1
00:00:03,880 --> 00:00:07,160
Speaker 1: What I gotta know is.

2
00:00:07,760 --> 00:00:12,120
Speaker 2: What happens right after the cameras?

3
00:00:13,080 --> 00:00:14,560
Speaker 1: Are you as curious as I am?

4
00:00:14,680 --> 00:00:18,759
Speaker 3: You know, I see obviously what is happening in front

5
00:00:18,760 --> 00:00:22,479
Speaker 3: of the camera, and it's great, but I can't be

6
00:00:22,560 --> 00:00:25,440
Speaker 3: alone and going what happens right after?

7
00:00:26,000 --> 00:00:31,400
Speaker 2: As soon as like you like, you got it, bang,

8
00:00:31,440 --> 00:00:35,480
Speaker 2: it's it's in the can. And you know you got

9
00:00:35,479 --> 00:00:39,199
Speaker 2: a live one with this one, this video, like you know,

10
00:00:41,560 --> 00:00:45,760
Speaker 2: like this one is gonna be huge.

11
00:00:46,240 --> 00:00:47,199
Speaker 1: You can feel it.

12
00:00:47,240 --> 00:00:50,680
Speaker 3: Look, we've had a couple of viral clips. You guys

13
00:00:50,680 --> 00:00:52,920
Speaker 3: were talking about our probably some of the ones you've

14
00:00:52,960 --> 00:00:56,680
Speaker 3: seen and you just know and you can just feel it.

15
00:00:58,040 --> 00:00:59,440
Speaker 2: That was just the most recent one.

16
00:00:59,560 --> 00:01:03,120
Speaker 3: Yeah, that's most recent one, and it hasn't It's funny

17
00:01:03,120 --> 00:01:04,880
Speaker 3: to be in this stage we are now where it's

18
00:01:04,920 --> 00:01:08,319
Speaker 3: pre viral, where it hasn't really done as well as

19
00:01:08,360 --> 00:01:11,400
Speaker 3: even some of our other underperforming clips.

20
00:01:11,800 --> 00:01:14,200
Speaker 2: Yet, yes, it has to do.

21
00:01:14,280 --> 00:01:17,520
Speaker 1: It's time, feel it. But yeah, and when we catch

22
00:01:17,600 --> 00:01:18,160
Speaker 1: that wave.

23
00:01:18,720 --> 00:01:23,720
Speaker 3: So what in that sort of refractory period, right, you know,

24
00:01:23,800 --> 00:01:27,800
Speaker 3: in between kind of busting out a good and getting

25
00:01:28,040 --> 00:01:30,559
Speaker 3: and getting kind of juiced up to do the next one,

26
00:01:31,680 --> 00:01:32,520
Speaker 3: what are we doing.

27
00:01:32,440 --> 00:01:36,040
Speaker 2: And when I say, the camps asking, like he's still asking,

28
00:01:37,080 --> 00:01:38,199
Speaker 2: are you using your phone?

29
00:01:39,520 --> 00:01:41,959
Speaker 1: What are we filming on? Yeah?

30
00:01:42,120 --> 00:01:47,800
Speaker 4: Yeah, seventeen got I phone, seventeen ship great camera.

31
00:01:47,760 --> 00:01:51,240
Speaker 1: It's working. Yeah, I'm always nervous to try the new one.

32
00:01:53,000 --> 00:01:57,160
Speaker 5: I jump in kind of time to let.

33
00:01:57,040 --> 00:02:00,720
Speaker 1: The Kevins of the world first go in. Hmm.

34
00:02:01,480 --> 00:02:05,000
Speaker 4: So, and I like to pave the way personally with technology.

35
00:02:05,200 --> 00:02:10,040
Speaker 1: That's cool. First, one other thing, just just with tech.

36
00:02:10,200 --> 00:02:13,120
Speaker 5: Okay, yeah, but I think you know Garrett has the

37
00:02:13,120 --> 00:02:15,160
Speaker 5: oldest phone and he's.

38
00:02:15,000 --> 00:02:16,360
Speaker 2: Doing the oldest phone.

39
00:02:17,520 --> 00:02:18,720
Speaker 5: I guess I do have the oldest phone.

40
00:02:18,800 --> 00:02:23,880
Speaker 1: Yeah, there is a correlation, is there. Here's the thingsation.

41
00:02:24,240 --> 00:02:25,080
Speaker 1: Here's the thing with that.

42
00:02:25,320 --> 00:02:27,120
Speaker 5: When you have the oldest phone, you also kind of

43
00:02:27,120 --> 00:02:29,560
Speaker 5: have to be the scrappiest you got.

44
00:02:32,560 --> 00:02:34,280
Speaker 1: The phone's doing for you.

45
00:02:34,639 --> 00:02:35,880
Speaker 3: Show me like you you get to rest on your

46
00:02:35,919 --> 00:02:37,639
Speaker 3: laurels a little bit because the phone's doing a lot of work.

47
00:02:37,800 --> 00:02:39,160
Speaker 5: That's a great And you can point on me too,

48
00:02:39,160 --> 00:02:41,000
Speaker 5: because I have a I have an iPhone sixteen, so

49
00:02:41,040 --> 00:02:41,320
Speaker 5: you can.

50
00:02:43,600 --> 00:02:45,120
Speaker 2: So when I say when the camera turns off, I

51
00:02:45,200 --> 00:02:49,000
Speaker 2: basically mean when it like goes in your pocket or whatever,

52
00:02:49,040 --> 00:02:52,240
Speaker 2: when you're doing something else. With the camera, you know,

53
00:02:52,240 --> 00:02:53,280
Speaker 2: because it's not like going off.

54
00:02:53,320 --> 00:02:55,440
Speaker 3: Well that's interesting when the camera goes off, which is

55
00:02:55,440 --> 00:02:58,799
Speaker 3: how you originally phrased it, are you also then using

56
00:02:59,480 --> 00:03:01,360
Speaker 3: the phone still to just look at something.

57
00:03:01,120 --> 00:03:03,280
Speaker 6: Else as much as I can?

58
00:03:03,400 --> 00:03:06,720
Speaker 2: Yeah, but like and what like what happened and what happens?

59
00:03:06,800 --> 00:03:09,200
Speaker 2: What happens in that moment because we have our stuff,

60
00:03:09,200 --> 00:03:11,240
Speaker 2: like once once the podcast is over, we have our

61
00:03:11,240 --> 00:03:14,400
Speaker 2: stuff that we just have to like just go dump

62
00:03:14,440 --> 00:03:18,840
Speaker 2: that adrenaline, you know. Of course, Yeah, I go to the.

63
00:03:20,320 --> 00:03:21,760
Speaker 6: About how we're not doing better.

64
00:03:21,840 --> 00:03:23,720
Speaker 4: I think you wish you got to talk about how

65
00:03:23,760 --> 00:03:24,760
Speaker 4: you wish you were doing better.

66
00:03:24,919 --> 00:03:28,640
Speaker 5: Yeah, absolutely, about two hours every d Well, you've already.

67
00:03:28,400 --> 00:03:31,600
Speaker 1: Said that Garrett's doing the best, so you obviously are in.

68
00:03:31,560 --> 00:03:34,639
Speaker 3: A healthy very where you're comparing yourself to vert.

69
00:03:35,040 --> 00:03:38,920
Speaker 2: How are we and and how are we? How is

70
00:03:38,920 --> 00:03:44,320
Speaker 2: that separation? Because I look at your one couch, you know, right.

71
00:03:44,360 --> 00:03:45,760
Speaker 6: You see a unit.

72
00:03:45,840 --> 00:03:47,200
Speaker 2: I see, Yeah, I.

73
00:03:47,120 --> 00:03:47,840
Speaker 1: See a unit.

74
00:03:47,920 --> 00:03:52,240
Speaker 3: But I'll say so we've had some other Internet sketch

75
00:03:52,280 --> 00:03:55,240
Speaker 3: groups before. I guess I'll say we have the unpaid

76
00:03:55,280 --> 00:03:57,480
Speaker 3: interns here. We got Garrett, we got Mike, we got Kevin.

77
00:03:58,200 --> 00:04:00,280
Speaker 1: Uh we've had them before.

78
00:04:00,800 --> 00:04:02,520
Speaker 3: I would say four or five years ago we had

79
00:04:02,560 --> 00:04:05,600
Speaker 3: the Try Guys, and then maybe two years ago we

80
00:04:05,680 --> 00:04:12,680
Speaker 3: had Please Don't Destroy. And so, how do you think

81
00:04:12,720 --> 00:04:15,360
Speaker 3: you ultimately will kind of splinter? Will one of you

82
00:04:15,400 --> 00:04:18,839
Speaker 3: be embroiled in a scandal? Will you be forcibly separated

83
00:04:18,839 --> 00:04:21,520
Speaker 3: by Lord Michaels? Like, what is the plan in terms

84
00:04:21,520 --> 00:04:22,840
Speaker 3: of like the endgame for you?

85
00:04:22,960 --> 00:04:26,440
Speaker 2: There's already three of you, So from a Try Guys perspective,

86
00:04:26,480 --> 00:04:31,320
Speaker 2: maybe that guy is already like the fourth guy who's

87
00:04:31,320 --> 00:04:31,920
Speaker 2: not in it.

88
00:04:32,360 --> 00:04:35,039
Speaker 4: Oh so there were four and then there was a scandal, right.

89
00:04:35,560 --> 00:04:40,080
Speaker 2: Yes, there's a scandal. Yes, Oh my god, feel I

90
00:04:40,080 --> 00:04:42,320
Speaker 2: think you don't know you guys are too young. Yeah,

91
00:04:42,640 --> 00:04:45,920
Speaker 2: so the try Guys were these guys Gary.

92
00:04:46,800 --> 00:04:50,200
Speaker 1: Sorry, no, you'll get your chance. And I believe me,

93
00:04:50,320 --> 00:04:50,640
Speaker 1: I know it.

94
00:04:51,240 --> 00:04:53,799
Speaker 3: I know it feels like we've been talking the whole episode.

95
00:04:54,240 --> 00:04:57,240
Speaker 3: You're gonna get your space because we just shut down.

96
00:04:57,360 --> 00:05:00,320
Speaker 3: We're about four minutes in, around fifteen minutes, you just

97
00:05:00,360 --> 00:05:00,880
Speaker 3: shut down, And.

98
00:05:01,200 --> 00:05:07,520
Speaker 2: I feel like jumping in on you because, like I know,

99
00:05:07,560 --> 00:05:10,120
Speaker 2: because of the phone dynamic that is actually what like

100
00:05:10,240 --> 00:05:12,560
Speaker 2: works best for you, and because you are doing the best.

101
00:05:12,760 --> 00:05:13,560
Speaker 2: I agree with Mike.

102
00:05:13,680 --> 00:05:16,840
Speaker 5: Yeah, you are doing you know, thank You're killing it

103
00:05:17,040 --> 00:05:17,440
Speaker 5: very well.

104
00:05:17,640 --> 00:05:19,800
Speaker 1: I got really high hopes for Mike and Kevin as well.

105
00:05:19,920 --> 00:05:22,479
Speaker 2: It's and it's the unpaid interns are joining us today.

106
00:05:22,480 --> 00:05:26,440
Speaker 2: So the Try guys were these guys who they would

107
00:05:27,240 --> 00:05:29,839
Speaker 2: when they would do a video, they would eat like

108
00:05:30,480 --> 00:05:32,200
Speaker 2: they'd be like, hey, guys, we're the Try guys. Will

109
00:05:32,200 --> 00:05:36,800
Speaker 2: do anything today. We're gonna eat purple spaghetti. Crazy, and

110
00:05:36,880 --> 00:05:39,680
Speaker 2: so they would like and they would make it at

111
00:05:39,760 --> 00:05:43,320
Speaker 2: least look like they were eating this this spaghetti that

112
00:05:43,320 --> 00:05:45,200
Speaker 2: they'd use like food color on to make it purple,

113
00:05:47,080 --> 00:05:51,080
Speaker 2: either the sauce, right, that spaghetti itself, it's like it's purple.

114
00:05:51,320 --> 00:05:53,360
Speaker 5: Kind you want to write that down to do that

115
00:05:53,520 --> 00:05:55,240
Speaker 5: exact same, Yeah, something like that.

116
00:05:55,279 --> 00:05:58,000
Speaker 2: Well they I'm saying they did that. I'm saying the

117
00:05:58,040 --> 00:05:59,159
Speaker 2: Try guys already did that.

118
00:05:59,240 --> 00:05:59,960
Speaker 1: No, they don't work.

119
00:06:00,360 --> 00:06:01,040
Speaker 2: We'll be doing that.

120
00:06:01,400 --> 00:06:02,080
Speaker 1: This is what I'm learning.

121
00:06:02,200 --> 00:06:05,599
Speaker 3: There's a whole other generation of everything old is new again.

122
00:06:06,080 --> 00:06:10,120
Speaker 3: We know it worked for them for a time, and

123
00:06:10,200 --> 00:06:12,960
Speaker 3: so I don't see any reason that it couldn't work again.

124
00:06:13,600 --> 00:06:14,720
Speaker 4: Yeah, absolutely right.

125
00:06:14,880 --> 00:06:19,599
Speaker 2: Boots her. And then one of them was caught eating.

126
00:06:19,680 --> 00:06:24,560
Speaker 2: Let's get into the scandal, grinding faking well. See, this

127
00:06:24,640 --> 00:06:26,400
Speaker 2: is the thing. This is the thing here because like

128
00:06:27,400 --> 00:06:32,479
Speaker 2: if you would uh when it comes to your own

129
00:06:32,520 --> 00:06:38,080
Speaker 2: wife basically tell her you're eating purple spaghetti when you aren't.

130
00:06:39,480 --> 00:06:42,760
Speaker 1: It's green? Maybe maybe not even.

131
00:06:43,800 --> 00:06:47,760
Speaker 2: The thing, isn't it You spend enough time e that

132
00:06:47,760 --> 00:06:54,400
Speaker 2: purple spaghetti, the greens starts looking Spaghetti's always green, twinkles.

133
00:06:55,520 --> 00:06:58,960
Speaker 1: Something right, Yeah, h I talk.

134
00:06:58,800 --> 00:07:02,720
Speaker 2: To you a little bit. He doesn't access that. I

135
00:07:02,800 --> 00:07:06,800
Speaker 2: don't know those ideas we're thinking about it, aren't we.

136
00:07:06,839 --> 00:07:10,160
Speaker 3: Hereinge and it has an older phone than me, and

137
00:07:10,200 --> 00:07:11,560
Speaker 3: he's always doing a little better.

138
00:07:13,240 --> 00:07:16,840
Speaker 2: I go after record, I go to the pound. M

139
00:07:17,160 --> 00:07:23,400
Speaker 2: I get the biggest, baddest dog they got. Sure one

140
00:07:23,440 --> 00:07:25,880
Speaker 2: of these dogs is like how they how this Shetland

141
00:07:26,000 --> 00:07:31,360
Speaker 2: pony get in here? Huge dog, monster, monster beast? Because

142
00:07:31,360 --> 00:07:33,480
Speaker 2: I gotta get I gotta get it out, you know

143
00:07:33,520 --> 00:07:36,120
Speaker 2: what I mean. And I need something to ride with me.

144
00:07:37,080 --> 00:07:40,640
Speaker 2: You know, I need a beast to ride with me

145
00:07:40,760 --> 00:07:42,640
Speaker 2: after after every show.

146
00:07:42,560 --> 00:07:45,520
Speaker 3: Throws the dog on the front of his Harley Davidson

147
00:07:45,680 --> 00:07:47,960
Speaker 3: raps our world from the side.

148
00:07:48,280 --> 00:07:51,440
Speaker 2: Was the dog drive and we just go up p

149
00:07:51,840 --> 00:07:54,880
Speaker 2: h all the way wow, up the entire West coast.

150
00:07:55,200 --> 00:07:58,960
Speaker 5: This is after every after, every after every good episode,

151
00:07:59,080 --> 00:07:59,960
Speaker 5: what happens to the dog.

152
00:08:01,240 --> 00:08:05,280
Speaker 2: I'm showing the route so because I'm like, I'm gonna

153
00:08:05,320 --> 00:08:09,120
Speaker 2: ride you back a giving you back rented motorcycles. They

154
00:08:09,200 --> 00:08:13,640
Speaker 2: let me leave it up in the very corner.

155
00:08:13,280 --> 00:08:16,200
Speaker 5: Of Washington and then you mount him back.

156
00:08:16,120 --> 00:08:21,920
Speaker 2: Mount him back. What a throw. Wow, fucking amazing ship.

157
00:08:22,520 --> 00:08:24,720
Speaker 2: They haven't made the dog yet. They haven't made the

158
00:08:24,760 --> 00:08:27,600
Speaker 2: dog that is like good at that yet, But you're

159
00:08:28,400 --> 00:08:32,240
Speaker 2: and this is but this is how you genetically like

160
00:08:32,400 --> 00:08:34,120
Speaker 2: assist the process and.

161
00:08:34,360 --> 00:08:36,920
Speaker 3: Start out being dogs that could you know, follow a

162
00:08:36,960 --> 00:08:41,880
Speaker 3: snake into a hole or whatever right now, damn now?

163
00:08:41,960 --> 00:08:45,040
Speaker 1: And so they do that. They shoved them in the hole. Yeah,

164
00:08:45,080 --> 00:08:47,640
Speaker 1: I can squish them down in there to admit, you

165
00:08:47,720 --> 00:08:48,280
Speaker 1: know what I mean.

166
00:08:48,800 --> 00:08:50,320
Speaker 3: You know, we don't like to think about this, but

167
00:08:50,360 --> 00:08:52,959
Speaker 3: that's how we've got some of our longest, thinnest dogs.

168
00:08:53,360 --> 00:08:56,160
Speaker 6: Wow, winners.

169
00:08:56,200 --> 00:08:59,040
Speaker 3: Because he said it, Mike, I mean to you know,

170
00:08:59,160 --> 00:09:01,560
Speaker 3: I didn't want to get too explicit, but we're talking

171
00:09:01,559 --> 00:09:03,080
Speaker 3: about the Wieners, talking about WI.

172
00:09:04,280 --> 00:09:07,560
Speaker 1: Fine, it's great again. This is your brain.

173
00:09:09,720 --> 00:09:11,720
Speaker 2: Sorry, no, this is.

174
00:09:11,679 --> 00:09:15,959
Speaker 3: Your thing, like you guys go there, and again we're

175
00:09:16,000 --> 00:09:16,840
Speaker 3: a little bit older.

176
00:09:17,000 --> 00:09:20,200
Speaker 1: We probably you know when I grew up, you said

177
00:09:20,240 --> 00:09:21,280
Speaker 1: Wiener on the radio.

178
00:09:21,720 --> 00:09:25,000
Speaker 3: We're talking about radio. You said Wiener on the radio.

179
00:09:25,160 --> 00:09:27,880
Speaker 3: You have to pay some expensive fine or something. But

180
00:09:28,480 --> 00:09:31,440
Speaker 3: you gentlemen are going like, hey man, we just go there,

181
00:09:31,480 --> 00:09:32,080
Speaker 3: we just do it.

182
00:09:32,160 --> 00:09:32,680
Speaker 6: We don't care.

183
00:09:32,840 --> 00:09:36,480
Speaker 1: We'll say, what's the nastiest ship you've ever done? On camera?

184
00:09:39,840 --> 00:09:42,040
Speaker 5: You'll do some Italian guys that are pretty.

185
00:09:43,679 --> 00:09:45,439
Speaker 2: Sounding, like the spaghetti thing. Again.

186
00:09:46,440 --> 00:09:50,439
Speaker 3: Yeah, so don't come back to that, I think, Yeah,

187
00:09:50,480 --> 00:09:53,079
Speaker 3: I guess the try guys, we're just trying being Italian

188
00:09:53,120 --> 00:09:54,280
Speaker 3: in most of those videos.

189
00:09:54,520 --> 00:09:57,680
Speaker 2: And so when the camera goes off, you were saying,

190
00:09:57,720 --> 00:10:00,320
Speaker 2: like you basically sit around and cry about it, just

191
00:10:00,440 --> 00:10:05,719
Speaker 2: like yeah, how you thought at this point it was

192
00:10:05,760 --> 00:10:09,440
Speaker 2: going to be going better. And if you, if you'd

193
00:10:09,920 --> 00:10:14,040
Speaker 2: a few years ago, known you're going to be hitting

194
00:10:15,160 --> 00:10:20,040
Speaker 2: engagement like this, Oh my god, this is like I'm

195
00:10:20,040 --> 00:10:24,040
Speaker 2: just a little boy, like mm hmm that that's that's

196
00:10:24,080 --> 00:10:27,160
Speaker 2: more than enough for me, Like my belly's full, that's

197
00:10:27,160 --> 00:10:31,960
Speaker 2: what you'd be thinking. But now now that you have it, Yeah,

198
00:10:32,040 --> 00:10:34,719
Speaker 2: now that we've made it, starting to rumble again, and

199
00:10:34,880 --> 00:10:37,200
Speaker 2: now that we made it, so you sit and cry

200
00:10:37,240 --> 00:10:39,000
Speaker 2: about it. Yeah, it's never.

201
00:10:38,960 --> 00:10:42,320
Speaker 4: Enough's enough, It's never enough, And that's sad.

202
00:10:42,559 --> 00:10:44,600
Speaker 1: It sounds like it's never enough for you guys.

203
00:10:45,240 --> 00:10:46,680
Speaker 2: I guess I don't know if i'd know.

204
00:10:46,679 --> 00:10:47,920
Speaker 4: You picked up on something there?

205
00:10:48,000 --> 00:10:53,920
Speaker 5: Yeah, yeah, the can I just say when when the camp,

206
00:10:53,960 --> 00:10:56,840
Speaker 5: when the cameras stop rolling? Yeah, when I put my

207
00:10:56,880 --> 00:11:00,960
Speaker 5: phone in my pocket. It's almost like you were asking,

208
00:11:00,960 --> 00:11:01,680
Speaker 5: do you use.

209
00:11:01,559 --> 00:11:02,600
Speaker 1: Your phone for other things?

210
00:11:02,600 --> 00:11:03,040
Speaker 2: Pause you.

211
00:11:03,240 --> 00:11:04,800
Speaker 3: I want to make sure Hayes doesn't want to get

212
00:11:04,800 --> 00:11:10,120
Speaker 3: a shipped off real quick. Sometimes I jis sitting on dynamite.

213
00:11:10,240 --> 00:11:12,079
Speaker 3: He's got something, he's got something to go.

214
00:11:12,080 --> 00:11:14,080
Speaker 1: And I know you've been waiting for your a chance

215
00:11:14,120 --> 00:11:14,440
Speaker 1: to talk.

216
00:11:14,640 --> 00:11:16,880
Speaker 3: We only got about four minutes left before we shut

217
00:11:16,920 --> 00:11:19,400
Speaker 3: down entirely, and you have the floor. So if Hayes

218
00:11:19,440 --> 00:11:21,160
Speaker 3: wants to get his shipped off now at the top.

219
00:11:21,080 --> 00:11:21,760
Speaker 1: Use it please.

220
00:11:22,040 --> 00:11:26,199
Speaker 2: I wish you'd come in just a little earlier. And

221
00:11:26,360 --> 00:11:29,440
Speaker 2: the moments passed, the moments past, and he's already talked

222
00:11:29,440 --> 00:11:33,320
Speaker 2: about down in my craw Let's.

223
00:11:33,160 --> 00:11:33,920
Speaker 1: Give it time to bubble.

224
00:11:35,240 --> 00:11:38,400
Speaker 3: So you were saying you were going back to an

225
00:11:38,400 --> 00:11:40,600
Speaker 3: earlier question about when the camera goes.

226
00:11:40,360 --> 00:11:43,000
Speaker 5: On with the craw you're saying, you know, do you

227
00:11:43,080 --> 00:11:46,240
Speaker 5: use your phone for you know, everyday stuff?

228
00:11:46,679 --> 00:11:49,160
Speaker 1: What's your impression of how this booking came to be?

229
00:11:52,320 --> 00:11:53,680
Speaker 1: This show?

230
00:11:56,640 --> 00:11:59,000
Speaker 5: You guys wanted to be our friends, and I thought

231
00:11:59,000 --> 00:12:00,760
Speaker 5: that as we're dying.

232
00:12:00,800 --> 00:12:02,920
Speaker 1: Yeah, you guys nailed it. Could I give it to you?

233
00:12:03,000 --> 00:12:08,080
Speaker 3: From my perspective and phrased a little differently, I was

234
00:12:08,160 --> 00:12:18,400
Speaker 3: told that we are your manager's favorite comedians. How do

235
00:12:18,480 --> 00:12:19,040
Speaker 3: we fix this?

236
00:12:19,960 --> 00:12:20,280
Speaker 2: You guys?

237
00:12:21,640 --> 00:12:25,160
Speaker 1: That's what I was told? How do we fix this

238
00:12:26,240 --> 00:12:26,480
Speaker 1: to be?

239
00:12:26,679 --> 00:12:30,679
Speaker 5: I mean, stop stop doing well, stop being that's step

240
00:12:30,760 --> 00:12:31,720
Speaker 5: one number one.

241
00:12:32,240 --> 00:12:34,600
Speaker 1: You think we're doing well, you really got a problem.

242
00:12:35,240 --> 00:12:36,760
Speaker 1: I mean, all right, tell me what you do with

243
00:12:36,800 --> 00:12:37,199
Speaker 1: your phone.

244
00:12:39,679 --> 00:12:41,920
Speaker 5: I just don't even I don't even like looking. I

245
00:12:41,960 --> 00:12:45,120
Speaker 5: don't like using it for regular stuff because it's like

246
00:12:45,480 --> 00:12:50,640
Speaker 5: you wouldn't use a paint brush two look as chopsticks.

247
00:12:51,160 --> 00:12:55,119
Speaker 2: You know, you wouldn't like try to look for boobings

248
00:12:55,160 --> 00:12:56,120
Speaker 2: on your paint brush.

249
00:12:56,600 --> 00:13:01,200
Speaker 5: No, no, no, So it's almost sacrilegious and my in

250
00:13:01,320 --> 00:13:04,600
Speaker 5: my opinion, because what we are doing with our.

251
00:13:04,720 --> 00:13:06,040
Speaker 1: Hang on, I just want to think of something you

252
00:13:06,080 --> 00:13:07,120
Speaker 1: wouldn't do with a paintbrush.

253
00:13:07,200 --> 00:13:07,800
Speaker 2: Just kind of thing.

254
00:13:07,960 --> 00:13:09,360
Speaker 3: I know, I just need to think something you wouldn't

255
00:13:09,360 --> 00:13:14,520
Speaker 3: do withah, like a phone. Yeah so but that's was

256
00:13:14,520 --> 00:13:16,280
Speaker 3: that what he was going to be a calculator, chop

257
00:13:16,280 --> 00:13:16,920
Speaker 3: sticks or something.

258
00:13:16,960 --> 00:13:18,000
Speaker 2: Yeah, that's why I did a different one.

259
00:13:18,040 --> 00:13:20,280
Speaker 4: Yeah, you could have said phone phone call.

260
00:13:20,400 --> 00:13:23,280
Speaker 1: Maybe I would dig a phone call and my paintbrush.

261
00:13:23,720 --> 00:13:29,040
Speaker 1: Phone call, my paintbrush. Yeah, get paint on your depending

262
00:13:29,080 --> 00:13:30,720
Speaker 1: on which way on your load.

263
00:13:31,600 --> 00:13:35,920
Speaker 2: Not hold it that way because you don't hold your phone,

264
00:13:36,880 --> 00:13:42,679
Speaker 2: go ahead perpendicular to your head. But that was true

265
00:13:42,679 --> 00:13:45,440
Speaker 2: for every version of it that I can think of.

266
00:13:45,920 --> 00:13:48,640
Speaker 1: Yeah, I get it so close.

267
00:13:48,840 --> 00:13:51,959
Speaker 2: But see even then, you're not the paint the end

268
00:13:52,040 --> 00:13:53,480
Speaker 2: is not touching your face.

269
00:13:55,640 --> 00:13:57,439
Speaker 1: Brush downrush, big question.

270
00:13:57,559 --> 00:14:00,240
Speaker 6: I assume the brushes up just right side up here.

271
00:14:01,400 --> 00:14:03,839
Speaker 3: Honestly, I promptly would Well what if it's okay? Well

272
00:14:03,840 --> 00:14:07,520
Speaker 3: what I'm what if I would what if the brushes

273
00:14:07,559 --> 00:14:09,440
Speaker 3: like bluetooth speak?

274
00:14:09,559 --> 00:14:12,800
Speaker 5: Yeah, a lot of people yell on speaking theone tooths.

275
00:14:13,640 --> 00:14:15,240
Speaker 1: Yeah you could also just low paper.

276
00:14:15,440 --> 00:14:17,760
Speaker 3: I wouldn't use my paintbrush as a Bluetooth headset to

277
00:14:17,840 --> 00:14:18,640
Speaker 3: take a phone call.

278
00:14:18,760 --> 00:14:22,000
Speaker 1: Yeah, you see what I'm saying you go back, Yeah,

279
00:14:22,120 --> 00:14:22,600
Speaker 1: go back to what?

280
00:14:22,760 --> 00:14:25,920
Speaker 5: So it's like that question kind of I mean it

281
00:14:26,080 --> 00:14:30,720
Speaker 5: it's so like not even in my realm of thinking

282
00:14:30,760 --> 00:14:34,760
Speaker 5: to use basically what we're using to create, you know,

283
00:14:35,040 --> 00:14:35,680
Speaker 5: just like art.

284
00:14:37,080 --> 00:14:39,800
Speaker 2: I'm starting to wonder, like what you see in him?

285
00:14:40,080 --> 00:14:43,520
Speaker 2: You know, because I've seen him as this.

286
00:14:43,440 --> 00:14:46,360
Speaker 1: There was a real hero worship vibe coming for you.

287
00:14:47,080 --> 00:14:49,800
Speaker 1: And I was caring that I was, and I was like,

288
00:14:49,800 --> 00:14:51,600
Speaker 1: oh man, I can't wait till this. That's kind of

289
00:14:51,640 --> 00:14:52,240
Speaker 1: why we were.

290
00:14:52,120 --> 00:14:56,640
Speaker 3: Saving letting him have that space. And now that I've

291
00:14:56,640 --> 00:14:58,000
Speaker 3: seen what he did with it.

292
00:14:58,120 --> 00:15:02,640
Speaker 1: I'm going like, yeah, what about me?

293
00:15:02,960 --> 00:15:03,080
Speaker 2: This?

294
00:15:03,160 --> 00:15:04,080
Speaker 5: Yeah?

295
00:15:04,440 --> 00:15:05,000
Speaker 1: You got this?

296
00:15:05,160 --> 00:15:07,120
Speaker 5: I mean I thought it was a beautiful metaphor. I

297
00:15:07,160 --> 00:15:09,400
Speaker 5: don't know, maybe I put Garrett on a pedestal or something,

298
00:15:09,400 --> 00:15:14,640
Speaker 5: but I thought, your phone is Garrett, your old phone,

299
00:15:14,720 --> 00:15:18,720
Speaker 5: Mike sing your old phone is Garrett?

300
00:15:19,440 --> 00:15:24,680
Speaker 2: That thing that's like causing He's the obstacle for you.

301
00:15:24,880 --> 00:15:28,000
Speaker 5: I can also jump in and answer the question of

302
00:15:28,040 --> 00:15:30,760
Speaker 5: whether you're like the old phone phone, But I'm kind

303
00:15:30,760 --> 00:15:32,000
Speaker 5: of curious, am I here?

304
00:15:32,040 --> 00:15:32,600
Speaker 1: What do you think?

305
00:15:33,480 --> 00:15:35,800
Speaker 2: So? I mean, you just want to Garrett get in

306
00:15:35,840 --> 00:15:37,080
Speaker 2: there to say you can.

307
00:15:39,960 --> 00:15:41,960
Speaker 1: You're not answering it, but you'd be willing.

308
00:15:41,800 --> 00:15:44,280
Speaker 2: To answer it, but you're more interested in hearing him

309
00:15:44,320 --> 00:15:45,240
Speaker 2: answer the question.

310
00:15:46,640 --> 00:15:50,320
Speaker 1: My answer, well, I just want to well, I I'm

311
00:15:50,320 --> 00:15:50,840
Speaker 1: not quite sure.

312
00:15:50,960 --> 00:15:51,800
Speaker 2: Can I pause both?

313
00:15:52,080 --> 00:15:54,280
Speaker 1: Kevin? Can you answer it? Just because we found out

314
00:15:54,320 --> 00:15:57,080
Speaker 1: who can answer it? Kevin? Can you answer it?

315
00:15:57,240 --> 00:15:58,120
Speaker 4: And what was the question?

316
00:15:58,760 --> 00:16:04,360
Speaker 1: So we were asking Mike whether Garrett is Mike's old phone,

317
00:16:05,360 --> 00:16:06,720
Speaker 1: and the old phone.

318
00:16:06,440 --> 00:16:08,800
Speaker 3: Being a different metaphor than how Garrett was using it right,

319
00:16:08,800 --> 00:16:11,440
Speaker 3: which I'm saying, you know, it's not a paintbrush, but

320
00:16:11,960 --> 00:16:15,640
Speaker 3: we were saying it is also this driving force, this

321
00:16:15,760 --> 00:16:19,560
Speaker 3: obstacle that makes him work harder, why he's achieved so much,

322
00:16:19,800 --> 00:16:24,000
Speaker 3: and is the new phone got be true? Second part,

323
00:16:24,160 --> 00:16:27,080
Speaker 3: can you answer the question? Don't because I.

324
00:16:27,080 --> 00:16:28,800
Speaker 1: Want to hear what Mike has saying, so does Garrett.

325
00:16:28,880 --> 00:16:30,200
Speaker 4: Yeah, and I can't answer the question.

326
00:16:30,280 --> 00:16:30,720
Speaker 1: You can't.

327
00:16:31,520 --> 00:16:34,680
Speaker 3: And also yes, you should be thinking about what's my

328
00:16:34,760 --> 00:16:36,400
Speaker 3: old phone or do I have one?

329
00:16:37,120 --> 00:16:40,400
Speaker 1: And is it like yeah, just in the order of

330
00:16:40,400 --> 00:16:40,880
Speaker 1: how we're.

331
00:16:40,720 --> 00:16:49,840
Speaker 5: Sitting right, I'm your sixteen or something from every two years,

332
00:16:50,200 --> 00:16:52,080
Speaker 5: Grett was my fourteen?

333
00:16:54,160 --> 00:16:55,200
Speaker 6: Yeah?

334
00:16:55,680 --> 00:16:59,680
Speaker 5: No, I think Garrett is my fourteen. Yeah, your iPhone

335
00:16:59,680 --> 00:17:06,280
Speaker 5: fort my iPhone fourteen. Yeah, he pus Android users.

336
00:17:07,119 --> 00:17:09,320
Speaker 3: As I'm you know, seventy five percent of the moulation

337
00:17:09,480 --> 00:17:11,400
Speaker 3: or something Fixel pixels.

338
00:17:11,880 --> 00:17:13,879
Speaker 6: What are they on with the Google Picture Domini.

339
00:17:14,760 --> 00:17:17,720
Speaker 4: I don't think they're going to get this whole metaphor personally.

340
00:17:20,119 --> 00:17:22,320
Speaker 5: Yeah, Garrett makes me feel bad about myself and I

341
00:17:22,359 --> 00:17:25,240
Speaker 5: work harder. I guess it's yeah, I think kind of

342
00:17:25,240 --> 00:17:27,040
Speaker 5: what it comes down to, okay.

343
00:17:26,840 --> 00:17:29,960
Speaker 2: And this is like within a sketch, because I see,

344
00:17:30,160 --> 00:17:32,440
Speaker 2: like your clips, sometimes there are ones where you will

345
00:17:32,600 --> 00:17:35,840
Speaker 2: kind of like just kind of sit there and smolder,

346
00:17:36,920 --> 00:17:39,680
Speaker 2: you know what I mean, there's something going on you

347
00:17:39,800 --> 00:17:43,359
Speaker 2: find the less like the Italian guys, you know stuff

348
00:17:43,400 --> 00:17:44,240
Speaker 2: for example, and.

349
00:17:44,160 --> 00:17:47,119
Speaker 1: There's always a concept. I'm not always.

350
00:17:48,720 --> 00:17:50,919
Speaker 3: Able to glean what it is, but I know that

351
00:17:50,960 --> 00:17:54,960
Speaker 3: when you you know, kind of press go on the paintbrush,

352
00:17:55,680 --> 00:17:58,320
Speaker 3: that you that you have an idea of what it's

353
00:17:58,320 --> 00:17:58,720
Speaker 3: going to be.

354
00:17:59,600 --> 00:18:01,360
Speaker 1: But I think somebody we get lost in like.

355
00:18:03,160 --> 00:18:05,520
Speaker 5: Smoldering for the camera, and I like to put him

356
00:18:05,520 --> 00:18:06,920
Speaker 5: in that situation too.

357
00:18:07,560 --> 00:18:09,240
Speaker 2: What do you do to get in there? You're so

358
00:18:09,320 --> 00:18:10,480
Speaker 2: you're doing that on purpose.

359
00:18:10,800 --> 00:18:15,800
Speaker 5: It's it's very much like you know, Shelley Duvall the

360
00:18:15,880 --> 00:18:20,240
Speaker 5: shining take one hundred of the typewriters scene. I'm just

361
00:18:20,760 --> 00:18:23,119
Speaker 5: I know that there's I know there's more that we

362
00:18:23,160 --> 00:18:26,119
Speaker 5: can get out of. Yeah, yeah, I know there's a

363
00:18:27,040 --> 00:18:33,280
Speaker 5: deeper smolder. Yeah, sometimes that we can get Oh I

364
00:18:33,280 --> 00:18:37,439
Speaker 5: didn't even see yeah, sorry, just because there we go.

365
00:18:38,880 --> 00:18:39,480
Speaker 1: Just shift over.

366
00:18:40,320 --> 00:18:42,600
Speaker 6: Yeah, I can't move over. I can move the microphone

367
00:18:42,600 --> 00:18:43,000
Speaker 6: a little bit.

368
00:18:43,040 --> 00:18:43,760
Speaker 1: I hate to be this.

369
00:18:44,000 --> 00:18:45,440
Speaker 6: Maybe I'll go on top at the end.

370
00:18:46,760 --> 00:18:50,240
Speaker 1: Jack Nicholson was the one using the typewriter.

371
00:18:52,520 --> 00:18:55,120
Speaker 5: I just meant the scene of the of the time,

372
00:18:55,240 --> 00:18:59,760
Speaker 5: she's she's in the scene though, right, I've seen it.

373
00:18:59,160 --> 00:19:00,960
Speaker 4: Wasn't Stanley Brick involved.

374
00:19:01,800 --> 00:19:05,160
Speaker 1: He somewhere we got a little bit of a film buff.

375
00:19:05,600 --> 00:19:08,760
Speaker 4: Yeah, I don't want to show you guys.

376
00:19:08,760 --> 00:19:10,800
Speaker 1: Are you filming it?

377
00:19:10,920 --> 00:19:12,320
Speaker 2: Sometimes? Yeah?

378
00:19:12,359 --> 00:19:17,359
Speaker 3: Oftentimes that's that's deep cut status.

379
00:19:18,280 --> 00:19:20,320
Speaker 2: You look like them touching you for this long. It's

380
00:19:20,400 --> 00:19:21,240
Speaker 2: hurting you a little bit.

381
00:19:21,920 --> 00:19:24,040
Speaker 5: No, no, no, no, we do this before, you know

382
00:19:25,080 --> 00:19:29,840
Speaker 5: you do between before, well it's between shots kind of

383
00:19:30,080 --> 00:19:37,320
Speaker 5: between kind of power up.

384
00:19:37,800 --> 00:19:39,240
Speaker 1: How long does it take to make a video.

385
00:19:41,960 --> 00:19:44,879
Speaker 5: And let's shift gears take what are you sorry?

386
00:19:45,359 --> 00:19:48,000
Speaker 1: Always take to make a video? We want to do one.

387
00:19:49,560 --> 00:19:51,800
Speaker 1: We have we've been talking about we want to do one.

388
00:19:53,560 --> 00:19:55,800
Speaker 6: You know, sometimes it's days time.

389
00:19:55,880 --> 00:20:00,639
Speaker 5: It can take days, months, months, well not not unlike sorry,

390
00:20:00,320 --> 00:20:02,800
Speaker 5: it may not on like that shining shoot that I

391
00:20:02,840 --> 00:20:06,240
Speaker 5: think was months long up in that hotel we've had.

392
00:20:06,480 --> 00:20:11,359
Speaker 4: Yeah, I think it took months. I think it took months, and.

393
00:20:11,400 --> 00:20:12,000
Speaker 1: I believe it.

394
00:20:12,119 --> 00:20:13,600
Speaker 6: Yeah, Italian and I believe it.

395
00:20:13,720 --> 00:20:17,560
Speaker 5: Some of those Italian guys sketches it took a long time.

396
00:20:17,640 --> 00:20:19,080
Speaker 2: It takes months.

397
00:20:19,119 --> 00:20:24,200
Speaker 5: Twenty twenty one. Most of that was, yeah, is there

398
00:20:24,240 --> 00:20:28,960
Speaker 5: another guy we're looking we're looking for another guy?

399
00:20:28,960 --> 00:20:31,760
Speaker 6: Oh yeah, yeah, he might have just found.

400
00:20:31,840 --> 00:20:33,480
Speaker 2: Which one are each of you right now?

401
00:20:36,040 --> 00:20:36,560
Speaker 4: Which guy?

402
00:20:36,840 --> 00:20:39,200
Speaker 2: Yeah? Which guy is each one? That's a great question.

403
00:20:39,240 --> 00:20:40,720
Speaker 3: Just when I get home and tell my wife I

404
00:20:40,720 --> 00:20:43,080
Speaker 3: met these three guys. Yeah, she didn't say which ones.

405
00:20:44,800 --> 00:20:48,640
Speaker 5: I'm the who's the tall try guy?

406
00:20:48,720 --> 00:20:49,960
Speaker 2: Yeah, that's me.

407
00:20:50,680 --> 00:20:51,520
Speaker 6: Garret's the tallest.

408
00:20:51,520 --> 00:20:53,639
Speaker 2: How tall is he? Do you guys know?

409
00:20:54,080 --> 00:20:56,320
Speaker 1: He's he looks tall. He's tall.

410
00:20:56,440 --> 00:20:57,159
Speaker 6: And pulled that up.

411
00:20:57,720 --> 00:20:59,800
Speaker 4: Oh he is all the way he's tall, and I

412
00:20:59,880 --> 00:21:00,880
Speaker 4: know you're talking. He's tall.

413
00:21:01,000 --> 00:21:02,800
Speaker 2: Yeah, he's tall. Yeah, a bit of a.

414
00:21:02,800 --> 00:21:05,240
Speaker 4: String bean, let's say I'm sorry.

415
00:21:05,840 --> 00:21:09,840
Speaker 5: Yeah, yeah, and who's like the maybe the bad who

416
00:21:09,880 --> 00:21:11,080
Speaker 5: would you say, like the bad boy?

417
00:21:12,880 --> 00:21:16,720
Speaker 3: Probably the one yeah, committed infidelity, Yeah, who made his

418
00:21:16,880 --> 00:21:20,040
Speaker 3: entire brand right.

419
00:21:20,480 --> 00:21:20,960
Speaker 6: Call me that?

420
00:21:21,160 --> 00:21:27,879
Speaker 5: Yeah, scandal? Yeah, I mean I think most likely. But

421
00:21:27,920 --> 00:21:30,159
Speaker 5: here's the thing, is like that we would keep the

422
00:21:30,200 --> 00:21:33,119
Speaker 5: group together. It would maybe even make a stronger Yeah,

423
00:21:33,280 --> 00:21:35,760
Speaker 5: that's true. And then we would all wouldn't have to

424
00:21:35,800 --> 00:21:38,399
Speaker 5: do the handholding thing, the power power up.

425
00:21:38,520 --> 00:21:39,439
Speaker 1: We would use that.

426
00:21:39,520 --> 00:21:39,840
Speaker 2: I think.

427
00:21:40,880 --> 00:21:43,840
Speaker 5: Yes, we would use your infidelity for sure, not as

428
00:21:44,200 --> 00:21:45,040
Speaker 5: to use everything.

429
00:21:45,760 --> 00:21:46,560
Speaker 4: You got to use everything.

430
00:21:46,920 --> 00:21:52,640
Speaker 2: Don't any rings, you know, I know it's kind of situation.

431
00:21:52,840 --> 00:21:55,000
Speaker 2: I took it off what kind of energy we're going

432
00:21:55,040 --> 00:21:59,440
Speaker 2: to be dealing with? And honestly, like this is whenever

433
00:21:59,480 --> 00:22:00,560
Speaker 2: we try to make a video.

434
00:22:01,160 --> 00:22:05,480
Speaker 1: Mm hmm, come here here. What are you doing out outside?

435
00:22:05,760 --> 00:22:09,520
Speaker 1: Were you too late on a rock with those phones?

436
00:22:09,600 --> 00:22:09,880
Speaker 2: You know?

437
00:22:11,280 --> 00:22:13,640
Speaker 1: And this is your why you answer what I called? Well,

438
00:22:13,640 --> 00:22:15,360
Speaker 1: I wouldn't put a paintbrush in my ear.

439
00:22:15,520 --> 00:22:18,080
Speaker 3: You know, it's like they have the fucking idea what

440
00:22:18,080 --> 00:22:18,879
Speaker 3: I'm talking about.

441
00:22:19,240 --> 00:22:23,840
Speaker 1: Sure, that's my biggest advice to young my sauce. Yeah,

442
00:22:23,840 --> 00:22:26,920
Speaker 1: because we turned the spaghetti purple. We tried to bring

443
00:22:27,000 --> 00:22:27,280
Speaker 1: me back.

444
00:22:27,320 --> 00:22:28,760
Speaker 2: The callander was that you.

445
00:22:30,640 --> 00:22:31,720
Speaker 1: First we tried?

446
00:22:31,880 --> 00:22:35,200
Speaker 3: No, no, not first, no, god no, no, we saw it.

447
00:22:35,280 --> 00:22:38,760
Speaker 1: We were like, God, that's good. Uh So we were like,

448
00:22:38,800 --> 00:22:40,399
Speaker 1: we gotta try this weekend.

449
00:22:40,400 --> 00:22:40,879
Speaker 2: We were doing that.

450
00:22:40,960 --> 00:22:43,320
Speaker 3: But I don't think somehow, I mean, at least one

451
00:22:43,320 --> 00:22:44,600
Speaker 3: of them had a wife and didn't.

452
00:22:44,680 --> 00:22:47,280
Speaker 1: It was she let him do she let him use

453
00:22:47,280 --> 00:22:47,800
Speaker 1: the calender.

454
00:22:48,040 --> 00:22:49,880
Speaker 4: She was saying, it's it's tough to make a video

455
00:22:49,880 --> 00:22:52,320
Speaker 4: when you're married to a seventy five year old woman,

456
00:22:53,720 --> 00:22:54,280
Speaker 4: is what I was.

457
00:22:54,480 --> 00:22:58,600
Speaker 5: I get, Yeah, that's what I got. Gathering seventies.

458
00:22:58,760 --> 00:22:59,800
Speaker 1: It's gotta be tough.

459
00:23:00,080 --> 00:23:02,480
Speaker 2: Old ladies do kind of be like that sometimes.

460
00:23:02,680 --> 00:23:06,520
Speaker 5: Yeah, yeah, they got plans.

461
00:23:06,640 --> 00:23:12,159
Speaker 1: Old ladies be like that. Is that a potential sketch area?

462
00:23:12,520 --> 00:23:18,040
Speaker 3: I was, yeah, like, why don't we let's shift gears

463
00:23:18,840 --> 00:23:20,000
Speaker 3: top sketch?

464
00:23:21,880 --> 00:23:26,440
Speaker 1: What sketch should I be watching? If I really want

465
00:23:26,440 --> 00:23:30,760
Speaker 1: to laugh? I mean, you guys are the ones to

466
00:23:30,800 --> 00:23:32,200
Speaker 1: tell me right you've made them.

467
00:23:32,240 --> 00:23:35,240
Speaker 4: Did we tell you about the the Italian guys sketch?

468
00:23:38,600 --> 00:23:40,320
Speaker 1: I don't know that.

469
00:23:40,560 --> 00:23:42,440
Speaker 2: I saw one where you had a pizza?

470
00:23:42,600 --> 00:23:42,920
Speaker 1: Is that?

471
00:23:43,720 --> 00:23:46,920
Speaker 2: Because was that Italian? Was that Italian?

472
00:23:47,200 --> 00:23:48,680
Speaker 4: Was the pizza was Italian.

473
00:23:48,760 --> 00:23:51,119
Speaker 6: Yeah, you were playing an Italian.

474
00:23:52,480 --> 00:23:56,439
Speaker 4: Canonically it wasn't. It was a little understated, but canonically

475
00:23:56,480 --> 00:23:57,680
Speaker 4: I was an Italian guy.

476
00:23:58,040 --> 00:23:58,800
Speaker 2: Yeah in that.

477
00:23:58,840 --> 00:24:01,800
Speaker 4: Yeah, scallion everything I didn't even tell you guys.

478
00:24:01,800 --> 00:24:04,160
Speaker 5: Then I picked picked.

479
00:24:04,000 --> 00:24:07,160
Speaker 2: Up on it. Should you say which guy you were? No?

480
00:24:07,520 --> 00:24:11,320
Speaker 4: Oh, yes, No, that's a great question. Is there like

481
00:24:12,200 --> 00:24:14,560
Speaker 4: is there kind of like a level headed voice of

482
00:24:14,600 --> 00:24:16,040
Speaker 4: reason you try?

483
00:24:16,400 --> 00:24:20,440
Speaker 2: Oh yeah, you need to stick guys. I'm not sure

484
00:24:20,440 --> 00:24:23,480
Speaker 2: we should try this, right, you're right?

485
00:24:24,080 --> 00:24:24,359
Speaker 1: Nice?

486
00:24:24,840 --> 00:24:27,400
Speaker 2: Right? What are we doing? Guys?

487
00:24:27,440 --> 00:24:28,959
Speaker 1: I've always said try anything.

488
00:24:29,760 --> 00:24:31,080
Speaker 4: I like to put the rails on.

489
00:24:31,520 --> 00:24:35,359
Speaker 5: Yeah, I really need that, you know. Don't say things

490
00:24:35,400 --> 00:24:37,280
Speaker 5: like that. It might be too much.

491
00:24:37,240 --> 00:24:41,399
Speaker 2: So I can bust through them, roll down the embankment. Right.

492
00:24:42,400 --> 00:24:45,360
Speaker 1: Well, that's what gets the going when one one try.

493
00:24:45,400 --> 00:24:49,320
Speaker 1: Guys going like, we can't try this, you know.

494
00:24:49,840 --> 00:24:53,000
Speaker 3: And then it's like, don't ever say that to me.

495
00:24:54,000 --> 00:24:55,400
Speaker 3: Only say that to me if you want to see

496
00:24:55,400 --> 00:24:55,959
Speaker 3: me try it.

497
00:24:57,560 --> 00:24:58,640
Speaker 5: Whoa, you're right?

498
00:24:59,480 --> 00:25:02,399
Speaker 2: Yeah? For Kevin, I kind of it's the don't and

499
00:25:02,480 --> 00:25:03,400
Speaker 2: please don't destroy?

500
00:25:03,520 --> 00:25:03,639
Speaker 3: Right?

501
00:25:04,200 --> 00:25:06,879
Speaker 2: Yeah, which one of those guys?

502
00:25:07,200 --> 00:25:08,000
Speaker 1: Which guys are you?

503
00:25:08,680 --> 00:25:10,000
Speaker 6: Oh?

504
00:25:10,040 --> 00:25:12,280
Speaker 5: Wow, okay, which one is the tallest?

505
00:25:12,920 --> 00:25:13,200
Speaker 2: Ben?

506
00:25:15,320 --> 00:25:16,119
Speaker 4: He's pretty tall.

507
00:25:16,640 --> 00:25:17,040
Speaker 1: I don't know.

508
00:25:17,080 --> 00:25:23,000
Speaker 5: If I'm that tall, you would be energetically energetically.

509
00:25:22,480 --> 00:25:22,840
Speaker 2: I don't know.

510
00:25:22,880 --> 00:25:24,320
Speaker 5: I feel like I should give you guys the tall

511
00:25:24,440 --> 00:25:26,400
Speaker 5: one of him. One of you should be the tall

512
00:25:26,400 --> 00:25:30,119
Speaker 5: guy this time. Yeah, sure, but wait, which the tallest

513
00:25:30,160 --> 00:25:30,640
Speaker 5: one is?

514
00:25:30,880 --> 00:25:32,920
Speaker 2: Ben Man? Who? Ben?

515
00:25:33,000 --> 00:25:37,560
Speaker 5: Benka? About Martin as tall as well?

516
00:25:38,080 --> 00:25:39,240
Speaker 4: So Ben's the tall one.

517
00:25:39,560 --> 00:25:41,240
Speaker 1: John's not even short, He's just not as tall.

518
00:25:41,359 --> 00:25:41,639
Speaker 2: He's not.

519
00:25:41,760 --> 00:25:45,400
Speaker 5: Really, there's multiple gons tallest, but there's.

520
00:25:45,720 --> 00:25:47,120
Speaker 4: Oh they have more than one tall one?

521
00:25:47,359 --> 00:25:50,560
Speaker 6: Which one has the uncle at SNL they'll do?

522
00:25:51,040 --> 00:25:52,200
Speaker 2: Okay? Yeah?

523
00:25:53,160 --> 00:25:54,639
Speaker 1: And then who cheated on their wife?

524
00:25:55,040 --> 00:25:57,520
Speaker 2: Which one they all did? Every This is tough.

525
00:25:57,520 --> 00:25:59,679
Speaker 5: I feel like we kind of there's bits and pieces

526
00:25:59,720 --> 00:26:03,560
Speaker 5: of these guys that each of us have absolutely which

527
00:26:03,640 --> 00:26:06,480
Speaker 5: kind of embody?

528
00:26:06,920 --> 00:26:09,600
Speaker 1: Oh my shit, that's the right answer. I mean that's tough.

529
00:26:10,040 --> 00:26:11,520
Speaker 1: I guess I'm more like bad Bunny.

530
00:26:13,440 --> 00:26:17,600
Speaker 5: Yeah, yeah, he really with those guys you are?

531
00:26:17,920 --> 00:26:19,760
Speaker 1: Yeah, we you should have seen.

532
00:26:19,920 --> 00:26:26,080
Speaker 3: I mean, Travis Kelsey beat their fucking ass. He messed

533
00:26:26,119 --> 00:26:30,360
Speaker 3: them up really like I like comedy. I like to laugh, but.

534
00:26:32,440 --> 00:26:35,600
Speaker 2: I don't know in front of your uncle too, like

535
00:26:35,680 --> 00:26:37,000
Speaker 2: that happened to you? Yeah?

536
00:26:37,240 --> 00:26:39,120
Speaker 5: Like he physically beat them up, is what you're saying.

537
00:26:40,359 --> 00:26:42,399
Speaker 1: From what I've seen and like what I read. I

538
00:26:42,440 --> 00:26:43,280
Speaker 1: read a couple of.

539
00:26:45,200 --> 00:26:48,119
Speaker 3: Recaps and like articles about it, a couple of books

540
00:26:48,119 --> 00:26:51,480
Speaker 3: about it, and it seems like he really many their

541
00:26:51,560 --> 00:26:52,400
Speaker 3: ass pretty hard.

542
00:26:52,440 --> 00:26:55,080
Speaker 5: How many books are there about that?

543
00:26:56,480 --> 00:26:57,960
Speaker 4: I'd love to get my hands in a copy?

544
00:26:58,480 --> 00:26:59,959
Speaker 6: Yeah, any one of them I'd love.

545
00:27:00,200 --> 00:27:04,800
Speaker 2: Yeah, you're not asking how many types of books we're

546
00:27:04,800 --> 00:27:07,119
Speaker 2: written about, You're asking how many were published, because you

547
00:27:07,119 --> 00:27:10,120
Speaker 2: were saying I want to get my hands on a copy. Yes,

548
00:27:10,920 --> 00:27:11,240
Speaker 2: just like.

549
00:27:13,280 --> 00:27:14,800
Speaker 6: These were manuscripts that you saw.

550
00:27:14,880 --> 00:27:16,000
Speaker 2: How many?

551
00:27:16,080 --> 00:27:21,280
Speaker 1: So one of them was definitely a Galley's m and

552
00:27:21,320 --> 00:27:25,480
Speaker 1: then some of them were uh, ebooks.

553
00:27:26,920 --> 00:27:30,680
Speaker 5: You know, I like to physically touch the pages.

554
00:27:30,720 --> 00:27:31,359
Speaker 1: That's the problem.

555
00:27:31,400 --> 00:27:33,480
Speaker 3: Yeah, So to get a printed one, you would need

556
00:27:33,480 --> 00:27:40,880
Speaker 3: the galleys one, or it's in some books. It's in there.

557
00:27:41,520 --> 00:27:43,480
Speaker 3: It's not always the whole book.

558
00:27:46,760 --> 00:27:47,439
Speaker 1: And the whole thing is.

559
00:27:47,400 --> 00:27:49,439
Speaker 5: About the fight or but he's so he fucked them up?

560
00:27:49,560 --> 00:27:52,000
Speaker 5: Was basically he's huge.

561
00:27:52,080 --> 00:27:54,879
Speaker 1: Yeah, I mean he's a special athlete, you know what

562
00:27:54,960 --> 00:27:58,880
Speaker 1: I mean? You know he's dating right, you're kidding.

563
00:28:00,280 --> 00:28:03,160
Speaker 5: Something, Marianna Yah, Yeah, right.

564
00:28:03,720 --> 00:28:04,840
Speaker 2: Did you say you're kidding.

565
00:28:06,320 --> 00:28:07,240
Speaker 4: Yeah, I said that.

566
00:28:11,320 --> 00:28:12,400
Speaker 1: That he is dating.

567
00:28:12,720 --> 00:28:16,800
Speaker 2: You said, he said you know who he's dating, right,

568
00:28:16,800 --> 00:28:17,879
Speaker 2: And you said you're kidding.

569
00:28:18,200 --> 00:28:21,720
Speaker 4: Oh I thought you said he's dating. You were just saying, okay,

570
00:28:22,040 --> 00:28:24,359
Speaker 4: Oh so I was saying kidding's dating.

571
00:28:25,760 --> 00:28:28,720
Speaker 1: But I was, I was, I was coming out I think, yeah.

572
00:28:28,600 --> 00:28:30,280
Speaker 4: No, I believe I was coming at it with more

573
00:28:30,280 --> 00:28:34,680
Speaker 4: of a like, I what, I can't believe he's out there.

574
00:28:35,640 --> 00:28:39,080
Speaker 2: I thought you had already like just like filled somebody in.

575
00:28:39,240 --> 00:28:39,800
Speaker 1: I did too.

576
00:28:40,280 --> 00:28:42,800
Speaker 3: Actually, like I actually liked it as a conversation you

577
00:28:43,520 --> 00:28:46,760
Speaker 3: like picked up to just skip over the room. Heel

578
00:28:47,400 --> 00:28:50,080
Speaker 3: to be like, I know, I do know who it is,

579
00:28:50,400 --> 00:28:51,760
Speaker 3: and I agree that it's.

580
00:28:51,560 --> 00:28:56,960
Speaker 1: Surprised so like you're kidding right, actually.

581
00:28:56,680 --> 00:29:00,320
Speaker 2: Really so fast fun with that.

582
00:29:00,440 --> 00:29:02,680
Speaker 4: Unfortunately, I appreciate you bringing that up. And it was

583
00:29:02,720 --> 00:29:04,920
Speaker 4: an are you know, kind of identifying that so we

584
00:29:04,960 --> 00:29:08,520
Speaker 4: could kind of peace through it, piece through it, get

585
00:29:08,520 --> 00:29:10,440
Speaker 4: back on the same page because I was in a

586
00:29:10,480 --> 00:29:11,200
Speaker 4: whole nother.

587
00:29:12,480 --> 00:29:12,800
Speaker 2: Area.

588
00:29:13,120 --> 00:29:14,240
Speaker 1: Tell me about your manager.

589
00:29:18,120 --> 00:29:19,080
Speaker 6: We don't really know him.

590
00:29:19,120 --> 00:29:22,600
Speaker 2: I don't know, okay, I never met him. I'm seeing

591
00:29:22,600 --> 00:29:31,080
Speaker 2: that favors Garrett. He said, I've never met him. Who

592
00:29:31,120 --> 00:29:35,040
Speaker 2: has that Garrett's Oh you know that's Big Jay right there.

593
00:29:35,360 --> 00:29:39,200
Speaker 5: You've actually you've met him. It was just this kind

594
00:29:39,200 --> 00:29:41,920
Speaker 5: of faceless Yeah, I mean it's been a it was

595
00:29:41,920 --> 00:29:46,080
Speaker 5: a zoom call every time, and.

596
00:29:44,600 --> 00:29:46,120
Speaker 1: Every time it's multiple time.

597
00:29:46,200 --> 00:29:47,840
Speaker 5: But he's like where, you know, like it's a dark

598
00:29:48,120 --> 00:29:49,200
Speaker 5: I can't really see his face.

599
00:29:49,240 --> 00:29:53,720
Speaker 2: He's like wearing big he's looming over the frame getting.

600
00:29:53,640 --> 00:29:56,120
Speaker 5: Just like he's like six, he's tall.

601
00:29:56,200 --> 00:29:58,480
Speaker 2: You're tall too, so that you can't even see him

602
00:29:58,480 --> 00:30:00,400
Speaker 2: over that thing. It's like.

603
00:30:02,080 --> 00:30:02,640
Speaker 1: He doesn't.

604
00:30:04,520 --> 00:30:06,960
Speaker 6: Yeah, he wore a mask or something there.

605
00:30:07,080 --> 00:30:11,040
Speaker 1: Yeah, but he's been christ you know, I'll tell you

606
00:30:11,120 --> 00:30:12,920
Speaker 1: who should hire him if he's that big.

607
00:30:13,720 --> 00:30:17,120
Speaker 3: The fucking Please Don't Destroy guys should hire Big j

608
00:30:17,520 --> 00:30:20,280
Speaker 3: and then have him go beat up Travis Kelcey.

609
00:30:20,680 --> 00:30:21,720
Speaker 1: Because he kicked.

610
00:30:23,000 --> 00:30:24,160
Speaker 2: Man as.

611
00:30:24,240 --> 00:30:31,880
Speaker 7: Yeah, that's man, your manager should fight Travis Kelcey behalf

612
00:30:31,960 --> 00:30:36,600
Speaker 7: of Please Don't Destroy That and you film it.

613
00:30:37,600 --> 00:30:40,600
Speaker 5: Oh you think that's purple spaghetti.

614
00:30:41,680 --> 00:30:44,200
Speaker 2: And then we got a new viral video and then

615
00:30:44,240 --> 00:30:48,800
Speaker 2: he's kind of in with the PDD guys who, even

616
00:30:48,880 --> 00:30:54,280
Speaker 2: though they're they're not still like the exact same roles

617
00:30:54,360 --> 00:30:58,200
Speaker 2: at SNL, they still have a have a real voice there.

618
00:30:58,240 --> 00:30:59,440
Speaker 2: They still have real influence.

619
00:30:59,720 --> 00:31:02,400
Speaker 1: Well, it is not the only game in town. I mean,

620
00:31:02,480 --> 00:31:03,760
Speaker 1: you guys aren't on SNL.

621
00:31:04,320 --> 00:31:08,040
Speaker 3: Yeah, but you're but you're still doing.

622
00:31:07,800 --> 00:31:13,680
Speaker 1: Stuff together, right. Yeah, I'm Lourene. I call you in sure,

623
00:31:14,440 --> 00:31:15,040
Speaker 1: here we go.

624
00:31:15,280 --> 00:31:21,760
Speaker 3: Huh, unpaid intern this is my lorn unpaid interns.

625
00:31:23,280 --> 00:31:26,640
Speaker 1: Get in here, you two, you know, no, there's three.

626
00:31:28,640 --> 00:31:30,320
Speaker 1: Show me your best stuff.

627
00:31:30,480 --> 00:31:32,640
Speaker 3: You know, this is how it happens. It's like all

628
00:31:32,680 --> 00:31:36,520
Speaker 3: of a sudden, so like, and then you would do what.

629
00:31:39,200 --> 00:31:39,880
Speaker 2: I think we know.

630
00:31:40,280 --> 00:31:43,120
Speaker 1: Yeah, two of.

631
00:31:43,040 --> 00:31:46,520
Speaker 3: You are yeah, Garrett have something.

632
00:31:46,640 --> 00:31:49,840
Speaker 1: Look, so get in here. You two was actually rather prescient.

633
00:31:49,960 --> 00:31:53,400
Speaker 3: And I've heard this about Lord he can feel it, right,

634
00:31:53,760 --> 00:31:54,480
Speaker 3: So those.

635
00:31:54,400 --> 00:31:58,520
Speaker 5: Two as something I Mike, No, I was, yeah, tell

636
00:31:58,560 --> 00:32:00,280
Speaker 5: me what were you thinking?

637
00:32:00,320 --> 00:32:00,920
Speaker 1: Will you tell me?

638
00:32:01,400 --> 00:32:01,640
Speaker 2: Yeah?

639
00:32:01,680 --> 00:32:07,040
Speaker 1: Go ahead, yeah, yeah, yeah yeah, what were you thinking?

640
00:32:07,520 --> 00:32:08,920
Speaker 2: Is that all you have to do is kind of

641
00:32:08,920 --> 00:32:13,600
Speaker 2: put his mouth next to the ear. Yeah, there wasn't

642
00:32:13,600 --> 00:32:16,880
Speaker 2: any to do anything. No, there's a short.

643
00:32:17,000 --> 00:32:18,160
Speaker 6: There's a shorthand here.

644
00:32:18,560 --> 00:32:19,280
Speaker 2: That's short.

645
00:32:20,480 --> 00:32:28,800
Speaker 5: So yeah, I think three two one guy? Yeah, yeah, yeah, yeah,

646
00:32:29,680 --> 00:32:31,560
Speaker 5: creepy that's cool.

647
00:32:31,360 --> 00:32:33,600
Speaker 2: And just say all you have to do is say

648
00:32:34,720 --> 00:32:36,240
Speaker 2: say the name of the sketch.

649
00:32:37,200 --> 00:32:41,160
Speaker 5: Oh yeah, yeah, you think more is required.

650
00:32:41,280 --> 00:32:42,040
Speaker 1: I guess you.

651
00:32:43,880 --> 00:32:46,440
Speaker 3: Know, I would usually have my experience working with him,

652
00:32:46,480 --> 00:32:48,000
Speaker 3: you usually do want to say the name of the

653
00:32:48,040 --> 00:32:48,760
Speaker 3: sketch twice?

654
00:32:49,880 --> 00:32:50,600
Speaker 4: Ok, say it again?

655
00:32:50,680 --> 00:32:53,520
Speaker 5: Yeah, thank you.

656
00:32:54,120 --> 00:32:59,160
Speaker 4: I can't imagine why it would require saying it twice.

657
00:32:59,200 --> 00:33:02,000
Speaker 4: I mean the first time him, it's pretty clear.

658
00:33:02,120 --> 00:33:05,920
Speaker 5: He's old school, he's got quirks. It's like a thousand

659
00:33:06,000 --> 00:33:07,320
Speaker 5: years old.

660
00:33:08,040 --> 00:33:10,240
Speaker 3: And then you yeah, and then you can just basically

661
00:33:11,120 --> 00:33:13,680
Speaker 3: find out, you know, if he's going to be using

662
00:33:13,720 --> 00:33:18,440
Speaker 3: you for the show. Right, sure, So let's say he

663
00:33:18,560 --> 00:33:22,600
Speaker 3: did use you day one. You know, writ a big

664
00:33:22,680 --> 00:33:25,360
Speaker 3: pitch meeting, right the guest is whoever?

665
00:33:26,600 --> 00:33:29,320
Speaker 1: Who would be a guest or host?

666
00:33:31,640 --> 00:33:34,360
Speaker 2: Uh? Host? For the host?

667
00:33:35,640 --> 00:33:38,800
Speaker 1: Yes, give him a minute.

668
00:33:38,800 --> 00:33:39,600
Speaker 2: He's really good at this.

669
00:33:39,680 --> 00:33:43,360
Speaker 1: But but I'm sure you do.

670
00:33:43,560 --> 00:33:49,680
Speaker 3: Yeah, hell, I have some really Yeah.

671
00:33:48,200 --> 00:33:50,360
Speaker 2: For SNL, you have some PSNL.

672
00:33:50,080 --> 00:33:52,520
Speaker 1: I do, Yeah, you have some.

673
00:33:54,600 --> 00:33:57,600
Speaker 3: I might be over selling some, Okay, yeah.

674
00:33:58,120 --> 00:33:58,200
Speaker 1: M.

675
00:34:00,880 --> 00:34:05,160
Speaker 2: I mean I think mine is going to be a girl.

676
00:34:06,240 --> 00:34:11,320
Speaker 3: WHOA, Well, that's perfect because we've got these three boys,

677
00:34:12,040 --> 00:34:17,200
Speaker 3: don't you think. I think for me week one it's

678
00:34:17,320 --> 00:34:20,160
Speaker 3: the new season. We've just hired who we hope to

679
00:34:20,200 --> 00:34:23,440
Speaker 3: be like our new kind of that's Lonely Island?

680
00:34:25,120 --> 00:34:29,560
Speaker 1: Which guys, are you lonely Island? Wow?

681
00:34:30,440 --> 00:34:30,719
Speaker 2: Is there?

682
00:34:32,320 --> 00:34:33,759
Speaker 4: I just want to ask, is there a tall one?

683
00:34:36,120 --> 00:34:36,520
Speaker 2: Really?

684
00:34:41,680 --> 00:34:46,759
Speaker 5: I think I'm I think I'm Is that how you

685
00:34:46,800 --> 00:34:47,080
Speaker 5: say it?

686
00:34:47,880 --> 00:34:48,080
Speaker 2: Yeah?

687
00:34:48,280 --> 00:34:50,200
Speaker 1: Yeah, I think I'm him?

688
00:34:50,440 --> 00:34:53,600
Speaker 5: And who's the cheater? Which one is the cheating? Who's

689
00:34:53,640 --> 00:34:56,200
Speaker 5: the cheater? Who is cheating?

690
00:34:56,640 --> 00:34:59,840
Speaker 4: Do they have any scandals or that's interesting?

691
00:35:00,600 --> 00:35:03,520
Speaker 2: Yeah? Samburg? Did he?

692
00:35:03,600 --> 00:35:03,839
Speaker 6: Ever?

693
00:35:04,640 --> 00:35:07,080
Speaker 2: I guess they all must have, right, Yeah?

694
00:35:07,200 --> 00:35:08,320
Speaker 6: So I got my choice.

695
00:35:08,520 --> 00:35:10,440
Speaker 2: I mean, like, and I don't even like putting that

696
00:35:10,440 --> 00:35:12,960
Speaker 2: stuff out there, but they all it must have been

697
00:35:13,000 --> 00:35:13,359
Speaker 2: all of.

698
00:35:13,280 --> 00:35:15,160
Speaker 1: Them when I've seen them.

699
00:35:15,320 --> 00:35:17,440
Speaker 3: I mean I've seen them in films and stuff, and

700
00:35:17,480 --> 00:35:21,359
Speaker 3: they seem to be having these dalliances with you know,

701
00:35:21,520 --> 00:35:25,319
Speaker 3: other women. I'm they're kissing people, and you know, to me,

702
00:35:26,600 --> 00:35:27,200
Speaker 3: that's cheating.

703
00:35:27,440 --> 00:35:27,920
Speaker 4: And what was it?

704
00:35:28,000 --> 00:35:28,640
Speaker 1: What was that word?

705
00:35:28,680 --> 00:35:32,439
Speaker 2: You said? All? Wow? What's that one?

706
00:35:34,239 --> 00:35:34,759
Speaker 4: Dalliance?

707
00:35:35,000 --> 00:35:38,080
Speaker 6: It's like a little trist It's a trick, Okay, I think.

708
00:35:38,440 --> 00:35:40,120
Speaker 1: A Tristans Mike.

709
00:35:40,360 --> 00:35:41,240
Speaker 6: Yeah.

710
00:35:40,840 --> 00:35:41,080
Speaker 2: Yeah.

711
00:35:41,760 --> 00:35:42,839
Speaker 1: I wasn't going to get there.

712
00:35:44,360 --> 00:35:46,279
Speaker 3: Honestly, I was pinned against the wall and this show

713
00:35:46,320 --> 00:35:47,520
Speaker 3: is about to go bad.

714
00:35:47,920 --> 00:35:54,040
Speaker 5: And I stepped in and I trist yeah my hand, Yeah, yeah, yeah.

715
00:35:55,480 --> 00:35:59,000
Speaker 2: It's how to even describe something like that at Dalliance.

716
00:35:58,560 --> 00:35:59,160
Speaker 6: You know what I mean?

717
00:35:59,400 --> 00:36:02,719
Speaker 5: I have no are you saying Italians or Italians?

718
00:36:04,760 --> 00:36:05,640
Speaker 1: See, that's interesting.

719
00:36:06,400 --> 00:36:08,040
Speaker 4: That's kind of why I asked, Garrett, I'm glad you

720
00:36:08,040 --> 00:36:11,000
Speaker 4: asked that question. That you heard that too, Yeah, I

721
00:36:11,040 --> 00:36:14,040
Speaker 4: mean phonetically, that's sort of where I was.

722
00:36:15,160 --> 00:36:22,280
Speaker 1: Right, Well, let's get back to the girl host.

723
00:36:22,320 --> 00:36:25,280
Speaker 3: We've got our you know, our new lonely Island, and

724
00:36:25,360 --> 00:36:28,120
Speaker 3: we basically are like looking for them to take this

725
00:36:29,480 --> 00:36:32,440
Speaker 3: strong female host and.

726
00:36:32,480 --> 00:36:36,440
Speaker 1: Show the world she's funny.

727
00:36:36,560 --> 00:36:38,680
Speaker 3: She's not just and I don't know what shows she

728
00:36:38,840 --> 00:36:41,880
Speaker 3: is on, but she's not just this show, right, or

729
00:36:41,920 --> 00:36:46,600
Speaker 3: a movie. She's not just the movie, or she's might

730
00:36:46,640 --> 00:36:50,920
Speaker 3: be from a song, but she's actually she's funny.

731
00:36:51,200 --> 00:36:53,120
Speaker 1: And who better showcase it than.

732
00:36:54,480 --> 00:36:59,920
Speaker 5: The try guys on the island? Yeah right, yeah, unpaid interns.

733
00:37:01,160 --> 00:37:03,640
Speaker 5: You'd be barely paid in terms at that point. Treat

734
00:37:03,680 --> 00:37:05,120
Speaker 5: there cast there?

735
00:37:05,560 --> 00:37:11,200
Speaker 2: I think, what about I think her name should be.

736
00:37:13,080 --> 00:37:13,480
Speaker 1: Patty.

737
00:37:13,680 --> 00:37:19,520
Speaker 3: He's got something something If it's a girl, don't you think.

738
00:37:19,600 --> 00:37:20,240
Speaker 1: It's a beautiful.

739
00:37:20,800 --> 00:37:21,759
Speaker 2: Some boys are named that.

740
00:37:22,600 --> 00:37:23,680
Speaker 1: Yeah, that's why.

741
00:37:24,920 --> 00:37:25,960
Speaker 2: It's more girls.

742
00:37:26,200 --> 00:37:28,799
Speaker 1: And now I think that's actually.

743
00:37:28,480 --> 00:37:33,560
Speaker 2: Good for the first show. If it's a girl, I

744
00:37:33,600 --> 00:37:35,920
Speaker 2: think it's patty.

745
00:37:35,960 --> 00:37:39,359
Speaker 1: Well, yeah, because it because.

746
00:37:41,239 --> 00:37:45,480
Speaker 3: Unfortunately, and I'm going to say this, unfortunately, there are

747
00:37:46,560 --> 00:37:52,279
Speaker 3: still audience members who are gonna want to be able

748
00:37:52,320 --> 00:37:55,080
Speaker 3: to pretend that the host is a boy.

749
00:37:55,719 --> 00:37:59,120
Speaker 1: Yeah, and so if we have somebody.

750
00:37:58,600 --> 00:38:05,160
Speaker 2: Who's out today, there would be people who especially the

751
00:38:05,200 --> 00:38:06,080
Speaker 2: first show.

752
00:38:06,120 --> 00:38:09,160
Speaker 3: Hayes has a saying that I think comes into play here.

753
00:38:09,440 --> 00:38:11,719
Speaker 3: I don't make the rules, but I sure do play

754
00:38:11,760 --> 00:38:12,600
Speaker 3: by them.

755
00:38:12,719 --> 00:38:13,600
Speaker 5: Mhm.

756
00:38:14,239 --> 00:38:18,840
Speaker 3: And and and if I was, you know, in control,

757
00:38:18,920 --> 00:38:21,360
Speaker 3: and I had a magic wand that could make everyone

758
00:38:21,440 --> 00:38:24,040
Speaker 3: really accept a female host or.

759
00:38:28,000 --> 00:38:35,680
Speaker 1: The top going off wizards staff, wizard staff. Did you

760
00:38:35,719 --> 00:38:40,120
Speaker 1: say an orbit orb? That's kind of thing like that.

761
00:38:40,200 --> 00:38:41,239
Speaker 2: Did you bring any like.

762
00:38:41,600 --> 00:38:43,800
Speaker 1: Do you have any prosumes prop.

763
00:38:46,239 --> 00:38:52,560
Speaker 5: We've got some gold chains and some wife beaters, yeah, wows. Yeah,

764
00:38:52,760 --> 00:38:57,239
Speaker 5: fucking bats yeah yeah, and kind of hit up all.

765
00:38:58,840 --> 00:38:59,560
Speaker 2: You say that again.

766
00:39:00,640 --> 00:39:04,120
Speaker 1: Cigars you call bad cigars.

767
00:39:03,719 --> 00:39:05,520
Speaker 2: You called cigars bats.

768
00:39:09,239 --> 00:39:12,520
Speaker 5: Of cigars, right, Yeah, you got to speak the language

769
00:39:12,520 --> 00:39:16,239
Speaker 5: of the bad character. Yeah, a few bats, but you

770
00:39:16,280 --> 00:39:17,240
Speaker 5: were unaware of that.

771
00:39:18,600 --> 00:39:19,239
Speaker 1: I just thought that.

772
00:39:19,239 --> 00:39:23,120
Speaker 6: We agreed to call cigars bad. I didn't know.

773
00:39:23,760 --> 00:39:25,960
Speaker 2: I don't know. He didn't even know they were called cigars.

774
00:39:26,320 --> 00:39:27,680
Speaker 2: He only knows them as bad.

775
00:39:28,000 --> 00:39:31,279
Speaker 1: Sorry, I just understood. Sorry, oh sorry, Oh that there

776
00:39:31,320 --> 00:39:32,680
Speaker 1: was another word for bat.

777
00:39:33,440 --> 00:39:35,040
Speaker 6: Yeah, and the word is cigar.

778
00:39:35,280 --> 00:39:36,600
Speaker 5: So when did cigar?

779
00:39:37,320 --> 00:39:39,640
Speaker 6: When did that word come on to that scene?

780
00:39:39,680 --> 00:39:41,360
Speaker 1: Because that was when did we start?

781
00:39:41,400 --> 00:39:43,000
Speaker 2: You get the memo.

782
00:39:43,480 --> 00:39:46,120
Speaker 6: I presume that was the first dard.

783
00:39:46,280 --> 00:39:49,280
Speaker 1: I missed a beating, but you brought those.

784
00:39:50,040 --> 00:39:51,000
Speaker 2: Those are in the car.

785
00:39:51,800 --> 00:39:52,799
Speaker 1: Those are in one of our cars.

786
00:39:52,840 --> 00:39:53,360
Speaker 2: Yeah.

787
00:39:53,600 --> 00:39:55,880
Speaker 1: I have a sketch idea for them.

788
00:39:56,040 --> 00:39:58,680
Speaker 5: I have a sketch idea for them.

789
00:39:58,840 --> 00:40:03,439
Speaker 1: And I don't know exactly. All I know is it's good.

790
00:40:04,600 --> 00:40:04,759
Speaker 2: Hmm.

791
00:40:05,040 --> 00:40:06,040
Speaker 1: This could have been an email.

792
00:40:06,680 --> 00:40:11,640
Speaker 2: Mm hmm. Right are you using?

793
00:40:11,880 --> 00:40:14,240
Speaker 1: Are the wheels turning? This could have been an email?

794
00:40:14,960 --> 00:40:18,600
Speaker 5: Okay, right, something crazy happens.

795
00:40:18,800 --> 00:40:22,719
Speaker 1: I don't know. Yeah, I don't know. No, it's funny, Yeah,

796
00:40:23,600 --> 00:40:25,520
Speaker 1: I don't know that something crazy should happen.

797
00:40:26,920 --> 00:40:29,160
Speaker 6: See, Okay, what do you do you have?

798
00:40:30,520 --> 00:40:33,840
Speaker 2: I mean, like depends on if you think this is crazy.

799
00:40:33,880 --> 00:40:38,520
Speaker 2: I mean, like this stuff happens all the time. Sure,

800
00:40:39,160 --> 00:40:42,480
Speaker 2: someone kind of in a fedora and like.

801
00:40:43,840 --> 00:40:51,760
Speaker 1: Wearing a chain. Yeah, this is a normal what's an email?

802
00:40:53,760 --> 00:40:57,080
Speaker 2: What is that with the switch blade? And they're like,

803
00:40:57,719 --> 00:41:01,759
Speaker 2: give me your money, M and you say, this could

804
00:41:01,760 --> 00:41:08,040
Speaker 2: have been a email, you know, pitch. It's like it's

805
00:41:08,120 --> 00:41:12,319
Speaker 2: it's it's it's not necessarily something you expect to happen

806
00:41:12,360 --> 00:41:14,759
Speaker 2: when you walk out of the door. Is it crazy? That's

807
00:41:14,800 --> 00:41:16,160
Speaker 2: making the world we live in.

808
00:41:16,400 --> 00:41:18,480
Speaker 3: To give me your money part is making me actually

809
00:41:18,480 --> 00:41:21,120
Speaker 3: think about something crazy And I don't have it.

810
00:41:21,200 --> 00:41:21,719
Speaker 2: But it's like.

811
00:41:24,840 --> 00:41:27,680
Speaker 3: Someone walks up to you on the street and they're

812
00:41:27,760 --> 00:41:32,840
Speaker 3: like saying like they're uh speaking and kind of like

813
00:41:33,920 --> 00:41:42,800
Speaker 3: almost kind of broken sentences and it feels like poorly translated,

814
00:41:43,040 --> 00:41:47,440
Speaker 3: and they're going like, uh, you know, I need money.

815
00:41:47,520 --> 00:41:48,360
Speaker 2: I'm a I'm.

816
00:41:48,200 --> 00:41:52,720
Speaker 1: A prince from another country and here's this. It's it's viagra.

817
00:41:53,280 --> 00:41:54,120
Speaker 1: It takes some viagra.

818
00:41:54,160 --> 00:41:58,320
Speaker 3: I'm prince viagra H and I have a big business

819
00:41:58,320 --> 00:42:03,080
Speaker 3: opportunity and the money stolen.

820
00:42:04,400 --> 00:42:05,480
Speaker 2: They're doing the spam.

821
00:42:05,719 --> 00:42:08,960
Speaker 1: They're talking to you like the spam does. And then

822
00:42:09,040 --> 00:42:13,279
Speaker 1: you say, this is an email, this is a this

823
00:42:13,360 --> 00:42:17,120
Speaker 1: is an email, but you're talking to.

824
00:42:17,080 --> 00:42:19,600
Speaker 5: Them, I guess, but like that actually happened though.

825
00:42:21,160 --> 00:42:22,080
Speaker 2: This is what I'm saying.

826
00:42:23,440 --> 00:42:26,120
Speaker 1: Yeah, this is why I don't like. This is why

827
00:42:26,160 --> 00:42:27,319
Speaker 1: I don't. It's a good no.

828
00:42:27,680 --> 00:42:29,560
Speaker 2: Every day you roll out of bed and you like

829
00:42:29,600 --> 00:42:31,440
Speaker 2: talk to someone who is an email.

830
00:42:32,400 --> 00:42:36,319
Speaker 3: But but he's saying like, it's not every day. In fact,

831
00:42:36,320 --> 00:42:40,680
Speaker 3: it's not any day. Like that doesn't really happen.

832
00:42:40,920 --> 00:42:42,200
Speaker 1: We would lose people, I think.

833
00:42:42,480 --> 00:42:46,600
Speaker 3: Yeah, And as I think back about like sketches that

834
00:42:46,600 --> 00:42:50,279
Speaker 3: I've liked, it's like, which was Kelsey really could kick?

835
00:42:50,320 --> 00:42:53,080
Speaker 2: They're like people that watch your videos and stuff that

836
00:42:53,120 --> 00:42:55,120
Speaker 2: you're thinking about.

837
00:42:54,920 --> 00:42:57,279
Speaker 1: Who kind of count on you to reflect their experience.

838
00:42:58,440 --> 00:43:01,200
Speaker 2: Different people? Are there those like different people that watch it?

839
00:43:01,360 --> 00:43:03,359
Speaker 1: Are there? Are there some that you've got your eye

840
00:43:03,400 --> 00:43:07,040
Speaker 1: on you're hoping to bring into that.

841
00:43:07,160 --> 00:43:09,440
Speaker 4: I think we just want we just want to make

842
00:43:09,480 --> 00:43:12,120
Speaker 4: sure that everything we're doing is you know, as.

843
00:43:12,000 --> 00:43:13,040
Speaker 2: Relatable as possible.

844
00:43:13,080 --> 00:43:15,840
Speaker 5: We like the shot I mean, is my thought broad

845
00:43:16,000 --> 00:43:17,480
Speaker 5: common shout out.

846
00:43:17,320 --> 00:43:20,680
Speaker 2: Different people to listen to the show and participate in it,

847
00:43:20,719 --> 00:43:21,719
Speaker 2: and oh sure.

848
00:43:21,680 --> 00:43:24,280
Speaker 5: Shut us, Yeah.

849
00:43:25,400 --> 00:43:27,000
Speaker 2: Do you want to start listening, mister monk.

850
00:43:27,680 --> 00:43:29,920
Speaker 5: I want us to shout out kind of some people

851
00:43:29,920 --> 00:43:32,640
Speaker 5: who some some loyal fans.

852
00:43:32,880 --> 00:43:37,080
Speaker 2: I don't give the funk what you do. I'm saying,

853
00:43:37,080 --> 00:43:41,640
Speaker 2: this is what we do, and it's worked pretty well

854
00:43:41,680 --> 00:43:42,040
Speaker 2: for us.

855
00:43:42,160 --> 00:43:44,840
Speaker 6: Whether you do it or not, it's just kind of yeah.

856
00:43:44,880 --> 00:43:47,240
Speaker 3: Literally, I can't spend one second of my day thinking

857
00:43:47,280 --> 00:43:52,720
Speaker 3: about that. Plate If you three want out the door

858
00:43:52,920 --> 00:43:56,799
Speaker 3: and got literally run over by a dog on a motorcycle,

859
00:43:59,800 --> 00:44:00,680
Speaker 3: I wouldn't lose.

860
00:44:00,560 --> 00:44:02,520
Speaker 1: A second of fucking sleep over that.

861
00:44:02,480 --> 00:44:05,880
Speaker 3: Because to me, you don't exist. You're obviously not going

862
00:44:05,920 --> 00:44:09,319
Speaker 3: to shout me out at any videos. That's like so

863
00:44:09,400 --> 00:44:11,239
Speaker 3: foreign to you. The idea of like shouting out, like

864
00:44:11,280 --> 00:44:17,720
Speaker 3: when you're hit by this dog exactly, this exist right now,

865
00:44:18,480 --> 00:44:20,320
Speaker 3: not planning to shout me out. So then if you

866
00:44:20,360 --> 00:44:22,360
Speaker 3: don't exist anymore, it's like whenever I wasn't getting a

867
00:44:22,360 --> 00:44:24,680
Speaker 3: shout out anyway, And I think probably most of your

868
00:44:24,680 --> 00:44:30,440
Speaker 3: fans feel that way.

869
00:44:32,000 --> 00:44:33,239
Speaker 2: There's a couple of shout outs.

870
00:44:34,160 --> 00:44:35,799
Speaker 1: Let me just get a couple of shout outs out there.

871
00:44:36,080 --> 00:44:39,960
Speaker 3: Franket sign Abraham Lincoln, thank you for listening. My dad's dentist,

872
00:44:40,080 --> 00:44:42,160
Speaker 3: thanks so much for being involved.

873
00:44:43,120 --> 00:44:48,320
Speaker 1: Good Wife dude, You're the greatest. Thanks for watching.

874
00:44:48,080 --> 00:44:53,200
Speaker 2: Good Wife is our day one the show the bash

875
00:44:53,640 --> 00:44:58,200
Speaker 2: Frank from the show got the lawyer Bones from both.

876
00:44:59,640 --> 00:45:01,200
Speaker 2: She went to law school.

877
00:45:01,280 --> 00:45:05,640
Speaker 3: Yes, listens to this Bones from Bones, thanks for thanks

878
00:45:05,719 --> 00:45:06,920
Speaker 3: so much for supporting us.

879
00:45:06,960 --> 00:45:08,640
Speaker 1: Thanks for being Patreon subscriber.

880
00:45:09,360 --> 00:45:10,480
Speaker 4: Bones is on the Patreon.

881
00:45:11,360 --> 00:45:15,319
Speaker 2: Wow, hmm, I think it might be part of an

882
00:45:15,360 --> 00:45:21,680
Speaker 2: investigation that she has embedded herself. And you say, like,

883
00:45:21,920 --> 00:45:24,640
Speaker 2: it's not really her job, she's not supposed to do that. Yeah,

884
00:45:24,680 --> 00:45:29,759
Speaker 2: that's what her boss and her friends.

885
00:45:30,400 --> 00:45:32,640
Speaker 1: Yeah, they but guess what.

886
00:45:33,760 --> 00:45:37,919
Speaker 4: Yeah, you guys are Bones from Bones, Bones, the Redhead

887
00:45:38,320 --> 00:45:41,400
Speaker 4: Bones Bones.

888
00:45:41,440 --> 00:45:43,120
Speaker 1: You're you're probably thinking of David Bony.

889
00:45:43,719 --> 00:45:45,440
Speaker 5: I'm kind of like, I need you to say it

890
00:45:45,480 --> 00:45:46,000
Speaker 5: twice for me.

891
00:45:46,080 --> 00:45:48,920
Speaker 4: So they're talking about the Bones from Bones.

892
00:45:50,560 --> 00:45:53,200
Speaker 5: Oh, I'm thinking of David Borne Alice or whatever.

893
00:45:54,840 --> 00:45:55,719
Speaker 6: I don't know who that is.

894
00:45:56,680 --> 00:45:59,720
Speaker 5: Yeah, but we'll shut them out.

895
00:46:00,040 --> 00:46:06,759
Speaker 2: David Bonie does he watch your I'm sure you think

896
00:46:07,200 --> 00:46:10,680
Speaker 2: you think he has? I think, okay, why do you

897
00:46:10,680 --> 00:46:11,719
Speaker 2: think he hasn't reached out?

898
00:46:11,840 --> 00:46:14,280
Speaker 1: Has anybody done that? Has anybody done Bonie?

899
00:46:14,280 --> 00:46:14,880
Speaker 5: Intimidation?

900
00:46:16,480 --> 00:46:24,200
Speaker 2: You think? Sorry, you think David Bonnie as is watching

901
00:46:25,400 --> 00:46:31,000
Speaker 2: your clips and feels inclined to reach out, but then

902
00:46:31,120 --> 00:46:38,319
Speaker 2: so overwhelmed by intimidation that he deletes the message that

903
00:46:38,360 --> 00:46:42,000
Speaker 2: he was crafting, either in a comment or or a

904
00:46:42,040 --> 00:46:47,480
Speaker 2: direct message. That's what you think is happening. Yes, damn

905
00:46:47,480 --> 00:46:48,000
Speaker 2: that so far.

906
00:46:48,680 --> 00:46:51,200
Speaker 1: Yeah, probably email too.

907
00:46:52,840 --> 00:46:56,400
Speaker 5: Yeah, both multiple mediums probably got our numbers.

908
00:46:59,440 --> 00:47:03,000
Speaker 2: It works hy, It works

909
00:47:05,000 --> 00:47:11,840
Speaker 5: A guy named David Boney, Hollywood, Hamburg,