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Speaker 1: Amanda Seafreed was my babysitter, and I just remember being

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Speaker 1: upset that the food was plastic. I'm actually Timothy Shalloman,

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Speaker 1: Timothy Shallowy, Timothy Shallaman. She called me a sea word.

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Speaker 1: She shook a chihuabo white. They screamed, they say action.

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Speaker 1: I say, okay, Timothy shall May, I'm a vision of someone.

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Speaker 1: I made him cry because I didn't care. He's a supermodel.

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Speaker 1: I'm a mere mortal next to him.

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Speaker 2: Yeah, fiercer than like a had been.

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Speaker 1: Timothy shy. Kids don't get sweets. My whole algorithm on

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Speaker 1: his dream is David Lynch and Tom Brady. Now you

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Speaker 1: look girl. Every time I see Timothy, I introduced myself.

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Speaker 2: What are we even? What are we even doing? Hi? Everybody,

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Speaker 2: I feel like I'm I'm Jeff Goldbling. Hi. There we are.

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Speaker 2: I don't know.

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Speaker 1: Do you have like a persona for your podcast?

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Speaker 2: No, it's you.

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Speaker 1: Hello, Oh you have a you have a I was

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Speaker 1: considering it. I was considering doing a part. There's nothing

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Speaker 1: cool about me.

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Speaker 2: Promise there's a lot of cool things that are cool

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Speaker 2: about you. Well, thanks to get In. It's Kyle, Ladies

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Speaker 2: and gentlemen. Ah surprised, but this is what are we

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Speaker 2: even doing? And this is the show where I sit

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Speaker 2: down with creatives, actors, musicians, creatives of all type, people

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Speaker 2: that are shaking up the world of art, film, social media,

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Speaker 2: and we dive deep into the creative process. It's very

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Speaker 2: exciting and other things. We get to learn a lot

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Speaker 2: about well. Special guests I'm speaking with. You are an

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Speaker 2: incredible actress, you are a producer, You're a golfer, which

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Speaker 2: we're going to get into, but you're a devout poodle owner.

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Speaker 2: I am as well.

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Speaker 1: I am.

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Speaker 2: Yeah, Catherine Newton is with us ladies and gentlemen.

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Speaker 1: I am so Timothy shallow May.

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Speaker 2: Actually Timothy Jimothy shallow May in disguise. That's an amazing disguise, Timothy. Yeah,

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Speaker 2: it's really incredible. You look so different.

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Speaker 1: I'm just so sick of everyone dressing up as me.

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Speaker 1: I thought I'd dress up as Catherine. Yeah, do her

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Speaker 1: podcast for her.

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Speaker 2: But that's an incredibly bold decision and amazing. Yeah, but

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Speaker 2: I understand it.

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Speaker 1: It's just he's too I'm too popular right now. I

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Speaker 1: needed to go be an actress for a minute.

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Speaker 2: Underground.

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Speaker 1: Congrat with me on your nom yeah and your win.

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Speaker 2: Well done. Well done, well done. You are fun.

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Speaker 1: I can already tell it's because I'm a golfer.

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Speaker 2: You're a golfer. Well there we're going to get I'm

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Speaker 2: so excited to talk about that. But first I want

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Speaker 2: to talk about.

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Speaker 1: If we start with golf, we will lose our audience.

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Speaker 1: That's exactly what I thought, will tune out.

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Speaker 2: Yeah, well there'll be seven or eight that will continue.

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Speaker 1: I know. As soon as I have a director meeting

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Speaker 1: or something and they bring up golf, I'm not getting

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Speaker 1: the job.

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Speaker 2: Really.

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Speaker 1: Yeah, it worked when I was eleven right now, when

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Speaker 1: I was eleven, it helped.

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Speaker 2: Wait did you start at eleven?

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Speaker 1: No? I started at four.

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Speaker 2: You started at four, which is appropriate considering we're going

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Speaker 2: to talk about golf lator and four. My mind, My

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Speaker 2: mind is yah, whoa, My mind is mush.

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Speaker 1: People have just turned off the podcast.

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Speaker 2: We just lost half our audience.

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Speaker 1: No come back.

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Speaker 2: They all ducked when we said four.

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Speaker 1: Yeah, they got scared. They had to throw their phone.

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Speaker 2: You started four the movies as well.

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Speaker 1: Yeah, we're talking about movies too, so four was four

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Speaker 1: years old? Yeah?

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Speaker 2: Yeah, your decision mm hmmm, yep.

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Speaker 1: Just like what to wear when you're four and what

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Speaker 1: to eat sure and to play golf. I mean, I

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Speaker 1: don't think anything was a decision until maybe I was eighteen.

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Speaker 1: I think it became more, you know, because people ask

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Speaker 1: you what you want to do all the time. When

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Speaker 1: you get to be around that age, and then you

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Speaker 1: kind of have to just ride the wave. I think

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Speaker 1: of whatever.

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Speaker 2: You're in the moment.

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Speaker 1: Yeah, schools for that all that. Yeah, yeah, growing up. Yeah,

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Speaker 1: acting's pretty cool. I love this world.

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Speaker 2: So it's kind of crazy, isn't it. Because you were

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Speaker 2: you're athletic.

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Speaker 1: I am. I'm an athlete. Yes, I do my own stunts.

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Speaker 1: Baby Tom, that's what they call me.

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Speaker 2: Really.

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Speaker 1: I'm trying to get my insurance like paid for, you know,

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Speaker 1: so I can actually do some stunts, do stunts, like

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Speaker 1: for real, I do my stunts. But you know what

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Speaker 1: I'm talking about, Like fly off a building.

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Speaker 2: Yeah, there's things a plane. Unless you're Tom Cruise, you

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Speaker 2: can't do that.

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Speaker 1: Yeah, And I learned recently it's because the insurance is

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Speaker 1: so high. I think he covers the insurance or something

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Speaker 1: like he puts money into that. And so now I'm like, okay,

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Speaker 1: I need to to do that and train for a

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Speaker 1: year to do one stunt. For a movie that will

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Speaker 1: make people go to the movies.

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Speaker 2: And they probably may not even see that it's you

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Speaker 2: or care or see the movie, but a great decision.

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Speaker 1: It is on my mind though, because I'll be on

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Speaker 1: set doing stunts and then they'll be like, you really

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Speaker 1: don't need to do that, and I'm like, I know,

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Speaker 1: but I can, right, And then they kind of sneakily say, well,

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Speaker 1: she can do it, should we let her? And then

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Speaker 1: I'll do it and it'll be great, but it's really

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Speaker 1: worth it. It's not really necessary if.

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Speaker 2: They can see you and see your face and you

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Speaker 2: move a certain and yeah, yeah, yeah, it's good. And

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Speaker 2: if you're good at what it is, I think everyone's like, yeah,

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Speaker 2: let her do.

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Speaker 1: It, right, They say, yeah, let her do it. But

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Speaker 1: now I'm learning like if I ever got hurt on set,

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Speaker 1: then I may never work again. So you have to.

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Speaker 1: You have to. There's levels to it. I would love

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Speaker 1: to do a Tom Cruise level stunt, and that would

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Speaker 1: call for a lot of training.

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Speaker 2: What would be like if you could design your own.

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Speaker 1: Stunt, it would be flying an airplane and then like

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Speaker 1: hanging out of it something in the air, or like

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Speaker 1: I just did a movie coming out in August. I

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Speaker 1: climbed a cliff and like hung off the cliff of

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Speaker 1: this and then actually rock climbed without a harness. I

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Speaker 1: held my breath underwater for four minutes. No one's you know,

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Speaker 1: it doesn't really like it wasn't it wasn't necessary, you know, right,

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Speaker 1: like it is necessary in the movie, but there was

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Speaker 1: I didn't need to do.

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Speaker 2: It with that way I could a single take.

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Speaker 1: It would be like, you know, phone it in a

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Speaker 1: little bit.

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Speaker 2: Yeah, then you could the camera then you got it.

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Speaker 2: But otherwise, yeah, you're right.

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Speaker 1: It's like if you know you can do something, that's

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Speaker 1: when you kind of want to do it.

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Speaker 2: Yeah, that's all. But it sounds like you do a lot,

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Speaker 2: you know what you know, you do a lot?

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Speaker 1: No, I think I know, And that's the problem. And

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Speaker 1: then you get on set and people tell you you

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Speaker 1: can and then you're like, I definitely can, and what

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Speaker 1: if you can't, you.

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Speaker 2: Don't know, doesn't even cross your mind.

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Speaker 1: That's why you need the training. That's why you need

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Speaker 1: the team, the team behind you.

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Speaker 2: Oh wait, so four years old was acting starting? Yeah? Wow,

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Speaker 2: I know, when did you know that?

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Speaker 1: This was?

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Speaker 2: Like, I mean, that's when you're like Oh, I'm just

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Speaker 2: having fun. I'm doing this thing. But when it was

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Speaker 2: like was it eighteen? You were right?

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Speaker 1: So I was four and I was like in New

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Speaker 1: York going to Broadway. I saw Gypsy with Bernardette Peters. Yeah,

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Speaker 1: with my friend Matthew who and we did like gymnastics together,

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Speaker 1: and like I did baby modeling in Florida. My point

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Speaker 1: is about Gypsy is I would like we would sing

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Speaker 1: it on the street corner, sing the songs and then

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Speaker 1: like collect coins and give it to the first homeless

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Speaker 1: person that we saw. Like it was just a natural

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Speaker 1: discovery of it that I liked it. Some agent saw

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Speaker 1: me and my mom and was like, she's cute. She

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Speaker 1: should go on this audition. And I went on a

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Speaker 1: couple auditions in New York and one of them was

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Speaker 1: a soap opera called All My Children, and I booked

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Speaker 1: it and I was on that for five years. And

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Speaker 1: my mom she didn't even know that she had to

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Speaker 1: be on set, Like she would just hang out in

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Speaker 1: my dressing room, and like they had so many teachers

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Speaker 1: and stuff to take care of the kids. And I

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Speaker 1: just remember being upset that the food was plastic, and

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Speaker 1: like Kelly Ripper was my sister for a minute. Jonathan

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Speaker 1: Bennett from Mean Girls was my brother. Josh Neumal was

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Speaker 1: also my brother. Amanda Seyfried was my babysitter. It was

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Speaker 1: a weird, interesting thing, like you ever been on a

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Speaker 1: soap opera? I feel like everybody's been on a you

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Speaker 1: are you skipped that one?

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Speaker 2: I skipped that step. But I remember I did work

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Speaker 2: on a golf course. But we're gonna get We'll get

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Speaker 2: to that.

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Speaker 1: I remember looking at all the actors and if they

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Speaker 1: were ever acting, I would ask them why they were

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Speaker 1: doing that with their face, and then like I would

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Speaker 1: never say my lines. If I felt like it no

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Speaker 1: one it wasn't, I would just slam my fist on

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Speaker 1: the table.

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Speaker 2: So I don't know.

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Speaker 1: I think I just before I knew it, I was

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Speaker 1: interested in it for sure.

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Speaker 2: Yeah. Wait, so you came to Florida, you moved to

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Speaker 2: I was just going back and forth.

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Speaker 1: In New York. They flew me out, you know, they'd

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Speaker 1: fly you out there. You do it a couple episodes.

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Speaker 1: You're there like a month or two. Then you go home,

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Speaker 1: go to school. I went to real school. I went

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Speaker 1: to high school in La went to Notre Dame.

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Speaker 2: Yeah, oh, Greade school captain.

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Speaker 1: My golf team had to learn how to.

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Speaker 2: Be my son's at Harvard west Lake. So they didn't

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Speaker 2: have a.

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Speaker 1: Girls caol team. When I was looking, we kicked.

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Speaker 2: Their you you you started. They did have a girls

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Speaker 2: the girls golfing, Yeah they did, they but you did

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Speaker 2: not have a golf team. But when you went to

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Speaker 2: Notre Dame, I went.

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Speaker 1: I looked everywhere, No, I looked. I went to Campbell Hall.

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Speaker 1: I was going to go to Cambe Hall because they

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Speaker 1: had a good program for actors, kind of a professional

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Speaker 1: thing where you could miss school. But here's my end

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Speaker 1: with Notre Dame. And I'll get in trouble really for

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Speaker 1: saying it. They wanted to win, you know, and I

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Speaker 1: missed a lot of school. But I played that game

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Speaker 1: real well, yeah, and that's why I was there.

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Speaker 2: So you're not competitive at all.

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Speaker 1: I'm so competitive. I'm so competitive. I play for fun

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Speaker 1: now and if I'm playing with like I play with

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Speaker 1: a lot of guys, and I play with a couple

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Speaker 1: of girls on the LPGA. Like one of my best

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Speaker 1: friends Andrea Lee, we just played the other day and

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Speaker 1: I can't compete with her right now. I did four

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Speaker 1: movies this year. My game isn't good, it's all right,

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Speaker 1: it's average, and she knows, but I can't help it.

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Speaker 1: But we talk. We talk so much that s word

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Speaker 1: like locker room talk. Like I get her going and

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Speaker 1: she gets me riled up, you know. And then I'll

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Speaker 1: go play with a guy who's like someone's son at

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Speaker 1: some country club and he like thinks he's good and

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Speaker 1: he's like, you shot two over on the front and

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Speaker 1: I'm like, oh, we're keeping score. Now I gotta play. Yeah,

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Speaker 1: and now you have to go down and now I'll

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Speaker 1: never be invited here. Yeah.

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Speaker 2: Yeah, And it's not going to be pretty now.

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Speaker 1: I like that.

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Speaker 2: But let's talk about First of all, let's talk about

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Speaker 2: the film.

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Speaker 1: The film, my film that I'm promoting right now. Yes,

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Speaker 1: that does happen world, Yes, okay, listen to this. I

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Speaker 1: think some projects I do are very special. This movie.

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Speaker 1: There's so many reasons why this movie is special. This

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Speaker 1: isn't the number one reason. But they did ride a

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Speaker 1: golf course, and I think they wrote it in there

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Speaker 1: for me, or it was like a subconscious it could

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Speaker 1: have been it could have been a tennis court, it

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Speaker 1: could have been a polo field. But no, they did

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Speaker 1: that for me for sure. Yeah, I think it's special.

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Speaker 1: I think that was special.

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Speaker 2: You were in the movie because because I call you now,

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Speaker 2: they saw you in something else.

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Speaker 1: Yeah, yeah, they' that's what.

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Speaker 2: A high compliment that is? Was it agant?

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Speaker 1: And didn't movie? Called? Because I wanted to be a vampire?

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Speaker 2: Who doesn't?

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Speaker 1: Who doesn't? It was a dream come true. And these

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Speaker 1: directors met and Tyler. Do you ever get to work

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Speaker 1: with them or you hear their names? I really great,

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Speaker 1: Yeah they are. They let me do some crazy things

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Speaker 1: on that movie, which made me excited to be an actor.

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Speaker 1: You know, like I did more than I thought was necessary,

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Speaker 1: and they saw it and protected me. You know, sometimes

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Speaker 1: you go on set and like you don't know what

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Speaker 1: to do, so maybe you do too much or you

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Speaker 1: hold back and you do nothing, and then the opportunity

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Speaker 1: is kind of gone. I saw an opportunity. They asked

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Speaker 1: me to try some things. I showed them what I

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Speaker 1: could do, and then they added to it, and then

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Speaker 1: they edited me really well, so I didn't do too much.

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Speaker 1: And then they called me one day. I was in

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Speaker 1: New York on my way to dance class, and they

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Speaker 1: were like, we wrote ready or Not two for you.

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Speaker 2: We wrote this role for you the first times, first.

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Speaker 1: Time anyone's ever written anything from you. It was a

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Speaker 1: I cried because it was less about having another job.

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Speaker 1: But you know, if people say I'm gonna work with

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Speaker 1: you again, we love you, We're gonna work with you again,

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Speaker 1: and then maybe it happens, maybe it takes five years.

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Speaker 1: This was like a couple of months later, and I

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Speaker 1: was just really grateful to be shown that lesson that,

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Speaker 1: like not everyone is a liar. When you do something

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Speaker 1: great with somebody, it can be recognized and you can

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Speaker 1: do it again. And I think we did it. I

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Speaker 1: think we did it better. On Ready or Not, I

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Speaker 1: think we did it better. Yeah, I hope. I think.

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Speaker 2: Can you say anything without giving it away?

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Speaker 1: Or oh yeah, so Ready or Not Too is a

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Speaker 1: movie about Grace McCauley and she kind of married into

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Speaker 1: the wrong family and has forgotten about her true family,

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Speaker 1: which is right over here. And I show up and

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Speaker 1: I'm the little sister who you know is the problem

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Speaker 1: but thinks everyone else is a problem except her, and

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Speaker 1: she causes a lot of issues. And she's really just me,

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Speaker 1: a version of me, Catherine, like what Matt and Tyler

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Speaker 1: see for me and then it's better because someone else

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Speaker 1: wrote it. Okay, you know what I mean? Like I

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Speaker 1: get they like did they laid the groundwork for me?

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Speaker 1: And then I could just do whatever I wanted. That's

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Speaker 1: what I said when after I watched the movie the

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Speaker 1: first time, I called him and I was like, you

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Speaker 1: made me better. That's that's all you can ask, you know,

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Speaker 1: because you go on set you want to give everything,

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Speaker 1: and you do too much. You try jokes that are bad,

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Speaker 1: or you trust.

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Speaker 2: Somebody, the guides, you know, your directors and then the editor.

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Speaker 2: I mean, where it all kind of lives and breathes

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Speaker 2: it is.

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Speaker 1: I think, yeah, I'm really happy with the movie. And

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Speaker 1: so the movies it's not just you know, me and

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Speaker 1: Smart Weaving. Who is it is? Nie?

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Speaker 2: Yeah?

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Speaker 1: Crazy right?

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Speaker 2: Yeah?

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Speaker 1: Like she I remember her talking about that and I'm

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Speaker 1: like what yeah, and she's like yeah, he's cool.

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Speaker 2: Australian.

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Speaker 1: She's Australian through and through. He played sisters. She really

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Speaker 1: took me underr wing also like going into her franchise

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Speaker 1: and that's nice.

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Speaker 2: She welcomed you and it sounds like she embraced you

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Speaker 2: and you guys were think of thieves.

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Speaker 1: I think that my job was to make her look good,

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Speaker 1: you know, like support her. And I think she didn't

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Speaker 1: make me feel like I had to be careful, which

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Speaker 1: is so good, and I wasn't. I kicked her in

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Speaker 1: the face, Yeah, I sure did not on purpose.

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Speaker 2: I heard her a couple of times.

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Speaker 1: But it was embraced. She called me a sea word

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Speaker 1: and we moved on. We're sisters. It's a beautiful relationship.

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Speaker 1: I love her.

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Speaker 2: If I had a relationship that was someone.

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Speaker 1: She's Australian, so it's different.

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Speaker 2: You know.

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Speaker 1: Ethan Hawke, his daughter played my sister.

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Speaker 2: She did. So I was in this thing called inside Out, yes,

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Speaker 2: and then I was an inside out too when she

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Speaker 2: was an inside out too, and anxiety she elevated in

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Speaker 2: that material. I mean she really she was wonderful.

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Speaker 1: She is wonderful.

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Speaker 2: Yeah. Yeah, so I look forward to meeting her.

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Speaker 1: So it's nice to say I hope we do something

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Speaker 1: together again because she's one of those people too that

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Speaker 1: brings something out of you, you know, she's one of

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Speaker 1: those actors. Yeah, or at least my experience on Little Women,

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Speaker 1: all those actress actresses and Laurie, we were all so

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Speaker 1: young and close, so that kind of like wanting to

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Speaker 1: like that competitive nature too, like just being young and like,

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Speaker 1: come on, show me what you got. They were all,

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Speaker 1: she's such a good actress. We're trying to find something.

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Speaker 1: We're trying. We've been talking good.

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Speaker 2: I look forward to that. That'll be awesome me too.

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Speaker 1: It's nice again, Like that's just someone I worked with

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Speaker 1: wants to work with me again. Yeah, and a friend.

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Speaker 1: That's all you want to do.

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Speaker 2: That's just a lot about you, honestly, you know what

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Speaker 2: I mean. That's something because you you are a partner.

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Speaker 2: It feels like in these I think it's journeys as

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Speaker 2: opposed to like, I mean, it's competitive, certainly, but you

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Speaker 2: both realize that you need each other.

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Speaker 1: I think it's because I yeah, silly game, but I

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Speaker 1: play golf, and I think that a healthy competition makes

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Speaker 1: you better. You play with someone better than you, you

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Speaker 1: just learned how to be a better athlete. You get

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Speaker 1: beat by one stroke, that next day you're one stroke better.

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Speaker 1: And on a movie, if I work with someone better

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Speaker 1: than me, I'm going to be better after. It's not

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Speaker 1: even it's hard. It's more subjective than just using that.

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Speaker 1: The triteness of someone being better than you, that's really

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Speaker 1: it's really wrong in our industry because if you're on

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Speaker 1: the same job, you're kind of all the same.

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Speaker 2: Yeah, but there is a there's an element to it

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Speaker 2: that the competition breeds intensity. It's not that you want

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Speaker 2: to beat the other person. It's that you want to

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Speaker 2: make the competent. You want to ratchet it up so

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Speaker 2: that the levels so that you stay. You're going back

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Speaker 2: and forth. It's like a really good tennis match, you

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Speaker 2: know what I mean, or something that's very close.

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Speaker 1: You don't want to beat somebody when they're not playing

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Speaker 1: their best. You want to beat them when they're their best,

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Speaker 1: you know. But obviously acting is not a sport, and

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Speaker 1: I and I and I know it's hard to fathom,

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Speaker 1: but they still need a discipline. I like the mentality.

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Speaker 2: Athletic approach, you know what I mean as an athlete,

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Speaker 2: because it is discipline, you know, and you're you're up

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Speaker 2: for anything, whatever it demands, and you're ready to go,

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Speaker 2: so you know what game you're playing. I'm excited to

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Speaker 2: see this. This is gonna be funny. This is because

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Speaker 2: it's like a horror comedy.

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Speaker 1: It is definitely a horror Yeah. See, I I got

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Speaker 1: to set and I thought it was comedy and I

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Speaker 1: knew I knew it. I knew there was going to

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Speaker 1: be blood, but I'll never forget. Like the camera test,

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Speaker 1: I'm in my cute ol outfit, feeling all goldie hawn

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Speaker 1: and then Tyler, our director, comes up and literally just

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Speaker 1: like a bottle of like spraying blood on me, and

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Speaker 1: he's like no, grabs it and just pours it on

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Speaker 1: my head. And I was like, right, that's the movie.

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Speaker 1: That's the movie. I signed up for it. And then

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Speaker 1: I'd be like doing a scene where I'm getting chased

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Speaker 1: or something right, and I'm supposed to be terrified, but

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Speaker 1: I'm looking for the comedy all the time. I'm like,

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Speaker 1: this would be funny. And the director, I've never had

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Speaker 1: to do this. I caused a problem. I took like

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Speaker 1: eleven takes for one scene and it wasn't because of

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Speaker 1: camera or lighting. I thought I was doing it doing

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Speaker 1: it in the director bless him, Matt, Matt with the hat,

404
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Speaker 1: so how I remembered for a while. He came up

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Speaker 1: to me and he's like he needed me more scared.

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Speaker 1: I'm like what He's like, yeah, more scared, and I

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Speaker 1: was like and I felt so bad. I was like

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Speaker 1: oh no, I'm ruining this movie. It was our first

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Speaker 1: day and it was just, first of all, he knows

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Speaker 1: what I can do, so he was trying to get

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Speaker 1: something out of me that I didn't know existed yet,

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Speaker 1: which is beautiful, but it was also like I couldn't

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Speaker 1: believe that I wasn't on the level of terror that

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Speaker 1: the movie required. I needed. So there's a lot of

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Speaker 1: terror and it starts there and I just didn't know.

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Speaker 1: I thought it was funny. I thought I was the

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Speaker 1: comedic relief. I was wrong. I just said I don't.

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Speaker 1: I thought I had to try to be funny. The

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Speaker 1: truth is, Kyle, I don't do anything.

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Speaker 2: And then they laugh and I'm like, what, You're naturally funny.

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Speaker 1: It was a problem, but we figured it out. We

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Speaker 1: figured it out, but it took me like eleven takes

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Speaker 1: the first day to get into the movie. And then

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Speaker 1: I was fine, and Sam was like, no, no, trust me.

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Speaker 1: And because she's at an eleven like the whole movie,

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Speaker 1: she's like, yeah, have you ever seen like a chihuahua?

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Speaker 2: Sh yes, yes, yes, I shake like that. Sometimes it's crazy,

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Speaker 2: it's not pretty, but only when I'm standing on the

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Speaker 2: first t.

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Speaker 1: Well, it's pretty when Sam does it and she is

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Speaker 1: shaking this whole movie. Let me tell you what So anyway, Yeah,

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Speaker 1: the movie has a lot of terror. It's a lot

433
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Speaker 1: of horror. Yeah, and I had to do a lot

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Speaker 1: to get there because apparently I was in the wrong

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Speaker 1: movie the first day.

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Speaker 2: Right, that happens. That happens. That's not unusual. Yeah, when

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Speaker 2: you came in, I complimented you on your ethic. You said,

438
00:18:30,040 --> 00:18:33,520
Speaker 2: this is closer to what's happening now. In the world

439
00:18:33,560 --> 00:18:35,959
Speaker 2: of golf, people are kind of, you know, dressing more comfortable.

440
00:18:36,359 --> 00:18:38,840
Speaker 1: I think that the way that golf has moved from

441
00:18:39,240 --> 00:18:41,520
Speaker 1: you know, you have to dress appropriate because there's tradition

442
00:18:41,560 --> 00:18:44,880
Speaker 1: on the golf course. And I love the tradition of that,

443
00:18:45,040 --> 00:18:47,000
Speaker 1: like the style there. There's rules you have to dress

444
00:18:47,000 --> 00:18:49,359
Speaker 1: a certain way. But I think that it's changed, Like

445
00:18:49,440 --> 00:18:52,720
Speaker 1: the streets, it's become more street. You could go golfing

446
00:18:52,840 --> 00:18:54,919
Speaker 1: and go to a party, yeah, you know, and I

447
00:18:54,920 --> 00:18:57,159
Speaker 1: think that's inviting more people to the game. It doesn't

448
00:18:57,200 --> 00:19:00,840
Speaker 1: look as untouchable because it's not untouched dal And my

449
00:19:00,840 --> 00:19:05,200
Speaker 1: favorite thing about Scotland too, it's a public course. That

450
00:19:05,359 --> 00:19:08,440
Speaker 1: course is for everybody and it doesn't you don't need

451
00:19:08,480 --> 00:19:10,320
Speaker 1: to be a member and know somebody to be there.

452
00:19:10,359 --> 00:19:12,359
Speaker 1: So I'm hoping in America we can get we can

453
00:19:12,400 --> 00:19:15,240
Speaker 1: get in that program. But it's starting with the fashion.

454
00:19:15,560 --> 00:19:20,399
Speaker 1: The fashion is inviting the game. People look cool. Yeah,

455
00:19:20,720 --> 00:19:23,520
Speaker 1: Justin Bieber looks cool on the golf course, you know,

456
00:19:23,680 --> 00:19:27,119
Speaker 1: and that's gonna make people play. I played with Schoolboy Q.

457
00:19:27,800 --> 00:19:29,879
Speaker 1: He looked cool on the golf course, you know. I

458
00:19:29,880 --> 00:19:33,320
Speaker 1: played with Victor Humlin. We are both jay Linnenberg ambassadors.

459
00:19:33,960 --> 00:19:36,480
Speaker 1: You know, we don't look as cool as Justin, but

460
00:19:36,800 --> 00:19:39,680
Speaker 1: we don't look you know, we don't. We can still

461
00:19:39,720 --> 00:19:41,840
Speaker 1: like play golf and then hang out after. Like there's

462
00:19:41,880 --> 00:19:43,879
Speaker 1: something to be said for that where you don't have

463
00:19:43,880 --> 00:19:46,240
Speaker 1: to be a different person to play. You can be

464
00:19:46,320 --> 00:19:47,800
Speaker 1: cool and play golf like I.

465
00:19:47,800 --> 00:19:49,479
Speaker 2: Mean, like, look at these pants. Look at these at

466
00:19:49,480 --> 00:19:50,760
Speaker 2: these now you look real cool?

467
00:19:50,800 --> 00:19:53,640
Speaker 1: Now, I would that really really cool?

468
00:19:53,720 --> 00:19:58,000
Speaker 2: I look eccentric, but that's so do I No, no, no.

469
00:19:57,880 --> 00:19:59,080
Speaker 1: Not Timothy Shallomy.

470
00:19:59,240 --> 00:20:01,439
Speaker 2: I've got a pair of of these are just listening

471
00:20:01,520 --> 00:20:06,120
Speaker 2: toun tartan pants. But yellow is the over overriding theme,

472
00:20:06,160 --> 00:20:08,320
Speaker 2: with a kind of a bright blue sock and a

473
00:20:08,359 --> 00:20:09,080
Speaker 2: brain dead.

474
00:20:09,119 --> 00:20:10,160
Speaker 1: The socks are important.

475
00:20:10,320 --> 00:20:11,639
Speaker 2: Well, they are some blue in here. I don't know

476
00:20:11,640 --> 00:20:12,160
Speaker 2: if you noticed.

477
00:20:12,240 --> 00:20:13,560
Speaker 1: I did see how you tied that in.

478
00:20:13,640 --> 00:20:15,320
Speaker 2: Yeah, I tied that in, and then I said, I

479
00:20:15,320 --> 00:20:16,600
Speaker 2: don't have anything to go on top.

480
00:20:16,800 --> 00:20:17,560
Speaker 1: You're a visionary.

481
00:20:18,240 --> 00:20:19,560
Speaker 2: I'm a vision of someone.

482
00:20:19,840 --> 00:20:21,840
Speaker 1: You got a little mini Timothy Shallome over there.

483
00:20:22,000 --> 00:20:25,879
Speaker 2: I do look at this. He is and always glory.

484
00:20:25,960 --> 00:20:29,000
Speaker 1: Speaking of Timothy shallow May, he talks a lot about

485
00:20:29,040 --> 00:20:32,080
Speaker 1: like discipline and like work ethic and stuff like an athlete.

486
00:20:32,240 --> 00:20:34,240
Speaker 1: It's like the first time I ever heard an actor

487
00:20:34,280 --> 00:20:34,880
Speaker 1: talk that way.

488
00:20:35,000 --> 00:20:35,440
Speaker 2: Interesting.

489
00:20:35,520 --> 00:20:37,200
Speaker 1: You know, everyone acts like it just happens.

490
00:20:37,400 --> 00:20:38,600
Speaker 2: Yeah, and it.

491
00:20:38,480 --> 00:20:40,920
Speaker 1: Does just happen, But how do you keep it? Keep

492
00:20:40,920 --> 00:20:41,280
Speaker 1: it happen.

493
00:20:41,320 --> 00:20:44,200
Speaker 2: There's a lot of work that goes into that doesn't

494
00:20:44,200 --> 00:20:46,920
Speaker 2: see a process, right, I mean, I think the whole

495
00:20:46,920 --> 00:20:48,520
Speaker 2: point is that you do the work kind of like

496
00:20:48,600 --> 00:20:49,919
Speaker 2: kind of like sports. I would think you do all

497
00:20:49,960 --> 00:20:51,000
Speaker 2: the work, all the preparations.

498
00:20:51,000 --> 00:20:51,960
Speaker 1: They walk into that line.

499
00:20:52,040 --> 00:20:54,040
Speaker 2: Yeah, exactly, you step in front of the camera, or

500
00:20:54,040 --> 00:20:55,800
Speaker 2: you step on the first tea, whatever, and then it's

501
00:20:55,800 --> 00:20:57,760
Speaker 2: just a batter about I want the ball to go there.

502
00:20:59,280 --> 00:21:01,600
Speaker 1: Yeah. The technical of it, Yeah, you can be a

503
00:21:01,680 --> 00:21:03,359
Speaker 1: very technical athlete. Technical actor.

504
00:21:03,640 --> 00:21:06,440
Speaker 2: Yeah, how is your concentration. Your concentration must be amazing,

505
00:21:06,480 --> 00:21:07,879
Speaker 2: I would say, on set in front of the camera,

506
00:21:07,960 --> 00:21:09,719
Speaker 2: You're like, well, I love what I locked in.

507
00:21:09,840 --> 00:21:11,000
Speaker 1: Yeah, I get pretty locked in.

508
00:21:11,119 --> 00:21:11,439
Speaker 2: Yeah.

509
00:21:11,640 --> 00:21:13,520
Speaker 1: When I'm working, I don't do anything. I don't care

510
00:21:13,560 --> 00:21:15,880
Speaker 1: if my call time's seven pm. I'm not going out

511
00:21:16,480 --> 00:21:20,359
Speaker 1: the night before. I love nothing more than focusing on something.

512
00:21:20,359 --> 00:21:22,399
Speaker 1: Maybe it's an excuse to not have a life, but

513
00:21:23,119 --> 00:21:25,280
Speaker 1: you know, I love being on set on a movie

514
00:21:25,280 --> 00:21:27,920
Speaker 1: and then on my weekends watching other movies to pull

515
00:21:27,960 --> 00:21:29,080
Speaker 1: from and get it and.

516
00:21:29,160 --> 00:21:31,320
Speaker 2: Just stay get inspired by Yeah.

517
00:21:31,160 --> 00:21:34,080
Speaker 1: Stay in that zone, hanging out with my castmates, to

518
00:21:34,200 --> 00:21:36,840
Speaker 1: just fall more in love with them and just be there.

519
00:21:37,280 --> 00:21:40,280
Speaker 2: It's a family, it can be, right, Yeah, it blows

520
00:21:40,280 --> 00:21:42,600
Speaker 2: your mind. Yeah, you said you can be not all,

521
00:21:42,640 --> 00:21:43,520
Speaker 2: not always.

522
00:21:43,160 --> 00:21:45,160
Speaker 1: But it doesn't have to be. But when it is,

523
00:21:45,320 --> 00:21:47,439
Speaker 1: you just I mean, that's that's what I found with

524
00:21:47,600 --> 00:21:50,960
Speaker 1: Matt and Tyler, and now I think with Samara, Like

525
00:21:51,000 --> 00:21:53,840
Speaker 1: I think maybe people who like to be a family

526
00:21:54,359 --> 00:21:57,000
Speaker 1: create that, right. I don't think it's necessary to make

527
00:21:57,040 --> 00:21:59,560
Speaker 1: a movie, right, but when you have that and people

528
00:21:59,600 --> 00:22:02,639
Speaker 1: are collac collaborating that way, I think it starts with

529
00:22:02,640 --> 00:22:04,800
Speaker 1: the director. I think the director is the one who

530
00:22:04,960 --> 00:22:06,520
Speaker 1: decides if you're going to be a family or not.

531
00:22:07,040 --> 00:22:07,359
Speaker 2: The tone.

532
00:22:07,400 --> 00:22:10,639
Speaker 1: Yeah, they invite they have family dinner every Sunday or

533
00:22:10,960 --> 00:22:13,120
Speaker 1: brunch or something. They do a dinner once a week

534
00:22:13,200 --> 00:22:16,800
Speaker 1: and everyone's invited. You don't have to go. But it's

535
00:22:16,840 --> 00:22:19,480
Speaker 1: like things like that are very simple to create the

536
00:22:19,600 --> 00:22:21,320
Speaker 1: energy of we're all one here.

537
00:22:21,440 --> 00:22:23,359
Speaker 2: That happened on my first film too. I was working

538
00:22:23,400 --> 00:22:27,359
Speaker 2: for Mexico City, a location it helped out, so we

539
00:22:27,400 --> 00:22:29,840
Speaker 2: were feuding in Mexico City. Were between dune in Mexico

540
00:22:29,880 --> 00:22:32,639
Speaker 2: City as a daily rest family, and every weekend they

541
00:22:32,680 --> 00:22:34,600
Speaker 2: would have a big kind of a gathering. We'd have,

542
00:22:34,600 --> 00:22:36,720
Speaker 2: you know, i Amposta dinner, kind of hanging out. We'd

543
00:22:36,720 --> 00:22:39,840
Speaker 2: play Skopa Italian card game and we would just be

544
00:22:39,960 --> 00:22:44,159
Speaker 2: around as a group, and it was so nice.

545
00:22:43,640 --> 00:22:47,879
Speaker 1: I know. I love making people laugh. I love entertaining people.

546
00:22:47,960 --> 00:22:50,399
Speaker 1: Like I found an old phone the other day, like

547
00:22:50,440 --> 00:22:52,720
Speaker 1: an old iPhone I was from, like when I was

548
00:22:52,760 --> 00:22:55,679
Speaker 1: like fifteen, and I was just looking at videos of

549
00:22:55,720 --> 00:22:57,800
Speaker 1: me and my best friend in Florida, and like all

550
00:22:57,880 --> 00:23:00,800
Speaker 1: I did was to do stupid things like spit water

551
00:23:00,880 --> 00:23:05,240
Speaker 1: out to make her laugh. Like stupid dances, like funny faces,

552
00:23:05,600 --> 00:23:09,760
Speaker 1: and I'm just like when you love somebody, it shows

553
00:23:10,440 --> 00:23:13,440
Speaker 1: and in movies. I love falling in love with everybody,

554
00:23:13,520 --> 00:23:16,399
Speaker 1: like I mean everybody, Like I like being on set

555
00:23:16,440 --> 00:23:19,439
Speaker 1: and like I'm the actor who's making jokes to the

556
00:23:19,480 --> 00:23:22,239
Speaker 1: mic guy that only he can hear, or to my

557
00:23:22,280 --> 00:23:23,880
Speaker 1: hair and make up people that only they know about.

558
00:23:23,920 --> 00:23:27,520
Speaker 1: Like I just want everyone to be in happy place

559
00:23:27,640 --> 00:23:28,320
Speaker 1: like entertained.

560
00:23:28,359 --> 00:23:31,360
Speaker 2: See. I think that I like that too, because I'm

561
00:23:31,440 --> 00:23:34,879
Speaker 2: not a shut off no it's too hard kind of person,

562
00:23:34,920 --> 00:23:37,159
Speaker 2: you know, or shut off what's happening around here. I'm like, no,

563
00:23:37,240 --> 00:23:40,840
Speaker 2: I'm embracing that whatever the circle is, which usually extends

564
00:23:40,880 --> 00:23:43,359
Speaker 2: beyond the camera out and to a certain point, you know. Yeah,

565
00:23:43,480 --> 00:23:45,720
Speaker 2: And I love I love just being having an awareness

566
00:23:45,720 --> 00:23:46,720
Speaker 2: of all that all the time.

567
00:23:47,080 --> 00:23:50,920
Speaker 1: It's so weird, though, because the audition process is hard.

568
00:23:51,600 --> 00:23:54,080
Speaker 1: And when I was younger, like when I was auditioning

569
00:23:54,119 --> 00:23:57,560
Speaker 1: for Big Little Eyes, I got this audition for this

570
00:23:57,640 --> 00:24:01,560
Speaker 1: show and it was like every famous woman ever right,

571
00:24:01,840 --> 00:24:03,400
Speaker 1: And I got the audition and I was like, Wow,

572
00:24:03,440 --> 00:24:04,960
Speaker 1: I'm not going to get this, which kind of took

573
00:24:04,960 --> 00:24:06,960
Speaker 1: the pressure off, and I went in. I did a

574
00:24:07,119 --> 00:24:10,199
Speaker 1: casting associate audition. Okay, then I did. I got a

575
00:24:10,240 --> 00:24:13,280
Speaker 1: director's session, and I'll never forget this. And because I

576
00:24:13,480 --> 00:24:15,760
Speaker 1: still kind of do it, I do this thing where

577
00:24:15,760 --> 00:24:18,600
Speaker 1: if I see someone I know at an audition, I'm like, Oh,

578
00:24:18,640 --> 00:24:20,680
Speaker 1: they should get it, you know, they should, they should

579
00:24:20,680 --> 00:24:22,879
Speaker 1: get it. And I didn't want to do it that time,

580
00:24:23,280 --> 00:24:26,200
Speaker 1: so I like put a hat on and like sunglasses

581
00:24:26,240 --> 00:24:29,879
Speaker 1: and like headphones in and like blasted like Nirvana or something.

582
00:24:31,040 --> 00:24:34,200
Speaker 1: I know. But it was so exhausting to be that way.

583
00:24:34,440 --> 00:24:37,200
Speaker 1: It's so exhausting to do that. But I just didn't

584
00:24:37,200 --> 00:24:39,560
Speaker 1: want to see someone I know and want them to

585
00:24:39,600 --> 00:24:42,000
Speaker 1: have the job instead because I wanted the job.

586
00:24:42,400 --> 00:24:44,359
Speaker 2: And then like, what is that you think because it

587
00:24:44,400 --> 00:24:44,840
Speaker 2: takes the.

588
00:24:45,640 --> 00:24:47,760
Speaker 1: I don't think it's a good idea. I don't.

589
00:24:47,960 --> 00:24:49,760
Speaker 2: I don't know. I be happy you want them to

590
00:24:49,880 --> 00:24:50,720
Speaker 2: have a success.

591
00:24:50,800 --> 00:24:52,520
Speaker 1: But it's weird because when I'm on a set, I'm

592
00:24:52,520 --> 00:24:55,119
Speaker 1: not like that at all. I don't need a second

593
00:24:55,119 --> 00:24:55,800
Speaker 1: to get in the zone.

594
00:24:55,880 --> 00:24:58,200
Speaker 2: Well, the expectation is when you're on a set that you.

595
00:24:57,880 --> 00:24:58,720
Speaker 1: You already have the job.

596
00:24:59,320 --> 00:24:59,960
Speaker 2: You come to deliver.

597
00:25:00,240 --> 00:25:04,040
Speaker 1: You come to deliver. Everyone wants you to deliver. You're open. Yeah,

598
00:25:04,040 --> 00:25:06,639
Speaker 1: it's weird that the audition thing is weird. I kind

599
00:25:06,680 --> 00:25:08,640
Speaker 1: of miss auditioning. They don't really do them anymore.

600
00:25:08,760 --> 00:25:10,440
Speaker 2: Yeah, very rarely, me too.

601
00:25:10,600 --> 00:25:12,840
Speaker 1: I mean usually if it's if it's an audition, it's

602
00:25:12,840 --> 00:25:15,000
Speaker 1: that one big one at the end there where you're

603
00:25:15,000 --> 00:25:18,280
Speaker 1: in some theater and you know it's you another actress

604
00:25:18,280 --> 00:25:19,360
Speaker 1: and you're both freaked out.

605
00:25:19,600 --> 00:25:20,399
Speaker 2: Have you done stage?

606
00:25:20,960 --> 00:25:22,600
Speaker 1: I'm thinking, I'm not thinking about it.

607
00:25:22,600 --> 00:25:25,800
Speaker 2: I want to want to, Yeah, I mean said I

608
00:25:25,960 --> 00:25:27,240
Speaker 2: was like immediately I thought about you.

609
00:25:27,160 --> 00:25:30,119
Speaker 1: Know, I've worked with some theater actors who tell me

610
00:25:30,160 --> 00:25:34,800
Speaker 1: I should. I worked with Martin McDonough who and Francis

611
00:25:35,000 --> 00:25:37,560
Speaker 1: Like anyone who's done stage and then they've worked with

612
00:25:37,640 --> 00:25:40,040
Speaker 1: me have told me I should. They're like, you're you

613
00:25:40,160 --> 00:25:42,520
Speaker 1: need to. I did a show called Halt and Catch

614
00:25:42,560 --> 00:25:45,159
Speaker 1: Fire with Lee Pace, and I had a couple of

615
00:25:45,160 --> 00:25:46,640
Speaker 1: scenes with Lee. Do you know him?

616
00:25:46,760 --> 00:25:48,119
Speaker 2: I know of him, I've never met him.

617
00:25:48,160 --> 00:25:51,840
Speaker 1: He's an incredible actor. Yeah, he's so handsome. He was

618
00:25:51,880 --> 00:25:53,880
Speaker 1: the first one who actually invited me to a show,

619
00:25:53,880 --> 00:25:55,800
Speaker 1: and I saw him in Angels in America in New York.

620
00:25:56,119 --> 00:25:58,880
Speaker 1: He took me backstage and I saw his dressing room,

621
00:25:59,080 --> 00:26:01,679
Speaker 1: and he took me on stage and that was like

622
00:26:02,200 --> 00:26:05,400
Speaker 1: like wow, just a taste of it. If I want

623
00:26:05,400 --> 00:26:09,320
Speaker 1: to be doing this forever, I think I'll have to

624
00:26:09,320 --> 00:26:11,040
Speaker 1: do the stage if I get the opportunity.

625
00:26:11,119 --> 00:26:12,679
Speaker 2: I don't want to do it really well, the right thing.

626
00:26:12,720 --> 00:26:14,960
Speaker 1: Yeah, I don't want to just do it because you're

627
00:26:15,000 --> 00:26:16,439
Speaker 1: a name to make a show. You want to do

628
00:26:16,480 --> 00:26:19,040
Speaker 1: it because you're you really want to be there. Well.

629
00:26:19,040 --> 00:26:21,639
Speaker 2: I also think the discipline of stage, because there's a

630
00:26:21,680 --> 00:26:24,399
Speaker 2: discipline for film, yes, but the discipline of stage different.

631
00:26:25,080 --> 00:26:28,560
Speaker 2: But it's definitely a discipline and I love that part

632
00:26:28,560 --> 00:26:30,359
Speaker 2: of it. I'm not so crazy about night after night

633
00:26:30,400 --> 00:26:35,200
Speaker 2: after night, but I think that's just because sometimes I'd

634
00:26:35,240 --> 00:26:37,200
Speaker 2: rather be doing something else and I hate to be

635
00:26:37,280 --> 00:26:37,840
Speaker 2: told what to do.

636
00:26:38,080 --> 00:26:40,040
Speaker 1: Or maybe the play is heavy and it's heavy material.

637
00:26:40,240 --> 00:26:41,520
Speaker 2: That's part of it. I did a two hander with

638
00:26:41,560 --> 00:26:44,159
Speaker 2: Woody Harrelson in London, and I did a three hander

639
00:26:44,200 --> 00:26:48,639
Speaker 2: in at the Roundabout since graduates creat theater. But and

640
00:26:48,680 --> 00:26:50,920
Speaker 2: that's it was hard going. You know, it was tough.

641
00:26:50,960 --> 00:26:52,560
Speaker 2: It's a tough play and when you're in it, you're like,

642
00:26:52,600 --> 00:26:53,040
Speaker 2: you love.

643
00:26:52,920 --> 00:26:55,040
Speaker 1: It because once you start.

644
00:26:55,000 --> 00:26:56,960
Speaker 2: And it's that whole idea of the circle of concentration

645
00:26:57,000 --> 00:26:58,600
Speaker 2: I was talking about because some people put up a

646
00:26:58,600 --> 00:27:01,760
Speaker 2: fourth wall or and I don't put I'm like to

647
00:27:01,800 --> 00:27:04,480
Speaker 2: the back of the auditorium. I'm aware of everything that's

648
00:27:04,520 --> 00:27:07,119
Speaker 2: going on. I think that's easier, and with what's happening

649
00:27:07,160 --> 00:27:08,360
Speaker 2: on stage, I do too.

650
00:27:08,520 --> 00:27:11,000
Speaker 1: Otherwise you're wasting a lot of time blocking. All I'm

651
00:27:11,000 --> 00:27:13,359
Speaker 1: saying is like to be in an audition room trying

652
00:27:13,359 --> 00:27:15,720
Speaker 1: to block someone out who doesn't even care about you.

653
00:27:15,800 --> 00:27:18,080
Speaker 1: They're just trying to do a good job too. And

654
00:27:18,080 --> 00:27:20,160
Speaker 1: then I get in the room with Jean Mark Valat

655
00:27:20,480 --> 00:27:23,480
Speaker 1: and thank God for John Mark Valet because he sits

656
00:27:23,520 --> 00:27:26,520
Speaker 1: me down, he gives me a snack and he's like,

657
00:27:27,280 --> 00:27:29,800
Speaker 1: show me you can be mean. I'm like what he's like,

658
00:27:29,800 --> 00:27:31,639
Speaker 1: I don't believe you can be mean. But what if

659
00:27:31,640 --> 00:27:33,240
Speaker 1: it was just like, sit down and do the lines.

660
00:27:33,280 --> 00:27:35,600
Speaker 1: I probably would have flubbed it. But it took somebody

661
00:27:35,680 --> 00:27:38,000
Speaker 1: who saw me a little bit or I at least

662
00:27:38,119 --> 00:27:41,159
Speaker 1: wanted to give an actor a change of center, you know,

663
00:27:41,480 --> 00:27:44,919
Speaker 1: to keep them coming and giving you something. Not everyone

664
00:27:45,000 --> 00:27:46,879
Speaker 1: is like that, but I feel like if you do

665
00:27:46,920 --> 00:27:50,119
Speaker 1: a play, you don't have time to be nervous so

666
00:27:50,160 --> 00:27:52,520
Speaker 1: you don't have time to block anything out anyway, it

667
00:27:52,560 --> 00:27:55,000
Speaker 1: wouldn't help you very much. You know, Tiger Woods, now

668
00:27:55,000 --> 00:27:58,800
Speaker 1: we're back. It's the famous story of his dad throwing

669
00:27:58,880 --> 00:28:01,639
Speaker 1: like cans at him. He was hitting and putting and

670
00:28:01,640 --> 00:28:06,520
Speaker 1: doing that. I've played near Tiger behind, I've hidden to Tiger,

671
00:28:06,680 --> 00:28:08,600
Speaker 1: gotten a selfie with Tiger. My point is.

672
00:28:08,560 --> 00:28:12,040
Speaker 2: That that's more than me. I never Yeah, there's no.

673
00:28:12,040 --> 00:28:14,240
Speaker 1: Time to be thinking about what's happening around. You just

674
00:28:14,280 --> 00:28:16,280
Speaker 1: have to let it go through, you know. And like

675
00:28:16,680 --> 00:28:19,800
Speaker 1: it's the same on a set. If I'm attached to something,

676
00:28:20,200 --> 00:28:23,560
Speaker 1: I've probably missed my moment already. Yeah, so I try

677
00:28:23,560 --> 00:28:26,960
Speaker 1: to be present. I did a movie recently, the bosquiacht One,

678
00:28:27,000 --> 00:28:29,280
Speaker 1: and the director I thought I did it. You know

679
00:28:29,320 --> 00:28:31,000
Speaker 1: how sometimes you do a scene and you're like, yeah, okay,

680
00:28:31,040 --> 00:28:33,399
Speaker 1: I cried. I did this thing I wanted to do.

681
00:28:33,440 --> 00:28:36,119
Speaker 1: I did. All Right, we got it, you know, moving on,

682
00:28:36,359 --> 00:28:38,600
Speaker 1: We're happy. And he came out and he was like,

683
00:28:39,040 --> 00:28:43,800
Speaker 1: I need more. I was like, what I just killed that.

684
00:28:44,560 --> 00:28:47,440
Speaker 1: He's like, no, I need more from you. I need

685
00:28:47,440 --> 00:28:49,080
Speaker 1: you to go in there and lose control. I need

686
00:28:49,080 --> 00:28:52,640
Speaker 1: to see your heart break. And then I started I

687
00:28:52,680 --> 00:28:55,600
Speaker 1: started shaking. It was like, but that's what I mean.

688
00:28:55,640 --> 00:28:58,400
Speaker 1: Like a director who can see you're great, can see

689
00:28:58,440 --> 00:29:02,640
Speaker 1: you did great, yeh knows there's something else I still

690
00:29:02,680 --> 00:29:05,560
Speaker 1: need that. You know. I love acting and like I

691
00:29:05,560 --> 00:29:07,360
Speaker 1: can do what's asked of me and do a good

692
00:29:07,440 --> 00:29:09,920
Speaker 1: job and elevate my material. And I think I've done

693
00:29:09,920 --> 00:29:12,400
Speaker 1: a good job doing that in my career. But sometimes

694
00:29:12,440 --> 00:29:14,680
Speaker 1: you get a director who's like, I need a little more,

695
00:29:15,240 --> 00:29:16,800
Speaker 1: and now you're a whole new level. I'm a whole

696
00:29:16,840 --> 00:29:19,640
Speaker 1: new level of actor just from that moment, like because

697
00:29:19,680 --> 00:29:21,040
Speaker 1: now I know I can do more than what I've

698
00:29:21,080 --> 00:29:22,720
Speaker 1: been doing and I didn't think it. I thought I

699
00:29:22,840 --> 00:29:25,600
Speaker 1: was enough. And I think that was a beautiful thing.

700
00:29:25,680 --> 00:29:28,280
Speaker 1: And I'm really grateful. His name is Julius Ona, and

701
00:29:28,320 --> 00:29:29,920
Speaker 1: I thanked him so much just for that. It was

702
00:29:29,960 --> 00:29:31,440
Speaker 1: like a little scene. You know, it's not that big

703
00:29:31,440 --> 00:29:33,400
Speaker 1: of a deal for the movie or anything, but as

704
00:29:33,400 --> 00:29:35,640
Speaker 1: an artist, I'm never going to be the same now.

705
00:29:35,920 --> 00:29:39,200
Speaker 2: I think those steps and you talk about you leveled

706
00:29:39,280 --> 00:29:41,960
Speaker 2: up kind of because there's another gear.

707
00:29:42,400 --> 00:29:44,400
Speaker 1: Just something now I know, Yeah, we're.

708
00:29:44,280 --> 00:29:45,920
Speaker 2: Gonna take a break and then we're gonna come back

709
00:29:45,920 --> 00:29:48,560
Speaker 2: and we're gonna play a deranged game. Okay, great, it's

710
00:29:48,600 --> 00:29:57,240
Speaker 2: called Pong on the green. Pong on the green, ladies, gal,

711
00:29:57,720 --> 00:29:59,240
Speaker 2: where's the first team? What's the course record?

712
00:30:00,240 --> 00:30:02,040
Speaker 1: That's what it is, my record five owner in a

713
00:30:02,040 --> 00:30:03,320
Speaker 1: match nine nine home match.

714
00:30:03,560 --> 00:30:04,920
Speaker 2: And in the spirit of getting to know each other

715
00:30:05,000 --> 00:30:07,760
Speaker 2: a little bit better, I've modeled this game after beer pong,

716
00:30:08,040 --> 00:30:10,800
Speaker 2: amazing classic. Okay. So we're gonna hold it. We're gonna

717
00:30:10,840 --> 00:30:13,440
Speaker 2: hold a little green cup, okay, and and we're going

718
00:30:13,520 --> 00:30:15,600
Speaker 2: to try and throw a golf ball into each other's cup.

719
00:30:15,840 --> 00:30:17,160
Speaker 2: And if we make it in and then we get

720
00:30:17,160 --> 00:30:20,200
Speaker 2: to ask each other an outrageous question that's inside the cup.

721
00:30:20,400 --> 00:30:21,280
Speaker 1: Okay, cute.

722
00:30:21,440 --> 00:30:23,520
Speaker 2: Those are some that are just listening and not watching.

723
00:30:23,520 --> 00:30:26,080
Speaker 2: So we're sitting here in our golf visors.

724
00:30:26,120 --> 00:30:29,120
Speaker 1: We've turned into real golfers now because we have visors on.

725
00:30:29,440 --> 00:30:31,840
Speaker 2: We do, which is really a nice I mean, I

726
00:30:31,880 --> 00:30:35,680
Speaker 2: do like a visors where you want sometimes advisor or something.

727
00:30:35,680 --> 00:30:38,600
Speaker 1: Advisor's fierce. It's all about being fierce on that golf.

728
00:30:38,880 --> 00:30:40,840
Speaker 2: H Visor's fierce, fiercer than like a headband.

729
00:30:40,960 --> 00:30:43,040
Speaker 1: I used to wear sweat bands. I had a Hello

730
00:30:43,160 --> 00:30:46,280
Speaker 1: Kitty white leather golf bag, and I had one of

731
00:30:46,280 --> 00:30:48,320
Speaker 1: those trucker hats like with graffiti on it that you

732
00:30:48,360 --> 00:30:50,360
Speaker 1: got at like Santa's and Chanted Forest at the fair,

733
00:30:50,880 --> 00:30:55,840
Speaker 1: said cat. And I had der Ski sunglasses on. I

734
00:30:55,920 --> 00:30:57,200
Speaker 1: was eight years old.

735
00:30:58,200 --> 00:31:00,280
Speaker 2: What was not to be messed was the said you

736
00:31:00,320 --> 00:31:02,000
Speaker 2: were You were saying, don't mess with me, right, And

737
00:31:02,040 --> 00:31:02,320
Speaker 2: I was.

738
00:31:02,240 --> 00:31:05,680
Speaker 1: Wearing body gloves because they didn't make sunshirts, and I

739
00:31:05,760 --> 00:31:09,600
Speaker 1: was pasty white, covered in Noustella sunblock. But I thought

740
00:31:09,640 --> 00:31:10,200
Speaker 1: I looked good.

741
00:31:10,600 --> 00:31:12,080
Speaker 2: Speaking of get the ball in the we're going to

742
00:31:12,200 --> 00:31:14,360
Speaker 2: constantly getting the ball in the cup, all ready. Okay,

743
00:31:14,520 --> 00:31:15,720
Speaker 2: but wait a minute, so I've got.

744
00:31:15,720 --> 00:31:17,360
Speaker 1: I don't think I don't know. I'm not a beer

745
00:31:17,360 --> 00:31:17,920
Speaker 1: pong you know.

746
00:31:17,960 --> 00:31:22,880
Speaker 2: I mean, oh, okay, from he reads it, read from

747
00:31:22,920 --> 00:31:24,440
Speaker 2: my Okay.

748
00:31:24,960 --> 00:31:27,800
Speaker 1: It's like, you know what that's called, Kyle, It's called feel.

749
00:31:28,000 --> 00:31:31,080
Speaker 2: You learn about it, get you need you know, either

750
00:31:31,120 --> 00:31:32,680
Speaker 2: got it or you don't get used to it.

751
00:31:32,880 --> 00:31:33,960
Speaker 1: Get used to it.

752
00:31:34,240 --> 00:31:36,440
Speaker 2: Well, there's one thing I'm good at, and that's reading.

753
00:31:36,440 --> 00:31:37,440
Speaker 2: Put a putter in my hand.

754
00:31:37,680 --> 00:31:38,840
Speaker 1: Oh do you have nice feel?

755
00:31:38,960 --> 00:31:44,360
Speaker 2: I certainly do. What's your most unhinged routine thing, my

756
00:31:44,560 --> 00:31:48,120
Speaker 2: unhinged routine thing, A weird snack, A strict bedtime.

757
00:31:48,720 --> 00:31:49,480
Speaker 1: That's a good one.

758
00:31:49,800 --> 00:31:55,120
Speaker 2: I have OCD seriously, Yeah, so complicated. I don't know

759
00:31:55,160 --> 00:31:57,960
Speaker 2: if it's complicated. I think it's just annoying. So I

760
00:31:58,760 --> 00:31:59,800
Speaker 2: on my desk.

761
00:31:59,840 --> 00:32:01,960
Speaker 1: For gotten that we're videotaped. Now you know.

762
00:32:03,680 --> 00:32:05,920
Speaker 2: This got out into the world. I have to organize

763
00:32:05,960 --> 00:32:10,000
Speaker 2: everything almost like a graph, so like I have I

764
00:32:10,400 --> 00:32:14,440
Speaker 2: have to see everything laid out like that, like I

765
00:32:14,480 --> 00:32:14,960
Speaker 2: need to see it.

766
00:32:15,040 --> 00:32:17,080
Speaker 1: Yeah. Yeah, what's your horoscope?

767
00:32:17,160 --> 00:32:19,960
Speaker 2: Well, I'm a Pisces, which is kind of weird for that.

768
00:32:20,480 --> 00:32:23,040
Speaker 2: I think species are moret more like reform.

769
00:32:22,720 --> 00:32:24,320
Speaker 1: And maybe you got to know what you're swimming in.

770
00:32:24,360 --> 00:32:27,760
Speaker 2: Though maybe look at that psychic.

771
00:32:28,400 --> 00:32:29,440
Speaker 1: I don't know that was.

772
00:32:29,440 --> 00:32:30,720
Speaker 2: Really it's very good.

773
00:32:30,840 --> 00:32:33,240
Speaker 1: Okay, mine, mine is a bath. I gotta take a bath.

774
00:32:33,280 --> 00:32:35,840
Speaker 1: Every night. I take a bath. Really, that's like, no

775
00:32:35,880 --> 00:32:37,440
Speaker 1: matter what, I don't care if it's four am, I'm

776
00:32:37,440 --> 00:32:38,480
Speaker 1: going to go home and take a bath.

777
00:32:38,520 --> 00:32:40,680
Speaker 2: But that is very good in preparation for sleep.

778
00:32:41,080 --> 00:32:44,520
Speaker 1: Yeah, no phone, Yeah, you know, it can be five minutes,

779
00:32:44,560 --> 00:32:45,200
Speaker 1: it could be an hour.

780
00:32:45,320 --> 00:32:51,480
Speaker 2: Yeah, you get your body ready for Okay, Okay, I

781
00:32:51,520 --> 00:32:52,520
Speaker 2: needed more ARC on that.

782
00:32:52,640 --> 00:32:55,200
Speaker 1: So do I not answer a question?

783
00:32:55,400 --> 00:32:57,200
Speaker 2: We can make up the rules as we that's right

784
00:32:57,600 --> 00:32:58,320
Speaker 2: on a golf course.

785
00:32:58,360 --> 00:33:01,320
Speaker 1: Have you ever blamed the wind for your show? Every

786
00:33:01,640 --> 00:33:06,040
Speaker 1: time when there was no wind? I blamed like my

787
00:33:06,120 --> 00:33:08,080
Speaker 1: caddie for the shot, or been like you gave me

788
00:33:08,120 --> 00:33:08,720
Speaker 1: the wrong club.

789
00:33:10,160 --> 00:33:11,680
Speaker 2: Normal, that's your dad, my dad.

790
00:33:11,680 --> 00:33:12,840
Speaker 1: I know you're getting ready.

791
00:33:13,000 --> 00:33:14,000
Speaker 2: This is a long shot.

792
00:33:15,640 --> 00:33:17,440
Speaker 1: Oh are you ready?

793
00:33:17,640 --> 00:33:18,080
Speaker 2: Okay?

794
00:33:19,600 --> 00:33:23,480
Speaker 1: Oh that was right off the I'm embarrassed now you

795
00:33:23,560 --> 00:33:24,640
Speaker 1: were hitting the.

796
00:33:24,560 --> 00:33:26,880
Speaker 2: Top of the car. I turn it a little out maybe, Okay,

797
00:33:28,120 --> 00:33:28,800
Speaker 2: it was short.

798
00:33:28,960 --> 00:33:31,640
Speaker 1: That was a little short. Got to leave that person

799
00:33:31,680 --> 00:33:44,760
Speaker 1: at home. What's your most humiliating audition story? I guess

800
00:33:44,760 --> 00:33:46,440
Speaker 1: it's for both of us. You have to answer to.

801
00:33:46,560 --> 00:33:48,280
Speaker 2: Okay, great, no, I will Do you want to start?

802
00:33:48,280 --> 00:33:48,960
Speaker 2: Do you want to go first?

803
00:33:49,120 --> 00:33:52,120
Speaker 1: Oh? I got one. I had a job. One time

804
00:33:52,160 --> 00:33:55,959
Speaker 1: I had the job. It was my job and I

805
00:33:56,040 --> 00:34:00,320
Speaker 1: was testing boys. They were testing the boys for the job.

806
00:34:01,000 --> 00:34:04,440
Speaker 1: And it was bad. Kyle was real, bab. It was

807
00:34:04,520 --> 00:34:05,960
Speaker 1: so bad. It was so bad.

808
00:34:06,560 --> 00:34:07,240
Speaker 2: I know what's happening.

809
00:34:07,360 --> 00:34:09,480
Speaker 1: We had a little screen test, you know thing, and

810
00:34:09,520 --> 00:34:11,560
Speaker 1: there was a curtain behind and I had to do.

811
00:34:11,560 --> 00:34:12,920
Speaker 2: Like the kiss in the audition.

812
00:34:13,680 --> 00:34:15,839
Speaker 1: Ok, that's a little They were all bad. And then

813
00:34:15,880 --> 00:34:18,640
Speaker 1: this one was real bad and the boy, poor boy,

814
00:34:19,560 --> 00:34:22,160
Speaker 1: he pulled the curtain down behind us. I didn't get

815
00:34:22,160 --> 00:34:25,279
Speaker 1: the job. I lost the job. None of us got

816
00:34:25,320 --> 00:34:29,000
Speaker 1: the job. I think the movie went away or something. Actually,

817
00:34:29,000 --> 00:34:31,960
Speaker 1: so many but it went away. But that was probably

818
00:34:32,000 --> 00:34:35,480
Speaker 1: the worst one. That was the worst one, Like the Realiza,

819
00:34:36,120 --> 00:34:39,239
Speaker 1: the coldness of that room after that happened. It was

820
00:34:39,280 --> 00:34:43,160
Speaker 1: so awkward. I don't blame them, that's hard. Look, I

821
00:34:43,239 --> 00:34:46,600
Speaker 1: was looking for love. I was looking for real, real chemistry.

822
00:34:46,719 --> 00:34:49,880
Speaker 2: Yeah, you're going for it. Chemistry read sort of relates

823
00:34:49,920 --> 00:34:51,719
Speaker 2: to mine too. This is I mean. I had all

824
00:34:52,239 --> 00:34:56,120
Speaker 2: bub auditions, one where the director really wanted me. This

825
00:34:56,160 --> 00:34:57,840
Speaker 2: was a long time ago, and I auditioned in that

826
00:34:57,960 --> 00:34:59,960
Speaker 2: and he said, I can't believe that that's it's the

827
00:35:00,000 --> 00:35:02,120
Speaker 2: that bad. I can't believe you're that bad. He said,

828
00:35:02,239 --> 00:35:04,680
Speaker 2: we need to do this again, and I was like, what, Okay,

829
00:35:04,719 --> 00:35:06,960
Speaker 2: I'll try it again. Yeah he said that to me.

830
00:35:07,000 --> 00:35:09,040
Speaker 2: I was like, and I'm like, all in my head,

831
00:35:09,040 --> 00:35:10,440
Speaker 2: I'm going I don't think I want to work with

832
00:35:10,480 --> 00:35:13,439
Speaker 2: this person. Yeah, but I did. I did the audition again. Yeah,

833
00:35:13,520 --> 00:35:15,200
Speaker 2: that was one, and the other was a chemist was

834
00:35:15,239 --> 00:35:16,360
Speaker 2: a chemistry read that I didn't know it was a

835
00:35:16,400 --> 00:35:18,160
Speaker 2: chemistry and I actually had the role, like you, I

836
00:35:18,160 --> 00:35:21,040
Speaker 2: had the role. I thought I had the role and

837
00:35:21,120 --> 00:35:22,520
Speaker 2: it was a chemistry and I didn't realize it was

838
00:35:22,520 --> 00:35:23,800
Speaker 2: a chemistry read. I just thought we were kind of

839
00:35:23,800 --> 00:35:25,719
Speaker 2: getting together to sort, you know, I sort of work

840
00:35:25,760 --> 00:35:28,000
Speaker 2: through things and kind of discover and the actress who

841
00:35:28,120 --> 00:35:31,520
Speaker 2: was who I was reading opposite it was her movie basically,

842
00:35:31,560 --> 00:35:34,279
Speaker 2: but I was at the director who was a he

843
00:35:34,360 --> 00:35:37,840
Speaker 2: was a producer director, and I think she nixed it. Yeah,

844
00:35:38,000 --> 00:35:40,280
Speaker 2: because I was kind of you know, I was just myself,

845
00:35:40,320 --> 00:35:41,319
Speaker 2: you know, I me coming in and I said, Okay,

846
00:35:41,400 --> 00:35:42,799
Speaker 2: let's let's sort of work on the scene a little

847
00:35:42,800 --> 00:35:44,400
Speaker 2: bit and figure it out. I didn't realize it was

848
00:35:44,440 --> 00:35:47,960
Speaker 2: a chemistry read. I was like, whoops, lesson. Yeah, note

849
00:35:48,000 --> 00:35:51,040
Speaker 2: to self. Okay, great, should I read it on mine? Yeah, okay,

850
00:35:51,080 --> 00:35:53,319
Speaker 2: here we go. Have you ever drank wine despite the

851
00:35:53,400 --> 00:35:54,400
Speaker 2: fact it was corked?

852
00:35:55,200 --> 00:35:58,360
Speaker 1: No, but no, but I have. I have had cork

853
00:35:58,440 --> 00:35:59,760
Speaker 1: from wine and it was weird.

854
00:36:00,120 --> 00:36:00,480
Speaker 2: Yeah.

855
00:36:01,200 --> 00:36:03,880
Speaker 1: You know, I'm normal. I grew up in high school.

856
00:36:03,920 --> 00:36:04,880
Speaker 2: You are not normal.

857
00:36:05,000 --> 00:36:08,880
Speaker 1: I had parties and I can't open a bottle of wine.

858
00:36:09,239 --> 00:36:11,319
Speaker 2: No, I can't. I have you have one company? So

859
00:36:11,520 --> 00:36:13,400
Speaker 2: I do know how to open wine. I know how

860
00:36:13,400 --> 00:36:15,560
Speaker 2: to open It's too easy for me, that's yeah.

861
00:36:15,719 --> 00:36:17,959
Speaker 1: You don't even can you just look at it? It's open?

862
00:36:18,520 --> 00:36:21,480
Speaker 2: Yeah, but I have I'm sure I have had corked one.

863
00:36:21,560 --> 00:36:25,280
Speaker 2: The thing is that there's degrees of corkedness, so super

864
00:36:25,280 --> 00:36:27,440
Speaker 2: super cork. It's like, no, I has to go down

865
00:36:27,480 --> 00:36:27,759
Speaker 2: the drain.

866
00:36:27,920 --> 00:36:30,880
Speaker 1: But it's had a little texture.

867
00:36:31,440 --> 00:36:34,440
Speaker 2: Yeah like okay, well you can taste the flavors, but

868
00:36:34,480 --> 00:36:39,120
Speaker 2: you also but as usually, those are desperate times, desperate times,

869
00:36:40,000 --> 00:36:42,000
Speaker 2: desperate measures, ladies, And that's.

870
00:36:41,920 --> 00:36:45,040
Speaker 1: What I'm talking about. That's what you do in high school. Yeah.

871
00:36:45,280 --> 00:36:47,920
Speaker 1: I had my eighteenth birthday on the Rocks, you know,

872
00:36:47,960 --> 00:36:51,040
Speaker 1: at the rock Sy Yeah, I'm sure there was some corked.

873
00:36:51,000 --> 00:36:57,040
Speaker 2: Something something, there was something going on there.

874
00:36:59,280 --> 00:37:00,880
Speaker 1: I love it. He's got to make a shot or

875
00:37:00,920 --> 00:37:01,480
Speaker 1: he won't sleep.

876
00:37:01,600 --> 00:37:06,719
Speaker 2: God, dang, so close. This is terrible. Well that's all

877
00:37:07,600 --> 00:37:09,360
Speaker 2: look at that. I'm empty. Oh no.

878
00:37:09,840 --> 00:37:11,840
Speaker 1: You, on the other hand, have you ever seen one

879
00:37:11,880 --> 00:37:14,279
Speaker 1: of your projects and been disappointed in the final edit?

880
00:37:14,840 --> 00:37:17,120
Speaker 1: And how did that make you feel? Did you want

881
00:37:17,160 --> 00:37:18,080
Speaker 1: to go back to school?

882
00:37:20,360 --> 00:37:24,040
Speaker 2: Did you want to I wanted to go somewhere. I'm

883
00:37:24,080 --> 00:37:26,920
Speaker 2: not sure school was it. It was more of a of

884
00:37:26,960 --> 00:37:30,359
Speaker 2: a you know, when you're something and you're you're you're

885
00:37:30,400 --> 00:37:33,920
Speaker 2: in shock so that you really you're in shock. You

886
00:37:33,920 --> 00:37:36,480
Speaker 2: can't even think, you can't even sort of so in

887
00:37:36,520 --> 00:37:39,320
Speaker 2: shock that you basically wish you could take the whole

888
00:37:39,360 --> 00:37:44,320
Speaker 2: thing and just push it back somewhere, you know, underneath something.

889
00:37:44,400 --> 00:37:45,720
Speaker 1: Nobody understands that feeling.

890
00:37:45,960 --> 00:37:47,879
Speaker 2: Do you ever had Have you had that kind of Yeah?

891
00:37:47,920 --> 00:37:51,799
Speaker 1: Every day every day I look at her. No, no, no,

892
00:37:51,840 --> 00:37:55,040
Speaker 1: I have had that, but I don't know. Okay, this

893
00:37:55,120 --> 00:37:56,880
Speaker 1: is this is true, this, this is true. I was

894
00:37:56,880 --> 00:38:00,160
Speaker 1: doing movie in Thailand this year and I watched this

895
00:38:00,200 --> 00:38:03,480
Speaker 1: is annoying to say, but it's true. I watched, you know,

896
00:38:03,560 --> 00:38:07,040
Speaker 1: Mulholland Drive for the first time, and I was watching

897
00:38:07,120 --> 00:38:10,120
Speaker 1: it watching Naomi Watts going I can just hear the

898
00:38:10,160 --> 00:38:13,480
Speaker 1: director yelling at her right now, going slow down, now,

899
00:38:13,600 --> 00:38:17,040
Speaker 1: say it faster, now look over there, and I was like,

900
00:38:17,280 --> 00:38:19,160
Speaker 1: I know that's what's happening right now. I just know

901
00:38:19,280 --> 00:38:21,640
Speaker 1: that's what's happening right now. But it was David Lynch,

902
00:38:22,880 --> 00:38:25,719
Speaker 1: you know, And now I get all these my whole

903
00:38:25,760 --> 00:38:29,319
Speaker 1: algorithm on Instagram is David Lynch and Tom Brady. That's it.

904
00:38:29,440 --> 00:38:31,920
Speaker 1: That's my algorithm. I know, really strange, but I have

905
00:38:32,000 --> 00:38:35,000
Speaker 1: a lot of I'm a big fan of him now.

906
00:38:35,160 --> 00:38:37,400
Speaker 1: I've always known about him, but I don't know what happened.

907
00:38:37,440 --> 00:38:39,040
Speaker 1: I just like fell into a rabbit hole. I think,

908
00:38:39,280 --> 00:38:42,440
Speaker 1: you know, how nice, But I was watching all these

909
00:38:42,480 --> 00:38:46,040
Speaker 1: videos of him directing, and I see how truly collaborative

910
00:38:46,040 --> 00:38:49,160
Speaker 1: he is with everybody, and that kind of inspiration and like,

911
00:38:49,360 --> 00:38:51,719
Speaker 1: there's nothing you want to be more than be told

912
00:38:51,760 --> 00:38:53,920
Speaker 1: what to do by someone who's trying to do something

913
00:38:54,000 --> 00:38:58,640
Speaker 1: great and you just wanna. Yeah, it's a different energy.

914
00:38:58,800 --> 00:38:59,200
Speaker 1: I don't know.

915
00:38:59,360 --> 00:39:01,640
Speaker 2: I've been there, have been working because I work with

916
00:39:01,680 --> 00:39:03,480
Speaker 2: David a number of times, and there's been times when

917
00:39:03,480 --> 00:39:06,600
Speaker 2: it's like the direction could be something as simple as

918
00:39:06,640 --> 00:39:16,680
Speaker 2: just like more mystery or that's cool, more wind or amazing,

919
00:39:17,560 --> 00:39:21,479
Speaker 2: more Elvis. Right, yeah, and so you go like, which

920
00:39:21,520 --> 00:39:24,239
Speaker 2: I love. Initially, I was like, what you know. Now

921
00:39:24,280 --> 00:39:27,920
Speaker 2: I'm like, because he's giving you something to like filter

922
00:39:28,120 --> 00:39:31,040
Speaker 2: into your body and then it'll change you without you

923
00:39:31,120 --> 00:39:33,200
Speaker 2: having to use your brain. Yeah, you just you go

924
00:39:33,239 --> 00:39:36,960
Speaker 2: with a mood and feeling magic. Magic it's all about magic.

925
00:39:37,040 --> 00:39:39,600
Speaker 1: I do believe in magic. That's why I'm still here.

926
00:39:40,000 --> 00:39:42,799
Speaker 2: I love that. That's why I'm still here. I know

927
00:39:43,360 --> 00:39:44,799
Speaker 2: it has been fun. Even though I didn't hit a

928
00:39:44,800 --> 00:39:46,480
Speaker 2: single shot, I did.

929
00:39:46,400 --> 00:39:46,839
Speaker 1: Win the game.

930
00:39:46,920 --> 00:39:47,879
Speaker 2: Yet you did win the game.

931
00:39:48,600 --> 00:39:49,480
Speaker 1: The game's over.

932
00:39:50,080 --> 00:39:54,120
Speaker 2: Over first one, Thank you so much, first and last time.

933
00:39:54,600 --> 00:39:56,560
Speaker 2: Thank you so much for me and here having me.

934
00:39:56,640 --> 00:39:58,759
Speaker 2: I've been a fan watching you play, such a fan.

935
00:39:58,840 --> 00:40:00,600
Speaker 2: Where can we see you next? What's can you tell

936
00:40:00,600 --> 00:40:01,000
Speaker 2: me about?

937
00:40:01,120 --> 00:40:03,040
Speaker 1: Ready or Not? Two? Coming out? It's going to be

938
00:40:03,080 --> 00:40:04,880
Speaker 1: a hit. I mean, I hope it's going to be

939
00:40:04,880 --> 00:40:06,480
Speaker 1: a hit. It's really the best movie I think I've

940
00:40:06,480 --> 00:40:09,160
Speaker 1: ever done. And then I've got a lion's skate movie

941
00:40:09,200 --> 00:40:11,719
Speaker 1: coming out called The Devil's Mouth, which is the one

942
00:40:11,719 --> 00:40:13,879
Speaker 1: where I did all my own stunts, so like that's

943
00:40:13,880 --> 00:40:15,960
Speaker 1: also when I watched Mahullan dry for the first time

944
00:40:15,960 --> 00:40:19,160
Speaker 1: and was like technical actor and doing everything and nothing

945
00:40:19,200 --> 00:40:21,359
Speaker 1: at the same time. And then I did another thing

946
00:40:21,400 --> 00:40:23,920
Speaker 1: that I can't talk about. And then I did I

947
00:40:23,960 --> 00:40:27,080
Speaker 1: have coming out the sam O Lives Boscayot biopic, and

948
00:40:27,120 --> 00:40:29,640
Speaker 1: I play the love of his life, Suzanne Miluke, which

949
00:40:29,680 --> 00:40:30,200
Speaker 1: is really good.

950
00:40:30,239 --> 00:40:31,080
Speaker 3: It was really good.

951
00:40:31,000 --> 00:40:32,600
Speaker 2: At least exciting thing. These are great things.

952
00:40:32,960 --> 00:40:34,480
Speaker 1: It was a really really great year. And you know,

953
00:40:34,520 --> 00:40:35,680
Speaker 1: I know, I don't know if I'm ever going to

954
00:40:35,719 --> 00:40:36,080
Speaker 1: work again.

955
00:40:36,120 --> 00:40:39,120
Speaker 2: You know, welcome to the life of an actor.

956
00:40:39,000 --> 00:40:41,560
Speaker 1: Unless I can play Timothy shallow May. Every time I

957
00:40:41,560 --> 00:40:45,040
Speaker 1: see Timothy, I introduced myself and he's like, we did

958
00:40:45,040 --> 00:40:47,560
Speaker 1: a movie together. I was in a movie he was

959
00:40:47,560 --> 00:40:48,440
Speaker 1: in called Ladybird.

960
00:40:48,920 --> 00:40:49,760
Speaker 2: I love that movie.

961
00:40:49,840 --> 00:40:51,800
Speaker 1: I love that movie. But it is funny. He's in

962
00:40:51,960 --> 00:40:52,400
Speaker 1: very nice.

963
00:40:52,440 --> 00:40:54,719
Speaker 2: He's very nice. He's very nice. We did a photo

964
00:40:54,760 --> 00:40:57,320
Speaker 2: shoot together on something and he was very very sweet.

965
00:40:57,440 --> 00:40:59,920
Speaker 2: Yeah with Susha, right, yeah, Oh my god.

966
00:41:00,080 --> 00:41:04,160
Speaker 1: Great, Yeah, she's amazing. Yeah, I know, big fan of her. Two.

967
00:41:04,280 --> 00:41:07,120
Speaker 2: Well, here we are. That's it, thanks to Jan They've

968
00:41:07,160 --> 00:41:10,520
Speaker 2: been made in this far. It's this far. We'll meet

969
00:41:10,560 --> 00:41:11,359
Speaker 2: you at the nineteenth Hole.

970
00:41:11,680 --> 00:41:14,760
Speaker 3: What Are We Even Doing is a production of iHeartMedia

971
00:41:14,880 --> 00:41:18,960
Speaker 3: and the Elvis Duran podcast Network, hosted by me Kyle

972
00:41:19,040 --> 00:41:22,920
Speaker 3: McLachlin and created and produced by Full Picture Productions.

973
00:41:23,320 --> 00:41:27,719
Speaker 2: Yay, featuring music by Yata and artwork by Danica Robinson.

974
00:41:28,360 --> 00:41:31,480
Speaker 2: For more information about the podcast, please visit our Instagram

975
00:41:31,560 --> 00:41:38,239
Speaker 2: and TikTok at Wawed with Kyle. Please rate, review, and

976
00:41:38,320 --> 00:41:43,680
Speaker 2: subscribe to What Are We Even Doing on Apple, Spotify, YouTube,

977
00:41:44,000 --> 00:41:47,920
Speaker 2: or anywhere you get your podcasts. Exclamation points