1 00:00:00,280 --> 00:00:02,840 Speaker 1: Brought to you by the reinvented two thousand twelve camera. 2 00:00:03,160 --> 00:00:09,880 Speaker 1: It's ready. Are you welcome to Stuff Mom Never told you? 3 00:00:10,080 --> 00:00:18,040 Speaker 1: From housetop works dot com. Hello, and welcome to the podcast. 4 00:00:18,040 --> 00:00:21,320 Speaker 1: I'm Caroline and I'm Kristen, and today is part two 5 00:00:21,600 --> 00:00:26,800 Speaker 1: of our Summer Reading series. Last time, we talked about 6 00:00:26,920 --> 00:00:30,800 Speaker 1: banned books, challenged books, books that people want out of libraries, 7 00:00:30,840 --> 00:00:36,000 Speaker 1: and why books that poisoned children's minds. Today, we're talking 8 00:00:36,040 --> 00:00:40,720 Speaker 1: about a more specific angle. We're talking about erotica. So 9 00:00:40,920 --> 00:00:43,520 Speaker 1: your moths for some of you out there. Yeah, well, 10 00:00:43,560 --> 00:00:46,720 Speaker 1: we're gonna keep this conversation PG, but we are going 11 00:00:46,760 --> 00:00:50,040 Speaker 1: to talk about erotic fiction because it is all the 12 00:00:50,159 --> 00:00:54,240 Speaker 1: rage this summer um. I promised in the first episode 13 00:00:54,240 --> 00:00:57,680 Speaker 1: that I was gonna keep fifty Shades of Gray mentions 14 00:00:58,120 --> 00:01:01,360 Speaker 1: to a minimum, and he or I go again, It's 15 00:01:01,400 --> 00:01:05,119 Speaker 1: like I can't stop talking about E. L. James and 16 00:01:05,600 --> 00:01:08,400 Speaker 1: fifty Shades of Gray. Yeah, I I've learned a lot 17 00:01:08,560 --> 00:01:12,199 Speaker 1: about fifty Shades of Gray in the last hours. Yeah, 18 00:01:12,280 --> 00:01:16,480 Speaker 1: me too. But you know what we should talk about 19 00:01:16,520 --> 00:01:22,360 Speaker 1: Before we briefly mentioned where fifty Shades came from and 20 00:01:22,400 --> 00:01:24,720 Speaker 1: like what it is and all that stuff. Let's talk 21 00:01:24,720 --> 00:01:30,080 Speaker 1: about the classics of erotica, because erotic fiction started long 22 00:01:30,160 --> 00:01:34,600 Speaker 1: before we had kindles to hide what we're reading. Yes, 23 00:01:34,640 --> 00:01:40,480 Speaker 1: erotic fiction came about long, long, long before kindles came 24 00:01:40,520 --> 00:01:47,119 Speaker 1: along to hide our naughty reading. And let's go way 25 00:01:47,120 --> 00:01:52,520 Speaker 1: way back to like d with it's the Tiricon, or 26 00:01:52,560 --> 00:01:56,160 Speaker 1: you've got the Comma Sutra, or that the Cameron. Yeah, 27 00:01:56,200 --> 00:01:59,600 Speaker 1: these are all tales of love and sexy times from 28 00:01:59,640 --> 00:02:02,520 Speaker 1: a long, long time ago. Yeah, and also kind of 29 00:02:02,560 --> 00:02:07,360 Speaker 1: instructions on, like with the Kamasutra, on how to be 30 00:02:07,480 --> 00:02:12,560 Speaker 1: a good lover and and pleasure your lover and lover exactly. 31 00:02:13,240 --> 00:02:15,959 Speaker 1: And it actually does give very specific instructions about the 32 00:02:16,000 --> 00:02:19,399 Speaker 1: accent you are to use when you do these things. Um. 33 00:02:19,400 --> 00:02:21,480 Speaker 1: But one book that's a little bit more modern, but 34 00:02:21,560 --> 00:02:25,000 Speaker 1: not not very modern, actually is Fanny Hill Memoirs of 35 00:02:25,040 --> 00:02:28,160 Speaker 1: a Woman of Pleasure that's mentioned on a lot of 36 00:02:28,240 --> 00:02:31,520 Speaker 1: top erotica book lists. It's by John Cleveland. It came 37 00:02:31,560 --> 00:02:34,480 Speaker 1: out in seventeen forty eight, and it's about a naive 38 00:02:34,520 --> 00:02:36,880 Speaker 1: country girl who comes to the big city and becomes 39 00:02:36,880 --> 00:02:41,960 Speaker 1: a prostitute and she loves it. She just loves being 40 00:02:42,000 --> 00:02:45,440 Speaker 1: a prostitute. Well, how how lucky to find your calling. Indeed, 41 00:02:45,639 --> 00:02:49,400 Speaker 1: there's also a Lean and valcour or the philosophical novel 42 00:02:49,520 --> 00:02:52,360 Speaker 1: by the Marquis Assad. Yeah you can get I mean 43 00:02:52,360 --> 00:02:55,440 Speaker 1: talking about fifty shades are great and almost spicy there. 44 00:02:55,520 --> 00:03:00,639 Speaker 1: And then there's the classic nineteen book that we mentioned 45 00:03:00,720 --> 00:03:03,919 Speaker 1: in the last episode because people didn't really get it 46 00:03:03,960 --> 00:03:07,799 Speaker 1: into their hands until the nineteen sixties because of censorship laws, 47 00:03:08,120 --> 00:03:12,480 Speaker 1: and it's D. H. Lawrence's Lady Chatterley's Lover, Lady Chatterley's 48 00:03:12,560 --> 00:03:17,640 Speaker 1: Lover Cha chater Um. Christopher Heart in two thousand two 49 00:03:17,680 --> 00:03:20,080 Speaker 1: for The Guardian came up with some more suggestions. He 50 00:03:20,160 --> 00:03:24,480 Speaker 1: actually recommends the Bible. Yeah, Song of Solomon. I saw that, 51 00:03:24,720 --> 00:03:28,240 Speaker 1: and I have read Song of Solomon. I was quite 52 00:03:28,280 --> 00:03:32,799 Speaker 1: the little Biblical scholar in my youth, and yeah, there 53 00:03:32,840 --> 00:03:36,240 Speaker 1: I do remember a couple of times, you know, as 54 00:03:36,240 --> 00:03:40,160 Speaker 1: a child, being like, I'm gonna flip the Song of Solomon, 55 00:03:41,000 --> 00:03:43,600 Speaker 1: look at out Psalms. I'm going past you. I'm getting 56 00:03:43,640 --> 00:03:48,520 Speaker 1: to the good stuff, and being like, what does this mean? Interesting, Well, 57 00:03:48,560 --> 00:03:51,680 Speaker 1: there's a there's another love handbook, Handbook of Seduction by 58 00:03:51,720 --> 00:03:55,560 Speaker 1: Avid It's the rs Amatoria Uh, it actually lead to 59 00:03:55,600 --> 00:03:59,280 Speaker 1: Avid's exile from Rome, so not everybody. I would think 60 00:03:59,280 --> 00:04:03,920 Speaker 1: that Rome was on Lucy Goosey, but apparently not. Uh. 61 00:04:04,120 --> 00:04:07,200 Speaker 1: Avid was too hot, too hot for Rome, and you 62 00:04:07,200 --> 00:04:09,240 Speaker 1: know it also would have been too hot for Rome. 63 00:04:09,600 --> 00:04:13,720 Speaker 1: Is story of Oh, and Story of Oh comes up 64 00:04:13,920 --> 00:04:16,520 Speaker 1: a lot in these conversations about Fifty Shades of Gray, 65 00:04:16,600 --> 00:04:24,120 Speaker 1: because um, it is be d s M themed erotic novel, 66 00:04:24,480 --> 00:04:29,240 Speaker 1: and my goodness it is. Uh. While Fifty Shades of 67 00:04:29,240 --> 00:04:31,960 Speaker 1: Gray is often referred to as erotica light, there is 68 00:04:32,040 --> 00:04:37,080 Speaker 1: nothing light at all about story about right exactly, and 69 00:04:37,120 --> 00:04:39,680 Speaker 1: that's all I'll say about. Well, there's also nothing light 70 00:04:39,720 --> 00:04:44,640 Speaker 1: about Flowers in the Attic by Virginia Andrews, which features 71 00:04:44,720 --> 00:04:48,359 Speaker 1: It's a series. It is a series, and it features 72 00:04:48,640 --> 00:04:52,080 Speaker 1: consensual in stuff. Yeah. I hadn't heard of Flowers in 73 00:04:52,120 --> 00:04:56,159 Speaker 1: the Attic before, but apparently, Yeah, these kids get locked 74 00:04:56,200 --> 00:05:02,760 Speaker 1: into an attic by their crazy mom and you know, uh, okay, 75 00:05:03,120 --> 00:05:08,320 Speaker 1: you know there are many different different themes of I 76 00:05:08,360 --> 00:05:11,240 Speaker 1: don't know what to say. No, that's miss she's twitter painted. 77 00:05:11,640 --> 00:05:16,640 Speaker 1: Well no, not like that. No, I mean you're all like, wow, yes, 78 00:05:17,440 --> 00:05:22,880 Speaker 1: it's uncomfortable. I'm not swooning. Okay, absolutely not listening. I'm 79 00:05:22,920 --> 00:05:26,720 Speaker 1: a witness, um. And we we have to mention Sappho, 80 00:05:27,480 --> 00:05:31,159 Speaker 1: the poetry of and apparently there's some book called Lace 81 00:05:31,200 --> 00:05:33,680 Speaker 1: by Shirley Conran that is that is very titilating, and 82 00:05:33,680 --> 00:05:36,719 Speaker 1: that was recommended by Lucy Mangan also at The Guardian. Yeah, 83 00:05:36,680 --> 00:05:38,960 Speaker 1: and so the point of calling out all these titles 84 00:05:39,000 --> 00:05:42,480 Speaker 1: is to say that the history of erotic fiction goes 85 00:05:42,600 --> 00:05:46,080 Speaker 1: way way way back, but all of a sudden, it's 86 00:05:46,200 --> 00:05:52,120 Speaker 1: now okay for women in particular to be reading erotic 87 00:05:52,160 --> 00:05:55,000 Speaker 1: fiction because often, as we talked about in the Romance 88 00:05:55,080 --> 00:06:00,000 Speaker 1: Novel podcast, women are the number one consumers of erotic fiction. Um. 89 00:06:00,080 --> 00:06:04,159 Speaker 1: And it's more marketed toward women, which is something that 90 00:06:04,240 --> 00:06:07,040 Speaker 1: Yale James has well learned because she is the author 91 00:06:07,400 --> 00:06:11,120 Speaker 1: and former British TV exec who wrote Fifty Shades of Gray, 92 00:06:11,200 --> 00:06:16,720 Speaker 1: which started out as online fan fiction Twilight fan fick 93 00:06:17,240 --> 00:06:20,479 Speaker 1: that she was writing and essentially she just made the 94 00:06:20,520 --> 00:06:24,240 Speaker 1: guy not a vampire and changed the names and now 95 00:06:24,360 --> 00:06:28,120 Speaker 1: she has like the number one selling book in the 96 00:06:28,200 --> 00:06:31,039 Speaker 1: United States and in the UK, and it took off 97 00:06:31,080 --> 00:06:34,280 Speaker 1: because of it was printed by a small independent press 98 00:06:34,320 --> 00:06:37,680 Speaker 1: in Australia, but it really took off because of digital 99 00:06:37,720 --> 00:06:42,080 Speaker 1: sales and e readers because, um, you know, you don't 100 00:06:42,080 --> 00:06:46,960 Speaker 1: have to carry around around embarrassing book. Yeah, I've heard 101 00:06:47,000 --> 00:06:49,560 Speaker 1: it's terribly written, though. Well it's kind of like the 102 00:06:49,600 --> 00:06:52,520 Speaker 1: who the whole argument about things like Twilight, where people 103 00:06:52,520 --> 00:06:54,680 Speaker 1: weren't huge fans of that, and some people have called 104 00:06:54,720 --> 00:07:00,640 Speaker 1: that um erotica as well. Um, but it's funny though 105 00:07:00,720 --> 00:07:05,080 Speaker 1: that you're talking about not having to carry the book around. 106 00:07:05,160 --> 00:07:07,720 Speaker 1: I was actually talking about Fifty Shades of Gray and 107 00:07:07,720 --> 00:07:12,160 Speaker 1: anticipation of this episode recently with a couple of girlfriends 108 00:07:12,160 --> 00:07:15,520 Speaker 1: at the pool, and um, we were going on and 109 00:07:15,560 --> 00:07:18,040 Speaker 1: on and on about it, and then I looked across 110 00:07:18,160 --> 00:07:21,320 Speaker 1: and noticed that there was a girl reading a hard 111 00:07:21,360 --> 00:07:24,680 Speaker 1: copy of it, and she yeah, she was hanging out 112 00:07:24,680 --> 00:07:26,720 Speaker 1: of the pool reading her Fifty Shades of Gray. Looked 113 00:07:26,720 --> 00:07:28,720 Speaker 1: a little uncomfortable when she noticed who were talking about 114 00:07:28,720 --> 00:07:31,840 Speaker 1: it and put it away. Really yeah, yeah, well, I 115 00:07:31,880 --> 00:07:34,600 Speaker 1: mean it's if it's poor writing, maybe you should be embarrassed. 116 00:07:34,720 --> 00:07:37,400 Speaker 1: Still taboo. Yeah, there was an article about it in 117 00:07:37,400 --> 00:07:41,280 Speaker 1: the New York Times that quoted a woman who requested 118 00:07:41,320 --> 00:07:44,920 Speaker 1: anonymity because she was scared that her employers would find 119 00:07:44,960 --> 00:07:48,560 Speaker 1: out that she was reading erotica. Well, I mean, and 120 00:07:48,840 --> 00:07:51,080 Speaker 1: we'll get into this a little bit more later, but 121 00:07:51,160 --> 00:07:53,560 Speaker 1: it is interesting that all of a sudden, erotica or 122 00:07:53,600 --> 00:07:55,880 Speaker 1: erotica light as the case maybe, has taken off with 123 00:07:55,920 --> 00:07:59,040 Speaker 1: women as opposed to pornography, because there is that taboo 124 00:07:59,480 --> 00:08:03,000 Speaker 1: that pornography is dirty and it's for men, and erotica 125 00:08:03,200 --> 00:08:07,080 Speaker 1: is more cerebral and it's for women. I feel like 126 00:08:07,080 --> 00:08:09,640 Speaker 1: there's cultural reasons behind why that is, and there's also 127 00:08:10,480 --> 00:08:13,480 Speaker 1: mental biological reasons for why that is why women are 128 00:08:13,520 --> 00:08:16,160 Speaker 1: more drawn to things like erotica. And I also think 129 00:08:16,280 --> 00:08:20,520 Speaker 1: it's worth considering the fact that the only reason why 130 00:08:20,560 --> 00:08:24,360 Speaker 1: we're having this conversation is because you know, e readers 131 00:08:24,400 --> 00:08:28,440 Speaker 1: and that discreet way of reading and consuming erotica has 132 00:08:28,640 --> 00:08:31,640 Speaker 1: made it a lot more popular. But yet it's still 133 00:08:31,720 --> 00:08:36,360 Speaker 1: something that women might be a little embarrassed about. There's 134 00:08:36,400 --> 00:08:38,960 Speaker 1: still that taboo. Yeah, absolutely, well, I mean, I wouldn't 135 00:08:39,000 --> 00:08:40,839 Speaker 1: want to be on the train reading a romance novel? 136 00:08:41,200 --> 00:08:44,160 Speaker 1: Well also just seems like, yeah, I mean, wouldn't you 137 00:08:44,160 --> 00:08:46,560 Speaker 1: want to be alone to like? Reading it in a 138 00:08:46,559 --> 00:08:49,800 Speaker 1: public place also seems awkward? But not only that, but 139 00:08:49,960 --> 00:08:51,640 Speaker 1: I mean, there have been all these articles coming out 140 00:08:51,640 --> 00:08:53,319 Speaker 1: about this book and how popular it is and the 141 00:08:53,360 --> 00:08:56,080 Speaker 1: fact that you know, it's dominated by women readers, And 142 00:08:56,120 --> 00:08:58,200 Speaker 1: there have been articles and headlines I've seen that have 143 00:08:58,280 --> 00:09:01,040 Speaker 1: been like, you know, pop ularity of Fifty Shades of 144 00:09:01,080 --> 00:09:03,440 Speaker 1: Gray proves that women are knit with stuff like that. 145 00:09:03,559 --> 00:09:06,760 Speaker 1: So not only are you embarrassed to be reading erotica 146 00:09:06,880 --> 00:09:10,559 Speaker 1: something that's real, real, sexy, but now you're also embarrassed 147 00:09:10,600 --> 00:09:15,679 Speaker 1: because men think you're stupid for reading it, whereas the 148 00:09:15,760 --> 00:09:20,920 Speaker 1: same kind of critique might not be leveled at pornography. 149 00:09:21,040 --> 00:09:22,680 Speaker 1: And that was that was a question that I had 150 00:09:23,000 --> 00:09:26,320 Speaker 1: with this episode, was what is the difference between erotica 151 00:09:26,400 --> 00:09:31,320 Speaker 1: and pornography, aside from how it's often portrayed an agendered 152 00:09:31,400 --> 00:09:34,640 Speaker 1: kind of way, where erotica is for women and poorness 153 00:09:34,720 --> 00:09:36,400 Speaker 1: for guys. I like, can let you did the up 154 00:09:36,440 --> 00:09:42,640 Speaker 1: speak there? Yeah? Well? Um. Clinical psychologist Leond Seltzer points 155 00:09:42,640 --> 00:09:46,760 Speaker 1: out that a lot of the difference is attitudes, attitudes 156 00:09:46,760 --> 00:09:51,120 Speaker 1: about sex and sexuality, and he sort of puts eroticism 157 00:09:51,160 --> 00:09:53,920 Speaker 1: in line with the fine arts that it's about capturing 158 00:09:53,960 --> 00:09:57,600 Speaker 1: beauty and the human anatomy and expressing appreciation for the 159 00:09:57,679 --> 00:10:01,600 Speaker 1: human figure. It's not necessarily to arouse the viewer or 160 00:10:01,640 --> 00:10:03,880 Speaker 1: turn the viewer on, although the viewer might get turned 161 00:10:03,920 --> 00:10:06,200 Speaker 1: on by looking at this is you know, more art obviously, 162 00:10:06,600 --> 00:10:10,440 Speaker 1: but whereas pornography is more in your face. It's the 163 00:10:10,440 --> 00:10:13,120 Speaker 1: money making venture. It's there just to turn you on, quickly, 164 00:10:13,559 --> 00:10:16,760 Speaker 1: get the job done. It's it appeals less to your 165 00:10:16,800 --> 00:10:21,720 Speaker 1: aesthetic tastes, right, and it's often more um scene, it's 166 00:10:21,760 --> 00:10:27,160 Speaker 1: more exploitative. You're exploiting human sexuality UM and cheapening physical 167 00:10:27,200 --> 00:10:32,640 Speaker 1: intimacy for generally for self pleasure. UM. And Violet Blue, 168 00:10:32,880 --> 00:10:36,080 Speaker 1: who is a San Francisco Chronicle sex columnists and author 169 00:10:36,120 --> 00:10:39,960 Speaker 1: of The Smart Girl's Guide to Porn, told Oprah, Yeah, 170 00:10:40,040 --> 00:10:44,120 Speaker 1: even Oprah, I've been talking about porn and erotica. It's everywhere. Um. 171 00:10:44,240 --> 00:10:46,920 Speaker 1: She differentiates it by saying that porn is something that 172 00:10:47,040 --> 00:10:50,400 Speaker 1: is a graphic sexual image that conjures up an animalistic 173 00:10:50,440 --> 00:10:53,520 Speaker 1: reaction in you. You like it or you don't. Erotica 174 00:10:53,679 --> 00:10:56,920 Speaker 1: is also graphic sexual imagery, but it has several extra 175 00:10:56,960 --> 00:11:00,080 Speaker 1: components that resonate with the viewer, being artistic passion in 176 00:11:00,120 --> 00:11:04,360 Speaker 1: it something that emotionally engages you. So that's why there's 177 00:11:04,400 --> 00:11:07,880 Speaker 1: generally the story behind it and you know, a relationship 178 00:11:08,120 --> 00:11:15,400 Speaker 1: and um, you know, elements beyond just uh physical contact. Yeah, well, 179 00:11:15,440 --> 00:11:18,920 Speaker 1: I mean it's it's less tawdry, less less like whispering 180 00:11:18,960 --> 00:11:22,040 Speaker 1: about it. I mean, it seems almost more justified to 181 00:11:22,160 --> 00:11:25,440 Speaker 1: enjoy because there is an appreciation of physical intimacy, of 182 00:11:25,440 --> 00:11:28,600 Speaker 1: a relationship, of the of the human form. There's not 183 00:11:28,679 --> 00:11:33,160 Speaker 1: just that wham bam dirty connotation to it. And one 184 00:11:33,200 --> 00:11:37,160 Speaker 1: of the misconceptions too, that has come up with all 185 00:11:37,240 --> 00:11:42,800 Speaker 1: of the fifty Shades buzz is that somehow women consuming 186 00:11:43,280 --> 00:11:47,719 Speaker 1: erotica and being interested in subversive themes like b D 187 00:11:47,920 --> 00:11:51,199 Speaker 1: s M. You know, it revolves around the subdom relationship 188 00:11:51,240 --> 00:11:55,640 Speaker 1: between an older, wealthy man and a younger female student 189 00:11:55,679 --> 00:11:59,959 Speaker 1: I believe, a college student. Um, and it's nothing it's 190 00:12:00,040 --> 00:12:03,880 Speaker 1: still nothing new. As Joyce Lamb points out at USA Today, 191 00:12:03,920 --> 00:12:05,880 Speaker 1: and she was she's very upset with how it's been 192 00:12:05,920 --> 00:12:09,080 Speaker 1: portrayed as like all of a sudden, whoa women, women 193 00:12:09,120 --> 00:12:12,720 Speaker 1: want to get sexy. Yeah, well, there's also the whole aspect, 194 00:12:12,760 --> 00:12:16,079 Speaker 1: Like you mentioned, b D s M, it's not new. 195 00:12:16,280 --> 00:12:18,880 Speaker 1: That whole idea is not new. To erotica writers, and 196 00:12:19,040 --> 00:12:22,319 Speaker 1: so a lot of people who maybe are not familiar 197 00:12:22,320 --> 00:12:24,960 Speaker 1: with that have taken issue with Fifty Shades of Grace, 198 00:12:25,000 --> 00:12:27,800 Speaker 1: saying you know it, They take issue with violence in 199 00:12:27,840 --> 00:12:29,880 Speaker 1: the book and the treatment of women, And well, I 200 00:12:29,920 --> 00:12:32,520 Speaker 1: haven't read it, so I can't I can't argue either way. 201 00:12:32,840 --> 00:12:34,800 Speaker 1: What I can say that if it if it is 202 00:12:35,120 --> 00:12:38,240 Speaker 1: a B D. S M book or erotical light. I mean, 203 00:12:38,320 --> 00:12:41,280 Speaker 1: isn't that kind of if you're a submissive person in 204 00:12:41,280 --> 00:12:45,960 Speaker 1: a submissive dominant relationship, isn't that par for the course? Yeah, 205 00:12:46,000 --> 00:12:48,920 Speaker 1: I mean I think it's it's also being able to 206 00:12:49,000 --> 00:12:53,520 Speaker 1: distinguish between fantasy and reality. We call we refer to 207 00:12:54,120 --> 00:12:59,840 Speaker 1: sexual fantasies as fantasies because it's more imaginative. It's not 208 00:13:00,000 --> 00:13:02,959 Speaker 1: a thing of of what you would live your day 209 00:13:03,000 --> 00:13:05,080 Speaker 1: to day life. Right. Just because you like to look 210 00:13:05,080 --> 00:13:07,839 Speaker 1: at something, listen to something, watch something, read something, it 211 00:13:07,880 --> 00:13:09,560 Speaker 1: doesn't mean you want to do it or want to 212 00:13:09,600 --> 00:13:11,800 Speaker 1: do it to someone. Yeah. And then I mean, and 213 00:13:11,840 --> 00:13:14,120 Speaker 1: then you can keep arguing over and over and over 214 00:13:14,160 --> 00:13:17,000 Speaker 1: again about saying, well what about this, For instance, with 215 00:13:17,080 --> 00:13:19,960 Speaker 1: flowers in the Attic, consensual incests, I mean, that is 216 00:13:20,320 --> 00:13:24,120 Speaker 1: I don't. I wow, you know that's out there, and 217 00:13:24,120 --> 00:13:26,040 Speaker 1: then you can say, well, if you know, is that 218 00:13:26,120 --> 00:13:28,120 Speaker 1: okay if it's just in the fantasy realm, so I 219 00:13:28,120 --> 00:13:32,160 Speaker 1: can I can understand why people might have some qualms 220 00:13:32,200 --> 00:13:36,520 Speaker 1: about it, but uh, I still think that, you know, 221 00:13:36,880 --> 00:13:40,240 Speaker 1: on the other side of the coin is repression. I 222 00:13:40,280 --> 00:13:43,319 Speaker 1: don't know. Maybe it's maybe it's okay to explore and 223 00:13:43,480 --> 00:13:48,640 Speaker 1: erotica is a safe outlet to to do that. Yeah. Um. 224 00:13:48,840 --> 00:13:53,320 Speaker 1: Lamb interviewed Raylene Goerlinski, who's a an erotica publisher, and 225 00:13:53,400 --> 00:13:55,360 Speaker 1: she says that, you know, even though erotica is not 226 00:13:55,400 --> 00:13:58,400 Speaker 1: a sorry, fifty Shades of Gray is not true heavy 227 00:13:58,440 --> 00:14:01,439 Speaker 1: serious erotica, maybe this is a way to get women 228 00:14:01,480 --> 00:14:06,360 Speaker 1: to explore that subset of fiction. Well yeah, and there 229 00:14:06,360 --> 00:14:09,680 Speaker 1: have also been um anecdotes. Uh, you know, this is 230 00:14:09,720 --> 00:14:12,360 Speaker 1: referred to often as mommy porn, which is I think 231 00:14:12,400 --> 00:14:15,120 Speaker 1: the worst thing to come out of this whole fifty 232 00:14:15,160 --> 00:14:19,560 Speaker 1: shades thing. It's um but ABC News, calling it the 233 00:14:19,600 --> 00:14:24,800 Speaker 1: mommy porn Revolution, has interviewed women saying that it has 234 00:14:25,080 --> 00:14:29,680 Speaker 1: rejuvenated their romantic lives and that they're going out and 235 00:14:29,720 --> 00:14:32,840 Speaker 1: buying the sex toys described in the book, so the 236 00:14:32,920 --> 00:14:35,360 Speaker 1: husbands are happy to write and just to put a 237 00:14:35,360 --> 00:14:39,280 Speaker 1: little bit of science behind this, you know, we we 238 00:14:39,440 --> 00:14:42,960 Speaker 1: kind of mentioned that that women tend to prefer a 239 00:14:43,040 --> 00:14:48,080 Speaker 1: little more relationship, a little more than just uh, pornographic 240 00:14:48,480 --> 00:14:52,120 Speaker 1: content contact. I always get so tongue tied when we 241 00:14:52,120 --> 00:14:55,640 Speaker 1: start talking about s e x um. But neuroscientists oggi 242 00:14:55,720 --> 00:14:59,880 Speaker 1: Ogus and Sagadam wrote a billion wicked thoughts and they 243 00:15:00,040 --> 00:15:04,760 Speaker 1: analyzed billions of web searches, websites, porn videos, online, erotica, 244 00:15:04,840 --> 00:15:08,320 Speaker 1: personal ads to figure out a little bit more about 245 00:15:08,640 --> 00:15:13,120 Speaker 1: sexual desire in modern context. And they said, far and 246 00:15:13,160 --> 00:15:18,160 Speaker 1: away women go for erotica, whereas men go for porn. 247 00:15:18,200 --> 00:15:22,640 Speaker 1: As we've said, um and the most popular site for 248 00:15:22,720 --> 00:15:25,160 Speaker 1: women's sex site for women. I found this very interesting 249 00:15:25,400 --> 00:15:30,640 Speaker 1: fan fiction dot net. Yeah, amateur stories written mostly about 250 00:15:30,640 --> 00:15:34,120 Speaker 1: Twilight characters. Yeah, hello, fifty shades of Gray. There we 251 00:15:34,160 --> 00:15:39,040 Speaker 1: go again. We love there's something about about those stories. Yeah, 252 00:15:39,080 --> 00:15:41,720 Speaker 1: And they did find that women, you know, like character 253 00:15:41,800 --> 00:15:45,240 Speaker 1: driven stories of romance and sexuality that feature characteristics that 254 00:15:45,320 --> 00:15:49,080 Speaker 1: men aren't necessarily looking for. Intimacy, closeness, relationships, love all 255 00:15:49,080 --> 00:15:52,800 Speaker 1: that stuff. Because they found that you know, women need 256 00:15:52,960 --> 00:15:56,320 Speaker 1: more cues to become around than men do, and so 257 00:15:56,360 --> 00:15:59,680 Speaker 1: they look for more stimuli basically in the media that 258 00:15:59,720 --> 00:16:02,680 Speaker 1: they are searching for online. And that's not to say 259 00:16:02,720 --> 00:16:05,600 Speaker 1: that it is that it is harder, that female sexuality 260 00:16:05,680 --> 00:16:09,960 Speaker 1: is not as robust as male sexuality. It's just different. 261 00:16:10,480 --> 00:16:14,960 Speaker 1: The brain wiring is just a little bit different. Um. Now, 262 00:16:15,200 --> 00:16:18,640 Speaker 1: we also need to touch on feminism because this whole 263 00:16:19,200 --> 00:16:23,480 Speaker 1: the fact that there are gendered arguments about erotica versus 264 00:16:23,480 --> 00:16:27,720 Speaker 1: pornography and artistic value and all of that. Um not 265 00:16:27,760 --> 00:16:30,880 Speaker 1: so surprising that second wave feminists certainly had some things 266 00:16:31,320 --> 00:16:36,040 Speaker 1: to say about erotica, and generally it was positive. For instance, 267 00:16:36,120 --> 00:16:40,520 Speaker 1: Gloria Steinum herself in nineteen seventy eight wrote in Miss magazine, 268 00:16:40,720 --> 00:16:44,240 Speaker 1: erotica is rooted in arrows or passionate love, and thus 269 00:16:44,240 --> 00:16:47,240 Speaker 1: the idea of positive choice, free will, the yearning for 270 00:16:47,320 --> 00:16:51,560 Speaker 1: a particular persons versus pornography where the subject is not 271 00:16:51,680 --> 00:16:55,960 Speaker 1: love at all but domination and violence against women. Yeah, 272 00:16:55,960 --> 00:16:59,160 Speaker 1: they're they're definitely these lines drawn that erotica is more 273 00:17:00,400 --> 00:17:04,480 Speaker 1: women positive, sex positive, positive for everybody, whereas pornography is 274 00:17:04,520 --> 00:17:08,520 Speaker 1: just degrading and it's just kind of bad for everybody, 275 00:17:08,560 --> 00:17:12,359 Speaker 1: bad for relationships, bad for sex. Um. Audrey Lore, the 276 00:17:13,080 --> 00:17:15,320 Speaker 1: poet in nine even went so far as to say 277 00:17:15,320 --> 00:17:19,800 Speaker 1: that pornography and eroticism are too diametrically opposed uses of 278 00:17:19,840 --> 00:17:24,040 Speaker 1: the sexual Yeah. Um. And along those lines, A Nice 279 00:17:24,160 --> 00:17:28,360 Speaker 1: nin famous erotica writer in nineteen seventy seven, in her 280 00:17:28,359 --> 00:17:31,920 Speaker 1: preface to Delta of Venus said, uh that women are 281 00:17:31,920 --> 00:17:35,320 Speaker 1: more aptifuse sex with emotion, with love, and to single 282 00:17:35,320 --> 00:17:38,760 Speaker 1: out one man rather than to be promiscuous. And that 283 00:17:38,840 --> 00:17:42,040 Speaker 1: kind of goes along the lines of you know, if 284 00:17:42,080 --> 00:17:47,840 Speaker 1: we are plotting uh, sex on the spectrum of erotic 285 00:17:47,880 --> 00:17:51,000 Speaker 1: at one end, pornography at the other end. I mean 286 00:17:51,000 --> 00:17:53,160 Speaker 1: not to say that they don't meet at some point, 287 00:17:53,160 --> 00:17:55,960 Speaker 1: but it does. I think it is um. I think 288 00:17:55,960 --> 00:17:59,840 Speaker 1: it's interesting that women are are more titilated, it seems 289 00:18:00,160 --> 00:18:01,919 Speaker 1: by erotica. Not to say, and this is also not 290 00:18:01,960 --> 00:18:06,399 Speaker 1: to say that women don't watch porn or consume pornography absolutely, 291 00:18:06,520 --> 00:18:10,439 Speaker 1: but this is coming from the Rutledge International Encyclopedia of Women. 292 00:18:10,560 --> 00:18:12,320 Speaker 1: And it brings up because as I was reading all 293 00:18:12,320 --> 00:18:16,280 Speaker 1: these quotes, these feminist ways of thinking about erotica and pornography, 294 00:18:16,320 --> 00:18:18,680 Speaker 1: I was thinking, well, what about the people who just 295 00:18:19,040 --> 00:18:22,520 Speaker 1: like pornography, yeah, or aren't as drawn to erotica maybe 296 00:18:22,560 --> 00:18:26,280 Speaker 1: as they are to pornography. And they did point out 297 00:18:26,320 --> 00:18:29,560 Speaker 1: that the criticism of pornography in favor of erotica does 298 00:18:29,680 --> 00:18:32,639 Speaker 1: leave little room for other tastes and preferences, and it 299 00:18:32,680 --> 00:18:36,680 Speaker 1: could actually end up reinforcing stereotypes of women as being like, 300 00:18:36,920 --> 00:18:39,399 Speaker 1: I'm going to just nurture you until you can't stand 301 00:18:39,400 --> 00:18:43,639 Speaker 1: it anymore. I need relationship always, Yeah, and yeah, I 302 00:18:43,640 --> 00:18:48,640 Speaker 1: mean and ever. Saying that erotica or pornography one is 303 00:18:48,640 --> 00:18:50,720 Speaker 1: is better than the other for women to consume in 304 00:18:50,760 --> 00:18:52,960 Speaker 1: that is the way that they should, uh, you know, 305 00:18:53,040 --> 00:18:56,520 Speaker 1: stoke their sexual desires is going to be off base 306 00:18:56,640 --> 00:18:59,080 Speaker 1: at the end of the day anyway, because it's directing. 307 00:18:59,400 --> 00:19:03,040 Speaker 1: It's a direct to about how to use your body 308 00:19:03,240 --> 00:19:06,880 Speaker 1: and your mind. Um. And there is also a certain 309 00:19:07,080 --> 00:19:12,560 Speaker 1: class implication that can be associated with the erotica versus 310 00:19:12,560 --> 00:19:16,280 Speaker 1: pornography debate, because erotica, like we've said, is often linked 311 00:19:16,280 --> 00:19:22,760 Speaker 1: to artistic status, whereas porn is delegitimized as just mass culture. Yeah. Well, 312 00:19:22,800 --> 00:19:28,119 Speaker 1: Susan santalk In argued that some works deemed pornographic actually 313 00:19:28,119 --> 00:19:31,520 Speaker 1: do qualify as serious literature because of their ability to 314 00:19:31,640 --> 00:19:34,320 Speaker 1: probe human consciousness. And I think that's an interesting tie 315 00:19:34,320 --> 00:19:37,080 Speaker 1: into what we talked about in the last Summer Reading 316 00:19:37,080 --> 00:19:40,280 Speaker 1: episode about what makes up obscenity. If it has a 317 00:19:40,320 --> 00:19:43,560 Speaker 1: redeeming quality to it, if if there is if the 318 00:19:43,600 --> 00:19:46,960 Speaker 1: meat of the story is you know, for a purpose, 319 00:19:47,080 --> 00:19:49,880 Speaker 1: if it educates, if it uplifts the human spirit, then 320 00:19:49,920 --> 00:19:53,439 Speaker 1: it's not counted as obscenity. So if a book, if 321 00:19:53,480 --> 00:19:55,959 Speaker 1: there's redeeming value to it, you know, some people might 322 00:19:55,960 --> 00:19:58,520 Speaker 1: count as pornography, others might count as literature. Yeah, And 323 00:19:58,600 --> 00:20:02,520 Speaker 1: I can't remember which book in particular she called out 324 00:20:03,080 --> 00:20:06,680 Speaker 1: Um as an example of it being elevated to artistic status, 325 00:20:06,720 --> 00:20:09,600 Speaker 1: and it might have been the story of I think 326 00:20:09,600 --> 00:20:12,280 Speaker 1: it was. Which is I mean, especially coming from a 327 00:20:12,320 --> 00:20:16,040 Speaker 1: feminist perspective, because the the B D. S M themes 328 00:20:16,080 --> 00:20:19,399 Speaker 1: are so intense in the book, and the character, the 329 00:20:19,440 --> 00:20:22,560 Speaker 1: female character essentially is just I mean, she's a slave 330 00:20:22,720 --> 00:20:28,720 Speaker 1: to this man and it doesn't seem very uplifting. But um. 331 00:20:28,800 --> 00:20:30,720 Speaker 1: But again going back to the what was it the 332 00:20:30,720 --> 00:20:33,280 Speaker 1: Miller test where you have to take the entire body 333 00:20:33,280 --> 00:20:37,720 Speaker 1: of work and not just bits and pieces where your 334 00:20:37,760 --> 00:20:42,560 Speaker 1: eyebrow might be raised. Yeah. Well, while all of these women, 335 00:20:42,720 --> 00:20:45,959 Speaker 1: Gloria Steinham and Anna nin Are are talking about all 336 00:20:46,000 --> 00:20:49,000 Speaker 1: these things, this feminist perspective of erotica and pornography, there's 337 00:20:49,000 --> 00:20:52,199 Speaker 1: a lot going on in society. And Carol Thurston in 338 00:20:52,200 --> 00:20:54,920 Speaker 1: her book The Romance Revolution said that during the nineteen seventies, 339 00:20:54,960 --> 00:20:57,040 Speaker 1: you know, more and more women are questioning and protesting 340 00:20:57,080 --> 00:21:02,520 Speaker 1: sex related inequities and injustices. They're also avidly consuming erotic 341 00:21:02,880 --> 00:21:08,120 Speaker 1: historical romance novels, and many of the heroines of these books, 342 00:21:08,480 --> 00:21:11,639 Speaker 1: uh during this time. They'reritten during this time articulated a 343 00:21:11,720 --> 00:21:15,440 Speaker 1: resistance to marriage. It's also during this time they point 344 00:21:15,440 --> 00:21:18,159 Speaker 1: out that rape cases are on the rise. At the 345 00:21:18,200 --> 00:21:20,480 Speaker 1: same time, you have this all of these books where 346 00:21:20,520 --> 00:21:23,520 Speaker 1: heroines are fighting for control over their own bodies, for 347 00:21:23,600 --> 00:21:26,000 Speaker 1: equal justice. So it's very interesting that some of these 348 00:21:26,119 --> 00:21:29,280 Speaker 1: romance novels that could be perceived as erotica are sort 349 00:21:29,320 --> 00:21:33,679 Speaker 1: of reflecting societal issues. Yeah, and it's also in the 350 00:21:33,800 --> 00:21:37,159 Speaker 1: late seventies and the early eighties that you do see 351 00:21:37,680 --> 00:21:43,640 Speaker 1: the publication of more mainstream and overtly um erotic books 352 00:21:43,680 --> 00:21:47,200 Speaker 1: like Erica John's Fear of Flying Nancy Friday's My Secret 353 00:21:47,200 --> 00:21:50,199 Speaker 1: Garden both published, and well that's nine. So in the 354 00:21:50,200 --> 00:21:53,919 Speaker 1: early seventies, um, and then seventies seven we have the 355 00:21:54,000 --> 00:21:58,639 Speaker 1: Height Report and the Fantasy File. Um. So so there's that, 356 00:21:59,040 --> 00:22:01,760 Speaker 1: you know, things loosening of a bit. It was also 357 00:22:01,800 --> 00:22:06,359 Speaker 1: the seventies, but lots of people had mustaches then. But 358 00:22:06,400 --> 00:22:08,000 Speaker 1: it's just funny that, yeah, all of this, I mean 359 00:22:08,040 --> 00:22:12,040 Speaker 1: that's going on thirty years ago, forty years ago, and 360 00:22:12,800 --> 00:22:15,720 Speaker 1: you know, now the headlines are just it just seems 361 00:22:15,760 --> 00:22:21,040 Speaker 1: so recycled of saying like, oh, we're reading a naughty book. Well, 362 00:22:21,080 --> 00:22:23,159 Speaker 1: maybe it's the sheer popularity of it. The fact that 363 00:22:23,200 --> 00:22:25,360 Speaker 1: Fifty Shades of Gray knocked Hunger Games off the top 364 00:22:25,359 --> 00:22:27,360 Speaker 1: of the list for New York Times Bestseller. I mean, 365 00:22:27,560 --> 00:22:32,280 Speaker 1: how many kind of risque books does that happen with? 366 00:22:32,760 --> 00:22:36,440 Speaker 1: So it's just I guess it's it's the unique aspect 367 00:22:36,520 --> 00:22:38,560 Speaker 1: of it. Yeah, and well, I mean I haven't read 368 00:22:38,680 --> 00:22:42,199 Speaker 1: fifty Shades either, and I've heard similar complaints about its quality. 369 00:22:42,359 --> 00:22:44,640 Speaker 1: But I think it's I mean, I think it's a 370 00:22:44,920 --> 00:22:47,840 Speaker 1: maybe a good thing. You know, why not have more 371 00:22:47,920 --> 00:22:51,560 Speaker 1: women getting more comfortable about talking about sex. Absolutely, and 372 00:22:51,640 --> 00:22:53,840 Speaker 1: you know what, fan fiction not my cup of tea. 373 00:22:54,000 --> 00:22:58,200 Speaker 1: But if that's how you get in touch with your sexuality, 374 00:22:58,320 --> 00:23:01,240 Speaker 1: if that's how you learn what you like and don't 375 00:23:01,280 --> 00:23:03,919 Speaker 1: like and connect with other readers, That's another thing is 376 00:23:03,960 --> 00:23:06,879 Speaker 1: that a lot of women use those fan fiction sites 377 00:23:06,960 --> 00:23:11,400 Speaker 1: to connect with other women. Writers talk about erotica, talk 378 00:23:11,440 --> 00:23:15,000 Speaker 1: about sexuality and sexual issues. So I mean, if that's 379 00:23:15,040 --> 00:23:18,600 Speaker 1: how it gets you into learning about things, then yeah, sure, 380 00:23:18,920 --> 00:23:26,159 Speaker 1: fan fiction dot net so surprising. So with that, what 381 00:23:26,280 --> 00:23:29,000 Speaker 1: kind of feedback should we ask for from listeners? Do 382 00:23:29,080 --> 00:23:32,560 Speaker 1: they read erotica? Have they ever submitted erotica to a 383 00:23:32,600 --> 00:23:35,680 Speaker 1: fan fiction site? Please do not send your erotic fan 384 00:23:35,760 --> 00:23:39,080 Speaker 1: fiction to our We are not going to read it now. 385 00:23:39,800 --> 00:23:42,280 Speaker 1: Um yeah, what are your thoughts on it? Guys out 386 00:23:42,320 --> 00:23:47,080 Speaker 1: there too? Any any fellows who prefer erotic fiction? Um? 387 00:23:47,119 --> 00:23:49,480 Speaker 1: Any comments on pip shades a great? Let us know 388 00:23:49,760 --> 00:23:53,360 Speaker 1: your PG rated thoughts about ur PG rated episode? Maybe 389 00:23:53,400 --> 00:23:56,760 Speaker 1: PG thirteen, I don't know. Mom. Stuff at Discovery dot 390 00:23:56,800 --> 00:24:00,320 Speaker 1: com is where you can send your letters and end. 391 00:24:00,880 --> 00:24:06,879 Speaker 1: We've got a couple here. This one is from m 392 00:24:07,000 --> 00:24:10,720 Speaker 1: It's about our jock strap summer short. She said that 393 00:24:10,760 --> 00:24:12,960 Speaker 1: she found it very interesting because in the podcast you 394 00:24:13,000 --> 00:24:15,760 Speaker 1: did not mention the female jock strap. Now it is 395 00:24:15,840 --> 00:24:18,280 Speaker 1: uncommon to see them, but many females in the hockey 396 00:24:18,280 --> 00:24:21,560 Speaker 1: community are now wearing a jill short, a jewel short, 397 00:24:21,600 --> 00:24:23,760 Speaker 1: is a compression short or a mess short. This depends 398 00:24:23,800 --> 00:24:26,359 Speaker 1: on players preferences, but the compression short is a bit 399 00:24:26,359 --> 00:24:29,480 Speaker 1: more expensive. The short has a small pocket for the cup, 400 00:24:29,520 --> 00:24:31,480 Speaker 1: as well as velcro strips at the bottom of the 401 00:24:31,520 --> 00:24:33,879 Speaker 1: pant leg for holding up your hockey stocks. Well, I'm 402 00:24:33,920 --> 00:24:36,919 Speaker 1: not exactly sure when the jill first came around. I 403 00:24:36,960 --> 00:24:38,879 Speaker 1: do know that it was used or a variation was 404 00:24:39,000 --> 00:24:43,000 Speaker 1: used during the Olympics, where women's hockey first made its debut. 405 00:24:43,440 --> 00:24:45,239 Speaker 1: In the podcast, you also wanted to know if the 406 00:24:45,280 --> 00:24:48,280 Speaker 1: cup was put in the dishwasher. Hat is a big 407 00:24:48,320 --> 00:24:51,919 Speaker 1: no no A because it's gross and be because usually, 408 00:24:51,920 --> 00:24:54,240 Speaker 1: at least for women, the hard plastic is covered in 409 00:24:54,240 --> 00:24:55,960 Speaker 1: a foam or soft covering that can be put in 410 00:24:56,000 --> 00:24:58,720 Speaker 1: the washing machine. You can also put the whole short 411 00:24:58,800 --> 00:25:01,480 Speaker 1: in the washing machine or just the cup. Lastly, more 412 00:25:01,480 --> 00:25:03,480 Speaker 1: and more more women are not wearing the cup but 413 00:25:03,600 --> 00:25:06,480 Speaker 1: rather just the short. I find this interesting. While getting 414 00:25:06,560 --> 00:25:08,480 Speaker 1: hit there is not very common. I do believe it 415 00:25:08,560 --> 00:25:10,879 Speaker 1: is important to wear it. It would be like not 416 00:25:10,920 --> 00:25:14,359 Speaker 1: wearing elbow pads or leg pads, which are both very important. 417 00:25:14,720 --> 00:25:17,920 Speaker 1: Like the saying goes, it's better to be safe than sorry. 418 00:25:19,640 --> 00:25:23,920 Speaker 1: And I've got one here from Isabel about nudist beaches. 419 00:25:25,200 --> 00:25:28,080 Speaker 1: She's been to one. Yeah, she writes, you asked if 420 00:25:28,119 --> 00:25:30,520 Speaker 1: any listeners had ever visited a nude beach or stayed 421 00:25:30,520 --> 00:25:33,480 Speaker 1: at a nudist resort. Not only have I been to 422 00:25:33,520 --> 00:25:35,879 Speaker 1: my fair share of nude beaches, but my little family 423 00:25:35,880 --> 00:25:37,879 Speaker 1: and I spent a week at a nudist resort in 424 00:25:37,960 --> 00:25:41,840 Speaker 1: Spain a few years ago. We're frequent travelers to Europe, 425 00:25:41,840 --> 00:25:44,480 Speaker 1: and you know what they say when in Rome. While 426 00:25:44,520 --> 00:25:47,040 Speaker 1: it might not seem odd that someone had spent time 427 00:25:47,080 --> 00:25:49,600 Speaker 1: at a nudist resort, it is a little crazy that 428 00:25:49,640 --> 00:25:52,440 Speaker 1: we did. We're not hippies or consider ourselves part of 429 00:25:52,480 --> 00:25:55,240 Speaker 1: the nudist movement, or just a regular and religious little 430 00:25:55,240 --> 00:25:58,880 Speaker 1: family from Seattle who decided to try something new about 431 00:25:59,000 --> 00:26:01,919 Speaker 1: the germs. Is required that you always have a towel 432 00:26:01,920 --> 00:26:04,560 Speaker 1: with you, and everyone we saw had one. There will 433 00:26:04,600 --> 00:26:08,359 Speaker 1: be no bare butt germs. I'm like Caroline in terms 434 00:26:08,359 --> 00:26:10,320 Speaker 1: of being a germ of bogue. I won't touch the 435 00:26:10,359 --> 00:26:12,600 Speaker 1: remote in a hotel room, let alone put my naked 436 00:26:12,640 --> 00:26:17,639 Speaker 1: butt where someone else has been words, sister, So thank 437 00:26:17,680 --> 00:26:21,000 Speaker 1: you to Isabelle and everyone else too has written in 438 00:26:21,080 --> 00:26:24,000 Speaker 1: Mom's Stuff at Discovery dot Com is where you can 439 00:26:24,040 --> 00:26:26,800 Speaker 1: send your emails. You can also find us on Facebook 440 00:26:26,800 --> 00:26:30,359 Speaker 1: and follow us on Twitter at Moms Stuff Podcast, and 441 00:26:30,440 --> 00:26:32,160 Speaker 1: you can check out what we're doing during the week 442 00:26:32,160 --> 00:26:38,320 Speaker 1: on our website. It's how Stuff Works dot com For 443 00:26:38,400 --> 00:26:40,720 Speaker 1: more on this and thousands of other topics. Does it 444 00:26:40,800 --> 00:26:47,639 Speaker 1: how stuff works dot Com brought to you by the 445 00:26:47,680 --> 00:26:51,040 Speaker 1: reinvented two thousand twelve Camray. It's ready, Are you