WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the Best Bits of the Week with Morgan. Number two.

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<v Speaker 1>What's up everyone? Welcome to the Best Bits Just the

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<v Speaker 1>Bits side of the podcast. In case you missed it,

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<v Speaker 1>I had Scooba Steve on with me this weekend. In

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<v Speaker 1>part one, you can catch that behind the scenes fun

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<v Speaker 1>we went on tangents talked about all kinds of things

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<v Speaker 1>to make sure to go listen to that fun interview

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<v Speaker 1>in part one. This is just the Bits right here,

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<v Speaker 1>which means I'm just gonna intro the bits and plan

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<v Speaker 1>back for you so you can either get caught up

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<v Speaker 1>on the show or make sure you don't miss anything.

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<v Speaker 1>You know. The list goes on, but coming in Roha

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<v Speaker 1>and number seven. The show talked about the things they

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<v Speaker 1>faked on their first dates with their now spouses, which

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<v Speaker 1>is hilarious to hear back and look back on, so

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<v Speaker 1>definitely want to check out. And I'm just you know,

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<v Speaker 1>I called out Scooba Steven the thing. But this is

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<v Speaker 1>probably the worst on this list. Number seven. There's a

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<v Speaker 1>study that says most people when they start dating someone,

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<v Speaker 1>they fake healthy eating. They fake like, oh I just

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<v Speaker 1>like to give me a you know, salad grilled chicken.

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<v Speaker 1>But in reality, they're not near as healthy. But my

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<v Speaker 1>question is what did you fake early on to kind

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<v Speaker 1>of lure your person in? And I'll go first. I

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<v Speaker 1>probably faked with Caitlyn that I was a little more

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<v Speaker 1>fun than I really am. That's funny, you're down to

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<v Speaker 1>do more. I was like, I love it, adventures, Let's

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<v Speaker 1>do adventures, Let's do some laughing. Let's just do stuff

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<v Speaker 1>spur of the moment. I'm so man, I'm so spontaneous.

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<v Speaker 1>Uh smash cut No, I just want to stay home,

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<v Speaker 1>give some internet. So I think she thought I was

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<v Speaker 1>a little more interesting in that way. A hike. I

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<v Speaker 1>can't get enough hikes. Oh no, Now I don't even

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<v Speaker 1>want to walk to the driveway to get through Uber eats. Um.

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<v Speaker 1>So that's probably how I faked a little bit with Caitlyn.

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<v Speaker 1>I acted a little more interesting than I probably was,

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<v Speaker 1>you Amy, Um, I acted like, because he was in

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<v Speaker 1>the military Air Force and had to live other places,

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<v Speaker 1>that I'd quit my job right away and move with him.

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<v Speaker 1>So you lied, I thought of acting, that's a lie.

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<v Speaker 1>Well to do something, Yeah, I mean, I was just

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<v Speaker 1>buying time to see what would really happen. But I mean,

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<v Speaker 1>I mean, I think I was even faking myself out,

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<v Speaker 1>and then when it came down to it, I was like, well,

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<v Speaker 1>we can work something out. So we ended up looking

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<v Speaker 1>at his deployment schedule and I was like, look, you're

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<v Speaker 1>going to be in Afghanistan. I can live with my mom.

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<v Speaker 1>So we didn't live together our first two years of marriage.

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<v Speaker 1>But you didn't move with him to North Carolina. I

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<v Speaker 1>think I tried to quit the show like three times,

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<v Speaker 1>and he was a part of that equation. And I'm

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<v Speaker 1>still here. And I kept building her studios in different places,

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<v Speaker 1>like anywhere. One time we had a whole going waite

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<v Speaker 1>party for it. Oh yeah, and then we built our

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<v Speaker 1>studio in North Carolina. Yeah. And he was like, look,

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<v Speaker 1>for sure me, it was that I was cleaner than

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<v Speaker 1>I really am. I when she come to my apartment,

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<v Speaker 1>she would always say like, oh my gosh, this is

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<v Speaker 1>the cleanest guy's apartment I've ever been to. Like it's spotless.

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<v Speaker 1>But now, I mean I just throw my clothes everywhere.

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<v Speaker 1>I don't clean, And so she's like, that was totally

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<v Speaker 1>fake lunchbox money. We'd go out to dinner and she'd

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<v Speaker 1>order a glass of wine. I bet we'll just get

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<v Speaker 1>the whole bottle just because you know, no big deal.

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<v Speaker 1>I don't even like wine. I don't even like wine.

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<v Speaker 1>But I'd be like, yeah, We'll just get the whole bottle.

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<v Speaker 1>And I'm sitting there going it's not good, I'm gonna

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<v Speaker 1>whole bottle, But hey, girl, are you going to get

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<v Speaker 1>that whole bottle? And we'd go to the bar. She'd

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<v Speaker 1>order a well drink or not get a top shelf.

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<v Speaker 1>Oh yeah, you know, get the expensive out there. Huh yeah,

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<v Speaker 1>And man, it would be like, oh what about now?

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<v Speaker 1>Now she didn't we have several money so it doesn't matter.

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<v Speaker 1>She pays for herself. But at that point I was

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<v Speaker 1>trying to impress her and be like whoa. But then

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<v Speaker 1>once we started getting down to it was like, oh,

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<v Speaker 1>you know what, I'm not gonna pay for everything for

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<v Speaker 1>the rest of your life sto. But didn't you fake

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<v Speaker 1>being rich and you took out all your four oh

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<v Speaker 1>one k? Yeah? Very similar to lunchbox. Yeah, but I yeah,

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<v Speaker 1>I cashed in my four oh one K. So I

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<v Speaker 1>had money to spend while we were first dating. You've tried,

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<v Speaker 1>it's just now you're now wife. My wife hashed out

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<v Speaker 1>his four oh one k to try to impress her home.

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<v Speaker 1>What kind of stuff though, Um so, I was living

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<v Speaker 1>in San Francisco and it's very expensive to go out there,

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<v Speaker 1>so it was like dinners and tickets to a show

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<v Speaker 1>and move movies and a little get away vacation and

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<v Speaker 1>NAPA that kind of stuff. But it worked though, because

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<v Speaker 1>I feel like it's okay in a sense because it

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<v Speaker 1>then not saying she shallow and needs money, but it

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<v Speaker 1>allows me to take her around and while we're doing

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<v Speaker 1>these things, she gets to know me and my personality. Otherwise,

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<v Speaker 1>you'd probably never go out me because we couldn't go anywhere.

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<v Speaker 1>When did you have to reveal to her that you

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<v Speaker 1>were not well? I wanted to be gentle about words.

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<v Speaker 1>When did you reveal that that was a bit of

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<v Speaker 1>a facade. It was about when the money started to

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<v Speaker 1>run out, which is about three or four three or

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<v Speaker 1>four months, and then she was like, Hey, come out

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<v Speaker 1>and see me in the East ban And I was like, well,

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<v Speaker 1>I can't afford a fair on the on the subway

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<v Speaker 1>to get out there and see you. Can you vend

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<v Speaker 1>moo me or at the time some money to come

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<v Speaker 1>see you? You would ask you, you would ask your

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<v Speaker 1>wife to send you money so I come see her.

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<v Speaker 1>Like I couldn't see her live forty five minutes away.

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<v Speaker 1>I had no car. I had to rely on public

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<v Speaker 1>transportation that I couldn't afford anymore. So you went from

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<v Speaker 1>taking her on vacations to Napa too. Can you pay

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<v Speaker 1>for my train ride? Yes, to come and see you?

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<v Speaker 1>And she still she's still married you. But you got

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<v Speaker 1>her eye then, yeah, Well I had her by then.

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<v Speaker 1>The silver lining two was Then she looked at my

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<v Speaker 1>finances on my credit score and helped clean me up.

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<v Speaker 1>And I'll clean you up. She'll clean me. She pay

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<v Speaker 1>off any of your debt. She didn't pay off my debt,

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<v Speaker 1>but she put a system together like a Dave Ramsey

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<v Speaker 1>kind of thing, and how to clear my debt. So

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<v Speaker 1>it actually worked out great for me. So you lured

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<v Speaker 1>her in, wow to do your dirty word? I mean

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<v Speaker 1>not really but yes, Wow, Raymundo, would you lie to

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<v Speaker 1>your now wife Bay about Yeah? I would have to

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<v Speaker 1>save my height. For the first six months that I

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<v Speaker 1>dated her, I was always wearing cowboy boots which would

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<v Speaker 1>give me a solid three inches. And then I distinctly

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<v Speaker 1>remember in the relationship down the road she goes I

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<v Speaker 1>didn't have any shoes on at the apartment. She was like,

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<v Speaker 1>you're actually kind of short, and I was like, yeah,

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<v Speaker 1>I mean this is my height, but I didn't really.

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<v Speaker 1>I mean, yeah, I've been rocking boots for a while.

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<v Speaker 1>Ray was in boots to land Down. You know, I'm saying,

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<v Speaker 1>who said everybody's same high? Ray said that everybody's same

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<v Speaker 1>high land Down. That is creepy. Yes, all right, thank

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<v Speaker 1>you guys. I can't believe it spent a four on

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<v Speaker 1>one K, but it was an investment, right, It's a

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<v Speaker 1>great investment. All right. It's the best bits of the

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<v Speaker 1>week with Morgan number two. At number six, we got

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<v Speaker 1>Brett Eldridge. He came on the show for full interview

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<v Speaker 1>to sit down. He even sang a little bit impromptu

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<v Speaker 1>during the interview, and he talked about love, why he's

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<v Speaker 1>still single, what's going on in his life, what he

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<v Speaker 1>loves to do for solitude. It's a great interview. Make

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<v Speaker 1>sure you check that out if you want to watch it,

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<v Speaker 1>and said I listen to it. You can go to

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<v Speaker 1>Bobby Bones dot com. Number six on the Bobby Bones Show. Now,

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<v Speaker 1>congratulations on the new song. Thank you. You know what's

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<v Speaker 1>interesting about this song is and here's a clip of

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<v Speaker 1>Brett's new song Songs about You. I'm just trying to

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<v Speaker 1>these songs bad. What I like about this and what

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<v Speaker 1>I like about this kind of song is it's a

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<v Speaker 1>sad song, but it's got a little beat on it.

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<v Speaker 1>So sometimes you're just like groove and you're like, I

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<v Speaker 1>feel so good, and then you listen you're like, no,

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<v Speaker 1>that was sad, didn't you. It's kind of confusing, but

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<v Speaker 1>in an awesome way. That's some of my favorite kind

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<v Speaker 1>of stuff is a little double meanings. You know, when

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<v Speaker 1>you write this and it is a sad song, what's

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<v Speaker 1>the song about? Because you did write it, what's a

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<v Speaker 1>song about? Basically, you're going through life. You think you're

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<v Speaker 1>over somebody, and then years later or weeks later, months later, whatever,

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<v Speaker 1>you hear the song as you're walking by a bar

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<v Speaker 1>in Chicago or wherever, takes you right back to that person.

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<v Speaker 1>You're not so much over him as much as you

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<v Speaker 1>thought you were, and you just now all of a sudden,

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<v Speaker 1>you're trying to get through these songs about you. Every

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<v Speaker 1>song is about you that that I hear. So whenever

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<v Speaker 1>you write this, so you had the idea for it,

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<v Speaker 1>do you imagine it as a ballad, a slow song.

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<v Speaker 1>At first, I had the honest I had the groove.

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<v Speaker 1>I had the groove. I'm just trying to get through.

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<v Speaker 1>These songs are about you. I had that and like

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<v Speaker 1>the feel beforehand. And then I so I had like

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<v Speaker 1>a feel good thing about it. And then I went

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<v Speaker 1>into Jesse, Joe Dillon and Ben West and we kind

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<v Speaker 1>of dug through how to do it, and it just

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<v Speaker 1>felt like to put that angle on it was was

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<v Speaker 1>the way to go. Do you and your phone have

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<v Speaker 1>just a weird clip of you go on about it? Dude?

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<v Speaker 1>Oh yeah, so you keep those yes, do you? Yeah?

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<v Speaker 1>Well that come to you randomly and do you just

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<v Speaker 1>have a part of it, and so you don't want

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<v Speaker 1>to lose it? So you record it right then? Yes? Okay,

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<v Speaker 1>can I play you one of mine? Yeah? I would.

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<v Speaker 1>I did that like three this morning. This is called

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<v Speaker 1>UM and I recorded it and I don't know if

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<v Speaker 1>it's going to be anything, and I do it. Yeah

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<v Speaker 1>maybe earlier I woke up the middle of the night

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<v Speaker 1>and I got this, probably gonna want to Grammy if

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<v Speaker 1>I can be honest with you. So this one's called

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<v Speaker 1>gas Station Breakfast and again I'm just doing that. These

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<v Speaker 1>are thoughts I like this. I'm just going na, here

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<v Speaker 1>you go. This, this is me. You think Bret's got

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<v Speaker 1>good music, wait for this. I'm having a guest station

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<v Speaker 1>breakfast put Crimes and Sweet Tea Gus station the here.

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<v Speaker 1>A guy in the eighteen wheeler over there just linked

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<v Speaker 1>it me. So it just keeps going. I don't even

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<v Speaker 1>have words to some of it. I'm like, so I

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<v Speaker 1>feel like we'll sit down and I'll go, Okay, here's

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<v Speaker 1>this thing. It came to me in the middle of

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<v Speaker 1>the night that yours is real. Yeah, I do, but

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<v Speaker 1>is it the similarly fine mine? But I want to

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<v Speaker 1>listen to it before I played it on here. It's

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<v Speaker 1>like a song. I don't know that the usually say

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<v Speaker 1>it like I think I had the verse, Um, yeah, okay,

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<v Speaker 1>so I just searched the title because then in mine,

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<v Speaker 1>I'm also going none busy. I'm not even saying words.

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<v Speaker 1>I'm just trying to keep a little melodies when we

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<v Speaker 1>write the song. Here we go. So that's the verse.

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<v Speaker 1>That's awesome, so really cool. Yeah, it's awesome. It's like

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<v Speaker 1>the first thing in the morning. So you can't inject

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<v Speaker 1>vocals too much. Were you were. I saw you a

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<v Speaker 1>little more of gas. Yeah, we're the same, We're the same.

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<v Speaker 1>I'm going to be a master. Did you say the

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<v Speaker 1>line about somebody in the eighteen wheeler winked at me

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<v Speaker 1>suck and the eighteen water just winked at me. Harry

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<v Speaker 1>bailed it. Yeah, because he saw you eating the takeedo

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<v Speaker 1>or whatever. And I don't know what his motivation was,

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<v Speaker 1>but I'm not That's all I know gas station breakfast.

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<v Speaker 1>So you know, I don't know which one will be

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<v Speaker 1>a number one first Years or mine, But that's not bad.

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<v Speaker 1>I'm willing to take some of my favorite music of yours.

0:10:42.360 --> 0:10:46.560
<v Speaker 1>Is uh the emotional stuff? Do you need to be

0:10:46.640 --> 0:10:51.480
<v Speaker 1>currently in that emotional place to write a great emotional song?

0:10:52.480 --> 0:10:55.160
<v Speaker 1>I think in some forms it might not, Like if

0:10:55.160 --> 0:10:57.079
<v Speaker 1>I'm Matt and I'd be going through a heartbreak or

0:10:57.080 --> 0:10:58.920
<v Speaker 1>something like when I'm writing songs about you, you kind

0:10:58.920 --> 0:11:01.079
<v Speaker 1>of heard the story of where it came from. But

0:11:01.480 --> 0:11:03.200
<v Speaker 1>by the way, for listeners just tuning in, not a

0:11:03.200 --> 0:11:06.679
<v Speaker 1>song about me. I've heard a song about you, So

0:11:07.000 --> 0:11:09.720
<v Speaker 1>about you? Yeah you're listening, but no, I mean I've

0:11:09.720 --> 0:11:11.200
<v Speaker 1>had to I think I've had to be there. But

0:11:11.320 --> 0:11:14.199
<v Speaker 1>like if the so I've had to experience it otherwise

0:11:14.600 --> 0:11:16.400
<v Speaker 1>I feel like I'm not telling it. But and then

0:11:16.440 --> 0:11:18.920
<v Speaker 1>when I'm writing a love song, I might not necessarily

0:11:19.000 --> 0:11:21.000
<v Speaker 1>been like deep in love before, but I know what

0:11:21.040 --> 0:11:24.120
<v Speaker 1>I imagine I want, and that's you know, I think

0:11:24.160 --> 0:11:26.400
<v Speaker 1>like in a movie, in a movie way of how

0:11:26.440 --> 0:11:29.160
<v Speaker 1>I would imagine how it would work for me. You know,

0:11:29.320 --> 0:11:31.400
<v Speaker 1>did you just say that you've never been in love before?

0:11:32.160 --> 0:11:33.480
<v Speaker 1>I think that's what you just said. Is that what

0:11:33.520 --> 0:11:36.040
<v Speaker 1>you just said? Yeah, I mean I would probably say that.

0:11:36.400 --> 0:11:38.000
<v Speaker 1>I mean, I've been in love in different ways in

0:11:38.040 --> 0:11:41.200
<v Speaker 1>my life, you know, but like a deep love, I

0:11:41.200 --> 0:11:43.760
<v Speaker 1>don't know. I don't know if I don't to you know,

0:11:44.440 --> 0:11:47.400
<v Speaker 1>full transparency here, I had never either at all until

0:11:47.400 --> 0:11:51.400
<v Speaker 1>I met Caitlin. Yeah, so I think we're both playing

0:11:51.440 --> 0:11:53.760
<v Speaker 1>the game a little later than most folks. But I

0:11:53.800 --> 0:11:57.800
<v Speaker 1>think it's really special to that person if Yeah, you know,

0:11:57.920 --> 0:12:00.360
<v Speaker 1>if you whenever you do meet whomever it is, you're like,

0:12:00.400 --> 0:12:02.320
<v Speaker 1>I had never been in love before, N tell you, Yeah,

0:12:02.400 --> 0:12:04.920
<v Speaker 1>I actually think it's pretty awesome. Yeah. Do you do

0:12:04.960 --> 0:12:06.480
<v Speaker 1>you value that? Are you like I don't want to

0:12:06.480 --> 0:12:08.880
<v Speaker 1>do it until the real one. I value that in

0:12:08.880 --> 0:12:11.240
<v Speaker 1>a big way, and I honestly I feel it coming around.

0:12:11.440 --> 0:12:13.599
<v Speaker 1>I'm open to it. I used to not even be

0:12:13.640 --> 0:12:15.600
<v Speaker 1>open to it. I'd just, you know, i'd be out

0:12:15.600 --> 0:12:17.080
<v Speaker 1>in the road, I'd be traveling all the time, and

0:12:17.200 --> 0:12:18.679
<v Speaker 1>that would be my life. You know, that was all

0:12:18.720 --> 0:12:21.520
<v Speaker 1>my love. Now I'm open to the right thing coming around.

0:12:21.600 --> 0:12:23.959
<v Speaker 1>So it's going to happen. Abby, I want to put

0:12:23.960 --> 0:12:25.720
<v Speaker 1>you on the air for a second with Brett. Abby

0:12:26.000 --> 0:12:28.920
<v Speaker 1>is our phone screener and she had a question about you.

0:12:29.080 --> 0:12:31.679
<v Speaker 1>So go ahead, Abby, meat Brett, if you bet we've

0:12:31.679 --> 0:12:41.920
<v Speaker 1>met a good Okay, that was weird. We've met. He

0:12:42.000 --> 0:12:44.000
<v Speaker 1>walks by me when he goes in the studios. That's

0:12:44.040 --> 0:12:47.520
<v Speaker 1>what I mean. Okay, No, I was Okay, I'm wondering this, like,

0:12:47.840 --> 0:12:50.280
<v Speaker 1>how are you single? Because I feel like you have

0:12:50.360 --> 0:12:55.319
<v Speaker 1>everything a girl could want? What You're funny, you're tall,

0:12:55.440 --> 0:12:59.560
<v Speaker 1>you're talented, you love God, your family, your dog. I mean, like,

0:12:59.720 --> 0:13:04.360
<v Speaker 1>isn't everything a girl wants? Oh? Man, are you too

0:13:04.440 --> 0:13:08.560
<v Speaker 1>picky or like I'm but I honestly, I think I

0:13:08.640 --> 0:13:10.480
<v Speaker 1>always like I was just kind of saying I always

0:13:11.360 --> 0:13:13.880
<v Speaker 1>um put love off to the side or anything, and

0:13:14.040 --> 0:13:18.719
<v Speaker 1>was just you know, focusing on music and doing all

0:13:18.760 --> 0:13:21.040
<v Speaker 1>of that, and I've really took a focus in the

0:13:21.080 --> 0:13:25.800
<v Speaker 1>last few years to to to focus on my personal

0:13:25.800 --> 0:13:27.280
<v Speaker 1>life too, other than there's a lot more than just

0:13:27.480 --> 0:13:32.200
<v Speaker 1>music and playing music and and so um. I guess

0:13:32.200 --> 0:13:34.200
<v Speaker 1>I am picky, but for the right reasons. I guess

0:13:34.240 --> 0:13:35.560
<v Speaker 1>I want to I want to find the right thing.

0:13:35.600 --> 0:13:39.000
<v Speaker 1>And I really feel like it's it's it's coming in

0:13:39.040 --> 0:13:41.720
<v Speaker 1>here pretty soon. So I'm very open to it. Yeah,

0:13:42.120 --> 0:13:44.599
<v Speaker 1>he said multiple times that he feels it come I

0:13:44.800 --> 0:13:49.240
<v Speaker 1>know soon, Like, yeah, are you manifesting? Okay, So are

0:13:49.240 --> 0:13:53.040
<v Speaker 1>you putting it out? There's not something that you're just hiding? Right? No? No, okay,

0:13:53.559 --> 0:13:55.840
<v Speaker 1>and wouldn't I can respect that episod Is it fair

0:13:55.880 --> 0:13:58.760
<v Speaker 1>to say that maybe in the last couple of years

0:13:58.840 --> 0:14:01.000
<v Speaker 1>or so, you've been like getting to know yourself more

0:14:01.200 --> 0:14:03.960
<v Speaker 1>so that way you can show up as the right person.

0:14:04.240 --> 0:14:08.720
<v Speaker 1>Let me paint this on you, pretty cerebral guy. I

0:14:08.840 --> 0:14:10.560
<v Speaker 1>just picture you that. It was like a guy drives,

0:14:11.400 --> 0:14:13.280
<v Speaker 1>I'm not a guy. Let's go for a drive. Yeah,

0:14:13.480 --> 0:14:19.160
<v Speaker 1>I do. Like, what do you get from that reflection? Really? Yeah?

0:14:19.200 --> 0:14:22.200
<v Speaker 1>I really do. Like in hiking is a big thing

0:14:22.240 --> 0:14:24.720
<v Speaker 1>for me, So I'll go on long hikes, and I'll

0:14:24.720 --> 0:14:27.280
<v Speaker 1>just I used to listen to podcasts all the time

0:14:27.280 --> 0:14:30.480
<v Speaker 1>on hikes. Now I just listen to the birds and

0:14:30.960 --> 0:14:34.480
<v Speaker 1>that's forest bathing. Oh my goodness, what is happening forrest bathing? Yes?

0:14:34.920 --> 0:14:37.480
<v Speaker 1>You you don't listen to anything the nature? Yeah, I

0:14:37.600 --> 0:14:42.760
<v Speaker 1>listen to nature. Yeah. Nature. Man that runs and only

0:14:42.800 --> 0:14:47.040
<v Speaker 1>listens to nature want to run? That's unbelievable. Wow, that's

0:14:47.080 --> 0:14:49.040
<v Speaker 1>what you need. I mean, that's what makes you feel free.

0:14:49.080 --> 0:14:51.320
<v Speaker 1>If you're still with the technology in your ears, you're

0:14:51.320 --> 0:14:54.280
<v Speaker 1>not getting away. I don't need to get away. I'm good.

0:14:54.320 --> 0:14:57.800
<v Speaker 1>I'm getting exercise. Bretta Aldridge is here. You're going to Europe.

0:14:57.800 --> 0:14:59.040
<v Speaker 1>You say you're going to Portugal then to do a

0:14:59.040 --> 0:15:01.480
<v Speaker 1>bunch of shows over there. Did they like you there

0:15:01.960 --> 0:15:04.200
<v Speaker 1>or is it a different kind of like like what's happening? Yeah?

0:15:04.240 --> 0:15:06.160
<v Speaker 1>I mean it's so I start in the UK, then

0:15:06.160 --> 0:15:09.760
<v Speaker 1>I go to Germany and I go to Amsterdam. It's

0:15:09.800 --> 0:15:13.600
<v Speaker 1>so it's so fascinating, and honestly, it's like it's like

0:15:13.720 --> 0:15:16.720
<v Speaker 1>starting your career in another you know, it's starting over

0:15:16.760 --> 0:15:18.960
<v Speaker 1>in some ways. It's it's it's making new fans in

0:15:18.960 --> 0:15:21.080
<v Speaker 1>a new way. So it's really exciting. It reminds me

0:15:21.200 --> 0:15:25.440
<v Speaker 1>like my first tour here in clubs and that excitement,

0:15:25.480 --> 0:15:29.080
<v Speaker 1>and everybody's singing every word to number seven on the

0:15:29.120 --> 0:15:32.040
<v Speaker 1>album That meant over there, they listened to every every song.

0:15:32.080 --> 0:15:34.080
<v Speaker 1>It's pretty cool. Do you feel like that's a bit

0:15:34.480 --> 0:15:36.920
<v Speaker 1>like humbling in a good way? When you go do that?

0:15:37.000 --> 0:15:39.440
<v Speaker 1>It kind of rechecks you that you're a normal dude

0:15:39.440 --> 0:15:42.160
<v Speaker 1>one hundred percent because here you're playing arenas, so you're

0:15:42.200 --> 0:15:45.600
<v Speaker 1>walking outside the venue like nobody deal and walking around

0:15:45.640 --> 0:15:48.320
<v Speaker 1>town and just seeing all these new cultures and new

0:15:48.360 --> 0:15:50.240
<v Speaker 1>things that I love it so much. We want to

0:15:50.280 --> 0:15:52.440
<v Speaker 1>leave the studio every day. I absolutely just walk it out.

0:15:52.560 --> 0:15:56.440
<v Speaker 1>Nobody gives a crap except for right right here. Have

0:15:56.600 --> 0:15:58.400
<v Speaker 1>you ever on the show I was talking about it

0:15:58.480 --> 0:16:00.600
<v Speaker 1>ran into somebody that I feel like his famous. He's

0:16:00.600 --> 0:16:02.920
<v Speaker 1>a football coach for Markansas and he didn't know it

0:16:03.000 --> 0:16:05.720
<v Speaker 1>was Have you ever run anybody famous just randomly in

0:16:05.760 --> 0:16:08.600
<v Speaker 1>real life and been like, Hey, what's happened? And you're confused?

0:16:08.600 --> 0:16:10.560
<v Speaker 1>Why should I say I'm Brett Aldridge in case they

0:16:10.680 --> 0:16:12.560
<v Speaker 1>know I'm have you? Has that a rappened to you

0:16:12.640 --> 0:16:14.560
<v Speaker 1>where you feel like it's awkward? Do I just say hey,

0:16:14.560 --> 0:16:16.560
<v Speaker 1>I'm a fan, or do I say I'm Brett Eldridge

0:16:16.600 --> 0:16:19.280
<v Speaker 1>so they don't think it's weird. I met Jim Nance

0:16:19.360 --> 0:16:22.400
<v Speaker 1>the other day, the commentator, Yeah, and I don't really.

0:16:22.560 --> 0:16:24.320
<v Speaker 1>I just love I like people with like a really

0:16:24.320 --> 0:16:28.000
<v Speaker 1>cool voice, and obviously he's a legend for and I

0:16:28.560 --> 0:16:31.080
<v Speaker 1>was like, he acts like, you know, like you know,

0:16:31.240 --> 0:16:32.800
<v Speaker 1>he like loves music and he knows who I am.

0:16:32.840 --> 0:16:35.800
<v Speaker 1>I have no idea, but did you say hi? What

0:16:35.920 --> 0:16:37.480
<v Speaker 1>did you say? How did you introduce yourself to Jim?

0:16:37.520 --> 0:16:41.040
<v Speaker 1>Somebody somebody introduced me that was with him? And uh

0:16:41.160 --> 0:16:44.840
<v Speaker 1>so I did. I just said hello? But uh, I

0:16:44.920 --> 0:16:46.080
<v Speaker 1>was like, I don't know if he knows or not,

0:16:46.160 --> 0:16:49.720
<v Speaker 1>but I just I just like, it's cool. Brett Eldridge

0:16:49.760 --> 0:16:52.240
<v Speaker 1>is here. I got a picture this guy right here.

0:16:52.520 --> 0:16:56.320
<v Speaker 1>Oh that's all. Take a look at this. You still

0:16:56.320 --> 0:16:59.040
<v Speaker 1>want to say, what's up? Yeah? This is uh I

0:16:59.080 --> 0:17:02.160
<v Speaker 1>posted that. I think, Oh you did yeah a while ago.

0:17:02.200 --> 0:17:05.919
<v Speaker 1>But I mean, but how old are you now? I

0:17:05.960 --> 0:17:11.800
<v Speaker 1>means yeah, but that's twenty like six months ago. Yeah,

0:17:11.840 --> 0:17:14.400
<v Speaker 1>you got to get and your callers up. Oh yeah,

0:17:14.400 --> 0:17:16.760
<v Speaker 1>you want your collar? You ever double pop? I never

0:17:16.800 --> 0:17:19.480
<v Speaker 1>single popped? You never even single pop. What's a double pop?

0:17:19.520 --> 0:17:22.960
<v Speaker 1>Two collars? Oh? Man, yeah, you double the layers. What

0:17:23.000 --> 0:17:25.440
<v Speaker 1>kind of kid were you in high school? I was

0:17:25.560 --> 0:17:28.639
<v Speaker 1>kind of like I was. I was in the middle,

0:17:28.680 --> 0:17:30.240
<v Speaker 1>so I was I was hanging out with the nerds

0:17:30.280 --> 0:17:32.879
<v Speaker 1>and the popular kids. I was like, I'd do it all.

0:17:33.400 --> 0:17:35.359
<v Speaker 1>I feel like that's like I feel like, that's like

0:17:35.359 --> 0:17:38.720
<v Speaker 1>a really attractive woman going. I was a tomboy. I

0:17:38.720 --> 0:17:40.760
<v Speaker 1>feel like that's what you just that's what people just say, like,

0:17:40.960 --> 0:17:43.359
<v Speaker 1>you know, I was good for everybody around. Let's get

0:17:43.400 --> 0:17:45.520
<v Speaker 1>down into it. A little bit of a class I

0:17:45.520 --> 0:17:48.600
<v Speaker 1>would I was never like a troublemaker. I would be friends,

0:17:48.680 --> 0:17:51.000
<v Speaker 1>like I love all the teachers and they would hold

0:17:51.000 --> 0:17:52.760
<v Speaker 1>me in detention and I would goop up in class,

0:17:52.760 --> 0:17:54.560
<v Speaker 1>but we would and when I was in detention, we

0:17:54.600 --> 0:17:56.640
<v Speaker 1>would just tell jokes and have fun and I would

0:17:56.720 --> 0:17:58.840
<v Speaker 1>run the halls for a really long time. Were you

0:17:58.880 --> 0:18:01.439
<v Speaker 1>the singing guy? Oh yeah, you were so even in

0:18:01.480 --> 0:18:03.040
<v Speaker 1>high school. You can sing it? Yeah? Where would you

0:18:03.080 --> 0:18:05.280
<v Speaker 1>sing in high school though? Where your your peers in

0:18:05.400 --> 0:18:09.720
<v Speaker 1>school could see you? Um? Musicals? Oh? Do you do

0:18:09.760 --> 0:18:15.440
<v Speaker 1>any big ones? Oh? Yeah, Oklahoma? Oh yeah? Is that yeah?

0:18:16.280 --> 0:18:20.680
<v Speaker 1>Is that? Um? Oh? What a beautiful morning that there's

0:18:20.720 --> 0:18:25.640
<v Speaker 1>a brackling hay He's on the meadow. There's a brickling

0:18:25.800 --> 0:18:30.879
<v Speaker 1>hayes on the meadow. The corners as high as an

0:18:30.880 --> 0:18:37.440
<v Speaker 1>elephants eye, and it looks like it's climbing clear up

0:18:37.600 --> 0:18:45.480
<v Speaker 1>to the sky. Oh what, oh, you don't laves the

0:18:45.480 --> 0:18:47.600
<v Speaker 1>whole song. Come on, give us that one, give that.

0:18:47.680 --> 0:18:55.600
<v Speaker 1>Oh what a beautiful morning. Oh what a beautiful day.

0:18:55.880 --> 0:19:05.679
<v Speaker 1>I got a beautiful fee and everything's going my way.

0:19:06.240 --> 0:19:25.200
<v Speaker 1>Oh what beautiful day? No, same thing. Never, guess I'll

0:19:25.240 --> 0:19:28.120
<v Speaker 1>turn off. It won't turn off. Oh no, okay, I'm

0:19:28.200 --> 0:19:30.520
<v Speaker 1>saying that song in a minute. Yeah, that's a good one.

0:19:30.560 --> 0:19:32.439
<v Speaker 1>That's taking me back to the old You did that?

0:19:32.520 --> 0:19:35.320
<v Speaker 1>You were that guy? Curly Curly's name? So I did that?

0:19:35.520 --> 0:19:40.240
<v Speaker 1>I did? Uh what else did we do? I was

0:19:40.280 --> 0:19:43.000
<v Speaker 1>a grease? Yeah I did? You were you Danny Zuko? Yeah?

0:19:43.440 --> 0:19:45.160
<v Speaker 1>I really yeah. I don't want to blow the water,

0:19:45.200 --> 0:19:48.639
<v Speaker 1>but I had frosted tips. That's Danny Zuko. Because I

0:19:48.640 --> 0:19:50.440
<v Speaker 1>was like, that doesn't get work. I know I didn't,

0:19:50.480 --> 0:19:52.480
<v Speaker 1>but I was like it looked didn't look right. It

0:19:52.480 --> 0:19:57.639
<v Speaker 1>looks really stupid, stranded, it's driving. Oh yeah, yeah, branded

0:19:57.800 --> 0:20:02.240
<v Speaker 1>oh remember I don't remember those lives. What will they

0:20:02.600 --> 0:20:08.760
<v Speaker 1>say Monday at school? I'm all alone. I'm not the

0:20:08.800 --> 0:20:11.600
<v Speaker 1>right song. Don't no, don't, don't don't taven Shine Sandy.

0:20:12.640 --> 0:20:19.040
<v Speaker 1>Can't you see I'm Missouri. Don't know that. I must

0:20:19.040 --> 0:20:21.280
<v Speaker 1>have saying that. Man, I can do your partner, I

0:20:21.320 --> 0:20:24.200
<v Speaker 1>can find okay singing. I remember, I don't remember anything.

0:20:24.280 --> 0:20:27.480
<v Speaker 1>I just remember there's a ring where there's a scene

0:20:27.520 --> 0:20:30.840
<v Speaker 1>where um, she she you give her her your high

0:20:30.840 --> 0:20:34.399
<v Speaker 1>school ring, and then my dad let me borrow his

0:20:34.480 --> 0:20:38.760
<v Speaker 1>wedding ring in that scene and the girl I was playing, Sandy,

0:20:39.040 --> 0:20:42.280
<v Speaker 1>throws it at me. Well it got They lost my

0:20:42.400 --> 0:20:45.040
<v Speaker 1>dad's wedding ring somehow disappeared and they could not find

0:20:45.040 --> 0:20:51.080
<v Speaker 1>it for sorry dad, but he ended up you did

0:20:51.119 --> 0:20:55.880
<v Speaker 1>find yes, yes, yes, So if you do theater and musicals, like, um,

0:20:56.080 --> 0:21:00.919
<v Speaker 1>Jennifer Nettles is in Righteous Gemstones and I'm her do

0:21:01.040 --> 0:21:03.520
<v Speaker 1>that and perform and act and she was did theater,

0:21:03.880 --> 0:21:06.720
<v Speaker 1>so like, have you ever thought about pursuing acting acting? Yeah?

0:21:06.720 --> 0:21:08.640
<v Speaker 1>I would do that. Would you do like Broadway Show

0:21:08.680 --> 0:21:11.680
<v Speaker 1>if they came and said, hey, we're doing Oklahoma again? Yeah?

0:21:11.680 --> 0:21:12.840
<v Speaker 1>I mean I think I would do for like like

0:21:12.880 --> 0:21:15.359
<v Speaker 1>a like a short run, like a six six months

0:21:15.400 --> 0:21:20.040
<v Speaker 1>run or something. I live in New York that yeah, yeah, yeah,

0:21:20.080 --> 0:21:27.119
<v Speaker 1>I would do that. Yeah Sunday. See, I'm in Missouri.

0:21:27.920 --> 0:21:30.120
<v Speaker 1>I don't remember that one. It's I think it's probably maybe.

0:21:30.160 --> 0:21:32.080
<v Speaker 1>Do you think he can't catch it because of the

0:21:32.560 --> 0:21:38.520
<v Speaker 1>pitch you're getting? No, I'm nailing it. Okay, okay, look

0:21:38.960 --> 0:21:41.480
<v Speaker 1>the song songs about you. I feel like we just

0:21:41.480 --> 0:21:43.159
<v Speaker 1>had like an eight mile moment where we battled and

0:21:43.160 --> 0:21:46.040
<v Speaker 1>I won. That's honest. That was a good battle and

0:21:46.440 --> 0:21:48.520
<v Speaker 1>it is what it is. And I'll be want to know,

0:21:49.119 --> 0:21:51.680
<v Speaker 1>good to see you. Are you watching the Cubs? Yes?

0:21:51.880 --> 0:21:54.000
<v Speaker 1>And we're doing pretty good. Yeah, much better than I

0:21:54.040 --> 0:21:57.440
<v Speaker 1>think people expected. It started Brett Eldridge. Follow him at

0:21:57.480 --> 0:21:59.960
<v Speaker 1>Brett Eldridge and check out the new music. The album

0:22:00.119 --> 0:22:03.440
<v Speaker 1>comes out in June. Thanks brettan, thank you. It's the

0:22:03.600 --> 0:22:10.240
<v Speaker 1>best bits of the week with Morgan number two. Sticking

0:22:10.320 --> 0:22:12.480
<v Speaker 1>with the theme of complaints and all that kind of

0:22:12.520 --> 0:22:16.800
<v Speaker 1>fun stuff this week, Lunchbox is now feuding with Chris Jansen.

0:22:16.920 --> 0:22:19.360
<v Speaker 1>At least, you know that's what he likes to say.

0:22:19.440 --> 0:22:22.000
<v Speaker 1>He kind of created up the whole feud on himself,

0:22:22.480 --> 0:22:25.680
<v Speaker 1>out of some kind of strange situation that nobody else

0:22:25.720 --> 0:22:27.800
<v Speaker 1>on the show agrees with him on. But you know

0:22:27.960 --> 0:22:30.840
<v Speaker 1>it's still happening. There is still feud happening in lunchboxes mind.

0:22:30.920 --> 0:22:33.480
<v Speaker 1>So if you want to find out why, here you

0:22:33.560 --> 0:22:37.160
<v Speaker 1>go number five. So you and Chris Jansen have been feuding. Yeah,

0:22:37.200 --> 0:22:40.399
<v Speaker 1>we have been feuding. Just remind our audience why this

0:22:40.600 --> 0:22:44.240
<v Speaker 1>ridiculous feud. It's very one sided. It's taken place because

0:22:44.320 --> 0:22:46.439
<v Speaker 1>he was having an album released party where you got

0:22:46.520 --> 0:22:48.280
<v Speaker 1>to hear his new music. There was going to be

0:22:48.400 --> 0:22:52.560
<v Speaker 1>food and drinks and it said RSVP, So I RSVP

0:22:52.800 --> 0:22:55.560
<v Speaker 1>for me plus four, which is my wife and my

0:22:55.720 --> 0:22:59.280
<v Speaker 1>three kids. And they said, we can't accommodate that. Well,

0:22:59.320 --> 0:23:01.840
<v Speaker 1>the title of his album is all In, and so

0:23:02.240 --> 0:23:05.960
<v Speaker 1>obviously not everyone is all in. It's only some people

0:23:06.080 --> 0:23:07.960
<v Speaker 1>get in, is what it should be called. Should they

0:23:07.960 --> 0:23:10.280
<v Speaker 1>haven't name his album that? Yes, because if you're gonna

0:23:10.320 --> 0:23:12.680
<v Speaker 1>say all in, then that means everybody gets to come in.

0:23:12.800 --> 0:23:14.720
<v Speaker 1>But I don't think that means everything that happens in

0:23:14.800 --> 0:23:16.840
<v Speaker 1>his life. I think for his music it said the

0:23:16.960 --> 0:23:19.760
<v Speaker 1>invite said we are going to get all in with

0:23:19.960 --> 0:23:21.879
<v Speaker 1>Chris Jansen or something and so I'm like, well that

0:23:22.000 --> 0:23:24.520
<v Speaker 1>means we're all getting in. So Chris Jansen, maybe you

0:23:24.640 --> 0:23:27.040
<v Speaker 1>know him from this song right here, you can buy

0:23:27.200 --> 0:23:33.920
<v Speaker 1>me and he has I'm digging him good vibes and

0:23:34.119 --> 0:23:38.840
<v Speaker 1>digging in so big artist. And so you heard back

0:23:38.920 --> 0:23:41.040
<v Speaker 1>from him. I did. He's trying to buy me off,

0:23:41.640 --> 0:23:44.560
<v Speaker 1>he replied, and he said, listen, sorry about that. Had

0:23:44.640 --> 0:23:47.639
<v Speaker 1>no idea. Family is always welcome. Let me know what

0:23:47.800 --> 0:23:50.040
<v Speaker 1>restaurant you want to go to and you can take

0:23:50.080 --> 0:23:52.240
<v Speaker 1>the whole family. I'll bring you a gift card. Wow,

0:23:52.600 --> 0:23:55.160
<v Speaker 1>that's nice. That's what I'm talking about. You're not really

0:23:55.240 --> 0:24:00.480
<v Speaker 1>going to accept this git you created? Yeah? He really nowhere?

0:24:00.840 --> 0:24:03.840
<v Speaker 1>Thing you ask for five people at an industry event, well,

0:24:03.840 --> 0:24:06.560
<v Speaker 1>there will be no kids, And now you get in

0:24:06.680 --> 0:24:09.159
<v Speaker 1>saying no kids on it. Have you ever been to

0:24:09.200 --> 0:24:11.479
<v Speaker 1>an industry event like this? Yeah, there have been kids there.

0:24:11.640 --> 0:24:13.760
<v Speaker 1>I've been there, and the artist kids are there? You no, no,

0:24:13.800 --> 0:24:19.399
<v Speaker 1>no Ah. So dude, I am getting dinner on the family.

0:24:19.760 --> 0:24:22.280
<v Speaker 1>So you're gonna let Chris Jansen buy you your wife

0:24:22.320 --> 0:24:24.199
<v Speaker 1>and your three kids dinner and you're gonna feel good

0:24:24.200 --> 0:24:25.960
<v Speaker 1>about that. Yeah, And I was thinking I'd just take

0:24:26.040 --> 0:24:28.760
<v Speaker 1>the wife like, leave the kids with a babysitter and

0:24:28.800 --> 0:24:31.399
<v Speaker 1>take the one all in, all in, that's right, not

0:24:31.640 --> 0:24:34.720
<v Speaker 1>all in, take them all. Okay, you know what, I'll

0:24:34.760 --> 0:24:36.680
<v Speaker 1>take them all. But now I just got to look

0:24:36.720 --> 0:24:39.080
<v Speaker 1>up and find the most expensive restaurant in Nashville. That's

0:24:39.119 --> 0:24:41.760
<v Speaker 1>also not Oh boy, do you think mutch Mock should

0:24:41.760 --> 0:24:44.080
<v Speaker 1>take the gift card? No? Yes, I don't think so.

0:24:44.200 --> 0:24:46.000
<v Speaker 1>I what do you mean, because he created this few

0:24:46.160 --> 0:24:50.879
<v Speaker 1>Jansen feels pressure, he doesn't wow, wow, wow Scooba, what

0:24:50.920 --> 0:24:52.920
<v Speaker 1>do you think about he? You know, he obviously feels

0:24:52.960 --> 0:24:55.240
<v Speaker 1>bad about it. Gross, right, it is kind of gross

0:24:55.280 --> 0:24:57.639
<v Speaker 1>and weird. And it's because she even emailed me too,

0:24:57.640 --> 0:24:59.000
<v Speaker 1>and I was like, please don't. I was like, this,

0:24:59.119 --> 0:25:02.520
<v Speaker 1>don't do that his manager his manager yet wife? Yes? Yeah?

0:25:02.520 --> 0:25:04.280
<v Speaker 1>And I was like, he can afford his own freaking lunch.

0:25:04.320 --> 0:25:06.800
<v Speaker 1>You don't need a buy Scuba is taking the card back? Yeah,

0:25:06.880 --> 0:25:08.920
<v Speaker 1>it's kind of weird. I wouldn't take Even if me,

0:25:09.000 --> 0:25:11.199
<v Speaker 1>I wouldn't take it personally, I would feel weird. Well,

0:25:11.200 --> 0:25:13.879
<v Speaker 1>because he created this whole controversy instactly. Hey, guys, you

0:25:13.920 --> 0:25:15.600
<v Speaker 1>know what's gonna not taste gross is the food that

0:25:15.680 --> 0:25:17.520
<v Speaker 1>we go get with this gift card. It's gonna be

0:25:17.720 --> 0:25:20.359
<v Speaker 1>amazing five star. How are you gonna get in touch

0:25:20.400 --> 0:25:21.840
<v Speaker 1>with him to do this? I'll just reply on Twitter

0:25:21.840 --> 0:25:23.560
<v Speaker 1>and be like, hey man, there's a restaurant. What bring

0:25:23.640 --> 0:25:27.240
<v Speaker 1>it to me? Oh my gosh, we got to be associate.

0:25:27.280 --> 0:25:29.720
<v Speaker 1>I'm embarrassed. Why are you embarrassed? And now he's gonna

0:25:29.720 --> 0:25:32.520
<v Speaker 1>start doing this to every artist. I mean, if you're

0:25:32.560 --> 0:25:35.520
<v Speaker 1>gonna title at all in yeah I am, that means

0:25:35.600 --> 0:25:38.920
<v Speaker 1>everyone's included. That's the name of the mused to. Okay,

0:25:39.359 --> 0:25:41.280
<v Speaker 1>all right, we're gonna play a song here. You guys

0:25:41.359 --> 0:25:43.240
<v Speaker 1>want me to bring you a dessert from the restaurant.

0:25:47.400 --> 0:25:51.120
<v Speaker 1>It's the best bits of the week with Morgan Number two.

0:25:52.359 --> 0:25:54.640
<v Speaker 1>For the last few weeks, we heard about somebody going

0:25:54.680 --> 0:25:57.000
<v Speaker 1>to Hollywood and we found out that was Amy. But

0:25:57.200 --> 0:26:00.040
<v Speaker 1>now a listener has a role in the movie and

0:26:00.240 --> 0:26:02.520
<v Speaker 1>they wanted to offer it up to someone on the show,

0:26:02.960 --> 0:26:04.960
<v Speaker 1>which was a pretty big deal in Lunchbox. Let me

0:26:05.000 --> 0:26:07.680
<v Speaker 1>tell you, he was so excited. Everybody on the show

0:26:07.800 --> 0:26:09.800
<v Speaker 1>kind of freaked out for a moment, and it happened

0:26:09.840 --> 0:26:13.000
<v Speaker 1>somebody got offered another role. So maybe we got two

0:26:13.080 --> 0:26:15.400
<v Speaker 1>people go into Hollywood. I don't know. You gotta listen

0:26:15.440 --> 0:26:17.800
<v Speaker 1>and see what you think. Number four on the phone

0:26:17.880 --> 0:26:21.440
<v Speaker 1>right now is Ruby. Hey, Ruby, what can we say?

0:26:21.520 --> 0:26:23.960
<v Speaker 1>Your title is of this project? You've called to talk

0:26:23.960 --> 0:26:28.680
<v Speaker 1>to us about my title. I'm an actress and independent filmmaker.

0:26:28.760 --> 0:26:33.080
<v Speaker 1>I produced, direct and star in all of my short films. Okay,

0:26:33.119 --> 0:26:35.760
<v Speaker 1>So she is here to offer one of you guys

0:26:36.160 --> 0:26:40.639
<v Speaker 1>a paid role. Now what would this role? Do? The role? Okay?

0:26:40.800 --> 0:26:44.000
<v Speaker 1>So the role of it will be for one of

0:26:44.040 --> 0:26:49.680
<v Speaker 1>the antagonists in the film. It is a dirt back

0:26:49.840 --> 0:26:54.119
<v Speaker 1>dude that man handles a woman in a bar. It

0:26:54.200 --> 0:26:58.720
<v Speaker 1>would be a Western after the Civil War, so late

0:26:58.800 --> 0:27:01.920
<v Speaker 1>eighteen hundreds or eight teen sixty six, eighteen sixty seven,

0:27:02.640 --> 0:27:07.680
<v Speaker 1>and um, I would have a pretty brutal fight with

0:27:07.880 --> 0:27:10.520
<v Speaker 1>the individual. So you looking for someone who's a little

0:27:10.520 --> 0:27:14.440
<v Speaker 1>bit athletic because you gotta fight. Eddie's out. Yeah, someone

0:27:14.560 --> 0:27:18.320
<v Speaker 1>who can you know, be the bad guy? And what

0:27:18.560 --> 0:27:21.320
<v Speaker 1>will you pay this role? The role? Old on, Let's

0:27:21.320 --> 0:27:22.680
<v Speaker 1>hold us for the end. Let's because it's a big

0:27:23.080 --> 0:27:26.239
<v Speaker 1>that's hold that's hold this, Let's hold this. So here

0:27:26.280 --> 0:27:28.800
<v Speaker 1>we go. It sounds like they're the star of the movie. Really,

0:27:29.640 --> 0:27:32.359
<v Speaker 1>she is the star. Scene Okay, it's a Western. She

0:27:32.480 --> 0:27:34.879
<v Speaker 1>looking for somebody to be a bad guy, dirt bag. Um,

0:27:35.000 --> 0:27:36.800
<v Speaker 1>and I'm gonna tell you who's up for this role

0:27:36.920 --> 0:27:41.600
<v Speaker 1>right now, lunch box. Yeah, let's go. I do have

0:27:41.720 --> 0:27:44.760
<v Speaker 1>cowboy boots. Eddie, it's not me, but thank you. What

0:27:44.800 --> 0:27:46.760
<v Speaker 1>do you mean it's not it's a dirtbag, dirt bag

0:27:46.840 --> 0:27:51.320
<v Speaker 1>guy in a bar. But it's acting. No, definitely not me.

0:27:51.440 --> 0:27:58.159
<v Speaker 1>Athletic and and Raymondo's up for the role. Eddie's passing

0:27:58.240 --> 0:28:00.480
<v Speaker 1>on a role. It's I'm not passion. I'm saying, I'm

0:28:00.480 --> 0:28:03.720
<v Speaker 1>pretty sure it's not me, But I mean ray Man

0:28:03.840 --> 0:28:07.000
<v Speaker 1>handling someone in a bar, short guy, and I'm really believable.

0:28:07.119 --> 0:28:09.000
<v Speaker 1>All right, Ruby, who who would you like to fill

0:28:09.080 --> 0:28:15.119
<v Speaker 1>this role? I would love to have, lunchbox, So I

0:28:15.400 --> 0:28:18.400
<v Speaker 1>like that. Let's hell, I'm in the movies. Hey, let's

0:28:18.400 --> 0:28:21.680
<v Speaker 1>start that IMBB page my things, Pull it up, Pull

0:28:21.760 --> 0:28:25.600
<v Speaker 1>it up, lunchbox. How much big acting job? Oh, big

0:28:25.680 --> 0:28:28.920
<v Speaker 1>acting job? Listen. Amy's pays her a thousand bucks a day. Yeah,

0:28:28.960 --> 0:28:30.760
<v Speaker 1>she goes over to do that for her small role.

0:28:31.440 --> 0:28:33.520
<v Speaker 1>But this is a this is a movie. This is

0:28:33.560 --> 0:28:36.600
<v Speaker 1>a movie. What are you asking for here? I mean

0:28:36.760 --> 0:28:39.600
<v Speaker 1>if Amy's getting a thousand I mean with micredentials at

0:28:39.680 --> 0:28:41.560
<v Speaker 1>least one thousand and one said, oh, you want just

0:28:41.640 --> 0:28:46.160
<v Speaker 1>one dollar buffer a contract. I'm getting the sag day rate,

0:28:46.360 --> 0:28:48.960
<v Speaker 1>like it's what the minimum Ruby lunchbox once one thousand

0:28:49.000 --> 0:28:53.920
<v Speaker 1>and one dollars a day. Well, to curt some expectations,

0:28:54.000 --> 0:28:57.080
<v Speaker 1>it would be a non union role. It definitely isn't shag.

0:28:57.840 --> 0:29:00.560
<v Speaker 1>It would be a micro budget and it would see

0:29:00.880 --> 0:29:05.680
<v Speaker 1>what an independent film would typically pay daily for an actor.

0:29:05.880 --> 0:29:08.720
<v Speaker 1>It would be a supporting role. You would have um

0:29:09.240 --> 0:29:12.160
<v Speaker 1>some pretty significant line. Yeah, and you would get a

0:29:12.240 --> 0:29:16.440
<v Speaker 1>lot of airtime. Yeah. Does your idea change? I mean,

0:29:16.480 --> 0:29:18.560
<v Speaker 1>this is this is great. Can we be at the

0:29:18.920 --> 0:29:24.000
<v Speaker 1>cons Film Festival? So I will be submitting this four

0:29:24.080 --> 0:29:26.440
<v Speaker 1>film festivals. But I'm also going to use this as

0:29:26.480 --> 0:29:29.280
<v Speaker 1>a sivil real so that we can pitch this as

0:29:29.280 --> 0:29:32.600
<v Speaker 1>a larger idea to streaming plat. Oh my goodness, I

0:29:32.680 --> 0:29:35.320
<v Speaker 1>love it. I got what's your monetary? Ask may Man?

0:29:35.400 --> 0:29:37.280
<v Speaker 1>You know what I'm not gonna I don't want to

0:29:37.480 --> 0:29:39.120
<v Speaker 1>insult her. I want to see what she offers and

0:29:39.160 --> 0:29:41.000
<v Speaker 1>see if that's a good Okay, all right, what's the

0:29:41.080 --> 0:29:44.840
<v Speaker 1>offer Ruby to a valunch box? The offer is negotiable,

0:29:44.920 --> 0:29:47.000
<v Speaker 1>but it is one fifty a day, plus I pay

0:29:47.080 --> 0:29:51.640
<v Speaker 1>for travel and lodging. Where's travel too, Yeah, where are

0:29:51.680 --> 0:29:55.000
<v Speaker 1>we going? It would be you would either fly into

0:29:55.040 --> 0:29:59.280
<v Speaker 1>Columbus or Cincinnati, Ohio. The travel I would pay for

0:29:59.560 --> 0:30:03.560
<v Speaker 1>also rental car, and you would drive about two hours

0:30:04.440 --> 0:30:11.440
<v Speaker 1>sounds of Columbus or two hours east of Cincinnati. Coffee, Ohio.

0:30:11.800 --> 0:30:15.520
<v Speaker 1>Oh Chillicotee. Yeah, one hundred fifty bucks a day, Chillicotte, Ohio.

0:30:15.720 --> 0:30:18.000
<v Speaker 1>How many days that's rental car? She means, like a limo?

0:30:18.760 --> 0:30:22.280
<v Speaker 1>It hurts? How many days? Yeah? Actually I was thinking

0:30:22.360 --> 0:30:26.120
<v Speaker 1>of a nineteen eighty four on Corvette. Now that's what

0:30:26.240 --> 0:30:29.760
<v Speaker 1>we're talking about. How many days will you need him? Um?

0:30:29.880 --> 0:30:35.280
<v Speaker 1>Approximately three days, and it would August the beginning of

0:30:35.360 --> 0:30:37.520
<v Speaker 1>our three days in auguste hundred and fifty bucks a day.

0:30:38.040 --> 0:30:41.120
<v Speaker 1>You gotta fly to Columbus and then drive hours chill

0:30:41.680 --> 0:30:45.000
<v Speaker 1>drive a corvette and make four fifty think't to check

0:30:45.040 --> 0:30:48.640
<v Speaker 1>out my calendar for August. It's clear, don't worry early August. Um,

0:30:50.240 --> 0:30:52.920
<v Speaker 1>there's a lot open days on that calendar. Let me

0:30:53.000 --> 0:30:56.840
<v Speaker 1>tell you. And uh, I mean I'll go, I'll go

0:30:56.920 --> 0:30:58.800
<v Speaker 1>to be an actor. Yeah, because it's gonna lead the

0:30:58.800 --> 0:31:01.720
<v Speaker 1>bigger things. Guys, I go to cons I go to

0:31:02.640 --> 0:31:05.640
<v Speaker 1>one place, you know, the one in Colorado. What about

0:31:05.680 --> 0:31:09.880
<v Speaker 1>south By Sunboat Sundance Stumboat? What did you say? What

0:31:09.960 --> 0:31:12.440
<v Speaker 1>do you call it Sundance? What did you boat? What

0:31:12.520 --> 0:31:16.320
<v Speaker 1>did you say? Stumboat? Stumboat? But it's sun Dance in Steamboat.

0:31:16.560 --> 0:31:19.320
<v Speaker 1>We can go to south By, south By, south sun

0:31:19.400 --> 0:31:22.280
<v Speaker 1>Dance in Steamboat. Yeah, no idea. I think it's in Wyoming.

0:31:22.360 --> 0:31:26.760
<v Speaker 1>Maybe it's in like I tell you Ride, I just

0:31:26.880 --> 0:31:29.320
<v Speaker 1>told you where it is. Mike, we time where Sundance

0:31:29.400 --> 0:31:30.920
<v Speaker 1>is because I think it's in a different city, in

0:31:31.040 --> 0:31:35.200
<v Speaker 1>Utah City, Utah. It sounds like we were pretty close

0:31:35.200 --> 0:31:37.640
<v Speaker 1>to a deal. And then just imagine when my career

0:31:37.760 --> 0:31:40.880
<v Speaker 1>blows up, they'll put a sign in chill a coffee lunchbox.

0:31:40.960 --> 0:31:44.320
<v Speaker 1>Film is first film right here. It's a weird time.

0:31:44.440 --> 0:31:47.160
<v Speaker 1>Maybe I've never seen a sign like that. You guys,

0:31:47.200 --> 0:31:49.440
<v Speaker 1>take this offline, let me know tomorrow the next day

0:31:49.480 --> 0:31:51.760
<v Speaker 1>how the negotiation went, and we'll go from there. Ruby.

0:31:51.760 --> 0:31:56.080
<v Speaker 1>We appreciate that. Of course, guys. We're working on with

0:31:56.200 --> 0:31:58.640
<v Speaker 1>real deal. It's a big time, Okay, I like it.

0:31:58.880 --> 0:32:00.760
<v Speaker 1>Let's see what happens. Thank you for the call, Ruby

0:32:01.000 --> 0:32:05.440
<v Speaker 1>and Lunchbox will be in a text for Yeah. Alright,

0:32:06.360 --> 0:32:07.880
<v Speaker 1>there you go. First of all, I mean that's how

0:32:08.000 --> 0:32:11.840
<v Speaker 1>careers start, all right, Lunchbox, good luck, Buddy, Thank you guys.

0:32:12.200 --> 0:32:13.960
<v Speaker 1>I'll remember you guys when I make it big. I'll

0:32:13.960 --> 0:32:16.120
<v Speaker 1>try to you know. If you guys say hidinas gonna

0:32:16.120 --> 0:32:20.240
<v Speaker 1>have a lakehouse and Lae rubbing our face. Yea, it's

0:32:20.320 --> 0:32:23.800
<v Speaker 1>the best Bits of the Week with Morgan. Number two

0:32:25.120 --> 0:32:28.000
<v Speaker 1>another big interview on this show. This week, Luke Combs

0:32:28.080 --> 0:32:31.960
<v Speaker 1>came on sat down for a full blown conversation, just

0:32:32.120 --> 0:32:34.640
<v Speaker 1>sitting talking, telling us all the things going on his life,

0:32:34.720 --> 0:32:37.840
<v Speaker 1>including how he found out about his wife being pregnant,

0:32:37.840 --> 0:32:40.320
<v Speaker 1>which was a super sweet story, and he talked about

0:32:40.560 --> 0:32:43.160
<v Speaker 1>his new music he's got coming. He also shared a

0:32:43.400 --> 0:32:46.720
<v Speaker 1>fun story about at Sharon and Twin Peaks. I'm not

0:32:46.760 --> 0:32:48.320
<v Speaker 1>gonna say any more than that. I just need you

0:32:48.400 --> 0:32:52.560
<v Speaker 1>to hear this. Interview Number three, the Friday Morning Conversation

0:32:52.840 --> 0:32:55.880
<v Speaker 1>with Luke Combs. What's up, buddy? What's up? You know

0:32:56.000 --> 0:32:58.680
<v Speaker 1>with you? It's interesting because we don't You're not a

0:32:58.800 --> 0:33:00.840
<v Speaker 1>guy that's always and about you like live you a

0:33:00.840 --> 0:33:03.160
<v Speaker 1>little private life and I respect that, and then you

0:33:03.280 --> 0:33:05.440
<v Speaker 1>come back in and it's always good to see us.

0:33:05.480 --> 0:33:07.920
<v Speaker 1>So what have you been doing the last few months? Man?

0:33:08.560 --> 0:33:11.520
<v Speaker 1>Getting ready for this kid? Dude? Is that primarily what's

0:33:11.520 --> 0:33:14.760
<v Speaker 1>been on your mind? Yeah? I mean that, and you know,

0:33:14.880 --> 0:33:16.880
<v Speaker 1>getting ready for this I've been working a lot on

0:33:16.960 --> 0:33:20.480
<v Speaker 1>this album too that's coming out, and so yeah, just

0:33:20.600 --> 0:33:22.800
<v Speaker 1>to that between those two things, I have only played

0:33:22.920 --> 0:33:25.800
<v Speaker 1>maybe seven shows this year, I think, so it's been

0:33:25.960 --> 0:33:28.760
<v Speaker 1>really light in that sense. But is that purposeful because

0:33:28.840 --> 0:33:31.880
<v Speaker 1>of the kid and because of the new music or well?

0:33:31.920 --> 0:33:34.080
<v Speaker 1>I think it was just we did you know, I

0:33:34.400 --> 0:33:36.280
<v Speaker 1>did a tour last fall that was supposed to happen

0:33:36.320 --> 0:33:39.480
<v Speaker 1>two years ago, and then you know, I was fifty

0:33:40.640 --> 0:33:44.560
<v Speaker 1>fifty four shows in like four months or five months,

0:33:44.920 --> 0:33:48.040
<v Speaker 1>and so it was like when we were done, there

0:33:48.160 --> 0:33:51.120
<v Speaker 1>was just no plan to tour this springing because it

0:33:51.200 --> 0:33:52.360
<v Speaker 1>was like, we know, we had to work on the

0:33:52.400 --> 0:33:55.600
<v Speaker 1>album and the Kid wasn't in the plan for that.

0:33:56.040 --> 0:33:58.680
<v Speaker 1>You know, that wasn't part of the deal. I guess,

0:33:59.120 --> 0:34:00.520
<v Speaker 1>you know, and I knew a lot of people are

0:34:00.520 --> 0:34:01.760
<v Speaker 1>asking you about the kid and I will for a

0:34:01.800 --> 0:34:06.040
<v Speaker 1>second as well. Was this a timeline, like we were

0:34:06.080 --> 0:34:08.640
<v Speaker 1>going to have a kid at this point. No, I

0:34:08.680 --> 0:34:10.839
<v Speaker 1>mean we were. I mean we had been trying since

0:34:10.920 --> 0:34:12.840
<v Speaker 1>we got married, you know, so it was like, whenever

0:34:12.960 --> 0:34:15.880
<v Speaker 1>happens happens was kind of the plan. So it just

0:34:16.000 --> 0:34:18.400
<v Speaker 1>happened to be, you know, kind of in the middle

0:34:18.440 --> 0:34:22.200
<v Speaker 1>of that tour, and so it's kind of ends up

0:34:22.239 --> 0:34:25.120
<v Speaker 1>being perfect, perfect timing in a lot of ways. I'm

0:34:25.160 --> 0:34:26.879
<v Speaker 1>gonna ask you a few questions about this and then

0:34:27.239 --> 0:34:29.160
<v Speaker 1>we'll move from it. But I just have some questions

0:34:29.200 --> 0:34:31.640
<v Speaker 1>to somebody who, because we're talking about this now in

0:34:31.719 --> 0:34:35.040
<v Speaker 1>my life. How did she tell you? Have you shared that?

0:34:35.719 --> 0:34:38.440
<v Speaker 1>I don't think I've told anybody how she told me?

0:34:39.800 --> 0:34:41.040
<v Speaker 1>Did you Okay, you don't have to if you don't

0:34:41.040 --> 0:34:42.360
<v Speaker 1>want to, I'm not even gonna pressure you say it.

0:34:42.760 --> 0:34:44.640
<v Speaker 1>Did she tell you or did you find out together?

0:34:44.719 --> 0:34:49.000
<v Speaker 1>How about that? She told me? Yeah, and your reaction was, oh, cry,

0:34:49.080 --> 0:34:52.279
<v Speaker 1>I cried a lot. Yeah, I was very excited. Can

0:34:52.360 --> 0:34:55.759
<v Speaker 1>you remember that moment pretty vividly or does it kind

0:34:55.760 --> 0:34:58.279
<v Speaker 1>of black out? No? I remember it very vividly. It

0:34:58.400 --> 0:34:59.840
<v Speaker 1>was on the bus. She told me on the b

0:35:00.040 --> 0:35:02.160
<v Speaker 1>us when it's just me and her on there, Um,

0:35:03.040 --> 0:35:06.240
<v Speaker 1>I think she had been on a trip with some friends,

0:35:06.520 --> 0:35:08.960
<v Speaker 1>like a girl's trip type thing. I think they went

0:35:09.040 --> 0:35:12.840
<v Speaker 1>to Sedona. Is that a place that sounds fancy? I

0:35:12.880 --> 0:35:16.960
<v Speaker 1>don't know where to wine? Is there a wine there? Yeah? Maybe?

0:35:17.160 --> 0:35:19.120
<v Speaker 1>Is that a wine place? I don't know. It's like

0:35:19.440 --> 0:35:22.879
<v Speaker 1>like redneck Nappa maybe or something. I'm not sure you're

0:35:22.880 --> 0:35:25.080
<v Speaker 1>asking a rolling guy because we didn't have that in Arkansas,

0:35:25.320 --> 0:35:27.480
<v Speaker 1>but they went. They went there, her and some of

0:35:27.560 --> 0:35:30.320
<v Speaker 1>her friends, and I guess she found out on the

0:35:30.440 --> 0:35:33.399
<v Speaker 1>trip on that trip, which, if it is a wine place,

0:35:33.560 --> 0:35:39.520
<v Speaker 1>is really unfortunate because to do so. At what point

0:35:39.880 --> 0:35:41.759
<v Speaker 1>does that start that you're going to be a dad

0:35:41.840 --> 0:35:44.919
<v Speaker 1>start to creep into your creative process when you're thinking,

0:35:45.320 --> 0:35:48.960
<v Speaker 1>because that's someone who is writing or thinking about writing,

0:35:49.000 --> 0:35:50.800
<v Speaker 1>and you're coming up with ideas and you know you

0:35:50.920 --> 0:35:54.480
<v Speaker 1>are basing a lot of it on your inspiration. Is

0:35:54.960 --> 0:35:57.160
<v Speaker 1>when does that start to creep in? Well, it really

0:35:57.239 --> 0:36:00.440
<v Speaker 1>hasn't yet too much because a lot, I mean, every

0:36:00.480 --> 0:36:04.760
<v Speaker 1>song that's gonna be on this album was written before

0:36:04.800 --> 0:36:08.759
<v Speaker 1>I found out, So there isn't. I don't have the

0:36:09.160 --> 0:36:11.960
<v Speaker 1>like dad, But are you writing now? Have you written

0:36:11.960 --> 0:36:14.400
<v Speaker 1>any songs? I haven't I haven't. I'm just kind of waiting.

0:36:14.600 --> 0:36:16.560
<v Speaker 1>I'm just kind of waiting, like I feel like until

0:36:16.600 --> 0:36:19.439
<v Speaker 1>he's born, you know, it's gonna be the I feel

0:36:19.440 --> 0:36:21.279
<v Speaker 1>like that's gonna be the moment. You know, there's not

0:36:21.360 --> 0:36:24.560
<v Speaker 1>many songs you can write about like cleaning out your

0:36:24.800 --> 0:36:28.160
<v Speaker 1>guest room and like buying diaper trash cans and stuff.

0:36:28.239 --> 0:36:30.560
<v Speaker 1>You know, I think if you do it, if anybody could, though,

0:36:31.120 --> 0:36:32.759
<v Speaker 1>I think you'd have you'd have a way of doing that.

0:36:34.080 --> 0:36:37.040
<v Speaker 1>I love it. You mean diaper Genie, Yes, yes, diaper

0:36:37.120 --> 0:36:44.040
<v Speaker 1>Genie shot out sponsor me Luke Holmbs is here And

0:36:44.200 --> 0:36:47.680
<v Speaker 1>so the album comes out June twenty fourth. You've put

0:36:47.719 --> 0:36:50.719
<v Speaker 1>out two songs from this new record, doing this and

0:36:50.840 --> 0:36:54.360
<v Speaker 1>then tomorrow me. So, is there some sort of strategy

0:36:54.440 --> 0:36:57.400
<v Speaker 1>as what songs you release first and second from the

0:36:57.440 --> 0:37:00.480
<v Speaker 1>album or like fast slow? Like what happened there? Doing

0:37:00.560 --> 0:37:04.239
<v Speaker 1>this was? Man, we were just kind of I don't

0:37:04.280 --> 0:37:05.920
<v Speaker 1>want to say, like hanging on for dear life, but

0:37:06.000 --> 0:37:09.000
<v Speaker 1>it's like we I really loved that song, you know,

0:37:09.120 --> 0:37:11.480
<v Speaker 1>ever since since I wrote it, and you know, we

0:37:11.600 --> 0:37:15.640
<v Speaker 1>debuted on the CMA's Last Fall, which was really cool

0:37:15.880 --> 0:37:18.279
<v Speaker 1>to get to do that. Um, but there was no

0:37:18.920 --> 0:37:22.279
<v Speaker 1>plan yet for an album, like for the album at

0:37:22.360 --> 0:37:24.520
<v Speaker 1>that time that that song came out. I mean, we

0:37:24.680 --> 0:37:27.920
<v Speaker 1>knew it would eventually be on whatever album was going

0:37:28.000 --> 0:37:30.680
<v Speaker 1>to come out, but it was like we had that song,

0:37:30.840 --> 0:37:32.719
<v Speaker 1>it was done and we really loved it, and it

0:37:32.840 --> 0:37:35.080
<v Speaker 1>was like, well, it's just time to put something new

0:37:35.160 --> 0:37:38.880
<v Speaker 1>out and so then we'll just that will just be

0:37:39.040 --> 0:37:41.480
<v Speaker 1>the first song from the album. But when it came out,

0:37:41.600 --> 0:37:44.400
<v Speaker 1>that was never that was never the plan. Um and

0:37:44.520 --> 0:37:47.640
<v Speaker 1>then tomorrow me, He's just a song man, just loved

0:37:47.640 --> 0:37:50.040
<v Speaker 1>the way it sounds. Somebody's a fan had asked me

0:37:50.160 --> 0:37:52.840
<v Speaker 1>that on on Twitter the other day. I don't I

0:37:52.840 --> 0:37:54.640
<v Speaker 1>don't know if it's going to be called that forever

0:37:54.800 --> 0:38:00.800
<v Speaker 1>now that somebody else, Yeah, yeah, Tesla or Twesla dwet

0:38:00.840 --> 0:38:03.400
<v Speaker 1>Slow that's it. But yeah, they asked me like why

0:38:03.440 --> 0:38:05.840
<v Speaker 1>did you put this song out? And I was like,

0:38:05.920 --> 0:38:08.319
<v Speaker 1>I don't know. I just like it, you know, it's

0:38:08.320 --> 0:38:11.400
<v Speaker 1>just there's I don't know. It's sometimes I think like

0:38:11.520 --> 0:38:14.120
<v Speaker 1>I did this as a fan too, was like I

0:38:14.160 --> 0:38:17.319
<v Speaker 1>always try to like read into what somebody's like, what's there?

0:38:17.880 --> 0:38:19.880
<v Speaker 1>What were they thinking? Like what does this mean? And

0:38:19.960 --> 0:38:22.440
<v Speaker 1>I'm like sometimes it just doesn't mean anything, you know

0:38:22.520 --> 0:38:24.239
<v Speaker 1>what I mean, And like not in a bad way,

0:38:24.840 --> 0:38:27.120
<v Speaker 1>but it's just like I really loved that song and

0:38:28.840 --> 0:38:31.319
<v Speaker 1>I wanted to put it out. What's the that's funny

0:38:31.360 --> 0:38:33.239
<v Speaker 1>you say that, what's the most fun song that you've

0:38:33.280 --> 0:38:37.160
<v Speaker 1>ever written and recorded that really had the least depth

0:38:37.280 --> 0:38:40.520
<v Speaker 1>on purpose? Does that question make sense? Yeah, it's that

0:38:40.680 --> 0:38:43.200
<v Speaker 1>it's fun. It's just for fun. We just were feeling

0:38:43.239 --> 0:38:45.239
<v Speaker 1>good and we did it. Yeah, what is um? I

0:38:45.520 --> 0:38:47.880
<v Speaker 1>probably love it on you? You know. And it's just

0:38:48.040 --> 0:38:51.440
<v Speaker 1>like sometimes you're you're in the writing room and it's like, okay,

0:38:51.520 --> 0:38:54.920
<v Speaker 1>sometimes you do have this really heavy thing that you're

0:38:54.960 --> 0:38:57.040
<v Speaker 1>thinking about that you can't stop thinking about, that you

0:38:57.120 --> 0:39:00.360
<v Speaker 1>have to write about. And sometimes you know, it's like

0:39:00.520 --> 0:39:02.479
<v Speaker 1>you get in there and it's like, hey man, let's

0:39:02.520 --> 0:39:05.040
<v Speaker 1>rude an them hit song today. You know, like it

0:39:05.160 --> 0:39:08.880
<v Speaker 1>can be that simple of a conversation. But and a

0:39:08.960 --> 0:39:11.520
<v Speaker 1>lot of times, for me, a song like loving on You,

0:39:11.680 --> 0:39:14.680
<v Speaker 1>I'm always thinking about I need something that I feel

0:39:14.680 --> 0:39:16.800
<v Speaker 1>like it's gonna be really great for the show, for

0:39:16.920 --> 0:39:19.920
<v Speaker 1>the live show, because that's kind of always been my

0:39:20.000 --> 0:39:22.160
<v Speaker 1>focus is like, you know, I don't want to have

0:39:23.200 --> 0:39:24.960
<v Speaker 1>you know, it's like, obviously, you know, I've just put

0:39:25.000 --> 0:39:27.120
<v Speaker 1>out doing this and tomorrow me so it's gonna sound

0:39:27.560 --> 0:39:29.360
<v Speaker 1>you know, probably ridiculous. But I try to not have

0:39:29.480 --> 0:39:33.399
<v Speaker 1>too many slow songs. But it's not. Man, something about

0:39:33.400 --> 0:39:35.680
<v Speaker 1>a sad song makes me happy, you know, I don't

0:39:35.680 --> 0:39:37.960
<v Speaker 1>know why the same. Yeah, when I'm listening to music

0:39:38.680 --> 0:39:42.239
<v Speaker 1>for myself, I always pick slow songs. Yeah, I guess

0:39:42.680 --> 0:39:44.799
<v Speaker 1>there are not a lot of upbeat bangers that I'm like, all,

0:39:44.880 --> 0:39:46.680
<v Speaker 1>I guess me time, let me listen, Yeah, let me

0:39:46.760 --> 0:39:48.320
<v Speaker 1>listen to some Let me get in my feels to

0:39:48.440 --> 0:39:50.000
<v Speaker 1>some beer and over in my heart, you know what

0:39:50.040 --> 0:39:55.800
<v Speaker 1>I mean. Luke Holmbs is here being such a prolific songwriter.

0:39:56.040 --> 0:39:59.239
<v Speaker 1>I wonder when these cases continue to come out, where

0:39:59.280 --> 0:40:01.840
<v Speaker 1>folks are going, all right, this song was written in

0:40:01.960 --> 0:40:04.080
<v Speaker 1>nineteen seventy one, and it looks like, you know, this

0:40:04.200 --> 0:40:06.719
<v Speaker 1>person stole this song. This it's happening all the time,

0:40:06.800 --> 0:40:08.440
<v Speaker 1>and a lot of people go, well, there's only so

0:40:08.520 --> 0:40:11.600
<v Speaker 1>many chords and so many notes, but endless ideas. How

0:40:11.640 --> 0:40:14.719
<v Speaker 1>do you protect yourself from that? Because any song you write,

0:40:15.040 --> 0:40:19.040
<v Speaker 1>almost just mathematically, is going to have similarities to other songs. Yeah,

0:40:19.080 --> 0:40:22.600
<v Speaker 1>I mean, I think I don't think that you can really,

0:40:23.040 --> 0:40:25.560
<v Speaker 1>I mean in the sense of you just got to

0:40:25.600 --> 0:40:29.360
<v Speaker 1>write stuff, and you know, if that happens, it happens.

0:40:29.400 --> 0:40:32.359
<v Speaker 1>I mean, it hasn't happened to me, Kno, you know, um,

0:40:33.040 --> 0:40:35.120
<v Speaker 1>which maybe tells you that I don't steal people's stuff,

0:40:35.840 --> 0:40:38.640
<v Speaker 1>but I don't. I don't know. I mean, I'm sure

0:40:38.680 --> 0:40:41.800
<v Speaker 1>it's bound to happen to me at some point, and

0:40:42.000 --> 0:40:43.920
<v Speaker 1>yeah there. I mean, I think you are bound to

0:40:44.440 --> 0:40:47.080
<v Speaker 1>step all over something that somebody else has done, you know,

0:40:47.239 --> 0:40:51.080
<v Speaker 1>intentionally or not. I mean it's a tough though. Man,

0:40:51.200 --> 0:40:54.279
<v Speaker 1>that's a tough thing because it's just like how many

0:40:54.360 --> 0:40:57.560
<v Speaker 1>songs get put out every day? Twenty thousand songs every

0:40:57.640 --> 0:41:01.480
<v Speaker 1>day I think, get put on you know, streaming services.

0:41:01.560 --> 0:41:04.200
<v Speaker 1>So it's like eventually, I mean, how many songs is

0:41:04.200 --> 0:41:06.960
<v Speaker 1>that a year? I mean millions. Yeah, it's just mathematically,

0:41:07.040 --> 0:41:09.400
<v Speaker 1>it's just if there's only twelve notes or something, you know,

0:41:09.640 --> 0:41:12.879
<v Speaker 1>that you can do. I mean obviously that's not There's

0:41:13.280 --> 0:41:15.759
<v Speaker 1>you know, an endless amount of songs that probably sound

0:41:15.840 --> 0:41:18.080
<v Speaker 1>really similar to each other. Well I can, I guess.

0:41:18.120 --> 0:41:19.680
<v Speaker 1>By two thousand and two, I wrote a song called

0:41:20.120 --> 0:41:22.440
<v Speaker 1>getting Shoved by Other dudes and it goes because I

0:41:22.600 --> 0:41:25.000
<v Speaker 1>hate it getting shove by other dudes. It sounds a

0:41:25.040 --> 0:41:29.719
<v Speaker 1>lot like loving on you. That's all the same. Yeah,

0:41:29.719 --> 0:41:34.080
<v Speaker 1>I have to go. I'm just saying your first floating

0:41:34.120 --> 0:41:36.560
<v Speaker 1>that up there, and you know obviously too, it's whenever

0:41:36.640 --> 0:41:39.200
<v Speaker 1>song becomes massive, sure, because then it's a target and

0:41:39.200 --> 0:41:40.879
<v Speaker 1>it's like we can make a little money off that. Yeah,

0:41:40.960 --> 0:41:42.640
<v Speaker 1>I just you know, it just feels like you have

0:41:42.719 --> 0:41:45.759
<v Speaker 1>to be protected. And mine is nothing like yours. But

0:41:46.120 --> 0:41:48.279
<v Speaker 1>I write comedy songs and jokes, and I have to

0:41:48.320 --> 0:41:52.399
<v Speaker 1>have insurance that if I do get sued libel type yeah,

0:41:52.680 --> 0:41:54.920
<v Speaker 1>well not not even liabel, but if I do get

0:41:54.960 --> 0:41:57.560
<v Speaker 1>sued because someone said, hey, you stole a melody from

0:41:57.600 --> 0:42:00.319
<v Speaker 1>this song, like I have insurance up to us point.

0:42:00.320 --> 0:42:02.239
<v Speaker 1>I would imagine a premium one like your stuff would

0:42:02.239 --> 0:42:04.880
<v Speaker 1>be crazy. You know what scares me about it and

0:42:04.960 --> 0:42:07.080
<v Speaker 1>may be saying this is just the worst idea ever

0:42:07.080 --> 0:42:09.440
<v Speaker 1>because it can be invented now. But me and my

0:42:09.480 --> 0:42:12.399
<v Speaker 1>guitar player talk all the time about at what point

0:42:12.520 --> 0:42:15.680
<v Speaker 1>is there just an app that you can play it

0:42:15.719 --> 0:42:17.880
<v Speaker 1>into it to see if it's been how much of it?

0:42:18.080 --> 0:42:22.040
<v Speaker 1>What percentage of this that terrifies me, even if it's unintentional,

0:42:22.760 --> 0:42:25.879
<v Speaker 1>you know, because then you're getting into things where it's like, oh, well,

0:42:25.920 --> 0:42:28.480
<v Speaker 1>here's some song, yeah that came out in nineteen eighty

0:42:28.560 --> 0:42:31.080
<v Speaker 1>that was no one's ever heard, something that no one's

0:42:31.120 --> 0:42:34.360
<v Speaker 1>ever heard, and they go, well, you, it's too close

0:42:34.440 --> 0:42:36.560
<v Speaker 1>to this thing, even if you've never even heard that song.

0:42:36.719 --> 0:42:38.200
<v Speaker 1>But then what I would do is that was interesting.

0:42:38.360 --> 0:42:40.239
<v Speaker 1>I'd find the limit, like I say, it was nineteen percent.

0:42:40.320 --> 0:42:42.800
<v Speaker 1>I would steal from the greatest songs eighteen percent purposely.

0:42:43.440 --> 0:42:47.000
<v Speaker 1>I would find a way around. I would actually right

0:42:47.120 --> 0:42:49.279
<v Speaker 1>then there'd be some definition of how much, and I'd

0:42:49.320 --> 0:42:52.360
<v Speaker 1>be like, what are you gonna do? That's true. They

0:42:52.360 --> 0:42:56.279
<v Speaker 1>assume they couldn't and they couldn't. Well, Bobby, who was it?

0:42:56.480 --> 0:42:59.960
<v Speaker 1>Is it? Ed Sheering that is now videos every writing session,

0:43:00.000 --> 0:43:03.239
<v Speaker 1>and that he does have to go, yeah, look, he said,

0:43:03.280 --> 0:43:06.000
<v Speaker 1>this is us organically coming up with this. It's just

0:43:06.080 --> 0:43:08.640
<v Speaker 1>fascinating to me. I have this whole album on video.

0:43:09.000 --> 0:43:11.000
<v Speaker 1>Not for that reason. You guys watch it sometimes you're

0:43:11.000 --> 0:43:14.920
<v Speaker 1>in the call to sit around and watch it. Like me,

0:43:15.040 --> 0:43:18.959
<v Speaker 1>watching myself makes me absolutely cringe, like anything. What about

0:43:19.000 --> 0:43:21.319
<v Speaker 1>a live do you watch your live shows back ever

0:43:21.480 --> 0:43:25.439
<v Speaker 1>or listen back no game tape. No, it's just God,

0:43:25.560 --> 0:43:30.440
<v Speaker 1>just cringe me out. I think, what about posting live performances?

0:43:30.560 --> 0:43:32.359
<v Speaker 1>Do you post him or do you have somebody else?

0:43:33.160 --> 0:43:35.479
<v Speaker 1>I have somebody else that does that if if something

0:43:35.520 --> 0:43:38.480
<v Speaker 1>like that comes up. But yeah, I don't know. I

0:43:38.600 --> 0:43:41.480
<v Speaker 1>just it's just I don't know. It's just strange, you know,

0:43:41.719 --> 0:43:43.879
<v Speaker 1>I understand. I don't listen to the show, and I'll

0:43:43.920 --> 0:43:46.080
<v Speaker 1>get some because the opera will let me post any

0:43:46.120 --> 0:43:47.279
<v Speaker 1>of my stand up that I do there, and I'll

0:43:47.320 --> 0:43:49.080
<v Speaker 1>watch it and I'll be like, I don't like how

0:43:49.120 --> 0:43:51.120
<v Speaker 1>I said that word. I look like an idiot. And

0:43:51.239 --> 0:43:52.719
<v Speaker 1>my wife would be like, that's pretty funny. You can

0:43:52.840 --> 0:43:56.080
<v Speaker 1>I'm like, mm, I don't think so I slurt. But

0:43:56.200 --> 0:43:57.960
<v Speaker 1>it's like it's not for you. I guess it's not

0:43:58.080 --> 0:44:00.800
<v Speaker 1>for us to like, you know what I mean, like

0:44:01.160 --> 0:44:04.160
<v Speaker 1>because I don't the intention, Like we are the only

0:44:04.320 --> 0:44:07.520
<v Speaker 1>person in the world that can't watch our show and

0:44:07.680 --> 0:44:12.560
<v Speaker 1>think about it, you know, objectively or whatever. What's what's

0:44:12.600 --> 0:44:14.880
<v Speaker 1>on the goal list for you now? Like I wonder

0:44:14.920 --> 0:44:18.239
<v Speaker 1>what drives you at this point to be a better

0:44:18.400 --> 0:44:21.080
<v Speaker 1>version of yourself. Let's keep personal out of it because

0:44:21.080 --> 0:44:23.520
<v Speaker 1>you have a big, big thing music. Yeah, professionally what

0:44:23.640 --> 0:44:26.320
<v Speaker 1>drives you now, I don't know. I mean, you know,

0:44:26.400 --> 0:44:28.920
<v Speaker 1>always wanting to write better songs I think is the

0:44:29.400 --> 0:44:33.160
<v Speaker 1>top thing for me. Um And I think I don't

0:44:33.239 --> 0:44:35.360
<v Speaker 1>you know, I don't know if that's if you can't

0:44:35.360 --> 0:44:38.759
<v Speaker 1>even do that or what I mean, But I don't know.

0:44:38.840 --> 0:44:40.799
<v Speaker 1>I just want to have a long career. I think

0:44:40.920 --> 0:44:43.799
<v Speaker 1>now at this point, it's like, you know, I've been

0:44:43.880 --> 0:44:46.680
<v Speaker 1>doing it for I don't know, for five years now

0:44:46.800 --> 0:44:50.400
<v Speaker 1>or four years now on kind of in an official

0:44:50.560 --> 0:44:53.520
<v Speaker 1>sense of like having a deal and putting stuff out

0:44:53.560 --> 0:44:56.560
<v Speaker 1>and playing shows, doing stuff like this, and I would

0:44:56.600 --> 0:44:58.600
<v Speaker 1>just like to continue to do that, you know, like

0:44:58.760 --> 0:45:01.000
<v Speaker 1>continue to be in the conver sation for like the

0:45:01.360 --> 0:45:03.200
<v Speaker 1>people at the top of the genre. I think for

0:45:03.320 --> 0:45:05.600
<v Speaker 1>the next you know, ten years or fifteen years, I

0:45:05.680 --> 0:45:08.560
<v Speaker 1>think is something that I would like to do. You know.

0:45:09.440 --> 0:45:11.640
<v Speaker 1>Whenever do you order Uber eats to your house ever,

0:45:11.760 --> 0:45:13.960
<v Speaker 1>or Uber eats or like Postmate, we don't have that.

0:45:14.040 --> 0:45:17.840
<v Speaker 1>It doesn't come out that far. Okay, nothing like that.

0:45:18.320 --> 0:45:20.239
<v Speaker 1>What about if you're in a city, do you ever

0:45:20.320 --> 0:45:23.480
<v Speaker 1>use Uber period? Do you ever put your name on

0:45:23.520 --> 0:45:29.040
<v Speaker 1>an app? I guess no. It's like I'm like, it's

0:45:29.120 --> 0:45:32.120
<v Speaker 1>never I don't think I've ever had like an instance

0:45:32.200 --> 0:45:36.000
<v Speaker 1>where it's happened where someone's been like I've had like

0:45:36.080 --> 0:45:39.279
<v Speaker 1>where all of a sudden, the person delivering it recognizes me,

0:45:40.040 --> 0:45:42.360
<v Speaker 1>but it's not like my stuff was in there, like

0:45:42.400 --> 0:45:44.360
<v Speaker 1>I we'll order Uber Eats or something to like or

0:45:44.400 --> 0:45:47.320
<v Speaker 1>Postmates to like a hotel, or but your name's on it.

0:45:47.360 --> 0:45:50.440
<v Speaker 1>It's not delivering to No, it'll just be like like

0:45:50.560 --> 0:45:53.440
<v Speaker 1>you can just put like lc as your name on

0:45:53.520 --> 0:45:56.680
<v Speaker 1>there or whatever guy who wrote loving on you yea

0:45:57.640 --> 0:46:01.359
<v Speaker 1>or yeah and dad yeah, if you're out it again,

0:46:01.400 --> 0:46:04.000
<v Speaker 1>I'm gonna go a little personal here. What's your daily

0:46:04.120 --> 0:46:07.720
<v Speaker 1>drive around car? I drove four to f to fifty

0:46:07.800 --> 0:46:10.680
<v Speaker 1>here today, That's what That's what I kind of Are

0:46:10.719 --> 0:46:14.320
<v Speaker 1>your windows tinted? The front ones are not? So do

0:46:14.520 --> 0:46:16.759
<v Speaker 1>people ever see you? And then go, holy craft, there's

0:46:16.800 --> 0:46:19.880
<v Speaker 1>lucom Le's let's follow him. I don't think it's ever

0:46:20.000 --> 0:46:23.839
<v Speaker 1>been like fall Like where I live. It's like it's

0:46:23.880 --> 0:46:26.239
<v Speaker 1>a smaller town. It's like an hour from Nashville, so

0:46:26.840 --> 0:46:29.440
<v Speaker 1>everybody just knows that I live there. You know, I've

0:46:29.480 --> 0:46:31.879
<v Speaker 1>lived there for three years now, and so it's kind

0:46:31.880 --> 0:46:34.440
<v Speaker 1>of like I don't want to say they're over it,

0:46:34.560 --> 0:46:36.320
<v Speaker 1>but they're just kind of over it. You know, what

0:46:36.440 --> 0:46:39.440
<v Speaker 1>about if you're in town and you're just traffic life, Yeah,

0:46:39.440 --> 0:46:41.960
<v Speaker 1>it happens a lot at that point, Like, oh my god, yeah, yeah,

0:46:42.000 --> 0:46:44.279
<v Speaker 1>it happens all the time. But I just hate the

0:46:44.360 --> 0:46:46.440
<v Speaker 1>tinted windows thing because I feel like at nighttime I

0:46:46.480 --> 0:46:49.200
<v Speaker 1>can't really see super well that's a probably better reason

0:46:49.200 --> 0:46:51.439
<v Speaker 1>than I get the Tenet win. I don't know, it's

0:46:51.480 --> 0:46:54.080
<v Speaker 1>like it's like I've just it used to bother me

0:46:54.400 --> 0:46:56.200
<v Speaker 1>a lot, Like it took me a long time to

0:46:56.320 --> 0:46:59.640
<v Speaker 1>get used to, like the fact that people like I

0:46:59.640 --> 0:47:02.320
<v Speaker 1>always felt like people were staring at me or something like,

0:47:03.520 --> 0:47:05.719
<v Speaker 1>and that took me a good I don't know. It

0:47:05.840 --> 0:47:09.520
<v Speaker 1>was like up until I guess, up until COVID happened,

0:47:10.440 --> 0:47:12.880
<v Speaker 1>it really bothered me. And then afterwards, like I've just

0:47:13.000 --> 0:47:16.040
<v Speaker 1>had two years to just like kind of just bathe

0:47:16.040 --> 0:47:18.440
<v Speaker 1>in it. You know, you just kind of like understand

0:47:18.560 --> 0:47:20.320
<v Speaker 1>that this is how your life's gonna be for a

0:47:20.400 --> 0:47:23.759
<v Speaker 1>while or maybe forever, and so I'm just fine with it,

0:47:23.920 --> 0:47:26.759
<v Speaker 1>Like it doesn't bother me at all anymore. Your transition

0:47:26.800 --> 0:47:32.000
<v Speaker 1>has been rapid from dude to really famous. Dude. Feels

0:47:32.000 --> 0:47:33.320
<v Speaker 1>like you've been over twenty years with the stings that

0:47:33.400 --> 0:47:34.839
<v Speaker 1>you have. But like you said, it's been four years

0:47:34.920 --> 0:47:38.160
<v Speaker 1>or so, can you go and just have dinner at

0:47:38.200 --> 0:47:41.840
<v Speaker 1>a restaurant? Yeah you can, Yeah, without getting in a

0:47:41.920 --> 0:47:44.080
<v Speaker 1>corner or a boot, Like, can you just you go in?

0:47:44.200 --> 0:47:45.640
<v Speaker 1>It'd be like you'd like to have a table. Now

0:47:45.719 --> 0:47:47.840
<v Speaker 1>you have to pick the restaurant, like you have to, like,

0:47:48.640 --> 0:47:53.120
<v Speaker 1>you know, I the first time I ever hung out

0:47:53.120 --> 0:47:58.320
<v Speaker 1>with Edgeering was at the Twin Peaks in Brentwood. True story,

0:47:59.200 --> 0:48:01.080
<v Speaker 1>True story, which by the way, Twin Peaks of the

0:48:01.200 --> 0:48:05.279
<v Speaker 1>chain like it's like yes, yes, yes, Well he had

0:48:05.360 --> 0:48:07.719
<v Speaker 1>hit me up and was like, hey, you know, it's

0:48:07.760 --> 0:48:10.680
<v Speaker 1>like let's hang out on whatever, and he that's where

0:48:10.719 --> 0:48:14.040
<v Speaker 1>he told me he was, and I was like, okay,

0:48:15.000 --> 0:48:17.560
<v Speaker 1>so I'm on the way. It's like me and my

0:48:17.719 --> 0:48:22.040
<v Speaker 1>wife and stuff. And I was like, hey, man, just

0:48:22.239 --> 0:48:26.319
<v Speaker 1>checking that you were going here. He was like yeah, yeah, dude,

0:48:26.360 --> 0:48:30.080
<v Speaker 1>we're here, come on, so get in there. And it's

0:48:30.160 --> 0:48:32.279
<v Speaker 1>like all of a sudden, dude that people start coming up,

0:48:32.560 --> 0:48:36.239
<v Speaker 1>coming up, coming up, and he's like, dude, I'm really sorry, man, like,

0:48:36.360 --> 0:48:38.480
<v Speaker 1>no one ever bothers me here, you know, And I

0:48:38.600 --> 0:48:43.640
<v Speaker 1>was like, dude, you've taken me into the beehive. Dude,

0:48:43.960 --> 0:48:47.880
<v Speaker 1>this is your wheelhouse. This is you. Like if you

0:48:48.040 --> 0:48:51.359
<v Speaker 1>if I took you to a wine bar, people would

0:48:51.400 --> 0:48:53.160
<v Speaker 1>be and I'm like, dude, no one ever bothers me

0:48:53.239 --> 0:48:56.200
<v Speaker 1>at this wine bar. But then you showed up, it

0:48:56.280 --> 0:48:58.799
<v Speaker 1>would be different. This is the same thing. Like if

0:48:58.880 --> 0:49:01.640
<v Speaker 1>you the only thing that would be worse would be like, hey, man,

0:49:01.680 --> 0:49:03.239
<v Speaker 1>do you want to go sit in the stands at

0:49:03.239 --> 0:49:06.279
<v Speaker 1>a NASCAR race? You know? He's like, no one ever

0:49:06.360 --> 0:49:08.600
<v Speaker 1>bothers me here at the NASCAR race. No one knows

0:49:08.600 --> 0:49:10.919
<v Speaker 1>who I am at the NASCAR race, you know, because

0:49:10.920 --> 0:49:13.800
<v Speaker 1>it's just not his you know, his crowd is not

0:49:14.040 --> 0:49:16.640
<v Speaker 1>at that place. Were you able to finish a meal?

0:49:16.719 --> 0:49:18.359
<v Speaker 1>Do you guys have to jump and go somewhere else?

0:49:18.800 --> 0:49:21.600
<v Speaker 1>We we I don't even think we ate. It was

0:49:21.680 --> 0:49:24.360
<v Speaker 1>like they like him and his buddies were there and

0:49:25.000 --> 0:49:27.600
<v Speaker 1>they had already eaten, and then we ended up going

0:49:27.680 --> 0:49:30.000
<v Speaker 1>somewhere else, Like I think I think it was like

0:49:30.120 --> 0:49:34.040
<v Speaker 1>Thursday night football. He calls Derrick Henry one dread because

0:49:34.080 --> 0:49:36.600
<v Speaker 1>he doesn't know it's like he doesn't know any Yeah,

0:49:37.239 --> 0:49:39.160
<v Speaker 1>Like he's like, oh, I like the Titans because I

0:49:39.320 --> 0:49:42.520
<v Speaker 1>like Nashville. Like if I cheer for an American football team,

0:49:42.560 --> 0:49:44.840
<v Speaker 1>it's the Titans. But he doesn't know any of the

0:49:44.920 --> 0:49:49.359
<v Speaker 1>player names. And it looks like the big yeah right, Yeah,

0:49:49.920 --> 0:49:52.279
<v Speaker 1>that's funny that he took you. That's his favorite player though,

0:49:52.719 --> 0:49:55.279
<v Speaker 1>is Derrick Henry. Yeah. Whenever you went an award, like

0:49:55.600 --> 0:49:58.719
<v Speaker 1>a Entertainer of the Year award, you know, you get

0:49:59.360 --> 0:50:01.960
<v Speaker 1>I mean a very like people get three, four or five,

0:50:02.040 --> 0:50:04.080
<v Speaker 1>six of those, and then you kind of start to

0:50:04.120 --> 0:50:05.960
<v Speaker 1>get so many of them, and even though you're killing it,

0:50:06.040 --> 0:50:07.920
<v Speaker 1>people start to go, well, he's already had it so

0:50:08.080 --> 0:50:10.239
<v Speaker 1>many times, right, I feel like now a little bit

0:50:10.280 --> 0:50:13.239
<v Speaker 1>you've had such success, Like are you preparing yourself for

0:50:13.480 --> 0:50:15.680
<v Speaker 1>not actually going down in any way still going up,

0:50:15.680 --> 0:50:17.600
<v Speaker 1>but people going, we've already given Luke all the awards.

0:50:17.640 --> 0:50:19.239
<v Speaker 1>We have to go somewhere else. I kind of I

0:50:19.440 --> 0:50:22.440
<v Speaker 1>kind of feel like I'm there a bit already, you know,

0:50:22.920 --> 0:50:26.480
<v Speaker 1>and I feel like that's made the like not that

0:50:26.560 --> 0:50:28.440
<v Speaker 1>I've had a bunch of entertainment when I had one,

0:50:28.600 --> 0:50:32.200
<v Speaker 1>but it's like it's kind of like you become it's

0:50:32.239 --> 0:50:34.560
<v Speaker 1>like the same version of the town that I live in.

0:50:35.280 --> 0:50:38.480
<v Speaker 1>It's people are like, oh yeah, that's you know, Luke

0:50:38.520 --> 0:50:41.160
<v Speaker 1>Hombs and he's really famous and that's cool. That's you know,

0:50:41.680 --> 0:50:44.359
<v Speaker 1>like especially when they see me out. It's like when

0:50:44.440 --> 0:50:47.040
<v Speaker 1>it's like I don't know if if you know, I

0:50:47.080 --> 0:50:49.640
<v Speaker 1>don't have kids yet, but you know, when you get

0:50:49.680 --> 0:50:52.279
<v Speaker 1>a kid a toy, they still have their favorite toy,

0:50:52.760 --> 0:50:54.680
<v Speaker 1>and then you get him a new toy and it's

0:50:54.760 --> 0:50:57.480
<v Speaker 1>like they love the new toy like crazy, and oh

0:50:57.520 --> 0:50:59.799
<v Speaker 1>my gosh, I love this new toy. And they still

0:50:59.840 --> 0:51:02.000
<v Speaker 1>have a bunch of other favorite toys, but they're not

0:51:02.080 --> 0:51:05.160
<v Speaker 1>as excited about them because of the new toy. And

0:51:05.280 --> 0:51:07.200
<v Speaker 1>not that I feel that way at all, but I

0:51:07.320 --> 0:51:09.520
<v Speaker 1>think that happens a lot. I mean, you know, look

0:51:09.560 --> 0:51:12.239
<v Speaker 1>at a guy like Luke Bryan's been around for ever.

0:51:12.440 --> 0:51:14.239
<v Speaker 1>The guy has done everything that you can possibly do,

0:51:14.320 --> 0:51:17.840
<v Speaker 1>and he's still like insanely famous. You know, it's just

0:51:18.000 --> 0:51:20.520
<v Speaker 1>a you're just at a different You're almost like you've

0:51:20.560 --> 0:51:24.000
<v Speaker 1>reached cruising altitude and you have to keep the plane

0:51:24.120 --> 0:51:27.320
<v Speaker 1>up there as opposed to you're not making the climb anymore,

0:51:27.400 --> 0:51:29.319
<v Speaker 1>which is a whole different thing. I think the Luke

0:51:29.320 --> 0:51:31.600
<v Speaker 1>Bryan analogy is great because yeah, he continues to kill

0:51:31.600 --> 0:51:33.680
<v Speaker 1>it and people just forget him for stuff. It's just

0:51:33.800 --> 0:51:38.080
<v Speaker 1>like he's insanely killing it all the time. You're stadiums

0:51:38.200 --> 0:51:40.680
<v Speaker 1>that you're doing. I mean, look at you. There's only

0:51:40.680 --> 0:51:43.920
<v Speaker 1>a few acts period in any any genre that can

0:51:44.160 --> 0:51:48.400
<v Speaker 1>play a stadium. Yeah, and you know to play seventy

0:51:48.440 --> 0:51:52.239
<v Speaker 1>eighty ninety thousand, Like that's wild. Do you when these

0:51:52.280 --> 0:51:54.240
<v Speaker 1>things go on sale? Do you go look at tickets

0:51:54.440 --> 0:51:57.000
<v Speaker 1>on these and click each section or is it a

0:51:57.040 --> 0:52:00.200
<v Speaker 1>different I never have. I've never done that for any

0:52:00.239 --> 0:52:03.799
<v Speaker 1>show ever. Like I've never gone and been like, oh man,

0:52:03.960 --> 0:52:06.359
<v Speaker 1>how many tickets were we doing? You know, you don't

0:52:06.360 --> 0:52:09.759
<v Speaker 1>even ask. I I'm not like a chart guy, Like

0:52:09.880 --> 0:52:12.320
<v Speaker 1>I'm not calling like how's the song doing on the charts?

0:52:12.440 --> 0:52:14.600
<v Speaker 1>You know, Like I don't know, Like I just find

0:52:14.640 --> 0:52:17.560
<v Speaker 1>if like if you're playing I don't know if like,

0:52:17.600 --> 0:52:20.200
<v Speaker 1>if you're playing for the end result, then it's kind

0:52:20.200 --> 0:52:24.160
<v Speaker 1>of you know, you missed the whole game, you know

0:52:24.200 --> 0:52:25.920
<v Speaker 1>what I mean? Like if you only care about winning.

0:52:26.200 --> 0:52:27.680
<v Speaker 1>Did you ever have a time in your career though,

0:52:27.920 --> 0:52:29.480
<v Speaker 1>And I'm sure you did. I guess I'm asking which

0:52:29.520 --> 0:52:31.360
<v Speaker 1>what was the last point where you go day. I

0:52:31.400 --> 0:52:33.160
<v Speaker 1>can't believe there weren't that many people that showed up

0:52:34.160 --> 0:52:36.759
<v Speaker 1>because it's been a while. Because you caught, and when

0:52:36.800 --> 0:52:39.280
<v Speaker 1>you caught in clubs, he couldn't pack enough people in clubs.

0:52:39.320 --> 0:52:41.759
<v Speaker 1>You couldn't get a venue that fit you because the

0:52:41.840 --> 0:52:43.680
<v Speaker 1>timing was always weird. You were going faster than the

0:52:43.719 --> 0:52:45.480
<v Speaker 1>shows were. Happy. Yeah, And the only time I was

0:52:45.560 --> 0:52:49.920
<v Speaker 1>ever worried about it was our first show of the

0:52:50.080 --> 0:52:52.920
<v Speaker 1>tour last fall. It was two We were doing two

0:52:53.000 --> 0:52:54.759
<v Speaker 1>nights in Raleigh and the whole tour had been sold

0:52:54.800 --> 0:52:59.520
<v Speaker 1>out for two years, but it was like okay, COVID

0:52:59.640 --> 0:53:05.040
<v Speaker 1>was still going on at that time, really, and it

0:53:05.239 --> 0:53:08.600
<v Speaker 1>was the first show is indoors. We were like one

0:53:08.640 --> 0:53:12.160
<v Speaker 1>of the first acts in the country to like tour inside,

0:53:12.920 --> 0:53:16.560
<v Speaker 1>especially on that level three sixty stage for the first

0:53:16.600 --> 0:53:18.480
<v Speaker 1>time ever center of the arena. No one on my

0:53:18.560 --> 0:53:20.640
<v Speaker 1>crew had ever done that before. I had never done

0:53:20.680 --> 0:53:24.120
<v Speaker 1>that before. And I'm sitting in the green room and

0:53:24.160 --> 0:53:28.760
<v Speaker 1>then like you know, I remember Ashley was on stage

0:53:29.320 --> 0:53:32.120
<v Speaker 1>and it's like yeah, yeah, and I kind of popped

0:53:32.120 --> 0:53:34.600
<v Speaker 1>out and I was like, oh, it's like it's like

0:53:34.719 --> 0:53:37.360
<v Speaker 1>getting a little thin out there. And I was like

0:53:37.480 --> 0:53:40.200
<v Speaker 1>pretty nervous about it, you know. I was like, I

0:53:40.280 --> 0:53:42.640
<v Speaker 1>mean these tickets. People bought these tickets two years ago,

0:53:43.280 --> 0:53:45.399
<v Speaker 1>you know, like I don't remember what I was doing

0:53:45.440 --> 0:53:48.440
<v Speaker 1>two years ago. What if they bought What if they

0:53:48.520 --> 0:53:50.799
<v Speaker 1>bought the tickets and just forgot that they have them?

0:53:51.280 --> 0:53:53.640
<v Speaker 1>And now I've got forty shows that I'm gonna do

0:53:54.440 --> 0:53:56.520
<v Speaker 1>that people don't even remember that they want to go

0:53:56.680 --> 0:53:59.840
<v Speaker 1>to because there it's been two years of insanity. And

0:54:00.040 --> 0:54:01.600
<v Speaker 1>then of course when I went out there, it was

0:54:01.680 --> 0:54:04.000
<v Speaker 1>just absolutely packed. I found out it was some sort

0:54:04.040 --> 0:54:11.680
<v Speaker 1>of like metal detecting thing or something where they like

0:54:11.719 --> 0:54:18.279
<v Speaker 1>to get people in fast enough. No, but I was,

0:54:18.640 --> 0:54:20.600
<v Speaker 1>I was, I was. I was worried about it because

0:54:20.640 --> 0:54:23.640
<v Speaker 1>because you just don't know, no one had toured inside yet.

0:54:24.400 --> 0:54:26.040
<v Speaker 1>This was the first show of the tour for us.

0:54:26.239 --> 0:54:28.520
<v Speaker 1>Every show we had done up to that point, for

0:54:28.760 --> 0:54:31.080
<v Speaker 1>you know, in two years had been outside for a

0:54:31.200 --> 0:54:33.919
<v Speaker 1>few months, and it's like the tickets or two years old.

0:54:33.960 --> 0:54:36.720
<v Speaker 1>So I didn't know. You know, it's not like everyone

0:54:36.800 --> 0:54:39.080
<v Speaker 1>calls me and goes, hey, man, see you there. It's

0:54:39.160 --> 0:54:41.640
<v Speaker 1>like I get twenty five thousand text messages of like

0:54:41.719 --> 0:54:44.279
<v Speaker 1>can't wait see tonight. You know, it's like you stn't know.

0:54:44.640 --> 0:54:46.880
<v Speaker 1>You know it's sold out, but you don't know if

0:54:46.880 --> 0:54:48.279
<v Speaker 1>those people are going to show up or not. And

0:54:48.360 --> 0:54:51.480
<v Speaker 1>I think, I mean, scans have been tough for people

0:54:51.600 --> 0:54:54.239
<v Speaker 1>the last I mean since since it came back. But

0:54:54.360 --> 0:54:56.359
<v Speaker 1>I mean, I think we averaged. I mean, I think

0:54:56.400 --> 0:54:58.880
<v Speaker 1>the worst night we had was like ninety percent of

0:54:59.040 --> 0:55:01.040
<v Speaker 1>the people showed up. It's the worst night we had.

0:55:01.840 --> 0:55:04.640
<v Speaker 1>Pretty good, just pretty good. Okay, I'm gonna I'm gonna

0:55:04.800 --> 0:55:08.279
<v Speaker 1>end you with this. And it's something and again the

0:55:08.360 --> 0:55:11.279
<v Speaker 1>scales are way different. But I'm doing shows here in town,

0:55:11.360 --> 0:55:13.560
<v Speaker 1>like comedy shows and like a motivational thing. And there's

0:55:13.560 --> 0:55:15.200
<v Speaker 1>a story that I'm gonna tell it I've never told before,

0:55:15.239 --> 0:55:18.520
<v Speaker 1>and I struggle with getting emotional telling it. I've never

0:55:18.640 --> 0:55:22.399
<v Speaker 1>told it without crying. And so my concern is I'm

0:55:22.440 --> 0:55:25.120
<v Speaker 1>going to get up in a show and I'm getting

0:55:25.120 --> 0:55:28.359
<v Speaker 1>to have such emotion that I'm and that's okay, I'm

0:55:28.440 --> 0:55:31.200
<v Speaker 1>great with it. I'll have emotion to be fine that

0:55:31.719 --> 0:55:34.080
<v Speaker 1>It'll be a struggle. Have there ever been songs or

0:55:34.200 --> 0:55:36.399
<v Speaker 1>do you kind of they get emotional but you play

0:55:36.440 --> 0:55:38.920
<v Speaker 1>them so many times, it starts to not be as emotional.

0:55:39.120 --> 0:55:41.239
<v Speaker 1>Does that ever happen with you where something triggers you

0:55:41.320 --> 0:55:43.919
<v Speaker 1>and you get emotional based on a memory. Yeah, it's

0:55:44.440 --> 0:55:47.000
<v Speaker 1>like for me, it's more like it's especially during like

0:55:47.120 --> 0:55:50.440
<v Speaker 1>even though I'm leaving, you know, and not that that

0:55:50.560 --> 0:55:53.560
<v Speaker 1>song is like it doesn't have like an insanely personal

0:55:53.680 --> 0:55:59.759
<v Speaker 1>thing that resonates for me, But there's always somebody in

0:56:00.080 --> 0:56:04.920
<v Speaker 1>like the front row that is just like devastated, like

0:56:05.200 --> 0:56:08.759
<v Speaker 1>and it's they're right there and it's like you're looking

0:56:08.800 --> 0:56:10.919
<v Speaker 1>at them and it's like there's like people holding them

0:56:11.120 --> 0:56:13.040
<v Speaker 1>and they're like, you know, they can't even like look

0:56:13.080 --> 0:56:15.279
<v Speaker 1>at the stage kind of thing. And like that's what

0:56:15.400 --> 0:56:17.480
<v Speaker 1>I struggle with the most, is when it hits somebody

0:56:17.520 --> 0:56:21.399
<v Speaker 1>else in that way, and I'm like seeing that I've

0:56:21.480 --> 0:56:25.040
<v Speaker 1>definitely gotten that way before. This One's for You has

0:56:25.120 --> 0:56:27.560
<v Speaker 1>gotten me a bunch of times because I played that

0:56:27.640 --> 0:56:33.520
<v Speaker 1>one by myself acoustic, especially at like Milestone type shows.

0:56:33.719 --> 0:56:36.320
<v Speaker 1>You know, like we did Red Rocks on like on

0:56:36.480 --> 0:56:38.759
<v Speaker 1>Mother's Day. It's like our first time playing there is

0:56:38.760 --> 0:56:41.600
<v Speaker 1>sold out. My mom was there, my mother in law

0:56:41.760 --> 0:56:44.680
<v Speaker 1>was there, and it's like, you know, I whole like family,

0:56:44.719 --> 0:56:46.600
<v Speaker 1>everybody wants to come to the Red Rocks and thing.

0:56:46.640 --> 0:56:49.320
<v Speaker 1>It's such a unique thing. And you know, my first,

0:56:50.480 --> 0:56:52.920
<v Speaker 1>you know, first stadium show was in the town that

0:56:53.000 --> 0:56:55.400
<v Speaker 1>I went to college in, you know, and so there

0:56:55.480 --> 0:56:58.080
<v Speaker 1>are just these milestone moments, and that song always kind

0:56:58.120 --> 0:57:00.879
<v Speaker 1>of hits that for me, because that's the song that really,

0:57:01.160 --> 0:57:02.800
<v Speaker 1>in a lot of ways for me, sums up like

0:57:03.440 --> 0:57:05.640
<v Speaker 1>I just moved to Nashville when I wrote it, and

0:57:05.760 --> 0:57:08.200
<v Speaker 1>it was like I just kind of thanking everybody for

0:57:08.360 --> 0:57:10.600
<v Speaker 1>like helping me get to that point, you know. And

0:57:11.120 --> 0:57:13.680
<v Speaker 1>so that one, that one strikes me a lot too. Well.

0:57:13.719 --> 0:57:15.279
<v Speaker 1>The story I tell us the first time I met

0:57:15.320 --> 0:57:17.360
<v Speaker 1>you and I start crying. So I'm gonna do it.

0:57:17.600 --> 0:57:19.680
<v Speaker 1>It's gonna be amazing, right guys, good luck. Yeah, I'm

0:57:19.680 --> 0:57:23.880
<v Speaker 1>gonna be like he just wants choked up. Alright. Listen,

0:57:23.960 --> 0:57:26.320
<v Speaker 1>Luke Holmbs is here. He's gonna come back. We won't

0:57:26.320 --> 0:57:28.400
<v Speaker 1>see you for a bit, but the new album coming

0:57:28.400 --> 0:57:30.160
<v Speaker 1>out in a couple of months. April made You Yeah,

0:57:30.160 --> 0:57:31.680
<v Speaker 1>two months, two months. Luke will be back in a

0:57:31.680 --> 0:57:34.120
<v Speaker 1>couple of months. But dude, thanks for the new song. Uh,

0:57:34.360 --> 0:57:37.720
<v Speaker 1>good luck. Luke Holmbs dot com and um if there

0:57:37.720 --> 0:57:39.960
<v Speaker 1>are any tickets anywhere, that's where you go and find them.

0:57:40.240 --> 0:57:42.600
<v Speaker 1>Other than that, killing it. Love to see you when

0:57:42.600 --> 0:57:44.320
<v Speaker 1>you come around, and I will see you. Assume a

0:57:44.400 --> 0:57:47.600
<v Speaker 1>friend for s all right, there is Luke holmbs. It's

0:57:47.680 --> 0:57:51.160
<v Speaker 1>the Best Bits of the Week with Morgan number two.

0:57:52.480 --> 0:57:54.880
<v Speaker 1>This one is a little controversial putting in at number

0:57:54.920 --> 0:57:58.760
<v Speaker 1>two because we did reveal some things about the storage

0:57:58.840 --> 0:58:01.080
<v Speaker 1>und that Bobby and lunch Box bot, but we also

0:58:01.120 --> 0:58:06.520
<v Speaker 1>couldn't reveal quite everything because it was a little iffy situation.

0:58:06.720 --> 0:58:09.480
<v Speaker 1>So that's about it. I know some people are mad

0:58:09.560 --> 0:58:11.560
<v Speaker 1>we didn't reveal it, and I know that you guys

0:58:11.560 --> 0:58:13.160
<v Speaker 1>are gonna listen to be like, well, that wasn't really

0:58:13.200 --> 0:58:15.600
<v Speaker 1>a reveal, but you should still listen. You gotta get

0:58:15.600 --> 0:58:17.520
<v Speaker 1>caught up because at some point down the line, we're

0:58:17.520 --> 0:58:19.480
<v Speaker 1>going to reveal some of this information and you can

0:58:19.560 --> 0:58:22.400
<v Speaker 1>put the two pieces together on your op number two

0:58:22.640 --> 0:58:25.840
<v Speaker 1>at the big moments. Finally here, So Lunchbox went out

0:58:25.880 --> 0:58:28.440
<v Speaker 1>to our storage unit that we won in an auction

0:58:28.560 --> 0:58:31.320
<v Speaker 1>last week. All we could see it was a few

0:58:31.360 --> 0:58:36.240
<v Speaker 1>pictures taken from basically outside the storage unit. We put

0:58:36.280 --> 0:58:38.640
<v Speaker 1>our money together the winning bid was one hundred and

0:58:38.760 --> 0:58:41.920
<v Speaker 1>ninety dollars, but after taxes and a little feet of

0:58:41.920 --> 0:58:45.120
<v Speaker 1>the auction side, we paid two hundred thirty six dollars

0:58:45.200 --> 0:58:47.840
<v Speaker 1>and nine cents for everything in this store. At you

0:58:47.960 --> 0:58:50.800
<v Speaker 1>move with the goal of taking it and selling it

0:58:50.920 --> 0:58:53.600
<v Speaker 1>and making more than two hundred thirty six dollars and

0:58:53.760 --> 0:58:59.440
<v Speaker 1>nine cents. So here is Lunchbox arriving at the We nervous. Oh,

0:59:00.000 --> 0:59:01.640
<v Speaker 1>I was so nervous because I was like, what if

0:59:01.640 --> 0:59:05.000
<v Speaker 1>I'm gonna be so disappointed after all this time, the bidding,

0:59:05.120 --> 0:59:07.680
<v Speaker 1>the sweat and tears that we put into hitting those buttons.

0:59:08.400 --> 0:59:11.840
<v Speaker 1>What if we lose button at all? No? Okay, cool.

0:59:12.120 --> 0:59:15.240
<v Speaker 1>So here's lunchbox arriving at the storage unit. And also,

0:59:15.600 --> 0:59:18.439
<v Speaker 1>I would like to just say he praised to something

0:59:18.480 --> 0:59:21.720
<v Speaker 1>called the storage locker Gods. Yes, there's a different god

0:59:21.840 --> 0:59:25.160
<v Speaker 1>for different things. Ok right now, okay, no, no, there's

0:59:25.200 --> 0:59:29.720
<v Speaker 1>no Okay, here we go. How's it going. Yeah, I'm

0:59:29.800 --> 0:59:32.280
<v Speaker 1>the big winner. I'm here to make my millions of dollars.

0:59:32.400 --> 0:59:38.680
<v Speaker 1>I bought the unit. Yeah, businessman making business deals, trying

0:59:38.680 --> 0:59:42.800
<v Speaker 1>to get that money. Hey, my first, I'm not gonna

0:59:42.840 --> 0:59:46.600
<v Speaker 1>get high, but hopefully, Hey, let's say a little prayer here,

0:59:47.520 --> 0:59:50.960
<v Speaker 1>dear dear dear storage locker gods. Okay, dear dear storage

0:59:51.000 --> 0:59:56.760
<v Speaker 1>locker gods. Amen, Amen, please please let us strike gold

0:59:56.800 --> 1:00:01.800
<v Speaker 1>and make lots of money on those unit Monday Monday money. No. Yeah,

1:00:01.840 --> 1:00:03.920
<v Speaker 1>And I listen when I say stories locker, guys, when

1:00:03.960 --> 1:00:06.720
<v Speaker 1>I say, please shine down on me and let us

1:00:06.800 --> 1:00:10.720
<v Speaker 1>make some money, I mean like cold hearted? Can I

1:00:10.760 --> 1:00:13.840
<v Speaker 1>get an amen? Thank you? Are you talking like that?

1:00:13.960 --> 1:00:17.520
<v Speaker 1>He does that sometimes? Okay, because I'm excited, guys. No,

1:00:17.880 --> 1:00:21.080
<v Speaker 1>you have different voices for different things. Okay. And so

1:00:21.280 --> 1:00:25.080
<v Speaker 1>lunchbox goes to the uh, to the actual unit, right, yes,

1:00:25.440 --> 1:00:27.360
<v Speaker 1>and you're gonna like, I don't know what I mean.

1:00:27.480 --> 1:00:29.200
<v Speaker 1>I'm I want everybody to know we're here, and we're

1:00:29.200 --> 1:00:31.760
<v Speaker 1>here to celebrate. We're gonna open it. I'm gonna lock

1:00:31.880 --> 1:00:34.640
<v Speaker 1>on it. No, she had taken the lock off. There

1:00:34.800 --> 1:00:38.000
<v Speaker 1>was just this red tag that identified my locker, and

1:00:38.080 --> 1:00:40.520
<v Speaker 1>she said, you go find that red tag it's yours.

1:00:40.560 --> 1:00:43.520
<v Speaker 1>And I went and found it. Whoo, everybody here we

1:00:43.640 --> 1:00:56.040
<v Speaker 1>go three two one open sets of me. God, now

1:00:56.280 --> 1:01:02.360
<v Speaker 1>three two one. I had to unlock it to three two?

1:01:02.800 --> 1:01:10.320
<v Speaker 1>What all been says to me? Oh? Yeah, it was

1:01:10.360 --> 1:01:13.160
<v Speaker 1>a full that was not full, Okay, I mean there's

1:01:13.200 --> 1:01:15.120
<v Speaker 1>just a few things in there. And I looked at

1:01:15.120 --> 1:01:17.640
<v Speaker 1>it and I'm like, wow, this is what it feels like.

1:01:17.960 --> 1:01:20.000
<v Speaker 1>This is what they feel like on Storagewards when they

1:01:20.080 --> 1:01:22.600
<v Speaker 1>finally get to go in their locker and start digging

1:01:22.720 --> 1:01:25.120
<v Speaker 1>through things. So, Lunchbucks and I have talked about what

1:01:25.200 --> 1:01:28.680
<v Speaker 1>was in the locker, and I really can't share with

1:01:28.800 --> 1:01:31.160
<v Speaker 1>you what was all on the locker? What do you mean? Well,

1:01:31.280 --> 1:01:35.640
<v Speaker 1>let me say this. There was a burner phone. Oh

1:01:37.400 --> 1:01:41.400
<v Speaker 1>what else? I can't a burner phone and other things

1:01:41.480 --> 1:01:46.400
<v Speaker 1>you can't tell us. Yeah, what you imagination? Are y'all

1:01:46.400 --> 1:01:48.080
<v Speaker 1>gonna make money? We're gonna sell it, but we're not

1:01:48.080 --> 1:01:50.000
<v Speaker 1>gonna sell it. Oh whoa, whoa? What I have in mind?

1:01:50.000 --> 1:01:51.760
<v Speaker 1>I don't think you can sell bones and be legal.

1:01:52.640 --> 1:01:55.640
<v Speaker 1>There are no drugs, okay, okay, okay, there's nothing illegal

1:01:55.800 --> 1:02:00.920
<v Speaker 1>in there. This is how they've come. Drug dealers done. Man,

1:02:00.960 --> 1:02:03.360
<v Speaker 1>I'll just sell it was in the locker, yeah, officer,

1:02:03.600 --> 1:02:06.880
<v Speaker 1>I swear man, we bought it legally. There were no

1:02:07.080 --> 1:02:10.520
<v Speaker 1>drugs in there. Okay, But but what was in the

1:02:11.480 --> 1:02:14.120
<v Speaker 1>storage unit? I don't feel comfortable share I'll say there

1:02:14.160 --> 1:02:15.840
<v Speaker 1>were some shoes in there. We say that, right, Yeah,

1:02:16.840 --> 1:02:22.680
<v Speaker 1>we already knew yell shoes. Yeah, some really expensive shoes. Okay,

1:02:23.760 --> 1:02:26.440
<v Speaker 1>like not just the the Jordan's that weren't the pat Yeah,

1:02:26.560 --> 1:02:28.520
<v Speaker 1>just the Jordan's in the picture. Yeah, I mean I

1:02:28.600 --> 1:02:30.760
<v Speaker 1>thought that was the cream and it wasn't. That was

1:02:30.760 --> 1:02:33.760
<v Speaker 1>a big deal, Like shoes, were they There's something he

1:02:33.840 --> 1:02:36.760
<v Speaker 1>can't tell. There are some things that we bought inside

1:02:36.800 --> 1:02:39.600
<v Speaker 1>this storage unit that I feel like if we share,

1:02:40.080 --> 1:02:42.520
<v Speaker 1>puts us at risk. Oh, I can understand that, So

1:02:42.680 --> 1:02:45.200
<v Speaker 1>I support you, So I know what it's like to

1:02:45.240 --> 1:02:49.160
<v Speaker 1>be scared. We're still gonna try to sell them. Interesting.

1:02:49.760 --> 1:02:53.520
<v Speaker 1>We might make a lot of money at this point.

1:02:53.600 --> 1:02:55.640
<v Speaker 1>Right now, I cannot tell you what was in those door.

1:02:55.720 --> 1:02:58.200
<v Speaker 1>I don't so how are you gonna sell it? Pot? No,

1:02:58.600 --> 1:03:02.000
<v Speaker 1>I don't know. I'm nervous. But the deal is lunchboxes

1:03:02.040 --> 1:03:03.960
<v Speaker 1>to sell it. Yeah, yeah, he has he has to

1:03:04.000 --> 1:03:08.120
<v Speaker 1>go do it. But in the storage unit, there were

1:03:08.280 --> 1:03:12.320
<v Speaker 1>things that we don't feel comfortable sharing on air because

1:03:12.320 --> 1:03:15.560
<v Speaker 1>it could put us at risk. The person that lost

1:03:15.640 --> 1:03:19.120
<v Speaker 1>this unit probably would prefer to have not lost this unit.

1:03:19.680 --> 1:03:21.680
<v Speaker 1>And I don't want to say what they were, So

1:03:21.760 --> 1:03:23.560
<v Speaker 1>how do they lose it? I don't understand. Pay the rent?

1:03:23.600 --> 1:03:26.440
<v Speaker 1>They then and then they just they know, Okay, well

1:03:26.480 --> 1:03:28.080
<v Speaker 1>I guess I'm never gonna get my stuff out. Well,

1:03:28.080 --> 1:03:30.840
<v Speaker 1>I mean the storage place called the person over one

1:03:30.920 --> 1:03:32.960
<v Speaker 1>hundred times, and they could have rebought it in the

1:03:32.960 --> 1:03:36.000
<v Speaker 1>auction too, for two hundred and thirty six dollars, which

1:03:36.040 --> 1:03:39.080
<v Speaker 1>they should have done because there's way more the two

1:03:39.200 --> 1:03:42.440
<v Speaker 1>hundred and thirty six dollars worth of stuff. So if

1:03:42.480 --> 1:03:45.560
<v Speaker 1>we get out, oh, they could have no, no, they

1:03:45.640 --> 1:03:50.520
<v Speaker 1>could you hear what they no? I know what I'm saying. Okay,

1:03:50.800 --> 1:03:56.280
<v Speaker 1>here's what I'm saying. Yeah, yeah, I'm also worried. The

1:03:56.280 --> 1:03:59.919
<v Speaker 1>phone number they have the storage unit. Is that phone phone? Yeah?

1:04:00.800 --> 1:04:04.400
<v Speaker 1>Are we going to turn on the burner to do it? No,

1:04:04.960 --> 1:04:06.200
<v Speaker 1>just call one of the numbers, be like, hey, we

1:04:06.240 --> 1:04:09.080
<v Speaker 1>got this phone. Who is this from? This? Okay, So

1:04:09.280 --> 1:04:12.640
<v Speaker 1>that's where we are. We have the storage unit. Obviously

1:04:12.760 --> 1:04:16.040
<v Speaker 1>when we get it turns into something. How does that

1:04:16.160 --> 1:04:17.920
<v Speaker 1>have it? I don't know. Of course it's going to

1:04:17.960 --> 1:04:20.240
<v Speaker 1>be something with us. Yes, just to clarify, like, y'all

1:04:20.280 --> 1:04:24.000
<v Speaker 1>know it's a burner phone because it's written burner on

1:04:24.080 --> 1:04:31.600
<v Speaker 1>the outside. It doesn't say flip motorole. Yeah, yeah, yeah,

1:04:31.680 --> 1:04:34.120
<v Speaker 1>here's this movie is where they're just like, yeah, takes

1:04:34.160 --> 1:04:36.320
<v Speaker 1>phone talk on it and throw the ocean. Yea, this

1:04:36.480 --> 1:04:39.600
<v Speaker 1>is that. That's what that is. So that being said,

1:04:39.680 --> 1:04:42.320
<v Speaker 1>we're gonna make some money off this. We're gonna sell

1:04:42.400 --> 1:04:43.720
<v Speaker 1>this stuff. We just can't tell you what it is

1:04:43.800 --> 1:04:46.280
<v Speaker 1>right now. Maybe in a future time we can, but

1:04:46.440 --> 1:04:50.160
<v Speaker 1>we definitely hit the jackpot. But it's a jackpot that

1:04:50.800 --> 1:04:53.800
<v Speaker 1>might kill us. Oh I know, you can kind of

1:04:54.360 --> 1:04:57.760
<v Speaker 1>popcorn tell it, like tell different things from the unit

1:04:57.840 --> 1:05:00.400
<v Speaker 1>at totally different times so that no one could add

1:05:00.440 --> 1:05:02.760
<v Speaker 1>it up. Absolutely, we're gonna sell it all first though. Okay,

1:05:03.120 --> 1:05:05.080
<v Speaker 1>let's get rid of it. Okay, So Lunchbox, how do

1:05:05.120 --> 1:05:07.680
<v Speaker 1>you plan to sell this stuff? Oh man, that's that's

1:05:07.720 --> 1:05:10.360
<v Speaker 1>the scary party. Can you get some of the dark web? Yeah, Mike,

1:05:10.440 --> 1:05:12.920
<v Speaker 1>I mean, I figure I don't. There has to be

1:05:13.040 --> 1:05:16.080
<v Speaker 1>shoot shoe people out there that want the Jordan's that

1:05:16.120 --> 1:05:18.360
<v Speaker 1>you saw on the picture. And if you have other

1:05:18.480 --> 1:05:21.560
<v Speaker 1>interest in shoes, let us know other needs. Yeah, okay,

1:05:22.400 --> 1:05:25.400
<v Speaker 1>that's where we are. We're gonna sell, We're gonna make

1:05:25.800 --> 1:05:27.800
<v Speaker 1>we are gonna make some money. We're gonna make you

1:05:27.960 --> 1:05:34.000
<v Speaker 1>make whatever pretty easily. Yeah. Well so first storage success, well,

1:05:34.000 --> 1:05:37.640
<v Speaker 1>we'll see good luck to you. We'll see how need

1:05:37.680 --> 1:05:40.919
<v Speaker 1>to find success. Here is the last clip of lunch Box,

1:05:41.080 --> 1:05:43.040
<v Speaker 1>after he goes in and finds it. Here you go

1:05:44.000 --> 1:05:47.960
<v Speaker 1>to my first storage unit. Thank you. It's been quite

1:05:48.000 --> 1:05:51.360
<v Speaker 1>an experience. I hope to get him any more. It's

1:05:51.360 --> 1:05:53.760
<v Speaker 1>gonna be the start of something beautiful. You have a

1:05:53.840 --> 1:06:02.120
<v Speaker 1>good life. Goodbye, you're a hero. Okay, pretty dramatic, it is. Okay,

1:06:02.160 --> 1:06:03.760
<v Speaker 1>we're gonna be We're gonna try to sell the stuff

1:06:03.760 --> 1:06:05.400
<v Speaker 1>the next week and then we'll popcorn and let you

1:06:05.440 --> 1:06:08.439
<v Speaker 1>know what was in it. Filming his own little reality show,

1:06:09.040 --> 1:06:12.479
<v Speaker 1>My favorite Heels one, two, three, open sesame and there's

1:06:12.560 --> 1:06:16.680
<v Speaker 1>nobody around and it doesn't open. Yeah, I forgot to

1:06:16.720 --> 1:06:20.160
<v Speaker 1>pull a little tab out. So that's that's the update.

1:06:20.240 --> 1:06:22.920
<v Speaker 1>We have bought it, and there's a lot in here,

1:06:22.920 --> 1:06:24.520
<v Speaker 1>and we probably make a lot of money if we

1:06:25.600 --> 1:06:28.480
<v Speaker 1>can get to that point. But it is shady. What's happening.

1:06:28.840 --> 1:06:30.760
<v Speaker 1>That's all. We'll talk about it again in a week.

1:06:30.920 --> 1:06:34.640
<v Speaker 1>And we can't post pictures. We cannot know nothing. You

1:06:34.640 --> 1:06:36.760
<v Speaker 1>should hold everything up yourself like a guy that caught

1:06:36.840 --> 1:06:40.280
<v Speaker 1>a fish. Each thing you hold up, y'all aren't being

1:06:40.360 --> 1:06:45.240
<v Speaker 1>dramatic at all, no promise, Okay. I would love to

1:06:45.240 --> 1:06:46.480
<v Speaker 1>say it what was on because it would be the

1:06:46.560 --> 1:06:47.920
<v Speaker 1>best content if I could tell you what was in

1:06:47.960 --> 1:06:49.920
<v Speaker 1>the storage man. But there are a lot of really

1:06:50.000 --> 1:06:52.200
<v Speaker 1>nice shoes, I'll say that, and there's other stuff too.

1:06:52.720 --> 1:06:57.000
<v Speaker 1>That's all. It's the best bits of the week with

1:06:57.240 --> 1:07:04.400
<v Speaker 1>Morgan number two. You already know this one had to

1:07:04.440 --> 1:07:08.040
<v Speaker 1>come in at number one. Bobby and Eddie the Raging Idiots,

1:07:08.080 --> 1:07:11.920
<v Speaker 1>they opened for Garth Brooks, and they came back so

1:07:12.280 --> 1:07:15.880
<v Speaker 1>excited about this epic weekend. It was Bobby's basically fantasy

1:07:16.000 --> 1:07:20.880
<v Speaker 1>weekend with Arkansas sports. Garth Brooks just insane. They'd shared

1:07:21.280 --> 1:07:23.640
<v Speaker 1>lots of details from the show and everything that kind

1:07:23.640 --> 1:07:26.120
<v Speaker 1>of happened, what their weekend was like. So if you

1:07:26.240 --> 1:07:28.520
<v Speaker 1>haven't heard all of that, this is the moment you

1:07:28.600 --> 1:07:31.920
<v Speaker 1>were getting caught up on right now. Number one, let

1:07:32.000 --> 1:07:39.240
<v Speaker 1>me start the song with an announcement on June seventeenth

1:07:39.400 --> 1:07:41.520
<v Speaker 1>and eighteenth, that will be doing the first two shows

1:07:41.600 --> 1:07:45.440
<v Speaker 1>of my Nashville residency at the CMA Theater here in Nashville.

1:07:45.720 --> 1:07:47.960
<v Speaker 1>So everybody come, and I didn't really know what to

1:07:48.000 --> 1:07:50.640
<v Speaker 1>call it, so I called it Race Yourselves, the No

1:07:50.800 --> 1:07:55.200
<v Speaker 1>Bad Words, comedically inspirational Nashville Onely World Tour. So we

1:07:55.320 --> 1:07:57.920
<v Speaker 1>hope you come. I hope you come. It'll be part

1:07:58.000 --> 1:08:01.240
<v Speaker 1>comedy act, part motivational each and it'll be a lot

1:08:01.280 --> 1:08:02.920
<v Speaker 1>of fun. So come out. If you guys want to

1:08:02.920 --> 1:08:04.360
<v Speaker 1>get tickets to the show, you can go to Bobby

1:08:04.400 --> 1:08:07.600
<v Speaker 1>Bones dot com on Friday, that are probably the easiest place,

1:08:07.880 --> 1:08:12.480
<v Speaker 1>or Cmatheater dot com. So Bobby Bones dot com or

1:08:12.600 --> 1:08:15.800
<v Speaker 1>CMA Theater dot com on Friday. There are two shows

1:08:15.840 --> 1:08:18.040
<v Speaker 1>on a Friday and a Saturday. I'll talk about the

1:08:18.080 --> 1:08:19.600
<v Speaker 1>shows that we did or the one show that we

1:08:19.680 --> 1:08:22.000
<v Speaker 1>did on Saturday. We got to open for Garth Brooks,

1:08:22.080 --> 1:08:24.519
<v Speaker 1>and it's pretty awesome. It was almost like a fantasy

1:08:24.560 --> 1:08:28.959
<v Speaker 1>camp weekend for me. Yeah, because got up Friday afternoon

1:08:29.120 --> 1:08:32.200
<v Speaker 1>and I did some nil stuff with some of the

1:08:32.280 --> 1:08:34.880
<v Speaker 1>athletes at Arkansas, which now you can hire athletes and

1:08:34.920 --> 1:08:37.040
<v Speaker 1>they can be paid. So we've got a clothing brand

1:08:37.080 --> 1:08:38.640
<v Speaker 1>and I worked with like seven of the athletes and

1:08:38.680 --> 1:08:40.439
<v Speaker 1>we shot a bunch of stuff that'll be coming out

1:08:40.479 --> 1:08:44.280
<v Speaker 1>pretty soon. And then after that, when in, hung out

1:08:44.320 --> 1:08:47.200
<v Speaker 1>with the head coach of the Arkansas football team, Coach Pittman,

1:08:47.280 --> 1:08:49.240
<v Speaker 1>and went to the football complex. It was just like

1:08:49.360 --> 1:08:52.400
<v Speaker 1>if I got to create the perfect weekend of Arkansas

1:08:52.479 --> 1:08:55.400
<v Speaker 1>sports and then Garth that was it. Yeah, So I

1:08:55.479 --> 1:08:58.240
<v Speaker 1>feel like I owed somebody some money to like fantasy

1:08:58.280 --> 1:09:01.680
<v Speaker 1>camp somewhere. And then Saturday we went and we did

1:09:01.720 --> 1:09:05.439
<v Speaker 1>a sound check at like three Razorback Stadium and empty

1:09:06.360 --> 1:09:09.600
<v Speaker 1>was really cool because I've been in that stadium a

1:09:09.680 --> 1:09:11.360
<v Speaker 1>bunch of a bunch of times going to football games,

1:09:11.640 --> 1:09:13.680
<v Speaker 1>but when it's packed, it was even wilder because I've

1:09:13.720 --> 1:09:16.000
<v Speaker 1>never seen that stadium full of people on the ground.

1:09:16.439 --> 1:09:19.040
<v Speaker 1>I believe it was the most attended event in Arkansas

1:09:19.200 --> 1:09:21.479
<v Speaker 1>history because that's the biggest venue in the state, but

1:09:21.520 --> 1:09:23.600
<v Speaker 1>they've never had people on the ground as well, so

1:09:23.760 --> 1:09:27.800
<v Speaker 1>that the field was also covered. So we were gonna

1:09:27.840 --> 1:09:30.679
<v Speaker 1>go on and do thirty minutes, and we were talking

1:09:30.720 --> 1:09:33.960
<v Speaker 1>to Garth beforehand, and so we get there and Garth

1:09:34.000 --> 1:09:37.360
<v Speaker 1>and Trish are finishing their sound check and it's everything's

1:09:37.400 --> 1:09:41.280
<v Speaker 1>pretty loose to be such a tightly run, you know,

1:09:41.479 --> 1:09:46.200
<v Speaker 1>perfectly sounding ship. Everybody's just real chill and cool, and

1:09:46.360 --> 1:09:48.320
<v Speaker 1>so we get there and we're just hanging out ready

1:09:48.320 --> 1:09:49.920
<v Speaker 1>to go do our thing, and Garth and Trisher are

1:09:49.920 --> 1:09:54.080
<v Speaker 1>still singing. I think they were doing Zamonious. What's that song?

1:09:54.200 --> 1:09:59.320
<v Speaker 1>I don't need? And so we walk up and I

1:09:59.479 --> 1:10:02.439
<v Speaker 1>know them, but still it's like it never leaves me

1:10:02.520 --> 1:10:06.240
<v Speaker 1>that that's Garth Brooks and that it's Tricia. Yeah, and

1:10:06.360 --> 1:10:07.640
<v Speaker 1>so I was like, I don't want to bother them.

1:10:07.840 --> 1:10:09.120
<v Speaker 1>Of course they don't even see it that way. So

1:10:09.200 --> 1:10:10.800
<v Speaker 1>they come over and they're like, what's happening. You guys

1:10:10.800 --> 1:10:13.400
<v Speaker 1>are ready and I'm like, yeah, we're ready. You know,

1:10:13.880 --> 1:10:15.519
<v Speaker 1>a quarter of me still has a little bit of

1:10:15.600 --> 1:10:18.640
<v Speaker 1>nerves about it, just excited. And Garth says, hey, you know,

1:10:18.720 --> 1:10:21.000
<v Speaker 1>you can use this whole stage and I'm like, what

1:10:21.080 --> 1:10:24.000
<v Speaker 1>do you mean. It's it's an entire circle. And most

1:10:24.080 --> 1:10:26.320
<v Speaker 1>of the time when there's an opening act, the big

1:10:26.400 --> 1:10:29.240
<v Speaker 1>act says, this is your small space and this big

1:10:29.320 --> 1:10:31.600
<v Speaker 1>spaces for us. But you get the small space, and

1:10:31.640 --> 1:10:33.559
<v Speaker 1>we don't want you to use the big space because

1:10:33.800 --> 1:10:35.679
<v Speaker 1>this is our spot and we want to really break

1:10:35.720 --> 1:10:38.200
<v Speaker 1>that in with the people and guards like you use

1:10:38.280 --> 1:10:40.880
<v Speaker 1>it all run around like go over there, do that,

1:10:41.080 --> 1:10:43.880
<v Speaker 1>and I'm like, are you sure? You want. You're telling

1:10:43.920 --> 1:10:45.160
<v Speaker 1>me I can go to all the places that you

1:10:45.240 --> 1:10:47.160
<v Speaker 1>can only go, and it's like, I don't care. This

1:10:47.439 --> 1:10:52.240
<v Speaker 1>is like our home together. And so we finished talking

1:10:52.320 --> 1:10:53.800
<v Speaker 1>and we can take a picture and talk to Tricia

1:10:53.840 --> 1:10:56.519
<v Speaker 1>a little bit, and then one of their one of

1:10:56.520 --> 1:10:58.200
<v Speaker 1>guards guys comes over like you can use the whole

1:10:58.200 --> 1:10:59.679
<v Speaker 1>stage and like, I'm not going to use the whole stage.

1:11:00.080 --> 1:11:02.439
<v Speaker 1>The opening act doesn't do that. And he's like, no,

1:11:02.600 --> 1:11:04.280
<v Speaker 1>you'll use the whole stage or I'll give you knuckle

1:11:04.360 --> 1:11:06.280
<v Speaker 1>sandwich after the show. And I was like, yea, okay,

1:11:06.320 --> 1:11:08.800
<v Speaker 1>I guess, sir, So I use the whole stage. Okay,

1:11:09.040 --> 1:11:11.000
<v Speaker 1>only a couple of times because there are people sitting

1:11:11.040 --> 1:11:12.960
<v Speaker 1>all around it. You know, it's in the middle and

1:11:13.160 --> 1:11:16.720
<v Speaker 1>the stadium circles it. But I know headlining act just

1:11:16.800 --> 1:11:19.479
<v Speaker 1>doesn't allow that to happen. I guess Garth wasn't threatened

1:11:19.600 --> 1:11:23.519
<v Speaker 1>north should he be, but it was really nice. It

1:11:23.680 --> 1:11:27.840
<v Speaker 1>just super kind as a headliner to allow that. Secondly,

1:11:28.240 --> 1:11:30.240
<v Speaker 1>we're talking about the show and he goes like, you know, um,

1:11:31.120 --> 1:11:33.000
<v Speaker 1>if you guys are playing and you feel that you're

1:11:33.040 --> 1:11:35.240
<v Speaker 1>feeling it, he goes, just keep playing because I don't

1:11:35.240 --> 1:11:38.720
<v Speaker 1>care how long you play what exactly? He said, if

1:11:38.760 --> 1:11:41.880
<v Speaker 1>you're feeling it, just keep playing and I'm like, playing

1:11:42.000 --> 1:11:44.559
<v Speaker 1>what you know? He said, if it's going great, stay

1:11:44.680 --> 1:11:47.040
<v Speaker 1>play more songs and I said, they'll kill us and

1:11:47.120 --> 1:11:48.960
<v Speaker 1>he goes, no, they won't. He's like, because you'll know

1:11:49.000 --> 1:11:50.920
<v Speaker 1>if you're feeling it. And then I said, well what

1:11:50.960 --> 1:11:52.760
<v Speaker 1>if it's like two hours later and we're still in tries.

1:11:52.800 --> 1:11:54.680
<v Speaker 1>She goes, now it comes stop that you're doing that.

1:11:55.640 --> 1:12:00.680
<v Speaker 1>So just the loveliest of host and you know, we

1:12:00.800 --> 1:12:04.080
<v Speaker 1>go out and Garth was super cool and he's like,

1:12:04.080 --> 1:12:05.920
<v Speaker 1>we're gonna make sure it's dark before you guys go

1:12:06.080 --> 1:12:08.920
<v Speaker 1>on because he wanted to really feel like, you know,

1:12:10.200 --> 1:12:12.360
<v Speaker 1>us being a part of the show too. And so

1:12:12.640 --> 1:12:16.400
<v Speaker 1>we go on and it was just kind of a

1:12:16.479 --> 1:12:19.200
<v Speaker 1>blur at first, it kind of because it's pretty emotional.

1:12:19.280 --> 1:12:20.719
<v Speaker 1>It's like where I grew up. It's like my favorite

1:12:20.760 --> 1:12:25.639
<v Speaker 1>place in the whole world. The fans were just extremely generous,

1:12:26.800 --> 1:12:29.360
<v Speaker 1>and then we played our set and it was over,

1:12:29.479 --> 1:12:31.639
<v Speaker 1>and I really started to feel like it was super

1:12:31.720 --> 1:12:34.160
<v Speaker 1>cool when it was over, because while we're doing it,

1:12:34.200 --> 1:12:36.320
<v Speaker 1>I feel like I gotta work, I gotta perform. We

1:12:36.400 --> 1:12:39.760
<v Speaker 1>were brought here to not be a nuisance to people now,

1:12:39.840 --> 1:12:42.320
<v Speaker 1>worried that some of our funny songs maybe wouldn't translate

1:12:42.360 --> 1:12:44.840
<v Speaker 1>to a huge crowd. But it's pretty good and we

1:12:44.920 --> 1:12:47.760
<v Speaker 1>finished its pretty good. So when you did finish, like

1:12:47.920 --> 1:12:50.760
<v Speaker 1>what emotions were you feeling? Because when I watched a

1:12:50.880 --> 1:12:53.200
<v Speaker 1>video of you coming out of the tunnel like to

1:12:53.320 --> 1:12:55.679
<v Speaker 1>meet Caitlin and then y'all walked off, it was almost

1:12:55.680 --> 1:12:59.080
<v Speaker 1>like I was watching you leave like a major sporting fit,

1:12:59.240 --> 1:13:01.360
<v Speaker 1>like like I one, yes, Like you're coming through the

1:13:01.400 --> 1:13:03.560
<v Speaker 1>tunnel and you're walking out and your wife's meeting you,

1:13:03.680 --> 1:13:05.759
<v Speaker 1>and you'll walk through and you're fist bumping the crowd,

1:13:05.920 --> 1:13:10.000
<v Speaker 1>Like it just seemed like, you know, biggest sporting event

1:13:10.080 --> 1:13:12.600
<v Speaker 1>in history, but you're not an athlete here, Sam, just

1:13:12.680 --> 1:13:17.640
<v Speaker 1>not there enough. Something like that does the energy I

1:13:17.800 --> 1:13:20.320
<v Speaker 1>was feeling? Yeah, it was cool And I think a

1:13:20.360 --> 1:13:22.639
<v Speaker 1>lot of that energy though, was because that's my spot,

1:13:22.720 --> 1:13:25.920
<v Speaker 1>like my personal most home spot, and it didn't fall down.

1:13:26.000 --> 1:13:28.120
<v Speaker 1>It's all I mean, you know, it's a pretty good show.

1:13:28.680 --> 1:13:31.920
<v Speaker 1>Stacy's on and Fayteville, Arkansas. The Guards show was fantastic

1:13:31.960 --> 1:13:33.200
<v Speaker 1>and we can talk about that later. But he's the

1:13:33.200 --> 1:13:36.839
<v Speaker 1>greatest performer I've ever seen in my life. Stacy and Fayetelle, Arkansas,

1:13:36.960 --> 1:13:42.800
<v Speaker 1>thank you for calling. What's going on? Hey, a morning studio. Hey,

1:13:43.320 --> 1:13:45.320
<v Speaker 1>I'm just going to let you know I actually work

1:13:45.600 --> 1:13:50.280
<v Speaker 1>in Fayetteville and I work for UM Washington County Court Services,

1:13:50.320 --> 1:13:54.320
<v Speaker 1>and we have security every day and they volunteer and

1:13:54.479 --> 1:13:58.680
<v Speaker 1>work these big concerts like this. And they two of

1:13:58.800 --> 1:14:02.000
<v Speaker 1>my security guys were working on the floor and they

1:14:02.120 --> 1:14:05.200
<v Speaker 1>said they before the show, you and Kaitlyn came walking

1:14:05.280 --> 1:14:08.840
<v Speaker 1>by and you kind of went out of your way

1:14:09.000 --> 1:14:11.160
<v Speaker 1>to say hello to them and how nice you were

1:14:11.360 --> 1:14:14.200
<v Speaker 1>and how you're like the nicest celebrity they've ever met,

1:14:14.640 --> 1:14:17.320
<v Speaker 1>And it was just it meant a lot to them

1:14:17.400 --> 1:14:20.320
<v Speaker 1>because most people just disregard security. Oh. I appreciate that

1:14:21.680 --> 1:14:23.880
<v Speaker 1>the word celebrities being thrown around pretty loosely here, I'll

1:14:23.880 --> 1:14:26.880
<v Speaker 1>give you that. And if they think I'm the nicest,

1:14:26.920 --> 1:14:28.400
<v Speaker 1>well they must not have been lucky enough to meet

1:14:28.439 --> 1:14:32.800
<v Speaker 1>Garth Brooks. But you know, those guys are making sure

1:14:32.840 --> 1:14:35.160
<v Speaker 1>that I don't get stabbed. Got appreciate that. You know,

1:14:35.960 --> 1:14:38.280
<v Speaker 1>if someone's stabbed Eddie, I'm okay with that, But I

1:14:38.360 --> 1:14:41.720
<v Speaker 1>just want to be human shills. You know, but I mean,

1:14:41.800 --> 1:14:45.360
<v Speaker 1>come on, they're out there busting their butts, so just

1:14:45.439 --> 1:14:47.200
<v Speaker 1>happy to say hello to people that are also happy

1:14:47.240 --> 1:14:50.400
<v Speaker 1>to be there. And I appreciate that call. Stacy. Hey,

1:14:50.479 --> 1:14:52.240
<v Speaker 1>I have to say I was disappointed with one thing.

1:14:52.400 --> 1:14:54.559
<v Speaker 1>I thought you might bring Katelyn up and introduce them.

1:14:54.800 --> 1:14:57.360
<v Speaker 1>She has no interest at all at being on a

1:14:57.439 --> 1:14:59.599
<v Speaker 1>stage ever in her whole life. She would have killed

1:14:59.640 --> 1:15:03.800
<v Speaker 1>you crowd. Yes, she's not for it, it's not her thing.

1:15:04.400 --> 1:15:05.639
<v Speaker 1>But she was there. She met a lot of people,

1:15:05.640 --> 1:15:07.040
<v Speaker 1>a lot of people coming up taking pictures when she

1:15:07.080 --> 1:15:10.080
<v Speaker 1>was hanging out. But thank you, Stacy. I appreciate that.

1:15:10.880 --> 1:15:14.519
<v Speaker 1>Here's Kimberly in Arkansas. Who wants to mention something. Kimberly,

1:15:14.920 --> 1:15:20.200
<v Speaker 1>you're on the air. What's going on Morgan Studio? Hey,

1:15:20.479 --> 1:15:24.320
<v Speaker 1>I just wanted to say you are fantastic. Me and

1:15:24.479 --> 1:15:27.400
<v Speaker 1>four my girlfriends came up there and we stayed at

1:15:27.439 --> 1:15:30.680
<v Speaker 1>a house in Friday night and thurday night we came

1:15:30.720 --> 1:15:32.720
<v Speaker 1>to the concert. Two of them had never heard of

1:15:32.760 --> 1:15:35.439
<v Speaker 1>the Raging Idiot. One of them fell madly in love

1:15:35.479 --> 1:15:38.960
<v Speaker 1>with Eddie, and the other one is just so enamored

1:15:39.120 --> 1:15:41.519
<v Speaker 1>and loved y'all so much that she's going to be

1:15:41.560 --> 1:15:45.000
<v Speaker 1>an avid listener. Today's her first day listening. But the

1:15:45.160 --> 1:15:48.400
<v Speaker 1>prank you pulled when y'all we're saying are you ready

1:15:48.479 --> 1:15:51.600
<v Speaker 1>for the maze act that come up? That was hilarious

1:15:51.600 --> 1:15:54.720
<v Speaker 1>because there was eighty thousand people on their feet and

1:15:54.880 --> 1:15:59.040
<v Speaker 1>you're like, just kidding sort of yes. So we wrote

1:15:59.040 --> 1:16:01.600
<v Speaker 1>any all and we had it up, you know, we

1:16:01.640 --> 1:16:04.080
<v Speaker 1>had posted it before the show. Wrote a song. It's

1:16:04.120 --> 1:16:07.200
<v Speaker 1>like nobody cares about the opening act, and there's a

1:16:07.280 --> 1:16:09.439
<v Speaker 1>rhyme that's like, we may not be a band, you know,

1:16:09.560 --> 1:16:11.200
<v Speaker 1>and you only want to be here for the star

1:16:11.240 --> 1:16:12.880
<v Speaker 1>of the show. And what we were doing was just

1:16:13.000 --> 1:16:14.680
<v Speaker 1>kind of bait and switching him. And the star of

1:16:14.720 --> 1:16:16.400
<v Speaker 1>the show in our mind was the chorus of the song.

1:16:16.880 --> 1:16:18.720
<v Speaker 1>And so we're like, are you right hey? We never

1:16:18.840 --> 1:16:21.360
<v Speaker 1>say he, we never say Garth, We never allude to Garth,

1:16:21.840 --> 1:16:23.479
<v Speaker 1>like are you right in? And I can play it

1:16:23.520 --> 1:16:25.639
<v Speaker 1>to you know were This was recorded straight from the board,

1:16:26.120 --> 1:16:31.080
<v Speaker 1>So this is us performing live, getting the crowd going,

1:16:31.560 --> 1:16:33.519
<v Speaker 1>and it goes back into the second chorus, right, Okay,

1:16:33.560 --> 1:17:08.120
<v Speaker 1>here we go. We're the opening acts and you know,

1:17:08.479 --> 1:17:12.320
<v Speaker 1>we'll never begins, We'll never make a no and I

1:17:12.439 --> 1:17:17.640
<v Speaker 1>don't know how they can all take it. One day

1:17:17.760 --> 1:17:21.240
<v Speaker 1>we might be a band, you know, but now, how

1:17:21.280 --> 1:17:39.840
<v Speaker 1>would you like a start of the show? How are

1:17:39.880 --> 1:17:56.679
<v Speaker 1>you what? There is the rest of the soul by

1:18:17.560 --> 1:18:22.320
<v Speaker 1>So that was eighty thousand people up. Garth Brooks was

1:18:22.360 --> 1:18:25.040
<v Speaker 1>gonna be introduced during our set. Would think that we

1:18:25.160 --> 1:18:28.400
<v Speaker 1>have a mini drum set, none of the big lights,

1:18:28.439 --> 1:18:31.680
<v Speaker 1>and we got him good. It's good what I mean? Yes,

1:18:32.040 --> 1:18:35.320
<v Speaker 1>obviously it was perfect moment for him to walk out. No, no,

1:18:35.439 --> 1:18:39.040
<v Speaker 1>it was not. Garth Brooks comes out. It's a big

1:18:40.080 --> 1:18:43.000
<v Speaker 1>he doesn't let this little band introduce him, four piece

1:18:43.040 --> 1:18:45.639
<v Speaker 1>with no bass guitars. People, they don't know that, y'all.

1:18:45.840 --> 1:18:48.360
<v Speaker 1>Everybody's funny. Everybody starts standing out recording and I'm like,

1:18:48.360 --> 1:18:50.080
<v Speaker 1>oh boy, there are anything gonna riot or it's gonna

1:18:50.080 --> 1:18:53.640
<v Speaker 1>be the funniest joke ever. I appreciate that call. We

1:18:53.680 --> 1:18:57.320
<v Speaker 1>could talk more about it later. Um, it's just amazing,

1:18:57.320 --> 1:18:59.439
<v Speaker 1>amazing weekend. It was. It was amazing weekend all the

1:18:59.479 --> 1:19:02.040
<v Speaker 1>way around. And thank you very much and for everybody

1:19:02.040 --> 1:19:04.160
<v Speaker 1>who was super nice to us. We really appreciate that

1:19:04.520 --> 1:19:06.400
<v Speaker 1>we're not doing any more shows. Everybody like, are you

1:19:06.479 --> 1:19:09.040
<v Speaker 1>opening in LSU. We are not oh for Garth the

1:19:09.160 --> 1:19:12.000
<v Speaker 1>Raging Idiots. Right away, well, a lot of people were like, hey,

1:19:12.240 --> 1:19:14.160
<v Speaker 1>we think you should do a stadium mac. Yeah. All

1:19:14.240 --> 1:19:19.960
<v Speaker 1>right after that, Okay, they didn't really see that. It's

1:19:20.040 --> 1:19:23.519
<v Speaker 1>the Best Bits of the Week with Morgan number two.

1:19:25.320 --> 1:19:27.920
<v Speaker 1>That's it for the Best Bits, just the Bits again.

1:19:28.000 --> 1:19:30.240
<v Speaker 1>Make sure y'all go check out part one of Best

1:19:30.280 --> 1:19:32.960
<v Speaker 1>Bits this Weekend, which is an interview with the one

1:19:33.000 --> 1:19:36.120
<v Speaker 1>and only Scuba Stee. We talked about, you know, bald

1:19:36.200 --> 1:19:39.479
<v Speaker 1>heads movies, we were recommend haircut. I mean, I can

1:19:39.640 --> 1:19:42.000
<v Speaker 1>keep talking, but I'm just gonna make you go listen

1:19:42.080 --> 1:19:44.360
<v Speaker 1>for yourself because we also went on some fun tandards

1:19:44.439 --> 1:19:46.760
<v Speaker 1>that maybe you can relate to. I don't know. I

1:19:46.840 --> 1:19:48.680
<v Speaker 1>think we all need a little bit of complaints here

1:19:48.720 --> 1:19:50.720
<v Speaker 1>and there. So it was a fun one to do.

1:19:50.960 --> 1:19:52.800
<v Speaker 1>Make sure you go listen to that and have a

1:19:53.080 --> 1:20:00.040
<v Speaker 1>fabulous weekend, love y'all. Just bas the