WEBVTT - The Spirited Actor - Will Catlett (04/27/2021)

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<v Speaker 1>Hello, and welcome to the Spirited Actor Podcast with me

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<v Speaker 1>Tracy Moore. I was a casting director for film and

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<v Speaker 1>TV and commercials for over thirty years. I transitioned to

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<v Speaker 1>a celebrity acting coach after I cast a film New

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<v Speaker 1>Jersey Drive with executive producers Spike Lee and director Nick Domez.

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<v Speaker 1>I auditioned every rapper from Biggie Smalls to Tupac, and

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<v Speaker 1>I realized that rappers and musical artists they needed help

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<v Speaker 1>transitioning to acting. My clients consist of musical artists from

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<v Speaker 1>Buster Rhymes to Eve, Missy Elliott, Angela Yee from The

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<v Speaker 1>Breakfast Club, and Vanessa Simmons, to name a few. I

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<v Speaker 1>also coach sports stars and host as well. I feel

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<v Speaker 1>I have the best of both worlds. As a casting director,

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<v Speaker 1>I know exactly what they're looking for, and as an

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<v Speaker 1>acting coach, I can coach you to be remembered in

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<v Speaker 1>that room.

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<v Speaker 2>Now.

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<v Speaker 3>I know.

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<v Speaker 1>I know actors want to get the job. I get that,

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<v Speaker 1>but being remembered by casting director that is powerful.

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<v Speaker 2>Meditation of the day.

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<v Speaker 1>Surround yourself with people who are going to lift you up.

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<v Speaker 1>Oprah Winfrey. When I first started teaching twenty four years ago,

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<v Speaker 1>my heart broke to hear of the stories of actors

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<v Speaker 1>who had no support in pursuing their dreams of being

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<v Speaker 1>an actor. These were loved ones or close friends who

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<v Speaker 1>try to discourage them from being an actor. Now, I

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<v Speaker 1>would never tell anyone to disown their family or friends,

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<v Speaker 1>but what I will say is that you need a.

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<v Speaker 2>Strong armor to be an actor.

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<v Speaker 1>You need to hear the voice of encouragement because this

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<v Speaker 1>is a journey. When people speak of negativity, bless them

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<v Speaker 1>in your head and move on. Fear is what stops

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<v Speaker 1>everyone from living their true dreams. Don't let it stop

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<v Speaker 1>you today. I will pursue my dream unapologetically. Before we

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<v Speaker 1>get started, i'd like to remind everyone to look out

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<v Speaker 1>for my new show, Inside the black Box. I'll be

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<v Speaker 1>co hosting with the great Joe Morton. We'll be on

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<v Speaker 1>Crackle Network real soon. I'll keep you posted.

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<v Speaker 2>Welcome to the Spirited Actor Podcast with me Tracy Moore.

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<v Speaker 1>You know, the thing I love about this show is

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<v Speaker 1>that I'm always bringing you the best of the best,

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<v Speaker 1>the best working actors, and I have a wonderful team

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<v Speaker 1>that always introduces me to the best of the best,

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<v Speaker 1>and so I just want you guys to put your

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<v Speaker 1>hands together for actor, producer, director, writer, Will.

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<v Speaker 4>Cat liv.

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<v Speaker 5>Hey, Will, how you doing?

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<v Speaker 1>I am excellent, and I'm so grateful that Lean introduced us, and.

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<v Speaker 2>Also that you got up early for us. Thank you.

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<v Speaker 3>Oh yeah, oh yeah, I've rolled out of bed, but

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<v Speaker 3>you know, well, I'm.

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<v Speaker 1>Glad you're here, so listen. I just want to applaud

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<v Speaker 1>you for your work. You know, a lot of times

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<v Speaker 1>as a casting director, we know a lot of faces,

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<v Speaker 1>but we don't, you know, know you, because you know,

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<v Speaker 1>we see your work and we follow you. So I

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<v Speaker 1>have seen your work for quite some time. And to

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<v Speaker 1>have this pleasure of meeting you, I'm really excited that

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<v Speaker 1>you're going to share with our Thestians.

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<v Speaker 2>Who are on right now.

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<v Speaker 5>Amen. Amen today.

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<v Speaker 1>So let's start from the beginning. Will, How did how

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<v Speaker 1>did acting start for you? Is this something that you

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<v Speaker 1>wanted to do when you were younger?

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<v Speaker 2>Where did it all begin?

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<v Speaker 3>Not?

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<v Speaker 5>Really?

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<v Speaker 3>I was playing basketball in college, and you know, my

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<v Speaker 3>thing was I was trying to be like Kobe, you know,

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<v Speaker 3>but then you realize you're not jumping out of the

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<v Speaker 3>gym like Kobe Bryant, You're not shooting the ball as

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<v Speaker 3>good as Steph carry which is on fire right now,

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<v Speaker 3>so you start thinking about different things.

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<v Speaker 5>And I met a guy at the mall.

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<v Speaker 3>I was buying some G units at the time when

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<v Speaker 3>he was fifty cent had his G units going out,

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<v Speaker 3>and the guy had the whitest teeth I've ever seen.

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<v Speaker 3>So I asked him to said, brother, how you get

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<v Speaker 3>your teeth? So White said, press white strips. I said, okay, cool,

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<v Speaker 3>Where are you from? He says, I'm from Maryland. I said, okay,

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<v Speaker 3>I'm from back that way. I'm from Alexander, Virginia to

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<v Speaker 3>DC or a DC Maryland area.

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<v Speaker 5>He says cool. I said, well, what do you do?

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<v Speaker 3>He says, I'm an actor And I don't know why,

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<v Speaker 3>but inside of me, he said, HM always wanted to

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<v Speaker 3>try that.

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<v Speaker 5>Well, you should come to my acting class.

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<v Speaker 3>So when I went to his acting class, the class

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<v Speaker 3>that he was going to as Bobby Chance Studios, expression unlimited,

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<v Speaker 3>and I just knew that that's that was the path

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<v Speaker 3>that I should go down.

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<v Speaker 2>Wow.

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<v Speaker 1>And you know, we all talk of we always talk

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<v Speaker 1>and stress on this show about training.

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<v Speaker 2>Because in my.

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<v Speaker 1>Experience as a casting directors, people think that they can

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<v Speaker 1>just say some words and that's it. How important is

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<v Speaker 1>training to you, even to you know, considering the fact

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<v Speaker 1>that you are a working actor today, how is it

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<v Speaker 1>How important is it even to today?

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<v Speaker 5>Well? I think it depends, you know.

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<v Speaker 3>You know, some people may just have the gift and

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<v Speaker 3>they can naturally fall into it and they might not

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<v Speaker 3>need all the technicality what comes with acting, right, But

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<v Speaker 3>every great artist must refine their gifts. So for me,

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<v Speaker 3>I remember my teacher Richie Chancey saying, well, man, when

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<v Speaker 3>your gift catches up with your talent. So what he

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<v Speaker 3>was trying to say, You have all this will of

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<v Speaker 3>gifts that you can naturally do things, but your talent,

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<v Speaker 3>meaning your skill level, has it called up with the

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<v Speaker 3>gift you So once that talent catches up with a gift,

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<v Speaker 3>then you get Michael Jordan in his prime because everything

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<v Speaker 3>makes sense. Now he can shoot the ball at will,

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<v Speaker 3>or he give you the fade away. He don't have

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<v Speaker 3>to go to the hole and dunk on you no

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<v Speaker 3>more because he knows the game. So that's the beauty

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<v Speaker 3>of studying. And you never stop studying. I'm always studying.

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<v Speaker 3>You know, different actors, different people, different behavior. Then it's

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<v Speaker 3>different levels of study. And you got class study, then

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<v Speaker 3>you got on set study. That's a whole other thing.

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<v Speaker 3>You know.

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<v Speaker 5>That is its very important.

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<v Speaker 1>That's an excellent point, and it's very rare that actors

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<v Speaker 1>talk about that.

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<v Speaker 2>But that is you know, I say that doing your.

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<v Speaker 1>Self tape, that's one thing, right, and then you do

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<v Speaker 1>a great job.

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<v Speaker 2>You get a.

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<v Speaker 1>Callback, that's another thing, and then you get the job.

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<v Speaker 1>But the work really starts when you're on that set.

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<v Speaker 3>Actually, the work really starts even before the auditions. Oh true,

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<v Speaker 3>you know, it's how you show up in the world.

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<v Speaker 3>How did you feel about yourself? I was doing an

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<v Speaker 3>audition and my friend that was taping me in Atlanta, Tracy,

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<v Speaker 3>she was taping another young lady and I'm going over

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<v Speaker 3>my lines because I got to put the audition on.

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<v Speaker 3>I had just got it, but I wanted to turn

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<v Speaker 3>it in because I'm working at the same time. And

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<v Speaker 3>I hear the young lady reading and it disturbs my

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<v Speaker 3>spirit that I have to go down and take the

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<v Speaker 3>computer from Tracy, and I say, hey, listen, you're more

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<v Speaker 3>than enough. You keep trying to get the lines right.

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<v Speaker 3>It's not about getting the lines right. But see, in

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<v Speaker 3>your life, you feel like you never wanted an any

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<v Speaker 3>chan You feel like you're too old to accomplish the

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<v Speaker 3>things that you want to accomplish. So you haven't got

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<v Speaker 3>an audition in a while, so you're banking everything on

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<v Speaker 3>this one audition. You've already lost because now you're not

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<v Speaker 3>free as an artist to just go and explore. And

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<v Speaker 3>after we had that conversation, she begin to cry and

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<v Speaker 3>then she did the take and it was amazing because

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<v Speaker 3>now she didn't have all that weight on her that

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<v Speaker 3>I have to do this, I have to get this right,

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<v Speaker 3>I have ton't press the castle or if I have

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<v Speaker 3>to do this. The casting director is always going to

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<v Speaker 3>cast the role if the role shows up, not will

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<v Speaker 3>If the role shows up, then that's like, that's the role,

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<v Speaker 3>that's the person that I want. So when you have

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<v Speaker 3>that mindset before you even get the material, it.

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<v Speaker 5>Allows you even free to make mistakes because.

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<v Speaker 3>Some of the beautiful moments come from when they're not

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<v Speaker 3>rehearsed or when they're not you know, so planned out.

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<v Speaker 3>So I think that starts at the beginning and then

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<v Speaker 3>you work your way and then when you get on set,

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<v Speaker 3>it's about do you have a good attitude? Are you

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<v Speaker 3>going to show up when it's eighteen hour days? What

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<v Speaker 3>are you going to do when they keep calling you

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<v Speaker 3>out of your trailer, but they're not ready because they're

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<v Speaker 3>waiting on the number.

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<v Speaker 5>One to show up to the set.

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<v Speaker 3>Right, you know, how are you going to maneuver around

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<v Speaker 3>those things? Are you going to always hang your clothes

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<v Speaker 3>up the same way that they came to you? Are

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<v Speaker 3>you going to hang the trash up the same way

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<v Speaker 3>that that trash was empty before you put trash in it.

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<v Speaker 3>These are things that build excellence in yourself. It's not

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<v Speaker 3>about the person recognized and that you put the tracks

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<v Speaker 3>behind the door. It's not about the clothing department recognizing

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<v Speaker 3>that you're put the close up. It is strictly about

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<v Speaker 3>you and you being excellent and everything that you do well.

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<v Speaker 1>You sound like you have an amazing spiritual foundation. You

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<v Speaker 1>also sound like you motivate and inspire other actors in

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<v Speaker 1>your work, which is great and so kind and generous

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<v Speaker 1>of you. I have to say, from a casting director's

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<v Speaker 1>point of view, there there's you know, there are thousands

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<v Speaker 1>of people who are cleverly disguised as actors, but very

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<v Speaker 1>few talented people.

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<v Speaker 2>And that excellence and that.

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<v Speaker 1>Work ethic that you are speaking of does not come

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<v Speaker 1>from everyone.

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<v Speaker 2>And you know, just in my experience over.

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<v Speaker 1>Thirty years in casting, you know, you wonder why there's

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<v Speaker 1>a certain percentage of actors that work and there are

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<v Speaker 1>certain percentages that don't and the ones that you talk about,

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<v Speaker 1>those are the ones that work. Because I believe, and

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<v Speaker 1>you know, a casting director, we don't have a power,

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<v Speaker 1>you know, unless we're producing. We strictly, highly recommend, strongly

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<v Speaker 1>courage and beg and plead. But there are too many

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<v Speaker 1>other element you know, producers and studio heads and all

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<v Speaker 1>of that involved. But blessed, our words are matter and

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<v Speaker 1>mean something. And I believe that the audition process is

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<v Speaker 1>fifty percent talent and fifty percent personality.

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<v Speaker 2>Because we have to we have to like you, you

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<v Speaker 2>know what I mean.

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<v Speaker 1>It is really come down to a director saying, out

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<v Speaker 1>of these two women Tracy, who has the better personality?

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<v Speaker 2>And when you you made.

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<v Speaker 1>A point about getting somebody out of the trailer, I

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<v Speaker 1>produced a film where our leading actor would not come

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<v Speaker 1>out out of the trailer because his eggs.

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<v Speaker 2>Weren't cooked properly. It's eggs.

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<v Speaker 1>So you know, I strongly I can't even emphasize enough

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<v Speaker 1>for actors to really take in what you're saying. Here

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<v Speaker 1>because work ethic is important, your personality is important. And

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<v Speaker 1>my company is called the Spirited Actor because my concern

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<v Speaker 1>is the spirit of the actor, is the morale of

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<v Speaker 1>the actor, and the work ethic because that is a

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<v Speaker 1>part of the process as well. So I'm grateful for

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<v Speaker 1>those words because it's very rare that we hear about that.

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<v Speaker 1>You know, it's always about, you know, chasing the job.

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<v Speaker 1>We're trying to get a job, and I believe, you know,

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<v Speaker 1>the joy is in the journey.

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<v Speaker 2>That's what I believe, because you've got jobs.

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<v Speaker 1>So now that you have a job, and let's start

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<v Speaker 1>with Black Lighting you know, because you've been on that

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<v Speaker 1>series for twenty two episodes.

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<v Speaker 2>I believe. When I was doing my research, I.

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<v Speaker 5>Don't even know how many episodes I've been on it.

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<v Speaker 2>Well, let me tell you. Let me tell you. You've

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<v Speaker 2>been on twenty two episodes. You guys. Wow, Now you

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<v Speaker 2>talk about a work ethic.

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<v Speaker 1>What is a day in the life of Black Lightning

0:12:20.040 --> 0:12:23.119
<v Speaker 1>and especially Will with the COVID situation.

0:12:23.679 --> 0:12:25.679
<v Speaker 3>Yeah, I'm gonna put a pin in that, and I'm

0:12:25.679 --> 0:12:28.200
<v Speaker 3>gonna come back to that in a second. I didn't

0:12:28.240 --> 0:12:31.559
<v Speaker 3>want to run over the title of your podcast.

0:12:32.240 --> 0:12:35.480
<v Speaker 5>The spirited actor. I believe that when.

0:12:35.280 --> 0:12:39.200
<v Speaker 3>A writer writes down a character on the page, they

0:12:39.200 --> 0:12:43.360
<v Speaker 3>have written down spirit. That's why always tell actors, if

0:12:43.360 --> 0:12:46.040
<v Speaker 3>you get the spirit of the role, you know everything

0:12:46.040 --> 0:12:48.640
<v Speaker 3>you will need to know about that role. So it

0:12:49.200 --> 0:12:51.800
<v Speaker 3>it allows you to tap in beyond what is written

0:12:51.800 --> 0:12:54.120
<v Speaker 3>on the page. You actually get into the spirit of

0:12:54.120 --> 0:12:56.840
<v Speaker 3>what the way the words came from. So I didn't

0:12:56.840 --> 0:12:59.160
<v Speaker 3>want to run over your title because your title is

0:12:59.160 --> 0:13:02.880
<v Speaker 3>so important. To always start in the spiritual first and

0:13:02.920 --> 0:13:03.920
<v Speaker 3>then't make it physical.

0:13:04.160 --> 0:13:06.880
<v Speaker 5>The words go in, then they must come out, you know.

0:13:07.040 --> 0:13:09.960
<v Speaker 3>So I think that's very important and kudos to you

0:13:10.080 --> 0:13:11.640
<v Speaker 3>for that because.

0:13:11.360 --> 0:13:13.560
<v Speaker 5>That is a divine title.

0:13:13.960 --> 0:13:18.160
<v Speaker 3>Now as far as Black Lightning and COVID, the process

0:13:18.280 --> 0:13:21.880
<v Speaker 3>right now is I'm in La like Lightning was shooting

0:13:21.960 --> 0:13:26.520
<v Speaker 3>in Atlanta. So you would test at Warner Brothers maybe

0:13:26.559 --> 0:13:28.720
<v Speaker 3>three or four times before you get on the plane,

0:13:29.160 --> 0:13:31.280
<v Speaker 3>or forty eight hours before you get on the plane.

0:13:31.600 --> 0:13:35.439
<v Speaker 3>If your test is negative, then you get your flight,

0:13:35.440 --> 0:13:38.280
<v Speaker 3>itenter aarya. It's all depending on if that test is negative.

0:13:38.600 --> 0:13:41.559
<v Speaker 3>All your contracts are depending on if that test is negative.

0:13:42.080 --> 0:13:44.880
<v Speaker 3>So you know, and right now, COVID is what I'm

0:13:44.880 --> 0:13:47.280
<v Speaker 3>hearing is about ten percent of the overall budget, so

0:13:47.360 --> 0:13:49.280
<v Speaker 3>it's a big part of the whole thing.

0:13:49.600 --> 0:13:53.319
<v Speaker 5>And then you get there and right now what you're doing.

0:13:53.360 --> 0:13:55.680
<v Speaker 3>You have to some shows, you have to you have

0:13:55.720 --> 0:13:58.760
<v Speaker 3>to quarantine for about five days and then you'll be

0:13:58.800 --> 0:14:00.880
<v Speaker 3>ready to go to the show. Then some if you're

0:14:00.920 --> 0:14:03.320
<v Speaker 3>testing in a protocol, then you'll be able to go

0:14:03.400 --> 0:14:06.880
<v Speaker 3>straight to set. So each each each production company has

0:14:06.920 --> 0:14:09.120
<v Speaker 3>things a little different, but you're going to be taken

0:14:09.120 --> 0:14:11.520
<v Speaker 3>to anywhere from three to three to four times a week,

0:14:12.200 --> 0:14:14.480
<v Speaker 3>and that's pretty much that process, which is.

0:14:14.440 --> 0:14:16.560
<v Speaker 5>Not bad, you know what I mean. I mean, you're

0:14:16.640 --> 0:14:17.120
<v Speaker 5>guest star.

0:14:17.520 --> 0:14:19.600
<v Speaker 3>You're getting paid two hundred and fifty dollars for it,

0:14:19.960 --> 0:14:21.440
<v Speaker 3>so they compensate you for your time.

0:14:21.480 --> 0:14:22.560
<v Speaker 5>If you're seriously regular.

0:14:22.560 --> 0:14:24.920
<v Speaker 3>They don't put it in your contract already, so they're

0:14:24.920 --> 0:14:25.720
<v Speaker 3>not gonna pay you for that.

0:14:26.760 --> 0:14:29.480
<v Speaker 5>But you know, it's good that you know people are working.

0:14:29.680 --> 0:14:32.360
<v Speaker 3>Sometimes it was a little difficult in the beginning because

0:14:32.400 --> 0:14:34.880
<v Speaker 3>you're rehearsing with the other act, with the other actor

0:14:35.160 --> 0:14:39.800
<v Speaker 3>with the masks. You know, that was a little difficult

0:14:39.800 --> 0:14:42.080
<v Speaker 3>to get used to it if you don't feel that connection.

0:14:42.560 --> 0:14:45.680
<v Speaker 3>But as it kind of rolled back, I think the

0:14:46.080 --> 0:14:48.720
<v Speaker 3>ads and the producers was letting it be a little

0:14:48.720 --> 0:14:51.640
<v Speaker 3>bit more lenient, because if we're on set, that means

0:14:52.000 --> 0:14:55.600
<v Speaker 3>that everybody's negative, that's in that rateting. So you know,

0:14:55.640 --> 0:14:58.240
<v Speaker 3>you might you won't really need the mask to run rehearsal,

0:14:58.280 --> 0:14:59.960
<v Speaker 3>and some actors do. So you just fill out the

0:15:00.080 --> 0:15:02.280
<v Speaker 3>comfortability level with different actors.

0:15:02.280 --> 0:15:04.600
<v Speaker 5>Some people may be a little bit more concerned.

0:15:04.320 --> 0:15:06.520
<v Speaker 3>You know, but once you know they call pictures up,

0:15:06.640 --> 0:15:08.440
<v Speaker 3>you know, the mask come off, you do your thing,

0:15:08.520 --> 0:15:11.080
<v Speaker 3>and then when they say cut with the mask back on.

0:15:11.320 --> 0:15:13.800
<v Speaker 5>You know, it's just how how we go. But you

0:15:13.840 --> 0:15:16.960
<v Speaker 5>know it's beautiful, no, it is.

0:15:17.120 --> 0:15:20.560
<v Speaker 1>I mean, you know, I love the fact that actors

0:15:20.600 --> 0:15:26.280
<v Speaker 1>are adaptable. I did a film in November and the

0:15:26.320 --> 0:15:30.040
<v Speaker 1>budget was one hundred thousand just for the COVID testing

0:15:30.240 --> 0:15:34.800
<v Speaker 1>of everyone, and so as a producer you start to think, wow, okay,

0:15:35.120 --> 0:15:37.360
<v Speaker 1>you know, in the olden days we have this budget.

0:15:37.360 --> 0:15:42.360
<v Speaker 1>Now we have to incorporate COVID. And then as actors,

0:15:42.760 --> 0:15:48.800
<v Speaker 1>you know, I even though like you're right, there's a

0:15:48.880 --> 0:15:51.720
<v Speaker 1>comfort that people have to have, whether wearing the mask

0:15:51.760 --> 0:15:56.359
<v Speaker 1>and being on set, but you know, the physical aspect

0:15:56.400 --> 0:15:59.680
<v Speaker 1>of being able to see the face to react and

0:15:59.760 --> 0:16:04.560
<v Speaker 1>to get that energy. Has that been a difficult transition

0:16:04.760 --> 0:16:07.360
<v Speaker 1>for you or you know, like I said, you guys

0:16:07.400 --> 0:16:08.920
<v Speaker 1>are adaptingable.

0:16:08.760 --> 0:16:12.000
<v Speaker 5>Not really, because the eyes are the windows to the soul.

0:16:12.680 --> 0:16:16.680
<v Speaker 3>Absolutely, whatever your eyes are saying, your mouth and ears

0:16:16.720 --> 0:16:19.800
<v Speaker 3>and face, your expressions will follow, you know. And even

0:16:19.840 --> 0:16:21.640
<v Speaker 3>if it doesn't follow, you can look into someone in

0:16:21.640 --> 0:16:23.680
<v Speaker 3>the eyes and tell that they're telling you the truth

0:16:24.360 --> 0:16:26.880
<v Speaker 3>or if they're lying to you. I remember over Opportunity

0:16:27.040 --> 0:16:31.680
<v Speaker 3>one of the greatest acts, you know, very great mentor

0:16:31.720 --> 0:16:34.920
<v Speaker 3>of mind, and he said, well, you know, acting is

0:16:35.040 --> 0:16:37.360
<v Speaker 3>just looking someone in the face and telling them the truth.

0:16:38.000 --> 0:16:40.680
<v Speaker 3>And you know, and it's like that is it? At

0:16:40.720 --> 0:16:44.400
<v Speaker 3>the simplits of it, That's what it is. How much

0:16:44.440 --> 0:16:47.040
<v Speaker 3>shop are you telling? Even if you're lying, it's still

0:16:47.080 --> 0:16:49.680
<v Speaker 3>your truth even in that line, at that moment in time.

0:16:50.200 --> 0:16:52.320
<v Speaker 3>So you know.

0:16:53.040 --> 0:16:54.440
<v Speaker 5>Yeah. So I mean, when.

0:16:54.080 --> 0:16:56.560
<v Speaker 3>People have the mask on, you just look and then

0:16:56.600 --> 0:16:58.680
<v Speaker 3>you go and then they take it off, you know, okay,

0:16:58.720 --> 0:17:00.400
<v Speaker 3>and they may give you a little more, little less.

0:17:00.480 --> 0:17:02.440
<v Speaker 5>It just depends on the artist that you're working with.

0:17:04.080 --> 0:17:05.200
<v Speaker 2>That I love.

0:17:05.320 --> 0:17:09.040
<v Speaker 1>I worked with Obabapa Tende in a film Carl Weber,

0:17:10.200 --> 0:17:12.960
<v Speaker 1>The Preacher's son and got to know him.

0:17:13.000 --> 0:17:16.200
<v Speaker 2>What amazing And then I got here. I got to New.

0:17:16.119 --> 0:17:19.960
<v Speaker 1>York from San Francisco in eighty three and got a

0:17:20.040 --> 0:17:22.520
<v Speaker 1>chance to see him on Broadway and dream.

0:17:22.320 --> 0:17:23.440
<v Speaker 2>Girls and fell in love.

0:17:23.640 --> 0:17:24.200
<v Speaker 3>That was it.

0:17:24.480 --> 0:17:28.680
<v Speaker 2>That was it. That was my dude, great, great, great person.

0:17:29.400 --> 0:17:32.119
<v Speaker 1>I want to ask you, Will, what is your dream

0:17:32.280 --> 0:17:34.440
<v Speaker 1>role or what is that role that.

0:17:36.119 --> 0:17:36.359
<v Speaker 3>You know?

0:17:36.560 --> 0:17:40.639
<v Speaker 1>I don't feel like and this is just my first

0:17:40.680 --> 0:17:45.399
<v Speaker 1>introduction to you, but I really feel a peacefulness to

0:17:45.480 --> 0:17:48.359
<v Speaker 1>your journey. I don't feel a sense of urgency. I

0:17:48.359 --> 0:17:50.719
<v Speaker 1>don't feel you tapping out on your recent scratch him.

0:17:51.200 --> 0:17:55.480
<v Speaker 1>I feel like, you know, And it's such a pleasure.

0:17:55.640 --> 0:17:59.399
<v Speaker 1>It's such a pleasure to breathe that in because that

0:18:00.920 --> 0:18:03.360
<v Speaker 1>all of my friends are actors, all of them, and

0:18:03.400 --> 0:18:06.399
<v Speaker 1>so I'm always you know. That's why I name my

0:18:06.440 --> 0:18:10.200
<v Speaker 1>company The Spirited Actor. It's about the person inside the actor.

0:18:10.560 --> 0:18:13.000
<v Speaker 2>That's our ar mantra.

0:18:13.640 --> 0:18:20.560
<v Speaker 1>And so I feel like, man, I just feel at

0:18:20.640 --> 0:18:21.560
<v Speaker 1>ease with you.

0:18:22.240 --> 0:18:25.320
<v Speaker 2>What is that role? What's that role for you?

0:18:26.040 --> 0:18:28.880
<v Speaker 3>I think I'm still completing some of the greats work

0:18:28.960 --> 0:18:29.840
<v Speaker 3>that they laid down.

0:18:30.440 --> 0:18:33.720
<v Speaker 5>It's like Sidney Poitier, he broke one part of the

0:18:33.760 --> 0:18:36.160
<v Speaker 5>color Brier I the other.

0:18:37.119 --> 0:18:39.320
<v Speaker 3>It's a be a beautiful thing when an actor can

0:18:39.359 --> 0:18:43.399
<v Speaker 3>get on stage. And although I'm African American, you see

0:18:43.400 --> 0:18:45.800
<v Speaker 3>me as an artist, you see me as an actor.

0:18:46.520 --> 0:18:48.840
<v Speaker 3>I know the shell that I look, but all our

0:18:48.920 --> 0:18:49.919
<v Speaker 3>shells will passed.

0:18:50.520 --> 0:18:53.359
<v Speaker 5>You know. What will remain is the spirit will remain forever.

0:18:53.920 --> 0:18:57.360
<v Speaker 3>So my goal is when I do work, is that

0:18:57.400 --> 0:19:01.280
<v Speaker 3>you can see no color, because that allows me to

0:19:01.320 --> 0:19:03.399
<v Speaker 3>be free. So now when I look at Rose, it

0:19:03.440 --> 0:19:07.480
<v Speaker 3>may be Caucasian thirty five, but that may identify with

0:19:07.920 --> 0:19:10.119
<v Speaker 3>my spirit, you know what I'm saying.

0:19:10.320 --> 0:19:13.240
<v Speaker 5>It may be you know, hey, yeah five.

0:19:13.359 --> 0:19:15.480
<v Speaker 3>I may have to go to Spain get my Spanish

0:19:15.560 --> 0:19:18.159
<v Speaker 3>up real quick, you know, and then maybe I'll be

0:19:18.160 --> 0:19:20.960
<v Speaker 3>able to do that. So I want to be free.

0:19:21.000 --> 0:19:22.920
<v Speaker 3>And that's the same thing I told Mara in Love

0:19:23.040 --> 0:19:26.320
<v Speaker 3>Is when I was doing Love is Love and we

0:19:26.320 --> 0:19:30.360
<v Speaker 3>were talking about it and I said, Marrow, your story

0:19:30.440 --> 0:19:32.919
<v Speaker 3>means nothing if it doesn't touch somebody.

0:19:33.280 --> 0:19:35.119
<v Speaker 5>That's right, And that's the goal.

0:19:35.680 --> 0:19:38.679
<v Speaker 3>The goal is to go beyond what you're watching and

0:19:38.800 --> 0:19:42.120
<v Speaker 3>actually having an experience. That's always been the actor's goal,

0:19:42.560 --> 0:19:44.960
<v Speaker 3>even from when it was just theater back in Greece.

0:19:45.000 --> 0:19:46.000
<v Speaker 5>And they was doing all that.

0:19:46.200 --> 0:19:48.080
<v Speaker 3>They will tell you what was to come, what was

0:19:48.119 --> 0:19:50.520
<v Speaker 3>to come in politics, what was to come in social

0:19:50.560 --> 0:19:52.439
<v Speaker 3>what customs they wanted to introduce you to.

0:19:52.520 --> 0:19:54.919
<v Speaker 5>And they still do it now with the news. They

0:19:55.040 --> 0:19:56.200
<v Speaker 5>trying to introduce things.

0:19:56.240 --> 0:19:59.520
<v Speaker 3>They slowly program you to get used to things you know.

0:19:59.640 --> 0:20:03.439
<v Speaker 3>And so so the actor is so important to telling

0:20:03.760 --> 0:20:09.320
<v Speaker 3>the world's story, almost like the comedian is the last newscaster,

0:20:10.040 --> 0:20:13.639
<v Speaker 3>you know, because they able to say everything that the

0:20:13.920 --> 0:20:16.240
<v Speaker 3>people won't say. That's why I love Dave Chappelle so much,

0:20:16.600 --> 0:20:20.480
<v Speaker 3>because if Chapelle does not do his thing, then we

0:20:20.520 --> 0:20:22.720
<v Speaker 3>don't get to go to another level and get the

0:20:22.840 --> 0:20:26.000
<v Speaker 3>truth because there's no barriers on the comedian to do that.

0:20:26.040 --> 0:20:28.280
<v Speaker 5>And so as the actor, the actor is the one that.

0:20:28.240 --> 0:20:31.480
<v Speaker 3>Is holding the gems in the truth and the revelation

0:20:31.720 --> 0:20:33.960
<v Speaker 3>of where the world needs to go. That's why I

0:20:33.960 --> 0:20:36.520
<v Speaker 3>tell actors, never limit yourself. Never let nobody say, oh,

0:20:36.560 --> 0:20:37.320
<v Speaker 3>you're just the actor.

0:20:37.800 --> 0:20:38.119
<v Speaker 5>You're not.

0:20:38.720 --> 0:20:41.400
<v Speaker 3>You study people all that. You have to study different cultures,

0:20:41.520 --> 0:20:44.359
<v Speaker 3>different religions. You got to study so many different things

0:20:44.359 --> 0:20:46.600
<v Speaker 3>to be well versed into the work that you're getting

0:20:46.600 --> 0:20:47.040
<v Speaker 3>ready to do.

0:20:48.240 --> 0:20:53.400
<v Speaker 2>So well said, so well said will. I met Dave Chappelle.

0:20:53.080 --> 0:20:56.480
<v Speaker 1>When he was nineteen years old and I bought him

0:20:56.480 --> 0:21:00.000
<v Speaker 1>to MTV and they didn't get him.

0:21:00.080 --> 0:21:01.120
<v Speaker 2>They were like.

0:21:01.880 --> 0:21:06.040
<v Speaker 1>Oh, well he's okay, and this is Ted DEMI was

0:21:06.080 --> 0:21:10.040
<v Speaker 1>alive during then Joel Stillman who runs Hulu right now.

0:21:11.280 --> 0:21:14.440
<v Speaker 1>And then two years later they asked me to bring

0:21:14.520 --> 0:21:16.320
<v Speaker 1>him back for a show and I said, Robin Hood

0:21:16.400 --> 0:21:16.920
<v Speaker 1>Ben and Tights.

0:21:16.960 --> 0:21:19.440
<v Speaker 2>That brother is gone, but he's still my friend and

0:21:19.880 --> 0:21:20.960
<v Speaker 2>blessed to this day.

0:21:23.440 --> 0:21:27.000
<v Speaker 1>I've been on that journey since eighty five of you

0:21:27.040 --> 0:21:30.000
<v Speaker 1>know from the embryo stages, and I think that's the

0:21:30.040 --> 0:21:33.840
<v Speaker 1>beauty of the job of a casting director to know

0:21:33.920 --> 0:21:36.840
<v Speaker 1>people before anyone knows their name, and to have and

0:21:36.920 --> 0:21:39.119
<v Speaker 1>be that person to believe in you now.

0:21:39.720 --> 0:21:41.280
<v Speaker 2>I believe in you now. I don't need you to

0:21:41.359 --> 0:21:44.000
<v Speaker 2>prove anything do anything. I believe right now.

0:21:44.720 --> 0:21:48.119
<v Speaker 1>And how can I be of service to you in

0:21:48.240 --> 0:21:51.320
<v Speaker 1>terms of you know, as a casting director, I'll keep

0:21:51.359 --> 0:21:53.440
<v Speaker 1>calling you in every time I have something for you,

0:21:53.840 --> 0:21:56.240
<v Speaker 1>and I'll talk about you to my other casting difference

0:21:56.440 --> 0:21:58.320
<v Speaker 1>and directors and producers as well.

0:21:59.200 --> 0:22:00.399
<v Speaker 2>I think that's what about.

0:22:00.840 --> 0:22:02.879
<v Speaker 3>I want the actor to hear what you just said,

0:22:03.600 --> 0:22:06.879
<v Speaker 3>because as a young man, a younger man coming up

0:22:06.920 --> 0:22:10.200
<v Speaker 3>in this game. We sometimes will think that the casting

0:22:10.200 --> 0:22:12.760
<v Speaker 3>director is against us because they didn't we didn't book

0:22:12.800 --> 0:22:16.840
<v Speaker 3>the role. You guys are the gatekeepers that are fighting

0:22:16.920 --> 0:22:19.280
<v Speaker 3>for us when we don't see. So I want actors

0:22:19.280 --> 0:22:22.360
<v Speaker 3>to know that the casting director is on your side.

0:22:22.800 --> 0:22:25.000
<v Speaker 5>The director is not against you.

0:22:25.119 --> 0:22:29.040
<v Speaker 3>Just because you didn't book five years ago with Tracy

0:22:29.480 --> 0:22:32.359
<v Speaker 3>doesn't mean that you're not going to book today. Know

0:22:32.560 --> 0:22:34.440
<v Speaker 3>a lot of times it's saying, oh, when he get

0:22:34.480 --> 0:22:36.600
<v Speaker 3>this going, Oh, when she get this going, Oh, when

0:22:36.640 --> 0:22:39.800
<v Speaker 3>she comes into herself, Oh this happens, then she'll be ready.

0:22:40.000 --> 0:22:43.240
<v Speaker 3>Or sometimes they're just waiting for that right role because

0:22:43.280 --> 0:22:47.600
<v Speaker 3>you're fitting into the person's puzzle piece. And sometimes your

0:22:47.640 --> 0:22:51.000
<v Speaker 3>puzzle piece may just be too big, may just be

0:22:51.119 --> 0:22:54.080
<v Speaker 3>too much liked, and so you can wait for that

0:22:54.240 --> 0:22:55.520
<v Speaker 3>right puzzle for you to.

0:22:55.440 --> 0:22:56.919
<v Speaker 5>Fit in, you know.

0:22:57.000 --> 0:23:00.600
<v Speaker 3>And sometimes you know, when I'm in roles, I know, okay,

0:23:00.640 --> 0:23:02.880
<v Speaker 3>well you got to pull it back just a little bit.

0:23:03.560 --> 0:23:05.560
<v Speaker 3>You're not the lead of this. You must be in

0:23:05.640 --> 0:23:10.040
<v Speaker 3>service to the lead. I know, I know what I'm

0:23:10.080 --> 0:23:13.399
<v Speaker 3>capable of, but right now, it's just like when you're

0:23:13.440 --> 0:23:16.080
<v Speaker 3>playing football, you got to run up a post route

0:23:16.359 --> 0:23:18.920
<v Speaker 3>or you run up and out. Sometimes you just got

0:23:18.920 --> 0:23:20.840
<v Speaker 3>to run the route and the ball to be there.

0:23:21.080 --> 0:23:22.879
<v Speaker 3>It's not about you doing what you want to do,

0:23:22.960 --> 0:23:25.000
<v Speaker 3>just run the post the ball to be there. Aaron

0:23:25.160 --> 0:23:26.280
<v Speaker 3>Rodgers is going to hit.

0:23:26.240 --> 0:23:30.080
<v Speaker 5>You if you're in your spot, and that's sometimes in life.

0:23:30.119 --> 0:23:32.920
<v Speaker 3>You just need to be in your spot so that

0:23:33.000 --> 0:23:34.600
<v Speaker 3>things may open up for you.

0:23:35.040 --> 0:23:36.800
<v Speaker 5>And you never know who's your door.

0:23:36.880 --> 0:23:39.919
<v Speaker 3>Sometimes we pray all the time, God open a door,

0:23:40.160 --> 0:23:42.080
<v Speaker 3>open a door, open a door, and we think this

0:23:42.520 --> 0:23:45.040
<v Speaker 3>mystery door will open. What he's telling you the door

0:23:45.119 --> 0:23:48.840
<v Speaker 3>is Tracy. Tracy is your door for you to get

0:23:49.119 --> 0:23:51.600
<v Speaker 3>where you need to go. So you have to know

0:23:51.640 --> 0:23:54.280
<v Speaker 3>that people are doors. There was a door for me.

0:23:54.320 --> 0:24:01.040
<v Speaker 3>Bickie Thomas has been one of my doors, one of

0:24:01.040 --> 0:24:04.480
<v Speaker 3>my doors. Kim Coleman has been one of my doors.

0:24:05.359 --> 0:24:05.560
<v Speaker 2>You know.

0:24:05.760 --> 0:24:08.760
<v Speaker 5>So Kim Harden has been one of my doors.

0:24:08.800 --> 0:24:11.800
<v Speaker 3>I haven't worked with him yet, but Kim had told

0:24:11.800 --> 0:24:15.640
<v Speaker 3>me something when I was abound twenty six. She said,

0:24:15.680 --> 0:24:18.879
<v Speaker 3>will don't wait on this game to live your life.

0:24:20.320 --> 0:24:22.399
<v Speaker 3>Don't wait on this game to not have children and

0:24:22.480 --> 0:24:25.280
<v Speaker 3>not getting married. And she told me something that was

0:24:25.320 --> 0:24:27.119
<v Speaker 3>so po I've been doing this over twenty years. A

0:24:27.119 --> 0:24:30.879
<v Speaker 3>lot of things I didn't do because I was so

0:24:31.080 --> 0:24:34.800
<v Speaker 3>focused on running my race with the cashing.

0:24:34.520 --> 0:24:35.640
<v Speaker 5>Thing that I didn't do tonight.

0:24:35.720 --> 0:24:37.399
<v Speaker 3>I didn't do this, I didn't do that, And all

0:24:37.440 --> 0:24:40.760
<v Speaker 3>those things will come for her. But she thought, well

0:24:40.880 --> 0:24:43.320
<v Speaker 3>enough of me to give me that gym that I

0:24:43.400 --> 0:24:46.960
<v Speaker 3>keep to keep with me to this day. Because you know,

0:24:47.080 --> 0:24:49.679
<v Speaker 3>the craftic comes. You know, you work six months, you

0:24:49.720 --> 0:24:51.919
<v Speaker 3>may not work for two years. You know, what are

0:24:51.920 --> 0:24:54.879
<v Speaker 3>you doing the meantime? You have more meantime than you

0:24:54.920 --> 0:25:00.200
<v Speaker 3>have victories or so called losses, because nothing than it

0:25:00.240 --> 0:25:02.480
<v Speaker 3>is lost, it just feels like a loss. But you

0:25:02.560 --> 0:25:05.600
<v Speaker 3>have more meantime in between that time. So what do

0:25:05.680 --> 0:25:08.560
<v Speaker 3>you do with that meantime? Just like oh by Betune,

0:25:08.560 --> 0:25:11.680
<v Speaker 3>they said this simmy, He said, will you had the

0:25:11.760 --> 0:25:15.399
<v Speaker 3>day that you arrived nineteen eighty two, you would have

0:25:15.520 --> 0:25:19.520
<v Speaker 3>the day that you depart, whatever that day is. But

0:25:19.560 --> 0:25:23.080
<v Speaker 3>the dash it matter in between those dates. God is

0:25:23.119 --> 0:25:25.600
<v Speaker 3>going to require what did you do with the dash?

0:25:26.280 --> 0:25:29.399
<v Speaker 3>The dash is important? What you spoke about journey, the

0:25:29.520 --> 0:25:33.040
<v Speaker 3>dash is important. The dash, the dash, the ups and

0:25:33.119 --> 0:25:36.119
<v Speaker 3>downs to saying no. The dash is what makes you

0:25:36.520 --> 0:25:39.600
<v Speaker 3>who you are and refines your character is in that dash.

0:25:40.080 --> 0:25:41.960
<v Speaker 3>No one's gonna say, oh, he's born in nineteen eighty two,

0:25:42.080 --> 0:25:44.040
<v Speaker 3>e the part of this time, but look what he

0:25:44.160 --> 0:25:45.800
<v Speaker 3>did in between those dates.

0:25:46.040 --> 0:25:47.200
<v Speaker 5>That is what's that's what.

0:25:47.240 --> 0:25:49.200
<v Speaker 2>Mappened, that's what matters.

0:25:49.400 --> 0:25:53.040
<v Speaker 1>And I have to say, well, no one in nineteen

0:25:53.640 --> 0:25:57.040
<v Speaker 1>eighty seven, when I became a casting director, no one

0:25:57.640 --> 0:26:02.399
<v Speaker 1>gave me any insight, any tips. Really quickly, I called

0:26:02.440 --> 0:26:06.520
<v Speaker 1>five casting directors, asked them if they could give me tips,

0:26:06.560 --> 0:26:08.520
<v Speaker 1>if they could tell me how to be a casting director.

0:26:08.800 --> 0:26:11.480
<v Speaker 2>They all hung up on me. I called them back.

0:26:11.320 --> 0:26:13.960
<v Speaker 1>And said, I was a student at NYU. I was

0:26:14.000 --> 0:26:17.760
<v Speaker 1>writing an article how underrated casting directors were, and that's

0:26:17.800 --> 0:26:20.520
<v Speaker 1>how I got all the information to start to become

0:26:20.560 --> 0:26:23.119
<v Speaker 1>a casting director. And one of the things that I

0:26:23.200 --> 0:26:27.320
<v Speaker 1>used to always say, without actors, we don't have a production.

0:26:28.000 --> 0:26:29.240
<v Speaker 2>I'm a casting director.

0:26:29.280 --> 0:26:32.320
<v Speaker 1>I'm a liaison between you and the director, and I

0:26:32.440 --> 0:26:36.440
<v Speaker 1>bring the two of you together. Without actors, we don't

0:26:36.480 --> 0:26:41.000
<v Speaker 1>have anything. So who really has the power. And that's

0:26:41.040 --> 0:26:43.840
<v Speaker 1>when I started teaching. When I felt I needed to

0:26:43.920 --> 0:26:47.640
<v Speaker 1>empower the person inside the actor to be that actor

0:26:47.960 --> 0:26:51.159
<v Speaker 1>and to be the best that they could be. I

0:26:51.800 --> 0:26:54.640
<v Speaker 1>could talk to you all day. Now, I get it.

0:26:54.880 --> 0:26:57.840
<v Speaker 1>Lian was going on and on on and on, and

0:26:57.920 --> 0:27:02.760
<v Speaker 1>I get it. You are amazing. I have two more minutes,

0:27:02.840 --> 0:27:05.640
<v Speaker 1>will okay? And I want to give them all to you.

0:27:06.000 --> 0:27:09.639
<v Speaker 1>Whatever you have dropped the most amazing gems. If you

0:27:10.600 --> 0:27:12.960
<v Speaker 1>got some more you want to drop, I'm giving you

0:27:13.000 --> 0:27:13.679
<v Speaker 1>the two minutes.

0:27:14.040 --> 0:27:16.119
<v Speaker 3>Well, I think the best thing that I can say

0:27:17.040 --> 0:27:19.399
<v Speaker 3>is that you know what I did for Lynn and

0:27:19.440 --> 0:27:22.160
<v Speaker 3>what I did for the other students in my Catlic

0:27:22.160 --> 0:27:25.399
<v Speaker 3>Academy class is I always pray for them in my

0:27:25.480 --> 0:27:29.159
<v Speaker 3>private time, and for people who will watch this, I

0:27:29.320 --> 0:27:32.240
<v Speaker 3>pray that you don't give up, that you don't sit

0:27:32.359 --> 0:27:35.919
<v Speaker 3>down on your gifts. Maybe you've been rejected, maybe you

0:27:35.960 --> 0:27:38.000
<v Speaker 3>felt that you're not good enough, or you don't fit

0:27:38.080 --> 0:27:40.760
<v Speaker 3>into the box that the world is calling.

0:27:40.480 --> 0:27:41.280
<v Speaker 5>You to fit into.

0:27:42.040 --> 0:27:46.040
<v Speaker 3>But there is a place for you, and you do matter,

0:27:46.720 --> 0:27:49.720
<v Speaker 3>and don't let yourself be pulled away from what it

0:27:49.760 --> 0:27:50.520
<v Speaker 3>is beating in.

0:27:50.440 --> 0:27:51.520
<v Speaker 5>Yourself as a child.

0:27:52.119 --> 0:27:54.640
<v Speaker 3>As a child, we're free to think and imagine all

0:27:54.680 --> 0:27:57.200
<v Speaker 3>the things that we want to do. But life happens,

0:27:57.200 --> 0:28:02.320
<v Speaker 3>meaning bills, meaning lost is Sometimes people dealing with COVID,

0:28:02.720 --> 0:28:05.400
<v Speaker 3>you lose family, members and you begin to close up.

0:28:05.440 --> 0:28:08.600
<v Speaker 5>And I remember macting coach Richie Chance, who said.

0:28:08.400 --> 0:28:13.320
<v Speaker 3>Will don't lose that kid like thing about you because

0:28:13.359 --> 0:28:16.239
<v Speaker 3>life was beating me up. And when life beats you up,

0:28:16.280 --> 0:28:19.240
<v Speaker 3>you can't cry on c because you're building blocks in

0:28:19.359 --> 0:28:23.520
<v Speaker 3>yourself because you're dealing with life. It's important as the artist,

0:28:23.640 --> 0:28:27.879
<v Speaker 3>as a human being, to stay flexible, to stay moldable.

0:28:28.200 --> 0:28:31.560
<v Speaker 3>Always be that potter and that clay on the wheel.

0:28:32.200 --> 0:28:35.320
<v Speaker 3>Let the potter mold you. Sometimes you have to be crushed,

0:28:35.840 --> 0:28:39.320
<v Speaker 3>but the crushing is the beautiful thing because after the

0:28:39.400 --> 0:28:42.520
<v Speaker 3>crushing comes to victories. That's why you can never ask

0:28:42.560 --> 0:28:45.520
<v Speaker 3>the cashier how much the olive oil costs. You have

0:28:45.720 --> 0:28:49.200
<v Speaker 3>to ask the olive because the olive went through the

0:28:49.320 --> 0:28:51.440
<v Speaker 3>crushing for the oil to come out.

0:28:51.600 --> 0:28:53.320
<v Speaker 5>When TDJ spoke that.

0:28:53.360 --> 0:28:56.840
<v Speaker 3>Message, I was in the crushing process of my life

0:28:57.320 --> 0:28:59.479
<v Speaker 3>and I had to go through the crushing for the

0:28:59.520 --> 0:29:00.520
<v Speaker 3>oil to come out.

0:29:00.800 --> 0:29:01.880
<v Speaker 5>So maybe you may be.

0:29:02.000 --> 0:29:04.840
<v Speaker 3>In the crushing stage, or maybe you're in this stage

0:29:04.840 --> 0:29:07.840
<v Speaker 3>where your oil is shiny, but there will always be

0:29:07.920 --> 0:29:10.760
<v Speaker 3>a crushing stage no matter what level you are at

0:29:10.800 --> 0:29:15.160
<v Speaker 3>in life. So be relaxed, be of service, and the

0:29:15.240 --> 0:29:16.120
<v Speaker 3>best is you have to come.

0:29:16.960 --> 0:29:20.960
<v Speaker 2>You are the best. I am so grateful to have

0:29:21.040 --> 0:29:23.240
<v Speaker 2>this introduction to you.

0:29:23.240 --> 0:29:26.880
<v Speaker 1>You have blessed my audience, you have blessed my team,

0:29:27.200 --> 0:29:28.680
<v Speaker 1>and continue blessing us.

0:29:28.680 --> 0:29:32.200
<v Speaker 2>Will. I would love to reinvite you back to the show.

0:29:32.760 --> 0:29:35.960
<v Speaker 1>You can talk some more, because there is a piece

0:29:36.000 --> 0:29:41.840
<v Speaker 1>within you that is settling and I can only imagine

0:29:41.880 --> 0:29:44.880
<v Speaker 1>that people who are fortunate to be your friend and

0:29:44.920 --> 0:29:48.960
<v Speaker 1>be in your energy are very very grateful and they

0:29:49.000 --> 0:29:50.080
<v Speaker 1>know what I'm talking about.

0:29:50.920 --> 0:29:55.680
<v Speaker 3>So one more thing I'll say real quick, because you

0:29:55.720 --> 0:29:59.760
<v Speaker 3>made me think of an eagle. You know, when you're

0:29:59.760 --> 0:30:03.480
<v Speaker 3>going through storms of life, don't rebuke the storm because

0:30:03.520 --> 0:30:06.320
<v Speaker 3>the only way ego cleans its wings is in the

0:30:06.360 --> 0:30:09.400
<v Speaker 3>middle of a storm. The only way and ego tests

0:30:09.400 --> 0:30:12.080
<v Speaker 3>its pinions to see if they're strong enough is in

0:30:12.120 --> 0:30:13.160
<v Speaker 3>the middle of a storm.

0:30:13.480 --> 0:30:15.040
<v Speaker 5>The only way Ego.

0:30:14.800 --> 0:30:18.120
<v Speaker 3>Goes to the highest heights is in the middle of

0:30:18.160 --> 0:30:22.120
<v Speaker 3>the storm. Storms will come, but storms come to take

0:30:22.160 --> 0:30:26.120
<v Speaker 3>you to your next level. So don't rebuke the storm.

0:30:26.560 --> 0:30:29.320
<v Speaker 3>We all have storms of life, but the storm is

0:30:29.400 --> 0:30:31.360
<v Speaker 3>meant to take you to the next level, just like them.

0:30:31.400 --> 0:30:33.840
<v Speaker 3>Hater said, they didn't give you any information about being

0:30:33.840 --> 0:30:36.840
<v Speaker 3>a cast and the record, but that storm took you

0:30:36.960 --> 0:30:39.560
<v Speaker 3>to ask a question, took you to where you are

0:30:39.600 --> 0:30:42.200
<v Speaker 3>now so that you can remember, Hey, you need haters,

0:30:42.240 --> 0:30:43.960
<v Speaker 3>you need people to push.

0:30:43.680 --> 0:30:45.040
<v Speaker 5>You to the next level.

0:30:45.080 --> 0:30:48.160
<v Speaker 3>So be at peace, you know, because that storm is

0:30:48.160 --> 0:30:49.760
<v Speaker 3>meant to bless you, not the harmony.

0:30:50.680 --> 0:30:51.160
<v Speaker 2>Amen.

0:30:51.600 --> 0:30:57.080
<v Speaker 1>Amen, we welcome storms unapologetically because you know there's light

0:30:57.200 --> 0:30:57.520
<v Speaker 1>at the.

0:30:57.520 --> 0:30:59.520
<v Speaker 5>End of the tunnel. Yes it is.

0:31:01.320 --> 0:31:06.560
<v Speaker 1>Then everybody stand up, put your hands together for our guests,

0:31:06.880 --> 0:31:11.640
<v Speaker 1>mister Will Catlet and Will we are blessed to have him.

0:31:11.680 --> 0:31:14.480
<v Speaker 2>He's going to stay with us, you guys for class

0:31:14.520 --> 0:31:15.120
<v Speaker 2>and session.

0:31:16.480 --> 0:31:19.280
<v Speaker 1>Welcome back to the Spirited Actor Podcast with.

0:31:19.200 --> 0:31:22.320
<v Speaker 2>Me Tracy Moore and you know where we are.

0:31:22.880 --> 0:31:29.000
<v Speaker 1>Class in session my favorite, and we are still blessed

0:31:29.280 --> 0:31:33.280
<v Speaker 1>to have Will cat Lit with us. So sit down,

0:31:33.440 --> 0:31:35.080
<v Speaker 1>sit back, because you know he's going to drop some

0:31:35.080 --> 0:31:35.960
<v Speaker 1>more jewels on us.

0:31:36.640 --> 0:31:41.040
<v Speaker 2>We have Spirit Actor loved I and our writer in residence.

0:31:40.600 --> 0:31:48.600
<v Speaker 1>Lean Amado, heyleen Ry, and we have Julisa Caprie Spirit

0:31:48.640 --> 0:31:49.440
<v Speaker 1>Actor alumni.

0:31:50.320 --> 0:31:52.480
<v Speaker 2>Hey guys, and Elsa is going.

0:31:52.480 --> 0:31:54.400
<v Speaker 1>To put on her other cape and she's going to

0:31:54.480 --> 0:31:56.160
<v Speaker 1>read the narrative for you, Will.

0:31:56.760 --> 0:32:03.640
<v Speaker 2>So is everyone ready? Hmm? Yeah, Okay, so on action Elsa.

0:32:04.560 --> 0:32:08.880
<v Speaker 4>It's a stick up written by Leam a model exterior

0:32:09.360 --> 0:32:13.000
<v Speaker 4>sidewalk to day. Pam is following Jess down the street.

0:32:15.200 --> 0:32:18.840
<v Speaker 2>I cannot believe you got me doing this. What happened

0:32:18.840 --> 0:32:22.280
<v Speaker 2>when we ride together? We die together? No?

0:32:22.000 --> 0:32:23.360
<v Speaker 4>No, this is just dumb.

0:32:24.440 --> 0:32:28.880
<v Speaker 2>Well what about laying in life out for bread? Are

0:32:28.920 --> 0:32:31.680
<v Speaker 2>you serious? I know you were not using a Bible verse.

0:32:31.800 --> 0:32:35.000
<v Speaker 1>We're prepping a rob a candy store.

0:32:36.560 --> 0:32:41.800
<v Speaker 2>No, I am not doing anything. Okay, so why did

0:32:41.800 --> 0:32:45.200
<v Speaker 2>you come in? I came to make sure that nothing

0:32:45.240 --> 0:32:52.080
<v Speaker 2>happened to you. Oh you really do rob for me? Whatever?

0:32:52.240 --> 0:32:56.120
<v Speaker 2>Just throw inside, Jess, ladies have arrived.

0:32:56.640 --> 0:32:59.080
<v Speaker 4>Pam gets to the door, gets the door for Jess

0:32:59.080 --> 0:33:01.040
<v Speaker 4>and continues to follow her through the aisles.

0:33:02.920 --> 0:33:04.920
<v Speaker 3>You know, all the years I've known you, this is

0:33:05.000 --> 0:33:07.640
<v Speaker 3>like the dumbest ship that you've put up with, all

0:33:07.640 --> 0:33:09.360
<v Speaker 3>because your man thinks that you don't have.

0:33:09.280 --> 0:33:10.240
<v Speaker 2>A wild side.

0:33:10.240 --> 0:33:12.760
<v Speaker 4>Like that's so stupid that you didn't follow this?

0:33:13.800 --> 0:33:16.800
<v Speaker 2>Okay, whatever, Look, I wouldn't be so cracking yourself. Then

0:33:17.720 --> 0:33:22.800
<v Speaker 2>why I don't know how to be wild? Okay? Well,

0:33:24.120 --> 0:33:26.760
<v Speaker 2>can you just hurry up? My palms are sweating?

0:33:26.800 --> 0:33:27.000
<v Speaker 3>Man?

0:33:28.400 --> 0:33:31.080
<v Speaker 2>Oh, can you just shut up. Look, I am nervous

0:33:31.120 --> 0:33:34.680
<v Speaker 2>as it is you're nervous. I just saw my entire

0:33:34.760 --> 0:33:37.280
<v Speaker 2>career flash from my eyesing you're the one that's nervous.

0:33:38.720 --> 0:33:42.040
<v Speaker 4>A simultaneously break convo to smile like the little girl

0:33:42.080 --> 0:33:43.120
<v Speaker 4>passing by.

0:33:43.880 --> 0:33:48.080
<v Speaker 2>Career. Shut up, you should be thanking me, but you

0:33:48.240 --> 0:33:52.880
<v Speaker 2>need to loosen the hell up. Jess, I am good

0:33:52.920 --> 0:33:56.120
<v Speaker 2>the way that I am. Okay, why does she get

0:33:56.160 --> 0:33:57.640
<v Speaker 2>away from me? I don't want to be able to see

0:33:57.640 --> 0:34:01.840
<v Speaker 2>you around me in case you know what, Please, that

0:34:01.880 --> 0:34:04.560
<v Speaker 2>will be the best thing that happened to you. Look.

0:34:05.480 --> 0:34:08.680
<v Speaker 2>I just saw Marcus's new girl, and she looks like

0:34:08.800 --> 0:34:12.200
<v Speaker 2>a bad bitch. And you over here sticking up a

0:34:12.200 --> 0:34:18.719
<v Speaker 2>candy store in your librarian skirt. Everything just changed. What

0:34:19.640 --> 0:34:23.120
<v Speaker 2>kind of bad bitch? The type of does some shit

0:34:23.280 --> 0:34:26.640
<v Speaker 2>like this black eyeliner tat it up?

0:34:27.600 --> 0:34:27.839
<v Speaker 5>Sure?

0:34:27.920 --> 0:34:38.359
<v Speaker 2>A little titty Okay.

0:34:35.120 --> 0:34:38.400
<v Speaker 4>Sam starts grabbing shit stuffing into her purse and pockets.

0:34:39.160 --> 0:34:40.640
<v Speaker 2>Yeah, that's what I'm talking about.

0:34:40.719 --> 0:34:41.319
<v Speaker 5>That's good.

0:34:43.560 --> 0:34:46.480
<v Speaker 4>Jes laps Pam on the ass and they split up.

0:34:46.800 --> 0:34:53.200
<v Speaker 2>It's a stick up. See wow, thank you ladies. Stick

0:34:53.280 --> 0:34:55.279
<v Speaker 2>up all right, I'm gonna throw it to.

0:34:55.320 --> 0:34:57.120
<v Speaker 5>You will well.

0:34:57.200 --> 0:34:59.120
<v Speaker 3>It's hard to kind of do it on this because

0:34:59.160 --> 0:35:01.560
<v Speaker 3>I can't see them on the same screen, you know

0:35:01.600 --> 0:35:01.880
<v Speaker 3>what I mean.

0:35:01.920 --> 0:35:04.320
<v Speaker 5>So I'm flipping. I'm flipping back and forth.

0:35:04.400 --> 0:35:08.200
<v Speaker 3>As you know, Lin gives her lines, and at least

0:35:08.200 --> 0:35:10.399
<v Speaker 3>it gives her lines. But it's it's cool though, because

0:35:10.440 --> 0:35:14.200
<v Speaker 3>I can hear it. Okay, the moments that I like

0:35:14.239 --> 0:35:16.640
<v Speaker 3>were the most quiet moments in this in this piece,

0:35:17.239 --> 0:35:20.880
<v Speaker 3>you know, before Lynn has grabbed the candy, because those

0:35:21.160 --> 0:35:24.880
<v Speaker 3>are the real moments. So what I would say is

0:35:24.920 --> 0:35:28.239
<v Speaker 3>that even in both of you guys as acting, it's

0:35:28.360 --> 0:35:31.920
<v Speaker 3>always find those moments that are the most truthful. And

0:35:31.960 --> 0:35:33.960
<v Speaker 3>if you find it when the script, it may be

0:35:34.040 --> 0:35:36.600
<v Speaker 3>way down in the script, but that would indicate how

0:35:36.640 --> 0:35:39.520
<v Speaker 3>you're supposed to play and what the transitions will be,

0:35:39.520 --> 0:35:41.840
<v Speaker 3>because if you find that real moment, then you'll know

0:35:42.360 --> 0:35:44.839
<v Speaker 3>as you're tracking what to get to from the top

0:35:44.880 --> 0:35:45.600
<v Speaker 3>to the beginning.

0:35:46.040 --> 0:35:47.040
<v Speaker 5>So like you can tell.

0:35:46.920 --> 0:35:48.480
<v Speaker 3>That the young Way doesn't really want to do this,

0:35:48.560 --> 0:35:50.319
<v Speaker 3>and blah blah blah they in the store, then they

0:35:50.440 --> 0:35:52.279
<v Speaker 3>want to stick up, you know. But when it came

0:35:52.360 --> 0:35:54.759
<v Speaker 3>to that real moment about being a bad d, I

0:35:54.840 --> 0:35:57.560
<v Speaker 3>t h to me that was the turn of the

0:35:57.600 --> 0:36:02.480
<v Speaker 3>scene and so you can have those moments even more

0:36:02.520 --> 0:36:05.120
<v Speaker 3>in the beginning. But other but other than that, I

0:36:05.120 --> 0:36:06.879
<v Speaker 3>thought I thought it was great from what I can see.

0:36:06.880 --> 0:36:09.279
<v Speaker 3>It's something I can't really bring it now because I

0:36:09.280 --> 0:36:11.319
<v Speaker 3>would have had to see y'all. You know, I can

0:36:11.360 --> 0:36:12.880
<v Speaker 3>look both of y'all at the same time and I

0:36:12.920 --> 0:36:15.319
<v Speaker 3>can say, Okay, she gave that line like this, he

0:36:15.400 --> 0:36:15.879
<v Speaker 3>gave this.

0:36:15.800 --> 0:36:16.439
<v Speaker 5>Line like that.

0:36:16.840 --> 0:36:20.160
<v Speaker 3>But uh, Jalisa, you you have great instincts, you know

0:36:20.200 --> 0:36:22.680
<v Speaker 3>what I mean. It's just a matter of time before

0:36:22.800 --> 0:36:24.200
<v Speaker 3>things really pop off for you.

0:36:24.280 --> 0:36:26.280
<v Speaker 5>And I've seen you because I've saw one of your monologues.

0:36:26.520 --> 0:36:29.040
<v Speaker 3>This is actually the first time me seeing Lynn and

0:36:29.200 --> 0:36:33.440
<v Speaker 3>you got this thing sense, this this this flair, this beauty,

0:36:33.480 --> 0:36:37.000
<v Speaker 3>this rulnerability you know which is which is interesting and

0:36:38.160 --> 0:36:40.560
<v Speaker 3>I believe that will be your ticket to get to

0:36:40.560 --> 0:36:43.000
<v Speaker 3>where you need to go the writing and all that too.

0:36:43.480 --> 0:36:46.319
<v Speaker 3>But you just pop when I'm watching you. You pop

0:36:46.400 --> 0:36:50.520
<v Speaker 3>off the screen, you know, So don't put the acting down.

0:36:50.600 --> 0:36:51.040
<v Speaker 5>It's there.

0:36:51.440 --> 0:36:53.800
<v Speaker 3>It's just a matter of walking into the right situation

0:36:53.960 --> 0:36:55.200
<v Speaker 3>for you, you know what I mean.

0:36:55.360 --> 0:36:56.080
<v Speaker 5>For both of y'all.

0:36:56.280 --> 0:36:59.760
<v Speaker 3>You know when I saw because Jalicia is a piece

0:36:59.800 --> 0:37:02.720
<v Speaker 3>that she did. I'm like it was one that Viola

0:37:02.800 --> 0:37:07.600
<v Speaker 3>Davis did. Correct, Yeah, Princess, I'm like, I like she

0:37:07.760 --> 0:37:11.600
<v Speaker 3>gave Biola for her money in that audition, you know.

0:37:11.719 --> 0:37:13.080
<v Speaker 3>And so that's one of those things that I talk

0:37:13.120 --> 0:37:16.520
<v Speaker 3>about because sometimes you got all that fire, that's a

0:37:16.680 --> 0:37:19.920
<v Speaker 3>movie star fire, and sometimes we're trying to put that.

0:37:20.000 --> 0:37:21.799
<v Speaker 5>Into a coach star and a guest star.

0:37:22.080 --> 0:37:25.200
<v Speaker 3>It's not going to work there, right, So don't so

0:37:25.320 --> 0:37:28.520
<v Speaker 3>don't you know, be discouraged. It's just a matter of

0:37:28.520 --> 0:37:31.239
<v Speaker 3>a moment for the both of you. Yeah, I thought

0:37:31.239 --> 0:37:31.960
<v Speaker 3>it was great.

0:37:32.239 --> 0:37:36.000
<v Speaker 1>Well, you are so generous and so kind because these

0:37:36.040 --> 0:37:38.840
<v Speaker 1>are words that I say to both of these I

0:37:39.000 --> 0:37:40.360
<v Speaker 1>don't both of these ladies.

0:37:40.400 --> 0:37:42.560
<v Speaker 2>I'm not going to tell you how many years because

0:37:42.560 --> 0:37:45.040
<v Speaker 2>they live in ranges age range.

0:37:45.920 --> 0:37:52.359
<v Speaker 1>However, I echo those words because I when you get

0:37:52.360 --> 0:37:55.680
<v Speaker 1>a chance to go to Alabama and see and go

0:37:55.760 --> 0:37:58.959
<v Speaker 1>to the museum and see the work that Julisa did

0:37:59.560 --> 0:38:01.840
<v Speaker 1>in this monologue, it bought.

0:38:01.600 --> 0:38:02.840
<v Speaker 2>Elson and I to tears.

0:38:02.880 --> 0:38:09.160
<v Speaker 1>We cast this museum for Byron Stevenson and literally just

0:38:09.719 --> 0:38:12.440
<v Speaker 1>she had there was no dry eye in the room

0:38:12.680 --> 0:38:16.840
<v Speaker 1>when Byron directed it and we filmed it, and amazing.

0:38:16.520 --> 0:38:17.760
<v Speaker 2>So and Leenn.

0:38:18.400 --> 0:38:22.440
<v Speaker 1>I just remember just a young kid and her dad

0:38:22.560 --> 0:38:25.640
<v Speaker 1>putting money in my hands, saying after a showcase, she's

0:38:25.680 --> 0:38:26.959
<v Speaker 1>doing your next class, and I.

0:38:26.880 --> 0:38:28.400
<v Speaker 2>Was like, I don't know what my next class is.

0:38:28.440 --> 0:38:30.759
<v Speaker 2>He's like, I don't care. She's gonna study with you.

0:38:31.280 --> 0:38:34.480
<v Speaker 1>And loved her as an actress and now as a

0:38:34.520 --> 0:38:35.359
<v Speaker 1>writer as well.

0:38:35.480 --> 0:38:37.400
<v Speaker 2>So I just want to thank you again.

0:38:37.480 --> 0:38:44.239
<v Speaker 1>Will you are wonderful, And ladies and gentlemen again, put

0:38:44.280 --> 0:38:47.239
<v Speaker 1>your hands together for our guests. Will cat Lit And

0:38:47.320 --> 0:38:49.239
<v Speaker 1>you know I'm gonna call him again, you guys, because

0:38:49.280 --> 0:38:51.200
<v Speaker 1>you know how we do we can we bring you

0:38:51.280 --> 0:38:57.440
<v Speaker 1>back on.

0:38:53.960 --> 0:38:57.239
<v Speaker 3>More gym, one more Jim, one more gym, one more Jim.

0:38:57.719 --> 0:39:00.400
<v Speaker 3>The people that the people that ever watched this, and

0:39:00.440 --> 0:39:02.200
<v Speaker 3>I'll tell this to my students all the time.

0:39:02.800 --> 0:39:04.840
<v Speaker 5>Don't wait on the job to celebrate.

0:39:05.520 --> 0:39:08.120
<v Speaker 3>Go eat your favorite meal, go cook your favorite meal,

0:39:08.200 --> 0:39:12.120
<v Speaker 3>go to the restaurant of your choice, and celebrate before

0:39:12.360 --> 0:39:15.479
<v Speaker 3>the job comes. Every time I've done that, a job

0:39:15.520 --> 0:39:17.799
<v Speaker 3>has come to me. Me and my wife were saying,

0:39:17.800 --> 0:39:20.000
<v Speaker 3>I think it's time to celebrate. There's no job insight,

0:39:20.440 --> 0:39:22.800
<v Speaker 3>money baby low at the time.

0:39:23.120 --> 0:39:24.439
<v Speaker 5>But as soon as we do that.

0:39:24.360 --> 0:39:28.120
<v Speaker 3>We're now pushing the envelope for the celebration to come.

0:39:28.400 --> 0:39:30.160
<v Speaker 3>We just did it last night. You know where a

0:39:30.160 --> 0:39:32.359
<v Speaker 3>buddy of mine has been, you know, at that point

0:39:32.400 --> 0:39:34.880
<v Speaker 3>where he's been getting jobs, but it ain't really popped

0:39:34.880 --> 0:39:37.480
<v Speaker 3>off just yet. I said, brother, let's just celebrate. Let's

0:39:37.480 --> 0:39:40.040
<v Speaker 3>celebrate what is about to come. And we did that

0:39:40.120 --> 0:39:42.480
<v Speaker 3>last night. And I'm excited because I know he gonna

0:39:42.520 --> 0:39:43.520
<v Speaker 3>get a phone called hey.

0:39:43.400 --> 0:39:43.840
<v Speaker 5>I got this.

0:39:44.000 --> 0:39:46.600
<v Speaker 3>Yeah, yeah, you know, but we already celebration, so it

0:39:46.640 --> 0:39:47.680
<v Speaker 3>has no choice but to come.

0:39:47.760 --> 0:39:49.040
<v Speaker 5>So don't forget to celebrate.

0:39:49.600 --> 0:39:53.839
<v Speaker 1>Well, we're gonna celebrate you before we make off. We're

0:39:53.880 --> 0:39:57.960
<v Speaker 1>gonna celebrate. We'll tat with ladies and gentlemen. So we

0:39:58.080 --> 0:40:01.000
<v Speaker 1>will be back up the Spirited After podcast with me

0:40:01.200 --> 0:40:06.319
<v Speaker 1>Tracy Moore for Give Love and now it's time for

0:40:06.360 --> 0:40:11.799
<v Speaker 1>Give Love. Growing up in San Francisco, California, dreaming of

0:40:11.840 --> 0:40:16.920
<v Speaker 1>being in the entertainment business was just that a dream.

0:40:17.480 --> 0:40:20.920
<v Speaker 1>I didn't know how challenging it would be. All I

0:40:21.000 --> 0:40:24.120
<v Speaker 1>knew was prayer and I believe God would make away.

0:40:24.480 --> 0:40:27.320
<v Speaker 1>So in nineteen eighty three, when my two friends left

0:40:27.320 --> 0:40:31.680
<v Speaker 1>for New York City, that was my chance. I was scared,

0:40:32.080 --> 0:40:35.360
<v Speaker 1>but I did it anyway, I got on that plane,

0:40:35.520 --> 0:40:38.959
<v Speaker 1>faced my fears, and planted my feet in New York

0:40:39.000 --> 0:40:44.880
<v Speaker 1>City for now thirty nine years, no regrets and grateful

0:40:44.920 --> 0:40:47.560
<v Speaker 1>to know that when you allow fear to live in

0:40:47.600 --> 0:40:51.920
<v Speaker 1>your head, you miss out on the greatest life that

0:40:51.960 --> 0:40:57.040
<v Speaker 1>you can ever imagine. Be fearless, don't forget to look

0:40:57.080 --> 0:40:59.920
<v Speaker 1>out for us on our new show, Inside the black Box.

0:41:00.280 --> 0:41:04.120
<v Speaker 1>My co host will be Joe the Legend Morton. It's

0:41:04.200 --> 0:41:07.760
<v Speaker 1>going to be the Spirited Actor Podcast on Steroids.

0:41:08.120 --> 0:41:11.840
<v Speaker 2>We'll be streaming on the Crackle network. I'll keep you posted.

0:41:12.560 --> 0:41:15.880
<v Speaker 1>Thank you for joining us on the Spirited Actor Podcast

0:41:15.920 --> 0:41:19.360
<v Speaker 1>with me Tracy Moore. I look forward to our next

0:41:19.400 --> 0:41:22.160
<v Speaker 1>Spirited Podcast. Thank you,