1 00:00:00,240 --> 00:00:02,920 Speaker 1: Brought to you by the reinvented two thousand twelve Camray. 2 00:00:03,120 --> 00:00:07,480 Speaker 1: It's ready. Are you welcome to stuff you should know 3 00:00:08,080 --> 00:00:16,360 Speaker 1: from house Stuff Works dot com. Hey, and welcome to 4 00:00:16,520 --> 00:00:21,000 Speaker 1: the podcast. This is Josh Clark with me. It's Charles W. 5 00:00:21,280 --> 00:00:26,960 Speaker 1: Chuck Bryant. Huh huh. You're not a singer, are you? No, 6 00:00:27,040 --> 00:00:29,240 Speaker 1: I'm not. I'm not, but I can tell you I'm 7 00:00:29,240 --> 00:00:34,000 Speaker 1: not toned death right. Chuck's a little upset with me 8 00:00:34,120 --> 00:00:36,400 Speaker 1: right now. We're going to mend fences during this podcast, 9 00:00:36,400 --> 00:00:39,599 Speaker 1: aren't we. We'll see Come sit on this chair now. 10 00:00:39,720 --> 00:00:42,960 Speaker 1: That's Frank comes sit here, Frank, sit on Frank now 11 00:00:43,240 --> 00:00:46,080 Speaker 1: ran chair got his first official email. I saw that. 12 00:00:46,120 --> 00:00:48,640 Speaker 1: What was the question? I think it was like, Frank, 13 00:00:49,040 --> 00:00:50,960 Speaker 1: who's been sitting on you lately? And who would you 14 00:00:50,960 --> 00:00:52,440 Speaker 1: like to sit on you in the future, or something 15 00:00:52,440 --> 00:00:54,440 Speaker 1: like that. Who do you think? I think probably the 16 00:00:54,440 --> 00:00:56,800 Speaker 1: first person to sit on Frank, as far as we're concerned, 17 00:00:56,800 --> 00:00:59,600 Speaker 1: will be Joe Randazzo maybe right, Uh, some of the 18 00:00:59,640 --> 00:01:06,680 Speaker 1: other casters might sit there. No, there are other podcasters. 19 00:01:08,040 --> 00:01:11,240 Speaker 1: Let's do this thing, Okay, Chuck, I have something of 20 00:01:11,280 --> 00:01:14,280 Speaker 1: a lead in you ready, Yes, have you ever heard 21 00:01:14,319 --> 00:01:20,240 Speaker 1: of My Way killings. Uh no, no, So there's a 22 00:01:20,280 --> 00:01:25,680 Speaker 1: subcategory of crime of violent crime in the Philippines called 23 00:01:25,720 --> 00:01:29,560 Speaker 1: My Way killings. That's what the media calls it. Frank Sinatra, 24 00:01:30,200 --> 00:01:34,039 Speaker 1: Really yeah, It's a huge karaoke society. Asia in general, 25 00:01:34,480 --> 00:01:39,280 Speaker 1: rum is pretty into karaoke. The Philippines are super into karaoke, 26 00:01:39,520 --> 00:01:42,520 Speaker 1: but they also have something of a violent society. Is 27 00:01:42,520 --> 00:01:45,920 Speaker 1: it people who botched that song get killed or people 28 00:01:45,959 --> 00:01:49,360 Speaker 1: who are jeered at for singing that song kill in 29 00:01:50,240 --> 00:01:54,680 Speaker 1: return a lot? Um. It's not just Philippines the Philippines, 30 00:01:54,760 --> 00:01:57,280 Speaker 1: but at least a half a dozen people have been 31 00:01:57,280 --> 00:02:01,320 Speaker 1: documented as having been murdered because of that song in 32 00:02:01,360 --> 00:02:04,920 Speaker 1: the last ten years. Right, just in the Philippines. It's 33 00:02:05,080 --> 00:02:08,440 Speaker 1: other other songs have been known to um kind of 34 00:02:08,600 --> 00:02:11,720 Speaker 1: erupt violence, like uh, there was a guy who who 35 00:02:12,000 --> 00:02:15,120 Speaker 1: lived in Thailand who killed eight of his neighbors in 36 00:02:15,120 --> 00:02:19,960 Speaker 1: a rage after they sang John Denver's Country Roads Take 37 00:02:20,040 --> 00:02:22,960 Speaker 1: Me Home, apparently not to his liking. So it's not 38 00:02:23,040 --> 00:02:26,320 Speaker 1: just my Way, but with my Way in the Philippines, 39 00:02:26,919 --> 00:02:30,920 Speaker 1: the this this has the highest frequency of murder or violence. 40 00:02:30,919 --> 00:02:33,640 Speaker 1: It's attendant to it, right, I would sing it's a 41 00:02:33,760 --> 00:02:36,720 Speaker 1: very good year. Maybe that would get me through well. 42 00:02:36,760 --> 00:02:39,640 Speaker 1: As a result, a lot of people do avoid my Way. 43 00:02:39,720 --> 00:02:43,640 Speaker 1: But isn't that weird? Okay? So most of the reported 44 00:02:44,000 --> 00:02:48,560 Speaker 1: my Way killings have been due to tone deafness, right, 45 00:02:48,919 --> 00:02:52,320 Speaker 1: actual tone deafness, or they just say people who can't sing. Uh, 46 00:02:52,800 --> 00:02:55,240 Speaker 1: it could go either way, and this is weird in 47 00:02:55,240 --> 00:02:57,560 Speaker 1: and of itself. No, I don't know that anybody's done 48 00:02:57,600 --> 00:03:01,240 Speaker 1: that much investigation, but that is my intro. Chuck, Let's 49 00:03:01,240 --> 00:03:05,160 Speaker 1: talk about tone deafness, which is also called amusia. And 50 00:03:05,200 --> 00:03:08,239 Speaker 1: I gotta tell you, the people in the Philippines don't 51 00:03:08,280 --> 00:03:13,880 Speaker 1: find tone deafness amusing. Thank you, Chris Palette. Uh, if 52 00:03:13,919 --> 00:03:17,399 Speaker 1: you're talking actual tone deafness, then you're only talking about 53 00:03:17,480 --> 00:03:21,560 Speaker 1: one and twenty people are actually a music so it's 54 00:03:21,600 --> 00:03:27,120 Speaker 1: not very many, not five percent five and uh it 55 00:03:27,200 --> 00:03:29,040 Speaker 1: has nothing to do with deafness. That has nothing to 56 00:03:29,040 --> 00:03:31,720 Speaker 1: do with how your ears work. But this is something 57 00:03:31,760 --> 00:03:34,640 Speaker 1: I didn't realize. If you're tone deaf, I just thought 58 00:03:34,639 --> 00:03:37,840 Speaker 1: that means you can't like sing in a tune in tone, 59 00:03:38,080 --> 00:03:41,880 Speaker 1: but apparently you can't hear it either, right, So that 60 00:03:42,000 --> 00:03:44,000 Speaker 1: was surprising to me as well. People who are tone 61 00:03:44,040 --> 00:03:48,640 Speaker 1: deaf are actually faithfully reproducing or recreating what they're hearing, 62 00:03:49,120 --> 00:03:51,800 Speaker 1: which makes me really sad because that means music sounds 63 00:03:51,840 --> 00:03:55,280 Speaker 1: awful of these poor people. Yeah, and apparently one person 64 00:03:55,360 --> 00:03:58,360 Speaker 1: described it as um the sound of pots and pans clanging. 65 00:03:58,840 --> 00:04:01,480 Speaker 1: That's awful, just not cut as anybody who has a 66 00:04:01,520 --> 00:04:07,200 Speaker 1: two year old nose, a two year old and unsecured cabinets. Uh, pitch, 67 00:04:07,280 --> 00:04:09,440 Speaker 1: that was what we're talking about, right, that's what they 68 00:04:09,440 --> 00:04:12,880 Speaker 1: mean when they're talking about tone. Well, that's what underlies it, right. 69 00:04:12,960 --> 00:04:18,960 Speaker 1: So so pitch is the frequency of sound, right, You 70 00:04:19,000 --> 00:04:21,800 Speaker 1: have high or low, and that higher low means high 71 00:04:21,839 --> 00:04:24,520 Speaker 1: frequency or low frequency. So a high note it's actually 72 00:04:24,520 --> 00:04:26,960 Speaker 1: just a high frequency note. Low note is a low 73 00:04:27,000 --> 00:04:33,159 Speaker 1: frequency note. Um. And as Tom Sheaf bff, Yeah, you 74 00:04:33,200 --> 00:04:36,000 Speaker 1: need to reprimand him because he said that piano was plucked. 75 00:04:37,279 --> 00:04:41,920 Speaker 1: It's some to the hammer struck. Harpsichords are plucked, so 76 00:04:41,960 --> 00:04:44,960 Speaker 1: are harps. So you need to tell Tom and you 77 00:04:45,080 --> 00:04:47,760 Speaker 1: got this kind of wrong. Give him a break. He 78 00:04:47,800 --> 00:04:50,800 Speaker 1: said that a violin has a violin note has a 79 00:04:50,839 --> 00:04:54,839 Speaker 1: four frequency of four hundred forty wavelengths vibrations per second. 80 00:04:55,600 --> 00:05:00,719 Speaker 1: That wavelength. He also said pianos are plucked. But why 81 00:05:00,760 --> 00:05:03,640 Speaker 1: he said that um erroneously? Was He was just pointing 82 00:05:03,640 --> 00:05:06,080 Speaker 1: out that the length of the string of a stringed 83 00:05:06,080 --> 00:05:09,720 Speaker 1: instrument will determine how high or low the pitches, and 84 00:05:09,760 --> 00:05:13,000 Speaker 1: pitch is what we talked about when we talked about 85 00:05:13,000 --> 00:05:15,320 Speaker 1: tone deafness, and then perfect pitch is on the other 86 00:05:15,440 --> 00:05:18,000 Speaker 1: end of that scale, and only about one in ten 87 00:05:18,080 --> 00:05:20,839 Speaker 1: thousand people have perfect pitch. Yeah, Chuck, I have a 88 00:05:20,920 --> 00:05:25,000 Speaker 1: question for you. What Dud, Jimmy, Hendrix, um Ingway, Malmstein, 89 00:05:25,760 --> 00:05:33,120 Speaker 1: being Crosby, and Yannie have in common? You mustaches? It's 90 00:05:33,400 --> 00:05:36,840 Speaker 1: no no being cross He didn't have a mustache. Nobody 91 00:05:36,920 --> 00:05:40,880 Speaker 1: smoked a pipe. Uh see Ingvy and Jimmy played stratocasters. 92 00:05:40,960 --> 00:05:43,960 Speaker 1: I don't think being crossby too much thought to this. 93 00:05:44,800 --> 00:05:48,920 Speaker 1: They were from Seattle. No perfect pitch. They all had 94 00:05:48,960 --> 00:05:52,479 Speaker 1: perfect pitch, which is all called also called absolute pitch. Yeah. 95 00:05:52,560 --> 00:05:55,400 Speaker 1: Perfect pitches when you can pick out a note and 96 00:05:55,520 --> 00:05:59,640 Speaker 1: name that note by itself solo without any other relative 97 00:06:00,080 --> 00:06:02,880 Speaker 1: notes around it, and you can duplicate that. So if 98 00:06:02,920 --> 00:06:05,160 Speaker 1: I said, Josh singing a flat, you would be able 99 00:06:05,200 --> 00:06:09,560 Speaker 1: to sing an a flat perfectly. That's way too high. 100 00:06:09,640 --> 00:06:12,440 Speaker 1: And uh so that's perfect pitch. But relative pitch is 101 00:06:12,480 --> 00:06:15,800 Speaker 1: what many more people have. Means you can pick out 102 00:06:15,839 --> 00:06:18,840 Speaker 1: a note relative to other notes, right, So somebody can 103 00:06:18,880 --> 00:06:21,719 Speaker 1: play something and then they'll play something else, and you can. 104 00:06:21,880 --> 00:06:24,680 Speaker 1: You might not be able to, uh say well that's 105 00:06:24,720 --> 00:06:26,719 Speaker 1: an A and that's an E flat or something, but 106 00:06:26,760 --> 00:06:28,640 Speaker 1: you can say, well that's high and that's low. Right 107 00:06:29,400 --> 00:06:32,599 Speaker 1: exact amundo? Um, did you take that tone deafness test? 108 00:06:32,960 --> 00:06:34,800 Speaker 1: I did. I took another one. I didn't click the 109 00:06:34,800 --> 00:06:37,920 Speaker 1: link that you sent me. What what percentage did you score? Well, 110 00:06:38,000 --> 00:06:40,160 Speaker 1: let's pass this out. This is uh if you want 111 00:06:40,160 --> 00:06:44,359 Speaker 1: to test your own tone quality um www dot d 112 00:06:44,520 --> 00:06:48,520 Speaker 1: E l O s I S dot com dilosis slash 113 00:06:48,560 --> 00:06:52,680 Speaker 1: listening slash home dot html and you can take it's 114 00:06:52,720 --> 00:06:55,279 Speaker 1: a sixty question. It takes like fifteen to twenty minutes. 115 00:06:55,480 --> 00:06:57,799 Speaker 1: I did one in six minutes. Yeah, it's not as thorough. 116 00:06:58,520 --> 00:07:01,440 Speaker 1: And there's two parts to this one, and there's thirty, 117 00:07:01,560 --> 00:07:04,559 Speaker 1: uh thirty pieces to each part. So you basically listened 118 00:07:04,600 --> 00:07:07,440 Speaker 1: to a sound or a series of notes, and then 119 00:07:07,600 --> 00:07:10,680 Speaker 1: it's followed directly by either the exact same thing or 120 00:07:10,760 --> 00:07:13,720 Speaker 1: something slightly different, and you click same or different. At 121 00:07:13,720 --> 00:07:16,560 Speaker 1: the end, you get your results, and I got I 122 00:07:16,600 --> 00:07:21,559 Speaker 1: got a twenty seven out of thirty on both sides. Wow, 123 00:07:21,960 --> 00:07:25,680 Speaker 1: so that's pretty good. I got a seventy seven eight percent. Yeah, 124 00:07:25,720 --> 00:07:32,080 Speaker 1: what's twenty seven thirty percentage wise? Um, Jerry, like she's 125 00:07:32,080 --> 00:07:34,320 Speaker 1: sitting around with the advocate kee pulling out your calculating 126 00:07:34,360 --> 00:07:36,680 Speaker 1: I am, but keep talking all right. While you're doing that, 127 00:07:36,720 --> 00:07:38,640 Speaker 1: I'll tell everybody the site that I took it on. 128 00:07:38,720 --> 00:07:41,520 Speaker 1: It was h T T P Colin slash slash Jake 129 00:07:41,600 --> 00:07:44,560 Speaker 1: Mandel dot com. That's j A K E M A 130 00:07:44,720 --> 00:07:47,440 Speaker 1: N D E l l dot com slash tone deaf. 131 00:07:47,520 --> 00:07:53,120 Speaker 1: One word that's really good. Actually mine was average. And 132 00:07:53,160 --> 00:07:54,840 Speaker 1: that actually makes sense with me because you know, I 133 00:07:54,920 --> 00:07:57,440 Speaker 1: sing in my band and I'm I'm an okay singer, 134 00:07:57,680 --> 00:08:00,440 Speaker 1: but I'm clearly not like a great singer. Else wouldn't 135 00:08:00,440 --> 00:08:04,080 Speaker 1: be doing this job and singing in a band in 136 00:08:04,120 --> 00:08:06,000 Speaker 1: my basement. I'd be singing in a band for real, 137 00:08:06,240 --> 00:08:07,840 Speaker 1: So that makes sense. Ten percent of the time, I 138 00:08:07,920 --> 00:08:10,800 Speaker 1: probably sound like crap. See now that's not necessarily true, Chuck, 139 00:08:10,880 --> 00:08:13,000 Speaker 1: because you should know by now. It's all about who 140 00:08:13,000 --> 00:08:16,000 Speaker 1: you know, right, Yeah, but I would you could be 141 00:08:16,040 --> 00:08:18,480 Speaker 1: squandering your challenge right now just because you don't know 142 00:08:18,520 --> 00:08:21,400 Speaker 1: the right record producer. Yeah, but if you're like, if 143 00:08:21,400 --> 00:08:23,720 Speaker 1: you've got the goods, like I always used Chris Cornell 144 00:08:23,760 --> 00:08:25,600 Speaker 1: as an example, Like the first time that dude sang 145 00:08:25,640 --> 00:08:29,280 Speaker 1: in the shower when he was sixteen, he was probably like, Okay, 146 00:08:29,520 --> 00:08:30,880 Speaker 1: I guess this is what I'm supposed to do with 147 00:08:30,920 --> 00:08:34,000 Speaker 1: my life. When he shattered the windows of his shower 148 00:08:34,080 --> 00:08:37,560 Speaker 1: door and then he um solemnly washed the soap out 149 00:08:37,559 --> 00:08:40,400 Speaker 1: from under his arms, out of the shower a person 150 00:08:40,840 --> 00:08:44,760 Speaker 1: and said I'm gonna form sound Garden and that was that. Yeah, 151 00:08:44,920 --> 00:08:47,440 Speaker 1: he should have never stopped. I think they're getting back together. 152 00:08:47,480 --> 00:08:50,679 Speaker 1: Actually they should be awesome. Um. All right, So chuck 153 00:08:50,840 --> 00:08:54,760 Speaker 1: pitch actually is not um constant. Did you know that. 154 00:08:55,240 --> 00:08:58,000 Speaker 1: I didn't know that until this article about the elevation 155 00:08:58,000 --> 00:09:02,640 Speaker 1: That really surprised me. Yeah. Uh. Basically, when you pluck 156 00:09:02,720 --> 00:09:07,920 Speaker 1: a piano string um strike, the vibration that it creates 157 00:09:08,000 --> 00:09:11,199 Speaker 1: at sea level is different from the vibration that's going 158 00:09:11,240 --> 00:09:13,800 Speaker 1: to create a higher altitudes. I would imagine because of 159 00:09:13,800 --> 00:09:17,920 Speaker 1: the atmospheric pressure. Right to fix everything, well, it does 160 00:09:18,280 --> 00:09:26,160 Speaker 1: baking pianos, everything athleticism, your ability to live by breathing 161 00:09:26,440 --> 00:09:31,959 Speaker 1: and absorbing oxygen um. So when that when that vibration 162 00:09:32,080 --> 00:09:34,920 Speaker 1: is created, it transfers to the air and it goes 163 00:09:34,920 --> 00:09:37,079 Speaker 1: won War War one and hits our ears, and then 164 00:09:37,440 --> 00:09:40,319 Speaker 1: inside our ears it goes War war and it goes 165 00:09:40,360 --> 00:09:42,120 Speaker 1: to our brain, and we process the sound of the 166 00:09:42,160 --> 00:09:45,400 Speaker 1: tone def people here, you or I, because we have 167 00:09:45,520 --> 00:09:49,240 Speaker 1: relative pitch and we're not tone deaf um and just 168 00:09:49,360 --> 00:09:52,240 Speaker 1: about anybody else who's not tone deaf could say, uh, 169 00:09:52,360 --> 00:09:55,960 Speaker 1: if if a frequency is off by a few vibrations 170 00:09:56,040 --> 00:09:58,120 Speaker 1: per second, even that slight bit, we would be like, 171 00:09:58,200 --> 00:10:02,120 Speaker 1: that doesn't sound quite right. Actually, if it were relative 172 00:10:02,200 --> 00:10:04,439 Speaker 1: to a note, like you played one note correctly and 173 00:10:04,480 --> 00:10:06,599 Speaker 1: then another note the same note with a couple of 174 00:10:06,679 --> 00:10:10,160 Speaker 1: vibrations off per second, you would definitely be able to 175 00:10:10,200 --> 00:10:13,880 Speaker 1: hear the difference tone off. People apparently can't do this right. 176 00:10:14,559 --> 00:10:19,280 Speaker 1: So it's kind of like color blindness. It happens in degrees. 177 00:10:20,400 --> 00:10:22,679 Speaker 1: So some people can who are color blind can tell 178 00:10:23,280 --> 00:10:26,520 Speaker 1: red from yellow. They can't really tell black from dark blue. 179 00:10:27,280 --> 00:10:30,520 Speaker 1: I think that that is another aspect of tone deafness 180 00:10:30,559 --> 00:10:32,960 Speaker 1: as well. Yeah, I'd be interested to take the one 181 00:10:33,040 --> 00:10:35,560 Speaker 1: I took again because the ones that I missed there 182 00:10:35,559 --> 00:10:38,360 Speaker 1: were somewhere I was like, oh man, it's it's They 183 00:10:38,559 --> 00:10:41,480 Speaker 1: literally would have like twelve notes and one might be 184 00:10:41,679 --> 00:10:44,719 Speaker 1: the like half a step down from the other, and 185 00:10:44,800 --> 00:10:46,480 Speaker 1: those were really tricky, and I think those are probably 186 00:10:46,480 --> 00:10:49,600 Speaker 1: the ones I missed because some sounded really off. Yeah, 187 00:10:49,720 --> 00:10:54,280 Speaker 1: some were obviously off too. So, Chuck, we know some 188 00:10:54,480 --> 00:11:01,560 Speaker 1: stuff about tone deafness. What's the explanation, Well, josh, uh, 189 00:11:01,720 --> 00:11:06,640 Speaker 1: there are a few potential explanations. We seem to think 190 00:11:06,800 --> 00:11:10,199 Speaker 1: that it is hereditary. It does seem to have a 191 00:11:10,280 --> 00:11:13,720 Speaker 1: genetic basis. Study show that it is hereditary, and twins 192 00:11:13,840 --> 00:11:18,080 Speaker 1: identical twins have scored similarly on pitch tests, which also 193 00:11:18,160 --> 00:11:22,280 Speaker 1: means it's probably hereditary and it likely has something to 194 00:11:22,400 --> 00:11:30,680 Speaker 1: do with the brain and specifically the arcuate. Fasciculous, nice 195 00:11:30,920 --> 00:11:33,480 Speaker 1: first try. That is pretty good, Chuck. They study that 196 00:11:33,600 --> 00:11:35,960 Speaker 1: and that's that's one of the nerve bundles that sends information, 197 00:11:36,080 --> 00:11:40,240 Speaker 1: like so many nerve bundles, and they found that they 198 00:11:40,320 --> 00:11:43,679 Speaker 1: think that one of the roles is to send is 199 00:11:43,760 --> 00:11:47,560 Speaker 1: to send signals concerning the perception of sound. And they 200 00:11:47,679 --> 00:11:50,480 Speaker 1: studied tone deaf people and found that the fibers were 201 00:11:50,679 --> 00:11:54,000 Speaker 1: in fact smaller, and people that were tone deaf than 202 00:11:54,400 --> 00:11:56,760 Speaker 1: non tone deaf, then some of them didn't have them 203 00:11:56,760 --> 00:11:59,400 Speaker 1: at all. There is another right, and and that is 204 00:11:59,800 --> 00:12:02,959 Speaker 1: the amount that was there's relative to the degree of 205 00:12:03,040 --> 00:12:05,840 Speaker 1: tone deafness. Right. So there was also a two thousand 206 00:12:05,920 --> 00:12:08,920 Speaker 1: seven study um or the publish study published in a 207 00:12:09,000 --> 00:12:13,040 Speaker 1: two thousand issue of two thousand seven issue of Harvard 208 00:12:13,080 --> 00:12:16,559 Speaker 1: Health Letter, which I get mailed to my house. I 209 00:12:16,600 --> 00:12:21,199 Speaker 1: thought you wrote it um in my sleep. Uh that 210 00:12:21,480 --> 00:12:24,800 Speaker 1: that the studies showed that people who are tone deaf 211 00:12:24,880 --> 00:12:28,240 Speaker 1: have less white matter connecting and remember the white matters, 212 00:12:28,280 --> 00:12:31,439 Speaker 1: the stuff that connects the gray matter, it's the nerve fibers. Um. 213 00:12:32,520 --> 00:12:35,520 Speaker 1: They have less white matter conducting the right frontal lobe, 214 00:12:35,679 --> 00:12:39,240 Speaker 1: which is in part responsible for higher thinking, to the 215 00:12:39,520 --> 00:12:43,200 Speaker 1: right temporal lobe where basic sound processing first takes place. 216 00:12:43,840 --> 00:12:46,280 Speaker 1: And they found that the less what the people who 217 00:12:46,280 --> 00:12:49,000 Speaker 1: are tone deaf have less white matter. And among tone 218 00:12:49,040 --> 00:12:51,800 Speaker 1: deaf people, the less white matter you had connecting these 219 00:12:51,840 --> 00:12:54,599 Speaker 1: two regions, the more tone deaf you were. Just like 220 00:12:54,840 --> 00:13:01,760 Speaker 1: the oh, the sorry are quit physics list? I think 221 00:13:01,760 --> 00:13:04,760 Speaker 1: I pronounced it different earlier. So we'll just say merging 222 00:13:04,840 --> 00:13:07,360 Speaker 1: of those two is the correct way, right, So we 223 00:13:07,520 --> 00:13:09,880 Speaker 1: we would say that, yes, it appears to have a 224 00:13:09,920 --> 00:13:12,439 Speaker 1: genetic basis. There's actually if you're in the San Francisco 225 00:13:12,520 --> 00:13:16,880 Speaker 1: area and you like being a medical guinea pig, you 226 00:13:16,960 --> 00:13:19,199 Speaker 1: should go ahead and look up the study that the 227 00:13:19,360 --> 00:13:23,880 Speaker 1: University of California, San Francisco UM is launching right now 228 00:13:23,960 --> 00:13:26,480 Speaker 1: into tone deafness and its genetic basis. What you do, 229 00:13:26,679 --> 00:13:28,400 Speaker 1: you know, I think you probably have to be a 230 00:13:28,440 --> 00:13:30,920 Speaker 1: little tone deaf and then you could be part of 231 00:13:30,960 --> 00:13:33,679 Speaker 1: the control group, right yeah, and be a great singer. 232 00:13:34,640 --> 00:13:37,200 Speaker 1: They do say that you cannot improve upon this. Um. 233 00:13:37,960 --> 00:13:40,200 Speaker 1: You can take music lessons, you can take singing lessons, 234 00:13:40,480 --> 00:13:42,600 Speaker 1: it's not gonna help you. If your tone deaf, you're 235 00:13:42,640 --> 00:13:44,760 Speaker 1: born with it. And if you do find out your 236 00:13:44,800 --> 00:13:48,480 Speaker 1: tone deaf, stay out of the Philippines. Yes, and there 237 00:13:48,559 --> 00:13:53,280 Speaker 1: was another and of course this is of perception to tone. 238 00:13:53,800 --> 00:13:57,240 Speaker 1: That doesn't necessarily mean like you're a bad singer, although 239 00:13:57,280 --> 00:13:59,160 Speaker 1: that that would make you a bad singer. But you 240 00:13:59,200 --> 00:14:01,000 Speaker 1: can also be a bad singer if you're not tone deaf. 241 00:14:02,000 --> 00:14:04,440 Speaker 1: And well this you probably fall into one of these categories. 242 00:14:04,480 --> 00:14:08,280 Speaker 1: In a couple of neuroscientists did a study in from 243 00:14:08,559 --> 00:14:12,880 Speaker 1: the University of New York at Buffalo and Simon Fraser University, 244 00:14:12,960 --> 00:14:16,920 Speaker 1: and they said there's likely for explanations. Poor music perception 245 00:14:17,040 --> 00:14:20,440 Speaker 1: is one, which would be tone deaf um. The other 246 00:14:20,600 --> 00:14:25,280 Speaker 1: might be poor control of your vocal system, yeah, thick 247 00:14:25,320 --> 00:14:31,320 Speaker 1: tongue perhaps, And another might be inability to imitate or 248 00:14:31,360 --> 00:14:33,920 Speaker 1: mimic something. So you hear the sound and you hear 249 00:14:33,960 --> 00:14:36,080 Speaker 1: it correctly and you know what it is, but you 250 00:14:36,160 --> 00:14:38,320 Speaker 1: still can't make it right. And that was something that 251 00:14:38,400 --> 00:14:40,360 Speaker 1: occurred to me while we were doing the research for 252 00:14:40,440 --> 00:14:43,160 Speaker 1: this article, that there's there. It seems like there could 253 00:14:43,160 --> 00:14:50,040 Speaker 1: be a basis for um flawed memory storagereating it. Yeah, 254 00:14:50,080 --> 00:14:52,120 Speaker 1: he said. The fourth reason it's just bad memory. Between 255 00:14:52,200 --> 00:14:53,880 Speaker 1: the time you hear it and when you sing it back, 256 00:14:53,920 --> 00:14:56,400 Speaker 1: you actually forget what the notes were. Too much scotch 257 00:14:56,680 --> 00:14:58,720 Speaker 1: and he likens it to like a baseball player. You 258 00:14:58,760 --> 00:15:01,920 Speaker 1: can you can know how to hit a curveball, and 259 00:15:02,000 --> 00:15:03,680 Speaker 1: you can be a professional baseball player know how to 260 00:15:03,680 --> 00:15:05,040 Speaker 1: swing a bat, but that still to mean you're gonna 261 00:15:05,080 --> 00:15:08,600 Speaker 1: hit the curveball nice so you can hear the note. 262 00:15:08,760 --> 00:15:10,640 Speaker 1: You might not be tone deaf, you might think you 263 00:15:10,720 --> 00:15:12,680 Speaker 1: can mimic it, but when it comes out of your mouth, 264 00:15:13,400 --> 00:15:17,520 Speaker 1: it's not quite Frank Black. After all. I saw Frank 265 00:15:17,560 --> 00:15:20,840 Speaker 1: Black just this very week. It was it good? I 266 00:15:20,920 --> 00:15:23,200 Speaker 1: had my friends said it was they phoned it in. No, 267 00:15:23,360 --> 00:15:26,280 Speaker 1: I didn't. I disagree. Really, I could have definitely handled 268 00:15:26,320 --> 00:15:30,680 Speaker 1: a lot more um songs from Um Trump Plamon. They 269 00:15:30,720 --> 00:15:33,120 Speaker 1: played pretty much all of Doolittle. Yeah that was the tour, 270 00:15:33,240 --> 00:15:35,960 Speaker 1: right play and Doolittle. I didn't know that. Yeah, I 271 00:15:36,000 --> 00:15:40,200 Speaker 1: think that was there actually, but yeah, it was cool. 272 00:15:40,320 --> 00:15:44,280 Speaker 1: I liked it. These guys are old back in the day, 273 00:15:44,360 --> 00:15:46,520 Speaker 1: so they might be jaded old people. They played like 274 00:15:46,600 --> 00:15:49,040 Speaker 1: Winter Long and um not. I mean as far as 275 00:15:49,080 --> 00:15:54,480 Speaker 1: just phoning it in are old. You know my friends 276 00:15:54,520 --> 00:15:56,520 Speaker 1: who said they phoned it in, our dudes who saw 277 00:15:56,640 --> 00:15:58,800 Speaker 1: them back in the eighties and nights, they might have 278 00:15:58,840 --> 00:16:01,120 Speaker 1: been all they phoned it and they're just being I 279 00:16:01,200 --> 00:16:03,000 Speaker 1: thought it was cool. Cool stage show too. They were 280 00:16:03,000 --> 00:16:05,880 Speaker 1: all dressed like stage hands. Yeah what's the stage chand 281 00:16:05,960 --> 00:16:11,360 Speaker 1: dress like dark clothes really, and Joey's just bald as 282 00:16:11,400 --> 00:16:13,960 Speaker 1: Frank Black is now. Yeah, man, he still plays that 283 00:16:14,560 --> 00:16:17,680 Speaker 1: gold top. Donety the less Paul, I don't know I 284 00:16:17,800 --> 00:16:20,600 Speaker 1: can't even say, Chuck, don't ask me if you want 285 00:16:20,640 --> 00:16:23,080 Speaker 1: to know more about tone deafness and find out the 286 00:16:23,440 --> 00:16:26,680 Speaker 1: uh what the one article that Tom Sheep got something 287 00:16:26,760 --> 00:16:30,360 Speaker 1: wrong in looks like type tone deaf into the search 288 00:16:30,440 --> 00:16:33,200 Speaker 1: bar how stuff works dot com. Oh, while we're at it, 289 00:16:33,240 --> 00:16:34,960 Speaker 1: before we move on to listra mill, have you heard 290 00:16:34,960 --> 00:16:37,880 Speaker 1: of Paul Data? I think it's d A T E 291 00:16:38,200 --> 00:16:41,960 Speaker 1: H and DJ inco one. No, dude, it's this kid. 292 00:16:42,040 --> 00:16:46,240 Speaker 1: He's like fifteen, looking perfect. He has absolute pitch, has 293 00:16:46,400 --> 00:16:50,040 Speaker 1: violent and he's just playing along with a guy who 294 00:16:50,080 --> 00:16:52,600 Speaker 1: looks like his cousin who's a DJ. They're playing like 295 00:16:52,640 --> 00:16:54,560 Speaker 1: tribe called Quest and far Side and he's playing it 296 00:16:54,640 --> 00:16:58,320 Speaker 1: on the violins um along with his DJ cousin, who's 297 00:16:58,520 --> 00:17:01,320 Speaker 1: you know DJing Really cool. I'll have to put that 298 00:17:01,400 --> 00:17:04,520 Speaker 1: on the Facebook page when we release it. Do you 299 00:17:04,680 --> 00:17:06,080 Speaker 1: have to wait that long as you could do? Now? 300 00:17:06,400 --> 00:17:09,320 Speaker 1: We could do that all right? Well, how about listener mail, Chuck? 301 00:17:10,160 --> 00:17:12,920 Speaker 1: We are not doing listener mail because we have some 302 00:17:13,080 --> 00:17:17,119 Speaker 1: important events coming up that we'd like to share, and 303 00:17:17,520 --> 00:17:21,080 Speaker 1: we would also like to build up our Facebook presence. Yes, 304 00:17:21,240 --> 00:17:23,520 Speaker 1: we really were, because we've noticed that there are people 305 00:17:23,600 --> 00:17:27,480 Speaker 1: that participate on our Facebook page without liking it, which 306 00:17:27,520 --> 00:17:29,480 Speaker 1: I understand you might not want it in your news feed, 307 00:17:29,920 --> 00:17:32,200 Speaker 1: but it helps us out when you like it. Why 308 00:17:32,240 --> 00:17:33,720 Speaker 1: would you not want that in your news fere you 309 00:17:33,840 --> 00:17:37,040 Speaker 1: embarrassed that you listen to us? Who knows, some people 310 00:17:37,119 --> 00:17:39,480 Speaker 1: just don't like. Like I liked a lot of things 311 00:17:39,560 --> 00:17:42,879 Speaker 1: initially before all this stuff started happening, and now I 312 00:17:43,000 --> 00:17:45,239 Speaker 1: get everything in my news feed, and so I've had 313 00:17:45,280 --> 00:17:47,959 Speaker 1: to unlike some of it because I don't. I love Calexico, 314 00:17:48,800 --> 00:17:50,320 Speaker 1: but I don't want to see what Calexico has to 315 00:17:50,359 --> 00:17:52,600 Speaker 1: say every day. I thought you were saying, like, yeah, 316 00:17:52,640 --> 00:17:55,159 Speaker 1: that's what Twitter's for. I thought you were saying like 317 00:17:55,280 --> 00:17:57,399 Speaker 1: people wouldn't want other people to see that they were 318 00:17:57,520 --> 00:17:59,560 Speaker 1: fans of stuff. You should know, Well that may don't 319 00:17:59,600 --> 00:18:03,040 Speaker 1: want our yes coming up in there, and perhaps, but 320 00:18:03,160 --> 00:18:05,200 Speaker 1: we're post that now. We don't post that much, and 321 00:18:05,240 --> 00:18:07,520 Speaker 1: when we do post, it's pretty worthwhile. So we would 322 00:18:07,560 --> 00:18:10,240 Speaker 1: ask you to hit the like button because that makes 323 00:18:10,320 --> 00:18:12,480 Speaker 1: us look good. Our boss when when he sees a 324 00:18:12,520 --> 00:18:15,240 Speaker 1: certain amount of fans, he doesn't like write us a 325 00:18:15,320 --> 00:18:18,640 Speaker 1: check or anything, but yet it's a good thing for us. Yeah, 326 00:18:18,760 --> 00:18:21,840 Speaker 1: so we'd appreciate if you liked our our Facebook page. Um, 327 00:18:22,560 --> 00:18:24,879 Speaker 1: let's see, so that's a Facebook, Twitter, s y s 328 00:18:24,920 --> 00:18:28,680 Speaker 1: K podcast. We occasionally say something worth chuckling at, Yes, 329 00:18:28,960 --> 00:18:33,720 Speaker 1: very often. And then let's do the Atlanta event. A. Yes, 330 00:18:33,800 --> 00:18:36,199 Speaker 1: we got a couple of things in mid October coming up. 331 00:18:37,000 --> 00:18:39,159 Speaker 1: The first one is a non sanction event, but you 332 00:18:39,240 --> 00:18:41,920 Speaker 1: can rub elbows with us if you want to come 333 00:18:41,960 --> 00:18:46,640 Speaker 1: to the Drunken Unicorn on East pot sti Leon October twelfth, Tuesday. 334 00:18:47,080 --> 00:18:49,240 Speaker 1: Our buddies, the Henry Clay people of l a or 335 00:18:49,320 --> 00:18:55,040 Speaker 1: playing a rock and roll show, headlining gig concert concert 336 00:18:55,160 --> 00:18:57,000 Speaker 1: and you can come and it'll be a good time. 337 00:18:57,000 --> 00:19:00,400 Speaker 1: It's a very small venue, so like a big party. Jerry, 338 00:19:00,520 --> 00:19:03,560 Speaker 1: are you coming? She said, yes, ma'am. Serr's going to 339 00:19:03,720 --> 00:19:08,879 Speaker 1: be dressed as Thomas pinch On. Wow, you really like 340 00:19:09,000 --> 00:19:15,359 Speaker 1: that one. That's good? Thank you? Uh? Anything else? Man? 341 00:19:15,400 --> 00:19:17,159 Speaker 1: I feel like I should be like, good night, everybody know. 342 00:19:17,280 --> 00:19:21,480 Speaker 1: The following night October is the sanctioned trivia event, the 343 00:19:21,680 --> 00:19:25,200 Speaker 1: All Star Trivia the Five Seasons Brewery west Side evening 344 00:19:25,280 --> 00:19:29,760 Speaker 1: hours probably around six just just block out six to eleven. Yeah, 345 00:19:30,359 --> 00:19:33,320 Speaker 1: And on our celebrity team, we have Joe Randazzo, editor 346 00:19:33,320 --> 00:19:37,200 Speaker 1: of The Onion. Dave Willis the co creator of Aquitine 347 00:19:37,240 --> 00:19:39,399 Speaker 1: Hunger Force and Squidbillies, who I've got to say, I'm 348 00:19:39,440 --> 00:19:41,800 Speaker 1: really looking forward to meeting. Squid Billies is so twisted 349 00:19:41,840 --> 00:19:44,920 Speaker 1: and awesome. Um. What I do sometimes the Squidbillies is 350 00:19:44,960 --> 00:19:47,159 Speaker 1: just close my eyes and you just imagine it's just 351 00:19:47,240 --> 00:19:49,880 Speaker 1: real rednecks. Then you open your eyes in their squids 352 00:19:49,920 --> 00:19:52,719 Speaker 1: and it's even funnier. Uh. And then of course Mr 353 00:19:53,119 --> 00:19:55,720 Speaker 1: John Hodgman. Yes, I'm gonna get him to sign my 354 00:19:55,800 --> 00:19:58,000 Speaker 1: books that I've read of his, and I'm going to 355 00:19:58,040 --> 00:20:00,520 Speaker 1: get him to stay overnight at my house. Good luck 356 00:20:00,560 --> 00:20:02,479 Speaker 1: with that. Yeah, I'm gonna be like, sorry, the hotel 357 00:20:02,520 --> 00:20:09,439 Speaker 1: we book burned down my seriously. Yeah, Um, that's it. Okay, 358 00:20:09,720 --> 00:20:12,760 Speaker 1: So if you want to send us an email, what 359 00:20:12,840 --> 00:20:15,920 Speaker 1: do we want to hear about chook? Oh? How about 360 00:20:15,960 --> 00:20:20,080 Speaker 1: some karaoke stories? Oh that's a good one. If you've 361 00:20:20,119 --> 00:20:23,720 Speaker 1: ever been beaten up in the Philippines or you have 362 00:20:23,840 --> 00:20:27,320 Speaker 1: a good karaoke story, we want to hear it. Greatest 363 00:20:27,400 --> 00:20:29,680 Speaker 1: karaoke songs of all time? How about that? Yeah, we'll 364 00:20:29,720 --> 00:20:32,639 Speaker 1: post that one on Facebook. Karaoke stories we want to 365 00:20:32,720 --> 00:20:35,560 Speaker 1: hear via email and you can type that up spanking 366 00:20:35,600 --> 00:20:40,120 Speaker 1: on the bottom. Send it to stuff podcast at how 367 00:20:40,200 --> 00:20:46,800 Speaker 1: stuff works dot com. For more on this and thousands 368 00:20:46,840 --> 00:20:49,160 Speaker 1: of other topics, is that how stuff works dot com. 369 00:20:50,080 --> 00:20:52,800 Speaker 1: Want more how stuff works, check out our blogs on 370 00:20:52,880 --> 00:20:58,040 Speaker 1: the house. Stuff works dot com home page. Brought to 371 00:20:58,080 --> 00:21:01,160 Speaker 1: you by the reinvented two thousand twelve Camery. It's ready, 372 00:21:01,359 --> 00:21:01,639 Speaker 1: are you