WEBVTT - The Descent with  D'arby Rose

0:00:00.720 --> 0:00:03.640
<v Speaker 1>On the Bell Cast, the questions asked if movies have

0:00:03.840 --> 0:00:07.720
<v Speaker 1>women in them, are all their discussions just boyfriends and husbands?

0:00:07.760 --> 0:00:12.840
<v Speaker 1>Or do they have individualism? The patriarchy? Zef invest start

0:00:12.920 --> 0:00:17.760
<v Speaker 1>changing it with the Bell Cast. Hey, hey, Jamie, Hey Caitlin,

0:00:18.760 --> 0:00:23.000
<v Speaker 1>do you want to accompany me in this cave and

0:00:23.800 --> 0:00:26.400
<v Speaker 1>explore it together? Wait? Wait, wait, I just need a

0:00:26.440 --> 0:00:32.200
<v Speaker 1>triple check something. Okay, has anyone ever been in this cave? Um?

0:00:32.200 --> 0:00:35.400
<v Speaker 1>Probably not? But who could say? Okay? That's fine. I

0:00:35.440 --> 0:00:38.440
<v Speaker 1>have a question. I have a second question. Follow up? Okay, Um,

0:00:38.880 --> 0:00:42.800
<v Speaker 1>is this cave just like some really long vagina metaphor?

0:00:45.240 --> 0:00:47.800
<v Speaker 1>If so, I didn't? Yes, yeah, I mean aren't all

0:00:47.920 --> 0:00:53.440
<v Speaker 1>caves do it? All? Right? Here we go. We are

0:00:53.520 --> 0:00:59.840
<v Speaker 1>now descending into the cave effortless beautiful. Welcome to the

0:01:00.000 --> 0:01:03.480
<v Speaker 1>extel Cast. Uh. My name is Caitlin Darante. My name

0:01:03.520 --> 0:01:05.839
<v Speaker 1>is Jamie Loftus, and we're just gonna We're just gonna,

0:01:06.120 --> 0:01:08.880
<v Speaker 1>you know, rope on down. I'm like, I'm gonna make

0:01:08.880 --> 0:01:13.399
<v Speaker 1>it very immediately clear that I've never been spelan king. Uh.

0:01:13.640 --> 0:01:17.480
<v Speaker 1>Let's rope on down into the vagina metaphor. That is

0:01:17.520 --> 0:01:22.559
<v Speaker 1>one of the scariest movies that I've ever seen. I think, yes,

0:01:23.319 --> 0:01:25.839
<v Speaker 1>this and this is our show, The Bechtel Cast, where

0:01:25.880 --> 0:01:30.119
<v Speaker 1>we examine film through an intersectional feminist lens. We use

0:01:30.200 --> 0:01:33.080
<v Speaker 1>the Bechdel test as a jumping off point for discussion,

0:01:33.840 --> 0:01:38.039
<v Speaker 1>that being a media metric invented by queer cartoonist Alice

0:01:38.040 --> 0:01:41.560
<v Speaker 1>and Bechdel, sometimes called the Bechdel Wallace Wallace. Oh my god,

0:01:42.240 --> 0:01:45.319
<v Speaker 1>uh Wallace test, And I really just my mouth just

0:01:45.360 --> 0:01:50.680
<v Speaker 1>went another place, the Becktel Wallace test. Yes, and that

0:01:50.760 --> 0:01:54.520
<v Speaker 1>requires our rendition of the test that two people of

0:01:54.560 --> 0:01:57.960
<v Speaker 1>a marginalized gender speak to each other about something other

0:01:58.000 --> 0:02:00.800
<v Speaker 1>than a man for at least two line of dialogue.

0:02:01.440 --> 0:02:03.960
<v Speaker 1>Shouldn't be that hard. It really shouldn't be that hard.

0:02:04.040 --> 0:02:06.240
<v Speaker 1>But but some people really, I mean, I don't know

0:02:06.280 --> 0:02:08.839
<v Speaker 1>if we if Christopher Nolan has really gotten there yet.

0:02:09.000 --> 0:02:12.320
<v Speaker 1>So you know, it's like we're always pushing for growth.

0:02:13.639 --> 0:02:17.399
<v Speaker 1>He simply has never seen two women talk to each other.

0:02:17.560 --> 0:02:20.040
<v Speaker 1>Our thoughts are always with Christopher Nolan and his quest

0:02:20.160 --> 0:02:23.920
<v Speaker 1>to get two female characters to speak to each other about.

0:02:23.960 --> 0:02:28.919
<v Speaker 1>Not Leonardo DiCaprio. But you know, someday, well, today's movie

0:02:29.080 --> 0:02:32.720
<v Speaker 1>should fare a little bit better, but not to spoil

0:02:32.880 --> 0:02:36.680
<v Speaker 1>anything spoil away, because today we were talking about The

0:02:36.720 --> 0:02:39.320
<v Speaker 1>Descent and we have a guest with us who we

0:02:39.400 --> 0:02:43.240
<v Speaker 1>are very excited about. She is a filmmaker, an artist,

0:02:43.320 --> 0:02:50.919
<v Speaker 1>and a consultant. It's Darby Rose with you. Yes, please descend.

0:02:51.200 --> 0:02:55.680
<v Speaker 1>Let's with us into the vagina metaphor? Which character is

0:02:55.720 --> 0:02:58.240
<v Speaker 1>it that descends really quickly? And you're like, oh no,

0:02:58.480 --> 0:03:02.320
<v Speaker 1>but then she's like, I descend all the time. That

0:03:02.360 --> 0:03:07.320
<v Speaker 1>would be Holly, Holly, yes, And then I mean Holly,

0:03:07.480 --> 0:03:11.119
<v Speaker 1>she should maybe descend a little slower as we learn. Anyways,

0:03:11.120 --> 0:03:15.639
<v Speaker 1>this movie is so scary. Thank you for coming. I'm

0:03:15.760 --> 0:03:17.960
<v Speaker 1>so stoked, and thank you for bringing us this movie.

0:03:18.120 --> 0:03:21.200
<v Speaker 1>Oh yeah, I love this movie. I saw it years

0:03:21.200 --> 0:03:26.120
<v Speaker 1>ago on the interwebs and then again at sin a

0:03:26.200 --> 0:03:30.200
<v Speaker 1>family and the director actually came and did like a

0:03:30.320 --> 0:03:33.799
<v Speaker 1>Q and a yeah. It was really rad um and

0:03:33.880 --> 0:03:35.360
<v Speaker 1>you know, he said a lot of the stuff that

0:03:35.400 --> 0:03:38.840
<v Speaker 1>you can read on IMDb trivia, which is fairly fascinating.

0:03:39.560 --> 0:03:41.920
<v Speaker 1>But I loved it and watching it again it was

0:03:42.000 --> 0:03:44.800
<v Speaker 1>like this moothe is still badass and scared the ship

0:03:44.880 --> 0:03:47.480
<v Speaker 1>out of me. Yeah, it's like I'm still scared. It's

0:03:47.480 --> 0:03:51.600
<v Speaker 1>like broad Daylight. I just got so scared by their

0:03:51.600 --> 0:03:54.920
<v Speaker 1>own terrors in their own lives and then the terrors

0:03:55.040 --> 0:03:59.640
<v Speaker 1>below ground that they embark with right that they descend

0:03:59.720 --> 0:04:05.840
<v Speaker 1>upon on. Yeah, Jamie, what's your history with the movie.

0:04:06.360 --> 0:04:09.880
<v Speaker 1>I had really no history with this movie at all.

0:04:10.000 --> 0:04:13.800
<v Speaker 1>I knew that it was a horror movie with an

0:04:13.800 --> 0:04:17.000
<v Speaker 1>all female cast, and that is all I knew. And

0:04:17.000 --> 0:04:20.280
<v Speaker 1>I'm really glad I went into it knowing essentially nothing,

0:04:20.360 --> 0:04:24.240
<v Speaker 1>because every I feel like I got the two thousand

0:04:24.279 --> 0:04:28.080
<v Speaker 1>five theatrical experience that I was that I would have

0:04:28.600 --> 0:04:33.080
<v Speaker 1>because it's so I mean, like our discussion aside like it.

0:04:33.400 --> 0:04:36.600
<v Speaker 1>It's so scary, it is so well paced, Like there

0:04:36.640 --> 0:04:39.200
<v Speaker 1>were so many times that I was surprised, and then

0:04:39.240 --> 0:04:41.800
<v Speaker 1>I had to go seek out the UK ending. I

0:04:41.839 --> 0:04:44.080
<v Speaker 1>watched a cut of it that had the US ending,

0:04:44.800 --> 0:04:47.320
<v Speaker 1>and I'm like, I I still don't know what ending

0:04:47.360 --> 0:04:49.200
<v Speaker 1>I prefer. I think I know what ending I prefer,

0:04:49.320 --> 0:04:51.360
<v Speaker 1>but I don't. But I'm but I don't know. There

0:04:51.920 --> 0:04:54.560
<v Speaker 1>it was really good. It was really good and really scary,

0:04:54.680 --> 0:04:57.360
<v Speaker 1>and I was I don't know, Yeah, I was very happy.

0:04:57.360 --> 0:04:59.880
<v Speaker 1>I went in kind of not knowing anything about it.

0:05:00.440 --> 0:05:03.960
<v Speaker 1>What about you Caitlin. I saw this movie in theaters

0:05:04.000 --> 0:05:07.320
<v Speaker 1>in two thousand five, depending on what month that came out.

0:05:07.360 --> 0:05:09.919
<v Speaker 1>I was either a freshman or sophomore in college, and

0:05:09.920 --> 0:05:12.240
<v Speaker 1>I went with my best friend j T, friend of

0:05:12.279 --> 0:05:16.320
<v Speaker 1>the show Twilight, UM, and we saw it together because

0:05:16.320 --> 0:05:20.320
<v Speaker 1>we had a habit of seeing horror movies, especially together

0:05:20.400 --> 0:05:24.560
<v Speaker 1>in theaters, and then both being so scared about whatever

0:05:24.680 --> 0:05:28.280
<v Speaker 1>we watched. We would then have to like just stayed

0:05:28.400 --> 0:05:32.120
<v Speaker 1>over at each other's apartments for like a week afterward,

0:05:32.240 --> 0:05:35.919
<v Speaker 1>just to take comfort in knowing that someone else was

0:05:35.960 --> 0:05:39.640
<v Speaker 1>there to protect us. UM. So that was very much

0:05:39.720 --> 0:05:44.159
<v Speaker 1>the case for The Descent. I thought it was one

0:05:44.200 --> 0:05:48.080
<v Speaker 1>of the most effective horror movies I had ever seen, UM,

0:05:48.240 --> 0:05:50.279
<v Speaker 1>because a lot of horror movies it's like they're in

0:05:50.360 --> 0:05:53.440
<v Speaker 1>a haunted house and it's like, Okay, then leave the

0:05:53.520 --> 0:05:56.800
<v Speaker 1>haunted house, or like the reason that they can't leave

0:05:56.920 --> 0:06:00.320
<v Speaker 1>will be so like plot device e or ridiculou list.

0:06:00.880 --> 0:06:05.440
<v Speaker 1>But this one, it's like they had to keep going forward, yeah, trapped,

0:06:05.600 --> 0:06:08.400
<v Speaker 1>like there are no I mean, well, I don't want

0:06:08.400 --> 0:06:11.280
<v Speaker 1>to say there are no story logic issues, because like

0:06:12.200 --> 0:06:15.160
<v Speaker 1>what about the cave dwellers, but I mean, for what

0:06:15.200 --> 0:06:17.719
<v Speaker 1>it is like the world building that it accomplishes, You're

0:06:17.760 --> 0:06:21.760
<v Speaker 1>just like, oh my god, like, oh, it's just so scary.

0:06:21.960 --> 0:06:24.880
<v Speaker 1>I feel like it. It does enough kind of early

0:06:24.960 --> 0:06:27.520
<v Speaker 1>on too that I truly wasn't like, I don't like,

0:06:27.560 --> 0:06:29.359
<v Speaker 1>there were different moments where I'm like, I don't know

0:06:29.400 --> 0:06:31.480
<v Speaker 1>if this is going to be a last girl situation,

0:06:31.600 --> 0:06:34.160
<v Speaker 1>like maybe more maybe no one will get out, maybe

0:06:34.200 --> 0:06:36.080
<v Speaker 1>multiple people will get out, Like I just have no

0:06:36.640 --> 0:06:40.000
<v Speaker 1>And I certainly I was watching this movie by myself,

0:06:40.040 --> 0:06:42.240
<v Speaker 1>and I was just sort of like giving my boyfriend

0:06:42.600 --> 0:06:46.279
<v Speaker 1>brief summaries every few minutes of what was happening. Um,

0:06:46.360 --> 0:06:49.479
<v Speaker 1>but I certainly didn't see a truck full of spears

0:06:49.520 --> 0:06:53.400
<v Speaker 1>crashing into them at the beginning. That was it was like,

0:06:53.560 --> 0:06:55.760
<v Speaker 1>just what kind of truck was that? It was a

0:06:55.760 --> 0:06:57.880
<v Speaker 1>truck full of spears and the spears were on top

0:06:57.920 --> 0:07:03.200
<v Speaker 1>of the truck and that so it's like borried, but

0:07:03.400 --> 0:07:06.640
<v Speaker 1>not for long stretches. And then you don't like, I

0:07:06.680 --> 0:07:09.080
<v Speaker 1>wasn't sure. I knew so little about it that I

0:07:09.120 --> 0:07:11.640
<v Speaker 1>wasn't sure if there were going to be quote unquote

0:07:11.640 --> 0:07:14.680
<v Speaker 1>monsters at any point. And you get like pretty far

0:07:14.720 --> 0:07:16.680
<v Speaker 1>into the movie without that happening, and so it was

0:07:16.680 --> 0:07:18.960
<v Speaker 1>like a cool surprise when you're like, oh, there are

0:07:19.840 --> 0:07:25.960
<v Speaker 1>little little vagina monsters inside the vagina uh and not

0:07:26.040 --> 0:07:28.000
<v Speaker 1>in this movie to be called the m STDs. They

0:07:28.040 --> 0:07:30.960
<v Speaker 1>are cave dwellers. But now maybe I will refer to

0:07:31.280 --> 0:07:35.160
<v Speaker 1>any lady problems as I've got a cave dwelling of

0:07:35.320 --> 0:07:39.000
<v Speaker 1>the Sunday. I love I love that the movie does

0:07:39.080 --> 0:07:42.040
<v Speaker 1>have like it's kind of like two movies in one,

0:07:42.160 --> 0:07:46.440
<v Speaker 1>because it's not until according to IMDb trivia, fifty one

0:07:46.520 --> 0:07:50.560
<v Speaker 1>minutes into the film does the cave dwellers do they

0:07:50.640 --> 0:07:53.840
<v Speaker 1>come out? Like the killing doesn't start happening until then,

0:07:54.440 --> 0:07:56.440
<v Speaker 1>And I feel like, up until then, it's already like

0:07:56.600 --> 0:08:00.640
<v Speaker 1>so scary, but it's not. It's just good. It's just

0:08:00.800 --> 0:08:04.880
<v Speaker 1>a good time. Every moment that you get scared or jump,

0:08:05.520 --> 0:08:08.640
<v Speaker 1>it feels so like, yeah, they deserve to do that

0:08:08.760 --> 0:08:14.160
<v Speaker 1>to me, I deserve that, And it's and it's also like, yeah, sad,

0:08:14.240 --> 0:08:17.520
<v Speaker 1>and you're getting to know these characters, and I think actually,

0:08:17.560 --> 0:08:19.640
<v Speaker 1>by the time they start dying, I was kind of like,

0:08:20.200 --> 0:08:23.040
<v Speaker 1>that's okay, I'm okay, I'm okay with this. Even though

0:08:23.040 --> 0:08:24.960
<v Speaker 1>I've gotten attached to some of them except for a

0:08:25.000 --> 0:08:27.760
<v Speaker 1>bitch as do you know I'm okay with this. I

0:08:27.800 --> 0:08:30.880
<v Speaker 1>have no sympathy for that home record. Oh well, I oh,

0:08:30.960 --> 0:08:33.679
<v Speaker 1>I have a whole thing about her. We'll get to it. Man.

0:08:33.840 --> 0:08:36.560
<v Speaker 1>I feel like I'm weirdly empathetic. I mean, there are

0:08:36.600 --> 0:08:40.719
<v Speaker 1>some things where you're like Juno, like what, but the

0:08:41.280 --> 0:08:43.959
<v Speaker 1>dude has a loaded character. There's so much going on there,

0:08:44.480 --> 0:08:47.719
<v Speaker 1>so much. Yeah, yeah, for sure. My only issue too,

0:08:47.800 --> 0:08:50.240
<v Speaker 1>though with them doing that to Juno was she was

0:08:50.360 --> 0:08:52.800
<v Speaker 1>like the only woman of color, and was like, yes,

0:08:53.160 --> 0:08:56.319
<v Speaker 1>why do you gotta do that to her? Well to

0:08:56.440 --> 0:08:58.800
<v Speaker 1>me and we'll talk about this. But just to give

0:08:58.840 --> 0:09:03.880
<v Speaker 1>you a little niak peek, the movie suggests that women

0:09:03.960 --> 0:09:08.319
<v Speaker 1>are so petty that they will just kill each other because, like,

0:09:08.480 --> 0:09:11.320
<v Speaker 1>I understand the anger of learning that your best one

0:09:11.360 --> 0:09:13.640
<v Speaker 1>of your best friends like was having an affair with

0:09:13.760 --> 0:09:16.200
<v Speaker 1>your husband, But are you going to be so angry

0:09:16.280 --> 0:09:20.280
<v Speaker 1>that you kill her or leave her to die? That

0:09:20.480 --> 0:09:24.040
<v Speaker 1>was that was definitely like her change and you know

0:09:24.160 --> 0:09:27.520
<v Speaker 1>when she becomes like a little cave dweller herself, like

0:09:27.760 --> 0:09:31.280
<v Speaker 1>after death dies. You know, I was like trying to

0:09:31.400 --> 0:09:34.199
<v Speaker 1>believe this change, but I was like, but you just

0:09:34.320 --> 0:09:37.280
<v Speaker 1>didn't give me that like anger building up. You gave

0:09:37.320 --> 0:09:40.760
<v Speaker 1>me a lot of anxiety and hallucinations, but you didn't

0:09:40.800 --> 0:09:44.120
<v Speaker 1>give me this like anger that burst or she just

0:09:44.280 --> 0:09:48.120
<v Speaker 1>like snapped, you know, or maybe they did, but I

0:09:48.200 --> 0:09:50.560
<v Speaker 1>didn't believe it. I kind of was. I I don't

0:09:50.679 --> 0:09:52.800
<v Speaker 1>know why. Like one of the things I was sure

0:09:52.840 --> 0:09:56.120
<v Speaker 1>of was that I felt so sure. I don't know.

0:09:56.280 --> 0:09:58.240
<v Speaker 1>I just was like, well, I don't think that Sarah

0:09:58.360 --> 0:10:00.520
<v Speaker 1>is going to kill I just didn't think Sarah was

0:10:00.520 --> 0:10:01.920
<v Speaker 1>going to kill Juno. I thought they were going to

0:10:02.000 --> 0:10:05.600
<v Speaker 1>both escape and then have like the most terrifying discussion

0:10:05.640 --> 0:10:07.959
<v Speaker 1>of Juno's entire life. Like that was kind of what

0:10:08.040 --> 0:10:10.200
<v Speaker 1>I was hoping for, is that they would both live

0:10:10.240 --> 0:10:13.360
<v Speaker 1>and then they would just have to coexist with every

0:10:13.400 --> 0:10:17.439
<v Speaker 1>bit of trauma in relation. Yeah. Yeah, like it's just

0:10:17.600 --> 0:10:21.680
<v Speaker 1>every single conceivable imaginable trauma. I was kind of Yeah,

0:10:21.720 --> 0:10:23.599
<v Speaker 1>I mean honestly in a in a movie that like

0:10:23.720 --> 0:10:26.839
<v Speaker 1>I really really really enjoyed that. That was like one

0:10:26.920 --> 0:10:29.480
<v Speaker 1>of the choices where I feel like maybe if I

0:10:29.520 --> 0:10:31.720
<v Speaker 1>saw in theaters, I would have been like fuck, yeah,

0:10:31.800 --> 0:10:34.520
<v Speaker 1>you know, like that's so cathartic, But like, yeah, being

0:10:34.600 --> 0:10:36.719
<v Speaker 1>that she is the only woman of color, and it

0:10:36.800 --> 0:10:39.439
<v Speaker 1>kind of like makes Sarah. I don't know. I was like,

0:10:39.520 --> 0:10:43.199
<v Speaker 1>I feel like Sarah is gonna Also just logistically, I'm like,

0:10:43.640 --> 0:10:47.079
<v Speaker 1>Juno is the only person that has, you know, been spelunking,

0:10:47.280 --> 0:10:52.640
<v Speaker 1>Like obviously she fucked this day up, but she she

0:10:52.760 --> 0:10:55.880
<v Speaker 1>has the skills to get us up in any case. Well,

0:10:56.160 --> 0:10:59.559
<v Speaker 1>I watched the sequel to Okay. I wanted to because

0:10:59.559 --> 0:11:02.079
<v Speaker 1>I read a about it and I'm so curious why

0:11:02.160 --> 0:11:06.520
<v Speaker 1>they took that route. Yeah, what is so? Spoiler alert

0:11:06.640 --> 0:11:11.679
<v Speaker 1>everyone for The Descent Part two. Um, it's the same

0:11:12.120 --> 0:11:15.200
<v Speaker 1>cast sort of where basically it picks up right where

0:11:15.280 --> 0:11:18.960
<v Speaker 1>the first movie leaves off, where like the authorities find

0:11:19.360 --> 0:11:23.120
<v Speaker 1>Sarah having just escaped from the cave, but she doesn't

0:11:23.240 --> 0:11:27.760
<v Speaker 1>remember anything. I guess the trauma has made her unable

0:11:27.840 --> 0:11:31.880
<v Speaker 1>to remember what just happened. So they're like, well, all

0:11:31.920 --> 0:11:34.040
<v Speaker 1>of your friends are missing. We have to go back

0:11:34.120 --> 0:11:36.920
<v Speaker 1>down into the cave to find them. And she's like,

0:11:37.720 --> 0:11:41.559
<v Speaker 1>I guess I don't know what happened down there. So

0:11:42.559 --> 0:11:46.840
<v Speaker 1>she and like some I don't know if they're park rangers.

0:11:46.960 --> 0:11:49.040
<v Speaker 1>I think there's like a cough, few cops, but they

0:11:49.120 --> 0:11:52.720
<v Speaker 1>all go into the cave because they don't believe the woman.

0:11:53.679 --> 0:11:56.599
<v Speaker 1>Well that and she doesn't remember, which I think we

0:11:56.760 --> 0:12:00.719
<v Speaker 1>we've talked about how like women having amnesia is like

0:12:00.880 --> 0:12:06.000
<v Speaker 1>often a plot device in movies, and women be having amnesia, Well,

0:12:06.600 --> 0:12:11.880
<v Speaker 1>women's brains are so unreliable. Um, So they go back

0:12:11.920 --> 0:12:15.160
<v Speaker 1>down into the cave and they basically find all of

0:12:15.240 --> 0:12:17.960
<v Speaker 1>the dead bodies of her friends. They find the cave

0:12:18.360 --> 0:12:25.719
<v Speaker 1>dwellers again. But guess what, Juno has survived and she wait,

0:12:25.840 --> 0:12:28.520
<v Speaker 1>she like fought everyone off with her broken leg, with

0:12:28.600 --> 0:12:31.920
<v Speaker 1>her broken right, with her stabbed leg, and yeah, so

0:12:32.080 --> 0:12:36.120
<v Speaker 1>she she's survived. And basically the rest of the cast

0:12:36.400 --> 0:12:39.960
<v Speaker 1>dies except for Sarah and Juno. They are like kind

0:12:40.000 --> 0:12:42.679
<v Speaker 1>of the two final girls at the end and they

0:12:42.760 --> 0:12:45.360
<v Speaker 1>sort of reconcile where they're like, we have to protect

0:12:45.400 --> 0:12:47.760
<v Speaker 1>each other, and they both they kind of both like

0:12:48.000 --> 0:12:52.360
<v Speaker 1>martyr themselves for each other. So the second movie kind

0:12:52.440 --> 0:12:55.199
<v Speaker 1>of it ends. It ends in a way that I

0:12:55.320 --> 0:12:59.280
<v Speaker 1>like better than how this first movie sounds like how

0:12:59.320 --> 0:13:01.599
<v Speaker 1>I wanted the first This movie the end was like

0:13:01.760 --> 0:13:05.319
<v Speaker 1>that they would somehow be what I was hoping. Yeah,

0:13:05.360 --> 0:13:07.320
<v Speaker 1>I mean, I'm like, maybe this is shooting too high

0:13:07.400 --> 0:13:09.600
<v Speaker 1>for a movie, a man wrote in two thousand five.

0:13:10.120 --> 0:13:12.680
<v Speaker 1>But I was hoping that they would have some sort

0:13:12.720 --> 0:13:17.079
<v Speaker 1>of like intense cave discussion there in the Vagina, and

0:13:17.160 --> 0:13:20.800
<v Speaker 1>they're just like, wait a second, Like, you know, it's

0:13:20.880 --> 0:13:23.280
<v Speaker 1>very I feel like sometimes in these situations it's like

0:13:23.880 --> 0:13:28.120
<v Speaker 1>maybe her husband was like an total asshole who like

0:13:28.360 --> 0:13:31.920
<v Speaker 1>misled both of them and all this stuff, and they're like, Okay, well,

0:13:33.000 --> 0:13:36.120
<v Speaker 1>good thing, you got stabbed. Let's get out of here,

0:13:36.240 --> 0:13:39.079
<v Speaker 1>or you know whatever whatever that they have some some

0:13:39.320 --> 0:13:41.319
<v Speaker 1>sort of like they don't have to like each other,

0:13:41.520 --> 0:13:44.360
<v Speaker 1>but some some kind of thing that doesn't involve just

0:13:44.440 --> 0:13:47.680
<v Speaker 1>murdering each other. But I'm glad that that man that's

0:13:47.720 --> 0:13:52.360
<v Speaker 1>so is horror sequels never correct things. That's great. Yeah,

0:13:53.280 --> 0:13:56.280
<v Speaker 1>did you guys read the IMDb trivia because you keep

0:13:56.360 --> 0:13:59.559
<v Speaker 1>calling it the Vagina And one of the trivia pieces

0:13:59.760 --> 0:14:02.920
<v Speaker 1>was that so all the caves were obviously not real,

0:14:03.080 --> 0:14:06.280
<v Speaker 1>they built like twenty one different caves, and that they

0:14:06.400 --> 0:14:10.120
<v Speaker 1>called that tight narrow one of vagina they would always

0:14:10.120 --> 0:14:11.880
<v Speaker 1>be like all were going in. Yeah, so I thought

0:14:11.920 --> 0:14:14.199
<v Speaker 1>that's like you guys were referring to. I thought everyone

0:14:14.280 --> 0:14:19.120
<v Speaker 1>read the trivia like me, Wait, that's so fun yeah.

0:14:19.440 --> 0:14:22.840
<v Speaker 1>Anytime you drop a female cast into a large kavernart

0:14:22.920 --> 0:14:25.720
<v Speaker 1>space and the movies written by a man, I'm like, well,

0:14:25.800 --> 0:14:30.160
<v Speaker 1>we know what this is about. Like, yeah, I guess.

0:14:30.240 --> 0:14:33.640
<v Speaker 1>He So he did Dog Soldiers, which I still haven't seen,

0:14:34.280 --> 0:14:36.360
<v Speaker 1>and then they asked him to do this and he

0:14:36.560 --> 0:14:39.120
<v Speaker 1>was like, I don't really want to get like known

0:14:39.200 --> 0:14:43.840
<v Speaker 1>as a like horror director. And then something changed and

0:14:43.880 --> 0:14:46.000
<v Speaker 1>he was like, all right, screwt, let's do it. But

0:14:46.080 --> 0:14:47.520
<v Speaker 1>you know I want to do with an all female

0:14:47.600 --> 0:14:49.800
<v Speaker 1>cast and a sin a family. He put it better

0:14:49.880 --> 0:14:52.040
<v Speaker 1>than and how it's put on IMDb. He was just like,

0:14:52.960 --> 0:14:55.640
<v Speaker 1>you know, with women, they are more likely to talk

0:14:55.720 --> 0:14:58.640
<v Speaker 1>about their feelings about why they're in the situation, versus

0:14:58.760 --> 0:15:01.280
<v Speaker 1>like the men I write don't talk about feelings. I

0:15:01.360 --> 0:15:05.200
<v Speaker 1>was like, okay, thank thank you, but it's in a family.

0:15:05.280 --> 0:15:08.000
<v Speaker 1>He was like, he's like, well, women have more dynamic

0:15:08.120 --> 0:15:10.080
<v Speaker 1>and I was like, yeah, okay, I like that. He's like,

0:15:10.120 --> 0:15:11.720
<v Speaker 1>I think we need to see more movies with like

0:15:11.920 --> 0:15:14.320
<v Speaker 1>all cast of woman and he's like, so I asked

0:15:14.360 --> 0:15:16.640
<v Speaker 1>all my female friends. I'm like, you know, it's so funny.

0:15:16.800 --> 0:15:18.360
<v Speaker 1>Is what you should have done? You should have given

0:15:18.440 --> 0:15:21.440
<v Speaker 1>the movie to a woman to direct and write. It's

0:15:21.520 --> 0:15:23.440
<v Speaker 1>cute that you wanted to learn to be a woman,

0:15:23.640 --> 0:15:27.400
<v Speaker 1>John Sweden, But you could just give the project to

0:15:28.040 --> 0:15:31.280
<v Speaker 1>a woman and then yeah, and then he did it

0:15:31.520 --> 0:15:33.480
<v Speaker 1>and and then I guess they made them all like

0:15:33.640 --> 0:15:36.840
<v Speaker 1>have different accents because he had like a primarily UK film.

0:15:37.200 --> 0:15:39.880
<v Speaker 1>Actually I get the ending of this movie often confused

0:15:39.960 --> 0:15:44.840
<v Speaker 1>with the Ruins the genem alone. Basically I don't even remember.

0:15:44.920 --> 0:15:47.040
<v Speaker 1>She gets stuck in a pyramid or something. It's like

0:15:47.040 --> 0:15:48.880
<v Speaker 1>a bunch of white people go to like a brown

0:15:49.000 --> 0:15:51.400
<v Speaker 1>country and they get stuck in a pyramid. But then

0:15:51.440 --> 0:15:55.600
<v Speaker 1>the pyramid like create some virus or disease and if

0:15:55.680 --> 0:15:58.160
<v Speaker 1>you leave, and then like the natives they think are like,

0:15:58.240 --> 0:16:01.840
<v Speaker 1>don't leave your curt But then eventually she gets away

0:16:01.880 --> 0:16:04.360
<v Speaker 1>and the ending but is infected. So I always get

0:16:04.400 --> 0:16:07.600
<v Speaker 1>the ending of the Descent in this mixture. Two entirely

0:16:07.680 --> 0:16:11.040
<v Speaker 1>different movies, extremely different. But I think the early two

0:16:11.120 --> 0:16:14.680
<v Speaker 1>thousand's horror films where it gave you that hopeless ending

0:16:15.280 --> 0:16:17.800
<v Speaker 1>was like kind of a thing. Yeah, for sure, except

0:16:17.880 --> 0:16:20.520
<v Speaker 1>for the American ending. I like, I like a hopeless ending.

0:16:20.720 --> 0:16:23.720
<v Speaker 1>I do too, I love a hopeless ending. I don't

0:16:23.720 --> 0:16:27.000
<v Speaker 1>care about life. Let's do it. I'm like, you know, like, realistically,

0:16:27.320 --> 0:16:31.520
<v Speaker 1>there's rarely a last girl in life, you know, Yeah,

0:16:31.520 --> 0:16:33.560
<v Speaker 1>I kind of when I went back and watched the

0:16:33.720 --> 0:16:36.840
<v Speaker 1>UK ending to this, I mean, we'll talk about but like,

0:16:37.160 --> 0:16:40.120
<v Speaker 1>I mean, obviously it's more bleak, but I'm like, this

0:16:40.760 --> 0:16:44.480
<v Speaker 1>makes more sense. This makes more sense. Yeah, and more

0:16:44.560 --> 0:16:47.960
<v Speaker 1>likely that that would have would have happened that way. Probably, Yeah,

0:16:48.040 --> 0:16:52.160
<v Speaker 1>they were all fucked. Ye. Well should I recap the

0:16:52.440 --> 0:16:55.760
<v Speaker 1>movie and then we can really dive in, we can

0:16:55.800 --> 0:17:02.120
<v Speaker 1>really descend into the discussion. Let's do it. Okay, So

0:17:02.640 --> 0:17:06.080
<v Speaker 1>we open on a group of three kind of like

0:17:06.200 --> 0:17:11.720
<v Speaker 1>adrenaline junkie women. They are Sarah, Beth, and Juno, who

0:17:11.840 --> 0:17:15.520
<v Speaker 1>we see like whitewater rafting. Sarah has a husband and

0:17:15.840 --> 0:17:20.000
<v Speaker 1>her young daughter and they are brutally killed in a

0:17:20.119 --> 0:17:23.359
<v Speaker 1>car accident on the drive home. But I can't emphasize

0:17:23.400 --> 0:17:27.040
<v Speaker 1>it enough. A truck with spears on top of it,

0:17:27.240 --> 0:17:31.280
<v Speaker 1>and the spears are loose. They were like, I think

0:17:31.320 --> 0:17:35.080
<v Speaker 1>they're just like narrow pipes, which might be foreshadowing the

0:17:35.280 --> 0:17:40.879
<v Speaker 1>narrow pipiness of it all. I really did appreciate. I

0:17:41.000 --> 0:17:43.200
<v Speaker 1>kind of like when like a horror movie cuts to

0:17:43.280 --> 0:17:45.119
<v Speaker 1>the chase of like, no, this is gonna be a

0:17:45.200 --> 0:17:48.399
<v Speaker 1>gory one because the second you see that whatever it

0:17:48.560 --> 0:17:53.560
<v Speaker 1>is go through her husband's head right after she's like, babe,

0:17:53.600 --> 0:17:56.320
<v Speaker 1>you're distant because he's cheating on her, and then he's

0:17:56.359 --> 0:17:59.320
<v Speaker 1>like um, and then it's just instant karma piped through

0:17:59.359 --> 0:18:06.720
<v Speaker 1>the head. Yes. Um. So Sarah is obviously devastated, and

0:18:06.760 --> 0:18:09.400
<v Speaker 1>then we cut to one year later. She's still dealing

0:18:09.480 --> 0:18:12.960
<v Speaker 1>with the grief, but she decides to go cave diving

0:18:13.200 --> 0:18:16.720
<v Speaker 1>in Appalachia with her friends Beth and Juno, as well

0:18:16.840 --> 0:18:21.680
<v Speaker 1>as some other friends, Becca, Becca's sister Sam who is

0:18:21.720 --> 0:18:25.240
<v Speaker 1>a med school student, and Holly, who is the one

0:18:25.280 --> 0:18:28.160
<v Speaker 1>who's like kind of the most reckless and thrilled speaking

0:18:28.359 --> 0:18:32.440
<v Speaker 1>of the group. One of the group, right. She descends

0:18:32.560 --> 0:18:39.159
<v Speaker 1>quickly and then they head for bore Um Cave, or

0:18:39.280 --> 0:18:43.639
<v Speaker 1>what they think is bore Um Cave. They arrive at

0:18:43.640 --> 0:18:49.480
<v Speaker 1>the mouth of a cave and begin there descents right away.

0:18:49.600 --> 0:18:53.879
<v Speaker 1>When they're inside, some something's happened. There's like a bloody handprint,

0:18:54.680 --> 0:18:57.480
<v Speaker 1>A bunch of bats fly around and startle them. There

0:18:57.560 --> 0:19:00.360
<v Speaker 1>was a dead deer right near the mouth of the cave,

0:19:00.440 --> 0:19:03.040
<v Speaker 1>and We're like, hmm, I wonder if anything bad is

0:19:03.080 --> 0:19:05.399
<v Speaker 1>going to happen. They start poking at it like a

0:19:05.520 --> 0:19:08.000
<v Speaker 1>dead body, like and stand by me or something. It's like,

0:19:08.040 --> 0:19:09.720
<v Speaker 1>you guys want to see a dead body and we

0:19:09.800 --> 0:19:12.520
<v Speaker 1>start poking. They're like, come on, we gotta go. We

0:19:12.640 --> 0:19:16.080
<v Speaker 1>have to have a descent, Okay, So they go further

0:19:16.200 --> 0:19:20.280
<v Speaker 1>into the cave. They go down this narrow tunnel, which

0:19:20.320 --> 0:19:22.960
<v Speaker 1>I guess was the vagina is what they called it

0:19:23.080 --> 0:19:27.640
<v Speaker 1>on set. I mean, yeah, I mean there's a pool

0:19:27.720 --> 0:19:29.479
<v Speaker 1>full of blood at the center of it. I mean

0:19:29.560 --> 0:19:34.680
<v Speaker 1>it's very it's a very siss normative situation they're descending into.

0:19:37.480 --> 0:19:41.479
<v Speaker 1>Uh so they don't know where they're going. It's very

0:19:41.560 --> 0:19:44.560
<v Speaker 1>dark and scary. And then Sarah gets stuck in one

0:19:44.640 --> 0:19:48.800
<v Speaker 1>of these very narrow tunnels. She starts panicking. The tunnel

0:19:48.880 --> 0:19:53.760
<v Speaker 1>starts to collapse. So I actually had to walk out

0:19:53.800 --> 0:19:55.639
<v Speaker 1>of the room at one point. I was like, I

0:19:55.840 --> 0:19:58.520
<v Speaker 1>can't even watch this. That was the scariest part for me.

0:19:59.040 --> 0:20:03.480
<v Speaker 1>The claustrophobia. Yeah, I definitely have claustrophobia, and that was

0:20:04.000 --> 0:20:06.160
<v Speaker 1>my worst nightmare. Like I'd rather deal with the cave

0:20:06.240 --> 0:20:10.040
<v Speaker 1>dwellers and yeah, yeah, like once you get to the

0:20:10.119 --> 0:20:13.280
<v Speaker 1>cave dwellers, we're like, okay, this is like this is imagination,

0:20:13.359 --> 0:20:15.520
<v Speaker 1>but that like moment of horror at the beginning, because

0:20:15.520 --> 0:20:17.280
<v Speaker 1>at the beginning of this movie, I was like, Oh,

0:20:17.359 --> 0:20:19.360
<v Speaker 1>I've kind of always wanted to do that, and then

0:20:19.640 --> 0:20:24.680
<v Speaker 1>immediately you're like, I've had a change of heart. Yeah. Yeah,

0:20:25.920 --> 0:20:29.119
<v Speaker 1>So Beth helps her get out, but one of the

0:20:29.200 --> 0:20:31.800
<v Speaker 1>bags of ropes gets lost in the rubble, and then

0:20:31.920 --> 0:20:34.960
<v Speaker 1>that way out is now blocked. So did they send

0:20:35.040 --> 0:20:38.480
<v Speaker 1>it with the last person? Though? Right? Questions? Why? Yeah,

0:20:39.160 --> 0:20:41.880
<v Speaker 1>that is a good question. Why do we ever find out?

0:20:41.960 --> 0:20:44.000
<v Speaker 1>This is maybe a plot hole bit? But why doesn't

0:20:44.040 --> 0:20:47.119
<v Speaker 1>Juno take the book? Like? Is it just because she's like,

0:20:47.440 --> 0:20:49.680
<v Speaker 1>we're so bad? But it's like if she knew the

0:20:49.880 --> 0:20:53.719
<v Speaker 1>book that she has is for Borom Cave, but they

0:20:53.800 --> 0:20:56.240
<v Speaker 1>don't go into Borom caves, so that's why she doesn't

0:20:56.280 --> 0:20:59.040
<v Speaker 1>bring it. She's like, why bother that makes more sense,

0:20:59.280 --> 0:21:01.400
<v Speaker 1>that's right. She is like, we don't need this ship

0:21:01.440 --> 0:21:04.280
<v Speaker 1>because we didn't even go not even but I'm gonna

0:21:04.320 --> 0:21:07.000
<v Speaker 1>rush everyone because we've got to get to the vagina.

0:21:07.320 --> 0:21:12.840
<v Speaker 1>Now there's there's also a there's a female orgasm joke

0:21:12.920 --> 0:21:15.080
<v Speaker 1>in there, it's how how do you give a lemon

0:21:15.160 --> 0:21:20.160
<v Speaker 1>an orgasm? You touch it's? You touch it citrus, which

0:21:20.240 --> 0:21:23.040
<v Speaker 1>is supposed to sound like clitter as it's not a

0:21:23.240 --> 0:21:25.800
<v Speaker 1>it's not a good punchline. I'm like, maybe that works

0:21:25.840 --> 0:21:30.840
<v Speaker 1>better with a Scottish accent. I'm not sure. Okay, So

0:21:31.320 --> 0:21:34.119
<v Speaker 1>that one way out is blocked and they're like, no

0:21:34.280 --> 0:21:38.360
<v Speaker 1>big deal, there are two other ways out of Borom Cave, right,

0:21:38.600 --> 0:21:41.359
<v Speaker 1>And that's when we learn Juno didn't bring them to

0:21:41.480 --> 0:21:45.680
<v Speaker 1>Borom Cave. She brought them to a different, uncharted cave

0:21:46.400 --> 0:21:49.080
<v Speaker 1>that no one has ever been inside of before, or

0:21:49.240 --> 0:21:53.240
<v Speaker 1>so they think shady, but this means that they have

0:21:53.359 --> 0:21:57.240
<v Speaker 1>no idea how to navigate it, and no one knows

0:21:57.359 --> 0:22:00.800
<v Speaker 1>they're down there, so if they do turn up missing,

0:22:01.400 --> 0:22:05.720
<v Speaker 1>like the rescue team will search the wrong place. Um So,

0:22:05.840 --> 0:22:10.680
<v Speaker 1>then Sarah thinks she sees something or someone lurking in

0:22:10.760 --> 0:22:14.920
<v Speaker 1>the distance. Maybe it's a yeast infection that's affecting this.

0:22:15.800 --> 0:22:17.840
<v Speaker 1>I was I was just like the U T I

0:22:18.400 --> 0:22:26.199
<v Speaker 1>lurking in Yeah as U T I. Do they make

0:22:26.280 --> 0:22:32.360
<v Speaker 1>that sound too? Yeah? You don't very echo yeah. Um

0:22:32.880 --> 0:22:35.639
<v Speaker 1>So they move onward to find a path out of

0:22:35.680 --> 0:22:38.680
<v Speaker 1>the cave and they come upon this deep ravine that

0:22:38.760 --> 0:22:41.119
<v Speaker 1>they have to get across, and as they're doing that,

0:22:41.320 --> 0:22:45.280
<v Speaker 1>they notice a hook that's already embedded in the roof

0:22:45.359 --> 0:22:48.160
<v Speaker 1>of the cave and they realize someone's been downe there before,

0:22:48.320 --> 0:22:52.239
<v Speaker 1>but it's equipment that's like several decades old. So they're like, well,

0:22:52.280 --> 0:22:54.960
<v Speaker 1>if people have been down here before, why is this

0:22:55.160 --> 0:22:58.320
<v Speaker 1>cave still uncharted? And they're like, they haven't touched this

0:22:58.400 --> 0:23:02.480
<v Speaker 1>equipment in a Hunters that's my also horrible accent, but

0:23:02.640 --> 0:23:07.360
<v Speaker 1>bear with it. But then they come upon some cave

0:23:07.480 --> 0:23:11.640
<v Speaker 1>paintings that show that there's another entrance to the cave.

0:23:11.960 --> 0:23:16.840
<v Speaker 1>But then Holly, who loves scrambling ahead of everyone, falls

0:23:16.880 --> 0:23:19.879
<v Speaker 1>into a hole and breaks her leg, and while the

0:23:19.960 --> 0:23:23.119
<v Speaker 1>rest of the group is dealing with her injury, Sarah

0:23:23.200 --> 0:23:27.359
<v Speaker 1>hears something. She breaks away from the group and sees

0:23:27.560 --> 0:23:30.879
<v Speaker 1>what appears to be a man or a kind of

0:23:31.000 --> 0:23:35.680
<v Speaker 1>humanoid figure. She tells everyone. She tells Juno, and Juno

0:23:35.760 --> 0:23:41.360
<v Speaker 1>gaslights a ship at us her home wrecker of all

0:23:41.520 --> 0:23:46.480
<v Speaker 1>people to be gaslighting Sarah. At this time, jess I says,

0:23:46.520 --> 0:23:51.679
<v Speaker 1>are you shady? So no one believes her, but then

0:23:51.720 --> 0:23:55.320
<v Speaker 1>they do, because they all get attacked by what turns

0:23:55.359 --> 0:24:02.320
<v Speaker 1>out to be cave dwelling cannibalistic humanoid creatures. Wikipedia calls

0:24:02.400 --> 0:24:06.200
<v Speaker 1>them crawlers. It kind of looks like I mean, I

0:24:06.320 --> 0:24:09.000
<v Speaker 1>feel like it looks like a variation on so many

0:24:09.200 --> 0:24:12.760
<v Speaker 1>horror movie characters that at least I'll give them credit

0:24:12.880 --> 0:24:16.880
<v Speaker 1>for not making the entire head of vagina mouth, which

0:24:16.960 --> 0:24:20.040
<v Speaker 1>is usually what happens, but it is still just like

0:24:20.160 --> 0:24:27.320
<v Speaker 1>a fleshy mystery. I like that they actually built it

0:24:27.560 --> 0:24:30.040
<v Speaker 1>to kind of make sense. I'm saying this because I

0:24:30.280 --> 0:24:32.240
<v Speaker 1>also just watched A Quiet Place for the first time

0:24:32.480 --> 0:24:35.639
<v Speaker 1>and you're just like, oh, vagina mouth, got it. But

0:24:35.760 --> 0:24:37.560
<v Speaker 1>this one, I mean, I like that they at least

0:24:37.920 --> 0:24:40.280
<v Speaker 1>like took the time to be like, oh, it makes

0:24:40.320 --> 0:24:42.720
<v Speaker 1>sense that this creature would evolve the way it did.

0:24:43.080 --> 0:24:46.120
<v Speaker 1>Like it is kind of like a water bats thing.

0:24:46.400 --> 0:24:50.320
<v Speaker 1>Like it makes sense enough. It's really scary to look at.

0:24:50.680 --> 0:24:56.879
<v Speaker 1>I like the mother and child pair, no no, no no,

0:24:57.040 --> 0:25:00.560
<v Speaker 1>But I mean there's a little they made in this.

0:25:02.520 --> 0:25:06.280
<v Speaker 1>It's very baffling to me that, like the female cave

0:25:06.400 --> 0:25:12.840
<v Speaker 1>dweller has long but but the male ones are bald,

0:25:13.040 --> 0:25:17.160
<v Speaker 1>and it's like that's not how that works. She also

0:25:17.240 --> 0:25:20.200
<v Speaker 1>has some cool like body chats going on, Like I

0:25:20.240 --> 0:25:22.440
<v Speaker 1>saw some like chess tattoos happening. It was like a

0:25:22.560 --> 0:25:26.840
<v Speaker 1>chess piece that or it was a clothing piece or

0:25:26.920 --> 0:25:29.840
<v Speaker 1>her skin was very mutually. I thought she has she

0:25:29.920 --> 0:25:34.040
<v Speaker 1>seems to have like breasts, she's got like cave dweller titties.

0:25:35.640 --> 0:25:37.119
<v Speaker 1>It was kind of I mean, I thought that was

0:25:37.440 --> 0:25:39.320
<v Speaker 1>interesting because I felt like in that it's like a

0:25:39.400 --> 0:25:42.680
<v Speaker 1>conversation that I feel like we usually have during animated

0:25:42.760 --> 0:25:46.400
<v Speaker 1>movies where it's like a I don't know, like kind

0:25:46.440 --> 0:25:49.680
<v Speaker 1>of needless gender coating where you're like, why are you

0:25:49.840 --> 0:25:53.440
<v Speaker 1>giving this like creature a hairstyle? Like what are you doing?

0:25:55.359 --> 0:25:58.760
<v Speaker 1>Because I'm just thinking about her, like what what were

0:25:58.800 --> 0:26:01.719
<v Speaker 1>the decisions? Like someone looked at her, they put their

0:26:01.760 --> 0:26:05.120
<v Speaker 1>hand on their other chins, step back, and they're like, yeah,

0:26:05.160 --> 0:26:06.720
<v Speaker 1>that looks I think this is that you guys, I

0:26:06.760 --> 0:26:09.720
<v Speaker 1>think we've got it. We've got the female cavedwaller, just

0:26:09.920 --> 0:26:14.040
<v Speaker 1>the one and her little baby that she protects. Yeah, well,

0:26:14.080 --> 0:26:19.920
<v Speaker 1>women be raising children without the assistance of the monster father. Yeah.

0:26:21.320 --> 0:26:25.280
<v Speaker 1>I'm also just like I guess the filmmakers were like, well,

0:26:25.960 --> 0:26:30.240
<v Speaker 1>most women above ground have long hair and most men

0:26:30.480 --> 0:26:34.680
<v Speaker 1>have short hair, so that's how these cave dwellers will

0:26:34.760 --> 0:26:39.960
<v Speaker 1>also look. They evolved like according to Western fashion, which

0:26:40.080 --> 0:26:43.320
<v Speaker 1>is how evolution works. But they did say that they

0:26:43.359 --> 0:26:45.879
<v Speaker 1>were from like a hundred years ago, which was a

0:26:46.040 --> 0:26:49.720
<v Speaker 1>more traditional time. Maybe I don't know. I don't really

0:26:49.760 --> 0:26:52.880
<v Speaker 1>want to see. I aren't they supposed to be from?

0:26:52.920 --> 0:26:57.280
<v Speaker 1>Like No, I think it's there were other like spi

0:26:57.359 --> 0:27:00.639
<v Speaker 1>lunkers who had tried to explore the cave, but they

0:27:00.720 --> 0:27:04.119
<v Speaker 1>also got murdered by these cave dwellers who had been

0:27:04.200 --> 0:27:08.119
<v Speaker 1>there for I'm guessing millennia. Yeah, I guess that's not

0:27:08.200 --> 0:27:13.359
<v Speaker 1>how humans evolved. Yeah, well, what do you think it was? Like?

0:27:13.960 --> 0:27:16.560
<v Speaker 1>I don't know this was, don't I honestly wasn't thinking

0:27:16.560 --> 0:27:19.080
<v Speaker 1>about it that hard. But would it have been like

0:27:19.280 --> 0:27:22.679
<v Speaker 1>people who got stuck there in like cave dwelling times

0:27:22.720 --> 0:27:25.119
<v Speaker 1>and that's why there's cave paintings, and then it's like

0:27:25.840 --> 0:27:30.040
<v Speaker 1>those people evolved into the cave dwells. Yeah, that's I

0:27:30.160 --> 0:27:34.320
<v Speaker 1>think where some of the story logic does get a

0:27:34.400 --> 0:27:38.600
<v Speaker 1>bit muddied, because you know, in the in the in

0:27:38.800 --> 0:27:44.159
<v Speaker 1>human migration, the humans because they're in Appalachia right, humans

0:27:44.240 --> 0:27:50.280
<v Speaker 1>didn't arrive to the America's until about you know, there's

0:27:50.400 --> 0:27:53.159
<v Speaker 1>there's debate on exactly when it was, but that was

0:27:53.240 --> 0:27:56.440
<v Speaker 1>somewhere around I think years ago is a number that

0:27:56.520 --> 0:27:59.320
<v Speaker 1>we know think it was. So it might just be

0:27:59.600 --> 0:28:04.880
<v Speaker 1>that very you know, early humans had gone into these caves,

0:28:05.240 --> 0:28:09.440
<v Speaker 1>decided to stay there, evolved, or maybe they got stuck

0:28:09.520 --> 0:28:12.080
<v Speaker 1>there and they found a way to survive and then yeah,

0:28:12.440 --> 0:28:16.280
<v Speaker 1>generations of I don't know, like they evolved to the

0:28:16.440 --> 0:28:20.000
<v Speaker 1>space of like it makes total sense that they're blind

0:28:20.400 --> 0:28:22.680
<v Speaker 1>like all that. I don't know, And I mean there's

0:28:23.000 --> 0:28:26.119
<v Speaker 1>I have a whole spiel on like how disability is

0:28:26.200 --> 0:28:30.600
<v Speaker 1>treated in horror movies that we'll get into. But yeah,

0:28:30.680 --> 0:28:35.359
<v Speaker 1>I don't know exactly how these cave dollars came to

0:28:35.520 --> 0:28:38.000
<v Speaker 1>be there. Yeah, I guess we're not meant to think

0:28:38.080 --> 0:28:40.640
<v Speaker 1>too hard about it. Yeah, we just have to suspend

0:28:40.680 --> 0:28:43.280
<v Speaker 1>our disbelief. But I just still want to know why

0:28:43.400 --> 0:28:47.160
<v Speaker 1>they chose for the female to have long, curly hair

0:28:47.360 --> 0:28:51.800
<v Speaker 1>and like chest and armed tattoos. And she did not

0:28:51.920 --> 0:28:55.400
<v Speaker 1>pass the backdel test for sure, she didn't have a name.

0:28:55.520 --> 0:28:58.280
<v Speaker 1>She protected a man. We never got time with her.

0:28:58.280 --> 0:29:00.840
<v Speaker 1>I think she was the one to underserved female of

0:29:00.960 --> 0:29:04.680
<v Speaker 1>the film Justice, and of the only things we knew

0:29:04.760 --> 0:29:07.560
<v Speaker 1>about her was that she was a mother. Yes, yes,

0:29:07.800 --> 0:29:12.160
<v Speaker 1>a loving, heartfelt mother who would die for her own

0:29:12.520 --> 0:29:14.840
<v Speaker 1>And I think we should take a moment of silence

0:29:15.000 --> 0:29:19.080
<v Speaker 1>for this lost cave dweller. I know, because she gets

0:29:19.120 --> 0:29:22.840
<v Speaker 1>stabbed in the eyeball. Oh, I know. So Sarah has

0:29:22.880 --> 0:29:26.440
<v Speaker 1>spotted one of the cave dwellers. No one believes her.

0:29:26.520 --> 0:29:29.480
<v Speaker 1>Then they get attacked. Holly gets killed by one of

0:29:29.560 --> 0:29:34.040
<v Speaker 1>the cave people. Juno manages to kill one of them,

0:29:34.800 --> 0:29:39.040
<v Speaker 1>but then she also accidentally stabs Beth and leaves her

0:29:39.120 --> 0:29:42.880
<v Speaker 1>there to die poopsies. I'll have a whole thing about

0:29:42.920 --> 0:29:46.880
<v Speaker 1>that as well. We'll get there. Then Juno, Becca, and

0:29:47.080 --> 0:29:49.760
<v Speaker 1>Sam they're trying to find their way out. Sarah has

0:29:49.800 --> 0:29:53.400
<v Speaker 1>gotten separated from the group and she finds Beth, who

0:29:53.560 --> 0:29:55.920
<v Speaker 1>was not all the way dead yet. And Beth is like,

0:29:56.720 --> 0:30:00.280
<v Speaker 1>don't trust Juno. She did this to me. Also, she

0:30:00.480 --> 0:30:03.520
<v Speaker 1>was having an affair with your husband, and she's like,

0:30:03.680 --> 0:30:07.640
<v Speaker 1>well shit. In my opinion, Beth is really blowing her

0:30:07.720 --> 0:30:10.840
<v Speaker 1>last moments on earth, like getting into other people's business.

0:30:10.960 --> 0:30:13.520
<v Speaker 1>It's like, do you have like a family that you

0:30:13.560 --> 0:30:15.840
<v Speaker 1>would like a message passed on to or are you

0:30:16.000 --> 0:30:19.440
<v Speaker 1>just gonna like gossip into an early grave? Like what's

0:30:19.480 --> 0:30:23.400
<v Speaker 1>going on? It's like, well, I have no choice but

0:30:23.640 --> 0:30:28.120
<v Speaker 1>to just tell you this because fuck everything and bleeds

0:30:28.240 --> 0:30:30.880
<v Speaker 1>to death imagine why they're dying breath to be like

0:30:31.240 --> 0:30:38.239
<v Speaker 1>by the way, um, did you know? It's so bizarre right,

0:30:38.320 --> 0:30:41.760
<v Speaker 1>Like this is like literally a matter of life and death.

0:30:42.000 --> 0:30:45.000
<v Speaker 1>Like that's the thing. Like this movie was like women

0:30:45.120 --> 0:30:48.800
<v Speaker 1>are so petty that in their dying breaths they're going

0:30:48.880 --> 0:30:52.120
<v Speaker 1>to gossip and they're going to murder each other. Wow,

0:30:52.280 --> 0:30:57.120
<v Speaker 1>that's real. Which is interesting because they're all like, you know,

0:30:57.280 --> 0:31:00.040
<v Speaker 1>thrill seekers, and they all knew what they knew it

0:31:00.040 --> 0:31:02.800
<v Speaker 1>would be like some danger doing this, um, whether it

0:31:02.880 --> 0:31:06.200
<v Speaker 1>was charted or uncharted. But the fact that like all

0:31:06.200 --> 0:31:07.800
<v Speaker 1>of a sudden, they all freak out and have no

0:31:07.920 --> 0:31:10.040
<v Speaker 1>idea what to do, Like they all just freak out

0:31:10.040 --> 0:31:12.120
<v Speaker 1>and like, wait, don't you all like to do this?

0:31:12.480 --> 0:31:15.160
<v Speaker 1>You know? Like parkor over here is just like jumping

0:31:15.200 --> 0:31:17.320
<v Speaker 1>around and like splits her bone out of her legs

0:31:17.320 --> 0:31:19.640
<v Speaker 1>and I'm like, what the what are you doing? I

0:31:19.680 --> 0:31:21.560
<v Speaker 1>feel like you should know you should be a little

0:31:21.600 --> 0:31:24.320
<v Speaker 1>more conscious and then oh, I love Okay, I don't

0:31:24.360 --> 0:31:27.040
<v Speaker 1>even think you've gotten there. I'll let you continue. Um okay.

0:31:27.080 --> 0:31:30.040
<v Speaker 1>So then Sarah manages to kill a few of the

0:31:30.240 --> 0:31:34.520
<v Speaker 1>cave dwellers. Then Becca and Sam get killed, and so

0:31:34.680 --> 0:31:38.600
<v Speaker 1>now it's only Sarah in JUNO. Wait, but Sam's death

0:31:39.040 --> 0:31:42.880
<v Speaker 1>was I feel bad because I laugh every time because

0:31:42.960 --> 0:31:46.240
<v Speaker 1>she's like fucking up going to I'm going across and

0:31:46.400 --> 0:31:50.760
<v Speaker 1>she like starts hooking up and and then she puts

0:31:50.840 --> 0:31:53.160
<v Speaker 1>the knife in her mouth when the cage dweller comes

0:31:53.240 --> 0:31:55.680
<v Speaker 1>at her, and I was like, Oh, she's gonna use

0:31:55.680 --> 0:31:59.360
<v Speaker 1>a knife to like stab it, but then it splits

0:31:59.400 --> 0:32:05.160
<v Speaker 1>her throat and then she just leads out. It was like, wait,

0:32:05.440 --> 0:32:08.280
<v Speaker 1>what was the point of any of that. That's the

0:32:08.360 --> 0:32:12.040
<v Speaker 1>other fun example of instant karma in this movie that

0:32:12.120 --> 0:32:14.840
<v Speaker 1>I really thought was fun was like she's about to

0:32:14.920 --> 0:32:17.040
<v Speaker 1>ditch all of her friends and then immediately it just

0:32:17.400 --> 0:32:20.680
<v Speaker 1>it just blows up in her face in the worst

0:32:20.720 --> 0:32:25.480
<v Speaker 1>possible way, and she wastes rope. I'm like, selfish, right,

0:32:25.840 --> 0:32:28.320
<v Speaker 1>she done goofed? I think I might have misinterpreted that.

0:32:28.440 --> 0:32:30.920
<v Speaker 1>I thought she was like trying to kind of martyr

0:32:31.080 --> 0:32:34.480
<v Speaker 1>herself to like get but I don't know. That doesn't

0:32:34.520 --> 0:32:38.640
<v Speaker 1>make any sense. She was bailing. She was leaving just

0:32:38.760 --> 0:32:41.520
<v Speaker 1>like freaked out. It was like I'm over this, I've

0:32:41.560 --> 0:32:44.720
<v Speaker 1>been over this. She I think her pipe was like

0:32:44.920 --> 0:32:46.600
<v Speaker 1>I don't really know most of the people on this

0:32:46.720 --> 0:32:52.200
<v Speaker 1>trip very well, like come on. I think that was

0:32:52.280 --> 0:32:54.440
<v Speaker 1>like park Or. Also sorry, I can't help but call

0:32:54.520 --> 0:32:57.240
<v Speaker 1>her Parkor. But I felt like she was also like

0:32:57.680 --> 0:33:00.960
<v Speaker 1>this dude, just like skirted out. We're like, where you bro,

0:33:01.080 --> 0:33:04.720
<v Speaker 1>where are you going? She thinks she sees daylight. Yeah,

0:33:06.320 --> 0:33:09.920
<v Speaker 1>they're like it's phosphorus in the rocks or something. Fact,

0:33:10.240 --> 0:33:13.520
<v Speaker 1>now I know that you know which we're gonna do

0:33:13.720 --> 0:33:18.040
<v Speaker 1>after this. Um okay. So Becca and Sam get killed

0:33:18.160 --> 0:33:22.320
<v Speaker 1>and now it's only Sarah and Juno. They join up

0:33:22.440 --> 0:33:25.120
<v Speaker 1>and Sarah is like, hey, Juno, I heard you were

0:33:25.240 --> 0:33:30.160
<v Speaker 1>having an affair with my husband. Stab kind of stabs

0:33:30.200 --> 0:33:32.240
<v Speaker 1>her in the leg and leaves her to be eaten

0:33:32.720 --> 0:33:36.080
<v Speaker 1>by the cave people, which was I thought a more

0:33:36.400 --> 0:33:39.920
<v Speaker 1>colder move than to just kill her. She's like, bitch,

0:33:40.000 --> 0:33:42.000
<v Speaker 1>I'm not going to kill you. I'm gonna just let

0:33:42.080 --> 0:33:45.960
<v Speaker 1>you fight in fear for your life. Also like why

0:33:46.000 --> 0:33:48.720
<v Speaker 1>would she leave her behind? I mean, I understand why

0:33:48.840 --> 0:33:51.480
<v Speaker 1>she was like, draw the attention to you so I

0:33:51.600 --> 0:33:54.520
<v Speaker 1>can bounce, But it really felt very like Sarah's character

0:33:54.800 --> 0:33:57.480
<v Speaker 1>was so hard to keep up with because I was like,

0:33:57.640 --> 0:34:02.520
<v Speaker 1>what's your what is your intention going into this strip? Why? Why? Why?

0:34:02.720 --> 0:34:06.520
<v Speaker 1>I had to be honest, there's like three blonde women

0:34:06.960 --> 0:34:10.080
<v Speaker 1>in the cave, and it's so dark that sometimes I'm like,

0:34:10.440 --> 0:34:12.960
<v Speaker 1>I don't know which blonde woman it is. I appreciate

0:34:13.000 --> 0:34:15.799
<v Speaker 1>that they keep saying everybody's name very frequently, because I'm

0:34:15.840 --> 0:34:18.359
<v Speaker 1>just like, I don't know if this is a protagonist

0:34:18.440 --> 0:34:24.600
<v Speaker 1>blonde woman or an ancillary blond woman. Well, like you

0:34:24.680 --> 0:34:27.160
<v Speaker 1>mentioned Derby, the director was like, yes, I gave the

0:34:27.239 --> 0:34:30.080
<v Speaker 1>women different accents so we could tell them apart. And

0:34:30.160 --> 0:34:34.480
<v Speaker 1>it's like that didn't work at all. It's like, have

0:34:34.719 --> 0:34:37.919
<v Speaker 1>some more women of color in the group, that would help. Yeah,

0:34:38.000 --> 0:34:40.640
<v Speaker 1>exactly two thousand and five, black people weren't around yet

0:34:40.680 --> 0:34:44.120
<v Speaker 1>at that point. What happened here, I really couldn't get,

0:34:44.160 --> 0:34:48.120
<v Speaker 1>like one black British person, get Naomi what's her face?

0:34:48.280 --> 0:34:52.719
<v Speaker 1>From twenty days later? She's great In twenty days later,

0:34:53.080 --> 0:34:55.360
<v Speaker 1>I got to rewatch that. That's a good rewatch. I

0:34:55.480 --> 0:35:00.320
<v Speaker 1>just rewatched very quarantine friendly. Yes, I'm and there's so

0:35:00.440 --> 0:35:04.680
<v Speaker 1>few Naomi Harris, right, Naomie Harris, Yes, sweet Angel who

0:35:04.840 --> 0:35:07.600
<v Speaker 1>she stopped aging. I think after twenty days later she

0:35:07.840 --> 0:35:11.319
<v Speaker 1>looks exactly the same. Yes, Oh, she's in the new

0:35:11.719 --> 0:35:16.920
<v Speaker 1>James Bond to Oh that's right. Yeah, um okay. So

0:35:17.040 --> 0:35:20.840
<v Speaker 1>then they're then the ending in there, Jamie. Like you mentioned,

0:35:20.880 --> 0:35:23.800
<v Speaker 1>there are two different two versions of the ending. There's

0:35:23.880 --> 0:35:28.480
<v Speaker 1>the US cut, in which Sarah makes her escape. She

0:35:28.640 --> 0:35:32.800
<v Speaker 1>finds the other exit, crawls on top of a pile

0:35:32.840 --> 0:35:34.840
<v Speaker 1>of bones to get up out of the cave. I

0:35:34.920 --> 0:35:37.960
<v Speaker 1>also feel like when she emerges through like the tiny

0:35:38.040 --> 0:35:40.600
<v Speaker 1>little hole, that's going to be like how we all

0:35:40.760 --> 0:35:44.320
<v Speaker 1>come out of quarantine. We're just like we're like popping

0:35:44.360 --> 0:35:47.279
<v Speaker 1>out of the ground, seeing daylight for the first time

0:35:47.320 --> 0:35:50.279
<v Speaker 1>in a while. We're all covered in blood, and gets

0:35:50.320 --> 0:35:52.719
<v Speaker 1>like a mile away from our homes, then burst into

0:35:52.800 --> 0:35:58.239
<v Speaker 1>tears like yeah real, yeah. Anyway, so she she gets out,

0:35:58.520 --> 0:36:01.040
<v Speaker 1>she makes her way to the car, drives away a

0:36:01.120 --> 0:36:04.480
<v Speaker 1>little bit, pulls over, vomits, and then she has a

0:36:04.560 --> 0:36:07.600
<v Speaker 1>hallucination of of Juno being in the car with her,

0:36:07.680 --> 0:36:10.160
<v Speaker 1>and then we smashed cut to black now that I

0:36:10.239 --> 0:36:12.759
<v Speaker 1>think the same thing happens in the UK version. But

0:36:12.840 --> 0:36:15.239
<v Speaker 1>then there's a little bit more. We smash cut back

0:36:15.320 --> 0:36:23.960
<v Speaker 1>to the toy, back to reality, right where she had

0:36:24.040 --> 0:36:28.000
<v Speaker 1>just hallucinated her escape. She wakes up. She sees like

0:36:28.120 --> 0:36:31.759
<v Speaker 1>another hallucination of her daughter and a birthday cake, and

0:36:31.880 --> 0:36:37.440
<v Speaker 1>then all the cave dwellers descend upon They dissent upon her,

0:36:38.200 --> 0:36:41.520
<v Speaker 1>uh and then she presumably dies. I read that the

0:36:41.760 --> 0:36:46.279
<v Speaker 1>US ending is the US ending because they did a

0:36:46.400 --> 0:36:49.160
<v Speaker 1>screening in the US of the u K. And they

0:36:49.200 --> 0:36:52.160
<v Speaker 1>were like, oh hell no that I remember reading quote.

0:36:52.680 --> 0:37:00.320
<v Speaker 1>It was uber uber hopeless. Yes, because American movie go ours.

0:37:00.520 --> 0:37:04.439
<v Speaker 1>Really they like a happy ending. We're very fragile. Yeah,

0:37:06.640 --> 0:37:11.839
<v Speaker 1>I think I like the UK ending better. Same. I've

0:37:11.880 --> 0:37:14.040
<v Speaker 1>watched the I watched the whole movie through with the

0:37:14.120 --> 0:37:17.520
<v Speaker 1>American ending, then found out about the UK ending. I

0:37:17.680 --> 0:37:20.680
<v Speaker 1>like it better. I like my ending the best, and

0:37:20.800 --> 0:37:25.880
<v Speaker 1>my ending is Sarah and Juno both live. Sarah doesn't

0:37:25.920 --> 0:37:29.040
<v Speaker 1>try to kill her friend. She's still mad at her,

0:37:29.160 --> 0:37:31.600
<v Speaker 1>but she's like, come on, we'll deal with this on

0:37:31.719 --> 0:37:35.160
<v Speaker 1>the surface. Let's get out of here. They apologize to

0:37:35.280 --> 0:37:39.239
<v Speaker 1>the cave people for trespassing on their land. They're like,

0:37:39.320 --> 0:37:41.439
<v Speaker 1>so sorry, we shouldn't have we should have never come.

0:37:42.160 --> 0:37:45.920
<v Speaker 1>Are bad? Get them like a year's supply of animals.

0:37:47.080 --> 0:37:49.080
<v Speaker 1>Open a small business. I want them to open a

0:37:49.120 --> 0:37:52.880
<v Speaker 1>small business. Yes, yes they do. They start like a

0:37:53.000 --> 0:37:58.080
<v Speaker 1>diner in the middle of the woods. Yeah. Uh well,

0:37:58.239 --> 0:38:00.680
<v Speaker 1>let's take a quick break and then we will come

0:38:00.760 --> 0:38:09.239
<v Speaker 1>right back and we're back. I want to give this

0:38:09.440 --> 0:38:14.080
<v Speaker 1>movie props up top for I mean, in terms of

0:38:14.640 --> 0:38:18.480
<v Speaker 1>the metric we use the Bechdel test, this movie really

0:38:19.120 --> 0:38:24.120
<v Speaker 1>couldn't fare better. It's mostly women talking to women about

0:38:24.640 --> 0:38:29.440
<v Speaker 1>surviving the whole cave situation. Um, I think the one

0:38:29.560 --> 0:38:32.920
<v Speaker 1>but but the one, like, the one male presence looming

0:38:33.160 --> 0:38:39.839
<v Speaker 1>over this movie is her husband, and I think, I mean,

0:38:40.120 --> 0:38:43.560
<v Speaker 1>I don't know. I mean, it's it's not certainly not

0:38:43.719 --> 0:38:46.600
<v Speaker 1>the most egregious example of this, and so I wasn't

0:38:46.680 --> 0:38:49.520
<v Speaker 1>like extremely put off. But Caitlin, I feel like you

0:38:49.560 --> 0:38:52.879
<v Speaker 1>already kind of alluded to this, was that the whole

0:38:52.960 --> 0:38:58.120
<v Speaker 1>element of like the jealousy and the suspicion and that

0:38:58.440 --> 0:39:02.680
<v Speaker 1>kind of translating to basically leaving Juno for dead at

0:39:02.719 --> 0:39:04.600
<v Speaker 1>the peak of the movie when we don't really know

0:39:04.800 --> 0:39:06.520
<v Speaker 1>enough about the husband and I feel like the movie

0:39:06.600 --> 0:39:09.600
<v Speaker 1>just assumes that the husband was an awesome guy, which

0:39:09.680 --> 0:39:11.560
<v Speaker 1>is like, well, we don't know that. We see him

0:39:11.600 --> 0:39:15.600
<v Speaker 1>for two seconds and he's being distant and he was cheating,

0:39:15.640 --> 0:39:18.040
<v Speaker 1>and he was cheating on her. So it's like I

0:39:18.160 --> 0:39:22.200
<v Speaker 1>feel like it was like a slight writer telling on

0:39:22.280 --> 0:39:25.400
<v Speaker 1>themselves situation where it's like, well, he was her husband,

0:39:25.560 --> 0:39:28.000
<v Speaker 1>so I'm sure that he was. It was just you know,

0:39:28.120 --> 0:39:31.279
<v Speaker 1>he was tricked. He was you know, because women, you know,

0:39:31.440 --> 0:39:33.800
<v Speaker 1>women be tricking men and whatever. One of the oldest

0:39:33.840 --> 0:39:36.440
<v Speaker 1>tropes in the book. But I didn't think it's interesting that.

0:39:36.520 --> 0:39:40.200
<v Speaker 1>I mean, I don't really necessarily want them to burn

0:39:40.280 --> 0:39:43.680
<v Speaker 1>any time in this movie, like talking about this husband,

0:39:43.680 --> 0:39:46.160
<v Speaker 1>I don't really care, but it does seem to kind

0:39:46.160 --> 0:39:48.320
<v Speaker 1>of assume that, like he was a great guy and

0:39:48.480 --> 0:39:54.799
<v Speaker 1>therefore all of the blame for this infidelity is on Juno. Right. Yeah,

0:39:54.840 --> 0:39:57.080
<v Speaker 1>I didn't really think about that. He is kind of looming.

0:39:57.480 --> 0:40:00.320
<v Speaker 1>He is kind of looming over the movie because we

0:40:00.400 --> 0:40:02.120
<v Speaker 1>think of it. I mean, I really love how they

0:40:02.200 --> 0:40:04.120
<v Speaker 1>told the moments, like I feel like it was so

0:40:04.560 --> 0:40:07.080
<v Speaker 1>to the point, like we did not suck around, we

0:40:07.200 --> 0:40:10.160
<v Speaker 1>didn't get little lovey dovey moments, but that moment where

0:40:10.200 --> 0:40:12.560
<v Speaker 1>he walks over to Juno when they get out the raft,

0:40:12.600 --> 0:40:16.480
<v Speaker 1>I was like, oh, you are so shady. Oh no,

0:40:16.680 --> 0:40:19.759
<v Speaker 1>And then Beth catches on and I'm like, mm hmm,

0:40:19.880 --> 0:40:22.080
<v Speaker 1>that that's kind of shady too for not saying anything.

0:40:22.280 --> 0:40:25.000
<v Speaker 1>I feel like a good friend should say something personally,

0:40:25.640 --> 0:40:29.120
<v Speaker 1>you know, like if someone if one of my best

0:40:29.239 --> 0:40:32.600
<v Speaker 1>friends in this trio knew you were cheating or my

0:40:32.840 --> 0:40:35.520
<v Speaker 1>husband was cheating on me with other friends, mit, you

0:40:35.600 --> 0:40:39.120
<v Speaker 1>better tell me. You know, you gotta tell each other things,

0:40:39.239 --> 0:40:42.800
<v Speaker 1>and you have to believe each other and not not system.

0:40:43.239 --> 0:40:46.839
<v Speaker 1>So I'm on life system. Juno is clearly like, I mean,

0:40:47.000 --> 0:40:49.560
<v Speaker 1>it takes two to tango in this situation and the

0:40:49.719 --> 0:40:54.040
<v Speaker 1>friend betrayal, Like that's the worst, that's a horrible thing

0:40:54.080 --> 0:40:56.640
<v Speaker 1>to do. But I do. But but I don't think

0:40:56.680 --> 0:40:59.920
<v Speaker 1>that this movie really recognizes the two to tango situ

0:41:00.040 --> 0:41:05.200
<v Speaker 1>vation unless Sarah is so like Galaxy braining her own grief,

0:41:05.280 --> 0:41:08.160
<v Speaker 1>which we know she isn't that She's like, well, I

0:41:08.280 --> 0:41:11.319
<v Speaker 1>can't hold my husband accountable at this point, so I'm

0:41:11.400 --> 0:41:13.560
<v Speaker 1>shifting the blame. I don't. I don't know what's really

0:41:13.560 --> 0:41:20.880
<v Speaker 1>coming again, like I understand Sarah's anger and feelings of

0:41:21.080 --> 0:41:25.000
<v Speaker 1>betrayal when she finds out that Juno was having this affair,

0:41:25.520 --> 0:41:28.680
<v Speaker 1>but to the extent that you're going to let her

0:41:29.000 --> 0:41:34.640
<v Speaker 1>die and be eaten alive by these like cannibalistic cave dwellers,

0:41:34.840 --> 0:41:37.000
<v Speaker 1>Sarby you were saying, and like I do kind of

0:41:37.400 --> 0:41:40.360
<v Speaker 1>I'm kind of assuming that this is what Neil Marshall

0:41:40.440 --> 0:41:43.400
<v Speaker 1>is going for, is that like this experience has like

0:41:43.640 --> 0:41:47.880
<v Speaker 1>hardened Sarah so much that it's like, you know, you

0:41:48.080 --> 0:41:51.680
<v Speaker 1>have wronged me, and like this is a game of survival,

0:41:52.040 --> 0:41:54.480
<v Speaker 1>and like I don't need you to survive anymore, and

0:41:54.560 --> 0:41:57.760
<v Speaker 1>you've wronged me, so you know, fuck you. I'm leaving

0:41:58.120 --> 0:42:03.239
<v Speaker 1>to steal your car. I guess, yeah, but yeah, I

0:42:03.280 --> 0:42:05.160
<v Speaker 1>don't know. I mean, it's I'm kind of I was

0:42:05.200 --> 0:42:08.880
<v Speaker 1>kind of glad that like that was I mean, it

0:42:09.160 --> 0:42:11.160
<v Speaker 1>is definitely a thing, and it also I feel like

0:42:11.360 --> 0:42:15.279
<v Speaker 1>it's compounded by the fact that Natalie Mendoza is the

0:42:15.440 --> 0:42:18.200
<v Speaker 1>only woman of color in this entire movie, and she

0:42:18.480 --> 0:42:21.320
<v Speaker 1>is like the villain of the story, and she is

0:42:21.400 --> 0:42:24.799
<v Speaker 1>like this temptress and she is you know, I mean,

0:42:24.920 --> 0:42:29.319
<v Speaker 1>it's a lot of negative stereotypes like all foisted upon

0:42:29.360 --> 0:42:32.120
<v Speaker 1>this one character. She's also the only American character, but

0:42:32.440 --> 0:42:35.760
<v Speaker 1>American people are horrible and they'll probably steal your husband.

0:42:37.480 --> 0:42:39.239
<v Speaker 1>But I mean just also the fact that she was

0:42:39.320 --> 0:42:43.760
<v Speaker 1>the one to like trick them, like, we're not going

0:42:43.920 --> 0:42:47.680
<v Speaker 1>to the cave where we're like safe and that's actually

0:42:47.760 --> 0:42:51.279
<v Speaker 1>been charted. We're discovering this nuke and her what she

0:42:51.400 --> 0:42:54.520
<v Speaker 1>tells Sarah is that you know, I was doing this

0:42:54.680 --> 0:42:57.040
<v Speaker 1>for you. We were going to name the cave after you,

0:42:57.360 --> 0:43:00.600
<v Speaker 1>Like this whole thing is so that you can help

0:43:00.719 --> 0:43:03.000
<v Speaker 1>get over your grief or I don't even know what

0:43:03.440 --> 0:43:06.560
<v Speaker 1>logic was. I will say that line made me laugh

0:43:06.800 --> 0:43:09.720
<v Speaker 1>a lot because I'm like, imagine naming a cave Sarah,

0:43:10.080 --> 0:43:14.880
<v Speaker 1>Like what, welcome to the Sarah Cave. You're just like

0:43:15.560 --> 0:43:19.359
<v Speaker 1>his name sucks. Let's let's pick another. But yeah, yeah,

0:43:19.400 --> 0:43:23.200
<v Speaker 1>I was looking into and we sort of talked about

0:43:23.200 --> 0:43:26.000
<v Speaker 1>it already, but like the casting process for this movie,

0:43:26.000 --> 0:43:28.840
<v Speaker 1>because I was curious of like, wow, was this a

0:43:28.960 --> 0:43:35.600
<v Speaker 1>movie that was written for women specifically? And it wasn't originally,

0:43:35.680 --> 0:43:38.200
<v Speaker 1>which which I think is kind of interesting and like

0:43:38.280 --> 0:43:40.279
<v Speaker 1>harkens back to stuff we've talked about before. Where it

0:43:40.360 --> 0:43:43.960
<v Speaker 1>was supposed to be a cast of men and women.

0:43:44.600 --> 0:43:49.359
<v Speaker 1>But then Neil Marshall's business partner said, hey, horror movies

0:43:49.440 --> 0:43:55.280
<v Speaker 1>never have all women, so marketing, and Neil Marshall was like, okay,

0:43:56.080 --> 0:43:58.680
<v Speaker 1>and then and then it says and again this is

0:43:58.760 --> 0:44:01.680
<v Speaker 1>we're about to give him like a trophy for the

0:44:01.719 --> 0:44:04.920
<v Speaker 1>bare minimum. But it does. It was said in a

0:44:04.960 --> 0:44:07.800
<v Speaker 1>lot of press at the time that after deciding Okay,

0:44:07.800 --> 0:44:11.320
<v Speaker 1>I'm going to cast you know, all women in this movie,

0:44:11.840 --> 0:44:17.400
<v Speaker 1>he talked to women. He knew, I know, like the

0:44:17.520 --> 0:44:20.239
<v Speaker 1>thing that male screen writers never ever do. He's like,

0:44:20.320 --> 0:44:22.440
<v Speaker 1>I asked for their advice, and I asked, you know,

0:44:22.520 --> 0:44:25.200
<v Speaker 1>what are things that they say and talk about. I'm like, what,

0:44:25.360 --> 0:44:29.239
<v Speaker 1>We're like a creature you've never delved again, Also, give

0:44:29.320 --> 0:44:32.040
<v Speaker 1>the damn movie to a woman's direct and to write

0:44:32.120 --> 0:44:35.360
<v Speaker 1>and to oversee, like how many men were behind that

0:44:35.520 --> 0:44:39.040
<v Speaker 1>camera making that movie. That's I want to know. I'm saying.

0:44:39.320 --> 0:44:42.280
<v Speaker 1>For the for the sequel, the editor, the male editor

0:44:42.360 --> 0:44:44.840
<v Speaker 1>of the first movie directed the sequel, which is like,

0:44:45.320 --> 0:44:49.880
<v Speaker 1>come but but I do. I mean, it's like, I

0:44:49.960 --> 0:44:52.919
<v Speaker 1>mean as far as I mean, Kittlie, and you've talked

0:44:52.960 --> 0:44:55.560
<v Speaker 1>about this before. In terms of like your classes of Like,

0:44:55.960 --> 0:44:59.040
<v Speaker 1>if you are a male writer that wants to write

0:44:59.040 --> 0:45:03.239
<v Speaker 1>about women, the least you can do is do your homework,

0:45:03.400 --> 0:45:06.920
<v Speaker 1>like and talk to women. And I don't know, the

0:45:07.640 --> 0:45:10.480
<v Speaker 1>interactions with women, especially like the hanging out at the

0:45:10.600 --> 0:45:13.200
<v Speaker 1>beginning and stuff like that, like it felt pretty authentic.

0:45:13.320 --> 0:45:16.920
<v Speaker 1>I don't know. I was like light impressed. I was like,

0:45:17.040 --> 0:45:19.840
<v Speaker 1>all right, Nel Marshall talked to a woman about this,

0:45:20.120 --> 0:45:23.319
<v Speaker 1>just imagine. Yeah. I like that they were all hungover too,

0:45:24.120 --> 0:45:26.480
<v Speaker 1>Like yeah, I like that they all got like wasted

0:45:26.640 --> 0:45:30.279
<v Speaker 1>and smoked weed, low key and all that. And I

0:45:30.360 --> 0:45:31.839
<v Speaker 1>was like there were moments I was like, these are

0:45:31.840 --> 0:45:35.120
<v Speaker 1>a women, but I really didn't think deeper on. Yeah,

0:45:35.160 --> 0:45:37.080
<v Speaker 1>it's like that we're going to make them petty. Like

0:45:37.239 --> 0:45:39.480
<v Speaker 1>Sarah's character was just so much more of a tool

0:45:39.520 --> 0:45:42.040
<v Speaker 1>than an actual person, Like she was just there to

0:45:42.160 --> 0:45:44.839
<v Speaker 1>like help set shut up and make things happen. Because

0:45:44.880 --> 0:45:47.080
<v Speaker 1>I'm like, you know what, if you are the type

0:45:47.120 --> 0:45:49.360
<v Speaker 1>of person to just go and kill your friend that

0:45:49.440 --> 0:45:51.759
<v Speaker 1>your husband cheated on you with, you know, a bitch,

0:45:51.840 --> 0:45:56.680
<v Speaker 1>maybe you deserve to be cheated on. I said it.

0:45:58.320 --> 0:46:01.480
<v Speaker 1>I just don't like, I mean, I like that you

0:46:01.600 --> 0:46:06.919
<v Speaker 1>have a depiction of like these complicated female friendships where

0:46:07.040 --> 0:46:10.520
<v Speaker 1>like one of them is doing something wrong and like

0:46:10.640 --> 0:46:13.560
<v Speaker 1>going behind her friends back and having this affair. Like

0:46:13.960 --> 0:46:19.000
<v Speaker 1>people are complex, people make horrible mistakes, people do really

0:46:19.040 --> 0:46:22.480
<v Speaker 1>bad things. But like again the movie, like the suggestion

0:46:23.320 --> 0:46:27.400
<v Speaker 1>that she's like, well, I know we were best friends

0:46:27.680 --> 0:46:29.880
<v Speaker 1>up until five minutes ago, but now I'm going to

0:46:30.000 --> 0:46:33.480
<v Speaker 1>kill you. Um, I just the thing for me. Like

0:46:33.640 --> 0:46:38.040
<v Speaker 1>the first half or maybe even the first like sixty

0:46:38.160 --> 0:46:41.520
<v Speaker 1>minutes of this movie, I think are like really good

0:46:42.080 --> 0:46:45.440
<v Speaker 1>for looking at it through our lens of Like women

0:46:45.480 --> 0:46:49.680
<v Speaker 1>are shown being very capable. We see them having physical strength,

0:46:49.800 --> 0:46:52.640
<v Speaker 1>we see them being athletic, like all this stuff they're doing,

0:46:52.680 --> 0:46:55.440
<v Speaker 1>I like that. Um it seems like there was care taken.

0:46:55.520 --> 0:46:59.640
<v Speaker 1>And like each woman in the in the group has

0:47:00.040 --> 0:47:03.120
<v Speaker 1>um like specialty that is not like Mary Sue, that

0:47:03.280 --> 0:47:05.680
<v Speaker 1>is like established in their character that is able to

0:47:06.000 --> 0:47:08.440
<v Speaker 1>move the action forward. Where there's like someone who's a

0:47:08.520 --> 0:47:10.680
<v Speaker 1>medical student and so she's able to do first aid

0:47:10.719 --> 0:47:14.120
<v Speaker 1>when someone's like gets busted, and like everyone has some

0:47:14.320 --> 0:47:19.080
<v Speaker 1>knowledge that is able to assist in moving forward, which

0:47:19.160 --> 0:47:22.040
<v Speaker 1>is like good right, And you know women don't always

0:47:22.080 --> 0:47:24.279
<v Speaker 1>get there for sure, and like we see them like

0:47:24.440 --> 0:47:27.920
<v Speaker 1>have to fight off the cave dwellers in a way

0:47:28.000 --> 0:47:31.200
<v Speaker 1>that is not sexualized, like one of the like one

0:47:31.239 --> 0:47:34.040
<v Speaker 1>of the major tropes of horror movies and especially like

0:47:34.200 --> 0:47:39.560
<v Speaker 1>slasher movies is women being sexualized and then also being

0:47:39.680 --> 0:47:44.120
<v Speaker 1>shamed for being sexual so you don't get any of that.

0:47:44.880 --> 0:47:49.440
<v Speaker 1>They have like outdoorsy skills. We see Sarah like she

0:47:49.640 --> 0:47:53.279
<v Speaker 1>figures out that there's like I think, what's kerosene in

0:47:53.360 --> 0:47:56.800
<v Speaker 1>an old lantern. She uses that to light a torch,

0:47:57.160 --> 0:47:59.600
<v Speaker 1>which she has to do like a flint kind of

0:47:59.800 --> 0:48:02.399
<v Speaker 1>like that was cool. I was like, oh, that's where

0:48:02.440 --> 0:48:06.160
<v Speaker 1>I would have died. I guess right exactly. So we

0:48:06.239 --> 0:48:09.680
<v Speaker 1>see that. We see Becca is the one who crosses

0:48:09.840 --> 0:48:12.360
<v Speaker 1>like the ceiling of the ravine and like all that

0:48:12.520 --> 0:48:16.480
<v Speaker 1>upper body string she needs to and you can tell

0:48:16.560 --> 0:48:19.480
<v Speaker 1>how much she's struggling, but it's still like you believe

0:48:19.600 --> 0:48:22.919
<v Speaker 1>that she would be capable of that. Then it's Beth

0:48:23.040 --> 0:48:27.000
<v Speaker 1>who like notices the cave painting and like interprets it

0:48:27.040 --> 0:48:29.239
<v Speaker 1>because everyone else is just like this is nothing, and

0:48:29.400 --> 0:48:32.759
<v Speaker 1>she's like no, wait, like let's read this. Let's like

0:48:32.960 --> 0:48:35.879
<v Speaker 1>look at these clues. The first yeah, the first chunk

0:48:35.920 --> 0:48:39.600
<v Speaker 1>of the movie, it's all this really cool stuff that

0:48:39.719 --> 0:48:43.279
<v Speaker 1>you see these women do, and I was like, oh,

0:48:43.400 --> 0:48:47.280
<v Speaker 1>I and I and I didn't exactly remember how things ended,

0:48:47.400 --> 0:48:49.800
<v Speaker 1>so I was like really getting all geared up to

0:48:49.880 --> 0:48:53.640
<v Speaker 1>be like this is like a feminist masterpiece, Like definitely

0:48:53.920 --> 0:48:58.760
<v Speaker 1>there's not enough diversity. It's five of the six women

0:48:58.800 --> 0:49:02.880
<v Speaker 1>are white, ry heteronormative, in spite of seeming to like

0:49:03.160 --> 0:49:07.400
<v Speaker 1>suggest I thought something was being suggested between Holly and Juno,

0:49:07.480 --> 0:49:09.919
<v Speaker 1>but then it's kind of dropped. I don't know, Yeah,

0:49:10.080 --> 0:49:13.640
<v Speaker 1>I did the moment, yeah, And I was hoping that

0:49:13.680 --> 0:49:16.040
<v Speaker 1>they would just make it explicit of like oh, these

0:49:16.080 --> 0:49:20.640
<v Speaker 1>are two either gay or bisexual characters. Awesome, but but

0:49:20.719 --> 0:49:22.920
<v Speaker 1>then they kind of just drop it and they're like no, no, no,

0:49:23.040 --> 0:49:25.520
<v Speaker 1>no no. And then Holly like even it's like no

0:49:25.640 --> 0:49:27.200
<v Speaker 1>no no, no, no, no no no, I want to

0:49:27.239 --> 0:49:38.880
<v Speaker 1>have a lot of hetero babies, and you're just like okay, Holly, Like, um, so,

0:49:39.239 --> 0:49:43.960
<v Speaker 1>I think there's like some really cool subversions of the

0:49:44.040 --> 0:49:47.319
<v Speaker 1>horror genre that we're seeing in this movie. But then

0:49:47.560 --> 0:49:51.640
<v Speaker 1>man gets fridged. Man Yes, yeah, he and the only

0:49:51.719 --> 0:49:55.759
<v Speaker 1>man we see, or at least the only man right

0:49:56.440 --> 0:49:59.640
<v Speaker 1>gets killed almost instantly, so it's it's a lot of

0:49:59.760 --> 0:50:04.480
<v Speaker 1>like cool subversions. But then like by act three the script,

0:50:04.680 --> 0:50:06.439
<v Speaker 1>this writer was like, oh wait, I forgot that women

0:50:06.480 --> 0:50:09.520
<v Speaker 1>are really petty. I have to write this into the movie.

0:50:10.080 --> 0:50:13.040
<v Speaker 1>They're also in a huge vagina there. I'm sorry, I

0:50:13.200 --> 0:50:17.760
<v Speaker 1>just can't say it enough. I like, I just feel

0:50:17.920 --> 0:50:20.160
<v Speaker 1>so just I don't know, like I think this is

0:50:20.200 --> 0:50:23.919
<v Speaker 1>a very inventive, subversive horror movie, but like men making

0:50:23.960 --> 0:50:27.120
<v Speaker 1>horror movies, they literally cannot help themselves. Like they can't

0:50:27.239 --> 0:50:30.800
<v Speaker 1>help themselves. There's a huge vaginal metaphor in every single

0:50:31.040 --> 0:50:33.759
<v Speaker 1>one down to that. I mean, the pool full of

0:50:33.840 --> 0:50:36.239
<v Speaker 1>blood at the heart of that. I mean it's just

0:50:36.640 --> 0:50:40.360
<v Speaker 1>like it's like that's the ter we get it, honey,

0:50:40.760 --> 0:50:43.680
<v Speaker 1>Like just call your mom, like I don't know what

0:50:43.800 --> 0:50:46.840
<v Speaker 1>to tell you, to tell you. I also feel like

0:50:46.960 --> 0:50:50.040
<v Speaker 1>usually when we see women who are hallucinating in films

0:50:50.400 --> 0:50:52.600
<v Speaker 1>or like you know, are seeing things that we the

0:50:52.640 --> 0:50:56.520
<v Speaker 1>audience are also seeing with her, that usually it's men

0:50:56.920 --> 0:50:59.239
<v Speaker 1>like you're just crazy, you're making it up, or it's

0:50:59.239 --> 0:51:01.759
<v Speaker 1>like some old or a woman mother character who's like, yeah,

0:51:01.760 --> 0:51:04.240
<v Speaker 1>I know you're just seeing things. But I think seeing

0:51:04.440 --> 0:51:07.400
<v Speaker 1>everyone doing that with her was also kind of breaking

0:51:07.480 --> 0:51:11.440
<v Speaker 1>that stereotype of like sometimes people just don't believe people,

0:51:11.640 --> 0:51:13.360
<v Speaker 1>like I think that. I kind of like that we

0:51:13.440 --> 0:51:16.919
<v Speaker 1>were seeing everyone, well Juneo gaslighting her, but even Beth

0:51:17.040 --> 0:51:20.160
<v Speaker 1>is like, you're just seeing things. It's okay. But I

0:51:20.280 --> 0:51:22.960
<v Speaker 1>was like, it's why don't they They should believe her.

0:51:23.000 --> 0:51:25.160
<v Speaker 1>I feel like they shell also be more sympathetic because

0:51:25.719 --> 0:51:29.120
<v Speaker 1>she just lost her child and her husband, which in

0:51:29.200 --> 0:51:32.120
<v Speaker 1>the griefing process, a year is like a second, Like

0:51:32.360 --> 0:51:34.239
<v Speaker 1>that's really not a lot of time from like what

0:51:34.360 --> 0:51:36.000
<v Speaker 1>your life was going to be. The rest of it

0:51:36.120 --> 0:51:39.080
<v Speaker 1>then turns into nothing, which I was also like, they

0:51:39.120 --> 0:51:41.120
<v Speaker 1>don't spend a lot of time on the grief. I

0:51:41.280 --> 0:51:43.320
<v Speaker 1>was like, yeah, yeah, that thing that happened, right, You

0:51:43.400 --> 0:51:47.040
<v Speaker 1>get like flashbacks of her having kind of like dreams

0:51:47.120 --> 0:51:50.920
<v Speaker 1>or visions of like the accident and stuff, but we

0:51:51.080 --> 0:51:54.479
<v Speaker 1>really don't know. We don't learn anything about her daughter

0:51:54.600 --> 0:51:57.520
<v Speaker 1>or her husband before they die, so it's like, okay,

0:51:57.920 --> 0:52:00.120
<v Speaker 1>I thought that that I don't know, like that is

0:52:00.239 --> 0:52:04.279
<v Speaker 1>kind of in terms of how she is gaslighted by

0:52:04.840 --> 0:52:08.080
<v Speaker 1>her friends. I also thought it was like they were

0:52:08.160 --> 0:52:10.359
<v Speaker 1>dismissive of her because of her grief, and also because

0:52:10.400 --> 0:52:13.400
<v Speaker 1>they're like, well, you're just you're just being like on

0:52:13.640 --> 0:52:16.560
<v Speaker 1>edge because a cave just collapsed on your head two

0:52:16.640 --> 0:52:19.399
<v Speaker 1>seconds ago. And I'm like, well, that's a great reason

0:52:19.440 --> 0:52:23.600
<v Speaker 1>to be on edge. But like you know, there, that

0:52:23.800 --> 0:52:27.799
<v Speaker 1>was one that was another subversion. There's some I mean,

0:52:28.239 --> 0:52:30.279
<v Speaker 1>we haven't gotten to the parts of this movie that

0:52:30.360 --> 0:52:33.040
<v Speaker 1>I don't love so much, but that was a subversion

0:52:33.160 --> 0:52:37.600
<v Speaker 1>that I thought was fairly effective of I don't know.

0:52:37.800 --> 0:52:40.719
<v Speaker 1>I was thinking at the beginning of this movie, where

0:52:40.840 --> 0:52:45.120
<v Speaker 1>something deeply traumatic robs a woman of her family. Instantly

0:52:45.320 --> 0:52:49.680
<v Speaker 1>I went to Midsummer uh movie that I think couldn't

0:52:49.760 --> 0:52:53.080
<v Speaker 1>handle that plot point any worse if it wanted to.

0:52:53.680 --> 0:52:57.960
<v Speaker 1>Like I just the opening sequence of Midsummer and this

0:52:58.120 --> 0:53:01.080
<v Speaker 1>is like some of the most irresponsive, bull like treatment

0:53:01.120 --> 0:53:04.000
<v Speaker 1>of mental illness I've ever seen in movies period. But

0:53:05.080 --> 0:53:09.839
<v Speaker 1>I think this movie toes the dealing with grief as

0:53:10.200 --> 0:53:14.160
<v Speaker 1>plot I think better than a lot of horror movies

0:53:14.480 --> 0:53:16.479
<v Speaker 1>tend to. And it's like, I'm not a huge horror

0:53:16.600 --> 0:53:18.440
<v Speaker 1>efficient out of there. I'm sure there's other movies that

0:53:18.520 --> 0:53:20.400
<v Speaker 1>deal with it well, but I feel like there is

0:53:20.800 --> 0:53:24.000
<v Speaker 1>maybe a tendency and correct me if I'm wrong. But

0:53:24.320 --> 0:53:29.240
<v Speaker 1>a tendency to treat grief as like a hindrance, where

0:53:29.600 --> 0:53:32.319
<v Speaker 1>like I think that you know what Sarah is going through,

0:53:32.520 --> 0:53:35.360
<v Speaker 1>actually ends up kind of serving her in this situation.

0:53:35.560 --> 0:53:39.120
<v Speaker 1>It motivates her need to survive even though you know

0:53:39.360 --> 0:53:42.880
<v Speaker 1>she's dealing with it. It doesn't prevent her from handling

0:53:42.920 --> 0:53:45.680
<v Speaker 1>the situation at hand, even though her friends seem to

0:53:45.760 --> 0:53:49.200
<v Speaker 1>think it is. We find out almost immediately like no,

0:53:49.480 --> 0:53:52.239
<v Speaker 1>she is not, you know, like she's not being unreasonable.

0:53:52.280 --> 0:53:55.200
<v Speaker 1>What she's seeing is there. She's telling the truth, and

0:53:55.360 --> 0:53:59.040
<v Speaker 1>it works against the friends to disbelieve her because they

0:53:59.120 --> 0:54:01.479
<v Speaker 1>think that she is just like in a bad place.

0:54:01.640 --> 0:54:04.480
<v Speaker 1>So I thought that that Platfoin was was kind of cool,

0:54:04.520 --> 0:54:08.160
<v Speaker 1>of like she's going through this very heavy, horrible thing,

0:54:08.360 --> 0:54:12.279
<v Speaker 1>but it's not, you know, it doesn't make it impossible

0:54:12.360 --> 0:54:15.120
<v Speaker 1>for her to survive. It actually kind of helps her survive.

0:54:15.960 --> 0:54:18.440
<v Speaker 1>Everyone else is kind of like I don't know, we

0:54:18.480 --> 0:54:21.960
<v Speaker 1>don't really know anyone else's backstory except part of Juno's

0:54:22.080 --> 0:54:26.279
<v Speaker 1>only because of the husband and other than that, like

0:54:26.520 --> 0:54:28.720
<v Speaker 1>even Sarah's like trying to find out like what everyone

0:54:28.800 --> 0:54:31.320
<v Speaker 1>else like has kind of back home, they like have

0:54:31.520 --> 0:54:34.080
<v Speaker 1>very small talk like so, what man do you have

0:54:34.200 --> 0:54:36.640
<v Speaker 1>back home? Which I was like, are you just assuming

0:54:36.680 --> 0:54:38.520
<v Speaker 1>everyone has a man back home? What if they have

0:54:38.600 --> 0:54:40.200
<v Speaker 1>a couple of partners? What if they have a same

0:54:40.239 --> 0:54:43.040
<v Speaker 1>sex partner? What if? What? And also why is everyone

0:54:43.160 --> 0:54:46.239
<v Speaker 1>identifying as this year? Like there was like obviously no diversity,

0:54:46.320 --> 0:54:49.879
<v Speaker 1>but I'm suial. Marshall's like, div who what, I don't

0:54:49.920 --> 0:54:53.480
<v Speaker 1>know what. I don't know anything. I don't know anything.

0:54:53.680 --> 0:54:55.640
<v Speaker 1>Asked me in fifteen years and I'll say I've been

0:54:55.680 --> 0:54:59.360
<v Speaker 1>doing it all wrong like everyone else. But yeah, I agree,

0:54:59.640 --> 0:55:02.520
<v Speaker 1>I think think that it definitely is. It's cool, like

0:55:02.600 --> 0:55:05.360
<v Speaker 1>if I were to put aside, like my deeper thoughts

0:55:05.400 --> 0:55:08.719
<v Speaker 1>that we've discussed about, you know how, it's kind of

0:55:08.800 --> 0:55:10.560
<v Speaker 1>weird that she kind of lippd at you know. At

0:55:10.640 --> 0:55:13.520
<v Speaker 1>one point it's like, wait, so now you're now you're

0:55:13.520 --> 0:55:15.920
<v Speaker 1>a total badass. He's like, you know, covered in blood

0:55:15.960 --> 0:55:18.640
<v Speaker 1>and you're kind of a cavewoman who has no words anymore.

0:55:19.200 --> 0:55:20.960
<v Speaker 1>I'm like, I don't know. I guess if I was

0:55:21.080 --> 0:55:24.080
<v Speaker 1>grieving and this was just where I was, It's like, alright,

0:55:24.120 --> 0:55:26.520
<v Speaker 1>no time to fucking play anymore. Let's fucking do this.

0:55:26.840 --> 0:55:30.200
<v Speaker 1>Do you know, get out of my way, Like, yeah,

0:55:30.680 --> 0:55:32.600
<v Speaker 1>I can't make a whole lot of sense of it.

0:55:32.760 --> 0:55:35.680
<v Speaker 1>I guess my main thing with that whole scenario is

0:55:35.719 --> 0:55:40.239
<v Speaker 1>I wish that when Sarah did reveal that she's like

0:55:40.600 --> 0:55:43.080
<v Speaker 1>I saw someone I thought I saw before, and now

0:55:43.120 --> 0:55:45.640
<v Speaker 1>I definitely saw it and I'm not making this up.

0:55:45.680 --> 0:55:49.120
<v Speaker 1>I'm not imagining it. And they're all like, nope, the

0:55:49.320 --> 0:55:52.480
<v Speaker 1>dark place tricks on you and there's nothing. You didn't

0:55:52.480 --> 0:55:56.319
<v Speaker 1>see anything, And I just I really wish like even

0:55:56.400 --> 0:56:00.239
<v Speaker 1>if they were incredulous, they should have still been like, well,

0:56:00.320 --> 0:56:02.520
<v Speaker 1>what did you what did you see or what do

0:56:02.640 --> 0:56:04.520
<v Speaker 1>you think you saw or what did it look like?

0:56:05.000 --> 0:56:07.760
<v Speaker 1>And like, I just I wish that we had seen

0:56:08.239 --> 0:56:10.960
<v Speaker 1>just them making more of an effort to believe her.

0:56:11.080 --> 0:56:14.080
<v Speaker 1>I mean that is that's almost like a story bump too,

0:56:14.080 --> 0:56:16.640
<v Speaker 1>because it's like, at this point, aren't they all aware

0:56:16.760 --> 0:56:20.879
<v Speaker 1>that they are in completely uncharted territory, Like it's it's

0:56:20.960 --> 0:56:25.160
<v Speaker 1>kind of like the counterproductive to assume that anything you

0:56:25.200 --> 0:56:27.440
<v Speaker 1>would see is not there if it's like, well, what

0:56:27.560 --> 0:56:30.239
<v Speaker 1>do you know, no one's ever been here, you know,

0:56:30.880 --> 0:56:32.920
<v Speaker 1>Like but they also like no one knows how to

0:56:33.080 --> 0:56:35.759
<v Speaker 1>deal with anxiety and I hate to bring that piece

0:56:35.800 --> 0:56:38.120
<v Speaker 1>of ship movie back up again, but mids Omar was

0:56:38.239 --> 0:56:41.000
<v Speaker 1>just like that, like they you know, her boyfriend had

0:56:41.040 --> 0:56:45.000
<v Speaker 1>no idea how to deal with her anxiety disorder or

0:56:45.080 --> 0:56:47.520
<v Speaker 1>she bipolar in the film, but like in this it's

0:56:47.560 --> 0:56:49.640
<v Speaker 1>like no one knows how to deal with it, which

0:56:49.640 --> 0:56:52.800
<v Speaker 1>I think spoke to something it's like as someone with anxiety,

0:56:52.920 --> 0:56:56.360
<v Speaker 1>like often people will just assume that I'm being dramatic

0:56:56.520 --> 0:56:59.320
<v Speaker 1>or being sensitive, or I'm just seeing things. So I

0:56:59.440 --> 0:57:01.680
<v Speaker 1>felt like when they were like, no, no, it's fine,

0:57:01.800 --> 0:57:04.680
<v Speaker 1>I'm like, that's really real. I mean, the conversation has

0:57:04.760 --> 0:57:08.040
<v Speaker 1>changed a lot now, just in time. Regardless off that

0:57:08.160 --> 0:57:11.399
<v Speaker 1>film really happened, could happen in real life, like I think,

0:57:11.520 --> 0:57:13.600
<v Speaker 1>you know, as a kid, or even up until a

0:57:13.680 --> 0:57:16.560
<v Speaker 1>few years ago, people still will like, you know, just

0:57:16.720 --> 0:57:20.760
<v Speaker 1>assume I'm yeah, being dramatic or overreacting. But now there's

0:57:20.800 --> 0:57:23.480
<v Speaker 1>so much more compassion I think in the world, or

0:57:23.520 --> 0:57:25.880
<v Speaker 1>in at least in our world. And and so I

0:57:26.000 --> 0:57:28.080
<v Speaker 1>think that now if that movie is written, I think

0:57:28.120 --> 0:57:30.200
<v Speaker 1>there would be more like, well, wait, tell us what's

0:57:30.240 --> 0:57:33.000
<v Speaker 1>going on. But I think it kind of it seems

0:57:33.120 --> 0:57:34.960
<v Speaker 1>very real that they were all just like no, No,

0:57:35.080 --> 0:57:38.160
<v Speaker 1>you're just seeing things, you know, regardless that Yeah, like

0:57:38.280 --> 0:57:41.640
<v Speaker 1>you said, like they were in uncharted territory, So it's like,

0:57:41.720 --> 0:57:45.800
<v Speaker 1>I mean anything goes out here, like fucking Cageweller, Sasquash,

0:57:45.960 --> 0:57:48.560
<v Speaker 1>anything you name it, which they do make a joke

0:57:48.640 --> 0:57:52.160
<v Speaker 1>about earlier though, like it's probably Sasquatch, and I'm like, girl,

0:57:52.240 --> 0:57:55.520
<v Speaker 1>don't play because cuts to like sixty minutes into this film.

0:57:56.120 --> 0:57:57.640
<v Speaker 1>You're gonna be a lot You're not gonna be laughing

0:57:57.680 --> 0:58:00.960
<v Speaker 1>about that. I just yeah, I mean, like they at

0:58:01.040 --> 0:58:04.240
<v Speaker 1>this point, I think it's before this that they find

0:58:05.080 --> 0:58:09.120
<v Speaker 1>the cave painting, and they had found the old equipment,

0:58:09.200 --> 0:58:11.560
<v Speaker 1>so it's like, well, things aren't what they see. You thought,

0:58:11.640 --> 0:58:14.760
<v Speaker 1>no one's been done here before, and you've were proven wrong,

0:58:15.320 --> 0:58:17.600
<v Speaker 1>So why don't you listen to your friend? Why don't

0:58:17.640 --> 0:58:21.640
<v Speaker 1>you open yourself up to this possibility, open yourself up

0:58:22.000 --> 0:58:25.160
<v Speaker 1>like you've opened up this vagina of a cave and

0:58:25.440 --> 0:58:28.840
<v Speaker 1>just embark with it. When I was watching this, I

0:58:28.880 --> 0:58:31.920
<v Speaker 1>actually have like a game I play internally in movies

0:58:32.000 --> 0:58:34.520
<v Speaker 1>with myself that sounds really dirty, like I try to

0:58:34.600 --> 0:58:37.840
<v Speaker 1>guess like the character's zodiac sign, And so I felt like,

0:58:38.000 --> 0:58:42.480
<v Speaker 1>what you know. I was like, she is a stubborn,

0:58:43.560 --> 0:58:51.240
<v Speaker 1>relentless tourists with a Gemini moon because taurus Is are

0:58:51.680 --> 0:58:56.760
<v Speaker 1>historically stubborn. As someone who dates a Taurus, I am

0:58:56.840 --> 0:58:59.600
<v Speaker 1>a Tauris. Really, yeah, I gotta know more about your

0:58:59.680 --> 0:59:01.760
<v Speaker 1>virtue because if you don't, are you a stubborn person?

0:59:01.960 --> 0:59:07.040
<v Speaker 1>You're stubborn? Yeah for some things. Yeah, I can be pretty,

0:59:07.160 --> 0:59:11.520
<v Speaker 1>I can be chill, and I contain multitude. I wonder

0:59:11.560 --> 0:59:14.000
<v Speaker 1>what your moon is. Yeah, what's your moon? I don't

0:59:14.000 --> 0:59:15.880
<v Speaker 1>know what that means. So we're gonna have to look

0:59:15.960 --> 0:59:18.120
<v Speaker 1>it up. I'm going to find your birth chart. We'll

0:59:18.160 --> 0:59:21.480
<v Speaker 1>do this after UM. But then with Sarah, I was

0:59:21.520 --> 0:59:23.680
<v Speaker 1>trying to figure out what everyone's signs were. And then

0:59:23.760 --> 0:59:26.040
<v Speaker 1>also as I feel like it's the equivalent to like,

0:59:26.160 --> 0:59:28.600
<v Speaker 1>you know, when people want to know my race, for example,

0:59:28.720 --> 0:59:30.760
<v Speaker 1>it gets like them trying to like box me into

0:59:30.880 --> 0:59:33.640
<v Speaker 1>like what they know about them. So I try. I'm

0:59:33.800 --> 0:59:37.840
<v Speaker 1>very like, um, discriminating with zodiac signs. I'm like that

0:59:37.960 --> 0:59:41.040
<v Speaker 1>bit just for sure, or Scorpio. She's got the loving edge,

0:59:41.200 --> 0:59:42.960
<v Speaker 1>you know, the loving edge, but at the same time

0:59:43.040 --> 0:59:46.760
<v Speaker 1>she will cut you very fast. Um. But some of

0:59:46.840 --> 0:59:48.800
<v Speaker 1>them were you know, a couple of them are definitely

0:59:48.880 --> 0:59:51.720
<v Speaker 1>sagittarius a is, So I just was like, don't let

0:59:51.760 --> 0:59:54.040
<v Speaker 1>them lead. You know, they want to be adventurous, but

0:59:54.560 --> 0:59:56.640
<v Speaker 1>they're also going to be really indecisive and just be

0:59:56.760 --> 0:59:59.880
<v Speaker 1>on their own. I think Sam was definitely a sadge.

1:00:00.440 --> 1:00:03.600
<v Speaker 1>They want to be out there, but she was just

1:00:03.760 --> 1:00:05.360
<v Speaker 1>a scared little shit at the end of the day

1:00:05.520 --> 1:00:09.120
<v Speaker 1>and was like indecisive and was keeping her feelings or

1:00:09.280 --> 1:00:12.479
<v Speaker 1>was like letting her feelings overrun everything else without seeing

1:00:12.600 --> 1:00:16.040
<v Speaker 1>like logic. Anyways, that game can go very deep in

1:00:16.120 --> 1:00:18.560
<v Speaker 1>my brain and then I'm like, what movie am I

1:00:18.600 --> 1:00:20.760
<v Speaker 1>watching right now? I could listen to this for every

1:00:20.800 --> 1:00:25.120
<v Speaker 1>movie that's ever come out. If we need a spinoff

1:00:25.160 --> 1:00:29.440
<v Speaker 1>back delcast Um, Zodiac or I don't even know, just

1:00:29.600 --> 1:00:35.600
<v Speaker 1>the full like movie character, what's your placement? Yeah, um, well,

1:00:35.800 --> 1:00:37.640
<v Speaker 1>let's take a quick break and then we'll come back

1:00:37.920 --> 1:00:48.800
<v Speaker 1>for more discussion and we're back. So another thing kind

1:00:48.840 --> 1:00:51.760
<v Speaker 1>of along the similar lines of what we were talking

1:00:51.840 --> 1:00:55.600
<v Speaker 1>about in terms of kind of like women being pigeonholed

1:00:55.680 --> 1:01:00.080
<v Speaker 1>as being petty. That ties into a horror movie, the

1:01:00.200 --> 1:01:04.880
<v Speaker 1>convention of the horror movie kind of justifying why people

1:01:05.600 --> 1:01:08.840
<v Speaker 1>die or get killed right. So like in a lot

1:01:08.920 --> 1:01:12.400
<v Speaker 1>of slasher movies, it's like, if you're a teenager who's

1:01:12.440 --> 1:01:17.240
<v Speaker 1>sexually active, you die. The classics. The classics, I feel

1:01:17.240 --> 1:01:21.000
<v Speaker 1>like a lot of time men having too much hubris

1:01:21.600 --> 1:01:23.880
<v Speaker 1>or I just won't bring a map. People who won't

1:01:23.880 --> 1:01:27.520
<v Speaker 1>bring a map in general, they get they get killed right.

1:01:28.240 --> 1:01:32.600
<v Speaker 1>Excessive pride, recklessness that will get a man killed. Um.

1:01:32.840 --> 1:01:38.560
<v Speaker 1>I feel like oftentimes a woman being kind of oblivious

1:01:39.360 --> 1:01:43.120
<v Speaker 1>or maybe even like to nurturing or to trusting, or

1:01:43.280 --> 1:01:47.560
<v Speaker 1>just a failure to exercise logic overall will be what

1:01:47.720 --> 1:01:51.760
<v Speaker 1>gets a woman killed. And this rang true especially for

1:01:52.320 --> 1:01:59.880
<v Speaker 1>Beth beth death scene where Juno has just fought off

1:02:00.320 --> 1:02:03.640
<v Speaker 1>two I think it's like two different cave dwellers. She

1:02:03.760 --> 1:02:06.520
<v Speaker 1>kills one of them by stabbing it several times, which

1:02:06.600 --> 1:02:10.520
<v Speaker 1>is really cool, right, and then someone sneaks up on

1:02:10.640 --> 1:02:13.760
<v Speaker 1>her and it's Beth. But Juno doesn't realize this until

1:02:13.840 --> 1:02:16.360
<v Speaker 1>it's too late, and she turns around and stabs Beth

1:02:16.520 --> 1:02:19.000
<v Speaker 1>in the throat. Timmy fair, isn't that like an art

1:02:19.120 --> 1:02:24.480
<v Speaker 1>student or something? I mean, she's she's the one who

1:02:24.600 --> 1:02:27.400
<v Speaker 1>knows what the cave paintings means, so I was assuming

1:02:27.440 --> 1:02:30.440
<v Speaker 1>and like, oh, so she's kind of like she's an

1:02:30.600 --> 1:02:36.360
<v Speaker 1>artsy type. She's not a survivalist, but she's like she

1:02:36.560 --> 1:02:40.480
<v Speaker 1>was whitewater rafting. She she's lunking. Like all these women

1:02:40.520 --> 1:02:43.360
<v Speaker 1>are like seem to be very competent at these like

1:02:43.480 --> 1:02:47.840
<v Speaker 1>extreme sports that they're doing. So for me, like Beth, what,

1:02:48.080 --> 1:02:52.520
<v Speaker 1>like wouldn't she have just witnessed Juno killing these like

1:02:52.720 --> 1:02:57.040
<v Speaker 1>cave dwellers and like, wouldn't she approach with caution and

1:02:57.200 --> 1:03:00.280
<v Speaker 1>like exercise some logic and not just sneak up on

1:03:00.440 --> 1:03:04.120
<v Speaker 1>someone who would be very easily startled. I agree, but

1:03:04.240 --> 1:03:07.680
<v Speaker 1>I just didn't interpret that as gendered. I mean, I

1:03:07.760 --> 1:03:11.600
<v Speaker 1>don't think it was like a very informed or thoughtful decision,

1:03:11.880 --> 1:03:14.440
<v Speaker 1>but it didn't. I don't know, I didn't read I

1:03:14.560 --> 1:03:17.959
<v Speaker 1>read that as like thoughtless but not gendered, especially because

1:03:18.240 --> 1:03:19.920
<v Speaker 1>I think it would be one thing if if many

1:03:19.960 --> 1:03:22.440
<v Speaker 1>of the other characters were men and they died in

1:03:22.520 --> 1:03:26.439
<v Speaker 1>a way that wasn't so like they're oblivious. I would

1:03:26.480 --> 1:03:29.040
<v Speaker 1>have read that as more gendered. But it's still But

1:03:29.160 --> 1:03:31.360
<v Speaker 1>I think it is a gender trope in other horror

1:03:31.440 --> 1:03:34.160
<v Speaker 1>movies with mixed casts. So I was disappointed to see

1:03:34.200 --> 1:03:36.160
<v Speaker 1>a pop up in this movie. I mean, I guess,

1:03:36.200 --> 1:03:38.800
<v Speaker 1>I guess that to me, like that kind of certain

1:03:38.840 --> 1:03:42.640
<v Speaker 1>I mean, that certainly serves to further villainized Juno, even

1:03:42.680 --> 1:03:44.320
<v Speaker 1>though like when I saw that, I'm like, oh, well,

1:03:44.400 --> 1:03:48.680
<v Speaker 1>that's like really unfortunate. And of course she's going to

1:03:48.840 --> 1:03:51.480
<v Speaker 1>lie about it because you don't want people to get

1:03:51.560 --> 1:03:54.560
<v Speaker 1>mad at you, and they're already mad at you for

1:03:54.720 --> 1:04:00.240
<v Speaker 1>bringing them into an unmarked cave. But like, and so

1:04:00.400 --> 1:04:02.400
<v Speaker 1>I don't know, I feel like that's that ultimately, that

1:04:02.480 --> 1:04:06.280
<v Speaker 1>decision like further villainized Juno where I don't know, I

1:04:06.360 --> 1:04:09.000
<v Speaker 1>just didn't care about Beth and then and then and

1:04:09.080 --> 1:04:11.280
<v Speaker 1>then and then when she was dying, she was just

1:04:12.040 --> 1:04:15.520
<v Speaker 1>you know, gossiping to the grave. So she was hanging

1:04:15.560 --> 1:04:18.520
<v Speaker 1>in there though, because a while passed when she came

1:04:18.600 --> 1:04:21.240
<v Speaker 1>up and she was like, I was like, oh you're

1:04:21.320 --> 1:04:25.440
<v Speaker 1>still around, Like how did you still literally drowning in

1:04:25.520 --> 1:04:29.880
<v Speaker 1>your own blood for the last Like so this isn't

1:04:30.200 --> 1:04:33.560
<v Speaker 1>and that you can still speak enough to gossip with

1:04:33.680 --> 1:04:37.320
<v Speaker 1>your friend. Yeah, part of me has to admire it,

1:04:38.080 --> 1:04:42.720
<v Speaker 1>but that was a very bizarre choice. Yeah, I do agree, though, Caitlin.

1:04:42.760 --> 1:04:44.480
<v Speaker 1>You made a good point about how it's like, yeah,

1:04:44.520 --> 1:04:47.520
<v Speaker 1>there was a lot of um and derby words. There

1:04:47.600 --> 1:04:49.080
<v Speaker 1>was a lot of cool ship that happened with the

1:04:49.200 --> 1:04:52.320
<v Speaker 1>characters up until the Cage Dwellers came out, and then

1:04:52.360 --> 1:04:55.360
<v Speaker 1>the writer was like, oh ship, yeah, women are let's

1:04:55.400 --> 1:04:57.840
<v Speaker 1>do all these things. And who knows because I'm sure

1:04:58.160 --> 1:05:00.840
<v Speaker 1>what you know as the writer listens to this episode,

1:05:01.280 --> 1:05:03.959
<v Speaker 1>that they're gonna feel very defensive And no, I didn't

1:05:04.000 --> 1:05:06.280
<v Speaker 1>think that, but it's like, but there's something to be

1:05:06.480 --> 1:05:09.560
<v Speaker 1>said and that you know, the same conversations happening about

1:05:09.560 --> 1:05:12.400
<v Speaker 1>white supremacy and the covert and overt behaviors that we

1:05:12.480 --> 1:05:15.520
<v Speaker 1>all harbor, I as a black person harbor, and that

1:05:16.280 --> 1:05:19.640
<v Speaker 1>you know, it's like we harbor a lot of sexism.

1:05:19.840 --> 1:05:22.240
<v Speaker 1>And I think the writer maybe thinking like, well, this

1:05:22.480 --> 1:05:25.280
<v Speaker 1>is you know, women can keep it cool until she

1:05:25.520 --> 1:05:27.560
<v Speaker 1>goes down, and then they're gonna turn on each other.

1:05:27.600 --> 1:05:31.080
<v Speaker 1>They're gonna gossip to the bloody grave, They're gonna stab

1:05:31.160 --> 1:05:33.200
<v Speaker 1>each other in the leg with a pick. But I

1:05:33.320 --> 1:05:36.520
<v Speaker 1>think that, like if I hope that the writer hears that,

1:05:36.800 --> 1:05:39.360
<v Speaker 1>and that Neil Marshall hears that, and it's like, well,

1:05:39.440 --> 1:05:42.360
<v Speaker 1>why why is it that when women are saving and

1:05:42.440 --> 1:05:47.000
<v Speaker 1>protecting themselves like that, they actually just fully abandon all

1:05:47.040 --> 1:05:49.479
<v Speaker 1>the rules, right, they were like rule number two, don't

1:05:49.600 --> 1:05:52.680
<v Speaker 1>leave each other, and then they all left each other.

1:05:52.880 --> 1:05:55.040
<v Speaker 1>There was no like, you know, Juno couldn't be in

1:05:55.160 --> 1:05:58.560
<v Speaker 1>leadership anymore for everyone, which I thought made sense for

1:05:58.600 --> 1:06:02.360
<v Speaker 1>her character because she was obviously like going through her

1:06:02.400 --> 1:06:04.960
<v Speaker 1>own ship. She's like, I can do this cave trip

1:06:05.120 --> 1:06:07.440
<v Speaker 1>with Sarah. Oh my god, no I can't. I'm a

1:06:07.520 --> 1:06:10.240
<v Speaker 1>horrible person, but I just need to like make up

1:06:10.320 --> 1:06:13.880
<v Speaker 1>for it. But everyone else it was just it was

1:06:13.960 --> 1:06:17.280
<v Speaker 1>just weird. It was like all the character strengths were

1:06:17.400 --> 1:06:21.440
<v Speaker 1>abandoned as soon as the Cagewellers, which I think obviously

1:06:21.480 --> 1:06:24.640
<v Speaker 1>what happened. No one's going to do it perfectly, but yeah,

1:06:24.640 --> 1:06:26.440
<v Speaker 1>I guess when I think about it now, that was

1:06:26.720 --> 1:06:30.760
<v Speaker 1>obviously when the movie shifted, but the characters greatly shifted

1:06:30.840 --> 1:06:34.080
<v Speaker 1>and the writer like abandoned, and it like it does

1:06:34.200 --> 1:06:38.040
<v Speaker 1>imply that, yeah, like women at their like core or whatever,

1:06:38.200 --> 1:06:40.919
<v Speaker 1>like when you're down to that survivalist core, that these

1:06:41.000 --> 1:06:46.600
<v Speaker 1>are like inherent behaviors where which sucks. And it's like,

1:06:47.040 --> 1:06:48.960
<v Speaker 1>I don't know, I feel like, yeah, more often when

1:06:49.000 --> 1:06:52.760
<v Speaker 1>you have like a majority male cast. It's like the

1:06:52.920 --> 1:06:56.320
<v Speaker 1>hero jumps out when you're like brought to your you know,

1:06:56.440 --> 1:06:59.560
<v Speaker 1>Revenant Survivalist. I haven't seen that movie, but like whatever

1:07:00.000 --> 1:07:03.680
<v Speaker 1>you get inside a bear and you live man, because

1:07:03.800 --> 1:07:06.920
<v Speaker 1>that's what you do. That is that what happens? I

1:07:07.000 --> 1:07:11.200
<v Speaker 1>don't know. But more like like I just and it

1:07:11.320 --> 1:07:13.080
<v Speaker 1>does seem like I I don't know. I would be

1:07:13.120 --> 1:07:17.240
<v Speaker 1>surprised if Neil Marshall was like explicitly thinking, like you're

1:07:17.280 --> 1:07:20.920
<v Speaker 1>saying Derby like, well, women are like this, so I'm

1:07:20.920 --> 1:07:22.920
<v Speaker 1>going to write that. But but it is just like

1:07:23.000 --> 1:07:26.240
<v Speaker 1>another weird example of someone kind of telling on themselves,

1:07:27.360 --> 1:07:32.120
<v Speaker 1>possibly unintentionally. Men men be telling on themselves. Man, all

1:07:32.240 --> 1:07:35.000
<v Speaker 1>the stuff they get me a hat that says men

1:07:35.080 --> 1:07:41.040
<v Speaker 1>be telling on themselves, come to smirch. The next big

1:07:41.160 --> 1:07:44.040
<v Speaker 1>thing I wanted to touch on, and I foreshadowed this

1:07:44.160 --> 1:07:51.480
<v Speaker 1>a little, is the demonization of disability in horror movies.

1:07:52.120 --> 1:07:56.000
<v Speaker 1>We've talked to some extent in past episodes about how

1:07:56.160 --> 1:07:59.600
<v Speaker 1>mental illness is demonized in horror movies. A lot. We've

1:07:59.640 --> 1:08:05.920
<v Speaker 1>talked how aging tends to be demonized, especially as women age.

1:08:06.400 --> 1:08:09.360
<v Speaker 1>It's often included as like right and the and the

1:08:09.480 --> 1:08:13.680
<v Speaker 1>vivich um An Old women will be a part of

1:08:13.760 --> 1:08:18.439
<v Speaker 1>the horror imagery. What we haven't talked about really yet

1:08:19.360 --> 1:08:24.800
<v Speaker 1>is how disability is also demonized in horror movies. Um

1:08:25.800 --> 1:08:31.120
<v Speaker 1>Where because in this movie, the cave dwellers are blind.

1:08:32.240 --> 1:08:35.519
<v Speaker 1>This is a pretty I mean, you see it in

1:08:35.600 --> 1:08:38.679
<v Speaker 1>a few other horror movies. The quiet Place comes to mind,

1:08:39.520 --> 1:08:42.960
<v Speaker 1>and you know, any any number of disabilities will be

1:08:43.520 --> 1:08:48.519
<v Speaker 1>used and ascribed to the killer or the monster or

1:08:48.600 --> 1:08:53.600
<v Speaker 1>whatever it is that is causing terror for the protagonist,

1:08:53.600 --> 1:08:56.320
<v Speaker 1>which just goes back to the I mean, part of

1:08:56.960 --> 1:09:01.840
<v Speaker 1>why so many horror movies seem so horrifically dated when

1:09:01.880 --> 1:09:04.200
<v Speaker 1>you watch them back later is because the villain is

1:09:04.320 --> 1:09:08.120
<v Speaker 1>very often just what is the example of the other

1:09:08.600 --> 1:09:13.679
<v Speaker 1>that the writer and the filmmaker is threatened by, which

1:09:13.760 --> 1:09:17.400
<v Speaker 1>is I feel like there's a lot of racially motivated

1:09:17.760 --> 1:09:21.000
<v Speaker 1>villains that we've seen in horror movies over the years

1:09:21.400 --> 1:09:24.519
<v Speaker 1>because that is what the white writers thinks is going

1:09:24.600 --> 1:09:27.880
<v Speaker 1>to be scary to people. That's where vagina mouth comes from.

1:09:28.320 --> 1:09:32.120
<v Speaker 1>That's like there's there and and yeah, I think, um

1:09:32.600 --> 1:09:36.400
<v Speaker 1>mental illness and disability in general kind of goes into

1:09:36.479 --> 1:09:39.080
<v Speaker 1>that general like you know, it's the writers iming like, well,

1:09:39.160 --> 1:09:41.400
<v Speaker 1>people aren't comfortable with this, and I have no interest

1:09:41.479 --> 1:09:45.160
<v Speaker 1>in normalizing it, so let me basically weaponize people's own

1:09:45.200 --> 1:09:51.800
<v Speaker 1>prejudices and affirm them through creating this monster. Yeah. I

1:09:51.920 --> 1:09:56.800
<v Speaker 1>have a few quotes from a piece I found on

1:09:57.760 --> 1:10:02.480
<v Speaker 1>medium by Laura Elliott. It's entitled What's so Scary about Disability?

1:10:03.160 --> 1:10:07.880
<v Speaker 1>Laura discusses how there are recurring tropes and horror movies

1:10:08.040 --> 1:10:14.360
<v Speaker 1>that basically say disability equals evil and disfigurement equals morally bankrupt,

1:10:14.880 --> 1:10:18.559
<v Speaker 1>and how a lot of these tropes and horror films

1:10:18.600 --> 1:10:22.040
<v Speaker 1>are are rooted in and date back to a lot

1:10:22.120 --> 1:10:26.639
<v Speaker 1>of old literature, religious texts, folk tales, fairy tales, things

1:10:26.720 --> 1:10:30.840
<v Speaker 1>like that. She says, quote. Perhaps you might think that

1:10:30.960 --> 1:10:33.960
<v Speaker 1>these stereotypes are no big deal, but the fact is

1:10:34.200 --> 1:10:37.360
<v Speaker 1>that the horror genre is the only genre in which

1:10:37.479 --> 1:10:42.519
<v Speaker 1>disabled people are regularly represented at all. In a report

1:10:42.600 --> 1:10:46.280
<v Speaker 1>by the Media Diversity and Social Change Initiative found that

1:10:46.560 --> 1:10:50.599
<v Speaker 1>of the top one movies that year, only two point

1:10:50.720 --> 1:10:54.719
<v Speaker 1>four percent of disabled characters spoke or had names, despite

1:10:54.760 --> 1:10:57.200
<v Speaker 1>the fact that one in five people around the world

1:10:57.360 --> 1:11:03.479
<v Speaker 1>are disabled. So there's so little visibility and representation of

1:11:03.920 --> 1:11:07.560
<v Speaker 1>people with disabilities in movies, and it's so rare that

1:11:07.720 --> 1:11:12.799
<v Speaker 1>you see any kind of respectful or responsible representation because

1:11:13.200 --> 1:11:17.640
<v Speaker 1>disability is so often again ascribed to the villains and

1:11:17.760 --> 1:11:21.360
<v Speaker 1>horror movies, and that's really the only visibility you get.

1:11:22.160 --> 1:11:26.960
<v Speaker 1>And then another quote from this same article says, quote,

1:11:27.040 --> 1:11:30.839
<v Speaker 1>it's worth remembering that while horror entertainment frequently depicts disabled

1:11:30.880 --> 1:11:35.280
<v Speaker 1>people negatively, there's essentially no other popular media to counteract

1:11:35.400 --> 1:11:39.840
<v Speaker 1>these depictions. While there are countless disabled and disfigured people

1:11:39.960 --> 1:11:43.160
<v Speaker 1>portrayed as killers and villains, we rarely ever get to

1:11:43.240 --> 1:11:47.599
<v Speaker 1>be the heroes, and frequent negative representation breeds ongoing stigma

1:11:48.000 --> 1:11:52.639
<v Speaker 1>and prejudice. End quote. So I mean, historically and film,

1:11:52.720 --> 1:11:56.040
<v Speaker 1>this has just been unequivocally true in film. I mean,

1:11:56.120 --> 1:11:59.240
<v Speaker 1>this movie came out fifteen years ago, movies like a

1:11:59.360 --> 1:12:04.280
<v Speaker 1>Quiet Place about two years ago. I've been lightly encouraged

1:12:04.439 --> 1:12:09.360
<v Speaker 1>in recent years of their being more representation of disabled

1:12:09.360 --> 1:12:12.880
<v Speaker 1>people that are played by disabled actors as well. And

1:12:13.000 --> 1:12:15.879
<v Speaker 1>it isn't just I mean, I think there's it's basically

1:12:16.000 --> 1:12:19.519
<v Speaker 1>a trope of of a very famous actor playing a

1:12:19.560 --> 1:12:22.400
<v Speaker 1>disabled character in order to get an Oscar nomination like,

1:12:22.520 --> 1:12:25.559
<v Speaker 1>that's a pretty common trope. But um, I will say

1:12:25.680 --> 1:12:28.240
<v Speaker 1>in a quiet place, and I literally I literally just

1:12:28.280 --> 1:12:30.479
<v Speaker 1>watched it for the first time last week. But um,

1:12:31.160 --> 1:12:37.800
<v Speaker 1>the daughter in that movie is deaf preteen played by

1:12:37.960 --> 1:12:42.280
<v Speaker 1>a deaf actress, Milicent Simmons, And that character, I mean,

1:12:42.479 --> 1:12:45.800
<v Speaker 1>is like one of the central characters. Her disability isn't

1:12:46.439 --> 1:12:51.120
<v Speaker 1>played for evil or jokes, and it ends up actually

1:12:51.240 --> 1:12:54.920
<v Speaker 1>kind of being something that she is able to, you know,

1:12:55.200 --> 1:12:57.639
<v Speaker 1>work to her and her family's advantage in the story.

1:12:57.720 --> 1:13:01.920
<v Speaker 1>So I am gent other And this is an example

1:13:02.040 --> 1:13:04.840
<v Speaker 1>that is in let me be clear, not a very

1:13:04.880 --> 1:13:09.920
<v Speaker 1>good movie, but one that I have seen before. Did

1:13:10.000 --> 1:13:16.200
<v Speaker 1>anyone watch Unfriended Dark Web? Yes? I did not see it,

1:13:17.320 --> 1:13:22.080
<v Speaker 1>so I've seen them both. I really enjoyed the Unfriended franchise.

1:13:22.160 --> 1:13:25.400
<v Speaker 1>It is so silly. But um, in the second Unfriended

1:13:25.479 --> 1:13:27.960
<v Speaker 1>and it is the worst one Friended twist, everyone's to

1:13:28.000 --> 1:13:32.479
<v Speaker 1>hack her. But but there is a lead character that

1:13:32.880 --> 1:13:37.280
<v Speaker 1>is deaf. She is a romantic interest. She has a

1:13:37.320 --> 1:13:39.759
<v Speaker 1>whole arc. The part is played by a deaf actress,

1:13:40.200 --> 1:13:44.040
<v Speaker 1>and her disability isn't leveraged against her. She is a

1:13:44.160 --> 1:13:48.240
<v Speaker 1>character that exists in this story and yeah, I mean

1:13:48.280 --> 1:13:49.880
<v Speaker 1>we don't need to get into it too much, like

1:13:50.080 --> 1:13:52.560
<v Speaker 1>she and her boyfriend are kind of like there's a

1:13:52.680 --> 1:13:55.880
<v Speaker 1>communication issues, but I thought it was dealt with pretty

1:13:56.280 --> 1:14:02.559
<v Speaker 1>respectfully and so even in bad movies, you know, like there,

1:14:03.360 --> 1:14:04.920
<v Speaker 1>but but I don't, you know, I don't think The

1:14:05.000 --> 1:14:08.760
<v Speaker 1>Descent really qualifies as a movie that is handling this

1:14:09.439 --> 1:14:13.360
<v Speaker 1>well at all. And yeah, I think, well overall, I'd

1:14:13.360 --> 1:14:16.880
<v Speaker 1>be interested to hear from our listeners with disabilities on

1:14:17.680 --> 1:14:21.000
<v Speaker 1>how because I think this movie isn't the absolute worst

1:14:21.080 --> 1:14:26.599
<v Speaker 1>offender of demonizing disability in the horror genre. And yeah,

1:14:26.600 --> 1:14:30.000
<v Speaker 1>I just i'd be interested to hear our listeners perspectives

1:14:30.120 --> 1:14:33.400
<v Speaker 1>on that just kind of in this movie. And then

1:14:34.000 --> 1:14:36.919
<v Speaker 1>as a whole um friend of the cast. Kristin Lopez

1:14:37.040 --> 1:14:39.840
<v Speaker 1>has done some really great writing on this as well,

1:14:39.920 --> 1:14:44.879
<v Speaker 1>and we'll we'll link some of her articles. It's definitely

1:14:44.960 --> 1:14:48.559
<v Speaker 1>not a lot of solid ally ship from the other

1:14:48.680 --> 1:14:51.120
<v Speaker 1>woman with her in this, and I think that's like,

1:14:51.479 --> 1:14:53.000
<v Speaker 1>I mean a big part of what we're seeing in

1:14:53.080 --> 1:14:56.679
<v Speaker 1>like the BLM movement is like how important ally ship

1:14:56.880 --> 1:15:00.280
<v Speaker 1>is because like disabled people in this specific converse station

1:15:00.360 --> 1:15:03.760
<v Speaker 1>can continue to like advocate and fight for the rights,

1:15:03.840 --> 1:15:05.120
<v Speaker 1>But at the end of the day, it's like, how

1:15:05.240 --> 1:15:06.840
<v Speaker 1>is everyone going to show up? How are they going

1:15:06.880 --> 1:15:09.280
<v Speaker 1>to help make space? How are they going to help learn?

1:15:09.400 --> 1:15:12.960
<v Speaker 1>And so on? And I think that, yeah, this movie,

1:15:13.560 --> 1:15:16.880
<v Speaker 1>I think it's like a d and not an F

1:15:17.200 --> 1:15:21.000
<v Speaker 1>and effort for ally ship. And I think Beth is

1:15:21.080 --> 1:15:24.599
<v Speaker 1>the only reason why the greed went up in any sort. Um,

1:15:24.680 --> 1:15:27.040
<v Speaker 1>even if she does get you know, chatty Cathy at

1:15:27.080 --> 1:15:30.120
<v Speaker 1>the end and wants to get um. I wanted to

1:15:30.200 --> 1:15:33.559
<v Speaker 1>bring up this book that um. Actually Alex Jacob's Got

1:15:33.680 --> 1:15:38.760
<v Speaker 1>Me Once, House of Psychotic Woman and Autobiographical Topography of

1:15:38.920 --> 1:15:44.680
<v Speaker 1>female neurosis and horror and exploitation Films. And it's a

1:15:44.840 --> 1:15:49.320
<v Speaker 1>really dense and a really interesting formatted book. But I

1:15:49.439 --> 1:15:52.040
<v Speaker 1>really like it because I've also thought more not so

1:15:52.200 --> 1:15:54.720
<v Speaker 1>much on the physical disability side of it, but more

1:15:54.760 --> 1:15:57.680
<v Speaker 1>of like the like mental disorder side of things, Just

1:15:57.920 --> 1:16:00.800
<v Speaker 1>like as I explored my own anxiety and depression and

1:16:00.880 --> 1:16:04.200
<v Speaker 1>mood swings through my twenties and seeing in movies and

1:16:04.320 --> 1:16:06.479
<v Speaker 1>like my friends did that to me, I would be

1:16:06.640 --> 1:16:09.320
<v Speaker 1>so mad, why are they treating? And then they cart

1:16:09.360 --> 1:16:11.439
<v Speaker 1>you know, the protagonist still stands with them at that

1:16:11.479 --> 1:16:13.599
<v Speaker 1>and I'm like, oh, bit, you should have my back

1:16:13.640 --> 1:16:16.640
<v Speaker 1>when I'm having a panic attack. Don't demonize me and

1:16:16.760 --> 1:16:19.600
<v Speaker 1>like isolate me in this um. But the book like

1:16:19.920 --> 1:16:25.080
<v Speaker 1>dives into yeah, different films, mostly horror films, and you know,

1:16:25.400 --> 1:16:28.640
<v Speaker 1>like Rosemary's Baby is a great fucking example of a

1:16:28.720 --> 1:16:32.479
<v Speaker 1>time where we totally isolate someone who's like experiencing all

1:16:32.560 --> 1:16:36.000
<v Speaker 1>these like you know, legitimate things within her female body.

1:16:36.080 --> 1:16:38.000
<v Speaker 1>But then also you know, I as being possessed at

1:16:38.040 --> 1:16:41.320
<v Speaker 1>the same time with the demon baby. Um. But I think,

1:16:41.840 --> 1:16:43.920
<v Speaker 1>you know, I think movies like that, and like Ginger

1:16:44.000 --> 1:16:46.759
<v Speaker 1>Snaps is a great example too of like talking about

1:16:46.760 --> 1:16:49.680
<v Speaker 1>like teenage girls coming into their own and everyone's like, oh,

1:16:49.760 --> 1:16:52.240
<v Speaker 1>you're just having your period. I mean they become awarewolf

1:16:52.360 --> 1:16:55.439
<v Speaker 1>but also you know, having that, and so I think

1:16:55.520 --> 1:16:59.320
<v Speaker 1>that I like when movies do that, Like you were saying,

1:16:59.439 --> 1:17:02.200
<v Speaker 1>Jamie at the Quiet Place, how that ends up working

1:17:02.320 --> 1:17:06.439
<v Speaker 1>to the families benefit. Um, we're actually like works with

1:17:06.680 --> 1:17:10.200
<v Speaker 1>the story. But you know, like Midsummer, you know, I

1:17:10.320 --> 1:17:14.040
<v Speaker 1>know that guy tries to fucking talk about mental health stuff,

1:17:14.080 --> 1:17:19.920
<v Speaker 1>but like god, he sucks at it, and I it's

1:17:19.960 --> 1:17:22.519
<v Speaker 1>just it's for me. It's like it's a lot of

1:17:22.600 --> 1:17:25.040
<v Speaker 1>like what I've experienced, you know, I think what I

1:17:25.720 --> 1:17:28.759
<v Speaker 1>I paid a lot of attention to good intention shitty

1:17:28.800 --> 1:17:32.080
<v Speaker 1>impact a lot lately, and that guy is the epitome

1:17:32.240 --> 1:17:35.479
<v Speaker 1>of yeah, good intention, he wants to bring awareness to this,

1:17:36.320 --> 1:17:40.240
<v Speaker 1>but then like, horrible fucking impact. So I think that

1:17:40.360 --> 1:17:42.640
<v Speaker 1>when people want to write about disabilities, I'm glad you

1:17:42.720 --> 1:17:44.960
<v Speaker 1>brought that up. I think people need to think about like, hey,

1:17:45.400 --> 1:17:47.560
<v Speaker 1>do you are you really the person to speak about this,

1:17:47.800 --> 1:17:50.680
<v Speaker 1>like is this your place? Are you really gonna, you know,

1:17:50.880 --> 1:17:54.479
<v Speaker 1>not further villainize this and further isolate this from the

1:17:54.560 --> 1:17:59.280
<v Speaker 1>conversation of inclusivity and allyship and like be yeah, are

1:17:59.280 --> 1:18:02.200
<v Speaker 1>you just gonna bring you know, the awareness to it

1:18:02.320 --> 1:18:04.960
<v Speaker 1>that needs rather than just using it as like a tool,

1:18:05.200 --> 1:18:08.479
<v Speaker 1>because it's exhausting watching it as a tool. I hate

1:18:08.520 --> 1:18:11.559
<v Speaker 1>being seeing people like who are like me or people

1:18:11.600 --> 1:18:14.400
<v Speaker 1>who have you know, physical disabilities, and they're just being

1:18:14.520 --> 1:18:17.840
<v Speaker 1>villainized for that. So yeah, I don't think we see

1:18:17.880 --> 1:18:21.040
<v Speaker 1>in nearly enough of you and just intersectionality in general,

1:18:21.280 --> 1:18:25.400
<v Speaker 1>Like we'll see you know, white people and a disability,

1:18:25.960 --> 1:18:30.280
<v Speaker 1>We'll see you know, black people and poverty, and then

1:18:30.360 --> 1:18:32.200
<v Speaker 1>we'll start to see more and more layers. But I

1:18:32.280 --> 1:18:35.160
<v Speaker 1>feel like the more layered intersectional films come more with

1:18:35.320 --> 1:18:37.320
<v Speaker 1>like the indie films, they get the lower budgets and

1:18:37.439 --> 1:18:41.240
<v Speaker 1>like the lower marketing and distribution ceilings. So I'm like,

1:18:41.400 --> 1:18:44.800
<v Speaker 1>I would be so curious to see these films, you know,

1:18:45.040 --> 1:18:47.880
<v Speaker 1>as we like, you know, layer up these identities and

1:18:48.040 --> 1:18:52.440
<v Speaker 1>these oppressions and privileges, but like with the bigger budgets,

1:18:52.640 --> 1:18:56.439
<v Speaker 1>and I think people you know, can explore that a

1:18:56.560 --> 1:18:59.080
<v Speaker 1>lot more with the bigger budgets that they get. This

1:18:59.200 --> 1:19:02.599
<v Speaker 1>guy kind of had an opportunity, any uh. He caved

1:19:02.640 --> 1:19:08.559
<v Speaker 1>in wish and the and the and that also will

1:19:08.640 --> 1:19:12.880
<v Speaker 1>come with allowing black, indigenous people of color to make

1:19:13.120 --> 1:19:17.560
<v Speaker 1>their own movies, people with disabilities to make movies about themselves,

1:19:18.280 --> 1:19:21.839
<v Speaker 1>queer people to make movies about themselves. Yeah, God please.

1:19:22.240 --> 1:19:25.800
<v Speaker 1>And since we're talking about horror this month, I mean,

1:19:25.920 --> 1:19:30.000
<v Speaker 1>it's it's a genre that is so open, two different

1:19:30.160 --> 1:19:33.439
<v Speaker 1>characters and and and so it's kind of I mean,

1:19:33.520 --> 1:19:36.240
<v Speaker 1>it's frustrating to look back, and this is fifteen years ago,

1:19:36.840 --> 1:19:41.240
<v Speaker 1>but it's frustrating to see a genre that's uniquely qualified

1:19:42.160 --> 1:19:46.679
<v Speaker 1>use its power for bad basically by by demonizing people

1:19:46.720 --> 1:19:50.080
<v Speaker 1>instead of you know, representing them and lifting them up.

1:19:50.120 --> 1:19:52.680
<v Speaker 1>And yeah, yeah, you get a lot of freedom with

1:19:52.760 --> 1:19:56.240
<v Speaker 1>horror movies. I mean I feel like the marketing for it.

1:19:56.720 --> 1:19:58.559
<v Speaker 1>I feel like a lot of people will make horror

1:19:58.560 --> 1:20:00.800
<v Speaker 1>movies unless it's going to be like a quiet place

1:20:00.960 --> 1:20:03.840
<v Speaker 1>or something like generally they're like, we know, we're gonna

1:20:03.960 --> 1:20:07.760
<v Speaker 1>like stay within this pool of money and demographic and

1:20:07.880 --> 1:20:11.479
<v Speaker 1>audience and YadA YadA. Yeah. I love horror movies because

1:20:11.560 --> 1:20:15.120
<v Speaker 1>you get to explore these types of topics. I think,

1:20:15.200 --> 1:20:20.880
<v Speaker 1>for me, Midsummer and Hereditary, which I so uh you

1:20:21.000 --> 1:20:25.480
<v Speaker 1>know words. Um, I'm just like they were so disappointing

1:20:25.520 --> 1:20:27.200
<v Speaker 1>at the end of the day because I'm like, you

1:20:27.360 --> 1:20:32.240
<v Speaker 1>had such a fucking opportunity. You had such an opportunity

1:20:32.479 --> 1:20:36.040
<v Speaker 1>and yeah blew. And people won't stop congratulating you regardless,

1:20:36.560 --> 1:20:39.679
<v Speaker 1>Like yeah, like, yeah, Tony Collett was fantastic, but Tony

1:20:39.720 --> 1:20:42.320
<v Speaker 1>Collett is always fantastic as an angel, Like what do

1:20:42.360 --> 1:20:45.719
<v Speaker 1>you expect. I don't expect anything less from her. Yeah,

1:20:45.800 --> 1:20:48.960
<v Speaker 1>I hate ari esther and I don't like his movies,

1:20:49.520 --> 1:20:54.080
<v Speaker 1>and but people just can't stop requesting them for us

1:20:54.160 --> 1:20:56.280
<v Speaker 1>to do. They will be fun to cover when the

1:20:56.360 --> 1:20:58.880
<v Speaker 1>day comes. But like, but I'm not in a rush

1:21:00.360 --> 1:21:04.519
<v Speaker 1>I do I'm maybe I'm inventing this. I'm pretty sure

1:21:04.640 --> 1:21:07.360
<v Speaker 1>that this is something that he said where he's like,

1:21:07.400 --> 1:21:08.840
<v Speaker 1>I'm not going to direct a movie for a while.

1:21:08.960 --> 1:21:12.080
<v Speaker 1>I'm just going to fund other people's projects. And it's like, yes,

1:21:12.439 --> 1:21:16.479
<v Speaker 1>do that, um, and don't and you I better not

1:21:16.560 --> 1:21:19.599
<v Speaker 1>see you funding the project of siss hat white guys.

1:21:20.560 --> 1:21:27.559
<v Speaker 1>Oh god. Also, okay, the irony of most horror movies

1:21:28.120 --> 1:21:32.880
<v Speaker 1>being made by and being about cissht white people and

1:21:33.560 --> 1:21:37.720
<v Speaker 1>marginalized people being the people who actually experience most of

1:21:37.800 --> 1:21:43.920
<v Speaker 1>the horrors in their lives. And and like horror movies

1:21:43.960 --> 1:21:48.519
<v Speaker 1>are usually allegorical, right, the monster is never really a monster.

1:21:48.680 --> 1:21:51.000
<v Speaker 1>The monsters in allegory for something. But I feel like

1:21:51.240 --> 1:21:56.360
<v Speaker 1>even so, like there aren't that many allegorical films about

1:21:56.560 --> 1:22:02.680
<v Speaker 1>like racism or queer phobia or classism or anything like that,

1:22:02.720 --> 1:22:06.160
<v Speaker 1>at least not ones that are are in the mains

1:22:06.280 --> 1:22:09.080
<v Speaker 1>like us in the whatever that what is considered to

1:22:09.160 --> 1:22:11.800
<v Speaker 1>be the horrican. And because I'm sure, I mean, we

1:22:11.920 --> 1:22:14.639
<v Speaker 1>know that these movies exist and that we're they're out there,

1:22:14.720 --> 1:22:17.640
<v Speaker 1>it's just they're not brought to the forefront of the

1:22:17.880 --> 1:22:20.439
<v Speaker 1>way that they should be. Yeah, I'm in a weekly

1:22:20.840 --> 1:22:24.360
<v Speaker 1>quarantined movie club with some with a friend and then

1:22:24.400 --> 1:22:25.960
<v Speaker 1>he has a bunch of other friends and so we

1:22:26.040 --> 1:22:29.200
<v Speaker 1>meet every Sunday at five on zoom. We watch a

1:22:29.280 --> 1:22:33.240
<v Speaker 1>movie every week, and I've really enjoyed it because it's

1:22:33.280 --> 1:22:35.640
<v Speaker 1>like the first you know, Caitlin, I met you in

1:22:35.720 --> 1:22:39.640
<v Speaker 1>a very white world and uh, and I felt like

1:22:39.720 --> 1:22:42.160
<v Speaker 1>talking movies as much as I love those sweet Gems,

1:22:42.240 --> 1:22:44.160
<v Speaker 1>it was always like I felt like I was always

1:22:44.200 --> 1:22:47.080
<v Speaker 1>coming with this yeah, kind of intersectional angle that you know,

1:22:47.160 --> 1:22:49.280
<v Speaker 1>if you or Catherine weren't there for the night, then

1:22:49.320 --> 1:22:52.439
<v Speaker 1>I was like, dude, I'm like out here like drowning,

1:22:52.600 --> 1:22:54.679
<v Speaker 1>just trying to talk about I'm just trying to talk

1:22:54.720 --> 1:22:56.599
<v Speaker 1>about the movie. Right. It's like I think all women

1:22:56.640 --> 1:22:58.720
<v Speaker 1>can relate to, Like people want to ask us, like,

1:22:59.080 --> 1:23:01.640
<v Speaker 1>how is it being a female comic, How is it

1:23:01.720 --> 1:23:04.240
<v Speaker 1>being a female writer. It's like, I just want to

1:23:04.320 --> 1:23:06.200
<v Speaker 1>talk about being a writer. I just want to talk

1:23:06.200 --> 1:23:07.800
<v Speaker 1>about being a filmmaker. And so I feel like when

1:23:07.840 --> 1:23:10.080
<v Speaker 1>I talk about movies, there's so much more of the

1:23:10.200 --> 1:23:13.559
<v Speaker 1>layer of like having to talk through like the issues

1:23:13.640 --> 1:23:16.599
<v Speaker 1>of it or like the lack of intersectionality in it. Um.

1:23:16.680 --> 1:23:19.439
<v Speaker 1>But in this group, we're talking about movies YadA YadA,

1:23:19.960 --> 1:23:22.720
<v Speaker 1>and we I feel bad because I actually missed it

1:23:22.760 --> 1:23:25.400
<v Speaker 1>so I haven't watched yet. But we watched Tales from

1:23:25.479 --> 1:23:27.680
<v Speaker 1>the Hood, which I had yet to see. Yeah, I

1:23:27.680 --> 1:23:29.800
<v Speaker 1>haven't seen it either. Yeah, and we're trying to watch

1:23:29.920 --> 1:23:32.439
<v Speaker 1>like sometimes we dive deep into like yeah this this

1:23:32.560 --> 1:23:35.679
<v Speaker 1>white head like movies whatever. But they were also trying

1:23:35.720 --> 1:23:37.960
<v Speaker 1>to you know, we watch like The Watermelon Woman, which

1:23:38.080 --> 1:23:42.400
<v Speaker 1>was like the first out black lesbian made film. UM.

1:23:42.800 --> 1:23:45.360
<v Speaker 1>But yeah, we're like trying to explore movie more movies

1:23:45.439 --> 1:23:47.240
<v Speaker 1>like that, and I, you know, it goes back to

1:23:47.400 --> 1:23:50.680
<v Speaker 1>like how I see it as though, you know, like

1:23:50.920 --> 1:23:53.040
<v Speaker 1>Jamie were just saying, you know, it's like, yeah, how

1:23:53.080 --> 1:23:55.519
<v Speaker 1>many movies don't really get out there? And it's like, well,

1:23:56.000 --> 1:23:59.240
<v Speaker 1>it's like anyone who's marginalized, Like we might not get

1:23:59.280 --> 1:24:01.240
<v Speaker 1>the meeting, but if we get the meeting, how much

1:24:01.320 --> 1:24:03.000
<v Speaker 1>do we get to pitch in the meeting once we're

1:24:03.000 --> 1:24:05.160
<v Speaker 1>in the room, once we like get the movie greenlit,

1:24:05.320 --> 1:24:07.559
<v Speaker 1>Like how soon do we get to do the movie

1:24:07.640 --> 1:24:10.000
<v Speaker 1>once we get the movie? Like, you know, we're kicking

1:24:10.040 --> 1:24:12.599
<v Speaker 1>into production. Is it going to happen on our timeline?

1:24:12.640 --> 1:24:14.000
<v Speaker 1>Are we going to get the budget we want? Are

1:24:14.000 --> 1:24:15.639
<v Speaker 1>we going to get to hire the people we wanted,

1:24:15.760 --> 1:24:18.680
<v Speaker 1>how much to produce? YadA, YadA, YadA. The ceiling is

1:24:18.840 --> 1:24:22.840
<v Speaker 1>always there, and I think that, you know, a quiet place.

1:24:23.600 --> 1:24:27.640
<v Speaker 1>My biggest issue with it is like, why why this movie? Now?

1:24:27.800 --> 1:24:31.160
<v Speaker 1>I love John Krasinski, fine, Emily Blunt, whatever, but like

1:24:32.320 --> 1:24:35.439
<v Speaker 1>why did we need this movie? And I think get

1:24:35.479 --> 1:24:37.519
<v Speaker 1>Out to me at that get Out in to us,

1:24:37.760 --> 1:24:40.760
<v Speaker 1>We're going to be these like perfect like gateway to

1:24:40.960 --> 1:24:44.519
<v Speaker 1>like black films. And then I've heard from friends who

1:24:45.320 --> 1:24:47.280
<v Speaker 1>you know, are like pitching movies out there, like, oh,

1:24:47.320 --> 1:24:50.720
<v Speaker 1>we already have get Out, you know. They're like they're

1:24:50.720 --> 1:24:54.240
<v Speaker 1>like when we already have like the Black Horrors. And

1:24:54.320 --> 1:24:57.280
<v Speaker 1>I'm like, are you serious? Like what are all of

1:24:57.360 --> 1:25:01.360
<v Speaker 1>the movies that we call classics, Godfather's, Goodfellas, Casino, Like,

1:25:01.439 --> 1:25:03.559
<v Speaker 1>it's all the same ship over and over. We're still

1:25:03.680 --> 1:25:07.280
<v Speaker 1>letting Scorsese, you know. So I'm like, why why do

1:25:07.520 --> 1:25:11.679
<v Speaker 1>we get the ceiling? Why do black filmmakers get the ceiling?

1:25:12.400 --> 1:25:14.560
<v Speaker 1>You know, I could go deep, that could be a

1:25:14.600 --> 1:25:17.720
<v Speaker 1>whole other episode one, but I think that that is

1:25:17.800 --> 1:25:19.920
<v Speaker 1>something we said, we think that there's not as many

1:25:20.080 --> 1:25:22.040
<v Speaker 1>out there. It's like, you know, people are like there's

1:25:22.080 --> 1:25:26.840
<v Speaker 1>no female filmmakers or like excuse you, hello, No, that's

1:25:26.840 --> 1:25:29.360
<v Speaker 1>why that's like the most frustrating fucking thing in the

1:25:29.400 --> 1:25:33.120
<v Speaker 1>world to hear that. Just it's like, unfortunately, so unsurprising

1:25:33.160 --> 1:25:36.000
<v Speaker 1>of how it's just assumed that people want to see

1:25:36.040 --> 1:25:39.920
<v Speaker 1>the same his head, male white stories told over and

1:25:40.000 --> 1:25:41.640
<v Speaker 1>over and over, and that's why they're made over and

1:25:41.680 --> 1:25:44.320
<v Speaker 1>over and over and why the bar is so low.

1:25:44.640 --> 1:25:47.439
<v Speaker 1>This is um, I was Caitlin, I feel like maybe

1:25:47.479 --> 1:25:50.120
<v Speaker 1>I was talking about this with you not too long ago.

1:25:50.240 --> 1:25:53.760
<v Speaker 1>But there is a moment that Emily Yoshida, friend of

1:25:53.840 --> 1:25:57.120
<v Speaker 1>the cast, pulled out of other friend of the cast,

1:25:57.160 --> 1:26:00.920
<v Speaker 1>Karina longworths, we have so many friends have I mean, listen,

1:26:01.160 --> 1:26:03.920
<v Speaker 1>our our show has been on for five years, um,

1:26:05.160 --> 1:26:10.519
<v Speaker 1>but it's true for for as long as the cave

1:26:11.000 --> 1:26:14.960
<v Speaker 1>people have been developing their wall climbing abilities. In any case,

1:26:15.600 --> 1:26:19.479
<v Speaker 1>um Emily pointed out this part of Karina's most recent

1:26:19.800 --> 1:26:23.200
<v Speaker 1>podcast season and you must remember this where she mentions

1:26:23.840 --> 1:26:27.280
<v Speaker 1>that Wes Anderson, when he was developing Bottle Rocket his

1:26:27.400 --> 1:26:29.880
<v Speaker 1>first movie, the way he got that movie produced was

1:26:29.960 --> 1:26:35.160
<v Speaker 1>that he wrote a nonsensical sixty page treatment treatment, didn't

1:26:35.200 --> 1:26:37.080
<v Speaker 1>even format it like a script, didn't know how to

1:26:37.160 --> 1:26:40.280
<v Speaker 1>format it like it's a script. And then instead of

1:26:40.479 --> 1:26:43.680
<v Speaker 1>someone saying, uh, this is not a script, go learn

1:26:43.760 --> 1:26:46.519
<v Speaker 1>how to do this, they said, we love it. You

1:26:46.600 --> 1:26:48.400
<v Speaker 1>seem to have a lot of potential. We're gonna buy it.

1:26:48.439 --> 1:26:50.320
<v Speaker 1>We're gonna teach you how to write a script. And

1:26:50.400 --> 1:26:53.800
<v Speaker 1>then they like taught him on the ground, because that

1:26:54.000 --> 1:26:56.960
<v Speaker 1>is I mean privilege firing on so many levels of

1:26:57.200 --> 1:27:00.160
<v Speaker 1>like yeah, I don't know, and and just how you're

1:27:00.160 --> 1:27:03.840
<v Speaker 1>eating That example is and to so many filmmakers that

1:27:04.160 --> 1:27:06.479
<v Speaker 1>have no I mean truly no choice but to come

1:27:06.640 --> 1:27:09.519
<v Speaker 1>knowing their ship and are still turned away when Wes

1:27:09.640 --> 1:27:12.599
<v Speaker 1>Anderson is like what is what is the script? How

1:27:12.680 --> 1:27:15.960
<v Speaker 1>do I do that? And they're like you're hired? Like

1:27:16.120 --> 1:27:20.040
<v Speaker 1>it's just such I mean going back to kind of

1:27:20.080 --> 1:27:25.519
<v Speaker 1>the horror conversation, like so many horror movies are about

1:27:25.760 --> 1:27:30.040
<v Speaker 1>like zombies and vampires and werewolves and any number of

1:27:30.080 --> 1:27:33.679
<v Speaker 1>other creatures that are not real because like the cistert

1:27:33.760 --> 1:27:37.240
<v Speaker 1>white men who are making these movies have to invent

1:27:37.360 --> 1:27:41.920
<v Speaker 1>things to scare them, whereas again, marginalized people live every

1:27:42.000 --> 1:27:45.640
<v Speaker 1>day in fear because they're so often the victims of

1:27:46.160 --> 1:27:52.480
<v Speaker 1>discrimination and oppression and violence or worse, they're they're taking marginalized,

1:27:52.520 --> 1:28:01.280
<v Speaker 1>oppressed people and turning them into into the villains. So like, yeah, yeah,

1:28:02.720 --> 1:28:07.280
<v Speaker 1>does anyone have any other thoughts about The Descent specifically

1:28:08.000 --> 1:28:17.759
<v Speaker 1>or yeah, um, I think it needed some more black people. Yeah,

1:28:18.080 --> 1:28:21.680
<v Speaker 1>and by some more yeah, I think they could use

1:28:21.800 --> 1:28:25.920
<v Speaker 1>some more black people. That's my real of my final

1:28:26.040 --> 1:28:30.680
<v Speaker 1>thought hard degree the Descent because because you know, there

1:28:30.720 --> 1:28:33.680
<v Speaker 1>are some great there are some great black actors, you know,

1:28:33.760 --> 1:28:35.720
<v Speaker 1>one or two out there that you know might have

1:28:35.840 --> 1:28:43.639
<v Speaker 1>been around, they didn't come around still twenty Um. Yeah,

1:28:43.920 --> 1:28:45.680
<v Speaker 1>I think that was like something that was sitting with me.

1:28:45.800 --> 1:28:48.800
<v Speaker 1>But also, honestly, I'm fucking used to it. I'm so

1:28:49.080 --> 1:28:52.240
<v Speaker 1>used to like some of some of my favorite movies

1:28:52.479 --> 1:28:56.960
<v Speaker 1>are not black lead and created films. But then also

1:28:57.240 --> 1:28:59.880
<v Speaker 1>it's like, you know, the ways in which I allow

1:29:00.160 --> 1:29:03.680
<v Speaker 1>that to just be okay, And I've tried to boycott,

1:29:03.880 --> 1:29:07.720
<v Speaker 1>like watching white movies. It's fucking hard, dude. It's like

1:29:08.680 --> 1:29:12.920
<v Speaker 1>it's super hard because our ceiling is just so so

1:29:13.120 --> 1:29:15.680
<v Speaker 1>low and even if there was a black actor on that.

1:29:15.920 --> 1:29:18.240
<v Speaker 1>They probably would be coming out with a story now

1:29:18.320 --> 1:29:21.280
<v Speaker 1>about how you know, other they felt, and there was

1:29:21.439 --> 1:29:23.880
<v Speaker 1>it was an entire white male cast, you know, on

1:29:23.960 --> 1:29:26.719
<v Speaker 1>this and that, which I'm really carrious how many women

1:29:26.760 --> 1:29:28.960
<v Speaker 1>were involved, and that we're not in the hair, makeup

1:29:29.120 --> 1:29:32.160
<v Speaker 1>or producing department, because that's typically where we are on

1:29:32.360 --> 1:29:36.160
<v Speaker 1>set or often where we're hired the most and people

1:29:36.240 --> 1:29:39.479
<v Speaker 1>want us. You're organized, so you're so together, like let

1:29:39.560 --> 1:29:41.519
<v Speaker 1>me be dirty and be a grip, come on now,

1:29:41.920 --> 1:29:45.439
<v Speaker 1>you know, but I want to be the best boy. Yeah, yeah,

1:29:45.479 --> 1:29:49.080
<v Speaker 1>I didn't see any I didn't see any women in

1:29:49.560 --> 1:29:54.120
<v Speaker 1>at least high up behind the scenes roles in the Yeah,

1:29:54.600 --> 1:29:58.200
<v Speaker 1>I definitely want to watch it with the commentary because

1:29:58.320 --> 1:30:00.800
<v Speaker 1>when I was reading all the trivia was like five

1:30:00.880 --> 1:30:03.360
<v Speaker 1>minutes into the trip or commentary and then they would

1:30:03.360 --> 1:30:08.280
<v Speaker 1>say certain things. So I'm really curious about I want

1:30:08.320 --> 1:30:10.120
<v Speaker 1>to hear their tone because I feel like you can

1:30:10.240 --> 1:30:13.400
<v Speaker 1>always like I can start to you know, sherylack Holmes

1:30:13.520 --> 1:30:16.880
<v Speaker 1>my way through tones and commentary or like wow, they

1:30:17.000 --> 1:30:20.840
<v Speaker 1>really hated the process, Like Naomi Watts talking about um

1:30:21.320 --> 1:30:26.480
<v Speaker 1>maholland dry and her audition is just so sleazy and disgusting.

1:30:26.720 --> 1:30:29.720
<v Speaker 1>Like David Lynch like told her she came in and

1:30:29.800 --> 1:30:32.280
<v Speaker 1>then she had no makeup on because she wanted to

1:30:32.280 --> 1:30:33.960
<v Speaker 1>seem natural. I think she was new to l a

1:30:34.200 --> 1:30:36.760
<v Speaker 1>very similar to the character she hands up portray, and

1:30:36.880 --> 1:30:40.760
<v Speaker 1>he said, come back with makeup, and so she's like

1:30:40.920 --> 1:30:43.640
<v Speaker 1>and when she talks about it, she sounds sort of

1:30:43.760 --> 1:30:46.280
<v Speaker 1>brain rush like, so, you know, I left and I

1:30:46.360 --> 1:30:48.400
<v Speaker 1>put on makeup and I came back and he was like, oh,

1:30:48.479 --> 1:30:52.000
<v Speaker 1>this is better now, you know, And I was like yeah,

1:30:52.120 --> 1:30:54.360
<v Speaker 1>and I was like, man, but it's those things that

1:30:54.560 --> 1:30:58.360
<v Speaker 1>we allowed to not be, you know, the canceling factor

1:30:58.640 --> 1:31:01.280
<v Speaker 1>or something that we think not worthy of bringing up

1:31:01.320 --> 1:31:03.920
<v Speaker 1>about someone. And so we I mean we you would

1:31:03.920 --> 1:31:09.799
<v Speaker 1>all just have to unlearned the like really harmful things

1:31:10.040 --> 1:31:16.400
<v Speaker 1>that we learned living in this like patriarchal structure. It's like,

1:31:16.520 --> 1:31:21.880
<v Speaker 1>I'm so curious if if The Descent had a bigger

1:31:22.080 --> 1:31:25.600
<v Speaker 1>turnout and was more like I think it's like a like,

1:31:25.760 --> 1:31:28.040
<v Speaker 1>I think it's got a good following, but I think

1:31:28.080 --> 1:31:30.320
<v Speaker 1>I've had a more mainstream following that it seemed like

1:31:30.360 --> 1:31:33.800
<v Speaker 1>they were kind of hoping for. I'm curious if some

1:31:33.960 --> 1:31:36.600
<v Speaker 1>of those actresses would be coming out now and saying like,

1:31:36.760 --> 1:31:38.439
<v Speaker 1>you know, we could have done more, we should have

1:31:38.479 --> 1:31:40.519
<v Speaker 1>made it more diverse, because it's when I'm watching a

1:31:40.600 --> 1:31:43.920
<v Speaker 1>lot of like high supposedly high up like white women do,

1:31:44.080 --> 1:31:46.280
<v Speaker 1>They're like, I should have done more. I'm like, yeah,

1:31:46.320 --> 1:31:48.080
<v Speaker 1>but you should have done more. Why were you just

1:31:48.160 --> 1:31:50.880
<v Speaker 1>sitting there because your privilege wasn't being tested? Where were

1:31:50.960 --> 1:31:54.240
<v Speaker 1>you fifteen years ago? Exactly? So I think it's like,

1:31:54.520 --> 1:31:56.719
<v Speaker 1>you know, I think low key this movie did speak

1:31:56.800 --> 1:32:01.880
<v Speaker 1>to like the white supremacy that like definitely boils within that.

1:32:02.400 --> 1:32:04.519
<v Speaker 1>And I'm like, you know, obviously this was a good

1:32:04.600 --> 1:32:06.800
<v Speaker 1>movie to take a chance with an all female cast.

1:32:07.200 --> 1:32:08.960
<v Speaker 1>You had to throw a sister and there is something

1:32:09.120 --> 1:32:11.240
<v Speaker 1>so absolutely I don't know, I mean. And it was

1:32:11.360 --> 1:32:14.960
<v Speaker 1>a commercial success. It had like a three point five

1:32:15.920 --> 1:32:21.200
<v Speaker 1>British pound budget and made yeah, I don't know, but

1:32:21.439 --> 1:32:24.559
<v Speaker 1>um but and then in in US dollars it made

1:32:24.680 --> 1:32:29.680
<v Speaker 1>somewhere around I think fifty five to sixty million at

1:32:29.720 --> 1:32:33.799
<v Speaker 1>the box office, So it was a box office success.

1:32:34.000 --> 1:32:37.880
<v Speaker 1>And honestly, this is one of our most requested horror

1:32:37.960 --> 1:32:40.200
<v Speaker 1>films to cover on the podcast. We've been getting this

1:32:40.280 --> 1:32:46.760
<v Speaker 1>request for long time. You're welcome, everybody, You're happy. It's

1:32:46.760 --> 1:32:49.720
<v Speaker 1>a solid film man for what it was when it was.

1:32:50.360 --> 1:32:52.639
<v Speaker 1>You know, I think if they made that movie now,

1:32:53.000 --> 1:32:55.160
<v Speaker 1>like even the movies I see coming out now, I'm like,

1:32:55.720 --> 1:32:59.120
<v Speaker 1>are you fucking serious? What year is this? Why is

1:32:59.160 --> 1:33:02.720
<v Speaker 1>this movie half inning right now? But I think for

1:33:02.920 --> 1:33:06.400
<v Speaker 1>two thousand five, for them to do a bunch of

1:33:06.479 --> 1:33:09.560
<v Speaker 1>women diving into caves with the budget that it was, like,

1:33:09.760 --> 1:33:13.280
<v Speaker 1>I think, what, like, there's not many other films like that,

1:33:13.400 --> 1:33:16.120
<v Speaker 1>Like I think, you know, like Twenty Days Later, Oh

1:33:16.160 --> 1:33:18.280
<v Speaker 1>my god, Nami Harris, I don't know. There's so many

1:33:18.400 --> 1:33:22.439
<v Speaker 1>Naomi actresses. I get them all mixed. Um Nami Harris,

1:33:22.600 --> 1:33:24.920
<v Speaker 1>like I think she to me when I saw Twenty

1:33:25.040 --> 1:33:27.840
<v Speaker 1>Days Later, I was like, skirts, excuse me, this black

1:33:27.920 --> 1:33:31.519
<v Speaker 1>woman with this like kind of short pixie flat ironed

1:33:31.600 --> 1:33:34.519
<v Speaker 1>haircut is just like kicking ass and saving this like

1:33:34.640 --> 1:33:37.800
<v Speaker 1>sad little white boy. Okay, I am here for this.

1:33:38.640 --> 1:33:40.960
<v Speaker 1>But I feel like we only get those every so often,

1:33:41.120 --> 1:33:44.040
<v Speaker 1>and then we got you know, not get Up. I

1:33:44.160 --> 1:33:46.400
<v Speaker 1>didn't like US. I thought US was horsha, to be honest,

1:33:46.479 --> 1:33:49.240
<v Speaker 1>But I love Lupita. That Lupita like blew me the

1:33:49.320 --> 1:33:53.320
<v Speaker 1>funk away. So it sucks as a black mixed person.

1:33:53.479 --> 1:33:55.840
<v Speaker 1>Like every so often I get someone I'm like yeah,

1:33:56.600 --> 1:33:59.280
<v Speaker 1>but then most of the time you're like, no, there's

1:33:59.320 --> 1:34:02.560
<v Speaker 1>not really anyone. Oh she is anxiety, I have anxiety.

1:34:02.720 --> 1:34:07.760
<v Speaker 1>Well I guess there's that, you know. Yeah, yes, Um,

1:34:08.920 --> 1:34:12.920
<v Speaker 1>Well does this movie pass the Bechtel tests? Oh? It

1:34:13.280 --> 1:34:18.080
<v Speaker 1>sure does, almost constantly, almost exclusively. Yeah. And it's interesting

1:34:18.120 --> 1:34:22.360
<v Speaker 1>because I didn't like check this to the to the hilt,

1:34:22.560 --> 1:34:26.599
<v Speaker 1>let's say, But I feel like even when they are

1:34:27.080 --> 1:34:32.040
<v Speaker 1>maybe the subtext is about her husband, they don't really

1:34:32.160 --> 1:34:35.639
<v Speaker 1>say his name, and they don't really mention him. It's

1:34:35.680 --> 1:34:40.040
<v Speaker 1>all kind of like subtext, and it's more they're talking

1:34:40.080 --> 1:34:44.439
<v Speaker 1>about grief than they're talking about him, except for like

1:34:44.560 --> 1:34:47.080
<v Speaker 1>that one line where I'm like, Juno, what are you

1:34:47.240 --> 1:34:50.479
<v Speaker 1>doing where when she says she's not the only one

1:34:50.520 --> 1:34:53.760
<v Speaker 1>who lost someone in that accident, I'm like, why are

1:34:53.840 --> 1:34:57.200
<v Speaker 1>you telling him yourself like this? You're like what? Um?

1:34:57.560 --> 1:35:00.879
<v Speaker 1>But outside of that, yeah, they men aren't really mentioned

1:35:01.360 --> 1:35:04.400
<v Speaker 1>at all. Yeah. Yeah, it's it's true. Actually, And now

1:35:04.479 --> 1:35:06.639
<v Speaker 1>I think about like every time a man was mentioned,

1:35:07.160 --> 1:35:09.240
<v Speaker 1>You're like, oh a man, Oh I forgot about them?

1:35:09.280 --> 1:35:12.080
<v Speaker 1>For a second, you know, like yeah, because Sarah asks

1:35:12.120 --> 1:35:13.600
<v Speaker 1>a couple of them like, so, do you have a

1:35:13.680 --> 1:35:16.479
<v Speaker 1>man back home? And then yeah, we do talk more

1:35:16.479 --> 1:35:19.439
<v Speaker 1>about the grief of the husband and the daughter rather

1:35:19.600 --> 1:35:23.040
<v Speaker 1>than him. That's fine by me. It was a nice

1:35:23.080 --> 1:35:26.000
<v Speaker 1>little break. Yeah, there were way too many questions, like

1:35:26.040 --> 1:35:27.920
<v Speaker 1>they almost like went around the circle do you have

1:35:28.040 --> 1:35:31.240
<v Speaker 1>a boyfriend or husband? Yeah? That was ridiculous, which was

1:35:31.320 --> 1:35:35.240
<v Speaker 1>like too much, But at least they also talked about like, yeah,

1:35:35.360 --> 1:35:39.479
<v Speaker 1>I like spelunking, I'm in medical school, and here are

1:35:39.560 --> 1:35:43.120
<v Speaker 1>some of my interests. But it did sort of feel like, Okay,

1:35:43.720 --> 1:35:47.320
<v Speaker 1>what do women talk about when they're not being killed

1:35:47.640 --> 1:35:51.439
<v Speaker 1>by or and also when they are being killed by

1:35:52.720 --> 1:35:56.600
<v Speaker 1>all the men and the movie are killed. Yeah, and

1:35:56.840 --> 1:36:02.599
<v Speaker 1>that's fine. The sequel also kills a lot because there

1:36:02.640 --> 1:36:06.120
<v Speaker 1>are it is a cast of men and women, and um,

1:36:06.400 --> 1:36:11.519
<v Speaker 1>all the men are also killed spoiler allergy. I'm curious

1:36:11.640 --> 1:36:13.120
<v Speaker 1>to see that one. Now. I got a damn it.

1:36:15.000 --> 1:36:19.280
<v Speaker 1>It sounds pretty good. It's it's not well, it's it's

1:36:19.880 --> 1:36:22.519
<v Speaker 1>the first one is a better crafted and like better

1:36:22.600 --> 1:36:25.320
<v Speaker 1>structured movie, and I think a more effective horror movie.

1:36:25.800 --> 1:36:28.960
<v Speaker 1>H The second one, I think course correct some of

1:36:29.040 --> 1:36:34.439
<v Speaker 1>the issues and has another woman of color as one

1:36:34.479 --> 1:36:38.040
<v Speaker 1>of the lead characters, who, Um, and I won't spoil this,

1:36:38.240 --> 1:36:41.040
<v Speaker 1>but you know you're not unhappy about what happens really

1:36:41.200 --> 1:36:46.040
<v Speaker 1>with her. So it's a little better is her storyline,

1:36:46.080 --> 1:36:48.320
<v Speaker 1>Like she walks up to the cave and it's like, oh, hell,

1:36:48.520 --> 1:36:52.760
<v Speaker 1>I'm not going in there. I'm out. I wish but

1:36:52.840 --> 1:36:55.200
<v Speaker 1>it's like, I'm going to break the stereotype. No black

1:36:55.240 --> 1:36:59.360
<v Speaker 1>person is saying this. She black kind of latin X. Okay, okay, great,

1:37:00.840 --> 1:37:03.919
<v Speaker 1>I'm gonna watch it. Yeah, but really looks like horseship,

1:37:04.000 --> 1:37:06.920
<v Speaker 1>but I guess I'll watch it. So as far as

1:37:06.960 --> 1:37:11.160
<v Speaker 1>our nipple scale, UM, examining the movie from an intersectional

1:37:11.240 --> 1:37:15.680
<v Speaker 1>feminist lens zero to five nipples. Um, Again, there's a

1:37:15.800 --> 1:37:19.599
<v Speaker 1>lot to appreciate about this movie, and there's there's there's

1:37:19.600 --> 1:37:22.400
<v Speaker 1>a lot to be upset by about this movie. Um.

1:37:22.840 --> 1:37:26.639
<v Speaker 1>It almost feels very equal. I'm almost inclined to give

1:37:26.680 --> 1:37:28.720
<v Speaker 1>it like a two point five, like a split down

1:37:28.760 --> 1:37:34.840
<v Speaker 1>the middle because you see very capable, physically strong, outdoorsy

1:37:35.160 --> 1:37:41.800
<v Speaker 1>athletic women who you almost never see. Um, they aren't sexualized.

1:37:42.120 --> 1:37:47.040
<v Speaker 1>It's just a group of friends doing extreme sports until

1:37:47.240 --> 1:37:51.280
<v Speaker 1>the cannibals, until the cave dollars come, and then you have,

1:37:52.400 --> 1:37:57.680
<v Speaker 1>I mean, the only woman of color gets vilified, the pettiness,

1:37:58.720 --> 1:38:02.000
<v Speaker 1>the petty behavior of some of the women. At the end,

1:38:02.280 --> 1:38:04.880
<v Speaker 1>it all sort of cancels out. So yeah, I guess

1:38:04.880 --> 1:38:07.240
<v Speaker 1>I would give it like a two point five. It

1:38:07.439 --> 1:38:12.040
<v Speaker 1>is very much a movie of its time. And this

1:38:12.240 --> 1:38:16.040
<v Speaker 1>is a rating of of the film through an intersectional lens,

1:38:16.160 --> 1:38:18.600
<v Speaker 1>not as a film as a well, I want to

1:38:18.640 --> 1:38:20.759
<v Speaker 1>say is a cinematic piece, but I think we should

1:38:20.800 --> 1:38:24.320
<v Speaker 1>start evaluating films through an intersection. So our our yeah,

1:38:24.360 --> 1:38:28.040
<v Speaker 1>our rating is based on like the lens. The only

1:38:28.120 --> 1:38:31.040
<v Speaker 1>reason I'm I'm torn in this is because I feel

1:38:31.040 --> 1:38:34.800
<v Speaker 1>like I typically rate films through this lens, but now

1:38:34.880 --> 1:38:36.720
<v Speaker 1>there's other people doing it, and I'm like, am I

1:38:36.800 --> 1:38:39.000
<v Speaker 1>in the real world right now? You guys do this too,

1:38:39.000 --> 1:38:43.320
<v Speaker 1>and this is way better? Okay, Because people will be like, oh, no,

1:38:43.439 --> 1:38:45.160
<v Speaker 1>I just thought it was a good movie. I'm like, oh,

1:38:45.240 --> 1:38:47.280
<v Speaker 1>were you not uncomfortable by it? Like I was, Oh,

1:38:47.400 --> 1:38:49.400
<v Speaker 1>that's so nice for you, and you're cute little privilege

1:38:49.439 --> 1:38:53.600
<v Speaker 1>go over there. Yeah, I think I would give it.

1:38:54.240 --> 1:38:57.280
<v Speaker 1>I think I would give it three nipples out of five. Yeah,

1:38:57.560 --> 1:39:04.080
<v Speaker 1>I'll split the deaf. I'll do two point seven. Very

1:39:04.360 --> 1:39:08.360
<v Speaker 1>I love to get the decimal zone here. Um No, Yeah,

1:39:08.479 --> 1:39:11.160
<v Speaker 1>I think that, like, given the fact that it was

1:39:11.200 --> 1:39:13.960
<v Speaker 1>fifteen years ago and it is there is a lot

1:39:14.040 --> 1:39:16.640
<v Speaker 1>that this movie is doing in this genre that no

1:39:16.760 --> 1:39:21.600
<v Speaker 1>one was doing in this genre unfortunate. As as infuriating

1:39:21.640 --> 1:39:23.840
<v Speaker 1>as I find it, I do feel like there is

1:39:24.479 --> 1:39:26.160
<v Speaker 1>I don't know how to properly phrase this, but like

1:39:26.360 --> 1:39:30.200
<v Speaker 1>there is kind of a like a tendency maybe in

1:39:30.360 --> 1:39:35.040
<v Speaker 1>movies of like once a male director proves, oh there

1:39:35.120 --> 1:39:37.960
<v Speaker 1>can be a you know, a horror movie starring all women,

1:39:38.120 --> 1:39:41.759
<v Speaker 1>then it unfortunately kind of does get the ball rolling

1:39:41.920 --> 1:39:45.679
<v Speaker 1>to maybe let a woman direct a horror movie about women.

1:39:45.840 --> 1:39:49.360
<v Speaker 1>But cause I feel like there's a lot of moving

1:39:49.400 --> 1:39:51.960
<v Speaker 1>in the right direction in some ways and then in

1:39:52.120 --> 1:39:56.000
<v Speaker 1>other ways than complete like stagnation. But there is a

1:39:56.080 --> 1:39:59.000
<v Speaker 1>lot happening here that isn't happening really anywhere else in

1:39:59.040 --> 1:40:01.000
<v Speaker 1>this space at that time. So I'll give it a

1:40:01.120 --> 1:40:05.400
<v Speaker 1>stew there. And it's really cool to see Sarah come

1:40:05.400 --> 1:40:10.400
<v Speaker 1>out of the the period pond and get all stuff.

1:40:10.600 --> 1:40:13.000
<v Speaker 1>I don't care what anyone says, it is it is

1:40:13.080 --> 1:40:16.479
<v Speaker 1>a men being afraid of Vagina's thing again just also

1:40:16.560 --> 1:40:20.559
<v Speaker 1>very says normative get a life like anyways? Um yeah,

1:40:20.640 --> 1:40:24.000
<v Speaker 1>two point two point seven five. I'll give one to Sarah.

1:40:24.400 --> 1:40:28.400
<v Speaker 1>I'm gonna give one to I give I'll give one

1:40:28.439 --> 1:40:31.360
<v Speaker 1>to Juno because I said, I don't know why. I

1:40:31.520 --> 1:40:35.200
<v Speaker 1>was like, you know, Juno made mistakes, But who among

1:40:35.320 --> 1:40:38.360
<v Speaker 1>us hasn't Who hasn't who among us their friends to

1:40:38.479 --> 1:40:43.920
<v Speaker 1>certain death on purpose? And I'll give the last three

1:40:44.040 --> 1:40:46.280
<v Speaker 1>quarters to Beth because I did think if it was

1:40:46.320 --> 1:40:48.439
<v Speaker 1>funny that she was gossiping when she's dying. You know.

1:40:51.040 --> 1:40:56.000
<v Speaker 1>Oh well, Darby, thank you so much for being here,

1:40:56.160 --> 1:40:59.840
<v Speaker 1>remember having me. What a treat that we are, just

1:41:00.200 --> 1:41:03.799
<v Speaker 1>the fact that we all descended into this conversation together

1:41:04.720 --> 1:41:07.880
<v Speaker 1>and now we're crawling our crawling over the bones of

1:41:08.080 --> 1:41:13.519
<v Speaker 1>people to get out. Yes, um, where can people check

1:41:13.560 --> 1:41:17.439
<v Speaker 1>out your stuff? Following nine, et cetera. Yeah, so um.

1:41:17.720 --> 1:41:21.880
<v Speaker 1>I'm pretty active on Instagram at Darblazy, des and Delta

1:41:22.000 --> 1:41:26.360
<v Speaker 1>asan alpha RBS and boy l easy y Um. I've

1:41:26.400 --> 1:41:28.720
<v Speaker 1>been doing a lot of customer service calls lately. Have

1:41:28.800 --> 1:41:31.880
<v Speaker 1>to spell my name out in letters like that? Um,

1:41:32.160 --> 1:41:34.559
<v Speaker 1>what else? Do you do in quarantine but fixed problems

1:41:34.640 --> 1:41:38.200
<v Speaker 1>you don't really have? UM, And yeah, I'm a filmmaker,

1:41:38.840 --> 1:41:43.080
<v Speaker 1>artist consultant. I consult folks and film. I used to

1:41:43.200 --> 1:41:47.480
<v Speaker 1>run a collective cult Color Film, where we provided resources

1:41:47.520 --> 1:41:51.880
<v Speaker 1>and tools and education for the community of marginalized filmmakers.

1:41:52.080 --> 1:41:54.040
<v Speaker 1>And now I'm doing it on my own. So if

1:41:54.080 --> 1:41:57.439
<v Speaker 1>you need a consultation to get through a work situation. UM,

1:41:57.600 --> 1:41:59.959
<v Speaker 1>I do monthly live streams. And I have a patriot

1:42:00.040 --> 1:42:04.479
<v Speaker 1>on patreon dot com slash Derby rose d a r

1:42:04.560 --> 1:42:08.880
<v Speaker 1>b asy rose Um. And yeah, I do monthly live streams.

1:42:08.960 --> 1:42:12.560
<v Speaker 1>I talk about intersectionality at work, how to be productive

1:42:12.720 --> 1:42:16.920
<v Speaker 1>during this time that we're in, and um, all the

1:42:17.000 --> 1:42:20.000
<v Speaker 1>other things. And I do want to recommend a couple

1:42:20.040 --> 1:42:25.360
<v Speaker 1>of movies anything by Karen Kassama, Jennifer's Body, The Invitation,

1:42:25.760 --> 1:42:31.639
<v Speaker 1>other horror thriller films, Ginger Snaps, Um although co written

1:42:31.720 --> 1:42:35.400
<v Speaker 1>by a woman, fully directed by a man, fantastic More

1:42:35.520 --> 1:42:40.160
<v Speaker 1>Lady Bits and uh comparisons all that in horror. Our

1:42:40.280 --> 1:42:43.560
<v Speaker 1>friend Alex recommends that we covered that movie on this

1:42:43.720 --> 1:42:49.759
<v Speaker 1>podcast almost on a daily Baby. It's a fantastic film,

1:42:50.439 --> 1:42:54.000
<v Speaker 1>and I feel like I'm forgetting others. But there's a

1:42:54.160 --> 1:42:58.840
<v Speaker 1>lot of incredible films out there by marginalized filmmakers. So

1:42:59.080 --> 1:43:03.880
<v Speaker 1>support the horror, support anything that we and they need,

1:43:04.120 --> 1:43:09.680
<v Speaker 1>because why America don't care? So yes, and and uh,

1:43:09.920 --> 1:43:14.640
<v Speaker 1>listeners hired Derby for her consultation work, and subscribe to

1:43:14.800 --> 1:43:18.680
<v Speaker 1>her Patreon and give me money. We had a capitalist

1:43:18.760 --> 1:43:22.920
<v Speaker 1>society still and and covid took my work away. Yes,

1:43:24.000 --> 1:43:26.479
<v Speaker 1>thanks for having me. This was really fun. I feel

1:43:26.520 --> 1:43:28.800
<v Speaker 1>like I've been waiting to have this conversation. And I'm

1:43:28.800 --> 1:43:30.240
<v Speaker 1>a big fan of what you guys have been doing

1:43:30.280 --> 1:43:33.000
<v Speaker 1>with Bechdel Castle. I'm so happy to see it, like

1:43:33.200 --> 1:43:35.559
<v Speaker 1>still where it is and where it's going. It's so cool.

1:43:35.920 --> 1:43:39.360
<v Speaker 1>Onward and upward baby, Yes, I love it. Yea, thank

1:43:39.400 --> 1:43:43.719
<v Speaker 1>you for being here here everyone, it's a future Damian future.

1:43:46.160 --> 1:43:49.880
<v Speaker 1>It is us. We wanted to address something that we

1:43:49.960 --> 1:43:53.559
<v Speaker 1>talked about during the episode and that we got feedback

1:43:53.760 --> 1:43:58.519
<v Speaker 1>on from a few different listeners regarding our discussion that

1:43:58.640 --> 1:44:03.120
<v Speaker 1>we had about the representation of disability in horror movies.

1:44:03.560 --> 1:44:06.519
<v Speaker 1>And yeah, we we basically at the feedback that while

1:44:06.600 --> 1:44:09.280
<v Speaker 1>that's an important discussion to have, this was not the

1:44:09.400 --> 1:44:12.240
<v Speaker 1>appropriate movie to do it for, and so we just

1:44:12.320 --> 1:44:15.479
<v Speaker 1>wanted to acknowledge that we have spoken with listeners and

1:44:15.640 --> 1:44:18.720
<v Speaker 1>we just we want to continue having this discussion, but

1:44:18.800 --> 1:44:21.519
<v Speaker 1>this wasn't the movie to do it for. And um,

1:44:21.760 --> 1:44:25.679
<v Speaker 1>so we apologize, and you know, as always, our lines

1:44:25.720 --> 1:44:29.400
<v Speaker 1>of communication are open to you, and um, yeah, we

1:44:29.439 --> 1:44:33.000
<v Speaker 1>will continue to have this discussion in movies that makes

1:44:33.040 --> 1:44:37.240
<v Speaker 1>more sense for us. So our apologies for um, misfiring

1:44:37.320 --> 1:44:40.759
<v Speaker 1>on when to have that discussion. Yeah, it was pointed

1:44:40.800 --> 1:44:44.760
<v Speaker 1>out that because many like species of animals who dwell

1:44:44.840 --> 1:44:47.720
<v Speaker 1>in caves are blind, it wasn't as though this movie

1:44:47.800 --> 1:44:52.240
<v Speaker 1>was necessarily demonizing blindness. For me, I was just like, oh,

1:44:52.439 --> 1:44:55.040
<v Speaker 1>this would be maybe a good opportunity to kick start

1:44:55.120 --> 1:44:59.040
<v Speaker 1>that conversation. But as people pointed out, this wasn't the

1:44:59.240 --> 1:45:02.720
<v Speaker 1>right movie for it. It just wasn't the right match right.

1:45:03.000 --> 1:45:06.720
<v Speaker 1>But it's still a very important discussion for sure. So yes,

1:45:06.800 --> 1:45:10.679
<v Speaker 1>thanks for those of you who gave feedback. Like Jamie said,

1:45:10.760 --> 1:45:14.920
<v Speaker 1>we encourage that. You know, sometimes we're you know, we're

1:45:14.960 --> 1:45:17.519
<v Speaker 1>not always going to get things exactly right every time,

1:45:17.640 --> 1:45:22.479
<v Speaker 1>so it's it's helpful to receive feedback from people. And

1:45:22.800 --> 1:45:26.560
<v Speaker 1>we're always wanting to learn and grow, so thank you

1:45:27.040 --> 1:45:30.080
<v Speaker 1>for that. We love you, Love you, Future Jamie and

1:45:30.160 --> 1:45:34.240
<v Speaker 1>future Caitlin signing off, And you can check us out

1:45:34.360 --> 1:45:37.760
<v Speaker 1>on Twitter and Instagram at Bechtel Cast. You can subscribe

1:45:37.800 --> 1:45:41.719
<v Speaker 1>to our Patreon aka Matreon at patreon dot com, slash

1:45:41.760 --> 1:45:44.680
<v Speaker 1>pecktel Cast. You get to bonus episodes every month, it's

1:45:44.720 --> 1:45:47.040
<v Speaker 1>only five dollars, and you get access to the entire

1:45:47.479 --> 1:45:50.519
<v Speaker 1>back catalog. And if you're a horror fan, we've covered

1:45:50.920 --> 1:45:55.000
<v Speaker 1>a number of horror movies on that, including including Jennifer's

1:45:55.160 --> 1:46:01.479
<v Speaker 1>including Jennifer's Body and Teeth and Get Out and The

1:46:01.560 --> 1:46:07.920
<v Speaker 1>Babba Duck Who Can't Forget The Babba Duck Who Could Forget? Yeah,

1:46:08.200 --> 1:46:12.639
<v Speaker 1>among many many others. And you can get our merch

1:46:13.160 --> 1:46:16.439
<v Speaker 1>t public dot com slash v back til Cast we

1:46:16.800 --> 1:46:20.240
<v Speaker 1>have we have recently got masks to the store with

1:46:20.360 --> 1:46:22.320
<v Speaker 1>all of our classic Birch stuff, so you can get

1:46:22.320 --> 1:46:27.120
<v Speaker 1>those if you so choose. And yes, stay safe, help people,

1:46:27.360 --> 1:46:30.960
<v Speaker 1>and we love you. And now we have an US

1:46:31.040 --> 1:46:35.040
<v Speaker 1>sent out of the Cave Rave. Bye bye