WEBVTT - Constance Wu

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<v Speaker 1>There's something about a fitted sheet. It feels personal, and

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<v Speaker 1>it also felt just like bad design, and that nobody

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<v Speaker 1>thought it through and that there are all kinds of

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<v Speaker 1>ramifications that passed me off. I've looked up on the

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<v Speaker 1>internet how to do it, and I get there's a way,

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<v Speaker 1>but it's not really exactly how I would want it

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<v Speaker 1>to be. It's not neat. Hello, I'm Mini Driver. Welcome

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<v Speaker 1>to Many Questions, Season two. I've always loved Prust's question

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<v Speaker 1>that it was originally a nineteenth century parlor game where

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<v Speaker 1>players would ask each other thirty five questions aimed at

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<v Speaker 1>revealing the other players true nature. It's just the scientific

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<v Speaker 1>method really. In asking different people the same set of questions,

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<v Speaker 1>you can make observations about which truths appeared to be universal.

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<v Speaker 1>I love this discipline, and it made me wonder, what

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<v Speaker 1>if these questions were just the jumping off point, what

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<v Speaker 1>greater depths would be revealed if I asked these questions

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<v Speaker 1>as conversation starters with thought leaders and trailblazers across all

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<v Speaker 1>these different disciplines. So I adapted prus questionnaire and I

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<v Speaker 1>wrote my own seven questions that I personally think a

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<v Speaker 1>pertinent to a person's story, they are, when and where

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<v Speaker 1>were you happiest? What is the quality you like least

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<v Speaker 1>about yourself? What relationship, real or fictionalized, defines love for you?

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<v Speaker 1>What question would you most like answered? What person, place,

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<v Speaker 1>or experience has shaped you the most? What would be

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<v Speaker 1>your last meal? And can you tell me something in

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<v Speaker 1>your life that's grown out of a personal disaster? And

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<v Speaker 1>I've gathered a group of really remarkable people, ones that

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<v Speaker 1>I am honored and humbled to have had the chance

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<v Speaker 1>to engage with. You may not hear their answers to

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<v Speaker 1>all seven of these questions. We've whittled it down to

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<v Speaker 1>which questions felt closest to their experience, or the most surprising,

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<v Speaker 1>or created the most fertile ground to connect. My guest

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<v Speaker 1>today is actor Constance Will. Constance has starred in the

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<v Speaker 1>Film's Crazy Rich, Asan's Hustlers, and the TV series Fresh

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<v Speaker 1>off the Boat. She's been included in Time Magazine's list

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<v Speaker 1>of the hundred most Influential people in the World, and

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<v Speaker 1>she has just had a new book published. Her book,

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<v Speaker 1>Making a Scene is a series of essays that delve

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<v Speaker 1>into her memories of childhood, young love and heartbreak, and more.

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<v Speaker 1>Devastatingly sexual assault and harassment. It was really interesting reading

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<v Speaker 1>about her experience of life inside Hollywood, and her stories

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<v Speaker 1>offer a behind the scenes look at being Asian American

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<v Speaker 1>in the entertainment industry and the continuing evolution of her

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<v Speaker 1>own identity and influence in the public eye. We bonded

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<v Speaker 1>over a shared love of Marjorie Williams two book, The

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<v Speaker 1>Velveteen Rabbit, and I really really enjoyed our conversation. What relationship,

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<v Speaker 1>real or fictionalized, defines love for you? I write about

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<v Speaker 1>this in my book. There is a chapter called real Love,

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<v Speaker 1>and it's actually about my pet bunny rabbit. And I'm

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<v Speaker 1>not saying that my pet bunny rabbit epitomizes real love,

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<v Speaker 1>because I've had greater love affairs than the one with

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<v Speaker 1>my pet. But in the end, I talked about a

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<v Speaker 1>section in that children's book, The Velveteen Rabbit, Oh Yeah,

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<v Speaker 1>where he talks about what is real and what is

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<v Speaker 1>real love and it's not about how you're made. And

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<v Speaker 1>the skin horse says something like, usually by the time

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<v Speaker 1>you're real, all your hair has been loved off and

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<v Speaker 1>your eyes have dropped down, and you're really shabby, and

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<v Speaker 1>it hurts sometimes but it doesn't matter because by the

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<v Speaker 1>time you're real, that kind of thing doesn't matter. And

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<v Speaker 1>if somebody thinks that matters, then they just don't understand.

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<v Speaker 1>That story, I think really epitomizes real love. Velveteen Rabbit.

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<v Speaker 1>I think that was probably the first book that I

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<v Speaker 1>cried with my mother about. It's beautiful. That's such a

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<v Speaker 1>gentle choice of definition of love and of a book

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<v Speaker 1>as well. It's funny the wisdom you find in a

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<v Speaker 1>kid's book. I you don't think you would, but then

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<v Speaker 1>there's just such moving wisdom, and Velveteen Rabbit it's a

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<v Speaker 1>perfect example of that. I agree. It's beautiful and really sad.

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<v Speaker 1>We read that along with this book called The Water Babies,

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<v Speaker 1>which is another unfathomably English book that is super super sad.

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<v Speaker 1>But you think it's a kid's book about kids who

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<v Speaker 1>were like chimney sweeps. You know, in the Victorian era

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<v Speaker 1>they would send little children because they were tiny and

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<v Speaker 1>they could fit up the chimneys and they could clean

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<v Speaker 1>them out. My god, there's a uniquely British sort of

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<v Speaker 1>torture small children. Anyway, it's about one of these little

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<v Speaker 1>chimney sweeps and how he comes down into the bedroom

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<v Speaker 1>of this girl in the fancy house and becomes her friend.

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<v Speaker 1>And it is about friendship and about love. But of course,

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<v Speaker 1>because it's I guess it was written in like the

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<v Speaker 1>nine twenties, Like the Child. He dies in the end,

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<v Speaker 1>and I remember like closing the book and being like,

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<v Speaker 1>you can't this can't be real, Like he can't actually,

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<v Speaker 1>he can't actually die, And my mother was like, yes,

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<v Speaker 1>he he did. Shall we watch Sesame Storie? But you

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<v Speaker 1>know why, this is how children's books are deep, because

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<v Speaker 1>it's like, these are real life things that happen that

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<v Speaker 1>you know, children are going to have to understand. I mean,

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<v Speaker 1>I got to read that book man now the water

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<v Speaker 1>the Water Babies. It's called The Water Babies, and it's

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<v Speaker 1>listen when I say that he dies, he does die,

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<v Speaker 1>because I did a lot of reception to the book.

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<v Speaker 1>But there's this whole world that he goes into underneath

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<v Speaker 1>the water, and you realize that it's the death process, right,

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<v Speaker 1>it's a metaphor. And he finds all these characters and

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<v Speaker 1>all these people, and you realized that the writer was

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<v Speaker 1>really trying to say that there is freedom and death

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<v Speaker 1>from the kind of the poverty and oppression of the

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<v Speaker 1>suffering of human experience. However, as a little child, it's

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<v Speaker 1>pretty devastating. But also I don't know, it stayed with

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<v Speaker 1>me my whole life in the same way. Those are

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<v Speaker 1>the two books, The Velveteen Rabbit and the Water Babies,

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<v Speaker 1>with the two books from my childhood that I will

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<v Speaker 1>reread them and love them. And there's a reason why

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<v Speaker 1>they're classics, because they're able to just hit that spot

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<v Speaker 1>in your heart. Exactly. I'm gonna go and reread it's

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<v Speaker 1>your bunny current. Yes, she's still downstairs right now. She's

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<v Speaker 1>nine years old. Funny, does she go to set with you? Ever?

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<v Speaker 1>She does? She she comes in my trailer almost every day.

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<v Speaker 1>And her eye has also dropped out, just like the

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<v Speaker 1>velveteen rabbit. She only has one eye didn't drop out.

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<v Speaker 1>I had to remove it because she had like a

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<v Speaker 1>cataract and like whatever. But it's funny, the parallel. It

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<v Speaker 1>is funny the parallels in Chinese astrology. Are you a rabbit?

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<v Speaker 1>I wish? No, I'm a dog? What are you? I'm

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<v Speaker 1>a dog? Really? Oh, that's funny, so cool. But they

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<v Speaker 1>get on really well with rabbits, Yes they do. And

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<v Speaker 1>everybody loves a dog who doesn't love a dog. Bad people, Yeah,

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<v Speaker 1>bad people don't like dogs. That's it. Sorry? Will you

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<v Speaker 1>tell me where and when you were happiest? Probably right

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<v Speaker 1>after I pooped out a baby. It is exactly like

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<v Speaker 1>pooping out, isn't it. Nobody talks about that enough. The

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<v Speaker 1>nurse I was like holding my leg as she was like,

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<v Speaker 1>it's like you're taking a big poop. It's like she

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<v Speaker 1>kept saying that as I was pushing did you I

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<v Speaker 1>got so scared that that was what was going to happen.

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<v Speaker 1>I was like, I just don't want to pooh on

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<v Speaker 1>the doctor. I don't want to do that whole thing.

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<v Speaker 1>I accepted that it was going to happen because they

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<v Speaker 1>because everybody told me, like, you know what, it's going

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<v Speaker 1>to happen. So and I don't know if it happened obviously,

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<v Speaker 1>because like you know, I had never darl and like,

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<v Speaker 1>they're not going to tell you that. The doctor is

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<v Speaker 1>not going to be like by the way, you ship

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<v Speaker 1>right in front of me, you ship the bed. Yeah,

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<v Speaker 1>it's like I also shot a baby, man, like, come on,

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<v Speaker 1>not shot, but terrible. But I pushed out a baby.

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<v Speaker 1>Definitely my happiest moment because in the aftermath of oh

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<v Speaker 1>my god, I got it out mixed in with oh,

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<v Speaker 1>I have my dear little baby, yeah, who you've been

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<v Speaker 1>waiting to me for like nine months. And she was

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<v Speaker 1>so like not that babies can see when they're first born,

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<v Speaker 1>but she was so like in wonder of the world

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<v Speaker 1>and like taking it in and like it was just

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<v Speaker 1>the most beautiful thing to see and to hold her

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<v Speaker 1>against your skin and like to see that face, this

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<v Speaker 1>person you've been carrying inside you. I mean, it's there's

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<v Speaker 1>it's truly the happiest ever. It is right they told

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<v Speaker 1>me I was having a girl. The doctor had told

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<v Speaker 1>me the wrong thing. I wasn't surprised. I wanted love

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<v Speaker 1>to be the first word that she heard when she

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<v Speaker 1>came out. So as I was like having the baby

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<v Speaker 1>and pushing, I was like, and I pushed the baby

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<v Speaker 1>and it's a boy. And my mother goes, oh my goodness,

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<v Speaker 1>it's a boy. And I went, what the that's amazing.

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<v Speaker 1>So that was the first thing my son heard. But

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<v Speaker 1>it is it's remarkable like that. It's certainly these little aliens.

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<v Speaker 1>But isn't that that the perfect encapsulation of life sometimes

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<v Speaker 1>is love? And what the fuck, I mean together and

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<v Speaker 1>also happiness. I was just talking to my friend Fern today.

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<v Speaker 1>We are so obsessed with the idea that happiness is

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<v Speaker 1>not an adjunct to all the other ships. It's the

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<v Speaker 1>bit that saves us, but it's often the kind of

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<v Speaker 1>corridor through all the stuff that doesn't work out. The

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<v Speaker 1>idea of that being untainted, that love being untainted by

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<v Speaker 1>what the funk is ridiculous. Their part in parcel. They

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<v Speaker 1>don't exist without each other and probably symbiotic and wouldn't

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<v Speaker 1>exist without the other one. Yeah, it's like light doesn't

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<v Speaker 1>exist without dark. Dark doesn't as well light. You gotta

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<v Speaker 1>find gratitude for both things. How does that happen? Though?

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<v Speaker 1>I feel like in this day and age they wouldn't

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<v Speaker 1>see on the ultrasound like, oh no, actually we're wrong,

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<v Speaker 1>this isn't it, Like that's crazy. Well, it turns out

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<v Speaker 1>with all the love in the world. And I'm not

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<v Speaker 1>even gonna name check him because I love him and

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<v Speaker 1>he's still delivering babies. But he was like the gaff

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<v Speaker 1>doctor of all time, Like he told more people like

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<v Speaker 1>the gender when they didn't want to know the thing

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<v Speaker 1>with the thing, there was a whole lot of kind

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<v Speaker 1>of Mr Magooism around my beautiful o G. So he

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<v Speaker 1>told me I was having a girl, and then I

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<v Speaker 1>burst into tears because I don't want to know. And

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<v Speaker 1>so then he wrote on my chart never mentioned the

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<v Speaker 1>gender again. So then all the other ultra sounds they

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<v Speaker 1>could see, but he completely forgotten that he said it

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<v Speaker 1>was a girl, they could see that it was a boy,

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<v Speaker 1>and nobody said anything ever again until I had the baby.

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<v Speaker 1>That makes sense. What question would you most like answered?

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<v Speaker 1>How a full defended sheet? I don't know me you

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<v Speaker 1>can have that because I'm with you on that one.

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<v Speaker 1>I've looked up on the internet how to do it,

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<v Speaker 1>and I guess there's a way, but it's not really

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<v Speaker 1>exactly how I would want it to be, Like it's

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<v Speaker 1>not neat. I agree with you. And also I don't

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<v Speaker 1>accept the imperfection, like I think we all spend a

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<v Speaker 1>lot of time trying to accommodate imperfection, and we're told

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<v Speaker 1>that everything is imperfect, which is completely accurate. There's something

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<v Speaker 1>about a fitted sheet. It feels personal, and it also

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<v Speaker 1>feels just like bad design and that nobody thought it

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<v Speaker 1>through and that there are all kinds of ramifications that

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<v Speaker 1>passed me off. Yeah, that's one, that's the practical one.

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<v Speaker 1>You know. There's an ex lover of mine who had

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<v Speaker 1>a very long love it there off and on for

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<v Speaker 1>over a decade. I write about him in my book

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<v Speaker 1>and the final time we broke up because any times,

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<v Speaker 1>you know, he said he didn't want to commit because

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<v Speaker 1>he was trying to protect himself from being hurt. And

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<v Speaker 1>I wonder if that worked out for him, if he

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<v Speaker 1>suffered over it, because I I don't nestally have a

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<v Speaker 1>feeling that you can't ever protect yourself from pain without

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<v Speaker 1>blocking yourself from love. So I have a feeling that

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<v Speaker 1>he still does suffer over it. So the pain protection

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<v Speaker 1>plan didn't work. So if it didn't work, then why

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<v Speaker 1>not just choose love if pain is going to happen anyway,

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<v Speaker 1>because at least then you have both. But I truly

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<v Speaker 1>wonder because I don't know, because I I don't talk

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<v Speaker 1>to him anymore, and not because we're on bad terms,

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<v Speaker 1>we're not, but because it was just like you know,

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<v Speaker 1>when you have a connection with somebody that's so deep

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<v Speaker 1>that even talking to them resparks this thing that you

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<v Speaker 1>can't you know, it's not gonna work out. Because we

0:12:03.920 --> 0:12:05.760
<v Speaker 1>tried a million times, so it's just like, all right,

0:12:06.000 --> 0:12:08.360
<v Speaker 1>this is my kryptonite. So maybe let's just like not.

0:12:08.840 --> 0:12:10.800
<v Speaker 1>But you know, I'll always love him and Cary love

0:12:10.840 --> 0:12:13.320
<v Speaker 1>for him and want nothing but happiness for him. So

0:12:13.400 --> 0:12:16.520
<v Speaker 1>I do genuinely wonder if he ever suffered over it,

0:12:16.760 --> 0:12:20.600
<v Speaker 1>if his pain protection plan worked or not. I wonder. Wow,

0:12:21.080 --> 0:12:24.720
<v Speaker 1>I don't know, like I wonder in the absence of vulnerability,

0:12:24.920 --> 0:12:27.160
<v Speaker 1>I don't know. I don't think you can get the

0:12:27.200 --> 0:12:31.439
<v Speaker 1>full experience of anything without a certain level of vulnerability.

0:12:31.679 --> 0:12:34.240
<v Speaker 1>I really don't. Yeah, I would say that in my

0:12:34.559 --> 0:12:38.840
<v Speaker 1>tennis lessons, all the way through to love and shopping,

0:12:39.400 --> 0:12:42.400
<v Speaker 1>there has to be a level of revealing the soft underbelly.

0:12:42.559 --> 0:12:44.439
<v Speaker 1>I think, yeah, you have to. It's like the light

0:12:44.480 --> 0:12:46.959
<v Speaker 1>the dark. Like we said earlier, one doesn't exist without

0:12:47.000 --> 0:12:48.960
<v Speaker 1>the others. So you have to accept both in order

0:12:48.960 --> 0:12:51.240
<v Speaker 1>to have the full experience. But I think I use

0:12:51.280 --> 0:12:55.520
<v Speaker 1>he didn't think so, so you know, so I wonder.

0:12:55.920 --> 0:12:57.920
<v Speaker 1>I don't know. I had that with a dude. I

0:12:57.960 --> 0:12:59.520
<v Speaker 1>had that with a dude, And it's so funny it

0:12:59.559 --> 0:13:03.480
<v Speaker 1>came around and like literally eighteen years later of him

0:13:03.559 --> 0:13:06.040
<v Speaker 1>coming and saying, this is why that happened, and he

0:13:06.080 --> 0:13:07.800
<v Speaker 1>didn't end up with someone that he loved. He ended

0:13:07.880 --> 0:13:09.720
<v Speaker 1>up with somebody who could accommodate the way in which

0:13:09.720 --> 0:13:11.959
<v Speaker 1>he wanted to live his life. And he was like,

0:13:12.320 --> 0:13:14.800
<v Speaker 1>I never wanted to be in love with you, because

0:13:14.840 --> 0:13:16.560
<v Speaker 1>if I was in love with you, I know I

0:13:16.559 --> 0:13:18.400
<v Speaker 1>would have hurt you because it was all this other

0:13:18.400 --> 0:13:20.760
<v Speaker 1>stuff that I couldn't do. I couldn't let it in.

0:13:21.559 --> 0:13:24.520
<v Speaker 1>But there was something about the acknowledging that was satisfying,

0:13:24.880 --> 0:13:26.880
<v Speaker 1>you know, and me and this guy he did do

0:13:26.920 --> 0:13:30.840
<v Speaker 1>that also ten years later after our first breakup, and

0:13:30.920 --> 0:13:32.440
<v Speaker 1>so then I was like, oh my god, this is

0:13:32.480 --> 0:13:34.920
<v Speaker 1>finally the time. And I thought he had changed, but

0:13:35.000 --> 0:13:38.400
<v Speaker 1>he had changed enough that he could understand that, but

0:13:38.760 --> 0:13:42.560
<v Speaker 1>fears and ego eventually crept in and he wasn't able

0:13:42.600 --> 0:13:47.040
<v Speaker 1>to sustain it. But I'm proud of myself because, you know,

0:13:47.200 --> 0:13:50.680
<v Speaker 1>I basically like let him break my heart three times

0:13:50.760 --> 0:13:54.760
<v Speaker 1>over the course of fifteen years, every time thinking something

0:13:54.760 --> 0:13:57.679
<v Speaker 1>would change. But I guess it didn't. I guess history

0:13:57.720 --> 0:14:00.240
<v Speaker 1>repeats itself, which is why I'm not talking to him

0:14:00.240 --> 0:14:03.520
<v Speaker 1>ever again, because well, let's not repeat more history, right, well,

0:14:03.520 --> 0:14:05.600
<v Speaker 1>and you never run into him, no, no, he lives

0:14:05.600 --> 0:14:09.160
<v Speaker 1>in New York, first of all, and you know we

0:14:09.240 --> 0:14:12.079
<v Speaker 1>run in very different circles. Great, I think that whole

0:14:12.160 --> 0:14:14.760
<v Speaker 1>definition of insanity of like doing the same thing over

0:14:14.800 --> 0:14:18.280
<v Speaker 1>and over again and expect sometimes you have to just

0:14:18.600 --> 0:14:20.960
<v Speaker 1>admit that with people. But it's hard because you always

0:14:20.960 --> 0:14:23.120
<v Speaker 1>think you want to be able to accommodate change and

0:14:23.160 --> 0:14:26.680
<v Speaker 1>growth and the idea that that is possible, but I think, honestly,

0:14:26.720 --> 0:14:29.560
<v Speaker 1>sometimes it isn't. And also, like I could believe that

0:14:29.600 --> 0:14:32.400
<v Speaker 1>he's changed without having to be there to witness it.

0:14:33.560 --> 0:14:35.520
<v Speaker 1>I could think about, like, oh, you know what, that's

0:14:35.520 --> 0:14:38.160
<v Speaker 1>why the answer to your question is I wonder if

0:14:38.200 --> 0:14:41.120
<v Speaker 1>that's worked out for him, because I know that he

0:14:41.240 --> 0:14:43.200
<v Speaker 1>was working on things and I do wish nothing but

0:14:43.280 --> 0:14:45.280
<v Speaker 1>the best for him. But I could still hold faith

0:14:45.480 --> 0:14:47.120
<v Speaker 1>that his life is going to work out in a

0:14:47.120 --> 0:14:49.840
<v Speaker 1>beautiful way without having to be the one who's around

0:14:49.920 --> 0:14:52.520
<v Speaker 1>when it works out that way, because that's part of

0:14:52.560 --> 0:14:55.000
<v Speaker 1>my ability to change too, right to not engage in

0:14:55.040 --> 0:15:03.640
<v Speaker 1>that again? Yeah, yeah, what quality do you like at

0:15:03.720 --> 0:15:06.880
<v Speaker 1>least about yourself? I could be a little impatient with

0:15:07.000 --> 0:15:11.760
<v Speaker 1>people or just in general with tasks, you know, And

0:15:11.800 --> 0:15:14.800
<v Speaker 1>I'm just thinking, like asking your boyfriend to take out

0:15:14.800 --> 0:15:18.720
<v Speaker 1>the garbage. That's the thing that that should be done

0:15:18.840 --> 0:15:23.040
<v Speaker 1>when it's asked for, not three days later, when more

0:15:23.040 --> 0:15:25.440
<v Speaker 1>garbage is piled up, and then he's like, oh, but

0:15:25.560 --> 0:15:28.000
<v Speaker 1>I did take it out, and I'm like, yes, three

0:15:28.080 --> 0:15:31.320
<v Speaker 1>days after I asked you. You know, these very common

0:15:31.360 --> 0:15:35.000
<v Speaker 1>domestic squabbles. But yeah, sort of like to do list

0:15:35.160 --> 0:15:38.400
<v Speaker 1>type of things that should seem very ordinary. I get

0:15:38.440 --> 0:15:42.720
<v Speaker 1>impatient when they're procrastinated. Can I ask you, because I

0:15:42.760 --> 0:15:46.840
<v Speaker 1>know that you come from a lot of women in

0:15:47.000 --> 0:15:49.800
<v Speaker 1>your family? Yes, do you have four sisters or three?

0:15:49.800 --> 0:15:51.920
<v Speaker 1>Your one of four? I'm one of four, so four

0:15:51.960 --> 0:15:55.240
<v Speaker 1>girls in my family. So is everybody very different or

0:15:55.320 --> 0:15:58.680
<v Speaker 1>is that something that came from your family of Listen,

0:15:58.760 --> 0:16:01.040
<v Speaker 1>there ain't time. There's too many kids. There's too much

0:16:01.040 --> 0:16:02.880
<v Speaker 1>stuff to be done, and if I ask you to

0:16:02.920 --> 0:16:05.240
<v Speaker 1>do something, you better do it right. Then. I feel

0:16:05.240 --> 0:16:07.160
<v Speaker 1>like half and half. I feel like two of us

0:16:07.160 --> 0:16:10.440
<v Speaker 1>are kind of impatient with tasks and the other two

0:16:10.520 --> 0:16:14.520
<v Speaker 1>are much more relaxed about it. I guess you have

0:16:14.640 --> 0:16:19.520
<v Speaker 1>to have someone to be impatient with. Yeah, yeah, there's

0:16:19.560 --> 0:16:21.600
<v Speaker 1>two pairs of us. So it's like my older two

0:16:21.640 --> 0:16:25.240
<v Speaker 1>sisters are only a year apart, and myself and my

0:16:25.280 --> 0:16:27.240
<v Speaker 1>younger sister are only two years apart, and there's a

0:16:27.280 --> 0:16:29.880
<v Speaker 1>big gap in the middle. So I feel like each

0:16:29.920 --> 0:16:33.760
<v Speaker 1>pair balances each other out. So in the older pair,

0:16:33.880 --> 0:16:37.160
<v Speaker 1>there's somebody who's more on task and somebody who's more relaxed,

0:16:37.160 --> 0:16:40.000
<v Speaker 1>and then the younger pair, like I'm the extrovert, my

0:16:40.040 --> 0:16:42.240
<v Speaker 1>little sister is the introvert. We kind of balanced each

0:16:42.240 --> 0:16:44.720
<v Speaker 1>other out, is how it worked. That's really cool. I

0:16:44.760 --> 0:16:47.640
<v Speaker 1>like that. Yeah, me and my sister sometimes we switch roles.

0:16:47.720 --> 0:16:50.800
<v Speaker 1>That's the weird thing. Sometimes I'll be the taskmaster and

0:16:50.880 --> 0:16:54.440
<v Speaker 1>she'll be the supplicant, and then we flip. It's interesting.

0:16:55.240 --> 0:17:04.240
<v Speaker 1>I think I drive insane. What would be your last meal? Oh?

0:17:04.520 --> 0:17:09.600
<v Speaker 1>Probably Japanese chicken curry. It's like a comfort food for me,

0:17:09.640 --> 0:17:11.800
<v Speaker 1>and my mom used to make that. Like I just

0:17:11.920 --> 0:17:14.240
<v Speaker 1>even thinking about how she would be, like browning the

0:17:14.280 --> 0:17:17.159
<v Speaker 1>onions in the skillet before making it. I love it.

0:17:17.160 --> 0:17:19.520
<v Speaker 1>It's so good. Does she teach you how to cook? No,

0:17:20.160 --> 0:17:23.240
<v Speaker 1>you don't cook. I don't cook. She taught me a

0:17:23.280 --> 0:17:25.280
<v Speaker 1>little bit of a little bit. I take it back,

0:17:25.320 --> 0:17:27.040
<v Speaker 1>she tried to teach me how to cook. I didn't

0:17:27.080 --> 0:17:30.720
<v Speaker 1>pay attention. Did she teach your younger sister? No, My

0:17:30.840 --> 0:17:33.919
<v Speaker 1>younger sister is probably the same as me. My older

0:17:33.960 --> 0:17:36.440
<v Speaker 1>two sisters are much better cooks, and I think she

0:17:36.520 --> 0:17:39.000
<v Speaker 1>probably taught them better. I feel like the older kids

0:17:39.119 --> 0:17:41.520
<v Speaker 1>they have a more thorough experience with everything, right, because

0:17:41.520 --> 0:17:43.639
<v Speaker 1>by the younger kids, the parents are like fuck it,

0:17:45.080 --> 0:17:47.919
<v Speaker 1>I get on with it. I'm exhausted. Yeah, like do

0:17:48.000 --> 0:17:51.040
<v Speaker 1>whatever you want? You care? Yeah, exactly. It's funny. My

0:17:51.080 --> 0:17:53.440
<v Speaker 1>son is becoming a better cook. Now. How old is

0:17:53.560 --> 0:17:57.960
<v Speaker 1>he was fourteen yesterday? Oh my god, yeah, it's bananas.

0:17:58.080 --> 0:18:02.760
<v Speaker 1>Has gone by so fast that I know. It's crazy.

0:18:03.000 --> 0:18:06.359
<v Speaker 1>You don't feel you just don't feel any older. I

0:18:06.400 --> 0:18:09.000
<v Speaker 1>don't feel any older. I don't feel any different. I

0:18:09.000 --> 0:18:10.920
<v Speaker 1>don't feel any different than I was when I was

0:18:10.960 --> 0:18:13.760
<v Speaker 1>twenty six. I mean, thank god, I am very different,

0:18:13.800 --> 0:18:16.119
<v Speaker 1>but I don't feel any different at all from the

0:18:16.160 --> 0:18:17.840
<v Speaker 1>day that I had him. And it's the weirdest thing.

0:18:18.119 --> 0:18:19.800
<v Speaker 1>In the new sneakers that I gave him, he is

0:18:19.800 --> 0:18:22.680
<v Speaker 1>now taller than me. Oh my god, it's amazing. It's crazy,

0:18:22.920 --> 0:18:26.040
<v Speaker 1>Like I'm they're still going do you remember when we did?

0:18:26.359 --> 0:18:29.040
<v Speaker 1>And he's like, yeah, I totally remember that. It was awesome.

0:18:29.440 --> 0:18:33.560
<v Speaker 1>Now burgers and I'm like, oh, I suppose so. And

0:18:33.600 --> 0:18:36.600
<v Speaker 1>now he takes my hand across the street. Oh my god,

0:18:37.119 --> 0:18:41.000
<v Speaker 1>like I'm a little old lady. It's the nicest thing

0:18:41.240 --> 0:18:45.400
<v Speaker 1>I have to say. How beautiful he's fantastic. How old

0:18:45.520 --> 0:18:48.600
<v Speaker 1>is your daughter? She just turned to My god, she's

0:18:48.640 --> 0:18:52.320
<v Speaker 1>a baby, but oh my god. It's so fun though,

0:18:52.520 --> 0:18:54.959
<v Speaker 1>just watching her become a person, to go from this

0:18:55.080 --> 0:18:57.920
<v Speaker 1>little nugget to like, the other day, I gave her

0:18:58.000 --> 0:19:00.840
<v Speaker 1>my almost empty Lacroix plan because as if I give

0:19:00.880 --> 0:19:02.880
<v Speaker 1>her a full one, she'll just dump the whole thing out.

0:19:03.000 --> 0:19:04.720
<v Speaker 1>And she she like took it and trying to simp

0:19:04.720 --> 0:19:09.800
<v Speaker 1>from it. Then she goes nothing there. You know, this

0:19:09.880 --> 0:19:11.720
<v Speaker 1>is a two year old, you know, like she still

0:19:11.760 --> 0:19:14.040
<v Speaker 1>goes in the corner to announce that she's pooping, you know,

0:19:14.160 --> 0:19:16.640
<v Speaker 1>like in her diaper. Oh my god, I love it.

0:19:16.920 --> 0:19:20.080
<v Speaker 1>I know, it's really fun. Nothing there. You can't fool me.

0:19:20.320 --> 0:19:24.800
<v Speaker 1>There's nothing nothing here, nothing in this scan. I know.

0:19:24.880 --> 0:19:27.840
<v Speaker 1>They do go from being these like little drunk blobes

0:19:28.000 --> 0:19:30.960
<v Speaker 1>totally just sort of teaching, and then suddenly they turn

0:19:31.000 --> 0:19:33.760
<v Speaker 1>around and they're like and they also remember they're getting

0:19:33.760 --> 0:19:36.880
<v Speaker 1>the measure of us. That's sort of watching and observing

0:19:36.880 --> 0:19:38.560
<v Speaker 1>and going like, I know this person is going to

0:19:38.640 --> 0:19:42.919
<v Speaker 1>give me absolutely everything. How can I manipulate the rest

0:19:43.600 --> 0:19:47.399
<v Speaker 1>out of them? Yeah, they're clever, They're clever and smart,

0:19:47.560 --> 0:19:51.600
<v Speaker 1>and we made them. Yeah, and it's our own fault.

0:20:03.000 --> 0:20:05.119
<v Speaker 1>In your life. Can you tell me about something that

0:20:05.160 --> 0:20:09.919
<v Speaker 1>has grown out of a personal disaster? Um? Yeah, you know,

0:20:10.600 --> 0:20:12.280
<v Speaker 1>you know, I mentioning my book a lot, but because

0:20:12.359 --> 0:20:14.679
<v Speaker 1>my book is very formative for me, and there's a

0:20:14.760 --> 0:20:17.359
<v Speaker 1>chapter in which I talk about a thing that happened

0:20:17.400 --> 0:20:19.880
<v Speaker 1>to me in eighth grade that I could never get

0:20:19.920 --> 0:20:22.800
<v Speaker 1>over the pain of. And I've had objectively worse things

0:20:22.840 --> 0:20:25.119
<v Speaker 1>happened to me in my life. It was just basically

0:20:25.200 --> 0:20:27.720
<v Speaker 1>teacher accusing me of not really writing my term paper

0:20:27.920 --> 0:20:31.280
<v Speaker 1>and like plasiarizing. But it's something that like I just

0:20:31.600 --> 0:20:34.479
<v Speaker 1>could never get over, from when I'm twelve to now

0:20:34.520 --> 0:20:38.560
<v Speaker 1>when I'm forty, still can't get over. But in the

0:20:38.600 --> 0:20:41.639
<v Speaker 1>process of writing it, I took the time to think

0:20:41.680 --> 0:20:44.040
<v Speaker 1>about how it also helped me in a way that's

0:20:44.119 --> 0:20:48.000
<v Speaker 1>so obvious right that I can't believe it took me,

0:20:48.320 --> 0:20:50.919
<v Speaker 1>you know, almost thirty years to realize because you know,

0:20:51.119 --> 0:20:53.440
<v Speaker 1>she thought I plas your eyes. She didn't have any

0:20:53.440 --> 0:20:56.000
<v Speaker 1>proof because I didn't plas your eyes. So what she

0:20:56.080 --> 0:20:57.960
<v Speaker 1>did was she went to all my other teachers and

0:20:58.000 --> 0:21:00.679
<v Speaker 1>made them say to my face, like, don't believe you're

0:21:00.720 --> 0:21:03.399
<v Speaker 1>good enough to have written it. And that was her proof,

0:21:03.760 --> 0:21:05.840
<v Speaker 1>I know, to make me cry even talking about it now,

0:21:06.000 --> 0:21:09.719
<v Speaker 1>because it was like, because you can't find the proof,

0:21:09.760 --> 0:21:12.120
<v Speaker 1>you know, you're going to make all the teachers say

0:21:12.240 --> 0:21:15.320
<v Speaker 1>to my face, you're not good enough. But the only

0:21:15.359 --> 0:21:17.639
<v Speaker 1>teacher who believed that I was good enough to have

0:21:17.640 --> 0:21:20.440
<v Speaker 1>written it was my drama teacher. And I'm like, oh

0:21:20.480 --> 0:21:23.040
<v Speaker 1>my god, how did it take me thirty years to

0:21:23.080 --> 0:21:25.199
<v Speaker 1>realize that the only teacher and I didn't used to

0:21:25.200 --> 0:21:28.439
<v Speaker 1>want to be an actress who believed in me was

0:21:28.520 --> 0:21:31.640
<v Speaker 1>my drama teacher and I ended up becoming an actress.

0:21:31.640 --> 0:21:33.399
<v Speaker 1>I mean, it's like, it's crazy to think about, but

0:21:33.480 --> 0:21:36.159
<v Speaker 1>that's like basificly something that has stuck with me, and

0:21:36.200 --> 0:21:39.280
<v Speaker 1>I didn't realize for thirty years how it has shaped

0:21:39.320 --> 0:21:40.960
<v Speaker 1>me and helped me in a way that I really

0:21:40.960 --> 0:21:42.920
<v Speaker 1>appreciate because I was just focusing on the pain of

0:21:43.000 --> 0:21:47.359
<v Speaker 1>it so much. I'm really sorry that happened. Oh it's okay. No,

0:21:47.720 --> 0:21:51.159
<v Speaker 1>it's the worst. It's the word to be accused of

0:21:51.240 --> 0:21:53.080
<v Speaker 1>something that you didn't do, and to not be able

0:21:53.119 --> 0:21:55.960
<v Speaker 1>to put that down. That eighth grade teacher and my

0:21:56.040 --> 0:21:58.560
<v Speaker 1>drama teacher, Mr. Frazell, who believed in me, that really

0:21:58.600 --> 0:22:01.320
<v Speaker 1>altered my life. Did you talk to your drama teacher

0:22:01.560 --> 0:22:06.040
<v Speaker 1>about that whole thing? He unfortunately passed away. I looked

0:22:06.040 --> 0:22:07.639
<v Speaker 1>back for him when I was writing it, and I

0:22:07.680 --> 0:22:09.600
<v Speaker 1>realized and he passed away. I think you like a

0:22:09.600 --> 0:22:12.440
<v Speaker 1>heart attack a while ago. So that made me very sad.

0:22:12.680 --> 0:22:16.440
<v Speaker 1>But the teacher who accused me, I did not when

0:22:16.480 --> 0:22:18.560
<v Speaker 1>I wrote it. But I did reach out to her

0:22:18.640 --> 0:22:21.040
<v Speaker 1>ten years after it happened, when I was in college

0:22:21.040 --> 0:22:23.200
<v Speaker 1>and going through a lot of therapy because it's still

0:22:23.320 --> 0:22:25.920
<v Speaker 1>within my heart, and I called the into years trying

0:22:25.960 --> 0:22:27.480
<v Speaker 1>to prove to her. I was like, hey, remember me

0:22:27.520 --> 0:22:29.639
<v Speaker 1>in eighth grade. I really wrote that and it was

0:22:29.680 --> 0:22:31.280
<v Speaker 1>wrong of you to do that to a kid, like,

0:22:31.400 --> 0:22:33.920
<v Speaker 1>oh my god. I tried to give her a piece

0:22:33.920 --> 0:22:36.320
<v Speaker 1>of my mind. It didn't work. Writing me essay was

0:22:36.440 --> 0:22:38.840
<v Speaker 1>much more healing. Yeah, I bet I'm glad that you

0:22:38.920 --> 0:22:41.879
<v Speaker 1>did that. Yeah, And I wish that Mr. Frazell was

0:22:41.920 --> 0:22:43.919
<v Speaker 1>still alive for me to thank him, but by the

0:22:43.960 --> 0:22:46.480
<v Speaker 1>time I wrote that and realized that he had passed away. Unfortunately.

0:22:46.800 --> 0:22:49.159
<v Speaker 1>It's amazingly gifts. I mean, I hope everybody has a

0:22:49.160 --> 0:22:51.399
<v Speaker 1>teacher like that. I don't think everybody does, but I

0:22:51.440 --> 0:22:54.040
<v Speaker 1>certainly had a couple. It's so meaningful. It stays with you,

0:22:54.119 --> 0:22:56.200
<v Speaker 1>like whatever it is they gave you, or they defended

0:22:56.880 --> 0:22:59.639
<v Speaker 1>for you or they helped shape, stays with you for

0:22:59.720 --> 0:23:03.119
<v Speaker 1>you whole entire life, the whole life. Yeah, I was

0:23:03.160 --> 0:23:07.400
<v Speaker 1>writing your book enormously cathartic because there you are, actually

0:23:07.680 --> 0:23:10.480
<v Speaker 1>like to write a book like, it's quite something, I think,

0:23:10.520 --> 0:23:14.320
<v Speaker 1>to tell your stories to open up. Did that feel

0:23:14.359 --> 0:23:17.720
<v Speaker 1>like it answered some of that in a larger way

0:23:18.200 --> 0:23:22.440
<v Speaker 1>for yourself? Yeah, because I might have told that story

0:23:22.520 --> 0:23:25.480
<v Speaker 1>million times in therapy. The telling of it versus the

0:23:25.560 --> 0:23:28.320
<v Speaker 1>putting it down in language makes you think about it

0:23:28.359 --> 0:23:31.560
<v Speaker 1>in a different way, and it actually makes it kind

0:23:31.600 --> 0:23:34.679
<v Speaker 1>of more real. It's funny because it's like, sometimes it

0:23:34.720 --> 0:23:38.000
<v Speaker 1>feels like physical wounds feel more real than emotional wounds

0:23:38.000 --> 0:23:40.520
<v Speaker 1>because you have the scar to prove it right, But

0:23:40.880 --> 0:23:44.320
<v Speaker 1>emotional wounds have just as much of an effect on you,

0:23:44.560 --> 0:23:47.439
<v Speaker 1>and it's almost feels like putting it down in written

0:23:47.560 --> 0:23:51.440
<v Speaker 1>language is like the physical proof that it happened to you.

0:23:53.080 --> 0:23:56.199
<v Speaker 1>And I think that's why it was healing, because it

0:23:56.320 --> 0:23:59.600
<v Speaker 1>opens the wound into like the physical area, so you like, oh,

0:23:59.680 --> 0:24:02.600
<v Speaker 1>see it, this is a thing that happens. Now that

0:24:02.640 --> 0:24:05.520
<v Speaker 1>I've put it in language, I can help give it

0:24:05.600 --> 0:24:08.760
<v Speaker 1>the time and carrot needs to heal. And so it was. Yes,

0:24:08.880 --> 0:24:11.160
<v Speaker 1>talk is great. I've been a therapy for like decades

0:24:11.200 --> 0:24:13.800
<v Speaker 1>and I love it, but writing it down in language

0:24:14.040 --> 0:24:17.479
<v Speaker 1>is something that is definitely very underrated. And with healing,

0:24:17.640 --> 0:24:22.080
<v Speaker 1>talking is more cathartic. Writing was more healing. Yeah, that's

0:24:22.119 --> 0:24:24.639
<v Speaker 1>a really good way of putting it. Talking is cathartic.

0:24:24.840 --> 0:24:28.640
<v Speaker 1>Writing is healing. Yes, exactly. I was told to journal.

0:24:28.960 --> 0:24:31.560
<v Speaker 1>It's hard. I was told to journal so often and

0:24:31.600 --> 0:24:33.320
<v Speaker 1>it's so hard to do it. But it was actually

0:24:33.359 --> 0:24:35.280
<v Speaker 1>easy to then go. You know, it's not the journaling.

0:24:35.320 --> 0:24:37.520
<v Speaker 1>I need to write these hard stories like I need

0:24:37.560 --> 0:24:39.920
<v Speaker 1>to or I want to try, And I think exactly

0:24:39.920 --> 0:24:42.280
<v Speaker 1>what you're saying, you need a structure to it. Yes,

0:24:42.480 --> 0:24:45.040
<v Speaker 1>isn't it interesting that rather than it like calcifying as

0:24:45.040 --> 0:24:47.560
<v Speaker 1>you say it, like I love the idea of words

0:24:47.560 --> 0:24:50.760
<v Speaker 1>of scar tissue of proof of emotional trauma, even with

0:24:50.800 --> 0:24:55.080
<v Speaker 1>a small tea or a big tea. Constance, thank you

0:24:55.160 --> 0:24:59.280
<v Speaker 1>so much. I so appreciate your time. It's great talking

0:24:59.359 --> 0:25:03.320
<v Speaker 1>to you. It really is fantastic. Thank you. I appreciate

0:25:03.400 --> 0:25:10.640
<v Speaker 1>that you can enjoy more of Constance's stories in her

0:25:10.640 --> 0:25:16.240
<v Speaker 1>new book, Making a Scene Out Now. Mini Questions is

0:25:16.280 --> 0:25:21.280
<v Speaker 1>hosted and written by Me Mini Driver, supervising producer Aaron Kaufman,

0:25:22.119 --> 0:25:29.520
<v Speaker 1>Producer Morgan Levoy, Research assistant Marissa Brown. Original music Sorry

0:25:29.560 --> 0:25:35.639
<v Speaker 1>Baby by Mini Driver, Additional music by Aaron Kaufman. Executive

0:25:35.640 --> 0:25:39.920
<v Speaker 1>produced by Me Mini Driver. Special thanks to Jim Nikolay,

0:25:40.720 --> 0:25:46.200
<v Speaker 1>Will Pearson, Addison No Day, Lisa Castella and Nique Oppenheim

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<v Speaker 1>at w kPr, de La Pescador, Kate Driver and Jason Weinberg,

0:25:52.320 --> 0:25:55.879
<v Speaker 1>and for constantly solicited tech support, Henry Driver