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Speaker 1: To me and Fat Boy Slim, we have the Time

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Speaker 1: Crisis guns and you know, I'm going when like.

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Speaker 2: He's like, my mine's too heavy, Like I can't I

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Speaker 2: can't hold it up for so long. And I'm like,

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Speaker 2: give me that. And I have both guns and I'm

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Speaker 2: like stepping on both of like the paddles and stuff,

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Speaker 2: and I beat all other guys, every guy. Yeah, but

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Speaker 2: that game is easy? What Oh, but that's an easy game?

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Speaker 2: Why they're shooting at you? Oh okay, what are you

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Speaker 2: thinking of? I think I'm just thinking of time okay,

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Speaker 2: where you just shoot a clock. Oh okay, so that

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Speaker 2: is a game. Yes, how many times you have to shoot?

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Speaker 2: Well till the clocks smashed up? And if you can

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Speaker 2: get the numbers off then what well then you know

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Speaker 2: then that's you beat all the levels and that and

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Speaker 2: because the levels are very clear, it's each one is

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Speaker 2: a number and you got to blast them apart. Do

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Speaker 2: you have to go in order? You can skip around?

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Speaker 2: And now this is now this is an argument that

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Speaker 2: I get in with Fat Boy Slim because we do

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Speaker 2: disagree because I think you should have to go in

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Speaker 2: order or reverse order, but he thinks, like in Europe

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Speaker 2: that in Europe. It's different, yes, in Europe or even

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Speaker 2: non Jupiter, but he thinks, he thinks that I don't know.

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Speaker 2: I just want to clarify. I haven't been to Jupiter,

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Speaker 2: but I'm just saying if you go to a different place,

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Speaker 2: they might play a game a different way. Yes, but

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Speaker 2: there's still orders of a different point. He thinks any

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Speaker 2: number you hit, that's fair game because we each set

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Speaker 2: up a clock and then I'll get out my Oh,

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Speaker 2: this is not a video game. We each set up

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Speaker 2: a clock on the wall and go round clock, and

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Speaker 2: then I'll get out my Desert Eagle forty four magnums

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Speaker 2: with the fucking gold plated handles, and I'll load them

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Speaker 2: up with hollow points and we will just fucking blast away,

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Speaker 2: you know, if we're staying at the same hotel or whatever,

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Speaker 2: and we'll just blast away. And I say, if you

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Speaker 2: hit a four and then the next thing you hit

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Speaker 2: is a nine, denne don't count, brother. And so you know,

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Speaker 2: that's been an argument between me and fat Boy. Hey,

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Speaker 2: welcome to Hollywood.

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Speaker 1: Hamblekn Insider's got to kicking button dropping names in the

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Speaker 1: red carpet lineback, holl fuck, it's okay, it's Okay, welcome

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Speaker 1: to Hollywood, hambok and Insider's got to kicking button dropping

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Speaker 1: names in the red carpet line back hallways of this

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Speaker 1: history week.

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Speaker 2: I'll show this. I need to know that you know

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Speaker 2: it's okay.

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Speaker 1: It's okay once I do it again and you let

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Speaker 1: me finish. Okay, so it's perfect.

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Speaker 2: Hey, welcome to.

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Speaker 1: Hollywood, ham looking Insider's guy to kicking button dropping names

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Speaker 1: on the red carpt line back allways of this industry

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Speaker 1: we call showbiz. Hey, I'm Hayes Davenport. I'm here with

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Speaker 1: Sean Clevitz. Time for the show. Let's talk about what up?

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Speaker 2: What up?

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Speaker 3: Okay?

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Speaker 1: Story story, story, story, It's so important whether you're being actor,

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Speaker 1: whether you're being writer, being director. The central part of

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Speaker 1: any movie, TV show, book has to have story.

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Speaker 2: And if you're being all these things, you really want

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Speaker 2: to be able to get back to the basic part

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Speaker 2: of it and say, what is basics about this? And

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Speaker 2: how do I look at and ask questions of me

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Speaker 2: about my thing? What I made? And no, is that

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Speaker 2: what's good? Or am I making mistake? So? Story story?

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Speaker 2: What is at the actual middle part and center too

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Speaker 2: of stories? Ooh, teacher, I know Okay, I'm gonna call

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Speaker 2: on the gentleman with the very nice face and who

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Speaker 2: I like the way he's dressed as well. It's conflict,

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Speaker 2: that's right, student. And so now this student comes to

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Speaker 2: the head of the class and he gets an A

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Speaker 2: plus goal getting.

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Speaker 1: Because conflict has to be at the center of every story.

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Speaker 1: You need your characters being conflict with one another.

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Speaker 2: And can I say, if I had students that look

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Speaker 2: like you, they'd begin a little bit of extra credit.

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Speaker 2: And that's just a compliment on your appearance. Thank you? Now, yes, yes,

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Speaker 2: you're you also very nice teacher, nice looking teacher. And

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Speaker 2: that's not what I was doing it for. Conflict need

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Speaker 2: conflict in the story. You can't just have a story

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Speaker 2: guy's jerking off, there's no there's no conflict there. But

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Speaker 2: when you say guy comes up and says, hey, you're

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Speaker 2: stop drinking off, you're at the beach, that now you

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Speaker 2: have a story. That's a story, and it's an upcoming

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Speaker 2: movie any and yes, and that's going to be Trey

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Speaker 2: Songs is going to be jerking off of the beach

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Speaker 2: and and and they're going to be trying to stop him.

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Speaker 2: And there's a whole gang of people trying to stop him,

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Speaker 2: and it's a guy from inside lul And Davis and

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Speaker 2: it's a freaking uh oh, it's most of the people

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Speaker 2: from that movie, right, because it's Oscar Isaac, Yeah, and

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Speaker 2: it's freaking uh Sary Kary Mulligan and the guy from

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Speaker 2: the band John Goodman is in it and uh the

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Speaker 2: guy from the band the Blues Brothers. Yeah. Two thousand

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Speaker 2: and so that's an upcoming movie and and it is

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Speaker 2: going to be a movie. And we got all that

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Speaker 2: money for it because we did have conflict in the story,

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Speaker 2: and the initial script was just a guy jerking off.

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Speaker 1: And so when you need to when you need to

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Speaker 1: find a conflict, what you got to remember is there's

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Speaker 1: four kinds of conflict, and we're going to explain them

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Speaker 1: all to you. And this is a segment that we

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Speaker 1: like to do called the right Stuff. This I think

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Speaker 1: falls into the right stuff.

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Speaker 2: This falls under the the larger umbrella of the right stuff,

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Speaker 2: which is is and it's the right stuff r I

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Speaker 2: G H T. Yes, Because in order to write a

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Speaker 2: story correctly write you need to have the right stuff

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Speaker 2: to do it, Yes, the correct stuff to write it with.

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Speaker 1: So let's go down the list four big kinds of conflict.

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Speaker 1: Get out your your pens and write a story with

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Speaker 1: one of these kinds of conflicts. First of the big four,

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Speaker 1: man versus man.

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Speaker 2: Okay, so this is like uh rambo versus some chump's

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Speaker 2: face with a punch. I mean that's a man versus

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Speaker 2: another man. Yes, Now, to make that story interesting, you

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Speaker 2: might want to have that guy have big muscles. Who's

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Speaker 2: the chump face?

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Speaker 1: And how about this? What if the other guy is

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Speaker 1: Arnold Schwarzenegger.

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Speaker 2: Okay, So then I'm really confused in a way, and

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Speaker 2: that can be interesting. But I almost and I hate

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Speaker 2: and I and I hate to feel like I'm disagreeing

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Speaker 2: with Hayes. I'm not. But that's two good guys, yes,

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Speaker 2: and so why would they ever be fighting each other? Yes?

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Speaker 2: Why would they be fighting each other? Well?

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Speaker 1: What if there's a third guy who's bad who tricked them?

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Speaker 2: Okay? And this is where we get into the bad guy,

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Speaker 2: and maybe both of them Arnold and Slone can at

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Speaker 2: the same time be kicking into the back of his

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Speaker 2: butt yes, and his buttocks will be getting hit with

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Speaker 2: two boots from muscular muscleman. If the third guy is

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Speaker 2: like the Undertaker, or something like that. If it's the Undertaker,

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Speaker 2: who is a bad guy and we know that and

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Speaker 2: he's trying to put anywhere everyone in graves. Yes, and

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Speaker 2: so then he gets his butt walloped with two strong boots,

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Speaker 2: and that is an example of man versus man. At

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Speaker 2: an end, he gets a big kick. Yes, yes, a

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Speaker 2: kick into the grave.

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Speaker 1: Man versus man usually ends up being man versus man.

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Speaker 1: Then both guys versus Undertaker.

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Speaker 2: Yes, this is a little complex, but it is. Man

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Speaker 2: versus man is usually man versus man who you think

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Speaker 2: could be bad guy, but you know he's a good guy.

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Speaker 2: So then the two good guys finally get along and

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Speaker 2: take out the Undertaker, put him in the grave, and

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Speaker 2: pour acid on him inside the grave. Ah.

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Speaker 1: So second one would be man versus society. Now, there's

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Speaker 1: only one movie that really does this, and it's People

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Speaker 1: versus Larry Flitt.

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Speaker 2: Yes, and if you'll remember, Larry Flint is this very

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Speaker 2: heroic figure and he's uh, just kind of being funny

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Speaker 2: and kind of sort of talking funny and able to

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Speaker 2: be free. Yes. And then President, who's not that dissimilar

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Speaker 2: from the current guy in the office. Right now, it

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Speaker 2: starts telling him, hey, you can't do that. You can't

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Speaker 2: say that, which is not that dissimilar from some of

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Speaker 2: the stuff that Obama has been sending in my way,

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Speaker 2: and Larry Flint not that dissimilar for me kind of

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Speaker 2: stands up and goes, well, I'm gonna do what I

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Speaker 2: want to do, and guess what you could go ahead

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Speaker 2: and stuff at buster and so at the end and.

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Speaker 1: Usually how it goes, it's like the man ends up

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Speaker 1: beating society and now look at what we have. We

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Speaker 1: have a new society, and yes, this is something that

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Speaker 1: we could play out in real life on November second.

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Speaker 2: Mm hm, yes, for thought, and we can finally get

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Speaker 2: somebody in there who knows is he's inques Yes, yes,

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Speaker 2: and to put it kindly knows his p's and q's.

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Speaker 2: And I think you know what I'm talking about when

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Speaker 2: I say somebody, and that somebody is somebody who we're

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Speaker 2: all thinking of the same person. Right. The third one

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Speaker 2: is man versus self.

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Speaker 1: I guess that's kind of like the Trey Songs movie

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Speaker 1: Kevin Costner.

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Speaker 2: What Kevin Costner's that somebody? Oh he's the news, but

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Speaker 2: they kind of got do in. He is a little

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Speaker 2: guy who happens to be my friend. SAME's Kevin Costner,

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Speaker 2: and he's got this invention that turns water into gold.

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Speaker 2: So anyway, man versus self this one, yeah, you go, oh,

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Speaker 2: is this like the Trey Songs thing where he's sort

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Speaker 2: of beating himself, like abusing himself. Some people call that

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Speaker 2: act jerking off. It's it's not exactly that. It's more

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Speaker 2: it's like.

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Speaker 1: If it's like, if you have a disease, that's like

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Speaker 1: it is part of you, and so it is.

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Speaker 2: It's about a guy getting sick basically. Yeah, And so.

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Speaker 1: It's like if you have diarrhea, or if like any

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Speaker 1: kind of doesn't have to be that probably shouldn't be that. Actually, yeah,

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Speaker 1: that's too funny. If you want a real conflict, it

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Speaker 1: should be something like us.

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Speaker 2: You can't stop peing. That's kind of in the same

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Speaker 2: neighborhood as diarrhea for me, though, if you can't stop peing, yes,

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Speaker 2: you would think it's kind of like the opposite of diarrhea,

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Speaker 2: but it actually is almost the same thing. And I

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Speaker 2: just was going to pitch another one that I think

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Speaker 2: has the same issue, and it's bonus too hard. So

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Speaker 2: you have to be careful. And that's why we do

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Speaker 2: these exercises where we sort of say what are the

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Speaker 2: what are the major conflicts, and what versions of them

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Speaker 2: is acceptable?

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Speaker 1: And so it should be scary like an eye like

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Speaker 1: your eyes are all foggy.

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Speaker 2: You know, and you're like a little kid or something

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Speaker 2: like that. Yes, not too scary. And it's one of

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Speaker 2: those diseases you have where you're bald. And so that's

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Speaker 2: the kind of conflict where you like, you don't you

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Speaker 2: stop being sick. You have just like find the medicine.

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Speaker 2: It's a medicine finding show. Find the medicine. Yes, go

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Speaker 2: find doctor house, whatever it takes to get healthy again

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Speaker 2: and to get your eyes clear. And then and in

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Speaker 2: the film that we are working on where an adult

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Speaker 2: Jonathan Lipniki it's very strong, is struggling with fogginess. Is

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Speaker 2: we just ultimately we give him his glasses back.

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Speaker 1: The fourth one is man versus Nature. Now this is

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Speaker 1: a very interesting one.

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Speaker 2: Whoa okay, yes, I mean hello man versus nature. Hello

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Speaker 2: getting you know freaking bushwhacked? Anybody stuck by a V.

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Speaker 2: I mean, this is a great This is a great

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Speaker 2: example because bushwhacked seems like man versus nature, but it's

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Speaker 2: actually when you really get down to what Bushwack does.

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Speaker 2: It's man versus Boy Scout troupe, which is sort of

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Speaker 2: a subdivision of man versus society. Yes, because they are

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Speaker 2: a society and with rules and secrets. And let me

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Speaker 2: tell you, if you're not part of it, boyl you

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Speaker 2: better not get too close because they'll really they don't

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Speaker 2: let you welcome.

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Speaker 1: Yes, if you're not part of the boy Scouts. And

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Speaker 1: this is actually good to know, don't try to just

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Speaker 1: walk up and be in the boy Scouts.

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Speaker 2: I just don't get it. Yeah. And you can't be

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Speaker 2: on their camp out with them, Yeah, even if you

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Speaker 2: have all kinds of skills and really good snacks. And

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Speaker 2: by the way, if they don't want to share them

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Speaker 2: their loss, because I can't finish it all myself, but

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Speaker 2: now they don't get to eat it.

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Speaker 1: Man versus nature is kind of like if you're trying

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Speaker 1: to be a tornado catcher or something like that, if

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Speaker 1: you're trying to stop a storm, or if you're trying

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Speaker 1: to plug up a volcano with a big court.

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Speaker 2: Or if you want to get out from under the

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Speaker 2: ocean because you can't breathe down there. Yes, And so

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Speaker 2: a good story is like if somebody is under the ocean,

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Speaker 2: starting at the bottom, trying to get all the way

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Speaker 2: up to the top and do it. Yes, and swimming

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Speaker 2: or meeting fish, meeting fish that you get carried by

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Speaker 2: a turtle, anything, anything but just sitting at the bottom

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Speaker 2: of the ocean. That's not a good script. No, So

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Speaker 2: you're ready to go, You guys are ready to write.

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Speaker 1: Those are the four kinds of conflict and writer. A

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Speaker 1: writer writes, A writer writes. Every day. We have a

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Speaker 1: great guest. Eliza Schlessinger is here and she's a stand

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Speaker 1: up comedian and you know her from being the winner

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Speaker 1: of Last Comic Standing and from seeing her stand up

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Speaker 1: comedy on TV.

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Speaker 2: And she's going to talk to.

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Speaker 1: Us real soon on Hollywood Handbook.

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Speaker 2: So I say to Penn badly, that is a perfect

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Speaker 2: carving pumpkin. May I see it? An He sort of

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Speaker 2: hems and haws, and he hands it to me and

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Speaker 2: I turn it over, and sure enough on the bottom

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Speaker 2: are my initials ah. And that's why I put them there.

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Speaker 2: So you can't switch pumpkins with me when I'm picking pumpkins.

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Speaker 2: And Penn tried to do it.

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Speaker 4: Mm.

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Speaker 1: You do it when they're small and then they they

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Speaker 1: get big, perfect carving pumpkins.

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Speaker 2: They're already mine.

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Speaker 1: Hey, welcome to button dropping names in the red carpet

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Speaker 1: line back hallways of this industry we call show.

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Speaker 2: This is Sometimes we say we have a real corker

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Speaker 2: of a guest, and I think we have one today.

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Speaker 2: And I think we have a true corker of a

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Speaker 2: guest today.

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Speaker 1: Eliza Schlessinger is here. Schlessinger or Singer.

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Speaker 5: Actually neither of those.

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Speaker 2: Has anyone made hay out of pronouncing your last name

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Speaker 2: before so much?

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Speaker 5: Hey, yes, Schlessinger. This is literally the way every interview starts.

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Speaker 5: So thanks for doing your phonetically such.

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Speaker 2: Lessinger, Schlessinger. There you go, Schlazinger.

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Speaker 5: That is how I think that's the way it's supposed

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Speaker 5: to sound outside of the Fatherland.

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Speaker 2: Why why don't you do stuff about that at the

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Speaker 2: beginning of.

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Speaker 5: Your act Because I'm not a minority comic.

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Speaker 2: It's not hmm, And it's not fair that they get

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Speaker 2: that the foreigner.

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Speaker 3: Is it?

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Speaker 5: So my last name is ethnic and that defines my act.

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Speaker 5: It's like, yeah, my last name is Schlessinger, and I'm

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Speaker 5: looking to marry someone very white to get rid of it.

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Speaker 2: What do they write on your Starbucks cup. I mean,

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Speaker 2: do they mess around with that?

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Speaker 5: You know, who gives their last name for a Starbucks cup?

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Speaker 2: Well I have to yeah, why just very loudly, just

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Speaker 2: because someone I know might be behind me in my line,

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Speaker 2: you know, Yeah, you never know who's in there, right,

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Speaker 2: you know what?

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Speaker 5: Probably I'm gonna go ahead and say, no one's in there.

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Speaker 5: No one famous is ever as much as people that

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Speaker 5: are sitting there writing their screenplays want there to be

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Speaker 5: famous casting directors and producers lurking, no one ever is.

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Speaker 5: It's just like other people from Burbank.

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Speaker 1: Scoop Troop, get out your pens, because that's good advice

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Speaker 1: that don't go to Starbucks. If you want to meet

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Speaker 1: a famous producer.

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Speaker 5: It probably should take a meeting or do the work.

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Speaker 2: And that's another good advice. Do the work and or

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Speaker 2: take a meeting. Yes, yes, take it at a Starbucks.

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Speaker 5: I wonder if they opened up a giant Starbucks next

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Speaker 5: to Soho House, if people would just opt to go

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Speaker 5: there instead instead of twenty dollars for a Hamburger and

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Speaker 5: seventeen dollars for parking.

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Speaker 1: Now we should explain what Soho says, because these people

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Speaker 1: live in Garbageville Indiana.

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Speaker 2: Yes, thank you. Yes, that's a very succinct way of

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Speaker 2: saying what we were going to start a round a.

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Speaker 5: List that you're sophisticated enough to get that joke.

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Speaker 2: Yeah, Soho House, Soho House. This is a club you have,

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Speaker 2: I guess an American legion in their hometowns. Well, you

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Speaker 2: probably have as a VFWLL. Yes, you probably have that,

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Speaker 2: and you can hold functions there, and.

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Speaker 5: I don't think they're the same.

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Speaker 1: Well, then it's just the closest we can get to

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Speaker 1: Soho House. So that's like their club and they can

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Speaker 1: go there, and it's like an exclusive club for veterans

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Speaker 1: of foreign wars.

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Speaker 2: Right.

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Speaker 5: I also feel like the people listening this aren't so

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Speaker 5: retarded that they won't understand the concept of a private

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Speaker 5: club like an Elks lodge. But the ladies can go too.

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Speaker 2: Would that that were true, Eliza, That would be just

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Speaker 2: such a delight if I could have confidence that the

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Speaker 2: people listening would be able to understand them. And you

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Speaker 2: don't get the mass believe me, this is.

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Speaker 5: Just them pounding on keyboards like my form equipment.

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Speaker 2: Well, it's a group email frequently from an entire town

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Speaker 2: who all gathered around the one computer at the library

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Speaker 2: and listened to them and they vote on what which letters?

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Speaker 5: What's a library?

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Speaker 1: And see that's a that's this is the reverse where

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Speaker 1: we hear they mail us books for free because they

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Speaker 1: want us to turn them into movies. They go to

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Speaker 1: a special book house.

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Speaker 2: And they have to like some sort of system where

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Speaker 2: it's like they have to bring it back so someone

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Speaker 2: else what happens, go to jail?

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Speaker 5: But I was wondering about that when you checked out

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Speaker 5: a library book, like so it's like a thirty five

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Speaker 5: cent fine, Like they can't like ruin your credit score.

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Speaker 5: Like what really would happen if you never return a library.

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Speaker 2: And that'll follow you through the library system forever if

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Speaker 2: you're part of that system.

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Speaker 5: I just opt to not be homeless, then you don't

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Speaker 5: have to be part of the system.

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Speaker 2: It goes on your permanent record.

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Speaker 5: There is no permanent record. Yeah, I'm sure there is

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Speaker 5: time Warner Cable keeps a permanent record on everyone.

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Speaker 2: Yes, yes, With Google and the NSA and invasion of privacy,

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Speaker 2: I don't want to get into all of it, but

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Speaker 2: you know there's a there's a big thumb print that

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Speaker 2: we leave out on the Internet. It isn't there. Yeah, Eliza,

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Speaker 2: you have a new album, and we, you know, wanted

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Speaker 2: to listen to some comedy, so we look, we looked.

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Speaker 2: We go to Sam Goodie and we we went, Yes.

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Speaker 5: Where'd you find a Sam Goodie? You guys live in

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Speaker 5: a valley, don't you.

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Speaker 2: Well, there's what is We can get drove anywhere and

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Speaker 2: the lines are so they're moving. But we saw the

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Speaker 2: We picked up the album to listen and there is

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Speaker 2: a photo photo on special Yeah, yes, you know the one. Okay, okay,

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Speaker 2: that's like an album.

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Speaker 5: It's an album. Sure.

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Speaker 2: And we looked on the cover. Yeah, And I don't

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Speaker 2: know even how to that there's a I mean, you

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Speaker 2: got it is a picture.

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Speaker 5: It is you on there, and it was uncomfortable with women.

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Speaker 2: Well, I just like I'm trying to figure out how

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Speaker 2: to say, we don't I mean, we don't even see

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Speaker 2: the difference, you know, we don't see the difference A

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Speaker 2: lot of the time. It's like it's your lipstick and

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Speaker 2: what to how else to describe the image it's your

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Speaker 2: hair and no naked?

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Speaker 3: Well, oh well that's yes, that's yeah. Where you said

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Speaker 3: that's what it is. I didn't say the N word.

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Speaker 3: I mean or the other on word. I mean, it's

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Speaker 3: just the word naked.

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Speaker 5: What's wrong with you? It's wrong with either of you.

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Speaker 5: It just sounds like two rats eating lunch. Right now,

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Speaker 5: I just keep hearing. I'm trying to figure it out.

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Speaker 5: I'm naked on the cover.

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Speaker 6: Well, it's just it's when you expect when you look

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Speaker 6: at it, you expect to see somebody wants to wearing

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Speaker 6: a shirt and pants, holding a microphone and doing a

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Speaker 6: comedy ship.

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Speaker 5: Yea, people need to change their expectations. It's not always

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Speaker 5: going to be a dude a person shirt and pants.

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Speaker 5: That's not the way the society is.

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Speaker 1: Well, what if if all the comedians did that, then

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Speaker 1: where would we be?

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Speaker 5: Just thinking I would have probably worn a shirt and pants.

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Speaker 2: Well, just think about where we would be zig when

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Speaker 2: they zag. Yeah, would we be in a good place

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Speaker 2: if all the comedians were just being nude? No, we'd

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Speaker 2: a specials.

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Speaker 5: Because most comedians are horrible looking under their clothes.

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Speaker 1: Yes, and so think about that, And so what happened

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Speaker 1: Bill Cosby and his next and his next special?

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Speaker 2: Well, hopefully suppose.

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Speaker 5: Bill Cosby doesn't have to pull a pr stunt like

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Speaker 5: that to get attention. But I felt that I did,

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Speaker 5: so I did it also because I could.

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Speaker 2: Now that's the real answer you mentioned you mentioned comedians

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Speaker 2: being horrible looking under their clothes. Most people, a lot

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Speaker 2: of them. Yes, And that's interesting to me because isn't

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Speaker 2: it true that you can only be funny if you

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Speaker 2: were once a nerd.

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Speaker 5: I don't think that's true anymore, but I think a

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Speaker 5: lot of nerds want you to think that. And I

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Speaker 5: think when nerds are growing up, they're like, this is

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Speaker 5: gonna pay off big time. All this hate criming and

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Speaker 5: getting hazed and harassed is gonna pay off because I'm

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Speaker 5: gonna gw up to be a real writer.

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Speaker 1: Well, we love nerds, and I want to say I

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Speaker 1: don't stand behind that, and like Chris Hardwick is actually

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Speaker 1: a very good friend of our show and or we

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Speaker 1: hope he will be one soon.

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Speaker 2: Yeah, And nerds like us and like him know that

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Speaker 2: only true nerds know what it means to be funny,

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Speaker 2: and that it's not, as some people have said, just

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Speaker 2: a cheap angle at the fan base who you know

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Speaker 2: will be most fanatical and devoted to you. For me

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Speaker 2: to say, hey, I'm a nerd.

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Speaker 5: Well, I guess what is a nerd? I think it's

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Speaker 5: a yes, you can. Everyone's got a different definition.

438
00:24:11,520 --> 00:24:14,399
Speaker 2: It's comic books. Yeah, it's only comic books. Yes, is

439
00:24:14,400 --> 00:24:15,680
Speaker 2: if you read the comic book.

440
00:24:15,840 --> 00:24:18,280
Speaker 5: So all the kids that are into science, that don't

441
00:24:18,320 --> 00:24:20,879
Speaker 5: go outside, that have allergies, that don't play sports, I

442
00:24:20,920 --> 00:24:24,879
Speaker 5: love science that like Japanese things, those aren't nerds.

443
00:24:25,240 --> 00:24:27,920
Speaker 2: Well, they have Japanese comics. Japanese comics are so that.

444
00:24:27,840 --> 00:24:31,440
Speaker 5: We're including Japanese comics as well, and Star Wars and

445
00:24:31,440 --> 00:24:35,119
Speaker 5: stuff like that. Yes, Star Wars we're expanding. Ever as

446
00:24:35,119 --> 00:24:39,960
Speaker 5: we're talking Star Wars comic book. Yes, Star Wars.

447
00:24:38,840 --> 00:24:41,240
Speaker 2: Japanese comic book, Star Wars comics, Japanese Star Wars comic.

448
00:24:41,280 --> 00:24:44,160
Speaker 5: Okay, so it's those, yes, But any of the kids

449
00:24:44,200 --> 00:24:48,920
Speaker 5: that were into building science projects and staying at home,

450
00:24:49,560 --> 00:24:52,560
Speaker 5: any like dorks like that aren't necessarily.

451
00:24:52,080 --> 00:24:55,960
Speaker 2: Smart dorks different than nerds. Yes, the dorks. Uh, there's

452
00:24:55,960 --> 00:24:57,640
Speaker 2: no Dorcas podcast.

453
00:25:00,040 --> 00:25:03,639
Speaker 5: Amazing competitor. So you're just it's just nerds only. Basically

454
00:25:03,680 --> 00:25:08,760
Speaker 5: you're the only nerds can appreciate comedy. Yes, Chris Hardbrook

455
00:25:08,760 --> 00:25:10,280
Speaker 5: will probably come on your podcast. You don't have to

456
00:25:10,359 --> 00:25:12,160
Speaker 5: keep saying we love nerds. He's a very nice guy.

457
00:25:13,040 --> 00:25:16,600
Speaker 2: If you've been a nerd, then you really know what's funny.

458
00:25:16,400 --> 00:25:21,120
Speaker 5: Right ah, okay, yeah, yeah, can we amend that yes?

459
00:25:21,359 --> 00:25:25,359
Speaker 5: And also regular people know as well.

460
00:25:26,119 --> 00:25:29,960
Speaker 2: Hmm you didn't if well, well they told us you

461
00:25:30,000 --> 00:25:30,480
Speaker 2: were edgy.

462
00:25:31,960 --> 00:25:33,560
Speaker 5: We knew you were going to come in here trying

463
00:25:33,560 --> 00:25:34,639
Speaker 5: to find the edge somewhere here.

464
00:25:34,720 --> 00:25:41,200
Speaker 2: Spitting five, Eliza. You have a podcast, truth and you, Eliza.

465
00:25:41,160 --> 00:25:48,040
Speaker 5: It's the only pun that works with my name. And oh,

466
00:25:48,200 --> 00:25:48,879
Speaker 5: you just hit.

467
00:25:48,760 --> 00:25:50,639
Speaker 2: You truth and lies.

468
00:25:51,560 --> 00:25:53,680
Speaker 5: When you say like that, it makes it sound stupid.

469
00:25:54,119 --> 00:25:55,040
Speaker 2: I think it's smart.

470
00:25:56,119 --> 00:25:58,640
Speaker 5: Uh, that's my podcast and I just uh, I named

471
00:25:58,640 --> 00:26:00,800
Speaker 5: it that because it was a name that I pitched

472
00:26:00,800 --> 00:26:02,920
Speaker 5: for tons of pilots and no one ever said yes,

473
00:26:02,960 --> 00:26:04,880
Speaker 5: And I was like, I'll do my own.

474
00:26:04,920 --> 00:26:08,959
Speaker 2: And isn't and podcast is basically the same. It's violot

475
00:26:09,320 --> 00:26:13,720
Speaker 2: these days. Nope, I don't know the media landscape.

476
00:26:14,520 --> 00:26:16,480
Speaker 5: What media landscape?

477
00:26:16,040 --> 00:26:18,440
Speaker 2: The internet streaming?

478
00:26:18,640 --> 00:26:21,560
Speaker 5: Yeah, where'd you learn the phrase media landscape? And like

479
00:26:21,840 --> 00:26:22,960
Speaker 5: why would you say it?

480
00:26:23,240 --> 00:26:23,840
Speaker 2: Science book?

481
00:26:24,000 --> 00:26:26,760
Speaker 5: Just yes, I think that you guys are nerds. I

482
00:26:26,760 --> 00:26:29,840
Speaker 5: think you're just writers. I don't think nothing about you.

483
00:26:29,840 --> 00:26:31,440
Speaker 2: No, I'll read a big science book.

484
00:26:31,760 --> 00:26:35,560
Speaker 5: Like a textbook like a child's big one, A big one.

485
00:26:35,840 --> 00:26:41,480
Speaker 5: Did you wink at me? Okay? I got a podcast?

486
00:26:42,000 --> 00:26:45,840
Speaker 2: Yes, yes, tell us about that speak on that speak

487
00:26:45,880 --> 00:26:47,640
Speaker 2: on that please speak.

488
00:26:48,000 --> 00:26:50,920
Speaker 5: It is sure. It is a podcast where the theme

489
00:26:51,119 --> 00:26:53,880
Speaker 5: is complaining and we just talk about things we don't

490
00:26:53,920 --> 00:26:57,560
Speaker 5: like because I believe there's too much positivity and everything's

491
00:26:57,600 --> 00:27:00,280
Speaker 5: always around like talking about things that bring us to other.

492
00:27:00,320 --> 00:27:02,960
Speaker 5: And I think Henry Rollins was honest some thing when

493
00:27:03,000 --> 00:27:05,720
Speaker 5: he was like, nothing brings people together like a common

494
00:27:05,720 --> 00:27:10,639
Speaker 5: hatred hitler something very similar. Airplane food, yeah, or but

495
00:27:10,720 --> 00:27:13,320
Speaker 5: it can be anything from daily grievances and small grapes

496
00:27:13,320 --> 00:27:14,400
Speaker 5: to like social issues.

497
00:27:14,640 --> 00:27:16,600
Speaker 2: Now, the seats on an airplane, they don't They don't

498
00:27:16,640 --> 00:27:17,640
Speaker 2: actually go back that far.

499
00:27:18,119 --> 00:27:21,080
Speaker 5: That's right, they don't. We have to pay extra for it.

500
00:27:21,119 --> 00:27:22,480
Speaker 2: How many peanuts in that thing.

501
00:27:22,520 --> 00:27:24,679
Speaker 5: I could spend all day. They don't even give peanuts

502
00:27:24,680 --> 00:27:27,680
Speaker 5: out anymore, except on Southwest because everyone's got a fucking allergy.

503
00:27:28,600 --> 00:27:32,639
Speaker 5: Now they just give blue chips like you accomplish something,

504
00:27:32,880 --> 00:27:34,399
Speaker 5: Oh like a corn chip. I thought you melt like

505
00:27:34,400 --> 00:27:35,080
Speaker 5: an AA chip.

506
00:27:35,560 --> 00:27:36,800
Speaker 2: No, I don't think they give those that.

507
00:27:37,680 --> 00:27:38,919
Speaker 5: You should get a chip at the end of a

508
00:27:38,920 --> 00:27:42,159
Speaker 5: flight for accomplishing having withstood the slings and arrows of

509
00:27:42,200 --> 00:27:46,119
Speaker 5: the shitty remarks from all the airline waitresses that work there.

510
00:27:46,119 --> 00:27:49,560
Speaker 2: They're all horrible all they didn't used to be like that.

511
00:27:50,160 --> 00:27:52,320
Speaker 5: I think nine to eleven, I think the terrorists of one.

512
00:27:53,040 --> 00:27:54,879
Speaker 5: No one was ever that shitty before nine to eleven.

513
00:27:55,000 --> 00:27:57,080
Speaker 5: I also don't remember because I was like in high school,

514
00:27:57,119 --> 00:27:58,520
Speaker 5: but it was that much.

515
00:27:58,920 --> 00:28:02,320
Speaker 2: Yes, we're all we're all young. I mean, let's face it,

516
00:28:02,720 --> 00:28:05,560
Speaker 2: what very young you well?

517
00:28:05,680 --> 00:28:09,159
Speaker 1: I mean I remember when I was when nine to eleven,

518
00:28:09,520 --> 00:28:13,480
Speaker 1: When nine to eleven, I was, I think, a baby.

519
00:28:14,880 --> 00:28:17,359
Speaker 5: So you guys, so it's not a nighttime routine. You

520
00:28:17,359 --> 00:28:18,280
Speaker 5: guys are very young.

521
00:28:18,640 --> 00:28:23,320
Speaker 1: I remember, I remember wanting my baba and then it

522
00:28:23,359 --> 00:28:24,280
Speaker 1: was nine to eleven.

523
00:28:25,000 --> 00:28:28,480
Speaker 2: I remember that my mom was scared and that that

524
00:28:28,560 --> 00:28:32,400
Speaker 2: made my environment very turbulent.

525
00:28:32,560 --> 00:28:34,280
Speaker 5: Want everyone to know that you're young and you can

526
00:28:34,359 --> 00:28:36,600
Speaker 5: play young, right.

527
00:28:37,000 --> 00:28:39,920
Speaker 2: I guess if you guess, I mean that's what that means.

528
00:28:40,000 --> 00:28:41,720
Speaker 2: If that's what that means.

529
00:28:41,480 --> 00:28:44,840
Speaker 5: I mean, I mean your face is your face, and

530
00:28:44,920 --> 00:28:46,920
Speaker 5: so I mean, you guys don't.

531
00:28:46,720 --> 00:28:47,760
Speaker 2: Look scoop troop.

532
00:28:48,400 --> 00:28:49,240
Speaker 5: What's scoop troupe?

533
00:28:49,240 --> 00:28:49,720
Speaker 6: What is this like?

534
00:28:49,720 --> 00:28:50,680
Speaker 5: The third time I've heard this.

535
00:28:50,760 --> 00:28:53,560
Speaker 2: Scoop Troop, get out your pads. Remember that your face

536
00:28:53,640 --> 00:28:54,240
Speaker 2: is your face.

537
00:28:54,440 --> 00:28:56,480
Speaker 5: So there's a whole troop of people taking notes.

538
00:28:56,640 --> 00:29:00,600
Speaker 2: Yes, guest drops an important piece of hollyw acknowledge. We

539
00:29:00,680 --> 00:29:03,040
Speaker 2: like to remind the scoop troop, Hey, get your pens

540
00:29:03,080 --> 00:29:06,120
Speaker 2: out and write this one down, because yes, you're not

541
00:29:06,160 --> 00:29:07,840
Speaker 2: just gonna remember it at the end of the show.

542
00:29:07,880 --> 00:29:09,520
Speaker 2: Unfortunately for a lot of these.

543
00:29:09,400 --> 00:29:14,440
Speaker 5: Guys, Right right, you look young enough.

544
00:29:14,480 --> 00:29:14,840
Speaker 2: I guess.

545
00:29:14,880 --> 00:29:16,680
Speaker 5: I don't know. I feel like there's like a weird

546
00:29:16,720 --> 00:29:20,760
Speaker 5: nebulous age between like twenty two and forty five that

547
00:29:20,800 --> 00:29:22,880
Speaker 5: everyone in Hollywood kind of exists within.

548
00:29:23,800 --> 00:29:26,360
Speaker 2: I have a question about your podcast. Okay, how do

549
00:29:26,440 --> 00:29:32,320
Speaker 2: you popular the show?

550
00:29:31,920 --> 00:29:33,720
Speaker 5: Is that a verb?

551
00:29:34,880 --> 00:29:40,880
Speaker 2: How do you I'm sorry, nerd, how do you be what?

552
00:29:41,240 --> 00:29:44,160
Speaker 2: How would you put this? How do you have the

553
00:29:44,240 --> 00:29:46,720
Speaker 2: show be? Listen?

554
00:29:49,120 --> 00:29:55,000
Speaker 5: You guys are creepy on the internet.

555
00:29:55,120 --> 00:29:59,120
Speaker 2: It's a podcast, right, Okay, okay, great, Okay, we've done

556
00:29:59,160 --> 00:29:59,520
Speaker 2: that too.

557
00:30:00,440 --> 00:30:02,320
Speaker 5: What are you leading me to something?

558
00:30:02,600 --> 00:30:12,920
Speaker 2: Hopefully? What makes people listen to a show and like it? Yes, yes, yes,

559
00:30:13,360 --> 00:30:16,040
Speaker 2: and come back and come back and listen again to

560
00:30:16,120 --> 00:30:20,480
Speaker 2: the next show, to the same show, different episode. We

561
00:30:20,520 --> 00:30:23,240
Speaker 2: want that r Yes, yeah, well.

562
00:30:23,120 --> 00:30:24,600
Speaker 5: I guess you have it right, because I'm not your

563
00:30:24,600 --> 00:30:25,400
Speaker 5: first guest.

564
00:30:25,960 --> 00:30:29,479
Speaker 2: So we have guests. Guess we have. We've gotten that

565
00:30:29,640 --> 00:30:33,360
Speaker 2: guests we have, but to listen to the guest and

566
00:30:33,400 --> 00:30:36,160
Speaker 2: to us and other people doing that? How do we

567
00:30:36,240 --> 00:30:36,600
Speaker 2: do that?

568
00:30:40,720 --> 00:30:45,360
Speaker 1: You just broke became like I'm sorry, I'm just I'm

569
00:30:45,440 --> 00:30:46,520
Speaker 1: so passionate about this.

570
00:30:46,840 --> 00:30:49,400
Speaker 5: Okay, sure, words are failing you. I get it. I

571
00:30:49,800 --> 00:30:52,800
Speaker 5: suppose if we're talking to scoop trip, can I talk

572
00:30:52,840 --> 00:30:53,840
Speaker 5: to the scoop troop please?

573
00:30:54,000 --> 00:30:54,200
Speaker 2: Yes?

574
00:30:54,280 --> 00:30:56,320
Speaker 1: Okay, but don't get out of their pens first, because

575
00:30:56,320 --> 00:30:58,880
Speaker 1: otherwise they're going to try and write with their fists.

576
00:30:58,920 --> 00:31:01,840
Speaker 5: Okay, Scoop Trir, take out a pen. Any writing utensil

577
00:31:01,840 --> 00:31:02,600
Speaker 5: doesn't have to be a pen.

578
00:31:04,840 --> 00:31:09,600
Speaker 2: It's better to be a specific pen, a pen.

579
00:31:10,040 --> 00:31:11,760
Speaker 5: Right on your face, because your face is your face.

580
00:31:12,360 --> 00:31:12,840
Speaker 5: Mm hmmm.

581
00:31:13,800 --> 00:31:19,400
Speaker 2: Okay. Yes, we've encouraged them to get most schines, but

582
00:31:19,520 --> 00:31:24,640
Speaker 2: we can't control are you saying it like that, moskines.

583
00:31:25,840 --> 00:31:29,760
Speaker 2: We've encouraged them to get that, y. What did you

584
00:31:29,800 --> 00:31:33,560
Speaker 2: want to say to the troops? Yes, you want to.

585
00:31:33,520 --> 00:31:36,760
Speaker 5: Talk like Dutch people who are like just figuring it out.

586
00:31:38,480 --> 00:31:43,040
Speaker 5: Get out your moleskin like a person, make your podcast listenable.

587
00:31:43,120 --> 00:31:46,480
Speaker 5: I suppose you really have to book big celebrities or

588
00:31:46,520 --> 00:31:47,400
Speaker 5: be one yourself.

589
00:31:48,280 --> 00:31:50,280
Speaker 2: Okay, it must be what else?

590
00:31:50,680 --> 00:31:53,200
Speaker 5: That's it, that's really it has to be something else.

591
00:31:53,840 --> 00:31:54,720
Speaker 5: I don't think there is.

592
00:31:54,760 --> 00:31:57,400
Speaker 1: I think you said internet and you said big celebrities,

593
00:31:57,520 --> 00:32:00,160
Speaker 1: and that's there's going to be another way. Those are

594
00:32:00,200 --> 00:32:03,800
Speaker 1: the only two things we do. Internet, big celebrities.

595
00:32:03,920 --> 00:32:07,600
Speaker 5: He's not working or thinking. Maybe try having some sort

596
00:32:07,600 --> 00:32:11,120
Speaker 5: of like we like pop quiz like weekly game show,

597
00:32:11,160 --> 00:32:13,280
Speaker 5: Element trivia, Hollo trivia.

598
00:32:13,720 --> 00:32:23,120
Speaker 7: Well for the popcorn Gallery, it's quiz segment where we

599
00:32:23,240 --> 00:32:30,960
Speaker 7: as scar guests, quiz questions, drumar listening, gad ready.

600
00:32:30,720 --> 00:32:37,800
Speaker 2: Fuck whiz? That is this live?

601
00:32:38,960 --> 00:32:39,040
Speaker 4: Like?

602
00:32:39,080 --> 00:32:41,960
Speaker 5: Are there people writing in? He said it was from

603
00:32:42,000 --> 00:32:42,479
Speaker 5: the people.

604
00:32:42,600 --> 00:32:44,680
Speaker 2: We have them. They submitted ahead of time.

605
00:32:44,960 --> 00:32:45,240
Speaker 5: So they.

606
00:32:46,760 --> 00:32:49,680
Speaker 2: Hey. So if this is jarring for anyone, it's because

607
00:32:49,760 --> 00:32:51,760
Speaker 2: Cody broke the machine.

608
00:32:51,880 --> 00:32:54,840
Speaker 5: But he didn't. He's not strong. If you ever saw

609
00:32:54,920 --> 00:32:55,600
Speaker 5: in person, you'd be.

610
00:32:55,840 --> 00:32:56,920
Speaker 2: Yes, yeah, yes.

611
00:32:57,000 --> 00:32:59,520
Speaker 1: Don't think that he used it from using his muscles

612
00:32:59,560 --> 00:33:00,800
Speaker 1: because it had nothing to do.

613
00:33:00,920 --> 00:33:05,520
Speaker 2: Please, no, I think that all that happened is probably spilled.

614
00:33:05,640 --> 00:33:08,960
Speaker 2: Is high Sea on there or something? What'd you do?

615
00:33:09,040 --> 00:33:11,440
Speaker 2: Fucking child? What did you do? You guys? Take it easy,

616
00:33:11,480 --> 00:33:13,280
Speaker 2: he's your What did you do?

617
00:33:13,680 --> 00:33:13,760
Speaker 6: No?

618
00:33:13,840 --> 00:33:17,280
Speaker 5: I get paid to be here, okay, not enoughing like

619
00:33:17,280 --> 00:33:17,840
Speaker 5: a real job.

620
00:33:18,040 --> 00:33:21,400
Speaker 2: Yes, that's right, not like a job any of us

621
00:33:21,400 --> 00:33:28,240
Speaker 2: would watch. Now. Now, now that we're back, and hopefully

622
00:33:28,240 --> 00:33:34,000
Speaker 2: people have gotten over the shock of engineer Cody trying

623
00:33:34,000 --> 00:33:37,400
Speaker 2: to sabotage the show, we can do the quiz. We

624
00:33:37,440 --> 00:33:38,680
Speaker 2: can do the quiz part.

625
00:33:39,360 --> 00:33:44,000
Speaker 1: And this is where it's called the popcorn Gallery because movies.

626
00:33:44,040 --> 00:33:47,560
Speaker 1: It's about movies, shows about movies. And at the movies,

627
00:33:48,040 --> 00:33:48,760
Speaker 1: what do you eat?

628
00:33:49,800 --> 00:33:50,480
Speaker 5: Popcorn?

629
00:33:50,640 --> 00:33:50,880
Speaker 2: Yes?

630
00:33:50,960 --> 00:33:54,360
Speaker 1: Popcorn good? Yes, you got it? And so you know

631
00:33:54,360 --> 00:33:55,560
Speaker 1: about the peanut gallery.

632
00:33:55,680 --> 00:33:56,680
Speaker 2: You shouldn't. What do you mean?

633
00:33:57,360 --> 00:34:02,120
Speaker 5: Corn so bad for you? You're even popped, especially popped,

634
00:34:02,400 --> 00:34:04,040
Speaker 5: it's even more room in your stomach.

635
00:34:04,240 --> 00:34:05,400
Speaker 2: It's it is vegetable.

636
00:34:05,480 --> 00:34:07,360
Speaker 5: I just give high holiday services this year because I

637
00:34:07,360 --> 00:34:09,760
Speaker 5: eat so much corn. I got sick. Moving on, I'm.

638
00:34:09,600 --> 00:34:12,480
Speaker 1: Doing speaking of what our first question is about that? Okay,

639
00:34:13,280 --> 00:34:15,400
Speaker 1: but we have to know that we have to reach this.

640
00:34:15,640 --> 00:34:17,080
Speaker 1: We have to reach into the popcorn bag and we

641
00:34:17,120 --> 00:34:18,120
Speaker 1: have to pull out a question.

642
00:34:18,320 --> 00:34:21,400
Speaker 5: Okay, so it's like a cracker jack.

643
00:34:22,160 --> 00:34:23,400
Speaker 2: Is that a new idea?

644
00:34:24,000 --> 00:34:27,439
Speaker 5: No, it's mine for my podcast called the Hollywood Man

645
00:34:27,800 --> 00:34:31,560
Speaker 5: Man Book, Man Book. It's not like yours at all, though,

646
00:34:31,640 --> 00:34:32,319
Speaker 5: So just move on.

647
00:34:33,040 --> 00:34:37,400
Speaker 2: Okay, okay, see see how it would work with a crackerjack.

648
00:34:37,560 --> 00:34:41,680
Speaker 1: All right, let's reach into the crackerjack box and maybe

649
00:34:41,680 --> 00:34:44,319
Speaker 1: we'll find a prize.

650
00:34:46,760 --> 00:34:53,200
Speaker 2: Peanut, peanut? Oh, what's this? What's a wire for the

651
00:34:53,239 --> 00:34:59,359
Speaker 2: friggin recording device? Oh, Engineer Cody, you were reaching into

652
00:34:59,400 --> 00:35:03,200
Speaker 2: the cracker jack box. Well, what a convenient sound drop.

653
00:35:04,960 --> 00:35:07,200
Speaker 1: That's a new target for mar Marcus, our sound drop guy,

654
00:35:07,239 --> 00:35:09,479
Speaker 1: the guy who yes, he records all those sound drops

655
00:35:09,480 --> 00:35:10,080
Speaker 1: ahead of time.

656
00:35:11,040 --> 00:35:13,480
Speaker 2: And uh, I guess he's aiming square at Cody and

657
00:35:13,640 --> 00:35:16,320
Speaker 2: knew that he would try to do something like he did.

658
00:35:18,640 --> 00:35:20,680
Speaker 2: Here's a question, are.

659
00:35:20,480 --> 00:35:23,239
Speaker 5: We doing the thing again? The popcorn thing? M?

660
00:35:23,800 --> 00:35:26,560
Speaker 2: This is it? This is it? Yes, we're well into it.

661
00:35:26,640 --> 00:35:27,960
Speaker 2: Questions coming at you.

662
00:35:29,280 --> 00:35:31,920
Speaker 1: This is a question from a you, a new listener,

663
00:35:32,280 --> 00:35:34,600
Speaker 1: b R G R H O. I'm going to pronounce

664
00:35:34,600 --> 00:35:41,440
Speaker 1: that burger hoe burger hoe right, Eliza, As a Jewish comedian,

665
00:35:42,160 --> 00:35:45,640
Speaker 1: what percentage of your earnings must be given to Jerry Steinfeld.

666
00:35:46,640 --> 00:35:50,360
Speaker 5: Burger stupid name, but that is a real thing. That

667
00:35:50,440 --> 00:35:53,640
Speaker 5: is a dumb question and slightly anti semitic.

668
00:35:53,520 --> 00:35:53,600
Speaker 4: So.

669
00:35:55,400 --> 00:35:58,120
Speaker 5: Speak, why would he want He's not my manager. Here's

670
00:35:58,120 --> 00:36:00,360
Speaker 5: how Hollywood works. He's not my manager or my agent,

671
00:36:00,960 --> 00:36:02,920
Speaker 5: nor is he Lorne Michaels. So he doesn't get a

672
00:36:02,920 --> 00:36:03,960
Speaker 5: percentage of anything I do.

673
00:36:04,040 --> 00:36:06,040
Speaker 1: So you're saying that the fact that you're a Jewish comedian,

674
00:36:06,080 --> 00:36:07,600
Speaker 1: you don't have to give any money to.

675
00:36:08,400 --> 00:36:12,560
Speaker 5: Another Jewish comedian. Well I don't. I've never even met him.

676
00:36:12,680 --> 00:36:17,520
Speaker 2: Well, Jerry's not just another Jewish comedian, but he is. Wow,

677
00:36:17,680 --> 00:36:19,759
Speaker 2: Now this is it, and then let's explore this.

678
00:36:20,560 --> 00:36:22,640
Speaker 5: He's not another Catholic comedian.

679
00:36:22,560 --> 00:36:28,680
Speaker 2: But not just another any Jewish comedian. He's the freaking

680
00:36:28,880 --> 00:36:34,120
Speaker 2: marriage rif. I mean, are we just going to ignore that?

681
00:36:34,640 --> 00:36:35,319
Speaker 5: Is that on? So?

682
00:36:35,840 --> 00:36:36,040
Speaker 1: No?

683
00:36:36,760 --> 00:36:39,520
Speaker 5: Oh, I read for it the reason I know.

684
00:36:41,239 --> 00:36:47,440
Speaker 2: He's a freaking marriage drift. So that's where this animosity comes. Okay,

685
00:36:47,560 --> 00:36:49,319
Speaker 2: so you're not a marriage drift, and all of a sudden,

686
00:36:49,360 --> 00:36:51,360
Speaker 2: he's just some Jewish comedian.

687
00:36:52,040 --> 00:36:54,840
Speaker 5: I'm not trying to get blacklisted from comedy, but that

688
00:36:55,280 --> 00:36:56,920
Speaker 5: maybe Jered that we'll find out if Jerry's time to

689
00:36:57,040 --> 00:36:57,920
Speaker 5: listen to your podcast.

690
00:36:58,080 --> 00:37:00,719
Speaker 2: If I can't work tomorrow, that would be nice. Let's

691
00:37:00,760 --> 00:37:03,000
Speaker 2: reach into the crackerjack gallery bag.

692
00:37:03,480 --> 00:37:04,320
Speaker 5: He make some noise.

693
00:37:04,920 --> 00:37:07,560
Speaker 2: I well play, Yes, we'll play the pre existing sound drop.

694
00:37:08,239 --> 00:37:08,839
Speaker 2: That's for sure.

695
00:37:09,080 --> 00:37:18,840
Speaker 5: Okay, I thought you were gonna get it. Sounds like

696
00:37:18,880 --> 00:37:20,520
Speaker 5: you just came. I'm sorry, Like that's.

697
00:37:20,360 --> 00:37:27,600
Speaker 2: What that's horrible. It's my old wrestling siglette from high

698
00:37:27,600 --> 00:37:30,719
Speaker 2: school who was in this cracker Jack box. Oh Jesus

699
00:37:30,880 --> 00:37:38,520
Speaker 2: Cody might. Did Mark find an old wrestling single in

700
00:37:38,560 --> 00:37:40,480
Speaker 2: his Crackerjack box and he was making fun of you?

701
00:37:40,560 --> 00:37:42,200
Speaker 2: Or is there something you're not telling us about?

702
00:37:42,280 --> 00:37:42,600
Speaker 5: Uh?

703
00:37:42,840 --> 00:37:49,440
Speaker 2: Some athletic days gone by? This question is from Anastasia Vigo.

704
00:37:49,800 --> 00:37:53,520
Speaker 2: We went through that Eliza. In showbiz, Why do women

705
00:37:53,600 --> 00:37:54,440
Speaker 2: need to look pretty?

706
00:37:55,080 --> 00:38:00,839
Speaker 5: They don't Onnastasia, plenty of actresses are not pretty, and

707
00:38:01,040 --> 00:38:03,400
Speaker 5: you know, because not all stories involve pretty begun that.

708
00:38:03,400 --> 00:38:05,240
Speaker 2: What are some actresses who are not pretty?

709
00:38:06,200 --> 00:38:09,160
Speaker 5: Well? I mean someone You can have a talented actress

710
00:38:09,160 --> 00:38:09,880
Speaker 5: who isn't pretty?

711
00:38:10,320 --> 00:38:13,880
Speaker 2: Hmm, yes, what about an untalented one who isn't pretty?

712
00:38:14,239 --> 00:38:17,279
Speaker 5: You are out for the rest of your days. An

713
00:38:17,320 --> 00:38:19,759
Speaker 5: untalented actress who isn't pretty. It was a stand up

714
00:38:19,760 --> 00:38:27,080
Speaker 5: comedian or a writer, that's what that is. Uh so pretty,

715
00:38:27,280 --> 00:38:30,759
Speaker 5: pep want to see pretty people, but most people, most

716
00:38:30,760 --> 00:38:35,440
Speaker 5: people have weird faces. Most people are very unattractive. Yeah,

717
00:38:35,880 --> 00:38:38,399
Speaker 5: I myself have a very small bald spot that I've

718
00:38:38,400 --> 00:38:41,080
Speaker 5: created on the top of my head. Everybody's got their thing.

719
00:38:41,520 --> 00:38:42,439
Speaker 2: You created it.

720
00:38:43,440 --> 00:38:44,360
Speaker 5: I found it out today.

721
00:38:45,360 --> 00:38:47,760
Speaker 2: Mm hmm, you found out today. This is fresh.

722
00:38:47,840 --> 00:38:49,279
Speaker 5: I looked at it, didn't realize that I'd worn all

723
00:38:49,320 --> 00:38:50,080
Speaker 5: the hair away.

724
00:38:50,840 --> 00:38:53,480
Speaker 2: At the top of my temple revenant the head.

725
00:38:53,520 --> 00:38:56,280
Speaker 5: Just thinking, just like producing so much content.

726
00:38:56,880 --> 00:39:00,600
Speaker 2: Oh, speak on content. It's so important these days.

727
00:39:00,960 --> 00:39:05,080
Speaker 5: Yeah, I just I was just producing massive loads of content.

728
00:39:06,760 --> 00:39:08,879
Speaker 2: Keep going out of just hot loads of.

729
00:39:10,520 --> 00:39:15,520
Speaker 5: I don't I don't understand. She got to keep turn

730
00:39:15,640 --> 00:39:18,080
Speaker 5: stuff out and throwing it against the wall and hope

731
00:39:18,080 --> 00:39:20,799
Speaker 5: that it works. So that's why so many people are

732
00:39:20,840 --> 00:39:23,799
Speaker 5: so quote unquote multifaceted in Hollywood. That's why no one's

733
00:39:23,800 --> 00:39:26,680
Speaker 5: business card just says writer. It says writer slash ice

734
00:39:26,680 --> 00:39:29,760
Speaker 5: cream turner slash landscaper slash comedian.

735
00:39:30,120 --> 00:39:32,120
Speaker 2: Business card is important huh.

736
00:39:31,800 --> 00:39:38,200
Speaker 5: No, uh or I don't think anyone that is has

737
00:39:38,200 --> 00:39:40,399
Speaker 5: truly made it in any capacity carries a business card.

738
00:39:40,480 --> 00:39:42,920
Speaker 5: I certainly don't, because you've.

739
00:39:42,800 --> 00:39:44,040
Speaker 2: Got a funny one.

740
00:39:44,680 --> 00:39:45,400
Speaker 5: I'm not funny.

741
00:39:45,520 --> 00:39:47,239
Speaker 2: I'm not saying like a serious one. I'm saying like

742
00:39:47,280 --> 00:39:48,200
Speaker 2: a funny, good one.

743
00:39:48,239 --> 00:39:49,160
Speaker 5: Do you get serious with me?

744
00:39:49,520 --> 00:39:53,680
Speaker 2: No, I'm trying to get funny, like a funny business

745
00:39:53,680 --> 00:39:55,080
Speaker 2: like a funny business card.

746
00:39:55,120 --> 00:39:57,200
Speaker 5: It's cute, but it's also like, if you are some

747
00:39:57,400 --> 00:39:59,720
Speaker 5: you don't need a business card, if you're an actor

748
00:40:00,239 --> 00:40:01,919
Speaker 5: and you've made it in any level, because the people

749
00:40:01,920 --> 00:40:02,719
Speaker 5: should know who you are.

750
00:40:03,040 --> 00:40:05,120
Speaker 2: I don't know if you're getting what Hayes is getting at,

751
00:40:05,160 --> 00:40:06,520
Speaker 2: like the card is funny.

752
00:40:09,280 --> 00:40:11,440
Speaker 5: It's not that funny. I've never looked at a business

753
00:40:11,440 --> 00:40:13,120
Speaker 5: card and been like, oh my god, I cannot catch

754
00:40:13,160 --> 00:40:15,279
Speaker 5: my breath. This is so I can't wait to hold

755
00:40:15,280 --> 00:40:16,120
Speaker 5: onto this piece of paper.

756
00:40:16,239 --> 00:40:19,960
Speaker 2: Oh you haven't seen hayeses, Let's see it mine.

757
00:40:20,680 --> 00:40:22,680
Speaker 5: I you know, can ask you a question first, Yeah,

758
00:40:22,840 --> 00:40:26,040
Speaker 5: just based on your this like weird demeanor you have.

759
00:40:26,600 --> 00:40:30,320
Speaker 5: Was there a large discussion about the shade of white

760
00:40:31,200 --> 00:40:32,320
Speaker 5: all the American.

761
00:40:32,000 --> 00:40:36,520
Speaker 1: Cycles, Oh of my business card? Or yes, well that's

762
00:40:36,520 --> 00:40:37,520
Speaker 1: the funny thing about it.

763
00:40:37,520 --> 00:40:38,280
Speaker 2: It ain't white.

764
00:40:38,640 --> 00:40:38,799
Speaker 5: Oh?

765
00:40:39,560 --> 00:40:42,840
Speaker 2: Yes, let's see it. It's a wait, Cody wants to

766
00:40:42,880 --> 00:40:45,520
Speaker 2: take a picture of me in the middle of everything. Yeah,

767
00:40:45,560 --> 00:40:46,279
Speaker 2: sometimes they'll just.

768
00:40:46,239 --> 00:40:49,360
Speaker 1: Take a pictures. And now he's going to try and

769
00:40:49,400 --> 00:40:53,040
Speaker 1: take a picture of you two. Don't let him.

770
00:40:53,280 --> 00:40:53,840
Speaker 2: Yeah.

771
00:40:53,920 --> 00:40:59,200
Speaker 1: Anyway, it's red and green and it's as Santa Claus stupid.

772
00:41:00,280 --> 00:41:02,279
Speaker 2: Well, what do you mean it gets a laugh?

773
00:41:02,440 --> 00:41:03,640
Speaker 5: It just says Santa Claus.

774
00:41:03,800 --> 00:41:07,080
Speaker 1: Yeah, because that's like as if I'm Santa Claus and

775
00:41:07,080 --> 00:41:08,400
Speaker 1: and we all know he's not real.

776
00:41:09,000 --> 00:41:13,120
Speaker 2: But like, so, how could that even be? My business

777
00:41:13,200 --> 00:41:15,319
Speaker 2: card is just as I said, would you like my

778
00:41:15,400 --> 00:41:17,880
Speaker 2: business card? And I give somebody a piece of toilet paper,

779
00:41:20,920 --> 00:41:22,279
Speaker 2: you put your business on that card?

780
00:41:24,800 --> 00:41:25,240
Speaker 5: Gross?

781
00:41:25,800 --> 00:41:28,040
Speaker 2: Well, you know, but you do get a pretty big

782
00:41:28,160 --> 00:41:32,920
Speaker 2: chuckle out of people, and sometimes blue humor works. I

783
00:41:32,960 --> 00:41:36,080
Speaker 2: haven't really had the cassiness to a girl in a

784
00:41:36,120 --> 00:41:39,080
Speaker 2: business capacity. I mean, it just hasn't come up, and

785
00:41:39,160 --> 00:41:40,799
Speaker 2: I hope to god it doesn't. It feels like the

786
00:41:40,800 --> 00:41:44,560
Speaker 2: wind's blowing that way, and we've mentioned that it is changing.

787
00:41:44,600 --> 00:41:47,520
Speaker 5: Yes, back to this genius idea of giving someone a card.

788
00:41:47,560 --> 00:41:49,520
Speaker 5: This is Santa Claus out of season or is it

789
00:41:49,560 --> 00:41:51,080
Speaker 5: like a perennial thing? It just happened.

790
00:41:51,080 --> 00:41:52,839
Speaker 1: Like, what is when do you I actually think it's

791
00:41:52,840 --> 00:41:57,840
Speaker 1: funny if it's in summertime? Yeah, because why would he

792
00:41:57,920 --> 00:42:00,880
Speaker 1: ever be even doing business?

793
00:42:01,200 --> 00:42:03,640
Speaker 2: Okay, it's a summer Can.

794
00:42:03,640 --> 00:42:04,920
Speaker 5: You have a short beard? So you're like, this is

795
00:42:04,960 --> 00:42:05,800
Speaker 5: the summer look.

796
00:42:06,120 --> 00:42:09,040
Speaker 2: Yes, that's a good thing to say. I actually did

797
00:42:09,160 --> 00:42:11,480
Speaker 2: think of that. Yeah, but that's something you bring to

798
00:42:11,520 --> 00:42:13,120
Speaker 2: it the audience.

799
00:42:13,280 --> 00:42:16,279
Speaker 5: Let me ask you a question. So you go, you're

800
00:42:16,320 --> 00:42:19,240
Speaker 5: trying to push your podcast, right, and you go somewhere

801
00:42:19,239 --> 00:42:21,440
Speaker 5: to like a distributor or for like a meeting with

802
00:42:21,520 --> 00:42:24,160
Speaker 5: like a a sponsor or something, a serious meeting with

803
00:42:24,239 --> 00:42:26,600
Speaker 5: suits and people with degrees, and at the end they're like, thanks,

804
00:42:26,600 --> 00:42:27,640
Speaker 5: we love some of your ideas.

805
00:42:27,640 --> 00:42:30,759
Speaker 2: This is great audible or stamps dot com or yes.

806
00:42:30,960 --> 00:42:34,160
Speaker 5: And then you're like, wait, there's more. Yeah, here's my

807
00:42:34,320 --> 00:42:39,120
Speaker 5: business cards. Car It says Santa Claus. And then they're like,

808
00:42:39,600 --> 00:42:41,480
Speaker 5: we really need a way to contact you. We need

809
00:42:41,520 --> 00:42:44,360
Speaker 5: a number or an email and you're like, oh, just cookies.

810
00:42:44,480 --> 00:42:45,520
Speaker 2: It says a pole.

811
00:42:46,560 --> 00:42:50,320
Speaker 5: It another fictitious place. What does the North Pole exist?

812
00:42:50,760 --> 00:42:51,440
Speaker 5: Jews don't know.

813
00:42:52,880 --> 00:42:54,040
Speaker 2: There's a real north pole?

814
00:42:54,120 --> 00:42:55,920
Speaker 1: The North Pole? Yes, I actually read this in a

815
00:42:55,920 --> 00:43:00,360
Speaker 1: science book. It's the same one from before, from before. Yes, okay,

816
00:43:01,760 --> 00:43:03,120
Speaker 1: it's the top of the world.

817
00:43:04,480 --> 00:43:07,600
Speaker 2: Well, and I would say this depending on how you're

818
00:43:07,640 --> 00:43:12,480
Speaker 2: looking at it, because the universe is actually so big

819
00:43:13,440 --> 00:43:16,120
Speaker 2: that you could be on the other side.

820
00:43:16,760 --> 00:43:19,640
Speaker 5: Oh my god, that will other side and top and

821
00:43:19,680 --> 00:43:20,520
Speaker 5: bottom don't.

822
00:43:20,320 --> 00:43:23,719
Speaker 1: Affect each other, that's what And that's what he's saying. Well,

823
00:43:23,719 --> 00:43:25,400
Speaker 1: and that's exactly my point.

824
00:43:26,560 --> 00:43:28,520
Speaker 2: Well, you could be on the other side, and if

825
00:43:28,520 --> 00:43:31,600
Speaker 2: it's round, then that could be a lot of sides.

826
00:43:32,000 --> 00:43:35,360
Speaker 2: And it is, and that is true science.

827
00:43:35,560 --> 00:43:36,879
Speaker 5: I just urged to knock you over.

828
00:43:37,480 --> 00:43:39,480
Speaker 2: Well you can dry.

829
00:43:40,160 --> 00:43:43,680
Speaker 5: Many have tried, but you're still here in Hollywood.

830
00:43:44,560 --> 00:43:45,799
Speaker 2: But I'm still in Hollywood.

831
00:43:46,560 --> 00:43:49,120
Speaker 5: So yours is a piece of between the two of you.

832
00:43:49,120 --> 00:43:51,799
Speaker 5: Yours is a business card that says Santa Claus a

833
00:43:51,800 --> 00:43:52,759
Speaker 5: piece of toilet.

834
00:43:52,440 --> 00:43:54,600
Speaker 1: Papers, Santa Claus, North Pole and it's red and green.

835
00:43:54,800 --> 00:43:57,600
Speaker 1: And here's something fun we like to do. What's your

836
00:43:57,680 --> 00:43:58,760
Speaker 1: funny business card?

837
00:43:58,840 --> 00:43:59,200
Speaker 2: Idea?

838
00:44:00,360 --> 00:44:03,200
Speaker 5: Is it? We're reaching into the thing.

839
00:44:04,120 --> 00:44:06,080
Speaker 1: Do you want to pull your funny business card out

840
00:44:06,080 --> 00:44:08,799
Speaker 1: of like a fake bag and then read it?

841
00:44:11,640 --> 00:44:12,160
Speaker 2: That's good.

842
00:44:12,280 --> 00:44:14,320
Speaker 5: I only had the sound part down. I don't.

843
00:44:15,760 --> 00:44:19,200
Speaker 1: Yes, that's good. And now just like pretend you're pulling

844
00:44:19,239 --> 00:44:20,319
Speaker 1: something outsie here it is.

845
00:44:20,640 --> 00:44:22,520
Speaker 2: It is good. And now you read like a funny

846
00:44:22,520 --> 00:44:24,920
Speaker 2: business card just from your mind.

847
00:44:25,320 --> 00:44:30,760
Speaker 5: Yeah, like on par with your joke funny or should

848
00:44:30,760 --> 00:44:31,520
Speaker 5: I strive.

849
00:44:31,239 --> 00:44:33,279
Speaker 2: To be if you? Yeah, well you don't.

850
00:44:33,719 --> 00:44:38,920
Speaker 5: It's word to try, okay, Oh, Eliza Schlessinger, that just

851
00:44:38,920 --> 00:44:40,440
Speaker 5: says or Schlessinger.

852
00:44:41,680 --> 00:44:44,120
Speaker 2: See that's good. That's why you should be doing your

853
00:44:44,160 --> 00:44:48,000
Speaker 2: whole What they're thinking when they first see it, they're thinking,

854
00:44:48,040 --> 00:44:49,400
Speaker 2: I don't know how to say this. I hope she

855
00:44:49,440 --> 00:44:51,000
Speaker 2: doesn't make me say it out loud.

856
00:44:51,000 --> 00:44:54,120
Speaker 5: Contact and focus. I don't want that. No, why would

857
00:44:54,120 --> 00:44:56,080
Speaker 5: I give a card she doesn't my name on its.

858
00:44:57,760 --> 00:44:59,839
Speaker 5: It's just an expensive voice of the comic book.

859
00:45:00,160 --> 00:45:03,480
Speaker 2: I make a very funny suggestion, maybe you just get

860
00:45:03,520 --> 00:45:06,759
Speaker 2: an actual joker from a deck of playing cards, because really,

861
00:45:06,800 --> 00:45:10,399
Speaker 2: that is your business, isn't it. I'm the joker, Yes,

862
00:45:11,400 --> 00:45:16,320
Speaker 2: the joke, let's not. That's very is okay. We don't

863
00:45:16,160 --> 00:45:18,440
Speaker 2: want to intent of this is to educate, not to frighten, but.

864
00:45:20,239 --> 00:45:21,760
Speaker 5: To educate, not frightened.

865
00:45:21,920 --> 00:45:25,800
Speaker 2: Yes, well, the joker is a madman. There's no laws,

866
00:45:25,800 --> 00:45:29,160
Speaker 2: and he seems to you know, enjoy doing. He thrives

867
00:45:29,160 --> 00:45:31,359
Speaker 2: on chaos. So it's not you know, we don't talk

868
00:45:31,360 --> 00:45:32,960
Speaker 2: about that. That's what we're talking about. If something who

869
00:45:32,960 --> 00:45:34,399
Speaker 2: makes jokes.

870
00:45:34,080 --> 00:45:36,200
Speaker 5: I think there are comics that give out joker cards

871
00:45:37,400 --> 00:45:41,360
Speaker 5: speak on that. I think there are comics who you don't.

872
00:45:41,080 --> 00:45:42,000
Speaker 2: Have any names.

873
00:45:42,440 --> 00:45:44,400
Speaker 5: Yeah, I don't know. I mean I probably am not

874
00:45:44,440 --> 00:45:46,640
Speaker 5: like in contact with them because they're probably terrible. It's

875
00:45:46,719 --> 00:45:47,640
Speaker 5: like they think that's funny.

876
00:45:47,719 --> 00:45:50,319
Speaker 2: But Pablo Francisco, I love it.

877
00:45:50,560 --> 00:45:52,000
Speaker 5: I love Pablo Francisco.

878
00:45:52,400 --> 00:45:53,640
Speaker 2: Well, he does that funny card thing.

879
00:45:53,880 --> 00:45:54,799
Speaker 5: What's his funny card thing?

880
00:45:54,840 --> 00:45:55,879
Speaker 2: He gives it the joker card.

881
00:45:56,239 --> 00:46:01,160
Speaker 1: Let's reach into the let's reach into the cracker bag.

882
00:46:01,640 --> 00:46:10,839
Speaker 2: Okay, stickier than usual because of the caramel. Ah, I've

883
00:46:11,000 --> 00:46:14,160
Speaker 2: found I've found something in it, and that's the noise

884
00:46:14,200 --> 00:46:18,000
Speaker 2: I'm making. It's not a sex noise. I found that.

885
00:46:18,080 --> 00:46:20,240
Speaker 2: What I did was I pulled something out that I found.

886
00:46:20,680 --> 00:46:23,640
Speaker 2: Let's not make it filthy. Okay. So that was Mark.

887
00:46:23,760 --> 00:46:25,960
Speaker 2: So I guess Mark got upset that you said that

888
00:46:26,000 --> 00:46:26,920
Speaker 2: it's not like coming.

889
00:46:27,280 --> 00:46:30,120
Speaker 1: Yeah, he said it sounded like he came as Mark.

890
00:46:30,440 --> 00:46:34,799
Speaker 1: The guys are sound drops. It sometimes does seem like

891
00:46:34,840 --> 00:46:35,239
Speaker 1: he's here.

892
00:46:35,320 --> 00:46:39,360
Speaker 5: Yeah, it wasn't his sound drop. You went like you

893
00:46:39,440 --> 00:46:41,120
Speaker 5: made and I never even made jokes like that, but

894
00:46:41,320 --> 00:46:42,319
Speaker 5: that's what it sounded like.

895
00:46:42,480 --> 00:46:44,880
Speaker 1: No, it was it was Mark doing it. And sometimes

896
00:46:44,960 --> 00:46:46,759
Speaker 1: he does anticipate a lot what happens on.

897
00:46:46,680 --> 00:46:48,600
Speaker 2: The show, and sometimes I'll sort of lip sync along

898
00:46:48,640 --> 00:46:50,920
Speaker 2: with Mark sound drops, and I think that can be confusing.

899
00:46:51,560 --> 00:46:54,000
Speaker 5: Get what Mark is or what a Soundroph's my friend

900
00:46:54,040 --> 00:46:56,799
Speaker 5: from high school and we've asked him to make a

901
00:46:56,840 --> 00:46:59,080
Speaker 5: series of soundrops where he pretends to be reaching to

902
00:46:59,120 --> 00:47:03,000
Speaker 5: a popcorn bag. And uh, I thought a sound drop

903
00:47:03,120 --> 00:47:05,040
Speaker 5: was like when like when he fucked up earlier, and

904
00:47:05,080 --> 00:47:06,480
Speaker 5: it's like, oh, we dropped the sound we have to

905
00:47:06,520 --> 00:47:07,000
Speaker 5: start over.

906
00:47:07,360 --> 00:47:11,600
Speaker 2: Oh, that's called an engineer cody drop.

907
00:47:13,400 --> 00:47:17,759
Speaker 1: This question is from Michael Bay of Pigs Eliza on

908
00:47:17,800 --> 00:47:26,200
Speaker 1: his car Okay, it says, hey girl, what they do?

909
00:47:26,280 --> 00:47:28,759
Speaker 1: My name Ferrari Because of the trunk in the front,

910
00:47:29,000 --> 00:47:31,480
Speaker 1: we have to read the whole post. I know, he's

911
00:47:31,560 --> 00:47:33,840
Speaker 1: really disgusting. I'm so sorry. We have to read the

912
00:47:33,840 --> 00:47:36,919
Speaker 1: whole question. It's or it's a law, it's the law.

913
00:47:37,080 --> 00:47:39,600
Speaker 1: The question is can you say all ten of your

914
00:47:39,640 --> 00:47:43,120
Speaker 1: catchphrases really fast, I.

915
00:47:43,640 --> 00:47:45,400
Speaker 5: Would be an asshole. I was like, I got a

916
00:47:45,440 --> 00:47:47,400
Speaker 5: catchphrase without a TV show.

917
00:47:48,280 --> 00:47:48,759
Speaker 2: That's one.

918
00:47:49,400 --> 00:47:52,160
Speaker 5: That's that's one of them. Okay, where's the bathroom?

919
00:47:53,080 --> 00:47:53,680
Speaker 2: Okay?

920
00:47:54,880 --> 00:47:59,680
Speaker 5: Is this open? Are these club sodas? Two for one?

921
00:48:00,080 --> 00:48:02,759
Speaker 2: Very practical catchphrases, That's what I like about them.

922
00:48:03,000 --> 00:48:06,920
Speaker 5: I need fifty dollars on pump four? Yeah, I need that.

923
00:48:06,920 --> 00:48:08,960
Speaker 2: That's a lot. Yeah that's a BIG's.

924
00:48:08,600 --> 00:48:11,720
Speaker 5: Not the expensive gas but the middle one, not diesel

925
00:48:11,800 --> 00:48:14,000
Speaker 5: because it's a Honda. What else do I have?

926
00:48:14,600 --> 00:48:14,799
Speaker 2: Oh?

927
00:48:14,960 --> 00:48:22,479
Speaker 5: Are you guys hungry? I also have h Hey, so.

928
00:48:22,440 --> 00:48:26,120
Speaker 2: Many catchphrases our conversation enders, and I like that yours

929
00:48:26,520 --> 00:48:29,000
Speaker 2: really opened it up for the demand.

930
00:48:29,000 --> 00:48:32,360
Speaker 5: A response from the nine to eleven was an inside job.

931
00:48:33,680 --> 00:48:34,359
Speaker 2: See this again.

932
00:48:34,400 --> 00:48:36,640
Speaker 1: And I don't even remember actually what it was about,

933
00:48:36,680 --> 00:48:39,000
Speaker 1: being what any kind of job, because I think I

934
00:48:39,080 --> 00:48:42,000
Speaker 1: was in a baby crib when that was going.

935
00:48:41,760 --> 00:48:43,680
Speaker 5: On, as opposed to what kind of crib.

936
00:48:43,719 --> 00:48:44,920
Speaker 2: I'm trying to remember.

937
00:48:45,239 --> 00:48:48,600
Speaker 1: It definitely wasn't like any kind of older crib because

938
00:48:48,640 --> 00:48:52,120
Speaker 1: I think I was a baby. I remember looking at

939
00:48:52,440 --> 00:48:54,080
Speaker 1: some kind of like a mobile.

940
00:48:54,200 --> 00:48:56,640
Speaker 2: I remember it was so dark and I was just

941
00:48:56,800 --> 00:49:04,560
Speaker 2: covered in this fluid oh, yes, yes, is that right? Remember, yes,

942
00:49:04,600 --> 00:49:06,919
Speaker 2: I clearly remembered happening. But I don't you know.

943
00:49:07,280 --> 00:49:09,000
Speaker 1: That means you were very young. That's the smallest kind

944
00:49:09,000 --> 00:49:11,439
Speaker 1: of baby. You can bet that makes me young?

945
00:49:11,680 --> 00:49:13,239
Speaker 5: All right, Well, yeah, you're really you could look like

946
00:49:13,280 --> 00:49:16,000
Speaker 5: you could play a zygoat. Very young looks good, a

947
00:49:16,120 --> 00:49:19,600
Speaker 5: bearded sgoat. Yes, those are my catchphrases, though, I'd be

948
00:49:19,640 --> 00:49:21,680
Speaker 5: interested to know if people think I have some.

949
00:49:22,200 --> 00:49:26,200
Speaker 2: Thank you for calling it a beard. Now, one thing

950
00:49:26,200 --> 00:49:29,600
Speaker 2: we wanted to talk about, should art be a competition?

951
00:49:30,640 --> 00:49:35,160
Speaker 1: Because you won last Comic Standing did congratulations?

952
00:49:35,960 --> 00:49:40,160
Speaker 5: It means a lot now. I think art should be

953
00:49:40,200 --> 00:49:42,799
Speaker 5: a competition. I think competition is healthy, and I think

954
00:49:42,840 --> 00:49:46,280
Speaker 5: that in the art world, you know, it's a different

955
00:49:46,320 --> 00:49:48,080
Speaker 5: type of mindset. So there's nothing wrong with injecting a

956
00:49:48,120 --> 00:49:49,560
Speaker 5: little bit of competition.

957
00:49:49,280 --> 00:49:51,320
Speaker 2: And everyone gets a trophy these days.

958
00:49:51,160 --> 00:49:52,680
Speaker 5: Everyone does get a trophy, and there's nothing wrong with

959
00:49:52,680 --> 00:49:54,400
Speaker 5: injecting a little bit of art and grace into the

960
00:49:54,400 --> 00:49:55,239
Speaker 5: world of competition.

961
00:49:55,840 --> 00:49:57,239
Speaker 2: Did you get to meet Roseanne?

962
00:49:57,680 --> 00:49:59,760
Speaker 5: She was not on it. That was only this season.

963
00:50:00,040 --> 00:50:01,000
Speaker 2: It was on your season.

964
00:50:01,600 --> 00:50:01,719
Speaker 6: Uh.

965
00:50:02,040 --> 00:50:04,760
Speaker 5: Bill Bellamy was the host and there were no celebrity judges.

966
00:50:05,000 --> 00:50:06,040
Speaker 5: It was America that judge.

967
00:50:06,040 --> 00:50:06,960
Speaker 2: He's a bit randy.

968
00:50:08,160 --> 00:50:11,600
Speaker 5: I doesn't that mean like horny? I didn't find that.

969
00:50:11,840 --> 00:50:13,640
Speaker 5: I don't know if that's a slight against me or just.

970
00:50:13,760 --> 00:50:18,040
Speaker 1: That's weird, because usually he gets extremely randy.

971
00:50:19,160 --> 00:50:21,080
Speaker 5: I don't know why we're using that word. He was

972
00:50:21,200 --> 00:50:26,359
Speaker 5: just nice and he struggled with Schlessinger, so even when

973
00:50:26,360 --> 00:50:26,640
Speaker 5: I won.

974
00:50:27,920 --> 00:50:30,640
Speaker 1: But yeah, and they why did they fire him and

975
00:50:30,680 --> 00:50:31,799
Speaker 1: try to replace him with JB.

976
00:50:31,880 --> 00:50:33,120
Speaker 2: Smooth. I think we wouldn't notice.

977
00:50:34,080 --> 00:50:38,200
Speaker 5: Oh, I don't know. I think I'm not about to say,

978
00:50:38,200 --> 00:50:39,839
Speaker 5: even for the sake of this joke, I'm not about

979
00:50:39,840 --> 00:50:43,600
Speaker 5: to say something that damns my I'm not I don't

980
00:50:43,640 --> 00:50:48,279
Speaker 5: fucking know the show. I'm not gonna get.

981
00:50:48,200 --> 00:50:50,960
Speaker 2: It sound not even.

982
00:50:52,480 --> 00:50:56,880
Speaker 5: Wait a second, especially not for this, For this in particular,

983
00:50:56,960 --> 00:50:57,640
Speaker 5: I wouldn't do.

984
00:50:57,600 --> 00:51:01,640
Speaker 2: It, but you would do it. Jamies was very nice

985
00:51:01,960 --> 00:51:02,920
Speaker 2: a popular show.

986
00:51:03,800 --> 00:51:06,640
Speaker 5: I wouldn't popular no show what I get out and

987
00:51:06,640 --> 00:51:10,760
Speaker 5: and say it. I have no idea why NBC changed

988
00:51:10,800 --> 00:51:13,600
Speaker 5: out one black guy for another. I have no idea.

989
00:51:14,080 --> 00:51:15,640
Speaker 5: They're both likable and nice.

990
00:51:15,719 --> 00:51:20,120
Speaker 2: And uh, that's interesting. They are both black guys, aren't they.

991
00:51:20,280 --> 00:51:23,160
Speaker 1: Yes, that is interesting that wasn't a connection I necessarily made.

992
00:51:23,200 --> 00:51:26,840
Speaker 1: But well, they're both likable.

993
00:51:26,880 --> 00:51:28,960
Speaker 2: Yeah, they're both money like, they're both comedian, they're both

994
00:51:29,040 --> 00:51:30,680
Speaker 2: slightly randy at times.

995
00:51:32,000 --> 00:51:37,040
Speaker 5: I mean, yeah, they're dude, so they fuck. But yeah,

996
00:51:37,040 --> 00:51:40,319
Speaker 5: that for what was the question I won in two

997
00:51:40,360 --> 00:51:43,200
Speaker 5: thousand and eight. So it's obviously still we're feeling the

998
00:51:43,200 --> 00:51:46,680
Speaker 5: effects of that. And it's probably my fault that that's

999
00:51:46,719 --> 00:51:48,719
Speaker 5: been the most achmatic point of my career thus far.

1000
00:51:49,080 --> 00:51:51,799
Speaker 5: But I do think that there should be a competition

1001
00:51:52,400 --> 00:51:54,000
Speaker 5: as long as people want to watch it and as

1002
00:51:54,000 --> 00:51:55,920
Speaker 5: long as people are willing to compete. You know, it's

1003
00:51:55,960 --> 00:51:57,000
Speaker 5: not like we're throwing babies in.

1004
00:51:57,000 --> 00:51:58,719
Speaker 2: There is comedy like football.

1005
00:51:59,080 --> 00:52:02,480
Speaker 5: Comedy is identify culture football just because actually no difference

1006
00:52:02,520 --> 00:52:05,279
Speaker 5: between comedy and football. When I watch the Super Bowl,

1007
00:52:05,360 --> 00:52:07,400
Speaker 5: I'm like, am I at the met because.

1008
00:52:07,400 --> 00:52:10,680
Speaker 1: They don't do that home of comedy comedy.

1009
00:52:11,040 --> 00:52:13,920
Speaker 5: I was thinking art, not comedy. Comedy and football are

1010
00:52:13,960 --> 00:52:19,759
Speaker 5: the same because there's a lot of aggression, you play

1011
00:52:19,800 --> 00:52:21,720
Speaker 5: with a lot of heart, and the best.

1012
00:52:21,560 --> 00:52:24,680
Speaker 2: Team doesn't always win, And isn't that true?

1013
00:52:24,840 --> 00:52:26,799
Speaker 5: Yeah, And your fans can be rabid and they can

1014
00:52:26,840 --> 00:52:30,439
Speaker 5: also be fair weather fans. And when you're on top,

1015
00:52:30,520 --> 00:52:33,520
Speaker 5: they love you the most and when you and then

1016
00:52:33,719 --> 00:52:36,000
Speaker 5: sometimes you feel irrelevant when you have a bye week.

1017
00:52:36,680 --> 00:52:41,120
Speaker 2: That term recently was Bill Hicks too dangerous.

1018
00:52:40,000 --> 00:52:40,880
Speaker 5: For what life?

1019
00:52:41,600 --> 00:52:46,719
Speaker 2: Mm hm, well I suppose so, shouldn't it be JB smooth?

1020
00:52:47,360 --> 00:52:47,760
Speaker 5: Smooth?

1021
00:52:48,120 --> 00:52:49,280
Speaker 2: Shouldn't it be smooth?

1022
00:52:49,400 --> 00:52:49,640
Speaker 3: Though?

1023
00:52:49,760 --> 00:52:50,600
Speaker 2: Is it smooth?

1024
00:52:51,040 --> 00:52:52,840
Speaker 5: I think it is a I think it's in a

1025
00:52:52,920 --> 00:52:54,239
Speaker 5: bonyx thing.

1026
00:52:54,920 --> 00:52:55,560
Speaker 2: What's that?

1027
00:52:56,040 --> 00:52:58,640
Speaker 5: Black people? But they tried to put in schools for

1028
00:52:58,680 --> 00:53:00,160
Speaker 5: a while. It's just a good way to keep the

1029
00:53:00,800 --> 00:53:02,719
Speaker 5: lower class down. And I'm really glad that that's not

1030
00:53:02,719 --> 00:53:03,360
Speaker 5: a thing anymore.

1031
00:53:04,000 --> 00:53:04,360
Speaker 2: Mmmm.

1032
00:53:06,040 --> 00:53:08,000
Speaker 5: It's smooth. It's just like a fun take on it.

1033
00:53:08,200 --> 00:53:10,799
Speaker 5: Like Slessinger be like, oh, that's a different way to

1034
00:53:10,840 --> 00:53:11,080
Speaker 5: do it.

1035
00:53:11,440 --> 00:53:17,200
Speaker 1: M Oh, I see, well now your name makes more sense. Yeah,

1036
00:53:17,239 --> 00:53:18,680
Speaker 1: it's like a funny version.

1037
00:53:19,920 --> 00:53:20,719
Speaker 2: I see.

1038
00:53:22,440 --> 00:53:22,640
Speaker 5: Better.

1039
00:53:22,640 --> 00:53:27,000
Speaker 1: If I just fall asleep, you wouldn't be the first

1040
00:53:27,200 --> 00:53:31,520
Speaker 1: to fall asleep on our show. No, thank you so

1041
00:53:31,640 --> 00:53:36,239
Speaker 1: much Eliza for coming. Oh you say you're going to sleep?

1042
00:53:37,840 --> 00:53:40,680
Speaker 2: Yeah? Oh, well, what did you want to say?

1043
00:53:41,239 --> 00:53:42,960
Speaker 5: Sorry? I didn't want to saything.

1044
00:53:43,040 --> 00:53:46,080
Speaker 2: Well, okay, I mean you seem really fired about comedy

1045
00:53:46,080 --> 00:53:47,000
Speaker 2: being like football.

1046
00:53:47,200 --> 00:53:50,120
Speaker 5: I was just trying to it's nothing like football, you

1047
00:53:50,160 --> 00:53:52,480
Speaker 5: don't think so it can be. If I were writing

1048
00:53:52,520 --> 00:53:55,160
Speaker 5: some sort of paper comparing and contrasting, I could make

1049
00:53:55,160 --> 00:53:56,080
Speaker 5: an argument for either.

1050
00:53:56,719 --> 00:54:01,040
Speaker 2: George Carlin talked about football and baseball, and he was

1051
00:54:01,080 --> 00:54:03,279
Speaker 2: a comedian. Was he an inspiration?

1052
00:54:03,640 --> 00:54:03,839
Speaker 5: No?

1053
00:54:03,920 --> 00:54:04,920
Speaker 2: What about Lenny Bruce?

1054
00:54:05,239 --> 00:54:08,640
Speaker 5: For me? Neither of these men too edgy. It's not

1055
00:54:08,680 --> 00:54:10,600
Speaker 5: too it's just a bit before my time. And I

1056
00:54:10,600 --> 00:54:12,279
Speaker 5: grew up in a different part of the country with

1057
00:54:12,320 --> 00:54:13,319
Speaker 5: different influences.

1058
00:54:13,840 --> 00:54:15,640
Speaker 1: Lots of people thought they were too edgy when they

1059
00:54:15,680 --> 00:54:18,560
Speaker 1: were first coming up because and they did swear.

1060
00:54:18,520 --> 00:54:21,120
Speaker 5: They were edgy. And but you need things like that

1061
00:54:21,239 --> 00:54:23,719
Speaker 5: so that people get used to it. Now it's a

1062
00:54:23,719 --> 00:54:26,520
Speaker 5: little bit more tame. But at the time telling the truth.

1063
00:54:28,400 --> 00:54:30,080
Speaker 2: Jesus, how do you do that? How do you do

1064
00:54:30,160 --> 00:54:34,480
Speaker 2: that with your mouth open? How are you doing that?

1065
00:54:34,560 --> 00:54:36,279
Speaker 2: It's like it's like ventriloquy.

1066
00:54:37,880 --> 00:54:39,160
Speaker 5: It is what the way you say?

1067
00:54:40,760 --> 00:54:41,480
Speaker 2: It's amazing.

1068
00:54:43,800 --> 00:54:47,080
Speaker 1: Yeah, it's dumbistry. And is that a new thing for

1069
00:54:47,160 --> 00:54:49,799
Speaker 1: you to do? So many of these guys are doing

1070
00:54:49,800 --> 00:54:52,000
Speaker 1: that now, and it's so funny. The puppets.

1071
00:54:52,600 --> 00:54:54,560
Speaker 5: I'm not only Jeff Dunham does puppets.

1072
00:54:54,960 --> 00:54:58,239
Speaker 2: Terry Fader does puppets. Yeah, but like he's rich, you

1073
00:54:58,280 --> 00:55:01,560
Speaker 2: should do puppets. Eli think that is that a good idea?

1074
00:55:03,520 --> 00:55:07,480
Speaker 2: That was so good? Yes, that's really good. This is

1075
00:55:07,520 --> 00:55:11,080
Speaker 2: really cracking me up. I mean this other voice and

1076
00:55:11,120 --> 00:55:15,040
Speaker 2: the sort of the idea of your hand talking yes, yes,

1077
00:55:15,200 --> 00:55:18,840
Speaker 2: put that tissue box on your hand. And and Cody,

1078
00:55:18,880 --> 00:55:22,239
Speaker 2: please get a photograph of this. Yes, that's really nice.

1079
00:55:22,440 --> 00:55:24,880
Speaker 2: Please don't let him take it. And this is what

1080
00:55:25,040 --> 00:55:29,240
Speaker 2: we create the tension in the studio. That's a really

1081
00:55:29,360 --> 00:55:33,439
Speaker 2: funny guy. I don't know, I'm ready. What does he say?

1082
00:55:34,440 --> 00:55:40,120
Speaker 2: What's he say?

1083
00:55:40,640 --> 00:55:43,839
Speaker 5: Okay, you can't mind Alex because he's made of them.

1084
00:55:43,960 --> 00:55:44,839
Speaker 2: You can't reach it.

1085
00:55:44,920 --> 00:55:46,640
Speaker 5: You can't use the clinics because that'll be using it

1086
00:55:46,760 --> 00:55:48,839
Speaker 5: like be like using your arm, like you can't.

1087
00:55:49,000 --> 00:55:54,440
Speaker 2: Oh no, buddy, I ticket to Vegas. What a hellish existence.

1088
00:55:55,120 --> 00:55:56,200
Speaker 5: I'm covered in flu.

1089
00:55:56,960 --> 00:56:00,839
Speaker 2: Help that's this guy?

1090
00:56:00,920 --> 00:56:03,040
Speaker 5: Thought I was a business card. I'm not toilet paper.

1091
00:56:07,160 --> 00:56:09,120
Speaker 2: He does it all. He's coming at me. I don't

1092
00:56:09,160 --> 00:56:11,680
Speaker 2: like this guy. No, I'm playing around. I can take it.

1093
00:56:11,760 --> 00:56:16,960
Speaker 2: That's pretty good. Okay, Hey, it's okay. I you know

1094
00:56:17,239 --> 00:56:19,080
Speaker 2: I'm the host. I could get made fun of every

1095
00:56:19,120 --> 00:56:22,440
Speaker 2: now and then, and so you know it's okay, but

1096
00:56:22,600 --> 00:56:24,440
Speaker 2: let's put the tissue box away. I think we're done

1097
00:56:24,480 --> 00:56:27,960
Speaker 2: with that part now. Thanks for coming on the show.

1098
00:56:30,840 --> 00:56:33,719
Speaker 2: His was it Burger Hope about the pro versions? Yes,

1099
00:56:33,760 --> 00:56:35,640
Speaker 2: Burger about the pro version? Yes.

1100
00:56:35,719 --> 00:56:40,120
Speaker 1: Well, and we already know that that user has a

1101
00:56:40,120 --> 00:56:43,840
Speaker 1: good relationship with Eliza, so we a good present from

1102
00:56:43,880 --> 00:56:46,680
Speaker 1: her for Burger Co. So someone buys the pro version

1103
00:56:46,680 --> 00:56:48,799
Speaker 1: of our A bunch of people buy the pro version

1104
00:56:48,840 --> 00:56:53,919
Speaker 1: of our podcast version. You get a lot of extra premiums. Yes,

1105
00:56:53,960 --> 00:56:56,280
Speaker 1: they got premium, They got a phone call.

1106
00:56:56,160 --> 00:56:59,240
Speaker 2: With you, extra photos.

1107
00:56:59,560 --> 00:57:04,000
Speaker 1: Yeah, how much is it? It's it's on a plan,

1108
00:57:05,080 --> 00:57:10,520
Speaker 1: so it honestly depends how many weeks you want to

1109
00:57:11,640 --> 00:57:17,480
Speaker 1: pay it off. New No, it's not. It's not free.

1110
00:57:17,520 --> 00:57:19,000
Speaker 1: Sometimes the interest is free.

1111
00:57:20,080 --> 00:57:22,160
Speaker 5: What if there is no interest whatsoever?

1112
00:57:23,040 --> 00:57:25,440
Speaker 2: Well, then that's one of the instance he's talking about.

1113
00:57:25,440 --> 00:57:26,479
Speaker 2: What you have that free.

1114
00:57:26,520 --> 00:57:28,360
Speaker 1: Yes, you'd have to have a pretty big lump sum

1115
00:57:28,520 --> 00:57:30,920
Speaker 1: to do that ahead. Otherwise you can do like a

1116
00:57:30,920 --> 00:57:33,720
Speaker 1: seventy two week plan or something, and then if.

1117
00:57:33,640 --> 00:57:35,280
Speaker 2: You want to do seventy two weeks, then it works

1118
00:57:35,320 --> 00:57:37,080
Speaker 2: out to x amount per week. But if you want

1119
00:57:37,120 --> 00:57:39,960
Speaker 2: to actually commit to it and do something like, you know,

1120
00:57:40,000 --> 00:57:42,760
Speaker 2: three hundred and twenty weeks. Then you actually wind up

1121
00:57:42,800 --> 00:57:47,840
Speaker 2: saving a few dollars per week, and it's good. It

1122
00:57:47,880 --> 00:57:50,400
Speaker 2: gives you a lot tips and you get yeah, you

1123
00:57:50,400 --> 00:57:52,600
Speaker 2: get tips that other people didn't get, and you get

1124
00:57:52,640 --> 00:57:57,760
Speaker 2: something like Hayes's chopsticks from his dinner at why people

1125
00:57:57,760 --> 00:58:00,720
Speaker 2: want to me so shop last night. They're plastic. There

1126
00:58:00,800 --> 00:58:02,000
Speaker 2: is glass chopsticks.

1127
00:58:02,040 --> 00:58:03,960
Speaker 5: What's the longest payment plan anyone's ever done?

1128
00:58:04,360 --> 00:58:07,360
Speaker 2: Well, they're still on it. That's really Yeah, we can't.

1129
00:58:07,360 --> 00:58:10,720
Speaker 2: It's hard for us to say a firm end point

1130
00:58:10,720 --> 00:58:14,040
Speaker 2: for it because it's still going right. And they get autographs,

1131
00:58:14,040 --> 00:58:15,840
Speaker 2: they get all of our autographs.

1132
00:58:16,080 --> 00:58:17,120
Speaker 5: You send them an autograph.

1133
00:58:17,440 --> 00:58:21,000
Speaker 2: Yeah. Engineer Cody has a little stamp and he'll just

1134
00:58:21,040 --> 00:58:22,480
Speaker 2: put it on whatever's laying around.

1135
00:58:22,520 --> 00:58:24,640
Speaker 5: So he's producing so many he needs to do the stamp.

1136
00:58:24,720 --> 00:58:26,040
Speaker 1: Yeah, you can do that. You can just put it

1137
00:58:26,080 --> 00:58:32,120
Speaker 1: on a stamp, stamp stock. If only that would be beautiful, Yeah.

1138
00:58:32,000 --> 00:58:35,520
Speaker 2: That would be nice. Who does yours? Who's Yeah, who's yours? Sponsor?

1139
00:58:37,000 --> 00:58:41,120
Speaker 5: I don't need one going rogue because yeah, yeah.

1140
00:58:41,280 --> 00:58:43,040
Speaker 2: You don't need one. Get paid.

1141
00:58:43,320 --> 00:58:46,080
Speaker 5: I don't get paid I get paid so much doing

1142
00:58:46,240 --> 00:58:48,120
Speaker 5: the other thing is just a labor of love. It's

1143
00:58:48,400 --> 00:58:49,880
Speaker 5: art gratia artist.

1144
00:58:50,240 --> 00:58:52,520
Speaker 2: Yeah, that's yes, that's why we do it too. Art

1145
00:58:52,560 --> 00:58:54,280
Speaker 2: farts sake, Art for art's sake.

1146
00:58:54,320 --> 00:58:57,760
Speaker 5: You knew what I said. I did not say art farts.

1147
00:58:59,800 --> 00:59:01,680
Speaker 2: Well that's what I heard too. And I've got my

1148
00:59:01,720 --> 00:59:04,800
Speaker 2: headphones on. And these things don't lie. These cans don't lie.

1149
00:59:04,880 --> 00:59:06,200
Speaker 2: That's what they say in the biz.

1150
00:59:06,280 --> 00:59:08,920
Speaker 1: So And if you please rate us on iTunes, give

1151
00:59:08,960 --> 00:59:11,240
Speaker 1: it us a nice high rating, and you can talk

1152
00:59:11,280 --> 00:59:13,919
Speaker 1: to us on the Earwolf forums, and you can visit

1153
00:59:14,000 --> 00:59:15,240
Speaker 1: us on our Facebook page.

1154
00:59:15,400 --> 00:59:17,800
Speaker 2: And what was burger Ho going to get from Eliza

1155
00:59:17,920 --> 00:59:25,120
Speaker 2: this week? Ooh hmm, I think we're I think Burgerho

1156
00:59:25,240 --> 00:59:27,280
Speaker 2: is going to get a special How do you do

1157
00:59:27,480 --> 00:59:29,400
Speaker 2: from Eliza's new tissue box?

1158
00:59:29,440 --> 00:59:37,400
Speaker 5: Buddy? Yes, I'm made of trees. Don't forget trees.

1159
00:59:38,680 --> 00:59:39,120
Speaker 2: I love you.

1160
00:59:40,080 --> 00:59:46,080
Speaker 5: We're both wrapped in paper, burgers paper the box. I'm

1161
00:59:46,120 --> 00:59:48,080
Speaker 5: in a bark, Put me in a bark.

1162
00:59:49,760 --> 00:59:53,520
Speaker 2: Don't use that clip for anything sexual. Bye.

1163
00:59:58,000 --> 01:00:00,959
Speaker 4: This has been an Earwolf Media production, secutive producers Jeff

1164
01:00:01,000 --> 01:00:13,560
Speaker 4: Ulrick and Scott Ackerman. For more information, visit earwolf dot com.

1165
01:00:08,720 --> 01:00:19,480
Speaker 2: Ear Warf Radio, Boom dot com, The worf Dead