the dominant for this action

379
00:20:35,840 --> 00:20:42,320
Speaker 2: was on. But the back back and forth was I

380
00:20:42,320 --> 00:20:44,159
Speaker 2: don't know. I didn't watch long enough to see that

381
00:20:44,200 --> 00:20:47,399
Speaker 2: they were in sync, but it did remind me of

382
00:20:48,000 --> 00:20:52,040
Speaker 2: two guys teaming up to cut a log, you know. Sure, yeah,

383
00:20:52,119 --> 00:20:58,720
Speaker 2: it was really what else pistons on an old four

384
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Speaker 2: cylinder engine.

385
00:21:00,000 --> 00:21:01,520
Speaker 1: How old would you say? These men were?

386
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Speaker 2: Thirty five?

387
00:21:04,200 --> 00:21:04,680
Speaker 1: Oh?

388
00:21:04,720 --> 00:21:08,639
Speaker 2: Okay, yeah, great, yeah, a little too old to be

389
00:21:08,760 --> 00:21:11,680
Speaker 2: doing that risk gay borderline public.

390
00:21:11,600 --> 00:21:13,479
Speaker 1: The thing that I always think about with people that

391
00:21:13,760 --> 00:21:16,080
Speaker 1: do that. Uh oh, I've tricked myself in getting on

392
00:21:16,080 --> 00:21:18,679
Speaker 1: the freeway. No, no, no, thank you.

393
00:21:20,040 --> 00:21:24,080
Speaker 2: It would have ended up in Pomona. Is that.

394
00:21:25,680 --> 00:21:28,919
Speaker 1: The risk there is that, like you get caught you

395
00:21:29,000 --> 00:21:33,600
Speaker 1: get it, like whatever, arrested for indecent exposure, Like it's

396
00:21:33,680 --> 00:21:38,919
Speaker 1: such a like our laws are so puritanical when it

397
00:21:38,920 --> 00:21:40,720
Speaker 1: comes to things like that, that you really are at

398
00:21:40,760 --> 00:21:42,800
Speaker 1: a serious risk, which I'm sure kind of makes it

399
00:21:42,800 --> 00:21:44,919
Speaker 1: more exciting. But I always think about that where it's like,

400
00:21:45,000 --> 00:21:47,800
Speaker 1: is this really really worth getting your face on some

401
00:21:47,840 --> 00:21:50,680
Speaker 1: sort of a you know, rublic list or something.

402
00:21:50,720 --> 00:21:54,400
Speaker 2: It is a gen I think it's mostly gay men

403
00:21:54,480 --> 00:21:56,800
Speaker 2: that work out. I think it's like a safer place

404
00:21:56,840 --> 00:21:58,760
Speaker 2: than if it was at like a twenty four hour fit.

405
00:21:59,040 --> 00:22:02,600
Speaker 2: Oh I see, yeah, So yeah, I did walk away

406
00:22:02,600 --> 00:22:04,719
Speaker 2: from it thinking, well, I'm the weirdo.

407
00:22:05,200 --> 00:22:07,840
Speaker 1: It is they belong to like just a certain tier

408
00:22:07,880 --> 00:22:09,760
Speaker 1: of membership that you don't belong to, right.

409
00:22:09,720 --> 00:22:13,199
Speaker 2: Right, Oh, that exactly I get. I can go to

410
00:22:13,240 --> 00:22:15,960
Speaker 2: open gym whenever I want, and I can take classes,

411
00:22:16,040 --> 00:22:19,160
Speaker 2: but I can't use the messeuse that's there. I found

412
00:22:19,200 --> 00:22:19,640
Speaker 2: that out.

413
00:22:19,760 --> 00:22:21,840
Speaker 1: And they call it no log cutting.

414
00:22:21,880 --> 00:22:24,560
Speaker 2: Right, And yeah, I didn't know what that meant until now.

415
00:22:24,840 --> 00:22:30,440
Speaker 2: No no mutual lumberjack. And I'm like, what is all water?

416
00:22:30,600 --> 00:22:30,960
Speaker 2: You want?

417
00:22:31,800 --> 00:22:33,000
Speaker 1: So don't worry about that part?

418
00:22:33,160 --> 00:22:36,200
Speaker 2: Yeah there is, Yeah, it's it. I love the gym.

419
00:22:36,800 --> 00:22:39,120
Speaker 2: I do.

420
00:22:39,280 --> 00:22:39,600
Speaker 1: I do it.

421
00:22:39,640 --> 00:22:42,640
Speaker 2: They're nice to me. It's been great for gim reasons.

422
00:22:44,880 --> 00:22:47,200
Speaker 2: I'm not like a weird I'm not you know, I'm

423
00:22:47,200 --> 00:22:49,719
Speaker 2: not a bathroom stall foot tapper.

424
00:22:49,840 --> 00:22:52,840
Speaker 1: I don't know that. I don't know you.

425
00:22:52,000 --> 00:22:57,640
Speaker 2: You don't know me. You know me. You know I'm

426
00:22:57,680 --> 00:23:00,960
Speaker 2: not going it. Who was it? There's a I think

427
00:23:01,000 --> 00:23:01,719
Speaker 2: his name was.

428
00:23:01,840 --> 00:23:04,359
Speaker 1: It was a while ago. He had like a I

429
00:23:04,440 --> 00:23:06,680
Speaker 1: remember that when that was like a big scandal, the

430
00:23:06,720 --> 00:23:11,280
Speaker 1: guy that put his foot under the stall. Right comics

431
00:23:11,280 --> 00:23:13,439
Speaker 1: did jokes about it for literally ten years.

432
00:23:13,960 --> 00:23:16,879
Speaker 2: Yeah, yeah, I can't remember his name, but it sounded

433
00:23:16,960 --> 00:23:19,880
Speaker 2: it's like because also who cares, right, Yeah, I don't

434
00:23:19,920 --> 00:23:21,760
Speaker 2: care at all. I thought that maybe it was a

435
00:23:21,800 --> 00:23:26,560
Speaker 2: news item because like, yeah.

436
00:23:25,760 --> 00:23:29,760
Speaker 1: Really it was like the action itself. Now I remembered.

437
00:23:30,000 --> 00:23:33,440
Speaker 2: No, I think it's contrasting it with whatever policy he

438
00:23:33,600 --> 00:23:36,440
Speaker 2: pretends to believe in, right, exactly. No, it's going to

439
00:23:36,480 --> 00:23:38,600
Speaker 2: be another situation like that.

440
00:23:38,800 --> 00:23:42,040
Speaker 1: Yeah, that's right. He was a full crazed hypocrite.

441
00:23:42,200 --> 00:23:48,560
Speaker 2: Yep. Well well yeah, well you gotta make sure that

442
00:23:48,640 --> 00:23:50,440
Speaker 2: there's a stall wall.

443
00:23:50,960 --> 00:23:57,679
Speaker 1: Chop stop ooh, there's a do you see that? And

444
00:23:57,720 --> 00:24:01,840
Speaker 1: it's like a it looks like a you know, no,

445
00:24:02,000 --> 00:24:04,520
Speaker 1: a salad bar place. Oh okay, so they don't really

446
00:24:04,520 --> 00:24:05,320
Speaker 1: have anymore.

447
00:24:06,000 --> 00:24:09,600
Speaker 2: Oh like they do chopped salads like a tossed cob.

448
00:24:12,920 --> 00:24:16,480
Speaker 2: They get, you know, they you get the grid like chopper,

449
00:24:17,680 --> 00:24:19,840
Speaker 2: And no matter what you put under a chop, chop chop,

450
00:24:20,359 --> 00:24:21,920
Speaker 2: you get yourself a tost cob.

451
00:24:23,320 --> 00:24:26,679
Speaker 1: Don't you don't you think it's more like a salad

452
00:24:26,680 --> 00:24:27,160
Speaker 1: bar place.

453
00:24:27,960 --> 00:24:31,199
Speaker 2: Yeah? I guess so. But what was the name of

454
00:24:31,240 --> 00:24:35,440
Speaker 2: it again, chop stop? Yeah, it's because of their signature chopper.

455
00:24:36,200 --> 00:24:37,400
Speaker 1: Chris, you've never been in there?

456
00:24:38,119 --> 00:24:39,920
Speaker 2: Well what do you Why do you think it's called

457
00:24:40,000 --> 00:24:40,760
Speaker 2: chop stop.

458
00:24:41,000 --> 00:24:42,760
Speaker 1: I'm just saying what I want it to be, because

459
00:24:42,800 --> 00:24:45,119
Speaker 1: if it's only a cob salad shop, I'll.

460
00:24:45,000 --> 00:24:48,160
Speaker 2: Be well, do you want it to be called toss shop?

461
00:24:49,040 --> 00:24:51,560
Speaker 2: It's called chop shop for a reason. It's because of

462
00:24:51,600 --> 00:24:53,600
Speaker 2: their signature grid chopper.

463
00:24:57,280 --> 00:25:00,400
Speaker 1: We went in only today, cob only once.

464
00:25:00,200 --> 00:25:02,720
Speaker 2: Again, sorry, cob only.

465
00:25:04,480 --> 00:25:09,679
Speaker 1: Do you fight chicken, cob only and chop You have

466
00:25:09,720 --> 00:25:11,960
Speaker 1: to look up on your phone. Wait a second, look

467
00:25:12,040 --> 00:25:15,960
Speaker 1: up on your phone what the menu is? Please? Would you?

468
00:25:16,320 --> 00:25:19,840
Speaker 1: But then also, uhh, I had a second one that

469
00:25:19,840 --> 00:25:20,400
Speaker 1: I asked you to.

470
00:25:20,320 --> 00:25:28,680
Speaker 2: Do before liquor. Yes, menu, chop chop stop, chop stop?

471
00:25:29,160 --> 00:25:31,200
Speaker 2: Why are you were asking me to stop? I'm looking

472
00:25:31,240 --> 00:25:33,800
Speaker 2: it up me and my huson.

473
00:25:33,560 --> 00:25:35,640
Speaker 1: First classic comedy.

474
00:25:35,640 --> 00:25:44,360
Speaker 2: Okay, let's let's get serious. Okay, Okay, they are Okay,

475
00:25:44,880 --> 00:25:48,639
Speaker 2: I'm going to because they are, of course salads. They

476
00:25:48,680 --> 00:25:52,000
Speaker 2: don't look toss so oddly. They look like every salad

477
00:25:52,119 --> 00:25:55,360
Speaker 2: is partitioned into You are in charge of your own

478
00:25:55,480 --> 00:25:59,280
Speaker 2: mixing and saucing. So the sauce is in the middle

479
00:25:59,440 --> 00:26:04,760
Speaker 2: like a salsa sombrero. Oh and so.

480
00:26:04,240 --> 00:26:06,439
Speaker 1: So you go down the thing and fill that up

481
00:26:06,480 --> 00:26:09,960
Speaker 1: yourself or does somebody? Is that like subway sandwich On

482
00:26:10,000 --> 00:26:10,920
Speaker 1: the other side, someone.

483
00:26:10,760 --> 00:26:14,119
Speaker 2: Else is in control? Oh right, yeah, behind a sneeze guard.

484
00:26:14,200 --> 00:26:16,080
Speaker 1: Is it going to tell you how it actually works?

485
00:26:16,119 --> 00:26:19,040
Speaker 2: I want to hear about, yes, about.

486
00:26:19,119 --> 00:26:23,480
Speaker 1: I'd love the history of chop Stop. In twenty twenty three,

487
00:26:23,560 --> 00:26:24,359
Speaker 1: we had a dream.

488
00:26:25,040 --> 00:26:29,520
Speaker 2: Yeah, they aren't given. I love a good restaurant backstory.

489
00:26:29,760 --> 00:26:33,280
Speaker 1: We survived COVID quarantine and we decided, you know what

490
00:26:33,320 --> 00:26:37,040
Speaker 1: we should do open a new restaurant. Here we are at.

491
00:26:37,000 --> 00:26:40,879
Speaker 2: Chop Stop, a salad in every bite. Well, that's a

492
00:26:41,280 --> 00:26:46,600
Speaker 2: terrible slogan. I can't. That's with chop stop, chop slop,

493
00:26:47,400 --> 00:26:48,159
Speaker 2: chop slop.

494
00:26:48,920 --> 00:26:52,680
Speaker 1: That's it's not that. No, No, a salad and every

495
00:26:52,720 --> 00:26:55,679
Speaker 1: bite is like, what other options would there be?

496
00:26:57,320 --> 00:27:01,240
Speaker 2: Their other options is a chopp burrito. That's a warm

497
00:27:01,320 --> 00:27:05,200
Speaker 2: bowl wrapped in what in a tortillia?

498
00:27:06,040 --> 00:27:07,840
Speaker 1: Wait a second, you have to read this menu.

499
00:27:08,200 --> 00:27:14,320
Speaker 2: Okay, here it comes warm bowls with a base of cilantra, lime,

500
00:27:14,400 --> 00:27:18,560
Speaker 2: rice and seasoned. Oh, it's a trapurto. But it's not.

501
00:27:19,119 --> 00:27:28,960
Speaker 2: It's just a salad. Oh with burrito burrito type characteristics, characteristics.

502
00:27:27,000 --> 00:27:31,520
Speaker 1: Not the same, not a salad, and everybody right.

503
00:27:31,480 --> 00:27:32,920
Speaker 2: Right, it's a burrito in every bite?

504
00:27:33,000 --> 00:27:34,880
Speaker 1: Do you put lettuce on your burrito? Personally?

505
00:27:35,000 --> 00:27:35,399
Speaker 2: I do?

506
00:27:35,880 --> 00:27:37,000
Speaker 1: Oh yeah, I do it.

507
00:27:37,040 --> 00:27:39,800
Speaker 2: And when I get a bowl instead of a burrito,

508
00:27:39,840 --> 00:27:43,400
Speaker 2: at top it with lettuce. Okay, just a few leaves

509
00:27:43,440 --> 00:27:47,080
Speaker 2: of lettuce, the kind that is just barely not water,

510
00:27:47,800 --> 00:27:53,480
Speaker 2: because I think that makes my burrito healthy. But I also, yeah,

511
00:27:53,520 --> 00:27:59,920
Speaker 2: you might as well eat watermelon also just water. It's

512
00:28:00,080 --> 00:28:02,920
Speaker 2: really I mean, there's no reason for a steep watermelon

513
00:28:03,000 --> 00:28:04,800
Speaker 2: or iceberg lattice.

514
00:28:04,920 --> 00:28:05,200
Speaker 1: Yeah.

515
00:28:05,280 --> 00:28:09,919
Speaker 2: I really want to know about their salads.

516
00:28:10,000 --> 00:28:12,600
Speaker 1: Yeah, in everybody.

517
00:28:13,119 --> 00:28:15,880
Speaker 2: They have a private policy. I don't care about that.

518
00:28:16,480 --> 00:28:17,760
Speaker 2: Make things more public.

519
00:28:17,840 --> 00:28:20,560
Speaker 1: Actually, yeah, how about some transparency? Chop stop?

520
00:28:20,920 --> 00:28:23,600
Speaker 2: Yeah, well, I guess you gotta go to find out

521
00:28:23,680 --> 00:28:27,520
Speaker 2: how they chop it. But I feel like it is chopped.

522
00:28:28,400 --> 00:28:35,400
Speaker 2: It'd better be yeah and oh oh wow, at least

523
00:28:35,680 --> 00:28:39,320
Speaker 2: it right away, thank you. Oh. Several films and TV

524
00:28:39,440 --> 00:28:43,440
Speaker 2: shows have used Circus Slicker in North Hollywood as a

525
00:28:43,440 --> 00:28:44,360
Speaker 2: filming location.

526
00:28:44,600 --> 00:28:44,880
Speaker 1: Great.

527
00:28:45,080 --> 00:28:50,640
Speaker 2: Some notable examples include Chop Chop, the movie Now Clueless.

528
00:28:51,160 --> 00:28:54,360
Speaker 2: It was in Alpha Dog, Hell yeah, it was in Spun.

529
00:28:54,920 --> 00:28:58,680
Speaker 2: It was in Blue Thunder yeap from nineteen eighty three.

530
00:28:58,840 --> 00:29:01,280
Speaker 2: Now you know with Blue Thunder is starting.

531
00:29:01,080 --> 00:29:04,560
Speaker 1: Jamie Lee Curtis. Really, I guess.

532
00:29:04,720 --> 00:29:09,680
Speaker 2: Deadfall, American Satan, The Living End. So far, no movies.

533
00:29:09,720 --> 00:29:15,640
Speaker 2: We were talking about Love and Lies, Death Valley, Californication, Yes,

534
00:29:15,800 --> 00:29:24,600
Speaker 2: Ray Donovan, Grace and Frankie Grace and Frankie Lolli, Tomlin

535
00:29:24,720 --> 00:29:26,280
Speaker 2: and Shane Fonda.

536
00:29:26,160 --> 00:29:28,760
Speaker 1: Grace and Frankie Press two. It sounded like you were

537
00:29:28,800 --> 00:29:29,040
Speaker 1: doing that.

538
00:29:30,920 --> 00:29:34,480
Speaker 2: Oh yeah, movie phone, Yeah, movie phone, Oh wow, yeah,

539
00:29:34,600 --> 00:29:39,080
Speaker 2: it's it's I don't know which of those. Oddly, I

540
00:29:39,120 --> 00:29:41,720
Speaker 2: haven't seen a lot of those movies. I've seen Alpha Dog,

541
00:29:41,800 --> 00:29:42,400
Speaker 2: that's for sure.

542
00:29:42,480 --> 00:29:45,719
Speaker 1: Yeah, that's a good lisk. It feels like most of

543
00:29:45,720 --> 00:29:49,720
Speaker 1: the time the circus liquor clown liquor sign is used

544
00:29:49,880 --> 00:29:54,000
Speaker 1: in films when tension is needed or gritty background.

545
00:29:54,240 --> 00:29:57,720
Speaker 2: Right, And I don't think that Randy Newman's I Love

546
00:29:57,880 --> 00:30:03,520
Speaker 2: La music video was on there, but I'm almost certain. Yeah,

547
00:30:03,760 --> 00:30:07,840
Speaker 2: you know man, you know man, I just like making

548
00:30:07,920 --> 00:30:13,880
Speaker 2: friends with bumblebees. He does a lot of Pixar songs.

549
00:30:14,160 --> 00:30:19,520
Speaker 2: Have you ever seen Will Sasso as Randy Newman? No

550
00:30:19,920 --> 00:30:23,280
Speaker 2: doing it. We'll watch it after this, but if you're

551
00:30:23,360 --> 00:30:28,840
Speaker 2: listening now, google this up Will Sasso Randy Newman because

552
00:30:28,960 --> 00:30:30,600
Speaker 2: he's like, I don't need it.

553
00:30:30,840 --> 00:30:35,560
Speaker 1: He was like talking like hes in the song. I

554
00:30:35,560 --> 00:30:37,360
Speaker 1: haven't even seen the movie.

555
00:30:37,280 --> 00:30:43,160
Speaker 2: But I like making friends friends. They're the best thing

556
00:30:43,240 --> 00:30:47,000
Speaker 2: to happen, You'll like. I don't know, I can't do

557
00:30:47,120 --> 00:30:51,960
Speaker 2: the impression, but you get the idea. Star Wars star

558
00:30:52,240 --> 00:30:56,320
Speaker 2: Wolves were the great face and space to have a

559
00:30:56,480 --> 00:30:59,600
Speaker 2: war like he was doing all these.

560
00:30:59,760 --> 00:31:01,320
Speaker 1: I laughed so hard.

561
00:31:01,880 --> 00:31:03,800
Speaker 2: I think it went under the radar, and like a

562
00:31:03,800 --> 00:31:08,800
Speaker 2: lot of things are just resurfacing. Yeah clip, Yeah, that's

563
00:31:09,520 --> 00:31:12,320
Speaker 2: that's crossed everything I've done in my career. If someone

564
00:31:12,440 --> 00:31:18,680
Speaker 2: just puts it on the right Instagram account, you'll get there. Yeah,

565
00:31:18,960 --> 00:31:21,000
Speaker 2: I'm gonna skyrocket up to the moon.

566
00:31:22,680 --> 00:31:24,640
Speaker 1: But what if a clip of you doing an impression

567
00:31:24,640 --> 00:31:27,640
Speaker 1: of Will Sasso doing an impression of Brandy Newman is

568
00:31:27,680 --> 00:31:28,960
Speaker 1: the thing that puts you over the top.

569
00:31:29,040 --> 00:31:30,760
Speaker 2: Oh, I think I'd be disappointed.

570
00:31:31,440 --> 00:31:33,480
Speaker 1: Sorry, Yeah, You've done better stuff than that.

571
00:31:33,760 --> 00:31:36,320
Speaker 2: Yeah, but that was good. I'm just saying, yeah, it's

572
00:31:36,680 --> 00:31:40,960
Speaker 2: it's not as good as my signature Nick Cage.

573
00:31:42,000 --> 00:31:46,280
Speaker 1: The Nick Cage Harrison Ford combo man. Yeah, third choice.

574
00:31:46,320 --> 00:31:49,200
Speaker 1: No one understands or knows. I like that guy.

575
00:31:50,000 --> 00:31:54,360
Speaker 2: Oh, let's not carry Those people looked like the actual

576
00:31:54,520 --> 00:31:57,800
Speaker 2: silhouettes on the people crossing.

577
00:31:57,480 --> 00:32:01,160
Speaker 1: Signe running across the street. Oh, but I bet they

578
00:32:01,200 --> 00:32:04,120
Speaker 1: were at Tansy, which is this cool store. We're in

579
00:32:04,160 --> 00:32:06,560
Speaker 1: this part of our bank that I love on Magnolia.

580
00:32:06,800 --> 00:32:08,120
Speaker 2: It's like a hip strip here.

581
00:32:08,160 --> 00:32:12,400
Speaker 1: It's hip and Tansy is the store locally owned, I believe.

582
00:32:12,840 --> 00:32:15,240
Speaker 1: And they just have a ton of plants and like

583
00:32:15,480 --> 00:32:17,040
Speaker 1: teach you how to take care of a plant at

584
00:32:17,040 --> 00:32:19,680
Speaker 1: your house. It's like God bless.

585
00:32:19,240 --> 00:32:24,440
Speaker 2: And they don't have any spray or machine tanning. Why

586
00:32:24,520 --> 00:32:25,600
Speaker 2: is it called Tansy?

587
00:32:26,600 --> 00:32:29,479
Speaker 1: It's it's her mother's maiden name. How would I how

588
00:32:29,520 --> 00:32:30,640
Speaker 1: would I fucking know?

589
00:32:31,240 --> 00:32:34,040
Speaker 2: Right, Judith Tansy. I forgot about her.

590
00:32:34,760 --> 00:32:36,160
Speaker 1: Judith Tansy Morrison.

591
00:32:38,680 --> 00:32:40,719
Speaker 2: We didn't even know what the fuck to do? Was

592
00:32:40,760 --> 00:32:47,160
Speaker 2: soiled before Judith Morris and the best ree potter in

593
00:32:47,320 --> 00:32:52,959
Speaker 2: all Garzalias, every every plant she knew exactly what they needed.

594
00:32:53,400 --> 00:32:58,640
Speaker 1: Jeff Garzelius, Jeff Kart my favorite improviser. Jeff Garzalias is there?

595
00:32:59,040 --> 00:32:59,760
Speaker 2: Yoh man?

596
00:33:02,320 --> 00:33:06,480
Speaker 1: Is this month? Don't?

597
00:33:06,520 --> 00:33:10,280
Speaker 2: I can't remember? Garz Alias is my made up plant.

598
00:33:10,640 --> 00:33:11,360
Speaker 1: It's pretty great.

599
00:33:11,640 --> 00:33:17,000
Speaker 2: Thanks it Usually it never gets laughs. It's just've been

600
00:33:17,000 --> 00:33:18,640
Speaker 2: in there for language color.

601
00:33:19,280 --> 00:33:22,720
Speaker 1: I did my laugh, which is my podcast laugh. But

602
00:33:22,760 --> 00:33:25,400
Speaker 1: then you know you said something funny when an Lisa's

603
00:33:25,440 --> 00:33:28,880
Speaker 1: doing a quiet laugh. Yeah, that's when you know we're

604
00:33:29,000 --> 00:33:30,040
Speaker 1: hitting on what.

605
00:33:30,880 --> 00:33:32,600
Speaker 2: It's all four cylinder?

606
00:33:32,600 --> 00:33:33,800
Speaker 1: Eight, goddamn it.

607
00:33:33,880 --> 00:33:37,440
Speaker 2: Eight. I don't think they make eight cylinder cars. In fact,

608
00:33:37,480 --> 00:33:39,640
Speaker 2: even hot rods now are just four cylinders.

609
00:33:39,680 --> 00:33:40,120
Speaker 1: Is that true?

610
00:33:40,160 --> 00:33:41,520
Speaker 2: The world is changing?

611
00:33:41,720 --> 00:33:42,800
Speaker 1: The world is a vamp.

612
00:33:42,920 --> 00:33:44,760
Speaker 2: You don't need a V eight, you don't need a

613
00:33:44,880 --> 00:33:48,040
Speaker 2: V six. You just need a vampire and a four

614
00:33:48,160 --> 00:33:50,000
Speaker 2: cylinder car that runs.

615
00:33:49,720 --> 00:33:56,320
Speaker 1: On blood entransil. Mama, Ye, did I ever show you

616
00:33:56,320 --> 00:33:58,200
Speaker 1: the picture of my niece Nora when she was like

617
00:33:58,320 --> 00:34:01,200
Speaker 1: seven years old and she was Dracula for Halloween and

618
00:34:01,280 --> 00:34:03,920
Speaker 1: she just was wearing a cape and the teeth, but

619
00:34:04,080 --> 00:34:06,959
Speaker 1: real serious about it. It's one of my favorite pictures

620
00:34:07,000 --> 00:34:07,480
Speaker 1: of all time.

621
00:34:07,640 --> 00:34:11,000
Speaker 2: I have to see it. Yeah, I love a kid

622
00:34:11,040 --> 00:34:14,160
Speaker 2: in a costume with a dead fade, like a super

623
00:34:14,200 --> 00:34:14,799
Speaker 2: straight face.

624
00:34:14,920 --> 00:34:17,360
Speaker 1: She's trying to be scary as Dracula, but she just

625
00:34:17,400 --> 00:34:20,560
Speaker 1: had her little little girl kind of bob yeah cut,

626
00:34:20,640 --> 00:34:23,920
Speaker 1: and she was wearing her Saint Fance's uniform but a cape.

627
00:34:24,080 --> 00:34:28,920
Speaker 2: One day our podcast will have visual aids. It fully

628
00:34:29,000 --> 00:34:31,880
Speaker 2: reminds me of my favorite photo of my sister and

629
00:34:31,920 --> 00:34:35,680
Speaker 2: I when I was like two or three and she

630
00:34:35,880 --> 00:34:45,440
Speaker 2: was six years older than that. That was seven or nine, Okay, anyway,

631
00:34:45,920 --> 00:34:51,080
Speaker 2: we were full clown makeup, not well done but with

632
00:34:51,239 --> 00:34:57,160
Speaker 2: noses and clown white on the face and some lines

633
00:34:57,239 --> 00:35:01,160
Speaker 2: under the eyes, and we're just both looking in the camera,

634
00:35:01,320 --> 00:35:06,160
Speaker 2: dead faced, almost grumpily, like two people dressed like clowns

635
00:35:06,200 --> 00:35:08,880
Speaker 2: that look like they're pissed off and their kids that's

636
00:35:09,760 --> 00:35:13,480
Speaker 2: if you're looking for good photo ideas for a calendar,

637
00:35:14,760 --> 00:35:15,440
Speaker 2: that's a winner.

638
00:35:15,520 --> 00:35:18,400
Speaker 1: That's a good one. Yeah, there's I have a family

639
00:35:18,400 --> 00:35:22,000
Speaker 1: and picture of me and my sister and it's her

640
00:35:22,000 --> 00:35:26,000
Speaker 1: and I wearing our parents' masks that they wore that Halloween.

641
00:35:26,520 --> 00:35:29,160
Speaker 1: So my sister's wearing an alien mask and I'm wearing

642
00:35:29,200 --> 00:35:32,319
Speaker 1: a clown mask. But I'm like four and so that

643
00:35:32,400 --> 00:35:35,360
Speaker 1: means she's six, So we're really little and the masks

644
00:35:35,360 --> 00:35:38,200
Speaker 1: are really big on us. And I had my friend

645
00:35:38,280 --> 00:35:41,040
Speaker 1: painted because it was this perfect little polaroid that I had,

646
00:35:41,360 --> 00:35:43,520
Speaker 1: but I was like, oh, it's stuck to the frame,

647
00:35:43,560 --> 00:35:45,960
Speaker 1: blah blah blah, and have my friend painted. And my

648
00:35:46,000 --> 00:35:51,160
Speaker 1: friend chose these colors that are like not the seventies pleasing,

649
00:35:51,280 --> 00:35:54,200
Speaker 1: soft faded out colors, but they were like, actually probably

650
00:35:54,239 --> 00:35:56,440
Speaker 1: what the colors really look like in real time. And

651
00:35:56,480 --> 00:35:58,640
Speaker 1: when I got the painting back, it was like almost

652
00:35:58,640 --> 00:36:01,759
Speaker 1: disturbing because I'm wearing like it's like a clown mask,

653
00:36:02,040 --> 00:36:04,640
Speaker 1: but it looks like it's almost melting because my little

654
00:36:04,719 --> 00:36:07,279
Speaker 1: head underneath it is not holding the whole mask up.

655
00:36:07,840 --> 00:36:09,359
Speaker 1: And it's just really funny and.

656
00:36:09,560 --> 00:36:12,560
Speaker 2: It's it's crazy what you can do with the fact

657
00:36:12,560 --> 00:36:19,520
Speaker 2: that the Michael is just a William Shotton Shatner mask

658
00:36:19,600 --> 00:36:22,960
Speaker 2: painted white, and that someone thought of that so smart,

659
00:36:23,040 --> 00:36:25,239
Speaker 2: and they just made the eyes bigger and it's the

660
00:36:25,280 --> 00:36:26,800
Speaker 2: most horrifying.

661
00:36:26,360 --> 00:36:28,560
Speaker 1: Dunn Dun Dun Dun Dun Dun dun dun dun dun

662
00:36:28,600 --> 00:36:30,120
Speaker 1: dun dun dun dun dun dun dun.

663
00:36:30,000 --> 00:36:31,440
Speaker 2: Dun by John Carpenter.

664
00:36:31,480 --> 00:36:37,280
Speaker 1: That's all you know, Ship, Jim is going to absolutely

665
00:36:37,520 --> 00:36:39,000
Speaker 1: lose his mind on this episode.

666
00:36:39,040 --> 00:36:39,920
Speaker 2: No I gave credit.

667
00:36:41,600 --> 00:36:43,799
Speaker 1: I don't know if that's it doesn't let us.

668
00:36:44,440 --> 00:36:49,359
Speaker 2: If you two, I love him, John Carpenter, I now

669
00:36:49,400 --> 00:36:53,279
Speaker 2: he ain't gonna be mad. No, that old fucking you

670
00:36:53,280 --> 00:36:55,400
Speaker 2: can still here. Oh wait, oh, I thought we stopped

671
00:36:55,440 --> 00:37:00,719
Speaker 2: recording the mask that I remember. There's a photo of

672
00:37:00,760 --> 00:37:04,759
Speaker 2: my grandparents both wearing and they wear just those plastic,

673
00:37:04,880 --> 00:37:09,359
Speaker 2: cheap masks but they're transparent. Oh yeah, and they have

674
00:37:09,520 --> 00:37:13,160
Speaker 2: eyebrows and like a mustache. But it is another face

675
00:37:13,280 --> 00:37:15,400
Speaker 2: that you're putting over your face so you can still

676
00:37:15,440 --> 00:37:19,880
Speaker 2: see the person's face underneath. Hazily, they are so scary.

677
00:37:21,239 --> 00:37:23,320
Speaker 2: I had forgotten about them. And then when I was

678
00:37:23,360 --> 00:37:26,720
Speaker 2: doing World's dumbest. They just had one of those masks

679
00:37:26,800 --> 00:37:29,240
Speaker 2: back there, and I put it on and everyone's screamed,

680
00:37:29,480 --> 00:37:32,640
Speaker 2: and I'm like, yeah, you're right to do that.

681
00:37:33,280 --> 00:37:38,840
Speaker 1: It was before current times. It was always incredibly scary.

682
00:37:39,239 --> 00:37:42,920
Speaker 1: Just all of life and the kind of axe murderer

683
00:37:43,040 --> 00:37:46,360
Speaker 1: vibe that all of life had was pretty wild, especially

684
00:37:46,480 --> 00:37:50,480
Speaker 1: the mid to late seventies. Having that be my first

685
00:37:50,520 --> 00:37:53,840
Speaker 1: experience in the world, I just want to say, looking back,

686
00:37:54,719 --> 00:38:00,440
Speaker 1: really gritty, very dangerous vibe was off for sure. It

687
00:38:00,520 --> 00:38:03,720
Speaker 1: had a kind of brown, acid things are not okay

688
00:38:04,040 --> 00:38:07,080
Speaker 1: feel to it. And then the eighties hit Boom, here

689
00:38:07,120 --> 00:38:09,200
Speaker 1: we go, Duran, Duran, They're gonna get us on a

690
00:38:09,200 --> 00:38:10,640
Speaker 1: pirate ship out of here. Yeah.

691
00:38:10,719 --> 00:38:13,240
Speaker 2: Yeah, and they did. And then we dip down again

692
00:38:13,400 --> 00:38:17,879
Speaker 2: during the poison and Warrant years. Right then we were

693
00:38:17,920 --> 00:38:20,759
Speaker 2: back with Nirvana.

694
00:38:20,960 --> 00:38:21,839
Speaker 1: Don't do it, don't do it.

695
00:38:24,640 --> 00:38:29,759
Speaker 2: Where we are I mean, the world is arguably scarier now,

696
00:38:29,800 --> 00:38:32,799
Speaker 2: but back then we were just off on bikes all day,

697
00:38:33,680 --> 00:38:34,560
Speaker 2: just riding bikes.

698
00:38:34,600 --> 00:38:34,799
Speaker 1: Yep.

699
00:38:35,560 --> 00:38:37,960
Speaker 2: I didn't come home until I heard my dad whistle

700
00:38:38,040 --> 00:38:41,719
Speaker 2: for miles away, and then I'd finally go home and

701
00:38:41,719 --> 00:38:44,520
Speaker 2: my mom was like, oh, thank god, you didn't get

702
00:38:44,800 --> 00:38:49,040
Speaker 2: grabbed by any one of the many kidnappers that are

703
00:38:49,080 --> 00:38:52,640
Speaker 2: in the news currently. Like, I can't believe. We were

704
00:38:52,680 --> 00:38:57,600
Speaker 2: just no phones, no no parents at so many houses.

705
00:38:57,480 --> 00:39:00,640
Speaker 1: No, just a lot of bike riding, a lot of

706
00:39:00,719 --> 00:39:03,080
Speaker 1: things that would start normally, but then by the time

707
00:39:03,120 --> 00:39:05,400
Speaker 1: they ended and you were in trouble, you couldn't explain

708
00:39:06,000 --> 00:39:08,719
Speaker 1: the series of events that got you like in a

709
00:39:08,760 --> 00:39:12,319
Speaker 1: pit full of mud, right but laughing. Yeah, but it

710
00:39:12,400 --> 00:39:14,839
Speaker 1: started out where just everybody was just trying to play

711
00:39:14,920 --> 00:39:17,520
Speaker 1: hide and seek or some think there was always that

712
00:39:17,520 --> 00:39:19,359
Speaker 1: that would always happen to us because we were hanging

713
00:39:19,360 --> 00:39:21,800
Speaker 1: out with kids that were too old like and so

714
00:39:22,120 --> 00:39:24,200
Speaker 1: just be like you would end up in a thing

715
00:39:24,200 --> 00:39:26,280
Speaker 1: where my mother'd be like, what the hell are you doing?

716
00:39:26,400 --> 00:39:29,480
Speaker 1: And it's like, I, mam, I cannot explain this at all. Yeah,

717
00:39:29,600 --> 00:39:32,120
Speaker 1: it made perfect sense when we were making these decisions.

718
00:39:32,239 --> 00:39:34,920
Speaker 2: Yeah, we were covered with mud, and I figured what

719
00:39:35,280 --> 00:39:38,320
Speaker 2: better place to wash it off than this moving freight

720
00:39:38,400 --> 00:39:40,520
Speaker 2: train does And.

721
00:39:40,360 --> 00:39:42,680
Speaker 1: This hobo asked me if I would like to go

722
00:39:42,760 --> 00:39:44,719
Speaker 1: with him, and I said I would love an.

723
00:39:44,600 --> 00:39:47,720
Speaker 2: Adventure, because who doesn't love free sardines.

724
00:39:47,920 --> 00:39:50,120
Speaker 1: Now, I do have to say that the word hobo

725
00:39:50,480 --> 00:39:52,000
Speaker 1: is not problematic.

726
00:39:52,640 --> 00:39:57,080
Speaker 2: This is archival stories. This is we use old vocab

727
00:39:57,280 --> 00:39:59,759
Speaker 2: yes to bring you back to a simpler time.

728
00:40:00,120 --> 00:40:02,959
Speaker 1: Looked through it. It's what hobos at the time called

729
00:40:03,000 --> 00:40:04,160
Speaker 1: themselves on each other.

730
00:40:04,640 --> 00:40:08,200
Speaker 2: If you're offended by that word, think of the brown

731
00:40:08,640 --> 00:40:16,080
Speaker 2: house spider. Hobo spider is they didn't change that name,

732
00:40:16,160 --> 00:40:21,960
Speaker 2: did it? Did they? Did it? They hobo spider. It's

733
00:40:22,000 --> 00:40:24,360
Speaker 2: it's very h o b o.

734
00:40:25,080 --> 00:40:27,920
Speaker 1: I hear the word, but I've never heard of a

735
00:40:27,920 --> 00:40:28,680
Speaker 1: hobo spider.

736
00:40:28,760 --> 00:40:35,080
Speaker 2: Well, they're much like a brown recluse. You're making less venomous. No, no, yeah,

737
00:40:35,160 --> 00:40:38,359
Speaker 2: I'll show you a hobo spider. You'll see. Here we go,

738
00:40:38,840 --> 00:40:41,759
Speaker 2: and you're going to be like, is that a brown recluse?

739
00:40:42,320 --> 00:40:47,200
Speaker 2: I only know these because my basement was riddled with

740
00:40:47,600 --> 00:40:48,200
Speaker 2: all of them.

741
00:40:48,320 --> 00:40:51,600
Speaker 1: Oh no, and uh is it does a hobo spider?

742
00:40:51,680 --> 00:40:53,279
Speaker 1: Look at this guy throws frisbees up.

743
00:40:53,480 --> 00:40:57,960
Speaker 2: Yeah, that's a classic basement. What if I made your

744
00:40:58,040 --> 00:40:59,880
Speaker 2: drive off the road with that scary spider.

745
00:41:00,360 --> 00:41:01,760
Speaker 1: That's the guy that was in my stink.

746
00:41:02,239 --> 00:41:06,400
Speaker 2: Yeah, so there there's Yeah, that was probably a hobo spider. Okay,

747
00:41:06,560 --> 00:41:10,319
Speaker 2: and these are small, don't get scared. That's not even actual.

748
00:41:10,040 --> 00:41:12,160
Speaker 1: Size, I think, and it's in a phone, so I

749
00:41:12,200 --> 00:41:13,200
Speaker 1: won't be and.

750
00:41:13,080 --> 00:41:16,080
Speaker 2: Then look what comes up Brown Recluse. Okay, there's so

751
00:41:16,200 --> 00:41:18,520
Speaker 2: many times I'm talking out of my ass and my

752
00:41:18,800 --> 00:41:27,280
Speaker 2: ass called correct. Ah. Yeah, they're very related, but Brown Recluse,

753
00:41:27,440 --> 00:41:29,400
Speaker 2: you're in big trouble if you get bit.

754
00:41:36,239 --> 00:41:39,680
Speaker 1: Oh. I feel like this is simultaneously the funniest and

755
00:41:39,880 --> 00:41:42,560
Speaker 1: most boring episode.

756
00:41:41,160 --> 00:41:48,080
Speaker 2: Yeah, it's weird when you get this. We're being so specifically.

757
00:41:49,120 --> 00:41:51,640
Speaker 2: So many people would jump on board, but it's the

758
00:41:51,719 --> 00:41:54,600
Speaker 2: exact same number of people. They're leaping off board.

759
00:41:55,600 --> 00:41:59,400
Speaker 1: They're just jumping through that freight train. Yeah, going in

760
00:41:59,560 --> 00:42:01,160
Speaker 1: one and out the other. Yeah.

761
00:42:01,320 --> 00:42:05,839
Speaker 2: Our podcast is like a subway toll. Yeah.

762
00:42:06,160 --> 00:42:08,239
Speaker 1: Yeah, either get stuck inside.

763
00:42:07,880 --> 00:42:15,879
Speaker 2: It or die. Tryumph. I did the dumbest thing in

764
00:42:15,920 --> 00:42:19,279
Speaker 2: New York where I paid the toll and I had

765
00:42:19,280 --> 00:42:21,720
Speaker 2: a roller bag with me, and I put the roller

766
00:42:21,800 --> 00:42:26,759
Speaker 2: bag first, which then counted as my human body, and

767
00:42:26,800 --> 00:42:31,640
Speaker 2: then I jumped over it because I figured, oh, they'll understand.

768
00:42:31,680 --> 00:42:34,600
Speaker 2: But I almost got arrested, and I tried to explain.

769
00:42:34,760 --> 00:42:38,719
Speaker 2: You see, I did pay, but my bag replaced me

770
00:42:38,800 --> 00:42:40,880
Speaker 2: because it was in front of me. I didn't realize

771
00:42:41,960 --> 00:42:45,959
Speaker 2: it counted just the width of one body. They did

772
00:42:46,040 --> 00:42:49,719
Speaker 2: let me go, but I had to start talking like this,

773
00:42:49,880 --> 00:42:56,480
Speaker 2: so they thought I was local A. I'm walking through

774
00:42:56,520 --> 00:42:59,680
Speaker 2: the thing over heat already?

775
00:43:00,200 --> 00:43:01,280
Speaker 1: What are you talking about?

776
00:43:01,440 --> 00:43:05,480
Speaker 2: I date over there talking about I'm walking through over here.

777
00:43:05,840 --> 00:43:08,799
Speaker 1: I like one of those neighborhood Italian guys that other

778
00:43:08,880 --> 00:43:11,080
Speaker 1: people do impressions of and I've never seen in real life.

779
00:43:11,120 --> 00:43:13,560
Speaker 1: But I love when they almost sound like they're gonna

780
00:43:13,600 --> 00:43:16,279
Speaker 1: start crying, like what are you talking about? Like they're

781
00:43:16,320 --> 00:43:20,080
Speaker 1: not afraid to get emotional, those Italian street people in movies. Yeah,

782
00:43:20,239 --> 00:43:23,520
Speaker 1: I find the street arguers. I should say, yes.

783
00:43:23,400 --> 00:43:26,840
Speaker 2: Yeah, specific I've been the street arguer number three in

784
00:43:26,960 --> 00:43:27,920
Speaker 2: so many films.

785
00:43:29,360 --> 00:43:33,200
Speaker 1: Look on, I'MDB, what's your line in that? If there's

786
00:43:33,239 --> 00:43:36,040
Speaker 1: an Italian guy going, what are you talking about? What's

787
00:43:36,080 --> 00:43:36,560
Speaker 1: your line?

788
00:43:37,000 --> 00:43:43,440
Speaker 2: Believe it? They the half of it, That's what I said.

789
00:43:43,760 --> 00:43:48,040
Speaker 2: What and who can forget my memorable line from the

790
00:43:48,080 --> 00:43:52,160
Speaker 2: film Blue Thunder in nineteen eighty three, I'm saying what

791
00:43:52,200 --> 00:43:59,480
Speaker 2: I'm saying, Oh oh yeah, so many streetwalker rolls. But

792
00:43:59,520 --> 00:44:02,520
Speaker 2: then I got type cast. Yeah, I have no.

793
00:44:02,800 --> 00:44:06,640
Speaker 1: Uh, They're like Chris can only play Italians. Yeah, yeah,

794
00:44:06,760 --> 00:44:09,279
Speaker 1: you're you're like going back and saying, listen, I don't

795
00:44:09,280 --> 00:44:10,320
Speaker 1: even think I am Italian.

796
00:44:10,400 --> 00:44:12,480
Speaker 2: Yeah, it's actually offensive what I'm doing.

797
00:44:13,280 --> 00:44:15,399
Speaker 1: You should be offunded. I should stop doing it.

798
00:44:15,600 --> 00:44:17,160
Speaker 2: No, everyone loves it.

799
00:44:17,239 --> 00:44:20,560
Speaker 1: Hey, what you don't get a bow? We gotta do it.

800
00:44:21,160 --> 00:44:25,360
Speaker 2: They're calling you the blue eyes in the Italian community.

801
00:44:27,239 --> 00:44:30,680
Speaker 1: Italians. Please write in if you don't like this, right right,

802
00:44:30,880 --> 00:44:32,040
Speaker 1: it's a work in progress.

803
00:44:32,120 --> 00:44:32,799
Speaker 2: Italians.

804
00:44:32,840 --> 00:44:35,320
Speaker 1: We're gonna really hate Italians. We're going to tighten this

805
00:44:35,360 --> 00:44:37,760
Speaker 1: ship up for you. Yeah, don't worry.

806
00:44:37,840 --> 00:44:39,000
Speaker 2: You may not like it now.

807
00:44:39,640 --> 00:44:40,319
Speaker 1: We don't either.

808
00:44:40,560 --> 00:44:44,879
Speaker 2: Yeah, but one day, but one day we won't either.

809
00:44:46,160 --> 00:44:49,640
Speaker 1: We're never going to. Will you write in and let

810
00:44:49,760 --> 00:44:50,000
Speaker 1: us know?

811
00:44:51,560 --> 00:44:55,920
Speaker 2: I yeah, I can't remember what I wanted to go

812
00:44:56,040 --> 00:45:03,279
Speaker 2: back to Italian no locations wise for Yuie, Oh no, no, yeah,

813
00:45:03,360 --> 00:45:04,120
Speaker 2: I can't remember.

814
00:45:04,320 --> 00:45:07,400
Speaker 1: You want to go back by the Circus liquor sign, No,

815
00:45:07,600 --> 00:45:08,880
Speaker 1: something like that.

816
00:45:08,960 --> 00:45:12,520
Speaker 2: I want to go in there and uh, do you

817
00:45:12,520 --> 00:45:15,640
Speaker 2: did you work here when any of these movies were filmed?

818
00:45:16,480 --> 00:45:17,960
Speaker 2: And then recite the list.

819
00:45:18,080 --> 00:45:20,000
Speaker 1: And they're like never heard of it? What are you

820
00:45:20,040 --> 00:45:23,160
Speaker 1: talking about? Or you could go in and say are

821
00:45:23,200 --> 00:45:27,960
Speaker 1: you an acrobat. It could be fun because it's the circus.

822
00:45:28,040 --> 00:45:32,560
Speaker 2: It's not all I got you? What are you talking about?

823
00:45:32,640 --> 00:45:33,160
Speaker 2: I got you?

824
00:45:33,280 --> 00:45:35,440
Speaker 1: There's plenty of things that the circus you can do.

825
00:45:36,120 --> 00:45:38,440
Speaker 1: I love Sorry, I kind of love that voice.

826
00:45:38,440 --> 00:45:42,000
Speaker 2: Now yeah, me too, me too. And it's not Italian,

827
00:45:42,040 --> 00:45:49,919
Speaker 2: it's just by I don't know my bloodline, but I

828
00:45:50,040 --> 00:45:51,960
Speaker 2: like it's my city voice.

829
00:45:53,400 --> 00:45:58,439
Speaker 1: It's palms out and down, thumbs out and then ask

830
00:45:58,520 --> 00:46:03,120
Speaker 1: any question will come out more dramatic than it's sneedy.

831
00:46:03,360 --> 00:46:06,600
Speaker 2: Except when you go there, you expect to see that

832
00:46:06,880 --> 00:46:10,160
Speaker 2: the body being hey, i'm walking here, But it's just

833
00:46:10,600 --> 00:46:12,879
Speaker 2: people that are very nice and they're like, hey, tell

834
00:46:12,920 --> 00:46:13,799
Speaker 2: me about your life.

835
00:46:13,920 --> 00:46:15,080
Speaker 1: Do you need directions anyway?

836
00:46:15,200 --> 00:46:16,000
Speaker 2: It's your story.

837
00:46:16,160 --> 00:46:19,320
Speaker 1: I'm very well spoken. I went to college and graduate school.

838
00:46:19,400 --> 00:46:22,560
Speaker 2: That's that's what happens. No one is talking about their

839
00:46:22,560 --> 00:46:25,360
Speaker 2: own ship. Yeah, they're they're curious in your But me

840
00:46:25,400 --> 00:46:25,920
Speaker 2: and Chris.

841
00:46:25,760 --> 00:46:28,200
Speaker 1: Are like, how do you get to the fucking Brooklyn Bridge?

842
00:46:28,239 --> 00:46:32,920
Speaker 2: Already? Everything we know about the city's from movies thirty

843
00:46:33,000 --> 00:46:40,600
Speaker 2: years old. The more it's pretty fun. Sorry, all you

844
00:46:40,960 --> 00:46:49,920
Speaker 2: have offended people with Grandma's from Sicily, Yeah with you

845
00:46:49,920 --> 00:46:52,240
Speaker 2: you sounded like Mercedes Rule, Thank you.

846
00:46:52,560 --> 00:46:55,040
Speaker 1: I have my friend Pat Pat Buckles who is from

847
00:46:55,160 --> 00:47:01,040
Speaker 1: Queens and she used to manage the Manhattan Improv. I

848
00:47:01,040 --> 00:47:04,480
Speaker 1: think it was the improv. She's fucking hilarious and she

849
00:47:04,920 --> 00:47:07,279
Speaker 1: had the greatest accent. So anytime I'm doing that, I'm

850
00:47:07,280 --> 00:47:08,040
Speaker 1: just doing impression.

851
00:47:08,080 --> 00:47:11,319
Speaker 2: I've had Peple's work at Comedy Central. Yes, back when

852
00:47:11,320 --> 00:47:16,600
Speaker 2: I did Premium blood yep, when I believe when I

853
00:47:16,680 --> 00:47:20,040
Speaker 2: had to go back and reshoot my coming out to

854
00:47:20,080 --> 00:47:24,120
Speaker 2: the mic and grabbing it because Dale Hughley said, Chris Fairchild,

855
00:47:25,560 --> 00:47:28,759
Speaker 2: someone had just gotten on stage clawing to try and

856
00:47:28,840 --> 00:47:31,440
Speaker 2: kiss him, and he said Chris Fairchild and I'm like

857
00:47:31,480 --> 00:47:33,400
Speaker 2: good enough for me, and I've run out there and

858
00:47:33,400 --> 00:47:36,520
Speaker 2: they're like no, no. So the next day I had

859
00:47:36,560 --> 00:47:40,359
Speaker 2: to go back and just shoot coming out to the mic,

860
00:47:40,400 --> 00:47:43,360
Speaker 2: and they sat a few people up front to be

861
00:47:43,400 --> 00:47:47,279
Speaker 2: in the shot, yeah, like crew types, And I was like,

862
00:47:47,320 --> 00:47:49,399
Speaker 2: wait a minute, can I sit there? Can you get

863
00:47:49,400 --> 00:47:51,279
Speaker 2: a shot at me sitting there too? That was the

864
00:47:51,280 --> 00:47:54,200
Speaker 2: first time I wanted to be in the audience laughing

865
00:47:54,239 --> 00:47:56,799
Speaker 2: at myself. And Pat was like, no, we're not going

866
00:47:56,880 --> 00:47:59,239
Speaker 2: to hold a mirror up to the editing of the

867
00:47:59,280 --> 00:48:03,840
Speaker 2: show we wanted. It seemed like it's actually happening. I'm like,

868
00:48:03,880 --> 00:48:07,279
Speaker 2: funny it, it'd be funny. But she did think it

869
00:48:07,280 --> 00:48:09,520
Speaker 2: would be funny, but it did not happen.

870
00:48:09,680 --> 00:48:13,280
Speaker 1: She's like, it's funny. Okay, it's funny.

871
00:48:13,400 --> 00:48:15,320
Speaker 2: Do you just want me to say it's funny because

872
00:48:15,320 --> 00:48:16,240
Speaker 2: it's not gonna happen.

873
00:48:16,440 --> 00:48:17,440
Speaker 1: Okay, Chris, it's.

874
00:48:17,360 --> 00:48:21,200
Speaker 2: Funny that that's that. Definitely, it's got to be the

875
00:48:21,239 --> 00:48:22,040
Speaker 2: same Pat Buckle.

876
00:48:22,080 --> 00:48:24,240
Speaker 1: It is the same Pet Buckles. I'm telling you directly

877
00:48:24,280 --> 00:48:24,840
Speaker 1: to your face.

878
00:48:25,360 --> 00:48:27,960
Speaker 2: Well, I love her name.

879
00:48:28,360 --> 00:48:30,360
Speaker 1: She is the best. She used to also call me

880
00:48:30,400 --> 00:48:34,279
Speaker 1: and go Karen, I'm gonna pull your pigtails, Karen. She'd

881
00:48:34,280 --> 00:48:36,360
Speaker 1: be like, gotta call me back, Karen.

882
00:48:37,239 --> 00:48:40,400
Speaker 2: Really, yes, Like she was a bully from the fifties.

883
00:48:40,560 --> 00:48:43,240
Speaker 1: She was always doing the voice from Goodfellows, like nobody's

884
00:48:43,280 --> 00:48:45,800
Speaker 1: going to jail, Karen, call me back. But that's actually

885
00:48:46,000 --> 00:48:49,799
Speaker 1: also it was exaggerated, but it was her accent and.

886
00:48:50,040 --> 00:48:52,839
Speaker 2: I'm going to pull your pigtails. Just that's the kind

887
00:48:52,840 --> 00:48:57,280
Speaker 2: of thing my dad describes hearing about his dad someone

888
00:48:57,400 --> 00:48:59,720
Speaker 2: dipping a girl's pigtails and ink.

889
00:49:00,280 --> 00:49:03,719
Speaker 1: That was the old flirting. Yeah, it was that and

890
00:49:03,800 --> 00:49:10,080
Speaker 1: physical abuse, right remember, yeah, hey, hey, at least it

891
00:49:10,320 --> 00:49:10,799
Speaker 1: likes you.

892
00:49:12,920 --> 00:49:13,960
Speaker 2: At least you got.

893
00:49:13,760 --> 00:49:19,279
Speaker 1: Somebody, at least you got a braid. You gom to

894
00:49:19,320 --> 00:49:19,960
Speaker 1: stop doing this.

895
00:49:21,719 --> 00:49:25,040
Speaker 2: It's just one braid on one side though, because the

896
00:49:25,080 --> 00:49:27,520
Speaker 2: other one got caught off by an even worse guy.

897
00:49:27,480 --> 00:49:29,160
Speaker 2: Ye Oh, what a terrible time.

898
00:49:29,000 --> 00:49:31,600
Speaker 1: To be, excuesus Christ. And then you're like, I hope

899
00:49:31,600 --> 00:49:33,880
Speaker 1: one of these guys marries me. What a nightmare?

900
00:49:34,360 --> 00:49:37,880
Speaker 2: Yeah, let's hop people got married back then, just a

901
00:49:37,920 --> 00:49:41,600
Speaker 2: guy wouldn't stop bothering you and you said okay, fine, literally,

902
00:49:41,719 --> 00:49:44,160
Speaker 2: and then it lasts eighty five years.

903
00:49:44,520 --> 00:49:46,279
Speaker 1: And then you have to talk to him every time

904
00:49:46,320 --> 00:49:47,439
Speaker 1: he's in the living room.

905
00:49:47,880 --> 00:49:51,040
Speaker 2: Nowadays, people want to marry people that they actually like,

906
00:49:51,160 --> 00:49:53,120
Speaker 2: and it takes forever. It doesn't happen.

907
00:49:53,280 --> 00:49:56,560
Speaker 1: I know. It's people really have standards these days, and

908
00:49:56,719 --> 00:49:58,920
Speaker 1: it is tough.

909
00:49:59,200 --> 00:50:04,840
Speaker 2: Yeah yeah, but it's probably for the best, I think, so. Yeah.

910
00:50:04,880 --> 00:50:09,280
Speaker 1: Well, or there's maybe an element to relationships that needs

911
00:50:09,320 --> 00:50:16,080
Speaker 1: to be a tiny bit like a nothing's ideal, you

912
00:50:16,160 --> 00:50:17,439
Speaker 1: know what I mean. I think a lot of people

913
00:50:17,480 --> 00:50:19,839
Speaker 1: are holding out for like a crazy ideals where it's

914
00:50:19,880 --> 00:50:22,239
Speaker 1: just like it isn't ever though, because it's always going

915
00:50:22,280 --> 00:50:23,840
Speaker 1: to be another human being that you're.

916
00:50:23,719 --> 00:50:26,799
Speaker 2: Involved, right right. I think the days of like, oh,

917
00:50:26,880 --> 00:50:31,320
Speaker 2: you just get used to a workplace environment. Most of

918
00:50:31,360 --> 00:50:34,239
Speaker 2: it sucks, but that's what everyone does. But nowadays even

919
00:50:34,320 --> 00:50:37,640
Speaker 2: young people are like, no, I'm going to do only

920
00:50:38,280 --> 00:50:41,480
Speaker 2: what I want. Yeah, and that's how I'm going to

921
00:50:41,600 --> 00:50:42,520
Speaker 2: make my whole life.

922
00:50:42,560 --> 00:50:44,279
Speaker 1: And AI is going to help me.

923
00:50:44,680 --> 00:50:45,120
Speaker 2: Yeah.

924
00:50:45,680 --> 00:50:48,120
Speaker 1: It's all changing for us, all around us at all times.

925
00:50:48,320 --> 00:50:51,360
Speaker 2: Yeah, it is. And I'm just I'm not even notice

926
00:50:51,360 --> 00:50:54,640
Speaker 2: and I'm usually having a nap Ooh nice cyber trucks.

927
00:50:54,719 --> 00:50:57,640
Speaker 1: A cyber truck with an American flag on the on

928
00:50:57,680 --> 00:51:00,279
Speaker 1: the front coast. What is this called the front?

929
00:51:00,480 --> 00:51:05,120
Speaker 2: They all dash the dashboard, but the Yeah. I think

930
00:51:05,560 --> 00:51:09,360
Speaker 2: if I had one, it would only be from a

931
00:51:09,440 --> 00:51:13,799
Speaker 2: contest or something. But I would definitely put I won this.

932
00:51:14,440 --> 00:51:18,719
Speaker 2: It was free, some huge helvetica. You would drive it, though,

933
00:51:19,400 --> 00:51:21,440
Speaker 2: I mean I would see what it could do up

934
00:51:21,440 --> 00:51:22,200
Speaker 2: in the mountains.

935
00:51:22,719 --> 00:51:25,000
Speaker 1: Oh, can't do anything. Haven't you seen the videos? Yeah,

936
00:51:25,000 --> 00:51:26,759
Speaker 1: I know it starts raining and the whole thing, so

937
00:51:26,800 --> 00:51:27,600
Speaker 1: it's dissolving.

938
00:51:28,480 --> 00:51:30,399
Speaker 2: I kind of want one to see if I could

939
00:51:30,440 --> 00:51:30,839
Speaker 2: break it.

940
00:51:31,400 --> 00:51:32,080
Speaker 1: I think you can't.

941
00:51:33,239 --> 00:51:36,960
Speaker 2: I think you can it be an expensive experiment. No,

942
00:51:37,120 --> 00:51:39,680
Speaker 2: it's funny though. When they first came out, I was like, wow,

943
00:51:39,719 --> 00:51:41,880
Speaker 2: it looks like a I think I just like the

944
00:51:42,440 --> 00:51:45,759
Speaker 2: stainless steel look of a car. I want them to

945
00:51:45,800 --> 00:51:51,359
Speaker 2: make other cars that are stainless steel. Sure, and they

946
00:51:51,400 --> 00:51:54,120
Speaker 2: don't have to actually be steel. I know that's very heavy.

947
00:51:55,040 --> 00:51:57,400
Speaker 1: Do you think that they should have any sort of

948
00:51:57,400 --> 00:51:59,960
Speaker 1: shape to them besides a kind of a trap as

949
00:52:00,080 --> 00:52:03,680
Speaker 1: oidal kid in algebra class, it's just doodling.

950
00:52:03,920 --> 00:52:08,160
Speaker 2: Yeah, yeah, since someone, Yeah, that carbon is designed by

951
00:52:08,160 --> 00:52:09,960
Speaker 2: a kid playing with a pro tractor.

952
00:52:10,160 --> 00:52:15,600
Speaker 1: Yeah, that thing screams detention if I've ever seen here's

953
00:52:15,640 --> 00:52:19,319
Speaker 1: another one? What? Oh? Yeah, look at how shitty that is.

954
00:52:19,719 --> 00:52:23,920
Speaker 2: I know it looks like a stainless steel kitchen countertop,

955
00:52:24,080 --> 00:52:26,160
Speaker 2: but you can fry an egg on it.

956
00:52:26,360 --> 00:52:28,600
Speaker 1: But I do think that if you won one, and

957
00:52:28,640 --> 00:52:30,280
Speaker 1: I think it's good to prepare for things.

958
00:52:30,040 --> 00:52:31,400
Speaker 2: Like that, keep entering the contact.

959
00:52:31,440 --> 00:52:33,719
Speaker 1: Yeah, just get just fill out that ticket because if

960
00:52:33,719 --> 00:52:36,600
Speaker 1: you win it, you sell it for it's their eighty

961
00:52:36,680 --> 00:52:40,040
Speaker 1: grand they're so excited, really, or over one hundred grands.

962
00:52:40,080 --> 00:52:41,560
Speaker 2: Oh my, I didn't know that.

963
00:52:41,520 --> 00:52:42,799
Speaker 1: It's one of the two. Look at it.

964
00:52:43,239 --> 00:52:46,959
Speaker 2: Oh, that's now I'm really am see even that. Oh wow,

965
00:52:47,080 --> 00:52:49,319
Speaker 2: really price it. I bet there's a lot of them

966
00:52:49,360 --> 00:52:49,960
Speaker 2: on sale.

967
00:52:50,360 --> 00:52:51,319
Speaker 1: I bet there is.

968
00:52:55,760 --> 00:53:04,920
Speaker 2: Let's look for sale. Okay, the first one I see,

969
00:53:05,200 --> 00:53:09,480
Speaker 2: I'm blowing my wad on it. Easy easy, my money,

970
00:53:09,640 --> 00:53:12,000
Speaker 2: my money. That the original meaning of that.

971
00:53:12,239 --> 00:53:12,439
Speaker 1: Yeap.

972
00:53:12,640 --> 00:53:16,120
Speaker 2: Oh, that's so funny. There's probably a lot of them.

973
00:53:16,120 --> 00:53:19,840
Speaker 2: People are Oh my god, didn't you say they're like

974
00:53:19,880 --> 00:53:21,800
Speaker 2: eighty thousand dollars? Yea, because they are?

975
00:53:22,239 --> 00:53:23,080
Speaker 1: Is that? Did I get it right?

976
00:53:23,200 --> 00:53:24,880
Speaker 2: Yeah? Seventy six, seventy five?

977
00:53:25,400 --> 00:53:29,640
Speaker 1: Hell yeah, wow? Oh and those are used. I think

978
00:53:29,680 --> 00:53:32,680
Speaker 1: the people that bought them first off the lot right,

979
00:53:32,840 --> 00:53:34,799
Speaker 1: paid closer to one hundred thousand for them.

980
00:53:34,880 --> 00:53:37,520
Speaker 2: Oh, I didn't realize that. And you could get the

981
00:53:37,560 --> 00:53:39,520
Speaker 2: coolest car effort for that a.

982
00:53:39,520 --> 00:53:43,800
Speaker 1: Couple Yeah, it seems wow.

983
00:53:44,480 --> 00:53:47,640
Speaker 2: And now I just realized owning one of those there's

984
00:53:47,640 --> 00:53:48,240
Speaker 2: a mistake.

985
00:53:48,480 --> 00:53:49,000
Speaker 1: Yeah, I.

986
00:53:50,520 --> 00:53:53,160
Speaker 2: Hey, wait, I know where we are. I used to

987
00:53:53,239 --> 00:53:54,000
Speaker 2: eat there a lot.

988
00:53:54,560 --> 00:53:58,560
Speaker 1: Yeah, Henry's occos it's not the historic one. Oh, but

989
00:53:59,120 --> 00:54:02,680
Speaker 1: it's very similar. Yeah, they have. It's like old fashioned

990
00:54:02,719 --> 00:54:04,719
Speaker 1: tacob talk. I kind of want to go there, you

991
00:54:04,760 --> 00:54:05,040
Speaker 1: want to?

992
00:54:05,600 --> 00:54:09,759
Speaker 2: Hi Will? After the episode, We've gone enough. This been

993
00:54:09,760 --> 00:54:13,960
Speaker 2: a long one. We've gone enough on Thisally just hap me.

994
00:54:14,239 --> 00:54:17,440
Speaker 2: Oh wow, yes, I have a mental clock, but.

995
00:54:17,440 --> 00:54:19,680
Speaker 1: I don't think that place is open. Doesn't look closed.

996
00:54:20,880 --> 00:54:23,120
Speaker 2: No, the windows are open and they're just bored.

997
00:54:24,160 --> 00:54:26,520
Speaker 1: Oh the window was open. We're fucking fully going.

998
00:54:26,640 --> 00:54:28,879
Speaker 2: Okay, everyone, we have to wrap it up because we're

999
00:54:28,880 --> 00:54:32,520
Speaker 2: gonna go get cactus tacos with the gave strips on them.

1000
00:54:32,560 --> 00:54:37,839
Speaker 2: Taco It's gonna be delicious. Thinks this has been one

1001
00:54:37,840 --> 00:54:40,600
Speaker 2: of the best episodes. Do you need to ride d

1002
00:54:40,840 --> 00:54:52,440
Speaker 2: y n Oh, we're in an alley now. This has

1003
00:54:52,520 --> 00:54:54,480
Speaker 2: been an exactly right production.

1004
00:54:54,960 --> 00:54:57,200
Speaker 1: Our senior producer is Annalise Nelson.

1005
00:54:57,600 --> 00:54:59,040
Speaker 2: Mixed by Edson Choy.

1006
00:54:59,440 --> 00:55:01,320
Speaker 1: Our talent booker is Patrick Cootner.

1007
00:55:01,600 --> 00:55:03,560
Speaker 2: Theme song by Karen Kilgareff.

1008
00:55:03,960 --> 00:55:07,520
Speaker 1: Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter,

1009
00:55:07,560 --> 00:55:11,920
Speaker 1: and Facebook at dinar podcast That's d y Nar Podcast.

1010
00:55:12,320 --> 00:55:15,920
Speaker 2: For more information, go to exactly Rightmedia dot com.

1011
00:55:15,920 --> 00:55:18,200
Speaker 1: Thank you, Oh You're welcome.