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Speaker 1: He is drink chants, motherfucking podcast makes He's a legendary

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Speaker 1: queens rapper. He ain't say greed as your boy in

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Speaker 1: O R eight's a Miami hip hop pioneer.

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Speaker 2: What Ups d j e f N?

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Speaker 1: Together they drink it up with some of the biggest

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Speaker 1: players you me and the most professional unprofessional podcast and

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Speaker 1: your number one source for drunk drink chans.

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Speaker 2: Mother postcavery Ds.

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Speaker 1: New Year c Listen, It's time for drink Champions.

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Speaker 2: Drink up, motherfuck motheruck. But it gonna be your boy

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Speaker 2: in O R e. What up is d J e

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Speaker 2: f N? It minna take me crazy world? Yeah, all

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Speaker 2: makes up. And let me just tell you something.

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Speaker 1: We saw this this show, this podcast. We said, we

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Speaker 1: want to interview people that are legend people that have

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Speaker 1: paved the way. This man has arguably have one of

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Speaker 1: the best hip hop videos of all times. I went

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Speaker 1: and I researched it myself. I thought that Buster and

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Speaker 1: Missy changed the video scene and I really realized that

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Speaker 1: it wasn't there. It was this motherfucker. And not only that,

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Speaker 1: There's something about the West that's right now happening. I

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Speaker 1: mean the ogs, you know what I mean? The young gins,

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Speaker 1: the middle people. This guy's a lyricists and lyricists. Man.

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Speaker 1: I've been listening to his music for the for all

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Speaker 1: these days, and one thing I know. Two things were certain.

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Speaker 1: He is an alcoholic. On every one of his songs,

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Speaker 1: he's talking about a fifth of something. This motherbugg is

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Speaker 1: a real deal. He's an icon.

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Speaker 2: He's a legend, tycoon. Our friends the.

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Speaker 1: Learn on the show, yet alumni of the show.

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Speaker 2: Oh when it.

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Speaker 1: Comes to lyricis that's what's great about this man. This

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Speaker 1: man can make a record that go to the globals,

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Speaker 1: and he can make an underground underground people who respect them.

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Speaker 1: He is the motherfucking one of the illess lyricists, one

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Speaker 1: of the illest people, one of the illis legends in

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Speaker 1: this game. I'm proud to have them on this goddamn show.

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Speaker 1: You know that's you know what's so good about you?

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Speaker 1: Like I We got to recently, hopefully this the interview

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Speaker 1: is out by then, but we got to recently interview

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Speaker 1: Dre and Snoop and was before I recognized you at

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Speaker 1: the at the front row. One thing that I noticed

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Speaker 1: is you have a trait that I have is no

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Speaker 1: matter how much that we love this game. It doesn't

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Speaker 1: take away from you being fans of other people.

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Speaker 2: And I was seeing you.

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Speaker 1: You had your phone up, I'm looking at it.

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Speaker 2: I'm like, yo, that's exactly how.

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Speaker 1: Just because like like Buster or NADS or somebody's my friend,

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Speaker 1: take away from me being a fan.

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Speaker 2: And I love seeing you absolutely.

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Speaker 1: Man.

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Speaker 3: Listen, before I was an artist, I was a fan.

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Speaker 3: I was I was a consumer. I would go and

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Speaker 3: buy CDs, I will go listen to it. I would

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Speaker 3: I would be excited about the release date.

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Speaker 1: You know what I'm saying.

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Speaker 3: I'd be excited about my favorite artists coming out. And

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Speaker 3: so now fast forward to be able to consider these

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Speaker 3: people my peers, you know what I'm saying, To be

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Speaker 3: able to you know, like really rock with them and

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Speaker 3: they rock with me, and you know, it's just a

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Speaker 3: surreal feeling. So yeah, you know that you guys kill

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Speaker 3: that interview. You know I killed it. And so when

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Speaker 3: when I when I was there, man and just seeing

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Speaker 3: them two together, you know, you.

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Speaker 1: Know what the funny part about that is, ah, it

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Speaker 1: reminded me of me a compone a little bit, because like,

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Speaker 1: no matter how much me a compone will be beefing

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Speaker 1: or whatever, whatever. As soon as we get together in

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Speaker 1: the same room, we just started laughing. Like when Snoop said,

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Speaker 1: Snoop said, I left the studio because Drake came to

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Speaker 1: the studio.

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Speaker 2: I was like, you know, you're the only person.

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Speaker 4: Say that, like I left the studio because Drake.

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Speaker 2: Well, I understand that, because I don't understand that. Okay, okay, okay.

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Speaker 2: So it's Dre really like that studio.

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Speaker 1: He's well, let me let me put this.

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Speaker 2: Let me put this to a correct way.

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Speaker 3: Dre is a master at his craft, and he expects

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Speaker 3: a certain level of perfection if you understand what that means.

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Speaker 3: And and and he we call him the guillotine because yeah, yeah.

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Speaker 2: Because.

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Speaker 1: We call him the guillotine because there's levels to it.

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Speaker 2: You know what I'm saying.

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Speaker 3: When he like you, when he likes you and he's

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Speaker 3: and he's working with you, then he'll just be like,

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Speaker 3: I don't believe you.

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Speaker 2: You know what I'm saying, you can do.

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Speaker 1: Better than that.

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Speaker 3: Like he like he'll say stuff like that, which is

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Speaker 3: kind of like a bunch of the gut anyway. But

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Speaker 3: I've seen him like turn the music down, and I've

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Speaker 3: seen him get up and leave the room. When somebody

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Speaker 3: is like not performing the way he wants to write,

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Speaker 3: you know what I'm saying. So so I understand, like

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Speaker 3: he says he don't like everything. He know, he don't

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Speaker 3: like nothing, you know what I'm saying, Like he likes

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Speaker 3: absolutely nothing. So so understood what Snoop said that. Yo,

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Speaker 3: I just want to leave the room, you know what

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Speaker 3: I'm saying, because I didn't want him to come in

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Speaker 3: there and say yes and that he wasn't instead of

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Speaker 3: going there and just tell they start being a guillotine

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Speaker 3: and start telling niggas here.

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Speaker 2: Like he don't like none of it. But it's dope? Though?

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Speaker 1: Is that? Is that because you know the one thing

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Speaker 1: that I listen me being a vocalist, Nothing that comes

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Speaker 1: out of that camp you guys are always sound so clear.

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Speaker 5: But is it a sacrifice for that, like because because.

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Speaker 1: You've got to do it fifteen million times? No?

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Speaker 3: I mean, once you understand what he's looking for, did

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Speaker 3: you kind of go there already?

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Speaker 2: Okay? You know what I'm saying.

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Speaker 3: Everybody comes in, Everybody kind of designs their style and

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Speaker 3: their lyrics and all that stuff before they get in

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Speaker 3: that room and they tune in to the way they

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Speaker 3: like it, but when you get it in front of

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Speaker 3: doctor Dre, he tunes it up in different frequencies. Yeah,

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Speaker 3: he's looking for something else. He don't care about the

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Speaker 3: style and all that, you know what I'm saying, Like, yeah,

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Speaker 3: that's part of it, but it's certain.

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Speaker 2: It's certain frequencies that you got to hit.

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Speaker 3: And so that's talking about with music, talking about with vocals,

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Speaker 3: talk about with lyric content. All of that stuff has

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Speaker 3: to be at an optimum level. So so once you

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Speaker 3: understand that about him, then you start just understanding like

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Speaker 3: how to get there. And sometimes you know, he'll, you know,

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Speaker 3: he'll he'll go try something different because you don't want

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Speaker 3: to start sounding the same all the time, you know

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Speaker 3: what I'm saying. But that's how it is, you know.

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Speaker 3: But when you rise to that level and you hit

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Speaker 3: those marks, what comes out is a legacy, you know

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Speaker 3: what I'm saying, Like the longevity of the records, the

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Speaker 3: staying power of old records.

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Speaker 2: There's something about it.

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Speaker 6: But the real question is how many records do you

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Speaker 6: have with Dre that are in the stash that probably

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Speaker 6: we never will have no idea because how much of

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Speaker 6: a perfectioncy is.

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Speaker 1: I have no idea. You got albums, Yeah, he's got what.

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Speaker 2: Drake got a vault.

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Speaker 3: They got a vault and it's basically like like folder

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Speaker 3: after folder after folder after folder of songs that like

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Speaker 3: we everybody in this room would go absolutely ape shit

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Speaker 3: over these songs. But Dre is like, you know what

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Speaker 3: I'm saying, it's cool. Like motherfuckers, you would never think

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Speaker 3: he worked with he's working with him, and he's like,

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Speaker 3: he's like, why why don't.

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Speaker 2: You put these?

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Speaker 3: Like you you got like seventeen albums, twenty albums. He's like,

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Speaker 3: ass cool, you know what I'm saying. And he don't

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Speaker 3: do shit for money, you know what I'm saying, Like,

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Speaker 3: he's got to feel it. He gotta believe it. He

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Speaker 3: gotta feel it, you know what I'm saying. And that's

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Speaker 3: when those records come out, you know.

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Speaker 2: So let's take it to the beginning. Yeah, ah, was

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Speaker 2: you started on Loud at first?

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Speaker 1: Was it Loud? It was Loud Records was the first

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Speaker 1: label I was on.

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Speaker 2: Okay, so how.

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Speaker 1: Did how did how did.

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Speaker 3: You and Steve Rifkin hook up? Steve Rifkins signed The Alcoholics.

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Speaker 3: Alcoholics were already on the label. They was the East

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Speaker 3: Coast and the West Coast office. The Alcoholics were signed

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Speaker 3: out of the West Coast office. And so I was

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Speaker 3: rolling rolling around with King T the Alcoholics and kind

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Speaker 3: of like just getting my feet wet as an artist

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Speaker 3: at that time.

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Speaker 2: And so.

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Speaker 3: Steve would I would always be in the office and

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Speaker 3: I'll be working on.

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Speaker 1: And and but you're a guest of the Alcoholics.

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Speaker 2: They're already signed.

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Speaker 3: They already signed at the time make Room, uh and

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Speaker 3: King T Trifling album was out, and so that's who

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Speaker 3: that's who I was running with. And so Steve Rifkin

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Speaker 3: came to Prince's Club glam Slam.

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Speaker 2: Prince had a glam slam everywhere.

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Speaker 1: Man, Yeah, Prince had like he just said it just

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Speaker 1: came to Prince, just telling the Prince Club.

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Speaker 3: Yeah yeah, yeah yeah. But Prince Dill, No, he was

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Speaker 3: not there, ain't hanging out with us. But it was

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Speaker 3: dope because uh uh. He came in, was like we

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Speaker 3: was about to go on stage and He's like, hey,

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Speaker 3: I want to sign you because I had never made

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Speaker 3: a demo. And he was telling yeah, yeah, Steve had

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Speaker 3: long hair at this time, you know what I'm saying,

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Speaker 3: yeah yeah, And he was like, you know, I want

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Speaker 3: to sign you come to the office tomorrow, and that

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Speaker 3: at the time, they don't have wh Tang yet two,

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Speaker 3: no Big Punk, no Big Punk.

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Speaker 6: Three six I think was already yet yet not yet.

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Speaker 2: Coast was like sellers selling dwellers was over.

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Speaker 3: There, and they were doing a lot of promotion too.

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Speaker 3: It was like a promo like a.

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Speaker 2: Streets the promotion.

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Speaker 1: Yeah.

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Speaker 3: S r C was just getting launching at that time

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Speaker 3: as well, damn. So that's how we that's how we

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Speaker 3: linked up. So okay, Now.

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Speaker 1: That's something that me and E f N always argue about, right,

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Speaker 1: the independent label thing, right, but not even that before

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Speaker 1: we go to that was it hard for you navigating

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Speaker 1: being a West Coast artist on a predominantly East Coast.

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Speaker 3: Motherfucking it was hard? Okay, man, the East those niggas hated.

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Speaker 7: Us, just not feeling us.

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Speaker 2: Like, let's just call it how we walked.

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Speaker 1: Wait, so you're saying they wasn't feeling West Coast or

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Speaker 1: they wasn't feeling anything that wasn't from the East.

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Speaker 2: Coast, that wasn't from anything from California.

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Speaker 1: Niggas. It was like you know what I'm saying, And

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Speaker 1: it was just in the eating.

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Speaker 2: But listen. To be fair, the artist was fucking with us.

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Speaker 1: It was the staff, it was it was the people.

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Speaker 1: That's my opinion is, that's my thing is I always

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Speaker 1: felt the West Coast.

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Speaker 2: We would go down from us, we would go to

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Speaker 2: New York and we would go out. Look.

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Speaker 3: I remember taking the train to master Ace House, you

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Speaker 3: know what I'm saying the first time, and the first

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Speaker 3: time I fucking got to New York. He was like,

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Speaker 3: you're gonna take the train by yourself. Yeah, get there,

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Speaker 3: you know what I'm saying. So so I remember drinking forties,

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Speaker 3: you know, on the stool, chilling outside, going to.

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Speaker 2: Niggas blocks, you know what I'm saying. That was love.

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Speaker 2: And when we're getting them buildings, it.

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Speaker 3: Was like they were it was like it became like

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Speaker 3: a it became like a friendly competition.

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Speaker 2: Like everything from the East.

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Speaker 3: Coast offer was to get all the big budgets and

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Speaker 3: all that stuff, and they would give.

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Speaker 2: Us the scraps and leftovers.

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Speaker 3: So we's making miracles out of absolutely nothing.

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Speaker 2: You know what I'm saying.

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Speaker 3: That we were just really banging on the fact that

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Speaker 3: like people were feeling the music, you know what I'm saying.

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Speaker 3: Like when I first came out. I didn't sound like

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Speaker 3: a traditional West Coast artists. No, you were very lirical, right,

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Speaker 3: People thought I.

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Speaker 2: Was from New York. Yes, I did you know.

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Speaker 6: La underground scene that crew everybody, you guys, And for.

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Speaker 1: Lack of a better term, at that time, we didn't

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Speaker 1: really understand that there's lyricists just as much as on

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Speaker 1: the East Coast as even more because you know, the

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Speaker 1: forefront people were in w A and other than ice

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Speaker 1: Cube and mc wren. It wasn't really like you know,

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Speaker 1: the lyrical thing.

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Speaker 3: But but I think, I think what was happening was

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Speaker 3: we had to find our own identity.

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Speaker 1: There was it was after the right after the death.

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Speaker 3: Road gfunk Era, and we had to find our own identity,

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Speaker 3: meaning that my graduating class, like it was Crooked Eye,

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Speaker 3: it was me Ras, it was Severee rest in peace man,

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Speaker 3: you know what I mean? And and uh you know

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Speaker 3: it was it was like a club called Unity where

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Speaker 3: all of us would go and like you know, that's

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Speaker 3: what we first saw.

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Speaker 2: Wu Tang performed like Bigger B was a.

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Speaker 3: And R my A and R in loud Wow, and

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Speaker 3: he did a club called Unity, and so he had

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Speaker 3: the plug for every artist in all the offices. He

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Speaker 3: would bring him out there to do shows. So then

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Speaker 3: it became a theme like okay, so I want to

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Speaker 3: open up at unity and that's where all of all

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Speaker 3: of us used to like cut our teeth and get

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Speaker 3: in front of the crowds and be able to build our audience.

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Speaker 2: But that's where it started.

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Speaker 1: So so let me ask him bouncing around a little bit.

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Speaker 1: It's been known, right, it's been known that lyricists people

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Speaker 1: that's really really really lyricists, right, they get the short

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Speaker 1: end of the stick. But then at some point it

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Speaker 1: was like doctor Dre started messing with lyricists like like

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Speaker 1: you you know, you know, so on and so forth

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Speaker 1: and Marshall you know what I'm saying. Yeah, yeah, other

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Speaker 1: than that, because I believe they used to call a backpack,

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Speaker 1: right yeah, blackrap back background. Right, So when did when

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Speaker 1: did a transition from going Because we had re search

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Speaker 1: on here the other day, right, and I'm bugging off

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Speaker 1: of EMC search because he's like, he's like, yeah, we

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Speaker 1: didn't want to take commercials, and I was like, yeah,

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Speaker 1: generation fucked up, yeah, like why do you want extra money?

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Speaker 1: But back then it was frowned upon. That was considered

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Speaker 1: selling out. So when was it that backpack hip hop

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Speaker 1: started to merge with commercial hip hop or not commercial

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Speaker 1: hip hop, global hip hop to forty hip hop, and

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Speaker 1: then they made this marriage like you know.

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Speaker 2: Like you like you, you want.

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Speaker 1: Very much benefited off of you know, your affiliation with that.

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Speaker 2: But when did that happen? Like I think I think once.

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Speaker 3: Once corporate America started putting millions and millions of dollars

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Speaker 3: into hip hop, right, it wasn't frowned upon anymore because

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Speaker 3: I think when you look at like mc hammer, nobody

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Speaker 3: gives in mc hammer the flowers he deserves. And if

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Speaker 3: you think about it, he got a lot of shit

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Speaker 3: for doing exactly what everybody's doing next.

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Speaker 2: Right now, you know what I'm saying.

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Speaker 3: And so he was ahead of his time in that

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Speaker 3: aspect as a businessman. But once corporate America started putting

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Speaker 3: a lot of money in into it, I think that

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Speaker 3: became the focus. It used to be about Okay, who

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Speaker 3: got style, who got craft, who got skilled? Then it

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Speaker 3: was like okay, who got millions? Who got cars? Who

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Speaker 3: got houses? You know what I'm saying. And then once

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Speaker 3: that started kind of merging and becoming you know, like

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Speaker 3: murking that you know, dirty in the waters a little bit.

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Speaker 1: I think people started.

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Speaker 3: You know, I don't have to I don't have to

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Speaker 3: have skill as long as I'm successful and I have money.

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Speaker 2: Everybody was a little I don't have to, I don't have.

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Speaker 1: To begin everybody.

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Speaker 6: The backpack thing didn't come to like the super underground,

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Speaker 6: the Ruckus era where they started to really label people Backpa.

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Speaker 1: You said everybody was a lyricist. I don't want to

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Speaker 1: say everybody was a liberal. That was the aspiration everyone

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Speaker 1: about this.

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Speaker 2: Everybody know the deals were made.

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Speaker 6: Whoever was the illis lyricist Jay Big come on, big

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Speaker 6: l everybody.

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Speaker 1: Got you gotta look at easy. Easy wasn't considered the

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Speaker 1: lyricists busy.

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Speaker 2: No, not everybody. But I'm saying that.

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Speaker 6: Most artists, mostly MC's, wanted to be lyricists caras ones

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Speaker 6: like it was from the beginning the backpack thing. To

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Speaker 6: attach that to lyricism started with the Ruckus Underground, that underground.

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Speaker 1: I'm gonna tell you some real ship. This is real

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Speaker 1: ship for me, this is my own ship. When my

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Speaker 1: first album, Worried Port is lyric cool, very cool, all.

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Speaker 2: That kid no bitness came to my conference man, no.

329
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Speaker 8: Women got you here today. I'm not sure about that, sir.

330
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Speaker 8: Like you know, look, tell you something.

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Speaker 1: I used to do shows in Germany and all the

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Speaker 1: women will come and their sneakers will be the worst

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Speaker 1: sneakers I've ever seen.

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Speaker 2: Like they was just stopping, like somebody just stop. Sneakers

335
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Speaker 2: can't go on five? Like that's hip, that's underground hip.

336
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Speaker 3: When I tell you what, No, I'll tell you what, man,

337
00:16:04,360 --> 00:16:06,440
Speaker 3: when you put up that, you know.

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Speaker 1: And that's what I wi conversion, I left the hook, yeah, coniversary.

339
00:16:11,400 --> 00:16:12,920
Speaker 2: Yeah, but in my mind I was going.

340
00:16:14,480 --> 00:16:17,720
Speaker 3: Them records came on like like like motherfucking planets.

341
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Speaker 1: But let's let's tell these people because you know, we

342
00:16:21,400 --> 00:16:26,320
Speaker 1: interview comedians sometimes comedians talking about the chitpling circuit, like

343
00:16:26,360 --> 00:16:28,440
Speaker 1: when you're coming up. A lot of people don't know

344
00:16:28,640 --> 00:16:31,320
Speaker 1: understanding about that underground circuit when you got to go

345
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Speaker 1: perform at s Obs for the rest for all the

346
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Speaker 1: clubs all over the world, and these guys are.

347
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Speaker 2: They are there at eight o'clock.

348
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Speaker 3: Yeah yeah, And I never I never. I was never

349
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Speaker 3: a radio guy. It was never the top forty guy.

350
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Speaker 2: I was never.

351
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Speaker 3: I was never the okay, he's he's you know bill

352
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Speaker 3: Board this.

353
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Speaker 2: And all that.

354
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Speaker 3: My bread and butter came from doing the underground circuit

355
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Speaker 3: and whooping ass on the shows. You know what I'm

356
00:16:56,680 --> 00:16:59,640
Speaker 3: saying that like live performances, like like one of the

357
00:16:59,680 --> 00:17:02,560
Speaker 3: big things in our campus. You you you must sound

358
00:17:03,240 --> 00:17:05,720
Speaker 3: on stage like you do on the record. If you

359
00:17:05,920 --> 00:17:08,119
Speaker 3: up there yelling and screaming and it just sounds like

360
00:17:08,160 --> 00:17:11,040
Speaker 3: you're just yelling over the track or or something I

361
00:17:11,080 --> 00:17:14,520
Speaker 3: hate now is like when when I see artists perform.

362
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Speaker 2: With the vocals in your face.

363
00:17:17,440 --> 00:17:20,439
Speaker 1: Yeah, yeah, it can't, it can't. Yeah, it's not.

364
00:17:20,600 --> 00:17:22,160
Speaker 2: Yeah, yeah, it's.

365
00:17:21,920 --> 00:17:23,879
Speaker 3: Just something about it's just something about it.

366
00:17:24,240 --> 00:17:24,440
Speaker 4: Yeah.

367
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Speaker 2: No, it's not even cheating it.

368
00:17:26,600 --> 00:17:27,080
Speaker 1: It's lazy.

369
00:17:27,920 --> 00:17:29,000
Speaker 2: It's lazy. It's lazy.

370
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Speaker 3: And you could tell that they don't take pride in

371
00:17:31,960 --> 00:17:34,640
Speaker 3: that work, you know what I'm saying, Like, you're not rehearsing,

372
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Speaker 3: you're not giving a you don't even care about this.

373
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Speaker 1: Is that the reason why we had TV tracks back

374
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Speaker 1: in the days, remember the TV track, because those just

375
00:17:42,760 --> 00:17:46,200
Speaker 1: had to add that list cook and the hook, especially

376
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Speaker 1: if it's a singing hook.

377
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Speaker 2: You know what I'm saying.

378
00:17:48,000 --> 00:17:50,320
Speaker 3: You want to be able to give that experience to

379
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Speaker 3: the audience, but them vocals that you you are on stage,

380
00:17:53,480 --> 00:17:55,879
Speaker 3: so you have to produce those vocals, you know what

381
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Speaker 3: I'm saying.

382
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Speaker 2: That's the way it is.

383
00:17:57,359 --> 00:17:59,160
Speaker 1: Let me ask you, what's the best toy you ever

384
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Speaker 1: been on?

385
00:17:59,600 --> 00:17:59,679
Speaker 6: Up?

386
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Speaker 2: And I knew he was going to say that.

387
00:18:01,640 --> 00:18:08,800
Speaker 1: I bet on myself say that.

388
00:18:07,880 --> 00:18:11,439
Speaker 3: And listen that that that necessarily wasn't the biggest or

389
00:18:11,520 --> 00:18:13,480
Speaker 3: longest tour I've been on, you know what I'm saying,

390
00:18:13,480 --> 00:18:16,480
Speaker 3: It was all together? Would it represented at the time

391
00:18:16,720 --> 00:18:19,240
Speaker 3: to the culture and what it felt like, you know,

392
00:18:19,800 --> 00:18:22,159
Speaker 3: being on the stage with with those guys. Like I

393
00:18:22,160 --> 00:18:25,359
Speaker 3: said before, I had been like truly a fan of

394
00:18:25,480 --> 00:18:29,160
Speaker 3: you know what I'm saying, and truly like inspired by

395
00:18:29,520 --> 00:18:31,080
Speaker 3: to be able to get up on that stage, to

396
00:18:31,200 --> 00:18:33,520
Speaker 3: be considered one of them, and then be able to

397
00:18:33,760 --> 00:18:36,119
Speaker 3: you know, go through that whole process and then be

398
00:18:36,160 --> 00:18:39,159
Speaker 3: able to come out with an album that I, you know,

399
00:18:39,280 --> 00:18:41,320
Speaker 3: in a million years, would have never thought I could

400
00:18:41,320 --> 00:18:43,800
Speaker 3: come out with, you know, and just have that experience.

401
00:18:43,880 --> 00:18:47,119
Speaker 3: Upper Smoke was like the last It was crazy.

402
00:18:47,200 --> 00:18:52,240
Speaker 1: I was watching from the TV, like, man, I like

403
00:18:53,000 --> 00:18:55,920
Speaker 1: you went everywhere too? No, no, no, it was just

404
00:18:55,960 --> 00:18:58,639
Speaker 1: the United States. Oh wow, Yeah, I don't think Dre

405
00:18:58,760 --> 00:19:03,560
Speaker 1: has ever done like a European tour. Wow. Yeah, yeah,

406
00:19:03,640 --> 00:19:06,600
Speaker 1: imagine that. That'd be crazy. So I'm gonna switch it

407
00:19:06,640 --> 00:19:09,280
Speaker 1: up a little bit, okay, because I realized that you

408
00:19:09,400 --> 00:19:13,040
Speaker 1: got one of the best hip hop shoutouts in the world.

409
00:19:13,080 --> 00:19:15,160
Speaker 2: But it's a little bit bad. I'm gonna tell you why.

410
00:19:15,240 --> 00:19:18,800
Speaker 1: Okay, zip it is in that club rolling all that

411
00:19:18,840 --> 00:19:19,359
Speaker 1: weed up.

412
00:19:19,440 --> 00:19:22,280
Speaker 5: Now everybody sees you. Gotta be rolling the weed absolutely,

413
00:19:22,320 --> 00:19:29,960
Speaker 5: And that's the one thing about this job, Like.

414
00:19:30,359 --> 00:19:32,240
Speaker 1: Whenever I come out, someone e would see me and

415
00:19:32,280 --> 00:19:33,360
Speaker 1: be like shot and I'm like.

416
00:19:34,800 --> 00:19:36,160
Speaker 2: Yes, and they don't give a fuck.

417
00:19:36,680 --> 00:19:38,280
Speaker 1: People always come up to you and be like, let's

418
00:19:38,280 --> 00:19:38,760
Speaker 1: smoke one.

419
00:19:40,160 --> 00:19:45,080
Speaker 3: Sometimes literally I'm smoking sody.

420
00:19:45,160 --> 00:19:50,120
Speaker 2: So so, but did that ever burden you?

421
00:19:50,200 --> 00:19:52,920
Speaker 3: No, man, I thought it was dope, man, because when

422
00:19:52,960 --> 00:19:56,439
Speaker 3: fifty shadowed me out, I didn't know it until, you know,

423
00:19:56,680 --> 00:19:58,520
Speaker 3: like a couple of days before it actually came out.

424
00:19:58,560 --> 00:20:01,000
Speaker 3: Oh so you heard it at the same time people

425
00:20:01,040 --> 00:20:03,240
Speaker 3: heard that. Okay, wow, yeah, so that was dope man.

426
00:20:03,240 --> 00:20:06,000
Speaker 3: And then you know, to be name checked on one

427
00:20:06,000 --> 00:20:07,920
Speaker 3: of the biggest songs ever, it's not a bad thing.

428
00:20:09,119 --> 00:20:09,560
Speaker 2: That changed.

429
00:20:09,560 --> 00:20:14,439
Speaker 1: That changed, that changed the trajectory of of the landscape

430
00:20:14,720 --> 00:20:17,399
Speaker 1: of that whole generation, because it's the first time you

431
00:20:17,440 --> 00:20:20,040
Speaker 1: had an East Coast guy riming on the straight West

432
00:20:20,080 --> 00:20:22,600
Speaker 1: Coast B. There's no way in the club can be

433
00:20:22,680 --> 00:20:25,280
Speaker 1: described as an East Coast B or South beat. You know,

434
00:20:25,359 --> 00:20:27,240
Speaker 1: that's the West Club. But the Firm was first. The

435
00:20:27,280 --> 00:20:29,120
Speaker 1: Firm was first. That's why I made Drake.

436
00:20:29,160 --> 00:20:30,840
Speaker 2: I made Drake take his.

437
00:20:30,119 --> 00:20:37,600
Speaker 1: His was first. Man, let me take you something. When

438
00:20:38,040 --> 00:20:40,480
Speaker 1: Roster sent me the clip, but I don't know what

439
00:20:40,520 --> 00:20:41,280
Speaker 1: time you send the clip.

440
00:20:41,280 --> 00:20:43,479
Speaker 2: You send the clip to the group chat right and

441
00:20:43,840 --> 00:20:46,160
Speaker 2: for the sleep. So I was so happy.

442
00:20:46,280 --> 00:20:48,240
Speaker 1: I woke up at four o'clock in the morning and

443
00:20:48,280 --> 00:20:50,199
Speaker 1: I sent it to that I said, I finally got

444
00:20:50,280 --> 00:20:52,600
Speaker 1: Dre to say that he shouldn't have said the Firm flop.

445
00:20:55,640 --> 00:20:56,640
Speaker 2: In my mind because.

446
00:20:56,680 --> 00:21:00,400
Speaker 1: He just said I he said yes, but my mind

447
00:21:00,400 --> 00:21:00,840
Speaker 1: he said it.

448
00:21:00,800 --> 00:21:03,360
Speaker 4: Like yeah, because.

449
00:21:03,080 --> 00:21:06,280
Speaker 1: That that album, that Firm, and that's the first time

450
00:21:06,640 --> 00:21:10,240
Speaker 1: You're right, I got to see East Coasters and West

451
00:21:10,240 --> 00:21:12,600
Speaker 1: And you gotta remember that that album came out so

452
00:21:12,760 --> 00:21:16,000
Speaker 1: dope because God bless, it was after Big and Tupac. Yeah,

453
00:21:16,080 --> 00:21:18,159
Speaker 1: you know what I'm saying, So everybody the smoke was

454
00:21:18,200 --> 00:21:19,840
Speaker 1: in the air and everybody was trying to put it

455
00:21:19,880 --> 00:21:20,320
Speaker 1: back together.

456
00:21:20,359 --> 00:21:23,560
Speaker 6: So that album single handedly didn't Dre do the one

457
00:21:23,680 --> 00:21:27,119
Speaker 6: joint that caress and now it was the East West

458
00:21:27,160 --> 00:21:29,680
Speaker 6: Coast one right right when he launched Aftermath, he did

459
00:21:29,680 --> 00:21:30,119
Speaker 6: a joint.

460
00:21:30,640 --> 00:21:33,120
Speaker 2: It might have been on that Aftermath Presents album. Yeah, yeah,

461
00:21:33,160 --> 00:21:34,040
Speaker 2: not sure, I think so.

462
00:21:34,400 --> 00:21:36,160
Speaker 6: I think that's when when you start to see him

463
00:21:36,480 --> 00:21:39,560
Speaker 6: like dabbling something having like Kris one and I forget.

464
00:21:39,400 --> 00:21:41,160
Speaker 2: Who a couple other who be real?

465
00:21:41,240 --> 00:21:43,920
Speaker 1: Be real? And what you drink?

466
00:21:43,920 --> 00:21:47,359
Speaker 2: I'm gonna drink of sprits. I take some forty two man, Okay,

467
00:21:47,400 --> 00:21:47,880
Speaker 2: forty two.

468
00:21:47,800 --> 00:21:51,479
Speaker 1: Okay, goddamn god, damn forty two. Look, let me tell

469
00:21:51,520 --> 00:21:54,240
Speaker 1: you something. Let me tell you something. We've been doing

470
00:21:54,280 --> 00:21:56,480
Speaker 1: this for years. So my favorite thing to do is

471
00:21:56,520 --> 00:21:59,639
Speaker 1: to check the artists drink order. Whenever I see somebody

472
00:21:59,720 --> 00:22:02,680
Speaker 1: order two different things, you ordered gin and.

473
00:22:02,640 --> 00:22:05,240
Speaker 2: Then think it is rat iron.

474
00:22:05,280 --> 00:22:09,000
Speaker 1: Good. Yes, So lets let's talk about the alcoholics and

475
00:22:09,040 --> 00:22:11,680
Speaker 1: you guys relationship in the beginning. So, how did y'all

476
00:22:11,720 --> 00:22:17,840
Speaker 1: link up? I linked up with school. No, there was

477
00:22:17,880 --> 00:22:18,280
Speaker 1: a group.

478
00:22:19,000 --> 00:22:21,240
Speaker 3: There was a there was a group of producers called

479
00:22:21,240 --> 00:22:25,679
Speaker 3: three sixty James Broadway was the producer for King T,

480
00:22:26,560 --> 00:22:29,560
Speaker 3: and so I was in the same area. I got

481
00:22:29,560 --> 00:22:32,520
Speaker 3: introduced to Broadway through a guy named Top. Top was

482
00:22:32,640 --> 00:22:35,120
Speaker 3: actually going to act as a manager. He was managing

483
00:22:35,440 --> 00:22:38,399
Speaker 3: Volume ten a couple other guys, and he was like, Yo,

484
00:22:38,440 --> 00:22:40,159
Speaker 3: I want to I want to work with you. So

485
00:22:40,200 --> 00:22:42,960
Speaker 3: he took me to Broadway. Broadway introduced me to King T.

486
00:22:43,200 --> 00:22:45,040
Speaker 3: King T introduced me to the Alcoholics.

487
00:22:45,560 --> 00:22:48,679
Speaker 1: Wow, and then and then how did y'all develop the relationship?

488
00:22:49,359 --> 00:22:51,280
Speaker 1: I was just those were the first cast that I

489
00:22:51,359 --> 00:22:54,840
Speaker 1: was off the street named the Alcoholics at the time. Yes, okay,

490
00:22:54,840 --> 00:22:55,880
Speaker 1: well given back then.

491
00:22:56,200 --> 00:23:00,199
Speaker 3: Back then King T created the group and so and

492
00:23:00,280 --> 00:23:03,800
Speaker 3: so that's when that's when I got introduced to them.

493
00:23:03,840 --> 00:23:06,080
Speaker 3: And they was the first artist that I knew that

494
00:23:06,160 --> 00:23:08,760
Speaker 3: had real record deals, you know, because I was I

495
00:23:08,840 --> 00:23:11,280
Speaker 3: was just off the block at that time. And so

496
00:23:11,880 --> 00:23:13,600
Speaker 3: when I started hanging out with them, I was like

497
00:23:13,680 --> 00:23:16,439
Speaker 3: learning how to write sixteens learning how to write, you know.

498
00:23:16,520 --> 00:23:18,520
Speaker 3: I was just in the lab kind of like honing

499
00:23:18,640 --> 00:23:21,679
Speaker 3: my craft with them. And so from there, I you know,

500
00:23:22,200 --> 00:23:24,320
Speaker 3: I would just go everywhere with him, and I would

501
00:23:24,320 --> 00:23:25,720
Speaker 3: do I would do ship like I would go to

502
00:23:25,760 --> 00:23:28,320
Speaker 3: the swap meet and make my own alcoholic T shirts

503
00:23:28,320 --> 00:23:29,640
Speaker 3: if we had a show, and.

504
00:23:29,600 --> 00:23:32,000
Speaker 2: Then I would make I do I make gas mask bongs?

505
00:23:32,080 --> 00:23:32,520
Speaker 2: I used to.

506
00:23:32,600 --> 00:23:35,919
Speaker 3: I used to get a bong and before they started

507
00:23:35,920 --> 00:23:39,240
Speaker 3: making them, I would get like like shipping attached the

508
00:23:39,280 --> 00:23:42,200
Speaker 3: hose to the mad gas mask and then take hits

509
00:23:42,240 --> 00:23:44,440
Speaker 3: on stage and fucking it was crazy.

510
00:23:44,560 --> 00:23:46,520
Speaker 1: Yeah, yeah, we were doing.

511
00:23:46,400 --> 00:23:50,840
Speaker 6: A lot that King T was already yeah you know

512
00:23:51,520 --> 00:23:53,320
Speaker 6: OG at that time, so it must have been like

513
00:23:53,359 --> 00:23:54,400
Speaker 6: crazy to roll with him.

514
00:23:54,480 --> 00:23:57,040
Speaker 3: So it was like everybody has a OG and King

515
00:23:57,119 --> 00:23:58,240
Speaker 3: T is ours.

516
00:23:58,160 --> 00:23:58,800
Speaker 1: You know what I'm saying.

517
00:23:58,960 --> 00:24:01,840
Speaker 3: And I still kicking with King T very closely to

518
00:24:01,880 --> 00:24:05,359
Speaker 3: this day. It's one of my closest friends, and uh,

519
00:24:05,640 --> 00:24:07,040
Speaker 3: you know, I got a lot of respect for what

520
00:24:07,080 --> 00:24:09,359
Speaker 3: he's done for me and and he gave me my

521
00:24:09,400 --> 00:24:09,920
Speaker 3: first shot.

522
00:24:10,119 --> 00:24:13,480
Speaker 2: King T dead right, let me ask you, because listening.

523
00:24:17,000 --> 00:24:20,240
Speaker 1: This morning, broking out listening to your music, and all

524
00:24:20,280 --> 00:24:22,960
Speaker 1: of us like secretly tried to quit walk on the low, right,

525
00:24:23,440 --> 00:24:25,159
Speaker 1: It's just like it just jumps out of you, right,

526
00:24:25,240 --> 00:24:25,920
Speaker 1: Like it's just like.

527
00:24:25,960 --> 00:24:27,080
Speaker 2: You just can't help it.

528
00:24:27,200 --> 00:24:29,800
Speaker 1: Right, But I feel like the white people that says nigga,

529
00:24:29,840 --> 00:24:33,119
Speaker 1: like when no one's around like I feel like God.

530
00:24:33,080 --> 00:24:34,840
Speaker 2: Because I know I'm not doing it right.

531
00:24:35,000 --> 00:24:36,560
Speaker 1: Like I know I'm not doing it, so I look

532
00:24:36,600 --> 00:24:39,480
Speaker 1: around and like it can look a lot like river

533
00:24:39,600 --> 00:24:45,960
Speaker 1: dancing if you don't do it. I know, sure, I know. Yeah,

534
00:24:47,160 --> 00:24:49,680
Speaker 1: I believe. I asked Drea Snoop this and I believe

535
00:24:49,840 --> 00:24:51,600
Speaker 1: they answer it was it was the boogie dance. But

536
00:24:51,640 --> 00:24:54,000
Speaker 1: what is it about that West Coast sound that just

537
00:24:54,040 --> 00:24:56,280
Speaker 1: makes you just want to smack you for the fucking

538
00:24:56,640 --> 00:24:57,360
Speaker 1: sneakers and.

539
00:24:57,400 --> 00:25:00,240
Speaker 2: Just get low. It's bi talk.

540
00:25:00,320 --> 00:25:02,320
Speaker 1: Sorry, I love it, I just can't do it. I

541
00:25:02,359 --> 00:25:05,080
Speaker 1: just can't do it. It's strictly built out of tradition.

542
00:25:05,200 --> 00:25:05,360
Speaker 9: Man.

543
00:25:05,560 --> 00:25:09,640
Speaker 3: It's like these things that come from our neighborhoods, your neighborhoods.

544
00:25:09,880 --> 00:25:11,280
Speaker 1: I mean, like these are things.

545
00:25:11,119 --> 00:25:15,679
Speaker 3: That are done from like a real genuine roots based

546
00:25:15,800 --> 00:25:19,640
Speaker 3: culture based, you know, initiative. And so you know, crip

547
00:25:19,720 --> 00:25:22,719
Speaker 3: walking is definitely and and and blood walking is definitely

548
00:25:22,760 --> 00:25:26,159
Speaker 3: from fucking neighborhood. Like that ship that is you know

549
00:25:26,280 --> 00:25:29,359
Speaker 3: that that wouldn't always It's not a dance. It's like

550
00:25:29,680 --> 00:25:32,040
Speaker 3: if you don't know who I am, this is what's happening.

551
00:25:32,080 --> 00:25:35,720
Speaker 1: You know what I'm saying like they are actually spelling something, right, Yeah,

552
00:25:35,920 --> 00:25:37,440
Speaker 1: a lot of people, do you know what I'm saying.

553
00:25:38,840 --> 00:25:42,280
Speaker 3: Yeah, I mean it evolves, you know, from from the

554
00:25:42,320 --> 00:25:44,399
Speaker 3: time like when you see what dove C was doing

555
00:25:44,720 --> 00:25:49,200
Speaker 3: on a smoke toward video, which is infamous, and then

556
00:25:49,520 --> 00:25:52,359
Speaker 3: it's it's just changed as you know, as as as

557
00:25:52,400 --> 00:25:54,040
Speaker 3: as the kids grow up and they put their own

558
00:25:54,080 --> 00:25:56,200
Speaker 3: little twist on it. So now there's a whole lot

559
00:25:56,240 --> 00:25:57,560
Speaker 3: of you know, feet going.

560
00:25:57,320 --> 00:25:58,960
Speaker 1: Out in side ways and you know what I'm saying,

561
00:25:59,000 --> 00:26:01,480
Speaker 1: the elbowl is moving a little differently, right, but I

562
00:26:01,480 --> 00:26:03,320
Speaker 1: mean it's still you know, you know what you're looking

563
00:26:03,359 --> 00:26:10,480
Speaker 1: at when you see it, right, Okay, So I gotta

564
00:26:10,520 --> 00:26:15,040
Speaker 1: ask you, Okay, I'm going actually to be as freely

565
00:26:15,080 --> 00:26:20,160
Speaker 1: as you can. When it's Drake and Kendrick thing first started.

566
00:26:20,560 --> 00:26:23,800
Speaker 1: Drake is the biggest artist in the world. I believe

567
00:26:23,880 --> 00:26:26,320
Speaker 1: Kendrick took a shot first, right, I believe for mother

568
00:26:26,359 --> 00:26:28,439
Speaker 1: fuck the Big Three. I mean, this is not this

569
00:26:28,560 --> 00:26:30,680
Speaker 1: is mag me. But Kendrick has been known for this.

570
00:26:30,960 --> 00:26:32,120
Speaker 2: No, but they've been going back and forth.

571
00:26:32,240 --> 00:26:34,360
Speaker 1: No. No, but remember Kendrick went at the whole New York

572
00:26:34,400 --> 00:26:36,640
Speaker 1: At one point he was like He's like, I'm Frank White,

573
00:26:37,119 --> 00:26:39,320
Speaker 1: I'm gonna kick in New York right, Like course this

574
00:26:39,400 --> 00:26:42,399
Speaker 1: whole controversy, but this time, this is something kind of

575
00:26:42,520 --> 00:26:48,199
Speaker 1: really really, really really different. Right. Did you understand what

576
00:26:48,400 --> 00:26:50,840
Speaker 1: Kendrick was doing from the beginning or this was something

577
00:26:50,840 --> 00:26:54,960
Speaker 1: that after you saw it, he was like, I mean, look, look, dude,

578
00:26:55,040 --> 00:26:55,680
Speaker 1: you have to look.

579
00:26:56,000 --> 00:26:58,000
Speaker 3: You have to take a step back first, because you

580
00:26:58,040 --> 00:27:00,840
Speaker 3: don't know what's happening behind the scenes. Always something happening

581
00:27:00,880 --> 00:27:04,360
Speaker 3: behind the scenes that we're not aware of. It's spilled

582
00:27:04,400 --> 00:27:07,240
Speaker 3: over into something else. But here's what I will say

583
00:27:07,240 --> 00:27:12,760
Speaker 3: about that. I think Kendrick Lamar is a very special individual.

584
00:27:14,160 --> 00:27:16,199
Speaker 3: I think he is a deep thinker. I think he

585
00:27:16,400 --> 00:27:21,640
Speaker 3: is a big part of what is unifying and energizing

586
00:27:21,840 --> 00:27:26,360
Speaker 3: the West Coast right now. And I think I think

587
00:27:26,400 --> 00:27:31,520
Speaker 3: he was severely underestimated. And uh, when you look at

588
00:27:31,560 --> 00:27:35,919
Speaker 3: the parable of David and Goliath and you see, you

589
00:27:35,960 --> 00:27:40,000
Speaker 3: know somebody who's you know, very you know, dismissive or

590
00:27:40,119 --> 00:27:43,159
Speaker 3: very arrogant or very you know, feeling like you know,

591
00:27:43,200 --> 00:27:46,800
Speaker 3: because Drake wasn't talking the way he's talking now at

592
00:27:46,840 --> 00:27:49,240
Speaker 3: the beginning. But when Kendrick wasn't saying nothing. You know

593
00:27:49,280 --> 00:27:50,840
Speaker 3: what I'm saying. It was just like, you know, it

594
00:27:50,920 --> 00:27:53,439
Speaker 3: was very funny. It was very poking holes. And he

595
00:27:53,480 --> 00:27:57,000
Speaker 3: did the Tupac thing, Yeah, doing the doing the two

596
00:27:57,119 --> 00:28:01,240
Speaker 3: poc Ai thing. You know, you talk about feeling disrespect,

597
00:28:01,320 --> 00:28:04,000
Speaker 3: I mean the whole coast. We love Tupac. You know

598
00:28:04,040 --> 00:28:06,119
Speaker 3: what I'm saying. The world loved Tupac. You know what

599
00:28:06,160 --> 00:28:06,560
Speaker 3: I'm saying.

600
00:28:07,240 --> 00:28:10,200
Speaker 1: You know what, I've never asked that question. So when

601
00:28:10,400 --> 00:28:15,359
Speaker 1: Drake sampled, I want to say sampled a right. So

602
00:28:17,280 --> 00:28:19,159
Speaker 1: Kendrick's line was, you think the coast is gonna let

603
00:28:19,200 --> 00:28:21,840
Speaker 1: you disrespect poligga? I think that Oakland show might be

604
00:28:21,880 --> 00:28:25,439
Speaker 1: your last stop. You're telling me that that's how people

605
00:28:25,480 --> 00:28:26,120
Speaker 1: really took it.

606
00:28:26,280 --> 00:28:27,040
Speaker 2: Like he took.

607
00:28:27,320 --> 00:28:30,520
Speaker 3: He took some liberties with that. And look, dude, I

608
00:28:30,560 --> 00:28:34,360
Speaker 3: got no dog in this fight. But but but but yeah,

609
00:28:34,400 --> 00:28:36,199
Speaker 3: but but the West Coast is where I'm at, and

610
00:28:36,200 --> 00:28:37,720
Speaker 3: that's what's up, you know what I'm saying. And so

611
00:28:37,880 --> 00:28:40,880
Speaker 3: Kendrick is is definitely ruling the pack, you know what

612
00:28:40,880 --> 00:28:43,160
Speaker 3: I'm saying. And he's he's and he's he's setting the

613
00:28:43,200 --> 00:28:47,520
Speaker 3: tone and so you know, yeah, I just think that

614
00:28:48,640 --> 00:28:53,719
Speaker 3: what we're seeing now is yeah, yeah, what we're seeing

615
00:28:53,720 --> 00:28:58,080
Speaker 3: now is the repercussions of of of stepping on somebody

616
00:28:58,440 --> 00:29:01,040
Speaker 3: that you shouldn't have stepped to. You know what I'm saying,

617
00:29:01,360 --> 00:29:03,720
Speaker 3: Like they're not even in the same class. You know,

618
00:29:04,040 --> 00:29:06,560
Speaker 3: in my opinion, Drake should have just put out a

619
00:29:06,600 --> 00:29:09,800
Speaker 3: fucking massive hit for the women and went on about

620
00:29:09,800 --> 00:29:10,360
Speaker 3: his business.

621
00:29:10,840 --> 00:29:11,480
Speaker 1: You know what I'm saying.

622
00:29:11,840 --> 00:29:15,120
Speaker 3: You're saying like, yeah, yeah, after after the first shot,

623
00:29:15,200 --> 00:29:17,200
Speaker 3: you know what I'm saying. But Pride is a motherfucker.

624
00:29:17,240 --> 00:29:18,800
Speaker 3: He goos a motherfucker. He kept going.

625
00:29:19,240 --> 00:29:22,920
Speaker 1: At one point, I was coming downstairs smoke weed and

626
00:29:23,000 --> 00:29:25,200
Speaker 1: it was like another Drake records drop and I was like, okay,

627
00:29:25,600 --> 00:29:29,400
Speaker 1: And I felt at that point, at that time, I

628
00:29:29,400 --> 00:29:32,160
Speaker 1: felt Drake was being the bully. This before Kendrick had

629
00:29:32,200 --> 00:29:34,440
Speaker 1: dropped anything. I think a lot of people forget that time.

630
00:29:34,560 --> 00:29:37,000
Speaker 1: Remember when he just kept dropping him and they both

631
00:29:37,040 --> 00:29:44,560
Speaker 1: did that. Christler three hundred looked like a bigley until Yeah,

632
00:29:44,800 --> 00:29:46,840
Speaker 1: you know what I'm saying, you see that motherfucker. I'm

633
00:29:46,840 --> 00:29:49,680
Speaker 1: not gonna lie as I knew Kendrick was ill. I

634
00:29:49,760 --> 00:29:52,000
Speaker 1: knew Kendrick was the man. I knew Kendrick can hold

635
00:29:52,000 --> 00:29:54,880
Speaker 1: it down. I didn't know Kendrick. I didn't know.

636
00:29:57,000 --> 00:29:58,560
Speaker 2: You didn't know Kendrick was a scientist.

637
00:29:59,440 --> 00:29:59,920
Speaker 1: I did not.

638
00:30:01,520 --> 00:30:02,840
Speaker 2: Yeah, he's playing chess.

639
00:30:03,480 --> 00:30:06,480
Speaker 1: No, no, because let me because I'm on hip hop'

640
00:30:06,800 --> 00:30:09,800
Speaker 1: not downgrade myself like that. I just didn't know to

641
00:30:09,920 --> 00:30:13,040
Speaker 1: the extent that he went. Because I'm gonna be honest,

642
00:30:13,680 --> 00:30:18,800
Speaker 1: this new album, what is it in NHL? I said,

643
00:30:18,880 --> 00:30:22,360
Speaker 1: n H nasrand National.

644
00:30:23,400 --> 00:30:24,520
Speaker 2: I first heard.

645
00:30:24,280 --> 00:30:27,800
Speaker 1: It and then I was like, damn, man, it doesn't

646
00:30:27,800 --> 00:30:31,200
Speaker 1: seem like he's having fun, right And then oh, no,

647
00:30:31,320 --> 00:30:36,000
Speaker 1: this is absolutely fun. It was an l A guy there.

648
00:30:36,040 --> 00:30:37,320
Speaker 1: It was the l A guy there, big up d

649
00:30:37,440 --> 00:30:40,040
Speaker 1: on and the all was like, nah, man, we just

650
00:30:40,080 --> 00:30:42,640
Speaker 1: have fun a little bit different from y'all. And I

651
00:30:42,720 --> 00:30:44,440
Speaker 1: was like, all right, cool, and I will listen to

652
00:30:44,440 --> 00:30:47,400
Speaker 1: it the next day. And I understood, like it really

653
00:30:47,440 --> 00:30:49,600
Speaker 1: it literally took somebody from Why didn't I think he

654
00:30:49,640 --> 00:30:51,160
Speaker 1: was having because I just felt like he was dealing

655
00:30:51,160 --> 00:30:52,880
Speaker 1: with survivors with more so I didn't feel like he

656
00:30:52,920 --> 00:30:55,520
Speaker 1: was like enjoying the moment. I had to hear it again.

657
00:30:55,760 --> 00:30:56,920
Speaker 1: I had to hear it again. When I heard it

658
00:30:56,960 --> 00:30:59,000
Speaker 1: the second and the third time, then I was like, oh, Okay,

659
00:30:59,120 --> 00:31:02,520
Speaker 1: he's enjoying the moment, but he's enjoying it in his way.

660
00:31:02,480 --> 00:31:06,040
Speaker 3: Yeah, I mean, you look, I don't hang around with Kendrick.

661
00:31:06,080 --> 00:31:07,880
Speaker 3: I'm not even gonna claim to be in his circle.

662
00:31:08,000 --> 00:31:11,120
Speaker 3: Circle is tight, I know, I know, you know, my

663
00:31:11,120 --> 00:31:13,400
Speaker 3: my uh my, my family works with him. You know

664
00:31:13,440 --> 00:31:16,680
Speaker 3: what I'm saying, Like, it's really dope to see him

665
00:31:17,080 --> 00:31:19,400
Speaker 3: have his own lane, you know what I'm saying, and

666
00:31:19,560 --> 00:31:22,840
Speaker 3: do it the way he's doing it like, but still

667
00:31:22,880 --> 00:31:25,480
Speaker 3: have the full backing of everybody that came to form

668
00:31:25,880 --> 00:31:28,680
Speaker 3: you know what I'm saying, that's fucking dope. And and

669
00:31:28,680 --> 00:31:33,480
Speaker 3: and he don't he's inclusive. When you see some cast

670
00:31:33,520 --> 00:31:36,080
Speaker 3: stick that's young and they come up and they just

671
00:31:36,120 --> 00:31:39,480
Speaker 3: dismiss everybody, they gonna fucking they fuck the fuck that nigga,

672
00:31:39,560 --> 00:31:42,760
Speaker 3: fuck him, fuck everybody's me and all this ship. And

673
00:31:42,800 --> 00:31:44,560
Speaker 3: I think that's what we saw, you know what I'm saying,

674
00:31:44,640 --> 00:31:47,720
Speaker 3: Like like Drake, Drake was you know, damn near number

675
00:31:47,760 --> 00:31:49,920
Speaker 3: one for decade if more, you.

676
00:31:49,840 --> 00:31:50,360
Speaker 1: Know what I'm saying.

677
00:31:51,080 --> 00:31:52,880
Speaker 2: And and he felt untouchable.

678
00:31:52,960 --> 00:31:56,920
Speaker 3: So it's it's very it's very it's very dope to

679
00:31:56,960 --> 00:32:01,960
Speaker 3: see you know, Kendrick come to his own and I'm pretty.

680
00:32:01,640 --> 00:32:04,200
Speaker 1: Sure he was pushed in a lot of ways from

681
00:32:04,280 --> 00:32:07,120
Speaker 1: that situation. But to see what he turned into and

682
00:32:07,160 --> 00:32:09,400
Speaker 1: to see what he represents and what he means to

683
00:32:09,480 --> 00:32:12,200
Speaker 1: us on the cars, it's fantastic. It's do you know

684
00:32:12,240 --> 00:32:14,200
Speaker 1: what the crazy shit is? I'm bouncing around, but I'm

685
00:32:14,200 --> 00:32:15,000
Speaker 1: gonna make it makes sense.

686
00:32:15,040 --> 00:32:15,280
Speaker 2: Yeah.

687
00:32:15,680 --> 00:32:19,560
Speaker 1: But one about favorite shows on TV is a show

688
00:32:19,560 --> 00:32:22,240
Speaker 1: called The Sha. Right. The only thing that's missing in

689
00:32:22,280 --> 00:32:25,240
Speaker 1: the Sha is on My Homegirl Lena with I always

690
00:32:25,240 --> 00:32:27,240
Speaker 1: tell her, I'm like, yo, man, you got the only

691
00:32:27,320 --> 00:32:31,440
Speaker 1: city of Chicago without load of Latinos? Right, Like, yo, bro,

692
00:32:31,520 --> 00:32:34,480
Speaker 1: I'm fucking Latino. Like, I can't just look at Chicago

693
00:32:34,600 --> 00:32:40,680
Speaker 1: without again. One thing about me being on the West Coast,

694
00:32:40,680 --> 00:32:42,160
Speaker 1: and obviously I've been going to the West Coast since

695
00:32:42,280 --> 00:32:44,920
Speaker 1: nineteenninety seven. When I would go to Snoop shows on

696
00:32:45,040 --> 00:32:48,440
Speaker 1: your show, I wouldn't see you your show's difference, Okay,

697
00:32:48,720 --> 00:32:50,520
Speaker 1: I mean to me, just put dazz and corrupt. I

698
00:32:50,520 --> 00:32:53,120
Speaker 1: wouldn't see a lot of Latinos. You know what changed

699
00:32:53,160 --> 00:32:55,680
Speaker 1: it was Nipsey Hustle. Nippy Hustle. I went to a

700
00:32:55,760 --> 00:32:57,480
Speaker 1: Nipty hustle. I snuck into another. But I think I

701
00:32:57,520 --> 00:32:58,760
Speaker 1: told you this, Oh, I said it on the show.

702
00:32:58,880 --> 00:33:01,320
Speaker 1: I went to a Nipsey Hustle concerts. I didn't hit him.

703
00:33:01,600 --> 00:33:03,480
Speaker 1: I wanted to pay to get in. I wanted to look.

704
00:33:03,600 --> 00:33:05,560
Speaker 1: I wanted to see how this West Coast shit feel,

705
00:33:05,680 --> 00:33:07,680
Speaker 1: like you know what I'm saying without being Norri right,

706
00:33:08,240 --> 00:33:11,720
Speaker 1: And it was the first time I seemed but I

707
00:33:11,720 --> 00:33:14,280
Speaker 1: didn't know what I was seeing. Snoop explained to me

708
00:33:14,360 --> 00:33:17,120
Speaker 1: that you saw that again on stage. I didn't know

709
00:33:17,240 --> 00:33:24,600
Speaker 1: that Kendrick from all these gangs together, Like, how remarkable.

710
00:33:24,040 --> 00:33:25,160
Speaker 2: Is that that? That was?

711
00:33:25,480 --> 00:33:29,120
Speaker 3: That was the tipping point right when he did that

712
00:33:29,200 --> 00:33:34,560
Speaker 3: Pop our concert and Dre went out there and all

713
00:33:34,600 --> 00:33:38,840
Speaker 3: them neighborhoods came out there see stage, because we.

714
00:33:38,800 --> 00:33:41,360
Speaker 1: Want you to explain this in it's entity in depth.

715
00:33:42,160 --> 00:33:44,680
Speaker 1: Us on the East Coast we looking thinking these are

716
00:33:44,840 --> 00:33:47,720
Speaker 1: artists that although they might be artists, but we didn't

717
00:33:47,720 --> 00:33:51,400
Speaker 1: we're not understanding that they represent different gags. There was

718
00:33:51,440 --> 00:33:52,239
Speaker 1: some artists up there.

719
00:33:52,280 --> 00:33:54,920
Speaker 3: There were some artists, but there was some very important

720
00:33:54,920 --> 00:33:58,040
Speaker 3: people to the street up there. I usually don't really

721
00:33:58,960 --> 00:34:01,680
Speaker 3: be standing next to each other, right, And I think

722
00:34:01,800 --> 00:34:05,320
Speaker 3: it just really it really set the tone for what's

723
00:34:05,520 --> 00:34:10,040
Speaker 3: what's coming next. So everybody saw that shit and was like, oh, oh,

724
00:34:10,280 --> 00:34:12,040
Speaker 3: we ain't had this before in the West.

725
00:34:12,239 --> 00:34:13,200
Speaker 1: That's what I'm trying to say.

726
00:34:13,239 --> 00:34:16,160
Speaker 6: We ain't had this before, maybe slightly during the peace treaty.

727
00:34:16,239 --> 00:34:17,320
Speaker 2: No, it be pieces.

728
00:34:17,480 --> 00:34:21,360
Speaker 3: It be pieces of the West coming together, still excluding

729
00:34:21,400 --> 00:34:23,600
Speaker 3: some of these parts because the past things that happened,

730
00:34:24,200 --> 00:34:27,319
Speaker 3: or just like that's just how things have been. But

731
00:34:27,360 --> 00:34:30,480
Speaker 3: when that happened, a lot of shit got pushed to

732
00:34:30,520 --> 00:34:33,040
Speaker 3: the side and was like, Okay, you know what, let's

733
00:34:33,160 --> 00:34:38,160
Speaker 3: unite around this w Let's unite around this genius that

734
00:34:38,239 --> 00:34:42,600
Speaker 3: is this doing this phenomenal work. And you know, look,

735
00:34:43,040 --> 00:34:49,200
Speaker 3: we can beef internally, but to the rest of the world, unified, like,

736
00:34:49,280 --> 00:34:50,959
Speaker 3: we haven't had that, you know what I'm saying.

737
00:34:51,000 --> 00:34:53,000
Speaker 1: I loved that about y'all. Iced T brought that up

738
00:34:53,000 --> 00:34:55,400
Speaker 1: to me, I think said, listen, he said, you know,

739
00:34:55,800 --> 00:34:59,160
Speaker 1: us West Coast people got beef because you in the industry. Motherfucker. Yeah,

740
00:34:59,680 --> 00:35:02,359
Speaker 1: He's like, do you think about it? Our beasts be between us.

741
00:35:02,600 --> 00:35:04,200
Speaker 1: And that was so mad that I see because he

742
00:35:04,320 --> 00:35:04,680
Speaker 1: was right.

743
00:35:05,160 --> 00:35:08,000
Speaker 6: It's like word like if they beefing, if you want

744
00:35:08,000 --> 00:35:10,319
Speaker 6: an industry, the average person, you say, the average.

745
00:35:10,000 --> 00:35:12,960
Speaker 1: Person, like like like that California love for for for

746
00:35:13,000 --> 00:35:15,000
Speaker 1: black Bird, that ships.

747
00:35:15,120 --> 00:35:17,279
Speaker 3: It's just like it's just like you when your parents

748
00:35:17,400 --> 00:35:19,280
Speaker 3: used to say, don't act crazy in front of company.

749
00:35:19,560 --> 00:35:22,480
Speaker 2: You know what I'm saying, That's just what it is.

750
00:35:22,920 --> 00:35:25,040
Speaker 3: It's like sometimes that's just spill over into the street.

751
00:35:25,040 --> 00:35:28,200
Speaker 3: But for the most for the most part, like especially now,

752
00:35:28,640 --> 00:35:31,880
Speaker 3: Cat's got a different agenda. We want to see the

753
00:35:32,120 --> 00:35:34,640
Speaker 3: w go, you know what I'm saying. And and and

754
00:35:34,680 --> 00:35:37,319
Speaker 3: that's why you see Q coming. That's why you see

755
00:35:37,400 --> 00:35:39,719
Speaker 3: you know Snoop Dogg coming, That's why I'm coming, you know.

756
00:35:44,239 --> 00:35:45,359
Speaker 2: And what's also do I.

757
00:35:45,320 --> 00:35:47,359
Speaker 6: Think that I don't think people are mentioning as much

758
00:35:47,400 --> 00:35:50,319
Speaker 6: about Kendrick his movement that he brought North Cali into

759
00:35:50,360 --> 00:35:53,279
Speaker 6: the fold. It's not just LA, it's all of California.

760
00:35:53,640 --> 00:35:54,400
Speaker 2: What are you saying about it?

761
00:35:54,480 --> 00:35:57,160
Speaker 6: Like the Bay Area and those artists just considered the

762
00:35:57,160 --> 00:35:59,800
Speaker 6: North area the South.

763
00:36:00,480 --> 00:36:10,320
Speaker 2: Okay together geographics. Yeah I know that, kid, Yeah, you know,

764
00:36:10,480 --> 00:36:11,920
Speaker 2: but but you're absolutely correct.

765
00:36:12,680 --> 00:36:15,200
Speaker 6: Even with the sound and the album, there's a song

766
00:36:15,239 --> 00:36:17,480
Speaker 6: it's like, to me, does the Sonic that's the Bay

767
00:36:17,520 --> 00:36:18,160
Speaker 6: Area right there?

768
00:36:18,160 --> 00:36:19,399
Speaker 2: But that's all West Coast.

769
00:36:19,640 --> 00:36:21,760
Speaker 3: You just when people say West Coast, they just think.

770
00:36:21,600 --> 00:36:22,440
Speaker 2: Of l A.

771
00:36:23,080 --> 00:36:25,879
Speaker 3: You think of Southton, you know what I'm saying, Long

772
00:36:25,960 --> 00:36:29,640
Speaker 3: Beach like, like that's not just the coast goes all

773
00:36:29,680 --> 00:36:31,759
Speaker 3: the way up to Canada. So when you when you

774
00:36:31,800 --> 00:36:33,480
Speaker 3: look at, when you look to when you look at

775
00:36:33,840 --> 00:36:36,239
Speaker 3: you know the bay and what they represent like and

776
00:36:36,280 --> 00:36:40,920
Speaker 3: then it's always been separate there too, Southern California Northern California,

777
00:36:41,040 --> 00:36:44,440
Speaker 3: two different planets. But now it's just thing like the

778
00:36:44,719 --> 00:36:48,400
Speaker 3: W everybody, the W everybody and and and it feels

779
00:36:48,440 --> 00:36:50,960
Speaker 3: dope to be able to see you know, e forty

780
00:36:51,040 --> 00:36:54,239
Speaker 3: do the opening for the pop up, and it's like

781
00:36:54,280 --> 00:36:56,400
Speaker 3: the inclusion of it. It just feels so we just

782
00:36:56,560 --> 00:36:57,359
Speaker 3: we're feeling.

783
00:36:57,080 --> 00:36:59,399
Speaker 1: Strong right now because I felt like, you know, I'm

784
00:36:59,520 --> 00:37:02,919
Speaker 1: sorry bounce over the place, but like like New York,

785
00:37:03,760 --> 00:37:07,000
Speaker 1: we've always had Long Island, and we've always had Yonkers

786
00:37:07,080 --> 00:37:11,040
Speaker 1: and Jersey, which technically isn't New York, but it is

787
00:37:11,160 --> 00:37:13,560
Speaker 1: New York, you understand I'm saying. So I felt like

788
00:37:13,600 --> 00:37:15,879
Speaker 1: that moment for y'all, like it was like every part

789
00:37:16,040 --> 00:37:19,080
Speaker 1: of the coast and not only that, I mean I

790
00:37:19,160 --> 00:37:21,080
Speaker 1: was going to say up the state, but not only that. Yeah,

791
00:37:21,160 --> 00:37:23,879
Speaker 1: run the coast together. That's what's crazy. You know what's

792
00:37:23,920 --> 00:37:27,760
Speaker 1: crazy about West Coast culture. If you actually pay attention,

793
00:37:28,920 --> 00:37:30,560
Speaker 1: you guys don't got to promote to the South or

794
00:37:30,640 --> 00:37:32,840
Speaker 1: the East at all. You guys could just promote in

795
00:37:32,880 --> 00:37:36,040
Speaker 1: the West and you'll be good. Well, here's the thing, Sacramento.

796
00:37:36,120 --> 00:37:39,160
Speaker 1: The number Remember when according to the numbers, remember when

797
00:37:39,280 --> 00:37:41,880
Speaker 1: hip hop was super regional. When you look at the

798
00:37:41,920 --> 00:37:44,440
Speaker 1: no limit, I'm going to say, you look at and

799
00:37:44,520 --> 00:37:45,359
Speaker 1: you look at and you.

800
00:37:45,239 --> 00:37:48,120
Speaker 3: Look at uh and you look at a cash money

801
00:37:48,600 --> 00:37:51,160
Speaker 3: and then and then even here, you know, in in

802
00:37:51,160 --> 00:37:53,400
Speaker 3: in Miami, you you look at the sound that was

803
00:37:53,440 --> 00:37:57,000
Speaker 3: coming out of here, that that graduated from DJ Magic

804
00:37:57,080 --> 00:38:00,719
Speaker 3: Mike and into you know, Luke in two Live Crew,

805
00:38:01,000 --> 00:38:03,360
Speaker 3: in the Poison Clan, into all these other things that

806
00:38:03,440 --> 00:38:05,800
Speaker 3: was coming. They had their own sound, so it was regional.

807
00:38:06,400 --> 00:38:10,760
Speaker 3: So once the West Coast you know, had their sound

808
00:38:11,000 --> 00:38:14,200
Speaker 3: and it didn't we didn't feel like we needed to

809
00:38:14,239 --> 00:38:18,759
Speaker 3: copy anyone. Right, So when the South rose, and you know,

810
00:38:18,880 --> 00:38:21,640
Speaker 3: after after the outcast said the South got something to say,

811
00:38:21,680 --> 00:38:24,920
Speaker 3: and then absolutely they came and dominated everything in the

812
00:38:24,960 --> 00:38:26,440
Speaker 3: industry and they had their sound.

813
00:38:26,760 --> 00:38:28,239
Speaker 1: We been fucked up ever since he said that.

814
00:38:34,960 --> 00:38:37,680
Speaker 3: I think it's dope because it gave us time to

815
00:38:37,800 --> 00:38:42,200
Speaker 3: kind of like see where things needed to go. And

816
00:38:42,560 --> 00:38:46,120
Speaker 3: I just liked the fact that we're not changing our sound,

817
00:38:46,680 --> 00:38:49,120
Speaker 3: we just doing it at a at a different pace,

818
00:38:49,360 --> 00:38:50,040
Speaker 3: you know what I'm saying.

819
00:38:50,160 --> 00:38:51,799
Speaker 1: So let me let me, let me, let me ask you.

820
00:38:51,960 --> 00:38:55,920
Speaker 1: There was three different eras of West Coast Rain right

821
00:38:56,520 --> 00:39:00,680
Speaker 1: that literally had me scared. One literally one when I

822
00:39:00,680 --> 00:39:02,520
Speaker 1: heard it straight out of Compton. I always say this.

823
00:39:02,640 --> 00:39:03,839
Speaker 1: I always though it straight out of content.

824
00:39:03,880 --> 00:39:05,160
Speaker 2: It was a jail. I don't know why.

825
00:39:05,680 --> 00:39:06,000
Speaker 1: I don't know.

826
00:39:06,080 --> 00:39:08,000
Speaker 5: I was, yeah, because the way they were describe it

827
00:39:08,080 --> 00:39:09,840
Speaker 5: straight up the comment, I'm like, I don't want a

828
00:39:09,880 --> 00:39:12,840
Speaker 5: good k lock up there, right, I was, obviously.

829
00:39:14,320 --> 00:39:19,040
Speaker 1: Yeah. So but then it was that death row everywhere,

830
00:39:19,040 --> 00:39:21,600
Speaker 1: all of y'all just you know, that upper smoke toil.

831
00:39:22,120 --> 00:39:24,440
Speaker 1: And now it seems like it's the resurgence. But the

832
00:39:24,520 --> 00:39:28,240
Speaker 1: good thing about it is it's not just the young generation,

833
00:39:28,520 --> 00:39:29,800
Speaker 1: it's not just the middle generation.

834
00:39:30,000 --> 00:39:32,920
Speaker 2: It's for Dre Snoop for you to be.

835
00:39:32,960 --> 00:39:36,920
Speaker 1: Dropping like like how how how good does that feel?

836
00:39:36,960 --> 00:39:39,000
Speaker 1: Because and you know what's good? We know what's dope

837
00:39:39,040 --> 00:39:43,880
Speaker 1: about you, Dre and Snoop is y'all could actually k

838
00:39:44,040 --> 00:39:44,200
Speaker 1: this to.

839
00:39:44,280 --> 00:39:45,080
Speaker 2: Your own audience.

840
00:39:45,200 --> 00:39:47,520
Speaker 1: Yeah, y'all don't got to sell to these new motherfuckers

841
00:39:47,560 --> 00:39:48,000
Speaker 1: at all.

842
00:39:48,400 --> 00:39:49,520
Speaker 2: But how good is this feeled?

843
00:39:49,680 --> 00:39:52,880
Speaker 3: It feels really good to be able to be dropping

844
00:39:52,960 --> 00:39:55,480
Speaker 3: music in twenty twenty four, twenty twenty.

845
00:39:55,160 --> 00:39:57,120
Speaker 1: Five and not compromise.

846
00:39:57,320 --> 00:39:59,680
Speaker 3: That's right, you know what I'm saying, Like, I see

847
00:39:59,680 --> 00:40:02,839
Speaker 3: what's going going on out there. I see what's I see.

848
00:40:03,040 --> 00:40:05,480
Speaker 3: I try to, you know, keep my ear to the street.

849
00:40:05,520 --> 00:40:07,480
Speaker 3: A lot of that ship I can't listen to, you

850
00:40:07,520 --> 00:40:10,640
Speaker 3: know what I'm saying, simply because you know, I'm a

851
00:40:11,000 --> 00:40:12,480
Speaker 3: I'm a I'm a professional.

852
00:40:13,000 --> 00:40:13,200
Speaker 1: You know.

853
00:40:13,320 --> 00:40:15,400
Speaker 3: I want to hear people be professional. I don't like

854
00:40:15,600 --> 00:40:17,680
Speaker 3: I don't like hearing ship out of the pocket. I

855
00:40:17,719 --> 00:40:20,600
Speaker 3: don't like hearing rappers not on beat. I don't I

856
00:40:20,600 --> 00:40:24,120
Speaker 3: don't like hearing lazy ass nothing ass rhymes.

857
00:40:24,400 --> 00:40:26,120
Speaker 1: I want to know something, you know what I'm saying.

858
00:40:26,239 --> 00:40:27,479
Speaker 1: I want to hear something. Listen.

859
00:40:28,840 --> 00:40:31,439
Speaker 3: I've seen her, you know what I'm saying, and look

860
00:40:31,480 --> 00:40:34,160
Speaker 3: from where she started to where she is now, it's

861
00:40:34,200 --> 00:40:36,960
Speaker 3: pretty fucking amazing. But you know what I'm saying, but

862
00:40:36,960 --> 00:40:39,440
Speaker 3: but I'm not gonna take nothing away from It's just

863
00:40:39,480 --> 00:40:42,120
Speaker 3: it's just not my style, you know what I'm saying. Like,

864
00:40:42,120 --> 00:40:44,840
Speaker 3: like you know, I see everybody you know doing the

865
00:40:45,000 --> 00:40:46,960
Speaker 3: pussy hole brown and all whatever.

866
00:40:49,280 --> 00:40:55,200
Speaker 1: Yeah, yeah, where was react? Where the was at?

867
00:40:55,320 --> 00:40:57,120
Speaker 3: Yeah, but I'm not gonna I'm not gonna take that

868
00:40:57,160 --> 00:41:00,040
Speaker 3: from her book, But I just prefer something else, you

869
00:41:00,040 --> 00:41:01,799
Speaker 3: know what I'm saying. And so, like I said, it

870
00:41:01,800 --> 00:41:03,120
Speaker 3: goes back to what we're doing now.

871
00:41:03,440 --> 00:41:05,239
Speaker 2: When we go in remember where we was that.

872
00:41:05,440 --> 00:41:07,480
Speaker 3: Yeah, when we go we're talking about how does it

873
00:41:07,520 --> 00:41:10,520
Speaker 3: feel now to be dropping music and and and man

874
00:41:10,520 --> 00:41:13,319
Speaker 3: it feels great. But I didn't have to compromise. I

875
00:41:13,320 --> 00:41:15,120
Speaker 3: can come out with what I want to do. I

876
00:41:15,160 --> 00:41:17,399
Speaker 3: don't need to compete with what's out now right now.

877
00:41:17,480 --> 00:41:19,440
Speaker 3: I just need to do what I do really well,

878
00:41:19,880 --> 00:41:21,479
Speaker 3: you know what I'm saying. And I think that once

879
00:41:21,520 --> 00:41:24,319
Speaker 3: you have that that that fixture. I think I heard

880
00:41:24,440 --> 00:41:28,040
Speaker 3: Rick Rubins say that if you start making music for

881
00:41:28,160 --> 00:41:32,440
Speaker 3: people other than yourself, then you already lost or something

882
00:41:32,440 --> 00:41:33,040
Speaker 3: to that effect.

883
00:41:33,200 --> 00:41:33,799
Speaker 2: Well, think about it.

884
00:41:34,040 --> 00:41:36,120
Speaker 1: I'm sure your first album, just like as Mine's, you

885
00:41:36,280 --> 00:41:39,080
Speaker 1: made it for your block, did you made Okay.

886
00:41:39,400 --> 00:41:43,399
Speaker 3: I did my first album not knowing, you know, knowing

887
00:41:43,480 --> 00:41:47,000
Speaker 3: I wanted to be different, but not necessarily knowing how

888
00:41:47,040 --> 00:41:49,480
Speaker 3: to get there or convey that. You know what I'm

889
00:41:49,480 --> 00:41:52,799
Speaker 3: saying on this record, on the key Maker record, out

890
00:41:52,840 --> 00:41:54,759
Speaker 3: of all of them, make.

891
00:41:59,600 --> 00:42:01,360
Speaker 2: On the on the Keen Maker record.

892
00:42:01,440 --> 00:42:03,640
Speaker 3: I feel like I tell everybody after we listen to it,

893
00:42:03,719 --> 00:42:06,480
Speaker 3: that I found my voice, you know, not the inflection

894
00:42:06,600 --> 00:42:08,160
Speaker 3: of it, not the use of it, or the tone

895
00:42:08,239 --> 00:42:10,759
Speaker 3: or the pitch. I found out what I'm supposed to

896
00:42:10,800 --> 00:42:13,840
Speaker 3: be saying and how I'm supposed to be saying it,

897
00:42:13,960 --> 00:42:16,440
Speaker 3: you know, because I'm speaking from a place of power,

898
00:42:16,520 --> 00:42:20,279
Speaker 3: I'm speaking from a place of endurance. I'm speaking from

899
00:42:20,280 --> 00:42:23,600
Speaker 3: a place of you know, just longevity, maturity and the

900
00:42:23,640 --> 00:42:25,040
Speaker 3: man maturity and growth.

901
00:42:25,360 --> 00:42:25,959
Speaker 2: You know what I'm saying.

902
00:42:25,960 --> 00:42:27,520
Speaker 3: I don't want to talk about the same shit I

903
00:42:27,560 --> 00:42:29,960
Speaker 3: was talking about on my first three albums, you know

904
00:42:30,000 --> 00:42:32,160
Speaker 3: what I'm saying, Like there's a lot of shit that's

905
00:42:32,160 --> 00:42:35,439
Speaker 3: happened between that then and now, and so like that's

906
00:42:35,440 --> 00:42:37,880
Speaker 3: what I'm speaking on and I'm speaking to it in

907
00:42:37,960 --> 00:42:39,759
Speaker 3: a place that makes me feel good, you know what

908
00:42:39,800 --> 00:42:40,240
Speaker 3: I'm saying.

909
00:42:40,360 --> 00:42:42,640
Speaker 2: But really quick listening to the album.

910
00:42:42,760 --> 00:42:47,080
Speaker 6: What I will tell you is, damn hear hearing the music,

911
00:42:48,200 --> 00:42:51,440
Speaker 6: it sounded like the old U updated. That's what I

912
00:42:51,480 --> 00:42:54,239
Speaker 6: want to say that as a compliment, that's.

913
00:42:54,160 --> 00:42:54,840
Speaker 2: What I want to head on.

914
00:42:55,239 --> 00:42:56,799
Speaker 1: So I don't want you. I don't want I don't.

915
00:42:57,120 --> 00:42:59,160
Speaker 1: I mean, I do want a new X, but I

916
00:42:59,200 --> 00:43:01,480
Speaker 1: want the old sounding right now.

917
00:43:02,320 --> 00:43:05,640
Speaker 2: You will not be disappointed. And that's what I'm saying.

918
00:43:05,680 --> 00:43:06,239
Speaker 1: Like it to me.

919
00:43:06,360 --> 00:43:08,720
Speaker 2: I haven't put out a record since twenty twelve.

920
00:43:10,040 --> 00:43:12,440
Speaker 1: You let my guy in. Yeah, the gate is locked.

921
00:43:12,600 --> 00:43:15,440
Speaker 3: I haven't put a record out since twenty twelve. And

922
00:43:15,520 --> 00:43:19,640
Speaker 3: so now the way this music has come across, like bro,

923
00:43:20,040 --> 00:43:23,279
Speaker 3: I feel like everything that's needed to be done for

924
00:43:23,800 --> 00:43:26,320
Speaker 3: the exhibit brand has been done on this record.

925
00:43:26,880 --> 00:43:31,359
Speaker 1: Musically we got yes, okay, goddamn makes no noise for that.

926
00:43:34,320 --> 00:43:35,520
Speaker 1: Do you do you play poker?

927
00:43:36,320 --> 00:43:36,520
Speaker 2: No?

928
00:43:36,560 --> 00:43:36,879
Speaker 1: I don't.

929
00:43:37,200 --> 00:43:38,160
Speaker 2: You can't never play poker.

930
00:43:38,160 --> 00:43:41,120
Speaker 1: I'm just telling you because no, no poker, because he's

931
00:43:41,120 --> 00:43:46,520
Speaker 1: a poker pok Poka. Because every time I know when

932
00:43:46,520 --> 00:43:48,520
Speaker 1: you're about to say something good, I just.

933
00:43:52,440 --> 00:43:54,000
Speaker 2: I see it too. I can't hide this.

934
00:43:53,960 --> 00:43:57,279
Speaker 1: Ship I ever think of that.

935
00:43:57,360 --> 00:43:58,920
Speaker 2: They're gonna get you.

936
00:43:59,680 --> 00:44:03,359
Speaker 3: No, I got some real bucket list moments on this record. Okay,

937
00:44:04,200 --> 00:44:07,640
Speaker 3: you know, Dre mentioned to you guys that we had

938
00:44:07,680 --> 00:44:10,279
Speaker 3: just did a song for the album. He's featured on

939
00:44:10,320 --> 00:44:13,279
Speaker 3: it with Ti Dollar Sign. Swiss Beast did the track

940
00:44:13,960 --> 00:44:16,920
Speaker 3: with co production from him. And uh, there's a man

941
00:44:17,160 --> 00:44:18,279
Speaker 3: a question his minute.

942
00:44:18,280 --> 00:44:21,000
Speaker 2: I got the question. What label is this one?

943
00:44:21,719 --> 00:44:26,080
Speaker 3: It's on green Back Records. Green Back Records is Connor

944
00:44:26,160 --> 00:44:26,960
Speaker 3: McGregor's label.

945
00:44:27,000 --> 00:44:33,720
Speaker 2: How did that have? How did that connection?

946
00:44:33,840 --> 00:44:38,839
Speaker 1: You got ta yes, yes, How to check this out?

947
00:44:38,920 --> 00:44:42,560
Speaker 1: I need to hear this. Okay, So, so did.

948
00:44:42,440 --> 00:44:42,959
Speaker 2: You take a shot?

949
00:44:43,200 --> 00:44:43,439
Speaker 1: A shot?

950
00:44:43,719 --> 00:44:48,680
Speaker 2: Take a shot? I'm sorry I'm talking because, by the way.

951
00:44:49,160 --> 00:44:52,520
Speaker 1: That is like some dope ship to say, like you're

952
00:44:52,520 --> 00:44:59,440
Speaker 1: gonna trip, I'm gonna do it. That's friss. Yeah, play

953
00:44:59,480 --> 00:45:02,399
Speaker 1: for the Okay, yeah, yeah, that's not a shot.

954
00:45:02,480 --> 00:45:04,360
Speaker 2: Okay, but AGAHD, let's just way Okay.

955
00:45:04,480 --> 00:45:08,920
Speaker 3: So we're finishing up the record and shout out to

956
00:45:08,960 --> 00:45:14,000
Speaker 3: Bobby D Presents that's my management company, and uh, and

957
00:45:14,280 --> 00:45:16,520
Speaker 3: we were finishing up the album. We were putting it.

958
00:45:16,600 --> 00:45:19,399
Speaker 3: We were putting all the finishing touches, bells, and paid

959
00:45:19,440 --> 00:45:21,800
Speaker 3: for all this. Yeah, okay, all the album. We didn't

960
00:45:21,800 --> 00:45:24,960
Speaker 3: this was not done with the label. So the album

961
00:45:25,080 --> 00:45:28,279
Speaker 3: was being finished, and then we started talking about how

962
00:45:28,280 --> 00:45:30,760
Speaker 3: we're going to release this, and I went and looked

963
00:45:30,760 --> 00:45:33,839
Speaker 3: at you. I mean, I see what Russell was doing. Yeah,

964
00:45:33,920 --> 00:45:36,120
Speaker 3: shout out to lou Russell. I saw you know, I

965
00:45:36,160 --> 00:45:39,800
Speaker 3: know Empires, I know all you know, big up Gazi,

966
00:45:40,239 --> 00:45:42,400
Speaker 3: I know we had, you know, and then you have

967
00:45:42,440 --> 00:45:43,600
Speaker 3: the actual major labels.

968
00:45:43,640 --> 00:45:44,239
Speaker 2: You know what I'm saying.

969
00:45:44,320 --> 00:45:47,960
Speaker 3: Like, we explored every single one and kind of just

970
00:45:48,040 --> 00:45:50,120
Speaker 3: kind of sat back and was like, no, what's right?

971
00:45:51,239 --> 00:45:54,520
Speaker 3: So what's right for the this project that we have?

972
00:45:54,680 --> 00:45:58,600
Speaker 3: Who's going to do something correct by what we're doing?

973
00:45:59,200 --> 00:46:02,000
Speaker 3: And so we we were just going through that motion

974
00:46:02,080 --> 00:46:03,759
Speaker 3: and then I got a call from Bobby and he

975
00:46:03,800 --> 00:46:07,000
Speaker 3: was like, hey, what do you think about Connor McGregor.

976
00:46:07,360 --> 00:46:09,880
Speaker 3: I was like, the Okay, who's Bobby the fighting motherfucker?

977
00:46:11,160 --> 00:46:11,399
Speaker 1: Yeah?

978
00:46:11,480 --> 00:46:12,120
Speaker 2: Cool? Cool cool?

979
00:46:12,400 --> 00:46:14,400
Speaker 3: And he's like like, what do you think about Conor McGregor.

980
00:46:14,440 --> 00:46:16,840
Speaker 3: I was like, the fighting motherfucker? Like what's happened to

981
00:46:17,000 --> 00:46:19,200
Speaker 3: He's like, well, he's starting to label. I was like,

982
00:46:19,239 --> 00:46:20,719
Speaker 3: funk out of here, you know what I'm saying, Like

983
00:46:20,800 --> 00:46:22,840
Speaker 3: he's not, like what does he know about music?

984
00:46:22,880 --> 00:46:24,880
Speaker 2: He was like, well, he's very serious.

985
00:46:24,920 --> 00:46:26,400
Speaker 3: This is what he is, this, this is what he

986
00:46:26,440 --> 00:46:29,160
Speaker 3: wants to do, this is who he has on board,

987
00:46:29,239 --> 00:46:32,440
Speaker 3: this is you know what he's his vision is. So

988
00:46:33,400 --> 00:46:35,839
Speaker 3: I sat back and I took a meeting with him,

989
00:46:35,880 --> 00:46:38,080
Speaker 3: and then the way they explained the way that they

990
00:46:38,120 --> 00:46:41,640
Speaker 3: want to do this and the global reach and impact

991
00:46:41,640 --> 00:46:43,440
Speaker 3: that that they.

992
00:46:43,320 --> 00:46:46,560
Speaker 1: Have the record label, meaning the record label, meaning.

993
00:46:46,520 --> 00:46:48,759
Speaker 3: Meaning the people that he's brought into to do the

994
00:46:48,800 --> 00:46:51,920
Speaker 3: record label, was pretty intense, man, And I was like,

995
00:46:51,960 --> 00:46:56,960
Speaker 3: you know what, this is something new, this is something different,

996
00:46:57,000 --> 00:46:59,799
Speaker 3: this is uh, this is something that doesn't come with

997
00:46:59,840 --> 00:47:01,440
Speaker 3: the any level of expectation.

998
00:47:01,960 --> 00:47:04,360
Speaker 2: Everything we do is a first you.

999
00:47:04,400 --> 00:47:07,680
Speaker 3: Know what I'm saying, so to be and what's really

1000
00:47:07,719 --> 00:47:09,920
Speaker 3: attractive is that I'm the first artist that's going to.

1001
00:47:09,960 --> 00:47:10,840
Speaker 2: Go through the label.

1002
00:47:11,239 --> 00:47:13,239
Speaker 1: Oh wow, he has other artists, but you need to

1003
00:47:13,480 --> 00:47:14,359
Speaker 1: sign Bone as well.

1004
00:47:14,800 --> 00:47:15,800
Speaker 2: The sign Bone.

1005
00:47:16,040 --> 00:47:17,920
Speaker 1: Okay yeah, okay, I did.

1006
00:47:17,800 --> 00:47:21,000
Speaker 3: Hear that, but they have but but he he has

1007
00:47:21,000 --> 00:47:23,640
Speaker 3: a really deep love for what we do. But that's

1008
00:47:23,719 --> 00:47:26,080
Speaker 3: it's not just a hip hop label. There's a there's

1009
00:47:26,160 --> 00:47:29,000
Speaker 3: there's a pop act on there. There's some different folks

1010
00:47:29,040 --> 00:47:31,160
Speaker 3: that are coming out. It's not just a hip hop label.

1011
00:47:31,800 --> 00:47:35,799
Speaker 3: The band that's coming on it's it's it's different the

1012
00:47:35,800 --> 00:47:38,000
Speaker 3: way they're doing it, But to be the first release

1013
00:47:38,080 --> 00:47:40,600
Speaker 3: on there, there's a lot to prove, And so I

1014
00:47:40,600 --> 00:47:43,760
Speaker 3: would rather have good business people around that aren't jaded

1015
00:47:43,800 --> 00:47:47,279
Speaker 3: by the and and feel with politics that are we

1016
00:47:47,360 --> 00:47:50,480
Speaker 3: seeing the music industry right now, and people that just

1017
00:47:50,520 --> 00:47:53,000
Speaker 3: want to do good business that don't have interactions with

1018
00:47:53,080 --> 00:47:55,280
Speaker 3: all this suits you what I'm saying, Yeah.

1019
00:47:55,160 --> 00:47:55,840
Speaker 2: No baggage.

1020
00:47:56,160 --> 00:47:58,120
Speaker 3: So it's I think it's a good it's a good

1021
00:47:58,120 --> 00:48:00,640
Speaker 3: way to shoot over niggas heads, you know, a shot

1022
00:48:00,680 --> 00:48:01,080
Speaker 3: for that?

1023
00:48:04,080 --> 00:48:06,239
Speaker 2: What in the Dixie cup? What the come on here?

1024
00:48:08,560 --> 00:48:10,879
Speaker 1: We're gonna it's we've got a long game. We're gonna

1025
00:48:11,320 --> 00:48:13,520
Speaker 1: do you want to play quick? Thomas sign out?

1026
00:48:13,640 --> 00:48:17,000
Speaker 2: No want to finish this? Okay? Yeah yeah yeah yeah.

1027
00:48:17,080 --> 00:48:21,080
Speaker 3: So so we we uh we decided to do it.

1028
00:48:21,200 --> 00:48:23,080
Speaker 2: We decided to go with green Back Records.

1029
00:48:24,400 --> 00:48:27,799
Speaker 1: And so is your record label under there as well?

1030
00:48:28,160 --> 00:48:30,839
Speaker 3: Or it's just you know, it's just it's it's it's

1031
00:48:30,920 --> 00:48:33,880
Speaker 3: just like I think we got one album with an option.

1032
00:48:34,040 --> 00:48:35,040
Speaker 2: Okay, you know what I'm.

1033
00:48:34,880 --> 00:48:37,600
Speaker 3: Saying, Just because we're feeling each other out right, But

1034
00:48:38,280 --> 00:48:39,880
Speaker 3: so far, so good everything, But you're.

1035
00:48:39,719 --> 00:48:41,960
Speaker 1: Giving it about doctor Dre record. Is this you still

1036
00:48:41,960 --> 00:48:45,120
Speaker 1: own the Master's only? Okay, okay, that's the partner.

1037
00:48:45,200 --> 00:48:47,160
Speaker 3: Yeah, no, no, it's it's very up today. It's not

1038
00:48:47,200 --> 00:48:49,280
Speaker 3: like the old it's not like the old days.

1039
00:48:50,000 --> 00:48:52,560
Speaker 1: Yeah yeah, yeah, saying because you bring it with no

1040
00:48:52,640 --> 00:48:54,560
Speaker 1: respect to him, but you bring it everything to the table.

1041
00:48:54,560 --> 00:48:56,280
Speaker 2: It's like, well you already recorded on his own dimes.

1042
00:48:56,400 --> 00:48:58,440
Speaker 1: That's what he bringing everything to the table, you know

1043
00:48:58,480 --> 00:48:58,799
Speaker 1: what I mean?

1044
00:48:58,880 --> 00:49:03,160
Speaker 3: Like we we've always done our records without without the machine.

1045
00:49:03,600 --> 00:49:06,520
Speaker 3: You know, even when I was in the machine, I

1046
00:49:06,680 --> 00:49:09,000
Speaker 3: never got the full push that I should have gotten,

1047
00:49:09,040 --> 00:49:12,759
Speaker 3: you know. So now I'm pushing myself and now I

1048
00:49:12,880 --> 00:49:13,880
Speaker 3: just need the vehicle.

1049
00:49:14,000 --> 00:49:14,600
Speaker 2: You know what I'm saying.

1050
00:49:14,640 --> 00:49:17,399
Speaker 3: It's somebody who was like minded that wants to see

1051
00:49:17,400 --> 00:49:20,320
Speaker 3: it win as well. They don't have to be record guys.

1052
00:49:20,360 --> 00:49:22,960
Speaker 3: We're the record guys. You know, we've been doing it

1053
00:49:23,000 --> 00:49:25,920
Speaker 3: for ourselves so long. It's like, okay, cool, Now we

1054
00:49:26,000 --> 00:49:28,600
Speaker 3: just need somebody who can promote the funk out of

1055
00:49:28,600 --> 00:49:32,200
Speaker 3: this shit. And I don't think anybody's ever promoted better

1056
00:49:32,239 --> 00:49:33,240
Speaker 3: than Connor McGregor.

1057
00:49:35,840 --> 00:49:38,840
Speaker 6: But what I think is important that you're saying, is

1058
00:49:38,880 --> 00:49:41,320
Speaker 6: that sorry, Sorry, he's brought in people.

1059
00:49:41,440 --> 00:49:43,239
Speaker 2: It's not just relying on him in his brain.

1060
00:49:44,080 --> 00:49:47,359
Speaker 3: You don't have boxing people or MMA people working on record.

1061
00:49:47,400 --> 00:49:48,640
Speaker 2: Shit, he's going in.

1062
00:49:48,719 --> 00:49:51,160
Speaker 3: He's cherry picking, you know, the people who are qualified

1063
00:49:51,200 --> 00:49:53,560
Speaker 3: to do the work. And we made sure we made

1064
00:49:53,560 --> 00:49:56,120
Speaker 3: sure that was what that was happening as well. But

1065
00:49:56,200 --> 00:49:57,919
Speaker 3: again we knew it was gonna be a slow burn.

1066
00:49:58,040 --> 00:49:59,719
Speaker 3: I haven't put out a record in a long time.

1067
00:50:00,120 --> 00:50:02,360
Speaker 3: I gotta put records out. I got to let people

1068
00:50:02,440 --> 00:50:05,799
Speaker 3: know that I'm coming out again. In a room in

1069
00:50:05,840 --> 00:50:08,520
Speaker 3: a world full of noise like this. It's a lot,

1070
00:50:08,560 --> 00:50:11,040
Speaker 3: a lot of music that comes out every single day,

1071
00:50:11,200 --> 00:50:14,480
Speaker 3: every single day, you know, and I think a lot

1072
00:50:14,480 --> 00:50:18,400
Speaker 3: of I think the lane is really crowded, you know,

1073
00:50:18,920 --> 00:50:21,319
Speaker 3: so just staying for right now.

1074
00:50:21,239 --> 00:50:25,320
Speaker 1: For I think the later's crowded for for uh like

1075
00:50:25,440 --> 00:50:28,839
Speaker 1: generic like you know that younger racing. But I'm looking

1076
00:50:28,840 --> 00:50:31,279
Speaker 1: at bust of rhymes like he's he's fucking.

1077
00:50:30,960 --> 00:50:33,960
Speaker 2: Every other fucking weekend. I'm like rest like you know.

1078
00:50:33,920 --> 00:50:35,960
Speaker 1: What I'm saying, Just think about it. Look at college

1079
00:50:36,160 --> 00:50:41,279
Speaker 1: Joe like you Gray Snoop, Like I feel like to

1080
00:50:41,360 --> 00:50:42,879
Speaker 1: say it like this but I feel like it's our

1081
00:50:42,960 --> 00:50:47,000
Speaker 1: time again, but it's it's it's to our to us,

1082
00:50:47,080 --> 00:50:51,200
Speaker 1: like meaning like we don't have to snap and pop

1083
00:50:51,200 --> 00:50:58,279
Speaker 1: and all that other dumb I was like, get that

1084
00:50:58,360 --> 00:51:08,360
Speaker 1: together because I feel like for the first time, like

1085
00:51:08,400 --> 00:51:11,279
Speaker 1: it feels like the fans are growing up with us,

1086
00:51:11,320 --> 00:51:14,799
Speaker 1: Like our fans is probably our age and it's now

1087
00:51:14,880 --> 00:51:18,000
Speaker 1: they want our ship, like you know, I like growing up.

1088
00:51:18,040 --> 00:51:19,120
Speaker 2: I think the saving grace.

1089
00:51:19,200 --> 00:51:22,200
Speaker 3: I think the saving grace of what we're experiencing now

1090
00:51:22,600 --> 00:51:25,080
Speaker 3: and while we're able to speak directly to our audience

1091
00:51:25,200 --> 00:51:27,520
Speaker 3: is the convenience of being able to get to the

1092
00:51:27,640 --> 00:51:31,080
Speaker 3: music faster. You don't have to invest time and go

1093
00:51:31,120 --> 00:51:34,160
Speaker 3: to a record store or possibly be sold out or

1094
00:51:34,480 --> 00:51:38,000
Speaker 3: a physical copy. It's like you can point click download

1095
00:51:38,040 --> 00:51:41,080
Speaker 3: have it right there. So you know, the people who

1096
00:51:41,160 --> 00:51:43,120
Speaker 3: grew up to our music have families, they got their

1097
00:51:43,160 --> 00:51:45,800
Speaker 3: own lives. Now they get win all the things you

1098
00:51:45,800 --> 00:51:47,880
Speaker 3: needs to do. Is they hear that is happening and

1099
00:51:47,960 --> 00:51:50,760
Speaker 3: they can get it. I think that's that's the magic

1100
00:51:50,800 --> 00:51:51,919
Speaker 3: of what we're dealing with now.

1101
00:51:52,080 --> 00:51:56,560
Speaker 2: Yeah, that was crazy. Access Now the global reach the

1102
00:51:56,600 --> 00:51:57,239
Speaker 2: way it is now.

1103
00:51:57,400 --> 00:51:59,200
Speaker 1: You remember when you had to you had to go

1104
00:51:59,239 --> 00:52:02,280
Speaker 1: to London. You had to physically bring your record to London,

1105
00:52:02,520 --> 00:52:04,680
Speaker 1: like there was no m P three, there was no.

1106
00:52:04,800 --> 00:52:10,480
Speaker 6: You're bringing white labels over there, white labels yet press.

1107
00:52:10,719 --> 00:52:12,960
Speaker 1: Yeah, yes, that was horrible.

1108
00:52:13,000 --> 00:52:15,239
Speaker 2: Times it was great, but it was great.

1109
00:52:15,320 --> 00:52:20,600
Speaker 8: Like it's horrible if you think about it.

1110
00:52:19,239 --> 00:52:22,000
Speaker 1: Let me finish it. It was horrible because you physically

1111
00:52:22,040 --> 00:52:24,759
Speaker 1: had to bring your record and it was so inconvenient,

1112
00:52:24,800 --> 00:52:27,960
Speaker 1: but the process was so beautiful because just like like

1113
00:52:28,120 --> 00:52:31,640
Speaker 1: you look at these kids right now, if they ever

1114
00:52:31,719 --> 00:52:35,040
Speaker 1: go to Europe and they perform over their vocals, they'll

1115
00:52:35,040 --> 00:52:38,200
Speaker 1: get bulled off, but but they gotta you gotta experience that,

1116
00:52:38,400 --> 00:52:41,960
Speaker 1: like not really because that's what their audience is. Accustomers.

1117
00:52:41,960 --> 00:52:45,160
Speaker 2: They have your right to generate the generation.

1118
00:52:45,440 --> 00:52:48,319
Speaker 1: But I just sound like the old about to say

1119
00:52:48,360 --> 00:52:51,840
Speaker 1: in my day, and I'm like, I like, man, but

1120
00:52:52,160 --> 00:52:54,520
Speaker 1: our day, that our day, like we.

1121
00:52:57,160 --> 00:52:58,080
Speaker 2: Knew better, we.

1122
00:52:58,040 --> 00:53:02,320
Speaker 1: Knew I don't remember one time I performed in Europe

1123
00:53:02,680 --> 00:53:04,520
Speaker 1: and I did like an hour and a half and

1124
00:53:04,680 --> 00:53:06,840
Speaker 1: I had did an hour the day before, and it

1125
00:53:07,000 --> 00:53:11,040
Speaker 1: was like it was like not there was like good

1126
00:53:11,160 --> 00:53:14,160
Speaker 1: but not enough, not enough, but it was like not enough,

1127
00:53:14,200 --> 00:53:16,360
Speaker 1: and I was like, really, it's like, we wanted more records,

1128
00:53:16,520 --> 00:53:18,960
Speaker 1: so we added more records, and these records happened to

1129
00:53:18,960 --> 00:53:21,600
Speaker 1: be the only two records that had vocals in it. It

1130
00:53:21,560 --> 00:53:24,040
Speaker 1: was I believe in it. Ironically, from the Firm album,

1131
00:53:24,360 --> 00:53:27,520
Speaker 1: we never had an instrumental and I remember they waited

1132
00:53:27,719 --> 00:53:31,040
Speaker 1: waited for me to get up this awesome job, but

1133
00:53:31,160 --> 00:53:32,640
Speaker 1: you had the vocals in there, and I was like,

1134
00:53:32,640 --> 00:53:39,800
Speaker 1: oh at attention, like a yeah, oh man, what is

1135
00:53:39,840 --> 00:53:40,959
Speaker 1: your favorite era hip hop?

1136
00:53:42,719 --> 00:53:44,680
Speaker 2: My favorite era of hip hop.

1137
00:53:49,800 --> 00:53:50,239
Speaker 6: I have?

1138
00:53:50,760 --> 00:53:58,680
Speaker 3: It goes from like Public Enemy L eighty e PMD

1139
00:53:59,239 --> 00:54:06,319
Speaker 3: rock Him, Uh, Poor Righteous Teachers, Uh, you know.

1140
00:54:08,400 --> 00:54:09,000
Speaker 2: Gang Star.

1141
00:54:10,400 --> 00:54:15,799
Speaker 3: You know though that that that era into you know,

1142
00:54:17,920 --> 00:54:21,920
Speaker 3: the Death Row, you know n w A that that

1143
00:54:22,440 --> 00:54:24,280
Speaker 3: up up until the end. You know what I'm saying before,

1144
00:54:24,360 --> 00:54:26,400
Speaker 3: right up before I got in that was like my

1145
00:54:26,560 --> 00:54:29,160
Speaker 3: That was like my college. That was my school. That

1146
00:54:29,320 --> 00:54:32,360
Speaker 3: was like the things I was listening to. I remember

1147
00:54:32,400 --> 00:54:35,520
Speaker 3: going and buying Cypress Hills first album with the red cover.

1148
00:54:36,040 --> 00:54:38,560
Speaker 3: I remember, you know what I'm saying, going and listening

1149
00:54:38,640 --> 00:54:43,800
Speaker 3: to you know, like musical my friends are driving around

1150
00:54:43,880 --> 00:54:45,879
Speaker 3: and listening to what came out and knowing the word

1151
00:54:45,920 --> 00:54:48,640
Speaker 3: for words and like going through the whole album from

1152
00:54:48,640 --> 00:54:51,680
Speaker 3: top to bottom to find the song that you fuck

1153
00:54:51,760 --> 00:54:55,160
Speaker 3: with the most, and ain't everybody consistently consistently consensus was

1154
00:54:55,160 --> 00:54:55,520
Speaker 3: the same.

1155
00:54:56,040 --> 00:54:58,319
Speaker 2: You know that that I think, you know.

1156
00:54:58,480 --> 00:55:02,239
Speaker 1: Like like the like the late eighties, you know what

1157
00:55:02,280 --> 00:55:05,960
Speaker 1: I'm saying, into the early two thousands or early nineties

1158
00:55:06,120 --> 00:55:08,879
Speaker 1: was was my favorite era. I respect that.

1159
00:55:09,360 --> 00:55:11,200
Speaker 3: I think it's kind of a blended thing, you know

1160
00:55:11,239 --> 00:55:13,719
Speaker 3: what I'm saying, because I don't know.

1161
00:55:13,760 --> 00:55:16,320
Speaker 1: There's different graduating every generation.

1162
00:55:16,680 --> 00:55:19,080
Speaker 3: Every ten years there's a new graduating class, That's the

1163
00:55:19,120 --> 00:55:21,480
Speaker 3: way I feel, you know, and then you see new

1164
00:55:21,560 --> 00:55:24,520
Speaker 3: artists come out, some some stick around, some fall off.

1165
00:55:24,960 --> 00:55:28,520
Speaker 3: But every ten years you can look and see, like

1166
00:55:28,640 --> 00:55:30,360
Speaker 3: if you cut down the tree, you see the rings,

1167
00:55:30,400 --> 00:55:34,439
Speaker 3: you see, Yeah, you see who was doing what when right.

1168
00:55:35,040 --> 00:55:37,080
Speaker 3: It's just going to be interesting to see how that

1169
00:55:37,080 --> 00:55:38,080
Speaker 3: plays out now.

1170
00:55:38,000 --> 00:55:39,719
Speaker 2: Because I don't see them.

1171
00:55:40,239 --> 00:55:42,359
Speaker 3: I don't see the longevity of the artists that are

1172
00:55:42,400 --> 00:55:45,640
Speaker 3: coming out now, like the majority, correct, I don't see

1173
00:55:45,680 --> 00:55:49,560
Speaker 3: ten years from now what they what their sounds are

1174
00:55:49,560 --> 00:55:51,239
Speaker 3: going to be like, or if they're even going to

1175
00:55:51,320 --> 00:55:54,720
Speaker 3: be remembered, because the tension span is so so fast

1176
00:55:54,760 --> 00:55:55,160
Speaker 3: right now.

1177
00:55:56,040 --> 00:55:59,920
Speaker 1: It's very true flowers man. Hold on, yeah, right now,

1178
00:56:00,440 --> 00:56:03,839
Speaker 1: So let me ask you. I always get conflicted conversations

1179
00:56:03,840 --> 00:56:06,120
Speaker 1: when I asked about this man. In fact, one time

1180
00:56:06,239 --> 00:56:08,879
Speaker 1: it was Dazz on one side and cor Up on one side.

1181
00:56:08,920 --> 00:56:10,839
Speaker 1: One was saying funck him, and the other one was like,

1182
00:56:11,040 --> 00:56:13,720
Speaker 1: I love him, yeah, which is very weird.

1183
00:56:14,480 --> 00:56:15,600
Speaker 2: It's very weird, right.

1184
00:56:16,480 --> 00:56:20,040
Speaker 1: I tried to ask Snoop and Dre, but Drake clearly

1185
00:56:20,080 --> 00:56:22,200
Speaker 1: said I didn't understand when his motherfucker was over there?

1186
00:56:23,960 --> 00:56:26,759
Speaker 1: What what? What? What was your relationship with Sugar Night.

1187
00:56:27,960 --> 00:56:28,680
Speaker 2: I didn't have one.

1188
00:56:28,840 --> 00:56:31,920
Speaker 1: You didn't have one at all? No, No, So.

1189
00:56:31,880 --> 00:56:32,759
Speaker 2: Y'all didn't see each other.

1190
00:56:32,760 --> 00:56:33,279
Speaker 1: You say, what's up?

1191
00:56:33,360 --> 00:56:36,200
Speaker 2: So you know later on? Yeah, okay, later on.

1192
00:56:36,280 --> 00:56:38,719
Speaker 3: But it was just like a I was never like

1193
00:56:38,800 --> 00:56:41,000
Speaker 3: in a room or had a conversation with him or

1194
00:56:41,040 --> 00:56:41,319
Speaker 3: a nothing.

1195
00:56:41,360 --> 00:56:42,120
Speaker 2: It was just like a.

1196
00:56:43,239 --> 00:56:47,600
Speaker 6: Join because it seems like everybody got hu.

1197
00:56:47,719 --> 00:56:50,880
Speaker 1: My next question would have been, what would the exhibits

1198
00:56:51,080 --> 00:56:54,440
Speaker 1: albums sound like on death Row Ship I'm not talking

1199
00:56:54,480 --> 00:57:03,839
Speaker 1: about now. It would be mixed very well, would very well? Yeah,

1200
00:57:04,480 --> 00:57:06,879
Speaker 1: But so you never got approached to be on death

1201
00:57:07,000 --> 00:57:09,200
Speaker 1: Row ever? Get out of here?

1202
00:57:09,239 --> 00:57:12,719
Speaker 3: Ever, I was on loud when Loud got bought by

1203
00:57:12,800 --> 00:57:17,640
Speaker 3: Sony Columbia. I was on there for a while. They

1204
00:57:17,760 --> 00:57:23,480
Speaker 3: took Loud and just kept me three six Mafia and

1205
00:57:23,680 --> 00:57:27,160
Speaker 3: Wu tang right, and remember what point should.

1206
00:57:26,880 --> 00:57:28,640
Speaker 1: Be trying to get warn g so that I'm that's

1207
00:57:28,640 --> 00:57:29,320
Speaker 1: what I'm trying to say.

1208
00:57:30,280 --> 00:57:32,760
Speaker 6: I'm sure that the warry is close to that, right,

1209
00:57:33,000 --> 00:57:36,200
Speaker 6: but him being or or at that time, at that time,

1210
00:57:36,720 --> 00:57:37,440
Speaker 6: that's what I'm saying that.

1211
00:57:39,760 --> 00:57:43,760
Speaker 2: Yeah, that was Yeah. I didn't come in until after

1212
00:57:43,840 --> 00:57:44,120
Speaker 2: all that.

1213
00:57:44,240 --> 00:57:46,120
Speaker 1: Okay, I could have seen you at the tail end

1214
00:57:46,120 --> 00:57:48,640
Speaker 1: of that. Yeah, yeah, yeah, right at the ass end

1215
00:57:48,640 --> 00:57:48,800
Speaker 1: of it.

1216
00:57:51,280 --> 00:57:54,800
Speaker 2: What I mean, did you say, well mixed? What would

1217
00:57:54,800 --> 00:57:58,400
Speaker 2: a Death Row exhibit albums sound like? Would sounds incredible?

1218
00:57:58,680 --> 00:58:01,480
Speaker 1: Yeah? Thing about the eraror there was no whack albums

1219
00:58:01,480 --> 00:58:02,120
Speaker 1: that came out of that.

1220
00:58:02,560 --> 00:58:05,120
Speaker 3: No, it would have been It would have been kind

1221
00:58:05,160 --> 00:58:09,280
Speaker 3: of like the sound of what's happening. But I think

1222
00:58:09,320 --> 00:58:11,800
Speaker 3: the production would have sounded like that. But my lyrics

1223
00:58:11,800 --> 00:58:12,880
Speaker 3: would have been something else.

1224
00:58:13,640 --> 00:58:15,000
Speaker 2: You know what I'm saying. My lyrics would have been

1225
00:58:15,040 --> 00:58:15,560
Speaker 2: something else.

1226
00:58:16,560 --> 00:58:18,520
Speaker 1: I'm gonna be honest, and I say this is behind

1227
00:58:18,520 --> 00:58:20,080
Speaker 1: your back. I saying to your lyrics.

1228
00:58:19,760 --> 00:58:22,440
Speaker 6: Not flow right? Get your lyrics lyrically, the content of

1229
00:58:22,480 --> 00:58:22,840
Speaker 6: the lyrics.

1230
00:58:23,000 --> 00:58:26,280
Speaker 1: Do you think you was ahead of your time? Like, like,

1231
00:58:26,480 --> 00:58:28,720
Speaker 1: I'm listening to your old ship. I'm like this motherfucker

1232
00:58:28,760 --> 00:58:29,880
Speaker 1: was talking about this ship back then.

1233
00:58:31,520 --> 00:58:33,200
Speaker 2: All right, right, I.

1234
00:58:35,200 --> 00:58:41,280
Speaker 3: Pride myself on being able to stand as individual with

1235
00:58:41,440 --> 00:58:44,040
Speaker 3: my art, you know what I'm saying. And so I

1236
00:58:44,120 --> 00:58:47,880
Speaker 3: was rapping about things on my first album like paparazzi,

1237
00:58:48,400 --> 00:58:50,920
Speaker 3: you know, like you know, people people.

1238
00:58:57,440 --> 00:58:58,080
Speaker 2: Spreading the room.

1239
00:58:58,200 --> 00:59:04,760
Speaker 1: Man, he had as yes, said that's a different thing.

1240
00:59:05,080 --> 00:59:07,520
Speaker 2: No, you know, I disagree.

1241
00:59:07,560 --> 00:59:10,120
Speaker 1: I'm an artist. I can say this. Lady got you big.

1242
00:59:10,320 --> 00:59:11,840
Speaker 2: You always come in checks.

1243
00:59:11,880 --> 00:59:12,160
Speaker 1: Come on.

1244
00:59:13,000 --> 00:59:14,920
Speaker 2: I'm sorry, but.

1245
00:59:18,800 --> 00:59:20,400
Speaker 1: I'm like, I see what she got her ship from.

1246
00:59:20,680 --> 00:59:23,240
Speaker 2: Like I say, so what let's wrong with it? I've

1247
00:59:23,280 --> 00:59:24,000
Speaker 2: been running with.

1248
00:59:23,960 --> 00:59:33,200
Speaker 3: It ship Man, I forgot what the funk I was talking? Okay,

1249
00:59:33,240 --> 00:59:36,200
Speaker 3: So yeah, all right, so so so like the Foundation

1250
00:59:36,680 --> 00:59:40,000
Speaker 3: talking about the fear of being a new father and

1251
00:59:40,040 --> 00:59:42,240
Speaker 3: not you know, being a young father. You know, I

1252
00:59:42,280 --> 00:59:45,160
Speaker 3: was a father at nineteen years old, so you know,

1253
00:59:45,200 --> 00:59:47,240
Speaker 3: I was a kid myself. So I had to figure

1254
00:59:47,240 --> 00:59:49,520
Speaker 3: out you know, I put that in my music. Being

1255
00:59:49,600 --> 00:59:54,040
Speaker 3: vulnerable is something that I don't I'm not afraid of

1256
00:59:54,640 --> 00:59:57,240
Speaker 3: and so being able to have that in my records.

1257
00:59:57,280 --> 00:59:59,160
Speaker 3: And yeah, there's a lot of bravado, there's a lot

1258
00:59:59,200 --> 01:00:01,840
Speaker 3: of tough ship. There's there's that, you know what I'm saying.

1259
01:00:01,880 --> 01:00:05,160
Speaker 3: But I always revealed a lot of myself and my

1260
01:00:05,280 --> 01:00:08,360
Speaker 3: music because I wanted that to be the relatable part.

1261
01:00:08,760 --> 01:00:11,600
Speaker 3: I didn't want to just say shit to just get niggas

1262
01:00:11,760 --> 01:00:12,440
Speaker 3: to like it, you.

1263
01:00:12,480 --> 01:00:14,600
Speaker 1: Know what I'm saying. Like I wanted to be like

1264
01:00:14,680 --> 01:00:15,240
Speaker 1: I want.

1265
01:00:15,040 --> 01:00:17,560
Speaker 3: To that, but that's the era we come from, Like

1266
01:00:17,640 --> 01:00:20,000
Speaker 3: we want to live our records, you know what I'm saying,

1267
01:00:20,000 --> 01:00:22,360
Speaker 3: We don't. We don't want to just make them. And

1268
01:00:22,400 --> 01:00:25,520
Speaker 3: so that was that was where we were at, you

1269
01:00:25,520 --> 01:00:28,320
Speaker 3: know what I'm saying. And so I think that from

1270
01:00:28,320 --> 01:00:33,200
Speaker 3: that standpoint, it gave me a clear path to be myself.

1271
01:00:33,240 --> 01:00:35,520
Speaker 3: I wouldn't say ahead of my time, but just be

1272
01:00:35,800 --> 01:00:37,360
Speaker 3: an individual, you know what I'm saying.

1273
01:00:37,520 --> 01:00:40,560
Speaker 1: Like, but that's the definition of ahead of our time

1274
01:00:40,800 --> 01:00:42,640
Speaker 1: as you saying something that people are catching on.

1275
01:00:42,560 --> 01:00:44,440
Speaker 2: To now, right, you know what I mean? But I

1276
01:00:44,800 --> 01:00:45,640
Speaker 2: do know you're being humble.

1277
01:00:45,800 --> 01:00:48,520
Speaker 3: I'm taking it for that, But I also I also

1278
01:00:48,600 --> 01:00:51,360
Speaker 3: think that, you know, it could have been a lot

1279
01:00:51,960 --> 01:00:55,960
Speaker 3: a lot different if if the if the people I

1280
01:00:56,000 --> 01:00:58,959
Speaker 3: was working with saw the same vision that I had

1281
01:00:59,040 --> 01:01:01,240
Speaker 3: and pushed a little hard, you know what I'm saying.

1282
01:01:01,320 --> 01:01:05,120
Speaker 3: It was like yeah, yeah, loud and like any other

1283
01:01:05,200 --> 01:01:10,400
Speaker 3: even the major labels, like like yeah, there was always

1284
01:01:10,480 --> 01:01:12,440
Speaker 3: people in the building that had that looked at it

1285
01:01:12,480 --> 01:01:15,480
Speaker 3: one way, and then they took what you said and

1286
01:01:15,560 --> 01:01:18,160
Speaker 3: took bits and pieces of it to passify you. But

1287
01:01:18,240 --> 01:01:20,360
Speaker 3: really they just gonna do what they want to do anyway,

1288
01:01:20,800 --> 01:01:23,720
Speaker 3: you know what I'm saying. So so yeah, we've had

1289
01:01:23,720 --> 01:01:27,400
Speaker 3: a lot of commercial success with major labels, but the

1290
01:01:28,080 --> 01:01:31,600
Speaker 3: impact that I want, the impact that that will make.

1291
01:01:31,720 --> 01:01:34,000
Speaker 3: But you know, when you got that itch, you know

1292
01:01:34,040 --> 01:01:35,800
Speaker 3: what I'm saying, you want to scratch it with you know,

1293
01:01:35,880 --> 01:01:37,640
Speaker 3: like I know what it's gonna take to get that.

1294
01:01:38,640 --> 01:01:40,840
Speaker 2: I feel like I have that now, you know what

1295
01:01:40,880 --> 01:01:41,240
Speaker 2: I'm saying.

1296
01:01:41,280 --> 01:01:41,720
Speaker 1: I have it.

1297
01:01:41,760 --> 01:01:44,200
Speaker 3: I like, I feel, I smell it, I could see it,

1298
01:01:44,480 --> 01:01:47,000
Speaker 3: you know what I'm saying. Like, like this album, to me,

1299
01:01:49,040 --> 01:01:52,080
Speaker 3: it feels like this is the album that I've been

1300
01:01:52,080 --> 01:01:53,560
Speaker 3: trying to make since the beginning.

1301
01:01:54,160 --> 01:01:55,520
Speaker 1: You know what they say, They say you make your

1302
01:01:55,520 --> 01:01:58,520
Speaker 1: best album when you broke and when you don't need it. Yeah, yeah,

1303
01:02:00,560 --> 01:02:03,120
Speaker 1: you know, I feel like that's that's the thing is

1304
01:02:03,160 --> 01:02:05,560
Speaker 1: like you probably don't need it, but you know you

1305
01:02:05,600 --> 01:02:07,880
Speaker 1: want to feed your fans because I.

1306
01:02:07,800 --> 01:02:08,680
Speaker 2: Feel like I owe them.

1307
01:02:08,960 --> 01:02:11,160
Speaker 3: Yeah, I feel like I owe my fans, And that's

1308
01:02:11,200 --> 01:02:14,040
Speaker 3: something real. Like I think I'm glad you said that

1309
01:02:14,160 --> 01:02:17,760
Speaker 3: because you know, I you know, I could have easily

1310
01:02:17,840 --> 01:02:20,680
Speaker 3: just stopped and just been like, that's it, you know

1311
01:02:20,680 --> 01:02:23,080
Speaker 3: what I'm saying, Because it's very hard to make a

1312
01:02:23,120 --> 01:02:24,480
Speaker 3: record right now, you.

1313
01:02:24,400 --> 01:02:25,600
Speaker 2: Know what I'm saying.

1314
01:02:25,920 --> 01:02:28,200
Speaker 3: Yeah, Yeah, many when you're not mentally in it, when

1315
01:02:28,200 --> 01:02:30,840
Speaker 3: you're just rhyming to be rhyming and just putting it

1316
01:02:30,920 --> 01:02:32,840
Speaker 3: out to see if it sticks to the wall. And

1317
01:02:32,880 --> 01:02:35,800
Speaker 3: then when you really believe in something that's different. You

1318
01:02:35,840 --> 01:02:38,080
Speaker 3: know what I'm saying. I believe in this record, Like

1319
01:02:38,360 --> 01:02:42,240
Speaker 3: I mean every fucking word I say, from the beginning

1320
01:02:42,280 --> 01:02:44,600
Speaker 3: to the fucking end of this shit, every fucking single

1321
01:02:44,640 --> 01:02:48,040
Speaker 3: word has been thought about and calculated, and I have

1322
01:02:48,240 --> 01:02:48,960
Speaker 3: now I have the.

1323
01:02:48,960 --> 01:02:51,520
Speaker 2: Creative space and the freedom to do that. You know

1324
01:02:51,520 --> 01:02:52,000
Speaker 2: what I'm saying.

1325
01:02:52,040 --> 01:02:54,280
Speaker 3: It's not like my life don't depend on it, but

1326
01:02:54,320 --> 01:02:56,760
Speaker 3: I feel like I owe it to the fans. I

1327
01:02:56,760 --> 01:02:58,520
Speaker 3: feel like I feel like I left it in a

1328
01:02:58,560 --> 01:03:04,200
Speaker 3: place where a lot of niggas got me fucked up,

1329
01:03:04,800 --> 01:03:07,040
Speaker 3: you know what I'm saying, Like it was left, Like

1330
01:03:07,120 --> 01:03:10,640
Speaker 3: it was like left abandoned, like a couple of wheels missing.

1331
01:03:10,720 --> 01:03:13,400
Speaker 3: You know what I'm saying, Like fucked up. You know

1332
01:03:13,440 --> 01:03:16,560
Speaker 3: what I'm saying. My opinion, like nah, I can't leave

1333
01:03:16,600 --> 01:03:20,000
Speaker 3: it like that. And yes, I turned down TV shows,

1334
01:03:20,000 --> 01:03:22,560
Speaker 3: I turned down films, I turned down all these other

1335
01:03:22,600 --> 01:03:23,760
Speaker 3: things because right now.

1336
01:03:23,960 --> 01:03:26,560
Speaker 1: The most important thing to me is the music. You

1337
01:03:26,560 --> 01:03:28,400
Speaker 1: know what I'm saying. And you know, I grew my

1338
01:03:28,480 --> 01:03:33,720
Speaker 1: braids back everything I'm about fid I'm ready to go

1339
01:03:33,920 --> 01:03:36,400
Speaker 1: nigga like you know what I'm saying, Like and I

1340
01:03:36,440 --> 01:03:43,520
Speaker 1: feel I feel like once, I feel accomplished, Like I

1341
01:03:43,560 --> 01:03:45,720
Speaker 1: just came off for European Brown because we went out there.

1342
01:03:45,760 --> 01:03:48,520
Speaker 2: I'm touring with a live band now, So I went.

1343
01:03:48,400 --> 01:03:52,160
Speaker 3: Out there and we were We did that the kind

1344
01:03:52,160 --> 01:03:54,600
Speaker 3: of like a test run in front of people with

1345
01:03:54,640 --> 01:04:00,880
Speaker 3: the new records and the band, but boy, we we

1346
01:04:01,320 --> 01:04:04,200
Speaker 3: kicked a hold in the motherfuckers. We performed for like

1347
01:04:04,760 --> 01:04:07,600
Speaker 3: our hour and a half, sometimes two hours, you know

1348
01:04:07,640 --> 01:04:11,080
Speaker 3: what I'm saying, Like we do an Encore and motherfucker screaming,

1349
01:04:11,160 --> 01:04:13,080
Speaker 3: we come back and do another one, they screaming. So

1350
01:04:13,160 --> 01:04:16,000
Speaker 3: what we do with three encores? I never did that ship.

1351
01:04:16,320 --> 01:04:18,640
Speaker 3: I ain't never had to do nothing like that. You know,

1352
01:04:19,360 --> 01:04:22,240
Speaker 3: That's how this music feels, you know what I'm saying.

1353
01:04:22,280 --> 01:04:24,920
Speaker 3: And so like I was. Once we did that. We

1354
01:04:24,960 --> 01:04:27,840
Speaker 3: went to Ireland, met the green Back guys. You know

1355
01:04:27,880 --> 01:04:28,400
Speaker 3: what I'm saying.

1356
01:04:29,200 --> 01:04:33,840
Speaker 1: Yeah, sound cold, Yeah, it's actually beautiful. Yeah yeah, it's

1357
01:04:33,840 --> 01:04:34,640
Speaker 1: actually beautiful.

1358
01:04:34,640 --> 01:04:34,800
Speaker 8: Man.

1359
01:04:34,840 --> 01:04:36,120
Speaker 2: I don't know why I'm thinking of Iceland.

1360
01:04:36,400 --> 01:04:44,640
Speaker 1: Yeah yeah, yeah, yeah, yeah, got me, you got me Iceland.

1361
01:04:46,200 --> 01:04:47,960
Speaker 2: And then and then uh, and then we went to Spain.

1362
01:04:48,040 --> 01:04:53,040
Speaker 3: That's that's where I met the first time when Drake Mabell.

1363
01:04:53,040 --> 01:04:55,840
Speaker 2: I ain't been there. It was really nice.

1364
01:04:55,880 --> 01:04:58,640
Speaker 3: We went to do uh the Bare Knuckle boxing event

1365
01:04:58,720 --> 01:05:02,880
Speaker 3: and I met Connor there for the first time. And yeah, man,

1366
01:05:02,960 --> 01:05:06,760
Speaker 3: it seems like the energy and the push that is

1367
01:05:06,800 --> 01:05:08,840
Speaker 3: coming behind what we did on this album.

1368
01:05:09,160 --> 01:05:11,240
Speaker 2: I can't wait to share with the world. With the world.

1369
01:05:11,320 --> 01:05:15,240
Speaker 1: Man, God damn's play a noise for that. But let

1370
01:05:15,240 --> 01:05:18,960
Speaker 1: me tell you what, what's crazy. You know, obviously you're

1371
01:05:19,000 --> 01:05:20,960
Speaker 1: my friend, but I got to do my due diligence,

1372
01:05:21,360 --> 01:05:24,280
Speaker 1: and I just was hitting everybody and it was so

1373
01:05:24,400 --> 01:05:26,720
Speaker 1: crazy for me when when I said, you know, I

1374
01:05:26,720 --> 01:05:28,919
Speaker 1: got to exhibit, it's either two things they say, yeah,

1375
01:05:29,280 --> 01:05:36,120
Speaker 1: my ride, damn yeh. But but here's this crazy Whenever

1376
01:05:36,160 --> 01:05:38,160
Speaker 1: a person goes straight to pit my ride, I'm like,

1377
01:05:38,200 --> 01:05:41,640
Speaker 1: he's not hip hop, Like judge that person. I'm so

1378
01:05:41,680 --> 01:05:44,560
Speaker 1: sorry that first thing they say, because that shouldn't be

1379
01:05:45,040 --> 01:05:46,520
Speaker 1: you know what I mean. It should be like you

1380
01:05:46,520 --> 01:05:48,640
Speaker 1: know what I mean? Like you know what I mean?

1381
01:05:48,680 --> 01:05:51,600
Speaker 1: And and and even if you go to dre it's

1382
01:05:51,640 --> 01:05:54,360
Speaker 1: like still like do you not understand like this whole

1383
01:05:54,880 --> 01:05:57,200
Speaker 1: you know life this guy was was you know what

1384
01:05:57,200 --> 01:05:57,520
Speaker 1: I mean?

1385
01:05:57,600 --> 01:06:00,120
Speaker 2: So yeah, but I'll take it.

1386
01:06:00,280 --> 01:06:02,840
Speaker 1: Yes, yes, you know. I used to fight that part

1387
01:06:02,880 --> 01:06:04,960
Speaker 1: of your business man me personally, I.

1388
01:06:04,920 --> 01:06:05,440
Speaker 2: Used to fight that.

1389
01:06:05,440 --> 01:06:07,280
Speaker 1: I used to go places and they used to book me,

1390
01:06:07,280 --> 01:06:08,840
Speaker 1: and I didn't know what Norway they were booking when

1391
01:06:08,880 --> 01:06:11,840
Speaker 1: they booking the Reggae Throne, nor component.

1392
01:06:12,400 --> 01:06:13,600
Speaker 2: Have all those noise in the backside.

1393
01:06:13,640 --> 01:06:15,800
Speaker 1: But then I realized, I said, fuck it, they all

1394
01:06:15,840 --> 01:06:18,640
Speaker 1: here anyway. Yeah, yeah, but I'll take it.

1395
01:06:18,680 --> 01:06:18,880
Speaker 8: Man.

1396
01:06:19,120 --> 01:06:24,520
Speaker 1: But I the other day, still at home, high as hell,

1397
01:06:25,600 --> 01:06:29,760
Speaker 1: watched the TV and I watched at least fifteen fake

1398
01:06:30,000 --> 01:06:33,120
Speaker 1: Pip my Ride shows, and I had to look at.

1399
01:06:32,960 --> 01:06:35,800
Speaker 2: This ship and be like, I wanted to call you

1400
01:06:35,880 --> 01:06:37,000
Speaker 2: so bad and be like.

1401
01:06:37,320 --> 01:06:41,640
Speaker 1: If I'm mad at these these people trying to be you,

1402
01:06:42,160 --> 01:06:46,600
Speaker 1: these people like all this crazy shit, Like do you

1403
01:06:46,640 --> 01:06:49,640
Speaker 1: ever like see these other shows and be like, man,

1404
01:06:50,080 --> 01:06:51,560
Speaker 1: they owe me restitution.

1405
01:06:51,960 --> 01:06:56,040
Speaker 3: Nah, you know, I look at that whole thing and

1406
01:06:56,600 --> 01:06:59,400
Speaker 3: I try to Now, I'm now there's some distance on it.

1407
01:06:59,600 --> 01:07:00,480
Speaker 1: I make inse of it.

1408
01:07:01,200 --> 01:07:05,000
Speaker 3: That was a vehicle for in a world where reality

1409
01:07:05,080 --> 01:07:08,520
Speaker 3: television was built on the you know, demise of someone

1410
01:07:08,720 --> 01:07:11,959
Speaker 3: or or someone's character, you know, or somebody.

1411
01:07:11,800 --> 01:07:13,160
Speaker 2: Help, Yeah, exactly.

1412
01:07:13,520 --> 01:07:17,520
Speaker 3: We were actually doing something positive and so it also

1413
01:07:17,640 --> 01:07:18,760
Speaker 3: introduced me to the.

1414
01:07:18,680 --> 01:07:22,520
Speaker 1: World in a different Yeah it's a different.

1415
01:07:22,240 --> 01:07:24,480
Speaker 3: In a whole different manner, you know, and it led

1416
01:07:24,520 --> 01:07:28,080
Speaker 3: to a whole lot of other opportunities. I wanted the

1417
01:07:28,080 --> 01:07:30,720
Speaker 3: world to see me a certain way, but you know,

1418
01:07:30,960 --> 01:07:34,160
Speaker 3: and what way was that? As exhibit the rapper, you

1419
01:07:34,160 --> 01:07:35,960
Speaker 3: know what I'm saying, I just wanted the world to

1420
01:07:35,960 --> 01:07:38,800
Speaker 3: know me as a lyricists. I'm with you doing this.

1421
01:07:39,120 --> 01:07:41,920
Speaker 3: I'm I'm a monster on the mic. That's you know,

1422
01:07:42,360 --> 01:07:44,120
Speaker 3: that's what I wanted the world to know me as.

1423
01:07:44,160 --> 01:07:48,480
Speaker 3: But that can that can exist with with other with

1424
01:07:48,640 --> 01:07:50,560
Speaker 3: other things too, you know what I'm saying. Like, and

1425
01:07:50,640 --> 01:07:53,760
Speaker 3: so that's why I feel like what we did with

1426
01:07:53,760 --> 01:07:55,880
Speaker 3: with the show and how the world perceived it and

1427
01:07:55,920 --> 01:07:58,440
Speaker 3: how I was in people's living rooms across the planet,

1428
01:07:59,240 --> 01:08:02,800
Speaker 3: you know, seven seven, you know, yeah, man, I think

1429
01:08:02,800 --> 01:08:04,920
Speaker 3: it was dope. It was about wish fulfillment. It was

1430
01:08:04,960 --> 01:08:08,400
Speaker 3: about you know, something positive happening for somebody, and everybody

1431
01:08:08,400 --> 01:08:10,160
Speaker 3: got a piece of shit car you know what I'm saying.

1432
01:08:10,160 --> 01:08:11,360
Speaker 2: At some point in they like, you know what I

1433
01:08:11,480 --> 01:08:11,960
Speaker 2: thinking about it?

1434
01:08:12,000 --> 01:08:14,240
Speaker 1: You was a black man with braidsen all the white

1435
01:08:14,280 --> 01:08:15,760
Speaker 1: people's houses. They loved it.

1436
01:08:15,840 --> 01:08:17,639
Speaker 2: They loved it.

1437
01:08:18,520 --> 01:08:23,400
Speaker 1: I don't think they've been houses since. I think.

1438
01:08:26,640 --> 01:08:29,280
Speaker 6: That was like the first of the restoration type reality.

1439
01:08:29,360 --> 01:08:30,080
Speaker 2: Yeah, yeah, it was.

1440
01:08:30,120 --> 01:08:31,960
Speaker 3: It was the first of a lot of different things.

1441
01:08:32,000 --> 01:08:34,599
Speaker 3: But you know, I never looked back at that. I

1442
01:08:34,680 --> 01:08:37,320
Speaker 3: used to look back at that when when I didn't,

1443
01:08:37,479 --> 01:08:40,360
Speaker 3: I was too close to it. So now as I

1444
01:08:40,560 --> 01:08:42,479
Speaker 3: as I think back on it, it's like, Yo, this

1445
01:08:42,800 --> 01:08:45,479
Speaker 3: really like like people talk to me about putting my

1446
01:08:45,560 --> 01:08:48,160
Speaker 3: right every day, Like, yo, you got my right, you know,

1447
01:08:48,200 --> 01:08:50,160
Speaker 3: what I'm saying, even in jets, you know what I'm saying. Like,

1448
01:08:50,880 --> 01:08:53,280
Speaker 3: it's like people that if they don't know what to say,

1449
01:08:53,320 --> 01:08:55,200
Speaker 3: they say that you know what I'm saying, and so

1450
01:08:55,479 --> 01:08:57,559
Speaker 3: and so I'm like, okay, cool, So you know what,

1451
01:08:59,040 --> 01:08:59,879
Speaker 3: that's something interesting.

1452
01:09:00,160 --> 01:09:01,280
Speaker 2: It's it's some of you.

1453
01:09:01,280 --> 01:09:01,400
Speaker 1: You.

1454
01:09:01,520 --> 01:09:03,160
Speaker 3: I don't know if I'm supposed to even be talking

1455
01:09:03,160 --> 01:09:06,920
Speaker 3: about this, but you know who just approached me, you

1456
01:09:06,960 --> 01:09:09,799
Speaker 3: know what I'm saying, to do it again, Not because

1457
01:09:09,800 --> 01:09:14,719
Speaker 3: because it's the only people who actually had the right

1458
01:09:14,800 --> 01:09:19,599
Speaker 3: idea on how to approach me about this was only fans.

1459
01:09:20,479 --> 01:09:27,240
Speaker 1: Only fans listen, listen just to watch that.

1460
01:09:28,200 --> 01:09:34,959
Speaker 2: Already, not the porn side, one big side.

1461
01:09:36,280 --> 01:09:38,440
Speaker 1: Category category.

1462
01:09:38,760 --> 01:09:40,840
Speaker 3: But only fans are starting the TV side of.

1463
01:09:40,880 --> 01:09:44,799
Speaker 6: Things, right, They never meant to start off as only.

1464
01:09:44,640 --> 01:09:46,559
Speaker 1: Fans, just starting the whole television division.

1465
01:09:46,560 --> 01:09:47,280
Speaker 2: They loved it.

1466
01:09:47,320 --> 01:09:52,479
Speaker 3: They bought they bought a race car team, like uh yeah, yeah, yeah,

1467
01:09:52,560 --> 01:09:55,720
Speaker 3: a motorcycle racing team. They're producing the content. They got

1468
01:09:55,720 --> 01:09:56,760
Speaker 3: a cooking show.

1469
01:09:57,120 --> 01:10:02,160
Speaker 1: That that that they're they're doing network style television, and

1470
01:10:02,160 --> 01:10:04,320
Speaker 1: and and so I got a doctor, I got a call,

1471
01:10:04,840 --> 01:10:06,680
Speaker 1: and so they was like, yo, you know.

1472
01:10:08,200 --> 01:10:10,960
Speaker 2: We have fuck you money. You know, you know, do

1473
01:10:11,040 --> 01:10:11,679
Speaker 2: you want.

1474
01:10:11,640 --> 01:10:15,080
Speaker 1: Us to a good way?

1475
01:10:15,080 --> 01:10:16,840
Speaker 3: Do you do you want us to go buy the

1476
01:10:16,880 --> 01:10:18,880
Speaker 3: I p pit my right. Do you you wantus to

1477
01:10:18,920 --> 01:10:20,400
Speaker 3: go buy it? And then will you if we go

1478
01:10:20,439 --> 01:10:23,680
Speaker 3: get it, will you do it again? I was like, No,

1479
01:10:23,840 --> 01:10:25,080
Speaker 3: that's nobody's ever.

1480
01:10:25,520 --> 01:10:28,559
Speaker 1: That's kind of fly Brandon.

1481
01:10:28,640 --> 01:10:31,120
Speaker 3: I know it, listen, I know it's I did my

1482
01:10:31,240 --> 01:10:33,760
Speaker 3: due diligence. I know it's being sold to somewhere and

1483
01:10:33,840 --> 01:10:36,680
Speaker 3: somebody else right now and whatever, it's going to a

1484
01:10:36,680 --> 01:10:39,439
Speaker 3: bigger thing. They're selling all their assets from from that

1485
01:10:39,520 --> 01:10:41,960
Speaker 3: side of things. So I was like, you know, I

1486
01:10:42,560 --> 01:10:47,680
Speaker 3: think I think as a betting man, I think that

1487
01:10:47,840 --> 01:10:50,400
Speaker 3: I don't need the title pet my Riot to do it.

1488
01:10:50,479 --> 01:10:52,720
Speaker 3: I think if I do it on my own and

1489
01:10:52,840 --> 01:10:55,360
Speaker 3: create something totally different, the audience is going to kind

1490
01:10:55,360 --> 01:10:57,599
Speaker 3: of know what it is. I don't think it needs

1491
01:10:57,680 --> 01:11:01,960
Speaker 3: to be that title, right, So you know, if I

1492
01:11:01,960 --> 01:11:04,559
Speaker 3: if I'm betting on myself, then yeah, I think that

1493
01:11:04,680 --> 01:11:08,040
Speaker 3: you know, we can create something a hybrid of that

1494
01:11:08,160 --> 01:11:11,000
Speaker 3: show has now done the way I see it, Yes,

1495
01:11:11,200 --> 01:11:13,559
Speaker 3: and and I think the world would appreciate that.

1496
01:11:13,600 --> 01:11:14,920
Speaker 1: And you'll be owner this time.

1497
01:11:15,120 --> 01:11:15,840
Speaker 2: One hundred percent.

1498
01:11:16,520 --> 01:11:20,599
Speaker 3: So all these big, huge networks that have already garnished

1499
01:11:20,680 --> 01:11:21,200
Speaker 3: all these.

1500
01:11:22,400 --> 01:11:24,439
Speaker 2: Millions of dollars. Only fans.

1501
01:11:24,520 --> 01:11:27,040
Speaker 1: Only fans was the only ones that actually knocked on

1502
01:11:27,080 --> 01:11:27,439
Speaker 1: the door.

1503
01:11:27,760 --> 01:11:39,680
Speaker 10: I'm getting my account, ya, I'm gonna supporting right now, man,

1504
01:11:40,840 --> 01:11:41,800
Speaker 10: supporting right now.

1505
01:11:44,760 --> 01:11:46,599
Speaker 6: You gotta restart your golden status.

1506
01:11:46,600 --> 01:11:49,120
Speaker 2: Only fans gold you got gold status.

1507
01:11:49,920 --> 01:11:57,679
Speaker 11: I don't even know that you know, you know that's

1508
01:11:57,760 --> 01:12:01,680
Speaker 11: dope because I've been seeing, because I've been seeing.

1509
01:12:01,640 --> 01:12:03,439
Speaker 1: These little networks like Zeus and things like that. I

1510
01:12:03,439 --> 01:12:05,759
Speaker 1: haven't been seeing and loving hip hop like it's crazy.

1511
01:12:05,840 --> 01:12:08,920
Speaker 1: Like these little networks, they're doing their own versions of

1512
01:12:09,000 --> 01:12:09,559
Speaker 1: the shows.

1513
01:12:09,640 --> 01:12:11,799
Speaker 2: And you got Jocelyn. Big up to Jocelyn.

1514
01:12:12,040 --> 01:12:14,920
Speaker 1: She's in charge of her cabinet. I think ray J

1515
01:12:15,080 --> 01:12:19,040
Speaker 1: got something. And they're all like little owners of these

1516
01:12:19,040 --> 01:12:21,720
Speaker 1: little networks and they're making it pop except for to

1517
01:12:21,840 --> 01:12:24,559
Speaker 1: be like Tooby's only one is a little loose. So slowly,

1518
01:12:26,840 --> 01:12:30,880
Speaker 1: I don't know who old to be. Wait, he is legitly.

1519
01:12:30,240 --> 01:12:42,360
Speaker 3: Slowly, but surely, we are witnessing us becoming small networks,

1520
01:12:42,479 --> 01:12:46,600
Speaker 3: satellite networks and having direct access to our audience. The

1521
01:12:46,680 --> 01:12:50,599
Speaker 3: gatekeepers have lost the gate already. We just used to

1522
01:12:50,800 --> 01:12:53,200
Speaker 3: going through them. So that's why we keep kind of

1523
01:12:53,400 --> 01:12:55,280
Speaker 3: drifting that way, but slowly but surely the.

1524
01:12:55,240 --> 01:12:57,280
Speaker 6: Path is being They're just trying to buy everything up

1525
01:12:57,320 --> 01:13:00,160
Speaker 6: even though they're.

1526
01:12:59,600 --> 01:13:00,920
Speaker 2: Trying to keep control power.

1527
01:13:00,960 --> 01:13:04,679
Speaker 3: But as as as they lose power, we are starting

1528
01:13:04,680 --> 01:13:07,439
Speaker 3: to gain it and we can go directly to our audience.

1529
01:13:07,439 --> 01:13:10,720
Speaker 3: So I think that's what the attractiveness of it is.

1530
01:13:10,920 --> 01:13:15,120
Speaker 3: Me understanding what it's been before, going through it, understanding

1531
01:13:15,200 --> 01:13:17,280
Speaker 3: it in a different light now, and now being able

1532
01:13:17,280 --> 01:13:20,879
Speaker 3: to step back in and control and control the narrative

1533
01:13:21,720 --> 01:13:24,000
Speaker 3: is amazing, you know what I'm saying. So so yeah,

1534
01:13:24,000 --> 01:13:25,439
Speaker 3: we have we haven't gotten far with.

1535
01:13:25,360 --> 01:13:30,080
Speaker 1: It, I hope again and again. Let me just let

1536
01:13:30,080 --> 01:13:33,360
Speaker 1: me just say something. I'm a binge watcher, right and

1537
01:13:33,880 --> 01:13:36,000
Speaker 1: I used to like, you know, HBO all this shit,

1538
01:13:36,240 --> 01:13:38,479
Speaker 1: like I stay home Now I watch ship that no

1539
01:13:38,560 --> 01:13:41,800
Speaker 1: one I watch Prime Apple TV like I watched like

1540
01:13:42,200 --> 01:13:44,600
Speaker 1: and well, again, you as long as you cater to

1541
01:13:44,640 --> 01:13:46,760
Speaker 1: your audience, I don't think you ever have to change.

1542
01:13:46,760 --> 01:13:49,000
Speaker 1: I don't think I'm just noticing that, like you know

1543
01:13:49,000 --> 01:13:51,679
Speaker 1: what I mean, Like, like remember it was just HBO,

1544
01:13:51,840 --> 01:13:55,160
Speaker 1: Cinemax showtime. I can stay home for a whole week

1545
01:13:55,200 --> 01:13:57,360
Speaker 1: I'm not hitting on none of those ships. I'm not

1546
01:13:57,479 --> 01:14:00,400
Speaker 1: watching what's supposed to be popular. I'm watching what speaks

1547
01:14:00,400 --> 01:14:02,360
Speaker 1: to me. I'm watching this sh it called Bad Monkey.

1548
01:14:02,400 --> 01:14:03,559
Speaker 1: I don't know if you've heard of it, but Vince

1549
01:14:03,600 --> 01:14:05,960
Speaker 1: Vaughn it. It's kind of crazy. It's about Florida. It's

1550
01:14:05,960 --> 01:14:08,599
Speaker 1: not the Keys. I always think of you, like cause

1551
01:14:08,760 --> 01:14:09,280
Speaker 1: I don't know.

1552
01:14:09,360 --> 01:14:12,280
Speaker 2: Me or I think you'd be in the Keys.

1553
01:14:12,920 --> 01:14:14,120
Speaker 1: Well, I don't know. I don't know.

1554
01:14:14,479 --> 01:14:15,759
Speaker 2: Yeah, I don't even watch TV.

1555
01:14:16,280 --> 01:14:19,280
Speaker 3: Like, I don't watch like like programming, you know what

1556
01:14:19,280 --> 01:14:22,960
Speaker 3: I'm saying, Like like like television show, sitcoms and all

1557
01:14:22,960 --> 01:14:24,759
Speaker 3: that stuff. You get all that on the stream platform

1558
01:14:24,800 --> 01:14:27,559
Speaker 3: and watch it when you want to watch it. So

1559
01:14:27,760 --> 01:14:29,720
Speaker 3: it's I think it's just changing man.

1560
01:14:30,160 --> 01:14:37,120
Speaker 1: Netflix, guy, Yeahlix, Netflix, Max, HBO Max yeah, okay, Apple TV,

1561
01:14:37,360 --> 01:14:42,080
Speaker 1: Apple TV, Apple TV of course, and then yeah Amazon, yeah, yeah,

1562
01:14:42,400 --> 01:14:43,519
Speaker 1: that's probably making me pay.

1563
01:14:43,640 --> 01:14:43,840
Speaker 2: Man.

1564
01:14:43,880 --> 01:14:48,800
Speaker 1: I don't do Hulu anything like rend it. I'm like, oh, ship,

1565
01:14:49,200 --> 01:14:50,639
Speaker 1: you're privately make you ready?

1566
01:14:50,720 --> 01:14:52,439
Speaker 2: Yeah, how about reading it?

1567
01:14:54,120 --> 01:14:54,720
Speaker 1: I don't. I don't.

1568
01:14:55,200 --> 01:14:57,800
Speaker 3: That's as far as that as I start. I'm kind

1569
01:14:57,800 --> 01:14:59,960
Speaker 3: of weird about that. I don't like the whole don't.

1570
01:15:00,120 --> 01:15:01,759
Speaker 3: I don't have a bunch of ship on my phone,

1571
01:15:01,800 --> 01:15:03,639
Speaker 3: like I just have like certain ship, Like I don't

1572
01:15:03,640 --> 01:15:07,479
Speaker 3: do the cash app ship and all that cash zelp zep.

1573
01:15:08,080 --> 01:15:10,000
Speaker 1: Like I was fighting it for a long time. I

1574
01:15:10,000 --> 01:15:11,080
Speaker 1: didn't like people.

1575
01:15:12,600 --> 01:15:14,720
Speaker 2: I mean, I know I have it now, but I

1576
01:15:15,160 --> 01:15:16,560
Speaker 2: barely use that ship.

1577
01:15:16,120 --> 01:15:19,519
Speaker 1: I don't know is okay.

1578
01:15:19,120 --> 01:15:21,320
Speaker 2: That's easier because you know the right there.

1579
01:15:21,520 --> 01:15:23,200
Speaker 1: You know what's crazy. I just know how to send money.

1580
01:15:23,200 --> 01:15:24,880
Speaker 1: When somebody send me money back, I just I think

1581
01:15:24,920 --> 01:15:28,200
Speaker 1: that shit goes into I don't know how to download it,

1582
01:15:28,280 --> 01:15:33,880
Speaker 1: like what I got money though, Yeah I can't RecG.

1583
01:15:33,960 --> 01:15:36,840
Speaker 1: You just diner the other day and I have my

1584
01:15:36,880 --> 01:15:39,160
Speaker 1: homies homies with me and I took care of the

1585
01:15:39,200 --> 01:15:41,880
Speaker 1: bill and then Nigga, my phone start going off and

1586
01:15:41,920 --> 01:15:43,200
Speaker 1: I see these numbers coming.

1587
01:15:43,280 --> 01:15:44,880
Speaker 2: I'm like, who's sending me?

1588
01:15:45,000 --> 01:15:45,240
Speaker 1: What is?

1589
01:15:45,640 --> 01:15:46,760
Speaker 2: Are you sending me money?

1590
01:15:46,840 --> 01:15:46,920
Speaker 6: Like?

1591
01:15:46,960 --> 01:15:47,559
Speaker 2: Where does it go?

1592
01:15:47,720 --> 01:15:55,640
Speaker 1: Nigga? Where it goes? You know, I cash out direct you.

1593
01:15:56,400 --> 01:15:57,960
Speaker 1: I'll be trying not to look stupid, so I don't

1594
01:15:58,000 --> 01:15:58,760
Speaker 1: be like I do.

1595
01:16:00,000 --> 01:16:01,639
Speaker 3: It's in the Apple cash and I know it makes

1596
01:16:01,680 --> 01:16:03,400
Speaker 3: me sound really old, but fun that you know what

1597
01:16:03,439 --> 01:16:05,920
Speaker 3: I'm saying, Like you're talking to a nigga to keep

1598
01:16:05,960 --> 01:16:08,000
Speaker 3: us all this money to all facing up.

1599
01:16:08,040 --> 01:16:10,320
Speaker 2: You know what I'm saying. Yeah, I come from the

1600
01:16:10,360 --> 01:16:12,120
Speaker 2: old school. You know what I'm saying, ain't gonna lie.

1601
01:16:13,720 --> 01:16:16,120
Speaker 1: This is dangerous the phone, having like your cards on

1602
01:16:16,160 --> 01:16:20,360
Speaker 1: your phone. Yeah, like then you lose this. Motherfuckers. It's automatically.

1603
01:16:21,640 --> 01:16:24,400
Speaker 1: I see you Fat Joe's wife get him drunk one day.

1604
01:16:24,800 --> 01:16:28,519
Speaker 1: Maybe I got him drunk too. And wallet you mean

1605
01:16:28,680 --> 01:16:31,599
Speaker 1: Waller on the phone, Yeah and yeah, And we went

1606
01:16:31,640 --> 01:16:33,479
Speaker 1: to a jury store and I just fell sorry for

1607
01:16:34,360 --> 01:16:35,080
Speaker 1: like it was just.

1608
01:16:35,000 --> 01:16:39,920
Speaker 2: Like I was just like, it's just you.

1609
01:16:39,920 --> 01:16:42,760
Speaker 1: You mean, there's there's there's two sides to convenience. You

1610
01:16:42,920 --> 01:16:45,040
Speaker 1: know what I'm saying. There's that could have been a

1611
01:16:45,040 --> 01:16:50,479
Speaker 1: positive here. You know, you know our show, that's right,

1612
01:16:50,840 --> 01:16:53,280
Speaker 1: it's about giving people their flowers. You know, we had

1613
01:16:53,320 --> 01:16:55,640
Speaker 1: you on early when we were discovering who it is,

1614
01:16:55,960 --> 01:16:57,840
Speaker 1: but we were more enough to tell you how much

1615
01:16:57,880 --> 01:17:00,200
Speaker 1: you mean to the rap game, how much you mean

1616
01:17:00,720 --> 01:17:02,920
Speaker 1: to I was about to say West Coast, but I

1617
01:17:02,960 --> 01:17:04,439
Speaker 1: don't want to limit you to the West Coast. I

1618
01:17:04,439 --> 01:17:06,600
Speaker 1: don't want to limit to you to you know, California.

1619
01:17:06,640 --> 01:17:08,080
Speaker 1: I want to limit you to I want.

1620
01:17:07,880 --> 01:17:08,880
Speaker 2: To not limit you.

1621
01:17:08,920 --> 01:17:12,519
Speaker 1: I want to you know, to the fucking galaxy. You

1622
01:17:12,600 --> 01:17:14,479
Speaker 1: know what I'm saying, Like, you are a person who

1623
01:17:14,560 --> 01:17:18,000
Speaker 1: changed the game. You're a person who has remained lower,

1624
01:17:18,160 --> 01:17:20,599
Speaker 1: a person who's main down, your person who has never

1625
01:17:20,920 --> 01:17:23,120
Speaker 1: you know, cracked folded, and we want to give your

1626
01:17:23,160 --> 01:17:32,040
Speaker 1: flowers face to face man and man, as Snoop said,

1627
01:17:32,040 --> 01:17:33,800
Speaker 1: it's better than the Grammy because it's from your people,

1628
01:17:33,840 --> 01:17:38,880
Speaker 1: for sure. You know what I'm saying, nigg I don't

1629
01:17:38,920 --> 01:17:41,120
Speaker 1: even get invited to the BET Awards, So this is

1630
01:17:41,160 --> 01:17:46,280
Speaker 1: all okay, okay, okay, they said, ray J has Tronics

1631
01:17:46,800 --> 01:17:48,880
Speaker 1: who said that, Okay, okay. Yeah, so these these are

1632
01:17:48,920 --> 01:17:51,439
Speaker 1: little networks. I'm with you on that. I want to

1633
01:17:51,680 --> 01:17:53,320
Speaker 1: but only fans is not little network.

1634
01:17:53,520 --> 01:17:54,040
Speaker 2: No, it's not.

1635
01:17:54,200 --> 01:17:57,040
Speaker 3: And and to be able to be that, they have

1636
01:17:57,160 --> 01:17:59,559
Speaker 3: the vision to approach me. They have a bigger vision

1637
01:17:59,600 --> 01:18:05,000
Speaker 3: for it then than than what I'm thinking. Right, So yeah,

1638
01:18:05,040 --> 01:18:06,680
Speaker 3: I think it's dope. I think I thank you for

1639
01:18:06,720 --> 01:18:08,639
Speaker 3: this too, man. I appreciate it, you know what I'm saying.

1640
01:18:10,600 --> 01:18:13,240
Speaker 1: By the way, by the way, you deserve this. It's

1641
01:18:13,280 --> 01:18:16,160
Speaker 1: not something like we're not we're not giving charity.

1642
01:18:16,840 --> 01:18:18,719
Speaker 2: You feel this y yeah ship?

1643
01:18:20,840 --> 01:18:30,280
Speaker 6: All right, yeah yeah, Now I hope that that you

1644
01:18:30,360 --> 01:18:31,360
Speaker 6: do that deal man.

1645
01:18:31,200 --> 01:18:33,280
Speaker 2: And no, I mean listen, listen.

1646
01:18:34,200 --> 01:18:36,160
Speaker 3: It all works, and I think it goes back to

1647
01:18:36,200 --> 01:18:39,479
Speaker 3: the original question, Like you know, when people talk to

1648
01:18:39,520 --> 01:18:41,960
Speaker 3: me and they talk about paying my ride, doesn't bother me. No,

1649
01:18:42,040 --> 01:18:44,080
Speaker 3: it does not bother me. You know what I'm saying.

1650
01:18:44,080 --> 01:18:47,640
Speaker 3: It make it just there's so many other things. It

1651
01:18:47,680 --> 01:18:50,720
Speaker 3: could have been so different from me to come from

1652
01:18:50,760 --> 01:18:54,360
Speaker 3: where I come from and to have made so many

1653
01:18:54,479 --> 01:18:58,200
Speaker 3: people happy, you know what I'm saying, Like people like

1654
01:18:58,240 --> 01:18:59,599
Speaker 3: people walk up to me and say, you know.

1655
01:18:59,560 --> 01:19:01,880
Speaker 1: I grew up to you, you know, like, yo, you

1656
01:19:01,880 --> 01:19:03,320
Speaker 1: you know you were my childhood.

1657
01:19:03,800 --> 01:19:05,840
Speaker 3: I was like, damn nigga, not that, you know what

1658
01:19:05,840 --> 01:19:09,080
Speaker 3: I'm saying, Like, you're not that much younger than.

1659
01:19:10,520 --> 01:19:10,560
Speaker 1: I.

1660
01:19:13,800 --> 01:19:14,640
Speaker 2: You know what I'm saying.

1661
01:19:15,880 --> 01:19:19,040
Speaker 1: With that, Like even with that yo, you were you

1662
01:19:19,160 --> 01:19:22,559
Speaker 1: were you were ahead of your time. Like I said

1663
01:19:22,560 --> 01:19:24,559
Speaker 1: that earlier with the with the lyrics and the music,

1664
01:19:24,960 --> 01:19:29,000
Speaker 1: But just think about that in reality, like we weren't

1665
01:19:29,120 --> 01:19:32,240
Speaker 1: used to seeing motherfucker with braids, you know what I'm saying,

1666
01:19:32,280 --> 01:19:38,040
Speaker 1: Like going to you know what's that ship? Ris County.

1667
01:19:38,280 --> 01:19:40,559
Speaker 1: You were going to Rancho Cougar Bonga.

1668
01:19:40,880 --> 01:19:42,440
Speaker 2: Yeah. I was really worried.

1669
01:19:43,640 --> 01:19:46,000
Speaker 3: When I first started to paying my ride that my

1670
01:19:46,120 --> 01:19:50,639
Speaker 3: peers and hip hop were gonna frown upon it. Wow,

1671
01:19:51,920 --> 01:19:54,519
Speaker 3: because I was young, you know what I'm saying. And

1672
01:19:54,760 --> 01:19:56,479
Speaker 3: I really shouldn't have gave a fuck, you know what

1673
01:19:56,479 --> 01:19:58,759
Speaker 3: I'm saying. Definitely should but I was. I was worried

1674
01:19:58,760 --> 01:20:04,559
Speaker 3: about it because I love what we have this thing

1675
01:20:04,600 --> 01:20:09,400
Speaker 3: of ours hip hop is this brotherhood, this this this unity,

1676
01:20:09,840 --> 01:20:13,080
Speaker 3: this this unspoken word, this code that we live by.

1677
01:20:13,680 --> 01:20:15,160
Speaker 2: I was stepping outside of that.

1678
01:20:15,240 --> 01:20:15,800
Speaker 1: Right, you know.

1679
01:20:16,040 --> 01:20:18,439
Speaker 2: But you weren't though, But it's the same thing that.

1680
01:20:18,320 --> 01:20:18,920
Speaker 1: They talked about.

1681
01:20:18,920 --> 01:20:20,640
Speaker 2: Cannot make it make sense on sir, outside of this

1682
01:20:20,800 --> 01:20:22,759
Speaker 2: looking at the same things. Inside of looking out.

1683
01:20:22,760 --> 01:20:25,400
Speaker 1: You kept it hip hop, like had you had a

1684
01:20:25,439 --> 01:20:29,519
Speaker 1: fucking tuxedo on, you know what I'm saying, Like like

1685
01:20:29,560 --> 01:20:32,280
Speaker 1: if you was like like doing some weird funny ship like,

1686
01:20:33,280 --> 01:20:35,680
Speaker 1: you kept it hip hop. That's the thing about it.

1687
01:20:35,720 --> 01:20:38,080
Speaker 1: Like a lot of people think like hip hop is

1688
01:20:38,080 --> 01:20:40,280
Speaker 1: not even a close Sometimes hip hop is just you

1689
01:20:40,280 --> 01:20:42,080
Speaker 1: can put on anything, you can put it on prisons

1690
01:20:42,120 --> 01:20:43,640
Speaker 1: to and still be hip hop. Right, you know what

1691
01:20:43,640 --> 01:20:47,080
Speaker 1: I mean, and that's what I think the U the

1692
01:20:47,160 --> 01:20:52,439
Speaker 1: legitimacy comes from. My ride is no matter what if

1693
01:20:52,479 --> 01:20:55,360
Speaker 1: you was in Albuquerque, if he was in wherever, if

1694
01:20:55,360 --> 01:20:58,400
Speaker 1: he was never left California, he never left California. Sea

1695
01:20:58,439 --> 01:21:01,000
Speaker 1: an't know that. In my mind, I was to Seattle,

1696
01:21:01,080 --> 01:21:03,000
Speaker 1: you know what I'm saying, like all over the place,

1697
01:21:03,080 --> 01:21:05,920
Speaker 1: soul it was. It was kept hip hop. I think

1698
01:21:05,920 --> 01:21:08,960
Speaker 1: that's my point is like like you're slang not You

1699
01:21:09,080 --> 01:21:11,439
Speaker 1: brought hip hop in the world through the strike.

1700
01:21:12,840 --> 01:21:16,040
Speaker 3: But it was a risk because it was a risk

1701
01:21:16,200 --> 01:21:20,040
Speaker 3: because nobody else had done it. Yes, right, you're the

1702
01:21:20,080 --> 01:21:23,920
Speaker 3: first reality TV. You gotta remember we come from motherfucker.

1703
01:21:23,960 --> 01:21:26,400
Speaker 3: You talk about, you know, third base when it was

1704
01:21:26,439 --> 01:21:29,080
Speaker 3: just an mc hammer for doing Pepsi commercials.

1705
01:21:29,120 --> 01:21:32,760
Speaker 2: You know what I'm saying, em crossover, you know.

1706
01:21:32,920 --> 01:21:37,439
Speaker 3: Like that's where I was directly going against that rule, right,

1707
01:21:38,160 --> 01:21:41,240
Speaker 3: But it was I did it because I thought that

1708
01:21:41,360 --> 01:21:46,400
Speaker 3: it would help my music. Total opposite. It had nothing

1709
01:21:46,400 --> 01:21:49,320
Speaker 3: to do with the music. Motherfuckers didn't even it didn't

1710
01:21:49,320 --> 01:21:52,760
Speaker 3: even move the needle. It did take me into a

1711
01:21:52,800 --> 01:21:53,880
Speaker 3: household name though.

1712
01:21:54,680 --> 01:21:56,720
Speaker 2: In my opinion, outside of looking in and.

1713
01:21:58,280 --> 01:22:02,000
Speaker 1: You got something that joint gotcha. God damn, still there

1714
01:22:04,280 --> 01:22:07,960
Speaker 1: talking about Jesus. But see, in my opinion, now not

1715
01:22:08,120 --> 01:22:12,640
Speaker 1: now now, I would like you correct me. It was

1716
01:22:12,720 --> 01:22:15,519
Speaker 1: represented in the right way to me, Like when I

1717
01:22:15,600 --> 01:22:18,040
Speaker 1: seen that, like I want, I wouldn't want. I wouldn't

1718
01:22:18,080 --> 01:22:21,920
Speaker 1: want to watch you represent for us like you never

1719
01:22:21,960 --> 01:22:26,479
Speaker 1: felt like that if like yeah, I felt like he

1720
01:22:26,560 --> 01:22:29,040
Speaker 1: was bringing us with them.

1721
01:22:29,960 --> 01:22:31,320
Speaker 2: I went to wordy like that.

1722
01:22:31,360 --> 01:22:34,599
Speaker 3: But I'm glad it landed like that, meaning I'm glad

1723
01:22:34,640 --> 01:22:34,920
Speaker 3: that it.

1724
01:22:35,000 --> 01:22:36,599
Speaker 2: Was like perceived like that.

1725
01:22:36,720 --> 01:22:39,320
Speaker 3: You know what I'm saying, Like, yeah, you got people,

1726
01:22:39,560 --> 01:22:45,679
Speaker 3: you know who don't necessarily appreciate the transition from one

1727
01:22:45,720 --> 01:22:48,439
Speaker 3: to the other. But for the majority of people, there

1728
01:22:48,520 --> 01:22:49,759
Speaker 3: was a positive response.

1729
01:22:50,160 --> 01:22:51,599
Speaker 2: And you were picking out your own clothes.

1730
01:22:55,800 --> 01:22:58,640
Speaker 1: You gotta ask because come on, they definitely.

1731
01:22:59,560 --> 01:23:01,200
Speaker 2: The same exhibit on the show that you saw.

1732
01:23:01,240 --> 01:23:02,800
Speaker 1: That's what I'm trying to say. What I'm trying to

1733
01:23:02,800 --> 01:23:05,880
Speaker 1: say is you know once was it a success?

1734
01:23:06,120 --> 01:23:08,800
Speaker 2: They have he said he wasn't wearing a suit and tie.

1735
01:23:08,800 --> 01:23:13,400
Speaker 1: And then that's what's different was the the world got

1736
01:23:13,439 --> 01:23:15,160
Speaker 1: to see my character.

1737
01:23:15,560 --> 01:23:17,320
Speaker 3: They got to see the way I speak to my

1738
01:23:17,640 --> 01:23:21,960
Speaker 3: family members. How ill I tell horrible dad jokes? All

1739
01:23:22,000 --> 01:23:26,000
Speaker 3: the time, and and and and that's my sense of

1740
01:23:26,080 --> 01:23:28,280
Speaker 3: humor though, you know what I'm saying. So now I'm

1741
01:23:29,080 --> 01:23:33,040
Speaker 3: not exhibit wrapping a thousand fuck you bars.

1742
01:23:33,080 --> 01:23:33,719
Speaker 2: You know what I'm saying.

1743
01:23:34,280 --> 01:23:37,200
Speaker 3: Now you get to see me joking around with somebody

1744
01:23:37,280 --> 01:23:40,640
Speaker 3: and being able to relate to someone who's not a celebrity,

1745
01:23:40,760 --> 01:23:44,040
Speaker 3: Like being able to talk to people is a gift,

1746
01:23:44,160 --> 01:23:44,760
Speaker 3: you know what I'm saying.

1747
01:23:45,720 --> 01:23:48,080
Speaker 1: Some people don't know how to relate to who one

1748
01:23:48,400 --> 01:23:51,360
Speaker 1: and you jo on right, right? But that that's how

1749
01:23:51,439 --> 01:23:52,519
Speaker 1: I That's how I am.

1750
01:23:53,080 --> 01:23:54,880
Speaker 3: And so the world got to see that side of

1751
01:23:54,920 --> 01:23:57,280
Speaker 3: me and accepted that part. And I never in the

1752
01:23:57,320 --> 01:24:01,320
Speaker 3: world expected the you know, I never expected the world

1753
01:24:01,360 --> 01:24:04,120
Speaker 3: to accept me as as I am.

1754
01:24:04,280 --> 01:24:04,880
Speaker 1: You know what I'm saying.

1755
01:24:04,920 --> 01:24:07,719
Speaker 2: I only only what I presented, you know what I'm saying.

1756
01:24:07,720 --> 01:24:09,600
Speaker 2: So you were worried more than anything.

1757
01:24:09,360 --> 01:24:11,400
Speaker 3: Right, right, But I was worried about a lot, you

1758
01:24:11,400 --> 01:24:13,800
Speaker 3: know what I'm saying, Like, like, are they it's just

1759
01:24:13,880 --> 01:24:16,160
Speaker 3: going to affect me going back and doing music? Is

1760
01:24:16,120 --> 01:24:19,120
Speaker 3: this going to affect me? You know, like I don't

1761
01:24:19,120 --> 01:24:21,120
Speaker 3: know how it's going to be perceived. But it became

1762
01:24:21,280 --> 01:24:25,240
Speaker 3: a juggernaut hit. Yes, it became a path to follow.

1763
01:24:25,800 --> 01:24:28,559
Speaker 3: It became, you know, one of the things that people

1764
01:24:28,640 --> 01:24:32,240
Speaker 3: strive to emulate. That's why all these other shows, you know,

1765
01:24:32,360 --> 01:24:35,000
Speaker 3: came from it. And you know, I look back at

1766
01:24:35,000 --> 01:24:38,320
Speaker 3: that and be like wow, Like when you have imprints

1767
01:24:38,400 --> 01:24:42,280
Speaker 3: on society, that's different than just having a moment or

1768
01:24:42,360 --> 01:24:45,400
Speaker 3: having a hit record like this is this is something

1769
01:24:45,439 --> 01:24:47,520
Speaker 3: that lasts like generations.

1770
01:24:47,880 --> 01:24:51,639
Speaker 6: You're literally a part of people's childhood or just their

1771
01:24:51,680 --> 01:24:53,280
Speaker 6: viewing experience at home or whatever.

1772
01:24:53,320 --> 01:24:54,320
Speaker 2: That's that's a big deal.

1773
01:24:54,560 --> 01:24:56,200
Speaker 3: You could talk to You could talk to people and

1774
01:24:56,800 --> 01:24:59,599
Speaker 3: ask them, you know, about Pimp My Ride and they'll

1775
01:24:59,600 --> 01:25:00,439
Speaker 3: know what it is is, you.

1776
01:25:00,520 --> 01:25:04,200
Speaker 1: Know, but let me ask you, like we was required

1777
01:25:04,240 --> 01:25:06,240
Speaker 1: about only fans and they said they.

1778
01:25:06,080 --> 01:25:06,840
Speaker 6: Buy the I p O.

1779
01:25:07,920 --> 01:25:09,479
Speaker 2: Look they're willing to.

1780
01:25:10,080 --> 01:25:12,320
Speaker 1: Does that mean that you that you get back to

1781
01:25:12,560 --> 01:25:17,920
Speaker 1: old episodes like how Snoop got with death ro Like

1782
01:25:18,120 --> 01:25:20,719
Speaker 1: he doesn't have the old people, but he has people.

1783
01:25:21,160 --> 01:25:22,920
Speaker 6: He was a part of the original ownership. Were you

1784
01:25:22,960 --> 01:25:25,439
Speaker 6: a part of the original ownership of the creation?

1785
01:25:26,600 --> 01:25:29,200
Speaker 1: So he so they stepped to you with this idea already.

1786
01:25:29,240 --> 01:25:31,559
Speaker 6: But but you could be if they buy it and

1787
01:25:31,680 --> 01:25:33,519
Speaker 6: you say, well, if you buy it, I got it.

1788
01:25:34,360 --> 01:25:37,519
Speaker 3: It's super inclusive. They already told me, you know what,

1789
01:25:37,560 --> 01:25:41,040
Speaker 3: they what their vision was. But again it's just an idea.

1790
01:25:41,360 --> 01:25:44,520
Speaker 3: But I'm just letting them know. Shout out to OnlyFans television.

1791
01:25:45,520 --> 01:25:47,760
Speaker 1: I'm down with y'all. Yeah, yeah, you know what I'm saying,

1792
01:25:47,840 --> 01:25:49,040
Speaker 1: Like like.

1793
01:25:48,560 --> 01:25:50,000
Speaker 2: Like if look.

1794
01:25:51,720 --> 01:25:55,879
Speaker 12: You look at the camera, I'm down with hand videos.

1795
01:25:57,640 --> 01:25:59,519
Speaker 1: I'll be your hand on. It'd be dope, It'd be dope.

1796
01:25:59,560 --> 01:26:00,000
Speaker 1: You know what I'm saying.

1797
01:26:00,120 --> 01:26:02,919
Speaker 3: But yes, you know what I'm saying, Like everything everything

1798
01:26:03,320 --> 01:26:06,040
Speaker 3: that was successful in the past. You know what I'm

1799
01:26:06,080 --> 01:26:09,479
Speaker 3: saying that it still can still have relevance now, Like yo,

1800
01:26:09,640 --> 01:26:11,120
Speaker 3: why not do it? You know what I'm saying, Like

1801
01:26:11,200 --> 01:26:13,479
Speaker 3: why not? Why not put it back out there? But listen,

1802
01:26:13,920 --> 01:26:16,000
Speaker 3: you know if it comes to fruition, you'll be give

1803
01:26:16,040 --> 01:26:17,000
Speaker 3: you guys to be the first one.

1804
01:26:17,080 --> 01:26:22,000
Speaker 1: Oh yeah, I got damn it. We'll be drinking on

1805
01:26:22,040 --> 01:26:25,559
Speaker 1: the side, just comments just to get it.

1806
01:26:26,760 --> 01:26:33,720
Speaker 2: But all right, I'm want to ask you this.

1807
01:26:34,400 --> 01:26:37,120
Speaker 1: At one point this hat company was paying me right,

1808
01:26:37,880 --> 01:26:39,840
Speaker 1: pave me to wear a hat. I just I thought,

1809
01:26:39,840 --> 01:26:43,120
Speaker 1: awhile I just could not stop wearing this hat. Was

1810
01:26:43,160 --> 01:26:45,840
Speaker 1: there a point where the sess of the show. That

1811
01:26:46,120 --> 01:26:48,519
Speaker 1: was a big show. That was our first time getting

1812
01:26:48,520 --> 01:26:52,120
Speaker 1: to see a brother that we know that being himself,

1813
01:26:52,200 --> 01:26:55,559
Speaker 1: staying himself at that. But it's crossing over, like it.

1814
01:26:55,920 --> 01:26:56,439
Speaker 2: Became a house.

1815
01:26:56,479 --> 01:26:58,360
Speaker 1: It's almost like it's almost like n W A W

1816
01:26:58,439 --> 01:27:00,679
Speaker 1: A Records wasn't meant to cross over. Who Records wasn't

1817
01:27:00,720 --> 01:27:02,760
Speaker 1: want to cross over, but it crossed over. You wasn't

1818
01:27:02,760 --> 01:27:06,760
Speaker 1: trying to cross over, but you was coming in everyone's household.

1819
01:27:07,080 --> 01:27:09,400
Speaker 1: Was it? Was it any time that that that show

1820
01:27:09,479 --> 01:27:11,479
Speaker 1: like actually was a burden on you while you was

1821
01:27:11,560 --> 01:27:12,160
Speaker 1: recording it.

1822
01:27:13,360 --> 01:27:16,200
Speaker 2: I didn't get to tour. I didn't you have to

1823
01:27:16,200 --> 01:27:18,840
Speaker 2: stay in the place, didn't make music the same way, right,

1824
01:27:18,840 --> 01:27:19,960
Speaker 2: I couldn't record.

1825
01:27:20,640 --> 01:27:23,920
Speaker 3: We recorded seven seasons and it was like you know,

1826
01:27:24,280 --> 01:27:27,200
Speaker 3: it was it was always something and so I couldn't

1827
01:27:27,200 --> 01:27:31,360
Speaker 3: be away from LA and so I wasn't able to tour.

1828
01:27:31,760 --> 01:27:34,240
Speaker 3: It affected a lot of the music side of things,

1829
01:27:34,800 --> 01:27:39,519
Speaker 3: you know. So then it was like I had spent

1830
01:27:39,600 --> 01:27:41,680
Speaker 3: so much time doing the show. When I went back

1831
01:27:41,720 --> 01:27:45,240
Speaker 3: to do music, it was met with pell my ride,

1832
01:27:45,320 --> 01:27:45,920
Speaker 3: you know what I'm saying.

1833
01:27:46,040 --> 01:27:48,400
Speaker 1: I was met with that the label party said name

1834
01:27:48,439 --> 01:27:48,800
Speaker 1: your album.

1835
01:27:50,680 --> 01:27:53,920
Speaker 6: Yeah, I bet you it's similar to how you felt

1836
01:27:53,960 --> 01:27:56,840
Speaker 6: with coming back. I mean, you were still in music

1837
01:27:56,920 --> 01:27:57,599
Speaker 6: for me and this ship.

1838
01:27:57,680 --> 01:27:58,760
Speaker 2: No, no, yeah, I think it.

1839
01:27:58,840 --> 01:28:00,479
Speaker 6: I think the sentiment is probably the same for him

1840
01:28:00,479 --> 01:28:03,720
Speaker 6: going back to doing music after the show, the same

1841
01:28:03,720 --> 01:28:05,719
Speaker 6: way that you felt trying to figure your point ahead.

1842
01:28:06,040 --> 01:28:08,160
Speaker 6: You felt alienated. Remember you said you were in hip

1843
01:28:08,200 --> 01:28:11,040
Speaker 6: hop purgatory. Yeah, I felt I bet you that he

1844
01:28:11,160 --> 01:28:13,000
Speaker 6: kind of felt that same sentiment that you felt.

1845
01:28:13,120 --> 01:28:13,880
Speaker 2: See, I see.

1846
01:28:14,040 --> 01:28:16,639
Speaker 1: The thing is again, I'm a fan at this time,

1847
01:28:17,040 --> 01:28:20,400
Speaker 1: so I'm not seeing If you agreeing with that, I'm

1848
01:28:20,439 --> 01:28:22,960
Speaker 1: not seeing I'm seeing nothing but glory.

1849
01:28:23,320 --> 01:28:26,679
Speaker 2: Right, That's what I'm seeing, right, you know what I mean? Okay,

1850
01:28:26,720 --> 01:28:27,040
Speaker 2: but it.

1851
01:28:27,000 --> 01:28:29,400
Speaker 6: Didn't But he hadn't been training, he hadn't been in

1852
01:28:29,439 --> 01:28:30,559
Speaker 6: the studio, he hadn't been.

1853
01:28:30,640 --> 01:28:32,880
Speaker 3: I wish I wasn't able to do what I what

1854
01:28:32,920 --> 01:28:35,680
Speaker 3: I would, what I wanted to do. You know I

1855
01:28:35,800 --> 01:28:38,880
Speaker 3: was doing. I was doing something that was really dope, right.

1856
01:28:39,200 --> 01:28:42,320
Speaker 3: You know, my first love music is my first love.

1857
01:28:43,800 --> 01:28:47,519
Speaker 1: Jesus man, I'm not gonna lie to you. Like I said,

1858
01:28:47,520 --> 01:28:50,040
Speaker 1: we had third base on him, and we were sitting

1859
01:28:50,080 --> 01:28:52,280
Speaker 1: back and we were saying, how many you know things

1860
01:28:52,320 --> 01:28:54,920
Speaker 1: that people wouldn't do because of the commercialism.

1861
01:28:55,280 --> 01:28:57,400
Speaker 2: But you was. I kid you not.

1862
01:28:57,479 --> 01:28:59,600
Speaker 1: I would bet everything that you was the person.

1863
01:28:59,360 --> 01:29:00,120
Speaker 2: That balanced that.

1864
01:29:01,000 --> 01:29:04,439
Speaker 1: Like you know what I mean. I love this story, bro.

1865
01:29:04,520 --> 01:29:07,639
Speaker 1: I'm just being honest, bro, because you broke barriers. Man.

1866
01:29:07,680 --> 01:29:12,400
Speaker 1: You know what I'm saying. You did something that I

1867
01:29:12,439 --> 01:29:15,040
Speaker 1: believe that can't be replaced. That's why when I see

1868
01:29:15,040 --> 01:29:29,280
Speaker 1: the fakes, would you ever produce a show like that

1869
01:29:29,439 --> 01:29:30,400
Speaker 1: without you in it?

1870
01:29:30,520 --> 01:29:31,120
Speaker 2: Absolutely?

1871
01:29:31,360 --> 01:29:34,040
Speaker 1: Okay, that's the show a name be called.

1872
01:29:37,560 --> 01:29:39,839
Speaker 3: I don't think it necessarily has to be about cars.

1873
01:29:40,800 --> 01:29:42,879
Speaker 3: I think doing pimpyer Fridge.

1874
01:29:45,400 --> 01:29:46,280
Speaker 1: I didn't even think.

1875
01:29:46,120 --> 01:29:48,960
Speaker 3: A makeover show is what's necessary. I think what's missing

1876
01:29:49,439 --> 01:29:54,920
Speaker 3: right now is uh like people actually doing genuine things

1877
01:29:54,920 --> 01:29:55,639
Speaker 3: for other people.

1878
01:29:56,120 --> 01:29:58,560
Speaker 2: You know what I'm saying, Like.

1879
01:29:57,800 --> 01:30:01,400
Speaker 3: Like you see you see you know, like things on

1880
01:30:01,800 --> 01:30:05,320
Speaker 3: social media whatever. But you know, like again, that show

1881
01:30:05,360 --> 01:30:08,160
Speaker 3: was about Wisher filming. That show was about something that

1882
01:30:08,280 --> 01:30:13,719
Speaker 3: can that we It's no, it's no, it's no racial connection,

1883
01:30:13,880 --> 01:30:17,439
Speaker 3: there's no there's no party, there's no government official. This

1884
01:30:17,560 --> 01:30:20,879
Speaker 3: is just about somebody having something that everybody else has

1885
01:30:21,080 --> 01:30:23,640
Speaker 3: and eventually can be able to do something you know,

1886
01:30:23,840 --> 01:30:24,680
Speaker 3: positive with it.

1887
01:30:25,160 --> 01:30:27,559
Speaker 1: And so you know, if I do another show man,

1888
01:30:28,760 --> 01:30:29,479
Speaker 1: you know, I would.

1889
01:30:29,320 --> 01:30:31,479
Speaker 3: Love to produce something that had that that kind of

1890
01:30:31,520 --> 01:30:32,360
Speaker 3: basis to it, that.

1891
01:30:32,400 --> 01:30:35,719
Speaker 1: Route to it. But I mean, there's so many ideas

1892
01:30:35,760 --> 01:30:36,080
Speaker 1: out there.

1893
01:30:36,080 --> 01:30:38,519
Speaker 3: There's so many things, like I got an idea for

1894
01:30:38,600 --> 01:30:40,080
Speaker 3: a show, like, let me explain what.

1895
01:30:41,600 --> 01:30:45,560
Speaker 2: No, yeah, yeah, I don't. Nobody's listening to us. I

1896
01:30:45,560 --> 01:30:47,000
Speaker 2: don't idea.

1897
01:30:47,040 --> 01:30:48,760
Speaker 1: No. I mean, look, if they take it. If they

1898
01:30:48,760 --> 01:30:50,400
Speaker 1: take it, then so be it, you know what I'm saying.

1899
01:30:51,000 --> 01:30:57,439
Speaker 2: But good luck. But but I like to go fishing, fishing.

1900
01:30:57,560 --> 01:30:59,200
Speaker 2: You know what I'm saying, black men fishing.

1901
01:30:59,680 --> 01:31:02,880
Speaker 3: I like to go deep sea fishing, right, And so

1902
01:31:03,320 --> 01:31:05,760
Speaker 3: you know, one of one of our ideas, me and

1903
01:31:05,800 --> 01:31:08,680
Speaker 3: Tato we we we we go out sometimes and so

1904
01:31:10,439 --> 01:31:17,120
Speaker 3: no out of the what is it the it's an

1905
01:31:17,120 --> 01:31:21,519
Speaker 3: ox nerd. I forget the name of the place. But

1906
01:31:21,720 --> 01:31:23,559
Speaker 3: but I go out. You know, it's just it's a boat.

1907
01:31:23,560 --> 01:31:25,200
Speaker 3: We go out, take it two hours into the ocean

1908
01:31:25,200 --> 01:31:26,160
Speaker 3: and go deep sea fishing.

1909
01:31:26,840 --> 01:31:28,920
Speaker 2: And in that, in that that ride.

1910
01:31:28,640 --> 01:31:30,639
Speaker 3: Out to the ocean, there's like a two three hour

1911
01:31:30,720 --> 01:31:34,000
Speaker 3: gap before we before we get to the spot. And

1912
01:31:34,040 --> 01:31:37,559
Speaker 3: so I was like, you know what, I had a

1913
01:31:37,560 --> 01:31:39,320
Speaker 3: couple of guys come out and they brought their kids,

1914
01:31:39,360 --> 01:31:41,519
Speaker 3: and their kids were from the hood, South Central, never

1915
01:31:41,560 --> 01:31:43,840
Speaker 3: been out of the hood, went and got on this

1916
01:31:43,880 --> 01:31:48,280
Speaker 3: boat and we went out. And so they had the

1917
01:31:48,360 --> 01:31:51,280
Speaker 3: fucking time in their life on this boat, right, never

1918
01:31:51,320 --> 01:31:53,720
Speaker 3: been out the hood, just experienced. They screaming when they

1919
01:31:53,800 --> 01:31:56,080
Speaker 3: getting the fish, about the boat, all the ship. And

1920
01:31:56,160 --> 01:31:58,840
Speaker 3: so I was like, let's do a show called Teaching

1921
01:31:58,920 --> 01:32:03,200
Speaker 3: Man the Fish and and so what that was is like,

1922
01:32:03,240 --> 01:32:05,559
Speaker 3: we're going to take people who have like these kids

1923
01:32:05,560 --> 01:32:08,960
Speaker 3: are coming from like war zones, right, and to see

1924
01:32:09,000 --> 01:32:12,160
Speaker 3: them have that kind of experience was really dope. And

1925
01:32:12,200 --> 01:32:15,240
Speaker 3: then once going on that long ride back, it was

1926
01:32:15,360 --> 01:32:17,040
Speaker 3: like I start talking to them.

1927
01:32:17,080 --> 01:32:19,120
Speaker 2: I was like, so, you know, like, who do you

1928
01:32:19,160 --> 01:32:20,360
Speaker 2: look at, who do you look up to?

1929
01:32:21,040 --> 01:32:21,080
Speaker 1: You?

1930
01:32:21,080 --> 01:32:24,240
Speaker 2: Who inspires you? What do you want to be?

1931
01:32:25,479 --> 01:32:27,160
Speaker 3: You know what I'm saying, if you could be anything

1932
01:32:27,200 --> 01:32:29,080
Speaker 3: in the world, who would you want to talk to

1933
01:32:29,080 --> 01:32:34,759
Speaker 3: to get advice from? They started naming out names. Next

1934
01:32:34,760 --> 01:32:37,240
Speaker 3: time you have that person come out with that person

1935
01:32:37,320 --> 01:32:39,519
Speaker 3: on the boat. You know what I'm saying, this is

1936
01:32:39,520 --> 01:32:42,840
Speaker 3: a dope show. You're giving us a lot. Yeah, No, no,

1937
01:32:43,320 --> 01:32:44,240
Speaker 3: be honest, this is dope.

1938
01:32:44,360 --> 01:32:47,040
Speaker 1: Yeah, but but but then it became a whole other thing.

1939
01:32:47,600 --> 01:32:50,120
Speaker 3: So the way we have it lined up and the

1940
01:32:50,160 --> 01:32:52,040
Speaker 3: way we have it do I mean, good luck, dude.

1941
01:32:52,040 --> 01:32:54,559
Speaker 3: I mean, like, look, I'm all for people doing stuff

1942
01:32:54,560 --> 01:32:57,360
Speaker 3: for other people, but that idea, right there would be

1943
01:32:57,720 --> 01:32:59,960
Speaker 3: sort of the direction I go in order to be

1944
01:33:00,240 --> 01:33:01,360
Speaker 3: something out And you.

1945
01:33:01,360 --> 01:33:03,400
Speaker 1: Got to realize this double on contre teach them how

1946
01:33:03,400 --> 01:33:06,600
Speaker 1: to fish although you talk about fish and you're talking about.

1947
01:33:06,360 --> 01:33:08,400
Speaker 2: Life, correct, right, goddamn.

1948
01:33:15,479 --> 01:33:20,559
Speaker 6: Right, But you could you could tie it up into

1949
01:33:20,600 --> 01:33:22,360
Speaker 6: the only fans deal if you wanted to.

1950
01:33:22,680 --> 01:33:26,719
Speaker 3: Yeah, I mean it's limitless, you know, Like the things

1951
01:33:26,760 --> 01:33:30,040
Speaker 3: that we can do with the relationships we have because

1952
01:33:30,040 --> 01:33:32,280
Speaker 3: it's all about relationships, you know, the.

1953
01:33:32,200 --> 01:33:42,519
Speaker 1: Things that we can do is well, oh we we're

1954
01:33:42,520 --> 01:33:44,320
Speaker 1: got Yeah.

1955
01:33:44,400 --> 01:33:46,919
Speaker 2: The things that we're doing with the relationships, we got.

1956
01:33:48,240 --> 01:33:48,280
Speaker 1: It.

1957
01:33:48,439 --> 01:33:51,040
Speaker 3: It's phenomenal. So I mean, I'm excited about the future,

1958
01:33:51,240 --> 01:33:51,479
Speaker 3: you know.

1959
01:33:51,840 --> 01:33:55,440
Speaker 6: But you don't tie like the business dealings with McGregor

1960
01:33:55,560 --> 01:33:57,600
Speaker 6: with this only fans and these are separate.

1961
01:33:57,439 --> 01:34:01,040
Speaker 2: Separate deals, right, separate things. You know, keep many eye.

1962
01:34:01,080 --> 01:34:03,320
Speaker 3: I've always been one to keep irons in the fire though,

1963
01:34:03,600 --> 01:34:06,519
Speaker 3: you know, I like, I like trying different ship.

1964
01:34:06,600 --> 01:34:09,800
Speaker 2: I think the only fans things sounds incredible. I think

1965
01:34:09,840 --> 01:34:10,760
Speaker 2: it sounds dope too.

1966
01:34:10,840 --> 01:34:13,040
Speaker 6: I mean, you know, because it sounds like a not

1967
01:34:13,080 --> 01:34:15,360
Speaker 6: to country, but it sounds like a company that's trying

1968
01:34:15,400 --> 01:34:18,920
Speaker 6: to change their image. They got the financial backing to

1969
01:34:18,960 --> 01:34:21,200
Speaker 6: do it, and they want to pivot from what they

1970
01:34:21,280 --> 01:34:21,800
Speaker 6: are right now.

1971
01:34:21,800 --> 01:34:24,799
Speaker 2: And they're successful and they're trying to find.

1972
01:34:24,640 --> 01:34:27,080
Speaker 6: The right pieces that puzzle and you that means you

1973
01:34:27,080 --> 01:34:29,559
Speaker 6: can come in a a at a foundational point of

1974
01:34:29,600 --> 01:34:31,519
Speaker 6: that pivot and grow with them.

1975
01:34:31,640 --> 01:34:32,200
Speaker 2: Absolutely.

1976
01:34:32,400 --> 01:34:34,760
Speaker 3: And I like building things from the ground up, you

1977
01:34:34,800 --> 01:34:36,759
Speaker 3: know what I'm saying. It gives you get to create

1978
01:34:36,800 --> 01:34:40,040
Speaker 3: a freedom before all these systems are in place to

1979
01:34:40,160 --> 01:34:43,720
Speaker 3: limit you on what you actually can do. You know,

1980
01:34:43,840 --> 01:34:46,400
Speaker 3: and if something works, then you are actually writing that

1981
01:34:46,479 --> 01:34:49,559
Speaker 3: code for that company. You know, you're creating the DNA

1982
01:34:49,720 --> 01:34:52,520
Speaker 3: for everything successful that comes after you.

1983
01:34:52,520 --> 01:34:54,479
Speaker 2: You should tell them give me equity and only fans

1984
01:34:54,479 --> 01:34:54,920
Speaker 2: as well.

1985
01:34:54,800 --> 01:35:01,080
Speaker 1: As I think they're way past that or something. No.

1986
01:35:01,240 --> 01:35:03,280
Speaker 3: I think I think coming in there, what I what

1987
01:35:03,360 --> 01:35:05,840
Speaker 3: A I p that's that's that's that can be you know,

1988
01:35:06,000 --> 01:35:08,240
Speaker 3: shared and profitable for everybody, is the idea.

1989
01:35:08,360 --> 01:35:11,120
Speaker 2: Yeah, we're doing quick time of slim taking a quick

1990
01:35:11,160 --> 01:35:13,800
Speaker 2: piss with myself. Take a break.

1991
01:35:13,800 --> 01:35:17,640
Speaker 1: I gotta do something real quick. All right, ready for

1992
01:35:17,760 --> 01:35:19,760
Speaker 1: quick time of Slam. Yes, I am ready for Comma

1993
01:35:19,840 --> 01:35:26,920
Speaker 1: Slop sponsored by Yeah god damn all right, absolutely, okay,

1994
01:35:27,080 --> 01:35:30,439
Speaker 1: yeah this is good. Yeah still gin Yeah, but you

1995
01:35:30,439 --> 01:35:31,320
Speaker 1: guys send this ship.

1996
01:35:31,160 --> 01:35:34,559
Speaker 2: To You're in like five million group chat.

1997
01:35:34,720 --> 01:35:37,360
Speaker 6: This is just too many group chests right now.

1998
01:35:37,360 --> 01:35:38,479
Speaker 1: It just started the only fans.

1999
01:35:41,800 --> 01:35:42,360
Speaker 2: This is the rules.

2000
01:35:42,360 --> 01:35:44,599
Speaker 1: We're gonna give you two choices a ship.

2001
01:35:44,720 --> 01:35:48,160
Speaker 2: Right, Oh I've seen this. Yeah, okay, it's not negative.

2002
01:35:48,160 --> 01:35:50,479
Speaker 2: We're not pitting people against each other, all right, you

2003
01:35:50,479 --> 01:35:52,479
Speaker 2: know what I'm saying. It's just sometimes you do.

2004
01:35:52,840 --> 01:35:54,000
Speaker 1: I mean, that's not really.

2005
01:35:53,920 --> 01:35:55,400
Speaker 2: That's not the point that.

2006
01:35:55,720 --> 01:36:01,360
Speaker 6: The stories about whoever like jogging by. Yeah, we want

2007
01:36:01,360 --> 01:36:03,160
Speaker 6: to know your preferences of things, got it, So you

2008
01:36:03,240 --> 01:36:07,120
Speaker 6: pick one. Nobody drinks one of the two choices. But

2009
01:36:07,160 --> 01:36:11,200
Speaker 6: if you say both or neither the PC answer you

2010
01:36:11,320 --> 01:36:12,160
Speaker 6: just don't want to answer it.

2011
01:36:12,720 --> 01:36:14,519
Speaker 2: Then we all drink. Take a shot.

2012
01:36:15,560 --> 01:36:17,240
Speaker 3: It seems like we're just about to take a bunch

2013
01:36:17,240 --> 01:36:17,960
Speaker 3: of shots.

2014
01:36:18,120 --> 01:36:18,479
Speaker 1: I mean.

2015
01:36:20,280 --> 01:36:27,080
Speaker 2: To say, m j G, m j G. Yeah, yeah,

2016
01:36:27,240 --> 01:36:27,839
Speaker 2: a ball.

2017
01:36:29,640 --> 01:36:30,040
Speaker 1: M j G.

2018
01:36:30,280 --> 01:36:31,080
Speaker 2: Which was the one m.

2019
01:36:31,120 --> 01:36:33,040
Speaker 1: J G just like, yeah, he just he just wanted

2020
01:36:33,040 --> 01:36:36,080
Speaker 1: to drink. I was that, look, but you might as

2021
01:36:36,080 --> 01:36:40,440
Speaker 1: well just bring the bottle criteria.

2022
01:36:40,600 --> 01:36:42,200
Speaker 6: It doesn't it doesn't have to be anything that would

2023
01:36:42,200 --> 01:36:44,559
Speaker 6: be like yo, my man, because so and so reason.

2024
01:36:44,640 --> 01:36:47,360
Speaker 1: You know what I'm saying, Let's do it all.

2025
01:36:47,320 --> 01:36:50,480
Speaker 2: Right, Easy? Oh ship.

2026
01:36:53,040 --> 01:36:53,200
Speaker 1: Uh?

2027
01:36:56,120 --> 01:36:56,800
Speaker 2: Easy?

2028
01:36:56,920 --> 01:36:59,080
Speaker 6: Okay, Okay, you see, I don't think he's gonna pick

2029
01:36:59,240 --> 01:37:01,160
Speaker 6: you any reasons any story with Easy.

2030
01:37:01,439 --> 01:37:02,559
Speaker 2: Did you ever meet Easy?

2031
01:37:02,760 --> 01:37:06,120
Speaker 3: I have, I did meet Easy. I met Tupac as well.

2032
01:37:07,000 --> 01:37:07,719
Speaker 3: I met Easy.

2033
01:37:07,760 --> 01:37:12,240
Speaker 1: Eh. I met Easy.

2034
01:37:12,920 --> 01:37:15,680
Speaker 3: I saw him on the one ten Freeway driving a

2035
01:37:15,760 --> 01:37:22,360
Speaker 3: white VMW and I handed him a tape. I recognized him, yeah,

2036
01:37:22,680 --> 01:37:25,320
Speaker 3: And I handed him a tape and I had my

2037
01:37:25,360 --> 01:37:27,200
Speaker 3: phone number on it. I thought it was the best

2038
01:37:27,240 --> 01:37:27,639
Speaker 3: thing ever.

2039
01:37:28,680 --> 01:37:29,799
Speaker 2: He's the first Mike Jones.

2040
01:37:30,120 --> 01:37:34,240
Speaker 3: He called me, told me to come to the studio,

2041
01:37:34,400 --> 01:37:37,920
Speaker 3: went to the studio that they recorded the whole n

2042
01:37:38,040 --> 01:37:41,280
Speaker 3: W A record, and he was like, yeah, man, I

2043
01:37:41,320 --> 01:37:42,200
Speaker 3: want to sign you.

2044
01:37:42,360 --> 01:37:42,600
Speaker 1: This is.

2045
01:37:44,520 --> 01:37:48,720
Speaker 3: No, this is way after, way after, way after. And

2046
01:37:48,760 --> 01:37:52,519
Speaker 3: then I think he had just signed bone. Okay wow.

2047
01:37:52,920 --> 01:37:55,040
Speaker 3: And so that's why this is a little surreal moment

2048
01:37:55,080 --> 01:37:58,080
Speaker 3: as well. And so then you know, after that lost contact.

2049
01:37:58,280 --> 01:38:01,160
Speaker 3: You know, the rest is history. But I did meet him,

2050
01:38:01,320 --> 01:38:04,200
Speaker 3: you know what I'm saying, But not I say easy

2051
01:38:04,240 --> 01:38:10,000
Speaker 3: because easy E was the catalyst behind the one of

2052
01:38:10,040 --> 01:38:14,639
Speaker 3: the the family tree roots of everything that grew out

2053
01:38:14,640 --> 01:38:16,919
Speaker 3: of that, including myself.

2054
01:38:16,960 --> 01:38:19,200
Speaker 2: You know what I'm saying, Like coming from that n

2055
01:38:19,360 --> 01:38:20,440
Speaker 2: w A death.

2056
01:38:20,280 --> 01:38:25,800
Speaker 3: Row snoop Dog you know eminem family tree that that

2057
01:38:25,920 --> 01:38:27,120
Speaker 3: branched out aftermath.

2058
01:38:27,280 --> 01:38:29,880
Speaker 2: Yeah, you take it. Doesn't have to say at least

2059
01:38:29,920 --> 01:38:32,000
Speaker 2: not the way we see it exactly right.

2060
01:38:32,080 --> 01:38:35,920
Speaker 3: So so Tupac is a is a juggernaut and very

2061
01:38:36,040 --> 01:38:36,879
Speaker 3: artist in himself.

2062
01:38:36,960 --> 01:38:39,880
Speaker 2: But I would say easy and what story with Pac?

2063
01:38:40,320 --> 01:38:41,800
Speaker 2: Any memorable? Dude?

2064
01:38:42,280 --> 01:38:44,360
Speaker 3: I think the biggest thing in me and d D

2065
01:38:44,560 --> 01:38:48,880
Speaker 3: from the Outlaws, you know, shout out to Edie, Yeah,

2066
01:38:48,960 --> 01:38:51,880
Speaker 3: and and and and the whole crew man, Like you know,

2067
01:38:52,040 --> 01:38:55,760
Speaker 3: there was the you know Tupac dissed me on well

2068
01:38:55,800 --> 01:39:01,200
Speaker 3: he he well, he didn't dis me. I think, uh uh,

2069
01:39:02,240 --> 01:39:10,519
Speaker 3: one of the Outlaws, fat On Machavelli. He was like

2070
01:39:10,920 --> 01:39:14,400
Speaker 3: he called out whoever did paparazzi because he yeah, they

2071
01:39:14,439 --> 01:39:19,519
Speaker 3: thought paparazzi I wrote paparazzi about Tupac, like like like

2072
01:39:19,640 --> 01:39:21,960
Speaker 3: the when he had the how do you want It?

2073
01:39:22,040 --> 01:39:22,280
Speaker 1: Song?

2074
01:39:22,880 --> 01:39:25,080
Speaker 3: All I want is the money in the fame, and

2075
01:39:25,200 --> 01:39:27,600
Speaker 3: then in my song said, it's a shame niggas in

2076
01:39:27,640 --> 01:39:29,479
Speaker 3: the rap game only for the money in the fame.

2077
01:39:32,080 --> 01:39:33,760
Speaker 2: So so he thought.

2078
01:39:33,520 --> 01:39:36,519
Speaker 3: That was about him, and I was like, no, nigga,

2079
01:39:36,560 --> 01:39:40,120
Speaker 3: it is about It's not about that of that and

2080
01:39:40,200 --> 01:39:43,960
Speaker 3: so and so, you know, long story short, I was,

2081
01:39:44,280 --> 01:39:46,479
Speaker 3: I was coming in House of Blues. He pulled up

2082
01:39:47,040 --> 01:39:51,320
Speaker 3: in a in a white a white Bentley drop top,

2083
01:39:52,120 --> 01:39:57,840
Speaker 3: hopped out, shook my hand. It's like layer ship walked

2084
01:39:57,840 --> 01:39:59,760
Speaker 3: in there. Did that infamous House of Blue show.

2085
01:40:00,080 --> 01:40:00,519
Speaker 2: Well, that's that.

2086
01:40:01,160 --> 01:40:05,559
Speaker 1: Yeah, when they did hit him up correct, Wow, Paul,

2087
01:40:06,080 --> 01:40:09,200
Speaker 1: he's chest naked, right, I think he had a shirt on.

2088
01:40:10,720 --> 01:40:11,759
Speaker 1: That's six six two Okay.

2089
01:40:12,200 --> 01:40:15,840
Speaker 3: On stage have been a different thing, jumping out of

2090
01:40:15,880 --> 01:40:19,040
Speaker 3: a car and so yeah, that was the back of

2091
01:40:19,040 --> 01:40:21,519
Speaker 3: the back of House of Blues, first and only time.

2092
01:40:21,400 --> 01:40:22,920
Speaker 1: I ever met Tupac. Wow.

2093
01:40:23,080 --> 01:40:25,840
Speaker 2: And and uh yeah that was dope man, that was dope.

2094
01:40:26,040 --> 01:40:26,280
Speaker 1: Wow.

2095
01:40:26,400 --> 01:40:28,720
Speaker 3: But but but now fast forward, me and Edie did

2096
01:40:28,720 --> 01:40:32,200
Speaker 3: a song together and we had talked about that and

2097
01:40:32,240 --> 01:40:34,280
Speaker 3: he was like, talk about it. Yeah, we did talk

2098
01:40:34,320 --> 01:40:36,360
Speaker 3: about it, and he was like man, he was just

2099
01:40:36,479 --> 01:40:39,120
Speaker 3: he just he just felt like everybody was coming at

2100
01:40:39,200 --> 01:40:39,960
Speaker 3: him at that time.

2101
01:40:40,320 --> 01:40:42,639
Speaker 2: So he was hyper sensitive about everything.

2102
01:40:43,240 --> 01:40:46,120
Speaker 3: And so once we had that understanding, it's like, bro,

2103
01:40:46,240 --> 01:40:49,200
Speaker 3: that has nothing to do with nothing and it's all

2104
01:40:49,280 --> 01:40:49,760
Speaker 3: love now.

2105
01:40:49,800 --> 01:40:51,559
Speaker 2: But you know it was, it was, it was a thing.

2106
01:40:51,720 --> 01:40:52,320
Speaker 2: You know what I'm saying.

2107
01:40:52,320 --> 01:40:54,679
Speaker 1: It's crazy, that's crazy when the last time you spoke

2108
01:40:54,720 --> 01:40:57,040
Speaker 1: the blunket. This just tastes like Jesus pussy, right, but

2109
01:40:59,560 --> 01:41:04,519
Speaker 1: just being this, it is fantastic. Look I got this

2110
01:41:04,520 --> 01:41:06,080
Speaker 1: for you, man. Look look I got that. I know

2111
01:41:06,120 --> 01:41:08,360
Speaker 1: you are smoking, man, give.

2112
01:41:08,320 --> 01:41:11,760
Speaker 2: Him one of them roll up Jesus rollers up. Okay, yeah,

2113
01:41:11,840 --> 01:41:14,240
Speaker 2: roll up one bus.

2114
01:41:13,880 --> 01:41:15,960
Speaker 1: Assistance from one of my my stores in.

2115
01:41:16,080 --> 01:41:18,080
Speaker 2: L A, one of the stores. I like how you got.

2116
01:41:18,640 --> 01:41:20,599
Speaker 2: Let's be clear understand that.

2117
01:41:20,960 --> 01:41:25,680
Speaker 3: Okay, you got to give us Los Angeles even traditional.

2118
01:41:26,200 --> 01:41:27,080
Speaker 2: I didn't even tell you.

2119
01:41:27,600 --> 01:41:31,120
Speaker 1: During COVID I did marriage boot camp and there was

2120
01:41:31,120 --> 01:41:32,559
Speaker 1: the dispensary that would deliver it.

2121
01:41:32,479 --> 01:41:35,000
Speaker 2: To me and all over By is their ship like

2122
01:41:35,120 --> 01:41:37,280
Speaker 2: all over Buys. Yes, I never even called you.

2123
01:41:37,320 --> 01:41:39,840
Speaker 1: It was I was like in my mind, I'm like

2124
01:41:39,880 --> 01:41:43,920
Speaker 1: this nigga got the more appreciated or appreciate. Yeah, how

2125
01:41:43,960 --> 01:41:45,160
Speaker 1: did you get into cannabis business?

2126
01:41:45,280 --> 01:41:46,040
Speaker 2: What he just said?

2127
01:41:47,760 --> 01:41:49,800
Speaker 1: I mean we here, we here, we hit him.

2128
01:41:50,080 --> 01:41:50,479
Speaker 2: What is this?

2129
01:41:51,240 --> 01:41:54,320
Speaker 1: That's that's that's that's that's called Los angel.

2130
01:41:54,000 --> 01:41:58,559
Speaker 3: O g Angel lost, Los angel O g Angel. Yeah,

2131
01:41:58,600 --> 01:42:01,760
Speaker 3: it's a collab we did with the traditional brand. That's

2132
01:42:01,760 --> 01:42:06,720
Speaker 3: stuff mine is. My stores are called Exhibits West Coast Cannabis. Okay, right,

2133
01:42:06,800 --> 01:42:09,000
Speaker 3: I have one in bel Air and one in Chatsworth.

2134
01:42:09,120 --> 01:42:14,000
Speaker 2: Sounds very rich. They look beautiful, yeah, beautiful.

2135
01:42:14,080 --> 01:42:16,120
Speaker 3: Yeah, And I got a I got with a really

2136
01:42:16,120 --> 01:42:20,120
Speaker 3: good group. But the retail aspect of what I do

2137
01:42:20,200 --> 01:42:23,840
Speaker 3: in cannabis is where I landed. I started by, you know,

2138
01:42:24,160 --> 01:42:28,320
Speaker 3: creating some of the biggest brands in cannabis, from you know,

2139
01:42:28,479 --> 01:42:31,400
Speaker 3: Brass Knuckles to what we did with Nate Palm to

2140
01:42:31,520 --> 01:42:34,240
Speaker 3: working with others, you know, like like my close friends

2141
01:42:34,240 --> 01:42:37,160
Speaker 3: are you know, Bread, Wonder Bread, the Originals, you know

2142
01:42:37,200 --> 01:42:40,559
Speaker 3: what I'm saying, Like like of course Doctor Green Thumb,

2143
01:42:41,560 --> 01:42:44,120
Speaker 3: all all the real heavy hitters, Kenji, all those guys

2144
01:42:44,120 --> 01:42:47,880
Speaker 3: that really like put the put it down, see Junkie Genetics,

2145
01:42:48,400 --> 01:42:51,040
Speaker 3: all these guys that I've had real close intimate, you know,

2146
01:42:51,240 --> 01:42:56,439
Speaker 3: like like real real real relationships. Building brands is where

2147
01:42:56,479 --> 01:43:01,160
Speaker 3: I started. So that started in like twenty eighteen, twenty seventeen,

2148
01:43:01,840 --> 01:43:05,559
Speaker 3: you know, twenty sixteen. Like the first thing I made

2149
01:43:05,760 --> 01:43:09,360
Speaker 3: was a taffy and it was it was it was yeah,

2150
01:43:09,479 --> 01:43:12,040
Speaker 3: and it was like we couldn't get the formula right,

2151
01:43:12,120 --> 01:43:14,680
Speaker 3: so like one piece would be fucking strong and not

2152
01:43:14,800 --> 01:43:16,639
Speaker 3: get your ass out, and then the other one wouldn't

2153
01:43:16,680 --> 01:43:18,479
Speaker 3: be as strong as it was. So it was like

2154
01:43:19,160 --> 01:43:22,000
Speaker 3: a thing we had to make right. And so that

2155
01:43:22,160 --> 01:43:24,960
Speaker 3: was my entry into it. It was called lool taffy.

2156
01:43:25,360 --> 01:43:27,320
Speaker 3: And then from there I said, okay, cool. We went

2157
01:43:27,320 --> 01:43:29,720
Speaker 3: into the vape cards and then we got into other things.

2158
01:43:29,960 --> 01:43:32,000
Speaker 2: But I learned a lot. I know every aspect.

2159
01:43:32,040 --> 01:43:35,520
Speaker 3: I've had my own distribution, I've had my own manufacturing,

2160
01:43:35,600 --> 01:43:37,400
Speaker 3: I've had all of that stuff. So I've learned every

2161
01:43:37,439 --> 01:43:40,760
Speaker 3: aspect of the business. So you know, I think experience

2162
01:43:40,800 --> 01:43:42,760
Speaker 3: to me is knowing who to fire and you know

2163
01:43:42,800 --> 01:43:44,800
Speaker 3: what I'm saying. And so for me, being able to

2164
01:43:45,160 --> 01:43:48,800
Speaker 3: have every aspect of the cannabis industry, you know, understood

2165
01:43:49,320 --> 01:43:52,360
Speaker 3: retail was a natural thing for me because not only

2166
01:43:52,400 --> 01:43:53,880
Speaker 3: do I know how to build a brand that I

2167
01:43:53,920 --> 01:43:56,280
Speaker 3: know how to push your brand that I thought it

2168
01:43:56,320 --> 01:43:58,320
Speaker 3: was dope to be able to like. Okay, well let's

2169
01:43:58,320 --> 01:44:01,240
Speaker 3: tell everybody shit. You know, California is a ship show

2170
01:44:01,320 --> 01:44:03,240
Speaker 3: right now. It needs to be regulated in.

2171
01:44:03,160 --> 01:44:07,040
Speaker 2: A different way. I don't understand.

2172
01:44:07,120 --> 01:44:10,080
Speaker 3: The rules and regulations for cannabis in California are really

2173
01:44:10,080 --> 01:44:13,360
Speaker 3: difficult to navigate for legal cannabis now when you out

2174
01:44:13,960 --> 01:44:17,800
Speaker 3: so there's say there's a thousand shops in California right now,

2175
01:44:18,160 --> 01:44:21,920
Speaker 3: maybe you know, maybe about half of them are legal,

2176
01:44:22,320 --> 01:44:24,800
Speaker 3: right so the other guys are operating.

2177
01:44:24,320 --> 01:44:27,120
Speaker 1: With no taxes. No, no, you know.

2178
01:44:28,800 --> 01:44:31,840
Speaker 3: It was it was black market or the traditional market,

2179
01:44:32,080 --> 01:44:36,800
Speaker 3: you know, and so you know it's we plan by

2180
01:44:36,840 --> 01:44:41,639
Speaker 3: different rules, but it's over taxed, it's overregulated. They make

2181
01:44:41,680 --> 01:44:44,280
Speaker 3: it really difficult for real operators to to go and

2182
01:44:44,320 --> 01:44:46,200
Speaker 3: then they have to compete with people who are just

2183
01:44:46,320 --> 01:44:48,600
Speaker 3: undercutting the prices, you know what I'm saying, you know,

2184
01:44:48,640 --> 01:44:50,680
Speaker 3: because we got to keep our prices a certain way

2185
01:44:50,680 --> 01:44:52,719
Speaker 3: in order to pay the taxes and whatever it happens

2186
01:44:52,760 --> 01:44:55,720
Speaker 3: from from the legal business. But then when you got

2187
01:44:55,720 --> 01:44:58,160
Speaker 3: motherfucking cowboys down the street that don't give a fuck

2188
01:44:58,200 --> 01:45:00,400
Speaker 3: about none of that shit, putting the sh and color

2189
01:45:00,439 --> 01:45:03,120
Speaker 3: for last boxes with no regulations and they.

2190
01:45:03,080 --> 01:45:04,519
Speaker 1: Got cereal boxes and all.

2191
01:45:06,439 --> 01:45:08,679
Speaker 2: All the rappers going in there, like you know what I'm.

2192
01:45:08,520 --> 01:45:10,320
Speaker 1: Saying, like why go to a legal shop where I

2193
01:45:10,320 --> 01:45:12,439
Speaker 1: can go get some fruit loops with a whole bunch

2194
01:45:12,479 --> 01:45:14,120
Speaker 1: of weed in it? You know what I'm saying Like.

2195
01:45:14,600 --> 01:45:18,000
Speaker 3: This, it's difficult to navigate through that in California. So

2196
01:45:19,080 --> 01:45:21,840
Speaker 3: that being said, there is still a thriving business and

2197
01:45:21,880 --> 01:45:24,400
Speaker 3: that things get regulated, it will balance itself out.

2198
01:45:27,280 --> 01:45:30,080
Speaker 1: Go to the next krook Tom Slam, Thank god, Mama.

2199
01:45:31,800 --> 01:45:33,320
Speaker 2: Rads. Cats are corrupt.

2200
01:45:35,360 --> 01:45:42,679
Speaker 3: Both Jesus, fuck, motherfucker. You can't fuck what the fuck

2201
01:45:42,880 --> 01:45:44,200
Speaker 3: was that? Jesus, see you talk.

2202
01:45:44,960 --> 01:45:47,840
Speaker 1: I just want you to know the Minnican and the

2203
01:45:47,880 --> 01:45:51,280
Speaker 1: Colombian writes those questions over there, so it's not me

2204
01:45:51,320 --> 01:45:51,840
Speaker 1: a U f it.

2205
01:45:51,880 --> 01:45:55,080
Speaker 2: Don't go take it out on where they're from.

2206
01:45:55,240 --> 01:45:57,640
Speaker 1: Yeah, I want you to know because it's a conspiracy.

2207
01:46:02,800 --> 01:46:05,439
Speaker 2: N w A or Wu Tang n w A.

2208
01:46:07,200 --> 01:46:10,519
Speaker 3: And look I love listen, I love Wu Tang, but

2209
01:46:10,600 --> 01:46:13,559
Speaker 3: I mean n w A. It's like, you know, that's

2210
01:46:13,560 --> 01:46:17,280
Speaker 3: just like where we come from. That's like the Holy croil,

2211
01:46:17,320 --> 01:46:19,360
Speaker 3: that's you know, that's that ship started. You had this

2212
01:46:19,439 --> 01:46:21,559
Speaker 3: Jerry Curl before I did not have a fucking I

2213
01:46:21,560 --> 01:46:23,439
Speaker 3: did have an s curl Curl, I.

2214
01:46:27,120 --> 01:46:28,120
Speaker 1: Tell you something I can.

2215
01:46:29,920 --> 01:46:34,040
Speaker 2: And I know you had someone and my mom. Fuck.

2216
01:46:34,160 --> 01:46:37,720
Speaker 2: I remember, Yes, nigga, that ship was crazy. You can

2217
01:46:37,720 --> 01:46:40,439
Speaker 2: put it up on I have one too.

2218
01:46:41,000 --> 01:46:42,759
Speaker 3: But you know if the niggas used to sell cracking

2219
01:46:42,960 --> 01:46:45,400
Speaker 3: bye them cheap ass sous from Jeans West. You know

2220
01:46:45,439 --> 01:46:49,320
Speaker 3: what I say, nigga, Well we did that anyway. Yeah,

2221
01:46:49,479 --> 01:46:52,080
Speaker 3: that was wow. Fuck I remember that shaved signs with

2222
01:46:52,080 --> 01:46:52,960
Speaker 3: the little curly.

2223
01:46:53,080 --> 01:46:57,040
Speaker 1: Next to damn it king t No, no, no, I

2224
01:46:57,040 --> 01:47:01,880
Speaker 1: can't do this one. Oh yo, see sorry, you just

2225
01:47:01,880 --> 01:47:09,400
Speaker 1: give me everything Ice, Oh fuck you God Jesus yeah,

2226
01:47:10,280 --> 01:47:10,599
Speaker 1: mm hmm.

2227
01:47:11,439 --> 01:47:12,360
Speaker 2: He's got a record with Q.

2228
01:47:12,800 --> 01:47:16,160
Speaker 1: Yeah, come on, man on the on the album, tell

2229
01:47:16,200 --> 01:47:19,120
Speaker 1: me you guy, after we get done, you got, I ain't.

2230
01:47:18,920 --> 01:47:21,240
Speaker 2: Going nowhere over the quiet storm they.

2231
01:47:21,479 --> 01:47:22,040
Speaker 1: Come on.

2232
01:47:24,960 --> 01:47:30,000
Speaker 2: To blow it up for the fans. J you hear

2233
01:47:30,040 --> 01:47:30,960
Speaker 2: that kind of mash up?

2234
01:47:31,200 --> 01:47:39,519
Speaker 1: Jesus okay or jay Z? What the both?

2235
01:47:40,000 --> 01:47:40,839
Speaker 2: Jesus Christmas?

2236
01:47:41,000 --> 01:47:43,600
Speaker 1: Anna Lie. I told y'all spoke to NOAs today this

2237
01:47:43,720 --> 01:47:45,120
Speaker 1: morning and I hit him.

2238
01:47:45,120 --> 01:47:45,960
Speaker 2: I was like, I got dreaded.

2239
01:47:46,560 --> 01:47:48,719
Speaker 1: I'm not gonna get in the middle of that ship.

2240
01:47:50,520 --> 01:47:53,920
Speaker 1: He's fucking crazy. Oh I got, I got all right?

2241
01:47:54,800 --> 01:47:57,160
Speaker 1: Didn't my shot? Come on, you didn't drink your shot? No? No, no,

2242
01:47:57,800 --> 01:48:00,680
Speaker 1: I don't. I don't seat the game. I treat the game.

2243
01:48:00,880 --> 01:48:09,280
Speaker 2: It's cola shot exactly, thank you. That's Chico. What is

2244
01:48:09,320 --> 01:48:11,920
Speaker 2: this forty two? Okay?

2245
01:48:11,960 --> 01:48:12,200
Speaker 1: Cool?

2246
01:48:12,240 --> 01:48:14,800
Speaker 2: All cipresso alcoholics?

2247
01:48:14,960 --> 01:48:22,080
Speaker 1: Ooh ooh ooh. I love his racist presidents.

2248
01:48:22,200 --> 01:48:27,400
Speaker 6: Yo, the links are so assassins. Yeah, what the fuck

2249
01:48:27,479 --> 01:48:29,720
Speaker 6: you guys? I feel like you're part of both cruiser. Yeah,

2250
01:48:29,800 --> 01:48:35,040
Speaker 6: I can't fuck it both the fucking I told you

2251
01:48:35,080 --> 01:48:36,080
Speaker 6: bring spring the bottle.

2252
01:48:36,840 --> 01:48:37,759
Speaker 2: Cheers, cheers, cheers.

2253
01:48:39,080 --> 01:48:43,400
Speaker 1: Okay, oh shipg you do that?

2254
01:48:44,600 --> 01:48:48,080
Speaker 2: This West Coast ship? I mean, what the just racist?

2255
01:48:48,720 --> 01:48:51,160
Speaker 1: Let you have the West Coast and DJ.

2256
01:48:51,640 --> 01:48:54,200
Speaker 2: I got the groups? Is that the DJ and the

2257
01:48:54,200 --> 01:48:56,560
Speaker 2: West Coast warn Gidfari?

2258
01:48:57,120 --> 01:48:59,400
Speaker 1: Oh wow, you guys are not fair.

2259
01:48:59,479 --> 01:48:59,840
Speaker 6: What the.

2260
01:49:03,320 --> 01:49:08,839
Speaker 1: That's the Dominican and that's the Colombian. That's right right there. Okay, okay, okay,

2261
01:49:10,080 --> 01:49:13,679
Speaker 1: both damn yeah both I got. I'm older shot.

2262
01:49:13,680 --> 01:49:16,639
Speaker 2: You can say someone was just was your favorite good.

2263
01:49:16,479 --> 01:49:20,280
Speaker 1: MACARONIY better so far as my brother is my brother?

2264
01:49:20,640 --> 01:49:26,120
Speaker 2: You know what I'm saying, like bring a million already,

2265
01:49:26,600 --> 01:49:27,400
Speaker 2: d I drank him.

2266
01:49:27,439 --> 01:49:34,439
Speaker 1: You might just drink com okay, all right, and I

2267
01:49:34,439 --> 01:49:35,320
Speaker 1: haven't drinking a week.

2268
01:49:35,320 --> 01:49:36,920
Speaker 2: All right, you got the next one? Go all right,

2269
01:49:37,120 --> 01:49:38,160
Speaker 2: drink no drink that first.

2270
01:49:43,160 --> 01:49:46,839
Speaker 1: Okay. I know I got this one. Pharrell or Kanye

2271
01:49:50,280 --> 01:49:57,120
Speaker 1: who Man, I'm gonna go with ya, go with yeah,

2272
01:49:57,479 --> 01:49:58,160
Speaker 1: big up the yeah.

2273
01:49:58,320 --> 01:49:59,280
Speaker 2: Any story with ya.

2274
01:50:00,760 --> 01:50:00,960
Speaker 8: Or for.

2275
01:50:02,840 --> 01:50:06,639
Speaker 1: I haven't had a lot of interaction with with either

2276
01:50:06,680 --> 01:50:12,559
Speaker 1: of them, but I met Pharrell very cordial. You don't

2277
01:50:12,560 --> 01:50:21,160
Speaker 1: got to be with all timblingbling like everything.

2278
01:50:21,960 --> 01:50:27,200
Speaker 2: You know what I'm saying. Talk to Kanye.

2279
01:50:27,720 --> 01:50:30,479
Speaker 3: You know what I'm saying, like never never really got

2280
01:50:30,520 --> 01:50:32,800
Speaker 3: real deep with it, you know what I'm saying. But look,

2281
01:50:32,840 --> 01:50:35,519
Speaker 3: I say Kanye because I'm a fan.

2282
01:50:35,360 --> 01:50:35,920
Speaker 1: Of his work.

2283
01:50:39,680 --> 01:50:44,280
Speaker 3: You know, I speak fluent artists, right, I like that,

2284
01:50:44,680 --> 01:50:47,840
Speaker 3: so I speak fluent artists. So I know when I

2285
01:50:47,920 --> 01:50:51,759
Speaker 3: see it, and I know the frustration that he was feeling.

2286
01:50:51,880 --> 01:50:52,599
Speaker 1: You know what I'm saying.

2287
01:50:52,800 --> 01:50:56,840
Speaker 3: I articulate my frustration in different ways, but I felt

2288
01:50:56,840 --> 01:50:59,559
Speaker 3: when he was doing that, you know what I'm saying.

2289
01:50:59,560 --> 01:51:02,800
Speaker 3: And I saw his his roller coaster ride and through

2290
01:51:02,840 --> 01:51:06,360
Speaker 3: it all, he stayed creative great.

2291
01:51:06,200 --> 01:51:06,679
Speaker 1: Through it all.

2292
01:51:06,800 --> 01:51:09,519
Speaker 3: He's stayed creative, and he and and he and he

2293
01:51:09,640 --> 01:51:12,400
Speaker 3: performed at an optimum level, and he was able to

2294
01:51:12,439 --> 01:51:15,920
Speaker 3: move some really big chess pieces around the board in

2295
01:51:15,960 --> 01:51:17,360
Speaker 3: the in the state of chaos.

2296
01:51:17,479 --> 01:51:18,080
Speaker 2: When you can.

2297
01:51:17,960 --> 01:51:23,760
Speaker 3: Operate like that, I mean, yeah, it's a whole different thing. Look,

2298
01:51:23,800 --> 01:51:25,800
Speaker 3: and you can't take nothing away from for real, for

2299
01:51:25,920 --> 01:51:29,400
Speaker 3: Rail as a musical master, he's a genius. He he

2300
01:51:29,800 --> 01:51:33,719
Speaker 3: definitely has transitioned into like bigger roles as well.

2301
01:51:33,600 --> 01:51:36,240
Speaker 1: Going into you know what he's doing with Louis Vatan,

2302
01:51:39,880 --> 01:51:45,920
Speaker 1: Yeah and yeah, yeah, and the stuff that he's doing

2303
01:51:45,960 --> 01:51:46,400
Speaker 1: in film.

2304
01:51:46,479 --> 01:51:49,120
Speaker 3: You know what I'm saying with The Despicable Me. Yeah,

2305
01:51:49,200 --> 01:51:52,000
Speaker 3: I mean, you can't take nothing away from what these

2306
01:51:52,040 --> 01:51:53,800
Speaker 3: guys are doing because they're doing it at such a

2307
01:51:53,880 --> 01:51:58,360
Speaker 3: high level. But I love the underdog. I love the

2308
01:51:58,360 --> 01:52:00,200
Speaker 3: motherfucker that's the you.

2309
01:52:00,160 --> 01:52:05,280
Speaker 1: Know fights, He's been an underdog in a long time.

2310
01:52:06,040 --> 01:52:07,760
Speaker 6: He was going, he was he was going against what

2311
01:52:08,240 --> 01:52:10,600
Speaker 6: I mean, maybe to his own he was bringing it on,

2312
01:52:10,760 --> 01:52:13,360
Speaker 6: but he was going up against some some big things.

2313
01:52:13,760 --> 01:52:16,559
Speaker 3: He's going against some big things, some big ideas. I'm

2314
01:52:16,600 --> 01:52:17,599
Speaker 3: going to be some big thoughts.

2315
01:52:18,040 --> 01:52:18,559
Speaker 1: We went through.

2316
01:52:19,080 --> 01:52:25,759
Speaker 13: Yeah, we went through it. What was that secondhand smoke?

2317
01:52:26,360 --> 01:52:31,879
Speaker 13: We definitely called second hand smoke? Like this is ahead Jesus,

2318
01:52:32,000 --> 01:52:32,880
Speaker 13: Nipsey or Drake you.

2319
01:52:36,760 --> 01:52:42,400
Speaker 1: Nigga ruthless Dominicans of Columbia.

2320
01:52:42,479 --> 01:52:48,000
Speaker 3: Draco, Draco, I have to say Nipsey like I you know,

2321
01:52:48,640 --> 01:52:56,120
Speaker 3: you know, rest in peace Draco's Nipsy piece both.

2322
01:52:56,400 --> 01:52:58,400
Speaker 1: Yeah.

2323
01:52:59,760 --> 01:53:04,160
Speaker 3: I just think that what Nipsey manifested in the city

2324
01:53:04,160 --> 01:53:07,920
Speaker 3: of Los Angeles, in his neighborhood, in the spirit of

2325
01:53:07,920 --> 01:53:08,400
Speaker 3: the people.

2326
01:53:09,400 --> 01:53:12,439
Speaker 14: I got to see it myself. I agree with you

2327
01:53:12,960 --> 01:53:16,080
Speaker 14: was impactful to a lot of people. They both had impacts,

2328
01:53:16,880 --> 01:53:20,200
Speaker 14: but I think what Nipsey men and what he represented

2329
01:53:20,960 --> 01:53:22,120
Speaker 14: was a lot stronger.

2330
01:53:22,880 --> 01:53:25,200
Speaker 2: You know, I want to re edit what you're saying

2331
01:53:26,200 --> 01:53:26,439
Speaker 2: to me.

2332
01:53:27,640 --> 01:53:31,360
Speaker 1: I know this is gonna sound crazy, but to me,

2333
01:53:31,560 --> 01:53:34,680
Speaker 1: every time I met Nipsey, it was like me in

2334
01:53:34,760 --> 01:53:39,439
Speaker 1: a version of Jesus. It's because he knew everything about

2335
01:53:39,479 --> 01:53:42,400
Speaker 1: his ogs, like and so many the.

2336
01:53:42,360 --> 01:53:43,840
Speaker 2: Younger generation just don't.

2337
01:53:44,080 --> 01:53:46,719
Speaker 1: They'll know more about Michael Jordan, did they know about Snoop?

2338
01:53:47,120 --> 01:53:51,760
Speaker 1: They know about more about fucking you know, Penny Hardaway because.

2339
01:53:51,479 --> 01:53:52,520
Speaker 2: Of the Sneakers.

2340
01:53:54,120 --> 01:53:56,679
Speaker 1: Then they'll know about biggie, like, you know what I'm saying.

2341
01:53:56,800 --> 01:53:59,920
Speaker 1: Just because of the sneakers, they won't. Actually, this is

2342
01:54:00,000 --> 01:54:02,560
Speaker 1: how you're feeding your family and you don't want to

2343
01:54:02,600 --> 01:54:06,479
Speaker 1: know who the Forefalls was today. So but Nipsey did

2344
01:54:07,000 --> 01:54:09,040
Speaker 1: Nipsey always, and you.

2345
01:54:09,000 --> 01:54:12,160
Speaker 3: Can tell the ones who do right, like listen, like

2346
01:54:12,240 --> 01:54:13,240
Speaker 3: people aren't stupid.

2347
01:54:13,400 --> 01:54:15,360
Speaker 1: They know when you really love this thing.

2348
01:54:16,400 --> 01:54:19,800
Speaker 3: When you when you really love it, it shows you,

2349
01:54:19,800 --> 01:54:21,759
Speaker 3: know what I'm saying, And when you really do and listen,

2350
01:54:21,880 --> 01:54:24,040
Speaker 3: just because you're getting money from something don't make you

2351
01:54:24,680 --> 01:54:25,559
Speaker 3: really you know.

2352
01:54:27,000 --> 01:54:27,639
Speaker 2: The best.

2353
01:54:27,760 --> 01:54:28,479
Speaker 1: You know what I'm saying.

2354
01:54:29,640 --> 01:54:31,719
Speaker 3: I think there's I think there's a lot of things

2355
01:54:31,720 --> 01:54:35,680
Speaker 3: that happened in hip hop and around hip hop, but

2356
01:54:35,920 --> 01:54:37,840
Speaker 3: you know, we don't own enough you know what I'm

2357
01:54:37,840 --> 01:54:40,720
Speaker 3: saying to be able to control the narrative.

2358
01:54:40,800 --> 01:54:41,440
Speaker 1: You know what I'm saying.

2359
01:54:41,600 --> 01:54:44,280
Speaker 3: And that's cool though, man, because it's growing and it's

2360
01:54:44,280 --> 01:54:46,120
Speaker 3: feeding families and it's doing all this ship.

2361
01:54:46,680 --> 01:54:48,880
Speaker 1: But to still be here and be able to do

2362
01:54:48,960 --> 01:54:51,200
Speaker 1: this with you guys.

2363
01:54:50,480 --> 01:54:56,920
Speaker 2: Like, yes, why I appreciate all of this, man?

2364
01:54:57,040 --> 01:54:58,879
Speaker 1: Yeah? Yeah. The next.

2365
01:55:00,840 --> 01:55:09,000
Speaker 6: Common or black thought, black thought, black thoughts, Yo, sounds

2366
01:55:09,000 --> 01:55:11,440
Speaker 6: like you were mad when coming Decice you.

2367
01:55:11,440 --> 01:55:14,080
Speaker 2: No, okay, I'm kidding, kidding, I love coming.

2368
01:55:14,320 --> 01:55:18,120
Speaker 3: You know what I'm saying Common is Common is an

2369
01:55:18,160 --> 01:55:20,840
Speaker 3: artist in his own right. But if we're talking about

2370
01:55:22,520 --> 01:55:25,360
Speaker 3: we're talking to black dots, beasts, man, we're talking about

2371
01:55:25,400 --> 01:55:28,120
Speaker 3: the whole. We're talking about a motherfucking a beast. We're

2372
01:55:28,120 --> 01:55:30,760
Speaker 3: talking about and Common is a beast too.

2373
01:55:31,320 --> 01:55:31,920
Speaker 2: You know what I'm saying.

2374
01:55:32,000 --> 01:55:36,560
Speaker 3: Please don't diss me comment because no, I get I

2375
01:55:36,600 --> 01:55:38,560
Speaker 3: get it. But but Black Thought is is a whole.

2376
01:55:38,760 --> 01:55:40,960
Speaker 2: I think Common would say Black Thought, Yeah, he's a

2377
01:55:41,040 --> 01:55:43,800
Speaker 2: fucking phenomenon. No, I don't think that. I think so.

2378
01:55:45,160 --> 01:55:45,800
Speaker 2: I think so.

2379
01:55:46,240 --> 01:55:52,520
Speaker 1: Nat because because what I'm saying is, we'll say.

2380
01:55:52,280 --> 01:55:54,400
Speaker 6: That we're coming because he is such an m.

2381
01:55:54,480 --> 01:55:56,280
Speaker 2: C and he's ready to battle.

2382
01:55:56,520 --> 01:56:02,280
Speaker 1: Yeah, yeah, I guess, but he ain't ready to battle

2383
01:56:02,280 --> 01:56:12,200
Speaker 1: Black Thought. But they're fan. They're fan anyways, Black thoughts,

2384
01:56:12,360 --> 01:56:13,240
Speaker 1: motherfucking monster.

2385
01:56:13,360 --> 01:56:15,760
Speaker 6: See, I think you Black Thought doesn't get the credit.

2386
01:56:15,800 --> 01:56:19,440
Speaker 6: He deserves to be honest with you, like he's Loosten.

2387
01:56:19,760 --> 01:56:20,160
Speaker 1: I know.

2388
01:56:20,520 --> 01:56:24,640
Speaker 2: You know what I'm saying. I know. I Look, there's

2389
01:56:24,680 --> 01:56:25,280
Speaker 2: a lot of guys.

2390
01:56:25,320 --> 01:56:27,960
Speaker 3: There's there's some there's some masters of the of the

2391
01:56:28,040 --> 01:56:30,360
Speaker 3: craft that I feel like, you know what I'm saying

2392
01:56:30,360 --> 01:56:33,160
Speaker 3: when I listen to them, that the motherfuckers is is

2393
01:56:33,280 --> 01:56:38,240
Speaker 3: monster Royster five nine being wonderful, out of control black

2394
01:56:38,320 --> 01:56:39,520
Speaker 3: Thought being another one.

2395
01:56:41,040 --> 01:56:42,320
Speaker 2: Like there's a.

2396
01:56:42,280 --> 01:56:44,000
Speaker 1: Couple of guys that that that.

2397
01:56:43,880 --> 01:56:46,320
Speaker 3: I really like, Wow, you know what I'm saying, Like

2398
01:56:46,360 --> 01:56:48,240
Speaker 3: I really appreciate what they do.

2399
01:56:48,760 --> 01:56:49,440
Speaker 1: You know what I'm saying.

2400
01:56:49,680 --> 01:56:53,200
Speaker 2: And we got this is Cardinal hair, Cardinal Fisher. That's

2401
01:56:53,200 --> 01:56:53,640
Speaker 2: one of my.

2402
01:56:58,400 --> 01:56:59,160
Speaker 1: Oh thank you.

2403
01:57:00,160 --> 01:57:02,440
Speaker 2: It's not that you got a personal roller too. I'm

2404
01:57:02,480 --> 01:57:03,320
Speaker 2: rolling my own ship.

2405
01:57:03,520 --> 01:57:04,240
Speaker 1: And I ain't gonna lie.

2406
01:57:04,240 --> 01:57:05,280
Speaker 2: I've been I've been watching you.

2407
01:57:05,840 --> 01:57:06,680
Speaker 1: I mean i've been.

2408
01:57:06,680 --> 01:57:08,000
Speaker 2: I've been seeing you put it together.

2409
01:57:11,040 --> 01:57:16,560
Speaker 6: I got hash and and and diamonds and Cocaina.

2410
01:57:18,640 --> 01:57:19,160
Speaker 1: Get the screen.

2411
01:57:19,280 --> 01:57:25,440
Speaker 2: Call Kiff Frost, Mellow Mayonnaise, Uh kid Frost.

2412
01:57:25,760 --> 01:57:31,160
Speaker 3: I love Melow Maynaes. Shout out Melomyannaes. Without Melow Maynase,

2413
01:57:31,200 --> 01:57:34,280
Speaker 3: we wouldn't have dim Rick. Dimrick came from, you know,

2414
01:57:34,440 --> 01:57:37,280
Speaker 3: relationship with Melow Maynes. That's how he got introduced to

2415
01:57:37,320 --> 01:57:39,000
Speaker 3: be real, That's how he got introduced.

2416
01:57:39,360 --> 01:57:44,600
Speaker 6: Mellows Dog's brother. Correct, And that's my Cuban people's right there. Yes,

2417
01:57:45,600 --> 01:57:47,400
Speaker 6: that's rush. This question Kid Frost.

2418
01:57:49,480 --> 01:57:52,120
Speaker 3: Kid Frost was the He's the He's the o G

2419
01:57:52,920 --> 01:57:54,560
Speaker 3: of that I'm talking about.

2420
01:57:55,200 --> 01:57:56,760
Speaker 2: Ruthless. He was on Ruthless.

2421
01:57:56,800 --> 01:58:02,040
Speaker 1: Everything had to hit records, had had the presence, had

2422
01:58:02,080 --> 01:58:07,880
Speaker 1: the representation, had the whole community behind him, Right Yeah.

2423
01:58:07,960 --> 01:58:10,280
Speaker 1: His son, his son scooped de Ville.

2424
01:58:10,560 --> 01:58:14,800
Speaker 3: He was a fucking phenomenal hits hip hop like he

2425
01:58:14,880 --> 01:58:17,480
Speaker 3: It's like you can see you can see how much

2426
01:58:19,000 --> 01:58:21,840
Speaker 3: Kid Frost loved hip hop by the way his son loves.

2427
01:58:21,800 --> 01:58:24,040
Speaker 6: Because it doesn't even look the same, but it's the same.

2428
01:58:24,640 --> 01:58:25,240
Speaker 6: You know what I'm saying.

2429
01:58:25,720 --> 01:58:29,680
Speaker 3: You get to see how real Kid Frost is from

2430
01:58:29,880 --> 01:58:33,240
Speaker 3: the way his son and the way his son is.

2431
01:58:33,280 --> 01:58:35,240
Speaker 2: You know what I'm saying, Like he got a love.

2432
01:58:35,040 --> 01:58:39,040
Speaker 3: For the hop that that is deeper than anybody I've seen.

2433
01:58:39,040 --> 01:58:41,720
Speaker 3: You know what I'm saying, Alchemists like that level of

2434
01:58:42,120 --> 01:58:44,080
Speaker 3: you know what I'm saying, being into into the hop.

2435
01:58:44,120 --> 01:58:48,320
Speaker 3: You know what I'm saying, Like like alchemists man like.

2436
01:58:48,640 --> 01:58:51,160
Speaker 3: And then that's another dude, Like I knew when he

2437
01:58:51,320 --> 01:58:54,840
Speaker 3: was when he was running around the hooligans, you know

2438
01:58:54,840 --> 01:58:56,600
Speaker 3: what I'm saying, Like seeing him in.

2439
01:58:56,520 --> 01:59:01,280
Speaker 1: The main he was back.

2440
01:59:01,360 --> 01:59:03,200
Speaker 2: I don't know bugget, but he was.

2441
01:59:04,520 --> 01:59:07,520
Speaker 1: Then Alchemist was never good. He was.

2442
01:59:09,160 --> 01:59:12,160
Speaker 2: Man robbing good man. He took a shot at me,

2443
01:59:12,200 --> 01:59:12,880
Speaker 2: So I gotta take.

2444
01:59:14,720 --> 01:59:17,800
Speaker 1: My brother by the way, by the way, one of

2445
01:59:17,840 --> 01:59:19,760
Speaker 1: the greatest produces all the time, my friend.

2446
01:59:19,920 --> 01:59:22,520
Speaker 2: Yeah, one of the others. Yes, man, my brother.

2447
01:59:22,600 --> 01:59:26,680
Speaker 9: Man, you took a shot. No one even told you

2448
01:59:26,680 --> 01:59:32,600
Speaker 9: to a shout the yeah, I want to leave us.

2449
01:59:33,880 --> 01:59:41,120
Speaker 9: Don't hit The whole time this was drink don't hold on.

2450
01:59:41,920 --> 01:59:45,240
Speaker 9: I know with him, drink shamps, nigga with champions and time.

2451
01:59:45,320 --> 01:59:46,240
Speaker 9: You know, he got into it.

2452
01:59:46,240 --> 01:59:54,280
Speaker 1: He just have no coming, great guy with good coming.

2453
01:59:54,360 --> 01:59:54,760
Speaker 2: I love that.

2454
01:59:54,840 --> 01:59:55,320
Speaker 1: I love that.

2455
01:59:59,600 --> 02:00:02,960
Speaker 15: I feel like this is you, everything is me Lauren

2456
02:00:03,000 --> 02:00:13,160
Speaker 15: Hill or miss Elliot. Oh He's like, oh oh oh oh,

2457
02:00:15,880 --> 02:00:17,400
Speaker 15: so many I loved it.

2458
02:00:18,440 --> 02:00:23,800
Speaker 3: It's like, yeah, I mean, you got, you got, you got.

2459
02:00:24,440 --> 02:00:26,240
Speaker 3: You know, I can't stay in the rain, and then

2460
02:00:26,280 --> 02:00:28,400
Speaker 3: you got I can't, Then you got.

2461
02:00:28,600 --> 02:00:31,120
Speaker 2: They're both really literally you know what I'm saying.

2462
02:00:31,280 --> 02:00:32,720
Speaker 1: And then you you know, you get.

2463
02:00:33,520 --> 02:00:37,360
Speaker 3: Come on, man, So you're saying both. I'm not saying both.

2464
02:00:38,080 --> 02:00:39,680
Speaker 3: I think here I need to make I need to

2465
02:00:40,960 --> 02:00:49,640
Speaker 3: got to take a stand. Oh I'm gonna say I'm

2466
02:00:49,640 --> 02:00:50,280
Speaker 3: gonna say.

2467
02:00:50,360 --> 02:00:55,080
Speaker 2: Mister, wow, I didn't see that one coming, all right, Yeah.

2468
02:00:55,240 --> 02:00:57,800
Speaker 3: Even though I know the impact that that album had,

2469
02:00:57,840 --> 02:01:01,800
Speaker 3: the mis Education of Lauryn Hill had on the culture.

2470
02:01:03,040 --> 02:01:05,320
Speaker 2: And the Fujis and the Fuji's.

2471
02:01:04,920 --> 02:01:08,480
Speaker 1: Because that's the only album she only hasn't technically one understands.

2472
02:01:07,880 --> 02:01:09,200
Speaker 6: Saying that, But I don't know. I just got to

2473
02:01:09,240 --> 02:01:11,600
Speaker 6: be give the Fujis as her album as an album.

2474
02:01:11,720 --> 02:01:13,720
Speaker 2: No, that's a group project. That's a group project. I

2475
02:01:13,840 --> 02:01:15,200
Speaker 2: get it, I get it, but it's still she's a

2476
02:01:15,240 --> 02:01:15,800
Speaker 2: part of the group.

2477
02:01:15,920 --> 02:01:16,160
Speaker 1: No, But.

2478
02:01:17,640 --> 02:01:21,560
Speaker 2: The mis Education of Lauren Hill is her project, that's her.

2479
02:01:21,720 --> 02:01:24,280
Speaker 2: But her catalog would be discussion.

2480
02:01:24,320 --> 02:01:25,680
Speaker 1: That's why I bring it up all the time, just

2481
02:01:25,760 --> 02:01:28,000
Speaker 1: being honest in my opinion. I don't I don't really care.

2482
02:01:28,120 --> 02:01:29,280
Speaker 1: It's the real answer.

2483
02:01:30,440 --> 02:01:34,960
Speaker 3: Talking about it's one album and in her group stuff. Yeah,

2484
02:01:35,040 --> 02:01:38,400
Speaker 3: she she was Laurence Hill within that group. But ice

2485
02:01:38,480 --> 02:01:40,280
Speaker 3: Cube was an ice cube until he was out of it.

2486
02:01:40,400 --> 02:01:42,320
Speaker 2: God damn it, God damn it, God damn it. So

2487
02:01:42,360 --> 02:01:43,560
Speaker 2: you wouldn't give ice Cube.

2488
02:01:43,400 --> 02:01:44,480
Speaker 1: In w either. Yeah.

2489
02:01:44,720 --> 02:01:46,680
Speaker 2: I gave it to him. He was in a group setting.

2490
02:01:47,200 --> 02:01:48,400
Speaker 2: But it makes ice cube.

2491
02:01:50,400 --> 02:01:50,640
Speaker 1: W A.

2492
02:01:50,800 --> 02:01:55,040
Speaker 6: You don't have ice cube, we're not disagreeing with disagree

2493
02:01:55,040 --> 02:01:56,160
Speaker 6: with you and he can be right.

2494
02:01:58,400 --> 02:02:05,000
Speaker 1: Disagreement. He's like, yeah, listen, listen, it's a group thing,

2495
02:02:05,120 --> 02:02:09,840
Speaker 1: you know what I'm saying. Like they are like troying,

2496
02:02:10,240 --> 02:02:11,320
Speaker 1: making one movement.

2497
02:02:11,480 --> 02:02:14,760
Speaker 2: So you want the solo thing to show shows.

2498
02:02:15,680 --> 02:02:20,520
Speaker 3: You're arranged as an artist solo artists, right, that solo

2499
02:02:20,760 --> 02:02:23,520
Speaker 3: project is what like, that's your representation.

2500
02:02:23,680 --> 02:02:25,760
Speaker 1: So mis education of Lauren Hill.

2501
02:02:25,800 --> 02:02:29,800
Speaker 3: Was crazy crazy It moves shift the culture like it

2502
02:02:29,960 --> 02:02:35,000
Speaker 3: solidified her as as is who she is now, right,

2503
02:02:35,960 --> 02:02:40,120
Speaker 3: And then you look at Missy and she's reinvented herself

2504
02:02:40,240 --> 02:02:42,080
Speaker 3: like she just had one of the biggest tours ever

2505
02:02:42,160 --> 02:02:42,440
Speaker 3: will but.

2506
02:02:44,080 --> 02:02:48,640
Speaker 2: Happened Era and Buster rhymes every morning.

2507
02:02:48,760 --> 02:02:53,520
Speaker 3: And also you know the way that she has, like

2508
02:02:53,680 --> 02:02:55,960
Speaker 3: you know when you see in a Missy Elliott production,

2509
02:02:56,160 --> 02:02:59,320
Speaker 3: you know when you see in the dancers, the court

2510
02:02:59,560 --> 02:03:02,720
Speaker 3: choreography that you know what I'm saying, that the sound.

2511
02:03:02,520 --> 02:03:05,000
Speaker 2: That you know what I'm saying, like like that ship

2512
02:03:05,160 --> 02:03:07,160
Speaker 2: is not easy to do, you know what I'm saying.

2513
02:03:07,200 --> 02:03:09,560
Speaker 3: And when you see the hard work that that's put

2514
02:03:09,600 --> 02:03:12,360
Speaker 3: into that, like you have to be like, listen, you

2515
02:03:12,440 --> 02:03:14,400
Speaker 3: know what I'm saying, don't I don't want to hear

2516
02:03:14,480 --> 02:03:17,400
Speaker 3: about artists showing up late or doing that or doing

2517
02:03:17,440 --> 02:03:21,080
Speaker 3: all that ship when when there's other artists to be

2518
02:03:21,240 --> 02:03:23,600
Speaker 3: compared to that are putting in that type of effort,

2519
02:03:23,920 --> 02:03:24,560
Speaker 3: you know what I'm saying.

2520
02:03:24,600 --> 02:03:26,160
Speaker 2: So that's why I got to get and she penned

2521
02:03:26,160 --> 02:03:27,800
Speaker 2: a lot of music, absolutely people, and.

2522
02:03:28,200 --> 02:03:30,360
Speaker 1: Her paying game is sick, her delivery is sick, her

2523
02:03:30,440 --> 02:03:32,920
Speaker 1: work ethic is sick, her spirit is sick, her soul

2524
02:03:33,080 --> 02:03:35,080
Speaker 1: is fucking the biggest life, you know what I'm saying.

2525
02:03:35,160 --> 02:03:40,600
Speaker 2: Like, but now I know not to say component Reagan,

2526
02:03:40,920 --> 02:03:46,080
Speaker 2: just start your career, bring to him.

2527
02:03:49,520 --> 02:04:08,160
Speaker 1: Shot speaking shape, okay? The Chronic or Crying two thousand

2528
02:04:08,200 --> 02:04:10,360
Speaker 1: and one. Oh yeah, I'm ready to take a shot.

2529
02:04:11,120 --> 02:04:15,480
Speaker 1: Oh the Chronicle Cronic two thousand and one. I mean,

2530
02:04:15,640 --> 02:04:20,160
Speaker 1: I would imagine you picked. You're on both, oh one,

2531
02:04:20,240 --> 02:04:25,120
Speaker 1: it's not too im Without the group, there's no solo.

2532
02:04:25,240 --> 02:04:27,800
Speaker 1: I'm just saying, I'm just saying saying. I'm just I'm

2533
02:04:27,800 --> 02:04:30,160
Speaker 1: just say man, I'm just saying. I'm just saying.

2534
02:04:32,040 --> 02:04:34,120
Speaker 2: Saying drinking it's drinkers.

2535
02:04:34,160 --> 02:04:34,320
Speaker 6: Man.

2536
02:04:34,400 --> 02:04:36,360
Speaker 1: No, No, that is not the same thing.

2537
02:04:36,440 --> 02:04:41,840
Speaker 2: It is not the saying. It's not the I'm I'm

2538
02:04:41,880 --> 02:04:43,960
Speaker 2: with he career doesn't start on here.

2539
02:04:45,840 --> 02:04:51,800
Speaker 1: That's not what I'm saying. I'm saying I'm getting to

2540
02:04:51,880 --> 02:04:55,080
Speaker 1: do it again. Okay, this one I'm a last all right,

2541
02:04:55,920 --> 02:04:59,320
Speaker 1: m O P or marf d Oh that's a good one.

2542
02:05:00,080 --> 02:05:07,160
Speaker 1: Oh man, dance be hitting me all the time.

2543
02:05:07,320 --> 02:05:08,480
Speaker 2: Man, we talk all the time.

2544
02:05:09,120 --> 02:05:15,520
Speaker 1: You gotta do m O P exhibit Yes, yes, we

2545
02:05:15,720 --> 02:05:19,240
Speaker 1: have a record with all together m O P. Yes, absolutely,

2546
02:05:19,600 --> 02:05:27,640
Speaker 1: and must record too. Was Relativity, Yeah, but that merged.

2547
02:05:27,800 --> 02:05:37,040
Speaker 2: That's why came over to ok okay f mm hmm, man,

2548
02:05:37,160 --> 02:05:38,760
Speaker 2: come on, man, fuck to.

2549
02:05:40,320 --> 02:05:44,080
Speaker 1: Okay. So the difference between mom D and fucking m

2550
02:05:44,120 --> 02:05:44,360
Speaker 1: O P.

2551
02:05:45,080 --> 02:05:48,320
Speaker 3: It's look, they don't both making gun Talk records the

2552
02:05:49,360 --> 02:05:52,760
Speaker 3: gangster ship, right, So one is high energy and that

2553
02:05:53,000 --> 02:05:55,200
Speaker 3: delivery is super loud.

2554
02:05:56,960 --> 02:05:59,240
Speaker 1: M O P. Mom was more laid past.

2555
02:05:59,280 --> 02:06:02,440
Speaker 2: It's crazy because both doing that. Yeah, yeah, I love it.

2556
02:06:02,560 --> 02:06:04,960
Speaker 3: It's both hit, but it's hitting at the same kind

2557
02:06:05,040 --> 02:06:10,720
Speaker 3: of level, right, thanks man, yesterday mom D.

2558
02:06:11,000 --> 02:06:13,280
Speaker 2: Of course of the affiliation with the label mates.

2559
02:06:13,320 --> 02:06:17,760
Speaker 1: I got it, I got it, I got it both.

2560
02:06:18,280 --> 02:06:21,760
Speaker 2: Okay, just hit just hit one into it. Yeah, careful man,

2561
02:06:22,160 --> 02:06:23,440
Speaker 2: I mean my l.

2562
02:06:25,680 --> 02:06:27,680
Speaker 1: We're taking a shot Okay, we're taking my lungs is

2563
02:06:27,680 --> 02:06:30,120
Speaker 1: still in the nineties, my bad man. I'm like this

2564
02:06:30,280 --> 02:06:32,280
Speaker 1: fucking ship, but hit that.

2565
02:06:32,400 --> 02:06:36,360
Speaker 6: That's l a wee, my man, little heroine, fucking Bible favorite.

2566
02:06:38,040 --> 02:06:42,200
Speaker 2: It got grocery bag. But we got it there. You

2567
02:06:42,280 --> 02:06:44,080
Speaker 2: know what he said, I got in there. That's a problem.

2568
02:06:44,160 --> 02:06:47,000
Speaker 2: It looked like grocery bags smoking like this.

2569
02:06:47,240 --> 02:06:49,960
Speaker 1: I'm sorry, man, my lungs never left nineties.

2570
02:06:50,440 --> 02:06:51,760
Speaker 2: I'm sorry, bro, I'm sorry.

2571
02:06:51,880 --> 02:06:55,040
Speaker 1: I'm gonna get you some previoum no, no, I'm with

2572
02:06:55,240 --> 02:06:57,680
Speaker 1: the pre But you had the grenade too, right, remember, Okay,

2573
02:06:57,720 --> 02:06:58,160
Speaker 1: let's just's.

2574
02:06:58,080 --> 02:07:02,440
Speaker 6: Move on this smoke greenade for SBI. Yeah, sorry, you

2575
02:07:02,440 --> 02:07:06,800
Speaker 6: can get the next one a snoop of fifty fuck you.

2576
02:07:08,880 --> 02:07:11,920
Speaker 2: To you know with me. Take your shot.

2577
02:07:11,960 --> 02:07:15,040
Speaker 1: I'll take your shot. I'll catch up after this. Take

2578
02:07:15,080 --> 02:07:15,440
Speaker 1: a shot.

2579
02:07:15,720 --> 02:07:21,680
Speaker 2: Yeah, yeah, crazy shots are always late. Brober eats your

2580
02:07:21,720 --> 02:07:23,640
Speaker 2: shots like I like.

2581
02:07:24,360 --> 02:07:26,760
Speaker 1: Yeah, what's that you Jamie?

2582
02:07:27,160 --> 02:07:30,680
Speaker 2: Yeah you put some some wax or something.

2583
02:07:30,800 --> 02:07:32,160
Speaker 1: Yeah, that's going to tell you.

2584
02:07:32,320 --> 02:07:33,480
Speaker 2: Yeah, you're trying to get.

2585
02:07:34,120 --> 02:07:43,640
Speaker 1: Like black ash. All right, I'm an old man. I

2586
02:07:43,720 --> 02:07:45,760
Speaker 1: usually smoke that to go to sleep. You know what

2587
02:07:45,760 --> 02:07:47,400
Speaker 1: I'm saying, Like I ain't gonna lie. I got blunted

2588
02:07:49,280 --> 02:07:51,480
Speaker 1: Sonny d B having me do hippie mood. I don't

2589
02:07:51,520 --> 02:07:55,480
Speaker 1: know why. It's like him worse at hippie mood. Shot.

2590
02:07:56,560 --> 02:07:58,040
Speaker 2: He works for them and he makes me want to

2591
02:07:58,080 --> 02:08:00,840
Speaker 2: go to sleep. It's all good. I like, I take

2592
02:08:00,880 --> 02:08:02,400
Speaker 2: your ship, I go to sleep. Listen if you want

2593
02:08:02,440 --> 02:08:03,040
Speaker 2: to go to sleep.

2594
02:08:03,240 --> 02:08:04,560
Speaker 1: Okay, what is it? Yo?

2595
02:08:04,880 --> 02:08:08,400
Speaker 3: Find your dosage either it's a five ten milligram. You

2596
02:08:08,640 --> 02:08:11,640
Speaker 3: just find your dosage where you don't get up feeling groggy. Yeah,

2597
02:08:11,680 --> 02:08:13,320
Speaker 3: I'm telling you how the best slip of your life.

2598
02:08:13,640 --> 02:08:15,240
Speaker 1: See, I'm a hood nigga, so I don't know five

2599
02:08:15,320 --> 02:08:17,240
Speaker 1: milligrams and ten milligrams? What does that happen?

2600
02:08:18,160 --> 02:08:18,960
Speaker 2: It's actually.

2601
02:08:21,560 --> 02:08:23,520
Speaker 1: You can cut you can cut it in the gun, right,

2602
02:08:23,600 --> 02:08:27,000
Speaker 1: It's everything legal cannabis. You know exactly what you're getting

2603
02:08:27,400 --> 02:08:30,040
Speaker 1: at the exact dosage. And it's that way every time.

2604
02:08:30,120 --> 02:08:32,040
Speaker 1: Because you can't tell the niggas milligrams. They could be

2605
02:08:32,040 --> 02:08:43,280
Speaker 1: telling like milligram that means nine. But I'm looking at

2606
02:08:43,320 --> 02:08:48,600
Speaker 1: my boys. Sonny DMX, what was your relationship with d MX? Oh?

2607
02:08:48,680 --> 02:08:53,640
Speaker 2: You know what, that's crazy? So rest some pieces? Yeah, rest.

2608
02:09:00,080 --> 02:09:04,600
Speaker 3: Uh d m X we we met several times. I

2609
02:09:04,680 --> 02:09:10,400
Speaker 3: think we only had one real conversation. I would see

2610
02:09:10,440 --> 02:09:12,480
Speaker 3: him in past, and I seen him at Ive seen

2611
02:09:12,560 --> 02:09:14,280
Speaker 3: him at IVE seen him in.

2612
02:09:14,320 --> 02:09:18,960
Speaker 2: New York at the fuck I forget the name of

2613
02:09:19,000 --> 02:09:19,400
Speaker 2: that place.

2614
02:09:20,800 --> 02:09:23,280
Speaker 3: It's not the Loud Event. I seen him at the

2615
02:09:23,320 --> 02:09:26,400
Speaker 3: Loud Event, right, That was one of the last times

2616
02:09:26,440 --> 02:09:28,360
Speaker 3: I saw it. But I've seen him a few times before.

2617
02:09:30,040 --> 02:09:32,360
Speaker 2: Yeah, the d o C. Yeah, I was. It was

2618
02:09:32,440 --> 02:09:37,480
Speaker 2: the d o C screening in New York. Yes, oh

2619
02:09:37,800 --> 02:09:38,520
Speaker 2: damn yeah.

2620
02:09:38,880 --> 02:09:39,360
Speaker 1: And then.

2621
02:09:41,400 --> 02:09:43,560
Speaker 2: That's recent, right, And then we did a show.

2622
02:09:43,600 --> 02:09:46,120
Speaker 1: I'm trying to think of the time when I actually sat.

2623
02:09:45,920 --> 02:09:46,480
Speaker 2: Out with him.

2624
02:09:47,600 --> 02:09:49,400
Speaker 3: And it's dope because I was able to talk to

2625
02:09:49,480 --> 02:09:52,320
Speaker 3: Swiss Beats and have a real conversation with him for

2626
02:09:52,400 --> 02:09:54,720
Speaker 3: the first time because we just did his record together.

2627
02:09:56,440 --> 02:10:02,280
Speaker 2: From my album, yeah exactly, and I talked.

2628
02:10:02,720 --> 02:10:04,920
Speaker 3: I remember we did a show and he was on

2629
02:10:05,040 --> 02:10:07,560
Speaker 3: the show, came into my chair, he came into the

2630
02:10:07,680 --> 02:10:10,280
Speaker 3: trailer and we had and we had a real talk

2631
02:10:10,440 --> 02:10:12,600
Speaker 3: and and it was really dope to be able to

2632
02:10:12,760 --> 02:10:16,800
Speaker 3: just sit down and talk to someone who I've been

2633
02:10:16,880 --> 02:10:19,480
Speaker 3: compared to from the West Coast, you know what I'm saying,

2634
02:10:19,520 --> 02:10:20,240
Speaker 3: Like the.

2635
02:10:23,320 --> 02:10:27,880
Speaker 1: Thing. So if you did a record, cad Act, you

2636
02:10:27,960 --> 02:10:29,200
Speaker 1: spoke about this with No.

2637
02:10:29,400 --> 02:10:31,760
Speaker 3: No, we didn't talk about doing any music together. We

2638
02:10:32,000 --> 02:10:36,960
Speaker 3: just talked to each other, just being selfish, just sitting down,

2639
02:10:37,080 --> 02:10:40,880
Speaker 3: just talking. And and you know, he's he was a

2640
02:10:41,120 --> 02:10:45,280
Speaker 3: really like focused dude.

2641
02:10:45,400 --> 02:10:45,600
Speaker 10: Man.

2642
02:10:45,680 --> 02:10:49,040
Speaker 1: He was just like really talking in a real positive manner.

2643
02:10:49,120 --> 02:10:50,480
Speaker 2: You know what He's deep he was.

2644
02:10:50,600 --> 02:10:54,320
Speaker 3: Yeah, he was a deep dude, man. And and he

2645
02:10:54,480 --> 02:10:57,800
Speaker 3: did a show like his show he started with a

2646
02:10:57,840 --> 02:11:04,160
Speaker 3: prayer and and uh, it just felt so genuine you

2647
02:11:04,200 --> 02:11:06,040
Speaker 3: know what I'm saying. It feel like it felt like

2648
02:11:08,120 --> 02:11:10,920
Speaker 3: it felt like he was like I don't know, dude,

2649
02:11:11,000 --> 02:11:12,760
Speaker 3: like dude was do was really dope, you know what

2650
02:11:12,760 --> 02:11:16,160
Speaker 3: I'm saying. And yeah, man, And so so when I

2651
02:11:16,320 --> 02:11:18,840
Speaker 3: when I think about like how I'm you know, did

2652
02:11:18,920 --> 02:11:21,840
Speaker 3: this ship with Swiss now? Man, Listen, dude, I never

2653
02:11:22,000 --> 02:11:26,320
Speaker 3: want to be I wanted to be like, Okay, cool,

2654
02:11:26,520 --> 02:11:29,040
Speaker 3: I'm not worth what I've done in music, you know

2655
02:11:29,080 --> 02:11:32,240
Speaker 3: what I'm saying. But for me DMX and what he

2656
02:11:32,360 --> 02:11:35,520
Speaker 3: represented to New York, to the world, and how deep

2657
02:11:35,600 --> 02:11:40,160
Speaker 3: he was with it, man, like the Exes is with him,

2658
02:11:40,200 --> 02:11:45,880
Speaker 3: you know what I'm saying, Like you know what I'm saying. Yeah, yeah,

2659
02:11:46,480 --> 02:11:47,080
Speaker 3: I'm ex.

2660
02:11:47,080 --> 02:11:50,440
Speaker 2: To the Z right right right right right, yeah, but

2661
02:11:50,640 --> 02:11:54,360
Speaker 2: but the dog, the dog get the X. I respect that,

2662
02:11:55,280 --> 02:11:55,640
Speaker 2: all right.

2663
02:11:56,160 --> 02:12:01,680
Speaker 1: Moving on Buster Rhymes or Eminem. Wow, I don't write

2664
02:12:01,720 --> 02:12:06,800
Speaker 1: these questions Dominicans and man, there's a lot of cocaine

2665
02:12:06,800 --> 02:12:07,120
Speaker 1: over there.

2666
02:12:07,160 --> 02:12:09,600
Speaker 2: In my mind, I don't know. I've never actually.

2667
02:12:09,320 --> 02:12:11,160
Speaker 6: Said the selling to each other. Like my mind, I

2668
02:12:11,200 --> 02:12:14,160
Speaker 6: think I can. Yeah, you say that's the cocaine. Say

2669
02:12:14,240 --> 02:12:17,920
Speaker 6: that again, Say that again, Buster, Ryan Eminem.

2670
02:12:17,960 --> 02:12:18,720
Speaker 2: Bust the rhymes on.

2671
02:12:18,720 --> 02:12:23,120
Speaker 1: Eminem, by the way, which would probably be the illest

2672
02:12:23,160 --> 02:12:23,800
Speaker 1: versus ever.

2673
02:12:24,560 --> 02:12:28,160
Speaker 2: Well they got they got records together and like versus

2674
02:12:28,240 --> 02:12:33,280
Speaker 2: like like oh no, no, I'm not versus.

2675
02:12:34,360 --> 02:12:36,880
Speaker 1: We're just saying, if that happened, that would become have

2676
02:12:36,920 --> 02:12:40,000
Speaker 1: a McDonald's mc chicken front row.

2677
02:12:40,080 --> 02:12:42,560
Speaker 2: I love that you guys for that big match chicken

2678
02:12:42,840 --> 02:12:44,000
Speaker 2: that you pay.

2679
02:12:44,080 --> 02:12:51,160
Speaker 1: That's a creepy not better than true Burgers though, true burgerd.

2680
02:12:53,160 --> 02:12:58,879
Speaker 2: Yeah you were missed. Oh thank you, Buster Rhymes, Eminem.

2681
02:13:00,760 --> 02:13:05,280
Speaker 1: We gotta take a shot, man, you know, you know

2682
02:13:06,120 --> 02:13:14,280
Speaker 1: shot that's your drink, all right, all right, Jesus chunky,

2683
02:13:16,080 --> 02:13:18,160
Speaker 1: Hey man, these little more fucking cups are stacking up

2684
02:13:18,240 --> 02:13:18,600
Speaker 1: over here.

2685
02:13:18,640 --> 02:13:28,280
Speaker 2: That's why one Yeah, that's why we do little one

2686
02:13:28,320 --> 02:13:29,160
Speaker 2: on six nigga.

2687
02:13:29,240 --> 02:13:29,720
Speaker 1: Goddamn.

2688
02:13:29,760 --> 02:13:32,760
Speaker 2: Okay, let me take this one. God he loves this ship.

2689
02:13:32,800 --> 02:13:34,000
Speaker 2: Go ahead, you know I love it.

2690
02:13:35,400 --> 02:13:46,440
Speaker 1: Analog or digital analog. Let me just point out one thing.

2691
02:13:46,560 --> 02:13:48,840
Speaker 1: Let me just point out one thing. You know. I

2692
02:13:48,880 --> 02:13:51,400
Speaker 1: got a friend in head tonight. His name is Warrial Flush,

2693
02:13:51,440 --> 02:13:56,760
Speaker 1: Big up to Worrial Flush. We got classic records together,

2694
02:13:57,360 --> 02:14:00,320
Speaker 1: and when we met each other, his hood and my

2695
02:14:00,440 --> 02:14:04,720
Speaker 1: hood wasn't vibing. But in order for his all the

2696
02:14:04,800 --> 02:14:06,960
Speaker 1: records that we got together to be classic, you had

2697
02:14:06,960 --> 02:14:09,840
Speaker 1: to be in that studio together. He couldn't have sent

2698
02:14:09,880 --> 02:14:12,080
Speaker 1: me no record. I couldn't send him no record. That's

2699
02:14:12,120 --> 02:14:15,280
Speaker 1: the reason why analog always to me, that whole era

2700
02:14:15,400 --> 02:14:17,680
Speaker 1: of analog, when we had to be in the studio

2701
02:14:17,760 --> 02:14:20,960
Speaker 1: together with each other, like the tape, cut the tape,

2702
02:14:21,280 --> 02:14:22,120
Speaker 1: you know, doing all that.

2703
02:14:22,280 --> 02:14:26,400
Speaker 3: Like to me, stay in that process. How sharp you

2704
02:14:26,520 --> 02:14:29,760
Speaker 3: had to be to be on the mic at that

2705
02:14:29,880 --> 02:14:32,280
Speaker 3: time you couldn't. There was no take.

2706
02:14:32,480 --> 02:14:35,720
Speaker 2: There was you tape, There was no rewind.

2707
02:14:36,240 --> 02:14:38,520
Speaker 3: In order to cut something, you had to you had

2708
02:14:38,560 --> 02:14:40,840
Speaker 3: to in order to punch something you had to cut

2709
02:14:40,920 --> 02:14:45,400
Speaker 3: the tape recorded again, have that brought back spliced directly

2710
02:14:45,600 --> 02:14:49,040
Speaker 3: so it sounds right the motherfucker who's got mad at

2711
02:14:49,080 --> 02:14:51,560
Speaker 3: you making a mistake, Like you don't make a mistake

2712
02:14:51,640 --> 02:14:52,480
Speaker 3: right now, You're like whatever.

2713
02:14:52,920 --> 02:14:59,920
Speaker 2: Yeah, But back then it was the sound.

2714
02:15:00,160 --> 02:15:02,320
Speaker 6: So we always go back to the Quick interview where

2715
02:15:02,400 --> 02:15:04,640
Speaker 6: Quick said that he just felt that that it was

2716
02:15:04,800 --> 02:15:08,560
Speaker 6: like the energy that was the magnetic energy from the vocals.

2717
02:15:08,600 --> 02:15:11,440
Speaker 6: It would take the studio, would take everything into the

2718
02:15:11,480 --> 02:15:12,720
Speaker 6: bike that was going on in the studio.

2719
02:15:13,120 --> 02:15:15,280
Speaker 1: I mean it was the energy though, like like if

2720
02:15:15,720 --> 02:15:17,760
Speaker 1: we had to do a record together, like he had to,

2721
02:15:18,000 --> 02:15:19,560
Speaker 1: he had to see me, has to feel me, he

2722
02:15:19,600 --> 02:15:21,120
Speaker 1: had to you know what I mean. And then and

2723
02:15:21,160 --> 02:15:24,120
Speaker 1: then you know that that that collaboration that would send

2724
02:15:24,240 --> 02:15:25,600
Speaker 1: on the record. I think that's the reason why I

2725
02:15:25,640 --> 02:15:28,640
Speaker 1: always pick a law Yeah. No, no, analog has a

2726
02:15:28,720 --> 02:15:34,520
Speaker 1: warmer sound, like like I'm sorry, I'm sorry, but you

2727
02:15:34,640 --> 02:15:37,880
Speaker 1: got an album drop into twenty twenty five. Yes, did

2728
02:15:38,000 --> 02:15:39,920
Speaker 1: dra send you that beat? Or you had to do

2729
02:15:40,000 --> 02:15:40,480
Speaker 1: it together?

2730
02:15:40,520 --> 02:15:41,560
Speaker 2: We did it together? Okay?

2731
02:15:41,640 --> 02:15:44,400
Speaker 1: That that that that's that's that sound was my fucking yeah.

2732
02:15:46,800 --> 02:15:50,120
Speaker 1: Look look Drake, you know disguise, you know whatever. He

2733
02:15:50,200 --> 02:15:53,520
Speaker 1: could send you a beat and say, but no, whose

2734
02:15:53,640 --> 02:15:54,240
Speaker 1: idea was it?

2735
02:15:54,360 --> 02:15:56,000
Speaker 2: For y'all? He's got to be in a room to

2736
02:15:56,080 --> 02:15:57,520
Speaker 2: make sure he gets to it. I feel like Drake

2737
02:15:57,560 --> 02:16:01,440
Speaker 2: does all most of his records. Yeah, yeah, you got

2738
02:16:01,560 --> 02:16:02,120
Speaker 2: to be in a room.

2739
02:16:02,280 --> 02:16:04,600
Speaker 3: And it's a privilege to be in that room, you

2740
02:16:04,680 --> 02:16:07,160
Speaker 3: know what I'm saying, Like, like, you can't come in

2741
02:16:07,240 --> 02:16:10,000
Speaker 3: there fucking around. So it's all it's all fun and

2742
02:16:10,040 --> 02:16:13,040
Speaker 3: games until the music come on. Then when the music

2743
02:16:13,080 --> 02:16:16,920
Speaker 3: come on, niggad, what are you bringing here? Why are

2744
02:16:16,960 --> 02:16:21,200
Speaker 3: you here? Like, let's make something dope, you know.

2745
02:16:22,720 --> 02:16:25,160
Speaker 1: And that's whas why you pick Analogue's because that face

2746
02:16:25,240 --> 02:16:27,280
Speaker 1: to face camaradi is nothing like.

2747
02:16:27,280 --> 02:16:30,120
Speaker 3: It's nothing like feeling that agree with the speakers. Yes,

2748
02:16:30,720 --> 02:16:33,240
Speaker 3: when you when you look, look, it's like alchemy. You're

2749
02:16:33,280 --> 02:16:36,480
Speaker 3: creating a thought, something out of thin air of the

2750
02:16:36,520 --> 02:16:40,199
Speaker 3: ether into making something that moves millions of people.

2751
02:16:40,720 --> 02:16:44,360
Speaker 2: You dropping guns over there, Jamie, put your guns away.

2752
02:16:44,360 --> 02:16:46,920
Speaker 1: It's not like a good moving millions of people.

2753
02:16:47,680 --> 02:16:49,720
Speaker 2: Like, there's nothing like it.

2754
02:16:50,280 --> 02:16:54,840
Speaker 1: You know. I knew he was answer all the questions.

2755
02:16:54,879 --> 02:16:58,640
Speaker 1: I knew he's gonna ask Biggie or big L the

2756
02:16:58,760 --> 02:17:09,760
Speaker 1: rest of the piece of both the lyricists in you.

2757
02:17:10,080 --> 02:17:13,000
Speaker 1: It's going one way. I know you feel both of

2758
02:17:13,080 --> 02:17:17,560
Speaker 1: lyricists when you let me finish, calm down. But then

2759
02:17:17,640 --> 02:17:22,280
Speaker 1: the other side of you you have relations. Look that

2760
02:17:22,680 --> 02:17:26,040
Speaker 1: got so I'm prepared whichever way you're going.

2761
02:17:27,320 --> 02:17:28,680
Speaker 2: These sounds like you leading the windows.

2762
02:17:28,680 --> 02:17:30,520
Speaker 1: I did not lead the witness. Did I leave the witness?

2763
02:17:30,560 --> 02:17:32,720
Speaker 2: I didn't tell them? It sounds like this, But then

2764
02:17:32,800 --> 02:17:35,240
Speaker 2: it goes like this. I like, I got.

2765
02:17:37,160 --> 02:17:43,480
Speaker 16: Okay, hold on, let me clear my palate with this

2766
02:17:47,160 --> 02:17:51,439
Speaker 16: sleeping rake are sponsored.

2767
02:17:54,000 --> 02:17:55,600
Speaker 1: You know outside?

2768
02:17:55,720 --> 02:17:56,800
Speaker 2: Let me clear my palate.

2769
02:17:59,840 --> 02:18:05,440
Speaker 1: The most interesting man? Ah fuck, I'm gonna say, Biggie.

2770
02:18:06,400 --> 02:18:08,920
Speaker 1: Mm hmm, let's say Biggie.

2771
02:18:09,080 --> 02:18:15,280
Speaker 3: Biggie, yes, right, yes, yes, I will now big L

2772
02:18:15,840 --> 02:18:18,440
Speaker 3: and he left before his time.

2773
02:18:19,440 --> 02:18:20,840
Speaker 2: Both did the both did.

2774
02:18:21,120 --> 02:18:22,760
Speaker 1: But I understand what he's saying. You're right.

2775
02:18:22,760 --> 02:18:25,920
Speaker 2: I think Biggie gotta I got it. Got a bit further, Yeah,

2776
02:18:26,160 --> 02:18:26,640
Speaker 2: of course right.

2777
02:18:29,120 --> 02:18:32,800
Speaker 3: I think what Biggie left on the impact of the

2778
02:18:32,879 --> 02:18:37,080
Speaker 3: game raised the bar so we can have you know,

2779
02:18:37,320 --> 02:18:38,560
Speaker 3: the mega stars that we have.

2780
02:18:38,800 --> 02:18:39,800
Speaker 1: Now you know what I'm saying.

2781
02:18:40,240 --> 02:18:42,680
Speaker 3: He showed he opened the door and the light to

2782
02:18:42,800 --> 02:18:46,480
Speaker 3: the vision of what all these mega rappers kind of

2783
02:18:46,600 --> 02:18:51,160
Speaker 3: emulated and became and built a foundation for. That's so

2784
02:18:51,400 --> 02:18:54,040
Speaker 3: big L to us is a hero because of his

2785
02:18:54,240 --> 02:18:59,280
Speaker 3: lyricism and his ability. A lot of rappers can rap,

2786
02:18:59,360 --> 02:19:02,400
Speaker 3: but not a lot of rappers have ability like something

2787
02:19:02,440 --> 02:19:05,240
Speaker 3: that is like standalone, you know what I'm saying, Like

2788
02:19:05,360 --> 02:19:08,560
Speaker 3: something that is like unique to them, Like you know,

2789
02:19:09,760 --> 02:19:12,480
Speaker 3: big L had that. The way he flipped it and

2790
02:19:12,560 --> 02:19:16,080
Speaker 3: the way his metaphors and it was being together like

2791
02:19:16,480 --> 02:19:20,240
Speaker 3: that was something that can't be emulated.

2792
02:19:22,080 --> 02:19:22,920
Speaker 2: Or duplicated.

2793
02:19:24,200 --> 02:19:27,200
Speaker 3: Although people took bits of his style and made their

2794
02:19:27,240 --> 02:19:31,040
Speaker 3: own as well, big L was an originator. So, but

2795
02:19:32,200 --> 02:19:35,520
Speaker 3: what Biggie represented and what his style was, and how

2796
02:19:36,040 --> 02:19:44,240
Speaker 3: I remember saying to myself, he makes it seem so effortless, Biggie, Biggie,

2797
02:19:45,760 --> 02:19:48,760
Speaker 3: the way he put words together and his inflection and

2798
02:19:49,000 --> 02:19:55,200
Speaker 3: his his delivery and his metaphors were so smart. He

2799
02:19:55,360 --> 02:20:00,240
Speaker 3: had to use less words, which was fucking crazy, you

2800
02:20:00,280 --> 02:20:02,840
Speaker 3: know what I'm saying, Like, like his inflection, you know

2801
02:20:02,959 --> 02:20:05,080
Speaker 3: what he meant. Even when he was saying something that

2802
02:20:05,840 --> 02:20:10,640
Speaker 3: seemed light hearted, it was very dark comedic, and he

2803
02:20:10,760 --> 02:20:13,760
Speaker 3: was probably funny as fuck, you know what. I'm saying, like, like,

2804
02:20:13,879 --> 02:20:17,560
Speaker 3: he I never met him. I met him one time.

2805
02:20:17,760 --> 02:20:19,400
Speaker 3: I never met It's crazy.

2806
02:20:19,480 --> 02:20:21,000
Speaker 2: I met him one time. Guess what.

2807
02:20:21,200 --> 02:20:24,959
Speaker 3: I met him one time. I was friends with Ron

2808
02:20:25,080 --> 02:20:28,840
Speaker 3: High Tower. Ron High Tower was just fucking porn director,

2809
02:20:29,240 --> 02:20:35,480
Speaker 3: you know what I'm saying. Back in the day, right Tower,

2810
02:20:36,320 --> 02:20:39,320
Speaker 3: And so I was going to drop off some weed

2811
02:20:39,400 --> 02:20:40,360
Speaker 3: to him, you know what I'm saying.

2812
02:20:40,600 --> 02:20:40,920
Speaker 1: And I.

2813
02:20:42,440 --> 02:20:44,880
Speaker 3: Went to the spot and Biggie was there. He was

2814
02:20:45,120 --> 02:20:49,320
Speaker 3: standing weird. He was look, he was standing, he was

2815
02:20:50,000 --> 02:20:50,879
Speaker 3: was nothing weird.

2816
02:20:52,440 --> 02:20:52,680
Speaker 8: He was.

2817
02:20:52,760 --> 02:20:55,080
Speaker 1: He was standing on at a different time.

2818
02:20:55,320 --> 02:20:57,720
Speaker 3: At different times, he was standing on a patio with

2819
02:20:57,800 --> 02:20:59,199
Speaker 3: a cane and he was by himself.

2820
02:21:00,400 --> 02:21:01,840
Speaker 2: And so I was and he was like, yeah.

2821
02:21:01,840 --> 02:21:04,160
Speaker 3: I was like, that's Biggie right there. I didn't go

2822
02:21:04,360 --> 02:21:06,520
Speaker 3: talk to him, you know, I didn't go talk to

2823
02:21:06,640 --> 02:21:08,760
Speaker 3: him or nothing. He was just like HEO, that's Biggie

2824
02:21:08,800 --> 02:21:10,760
Speaker 3: right there. I was like, oh, ship, Okay, here's your weed.

2825
02:21:10,800 --> 02:21:11,760
Speaker 3: I'm out, you know what I'm saying.

2826
02:21:12,480 --> 02:21:15,960
Speaker 2: And so you were certain bigger High Tower, High Tower. Yeah,

2827
02:21:16,840 --> 02:21:19,160
Speaker 2: But I mean that's the only time I saw him

2828
02:21:19,160 --> 02:21:19,640
Speaker 2: in person.

2829
02:21:20,360 --> 02:21:24,200
Speaker 1: You know, Wow, did you have a kuzie on? I

2830
02:21:24,320 --> 02:21:26,640
Speaker 1: just saw him with a cane. Remember the cane is

2831
02:21:26,640 --> 02:21:32,040
Speaker 1: close with the coosie close enough, all right, and then

2832
02:21:32,080 --> 02:21:33,640
Speaker 1: I gotta take a pe piece of after this.

2833
02:21:33,840 --> 02:21:35,160
Speaker 2: Man, I was ready to rock and roll.

2834
02:21:35,400 --> 02:21:43,280
Speaker 1: Let me go. First come, it's my turn, Jackson or

2835
02:21:43,440 --> 02:21:45,680
Speaker 1: Prince stories with either one.

2836
02:21:45,560 --> 02:21:49,720
Speaker 2: If you have Oh yes, I do have a I

2837
02:21:49,800 --> 02:21:54,400
Speaker 2: have a Prince story. I have a Prince story where

2838
02:21:54,440 --> 02:22:00,520
Speaker 2: we at Oh my god, pick first was actually the

2839
02:22:00,600 --> 02:22:06,840
Speaker 2: Prince both nigga, I can't canning? All right, see your

2840
02:22:06,840 --> 02:22:09,360
Speaker 2: story please, Okay. So I got a story of Prince. Okay.

2841
02:22:09,480 --> 02:22:15,360
Speaker 3: So there was there was a there was a like

2842
02:22:15,480 --> 02:22:19,560
Speaker 3: a a like a some kind of big party that

2843
02:22:19,760 --> 02:22:26,240
Speaker 3: was happening. Uh, Hollywood, Los Angeles. We we get in there,

2844
02:22:27,520 --> 02:22:30,480
Speaker 3: we're supposed to be there. We get there kind of early.

2845
02:22:30,959 --> 02:22:33,480
Speaker 3: We're got to do something that you know, probably around

2846
02:22:33,560 --> 02:22:36,760
Speaker 3: twelve twelve, one o'clock. And we're sitting in this section

2847
02:22:37,800 --> 02:22:39,840
Speaker 3: and so we got this booth and then we you know,

2848
02:22:39,959 --> 02:22:42,000
Speaker 3: my whole team is in the booth. I'm in the

2849
02:22:42,080 --> 02:22:45,480
Speaker 3: booth with Chiller, you know what I'm saying. And uh,

2850
02:22:49,879 --> 02:22:52,840
Speaker 3: we see this big group of guys coming to us

2851
02:22:53,400 --> 02:22:57,200
Speaker 3: and and they they're like, uh, you know you're in

2852
02:22:57,520 --> 02:23:00,680
Speaker 3: you're in so so section, like what you know what

2853
02:23:00,680 --> 02:23:02,400
Speaker 3: I'm saying, Like, what are you talking about? Like like,

2854
02:23:02,720 --> 02:23:04,400
Speaker 3: we're here, we're supposed to be here, they told us

2855
02:23:04,440 --> 02:23:07,880
Speaker 3: to be. Here's like no, this is like designed for

2856
02:23:08,400 --> 02:23:12,160
Speaker 3: somebody else. And so then this nigga comes through and

2857
02:23:12,360 --> 02:23:16,480
Speaker 3: like this all white mother fucking uh like this one

2858
02:23:16,560 --> 02:23:17,280
Speaker 3: piece thing.

2859
02:23:17,440 --> 02:23:21,119
Speaker 2: You know what I'm saying. Niggas like nigga.

2860
02:23:21,440 --> 02:23:25,120
Speaker 1: It's like yeah, no, like it's this white one piece

2861
02:23:25,240 --> 02:23:28,760
Speaker 1: and the nigga roll through and then he he's not

2862
02:23:28,879 --> 02:23:30,880
Speaker 1: saying nothing to us, but I can clearly see the

2863
02:23:30,959 --> 02:23:31,760
Speaker 1: niggas standing.

2864
02:23:31,640 --> 02:23:34,440
Speaker 2: Right there, and I'm like, oh, you know what I'm saying,

2865
02:23:34,560 --> 02:23:35,400
Speaker 2: Like are we this.

2866
02:23:39,400 --> 02:23:42,760
Speaker 1: So so? Yeah, man, he's supposed to come in, he's

2867
02:23:42,760 --> 02:23:43,879
Speaker 1: supposed to do this little thing.

2868
02:23:43,959 --> 02:23:47,640
Speaker 3: And nobody saying his name. No, no, nobody saying his name. Okay,

2869
02:23:48,080 --> 02:23:49,720
Speaker 3: they're not saying prince, you know what I'm saying.

2870
02:23:50,240 --> 02:23:52,240
Speaker 1: And so I'm like, oh shit, okay, all right dude,

2871
02:23:52,280 --> 02:23:54,680
Speaker 1: So uh hey man, let's let's.

2872
02:23:54,520 --> 02:23:55,640
Speaker 2: Move out to niggas way.

2873
02:23:57,520 --> 02:24:03,480
Speaker 1: You're not are you, Like I'm not gonna be I'm

2874
02:24:03,520 --> 02:24:05,920
Speaker 1: not gonna be in the story that you know what

2875
02:24:05,920 --> 02:24:08,960
Speaker 1: I'm saying behind the music as he got into a

2876
02:24:09,080 --> 02:24:12,720
Speaker 1: fist fight with Prince. You know when I do with that,

2877
02:24:12,959 --> 02:24:15,200
Speaker 1: like okay, yeah, out the way.

2878
02:24:15,320 --> 02:24:17,760
Speaker 3: You know that was the only time I saw Prince

2879
02:24:17,879 --> 02:24:20,600
Speaker 3: but never met Michael Jackson A lot of my friends,

2880
02:24:20,760 --> 02:24:22,560
Speaker 3: you know what I'm saying. Fred Rek had some really

2881
02:24:22,600 --> 02:24:26,879
Speaker 3: funny stories about you know, him and and and producing

2882
02:24:26,920 --> 02:24:27,880
Speaker 3: him with Michael Jackson.

2883
02:24:27,959 --> 02:24:29,840
Speaker 1: So you know you got to talk to fred Rek.

2884
02:24:29,879 --> 02:24:33,920
Speaker 1: He got some funny ass stories. Okay, Lady of Rage

2885
02:24:34,080 --> 02:24:37,720
Speaker 1: or the brad Lady of Rage, rough and tough with

2886
02:24:37,920 --> 02:24:42,240
Speaker 1: apple puff app So fucking look, I.

2887
02:24:42,240 --> 02:24:45,200
Speaker 2: Don't think we need to explain that. I think that

2888
02:24:45,360 --> 02:24:46,000
Speaker 2: was a one and them.

2889
02:24:46,160 --> 02:24:46,560
Speaker 1: Yeah yeah.

2890
02:24:47,920 --> 02:24:51,359
Speaker 2: Mt raps a rap city. Oh oh.

2891
02:24:52,720 --> 02:25:01,640
Speaker 1: Wait, hold on your MTV raps are rap city. Wow,

2892
02:25:02,400 --> 02:25:03,800
Speaker 1: there's a lot of historic ship.

2893
02:25:03,760 --> 02:25:09,560
Speaker 2: That we show kind of dead and them both two

2894
02:25:09,640 --> 02:25:10,080
Speaker 2: different things.

2895
02:25:10,120 --> 02:25:10,760
Speaker 1: Don't put that on.

2896
02:25:12,000 --> 02:25:12,480
Speaker 10: We want.

2897
02:25:13,959 --> 02:25:19,240
Speaker 2: Like like timelines, and he was like.

2898
02:25:22,200 --> 02:25:26,840
Speaker 1: Like two different workholes. He just put the job. I'll

2899
02:25:27,120 --> 02:25:27,480
Speaker 1: with y'all.

2900
02:25:28,640 --> 02:25:35,880
Speaker 2: I do mean a little bit job what m t

2901
02:25:36,000 --> 02:25:41,400
Speaker 2: V m t V rap rap rap rap City.

2902
02:25:44,280 --> 02:25:46,360
Speaker 3: There's a lot of historic ship that went down on

2903
02:25:47,040 --> 02:25:51,320
Speaker 3: your TV raps when Tupac was threatening the Huge Brothers.

2904
02:25:52,200 --> 02:25:54,240
Speaker 3: Just a lot of historic ship that went down on

2905
02:25:55,040 --> 02:25:58,880
Speaker 3: Rap City. I was post iconic. I mean I was

2906
02:25:58,920 --> 02:26:01,600
Speaker 3: on Rap c DJ gig on there.

2907
02:26:12,840 --> 02:26:19,040
Speaker 12: I'm gonna have to say both man, motherfuckers, I have

2908
02:26:19,920 --> 02:26:27,080
Speaker 12: shot a Look, I'm gonna keep this going, bro, because.

2909
02:26:27,160 --> 02:26:28,840
Speaker 1: That's why I tried not to, like go to the

2910
02:26:28,920 --> 02:26:33,200
Speaker 1: bathroom between the shots. See the shots hits you when

2911
02:26:33,200 --> 02:26:36,760
Speaker 1: you jump up, like what I mean, like you order

2912
02:26:36,760 --> 02:26:38,680
Speaker 1: the bathroom. I'll be trying to hold it down. I

2913
02:26:38,840 --> 02:26:41,000
Speaker 1: can't because once I get up. But once I get.

2914
02:26:43,440 --> 02:26:46,680
Speaker 2: Like, he hasn't got up. Yeah, he's sober stiff when

2915
02:26:46,720 --> 02:26:47,279
Speaker 2: he gets.

2916
02:26:47,080 --> 02:26:50,720
Speaker 1: Up, you know, because I'm drinking shots. This motherfucker drinking energy.

2917
02:26:51,040 --> 02:26:53,920
Speaker 2: Keep going, you guys have to catch up on your shots.

2918
02:26:55,640 --> 02:26:56,200
Speaker 2: Are you ready?

2919
02:26:57,440 --> 02:27:04,880
Speaker 1: Boys in the Hood of Mentic Society, Boys in the

2920
02:27:04,959 --> 02:27:06,560
Speaker 1: Hood or Minister Society?

2921
02:27:13,040 --> 02:27:14,000
Speaker 2: What the fuck is going on?

2922
02:27:19,480 --> 02:27:21,360
Speaker 1: One? So you didn't go to the bathroom. I gotta

2923
02:27:21,400 --> 02:27:28,080
Speaker 1: wait come out the bathroom. Oh yeah you can't, yeh.

2924
02:27:28,440 --> 02:27:29,439
Speaker 2: Minused to society.

2925
02:27:32,360 --> 02:27:32,960
Speaker 1: Boys in the hood.

2926
02:27:33,280 --> 02:27:36,439
Speaker 2: Yeah, DJ Muggs are alchemists.

2927
02:27:36,840 --> 02:27:42,520
Speaker 3: Oh well, DJ Muggs because without DJ Muggs, we don't think.

2928
02:27:42,600 --> 02:27:46,400
Speaker 6: Yeah, because alchemist is part of So yeah, ghetto boys

2929
02:27:46,440 --> 02:27:51,280
Speaker 6: are U g K ghetto boys. You rapidfire right now,

2930
02:27:51,320 --> 02:27:56,760
Speaker 6: White Clifford Will, I am Well, I am Drey or

2931
02:27:56,840 --> 02:28:05,360
Speaker 6: Quincy Jones, doctor Drey New York and Miami. What take

2932
02:28:05,400 --> 02:28:08,600
Speaker 6: a shot New York on Miami. So I'm not getting

2933
02:28:08,600 --> 02:28:09,440
Speaker 6: in the middle of that shit.

2934
02:28:11,200 --> 02:28:13,920
Speaker 1: We get into the whole time every day.

2935
02:28:15,400 --> 02:28:19,720
Speaker 2: Nigga, you know, nigga, I gotta go to New York. Yes,

2936
02:28:21,840 --> 02:28:22,480
Speaker 2: you're in Miami.

2937
02:28:22,560 --> 02:28:23,000
Speaker 1: God damn.

2938
02:28:24,680 --> 02:28:27,000
Speaker 2: The South got something to say. The South got something

2939
02:28:27,040 --> 02:28:28,720
Speaker 2: to say. I love all my digs.

2940
02:28:28,959 --> 02:28:30,200
Speaker 1: Yeah, you know it?

2941
02:28:30,240 --> 02:28:30,840
Speaker 2: What was fucked up?

2942
02:28:31,160 --> 02:28:33,560
Speaker 1: Y'all didn't even have Andre two thousand back when he

2943
02:28:33,640 --> 02:28:36,959
Speaker 1: said that talking about there was in New York.

2944
02:28:37,200 --> 02:28:38,560
Speaker 2: I'm talking about your nigas in the South.

2945
02:28:38,600 --> 02:28:40,520
Speaker 1: I ain't see y'all on Twitter. Back then, there was

2946
02:28:40,600 --> 02:28:41,840
Speaker 1: no Twitter exactly.

2947
02:28:42,040 --> 02:28:45,760
Speaker 2: It was my Space exactly. I see y'all nowhere.

2948
02:28:46,080 --> 02:28:48,920
Speaker 1: Everybody was like they didn't understand that moment at the time.

2949
02:28:49,680 --> 02:28:53,160
Speaker 1: I get, yeah, yeah, your speech was not making sense.

2950
02:28:55,120 --> 02:28:58,720
Speaker 6: Eighties hip hop or nineties hip hop, nineties Jesus Christmas

2951
02:28:58,840 --> 02:29:00,720
Speaker 6: nineties hip hop for sure.

2952
02:29:01,040 --> 02:29:08,080
Speaker 2: Podcasts of radio radio, a lot of people are really

2953
02:29:08,520 --> 02:29:11,480
Speaker 2: know what the fuck they're talking about. That's true.

2954
02:29:11,680 --> 02:29:13,640
Speaker 1: Podcast it's a lot of opinion.

2955
02:29:13,840 --> 02:29:18,160
Speaker 2: I agree with you. People just getting drawn on Yeah no, no,

2956
02:29:18,400 --> 02:29:21,560
Speaker 2: not just us you know this one.

2957
02:29:21,720 --> 02:29:25,960
Speaker 3: Yeah, but a lot of influential podcasts pump a lot

2958
02:29:26,000 --> 02:29:29,840
Speaker 3: of bullshit. And it's like, is that helping and hurting

2959
02:29:30,080 --> 02:29:33,400
Speaker 3: just because it's you know, but I mean, look like

2960
02:29:33,520 --> 02:29:36,520
Speaker 3: people listen to what they want and people you know,

2961
02:29:36,879 --> 02:29:39,640
Speaker 3: are attracted to what the messaging they want to be

2962
02:29:39,640 --> 02:29:40,200
Speaker 3: attracted to.

2963
02:29:43,800 --> 02:29:45,560
Speaker 6: I mean there's pros and cons of both, because radio

2964
02:29:45,720 --> 02:29:50,240
Speaker 6: programs and by the very definition, yeah, programs.

2965
02:29:49,840 --> 02:29:51,080
Speaker 1: For sure, for sure.

2966
02:29:51,160 --> 02:29:54,000
Speaker 2: So you got to pick your poinson right right e

2967
02:29:54,200 --> 02:29:55,680
Speaker 2: forty or too short? O?

2968
02:29:57,720 --> 02:29:58,000
Speaker 1: Both?

2969
02:29:59,400 --> 02:30:02,160
Speaker 2: Oh? Ship? All right? Well me and you what the

2970
02:30:02,400 --> 02:30:05,120
Speaker 2: fuck I can't do that?

2971
02:30:05,280 --> 02:30:08,320
Speaker 1: Come on here, I'm.

2972
02:30:08,200 --> 02:30:09,400
Speaker 2: Gonna let know you have the last one.

2973
02:30:09,440 --> 02:30:13,400
Speaker 6: But before he gets back, Oh go ahead, buddy, But well,

2974
02:30:13,440 --> 02:30:14,480
Speaker 6: I take a leaky wiki.

2975
02:30:15,680 --> 02:30:16,160
Speaker 2: I wait for you.

2976
02:30:16,800 --> 02:30:18,760
Speaker 1: No, just go bro, just just three and a half.

2977
02:30:19,200 --> 02:30:21,400
Speaker 2: It's the very last one. I wait for you. Oh

2978
02:30:21,520 --> 02:30:22,000
Speaker 2: my god.

2979
02:30:22,160 --> 02:30:23,320
Speaker 1: Yes, okay, I have a question.

2980
02:30:24,720 --> 02:30:31,960
Speaker 2: I got all the questions. Come on, but what are

2981
02:30:32,000 --> 02:30:32,440
Speaker 2: we drinking?

2982
02:30:33,120 --> 02:30:33,320
Speaker 1: Yeah?

2983
02:30:33,480 --> 02:30:36,120
Speaker 2: You missed a shot? There we go?

2984
02:30:39,240 --> 02:30:41,760
Speaker 3: Yeah, I think it was now. But I'm gonna be honest.

2985
02:30:41,800 --> 02:30:44,840
Speaker 3: The question was due. I like, uh, it was e

2986
02:30:45,040 --> 02:30:48,360
Speaker 3: forty or too short. I can't pick between those.

2987
02:30:48,440 --> 02:30:51,480
Speaker 2: I can't pick between them. But listen, we gotta we

2988
02:30:51,600 --> 02:30:52,160
Speaker 2: can't be here.

2989
02:30:52,280 --> 02:30:53,960
Speaker 1: You fuck you and I'm not doing that.

2990
02:30:55,680 --> 02:30:58,040
Speaker 2: I'm not doing on the trip for the West Coast,

2991
02:30:58,240 --> 02:31:03,720
Speaker 2: no fuck you, man. I was under strict instructions.

2992
02:31:03,959 --> 02:31:09,040
Speaker 1: No nigga, no, no open itga, just one all right,

2993
02:31:09,320 --> 02:31:12,240
Speaker 1: I just wait for And that's why he tried to well,

2994
02:31:12,240 --> 02:31:15,360
Speaker 1: we're gonna stop with this ship then okay, because nigga,

2995
02:31:15,440 --> 02:31:19,200
Speaker 1: this is just throw up. Listen, nigga, you like, I

2996
02:31:19,320 --> 02:31:20,800
Speaker 1: know what the funk I'm talking about this?

2997
02:31:21,160 --> 02:31:21,480
Speaker 2: Hold on?

2998
02:31:21,840 --> 02:31:24,879
Speaker 1: What did I started by saying, I study people's drink orders.

2999
02:31:25,400 --> 02:31:28,720
Speaker 2: You the one who ordered Hendricks gin. I was gonna

3000
02:31:28,760 --> 02:31:34,320
Speaker 2: be either or nigga. I was gonna make the decision

3001
02:31:34,400 --> 02:31:35,119
Speaker 2: when I got here.

3002
02:31:35,240 --> 02:31:39,240
Speaker 1: Oh yeah, drink. That's not how he takes it.

3003
02:31:39,879 --> 02:31:41,400
Speaker 2: Listen, that's how we did.

3004
02:31:41,480 --> 02:31:41,920
Speaker 1: I say that.

3005
02:31:42,040 --> 02:31:44,600
Speaker 2: I said, ask him what you want to be either old?

3006
02:31:44,800 --> 02:31:45,039
Speaker 6: Yeah.

3007
02:31:46,360 --> 02:31:51,960
Speaker 1: See listen, we've been skeeping pause. We've been scheming on

3008
02:31:52,080 --> 02:31:54,560
Speaker 1: you for a week and a half. We've been like, yo, listen,

3009
02:31:54,640 --> 02:31:57,760
Speaker 1: he can't order both? Which one did he actually going

3010
02:31:57,879 --> 02:32:01,480
Speaker 1: to drink? I came with this much. May I may

3011
02:32:01,560 --> 02:32:04,000
Speaker 1: be scaring off something, you know. Come on, you know,

3012
02:32:04,200 --> 02:32:06,960
Speaker 1: come here on a flight like nigga. I may not

3013
02:32:07,800 --> 02:32:10,560
Speaker 1: like you know what Keeter was a bit much last night.

3014
02:32:10,760 --> 02:32:12,840
Speaker 1: Let me fuck with the gin, you know, a little

3015
02:32:12,920 --> 02:32:16,840
Speaker 1: mixed drink. But Nigga, you can't just have one drink, Nigga,

3016
02:32:16,920 --> 02:32:17,880
Speaker 1: one drink, Nigga.

3017
02:32:19,800 --> 02:32:24,080
Speaker 2: You make perfect sense. No one's arguing with you. But

3018
02:32:24,200 --> 02:32:25,320
Speaker 2: I'm just saying this is some.

3019
02:32:25,400 --> 02:32:26,000
Speaker 1: Good as ship.

3020
02:32:26,160 --> 02:32:26,360
Speaker 4: Yeah.

3021
02:32:26,360 --> 02:32:28,920
Speaker 1: Absolutely, it's just that you got you gotta you gotta

3022
02:32:28,959 --> 02:32:29,680
Speaker 1: limit your night.

3023
02:32:30,120 --> 02:32:31,600
Speaker 2: You gotta you gotta limit your night.

3024
02:32:31,920 --> 02:32:34,840
Speaker 1: Man for a week and a half, we said, which

3025
02:32:34,879 --> 02:32:37,280
Speaker 1: one is he drinking? Because remember he said gin and

3026
02:32:37,840 --> 02:32:40,680
Speaker 1: thee quila? Right, And we've been scheming this whole week

3027
02:32:40,840 --> 02:32:43,080
Speaker 1: and a half. We've been hitting mister Lee, and we

3028
02:32:43,280 --> 02:32:46,440
Speaker 1: told you to get specific answers. You never gave us answers.

3029
02:32:46,560 --> 02:32:49,680
Speaker 1: So you gotta drink to your choice, simply your choice.

3030
02:32:49,760 --> 02:32:51,280
Speaker 1: Just Jamie, can you do us a favor?

3031
02:32:52,480 --> 02:32:52,640
Speaker 2: Now?

3032
02:32:52,720 --> 02:32:56,879
Speaker 1: This is my request. If it's okay with you, absolutely

3033
02:32:57,440 --> 02:33:02,640
Speaker 1: come on this chill a chilled shot man. You don't

3034
02:33:02,640 --> 02:33:05,600
Speaker 1: want to chill shot, you want to go straight raw damn,

3035
02:33:06,200 --> 02:33:07,840
Speaker 1: But okay, chilling, let's chill it.

3036
02:33:07,920 --> 02:33:11,600
Speaker 3: You never have a little splash, a little splash of soda,

3037
02:33:12,080 --> 02:33:13,120
Speaker 3: splash of cranberry.

3038
02:33:13,480 --> 02:33:16,800
Speaker 2: Okay, definitely not doing that. That's for him. I'm gonna

3039
02:33:16,800 --> 02:33:17,400
Speaker 2: I'm gonna keep it.

3040
02:33:17,480 --> 02:33:18,600
Speaker 1: As world as possible.

3041
02:33:20,240 --> 02:33:21,640
Speaker 2: Take the cranberry splashes.

3042
02:33:22,320 --> 02:33:25,119
Speaker 1: Man, it's just a fucking drink, all right, Fine, man,

3043
02:33:25,600 --> 02:33:27,560
Speaker 1: all right, I think that Wait what.

3044
02:33:29,120 --> 02:33:30,400
Speaker 2: Yeah, what do you got?

3045
02:33:30,520 --> 02:33:35,360
Speaker 1: You got? Just be like this, no juice, You embarrassing us?

3046
02:33:35,400 --> 02:33:41,520
Speaker 1: Like it looks nice, but it's not nice.

3047
02:33:44,280 --> 02:33:54,720
Speaker 4: I just start scratching, cleanup, cleaned up.

3048
02:33:54,760 --> 02:34:01,959
Speaker 1: Well it's not nice. Okay, but what you want not listen, listen,

3049
02:34:02,280 --> 02:34:02,960
Speaker 1: don't worry about it.

3050
02:34:03,160 --> 02:34:03,920
Speaker 2: Just just chill it.

3051
02:34:04,400 --> 02:34:05,280
Speaker 1: Just just chill it, all right.

3052
02:34:05,360 --> 02:34:06,000
Speaker 4: I like that.

3053
02:34:06,480 --> 02:34:07,080
Speaker 2: Look we got.

3054
02:34:09,640 --> 02:34:20,080
Speaker 1: Who's that army? Sold more play studio suck Shooters, good shooters.

3055
02:34:20,120 --> 02:34:22,680
Speaker 1: I'm sorry, I don't know what the shooter is. A shooter?

3056
02:34:22,879 --> 02:34:25,480
Speaker 2: Get shooters shot?

3057
02:34:27,200 --> 02:34:29,480
Speaker 1: Yes, like an I'm gonna take a shot. You can

3058
02:34:29,520 --> 02:34:34,440
Speaker 1: give them a shooters shooting my whole life. I'm okay.

3059
02:34:34,760 --> 02:34:36,240
Speaker 1: I don't want to be a shooter no more.

3060
02:34:36,520 --> 02:34:40,879
Speaker 2: I'm bowing like that. I thinking, I take a.

3061
02:34:43,560 --> 02:34:46,640
Speaker 1: Yeah, y'all Lord respected. No, I know I was waiting

3062
02:34:46,680 --> 02:34:48,480
Speaker 1: for you, my brother. I guess I want to take

3063
02:34:48,480 --> 02:34:52,280
Speaker 1: a shot with you. This is the only do not

3064
02:34:52,400 --> 02:34:57,640
Speaker 1: lead the witness, lead the witness. Loyalty or respect? Loyalty

3065
02:34:59,560 --> 02:35:06,760
Speaker 1: why Wow, it's a that's fast. Loyalty is royalty, That's

3066
02:35:06,760 --> 02:35:10,800
Speaker 1: it it is. It's like, I see, this is the

3067
02:35:10,920 --> 02:35:12,840
Speaker 1: only time that me and E f N feel like

3068
02:35:12,920 --> 02:35:13,440
Speaker 1: it's both.

3069
02:35:13,600 --> 02:35:15,240
Speaker 2: We'll take a shot. Yeah, so I'm gonna take a shot.

3070
02:35:15,240 --> 02:35:18,000
Speaker 1: I'm gonna take a shot because I feel like loyalty

3071
02:35:18,200 --> 02:35:19,520
Speaker 1: respect goes hand in hand.

3072
02:35:19,760 --> 02:35:21,800
Speaker 3: Some people disagree with me and I respect people. Some

3073
02:35:21,879 --> 02:35:26,800
Speaker 3: people respect you when it's convenient. Some people respect you

3074
02:35:26,920 --> 02:35:31,200
Speaker 3: when they get something out of it. Loyalty is different.

3075
02:35:33,600 --> 02:35:36,959
Speaker 1: Okay, okay, we didn't actually we didn't ask the Dominican Republicans.

3076
02:35:38,720 --> 02:35:40,600
Speaker 1: We'll come back to the dedication in a little while.

3077
02:35:40,720 --> 02:35:45,959
Speaker 3: So, so, loyalty to me is something different. That's something

3078
02:35:46,040 --> 02:35:49,800
Speaker 3: you can't fake, you know what I'm saying. Like, loyalty

3079
02:35:49,920 --> 02:35:52,960
Speaker 3: is something that comes from your your spirit. It's like

3080
02:35:53,080 --> 02:35:54,959
Speaker 3: you do it when they in front of you, when

3081
02:35:55,120 --> 02:35:57,600
Speaker 3: they're not in front of you, and you know, being

3082
02:35:57,760 --> 02:36:01,440
Speaker 3: being loyal to somebody you know is different, you know

3083
02:36:01,480 --> 02:36:06,480
Speaker 3: what I'm saying. So I pick loyalty out of respect

3084
02:36:06,560 --> 02:36:09,960
Speaker 3: because people lose respect. What would you like both at

3085
02:36:10,000 --> 02:36:13,000
Speaker 3: the same time, you respect, you don't want. I don't

3086
02:36:13,040 --> 02:36:15,840
Speaker 3: give a fuck what you think about me, as long

3087
02:36:15,920 --> 02:36:19,120
Speaker 3: as I know I'm being an upstanding individual. You know,

3088
02:36:19,160 --> 02:36:21,920
Speaker 3: it depends on when you meet me, you know what

3089
02:36:21,959 --> 02:36:24,200
Speaker 3: I'm saying. Like some people will tell you I'm the

3090
02:36:24,240 --> 02:36:26,560
Speaker 3: greatest thing in the planet. Some people will tell you

3091
02:36:26,600 --> 02:36:29,720
Speaker 3: I'm the worst thing that ever happened to them. Depends

3092
02:36:29,760 --> 02:36:31,560
Speaker 3: on when you meet me, you know what I'm saying,

3093
02:36:31,600 --> 02:36:36,600
Speaker 3: because of what our relationship is. Whenever somebody loses a fight,

3094
02:36:36,680 --> 02:36:40,640
Speaker 3: they're not gonna tell you that they lost their right. Yeah,

3095
02:36:40,680 --> 02:36:44,280
Speaker 3: then everything is somebody else's fault. But for me, you

3096
02:36:44,320 --> 02:36:46,760
Speaker 3: know what I'm saying, Like, loyalty means that whether you know,

3097
02:36:47,000 --> 02:36:51,240
Speaker 3: win or lose, Like, that's who I'm rying with and

3098
02:36:51,360 --> 02:36:52,240
Speaker 3: that's what's important.

3099
02:36:53,520 --> 02:36:53,640
Speaker 1: Right.

3100
02:37:00,520 --> 02:37:01,280
Speaker 2: God comes to you.

3101
02:37:02,920 --> 02:37:08,040
Speaker 1: And God says, man, I want you to make the

3102
02:37:08,120 --> 02:37:09,160
Speaker 1: world straight.

3103
02:37:10,800 --> 02:37:11,280
Speaker 2: And straight.

3104
02:37:11,360 --> 02:37:13,160
Speaker 1: I don't mean that and like a sexual man, I

3105
02:37:13,280 --> 02:37:13,760
Speaker 1: just mean.

3106
02:37:14,240 --> 02:37:18,039
Speaker 2: Like, you know, only no would clarify that.

3107
02:37:20,400 --> 02:37:23,440
Speaker 7: That that is the most dignified passe that I've ever heard.

3108
02:37:26,480 --> 02:37:29,000
Speaker 7: I didn't want to react to it, but that is

3109
02:37:29,080 --> 02:37:32,280
Speaker 7: the most It's only you that say that.

3110
02:37:34,760 --> 02:37:36,240
Speaker 2: I don't mean that sexual.

3111
02:37:37,240 --> 02:37:41,400
Speaker 1: I want the most that was clear. That was the

3112
02:37:41,440 --> 02:37:42,360
Speaker 1: most dignified way.

3113
02:37:42,920 --> 02:37:44,400
Speaker 2: I don't mean a sexual.

3114
02:37:49,320 --> 02:37:51,920
Speaker 1: But God comes to you, I said, act the disease.

3115
02:37:54,040 --> 02:38:00,320
Speaker 1: I want you to make the world walks narrow. I'm

3116
02:38:00,360 --> 02:38:05,000
Speaker 1: gonna say straight and narrow. Damn, man, I can't funk

3117
02:38:05,040 --> 02:38:07,560
Speaker 1: with y'all. Man, old, let me let me break the

3118
02:38:07,600 --> 02:38:17,520
Speaker 1: cross question. But God comes to you and say, man,

3119
02:38:19,440 --> 02:38:22,280
Speaker 1: you're gonna You're gonna humanity will be saved by this

3120
02:38:22,480 --> 02:38:24,000
Speaker 1: record that you make right now.

3121
02:38:25,280 --> 02:38:27,880
Speaker 2: Specifically, I don't want to shoot her.

3122
02:38:28,000 --> 02:38:32,960
Speaker 1: He likes shooters a little bit more like under. I

3123
02:38:33,040 --> 02:38:33,960
Speaker 1: wanted to under a shot.

3124
02:38:33,959 --> 02:38:34,800
Speaker 2: I wanted under over.

3125
02:38:35,240 --> 02:38:40,320
Speaker 1: Okay, But God says, extra disease. I'm gonna give you

3126
02:38:40,440 --> 02:38:49,680
Speaker 1: a producer and a feature, Dad, alllive, This one song

3127
02:38:50,000 --> 02:38:53,560
Speaker 1: is gonna be it. What is that producer and what

3128
02:38:53,760 --> 02:38:57,320
Speaker 1: is that feature? That alllive and producer that are alive too?

3129
02:38:58,320 --> 02:39:00,560
Speaker 1: Mm hmmm mm hm.

3130
02:39:04,680 --> 02:39:13,680
Speaker 2: Doctor Dre and Janice Choplin, are you gonna suck me?

3131
02:39:13,760 --> 02:39:21,680
Speaker 2: Up like that, Doctor dre Jannis Choplin. It ends there.

3132
02:39:23,600 --> 02:39:25,160
Speaker 2: You said producing artists.

3133
02:39:25,240 --> 02:39:26,920
Speaker 1: You can do another feature in it if you want to.

3134
02:39:27,520 --> 02:39:29,920
Speaker 2: That was that's it. That's the feature.

3135
02:39:31,080 --> 02:39:31,400
Speaker 1: You got.

3136
02:39:31,480 --> 02:39:36,280
Speaker 2: You got access to anybody else too. I'm just told

3137
02:39:36,360 --> 02:39:41,080
Speaker 2: you don't short change yourself like the case. No, have

3138
02:39:41,160 --> 02:39:42,160
Speaker 2: you heard Janis Chopplin?

3139
02:39:42,440 --> 02:39:43,160
Speaker 1: I don't know who then?

3140
02:39:43,280 --> 02:39:43,480
Speaker 8: That is.

3141
02:39:44,120 --> 02:39:45,440
Speaker 1: That's why I try to change the subject.

3142
02:39:45,920 --> 02:39:48,800
Speaker 2: Yeah, yeah, do you do you?

3143
02:39:49,840 --> 02:39:50,240
Speaker 1: She? Uh?

3144
02:39:50,720 --> 02:39:55,119
Speaker 2: She is uh she She had a very short career,

3145
02:39:55,720 --> 02:39:58,039
Speaker 2: but it was but it was massive.

3146
02:39:58,120 --> 02:40:00,920
Speaker 3: The songs that she sang, she sang from like the

3147
02:40:01,080 --> 02:40:07,160
Speaker 3: bottom of her soul, and the way that translates through

3148
02:40:07,200 --> 02:40:11,280
Speaker 3: the speakers is something totally different. So do yourself a

3149
02:40:11,360 --> 02:40:13,760
Speaker 3: favorite listening to some channels, job with smoke, a joint,

3150
02:40:14,760 --> 02:40:17,199
Speaker 3: kick your feet up and you're gonna feel that ship.

3151
02:40:18,760 --> 02:40:19,600
Speaker 2: A baby, nigga.

3152
02:40:19,720 --> 02:40:27,000
Speaker 1: This is like fucking this is this, This is yelling, screaming, yo,

3153
02:40:27,560 --> 02:40:30,880
Speaker 1: this is this is this is energy coming out of there.

3154
02:40:32,320 --> 02:40:33,320
Speaker 2: Yeah it's none of that.

3155
02:40:35,000 --> 02:40:39,759
Speaker 1: Yeah. Oh man, Jesus.

3156
02:40:44,000 --> 02:40:47,000
Speaker 2: Notes Janifer and Dr Drey.

3157
02:40:47,640 --> 02:40:50,080
Speaker 1: I would like to hear that Stevie Wonder Lightning, Richie

3158
02:40:50,920 --> 02:40:57,920
Speaker 1: Lightning light Lighthouse.

3159
02:40:59,400 --> 02:41:03,279
Speaker 2: He's like an almost almost.

3160
02:41:05,240 --> 02:41:07,920
Speaker 1: Did you did you see snoop snoop things? Stevie want

3161
02:41:08,040 --> 02:41:11,840
Speaker 1: Stevie wanted to be FaceTime and you know he's And

3162
02:41:11,920 --> 02:41:15,160
Speaker 1: then Drake said, he said he told him to tex.

3163
02:41:18,120 --> 02:41:20,160
Speaker 2: Stevie wonder On, like is.

3164
02:41:20,240 --> 02:41:25,040
Speaker 3: Light me Richie Stevie Wonder or line on Richie the

3165
02:41:25,120 --> 02:41:27,640
Speaker 3: same Nigga's not the same nigga.

3166
02:41:28,959 --> 02:41:29,600
Speaker 8: Light like.

3167
02:41:31,080 --> 02:41:31,640
Speaker 1: That Stevie.

3168
02:41:31,800 --> 02:41:33,880
Speaker 2: That's what I'm saying.

3169
02:41:33,920 --> 02:41:36,240
Speaker 1: I'm sorry, he's the best guy.

3170
02:41:36,320 --> 02:41:37,720
Speaker 2: We got to make a lighting person.

3171
02:41:39,520 --> 02:41:48,480
Speaker 1: Uh let me see, muh man Stevie wonder Man, he's

3172
02:41:48,520 --> 02:41:52,320
Speaker 1: first man Stevie Wonder. I saw that coming, right, Stevie

3173
02:41:52,440 --> 02:41:55,879
Speaker 1: wonder Right. I would think Mike Loud Richie of Icon.

3174
02:41:56,120 --> 02:41:57,920
Speaker 2: You know, I always think who the other person would

3175
02:41:57,959 --> 02:42:00,279
Speaker 2: say the present.

3176
02:42:00,520 --> 02:42:05,640
Speaker 1: And I think, says Stevie, you gotta reason. It's okay, No,

3177
02:42:05,800 --> 02:42:08,360
Speaker 1: I just I mean just the preference. Just I Rember

3178
02:42:08,440 --> 02:42:10,640
Speaker 1: growing up to listening to Stevie wonder record.

3179
02:42:10,720 --> 02:42:12,640
Speaker 2: If we could get Stevie on this is my dream

3180
02:42:12,760 --> 02:42:14,320
Speaker 2: Stevie on Dream champ Bro.

3181
02:42:14,440 --> 02:42:16,560
Speaker 1: That would be that's my he would say some crazy

3182
02:42:16,640 --> 02:42:19,720
Speaker 1: ass story. Wait wait, wait, wait still Chid.

3183
02:42:21,160 --> 02:42:25,560
Speaker 2: Okay, hold on, this is where she goes crazy because up.

3184
02:42:26,320 --> 02:42:31,920
Speaker 1: There we go, come on, nigga shooting this, nigga, this,

3185
02:42:33,680 --> 02:42:39,760
Speaker 1: this is my we shooting. Don't shoot that. Don't shoot no, no, no, no,

3186
02:42:40,160 --> 02:42:43,279
Speaker 1: okay shot Now we're not shooting.

3187
02:42:43,400 --> 02:42:45,000
Speaker 2: We're just sipping. All right, Go shoot it.

3188
02:42:45,120 --> 02:42:45,960
Speaker 1: Let'shoot.

3189
02:42:46,080 --> 02:42:52,480
Speaker 2: Let's shoot shoot it, shoot it, shoot it. Oh my,

3190
02:42:53,040 --> 02:42:53,440
Speaker 2: that was good.

3191
02:42:55,560 --> 02:42:56,560
Speaker 1: But it's gonna be bad.

3192
02:42:56,680 --> 02:42:59,119
Speaker 2: But it's good. It's gonna be bad. But it's gonna

3193
02:42:59,120 --> 02:42:59,320
Speaker 2: be bad.

3194
02:42:59,360 --> 02:43:03,400
Speaker 1: It's gonna be bad. It's gonna be I'm gonna throw

3195
02:43:03,520 --> 02:43:05,400
Speaker 1: my promo shot right there.

3196
02:43:08,520 --> 02:43:09,560
Speaker 2: But like he wanted to do that.

3197
02:43:11,160 --> 02:43:12,879
Speaker 1: Oh ship, yeah, this is.

3198
02:43:14,920 --> 02:43:19,240
Speaker 2: This is this is what we're doing now. Oh my god,

3199
02:43:19,440 --> 02:43:20,360
Speaker 2: you break that. Let's go.

3200
02:43:27,480 --> 02:43:32,320
Speaker 1: This whole chess area is on fire. Oh it's in

3201
02:43:32,360 --> 02:43:38,480
Speaker 1: the pokonots okay man, you know the sweet skiing Yeah,

3202
02:43:39,280 --> 02:43:42,320
Speaker 1: Golden State Warriors. Yes, rest in peace of fear?

3203
02:43:42,560 --> 02:43:46,840
Speaker 2: Oh yes, right. Did you guys ever intend to really

3204
02:43:46,879 --> 02:43:47,440
Speaker 2: make an album?

3205
02:43:47,760 --> 02:43:48,360
Speaker 1: Absolutely?

3206
02:43:48,680 --> 02:43:50,640
Speaker 2: Shout out to ra I love that's my brother.

3207
02:43:51,600 --> 02:43:51,800
Speaker 1: Yeah.

3208
02:43:51,959 --> 02:43:57,240
Speaker 3: So we had a deal on the table, and I

3209
02:43:57,320 --> 02:44:00,480
Speaker 3: stayed with my brother rass. He didn't want to sign

3210
02:44:00,560 --> 02:44:08,680
Speaker 3: a contract because sign he didn't. We stood behind him,

3211
02:44:09,600 --> 02:44:12,480
Speaker 3: but he didn't want Priority to come in and take

3212
02:44:12,600 --> 02:44:13,560
Speaker 3: a percentage of what.

3213
02:44:15,959 --> 02:44:18,480
Speaker 6: This new venture was because he had a whole beef

3214
02:44:18,560 --> 02:44:21,199
Speaker 6: with that's correct deal that he's dealing with, and they.

3215
02:44:21,120 --> 02:44:23,200
Speaker 3: Were trying to like if he got if we did

3216
02:44:23,240 --> 02:44:26,960
Speaker 3: a deal with us, Priority was asking for a percentage

3217
02:44:27,000 --> 02:44:29,880
Speaker 3: of what rass Cast was supposed to perceive, and he

3218
02:44:29,920 --> 02:44:32,640
Speaker 3: didn't agree with that because he felt like they were

3219
02:44:32,680 --> 02:44:34,880
Speaker 3: already doing him dirty on his side of the records.

3220
02:44:35,879 --> 02:44:40,880
Speaker 3: Why should they benefit off of what they had nothing

3221
02:44:40,920 --> 02:44:43,280
Speaker 3: to do with being a part of Could he have

3222
02:44:43,360 --> 02:44:47,480
Speaker 3: not done a pseudo name like no artists did that

3223
02:44:48,440 --> 02:44:53,320
Speaker 3: ras Cast? It was exhibit rass Cast interfere however you

3224
02:44:53,440 --> 02:44:56,520
Speaker 3: want to right, you can't do that, you know what

3225
02:44:56,520 --> 02:44:58,320
Speaker 3: I'm saying. And that's what that's what we did, you

3226
02:44:58,360 --> 02:44:58,880
Speaker 3: know what I'm saying.

3227
02:44:58,920 --> 02:45:01,520
Speaker 1: But yes, we did had some records and there was

3228
02:45:01,800 --> 02:45:05,440
Speaker 1: a thing in place for us to do an album together.

3229
02:45:06,080 --> 02:45:09,480
Speaker 2: But just the records I heard were amazing.

3230
02:45:09,280 --> 02:45:11,240
Speaker 3: And no, it was fun. It was fun to do it, man,

3231
02:45:11,360 --> 02:45:15,640
Speaker 3: And and you know, I'm glad I was able to

3232
02:45:15,720 --> 02:45:19,879
Speaker 3: go see Sofia before he passed, you.

3233
02:45:19,920 --> 02:45:23,360
Speaker 2: Know, And I didn't realize he was from the Bay.

3234
02:45:24,080 --> 02:45:26,720
Speaker 2: I didn't know that. I never knew that. I just

3235
02:45:26,760 --> 02:45:29,640
Speaker 2: thought I thought he was an l A dude. Actually, no, Oakland,

3236
02:45:29,879 --> 02:45:31,480
Speaker 2: you know, west Side, and then he came up with

3237
02:45:31,520 --> 02:45:32,600
Speaker 2: Digital Underground those.

3238
02:45:32,480 --> 02:45:36,400
Speaker 3: Guys absolutely, and then you know, he made a name

3239
02:45:36,480 --> 02:45:41,960
Speaker 3: for himself the first album he ever released. Yes, no,

3240
02:45:42,120 --> 02:45:45,520
Speaker 3: that's not my biological brother, but we came up together

3241
02:45:45,600 --> 02:45:48,800
Speaker 3: very close. Right. So his first album is called box

3242
02:45:48,920 --> 02:45:53,840
Speaker 3: Car Sessions. Do yourself a favor. Go listen to battle Trill.

3243
02:45:54,520 --> 02:45:56,360
Speaker 3: That was one of the first songs I heard from

3244
02:45:56,400 --> 02:46:00,680
Speaker 3: Sofia that really honed me into his voice.

3245
02:46:00,760 --> 02:46:02,560
Speaker 2: Is Cadence Man.

3246
02:46:02,959 --> 02:46:03,520
Speaker 1: Yeah he was.

3247
02:46:04,680 --> 02:46:07,879
Speaker 3: He was ahead of his time. Yeah, he was ahead

3248
02:46:07,879 --> 02:46:12,800
Speaker 3: of his time, you know. Yeah, shout out to Sonny,

3249
02:46:13,879 --> 02:46:18,600
Speaker 3: his brother. I was there with him. He rass cast

3250
02:46:18,720 --> 02:46:20,560
Speaker 3: came up. You know what I'm saying. We all got

3251
02:46:20,600 --> 02:46:21,160
Speaker 3: to be together.

3252
02:46:21,920 --> 02:46:24,880
Speaker 2: So he was in society, right he was.

3253
02:46:24,959 --> 02:46:27,320
Speaker 6: He was. Yeah, he was an actor and yeah, so

3254
02:46:27,440 --> 02:46:31,400
Speaker 6: people that don't know his rap career they know him

3255
02:46:31,400 --> 02:46:31,600
Speaker 6: from that.

3256
02:46:31,720 --> 02:46:34,640
Speaker 2: But yeah, he was an l MC man. Yeah he was.

3257
02:46:34,720 --> 02:46:38,960
Speaker 2: He's phenomenal and part society him.

3258
02:46:39,200 --> 02:46:43,000
Speaker 1: He's cousin Harold, Yeah, and the house party scene, like, yeah,

3259
02:46:43,400 --> 02:46:43,760
Speaker 1: he got.

3260
02:46:43,680 --> 02:46:49,520
Speaker 2: Shot at the stoplight. Yeah, yeah, but man, great loss.

3261
02:46:49,640 --> 02:46:50,039
Speaker 1: Yeah man.

3262
02:46:50,120 --> 02:46:56,760
Speaker 3: But you know, you know death, death is is something

3263
02:46:56,840 --> 02:47:00,640
Speaker 3: that that we all know we have to deal with eventually, eventually,

3264
02:47:00,760 --> 02:47:03,800
Speaker 3: all of us. But you know, when it, when it

3265
02:47:03,879 --> 02:47:06,360
Speaker 3: happened to people that's really close to you and and

3266
02:47:06,680 --> 02:47:12,160
Speaker 3: and really right next to you, you you realize a

3267
02:47:12,200 --> 02:47:15,840
Speaker 3: few things about yourself, like your mortality and and you

3268
02:47:15,879 --> 02:47:17,600
Speaker 3: know what I'm saying, where you are in the state

3269
02:47:17,640 --> 02:47:22,240
Speaker 3: of things. You know, I think my brother is in

3270
02:47:22,320 --> 02:47:27,080
Speaker 3: a better place. I think my brother is it's not

3271
02:47:27,280 --> 02:47:32,640
Speaker 3: feeling the pain that he was feeling. And I'm glad

3272
02:47:32,680 --> 02:47:33,920
Speaker 3: I got to see him before he won.

3273
02:47:37,560 --> 02:47:39,280
Speaker 1: And I'm glad we got the Usually at this time

3274
02:47:39,320 --> 02:47:40,520
Speaker 1: you say a moment of silence.

3275
02:47:40,600 --> 02:47:43,680
Speaker 2: But you know, now we take a drink. We take

3276
02:47:43,680 --> 02:47:50,960
Speaker 2: a drink, you know, mad drink, drink and a shot.

3277
02:47:51,040 --> 02:47:52,240
Speaker 2: How about drink and a shot.

3278
02:47:55,920 --> 02:47:58,120
Speaker 6: But I would tell the fans out there, go and

3279
02:47:58,240 --> 02:48:00,560
Speaker 6: check out all the records you guys did, whether it

3280
02:48:00,720 --> 02:48:02,680
Speaker 6: was labeled Golden State Warriors or not.

3281
02:48:03,879 --> 02:48:07,920
Speaker 2: Just check out music. Don't worry to say that's a

3282
02:48:08,040 --> 02:48:09,360
Speaker 2: that's a way to get the.

3283
02:48:09,400 --> 02:48:13,600
Speaker 3: Game Trigonometry from Sofia. Go listen to the album I

3284
02:48:13,760 --> 02:48:17,720
Speaker 3: suggest you listen to Stay High and uh, I'm an

3285
02:48:17,760 --> 02:48:23,880
Speaker 3: invest I suggest you listen to box Car sessions. Uh uh,

3286
02:48:24,680 --> 02:48:26,960
Speaker 3: Battle Trio being one of them. You know, he has

3287
02:48:27,040 --> 02:48:30,440
Speaker 3: a tremendous amount of music. I think Trigonometry is one

3288
02:48:30,520 --> 02:48:33,800
Speaker 3: of my favorite albums from Sofia. But then listen to

3289
02:48:33,959 --> 02:48:35,720
Speaker 3: you know, he created the Hoo Riders. You know what

3290
02:48:35,720 --> 02:48:38,160
Speaker 3: I'm saying, his little brother, Sonny, he created the.

3291
02:48:38,800 --> 02:48:41,520
Speaker 2: Correct I did not know that. Absolutely, that's his little brother.

3292
02:48:42,160 --> 02:48:42,480
Speaker 1: Wow.

3293
02:48:43,240 --> 02:48:49,320
Speaker 3: Yeah, Sonny, I did not shot calls big that's crazy

3294
02:48:49,440 --> 02:48:51,320
Speaker 3: on to the next level of the game.

3295
02:48:53,280 --> 02:48:53,560
Speaker 1: At all.

3296
02:48:53,720 --> 02:48:55,920
Speaker 2: Yeah, absolutely, wow.

3297
02:48:56,760 --> 02:48:59,760
Speaker 1: So let me ask you, are you still having fun?

3298
02:49:00,600 --> 02:49:00,920
Speaker 1: I am.

3299
02:49:02,240 --> 02:49:06,840
Speaker 2: I wasn't for a long time, but I'm having fun.

3300
02:49:07,240 --> 02:49:13,080
Speaker 3: Like, you know, I try not to bring my personal

3301
02:49:13,120 --> 02:49:16,680
Speaker 3: shit to the office, you know, I try not to

3302
02:49:16,800 --> 02:49:22,040
Speaker 3: bring Yeah, no, it's not impossible, but it takes a

3303
02:49:22,240 --> 02:49:26,320
Speaker 3: real effort to not bring the personal shit to the office.

3304
02:49:26,920 --> 02:49:29,760
Speaker 3: I'm never the one to bleed into the public or

3305
02:49:29,879 --> 02:49:33,120
Speaker 3: trying to complain or do all. You know what I'm saying, Like, listen,

3306
02:49:33,320 --> 02:49:37,760
Speaker 3: like I have my outlets right and so being able

3307
02:49:37,840 --> 02:49:44,040
Speaker 3: to you know, create at this level at this time

3308
02:49:45,240 --> 02:49:47,640
Speaker 3: with the people that I'm still around and the people

3309
02:49:47,760 --> 02:49:53,200
Speaker 3: that still fuck with me, And you know, life is funny, man,

3310
02:49:55,320 --> 02:49:59,080
Speaker 3: It'll show you a way. And then you know, when

3311
02:49:59,160 --> 02:50:03,040
Speaker 3: people lose faith in that way, you get disappointed into

3312
02:50:03,120 --> 02:50:05,760
Speaker 3: people rather than understanding the lesson.

3313
02:50:06,360 --> 02:50:06,520
Speaker 8: Right.

3314
02:50:07,440 --> 02:50:11,400
Speaker 3: And so once I started like moving away from what

3315
02:50:11,600 --> 02:50:17,400
Speaker 3: people thought, man, I started creating music for me. I

3316
02:50:17,520 --> 02:50:22,160
Speaker 3: started accepting things that were only healthy for me and

3317
02:50:22,360 --> 02:50:26,400
Speaker 3: not really tripping off losing the people or situations or

3318
02:50:26,480 --> 02:50:30,520
Speaker 3: relationships that had to time me to anything else. And

3319
02:50:30,680 --> 02:50:35,360
Speaker 3: so now I'm having fun. I'm like really being able

3320
02:50:35,440 --> 02:50:37,720
Speaker 3: to hone in on something that I'd love to do,

3321
02:50:39,160 --> 02:50:41,080
Speaker 3: being able to do it at the level I'm doing

3322
02:50:41,160 --> 02:50:46,560
Speaker 3: it at, still be able to, you know, have time

3323
02:50:46,720 --> 02:50:49,920
Speaker 3: for my family where I didn't have it before. You

3324
02:50:50,000 --> 02:50:53,120
Speaker 3: know what I'm saying, Like I'm picking and choosing the

3325
02:50:53,240 --> 02:50:55,720
Speaker 3: things I want to do rather than doing it just

3326
02:50:55,840 --> 02:50:58,080
Speaker 3: to live, You know what I'm saying. That's a whole

3327
02:50:58,080 --> 02:51:02,880
Speaker 3: other thing, you know, And it happens sooner for other people,

3328
02:51:03,800 --> 02:51:08,920
Speaker 3: it happens at different times for other people. But me

3329
02:51:09,280 --> 02:51:11,640
Speaker 3: in this place now, the people that I'm with now,

3330
02:51:11,800 --> 02:51:15,080
Speaker 3: the circle of friends I have now, the people that

3331
02:51:15,240 --> 02:51:16,800
Speaker 3: I have around me in business.

3332
02:51:17,000 --> 02:51:19,000
Speaker 2: It feels really good, you know what I'm saying.

3333
02:51:19,320 --> 02:51:22,920
Speaker 3: Even when things are in chaos, I still feel in control,

3334
02:51:23,400 --> 02:51:25,720
Speaker 3: which is something I have never felt in before.

3335
02:51:25,800 --> 02:51:27,879
Speaker 1: You know what i'm saying before. But I mean, that's

3336
02:51:27,959 --> 02:51:30,000
Speaker 1: just life. That's for everybody, you know what I'm saying.

3337
02:51:30,640 --> 02:51:33,680
Speaker 1: But so, yeah, I am having fun. I'm having fun.

3338
02:51:34,160 --> 02:51:38,000
Speaker 3: I'm feeling confident, I'm feeling powerful, I'm feeling like you know,

3339
02:51:39,480 --> 02:51:43,040
Speaker 3: I can't wait to deliver this to y'all so I

3340
02:51:43,080 --> 02:51:45,600
Speaker 3: can fucking get my shit off. You know what I'm saying, Like,

3341
02:51:46,400 --> 02:51:49,080
Speaker 3: I can't wait to like just deliver this shit like live.

3342
02:51:49,680 --> 02:51:52,280
Speaker 3: You know what I'm saying, Like with the band, come

3343
02:51:52,360 --> 02:51:54,080
Speaker 3: and see me like, yeah, okay, you've been in one

3344
02:51:54,120 --> 02:51:55,000
Speaker 3: of my shows before.

3345
02:51:55,440 --> 02:51:57,000
Speaker 2: You've seen this before, You've seen that.

3346
02:51:57,959 --> 02:51:58,720
Speaker 1: Come check me out.

3347
02:52:01,879 --> 02:52:05,000
Speaker 3: Time from bringing out because I'm about to funk you up.

3348
02:52:05,480 --> 02:52:06,080
Speaker 3: You know what I'm saying.

3349
02:52:06,080 --> 02:52:09,560
Speaker 1: Because I feel really really strongly about what we created.

3350
02:52:10,000 --> 02:52:12,000
Speaker 1: You know what I'm saying. The song you know what's

3351
02:52:12,040 --> 02:52:15,920
Speaker 1: your go through songs, my go to song when you're performing?

3352
02:52:16,400 --> 02:52:20,480
Speaker 2: Oh ship now any any.

3353
02:52:21,360 --> 02:52:24,320
Speaker 1: No, because I've been performing with a band now. So

3354
02:52:24,600 --> 02:52:27,880
Speaker 1: the band is a song with a DJ go to

3355
02:52:27,879 --> 02:52:30,880
Speaker 1: the song with a band? Band know which which?

3356
02:52:30,959 --> 02:52:31,160
Speaker 2: Which?

3357
02:52:31,800 --> 02:52:33,080
Speaker 6: Is it?

3358
02:52:33,120 --> 02:52:37,360
Speaker 2: Different songs? It's the same one. Enjoy the Night? You

3359
02:52:37,440 --> 02:52:38,760
Speaker 2: mean go to for him to form?

3360
02:52:39,280 --> 02:52:40,400
Speaker 1: You know, like you know that's that.

3361
02:52:40,920 --> 02:52:45,959
Speaker 2: I do a song called Enjoy the Night and it's

3362
02:52:47,040 --> 02:52:48,120
Speaker 2: it's the album.

3363
02:52:48,480 --> 02:52:50,960
Speaker 3: Yeah, I could do it either way, but I like

3364
02:52:51,040 --> 02:52:54,760
Speaker 3: dealing with the band because there's like different layers that

3365
02:52:54,840 --> 02:52:55,640
Speaker 3: we can add to it.

3366
02:52:56,200 --> 02:52:58,200
Speaker 2: So yeah, enjoy the Night is crazy, you know what

3367
02:52:58,240 --> 02:52:59,400
Speaker 2: I'm saying. With the live band.

3368
02:52:59,480 --> 02:53:03,760
Speaker 1: Yeah, of course that the DJ favorite one with the DJA.

3369
02:53:07,879 --> 02:53:13,560
Speaker 1: The state of hip hop versus exhibit So I I

3370
02:53:14,560 --> 02:53:20,600
Speaker 1: this is me being a fan boy the video. This

3371
02:53:20,760 --> 02:53:23,440
Speaker 1: is what you get now when you're walking through, it

3372
02:53:23,680 --> 02:53:26,080
Speaker 1: seems like it never was no take what you see

3373
02:53:26,080 --> 02:53:26,640
Speaker 1: what you get?

3374
02:53:26,920 --> 02:53:29,879
Speaker 2: Yes, yes, it seems like it never was no cut.

3375
02:53:31,440 --> 02:53:34,400
Speaker 2: Such a monumental video, bro, it's such a monumental video.

3376
02:53:34,440 --> 02:53:35,480
Speaker 1: It changed the world.

3377
02:53:36,200 --> 02:53:38,160
Speaker 2: I want to say hip hop. I don't said hip

3378
02:53:38,200 --> 02:53:40,640
Speaker 2: hop earlier, but I was so much changed.

3379
02:53:40,959 --> 02:53:48,840
Speaker 1: It changed the world in general. It changed cinematography because hmm,

3380
02:53:49,560 --> 02:53:51,960
Speaker 1: if there was a cut, I can't see it to

3381
02:53:52,120 --> 02:53:54,520
Speaker 1: this day. Okay, let me tell you how we did it. Yeah,

3382
02:53:54,680 --> 02:53:57,200
Speaker 1: there was thirteen cuts in what you see is what

3383
02:53:57,320 --> 02:54:01,600
Speaker 1: you get. I'm not telling to continue. Yeah, man, let

3384
02:54:01,640 --> 02:54:03,199
Speaker 1: them because it's smoking on my childhood.

3385
02:54:05,280 --> 02:54:10,440
Speaker 3: There was thirteen cuts. Thirteen I know because we made

3386
02:54:10,520 --> 02:54:15,080
Speaker 3: them together. A guy named Gregory Dark was the director

3387
02:54:15,160 --> 02:54:20,920
Speaker 3: for that video, and I couldn't get anybody else at

3388
02:54:20,959 --> 02:54:24,680
Speaker 3: the time video directors to follow what I wanted to do.

3389
02:54:25,320 --> 02:54:29,560
Speaker 2: This is the idea, yes, right, scripted out correct?

3390
02:54:29,600 --> 02:54:37,560
Speaker 1: Okay, So Gregory Gregory Dark was a porn director, that's all.

3391
02:54:37,600 --> 02:54:42,040
Speaker 1: He comes back a lot of porn going on and exhibited. Okay,

3392
02:54:43,000 --> 02:54:46,920
Speaker 1: different director, the same one, right, the same one, different

3393
02:54:47,000 --> 02:54:51,080
Speaker 1: different poor director Ron Tower was different. Gregory Dark is

3394
02:54:51,160 --> 02:54:52,240
Speaker 1: a different porn director.

3395
02:54:52,920 --> 02:54:55,800
Speaker 3: So Gregory Dark was doing you know, kind of skin

3396
02:54:55,879 --> 02:54:58,959
Speaker 3: flicks and whatnot and so flicks. So he was trying

3397
02:54:59,000 --> 02:55:01,400
Speaker 3: to do he was trying to break into you know,

3398
02:55:01,640 --> 02:55:05,800
Speaker 3: like regular stuff. So he took on the video and

3399
02:55:05,959 --> 02:55:09,600
Speaker 3: so he actually came up with the sequence to do

3400
02:55:09,760 --> 02:55:11,039
Speaker 3: the thirteen shots.

3401
02:55:11,600 --> 02:55:14,440
Speaker 2: He said, we're going to do it with wipes. So

3402
02:55:14,760 --> 02:55:15,800
Speaker 2: what we did was we.

3403
02:55:17,280 --> 02:55:20,280
Speaker 3: We figured out we walked the we walked the path first,

3404
02:55:21,000 --> 02:55:24,520
Speaker 3: we walked the path and found out cut points from

3405
02:55:24,640 --> 02:55:26,640
Speaker 3: all of I don't even know if I should be

3406
02:55:26,680 --> 02:55:29,320
Speaker 3: telling niggas how to do this. But we walked the

3407
02:55:29,400 --> 02:55:33,480
Speaker 3: path and we showed later right right right, right right.

3408
02:55:33,600 --> 02:55:37,400
Speaker 3: We kind of walked each found the perfect cut point right,

3409
02:55:37,959 --> 02:55:40,600
Speaker 3: so we knew when we want to go inside and outside.

3410
02:55:41,400 --> 02:55:45,680
Speaker 3: So that's how we got from inside the house outside

3411
02:55:45,720 --> 02:55:53,320
Speaker 3: on the street, down the street inside. So the cut

3412
02:55:53,520 --> 02:55:57,119
Speaker 3: was the cuts were like outside the house, there's one cut.

3413
02:55:57,560 --> 02:55:59,720
Speaker 3: When the guy jumps out of the truck, that's one cut.

3414
02:56:00,080 --> 02:56:02,440
Speaker 3: Then when we get to the other truck, when the

3415
02:56:02,520 --> 02:56:05,160
Speaker 3: car passes in front of me, that's the that's the

3416
02:56:05,280 --> 02:56:07,760
Speaker 3: third cut. When we get walking to the when we

3417
02:56:07,840 --> 02:56:10,360
Speaker 3: walk into the place, that's the fourth cut. When I

3418
02:56:10,440 --> 02:56:12,760
Speaker 3: get on the stage, that's the fifth cut. Wow, you

3419
02:56:12,800 --> 02:56:14,680
Speaker 3: know what I'm saying. When when when I when I

3420
02:56:14,760 --> 02:56:17,080
Speaker 3: when I come off the stage and walk past the girl,

3421
02:56:17,200 --> 02:56:19,840
Speaker 3: that's the sixth cut. When Flavored Flas walks up, You

3422
02:56:19,879 --> 02:56:21,280
Speaker 3: know what I'm saying, that's the seventh cut.

3423
02:56:21,560 --> 02:56:22,160
Speaker 2: You know what I'm saying.

3424
02:56:22,200 --> 02:56:24,680
Speaker 1: When alcoholists pull off and I turn around and I

3425
02:56:24,720 --> 02:56:26,800
Speaker 1: pick up the dollar off the floor, that's the eighth cut.

3426
02:56:27,160 --> 02:56:27,800
Speaker 2: You know what I'm saying.

3427
02:56:28,760 --> 02:56:30,920
Speaker 1: And then when when I walk when I walk past the.

3428
02:56:30,959 --> 02:56:33,920
Speaker 3: Car there if you look in the back. Okay, I'm

3429
02:56:33,920 --> 02:56:35,480
Speaker 3: going tell you something else. Go back and watch that

3430
02:56:35,640 --> 02:56:38,920
Speaker 3: video when you look when when when I pick up

3431
02:56:38,959 --> 02:56:42,240
Speaker 3: the dollar and the the guys start coming off the

3432
02:56:42,360 --> 02:56:48,240
Speaker 3: roof and I start walking off of of of the UK,

3433
02:56:48,720 --> 02:56:51,760
Speaker 3: walking past the police car. A guy actually gets hit

3434
02:56:51,879 --> 02:56:54,360
Speaker 3: by the police car flies him in the air. You

3435
02:56:55,200 --> 02:56:57,480
Speaker 3: don't see it because you're looking at me walking. But

3436
02:56:57,560 --> 02:57:00,760
Speaker 3: if you look at that car, a motherfucker actually put

3437
02:57:00,800 --> 02:57:03,240
Speaker 3: it there. He gets up and starts walking. That's why

3438
02:57:03,320 --> 02:57:07,959
Speaker 3: we get to use it. Right, listen, listen, this is great.

3439
02:57:08,280 --> 02:57:11,480
Speaker 2: No, listen, listen. That wasn't real life though, right, that's

3440
02:57:11,640 --> 02:57:14,680
Speaker 2: that's real life. Fuck it, fuck go listen, go look

3441
02:57:14,760 --> 02:57:17,879
Speaker 2: back at the video. So we should have pulled it up.

3442
02:57:18,520 --> 02:57:19,160
Speaker 1: Yeah, so.

3443
02:57:22,560 --> 02:57:25,120
Speaker 3: The other will call a car blowing up and so

3444
02:57:25,520 --> 02:57:28,880
Speaker 3: like walking out of the store, that's thirteen it's thirteen shots.

3445
02:57:28,959 --> 02:57:30,480
Speaker 3: But there's so many things.

3446
02:57:30,520 --> 02:57:32,640
Speaker 1: When I jump out the window, when the guy jumps

3447
02:57:32,680 --> 02:57:32,920
Speaker 1: out the.

3448
02:57:32,920 --> 02:57:35,920
Speaker 2: Window with a box and a box tips over.

3449
02:57:36,120 --> 02:57:38,200
Speaker 3: The box is empty, but you don't even see that,

3450
02:57:39,040 --> 02:57:40,720
Speaker 3: you know what I'm saying, Like, look at that boom

3451
02:57:41,080 --> 02:57:43,640
Speaker 3: he jumps out and the box is empty. There's so

3452
02:57:43,800 --> 02:57:46,000
Speaker 3: many like things in the video that you just do

3453
02:57:46,320 --> 02:57:50,240
Speaker 3: pass that people just see this great video, but I'm

3454
02:57:50,320 --> 02:57:51,720
Speaker 3: seeing like the things that did.

3455
02:57:51,640 --> 02:57:54,080
Speaker 1: It was like the Mario Brothers correct, like like you

3456
02:57:54,160 --> 02:57:56,000
Speaker 1: know how Mario Brothers like you go back and look

3457
02:57:56,040 --> 02:58:01,800
Speaker 1: at Mario Brothers, be like, I missed this, mushroom, I

3458
02:58:01,920 --> 02:58:05,520
Speaker 1: missed this. But I'm being honest because I looked. I

3459
02:58:05,680 --> 02:58:09,760
Speaker 1: really like, I was like, yo, you change how hip

3460
02:58:09,800 --> 02:58:15,960
Speaker 1: hop does videos. Like it wasn't a commercial record, it

3461
02:58:16,160 --> 02:58:20,840
Speaker 1: was a straight talking to your record, but then hip

3462
02:58:20,879 --> 02:58:25,560
Speaker 1: hop had to deal with reality at that moment. How

3463
02:58:25,640 --> 02:58:26,040
Speaker 1: you did it?

3464
02:58:26,120 --> 02:58:28,000
Speaker 2: You changed hip hop? Well you know that.

3465
02:58:29,320 --> 02:58:31,600
Speaker 3: I know you humble, yeah, but you know you got

3466
02:58:31,720 --> 02:58:32,920
Speaker 3: to look, you know, you got to look at some

3467
02:58:33,040 --> 02:58:37,160
Speaker 3: of the other groundbreaking videos in hip hop, like you know,

3468
02:58:37,400 --> 02:58:39,600
Speaker 3: like if you look at the Far Side Drop video

3469
02:58:40,200 --> 02:58:42,000
Speaker 3: when they did everything backwards.

3470
02:58:42,480 --> 02:58:44,840
Speaker 1: You know what I'm saying, Like, is that where your

3471
02:58:44,879 --> 02:58:45,400
Speaker 1: idea came?

3472
02:58:45,600 --> 02:58:48,360
Speaker 2: No, No, not at all that was done before.

3473
02:58:48,480 --> 02:58:51,320
Speaker 1: Who I did was this is it? Which was just

3474
02:58:51,440 --> 02:58:53,400
Speaker 1: that was my idea because yeah, yeah, I wanted a

3475
02:58:53,480 --> 02:58:56,600
Speaker 1: one shot video all the way through, right, and so

3476
02:58:57,160 --> 02:59:00,480
Speaker 1: legend I kept trying to explain it to people, and

3477
02:59:00,640 --> 02:59:01,280
Speaker 1: nobody got it.

3478
02:59:01,320 --> 02:59:03,520
Speaker 2: But Greg can we dark? Nobody?

3479
02:59:03,920 --> 02:59:06,400
Speaker 3: Everybody was telling me, Oh, it's too expensive, you can't

3480
02:59:06,480 --> 02:59:09,280
Speaker 3: do it, it's not going to happen. He did it,

3481
02:59:09,680 --> 02:59:11,440
Speaker 3: and we did it with a very small budget.

3482
02:59:11,879 --> 02:59:16,600
Speaker 1: Wow. Yeah, yeah, so it was dope. You changed the

3483
02:59:16,680 --> 02:59:17,240
Speaker 1: fucking game.

3484
02:59:17,320 --> 02:59:18,120
Speaker 2: Well, I appreciate that.

3485
02:59:18,280 --> 02:59:26,280
Speaker 1: Man that makes a noise from on the Actually, zer man,

3486
02:59:29,400 --> 02:59:30,680
Speaker 1: did you ever think of hip hop would make it

3487
02:59:30,720 --> 02:59:35,360
Speaker 1: this far? Like right now with our biggest debate is

3488
02:59:35,840 --> 02:59:38,400
Speaker 1: Kendrick on the super Bowl? Like that's hard?

3489
02:59:39,280 --> 02:59:41,480
Speaker 2: I mean, got what side are you on?

3490
02:59:41,720 --> 02:59:44,119
Speaker 1: Yeah? The actual argument is hard?

3491
02:59:44,560 --> 02:59:44,720
Speaker 2: Right?

3492
02:59:45,360 --> 02:59:49,800
Speaker 3: No, I mean absolutely nobody knows where hip hop is going, right,

3493
02:59:50,040 --> 02:59:50,440
Speaker 3: that's real.

3494
02:59:50,800 --> 02:59:51,560
Speaker 2: Nobody knows.

3495
02:59:52,200 --> 02:59:55,280
Speaker 3: You know, it may make a resurgence in some in

3496
02:59:55,360 --> 02:59:58,480
Speaker 3: a way that global, it's don't even know where it's

3497
02:59:58,480 --> 03:00:03,040
Speaker 3: going global, correct, globally like people have their hometown heroes

3498
03:00:03,120 --> 03:00:03,800
Speaker 3: around the world.

3499
03:00:04,360 --> 03:00:08,800
Speaker 2: Right, So you know, I don't know where hip hop

3500
03:00:08,920 --> 03:00:09,200
Speaker 2: is going.

3501
03:00:09,320 --> 03:00:14,640
Speaker 1: But I know, being a fifty year old genre, we

3502
03:00:15,080 --> 03:00:18,720
Speaker 1: definitely made an impact and we definitely have a lot

3503
03:00:18,840 --> 03:00:22,840
Speaker 1: more of growth to take place. But do I know

3504
03:00:22,879 --> 03:00:24,280
Speaker 1: where it's going? I have no idea.

3505
03:00:24,360 --> 03:00:27,040
Speaker 3: I don't understand what happens last week, you know what

3506
03:00:27,080 --> 03:00:31,120
Speaker 3: I'm saying. But I do know that the impact that

3507
03:00:31,440 --> 03:00:34,039
Speaker 3: we've been able to have in hip hop is important

3508
03:00:35,080 --> 03:00:39,040
Speaker 3: and that I'm glad I was able to do it

3509
03:00:39,120 --> 03:00:40,680
Speaker 3: with the brothers that I was able to do it

3510
03:00:40,800 --> 03:00:44,320
Speaker 3: with and the sisters that I was able to do

3511
03:00:44,440 --> 03:00:49,560
Speaker 3: it with. And I can't wait to be able to

3512
03:00:49,600 --> 03:00:52,840
Speaker 3: see where this goes, you know, even after I'm done

3513
03:00:52,920 --> 03:00:55,040
Speaker 3: with hip hop or hip hop is done with me,

3514
03:00:55,200 --> 03:00:59,000
Speaker 3: whatever comes first, you know what I'm saying, Like, I

3515
03:00:59,160 --> 03:01:03,440
Speaker 3: want to see what happens after this, Like what's what's

3516
03:01:03,480 --> 03:01:04,160
Speaker 3: the next chapter?

3517
03:01:04,280 --> 03:01:05,040
Speaker 1: What does it go?

3518
03:01:06,000 --> 03:01:11,080
Speaker 2: Does the Grammys, you know, become something hip that that Hammys?

3519
03:01:11,320 --> 03:01:11,520
Speaker 1: Yeah?

3520
03:01:13,360 --> 03:01:15,800
Speaker 3: Do we separate genres in hip hop? Do we have

3521
03:01:16,560 --> 03:01:20,199
Speaker 3: adult contemporary? Do we have do we have new artists?

3522
03:01:20,240 --> 03:01:23,280
Speaker 3: Do we have It's hip hop expanding to the place

3523
03:01:23,320 --> 03:01:26,760
Speaker 3: where where we can actually have different things that, you know,

3524
03:01:27,280 --> 03:01:29,880
Speaker 3: like show where other people are at because even though

3525
03:01:29,920 --> 03:01:33,600
Speaker 3: it's a fifty year old genre, we're seeing the things.

3526
03:01:33,760 --> 03:01:35,160
Speaker 1: You know what I'm saying, Like rock and roll has

3527
03:01:35,160 --> 03:01:39,360
Speaker 1: been around forever, you know, punk rock has been around forever. Right,

3528
03:01:39,600 --> 03:01:42,720
Speaker 1: everything is all designed and organized. Are we gonna do that?

3529
03:01:42,840 --> 03:01:44,880
Speaker 1: For us or are we gonna not let them do

3530
03:01:45,000 --> 03:01:45,480
Speaker 1: that for us?

3531
03:01:46,240 --> 03:01:49,160
Speaker 2: You know what I'm saying? Hip hop has for itself. Correct,

3532
03:01:49,440 --> 03:01:51,040
Speaker 2: we can't let them do it for us?

3533
03:01:51,200 --> 03:01:51,600
Speaker 1: Right right?

3534
03:01:51,680 --> 03:01:56,840
Speaker 2: Well who's who's us? That's the deciding factor. Okay, people

3535
03:01:56,920 --> 03:01:57,880
Speaker 2: that we want to tell?

3536
03:02:01,000 --> 03:02:09,720
Speaker 1: Wow, yind what do you want to be down with you? Man?

3537
03:02:09,760 --> 03:02:11,080
Speaker 2: It's nothing. I can't do that.

3538
03:02:11,760 --> 03:02:13,040
Speaker 1: Yeah, I can't do that.

3539
03:02:14,120 --> 03:02:14,920
Speaker 2: Remember your.

3540
03:02:16,959 --> 03:02:17,280
Speaker 1: Little bit?

3541
03:02:17,360 --> 03:02:20,800
Speaker 3: Nothing tell you truth, not a little bit. He don't

3542
03:02:20,800 --> 03:02:25,160
Speaker 3: do it a little bit man, I mean nigga. Hey man,

3543
03:02:25,280 --> 03:02:26,320
Speaker 3: look I let my sh your go.

3544
03:02:26,600 --> 03:02:26,720
Speaker 6: Man.

3545
03:02:27,000 --> 03:02:31,040
Speaker 2: Yeah, I don't give I definitely don't give a Yeah.

3546
03:02:31,080 --> 03:02:36,120
Speaker 1: We know you'renger, but why what? Why? Why? Because I

3547
03:02:36,200 --> 03:02:46,840
Speaker 1: want to be one my time. I want like a

3548
03:02:46,920 --> 03:02:51,640
Speaker 1: mother ask the motherfucker? Man?

3549
03:02:52,240 --> 03:02:54,280
Speaker 2: Yo, is anything you want to say to your fans?

3550
03:02:54,400 --> 03:02:56,200
Speaker 2: Please just get about it?

3551
03:02:56,560 --> 03:02:57,880
Speaker 1: Man, I love y'all.

3552
03:02:57,959 --> 03:03:01,039
Speaker 2: Man, hold us do one shot?

3553
03:03:01,160 --> 03:03:01,600
Speaker 1: That's what we'll do.

3554
03:03:01,680 --> 03:03:02,080
Speaker 2: One shot?

3555
03:03:02,280 --> 03:03:02,440
Speaker 1: Yo?

3556
03:03:02,800 --> 03:03:02,959
Speaker 12: Man?

3557
03:03:04,120 --> 03:03:16,360
Speaker 1: Are we doing at shot? Shot? Out of here? All right?

3558
03:03:16,400 --> 03:03:19,960
Speaker 2: To to two little gents, two little gims? What do

3559
03:03:20,000 --> 03:03:23,039
Speaker 2: you mean one little jim little too little jit? Hey man,

3560
03:03:23,400 --> 03:03:25,279
Speaker 2: Jimmy got us locked.

3561
03:03:25,000 --> 03:03:26,119
Speaker 1: Down man, man.

3562
03:03:28,480 --> 03:03:29,879
Speaker 2: Like ju machine?

3563
03:03:30,320 --> 03:03:33,960
Speaker 1: Yo yo, yo yo how dope was seeing Jimmy I

3564
03:03:34,080 --> 03:03:35,160
Speaker 1: bean man, Yo, man.

3565
03:03:35,120 --> 03:03:37,040
Speaker 3: Yo, it's always dope to see the You know what

3566
03:03:37,080 --> 03:03:38,800
Speaker 3: I'm saying, the man show up, can ask.

3567
03:03:38,680 --> 03:03:39,080
Speaker 2: You a question?

3568
03:03:39,200 --> 03:03:42,080
Speaker 6: How did you get to that front row? Because I mean,

3569
03:03:42,160 --> 03:03:44,440
Speaker 6: I'm saying this out of ignorance. We just show up

3570
03:03:44,480 --> 03:03:45,760
Speaker 6: and you were in the front row.

3571
03:03:46,160 --> 03:03:46,400
Speaker 2: Happened?

3572
03:03:46,440 --> 03:03:50,120
Speaker 6: Jimmy's in the front row, big boys, We're like, oh, ship,

3573
03:03:50,800 --> 03:03:54,080
Speaker 6: how did that happen? We just walked in and open

3574
03:03:54,959 --> 03:03:59,520
Speaker 6: Come on, man, I'm just saying this someone yo, come

3575
03:03:59,600 --> 03:04:00,400
Speaker 6: through hang out.

3576
03:04:00,440 --> 03:04:04,280
Speaker 2: No, No, it was it was coordinated. That's that's what.

3577
03:04:06,440 --> 03:04:06,640
Speaker 12: I know.

3578
03:04:06,879 --> 03:04:10,720
Speaker 1: You literally said I love that. I was like, it

3579
03:04:10,800 --> 03:04:12,880
Speaker 1: was coordinated. Yeah, yeah, yeah.

3580
03:04:12,920 --> 03:04:14,760
Speaker 3: We all came together, you know what I'm saying, Like

3581
03:04:14,879 --> 03:04:16,640
Speaker 3: we all knew it was coming to that, Like we

3582
03:04:16,760 --> 03:04:20,240
Speaker 3: met up, you know, got together, rolled over together. I

3583
03:04:20,360 --> 03:04:21,800
Speaker 3: wanted to see the show. You know what I'm saying,

3584
03:04:21,879 --> 03:04:24,199
Speaker 3: y'all y'all came out and actually killed that ship.

3585
03:04:24,320 --> 03:04:24,480
Speaker 8: Man.

3586
03:04:24,879 --> 03:04:29,920
Speaker 3: Someone I'm telling you, like, listen, listen, listen, listen. I

3587
03:04:30,160 --> 03:04:33,760
Speaker 3: was laughing because of how I knew. You know what

3588
03:04:33,800 --> 03:04:38,320
Speaker 3: I'm saying, Like Dre don't like to don't Drey does

3589
03:04:38,440 --> 03:04:42,360
Speaker 3: not like to be interviewed. So he gave y'all, yeah,

3590
03:04:42,400 --> 03:04:43,280
Speaker 3: but you know, you know.

3591
03:04:45,640 --> 03:04:46,320
Speaker 1: How to be a nigga.

3592
03:04:46,400 --> 03:04:48,560
Speaker 2: So I was like, that's what I want.

3593
03:04:48,920 --> 03:04:53,320
Speaker 3: I don't like his laughter helps us, yo, but but

3594
03:04:53,560 --> 03:04:56,760
Speaker 3: but but but y'all, y'all did a great interview with him.

3595
03:04:57,240 --> 03:05:00,160
Speaker 3: And to see them two together environment and listen ten

3596
03:05:01,720 --> 03:05:04,960
Speaker 3: oh man. Yeah, that was such a powerful moment.

3597
03:05:05,360 --> 03:05:08,440
Speaker 1: I called it gin bottle. Look.

3598
03:05:08,520 --> 03:05:09,480
Speaker 2: I talked to Big Boy.

3599
03:05:09,600 --> 03:05:12,400
Speaker 3: I was sitting right next to the Big Boy and uh,

3600
03:05:13,240 --> 03:05:14,720
Speaker 3: and I was I was like, Yo, this is a

3601
03:05:14,879 --> 03:05:15,720
Speaker 3: unicorn moment.

3602
03:05:16,320 --> 03:05:17,120
Speaker 1: It made me nervous.

3603
03:05:17,160 --> 03:05:20,879
Speaker 2: It was big Boy, Big Boys, a real interviewer. Yeah,

3604
03:05:20,920 --> 03:05:23,320
Speaker 2: this is a unicorn. And he was there and I

3605
03:05:23,400 --> 03:05:25,840
Speaker 2: was like, oh, ship, he's in the building. You know

3606
03:05:25,840 --> 03:05:27,520
Speaker 2: what I'm saying, Like I look up to that shot.

3607
03:05:28,040 --> 03:05:32,160
Speaker 1: Yeah, okay, cool still chin, I didn't want to take it.

3608
03:05:32,200 --> 03:05:33,880
Speaker 2: Just shot you fucking right.

3609
03:05:33,959 --> 03:05:46,880
Speaker 1: We are like. I love how he always says no.

3610
03:05:47,160 --> 03:05:50,440
Speaker 1: Then he thinks he's like, I got like a little

3611
03:05:50,480 --> 03:05:51,800
Speaker 1: citrus way to it.

3612
03:05:51,959 --> 03:05:55,240
Speaker 2: Great story exhibit. Yeah I know, but.

3613
03:05:57,200 --> 03:06:01,040
Speaker 1: You don't know. Yeah He's like, yeah, huh, you might

3614
03:06:01,120 --> 03:06:03,600
Speaker 1: have not seen a different liquor on this episode. But

3615
03:06:03,720 --> 03:06:11,760
Speaker 1: now we got gin Jen on every episode, Press and

3616
03:06:12,000 --> 03:06:13,360
Speaker 1: we got it, and we Gonna take a picture.

3617
03:06:20,400 --> 03:06:23,800
Speaker 6: Drink Champs is a drink Champs LLC production hosts and

3618
03:06:23,920 --> 03:06:27,320
Speaker 6: executive producers n O r E and dj e FN.

3619
03:06:28,520 --> 03:06:29,600
Speaker 2: Listen to drink Champs on.

3620
03:06:29,640 --> 03:06:34,600
Speaker 6: Apple Podcast, Amazon Music, Spotify, or wherever you get your podcasts.

3621
03:06:35,680 --> 03:06:38,080
Speaker 6: Thanks for joining us for another episode of drink Champs

3622
03:06:38,160 --> 03:06:40,760
Speaker 6: hosted by Yours truly, dj e f N and n

3623
03:06:40,800 --> 03:06:42,880
Speaker 6: O r E. Please make sure to follow us on

3624
03:06:42,959 --> 03:06:46,080
Speaker 6: all our socials that's at drink Champs across all platforms,

3625
03:06:46,600 --> 03:06:49,600
Speaker 6: at the Real Noria go on, I g at Noriaga

3626
03:06:49,640 --> 03:06:52,400
Speaker 6: on Twitter, Mine is at Who's Crazy on I g

3627
03:06:53,160 --> 03:06:56,000
Speaker 6: at dj e f N on Twitter, And most importantly,

3628
03:06:56,040 --> 03:06:58,840
Speaker 6: stay up to date with the latest releases, news and

3629
03:06:59,000 --> 03:07:01,320
Speaker 6: merch by going to drink champs dot com.

3630
03:07:04,000 --> 03:07:04,360
Speaker 1: Mm hmm