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Speaker 1: It's the Best Bits of the Week with Morgan. Number two.

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Speaker 1: What's up everyone? Welcome to the Best Bits Just the

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Speaker 1: Bits side of the podcast. In case you missed it,

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Speaker 1: I had Scooba Steve on with me this weekend. In

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Speaker 1: part one, you can catch that behind the scenes fun

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Speaker 1: we went on tangents talked about all kinds of things

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Speaker 1: to make sure to go listen to that fun interview

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Speaker 1: in part one. This is just the Bits right here,

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Speaker 1: which means I'm just gonna intro the bits and plan

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Speaker 1: back for you so you can either get caught up

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Speaker 1: on the show or make sure you don't miss anything.

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Speaker 1: You know. The list goes on, but coming in Roha

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Speaker 1: and number seven. The show talked about the things they

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Speaker 1: faked on their first dates with their now spouses, which

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Speaker 1: is hilarious to hear back and look back on, so

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Speaker 1: definitely want to check out. And I'm just you know,

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Speaker 1: I called out Scooba Steven the thing. But this is

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Speaker 1: probably the worst on this list. Number seven. There's a

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Speaker 1: study that says most people when they start dating someone,

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Speaker 1: they fake healthy eating. They fake like, oh I just

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Speaker 1: like to give me a you know, salad grilled chicken.

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Speaker 1: But in reality, they're not near as healthy. But my

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Speaker 1: question is what did you fake early on to kind

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Speaker 1: of lure your person in? And I'll go first. I

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Speaker 1: probably faked with Caitlyn that I was a little more

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Speaker 1: fun than I really am. That's funny, you're down to

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Speaker 1: do more. I was like, I love it, adventures, Let's

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Speaker 1: do adventures, Let's do some laughing. Let's just do stuff

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Speaker 1: spur of the moment. I'm so man, I'm so spontaneous.

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Speaker 1: Uh smash cut No, I just want to stay home,

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Speaker 1: give some internet. So I think she thought I was

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Speaker 1: a little more interesting in that way. A hike. I

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Speaker 1: can't get enough hikes. Oh no, Now I don't even

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Speaker 1: want to walk to the driveway to get through Uber eats. Um.

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Speaker 1: So that's probably how I faked a little bit with Caitlyn.

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Speaker 1: I acted a little more interesting than I probably was,

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Speaker 1: you Amy, Um, I acted like, because he was in

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Speaker 1: the military Air Force and had to live other places,

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Speaker 1: that I'd quit my job right away and move with him.

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Speaker 1: So you lied, I thought of acting, that's a lie.

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Speaker 1: Well to do something, Yeah, I mean, I was just

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Speaker 1: buying time to see what would really happen. But I mean,

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Speaker 1: I mean, I think I was even faking myself out,

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Speaker 1: and then when it came down to it, I was like, well,

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Speaker 1: we can work something out. So we ended up looking

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Speaker 1: at his deployment schedule and I was like, look, you're

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Speaker 1: going to be in Afghanistan. I can live with my mom.

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Speaker 1: So we didn't live together our first two years of marriage.

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Speaker 1: But you didn't move with him to North Carolina. I

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Speaker 1: think I tried to quit the show like three times,

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Speaker 1: and he was a part of that equation. And I'm

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Speaker 1: still here. And I kept building her studios in different places,

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Speaker 1: like anywhere. One time we had a whole going waite

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Speaker 1: party for it. Oh yeah, and then we built our

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Speaker 1: studio in North Carolina. Yeah. And he was like, look,

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Speaker 1: for sure me, it was that I was cleaner than

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Speaker 1: I really am. I when she come to my apartment,

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Speaker 1: she would always say like, oh my gosh, this is

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Speaker 1: the cleanest guy's apartment I've ever been to. Like it's spotless.

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Speaker 1: But now, I mean I just throw my clothes everywhere.

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Speaker 1: I don't clean, And so she's like, that was totally

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Speaker 1: fake lunchbox money. We'd go out to dinner and she'd

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Speaker 1: order a glass of wine. I bet we'll just get

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Speaker 1: the whole bottle just because you know, no big deal.

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Speaker 1: I don't even like wine. I don't even like wine.

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Speaker 1: But I'd be like, yeah, We'll just get the whole bottle.

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Speaker 1: And I'm sitting there going it's not good, I'm gonna

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Speaker 1: whole bottle, But hey, girl, are you going to get

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Speaker 1: that whole bottle? And we'd go to the bar. She'd

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Speaker 1: order a well drink or not get a top shelf.

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Speaker 1: Oh yeah, you know, get the expensive out there. Huh yeah,

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Speaker 1: And man, it would be like, oh what about now?

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Speaker 1: Now she didn't we have several money so it doesn't matter.

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Speaker 1: She pays for herself. But at that point I was

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Speaker 1: trying to impress her and be like whoa. But then

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Speaker 1: once we started getting down to it was like, oh,

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Speaker 1: you know what, I'm not gonna pay for everything for

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Speaker 1: the rest of your life sto. But didn't you fake

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Speaker 1: being rich and you took out all your four oh

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Speaker 1: one k? Yeah? Very similar to lunchbox. Yeah, but I yeah,

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Speaker 1: I cashed in my four oh one K. So I

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Speaker 1: had money to spend while we were first dating. You've tried,

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Speaker 1: it's just now you're now wife. My wife hashed out

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Speaker 1: his four oh one k to try to impress her home.

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Speaker 1: What kind of stuff though, Um so, I was living

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Speaker 1: in San Francisco and it's very expensive to go out there,

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Speaker 1: so it was like dinners and tickets to a show

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Speaker 1: and move movies and a little get away vacation and

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Speaker 1: NAPA that kind of stuff. But it worked though, because

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Speaker 1: I feel like it's okay in a sense because it

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Speaker 1: then not saying she shallow and needs money, but it

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Speaker 1: allows me to take her around and while we're doing

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Speaker 1: these things, she gets to know me and my personality. Otherwise,

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Speaker 1: you'd probably never go out me because we couldn't go anywhere.

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Speaker 1: When did you have to reveal to her that you

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Speaker 1: were not well? I wanted to be gentle about words.

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Speaker 1: When did you reveal that that was a bit of

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Speaker 1: a facade. It was about when the money started to

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Speaker 1: run out, which is about three or four three or

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Speaker 1: four months, and then she was like, Hey, come out

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Speaker 1: and see me in the East ban And I was like, well,

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Speaker 1: I can't afford a fair on the on the subway

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Speaker 1: to get out there and see you. Can you vend

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Speaker 1: moo me or at the time some money to come

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Speaker 1: see you? You would ask you, you would ask your

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Speaker 1: wife to send you money so I come see her.

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Speaker 1: Like I couldn't see her live forty five minutes away.

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Speaker 1: I had no car. I had to rely on public

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Speaker 1: transportation that I couldn't afford anymore. So you went from

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Speaker 1: taking her on vacations to Napa too. Can you pay

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Speaker 1: for my train ride? Yes, to come and see you?

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Speaker 1: And she still she's still married you. But you got

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Speaker 1: her eye then, yeah, Well I had her by then.

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Speaker 1: The silver lining two was Then she looked at my

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Speaker 1: finances on my credit score and helped clean me up.

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Speaker 1: And I'll clean you up. She'll clean me. She pay

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Speaker 1: off any of your debt. She didn't pay off my debt,

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Speaker 1: but she put a system together like a Dave Ramsey

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Speaker 1: kind of thing, and how to clear my debt. So

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Speaker 1: it actually worked out great for me. So you lured

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Speaker 1: her in, wow to do your dirty word? I mean

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Speaker 1: not really but yes, Wow, Raymundo, would you lie to

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Speaker 1: your now wife Bay about Yeah? I would have to

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Speaker 1: save my height. For the first six months that I

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Speaker 1: dated her, I was always wearing cowboy boots which would

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Speaker 1: give me a solid three inches. And then I distinctly

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Speaker 1: remember in the relationship down the road she goes I

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Speaker 1: didn't have any shoes on at the apartment. She was like,

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Speaker 1: you're actually kind of short, and I was like, yeah,

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Speaker 1: I mean this is my height, but I didn't really.

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Speaker 1: I mean, yeah, I've been rocking boots for a while.

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Speaker 1: Ray was in boots to land Down. You know, I'm saying,

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Speaker 1: who said everybody's same high? Ray said that everybody's same

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Speaker 1: high land Down. That is creepy. Yes, all right, thank

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Speaker 1: you guys. I can't believe it spent a four on

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Speaker 1: one K, but it was an investment, right, It's a

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Speaker 1: great investment. All right. It's the best bits of the

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Speaker 1: week with Morgan number two. At number six, we got

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Speaker 1: Brett Eldridge. He came on the show for full interview

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Speaker 1: to sit down. He even sang a little bit impromptu

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Speaker 1: during the interview, and he talked about love, why he's

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Speaker 1: still single, what's going on in his life, what he

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Speaker 1: loves to do for solitude. It's a great interview. Make

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Speaker 1: sure you check that out if you want to watch it,

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Speaker 1: and said I listen to it. You can go to

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Speaker 1: Bobby Bones dot com. Number six on the Bobby Bones Show. Now,

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Speaker 1: congratulations on the new song. Thank you. You know what's

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Speaker 1: interesting about this song is and here's a clip of

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Speaker 1: Brett's new song Songs about You. I'm just trying to

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Speaker 1: these songs bad. What I like about this and what

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Speaker 1: I like about this kind of song is it's a

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Speaker 1: sad song, but it's got a little beat on it.

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Speaker 1: So sometimes you're just like groove and you're like, I

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Speaker 1: feel so good, and then you listen you're like, no,

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Speaker 1: that was sad, didn't you. It's kind of confusing, but

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Speaker 1: in an awesome way. That's some of my favorite kind

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Speaker 1: of stuff is a little double meanings. You know, when

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Speaker 1: you write this and it is a sad song, what's

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Speaker 1: the song about? Because you did write it, what's a

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Speaker 1: song about? Basically, you're going through life. You think you're

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Speaker 1: over somebody, and then years later or weeks later, months later, whatever,

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Speaker 1: you hear the song as you're walking by a bar

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Speaker 1: in Chicago or wherever, takes you right back to that person.

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Speaker 1: You're not so much over him as much as you

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Speaker 1: thought you were, and you just now all of a sudden,

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Speaker 1: you're trying to get through these songs about you. Every

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Speaker 1: song is about you that that I hear. So whenever

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Speaker 1: you write this, so you had the idea for it,

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Speaker 1: do you imagine it as a ballad, a slow song.

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Speaker 1: At first, I had the honest I had the groove.

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Speaker 1: I had the groove. I'm just trying to get through.

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Speaker 1: These songs are about you. I had that and like

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Speaker 1: the feel beforehand. And then I so I had like

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Speaker 1: a feel good thing about it. And then I went

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Speaker 1: into Jesse, Joe Dillon and Ben West and we kind

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Speaker 1: of dug through how to do it, and it just

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Speaker 1: felt like to put that angle on it was was

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Speaker 1: the way to go. Do you and your phone have

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Speaker 1: just a weird clip of you go on about it? Dude?

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Speaker 1: Oh yeah, so you keep those yes, do you? Yeah?

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Speaker 1: Well that come to you randomly and do you just

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Speaker 1: have a part of it, and so you don't want

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Speaker 1: to lose it? So you record it right then? Yes? Okay,

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Speaker 1: can I play you one of mine? Yeah? I would.

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Speaker 1: I did that like three this morning. This is called

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Speaker 1: UM and I recorded it and I don't know if

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Speaker 1: it's going to be anything, and I do it. Yeah

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Speaker 1: maybe earlier I woke up the middle of the night

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Speaker 1: and I got this, probably gonna want to Grammy if

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Speaker 1: I can be honest with you. So this one's called

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Speaker 1: gas Station Breakfast and again I'm just doing that. These

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Speaker 1: are thoughts I like this. I'm just going na, here

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Speaker 1: you go. This, this is me. You think Bret's got

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Speaker 1: good music, wait for this. I'm having a guest station

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Speaker 1: breakfast put Crimes and Sweet Tea Gus station the here.

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Speaker 1: A guy in the eighteen wheeler over there just linked

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Speaker 1: it me. So it just keeps going. I don't even

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Speaker 1: have words to some of it. I'm like, so I

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Speaker 1: feel like we'll sit down and I'll go, Okay, here's

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Speaker 1: this thing. It came to me in the middle of

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Speaker 1: the night that yours is real. Yeah, I do, but

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Speaker 1: is it the similarly fine mine? But I want to

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Speaker 1: listen to it before I played it on here. It's

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Speaker 1: like a song. I don't know that the usually say

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Speaker 1: it like I think I had the verse, Um, yeah, okay,

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Speaker 1: so I just searched the title because then in mine,

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Speaker 1: I'm also going none busy. I'm not even saying words.

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Speaker 1: I'm just trying to keep a little melodies when we

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Speaker 1: write the song. Here we go. So that's the verse.

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Speaker 1: That's awesome, so really cool. Yeah, it's awesome. It's like

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Speaker 1: the first thing in the morning. So you can't inject

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Speaker 1: vocals too much. Were you were. I saw you a

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Speaker 1: little more of gas. Yeah, we're the same, We're the same.

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Speaker 1: I'm going to be a master. Did you say the

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Speaker 1: line about somebody in the eighteen wheeler winked at me

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Speaker 1: suck and the eighteen water just winked at me. Harry

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Speaker 1: bailed it. Yeah, because he saw you eating the takeedo

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Speaker 1: or whatever. And I don't know what his motivation was,

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Speaker 1: but I'm not That's all I know gas station breakfast.

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Speaker 1: So you know, I don't know which one will be

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Speaker 1: a number one first Years or mine, But that's not bad.

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Speaker 1: I'm willing to take some of my favorite music of yours.

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Speaker 1: Is uh the emotional stuff? Do you need to be

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Speaker 1: currently in that emotional place to write a great emotional song?

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Speaker 1: I think in some forms it might not, Like if

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Speaker 1: I'm Matt and I'd be going through a heartbreak or

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Speaker 1: something like when I'm writing songs about you, you kind

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Speaker 1: of heard the story of where it came from. But

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Speaker 1: by the way, for listeners just tuning in, not a

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Speaker 1: song about me. I've heard a song about you, So

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Speaker 1: about you? Yeah you're listening, but no, I mean I've

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Speaker 1: had to I think I've had to be there. But

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Speaker 1: like if the so I've had to experience it otherwise

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Speaker 1: I feel like I'm not telling it. But and then

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Speaker 1: when I'm writing a love song, I might not necessarily

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Speaker 1: been like deep in love before, but I know what

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Speaker 1: I imagine I want, and that's you know, I think

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Speaker 1: like in a movie, in a movie way of how

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Speaker 1: I would imagine how it would work for me. You know,

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Speaker 1: did you just say that you've never been in love before?

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Speaker 1: I think that's what you just said. Is that what

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Speaker 1: you just said? Yeah, I mean I would probably say that.

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Speaker 1: I mean, I've been in love in different ways in

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Speaker 1: my life, you know, but like a deep love, I

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Speaker 1: don't know. I don't know if I don't to you know,

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Speaker 1: full transparency here, I had never either at all until

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Speaker 1: I met Caitlin. Yeah, so I think we're both playing

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Speaker 1: the game a little later than most folks. But I

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Speaker 1: think it's really special to that person if Yeah, you know,

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Speaker 1: if you whenever you do meet whomever it is, you're like,

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Speaker 1: I had never been in love before, N tell you, Yeah,

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Speaker 1: I actually think it's pretty awesome. Yeah. Do you do

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Speaker 1: you value that? Are you like I don't want to

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Speaker 1: do it until the real one. I value that in

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Speaker 1: a big way, and I honestly I feel it coming around.

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Speaker 1: I'm open to it. I used to not even be

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Speaker 1: open to it. I'd just, you know, i'd be out

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Speaker 1: in the road, I'd be traveling all the time, and

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Speaker 1: that would be my life. You know, that was all

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Speaker 1: my love. Now I'm open to the right thing coming around.

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Speaker 1: So it's going to happen. Abby, I want to put

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Speaker 1: you on the air for a second with Brett. Abby

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Speaker 1: is our phone screener and she had a question about you.

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Speaker 1: So go ahead, Abby, meat Brett, if you bet we've

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Speaker 1: met a good Okay, that was weird. We've met. He

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Speaker 1: walks by me when he goes in the studios. That's

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Speaker 1: what I mean. Okay, No, I was Okay, I'm wondering this, like,

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Speaker 1: how are you single? Because I feel like you have

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Speaker 1: everything a girl could want? What You're funny, you're tall,

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Speaker 1: you're talented, you love God, your family, your dog. I mean, like,

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Speaker 1: isn't everything a girl wants? Oh? Man, are you too

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Speaker 1: picky or like I'm but I honestly, I think I

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Speaker 1: always like I was just kind of saying I always

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Speaker 1: um put love off to the side or anything, and

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Speaker 1: was just you know, focusing on music and doing all

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Speaker 1: of that, and I've really took a focus in the

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Speaker 1: last few years to to to focus on my personal

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Speaker 1: life too, other than there's a lot more than just

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Speaker 1: music and playing music and and so um. I guess

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Speaker 1: I am picky, but for the right reasons. I guess

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Speaker 1: I want to I want to find the right thing.

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Speaker 1: And I really feel like it's it's it's coming in

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Speaker 1: here pretty soon. So I'm very open to it. Yeah,

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Speaker 1: he said multiple times that he feels it come I

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Speaker 1: know soon, Like, yeah, are you manifesting? Okay, So are

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Speaker 1: you putting it out? There's not something that you're just hiding? Right? No? No, okay,

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Speaker 1: and wouldn't I can respect that episod Is it fair

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Speaker 1: to say that maybe in the last couple of years

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Speaker 1: or so, you've been like getting to know yourself more

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Speaker 1: so that way you can show up as the right person.

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Speaker 1: Let me paint this on you, pretty cerebral guy. I

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Speaker 1: just picture you that. It was like a guy drives,

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Speaker 1: I'm not a guy. Let's go for a drive. Yeah,

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Speaker 1: I do. Like, what do you get from that reflection? Really? Yeah?

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Speaker 1: I really do. Like in hiking is a big thing

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Speaker 1: for me, So I'll go on long hikes, and I'll

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Speaker 1: just I used to listen to podcasts all the time

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Speaker 1: on hikes. Now I just listen to the birds and

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Speaker 1: that's forest bathing. Oh my goodness, what is happening forrest bathing? Yes?

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Speaker 1: You you don't listen to anything the nature? Yeah, I

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Speaker 1: listen to nature. Yeah. Nature. Man that runs and only

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Speaker 1: listens to nature want to run? That's unbelievable. Wow, that's

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Speaker 1: what you need. I mean, that's what makes you feel free.

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Speaker 1: If you're still with the technology in your ears, you're

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Speaker 1: not getting away. I don't need to get away. I'm good.

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Speaker 1: I'm getting exercise. Bretta Aldridge is here. You're going to Europe.

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Speaker 1: You say you're going to Portugal then to do a

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Speaker 1: bunch of shows over there. Did they like you there

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Speaker 1: or is it a different kind of like like what's happening? Yeah?

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Speaker 1: I mean it's so I start in the UK, then

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Speaker 1: I go to Germany and I go to Amsterdam. It's

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Speaker 1: so it's so fascinating, and honestly, it's like it's like

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Speaker 1: starting your career in another you know, it's starting over

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Speaker 1: in some ways. It's it's it's making new fans in

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Speaker 1: a new way. So it's really exciting. It reminds me

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Speaker 1: like my first tour here in clubs and that excitement,

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Speaker 1: and everybody's singing every word to number seven on the

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Speaker 1: album That meant over there, they listened to every every song.

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Speaker 1: It's pretty cool. Do you feel like that's a bit

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Speaker 1: like humbling in a good way? When you go do that?

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Speaker 1: It kind of rechecks you that you're a normal dude

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Speaker 1: one hundred percent because here you're playing arenas, so you're

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Speaker 1: walking outside the venue like nobody deal and walking around

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Speaker 1: town and just seeing all these new cultures and new

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Speaker 1: things that I love it so much. We want to

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Speaker 1: leave the studio every day. I absolutely just walk it out.

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Speaker 1: Nobody gives a crap except for right right here. Have

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Speaker 1: you ever on the show I was talking about it

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Speaker 1: ran into somebody that I feel like his famous. He's

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Speaker 1: a football coach for Markansas and he didn't know it

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Speaker 1: was Have you ever run anybody famous just randomly in

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Speaker 1: real life and been like, Hey, what's happened? And you're confused?

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Speaker 1: Why should I say I'm Brett Aldridge in case they

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Speaker 1: know I'm have you? Has that a rappened to you

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Speaker 1: where you feel like it's awkward? Do I just say hey,

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Speaker 1: I'm a fan, or do I say I'm Brett Eldridge

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Speaker 1: so they don't think it's weird. I met Jim Nance

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Speaker 1: the other day, the commentator, Yeah, and I don't really.

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Speaker 1: I just love I like people with like a really

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Speaker 1: cool voice, and obviously he's a legend for and I

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Speaker 1: was like, he acts like, you know, like you know,

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Speaker 1: he like loves music and he knows who I am.

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Speaker 1: I have no idea, but did you say hi? What

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Speaker 1: did you say? How did you introduce yourself to Jim?

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Speaker 1: Somebody somebody introduced me that was with him? And uh

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Speaker 1: so I did. I just said hello? But uh, I

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Speaker 1: was like, I don't know if he knows or not,

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Speaker 1: but I just I just like, it's cool. Brett Eldridge

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Speaker 1: is here. I got a picture this guy right here.

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Speaker 1: Oh that's all. Take a look at this. You still

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Speaker 1: want to say, what's up? Yeah? This is uh I

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Speaker 1: posted that. I think, Oh you did yeah a while ago.

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Speaker 1: But I mean, but how old are you now? I

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Speaker 1: means yeah, but that's twenty like six months ago. Yeah,

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Speaker 1: you got to get and your callers up. Oh yeah,

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Speaker 1: you want your collar? You ever double pop? I never

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Speaker 1: single popped? You never even single pop. What's a double pop?

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Speaker 1: Two collars? Oh? Man, yeah, you double the layers. What

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Speaker 1: kind of kid were you in high school? I was

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Speaker 1: kind of like I was. I was in the middle,

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Speaker 1: so I was I was hanging out with the nerds

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Speaker 1: and the popular kids. I was like, I'd do it all.

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Speaker 1: I feel like that's like I feel like, that's like

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Speaker 1: a really attractive woman going. I was a tomboy. I

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Speaker 1: feel like that's what you just that's what people just say, like,

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Speaker 1: you know, I was good for everybody around. Let's get

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Speaker 1: down into it. A little bit of a class I

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Speaker 1: would I was never like a troublemaker. I would be friends,

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Speaker 1: like I love all the teachers and they would hold

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Speaker 1: me in detention and I would goop up in class,

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Speaker 1: but we would and when I was in detention, we

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Speaker 1: would just tell jokes and have fun and I would

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Speaker 1: run the halls for a really long time. Were you

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Speaker 1: the singing guy? Oh yeah, you were so even in

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Speaker 1: high school. You can sing it? Yeah? Where would you

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Speaker 1: sing in high school though? Where your your peers in

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Speaker 1: school could see you? Um? Musicals? Oh? Do you do

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Speaker 1: any big ones? Oh? Yeah, Oklahoma? Oh yeah? Is that yeah?

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Speaker 1: Is that? Um? Oh? What a beautiful morning that there's

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Speaker 1: a brackling hay He's on the meadow. There's a brickling

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Speaker 1: hayes on the meadow. The corners as high as an

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Speaker 1: elephants eye, and it looks like it's climbing clear up

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Speaker 1: to the sky. Oh what, oh, you don't laves the

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Speaker 1: whole song. Come on, give us that one, give that.

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Speaker 1: Oh what a beautiful morning. Oh what a beautiful day.

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Speaker 1: I got a beautiful fee and everything's going my way.

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Speaker 1: Oh what beautiful day? No, same thing. Never, guess I'll

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Speaker 1: turn off. It won't turn off. Oh no, okay, I'm

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Speaker 1: saying that song in a minute. Yeah, that's a good one.

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Speaker 1: That's taking me back to the old You did that?

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Speaker 1: You were that guy? Curly Curly's name? So I did that?

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Speaker 1: I did? Uh what else did we do? I was

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Speaker 1: a grease? Yeah I did? You were you Danny Zuko? Yeah?

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Speaker 1: I really yeah. I don't want to blow the water,

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Speaker 1: but I had frosted tips. That's Danny Zuko. Because I

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Speaker 1: was like, that doesn't get work. I know I didn't,

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Speaker 1: but I was like it looked didn't look right. It

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Speaker 1: looks really stupid, stranded, it's driving. Oh yeah, yeah, branded

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Speaker 1: oh remember I don't remember those lives. What will they

400
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Speaker 1: say Monday at school? I'm all alone. I'm not the

401
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Speaker 1: right song. Don't no, don't, don't don't taven Shine Sandy.

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Speaker 1: Can't you see I'm Missouri. Don't know that. I must

403
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Speaker 1: have saying that. Man, I can do your partner, I

404
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Speaker 1: can find okay singing. I remember, I don't remember anything.

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Speaker 1: I just remember there's a ring where there's a scene

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Speaker 1: where um, she she you give her her your high

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Speaker 1: school ring, and then my dad let me borrow his

408
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Speaker 1: wedding ring in that scene and the girl I was playing, Sandy,

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Speaker 1: throws it at me. Well it got They lost my

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Speaker 1: dad's wedding ring somehow disappeared and they could not find

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Speaker 1: it for sorry dad, but he ended up you did

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Speaker 1: find yes, yes, yes, So if you do theater and musicals, like, um,

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Speaker 1: Jennifer Nettles is in Righteous Gemstones and I'm her do

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Speaker 1: that and perform and act and she was did theater,

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Speaker 1: so like, have you ever thought about pursuing acting acting? Yeah?

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Speaker 1: I would do that. Would you do like Broadway Show

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Speaker 1: if they came and said, hey, we're doing Oklahoma again? Yeah?

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Speaker 1: I mean I think I would do for like like

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Speaker 1: a like a short run, like a six six months

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Speaker 1: run or something. I live in New York that yeah, yeah, yeah,

421
00:21:20,080 --> 00:21:27,119
Speaker 1: I would do that. Yeah Sunday. See, I'm in Missouri.

422
00:21:27,920 --> 00:21:30,120
Speaker 1: I don't remember that one. It's I think it's probably maybe.

423
00:21:30,160 --> 00:21:32,080
Speaker 1: Do you think he can't catch it because of the

424
00:21:32,560 --> 00:21:38,520
Speaker 1: pitch you're getting? No, I'm nailing it. Okay, okay, look

425
00:21:38,960 --> 00:21:41,480
Speaker 1: the song songs about you. I feel like we just

426
00:21:41,480 --> 00:21:43,159
Speaker 1: had like an eight mile moment where we battled and

427
00:21:43,160 --> 00:21:46,040
Speaker 1: I won. That's honest. That was a good battle and

428
00:21:46,440 --> 00:21:48,520
Speaker 1: it is what it is. And I'll be want to know,

429
00:21:49,119 --> 00:21:51,680
Speaker 1: good to see you. Are you watching the Cubs? Yes?

430
00:21:51,880 --> 00:21:54,000
Speaker 1: And we're doing pretty good. Yeah, much better than I

431
00:21:54,040 --> 00:21:57,440
Speaker 1: think people expected. It started Brett Eldridge. Follow him at

432
00:21:57,480 --> 00:21:59,960
Speaker 1: Brett Eldridge and check out the new music. The album

433
00:22:00,119 --> 00:22:03,440
Speaker 1: comes out in June. Thanks brettan, thank you. It's the

434
00:22:03,600 --> 00:22:10,240
Speaker 1: best bits of the week with Morgan number two. Sticking

435
00:22:10,320 --> 00:22:12,480
Speaker 1: with the theme of complaints and all that kind of

436
00:22:12,520 --> 00:22:16,800
Speaker 1: fun stuff this week, Lunchbox is now feuding with Chris Jansen.

437
00:22:16,920 --> 00:22:19,360
Speaker 1: At least, you know that's what he likes to say.

438
00:22:19,440 --> 00:22:22,000
Speaker 1: He kind of created up the whole feud on himself,

439
00:22:22,480 --> 00:22:25,680
Speaker 1: out of some kind of strange situation that nobody else

440
00:22:25,720 --> 00:22:27,800
Speaker 1: on the show agrees with him on. But you know

441
00:22:27,960 --> 00:22:30,840
Speaker 1: it's still happening. There is still feud happening in lunchboxes mind.

442
00:22:30,920 --> 00:22:33,480
Speaker 1: So if you want to find out why, here you

443
00:22:33,560 --> 00:22:37,160
Speaker 1: go number five. So you and Chris Jansen have been feuding. Yeah,

444
00:22:37,200 --> 00:22:40,399
Speaker 1: we have been feuding. Just remind our audience why this

445
00:22:40,600 --> 00:22:44,240
Speaker 1: ridiculous feud. It's very one sided. It's taken place because

446
00:22:44,320 --> 00:22:46,439
Speaker 1: he was having an album released party where you got

447
00:22:46,520 --> 00:22:48,280
Speaker 1: to hear his new music. There was going to be

448
00:22:48,400 --> 00:22:52,560
Speaker 1: food and drinks and it said RSVP, So I RSVP

449
00:22:52,800 --> 00:22:55,560
Speaker 1: for me plus four, which is my wife and my

450
00:22:55,720 --> 00:22:59,280
Speaker 1: three kids. And they said, we can't accommodate that. Well,

451
00:22:59,320 --> 00:23:01,840
Speaker 1: the title of his album is all In, and so

452
00:23:02,240 --> 00:23:05,960
Speaker 1: obviously not everyone is all in. It's only some people

453
00:23:06,080 --> 00:23:07,960
Speaker 1: get in, is what it should be called. Should they

454
00:23:07,960 --> 00:23:10,280
Speaker 1: haven't name his album that? Yes, because if you're gonna

455
00:23:10,320 --> 00:23:12,680
Speaker 1: say all in, then that means everybody gets to come in.

456
00:23:12,800 --> 00:23:14,720
Speaker 1: But I don't think that means everything that happens in

457
00:23:14,800 --> 00:23:16,840
Speaker 1: his life. I think for his music it said the

458
00:23:16,960 --> 00:23:19,760
Speaker 1: invite said we are going to get all in with

459
00:23:19,960 --> 00:23:21,879
Speaker 1: Chris Jansen or something and so I'm like, well that

460
00:23:22,000 --> 00:23:24,520
Speaker 1: means we're all getting in. So Chris Jansen, maybe you

461
00:23:24,640 --> 00:23:27,040
Speaker 1: know him from this song right here, you can buy

462
00:23:27,200 --> 00:23:33,920
Speaker 1: me and he has I'm digging him good vibes and

463
00:23:34,119 --> 00:23:38,840
Speaker 1: digging in so big artist. And so you heard back

464
00:23:38,920 --> 00:23:41,040
Speaker 1: from him. I did. He's trying to buy me off,

465
00:23:41,640 --> 00:23:44,560
Speaker 1: he replied, and he said, listen, sorry about that. Had

466
00:23:44,640 --> 00:23:47,639
Speaker 1: no idea. Family is always welcome. Let me know what

467
00:23:47,800 --> 00:23:50,040
Speaker 1: restaurant you want to go to and you can take

468
00:23:50,080 --> 00:23:52,240
Speaker 1: the whole family. I'll bring you a gift card. Wow,

469
00:23:52,600 --> 00:23:55,160
Speaker 1: that's nice. That's what I'm talking about. You're not really

470
00:23:55,240 --> 00:24:00,480
Speaker 1: going to accept this git you created? Yeah? He really nowhere?

471
00:24:00,840 --> 00:24:03,840
Speaker 1: Thing you ask for five people at an industry event, well,

472
00:24:03,840 --> 00:24:06,560
Speaker 1: there will be no kids, And now you get in

473
00:24:06,680 --> 00:24:09,159
Speaker 1: saying no kids on it. Have you ever been to

474
00:24:09,200 --> 00:24:11,479
Speaker 1: an industry event like this? Yeah, there have been kids there.

475
00:24:11,640 --> 00:24:13,760
Speaker 1: I've been there, and the artist kids are there? You no, no,

476
00:24:13,800 --> 00:24:19,399
Speaker 1: no Ah. So dude, I am getting dinner on the family.

477
00:24:19,760 --> 00:24:22,280
Speaker 1: So you're gonna let Chris Jansen buy you your wife

478
00:24:22,320 --> 00:24:24,199
Speaker 1: and your three kids dinner and you're gonna feel good

479
00:24:24,200 --> 00:24:25,960
Speaker 1: about that. Yeah, And I was thinking I'd just take

480
00:24:26,040 --> 00:24:28,760
Speaker 1: the wife like, leave the kids with a babysitter and

481
00:24:28,800 --> 00:24:31,399
Speaker 1: take the one all in, all in, that's right, not

482
00:24:31,640 --> 00:24:34,720
Speaker 1: all in, take them all. Okay, you know what, I'll

483
00:24:34,760 --> 00:24:36,680
Speaker 1: take them all. But now I just got to look

484
00:24:36,720 --> 00:24:39,080
Speaker 1: up and find the most expensive restaurant in Nashville. That's

485
00:24:39,119 --> 00:24:41,760
Speaker 1: also not Oh boy, do you think mutch Mock should

486
00:24:41,760 --> 00:24:44,080
Speaker 1: take the gift card? No? Yes, I don't think so.

487
00:24:44,200 --> 00:24:46,000
Speaker 1: I what do you mean, because he created this few

488
00:24:46,160 --> 00:24:50,879
Speaker 1: Jansen feels pressure, he doesn't wow, wow, wow Scooba, what

489
00:24:50,920 --> 00:24:52,920
Speaker 1: do you think about he? You know, he obviously feels

490
00:24:52,960 --> 00:24:55,240
Speaker 1: bad about it. Gross, right, it is kind of gross

491
00:24:55,280 --> 00:24:57,639
Speaker 1: and weird. And it's because she even emailed me too,

492
00:24:57,640 --> 00:24:59,000
Speaker 1: and I was like, please don't. I was like, this,

493
00:24:59,119 --> 00:25:02,520
Speaker 1: don't do that his manager his manager yet wife? Yes? Yeah?

494
00:25:02,520 --> 00:25:04,280
Speaker 1: And I was like, he can afford his own freaking lunch.

495
00:25:04,320 --> 00:25:06,800
Speaker 1: You don't need a buy Scuba is taking the card back? Yeah,

496
00:25:06,880 --> 00:25:08,920
Speaker 1: it's kind of weird. I wouldn't take Even if me,

497
00:25:09,000 --> 00:25:11,199
Speaker 1: I wouldn't take it personally, I would feel weird. Well,

498
00:25:11,200 --> 00:25:13,879
Speaker 1: because he created this whole controversy instactly. Hey, guys, you

499
00:25:13,920 --> 00:25:15,600
Speaker 1: know what's gonna not taste gross is the food that

500
00:25:15,680 --> 00:25:17,520
Speaker 1: we go get with this gift card. It's gonna be

501
00:25:17,720 --> 00:25:20,359
Speaker 1: amazing five star. How are you gonna get in touch

502
00:25:20,400 --> 00:25:21,840
Speaker 1: with him to do this? I'll just reply on Twitter

503
00:25:21,840 --> 00:25:23,560
Speaker 1: and be like, hey man, there's a restaurant. What bring

504
00:25:23,640 --> 00:25:27,240
Speaker 1: it to me? Oh my gosh, we got to be associate.

505
00:25:27,280 --> 00:25:29,720
Speaker 1: I'm embarrassed. Why are you embarrassed? And now he's gonna

506
00:25:29,720 --> 00:25:32,520
Speaker 1: start doing this to every artist. I mean, if you're

507
00:25:32,560 --> 00:25:35,520
Speaker 1: gonna title at all in yeah I am, that means

508
00:25:35,600 --> 00:25:38,920
Speaker 1: everyone's included. That's the name of the mused to. Okay,

509
00:25:39,359 --> 00:25:41,280
Speaker 1: all right, we're gonna play a song here. You guys

510
00:25:41,359 --> 00:25:43,240
Speaker 1: want me to bring you a dessert from the restaurant.

511
00:25:47,400 --> 00:25:51,120
Speaker 1: It's the best bits of the week with Morgan Number two.

512
00:25:52,359 --> 00:25:54,640
Speaker 1: For the last few weeks, we heard about somebody going

513
00:25:54,680 --> 00:25:57,000
Speaker 1: to Hollywood and we found out that was Amy. But

514
00:25:57,200 --> 00:26:00,040
Speaker 1: now a listener has a role in the movie and

515
00:26:00,240 --> 00:26:02,520
Speaker 1: they wanted to offer it up to someone on the show,

516
00:26:02,960 --> 00:26:04,960
Speaker 1: which was a pretty big deal in Lunchbox. Let me

517
00:26:05,000 --> 00:26:07,680
Speaker 1: tell you, he was so excited. Everybody on the show

518
00:26:07,800 --> 00:26:09,800
Speaker 1: kind of freaked out for a moment, and it happened

519
00:26:09,840 --> 00:26:13,000
Speaker 1: somebody got offered another role. So maybe we got two

520
00:26:13,080 --> 00:26:15,400
Speaker 1: people go into Hollywood. I don't know. You gotta listen

521
00:26:15,440 --> 00:26:17,800
Speaker 1: and see what you think. Number four on the phone

522
00:26:17,880 --> 00:26:21,440
Speaker 1: right now is Ruby. Hey, Ruby, what can we say?

523
00:26:21,520 --> 00:26:23,960
Speaker 1: Your title is of this project? You've called to talk

524
00:26:23,960 --> 00:26:28,680
Speaker 1: to us about my title. I'm an actress and independent filmmaker.

525
00:26:28,760 --> 00:26:33,080
Speaker 1: I produced, direct and star in all of my short films. Okay,

526
00:26:33,119 --> 00:26:35,760
Speaker 1: So she is here to offer one of you guys

527
00:26:36,160 --> 00:26:40,639
Speaker 1: a paid role. Now what would this role? Do? The role? Okay?

528
00:26:40,800 --> 00:26:44,000
Speaker 1: So the role of it will be for one of

529
00:26:44,040 --> 00:26:49,680
Speaker 1: the antagonists in the film. It is a dirt back

530
00:26:49,840 --> 00:26:54,119
Speaker 1: dude that man handles a woman in a bar. It

531
00:26:54,200 --> 00:26:58,720
Speaker 1: would be a Western after the Civil War, so late

532
00:26:58,800 --> 00:27:01,920
Speaker 1: eighteen hundreds or eight teen sixty six, eighteen sixty seven,

533
00:27:02,640 --> 00:27:07,680
Speaker 1: and um, I would have a pretty brutal fight with

534
00:27:07,880 --> 00:27:10,520
Speaker 1: the individual. So you looking for someone who's a little

535
00:27:10,520 --> 00:27:14,440
Speaker 1: bit athletic because you gotta fight. Eddie's out. Yeah, someone

536
00:27:14,560 --> 00:27:18,320
Speaker 1: who can you know, be the bad guy? And what

537
00:27:18,560 --> 00:27:21,320
Speaker 1: will you pay this role? The role? Old on, Let's

538
00:27:21,320 --> 00:27:22,680
Speaker 1: hold us for the end. Let's because it's a big

539
00:27:23,080 --> 00:27:26,239
Speaker 1: that's hold that's hold this, Let's hold this. So here

540
00:27:26,280 --> 00:27:28,800
Speaker 1: we go. It sounds like they're the star of the movie. Really,

541
00:27:29,640 --> 00:27:32,359
Speaker 1: she is the star. Scene Okay, it's a Western. She

542
00:27:32,480 --> 00:27:34,879
Speaker 1: looking for somebody to be a bad guy, dirt bag. Um,

543
00:27:35,000 --> 00:27:36,800
Speaker 1: and I'm gonna tell you who's up for this role

544
00:27:36,920 --> 00:27:41,600
Speaker 1: right now, lunch box. Yeah, let's go. I do have

545
00:27:41,720 --> 00:27:44,760
Speaker 1: cowboy boots. Eddie, it's not me, but thank you. What

546
00:27:44,800 --> 00:27:46,760
Speaker 1: do you mean it's not it's a dirtbag, dirt bag

547
00:27:46,840 --> 00:27:51,320
Speaker 1: guy in a bar. But it's acting. No, definitely not me.

548
00:27:51,440 --> 00:27:58,159
Speaker 1: Athletic and and Raymondo's up for the role. Eddie's passing

549
00:27:58,240 --> 00:28:00,480
Speaker 1: on a role. It's I'm not passion. I'm saying, I'm

550
00:28:00,480 --> 00:28:03,720
Speaker 1: pretty sure it's not me, But I mean ray Man

551
00:28:03,840 --> 00:28:07,000
Speaker 1: handling someone in a bar, short guy, and I'm really believable.

552
00:28:07,119 --> 00:28:09,000
Speaker 1: All right, Ruby, who who would you like to fill

553
00:28:09,080 --> 00:28:15,119
Speaker 1: this role? I would love to have, lunchbox, So I

554
00:28:15,400 --> 00:28:18,400
Speaker 1: like that. Let's hell, I'm in the movies. Hey, let's

555
00:28:18,400 --> 00:28:21,680
Speaker 1: start that IMBB page my things, Pull it up, Pull

556
00:28:21,760 --> 00:28:25,600
Speaker 1: it up, lunchbox. How much big acting job? Oh, big

557
00:28:25,680 --> 00:28:28,920
Speaker 1: acting job? Listen. Amy's pays her a thousand bucks a day. Yeah,

558
00:28:28,960 --> 00:28:30,760
Speaker 1: she goes over to do that for her small role.

559
00:28:31,440 --> 00:28:33,520
Speaker 1: But this is a this is a movie. This is

560
00:28:33,560 --> 00:28:36,600
Speaker 1: a movie. What are you asking for here? I mean

561
00:28:36,760 --> 00:28:39,600
Speaker 1: if Amy's getting a thousand I mean with micredentials at

562
00:28:39,680 --> 00:28:41,560
Speaker 1: least one thousand and one said, oh, you want just

563
00:28:41,640 --> 00:28:46,160
Speaker 1: one dollar buffer a contract. I'm getting the sag day rate,

564
00:28:46,360 --> 00:28:48,960
Speaker 1: like it's what the minimum Ruby lunchbox once one thousand

565
00:28:49,000 --> 00:28:53,920
Speaker 1: and one dollars a day. Well, to curt some expectations,

566
00:28:54,000 --> 00:28:57,080
Speaker 1: it would be a non union role. It definitely isn't shag.

567
00:28:57,840 --> 00:29:00,560
Speaker 1: It would be a micro budget and it would see

568
00:29:00,880 --> 00:29:05,680
Speaker 1: what an independent film would typically pay daily for an actor.

569
00:29:05,880 --> 00:29:08,720
Speaker 1: It would be a supporting role. You would have um

570
00:29:09,240 --> 00:29:12,160
Speaker 1: some pretty significant line. Yeah, and you would get a

571
00:29:12,240 --> 00:29:16,440
Speaker 1: lot of airtime. Yeah. Does your idea change? I mean,

572
00:29:16,480 --> 00:29:18,560
Speaker 1: this is this is great. Can we be at the

573
00:29:18,920 --> 00:29:24,000
Speaker 1: cons Film Festival? So I will be submitting this four

574
00:29:24,080 --> 00:29:26,440
Speaker 1: film festivals. But I'm also going to use this as

575
00:29:26,480 --> 00:29:29,280
Speaker 1: a sivil real so that we can pitch this as

576
00:29:29,280 --> 00:29:32,600
Speaker 1: a larger idea to streaming plat. Oh my goodness, I

577
00:29:32,680 --> 00:29:35,320
Speaker 1: love it. I got what's your monetary? Ask may Man?

578
00:29:35,400 --> 00:29:37,280
Speaker 1: You know what I'm not gonna I don't want to

579
00:29:37,480 --> 00:29:39,120
Speaker 1: insult her. I want to see what she offers and

580
00:29:39,160 --> 00:29:41,000
Speaker 1: see if that's a good Okay, all right, what's the

581
00:29:41,080 --> 00:29:44,840
Speaker 1: offer Ruby to a valunch box? The offer is negotiable,

582
00:29:44,920 --> 00:29:47,000
Speaker 1: but it is one fifty a day, plus I pay

583
00:29:47,080 --> 00:29:51,640
Speaker 1: for travel and lodging. Where's travel too, Yeah, where are

584
00:29:51,680 --> 00:29:55,000
Speaker 1: we going? It would be you would either fly into

585
00:29:55,040 --> 00:29:59,280
Speaker 1: Columbus or Cincinnati, Ohio. The travel I would pay for

586
00:29:59,560 --> 00:30:03,560
Speaker 1: also rental car, and you would drive about two hours

587
00:30:04,440 --> 00:30:11,440
Speaker 1: sounds of Columbus or two hours east of Cincinnati. Coffee, Ohio.

588
00:30:11,800 --> 00:30:15,520
Speaker 1: Oh Chillicotee. Yeah, one hundred fifty bucks a day, Chillicotte, Ohio.

589
00:30:15,720 --> 00:30:18,000
Speaker 1: How many days that's rental car? She means, like a limo?

590
00:30:18,760 --> 00:30:22,280
Speaker 1: It hurts? How many days? Yeah? Actually I was thinking

591
00:30:22,360 --> 00:30:26,120
Speaker 1: of a nineteen eighty four on Corvette. Now that's what

592
00:30:26,240 --> 00:30:29,760
Speaker 1: we're talking about. How many days will you need him? Um?

593
00:30:29,880 --> 00:30:35,280
Speaker 1: Approximately three days, and it would August the beginning of

594
00:30:35,360 --> 00:30:37,520
Speaker 1: our three days in auguste hundred and fifty bucks a day.

595
00:30:38,040 --> 00:30:41,120
Speaker 1: You gotta fly to Columbus and then drive hours chill

596
00:30:41,680 --> 00:30:45,000
Speaker 1: drive a corvette and make four fifty think't to check

597
00:30:45,040 --> 00:30:48,640
Speaker 1: out my calendar for August. It's clear, don't worry early August. Um,

598
00:30:50,240 --> 00:30:52,920
Speaker 1: there's a lot open days on that calendar. Let me

599
00:30:53,000 --> 00:30:56,840
Speaker 1: tell you. And uh, I mean I'll go, I'll go

600
00:30:56,920 --> 00:30:58,800
Speaker 1: to be an actor. Yeah, because it's gonna lead the

601
00:30:58,800 --> 00:31:01,720
Speaker 1: bigger things. Guys, I go to cons I go to

602
00:31:02,640 --> 00:31:05,640
Speaker 1: one place, you know, the one in Colorado. What about

603
00:31:05,680 --> 00:31:09,880
Speaker 1: south By Sunboat Sundance Stumboat? What did you say? What

604
00:31:09,960 --> 00:31:12,440
Speaker 1: do you call it Sundance? What did you boat? What

605
00:31:12,520 --> 00:31:16,320
Speaker 1: did you say? Stumboat? Stumboat? But it's sun Dance in Steamboat.

606
00:31:16,560 --> 00:31:19,320
Speaker 1: We can go to south By, south By, south sun

607
00:31:19,400 --> 00:31:22,280
Speaker 1: Dance in Steamboat. Yeah, no idea. I think it's in Wyoming.

608
00:31:22,360 --> 00:31:26,760
Speaker 1: Maybe it's in like I tell you Ride, I just

609
00:31:26,880 --> 00:31:29,320
Speaker 1: told you where it is. Mike, we time where Sundance

610
00:31:29,400 --> 00:31:30,920
Speaker 1: is because I think it's in a different city, in

611
00:31:31,040 --> 00:31:35,200
Speaker 1: Utah City, Utah. It sounds like we were pretty close

612
00:31:35,200 --> 00:31:37,640
Speaker 1: to a deal. And then just imagine when my career

613
00:31:37,760 --> 00:31:40,880
Speaker 1: blows up, they'll put a sign in chill a coffee lunchbox.

614
00:31:40,960 --> 00:31:44,320
Speaker 1: Film is first film right here. It's a weird time.

615
00:31:44,440 --> 00:31:47,160
Speaker 1: Maybe I've never seen a sign like that. You guys,

616
00:31:47,200 --> 00:31:49,440
Speaker 1: take this offline, let me know tomorrow the next day

617
00:31:49,480 --> 00:31:51,760
Speaker 1: how the negotiation went, and we'll go from there. Ruby.

618
00:31:51,760 --> 00:31:56,080
Speaker 1: We appreciate that. Of course, guys. We're working on with

619
00:31:56,200 --> 00:31:58,640
Speaker 1: real deal. It's a big time, Okay, I like it.

620
00:31:58,880 --> 00:32:00,760
Speaker 1: Let's see what happens. Thank you for the call, Ruby

621
00:32:01,000 --> 00:32:05,440
Speaker 1: and Lunchbox will be in a text for Yeah. Alright,

622
00:32:06,360 --> 00:32:07,880
Speaker 1: there you go. First of all, I mean that's how

623
00:32:08,000 --> 00:32:11,840
Speaker 1: careers start, all right, Lunchbox, good luck, Buddy, Thank you guys.

624
00:32:12,200 --> 00:32:13,960
Speaker 1: I'll remember you guys when I make it big. I'll

625
00:32:13,960 --> 00:32:16,120
Speaker 1: try to you know. If you guys say hidinas gonna

626
00:32:16,120 --> 00:32:20,240
Speaker 1: have a lakehouse and Lae rubbing our face. Yea, it's

627
00:32:20,320 --> 00:32:23,800
Speaker 1: the best Bits of the Week with Morgan. Number two

628
00:32:25,120 --> 00:32:28,000
Speaker 1: another big interview on this show. This week, Luke Combs

629
00:32:28,080 --> 00:32:31,960
Speaker 1: came on sat down for a full blown conversation, just

630
00:32:32,120 --> 00:32:34,640
Speaker 1: sitting talking, telling us all the things going on his life,

631
00:32:34,720 --> 00:32:37,840
Speaker 1: including how he found out about his wife being pregnant,

632
00:32:37,840 --> 00:32:40,320
Speaker 1: which was a super sweet story, and he talked about

633
00:32:40,560 --> 00:32:43,160
Speaker 1: his new music he's got coming. He also shared a

634
00:32:43,400 --> 00:32:46,720
Speaker 1: fun story about at Sharon and Twin Peaks. I'm not

635
00:32:46,760 --> 00:32:48,320
Speaker 1: gonna say any more than that. I just need you

636
00:32:48,400 --> 00:32:52,560
Speaker 1: to hear this. Interview Number three, the Friday Morning Conversation

637
00:32:52,840 --> 00:32:55,880
Speaker 1: with Luke Combs. What's up, buddy? What's up? You know

638
00:32:56,000 --> 00:32:58,680
Speaker 1: with you? It's interesting because we don't You're not a

639
00:32:58,800 --> 00:33:00,840
Speaker 1: guy that's always and about you like live you a

640
00:33:00,840 --> 00:33:03,160
Speaker 1: little private life and I respect that, and then you

641
00:33:03,280 --> 00:33:05,440
Speaker 1: come back in and it's always good to see us.

642
00:33:05,480 --> 00:33:07,920
Speaker 1: So what have you been doing the last few months? Man?

643
00:33:08,560 --> 00:33:11,520
Speaker 1: Getting ready for this kid? Dude? Is that primarily what's

644
00:33:11,520 --> 00:33:14,760
Speaker 1: been on your mind? Yeah? I mean that, and you know,

645
00:33:14,880 --> 00:33:16,880
Speaker 1: getting ready for this I've been working a lot on

646
00:33:16,960 --> 00:33:20,480
Speaker 1: this album too that's coming out, and so yeah, just

647
00:33:20,600 --> 00:33:22,800
Speaker 1: to that between those two things, I have only played

648
00:33:22,920 --> 00:33:25,800
Speaker 1: maybe seven shows this year, I think, so it's been

649
00:33:25,960 --> 00:33:28,760
Speaker 1: really light in that sense. But is that purposeful because

650
00:33:28,840 --> 00:33:31,880
Speaker 1: of the kid and because of the new music or well?

651
00:33:31,920 --> 00:33:34,080
Speaker 1: I think it was just we did you know, I

652
00:33:34,400 --> 00:33:36,280
Speaker 1: did a tour last fall that was supposed to happen

653
00:33:36,320 --> 00:33:39,480
Speaker 1: two years ago, and then you know, I was fifty

654
00:33:40,640 --> 00:33:44,560
Speaker 1: fifty four shows in like four months or five months,

655
00:33:44,920 --> 00:33:48,040
Speaker 1: and so it was like when we were done, there

656
00:33:48,160 --> 00:33:51,120
Speaker 1: was just no plan to tour this springing because it

657
00:33:51,200 --> 00:33:52,360
Speaker 1: was like, we know, we had to work on the

658
00:33:52,400 --> 00:33:55,600
Speaker 1: album and the Kid wasn't in the plan for that.

659
00:33:56,040 --> 00:33:58,680
Speaker 1: You know, that wasn't part of the deal. I guess,

660
00:33:59,120 --> 00:34:00,520
Speaker 1: you know, and I knew a lot of people are

661
00:34:00,520 --> 00:34:01,760
Speaker 1: asking you about the kid and I will for a

662
00:34:01,800 --> 00:34:06,040
Speaker 1: second as well. Was this a timeline, like we were

663
00:34:06,080 --> 00:34:08,640
Speaker 1: going to have a kid at this point. No, I

664
00:34:08,680 --> 00:34:10,839
Speaker 1: mean we were. I mean we had been trying since

665
00:34:10,920 --> 00:34:12,840
Speaker 1: we got married, you know, so it was like, whenever

666
00:34:12,960 --> 00:34:15,880
Speaker 1: happens happens was kind of the plan. So it just

667
00:34:16,000 --> 00:34:18,400
Speaker 1: happened to be, you know, kind of in the middle

668
00:34:18,440 --> 00:34:22,200
Speaker 1: of that tour, and so it's kind of ends up

669
00:34:22,239 --> 00:34:25,120
Speaker 1: being perfect, perfect timing in a lot of ways. I'm

670
00:34:25,160 --> 00:34:26,879
Speaker 1: gonna ask you a few questions about this and then

671
00:34:27,239 --> 00:34:29,160
Speaker 1: we'll move from it. But I just have some questions

672
00:34:29,200 --> 00:34:31,640
Speaker 1: to somebody who, because we're talking about this now in

673
00:34:31,719 --> 00:34:35,040
Speaker 1: my life. How did she tell you? Have you shared that?

674
00:34:35,719 --> 00:34:38,440
Speaker 1: I don't think I've told anybody how she told me?

675
00:34:39,800 --> 00:34:41,040
Speaker 1: Did you Okay, you don't have to if you don't

676
00:34:41,040 --> 00:34:42,360
Speaker 1: want to, I'm not even gonna pressure you say it.

677
00:34:42,760 --> 00:34:44,640
Speaker 1: Did she tell you or did you find out together?

678
00:34:44,719 --> 00:34:49,000
Speaker 1: How about that? She told me? Yeah, and your reaction was, oh, cry,

679
00:34:49,080 --> 00:34:52,279
Speaker 1: I cried a lot. Yeah, I was very excited. Can

680
00:34:52,360 --> 00:34:55,759
Speaker 1: you remember that moment pretty vividly or does it kind

681
00:34:55,760 --> 00:34:58,279
Speaker 1: of black out? No? I remember it very vividly. It

682
00:34:58,400 --> 00:34:59,840
Speaker 1: was on the bus. She told me on the b

683
00:35:00,040 --> 00:35:02,160
Speaker 1: us when it's just me and her on there, Um,

684
00:35:03,040 --> 00:35:06,240
Speaker 1: I think she had been on a trip with some friends,

685
00:35:06,520 --> 00:35:08,960
Speaker 1: like a girl's trip type thing. I think they went

686
00:35:09,040 --> 00:35:12,840
Speaker 1: to Sedona. Is that a place that sounds fancy? I

687
00:35:12,880 --> 00:35:16,960
Speaker 1: don't know where to wine? Is there a wine there? Yeah? Maybe?

688
00:35:17,160 --> 00:35:19,120
Speaker 1: Is that a wine place? I don't know. It's like

689
00:35:19,440 --> 00:35:22,879
Speaker 1: like redneck Nappa maybe or something. I'm not sure you're

690
00:35:22,880 --> 00:35:25,080
Speaker 1: asking a rolling guy because we didn't have that in Arkansas,

691
00:35:25,320 --> 00:35:27,480
Speaker 1: but they went. They went there, her and some of

692
00:35:27,560 --> 00:35:30,320
Speaker 1: her friends, and I guess she found out on the

693
00:35:30,440 --> 00:35:33,399
Speaker 1: trip on that trip, which, if it is a wine place,

694
00:35:33,560 --> 00:35:39,520
Speaker 1: is really unfortunate because to do so. At what point

695
00:35:39,880 --> 00:35:41,759
Speaker 1: does that start that you're going to be a dad

696
00:35:41,840 --> 00:35:44,919
Speaker 1: start to creep into your creative process when you're thinking,

697
00:35:45,320 --> 00:35:48,960
Speaker 1: because that's someone who is writing or thinking about writing,

698
00:35:49,000 --> 00:35:50,800
Speaker 1: and you're coming up with ideas and you know you

699
00:35:50,920 --> 00:35:54,480
Speaker 1: are basing a lot of it on your inspiration. Is

700
00:35:54,960 --> 00:35:57,160
Speaker 1: when does that start to creep in? Well, it really

701
00:35:57,239 --> 00:36:00,440
Speaker 1: hasn't yet too much because a lot, I mean, every

702
00:36:00,480 --> 00:36:04,760
Speaker 1: song that's gonna be on this album was written before

703
00:36:04,800 --> 00:36:08,759
Speaker 1: I found out, So there isn't. I don't have the

704
00:36:09,160 --> 00:36:11,960
Speaker 1: like dad, But are you writing now? Have you written

705
00:36:11,960 --> 00:36:14,400
Speaker 1: any songs? I haven't I haven't. I'm just kind of waiting.

706
00:36:14,600 --> 00:36:16,560
Speaker 1: I'm just kind of waiting, like I feel like until

707
00:36:16,600 --> 00:36:19,439
Speaker 1: he's born, you know, it's gonna be the I feel

708
00:36:19,440 --> 00:36:21,279
Speaker 1: like that's gonna be the moment. You know, there's not

709
00:36:21,360 --> 00:36:24,560
Speaker 1: many songs you can write about like cleaning out your

710
00:36:24,800 --> 00:36:28,160
Speaker 1: guest room and like buying diaper trash cans and stuff.

711
00:36:28,239 --> 00:36:30,560
Speaker 1: You know, I think if you do it, if anybody could, though,

712
00:36:31,120 --> 00:36:32,759
Speaker 1: I think you'd have you'd have a way of doing that.

713
00:36:34,080 --> 00:36:37,040
Speaker 1: I love it. You mean diaper Genie, Yes, yes, diaper

714
00:36:37,120 --> 00:36:44,040
Speaker 1: Genie shot out sponsor me Luke Holmbs is here And

715
00:36:44,200 --> 00:36:47,680
Speaker 1: so the album comes out June twenty fourth. You've put

716
00:36:47,719 --> 00:36:50,719
Speaker 1: out two songs from this new record, doing this and

717
00:36:50,840 --> 00:36:54,360
Speaker 1: then tomorrow me. So, is there some sort of strategy

718
00:36:54,440 --> 00:36:57,400
Speaker 1: as what songs you release first and second from the

719
00:36:57,440 --> 00:37:00,480
Speaker 1: album or like fast slow? Like what happened there? Doing

720
00:37:00,560 --> 00:37:04,239
Speaker 1: this was? Man, we were just kind of I don't

721
00:37:04,280 --> 00:37:05,920
Speaker 1: want to say, like hanging on for dear life, but

722
00:37:06,000 --> 00:37:09,000
Speaker 1: it's like we I really loved that song, you know,

723
00:37:09,120 --> 00:37:11,480
Speaker 1: ever since since I wrote it, and you know, we

724
00:37:11,600 --> 00:37:15,640
Speaker 1: debuted on the CMA's Last Fall, which was really cool

725
00:37:15,880 --> 00:37:18,279
Speaker 1: to get to do that. Um, but there was no

726
00:37:18,920 --> 00:37:22,279
Speaker 1: plan yet for an album, like for the album at

727
00:37:22,360 --> 00:37:24,520
Speaker 1: that time that that song came out. I mean, we

728
00:37:24,680 --> 00:37:27,920
Speaker 1: knew it would eventually be on whatever album was going

729
00:37:28,000 --> 00:37:30,680
Speaker 1: to come out, but it was like we had that song,

730
00:37:30,840 --> 00:37:32,719
Speaker 1: it was done and we really loved it, and it

731
00:37:32,840 --> 00:37:35,080
Speaker 1: was like, well, it's just time to put something new

732
00:37:35,160 --> 00:37:38,880
Speaker 1: out and so then we'll just that will just be

733
00:37:39,040 --> 00:37:41,480
Speaker 1: the first song from the album. But when it came out,

734
00:37:41,600 --> 00:37:44,400
Speaker 1: that was never that was never the plan. Um and

735
00:37:44,520 --> 00:37:47,640
Speaker 1: then tomorrow me, He's just a song man, just loved

736
00:37:47,640 --> 00:37:50,040
Speaker 1: the way it sounds. Somebody's a fan had asked me

737
00:37:50,160 --> 00:37:52,840
Speaker 1: that on on Twitter the other day. I don't I

738
00:37:52,840 --> 00:37:54,640
Speaker 1: don't know if it's going to be called that forever

739
00:37:54,800 --> 00:38:00,800
Speaker 1: now that somebody else, Yeah, yeah, Tesla or Twesla dwet

740
00:38:00,840 --> 00:38:03,400
Speaker 1: Slow that's it. But yeah, they asked me like why

741
00:38:03,440 --> 00:38:05,840
Speaker 1: did you put this song out? And I was like,

742
00:38:05,920 --> 00:38:08,319
Speaker 1: I don't know. I just like it, you know, it's

743
00:38:08,320 --> 00:38:11,400
Speaker 1: just there's I don't know. It's sometimes I think like

744
00:38:11,520 --> 00:38:14,120
Speaker 1: I did this as a fan too, was like I

745
00:38:14,160 --> 00:38:17,319
Speaker 1: always try to like read into what somebody's like, what's there?

746
00:38:17,880 --> 00:38:19,880
Speaker 1: What were they thinking? Like what does this mean? And

747
00:38:19,960 --> 00:38:22,440
Speaker 1: I'm like sometimes it just doesn't mean anything, you know

748
00:38:22,520 --> 00:38:24,239
Speaker 1: what I mean, And like not in a bad way,

749
00:38:24,840 --> 00:38:27,120
Speaker 1: but it's just like I really loved that song and

750
00:38:28,840 --> 00:38:31,319
Speaker 1: I wanted to put it out. What's the that's funny

751
00:38:31,360 --> 00:38:33,239
Speaker 1: you say that, what's the most fun song that you've

752
00:38:33,280 --> 00:38:37,160
Speaker 1: ever written and recorded that really had the least depth

753
00:38:37,280 --> 00:38:40,520
Speaker 1: on purpose? Does that question make sense? Yeah, it's that

754
00:38:40,680 --> 00:38:43,200
Speaker 1: it's fun. It's just for fun. We just were feeling

755
00:38:43,239 --> 00:38:45,239
Speaker 1: good and we did it. Yeah, what is um? I

756
00:38:45,520 --> 00:38:47,880
Speaker 1: probably love it on you? You know. And it's just

757
00:38:48,040 --> 00:38:51,440
Speaker 1: like sometimes you're you're in the writing room and it's like, okay,

758
00:38:51,520 --> 00:38:54,920
Speaker 1: sometimes you do have this really heavy thing that you're

759
00:38:54,960 --> 00:38:57,040
Speaker 1: thinking about that you can't stop thinking about, that you

760
00:38:57,120 --> 00:39:00,360
Speaker 1: have to write about. And sometimes you know, it's like

761
00:39:00,520 --> 00:39:02,479
Speaker 1: you get in there and it's like, hey man, let's

762
00:39:02,520 --> 00:39:05,040
Speaker 1: rude an them hit song today. You know, like it

763
00:39:05,160 --> 00:39:08,880
Speaker 1: can be that simple of a conversation. But and a

764
00:39:08,960 --> 00:39:11,520
Speaker 1: lot of times, for me, a song like loving on You,

765
00:39:11,680 --> 00:39:14,680
Speaker 1: I'm always thinking about I need something that I feel

766
00:39:14,680 --> 00:39:16,800
Speaker 1: like it's gonna be really great for the show, for

767
00:39:16,920 --> 00:39:19,920
Speaker 1: the live show, because that's kind of always been my

768
00:39:20,000 --> 00:39:22,160
Speaker 1: focus is like, you know, I don't want to have

769
00:39:23,200 --> 00:39:24,960
Speaker 1: you know, it's like, obviously, you know, I've just put

770
00:39:25,000 --> 00:39:27,120
Speaker 1: out doing this and tomorrow me so it's gonna sound

771
00:39:27,560 --> 00:39:29,360
Speaker 1: you know, probably ridiculous. But I try to not have

772
00:39:29,480 --> 00:39:33,399
Speaker 1: too many slow songs. But it's not. Man, something about

773
00:39:33,400 --> 00:39:35,680
Speaker 1: a sad song makes me happy, you know, I don't

774
00:39:35,680 --> 00:39:37,960
Speaker 1: know why the same. Yeah, when I'm listening to music

775
00:39:38,680 --> 00:39:42,239
Speaker 1: for myself, I always pick slow songs. Yeah, I guess

776
00:39:42,680 --> 00:39:44,799
Speaker 1: there are not a lot of upbeat bangers that I'm like, all,

777
00:39:44,880 --> 00:39:46,680
Speaker 1: I guess me time, let me listen, Yeah, let me

778
00:39:46,760 --> 00:39:48,320
Speaker 1: listen to some Let me get in my feels to

779
00:39:48,440 --> 00:39:50,000
Speaker 1: some beer and over in my heart, you know what

780
00:39:50,040 --> 00:39:55,800
Speaker 1: I mean. Luke Holmbs is here being such a prolific songwriter.

781
00:39:56,040 --> 00:39:59,239
Speaker 1: I wonder when these cases continue to come out, where

782
00:39:59,280 --> 00:40:01,840
Speaker 1: folks are going, all right, this song was written in

783
00:40:01,960 --> 00:40:04,080
Speaker 1: nineteen seventy one, and it looks like, you know, this

784
00:40:04,200 --> 00:40:06,719
Speaker 1: person stole this song. This it's happening all the time,

785
00:40:06,800 --> 00:40:08,440
Speaker 1: and a lot of people go, well, there's only so

786
00:40:08,520 --> 00:40:11,600
Speaker 1: many chords and so many notes, but endless ideas. How

787
00:40:11,640 --> 00:40:14,719
Speaker 1: do you protect yourself from that? Because any song you write,

788
00:40:15,040 --> 00:40:19,040
Speaker 1: almost just mathematically, is going to have similarities to other songs. Yeah,

789
00:40:19,080 --> 00:40:22,600
Speaker 1: I mean, I think I don't think that you can really,

790
00:40:23,040 --> 00:40:25,560
Speaker 1: I mean in the sense of you just got to

791
00:40:25,600 --> 00:40:29,360
Speaker 1: write stuff, and you know, if that happens, it happens.

792
00:40:29,400 --> 00:40:32,359
Speaker 1: I mean, it hasn't happened to me, Kno, you know, um,

793
00:40:33,040 --> 00:40:35,120
Speaker 1: which maybe tells you that I don't steal people's stuff,

794
00:40:35,840 --> 00:40:38,640
Speaker 1: but I don't. I don't know. I mean, I'm sure

795
00:40:38,680 --> 00:40:41,800
Speaker 1: it's bound to happen to me at some point, and

796
00:40:42,000 --> 00:40:43,920
Speaker 1: yeah there. I mean, I think you are bound to

797
00:40:44,440 --> 00:40:47,080
Speaker 1: step all over something that somebody else has done, you know,

798
00:40:47,239 --> 00:40:51,080
Speaker 1: intentionally or not. I mean it's a tough though. Man,

799
00:40:51,200 --> 00:40:54,279
Speaker 1: that's a tough thing because it's just like how many

800
00:40:54,360 --> 00:40:57,560
Speaker 1: songs get put out every day? Twenty thousand songs every

801
00:40:57,640 --> 00:41:01,480
Speaker 1: day I think, get put on you know, streaming services.

802
00:41:01,560 --> 00:41:04,200
Speaker 1: So it's like eventually, I mean, how many songs is

803
00:41:04,200 --> 00:41:06,960
Speaker 1: that a year? I mean millions. Yeah, it's just mathematically,

804
00:41:07,040 --> 00:41:09,400
Speaker 1: it's just if there's only twelve notes or something, you know,

805
00:41:09,640 --> 00:41:12,879
Speaker 1: that you can do. I mean obviously that's not There's

806
00:41:13,280 --> 00:41:15,759
Speaker 1: you know, an endless amount of songs that probably sound

807
00:41:15,840 --> 00:41:18,080
Speaker 1: really similar to each other. Well I can, I guess.

808
00:41:18,120 --> 00:41:19,680
Speaker 1: By two thousand and two, I wrote a song called

809
00:41:20,120 --> 00:41:22,440
Speaker 1: getting Shoved by Other dudes and it goes because I

810
00:41:22,600 --> 00:41:25,000
Speaker 1: hate it getting shove by other dudes. It sounds a

811
00:41:25,040 --> 00:41:29,719
Speaker 1: lot like loving on you. That's all the same. Yeah,

812
00:41:29,719 --> 00:41:34,080
Speaker 1: I have to go. I'm just saying your first floating

813
00:41:34,120 --> 00:41:36,560
Speaker 1: that up there, and you know obviously too, it's whenever

814
00:41:36,640 --> 00:41:39,200
Speaker 1: song becomes massive, sure, because then it's a target and

815
00:41:39,200 --> 00:41:40,879
Speaker 1: it's like we can make a little money off that. Yeah,

816
00:41:40,960 --> 00:41:42,640
Speaker 1: I just you know, it just feels like you have

817
00:41:42,719 --> 00:41:45,759
Speaker 1: to be protected. And mine is nothing like yours. But

818
00:41:46,120 --> 00:41:48,279
Speaker 1: I write comedy songs and jokes, and I have to

819
00:41:48,320 --> 00:41:52,399
Speaker 1: have insurance that if I do get sued libel type yeah,

820
00:41:52,680 --> 00:41:54,920
Speaker 1: well not not even liabel, but if I do get

821
00:41:54,960 --> 00:41:57,560
Speaker 1: sued because someone said, hey, you stole a melody from

822
00:41:57,600 --> 00:42:00,319
Speaker 1: this song, like I have insurance up to us point.

823
00:42:00,320 --> 00:42:02,239
Speaker 1: I would imagine a premium one like your stuff would

824
00:42:02,239 --> 00:42:04,880
Speaker 1: be crazy. You know what scares me about it and

825
00:42:04,960 --> 00:42:07,080
Speaker 1: may be saying this is just the worst idea ever

826
00:42:07,080 --> 00:42:09,440
Speaker 1: because it can be invented now. But me and my

827
00:42:09,480 --> 00:42:12,399
Speaker 1: guitar player talk all the time about at what point

828
00:42:12,520 --> 00:42:15,680
Speaker 1: is there just an app that you can play it

829
00:42:15,719 --> 00:42:17,880
Speaker 1: into it to see if it's been how much of it?

830
00:42:18,080 --> 00:42:22,040
Speaker 1: What percentage of this that terrifies me, even if it's unintentional,

831
00:42:22,760 --> 00:42:25,879
Speaker 1: you know, because then you're getting into things where it's like, oh, well,

832
00:42:25,920 --> 00:42:28,480
Speaker 1: here's some song, yeah that came out in nineteen eighty

833
00:42:28,560 --> 00:42:31,080
Speaker 1: that was no one's ever heard, something that no one's

834
00:42:31,120 --> 00:42:34,360
Speaker 1: ever heard, and they go, well, you, it's too close

835
00:42:34,440 --> 00:42:36,560
Speaker 1: to this thing, even if you've never even heard that song.

836
00:42:36,719 --> 00:42:38,200
Speaker 1: But then what I would do is that was interesting.

837
00:42:38,360 --> 00:42:40,239
Speaker 1: I'd find the limit, like I say, it was nineteen percent.

838
00:42:40,320 --> 00:42:42,800
Speaker 1: I would steal from the greatest songs eighteen percent purposely.

839
00:42:43,440 --> 00:42:47,000
Speaker 1: I would find a way around. I would actually right

840
00:42:47,120 --> 00:42:49,279
Speaker 1: then there'd be some definition of how much, and I'd

841
00:42:49,320 --> 00:42:52,360
Speaker 1: be like, what are you gonna do? That's true. They

842
00:42:52,360 --> 00:42:56,279
Speaker 1: assume they couldn't and they couldn't. Well, Bobby, who was it?

843
00:42:56,480 --> 00:42:59,960
Speaker 1: Is it? Ed Sheering that is now videos every writing session,

844
00:43:00,000 --> 00:43:03,239
Speaker 1: and that he does have to go, yeah, look, he said,

845
00:43:03,280 --> 00:43:06,000
Speaker 1: this is us organically coming up with this. It's just

846
00:43:06,080 --> 00:43:08,640
Speaker 1: fascinating to me. I have this whole album on video.

847
00:43:09,000 --> 00:43:11,000
Speaker 1: Not for that reason. You guys watch it sometimes you're

848
00:43:11,000 --> 00:43:14,920
Speaker 1: in the call to sit around and watch it. Like me,

849
00:43:15,040 --> 00:43:18,959
Speaker 1: watching myself makes me absolutely cringe, like anything. What about

850
00:43:19,000 --> 00:43:21,319
Speaker 1: a live do you watch your live shows back ever

851
00:43:21,480 --> 00:43:25,439
Speaker 1: or listen back no game tape. No, it's just God,

852
00:43:25,560 --> 00:43:30,440
Speaker 1: just cringe me out. I think, what about posting live performances?

853
00:43:30,560 --> 00:43:32,359
Speaker 1: Do you post him or do you have somebody else?

854
00:43:33,160 --> 00:43:35,479
Speaker 1: I have somebody else that does that if if something

855
00:43:35,520 --> 00:43:38,480
Speaker 1: like that comes up. But yeah, I don't know. I

856
00:43:38,600 --> 00:43:41,480
Speaker 1: just it's just I don't know. It's just strange, you know,

857
00:43:41,719 --> 00:43:43,879
Speaker 1: I understand. I don't listen to the show, and I'll

858
00:43:43,920 --> 00:43:46,080
Speaker 1: get some because the opera will let me post any

859
00:43:46,120 --> 00:43:47,279
Speaker 1: of my stand up that I do there, and I'll

860
00:43:47,320 --> 00:43:49,080
Speaker 1: watch it and I'll be like, I don't like how

861
00:43:49,120 --> 00:43:51,120
Speaker 1: I said that word. I look like an idiot. And

862
00:43:51,239 --> 00:43:52,719
Speaker 1: my wife would be like, that's pretty funny. You can

863
00:43:52,840 --> 00:43:56,080
Speaker 1: I'm like, mm, I don't think so I slurt. But

864
00:43:56,200 --> 00:43:57,960
Speaker 1: it's like it's not for you. I guess it's not

865
00:43:58,080 --> 00:44:00,800
Speaker 1: for us to like, you know what I mean, like

866
00:44:01,160 --> 00:44:04,160
Speaker 1: because I don't the intention, Like we are the only

867
00:44:04,320 --> 00:44:07,520
Speaker 1: person in the world that can't watch our show and

868
00:44:07,680 --> 00:44:12,560
Speaker 1: think about it, you know, objectively or whatever. What's what's

869
00:44:12,600 --> 00:44:14,880
Speaker 1: on the goal list for you now? Like I wonder

870
00:44:14,920 --> 00:44:18,239
Speaker 1: what drives you at this point to be a better

871
00:44:18,400 --> 00:44:21,080
Speaker 1: version of yourself. Let's keep personal out of it because

872
00:44:21,080 --> 00:44:23,520
Speaker 1: you have a big, big thing music. Yeah, professionally what

873
00:44:23,640 --> 00:44:26,320
Speaker 1: drives you now, I don't know. I mean, you know,

874
00:44:26,400 --> 00:44:28,920
Speaker 1: always wanting to write better songs I think is the

875
00:44:29,400 --> 00:44:33,160
Speaker 1: top thing for me. Um And I think I don't

876
00:44:33,239 --> 00:44:35,360
Speaker 1: you know, I don't know if that's if you can't

877
00:44:35,360 --> 00:44:38,759
Speaker 1: even do that or what I mean, But I don't know.

878
00:44:38,840 --> 00:44:40,799
Speaker 1: I just want to have a long career. I think

879
00:44:40,920 --> 00:44:43,799
Speaker 1: now at this point, it's like, you know, I've been

880
00:44:43,880 --> 00:44:46,680
Speaker 1: doing it for I don't know, for five years now

881
00:44:46,800 --> 00:44:50,400
Speaker 1: or four years now on kind of in an official

882
00:44:50,560 --> 00:44:53,520
Speaker 1: sense of like having a deal and putting stuff out

883
00:44:53,560 --> 00:44:56,560
Speaker 1: and playing shows, doing stuff like this, and I would

884
00:44:56,600 --> 00:44:58,600
Speaker 1: just like to continue to do that, you know, like

885
00:44:58,760 --> 00:45:01,000
Speaker 1: continue to be in the conver sation for like the

886
00:45:01,360 --> 00:45:03,200
Speaker 1: people at the top of the genre. I think for

887
00:45:03,320 --> 00:45:05,600
Speaker 1: the next you know, ten years or fifteen years, I

888
00:45:05,680 --> 00:45:08,560
Speaker 1: think is something that I would like to do. You know.

889
00:45:09,440 --> 00:45:11,640
Speaker 1: Whenever do you order Uber eats to your house ever,

890
00:45:11,760 --> 00:45:13,960
Speaker 1: or Uber eats or like Postmate, we don't have that.

891
00:45:14,040 --> 00:45:17,840
Speaker 1: It doesn't come out that far. Okay, nothing like that.

892
00:45:18,320 --> 00:45:20,239
Speaker 1: What about if you're in a city, do you ever

893
00:45:20,320 --> 00:45:23,480
Speaker 1: use Uber period? Do you ever put your name on

894
00:45:23,520 --> 00:45:29,040
Speaker 1: an app? I guess no. It's like I'm like, it's

895
00:45:29,120 --> 00:45:32,120
Speaker 1: never I don't think I've ever had like an instance

896
00:45:32,200 --> 00:45:36,000
Speaker 1: where it's happened where someone's been like I've had like

897
00:45:36,080 --> 00:45:39,279
Speaker 1: where all of a sudden, the person delivering it recognizes me,

898
00:45:40,040 --> 00:45:42,360
Speaker 1: but it's not like my stuff was in there, like

899
00:45:42,400 --> 00:45:44,360
Speaker 1: I we'll order Uber Eats or something to like or

900
00:45:44,400 --> 00:45:47,320
Speaker 1: Postmates to like a hotel, or but your name's on it.

901
00:45:47,360 --> 00:45:50,440
Speaker 1: It's not delivering to No, it'll just be like like

902
00:45:50,560 --> 00:45:53,440
Speaker 1: you can just put like lc as your name on

903
00:45:53,520 --> 00:45:56,680
Speaker 1: there or whatever guy who wrote loving on you yea

904
00:45:57,640 --> 00:46:01,359
Speaker 1: or yeah and dad yeah, if you're out it again,

905
00:46:01,400 --> 00:46:04,000
Speaker 1: I'm gonna go a little personal here. What's your daily

906
00:46:04,120 --> 00:46:07,720
Speaker 1: drive around car? I drove four to f to fifty

907
00:46:07,800 --> 00:46:10,680
Speaker 1: here today, That's what That's what I kind of Are

908
00:46:10,719 --> 00:46:14,320
Speaker 1: your windows tinted? The front ones are not? So do

909
00:46:14,520 --> 00:46:16,759
Speaker 1: people ever see you? And then go, holy craft, there's

910
00:46:16,800 --> 00:46:19,880
Speaker 1: lucom Le's let's follow him. I don't think it's ever

911
00:46:20,000 --> 00:46:23,839
Speaker 1: been like fall Like where I live. It's like it's

912
00:46:23,880 --> 00:46:26,239
Speaker 1: a smaller town. It's like an hour from Nashville, so

913
00:46:26,840 --> 00:46:29,440
Speaker 1: everybody just knows that I live there. You know, I've

914
00:46:29,480 --> 00:46:31,879
Speaker 1: lived there for three years now, and so it's kind

915
00:46:31,880 --> 00:46:34,440
Speaker 1: of like I don't want to say they're over it,

916
00:46:34,560 --> 00:46:36,320
Speaker 1: but they're just kind of over it. You know, what

917
00:46:36,440 --> 00:46:39,440
Speaker 1: about if you're in town and you're just traffic life, Yeah,

918
00:46:39,440 --> 00:46:41,960
Speaker 1: it happens a lot at that point, Like, oh my god, yeah, yeah,

919
00:46:42,000 --> 00:46:44,279
Speaker 1: it happens all the time. But I just hate the

920
00:46:44,360 --> 00:46:46,440
Speaker 1: tinted windows thing because I feel like at nighttime I

921
00:46:46,480 --> 00:46:49,200
Speaker 1: can't really see super well that's a probably better reason

922
00:46:49,200 --> 00:46:51,439
Speaker 1: than I get the Tenet win. I don't know, it's

923
00:46:51,480 --> 00:46:54,080
Speaker 1: like it's like I've just it used to bother me

924
00:46:54,400 --> 00:46:56,200
Speaker 1: a lot, Like it took me a long time to

925
00:46:56,320 --> 00:46:59,640
Speaker 1: get used to, like the fact that people like I

926
00:46:59,640 --> 00:47:02,320
Speaker 1: always felt like people were staring at me or something like,

927
00:47:03,520 --> 00:47:05,719
Speaker 1: and that took me a good I don't know. It

928
00:47:05,840 --> 00:47:09,520
Speaker 1: was like up until I guess, up until COVID happened,

929
00:47:10,440 --> 00:47:12,880
Speaker 1: it really bothered me. And then afterwards, like I've just

930
00:47:13,000 --> 00:47:16,040
Speaker 1: had two years to just like kind of just bathe

931
00:47:16,040 --> 00:47:18,440
Speaker 1: in it. You know, you just kind of like understand

932
00:47:18,560 --> 00:47:20,320
Speaker 1: that this is how your life's gonna be for a

933
00:47:20,400 --> 00:47:23,759
Speaker 1: while or maybe forever, and so I'm just fine with it,

934
00:47:23,920 --> 00:47:26,759
Speaker 1: Like it doesn't bother me at all anymore. Your transition

935
00:47:26,800 --> 00:47:32,000
Speaker 1: has been rapid from dude to really famous. Dude. Feels

936
00:47:32,000 --> 00:47:33,320
Speaker 1: like you've been over twenty years with the stings that

937
00:47:33,400 --> 00:47:34,839
Speaker 1: you have. But like you said, it's been four years

938
00:47:34,920 --> 00:47:38,160
Speaker 1: or so, can you go and just have dinner at

939
00:47:38,200 --> 00:47:41,840
Speaker 1: a restaurant? Yeah you can, Yeah, without getting in a

940
00:47:41,920 --> 00:47:44,080
Speaker 1: corner or a boot, Like, can you just you go in?

941
00:47:44,200 --> 00:47:45,640
Speaker 1: It'd be like you'd like to have a table. Now

942
00:47:45,719 --> 00:47:47,840
Speaker 1: you have to pick the restaurant, like you have to, like,

943
00:47:48,640 --> 00:47:53,120
Speaker 1: you know, I the first time I ever hung out

944
00:47:53,120 --> 00:47:58,320
Speaker 1: with Edgeering was at the Twin Peaks in Brentwood. True story,

945
00:47:59,200 --> 00:48:01,080
Speaker 1: True story, which by the way, Twin Peaks of the

946
00:48:01,200 --> 00:48:05,279
Speaker 1: chain like it's like yes, yes, yes, Well he had

947
00:48:05,360 --> 00:48:07,719
Speaker 1: hit me up and was like, hey, you know, it's

948
00:48:07,760 --> 00:48:10,680
Speaker 1: like let's hang out on whatever, and he that's where

949
00:48:10,719 --> 00:48:14,040
Speaker 1: he told me he was, and I was like, okay,

950
00:48:15,000 --> 00:48:17,560
Speaker 1: so I'm on the way. It's like me and my

951
00:48:17,719 --> 00:48:22,040
Speaker 1: wife and stuff. And I was like, hey, man, just

952
00:48:22,239 --> 00:48:26,319
Speaker 1: checking that you were going here. He was like yeah, yeah, dude,

953
00:48:26,360 --> 00:48:30,080
Speaker 1: we're here, come on, so get in there. And it's

954
00:48:30,160 --> 00:48:32,279
Speaker 1: like all of a sudden, dude that people start coming up,

955
00:48:32,560 --> 00:48:36,239
Speaker 1: coming up, coming up, and he's like, dude, I'm really sorry, man, like,

956
00:48:36,360 --> 00:48:38,480
Speaker 1: no one ever bothers me here, you know, And I

957
00:48:38,600 --> 00:48:43,640
Speaker 1: was like, dude, you've taken me into the beehive. Dude,

958
00:48:43,960 --> 00:48:47,880
Speaker 1: this is your wheelhouse. This is you. Like if you

959
00:48:48,040 --> 00:48:51,359
Speaker 1: if I took you to a wine bar, people would

960
00:48:51,400 --> 00:48:53,160
Speaker 1: be and I'm like, dude, no one ever bothers me

961
00:48:53,239 --> 00:48:56,200
Speaker 1: at this wine bar. But then you showed up, it

962
00:48:56,280 --> 00:48:58,799
Speaker 1: would be different. This is the same thing. Like if

963
00:48:58,880 --> 00:49:01,640
Speaker 1: you the only thing that would be worse would be like, hey, man,

964
00:49:01,680 --> 00:49:03,239
Speaker 1: do you want to go sit in the stands at

965
00:49:03,239 --> 00:49:06,279
Speaker 1: a NASCAR race? You know? He's like, no one ever

966
00:49:06,360 --> 00:49:08,600
Speaker 1: bothers me here at the NASCAR race. No one knows

967
00:49:08,600 --> 00:49:10,919
Speaker 1: who I am at the NASCAR race, you know, because

968
00:49:10,920 --> 00:49:13,800
Speaker 1: it's just not his you know, his crowd is not

969
00:49:14,040 --> 00:49:16,640
Speaker 1: at that place. Were you able to finish a meal?

970
00:49:16,719 --> 00:49:18,359
Speaker 1: Do you guys have to jump and go somewhere else?

971
00:49:18,800 --> 00:49:21,600
Speaker 1: We we I don't even think we ate. It was

972
00:49:21,680 --> 00:49:24,360
Speaker 1: like they like him and his buddies were there and

973
00:49:25,000 --> 00:49:27,600
Speaker 1: they had already eaten, and then we ended up going

974
00:49:27,680 --> 00:49:30,000
Speaker 1: somewhere else, Like I think I think it was like

975
00:49:30,120 --> 00:49:34,040
Speaker 1: Thursday night football. He calls Derrick Henry one dread because

976
00:49:34,080 --> 00:49:36,600
Speaker 1: he doesn't know it's like he doesn't know any Yeah,

977
00:49:37,239 --> 00:49:39,160
Speaker 1: Like he's like, oh, I like the Titans because I

978
00:49:39,320 --> 00:49:42,520
Speaker 1: like Nashville. Like if I cheer for an American football team,

979
00:49:42,560 --> 00:49:44,840
Speaker 1: it's the Titans. But he doesn't know any of the

980
00:49:44,920 --> 00:49:49,359
Speaker 1: player names. And it looks like the big yeah right, Yeah,

981
00:49:49,920 --> 00:49:52,279
Speaker 1: that's funny that he took you. That's his favorite player though,

982
00:49:52,719 --> 00:49:55,279
Speaker 1: is Derrick Henry. Yeah. Whenever you went an award, like

983
00:49:55,600 --> 00:49:58,719
Speaker 1: a Entertainer of the Year award, you know, you get

984
00:49:59,360 --> 00:50:01,960
Speaker 1: I mean a very like people get three, four or five,

985
00:50:02,040 --> 00:50:04,080
Speaker 1: six of those, and then you kind of start to

986
00:50:04,120 --> 00:50:05,960
Speaker 1: get so many of them, and even though you're killing it,

987
00:50:06,040 --> 00:50:07,920
Speaker 1: people start to go, well, he's already had it so

988
00:50:08,080 --> 00:50:10,239
Speaker 1: many times, right, I feel like now a little bit

989
00:50:10,280 --> 00:50:13,239
Speaker 1: you've had such success, Like are you preparing yourself for

990
00:50:13,480 --> 00:50:15,680
Speaker 1: not actually going down in any way still going up,

991
00:50:15,680 --> 00:50:17,600
Speaker 1: but people going, we've already given Luke all the awards.

992
00:50:17,640 --> 00:50:19,239
Speaker 1: We have to go somewhere else. I kind of I

993
00:50:19,440 --> 00:50:22,440
Speaker 1: kind of feel like I'm there a bit already, you know,

994
00:50:22,920 --> 00:50:26,480
Speaker 1: and I feel like that's made the like not that

995
00:50:26,560 --> 00:50:28,440
Speaker 1: I've had a bunch of entertainment when I had one,

996
00:50:28,600 --> 00:50:32,200
Speaker 1: but it's like it's kind of like you become it's

997
00:50:32,239 --> 00:50:34,560
Speaker 1: like the same version of the town that I live in.

998
00:50:35,280 --> 00:50:38,480
Speaker 1: It's people are like, oh yeah, that's you know, Luke

999
00:50:38,520 --> 00:50:41,160
Speaker 1: Hombs and he's really famous and that's cool. That's you know,

1000
00:50:41,680 --> 00:50:44,359
Speaker 1: like especially when they see me out. It's like when

1001
00:50:44,440 --> 00:50:47,040
Speaker 1: it's like I don't know if if you know, I

1002
00:50:47,080 --> 00:50:49,640
Speaker 1: don't have kids yet, but you know, when you get

1003
00:50:49,680 --> 00:50:52,279
Speaker 1: a kid a toy, they still have their favorite toy,

1004
00:50:52,760 --> 00:50:54,680
Speaker 1: and then you get him a new toy and it's

1005
00:50:54,760 --> 00:50:57,480
Speaker 1: like they love the new toy like crazy, and oh

1006
00:50:57,520 --> 00:50:59,799
Speaker 1: my gosh, I love this new toy. And they still

1007
00:50:59,840 --> 00:51:02,000
Speaker 1: have a bunch of other favorite toys, but they're not

1008
00:51:02,080 --> 00:51:05,160
Speaker 1: as excited about them because of the new toy. And

1009
00:51:05,280 --> 00:51:07,200
Speaker 1: not that I feel that way at all, but I

1010
00:51:07,320 --> 00:51:09,520
Speaker 1: think that happens a lot. I mean, you know, look

1011
00:51:09,560 --> 00:51:12,239
Speaker 1: at a guy like Luke Bryan's been around for ever.

1012
00:51:12,440 --> 00:51:14,239
Speaker 1: The guy has done everything that you can possibly do,

1013
00:51:14,320 --> 00:51:17,840
Speaker 1: and he's still like insanely famous. You know, it's just

1014
00:51:18,000 --> 00:51:20,520
Speaker 1: a you're just at a different You're almost like you've

1015
00:51:20,560 --> 00:51:24,000
Speaker 1: reached cruising altitude and you have to keep the plane

1016
00:51:24,120 --> 00:51:27,320
Speaker 1: up there as opposed to you're not making the climb anymore,

1017
00:51:27,400 --> 00:51:29,319
Speaker 1: which is a whole different thing. I think the Luke

1018
00:51:29,320 --> 00:51:31,600
Speaker 1: Bryan analogy is great because yeah, he continues to kill

1019
00:51:31,600 --> 00:51:33,680
Speaker 1: it and people just forget him for stuff. It's just

1020
00:51:33,800 --> 00:51:38,080
Speaker 1: like he's insanely killing it all the time. You're stadiums

1021
00:51:38,200 --> 00:51:40,680
Speaker 1: that you're doing. I mean, look at you. There's only

1022
00:51:40,680 --> 00:51:43,920
Speaker 1: a few acts period in any any genre that can

1023
00:51:44,160 --> 00:51:48,400
Speaker 1: play a stadium. Yeah, and you know to play seventy

1024
00:51:48,440 --> 00:51:52,239
Speaker 1: eighty ninety thousand, Like that's wild. Do you when these

1025
00:51:52,280 --> 00:51:54,240
Speaker 1: things go on sale? Do you go look at tickets

1026
00:51:54,440 --> 00:51:57,000
Speaker 1: on these and click each section or is it a

1027
00:51:57,040 --> 00:52:00,200
Speaker 1: different I never have. I've never done that for any

1028
00:52:00,239 --> 00:52:03,799
Speaker 1: show ever. Like I've never gone and been like, oh man,

1029
00:52:03,960 --> 00:52:06,359
Speaker 1: how many tickets were we doing? You know, you don't

1030
00:52:06,360 --> 00:52:09,759
Speaker 1: even ask. I I'm not like a chart guy, Like

1031
00:52:09,880 --> 00:52:12,320
Speaker 1: I'm not calling like how's the song doing on the charts?

1032
00:52:12,440 --> 00:52:14,600
Speaker 1: You know, Like I don't know, Like I just find

1033
00:52:14,640 --> 00:52:17,560
Speaker 1: if like if you're playing I don't know if like,

1034
00:52:17,600 --> 00:52:20,200
Speaker 1: if you're playing for the end result, then it's kind

1035
00:52:20,200 --> 00:52:24,160
Speaker 1: of you know, you missed the whole game, you know

1036
00:52:24,200 --> 00:52:25,920
Speaker 1: what I mean? Like if you only care about winning.

1037
00:52:26,200 --> 00:52:27,680
Speaker 1: Did you ever have a time in your career though,

1038
00:52:27,920 --> 00:52:29,480
Speaker 1: And I'm sure you did. I guess I'm asking which

1039
00:52:29,520 --> 00:52:31,360
Speaker 1: what was the last point where you go day. I

1040
00:52:31,400 --> 00:52:33,160
Speaker 1: can't believe there weren't that many people that showed up

1041
00:52:34,160 --> 00:52:36,759
Speaker 1: because it's been a while. Because you caught, and when

1042
00:52:36,800 --> 00:52:39,280
Speaker 1: you caught in clubs, he couldn't pack enough people in clubs.

1043
00:52:39,320 --> 00:52:41,759
Speaker 1: You couldn't get a venue that fit you because the

1044
00:52:41,840 --> 00:52:43,680
Speaker 1: timing was always weird. You were going faster than the

1045
00:52:43,719 --> 00:52:45,480
Speaker 1: shows were. Happy. Yeah, And the only time I was

1046
00:52:45,560 --> 00:52:49,920
Speaker 1: ever worried about it was our first show of the

1047
00:52:50,080 --> 00:52:52,920
Speaker 1: tour last fall. It was two We were doing two

1048
00:52:53,000 --> 00:52:54,759
Speaker 1: nights in Raleigh and the whole tour had been sold

1049
00:52:54,800 --> 00:52:59,520
Speaker 1: out for two years, but it was like okay, COVID

1050
00:52:59,640 --> 00:53:05,040
Speaker 1: was still going on at that time, really, and it

1051
00:53:05,239 --> 00:53:08,600
Speaker 1: was the first show is indoors. We were like one

1052
00:53:08,640 --> 00:53:12,160
Speaker 1: of the first acts in the country to like tour inside,

1053
00:53:12,920 --> 00:53:16,560
Speaker 1: especially on that level three sixty stage for the first

1054
00:53:16,600 --> 00:53:18,480
Speaker 1: time ever center of the arena. No one on my

1055
00:53:18,560 --> 00:53:20,640
Speaker 1: crew had ever done that before. I had never done

1056
00:53:20,680 --> 00:53:24,120
Speaker 1: that before. And I'm sitting in the green room and

1057
00:53:24,160 --> 00:53:28,760
Speaker 1: then like you know, I remember Ashley was on stage

1058
00:53:29,320 --> 00:53:32,120
Speaker 1: and it's like yeah, yeah, and I kind of popped

1059
00:53:32,120 --> 00:53:34,600
Speaker 1: out and I was like, oh, it's like it's like

1060
00:53:34,719 --> 00:53:37,360
Speaker 1: getting a little thin out there. And I was like

1061
00:53:37,480 --> 00:53:40,200
Speaker 1: pretty nervous about it, you know. I was like, I

1062
00:53:40,280 --> 00:53:42,640
Speaker 1: mean these tickets. People bought these tickets two years ago,

1063
00:53:43,280 --> 00:53:45,399
Speaker 1: you know, like I don't remember what I was doing

1064
00:53:45,440 --> 00:53:48,440
Speaker 1: two years ago. What if they bought What if they

1065
00:53:48,520 --> 00:53:50,799
Speaker 1: bought the tickets and just forgot that they have them?

1066
00:53:51,280 --> 00:53:53,640
Speaker 1: And now I've got forty shows that I'm gonna do

1067
00:53:54,440 --> 00:53:56,520
Speaker 1: that people don't even remember that they want to go

1068
00:53:56,680 --> 00:53:59,840
Speaker 1: to because there it's been two years of insanity. And

1069
00:54:00,040 --> 00:54:01,600
Speaker 1: then of course when I went out there, it was

1070
00:54:01,680 --> 00:54:04,000
Speaker 1: just absolutely packed. I found out it was some sort

1071
00:54:04,040 --> 00:54:11,680
Speaker 1: of like metal detecting thing or something where they like

1072
00:54:11,719 --> 00:54:18,279
Speaker 1: to get people in fast enough. No, but I was,

1073
00:54:18,640 --> 00:54:20,600
Speaker 1: I was, I was. I was worried about it because

1074
00:54:20,640 --> 00:54:23,640
Speaker 1: because you just don't know, no one had toured inside yet.

1075
00:54:24,400 --> 00:54:26,040
Speaker 1: This was the first show of the tour for us.

1076
00:54:26,239 --> 00:54:28,520
Speaker 1: Every show we had done up to that point, for

1077
00:54:28,760 --> 00:54:31,080
Speaker 1: you know, in two years had been outside for a

1078
00:54:31,200 --> 00:54:33,919
Speaker 1: few months, and it's like the tickets or two years old.

1079
00:54:33,960 --> 00:54:36,720
Speaker 1: So I didn't know. You know, it's not like everyone

1080
00:54:36,800 --> 00:54:39,080
Speaker 1: calls me and goes, hey, man, see you there. It's

1081
00:54:39,160 --> 00:54:41,640
Speaker 1: like I get twenty five thousand text messages of like

1082
00:54:41,719 --> 00:54:44,279
Speaker 1: can't wait see tonight. You know, it's like you stn't know.

1083
00:54:44,640 --> 00:54:46,880
Speaker 1: You know it's sold out, but you don't know if

1084
00:54:46,880 --> 00:54:48,279
Speaker 1: those people are going to show up or not. And

1085
00:54:48,360 --> 00:54:51,480
Speaker 1: I think, I mean, scans have been tough for people

1086
00:54:51,600 --> 00:54:54,239
Speaker 1: the last I mean since since it came back. But

1087
00:54:54,360 --> 00:54:56,359
Speaker 1: I mean, I think we averaged. I mean, I think

1088
00:54:56,400 --> 00:54:58,880
Speaker 1: the worst night we had was like ninety percent of

1089
00:54:59,040 --> 00:55:01,040
Speaker 1: the people showed up. It's the worst night we had.

1090
00:55:01,840 --> 00:55:04,640
Speaker 1: Pretty good, just pretty good. Okay, I'm gonna I'm gonna

1091
00:55:04,800 --> 00:55:08,279
Speaker 1: end you with this. And it's something and again the

1092
00:55:08,360 --> 00:55:11,279
Speaker 1: scales are way different. But I'm doing shows here in town,

1093
00:55:11,360 --> 00:55:13,560
Speaker 1: like comedy shows and like a motivational thing. And there's

1094
00:55:13,560 --> 00:55:15,200
Speaker 1: a story that I'm gonna tell it I've never told before,

1095
00:55:15,239 --> 00:55:18,520
Speaker 1: and I struggle with getting emotional telling it. I've never

1096
00:55:18,640 --> 00:55:22,399
Speaker 1: told it without crying. And so my concern is I'm

1097
00:55:22,440 --> 00:55:25,120
Speaker 1: going to get up in a show and I'm getting

1098
00:55:25,120 --> 00:55:28,359
Speaker 1: to have such emotion that I'm and that's okay, I'm

1099
00:55:28,440 --> 00:55:31,200
Speaker 1: great with it. I'll have emotion to be fine that

1100
00:55:31,719 --> 00:55:34,080
Speaker 1: It'll be a struggle. Have there ever been songs or

1101
00:55:34,200 --> 00:55:36,399
Speaker 1: do you kind of they get emotional but you play

1102
00:55:36,440 --> 00:55:38,920
Speaker 1: them so many times, it starts to not be as emotional.

1103
00:55:39,120 --> 00:55:41,239
Speaker 1: Does that ever happen with you where something triggers you

1104
00:55:41,320 --> 00:55:43,919
Speaker 1: and you get emotional based on a memory. Yeah, it's

1105
00:55:44,440 --> 00:55:47,000
Speaker 1: like for me, it's more like it's especially during like

1106
00:55:47,120 --> 00:55:50,440
Speaker 1: even though I'm leaving, you know, and not that that

1107
00:55:50,560 --> 00:55:53,560
Speaker 1: song is like it doesn't have like an insanely personal

1108
00:55:53,680 --> 00:55:59,759
Speaker 1: thing that resonates for me, But there's always somebody in

1109
00:56:00,080 --> 00:56:04,920
Speaker 1: like the front row that is just like devastated, like

1110
00:56:05,200 --> 00:56:08,759
Speaker 1: and it's they're right there and it's like you're looking

1111
00:56:08,800 --> 00:56:10,919
Speaker 1: at them and it's like there's like people holding them

1112
00:56:11,120 --> 00:56:13,040
Speaker 1: and they're like, you know, they can't even like look

1113
00:56:13,080 --> 00:56:15,279
Speaker 1: at the stage kind of thing. And like that's what

1114
00:56:15,400 --> 00:56:17,480
Speaker 1: I struggle with the most, is when it hits somebody

1115
00:56:17,520 --> 00:56:21,399
Speaker 1: else in that way, and I'm like seeing that I've

1116
00:56:21,480 --> 00:56:25,040
Speaker 1: definitely gotten that way before. This One's for You has

1117
00:56:25,120 --> 00:56:27,560
Speaker 1: gotten me a bunch of times because I played that

1118
00:56:27,640 --> 00:56:33,520
Speaker 1: one by myself acoustic, especially at like Milestone type shows.

1119
00:56:33,719 --> 00:56:36,320
Speaker 1: You know, like we did Red Rocks on like on

1120
00:56:36,480 --> 00:56:38,759
Speaker 1: Mother's Day. It's like our first time playing there is

1121
00:56:38,760 --> 00:56:41,600
Speaker 1: sold out. My mom was there, my mother in law

1122
00:56:41,760 --> 00:56:44,680
Speaker 1: was there, and it's like, you know, I whole like family,

1123
00:56:44,719 --> 00:56:46,600
Speaker 1: everybody wants to come to the Red Rocks and thing.

1124
00:56:46,640 --> 00:56:49,320
Speaker 1: It's such a unique thing. And you know, my first,

1125
00:56:50,480 --> 00:56:52,920
Speaker 1: you know, first stadium show was in the town that

1126
00:56:53,000 --> 00:56:55,400
Speaker 1: I went to college in, you know, and so there

1127
00:56:55,480 --> 00:56:58,080
Speaker 1: are just these milestone moments, and that song always kind

1128
00:56:58,120 --> 00:57:00,879
Speaker 1: of hits that for me, because that's the song that really,

1129
00:57:01,160 --> 00:57:02,800
Speaker 1: in a lot of ways for me, sums up like

1130
00:57:03,440 --> 00:57:05,640
Speaker 1: I just moved to Nashville when I wrote it, and

1131
00:57:05,760 --> 00:57:08,200
Speaker 1: it was like I just kind of thanking everybody for

1132
00:57:08,360 --> 00:57:10,600
Speaker 1: like helping me get to that point, you know. And

1133
00:57:11,120 --> 00:57:13,680
Speaker 1: so that one, that one strikes me a lot too. Well.

1134
00:57:13,719 --> 00:57:15,279
Speaker 1: The story I tell us the first time I met

1135
00:57:15,320 --> 00:57:17,360
Speaker 1: you and I start crying. So I'm gonna do it.

1136
00:57:17,600 --> 00:57:19,680
Speaker 1: It's gonna be amazing, right guys, good luck. Yeah, I'm

1137
00:57:19,680 --> 00:57:23,880
Speaker 1: gonna be like he just wants choked up. Alright. Listen,

1138
00:57:23,960 --> 00:57:26,320
Speaker 1: Luke Holmbs is here. He's gonna come back. We won't

1139
00:57:26,320 --> 00:57:28,400
Speaker 1: see you for a bit, but the new album coming

1140
00:57:28,400 --> 00:57:30,160
Speaker 1: out in a couple of months. April made You Yeah,

1141
00:57:30,160 --> 00:57:31,680
Speaker 1: two months, two months. Luke will be back in a

1142
00:57:31,680 --> 00:57:34,120
Speaker 1: couple of months. But dude, thanks for the new song. Uh,

1143
00:57:34,360 --> 00:57:37,720
Speaker 1: good luck. Luke Holmbs dot com and um if there

1144
00:57:37,720 --> 00:57:39,960
Speaker 1: are any tickets anywhere, that's where you go and find them.

1145
00:57:40,240 --> 00:57:42,600
Speaker 1: Other than that, killing it. Love to see you when

1146
00:57:42,600 --> 00:57:44,320
Speaker 1: you come around, and I will see you. Assume a

1147
00:57:44,400 --> 00:57:47,600
Speaker 1: friend for s all right, there is Luke holmbs. It's

1148
00:57:47,680 --> 00:57:51,160
Speaker 1: the Best Bits of the Week with Morgan number two.

1149
00:57:52,480 --> 00:57:54,880
Speaker 1: This one is a little controversial putting in at number

1150
00:57:54,920 --> 00:57:58,760
Speaker 1: two because we did reveal some things about the storage

1151
00:57:58,840 --> 00:58:01,080
Speaker 1: und that Bobby and lunch Box bot, but we also

1152
00:58:01,120 --> 00:58:06,520
Speaker 1: couldn't reveal quite everything because it was a little iffy situation.

1153
00:58:06,720 --> 00:58:09,480
Speaker 1: So that's about it. I know some people are mad

1154
00:58:09,560 --> 00:58:11,560
Speaker 1: we didn't reveal it, and I know that you guys

1155
00:58:11,560 --> 00:58:13,160
Speaker 1: are gonna listen to be like, well, that wasn't really

1156
00:58:13,200 --> 00:58:15,600
Speaker 1: a reveal, but you should still listen. You gotta get

1157
00:58:15,600 --> 00:58:17,520
Speaker 1: caught up because at some point down the line, we're

1158
00:58:17,520 --> 00:58:19,480
Speaker 1: going to reveal some of this information and you can

1159
00:58:19,560 --> 00:58:22,400
Speaker 1: put the two pieces together on your op number two

1160
00:58:22,640 --> 00:58:25,840
Speaker 1: at the big moments. Finally here, So Lunchbox went out

1161
00:58:25,880 --> 00:58:28,440
Speaker 1: to our storage unit that we won in an auction

1162
00:58:28,560 --> 00:58:31,320
Speaker 1: last week. All we could see it was a few

1163
00:58:31,360 --> 00:58:36,240
Speaker 1: pictures taken from basically outside the storage unit. We put

1164
00:58:36,280 --> 00:58:38,640
Speaker 1: our money together the winning bid was one hundred and

1165
00:58:38,760 --> 00:58:41,920
Speaker 1: ninety dollars, but after taxes and a little feet of

1166
00:58:41,920 --> 00:58:45,120
Speaker 1: the auction side, we paid two hundred thirty six dollars

1167
00:58:45,200 --> 00:58:47,840
Speaker 1: and nine cents for everything in this store. At you

1168
00:58:47,960 --> 00:58:50,800
Speaker 1: move with the goal of taking it and selling it

1169
00:58:50,920 --> 00:58:53,600
Speaker 1: and making more than two hundred thirty six dollars and

1170
00:58:53,760 --> 00:58:59,440
Speaker 1: nine cents. So here is Lunchbox arriving at the We nervous. Oh,

1171
00:59:00,000 --> 00:59:01,640
Speaker 1: I was so nervous because I was like, what if

1172
00:59:01,640 --> 00:59:05,000
Speaker 1: I'm gonna be so disappointed after all this time, the bidding,

1173
00:59:05,120 --> 00:59:07,680
Speaker 1: the sweat and tears that we put into hitting those buttons.

1174
00:59:08,400 --> 00:59:11,840
Speaker 1: What if we lose button at all? No? Okay, cool.

1175
00:59:12,120 --> 00:59:15,240
Speaker 1: So here's lunchbox arriving at the storage unit. And also,

1176
00:59:15,600 --> 00:59:18,439
Speaker 1: I would like to just say he praised to something

1177
00:59:18,480 --> 00:59:21,720
Speaker 1: called the storage locker Gods. Yes, there's a different god

1178
00:59:21,840 --> 00:59:25,160
Speaker 1: for different things. Ok right now, okay, no, no, there's

1179
00:59:25,200 --> 00:59:29,720
Speaker 1: no Okay, here we go. How's it going. Yeah, I'm

1180
00:59:29,800 --> 00:59:32,280
Speaker 1: the big winner. I'm here to make my millions of dollars.

1181
00:59:32,400 --> 00:59:38,680
Speaker 1: I bought the unit. Yeah, businessman making business deals, trying

1182
00:59:38,680 --> 00:59:42,800
Speaker 1: to get that money. Hey, my first, I'm not gonna

1183
00:59:42,840 --> 00:59:46,600
Speaker 1: get high, but hopefully, Hey, let's say a little prayer here,

1184
00:59:47,520 --> 00:59:50,960
Speaker 1: dear dear dear storage locker gods. Okay, dear dear storage

1185
00:59:51,000 --> 00:59:56,760
Speaker 1: locker gods. Amen, Amen, please please let us strike gold

1186
00:59:56,800 --> 01:00:01,800
Speaker 1: and make lots of money on those unit Monday Monday money. No. Yeah,

1187
01:00:01,840 --> 01:00:03,920
Speaker 1: And I listen when I say stories locker, guys, when

1188
01:00:03,960 --> 01:00:06,720
Speaker 1: I say, please shine down on me and let us

1189
01:00:06,800 --> 01:00:10,720
Speaker 1: make some money, I mean like cold hearted? Can I

1190
01:00:10,760 --> 01:00:13,840
Speaker 1: get an amen? Thank you? Are you talking like that?

1191
01:00:13,960 --> 01:00:17,520
Speaker 1: He does that sometimes? Okay, because I'm excited, guys. No,

1192
01:00:17,880 --> 01:00:21,080
Speaker 1: you have different voices for different things. Okay. And so

1193
01:00:21,280 --> 01:00:25,080
Speaker 1: lunchbox goes to the uh, to the actual unit, right, yes,

1194
01:00:25,440 --> 01:00:27,360
Speaker 1: and you're gonna like, I don't know what I mean.

1195
01:00:27,480 --> 01:00:29,200
Speaker 1: I'm I want everybody to know we're here, and we're

1196
01:00:29,200 --> 01:00:31,760
Speaker 1: here to celebrate. We're gonna open it. I'm gonna lock

1197
01:00:31,880 --> 01:00:34,640
Speaker 1: on it. No, she had taken the lock off. There

1198
01:00:34,800 --> 01:00:38,000
Speaker 1: was just this red tag that identified my locker, and

1199
01:00:38,080 --> 01:00:40,520
Speaker 1: she said, you go find that red tag it's yours.

1200
01:00:40,560 --> 01:00:43,520
Speaker 1: And I went and found it. Whoo, everybody here we

1201
01:00:43,640 --> 01:00:56,040
Speaker 1: go three two one open sets of me. God, now

1202
01:00:56,280 --> 01:01:02,360
Speaker 1: three two one. I had to unlock it to three two?

1203
01:01:02,800 --> 01:01:10,320
Speaker 1: What all been says to me? Oh? Yeah, it was

1204
01:01:10,360 --> 01:01:13,160
Speaker 1: a full that was not full, Okay, I mean there's

1205
01:01:13,200 --> 01:01:15,120
Speaker 1: just a few things in there. And I looked at

1206
01:01:15,120 --> 01:01:17,640
Speaker 1: it and I'm like, wow, this is what it feels like.

1207
01:01:17,960 --> 01:01:20,000
Speaker 1: This is what they feel like on Storagewards when they

1208
01:01:20,080 --> 01:01:22,600
Speaker 1: finally get to go in their locker and start digging

1209
01:01:22,720 --> 01:01:25,120
Speaker 1: through things. So, Lunchbucks and I have talked about what

1210
01:01:25,200 --> 01:01:28,680
Speaker 1: was in the locker, and I really can't share with

1211
01:01:28,800 --> 01:01:31,160
Speaker 1: you what was all on the locker? What do you mean? Well,

1212
01:01:31,280 --> 01:01:35,640
Speaker 1: let me say this. There was a burner phone. Oh

1213
01:01:37,400 --> 01:01:41,400
Speaker 1: what else? I can't a burner phone and other things

1214
01:01:41,480 --> 01:01:46,400
Speaker 1: you can't tell us. Yeah, what you imagination? Are y'all

1215
01:01:46,400 --> 01:01:48,080
Speaker 1: gonna make money? We're gonna sell it, but we're not

1216
01:01:48,080 --> 01:01:50,000
Speaker 1: gonna sell it. Oh whoa, whoa? What I have in mind?

1217
01:01:50,000 --> 01:01:51,760
Speaker 1: I don't think you can sell bones and be legal.

1218
01:01:52,640 --> 01:01:55,640
Speaker 1: There are no drugs, okay, okay, okay, there's nothing illegal

1219
01:01:55,800 --> 01:02:00,920
Speaker 1: in there. This is how they've come. Drug dealers done. Man,

1220
01:02:00,960 --> 01:02:03,360
Speaker 1: I'll just sell it was in the locker, yeah, officer,

1221
01:02:03,600 --> 01:02:06,880
Speaker 1: I swear man, we bought it legally. There were no

1222
01:02:07,080 --> 01:02:10,520
Speaker 1: drugs in there. Okay, But but what was in the

1223
01:02:11,480 --> 01:02:14,120
Speaker 1: storage unit? I don't feel comfortable share I'll say there

1224
01:02:14,160 --> 01:02:15,840
Speaker 1: were some shoes in there. We say that, right, Yeah,

1225
01:02:16,840 --> 01:02:22,680
Speaker 1: we already knew yell shoes. Yeah, some really expensive shoes. Okay,

1226
01:02:23,760 --> 01:02:26,440
Speaker 1: like not just the the Jordan's that weren't the pat Yeah,

1227
01:02:26,560 --> 01:02:28,520
Speaker 1: just the Jordan's in the picture. Yeah, I mean I

1228
01:02:28,600 --> 01:02:30,760
Speaker 1: thought that was the cream and it wasn't. That was

1229
01:02:30,760 --> 01:02:33,760
Speaker 1: a big deal, Like shoes, were they There's something he

1230
01:02:33,840 --> 01:02:36,760
Speaker 1: can't tell. There are some things that we bought inside

1231
01:02:36,800 --> 01:02:39,600
Speaker 1: this storage unit that I feel like if we share,

1232
01:02:40,080 --> 01:02:42,520
Speaker 1: puts us at risk. Oh, I can understand that, So

1233
01:02:42,680 --> 01:02:45,200
Speaker 1: I support you, So I know what it's like to

1234
01:02:45,240 --> 01:02:49,160
Speaker 1: be scared. We're still gonna try to sell them. Interesting.

1235
01:02:49,760 --> 01:02:53,520
Speaker 1: We might make a lot of money at this point.

1236
01:02:53,600 --> 01:02:55,640
Speaker 1: Right now, I cannot tell you what was in those door.

1237
01:02:55,720 --> 01:02:58,200
Speaker 1: I don't so how are you gonna sell it? Pot? No,

1238
01:02:58,600 --> 01:03:02,000
Speaker 1: I don't know. I'm nervous. But the deal is lunchboxes

1239
01:03:02,040 --> 01:03:03,960
Speaker 1: to sell it. Yeah, yeah, he has he has to

1240
01:03:04,000 --> 01:03:08,120
Speaker 1: go do it. But in the storage unit, there were

1241
01:03:08,280 --> 01:03:12,320
Speaker 1: things that we don't feel comfortable sharing on air because

1242
01:03:12,320 --> 01:03:15,560
Speaker 1: it could put us at risk. The person that lost

1243
01:03:15,640 --> 01:03:19,120
Speaker 1: this unit probably would prefer to have not lost this unit.

1244
01:03:19,680 --> 01:03:21,680
Speaker 1: And I don't want to say what they were, So

1245
01:03:21,760 --> 01:03:23,560
Speaker 1: how do they lose it? I don't understand. Pay the rent?

1246
01:03:23,600 --> 01:03:26,440
Speaker 1: They then and then they just they know, Okay, well

1247
01:03:26,480 --> 01:03:28,080
Speaker 1: I guess I'm never gonna get my stuff out. Well,

1248
01:03:28,080 --> 01:03:30,840
Speaker 1: I mean the storage place called the person over one

1249
01:03:30,920 --> 01:03:32,960
Speaker 1: hundred times, and they could have rebought it in the

1250
01:03:32,960 --> 01:03:36,000
Speaker 1: auction too, for two hundred and thirty six dollars, which

1251
01:03:36,040 --> 01:03:39,080
Speaker 1: they should have done because there's way more the two

1252
01:03:39,200 --> 01:03:42,440
Speaker 1: hundred and thirty six dollars worth of stuff. So if

1253
01:03:42,480 --> 01:03:45,560
Speaker 1: we get out, oh, they could have no, no, they

1254
01:03:45,640 --> 01:03:50,520
Speaker 1: could you hear what they no? I know what I'm saying. Okay,

1255
01:03:50,800 --> 01:03:56,280
Speaker 1: here's what I'm saying. Yeah, yeah, I'm also worried. The

1256
01:03:56,280 --> 01:03:59,919
Speaker 1: phone number they have the storage unit. Is that phone phone? Yeah?

1257
01:04:00,800 --> 01:04:04,400
Speaker 1: Are we going to turn on the burner to do it? No,

1258
01:04:04,960 --> 01:04:06,200
Speaker 1: just call one of the numbers, be like, hey, we

1259
01:04:06,240 --> 01:04:09,080
Speaker 1: got this phone. Who is this from? This? Okay, So

1260
01:04:09,280 --> 01:04:12,640
Speaker 1: that's where we are. We have the storage unit. Obviously

1261
01:04:12,760 --> 01:04:16,040
Speaker 1: when we get it turns into something. How does that

1262
01:04:16,160 --> 01:04:17,920
Speaker 1: have it? I don't know. Of course it's going to

1263
01:04:17,960 --> 01:04:20,240
Speaker 1: be something with us. Yes, just to clarify, like, y'all

1264
01:04:20,280 --> 01:04:24,000
Speaker 1: know it's a burner phone because it's written burner on

1265
01:04:24,080 --> 01:04:31,600
Speaker 1: the outside. It doesn't say flip motorole. Yeah, yeah, yeah,

1266
01:04:31,680 --> 01:04:34,120
Speaker 1: here's this movie is where they're just like, yeah, takes

1267
01:04:34,160 --> 01:04:36,320
Speaker 1: phone talk on it and throw the ocean. Yea, this

1268
01:04:36,480 --> 01:04:39,600
Speaker 1: is that. That's what that is. So that being said,

1269
01:04:39,680 --> 01:04:42,320
Speaker 1: we're gonna make some money off this. We're gonna sell

1270
01:04:42,400 --> 01:04:43,720
Speaker 1: this stuff. We just can't tell you what it is

1271
01:04:43,800 --> 01:04:46,280
Speaker 1: right now. Maybe in a future time we can, but

1272
01:04:46,440 --> 01:04:50,160
Speaker 1: we definitely hit the jackpot. But it's a jackpot that

1273
01:04:50,800 --> 01:04:53,800
Speaker 1: might kill us. Oh I know, you can kind of

1274
01:04:54,360 --> 01:04:57,760
Speaker 1: popcorn tell it, like tell different things from the unit

1275
01:04:57,840 --> 01:05:00,400
Speaker 1: at totally different times so that no one could add

1276
01:05:00,440 --> 01:05:02,760
Speaker 1: it up. Absolutely, we're gonna sell it all first though. Okay,

1277
01:05:03,120 --> 01:05:05,080
Speaker 1: let's get rid of it. Okay, So Lunchbox, how do

1278
01:05:05,120 --> 01:05:07,680
Speaker 1: you plan to sell this stuff? Oh man, that's that's

1279
01:05:07,720 --> 01:05:10,360
Speaker 1: the scary party. Can you get some of the dark web? Yeah, Mike,

1280
01:05:10,440 --> 01:05:12,920
Speaker 1: I mean, I figure I don't. There has to be

1281
01:05:13,040 --> 01:05:16,080
Speaker 1: shoot shoe people out there that want the Jordan's that

1282
01:05:16,120 --> 01:05:18,360
Speaker 1: you saw on the picture. And if you have other

1283
01:05:18,480 --> 01:05:21,560
Speaker 1: interest in shoes, let us know other needs. Yeah, okay,

1284
01:05:22,400 --> 01:05:25,400
Speaker 1: that's where we are. We're gonna sell, We're gonna make

1285
01:05:25,800 --> 01:05:27,800
Speaker 1: we are gonna make some money. We're gonna make you

1286
01:05:27,960 --> 01:05:34,000
Speaker 1: make whatever pretty easily. Yeah. Well so first storage success, well,

1287
01:05:34,000 --> 01:05:37,640
Speaker 1: we'll see good luck to you. We'll see how need

1288
01:05:37,680 --> 01:05:40,919
Speaker 1: to find success. Here is the last clip of lunch Box,

1289
01:05:41,080 --> 01:05:43,040
Speaker 1: after he goes in and finds it. Here you go

1290
01:05:44,000 --> 01:05:47,960
Speaker 1: to my first storage unit. Thank you. It's been quite

1291
01:05:48,000 --> 01:05:51,360
Speaker 1: an experience. I hope to get him any more. It's

1292
01:05:51,360 --> 01:05:53,760
Speaker 1: gonna be the start of something beautiful. You have a

1293
01:05:53,840 --> 01:06:02,120
Speaker 1: good life. Goodbye, you're a hero. Okay, pretty dramatic, it is. Okay,

1294
01:06:02,160 --> 01:06:03,760
Speaker 1: we're gonna be We're gonna try to sell the stuff

1295
01:06:03,760 --> 01:06:05,400
Speaker 1: the next week and then we'll popcorn and let you

1296
01:06:05,440 --> 01:06:08,439
Speaker 1: know what was in it. Filming his own little reality show,

1297
01:06:09,040 --> 01:06:12,479
Speaker 1: My favorite Heels one, two, three, open sesame and there's

1298
01:06:12,560 --> 01:06:16,680
Speaker 1: nobody around and it doesn't open. Yeah, I forgot to

1299
01:06:16,720 --> 01:06:20,160
Speaker 1: pull a little tab out. So that's that's the update.

1300
01:06:20,240 --> 01:06:22,920
Speaker 1: We have bought it, and there's a lot in here,

1301
01:06:22,920 --> 01:06:24,520
Speaker 1: and we probably make a lot of money if we

1302
01:06:25,600 --> 01:06:28,480
Speaker 1: can get to that point. But it is shady. What's happening.

1303
01:06:28,840 --> 01:06:30,760
Speaker 1: That's all. We'll talk about it again in a week.

1304
01:06:30,920 --> 01:06:34,640
Speaker 1: And we can't post pictures. We cannot know nothing. You

1305
01:06:34,640 --> 01:06:36,760
Speaker 1: should hold everything up yourself like a guy that caught

1306
01:06:36,840 --> 01:06:40,280
Speaker 1: a fish. Each thing you hold up, y'all aren't being

1307
01:06:40,360 --> 01:06:45,240
Speaker 1: dramatic at all, no promise, Okay. I would love to

1308
01:06:45,240 --> 01:06:46,480
Speaker 1: say it what was on because it would be the

1309
01:06:46,560 --> 01:06:47,920
Speaker 1: best content if I could tell you what was in

1310
01:06:47,960 --> 01:06:49,920
Speaker 1: the storage man. But there are a lot of really

1311
01:06:50,000 --> 01:06:52,200
Speaker 1: nice shoes, I'll say that, and there's other stuff too.

1312
01:06:52,720 --> 01:06:57,000
Speaker 1: That's all. It's the best bits of the week with

1313
01:06:57,240 --> 01:07:04,400
Speaker 1: Morgan number two. You already know this one had to

1314
01:07:04,440 --> 01:07:08,040
Speaker 1: come in at number one. Bobby and Eddie the Raging Idiots,

1315
01:07:08,080 --> 01:07:11,920
Speaker 1: they opened for Garth Brooks, and they came back so

1316
01:07:12,280 --> 01:07:15,880
Speaker 1: excited about this epic weekend. It was Bobby's basically fantasy

1317
01:07:16,000 --> 01:07:20,880
Speaker 1: weekend with Arkansas sports. Garth Brooks just insane. They'd shared

1318
01:07:21,280 --> 01:07:23,640
Speaker 1: lots of details from the show and everything that kind

1319
01:07:23,640 --> 01:07:26,120
Speaker 1: of happened, what their weekend was like. So if you

1320
01:07:26,240 --> 01:07:28,520
Speaker 1: haven't heard all of that, this is the moment you

1321
01:07:28,600 --> 01:07:31,920
Speaker 1: were getting caught up on right now. Number one, let

1322
01:07:32,000 --> 01:07:39,240
Speaker 1: me start the song with an announcement on June seventeenth

1323
01:07:39,400 --> 01:07:41,520
Speaker 1: and eighteenth, that will be doing the first two shows

1324
01:07:41,600 --> 01:07:45,440
Speaker 1: of my Nashville residency at the CMA Theater here in Nashville.

1325
01:07:45,720 --> 01:07:47,960
Speaker 1: So everybody come, and I didn't really know what to

1326
01:07:48,000 --> 01:07:50,640
Speaker 1: call it, so I called it Race Yourselves, the No

1327
01:07:50,800 --> 01:07:55,200
Speaker 1: Bad Words, comedically inspirational Nashville Onely World Tour. So we

1328
01:07:55,320 --> 01:07:57,920
Speaker 1: hope you come. I hope you come. It'll be part

1329
01:07:58,000 --> 01:08:01,240
Speaker 1: comedy act, part motivational each and it'll be a lot

1330
01:08:01,280 --> 01:08:02,920
Speaker 1: of fun. So come out. If you guys want to

1331
01:08:02,920 --> 01:08:04,360
Speaker 1: get tickets to the show, you can go to Bobby

1332
01:08:04,400 --> 01:08:07,600
Speaker 1: Bones dot com on Friday, that are probably the easiest place,

1333
01:08:07,880 --> 01:08:12,480
Speaker 1: or Cmatheater dot com. So Bobby Bones dot com or

1334
01:08:12,600 --> 01:08:15,800
Speaker 1: CMA Theater dot com on Friday. There are two shows

1335
01:08:15,840 --> 01:08:18,040
Speaker 1: on a Friday and a Saturday. I'll talk about the

1336
01:08:18,080 --> 01:08:19,600
Speaker 1: shows that we did or the one show that we

1337
01:08:19,680 --> 01:08:22,000
Speaker 1: did on Saturday. We got to open for Garth Brooks,

1338
01:08:22,080 --> 01:08:24,519
Speaker 1: and it's pretty awesome. It was almost like a fantasy

1339
01:08:24,560 --> 01:08:28,959
Speaker 1: camp weekend for me. Yeah, because got up Friday afternoon

1340
01:08:29,120 --> 01:08:32,200
Speaker 1: and I did some nil stuff with some of the

1341
01:08:32,280 --> 01:08:34,880
Speaker 1: athletes at Arkansas, which now you can hire athletes and

1342
01:08:34,920 --> 01:08:37,040
Speaker 1: they can be paid. So we've got a clothing brand

1343
01:08:37,080 --> 01:08:38,640
Speaker 1: and I worked with like seven of the athletes and

1344
01:08:38,680 --> 01:08:40,439
Speaker 1: we shot a bunch of stuff that'll be coming out

1345
01:08:40,479 --> 01:08:44,280
Speaker 1: pretty soon. And then after that, when in, hung out

1346
01:08:44,320 --> 01:08:47,200
Speaker 1: with the head coach of the Arkansas football team, Coach Pittman,

1347
01:08:47,280 --> 01:08:49,240
Speaker 1: and went to the football complex. It was just like

1348
01:08:49,360 --> 01:08:52,400
Speaker 1: if I got to create the perfect weekend of Arkansas

1349
01:08:52,479 --> 01:08:55,400
Speaker 1: sports and then Garth that was it. Yeah, So I

1350
01:08:55,479 --> 01:08:58,240
Speaker 1: feel like I owed somebody some money to like fantasy

1351
01:08:58,280 --> 01:09:01,680
Speaker 1: camp somewhere. And then Saturday we went and we did

1352
01:09:01,720 --> 01:09:05,439
Speaker 1: a sound check at like three Razorback Stadium and empty

1353
01:09:06,360 --> 01:09:09,600
Speaker 1: was really cool because I've been in that stadium a

1354
01:09:09,680 --> 01:09:11,360
Speaker 1: bunch of a bunch of times going to football games,

1355
01:09:11,640 --> 01:09:13,680
Speaker 1: but when it's packed, it was even wilder because I've

1356
01:09:13,720 --> 01:09:16,000
Speaker 1: never seen that stadium full of people on the ground.

1357
01:09:16,439 --> 01:09:19,040
Speaker 1: I believe it was the most attended event in Arkansas

1358
01:09:19,200 --> 01:09:21,479
Speaker 1: history because that's the biggest venue in the state, but

1359
01:09:21,520 --> 01:09:23,600
Speaker 1: they've never had people on the ground as well, so

1360
01:09:23,760 --> 01:09:27,800
Speaker 1: that the field was also covered. So we were gonna

1361
01:09:27,840 --> 01:09:30,679
Speaker 1: go on and do thirty minutes, and we were talking

1362
01:09:30,720 --> 01:09:33,960
Speaker 1: to Garth beforehand, and so we get there and Garth

1363
01:09:34,000 --> 01:09:37,360
Speaker 1: and Trish are finishing their sound check and it's everything's

1364
01:09:37,400 --> 01:09:41,280
Speaker 1: pretty loose to be such a tightly run, you know,

1365
01:09:41,479 --> 01:09:46,200
Speaker 1: perfectly sounding ship. Everybody's just real chill and cool, and

1366
01:09:46,360 --> 01:09:48,320
Speaker 1: so we get there and we're just hanging out ready

1367
01:09:48,320 --> 01:09:49,920
Speaker 1: to go do our thing, and Garth and Trisher are

1368
01:09:49,920 --> 01:09:54,080
Speaker 1: still singing. I think they were doing Zamonious. What's that song?

1369
01:09:54,200 --> 01:09:59,320
Speaker 1: I don't need? And so we walk up and I

1370
01:09:59,479 --> 01:10:02,439
Speaker 1: know them, but still it's like it never leaves me

1371
01:10:02,520 --> 01:10:06,240
Speaker 1: that that's Garth Brooks and that it's Tricia. Yeah, and

1372
01:10:06,360 --> 01:10:07,640
Speaker 1: so I was like, I don't want to bother them.

1373
01:10:07,840 --> 01:10:09,120
Speaker 1: Of course they don't even see it that way. So

1374
01:10:09,200 --> 01:10:10,800
Speaker 1: they come over and they're like, what's happening. You guys

1375
01:10:10,800 --> 01:10:13,400
Speaker 1: are ready and I'm like, yeah, we're ready. You know,

1376
01:10:13,880 --> 01:10:15,519
Speaker 1: a quarter of me still has a little bit of

1377
01:10:15,600 --> 01:10:18,640
Speaker 1: nerves about it, just excited. And Garth says, hey, you know,

1378
01:10:18,720 --> 01:10:21,000
Speaker 1: you can use this whole stage and I'm like, what

1379
01:10:21,080 --> 01:10:24,000
Speaker 1: do you mean. It's it's an entire circle. And most

1380
01:10:24,080 --> 01:10:26,320
Speaker 1: of the time when there's an opening act, the big

1381
01:10:26,400 --> 01:10:29,240
Speaker 1: act says, this is your small space and this big

1382
01:10:29,320 --> 01:10:31,600
Speaker 1: spaces for us. But you get the small space, and

1383
01:10:31,640 --> 01:10:33,559
Speaker 1: we don't want you to use the big space because

1384
01:10:33,800 --> 01:10:35,679
Speaker 1: this is our spot and we want to really break

1385
01:10:35,720 --> 01:10:38,200
Speaker 1: that in with the people and guards like you use

1386
01:10:38,280 --> 01:10:40,880
Speaker 1: it all run around like go over there, do that,

1387
01:10:41,080 --> 01:10:43,880
Speaker 1: and I'm like, are you sure? You want. You're telling

1388
01:10:43,920 --> 01:10:45,160
Speaker 1: me I can go to all the places that you

1389
01:10:45,240 --> 01:10:47,160
Speaker 1: can only go, and it's like, I don't care. This

1390
01:10:47,439 --> 01:10:52,240
Speaker 1: is like our home together. And so we finished talking

1391
01:10:52,320 --> 01:10:53,800
Speaker 1: and we can take a picture and talk to Tricia

1392
01:10:53,840 --> 01:10:56,519
Speaker 1: a little bit, and then one of their one of

1393
01:10:56,520 --> 01:10:58,200
Speaker 1: guards guys comes over like you can use the whole

1394
01:10:58,200 --> 01:10:59,679
Speaker 1: stage and like, I'm not going to use the whole stage.

1395
01:11:00,080 --> 01:11:02,439
Speaker 1: The opening act doesn't do that. And he's like, no,

1396
01:11:02,600 --> 01:11:04,280
Speaker 1: you'll use the whole stage or I'll give you knuckle

1397
01:11:04,360 --> 01:11:06,280
Speaker 1: sandwich after the show. And I was like, yea, okay,

1398
01:11:06,320 --> 01:11:08,800
Speaker 1: I guess, sir, So I use the whole stage. Okay,

1399
01:11:09,040 --> 01:11:11,000
Speaker 1: only a couple of times because there are people sitting

1400
01:11:11,040 --> 01:11:12,960
Speaker 1: all around it. You know, it's in the middle and

1401
01:11:13,160 --> 01:11:16,720
Speaker 1: the stadium circles it. But I know headlining act just

1402
01:11:16,800 --> 01:11:19,479
Speaker 1: doesn't allow that to happen. I guess Garth wasn't threatened

1403
01:11:19,600 --> 01:11:23,519
Speaker 1: north should he be, but it was really nice. It

1404
01:11:23,680 --> 01:11:27,840
Speaker 1: just super kind as a headliner to allow that. Secondly,

1405
01:11:28,240 --> 01:11:30,240
Speaker 1: we're talking about the show and he goes like, you know, um,

1406
01:11:31,120 --> 01:11:33,000
Speaker 1: if you guys are playing and you feel that you're

1407
01:11:33,040 --> 01:11:35,240
Speaker 1: feeling it, he goes, just keep playing because I don't

1408
01:11:35,240 --> 01:11:38,720
Speaker 1: care how long you play what exactly? He said, if

1409
01:11:38,760 --> 01:11:41,880
Speaker 1: you're feeling it, just keep playing and I'm like, playing

1410
01:11:42,000 --> 01:11:44,559
Speaker 1: what you know? He said, if it's going great, stay

1411
01:11:44,680 --> 01:11:47,040
Speaker 1: play more songs and I said, they'll kill us and

1412
01:11:47,120 --> 01:11:48,960
Speaker 1: he goes, no, they won't. He's like, because you'll know

1413
01:11:49,000 --> 01:11:50,920
Speaker 1: if you're feeling it. And then I said, well what

1414
01:11:50,960 --> 01:11:52,760
Speaker 1: if it's like two hours later and we're still in tries.

1415
01:11:52,800 --> 01:11:54,680
Speaker 1: She goes, now it comes stop that you're doing that.

1416
01:11:55,640 --> 01:12:00,680
Speaker 1: So just the loveliest of host and you know, we

1417
01:12:00,800 --> 01:12:04,080
Speaker 1: go out and Garth was super cool and he's like,

1418
01:12:04,080 --> 01:12:05,920
Speaker 1: we're gonna make sure it's dark before you guys go

1419
01:12:06,080 --> 01:12:08,920
Speaker 1: on because he wanted to really feel like, you know,

1420
01:12:10,200 --> 01:12:12,360
Speaker 1: us being a part of the show too. And so

1421
01:12:12,640 --> 01:12:16,400
Speaker 1: we go on and it was just kind of a

1422
01:12:16,479 --> 01:12:19,200
Speaker 1: blur at first, it kind of because it's pretty emotional.

1423
01:12:19,280 --> 01:12:20,719
Speaker 1: It's like where I grew up. It's like my favorite

1424
01:12:20,760 --> 01:12:25,639
Speaker 1: place in the whole world. The fans were just extremely generous,

1425
01:12:26,800 --> 01:12:29,360
Speaker 1: and then we played our set and it was over,

1426
01:12:29,479 --> 01:12:31,639
Speaker 1: and I really started to feel like it was super

1427
01:12:31,720 --> 01:12:34,160
Speaker 1: cool when it was over, because while we're doing it,

1428
01:12:34,200 --> 01:12:36,320
Speaker 1: I feel like I gotta work, I gotta perform. We

1429
01:12:36,400 --> 01:12:39,760
Speaker 1: were brought here to not be a nuisance to people now,

1430
01:12:39,840 --> 01:12:42,320
Speaker 1: worried that some of our funny songs maybe wouldn't translate

1431
01:12:42,360 --> 01:12:44,840
Speaker 1: to a huge crowd. But it's pretty good and we

1432
01:12:44,920 --> 01:12:47,760
Speaker 1: finished its pretty good. So when you did finish, like

1433
01:12:47,920 --> 01:12:50,760
Speaker 1: what emotions were you feeling? Because when I watched a

1434
01:12:50,880 --> 01:12:53,200
Speaker 1: video of you coming out of the tunnel like to

1435
01:12:53,320 --> 01:12:55,679
Speaker 1: meet Caitlin and then y'all walked off, it was almost

1436
01:12:55,680 --> 01:12:59,080
Speaker 1: like I was watching you leave like a major sporting fit,

1437
01:12:59,240 --> 01:13:01,360
Speaker 1: like like I one, yes, Like you're coming through the

1438
01:13:01,400 --> 01:13:03,560
Speaker 1: tunnel and you're walking out and your wife's meeting you,

1439
01:13:03,680 --> 01:13:05,759
Speaker 1: and you'll walk through and you're fist bumping the crowd,

1440
01:13:05,920 --> 01:13:10,000
Speaker 1: Like it just seemed like, you know, biggest sporting event

1441
01:13:10,080 --> 01:13:12,600
Speaker 1: in history, but you're not an athlete here, Sam, just

1442
01:13:12,680 --> 01:13:17,640
Speaker 1: not there enough. Something like that does the energy I

1443
01:13:17,800 --> 01:13:20,320
Speaker 1: was feeling? Yeah, it was cool And I think a

1444
01:13:20,360 --> 01:13:22,639
Speaker 1: lot of that energy though, was because that's my spot,

1445
01:13:22,720 --> 01:13:25,920
Speaker 1: like my personal most home spot, and it didn't fall down.

1446
01:13:26,000 --> 01:13:28,120
Speaker 1: It's all I mean, you know, it's a pretty good show.

1447
01:13:28,680 --> 01:13:31,920
Speaker 1: Stacy's on and Fayteville, Arkansas. The Guards show was fantastic

1448
01:13:31,960 --> 01:13:33,200
Speaker 1: and we can talk about that later. But he's the

1449
01:13:33,200 --> 01:13:36,839
Speaker 1: greatest performer I've ever seen in my life. Stacy and Fayetelle, Arkansas,

1450
01:13:36,960 --> 01:13:42,800
Speaker 1: thank you for calling. What's going on? Hey, a morning studio. Hey,

1451
01:13:43,320 --> 01:13:45,320
Speaker 1: I'm just going to let you know I actually work

1452
01:13:45,600 --> 01:13:50,280
Speaker 1: in Fayetteville and I work for UM Washington County Court Services,

1453
01:13:50,320 --> 01:13:54,320
Speaker 1: and we have security every day and they volunteer and

1454
01:13:54,479 --> 01:13:58,680
Speaker 1: work these big concerts like this. And they two of

1455
01:13:58,800 --> 01:14:02,000
Speaker 1: my security guys were working on the floor and they

1456
01:14:02,120 --> 01:14:05,200
Speaker 1: said they before the show, you and Kaitlyn came walking

1457
01:14:05,280 --> 01:14:08,840
Speaker 1: by and you kind of went out of your way

1458
01:14:09,000 --> 01:14:11,160
Speaker 1: to say hello to them and how nice you were

1459
01:14:11,360 --> 01:14:14,200
Speaker 1: and how you're like the nicest celebrity they've ever met,

1460
01:14:14,640 --> 01:14:17,320
Speaker 1: And it was just it meant a lot to them

1461
01:14:17,400 --> 01:14:20,320
Speaker 1: because most people just disregard security. Oh. I appreciate that

1462
01:14:21,680 --> 01:14:23,880
Speaker 1: the word celebrities being thrown around pretty loosely here, I'll

1463
01:14:23,880 --> 01:14:26,880
Speaker 1: give you that. And if they think I'm the nicest,

1464
01:14:26,920 --> 01:14:28,400
Speaker 1: well they must not have been lucky enough to meet

1465
01:14:28,439 --> 01:14:32,800
Speaker 1: Garth Brooks. But you know, those guys are making sure

1466
01:14:32,840 --> 01:14:35,160
Speaker 1: that I don't get stabbed. Got appreciate that. You know,

1467
01:14:35,960 --> 01:14:38,280
Speaker 1: if someone's stabbed Eddie, I'm okay with that, But I

1468
01:14:38,360 --> 01:14:41,720
Speaker 1: just want to be human shills. You know, but I mean,

1469
01:14:41,800 --> 01:14:45,360
Speaker 1: come on, they're out there busting their butts, so just

1470
01:14:45,439 --> 01:14:47,200
Speaker 1: happy to say hello to people that are also happy

1471
01:14:47,240 --> 01:14:50,400
Speaker 1: to be there. And I appreciate that call. Stacy. Hey,

1472
01:14:50,479 --> 01:14:52,240
Speaker 1: I have to say I was disappointed with one thing.

1473
01:14:52,400 --> 01:14:54,559
Speaker 1: I thought you might bring Katelyn up and introduce them.

1474
01:14:54,800 --> 01:14:57,360
Speaker 1: She has no interest at all at being on a

1475
01:14:57,439 --> 01:14:59,599
Speaker 1: stage ever in her whole life. She would have killed

1476
01:14:59,640 --> 01:15:03,800
Speaker 1: you crowd. Yes, she's not for it, it's not her thing.

1477
01:15:04,400 --> 01:15:05,639
Speaker 1: But she was there. She met a lot of people,

1478
01:15:05,640 --> 01:15:07,040
Speaker 1: a lot of people coming up taking pictures when she

1479
01:15:07,080 --> 01:15:10,080
Speaker 1: was hanging out. But thank you, Stacy. I appreciate that.

1480
01:15:10,880 --> 01:15:14,519
Speaker 1: Here's Kimberly in Arkansas. Who wants to mention something. Kimberly,

1481
01:15:14,920 --> 01:15:20,200
Speaker 1: you're on the air. What's going on Morgan Studio? Hey,

1482
01:15:20,479 --> 01:15:24,320
Speaker 1: I just wanted to say you are fantastic. Me and

1483
01:15:24,479 --> 01:15:27,400
Speaker 1: four my girlfriends came up there and we stayed at

1484
01:15:27,439 --> 01:15:30,680
Speaker 1: a house in Friday night and thurday night we came

1485
01:15:30,720 --> 01:15:32,720
Speaker 1: to the concert. Two of them had never heard of

1486
01:15:32,760 --> 01:15:35,439
Speaker 1: the Raging Idiot. One of them fell madly in love

1487
01:15:35,479 --> 01:15:38,960
Speaker 1: with Eddie, and the other one is just so enamored

1488
01:15:39,120 --> 01:15:41,519
Speaker 1: and loved y'all so much that she's going to be

1489
01:15:41,560 --> 01:15:45,000
Speaker 1: an avid listener. Today's her first day listening. But the

1490
01:15:45,160 --> 01:15:48,400
Speaker 1: prank you pulled when y'all we're saying are you ready

1491
01:15:48,479 --> 01:15:51,600
Speaker 1: for the maze act that come up? That was hilarious

1492
01:15:51,600 --> 01:15:54,720
Speaker 1: because there was eighty thousand people on their feet and

1493
01:15:54,880 --> 01:15:59,040
Speaker 1: you're like, just kidding sort of yes. So we wrote

1494
01:15:59,040 --> 01:16:01,600
Speaker 1: any all and we had it up, you know, we

1495
01:16:01,640 --> 01:16:04,080
Speaker 1: had posted it before the show. Wrote a song. It's

1496
01:16:04,120 --> 01:16:07,200
Speaker 1: like nobody cares about the opening act, and there's a

1497
01:16:07,280 --> 01:16:09,439
Speaker 1: rhyme that's like, we may not be a band, you know,

1498
01:16:09,560 --> 01:16:11,200
Speaker 1: and you only want to be here for the star

1499
01:16:11,240 --> 01:16:12,880
Speaker 1: of the show. And what we were doing was just

1500
01:16:13,000 --> 01:16:14,680
Speaker 1: kind of bait and switching him. And the star of

1501
01:16:14,720 --> 01:16:16,400
Speaker 1: the show in our mind was the chorus of the song.

1502
01:16:16,880 --> 01:16:18,720
Speaker 1: And so we're like, are you right hey? We never

1503
01:16:18,840 --> 01:16:21,360
Speaker 1: say he, we never say Garth, We never allude to Garth,

1504
01:16:21,840 --> 01:16:23,479
Speaker 1: like are you right in? And I can play it

1505
01:16:23,520 --> 01:16:25,639
Speaker 1: to you know were This was recorded straight from the board,

1506
01:16:26,120 --> 01:16:31,080
Speaker 1: So this is us performing live, getting the crowd going,

1507
01:16:31,560 --> 01:16:33,519
Speaker 1: and it goes back into the second chorus, right, Okay,

1508
01:16:33,560 --> 01:17:08,120
Speaker 1: here we go. We're the opening acts and you know,

1509
01:17:08,479 --> 01:17:12,320
Speaker 1: we'll never begins, We'll never make a no and I

1510
01:17:12,439 --> 01:17:17,640
Speaker 1: don't know how they can all take it. One day

1511
01:17:17,760 --> 01:17:21,240
Speaker 1: we might be a band, you know, but now, how

1512
01:17:21,280 --> 01:17:39,840
Speaker 1: would you like a start of the show? How are

1513
01:17:39,880 --> 01:17:56,679
Speaker 1: you what? There is the rest of the soul by

1514
01:18:17,560 --> 01:18:22,320
Speaker 1: So that was eighty thousand people up. Garth Brooks was

1515
01:18:22,360 --> 01:18:25,040
Speaker 1: gonna be introduced during our set. Would think that we

1516
01:18:25,160 --> 01:18:28,400
Speaker 1: have a mini drum set, none of the big lights,

1517
01:18:28,439 --> 01:18:31,680
Speaker 1: and we got him good. It's good what I mean? Yes,

1518
01:18:32,040 --> 01:18:35,320
Speaker 1: obviously it was perfect moment for him to walk out. No, no,

1519
01:18:35,439 --> 01:18:39,040
Speaker 1: it was not. Garth Brooks comes out. It's a big

1520
01:18:40,080 --> 01:18:43,000
Speaker 1: he doesn't let this little band introduce him, four piece

1521
01:18:43,040 --> 01:18:45,639
Speaker 1: with no bass guitars. People, they don't know that, y'all.

1522
01:18:45,840 --> 01:18:48,360
Speaker 1: Everybody's funny. Everybody starts standing out recording and I'm like,

1523
01:18:48,360 --> 01:18:50,080
Speaker 1: oh boy, there are anything gonna riot or it's gonna

1524
01:18:50,080 --> 01:18:53,640
Speaker 1: be the funniest joke ever. I appreciate that call. We

1525
01:18:53,680 --> 01:18:57,320
Speaker 1: could talk more about it later. Um, it's just amazing,

1526
01:18:57,320 --> 01:18:59,439
Speaker 1: amazing weekend. It was. It was amazing weekend all the

1527
01:18:59,479 --> 01:19:02,040
Speaker 1: way around. And thank you very much and for everybody

1528
01:19:02,040 --> 01:19:04,160
Speaker 1: who was super nice to us. We really appreciate that

1529
01:19:04,520 --> 01:19:06,400
Speaker 1: we're not doing any more shows. Everybody like, are you

1530
01:19:06,479 --> 01:19:09,040
Speaker 1: opening in LSU. We are not oh for Garth the

1531
01:19:09,160 --> 01:19:12,000
Speaker 1: Raging Idiots. Right away, well, a lot of people were like, hey,

1532
01:19:12,240 --> 01:19:14,160
Speaker 1: we think you should do a stadium mac. Yeah. All

1533
01:19:14,240 --> 01:19:19,960
Speaker 1: right after that, Okay, they didn't really see that. It's

1534
01:19:20,040 --> 01:19:23,519
Speaker 1: the Best Bits of the Week with Morgan number two.

1535
01:19:25,320 --> 01:19:27,920
Speaker 1: That's it for the Best Bits, just the Bits again.

1536
01:19:28,000 --> 01:19:30,240
Speaker 1: Make sure y'all go check out part one of Best

1537
01:19:30,280 --> 01:19:32,960
Speaker 1: Bits this Weekend, which is an interview with the one

1538
01:19:33,000 --> 01:19:36,120
Speaker 1: and only Scuba Stee. We talked about, you know, bald

1539
01:19:36,200 --> 01:19:39,479
Speaker 1: heads movies, we were recommend haircut. I mean, I can

1540
01:19:39,640 --> 01:19:42,000
Speaker 1: keep talking, but I'm just gonna make you go listen

1541
01:19:42,080 --> 01:19:44,360
Speaker 1: for yourself because we also went on some fun tandards

1542
01:19:44,439 --> 01:19:46,760
Speaker 1: that maybe you can relate to. I don't know. I

1543
01:19:46,840 --> 01:19:48,680
Speaker 1: think we all need a little bit of complaints here

1544
01:19:48,720 --> 01:19:50,720
Speaker 1: and there. So it was a fun one to do.

1545
01:19:50,960 --> 01:19:52,800
Speaker 1: Make sure you go listen to that and have a

1546
01:19:53,080 --> 01:20:00,040
Speaker 1: fabulous weekend, love y'all. Just bas the