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Speaker 1: Welcome back to the Official Yellowstone Podcast. Episode three.

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Speaker 2: If you missed the first two, we had Governor Perry

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Speaker 2: and teeter On also known as Wendy Monaz and Jen

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Speaker 2: Landon love talking with them. On this episode, we have

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Speaker 2: Katherine Kelly, who plays Emily on the show The Vet

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Speaker 2: for the four six's and then semi spoiler, eventually becomes

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Speaker 2: Jimmy's wife. So she joined the show in season four,

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Speaker 2: but she's also been on Nashville The Resident a few

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Speaker 2: other awesome shows. The coolest thing about Katherine was, even

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Speaker 2: though she wasn't all the time on every single episode,

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Speaker 2: she was a big part of the show because it

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Speaker 2: helped Jimmy develop and helped Jimmy be stable and put

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Speaker 2: Jimmy on the right path. And we all love Jimmy

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Speaker 2: loved talking with Katherine. Follow her on Instagram at kat

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Speaker 2: Kelly d and keep up with her and her acting career.

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Speaker 2: And here we go big thanks to Katherine Kelly.

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Speaker 1: Catherine, thank you very much for spending a few minutes

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Speaker 1: with me.

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Speaker 3: Of course, thanks for having me.

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Speaker 2: I would like for people that are watching this, I

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Speaker 2: would like an explanation for the Christmas tree behind you

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Speaker 2: that looks like some of the Christmas has been taken

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Speaker 2: away from it.

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Speaker 1: What's happening back there?

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Speaker 3: It has?

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Speaker 4: My daughter asked to keep the tree, and actually we

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Speaker 4: were traveling a lot in December, so I was like,

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Speaker 4: we didn't really get the use out of it.

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Speaker 3: So I took the.

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Speaker 4: Really Christmas e stuff down and she was like, can

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Speaker 4: we please have a Valentine's tree? So I put up

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Speaker 4: like little ribbons and we're already Valentine's date out.

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Speaker 2: Fully so well she turned it into a Saint Patrick's tree,

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Speaker 2: though then does it continue?

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Speaker 3: It is a real tree, so like, we're probably on

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Speaker 3: our last limbs. We're pushing it. It's pretty dry.

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Speaker 1: Well, let's talk about Yellowstone for a second.

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Speaker 2: I'm curious as to when you know, you first get

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Speaker 2: the you know, maybe the email or the text going hey,

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Speaker 2: do you want an audition for this role?

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Speaker 1: Was it an audition? How did the first communication happen

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Speaker 1: regarding Yellowstone?

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Speaker 4: Yes, it was an audition. I actually hadn't watched the

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Speaker 4: show at the time. My dad watched the show, so

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Speaker 4: I called him because there's this thing like what back

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Speaker 4: when I worked on the show Nashville, it was like,

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Speaker 4: whatever show my dad is into, that's the show I

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Speaker 4: will end up working on.

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Speaker 3: So I called him.

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Speaker 4: And then I did the audition. I did the read

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Speaker 4: and my manager at the time was like, that wasn't it.

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Speaker 3: And I was like, I know, that wasn't it. I

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Speaker 3: got to do it again.

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Speaker 4: So I turned back around in Atlanta traffic and then

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Speaker 4: did it again. And then I think it was literally

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Speaker 4: the next day that I heard back and my agent

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Speaker 4: called me and she was like, Taylor Sheridan's about to

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Speaker 4: call you.

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Speaker 3: I was like, okay.

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Speaker 4: So I quickly made a Jen Martini and went into

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Speaker 4: my master closet because I've got a kiddo out here,

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Speaker 4: and was like, Hey, what's up.

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Speaker 2: When you say it wasn't it and you were in Atlanta?

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Speaker 2: Was the audition in Atlanta? Or did you shoot it

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Speaker 2: and send it off?

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Speaker 3: I was taping. I was taping with a friend, and

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Speaker 3: the friend that I had taped with I felt a

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Speaker 3: little rushed.

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Speaker 4: I wasn't as prepared as I wanted to be, and

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Speaker 4: I was like, and it was past the deadline. We

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Speaker 4: were just like trying to get it in, you know,

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Speaker 4: And I was like, I don't think we should send

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Speaker 4: this either. So I called another friend and I ended

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Speaker 4: up taping it like ten pm. It was really late,

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Speaker 4: but I was like, this has got to be right

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Speaker 4: because I felt I loved the script and I, yeah,

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Speaker 4: I want to be a part of it.

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Speaker 3: Obviously.

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Speaker 1: Do you live in Atlanta? Is it? Yes?

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Speaker 3: Yeah?

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Speaker 2: Is it hard to be a working actor living in

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Speaker 2: Atlanta when you have to constantly, if needed, fly.

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Speaker 1: To LA or fly to wherever they're shooting.

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Speaker 4: Honestly, it's like everything's on location anyways.

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Speaker 3: So I like it here. My kiddo's here.

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Speaker 4: We've got great neighbors, just like the.

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Speaker 3: The way how chill it is.

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Speaker 4: It's nice to come home and it be so chill

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Speaker 4: and kind of like fully eject, you know what I mean,

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Speaker 4: and that otherwise we're just on set and fully into work.

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Speaker 3: And obviously I'll fly out for meetings and stuff.

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Speaker 1: But that had always been what was not irritating for me.

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Speaker 2: But I was on American Idol for four years or

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Speaker 2: I'd done different sorts of shows, but I don't live

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Speaker 2: in Los Angeles and so I live in Nashville, and

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Speaker 2: so it would be like, you need to have a meeting,

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Speaker 2: and it's like, man, I gotta fly all the way

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Speaker 2: to freaking California to have a meeting something that ain't

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Speaker 2: gonna happen, and so I, you know, I just wondered

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Speaker 2: as a working actor if that came into play or

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Speaker 2: now are most of the auditions, at least the preliminary

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Speaker 2: ones are are you sending off tape of you just

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Speaker 2: acting whatever role?

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Speaker 4: Yeah, it's the first round is pretty much always tape,

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Speaker 4: and then I kind of find now too, I think

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Speaker 4: it's pretty rare, which you know, things are always shifting,

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Speaker 4: but I'm pretty sure right now it's like pretty rare

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Speaker 4: first round.

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Speaker 3: If they do offer in person.

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Speaker 4: That you're even going to be in person with the

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Speaker 4: casting director is probably like an assistant taping for the

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Speaker 4: casting director to see, so there's not a huge.

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Speaker 2: Advantage whenever you do go in or like old school

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Speaker 2: before COVID, I felt COVID actually changed a lot too,

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Speaker 2: Like a lot of the meetings that I'll have a

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Speaker 2: pre limp, they're like, we're they don't even do in person.

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Speaker 2: So that's what they would tell me, meaning I probably

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Speaker 2: just didn't want me in person because I wasn't good enough,

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Speaker 2: but I really accept that and be like okay, but

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Speaker 2: they would say we don't even want in person in

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Speaker 2: the first round, so we do a big zoom and

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Speaker 2: you know, I talk to whomever about whatever game show

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Speaker 2: or whatever they're talking to me about.

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Speaker 1: And then you would go out.

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Speaker 2: But if you go out, now, is it that the

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Speaker 2: idea of you go in and there's like all these

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Speaker 2: people that kind of look like you or that kind

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Speaker 2: of could be the character, and you're in a hallway

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Speaker 2: with them.

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Speaker 1: Did you ever have that experience?

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Speaker 2: We're just like looking around and there's a lot of

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Speaker 2: other versions of what they want to cast for that role.

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Speaker 4: Oh, completely, And you've got to like psych yourself out.

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Speaker 4: You're like got to put the blinders on. I'd like

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Speaker 4: have my headphones in. I'm like, I'm just gonna do

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Speaker 4: my own thing. But yeah, that was mostly pre COVID,

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Speaker 4: and I was actually like, my dog's.

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Speaker 3: Like having a time in his create right now.

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Speaker 1: Sorry, I have one hundred dogs, so let let it go.

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Speaker 1: It's all good.

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Speaker 3: Yeah, if I have him out, he's gonna be like

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Speaker 3: fully right here. Yeah. I was out there.

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Speaker 4: For a pilot season right when COVID hit, and that

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Speaker 4: was the most that I was in person like constantly,

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Speaker 4: and even then it was taping and then you're driving

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Speaker 4: in person like within the same day it was wild.

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Speaker 4: But yeah, you're looking around, You're like, all right, so

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Speaker 4: they know the type that they want. It's a bunch

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Speaker 4: of us.

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Speaker 3: Cool.

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Speaker 2: Whenever you're recording for an audition and you're sending the

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Speaker 2: tape off, are you dressing a certain way per the

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Speaker 2: character you're playing or you kind of giving it.

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Speaker 3: Straight kind of a mix.

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Speaker 4: I don't try to go like way too over the top,

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Speaker 4: but I do want, you know, you want to feel

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Speaker 4: like the character right, and you don't want it to

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Speaker 4: be like too modern day.

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Speaker 3: If it's a period piece.

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Speaker 4: I like to give like a little hint of it

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Speaker 4: because I'm also not hair and makeup and I'm not

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Speaker 4: going to have someone necessarily like helping me with all

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Speaker 4: of that.

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Speaker 3: But I do like get to lean towards that any.

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Speaker 2: Chance you had on a white coat and like a stethoscope,

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Speaker 2: as that you're auditioning to be a veterinarian, Like, how did.

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Speaker 1: You do that?

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Speaker 4: I had no actually did no makeup. I had no

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Speaker 4: makeup on, and I didn't do my hair. I just

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Speaker 4: like let it dry, and I was wearing a flannel

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Speaker 4: and I think like a tank top underneath.

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Speaker 3: Just like very very very casual.

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Speaker 4: And actually during the first season that I was on.

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Speaker 3: Or half of it.

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Speaker 4: I think when we were filming in Texas for the

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Speaker 4: first time at the four sixes.

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Speaker 3: I didn't have anyone doing my hair at all.

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Speaker 2: It was at all then is that purposeful because they're

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Speaker 2: going you wouldn't have anyone doing your hair in real

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Speaker 2: life if you were this character.

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Speaker 3: I was fine with it.

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Speaker 4: I did find the difficulties that I didn't think about,

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Speaker 4: like continuity and like we're filming in a barn right now,

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Speaker 4: and like there's not necessarily a mirror, so i'd have

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Speaker 4: to have like someone with costumes or something, and especially

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Speaker 4: during like a really emotional scene, I'm like, I don't know,

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Speaker 4: I can't remember if I had just tucked or not tucked,

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Speaker 4: you know, like little things in my head's over here

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Speaker 4: in acting world, you know.

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Speaker 3: So that's where it became like a little difficult.

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Speaker 4: But then we added a little movie magic and my

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Speaker 4: hair gradually got better with the help of the hair department.

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Speaker 2: When Taylor Sheridan calls you, was it from the first

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Speaker 2: audition you sent or was it they wanted another, Like,

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Speaker 2: at what point in the process did he call you

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Speaker 2: and off the job?

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Speaker 4: It was so quick. It was from the first tape

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Speaker 4: that we sent in and it was like, like I said,

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Speaker 4: it was definitely within forty eight hours, and so we

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Speaker 4: found out that like, okay, this is happening. And then

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Speaker 4: pretty soon, like the thing was that night I got

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Speaker 4: a call from him.

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Speaker 3: I'm like, okay, this is casual. Hi, how are you?

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Speaker 3: How the hell are you Taylor shirt?

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Speaker 1: You know, how does he offer it to you?

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Speaker 2: What does he say?

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Speaker 1: Do you want to do the job?

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Speaker 4: I had been I think I already had like the offer,

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Speaker 4: not like financially and stuff like the contract, but like, okay,

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Speaker 4: this is you know what we're looking at. He mostly

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Speaker 4: was like okay, Like it was kind of like a

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Speaker 4: warning call. He was like, Okay, this is going to

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Speaker 4: be pretty immersive, you know, like we do things very

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Speaker 4: real and authentic, and we're.

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Speaker 3: Going to be in Texas and it's in the middle of.

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Speaker 4: Nowhere and we're not going to have hair department there,

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Speaker 4: you know, like all this stuff.

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Speaker 3: It's like he's like, you down with that, and I'm like, yeah,

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Speaker 3: I'm good with that, Like that's fine, I can handle that.

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Speaker 4: He's like, how you did your hair in the audition

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Speaker 4: and make that like that was great, and I'm like, cool,

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Speaker 4: I did that so sure?

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Speaker 2: And how accurate was that once you got there? Was

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Speaker 2: it exactly as he said? It's just you're basically living

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Speaker 2: there and doing it yourself.

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Speaker 4: Oh completely, I mean, like even down to you know,

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Speaker 4: my characters of vet Tech the house that Jimmy and

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Speaker 4: Emily like are in Emily's house. That house is a

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Speaker 4: vet Tech in a cowboys house. They're married and have

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Speaker 4: a baby, and like it is furnished by the four

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Speaker 4: Sixes ranch and they live and work there and like

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Speaker 4: that's pretty much. There's a little set deck going on,

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Speaker 4: like it was mostly there how it is, which is crazy.

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Speaker 4: And then like getting up we were staying in the

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Speaker 4: four Six's house like the big house, and when we

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Speaker 4: would wake up, like Cowboy would be eating breakfast in

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Speaker 4: the kitchen at like four am. We'd all be just

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Speaker 4: like chilling eating getting ready.

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Speaker 3: To go out. It's and I had no idea about

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Speaker 3: any of that world. Really, like modern day.

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Speaker 2: The ranch seems fast. It is obviously a massive ranch.

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Speaker 2: Being there, What was it like.

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Speaker 3: The first time? I wasn't fully prepared for like how

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Speaker 3: bar it is from everything.

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Speaker 4: It was pretty isolating because like we were we flew

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Speaker 4: into I think Amarillo. Another time we flew into Lubbock.

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Speaker 4: It's about an hour and a half of a drive

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Speaker 4: from Lubbock, which Lubbock is not a big town. And

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Speaker 4: then in Guthrie, which is where the Sixes is, it's

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Speaker 4: pretty much I can't remember.

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Speaker 3: What the population is. I want to say it's less

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Speaker 3: than two hundred.

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Speaker 4: But it is literally the families and people who work

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Speaker 4: and live like their livelihood is the four Sixes. That's

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Speaker 4: why they're there, and that's why there's a school there

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Speaker 4: is for the kids of these families.

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Speaker 3: Like that's it.

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Speaker 4: And the grocery store is an hour away. Walmart's an

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Speaker 4: hour and a half away. Closest Walmart.

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Speaker 2: Do you go away when you first go How many

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Speaker 2: days are you on set?

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Speaker 3: I think that first one was Actually it wasn't that long.

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Speaker 4: It felt really long because it was so remote, but

264
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Speaker 4: we had gone from Montana. It was during COVID, so

265
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Speaker 4: we actually had to be out there longer than you know,

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Speaker 4: because we had to stay in the bubble and everything.

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Speaker 4: So I think that's why it felt like a long time,

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Speaker 4: because there was also so many days in between that

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Speaker 4: normally we would get to travel home and we just

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Speaker 4: kind of had to stay in this bubble. But we

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Speaker 4: were in Montana for I want to say, like four

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Speaker 4: weeks and then flew down to.

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Speaker 3: Texas for like two weeks. I believe it was.

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Speaker 2: When you take a role like that and it was

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Speaker 2: you were in season four and season five, Did you

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Speaker 2: know that would be the length of your role or

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Speaker 2: was it, let's just see where it takes us next season,

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Speaker 2: because obviously you know what you're can doing four, but

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Speaker 2: do you know you'd be back in five?

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Speaker 3: No?

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Speaker 4: No, I hoped obviously, and I knew that it had

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Speaker 4: the potential for that. But I feel like, also with Taylor,

283
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Speaker 4: you never know, like someone could die or get killed

284
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Speaker 4: off in a second. You know, it's such a crazy show,

285
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Speaker 4: but we did do like that first time we filmed

286
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Speaker 4: it was so special because when we went down to

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Speaker 4: the sixes, it was just Jefferson and I cast wise

288
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Speaker 4: that's it, and it was like it was a whole

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Speaker 4: secondary crew and Taylor was directing it, and it was

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Speaker 4: like this whole beautiful little mini movie.

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Speaker 3: You know.

292
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Speaker 4: It was like our scenes were put in to bits

293
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Speaker 4: of the show, but we filmed all of that like

294
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Speaker 4: as if it was this little indie movie in Texas.

295
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Speaker 2: You know, that would be kind of cool to see

296
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Speaker 2: by itself, like isolated as that project like a side yeah,

297
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Speaker 2: because we saw it intertwined and the show as the

298
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Speaker 2: story developed, but how that was shot as one piece.

299
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Speaker 2: I feel like that would be a pretty cool thing,

300
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Speaker 2: like to put on Paramount Plus, like yeah, of Emily

301
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Speaker 2: and Jimmy, Like, has that ever been talked about?

302
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Speaker 1: Have you ever thought about that?

303
00:14:25,960 --> 00:14:27,040
Speaker 3: I mean, I.

304
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Speaker 4: Feel like the four six is like spinoff. Whole thing

305
00:14:29,440 --> 00:14:36,480
Speaker 4: has been hinted at for like three years, and I

306
00:14:36,480 --> 00:14:39,320
Speaker 4: could totally see that because it is just it really

307
00:14:39,440 --> 00:14:43,120
Speaker 4: is a different world. You know, it's different like modern

308
00:14:43,240 --> 00:14:46,960
Speaker 4: day ranching than Montana, and Texas does have its own

309
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Speaker 4: you know, it's two different like subcultures. So it feels

310
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Speaker 4: just the whole feel of it is very different. And

311
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Speaker 4: also like those characters, I love the way it's written.

312
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Speaker 4: It's written so well and so natural, and I feel

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Speaker 4: like it's.

314
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Speaker 3: So relatable too. And it's also like one of the

315
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Speaker 3: only like.

316
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Speaker 4: Happy, mostly happy you know stories going on within the

317
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Speaker 4: dramatic Yellowstone world.

318
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Speaker 1: New characters on established shows are often tricky. Could be

319
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Speaker 1: a massive success, could be it's tough.

320
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Speaker 2: Like when Aaron shows up and she's the secretary, You're like,

321
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Speaker 2: I don't know about this. I love this show so

322
00:15:28,560 --> 00:15:32,200
Speaker 2: much and it ends up being awesome. Do you watch feedback,

323
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Speaker 2: you know, after the first time you're on to see

324
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Speaker 2: if like the Yellowstone crew that I mean not the crew,

325
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Speaker 2: but like the fans are like feeling you.

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Speaker 4: I think it's it's hard not to see, you know,

327
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Speaker 4: like on social media or whatever. I don't typically go

328
00:15:46,560 --> 00:15:51,240
Speaker 4: like scrolling and deep diving, but it's pretty apparent pretty

329
00:15:51,280 --> 00:15:56,560
Speaker 4: quick whether majority is like love them, love her for him,

330
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Speaker 4: or they're like that, you know whatever, not loving it.

331
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Speaker 4: And also though you don't know how they're going to

332
00:16:06,600 --> 00:16:09,960
Speaker 4: receive it. And also like I spoke to Taylor one

333
00:16:10,000 --> 00:16:13,400
Speaker 4: time and he was like saying how he had no

334
00:16:13,520 --> 00:16:16,960
Speaker 4: idea how people were going to receive Beth, and in

335
00:16:17,040 --> 00:16:20,320
Speaker 4: the beginning, like they were like he was too harsh,

336
00:16:20,440 --> 00:16:22,640
Speaker 4: you know, and too they didn't receive her very well.

337
00:16:22,680 --> 00:16:25,880
Speaker 4: And then it as the journey progressed, she became like

338
00:16:26,360 --> 00:16:29,040
Speaker 4: the favorite, you know, one of the most loved.

339
00:16:29,760 --> 00:16:31,960
Speaker 3: It's like you never know he's going to He's like,

340
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Speaker 3: I really don't know.

341
00:16:32,920 --> 00:16:35,480
Speaker 4: Sometimes when I write these characters, how they're going to

342
00:16:36,760 --> 00:16:37,840
Speaker 4: love them or hate them.

343
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Speaker 2: Are there any written rules or unwritten rules about how

344
00:16:40,760 --> 00:16:43,120
Speaker 2: much you can share from the script while you're shooting

345
00:16:43,120 --> 00:16:45,600
Speaker 2: with like your friends or family or social media or

346
00:16:45,640 --> 00:16:46,560
Speaker 2: is it total lockdown?

347
00:16:47,400 --> 00:16:49,080
Speaker 3: It's pretty much total lockdown.

348
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Speaker 4: Like I try to stay like I try to know

349
00:16:52,920 --> 00:16:55,480
Speaker 4: kind of what obviously, Like they'll let us know, like

350
00:16:55,560 --> 00:16:58,560
Speaker 4: what is publicly released when it's released, and so then

351
00:16:58,600 --> 00:17:00,760
Speaker 4: you're like, huh, okay, cool, Yes we are doing that,

352
00:17:01,040 --> 00:17:02,240
Speaker 4: Yes that is happen Anger.

353
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Speaker 3: But before that, it's pretty tight lipped. I mean this

354
00:17:07,080 --> 00:17:09,879
Speaker 3: last season though, like I hardly knew anything. There was

355
00:17:10,080 --> 00:17:10,639
Speaker 3: very little.

356
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Speaker 4: I knew some like which characters weren't going to be

357
00:17:14,320 --> 00:17:16,679
Speaker 4: there anymore because I knew I wasn't working with you know,

358
00:17:17,480 --> 00:17:20,000
Speaker 4: things like that. But for the most part, I mean,

359
00:17:20,040 --> 00:17:23,439
Speaker 4: our script was I had it printed. I love to

360
00:17:23,480 --> 00:17:26,480
Speaker 4: have my script printed out, and I like the tangible

361
00:17:26,560 --> 00:17:30,639
Speaker 4: like paper, you know. And at one point they printed

362
00:17:30,680 --> 00:17:33,240
Speaker 4: out some of my sides and it was like I

363
00:17:33,280 --> 00:17:35,560
Speaker 4: had like four or five pages that were just like

364
00:17:35,720 --> 00:17:40,040
Speaker 4: black redacted, mostly as like well, oh.

365
00:17:39,840 --> 00:17:41,480
Speaker 1: You we both filed. They didn't want to read about

366
00:17:41,480 --> 00:17:42,880
Speaker 1: the aliens. It to come out like.

367
00:18:05,840 --> 00:18:08,840
Speaker 2: Jimmy the character you were isolated, it was you two

368
00:18:08,920 --> 00:18:11,000
Speaker 2: down at the ranch when you started working with the

369
00:18:11,080 --> 00:18:14,480
Speaker 2: other actors, who was it that was super cool and

370
00:18:14,560 --> 00:18:16,200
Speaker 2: super warm immediately.

371
00:18:17,160 --> 00:18:21,560
Speaker 3: Jin Landon for sure, Hossie's really warm as well.

372
00:18:22,200 --> 00:18:23,840
Speaker 1: Yeah yeah, yeah, yeah, yeah.

373
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Speaker 4: She's like I've always said, I'm like she's everyone's favorite person.

374
00:18:28,119 --> 00:18:30,959
Speaker 4: I mean, like of hair and makeup, other cast mates,

375
00:18:31,040 --> 00:18:34,080
Speaker 4: like everyone just like you can't not like her.

376
00:18:34,320 --> 00:18:36,520
Speaker 3: And she's so funny and she doesn't mean to be,

377
00:18:37,720 --> 00:18:40,600
Speaker 3: which is the funniest part. I feel like sometimes.

378
00:18:40,160 --> 00:18:42,000
Speaker 4: She means to be obviously in the show and stuff,

379
00:18:42,000 --> 00:18:43,959
Speaker 4: but like I mean, I can't even like look at

380
00:18:43,960 --> 00:18:46,760
Speaker 4: her during a scene, Like the first time we ever

381
00:18:46,760 --> 00:18:50,760
Speaker 4: shot together was like, oh god, I can't even look

382
00:18:50,800 --> 00:18:51,200
Speaker 4: your way.

383
00:18:52,720 --> 00:18:55,679
Speaker 1: Part of that too, is her character was it's a

384
00:18:55,680 --> 00:18:58,240
Speaker 1: strong character. It's it's it's loud, and it's funny.

385
00:18:58,280 --> 00:19:00,719
Speaker 2: It's supposed to be that, So I can't see how

386
00:19:01,520 --> 00:19:03,840
Speaker 2: not cracking would be difficult the first couple of times

387
00:19:03,880 --> 00:19:04,120
Speaker 2: you do.

388
00:19:04,119 --> 00:19:07,960
Speaker 4: It right, especially when she's like I remember the first

389
00:19:07,960 --> 00:19:11,080
Speaker 4: scene that I ever shot was that fight scene with

390
00:19:11,160 --> 00:19:15,960
Speaker 4: my character in Eden Berlin's character, and I like, look

391
00:19:16,080 --> 00:19:18,680
Speaker 4: over and Jen is standing at the table and has

392
00:19:18,720 --> 00:19:20,800
Speaker 4: picked up a random bag of chips and like this

393
00:19:20,840 --> 00:19:23,080
Speaker 4: is not in the script and she just like like

394
00:19:23,200 --> 00:19:26,960
Speaker 4: watching it, like ridiculous.

395
00:19:27,119 --> 00:19:29,520
Speaker 1: How are you at memorizing lines? Just in general? You

396
00:19:29,520 --> 00:19:31,240
Speaker 1: have a pretty good memory and you can take it down?

397
00:19:31,320 --> 00:19:32,080
Speaker 1: Or is it hard work?

398
00:19:32,359 --> 00:19:34,560
Speaker 4: I mean I have to like dial in for sure,

399
00:19:35,080 --> 00:19:39,080
Speaker 4: but I typically will like read it try to understand

400
00:19:39,760 --> 00:19:44,359
Speaker 4: my character what's going on obviously, and then but for me,

401
00:19:44,480 --> 00:19:49,000
Speaker 4: I'm so like I have to do it physically to

402
00:19:49,119 --> 00:19:51,639
Speaker 4: know it, but then it's very quick for me. So

403
00:19:51,720 --> 00:19:55,240
Speaker 4: like if I have someone running lines with me, I

404
00:19:55,280 --> 00:19:58,280
Speaker 4: can get it really quick. But if I don't, like

405
00:19:58,359 --> 00:20:00,919
Speaker 4: I can't just like stare stairs, yes sir, that's not

406
00:20:00,920 --> 00:20:04,000
Speaker 4: gonna work for me. Or even like I can make

407
00:20:04,040 --> 00:20:06,960
Speaker 4: myself think that I'm working with someone, like I've taped

408
00:20:06,960 --> 00:20:08,480
Speaker 4: them up. When I don't have someone, I'm like, I'll

409
00:20:08,480 --> 00:20:10,400
Speaker 4: tape it up on the wall and like do eye

410
00:20:10,400 --> 00:20:13,560
Speaker 4: lines and like pretend there's people and then that can

411
00:20:13,640 --> 00:20:13,960
Speaker 4: help me.

412
00:20:14,000 --> 00:20:16,720
Speaker 3: But I have to like block it out as if

413
00:20:16,760 --> 00:20:17,720
Speaker 3: someone else is saying the.

414
00:20:17,720 --> 00:20:20,920
Speaker 1: Other thing, what did you do in Nashville? As the

415
00:20:21,080 --> 00:20:22,959
Speaker 1: show Nashville not the city, but the same, right.

416
00:20:23,119 --> 00:20:25,119
Speaker 3: I was like, Oh, I love Nashville. What haven't I

417
00:20:25,160 --> 00:20:25,800
Speaker 3: done in Nashville?

418
00:20:25,800 --> 00:20:26,080
Speaker 1: No?

419
00:20:27,680 --> 00:20:30,040
Speaker 3: I So I was on the show.

420
00:20:29,960 --> 00:20:34,520
Speaker 4: During the last season. The guy who played my husband

421
00:20:34,560 --> 00:20:35,159
Speaker 4: on the show.

422
00:20:35,840 --> 00:20:40,960
Speaker 3: He was a vet, not like a animal vet.

423
00:20:40,880 --> 00:20:44,159
Speaker 4: But like you know, a veteran, and he had like

424
00:20:44,240 --> 00:20:47,080
Speaker 4: PTSD and he had a relationship with one of the

425
00:20:47,119 --> 00:20:50,719
Speaker 4: main cast and like not a fair but like you know,

426
00:20:51,680 --> 00:20:54,560
Speaker 4: emotionally like he kind of needed her and whatever, and

427
00:20:54,600 --> 00:20:56,320
Speaker 4: I couldn't help him. And he goes through a whole

428
00:20:56,320 --> 00:21:00,679
Speaker 4: suicide thing, very like heavy stuff.

429
00:21:00,440 --> 00:21:01,560
Speaker 3: But it was really fun to work on.

430
00:21:01,920 --> 00:21:03,719
Speaker 1: Can you cry on cue if you need to?

431
00:21:03,960 --> 00:21:04,680
Speaker 3: Sometimes?

432
00:21:05,160 --> 00:21:05,399
Speaker 4: Is that?

433
00:21:05,680 --> 00:21:09,600
Speaker 2: Is that a natural just in general with actors? Is

434
00:21:09,640 --> 00:21:11,919
Speaker 2: that something you really have to work on or you

435
00:21:12,000 --> 00:21:12,680
Speaker 2: either have that.

436
00:21:12,760 --> 00:21:13,399
Speaker 1: Or you don't.

437
00:21:13,840 --> 00:21:18,080
Speaker 3: I kind of found I used to when I was

438
00:21:18,160 --> 00:21:20,000
Speaker 3: younger and I was acting, and it would say like

439
00:21:20,720 --> 00:21:22,680
Speaker 3: then cries, oh God, And.

440
00:21:22,600 --> 00:21:25,719
Speaker 4: It really just like like make me like have a

441
00:21:25,800 --> 00:21:27,040
Speaker 4: block to it, you.

442
00:21:26,920 --> 00:21:28,720
Speaker 3: Know, like, oh God, because we're supposed to.

443
00:21:28,720 --> 00:21:32,560
Speaker 4: Get there because of this expectation after this line tears

444
00:21:32,600 --> 00:21:40,240
Speaker 4: pap you know, like that's mentally so crazy, but isloight, bro, Sorry,

445
00:21:41,960 --> 00:21:42,679
Speaker 4: Now tell.

446
00:21:42,560 --> 00:21:45,280
Speaker 1: Me about your dog. Though, like what what kind of dog?

447
00:21:45,359 --> 00:21:47,280
Speaker 1: What's what's doing? Big?

448
00:21:48,080 --> 00:21:51,280
Speaker 3: He's a little scrappy shelter guy. Sometimes I'm like, brother,

449
00:21:51,520 --> 00:21:53,520
Speaker 3: your shelter is showing.

450
00:21:54,359 --> 00:21:56,359
Speaker 1: Come on, like on, jump right in your chair, like

451
00:21:56,359 --> 00:21:57,160
Speaker 1: he knows what's up.

452
00:21:57,480 --> 00:22:02,920
Speaker 4: Yeah, completely, he's like little. Mostly we think miniature Schnauzer cinterior.

453
00:22:04,160 --> 00:22:07,120
Speaker 4: I kind of think like some bird dog tendencies going on.

454
00:22:07,960 --> 00:22:10,680
Speaker 1: Have you done which we did on our rescue?

455
00:22:10,720 --> 00:22:12,800
Speaker 2: Have you done the basically it's like twenty three and me,

456
00:22:12,920 --> 00:22:14,760
Speaker 2: but for dogs to find out what's all in them?

457
00:22:15,240 --> 00:22:16,520
Speaker 3: I haven't, but I want to.

458
00:22:16,560 --> 00:22:19,400
Speaker 4: We just got him in September for my daughter's tenth birthday.

459
00:22:20,040 --> 00:22:23,040
Speaker 4: And his name's Juno, like Alaska, because we actually during

460
00:22:23,160 --> 00:22:29,400
Speaker 4: filming this summer when we were in Montana, we went

461
00:22:29,480 --> 00:22:33,199
Speaker 4: to Canada, We went to bamp we went to Nelson,

462
00:22:33,240 --> 00:22:35,639
Speaker 4: British Columbia, and we also went to Alaska. We did

463
00:22:35,680 --> 00:22:38,880
Speaker 4: a big Alaskan cruise with my family for my grandmother's birthday.

464
00:22:39,359 --> 00:22:42,640
Speaker 3: So Juno after one of the places we were at

465
00:22:42,680 --> 00:22:43,119
Speaker 3: this summer.

466
00:22:43,600 --> 00:22:46,040
Speaker 1: That's pretty cool. I love Juno. What I'll give you

467
00:22:46,119 --> 00:22:47,680
Speaker 1: two more questions before we go.

468
00:22:48,240 --> 00:22:51,359
Speaker 2: What was your favorite part about just doing Yellowstone and

469
00:22:51,400 --> 00:22:53,080
Speaker 2: being involved in the Yellowstone world.

470
00:22:53,320 --> 00:22:55,560
Speaker 4: Like I said, we started filming during COVID, so it's

471
00:22:55,600 --> 00:22:58,640
Speaker 4: been four years. You know, it's been a long time.

472
00:22:58,680 --> 00:23:00,720
Speaker 4: There were so many different spots of it that were

473
00:23:00,760 --> 00:23:05,960
Speaker 4: like broken up. I do think this past summer was definitely,

474
00:23:06,600 --> 00:23:10,040
Speaker 4: even though it was kind of less for my character,

475
00:23:10,920 --> 00:23:15,199
Speaker 4: you know, in the show, it was my favorite personally

476
00:23:15,240 --> 00:23:19,399
Speaker 4: to film because it was like it just felt so

477
00:23:19,640 --> 00:23:23,080
Speaker 4: special with everyone, like we all knew that this may

478
00:23:23,080 --> 00:23:24,879
Speaker 4: be the last time we're all in this room. This

479
00:23:24,960 --> 00:23:27,000
Speaker 4: may be the last time we're all in this room,

480
00:23:27,040 --> 00:23:28,600
Speaker 4: like just so present with it.

481
00:23:29,440 --> 00:23:32,840
Speaker 3: And it took I think those couple.

482
00:23:32,640 --> 00:23:38,560
Speaker 4: Of years to really process emotionally, like how special it

483
00:23:38,640 --> 00:23:41,840
Speaker 4: is to get to be a part of something so

484
00:23:42,119 --> 00:23:44,520
Speaker 4: massive like this phenomenon.

485
00:23:44,600 --> 00:23:47,280
Speaker 3: Like there's merch in Walmart.

486
00:23:47,480 --> 00:23:51,280
Speaker 4: You know, there's hot sauces, and like it's so well

487
00:23:51,280 --> 00:23:53,320
Speaker 4: and you're like, oh, that's.

488
00:23:53,359 --> 00:23:54,200
Speaker 3: That's my job.

489
00:23:55,320 --> 00:23:55,520
Speaker 1: Huh.

490
00:23:56,520 --> 00:24:01,240
Speaker 4: So like this summer definitely, And then like also it's

491
00:24:01,280 --> 00:24:06,200
Speaker 4: funny because Montana's so beautiful and I love being.

492
00:24:05,960 --> 00:24:10,360
Speaker 3: There so much, but and like I miss Montana, but like.

493
00:24:10,320 --> 00:24:13,160
Speaker 4: It'll never be what it was when we were all there,

494
00:24:13,280 --> 00:24:15,240
Speaker 4: because it was like we'd finish up filming and we'd

495
00:24:15,240 --> 00:24:17,320
Speaker 4: all go to the saloon and played pool, or we'd

496
00:24:17,359 --> 00:24:20,520
Speaker 4: all you know, now that someone probably has four people

497
00:24:20,560 --> 00:24:23,359
Speaker 4: in it, not the thirty people that we all know.

498
00:24:24,840 --> 00:24:25,199
Speaker 3: I don't know.

499
00:24:25,240 --> 00:24:28,240
Speaker 4: It just it really like hit me how special every

500
00:24:28,280 --> 00:24:29,320
Speaker 4: moment was this summer.

501
00:24:30,200 --> 00:24:35,240
Speaker 2: And to conclude the Yellowstone questions, I'm not saying anyone

502
00:24:35,320 --> 00:24:38,080
Speaker 2: would come out of the woodwork to be like I

503
00:24:38,240 --> 00:24:40,680
Speaker 2: wasn't nice to you in high school, but now I'm like, oh, wow,

504
00:24:40,960 --> 00:24:43,560
Speaker 2: Catherine's on TV, You're my best friend. Not saying that,

505
00:24:43,680 --> 00:24:46,199
Speaker 2: but a version of that, where maybe there were people

506
00:24:46,400 --> 00:24:47,879
Speaker 2: that maybe just kind of lost touch with but you

507
00:24:47,880 --> 00:24:50,159
Speaker 2: still liked, but that you hadn't heard from it a while,

508
00:24:50,640 --> 00:24:52,280
Speaker 2: and they would like see you and they go, I

509
00:24:52,359 --> 00:24:54,000
Speaker 2: just freaking saw you on Yellowstone?

510
00:24:54,000 --> 00:24:54,760
Speaker 1: Did that happen at all?

511
00:24:55,440 --> 00:24:59,440
Speaker 3: Oh all the time? Yeah? And at first I'm like, huh,

512
00:24:59,480 --> 00:25:02,960
Speaker 3: like you wouldn't saying eight in the otherwise. And then

513
00:25:02,960 --> 00:25:06,560
Speaker 3: you're like, you know, You're like, hmm, you didn't ask.

514
00:25:06,400 --> 00:25:09,399
Speaker 4: Me to hang out before, but you know, it's like

515
00:25:09,520 --> 00:25:11,680
Speaker 4: you're on people's minds, and I think it comes from

516
00:25:11,720 --> 00:25:13,800
Speaker 4: such a pure place.

517
00:25:13,960 --> 00:25:17,080
Speaker 3: You know, people being like I'm proud to like I'm

518
00:25:17,119 --> 00:25:19,200
Speaker 3: a part of that somehow through her.

519
00:25:19,760 --> 00:25:21,600
Speaker 1: That's fun. Thank you for hanging out.

520
00:25:21,760 --> 00:25:25,920
Speaker 2: You guys follow Katherine at kat Kelly d on Instagram

521
00:25:26,400 --> 00:25:28,639
Speaker 2: and I will be doing that thing where I'm watching

522
00:25:28,640 --> 00:25:30,600
Speaker 2: a show and hopefully in the future I'll see you

523
00:25:30,600 --> 00:25:32,159
Speaker 2: in and go I know her from something and then

524
00:25:32,359 --> 00:25:33,560
Speaker 2: be like, oh, it's Yellowstone.

525
00:25:33,920 --> 00:25:35,880
Speaker 3: Yeah, and you'll be like, let's hang out.

526
00:25:36,680 --> 00:25:39,000
Speaker 1: I'll be like, yeah, bring you know. That's it.

527
00:25:39,320 --> 00:25:39,760
Speaker 3: Yeah.

528
00:25:39,960 --> 00:25:43,159
Speaker 1: Congratulations, Thank you Rudal for you.

529
00:25:43,200 --> 00:25:45,240
Speaker 2: Hope you have a ton of success and really appreciate

530
00:25:45,280 --> 00:25:45,679
Speaker 2: the time.

531
00:25:45,560 --> 00:25:47,400
Speaker 3: Today, Catherine, thank you so much.

532
00:25:53,800 --> 00:25:57,520
Speaker 2: The Yellowstone Official podcast hosted by Me Bobby Bones and

533
00:25:57,560 --> 00:26:01,320
Speaker 2: brought to you by iHeartMedia Podcasts and TV Entertainment Studios.

534
00:26:01,640 --> 00:26:03,360
Speaker 1: Big shout out to executive.

535
00:26:02,880 --> 00:26:07,639
Speaker 2: Producers Jason Reid, Lindsay Hoffman, Carl katl and Kevin O'Connell.

536
00:26:07,840 --> 00:26:11,000
Speaker 2: Also our senior manager of podcast Marketing, Ali Canner Graver

537
00:26:11,240 --> 00:26:13,200
Speaker 2: for keeping the word out and of course a big

538
00:26:13,240 --> 00:26:16,359
Speaker 2: thanks to Will Pearson, president of iHeartMedia podcast for him

539
00:26:16,400 --> 00:26:17,240
Speaker 2: supporting this show.

540
00:26:17,480 --> 00:26:19,000
Speaker 1: We've also got special thanks going out to.

541
00:26:18,960 --> 00:26:23,240
Speaker 2: Whitney Baxter, xavier A Free, Barbara Parida, Emily Curry and

542
00:26:23,320 --> 00:26:26,399
Speaker 2: Joe Flattery. You guys make this happen. This podcast is

543
00:26:26,480 --> 00:26:29,600
Speaker 2: produced in association with One on one Studios over There

544
00:26:29,640 --> 00:26:32,879
Speaker 2: executive producer Scott Stone and Director of Podcast Development and

545
00:26:32,920 --> 00:26:35,280
Speaker 2: Production Danielle Waxman. We also got to give a big

546
00:26:35,320 --> 00:26:38,200
Speaker 2: nod to Michelle Newman, David Glasser, and David Hutkin for

547
00:26:38,240 --> 00:26:38,760
Speaker 2: their support.

548
00:26:38,960 --> 00:26:41,160
Speaker 1: Thank you guys for tuning in. See you next week.