WEBVTT - John Green Tests the Limits of YouTube

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<v Speaker 1>Pushkin. What's your what's your job? When when people say

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<v Speaker 1>say your name and your job, what do you say?

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<v Speaker 1>I usually say that I work in educational video because

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<v Speaker 1>that shuts down the conversation pretty quickly, or else I

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<v Speaker 1>say that I that I write books. Depends on the context.

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<v Speaker 1>I guess you just whatever shuts it down fastest. Most

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<v Speaker 1>of the time, I want to try to talk about

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<v Speaker 1>the person I'm talking to, not about myself, and so

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<v Speaker 1>far as possible, then let me apologize to you for

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<v Speaker 1>the next album. For the next hour, I'm Jacob Goldstein

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<v Speaker 1>and this is What's Your Problem, the show where entrepreneurs

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<v Speaker 1>and engineers talk about how they're going to change the

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<v Speaker 1>world once they solve a few problems. My guest today

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<v Speaker 1>is John Dreen. He's the author of several novels, including

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<v Speaker 1>The Fault in Our Star, which sold millions of copies

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<v Speaker 1>and was made into a movie, but he has not

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<v Speaker 1>quit his day job at the educational video company he

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<v Speaker 1>co founded with his brother. The company is called Complexly,

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<v Speaker 1>and among other things, the company makes a series of

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<v Speaker 1>YouTube videos called crash Course. The videos are wildly popular.

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<v Speaker 1>They've been viewed billions of times, but John wants complexly

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<v Speaker 1>to do more. The problem he wants to solve is this,

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<v Speaker 1>how do you make YouTube videos that actually help people

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<v Speaker 1>make it through college? John's online production company, and to

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<v Speaker 1>hear him tell it, much of his success as a

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<v Speaker 1>novelist grew out of his desire to hang out with

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<v Speaker 1>his brother Hank more often. They lived far apart from

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<v Speaker 1>each other. They didn't talk much, but John told me

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<v Speaker 1>they bonded over online video. When we started watching online

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<v Speaker 1>video in two thousand and six, we just loved it.

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<v Speaker 1>We loved the way that it just felt wetly different

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<v Speaker 1>from television. It felt completely different from any other visual media.

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<v Speaker 1>It felt wide open in exciting and terrifying ways. And

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<v Speaker 1>you know, back then I was writing books and in

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<v Speaker 1>my mid twenties, and Hank was running a blog called

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<v Speaker 1>eco Geek, and watching YouTube videos together was the main

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<v Speaker 1>point of connection for us. We didn't talk on the

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<v Speaker 1>phone much, we weren't that close, really, but we loved

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<v Speaker 1>these YouTube channels and these other non YouTube online video

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<v Speaker 1>projects so much that it became, you know, the kind

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<v Speaker 1>of the place for us to connect as brothers in adulthood.

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<v Speaker 1>And then in December of two thousand and six, I

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<v Speaker 1>came to Hank with the idea, well, what if we

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<v Speaker 1>made our own YouTube channel. I make a video on Monday,

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<v Speaker 1>You make a video on Tuesday, and we do that

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<v Speaker 1>every weekday for all of two thousands seven. So you

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<v Speaker 1>start doing it. Well, like, what was it? Like? How'd

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<v Speaker 1>it go? I would say, for like the first hundred videos,

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<v Speaker 1>for the first six months or so of the project,

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<v Speaker 1>we had an average of four hundred viewers per video,

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<v Speaker 1>and that sounds very small by contemporary standards, but it

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<v Speaker 1>felt amazing to us. Okay, so you got your four

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<v Speaker 1>hundred people. What happens next? In July of that year,

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<v Speaker 1>Hank released a song about the Last Harry Potter Book,

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<v Speaker 1>which is probably like the single most important thing that

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<v Speaker 1>ever happened to us professionally and the single biggest thing

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<v Speaker 1>in my professional life looking back at it. Because it

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<v Speaker 1>was featured on the front page of YouTube, it got

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<v Speaker 1>a lot of views. But more importantly than getting a

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<v Speaker 1>lot of views, a large section of the Harry Potter

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<v Speaker 1>fandom came into our community. And these were people with

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<v Speaker 1>a lot of experience in how to structure fan communities,

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<v Speaker 1>how to make message boards, how to do stuff together,

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<v Speaker 1>and we learned so much from them, and you know,

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<v Speaker 1>almost overnight we went from having I think two hundred

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<v Speaker 1>and fifty YouTube subscribers to something like five thousand. And

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<v Speaker 1>that was scary in some ways, like it was hard

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<v Speaker 1>to know what to do with that, but it was

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<v Speaker 1>also really invigorating and exciting. And because those people had

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<v Speaker 1>so many deep connections in building online communities, we had

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<v Speaker 1>a huge headstart, which eventually led to the schedule that

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<v Speaker 1>we have now where every Tuesday I make a video

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<v Speaker 1>addressed to Hank and every Friday he makes a video

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<v Speaker 1>addressed to me. And you know, at this point, we've

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<v Speaker 1>been doing that for fifteen years and it continues to

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<v Speaker 1>really be the center of my professional life and the

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<v Speaker 1>part of and really fundamental to everything else that we do.

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<v Speaker 1>I mean it, it's striking that you call that the

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<v Speaker 1>center of your professional life. Still given yeah, extraordinary success

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<v Speaker 1>you've had writing books that you get made into movies

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<v Speaker 1>and sell millions of copies, right, Like, that's an amazing statement. Yeah,

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<v Speaker 1>but I don't think that those books would have been

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<v Speaker 1>as successful without that community. First off, but more importantly

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<v Speaker 1>to me, we are still in an ongoing learning process

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<v Speaker 1>with them. I am always learning new strategies for being

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<v Speaker 1>in community with people, which is I mean to me anyway,

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<v Speaker 1>kind of the meaning of life. So it is at

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<v Speaker 1>the center of my professional life. And obviously, like the

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<v Speaker 1>other stuff that we do, is very very important to me,

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<v Speaker 1>and now we have large teams of people working on

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<v Speaker 1>lots of those things. And of course my books are

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<v Speaker 1>very important to me. But if I think about the

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<v Speaker 1>thing that I would would most not want to give up,

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<v Speaker 1>I would most not want to give up the opportunity

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<v Speaker 1>to make videos for those people every Tuesday. A few

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<v Speaker 1>years after John and Hank started making those videos, they

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<v Speaker 1>started hearing from school teachers. Sometimes John would send his

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<v Speaker 1>brother a video telling him some amazing story from history.

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<v Speaker 1>Sometimes Hank would send a video to John describing some

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<v Speaker 1>absurdly complex detail of biology, and teachers loved it. So

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<v Speaker 1>John and Hank decided to try to make real educational videos,

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<v Speaker 1>a series they would end up calling crash Course. But

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<v Speaker 1>here's the twist. They wanted to make videos that students

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<v Speaker 1>would love. I remember, almost as a proof of concept,

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<v Speaker 1>in twenty ten or twenty eleven, Hank made a series

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<v Speaker 1>of videos about the circulatory system, and I made a

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<v Speaker 1>series of videos about the French Revolution and I was

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<v Speaker 1>trying to make videos that pointed out that the French

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<v Speaker 1>Revolution is not dry or distant. It's wild, yeah, super wild,

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<v Speaker 1>super wild and hyper relevant to today. And learning about

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<v Speaker 1>the French Revolution is not something that we do because

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<v Speaker 1>you have to jump over a series of arbitrary hurdles

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<v Speaker 1>in order to get a piece of paper that says

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<v Speaker 1>that you're a high school graduate. It's something that we

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<v Speaker 1>do because it is wild, and it's actually quite fun

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<v Speaker 1>to learn about and really instructive for understanding your place

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<v Speaker 1>in the universe and in human history. And that's what

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<v Speaker 1>we wanted to try to capture, that feeling that learning

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<v Speaker 1>can be a true thrill. And so we made these

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<v Speaker 1>series of videos, but we were again and again coming

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<v Speaker 1>up against one the limits of our own talents, our

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<v Speaker 1>inability to edit video with the quality that we wanted

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<v Speaker 1>to edit it, and two the limits of our own

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<v Speaker 1>writing capabilities, the limits of our academic expertise. And so

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<v Speaker 1>that year, which was also the year that I was

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<v Speaker 1>writing The Fault in Our Stars, we were really trying

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<v Speaker 1>to find a way to make formal educational content with

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<v Speaker 1>a small team of one or two people. But it's

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<v Speaker 1>so hard to go from two people alone in their basements,

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<v Speaker 1>one in Indianapolis, one in Montana, to hiring someone like

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<v Speaker 1>I had no idea how to hire someone. I'd never

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<v Speaker 1>done anything like that. Well, and also, I mean, you've

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<v Speaker 1>been doing this project with your brother because it's creative

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<v Speaker 1>and interesting and it connects you to your brother, but

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<v Speaker 1>it's not a business. Right, And then suddenly now it

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<v Speaker 1>seems like you're talking about something very different, which is

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<v Speaker 1>not just a creative problem, but like a whole other

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<v Speaker 1>set of problems are arising now, right, Yeah, just the

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<v Speaker 1>existence of a business is a whole set of problems, seriously,

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<v Speaker 1>Like payroll is a problem, taxes and figuring all that

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<v Speaker 1>stuff out, like having corporate Like I remember when our dad,

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<v Speaker 1>thank god, like our dad was like, I can help

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<v Speaker 1>you set up the corporate by or whatever. And Hank

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<v Speaker 1>and I read this stuff and we're like, there has

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<v Speaker 1>to be a president. Who's going to be the president?

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<v Speaker 1>And I would think the first or a first question

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<v Speaker 1>you would have to answer if you're going to do

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<v Speaker 1>that is how are we going to pay this team

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<v Speaker 1>of people? That was indeed the first question, Yes, how

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<v Speaker 1>did you pay a team of people? Well, when we

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<v Speaker 1>first started out, this is ludicrous, but I wrote an

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<v Speaker 1>advertisement in Craigslist and shout out Craigslist. Shout out Craigslist.

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<v Speaker 1>By some extraordinary good fortune. One of the people who

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<v Speaker 1>applied for that job as sort of a videographer and

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<v Speaker 1>editor was Stan Muller, who's the co founder of Crash

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<v Speaker 1>Course History and who has extensive experience in history and

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<v Speaker 1>extensive experience in video production. But to start, I was like, Stan,

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<v Speaker 1>can't pay you to make history videos yet. I hope

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<v Speaker 1>we can find a way to pay you for now.

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<v Speaker 1>The way that I'm going to pay you is that

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<v Speaker 1>together we are going to make videos where I play

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<v Speaker 1>the video game Fifa, and that's what is going to

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<v Speaker 1>pay the bills. And that is basically what paid the

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<v Speaker 1>bills for the first few months. So you made videos

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<v Speaker 1>of you playing the video game Fifa, which assume as

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<v Speaker 1>a soccer video game. Soccer game. Yeah, I played as

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<v Speaker 1>a Swindon Town fourth tier of English football, and people

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<v Speaker 1>would watch the videos of you playing the video game

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<v Speaker 1>and you would run ads over that and you would

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<v Speaker 1>get money from that and pay stand to make history videos,

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<v Speaker 1>which was your true dream. Well, at the time, we

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<v Speaker 1>weren't even yet making the history videos. I was more

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<v Speaker 1>paying stand to try to get to a point where

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<v Speaker 1>we could make the history videos. And then what allowed

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<v Speaker 1>us to make the history videos eventually was support from YouTube.

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<v Speaker 1>YouTube had a content creator fund. We got a small

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<v Speaker 1>I guess advance you would say, because we did have

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<v Speaker 1>to pay it back through advertising revenue. We got a

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<v Speaker 1>small advance to actually start making Crash Course. And that

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<v Speaker 1>was the critical moment, was them showing some faith in

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<v Speaker 1>that idea. And by the end of twenty eleven, which

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<v Speaker 1>was only a few weeks before the Fault in Our

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<v Speaker 1>Stars came out, we were able to start making Crash

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<v Speaker 1>Course videos because by then we'd hired writers, and we'd

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<v Speaker 1>hired a team of animators, and we had the editors

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<v Speaker 1>and videographers who we were working with closely. And so

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<v Speaker 1>that was the beginning of Crash Course. Stan and I

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<v Speaker 1>filmed the first episodes of Crash Course World History just

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<v Speaker 1>a few weeks before the Fault in Our Stars came

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<v Speaker 1>out in January of twenty twelve. And then the Fault

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<v Speaker 1>in Our Stars was also a big deal, right and tied.

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<v Speaker 1>It seems very much to what you were doing on YouTube. Yeah,

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<v Speaker 1>I mean, in a lot of ways, my experience of

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<v Speaker 1>It was probably different from the outside experience of it

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<v Speaker 1>in that I saw the success of the book as

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<v Speaker 1>a chance for me to take a year away from

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<v Speaker 1>writing and really focus on Crash Course, focus on trying to,

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<v Speaker 1>you know, make educational video that would reach a lot

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<v Speaker 1>of people and that would be able to be useful

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<v Speaker 1>to students in form of educational settings. That is super interesting, right,

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<v Speaker 1>I mean, I don't want to make too much of it,

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<v Speaker 1>but like the fact that this wild best seller of

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<v Speaker 1>a novel allows you to pursue your actual dream of

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<v Speaker 1>making educational videos. Yeah, I mean, I want to be

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<v Speaker 1>clear that, like, having a best selling novel was definitely

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<v Speaker 1>also a dream of mine, and I was very It

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<v Speaker 1>was fun that it happened, and I was very grateful

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<v Speaker 1>for it. I don't want to sound like that, but

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<v Speaker 1>my experience of it was that, you know, I mean,

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<v Speaker 1>when you're a working writer, you have to publish on

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<v Speaker 1>a schedule. Partly because of the rent and the success

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<v Speaker 1>of the Fault in Our Stars allowed me to not

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<v Speaker 1>have to publish on that schedule, and that in turn

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<v Speaker 1>allowed me to really be able to focus on Crash

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<v Speaker 1>Course full time. Today. Complexly, the company that John and

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<v Speaker 1>his brother started to make the Crash Course videos. Has

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<v Speaker 1>a staff of around fifty people and a multimillion dollar budget.

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<v Speaker 1>They've made thousands of online videos that have been really successful.

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<v Speaker 1>Now John and his colleagues that complexly are trying to

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<v Speaker 1>solve a problem that's even harder than making educational videos

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<v Speaker 1>that are actually fun. That's coming up after the break.

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<v Speaker 1>That's the end of the ads. Now we're going back

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<v Speaker 1>to the show. John and his brother Hank succeeded in

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<v Speaker 1>making educational videos that students love. Now there's a bigger

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<v Speaker 1>problem that they're trying to solve, or at least to

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<v Speaker 1>help solve. Lots and lots of people start college, borrow

0:14:14.396 --> 0:14:17.596
<v Speaker 1>a lot of money, and then drop out. They never finish,

0:14:18.076 --> 0:14:22.476
<v Speaker 1>and the reasons they don't finish are complicated and multifaceted.

0:14:22.596 --> 0:14:26.236
<v Speaker 1>And one of the things that we've had to grapple with,

0:14:26.236 --> 0:14:27.996
<v Speaker 1>one of the realities that we've had to grapple with,

0:14:28.476 --> 0:14:33.916
<v Speaker 1>is that this is not just a educational information problem.

0:14:34.076 --> 0:14:37.556
<v Speaker 1>It's not just about the availability of information. Ten years ago,

0:14:37.636 --> 0:14:40.996
<v Speaker 1>I think it was primarily about the availability of information

0:14:41.116 --> 0:14:44.876
<v Speaker 1>that was the biggest problem then. The biggest problem now

0:14:44.956 --> 0:14:48.156
<v Speaker 1>is much more complicated, which is that there's a lack

0:14:48.156 --> 0:14:52.676
<v Speaker 1>of support. I'll give you an example of this to

0:14:52.676 --> 0:14:56.556
<v Speaker 1>try to understand some of the challenges that people have

0:14:56.676 --> 0:14:59.876
<v Speaker 1>when they're trying to do online college or when they're

0:14:59.876 --> 0:15:02.316
<v Speaker 1>trying to do a low residency program. I took a

0:15:02.356 --> 0:15:07.636
<v Speaker 1>college math course that's offered through an accredited university, and

0:15:07.676 --> 0:15:10.476
<v Speaker 1>you basically have to pass this college math course in

0:15:10.596 --> 0:15:13.996
<v Speaker 1>order to even get an associate's degree. Okay, and I

0:15:14.036 --> 0:15:18.276
<v Speaker 1>think that I am a fairly smart person. I passed

0:15:18.316 --> 0:15:21.076
<v Speaker 1>high school math. I remember most of high school math.

0:15:21.876 --> 0:15:25.516
<v Speaker 1>I could not pass this college math course. I couldn't

0:15:25.556 --> 0:15:28.396
<v Speaker 1>pass it if you gave me five years to pass it.

0:15:29.236 --> 0:15:31.796
<v Speaker 1>And yet I think that I should be eligible for

0:15:31.836 --> 0:15:35.636
<v Speaker 1>a bachelor's degree. Like I think that the bachelor's degree

0:15:35.636 --> 0:15:39.876
<v Speaker 1>that I received was deserved at least on some level.

0:15:40.476 --> 0:15:44.916
<v Speaker 1>So I just I want to understand, like, if this

0:15:44.996 --> 0:15:48.156
<v Speaker 1>math class is the thing, is it that it's hard

0:15:48.236 --> 0:15:52.556
<v Speaker 1>to learn on like I don't quite Yeah, yeah it's yet.

0:15:52.836 --> 0:15:56.836
<v Speaker 1>So it's it's that it's hard to learn online. Yeah,

0:15:56.876 --> 0:16:00.236
<v Speaker 1>and also that there's not a lot of support. So

0:16:00.836 --> 0:16:04.156
<v Speaker 1>if I want to understand a concept in college math,

0:16:04.636 --> 0:16:09.796
<v Speaker 1>and I'm taking most of the sort of online courses. Now,

0:16:10.716 --> 0:16:13.916
<v Speaker 1>there's not a ton of different ways for me to learn.

0:16:14.516 --> 0:16:17.116
<v Speaker 1>And what I need when I'm learning is I need

0:16:17.156 --> 0:16:19.836
<v Speaker 1>like a bunch of different opportunities. I need to be

0:16:19.956 --> 0:16:22.396
<v Speaker 1>able to hear lectures, but I also need to be

0:16:22.436 --> 0:16:24.116
<v Speaker 1>able to read books. But I also need to be

0:16:24.116 --> 0:16:27.996
<v Speaker 1>able to watch videos, and right now there isn't much

0:16:27.996 --> 0:16:31.476
<v Speaker 1>of a formal structure for that. And so that's what

0:16:31.636 --> 0:16:37.116
<v Speaker 1>we are interested in trying to solve. How can complexly

0:16:37.196 --> 0:16:43.516
<v Speaker 1>better support the students who are going to be struggling

0:16:43.916 --> 0:16:48.516
<v Speaker 1>with those early college classes that we weed out as

0:16:48.516 --> 0:16:52.556
<v Speaker 1>the wrong word that proved to be needless barriers to

0:16:52.716 --> 0:16:57.636
<v Speaker 1>so many people getting the education that they want and

0:16:57.716 --> 0:17:00.876
<v Speaker 1>deserve and will work hard for. It's just that like

0:17:01.796 --> 0:17:05.516
<v Speaker 1>they need a whole different level of support in order,

0:17:05.636 --> 0:17:07.676
<v Speaker 1>like I need a whole different level of support in

0:17:07.756 --> 0:17:11.996
<v Speaker 1>order to pass that college math us. So that seems

0:17:12.076 --> 0:17:15.396
<v Speaker 1>big and complex and like beyond the scope of a

0:17:15.436 --> 0:17:19.356
<v Speaker 1>company that makes educational videos. I think that we can

0:17:19.396 --> 0:17:21.636
<v Speaker 1>be part of solving the problem. But I think that

0:17:21.636 --> 0:17:24.876
<v Speaker 1>that's a great observation that we are not going to

0:17:24.916 --> 0:17:26.716
<v Speaker 1>solve it on our own. I am keenly aware of

0:17:26.716 --> 0:17:28.556
<v Speaker 1>the fact that we are not going to fix college

0:17:28.556 --> 0:17:30.956
<v Speaker 1>by ourselves. So what are you doing? I mean, have

0:17:31.036 --> 0:17:33.436
<v Speaker 1>you tried? Are you working on it? Have you made progress?

0:17:34.116 --> 0:17:36.556
<v Speaker 1>We are trying, and I think we have made progress.

0:17:36.596 --> 0:17:38.876
<v Speaker 1>One of the things that we've realized is that, like

0:17:39.156 --> 0:17:41.636
<v Speaker 1>we are now working with Arizona State on a series

0:17:41.676 --> 0:17:45.156
<v Speaker 1>of projects, and one of the things we realize very

0:17:45.196 --> 0:17:47.716
<v Speaker 1>early on is that we can't just make a here's

0:17:47.716 --> 0:17:50.756
<v Speaker 1>how to do college math series. We have to make

0:17:50.796 --> 0:17:53.956
<v Speaker 1>a here's how to do college series, Here's how to

0:17:54.356 --> 0:17:58.796
<v Speaker 1>approach college as a whole, and here are the places

0:17:58.836 --> 0:18:01.436
<v Speaker 1>where you can go for support that you probably don't

0:18:01.476 --> 0:18:04.996
<v Speaker 1>know about because they're not frequently shared. So you kind

0:18:04.996 --> 0:18:07.716
<v Speaker 1>of have to go meta. You've been making educational videos,

0:18:07.716 --> 0:18:10.636
<v Speaker 1>but you need to make videos we're not just about learning,

0:18:10.636 --> 0:18:13.796
<v Speaker 1>but about learning how to learn. Yes, yeah, very much. So,

0:18:13.796 --> 0:18:17.116
<v Speaker 1>so are you actually making videos now that are like whatever,

0:18:17.196 --> 0:18:20.316
<v Speaker 1>goofy and fun and animated, but about like how to

0:18:20.396 --> 0:18:24.556
<v Speaker 1>deal with being an online college student. We're trying, But

0:18:24.596 --> 0:18:27.036
<v Speaker 1>I think you've just identified the challenge, which is, like,

0:18:27.076 --> 0:18:29.596
<v Speaker 1>how do you make them goofy and fun when they

0:18:29.596 --> 0:18:35.956
<v Speaker 1>are like about like here's where your advisor is. It's

0:18:35.996 --> 0:18:38.156
<v Speaker 1>not as fun as the French Revolution, or it's not

0:18:38.276 --> 0:18:42.596
<v Speaker 1>as funny. That is maybe the underlying problem beneath all

0:18:42.636 --> 0:18:47.276
<v Speaker 1>the other problems. It's fairly straightforward to make the circulatory

0:18:47.316 --> 0:18:52.196
<v Speaker 1>system and the French Revolution exciting because they are exciting. Yeah,

0:18:52.236 --> 0:18:56.476
<v Speaker 1>and they are. They are central to understanding how we

0:18:56.516 --> 0:19:01.876
<v Speaker 1>got to now. Knowing how to navigate the bureaucracies of

0:19:02.516 --> 0:19:08.716
<v Speaker 1>large online university spaces is a little less inherently fun.

0:19:09.196 --> 0:19:11.516
<v Speaker 1>Let me give you an example of one video that

0:19:11.596 --> 0:19:13.996
<v Speaker 1>I've spent a lot of time trying to think about

0:19:14.036 --> 0:19:17.916
<v Speaker 1>how to do. How do I make a video that's

0:19:17.956 --> 0:19:24.436
<v Speaker 1>about where you get help that isn't a boring list

0:19:24.476 --> 0:19:30.716
<v Speaker 1>of places where you get help, because that I think

0:19:30.796 --> 0:19:34.636
<v Speaker 1>is literally unwatchable. How do you make that video fun

0:19:34.796 --> 0:19:39.556
<v Speaker 1>and engaging and not listy? That is an interesting problem.

0:19:39.716 --> 0:19:46.276
<v Speaker 1>Have you solved it? No at all? Yeah, it feels

0:19:46.356 --> 0:19:50.276
<v Speaker 1>very listy. Still, can you make it a song? That's

0:19:50.276 --> 0:19:55.276
<v Speaker 1>a good idea. I can't make it a song, that's

0:19:55.276 --> 0:19:59.236
<v Speaker 1>for darn sure. But maybe maybe Hank can. He does

0:19:59.276 --> 0:20:03.516
<v Speaker 1>have a history. That's a great idea. Oh, Hank is

0:20:03.516 --> 0:20:07.876
<v Speaker 1>gonna I'm gonna text him. We'll see if he writes back.

0:20:07.916 --> 0:20:10.156
<v Speaker 1>He probably won't. I think he's homing right now. Actually,

0:20:10.596 --> 0:20:12.876
<v Speaker 1>that's a great idea, and it also reminds me of

0:20:12.916 --> 0:20:16.196
<v Speaker 1>something that is a problem for me, which is that

0:20:16.236 --> 0:20:20.476
<v Speaker 1>I get very stuck in how I used to do it,

0:20:21.276 --> 0:20:24.596
<v Speaker 1>how it's worked for me in the past, Like how

0:20:24.636 --> 0:20:28.436
<v Speaker 1>crash course history worked is just not how this can work.

0:20:28.916 --> 0:20:31.836
<v Speaker 1>And so I need to maybe make the same kind

0:20:31.876 --> 0:20:34.956
<v Speaker 1>of leap when we were not making vlog brothers videos anymore.

0:20:34.956 --> 0:20:37.356
<v Speaker 1>Now we're making crash course videos. We're not making videos

0:20:37.356 --> 0:20:39.116
<v Speaker 1>that are for each other. Now we're making videos that

0:20:39.116 --> 0:20:41.436
<v Speaker 1>are for students. Maybe I need to make that same

0:20:41.516 --> 0:20:45.276
<v Speaker 1>kind of leap we're not making videos Hank has replied.

0:20:46.116 --> 0:20:51.836
<v Speaker 1>He says he says, no exclamation point. I was really

0:20:51.876 --> 0:20:55.796
<v Speaker 1>excited for like thirty seconds. Then he says it's a

0:20:55.796 --> 0:21:01.196
<v Speaker 1>good idea, which seems to be a direct conflict with NO.

0:21:02.756 --> 0:21:05.556
<v Speaker 1>I think the no might might be about not like

0:21:05.716 --> 0:21:09.356
<v Speaker 1>feeling like now I'm no longer twenty seven years old.

0:21:09.356 --> 0:21:12.596
<v Speaker 1>I'm now forty three year old CEO, and I don't

0:21:12.596 --> 0:21:14.076
<v Speaker 1>know if I want to do that, but I'm gonna

0:21:14.116 --> 0:21:16.396
<v Speaker 1>make it. Oh yeah. He says. The challenge for that

0:21:16.516 --> 0:21:19.556
<v Speaker 1>is making it so that it's not cringe, and you know,

0:21:19.596 --> 0:21:21.836
<v Speaker 1>like you don't want it to be the like an

0:21:21.956 --> 0:21:25.716
<v Speaker 1>educational rap video. That's the worst version of it. Yeah,

0:21:27.356 --> 0:21:29.516
<v Speaker 1>the worst version of it is an educational rap video.

0:21:29.596 --> 0:21:32.076
<v Speaker 1>And I think that Hank is concerned that it would

0:21:32.076 --> 0:21:36.436
<v Speaker 1>be that the bad version of it is indeed very bad. Yes,

0:21:36.556 --> 0:21:38.276
<v Speaker 1>the bad version of it is bad, and that's a

0:21:38.356 --> 0:21:41.756
<v Speaker 1>high risk thing. Was there any particular example you want

0:21:41.756 --> 0:21:43.436
<v Speaker 1>to give it, a thing you tried that didn't work.

0:21:44.156 --> 0:21:46.076
<v Speaker 1>I mean everything I've tried so far has been fairly

0:21:46.116 --> 0:21:49.356
<v Speaker 1>listy or else it's been a little cringe. Yeah, And

0:21:50.356 --> 0:21:52.716
<v Speaker 1>that's another thing that's changed about the Internet over the

0:21:52.796 --> 0:21:57.876
<v Speaker 1>last ten years, like the what makes young people feel

0:21:58.236 --> 0:22:03.036
<v Speaker 1>like they're being talked down to or feel like they're

0:22:03.556 --> 0:22:08.036
<v Speaker 1>being I guess infantilized has changed a lot over the

0:22:08.116 --> 0:22:11.796
<v Speaker 1>last ten years. Yeah, and we need to reflect that.

0:22:11.916 --> 0:22:13.636
<v Speaker 1>I think we've done a good job in general at

0:22:13.636 --> 0:22:17.436
<v Speaker 1>Crash course of reflecting that in the ways that we've

0:22:17.836 --> 0:22:21.116
<v Speaker 1>evolved our content as the you know, the needs of

0:22:21.116 --> 0:22:24.196
<v Speaker 1>our audience has changed. But that's always a risk when

0:22:24.196 --> 0:22:28.036
<v Speaker 1>I'm writing something because I am out of touch you

0:22:28.116 --> 0:22:31.796
<v Speaker 1>are cram cringe. Yeah, like I'm super cringe like my kids,

0:22:32.236 --> 0:22:36.316
<v Speaker 1>you know, are are duly horrified. After John and I

0:22:36.356 --> 0:22:38.916
<v Speaker 1>talked earlier this year, he and his colleagues released a

0:22:38.956 --> 0:22:42.476
<v Speaker 1>new series called How to College. A series aims to

0:22:42.556 --> 0:22:45.836
<v Speaker 1>quote break down how to apply for, succeed at, and

0:22:45.916 --> 0:22:49.916
<v Speaker 1>graduate from college. John still has not figured out how

0:22:49.956 --> 0:22:53.356
<v Speaker 1>to make that list video though. We'll be back in

0:22:53.396 --> 0:23:03.076
<v Speaker 1>a minute with the lightning round. Okay, let's get back

0:23:03.076 --> 0:23:05.476
<v Speaker 1>to the show. We're going to close with the lightning round.

0:23:06.316 --> 0:23:11.996
<v Speaker 1>There's a lightning round, John, I'm ready. Okay, what's something

0:23:11.996 --> 0:23:15.596
<v Speaker 1>you watched on YouTube lately that you loved? I love

0:23:15.636 --> 0:23:21.036
<v Speaker 1>watching these primitive technology videos where this guy you never

0:23:21.076 --> 0:23:24.596
<v Speaker 1>see his face, but he's he just smelted iron for

0:23:24.636 --> 0:23:28.716
<v Speaker 1>the first time. So it started out just kind of

0:23:28.716 --> 0:23:31.436
<v Speaker 1>building structures, and then he made a kill and so

0:23:31.476 --> 0:23:34.956
<v Speaker 1>he could have some pottery, and now he's made iron,

0:23:35.076 --> 0:23:39.036
<v Speaker 1>so he's entered the iron age, which is very exciting. Okay,

0:23:39.156 --> 0:23:41.956
<v Speaker 1>what is one piece of advice you'd give to somebody

0:23:41.956 --> 0:23:46.876
<v Speaker 1>who is trying to solve a hard problem. Listen, Listen, listen,

0:23:47.836 --> 0:23:51.876
<v Speaker 1>listen to the people who you are trying to solve

0:23:51.916 --> 0:23:55.076
<v Speaker 1>the problem for very good. I don't think we do

0:23:55.196 --> 0:23:58.836
<v Speaker 1>enough listening. What's your favorite app on your phone? The

0:23:58.916 --> 0:24:02.716
<v Speaker 1>app I use the most is the I Follow app,

0:24:03.076 --> 0:24:07.116
<v Speaker 1>which allows you to watch third tier English soccer games.

0:24:07.156 --> 0:24:09.316
<v Speaker 1>And I'm a huge fan of this third t your

0:24:09.356 --> 0:24:12.596
<v Speaker 1>team AFC Wimbledon, so that's the one I use the most.

0:24:12.796 --> 0:24:15.396
<v Speaker 1>More than a fan. For the record, I am more

0:24:15.436 --> 0:24:18.156
<v Speaker 1>than a fan, It's true. More than a fan. I

0:24:19.956 --> 0:24:25.116
<v Speaker 1>am a sponsor. They AFC Wimbledon, where our logo on

0:24:25.196 --> 0:24:28.276
<v Speaker 1>the liminal space between left thigh and buttock on the

0:24:28.316 --> 0:24:32.196
<v Speaker 1>back of their shorts. I also own a small, small

0:24:32.236 --> 0:24:34.196
<v Speaker 1>part of the team. But the great thing about AFC

0:24:34.236 --> 0:24:39.876
<v Speaker 1>Wimbledon is that everybody who pays more than thirty bucks

0:24:39.876 --> 0:24:41.956
<v Speaker 1>a year is an owner of the team, and everybody

0:24:41.996 --> 0:24:44.876
<v Speaker 1>gets the same vote no matter how much they contribute.

0:24:45.196 --> 0:24:48.556
<v Speaker 1>But not everybody gets the liminal space. That's right, Not

0:24:48.596 --> 0:24:52.236
<v Speaker 1>everybody gets that coveted back of short sponsorship. If you

0:24:52.276 --> 0:24:54.836
<v Speaker 1>have a ten minute break in the middle of the day,

0:24:54.876 --> 0:24:57.116
<v Speaker 1>what do you do to relax. I don't have a

0:24:57.116 --> 0:25:01.756
<v Speaker 1>lot of ten minute breaks. I have one ritual every

0:25:01.836 --> 0:25:07.716
<v Speaker 1>day during lunch. Though for many years I've watched this

0:25:08.196 --> 0:25:13.636
<v Speaker 1>YouTube series that only about fifteen thousand people watch, where

0:25:14.036 --> 0:25:19.316
<v Speaker 1>this guy named Ben plays a video game called Football

0:25:19.396 --> 0:25:26.116
<v Speaker 1>Manager where he manages a pretend football team, and it's

0:25:26.156 --> 0:25:31.396
<v Speaker 1>basically just a spreadsheet, but I'm deeply, deeply invested in it,

0:25:31.436 --> 0:25:34.556
<v Speaker 1>and it is something I spend the entire morning looking

0:25:34.596 --> 0:25:39.236
<v Speaker 1>forward to and the entire afternoon feeling in the warm

0:25:39.316 --> 0:25:42.116
<v Speaker 1>glow of wow. And it's also a reminder to me

0:25:42.156 --> 0:25:45.956
<v Speaker 1>that there are lots of those little communities, well I

0:25:45.996 --> 0:25:48.756
<v Speaker 1>mean little, fifteen thousand people isn't little, But there are

0:25:48.836 --> 0:25:52.436
<v Speaker 1>lots of those communities on YouTube, lots of pockets of

0:25:52.636 --> 0:25:57.076
<v Speaker 1>places that almost everyone doesn't know about, but where for

0:25:57.116 --> 0:25:59.796
<v Speaker 1>a lot of people there's a deep feeling of connection

0:25:59.916 --> 0:26:04.836
<v Speaker 1>and contentedness. If you were to imagine a conversation between

0:26:04.876 --> 0:26:08.356
<v Speaker 1>yourself now and yourself in whatever it was twenty ten,

0:26:08.356 --> 0:26:10.316
<v Speaker 1>when you're trying to figure how to pay one guy

0:26:10.476 --> 0:26:13.636
<v Speaker 1>to make videos about the French Revolution? What do you

0:26:14.236 --> 0:26:15.956
<v Speaker 1>know now that you wish you to the end? What

0:26:15.996 --> 0:26:18.396
<v Speaker 1>do you think you ten years ago could tell you now?

0:26:18.436 --> 0:26:22.076
<v Speaker 1>I don't know how does that conversation go. It would

0:26:22.076 --> 0:26:24.596
<v Speaker 1>be very interesting to have a conversation with my two

0:26:25.036 --> 0:26:29.516
<v Speaker 1>ten self. I feel like I would tell him the

0:26:29.556 --> 0:26:34.436
<v Speaker 1>most important thing you are going to do is hire

0:26:34.556 --> 0:26:41.676
<v Speaker 1>that first person and so be very thoughtful about who

0:26:41.756 --> 0:26:44.796
<v Speaker 1>that person is. And then there would be some stuff

0:26:44.836 --> 0:26:47.516
<v Speaker 1>that I would try to tell him about celebrity and

0:26:47.916 --> 0:26:50.876
<v Speaker 1>about being famous, and I would want to I would

0:26:50.876 --> 0:26:53.276
<v Speaker 1>probably want to prepare him for that a little bit,

0:26:54.116 --> 0:26:57.116
<v Speaker 1>because I definitely did not feel prepared, like I thought that.

0:26:58.196 --> 0:26:59.436
<v Speaker 1>I mean, I never know how to talk about this

0:26:59.436 --> 0:27:01.276
<v Speaker 1>stuff because I don't want to sound ungrateful. And I

0:27:02.116 --> 0:27:05.316
<v Speaker 1>am so so grateful that my books have reached such

0:27:05.316 --> 0:27:09.716
<v Speaker 1>a wide audience. But the process through which you know,

0:27:09.796 --> 0:27:16.156
<v Speaker 1>someone becomes famous is kind of like a somewhat dehumanizing process,

0:27:16.236 --> 0:27:19.996
<v Speaker 1>Like people don't think of you as being a full person,

0:27:20.236 --> 0:27:22.476
<v Speaker 1>and so like there is there is something about being

0:27:22.476 --> 0:27:25.956
<v Speaker 1>famous that is that is a little uh destabilizing, I

0:27:25.996 --> 0:27:28.636
<v Speaker 1>guess for at least for me, for my sense of self.

0:27:28.716 --> 0:27:31.796
<v Speaker 1>And so during that period where my work was like

0:27:31.956 --> 0:27:34.556
<v Speaker 1>fairly close to the center of pop culture, which was

0:27:34.756 --> 0:27:37.596
<v Speaker 1>a very brief period, it was weird, and I would

0:27:37.636 --> 0:27:39.756
<v Speaker 1>want to like get him ready for that. As for

0:27:39.756 --> 0:27:41.716
<v Speaker 1>what my two ten self would say to me, now,

0:27:41.796 --> 0:27:43.756
<v Speaker 1>that is a really interesting question that I have never

0:27:43.836 --> 0:27:45.876
<v Speaker 1>thought about. My two thousand and ten self would never

0:27:45.956 --> 0:27:48.916
<v Speaker 1>have any idea that you know, my books would become

0:27:48.956 --> 0:27:53.396
<v Speaker 1>so popular, and so I think he would be like, well,

0:27:53.396 --> 0:27:55.996
<v Speaker 1>why are you still working? Why are you still working?

0:27:57.116 --> 0:28:01.836
<v Speaker 1>I love the work that I do and it gives

0:28:02.236 --> 0:28:05.676
<v Speaker 1>meaning to my life, and if if I don't work,

0:28:06.516 --> 0:28:11.196
<v Speaker 1>I feel very adrift. So I don't know what the

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<v Speaker 1>point of life is. I don't know what the point

0:28:12.996 --> 0:28:14.636
<v Speaker 1>of a human life is. But I know that my

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<v Speaker 1>life feels pretty empty when I'm not writing. And I

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<v Speaker 1>mean because most of what I do is writing, even

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<v Speaker 1>if it's writing a crash course or I'm still I'm

0:28:28.596 --> 0:28:31.316
<v Speaker 1>still writing. And so my life when I don't write

0:28:31.356 --> 0:28:36.636
<v Speaker 1>feels pretty not good. So that's what I would tell

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<v Speaker 1>my two thousand and ten self is just like, we

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<v Speaker 1>gotta do this man. John Green works in educational video.

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<v Speaker 1>Today's show was produced by Edith Ruslow, engineered by Amanda

0:28:50.796 --> 0:28:54.276
<v Speaker 1>kay Wong, and edited by Robert Smith. Special thanks to

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<v Speaker 1>Kate Parkinson Morgan for her help on this episode. I'm

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<v Speaker 1>Jacob Goldstein and we'll be back next week with another

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<v Speaker 1>episode of What's Your Problem