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Speaker 1: First of all, you don't know me. Were all about

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Speaker 1: that high school drama. Girl Drama Girl, all about them

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Speaker 1: high school queens. We'll take you for a ride in

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Speaker 1: our comic Girl Cheering for the drama Queen's Girl Fashion.

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Speaker 1: But you'll tough, girl. You could sit with us Girl

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Speaker 1: Drama Queens Drawn, Queen's Drawn, MC, Queen's Drama John mc,

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Speaker 1: Queen's Drama, Queen's Wow. The finale, it really was one

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Speaker 1: of the best episodes we've ever done. I love that soup.

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Speaker 1: It's dressed me out so much like the soup plus

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Speaker 1: the stress. Terrible idea. This is gonna be a long day. Girls.

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Speaker 1: It was very emotional. Guys were on season three episode

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Speaker 1: twenty two, The show Must Go on our season three finale,

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Speaker 1: which originally aired on Me third, two thousand six. I

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Speaker 1: mean joy. This episode was massive. Yeah, it was huge.

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Speaker 1: This was the one that I the story when I

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Speaker 1: um I had to drive from Atlanta and I hired

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Speaker 1: somebody to drive me from Atlanta. This was it was

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Speaker 1: the limousine day, the limousine going off the edge of

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Speaker 1: the Yeah, they had a helicopter, they had um all

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Speaker 1: the stunts, you know, it was all the underwater scuba guys.

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Speaker 1: That Tim McKinney, who we were talking about on our

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Speaker 1: live tour earlier this week, who was one of our

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Speaker 1: crew guys, was out there. Uh. I just remember him

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Speaker 1: sitting out on that river like all day long, just

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Speaker 1: on a plank. The camera was on. I feel like

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Speaker 1: they had the camera on like a it kind of

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Speaker 1: looked like a little dock, like a mini dock, but

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Speaker 1: it was floating in the middle of the ocean or

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Speaker 1: the ocean the river, floating in the middle of the river.

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Speaker 1: It was like a barge. Yeah, it was at barge.

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Speaker 1: Thank you barge and Matt doll and yeah, the guys

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Speaker 1: are out there, and um, there was just there's so

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Speaker 1: much that goes into something like that with the electricity underwater,

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Speaker 1: and you've got actors who are in a car underwater

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Speaker 1: and they can't just get out easily, so they had

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Speaker 1: to have oxygen tanks. And I mean it was it

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Speaker 1: was a huge, huge episode. Well didn't they shoot all

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Speaker 1: of the inside car stuff on the tank on stage, Like,

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Speaker 1: surely they didn't shoot that in the river today because

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Speaker 1: that's discussed the car stuff. When we see Rachel and

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Speaker 1: Cooper and James underwater in Wilmington's they were trying to

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Speaker 1: build film and they had just built this massive tank

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Speaker 1: on one of the stages. It had been done by then.

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Speaker 1: I mean we were there all day. As far as

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Speaker 1: I remember, they shot everything in that river underwater. That's bananas. Well,

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Speaker 1: just for you, how much heads up did you have,

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Speaker 1: like that this wedding was going to go off the

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Speaker 1: rails and be like there are thirty seven cliffhangers at

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Speaker 1: the end of this thing, in hopes that we didn't

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Speaker 1: be canceled. It was pregnant, Haley Brook, Rachel, we know

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Speaker 1: Karen Is. We know Karen Is. We're Haley and Karen

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Speaker 1: pregnant at the same time. I guess I forgot that

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Speaker 1: if that that was the case, I guess we were. Um. Yeah, no,

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Speaker 1: I I got the script the same time as everybody

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Speaker 1: else did. I didn't, That's all. I just found out

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Speaker 1: when the script came like a week before we shot

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Speaker 1: it or whatever. Um, it was a big deal. It

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Speaker 1: was a really really big episode. But it was huge

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Speaker 1: for you guys too. I mean, this is a major

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Speaker 1: turning point for Brook and Peyton, really big for everyone.

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Speaker 1: You did such a good job. You were so sad

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Speaker 1: this whole episode. I feel terrible. Yeah, poor brook Um stuff. Yeah,

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Speaker 1: I'm also going to defend Peyton because what keeps saying,

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Speaker 1: I have so much going on and I'm like him

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Speaker 1: dead mom Like also same lots going on. Same And

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Speaker 1: Sophia we laughed during this because it's like, really, we're

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Speaker 1: gonna go this hard over a high school boy. High

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Speaker 1: school boy? Yeah, I think you know, I remember because

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Speaker 1: that was our complaint then too. Yeah, we were just

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Speaker 1: like all the way really, but you know, you have

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Speaker 1: to you have to lean into the drama. You have

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Speaker 1: to lean into the conflict so that there can eventually

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Speaker 1: be resolution and people can grow. It's like you have

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Speaker 1: to figure out a way to make it true. And

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Speaker 1: so the thing that I remember having to really leaning

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Speaker 1: on was the betrayal of it, because to me, betrayal is,

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Speaker 1: like I think everyone has, I call it a nuclear emotion,

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Speaker 1: the thing that just makes you scorched earth, and and

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Speaker 1: betrayal is a scorched earth thing for me, And so

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Speaker 1: I was like, Okay, I guess that's what I have

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Speaker 1: to really try to draw on and and think about

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Speaker 1: and have it be about the fact that my person,

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Speaker 1: my my best friend, continues behind my back to have

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Speaker 1: these experiences with the man that I'm in a relationship with, Like,

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Speaker 1: what does that do? How does that destabilize a person

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Speaker 1: and make them feel like they can't trust anyone around them?

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Speaker 1: And I do feel like for as silly as it

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Speaker 1: was that Brooke and Peyton we're fighting over a high

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Speaker 1: school boy, I feel like that that sense of being

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Speaker 1: rudderless worked. Yeah. I mean, I think there are breakups

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Speaker 1: in female friendships that feel worse than divorce. You know,

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Speaker 1: I've had them in my own personal life. I had

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Speaker 1: him as a teenager, I've had him as an adult,

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Speaker 1: and it's just like you mourn them and then sometimes

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Speaker 1: you come back together and it's magic. But those blowouts

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Speaker 1: are unlike any kind of fight with the dude. Like

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Speaker 1: with the dude, you're fighting with two different sets of tools. Yeah,

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Speaker 1: but when you're with a woman, it's like we're both

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Speaker 1: expert fencers. Try to stab each other right now and

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Speaker 1: let's see who bleeds. And Yeah, for me, growing up,

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Speaker 1: my girlfriends and I would kiss the same dude and

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Speaker 1: think it was awesome. We'd be like, man, like he

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Speaker 1: was at my house on Saturday, in your house on Sunday.

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Speaker 1: It isn't that hilarious? Oh yeah, we thought we were

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Speaker 1: so funny that really there never Oh yeah, we were

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Speaker 1: just like he thinks that we like him. That was

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Speaker 1: amazing that wherewithal to just be like whatever is so silly,

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Speaker 1: by the way, that's how it should be. Yeah, you

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Speaker 1: got just all kissed the same person, and then you

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Speaker 1: can compare notes like who was because it's not gonna matter.

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Speaker 1: You're fifteen, like nothing matters. But oh yeah, I remember

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Speaker 1: I had a I had like a best friend engine

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Speaker 1: your high in high school, and then she liked a

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Speaker 1: boy in high school who said he liked me. Nothing

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Speaker 1: happened with anybody, by the way, they'd never been on

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Speaker 1: a date. We've never been on a date. He just

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Speaker 1: was like, yeah, that girl that goes to camp is

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Speaker 1: more my type. And she literally like basically told me

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Speaker 1: I was the worst person on the planet. And I

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Speaker 1: was like, I don't think I even have a dog

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Speaker 1: in this fight, Like I didn't sign up for this.

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Speaker 1: So it's weird thinking about all of it. It's interesting

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Speaker 1: that you guys were so I don't know, chill progressive,

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Speaker 1: I don't know what the word is, and that so

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Speaker 1: many people aren't and I'm having this really met a

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Speaker 1: moment where I'm like, our girls not chill about dumb

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Speaker 1: boys because TV teaches us not to be Like, where

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Speaker 1: did we learn? When did we do this? She says?

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Speaker 1: She says, a kiss never means nothing, kiss always joy bullshit.

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Speaker 1: I was looking for somebody to kiss last night. I

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Speaker 1: didn't need to make anything. Is that what you were

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Speaker 1: doing out on the phone outside our restaurant? I can't imagine.

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Speaker 1: I'm just like scrolling. There's a lot of handsome men

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Speaker 1: in DUC. They're successful, you know, smart, Polish, political, But

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Speaker 1: it doesn't mean to something. It's just, you know, sometimes

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Speaker 1: a kiss it's just a kiss. I mean, if you're

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Speaker 1: in a relationship, that's a problem. You can gotta you

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Speaker 1: gotta not do that when you're in a relationship because

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Speaker 1: other people. But I mean, yes, yes, correct, no, those

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Speaker 1: are the rules. But look, we've said it before, we'll

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Speaker 1: say it a million times. When you're you should kiss

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Speaker 1: whoever you want. You should absolutely kiss whoever you want.

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Speaker 1: You should have fun with your girlfriend's tag teaming. I mean, honestly,

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Speaker 1: I feel for Peyton because when I was in school,

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Speaker 1: I had a super super beautiful best friend and everyone

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Speaker 1: wanted to date her, and the only time they would

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Speaker 1: want to date me is like as a consolation prize.

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Speaker 1: And so I can see Peyton taking the scraps, you

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Speaker 1: know where it's like, yeah, just whenever's left over from

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Speaker 1: everybody else's stuff, like all that'll work, you know. And

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Speaker 1: as much as Brooke has attachment problems, Peyton also has

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Speaker 1: attachment problems. And anybody that Peyton has had a relationship

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Speaker 1: with is finding all this happiness with her friend, Like

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Speaker 1: she dated Nathan and that was really toxic, and now wow,

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Speaker 1: what a great guy he is with Haley. You know,

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Speaker 1: Lucas was like really shifty and also kind of manipulative

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Speaker 1: with like Peyton being at her absolute lowest and now

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Speaker 1: he's showing up and writing all these letters for a Brook.

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Speaker 1: And so there is a thing about taking the scraps

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Speaker 1: when you're a teenager because you can't think bigger, and

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Speaker 1: that that may have been what Jake was tapping into

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Speaker 1: with why he sort of sent Peyton away. He deserves

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Speaker 1: more than the consolation prize. That's what I think. You

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Speaker 1: weren't the consolation prize. O page felt like the consolation prize. Yeah,

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Speaker 1: I think he was worried that he might be, that

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Speaker 1: he wasn't sure if he was really the one he

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Speaker 1: wanted you to be. He wanted you to know that

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Speaker 1: neither of you are the consolation prize and that it's

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Speaker 1: not like, oh, Jake's default because I can't have Lucas.

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Speaker 1: And what I find so interesting about that is that

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Speaker 1: this idea of feeling like a consolation as we're taking

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Speaker 1: the scraps is something everyone goes through because somebody who

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Speaker 1: there will always be someone who looks at each of

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Speaker 1: us or each of you as like the number one ideal,

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Speaker 1: and it always changes. It's like there are times when

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Speaker 1: even in this show, when Lucas is like it's Peyton,

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Speaker 1: and then he's like it's Brooke, and then he's like

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Speaker 1: it's Peyton and everyone confused. He's confusing, but like it's

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Speaker 1: it's just wild. Like even hearing you say, oh, I

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Speaker 1: had this pretty friend in high school and like this

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Speaker 1: guy like whatever, it's crazy to me because I'm like,

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Speaker 1: oh my god, when I remember even at this wedding,

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Speaker 1: like us being in the same dress as and just

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Speaker 1: feeling so insecure looking at you and being like she

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Speaker 1: is so pretty. I don't want to stand next to her.

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Speaker 1: In this dress. What are you talking about this whole episode?

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Speaker 1: So we're just remember watching you in that red dress too.

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Speaker 1: I was like, yeah, and like I had this terrible

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Speaker 1: like half to the side mushroom haircut in my bangs

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Speaker 1: were growing out, and I just I had never felt

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Speaker 1: less pretty. I had never felt less pretty. Yeah, But

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Speaker 1: it's but it's just interesting like that we can all

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Speaker 1: be made to feel like we're the less than person

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Speaker 1: by somebody whose opinions might change month to month anyway,

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Speaker 1: Like it's a perfectly making ourselves feel that way without

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Speaker 1: anyone else's inpot By the way, we don't help. But

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Speaker 1: it's like it's just so wild that everybody can be

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Speaker 1: in their own little bubble being like, oh no, I'm

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Speaker 1: the weird one. Oh no, And I don't even know

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Speaker 1: where I'm going with it. I just it's wild. It's

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Speaker 1: wild to hear you say it, knowing how I've felt

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Speaker 1: it and knowing that it is a thing that we

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Speaker 1: universally experience, And I'm like, man, when are we going

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Speaker 1: to let that go? Well? No, you know what, I

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Speaker 1: You know what was really fun is when we did

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Speaker 1: our first photoshoot for Drama Queens, and we hadn't done

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Speaker 1: a photo shoot together since we were little kids, and

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Speaker 1: people used to make us feel like really competitive in

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Speaker 1: those situations, and it was like jockeying for who was

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Speaker 1: going to wear the best outfit, and like you know,

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Speaker 1: who was going to get these shoes and whose leg

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Speaker 1: you know, was going to be in position in the photo,

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Speaker 1: and there was so much jocking that when we did

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Speaker 1: that shoot, and we didn't have any art directors, and

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Speaker 1: we didn't have like stylus from the network at the studio,

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Speaker 1: we didn't have any voices in our heads other than

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Speaker 1: our own our owns. Yeah that's own, um. But we

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Speaker 1: just all kind of looked at each other and we're like, okay,

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Speaker 1: we're doing this different, right, And there was this mutual

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Speaker 1: agreement that like, let's not do it like that, you know.

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Speaker 1: And the the opening up of the suitcases, if you will,

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Speaker 1: is so helpful. It's so much easier now. I just

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Speaker 1: bring undergarments and we just I can't bring on top clothes,

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Speaker 1: but I will bring you to under garments anywhere. Yes, yes,

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Speaker 1: give me all the shape shifting undergarments that her. I

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Speaker 1: loved that because it's so much easier now as older

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Speaker 1: women to be, just be supportive and and really like,

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Speaker 1: now that we're settled into I love who I am,

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Speaker 1: where I am in life. I'm comfortable with myself. There's

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Speaker 1: always going to be flaws that I see in the mirror,

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Speaker 1: and I've grown accustomed to them and love them in

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Speaker 1: my own way. And I'm sure you guys do too.

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Speaker 1: So it's not there's not this sense of when you're

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Speaker 1: so young, you're looking to the women around you, the

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Speaker 1: girls around you, and I was anyway, I think it

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Speaker 1: sounds like you guys were too, to just sort of, uh,

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Speaker 1: we're figuring out who we are. So it's like, well,

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Speaker 1: if my nose looked more like that, then I could

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Speaker 1: be more like that person. Or if I shoot, if

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Speaker 1: I was just a little taller, or if I was skinnier,

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Speaker 1: or if I was bigger or whatever, like if I

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Speaker 1: only could do, if I only, if I only then

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Speaker 1: I could be um. And it's it's weird. It's weird too,

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Speaker 1: you know. I guess weird is the wrong word. It's nice. Actually,

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Speaker 1: it's nice to be able to be settled and who

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Speaker 1: we are so we can all come together and not

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Speaker 1: feel competitive. Yeah. Well, and I also think after a

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Speaker 1: while you realize, Oh, everybody feels this. Everyone has their

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Speaker 1: fill in the blank. What story have we been sold

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Speaker 1: that's made us waste so much time worrying that we're

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Speaker 1: not enough of this or too much of that. Like

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Speaker 1: just the brain space in decades of like I can

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Speaker 1: still get it. Yea. It's like this is like a

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Speaker 1: physic Like this is like when we were talking about

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Speaker 1: caveman instincts. This is caveman stuff. This is like the

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Speaker 1: basics of evolutionary science, where you know you thing. It's like,

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Speaker 1: we want to be the most attractive so that we

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Speaker 1: can be the most safe, because if you're the most safe,

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Speaker 1: then you've got the protection of the clan or the biggest,

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Speaker 1: the biggest of the cave man. Yeah, it's like it's

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Speaker 1: some weird, deep, deep old tribal instinct. So I don't

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Speaker 1: know that it will ever go away, but we certainly

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Speaker 1: have tools to take care of it. Did you guys

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Speaker 1: ever read that book sexa don It's all about how

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Speaker 1: he woman's evolved and the psychology of relationships, sexuality, femininity,

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Speaker 1: what's been oppressed, what's been supported? It like different cultures

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Speaker 1: throughout the world, or it will just blow your mind. Oh,

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Speaker 1: when you talk about that sort of caveman brain. I

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Speaker 1: don't know why I've always referred to it as like

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Speaker 1: lizard brain, because I'm like, it's this weird little part

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Speaker 1: of our brains that comes from before we were supposed

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Speaker 1: to be these higher self people. And I think it's

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Speaker 1: that desire to survive that's hardwired, which also is what

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Speaker 1: can make us such nightmares with scarcity mentality, you know,

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Speaker 1: the myth that there isn't enough to go around makes

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Speaker 1: us all crazy. Maybe we have like an apocalypse shelter

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Speaker 1: just engaged just in case that fits. Because Nathan, who

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Speaker 1: is this protector joy you were saying when we watched

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Speaker 1: the episode, you're like, oh my god, what a hero.

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Speaker 1: When he dies water. I'm still on a soapbox about

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Speaker 1: James needing an action hero movie career. Yeah, he is

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Speaker 1: such a hero. Yeah, and it's effortless for him, Like

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Speaker 1: there's never a question of whether or not Nathan's going

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Speaker 1: to go into that water and that dive who was

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Speaker 1: really James. That's great. I wouldn't have done it. There's

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Speaker 1: no fucking way. If I had been handed a script

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Speaker 1: that said Hillary Burton jumps off a bridge into some

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Speaker 1: dirty water, that would have happened. There would have been

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Speaker 1: a man in a blonde wig. Are you serious? Never?

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Speaker 1: I would have been done it. Really, I asked, here's

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Speaker 1: the love acting, that's the fun of it. I don't know.

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Speaker 1: I want to stand real still. Oh my god, sign

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Speaker 1: me up to get dirty. I'm in. I love nothing

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Speaker 1: thing more than doing stunts. I like all the action adventure.

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Speaker 1: But what I'm going to tell you right now is

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Speaker 1: what I have done that in North Carolina and the

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Speaker 1: river No, because there were gators and you There's no way,

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Speaker 1: you know, if I knew it was safe, it was.

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Speaker 1: If it was unsafe, I wouldn't have done it. For sure.

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Speaker 1: There was always a little unsafe. They'd always be like,

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Speaker 1: you'll be fine. Yeah, we get staff infections, You're fine.

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Speaker 1: I don't worry. Remember going to do a movie in

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Speaker 1: Louisiana in the early two thousands of being like, hey,

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Speaker 1: should I get some hepatitis shots? Because I knew I

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Speaker 1: was going to have to do a whole bunch of

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Speaker 1: water work. I mean, That's what ruined it was doing

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Speaker 1: like all this like swamp work. I was like, do

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Speaker 1: I need to get hip shots or anything where? And

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Speaker 1: They're like, oh yeah, yeah, yeah, you should get all

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Speaker 1: of those. And I'm like, how come no one in

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Speaker 1: Wilmington's was ever like, Hey, you're going to be in

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Speaker 1: the swamps, we should get you some shots. Yeah, dirty

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Speaker 1: water above the waist is real. It's scary. I mean

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Speaker 1: for depending on how long you're in it. I even

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Speaker 1: did a kayak now the l A River when I

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Speaker 1: was like, what, I don't know about how m I

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Speaker 1: feel about this sitting in this kayak, it's a little

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Speaker 1: I definitely drank a lot of water and just pee

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Speaker 1: for a while. After you're just like clean it all out.

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Speaker 1: This episode is called t M I. I love those episodes. Guys. Yeah,

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Speaker 1: I mean what happened at the beginning of the episode, Well,

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Speaker 1: we have so here's what the basic recap is. We

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Speaker 1: have Dan and deb We've got Karen and Dan. We've

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Speaker 1: got Rachel and Cooper, and then Lucas, Brook, Peyton and

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Speaker 1: Nathan and Haley. Um those are the mouth. Mouth was sweet,

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Speaker 1: sad sweet, said DJ. I wish he had a little

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Speaker 1: more meat, but we were kind of filled up with

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Speaker 1: that episode. Um, that episode was bananas. I remember we

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Speaker 1: spent like half a day shooting the Michelle Featherstone Music

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Speaker 1: because the labels would let us have artists, but we

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Speaker 1: had to basically shoot a music video, you know. And

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Speaker 1: they gave her a couple of lines with Cooper, Yeah

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Speaker 1: they did. She had that sweet British accent. She came

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Speaker 1: back though, didn't she She came back later and played Trick.

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Speaker 1: I think she did. She remember. I liked her. I

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Speaker 1: like her musical, just went time with her a little bit.

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Speaker 1: We didn't go hang out outside of work. We just

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Speaker 1: remember sitting back and chatting with her um on the

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Speaker 1: off time. Because those were long days. A wedding episode,

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Speaker 1: finale episodes and the wedding and fine, whether we had

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Speaker 1: a concert at Trick or a wedding, you knew you

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Speaker 1: were in for like basketball days, you were like, here

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Speaker 1: we go, it's going to be eighteen hours. I better

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Speaker 1: bring a knitting needle or a mad libs book because

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Speaker 1: and we also, every single one of us had to

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Speaker 1: be done up, Like it's one thing to do everyday makeup,

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Speaker 1: it's another thing to have to do heightened event hair

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Speaker 1: and makeup. And so we would have to start shooting

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Speaker 1: this second the sun came up, so we would have

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Speaker 1: as many daylight hours as possible. So we were going

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Speaker 1: into work at like three thirty, four o'clock in the morning,

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Speaker 1: so that all, like literally every woman on the show

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Speaker 1: was being done, and we were yeah, yeah, you're there

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Speaker 1: like three thirty. You start shooting at like six thirty,

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Speaker 1: rehearsal at six am, dawn breaks at six thirty, and

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Speaker 1: then you're just in it till well that's why you

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Speaker 1: said we all had our hair up. Remember, because my

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Speaker 1: first I'm coming in that sun sun kissed T shirt.

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Speaker 1: I had to get in somewhere, get it in there.

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Speaker 1: Karen has her hair up. I've got my hair up.

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Speaker 1: Then Sofia, you get your hair. But then I'm setting

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Speaker 1: up the wedding yea. And then all the wedding stuff

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Speaker 1: is hair up, locked in place, hair, hair spray, like

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Speaker 1: we do not. I guarantee you. In that pre production meeting,

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Speaker 1: they set the hair department down and they said, we

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Speaker 1: do not have time for hair. Oh, I guarantee you

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Speaker 1: the hair department yea. I was going to sit down

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Speaker 1: and said, we cannot do all these girls with their

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Speaker 1: hair down like you like it. So either san JoJo's

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Speaker 1: san JoJo's, You're either gonna let us put their damn

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Speaker 1: hair up, or you're gonna need to give an extra

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Speaker 1: day on this episode, that's right. Or we made four

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Speaker 1: more hair people expassive four hair people are um, yeah, no,

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Speaker 1: they had to make it really, really easy. I'm just

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Speaker 1: sitting around so much on this episode, really, and I

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Speaker 1: seem to remember like Bevan and Danil like getting into

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Speaker 1: some mischief. It feels like they would have got a

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Speaker 1: huge property. Yeah, we were at Orton and it was

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Speaker 1: like just a massive property. It was so beautiful. But

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Speaker 1: we were definitely like there was a lot to do

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Speaker 1: on off time, lots of places to wander and explore.

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Speaker 1: That's what we're like stray cats too, because they're like,

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Speaker 1: what's around this corner. Oh, look there's the river, and

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Speaker 1: we'll walk to it. You know. It makes me uncomfortable though,

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Speaker 1: to look back and know where we were filming. Well,

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Speaker 1: and I know, listen, we were like we were in

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Speaker 1: a very small town in in the South. Every old

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Speaker 1: house we shot in had conflicting history. Yeah, and and

389
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Speaker 1: like there weren't really it's not like we were somewhere

390
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Speaker 1: like New York where there's a million locations, Like there's

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Speaker 1: not a lot of places to go. But I don't know,

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Speaker 1: it just makes me feel well. The place where we

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Speaker 1: had dance funeral that was an old home, remember, like

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Speaker 1: the fake Dream funeral, that was an old home with

395
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Speaker 1: some conflicted history. Like we we ended up shooting in

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Speaker 1: a lot of places that were places where we wouldn't

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Speaker 1: necessarily go today because plantation culture is gross, you know,

398
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Speaker 1: and it's gross to put a shiny gloss on it.

399
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Speaker 1: And so I think I think our show was more

400
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Speaker 1: enamored with the fact that fire Starter filmed there. The

401
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Speaker 1: first big movie that came to Wilmington's was fire Starter

402
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Speaker 1: with Drew Barrymore, and it shows she was she was baby,

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Speaker 1: and that was when people were like, oh, this town

404
00:22:53,160 --> 00:22:56,639
Speaker 1: has some neat elements, we should do more here. So

405
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Speaker 1: that was more than nod. I think our show was

406
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Speaker 1: making what I will say is uncomfortable as it is,

407
00:23:04,960 --> 00:23:07,280
Speaker 1: and for as many things as they failed at, I

408
00:23:07,320 --> 00:23:11,800
Speaker 1: do appreciate that, given the constraints of just what was available,

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Speaker 1: and that we did end up there, I do appreciate

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Speaker 1: that the powers that be filmed of what you saw

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Speaker 1: was just in the garden. Yeah, we didn't do it.

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Speaker 1: We didn't like the columns and the and the actual

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Speaker 1: structure of it, And I don't know. I don't have

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Speaker 1: an answer. I'm just I just feel that like feeling

415
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Speaker 1: we talk about it because we wouldn't go back. Um,

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Speaker 1: I'm already lost back there. There's like all these abandoned

417
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Speaker 1: buildings in those woods because I shot a couple of

418
00:23:45,880 --> 00:23:49,080
Speaker 1: things there. Yeah, there's a lot, there's so much on

419
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Speaker 1: that property. It's wild. It's like a lake in the

420
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Speaker 1: middle of Yeah, it's huge. I think the only other

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Speaker 1: I mean Airly is how big was Airly Gardens that

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Speaker 1: at a lake too, didn't Yeah, that was also massive

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Speaker 1: and didn't that used to be the Joneses property. It

424
00:24:06,880 --> 00:24:10,040
Speaker 1: was like Airly and Landfall. And then this is a

425
00:24:10,040 --> 00:24:12,400
Speaker 1: fun little tidbit for you guys at home. The phrase

426
00:24:13,080 --> 00:24:15,960
Speaker 1: this is what I've been told. I believe it's true. Um,

427
00:24:16,000 --> 00:24:19,880
Speaker 1: the phrase keeping up with the Joneses literally came from

428
00:24:19,880 --> 00:24:22,040
Speaker 1: this family who was like the wealthiest FAMI, one of

429
00:24:22,080 --> 00:24:25,600
Speaker 1: the wealthiest families, And it was in Wilmington's called the Joneses.

430
00:24:26,160 --> 00:24:30,760
Speaker 1: And they build the built more yeah probably, Yeah, it

431
00:24:30,800 --> 00:24:34,560
Speaker 1: was Pembroke Jones. Pembroke Jones, that's right, that's right. And

432
00:24:34,600 --> 00:24:37,480
Speaker 1: they had this massive, massive, massive property in Wilmington that

433
00:24:37,480 --> 00:24:40,280
Speaker 1: has now been split up into early gardens and Landfall

434
00:24:40,359 --> 00:24:42,440
Speaker 1: and the golf course and all this other stuff. But

435
00:24:42,480 --> 00:24:45,199
Speaker 1: that was all the Jones's property, so you wanted to

436
00:24:45,240 --> 00:24:47,920
Speaker 1: keep up with the Joneses. I love the Sophia. Noticed

437
00:24:47,960 --> 00:24:51,360
Speaker 1: that the reception was over and it was still daylight outside.

438
00:24:51,480 --> 00:24:53,879
Speaker 1: Sad well, No, it felt like it felt like the

439
00:24:53,920 --> 00:24:55,719
Speaker 1: budget of high schoolers, where it's like, you know, when

440
00:24:55,720 --> 00:24:57,919
Speaker 1: you're buying the wedding packages and you're like, am I

441
00:24:57,920 --> 00:24:59,640
Speaker 1: going to get the full bar that goes till two?

442
00:24:59,680 --> 00:25:04,600
Speaker 1: Am I'm gonna do the braunch wedding? That's right? Cost

443
00:25:04,640 --> 00:25:08,040
Speaker 1: effective man? And you get your friend mouth to be

444
00:25:08,080 --> 00:25:12,040
Speaker 1: the DJ. I loved it. I lstro turf inside that tent,

445
00:25:12,400 --> 00:25:15,280
Speaker 1: astro turf in the tent. Everything was purple. Guys, Why

446
00:25:15,320 --> 00:25:17,960
Speaker 1: did our set designers like purple so much? Even Le

447
00:25:18,040 --> 00:25:22,679
Speaker 1: Norris's tie with those big headphones on his tie was

448
00:25:22,760 --> 00:25:26,480
Speaker 1: like gray and purple and lavender stripes. Wow, they really

449
00:25:26,480 --> 00:25:31,359
Speaker 1: were obsessed with purple, red and white. That was it?

450
00:25:31,840 --> 00:25:33,919
Speaker 1: Maybe well, maybe that was like they were given that

451
00:25:33,960 --> 00:25:35,880
Speaker 1: note by the studio or something like keep the look.

452
00:25:35,920 --> 00:25:38,119
Speaker 1: These are the color schemes what we like for this show,

453
00:25:38,280 --> 00:25:40,480
Speaker 1: keep it. What are the color schemes for other shows?

454
00:25:40,640 --> 00:25:43,680
Speaker 1: What we need is like a like a Pinterest mood

455
00:25:43,680 --> 00:25:48,600
Speaker 1: board palette. I'm sure Sophia can coordinate that. I feel

456
00:25:48,640 --> 00:25:53,199
Speaker 1: like Dawson's Creek was like yellows and greens and oranges,

457
00:25:53,520 --> 00:25:58,200
Speaker 1: the orange I was gonna say. Yeah, we based everything

458
00:25:58,520 --> 00:26:03,200
Speaker 1: for Good Sam on like a really beautiful like peacock

459
00:26:03,359 --> 00:26:11,440
Speaker 1: teal and a copper colors and evolved and it was pretty.

460
00:26:12,480 --> 00:26:14,639
Speaker 1: I feel like my husband's show is just kind of

461
00:26:14,720 --> 00:26:18,679
Speaker 1: like brown. Yeah, that's just that's what I think of

462
00:26:18,720 --> 00:26:21,439
Speaker 1: when I think of Rocking Dead, just dirty brown and

463
00:26:21,480 --> 00:26:27,560
Speaker 1: gray brown, and it's brown. It's like a Cormick McCartney

464
00:26:27,560 --> 00:26:30,640
Speaker 1: novel come to life. But that's it. When you think

465
00:26:30,640 --> 00:26:34,200
Speaker 1: about the color palettes of your shows, that's an interesting

466
00:26:34,240 --> 00:26:36,280
Speaker 1: I've never thought to decorate my home and like my

467
00:26:36,440 --> 00:26:41,240
Speaker 1: favorite color palettes from TV shows. I'm gonna fall down

468
00:26:41,240 --> 00:26:43,639
Speaker 1: that rabbit hole later today. I bet it exists. The

469
00:26:43,640 --> 00:26:46,560
Speaker 1: Internet's vast. Yeah, there's an account that I follow on

470
00:26:46,640 --> 00:26:51,240
Speaker 1: Instagram that does the Pantone breakdowns of films. Yeah, that's

471
00:26:52,400 --> 00:27:05,240
Speaker 1: it is my favorite Pantone. Yeah, okay, let's talk about

472
00:27:05,280 --> 00:27:08,919
Speaker 1: Rachel and Cooper Daniel was so good that scene in

473
00:27:08,960 --> 00:27:16,600
Speaker 1: the God Wow, Well she was good. Like it's sloppy too,

474
00:27:16,680 --> 00:27:22,320
Speaker 1: because we've all been hurt the mad girl, like I've

475
00:27:22,359 --> 00:27:27,840
Speaker 1: acted out, But it's interesting because she we was We've

476
00:27:27,840 --> 00:27:30,639
Speaker 1: been saying about Rachel that she sort of had this

477
00:27:30,720 --> 00:27:33,600
Speaker 1: bird's eye view of everything, that she seemed so unbothered

478
00:27:34,400 --> 00:27:37,399
Speaker 1: by so many things, especially by Brooke. It just was

479
00:27:37,480 --> 00:27:40,720
Speaker 1: like she was so easy to shrug things off. So

480
00:27:41,280 --> 00:27:44,080
Speaker 1: it's interesting to see this character all of a sudden

481
00:27:44,200 --> 00:27:50,119
Speaker 1: just we found her Achilles heel. Yeah it's a boy,

482
00:27:51,840 --> 00:27:54,480
Speaker 1: but it's an older guy. I don't know, it's really

483
00:27:54,600 --> 00:27:56,720
Speaker 1: I don't know. It's interesting to me. Well, it's the

484
00:27:56,880 --> 00:28:02,680
Speaker 1: value that that attention gives you. And because she did

485
00:28:02,760 --> 00:28:04,800
Speaker 1: so badly just want to be older and out of

486
00:28:04,840 --> 00:28:09,560
Speaker 1: high school and over it all, I mean, Rachel and

487
00:28:09,600 --> 00:28:11,679
Speaker 1: to be loved as a trophy guy that you know,

488
00:28:11,840 --> 00:28:15,320
Speaker 1: Rachel has this storyline that she built herself into a

489
00:28:15,359 --> 00:28:20,840
Speaker 1: trophy girl to like she was worthy, which she had

490
00:28:20,840 --> 00:28:26,879
Speaker 1: a term that she used right with mouth edwards. She

491
00:28:27,080 --> 00:28:30,879
Speaker 1: made herself an elite girl and you know the NASCAR

492
00:28:31,080 --> 00:28:36,639
Speaker 1: superstar that's that's a pretty elite guy and she I

493
00:28:36,680 --> 00:28:40,760
Speaker 1: think there is that thing of wanting to be worthy

494
00:28:40,880 --> 00:28:46,000
Speaker 1: and and she really brought that Rachel backstory into this

495
00:28:46,480 --> 00:28:48,840
Speaker 1: storyline in a way. As an actor that was so

496
00:28:48,920 --> 00:28:51,880
Speaker 1: beautiful and you could see the hurt and the rage

497
00:28:52,160 --> 00:28:55,160
Speaker 1: and that sort of anger and that acting out. It's

498
00:28:55,200 --> 00:28:58,960
Speaker 1: just a mask for your wound. And to see her

499
00:29:00,520 --> 00:29:03,240
Speaker 1: act out first and then kind of dropped the mask

500
00:29:03,360 --> 00:29:08,120
Speaker 1: and be this heartbroken girl. The little girl thing really

501
00:29:08,240 --> 00:29:13,920
Speaker 1: jarring to see she was acting. She's a little kid,

502
00:29:14,360 --> 00:29:18,560
Speaker 1: a little like puffy little days. Her makeup was splotchy,

503
00:29:18,840 --> 00:29:24,720
Speaker 1: so she just looked so young and sad and scared. Yeah, wait,

504
00:29:24,720 --> 00:29:26,360
Speaker 1: what do we think she was going to tell Cooper?

505
00:29:26,440 --> 00:29:30,240
Speaker 1: I think she said she's pregnant. Surely not all the

506
00:29:30,240 --> 00:29:35,880
Speaker 1: girls made that announcement on the same day. Brooke was

507
00:29:35,920 --> 00:29:40,920
Speaker 1: worried Karen is pregnant. Haley I think it's also pregnant. Yeah,

508
00:29:40,920 --> 00:29:44,320
Speaker 1: I think Haley is pregnant. But won't isn't this? Isn't

509
00:29:44,400 --> 00:29:48,600
Speaker 1: this gonna be when Brook kind of takes the fall

510
00:29:49,040 --> 00:29:52,760
Speaker 1: per Haley being pregnant for a little bit, I guess,

511
00:29:52,760 --> 00:29:56,120
Speaker 1: So remember that that happened. Oh yeah, Oh you guys

512
00:29:56,160 --> 00:29:59,160
Speaker 1: weren't talking to me at that point because we really

513
00:29:59,200 --> 00:30:02,800
Speaker 1: still does love painting anymore. We really stole storylines from Friends.

514
00:30:03,640 --> 00:30:07,040
Speaker 1: We did. That's a total yes. When Rachel's pregnant and

515
00:30:07,080 --> 00:30:10,320
Speaker 1: Monica takes the hit for her for like two or

516
00:30:10,320 --> 00:30:15,360
Speaker 1: three episodes. I missed that season. I think, Well, apparently

517
00:30:15,360 --> 00:30:19,120
Speaker 1: the writer's room didn't. Well. Also, there's just only so

518
00:30:19,160 --> 00:30:22,680
Speaker 1: many things people can do. It's like, you're when you

519
00:30:22,720 --> 00:30:26,160
Speaker 1: get pregnant, you either tell people or you don't. You're

520
00:30:26,200 --> 00:30:28,880
Speaker 1: as a girl, you're either pregnant or you're not. We

521
00:30:28,920 --> 00:30:35,800
Speaker 1: need a mash mashing. So we're pregnant, not pregnant, don't

522
00:30:35,840 --> 00:30:39,920
Speaker 1: tell single partnered, you know. I don't know. There's like

523
00:30:40,000 --> 00:30:43,520
Speaker 1: not that many things that happened to everybody, so I

524
00:30:43,600 --> 00:30:45,200
Speaker 1: kind of get it. But I didn't know that they

525
00:30:45,200 --> 00:30:48,360
Speaker 1: did that on Friends. Yeah, any that might be coming up,

526
00:30:48,400 --> 00:30:50,640
Speaker 1: So we covered their poster and then we copied their stories.

527
00:30:51,960 --> 00:30:56,280
Speaker 1: I love the accuracy though, of showing how getting stressed

528
00:30:56,280 --> 00:30:58,760
Speaker 1: out everyone was behind the scenes at this wedding because

529
00:30:58,800 --> 00:31:01,880
Speaker 1: everyone wants it to be so perfect for Nathan and Haley,

530
00:31:01,920 --> 00:31:04,680
Speaker 1: but meanwhile all the friends are imploading and so that

531
00:31:04,800 --> 00:31:07,640
Speaker 1: walk down the aisle where everyone is faking smiles and

532
00:31:07,680 --> 00:31:11,440
Speaker 1: deb is like I hate you so much. We're talking

533
00:31:11,440 --> 00:31:14,360
Speaker 1: to each other like everyone is faking it. And I

534
00:31:14,400 --> 00:31:17,000
Speaker 1: have been at those weddings where people are just like

535
00:31:17,120 --> 00:31:19,680
Speaker 1: this sucks. Okay, cool, how are we going to get

536
00:31:19,680 --> 00:31:23,560
Speaker 1: out of here? There's like, you know, there's there's so

537
00:31:23,640 --> 00:31:26,040
Speaker 1: much work to do, and when you are close to

538
00:31:26,040 --> 00:31:28,240
Speaker 1: the bride and groom, you want to be the people

539
00:31:28,560 --> 00:31:30,880
Speaker 1: that do it, that like up and do it. So

540
00:31:30,880 --> 00:31:32,640
Speaker 1: I've been at weddings where I've done all the hair

541
00:31:32,640 --> 00:31:35,520
Speaker 1: and makeup are done, the floor arrangements done, whatever, and

542
00:31:35,560 --> 00:31:38,320
Speaker 1: you end up looking like at the wedding and you're

543
00:31:38,440 --> 00:31:42,520
Speaker 1: so tired ceremony and just like, oh, let's get this over.

544
00:31:43,160 --> 00:31:45,200
Speaker 1: I guess I just say your thing. Yeah, we all

545
00:31:45,200 --> 00:31:48,200
Speaker 1: know you love each other. Ahead, okay, now we're so

546
00:31:48,280 --> 00:31:52,520
Speaker 1: happy for you, we're also so tired. We're so tired. Yeah.

547
00:31:52,520 --> 00:31:54,880
Speaker 1: It's true that I think has been the greatest lesson

548
00:31:55,000 --> 00:31:59,440
Speaker 1: for me of this stage we're in as grown ups

549
00:32:00,800 --> 00:32:04,600
Speaker 1: is making sure if you ask people to come to something,

550
00:32:04,640 --> 00:32:08,320
Speaker 1: they don't have to work, because all of our friends

551
00:32:08,360 --> 00:32:12,400
Speaker 1: are helpers. Like that's what we do. We jump in

552
00:32:12,840 --> 00:32:14,680
Speaker 1: and go what do you need? Let me get it.

553
00:32:14,760 --> 00:32:16,400
Speaker 1: I got that. Hold on, let me get the bag

554
00:32:16,400 --> 00:32:17,720
Speaker 1: and I'll do the thing. And I'll run around the

555
00:32:17,720 --> 00:32:20,120
Speaker 1: corner to those sorts of get you the tights, whatever

556
00:32:20,160 --> 00:32:24,680
Speaker 1: it is. And God, when you can and you can

557
00:32:24,720 --> 00:32:27,360
Speaker 1: invite people to something and be like, for real, all

558
00:32:27,440 --> 00:32:30,880
Speaker 1: you have to do is drink a glass of wine, enjoy,

559
00:32:30,920 --> 00:32:36,520
Speaker 1: Like that is the marker. I'm not doing a school

560
00:32:36,520 --> 00:32:40,840
Speaker 1: project right now, friends, drink your wine. How about well,

561
00:32:40,840 --> 00:32:43,840
Speaker 1: speaking of helping out, how about Dan starting out by

562
00:32:43,880 --> 00:32:49,920
Speaker 1: tying Lucas is tie. That was so gross And I

563
00:32:49,960 --> 00:32:53,600
Speaker 1: was also confused by Dan in this episode, well, like

564
00:32:53,880 --> 00:32:56,920
Speaker 1: the way he wanted to father Lucas in that moment

565
00:32:57,000 --> 00:33:00,360
Speaker 1: to be parental, and then the way that he went

566
00:33:00,440 --> 00:33:06,000
Speaker 1: to Karen and hugged her. I hated it. I had

567
00:33:06,240 --> 00:33:09,520
Speaker 1: a totally opposite reaction. What oh my god. It made

568
00:33:09,520 --> 00:33:12,960
Speaker 1: me so uncomfortable. I was so upset. I know you

569
00:33:12,960 --> 00:33:15,920
Speaker 1: guys were like, grow grossed out. I think I was

570
00:33:16,160 --> 00:33:19,640
Speaker 1: like I was looking at Paul's face and seeing how

571
00:33:24,040 --> 00:33:27,960
Speaker 1: remorseful Dan Wasn't that No, I know, I know, I

572
00:33:28,040 --> 00:33:29,840
Speaker 1: know Dan, you know he does it. He does it

573
00:33:29,880 --> 00:33:31,240
Speaker 1: and then he takes it back and then he does

574
00:33:31,240 --> 00:33:33,479
Speaker 1: he does crazy things and then he apologizes that. I mean,

575
00:33:33,520 --> 00:33:36,440
Speaker 1: that's just his habit. We know he's like, uh, nut.

576
00:33:37,400 --> 00:33:42,880
Speaker 1: But I think, as a single mom, having done all

577
00:33:42,960 --> 00:33:53,160
Speaker 1: that work myself, um, the idea of hearing that from

578
00:33:53,200 --> 00:33:56,840
Speaker 1: the one person who never, you know, I would have

579
00:33:56,880 --> 00:33:59,600
Speaker 1: said he Dan never ever said that to Karen and

580
00:33:59,640 --> 00:34:02,800
Speaker 1: they that he would have taken a moment to say,

581
00:34:02,920 --> 00:34:06,440
Speaker 1: I never apologized for how I treated you, and the

582
00:34:06,480 --> 00:34:10,880
Speaker 1: way you could tell he was actually really wrought. And

583
00:34:11,320 --> 00:34:14,280
Speaker 1: I know he's a narcissist, I know he's a nut,

584
00:34:14,320 --> 00:34:18,239
Speaker 1: but that moment like meant something to me as a

585
00:34:18,280 --> 00:34:20,399
Speaker 1: single mom. I was like, Wow, that to hear that

586
00:34:20,800 --> 00:34:24,040
Speaker 1: from the one person who you know never did or

587
00:34:24,080 --> 00:34:27,400
Speaker 1: would never say that, it's like, oh my god, that's

588
00:34:27,480 --> 00:34:32,440
Speaker 1: so meaningful. And I understood exactly why she confessed that

589
00:34:32,520 --> 00:34:35,880
Speaker 1: she was pregnant in that moment, like knowing their history,

590
00:34:36,000 --> 00:34:40,640
Speaker 1: knowing like everything that they've it's it's once you're tied

591
00:34:40,680 --> 00:34:43,800
Speaker 1: in so tightly with someone, the good and the battle

592
00:34:43,880 --> 00:34:48,200
Speaker 1: kind of come out at the same time. Sometimes I think, Um,

593
00:34:48,239 --> 00:34:51,040
Speaker 1: I didn't and I understood his instinct to want to

594
00:34:51,080 --> 00:34:53,439
Speaker 1: care and her instinct to go to him. It wasn't

595
00:34:53,480 --> 00:34:56,120
Speaker 1: like she actually trusted him. I didn't feel that she

596
00:34:56,280 --> 00:34:59,880
Speaker 1: was by letting him hug her or by accepting that

597
00:35:00,040 --> 00:35:02,080
Speaker 1: moment of safety from him. It didn't feel like she

598
00:35:02,160 --> 00:35:04,279
Speaker 1: was like, Okay, now forever we're friends and you can

599
00:35:04,320 --> 00:35:07,799
Speaker 1: take care of my baby. But there was it was

600
00:35:07,840 --> 00:35:11,080
Speaker 1: like a peacemaking moment, and I just appreciated the moment

601
00:35:11,120 --> 00:35:16,040
Speaker 1: of like two people who really really had so much

602
00:35:16,480 --> 00:35:19,160
Speaker 1: awful things passed between them to have a moment of peace,

603
00:35:19,680 --> 00:35:22,239
Speaker 1: I guess. And it's interesting to hear the way you

604
00:35:22,280 --> 00:35:28,279
Speaker 1: say it, because yes, there are things I've experienced where

605
00:35:28,280 --> 00:35:31,960
Speaker 1: I would love somebody to say, wow, I'm really sorry,

606
00:35:32,480 --> 00:35:34,759
Speaker 1: Like that would be so nice, but not like validating,

607
00:35:34,840 --> 00:35:37,359
Speaker 1: not like oh finally they said it. It's like it's

608
00:35:37,400 --> 00:35:39,920
Speaker 1: just you hunger for that sort of like well, but

609
00:35:40,000 --> 00:35:42,040
Speaker 1: that's what I mean, Like it would be nice to

610
00:35:42,840 --> 00:35:46,200
Speaker 1: receive that. Yeah, I'm not waiting for it, but but

611
00:35:46,280 --> 00:35:48,320
Speaker 1: once you said it, I went, yeah, that would actually

612
00:35:48,360 --> 00:35:51,759
Speaker 1: be really interesting. I think what gave me that like

613
00:35:52,000 --> 00:35:56,120
Speaker 1: creepy Crowley feeling was he was so clearly in this

614
00:35:56,239 --> 00:36:02,759
Speaker 1: moment of realization of his own monstrous behavior, and it

615
00:36:02,880 --> 00:36:08,799
Speaker 1: just comes out because he is speaking about Keith with sadness.

616
00:36:09,200 --> 00:36:15,120
Speaker 1: She doesn't know why obviously, and I don't know he's

617
00:36:15,160 --> 00:36:18,799
Speaker 1: so desperate for to be redeemed. Sure, but about I

618
00:36:18,800 --> 00:36:22,799
Speaker 1: guess to me it felt like he he wanted he

619
00:36:22,920 --> 00:36:27,920
Speaker 1: wanted to be the good guy or like for me,

620
00:36:28,920 --> 00:36:32,440
Speaker 1: our boss. The two sides to that coin are half

621
00:36:32,440 --> 00:36:35,240
Speaker 1: of him was Mouth and half of him was Dan Scott,

622
00:36:35,600 --> 00:36:38,480
Speaker 1: and he was processing his own ego bullsh through those

623
00:36:38,480 --> 00:36:43,200
Speaker 1: two characters. And so he's the Dance Scott of my

624
00:36:43,280 --> 00:36:45,719
Speaker 1: life right where it's like, I'm gonna pretend to be

625
00:36:45,760 --> 00:36:47,600
Speaker 1: your friend, I'm going to be your mentor, I'm going

626
00:36:47,640 --> 00:36:49,759
Speaker 1: to do all the things for you. I believe in

627
00:36:49,800 --> 00:36:53,040
Speaker 1: you and you're so special and then you don't you

628
00:36:53,360 --> 00:36:55,839
Speaker 1: you know, like that attitude. And so when I see

629
00:36:55,920 --> 00:37:00,279
Speaker 1: Dan doing that, my reaction is, oh, I never one

630
00:37:00,320 --> 00:37:03,560
Speaker 1: an apology. You stay as farther away from me is

631
00:37:03,640 --> 00:37:08,319
Speaker 1: humanly possible for eternity. Yeah, I am scorched Earth. I

632
00:37:08,360 --> 00:37:11,400
Speaker 1: get that. Don't even come up here. I totally get that. Yeah,

633
00:37:11,440 --> 00:37:14,960
Speaker 1: And so it's well, but it's different because ultimately for him,

634
00:37:15,120 --> 00:37:17,560
Speaker 1: his own ego, like even though it was sincere in

635
00:37:17,600 --> 00:37:20,480
Speaker 1: the moment, and he was desperate for redemption. He's looking

636
00:37:20,560 --> 00:37:24,120
Speaker 1: for it from the wrong place. Sure, well, then he's

637
00:37:24,120 --> 00:37:29,600
Speaker 1: only desperate for redemption, so upset, but he the anger

638
00:37:29,640 --> 00:37:32,840
Speaker 1: out on the wrong person. All of our personal experiences

639
00:37:33,960 --> 00:37:39,200
Speaker 1: color what we see three totally different ways, of course.

640
00:37:39,480 --> 00:37:42,120
Speaker 1: And you know, for the audience of whatever two million

641
00:37:42,239 --> 00:37:45,160
Speaker 1: kids a week that were watching the show, who were

642
00:37:45,200 --> 00:37:50,440
Speaker 1: they envisioning their teacher, their parents, you know, like their partner, whatever. Um.

643
00:37:50,760 --> 00:37:53,640
Speaker 1: But I was I got emotional. I was watching that

644
00:37:53,680 --> 00:37:57,960
Speaker 1: scene and there was instantly got emotional, and you guys

645
00:37:58,000 --> 00:38:03,279
Speaker 1: were like, I got so naushas I'm still nauseous. Is

646
00:38:03,320 --> 00:38:06,640
Speaker 1: my chest read like it? That was my favorite. I

647
00:38:06,719 --> 00:38:08,920
Speaker 1: loved that scene between the two of you going to

648
00:38:09,000 --> 00:38:12,680
Speaker 1: Brooke and payton Um in the bedroom because I loved

649
00:38:12,920 --> 00:38:15,239
Speaker 1: even though it was a little extra. I mean, that

650
00:38:15,440 --> 00:38:18,279
Speaker 1: drama was so like if I had slept with her

651
00:38:18,360 --> 00:38:21,960
Speaker 1: husband and they had four children. Yes, let's go there,

652
00:38:23,600 --> 00:38:26,200
Speaker 1: who we didn't even talk to in school last year.

653
00:38:26,719 --> 00:38:32,400
Speaker 1: We even talked to this. But your chest got so red.

654
00:38:32,600 --> 00:38:36,160
Speaker 1: It's so funny that you were. I love seeing that. Well, yeah,

655
00:38:36,200 --> 00:38:39,920
Speaker 1: because also there was this sense when they were writing

656
00:38:39,920 --> 00:38:43,800
Speaker 1: all of the Peyton Brooke breakup stuff that like we've

657
00:38:43,840 --> 00:38:47,600
Speaker 1: done all this work to get over the competition, to

658
00:38:47,719 --> 00:38:50,480
Speaker 1: get over the team Brooke, team Payton of it all,

659
00:38:50,920 --> 00:38:56,000
Speaker 1: and Janoah's all falling apart. It felt physically bad, like

660
00:38:57,200 --> 00:38:59,400
Speaker 1: it really like you know when your body chemicals are

661
00:38:59,400 --> 00:39:01,120
Speaker 1: doing stuff when you're acting and you're like, I have

662
00:39:01,200 --> 00:39:04,759
Speaker 1: zero control over this. It just feels toxic and kind

663
00:39:04,800 --> 00:39:08,120
Speaker 1: of like acidic in your throat. And that was my

664
00:39:08,200 --> 00:39:11,120
Speaker 1: reaction to all the Brook Peyton having a fight and

665
00:39:11,120 --> 00:39:13,520
Speaker 1: so like I knew, Sophia is slapping at me like

666
00:39:13,719 --> 00:39:18,000
Speaker 1: it was up setting. That was awful set, and I

667
00:39:18,080 --> 00:39:21,520
Speaker 1: liked that Peyton's reaction was like I'm not going to react.

668
00:39:21,760 --> 00:39:23,439
Speaker 1: I'm not going to react. I'm not gonna re act.

669
00:39:23,480 --> 00:39:24,920
Speaker 1: I love you. I'm gonna love you through this. And

670
00:39:25,040 --> 00:39:28,440
Speaker 1: it's like not working and she finally reached her threshold.

671
00:39:28,440 --> 00:39:31,520
Speaker 1: It's how I work with my kids, Like my kids

672
00:39:31,520 --> 00:39:33,400
Speaker 1: are farting around. I'm like, I'm gonna let you have

673
00:39:33,440 --> 00:39:36,680
Speaker 1: this moment. Okay, you slam the door, you could, Okay,

674
00:39:36,880 --> 00:39:38,799
Speaker 1: you're gonna throw hands. We're gonna throw hands. That's what

675
00:39:38,840 --> 00:39:42,040
Speaker 1: we're gonna do. How long is this gonna go on

676
00:39:42,239 --> 00:39:44,120
Speaker 1: like is there a clock on it? And then finally

677
00:39:44,120 --> 00:39:46,080
Speaker 1: you hit your point where you're like, now I have

678
00:39:46,120 --> 00:39:49,200
Speaker 1: to Now we're done. Now I'm an asshole. Yeah, but

679
00:39:49,280 --> 00:39:51,799
Speaker 1: that's important to parenting. Kids have to know when where

680
00:39:51,800 --> 00:39:54,600
Speaker 1: their limit is. That's part of the great thing about

681
00:39:54,600 --> 00:39:56,400
Speaker 1: being a parent is that you're the safe place that

682
00:39:56,440 --> 00:39:59,040
Speaker 1: the kids can go crazy. But they know that there

683
00:39:59,080 --> 00:40:02,480
Speaker 1: will be a wall all that they hit and it's

684
00:40:02,480 --> 00:40:05,600
Speaker 1: a it's a boundary that feels safe, so they know

685
00:40:05,840 --> 00:40:08,800
Speaker 1: what the rules are. I wanted. I wanted to be

686
00:40:09,000 --> 00:40:19,160
Speaker 1: soft and gentle like a parent with Brooks. But here's

687
00:40:19,160 --> 00:40:20,680
Speaker 1: the thing. Okay, all right, we need to clean this

688
00:40:20,719 --> 00:40:22,600
Speaker 1: up though, because the audience has been giving me about

689
00:40:22,600 --> 00:40:24,840
Speaker 1: this for so long. What They're all like, ok, you

690
00:40:24,960 --> 00:40:27,920
Speaker 1: believe you were told brook you foolds for looks. I'm like, yeah,

691
00:40:28,040 --> 00:40:30,560
Speaker 1: because the last time when Peyton didn't, she got into

692
00:40:30,600 --> 00:40:33,720
Speaker 1: old for that. So please, yeah, for the love of God,

693
00:40:34,040 --> 00:40:36,640
Speaker 1: someone tell me what Peyton was supposed to do. Yeah,

694
00:40:37,360 --> 00:40:40,120
Speaker 1: here's the thing. What it is. It's not actually that

695
00:40:40,160 --> 00:40:43,480
Speaker 1: they're mad that you that Peyton told brook which, by

696
00:40:43,520 --> 00:40:47,560
Speaker 1: the way, yeah, it's not that they're mad that Peyton

697
00:40:47,600 --> 00:40:51,320
Speaker 1: told Brook. It's that they're mad at the situation. Somebody

698
00:40:51,320 --> 00:40:53,920
Speaker 1: being in love with their best friend's boyfriend, that's a

699
00:40:53,920 --> 00:40:58,759
Speaker 1: shitty situation, even when she liked him first. But but

700
00:40:58,960 --> 00:41:04,280
Speaker 1: you have but she said she didn't brooke ast many times,

701
00:41:01,719 --> 00:41:06,560
Speaker 1: and here Peyton was like, no, I don't know, I

702
00:41:06,560 --> 00:41:09,080
Speaker 1: don't know, I don't and but this is it? Right?

703
00:41:09,320 --> 00:41:13,240
Speaker 1: People could see it. She didn't say it, I asked,

704
00:41:13,520 --> 00:41:18,200
Speaker 1: but I couldn't see it. So everybody's right and everybody's wrong.

705
00:41:18,680 --> 00:41:21,120
Speaker 1: But I think what we really need to come to

706
00:41:21,280 --> 00:41:24,920
Speaker 1: terms with is that somebody being in love with their

707
00:41:24,960 --> 00:41:28,919
Speaker 1: best friend's partner is a shitty situation. Yeah, you don't

708
00:41:28,920 --> 00:41:31,160
Speaker 1: have a good option and a bad option. You have

709
00:41:31,239 --> 00:41:35,960
Speaker 1: a bad option and a worse option. Yeah, so lying

710
00:41:36,000 --> 00:41:39,960
Speaker 1: about it and kissing Lucas behind Brooks back worse option.

711
00:41:40,800 --> 00:41:44,320
Speaker 1: Telling Brooke you're in love with her boyfriend bad option.

712
00:41:44,520 --> 00:41:46,840
Speaker 1: But it's the better of the two options. So people

713
00:41:46,840 --> 00:41:49,040
Speaker 1: need to stop saying, well, why would Peyton tell her

714
00:41:49,080 --> 00:41:52,200
Speaker 1: it's like because at least she's being honest. Yeah, because

715
00:41:52,200 --> 00:41:53,839
Speaker 1: what else are you supping to do? Like, you can't

716
00:41:53,840 --> 00:41:55,920
Speaker 1: live your life hanging out with your best friend and

717
00:41:55,960 --> 00:41:58,080
Speaker 1: her boyfriend who you're in love with and then you

718
00:41:58,160 --> 00:42:00,399
Speaker 1: like never quite yourself, and at the to the day,

719
00:42:00,440 --> 00:42:03,120
Speaker 1: you're either going to start distancing yourself from your friend

720
00:42:03,520 --> 00:42:05,640
Speaker 1: because you just can't keep being around them, and then

721
00:42:05,640 --> 00:42:07,439
Speaker 1: your friend's going to feel like, why did I lose

722
00:42:07,480 --> 00:42:10,600
Speaker 1: my best friend? Why are you being a weird? At least?

723
00:42:10,719 --> 00:42:12,640
Speaker 1: I mean, I think you did exactly the right thing.

724
00:42:12,719 --> 00:42:15,319
Speaker 1: I think what else was just pain supposed to do? Yeah,

725
00:42:15,360 --> 00:42:21,120
Speaker 1: it's it's really weird to me when people want characters

726
00:42:22,120 --> 00:42:27,880
Speaker 1: to be perfect, but they also watch their favorite characters

727
00:42:27,960 --> 00:42:30,880
Speaker 1: for the drama and they watch for the conflict, they

728
00:42:30,960 --> 00:42:34,040
Speaker 1: watch for the modeling of conflict resolution, and it's like

729
00:42:34,719 --> 00:42:38,080
Speaker 1: life is super messy. You know, every single one of

730
00:42:38,160 --> 00:42:43,000
Speaker 1: us has had our hearts completely broken by someone, and

731
00:42:43,040 --> 00:42:49,520
Speaker 1: we've broken hearts who as you know, it's you're You're

732
00:42:49,600 --> 00:42:52,319
Speaker 1: never going to get through life without being wounded or

733
00:42:52,360 --> 00:42:55,799
Speaker 1: without wounding someone else. The whole point is, how are

734
00:42:55,840 --> 00:42:59,080
Speaker 1: you going to learn to show up, to be honest,

735
00:42:59,440 --> 00:43:01,640
Speaker 1: to have grace for other people, to learn to have

736
00:43:01,680 --> 00:43:05,920
Speaker 1: grace for yourself, to be a good friend, and and

737
00:43:06,000 --> 00:43:08,640
Speaker 1: to get through the mess in any measure of with

738
00:43:08,680 --> 00:43:13,080
Speaker 1: any measure of honesty. I'm just realizing that our eighth

739
00:43:13,160 --> 00:43:17,719
Speaker 1: grade dance, I was Peyton Sawyer horrible. What did you do?

740
00:43:17,840 --> 00:43:22,960
Speaker 1: I was in love with this boy since kindergarten, talk

741
00:43:23,000 --> 00:43:26,960
Speaker 1: about him all the time, and he wanted to date

742
00:43:27,000 --> 00:43:29,200
Speaker 1: my friend, and I wanted him to date my friend,

743
00:43:29,360 --> 00:43:31,560
Speaker 1: like I wanted to be noble, like Peyton wanted to

744
00:43:31,560 --> 00:43:35,319
Speaker 1: be noble. So I talked myself into going out with

745
00:43:35,520 --> 00:43:38,680
Speaker 1: his best friend. I went out with his best friend, John,

746
00:43:39,160 --> 00:43:40,880
Speaker 1: and we were going to go to the school dance.

747
00:43:41,440 --> 00:43:43,279
Speaker 1: I got to the school dance and John was were

748
00:43:43,280 --> 00:43:45,719
Speaker 1: in a new outfit, and I was sick to my

749
00:43:45,800 --> 00:43:49,120
Speaker 1: stomach because I was like, I don't really like this guy.

750
00:43:49,200 --> 00:43:51,839
Speaker 1: I'm just trying to like who everyone told me to like,

751
00:43:52,280 --> 00:43:55,319
Speaker 1: And is that what they be doing with? Like, like,

752
00:43:55,560 --> 00:43:58,280
Speaker 1: it'd be easier for everyone if I just with Pete

753
00:43:58,520 --> 00:44:01,080
Speaker 1: or with Jake, like Jake's Gray eight, But like, it

754
00:44:01,120 --> 00:44:04,239
Speaker 1: will be easier for everyone if I picked someone no

755
00:44:04,239 --> 00:44:07,480
Speaker 1: one wants to compete with. I feel that way about

756
00:44:07,480 --> 00:44:11,960
Speaker 1: Peyton and Pete for sure. I still feel like Peyton

757
00:44:12,000 --> 00:44:14,000
Speaker 1: and Jake really had it. But then we lost Brian

758
00:44:14,080 --> 00:44:19,200
Speaker 1: Greenberg energy and we had to pretend that Peyton didn't

759
00:44:19,200 --> 00:44:22,160
Speaker 1: love Jake. Yeah, you know what I want for Peyton

760
00:44:22,920 --> 00:44:26,040
Speaker 1: someone not from Tree Hill? Like, is there someone from

761
00:44:26,040 --> 00:44:33,680
Speaker 1: New York City? Is there someone from from that'd be fun? Yeah?

762
00:44:34,000 --> 00:44:37,680
Speaker 1: Is there someone who didn't grow up along that river bank?

763
00:44:39,680 --> 00:44:43,480
Speaker 1: Somebody like like the grown up version of a foreign

764
00:44:43,480 --> 00:44:47,840
Speaker 1: exchange student. That's who Payton needs to be with. Somebody

765
00:44:47,880 --> 00:44:50,960
Speaker 1: who came from another country, speaks a couple of the languages,

766
00:44:51,000 --> 00:44:53,839
Speaker 1: should get a passport out of the second marriage. It's

767
00:44:53,880 --> 00:44:56,640
Speaker 1: like Lucas is her Lourie, but she really needs to

768
00:44:56,680 --> 00:44:58,759
Speaker 1: find her what's his name? Frederick? Who was the guy

769
00:44:58,840 --> 00:45:03,200
Speaker 1: Joe Mary? Yes, the hot older guy. Yeah right, I

770
00:45:03,200 --> 00:45:08,880
Speaker 1: mean that's my vibe. Whatever. Man, sometimes you got to

771
00:45:08,920 --> 00:45:12,600
Speaker 1: take from life and turnative art. Fine, So what else

772
00:45:12,640 --> 00:45:15,880
Speaker 1: didn't we've hit on this episode? I mean, well, you're Brooke,

773
00:45:16,200 --> 00:45:18,520
Speaker 1: You're seen with Lucas where you're like, why don't you

774
00:45:18,560 --> 00:45:21,239
Speaker 1: ever let me all the way in Sophia. There's a

775
00:45:21,280 --> 00:45:24,560
Speaker 1: reason the fans post gifts of that and like put

776
00:45:24,600 --> 00:45:28,319
Speaker 1: it up all the time. That was rude all it

777
00:45:28,440 --> 00:45:32,319
Speaker 1: was so say, I loved it. I loved it. That

778
00:45:32,400 --> 00:45:35,640
Speaker 1: was one of the best pieces of writing they had

779
00:45:35,680 --> 00:45:39,680
Speaker 1: given me in three years, Like I read that and thought, oh,

780
00:45:39,800 --> 00:45:45,440
Speaker 1: I know, I know this, this this is important, Like

781
00:45:45,800 --> 00:45:47,960
Speaker 1: this isn't something I have to figure out how to

782
00:45:48,000 --> 00:45:51,600
Speaker 1: be okay with doing, you know, or like fight to

783
00:45:51,680 --> 00:45:54,120
Speaker 1: make it better. I was like, no, this is true.

784
00:45:54,360 --> 00:46:00,200
Speaker 1: This is like a true human experience. And yeah, I

785
00:46:00,239 --> 00:46:03,960
Speaker 1: loved I loved that scene. What's so weird is that

786
00:46:04,000 --> 00:46:07,040
Speaker 1: we have this episode about high schoolers getting married, so

787
00:46:07,120 --> 00:46:09,839
Speaker 1: trying to act like grown ups, but we see so

788
00:46:09,880 --> 00:46:12,840
Speaker 1: many of our beloved high school girls acting like really

789
00:46:13,000 --> 00:46:17,120
Speaker 1: little girls. Book is a little girl in this episode,

790
00:46:17,200 --> 00:46:20,719
Speaker 1: and Rachel is a little girl in this episode, and

791
00:46:20,800 --> 00:46:23,640
Speaker 1: so it's I don't know. That duality is kind of weird.

792
00:46:23,880 --> 00:46:28,880
Speaker 1: It's like we've got babies getting married against the backdrop

793
00:46:28,920 --> 00:46:35,920
Speaker 1: of babies sad. And it's interesting because it is. There's

794
00:46:35,960 --> 00:46:39,480
Speaker 1: a there's an innocence to it, and a and a

795
00:46:39,560 --> 00:46:42,800
Speaker 1: desperation to be seen and loved and you know, held,

796
00:46:42,800 --> 00:46:46,160
Speaker 1: and to feel safe. But I also think there's an

797
00:46:46,160 --> 00:46:52,520
Speaker 1: inverse that is so mature to say, I see you

798
00:46:52,640 --> 00:46:56,360
Speaker 1: and you don't see me. You don't you tell me

799
00:46:56,400 --> 00:46:58,520
Speaker 1: how you feel, but you don't act like it with me.

800
00:46:58,640 --> 00:47:01,360
Speaker 1: And I know the difference. I'm smart enough to know

801
00:47:01,480 --> 00:47:07,319
Speaker 1: the difference, and I think there's something there. You know,

802
00:47:08,280 --> 00:47:10,279
Speaker 1: We've talked a lot as we've been on tour about

803
00:47:10,320 --> 00:47:12,560
Speaker 1: what the turning points have been for our characters. And

804
00:47:12,840 --> 00:47:15,799
Speaker 1: I think about brook starting our business and beginning, you know,

805
00:47:15,840 --> 00:47:18,640
Speaker 1: to stop letting boys define her as such a turning point.

806
00:47:18,960 --> 00:47:22,840
Speaker 1: But I realize that even that scene between Brooke and

807
00:47:22,920 --> 00:47:26,280
Speaker 1: Lucas is a turning point for her because she says,

808
00:47:27,160 --> 00:47:29,760
Speaker 1: you tell me that you missed me, but you didn't call.

809
00:47:30,760 --> 00:47:32,759
Speaker 1: You know, you say you needed to be alone, but

810
00:47:33,320 --> 00:47:36,280
Speaker 1: I was going through this too, and you you didn't care.

811
00:47:37,000 --> 00:47:40,840
Speaker 1: And she's beginning to really assert that she deserves to

812
00:47:40,920 --> 00:47:46,680
Speaker 1: be respected and included and acknowledged and being included the

813
00:47:46,760 --> 00:47:52,279
Speaker 1: big thing, like, especially when you're you're dating someone you're

814
00:47:52,320 --> 00:47:55,120
Speaker 1: kind of insecure about, you know, if they talked to

815
00:47:55,280 --> 00:47:58,080
Speaker 1: their friends about you, you know, if they like boys

816
00:47:58,080 --> 00:47:59,920
Speaker 1: are so dumb about that stuff though they don't know,

817
00:48:00,120 --> 00:48:04,680
Speaker 1: like how they're not emotionally intelligent generally. I think that's

818
00:48:04,719 --> 00:48:09,040
Speaker 1: a cop out. I think that whole things I'm like

819
00:48:09,560 --> 00:48:11,600
Speaker 1: or maybe they're just I don't think it has to

820
00:48:11,640 --> 00:48:15,000
Speaker 1: do with swer. I think their brains are just they

821
00:48:15,120 --> 00:48:17,799
Speaker 1: just think differently they're wired differently, so they don't think

822
00:48:17,800 --> 00:48:21,279
Speaker 1: about like we are. We are narratives, were storytellers. We

823
00:48:21,360 --> 00:48:25,200
Speaker 1: have this a lot of this emotional connection instinct and

824
00:48:25,239 --> 00:48:28,960
Speaker 1: that's again like tribal from many, many, many many. As

825
00:48:29,040 --> 00:48:32,440
Speaker 1: the mother of a boy, it's an evolutionary thing because

826
00:48:33,680 --> 00:48:36,920
Speaker 1: there's no one more sensitive sweet son. Yes, there was

827
00:48:36,960 --> 00:48:39,279
Speaker 1: no one with a more like feminist let's talk about

828
00:48:39,280 --> 00:48:42,640
Speaker 1: our feelings mother than my sweet son. One of his

829
00:48:42,719 --> 00:48:46,560
Speaker 1: best friends, a female, gave him this whole speech about

830
00:48:47,080 --> 00:48:48,960
Speaker 1: you know, this pandemic was really hard and I just

831
00:48:49,000 --> 00:48:50,600
Speaker 1: want you to know you're my best friend and I

832
00:48:50,680 --> 00:48:53,200
Speaker 1: love you and like you're like, thank you for being

833
00:48:53,239 --> 00:48:55,600
Speaker 1: safe for me. And my son looked at her and

834
00:48:55,640 --> 00:49:00,480
Speaker 1: said cool and walked away. Yeah. And her mother I

835
00:49:00,560 --> 00:49:02,480
Speaker 1: was like, you're not gonna believe what your boy did,

836
00:49:02,680 --> 00:49:06,400
Speaker 1: and it's because he just is persn't understand the words

837
00:49:06,520 --> 00:49:09,160
Speaker 1: and didn't know how to supercare. He probably just received

838
00:49:09,160 --> 00:49:11,000
Speaker 1: it all and he was like, awesome. That means a lot.

839
00:49:11,080 --> 00:49:15,080
Speaker 1: I feel the same. Cool the boys don't. They're all

840
00:49:15,160 --> 00:49:18,920
Speaker 1: like they just don't know. It's no but but that's

841
00:49:18,920 --> 00:49:20,879
Speaker 1: where there's a the you have to learn each other's

842
00:49:20,920 --> 00:49:22,920
Speaker 1: love language you have to learn what is how do

843
00:49:22,960 --> 00:49:25,560
Speaker 1: I communicate with this person in a way that is

844
00:49:25,560 --> 00:49:27,640
Speaker 1: a little outside of my comfort zone? But I know

845
00:49:27,680 --> 00:49:30,279
Speaker 1: we'll be meaningful for them. I think I shouldn't be

846
00:49:30,280 --> 00:49:32,239
Speaker 1: more like that. I should talk less and just be

847
00:49:32,320 --> 00:49:36,399
Speaker 1: like cool, cool. Yeah, that's a Brooks should have said.

848
00:49:36,400 --> 00:49:38,239
Speaker 1: When Lucas came after her. She should have just turned

849
00:49:38,239 --> 00:49:42,480
Speaker 1: around and be like, hey, cool with the hand with

850
00:49:42,640 --> 00:49:48,399
Speaker 1: the hand up cool. Um. Love that hotel by the way,

851
00:49:48,560 --> 00:49:52,680
Speaker 1: oh guys, I just loved. I really would like to

852
00:49:52,680 --> 00:49:54,440
Speaker 1: say thank you to the nice folks at the Omni

853
00:49:54,560 --> 00:49:57,600
Speaker 1: because having a bunch of adults say can you please

854
00:49:57,600 --> 00:49:59,520
Speaker 1: put us in rooms all side by side or all

855
00:49:59,520 --> 00:50:02,280
Speaker 1: at the end of with connecting doors, it was probably

856
00:50:02,400 --> 00:50:04,360
Speaker 1: so annoying, and they did it for us and we

857
00:50:04,440 --> 00:50:07,280
Speaker 1: got to just run around in those fluffy hotel robes

858
00:50:07,760 --> 00:50:10,120
Speaker 1: and like run in and out of each other cities

859
00:50:10,440 --> 00:50:14,240
Speaker 1: and those hotels. How about that Boston one though, Boston.

860
00:50:15,520 --> 00:50:17,920
Speaker 1: That was the coolest bathtub I think I've ever been

861
00:50:17,960 --> 00:50:23,319
Speaker 1: in in a hotel room. Thing, the art art work

862
00:50:23,360 --> 00:50:26,080
Speaker 1: when you walk in. No, I loved it, and I

863
00:50:26,080 --> 00:50:28,120
Speaker 1: will say shout out to the folks at the Omni

864
00:50:28,280 --> 00:50:30,399
Speaker 1: in d C. Because I think by then they've been

865
00:50:30,440 --> 00:50:33,200
Speaker 1: watching our Instagram stories and realized we're a group who

866
00:50:33,239 --> 00:50:36,080
Speaker 1: loves Shenanigans. And they put a bottle of champagne in

867
00:50:36,120 --> 00:50:40,319
Speaker 1: each of our rooms. Yeah, and we got there and

868
00:50:40,360 --> 00:50:42,200
Speaker 1: we were like, oh, you know who we are by

869
00:50:42,239 --> 00:50:45,320
Speaker 1: the third city, don't try And it was very sweet.

870
00:50:45,360 --> 00:50:47,239
Speaker 1: It was like they decorated the lobby of the New

871
00:50:47,320 --> 00:50:49,840
Speaker 1: York Omni for us. It was like a drama queen

872
00:50:49,960 --> 00:50:54,520
Speaker 1: set with the chandeliers and all the flowers, and there

873
00:50:54,560 --> 00:50:56,480
Speaker 1: was not one person that batted and I when we

874
00:50:56,480 --> 00:50:59,840
Speaker 1: were shooting content the lobby because they're like in robes

875
00:50:59,840 --> 00:51:03,000
Speaker 1: and selfie dresses, they're like, of course these girls are here. Yeah,

876
00:51:03,040 --> 00:51:05,840
Speaker 1: of course where else would we be? They were great,

877
00:51:06,080 --> 00:51:08,120
Speaker 1: thank you guys. All right, we're spending a wheel. We

878
00:51:08,239 --> 00:51:13,520
Speaker 1: have most likely to banana eat something off the ground.

879
00:51:14,120 --> 00:51:21,960
Speaker 1: Maybe it's definitely yeah, I mean it's got to be clean,

880
00:51:22,000 --> 00:51:23,759
Speaker 1: like I won't eat something off a really like an

881
00:51:23,840 --> 00:51:28,080
Speaker 1: obviously dirty floor. But no, are you sure? Yes? I

882
00:51:28,120 --> 00:51:30,879
Speaker 1: feel like I've heard you say like twelve second rule.

883
00:51:31,040 --> 00:51:34,600
Speaker 1: But if it's a Florida is clean, it's not like

884
00:51:35,239 --> 00:51:38,439
Speaker 1: I mean, if I dropped that restaurant. I'm not touching it. Yeah,

885
00:51:38,960 --> 00:51:42,200
Speaker 1: or you caught off like airport No airport, no way, No,

886
00:51:42,320 --> 00:51:44,480
Speaker 1: like a public place where there's a lot of foot traffic.

887
00:51:44,600 --> 00:51:47,360
Speaker 1: I don't know, there's no way. See that depends my

888
00:51:47,680 --> 00:51:51,239
Speaker 1: house is what is it made of? Like if I'm

889
00:51:52,360 --> 00:51:56,640
Speaker 1: porous not porous? Yeah, Like like if we were, for example,

890
00:51:56,920 --> 00:51:59,760
Speaker 1: walking down the hallway and I had like those peanut

891
00:51:59,760 --> 00:52:01,640
Speaker 1: butter pretzels and I dropped him, I'd pick them up

892
00:52:01,640 --> 00:52:04,080
Speaker 1: and eat them off flo But I'm not gonna, like,

893
00:52:05,040 --> 00:52:08,640
Speaker 1: I'm not gonna drop sliced apples on the ground like

894
00:52:09,160 --> 00:52:13,959
Speaker 1: they're wet. They're some lint. If it can pick up lint,

895
00:52:14,840 --> 00:52:17,239
Speaker 1: it's it's a pass. Gotta have a hard shell like

896
00:52:17,239 --> 00:52:20,319
Speaker 1: an eminem. Yeah. Alright, well I'm glad we have the

897
00:52:20,320 --> 00:52:24,120
Speaker 1: boundaries now. Yeah, we're all cleared up. Guys. Thank you

898
00:52:24,160 --> 00:52:26,520
Speaker 1: so much for joining us for this finale episode. We

899
00:52:26,560 --> 00:52:29,760
Speaker 1: can't wait to start season four with all of you.

900
00:52:29,800 --> 00:52:32,520
Speaker 1: Season four, there's so many new things coming up now

901
00:52:32,520 --> 00:52:36,719
Speaker 1: we're flying through stuff. Yea, absolutely, guys. Our next episode

902
00:52:37,080 --> 00:52:41,360
Speaker 1: is going to be the premier of season four. It

903
00:52:41,520 --> 00:52:43,840
Speaker 1: is called The Same deep Water as You and I

904
00:52:43,880 --> 00:52:45,319
Speaker 1: have a feeling we're going to pick up in a

905
00:52:45,320 --> 00:52:49,680
Speaker 1: limo in the river. Something tells me, something tells me,

906
00:52:50,360 --> 00:52:53,760
Speaker 1: I can't wait see you then, Hey, thanks for listening.

907
00:52:53,880 --> 00:52:56,120
Speaker 1: Don't forget to leave us a review. You can also

908
00:52:56,200 --> 00:52:59,320
Speaker 1: follow us on Instagram at Drama Queens O t H

909
00:53:00,080 --> 00:53:03,120
Speaker 1: or email us at Drama Queens at I heart radio

910
00:53:03,239 --> 00:53:07,720
Speaker 1: dot com. See you next time. We are all about

911
00:53:07,719 --> 00:53:10,560
Speaker 1: that high school drama. Girl Drama Girl, all about them

912
00:53:10,640 --> 00:53:13,719
Speaker 1: high school queens. We'll take you for a ride in

913
00:53:13,800 --> 00:53:17,400
Speaker 1: our comic Girl Cheering for the Right Teen Drama Queens

914
00:53:17,440 --> 00:53:20,719
Speaker 1: draws my girl up girl fashion, but your tough girl,

915
00:53:20,840 --> 00:53:23,840
Speaker 1: you can sit with us. Girl Drama Queens, Drama Queens, Drama,

916
00:53:23,920 --> 00:53:27,520
Speaker 1: Queen's Drama, Drama Queen's Drama Queens