WEBVTT - Episode 440 w/ Xzibit

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<v Speaker 1>He is drink chants, motherfucking podcast makes He's a legendary

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<v Speaker 1>queens rapper. He ain't say greed as your boy in

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<v Speaker 1>O R eight's a Miami hip hop pioneer.

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<v Speaker 2>What Ups d j e f N?

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<v Speaker 1>Together they drink it up with some of the biggest

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<v Speaker 1>players you me and the most professional unprofessional podcast and

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<v Speaker 1>your number one source for drunk drink chans.

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<v Speaker 2>Mother postcavery Ds.

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<v Speaker 1>New Year c Listen, It's time for drink Champions.

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<v Speaker 2>Drink up, motherfuck motheruck. But it gonna be your boy

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<v Speaker 2>in O R e. What up is d J e

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<v Speaker 2>f N? It minna take me crazy world? Yeah, all

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<v Speaker 2>makes up. And let me just tell you something.

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<v Speaker 1>We saw this this show, this podcast. We said, we

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<v Speaker 1>want to interview people that are legend people that have

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<v Speaker 1>paved the way. This man has arguably have one of

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<v Speaker 1>the best hip hop videos of all times. I went

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<v Speaker 1>and I researched it myself. I thought that Buster and

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<v Speaker 1>Missy changed the video scene and I really realized that

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<v Speaker 1>it wasn't there. It was this motherfucker. And not only that,

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<v Speaker 1>There's something about the West that's right now happening. I

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<v Speaker 1>mean the ogs, you know what I mean? The young gins,

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<v Speaker 1>the middle people. This guy's a lyricists and lyricists. Man.

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<v Speaker 1>I've been listening to his music for the for all

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<v Speaker 1>these days, and one thing I know. Two things were certain.

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<v Speaker 1>He is an alcoholic. On every one of his songs,

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<v Speaker 1>he's talking about a fifth of something. This motherbugg is

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<v Speaker 1>a real deal. He's an icon.

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<v Speaker 2>He's a legend, tycoon. Our friends the.

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<v Speaker 1>Learn on the show, yet alumni of the show.

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<v Speaker 2>Oh when it.

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<v Speaker 1>Comes to lyricis that's what's great about this man. This

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<v Speaker 1>man can make a record that go to the globals,

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<v Speaker 1>and he can make an underground underground people who respect them.

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<v Speaker 1>He is the motherfucking one of the illess lyricists, one

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<v Speaker 1>of the illest people, one of the illis legends in

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<v Speaker 1>this game. I'm proud to have them on this goddamn show.

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<v Speaker 1>You know that's you know what's so good about you?

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<v Speaker 1>Like I We got to recently, hopefully this the interview

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<v Speaker 1>is out by then, but we got to recently interview

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<v Speaker 1>Dre and Snoop and was before I recognized you at

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<v Speaker 1>the at the front row. One thing that I noticed

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<v Speaker 1>is you have a trait that I have is no

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<v Speaker 1>matter how much that we love this game. It doesn't

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<v Speaker 1>take away from you being fans of other people.

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<v Speaker 2>And I was seeing you.

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<v Speaker 1>You had your phone up, I'm looking at it.

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<v Speaker 2>I'm like, yo, that's exactly how.

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<v Speaker 1>Just because like like Buster or NADS or somebody's my friend,

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<v Speaker 1>take away from me being a fan.

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<v Speaker 2>And I love seeing you absolutely.

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<v Speaker 1>Man.

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<v Speaker 3>Listen, before I was an artist, I was a fan.

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<v Speaker 3>I was I was a consumer. I would go and

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<v Speaker 3>buy CDs, I will go listen to it. I would

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<v Speaker 3>I would be excited about the release date.

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<v Speaker 1>You know what I'm saying.

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<v Speaker 3>I'd be excited about my favorite artists coming out. And

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<v Speaker 3>so now fast forward to be able to consider these

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<v Speaker 3>people my peers, you know what I'm saying, To be

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<v Speaker 3>able to you know, like really rock with them and

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<v Speaker 3>they rock with me, and you know, it's just a

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<v Speaker 3>surreal feeling. So yeah, you know that you guys kill

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<v Speaker 3>that interview. You know I killed it. And so when

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<v Speaker 3>when I when I was there, man and just seeing

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<v Speaker 3>them two together, you know, you.

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<v Speaker 1>Know what the funny part about that is, ah, it

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<v Speaker 1>reminded me of me a compone a little bit, because like,

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<v Speaker 1>no matter how much me a compone will be beefing

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<v Speaker 1>or whatever, whatever. As soon as we get together in

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<v Speaker 1>the same room, we just started laughing. Like when Snoop said,

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<v Speaker 1>Snoop said, I left the studio because Drake came to

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<v Speaker 1>the studio.

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<v Speaker 2>I was like, you know, you're the only person.

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<v Speaker 4>Say that, like I left the studio because Drake.

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<v Speaker 2>Well, I understand that, because I don't understand that. Okay, okay, okay.

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<v Speaker 2>So it's Dre really like that studio.

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<v Speaker 1>He's well, let me let me put this.

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<v Speaker 2>Let me put this to a correct way.

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<v Speaker 3>Dre is a master at his craft, and he expects

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<v Speaker 3>a certain level of perfection if you understand what that means.

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<v Speaker 3>And and and he we call him the guillotine because yeah, yeah.

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<v Speaker 2>Because.

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<v Speaker 1>We call him the guillotine because there's levels to it.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 3>When he like you, when he likes you and he's

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<v Speaker 3>and he's working with you, then he'll just be like,

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<v Speaker 3>I don't believe you.

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<v Speaker 2>You know what I'm saying, you can do.

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<v Speaker 1>Better than that.

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<v Speaker 3>Like he like he'll say stuff like that, which is

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<v Speaker 3>kind of like a bunch of the gut anyway. But

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<v Speaker 3>I've seen him like turn the music down, and I've

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<v Speaker 3>seen him get up and leave the room. When somebody

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<v Speaker 3>is like not performing the way he wants to write,

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<v Speaker 3>you know what I'm saying. So so I understand, like

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<v Speaker 3>he says he don't like everything. He know, he don't

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<v Speaker 3>like nothing, you know what I'm saying, Like he likes

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<v Speaker 3>absolutely nothing. So so understood what Snoop said that. Yo,

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<v Speaker 3>I just want to leave the room, you know what

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<v Speaker 3>I'm saying, because I didn't want him to come in

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<v Speaker 3>there and say yes and that he wasn't instead of

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<v Speaker 3>going there and just tell they start being a guillotine

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<v Speaker 3>and start telling niggas here.

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<v Speaker 2>Like he don't like none of it. But it's dope? Though?

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<v Speaker 1>Is that? Is that because you know the one thing

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<v Speaker 1>that I listen me being a vocalist, Nothing that comes

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<v Speaker 1>out of that camp you guys are always sound so clear.

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<v Speaker 5>But is it a sacrifice for that, like because because.

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<v Speaker 1>You've got to do it fifteen million times? No?

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<v Speaker 3>I mean, once you understand what he's looking for, did

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<v Speaker 3>you kind of go there already?

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<v Speaker 2>Okay? You know what I'm saying.

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<v Speaker 3>Everybody comes in, Everybody kind of designs their style and

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<v Speaker 3>their lyrics and all that stuff before they get in

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<v Speaker 3>that room and they tune in to the way they

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<v Speaker 3>like it, but when you get it in front of

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<v Speaker 3>doctor Dre, he tunes it up in different frequencies. Yeah,

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<v Speaker 3>he's looking for something else. He don't care about the

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<v Speaker 3>style and all that, you know what I'm saying, Like, yeah,

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<v Speaker 3>that's part of it, but it's certain.

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<v Speaker 2>It's certain frequencies that you got to hit.

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<v Speaker 3>And so that's talking about with music, talking about with vocals,

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<v Speaker 3>talk about with lyric content. All of that stuff has

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<v Speaker 3>to be at an optimum level. So so once you

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<v Speaker 3>understand that about him, then you start just understanding like

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<v Speaker 3>how to get there. And sometimes you know, he'll, you know,

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<v Speaker 3>he'll he'll go try something different because you don't want

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<v Speaker 3>to start sounding the same all the time, you know

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<v Speaker 3>what I'm saying. But that's how it is, you know.

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<v Speaker 3>But when you rise to that level and you hit

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<v Speaker 3>those marks, what comes out is a legacy, you know

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<v Speaker 3>what I'm saying, Like the longevity of the records, the

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<v Speaker 3>staying power of old records.

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<v Speaker 2>There's something about it.

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<v Speaker 6>But the real question is how many records do you

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<v Speaker 6>have with Dre that are in the stash that probably

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<v Speaker 6>we never will have no idea because how much of

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<v Speaker 6>a perfectioncy is.

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<v Speaker 1>I have no idea. You got albums, Yeah, he's got what.

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<v Speaker 2>Drake got a vault.

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<v Speaker 3>They got a vault and it's basically like like folder

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<v Speaker 3>after folder after folder after folder of songs that like

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<v Speaker 3>we everybody in this room would go absolutely ape shit

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<v Speaker 3>over these songs. But Dre is like, you know what

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<v Speaker 3>I'm saying, it's cool. Like motherfuckers, you would never think

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<v Speaker 3>he worked with he's working with him, and he's like,

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<v Speaker 3>he's like, why why don't.

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<v Speaker 2>You put these?

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<v Speaker 3>Like you you got like seventeen albums, twenty albums. He's like,

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<v Speaker 3>ass cool, you know what I'm saying. And he don't

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<v Speaker 3>do shit for money, you know what I'm saying, Like,

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<v Speaker 3>he's got to feel it. He gotta believe it. He

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<v Speaker 3>gotta feel it, you know what I'm saying. And that's

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<v Speaker 3>when those records come out, you know.

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<v Speaker 2>So let's take it to the beginning. Yeah, ah, was

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<v Speaker 2>you started on Loud at first?

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<v Speaker 1>Was it Loud? It was Loud Records was the first

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<v Speaker 1>label I was on.

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<v Speaker 2>Okay, so how.

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<v Speaker 1>Did how did how did.

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<v Speaker 3>You and Steve Rifkin hook up? Steve Rifkins signed The Alcoholics.

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<v Speaker 3>Alcoholics were already on the label. They was the East

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<v Speaker 3>Coast and the West Coast office. The Alcoholics were signed

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<v Speaker 3>out of the West Coast office. And so I was

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<v Speaker 3>rolling rolling around with King T the Alcoholics and kind

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<v Speaker 3>of like just getting my feet wet as an artist

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<v Speaker 3>at that time.

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<v Speaker 2>And so.

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<v Speaker 3>Steve would I would always be in the office and

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<v Speaker 3>I'll be working on.

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<v Speaker 1>And and but you're a guest of the Alcoholics.

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<v Speaker 2>They're already signed.

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<v Speaker 3>They already signed at the time make Room, uh and

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<v Speaker 3>King T Trifling album was out, and so that's who

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<v Speaker 3>that's who I was running with. And so Steve Rifkin

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<v Speaker 3>came to Prince's Club glam Slam.

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<v Speaker 2>Prince had a glam slam everywhere.

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<v Speaker 1>Man, Yeah, Prince had like he just said it just

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<v Speaker 1>came to Prince, just telling the Prince Club.

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<v Speaker 3>Yeah yeah, yeah yeah. But Prince Dill, No, he was

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<v Speaker 3>not there, ain't hanging out with us. But it was

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<v Speaker 3>dope because uh uh. He came in, was like we

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<v Speaker 3>was about to go on stage and He's like, hey,

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<v Speaker 3>I want to sign you because I had never made

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<v Speaker 3>a demo. And he was telling yeah, yeah, Steve had

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<v Speaker 3>long hair at this time, you know what I'm saying,

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<v Speaker 3>yeah yeah, And he was like, you know, I want

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<v Speaker 3>to sign you come to the office tomorrow, and that

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<v Speaker 3>at the time, they don't have wh Tang yet two,

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<v Speaker 3>no Big Punk, no Big Punk.

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<v Speaker 6>Three six I think was already yet yet not yet.

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<v Speaker 2>Coast was like sellers selling dwellers was over.

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<v Speaker 3>There, and they were doing a lot of promotion too.

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<v Speaker 3>It was like a promo like a.

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<v Speaker 2>Streets the promotion.

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<v Speaker 1>Yeah.

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<v Speaker 3>S r C was just getting launching at that time

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<v Speaker 3>as well, damn. So that's how we that's how we

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<v Speaker 3>linked up. So okay, Now.

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<v Speaker 1>That's something that me and E f N always argue about, right,

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<v Speaker 1>the independent label thing, right, but not even that before

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<v Speaker 1>we go to that was it hard for you navigating

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<v Speaker 1>being a West Coast artist on a predominantly East Coast.

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<v Speaker 3>Motherfucking it was hard? Okay, man, the East those niggas hated.

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<v Speaker 7>Us, just not feeling us.

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<v Speaker 2>Like, let's just call it how we walked.

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<v Speaker 1>Wait, so you're saying they wasn't feeling West Coast or

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<v Speaker 1>they wasn't feeling anything that wasn't from the East.

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<v Speaker 2>Coast, that wasn't from anything from California.

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<v Speaker 1>Niggas. It was like you know what I'm saying, And

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<v Speaker 1>it was just in the eating.

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<v Speaker 2>But listen. To be fair, the artist was fucking with us.

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<v Speaker 1>It was the staff, it was it was the people.

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<v Speaker 1>That's my opinion is, that's my thing is I always

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<v Speaker 1>felt the West Coast.

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<v Speaker 2>We would go down from us, we would go to

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<v Speaker 2>New York and we would go out. Look.

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<v Speaker 3>I remember taking the train to master Ace House, you

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<v Speaker 3>know what I'm saying the first time, and the first

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<v Speaker 3>time I fucking got to New York. He was like,

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<v Speaker 3>you're gonna take the train by yourself. Yeah, get there,

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<v Speaker 3>you know what I'm saying. So so I remember drinking forties,

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<v Speaker 3>you know, on the stool, chilling outside, going to.

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<v Speaker 2>Niggas blocks, you know what I'm saying. That was love.

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<v Speaker 2>And when we're getting them buildings, it.

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<v Speaker 3>Was like they were it was like it became like

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<v Speaker 3>a it became like a friendly competition.

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<v Speaker 2>Like everything from the East.

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<v Speaker 3>Coast offer was to get all the big budgets and

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<v Speaker 3>all that stuff, and they would give.

0:11:03.800 --> 0:11:05.319
<v Speaker 2>Us the scraps and leftovers.

0:11:05.520 --> 0:11:08.480
<v Speaker 3>So we's making miracles out of absolutely nothing.

0:11:08.520 --> 0:11:09.040
<v Speaker 2>You know what I'm saying.

0:11:09.080 --> 0:11:11.560
<v Speaker 3>That we were just really banging on the fact that

0:11:11.640 --> 0:11:15.200
<v Speaker 3>like people were feeling the music, you know what I'm saying.

0:11:15.320 --> 0:11:17.679
<v Speaker 3>Like when I first came out. I didn't sound like

0:11:17.720 --> 0:11:20.640
<v Speaker 3>a traditional West Coast artists. No, you were very lirical, right,

0:11:20.679 --> 0:11:21.360
<v Speaker 3>People thought I.

0:11:21.360 --> 0:11:22.880
<v Speaker 2>Was from New York. Yes, I did you know.

0:11:28.960 --> 0:11:34.800
<v Speaker 6>La underground scene that crew everybody, you guys, And for.

0:11:34.840 --> 0:11:37.720
<v Speaker 1>Lack of a better term, at that time, we didn't

0:11:37.760 --> 0:11:41.440
<v Speaker 1>really understand that there's lyricists just as much as on

0:11:41.480 --> 0:11:43.680
<v Speaker 1>the East Coast as even more because you know, the

0:11:43.720 --> 0:11:47.080
<v Speaker 1>forefront people were in w A and other than ice

0:11:47.120 --> 0:11:49.480
<v Speaker 1>Cube and mc wren. It wasn't really like you know,

0:11:49.800 --> 0:11:50.679
<v Speaker 1>the lyrical thing.

0:11:50.720 --> 0:11:53.480
<v Speaker 3>But but I think, I think what was happening was

0:11:53.480 --> 0:11:55.160
<v Speaker 3>we had to find our own identity.

0:11:55.520 --> 0:11:57.880
<v Speaker 1>There was it was after the right after the death.

0:11:57.760 --> 0:12:00.840
<v Speaker 3>Road gfunk Era, and we had to find our own identity,

0:12:00.960 --> 0:12:05.480
<v Speaker 3>meaning that my graduating class, like it was Crooked Eye,

0:12:05.800 --> 0:12:09.240
<v Speaker 3>it was me Ras, it was Severee rest in peace man,

0:12:10.320 --> 0:12:13.280
<v Speaker 3>you know what I mean? And and uh you know

0:12:13.400 --> 0:12:15.680
<v Speaker 3>it was it was like a club called Unity where

0:12:15.720 --> 0:12:17.760
<v Speaker 3>all of us would go and like you know, that's

0:12:17.760 --> 0:12:18.600
<v Speaker 3>what we first saw.

0:12:18.640 --> 0:12:22.079
<v Speaker 2>Wu Tang performed like Bigger B was a.

0:12:22.120 --> 0:12:24.319
<v Speaker 3>And R my A and R in loud Wow, and

0:12:24.400 --> 0:12:26.600
<v Speaker 3>he did a club called Unity, and so he had

0:12:26.640 --> 0:12:29.560
<v Speaker 3>the plug for every artist in all the offices. He

0:12:29.559 --> 0:12:31.839
<v Speaker 3>would bring him out there to do shows. So then

0:12:31.880 --> 0:12:34.160
<v Speaker 3>it became a theme like okay, so I want to

0:12:34.200 --> 0:12:37.240
<v Speaker 3>open up at unity and that's where all of all

0:12:37.280 --> 0:12:39.000
<v Speaker 3>of us used to like cut our teeth and get

0:12:39.040 --> 0:12:41.760
<v Speaker 3>in front of the crowds and be able to build our audience.

0:12:41.840 --> 0:12:42.760
<v Speaker 2>But that's where it started.

0:12:43.040 --> 0:12:45.120
<v Speaker 1>So so let me ask him bouncing around a little bit.

0:12:46.880 --> 0:12:50.160
<v Speaker 1>It's been known, right, it's been known that lyricists people

0:12:50.160 --> 0:12:52.760
<v Speaker 1>that's really really really lyricists, right, they get the short

0:12:52.880 --> 0:12:55.480
<v Speaker 1>end of the stick. But then at some point it

0:12:55.520 --> 0:12:57.880
<v Speaker 1>was like doctor Dre started messing with lyricists like like

0:12:58.000 --> 0:13:00.920
<v Speaker 1>you you know, you know, so on and so forth

0:13:00.960 --> 0:13:03.600
<v Speaker 1>and Marshall you know what I'm saying. Yeah, yeah, other

0:13:03.640 --> 0:13:05.560
<v Speaker 1>than that, because I believe they used to call a backpack,

0:13:05.640 --> 0:13:09.480
<v Speaker 1>right yeah, blackrap back background. Right, So when did when

0:13:09.559 --> 0:13:13.880
<v Speaker 1>did a transition from going Because we had re search

0:13:13.920 --> 0:13:15.800
<v Speaker 1>on here the other day, right, and I'm bugging off

0:13:15.800 --> 0:13:18.559
<v Speaker 1>of EMC search because he's like, he's like, yeah, we

0:13:18.840 --> 0:13:20.920
<v Speaker 1>didn't want to take commercials, and I was like, yeah,

0:13:21.080 --> 0:13:24.960
<v Speaker 1>generation fucked up, yeah, like why do you want extra money?

0:13:25.040 --> 0:13:27.559
<v Speaker 1>But back then it was frowned upon. That was considered

0:13:27.600 --> 0:13:30.679
<v Speaker 1>selling out. So when was it that backpack hip hop

0:13:31.440 --> 0:13:34.160
<v Speaker 1>started to merge with commercial hip hop or not commercial

0:13:34.280 --> 0:13:36.920
<v Speaker 1>hip hop, global hip hop to forty hip hop, and

0:13:36.920 --> 0:13:38.720
<v Speaker 1>then they made this marriage like you know.

0:13:39.160 --> 0:13:41.440
<v Speaker 2>Like you like you, you want.

0:13:41.760 --> 0:13:45.120
<v Speaker 1>Very much benefited off of you know, your affiliation with that.

0:13:45.200 --> 0:13:48.960
<v Speaker 2>But when did that happen? Like I think I think once.

0:13:50.320 --> 0:13:53.440
<v Speaker 3>Once corporate America started putting millions and millions of dollars

0:13:53.440 --> 0:13:57.520
<v Speaker 3>into hip hop, right, it wasn't frowned upon anymore because

0:13:57.600 --> 0:14:00.360
<v Speaker 3>I think when you look at like mc hammer, nobody

0:14:00.360 --> 0:14:05.439
<v Speaker 3>gives in mc hammer the flowers he deserves. And if

0:14:05.480 --> 0:14:07.080
<v Speaker 3>you think about it, he got a lot of shit

0:14:07.200 --> 0:14:09.280
<v Speaker 3>for doing exactly what everybody's doing next.

0:14:09.200 --> 0:14:10.360
<v Speaker 2>Right now, you know what I'm saying.

0:14:10.400 --> 0:14:12.520
<v Speaker 3>And so he was ahead of his time in that

0:14:12.600 --> 0:14:16.680
<v Speaker 3>aspect as a businessman. But once corporate America started putting

0:14:16.720 --> 0:14:18.920
<v Speaker 3>a lot of money in into it, I think that

0:14:19.000 --> 0:14:22.560
<v Speaker 3>became the focus. It used to be about Okay, who

0:14:22.600 --> 0:14:25.640
<v Speaker 3>got style, who got craft, who got skilled? Then it

0:14:25.720 --> 0:14:28.640
<v Speaker 3>was like okay, who got millions? Who got cars? Who

0:14:28.640 --> 0:14:31.280
<v Speaker 3>got houses? You know what I'm saying. And then once

0:14:31.320 --> 0:14:33.960
<v Speaker 3>that started kind of merging and becoming you know, like

0:14:34.080 --> 0:14:36.240
<v Speaker 3>murking that you know, dirty in the waters a little bit.

0:14:36.640 --> 0:14:37.680
<v Speaker 1>I think people started.

0:14:37.800 --> 0:14:40.040
<v Speaker 3>You know, I don't have to I don't have to

0:14:40.040 --> 0:14:42.600
<v Speaker 3>have skill as long as I'm successful and I have money.

0:14:42.680 --> 0:14:44.600
<v Speaker 2>Everybody was a little I don't have to, I don't have.

0:14:44.560 --> 0:14:45.920
<v Speaker 1>To begin everybody.

0:14:46.720 --> 0:14:49.960
<v Speaker 6>The backpack thing didn't come to like the super underground,

0:14:50.040 --> 0:14:53.400
<v Speaker 6>the Ruckus era where they started to really label people Backpa.

0:14:53.280 --> 0:14:54.800
<v Speaker 1>You said everybody was a lyricist. I don't want to

0:14:54.800 --> 0:14:57.400
<v Speaker 1>say everybody was a liberal. That was the aspiration everyone

0:14:57.680 --> 0:14:58.040
<v Speaker 1>about this.

0:14:58.320 --> 0:14:59.920
<v Speaker 2>Everybody know the deals were made.

0:15:00.360 --> 0:15:04.240
<v Speaker 6>Whoever was the illis lyricist Jay Big come on, big

0:15:04.400 --> 0:15:05.880
<v Speaker 6>l everybody.

0:15:05.520 --> 0:15:08.080
<v Speaker 1>Got you gotta look at easy. Easy wasn't considered the

0:15:08.400 --> 0:15:09.400
<v Speaker 1>lyricists busy.

0:15:09.200 --> 0:15:11.400
<v Speaker 2>No, not everybody. But I'm saying that.

0:15:11.840 --> 0:15:16.000
<v Speaker 6>Most artists, mostly MC's, wanted to be lyricists caras ones

0:15:16.040 --> 0:15:18.880
<v Speaker 6>like it was from the beginning the backpack thing. To

0:15:18.960 --> 0:15:23.160
<v Speaker 6>attach that to lyricism started with the Ruckus Underground, that underground.

0:15:23.160 --> 0:15:24.760
<v Speaker 1>I'm gonna tell you some real ship. This is real

0:15:24.800 --> 0:15:27.120
<v Speaker 1>ship for me, this is my own ship. When my

0:15:27.200 --> 0:15:30.960
<v Speaker 1>first album, Worried Port is lyric cool, very cool, all.

0:15:30.880 --> 0:15:34.960
<v Speaker 2>That kid no bitness came to my conference man, no.

0:15:34.880 --> 0:15:39.240
<v Speaker 8>Women got you here today. I'm not sure about that, sir.

0:15:43.120 --> 0:15:44.920
<v Speaker 8>Like you know, look, tell you something.

0:15:45.400 --> 0:15:48.400
<v Speaker 1>I used to do shows in Germany and all the

0:15:48.480 --> 0:15:51.960
<v Speaker 1>women will come and their sneakers will be the worst

0:15:52.000 --> 0:15:53.360
<v Speaker 1>sneakers I've ever seen.

0:15:54.640 --> 0:15:57.840
<v Speaker 2>Like they was just stopping, like somebody just stop. Sneakers

0:15:58.760 --> 0:16:01.400
<v Speaker 2>can't go on five? Like that's hip, that's underground hip.

0:16:01.720 --> 0:16:03.680
<v Speaker 3>When I tell you what, No, I'll tell you what, man,

0:16:04.360 --> 0:16:06.440
<v Speaker 3>when you put up that, you know.

0:16:05.720 --> 0:16:11.320
<v Speaker 1>And that's what I wi conversion, I left the hook, yeah, coniversary.

0:16:11.400 --> 0:16:12.920
<v Speaker 2>Yeah, but in my mind I was going.

0:16:14.480 --> 0:16:17.720
<v Speaker 3>Them records came on like like like motherfucking planets.

0:16:17.720 --> 0:16:21.320
<v Speaker 1>But let's let's tell these people because you know, we

0:16:21.400 --> 0:16:26.320
<v Speaker 1>interview comedians sometimes comedians talking about the chitpling circuit, like

0:16:26.360 --> 0:16:28.440
<v Speaker 1>when you're coming up. A lot of people don't know

0:16:28.640 --> 0:16:31.320
<v Speaker 1>understanding about that underground circuit when you got to go

0:16:31.400 --> 0:16:34.200
<v Speaker 1>perform at s Obs for the rest for all the

0:16:34.280 --> 0:16:36.840
<v Speaker 1>clubs all over the world, and these guys are.

0:16:37.440 --> 0:16:38.640
<v Speaker 2>They are there at eight o'clock.

0:16:38.840 --> 0:16:41.840
<v Speaker 3>Yeah yeah, And I never I never. I was never

0:16:41.880 --> 0:16:44.440
<v Speaker 3>a radio guy. It was never the top forty guy.

0:16:44.560 --> 0:16:45.120
<v Speaker 2>I was never.

0:16:45.600 --> 0:16:48.840
<v Speaker 3>I was never the okay, he's he's you know bill

0:16:48.880 --> 0:16:49.840
<v Speaker 3>Board this.

0:16:49.760 --> 0:16:50.160
<v Speaker 2>And all that.

0:16:50.720 --> 0:16:53.920
<v Speaker 3>My bread and butter came from doing the underground circuit

0:16:53.920 --> 0:16:56.640
<v Speaker 3>and whooping ass on the shows. You know what I'm

0:16:56.680 --> 0:16:59.640
<v Speaker 3>saying that like live performances, like like one of the

0:16:59.680 --> 0:17:02.560
<v Speaker 3>big things in our campus. You you you must sound

0:17:03.240 --> 0:17:05.720
<v Speaker 3>on stage like you do on the record. If you

0:17:05.920 --> 0:17:08.119
<v Speaker 3>up there yelling and screaming and it just sounds like

0:17:08.160 --> 0:17:11.040
<v Speaker 3>you're just yelling over the track or or something I

0:17:11.080 --> 0:17:14.520
<v Speaker 3>hate now is like when when I see artists perform.

0:17:14.240 --> 0:17:16.920
<v Speaker 2>With the vocals in your face.

0:17:17.440 --> 0:17:20.439
<v Speaker 1>Yeah, yeah, it can't, it can't. Yeah, it's not.

0:17:20.600 --> 0:17:22.160
<v Speaker 2>Yeah, yeah, it's.

0:17:21.920 --> 0:17:23.879
<v Speaker 3>Just something about it's just something about it.

0:17:24.240 --> 0:17:24.440
<v Speaker 4>Yeah.

0:17:24.520 --> 0:17:25.600
<v Speaker 2>No, it's not even cheating it.

0:17:26.600 --> 0:17:27.080
<v Speaker 1>It's lazy.

0:17:27.920 --> 0:17:29.000
<v Speaker 2>It's lazy. It's lazy.

0:17:29.040 --> 0:17:31.960
<v Speaker 3>And you could tell that they don't take pride in

0:17:31.960 --> 0:17:34.640
<v Speaker 3>that work, you know what I'm saying, Like, you're not rehearsing,

0:17:35.000 --> 0:17:37.960
<v Speaker 3>you're not giving a you don't even care about this.

0:17:38.240 --> 0:17:40.120
<v Speaker 1>Is that the reason why we had TV tracks back

0:17:40.119 --> 0:17:42.760
<v Speaker 1>in the days, remember the TV track, because those just

0:17:42.760 --> 0:17:46.200
<v Speaker 1>had to add that list cook and the hook, especially

0:17:46.240 --> 0:17:47.200
<v Speaker 1>if it's a singing hook.

0:17:47.440 --> 0:17:48.000
<v Speaker 2>You know what I'm saying.

0:17:48.000 --> 0:17:50.320
<v Speaker 3>You want to be able to give that experience to

0:17:50.400 --> 0:17:53.440
<v Speaker 3>the audience, but them vocals that you you are on stage,

0:17:53.480 --> 0:17:55.879
<v Speaker 3>so you have to produce those vocals, you know what

0:17:55.920 --> 0:17:56.240
<v Speaker 3>I'm saying.

0:17:56.320 --> 0:17:57.080
<v Speaker 2>That's the way it is.

0:17:57.359 --> 0:17:59.160
<v Speaker 1>Let me ask you, what's the best toy you ever

0:17:59.160 --> 0:17:59.399
<v Speaker 1>been on?

0:17:59.600 --> 0:17:59.679
<v Speaker 6>Up?

0:17:59.720 --> 0:18:01.240
<v Speaker 2>And I knew he was going to say that.

0:18:01.640 --> 0:18:08.800
<v Speaker 1>I bet on myself say that.

0:18:07.880 --> 0:18:11.439
<v Speaker 3>And listen that that that necessarily wasn't the biggest or

0:18:11.520 --> 0:18:13.480
<v Speaker 3>longest tour I've been on, you know what I'm saying,

0:18:13.480 --> 0:18:16.480
<v Speaker 3>It was all together? Would it represented at the time

0:18:16.720 --> 0:18:19.240
<v Speaker 3>to the culture and what it felt like, you know,

0:18:19.800 --> 0:18:22.159
<v Speaker 3>being on the stage with with those guys. Like I

0:18:22.160 --> 0:18:25.359
<v Speaker 3>said before, I had been like truly a fan of

0:18:25.480 --> 0:18:29.160
<v Speaker 3>you know what I'm saying, and truly like inspired by

0:18:29.520 --> 0:18:31.080
<v Speaker 3>to be able to get up on that stage, to

0:18:31.200 --> 0:18:33.520
<v Speaker 3>be considered one of them, and then be able to

0:18:33.760 --> 0:18:36.119
<v Speaker 3>you know, go through that whole process and then be

0:18:36.160 --> 0:18:39.159
<v Speaker 3>able to come out with an album that I, you know,

0:18:39.280 --> 0:18:41.320
<v Speaker 3>in a million years, would have never thought I could

0:18:41.320 --> 0:18:43.800
<v Speaker 3>come out with, you know, and just have that experience.

0:18:43.880 --> 0:18:47.119
<v Speaker 3>Upper Smoke was like the last It was crazy.

0:18:47.200 --> 0:18:52.240
<v Speaker 1>I was watching from the TV, like, man, I like

0:18:53.000 --> 0:18:55.920
<v Speaker 1>you went everywhere too? No, no, no, it was just

0:18:55.960 --> 0:18:58.639
<v Speaker 1>the United States. Oh wow, Yeah, I don't think Dre

0:18:58.760 --> 0:19:03.560
<v Speaker 1>has ever done like a European tour. Wow. Yeah, yeah,

0:19:03.640 --> 0:19:06.600
<v Speaker 1>imagine that. That'd be crazy. So I'm gonna switch it

0:19:06.640 --> 0:19:09.280
<v Speaker 1>up a little bit, okay, because I realized that you

0:19:09.400 --> 0:19:13.040
<v Speaker 1>got one of the best hip hop shoutouts in the world.

0:19:13.080 --> 0:19:15.160
<v Speaker 2>But it's a little bit bad. I'm gonna tell you why.

0:19:15.240 --> 0:19:18.800
<v Speaker 1>Okay, zip it is in that club rolling all that

0:19:18.840 --> 0:19:19.359
<v Speaker 1>weed up.

0:19:19.440 --> 0:19:22.280
<v Speaker 5>Now everybody sees you. Gotta be rolling the weed absolutely,

0:19:22.320 --> 0:19:29.960
<v Speaker 5>And that's the one thing about this job, Like.

0:19:30.359 --> 0:19:32.240
<v Speaker 1>Whenever I come out, someone e would see me and

0:19:32.280 --> 0:19:33.360
<v Speaker 1>be like shot and I'm like.

0:19:34.800 --> 0:19:36.160
<v Speaker 2>Yes, and they don't give a fuck.

0:19:36.680 --> 0:19:38.280
<v Speaker 1>People always come up to you and be like, let's

0:19:38.280 --> 0:19:38.760
<v Speaker 1>smoke one.

0:19:40.160 --> 0:19:45.080
<v Speaker 3>Sometimes literally I'm smoking sody.

0:19:45.160 --> 0:19:50.120
<v Speaker 2>So so, but did that ever burden you?

0:19:50.200 --> 0:19:52.920
<v Speaker 3>No, man, I thought it was dope, man, because when

0:19:52.960 --> 0:19:56.439
<v Speaker 3>fifty shadowed me out, I didn't know it until, you know,

0:19:56.680 --> 0:19:58.520
<v Speaker 3>like a couple of days before it actually came out.

0:19:58.560 --> 0:20:01.000
<v Speaker 3>Oh so you heard it at the same time people

0:20:01.040 --> 0:20:03.240
<v Speaker 3>heard that. Okay, wow, yeah, so that was dope man.

0:20:03.240 --> 0:20:06.000
<v Speaker 3>And then you know, to be name checked on one

0:20:06.000 --> 0:20:07.920
<v Speaker 3>of the biggest songs ever, it's not a bad thing.

0:20:09.119 --> 0:20:09.560
<v Speaker 2>That changed.

0:20:09.560 --> 0:20:14.439
<v Speaker 1>That changed, that changed the trajectory of of the landscape

0:20:14.720 --> 0:20:17.399
<v Speaker 1>of that whole generation, because it's the first time you

0:20:17.440 --> 0:20:20.040
<v Speaker 1>had an East Coast guy riming on the straight West

0:20:20.080 --> 0:20:22.600
<v Speaker 1>Coast B. There's no way in the club can be

0:20:22.680 --> 0:20:25.280
<v Speaker 1>described as an East Coast B or South beat. You know,

0:20:25.359 --> 0:20:27.240
<v Speaker 1>that's the West Club. But the Firm was first. The

0:20:27.280 --> 0:20:29.120
<v Speaker 1>Firm was first. That's why I made Drake.

0:20:29.160 --> 0:20:30.840
<v Speaker 2>I made Drake take his.

0:20:30.119 --> 0:20:37.600
<v Speaker 1>His was first. Man, let me take you something. When

0:20:38.040 --> 0:20:40.480
<v Speaker 1>Roster sent me the clip, but I don't know what

0:20:40.520 --> 0:20:41.280
<v Speaker 1>time you send the clip.

0:20:41.280 --> 0:20:43.479
<v Speaker 2>You send the clip to the group chat right and

0:20:43.840 --> 0:20:46.160
<v Speaker 2>for the sleep. So I was so happy.

0:20:46.280 --> 0:20:48.240
<v Speaker 1>I woke up at four o'clock in the morning and

0:20:48.280 --> 0:20:50.199
<v Speaker 1>I sent it to that I said, I finally got

0:20:50.280 --> 0:20:52.600
<v Speaker 1>Dre to say that he shouldn't have said the Firm flop.

0:20:55.640 --> 0:20:56.640
<v Speaker 2>In my mind because.

0:20:56.680 --> 0:21:00.400
<v Speaker 1>He just said I he said yes, but my mind

0:21:00.400 --> 0:21:00.840
<v Speaker 1>he said it.

0:21:00.800 --> 0:21:03.360
<v Speaker 4>Like yeah, because.

0:21:03.080 --> 0:21:06.280
<v Speaker 1>That that album, that Firm, and that's the first time

0:21:06.640 --> 0:21:10.240
<v Speaker 1>You're right, I got to see East Coasters and West

0:21:10.240 --> 0:21:12.600
<v Speaker 1>And you gotta remember that that album came out so

0:21:12.760 --> 0:21:16.000
<v Speaker 1>dope because God bless, it was after Big and Tupac. Yeah,

0:21:16.080 --> 0:21:18.159
<v Speaker 1>you know what I'm saying, So everybody the smoke was

0:21:18.200 --> 0:21:19.840
<v Speaker 1>in the air and everybody was trying to put it

0:21:19.880 --> 0:21:20.320
<v Speaker 1>back together.

0:21:20.359 --> 0:21:23.560
<v Speaker 6>So that album single handedly didn't Dre do the one

0:21:23.680 --> 0:21:27.119
<v Speaker 6>joint that caress and now it was the East West

0:21:27.160 --> 0:21:29.680
<v Speaker 6>Coast one right right when he launched Aftermath, he did

0:21:29.680 --> 0:21:30.119
<v Speaker 6>a joint.

0:21:30.640 --> 0:21:33.120
<v Speaker 2>It might have been on that Aftermath Presents album. Yeah, yeah,

0:21:33.160 --> 0:21:34.040
<v Speaker 2>not sure, I think so.

0:21:34.400 --> 0:21:36.160
<v Speaker 6>I think that's when when you start to see him

0:21:36.480 --> 0:21:39.560
<v Speaker 6>like dabbling something having like Kris one and I forget.

0:21:39.400 --> 0:21:41.160
<v Speaker 2>Who a couple other who be real?

0:21:41.240 --> 0:21:43.920
<v Speaker 1>Be real? And what you drink?

0:21:43.920 --> 0:21:47.359
<v Speaker 2>I'm gonna drink of sprits. I take some forty two man, Okay,

0:21:47.400 --> 0:21:47.880
<v Speaker 2>forty two.

0:21:47.800 --> 0:21:51.479
<v Speaker 1>Okay, goddamn god, damn forty two. Look, let me tell

0:21:51.520 --> 0:21:54.240
<v Speaker 1>you something. Let me tell you something. We've been doing

0:21:54.280 --> 0:21:56.480
<v Speaker 1>this for years. So my favorite thing to do is

0:21:56.520 --> 0:21:59.639
<v Speaker 1>to check the artists drink order. Whenever I see somebody

0:21:59.720 --> 0:22:02.680
<v Speaker 1>order two different things, you ordered gin and.

0:22:02.640 --> 0:22:05.240
<v Speaker 2>Then think it is rat iron.

0:22:05.280 --> 0:22:09.000
<v Speaker 1>Good. Yes, So lets let's talk about the alcoholics and

0:22:09.040 --> 0:22:11.680
<v Speaker 1>you guys relationship in the beginning. So, how did y'all

0:22:11.720 --> 0:22:17.840
<v Speaker 1>link up? I linked up with school. No, there was

0:22:17.880 --> 0:22:18.280
<v Speaker 1>a group.

0:22:19.000 --> 0:22:21.240
<v Speaker 3>There was a there was a group of producers called

0:22:21.240 --> 0:22:25.679
<v Speaker 3>three sixty James Broadway was the producer for King T,

0:22:26.560 --> 0:22:29.560
<v Speaker 3>and so I was in the same area. I got

0:22:29.560 --> 0:22:32.520
<v Speaker 3>introduced to Broadway through a guy named Top. Top was

0:22:32.640 --> 0:22:35.120
<v Speaker 3>actually going to act as a manager. He was managing

0:22:35.440 --> 0:22:38.399
<v Speaker 3>Volume ten a couple other guys, and he was like, Yo,

0:22:38.440 --> 0:22:40.159
<v Speaker 3>I want to I want to work with you. So

0:22:40.200 --> 0:22:42.960
<v Speaker 3>he took me to Broadway. Broadway introduced me to King T.

0:22:43.200 --> 0:22:45.040
<v Speaker 3>King T introduced me to the Alcoholics.

0:22:45.560 --> 0:22:48.679
<v Speaker 1>Wow, and then and then how did y'all develop the relationship?

0:22:49.359 --> 0:22:51.280
<v Speaker 1>I was just those were the first cast that I

0:22:51.359 --> 0:22:54.840
<v Speaker 1>was off the street named the Alcoholics at the time. Yes, okay,

0:22:54.840 --> 0:22:55.880
<v Speaker 1>well given back then.

0:22:56.200 --> 0:23:00.199
<v Speaker 3>Back then King T created the group and so and

0:23:00.280 --> 0:23:03.800
<v Speaker 3>so that's when that's when I got introduced to them.

0:23:03.840 --> 0:23:06.080
<v Speaker 3>And they was the first artist that I knew that

0:23:06.160 --> 0:23:08.760
<v Speaker 3>had real record deals, you know, because I was I

0:23:08.840 --> 0:23:11.280
<v Speaker 3>was just off the block at that time. And so

0:23:11.880 --> 0:23:13.600
<v Speaker 3>when I started hanging out with them, I was like

0:23:13.680 --> 0:23:16.439
<v Speaker 3>learning how to write sixteens learning how to write, you know.

0:23:16.520 --> 0:23:18.520
<v Speaker 3>I was just in the lab kind of like honing

0:23:18.640 --> 0:23:21.679
<v Speaker 3>my craft with them. And so from there, I you know,

0:23:22.200 --> 0:23:24.320
<v Speaker 3>I would just go everywhere with him, and I would

0:23:24.320 --> 0:23:25.720
<v Speaker 3>do I would do ship like I would go to

0:23:25.760 --> 0:23:28.320
<v Speaker 3>the swap meet and make my own alcoholic T shirts

0:23:28.320 --> 0:23:29.640
<v Speaker 3>if we had a show, and.

0:23:29.600 --> 0:23:32.000
<v Speaker 2>Then I would make I do I make gas mask bongs?

0:23:32.080 --> 0:23:32.520
<v Speaker 2>I used to.

0:23:32.600 --> 0:23:35.919
<v Speaker 3>I used to get a bong and before they started

0:23:35.920 --> 0:23:39.240
<v Speaker 3>making them, I would get like like shipping attached the

0:23:39.280 --> 0:23:42.200
<v Speaker 3>hose to the mad gas mask and then take hits

0:23:42.240 --> 0:23:44.440
<v Speaker 3>on stage and fucking it was crazy.

0:23:44.560 --> 0:23:46.520
<v Speaker 1>Yeah, yeah, we were doing.

0:23:46.400 --> 0:23:50.840
<v Speaker 6>A lot that King T was already yeah you know

0:23:51.520 --> 0:23:53.320
<v Speaker 6>OG at that time, so it must have been like

0:23:53.359 --> 0:23:54.400
<v Speaker 6>crazy to roll with him.

0:23:54.480 --> 0:23:57.040
<v Speaker 3>So it was like everybody has a OG and King

0:23:57.119 --> 0:23:58.240
<v Speaker 3>T is ours.

0:23:58.160 --> 0:23:58.800
<v Speaker 1>You know what I'm saying.

0:23:58.960 --> 0:24:01.840
<v Speaker 3>And I still kicking with King T very closely to

0:24:01.880 --> 0:24:05.359
<v Speaker 3>this day. It's one of my closest friends, and uh,

0:24:05.640 --> 0:24:07.040
<v Speaker 3>you know, I got a lot of respect for what

0:24:07.080 --> 0:24:09.359
<v Speaker 3>he's done for me and and he gave me my

0:24:09.400 --> 0:24:09.920
<v Speaker 3>first shot.

0:24:10.119 --> 0:24:13.480
<v Speaker 2>King T dead right, let me ask you, because listening.

0:24:17.000 --> 0:24:20.240
<v Speaker 1>This morning, broking out listening to your music, and all

0:24:20.280 --> 0:24:22.960
<v Speaker 1>of us like secretly tried to quit walk on the low, right,

0:24:23.440 --> 0:24:25.159
<v Speaker 1>It's just like it just jumps out of you, right,

0:24:25.240 --> 0:24:25.920
<v Speaker 1>Like it's just like.

0:24:25.960 --> 0:24:27.080
<v Speaker 2>You just can't help it.

0:24:27.200 --> 0:24:29.800
<v Speaker 1>Right, But I feel like the white people that says nigga,

0:24:29.840 --> 0:24:33.119
<v Speaker 1>like when no one's around like I feel like God.

0:24:33.080 --> 0:24:34.840
<v Speaker 2>Because I know I'm not doing it right.

0:24:35.000 --> 0:24:36.560
<v Speaker 1>Like I know I'm not doing it, so I look

0:24:36.600 --> 0:24:39.480
<v Speaker 1>around and like it can look a lot like river

0:24:39.600 --> 0:24:45.960
<v Speaker 1>dancing if you don't do it. I know, sure, I know. Yeah,

0:24:47.160 --> 0:24:49.680
<v Speaker 1>I believe. I asked Drea Snoop this and I believe

0:24:49.840 --> 0:24:51.600
<v Speaker 1>they answer it was it was the boogie dance. But

0:24:51.640 --> 0:24:54.000
<v Speaker 1>what is it about that West Coast sound that just

0:24:54.040 --> 0:24:56.280
<v Speaker 1>makes you just want to smack you for the fucking

0:24:56.640 --> 0:24:57.360
<v Speaker 1>sneakers and.

0:24:57.400 --> 0:25:00.240
<v Speaker 2>Just get low. It's bi talk.

0:25:00.320 --> 0:25:02.320
<v Speaker 1>Sorry, I love it, I just can't do it. I

0:25:02.359 --> 0:25:05.080
<v Speaker 1>just can't do it. It's strictly built out of tradition.

0:25:05.200 --> 0:25:05.360
<v Speaker 9>Man.

0:25:05.560 --> 0:25:09.640
<v Speaker 3>It's like these things that come from our neighborhoods, your neighborhoods.

0:25:09.880 --> 0:25:11.280
<v Speaker 1>I mean, like these are things.

0:25:11.119 --> 0:25:15.679
<v Speaker 3>That are done from like a real genuine roots based

0:25:15.800 --> 0:25:19.640
<v Speaker 3>culture based, you know, initiative. And so you know, crip

0:25:19.720 --> 0:25:22.719
<v Speaker 3>walking is definitely and and and blood walking is definitely

0:25:22.760 --> 0:25:26.159
<v Speaker 3>from fucking neighborhood. Like that ship that is you know

0:25:26.280 --> 0:25:29.359
<v Speaker 3>that that wouldn't always It's not a dance. It's like

0:25:29.680 --> 0:25:32.040
<v Speaker 3>if you don't know who I am, this is what's happening.

0:25:32.080 --> 0:25:35.720
<v Speaker 1>You know what I'm saying like they are actually spelling something, right, Yeah,

0:25:35.920 --> 0:25:37.440
<v Speaker 1>a lot of people, do you know what I'm saying.

0:25:38.840 --> 0:25:42.280
<v Speaker 3>Yeah, I mean it evolves, you know, from from the

0:25:42.320 --> 0:25:44.399
<v Speaker 3>time like when you see what dove C was doing

0:25:44.720 --> 0:25:49.200
<v Speaker 3>on a smoke toward video, which is infamous, and then

0:25:49.520 --> 0:25:52.359
<v Speaker 3>it's it's just changed as you know, as as as

0:25:52.400 --> 0:25:54.040
<v Speaker 3>as the kids grow up and they put their own

0:25:54.080 --> 0:25:56.200
<v Speaker 3>little twist on it. So now there's a whole lot

0:25:56.240 --> 0:25:57.560
<v Speaker 3>of you know, feet going.

0:25:57.320 --> 0:25:58.960
<v Speaker 1>Out in side ways and you know what I'm saying,

0:25:59.000 --> 0:26:01.480
<v Speaker 1>the elbowl is moving a little differently, right, but I

0:26:01.480 --> 0:26:03.320
<v Speaker 1>mean it's still you know, you know what you're looking

0:26:03.359 --> 0:26:10.480
<v Speaker 1>at when you see it, right, Okay, So I gotta

0:26:10.520 --> 0:26:15.040
<v Speaker 1>ask you, Okay, I'm going actually to be as freely

0:26:15.080 --> 0:26:20.160
<v Speaker 1>as you can. When it's Drake and Kendrick thing first started.

0:26:20.560 --> 0:26:23.800
<v Speaker 1>Drake is the biggest artist in the world. I believe

0:26:23.880 --> 0:26:26.320
<v Speaker 1>Kendrick took a shot first, right, I believe for mother

0:26:26.359 --> 0:26:28.439
<v Speaker 1>fuck the Big Three. I mean, this is not this

0:26:28.560 --> 0:26:30.680
<v Speaker 1>is mag me. But Kendrick has been known for this.

0:26:30.960 --> 0:26:32.120
<v Speaker 2>No, but they've been going back and forth.

0:26:32.240 --> 0:26:34.360
<v Speaker 1>No. No, but remember Kendrick went at the whole New York

0:26:34.400 --> 0:26:36.640
<v Speaker 1>At one point he was like He's like, I'm Frank White,

0:26:37.119 --> 0:26:39.320
<v Speaker 1>I'm gonna kick in New York right, Like course this

0:26:39.400 --> 0:26:42.399
<v Speaker 1>whole controversy, but this time, this is something kind of

0:26:42.520 --> 0:26:48.199
<v Speaker 1>really really, really really different. Right. Did you understand what

0:26:48.400 --> 0:26:50.840
<v Speaker 1>Kendrick was doing from the beginning or this was something

0:26:50.840 --> 0:26:54.960
<v Speaker 1>that after you saw it, he was like, I mean, look, look, dude,

0:26:55.040 --> 0:26:55.680
<v Speaker 1>you have to look.

0:26:56.000 --> 0:26:58.000
<v Speaker 3>You have to take a step back first, because you

0:26:58.040 --> 0:27:00.840
<v Speaker 3>don't know what's happening behind the scenes. Always something happening

0:27:00.880 --> 0:27:04.360
<v Speaker 3>behind the scenes that we're not aware of. It's spilled

0:27:04.400 --> 0:27:07.240
<v Speaker 3>over into something else. But here's what I will say

0:27:07.240 --> 0:27:12.760
<v Speaker 3>about that. I think Kendrick Lamar is a very special individual.

0:27:14.160 --> 0:27:16.199
<v Speaker 3>I think he is a deep thinker. I think he

0:27:16.400 --> 0:27:21.640
<v Speaker 3>is a big part of what is unifying and energizing

0:27:21.840 --> 0:27:26.360
<v Speaker 3>the West Coast right now. And I think I think

0:27:26.400 --> 0:27:31.520
<v Speaker 3>he was severely underestimated. And uh, when you look at

0:27:31.560 --> 0:27:35.919
<v Speaker 3>the parable of David and Goliath and you see, you

0:27:35.960 --> 0:27:40.000
<v Speaker 3>know somebody who's you know, very you know, dismissive or

0:27:40.119 --> 0:27:43.159
<v Speaker 3>very arrogant or very you know, feeling like you know,

0:27:43.200 --> 0:27:46.800
<v Speaker 3>because Drake wasn't talking the way he's talking now at

0:27:46.840 --> 0:27:49.240
<v Speaker 3>the beginning. But when Kendrick wasn't saying nothing. You know

0:27:49.280 --> 0:27:50.840
<v Speaker 3>what I'm saying. It was just like, you know, it

0:27:50.920 --> 0:27:53.439
<v Speaker 3>was very funny. It was very poking holes. And he

0:27:53.480 --> 0:27:57.000
<v Speaker 3>did the Tupac thing, Yeah, doing the doing the two

0:27:57.119 --> 0:28:01.240
<v Speaker 3>poc Ai thing. You know, you talk about feeling disrespect,

0:28:01.320 --> 0:28:04.000
<v Speaker 3>I mean the whole coast. We love Tupac. You know

0:28:04.040 --> 0:28:06.119
<v Speaker 3>what I'm saying. The world loved Tupac. You know what

0:28:06.160 --> 0:28:06.560
<v Speaker 3>I'm saying.

0:28:07.240 --> 0:28:10.200
<v Speaker 1>You know what, I've never asked that question. So when

0:28:10.400 --> 0:28:15.359
<v Speaker 1>Drake sampled, I want to say sampled a right. So

0:28:17.280 --> 0:28:19.159
<v Speaker 1>Kendrick's line was, you think the coast is gonna let

0:28:19.200 --> 0:28:21.840
<v Speaker 1>you disrespect poligga? I think that Oakland show might be

0:28:21.880 --> 0:28:25.439
<v Speaker 1>your last stop. You're telling me that that's how people

0:28:25.480 --> 0:28:26.120
<v Speaker 1>really took it.

0:28:26.280 --> 0:28:27.040
<v Speaker 2>Like he took.

0:28:27.320 --> 0:28:30.520
<v Speaker 3>He took some liberties with that. And look, dude, I

0:28:30.560 --> 0:28:34.360
<v Speaker 3>got no dog in this fight. But but but but yeah,

0:28:34.400 --> 0:28:36.199
<v Speaker 3>but but the West Coast is where I'm at, and

0:28:36.200 --> 0:28:37.720
<v Speaker 3>that's what's up, you know what I'm saying. And so

0:28:37.880 --> 0:28:40.880
<v Speaker 3>Kendrick is is definitely ruling the pack, you know what

0:28:40.880 --> 0:28:43.160
<v Speaker 3>I'm saying. And he's he's and he's he's setting the

0:28:43.200 --> 0:28:47.520
<v Speaker 3>tone and so you know, yeah, I just think that

0:28:48.640 --> 0:28:53.719
<v Speaker 3>what we're seeing now is yeah, yeah, what we're seeing

0:28:53.720 --> 0:28:58.080
<v Speaker 3>now is the repercussions of of of stepping on somebody

0:28:58.440 --> 0:29:01.040
<v Speaker 3>that you shouldn't have stepped to. You know what I'm saying,

0:29:01.360 --> 0:29:03.720
<v Speaker 3>Like they're not even in the same class. You know,

0:29:04.040 --> 0:29:06.560
<v Speaker 3>in my opinion, Drake should have just put out a

0:29:06.600 --> 0:29:09.800
<v Speaker 3>fucking massive hit for the women and went on about

0:29:09.800 --> 0:29:10.360
<v Speaker 3>his business.

0:29:10.840 --> 0:29:11.480
<v Speaker 1>You know what I'm saying.

0:29:11.840 --> 0:29:15.120
<v Speaker 3>You're saying like, yeah, yeah, after after the first shot,

0:29:15.200 --> 0:29:17.200
<v Speaker 3>you know what I'm saying. But Pride is a motherfucker.

0:29:17.240 --> 0:29:18.800
<v Speaker 3>He goos a motherfucker. He kept going.

0:29:19.240 --> 0:29:22.920
<v Speaker 1>At one point, I was coming downstairs smoke weed and

0:29:23.000 --> 0:29:25.200
<v Speaker 1>it was like another Drake records drop and I was like, okay,

0:29:25.600 --> 0:29:29.400
<v Speaker 1>And I felt at that point, at that time, I

0:29:29.400 --> 0:29:32.160
<v Speaker 1>felt Drake was being the bully. This before Kendrick had

0:29:32.200 --> 0:29:34.440
<v Speaker 1>dropped anything. I think a lot of people forget that time.

0:29:34.560 --> 0:29:37.000
<v Speaker 1>Remember when he just kept dropping him and they both

0:29:37.040 --> 0:29:44.560
<v Speaker 1>did that. Christler three hundred looked like a bigley until Yeah,

0:29:44.800 --> 0:29:46.840
<v Speaker 1>you know what I'm saying, you see that motherfucker. I'm

0:29:46.840 --> 0:29:49.680
<v Speaker 1>not gonna lie as I knew Kendrick was ill. I

0:29:49.760 --> 0:29:52.000
<v Speaker 1>knew Kendrick was the man. I knew Kendrick can hold

0:29:52.000 --> 0:29:54.880
<v Speaker 1>it down. I didn't know Kendrick. I didn't know.

0:29:57.000 --> 0:29:58.560
<v Speaker 2>You didn't know Kendrick was a scientist.

0:29:59.440 --> 0:29:59.920
<v Speaker 1>I did not.

0:30:01.520 --> 0:30:02.840
<v Speaker 2>Yeah, he's playing chess.

0:30:03.480 --> 0:30:06.480
<v Speaker 1>No, no, because let me because I'm on hip hop'

0:30:06.800 --> 0:30:09.800
<v Speaker 1>not downgrade myself like that. I just didn't know to

0:30:09.920 --> 0:30:13.040
<v Speaker 1>the extent that he went. Because I'm gonna be honest,

0:30:13.680 --> 0:30:18.800
<v Speaker 1>this new album, what is it in NHL? I said,

0:30:18.880 --> 0:30:22.360
<v Speaker 1>n H nasrand National.

0:30:23.400 --> 0:30:24.520
<v Speaker 2>I first heard.

0:30:24.280 --> 0:30:27.800
<v Speaker 1>It and then I was like, damn, man, it doesn't

0:30:27.800 --> 0:30:31.200
<v Speaker 1>seem like he's having fun, right And then oh, no,

0:30:31.320 --> 0:30:36.000
<v Speaker 1>this is absolutely fun. It was an l A guy there.

0:30:36.040 --> 0:30:37.320
<v Speaker 1>It was the l A guy there, big up d

0:30:37.440 --> 0:30:40.040
<v Speaker 1>on and the all was like, nah, man, we just

0:30:40.080 --> 0:30:42.640
<v Speaker 1>have fun a little bit different from y'all. And I

0:30:42.720 --> 0:30:44.440
<v Speaker 1>was like, all right, cool, and I will listen to

0:30:44.440 --> 0:30:47.400
<v Speaker 1>it the next day. And I understood, like it really

0:30:47.440 --> 0:30:49.600
<v Speaker 1>it literally took somebody from Why didn't I think he

0:30:49.640 --> 0:30:51.160
<v Speaker 1>was having because I just felt like he was dealing

0:30:51.160 --> 0:30:52.880
<v Speaker 1>with survivors with more so I didn't feel like he

0:30:52.920 --> 0:30:55.520
<v Speaker 1>was like enjoying the moment. I had to hear it again.

0:30:55.760 --> 0:30:56.920
<v Speaker 1>I had to hear it again. When I heard it

0:30:56.960 --> 0:30:59.000
<v Speaker 1>the second and the third time, then I was like, oh, Okay,

0:30:59.120 --> 0:31:02.520
<v Speaker 1>he's enjoying the moment, but he's enjoying it in his way.

0:31:02.480 --> 0:31:06.040
<v Speaker 3>Yeah, I mean, you look, I don't hang around with Kendrick.

0:31:06.080 --> 0:31:07.880
<v Speaker 3>I'm not even gonna claim to be in his circle.

0:31:08.000 --> 0:31:11.120
<v Speaker 3>Circle is tight, I know, I know, you know, my

0:31:11.120 --> 0:31:13.400
<v Speaker 3>my uh my, my family works with him. You know

0:31:13.440 --> 0:31:16.680
<v Speaker 3>what I'm saying, Like, it's really dope to see him

0:31:17.080 --> 0:31:19.400
<v Speaker 3>have his own lane, you know what I'm saying, and

0:31:19.560 --> 0:31:22.840
<v Speaker 3>do it the way he's doing it like, but still

0:31:22.880 --> 0:31:25.480
<v Speaker 3>have the full backing of everybody that came to form

0:31:25.880 --> 0:31:28.680
<v Speaker 3>you know what I'm saying, that's fucking dope. And and

0:31:28.680 --> 0:31:33.480
<v Speaker 3>and he don't he's inclusive. When you see some cast

0:31:33.520 --> 0:31:36.080
<v Speaker 3>stick that's young and they come up and they just

0:31:36.120 --> 0:31:39.480
<v Speaker 3>dismiss everybody, they gonna fucking they fuck the fuck that nigga,

0:31:39.560 --> 0:31:42.760
<v Speaker 3>fuck him, fuck everybody's me and all this ship. And

0:31:42.800 --> 0:31:44.560
<v Speaker 3>I think that's what we saw, you know what I'm saying,

0:31:44.640 --> 0:31:47.720
<v Speaker 3>Like like Drake, Drake was you know, damn near number

0:31:47.760 --> 0:31:49.920
<v Speaker 3>one for decade if more, you.

0:31:49.840 --> 0:31:50.360
<v Speaker 1>Know what I'm saying.

0:31:51.080 --> 0:31:52.880
<v Speaker 2>And and he felt untouchable.

0:31:52.960 --> 0:31:56.920
<v Speaker 3>So it's it's very it's very it's very dope to

0:31:56.960 --> 0:32:01.960
<v Speaker 3>see you know, Kendrick come to his own and I'm pretty.

0:32:01.640 --> 0:32:04.200
<v Speaker 1>Sure he was pushed in a lot of ways from

0:32:04.280 --> 0:32:07.120
<v Speaker 1>that situation. But to see what he turned into and

0:32:07.160 --> 0:32:09.400
<v Speaker 1>to see what he represents and what he means to

0:32:09.480 --> 0:32:12.200
<v Speaker 1>us on the cars, it's fantastic. It's do you know

0:32:12.240 --> 0:32:14.200
<v Speaker 1>what the crazy shit is? I'm bouncing around, but I'm

0:32:14.200 --> 0:32:15.000
<v Speaker 1>gonna make it makes sense.

0:32:15.040 --> 0:32:15.280
<v Speaker 2>Yeah.

0:32:15.680 --> 0:32:19.560
<v Speaker 1>But one about favorite shows on TV is a show

0:32:19.560 --> 0:32:22.240
<v Speaker 1>called The Sha. Right. The only thing that's missing in

0:32:22.280 --> 0:32:25.240
<v Speaker 1>the Sha is on My Homegirl Lena with I always

0:32:25.240 --> 0:32:27.240
<v Speaker 1>tell her, I'm like, yo, man, you got the only

0:32:27.320 --> 0:32:31.440
<v Speaker 1>city of Chicago without load of Latinos? Right, Like, yo, bro,

0:32:31.520 --> 0:32:34.480
<v Speaker 1>I'm fucking Latino. Like, I can't just look at Chicago

0:32:34.600 --> 0:32:40.680
<v Speaker 1>without again. One thing about me being on the West Coast,

0:32:40.680 --> 0:32:42.160
<v Speaker 1>and obviously I've been going to the West Coast since

0:32:42.280 --> 0:32:44.920
<v Speaker 1>nineteenninety seven. When I would go to Snoop shows on

0:32:45.040 --> 0:32:48.440
<v Speaker 1>your show, I wouldn't see you your show's difference, Okay,

0:32:48.720 --> 0:32:50.520
<v Speaker 1>I mean to me, just put dazz and corrupt. I

0:32:50.520 --> 0:32:53.120
<v Speaker 1>wouldn't see a lot of Latinos. You know what changed

0:32:53.160 --> 0:32:55.680
<v Speaker 1>it was Nipsey Hustle. Nippy Hustle. I went to a

0:32:55.760 --> 0:32:57.480
<v Speaker 1>Nipty hustle. I snuck into another. But I think I

0:32:57.520 --> 0:32:58.760
<v Speaker 1>told you this, Oh, I said it on the show.

0:32:58.880 --> 0:33:01.320
<v Speaker 1>I went to a Nipsey Hustle concerts. I didn't hit him.

0:33:01.600 --> 0:33:03.480
<v Speaker 1>I wanted to pay to get in. I wanted to look.

0:33:03.600 --> 0:33:05.560
<v Speaker 1>I wanted to see how this West Coast shit feel,

0:33:05.680 --> 0:33:07.680
<v Speaker 1>like you know what I'm saying without being Norri right,

0:33:08.240 --> 0:33:11.720
<v Speaker 1>And it was the first time I seemed but I

0:33:11.720 --> 0:33:14.280
<v Speaker 1>didn't know what I was seeing. Snoop explained to me

0:33:14.360 --> 0:33:17.120
<v Speaker 1>that you saw that again on stage. I didn't know

0:33:17.240 --> 0:33:24.600
<v Speaker 1>that Kendrick from all these gangs together, Like, how remarkable.

0:33:24.040 --> 0:33:25.160
<v Speaker 2>Is that that? That was?

0:33:25.480 --> 0:33:29.120
<v Speaker 3>That was the tipping point right when he did that

0:33:29.200 --> 0:33:34.560
<v Speaker 3>Pop our concert and Dre went out there and all

0:33:34.600 --> 0:33:38.840
<v Speaker 3>them neighborhoods came out there see stage, because we.

0:33:38.800 --> 0:33:41.360
<v Speaker 1>Want you to explain this in it's entity in depth.

0:33:42.160 --> 0:33:44.680
<v Speaker 1>Us on the East Coast we looking thinking these are

0:33:44.840 --> 0:33:47.720
<v Speaker 1>artists that although they might be artists, but we didn't

0:33:47.720 --> 0:33:51.400
<v Speaker 1>we're not understanding that they represent different gags. There was

0:33:51.440 --> 0:33:52.239
<v Speaker 1>some artists up there.

0:33:52.280 --> 0:33:54.920
<v Speaker 3>There were some artists, but there was some very important

0:33:54.920 --> 0:33:58.040
<v Speaker 3>people to the street up there. I usually don't really

0:33:58.960 --> 0:34:01.680
<v Speaker 3>be standing next to each other, right, And I think

0:34:01.800 --> 0:34:05.320
<v Speaker 3>it just really it really set the tone for what's

0:34:05.520 --> 0:34:10.040
<v Speaker 3>what's coming next. So everybody saw that shit and was like, oh, oh,

0:34:10.280 --> 0:34:12.040
<v Speaker 3>we ain't had this before in the West.

0:34:12.239 --> 0:34:13.200
<v Speaker 1>That's what I'm trying to say.

0:34:13.239 --> 0:34:16.160
<v Speaker 6>We ain't had this before, maybe slightly during the peace treaty.

0:34:16.239 --> 0:34:17.320
<v Speaker 2>No, it be pieces.

0:34:17.480 --> 0:34:21.360
<v Speaker 3>It be pieces of the West coming together, still excluding

0:34:21.400 --> 0:34:23.600
<v Speaker 3>some of these parts because the past things that happened,

0:34:24.200 --> 0:34:27.319
<v Speaker 3>or just like that's just how things have been. But

0:34:27.360 --> 0:34:30.480
<v Speaker 3>when that happened, a lot of shit got pushed to

0:34:30.520 --> 0:34:33.040
<v Speaker 3>the side and was like, Okay, you know what, let's

0:34:33.160 --> 0:34:38.160
<v Speaker 3>unite around this w Let's unite around this genius that

0:34:38.239 --> 0:34:42.600
<v Speaker 3>is this doing this phenomenal work. And you know, look,

0:34:43.040 --> 0:34:49.200
<v Speaker 3>we can beef internally, but to the rest of the world, unified, like,

0:34:49.280 --> 0:34:50.959
<v Speaker 3>we haven't had that, you know what I'm saying.

0:34:51.000 --> 0:34:53.000
<v Speaker 1>I loved that about y'all. Iced T brought that up

0:34:53.000 --> 0:34:55.400
<v Speaker 1>to me, I think said, listen, he said, you know,

0:34:55.800 --> 0:34:59.160
<v Speaker 1>us West Coast people got beef because you in the industry. Motherfucker. Yeah,

0:34:59.680 --> 0:35:02.359
<v Speaker 1>He's like, do you think about it? Our beasts be between us.

0:35:02.600 --> 0:35:04.200
<v Speaker 1>And that was so mad that I see because he

0:35:04.320 --> 0:35:04.680
<v Speaker 1>was right.

0:35:05.160 --> 0:35:08.000
<v Speaker 6>It's like word like if they beefing, if you want

0:35:08.000 --> 0:35:10.319
<v Speaker 6>an industry, the average person, you say, the average.

0:35:10.000 --> 0:35:12.960
<v Speaker 1>Person, like like like that California love for for for

0:35:13.000 --> 0:35:15.000
<v Speaker 1>black Bird, that ships.

0:35:15.120 --> 0:35:17.279
<v Speaker 3>It's just like it's just like you when your parents

0:35:17.400 --> 0:35:19.280
<v Speaker 3>used to say, don't act crazy in front of company.

0:35:19.560 --> 0:35:22.480
<v Speaker 2>You know what I'm saying, That's just what it is.

0:35:22.920 --> 0:35:25.040
<v Speaker 3>It's like sometimes that's just spill over into the street.

0:35:25.040 --> 0:35:28.200
<v Speaker 3>But for the most for the most part, like especially now,

0:35:28.640 --> 0:35:31.880
<v Speaker 3>Cat's got a different agenda. We want to see the

0:35:32.120 --> 0:35:34.640
<v Speaker 3>w go, you know what I'm saying. And and and

0:35:34.680 --> 0:35:37.319
<v Speaker 3>that's why you see Q coming. That's why you see

0:35:37.400 --> 0:35:39.719
<v Speaker 3>you know Snoop Dogg coming, That's why I'm coming, you know.

0:35:44.239 --> 0:35:45.359
<v Speaker 2>And what's also do I.

0:35:45.320 --> 0:35:47.359
<v Speaker 6>Think that I don't think people are mentioning as much

0:35:47.400 --> 0:35:50.319
<v Speaker 6>about Kendrick his movement that he brought North Cali into

0:35:50.360 --> 0:35:53.279
<v Speaker 6>the fold. It's not just LA, it's all of California.

0:35:53.640 --> 0:35:54.400
<v Speaker 2>What are you saying about it?

0:35:54.480 --> 0:35:57.160
<v Speaker 6>Like the Bay Area and those artists just considered the

0:35:57.160 --> 0:35:59.800
<v Speaker 6>North area the South.

0:36:00.480 --> 0:36:10.320
<v Speaker 2>Okay together geographics. Yeah I know that, kid, Yeah, you know,

0:36:10.480 --> 0:36:11.920
<v Speaker 2>but but you're absolutely correct.

0:36:12.680 --> 0:36:15.200
<v Speaker 6>Even with the sound and the album, there's a song

0:36:15.239 --> 0:36:17.480
<v Speaker 6>it's like, to me, does the Sonic that's the Bay

0:36:17.520 --> 0:36:18.160
<v Speaker 6>Area right there?

0:36:18.160 --> 0:36:19.399
<v Speaker 2>But that's all West Coast.

0:36:19.640 --> 0:36:21.760
<v Speaker 3>You just when people say West Coast, they just think.

0:36:21.600 --> 0:36:22.440
<v Speaker 2>Of l A.

0:36:23.080 --> 0:36:25.879
<v Speaker 3>You think of Southton, you know what I'm saying, Long

0:36:25.960 --> 0:36:29.640
<v Speaker 3>Beach like, like that's not just the coast goes all

0:36:29.680 --> 0:36:31.759
<v Speaker 3>the way up to Canada. So when you when you

0:36:31.800 --> 0:36:33.480
<v Speaker 3>look at, when you look to when you look at

0:36:33.840 --> 0:36:36.239
<v Speaker 3>you know the bay and what they represent like and

0:36:36.280 --> 0:36:40.920
<v Speaker 3>then it's always been separate there too, Southern California Northern California,

0:36:41.040 --> 0:36:44.440
<v Speaker 3>two different planets. But now it's just thing like the

0:36:44.719 --> 0:36:48.400
<v Speaker 3>W everybody, the W everybody and and and it feels

0:36:48.440 --> 0:36:50.960
<v Speaker 3>dope to be able to see you know, e forty

0:36:51.040 --> 0:36:54.239
<v Speaker 3>do the opening for the pop up, and it's like

0:36:54.280 --> 0:36:56.400
<v Speaker 3>the inclusion of it. It just feels so we just

0:36:56.560 --> 0:36:57.359
<v Speaker 3>we're feeling.

0:36:57.080 --> 0:36:59.399
<v Speaker 1>Strong right now because I felt like, you know, I'm

0:36:59.520 --> 0:37:02.919
<v Speaker 1>sorry bounce over the place, but like like New York,

0:37:03.760 --> 0:37:07.000
<v Speaker 1>we've always had Long Island, and we've always had Yonkers

0:37:07.080 --> 0:37:11.040
<v Speaker 1>and Jersey, which technically isn't New York, but it is

0:37:11.160 --> 0:37:13.560
<v Speaker 1>New York, you understand I'm saying. So I felt like

0:37:13.600 --> 0:37:15.879
<v Speaker 1>that moment for y'all, like it was like every part

0:37:16.040 --> 0:37:19.080
<v Speaker 1>of the coast and not only that, I mean I

0:37:19.160 --> 0:37:21.080
<v Speaker 1>was going to say up the state, but not only that. Yeah,

0:37:21.160 --> 0:37:23.879
<v Speaker 1>run the coast together. That's what's crazy. You know what's

0:37:23.920 --> 0:37:27.760
<v Speaker 1>crazy about West Coast culture. If you actually pay attention,

0:37:28.920 --> 0:37:30.560
<v Speaker 1>you guys don't got to promote to the South or

0:37:30.640 --> 0:37:32.840
<v Speaker 1>the East at all. You guys could just promote in

0:37:32.880 --> 0:37:36.040
<v Speaker 1>the West and you'll be good. Well, here's the thing, Sacramento.

0:37:36.120 --> 0:37:39.160
<v Speaker 1>The number Remember when according to the numbers, remember when

0:37:39.280 --> 0:37:41.880
<v Speaker 1>hip hop was super regional. When you look at the

0:37:41.920 --> 0:37:44.440
<v Speaker 1>no limit, I'm going to say, you look at and

0:37:44.520 --> 0:37:45.359
<v Speaker 1>you look at and you.

0:37:45.239 --> 0:37:48.120
<v Speaker 3>Look at uh and you look at a cash money

0:37:48.600 --> 0:37:51.160
<v Speaker 3>and then and then even here, you know, in in

0:37:51.160 --> 0:37:53.400
<v Speaker 3>in Miami, you you look at the sound that was

0:37:53.440 --> 0:37:57.000
<v Speaker 3>coming out of here, that that graduated from DJ Magic

0:37:57.080 --> 0:38:00.719
<v Speaker 3>Mike and into you know, Luke in two Live Crew,

0:38:01.000 --> 0:38:03.360
<v Speaker 3>in the Poison Clan, into all these other things that

0:38:03.440 --> 0:38:05.800
<v Speaker 3>was coming. They had their own sound, so it was regional.

0:38:06.400 --> 0:38:10.760
<v Speaker 3>So once the West Coast you know, had their sound

0:38:11.000 --> 0:38:14.200
<v Speaker 3>and it didn't we didn't feel like we needed to

0:38:14.239 --> 0:38:18.759
<v Speaker 3>copy anyone. Right, So when the South rose, and you know,

0:38:18.880 --> 0:38:21.640
<v Speaker 3>after after the outcast said the South got something to say,

0:38:21.680 --> 0:38:24.920
<v Speaker 3>and then absolutely they came and dominated everything in the

0:38:24.960 --> 0:38:26.440
<v Speaker 3>industry and they had their sound.

0:38:26.760 --> 0:38:28.239
<v Speaker 1>We been fucked up ever since he said that.

0:38:34.960 --> 0:38:37.680
<v Speaker 3>I think it's dope because it gave us time to

0:38:37.800 --> 0:38:42.200
<v Speaker 3>kind of like see where things needed to go. And

0:38:42.560 --> 0:38:46.120
<v Speaker 3>I just liked the fact that we're not changing our sound,

0:38:46.680 --> 0:38:49.120
<v Speaker 3>we just doing it at a at a different pace,

0:38:49.360 --> 0:38:50.040
<v Speaker 3>you know what I'm saying.

0:38:50.160 --> 0:38:51.799
<v Speaker 1>So let me let me, let me, let me ask you.

0:38:51.960 --> 0:38:55.920
<v Speaker 1>There was three different eras of West Coast Rain right

0:38:56.520 --> 0:39:00.680
<v Speaker 1>that literally had me scared. One literally one when I

0:39:00.680 --> 0:39:02.520
<v Speaker 1>heard it straight out of Compton. I always say this.

0:39:02.640 --> 0:39:03.839
<v Speaker 1>I always though it straight out of content.

0:39:03.880 --> 0:39:05.160
<v Speaker 2>It was a jail. I don't know why.

0:39:05.680 --> 0:39:06.000
<v Speaker 1>I don't know.

0:39:06.080 --> 0:39:08.000
<v Speaker 5>I was, yeah, because the way they were describe it

0:39:08.080 --> 0:39:09.840
<v Speaker 5>straight up the comment, I'm like, I don't want a

0:39:09.880 --> 0:39:12.840
<v Speaker 5>good k lock up there, right, I was, obviously.

0:39:14.320 --> 0:39:19.040
<v Speaker 1>Yeah. So but then it was that death row everywhere,

0:39:19.040 --> 0:39:21.600
<v Speaker 1>all of y'all just you know, that upper smoke toil.

0:39:22.120 --> 0:39:24.440
<v Speaker 1>And now it seems like it's the resurgence. But the

0:39:24.520 --> 0:39:28.240
<v Speaker 1>good thing about it is it's not just the young generation,

0:39:28.520 --> 0:39:29.800
<v Speaker 1>it's not just the middle generation.

0:39:30.000 --> 0:39:32.920
<v Speaker 2>It's for Dre Snoop for you to be.

0:39:32.960 --> 0:39:36.920
<v Speaker 1>Dropping like like how how how good does that feel?

0:39:36.960 --> 0:39:39.000
<v Speaker 1>Because and you know what's good? We know what's dope

0:39:39.040 --> 0:39:43.880
<v Speaker 1>about you, Dre and Snoop is y'all could actually k

0:39:44.040 --> 0:39:44.200
<v Speaker 1>this to.

0:39:44.280 --> 0:39:45.080
<v Speaker 2>Your own audience.

0:39:45.200 --> 0:39:47.520
<v Speaker 1>Yeah, y'all don't got to sell to these new motherfuckers

0:39:47.560 --> 0:39:48.000
<v Speaker 1>at all.

0:39:48.400 --> 0:39:49.520
<v Speaker 2>But how good is this feeled?

0:39:49.680 --> 0:39:52.880
<v Speaker 3>It feels really good to be able to be dropping

0:39:52.960 --> 0:39:55.480
<v Speaker 3>music in twenty twenty four, twenty twenty.

0:39:55.160 --> 0:39:57.120
<v Speaker 1>Five and not compromise.

0:39:57.320 --> 0:39:59.680
<v Speaker 3>That's right, you know what I'm saying, Like, I see

0:39:59.680 --> 0:40:02.839
<v Speaker 3>what's going going on out there. I see what's I see.

0:40:03.040 --> 0:40:05.480
<v Speaker 3>I try to, you know, keep my ear to the street.

0:40:05.520 --> 0:40:07.480
<v Speaker 3>A lot of that ship I can't listen to, you

0:40:07.520 --> 0:40:10.640
<v Speaker 3>know what I'm saying, simply because you know, I'm a

0:40:11.000 --> 0:40:12.480
<v Speaker 3>I'm a I'm a professional.

0:40:13.000 --> 0:40:13.200
<v Speaker 1>You know.

0:40:13.320 --> 0:40:15.400
<v Speaker 3>I want to hear people be professional. I don't like

0:40:15.600 --> 0:40:17.680
<v Speaker 3>I don't like hearing ship out of the pocket. I

0:40:17.719 --> 0:40:20.600
<v Speaker 3>don't like hearing rappers not on beat. I don't I

0:40:20.600 --> 0:40:24.120
<v Speaker 3>don't like hearing lazy ass nothing ass rhymes.

0:40:24.400 --> 0:40:26.120
<v Speaker 1>I want to know something, you know what I'm saying.

0:40:26.239 --> 0:40:27.479
<v Speaker 1>I want to hear something. Listen.

0:40:28.840 --> 0:40:31.439
<v Speaker 3>I've seen her, you know what I'm saying, and look

0:40:31.480 --> 0:40:34.160
<v Speaker 3>from where she started to where she is now, it's

0:40:34.200 --> 0:40:36.960
<v Speaker 3>pretty fucking amazing. But you know what I'm saying, but

0:40:36.960 --> 0:40:39.440
<v Speaker 3>but I'm not gonna take nothing away from It's just

0:40:39.480 --> 0:40:42.120
<v Speaker 3>it's just not my style, you know what I'm saying. Like,

0:40:42.120 --> 0:40:44.840
<v Speaker 3>like you know, I see everybody you know doing the

0:40:45.000 --> 0:40:46.960
<v Speaker 3>pussy hole brown and all whatever.

0:40:49.280 --> 0:40:55.200
<v Speaker 1>Yeah, yeah, where was react? Where the was at?

0:40:55.320 --> 0:40:57.120
<v Speaker 3>Yeah, but I'm not gonna I'm not gonna take that

0:40:57.160 --> 0:41:00.040
<v Speaker 3>from her book, But I just prefer something else, you

0:41:00.040 --> 0:41:01.799
<v Speaker 3>know what I'm saying. And so, like I said, it

0:41:01.800 --> 0:41:03.120
<v Speaker 3>goes back to what we're doing now.

0:41:03.440 --> 0:41:05.239
<v Speaker 2>When we go in remember where we was that.

0:41:05.440 --> 0:41:07.480
<v Speaker 3>Yeah, when we go we're talking about how does it

0:41:07.520 --> 0:41:10.520
<v Speaker 3>feel now to be dropping music and and and man

0:41:10.520 --> 0:41:13.319
<v Speaker 3>it feels great. But I didn't have to compromise. I

0:41:13.320 --> 0:41:15.120
<v Speaker 3>can come out with what I want to do. I

0:41:15.160 --> 0:41:17.399
<v Speaker 3>don't need to compete with what's out now right now.

0:41:17.480 --> 0:41:19.440
<v Speaker 3>I just need to do what I do really well,

0:41:19.880 --> 0:41:21.479
<v Speaker 3>you know what I'm saying. And I think that once

0:41:21.520 --> 0:41:24.319
<v Speaker 3>you have that that that fixture. I think I heard

0:41:24.440 --> 0:41:28.040
<v Speaker 3>Rick Rubins say that if you start making music for

0:41:28.160 --> 0:41:32.440
<v Speaker 3>people other than yourself, then you already lost or something

0:41:32.440 --> 0:41:33.040
<v Speaker 3>to that effect.

0:41:33.200 --> 0:41:33.799
<v Speaker 2>Well, think about it.

0:41:34.040 --> 0:41:36.120
<v Speaker 1>I'm sure your first album, just like as Mine's, you

0:41:36.280 --> 0:41:39.080
<v Speaker 1>made it for your block, did you made Okay.

0:41:39.400 --> 0:41:43.399
<v Speaker 3>I did my first album not knowing, you know, knowing

0:41:43.480 --> 0:41:47.000
<v Speaker 3>I wanted to be different, but not necessarily knowing how

0:41:47.040 --> 0:41:49.480
<v Speaker 3>to get there or convey that. You know what I'm

0:41:49.480 --> 0:41:52.799
<v Speaker 3>saying on this record, on the key Maker record, out

0:41:52.840 --> 0:41:54.759
<v Speaker 3>of all of them, make.

0:41:59.600 --> 0:42:01.360
<v Speaker 2>On the on the Keen Maker record.

0:42:01.440 --> 0:42:03.640
<v Speaker 3>I feel like I tell everybody after we listen to it,

0:42:03.719 --> 0:42:06.480
<v Speaker 3>that I found my voice, you know, not the inflection

0:42:06.600 --> 0:42:08.160
<v Speaker 3>of it, not the use of it, or the tone

0:42:08.239 --> 0:42:10.759
<v Speaker 3>or the pitch. I found out what I'm supposed to

0:42:10.800 --> 0:42:13.840
<v Speaker 3>be saying and how I'm supposed to be saying it,

0:42:13.960 --> 0:42:16.440
<v Speaker 3>you know, because I'm speaking from a place of power,

0:42:16.520 --> 0:42:20.279
<v Speaker 3>I'm speaking from a place of endurance. I'm speaking from

0:42:20.280 --> 0:42:23.600
<v Speaker 3>a place of you know, just longevity, maturity and the

0:42:23.640 --> 0:42:25.040
<v Speaker 3>man maturity and growth.

0:42:25.360 --> 0:42:25.959
<v Speaker 2>You know what I'm saying.

0:42:25.960 --> 0:42:27.520
<v Speaker 3>I don't want to talk about the same shit I

0:42:27.560 --> 0:42:29.960
<v Speaker 3>was talking about on my first three albums, you know

0:42:30.000 --> 0:42:32.160
<v Speaker 3>what I'm saying, Like there's a lot of shit that's

0:42:32.160 --> 0:42:35.439
<v Speaker 3>happened between that then and now, and so like that's

0:42:35.440 --> 0:42:37.880
<v Speaker 3>what I'm speaking on and I'm speaking to it in

0:42:37.960 --> 0:42:39.759
<v Speaker 3>a place that makes me feel good, you know what

0:42:39.800 --> 0:42:40.240
<v Speaker 3>I'm saying.

0:42:40.360 --> 0:42:42.640
<v Speaker 2>But really quick listening to the album.

0:42:42.760 --> 0:42:47.080
<v Speaker 6>What I will tell you is, damn hear hearing the music,

0:42:48.200 --> 0:42:51.440
<v Speaker 6>it sounded like the old U updated. That's what I

0:42:51.480 --> 0:42:54.239
<v Speaker 6>want to say that as a compliment, that's.

0:42:54.160 --> 0:42:54.840
<v Speaker 2>What I want to head on.

0:42:55.239 --> 0:42:56.799
<v Speaker 1>So I don't want you. I don't want I don't.

0:42:57.120 --> 0:42:59.160
<v Speaker 1>I mean, I do want a new X, but I

0:42:59.200 --> 0:43:01.480
<v Speaker 1>want the old sounding right now.

0:43:02.320 --> 0:43:05.640
<v Speaker 2>You will not be disappointed. And that's what I'm saying.

0:43:05.680 --> 0:43:06.239
<v Speaker 1>Like it to me.

0:43:06.360 --> 0:43:08.720
<v Speaker 2>I haven't put out a record since twenty twelve.

0:43:10.040 --> 0:43:12.440
<v Speaker 1>You let my guy in. Yeah, the gate is locked.

0:43:12.600 --> 0:43:15.440
<v Speaker 3>I haven't put a record out since twenty twelve. And

0:43:15.520 --> 0:43:19.640
<v Speaker 3>so now the way this music has come across, like bro,

0:43:20.040 --> 0:43:23.279
<v Speaker 3>I feel like everything that's needed to be done for

0:43:23.800 --> 0:43:26.320
<v Speaker 3>the exhibit brand has been done on this record.

0:43:26.880 --> 0:43:31.359
<v Speaker 1>Musically we got yes, okay, goddamn makes no noise for that.

0:43:34.320 --> 0:43:35.520
<v Speaker 1>Do you do you play poker?

0:43:36.320 --> 0:43:36.520
<v Speaker 2>No?

0:43:36.560 --> 0:43:36.879
<v Speaker 1>I don't.

0:43:37.200 --> 0:43:38.160
<v Speaker 2>You can't never play poker.

0:43:38.160 --> 0:43:41.120
<v Speaker 1>I'm just telling you because no, no poker, because he's

0:43:41.120 --> 0:43:46.520
<v Speaker 1>a poker pok Poka. Because every time I know when

0:43:46.520 --> 0:43:48.520
<v Speaker 1>you're about to say something good, I just.

0:43:52.440 --> 0:43:54.000
<v Speaker 2>I see it too. I can't hide this.

0:43:53.960 --> 0:43:57.279
<v Speaker 1>Ship I ever think of that.

0:43:57.360 --> 0:43:58.920
<v Speaker 2>They're gonna get you.

0:43:59.680 --> 0:44:03.359
<v Speaker 3>No, I got some real bucket list moments on this record. Okay,

0:44:04.200 --> 0:44:07.640
<v Speaker 3>you know, Dre mentioned to you guys that we had

0:44:07.680 --> 0:44:10.279
<v Speaker 3>just did a song for the album. He's featured on

0:44:10.320 --> 0:44:13.279
<v Speaker 3>it with Ti Dollar Sign. Swiss Beast did the track

0:44:13.960 --> 0:44:16.920
<v Speaker 3>with co production from him. And uh, there's a man

0:44:17.160 --> 0:44:18.279
<v Speaker 3>a question his minute.

0:44:18.280 --> 0:44:21.000
<v Speaker 2>I got the question. What label is this one?

0:44:21.719 --> 0:44:26.080
<v Speaker 3>It's on green Back Records. Green Back Records is Connor

0:44:26.160 --> 0:44:26.960
<v Speaker 3>McGregor's label.

0:44:27.000 --> 0:44:33.720
<v Speaker 2>How did that have? How did that connection?

0:44:33.840 --> 0:44:38.839
<v Speaker 1>You got ta yes, yes, How to check this out?

0:44:38.920 --> 0:44:42.560
<v Speaker 1>I need to hear this. Okay, So, so did.

0:44:42.440 --> 0:44:42.959
<v Speaker 2>You take a shot?

0:44:43.200 --> 0:44:43.439
<v Speaker 1>A shot?

0:44:43.719 --> 0:44:48.680
<v Speaker 2>Take a shot? I'm sorry I'm talking because, by the way.

0:44:49.160 --> 0:44:52.520
<v Speaker 1>That is like some dope ship to say, like you're

0:44:52.520 --> 0:44:59.440
<v Speaker 1>gonna trip, I'm gonna do it. That's friss. Yeah, play

0:44:59.480 --> 0:45:02.399
<v Speaker 1>for the Okay, yeah, yeah, that's not a shot.

0:45:02.480 --> 0:45:04.360
<v Speaker 2>Okay, but AGAHD, let's just way Okay.

0:45:04.480 --> 0:45:08.920
<v Speaker 3>So we're finishing up the record and shout out to

0:45:08.960 --> 0:45:14.000
<v Speaker 3>Bobby D Presents that's my management company, and uh, and

0:45:14.280 --> 0:45:16.520
<v Speaker 3>we were finishing up the album. We were putting it.

0:45:16.600 --> 0:45:19.399
<v Speaker 3>We were putting all the finishing touches, bells, and paid

0:45:19.440 --> 0:45:21.800
<v Speaker 3>for all this. Yeah, okay, all the album. We didn't

0:45:21.800 --> 0:45:24.960
<v Speaker 3>this was not done with the label. So the album

0:45:25.080 --> 0:45:28.279
<v Speaker 3>was being finished, and then we started talking about how

0:45:28.280 --> 0:45:30.760
<v Speaker 3>we're going to release this, and I went and looked

0:45:30.760 --> 0:45:33.839
<v Speaker 3>at you. I mean, I see what Russell was doing. Yeah,

0:45:33.920 --> 0:45:36.120
<v Speaker 3>shout out to lou Russell. I saw you know, I

0:45:36.160 --> 0:45:39.800
<v Speaker 3>know Empires, I know all you know, big up Gazi,

0:45:40.239 --> 0:45:42.400
<v Speaker 3>I know we had, you know, and then you have

0:45:42.440 --> 0:45:43.600
<v Speaker 3>the actual major labels.

0:45:43.640 --> 0:45:44.239
<v Speaker 2>You know what I'm saying.

0:45:44.320 --> 0:45:47.960
<v Speaker 3>Like, we explored every single one and kind of just

0:45:48.040 --> 0:45:50.120
<v Speaker 3>kind of sat back and was like, no, what's right?

0:45:51.239 --> 0:45:54.520
<v Speaker 3>So what's right for the this project that we have?

0:45:54.680 --> 0:45:58.600
<v Speaker 3>Who's going to do something correct by what we're doing?

0:45:59.200 --> 0:46:02.000
<v Speaker 3>And so we we were just going through that motion

0:46:02.080 --> 0:46:03.759
<v Speaker 3>and then I got a call from Bobby and he

0:46:03.800 --> 0:46:07.000
<v Speaker 3>was like, hey, what do you think about Connor McGregor.

0:46:07.360 --> 0:46:09.880
<v Speaker 3>I was like, the Okay, who's Bobby the fighting motherfucker?

0:46:11.160 --> 0:46:11.399
<v Speaker 1>Yeah?

0:46:11.480 --> 0:46:12.120
<v Speaker 2>Cool? Cool cool?

0:46:12.400 --> 0:46:14.400
<v Speaker 3>And he's like like, what do you think about Conor McGregor.

0:46:14.440 --> 0:46:16.840
<v Speaker 3>I was like, the fighting motherfucker? Like what's happened to

0:46:17.000 --> 0:46:19.200
<v Speaker 3>He's like, well, he's starting to label. I was like,

0:46:19.239 --> 0:46:20.719
<v Speaker 3>funk out of here, you know what I'm saying, Like

0:46:20.800 --> 0:46:22.840
<v Speaker 3>he's not, like what does he know about music?

0:46:22.880 --> 0:46:24.880
<v Speaker 2>He was like, well, he's very serious.

0:46:24.920 --> 0:46:26.400
<v Speaker 3>This is what he is, this, this is what he

0:46:26.440 --> 0:46:29.160
<v Speaker 3>wants to do, this is who he has on board,

0:46:29.239 --> 0:46:32.440
<v Speaker 3>this is you know what he's his vision is. So

0:46:33.400 --> 0:46:35.839
<v Speaker 3>I sat back and I took a meeting with him,

0:46:35.880 --> 0:46:38.080
<v Speaker 3>and then the way they explained the way that they

0:46:38.120 --> 0:46:41.640
<v Speaker 3>want to do this and the global reach and impact

0:46:41.640 --> 0:46:43.440
<v Speaker 3>that that they.

0:46:43.320 --> 0:46:46.560
<v Speaker 1>Have the record label, meaning the record label, meaning.

0:46:46.520 --> 0:46:48.759
<v Speaker 3>Meaning the people that he's brought into to do the

0:46:48.800 --> 0:46:51.920
<v Speaker 3>record label, was pretty intense, man, And I was like,

0:46:51.960 --> 0:46:56.960
<v Speaker 3>you know what, this is something new, this is something different,

0:46:57.000 --> 0:46:59.799
<v Speaker 3>this is uh, this is something that doesn't come with

0:46:59.840 --> 0:47:01.440
<v Speaker 3>the any level of expectation.

0:47:01.960 --> 0:47:04.360
<v Speaker 2>Everything we do is a first you.

0:47:04.400 --> 0:47:07.680
<v Speaker 3>Know what I'm saying, so to be and what's really

0:47:07.719 --> 0:47:09.920
<v Speaker 3>attractive is that I'm the first artist that's going to.

0:47:09.960 --> 0:47:10.840
<v Speaker 2>Go through the label.

0:47:11.239 --> 0:47:13.239
<v Speaker 1>Oh wow, he has other artists, but you need to

0:47:13.480 --> 0:47:14.359
<v Speaker 1>sign Bone as well.

0:47:14.800 --> 0:47:15.800
<v Speaker 2>The sign Bone.

0:47:16.040 --> 0:47:17.920
<v Speaker 1>Okay yeah, okay, I did.

0:47:17.800 --> 0:47:21.000
<v Speaker 3>Hear that, but they have but but he he has

0:47:21.000 --> 0:47:23.640
<v Speaker 3>a really deep love for what we do. But that's

0:47:23.719 --> 0:47:26.080
<v Speaker 3>it's not just a hip hop label. There's a there's

0:47:26.160 --> 0:47:29.000
<v Speaker 3>there's a pop act on there. There's some different folks

0:47:29.040 --> 0:47:31.160
<v Speaker 3>that are coming out. It's not just a hip hop label.

0:47:31.800 --> 0:47:35.799
<v Speaker 3>The band that's coming on it's it's it's different the

0:47:35.800 --> 0:47:38.000
<v Speaker 3>way they're doing it, But to be the first release

0:47:38.080 --> 0:47:40.600
<v Speaker 3>on there, there's a lot to prove, And so I

0:47:40.600 --> 0:47:43.760
<v Speaker 3>would rather have good business people around that aren't jaded

0:47:43.800 --> 0:47:47.279
<v Speaker 3>by the and and feel with politics that are we

0:47:47.360 --> 0:47:50.480
<v Speaker 3>seeing the music industry right now, and people that just

0:47:50.520 --> 0:47:53.000
<v Speaker 3>want to do good business that don't have interactions with

0:47:53.080 --> 0:47:55.280
<v Speaker 3>all this suits you what I'm saying, Yeah.

0:47:55.160 --> 0:47:55.840
<v Speaker 2>No baggage.

0:47:56.160 --> 0:47:58.120
<v Speaker 3>So it's I think it's a good it's a good

0:47:58.120 --> 0:48:00.640
<v Speaker 3>way to shoot over niggas heads, you know, a shot

0:48:00.680 --> 0:48:01.080
<v Speaker 3>for that?

0:48:04.080 --> 0:48:06.239
<v Speaker 2>What in the Dixie cup? What the come on here?

0:48:08.560 --> 0:48:10.879
<v Speaker 1>We're gonna it's we've got a long game. We're gonna

0:48:11.320 --> 0:48:13.520
<v Speaker 1>do you want to play quick? Thomas sign out?

0:48:13.640 --> 0:48:17.000
<v Speaker 2>No want to finish this? Okay? Yeah yeah yeah yeah.

0:48:17.080 --> 0:48:21.080
<v Speaker 3>So so we we uh we decided to do it.

0:48:21.200 --> 0:48:23.080
<v Speaker 2>We decided to go with green Back Records.

0:48:24.400 --> 0:48:27.799
<v Speaker 1>And so is your record label under there as well?

0:48:28.160 --> 0:48:30.839
<v Speaker 3>Or it's just you know, it's just it's it's it's

0:48:30.920 --> 0:48:33.880
<v Speaker 3>just like I think we got one album with an option.

0:48:34.040 --> 0:48:35.040
<v Speaker 2>Okay, you know what I'm.

0:48:34.880 --> 0:48:37.600
<v Speaker 3>Saying, Just because we're feeling each other out right, But

0:48:38.280 --> 0:48:39.880
<v Speaker 3>so far, so good everything, But you're.

0:48:39.719 --> 0:48:41.960
<v Speaker 1>Giving it about doctor Dre record. Is this you still

0:48:41.960 --> 0:48:45.120
<v Speaker 1>own the Master's only? Okay, okay, that's the partner.

0:48:45.200 --> 0:48:47.160
<v Speaker 3>Yeah, no, no, it's it's very up today. It's not

0:48:47.200 --> 0:48:49.280
<v Speaker 3>like the old it's not like the old days.

0:48:50.000 --> 0:48:52.560
<v Speaker 1>Yeah yeah, yeah, saying because you bring it with no

0:48:52.640 --> 0:48:54.560
<v Speaker 1>respect to him, but you bring it everything to the table.

0:48:54.560 --> 0:48:56.280
<v Speaker 2>It's like, well you already recorded on his own dimes.

0:48:56.400 --> 0:48:58.440
<v Speaker 1>That's what he bringing everything to the table, you know

0:48:58.480 --> 0:48:58.799
<v Speaker 1>what I mean?

0:48:58.880 --> 0:49:03.160
<v Speaker 3>Like we we've always done our records without without the machine.

0:49:03.600 --> 0:49:06.520
<v Speaker 3>You know, even when I was in the machine, I

0:49:06.680 --> 0:49:09.000
<v Speaker 3>never got the full push that I should have gotten,

0:49:09.040 --> 0:49:12.759
<v Speaker 3>you know. So now I'm pushing myself and now I

0:49:12.880 --> 0:49:13.880
<v Speaker 3>just need the vehicle.

0:49:14.000 --> 0:49:14.600
<v Speaker 2>You know what I'm saying.

0:49:14.640 --> 0:49:17.399
<v Speaker 3>It's somebody who was like minded that wants to see

0:49:17.400 --> 0:49:20.320
<v Speaker 3>it win as well. They don't have to be record guys.

0:49:20.360 --> 0:49:22.960
<v Speaker 3>We're the record guys. You know, we've been doing it

0:49:23.000 --> 0:49:25.920
<v Speaker 3>for ourselves so long. It's like, okay, cool, Now we

0:49:26.000 --> 0:49:28.600
<v Speaker 3>just need somebody who can promote the funk out of

0:49:28.600 --> 0:49:32.200
<v Speaker 3>this shit. And I don't think anybody's ever promoted better

0:49:32.239 --> 0:49:33.240
<v Speaker 3>than Connor McGregor.

0:49:35.840 --> 0:49:38.840
<v Speaker 6>But what I think is important that you're saying, is

0:49:38.880 --> 0:49:41.320
<v Speaker 6>that sorry, Sorry, he's brought in people.

0:49:41.440 --> 0:49:43.239
<v Speaker 2>It's not just relying on him in his brain.

0:49:44.080 --> 0:49:47.359
<v Speaker 3>You don't have boxing people or MMA people working on record.

0:49:47.400 --> 0:49:48.640
<v Speaker 2>Shit, he's going in.

0:49:48.719 --> 0:49:51.160
<v Speaker 3>He's cherry picking, you know, the people who are qualified

0:49:51.200 --> 0:49:53.560
<v Speaker 3>to do the work. And we made sure we made

0:49:53.560 --> 0:49:56.120
<v Speaker 3>sure that was what that was happening as well. But

0:49:56.200 --> 0:49:57.919
<v Speaker 3>again we knew it was gonna be a slow burn.

0:49:58.040 --> 0:49:59.719
<v Speaker 3>I haven't put out a record in a long time.

0:50:00.120 --> 0:50:02.360
<v Speaker 3>I gotta put records out. I got to let people

0:50:02.440 --> 0:50:05.799
<v Speaker 3>know that I'm coming out again. In a room in

0:50:05.840 --> 0:50:08.520
<v Speaker 3>a world full of noise like this. It's a lot,

0:50:08.560 --> 0:50:11.040
<v Speaker 3>a lot of music that comes out every single day,

0:50:11.200 --> 0:50:14.480
<v Speaker 3>every single day, you know, and I think a lot

0:50:14.480 --> 0:50:18.400
<v Speaker 3>of I think the lane is really crowded, you know,

0:50:18.920 --> 0:50:21.319
<v Speaker 3>so just staying for right now.

0:50:21.239 --> 0:50:25.320
<v Speaker 1>For I think the later's crowded for for uh like

0:50:25.440 --> 0:50:28.839
<v Speaker 1>generic like you know that younger racing. But I'm looking

0:50:28.840 --> 0:50:31.279
<v Speaker 1>at bust of rhymes like he's he's fucking.

0:50:30.960 --> 0:50:33.960
<v Speaker 2>Every other fucking weekend. I'm like rest like you know.

0:50:33.920 --> 0:50:35.960
<v Speaker 1>What I'm saying, Just think about it. Look at college

0:50:36.160 --> 0:50:41.279
<v Speaker 1>Joe like you Gray Snoop, Like I feel like to

0:50:41.360 --> 0:50:42.879
<v Speaker 1>say it like this but I feel like it's our

0:50:42.960 --> 0:50:47.000
<v Speaker 1>time again, but it's it's it's to our to us,

0:50:47.080 --> 0:50:51.200
<v Speaker 1>like meaning like we don't have to snap and pop

0:50:51.200 --> 0:50:58.279
<v Speaker 1>and all that other dumb I was like, get that

0:50:58.360 --> 0:51:08.360
<v Speaker 1>together because I feel like for the first time, like

0:51:08.400 --> 0:51:11.279
<v Speaker 1>it feels like the fans are growing up with us,

0:51:11.320 --> 0:51:14.799
<v Speaker 1>Like our fans is probably our age and it's now

0:51:14.880 --> 0:51:18.000
<v Speaker 1>they want our ship, like you know, I like growing up.

0:51:18.040 --> 0:51:19.120
<v Speaker 2>I think the saving grace.

0:51:19.200 --> 0:51:22.200
<v Speaker 3>I think the saving grace of what we're experiencing now

0:51:22.600 --> 0:51:25.080
<v Speaker 3>and while we're able to speak directly to our audience

0:51:25.200 --> 0:51:27.520
<v Speaker 3>is the convenience of being able to get to the

0:51:27.640 --> 0:51:31.080
<v Speaker 3>music faster. You don't have to invest time and go

0:51:31.120 --> 0:51:34.160
<v Speaker 3>to a record store or possibly be sold out or

0:51:34.480 --> 0:51:38.000
<v Speaker 3>a physical copy. It's like you can point click download

0:51:38.040 --> 0:51:41.080
<v Speaker 3>have it right there. So you know, the people who

0:51:41.160 --> 0:51:43.120
<v Speaker 3>grew up to our music have families, they got their

0:51:43.160 --> 0:51:45.800
<v Speaker 3>own lives. Now they get win all the things you

0:51:45.800 --> 0:51:47.880
<v Speaker 3>needs to do. Is they hear that is happening and

0:51:47.960 --> 0:51:50.760
<v Speaker 3>they can get it. I think that's that's the magic

0:51:50.800 --> 0:51:51.919
<v Speaker 3>of what we're dealing with now.

0:51:52.080 --> 0:51:56.560
<v Speaker 2>Yeah, that was crazy. Access Now the global reach the

0:51:56.600 --> 0:51:57.239
<v Speaker 2>way it is now.

0:51:57.400 --> 0:51:59.200
<v Speaker 1>You remember when you had to you had to go

0:51:59.239 --> 0:52:02.280
<v Speaker 1>to London. You had to physically bring your record to London,

0:52:02.520 --> 0:52:04.680
<v Speaker 1>like there was no m P three, there was no.

0:52:04.800 --> 0:52:10.480
<v Speaker 6>You're bringing white labels over there, white labels yet press.

0:52:10.719 --> 0:52:12.960
<v Speaker 1>Yeah, yes, that was horrible.

0:52:13.000 --> 0:52:15.239
<v Speaker 2>Times it was great, but it was great.

0:52:15.320 --> 0:52:20.600
<v Speaker 8>Like it's horrible if you think about it.

0:52:19.239 --> 0:52:22.000
<v Speaker 1>Let me finish it. It was horrible because you physically

0:52:22.040 --> 0:52:24.759
<v Speaker 1>had to bring your record and it was so inconvenient,

0:52:24.800 --> 0:52:27.960
<v Speaker 1>but the process was so beautiful because just like like

0:52:28.120 --> 0:52:31.640
<v Speaker 1>you look at these kids right now, if they ever

0:52:31.719 --> 0:52:35.040
<v Speaker 1>go to Europe and they perform over their vocals, they'll

0:52:35.040 --> 0:52:38.200
<v Speaker 1>get bulled off, but but they gotta you gotta experience that,

0:52:38.400 --> 0:52:41.960
<v Speaker 1>like not really because that's what their audience is. Accustomers.

0:52:41.960 --> 0:52:45.160
<v Speaker 2>They have your right to generate the generation.

0:52:45.440 --> 0:52:48.319
<v Speaker 1>But I just sound like the old about to say

0:52:48.360 --> 0:52:51.840
<v Speaker 1>in my day, and I'm like, I like, man, but

0:52:52.160 --> 0:52:54.520
<v Speaker 1>our day, that our day, like we.

0:52:57.160 --> 0:52:58.080
<v Speaker 2>Knew better, we.

0:52:58.040 --> 0:53:02.320
<v Speaker 1>Knew I don't remember one time I performed in Europe

0:53:02.680 --> 0:53:04.520
<v Speaker 1>and I did like an hour and a half and

0:53:04.680 --> 0:53:06.840
<v Speaker 1>I had did an hour the day before, and it

0:53:07.000 --> 0:53:11.040
<v Speaker 1>was like it was like not there was like good

0:53:11.160 --> 0:53:14.160
<v Speaker 1>but not enough, not enough, but it was like not enough,

0:53:14.200 --> 0:53:16.360
<v Speaker 1>and I was like, really, it's like, we wanted more records,

0:53:16.520 --> 0:53:18.960
<v Speaker 1>so we added more records, and these records happened to

0:53:18.960 --> 0:53:21.600
<v Speaker 1>be the only two records that had vocals in it. It

0:53:21.560 --> 0:53:24.040
<v Speaker 1>was I believe in it. Ironically, from the Firm album,

0:53:24.360 --> 0:53:27.520
<v Speaker 1>we never had an instrumental and I remember they waited

0:53:27.719 --> 0:53:31.040
<v Speaker 1>waited for me to get up this awesome job, but

0:53:31.160 --> 0:53:32.640
<v Speaker 1>you had the vocals in there, and I was like,

0:53:32.640 --> 0:53:39.800
<v Speaker 1>oh at attention, like a yeah, oh man, what is

0:53:39.840 --> 0:53:40.959
<v Speaker 1>your favorite era hip hop?

0:53:42.719 --> 0:53:44.680
<v Speaker 2>My favorite era of hip hop.

0:53:49.800 --> 0:53:50.239
<v Speaker 6>I have?

0:53:50.760 --> 0:53:58.680
<v Speaker 3>It goes from like Public Enemy L eighty e PMD

0:53:59.239 --> 0:54:06.319
<v Speaker 3>rock Him, Uh, Poor Righteous Teachers, Uh, you know.

0:54:08.400 --> 0:54:09.000
<v Speaker 2>Gang Star.

0:54:10.400 --> 0:54:15.799
<v Speaker 3>You know though that that that era into you know,

0:54:17.920 --> 0:54:21.920
<v Speaker 3>the Death Row, you know n w A that that

0:54:22.440 --> 0:54:24.280
<v Speaker 3>up up until the end. You know what I'm saying before,

0:54:24.360 --> 0:54:26.400
<v Speaker 3>right up before I got in that was like my

0:54:26.560 --> 0:54:29.160
<v Speaker 3>That was like my college. That was my school. That

0:54:29.320 --> 0:54:32.360
<v Speaker 3>was like the things I was listening to. I remember

0:54:32.400 --> 0:54:35.520
<v Speaker 3>going and buying Cypress Hills first album with the red cover.

0:54:36.040 --> 0:54:38.560
<v Speaker 3>I remember, you know what I'm saying, going and listening

0:54:38.640 --> 0:54:43.800
<v Speaker 3>to you know, like musical my friends are driving around

0:54:43.880 --> 0:54:45.879
<v Speaker 3>and listening to what came out and knowing the word

0:54:45.920 --> 0:54:48.640
<v Speaker 3>for words and like going through the whole album from

0:54:48.640 --> 0:54:51.680
<v Speaker 3>top to bottom to find the song that you fuck

0:54:51.760 --> 0:54:55.160
<v Speaker 3>with the most, and ain't everybody consistently consistently consensus was

0:54:55.160 --> 0:54:55.520
<v Speaker 3>the same.

0:54:56.040 --> 0:54:58.319
<v Speaker 2>You know that that I think, you know.

0:54:58.480 --> 0:55:02.239
<v Speaker 1>Like like the like the late eighties, you know what

0:55:02.280 --> 0:55:05.960
<v Speaker 1>I'm saying, into the early two thousands or early nineties

0:55:06.120 --> 0:55:08.879
<v Speaker 1>was was my favorite era. I respect that.

0:55:09.360 --> 0:55:11.200
<v Speaker 3>I think it's kind of a blended thing, you know

0:55:11.239 --> 0:55:13.719
<v Speaker 3>what I'm saying, because I don't know.

0:55:13.760 --> 0:55:16.320
<v Speaker 1>There's different graduating every generation.

0:55:16.680 --> 0:55:19.080
<v Speaker 3>Every ten years there's a new graduating class, That's the

0:55:19.120 --> 0:55:21.480
<v Speaker 3>way I feel, you know, and then you see new

0:55:21.560 --> 0:55:24.520
<v Speaker 3>artists come out, some some stick around, some fall off.

0:55:24.960 --> 0:55:28.520
<v Speaker 3>But every ten years you can look and see, like

0:55:28.640 --> 0:55:30.360
<v Speaker 3>if you cut down the tree, you see the rings,

0:55:30.400 --> 0:55:34.439
<v Speaker 3>you see, Yeah, you see who was doing what when right.

0:55:35.040 --> 0:55:37.080
<v Speaker 3>It's just going to be interesting to see how that

0:55:37.080 --> 0:55:38.080
<v Speaker 3>plays out now.

0:55:38.000 --> 0:55:39.719
<v Speaker 2>Because I don't see them.

0:55:40.239 --> 0:55:42.359
<v Speaker 3>I don't see the longevity of the artists that are

0:55:42.400 --> 0:55:45.640
<v Speaker 3>coming out now, like the majority, correct, I don't see

0:55:45.680 --> 0:55:49.560
<v Speaker 3>ten years from now what they what their sounds are

0:55:49.560 --> 0:55:51.239
<v Speaker 3>going to be like, or if they're even going to

0:55:51.320 --> 0:55:54.720
<v Speaker 3>be remembered, because the tension span is so so fast

0:55:54.760 --> 0:55:55.160
<v Speaker 3>right now.

0:55:56.040 --> 0:55:59.920
<v Speaker 1>It's very true flowers man. Hold on, yeah, right now,

0:56:00.440 --> 0:56:03.839
<v Speaker 1>So let me ask you. I always get conflicted conversations

0:56:03.840 --> 0:56:06.120
<v Speaker 1>when I asked about this man. In fact, one time

0:56:06.239 --> 0:56:08.879
<v Speaker 1>it was Dazz on one side and cor Up on one side.

0:56:08.920 --> 0:56:10.839
<v Speaker 1>One was saying funck him, and the other one was like,

0:56:11.040 --> 0:56:13.720
<v Speaker 1>I love him, yeah, which is very weird.

0:56:14.480 --> 0:56:15.600
<v Speaker 2>It's very weird, right.

0:56:16.480 --> 0:56:20.040
<v Speaker 1>I tried to ask Snoop and Dre, but Drake clearly

0:56:20.080 --> 0:56:22.200
<v Speaker 1>said I didn't understand when his motherfucker was over there?

0:56:23.960 --> 0:56:26.759
<v Speaker 1>What what? What? What was your relationship with Sugar Night.

0:56:27.960 --> 0:56:28.680
<v Speaker 2>I didn't have one.

0:56:28.840 --> 0:56:31.920
<v Speaker 1>You didn't have one at all? No, No, So.

0:56:31.880 --> 0:56:32.759
<v Speaker 2>Y'all didn't see each other.

0:56:32.760 --> 0:56:33.279
<v Speaker 1>You say, what's up?

0:56:33.360 --> 0:56:36.200
<v Speaker 2>So you know later on? Yeah, okay, later on.

0:56:36.280 --> 0:56:38.719
<v Speaker 3>But it was just like a I was never like

0:56:38.800 --> 0:56:41.000
<v Speaker 3>in a room or had a conversation with him or

0:56:41.040 --> 0:56:41.319
<v Speaker 3>a nothing.

0:56:41.360 --> 0:56:42.120
<v Speaker 2>It was just like a.

0:56:43.239 --> 0:56:47.600
<v Speaker 6>Join because it seems like everybody got hu.

0:56:47.719 --> 0:56:50.880
<v Speaker 1>My next question would have been, what would the exhibits

0:56:51.080 --> 0:56:54.440
<v Speaker 1>albums sound like on death Row Ship I'm not talking

0:56:54.480 --> 0:57:03.839
<v Speaker 1>about now. It would be mixed very well, would very well? Yeah,

0:57:04.480 --> 0:57:06.879
<v Speaker 1>But so you never got approached to be on death

0:57:07.000 --> 0:57:09.200
<v Speaker 1>Row ever? Get out of here?

0:57:09.239 --> 0:57:12.719
<v Speaker 3>Ever, I was on loud when Loud got bought by

0:57:12.800 --> 0:57:17.640
<v Speaker 3>Sony Columbia. I was on there for a while. They

0:57:17.760 --> 0:57:23.480
<v Speaker 3>took Loud and just kept me three six Mafia and

0:57:23.680 --> 0:57:27.160
<v Speaker 3>Wu tang right, and remember what point should.

0:57:26.880 --> 0:57:28.640
<v Speaker 1>Be trying to get warn g so that I'm that's

0:57:28.640 --> 0:57:29.320
<v Speaker 1>what I'm trying to say.

0:57:30.280 --> 0:57:32.760
<v Speaker 6>I'm sure that the warry is close to that, right,

0:57:33.000 --> 0:57:36.200
<v Speaker 6>but him being or or at that time, at that time,

0:57:36.720 --> 0:57:37.440
<v Speaker 6>that's what I'm saying that.

0:57:39.760 --> 0:57:43.760
<v Speaker 2>Yeah, that was Yeah. I didn't come in until after

0:57:43.840 --> 0:57:44.120
<v Speaker 2>all that.

0:57:44.240 --> 0:57:46.120
<v Speaker 1>Okay, I could have seen you at the tail end

0:57:46.120 --> 0:57:48.640
<v Speaker 1>of that. Yeah, yeah, yeah, right at the ass end

0:57:48.640 --> 0:57:48.800
<v Speaker 1>of it.

0:57:51.280 --> 0:57:54.800
<v Speaker 2>What I mean, did you say, well mixed? What would

0:57:54.800 --> 0:57:58.400
<v Speaker 2>a Death Row exhibit albums sound like? Would sounds incredible?

0:57:58.680 --> 0:58:01.480
<v Speaker 1>Yeah? Thing about the eraror there was no whack albums

0:58:01.480 --> 0:58:02.120
<v Speaker 1>that came out of that.

0:58:02.560 --> 0:58:05.120
<v Speaker 3>No, it would have been It would have been kind

0:58:05.160 --> 0:58:09.280
<v Speaker 3>of like the sound of what's happening. But I think

0:58:09.320 --> 0:58:11.800
<v Speaker 3>the production would have sounded like that. But my lyrics

0:58:11.800 --> 0:58:12.880
<v Speaker 3>would have been something else.

0:58:13.640 --> 0:58:15.000
<v Speaker 2>You know what I'm saying. My lyrics would have been

0:58:15.040 --> 0:58:15.560
<v Speaker 2>something else.

0:58:16.560 --> 0:58:18.520
<v Speaker 1>I'm gonna be honest, and I say this is behind

0:58:18.520 --> 0:58:20.080
<v Speaker 1>your back. I saying to your lyrics.

0:58:19.760 --> 0:58:22.440
<v Speaker 6>Not flow right? Get your lyrics lyrically, the content of

0:58:22.480 --> 0:58:22.840
<v Speaker 6>the lyrics.

0:58:23.000 --> 0:58:26.280
<v Speaker 1>Do you think you was ahead of your time? Like, like,

0:58:26.480 --> 0:58:28.720
<v Speaker 1>I'm listening to your old ship. I'm like this motherfucker

0:58:28.760 --> 0:58:29.880
<v Speaker 1>was talking about this ship back then.

0:58:31.520 --> 0:58:33.200
<v Speaker 2>All right, right, I.

0:58:35.200 --> 0:58:41.280
<v Speaker 3>Pride myself on being able to stand as individual with

0:58:41.440 --> 0:58:44.040
<v Speaker 3>my art, you know what I'm saying. And so I

0:58:44.120 --> 0:58:47.880
<v Speaker 3>was rapping about things on my first album like paparazzi,

0:58:48.400 --> 0:58:50.920
<v Speaker 3>you know, like you know, people people.

0:58:57.440 --> 0:58:58.080
<v Speaker 2>Spreading the room.

0:58:58.200 --> 0:59:04.760
<v Speaker 1>Man, he had as yes, said that's a different thing.

0:59:05.080 --> 0:59:07.520
<v Speaker 2>No, you know, I disagree.

0:59:07.560 --> 0:59:10.120
<v Speaker 1>I'm an artist. I can say this. Lady got you big.

0:59:10.320 --> 0:59:11.840
<v Speaker 2>You always come in checks.

0:59:11.880 --> 0:59:12.160
<v Speaker 1>Come on.

0:59:13.000 --> 0:59:14.920
<v Speaker 2>I'm sorry, but.

0:59:18.800 --> 0:59:20.400
<v Speaker 1>I'm like, I see what she got her ship from.

0:59:20.680 --> 0:59:23.240
<v Speaker 2>Like I say, so what let's wrong with it? I've

0:59:23.280 --> 0:59:24.000
<v Speaker 2>been running with.

0:59:23.960 --> 0:59:33.200
<v Speaker 3>It ship Man, I forgot what the funk I was talking? Okay,

0:59:33.240 --> 0:59:36.200
<v Speaker 3>So yeah, all right, so so so like the Foundation

0:59:36.680 --> 0:59:40.000
<v Speaker 3>talking about the fear of being a new father and

0:59:40.040 --> 0:59:42.240
<v Speaker 3>not you know, being a young father. You know, I

0:59:42.280 --> 0:59:45.160
<v Speaker 3>was a father at nineteen years old, so you know,

0:59:45.200 --> 0:59:47.240
<v Speaker 3>I was a kid myself. So I had to figure

0:59:47.240 --> 0:59:49.520
<v Speaker 3>out you know, I put that in my music. Being

0:59:49.600 --> 0:59:54.040
<v Speaker 3>vulnerable is something that I don't I'm not afraid of

0:59:54.640 --> 0:59:57.240
<v Speaker 3>and so being able to have that in my records.

0:59:57.280 --> 0:59:59.160
<v Speaker 3>And yeah, there's a lot of bravado, there's a lot

0:59:59.200 --> 1:00:01.840
<v Speaker 3>of tough ship. There's there's that, you know what I'm saying.

1:00:01.880 --> 1:00:05.160
<v Speaker 3>But I always revealed a lot of myself and my

1:00:05.280 --> 1:00:08.360
<v Speaker 3>music because I wanted that to be the relatable part.

1:00:08.760 --> 1:00:11.600
<v Speaker 3>I didn't want to just say shit to just get niggas

1:00:11.760 --> 1:00:12.440
<v Speaker 3>to like it, you.

1:00:12.480 --> 1:00:14.600
<v Speaker 1>Know what I'm saying. Like I wanted to be like

1:00:14.680 --> 1:00:15.240
<v Speaker 1>I want.

1:00:15.040 --> 1:00:17.560
<v Speaker 3>To that, but that's the era we come from, Like

1:00:17.640 --> 1:00:20.000
<v Speaker 3>we want to live our records, you know what I'm saying,

1:00:20.000 --> 1:00:22.360
<v Speaker 3>We don't. We don't want to just make them. And

1:00:22.400 --> 1:00:25.520
<v Speaker 3>so that was that was where we were at, you

1:00:25.520 --> 1:00:28.320
<v Speaker 3>know what I'm saying. And so I think that from

1:00:28.320 --> 1:00:33.200
<v Speaker 3>that standpoint, it gave me a clear path to be myself.

1:00:33.240 --> 1:00:35.520
<v Speaker 3>I wouldn't say ahead of my time, but just be

1:00:35.800 --> 1:00:37.360
<v Speaker 3>an individual, you know what I'm saying.

1:00:37.520 --> 1:00:40.560
<v Speaker 1>Like, but that's the definition of ahead of our time

1:00:40.800 --> 1:00:42.640
<v Speaker 1>as you saying something that people are catching on.

1:00:42.560 --> 1:00:44.440
<v Speaker 2>To now, right, you know what I mean? But I

1:00:44.800 --> 1:00:45.640
<v Speaker 2>do know you're being humble.

1:00:45.800 --> 1:00:48.520
<v Speaker 3>I'm taking it for that, But I also I also

1:00:48.600 --> 1:00:51.360
<v Speaker 3>think that, you know, it could have been a lot

1:00:51.960 --> 1:00:55.960
<v Speaker 3>a lot different if if the if the people I

1:00:56.000 --> 1:00:58.959
<v Speaker 3>was working with saw the same vision that I had

1:00:59.040 --> 1:01:01.240
<v Speaker 3>and pushed a little hard, you know what I'm saying.

1:01:01.320 --> 1:01:05.120
<v Speaker 3>It was like yeah, yeah, loud and like any other

1:01:05.200 --> 1:01:10.400
<v Speaker 3>even the major labels, like like yeah, there was always

1:01:10.480 --> 1:01:12.440
<v Speaker 3>people in the building that had that looked at it

1:01:12.480 --> 1:01:15.480
<v Speaker 3>one way, and then they took what you said and

1:01:15.560 --> 1:01:18.160
<v Speaker 3>took bits and pieces of it to passify you. But

1:01:18.240 --> 1:01:20.360
<v Speaker 3>really they just gonna do what they want to do anyway,

1:01:20.800 --> 1:01:23.720
<v Speaker 3>you know what I'm saying. So so yeah, we've had

1:01:23.720 --> 1:01:27.400
<v Speaker 3>a lot of commercial success with major labels, but the

1:01:28.080 --> 1:01:31.600
<v Speaker 3>impact that I want, the impact that that will make.

1:01:31.720 --> 1:01:34.000
<v Speaker 3>But you know, when you got that itch, you know

1:01:34.040 --> 1:01:35.800
<v Speaker 3>what I'm saying, you want to scratch it with you know,

1:01:35.880 --> 1:01:37.640
<v Speaker 3>like I know what it's gonna take to get that.

1:01:38.640 --> 1:01:40.840
<v Speaker 2>I feel like I have that now, you know what

1:01:40.880 --> 1:01:41.240
<v Speaker 2>I'm saying.

1:01:41.280 --> 1:01:41.720
<v Speaker 1>I have it.

1:01:41.760 --> 1:01:44.200
<v Speaker 3>I like, I feel, I smell it, I could see it,

1:01:44.480 --> 1:01:47.000
<v Speaker 3>you know what I'm saying. Like, like this album, to me,

1:01:49.040 --> 1:01:52.080
<v Speaker 3>it feels like this is the album that I've been

1:01:52.080 --> 1:01:53.560
<v Speaker 3>trying to make since the beginning.

1:01:54.160 --> 1:01:55.520
<v Speaker 1>You know what they say, They say you make your

1:01:55.520 --> 1:01:58.520
<v Speaker 1>best album when you broke and when you don't need it. Yeah, yeah,

1:02:00.560 --> 1:02:03.120
<v Speaker 1>you know, I feel like that's that's the thing is

1:02:03.160 --> 1:02:05.560
<v Speaker 1>like you probably don't need it, but you know you

1:02:05.600 --> 1:02:07.880
<v Speaker 1>want to feed your fans because I.

1:02:07.800 --> 1:02:08.680
<v Speaker 2>Feel like I owe them.

1:02:08.960 --> 1:02:11.160
<v Speaker 3>Yeah, I feel like I owe my fans, And that's

1:02:11.200 --> 1:02:14.040
<v Speaker 3>something real. Like I think I'm glad you said that

1:02:14.160 --> 1:02:17.760
<v Speaker 3>because you know, I you know, I could have easily

1:02:17.840 --> 1:02:20.680
<v Speaker 3>just stopped and just been like, that's it, you know

1:02:20.680 --> 1:02:23.080
<v Speaker 3>what I'm saying, Because it's very hard to make a

1:02:23.120 --> 1:02:24.480
<v Speaker 3>record right now, you.

1:02:24.400 --> 1:02:25.600
<v Speaker 2>Know what I'm saying.

1:02:25.920 --> 1:02:28.200
<v Speaker 3>Yeah, Yeah, many when you're not mentally in it, when

1:02:28.200 --> 1:02:30.840
<v Speaker 3>you're just rhyming to be rhyming and just putting it

1:02:30.920 --> 1:02:32.840
<v Speaker 3>out to see if it sticks to the wall. And

1:02:32.880 --> 1:02:35.800
<v Speaker 3>then when you really believe in something that's different. You

1:02:35.840 --> 1:02:38.080
<v Speaker 3>know what I'm saying. I believe in this record, Like

1:02:38.360 --> 1:02:42.240
<v Speaker 3>I mean every fucking word I say, from the beginning

1:02:42.280 --> 1:02:44.600
<v Speaker 3>to the fucking end of this shit, every fucking single

1:02:44.640 --> 1:02:48.040
<v Speaker 3>word has been thought about and calculated, and I have

1:02:48.240 --> 1:02:48.960
<v Speaker 3>now I have the.

1:02:48.960 --> 1:02:51.520
<v Speaker 2>Creative space and the freedom to do that. You know

1:02:51.520 --> 1:02:52.000
<v Speaker 2>what I'm saying.

1:02:52.040 --> 1:02:54.280
<v Speaker 3>It's not like my life don't depend on it, but

1:02:54.320 --> 1:02:56.760
<v Speaker 3>I feel like I owe it to the fans. I

1:02:56.760 --> 1:02:58.520
<v Speaker 3>feel like I feel like I left it in a

1:02:58.560 --> 1:03:04.200
<v Speaker 3>place where a lot of niggas got me fucked up,

1:03:04.800 --> 1:03:07.040
<v Speaker 3>you know what I'm saying, Like it was left, Like

1:03:07.120 --> 1:03:10.640
<v Speaker 3>it was like left abandoned, like a couple of wheels missing.

1:03:10.720 --> 1:03:13.400
<v Speaker 3>You know what I'm saying, Like fucked up. You know

1:03:13.440 --> 1:03:16.560
<v Speaker 3>what I'm saying. My opinion, like nah, I can't leave

1:03:16.600 --> 1:03:20.000
<v Speaker 3>it like that. And yes, I turned down TV shows,

1:03:20.000 --> 1:03:22.560
<v Speaker 3>I turned down films, I turned down all these other

1:03:22.600 --> 1:03:23.760
<v Speaker 3>things because right now.

1:03:23.960 --> 1:03:26.560
<v Speaker 1>The most important thing to me is the music. You

1:03:26.560 --> 1:03:28.400
<v Speaker 1>know what I'm saying. And you know, I grew my

1:03:28.480 --> 1:03:33.720
<v Speaker 1>braids back everything I'm about fid I'm ready to go

1:03:33.920 --> 1:03:36.400
<v Speaker 1>nigga like you know what I'm saying, Like and I

1:03:36.440 --> 1:03:43.520
<v Speaker 1>feel I feel like once, I feel accomplished, Like I

1:03:43.560 --> 1:03:45.720
<v Speaker 1>just came off for European Brown because we went out there.

1:03:45.760 --> 1:03:48.520
<v Speaker 2>I'm touring with a live band now, So I went.

1:03:48.400 --> 1:03:52.160
<v Speaker 3>Out there and we were We did that the kind

1:03:52.160 --> 1:03:54.600
<v Speaker 3>of like a test run in front of people with

1:03:54.640 --> 1:04:00.880
<v Speaker 3>the new records and the band, but boy, we we

1:04:01.320 --> 1:04:04.200
<v Speaker 3>kicked a hold in the motherfuckers. We performed for like

1:04:04.760 --> 1:04:07.600
<v Speaker 3>our hour and a half, sometimes two hours, you know

1:04:07.640 --> 1:04:11.080
<v Speaker 3>what I'm saying, Like we do an Encore and motherfucker screaming,

1:04:11.160 --> 1:04:13.080
<v Speaker 3>we come back and do another one, they screaming. So

1:04:13.160 --> 1:04:16.000
<v Speaker 3>what we do with three encores? I never did that ship.

1:04:16.320 --> 1:04:18.640
<v Speaker 3>I ain't never had to do nothing like that. You know,

1:04:19.360 --> 1:04:22.240
<v Speaker 3>That's how this music feels, you know what I'm saying.

1:04:22.280 --> 1:04:24.920
<v Speaker 3>And so like I was. Once we did that. We

1:04:24.960 --> 1:04:27.840
<v Speaker 3>went to Ireland, met the green Back guys. You know

1:04:27.880 --> 1:04:28.400
<v Speaker 3>what I'm saying.

1:04:29.200 --> 1:04:33.840
<v Speaker 1>Yeah, sound cold, Yeah, it's actually beautiful. Yeah yeah, it's

1:04:33.840 --> 1:04:34.640
<v Speaker 1>actually beautiful.

1:04:34.640 --> 1:04:34.800
<v Speaker 8>Man.

1:04:34.840 --> 1:04:36.120
<v Speaker 2>I don't know why I'm thinking of Iceland.

1:04:36.400 --> 1:04:44.640
<v Speaker 1>Yeah yeah, yeah, yeah, yeah, got me, you got me Iceland.

1:04:46.200 --> 1:04:47.960
<v Speaker 2>And then and then uh, and then we went to Spain.

1:04:48.040 --> 1:04:53.040
<v Speaker 3>That's that's where I met the first time when Drake Mabell.

1:04:53.040 --> 1:04:55.840
<v Speaker 2>I ain't been there. It was really nice.

1:04:55.880 --> 1:04:58.640
<v Speaker 3>We went to do uh the Bare Knuckle boxing event

1:04:58.720 --> 1:05:02.880
<v Speaker 3>and I met Connor there for the first time. And yeah, man,

1:05:02.960 --> 1:05:06.760
<v Speaker 3>it seems like the energy and the push that is

1:05:06.800 --> 1:05:08.840
<v Speaker 3>coming behind what we did on this album.

1:05:09.160 --> 1:05:11.240
<v Speaker 2>I can't wait to share with the world. With the world.

1:05:11.320 --> 1:05:15.240
<v Speaker 1>Man, God damn's play a noise for that. But let

1:05:15.240 --> 1:05:18.960
<v Speaker 1>me tell you what, what's crazy. You know, obviously you're

1:05:19.000 --> 1:05:20.960
<v Speaker 1>my friend, but I got to do my due diligence,

1:05:21.360 --> 1:05:24.280
<v Speaker 1>and I just was hitting everybody and it was so

1:05:24.400 --> 1:05:26.720
<v Speaker 1>crazy for me when when I said, you know, I

1:05:26.720 --> 1:05:28.919
<v Speaker 1>got to exhibit, it's either two things they say, yeah,

1:05:29.280 --> 1:05:36.120
<v Speaker 1>my ride, damn yeh. But but here's this crazy Whenever

1:05:36.160 --> 1:05:38.160
<v Speaker 1>a person goes straight to pit my ride, I'm like,

1:05:38.200 --> 1:05:41.640
<v Speaker 1>he's not hip hop, Like judge that person. I'm so

1:05:41.680 --> 1:05:44.560
<v Speaker 1>sorry that first thing they say, because that shouldn't be

1:05:45.040 --> 1:05:46.520
<v Speaker 1>you know what I mean. It should be like you

1:05:46.520 --> 1:05:48.640
<v Speaker 1>know what I mean? Like you know what I mean?

1:05:48.680 --> 1:05:51.600
<v Speaker 1>And and and even if you go to dre it's

1:05:51.640 --> 1:05:54.360
<v Speaker 1>like still like do you not understand like this whole

1:05:54.880 --> 1:05:57.200
<v Speaker 1>you know life this guy was was you know what

1:05:57.200 --> 1:05:57.520
<v Speaker 1>I mean?

1:05:57.600 --> 1:06:00.120
<v Speaker 2>So yeah, but I'll take it.

1:06:00.280 --> 1:06:02.840
<v Speaker 1>Yes, yes, you know. I used to fight that part

1:06:02.880 --> 1:06:04.960
<v Speaker 1>of your business man me personally, I.

1:06:04.920 --> 1:06:05.440
<v Speaker 2>Used to fight that.

1:06:05.440 --> 1:06:07.280
<v Speaker 1>I used to go places and they used to book me,

1:06:07.280 --> 1:06:08.840
<v Speaker 1>and I didn't know what Norway they were booking when

1:06:08.880 --> 1:06:11.840
<v Speaker 1>they booking the Reggae Throne, nor component.

1:06:12.400 --> 1:06:13.600
<v Speaker 2>Have all those noise in the backside.

1:06:13.640 --> 1:06:15.800
<v Speaker 1>But then I realized, I said, fuck it, they all

1:06:15.840 --> 1:06:18.640
<v Speaker 1>here anyway. Yeah, yeah, but I'll take it.

1:06:18.680 --> 1:06:18.880
<v Speaker 8>Man.

1:06:19.120 --> 1:06:24.520
<v Speaker 1>But I the other day, still at home, high as hell,

1:06:25.600 --> 1:06:29.760
<v Speaker 1>watched the TV and I watched at least fifteen fake

1:06:30.000 --> 1:06:33.120
<v Speaker 1>Pip my Ride shows, and I had to look at.

1:06:32.960 --> 1:06:35.800
<v Speaker 2>This ship and be like, I wanted to call you

1:06:35.880 --> 1:06:37.000
<v Speaker 2>so bad and be like.

1:06:37.320 --> 1:06:41.640
<v Speaker 1>If I'm mad at these these people trying to be you,

1:06:42.160 --> 1:06:46.600
<v Speaker 1>these people like all this crazy shit, Like do you

1:06:46.640 --> 1:06:49.640
<v Speaker 1>ever like see these other shows and be like, man,

1:06:50.080 --> 1:06:51.560
<v Speaker 1>they owe me restitution.

1:06:51.960 --> 1:06:56.040
<v Speaker 3>Nah, you know, I look at that whole thing and

1:06:56.600 --> 1:06:59.400
<v Speaker 3>I try to Now, I'm now there's some distance on it.

1:06:59.600 --> 1:07:00.480
<v Speaker 1>I make inse of it.

1:07:01.200 --> 1:07:05.000
<v Speaker 3>That was a vehicle for in a world where reality

1:07:05.080 --> 1:07:08.520
<v Speaker 3>television was built on the you know, demise of someone

1:07:08.720 --> 1:07:11.959
<v Speaker 3>or or someone's character, you know, or somebody.

1:07:11.800 --> 1:07:13.160
<v Speaker 2>Help, Yeah, exactly.

1:07:13.520 --> 1:07:17.520
<v Speaker 3>We were actually doing something positive and so it also

1:07:17.640 --> 1:07:18.760
<v Speaker 3>introduced me to the.

1:07:18.680 --> 1:07:22.520
<v Speaker 1>World in a different Yeah it's a different.

1:07:22.240 --> 1:07:24.480
<v Speaker 3>In a whole different manner, you know, and it led

1:07:24.520 --> 1:07:28.080
<v Speaker 3>to a whole lot of other opportunities. I wanted the

1:07:28.080 --> 1:07:30.720
<v Speaker 3>world to see me a certain way, but you know,

1:07:30.960 --> 1:07:34.160
<v Speaker 3>and what way was that? As exhibit the rapper, you

1:07:34.160 --> 1:07:35.960
<v Speaker 3>know what I'm saying, I just wanted the world to

1:07:35.960 --> 1:07:38.800
<v Speaker 3>know me as a lyricists. I'm with you doing this.

1:07:39.120 --> 1:07:41.920
<v Speaker 3>I'm I'm a monster on the mic. That's you know,

1:07:42.360 --> 1:07:44.120
<v Speaker 3>that's what I wanted the world to know me as.

1:07:44.160 --> 1:07:48.480
<v Speaker 3>But that can that can exist with with other with

1:07:48.640 --> 1:07:50.560
<v Speaker 3>other things too, you know what I'm saying. Like, and

1:07:50.640 --> 1:07:53.760
<v Speaker 3>so that's why I feel like what we did with

1:07:53.760 --> 1:07:55.880
<v Speaker 3>with the show and how the world perceived it and

1:07:55.920 --> 1:07:58.440
<v Speaker 3>how I was in people's living rooms across the planet,

1:07:59.240 --> 1:08:02.800
<v Speaker 3>you know, seven seven, you know, yeah, man, I think

1:08:02.800 --> 1:08:04.920
<v Speaker 3>it was dope. It was about wish fulfillment. It was

1:08:04.960 --> 1:08:08.400
<v Speaker 3>about you know, something positive happening for somebody, and everybody

1:08:08.400 --> 1:08:10.160
<v Speaker 3>got a piece of shit car you know what I'm saying.

1:08:10.160 --> 1:08:11.360
<v Speaker 2>At some point in they like, you know what I

1:08:11.480 --> 1:08:11.960
<v Speaker 2>thinking about it?

1:08:12.000 --> 1:08:14.240
<v Speaker 1>You was a black man with braidsen all the white

1:08:14.280 --> 1:08:15.760
<v Speaker 1>people's houses. They loved it.

1:08:15.840 --> 1:08:17.639
<v Speaker 2>They loved it.

1:08:18.520 --> 1:08:23.400
<v Speaker 1>I don't think they've been houses since. I think.

1:08:26.640 --> 1:08:29.280
<v Speaker 6>That was like the first of the restoration type reality.

1:08:29.360 --> 1:08:30.080
<v Speaker 2>Yeah, yeah, it was.

1:08:30.120 --> 1:08:31.960
<v Speaker 3>It was the first of a lot of different things.

1:08:32.000 --> 1:08:34.599
<v Speaker 3>But you know, I never looked back at that. I

1:08:34.680 --> 1:08:37.320
<v Speaker 3>used to look back at that when when I didn't,

1:08:37.479 --> 1:08:40.360
<v Speaker 3>I was too close to it. So now as I

1:08:40.560 --> 1:08:42.479
<v Speaker 3>as I think back on it, it's like, Yo, this

1:08:42.800 --> 1:08:45.479
<v Speaker 3>really like like people talk to me about putting my

1:08:45.560 --> 1:08:48.160
<v Speaker 3>right every day, Like, yo, you got my right, you know,

1:08:48.200 --> 1:08:50.160
<v Speaker 3>what I'm saying, even in jets, you know what I'm saying. Like,

1:08:50.880 --> 1:08:53.280
<v Speaker 3>it's like people that if they don't know what to say,

1:08:53.320 --> 1:08:55.200
<v Speaker 3>they say that you know what I'm saying, and so

1:08:55.479 --> 1:08:57.559
<v Speaker 3>and so I'm like, okay, cool, So you know what,

1:08:59.040 --> 1:08:59.879
<v Speaker 3>that's something interesting.

1:09:00.160 --> 1:09:01.280
<v Speaker 2>It's it's some of you.

1:09:01.280 --> 1:09:01.400
<v Speaker 1>You.

1:09:01.520 --> 1:09:03.160
<v Speaker 3>I don't know if I'm supposed to even be talking

1:09:03.160 --> 1:09:06.920
<v Speaker 3>about this, but you know who just approached me, you

1:09:06.960 --> 1:09:09.799
<v Speaker 3>know what I'm saying, to do it again, Not because

1:09:09.800 --> 1:09:14.719
<v Speaker 3>because it's the only people who actually had the right

1:09:14.800 --> 1:09:19.599
<v Speaker 3>idea on how to approach me about this was only fans.

1:09:20.479 --> 1:09:27.240
<v Speaker 1>Only fans listen, listen just to watch that.

1:09:28.200 --> 1:09:34.959
<v Speaker 2>Already, not the porn side, one big side.

1:09:36.280 --> 1:09:38.440
<v Speaker 1>Category category.

1:09:38.760 --> 1:09:40.840
<v Speaker 3>But only fans are starting the TV side of.

1:09:40.880 --> 1:09:44.799
<v Speaker 6>Things, right, They never meant to start off as only.

1:09:44.640 --> 1:09:46.559
<v Speaker 1>Fans, just starting the whole television division.

1:09:46.560 --> 1:09:47.280
<v Speaker 2>They loved it.

1:09:47.320 --> 1:09:52.479
<v Speaker 3>They bought they bought a race car team, like uh yeah, yeah, yeah,

1:09:52.560 --> 1:09:55.720
<v Speaker 3>a motorcycle racing team. They're producing the content. They got

1:09:55.720 --> 1:09:56.760
<v Speaker 3>a cooking show.

1:09:57.120 --> 1:10:02.160
<v Speaker 1>That that that they're they're doing network style television, and

1:10:02.160 --> 1:10:04.320
<v Speaker 1>and and so I got a doctor, I got a call,

1:10:04.840 --> 1:10:06.680
<v Speaker 1>and so they was like, yo, you know.

1:10:08.200 --> 1:10:10.960
<v Speaker 2>We have fuck you money. You know, you know, do

1:10:11.040 --> 1:10:11.679
<v Speaker 2>you want.

1:10:11.640 --> 1:10:15.080
<v Speaker 1>Us to a good way?

1:10:15.080 --> 1:10:16.840
<v Speaker 3>Do you do you want us to go buy the

1:10:16.880 --> 1:10:18.880
<v Speaker 3>I p pit my right. Do you you wantus to

1:10:18.920 --> 1:10:20.400
<v Speaker 3>go buy it? And then will you if we go

1:10:20.439 --> 1:10:23.680
<v Speaker 3>get it, will you do it again? I was like, No,

1:10:23.840 --> 1:10:25.080
<v Speaker 3>that's nobody's ever.

1:10:25.520 --> 1:10:28.559
<v Speaker 1>That's kind of fly Brandon.

1:10:28.640 --> 1:10:31.120
<v Speaker 3>I know it, listen, I know it's I did my

1:10:31.240 --> 1:10:33.760
<v Speaker 3>due diligence. I know it's being sold to somewhere and

1:10:33.840 --> 1:10:36.680
<v Speaker 3>somebody else right now and whatever, it's going to a

1:10:36.680 --> 1:10:39.439
<v Speaker 3>bigger thing. They're selling all their assets from from that

1:10:39.520 --> 1:10:41.960
<v Speaker 3>side of things. So I was like, you know, I

1:10:42.560 --> 1:10:47.680
<v Speaker 3>think I think as a betting man, I think that

1:10:47.840 --> 1:10:50.400
<v Speaker 3>I don't need the title pet my Riot to do it.

1:10:50.479 --> 1:10:52.720
<v Speaker 3>I think if I do it on my own and

1:10:52.840 --> 1:10:55.360
<v Speaker 3>create something totally different, the audience is going to kind

1:10:55.360 --> 1:10:57.599
<v Speaker 3>of know what it is. I don't think it needs

1:10:57.680 --> 1:11:01.960
<v Speaker 3>to be that title, right, So you know, if I

1:11:01.960 --> 1:11:04.559
<v Speaker 3>if I'm betting on myself, then yeah, I think that

1:11:04.680 --> 1:11:08.040
<v Speaker 3>you know, we can create something a hybrid of that

1:11:08.160 --> 1:11:11.000
<v Speaker 3>show has now done the way I see it, Yes,

1:11:11.200 --> 1:11:13.559
<v Speaker 3>and and I think the world would appreciate that.

1:11:13.600 --> 1:11:14.920
<v Speaker 1>And you'll be owner this time.

1:11:15.120 --> 1:11:15.840
<v Speaker 2>One hundred percent.

1:11:16.520 --> 1:11:20.599
<v Speaker 3>So all these big, huge networks that have already garnished

1:11:20.680 --> 1:11:21.200
<v Speaker 3>all these.

1:11:22.400 --> 1:11:24.439
<v Speaker 2>Millions of dollars. Only fans.

1:11:24.520 --> 1:11:27.040
<v Speaker 1>Only fans was the only ones that actually knocked on

1:11:27.080 --> 1:11:27.439
<v Speaker 1>the door.

1:11:27.760 --> 1:11:39.680
<v Speaker 10>I'm getting my account, ya, I'm gonna supporting right now, man,

1:11:40.840 --> 1:11:41.800
<v Speaker 10>supporting right now.

1:11:44.760 --> 1:11:46.599
<v Speaker 6>You gotta restart your golden status.

1:11:46.600 --> 1:11:49.120
<v Speaker 2>Only fans gold you got gold status.

1:11:49.920 --> 1:11:57.679
<v Speaker 11>I don't even know that you know, you know that's

1:11:57.760 --> 1:12:01.680
<v Speaker 11>dope because I've been seeing, because I've been seeing.

1:12:01.640 --> 1:12:03.439
<v Speaker 1>These little networks like Zeus and things like that. I

1:12:03.439 --> 1:12:05.759
<v Speaker 1>haven't been seeing and loving hip hop like it's crazy.

1:12:05.840 --> 1:12:08.920
<v Speaker 1>Like these little networks, they're doing their own versions of

1:12:09.000 --> 1:12:09.559
<v Speaker 1>the shows.

1:12:09.640 --> 1:12:11.799
<v Speaker 2>And you got Jocelyn. Big up to Jocelyn.

1:12:12.040 --> 1:12:14.920
<v Speaker 1>She's in charge of her cabinet. I think ray J

1:12:15.080 --> 1:12:19.040
<v Speaker 1>got something. And they're all like little owners of these

1:12:19.040 --> 1:12:21.720
<v Speaker 1>little networks and they're making it pop except for to

1:12:21.840 --> 1:12:24.559
<v Speaker 1>be like Tooby's only one is a little loose. So slowly,

1:12:26.840 --> 1:12:30.880
<v Speaker 1>I don't know who old to be. Wait, he is legitly.

1:12:30.240 --> 1:12:42.360
<v Speaker 3>Slowly, but surely, we are witnessing us becoming small networks,

1:12:42.479 --> 1:12:46.600
<v Speaker 3>satellite networks and having direct access to our audience. The

1:12:46.680 --> 1:12:50.599
<v Speaker 3>gatekeepers have lost the gate already. We just used to

1:12:50.800 --> 1:12:53.200
<v Speaker 3>going through them. So that's why we keep kind of

1:12:53.400 --> 1:12:55.280
<v Speaker 3>drifting that way, but slowly but surely the.

1:12:55.240 --> 1:12:57.280
<v Speaker 6>Path is being They're just trying to buy everything up

1:12:57.320 --> 1:13:00.160
<v Speaker 6>even though they're.

1:12:59.600 --> 1:13:00.920
<v Speaker 2>Trying to keep control power.

1:13:00.960 --> 1:13:04.679
<v Speaker 3>But as as as they lose power, we are starting

1:13:04.680 --> 1:13:07.439
<v Speaker 3>to gain it and we can go directly to our audience.

1:13:07.439 --> 1:13:10.720
<v Speaker 3>So I think that's what the attractiveness of it is.

1:13:10.920 --> 1:13:15.120
<v Speaker 3>Me understanding what it's been before, going through it, understanding

1:13:15.200 --> 1:13:17.280
<v Speaker 3>it in a different light now, and now being able

1:13:17.280 --> 1:13:20.879
<v Speaker 3>to step back in and control and control the narrative

1:13:21.720 --> 1:13:24.000
<v Speaker 3>is amazing, you know what I'm saying. So so yeah,

1:13:24.000 --> 1:13:25.439
<v Speaker 3>we have we haven't gotten far with.

1:13:25.360 --> 1:13:30.080
<v Speaker 1>It, I hope again and again. Let me just let

1:13:30.080 --> 1:13:33.360
<v Speaker 1>me just say something. I'm a binge watcher, right and

1:13:33.880 --> 1:13:36.000
<v Speaker 1>I used to like, you know, HBO all this shit,

1:13:36.240 --> 1:13:38.479
<v Speaker 1>like I stay home Now I watch ship that no

1:13:38.560 --> 1:13:41.800
<v Speaker 1>one I watch Prime Apple TV like I watched like

1:13:42.200 --> 1:13:44.600
<v Speaker 1>and well, again, you as long as you cater to

1:13:44.640 --> 1:13:46.760
<v Speaker 1>your audience, I don't think you ever have to change.

1:13:46.760 --> 1:13:49.000
<v Speaker 1>I don't think I'm just noticing that, like you know

1:13:49.000 --> 1:13:51.679
<v Speaker 1>what I mean, Like, like remember it was just HBO,

1:13:51.840 --> 1:13:55.160
<v Speaker 1>Cinemax showtime. I can stay home for a whole week

1:13:55.200 --> 1:13:57.360
<v Speaker 1>I'm not hitting on none of those ships. I'm not

1:13:57.479 --> 1:14:00.400
<v Speaker 1>watching what's supposed to be popular. I'm watching what speaks

1:14:00.400 --> 1:14:02.360
<v Speaker 1>to me. I'm watching this sh it called Bad Monkey.

1:14:02.400 --> 1:14:03.559
<v Speaker 1>I don't know if you've heard of it, but Vince

1:14:03.600 --> 1:14:05.960
<v Speaker 1>Vaughn it. It's kind of crazy. It's about Florida. It's

1:14:05.960 --> 1:14:08.599
<v Speaker 1>not the Keys. I always think of you, like cause

1:14:08.760 --> 1:14:09.280
<v Speaker 1>I don't know.

1:14:09.360 --> 1:14:12.280
<v Speaker 2>Me or I think you'd be in the Keys.

1:14:12.920 --> 1:14:14.120
<v Speaker 1>Well, I don't know. I don't know.

1:14:14.479 --> 1:14:15.759
<v Speaker 2>Yeah, I don't even watch TV.

1:14:16.280 --> 1:14:19.280
<v Speaker 3>Like, I don't watch like like programming, you know what

1:14:19.280 --> 1:14:22.960
<v Speaker 3>I'm saying, Like like like television show, sitcoms and all

1:14:22.960 --> 1:14:24.759
<v Speaker 3>that stuff. You get all that on the stream platform

1:14:24.800 --> 1:14:27.559
<v Speaker 3>and watch it when you want to watch it. So

1:14:27.760 --> 1:14:29.720
<v Speaker 3>it's I think it's just changing man.

1:14:30.160 --> 1:14:37.120
<v Speaker 1>Netflix, guy, Yeahlix, Netflix, Max, HBO Max yeah, okay, Apple TV,

1:14:37.360 --> 1:14:42.080
<v Speaker 1>Apple TV, Apple TV of course, and then yeah Amazon, yeah, yeah,

1:14:42.400 --> 1:14:43.519
<v Speaker 1>that's probably making me pay.

1:14:43.640 --> 1:14:43.840
<v Speaker 2>Man.

1:14:43.880 --> 1:14:48.800
<v Speaker 1>I don't do Hulu anything like rend it. I'm like, oh, ship,

1:14:49.200 --> 1:14:50.639
<v Speaker 1>you're privately make you ready?

1:14:50.720 --> 1:14:52.439
<v Speaker 2>Yeah, how about reading it?

1:14:54.120 --> 1:14:54.720
<v Speaker 1>I don't. I don't.

1:14:55.200 --> 1:14:57.800
<v Speaker 3>That's as far as that as I start. I'm kind

1:14:57.800 --> 1:14:59.960
<v Speaker 3>of weird about that. I don't like the whole don't.

1:15:00.120 --> 1:15:01.759
<v Speaker 3>I don't have a bunch of ship on my phone,

1:15:01.800 --> 1:15:03.639
<v Speaker 3>like I just have like certain ship, Like I don't

1:15:03.640 --> 1:15:07.479
<v Speaker 3>do the cash app ship and all that cash zelp zep.

1:15:08.080 --> 1:15:10.000
<v Speaker 1>Like I was fighting it for a long time. I

1:15:10.000 --> 1:15:11.080
<v Speaker 1>didn't like people.

1:15:12.600 --> 1:15:14.720
<v Speaker 2>I mean, I know I have it now, but I

1:15:15.160 --> 1:15:16.560
<v Speaker 2>barely use that ship.

1:15:16.120 --> 1:15:19.519
<v Speaker 1>I don't know is okay.

1:15:19.120 --> 1:15:21.320
<v Speaker 2>That's easier because you know the right there.

1:15:21.520 --> 1:15:23.200
<v Speaker 1>You know what's crazy. I just know how to send money.

1:15:23.200 --> 1:15:24.880
<v Speaker 1>When somebody send me money back, I just I think

1:15:24.920 --> 1:15:28.200
<v Speaker 1>that shit goes into I don't know how to download it,

1:15:28.280 --> 1:15:33.880
<v Speaker 1>like what I got money though, Yeah I can't RecG.

1:15:33.960 --> 1:15:36.840
<v Speaker 1>You just diner the other day and I have my

1:15:36.880 --> 1:15:39.160
<v Speaker 1>homies homies with me and I took care of the

1:15:39.200 --> 1:15:41.880
<v Speaker 1>bill and then Nigga, my phone start going off and

1:15:41.920 --> 1:15:43.200
<v Speaker 1>I see these numbers coming.

1:15:43.280 --> 1:15:44.880
<v Speaker 2>I'm like, who's sending me?

1:15:45.000 --> 1:15:45.240
<v Speaker 1>What is?

1:15:45.640 --> 1:15:46.760
<v Speaker 2>Are you sending me money?

1:15:46.840 --> 1:15:46.920
<v Speaker 6>Like?

1:15:46.960 --> 1:15:47.559
<v Speaker 2>Where does it go?

1:15:47.720 --> 1:15:55.640
<v Speaker 1>Nigga? Where it goes? You know, I cash out direct you.

1:15:56.400 --> 1:15:57.960
<v Speaker 1>I'll be trying not to look stupid, so I don't

1:15:58.000 --> 1:15:58.760
<v Speaker 1>be like I do.

1:16:00.000 --> 1:16:01.639
<v Speaker 3>It's in the Apple cash and I know it makes

1:16:01.680 --> 1:16:03.400
<v Speaker 3>me sound really old, but fun that you know what

1:16:03.439 --> 1:16:05.920
<v Speaker 3>I'm saying, Like you're talking to a nigga to keep

1:16:05.960 --> 1:16:08.000
<v Speaker 3>us all this money to all facing up.

1:16:08.040 --> 1:16:10.320
<v Speaker 2>You know what I'm saying. Yeah, I come from the

1:16:10.360 --> 1:16:12.120
<v Speaker 2>old school. You know what I'm saying, ain't gonna lie.

1:16:13.720 --> 1:16:16.120
<v Speaker 1>This is dangerous the phone, having like your cards on

1:16:16.160 --> 1:16:20.360
<v Speaker 1>your phone. Yeah, like then you lose this. Motherfuckers. It's automatically.

1:16:21.640 --> 1:16:24.400
<v Speaker 1>I see you Fat Joe's wife get him drunk one day.

1:16:24.800 --> 1:16:28.519
<v Speaker 1>Maybe I got him drunk too. And wallet you mean

1:16:28.680 --> 1:16:31.599
<v Speaker 1>Waller on the phone, Yeah and yeah, And we went

1:16:31.640 --> 1:16:33.479
<v Speaker 1>to a jury store and I just fell sorry for

1:16:34.360 --> 1:16:35.080
<v Speaker 1>like it was just.

1:16:35.000 --> 1:16:39.920
<v Speaker 2>Like I was just like, it's just you.

1:16:39.920 --> 1:16:42.760
<v Speaker 1>You mean, there's there's there's two sides to convenience. You

1:16:42.920 --> 1:16:45.040
<v Speaker 1>know what I'm saying. There's that could have been a

1:16:45.040 --> 1:16:50.479
<v Speaker 1>positive here. You know, you know our show, that's right,

1:16:50.840 --> 1:16:53.280
<v Speaker 1>it's about giving people their flowers. You know, we had

1:16:53.320 --> 1:16:55.640
<v Speaker 1>you on early when we were discovering who it is,

1:16:55.960 --> 1:16:57.840
<v Speaker 1>but we were more enough to tell you how much

1:16:57.880 --> 1:17:00.200
<v Speaker 1>you mean to the rap game, how much you mean

1:17:00.720 --> 1:17:02.920
<v Speaker 1>to I was about to say West Coast, but I

1:17:02.960 --> 1:17:04.439
<v Speaker 1>don't want to limit you to the West Coast. I

1:17:04.439 --> 1:17:06.600
<v Speaker 1>don't want to limit to you to you know, California.

1:17:06.640 --> 1:17:08.080
<v Speaker 1>I want to limit you to I want.

1:17:07.880 --> 1:17:08.880
<v Speaker 2>To not limit you.

1:17:08.920 --> 1:17:12.519
<v Speaker 1>I want to you know, to the fucking galaxy. You

1:17:12.600 --> 1:17:14.479
<v Speaker 1>know what I'm saying, Like, you are a person who

1:17:14.560 --> 1:17:18.000
<v Speaker 1>changed the game. You're a person who has remained lower,

1:17:18.160 --> 1:17:20.599
<v Speaker 1>a person who's main down, your person who has never

1:17:20.920 --> 1:17:23.120
<v Speaker 1>you know, cracked folded, and we want to give your

1:17:23.160 --> 1:17:32.040
<v Speaker 1>flowers face to face man and man, as Snoop said,

1:17:32.040 --> 1:17:33.800
<v Speaker 1>it's better than the Grammy because it's from your people,

1:17:33.840 --> 1:17:38.880
<v Speaker 1>for sure. You know what I'm saying, nigg I don't

1:17:38.920 --> 1:17:41.120
<v Speaker 1>even get invited to the BET Awards, So this is

1:17:41.160 --> 1:17:46.280
<v Speaker 1>all okay, okay, okay, they said, ray J has Tronics

1:17:46.800 --> 1:17:48.880
<v Speaker 1>who said that, Okay, okay. Yeah, so these these are

1:17:48.920 --> 1:17:51.439
<v Speaker 1>little networks. I'm with you on that. I want to

1:17:51.680 --> 1:17:53.320
<v Speaker 1>but only fans is not little network.

1:17:53.520 --> 1:17:54.040
<v Speaker 2>No, it's not.

1:17:54.200 --> 1:17:57.040
<v Speaker 3>And and to be able to be that, they have

1:17:57.160 --> 1:17:59.559
<v Speaker 3>the vision to approach me. They have a bigger vision

1:17:59.600 --> 1:18:05.000
<v Speaker 3>for it then than than what I'm thinking. Right, So yeah,

1:18:05.040 --> 1:18:06.680
<v Speaker 3>I think it's dope. I think I thank you for

1:18:06.720 --> 1:18:08.639
<v Speaker 3>this too, man. I appreciate it, you know what I'm saying.

1:18:10.600 --> 1:18:13.240
<v Speaker 1>By the way, by the way, you deserve this. It's

1:18:13.280 --> 1:18:16.160
<v Speaker 1>not something like we're not we're not giving charity.

1:18:16.840 --> 1:18:18.719
<v Speaker 2>You feel this y yeah ship?

1:18:20.840 --> 1:18:30.280
<v Speaker 6>All right, yeah yeah, Now I hope that that you

1:18:30.360 --> 1:18:31.360
<v Speaker 6>do that deal man.

1:18:31.200 --> 1:18:33.280
<v Speaker 2>And no, I mean listen, listen.

1:18:34.200 --> 1:18:36.160
<v Speaker 3>It all works, and I think it goes back to

1:18:36.200 --> 1:18:39.479
<v Speaker 3>the original question, Like you know, when people talk to

1:18:39.520 --> 1:18:41.960
<v Speaker 3>me and they talk about paying my ride, doesn't bother me. No,

1:18:42.040 --> 1:18:44.080
<v Speaker 3>it does not bother me. You know what I'm saying.

1:18:44.080 --> 1:18:47.640
<v Speaker 3>It make it just there's so many other things. It

1:18:47.680 --> 1:18:50.720
<v Speaker 3>could have been so different from me to come from

1:18:50.760 --> 1:18:54.360
<v Speaker 3>where I come from and to have made so many

1:18:54.479 --> 1:18:58.200
<v Speaker 3>people happy, you know what I'm saying, Like people like

1:18:58.240 --> 1:18:59.599
<v Speaker 3>people walk up to me and say, you know.

1:18:59.560 --> 1:19:01.880
<v Speaker 1>I grew up to you, you know, like, yo, you

1:19:01.880 --> 1:19:03.320
<v Speaker 1>you know you were my childhood.

1:19:03.800 --> 1:19:05.840
<v Speaker 3>I was like, damn nigga, not that, you know what

1:19:05.840 --> 1:19:09.080
<v Speaker 3>I'm saying, Like, you're not that much younger than.

1:19:10.520 --> 1:19:10.560
<v Speaker 1>I.

1:19:13.800 --> 1:19:14.640
<v Speaker 2>You know what I'm saying.

1:19:15.880 --> 1:19:19.040
<v Speaker 1>With that, Like even with that yo, you were you

1:19:19.160 --> 1:19:22.559
<v Speaker 1>were you were ahead of your time. Like I said

1:19:22.560 --> 1:19:24.559
<v Speaker 1>that earlier with the with the lyrics and the music,

1:19:24.960 --> 1:19:29.000
<v Speaker 1>But just think about that in reality, like we weren't

1:19:29.120 --> 1:19:32.240
<v Speaker 1>used to seeing motherfucker with braids, you know what I'm saying,

1:19:32.280 --> 1:19:38.040
<v Speaker 1>Like going to you know what's that ship? Ris County.

1:19:38.280 --> 1:19:40.559
<v Speaker 1>You were going to Rancho Cougar Bonga.

1:19:40.880 --> 1:19:42.440
<v Speaker 2>Yeah. I was really worried.

1:19:43.640 --> 1:19:46.000
<v Speaker 3>When I first started to paying my ride that my

1:19:46.120 --> 1:19:50.639
<v Speaker 3>peers and hip hop were gonna frown upon it. Wow,

1:19:51.920 --> 1:19:54.519
<v Speaker 3>because I was young, you know what I'm saying. And

1:19:54.760 --> 1:19:56.479
<v Speaker 3>I really shouldn't have gave a fuck, you know what

1:19:56.479 --> 1:19:58.759
<v Speaker 3>I'm saying. Definitely should but I was. I was worried

1:19:58.760 --> 1:20:04.559
<v Speaker 3>about it because I love what we have this thing

1:20:04.600 --> 1:20:09.400
<v Speaker 3>of ours hip hop is this brotherhood, this this this unity,

1:20:09.840 --> 1:20:13.080
<v Speaker 3>this this unspoken word, this code that we live by.

1:20:13.680 --> 1:20:15.160
<v Speaker 2>I was stepping outside of that.

1:20:15.240 --> 1:20:15.800
<v Speaker 1>Right, you know.

1:20:16.040 --> 1:20:18.439
<v Speaker 2>But you weren't though, But it's the same thing that.

1:20:18.320 --> 1:20:18.920
<v Speaker 1>They talked about.

1:20:18.920 --> 1:20:20.640
<v Speaker 2>Cannot make it make sense on sir, outside of this

1:20:20.800 --> 1:20:22.759
<v Speaker 2>looking at the same things. Inside of looking out.

1:20:22.760 --> 1:20:25.400
<v Speaker 1>You kept it hip hop, like had you had a

1:20:25.439 --> 1:20:29.519
<v Speaker 1>fucking tuxedo on, you know what I'm saying, Like like

1:20:29.560 --> 1:20:32.280
<v Speaker 1>if you was like like doing some weird funny ship like,

1:20:33.280 --> 1:20:35.680
<v Speaker 1>you kept it hip hop. That's the thing about it.

1:20:35.720 --> 1:20:38.080
<v Speaker 1>Like a lot of people think like hip hop is

1:20:38.080 --> 1:20:40.280
<v Speaker 1>not even a close Sometimes hip hop is just you

1:20:40.280 --> 1:20:42.080
<v Speaker 1>can put on anything, you can put it on prisons

1:20:42.120 --> 1:20:43.640
<v Speaker 1>to and still be hip hop. Right, you know what

1:20:43.640 --> 1:20:47.080
<v Speaker 1>I mean, and that's what I think the U the

1:20:47.160 --> 1:20:52.439
<v Speaker 1>legitimacy comes from. My ride is no matter what if

1:20:52.479 --> 1:20:55.360
<v Speaker 1>you was in Albuquerque, if he was in wherever, if

1:20:55.360 --> 1:20:58.400
<v Speaker 1>he was never left California, he never left California. Sea

1:20:58.439 --> 1:21:01.000
<v Speaker 1>an't know that. In my mind, I was to Seattle,

1:21:01.080 --> 1:21:03.000
<v Speaker 1>you know what I'm saying, like all over the place,

1:21:03.080 --> 1:21:05.920
<v Speaker 1>soul it was. It was kept hip hop. I think

1:21:05.920 --> 1:21:08.960
<v Speaker 1>that's my point is like like you're slang not You

1:21:09.080 --> 1:21:11.439
<v Speaker 1>brought hip hop in the world through the strike.

1:21:12.840 --> 1:21:16.040
<v Speaker 3>But it was a risk because it was a risk

1:21:16.200 --> 1:21:20.040
<v Speaker 3>because nobody else had done it. Yes, right, you're the

1:21:20.080 --> 1:21:23.920
<v Speaker 3>first reality TV. You gotta remember we come from motherfucker.

1:21:23.960 --> 1:21:26.400
<v Speaker 3>You talk about, you know, third base when it was

1:21:26.439 --> 1:21:29.080
<v Speaker 3>just an mc hammer for doing Pepsi commercials.

1:21:29.120 --> 1:21:32.760
<v Speaker 2>You know what I'm saying, em crossover, you know.

1:21:32.920 --> 1:21:37.439
<v Speaker 3>Like that's where I was directly going against that rule, right,

1:21:38.160 --> 1:21:41.240
<v Speaker 3>But it was I did it because I thought that

1:21:41.360 --> 1:21:46.400
<v Speaker 3>it would help my music. Total opposite. It had nothing

1:21:46.400 --> 1:21:49.320
<v Speaker 3>to do with the music. Motherfuckers didn't even it didn't

1:21:49.320 --> 1:21:52.760
<v Speaker 3>even move the needle. It did take me into a

1:21:52.800 --> 1:21:53.880
<v Speaker 3>household name though.

1:21:54.680 --> 1:21:56.720
<v Speaker 2>In my opinion, outside of looking in and.

1:21:58.280 --> 1:22:02.000
<v Speaker 1>You got something that joint gotcha. God damn, still there

1:22:04.280 --> 1:22:07.960
<v Speaker 1>talking about Jesus. But see, in my opinion, now not

1:22:08.120 --> 1:22:12.640
<v Speaker 1>now now, I would like you correct me. It was

1:22:12.720 --> 1:22:15.519
<v Speaker 1>represented in the right way to me, Like when I

1:22:15.600 --> 1:22:18.040
<v Speaker 1>seen that, like I want, I wouldn't want. I wouldn't

1:22:18.080 --> 1:22:21.920
<v Speaker 1>want to watch you represent for us like you never

1:22:21.960 --> 1:22:26.479
<v Speaker 1>felt like that if like yeah, I felt like he

1:22:26.560 --> 1:22:29.040
<v Speaker 1>was bringing us with them.

1:22:29.960 --> 1:22:31.320
<v Speaker 2>I went to wordy like that.

1:22:31.360 --> 1:22:34.599
<v Speaker 3>But I'm glad it landed like that, meaning I'm glad

1:22:34.640 --> 1:22:34.920
<v Speaker 3>that it.

1:22:35.000 --> 1:22:36.599
<v Speaker 2>Was like perceived like that.

1:22:36.720 --> 1:22:39.320
<v Speaker 3>You know what I'm saying, Like, yeah, you got people,

1:22:39.560 --> 1:22:45.679
<v Speaker 3>you know who don't necessarily appreciate the transition from one

1:22:45.720 --> 1:22:48.439
<v Speaker 3>to the other. But for the majority of people, there

1:22:48.520 --> 1:22:49.759
<v Speaker 3>was a positive response.

1:22:50.160 --> 1:22:51.599
<v Speaker 2>And you were picking out your own clothes.

1:22:55.800 --> 1:22:58.640
<v Speaker 1>You gotta ask because come on, they definitely.

1:22:59.560 --> 1:23:01.200
<v Speaker 2>The same exhibit on the show that you saw.

1:23:01.240 --> 1:23:02.800
<v Speaker 1>That's what I'm trying to say. What I'm trying to

1:23:02.800 --> 1:23:05.880
<v Speaker 1>say is you know once was it a success?

1:23:06.120 --> 1:23:08.800
<v Speaker 2>They have he said he wasn't wearing a suit and tie.

1:23:08.800 --> 1:23:13.400
<v Speaker 1>And then that's what's different was the the world got

1:23:13.439 --> 1:23:15.160
<v Speaker 1>to see my character.

1:23:15.560 --> 1:23:17.320
<v Speaker 3>They got to see the way I speak to my

1:23:17.640 --> 1:23:21.960
<v Speaker 3>family members. How ill I tell horrible dad jokes? All

1:23:22.000 --> 1:23:26.000
<v Speaker 3>the time, and and and and that's my sense of

1:23:26.080 --> 1:23:28.280
<v Speaker 3>humor though, you know what I'm saying. So now I'm

1:23:29.080 --> 1:23:33.040
<v Speaker 3>not exhibit wrapping a thousand fuck you bars.

1:23:33.080 --> 1:23:33.719
<v Speaker 2>You know what I'm saying.

1:23:34.280 --> 1:23:37.200
<v Speaker 3>Now you get to see me joking around with somebody

1:23:37.280 --> 1:23:40.640
<v Speaker 3>and being able to relate to someone who's not a celebrity,

1:23:40.760 --> 1:23:44.040
<v Speaker 3>Like being able to talk to people is a gift,

1:23:44.160 --> 1:23:44.760
<v Speaker 3>you know what I'm saying.

1:23:45.720 --> 1:23:48.080
<v Speaker 1>Some people don't know how to relate to who one

1:23:48.400 --> 1:23:51.360
<v Speaker 1>and you jo on right, right? But that that's how

1:23:51.439 --> 1:23:52.519
<v Speaker 1>I That's how I am.

1:23:53.080 --> 1:23:54.880
<v Speaker 3>And so the world got to see that side of

1:23:54.920 --> 1:23:57.280
<v Speaker 3>me and accepted that part. And I never in the

1:23:57.320 --> 1:24:01.320
<v Speaker 3>world expected the you know, I never expected the world

1:24:01.360 --> 1:24:04.120
<v Speaker 3>to accept me as as I am.

1:24:04.280 --> 1:24:04.880
<v Speaker 1>You know what I'm saying.

1:24:04.920 --> 1:24:07.719
<v Speaker 2>I only only what I presented, you know what I'm saying.

1:24:07.720 --> 1:24:09.600
<v Speaker 2>So you were worried more than anything.

1:24:09.360 --> 1:24:11.400
<v Speaker 3>Right, right, But I was worried about a lot, you

1:24:11.400 --> 1:24:13.800
<v Speaker 3>know what I'm saying, Like, like, are they it's just

1:24:13.880 --> 1:24:16.160
<v Speaker 3>going to affect me going back and doing music? Is

1:24:16.120 --> 1:24:19.120
<v Speaker 3>this going to affect me? You know, like I don't

1:24:19.120 --> 1:24:21.120
<v Speaker 3>know how it's going to be perceived. But it became

1:24:21.280 --> 1:24:25.240
<v Speaker 3>a juggernaut hit. Yes, it became a path to follow.

1:24:25.800 --> 1:24:28.559
<v Speaker 3>It became, you know, one of the things that people

1:24:28.640 --> 1:24:32.240
<v Speaker 3>strive to emulate. That's why all these other shows, you know,

1:24:32.360 --> 1:24:35.000
<v Speaker 3>came from it. And you know, I look back at

1:24:35.000 --> 1:24:38.320
<v Speaker 3>that and be like wow, Like when you have imprints

1:24:38.400 --> 1:24:42.280
<v Speaker 3>on society, that's different than just having a moment or

1:24:42.360 --> 1:24:45.400
<v Speaker 3>having a hit record like this is this is something

1:24:45.439 --> 1:24:47.520
<v Speaker 3>that lasts like generations.

1:24:47.880 --> 1:24:51.639
<v Speaker 6>You're literally a part of people's childhood or just their

1:24:51.680 --> 1:24:53.280
<v Speaker 6>viewing experience at home or whatever.

1:24:53.320 --> 1:24:54.320
<v Speaker 2>That's that's a big deal.

1:24:54.560 --> 1:24:56.200
<v Speaker 3>You could talk to You could talk to people and

1:24:56.800 --> 1:24:59.599
<v Speaker 3>ask them, you know, about Pimp My Ride and they'll

1:24:59.600 --> 1:25:00.439
<v Speaker 3>know what it is is, you.

1:25:00.520 --> 1:25:04.200
<v Speaker 1>Know, but let me ask you, like we was required

1:25:04.240 --> 1:25:06.240
<v Speaker 1>about only fans and they said they.

1:25:06.080 --> 1:25:06.840
<v Speaker 6>Buy the I p O.

1:25:07.920 --> 1:25:09.479
<v Speaker 2>Look they're willing to.

1:25:10.080 --> 1:25:12.320
<v Speaker 1>Does that mean that you that you get back to

1:25:12.560 --> 1:25:17.920
<v Speaker 1>old episodes like how Snoop got with death ro Like

1:25:18.120 --> 1:25:20.719
<v Speaker 1>he doesn't have the old people, but he has people.

1:25:21.160 --> 1:25:22.920
<v Speaker 6>He was a part of the original ownership. Were you

1:25:22.960 --> 1:25:25.439
<v Speaker 6>a part of the original ownership of the creation?

1:25:26.600 --> 1:25:29.200
<v Speaker 1>So he so they stepped to you with this idea already.

1:25:29.240 --> 1:25:31.559
<v Speaker 6>But but you could be if they buy it and

1:25:31.680 --> 1:25:33.519
<v Speaker 6>you say, well, if you buy it, I got it.

1:25:34.360 --> 1:25:37.519
<v Speaker 3>It's super inclusive. They already told me, you know what,

1:25:37.560 --> 1:25:41.040
<v Speaker 3>they what their vision was. But again it's just an idea.

1:25:41.360 --> 1:25:44.520
<v Speaker 3>But I'm just letting them know. Shout out to OnlyFans television.

1:25:45.520 --> 1:25:47.760
<v Speaker 1>I'm down with y'all. Yeah, yeah, you know what I'm saying,

1:25:47.840 --> 1:25:49.040
<v Speaker 1>Like like.

1:25:48.560 --> 1:25:50.000
<v Speaker 2>Like if look.

1:25:51.720 --> 1:25:55.879
<v Speaker 12>You look at the camera, I'm down with hand videos.

1:25:57.640 --> 1:25:59.519
<v Speaker 1>I'll be your hand on. It'd be dope, It'd be dope.

1:25:59.560 --> 1:26:00.000
<v Speaker 1>You know what I'm saying.

1:26:00.120 --> 1:26:02.919
<v Speaker 3>But yes, you know what I'm saying, Like everything everything

1:26:03.320 --> 1:26:06.040
<v Speaker 3>that was successful in the past. You know what I'm

1:26:06.080 --> 1:26:09.479
<v Speaker 3>saying that it still can still have relevance now, Like yo,

1:26:09.640 --> 1:26:11.120
<v Speaker 3>why not do it? You know what I'm saying, Like

1:26:11.200 --> 1:26:13.479
<v Speaker 3>why not? Why not put it back out there? But listen,

1:26:13.920 --> 1:26:16.000
<v Speaker 3>you know if it comes to fruition, you'll be give

1:26:16.040 --> 1:26:17.000
<v Speaker 3>you guys to be the first one.

1:26:17.080 --> 1:26:22.000
<v Speaker 1>Oh yeah, I got damn it. We'll be drinking on

1:26:22.040 --> 1:26:25.559
<v Speaker 1>the side, just comments just to get it.

1:26:26.760 --> 1:26:33.720
<v Speaker 2>But all right, I'm want to ask you this.

1:26:34.400 --> 1:26:37.120
<v Speaker 1>At one point this hat company was paying me right,

1:26:37.880 --> 1:26:39.840
<v Speaker 1>pave me to wear a hat. I just I thought,

1:26:39.840 --> 1:26:43.120
<v Speaker 1>awhile I just could not stop wearing this hat. Was

1:26:43.160 --> 1:26:45.840
<v Speaker 1>there a point where the sess of the show. That

1:26:46.120 --> 1:26:48.519
<v Speaker 1>was a big show. That was our first time getting

1:26:48.520 --> 1:26:52.120
<v Speaker 1>to see a brother that we know that being himself,

1:26:52.200 --> 1:26:55.559
<v Speaker 1>staying himself at that. But it's crossing over, like it.

1:26:55.920 --> 1:26:56.439
<v Speaker 2>Became a house.

1:26:56.479 --> 1:26:58.360
<v Speaker 1>It's almost like it's almost like n W A W

1:26:58.439 --> 1:27:00.679
<v Speaker 1>A Records wasn't meant to cross over. Who Records wasn't

1:27:00.720 --> 1:27:02.760
<v Speaker 1>want to cross over, but it crossed over. You wasn't

1:27:02.760 --> 1:27:06.760
<v Speaker 1>trying to cross over, but you was coming in everyone's household.

1:27:07.080 --> 1:27:09.400
<v Speaker 1>Was it? Was it any time that that that show

1:27:09.479 --> 1:27:11.479
<v Speaker 1>like actually was a burden on you while you was

1:27:11.560 --> 1:27:12.160
<v Speaker 1>recording it.

1:27:13.360 --> 1:27:16.200
<v Speaker 2>I didn't get to tour. I didn't you have to

1:27:16.200 --> 1:27:18.840
<v Speaker 2>stay in the place, didn't make music the same way, right,

1:27:18.840 --> 1:27:19.960
<v Speaker 2>I couldn't record.

1:27:20.640 --> 1:27:23.920
<v Speaker 3>We recorded seven seasons and it was like you know,

1:27:24.280 --> 1:27:27.200
<v Speaker 3>it was it was always something and so I couldn't

1:27:27.200 --> 1:27:31.360
<v Speaker 3>be away from LA and so I wasn't able to tour.

1:27:31.760 --> 1:27:34.240
<v Speaker 3>It affected a lot of the music side of things,

1:27:34.800 --> 1:27:39.519
<v Speaker 3>you know. So then it was like I had spent

1:27:39.600 --> 1:27:41.680
<v Speaker 3>so much time doing the show. When I went back

1:27:41.720 --> 1:27:45.240
<v Speaker 3>to do music, it was met with pell my ride,

1:27:45.320 --> 1:27:45.920
<v Speaker 3>you know what I'm saying.

1:27:46.040 --> 1:27:48.400
<v Speaker 1>I was met with that the label party said name

1:27:48.439 --> 1:27:48.800
<v Speaker 1>your album.

1:27:50.680 --> 1:27:53.920
<v Speaker 6>Yeah, I bet you it's similar to how you felt

1:27:53.960 --> 1:27:56.840
<v Speaker 6>with coming back. I mean, you were still in music

1:27:56.920 --> 1:27:57.599
<v Speaker 6>for me and this ship.

1:27:57.680 --> 1:27:58.760
<v Speaker 2>No, no, yeah, I think it.

1:27:58.840 --> 1:28:00.479
<v Speaker 6>I think the sentiment is probably the same for him

1:28:00.479 --> 1:28:03.720
<v Speaker 6>going back to doing music after the show, the same

1:28:03.720 --> 1:28:05.719
<v Speaker 6>way that you felt trying to figure your point ahead.

1:28:06.040 --> 1:28:08.160
<v Speaker 6>You felt alienated. Remember you said you were in hip

1:28:08.200 --> 1:28:11.040
<v Speaker 6>hop purgatory. Yeah, I felt I bet you that he

1:28:11.160 --> 1:28:13.000
<v Speaker 6>kind of felt that same sentiment that you felt.

1:28:13.120 --> 1:28:13.880
<v Speaker 2>See, I see.

1:28:14.040 --> 1:28:16.639
<v Speaker 1>The thing is again, I'm a fan at this time,

1:28:17.040 --> 1:28:20.400
<v Speaker 1>so I'm not seeing If you agreeing with that, I'm

1:28:20.439 --> 1:28:22.960
<v Speaker 1>not seeing I'm seeing nothing but glory.

1:28:23.320 --> 1:28:26.679
<v Speaker 2>Right, That's what I'm seeing, right, you know what I mean? Okay,

1:28:26.720 --> 1:28:27.040
<v Speaker 2>but it.

1:28:27.000 --> 1:28:29.400
<v Speaker 6>Didn't But he hadn't been training, he hadn't been in

1:28:29.439 --> 1:28:30.559
<v Speaker 6>the studio, he hadn't been.

1:28:30.640 --> 1:28:32.880
<v Speaker 3>I wish I wasn't able to do what I what

1:28:32.920 --> 1:28:35.680
<v Speaker 3>I would, what I wanted to do. You know I

1:28:35.800 --> 1:28:38.880
<v Speaker 3>was doing. I was doing something that was really dope, right.

1:28:39.200 --> 1:28:42.320
<v Speaker 3>You know, my first love music is my first love.

1:28:43.800 --> 1:28:47.519
<v Speaker 1>Jesus man, I'm not gonna lie to you. Like I said,

1:28:47.520 --> 1:28:50.040
<v Speaker 1>we had third base on him, and we were sitting

1:28:50.080 --> 1:28:52.280
<v Speaker 1>back and we were saying, how many you know things

1:28:52.320 --> 1:28:54.920
<v Speaker 1>that people wouldn't do because of the commercialism.

1:28:55.280 --> 1:28:57.400
<v Speaker 2>But you was. I kid you not.

1:28:57.479 --> 1:28:59.600
<v Speaker 1>I would bet everything that you was the person.

1:28:59.360 --> 1:29:00.120
<v Speaker 2>That balanced that.

1:29:01.000 --> 1:29:04.439
<v Speaker 1>Like you know what I mean. I love this story, bro.

1:29:04.520 --> 1:29:07.639
<v Speaker 1>I'm just being honest, bro, because you broke barriers. Man.

1:29:07.680 --> 1:29:12.400
<v Speaker 1>You know what I'm saying. You did something that I

1:29:12.439 --> 1:29:15.040
<v Speaker 1>believe that can't be replaced. That's why when I see

1:29:15.040 --> 1:29:29.280
<v Speaker 1>the fakes, would you ever produce a show like that

1:29:29.439 --> 1:29:30.400
<v Speaker 1>without you in it?

1:29:30.520 --> 1:29:31.120
<v Speaker 2>Absolutely?

1:29:31.360 --> 1:29:34.040
<v Speaker 1>Okay, that's the show a name be called.

1:29:37.560 --> 1:29:39.839
<v Speaker 3>I don't think it necessarily has to be about cars.

1:29:40.800 --> 1:29:42.879
<v Speaker 3>I think doing pimpyer Fridge.

1:29:45.400 --> 1:29:46.280
<v Speaker 1>I didn't even think.

1:29:46.120 --> 1:29:48.960
<v Speaker 3>A makeover show is what's necessary. I think what's missing

1:29:49.439 --> 1:29:54.920
<v Speaker 3>right now is uh like people actually doing genuine things

1:29:54.920 --> 1:29:55.639
<v Speaker 3>for other people.

1:29:56.120 --> 1:29:58.560
<v Speaker 2>You know what I'm saying, Like.

1:29:57.800 --> 1:30:01.400
<v Speaker 3>Like you see you see you know, like things on

1:30:01.800 --> 1:30:05.320
<v Speaker 3>social media whatever. But you know, like again, that show

1:30:05.360 --> 1:30:08.160
<v Speaker 3>was about Wisher filming. That show was about something that

1:30:08.280 --> 1:30:13.719
<v Speaker 3>can that we It's no, it's no, it's no racial connection,

1:30:13.880 --> 1:30:17.439
<v Speaker 3>there's no there's no party, there's no government official. This

1:30:17.560 --> 1:30:20.879
<v Speaker 3>is just about somebody having something that everybody else has

1:30:21.080 --> 1:30:23.640
<v Speaker 3>and eventually can be able to do something you know,

1:30:23.840 --> 1:30:24.680
<v Speaker 3>positive with it.

1:30:25.160 --> 1:30:27.559
<v Speaker 1>And so you know, if I do another show man,

1:30:28.760 --> 1:30:29.479
<v Speaker 1>you know, I would.

1:30:29.320 --> 1:30:31.479
<v Speaker 3>Love to produce something that had that that kind of

1:30:31.520 --> 1:30:32.360
<v Speaker 3>basis to it, that.

1:30:32.400 --> 1:30:35.719
<v Speaker 1>Route to it. But I mean, there's so many ideas

1:30:35.760 --> 1:30:36.080
<v Speaker 1>out there.

1:30:36.080 --> 1:30:38.519
<v Speaker 3>There's so many things, like I got an idea for

1:30:38.600 --> 1:30:40.080
<v Speaker 3>a show, like, let me explain what.

1:30:41.600 --> 1:30:45.560
<v Speaker 2>No, yeah, yeah, I don't. Nobody's listening to us. I

1:30:45.560 --> 1:30:47.000
<v Speaker 2>don't idea.

1:30:47.040 --> 1:30:48.760
<v Speaker 1>No. I mean, look, if they take it. If they

1:30:48.760 --> 1:30:50.400
<v Speaker 1>take it, then so be it, you know what I'm saying.

1:30:51.000 --> 1:30:57.439
<v Speaker 2>But good luck. But but I like to go fishing, fishing.

1:30:57.560 --> 1:30:59.200
<v Speaker 2>You know what I'm saying, black men fishing.

1:30:59.680 --> 1:31:02.880
<v Speaker 3>I like to go deep sea fishing, right, And so

1:31:03.320 --> 1:31:05.760
<v Speaker 3>you know, one of one of our ideas, me and

1:31:05.800 --> 1:31:08.680
<v Speaker 3>Tato we we we we go out sometimes and so

1:31:10.439 --> 1:31:17.120
<v Speaker 3>no out of the what is it the it's an

1:31:17.120 --> 1:31:21.519
<v Speaker 3>ox nerd. I forget the name of the place. But

1:31:21.720 --> 1:31:23.559
<v Speaker 3>but I go out. You know, it's just it's a boat.

1:31:23.560 --> 1:31:25.200
<v Speaker 3>We go out, take it two hours into the ocean

1:31:25.200 --> 1:31:26.160
<v Speaker 3>and go deep sea fishing.

1:31:26.840 --> 1:31:28.920
<v Speaker 2>And in that, in that that ride.

1:31:28.640 --> 1:31:30.639
<v Speaker 3>Out to the ocean, there's like a two three hour

1:31:30.720 --> 1:31:34.000
<v Speaker 3>gap before we before we get to the spot. And

1:31:34.040 --> 1:31:37.559
<v Speaker 3>so I was like, you know what, I had a

1:31:37.560 --> 1:31:39.320
<v Speaker 3>couple of guys come out and they brought their kids,

1:31:39.360 --> 1:31:41.519
<v Speaker 3>and their kids were from the hood, South Central, never

1:31:41.560 --> 1:31:43.840
<v Speaker 3>been out of the hood, went and got on this

1:31:43.880 --> 1:31:48.280
<v Speaker 3>boat and we went out. And so they had the

1:31:48.360 --> 1:31:51.280
<v Speaker 3>fucking time in their life on this boat, right, never

1:31:51.320 --> 1:31:53.720
<v Speaker 3>been out the hood, just experienced. They screaming when they

1:31:53.800 --> 1:31:56.080
<v Speaker 3>getting the fish, about the boat, all the ship. And

1:31:56.160 --> 1:31:58.840
<v Speaker 3>so I was like, let's do a show called Teaching

1:31:58.920 --> 1:32:03.200
<v Speaker 3>Man the Fish and and so what that was is like,

1:32:03.240 --> 1:32:05.559
<v Speaker 3>we're going to take people who have like these kids

1:32:05.560 --> 1:32:08.960
<v Speaker 3>are coming from like war zones, right, and to see

1:32:09.000 --> 1:32:12.160
<v Speaker 3>them have that kind of experience was really dope. And

1:32:12.200 --> 1:32:15.240
<v Speaker 3>then once going on that long ride back, it was

1:32:15.360 --> 1:32:17.040
<v Speaker 3>like I start talking to them.

1:32:17.080 --> 1:32:19.120
<v Speaker 2>I was like, so, you know, like, who do you

1:32:19.160 --> 1:32:20.360
<v Speaker 2>look at, who do you look up to?

1:32:21.040 --> 1:32:21.080
<v Speaker 1>You?

1:32:21.080 --> 1:32:24.240
<v Speaker 2>Who inspires you? What do you want to be?

1:32:25.479 --> 1:32:27.160
<v Speaker 3>You know what I'm saying, if you could be anything

1:32:27.200 --> 1:32:29.080
<v Speaker 3>in the world, who would you want to talk to

1:32:29.080 --> 1:32:34.759
<v Speaker 3>to get advice from? They started naming out names. Next

1:32:34.760 --> 1:32:37.240
<v Speaker 3>time you have that person come out with that person

1:32:37.320 --> 1:32:39.519
<v Speaker 3>on the boat. You know what I'm saying, this is

1:32:39.520 --> 1:32:42.840
<v Speaker 3>a dope show. You're giving us a lot. Yeah, No, no,

1:32:43.320 --> 1:32:44.240
<v Speaker 3>be honest, this is dope.

1:32:44.360 --> 1:32:47.040
<v Speaker 1>Yeah, but but but then it became a whole other thing.

1:32:47.600 --> 1:32:50.120
<v Speaker 3>So the way we have it lined up and the

1:32:50.160 --> 1:32:52.040
<v Speaker 3>way we have it do I mean, good luck, dude.

1:32:52.040 --> 1:32:54.559
<v Speaker 3>I mean, like, look, I'm all for people doing stuff

1:32:54.560 --> 1:32:57.360
<v Speaker 3>for other people, but that idea, right there would be

1:32:57.720 --> 1:32:59.960
<v Speaker 3>sort of the direction I go in order to be

1:33:00.240 --> 1:33:01.360
<v Speaker 3>something out And you.

1:33:01.360 --> 1:33:03.400
<v Speaker 1>Got to realize this double on contre teach them how

1:33:03.400 --> 1:33:06.600
<v Speaker 1>to fish although you talk about fish and you're talking about.

1:33:06.360 --> 1:33:08.400
<v Speaker 2>Life, correct, right, goddamn.

1:33:15.479 --> 1:33:20.559
<v Speaker 6>Right, But you could you could tie it up into

1:33:20.600 --> 1:33:22.360
<v Speaker 6>the only fans deal if you wanted to.

1:33:22.680 --> 1:33:26.719
<v Speaker 3>Yeah, I mean it's limitless, you know, Like the things

1:33:26.760 --> 1:33:30.040
<v Speaker 3>that we can do with the relationships we have because

1:33:30.040 --> 1:33:32.280
<v Speaker 3>it's all about relationships, you know, the.

1:33:32.200 --> 1:33:42.519
<v Speaker 1>Things that we can do is well, oh we we're

1:33:42.520 --> 1:33:44.320
<v Speaker 1>got Yeah.

1:33:44.400 --> 1:33:46.919
<v Speaker 2>The things that we're doing with the relationships, we got.

1:33:48.240 --> 1:33:48.280
<v Speaker 1>It.

1:33:48.439 --> 1:33:51.040
<v Speaker 3>It's phenomenal. So I mean, I'm excited about the future,

1:33:51.240 --> 1:33:51.479
<v Speaker 3>you know.

1:33:51.840 --> 1:33:55.440
<v Speaker 6>But you don't tie like the business dealings with McGregor

1:33:55.560 --> 1:33:57.600
<v Speaker 6>with this only fans and these are separate.

1:33:57.439 --> 1:34:01.040
<v Speaker 2>Separate deals, right, separate things. You know, keep many eye.

1:34:01.080 --> 1:34:03.320
<v Speaker 3>I've always been one to keep irons in the fire though,

1:34:03.600 --> 1:34:06.519
<v Speaker 3>you know, I like, I like trying different ship.

1:34:06.600 --> 1:34:09.800
<v Speaker 2>I think the only fans things sounds incredible. I think

1:34:09.840 --> 1:34:10.760
<v Speaker 2>it sounds dope too.

1:34:10.840 --> 1:34:13.040
<v Speaker 6>I mean, you know, because it sounds like a not

1:34:13.080 --> 1:34:15.360
<v Speaker 6>to country, but it sounds like a company that's trying

1:34:15.400 --> 1:34:18.920
<v Speaker 6>to change their image. They got the financial backing to

1:34:18.960 --> 1:34:21.200
<v Speaker 6>do it, and they want to pivot from what they

1:34:21.280 --> 1:34:21.800
<v Speaker 6>are right now.

1:34:21.800 --> 1:34:24.799
<v Speaker 2>And they're successful and they're trying to find.

1:34:24.640 --> 1:34:27.080
<v Speaker 6>The right pieces that puzzle and you that means you

1:34:27.080 --> 1:34:29.559
<v Speaker 6>can come in a a at a foundational point of

1:34:29.600 --> 1:34:31.519
<v Speaker 6>that pivot and grow with them.

1:34:31.640 --> 1:34:32.200
<v Speaker 2>Absolutely.

1:34:32.400 --> 1:34:34.760
<v Speaker 3>And I like building things from the ground up, you

1:34:34.800 --> 1:34:36.759
<v Speaker 3>know what I'm saying. It gives you get to create

1:34:36.800 --> 1:34:40.040
<v Speaker 3>a freedom before all these systems are in place to

1:34:40.160 --> 1:34:43.720
<v Speaker 3>limit you on what you actually can do. You know,

1:34:43.840 --> 1:34:46.400
<v Speaker 3>and if something works, then you are actually writing that

1:34:46.479 --> 1:34:49.559
<v Speaker 3>code for that company. You know, you're creating the DNA

1:34:49.720 --> 1:34:52.520
<v Speaker 3>for everything successful that comes after you.

1:34:52.520 --> 1:34:54.479
<v Speaker 2>You should tell them give me equity and only fans

1:34:54.479 --> 1:34:54.920
<v Speaker 2>as well.

1:34:54.800 --> 1:35:01.080
<v Speaker 1>As I think they're way past that or something. No.

1:35:01.240 --> 1:35:03.280
<v Speaker 3>I think I think coming in there, what I what

1:35:03.360 --> 1:35:05.840
<v Speaker 3>A I p that's that's that's that can be you know,

1:35:06.000 --> 1:35:08.240
<v Speaker 3>shared and profitable for everybody, is the idea.

1:35:08.360 --> 1:35:11.120
<v Speaker 2>Yeah, we're doing quick time of slim taking a quick

1:35:11.160 --> 1:35:13.800
<v Speaker 2>piss with myself. Take a break.

1:35:13.800 --> 1:35:17.640
<v Speaker 1>I gotta do something real quick. All right, ready for

1:35:17.760 --> 1:35:19.760
<v Speaker 1>quick time of Slam. Yes, I am ready for Comma

1:35:19.840 --> 1:35:26.920
<v Speaker 1>Slop sponsored by Yeah god damn all right, absolutely, okay,

1:35:27.080 --> 1:35:30.439
<v Speaker 1>yeah this is good. Yeah still gin Yeah, but you

1:35:30.439 --> 1:35:31.320
<v Speaker 1>guys send this ship.

1:35:31.160 --> 1:35:34.559
<v Speaker 2>To You're in like five million group chat.

1:35:34.720 --> 1:35:37.360
<v Speaker 6>This is just too many group chests right now.

1:35:37.360 --> 1:35:38.479
<v Speaker 1>It just started the only fans.

1:35:41.800 --> 1:35:42.360
<v Speaker 2>This is the rules.

1:35:42.360 --> 1:35:44.599
<v Speaker 1>We're gonna give you two choices a ship.

1:35:44.720 --> 1:35:48.160
<v Speaker 2>Right, Oh I've seen this. Yeah, okay, it's not negative.

1:35:48.160 --> 1:35:50.479
<v Speaker 2>We're not pitting people against each other, all right, you

1:35:50.479 --> 1:35:52.479
<v Speaker 2>know what I'm saying. It's just sometimes you do.

1:35:52.840 --> 1:35:54.000
<v Speaker 1>I mean, that's not really.

1:35:53.920 --> 1:35:55.400
<v Speaker 2>That's not the point that.

1:35:55.720 --> 1:36:01.360
<v Speaker 6>The stories about whoever like jogging by. Yeah, we want

1:36:01.360 --> 1:36:03.160
<v Speaker 6>to know your preferences of things, got it, So you

1:36:03.240 --> 1:36:07.120
<v Speaker 6>pick one. Nobody drinks one of the two choices. But

1:36:07.160 --> 1:36:11.200
<v Speaker 6>if you say both or neither the PC answer you

1:36:11.320 --> 1:36:12.160
<v Speaker 6>just don't want to answer it.

1:36:12.720 --> 1:36:14.519
<v Speaker 2>Then we all drink. Take a shot.

1:36:15.560 --> 1:36:17.240
<v Speaker 3>It seems like we're just about to take a bunch

1:36:17.240 --> 1:36:17.960
<v Speaker 3>of shots.

1:36:18.120 --> 1:36:18.479
<v Speaker 1>I mean.

1:36:20.280 --> 1:36:27.080
<v Speaker 2>To say, m j G, m j G. Yeah, yeah,

1:36:27.240 --> 1:36:27.839
<v Speaker 2>a ball.

1:36:29.640 --> 1:36:30.040
<v Speaker 1>M j G.

1:36:30.280 --> 1:36:31.080
<v Speaker 2>Which was the one m.

1:36:31.120 --> 1:36:33.040
<v Speaker 1>J G just like, yeah, he just he just wanted

1:36:33.040 --> 1:36:36.080
<v Speaker 1>to drink. I was that, look, but you might as

1:36:36.080 --> 1:36:40.440
<v Speaker 1>well just bring the bottle criteria.

1:36:40.600 --> 1:36:42.200
<v Speaker 6>It doesn't it doesn't have to be anything that would

1:36:42.200 --> 1:36:44.559
<v Speaker 6>be like yo, my man, because so and so reason.

1:36:44.640 --> 1:36:47.360
<v Speaker 1>You know what I'm saying, Let's do it all.

1:36:47.320 --> 1:36:50.480
<v Speaker 2>Right, Easy? Oh ship.

1:36:53.040 --> 1:36:53.200
<v Speaker 1>Uh?

1:36:56.120 --> 1:36:56.800
<v Speaker 2>Easy?

1:36:56.920 --> 1:36:59.080
<v Speaker 6>Okay, Okay, you see, I don't think he's gonna pick

1:36:59.240 --> 1:37:01.160
<v Speaker 6>you any reasons any story with Easy.

1:37:01.439 --> 1:37:02.559
<v Speaker 2>Did you ever meet Easy?

1:37:02.760 --> 1:37:06.120
<v Speaker 3>I have, I did meet Easy. I met Tupac as well.

1:37:07.000 --> 1:37:07.719
<v Speaker 3>I met Easy.

1:37:07.760 --> 1:37:12.240
<v Speaker 1>Eh. I met Easy.

1:37:12.920 --> 1:37:15.680
<v Speaker 3>I saw him on the one ten Freeway driving a

1:37:15.760 --> 1:37:22.360
<v Speaker 3>white VMW and I handed him a tape. I recognized him, yeah,

1:37:22.680 --> 1:37:25.320
<v Speaker 3>And I handed him a tape and I had my

1:37:25.360 --> 1:37:27.200
<v Speaker 3>phone number on it. I thought it was the best

1:37:27.240 --> 1:37:27.639
<v Speaker 3>thing ever.

1:37:28.680 --> 1:37:29.799
<v Speaker 2>He's the first Mike Jones.

1:37:30.120 --> 1:37:34.240
<v Speaker 3>He called me, told me to come to the studio,

1:37:34.400 --> 1:37:37.920
<v Speaker 3>went to the studio that they recorded the whole n

1:37:38.040 --> 1:37:41.280
<v Speaker 3>W A record, and he was like, yeah, man, I

1:37:41.320 --> 1:37:42.200
<v Speaker 3>want to sign you.

1:37:42.360 --> 1:37:42.600
<v Speaker 1>This is.

1:37:44.520 --> 1:37:48.720
<v Speaker 3>No, this is way after, way after, way after. And

1:37:48.760 --> 1:37:52.519
<v Speaker 3>then I think he had just signed bone. Okay wow.

1:37:52.920 --> 1:37:55.040
<v Speaker 3>And so that's why this is a little surreal moment

1:37:55.080 --> 1:37:58.080
<v Speaker 3>as well. And so then you know, after that lost contact.

1:37:58.280 --> 1:38:01.160
<v Speaker 3>You know, the rest is history. But I did meet him,

1:38:01.320 --> 1:38:04.200
<v Speaker 3>you know what I'm saying, But not I say easy

1:38:04.240 --> 1:38:10.000
<v Speaker 3>because easy E was the catalyst behind the one of

1:38:10.040 --> 1:38:14.639
<v Speaker 3>the the family tree roots of everything that grew out

1:38:14.640 --> 1:38:16.919
<v Speaker 3>of that, including myself.

1:38:16.960 --> 1:38:19.200
<v Speaker 2>You know what I'm saying, Like coming from that n

1:38:19.360 --> 1:38:20.440
<v Speaker 2>w A death.

1:38:20.280 --> 1:38:25.800
<v Speaker 3>Row snoop Dog you know eminem family tree that that

1:38:25.920 --> 1:38:27.120
<v Speaker 3>branched out aftermath.

1:38:27.280 --> 1:38:29.880
<v Speaker 2>Yeah, you take it. Doesn't have to say at least

1:38:29.920 --> 1:38:32.000
<v Speaker 2>not the way we see it exactly right.

1:38:32.080 --> 1:38:35.920
<v Speaker 3>So so Tupac is a is a juggernaut and very

1:38:36.040 --> 1:38:36.879
<v Speaker 3>artist in himself.

1:38:36.960 --> 1:38:39.880
<v Speaker 2>But I would say easy and what story with Pac?

1:38:40.320 --> 1:38:41.800
<v Speaker 2>Any memorable? Dude?

1:38:42.280 --> 1:38:44.360
<v Speaker 3>I think the biggest thing in me and d D

1:38:44.560 --> 1:38:48.880
<v Speaker 3>from the Outlaws, you know, shout out to Edie, Yeah,

1:38:48.960 --> 1:38:51.880
<v Speaker 3>and and and and the whole crew man, Like you know,

1:38:52.040 --> 1:38:55.760
<v Speaker 3>there was the you know Tupac dissed me on well

1:38:55.800 --> 1:39:01.200
<v Speaker 3>he he well, he didn't dis me. I think, uh uh,

1:39:02.240 --> 1:39:10.519
<v Speaker 3>one of the Outlaws, fat On Machavelli. He was like

1:39:10.920 --> 1:39:14.400
<v Speaker 3>he called out whoever did paparazzi because he yeah, they

1:39:14.439 --> 1:39:19.519
<v Speaker 3>thought paparazzi I wrote paparazzi about Tupac, like like like

1:39:19.640 --> 1:39:21.960
<v Speaker 3>the when he had the how do you want It?

1:39:22.040 --> 1:39:22.280
<v Speaker 1>Song?

1:39:22.880 --> 1:39:25.080
<v Speaker 3>All I want is the money in the fame, and

1:39:25.200 --> 1:39:27.600
<v Speaker 3>then in my song said, it's a shame niggas in

1:39:27.640 --> 1:39:29.479
<v Speaker 3>the rap game only for the money in the fame.

1:39:32.080 --> 1:39:33.760
<v Speaker 2>So so he thought.

1:39:33.520 --> 1:39:36.519
<v Speaker 3>That was about him, and I was like, no, nigga,

1:39:36.560 --> 1:39:40.120
<v Speaker 3>it is about It's not about that of that and

1:39:40.200 --> 1:39:43.960
<v Speaker 3>so and so, you know, long story short, I was,

1:39:44.280 --> 1:39:46.479
<v Speaker 3>I was coming in House of Blues. He pulled up

1:39:47.040 --> 1:39:51.320
<v Speaker 3>in a in a white a white Bentley drop top,

1:39:52.120 --> 1:39:57.840
<v Speaker 3>hopped out, shook my hand. It's like layer ship walked

1:39:57.840 --> 1:39:59.760
<v Speaker 3>in there. Did that infamous House of Blue show.

1:40:00.080 --> 1:40:00.519
<v Speaker 2>Well, that's that.

1:40:01.160 --> 1:40:05.559
<v Speaker 1>Yeah, when they did hit him up correct, Wow, Paul,

1:40:06.080 --> 1:40:09.200
<v Speaker 1>he's chest naked, right, I think he had a shirt on.

1:40:10.720 --> 1:40:11.759
<v Speaker 1>That's six six two Okay.

1:40:12.200 --> 1:40:15.840
<v Speaker 3>On stage have been a different thing, jumping out of

1:40:15.880 --> 1:40:19.040
<v Speaker 3>a car and so yeah, that was the back of

1:40:19.040 --> 1:40:21.519
<v Speaker 3>the back of House of Blues, first and only time.

1:40:21.400 --> 1:40:22.920
<v Speaker 1>I ever met Tupac. Wow.

1:40:23.080 --> 1:40:25.840
<v Speaker 2>And and uh yeah that was dope man, that was dope.

1:40:26.040 --> 1:40:26.280
<v Speaker 1>Wow.

1:40:26.400 --> 1:40:28.720
<v Speaker 3>But but but now fast forward, me and Edie did

1:40:28.720 --> 1:40:32.200
<v Speaker 3>a song together and we had talked about that and

1:40:32.240 --> 1:40:34.280
<v Speaker 3>he was like, talk about it. Yeah, we did talk

1:40:34.320 --> 1:40:36.360
<v Speaker 3>about it, and he was like man, he was just

1:40:36.479 --> 1:40:39.120
<v Speaker 3>he just he just felt like everybody was coming at

1:40:39.200 --> 1:40:39.960
<v Speaker 3>him at that time.

1:40:40.320 --> 1:40:42.639
<v Speaker 2>So he was hyper sensitive about everything.

1:40:43.240 --> 1:40:46.120
<v Speaker 3>And so once we had that understanding, it's like, bro,

1:40:46.240 --> 1:40:49.200
<v Speaker 3>that has nothing to do with nothing and it's all

1:40:49.280 --> 1:40:49.760
<v Speaker 3>love now.

1:40:49.800 --> 1:40:51.559
<v Speaker 2>But you know it was, it was, it was a thing.

1:40:51.720 --> 1:40:52.320
<v Speaker 2>You know what I'm saying.

1:40:52.320 --> 1:40:54.679
<v Speaker 1>It's crazy, that's crazy when the last time you spoke

1:40:54.720 --> 1:40:57.040
<v Speaker 1>the blunket. This just tastes like Jesus pussy, right, but

1:40:59.560 --> 1:41:04.519
<v Speaker 1>just being this, it is fantastic. Look I got this

1:41:04.520 --> 1:41:06.080
<v Speaker 1>for you, man. Look look I got that. I know

1:41:06.120 --> 1:41:08.360
<v Speaker 1>you are smoking, man, give.

1:41:08.320 --> 1:41:11.760
<v Speaker 2>Him one of them roll up Jesus rollers up. Okay, yeah,

1:41:11.840 --> 1:41:14.240
<v Speaker 2>roll up one bus.

1:41:13.880 --> 1:41:15.960
<v Speaker 1>Assistance from one of my my stores in.

1:41:16.080 --> 1:41:18.080
<v Speaker 2>L A, one of the stores. I like how you got.

1:41:18.640 --> 1:41:20.599
<v Speaker 2>Let's be clear understand that.

1:41:20.960 --> 1:41:25.680
<v Speaker 3>Okay, you got to give us Los Angeles even traditional.

1:41:26.200 --> 1:41:27.080
<v Speaker 2>I didn't even tell you.

1:41:27.600 --> 1:41:31.120
<v Speaker 1>During COVID I did marriage boot camp and there was

1:41:31.120 --> 1:41:32.559
<v Speaker 1>the dispensary that would deliver it.

1:41:32.479 --> 1:41:35.000
<v Speaker 2>To me and all over By is their ship like

1:41:35.120 --> 1:41:37.280
<v Speaker 2>all over Buys. Yes, I never even called you.

1:41:37.320 --> 1:41:39.840
<v Speaker 1>It was I was like in my mind, I'm like

1:41:39.880 --> 1:41:43.920
<v Speaker 1>this nigga got the more appreciated or appreciate. Yeah, how

1:41:43.960 --> 1:41:45.160
<v Speaker 1>did you get into cannabis business?

1:41:45.280 --> 1:41:46.040
<v Speaker 2>What he just said?

1:41:47.760 --> 1:41:49.800
<v Speaker 1>I mean we here, we here, we hit him.

1:41:50.080 --> 1:41:50.479
<v Speaker 2>What is this?

1:41:51.240 --> 1:41:54.320
<v Speaker 1>That's that's that's that's that's called Los angel.

1:41:54.000 --> 1:41:58.559
<v Speaker 3>O g Angel lost, Los angel O g Angel. Yeah,

1:41:58.600 --> 1:42:01.760
<v Speaker 3>it's a collab we did with the traditional brand. That's

1:42:01.760 --> 1:42:06.720
<v Speaker 3>stuff mine is. My stores are called Exhibits West Coast Cannabis. Okay, right,

1:42:06.800 --> 1:42:09.000
<v Speaker 3>I have one in bel Air and one in Chatsworth.

1:42:09.120 --> 1:42:14.000
<v Speaker 2>Sounds very rich. They look beautiful, yeah, beautiful.

1:42:14.080 --> 1:42:16.120
<v Speaker 3>Yeah, And I got a I got with a really

1:42:16.120 --> 1:42:20.120
<v Speaker 3>good group. But the retail aspect of what I do

1:42:20.200 --> 1:42:23.840
<v Speaker 3>in cannabis is where I landed. I started by, you know,

1:42:24.160 --> 1:42:28.320
<v Speaker 3>creating some of the biggest brands in cannabis, from you know,

1:42:28.479 --> 1:42:31.400
<v Speaker 3>Brass Knuckles to what we did with Nate Palm to

1:42:31.520 --> 1:42:34.240
<v Speaker 3>working with others, you know, like like my close friends

1:42:34.240 --> 1:42:37.160
<v Speaker 3>are you know, Bread, Wonder Bread, the Originals, you know

1:42:37.200 --> 1:42:40.559
<v Speaker 3>what I'm saying, Like like of course Doctor Green Thumb,

1:42:41.560 --> 1:42:44.120
<v Speaker 3>all all the real heavy hitters, Kenji, all those guys

1:42:44.120 --> 1:42:47.880
<v Speaker 3>that really like put the put it down, see Junkie Genetics,

1:42:48.400 --> 1:42:51.040
<v Speaker 3>all these guys that I've had real close intimate, you know,

1:42:51.240 --> 1:42:56.439
<v Speaker 3>like like real real real relationships. Building brands is where

1:42:56.479 --> 1:43:01.160
<v Speaker 3>I started. So that started in like twenty eighteen, twenty seventeen,

1:43:01.840 --> 1:43:05.559
<v Speaker 3>you know, twenty sixteen. Like the first thing I made

1:43:05.760 --> 1:43:09.360
<v Speaker 3>was a taffy and it was it was it was yeah,

1:43:09.479 --> 1:43:12.040
<v Speaker 3>and it was like we couldn't get the formula right,

1:43:12.120 --> 1:43:14.680
<v Speaker 3>so like one piece would be fucking strong and not

1:43:14.800 --> 1:43:16.639
<v Speaker 3>get your ass out, and then the other one wouldn't

1:43:16.680 --> 1:43:18.479
<v Speaker 3>be as strong as it was. So it was like

1:43:19.160 --> 1:43:22.000
<v Speaker 3>a thing we had to make right. And so that

1:43:22.160 --> 1:43:24.960
<v Speaker 3>was my entry into it. It was called lool taffy.

1:43:25.360 --> 1:43:27.320
<v Speaker 3>And then from there I said, okay, cool. We went

1:43:27.320 --> 1:43:29.720
<v Speaker 3>into the vape cards and then we got into other things.

1:43:29.960 --> 1:43:32.000
<v Speaker 2>But I learned a lot. I know every aspect.

1:43:32.040 --> 1:43:35.520
<v Speaker 3>I've had my own distribution, I've had my own manufacturing,

1:43:35.600 --> 1:43:37.400
<v Speaker 3>I've had all of that stuff. So I've learned every

1:43:37.439 --> 1:43:40.760
<v Speaker 3>aspect of the business. So you know, I think experience

1:43:40.800 --> 1:43:42.760
<v Speaker 3>to me is knowing who to fire and you know

1:43:42.800 --> 1:43:44.800
<v Speaker 3>what I'm saying. And so for me, being able to

1:43:45.160 --> 1:43:48.800
<v Speaker 3>have every aspect of the cannabis industry, you know, understood

1:43:49.320 --> 1:43:52.360
<v Speaker 3>retail was a natural thing for me because not only

1:43:52.400 --> 1:43:53.880
<v Speaker 3>do I know how to build a brand that I

1:43:53.920 --> 1:43:56.280
<v Speaker 3>know how to push your brand that I thought it

1:43:56.320 --> 1:43:58.320
<v Speaker 3>was dope to be able to like. Okay, well let's

1:43:58.320 --> 1:44:01.240
<v Speaker 3>tell everybody shit. You know, California is a ship show

1:44:01.320 --> 1:44:03.240
<v Speaker 3>right now. It needs to be regulated in.

1:44:03.160 --> 1:44:07.040
<v Speaker 2>A different way. I don't understand.

1:44:07.120 --> 1:44:10.080
<v Speaker 3>The rules and regulations for cannabis in California are really

1:44:10.080 --> 1:44:13.360
<v Speaker 3>difficult to navigate for legal cannabis now when you out

1:44:13.960 --> 1:44:17.800
<v Speaker 3>so there's say there's a thousand shops in California right now,

1:44:18.160 --> 1:44:21.920
<v Speaker 3>maybe you know, maybe about half of them are legal,

1:44:22.320 --> 1:44:24.800
<v Speaker 3>right so the other guys are operating.

1:44:24.320 --> 1:44:27.120
<v Speaker 1>With no taxes. No, no, you know.

1:44:28.800 --> 1:44:31.840
<v Speaker 3>It was it was black market or the traditional market,

1:44:32.080 --> 1:44:36.800
<v Speaker 3>you know, and so you know it's we plan by

1:44:36.840 --> 1:44:41.639
<v Speaker 3>different rules, but it's over taxed, it's overregulated. They make

1:44:41.680 --> 1:44:44.280
<v Speaker 3>it really difficult for real operators to to go and

1:44:44.320 --> 1:44:46.200
<v Speaker 3>then they have to compete with people who are just

1:44:46.320 --> 1:44:48.600
<v Speaker 3>undercutting the prices, you know what I'm saying, you know,

1:44:48.640 --> 1:44:50.680
<v Speaker 3>because we got to keep our prices a certain way

1:44:50.680 --> 1:44:52.719
<v Speaker 3>in order to pay the taxes and whatever it happens

1:44:52.760 --> 1:44:55.720
<v Speaker 3>from from the legal business. But then when you got

1:44:55.720 --> 1:44:58.160
<v Speaker 3>motherfucking cowboys down the street that don't give a fuck

1:44:58.200 --> 1:45:00.400
<v Speaker 3>about none of that shit, putting the sh and color

1:45:00.439 --> 1:45:03.120
<v Speaker 3>for last boxes with no regulations and they.

1:45:03.080 --> 1:45:04.519
<v Speaker 1>Got cereal boxes and all.

1:45:06.439 --> 1:45:08.679
<v Speaker 2>All the rappers going in there, like you know what I'm.

1:45:08.520 --> 1:45:10.320
<v Speaker 1>Saying, like why go to a legal shop where I

1:45:10.320 --> 1:45:12.439
<v Speaker 1>can go get some fruit loops with a whole bunch

1:45:12.479 --> 1:45:14.120
<v Speaker 1>of weed in it? You know what I'm saying Like.

1:45:14.600 --> 1:45:18.000
<v Speaker 3>This, it's difficult to navigate through that in California. So

1:45:19.080 --> 1:45:21.840
<v Speaker 3>that being said, there is still a thriving business and

1:45:21.880 --> 1:45:24.400
<v Speaker 3>that things get regulated, it will balance itself out.

1:45:27.280 --> 1:45:30.080
<v Speaker 1>Go to the next krook Tom Slam, Thank god, Mama.

1:45:31.800 --> 1:45:33.320
<v Speaker 2>Rads. Cats are corrupt.

1:45:35.360 --> 1:45:42.679
<v Speaker 3>Both Jesus, fuck, motherfucker. You can't fuck what the fuck

1:45:42.880 --> 1:45:44.200
<v Speaker 3>was that? Jesus, see you talk.

1:45:44.960 --> 1:45:47.840
<v Speaker 1>I just want you to know the Minnican and the

1:45:47.880 --> 1:45:51.280
<v Speaker 1>Colombian writes those questions over there, so it's not me

1:45:51.320 --> 1:45:51.840
<v Speaker 1>a U f it.

1:45:51.880 --> 1:45:55.080
<v Speaker 2>Don't go take it out on where they're from.

1:45:55.240 --> 1:45:57.640
<v Speaker 1>Yeah, I want you to know because it's a conspiracy.

1:46:02.800 --> 1:46:05.439
<v Speaker 2>N w A or Wu Tang n w A.

1:46:07.200 --> 1:46:10.519
<v Speaker 3>And look I love listen, I love Wu Tang, but

1:46:10.600 --> 1:46:13.559
<v Speaker 3>I mean n w A. It's like, you know, that's

1:46:13.560 --> 1:46:17.280
<v Speaker 3>just like where we come from. That's like the Holy croil,

1:46:17.320 --> 1:46:19.360
<v Speaker 3>that's you know, that's that ship started. You had this

1:46:19.439 --> 1:46:21.559
<v Speaker 3>Jerry Curl before I did not have a fucking I

1:46:21.560 --> 1:46:23.439
<v Speaker 3>did have an s curl Curl, I.

1:46:27.120 --> 1:46:28.120
<v Speaker 1>Tell you something I can.

1:46:29.920 --> 1:46:34.040
<v Speaker 2>And I know you had someone and my mom. Fuck.

1:46:34.160 --> 1:46:37.720
<v Speaker 2>I remember, Yes, nigga, that ship was crazy. You can

1:46:37.720 --> 1:46:40.439
<v Speaker 2>put it up on I have one too.

1:46:41.000 --> 1:46:42.759
<v Speaker 3>But you know if the niggas used to sell cracking

1:46:42.960 --> 1:46:45.400
<v Speaker 3>bye them cheap ass sous from Jeans West. You know

1:46:45.439 --> 1:46:49.320
<v Speaker 3>what I say, nigga, Well we did that anyway. Yeah,

1:46:49.479 --> 1:46:52.080
<v Speaker 3>that was wow. Fuck I remember that shaved signs with

1:46:52.080 --> 1:46:52.960
<v Speaker 3>the little curly.

1:46:53.080 --> 1:46:57.040
<v Speaker 1>Next to damn it king t No, no, no, I

1:46:57.040 --> 1:47:01.880
<v Speaker 1>can't do this one. Oh yo, see sorry, you just

1:47:01.880 --> 1:47:09.400
<v Speaker 1>give me everything Ice, Oh fuck you God Jesus yeah,

1:47:10.280 --> 1:47:10.599
<v Speaker 1>mm hmm.

1:47:11.439 --> 1:47:12.360
<v Speaker 2>He's got a record with Q.

1:47:12.800 --> 1:47:16.160
<v Speaker 1>Yeah, come on, man on the on the album, tell

1:47:16.200 --> 1:47:19.120
<v Speaker 1>me you guy, after we get done, you got, I ain't.

1:47:18.920 --> 1:47:21.240
<v Speaker 2>Going nowhere over the quiet storm they.

1:47:21.479 --> 1:47:22.040
<v Speaker 1>Come on.

1:47:24.960 --> 1:47:30.000
<v Speaker 2>To blow it up for the fans. J you hear

1:47:30.040 --> 1:47:30.960
<v Speaker 2>that kind of mash up?

1:47:31.200 --> 1:47:39.519
<v Speaker 1>Jesus okay or jay Z? What the both?

1:47:40.000 --> 1:47:40.839
<v Speaker 2>Jesus Christmas?

1:47:41.000 --> 1:47:43.600
<v Speaker 1>Anna Lie. I told y'all spoke to NOAs today this

1:47:43.720 --> 1:47:45.120
<v Speaker 1>morning and I hit him.

1:47:45.120 --> 1:47:45.960
<v Speaker 2>I was like, I got dreaded.

1:47:46.560 --> 1:47:48.719
<v Speaker 1>I'm not gonna get in the middle of that ship.

1:47:50.520 --> 1:47:53.920
<v Speaker 1>He's fucking crazy. Oh I got, I got all right?

1:47:54.800 --> 1:47:57.160
<v Speaker 1>Didn't my shot? Come on, you didn't drink your shot? No? No, no,

1:47:57.800 --> 1:48:00.680
<v Speaker 1>I don't. I don't seat the game. I treat the game.

1:48:00.880 --> 1:48:09.280
<v Speaker 2>It's cola shot exactly, thank you. That's Chico. What is

1:48:09.320 --> 1:48:11.920
<v Speaker 2>this forty two? Okay?

1:48:11.960 --> 1:48:12.200
<v Speaker 1>Cool?

1:48:12.240 --> 1:48:14.800
<v Speaker 2>All cipresso alcoholics?

1:48:14.960 --> 1:48:22.080
<v Speaker 1>Ooh ooh ooh. I love his racist presidents.

1:48:22.200 --> 1:48:27.400
<v Speaker 6>Yo, the links are so assassins. Yeah, what the fuck

1:48:27.479 --> 1:48:29.720
<v Speaker 6>you guys? I feel like you're part of both cruiser. Yeah,

1:48:29.800 --> 1:48:35.040
<v Speaker 6>I can't fuck it both the fucking I told you

1:48:35.080 --> 1:48:36.080
<v Speaker 6>bring spring the bottle.

1:48:36.840 --> 1:48:37.759
<v Speaker 2>Cheers, cheers, cheers.

1:48:39.080 --> 1:48:43.400
<v Speaker 1>Okay, oh shipg you do that?

1:48:44.600 --> 1:48:48.080
<v Speaker 2>This West Coast ship? I mean, what the just racist?

1:48:48.720 --> 1:48:51.160
<v Speaker 1>Let you have the West Coast and DJ.

1:48:51.640 --> 1:48:54.200
<v Speaker 2>I got the groups? Is that the DJ and the

1:48:54.200 --> 1:48:56.560
<v Speaker 2>West Coast warn Gidfari?

1:48:57.120 --> 1:48:59.400
<v Speaker 1>Oh wow, you guys are not fair.

1:48:59.479 --> 1:48:59.840
<v Speaker 6>What the.

1:49:03.320 --> 1:49:08.839
<v Speaker 1>That's the Dominican and that's the Colombian. That's right right there. Okay, okay, okay,

1:49:10.080 --> 1:49:13.679
<v Speaker 1>both damn yeah both I got. I'm older shot.

1:49:13.680 --> 1:49:16.639
<v Speaker 2>You can say someone was just was your favorite good.

1:49:16.479 --> 1:49:20.280
<v Speaker 1>MACARONIY better so far as my brother is my brother?

1:49:20.640 --> 1:49:26.120
<v Speaker 2>You know what I'm saying, like bring a million already,

1:49:26.600 --> 1:49:27.400
<v Speaker 2>d I drank him.

1:49:27.439 --> 1:49:34.439
<v Speaker 1>You might just drink com okay, all right, and I

1:49:34.439 --> 1:49:35.320
<v Speaker 1>haven't drinking a week.

1:49:35.320 --> 1:49:36.920
<v Speaker 2>All right, you got the next one? Go all right,

1:49:37.120 --> 1:49:38.160
<v Speaker 2>drink no drink that first.

1:49:43.160 --> 1:49:46.839
<v Speaker 1>Okay. I know I got this one. Pharrell or Kanye

1:49:50.280 --> 1:49:57.120
<v Speaker 1>who Man, I'm gonna go with ya, go with yeah,

1:49:57.479 --> 1:49:58.160
<v Speaker 1>big up the yeah.

1:49:58.320 --> 1:49:59.280
<v Speaker 2>Any story with ya.

1:50:00.760 --> 1:50:00.960
<v Speaker 8>Or for.

1:50:02.840 --> 1:50:06.639
<v Speaker 1>I haven't had a lot of interaction with with either

1:50:06.680 --> 1:50:12.559
<v Speaker 1>of them, but I met Pharrell very cordial. You don't

1:50:12.560 --> 1:50:21.160
<v Speaker 1>got to be with all timblingbling like everything.

1:50:21.960 --> 1:50:27.200
<v Speaker 2>You know what I'm saying. Talk to Kanye.

1:50:27.720 --> 1:50:30.479
<v Speaker 3>You know what I'm saying, like never never really got

1:50:30.520 --> 1:50:32.800
<v Speaker 3>real deep with it, you know what I'm saying. But look,

1:50:32.840 --> 1:50:35.519
<v Speaker 3>I say Kanye because I'm a fan.

1:50:35.360 --> 1:50:35.920
<v Speaker 1>Of his work.

1:50:39.680 --> 1:50:44.280
<v Speaker 3>You know, I speak fluent artists, right, I like that,

1:50:44.680 --> 1:50:47.840
<v Speaker 3>so I speak fluent artists. So I know when I

1:50:47.920 --> 1:50:51.759
<v Speaker 3>see it, and I know the frustration that he was feeling.

1:50:51.880 --> 1:50:52.599
<v Speaker 1>You know what I'm saying.

1:50:52.800 --> 1:50:56.840
<v Speaker 3>I articulate my frustration in different ways, but I felt

1:50:56.840 --> 1:50:59.559
<v Speaker 3>when he was doing that, you know what I'm saying.

1:50:59.560 --> 1:51:02.800
<v Speaker 3>And I saw his his roller coaster ride and through

1:51:02.840 --> 1:51:06.360
<v Speaker 3>it all, he stayed creative great.

1:51:06.200 --> 1:51:06.679
<v Speaker 1>Through it all.

1:51:06.800 --> 1:51:09.519
<v Speaker 3>He's stayed creative, and he and and he and he

1:51:09.640 --> 1:51:12.400
<v Speaker 3>performed at an optimum level, and he was able to

1:51:12.439 --> 1:51:15.920
<v Speaker 3>move some really big chess pieces around the board in

1:51:15.960 --> 1:51:17.360
<v Speaker 3>the in the state of chaos.

1:51:17.479 --> 1:51:18.080
<v Speaker 2>When you can.

1:51:17.960 --> 1:51:23.760
<v Speaker 3>Operate like that, I mean, yeah, it's a whole different thing. Look,

1:51:23.800 --> 1:51:25.800
<v Speaker 3>and you can't take nothing away from for real, for

1:51:25.920 --> 1:51:29.400
<v Speaker 3>Rail as a musical master, he's a genius. He he

1:51:29.800 --> 1:51:33.719
<v Speaker 3>definitely has transitioned into like bigger roles as well.

1:51:33.600 --> 1:51:36.240
<v Speaker 1>Going into you know what he's doing with Louis Vatan,

1:51:39.880 --> 1:51:45.920
<v Speaker 1>Yeah and yeah, yeah, and the stuff that he's doing

1:51:45.960 --> 1:51:46.400
<v Speaker 1>in film.

1:51:46.479 --> 1:51:49.120
<v Speaker 3>You know what I'm saying with The Despicable Me. Yeah,

1:51:49.200 --> 1:51:52.000
<v Speaker 3>I mean, you can't take nothing away from what these

1:51:52.040 --> 1:51:53.800
<v Speaker 3>guys are doing because they're doing it at such a

1:51:53.880 --> 1:51:58.360
<v Speaker 3>high level. But I love the underdog. I love the

1:51:58.360 --> 1:52:00.200
<v Speaker 3>motherfucker that's the you.

1:52:00.160 --> 1:52:05.280
<v Speaker 1>Know fights, He's been an underdog in a long time.

1:52:06.040 --> 1:52:07.760
<v Speaker 6>He was going, he was he was going against what

1:52:08.240 --> 1:52:10.600
<v Speaker 6>I mean, maybe to his own he was bringing it on,

1:52:10.760 --> 1:52:13.360
<v Speaker 6>but he was going up against some some big things.

1:52:13.760 --> 1:52:16.559
<v Speaker 3>He's going against some big things, some big ideas. I'm

1:52:16.600 --> 1:52:17.599
<v Speaker 3>going to be some big thoughts.

1:52:18.040 --> 1:52:18.559
<v Speaker 1>We went through.

1:52:19.080 --> 1:52:25.759
<v Speaker 13>Yeah, we went through it. What was that secondhand smoke?

1:52:26.360 --> 1:52:31.879
<v Speaker 13>We definitely called second hand smoke? Like this is ahead Jesus,

1:52:32.000 --> 1:52:32.880
<v Speaker 13>Nipsey or Drake you.

1:52:36.760 --> 1:52:42.400
<v Speaker 1>Nigga ruthless Dominicans of Columbia.

1:52:42.479 --> 1:52:48.000
<v Speaker 3>Draco, Draco, I have to say Nipsey like I you know,

1:52:48.640 --> 1:52:56.120
<v Speaker 3>you know, rest in peace Draco's Nipsy piece both.

1:52:56.400 --> 1:52:58.400
<v Speaker 1>Yeah.

1:52:59.760 --> 1:53:04.160
<v Speaker 3>I just think that what Nipsey manifested in the city

1:53:04.160 --> 1:53:07.920
<v Speaker 3>of Los Angeles, in his neighborhood, in the spirit of

1:53:07.920 --> 1:53:08.400
<v Speaker 3>the people.

1:53:09.400 --> 1:53:12.439
<v Speaker 14>I got to see it myself. I agree with you

1:53:12.960 --> 1:53:16.080
<v Speaker 14>was impactful to a lot of people. They both had impacts,

1:53:16.880 --> 1:53:20.200
<v Speaker 14>but I think what Nipsey men and what he represented

1:53:20.960 --> 1:53:22.120
<v Speaker 14>was a lot stronger.

1:53:22.880 --> 1:53:25.200
<v Speaker 2>You know, I want to re edit what you're saying

1:53:26.200 --> 1:53:26.439
<v Speaker 2>to me.

1:53:27.640 --> 1:53:31.360
<v Speaker 1>I know this is gonna sound crazy, but to me,

1:53:31.560 --> 1:53:34.680
<v Speaker 1>every time I met Nipsey, it was like me in

1:53:34.760 --> 1:53:39.439
<v Speaker 1>a version of Jesus. It's because he knew everything about

1:53:39.479 --> 1:53:42.400
<v Speaker 1>his ogs, like and so many the.

1:53:42.360 --> 1:53:43.840
<v Speaker 2>Younger generation just don't.

1:53:44.080 --> 1:53:46.719
<v Speaker 1>They'll know more about Michael Jordan, did they know about Snoop?

1:53:47.120 --> 1:53:51.760
<v Speaker 1>They know about more about fucking you know, Penny Hardaway because.

1:53:51.479 --> 1:53:52.520
<v Speaker 2>Of the Sneakers.

1:53:54.120 --> 1:53:56.679
<v Speaker 1>Then they'll know about biggie, like, you know what I'm saying.

1:53:56.800 --> 1:53:59.920
<v Speaker 1>Just because of the sneakers, they won't. Actually, this is

1:54:00.000 --> 1:54:02.560
<v Speaker 1>how you're feeding your family and you don't want to

1:54:02.600 --> 1:54:06.479
<v Speaker 1>know who the Forefalls was today. So but Nipsey did

1:54:07.000 --> 1:54:09.040
<v Speaker 1>Nipsey always, and you.

1:54:09.000 --> 1:54:12.160
<v Speaker 3>Can tell the ones who do right, like listen, like

1:54:12.240 --> 1:54:13.240
<v Speaker 3>people aren't stupid.

1:54:13.400 --> 1:54:15.360
<v Speaker 1>They know when you really love this thing.

1:54:16.400 --> 1:54:19.800
<v Speaker 3>When you when you really love it, it shows you,

1:54:19.800 --> 1:54:21.759
<v Speaker 3>know what I'm saying, And when you really do and listen,

1:54:21.880 --> 1:54:24.040
<v Speaker 3>just because you're getting money from something don't make you

1:54:24.680 --> 1:54:25.559
<v Speaker 3>really you know.

1:54:27.000 --> 1:54:27.639
<v Speaker 2>The best.

1:54:27.760 --> 1:54:28.479
<v Speaker 1>You know what I'm saying.

1:54:29.640 --> 1:54:31.719
<v Speaker 3>I think there's I think there's a lot of things

1:54:31.720 --> 1:54:35.680
<v Speaker 3>that happened in hip hop and around hip hop, but

1:54:35.920 --> 1:54:37.840
<v Speaker 3>you know, we don't own enough you know what I'm

1:54:37.840 --> 1:54:40.720
<v Speaker 3>saying to be able to control the narrative.

1:54:40.800 --> 1:54:41.440
<v Speaker 1>You know what I'm saying.

1:54:41.600 --> 1:54:44.280
<v Speaker 3>And that's cool though, man, because it's growing and it's

1:54:44.280 --> 1:54:46.120
<v Speaker 3>feeding families and it's doing all this ship.

1:54:46.680 --> 1:54:48.880
<v Speaker 1>But to still be here and be able to do

1:54:48.960 --> 1:54:51.200
<v Speaker 1>this with you guys.

1:54:50.480 --> 1:54:56.920
<v Speaker 2>Like, yes, why I appreciate all of this, man?

1:54:57.040 --> 1:54:58.879
<v Speaker 1>Yeah? Yeah. The next.

1:55:00.840 --> 1:55:09.000
<v Speaker 6>Common or black thought, black thought, black thoughts, Yo, sounds

1:55:09.000 --> 1:55:11.440
<v Speaker 6>like you were mad when coming Decice you.

1:55:11.440 --> 1:55:14.080
<v Speaker 2>No, okay, I'm kidding, kidding, I love coming.

1:55:14.320 --> 1:55:18.120
<v Speaker 3>You know what I'm saying Common is Common is an

1:55:18.160 --> 1:55:20.840
<v Speaker 3>artist in his own right. But if we're talking about

1:55:22.520 --> 1:55:25.360
<v Speaker 3>we're talking to black dots, beasts, man, we're talking about

1:55:25.400 --> 1:55:28.120
<v Speaker 3>the whole. We're talking about a motherfucking a beast. We're

1:55:28.120 --> 1:55:30.760
<v Speaker 3>talking about and Common is a beast too.

1:55:31.320 --> 1:55:31.920
<v Speaker 2>You know what I'm saying.

1:55:32.000 --> 1:55:36.560
<v Speaker 3>Please don't diss me comment because no, I get I

1:55:36.600 --> 1:55:38.560
<v Speaker 3>get it. But but Black Thought is is a whole.

1:55:38.760 --> 1:55:40.960
<v Speaker 2>I think Common would say Black Thought, Yeah, he's a

1:55:41.040 --> 1:55:43.800
<v Speaker 2>fucking phenomenon. No, I don't think that. I think so.

1:55:45.160 --> 1:55:45.800
<v Speaker 2>I think so.

1:55:46.240 --> 1:55:52.520
<v Speaker 1>Nat because because what I'm saying is, we'll say.

1:55:52.280 --> 1:55:54.400
<v Speaker 6>That we're coming because he is such an m.

1:55:54.480 --> 1:55:56.280
<v Speaker 2>C and he's ready to battle.

1:55:56.520 --> 1:56:02.280
<v Speaker 1>Yeah, yeah, I guess, but he ain't ready to battle

1:56:02.280 --> 1:56:12.200
<v Speaker 1>Black Thought. But they're fan. They're fan anyways, Black thoughts,

1:56:12.360 --> 1:56:13.240
<v Speaker 1>motherfucking monster.

1:56:13.360 --> 1:56:15.760
<v Speaker 6>See, I think you Black Thought doesn't get the credit.

1:56:15.800 --> 1:56:19.440
<v Speaker 6>He deserves to be honest with you, like he's Loosten.

1:56:19.760 --> 1:56:20.160
<v Speaker 1>I know.

1:56:20.520 --> 1:56:24.640
<v Speaker 2>You know what I'm saying. I know. I Look, there's

1:56:24.680 --> 1:56:25.280
<v Speaker 2>a lot of guys.

1:56:25.320 --> 1:56:27.960
<v Speaker 3>There's there's some there's some masters of the of the

1:56:28.040 --> 1:56:30.360
<v Speaker 3>craft that I feel like, you know what I'm saying

1:56:30.360 --> 1:56:33.160
<v Speaker 3>when I listen to them, that the motherfuckers is is

1:56:33.280 --> 1:56:38.240
<v Speaker 3>monster Royster five nine being wonderful, out of control black

1:56:38.320 --> 1:56:39.520
<v Speaker 3>Thought being another one.

1:56:41.040 --> 1:56:42.320
<v Speaker 2>Like there's a.

1:56:42.280 --> 1:56:44.000
<v Speaker 1>Couple of guys that that that.

1:56:43.880 --> 1:56:46.320
<v Speaker 3>I really like, Wow, you know what I'm saying, Like

1:56:46.360 --> 1:56:48.240
<v Speaker 3>I really appreciate what they do.

1:56:48.760 --> 1:56:49.440
<v Speaker 1>You know what I'm saying.

1:56:49.680 --> 1:56:53.200
<v Speaker 2>And we got this is Cardinal hair, Cardinal Fisher. That's

1:56:53.200 --> 1:56:53.640
<v Speaker 2>one of my.

1:56:58.400 --> 1:56:59.160
<v Speaker 1>Oh thank you.

1:57:00.160 --> 1:57:02.440
<v Speaker 2>It's not that you got a personal roller too. I'm

1:57:02.480 --> 1:57:03.320
<v Speaker 2>rolling my own ship.

1:57:03.520 --> 1:57:04.240
<v Speaker 1>And I ain't gonna lie.

1:57:04.240 --> 1:57:05.280
<v Speaker 2>I've been I've been watching you.

1:57:05.840 --> 1:57:06.680
<v Speaker 1>I mean i've been.

1:57:06.680 --> 1:57:08.000
<v Speaker 2>I've been seeing you put it together.

1:57:11.040 --> 1:57:16.560
<v Speaker 6>I got hash and and and diamonds and Cocaina.

1:57:18.640 --> 1:57:19.160
<v Speaker 1>Get the screen.

1:57:19.280 --> 1:57:25.440
<v Speaker 2>Call Kiff Frost, Mellow Mayonnaise, Uh kid Frost.

1:57:25.760 --> 1:57:31.160
<v Speaker 3>I love Melow Maynaes. Shout out Melomyannaes. Without Melow Maynase,

1:57:31.200 --> 1:57:34.280
<v Speaker 3>we wouldn't have dim Rick. Dimrick came from, you know,

1:57:34.440 --> 1:57:37.280
<v Speaker 3>relationship with Melow Maynes. That's how he got introduced to

1:57:37.320 --> 1:57:39.000
<v Speaker 3>be real, That's how he got introduced.

1:57:39.360 --> 1:57:44.600
<v Speaker 6>Mellows Dog's brother. Correct, And that's my Cuban people's right there. Yes,

1:57:45.600 --> 1:57:47.400
<v Speaker 6>that's rush. This question Kid Frost.

1:57:49.480 --> 1:57:52.120
<v Speaker 3>Kid Frost was the He's the He's the o G

1:57:52.920 --> 1:57:54.560
<v Speaker 3>of that I'm talking about.

1:57:55.200 --> 1:57:56.760
<v Speaker 2>Ruthless. He was on Ruthless.

1:57:56.800 --> 1:58:02.040
<v Speaker 1>Everything had to hit records, had had the presence, had

1:58:02.080 --> 1:58:07.880
<v Speaker 1>the representation, had the whole community behind him, Right Yeah.

1:58:07.960 --> 1:58:10.280
<v Speaker 1>His son, his son scooped de Ville.

1:58:10.560 --> 1:58:14.800
<v Speaker 3>He was a fucking phenomenal hits hip hop like he

1:58:14.880 --> 1:58:17.480
<v Speaker 3>It's like you can see you can see how much

1:58:19.000 --> 1:58:21.840
<v Speaker 3>Kid Frost loved hip hop by the way his son loves.

1:58:21.800 --> 1:58:24.040
<v Speaker 6>Because it doesn't even look the same, but it's the same.

1:58:24.640 --> 1:58:25.240
<v Speaker 6>You know what I'm saying.

1:58:25.720 --> 1:58:29.680
<v Speaker 3>You get to see how real Kid Frost is from

1:58:29.880 --> 1:58:33.240
<v Speaker 3>the way his son and the way his son is.

1:58:33.280 --> 1:58:35.240
<v Speaker 2>You know what I'm saying, Like he got a love.

1:58:35.040 --> 1:58:39.040
<v Speaker 3>For the hop that that is deeper than anybody I've seen.

1:58:39.040 --> 1:58:41.720
<v Speaker 3>You know what I'm saying, Alchemists like that level of

1:58:42.120 --> 1:58:44.080
<v Speaker 3>you know what I'm saying, being into into the hop.

1:58:44.120 --> 1:58:48.320
<v Speaker 3>You know what I'm saying, Like like alchemists man like.

1:58:48.640 --> 1:58:51.160
<v Speaker 3>And then that's another dude, Like I knew when he

1:58:51.320 --> 1:58:54.840
<v Speaker 3>was when he was running around the hooligans, you know

1:58:54.840 --> 1:58:56.600
<v Speaker 3>what I'm saying, Like seeing him in.

1:58:56.520 --> 1:59:01.280
<v Speaker 1>The main he was back.

1:59:01.360 --> 1:59:03.200
<v Speaker 2>I don't know bugget, but he was.

1:59:04.520 --> 1:59:07.520
<v Speaker 1>Then Alchemist was never good. He was.

1:59:09.160 --> 1:59:12.160
<v Speaker 2>Man robbing good man. He took a shot at me,

1:59:12.200 --> 1:59:12.880
<v Speaker 2>So I gotta take.

1:59:14.720 --> 1:59:17.800
<v Speaker 1>My brother by the way, by the way, one of

1:59:17.840 --> 1:59:19.760
<v Speaker 1>the greatest produces all the time, my friend.

1:59:19.920 --> 1:59:22.520
<v Speaker 2>Yeah, one of the others. Yes, man, my brother.

1:59:22.600 --> 1:59:26.680
<v Speaker 9>Man, you took a shot. No one even told you

1:59:26.680 --> 1:59:32.600
<v Speaker 9>to a shout the yeah, I want to leave us.

1:59:33.880 --> 1:59:41.120
<v Speaker 9>Don't hit The whole time this was drink don't hold on.

1:59:41.920 --> 1:59:45.240
<v Speaker 9>I know with him, drink shamps, nigga with champions and time.

1:59:45.320 --> 1:59:46.240
<v Speaker 9>You know, he got into it.

1:59:46.240 --> 1:59:54.280
<v Speaker 1>He just have no coming, great guy with good coming.

1:59:54.360 --> 1:59:54.760
<v Speaker 2>I love that.

1:59:54.840 --> 1:59:55.320
<v Speaker 1>I love that.

1:59:59.600 --> 2:00:02.960
<v Speaker 15>I feel like this is you, everything is me Lauren

2:00:03.000 --> 2:00:13.160
<v Speaker 15>Hill or miss Elliot. Oh He's like, oh oh oh oh,

2:00:15.880 --> 2:00:17.400
<v Speaker 15>so many I loved it.

2:00:18.440 --> 2:00:23.800
<v Speaker 3>It's like, yeah, I mean, you got, you got, you got.

2:00:24.440 --> 2:00:26.240
<v Speaker 3>You know, I can't stay in the rain, and then

2:00:26.280 --> 2:00:28.400
<v Speaker 3>you got I can't, Then you got.

2:00:28.600 --> 2:00:31.120
<v Speaker 2>They're both really literally you know what I'm saying.

2:00:31.280 --> 2:00:32.720
<v Speaker 1>And then you you know, you get.

2:00:33.520 --> 2:00:37.360
<v Speaker 3>Come on, man, So you're saying both. I'm not saying both.

2:00:38.080 --> 2:00:39.680
<v Speaker 3>I think here I need to make I need to

2:00:40.960 --> 2:00:49.640
<v Speaker 3>got to take a stand. Oh I'm gonna say I'm

2:00:49.640 --> 2:00:50.280
<v Speaker 3>gonna say.

2:00:50.360 --> 2:00:55.080
<v Speaker 2>Mister, wow, I didn't see that one coming, all right, Yeah.

2:00:55.240 --> 2:00:57.800
<v Speaker 3>Even though I know the impact that that album had,

2:00:57.840 --> 2:01:01.800
<v Speaker 3>the mis Education of Lauryn Hill had on the culture.

2:01:03.040 --> 2:01:05.320
<v Speaker 2>And the Fujis and the Fuji's.

2:01:04.920 --> 2:01:08.480
<v Speaker 1>Because that's the only album she only hasn't technically one understands.

2:01:07.880 --> 2:01:09.200
<v Speaker 6>Saying that, But I don't know. I just got to

2:01:09.240 --> 2:01:11.600
<v Speaker 6>be give the Fujis as her album as an album.

2:01:11.720 --> 2:01:13.720
<v Speaker 2>No, that's a group project. That's a group project. I

2:01:13.840 --> 2:01:15.200
<v Speaker 2>get it, I get it, but it's still she's a

2:01:15.240 --> 2:01:15.800
<v Speaker 2>part of the group.

2:01:15.920 --> 2:01:16.160
<v Speaker 1>No, But.

2:01:17.640 --> 2:01:21.560
<v Speaker 2>The mis Education of Lauren Hill is her project, that's her.

2:01:21.720 --> 2:01:24.280
<v Speaker 2>But her catalog would be discussion.

2:01:24.320 --> 2:01:25.680
<v Speaker 1>That's why I bring it up all the time, just

2:01:25.760 --> 2:01:28.000
<v Speaker 1>being honest in my opinion. I don't I don't really care.

2:01:28.120 --> 2:01:29.280
<v Speaker 1>It's the real answer.

2:01:30.440 --> 2:01:34.960
<v Speaker 3>Talking about it's one album and in her group stuff. Yeah,

2:01:35.040 --> 2:01:38.400
<v Speaker 3>she she was Laurence Hill within that group. But ice

2:01:38.480 --> 2:01:40.280
<v Speaker 3>Cube was an ice cube until he was out of it.

2:01:40.400 --> 2:01:42.320
<v Speaker 2>God damn it, God damn it, God damn it. So

2:01:42.360 --> 2:01:43.560
<v Speaker 2>you wouldn't give ice Cube.

2:01:43.400 --> 2:01:44.480
<v Speaker 1>In w either. Yeah.

2:01:44.720 --> 2:01:46.680
<v Speaker 2>I gave it to him. He was in a group setting.

2:01:47.200 --> 2:01:48.400
<v Speaker 2>But it makes ice cube.

2:01:50.400 --> 2:01:50.640
<v Speaker 1>W A.

2:01:50.800 --> 2:01:55.040
<v Speaker 6>You don't have ice cube, we're not disagreeing with disagree

2:01:55.040 --> 2:01:56.160
<v Speaker 6>with you and he can be right.

2:01:58.400 --> 2:02:05.000
<v Speaker 1>Disagreement. He's like, yeah, listen, listen, it's a group thing,

2:02:05.120 --> 2:02:09.840
<v Speaker 1>you know what I'm saying. Like they are like troying,

2:02:10.240 --> 2:02:11.320
<v Speaker 1>making one movement.

2:02:11.480 --> 2:02:14.760
<v Speaker 2>So you want the solo thing to show shows.

2:02:15.680 --> 2:02:20.520
<v Speaker 3>You're arranged as an artist solo artists, right, that solo

2:02:20.760 --> 2:02:23.520
<v Speaker 3>project is what like, that's your representation.

2:02:23.680 --> 2:02:25.760
<v Speaker 1>So mis education of Lauren Hill.

2:02:25.800 --> 2:02:29.800
<v Speaker 3>Was crazy crazy It moves shift the culture like it

2:02:29.960 --> 2:02:35.000
<v Speaker 3>solidified her as as is who she is now, right,

2:02:35.960 --> 2:02:40.120
<v Speaker 3>And then you look at Missy and she's reinvented herself

2:02:40.240 --> 2:02:42.080
<v Speaker 3>like she just had one of the biggest tours ever

2:02:42.160 --> 2:02:42.440
<v Speaker 3>will but.

2:02:44.080 --> 2:02:48.640
<v Speaker 2>Happened Era and Buster rhymes every morning.

2:02:48.760 --> 2:02:53.520
<v Speaker 3>And also you know the way that she has, like

2:02:53.680 --> 2:02:55.960
<v Speaker 3>you know when you see in a Missy Elliott production,

2:02:56.160 --> 2:02:59.320
<v Speaker 3>you know when you see in the dancers, the court

2:02:59.560 --> 2:03:02.720
<v Speaker 3>choreography that you know what I'm saying, that the sound.

2:03:02.520 --> 2:03:05.000
<v Speaker 2>That you know what I'm saying, like like that ship

2:03:05.160 --> 2:03:07.160
<v Speaker 2>is not easy to do, you know what I'm saying.

2:03:07.200 --> 2:03:09.560
<v Speaker 3>And when you see the hard work that that's put

2:03:09.600 --> 2:03:12.360
<v Speaker 3>into that, like you have to be like, listen, you

2:03:12.440 --> 2:03:14.400
<v Speaker 3>know what I'm saying, don't I don't want to hear

2:03:14.480 --> 2:03:17.400
<v Speaker 3>about artists showing up late or doing that or doing

2:03:17.440 --> 2:03:21.080
<v Speaker 3>all that ship when when there's other artists to be

2:03:21.240 --> 2:03:23.600
<v Speaker 3>compared to that are putting in that type of effort,

2:03:23.920 --> 2:03:24.560
<v Speaker 3>you know what I'm saying.

2:03:24.600 --> 2:03:26.160
<v Speaker 2>So that's why I got to get and she penned

2:03:26.160 --> 2:03:27.800
<v Speaker 2>a lot of music, absolutely people, and.

2:03:28.200 --> 2:03:30.360
<v Speaker 1>Her paying game is sick, her delivery is sick, her

2:03:30.440 --> 2:03:32.920
<v Speaker 1>work ethic is sick, her spirit is sick, her soul

2:03:33.080 --> 2:03:35.080
<v Speaker 1>is fucking the biggest life, you know what I'm saying.

2:03:35.160 --> 2:03:40.600
<v Speaker 2>Like, but now I know not to say component Reagan,

2:03:40.920 --> 2:03:46.080
<v Speaker 2>just start your career, bring to him.

2:03:49.520 --> 2:04:08.160
<v Speaker 1>Shot speaking shape, okay? The Chronic or Crying two thousand

2:04:08.200 --> 2:04:10.360
<v Speaker 1>and one. Oh yeah, I'm ready to take a shot.

2:04:11.120 --> 2:04:15.480
<v Speaker 1>Oh the Chronicle Cronic two thousand and one. I mean,

2:04:15.640 --> 2:04:20.160
<v Speaker 1>I would imagine you picked. You're on both, oh one,

2:04:20.240 --> 2:04:25.120
<v Speaker 1>it's not too im Without the group, there's no solo.

2:04:25.240 --> 2:04:27.800
<v Speaker 1>I'm just saying, I'm just saying saying. I'm just I'm

2:04:27.800 --> 2:04:30.160
<v Speaker 1>just say man, I'm just saying. I'm just saying.

2:04:32.040 --> 2:04:34.120
<v Speaker 2>Saying drinking it's drinkers.

2:04:34.160 --> 2:04:34.320
<v Speaker 6>Man.

2:04:34.400 --> 2:04:36.360
<v Speaker 1>No, No, that is not the same thing.

2:04:36.440 --> 2:04:41.840
<v Speaker 2>It is not the saying. It's not the I'm I'm

2:04:41.880 --> 2:04:43.960
<v Speaker 2>with he career doesn't start on here.

2:04:45.840 --> 2:04:51.800
<v Speaker 1>That's not what I'm saying. I'm saying I'm getting to

2:04:51.880 --> 2:04:55.080
<v Speaker 1>do it again. Okay, this one I'm a last all right,

2:04:55.920 --> 2:04:59.320
<v Speaker 1>m O P or marf d Oh that's a good one.

2:05:00.080 --> 2:05:07.160
<v Speaker 1>Oh man, dance be hitting me all the time.

2:05:07.320 --> 2:05:08.480
<v Speaker 2>Man, we talk all the time.

2:05:09.120 --> 2:05:15.520
<v Speaker 1>You gotta do m O P exhibit Yes, yes, we

2:05:15.720 --> 2:05:19.240
<v Speaker 1>have a record with all together m O P. Yes, absolutely,

2:05:19.600 --> 2:05:27.640
<v Speaker 1>and must record too. Was Relativity, Yeah, but that merged.

2:05:27.800 --> 2:05:37.040
<v Speaker 2>That's why came over to ok okay f mm hmm, man,

2:05:37.160 --> 2:05:38.760
<v Speaker 2>come on, man, fuck to.

2:05:40.320 --> 2:05:44.080
<v Speaker 1>Okay. So the difference between mom D and fucking m

2:05:44.120 --> 2:05:44.360
<v Speaker 1>O P.

2:05:45.080 --> 2:05:48.320
<v Speaker 3>It's look, they don't both making gun Talk records the

2:05:49.360 --> 2:05:52.760
<v Speaker 3>gangster ship, right, So one is high energy and that

2:05:53.000 --> 2:05:55.200
<v Speaker 3>delivery is super loud.

2:05:56.960 --> 2:05:59.240
<v Speaker 1>M O P. Mom was more laid past.

2:05:59.280 --> 2:06:02.440
<v Speaker 2>It's crazy because both doing that. Yeah, yeah, I love it.

2:06:02.560 --> 2:06:04.960
<v Speaker 3>It's both hit, but it's hitting at the same kind

2:06:05.040 --> 2:06:10.720
<v Speaker 3>of level, right, thanks man, yesterday mom D.

2:06:11.000 --> 2:06:13.280
<v Speaker 2>Of course of the affiliation with the label mates.

2:06:13.320 --> 2:06:17.760
<v Speaker 1>I got it, I got it, I got it both.

2:06:18.280 --> 2:06:21.760
<v Speaker 2>Okay, just hit just hit one into it. Yeah, careful man,

2:06:22.160 --> 2:06:23.440
<v Speaker 2>I mean my l.

2:06:25.680 --> 2:06:27.680
<v Speaker 1>We're taking a shot Okay, we're taking my lungs is

2:06:27.680 --> 2:06:30.120
<v Speaker 1>still in the nineties, my bad man. I'm like this

2:06:30.280 --> 2:06:32.280
<v Speaker 1>fucking ship, but hit that.

2:06:32.400 --> 2:06:36.360
<v Speaker 6>That's l a wee, my man, little heroine, fucking Bible favorite.

2:06:38.040 --> 2:06:42.200
<v Speaker 2>It got grocery bag. But we got it there. You

2:06:42.280 --> 2:06:44.080
<v Speaker 2>know what he said, I got in there. That's a problem.

2:06:44.160 --> 2:06:47.000
<v Speaker 2>It looked like grocery bags smoking like this.

2:06:47.240 --> 2:06:49.960
<v Speaker 1>I'm sorry, man, my lungs never left nineties.

2:06:50.440 --> 2:06:51.760
<v Speaker 2>I'm sorry, bro, I'm sorry.

2:06:51.880 --> 2:06:55.040
<v Speaker 1>I'm gonna get you some previoum no, no, I'm with

2:06:55.240 --> 2:06:57.680
<v Speaker 1>the pre But you had the grenade too, right, remember, Okay,

2:06:57.720 --> 2:06:58.160
<v Speaker 1>let's just's.

2:06:58.080 --> 2:07:02.440
<v Speaker 6>Move on this smoke greenade for SBI. Yeah, sorry, you

2:07:02.440 --> 2:07:06.800
<v Speaker 6>can get the next one a snoop of fifty fuck you.

2:07:08.880 --> 2:07:11.920
<v Speaker 2>To you know with me. Take your shot.

2:07:11.960 --> 2:07:15.040
<v Speaker 1>I'll take your shot. I'll catch up after this. Take

2:07:15.080 --> 2:07:15.440
<v Speaker 1>a shot.

2:07:15.720 --> 2:07:21.680
<v Speaker 2>Yeah, yeah, crazy shots are always late. Brober eats your

2:07:21.720 --> 2:07:23.640
<v Speaker 2>shots like I like.

2:07:24.360 --> 2:07:26.760
<v Speaker 1>Yeah, what's that you Jamie?

2:07:27.160 --> 2:07:30.680
<v Speaker 2>Yeah you put some some wax or something.

2:07:30.800 --> 2:07:32.160
<v Speaker 1>Yeah, that's going to tell you.

2:07:32.320 --> 2:07:33.480
<v Speaker 2>Yeah, you're trying to get.

2:07:34.120 --> 2:07:43.640
<v Speaker 1>Like black ash. All right, I'm an old man. I

2:07:43.720 --> 2:07:45.760
<v Speaker 1>usually smoke that to go to sleep. You know what

2:07:45.760 --> 2:07:47.400
<v Speaker 1>I'm saying, Like I ain't gonna lie. I got blunted

2:07:49.280 --> 2:07:51.480
<v Speaker 1>Sonny d B having me do hippie mood. I don't

2:07:51.520 --> 2:07:55.480
<v Speaker 1>know why. It's like him worse at hippie mood. Shot.

2:07:56.560 --> 2:07:58.040
<v Speaker 2>He works for them and he makes me want to

2:07:58.080 --> 2:08:00.840
<v Speaker 2>go to sleep. It's all good. I like, I take

2:08:00.880 --> 2:08:02.400
<v Speaker 2>your ship, I go to sleep. Listen if you want

2:08:02.440 --> 2:08:03.040
<v Speaker 2>to go to sleep.

2:08:03.240 --> 2:08:04.560
<v Speaker 1>Okay, what is it? Yo?

2:08:04.880 --> 2:08:08.400
<v Speaker 3>Find your dosage either it's a five ten milligram. You

2:08:08.640 --> 2:08:11.640
<v Speaker 3>just find your dosage where you don't get up feeling groggy. Yeah,

2:08:11.680 --> 2:08:13.320
<v Speaker 3>I'm telling you how the best slip of your life.

2:08:13.640 --> 2:08:15.240
<v Speaker 1>See, I'm a hood nigga, so I don't know five

2:08:15.320 --> 2:08:17.240
<v Speaker 1>milligrams and ten milligrams? What does that happen?

2:08:18.160 --> 2:08:18.960
<v Speaker 2>It's actually.

2:08:21.560 --> 2:08:23.520
<v Speaker 1>You can cut you can cut it in the gun, right,

2:08:23.600 --> 2:08:27.000
<v Speaker 1>It's everything legal cannabis. You know exactly what you're getting

2:08:27.400 --> 2:08:30.040
<v Speaker 1>at the exact dosage. And it's that way every time.

2:08:30.120 --> 2:08:32.040
<v Speaker 1>Because you can't tell the niggas milligrams. They could be

2:08:32.040 --> 2:08:43.280
<v Speaker 1>telling like milligram that means nine. But I'm looking at

2:08:43.320 --> 2:08:48.600
<v Speaker 1>my boys. Sonny DMX, what was your relationship with d MX? Oh?

2:08:48.680 --> 2:08:53.640
<v Speaker 2>You know what, that's crazy? So rest some pieces? Yeah, rest.

2:09:00.080 --> 2:09:04.600
<v Speaker 3>Uh d m X we we met several times. I

2:09:04.680 --> 2:09:10.400
<v Speaker 3>think we only had one real conversation. I would see

2:09:10.440 --> 2:09:12.480
<v Speaker 3>him in past, and I seen him at Ive seen

2:09:12.560 --> 2:09:14.280
<v Speaker 3>him at IVE seen him in.

2:09:14.320 --> 2:09:18.960
<v Speaker 2>New York at the fuck I forget the name of

2:09:19.000 --> 2:09:19.400
<v Speaker 2>that place.

2:09:20.800 --> 2:09:23.280
<v Speaker 3>It's not the Loud Event. I seen him at the

2:09:23.320 --> 2:09:26.400
<v Speaker 3>Loud Event, right, That was one of the last times

2:09:26.440 --> 2:09:28.360
<v Speaker 3>I saw it. But I've seen him a few times before.

2:09:30.040 --> 2:09:32.360
<v Speaker 2>Yeah, the d o C. Yeah, I was. It was

2:09:32.440 --> 2:09:37.480
<v Speaker 2>the d o C screening in New York. Yes, oh

2:09:37.800 --> 2:09:38.520
<v Speaker 2>damn yeah.

2:09:38.880 --> 2:09:39.360
<v Speaker 1>And then.

2:09:41.400 --> 2:09:43.560
<v Speaker 2>That's recent, right, And then we did a show.

2:09:43.600 --> 2:09:46.120
<v Speaker 1>I'm trying to think of the time when I actually sat.

2:09:45.920 --> 2:09:46.480
<v Speaker 2>Out with him.

2:09:47.600 --> 2:09:49.400
<v Speaker 3>And it's dope because I was able to talk to

2:09:49.480 --> 2:09:52.320
<v Speaker 3>Swiss Beats and have a real conversation with him for

2:09:52.400 --> 2:09:54.720
<v Speaker 3>the first time because we just did his record together.

2:09:56.440 --> 2:10:02.280
<v Speaker 2>From my album, yeah exactly, and I talked.

2:10:02.720 --> 2:10:04.920
<v Speaker 3>I remember we did a show and he was on

2:10:05.040 --> 2:10:07.560
<v Speaker 3>the show, came into my chair, he came into the

2:10:07.680 --> 2:10:10.280
<v Speaker 3>trailer and we had and we had a real talk

2:10:10.440 --> 2:10:12.600
<v Speaker 3>and and it was really dope to be able to

2:10:12.760 --> 2:10:16.800
<v Speaker 3>just sit down and talk to someone who I've been

2:10:16.880 --> 2:10:19.480
<v Speaker 3>compared to from the West Coast, you know what I'm saying,

2:10:19.520 --> 2:10:20.240
<v Speaker 3>Like the.

2:10:23.320 --> 2:10:27.880
<v Speaker 1>Thing. So if you did a record, cad Act, you

2:10:27.960 --> 2:10:29.200
<v Speaker 1>spoke about this with No.

2:10:29.400 --> 2:10:31.760
<v Speaker 3>No, we didn't talk about doing any music together. We

2:10:32.000 --> 2:10:36.960
<v Speaker 3>just talked to each other, just being selfish, just sitting down,

2:10:37.080 --> 2:10:40.880
<v Speaker 3>just talking. And and you know, he's he was a

2:10:41.120 --> 2:10:45.280
<v Speaker 3>really like focused dude.

2:10:45.400 --> 2:10:45.600
<v Speaker 10>Man.

2:10:45.680 --> 2:10:49.040
<v Speaker 1>He was just like really talking in a real positive manner.

2:10:49.120 --> 2:10:50.480
<v Speaker 2>You know what He's deep he was.

2:10:50.600 --> 2:10:54.320
<v Speaker 3>Yeah, he was a deep dude, man. And and he

2:10:54.480 --> 2:10:57.800
<v Speaker 3>did a show like his show he started with a

2:10:57.840 --> 2:11:04.160
<v Speaker 3>prayer and and uh, it just felt so genuine you

2:11:04.200 --> 2:11:06.040
<v Speaker 3>know what I'm saying. It feel like it felt like

2:11:08.120 --> 2:11:10.920
<v Speaker 3>it felt like he was like I don't know, dude,

2:11:11.000 --> 2:11:12.760
<v Speaker 3>like dude was do was really dope, you know what

2:11:12.760 --> 2:11:16.160
<v Speaker 3>I'm saying. And yeah, man, And so so when I

2:11:16.320 --> 2:11:18.840
<v Speaker 3>when I think about like how I'm you know, did

2:11:18.920 --> 2:11:21.840
<v Speaker 3>this ship with Swiss now? Man, Listen, dude, I never

2:11:22.000 --> 2:11:26.320
<v Speaker 3>want to be I wanted to be like, Okay, cool,

2:11:26.520 --> 2:11:29.040
<v Speaker 3>I'm not worth what I've done in music, you know

2:11:29.080 --> 2:11:32.240
<v Speaker 3>what I'm saying. But for me DMX and what he

2:11:32.360 --> 2:11:35.520
<v Speaker 3>represented to New York, to the world, and how deep

2:11:35.600 --> 2:11:40.160
<v Speaker 3>he was with it, man, like the Exes is with him,

2:11:40.200 --> 2:11:45.880
<v Speaker 3>you know what I'm saying, Like you know what I'm saying. Yeah, yeah,

2:11:46.480 --> 2:11:47.080
<v Speaker 3>I'm ex.

2:11:47.080 --> 2:11:50.440
<v Speaker 2>To the Z right right right right right, yeah, but

2:11:50.640 --> 2:11:54.360
<v Speaker 2>but the dog, the dog get the X. I respect that,

2:11:55.280 --> 2:11:55.640
<v Speaker 2>all right.

2:11:56.160 --> 2:12:01.680
<v Speaker 1>Moving on Buster Rhymes or Eminem. Wow, I don't write

2:12:01.720 --> 2:12:06.800
<v Speaker 1>these questions Dominicans and man, there's a lot of cocaine

2:12:06.800 --> 2:12:07.120
<v Speaker 1>over there.

2:12:07.160 --> 2:12:09.600
<v Speaker 2>In my mind, I don't know. I've never actually.

2:12:09.320 --> 2:12:11.160
<v Speaker 6>Said the selling to each other. Like my mind, I

2:12:11.200 --> 2:12:14.160
<v Speaker 6>think I can. Yeah, you say that's the cocaine. Say

2:12:14.240 --> 2:12:17.920
<v Speaker 6>that again, Say that again, Buster, Ryan Eminem.

2:12:17.960 --> 2:12:18.720
<v Speaker 2>Bust the rhymes on.

2:12:18.720 --> 2:12:23.120
<v Speaker 1>Eminem, by the way, which would probably be the illest

2:12:23.160 --> 2:12:23.800
<v Speaker 1>versus ever.

2:12:24.560 --> 2:12:28.160
<v Speaker 2>Well they got they got records together and like versus

2:12:28.240 --> 2:12:33.280
<v Speaker 2>like like oh no, no, I'm not versus.

2:12:34.360 --> 2:12:36.880
<v Speaker 1>We're just saying, if that happened, that would become have

2:12:36.920 --> 2:12:40.000
<v Speaker 1>a McDonald's mc chicken front row.

2:12:40.080 --> 2:12:42.560
<v Speaker 2>I love that you guys for that big match chicken

2:12:42.840 --> 2:12:44.000
<v Speaker 2>that you pay.

2:12:44.080 --> 2:12:51.160
<v Speaker 1>That's a creepy not better than true Burgers though, true burgerd.

2:12:53.160 --> 2:12:58.879
<v Speaker 2>Yeah you were missed. Oh thank you, Buster Rhymes, Eminem.

2:13:00.760 --> 2:13:05.280
<v Speaker 1>We gotta take a shot, man, you know, you know

2:13:06.120 --> 2:13:14.280
<v Speaker 1>shot that's your drink, all right, all right, Jesus chunky,

2:13:16.080 --> 2:13:18.160
<v Speaker 1>Hey man, these little more fucking cups are stacking up

2:13:18.240 --> 2:13:18.600
<v Speaker 1>over here.

2:13:18.640 --> 2:13:28.280
<v Speaker 2>That's why one Yeah, that's why we do little one

2:13:28.320 --> 2:13:29.160
<v Speaker 2>on six nigga.

2:13:29.240 --> 2:13:29.720
<v Speaker 1>Goddamn.

2:13:29.760 --> 2:13:32.760
<v Speaker 2>Okay, let me take this one. God he loves this ship.

2:13:32.800 --> 2:13:34.000
<v Speaker 2>Go ahead, you know I love it.

2:13:35.400 --> 2:13:46.440
<v Speaker 1>Analog or digital analog. Let me just point out one thing.

2:13:46.560 --> 2:13:48.840
<v Speaker 1>Let me just point out one thing. You know. I

2:13:48.880 --> 2:13:51.400
<v Speaker 1>got a friend in head tonight. His name is Warrial Flush,

2:13:51.440 --> 2:13:56.760
<v Speaker 1>Big up to Worrial Flush. We got classic records together,

2:13:57.360 --> 2:14:00.320
<v Speaker 1>and when we met each other, his hood and my

2:14:00.440 --> 2:14:04.720
<v Speaker 1>hood wasn't vibing. But in order for his all the

2:14:04.800 --> 2:14:06.960
<v Speaker 1>records that we got together to be classic, you had

2:14:06.960 --> 2:14:09.840
<v Speaker 1>to be in that studio together. He couldn't have sent

2:14:09.880 --> 2:14:12.080
<v Speaker 1>me no record. I couldn't send him no record. That's

2:14:12.120 --> 2:14:15.280
<v Speaker 1>the reason why analog always to me, that whole era

2:14:15.400 --> 2:14:17.680
<v Speaker 1>of analog, when we had to be in the studio

2:14:17.760 --> 2:14:20.960
<v Speaker 1>together with each other, like the tape, cut the tape,

2:14:21.280 --> 2:14:22.120
<v Speaker 1>you know, doing all that.

2:14:22.280 --> 2:14:26.400
<v Speaker 3>Like to me, stay in that process. How sharp you

2:14:26.520 --> 2:14:29.760
<v Speaker 3>had to be to be on the mic at that

2:14:29.880 --> 2:14:32.280
<v Speaker 3>time you couldn't. There was no take.

2:14:32.480 --> 2:14:35.720
<v Speaker 2>There was you tape, There was no rewind.

2:14:36.240 --> 2:14:38.520
<v Speaker 3>In order to cut something, you had to you had

2:14:38.560 --> 2:14:40.840
<v Speaker 3>to in order to punch something you had to cut

2:14:40.920 --> 2:14:45.400
<v Speaker 3>the tape recorded again, have that brought back spliced directly

2:14:45.600 --> 2:14:49.040
<v Speaker 3>so it sounds right the motherfucker who's got mad at

2:14:49.080 --> 2:14:51.560
<v Speaker 3>you making a mistake, Like you don't make a mistake

2:14:51.640 --> 2:14:52.480
<v Speaker 3>right now, You're like whatever.

2:14:52.920 --> 2:14:59.920
<v Speaker 2>Yeah, But back then it was the sound.

2:15:00.160 --> 2:15:02.320
<v Speaker 6>So we always go back to the Quick interview where

2:15:02.400 --> 2:15:04.640
<v Speaker 6>Quick said that he just felt that that it was

2:15:04.800 --> 2:15:08.560
<v Speaker 6>like the energy that was the magnetic energy from the vocals.

2:15:08.600 --> 2:15:11.440
<v Speaker 6>It would take the studio, would take everything into the

2:15:11.480 --> 2:15:12.720
<v Speaker 6>bike that was going on in the studio.

2:15:13.120 --> 2:15:15.280
<v Speaker 1>I mean it was the energy though, like like if

2:15:15.720 --> 2:15:17.760
<v Speaker 1>we had to do a record together, like he had to,

2:15:18.000 --> 2:15:19.560
<v Speaker 1>he had to see me, has to feel me, he

2:15:19.600 --> 2:15:21.120
<v Speaker 1>had to you know what I mean. And then and

2:15:21.160 --> 2:15:24.120
<v Speaker 1>then you know that that that collaboration that would send

2:15:24.240 --> 2:15:25.600
<v Speaker 1>on the record. I think that's the reason why I

2:15:25.640 --> 2:15:28.640
<v Speaker 1>always pick a law Yeah. No, no, analog has a

2:15:28.720 --> 2:15:34.520
<v Speaker 1>warmer sound, like like I'm sorry, I'm sorry, but you

2:15:34.640 --> 2:15:37.880
<v Speaker 1>got an album drop into twenty twenty five. Yes, did

2:15:38.000 --> 2:15:39.920
<v Speaker 1>dra send you that beat? Or you had to do

2:15:40.000 --> 2:15:40.480
<v Speaker 1>it together?

2:15:40.520 --> 2:15:41.560
<v Speaker 2>We did it together? Okay?

2:15:41.640 --> 2:15:44.400
<v Speaker 1>That that that that's that's that sound was my fucking yeah.

2:15:46.800 --> 2:15:50.120
<v Speaker 1>Look look Drake, you know disguise, you know whatever. He

2:15:50.200 --> 2:15:53.520
<v Speaker 1>could send you a beat and say, but no, whose

2:15:53.640 --> 2:15:54.240
<v Speaker 1>idea was it?

2:15:54.360 --> 2:15:56.000
<v Speaker 2>For y'all? He's got to be in a room to

2:15:56.080 --> 2:15:57.520
<v Speaker 2>make sure he gets to it. I feel like Drake

2:15:57.560 --> 2:16:01.440
<v Speaker 2>does all most of his records. Yeah, yeah, you got

2:16:01.560 --> 2:16:02.120
<v Speaker 2>to be in a room.

2:16:02.280 --> 2:16:04.600
<v Speaker 3>And it's a privilege to be in that room, you

2:16:04.680 --> 2:16:07.160
<v Speaker 3>know what I'm saying, Like, like, you can't come in

2:16:07.240 --> 2:16:10.000
<v Speaker 3>there fucking around. So it's all it's all fun and

2:16:10.040 --> 2:16:13.040
<v Speaker 3>games until the music come on. Then when the music

2:16:13.080 --> 2:16:16.920
<v Speaker 3>come on, niggad, what are you bringing here? Why are

2:16:16.960 --> 2:16:21.200
<v Speaker 3>you here? Like, let's make something dope, you know.

2:16:22.720 --> 2:16:25.160
<v Speaker 1>And that's whas why you pick Analogue's because that face

2:16:25.240 --> 2:16:27.280
<v Speaker 1>to face camaradi is nothing like.

2:16:27.280 --> 2:16:30.120
<v Speaker 3>It's nothing like feeling that agree with the speakers. Yes,

2:16:30.720 --> 2:16:33.240
<v Speaker 3>when you when you look, look, it's like alchemy. You're

2:16:33.280 --> 2:16:36.480
<v Speaker 3>creating a thought, something out of thin air of the

2:16:36.520 --> 2:16:40.199
<v Speaker 3>ether into making something that moves millions of people.

2:16:40.720 --> 2:16:44.360
<v Speaker 2>You dropping guns over there, Jamie, put your guns away.

2:16:44.360 --> 2:16:46.920
<v Speaker 1>It's not like a good moving millions of people.

2:16:47.680 --> 2:16:49.720
<v Speaker 2>Like, there's nothing like it.

2:16:50.280 --> 2:16:54.840
<v Speaker 1>You know. I knew he was answer all the questions.

2:16:54.879 --> 2:16:58.640
<v Speaker 1>I knew he's gonna ask Biggie or big L the

2:16:58.760 --> 2:17:09.760
<v Speaker 1>rest of the piece of both the lyricists in you.

2:17:10.080 --> 2:17:13.000
<v Speaker 1>It's going one way. I know you feel both of

2:17:13.080 --> 2:17:17.560
<v Speaker 1>lyricists when you let me finish, calm down. But then

2:17:17.640 --> 2:17:22.280
<v Speaker 1>the other side of you you have relations. Look that

2:17:22.680 --> 2:17:26.040
<v Speaker 1>got so I'm prepared whichever way you're going.

2:17:27.320 --> 2:17:28.680
<v Speaker 2>These sounds like you leading the windows.

2:17:28.680 --> 2:17:30.520
<v Speaker 1>I did not lead the witness. Did I leave the witness?

2:17:30.560 --> 2:17:32.720
<v Speaker 2>I didn't tell them? It sounds like this, But then

2:17:32.800 --> 2:17:35.240
<v Speaker 2>it goes like this. I like, I got.

2:17:37.160 --> 2:17:43.480
<v Speaker 16>Okay, hold on, let me clear my palate with this

2:17:47.160 --> 2:17:51.439
<v Speaker 16>sleeping rake are sponsored.

2:17:54.000 --> 2:17:55.600
<v Speaker 1>You know outside?

2:17:55.720 --> 2:17:56.800
<v Speaker 2>Let me clear my palate.

2:17:59.840 --> 2:18:05.440
<v Speaker 1>The most interesting man? Ah fuck, I'm gonna say, Biggie.

2:18:06.400 --> 2:18:08.920
<v Speaker 1>Mm hmm, let's say Biggie.

2:18:09.080 --> 2:18:15.280
<v Speaker 3>Biggie, yes, right, yes, yes, I will now big L

2:18:15.840 --> 2:18:18.440
<v Speaker 3>and he left before his time.

2:18:19.440 --> 2:18:20.840
<v Speaker 2>Both did the both did.

2:18:21.120 --> 2:18:22.760
<v Speaker 1>But I understand what he's saying. You're right.

2:18:22.760 --> 2:18:25.920
<v Speaker 2>I think Biggie gotta I got it. Got a bit further, Yeah,

2:18:26.160 --> 2:18:26.640
<v Speaker 2>of course right.

2:18:29.120 --> 2:18:32.800
<v Speaker 3>I think what Biggie left on the impact of the

2:18:32.879 --> 2:18:37.080
<v Speaker 3>game raised the bar so we can have you know,

2:18:37.320 --> 2:18:38.560
<v Speaker 3>the mega stars that we have.

2:18:38.800 --> 2:18:39.800
<v Speaker 1>Now you know what I'm saying.

2:18:40.240 --> 2:18:42.680
<v Speaker 3>He showed he opened the door and the light to

2:18:42.800 --> 2:18:46.480
<v Speaker 3>the vision of what all these mega rappers kind of

2:18:46.600 --> 2:18:51.160
<v Speaker 3>emulated and became and built a foundation for. That's so

2:18:51.400 --> 2:18:54.040
<v Speaker 3>big L to us is a hero because of his

2:18:54.240 --> 2:18:59.280
<v Speaker 3>lyricism and his ability. A lot of rappers can rap,

2:18:59.360 --> 2:19:02.400
<v Speaker 3>but not a lot of rappers have ability like something

2:19:02.440 --> 2:19:05.240
<v Speaker 3>that is like standalone, you know what I'm saying, Like

2:19:05.360 --> 2:19:08.560
<v Speaker 3>something that is like unique to them, Like you know,

2:19:09.760 --> 2:19:12.480
<v Speaker 3>big L had that. The way he flipped it and

2:19:12.560 --> 2:19:16.080
<v Speaker 3>the way his metaphors and it was being together like

2:19:16.480 --> 2:19:20.240
<v Speaker 3>that was something that can't be emulated.

2:19:22.080 --> 2:19:22.920
<v Speaker 2>Or duplicated.

2:19:24.200 --> 2:19:27.200
<v Speaker 3>Although people took bits of his style and made their

2:19:27.240 --> 2:19:31.040
<v Speaker 3>own as well, big L was an originator. So, but

2:19:32.200 --> 2:19:35.520
<v Speaker 3>what Biggie represented and what his style was, and how

2:19:36.040 --> 2:19:44.240
<v Speaker 3>I remember saying to myself, he makes it seem so effortless, Biggie, Biggie,

2:19:45.760 --> 2:19:48.760
<v Speaker 3>the way he put words together and his inflection and

2:19:49.000 --> 2:19:55.200
<v Speaker 3>his his delivery and his metaphors were so smart. He

2:19:55.360 --> 2:20:00.240
<v Speaker 3>had to use less words, which was fucking crazy, you

2:20:00.280 --> 2:20:02.840
<v Speaker 3>know what I'm saying, Like, like his inflection, you know

2:20:02.959 --> 2:20:05.080
<v Speaker 3>what he meant. Even when he was saying something that

2:20:05.840 --> 2:20:10.640
<v Speaker 3>seemed light hearted, it was very dark comedic, and he

2:20:10.760 --> 2:20:13.760
<v Speaker 3>was probably funny as fuck, you know what. I'm saying, like, like,

2:20:13.879 --> 2:20:17.560
<v Speaker 3>he I never met him. I met him one time.

2:20:17.760 --> 2:20:19.400
<v Speaker 3>I never met It's crazy.

2:20:19.480 --> 2:20:21.000
<v Speaker 2>I met him one time. Guess what.

2:20:21.200 --> 2:20:24.959
<v Speaker 3>I met him one time. I was friends with Ron

2:20:25.080 --> 2:20:28.840
<v Speaker 3>High Tower. Ron High Tower was just fucking porn director,

2:20:29.240 --> 2:20:35.480
<v Speaker 3>you know what I'm saying. Back in the day, right Tower,

2:20:36.320 --> 2:20:39.320
<v Speaker 3>And so I was going to drop off some weed

2:20:39.400 --> 2:20:40.360
<v Speaker 3>to him, you know what I'm saying.

2:20:40.600 --> 2:20:40.920
<v Speaker 1>And I.

2:20:42.440 --> 2:20:44.880
<v Speaker 3>Went to the spot and Biggie was there. He was

2:20:45.120 --> 2:20:49.320
<v Speaker 3>standing weird. He was look, he was standing, he was

2:20:50.000 --> 2:20:50.879
<v Speaker 3>was nothing weird.

2:20:52.440 --> 2:20:52.680
<v Speaker 8>He was.

2:20:52.760 --> 2:20:55.080
<v Speaker 1>He was standing on at a different time.

2:20:55.320 --> 2:20:57.720
<v Speaker 3>At different times, he was standing on a patio with

2:20:57.800 --> 2:20:59.199
<v Speaker 3>a cane and he was by himself.

2:21:00.400 --> 2:21:01.840
<v Speaker 2>And so I was and he was like, yeah.

2:21:01.840 --> 2:21:04.160
<v Speaker 3>I was like, that's Biggie right there. I didn't go

2:21:04.360 --> 2:21:06.520
<v Speaker 3>talk to him, you know, I didn't go talk to

2:21:06.640 --> 2:21:08.760
<v Speaker 3>him or nothing. He was just like HEO, that's Biggie

2:21:08.800 --> 2:21:10.760
<v Speaker 3>right there. I was like, oh, ship, Okay, here's your weed.

2:21:10.800 --> 2:21:11.760
<v Speaker 3>I'm out, you know what I'm saying.

2:21:12.480 --> 2:21:15.960
<v Speaker 2>And so you were certain bigger High Tower, High Tower. Yeah,

2:21:16.840 --> 2:21:19.160
<v Speaker 2>But I mean that's the only time I saw him

2:21:19.160 --> 2:21:19.640
<v Speaker 2>in person.

2:21:20.360 --> 2:21:24.200
<v Speaker 1>You know, Wow, did you have a kuzie on? I

2:21:24.320 --> 2:21:26.640
<v Speaker 1>just saw him with a cane. Remember the cane is

2:21:26.640 --> 2:21:32.040
<v Speaker 1>close with the coosie close enough, all right, and then

2:21:32.080 --> 2:21:33.640
<v Speaker 1>I gotta take a pe piece of after this.

2:21:33.840 --> 2:21:35.160
<v Speaker 2>Man, I was ready to rock and roll.

2:21:35.400 --> 2:21:43.280
<v Speaker 1>Let me go. First come, it's my turn, Jackson or

2:21:43.440 --> 2:21:45.680
<v Speaker 1>Prince stories with either one.

2:21:45.560 --> 2:21:49.720
<v Speaker 2>If you have Oh yes, I do have a I

2:21:49.800 --> 2:21:54.400
<v Speaker 2>have a Prince story. I have a Prince story where

2:21:54.440 --> 2:22:00.520
<v Speaker 2>we at Oh my god, pick first was actually the

2:22:00.600 --> 2:22:06.840
<v Speaker 2>Prince both nigga, I can't canning? All right, see your

2:22:06.840 --> 2:22:09.360
<v Speaker 2>story please, Okay. So I got a story of Prince. Okay.

2:22:09.480 --> 2:22:15.360
<v Speaker 3>So there was there was a there was a like

2:22:15.480 --> 2:22:19.560
<v Speaker 3>a a like a some kind of big party that

2:22:19.760 --> 2:22:26.240
<v Speaker 3>was happening. Uh, Hollywood, Los Angeles. We we get in there,

2:22:27.520 --> 2:22:30.480
<v Speaker 3>we're supposed to be there. We get there kind of early.

2:22:30.959 --> 2:22:33.480
<v Speaker 3>We're got to do something that you know, probably around

2:22:33.560 --> 2:22:36.760
<v Speaker 3>twelve twelve, one o'clock. And we're sitting in this section

2:22:37.800 --> 2:22:39.840
<v Speaker 3>and so we got this booth and then we you know,

2:22:39.959 --> 2:22:42.000
<v Speaker 3>my whole team is in the booth. I'm in the

2:22:42.080 --> 2:22:45.480
<v Speaker 3>booth with Chiller, you know what I'm saying. And uh,

2:22:49.879 --> 2:22:52.840
<v Speaker 3>we see this big group of guys coming to us

2:22:53.400 --> 2:22:57.200
<v Speaker 3>and and they they're like, uh, you know you're in

2:22:57.520 --> 2:23:00.680
<v Speaker 3>you're in so so section, like what you know what

2:23:00.680 --> 2:23:02.400
<v Speaker 3>I'm saying, Like, what are you talking about? Like like,

2:23:02.720 --> 2:23:04.400
<v Speaker 3>we're here, we're supposed to be here, they told us

2:23:04.440 --> 2:23:07.880
<v Speaker 3>to be. Here's like no, this is like designed for

2:23:08.400 --> 2:23:12.160
<v Speaker 3>somebody else. And so then this nigga comes through and

2:23:12.360 --> 2:23:16.480
<v Speaker 3>like this all white mother fucking uh like this one

2:23:16.560 --> 2:23:17.280
<v Speaker 3>piece thing.

2:23:17.440 --> 2:23:21.119
<v Speaker 2>You know what I'm saying. Niggas like nigga.

2:23:21.440 --> 2:23:25.120
<v Speaker 1>It's like yeah, no, like it's this white one piece

2:23:25.240 --> 2:23:28.760
<v Speaker 1>and the nigga roll through and then he he's not

2:23:28.879 --> 2:23:30.880
<v Speaker 1>saying nothing to us, but I can clearly see the

2:23:30.959 --> 2:23:31.760
<v Speaker 1>niggas standing.

2:23:31.640 --> 2:23:34.440
<v Speaker 2>Right there, and I'm like, oh, you know what I'm saying,

2:23:34.560 --> 2:23:35.400
<v Speaker 2>Like are we this.

2:23:39.400 --> 2:23:42.760
<v Speaker 1>So so? Yeah, man, he's supposed to come in, he's

2:23:42.760 --> 2:23:43.879
<v Speaker 1>supposed to do this little thing.

2:23:43.959 --> 2:23:47.640
<v Speaker 3>And nobody saying his name. No, no, nobody saying his name. Okay,

2:23:48.080 --> 2:23:49.720
<v Speaker 3>they're not saying prince, you know what I'm saying.

2:23:50.240 --> 2:23:52.240
<v Speaker 1>And so I'm like, oh shit, okay, all right dude,

2:23:52.280 --> 2:23:54.680
<v Speaker 1>So uh hey man, let's let's.

2:23:54.520 --> 2:23:55.640
<v Speaker 2>Move out to niggas way.

2:23:57.520 --> 2:24:03.480
<v Speaker 1>You're not are you, Like I'm not gonna be I'm

2:24:03.520 --> 2:24:05.920
<v Speaker 1>not gonna be in the story that you know what

2:24:05.920 --> 2:24:08.960
<v Speaker 1>I'm saying behind the music as he got into a

2:24:09.080 --> 2:24:12.720
<v Speaker 1>fist fight with Prince. You know when I do with that,

2:24:12.959 --> 2:24:15.200
<v Speaker 1>like okay, yeah, out the way.

2:24:15.320 --> 2:24:17.760
<v Speaker 3>You know that was the only time I saw Prince

2:24:17.879 --> 2:24:20.600
<v Speaker 3>but never met Michael Jackson A lot of my friends,

2:24:20.760 --> 2:24:22.560
<v Speaker 3>you know what I'm saying. Fred Rek had some really

2:24:22.600 --> 2:24:26.879
<v Speaker 3>funny stories about you know, him and and and producing

2:24:26.920 --> 2:24:27.880
<v Speaker 3>him with Michael Jackson.

2:24:27.959 --> 2:24:29.840
<v Speaker 1>So you know you got to talk to fred Rek.

2:24:29.879 --> 2:24:33.920
<v Speaker 1>He got some funny ass stories. Okay, Lady of Rage

2:24:34.080 --> 2:24:37.720
<v Speaker 1>or the brad Lady of Rage, rough and tough with

2:24:37.920 --> 2:24:42.240
<v Speaker 1>apple puff app So fucking look, I.

2:24:42.240 --> 2:24:45.200
<v Speaker 2>Don't think we need to explain that. I think that

2:24:45.360 --> 2:24:46.000
<v Speaker 2>was a one and them.

2:24:46.160 --> 2:24:46.560
<v Speaker 1>Yeah yeah.

2:24:47.920 --> 2:24:51.359
<v Speaker 2>Mt raps a rap city. Oh oh.

2:24:52.720 --> 2:25:01.640
<v Speaker 1>Wait, hold on your MTV raps are rap city. Wow,

2:25:02.400 --> 2:25:03.800
<v Speaker 1>there's a lot of historic ship.

2:25:03.760 --> 2:25:09.560
<v Speaker 2>That we show kind of dead and them both two

2:25:09.640 --> 2:25:10.080
<v Speaker 2>different things.

2:25:10.120 --> 2:25:10.760
<v Speaker 1>Don't put that on.

2:25:12.000 --> 2:25:12.480
<v Speaker 10>We want.

2:25:13.959 --> 2:25:19.240
<v Speaker 2>Like like timelines, and he was like.

2:25:22.200 --> 2:25:26.840
<v Speaker 1>Like two different workholes. He just put the job. I'll

2:25:27.120 --> 2:25:27.480
<v Speaker 1>with y'all.

2:25:28.640 --> 2:25:35.880
<v Speaker 2>I do mean a little bit job what m t

2:25:36.000 --> 2:25:41.400
<v Speaker 2>V m t V rap rap rap rap City.

2:25:44.280 --> 2:25:46.360
<v Speaker 3>There's a lot of historic ship that went down on

2:25:47.040 --> 2:25:51.320
<v Speaker 3>your TV raps when Tupac was threatening the Huge Brothers.

2:25:52.200 --> 2:25:54.240
<v Speaker 3>Just a lot of historic ship that went down on

2:25:55.040 --> 2:25:58.880
<v Speaker 3>Rap City. I was post iconic. I mean I was

2:25:58.920 --> 2:26:01.600
<v Speaker 3>on Rap c DJ gig on there.

2:26:12.840 --> 2:26:19.040
<v Speaker 12>I'm gonna have to say both man, motherfuckers, I have

2:26:19.920 --> 2:26:27.080
<v Speaker 12>shot a Look, I'm gonna keep this going, bro, because.

2:26:27.160 --> 2:26:28.840
<v Speaker 1>That's why I tried not to, like go to the

2:26:28.920 --> 2:26:33.200
<v Speaker 1>bathroom between the shots. See the shots hits you when

2:26:33.200 --> 2:26:36.760
<v Speaker 1>you jump up, like what I mean, like you order

2:26:36.760 --> 2:26:38.680
<v Speaker 1>the bathroom. I'll be trying to hold it down. I

2:26:38.840 --> 2:26:41.000
<v Speaker 1>can't because once I get up. But once I get.

2:26:43.440 --> 2:26:46.680
<v Speaker 2>Like, he hasn't got up. Yeah, he's sober stiff when

2:26:46.720 --> 2:26:47.279
<v Speaker 2>he gets.

2:26:47.080 --> 2:26:50.720
<v Speaker 1>Up, you know, because I'm drinking shots. This motherfucker drinking energy.

2:26:51.040 --> 2:26:53.920
<v Speaker 2>Keep going, you guys have to catch up on your shots.

2:26:55.640 --> 2:26:56.200
<v Speaker 2>Are you ready?

2:26:57.440 --> 2:27:04.880
<v Speaker 1>Boys in the Hood of Mentic Society, Boys in the

2:27:04.959 --> 2:27:06.560
<v Speaker 1>Hood or Minister Society?

2:27:13.040 --> 2:27:14.000
<v Speaker 2>What the fuck is going on?

2:27:19.480 --> 2:27:21.360
<v Speaker 1>One? So you didn't go to the bathroom. I gotta

2:27:21.400 --> 2:27:28.080
<v Speaker 1>wait come out the bathroom. Oh yeah you can't, yeh.

2:27:28.440 --> 2:27:29.439
<v Speaker 2>Minused to society.

2:27:32.360 --> 2:27:32.960
<v Speaker 1>Boys in the hood.

2:27:33.280 --> 2:27:36.439
<v Speaker 2>Yeah, DJ Muggs are alchemists.

2:27:36.840 --> 2:27:42.520
<v Speaker 3>Oh well, DJ Muggs because without DJ Muggs, we don't think.

2:27:42.600 --> 2:27:46.400
<v Speaker 6>Yeah, because alchemist is part of So yeah, ghetto boys

2:27:46.440 --> 2:27:51.280
<v Speaker 6>are U g K ghetto boys. You rapidfire right now,

2:27:51.320 --> 2:27:56.760
<v Speaker 6>White Clifford Will, I am Well, I am Drey or

2:27:56.840 --> 2:28:05.360
<v Speaker 6>Quincy Jones, doctor Drey New York and Miami. What take

2:28:05.400 --> 2:28:08.600
<v Speaker 6>a shot New York on Miami. So I'm not getting

2:28:08.600 --> 2:28:09.440
<v Speaker 6>in the middle of that shit.

2:28:11.200 --> 2:28:13.920
<v Speaker 1>We get into the whole time every day.

2:28:15.400 --> 2:28:19.720
<v Speaker 2>Nigga, you know, nigga, I gotta go to New York. Yes,

2:28:21.840 --> 2:28:22.480
<v Speaker 2>you're in Miami.

2:28:22.560 --> 2:28:23.000
<v Speaker 1>God damn.

2:28:24.680 --> 2:28:27.000
<v Speaker 2>The South got something to say. The South got something

2:28:27.040 --> 2:28:28.720
<v Speaker 2>to say. I love all my digs.

2:28:28.959 --> 2:28:30.200
<v Speaker 1>Yeah, you know it?

2:28:30.240 --> 2:28:30.840
<v Speaker 2>What was fucked up?

2:28:31.160 --> 2:28:33.560
<v Speaker 1>Y'all didn't even have Andre two thousand back when he

2:28:33.640 --> 2:28:36.959
<v Speaker 1>said that talking about there was in New York.

2:28:37.200 --> 2:28:38.560
<v Speaker 2>I'm talking about your nigas in the South.

2:28:38.600 --> 2:28:40.520
<v Speaker 1>I ain't see y'all on Twitter. Back then, there was

2:28:40.600 --> 2:28:41.840
<v Speaker 1>no Twitter exactly.

2:28:42.040 --> 2:28:45.760
<v Speaker 2>It was my Space exactly. I see y'all nowhere.

2:28:46.080 --> 2:28:48.920
<v Speaker 1>Everybody was like they didn't understand that moment at the time.

2:28:49.680 --> 2:28:53.160
<v Speaker 1>I get, yeah, yeah, your speech was not making sense.

2:28:55.120 --> 2:28:58.720
<v Speaker 6>Eighties hip hop or nineties hip hop, nineties Jesus Christmas

2:28:58.840 --> 2:29:00.720
<v Speaker 6>nineties hip hop for sure.

2:29:01.040 --> 2:29:08.080
<v Speaker 2>Podcasts of radio radio, a lot of people are really

2:29:08.520 --> 2:29:11.480
<v Speaker 2>know what the fuck they're talking about. That's true.

2:29:11.680 --> 2:29:13.640
<v Speaker 1>Podcast it's a lot of opinion.

2:29:13.840 --> 2:29:18.160
<v Speaker 2>I agree with you. People just getting drawn on Yeah no, no,

2:29:18.400 --> 2:29:21.560
<v Speaker 2>not just us you know this one.

2:29:21.720 --> 2:29:25.960
<v Speaker 3>Yeah, but a lot of influential podcasts pump a lot

2:29:26.000 --> 2:29:29.840
<v Speaker 3>of bullshit. And it's like, is that helping and hurting

2:29:30.080 --> 2:29:33.400
<v Speaker 3>just because it's you know, but I mean, look like

2:29:33.520 --> 2:29:36.520
<v Speaker 3>people listen to what they want and people you know,

2:29:36.879 --> 2:29:39.640
<v Speaker 3>are attracted to what the messaging they want to be

2:29:39.640 --> 2:29:40.200
<v Speaker 3>attracted to.

2:29:43.800 --> 2:29:45.560
<v Speaker 6>I mean there's pros and cons of both, because radio

2:29:45.720 --> 2:29:50.240
<v Speaker 6>programs and by the very definition, yeah, programs.

2:29:49.840 --> 2:29:51.080
<v Speaker 1>For sure, for sure.

2:29:51.160 --> 2:29:54.000
<v Speaker 2>So you got to pick your poinson right right e

2:29:54.200 --> 2:29:55.680
<v Speaker 2>forty or too short? O?

2:29:57.720 --> 2:29:58.000
<v Speaker 1>Both?

2:29:59.400 --> 2:30:02.160
<v Speaker 2>Oh? Ship? All right? Well me and you what the

2:30:02.400 --> 2:30:05.120
<v Speaker 2>fuck I can't do that?

2:30:05.280 --> 2:30:08.320
<v Speaker 1>Come on here, I'm.

2:30:08.200 --> 2:30:09.400
<v Speaker 2>Gonna let know you have the last one.

2:30:09.440 --> 2:30:13.400
<v Speaker 6>But before he gets back, Oh go ahead, buddy, But well,

2:30:13.440 --> 2:30:14.480
<v Speaker 6>I take a leaky wiki.

2:30:15.680 --> 2:30:16.160
<v Speaker 2>I wait for you.

2:30:16.800 --> 2:30:18.760
<v Speaker 1>No, just go bro, just just three and a half.

2:30:19.200 --> 2:30:21.400
<v Speaker 2>It's the very last one. I wait for you. Oh

2:30:21.520 --> 2:30:22.000
<v Speaker 2>my god.

2:30:22.160 --> 2:30:23.320
<v Speaker 1>Yes, okay, I have a question.

2:30:24.720 --> 2:30:31.960
<v Speaker 2>I got all the questions. Come on, but what are

2:30:32.000 --> 2:30:32.440
<v Speaker 2>we drinking?

2:30:33.120 --> 2:30:33.320
<v Speaker 1>Yeah?

2:30:33.480 --> 2:30:36.120
<v Speaker 2>You missed a shot? There we go?

2:30:39.240 --> 2:30:41.760
<v Speaker 3>Yeah, I think it was now. But I'm gonna be honest.

2:30:41.800 --> 2:30:44.840
<v Speaker 3>The question was due. I like, uh, it was e

2:30:45.040 --> 2:30:48.360
<v Speaker 3>forty or too short. I can't pick between those.

2:30:48.440 --> 2:30:51.480
<v Speaker 2>I can't pick between them. But listen, we gotta we

2:30:51.600 --> 2:30:52.160
<v Speaker 2>can't be here.

2:30:52.280 --> 2:30:53.960
<v Speaker 1>You fuck you and I'm not doing that.

2:30:55.680 --> 2:30:58.040
<v Speaker 2>I'm not doing on the trip for the West Coast,

2:30:58.240 --> 2:31:03.720
<v Speaker 2>no fuck you, man. I was under strict instructions.

2:31:03.959 --> 2:31:09.040
<v Speaker 1>No nigga, no, no open itga, just one all right,

2:31:09.320 --> 2:31:12.240
<v Speaker 1>I just wait for And that's why he tried to well,

2:31:12.240 --> 2:31:15.360
<v Speaker 1>we're gonna stop with this ship then okay, because nigga,

2:31:15.440 --> 2:31:19.200
<v Speaker 1>this is just throw up. Listen, nigga, you like, I

2:31:19.320 --> 2:31:20.800
<v Speaker 1>know what the funk I'm talking about this?

2:31:21.160 --> 2:31:21.480
<v Speaker 2>Hold on?

2:31:21.840 --> 2:31:24.879
<v Speaker 1>What did I started by saying, I study people's drink orders.

2:31:25.400 --> 2:31:28.720
<v Speaker 2>You the one who ordered Hendricks gin. I was gonna

2:31:28.760 --> 2:31:34.320
<v Speaker 2>be either or nigga. I was gonna make the decision

2:31:34.400 --> 2:31:35.119
<v Speaker 2>when I got here.

2:31:35.240 --> 2:31:39.240
<v Speaker 1>Oh yeah, drink. That's not how he takes it.

2:31:39.879 --> 2:31:41.400
<v Speaker 2>Listen, that's how we did.

2:31:41.480 --> 2:31:41.920
<v Speaker 1>I say that.

2:31:42.040 --> 2:31:44.600
<v Speaker 2>I said, ask him what you want to be either old?

2:31:44.800 --> 2:31:45.039
<v Speaker 6>Yeah.

2:31:46.360 --> 2:31:51.960
<v Speaker 1>See listen, we've been skeeping pause. We've been scheming on

2:31:52.080 --> 2:31:54.560
<v Speaker 1>you for a week and a half. We've been like, yo, listen,

2:31:54.640 --> 2:31:57.760
<v Speaker 1>he can't order both? Which one did he actually going

2:31:57.879 --> 2:32:01.480
<v Speaker 1>to drink? I came with this much. May I may

2:32:01.560 --> 2:32:04.000
<v Speaker 1>be scaring off something, you know. Come on, you know,

2:32:04.200 --> 2:32:06.960
<v Speaker 1>come here on a flight like nigga. I may not

2:32:07.800 --> 2:32:10.560
<v Speaker 1>like you know what Keeter was a bit much last night.

2:32:10.760 --> 2:32:12.840
<v Speaker 1>Let me fuck with the gin, you know, a little

2:32:12.920 --> 2:32:16.840
<v Speaker 1>mixed drink. But Nigga, you can't just have one drink, Nigga,

2:32:16.920 --> 2:32:17.880
<v Speaker 1>one drink, Nigga.

2:32:19.800 --> 2:32:24.080
<v Speaker 2>You make perfect sense. No one's arguing with you. But

2:32:24.200 --> 2:32:25.320
<v Speaker 2>I'm just saying this is some.

2:32:25.400 --> 2:32:26.000
<v Speaker 1>Good as ship.

2:32:26.160 --> 2:32:26.360
<v Speaker 4>Yeah.

2:32:26.360 --> 2:32:28.920
<v Speaker 1>Absolutely, it's just that you got you gotta you gotta

2:32:28.959 --> 2:32:29.680
<v Speaker 1>limit your night.

2:32:30.120 --> 2:32:31.600
<v Speaker 2>You gotta you gotta limit your night.

2:32:31.920 --> 2:32:34.840
<v Speaker 1>Man for a week and a half, we said, which

2:32:34.879 --> 2:32:37.280
<v Speaker 1>one is he drinking? Because remember he said gin and

2:32:37.840 --> 2:32:40.680
<v Speaker 1>thee quila? Right, And we've been scheming this whole week

2:32:40.840 --> 2:32:43.080
<v Speaker 1>and a half. We've been hitting mister Lee, and we

2:32:43.280 --> 2:32:46.440
<v Speaker 1>told you to get specific answers. You never gave us answers.

2:32:46.560 --> 2:32:49.680
<v Speaker 1>So you gotta drink to your choice, simply your choice.

2:32:49.760 --> 2:32:51.280
<v Speaker 1>Just Jamie, can you do us a favor?

2:32:52.480 --> 2:32:52.640
<v Speaker 2>Now?

2:32:52.720 --> 2:32:56.879
<v Speaker 1>This is my request. If it's okay with you, absolutely

2:32:57.440 --> 2:33:02.640
<v Speaker 1>come on this chill a chilled shot man. You don't

2:33:02.640 --> 2:33:05.600
<v Speaker 1>want to chill shot, you want to go straight raw damn,

2:33:06.200 --> 2:33:07.840
<v Speaker 1>But okay, chilling, let's chill it.

2:33:07.920 --> 2:33:11.600
<v Speaker 3>You never have a little splash, a little splash of soda,

2:33:12.080 --> 2:33:13.120
<v Speaker 3>splash of cranberry.

2:33:13.480 --> 2:33:16.800
<v Speaker 2>Okay, definitely not doing that. That's for him. I'm gonna

2:33:16.800 --> 2:33:17.400
<v Speaker 2>I'm gonna keep it.

2:33:17.480 --> 2:33:18.600
<v Speaker 1>As world as possible.

2:33:20.240 --> 2:33:21.640
<v Speaker 2>Take the cranberry splashes.

2:33:22.320 --> 2:33:25.119
<v Speaker 1>Man, it's just a fucking drink, all right, Fine, man,

2:33:25.600 --> 2:33:27.560
<v Speaker 1>all right, I think that Wait what.

2:33:29.120 --> 2:33:30.400
<v Speaker 2>Yeah, what do you got?

2:33:30.520 --> 2:33:35.360
<v Speaker 1>You got? Just be like this, no juice, You embarrassing us?

2:33:35.400 --> 2:33:41.520
<v Speaker 1>Like it looks nice, but it's not nice.

2:33:44.280 --> 2:33:54.720
<v Speaker 4>I just start scratching, cleanup, cleaned up.

2:33:54.760 --> 2:34:01.959
<v Speaker 1>Well it's not nice. Okay, but what you want not listen, listen,

2:34:02.280 --> 2:34:02.960
<v Speaker 1>don't worry about it.

2:34:03.160 --> 2:34:03.920
<v Speaker 2>Just just chill it.

2:34:04.400 --> 2:34:05.280
<v Speaker 1>Just just chill it, all right.

2:34:05.360 --> 2:34:06.000
<v Speaker 4>I like that.

2:34:06.480 --> 2:34:07.080
<v Speaker 2>Look we got.

2:34:09.640 --> 2:34:20.080
<v Speaker 1>Who's that army? Sold more play studio suck Shooters, good shooters.

2:34:20.120 --> 2:34:22.680
<v Speaker 1>I'm sorry, I don't know what the shooter is. A shooter?

2:34:22.879 --> 2:34:25.480
<v Speaker 2>Get shooters shot?

2:34:27.200 --> 2:34:29.480
<v Speaker 1>Yes, like an I'm gonna take a shot. You can

2:34:29.520 --> 2:34:34.440
<v Speaker 1>give them a shooters shooting my whole life. I'm okay.

2:34:34.760 --> 2:34:36.240
<v Speaker 1>I don't want to be a shooter no more.

2:34:36.520 --> 2:34:40.879
<v Speaker 2>I'm bowing like that. I thinking, I take a.

2:34:43.560 --> 2:34:46.640
<v Speaker 1>Yeah, y'all Lord respected. No, I know I was waiting

2:34:46.680 --> 2:34:48.480
<v Speaker 1>for you, my brother. I guess I want to take

2:34:48.480 --> 2:34:52.280
<v Speaker 1>a shot with you. This is the only do not

2:34:52.400 --> 2:34:57.640
<v Speaker 1>lead the witness, lead the witness. Loyalty or respect? Loyalty

2:34:59.560 --> 2:35:06.760
<v Speaker 1>why Wow, it's a that's fast. Loyalty is royalty, That's

2:35:06.760 --> 2:35:10.800
<v Speaker 1>it it is. It's like, I see, this is the

2:35:10.920 --> 2:35:12.840
<v Speaker 1>only time that me and E f N feel like

2:35:12.920 --> 2:35:13.440
<v Speaker 1>it's both.

2:35:13.600 --> 2:35:15.240
<v Speaker 2>We'll take a shot. Yeah, so I'm gonna take a shot.

2:35:15.240 --> 2:35:18.000
<v Speaker 1>I'm gonna take a shot because I feel like loyalty

2:35:18.200 --> 2:35:19.520
<v Speaker 1>respect goes hand in hand.

2:35:19.760 --> 2:35:21.800
<v Speaker 3>Some people disagree with me and I respect people. Some

2:35:21.879 --> 2:35:26.800
<v Speaker 3>people respect you when it's convenient. Some people respect you

2:35:26.920 --> 2:35:31.200
<v Speaker 3>when they get something out of it. Loyalty is different.

2:35:33.600 --> 2:35:36.959
<v Speaker 1>Okay, okay, we didn't actually we didn't ask the Dominican Republicans.

2:35:38.720 --> 2:35:40.600
<v Speaker 1>We'll come back to the dedication in a little while.

2:35:40.720 --> 2:35:45.959
<v Speaker 3>So, so, loyalty to me is something different. That's something

2:35:46.040 --> 2:35:49.800
<v Speaker 3>you can't fake, you know what I'm saying. Like, loyalty

2:35:49.920 --> 2:35:52.960
<v Speaker 3>is something that comes from your your spirit. It's like

2:35:53.080 --> 2:35:54.959
<v Speaker 3>you do it when they in front of you, when

2:35:55.120 --> 2:35:57.600
<v Speaker 3>they're not in front of you, and you know, being

2:35:57.760 --> 2:36:01.440
<v Speaker 3>being loyal to somebody you know is different, you know

2:36:01.480 --> 2:36:06.480
<v Speaker 3>what I'm saying. So I pick loyalty out of respect

2:36:06.560 --> 2:36:09.960
<v Speaker 3>because people lose respect. What would you like both at

2:36:10.000 --> 2:36:13.000
<v Speaker 3>the same time, you respect, you don't want. I don't

2:36:13.040 --> 2:36:15.840
<v Speaker 3>give a fuck what you think about me, as long

2:36:15.920 --> 2:36:19.120
<v Speaker 3>as I know I'm being an upstanding individual. You know,

2:36:19.160 --> 2:36:21.920
<v Speaker 3>it depends on when you meet me, you know what

2:36:21.959 --> 2:36:24.200
<v Speaker 3>I'm saying. Like some people will tell you I'm the

2:36:24.240 --> 2:36:26.560
<v Speaker 3>greatest thing in the planet. Some people will tell you

2:36:26.600 --> 2:36:29.720
<v Speaker 3>I'm the worst thing that ever happened to them. Depends

2:36:29.760 --> 2:36:31.560
<v Speaker 3>on when you meet me, you know what I'm saying,

2:36:31.600 --> 2:36:36.600
<v Speaker 3>because of what our relationship is. Whenever somebody loses a fight,

2:36:36.680 --> 2:36:40.640
<v Speaker 3>they're not gonna tell you that they lost their right. Yeah,

2:36:40.680 --> 2:36:44.280
<v Speaker 3>then everything is somebody else's fault. But for me, you

2:36:44.320 --> 2:36:46.760
<v Speaker 3>know what I'm saying, Like, loyalty means that whether you know,

2:36:47.000 --> 2:36:51.240
<v Speaker 3>win or lose, Like, that's who I'm rying with and

2:36:51.360 --> 2:36:52.240
<v Speaker 3>that's what's important.

2:36:53.520 --> 2:36:53.640
<v Speaker 1>Right.

2:37:00.520 --> 2:37:01.280
<v Speaker 2>God comes to you.

2:37:02.920 --> 2:37:08.040
<v Speaker 1>And God says, man, I want you to make the

2:37:08.120 --> 2:37:09.160
<v Speaker 1>world straight.

2:37:10.800 --> 2:37:11.280
<v Speaker 2>And straight.

2:37:11.360 --> 2:37:13.160
<v Speaker 1>I don't mean that and like a sexual man, I

2:37:13.280 --> 2:37:13.760
<v Speaker 1>just mean.

2:37:14.240 --> 2:37:18.039
<v Speaker 2>Like, you know, only no would clarify that.

2:37:20.400 --> 2:37:23.440
<v Speaker 7>That that is the most dignified passe that I've ever heard.

2:37:26.480 --> 2:37:29.000
<v Speaker 7>I didn't want to react to it, but that is

2:37:29.080 --> 2:37:32.280
<v Speaker 7>the most It's only you that say that.

2:37:34.760 --> 2:37:36.240
<v Speaker 2>I don't mean that sexual.

2:37:37.240 --> 2:37:41.400
<v Speaker 1>I want the most that was clear. That was the

2:37:41.440 --> 2:37:42.360
<v Speaker 1>most dignified way.

2:37:42.920 --> 2:37:44.400
<v Speaker 2>I don't mean a sexual.

2:37:49.320 --> 2:37:51.920
<v Speaker 1>But God comes to you, I said, act the disease.

2:37:54.040 --> 2:38:00.320
<v Speaker 1>I want you to make the world walks narrow. I'm

2:38:00.360 --> 2:38:05.000
<v Speaker 1>gonna say straight and narrow. Damn, man, I can't funk

2:38:05.040 --> 2:38:07.560
<v Speaker 1>with y'all. Man, old, let me let me break the

2:38:07.600 --> 2:38:17.520
<v Speaker 1>cross question. But God comes to you and say, man,

2:38:19.440 --> 2:38:22.280
<v Speaker 1>you're gonna You're gonna humanity will be saved by this

2:38:22.480 --> 2:38:24.000
<v Speaker 1>record that you make right now.

2:38:25.280 --> 2:38:27.880
<v Speaker 2>Specifically, I don't want to shoot her.

2:38:28.000 --> 2:38:32.960
<v Speaker 1>He likes shooters a little bit more like under. I

2:38:33.040 --> 2:38:33.960
<v Speaker 1>wanted to under a shot.

2:38:33.959 --> 2:38:34.800
<v Speaker 2>I wanted under over.

2:38:35.240 --> 2:38:40.320
<v Speaker 1>Okay, But God says, extra disease. I'm gonna give you

2:38:40.440 --> 2:38:49.680
<v Speaker 1>a producer and a feature, Dad, alllive, This one song

2:38:50.000 --> 2:38:53.560
<v Speaker 1>is gonna be it. What is that producer and what

2:38:53.760 --> 2:38:57.320
<v Speaker 1>is that feature? That alllive and producer that are alive too?

2:38:58.320 --> 2:39:00.560
<v Speaker 1>Mm hmmm mm hm.

2:39:04.680 --> 2:39:13.680
<v Speaker 2>Doctor Dre and Janice Choplin, are you gonna suck me?

2:39:13.760 --> 2:39:21.680
<v Speaker 2>Up like that, Doctor dre Jannis Choplin. It ends there.

2:39:23.600 --> 2:39:25.160
<v Speaker 2>You said producing artists.

2:39:25.240 --> 2:39:26.920
<v Speaker 1>You can do another feature in it if you want to.

2:39:27.520 --> 2:39:29.920
<v Speaker 2>That was that's it. That's the feature.

2:39:31.080 --> 2:39:31.400
<v Speaker 1>You got.

2:39:31.480 --> 2:39:36.280
<v Speaker 2>You got access to anybody else too. I'm just told

2:39:36.360 --> 2:39:41.080
<v Speaker 2>you don't short change yourself like the case. No, have

2:39:41.160 --> 2:39:42.160
<v Speaker 2>you heard Janis Chopplin?

2:39:42.440 --> 2:39:43.160
<v Speaker 1>I don't know who then?

2:39:43.280 --> 2:39:43.480
<v Speaker 8>That is.

2:39:44.120 --> 2:39:45.440
<v Speaker 1>That's why I try to change the subject.

2:39:45.920 --> 2:39:48.800
<v Speaker 2>Yeah, yeah, do you do you?

2:39:49.840 --> 2:39:50.240
<v Speaker 1>She? Uh?

2:39:50.720 --> 2:39:55.119
<v Speaker 2>She is uh she She had a very short career,

2:39:55.720 --> 2:39:58.039
<v Speaker 2>but it was but it was massive.

2:39:58.120 --> 2:40:00.920
<v Speaker 3>The songs that she sang, she sang from like the

2:40:01.080 --> 2:40:07.160
<v Speaker 3>bottom of her soul, and the way that translates through

2:40:07.200 --> 2:40:11.280
<v Speaker 3>the speakers is something totally different. So do yourself a

2:40:11.360 --> 2:40:13.760
<v Speaker 3>favorite listening to some channels, job with smoke, a joint,

2:40:14.760 --> 2:40:17.199
<v Speaker 3>kick your feet up and you're gonna feel that ship.

2:40:18.760 --> 2:40:19.600
<v Speaker 2>A baby, nigga.

2:40:19.720 --> 2:40:27.000
<v Speaker 1>This is like fucking this is this, This is yelling, screaming, yo,

2:40:27.560 --> 2:40:30.880
<v Speaker 1>this is this is this is energy coming out of there.

2:40:32.320 --> 2:40:33.320
<v Speaker 2>Yeah it's none of that.

2:40:35.000 --> 2:40:39.759
<v Speaker 1>Yeah. Oh man, Jesus.

2:40:44.000 --> 2:40:47.000
<v Speaker 2>Notes Janifer and Dr Drey.

2:40:47.640 --> 2:40:50.080
<v Speaker 1>I would like to hear that Stevie Wonder Lightning, Richie

2:40:50.920 --> 2:40:57.920
<v Speaker 1>Lightning light Lighthouse.

2:40:59.400 --> 2:41:03.279
<v Speaker 2>He's like an almost almost.

2:41:05.240 --> 2:41:07.920
<v Speaker 1>Did you did you see snoop snoop things? Stevie want

2:41:08.040 --> 2:41:11.840
<v Speaker 1>Stevie wanted to be FaceTime and you know he's And

2:41:11.920 --> 2:41:15.160
<v Speaker 1>then Drake said, he said he told him to tex.

2:41:18.120 --> 2:41:20.160
<v Speaker 2>Stevie wonder On, like is.

2:41:20.240 --> 2:41:25.040
<v Speaker 3>Light me Richie Stevie Wonder or line on Richie the

2:41:25.120 --> 2:41:27.640
<v Speaker 3>same Nigga's not the same nigga.

2:41:28.959 --> 2:41:29.600
<v Speaker 8>Light like.

2:41:31.080 --> 2:41:31.640
<v Speaker 1>That Stevie.

2:41:31.800 --> 2:41:33.880
<v Speaker 2>That's what I'm saying.

2:41:33.920 --> 2:41:36.240
<v Speaker 1>I'm sorry, he's the best guy.

2:41:36.320 --> 2:41:37.720
<v Speaker 2>We got to make a lighting person.

2:41:39.520 --> 2:41:48.480
<v Speaker 1>Uh let me see, muh man Stevie wonder Man, he's

2:41:48.520 --> 2:41:52.320
<v Speaker 1>first man Stevie Wonder. I saw that coming, right, Stevie

2:41:52.440 --> 2:41:55.879
<v Speaker 1>wonder Right. I would think Mike Loud Richie of Icon.

2:41:56.120 --> 2:41:57.920
<v Speaker 2>You know, I always think who the other person would

2:41:57.959 --> 2:42:00.279
<v Speaker 2>say the present.

2:42:00.520 --> 2:42:05.640
<v Speaker 1>And I think, says Stevie, you gotta reason. It's okay, No,

2:42:05.800 --> 2:42:08.360
<v Speaker 1>I just I mean just the preference. Just I Rember

2:42:08.440 --> 2:42:10.640
<v Speaker 1>growing up to listening to Stevie wonder record.

2:42:10.720 --> 2:42:12.640
<v Speaker 2>If we could get Stevie on this is my dream

2:42:12.760 --> 2:42:14.320
<v Speaker 2>Stevie on Dream champ Bro.

2:42:14.440 --> 2:42:16.560
<v Speaker 1>That would be that's my he would say some crazy

2:42:16.640 --> 2:42:19.720
<v Speaker 1>ass story. Wait wait, wait, wait still Chid.

2:42:21.160 --> 2:42:25.560
<v Speaker 2>Okay, hold on, this is where she goes crazy because up.

2:42:26.320 --> 2:42:31.920
<v Speaker 1>There we go, come on, nigga shooting this, nigga, this,

2:42:33.680 --> 2:42:39.760
<v Speaker 1>this is my we shooting. Don't shoot that. Don't shoot no, no, no, no,

2:42:40.160 --> 2:42:43.279
<v Speaker 1>okay shot Now we're not shooting.

2:42:43.400 --> 2:42:45.000
<v Speaker 2>We're just sipping. All right, Go shoot it.

2:42:45.120 --> 2:42:45.960
<v Speaker 1>Let'shoot.

2:42:46.080 --> 2:42:52.480
<v Speaker 2>Let's shoot shoot it, shoot it, shoot it. Oh my,

2:42:53.040 --> 2:42:53.440
<v Speaker 2>that was good.

2:42:55.560 --> 2:42:56.560
<v Speaker 1>But it's gonna be bad.

2:42:56.680 --> 2:42:59.119
<v Speaker 2>But it's good. It's gonna be bad. But it's gonna

2:42:59.120 --> 2:42:59.320
<v Speaker 2>be bad.

2:42:59.360 --> 2:43:03.400
<v Speaker 1>It's gonna be bad. It's gonna be I'm gonna throw

2:43:03.520 --> 2:43:05.400
<v Speaker 1>my promo shot right there.

2:43:08.520 --> 2:43:09.560
<v Speaker 2>But like he wanted to do that.

2:43:11.160 --> 2:43:12.879
<v Speaker 1>Oh ship, yeah, this is.

2:43:14.920 --> 2:43:19.240
<v Speaker 2>This is this is what we're doing now. Oh my god,

2:43:19.440 --> 2:43:20.360
<v Speaker 2>you break that. Let's go.

2:43:27.480 --> 2:43:32.320
<v Speaker 1>This whole chess area is on fire. Oh it's in

2:43:32.360 --> 2:43:38.480
<v Speaker 1>the pokonots okay man, you know the sweet skiing Yeah,

2:43:39.280 --> 2:43:42.320
<v Speaker 1>Golden State Warriors. Yes, rest in peace of fear?

2:43:42.560 --> 2:43:46.840
<v Speaker 2>Oh yes, right. Did you guys ever intend to really

2:43:46.879 --> 2:43:47.440
<v Speaker 2>make an album?

2:43:47.760 --> 2:43:48.360
<v Speaker 1>Absolutely?

2:43:48.680 --> 2:43:50.640
<v Speaker 2>Shout out to ra I love that's my brother.

2:43:51.600 --> 2:43:51.800
<v Speaker 1>Yeah.

2:43:51.959 --> 2:43:57.240
<v Speaker 3>So we had a deal on the table, and I

2:43:57.320 --> 2:44:00.480
<v Speaker 3>stayed with my brother rass. He didn't want to sign

2:44:00.560 --> 2:44:08.680
<v Speaker 3>a contract because sign he didn't. We stood behind him,

2:44:09.600 --> 2:44:12.480
<v Speaker 3>but he didn't want Priority to come in and take

2:44:12.600 --> 2:44:13.560
<v Speaker 3>a percentage of what.

2:44:15.959 --> 2:44:18.480
<v Speaker 6>This new venture was because he had a whole beef

2:44:18.560 --> 2:44:21.199
<v Speaker 6>with that's correct deal that he's dealing with, and they.

2:44:21.120 --> 2:44:23.200
<v Speaker 3>Were trying to like if he got if we did

2:44:23.240 --> 2:44:26.960
<v Speaker 3>a deal with us, Priority was asking for a percentage

2:44:27.000 --> 2:44:29.880
<v Speaker 3>of what rass Cast was supposed to perceive, and he

2:44:29.920 --> 2:44:32.640
<v Speaker 3>didn't agree with that because he felt like they were

2:44:32.680 --> 2:44:34.880
<v Speaker 3>already doing him dirty on his side of the records.

2:44:35.879 --> 2:44:40.880
<v Speaker 3>Why should they benefit off of what they had nothing

2:44:40.920 --> 2:44:43.280
<v Speaker 3>to do with being a part of Could he have

2:44:43.360 --> 2:44:47.480
<v Speaker 3>not done a pseudo name like no artists did that

2:44:48.440 --> 2:44:53.320
<v Speaker 3>ras Cast? It was exhibit rass Cast interfere however you

2:44:53.440 --> 2:44:56.520
<v Speaker 3>want to right, you can't do that, you know what

2:44:56.520 --> 2:44:58.320
<v Speaker 3>I'm saying. And that's what that's what we did, you

2:44:58.360 --> 2:44:58.880
<v Speaker 3>know what I'm saying.

2:44:58.920 --> 2:45:01.520
<v Speaker 1>But yes, we did had some records and there was

2:45:01.800 --> 2:45:05.440
<v Speaker 1>a thing in place for us to do an album together.

2:45:06.080 --> 2:45:09.480
<v Speaker 2>But just the records I heard were amazing.

2:45:09.280 --> 2:45:11.240
<v Speaker 3>And no, it was fun. It was fun to do it, man,

2:45:11.360 --> 2:45:15.640
<v Speaker 3>And and you know, I'm glad I was able to

2:45:15.720 --> 2:45:19.879
<v Speaker 3>go see Sofia before he passed, you.

2:45:19.920 --> 2:45:23.360
<v Speaker 2>Know, And I didn't realize he was from the Bay.

2:45:24.080 --> 2:45:26.720
<v Speaker 2>I didn't know that. I never knew that. I just

2:45:26.760 --> 2:45:29.640
<v Speaker 2>thought I thought he was an l A dude. Actually, no, Oakland,

2:45:29.879 --> 2:45:31.480
<v Speaker 2>you know, west Side, and then he came up with

2:45:31.520 --> 2:45:32.600
<v Speaker 2>Digital Underground those.

2:45:32.480 --> 2:45:36.400
<v Speaker 3>Guys absolutely, and then you know, he made a name

2:45:36.480 --> 2:45:41.960
<v Speaker 3>for himself the first album he ever released. Yes, no,

2:45:42.120 --> 2:45:45.520
<v Speaker 3>that's not my biological brother, but we came up together

2:45:45.600 --> 2:45:48.800
<v Speaker 3>very close. Right. So his first album is called box

2:45:48.920 --> 2:45:53.840
<v Speaker 3>Car Sessions. Do yourself a favor. Go listen to battle Trill.

2:45:54.520 --> 2:45:56.360
<v Speaker 3>That was one of the first songs I heard from

2:45:56.400 --> 2:46:00.680
<v Speaker 3>Sofia that really honed me into his voice.

2:46:00.760 --> 2:46:02.560
<v Speaker 2>Is Cadence Man.

2:46:02.959 --> 2:46:03.520
<v Speaker 1>Yeah he was.

2:46:04.680 --> 2:46:07.879
<v Speaker 3>He was ahead of his time. Yeah, he was ahead

2:46:07.879 --> 2:46:12.800
<v Speaker 3>of his time, you know. Yeah, shout out to Sonny,

2:46:13.879 --> 2:46:18.600
<v Speaker 3>his brother. I was there with him. He rass cast

2:46:18.720 --> 2:46:20.560
<v Speaker 3>came up. You know what I'm saying. We all got

2:46:20.600 --> 2:46:21.160
<v Speaker 3>to be together.

2:46:21.920 --> 2:46:24.880
<v Speaker 2>So he was in society, right he was.

2:46:24.959 --> 2:46:27.320
<v Speaker 6>He was. Yeah, he was an actor and yeah, so

2:46:27.440 --> 2:46:31.400
<v Speaker 6>people that don't know his rap career they know him

2:46:31.400 --> 2:46:31.600
<v Speaker 6>from that.

2:46:31.720 --> 2:46:34.640
<v Speaker 2>But yeah, he was an l MC man. Yeah he was.

2:46:34.720 --> 2:46:38.960
<v Speaker 2>He's phenomenal and part society him.

2:46:39.200 --> 2:46:43.000
<v Speaker 1>He's cousin Harold, Yeah, and the house party scene, like, yeah,

2:46:43.400 --> 2:46:43.760
<v Speaker 1>he got.

2:46:43.680 --> 2:46:49.520
<v Speaker 2>Shot at the stoplight. Yeah, yeah, but man, great loss.

2:46:49.640 --> 2:46:50.039
<v Speaker 1>Yeah man.

2:46:50.120 --> 2:46:56.760
<v Speaker 3>But you know, you know death, death is is something

2:46:56.840 --> 2:47:00.640
<v Speaker 3>that that we all know we have to deal with eventually, eventually,

2:47:00.760 --> 2:47:03.800
<v Speaker 3>all of us. But you know, when it, when it

2:47:03.879 --> 2:47:06.360
<v Speaker 3>happened to people that's really close to you and and

2:47:06.680 --> 2:47:12.160
<v Speaker 3>and really right next to you, you you realize a

2:47:12.200 --> 2:47:15.840
<v Speaker 3>few things about yourself, like your mortality and and you

2:47:15.879 --> 2:47:17.600
<v Speaker 3>know what I'm saying, where you are in the state

2:47:17.640 --> 2:47:22.240
<v Speaker 3>of things. You know, I think my brother is in

2:47:22.320 --> 2:47:27.080
<v Speaker 3>a better place. I think my brother is it's not

2:47:27.280 --> 2:47:32.640
<v Speaker 3>feeling the pain that he was feeling. And I'm glad

2:47:32.680 --> 2:47:33.920
<v Speaker 3>I got to see him before he won.

2:47:37.560 --> 2:47:39.280
<v Speaker 1>And I'm glad we got the Usually at this time

2:47:39.320 --> 2:47:40.520
<v Speaker 1>you say a moment of silence.

2:47:40.600 --> 2:47:43.680
<v Speaker 2>But you know, now we take a drink. We take

2:47:43.680 --> 2:47:50.960
<v Speaker 2>a drink, you know, mad drink, drink and a shot.

2:47:51.040 --> 2:47:52.240
<v Speaker 2>How about drink and a shot.

2:47:55.920 --> 2:47:58.120
<v Speaker 6>But I would tell the fans out there, go and

2:47:58.240 --> 2:48:00.560
<v Speaker 6>check out all the records you guys did, whether it

2:48:00.720 --> 2:48:02.680
<v Speaker 6>was labeled Golden State Warriors or not.

2:48:03.879 --> 2:48:07.920
<v Speaker 2>Just check out music. Don't worry to say that's a

2:48:08.040 --> 2:48:09.360
<v Speaker 2>that's a way to get the.

2:48:09.400 --> 2:48:13.600
<v Speaker 3>Game Trigonometry from Sofia. Go listen to the album I

2:48:13.760 --> 2:48:17.720
<v Speaker 3>suggest you listen to Stay High and uh, I'm an

2:48:17.760 --> 2:48:23.880
<v Speaker 3>invest I suggest you listen to box Car sessions. Uh uh,

2:48:24.680 --> 2:48:26.960
<v Speaker 3>Battle Trio being one of them. You know, he has

2:48:27.040 --> 2:48:30.440
<v Speaker 3>a tremendous amount of music. I think Trigonometry is one

2:48:30.520 --> 2:48:33.800
<v Speaker 3>of my favorite albums from Sofia. But then listen to

2:48:33.959 --> 2:48:35.720
<v Speaker 3>you know, he created the Hoo Riders. You know what

2:48:35.720 --> 2:48:38.160
<v Speaker 3>I'm saying, his little brother, Sonny, he created the.

2:48:38.800 --> 2:48:41.520
<v Speaker 2>Correct I did not know that. Absolutely, that's his little brother.

2:48:42.160 --> 2:48:42.480
<v Speaker 1>Wow.

2:48:43.240 --> 2:48:49.320
<v Speaker 3>Yeah, Sonny, I did not shot calls big that's crazy

2:48:49.440 --> 2:48:51.320
<v Speaker 3>on to the next level of the game.

2:48:53.280 --> 2:48:53.560
<v Speaker 1>At all.

2:48:53.720 --> 2:48:55.920
<v Speaker 2>Yeah, absolutely, wow.

2:48:56.760 --> 2:48:59.760
<v Speaker 1>So let me ask you, are you still having fun?

2:49:00.600 --> 2:49:00.920
<v Speaker 1>I am.

2:49:02.240 --> 2:49:06.840
<v Speaker 2>I wasn't for a long time, but I'm having fun.

2:49:07.240 --> 2:49:13.080
<v Speaker 3>Like, you know, I try not to bring my personal

2:49:13.120 --> 2:49:16.680
<v Speaker 3>shit to the office, you know, I try not to

2:49:16.800 --> 2:49:22.040
<v Speaker 3>bring Yeah, no, it's not impossible, but it takes a

2:49:22.240 --> 2:49:26.320
<v Speaker 3>real effort to not bring the personal shit to the office.

2:49:26.920 --> 2:49:29.760
<v Speaker 3>I'm never the one to bleed into the public or

2:49:29.879 --> 2:49:33.120
<v Speaker 3>trying to complain or do all. You know what I'm saying, Like, listen,

2:49:33.320 --> 2:49:37.760
<v Speaker 3>like I have my outlets right and so being able

2:49:37.840 --> 2:49:44.040
<v Speaker 3>to you know, create at this level at this time

2:49:45.240 --> 2:49:47.640
<v Speaker 3>with the people that I'm still around and the people

2:49:47.760 --> 2:49:53.200
<v Speaker 3>that still fuck with me, And you know, life is funny, man,

2:49:55.320 --> 2:49:59.080
<v Speaker 3>It'll show you a way. And then you know, when

2:49:59.160 --> 2:50:03.040
<v Speaker 3>people lose faith in that way, you get disappointed into

2:50:03.120 --> 2:50:05.760
<v Speaker 3>people rather than understanding the lesson.

2:50:06.360 --> 2:50:06.520
<v Speaker 8>Right.

2:50:07.440 --> 2:50:11.400
<v Speaker 3>And so once I started like moving away from what

2:50:11.600 --> 2:50:17.400
<v Speaker 3>people thought, man, I started creating music for me. I

2:50:17.520 --> 2:50:22.160
<v Speaker 3>started accepting things that were only healthy for me and

2:50:22.360 --> 2:50:26.400
<v Speaker 3>not really tripping off losing the people or situations or

2:50:26.480 --> 2:50:30.520
<v Speaker 3>relationships that had to time me to anything else. And

2:50:30.680 --> 2:50:35.360
<v Speaker 3>so now I'm having fun. I'm like really being able

2:50:35.440 --> 2:50:37.720
<v Speaker 3>to hone in on something that I'd love to do,

2:50:39.160 --> 2:50:41.080
<v Speaker 3>being able to do it at the level I'm doing

2:50:41.160 --> 2:50:46.560
<v Speaker 3>it at, still be able to, you know, have time

2:50:46.720 --> 2:50:49.920
<v Speaker 3>for my family where I didn't have it before. You

2:50:50.000 --> 2:50:53.120
<v Speaker 3>know what I'm saying, Like I'm picking and choosing the

2:50:53.240 --> 2:50:55.720
<v Speaker 3>things I want to do rather than doing it just

2:50:55.840 --> 2:50:58.080
<v Speaker 3>to live, You know what I'm saying. That's a whole

2:50:58.080 --> 2:51:02.880
<v Speaker 3>other thing, you know, And it happens sooner for other people,

2:51:03.800 --> 2:51:08.920
<v Speaker 3>it happens at different times for other people. But me

2:51:09.280 --> 2:51:11.640
<v Speaker 3>in this place now, the people that I'm with now,

2:51:11.800 --> 2:51:15.080
<v Speaker 3>the circle of friends I have now, the people that

2:51:15.240 --> 2:51:16.800
<v Speaker 3>I have around me in business.

2:51:17.000 --> 2:51:19.000
<v Speaker 2>It feels really good, you know what I'm saying.

2:51:19.320 --> 2:51:22.920
<v Speaker 3>Even when things are in chaos, I still feel in control,

2:51:23.400 --> 2:51:25.720
<v Speaker 3>which is something I have never felt in before.

2:51:25.800 --> 2:51:27.879
<v Speaker 1>You know what i'm saying before. But I mean, that's

2:51:27.959 --> 2:51:30.000
<v Speaker 1>just life. That's for everybody, you know what I'm saying.

2:51:30.640 --> 2:51:33.680
<v Speaker 1>But so, yeah, I am having fun. I'm having fun.

2:51:34.160 --> 2:51:38.000
<v Speaker 3>I'm feeling confident, I'm feeling powerful, I'm feeling like you know,

2:51:39.480 --> 2:51:43.040
<v Speaker 3>I can't wait to deliver this to y'all so I

2:51:43.080 --> 2:51:45.600
<v Speaker 3>can fucking get my shit off. You know what I'm saying, Like,

2:51:46.400 --> 2:51:49.080
<v Speaker 3>I can't wait to like just deliver this shit like live.

2:51:49.680 --> 2:51:52.280
<v Speaker 3>You know what I'm saying, Like with the band, come

2:51:52.360 --> 2:51:54.080
<v Speaker 3>and see me like, yeah, okay, you've been in one

2:51:54.120 --> 2:51:55.000
<v Speaker 3>of my shows before.

2:51:55.440 --> 2:51:57.000
<v Speaker 2>You've seen this before, You've seen that.

2:51:57.959 --> 2:51:58.720
<v Speaker 1>Come check me out.

2:52:01.879 --> 2:52:05.000
<v Speaker 3>Time from bringing out because I'm about to funk you up.

2:52:05.480 --> 2:52:06.080
<v Speaker 3>You know what I'm saying.

2:52:06.080 --> 2:52:09.560
<v Speaker 1>Because I feel really really strongly about what we created.

2:52:10.000 --> 2:52:12.000
<v Speaker 1>You know what I'm saying. The song you know what's

2:52:12.040 --> 2:52:15.920
<v Speaker 1>your go through songs, my go to song when you're performing?

2:52:16.400 --> 2:52:20.480
<v Speaker 2>Oh ship now any any.

2:52:21.360 --> 2:52:24.320
<v Speaker 1>No, because I've been performing with a band now. So

2:52:24.600 --> 2:52:27.880
<v Speaker 1>the band is a song with a DJ go to

2:52:27.879 --> 2:52:30.880
<v Speaker 1>the song with a band? Band know which which?

2:52:30.959 --> 2:52:31.160
<v Speaker 2>Which?

2:52:31.800 --> 2:52:33.080
<v Speaker 6>Is it?

2:52:33.120 --> 2:52:37.360
<v Speaker 2>Different songs? It's the same one. Enjoy the Night? You

2:52:37.440 --> 2:52:38.760
<v Speaker 2>mean go to for him to form?

2:52:39.280 --> 2:52:40.400
<v Speaker 1>You know, like you know that's that.

2:52:40.920 --> 2:52:45.959
<v Speaker 2>I do a song called Enjoy the Night and it's

2:52:47.040 --> 2:52:48.120
<v Speaker 2>it's the album.

2:52:48.480 --> 2:52:50.960
<v Speaker 3>Yeah, I could do it either way, but I like

2:52:51.040 --> 2:52:54.760
<v Speaker 3>dealing with the band because there's like different layers that

2:52:54.840 --> 2:52:55.640
<v Speaker 3>we can add to it.

2:52:56.200 --> 2:52:58.200
<v Speaker 2>So yeah, enjoy the Night is crazy, you know what

2:52:58.240 --> 2:52:59.400
<v Speaker 2>I'm saying. With the live band.

2:52:59.480 --> 2:53:03.760
<v Speaker 1>Yeah, of course that the DJ favorite one with the DJA.

2:53:07.879 --> 2:53:13.560
<v Speaker 1>The state of hip hop versus exhibit So I I

2:53:14.560 --> 2:53:20.600
<v Speaker 1>this is me being a fan boy the video. This

2:53:20.760 --> 2:53:23.440
<v Speaker 1>is what you get now when you're walking through, it

2:53:23.680 --> 2:53:26.080
<v Speaker 1>seems like it never was no take what you see

2:53:26.080 --> 2:53:26.640
<v Speaker 1>what you get?

2:53:26.920 --> 2:53:29.879
<v Speaker 2>Yes, yes, it seems like it never was no cut.

2:53:31.440 --> 2:53:34.400
<v Speaker 2>Such a monumental video, bro, it's such a monumental video.

2:53:34.440 --> 2:53:35.480
<v Speaker 1>It changed the world.

2:53:36.200 --> 2:53:38.160
<v Speaker 2>I want to say hip hop. I don't said hip

2:53:38.200 --> 2:53:40.640
<v Speaker 2>hop earlier, but I was so much changed.

2:53:40.959 --> 2:53:48.840
<v Speaker 1>It changed the world in general. It changed cinematography because hmm,

2:53:49.560 --> 2:53:51.960
<v Speaker 1>if there was a cut, I can't see it to

2:53:52.120 --> 2:53:54.520
<v Speaker 1>this day. Okay, let me tell you how we did it. Yeah,

2:53:54.680 --> 2:53:57.200
<v Speaker 1>there was thirteen cuts in what you see is what

2:53:57.320 --> 2:54:01.600
<v Speaker 1>you get. I'm not telling to continue. Yeah, man, let

2:54:01.640 --> 2:54:03.199
<v Speaker 1>them because it's smoking on my childhood.

2:54:05.280 --> 2:54:10.440
<v Speaker 3>There was thirteen cuts. Thirteen I know because we made

2:54:10.520 --> 2:54:15.080
<v Speaker 3>them together. A guy named Gregory Dark was the director

2:54:15.160 --> 2:54:20.920
<v Speaker 3>for that video, and I couldn't get anybody else at

2:54:20.959 --> 2:54:24.680
<v Speaker 3>the time video directors to follow what I wanted to do.

2:54:25.320 --> 2:54:29.560
<v Speaker 2>This is the idea, yes, right, scripted out correct?

2:54:29.600 --> 2:54:37.560
<v Speaker 1>Okay, So Gregory Gregory Dark was a porn director, that's all.

2:54:37.600 --> 2:54:42.040
<v Speaker 1>He comes back a lot of porn going on and exhibited. Okay,

2:54:43.000 --> 2:54:46.920
<v Speaker 1>different director, the same one, right, the same one, different

2:54:47.000 --> 2:54:51.080
<v Speaker 1>different poor director Ron Tower was different. Gregory Dark is

2:54:51.160 --> 2:54:52.240
<v Speaker 1>a different porn director.

2:54:52.920 --> 2:54:55.800
<v Speaker 3>So Gregory Dark was doing you know, kind of skin

2:54:55.879 --> 2:54:58.959
<v Speaker 3>flicks and whatnot and so flicks. So he was trying

2:54:59.000 --> 2:55:01.400
<v Speaker 3>to do he was trying to break into you know,

2:55:01.640 --> 2:55:05.800
<v Speaker 3>like regular stuff. So he took on the video and

2:55:05.959 --> 2:55:09.600
<v Speaker 3>so he actually came up with the sequence to do

2:55:09.760 --> 2:55:11.039
<v Speaker 3>the thirteen shots.

2:55:11.600 --> 2:55:14.440
<v Speaker 2>He said, we're going to do it with wipes. So

2:55:14.760 --> 2:55:15.800
<v Speaker 2>what we did was we.

2:55:17.280 --> 2:55:20.280
<v Speaker 3>We figured out we walked the we walked the path first,

2:55:21.000 --> 2:55:24.520
<v Speaker 3>we walked the path and found out cut points from

2:55:24.640 --> 2:55:26.640
<v Speaker 3>all of I don't even know if I should be

2:55:26.680 --> 2:55:29.320
<v Speaker 3>telling niggas how to do this. But we walked the

2:55:29.400 --> 2:55:33.480
<v Speaker 3>path and we showed later right right right, right right.

2:55:33.600 --> 2:55:37.400
<v Speaker 3>We kind of walked each found the perfect cut point right,

2:55:37.959 --> 2:55:40.600
<v Speaker 3>so we knew when we want to go inside and outside.

2:55:41.400 --> 2:55:45.680
<v Speaker 3>So that's how we got from inside the house outside

2:55:45.720 --> 2:55:53.320
<v Speaker 3>on the street, down the street inside. So the cut

2:55:53.520 --> 2:55:57.119
<v Speaker 3>was the cuts were like outside the house, there's one cut.

2:55:57.560 --> 2:55:59.720
<v Speaker 3>When the guy jumps out of the truck, that's one cut.

2:56:00.080 --> 2:56:02.440
<v Speaker 3>Then when we get to the other truck, when the

2:56:02.520 --> 2:56:05.160
<v Speaker 3>car passes in front of me, that's the that's the

2:56:05.280 --> 2:56:07.760
<v Speaker 3>third cut. When we get walking to the when we

2:56:07.840 --> 2:56:10.360
<v Speaker 3>walk into the place, that's the fourth cut. When I

2:56:10.440 --> 2:56:12.760
<v Speaker 3>get on the stage, that's the fifth cut. Wow, you

2:56:12.800 --> 2:56:14.680
<v Speaker 3>know what I'm saying. When when when I when I

2:56:14.760 --> 2:56:17.080
<v Speaker 3>when I come off the stage and walk past the girl,

2:56:17.200 --> 2:56:19.840
<v Speaker 3>that's the sixth cut. When Flavored Flas walks up, You

2:56:19.879 --> 2:56:21.280
<v Speaker 3>know what I'm saying, that's the seventh cut.

2:56:21.560 --> 2:56:22.160
<v Speaker 2>You know what I'm saying.

2:56:22.200 --> 2:56:24.680
<v Speaker 1>When alcoholists pull off and I turn around and I

2:56:24.720 --> 2:56:26.800
<v Speaker 1>pick up the dollar off the floor, that's the eighth cut.

2:56:27.160 --> 2:56:27.800
<v Speaker 2>You know what I'm saying.

2:56:28.760 --> 2:56:30.920
<v Speaker 1>And then when when I walk when I walk past the.

2:56:30.959 --> 2:56:33.920
<v Speaker 3>Car there if you look in the back. Okay, I'm

2:56:33.920 --> 2:56:35.480
<v Speaker 3>going tell you something else. Go back and watch that

2:56:35.640 --> 2:56:38.920
<v Speaker 3>video when you look when when when I pick up

2:56:38.959 --> 2:56:42.240
<v Speaker 3>the dollar and the the guys start coming off the

2:56:42.360 --> 2:56:48.240
<v Speaker 3>roof and I start walking off of of of the UK,

2:56:48.720 --> 2:56:51.760
<v Speaker 3>walking past the police car. A guy actually gets hit

2:56:51.879 --> 2:56:54.360
<v Speaker 3>by the police car flies him in the air. You

2:56:55.200 --> 2:56:57.480
<v Speaker 3>don't see it because you're looking at me walking. But

2:56:57.560 --> 2:57:00.760
<v Speaker 3>if you look at that car, a motherfucker actually put

2:57:00.800 --> 2:57:03.240
<v Speaker 3>it there. He gets up and starts walking. That's why

2:57:03.320 --> 2:57:07.959
<v Speaker 3>we get to use it. Right, listen, listen, this is great.

2:57:08.280 --> 2:57:11.480
<v Speaker 2>No, listen, listen. That wasn't real life though, right, that's

2:57:11.640 --> 2:57:14.680
<v Speaker 2>that's real life. Fuck it, fuck go listen, go look

2:57:14.760 --> 2:57:17.879
<v Speaker 2>back at the video. So we should have pulled it up.

2:57:18.520 --> 2:57:19.160
<v Speaker 1>Yeah, so.

2:57:22.560 --> 2:57:25.120
<v Speaker 3>The other will call a car blowing up and so

2:57:25.520 --> 2:57:28.880
<v Speaker 3>like walking out of the store, that's thirteen it's thirteen shots.

2:57:28.959 --> 2:57:30.480
<v Speaker 3>But there's so many things.

2:57:30.520 --> 2:57:32.640
<v Speaker 1>When I jump out the window, when the guy jumps

2:57:32.680 --> 2:57:32.920
<v Speaker 1>out the.

2:57:32.920 --> 2:57:35.920
<v Speaker 2>Window with a box and a box tips over.

2:57:36.120 --> 2:57:38.200
<v Speaker 3>The box is empty, but you don't even see that,

2:57:39.040 --> 2:57:40.720
<v Speaker 3>you know what I'm saying, Like, look at that boom

2:57:41.080 --> 2:57:43.640
<v Speaker 3>he jumps out and the box is empty. There's so

2:57:43.800 --> 2:57:46.000
<v Speaker 3>many like things in the video that you just do

2:57:46.320 --> 2:57:50.240
<v Speaker 3>pass that people just see this great video, but I'm

2:57:50.320 --> 2:57:51.720
<v Speaker 3>seeing like the things that did.

2:57:51.640 --> 2:57:54.080
<v Speaker 1>It was like the Mario Brothers correct, like like you

2:57:54.160 --> 2:57:56.000
<v Speaker 1>know how Mario Brothers like you go back and look

2:57:56.040 --> 2:58:01.800
<v Speaker 1>at Mario Brothers, be like, I missed this, mushroom, I

2:58:01.920 --> 2:58:05.520
<v Speaker 1>missed this. But I'm being honest because I looked. I

2:58:05.680 --> 2:58:09.760
<v Speaker 1>really like, I was like, yo, you change how hip

2:58:09.800 --> 2:58:15.960
<v Speaker 1>hop does videos. Like it wasn't a commercial record, it

2:58:16.160 --> 2:58:20.840
<v Speaker 1>was a straight talking to your record, but then hip

2:58:20.879 --> 2:58:25.560
<v Speaker 1>hop had to deal with reality at that moment. How

2:58:25.640 --> 2:58:26.040
<v Speaker 1>you did it?

2:58:26.120 --> 2:58:28.000
<v Speaker 2>You changed hip hop? Well you know that.

2:58:29.320 --> 2:58:31.600
<v Speaker 3>I know you humble, yeah, but you know you got

2:58:31.720 --> 2:58:32.920
<v Speaker 3>to look, you know, you got to look at some

2:58:33.040 --> 2:58:37.160
<v Speaker 3>of the other groundbreaking videos in hip hop, like you know,

2:58:37.400 --> 2:58:39.600
<v Speaker 3>like if you look at the Far Side Drop video

2:58:40.200 --> 2:58:42.000
<v Speaker 3>when they did everything backwards.

2:58:42.480 --> 2:58:44.840
<v Speaker 1>You know what I'm saying, Like, is that where your

2:58:44.879 --> 2:58:45.400
<v Speaker 1>idea came?

2:58:45.600 --> 2:58:48.360
<v Speaker 2>No, No, not at all that was done before.

2:58:48.480 --> 2:58:51.320
<v Speaker 1>Who I did was this is it? Which was just

2:58:51.440 --> 2:58:53.400
<v Speaker 1>that was my idea because yeah, yeah, I wanted a

2:58:53.480 --> 2:58:56.600
<v Speaker 1>one shot video all the way through, right, and so

2:58:57.160 --> 2:59:00.480
<v Speaker 1>legend I kept trying to explain it to people, and

2:59:00.640 --> 2:59:01.280
<v Speaker 1>nobody got it.

2:59:01.320 --> 2:59:03.520
<v Speaker 2>But Greg can we dark? Nobody?

2:59:03.920 --> 2:59:06.400
<v Speaker 3>Everybody was telling me, Oh, it's too expensive, you can't

2:59:06.480 --> 2:59:09.280
<v Speaker 3>do it, it's not going to happen. He did it,

2:59:09.680 --> 2:59:11.440
<v Speaker 3>and we did it with a very small budget.

2:59:11.879 --> 2:59:16.600
<v Speaker 1>Wow. Yeah, yeah, so it was dope. You changed the

2:59:16.680 --> 2:59:17.240
<v Speaker 1>fucking game.

2:59:17.320 --> 2:59:18.120
<v Speaker 2>Well, I appreciate that.

2:59:18.280 --> 2:59:26.280
<v Speaker 1>Man that makes a noise from on the Actually, zer man,

2:59:29.400 --> 2:59:30.680
<v Speaker 1>did you ever think of hip hop would make it

2:59:30.720 --> 2:59:35.360
<v Speaker 1>this far? Like right now with our biggest debate is

2:59:35.840 --> 2:59:38.400
<v Speaker 1>Kendrick on the super Bowl? Like that's hard?

2:59:39.280 --> 2:59:41.480
<v Speaker 2>I mean, got what side are you on?

2:59:41.720 --> 2:59:44.119
<v Speaker 1>Yeah? The actual argument is hard?

2:59:44.560 --> 2:59:44.720
<v Speaker 2>Right?

2:59:45.360 --> 2:59:49.800
<v Speaker 3>No, I mean absolutely nobody knows where hip hop is going, right,

2:59:50.040 --> 2:59:50.440
<v Speaker 3>that's real.

2:59:50.800 --> 2:59:51.560
<v Speaker 2>Nobody knows.

2:59:52.200 --> 2:59:55.280
<v Speaker 3>You know, it may make a resurgence in some in

2:59:55.360 --> 2:59:58.480
<v Speaker 3>a way that global, it's don't even know where it's

2:59:58.480 --> 3:00:03.040
<v Speaker 3>going global, correct, globally like people have their hometown heroes

3:00:03.120 --> 3:00:03.800
<v Speaker 3>around the world.

3:00:04.360 --> 3:00:08.800
<v Speaker 2>Right, So you know, I don't know where hip hop

3:00:08.920 --> 3:00:09.200
<v Speaker 2>is going.

3:00:09.320 --> 3:00:14.640
<v Speaker 1>But I know, being a fifty year old genre, we

3:00:15.080 --> 3:00:18.720
<v Speaker 1>definitely made an impact and we definitely have a lot

3:00:18.840 --> 3:00:22.840
<v Speaker 1>more of growth to take place. But do I know

3:00:22.879 --> 3:00:24.280
<v Speaker 1>where it's going? I have no idea.

3:00:24.360 --> 3:00:27.040
<v Speaker 3>I don't understand what happens last week, you know what

3:00:27.080 --> 3:00:31.120
<v Speaker 3>I'm saying. But I do know that the impact that

3:00:31.440 --> 3:00:34.039
<v Speaker 3>we've been able to have in hip hop is important

3:00:35.080 --> 3:00:39.040
<v Speaker 3>and that I'm glad I was able to do it

3:00:39.120 --> 3:00:40.680
<v Speaker 3>with the brothers that I was able to do it

3:00:40.800 --> 3:00:44.320
<v Speaker 3>with and the sisters that I was able to do

3:00:44.440 --> 3:00:49.560
<v Speaker 3>it with. And I can't wait to be able to

3:00:49.600 --> 3:00:52.840
<v Speaker 3>see where this goes, you know, even after I'm done

3:00:52.920 --> 3:00:55.040
<v Speaker 3>with hip hop or hip hop is done with me,

3:00:55.200 --> 3:00:59.000
<v Speaker 3>whatever comes first, you know what I'm saying, Like, I

3:00:59.160 --> 3:01:03.440
<v Speaker 3>want to see what happens after this, Like what's what's

3:01:03.480 --> 3:01:04.160
<v Speaker 3>the next chapter?

3:01:04.280 --> 3:01:05.040
<v Speaker 1>What does it go?

3:01:06.000 --> 3:01:11.080
<v Speaker 2>Does the Grammys, you know, become something hip that that Hammys?

3:01:11.320 --> 3:01:11.520
<v Speaker 1>Yeah?

3:01:13.360 --> 3:01:15.800
<v Speaker 3>Do we separate genres in hip hop? Do we have

3:01:16.560 --> 3:01:20.199
<v Speaker 3>adult contemporary? Do we have do we have new artists?

3:01:20.240 --> 3:01:23.280
<v Speaker 3>Do we have It's hip hop expanding to the place

3:01:23.320 --> 3:01:26.760
<v Speaker 3>where where we can actually have different things that, you know,

3:01:27.280 --> 3:01:29.880
<v Speaker 3>like show where other people are at because even though

3:01:29.920 --> 3:01:33.600
<v Speaker 3>it's a fifty year old genre, we're seeing the things.

3:01:33.760 --> 3:01:35.160
<v Speaker 1>You know what I'm saying, Like rock and roll has

3:01:35.160 --> 3:01:39.360
<v Speaker 1>been around forever, you know, punk rock has been around forever. Right,

3:01:39.600 --> 3:01:42.720
<v Speaker 1>everything is all designed and organized. Are we gonna do that?

3:01:42.840 --> 3:01:44.880
<v Speaker 1>For us or are we gonna not let them do

3:01:45.000 --> 3:01:45.480
<v Speaker 1>that for us?

3:01:46.240 --> 3:01:49.160
<v Speaker 2>You know what I'm saying? Hip hop has for itself. Correct,

3:01:49.440 --> 3:01:51.040
<v Speaker 2>we can't let them do it for us?

3:01:51.200 --> 3:01:51.600
<v Speaker 1>Right right?

3:01:51.680 --> 3:01:56.840
<v Speaker 2>Well who's who's us? That's the deciding factor. Okay, people

3:01:56.920 --> 3:01:57.880
<v Speaker 2>that we want to tell?

3:02:01.000 --> 3:02:09.720
<v Speaker 1>Wow, yind what do you want to be down with you? Man?

3:02:09.760 --> 3:02:11.080
<v Speaker 2>It's nothing. I can't do that.

3:02:11.760 --> 3:02:13.040
<v Speaker 1>Yeah, I can't do that.

3:02:14.120 --> 3:02:14.920
<v Speaker 2>Remember your.

3:02:16.959 --> 3:02:17.280
<v Speaker 1>Little bit?

3:02:17.360 --> 3:02:20.800
<v Speaker 3>Nothing tell you truth, not a little bit. He don't

3:02:20.800 --> 3:02:25.160
<v Speaker 3>do it a little bit man, I mean nigga. Hey man,

3:02:25.280 --> 3:02:26.320
<v Speaker 3>look I let my sh your go.

3:02:26.600 --> 3:02:26.720
<v Speaker 6>Man.

3:02:27.000 --> 3:02:31.040
<v Speaker 2>Yeah, I don't give I definitely don't give a Yeah.

3:02:31.080 --> 3:02:36.120
<v Speaker 1>We know you'renger, but why what? Why? Why? Because I

3:02:36.200 --> 3:02:46.840
<v Speaker 1>want to be one my time. I want like a

3:02:46.920 --> 3:02:51.640
<v Speaker 1>mother ask the motherfucker? Man?

3:02:52.240 --> 3:02:54.280
<v Speaker 2>Yo, is anything you want to say to your fans?

3:02:54.400 --> 3:02:56.200
<v Speaker 2>Please just get about it?

3:02:56.560 --> 3:02:57.880
<v Speaker 1>Man, I love y'all.

3:02:57.959 --> 3:03:01.039
<v Speaker 2>Man, hold us do one shot?

3:03:01.160 --> 3:03:01.600
<v Speaker 1>That's what we'll do.

3:03:01.680 --> 3:03:02.080
<v Speaker 2>One shot?

3:03:02.280 --> 3:03:02.440
<v Speaker 1>Yo?

3:03:02.800 --> 3:03:02.959
<v Speaker 12>Man?

3:03:04.120 --> 3:03:16.360
<v Speaker 1>Are we doing at shot? Shot? Out of here? All right?

3:03:16.400 --> 3:03:19.960
<v Speaker 2>To to two little gents, two little gims? What do

3:03:20.000 --> 3:03:23.039
<v Speaker 2>you mean one little jim little too little jit? Hey man,

3:03:23.400 --> 3:03:25.279
<v Speaker 2>Jimmy got us locked.

3:03:25.000 --> 3:03:26.119
<v Speaker 1>Down man, man.

3:03:28.480 --> 3:03:29.879
<v Speaker 2>Like ju machine?

3:03:30.320 --> 3:03:33.960
<v Speaker 1>Yo yo, yo yo how dope was seeing Jimmy I

3:03:34.080 --> 3:03:35.160
<v Speaker 1>bean man, Yo, man.

3:03:35.120 --> 3:03:37.040
<v Speaker 3>Yo, it's always dope to see the You know what

3:03:37.080 --> 3:03:38.800
<v Speaker 3>I'm saying, the man show up, can ask.

3:03:38.680 --> 3:03:39.080
<v Speaker 2>You a question?

3:03:39.200 --> 3:03:42.080
<v Speaker 6>How did you get to that front row? Because I mean,

3:03:42.160 --> 3:03:44.440
<v Speaker 6>I'm saying this out of ignorance. We just show up

3:03:44.480 --> 3:03:45.760
<v Speaker 6>and you were in the front row.

3:03:46.160 --> 3:03:46.400
<v Speaker 2>Happened?

3:03:46.440 --> 3:03:50.120
<v Speaker 6>Jimmy's in the front row, big boys, We're like, oh, ship,

3:03:50.800 --> 3:03:54.080
<v Speaker 6>how did that happen? We just walked in and open

3:03:54.959 --> 3:03:59.520
<v Speaker 6>Come on, man, I'm just saying this someone yo, come

3:03:59.600 --> 3:04:00.400
<v Speaker 6>through hang out.

3:04:00.440 --> 3:04:04.280
<v Speaker 2>No, No, it was it was coordinated. That's that's what.

3:04:06.440 --> 3:04:06.640
<v Speaker 12>I know.

3:04:06.879 --> 3:04:10.720
<v Speaker 1>You literally said I love that. I was like, it

3:04:10.800 --> 3:04:12.880
<v Speaker 1>was coordinated. Yeah, yeah, yeah.

3:04:12.920 --> 3:04:14.760
<v Speaker 3>We all came together, you know what I'm saying, Like

3:04:14.879 --> 3:04:16.640
<v Speaker 3>we all knew it was coming to that, Like we

3:04:16.760 --> 3:04:20.240
<v Speaker 3>met up, you know, got together, rolled over together. I

3:04:20.360 --> 3:04:21.800
<v Speaker 3>wanted to see the show. You know what I'm saying,

3:04:21.879 --> 3:04:24.199
<v Speaker 3>y'all y'all came out and actually killed that ship.

3:04:24.320 --> 3:04:24.480
<v Speaker 8>Man.

3:04:24.879 --> 3:04:29.920
<v Speaker 3>Someone I'm telling you, like, listen, listen, listen, listen. I

3:04:30.160 --> 3:04:33.760
<v Speaker 3>was laughing because of how I knew. You know what

3:04:33.800 --> 3:04:38.320
<v Speaker 3>I'm saying, Like Dre don't like to don't Drey does

3:04:38.440 --> 3:04:42.360
<v Speaker 3>not like to be interviewed. So he gave y'all, yeah,

3:04:42.400 --> 3:04:43.280
<v Speaker 3>but you know, you know.

3:04:45.640 --> 3:04:46.320
<v Speaker 1>How to be a nigga.

3:04:46.400 --> 3:04:48.560
<v Speaker 2>So I was like, that's what I want.

3:04:48.920 --> 3:04:53.320
<v Speaker 3>I don't like his laughter helps us, yo, but but

3:04:53.560 --> 3:04:56.760
<v Speaker 3>but but but y'all, y'all did a great interview with him.

3:04:57.240 --> 3:05:00.160
<v Speaker 3>And to see them two together environment and listen ten

3:05:01.720 --> 3:05:04.960
<v Speaker 3>oh man. Yeah, that was such a powerful moment.

3:05:05.360 --> 3:05:08.440
<v Speaker 1>I called it gin bottle. Look.

3:05:08.520 --> 3:05:09.480
<v Speaker 2>I talked to Big Boy.

3:05:09.600 --> 3:05:12.400
<v Speaker 3>I was sitting right next to the Big Boy and uh,

3:05:13.240 --> 3:05:14.720
<v Speaker 3>and I was I was like, Yo, this is a

3:05:14.879 --> 3:05:15.720
<v Speaker 3>unicorn moment.

3:05:16.320 --> 3:05:17.120
<v Speaker 1>It made me nervous.

3:05:17.160 --> 3:05:20.879
<v Speaker 2>It was big Boy, Big Boys, a real interviewer. Yeah,

3:05:20.920 --> 3:05:23.320
<v Speaker 2>this is a unicorn. And he was there and I

3:05:23.400 --> 3:05:25.840
<v Speaker 2>was like, oh, ship, he's in the building. You know

3:05:25.840 --> 3:05:27.520
<v Speaker 2>what I'm saying, Like I look up to that shot.

3:05:28.040 --> 3:05:32.160
<v Speaker 1>Yeah, okay, cool still chin, I didn't want to take it.

3:05:32.200 --> 3:05:33.880
<v Speaker 2>Just shot you fucking right.

3:05:33.959 --> 3:05:46.880
<v Speaker 1>We are like. I love how he always says no.

3:05:47.160 --> 3:05:50.440
<v Speaker 1>Then he thinks he's like, I got like a little

3:05:50.480 --> 3:05:51.800
<v Speaker 1>citrus way to it.

3:05:51.959 --> 3:05:55.240
<v Speaker 2>Great story exhibit. Yeah I know, but.

3:05:57.200 --> 3:06:01.040
<v Speaker 1>You don't know. Yeah He's like, yeah, huh, you might

3:06:01.120 --> 3:06:03.600
<v Speaker 1>have not seen a different liquor on this episode. But

3:06:03.720 --> 3:06:11.760
<v Speaker 1>now we got gin Jen on every episode, Press and

3:06:12.000 --> 3:06:13.360
<v Speaker 1>we got it, and we Gonna take a picture.

3:06:20.400 --> 3:06:23.800
<v Speaker 6>Drink Champs is a drink Champs LLC production hosts and

3:06:23.920 --> 3:06:27.320
<v Speaker 6>executive producers n O r E and dj e FN.

3:06:28.520 --> 3:06:29.600
<v Speaker 2>Listen to drink Champs on.

3:06:29.640 --> 3:06:34.600
<v Speaker 6>Apple Podcast, Amazon Music, Spotify, or wherever you get your podcasts.

3:06:35.680 --> 3:06:38.080
<v Speaker 6>Thanks for joining us for another episode of drink Champs

3:06:38.160 --> 3:06:40.760
<v Speaker 6>hosted by Yours truly, dj e f N and n

3:06:40.800 --> 3:06:42.880
<v Speaker 6>O r E. Please make sure to follow us on

3:06:42.959 --> 3:06:46.080
<v Speaker 6>all our socials that's at drink Champs across all platforms,

3:06:46.600 --> 3:06:49.600
<v Speaker 6>at the Real Noria go on, I g at Noriaga

3:06:49.640 --> 3:06:52.400
<v Speaker 6>on Twitter, Mine is at Who's Crazy on I g

3:06:53.160 --> 3:06:56.000
<v Speaker 6>at dj e f N on Twitter, And most importantly,

3:06:56.040 --> 3:06:58.840
<v Speaker 6>stay up to date with the latest releases, news and

3:06:59.000 --> 3:07:01.320
<v Speaker 6>merch by going to drink champs dot com.

3:07:04.000 --> 3:07:04.360
<v Speaker 1>Mm hmm