1
00:00:00,760 --> 00:00:18,440
Speaker 1: I am all in. I am all in with Scott

2
00:00:18,440 --> 00:00:22,600
Speaker 1: Patterson and I Heart Radio podcast. All right, every buddy,

3
00:00:22,600 --> 00:00:25,360
Speaker 1: Hey Scott Patterson. Here, I am all in podcast with

4
00:00:25,400 --> 00:00:27,640
Speaker 1: our Heart Radio and one eleven productions. We are digging

5
00:00:27,640 --> 00:00:32,360
Speaker 1: in a little deeper here two Star Cross Lovers and

6
00:00:32,520 --> 00:00:35,080
Speaker 1: Other Strangers, Episodes sixteenth. Because I don't think we are.

7
00:00:35,159 --> 00:00:38,440
Speaker 1: We really didn't. We didn't really finish up, no, because

8
00:00:38,440 --> 00:00:40,360
Speaker 1: we didn't even talk about how mad would you be

9
00:00:40,640 --> 00:00:44,080
Speaker 1: if you were lower Lie and your mom set you

10
00:00:44,320 --> 00:00:52,920
Speaker 1: up and you didn't even know? Uh with that guy,

11
00:00:53,159 --> 00:00:55,720
Speaker 1: I don't know. I started laughing right away. When as

12
00:00:55,760 --> 00:00:57,760
Speaker 1: soon as she said, mom, can I see you in

13
00:00:57,840 --> 00:01:01,320
Speaker 1: the kitchen a minute, the doorbell rang. I knew she

14
00:01:01,400 --> 00:01:05,120
Speaker 1: was hosed. I was at the door. Oh my goodness.

15
00:01:05,200 --> 00:01:11,080
Speaker 1: That was just funny. Are you setting me up? Chase? Wow?

16
00:01:11,840 --> 00:01:14,119
Speaker 1: And you could tell Richard was like not having it,

17
00:01:14,160 --> 00:01:16,520
Speaker 1: but he's trying to trying to be polite and go

18
00:01:16,560 --> 00:01:19,880
Speaker 1: along with it, and Emily is just like, yeah, yeah,

19
00:01:20,040 --> 00:01:23,319
Speaker 1: as Chase is just talking about the most nonsensical boring

20
00:01:23,720 --> 00:01:27,240
Speaker 1: or crap. You know, That's what's so brilliant about the

21
00:01:27,280 --> 00:01:31,800
Speaker 1: show is you get this sense of history between these

22
00:01:31,880 --> 00:01:35,600
Speaker 1: characters especially, and it's for me, it's even more impactful

23
00:01:35,720 --> 00:01:39,200
Speaker 1: father and daughter. It's Richard and Laurela that's really getting

24
00:01:39,200 --> 00:01:43,280
Speaker 1: to me, because you know, he's so disappointed, he's so crushed,

25
00:01:43,319 --> 00:01:47,480
Speaker 1: he's so sort of steely with her. He's so eye

26
00:01:47,600 --> 00:01:51,040
Speaker 1: rolling and side glancing, and oh, good god, we're gonna

27
00:01:51,040 --> 00:01:54,320
Speaker 1: have to endure this without Rory here. You know, Rory

28
00:01:54,400 --> 00:01:57,960
Speaker 1: is the the light of the world, and now I

29
00:01:58,000 --> 00:02:00,520
Speaker 1: have to deal with my my failure of a daughter.

30
00:02:00,640 --> 00:02:03,240
Speaker 1: And there's all that tension. It always remains. She has

31
00:02:03,280 --> 00:02:06,800
Speaker 1: that nervous energy, right, and she just can't stop herself

32
00:02:06,840 --> 00:02:09,160
Speaker 1: because you know, she just feels she's being judged and

33
00:02:09,160 --> 00:02:14,000
Speaker 1: it's a horrible feeling, and she is being judged and anyway, um,

34
00:02:14,080 --> 00:02:18,400
Speaker 1: it's always wonderful. That wonderful moment when she escaped and

35
00:02:18,520 --> 00:02:22,680
Speaker 1: Richard caught her and he just let her go because

36
00:02:22,680 --> 00:02:24,960
Speaker 1: she made her little speech, and those are the moments

37
00:02:25,000 --> 00:02:28,560
Speaker 1: that bring those two characters together, and it really resonate

38
00:02:28,639 --> 00:02:31,880
Speaker 1: with me. Those are my favorite moments of that of

39
00:02:31,960 --> 00:02:35,800
Speaker 1: the probably the series so far that my favorite moments

40
00:02:35,800 --> 00:02:39,680
Speaker 1: are between father and daughter. Yeah, he says so much

41
00:02:39,720 --> 00:02:44,320
Speaker 1: in a glance and he says no, Emily, I haven't

42
00:02:44,440 --> 00:02:47,400
Speaker 1: I haven't found her, and then a little glance and

43
00:02:47,440 --> 00:02:50,320
Speaker 1: there's there's there's some dejection in there, and there's some hurt,

44
00:02:50,400 --> 00:02:53,440
Speaker 1: but there's still I love you. You're my daughter. And

45
00:02:53,480 --> 00:02:56,720
Speaker 1: this is how life went. And it wasn't supposed to

46
00:02:56,760 --> 00:02:59,240
Speaker 1: go this way for me, Richard Gilmore, but it did.

47
00:02:59,320 --> 00:03:01,600
Speaker 1: And maybe I am not dealing with it the way

48
00:03:01,639 --> 00:03:03,560
Speaker 1: I should be, but this is how I'm dealing with it.

49
00:03:04,320 --> 00:03:06,720
Speaker 1: And it's just these are very powerful moments. It's it's

50
00:03:06,840 --> 00:03:10,359
Speaker 1: it's the it's the soul of familial love. It's like,

51
00:03:10,680 --> 00:03:14,800
Speaker 1: even though you have these types of characters, these very uh,

52
00:03:15,360 --> 00:03:21,400
Speaker 1: very wealthy people who are very disappointed, um, he still

53
00:03:21,480 --> 00:03:23,680
Speaker 1: finds his love for her and they find their love

54
00:03:23,720 --> 00:03:25,600
Speaker 1: for each other. So it's for me, these are very

55
00:03:25,680 --> 00:03:28,560
Speaker 1: touching moments. I really really think those are the most

56
00:03:28,560 --> 00:03:31,280
Speaker 1: powerful moments for me. Anyway. I don't know how you

57
00:03:31,280 --> 00:03:34,480
Speaker 1: guys feel, but those are very no I I agree.

58
00:03:34,680 --> 00:03:37,520
Speaker 1: So here's my next question for you. Do you think

59
00:03:38,000 --> 00:03:43,600
Speaker 1: lor Lie called Max because of Luke and rachel Or

60
00:03:43,640 --> 00:03:46,119
Speaker 1: because she was just so like, I cannot be set

61
00:03:46,200 --> 00:03:49,120
Speaker 1: up again by my mother. I gotta get get this

62
00:03:49,240 --> 00:03:51,200
Speaker 1: handled on my own. Well, I think you know that

63
00:03:51,280 --> 00:03:56,560
Speaker 1: whole episode was set up to show people kissing, especially

64
00:03:56,560 --> 00:03:59,160
Speaker 1: at the beginning. You know, it's like the episode should

65
00:03:59,160 --> 00:04:02,320
Speaker 1: have been called Everybody's getting some except for moral. I

66
00:04:02,320 --> 00:04:04,960
Speaker 1: I mean, even Suki and Jackson are macking in the kitchen.

67
00:04:05,080 --> 00:04:07,520
Speaker 1: I mean, you know, and Michelle is on the phone

68
00:04:07,560 --> 00:04:10,840
Speaker 1: with his which is another funny line, right, was that

69
00:04:10,920 --> 00:04:16,559
Speaker 1: your mom? Remember I'm gonna redo my funny line because

70
00:04:16,600 --> 00:04:20,240
Speaker 1: Michelle is going on like guns wait to see you, Sherry, All, yes,

71
00:04:20,400 --> 00:04:22,320
Speaker 1: don't tease me that you know this kind anything. My

72
00:04:22,480 --> 00:04:26,279
Speaker 1: friend Jackson isn't very good, but um when he gets off,

73
00:04:26,320 --> 00:04:32,719
Speaker 1: she says, your mother, But I mean even Michelle, even

74
00:04:32,800 --> 00:04:37,960
Speaker 1: Michelle is getting some. You know, everybody's in love. And yeah,

75
00:04:38,000 --> 00:04:41,000
Speaker 1: that's true. That could be also, it just through Laurela

76
00:04:41,200 --> 00:04:44,000
Speaker 1: back to she's the odd man out man. Now she's

77
00:04:44,000 --> 00:04:48,240
Speaker 1: you know, she's gonna go back to to Max. Yeah.

78
00:04:48,400 --> 00:04:52,480
Speaker 1: So yeah, I think I think the the what's her

79
00:04:52,560 --> 00:04:55,760
Speaker 1: name that came back into my life? What's her name? Rachel? Rachel?

80
00:04:55,800 --> 00:04:58,480
Speaker 1: I think Rachel. Can you remember those scenes like did

81
00:04:58,520 --> 00:05:03,120
Speaker 1: you have good chemistry with Lisa Anne Hadley? She was

82
00:05:03,320 --> 00:05:05,839
Speaker 1: very nice, She was really sweet. Yeah, she was a

83
00:05:05,839 --> 00:05:08,840
Speaker 1: breath of fresh air when she came on set because

84
00:05:08,920 --> 00:05:12,200
Speaker 1: she was just so lovely. Everybody loved her. Well, she

85
00:05:12,320 --> 00:05:16,080
Speaker 1: does look like Suki described her, But you know what,

86
00:05:16,240 --> 00:05:19,400
Speaker 1: she was perfectly cast because she's the type of face

87
00:05:19,600 --> 00:05:24,960
Speaker 1: and voice and personality and person that you could say, yeah,

88
00:05:25,000 --> 00:05:29,040
Speaker 1: you know that not a perfect fit, and she's probably

89
00:05:29,080 --> 00:05:32,479
Speaker 1: too good for him somehow, or she's too you know,

90
00:05:32,520 --> 00:05:35,920
Speaker 1: she's not a small town girl. She's too sophisticated. She's

91
00:05:35,920 --> 00:05:39,320
Speaker 1: got that's what I got. Yeah, it was kind of

92
00:05:39,360 --> 00:05:42,960
Speaker 1: perfect casting there, right, because you don't see those two together.

93
00:05:44,240 --> 00:05:49,000
Speaker 1: You see him pining for her and not being able

94
00:05:49,000 --> 00:05:51,720
Speaker 1: to make it work. When he's sitting in the crappy

95
00:05:51,760 --> 00:05:54,159
Speaker 1: car that he's building at the Gelape and he says,

96
00:05:54,200 --> 00:06:00,080
Speaker 1: I love you and she's like, well, I'm gonna go

97
00:06:00,160 --> 00:06:02,440
Speaker 1: to the Middle East. Now I get why Luke and

98
00:06:02,560 --> 00:06:06,240
Speaker 1: Rachel like each other, but I think Luke knows she's

99
00:06:06,360 --> 00:06:10,080
Speaker 1: she's gonna leave. Yeah, she loves him, he loves her,

100
00:06:10,160 --> 00:06:14,359
Speaker 1: but she's gonna leave. How does he feel now? He's shocked.

101
00:06:15,720 --> 00:06:18,919
Speaker 1: He's shocked. It's it's overwhelming for him. He doesn't know

102
00:06:18,920 --> 00:06:21,960
Speaker 1: what to do. It it's like, you know, he's into Laurel.

103
00:06:22,000 --> 00:06:26,960
Speaker 1: I now, boy, it's like, you know, it's it's raining

104
00:06:27,000 --> 00:06:31,760
Speaker 1: women for Luke's getting wet and she knows it. Rachel

105
00:06:31,839 --> 00:06:36,280
Speaker 1: knows there's something going on and asked and says, what's

106
00:06:36,279 --> 00:06:38,479
Speaker 1: going on? I mean it turned into an episode of

107
00:06:38,480 --> 00:06:51,560
Speaker 1: The Bachelor This Rose except this Rose. Yeah. Oh, and Danielle.

108
00:06:51,839 --> 00:06:54,440
Speaker 1: This is the episode where the boom mit gets into

109
00:06:54,480 --> 00:06:58,920
Speaker 1: the shot. Tell everybody where so we don't have clown pillow,

110
00:06:59,080 --> 00:07:01,800
Speaker 1: but we do got to Mike and the boom mic.

111
00:07:01,960 --> 00:07:04,279
Speaker 1: You can see, um it starts the beginning of the

112
00:07:04,320 --> 00:07:09,000
Speaker 1: episode when Loralai is calling Emily telling her that Rory

113
00:07:09,040 --> 00:07:11,960
Speaker 1: won't be at Friday night dinner. Um. So at seven

114
00:07:11,960 --> 00:07:15,680
Speaker 1: oh seven, if you just zoom into that time code

115
00:07:15,720 --> 00:07:18,040
Speaker 1: on the episode, you'll see the boom mic in at

116
00:07:18,040 --> 00:07:21,960
Speaker 1: the top of the screen. You know, those poor guys,

117
00:07:22,040 --> 00:07:24,040
Speaker 1: you know how hard they work. You know hard that

118
00:07:24,120 --> 00:07:27,080
Speaker 1: job is because the only position they have to stand

119
00:07:27,160 --> 00:07:29,800
Speaker 1: on a ladder, on a short ladder, three or four

120
00:07:29,840 --> 00:07:32,040
Speaker 1: step ladder. They have to stand on top of that.

121
00:07:32,080 --> 00:07:36,240
Speaker 1: Because I remember one of the guy, Dennis was I

122
00:07:36,240 --> 00:07:39,080
Speaker 1: don't know, he was like sixty and he had a

123
00:07:39,120 --> 00:07:41,520
Speaker 1: bad knee, and you know he had a bad elbow,

124
00:07:41,560 --> 00:07:43,120
Speaker 1: and he was just doing it his whole life. And

125
00:07:43,120 --> 00:07:45,560
Speaker 1: he had to stand on top of this little mini

126
00:07:45,640 --> 00:07:48,720
Speaker 1: ladder and hold the boom mic which is heavy. It's

127
00:07:48,720 --> 00:07:50,880
Speaker 1: a long pole with the mic on the end of it,

128
00:07:51,120 --> 00:07:54,520
Speaker 1: with your phones on, and hold it above his head

129
00:07:55,400 --> 00:07:58,320
Speaker 1: for all the rehearsals and all those seen, all those

130
00:07:58,360 --> 00:08:00,680
Speaker 1: takes we had to do, and know every once in

131
00:08:00,680 --> 00:08:04,120
Speaker 1: a while it would come into view. You know, those

132
00:08:04,240 --> 00:08:08,440
Speaker 1: those guys worked hard, man, they really did so to

133
00:08:08,520 --> 00:08:12,320
Speaker 1: be expected. Does everyone here celebrate their three month anniversaries?

134
00:08:13,120 --> 00:08:20,440
Speaker 1: What's a teenager for what we make? Garrian Dean? Um No,

135
00:08:20,640 --> 00:08:26,560
Speaker 1: I never did that. To see somebody doing it, right,

136
00:08:26,680 --> 00:08:32,679
Speaker 1: isn't it? That's very sweet? And it was Dean's idea, right. Yeah,

137
00:08:32,720 --> 00:08:35,000
Speaker 1: he just turned to mush the whole thing. He just

138
00:08:35,040 --> 00:08:38,040
Speaker 1: turned to Mushy. Look. Credit to him. He realized what

139
00:08:38,120 --> 00:08:40,720
Speaker 1: he what he was dating, who he was dating, and

140
00:08:40,760 --> 00:08:44,160
Speaker 1: how special she is. So you know it worked him.

141
00:08:44,440 --> 00:08:47,880
Speaker 1: He got lucky and he blew that fancy restaurant. Oh yeah,

142
00:08:47,920 --> 00:08:49,600
Speaker 1: and then he takes her to a junkyard and sits

143
00:08:49,600 --> 00:08:53,200
Speaker 1: in a junkie corvariance as I want don bad move

144
00:08:53,400 --> 00:08:55,680
Speaker 1: if I was. If I was, his older brother said,

145
00:08:55,840 --> 00:09:00,800
Speaker 1: don't do that. I love you the only thing you

146
00:09:00,840 --> 00:09:03,880
Speaker 1: have going for you if you don't say it, But

147
00:09:04,000 --> 00:09:14,760
Speaker 1: why not you live and learn? Yeah, because it's like

148
00:09:16,440 --> 00:09:19,000
Speaker 1: you don't. It's like giving it's it's it's like giving

149
00:09:19,040 --> 00:09:21,840
Speaker 1: the audience what they want right away. They think they

150
00:09:21,880 --> 00:09:23,960
Speaker 1: want it, and they don't. And if they get it,

151
00:09:23,960 --> 00:09:27,520
Speaker 1: it's like why the Luke and Laurel Lize story, uh,

152
00:09:27,600 --> 00:09:30,120
Speaker 1: indoors because it took four years for them to get together.

153
00:09:30,160 --> 00:09:32,040
Speaker 1: You don't do it for a couple of episodes and

154
00:09:32,040 --> 00:09:36,760
Speaker 1: say I love you. So you know, that's just human psychology.

155
00:09:36,880 --> 00:09:40,160
Speaker 1: That's basic human psychology. Man. Once somebody has given all

156
00:09:40,200 --> 00:09:45,120
Speaker 1: that power and they're seventeen or sixteen, oh that's the

157
00:09:45,200 --> 00:09:49,840
Speaker 1: kiss of death right there. He put Rory in an

158
00:09:49,840 --> 00:09:53,320
Speaker 1: impossible situation, you know, and I thought she handled it

159
00:09:53,440 --> 00:09:59,120
Speaker 1: very well. Acting wise. It was work wonderfully commedic. I mean,

160
00:09:59,160 --> 00:10:01,040
Speaker 1: what's what's a young girl supposed to do in the

161
00:10:01,040 --> 00:10:05,920
Speaker 1: face of that? You know? But speaking of comedic? Sorry

162
00:10:05,920 --> 00:10:09,360
Speaker 1: did change the subject, but I can't. When when Lane

163
00:10:10,200 --> 00:10:17,959
Speaker 1: goes by, it just came back to me, like people

164
00:10:18,559 --> 00:10:23,160
Speaker 1: all the relatives of the like gyropractor or whatever. He's

165
00:10:23,160 --> 00:10:25,800
Speaker 1: going to be a chiropractor. And she's like, my mom's

166
00:10:25,840 --> 00:10:32,280
Speaker 1: giving up on me because she's lowering up from She'll

167
00:10:32,320 --> 00:10:37,080
Speaker 1: take a cairopractor. At this point, Oh name, I took

168
00:10:37,160 --> 00:10:40,040
Speaker 1: us off track, no important time. You took us to

169
00:10:40,080 --> 00:10:42,920
Speaker 1: a wonderful place. You did. It's a wonderful place to visit,

170
00:10:43,920 --> 00:10:47,199
Speaker 1: um um. But anyway, Yeah, so I thought I thought

171
00:10:47,360 --> 00:10:51,040
Speaker 1: Rory handled I thought Alexis handled it beautifully. Ye, it

172
00:10:51,320 --> 00:10:55,480
Speaker 1: handled it. It handled it beautifully. Easy for me to say,

173
00:10:55,720 --> 00:10:57,760
Speaker 1: uh yeah, but I mean, yeah, you can't give the

174
00:10:57,760 --> 00:11:02,280
Speaker 1: girl the power right there. You can't cough it on its.

175
00:11:03,080 --> 00:11:05,840
Speaker 1: Everybody knows that. And I've done it. I did it

176
00:11:05,880 --> 00:11:08,160
Speaker 1: when I was a kid. It was always the wrong

177
00:11:08,240 --> 00:11:12,600
Speaker 1: thing to do. Is there always a bad idea? I

178
00:11:12,720 --> 00:11:14,800
Speaker 1: you know, I was right. In my junior high school

179
00:11:14,840 --> 00:11:16,560
Speaker 1: there was a girl who I was in love with.

180
00:11:16,720 --> 00:11:20,320
Speaker 1: And I didn't lose her because I said I loved her.

181
00:11:20,440 --> 00:11:23,920
Speaker 1: I lost her because we were both running against each

182
00:11:23,960 --> 00:11:26,960
Speaker 1: other for class president of seventh grade. And I gave

183
00:11:27,000 --> 00:11:31,240
Speaker 1: a fiery speech. I gave a very fiery, passionate speech.

184
00:11:31,280 --> 00:11:33,240
Speaker 1: And then she dumped me after that because she saw

185
00:11:33,280 --> 00:11:35,959
Speaker 1: how much she because she saw how much I wanted

186
00:11:36,000 --> 00:11:43,320
Speaker 1: to win the race of the election. Tough and seventh

187
00:11:43,400 --> 00:11:49,240
Speaker 1: grade man easy being seventh grader. Um, you had bad moves,

188
00:11:49,400 --> 00:11:54,640
Speaker 1: bad strategic move from tough Chicago kid who's got it

189
00:11:54,760 --> 00:11:56,720
Speaker 1: all the mystery. He had all the mystery, he had

190
00:11:56,760 --> 00:11:59,200
Speaker 1: all the psychological advantage, he had all the power, and

191
00:11:59,240 --> 00:12:02,560
Speaker 1: he just umped it. Interlap And on a final note

192
00:12:02,600 --> 00:12:06,600
Speaker 1: before we go, how about how Laura Lene knew Rory

193
00:12:06,720 --> 00:12:10,840
Speaker 1: comes in, doesn't say anything, just the face, Laura line knows,

194
00:12:11,120 --> 00:12:16,560
Speaker 1: hangs up the phone. Yeah, a mother knows, the father knows. It.

195
00:12:16,679 --> 00:12:20,760
Speaker 1: Just takes a look. It's a mood, sure, tough, tough stuff,

196
00:12:21,040 --> 00:12:24,440
Speaker 1: tough stuff with the Dean. Started out so cool, so

197
00:12:24,559 --> 00:12:29,120
Speaker 1: self assured, so a little cocky, a lot cocky, and

198
00:12:29,160 --> 00:12:35,920
Speaker 1: then man, he just he just puked it away. Can't

199
00:12:35,960 --> 00:12:39,200
Speaker 1: we speculate what voicemail lorel I would have left if

200
00:12:39,280 --> 00:12:42,800
Speaker 1: Rory didn't walk in. Oh, maybe it was gonna be

201
00:12:42,840 --> 00:12:47,880
Speaker 1: another Max Hi, I miss you, I love you, I

202
00:12:47,920 --> 00:12:52,280
Speaker 1: love you. Who knows? I don't know what do you

203
00:12:52,280 --> 00:12:55,600
Speaker 1: think she was gonna say? Probably something very clever and

204
00:12:56,679 --> 00:13:03,320
Speaker 1: fast paced, like uh you uh Flora line, just wondering

205
00:13:03,360 --> 00:13:08,520
Speaker 1: how you're doing, thinking about you know that that one

206
00:13:08,559 --> 00:13:10,920
Speaker 1: slice of pizza we had. I thought, you know, I

207
00:13:10,960 --> 00:13:13,680
Speaker 1: should have had a larger slice than you. But you know, anyway,

208
00:13:13,960 --> 00:13:16,719
Speaker 1: call me, let's discuss it um because it's important. I

209
00:13:16,720 --> 00:13:19,560
Speaker 1: can't get any sleep over it. Um. You know, something

210
00:13:19,600 --> 00:13:21,960
Speaker 1: like that. I don't know, it's pretty solid. I'm not

211
00:13:22,000 --> 00:13:27,400
Speaker 1: a writer, but I'm not a writer of television. But yeah,

212
00:13:27,400 --> 00:13:30,120
Speaker 1: I think it would have been clever, and it wouldn't

213
00:13:30,120 --> 00:13:33,600
Speaker 1: have been obvious, but it would have been and I

214
00:13:33,600 --> 00:13:36,920
Speaker 1: think Max would have enjoyed. She's she's got games. She's

215
00:13:36,960 --> 00:13:40,120
Speaker 1: pretty solid. I feel like she's got a game. Yeah,

216
00:13:40,160 --> 00:13:44,120
Speaker 1: she she's If anybody in that show's got game, it's her.

217
00:13:44,240 --> 00:13:48,200
Speaker 1: She's not gonna let anybody get psychological advantage over her. Yeah,

218
00:13:48,520 --> 00:13:50,480
Speaker 1: and then that's why she's you know, she's got those

219
00:13:50,480 --> 00:13:52,480
Speaker 1: walls up. She's got a lot of walls. You know.

220
00:13:53,440 --> 00:13:56,960
Speaker 1: We shall see, we shall see break up part two.

221
00:13:57,360 --> 00:13:59,760
Speaker 1: So the required reading for this week for a book

222
00:14:00,240 --> 00:14:02,720
Speaker 1: is Son at forty three by Elizabeth Barrett Browning, and

223
00:14:02,760 --> 00:14:05,240
Speaker 1: Tristan quotes this when he's walking away from the girls

224
00:14:05,240 --> 00:14:09,319
Speaker 1: at Children hallway. So let's get on that. M all right, everybody.

225
00:14:09,360 --> 00:14:12,160
Speaker 1: That's it. Uh boy, this is a fun episode. Nice

226
00:14:12,240 --> 00:14:15,760
Speaker 1: unpacking it. We could go on all day, but these

227
00:14:15,840 --> 00:14:20,280
Speaker 1: ladies good job to do. They have to make these episodes,

228
00:14:20,400 --> 00:14:24,760
Speaker 1: so they gotta get on it anyway. Uh, thank you Danielle,

229
00:14:24,840 --> 00:14:28,800
Speaker 1: Thank you Riley, Thank you Amy for stopping by yet again. Um.

230
00:14:28,840 --> 00:14:33,000
Speaker 1: What a ball club, what a team? Um and uh

231
00:14:33,200 --> 00:14:35,840
Speaker 1: and that's it. Thanks for downloading, Thanks for listening. We'll

232
00:14:35,880 --> 00:14:38,800
Speaker 1: see you next time with the Breakup, Part two, Episode seventeen.

233
00:14:38,840 --> 00:14:42,080
Speaker 1: I am Scott Patterson and this is the I Am

234
00:14:42,120 --> 00:14:44,680
Speaker 1: All In Podcast with I Heart Radio and one eleven Productions.

235
00:14:44,680 --> 00:15:16,400
Speaker 1: See you next time. M Hey everybody, and don't forget

236
00:15:16,480 --> 00:15:20,560
Speaker 1: follow us on Instagram at I Am all In Podcast

237
00:15:20,640 --> 00:15:25,560
Speaker 1: and email us at Gilmore at I heart radio dot com.

238
00:15:25,560 --> 00:15:27,120
Speaker 1: Oh you gil More fans. If you're looking for the

239
00:15:27,160 --> 00:15:29,160
Speaker 1: best cup of coffee in the world, go to my

240
00:15:29,680 --> 00:15:32,800
Speaker 1: website for my company scott EP dot com, s C

241
00:15:32,960 --> 00:15:35,440
Speaker 1: O T T y P dot com, scott EP dot

242
00:15:35,440 --> 00:15:45,680
Speaker 1: com Grade one Specialty Coffee