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Speaker 1: List only two types of people in the world the

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Speaker 1: same and then Wednesday.

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Speaker 2: Eiser Duran is the ring leader New York City of

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Speaker 2: Radio Legend.

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Speaker 3: Legend morring leader.

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Speaker 4: I call the.

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Speaker 5: Shots, speak, I said, Capricorn.

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Speaker 3: Good fire, crapper. I'll make your hap.

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Speaker 2: Let's put on a show.

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Speaker 3: Morning, You're crazy monkey.

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Speaker 6: This is Elvis Duran in the Morning Show.

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Speaker 2: Which always let's do it. Welcome to the day. It

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Speaker 2: is a very busy day to day. Oh my god,

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Speaker 2: it is Wednesday, May third, and we've got guests, We've

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Speaker 2: got stuff. We gotta clean this mess up. Good morning, Danielle,

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Speaker 2: good morning, Good morning, gond H well the name Hello there,

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Speaker 2: Producer Sam.

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Speaker 7: Good morning.

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Speaker 2: Where's Froggy High? Scary again? Hi, Scotty B. Good morning.

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Speaker 2: And there's Diamond High Diamond good morning, good morning. And

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Speaker 2: I saw Andrew out there, I saw Garrett. I saw

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Speaker 2: That's all I've seen. That's enough for now. Hey, I

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Speaker 2: need something to start the show, just anything. Just throw

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Speaker 2: the dart at the wall and see what song starts playing.

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Speaker 2: This is cool, Yes, says there you go. That sounded

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Speaker 2: pretty awesome. I love that. We do have a busy day.

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Speaker 2: Kathy got a very busy day, very busy day. Kathy,

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Speaker 2: are you here for us all day today? Oh good?

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Speaker 2: We need you, We need you. So Kathy is up

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Speaker 2: early delivering Amazon packages.

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Speaker 7: I love you. You are so important, you really are.

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Speaker 2: You're You're like a member of royalty in a way. Kathy,

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Speaker 2: we love you.

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Speaker 8: Yes, you could have been three thirty in the morning.

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Speaker 9: To go and deliver packages.

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Speaker 2: I love that.

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Speaker 8: And I listened to you guys at the whole time.

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Speaker 8: It's what keeps me going.

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Speaker 2: Oh no, see, you guys are amazing.

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Speaker 8: I love you guys.

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Speaker 2: I get a little nervous when someone says they listen

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Speaker 2: to the like all four hours of this mess. Oh

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Speaker 2: my god, it's what makes me.

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Speaker 8: I'm telling you, it's what keeps me going. We just

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Speaker 8: came back from vacation. I was going through withdraw but

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Speaker 8: not listening to you guys.

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Speaker 2: Oh my gosh, I just came back from vacation. I'm

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Speaker 2: in withdrawal from vacation.

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Speaker 8: I would the same time you guys were.

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Speaker 10: I haven't want to.

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Speaker 2: Cruise though, Oh I want to go on a cruise.

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Speaker 2: Well watch that, Froggy.

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Speaker 11: When somebody says they only listened to like an hour,

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Speaker 11: you could go, oh yeah, you missed the really good part.

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Speaker 11: We did, but when they listened to the whole four hours,

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Speaker 11: you're like, yeah, I mean if they don't like it.

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Speaker 8: Day morning, every morning, you guys keep me going.

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Speaker 2: Thank you, Kathy, Thank you so much. You know you

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Speaker 2: are a dream come true. You are. What do you

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Speaker 2: have for Kathy?

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Speaker 5: Oh, we've got a fifty dollars Wendy's gift card so

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Speaker 5: she can get that three dollars breakfast steel.

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Speaker 2: Yeah, do it. Drive all through with the Amazon Trunck

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Speaker 2: and Kathy. Stay safe out there, and thank you for

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Speaker 2: bringing us presents every day. We appreciate it.

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Speaker 12: Thank you so much.

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Speaker 8: You guys.

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Speaker 2: Have a good day you too. Hold on, don't go away.

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Speaker 2: Look at that.

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Speaker 13: Sometimes I get presents multiple times a day from her.

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Speaker 2: Yes, you do. You're not supposed to say that out loud.

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Speaker 3: I know you're right.

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Speaker 5: Yeah.

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Speaker 2: So you know, if you're working for Amazon, you are

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Speaker 2: royalty to us and ups. Thank you so much for

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Speaker 2: keeping us stocked. We appreciate that very much. We do

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Speaker 2: have a busy day. Guest. Today, we have Charlie Pooth.

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Speaker 2: He's on his way up a little bit later on

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Speaker 2: Ronald Gladden. He is, in my opinion of the superstar

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Speaker 2: of Jury Duty, our favorite show.

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Speaker 7: Got a lot of questions for this guy.

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Speaker 2: We do. He was the only one out of dozens

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Speaker 2: of people that was not an actor serving Jury Duty.

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Speaker 2: If you haven't seen it, it is amazing. It's easy

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Speaker 2: to watch. It goes by really fast, and he will

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Speaker 2: be walking through that door if if that door's tall

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Speaker 2: enough for him, he'll be walking through the door later on.

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Speaker 2: He's six foot six. Wow, I know.

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Speaker 6: He like Aaron Judge size.

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Speaker 2: He is crazy. So anyway, he's on the way. We

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Speaker 2: do have a busy day. Danielle is working from home today.

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Speaker 6: Yes, and I'll be popping out and then popping back.

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Speaker 2: Okay, wow, so anyone's popping it's Danielle like that. Let's

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Speaker 2: get into the three things we need to know from Gandhi,

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Speaker 2: then we move on with the day. All right, Gandhi,

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Speaker 2: what's going on?

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Speaker 7: All right? Several television shows are being affected by the

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Speaker 7: current Hollywood writers strike. The last, not this one, not

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Speaker 7: this one. The last Writer's Guild of America strike, which

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Speaker 7: started in two thousand and seven, actually lasted for three months.

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Speaker 7: We don't know how long this is going to go.

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Speaker 7: The Late Show Jimmy Kimmel Live, The Tonight's Show, Late Night,

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Speaker 7: and The Daily Show have all stopped production for now.

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Speaker 7: When it comes to scripted shows and movies, the effects

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Speaker 7: of the strike likely won't be felt until well after

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Speaker 7: it's over. Many shows already have several episodes banged and

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Speaker 7: ready to go, so viewers won't notice immediately. Writers are

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Speaker 7: demanding more equitable pay with the prevalence of streaming content.

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Speaker 7: A day's long manhunt for a suspect accused of killing

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Speaker 7: five people in Texas is over. He was taken into

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Speaker 7: custody yesterday in the city of Cut and Shoot after

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Speaker 7: the FBI found him. He's accused of fatally shooting his

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Speaker 7: neighbors with an AR fifteen rifle in an execution style

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Speaker 7: after they asked him not to fire his gun in

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Speaker 7: his front yard late Friday night in Cleveland, that's about

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Speaker 7: forty five miles north of Houston. He's being held on

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Speaker 7: five million dollars bond and is set to be charged

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Speaker 7: with five counts of murder.

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Speaker 2: You know you're looking for him for what three days?

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Speaker 7: Two days since Friday?

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Speaker 2: They found him hidden in his house under a pile

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Speaker 2: of laundry.

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Speaker 7: Unbelievable.

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Speaker 2: I kid you not unbelievable. We forgot to look under

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Speaker 2: the laundry.

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Speaker 7: How long did he stay there?

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Speaker 2: I don't think.

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Speaker 4: I don't know.

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Speaker 2: I mean, what an awful story. But if you're going

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Speaker 2: to hide hide under your laundry, no one wants to

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Speaker 2: get near that.

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Speaker 7: They won't touch it. And finally, the FDA has approved

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Speaker 7: gene edited pigs from Washington State University for human consumption.

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Speaker 7: Researchers use Crisper gene editing technology to create five pigs

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Speaker 7: with similar DNA. They were made into German style sausages.

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Speaker 7: The goal of the test was to prove gene edited

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Speaker 7: animals could get FDA approval for consumption. Selective breeding is

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Speaker 7: one way to modify an animal's DNA. Researchers say Crisper

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Speaker 7: technology does it faster and can create animals with more

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Speaker 7: desirable traits for improved food production. And those are your

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Speaker 7: three things.

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Speaker 2: I wish they could come up with a way to

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Speaker 2: change the genes on a pig and make a pig

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Speaker 2: taste like broccoli.

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Speaker 7: Oh if only, or may broccoli taste like a pig?

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Speaker 3: Yes?

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Speaker 2: Yeah, I'm in you guys ready for Wednesday?

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Speaker 9: Yes, let's go.

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Speaker 10: Hi. I'm Sam Smith, Miss Peter exavi Jeron on the

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Speaker 10: Morning Show twos the coverage you want at an affordable

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Speaker 10: price just for you.

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Speaker 14: Call or go to statefarm dot com today to create

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Speaker 14: your State Farm Personal Price Plan.

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Speaker 2: Prices vary by state. Options selected by customer. Availability and

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Speaker 2: eligibility may vary sometimes.

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Speaker 3: About to go Elvis Storin in.

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Speaker 10: The Morning Show.

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Speaker 2: Yeah, if it smells a little smoke each day, it's

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Speaker 2: because we're cellibrating National Barbecue Month. Yes, I know that

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Speaker 2: our friend Glenn from Virgils is going to stop by.

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Speaker 2: You'll smell him before he gets here.

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Speaker 4: Can't wait.

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Speaker 2: It's all nice and smoky. Danielle, you missed, you missed

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Speaker 2: down on barbecue, monk.

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Speaker 6: I know, I know it's okay. May keep me some leftovers. Yeah,

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Speaker 6: I'll try plenty.

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Speaker 7: Girls some away for you in that fridge. But you

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Speaker 7: know that fridge is it's like the wild West out there.

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Speaker 2: Yeah, daniel Well, we'll save those leftovers for you, I know.

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Speaker 6: Problem you know they're going home with Elvis. Are you

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Speaker 6: talking about?

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Speaker 8: Hey?

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Speaker 14: So you know what.

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Speaker 2: I'm all excited. Charlie Pooth will be driving uptown to

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Speaker 2: join us a little bit later on this morning, and

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Speaker 2: I told him yesterday. I said, you know, it's kind

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Speaker 2: of cool when you're driving up Sixth Avenue or Avenue

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Speaker 2: of the Americas as they call it, and you look

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Speaker 2: to the right and it's Radio City Music called the

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Speaker 2: Iconic Radio City Music Hall, and they have the marquee

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Speaker 2: out front with all the names of a few people

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Speaker 2: that are coming up soon, and it says Charlie Pooth

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Speaker 2: June fifteenth. I'm like, yeah, I said, you know, when

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Speaker 2: you're driving uptown today, make sure whoever's driving you take

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Speaker 2: Sixth Avenue so you can look up and see your

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Speaker 2: name on Radio City frigging Music Hall.

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Speaker 4: So cool.

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Speaker 6: I already have my tickets to go see him. I

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Speaker 6: cannot wait, So you do.

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Speaker 2: Yeah, I'm so excited was coming in. We got stuff

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Speaker 2: to talk about. He hasn't seen our new studio as well,

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Speaker 2: so that's good. Uh. Producer Sam morning, How How who

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Speaker 2: are you doing your horse gips with?

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Speaker 15: I got a d M last night asking for Froggy specifically.

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Speaker 2: Really was it Froggy sending the DM?

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Speaker 15: It was Froggy's not Froggy.

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Speaker 2: Okay, all right, right, let's see how the day rolls

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Speaker 2: go ahead? What's going on? All right?

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Speaker 11: If you celebrate a birthday today, you celebrate it with

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Speaker 11: designer Cheryl Burke and Rachel Zegler Apricorn designer.

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Speaker 7: Yeah, he did some bad things on a plane.

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Speaker 2: I'm sorry what he did?

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Speaker 7: Bad things?

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Speaker 14: Oh?

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Speaker 2: Yes he did, Yeah he did. Oh is that the

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Speaker 2: guy that like pleasured himself on the plane?

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Speaker 6: Snake's not a plane?

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Speaker 2: Yes?

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Speaker 11: Okay, yes, exactly, Okay ahead Frog Capricorn, do not go

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Speaker 11: out of your way to do someone a favor.

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Speaker 15: Save that for yourself. Your day's an eight Aquarius. Your

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Speaker 15: mood is highly unstable. Be sure to not take your

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Speaker 15: emotion out on others.

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Speaker 11: Your days of five Pisces. Try to work around a problem.

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Speaker 11: Do not feel it is necessary to involve others.

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Speaker 2: Your day's of nine.

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Speaker 15: Hey Aries, find yourself by figuring out what you love.

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Speaker 15: Reignite your passion for an old hobby. Your days an

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Speaker 15: eight Taurus. Spend some quality time focusing on your mental health.

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Speaker 15: Your days of seven hey gem and I don't judge

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Speaker 15: others for a common mistake.

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Speaker 11: Your day's of six Cancer. Time to step away from

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Speaker 11: the negativity and allow yourself to blossom on your own.

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Speaker 15: Your day's of nine hey Leo, your acute awareness makes

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Speaker 15: you a sensible and most needed team member.

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Speaker 7: Your day's of ten.

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Speaker 11: Okay, there's proof right there. This is all crap. Crap, Virgo,

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Speaker 11: stop allowing someone to write your story. You're in the

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Speaker 11: driver's seat and it's time to take charge. Your day's

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Speaker 11: a nine Libra.

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Speaker 15: You've told yourself you're over something, so now it's time

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Speaker 15: to put that into practice.

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Speaker 11: Your day's of six Scorpio. Check on someone close to

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Speaker 11: you as they may need a helping hand.

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Speaker 15: Your day's of seven, and finally, Sagittarius, put in the

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Speaker 15: extra effort and go the extra mile as it will

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Speaker 15: only be to you advantage at the end of the day.

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Speaker 15: Your day's an eight and those are Wednesday morning horoscopes.

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Speaker 2: Danielle, How long has it been since your birthday show

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Speaker 2: that we have here in this studio?

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Speaker 6: Over a month? I think.

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Speaker 2: With these balloons, these beautiful balloon what do you call them?

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Speaker 2: Range arrangements from Balloon Saloon, the world famous balloon Saloon,

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Speaker 2: they're still floating high.

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Speaker 13: I know, they still look great. I mean, we keep

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Speaker 13: picking off the dead ones, but most of them are

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Speaker 13: still good.

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Speaker 15: Yeah, it's suspicious at this point. Honestly, it is weird.

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Speaker 2: I mean balloon saloon. They've done it again, and I

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Speaker 2: keep saying, well, we're going to get a new selection

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Speaker 2: with new colors, but these are still flying they yet.

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Speaker 2: But here's what bothers me. Can you tell me what

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Speaker 2: bothers me about what's going on here?

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Speaker 7: There's something about asymmetry.

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Speaker 2: Yeah, they're two symmetrical. We have one, two, three, four

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Speaker 2: or five. We have six balloon arrangements and they're all

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Speaker 2: evenly spaced across the room. First of all, we need

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Speaker 2: to have an odd number, so we need to remove

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Speaker 2: one and they need to be bunched up. I don't

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Speaker 2: like them like spread out like that.

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Speaker 13: I get it, but I feel like for the cameras

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Speaker 13: it looks so nice like that, because it makes a

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Speaker 13: whole backdrop. If you have like big gaps in between,

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Speaker 13: it doesn't look as nice on camera in the studio.

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Speaker 2: Who are we here to plete?

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Speaker 7: These are very suspicious that they've been inflated so long.

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Speaker 7: Looks spy balloons. Should we be shooting them down?

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Speaker 2: Did I read yesterday there was another mysterious balloon floating around?

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Speaker 2: They're tracking a balloon saloon balloon, Yes, carry what truth

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Speaker 2: be told?

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Speaker 9: A couple of weeks ago you removed one of the

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Speaker 9: six arrangements and you put it in the hallway.

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Speaker 2: I'm gonna do it again.

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Speaker 9: And then I actually went in the hallway and over

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Speaker 9: the weekend and I brought it back in.

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Speaker 2: Okay, well, don't do that. You know. That's not that

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Speaker 2: is not you, that's not your territory. You're not the

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Speaker 2: balloon director.

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Speaker 7: There is another mysterious balloon. There is another mysterious traveling

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Speaker 7: between Hawaii and Mexico.

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Speaker 2: God, it's going to all the fabulous places it is.

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Speaker 7: It's a vacation balloon.

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Speaker 2: It's a vacation balloon. Is it a balloon saloon balloon?

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Speaker 7: I think so that says here, yes, balloon saloon pizzazz.

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Speaker 2: Okay, I will. I'll be okay with the symmetry thing,

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Speaker 2: which bothers me. But we have to take one of

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Speaker 2: them out. You have to decorate with odd numbers.

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Speaker 7: I'm surprised you're not more bothered at the lack of

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Speaker 7: symmetry with the stars, because we've been cutting them off

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Speaker 7: as they as they kind of die, right, and they're

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Speaker 7: all over the place.

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Speaker 2: Now we're pruning. Thank you, scary taking it up. Thank

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Speaker 2: you you found him all right. We got that done. Hey, Danielle,

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Speaker 2: tell everyone why you're at home today. It's actually another

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Speaker 2: reason we love Danielle. She's a great mom.

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Speaker 13: Oh yes, well, today is signing day at Spencer's High School.

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Speaker 13: Decks like all the athletes who have been signed to

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Speaker 13: like college. I guess you can say contracts where they've

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Speaker 13: signed and they're committed. They get a signing day and

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Speaker 13: your family gets to go and take pictures and it's

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Speaker 13: a very big thing and it's something that my son

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Speaker 13: has dreamed of doing, and so it's very exciting to

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Speaker 13: be able to be part of it.

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Speaker 2: There you go, Yeah, so cool.

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Speaker 7: That's exciting, daniel This is why Danielle wins all of

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Speaker 7: them of the Year Award Ghost Pics.

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Speaker 13: So I'll pop out and then I should. I'm hoping

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Speaker 13: to be back by nine fifteen, so you might just

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Speaker 13: hear my voice pop back in. I'm gonna miss Charlie Pooth,

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Speaker 13: which sucks.

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Speaker 6: But that's okay, okay, all right, And barbecue and barbecue.

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Speaker 2: What do you have coming up on your first report

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Speaker 2: of the day.

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Speaker 13: We're going to talk about something really cool that a

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Speaker 13: movie theater did. And did you see the surprise guest

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Speaker 13: at the Met gala.

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Speaker 2: I did. I did too, and I'm not going to

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Speaker 2: ruin your story. That more on the way, mister Elvis

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Speaker 2: Duran in the Morning show.

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Speaker 3: This his Elvis Duran in the Morning Show.

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Speaker 2: Not wanting to get into any detail, but we're celebrating

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Speaker 2: today with straight Nate because he finally, he finally went

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Speaker 2: to the bathroom. Yay, nay, after how long six days?

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Speaker 2: Sixth day?

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Speaker 6: I was texting with him while he was going, well.

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Speaker 2: We all were. He was there for like an hour

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Speaker 2: and a half. It was I don't know if the

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Speaker 2: longest you've gone without doing that. It was not easy.

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Speaker 2: Is it like cutting down a tree and counting the

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Speaker 2: rings and tell you how old it is. I didn't

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Speaker 2: go examine if we weren't going to get into detail,

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Speaker 2: but no, I'm talking about trees.

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Speaker 5: But honestly, I know now what it must be like

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Speaker 5: to have a child. No, you know, I cried, won

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Speaker 5: I textas Scottie b it was.

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Speaker 2: It was painful. They should have you should have ordered

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Speaker 2: an uppidoor or something.

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Speaker 9: I don't know.

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Speaker 2: But all I'm doing is saying we have reason to

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Speaker 2: celebrate that because of medication. Sometimes it it backs you up,

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Speaker 2: backs you up and now he is uh, good to

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Speaker 2: go as loose as a goose is good.

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Speaker 7: I have a lot of follow up questions later later.

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Speaker 2: Okay, let's do that off air or maybe on the podcast. Okay,

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Speaker 2: that is good, thank you.

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Speaker 5: Though it was I was texting day Danielle called and

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Speaker 5: I was like, in the middle of and you don't

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Speaker 5: want to lose that?

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Speaker 8: Yeah?

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Speaker 6: Then a emoji?

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Speaker 2: Yeah? Okay, all right, all right, moving on? Have you

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Speaker 2: seen Jerry Duty yet? I haven't seen the Duty the parts? Okay, okay,

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Speaker 2: there is a scene that anyway, moving on, Danielle, yes,

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Speaker 2: live from the basement. Oh boy, what's going on? What

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Speaker 2: do you have having him?

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Speaker 6: So this is actually a lovely story.

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Speaker 13: There's a nine year old boy living with autism who

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Speaker 13: loves Super Mario and he was so excited that the

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Speaker 13: movie was coming out, but unfortunately his family said he

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Speaker 13: can't watch in a regular theater with other people because

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Speaker 13: he gets really loud. So this theater in North Carolina

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Speaker 13: stepped up and provided a private screening for him and

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Speaker 13: his family. They had the entire theater to themselves so

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Speaker 13: that he could watch the movie and do exactly what

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Speaker 13: he needed to do and be himself. I thought that

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Speaker 13: was so awesome and I love it. And he got

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Speaker 13: to see the movie and he was very happy.

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Speaker 2: So that's awesome.

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Speaker 6: Did you guys see the special guest at the met Gala?

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Speaker 2: Yes, the roach on the floor.

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Speaker 6: Oh my goodness.

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Speaker 13: So this roach, I mean, got so much attention. It

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Speaker 13: got get images and it got Entertainment Tonight to cover it.

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Speaker 13: And it was trying to crawl up the staircase and

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Speaker 13: people were cheering it on, like let's go, roach, come on.

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Speaker 6: And then somebody stepped on it and killed it.

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Speaker 2: Oh, that was not cool. The roach finally got an

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Speaker 2: opportunity to go to the met Gala.

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Speaker 13: Exactly, and that's what happens. And we were all talking

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Speaker 13: about what happens inside the met Galla?

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Speaker 6: What do they actually do? They take the pictures on

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Speaker 6: the staircase and their outfits and then what happens. Well,

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Speaker 6: some cool things did happen.

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Speaker 13: Lizzo actually performed on her flute, She did her hit,

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Speaker 13: She also did some mozart and she also did some duets.

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Speaker 13: So that was pretty cool going on inside there. The

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Speaker 13: Jonas Brothers are hitting the road, five albums, one night

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Speaker 13: the tour. They're so excited at a thirty five date

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Speaker 13: tour kicks off in the Bronx wraps up in Miami

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Speaker 13: in October, and they're gonna hit Yankee Stadium, which they

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Speaker 13: said has been a dream for them, so they can't

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Speaker 13: wait for that. And if you want ticket information, you

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Speaker 13: can go to their Instagram.

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Speaker 6: That's there.

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Speaker 13: Acep Rocky was in a little bit of a hurry

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Speaker 13: to get to the met Gala, so he pushed off

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Speaker 13: of a woman's face to launch himself over the barricade.

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Speaker 7: Oh yeah, thank god.

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Speaker 6: So the woman was actually excited about it, she tweeted

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Speaker 6: Acep just jumped over me like she.

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Speaker 13: Was kind of excited, but other people not so excited.

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Speaker 13: So he had to issue an apology because yeah. Snoop

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Speaker 13: Dogg will perform at the Hollywood Bowls concert line up

404
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Speaker 13: in twenty twenty three. It's called Snoop Dogg and Friends

405
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Speaker 13: Thirtieth Anniversary of Doggie Style and More, and it will

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Speaker 13: take place on June twenty seventh and twenty eighth, and

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Speaker 13: tickets will go on sale Friday, May fifth, ten am

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Speaker 13: Pacific time. Josh Grobin Sara Burrella's last year they hosted

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Speaker 13: the Tony Awards.

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Speaker 6: This year, their nominees for the Tony Awards, which will

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Speaker 6: be pretty cool.

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Speaker 13: And if you didn't see everything or know everything, you

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Speaker 13: can always go to iHeart Broadway. iHeartRadio Broadway because that

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Speaker 13: has all the Tony Awards stuff. Did you know that

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Speaker 13: our own Deanna runs iHeart Broadway?

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Speaker 2: Oh? Absolutely, I didn't know.

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Speaker 6: She ran the whole damn thing.

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Speaker 2: That's why it's fabulous.

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Speaker 13: Yeah, she's amazing. Tony Wards held June eleventh, by the way,

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Speaker 13: and Netflix is Wednesday. We know it did incredibly well.

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Speaker 13: We all love a thing in Wednesday. Did you know

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Speaker 13: they were told at first, maybe you know, you should

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Speaker 13: change it to a female hand and not a male

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Speaker 13: hand this time around. And yeah, the creators didn't like it.

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Speaker 13: They were like, it's a little bit too much of

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Speaker 13: a departure for us.

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Speaker 9: So do we know it?

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Speaker 2: How do we know it's a male hand?

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Speaker 6: Well, it looks like it, the hair all over it,

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Speaker 6: and thing's always been a male I think, yeah, just

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Speaker 6: a dressed thing, is he all the time?

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Speaker 12: Yeah?

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Speaker 16: What is?

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Speaker 14: What?

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Speaker 2: What if Thing was to change his pronoun to I.

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Speaker 6: Think he could, then he can just sign it and

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Speaker 6: we'll know, well, I.

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Speaker 2: Mean, cousin, it already changed its pronoun.

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Speaker 7: You're right, all right, what are we watching?

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Speaker 2: Sherry?

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00:18:52,280 --> 00:18:52,600
Speaker 7: Dudey.

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Speaker 13: If you've never seen Jerry Dootey, you're probably gonna want

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Speaker 13: to watch it after the interview today, tonight's the night though,

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Speaker 13: Ed Sheeran the Sum of It All on Disney Plus,

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Speaker 13: he's got his special it's tonight.

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Speaker 2: Uh huh, oh my god, I want to watch. I

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Speaker 2: know me too.

448
00:19:05,000 --> 00:19:05,600
Speaker 6: I'm so excited.

449
00:19:05,800 --> 00:19:10,639
Speaker 13: The Connors, the season finale, the Goldbergs, this series finale, guys,

450
00:19:11,000 --> 00:19:13,760
Speaker 13: the masd Singer, We've got the final four, Little Riverdale

451
00:19:13,800 --> 00:19:15,000
Speaker 13: and all your Chicago shows.

452
00:19:15,160 --> 00:19:16,320
Speaker 6: And that's my Danielle report.

453
00:19:16,560 --> 00:19:18,920
Speaker 2: Hey, so, how old is too old to have juicy

454
00:19:19,000 --> 00:19:19,879
Speaker 2: written on your ass?

455
00:19:20,240 --> 00:19:20,359
Speaker 4: Oh?

456
00:19:20,920 --> 00:19:22,120
Speaker 7: I don't think it ever expires.

457
00:19:22,200 --> 00:19:24,040
Speaker 2: I saw there's a you know what. I think she

458
00:19:24,160 --> 00:19:26,680
Speaker 2: did it on purpose because it was really cool. Actually,

459
00:19:27,040 --> 00:19:30,720
Speaker 2: this older woman, she was beautiful. She had sort of

460
00:19:30,800 --> 00:19:36,320
Speaker 2: grayish bluish bufonte hair, with these mother of pearl glasses,

461
00:19:36,600 --> 00:19:38,240
Speaker 2: with that neck chain.

462
00:19:38,720 --> 00:19:40,280
Speaker 7: Oh yes, so you don't lose them.

463
00:19:40,400 --> 00:19:45,560
Speaker 2: She was wearing her juicy sweatpants, her juicy jog joggers.

464
00:19:46,200 --> 00:19:49,200
Speaker 2: Is it juicy right on our butt? I'm like, god,

465
00:19:49,200 --> 00:19:51,200
Speaker 2: I want to go take a picture with her. Did

466
00:19:51,359 --> 00:19:54,320
Speaker 2: you no, I didn't. I'm trying to figure out if

467
00:19:54,359 --> 00:19:56,800
Speaker 2: she's doing it for the fun's sake or she's doing

468
00:19:56,840 --> 00:20:00,760
Speaker 2: it because she has no clue. Hmm hmm. Did you

469
00:20:00,840 --> 00:20:01,440
Speaker 2: ever have juicy?

470
00:20:01,920 --> 00:20:02,040
Speaker 17: Oh?

471
00:20:02,160 --> 00:20:04,080
Speaker 2: Yeah, but you didn't have juicy?

472
00:20:04,560 --> 00:20:05,040
Speaker 1: For sure.

473
00:20:06,280 --> 00:20:07,000
Speaker 2: I think it's great.

474
00:20:07,080 --> 00:20:08,040
Speaker 7: Yeah, it's back.

475
00:20:08,359 --> 00:20:10,320
Speaker 6: People still wear it in church. I'm like, you know,

476
00:20:10,359 --> 00:20:13,240
Speaker 6: I'm not social. Juicy on your button church is maybe appropriate.

477
00:20:13,320 --> 00:20:15,320
Speaker 2: I don't know which better than having like Jesus written

478
00:20:15,359 --> 00:20:15,480
Speaker 2: on it.

479
00:20:16,240 --> 00:20:18,719
Speaker 6: I guess yes, you're right.

480
00:20:19,840 --> 00:20:23,320
Speaker 2: I'm thinking let's get into some kind of something here.

481
00:20:23,359 --> 00:20:25,600
Speaker 2: What do you have? We played the feud yesterday and

482
00:20:25,720 --> 00:20:29,800
Speaker 2: that went swimmingly well, even despite my answers, what from you? Password?

483
00:20:30,520 --> 00:20:32,400
Speaker 2: You want to do password? I could do password?

484
00:20:33,400 --> 00:20:35,360
Speaker 7: Okay, okay, Audio game if you will.

485
00:20:35,480 --> 00:20:37,520
Speaker 2: Oh we have done an audio game in a long time.

486
00:20:37,800 --> 00:20:41,919
Speaker 7: Songs about vacation. Oh, we have one coming up.

487
00:20:42,680 --> 00:20:45,160
Speaker 2: We didn't break. Yeah, we have a vacation coming.

488
00:20:45,040 --> 00:20:46,080
Speaker 7: Up Elvistair and spring break.

489
00:20:46,119 --> 00:20:48,159
Speaker 6: He though, Oh that, yeah, vacation.

490
00:20:48,280 --> 00:20:51,040
Speaker 2: We're working that. Oh, but a lot of people will

491
00:20:51,080 --> 00:20:53,880
Speaker 2: be taking spring break vacations all the way. Okay, it's

492
00:20:54,160 --> 00:20:57,240
Speaker 2: if you know your songs about vacations it's ready to go.

493
00:20:57,920 --> 00:21:00,879
Speaker 2: Called Diamond now at one eight hundred two four to

494
00:21:00,920 --> 00:21:03,800
Speaker 2: two zero one hundred. Hey, Diamond, Hey, how are you

495
00:21:03,840 --> 00:21:07,399
Speaker 2: feeling in their girlfriend? I'm good, you know, that's it.

496
00:21:07,800 --> 00:21:11,720
Speaker 12: Yeah, you know, kind of tired, but the coffee's working.

497
00:21:12,000 --> 00:21:14,439
Speaker 2: So Yolo Diamond walks in this morning. He says, can

498
00:21:14,480 --> 00:21:16,440
Speaker 2: I do an interview with you real quick? Yeah? What

499
00:21:16,480 --> 00:21:18,800
Speaker 2: do you mean on video? Yeah? I want to ask

500
00:21:18,840 --> 00:21:20,440
Speaker 2: you what it was like the first time you went

501
00:21:20,520 --> 00:21:22,760
Speaker 2: on the air, and I want you to describe the

502
00:21:22,800 --> 00:21:27,000
Speaker 2: scene because you just had your first full solo run

503
00:21:27,160 --> 00:21:28,280
Speaker 2: run on air the other night.

504
00:21:28,440 --> 00:21:33,280
Speaker 12: Yes, and everyone has given me, you know, their stories,

505
00:21:33,480 --> 00:21:35,760
Speaker 12: and I'm like, why am I not recording this because

506
00:21:35,760 --> 00:21:38,160
Speaker 12: a lot of them are hilarious a lot.

507
00:21:38,800 --> 00:21:40,560
Speaker 2: Well, do you guys remember your first time you cracked?

508
00:21:40,760 --> 00:21:43,400
Speaker 7: Like absolutely, yeah, yeah, by myself for sure.

509
00:21:43,640 --> 00:21:43,800
Speaker 14: Yeah.

510
00:21:44,320 --> 00:21:44,920
Speaker 10: It was not good.

511
00:21:46,200 --> 00:21:46,880
Speaker 2: None of them were.

512
00:21:47,200 --> 00:21:48,240
Speaker 7: It hasn't gotten much better.

513
00:21:49,000 --> 00:21:52,639
Speaker 2: It's actually gone downhill. I don't remember the first time

514
00:21:52,680 --> 00:21:54,119
Speaker 2: I opened the mic because that was.

515
00:21:56,040 --> 00:21:59,919
Speaker 7: A long time ago before memory existed exactly.

516
00:22:00,040 --> 00:22:02,200
Speaker 2: Or we had memory. But I remember the first time

517
00:22:02,240 --> 00:22:04,920
Speaker 2: I was on the station Z one hundred, and I

518
00:22:05,160 --> 00:22:06,000
Speaker 2: was nervous.

519
00:22:06,280 --> 00:22:08,120
Speaker 7: Do you remember the song, the first song you played.

520
00:22:08,119 --> 00:22:10,359
Speaker 2: I remember, I remember the year the music. It was

521
00:22:10,400 --> 00:22:12,800
Speaker 2: like eighty eight, eighty nine, nineteen eighty eight, nineteen eighty

522
00:22:12,920 --> 00:22:16,960
Speaker 2: nine ish, so whatever like was big then it's like wow.

523
00:22:17,240 --> 00:22:19,200
Speaker 2: And it was Z one hundred, which was and still

524
00:22:19,359 --> 00:22:22,479
Speaker 2: is like the biggest of the big. And so someone said, here,

525
00:22:23,000 --> 00:22:25,160
Speaker 2: we're gonna let you drive it. Here's the keys. I'm like, whoa.

526
00:22:25,400 --> 00:22:27,879
Speaker 2: But they wouldn't let me run my own equipment. Steve

527
00:22:28,000 --> 00:22:29,880
Speaker 2: Kingston would not let me run my own board because

528
00:22:29,920 --> 00:22:32,320
Speaker 2: he knew I would f it up. I still do

529
00:22:32,520 --> 00:22:34,480
Speaker 2: to this day. I still don't know how to push

530
00:22:34,520 --> 00:22:34,960
Speaker 2: these buttons.

531
00:22:35,000 --> 00:22:35,680
Speaker 6: Yeh me neither.

532
00:22:35,880 --> 00:22:37,760
Speaker 7: You're consistent, Yes I am.

533
00:22:38,400 --> 00:22:40,000
Speaker 2: But he's like, come on, man, you're not gonna run

534
00:22:40,000 --> 00:22:44,879
Speaker 2: your own bord Z one hundred Okay, didn't trust me anyway.

535
00:22:45,040 --> 00:22:48,320
Speaker 2: So how was your first your first outing? Did you?

536
00:22:48,480 --> 00:22:49,879
Speaker 2: I mean, now you've had time to think about it.

537
00:22:49,960 --> 00:22:53,520
Speaker 12: Diamond, Yeah, it was horrific. No, I'm kidding.

538
00:22:53,760 --> 00:22:54,040
Speaker 1: It was.

539
00:22:56,240 --> 00:22:59,120
Speaker 12: Traumatizing, but not in a really really bad way. It's

540
00:22:59,160 --> 00:23:01,160
Speaker 12: something I'll never for get and it's something that will

541
00:23:01,240 --> 00:23:02,879
Speaker 12: keep me on my choes probably for the rest of

542
00:23:02,960 --> 00:23:03,280
Speaker 12: my life.

543
00:23:03,320 --> 00:23:06,919
Speaker 2: Okay, other than you're grading of your performance. Yeah, how

544
00:23:06,960 --> 00:23:09,399
Speaker 2: did you feel like internally? How was it.

545
00:23:11,560 --> 00:23:11,600
Speaker 12: Was?

546
00:23:11,680 --> 00:23:13,760
Speaker 2: It? Was it fun? Was it exhilarating?

547
00:23:13,880 --> 00:23:15,359
Speaker 7: It got fun toward the end.

548
00:23:15,480 --> 00:23:17,880
Speaker 12: I think I was overthinking it most of the most

549
00:23:17,920 --> 00:23:19,840
Speaker 12: of the time, so I was like shaking and stuff,

550
00:23:19,880 --> 00:23:22,919
Speaker 12: and I wasn't given myself enough grace to like feel

551
00:23:22,960 --> 00:23:25,480
Speaker 12: the moment at least until like the last hour, because

552
00:23:25,480 --> 00:23:27,040
Speaker 12: I knew that it was only like a half.

553
00:23:26,920 --> 00:23:29,879
Speaker 7: Hour, Like, okay, I was to rands up next body. Okay,

554
00:23:29,920 --> 00:23:32,359
Speaker 7: you know, I gotta say, having your first shift be

555
00:23:32,600 --> 00:23:34,880
Speaker 7: on Z one hundred is a big deal.

556
00:23:35,040 --> 00:23:38,359
Speaker 2: So yeah, brat, Yeah.

557
00:23:38,240 --> 00:23:38,720
Speaker 4: What the hell?

558
00:23:39,480 --> 00:23:42,720
Speaker 12: It's very nerve wracking, especially because the show comes on

559
00:23:42,880 --> 00:23:45,040
Speaker 12: right after, right, so like it's a lead in and

560
00:23:45,119 --> 00:23:49,760
Speaker 12: I have to like actually try to sound professional at.

561
00:23:49,720 --> 00:23:51,560
Speaker 2: Least we know, but with you leading into our show,

562
00:23:51,640 --> 00:23:52,959
Speaker 2: we had a clean slate, no listeners.

563
00:23:55,640 --> 00:23:57,919
Speaker 12: Hopefully nobody heard that mess up.

564
00:23:58,280 --> 00:24:01,679
Speaker 2: We started it with zero basis all right, So if

565
00:24:01,760 --> 00:24:05,679
Speaker 2: you know your vacation songs called diamond now one eight

566
00:24:05,800 --> 00:24:10,040
Speaker 2: hundred two four to two zero one hundred, let's go.

567
00:24:11,720 --> 00:24:13,720
Speaker 2: We should take a break before things get out ahead.

568
00:24:13,720 --> 00:24:14,440
Speaker 2: We'll be back after this.

569
00:24:14,880 --> 00:24:17,879
Speaker 3: His voice is instantly recognizable.

570
00:24:17,600 --> 00:24:20,320
Speaker 2: Mister ran in the Morning show. Hey it's Elvis. The

571
00:24:20,400 --> 00:24:24,520
Speaker 2: brand new Galaxy S twenty three Ultra is finally here.

572
00:24:25,040 --> 00:24:28,439
Speaker 2: Capture wow worthy content day or night with the highest

573
00:24:28,560 --> 00:24:32,240
Speaker 2: camera resolution on a smartphone. Take advantage of amazing carrier

574
00:24:32,320 --> 00:24:36,040
Speaker 2: offers now at Samsung dot com. Exciting Where to put

575
00:24:36,080 --> 00:24:39,200
Speaker 2: the barbecue that's arriving? Oh, we have barbecue arriving. Yes,

576
00:24:40,280 --> 00:24:42,600
Speaker 2: I if we have guests. We have Charlie Pooth coming up.

577
00:24:43,320 --> 00:24:46,240
Speaker 2: We have our friend Ronald, our new friend Ronald who's

578
00:24:46,480 --> 00:24:49,439
Speaker 2: the star of the breakout Super hit Jury Duty coming up.

579
00:24:49,880 --> 00:24:51,679
Speaker 2: But we're worried about where the ribs are gonna land.

580
00:24:51,720 --> 00:24:53,800
Speaker 5: Well, it's an important thing because you know, we have

581
00:24:53,880 --> 00:24:55,959
Speaker 5: an area right here which is where we're gonna put

582
00:24:55,960 --> 00:24:58,600
Speaker 5: the food initially, and then when our guests get close

583
00:24:58,640 --> 00:25:00,440
Speaker 5: to arriving, we're gonna move it because we don't want

584
00:25:00,480 --> 00:25:03,000
Speaker 5: all the raccoons scavenging our No.

585
00:25:03,000 --> 00:25:05,640
Speaker 2: If it's okay, I like the raccoons. It adds energy

586
00:25:05,720 --> 00:25:07,679
Speaker 2: to the area. Raccoons, by the way, those are our

587
00:25:07,760 --> 00:25:09,959
Speaker 2: neighboring Collie right.

588
00:25:10,040 --> 00:25:11,840
Speaker 7: We fed them once and they've continued to come back.

589
00:25:11,880 --> 00:25:12,080
Speaker 8: They do.

590
00:25:12,160 --> 00:25:13,480
Speaker 5: They come back and that's fine. Don't you like the

591
00:25:13,600 --> 00:25:15,840
Speaker 5: energy movement? People move and I like us to have

592
00:25:16,119 --> 00:25:19,280
Speaker 5: our initial chance to eat the food.

593
00:25:19,359 --> 00:25:20,040
Speaker 2: Right, all right?

594
00:25:20,720 --> 00:25:22,760
Speaker 7: Could we get we should maybe invest in like velvet

595
00:25:22,920 --> 00:25:25,280
Speaker 7: ropes so that they know when a guest is here

596
00:25:25,400 --> 00:25:26,920
Speaker 7: not to cross that velvet rope.

597
00:25:27,680 --> 00:25:29,080
Speaker 2: No, we can't guess are here.

598
00:25:29,240 --> 00:25:31,080
Speaker 7: We can't do that reputation.

599
00:25:31,240 --> 00:25:34,480
Speaker 2: We're going to have look at those a hole? What scary?

600
00:25:34,600 --> 00:25:37,640
Speaker 14: Remember what happened last time someone made the executive decision

601
00:25:37,760 --> 00:25:41,199
Speaker 14: to put the food in the big kitchen and then

602
00:25:41,240 --> 00:25:43,080
Speaker 14: all of a sudden, all the raccoons jumped on it

603
00:25:43,119 --> 00:25:43,719
Speaker 14: before we did.

604
00:25:43,760 --> 00:25:45,040
Speaker 2: We didn't get any of our own food.

605
00:25:45,680 --> 00:25:48,239
Speaker 13: All right, And if we have velvet ropes, scary, we'll

606
00:25:48,280 --> 00:25:49,359
Speaker 13: never get into the studio.

607
00:25:51,119 --> 00:25:56,200
Speaker 2: Where's the list of guests? You know it's true Scary

608
00:25:56,240 --> 00:25:57,080
Speaker 2: loves velvet ropes.

609
00:25:57,119 --> 00:25:57,440
Speaker 4: He does.

610
00:25:57,960 --> 00:26:00,399
Speaker 2: Thanks to the Mercedes Beens Interview Lounge, you're hearing Charlie

611
00:26:00,400 --> 00:26:04,120
Speaker 2: Pooth today, Ronald Gladden from Jury Duty is on his way.

612
00:26:04,520 --> 00:26:05,959
Speaker 2: We're so excited to meet him.

613
00:26:06,560 --> 00:26:06,920
Speaker 4: He is.

614
00:26:07,119 --> 00:26:09,840
Speaker 2: You know, I actually started and I never do this ever.

615
00:26:10,640 --> 00:26:13,560
Speaker 2: I started watching Jury Duty for the second time ollow

616
00:26:13,880 --> 00:26:17,960
Speaker 2: night last night because I really enjoy it that much. Tomorrow,

617
00:26:18,119 --> 00:26:22,199
Speaker 2: Chris Pratt and Kim Petris will be on, and if

618
00:26:22,240 --> 00:26:25,240
Speaker 2: Friday ed Shearon is on. He's on Friday. Yeah, okay,

619
00:26:25,320 --> 00:26:28,800
Speaker 2: good good. We want ed to know he's loved and

620
00:26:28,840 --> 00:26:31,320
Speaker 2: he always has a home here with us. The Mercedes

621
00:26:31,359 --> 00:26:34,280
Speaker 2: Benz Interview Lounge. You can go to elvistran dot com

622
00:26:34,359 --> 00:26:38,560
Speaker 2: slash Mercedes and see all of our interviews. Let's say

623
00:26:38,600 --> 00:26:39,560
Speaker 2: good morning to Taylor.

624
00:26:39,680 --> 00:26:43,560
Speaker 9: Hi, Taylor, Hi Elvis, good morning, Well, good morning.

625
00:26:44,320 --> 00:26:46,360
Speaker 2: Do you know your vacation songs?

626
00:26:47,320 --> 00:26:49,080
Speaker 8: I sure hope so I think I do.

627
00:26:49,480 --> 00:26:52,119
Speaker 2: Well, See what's very fitting with Taylor. She's actually driving

628
00:26:52,200 --> 00:26:54,000
Speaker 2: to her mom and dad's house to drop her dog

629
00:26:54,160 --> 00:26:57,040
Speaker 2: off with them so she can enjoy her birthday week.

630
00:26:57,200 --> 00:27:02,160
Speaker 2: So you're going on vacation, not really.

631
00:27:02,359 --> 00:27:04,560
Speaker 8: Just spending some time with my friends this weekend.

632
00:27:04,600 --> 00:27:06,200
Speaker 9: And my my parents love my dog.

633
00:27:06,400 --> 00:27:10,879
Speaker 2: Okay them. See I'd rather be with my dog and

634
00:27:11,000 --> 00:27:14,879
Speaker 2: my friends. Hey, no offense to my friends, all right, Taylor.

635
00:27:15,000 --> 00:27:19,000
Speaker 2: Now these are songs that have to do with I

636
00:27:19,080 --> 00:27:21,359
Speaker 2: guess places you go on vacation.

637
00:27:21,720 --> 00:27:24,240
Speaker 7: It could be places, It could be about a road trip,

638
00:27:24,359 --> 00:27:27,119
Speaker 7: it could be distances. Maybe I don't know.

639
00:27:27,400 --> 00:27:29,840
Speaker 2: Okay, let's see all music that has to do with

640
00:27:30,040 --> 00:27:31,960
Speaker 2: all things vacation and travel.

641
00:27:32,080 --> 00:27:32,359
Speaker 7: Travel.

642
00:27:32,440 --> 00:27:34,399
Speaker 2: Here we go song number one, the best for You

643
00:27:35,000 --> 00:27:39,760
Speaker 2: in the City of six mm hmm, California Love. That's right,

644
00:27:42,800 --> 00:27:48,040
Speaker 2: what a great place to vacation. Great song? Load that upon?

645
00:27:48,119 --> 00:27:52,600
Speaker 2: All right, you got one? You got one? All right?

646
00:27:52,640 --> 00:27:56,159
Speaker 2: Here we go more. Let's see more vacation songs. How

647
00:27:56,200 --> 00:28:05,080
Speaker 2: about this one, Havana nights?

648
00:28:05,200 --> 00:28:07,400
Speaker 8: Right? Is that what's called havana?

649
00:28:08,480 --> 00:28:11,200
Speaker 2: Okay, that works, doesn't it. It's called havana. Give me

650
00:28:11,280 --> 00:28:20,760
Speaker 2: a havana. Do you think they said we have havana

651
00:28:20,840 --> 00:28:22,800
Speaker 2: the word, but we need something a word after it.

652
00:28:23,160 --> 00:28:26,520
Speaker 2: I got one? Yes, Oh, I hear the dog.

653
00:28:28,119 --> 00:28:30,200
Speaker 8: That's yes, that's Paisley.

654
00:28:30,119 --> 00:28:32,720
Speaker 2: Hi, Paisley. All right, so you've got to so far.

655
00:28:33,760 --> 00:28:35,480
Speaker 2: Here we go another vacation.

656
00:28:35,320 --> 00:28:46,240
Speaker 8: Song, one more time. I think I know what it is.

657
00:28:46,320 --> 00:28:47,960
Speaker 2: I know I don't want to, but I will for

658
00:28:48,080 --> 00:28:49,040
Speaker 2: you because I like you. Hold on?

659
00:28:55,400 --> 00:28:56,200
Speaker 8: Is that cocono?

660
00:28:56,720 --> 00:29:08,920
Speaker 2: Yeah? No, do not put that in. You're doing really well.

661
00:29:09,000 --> 00:29:17,840
Speaker 2: You have three for three all vacation songs. What's that?

662
00:29:19,200 --> 00:29:21,120
Speaker 8: That's celebrate? That's what to me?

663
00:29:23,160 --> 00:29:25,800
Speaker 2: That's a word that's in the song. The song is

664
00:29:25,880 --> 00:29:37,880
Speaker 2: actually called holiday. Yeah, so you heard the word celebrate,

665
00:29:37,880 --> 00:29:40,280
Speaker 2: all right, so you have three out of four, so

666
00:29:40,360 --> 00:29:43,520
Speaker 2: you do it really well? Actually tell youlor god. You know,

667
00:29:43,600 --> 00:29:45,600
Speaker 2: listening to this music makes me want to go on vacation.

668
00:29:46,240 --> 00:29:48,000
Speaker 2: We just got back from it. You know, I haven't

669
00:29:48,000 --> 00:29:51,959
Speaker 2: even unpacked my bag from our last vacation. Really really

670
00:29:52,240 --> 00:29:54,200
Speaker 2: really how long ago.

671
00:29:54,200 --> 00:29:58,560
Speaker 7: Was that middle of April? So at least two weeks?

672
00:29:58,760 --> 00:30:01,000
Speaker 6: Can you you just use that Miami next week?

673
00:30:01,040 --> 00:30:04,280
Speaker 2: And yeah, yeah, Miami, it's it's same temperature. All right,

674
00:30:04,320 --> 00:30:05,520
Speaker 2: you're doing well? How about this one?

675
00:30:09,320 --> 00:30:10,120
Speaker 8: A thousand miles?

676
00:30:10,280 --> 00:30:18,360
Speaker 2: Yeah, I don't want to go on that vacation. What

677
00:30:18,440 --> 00:30:22,000
Speaker 2: do you vacation? I walked a thousand miles? All right?

678
00:30:22,040 --> 00:30:28,800
Speaker 2: How about this one? A great place for vacation? Where

679
00:30:28,880 --> 00:30:29,000
Speaker 2: is that?

680
00:30:30,280 --> 00:30:33,360
Speaker 8: Every time we go out with my friends, we play

681
00:30:33,400 --> 00:30:35,560
Speaker 8: this song just to make people mad Africa.

682
00:30:35,320 --> 00:30:36,760
Speaker 2: Yea make people mad?

683
00:30:43,120 --> 00:30:43,280
Speaker 1: Yeah?

684
00:30:43,280 --> 00:30:44,520
Speaker 2: Why does it make your friends mad?

685
00:30:45,600 --> 00:30:48,400
Speaker 8: Well, not our friends. When we go out, we love

686
00:30:48,480 --> 00:30:50,880
Speaker 8: that song, so we play it multiple times in a

687
00:30:50,960 --> 00:30:52,920
Speaker 8: row and we get everybody else mad. We just like

688
00:30:53,000 --> 00:30:53,600
Speaker 8: to stink to it.

689
00:30:53,720 --> 00:30:56,000
Speaker 2: It's just irritating, but it is a great place to

690
00:30:56,080 --> 00:30:58,200
Speaker 2: vacation here. Let me make it a little more difficult

691
00:30:58,240 --> 00:30:58,440
Speaker 2: for you.

692
00:30:59,760 --> 00:31:04,040
Speaker 14: Hey, just might let's meet k shotsounds, three rows, moving

693
00:31:04,080 --> 00:31:04,600
Speaker 14: the next.

694
00:31:05,000 --> 00:31:05,840
Speaker 2: K where's that?

695
00:31:08,280 --> 00:31:09,000
Speaker 6: I know the song?

696
00:31:12,080 --> 00:31:12,280
Speaker 3: Oh?

697
00:31:13,440 --> 00:31:14,000
Speaker 14: I know that.

698
00:31:15,560 --> 00:31:24,960
Speaker 2: Jay Z Kanye. They're in Paris. Here you go. Now

699
00:31:25,040 --> 00:31:27,320
Speaker 2: when you go to the airport anywhere?

700
00:31:27,800 --> 00:31:28,200
Speaker 14: Please?

701
00:31:32,000 --> 00:31:32,600
Speaker 3: What do you do?

702
00:31:34,160 --> 00:31:34,320
Speaker 14: Why?

703
00:31:34,400 --> 00:31:38,640
Speaker 8: Away to get Away.

704
00:31:40,200 --> 00:31:40,320
Speaker 14: Fly?

705
00:31:42,320 --> 00:31:46,680
Speaker 2: What a great song? We have like forty five of these.

706
00:31:47,200 --> 00:31:50,440
Speaker 2: I mean she's got the majority. Right, all right, we're

707
00:31:50,440 --> 00:31:53,760
Speaker 2: gonna give you two more. Here we go. There's not

708
00:31:54,040 --> 00:31:55,479
Speaker 2: much time today.

709
00:31:59,160 --> 00:32:00,560
Speaker 8: Life is a high h.

710
00:32:02,920 --> 00:32:03,200
Speaker 2: What's that?

711
00:32:03,840 --> 00:32:05,239
Speaker 7: I thought that one would throw people off.

712
00:32:05,360 --> 00:32:09,959
Speaker 2: No, she's good. We got a ringer. I'm gonna give

713
00:32:09,960 --> 00:32:12,239
Speaker 2: you one more. Get this right, and you went it all?

714
00:32:14,320 --> 00:32:19,000
Speaker 8: Come pig, you'll be my American.

715
00:32:22,960 --> 00:32:25,920
Speaker 2: You did really well? Yeah she did. I mean we

716
00:32:26,080 --> 00:32:28,840
Speaker 2: have to agree, yes, Taylor with your hands, she killed it.

717
00:32:29,120 --> 00:32:29,360
Speaker 2: I know.

718
00:32:29,720 --> 00:32:30,080
Speaker 13: Very good.

719
00:32:30,840 --> 00:32:33,880
Speaker 2: Next, so you just won something really fun. What's she win?

720
00:32:34,160 --> 00:32:34,320
Speaker 1: Oh?

721
00:32:34,560 --> 00:32:36,080
Speaker 5: Well, thanks for our friends at Wendy. She's got a

722
00:32:36,120 --> 00:32:38,280
Speaker 5: two hundred and fifty dollars cash gift card and a

723
00:32:38,400 --> 00:32:42,000
Speaker 5: fifty dollars Wendy's gift card. Because the Windows three dollars

724
00:32:42,000 --> 00:32:44,240
Speaker 5: breakfast deal is the deal that'll help you deal with

725
00:32:44,400 --> 00:32:44,960
Speaker 5: your morning.

726
00:32:45,080 --> 00:32:46,680
Speaker 2: So you have fifty dollars to spend at Wendy's and

727
00:32:46,720 --> 00:32:48,640
Speaker 2: two hundred and fifty dollars to spend it anyway you want.

728
00:32:48,880 --> 00:32:52,640
Speaker 2: Taylor have a wonderful birthday week without Paisley if if

729
00:32:52,680 --> 00:32:55,120
Speaker 2: Paisley needs to come visit me. Paisley has a home.

730
00:32:55,200 --> 00:32:58,240
Speaker 8: Okay, all right, thank you guys, All.

731
00:32:58,200 --> 00:33:00,280
Speaker 2: Right, thank you. Hold on one second. You can choose

732
00:33:00,280 --> 00:33:02,680
Speaker 2: either the bacon, egg and swiss croistant or the sausage,

733
00:33:02,720 --> 00:33:05,800
Speaker 2: egg and cheese croissant sandwich with a small seasoned potatoes.

734
00:33:06,000 --> 00:33:10,120
Speaker 2: There's three dollars Wendy's. We love you people used to

735
00:33:10,160 --> 00:33:12,640
Speaker 2: be why I hate Kocomo. I just always thought that

736
00:33:12,760 --> 00:33:14,080
Speaker 2: song was like booood.

737
00:33:16,280 --> 00:33:17,720
Speaker 9: That was the Beach Boys come back.

738
00:33:17,920 --> 00:33:23,560
Speaker 2: Yeah, maybe that's why I hate it. We're running really late.

739
00:33:24,520 --> 00:33:26,560
Speaker 2: You should see the face on Nate isn't You can't

740
00:33:26,560 --> 00:33:29,960
Speaker 2: play this. We don't have time for this. It was though, Okay,

741
00:33:30,040 --> 00:33:34,640
Speaker 2: all right, yay, cower back Hucci.

742
00:33:34,560 --> 00:33:35,600
Speaker 7: Yeah, we don't use it enoughing.

743
00:33:35,800 --> 00:33:37,240
Speaker 2: We don't use the word hoochi enough. What do you

744
00:33:37,240 --> 00:33:43,400
Speaker 2: think Daniell Hucci for? Allright? Wow, so I do believe? Uh,

745
00:33:44,560 --> 00:33:47,320
Speaker 2: where's my list of guests. I just it's it should

746
00:33:47,320 --> 00:33:50,280
Speaker 2: always be here, shouldn't it. Ronald Gladen's gonna be here

747
00:33:50,280 --> 00:33:52,520
Speaker 2: in a minute. The whole place smells like Virgil's barbecue,

748
00:33:52,520 --> 00:33:53,160
Speaker 2: smells awesome.

749
00:33:53,480 --> 00:33:54,080
Speaker 7: That's welcoming.

750
00:33:54,440 --> 00:33:54,640
Speaker 14: It is.

751
00:33:54,680 --> 00:33:57,080
Speaker 2: It's a very smoky welcome. And then Charlie Pooth coming

752
00:33:57,080 --> 00:34:00,000
Speaker 2: in later, Chris Pratt, Cam Petres on the show tomorrow,

753
00:34:00,000 --> 00:34:02,200
Speaker 2: Borrow and Ed Sheeran on Friday.

754
00:34:02,320 --> 00:34:04,000
Speaker 6: What a crazy week, A great week.

755
00:34:04,120 --> 00:34:05,440
Speaker 2: Let's get into the three things we need to know

756
00:34:05,520 --> 00:34:07,360
Speaker 2: from Gandhi and we move on with today. What's going

757
00:34:07,400 --> 00:34:07,880
Speaker 2: on Gandhi?

758
00:34:08,120 --> 00:34:11,200
Speaker 7: A day's long manhunt for a suspect accused of killing

759
00:34:11,280 --> 00:34:14,560
Speaker 7: five people in Texas is over. The suspect was taken

760
00:34:14,600 --> 00:34:17,000
Speaker 7: into custody Tuesday in the city of cut and Shoot

761
00:34:17,080 --> 00:34:20,160
Speaker 7: after the FBI received a tip. Authorities say he was

762
00:34:20,239 --> 00:34:24,320
Speaker 7: found uninjured hiding under laundry in a closet. He's accused

763
00:34:24,320 --> 00:34:27,000
Speaker 7: of fatally shooting his neighbors with an AR fifteen rifle

764
00:34:27,120 --> 00:34:29,600
Speaker 7: execution style after they asked him not to fire his

765
00:34:29,719 --> 00:34:32,440
Speaker 7: gun in the front yard late Friday night. He's being

766
00:34:32,520 --> 00:34:34,640
Speaker 7: held on five million dollars bond and is set to

767
00:34:34,719 --> 00:34:38,320
Speaker 7: be charged with five counts of murder. A Michigan school

768
00:34:38,360 --> 00:34:42,040
Speaker 7: district is banning all backpacks, even clear plastic ones, over

769
00:34:42,120 --> 00:34:46,200
Speaker 7: concerns of firearms and threats. The Flint Community School's Board

770
00:34:46,239 --> 00:34:49,040
Speaker 7: of Education adopted that ban at its meeting last Tuesday.

771
00:34:49,760 --> 00:34:51,839
Speaker 7: The ban will remain until the end of the school year.

772
00:34:52,080 --> 00:34:55,200
Speaker 7: Flint school officials acknowledged the band does not entirely resolve

773
00:34:55,239 --> 00:34:58,719
Speaker 7: the issue, but say it's a start. And finally, we

774
00:34:58,920 --> 00:35:00,960
Speaker 7: have talked about this so many, many times, but now

775
00:35:01,120 --> 00:35:04,600
Speaker 7: the US Surgeon General is officially warning that loneliness in

776
00:35:04,680 --> 00:35:08,120
Speaker 7: the US poses health risks as deadly as smoking up

777
00:35:08,160 --> 00:35:09,960
Speaker 7: to fifteen cigarettes daily.

778
00:35:10,239 --> 00:35:14,719
Speaker 2: Wow, loneliness equals fifteen cigarettes.

779
00:35:14,360 --> 00:35:17,719
Speaker 7: Daily, fifteen cigarettes a day if you are lonely. It's

780
00:35:17,760 --> 00:35:21,439
Speaker 7: costing the health industry billions of dollars annually. About half

781
00:35:21,520 --> 00:35:24,800
Speaker 7: of US adults say they've experienced loneliness, and according to

782
00:35:24,880 --> 00:35:27,440
Speaker 7: doctor Murthy, it's a feeling the body sends us when

783
00:35:27,520 --> 00:35:30,680
Speaker 7: something we need for survival is missing. He went on

784
00:35:30,760 --> 00:35:32,920
Speaker 7: to say millions of people in America are struggling in

785
00:35:32,960 --> 00:35:35,440
Speaker 7: the shadows and it's just not right. The declaration is

786
00:35:35,480 --> 00:35:38,840
Speaker 7: intended to raise awareness around loneliness, but won't unlock federal

787
00:35:38,880 --> 00:35:42,279
Speaker 7: funding or programming devoted to combating the issue. So we

788
00:35:42,320 --> 00:35:44,400
Speaker 7: should all pay a little more attention to everybody around us,

789
00:35:44,600 --> 00:35:45,480
Speaker 7: and those are your three.

790
00:35:45,320 --> 00:35:47,120
Speaker 2: Things, a lot more attention, and pay more attention to

791
00:35:47,160 --> 00:35:49,439
Speaker 2: yourself as well. You may be lonely, not even knowing

792
00:35:49,480 --> 00:35:53,040
Speaker 2: you're lonely. H it's more complicated than we think. Oh,

793
00:35:53,120 --> 00:35:55,239
Speaker 2: it's just lonely. No, it's more to it than that.

794
00:35:55,840 --> 00:35:58,120
Speaker 2: So thank you. That's a great story. Your phone tab

795
00:35:58,160 --> 00:36:01,200
Speaker 2: coming up next from.

796
00:36:00,160 --> 00:36:02,040
Speaker 3: The Mercedes Benz and Interview Lounge.

797
00:36:02,320 --> 00:36:04,080
Speaker 2: There's so many moving parts when it comes to a

798
00:36:04,160 --> 00:36:05,160
Speaker 2: Jonas Brothers concert.

799
00:36:05,320 --> 00:36:06,960
Speaker 7: We had a listener call us and tell us that

800
00:36:06,960 --> 00:36:09,279
Speaker 7: they almost tripped you, specifically Joe while you are on

801
00:36:09,400 --> 00:36:10,480
Speaker 7: stage by accident.

802
00:36:10,640 --> 00:36:13,239
Speaker 2: Yes, I do remember this, and whoever you are, I

803
00:36:13,360 --> 00:36:18,200
Speaker 2: will find you. Technology ahead of its time, superb handling

804
00:36:18,480 --> 00:36:21,439
Speaker 2: seating for up to seven sometimes exceptional is the rule.

805
00:36:21,640 --> 00:36:25,640
Speaker 2: The Mercedes Benz GLB member of the unrivaled SUV Family.

806
00:36:26,040 --> 00:36:28,120
Speaker 2: Learn more at MBUSA dot com.

807
00:36:28,400 --> 00:36:32,440
Speaker 14: Elvis Duran in the Morning Show, Elvis Elvis d Elvis

808
00:36:32,560 --> 00:36:33,560
Speaker 14: Duran phone.

809
00:36:33,400 --> 00:36:36,320
Speaker 2: Tap All right, Garrett, All right, Garrett's here with his

810
00:36:36,600 --> 00:36:39,120
Speaker 2: phone tap. I want to see what you've brought into us. Okay.

811
00:36:39,239 --> 00:36:41,520
Speaker 2: It's like sometimes you open your front door and the

812
00:36:41,640 --> 00:36:43,839
Speaker 2: dog has brought you like a dead rat. Oh yeah,

813
00:36:44,040 --> 00:36:46,520
Speaker 2: or the cat has brought you a dead bird. They

814
00:36:46,600 --> 00:36:48,520
Speaker 2: present a great presence. Well, they do it because they

815
00:36:48,600 --> 00:36:51,640
Speaker 2: love you. Let's see what dead animal Garrett is going

816
00:36:51,640 --> 00:36:53,120
Speaker 2: to leave on our doorstep. Let's see how much I

817
00:36:53,160 --> 00:36:55,560
Speaker 2: love you today. I really have pumped this one out.

818
00:36:55,920 --> 00:36:57,759
Speaker 2: What's your phone tap all about? All right, so Kira

819
00:36:57,840 --> 00:36:59,520
Speaker 2: wants to play a phone tap on her dad and Malik.

820
00:36:59,560 --> 00:37:02,120
Speaker 2: So Kyra's started driving, and Dad has been worried about

821
00:37:02,120 --> 00:37:03,839
Speaker 2: his daughter's driving ability since day one.

822
00:37:03,960 --> 00:37:06,160
Speaker 14: Right, So Kyra's going to start to call the dad thing.

823
00:37:06,280 --> 00:37:08,200
Speaker 14: She got into a little car accident. I just so

824
00:37:08,320 --> 00:37:10,640
Speaker 14: happened to be the other driver of the accident.

825
00:37:11,440 --> 00:37:15,799
Speaker 2: Oh boy. Okay, So let's see what happens in today's phoneto. Hello, Dad,

826
00:37:16,760 --> 00:37:18,360
Speaker 2: I gotten to a car accident.

827
00:37:21,120 --> 00:37:22,920
Speaker 8: No, I didn't call the cop doesn't know what to do.

828
00:37:23,040 --> 00:37:25,600
Speaker 3: Some guy hit me and I don't know.

829
00:37:25,760 --> 00:37:31,279
Speaker 8: I talked to him, and now he's saying, well, I'm

830
00:37:31,320 --> 00:37:33,360
Speaker 8: on the side of the road, there's no street signs.

831
00:37:33,400 --> 00:37:36,640
Speaker 8: I don't even know how I don't know.

832
00:37:36,800 --> 00:37:41,239
Speaker 3: There's no street signs, and there's trees and there's no sign.

833
00:37:41,320 --> 00:37:43,000
Speaker 7: There's like a stop sign, but there's.

834
00:37:42,800 --> 00:37:43,439
Speaker 2: No street sign.

835
00:37:43,440 --> 00:37:45,719
Speaker 14: I don't know. Worry, yeah, yeah, yeah, I'm getting out

836
00:37:45,719 --> 00:37:47,600
Speaker 14: of here. I so you're gonna fix this or no?

837
00:37:48,480 --> 00:37:50,279
Speaker 8: What I want right now?

838
00:37:50,280 --> 00:37:51,080
Speaker 9: I want to pink him.

839
00:37:51,920 --> 00:37:54,800
Speaker 8: Excuse me, sir. My dad's on the phone and he

840
00:37:54,920 --> 00:37:55,800
Speaker 8: wants to talk to you.

841
00:37:56,080 --> 00:38:03,960
Speaker 14: I yeah, hello, who is this? I'm a father, yo, yo, yo, listen, listen.

842
00:38:04,120 --> 00:38:06,920
Speaker 14: Your daughter was in my way. I was, I was

843
00:38:07,000 --> 00:38:08,120
Speaker 14: coming down the road.

844
00:38:11,000 --> 00:38:12,560
Speaker 2: You you yo.

845
00:38:12,840 --> 00:38:15,439
Speaker 14: So here's a story. I was driving in my eighty

846
00:38:15,520 --> 00:38:18,319
Speaker 14: nine Toyota Corolla. I got hit up. My my push

847
00:38:18,400 --> 00:38:21,480
Speaker 14: notification went off. I scrolled over to see who it was,

848
00:38:21,880 --> 00:38:29,239
Speaker 14: and next thing I know, I side swiped your daughter's car. Okay, okay, no, no, no,

849
00:38:29,360 --> 00:38:29,719
Speaker 14: no no, no.

850
00:38:30,040 --> 00:38:31,640
Speaker 2: Not about that life. Not about that life.

851
00:38:31,719 --> 00:38:33,759
Speaker 9: But why not about that life?

852
00:38:33,920 --> 00:38:34,759
Speaker 14: You gotta corner cop.

853
00:38:36,040 --> 00:38:36,960
Speaker 8: You can do for me right now.

854
00:38:37,040 --> 00:38:38,520
Speaker 14: Take your entrance. What just doing that?

855
00:38:39,080 --> 00:38:40,840
Speaker 2: I want to I want the insurance right now. I

856
00:38:40,960 --> 00:38:42,120
Speaker 2: got no insurance.

857
00:38:45,080 --> 00:38:45,760
Speaker 9: You have no insurance.

858
00:38:45,840 --> 00:38:48,520
Speaker 2: I've been driving for twenty plus years with no insurance.

859
00:38:48,719 --> 00:38:48,759
Speaker 3: Me.

860
00:38:50,600 --> 00:38:51,759
Speaker 4: You better give your answers.

861
00:38:51,960 --> 00:38:55,600
Speaker 2: Let's you how am I supposed to fix this? Am

862
00:38:55,640 --> 00:38:56,800
Speaker 2: I supposed to be struggling with that?

863
00:38:56,920 --> 00:38:57,440
Speaker 6: Cor ancients?

864
00:38:57,920 --> 00:38:58,400
Speaker 8: The hell are you?

865
00:38:58,480 --> 00:39:00,600
Speaker 2: Man? Yo, I'm gonna be laid for because of this.

866
00:39:00,800 --> 00:39:03,480
Speaker 2: I don't I don't care, man, I don't care.

867
00:39:05,520 --> 00:39:06,560
Speaker 10: Come telling them.

868
00:39:08,920 --> 00:39:10,000
Speaker 8: Daddy's getting in his car?

869
00:39:10,120 --> 00:39:10,800
Speaker 3: Or do I do what?

870
00:39:11,440 --> 00:39:11,759
Speaker 8: I don't know?

871
00:39:11,800 --> 00:39:12,480
Speaker 14: What's jettish?

872
00:39:14,680 --> 00:39:20,520
Speaker 8: He doesn't have a license plate number. Do not let

873
00:39:20,600 --> 00:39:21,840
Speaker 8: an he's leaving?

874
00:39:21,920 --> 00:39:22,480
Speaker 14: What I do?

875
00:39:23,360 --> 00:39:24,839
Speaker 8: You want me to see it in front of his car?

876
00:39:25,560 --> 00:39:25,759
Speaker 5: Yes?

877
00:39:28,520 --> 00:39:28,840
Speaker 9: Coming?

878
00:39:30,000 --> 00:39:30,160
Speaker 10: Yeah?

879
00:39:30,400 --> 00:39:35,239
Speaker 14: Yeah? No, No, my name is actually Garret from Elvis

880
00:39:35,320 --> 00:39:38,120
Speaker 14: Durant in the Morning Show. And you just got phone tapped.

881
00:39:40,160 --> 00:39:40,960
Speaker 2: You'll kill you.

882
00:39:41,719 --> 00:39:46,440
Speaker 8: Gosh, you'll get in the car. Why did it? Because

883
00:39:46,440 --> 00:39:47,720
Speaker 8: I wanted to play son?

884
00:39:48,640 --> 00:39:51,240
Speaker 2: Oh Jesus Chris Wow.

885
00:39:54,960 --> 00:39:57,600
Speaker 9: Three recorded permission granted by all participants.

886
00:39:59,440 --> 00:40:02,439
Speaker 2: Pelotap in the morning.

887
00:40:02,480 --> 00:40:02,680
Speaker 14: Shit.

888
00:40:03,800 --> 00:40:05,480
Speaker 2: You know a lot of a lot of office buildings

889
00:40:05,480 --> 00:40:09,920
Speaker 2: in New York City have no smoking areas. But does

890
00:40:10,000 --> 00:40:13,560
Speaker 2: barbecue smoke count? No, not at all. Glenn Rolnick of

891
00:40:13,600 --> 00:40:17,640
Speaker 2: course from car Mines and from Virgils. Let's talk about Virgils. Today.

892
00:40:17,800 --> 00:40:21,480
Speaker 2: We're celebrating National Barbecue Month. Thank you for bringing in

893
00:40:22,080 --> 00:40:25,799
Speaker 2: the smokiest, most wonderful barbecue our pleasure. Did you see

894
00:40:25,800 --> 00:40:27,920
Speaker 2: all the foods that they brought in? I know, I

895
00:40:28,000 --> 00:40:29,920
Speaker 2: know you're in a little in a little comba over there,

896
00:40:29,960 --> 00:40:33,160
Speaker 2: and it was okay. So Glenn even took it to

897
00:40:33,200 --> 00:40:35,520
Speaker 2: the next level. He brought in wings, He brought in ribs,

898
00:40:35,560 --> 00:40:37,560
Speaker 2: and he brought me gloves to eat them with, because

899
00:40:37,560 --> 00:40:39,560
Speaker 2: I don't like to I don't like to use my

900
00:40:39,719 --> 00:40:42,080
Speaker 2: bare hands to eat wings, even though I love wing. Yeah,

901
00:40:42,080 --> 00:40:44,080
Speaker 2: see back on the farm, we put on those gloves

902
00:40:44,160 --> 00:40:45,920
Speaker 2: before we went to check the horse, if you know

903
00:40:45,960 --> 00:40:50,200
Speaker 2: what I'm saying. And then you eat, sometimes you remember

904
00:40:50,239 --> 00:40:53,560
Speaker 2: to take off the clubs. So of course Virgils, you

905
00:40:53,640 --> 00:40:55,680
Speaker 2: know right there forty fourth Street. It's so easy to

906
00:40:55,680 --> 00:40:57,799
Speaker 2: get to if you're in and out of anywhere. That's

907
00:40:57,800 --> 00:41:02,480
Speaker 2: important in Manhattan. It did funny to you, Glenn, being

908
00:41:02,840 --> 00:41:04,480
Speaker 2: have you been a chef for many years with different

909
00:41:04,760 --> 00:41:08,279
Speaker 2: many years types of cuisines barbecue which you think you

910
00:41:08,280 --> 00:41:09,640
Speaker 2: don't think of New York City when it comes to

911
00:41:09,680 --> 00:41:12,480
Speaker 2: barbecue barbecue, you can't even get You can already get

912
00:41:12,480 --> 00:41:14,120
Speaker 2: into Virgils most of the time.

913
00:41:14,440 --> 00:41:17,080
Speaker 16: Yeah, First of all, the location is perfect we're right

914
00:41:17,120 --> 00:41:20,320
Speaker 16: in Times Square, and we wanted the first barbecues to

915
00:41:20,360 --> 00:41:23,680
Speaker 16: ever come to New York. So, you know, the gentleman

916
00:41:23,719 --> 00:41:26,480
Speaker 16: already Cutler who started Carmines, said, you know, we need

917
00:41:26,520 --> 00:41:29,040
Speaker 16: a barbecue in New York. So he decided, I'm gonna

918
00:41:29,040 --> 00:41:32,080
Speaker 16: put Virgils in Times Square. And we have two fourteen

919
00:41:32,160 --> 00:41:35,200
Speaker 16: hundred pounds Southern Prize smokers, so we are smoking all

920
00:41:35,280 --> 00:41:38,120
Speaker 16: day long. We always have that smoker going. You walk

921
00:41:38,160 --> 00:41:39,520
Speaker 16: in there, you smell barbecue.

922
00:41:39,560 --> 00:41:41,080
Speaker 2: I love it. I can't take Now, what if I

923
00:41:41,600 --> 00:41:43,960
Speaker 2: how long could a human stay in the bar in

924
00:41:44,040 --> 00:41:44,520
Speaker 2: the smoker?

925
00:41:44,640 --> 00:41:44,759
Speaker 12: Oh?

926
00:41:44,840 --> 00:41:48,480
Speaker 2: God, on or off? On? Of course on.

927
00:41:49,000 --> 00:41:50,960
Speaker 16: I think it would probably take longer than a pork,

928
00:41:51,040 --> 00:41:53,479
Speaker 16: but so probably, you know, twelve to fifteen hours.

929
00:41:55,840 --> 00:41:58,080
Speaker 2: You know, what, what do you do after sex? We

930
00:41:58,120 --> 00:42:02,440
Speaker 2: smoke a cigarette? Do you do after sex? I smoke myself? Yes. Anyway,

931
00:42:02,600 --> 00:42:05,360
Speaker 2: it is National Barbecue Month, yes, and you guys obviously

932
00:42:05,440 --> 00:42:08,320
Speaker 2: have mastered barbecue. And you know, I'm being from Texas,

933
00:42:08,360 --> 00:42:11,040
Speaker 2: I'm a little picky about my barbecue. You guys always

934
00:42:11,760 --> 00:42:13,759
Speaker 2: hit it out of the park. Why why aren't more

935
00:42:13,840 --> 00:42:17,320
Speaker 2: people setting up smokers in the backyard and taking a

936
00:42:17,480 --> 00:42:19,960
Speaker 2: slow smoke every day with their meat. Why is it

937
00:42:20,040 --> 00:42:22,680
Speaker 2: so difficult. It seems easy. Actually, it seems easy. But

938
00:42:22,840 --> 00:42:23,680
Speaker 2: you have to be there.

939
00:42:23,760 --> 00:42:26,640
Speaker 16: You have to have people always manning the smokers because

940
00:42:26,680 --> 00:42:30,520
Speaker 16: it's very important to make sure certain things take longer.

941
00:42:30,640 --> 00:42:32,480
Speaker 16: Certain things are very short. So if you're putting a

942
00:42:32,520 --> 00:42:34,400
Speaker 16: brisket on or a pork, but you have to be

943
00:42:34,520 --> 00:42:36,360
Speaker 16: there twelfth to fourteen hours. You don't have to man

944
00:42:36,480 --> 00:42:38,280
Speaker 16: it all the time, but you have to always maintain

945
00:42:38,400 --> 00:42:40,520
Speaker 16: the wood, make sure the temperature is right, and you

946
00:42:40,600 --> 00:42:42,359
Speaker 16: want to cook it slow so it's nice and ten

947
00:42:42,400 --> 00:42:44,400
Speaker 16: there at the end. When you're doing ribs, it's a

948
00:42:44,440 --> 00:42:46,319
Speaker 16: three or four hour thing. So every three or four

949
00:42:46,360 --> 00:42:48,640
Speaker 16: hours you're rotating your ribs in and out. We want

950
00:42:48,719 --> 00:42:49,400
Speaker 16: fresh product.

951
00:42:49,680 --> 00:42:52,400
Speaker 2: Wow, I love it. And that's the thing about smoking, Bubba.

952
00:42:52,440 --> 00:42:54,239
Speaker 2: But if you get barbecue chicken and it's pink on

953
00:42:54,239 --> 00:42:57,200
Speaker 2: the inside, doesn't mean it's raw. It means it's smoked, right, absolutely.

954
00:42:57,360 --> 00:42:58,400
Speaker 2: People crazy about that.

955
00:42:58,480 --> 00:43:01,040
Speaker 16: Especially certain woods make it more pink on the inside,

956
00:43:01,520 --> 00:43:04,640
Speaker 16: and people are confused about it, especially once. I don't

957
00:43:04,680 --> 00:43:06,960
Speaker 16: know a lot about barbecue, but a lot of times

958
00:43:07,040 --> 00:43:09,120
Speaker 16: the chicken has a little pinknings near the bones.

959
00:43:09,200 --> 00:43:11,480
Speaker 7: I didn't know that. Now you do something every day?

960
00:43:12,000 --> 00:43:14,040
Speaker 7: Is it wrong that I'm obsessed with the Brussels sprouts?

961
00:43:14,120 --> 00:43:16,080
Speaker 7: Everything out there is so good, But those Brussels sprouts

962
00:43:16,080 --> 00:43:16,799
Speaker 7: are amazing.

963
00:43:16,960 --> 00:43:17,120
Speaker 2: Yeah.

964
00:43:17,160 --> 00:43:19,239
Speaker 16: We're not just about protein. I mean we have a

965
00:43:19,280 --> 00:43:21,720
Speaker 16: lot of salads, we have a lot of Brussels sprouts.

966
00:43:21,800 --> 00:43:23,319
Speaker 16: I truthfully eat it almost every day.

967
00:43:23,320 --> 00:43:28,080
Speaker 2: Oh, how many pounds of meat do you guys put

968
00:43:28,160 --> 00:43:30,080
Speaker 2: out a day? How many pounds of meat do people

969
00:43:30,120 --> 00:43:32,360
Speaker 2: consume here in New York City at your restaurant.

970
00:43:32,080 --> 00:43:35,440
Speaker 16: Virgils, it's probably two or three thousand pounds of putting

971
00:43:35,520 --> 00:43:36,880
Speaker 16: out non stop.

972
00:43:37,160 --> 00:43:40,359
Speaker 2: It's like several cars of meat. I love it. Yeah,

973
00:43:40,400 --> 00:43:41,080
Speaker 2: what's up, scary?

974
00:43:41,239 --> 00:43:43,359
Speaker 9: I know there's big wars in the barbecue world.

975
00:43:43,400 --> 00:43:48,320
Speaker 14: What's the difference between Memphis Ribs, Kansas City and Texas.

976
00:43:48,000 --> 00:43:49,600
Speaker 9: And all these other in Saint Louis and all that.

977
00:43:49,760 --> 00:43:50,920
Speaker 2: Well, something about the cuts.

978
00:43:50,960 --> 00:43:52,920
Speaker 16: So if you go into a supermarketer, you go into

979
00:43:52,920 --> 00:43:55,400
Speaker 16: a meat store, you'll see the cuts are different. Memphis

980
00:43:55,520 --> 00:43:57,880
Speaker 16: Ribs is usually a dry rubub and some of the

981
00:43:57,920 --> 00:44:00,360
Speaker 16: other ones Kans City and stuff will put some on

982
00:44:00,440 --> 00:44:02,880
Speaker 16: our glaze and we do a dry rub rib. But

983
00:44:03,000 --> 00:44:05,359
Speaker 16: for the special you know that we're running this month.

984
00:44:05,600 --> 00:44:08,239
Speaker 16: We're running three different types of adi backgribs. So we're

985
00:44:08,280 --> 00:44:11,960
Speaker 16: doing Asian glaze, We're doing our you know, Memphis dry rub,

986
00:44:12,239 --> 00:44:14,799
Speaker 16: and then we're doing a Brandy aprithot glaze.

987
00:44:14,560 --> 00:44:17,400
Speaker 2: Which is really good. Guys had a taste of that today.

988
00:44:17,440 --> 00:44:21,000
Speaker 2: All right, So now we have whet your appetite. It's

989
00:44:21,160 --> 00:44:23,879
Speaker 2: barbecue month. You know, wherever you are in this great

990
00:44:23,880 --> 00:44:26,960
Speaker 2: world of ours, there's a great barbecue joint near you.

991
00:44:27,200 --> 00:44:29,080
Speaker 2: Just do a Google for the best barbecue near me

992
00:44:29,560 --> 00:44:32,160
Speaker 2: and go eat it. And understand it's not something they

993
00:44:32,239 --> 00:44:34,160
Speaker 2: just put in the efform for a three point fifty

994
00:44:34,200 --> 00:44:36,920
Speaker 2: for forty five minutes and it's done. It's a slow,

995
00:44:37,320 --> 00:44:40,840
Speaker 2: wonderful process and it's it's science. It really is the

996
00:44:40,880 --> 00:44:43,799
Speaker 2: science of smoke. It really is incredible, and Virgils does

997
00:44:43,840 --> 00:44:45,840
Speaker 2: it the best. Every piece is different.

998
00:44:45,920 --> 00:44:48,640
Speaker 16: You know, you buy biscuits and we're cooking twenty thirty

999
00:44:48,680 --> 00:44:51,399
Speaker 16: briskets at a time. They're not all exactly the same weight,

1000
00:44:51,680 --> 00:44:53,919
Speaker 16: so you have to know how to feel. Same with ribs.

1001
00:44:53,960 --> 00:44:55,239
Speaker 16: You have to know how to feel to make sure

1002
00:44:55,280 --> 00:44:57,160
Speaker 16: it's moist, tender and ready to come off.

1003
00:44:57,360 --> 00:44:59,440
Speaker 2: See now, don't make it frightening for me. Now that's

1004
00:44:59,440 --> 00:45:03,319
Speaker 2: something that happened. They just scared me. I we'll leave

1005
00:45:03,360 --> 00:45:05,720
Speaker 2: the smoking up to you. Then, thank you to Virgils.

1006
00:45:05,800 --> 00:45:07,719
Speaker 2: And of course if you're New York, he got a

1007
00:45:07,800 --> 00:45:10,480
Speaker 2: roll by Virgils and celebrate Barbecue month. And of course

1008
00:45:10,520 --> 00:45:12,920
Speaker 2: you still had that banana putting over her, don't you. Absolutely.

1009
00:45:13,080 --> 00:45:17,840
Speaker 2: We brought Key Limeman, Pecan Pike. Okay, all right, all right,

1010
00:45:17,880 --> 00:45:21,240
Speaker 2: all right, we love you, Glenn guy. It's always Virgils,

1011
00:45:21,320 --> 00:45:24,240
Speaker 2: Barbi for barbecue, always car mines for your family Italian.

1012
00:45:24,320 --> 00:45:27,040
Speaker 2: We love you. Thank you for coming up and so

1013
00:45:27,400 --> 00:45:29,160
Speaker 2: so we have guests coming in today and of course

1014
00:45:29,160 --> 00:45:31,440
Speaker 2: the whole place smells like a pit, a barbecue pit.

1015
00:45:32,680 --> 00:45:35,120
Speaker 2: Ronald Gladden, if you've been watching Jury Duty, you've been

1016
00:45:35,160 --> 00:45:38,000
Speaker 2: hearing about it. He is here, he is coming up next.

1017
00:45:38,280 --> 00:45:40,160
Speaker 2: Charlie Pooth is here. Later. We got to hide the

1018
00:45:40,160 --> 00:45:43,160
Speaker 2: Brussels sprouts because he's terrified of Brussels sprouts. It's the

1019
00:45:43,239 --> 00:45:45,960
Speaker 2: strangest thing. Wow, thank you for coming in, Glenn, Thank you,

1020
00:45:46,080 --> 00:45:48,680
Speaker 2: I appreciate it. Let's take a break and we talked

1021
00:45:48,719 --> 00:45:52,560
Speaker 2: to the star of Jerry Duty. Ronald Gladden coming up

1022
00:45:52,600 --> 00:45:57,280
Speaker 2: after this Elvis Duran and the Morning Show. They completely

1023
00:45:57,360 --> 00:46:00,719
Speaker 2: turn you on. Elvis in the Morning Show, Wendy's three

1024
00:46:00,760 --> 00:46:03,280
Speaker 2: dollar breakfast Deal is your choice of bacon or sausage,

1025
00:46:03,280 --> 00:46:06,000
Speaker 2: egg and Swiss croissant plus a small seasoned potatoes for

1026
00:46:06,160 --> 00:46:08,640
Speaker 2: just three dollars. Break your morning routine. Get your three

1027
00:46:08,680 --> 00:46:11,640
Speaker 2: dollar breakfast deal today, limited time only at participating in

1028
00:46:11,719 --> 00:46:13,120
Speaker 2: US Wendy's during breakfast hours.

1029
00:46:15,560 --> 00:46:23,240
Speaker 1: There's only two types of people in the world. That's sane.

1030
00:46:23,680 --> 00:46:26,080
Speaker 1: And then Wednesday episode, Duran is.

1031
00:46:26,080 --> 00:46:28,600
Speaker 2: The ringleader in New York City of Radio.

1032
00:46:28,920 --> 00:46:31,160
Speaker 1: Le the ring leader.

1033
00:46:31,640 --> 00:46:32,720
Speaker 3: I call the shots.

1034
00:46:32,880 --> 00:46:36,200
Speaker 2: Speak speak, I said, capricorn.

1035
00:46:38,360 --> 00:46:40,360
Speaker 3: Crap. I'll make your hap.

1036
00:46:43,320 --> 00:46:51,800
Speaker 2: Put it on a show. Give me a take this.

1037
00:46:52,200 --> 00:46:54,680
Speaker 13: This is Elvis Durant in the Morning Show.

1038
00:46:55,239 --> 00:46:58,240
Speaker 2: Wow, what a day. Lots of guests in the Mercedes

1039
00:46:58,239 --> 00:47:01,279
Speaker 2: Benz Interview Lounge. Charlie Pooth on later with us. He's

1040
00:47:01,320 --> 00:47:03,680
Speaker 2: on his way downtown or uptown right now. Chris Pratt

1041
00:47:03,800 --> 00:47:06,200
Speaker 2: and Kim Petris tomorrow ed Sharon. On Friday, all the

1042
00:47:06,239 --> 00:47:11,640
Speaker 2: superstars hang out with us, including Ronald Gladden. Hi, Ronald,

1043
00:47:12,400 --> 00:47:14,640
Speaker 2: let me turn your mic on. How you doing I'm

1044
00:47:14,680 --> 00:47:16,920
Speaker 2: doing great things? How you doing. You know, I'm doing well.

1045
00:47:17,000 --> 00:47:19,080
Speaker 2: Thank you know. It was two days ago James Marsden,

1046
00:47:19,480 --> 00:47:21,080
Speaker 2: who is not a stranger to our show, sat in

1047
00:47:21,160 --> 00:47:24,840
Speaker 2: that same chair and we talked about about you. For like,

1048
00:47:25,680 --> 00:47:27,839
Speaker 2: James Marsden really doesn't like it when you talk about

1049
00:47:28,320 --> 00:47:30,080
Speaker 2: people other than James Marsden.

1050
00:47:32,320 --> 00:47:33,000
Speaker 10: Understandable.

1051
00:47:33,360 --> 00:47:35,880
Speaker 2: Welcome, Welcome to this crazy world that you're now a

1052
00:47:35,960 --> 00:47:36,239
Speaker 2: part of.

1053
00:47:36,520 --> 00:47:38,879
Speaker 10: Thank you. It's been a grand introduction, I will say.

1054
00:47:39,480 --> 00:47:42,399
Speaker 2: Let me let me bring you up to speed. There's

1055
00:47:42,400 --> 00:47:44,719
Speaker 2: a show that I saw several weeks ago called Jury

1056
00:47:44,800 --> 00:47:49,320
Speaker 2: Duty premiere to April seventh, I think, and it correct

1057
00:47:49,320 --> 00:47:51,279
Speaker 2: me if I'm wrong. I'm gonna describe it to someone

1058
00:47:51,320 --> 00:47:55,720
Speaker 2: who doesn't know what I'm talking about. Absolutely, imagine a trial,

1059
00:47:55,800 --> 00:47:58,640
Speaker 2: a jury trial. You have all the people in the jury,

1060
00:47:58,719 --> 00:48:00,560
Speaker 2: You have a judge, you have a bay, you have

1061
00:48:01,280 --> 00:48:03,880
Speaker 2: all the people who work in the jury system, in

1062
00:48:03,920 --> 00:48:07,120
Speaker 2: the court system. You have all these people involved. Every

1063
00:48:07,160 --> 00:48:09,200
Speaker 2: single one of them is an actor except for one

1064
00:48:09,280 --> 00:48:12,280
Speaker 2: person who has no clue. He's the only non actor

1065
00:48:12,760 --> 00:48:16,000
Speaker 2: that who's who ron Ronald Gladden is? And that was

1066
00:48:16,080 --> 00:48:20,760
Speaker 2: you and still is. How when did this all come about?

1067
00:48:20,920 --> 00:48:25,160
Speaker 2: You entered a Craigs list ad for something two years ago.

1068
00:48:25,200 --> 00:48:26,839
Speaker 2: A year ago, you bring me up to speed.

1069
00:48:27,040 --> 00:48:29,440
Speaker 10: Yeah, correct, So it's been a while, so I'm trying

1070
00:48:29,480 --> 00:48:32,200
Speaker 10: to remember. I believe I responded to the ad initially

1071
00:48:32,280 --> 00:48:35,759
Speaker 10: in November of twenty twenty one. I began communications with

1072
00:48:35,840 --> 00:48:38,840
Speaker 10: them in December, and then my interview process was like

1073
00:48:38,920 --> 00:48:40,560
Speaker 10: a month and a half long. Like it went all

1074
00:48:40,600 --> 00:48:42,440
Speaker 10: the way until the mid January, and that's when I

1075
00:48:42,520 --> 00:48:44,239
Speaker 10: finally heard back from them. They're like, yeah, okay, we'd

1076
00:48:44,280 --> 00:48:44,960
Speaker 10: like to actually.

1077
00:48:44,680 --> 00:48:46,279
Speaker 2: Bring you on. And what did the ads say it

1078
00:48:46,360 --> 00:48:46,840
Speaker 2: was looking for?

1079
00:48:47,560 --> 00:48:49,960
Speaker 10: So the ad was actually pretty vague and there wasn't

1080
00:48:49,960 --> 00:48:51,360
Speaker 10: a whole lot of information, but that's kind of what,

1081
00:48:51,640 --> 00:48:54,440
Speaker 10: you know, piqued my interest. It essentially just said we're

1082
00:48:54,520 --> 00:48:57,239
Speaker 10: doing this never before, behind the scenes, look at like

1083
00:48:57,320 --> 00:48:59,600
Speaker 10: what happens during the judicial process, what goes on, and

1084
00:48:59,640 --> 00:49:03,160
Speaker 10: deliver room. We've begun unprecedented access, so this has never

1085
00:49:03,280 --> 00:49:05,600
Speaker 10: been done before. And they didn't say what the trial

1086
00:49:05,719 --> 00:49:07,919
Speaker 10: was about. They offered to pay for like all my time,

1087
00:49:08,480 --> 00:49:10,400
Speaker 10: all my expenses, and so I was like, yeah, this

1088
00:49:10,480 --> 00:49:11,600
Speaker 10: sounds like it could be interesting.

1089
00:49:11,920 --> 00:49:13,600
Speaker 2: It does sound like it'd be interesting, But here you

1090
00:49:13,719 --> 00:49:17,360
Speaker 2: are a guy living in a beautiful San Diego setting

1091
00:49:17,480 --> 00:49:19,640
Speaker 2: on by the ocean with your dog Meatball, just living

1092
00:49:19,680 --> 00:49:23,600
Speaker 2: your life. And in the solar panel industry. I guess

1093
00:49:23,719 --> 00:49:27,080
Speaker 2: is that what you were? Solar energy? What were you doing? Correct?

1094
00:49:27,160 --> 00:49:28,960
Speaker 10: Yeah, so I was a solar contractor. I've been in

1095
00:49:29,000 --> 00:49:31,319
Speaker 10: construction my whole life since I was seventeen, so I've

1096
00:49:31,320 --> 00:49:33,320
Speaker 10: been doing it for thirteen years. I've been a project

1097
00:49:33,400 --> 00:49:35,880
Speaker 10: manager for the last few years. That's exactly what I

1098
00:49:35,960 --> 00:49:36,239
Speaker 10: was doing.

1099
00:49:36,320 --> 00:49:38,680
Speaker 2: Yes, So that in that field, it's easy to take

1100
00:49:38,880 --> 00:49:40,960
Speaker 2: a few take a beat, and do something else for

1101
00:49:41,000 --> 00:49:43,400
Speaker 2: a while. And so that's what this ad did to

1102
00:49:43,440 --> 00:49:44,880
Speaker 2: intrigue you. It was like, Okay, I can go do

1103
00:49:45,080 --> 00:49:46,400
Speaker 2: whatever this is for a minute.

1104
00:49:46,480 --> 00:49:49,520
Speaker 10: Not necessarily so, like our jobs were coming to an

1105
00:49:49,640 --> 00:49:51,520
Speaker 10: end and we knew that. So I knew about two

1106
00:49:51,640 --> 00:49:53,239
Speaker 10: or three months before my work was going to be

1107
00:49:53,280 --> 00:49:54,960
Speaker 10: over that I need to start looking for something else.

1108
00:49:55,239 --> 00:49:57,680
Speaker 10: So basically I was just combing through anything and everything.

1109
00:49:57,760 --> 00:49:59,480
Speaker 10: So like Craigslist was just one of the places I

1110
00:49:59,520 --> 00:50:02,880
Speaker 10: was on. I was on LinkedIn, indeed, zip recruiter, Facebook.

1111
00:50:02,960 --> 00:50:03,320
Speaker 2: You name it.

1112
00:50:03,360 --> 00:50:04,520
Speaker 10: I was just coming for jobs.

1113
00:50:05,040 --> 00:50:05,680
Speaker 2: So there you go.

1114
00:50:06,080 --> 00:50:08,520
Speaker 7: I have so many questions. I watched it I was

1115
00:50:08,640 --> 00:50:11,440
Speaker 7: fascinated by the whole thing. Was there fine print somewhere

1116
00:50:11,480 --> 00:50:13,359
Speaker 7: in the contract where it said this is what we're

1117
00:50:13,400 --> 00:50:15,839
Speaker 7: telling you, but it could be for something else since

1118
00:50:15,840 --> 00:50:17,320
Speaker 7: it clearly was no.

1119
00:50:18,040 --> 00:50:21,680
Speaker 10: So when what I initially signed was basically just agreeing

1120
00:50:21,760 --> 00:50:23,680
Speaker 10: to what they had told me. And then at the

1121
00:50:23,760 --> 00:50:25,480
Speaker 10: day of the reveal, once I found out what it was,

1122
00:50:25,840 --> 00:50:28,279
Speaker 10: then I signed some additional paperwork once I had been

1123
00:50:28,320 --> 00:50:28,799
Speaker 10: made aware.

1124
00:50:29,239 --> 00:50:32,840
Speaker 2: Wow, okay, so the process it was how many episodes

1125
00:50:32,960 --> 00:50:34,920
Speaker 2: is it eight episodes? Maybe I don't even remember how

1126
00:50:34,960 --> 00:50:39,360
Speaker 2: many eight episodes, eight episodes, It's just it's just twenty

1127
00:50:39,600 --> 00:50:43,279
Speaker 2: thirty minutes per episode. Whatever. But you guys were in

1128
00:50:43,400 --> 00:50:46,560
Speaker 2: a court of law unquote for six seven hours a

1129
00:50:46,719 --> 00:50:50,000
Speaker 2: day some days listening to this fake trial.

1130
00:50:51,040 --> 00:50:54,960
Speaker 10: Absolutely they did a fantastic job of selling it as

1131
00:50:55,080 --> 00:50:58,320
Speaker 10: being real because anytime they would because obviously they have

1132
00:50:58,360 --> 00:51:00,480
Speaker 10: to get footage every single day. But it was really

1133
00:51:00,600 --> 00:51:02,640
Speaker 10: like what you see is a thirty second, maybe a

1134
00:51:02,680 --> 00:51:04,520
Speaker 10: minute and half clip out of like you said, six

1135
00:51:04,680 --> 00:51:07,040
Speaker 10: or seven hours of us being there literally all day.

1136
00:51:07,280 --> 00:51:09,440
Speaker 10: So they would do something, they get it on film,

1137
00:51:09,480 --> 00:51:10,640
Speaker 10: and then they would just pull back.

1138
00:51:10,719 --> 00:51:11,440
Speaker 2: So that way it was just.

1139
00:51:11,560 --> 00:51:14,520
Speaker 10: Boring, And I do remember vividly thinking like wow, Like

1140
00:51:14,640 --> 00:51:16,759
Speaker 10: if this really is like reality TV, this is gonna

1141
00:51:16,760 --> 00:51:17,400
Speaker 10: be the worst show ever.

1142
00:51:17,440 --> 00:51:18,799
Speaker 2: Who's going to want to watch this? Right?

1143
00:51:19,200 --> 00:51:19,399
Speaker 9: Yeah?

1144
00:51:19,440 --> 00:51:21,120
Speaker 2: And by the way, they miked them up and had

1145
00:51:21,200 --> 00:51:23,800
Speaker 2: cameras saying, hey, you know, we're going to do a

1146
00:51:23,840 --> 00:51:25,840
Speaker 2: documentary about what it's like to serve on a jury

1147
00:51:25,880 --> 00:51:27,600
Speaker 2: and be a part of the system. So that's why

1148
00:51:27,719 --> 00:51:31,480
Speaker 2: you were duped? Correct? Why do you ronic I would.

1149
00:51:31,239 --> 00:51:33,680
Speaker 7: Have so many trust issues with everybody. I mean, I

1150
00:51:33,719 --> 00:51:35,320
Speaker 7: don't know how long it took you to kind of

1151
00:51:35,480 --> 00:51:38,080
Speaker 7: debrief from all of it, but I would never trust

1152
00:51:38,120 --> 00:51:40,360
Speaker 7: anybody around me ever. Again, Like Elvis, who are you?

1153
00:51:40,400 --> 00:51:40,919
Speaker 7: Are you an act?

1154
00:51:41,040 --> 00:51:42,880
Speaker 2: Is this really a radio showy? It might be.

1155
00:51:43,000 --> 00:51:44,320
Speaker 10: I don't know. I'm just trusting you.

1156
00:51:44,880 --> 00:51:46,160
Speaker 2: Some people do wonder if it is.

1157
00:51:46,360 --> 00:51:47,960
Speaker 7: How long did it take you to adjuste back to

1158
00:51:48,239 --> 00:51:48,719
Speaker 7: real life?

1159
00:51:49,040 --> 00:51:49,200
Speaker 2: Oh?

1160
00:51:49,640 --> 00:51:52,560
Speaker 10: So I didn't go back to work for easily a

1161
00:51:52,640 --> 00:51:54,480
Speaker 10: month after I found out like it was. It was

1162
00:51:54,640 --> 00:51:57,560
Speaker 10: quite the process. I didn't even begin to process how

1163
00:51:57,600 --> 00:51:59,719
Speaker 10: I was feeling about it until the weekend after. I

1164
00:52:00,280 --> 00:52:03,080
Speaker 10: James was wonderful about this. I was messaging him the

1165
00:52:03,120 --> 00:52:04,880
Speaker 10: weekend after and I was like, Hey, I'm kind of

1166
00:52:04,880 --> 00:52:06,880
Speaker 10: feeling a little paranoid. I don't know if this is normal,

1167
00:52:07,160 --> 00:52:09,920
Speaker 10: Like are there still cameras following me? And so James,

1168
00:52:10,040 --> 00:52:11,879
Speaker 10: just being the wonderful human that he is, he calls

1169
00:52:11,920 --> 00:52:13,879
Speaker 10: me right up. We were on the phone for thirty

1170
00:52:13,960 --> 00:52:16,239
Speaker 10: forty five minutes and he really started to help me. Well,

1171
00:52:16,680 --> 00:52:18,920
Speaker 10: firstly he assured me there no camera's following me anymore,

1172
00:52:18,920 --> 00:52:20,480
Speaker 10: and then he started helping me just kind of work

1173
00:52:20,520 --> 00:52:21,400
Speaker 10: through all these feelings.

1174
00:52:22,440 --> 00:52:25,520
Speaker 2: Wow, but keep in mind James Marsden as a great

1175
00:52:25,560 --> 00:52:28,480
Speaker 2: buddy as he turned out to be. None of those

1176
00:52:28,480 --> 00:52:32,600
Speaker 2: people experienced what you experienced, and that was totally totally

1177
00:52:32,640 --> 00:52:36,400
Speaker 2: in the dark, with a whole world behind that curtain

1178
00:52:36,480 --> 00:52:40,120
Speaker 2: of producers and monitors and directors and writers, and they

1179
00:52:40,160 --> 00:52:42,399
Speaker 2: were rehearsing during the day while you were off doing

1180
00:52:42,520 --> 00:52:45,640
Speaker 2: something else. This was a huge production, even though it

1181
00:52:45,680 --> 00:52:48,399
Speaker 2: comes off looking like some amateur thing, because they wanted

1182
00:52:48,520 --> 00:52:51,440
Speaker 2: to be real, you know. Anyway, So what was it like?

1183
00:52:52,520 --> 00:52:53,719
Speaker 2: I don't want to give the thing away because I

1184
00:52:53,719 --> 00:52:57,160
Speaker 2: want everyone to watch Jury Duty. Okay, very important everyone

1185
00:52:57,320 --> 00:52:59,160
Speaker 2: listening to our show watch at least once I'm on

1186
00:52:59,239 --> 00:53:02,320
Speaker 2: my second run. Well, was it like they but everyone

1187
00:53:02,440 --> 00:53:04,880
Speaker 2: must assumed there was a reveal where they looked at

1188
00:53:04,920 --> 00:53:08,600
Speaker 2: you and said, Ronald, this entire hoary many months, this

1189
00:53:08,680 --> 00:53:11,399
Speaker 2: has been this has been put on, this is these

1190
00:53:11,400 --> 00:53:14,560
Speaker 2: are actors. And I don't even know what that feeling

1191
00:53:14,640 --> 00:53:15,920
Speaker 2: was like for you at that moment. I want you

1192
00:53:16,000 --> 00:53:18,600
Speaker 2: to tell us. But that night, when you were by yourself,

1193
00:53:19,560 --> 00:53:22,719
Speaker 2: like looking yourself in the mirror, you must have been

1194
00:53:22,880 --> 00:53:26,239
Speaker 2: just what the hell is this world? Like, let's start

1195
00:53:26,280 --> 00:53:29,600
Speaker 2: when you were told that this has been a production

1196
00:53:29,719 --> 00:53:32,279
Speaker 2: the entire time. What was your feeling at that point?

1197
00:53:32,360 --> 00:53:33,680
Speaker 2: Did you believe it? Yeah?

1198
00:53:33,719 --> 00:53:36,040
Speaker 10: I was gonna say that was Actually my initial feeling

1199
00:53:36,239 --> 00:53:39,160
Speaker 10: was just utter disbelief. I knew in my gut the

1200
00:53:39,239 --> 00:53:41,440
Speaker 10: whole time that just something wasn't right, and they got

1201
00:53:41,480 --> 00:53:44,319
Speaker 10: me on camera multiple times saying like I'm on reality TV,

1202
00:53:44,719 --> 00:53:46,720
Speaker 10: you know. But in order for me to like actually

1203
00:53:46,920 --> 00:53:49,400
Speaker 10: entertain that idea, like that's such a deep rabbit hole,

1204
00:53:49,480 --> 00:53:51,800
Speaker 10: like I have to start questioning everything. And for me

1205
00:53:51,920 --> 00:53:54,680
Speaker 10: to think that my entire reality in the whole world

1206
00:53:54,760 --> 00:53:57,279
Speaker 10: around me was fake, that was even crazier than what

1207
00:53:57,440 --> 00:54:00,279
Speaker 10: was actually happening. So I mean, basically, I just chose

1208
00:54:00,280 --> 00:54:02,160
Speaker 10: the reality that made the most sense. So on the

1209
00:54:02,280 --> 00:54:04,719
Speaker 10: day of the reveal, when he's telling me this, to

1210
00:54:04,840 --> 00:54:06,920
Speaker 10: have him confirm what I was thinking the whole time,

1211
00:54:07,080 --> 00:54:09,280
Speaker 10: like I thought that was the lie. Like I couldn't

1212
00:54:09,320 --> 00:54:09,800
Speaker 10: get beyond that.

1213
00:54:10,000 --> 00:54:12,520
Speaker 2: Wow. So so during this whole thing, you'd had sporadic

1214
00:54:12,600 --> 00:54:16,120
Speaker 2: moments of this, something's not right here. Oh? Absolutely, And

1215
00:54:16,280 --> 00:54:19,640
Speaker 2: can you pinpoint what some of those things were? Absolutely?

1216
00:54:19,840 --> 00:54:21,759
Speaker 2: It was literally the third day this is in.

1217
00:54:22,440 --> 00:54:22,600
Speaker 12: Yeah.

1218
00:54:22,600 --> 00:54:24,600
Speaker 10: I don't want to give him any spoilers, but it

1219
00:54:24,719 --> 00:54:27,000
Speaker 10: was on the third day and they were doing and

1220
00:54:27,040 --> 00:54:28,759
Speaker 10: again not trying to give spoilers, but they were doing

1221
00:54:28,840 --> 00:54:30,880
Speaker 10: something crazy. When we were checking in and we were

1222
00:54:30,920 --> 00:54:32,680
Speaker 10: held up at the line and I turned around to James,

1223
00:54:32,719 --> 00:54:34,640
Speaker 10: I was like, dude, I'm on reality TV right now,

1224
00:54:34,960 --> 00:54:36,879
Speaker 10: James kind of you know, laughs about it. Yeah, Yeah,

1225
00:54:36,880 --> 00:54:38,840
Speaker 10: this does feel crazy, doesn't it. But as soon as

1226
00:54:38,880 --> 00:54:40,680
Speaker 10: I would voice any sort of concern or if I

1227
00:54:40,680 --> 00:54:43,040
Speaker 10: would show any sort of suspicion, they were getting real

1228
00:54:43,080 --> 00:54:45,759
Speaker 10: time feedback from the actors and the director, Jakesonmanski. He

1229
00:54:45,800 --> 00:54:47,359
Speaker 10: would just say, no, you guys were pulling it back.

1230
00:54:47,440 --> 00:54:49,399
Speaker 10: Get ready for nothing for the rest of the day.

1231
00:54:49,400 --> 00:54:51,279
Speaker 2: So that's when they had like the six hour long

1232
00:54:51,440 --> 00:54:54,080
Speaker 2: trial and you had to sit there like any jerb like,

1233
00:54:54,200 --> 00:54:56,080
Speaker 2: oh God, I'd rather jump out a window than deal

1234
00:54:56,120 --> 00:54:57,800
Speaker 2: with this. So that's what they did to kind of

1235
00:54:57,880 --> 00:55:01,080
Speaker 2: bring you back. Absolutely, Wow, I can't, Okay.

1236
00:55:01,200 --> 00:55:03,600
Speaker 7: So obviously the cameras followed you around and you knew

1237
00:55:03,840 --> 00:55:05,960
Speaker 7: when they were there, but then we saw some things

1238
00:55:06,080 --> 00:55:08,680
Speaker 7: where you didn't know that there were cameras in certain

1239
00:55:08,680 --> 00:55:11,279
Speaker 7: places at any point. Did any of this make you

1240
00:55:11,400 --> 00:55:14,520
Speaker 7: angry after the fact, Like, hey man, I wasn't knowing

1241
00:55:14,560 --> 00:55:16,560
Speaker 7: there was a camera there and I farted like anything.

1242
00:55:16,320 --> 00:55:19,439
Speaker 2: Like why did you fart? Ronald? Did you fart? Okay?

1243
00:55:19,920 --> 00:55:21,200
Speaker 10: I mean thankfully they didn't show it.

1244
00:55:21,320 --> 00:55:25,680
Speaker 2: Okay, well, let's go ahead and roll that tape. I'm kidding.

1245
00:55:26,120 --> 00:55:28,640
Speaker 7: But were there ever any feelings of anger about what happened?

1246
00:55:28,800 --> 00:55:29,200
Speaker 2: Not at all.

1247
00:55:29,520 --> 00:55:31,960
Speaker 10: Truthfully, I am just honored to even be a part

1248
00:55:32,000 --> 00:55:34,000
Speaker 10: of this. Like going into this, like they really sold

1249
00:55:34,040 --> 00:55:37,120
Speaker 10: this as being like a really low budget production because

1250
00:55:37,160 --> 00:55:39,319
Speaker 10: I only ever saw four cameras and there were tons

1251
00:55:39,360 --> 00:55:40,880
Speaker 10: of times where we would have a lot of downtime

1252
00:55:40,920 --> 00:55:42,600
Speaker 10: where they would have to wheeld the cameras in the room.

1253
00:55:42,600 --> 00:55:44,160
Speaker 10: They'd be Hey, guys, we've got to wait. We're getting

1254
00:55:44,160 --> 00:55:46,080
Speaker 10: set up, so sorry about this, And they did that

1255
00:55:46,239 --> 00:55:49,160
Speaker 10: every single day, so I just truly just didn't think,

1256
00:55:49,400 --> 00:55:51,360
Speaker 10: really think anything of it, you know, And.

1257
00:55:51,400 --> 00:55:53,480
Speaker 2: You did turn out to be and I've heard this

1258
00:55:53,520 --> 00:55:55,800
Speaker 2: word used a lot, the hero of this entire saga.

1259
00:55:56,400 --> 00:55:59,120
Speaker 2: But to be fair, it isn't all about Ronald. The

1260
00:55:59,400 --> 00:56:05,560
Speaker 2: actors that they have on this show are incredible. I

1261
00:56:05,680 --> 00:56:08,520
Speaker 2: mean each character. I forgot they were actors. I really

1262
00:56:08,560 --> 00:56:14,040
Speaker 2: did some of them. It's it's so beautifully orchestrated and

1263
00:56:14,200 --> 00:56:18,400
Speaker 2: plotted out and and scripted or non scripted, and you know,

1264
00:56:18,719 --> 00:56:21,440
Speaker 2: they're all of course there to serve Ronald and his

1265
00:56:21,600 --> 00:56:24,880
Speaker 2: real life character, but they in and of themselves are

1266
00:56:25,040 --> 00:56:28,479
Speaker 2: just amazing. The whole thing is just such it's such

1267
00:56:29,719 --> 00:56:30,600
Speaker 2: a great watch.

1268
00:56:30,920 --> 00:56:33,480
Speaker 7: The fact that they didn't break at certain moments where

1269
00:56:33,520 --> 00:56:35,759
Speaker 7: I would have laughed so hard if I were there

1270
00:56:36,040 --> 00:56:36,640
Speaker 7: is impressive.

1271
00:56:37,040 --> 00:56:37,880
Speaker 2: Oh yeah, I got to.

1272
00:56:37,880 --> 00:56:39,960
Speaker 10: Give a shout out to everybody that was involved in this.

1273
00:56:40,080 --> 00:56:43,239
Speaker 10: Like you said, the actors were phenomenal, top notch. They

1274
00:56:43,280 --> 00:56:45,040
Speaker 10: were so good, And I got to give a special

1275
00:56:45,080 --> 00:56:46,600
Speaker 10: shout out Todd as well too. You want to talk

1276
00:56:46,600 --> 00:56:49,480
Speaker 10: about somebody not breaking. This man was so committed to

1277
00:56:49,560 --> 00:56:51,520
Speaker 10: his role that obviously the actors they would get their

1278
00:56:51,560 --> 00:56:54,799
Speaker 10: phones and technology back once they were in their hotel rooms. Todd,

1279
00:56:54,880 --> 00:56:57,200
Speaker 10: since he shared a door with me, was so afraid

1280
00:56:57,280 --> 00:56:59,400
Speaker 10: of blowing thiss like he didn't. He was not on

1281
00:56:59,480 --> 00:57:01,640
Speaker 10: his computer, He wasn't texting for fear that I may

1282
00:57:01,680 --> 00:57:04,760
Speaker 10: accidentally hear him. Like he was committed. He was actually

1283
00:57:04,840 --> 00:57:07,799
Speaker 10: sequestered with me like. So kudos to Todd. The only

1284
00:57:07,880 --> 00:57:11,080
Speaker 10: time you ever see him break was when Sean Sanders

1285
00:57:11,200 --> 00:57:12,840
Speaker 10: is trying to show his video because that was the

1286
00:57:12,880 --> 00:57:14,759
Speaker 10: first time anybody had ever seen it because they wanted

1287
00:57:14,800 --> 00:57:17,800
Speaker 10: to be believable. That's the only time Todd broke. It

1288
00:57:17,920 --> 00:57:19,000
Speaker 10: was absolutely phenomenal.

1289
00:57:19,080 --> 00:57:21,640
Speaker 2: His performance, well, his character really was Todd rhymes with

1290
00:57:21,760 --> 00:57:26,600
Speaker 2: odd just just tremendous. So the night you went home

1291
00:57:26,640 --> 00:57:28,480
Speaker 2: and after I mean, I'm sure that was a long day,

1292
00:57:28,520 --> 00:57:30,600
Speaker 2: after you discovered what had been going on with you

1293
00:57:30,880 --> 00:57:33,280
Speaker 2: for this extended period of time, when you had a moment.

1294
00:57:33,560 --> 00:57:36,000
Speaker 2: Did you have a moment alone? Yeah? And what was

1295
00:57:36,040 --> 00:57:36,800
Speaker 2: that like for you?

1296
00:57:37,120 --> 00:57:39,520
Speaker 10: So my moment alone actually didn't come until later that

1297
00:57:39,720 --> 00:57:41,600
Speaker 10: evening because we all went out for a dinner, and

1298
00:57:41,800 --> 00:57:43,840
Speaker 10: I was really just excited too, because you know, I

1299
00:57:43,920 --> 00:57:46,120
Speaker 10: had met these people one way, turns out there were

1300
00:57:46,120 --> 00:57:47,960
Speaker 10: another so I was really interested in just figuring out

1301
00:57:48,000 --> 00:57:50,200
Speaker 10: who these people really were. But that night, when I

1302
00:57:50,240 --> 00:57:52,280
Speaker 10: got home, Yeah, it just hit me right in the face.

1303
00:57:52,320 --> 00:57:54,240
Speaker 10: It was like I got slapped so hard. It was

1304
00:57:54,320 --> 00:57:56,240
Speaker 10: like I was I just remember like sitting down in

1305
00:57:56,360 --> 00:57:58,040
Speaker 10: the shower at one point because it was just like

1306
00:57:58,720 --> 00:58:01,640
Speaker 10: it was overwhelming in shock a little bit, a little bit.

1307
00:58:01,640 --> 00:58:03,919
Speaker 10: Oh absolutely, Wow.

1308
00:58:04,720 --> 00:58:07,479
Speaker 7: How has it changed real life for you after the fact.

1309
00:58:08,400 --> 00:58:11,840
Speaker 10: Well, truthfully, the changes really didn't start happening until pretty recently.

1310
00:58:11,920 --> 00:58:13,960
Speaker 10: You know, like I was still working my full time

1311
00:58:14,080 --> 00:58:16,240
Speaker 10: job forty hours a week, come home and taking care

1312
00:58:16,280 --> 00:58:18,560
Speaker 10: of my puppy. Really the only thing that was changing

1313
00:58:18,720 --> 00:58:20,600
Speaker 10: was my online presence. I was just getting a lot

1314
00:58:20,680 --> 00:58:23,600
Speaker 10: more followers. But now, obviously as things have been coming in,

1315
00:58:23,720 --> 00:58:25,680
Speaker 10: like the changes are really starting to happen, Like I'm

1316
00:58:25,720 --> 00:58:26,960
Speaker 10: in New York for the first time right now.

1317
00:58:27,040 --> 00:58:29,400
Speaker 2: So yeah, so yeah, what is normal at this point?

1318
00:58:29,560 --> 00:58:29,680
Speaker 14: Now?

1319
00:58:30,000 --> 00:58:32,840
Speaker 2: It's abnormal? Which is okay? Are you? Are you okay

1320
00:58:32,960 --> 00:58:35,920
Speaker 2: with this? Is it too fast, too too frenetic? Is

1321
00:58:35,960 --> 00:58:37,520
Speaker 2: it good? Are you enjoying it.

1322
00:58:37,840 --> 00:58:40,800
Speaker 10: I wouldn't say it's too much like it's definitely a lot,

1323
00:58:40,880 --> 00:58:42,680
Speaker 10: and at times it does feel a little overwhelming, But

1324
00:58:42,680 --> 00:58:44,560
Speaker 10: that's why I'm bringing the right people on. I'm surrounding

1325
00:58:44,600 --> 00:58:46,920
Speaker 10: myself with the right people. Everyone who's involved in this

1326
00:58:47,000 --> 00:58:49,640
Speaker 10: too has been incredibly supportive. And that's just you know,

1327
00:58:49,720 --> 00:58:52,600
Speaker 10: more than just the cast, that's the executive, producers, the directors,

1328
00:58:53,000 --> 00:58:55,280
Speaker 10: the camera people like I stay in contact with all

1329
00:58:55,320 --> 00:58:57,600
Speaker 10: these people, and they've always been so great about reaching

1330
00:58:57,600 --> 00:58:59,800
Speaker 10: out and letting me know, Hey, if you ever need anything,

1331
00:59:00,040 --> 00:59:01,720
Speaker 10: doors open, feel free to give me a call.

1332
00:59:01,920 --> 00:59:04,480
Speaker 2: I wonder if they're feeling any kind of guilt, yeah, like, oh,

1333
00:59:04,560 --> 00:59:06,680
Speaker 2: look at with David Ronald, this is eh, how do

1334
00:59:06,720 --> 00:59:07,160
Speaker 2: I live in this?

1335
00:59:07,240 --> 00:59:07,400
Speaker 14: Solf?

1336
00:59:07,440 --> 00:59:09,160
Speaker 7: I don't know how you have handled it so well,

1337
00:59:09,280 --> 00:59:11,520
Speaker 7: because literally what happened to you would be my worst nightmare.

1338
00:59:11,520 --> 00:59:13,040
Speaker 7: I think all the time, what if cameras were watching

1339
00:59:13,080 --> 00:59:14,600
Speaker 7: me do that? Oh my god, I think I would

1340
00:59:14,600 --> 00:59:16,800
Speaker 7: live my life completely differently if I thought people were

1341
00:59:16,840 --> 00:59:18,480
Speaker 7: watching me all the time. And you were just so

1342
00:59:18,680 --> 00:59:21,280
Speaker 7: nice through the whole thing to everybody, which is incredible.

1343
00:59:21,800 --> 00:59:24,760
Speaker 7: How have your loved ones handled this, like Mom and

1344
00:59:24,880 --> 00:59:27,000
Speaker 7: dad significant other. Is it weird for them?

1345
00:59:27,280 --> 00:59:28,360
Speaker 2: Oh, it's so weird.

1346
00:59:28,480 --> 00:59:29,960
Speaker 10: And the best part about it too, is that I

1347
00:59:30,040 --> 00:59:33,600
Speaker 10: kept pretty much everybody in the dark because, like, I

1348
00:59:33,640 --> 00:59:34,760
Speaker 10: didn't want to be the one to blow it. I

1349
00:59:34,800 --> 00:59:36,479
Speaker 10: didn't know how it was supposed to phrase this to people.

1350
00:59:36,560 --> 00:59:39,040
Speaker 10: So going into this, everybody knew that I was going

1351
00:59:39,080 --> 00:59:41,280
Speaker 10: into a documentary, so I just kept it at that.

1352
00:59:41,480 --> 00:59:43,360
Speaker 10: It was nice and simple. I didn't go into detail,

1353
00:59:43,400 --> 00:59:44,600
Speaker 10: and I just let him know, you'll just have to

1354
00:59:44,640 --> 00:59:48,120
Speaker 10: see it when it comes out. But yeah, they're obviously thrilled, shocked.

1355
00:59:48,200 --> 00:59:49,040
Speaker 10: Nobody can believe it.

1356
00:59:49,200 --> 00:59:51,040
Speaker 2: How long did you have to sit on the reality

1357
00:59:51,080 --> 00:59:53,640
Speaker 2: of what this was before it was divulged? I mean

1358
00:59:53,680 --> 00:59:55,320
Speaker 2: there was a period of time in your life where

1359
00:59:55,320 --> 00:59:58,080
Speaker 2: you had to like not trust anyone with any of

1360
00:59:58,120 --> 01:00:01,120
Speaker 2: this information, I must assume. Yeah, there was a year.

1361
01:00:01,320 --> 01:00:04,400
Speaker 10: So we finished filming in May of twenty twenty two. Yeah,

1362
01:00:04,480 --> 01:00:06,640
Speaker 10: you see shade March, sorry March, you see shades of

1363
01:00:06,720 --> 01:00:09,240
Speaker 10: COVID in the production. Yeah, there's some masks here and there.

1364
01:00:09,800 --> 01:00:14,680
Speaker 10: I guess, well, then what's next? I mean, your life

1365
01:00:14,720 --> 01:00:17,400
Speaker 10: has has I hate to use that word, it's taken

1366
01:00:17,440 --> 01:00:20,640
Speaker 10: a pivot. I mean you're definitely facing in a different direction.

1367
01:00:21,880 --> 01:00:23,720
Speaker 2: What are you thinking? I mean, are you getting a

1368
01:00:23,800 --> 01:00:25,880
Speaker 2: glimpse into a whole different world that you may want

1369
01:00:25,960 --> 01:00:28,760
Speaker 2: to explore, or are you being forced upon you? I

1370
01:00:29,120 --> 01:00:30,840
Speaker 2: like this for instance right now, I mean, what are

1371
01:00:30,880 --> 01:00:31,240
Speaker 2: you thinking?

1372
01:00:31,720 --> 01:00:35,160
Speaker 10: I mean, I am obviously open to new experiences and opportunities,

1373
01:00:35,160 --> 01:00:36,880
Speaker 10: because that's how I found myself here to begin with.

1374
01:00:36,960 --> 01:00:38,560
Speaker 10: You know, if I would have never been looking for this,

1375
01:00:38,640 --> 01:00:40,120
Speaker 10: and if I would have never applied for the ad,

1376
01:00:40,200 --> 01:00:42,480
Speaker 10: obviously I'd never be here. So I'm just kind of

1377
01:00:42,600 --> 01:00:45,360
Speaker 10: just taking it day by day. I'm definitely intrigued, I'm

1378
01:00:45,400 --> 01:00:47,920
Speaker 10: definitely interested, and I'm just fielding all the opportunities coming

1379
01:00:47,920 --> 01:00:49,680
Speaker 10: in my way and taking it day by day is

1380
01:00:49,680 --> 01:00:50,640
Speaker 10: the best way I can describe it.

1381
01:00:50,920 --> 01:00:53,480
Speaker 7: Wow, in the wake of this, have you encountered or

1382
01:00:53,640 --> 01:00:56,800
Speaker 7: DMed with any celebrities that you always, you know, liked

1383
01:00:56,840 --> 01:00:57,680
Speaker 7: before and now they're.

1384
01:00:57,560 --> 01:00:58,400
Speaker 13: Like, oh my god, I love you.

1385
01:00:58,600 --> 01:01:02,040
Speaker 10: Oh yeah, absolutely Number one right here, Maxine the fluffy

1386
01:01:02,120 --> 01:01:05,600
Speaker 10: Corky finally got to meet her yesterday and that was

1387
01:01:06,000 --> 01:01:07,960
Speaker 10: it was amazing. Let me shut out, Brian, thank you.

1388
01:01:08,080 --> 01:01:10,000
Speaker 2: If you're just turning us on, this is Ronald Gladden

1389
01:01:10,520 --> 01:01:15,920
Speaker 2: from Amazon's freevy Jury Duty, which we are just blown

1390
01:01:16,000 --> 01:01:18,640
Speaker 2: away with. I mean this, you have to watch this thing.

1391
01:01:19,120 --> 01:01:21,560
Speaker 2: But he has a dog. Ronald has a dog, Meatball.

1392
01:01:22,200 --> 01:01:25,320
Speaker 2: And so here in the New York area is Maxine

1393
01:01:25,360 --> 01:01:25,880
Speaker 2: the Corky.

1394
01:01:26,120 --> 01:01:29,600
Speaker 10: Yeah, Maxine the fluffy corky with over a million followers.

1395
01:01:29,680 --> 01:01:30,800
Speaker 7: Oh, she's a superstar.

1396
01:01:31,040 --> 01:01:34,360
Speaker 2: And so Maxine didn't give a rats ask about you,

1397
01:01:34,520 --> 01:01:37,800
Speaker 2: but wanted to meet Meatball the dog. So you got

1398
01:01:37,840 --> 01:01:39,880
Speaker 2: to take Meatball out to hang out with Maxine.

1399
01:01:40,000 --> 01:01:42,640
Speaker 10: Unfortunately not, No, Meatball is back in San Diego. I've

1400
01:01:42,680 --> 01:01:45,080
Speaker 10: just been too busy. He's also only a puppy. He's

1401
01:01:45,120 --> 01:01:48,040
Speaker 10: about to turn eleven months old. He's never flown anywhere before,

1402
01:01:48,200 --> 01:01:49,880
Speaker 10: so it was a little too early to bring him.

1403
01:01:49,920 --> 01:01:52,080
Speaker 10: But next time I'm out, I'm definitely planning on bringing him.

1404
01:01:52,520 --> 01:01:54,360
Speaker 2: Wait, you didn't bring Meatball with you. I did not

1405
01:01:54,800 --> 01:01:55,280
Speaker 2: interview over.

1406
01:01:55,920 --> 01:01:56,120
Speaker 12: I know.

1407
01:01:56,200 --> 01:01:58,160
Speaker 10: I'm I'm sorry Meatball.

1408
01:01:57,880 --> 01:02:00,680
Speaker 2: But you got to meet Maxine absolutely, so see in

1409
01:02:00,760 --> 01:02:03,480
Speaker 2: it funny how it could have been Jennifer Coolidge or

1410
01:02:04,040 --> 01:02:08,560
Speaker 2: anyone who walked at the met Ball the other night. Rihanna, No,

1411
01:02:08,800 --> 01:02:09,880
Speaker 2: we want to meet Maxim and the.

1412
01:02:09,920 --> 01:02:12,360
Speaker 10: Corgi I appreciate that. I got a weakness for Corgi's

1413
01:02:13,280 --> 01:02:14,240
Speaker 10: They're so low to the ground.

1414
01:02:14,280 --> 01:02:17,280
Speaker 2: We love that. Hey, so I don't want I don't

1415
01:02:17,280 --> 01:02:19,040
Speaker 2: want to give any spoilers at all. By the way,

1416
01:02:19,120 --> 01:02:20,960
Speaker 2: you have to watch Jury Duty and you will find

1417
01:02:21,000 --> 01:02:22,920
Speaker 2: out and this is not a spoiler, but something that's

1418
01:02:22,960 --> 01:02:27,440
Speaker 2: so real along the course, along the journey in Jury Duty,

1419
01:02:27,760 --> 01:02:33,120
Speaker 2: you get to learn who Ronald Gladden is because he

1420
01:02:33,280 --> 01:02:36,320
Speaker 2: doesn't know he's being watched a lot of the time,

1421
01:02:36,960 --> 01:02:40,080
Speaker 2: and it turns out in this jury setting where they

1422
01:02:40,120 --> 01:02:41,480
Speaker 2: all need to kind of be there for each other

1423
01:02:41,720 --> 01:02:44,840
Speaker 2: or support each other, he is like the biggest big

1424
01:02:44,960 --> 01:02:49,360
Speaker 2: brother of the group, looking out for everyone, not knowing

1425
01:02:49,400 --> 01:02:52,240
Speaker 2: a camera's on him, making all these great decisions on

1426
01:02:52,320 --> 01:02:55,680
Speaker 2: behalf of other people, helping them out, being a total sweetheart.

1427
01:02:56,040 --> 01:02:58,920
Speaker 2: You really are just a sweet guy, and we actually

1428
01:02:58,960 --> 01:03:01,400
Speaker 2: got to see that. You know, like James Marsden, for instance,

1429
01:03:01,520 --> 01:03:04,160
Speaker 2: we only know his characters, except we know him off

1430
01:03:04,360 --> 01:03:08,840
Speaker 2: character here and he's a total asshole. I'm kidding. He's

1431
01:03:08,880 --> 01:03:11,520
Speaker 2: a total sweetheart. The thing is, but he also knows

1432
01:03:11,520 --> 01:03:13,480
Speaker 2: when he's here. He's in an interview session, you were

1433
01:03:13,920 --> 01:03:17,880
Speaker 2: you were being watched without you knowing you're being watched

1434
01:03:17,960 --> 01:03:20,720
Speaker 2: being really who you are, and we got to see that.

1435
01:03:21,280 --> 01:03:23,560
Speaker 2: We got to see you kind of open up a

1436
01:03:23,680 --> 01:03:26,920
Speaker 2: very private part of your life just being nice. Does

1437
01:03:27,000 --> 01:03:29,520
Speaker 2: that bother you? Are you happy with how they portrayed

1438
01:03:29,560 --> 01:03:30,880
Speaker 2: you and how they edited you?

1439
01:03:31,760 --> 01:03:31,880
Speaker 14: Oh?

1440
01:03:31,960 --> 01:03:34,480
Speaker 10: Yeah, I mean obviously I'm thrilled because they painted me

1441
01:03:34,560 --> 01:03:37,040
Speaker 10: in the best light possible, you know, And I'm not

1442
01:03:37,280 --> 01:03:40,360
Speaker 10: mad about being bestowed the title of a hero. You know,

1443
01:03:40,440 --> 01:03:43,040
Speaker 10: I'm thrilled, But it's almost like I disagree with it

1444
01:03:43,160 --> 01:03:46,120
Speaker 10: because if you look at everything that I did, like ultimately,

1445
01:03:46,120 --> 01:03:48,000
Speaker 10: I was just trying to be just a decent human being,

1446
01:03:48,080 --> 01:03:51,120
Speaker 10: you know, just extending kindness and being respectful to everyone,

1447
01:03:51,280 --> 01:03:53,920
Speaker 10: just automatically, Like I feel like those should be the default.

1448
01:03:54,000 --> 01:03:56,480
Speaker 10: So that's why it's just a weird feeling, because I

1449
01:03:56,560 --> 01:03:58,720
Speaker 10: just feel like, like that's how we should be, right, Like,

1450
01:03:58,800 --> 01:03:59,600
Speaker 10: how is that heroic?

1451
01:03:59,720 --> 01:04:01,400
Speaker 2: So be putting you on a pedestal for being a

1452
01:04:01,480 --> 01:04:02,560
Speaker 2: ma Sky, No, we should.

1453
01:04:02,640 --> 01:04:04,320
Speaker 7: He was way nicer than I think any of us

1454
01:04:04,360 --> 01:04:05,520
Speaker 7: would have been in the same situation.

1455
01:04:05,760 --> 01:04:06,200
Speaker 4: We don't know.

1456
01:04:07,040 --> 01:04:09,080
Speaker 7: I can't give things away, but there are moments that

1457
01:04:09,120 --> 01:04:12,240
Speaker 7: you were so kind and caring and giving toward other

1458
01:04:12,280 --> 01:04:14,600
Speaker 7: people that I know if I were in that position,

1459
01:04:14,640 --> 01:04:15,600
Speaker 7: I'd be like, absolutely not.

1460
01:04:16,040 --> 01:04:17,040
Speaker 9: No, that was not me.

1461
01:04:18,480 --> 01:04:22,160
Speaker 2: You went to Okay, so people are texting and uh oh,

1462
01:04:22,880 --> 01:04:25,080
Speaker 2: even though you weren't in the scene. There was a

1463
01:04:25,120 --> 01:04:28,320
Speaker 2: scene when we didn't ask James about the scene in

1464
01:04:28,560 --> 01:04:33,120
Speaker 2: bed with I know what you're talking about. Did they

1465
01:04:33,200 --> 01:04:35,400
Speaker 2: actually tell you I can't even talk about it. Did

1466
01:04:35,440 --> 01:04:38,080
Speaker 2: they actually tell you how they mechanically made that work

1467
01:04:38,120 --> 01:04:41,480
Speaker 2: for camera or after the fact they did?

1468
01:04:41,600 --> 01:04:44,640
Speaker 10: Yes, I mean when it happened and when James came back,

1469
01:04:45,000 --> 01:04:46,880
Speaker 10: I didn't ask any questions. I did not want to

1470
01:04:46,960 --> 01:04:47,400
Speaker 10: know about it.

1471
01:04:47,680 --> 01:04:49,080
Speaker 2: That's okay, That's what.

1472
01:04:49,120 --> 01:04:49,760
Speaker 7: I'm talking about.

1473
01:04:50,080 --> 01:04:51,280
Speaker 2: So you have to see the show. Diners said, what

1474
01:04:51,320 --> 01:04:53,880
Speaker 2: we're talking about text message asking about the bad thing,

1475
01:04:54,240 --> 01:04:58,120
Speaker 2: the microwave incident. What was that microwave microwave incident. I

1476
01:04:58,360 --> 01:04:59,920
Speaker 2: don't know what that is. I don't know that is either.

1477
01:05:00,080 --> 01:05:04,120
Speaker 2: I think that could be our things, some different thing.

1478
01:05:04,680 --> 01:05:10,960
Speaker 2: So okay, it's a long story. We're having inner office fights.

1479
01:05:11,640 --> 01:05:13,840
Speaker 2: So look, Ronald, it's just a pleasure to meet you.

1480
01:05:14,120 --> 01:05:17,760
Speaker 2: And uh two days in a row, our friends uh

1481
01:05:18,560 --> 01:05:21,440
Speaker 2: from Amazon freev have been here first with James and

1482
01:05:21,480 --> 01:05:23,720
Speaker 2: now with you and loving our relationship with you guys,

1483
01:05:24,200 --> 01:05:27,480
Speaker 2: and uh, but what is next? What do you think

1484
01:05:27,760 --> 01:05:28,840
Speaker 2: dancing with the stars.

1485
01:05:30,200 --> 01:05:32,959
Speaker 10: I don't know why that one keeps coming up the most.

1486
01:05:33,480 --> 01:05:35,280
Speaker 10: First of all, I got two left feet, so that's

1487
01:05:35,400 --> 01:05:36,040
Speaker 10: I never saw.

1488
01:05:36,080 --> 01:05:37,960
Speaker 2: That's kind of weird. That's gonna look really weird.

1489
01:05:38,040 --> 01:05:39,120
Speaker 10: It's gonna look really weird.

1490
01:05:39,480 --> 01:05:42,160
Speaker 2: Taking your shoes off. I can't handle it. But I

1491
01:05:42,240 --> 01:05:48,480
Speaker 2: mean in that reality TV or thing or something, whatever

1492
01:05:48,480 --> 01:05:50,120
Speaker 2: it is, it will show itself to you and you'll

1493
01:05:50,120 --> 01:05:52,400
Speaker 2: figure it out absolutely. Like I said, I'm just open

1494
01:05:52,440 --> 01:05:54,400
Speaker 2: to all the opportunities that are coming my way. You know,

1495
01:05:54,560 --> 01:05:56,959
Speaker 2: I'm I'm a very curious individual and i like having

1496
01:05:57,000 --> 01:05:59,440
Speaker 2: new experiences. So, like I said, I'm just feeling it

1497
01:05:59,520 --> 01:06:01,479
Speaker 2: day by day as they come in. I'm definitely reaching

1498
01:06:01,480 --> 01:06:04,080
Speaker 2: out to people and I'm seeing what is available as

1499
01:06:04,120 --> 01:06:08,120
Speaker 2: well too. Good good, And I'm sure the people who

1500
01:06:08,280 --> 01:06:11,280
Speaker 2: run this production company have looked you in the eye

1501
01:06:11,280 --> 01:06:14,120
Speaker 2: and said thank you, because they they could not have

1502
01:06:14,320 --> 01:06:17,920
Speaker 2: found a better human being to do what you pulled

1503
01:06:17,920 --> 01:06:19,720
Speaker 2: off in this thing. And you didn't even know you're

1504
01:06:19,720 --> 01:06:22,000
Speaker 2: pulling it off, which is kind of great. I don't know,

1505
01:06:22,200 --> 01:06:24,480
Speaker 2: very impressive, very nice, what's scary.

1506
01:06:24,360 --> 01:06:27,480
Speaker 9: No nothing, We're good. Compared this to the Truman Show,

1507
01:06:27,640 --> 01:06:29,479
Speaker 9: of course you are the real life Truman Show.

1508
01:06:29,840 --> 01:06:31,600
Speaker 10: Yeah, truthfully, I think that is the best way to

1509
01:06:31,640 --> 01:06:33,960
Speaker 10: describe it. I got Truman showed in real life, like

1510
01:06:34,040 --> 01:06:36,920
Speaker 10: they created an entire world around me, more than just

1511
01:06:37,080 --> 01:06:38,840
Speaker 10: the courtroom, you know, like the hotel I was out

1512
01:06:38,960 --> 01:06:41,360
Speaker 10: was fake. Anytime we went out, I was surrounded by actors.

1513
01:06:41,400 --> 01:06:44,400
Speaker 10: I was always being escorted, Like my entire world was fake.

1514
01:06:45,360 --> 01:06:47,120
Speaker 2: See. I like this much better than the Truman Show.

1515
01:06:47,160 --> 01:06:50,360
Speaker 2: But that's just okay. Ronald Gladen is here, do a search.

1516
01:06:50,520 --> 01:06:53,720
Speaker 2: Follow him. We're gonna we're gonna up your your follower list.

1517
01:06:54,480 --> 01:06:57,959
Speaker 2: Keep an eye out on his socials for Meatball. Also

1518
01:06:58,120 --> 01:07:00,040
Speaker 2: of course on free V and people are wondering what

1519
01:07:00,200 --> 01:07:03,200
Speaker 2: is freevy freeb You know what I discovered freebe through

1520
01:07:03,240 --> 01:07:06,200
Speaker 2: the Jury Show. Throughout Jury Duty. You go to Prime,

1521
01:07:06,320 --> 01:07:07,960
Speaker 2: go to Amazon Prime and you do a search for

1522
01:07:08,040 --> 01:07:11,120
Speaker 2: Jury Duty and it takes you there and you figure

1523
01:07:11,160 --> 01:07:13,800
Speaker 2: it out and the show just moves so fast, and

1524
01:07:13,920 --> 01:07:16,000
Speaker 2: it's just a it's a great watch. And thank you

1525
01:07:16,080 --> 01:07:16,920
Speaker 2: again for coming in here.

1526
01:07:17,000 --> 01:07:18,640
Speaker 10: Absolutely thanks for having me it's a no honor to

1527
01:07:18,680 --> 01:07:18,920
Speaker 10: be here.

1528
01:07:20,040 --> 01:07:23,160
Speaker 2: Six foot six, six foot six, all right, we're gonna

1529
01:07:23,160 --> 01:07:26,360
Speaker 2: pencil your head at the top of that in case

1530
01:07:26,400 --> 01:07:28,320
Speaker 2: you growed before you come in next time, we're gonna

1531
01:07:28,320 --> 01:07:30,560
Speaker 2: follow your growth. Okay, I love it, Ronald, glad and

1532
01:07:30,560 --> 01:07:32,880
Speaker 2: thank you for coming in and watch Jury Duty Amazon

1533
01:07:32,960 --> 01:07:33,720
Speaker 2: freeby right now.

1534
01:07:36,000 --> 01:07:37,160
Speaker 3: Hey, this is Taylor Swiss.

1535
01:07:37,320 --> 01:07:38,960
Speaker 2: Hi, this is Harry.

1536
01:07:39,160 --> 01:07:41,480
Speaker 7: This is and you're listening to Elvis Duran in the

1537
01:07:41,560 --> 01:07:42,120
Speaker 7: morning show.

1538
01:07:42,560 --> 01:07:45,200
Speaker 2: Wendy's three Dollar Breakfast Deal is your choice of bacon

1539
01:07:45,280 --> 01:07:47,760
Speaker 2: or sausage, egg and Swiss croissant plus a small seasoned

1540
01:07:47,800 --> 01:07:50,840
Speaker 2: potatoes for just three dollars. Break your morning routine. Get

1541
01:07:50,880 --> 01:07:53,520
Speaker 2: your three dollar breakfast deal today, limited time only. It

1542
01:07:53,600 --> 01:08:00,680
Speaker 2: participating in US Wendy's during breakfast hours. I'm exhausted. Just

1543
01:08:00,760 --> 01:08:04,760
Speaker 2: when I thought it was time to relax. Charlie Pooth say, hey, Charlie,

1544
01:08:04,800 --> 01:08:08,480
Speaker 2: when do I make this louder? I'll just it's a

1545
01:08:08,600 --> 01:08:12,360
Speaker 2: new uh, it's a new studio. Studio. There we go,

1546
01:08:12,600 --> 01:08:14,120
Speaker 2: I can I can hear my see here's the thing

1547
01:08:14,560 --> 01:08:17,679
Speaker 2: where Charlie is sitting. The little plug for his headphone

1548
01:08:17,760 --> 01:08:19,880
Speaker 2: is right at his crotch area. And so was a

1549
01:08:20,000 --> 01:08:22,559
Speaker 2: volume knob and every time when we have guests, I'm

1550
01:08:22,680 --> 01:08:25,400
Speaker 2: always about to go down to the volume. Nob people

1551
01:08:25,400 --> 01:08:26,320
Speaker 2: look at me like, what are you doing?

1552
01:08:26,360 --> 01:08:26,880
Speaker 7: You can't do that.

1553
01:08:27,080 --> 01:08:29,200
Speaker 18: Did you tell them the story of how when we

1554
01:08:29,280 --> 01:08:32,559
Speaker 18: were Christmas caroling you took the glass from the grammar

1555
01:08:32,600 --> 01:08:35,360
Speaker 18: seat tavern or something like that and cook the wine

1556
01:08:35,400 --> 01:08:36,479
Speaker 18: and just walked around the park.

1557
01:08:36,760 --> 01:08:38,080
Speaker 7: He didn't tell us, You should tell us.

1558
01:08:38,200 --> 01:08:40,640
Speaker 2: No, it was friend of a Farmer. I think is

1559
01:08:40,640 --> 01:08:42,040
Speaker 2: the name of the restaurant. We have a friend of

1560
01:08:42,120 --> 01:08:42,559
Speaker 2: a farmer.

1561
01:08:42,640 --> 01:08:46,960
Speaker 18: We were singing Christmas songs and he showed up inebriated

1562
01:08:47,360 --> 01:08:49,720
Speaker 18: with his friends, never inborated.

1563
01:08:49,920 --> 01:08:53,400
Speaker 2: It was a Martini class. And to be fair, Charlie,

1564
01:08:53,439 --> 01:08:56,360
Speaker 2: you shouldn't open these things up because you drank half

1565
01:08:56,400 --> 01:08:58,960
Speaker 2: of them martini, so you it wasn't just me drinking.

1566
01:08:59,080 --> 01:09:00,320
Speaker 7: Oh no, you can't try into this.

1567
01:09:00,439 --> 01:09:00,680
Speaker 14: That was you.

1568
01:09:00,800 --> 01:09:01,599
Speaker 7: You stole the glass.

1569
01:09:01,680 --> 01:09:04,360
Speaker 2: Let me be very clear, this interview started off a

1570
01:09:04,560 --> 01:09:05,080
Speaker 2: really bad.

1571
01:09:06,000 --> 01:09:08,360
Speaker 18: I didn't really I didn't realize that I would be

1572
01:09:08,439 --> 01:09:12,040
Speaker 18: leading the Christmas tunes that night, but I did.

1573
01:09:12,280 --> 01:09:14,120
Speaker 2: That was a fun night. That was a fun night.

1574
01:09:14,200 --> 01:09:18,040
Speaker 2: You really helped me. Nobody was singing At one point

1575
01:09:18,080 --> 01:09:20,840
Speaker 2: my friend Dana said we should leave Charlie alone. We're

1576
01:09:20,920 --> 01:09:23,800
Speaker 2: being a bit much, so so we left. You guys

1577
01:09:23,880 --> 01:09:26,320
Speaker 2: went left, We went right. We went caroling on our own.

1578
01:09:26,400 --> 01:09:28,240
Speaker 2: We went to the East Village in Carroll. I didn't

1579
01:09:28,240 --> 01:09:29,360
Speaker 2: see you for the rest of the night.

1580
01:09:29,479 --> 01:09:29,680
Speaker 12: I know.

1581
01:09:30,120 --> 01:09:31,880
Speaker 2: I thought you had enough of me, wrote me at

1582
01:09:31,960 --> 01:09:34,559
Speaker 2: four a m. And I was like, wow, you're still going.

1583
01:09:34,800 --> 01:09:35,559
Speaker 7: That sounds about right?

1584
01:09:35,800 --> 01:09:39,559
Speaker 2: Yeah, something speaking of Charlie poof and good thing he's

1585
01:09:39,560 --> 01:09:41,960
Speaker 2: here today because something is about to happen. Are ond

1586
01:09:42,000 --> 01:09:42,599
Speaker 2: z one hundred?

1587
01:09:43,080 --> 01:09:47,200
Speaker 18: What last time he said that something sketchy happened? That

1588
01:09:47,360 --> 01:09:48,960
Speaker 18: was the I'd look back at the first time I

1589
01:09:49,040 --> 01:09:50,960
Speaker 18: ever came here. This is a much nicer office.

1590
01:09:51,360 --> 01:09:54,960
Speaker 2: This is nice. Sketchy things are not allowed about fourteenth Street.

1591
01:09:55,800 --> 01:09:57,720
Speaker 2: No something? Can we just go ahead and do it?

1592
01:09:58,720 --> 01:10:00,960
Speaker 2: You have a song? I do have a song yet?

1593
01:10:01,040 --> 01:10:03,479
Speaker 2: And what's it called again? Right now? It's called That's

1594
01:10:03,520 --> 01:10:04,360
Speaker 2: not how this works?

1595
01:10:04,720 --> 01:10:05,040
Speaker 7: Right now?

1596
01:10:05,120 --> 01:10:07,960
Speaker 2: It's called that right now. It doesn't change. It sounds

1597
01:10:09,760 --> 01:10:12,599
Speaker 2: Dan and Chay Sabrina Carpenter in here. Oh wait, did

1598
01:10:12,680 --> 01:10:16,559
Speaker 2: you thought the day? And I'm gonna tell a story?

1599
01:10:16,640 --> 01:10:21,479
Speaker 2: Didn't even hear Charlie actually let you watch him write

1600
01:10:21,560 --> 01:10:25,040
Speaker 2: this song on Instagram. You created this song in front

1601
01:10:25,080 --> 01:10:29,280
Speaker 2: of your fans right on MySpace. Yeah, which what I

1602
01:10:29,360 --> 01:10:32,080
Speaker 2: think is kind of odd. Is I heard this song, Chris.

1603
01:10:32,280 --> 01:10:33,360
Speaker 2: I heard this song months ago.

1604
01:10:33,520 --> 01:10:36,360
Speaker 18: I did play this for you right right before I

1605
01:10:36,439 --> 01:10:39,760
Speaker 18: think we were in a tour bust or something like that,

1606
01:10:40,200 --> 01:10:43,200
Speaker 18: and uh we uh, I played you like a demo

1607
01:10:43,360 --> 01:10:45,680
Speaker 18: that wasn't like completely done, but it was just me

1608
01:10:46,000 --> 01:10:47,439
Speaker 18: and then we put Dan and che in there.

1609
01:10:47,520 --> 01:10:50,240
Speaker 2: Well, I was honored to hear the song from its

1610
01:10:50,280 --> 01:10:53,320
Speaker 2: infancy and now here it is sounding great. Yeah, we

1611
01:10:53,400 --> 01:10:57,200
Speaker 2: are officially adding it on today. I thought you were good.

1612
01:10:57,920 --> 01:11:01,360
Speaker 2: That makes me so happy. A lot of people are saying, like,

1613
01:11:01,400 --> 01:11:03,320
Speaker 2: what does that even mean? Add it just means we're

1614
01:11:03,320 --> 01:11:06,200
Speaker 2: gonna play it. It's really that is really really nice

1615
01:11:06,240 --> 01:11:08,479
Speaker 2: of you, and I did not expect that. But when

1616
01:11:08,560 --> 01:11:10,320
Speaker 2: you let up with that, I was like, is he

1617
01:11:10,560 --> 01:11:12,840
Speaker 2: gonna tell me that is he added the record right now?

1618
01:11:13,439 --> 01:11:15,000
Speaker 2: So now I'm gonna get a bunch of texts from

1619
01:11:15,160 --> 01:11:18,240
Speaker 2: the record label acting like they told me first. But yeah,

1620
01:11:18,600 --> 01:11:21,000
Speaker 2: well that's a big deal. Listeners. Well, and by the way,

1621
01:11:21,160 --> 01:11:23,760
Speaker 2: it's not my decision. I would have edited a long

1622
01:11:23,880 --> 01:11:27,400
Speaker 2: time ago. That's perfect. But anyway, so let's talk of

1623
01:11:27,520 --> 01:11:29,439
Speaker 2: all things Charlie. Yeah, but I hear you have a

1624
01:11:29,520 --> 01:11:31,680
Speaker 2: new apartment. I do have a new apartment. Is it

1625
01:11:31,760 --> 01:11:32,360
Speaker 2: furnished yet?

1626
01:11:32,520 --> 01:11:32,560
Speaker 4: No?

1627
01:11:33,280 --> 01:11:37,400
Speaker 2: What's it? There's what's in it. There's a mattress on

1628
01:11:37,479 --> 01:11:39,760
Speaker 2: the floor right now, and that's it. I haven't had

1629
01:11:39,800 --> 01:11:44,920
Speaker 2: any time to pick out furniture, and I'm fortunate where

1630
01:11:45,000 --> 01:11:48,160
Speaker 2: I can get to that one day. But it's kind

1631
01:11:48,200 --> 01:11:51,120
Speaker 2: of nice right now, just having a mattress and a

1632
01:11:51,240 --> 01:11:53,360
Speaker 2: TV and a radio. But that's all you have.

1633
01:11:53,720 --> 01:11:56,479
Speaker 18: It's like it's the it's a really old building too,

1634
01:11:56,800 --> 01:12:01,400
Speaker 18: so there's no there's no air conditioning. Ooh yeah, it's

1635
01:12:01,439 --> 01:12:02,240
Speaker 18: really really cool.

1636
01:12:02,680 --> 01:12:05,640
Speaker 2: Well, okay, not very cool. Not about a month or two.

1637
01:12:05,680 --> 01:12:07,360
Speaker 2: It's not gonna be cool at all. No, Well it

1638
01:12:07,439 --> 01:12:10,400
Speaker 2: was cool. It was hanling the other day in the city. Well,

1639
01:12:10,400 --> 01:12:12,200
Speaker 2: if it's an old building, I'm I'm assuming it has

1640
01:12:12,280 --> 01:12:14,920
Speaker 2: thick walls and you're gonna be insulated. You're gonna be fine.

1641
01:12:15,040 --> 01:12:20,840
Speaker 2: Thick thick windows, thick walls, thick Do you find it

1642
01:12:20,960 --> 01:12:24,160
Speaker 2: odd that a grown man, Charlie Pooth is living in

1643
01:12:24,200 --> 01:12:26,760
Speaker 2: an apartment with a mattress and I'm assuming it has

1644
01:12:26,840 --> 01:12:30,160
Speaker 2: no no sheets on it. You're you're raw dogging it

1645
01:12:30,280 --> 01:12:30,960
Speaker 2: on a mattress.

1646
01:12:31,040 --> 01:12:34,400
Speaker 18: No, No, there's no there, there's sheets on there. They're

1647
01:12:34,439 --> 01:12:40,679
Speaker 18: from where they're from, Parachute, they're and and I don't

1648
01:12:40,720 --> 01:12:43,120
Speaker 18: know why that was important, but it's it's a vibe.

1649
01:12:43,479 --> 01:12:45,680
Speaker 2: You know, they're ten. There's like a low light right now.

1650
01:12:46,080 --> 01:12:48,200
Speaker 2: It's nice. Next time you drive down the turnpike to

1651
01:12:48,240 --> 01:12:50,439
Speaker 2: see your parents, there's a Nikea right there are Yeah,

1652
01:12:50,680 --> 01:12:52,040
Speaker 2: I know the one you're talking about.

1653
01:12:52,960 --> 01:12:54,680
Speaker 7: Do you ever have any guests over with this lack

1654
01:12:54,720 --> 01:12:56,680
Speaker 7: of furniture or is that a safe net?

1655
01:12:57,520 --> 01:13:00,400
Speaker 2: I had my lawyer over the other day. Did you

1656
01:13:00,439 --> 01:13:02,360
Speaker 2: have a meeting while sitting on your bed? Well, he

1657
01:13:02,479 --> 01:13:06,360
Speaker 2: helped me get the set the deal up for the apartment,

1658
01:13:06,520 --> 01:13:08,600
Speaker 2: so he was like, I might as well see it. No,

1659
01:13:08,760 --> 01:13:10,639
Speaker 2: he didn't sit on the bed. He's there's a piano.

1660
01:13:10,880 --> 01:13:14,200
Speaker 2: There's a grand piano and a bed and a TV.

1661
01:13:14,680 --> 01:13:16,120
Speaker 2: Did you have that move there or what did the

1662
01:13:16,479 --> 01:13:19,080
Speaker 2: previous owners leave that there for you? It's an apartment

1663
01:13:19,120 --> 01:13:21,799
Speaker 2: that I've been going to all my life for Christmas

1664
01:13:21,880 --> 01:13:24,240
Speaker 2: parties in Manhattan. My dad's friends would put it on,

1665
01:13:25,360 --> 01:13:28,439
Speaker 2: and I always loved the apartment, so I decided to

1666
01:13:28,520 --> 01:13:31,759
Speaker 2: buy that apartment. Wait, I think I've been in that apartment.

1667
01:13:32,040 --> 01:13:32,920
Speaker 2: I think you have too.

1668
01:13:33,880 --> 01:13:35,000
Speaker 7: You guys hang out way too much.

1669
01:13:35,120 --> 01:13:38,520
Speaker 2: No, no, no, not at all. That's not at all inappropriate,

1670
01:13:39,680 --> 01:13:43,000
Speaker 2: not at all. That would be really really bad. Let's

1671
01:13:43,040 --> 01:13:47,960
Speaker 2: talk about collaborating. Now that covid, COVID is in your

1672
01:13:48,000 --> 01:13:50,920
Speaker 2: rear view mirror. Goodbye, stupid COVID. Now that COVID in

1673
01:13:51,000 --> 01:13:53,040
Speaker 2: my Now you can actually go into a studio. Was

1674
01:13:53,080 --> 01:13:55,960
Speaker 2: someone to collaborate with him? Yeah? Is it ever going

1675
01:13:56,040 --> 01:13:57,720
Speaker 2: to be that again? Or is it always going to

1676
01:13:57,720 --> 01:14:01,600
Speaker 2: be a collaboration through digital and through texting? And what

1677
01:14:01,760 --> 01:14:03,559
Speaker 2: was funny is that Cash and I would write who

1678
01:14:03,600 --> 01:14:06,760
Speaker 2: I write all my songs with? Would write I think

1679
01:14:06,760 --> 01:14:09,680
Speaker 2: we wrote Attention and we don't talk anymore, And all

1680
01:14:09,760 --> 01:14:13,000
Speaker 2: of the last album basically over FaceTime, and we certainly

1681
01:14:13,040 --> 01:14:15,439
Speaker 2: didn't need to do that, but we've been doing that

1682
01:14:15,520 --> 01:14:19,200
Speaker 2: since twenty fifteen. There's some there's something kind of like

1683
01:14:19,360 --> 01:14:22,160
Speaker 2: nice about Facetime's limitations. When you have you have the

1684
01:14:22,200 --> 01:14:25,080
Speaker 2: buffering happened once in a while and you have to

1685
01:14:25,200 --> 01:14:28,040
Speaker 2: like restart the phone or something. It's the Internet gives out.

1686
01:14:28,080 --> 01:14:30,280
Speaker 2: It's it makes you want to get the lyrics done faster.

1687
01:14:30,920 --> 01:14:33,240
Speaker 2: But yes, in person's better. But be in a room

1688
01:14:33,320 --> 01:14:35,240
Speaker 2: and you can actually sniff them. You can have a

1689
01:14:35,280 --> 01:14:37,719
Speaker 2: cocktail together. I don't want to sniff my songwriting partner,

1690
01:14:38,280 --> 01:14:40,120
Speaker 2: all right, you know I did. I had an intro

1691
01:14:40,240 --> 01:14:41,680
Speaker 2: to play for you, but it didn't. I didn't get

1692
01:14:41,720 --> 01:14:43,640
Speaker 2: to play it. Why did it not have It's the

1693
01:14:43,800 --> 01:14:46,680
Speaker 2: it's the new, it's the new studio things. Everything goes

1694
01:14:46,720 --> 01:14:49,160
Speaker 2: wrong here, here's the new Charlie pouth intro every time

1695
01:14:49,200 --> 01:14:55,920
Speaker 2: he visits us. Okay, oh god, no, I'm going to

1696
01:14:56,000 --> 01:14:58,960
Speaker 2: give you so many What do you want to tell everyone?

1697
01:14:59,000 --> 01:15:02,280
Speaker 2: What this is called? Sexy shape? Lord almighty?

1698
01:15:02,800 --> 01:15:08,720
Speaker 18: No, yes, I was that cringey tumblr kid in two

1699
01:15:08,760 --> 01:15:13,000
Speaker 18: thousand and eight. I would you don't have to play

1700
01:15:13,040 --> 01:15:14,200
Speaker 18: the record? Please stop this.

1701
01:15:16,000 --> 01:15:19,439
Speaker 2: Why are you embarrassed about this? Because it's cringey. It's

1702
01:15:19,600 --> 01:15:21,240
Speaker 2: so bad. But you know what, not to be serious,

1703
01:15:21,280 --> 01:15:22,680
Speaker 2: But I want to be serious for a moment. That's

1704
01:15:22,720 --> 01:15:27,640
Speaker 2: the foundation of what today talk about. That in all seriousness,

1705
01:15:27,680 --> 01:15:31,320
Speaker 2: I look at these these tiktoks and I see a

1706
01:15:31,400 --> 01:15:37,040
Speaker 2: younger version of myself in this slightly goofy musical teacher

1707
01:15:37,160 --> 01:15:40,000
Speaker 2: sense of things. And it's nice to know where I

1708
01:15:40,080 --> 01:15:44,559
Speaker 2: came from, but it is awful to hear it at times. Well, okay,

1709
01:15:44,600 --> 01:15:45,920
Speaker 2: I guess that's a part of the pain. Look if

1710
01:15:45,960 --> 01:15:48,799
Speaker 2: I hear old tape of me, you know in Texas

1711
01:15:48,840 --> 01:15:51,120
Speaker 2: on the radio, I like your old tape. Well, no,

1712
01:15:51,280 --> 01:15:52,720
Speaker 2: this is before you knew me. I still had a

1713
01:15:52,760 --> 01:15:55,559
Speaker 2: Texas accent. I'll talk like they did you really? Yeah,

1714
01:15:55,600 --> 01:15:58,080
Speaker 2: let's play some old songs. Do you have that? No,

1715
01:15:58,479 --> 01:16:00,160
Speaker 2: not at all. If I if I drink all I

1716
01:16:00,240 --> 01:16:04,519
Speaker 2: sound like that. Okay, but that explains a lot about Christmas.

1717
01:16:05,720 --> 01:16:08,800
Speaker 2: Really was like, why is he pretending he's from like

1718
01:16:10,240 --> 01:16:13,280
Speaker 2: the Why does he work at the BUCkies? We don't

1719
01:16:13,280 --> 01:16:14,719
Speaker 2: know what that is? We we love BUCkies.

1720
01:16:14,760 --> 01:16:15,920
Speaker 7: We learned about BUCkies the other day.

1721
01:16:15,960 --> 01:16:18,360
Speaker 2: New York doesn't have BUCkies. No, No, but they should

1722
01:16:18,439 --> 01:16:21,040
Speaker 2: they should. Oh it's Froggy. Froggy's on in Jacksonville. Don't

1723
01:16:21,040 --> 01:16:23,839
Speaker 2: you can't see him because he doesn't have Wi Fi? Yeah, exactly,

1724
01:16:24,439 --> 01:16:27,559
Speaker 2: it's just a voice here. How's that working man?

1725
01:16:28,120 --> 01:16:31,040
Speaker 11: Because the wired computers all work, but the Wi Fi

1726
01:16:31,160 --> 01:16:33,880
Speaker 11: system is down. We have put in a ticket, which,

1727
01:16:33,920 --> 01:16:35,280
Speaker 11: by the way, you need Wi Fi to put in

1728
01:16:35,360 --> 01:16:37,080
Speaker 11: a ticket. The computer that doesn't.

1729
01:16:36,880 --> 01:16:39,240
Speaker 18: Work, you're on that Windows ninety five stuff. Right now,

1730
01:16:39,479 --> 01:16:42,880
Speaker 18: this is such a nicer office. The lighting here is

1731
01:16:42,960 --> 01:16:43,720
Speaker 18: really really good.

1732
01:16:45,320 --> 01:16:51,160
Speaker 2: Well, thank you, But back to old Charlie, young Charlie, Yes,

1733
01:16:51,520 --> 01:16:54,360
Speaker 2: I mean, do you Is it often that you actually stop,

1734
01:16:54,479 --> 01:16:56,920
Speaker 2: don and go, gosh, look at where I am now

1735
01:16:57,680 --> 01:16:59,760
Speaker 2: versus where I was then, and look at everything all

1736
01:16:59,760 --> 01:17:01,200
Speaker 2: the hard work I did to get me where I

1737
01:17:01,240 --> 01:17:02,320
Speaker 2: am now. Oh. Absolutely.

1738
01:17:02,400 --> 01:17:04,280
Speaker 18: On the on the right over here, seeing my uh

1739
01:17:04,720 --> 01:17:06,720
Speaker 18: we're doing a show at Radio City. I think it's

1740
01:17:06,760 --> 01:17:10,280
Speaker 18: sold out, and that in itself is nuts. And seeing

1741
01:17:10,360 --> 01:17:12,760
Speaker 18: my name on that billboard on the way over here,

1742
01:17:13,240 --> 01:17:16,559
Speaker 18: talking to you for you know, you're my buddy now,

1743
01:17:16,800 --> 01:17:20,080
Speaker 18: and it's just it's it's you can kind of lose

1744
01:17:20,120 --> 01:17:22,280
Speaker 18: sight of how cool your life is.

1745
01:17:22,360 --> 01:17:25,320
Speaker 2: Sometimes. It's true, you know, they say playing the garden

1746
01:17:25,439 --> 01:17:28,240
Speaker 2: is where it's at, But there's something really extra magical

1747
01:17:28,280 --> 01:17:30,560
Speaker 2: about Radio City Music Hall, which is not even a

1748
01:17:30,600 --> 01:17:33,360
Speaker 2: half the size of the garden. I've played the garden before.

1749
01:17:33,439 --> 01:17:35,680
Speaker 18: I think Radio City sounds a bit better because the

1750
01:17:35,720 --> 01:17:38,680
Speaker 18: garden's a big circle it's the Garden's iconic. I'll be

1751
01:17:38,760 --> 01:17:41,120
Speaker 18: happy to play the Garden again. But Radio City like

1752
01:17:41,240 --> 01:17:44,480
Speaker 18: sounds really really, really really nice. It smells like barbecue.

1753
01:17:45,160 --> 01:17:48,519
Speaker 2: Thanks that, thanks to us. Yeah. Hey, I sent a

1754
01:17:48,600 --> 01:17:51,200
Speaker 2: text to Charlie yesterday and I said, Hey, when you're

1755
01:17:51,240 --> 01:17:54,760
Speaker 2: in the car coming uptown tomorrow morning, look look at

1756
01:17:54,840 --> 01:17:57,880
Speaker 2: Radio City's marquee, because that's I passed it every day

1757
01:17:58,320 --> 01:18:00,560
Speaker 2: and just and I wanted to see what thought about that?

1758
01:18:00,720 --> 01:18:02,720
Speaker 2: Do you walk it? Do you walk past it at

1759
01:18:02,800 --> 01:18:05,400
Speaker 2: four o'clock in the morning. We drive past it? Okay,

1760
01:18:05,520 --> 01:18:08,160
Speaker 2: so it's still. It's in the darkness of New York City.

1761
01:18:08,240 --> 01:18:11,160
Speaker 2: It's you know, there's no traffic today. I sent you

1762
01:18:11,200 --> 01:18:14,280
Speaker 2: a picture. I had Dimitri or my friend, pull over,

1763
01:18:14,360 --> 01:18:15,760
Speaker 2: and I took a picture just to send to you,

1764
01:18:16,360 --> 01:18:19,000
Speaker 2: because what does it make your heart feel when you

1765
01:18:19,080 --> 01:18:21,880
Speaker 2: see your name on the marquis Mitrie or friend, not

1766
01:18:22,080 --> 01:18:25,280
Speaker 2: your driver. He's a friend who happens to have an

1767
01:18:25,400 --> 01:18:32,400
Speaker 2: escalate perfect garsan. Dmitri my my friend. But seriously, how

1768
01:18:32,439 --> 01:18:35,320
Speaker 2: does it make you feel to see that up there?

1769
01:18:35,439 --> 01:18:38,120
Speaker 2: That's got to be just a little if if you

1770
01:18:38,160 --> 01:18:40,360
Speaker 2: don't feel something from that, then I can't help you. No,

1771
01:18:40,520 --> 01:18:43,360
Speaker 2: I absolutely, I absolutely do feel I feel a little tingle,

1772
01:18:43,760 --> 01:18:45,200
Speaker 2: just like I do with this. Why do you put

1773
01:18:45,240 --> 01:18:48,800
Speaker 2: this headphone jack right here's I could touch it. It's

1774
01:18:48,880 --> 01:18:52,640
Speaker 2: conveniently placed. No, it's it's it's really iconic. And uh,

1775
01:18:53,680 --> 01:18:55,840
Speaker 2: I'm I'm honored to be a part of that. Uh

1776
01:18:56,080 --> 01:18:59,439
Speaker 2: that more that lineup and go scalp some tickets because

1777
01:18:59,520 --> 01:19:00,000
Speaker 2: there's no more.

1778
01:19:00,280 --> 01:19:02,080
Speaker 7: Hey, Danielle got tickets?

1779
01:19:02,560 --> 01:19:03,400
Speaker 2: Is she with us? She did?

1780
01:19:03,640 --> 01:19:05,559
Speaker 7: No, she's not back tickets.

1781
01:19:05,720 --> 01:19:08,080
Speaker 2: Where is she? Daniel's doing something, she's being a great

1782
01:19:08,080 --> 01:19:09,840
Speaker 2: mom today. She's doing something with her son today. So

1783
01:19:09,920 --> 01:19:11,960
Speaker 2: she she's at home. She made chime in in a moment.

1784
01:19:12,040 --> 01:19:14,240
Speaker 7: Yeah, but she did get tickets. Are you ever impressed

1785
01:19:14,240 --> 01:19:15,640
Speaker 7: with yourself? And you take a selfie in front of

1786
01:19:15,680 --> 01:19:17,000
Speaker 7: Radio City with your name up there?

1787
01:19:17,080 --> 01:19:18,840
Speaker 2: I thought you meant like in general, like I'm so

1788
01:19:19,000 --> 01:19:19,719
Speaker 2: good looking.

1789
01:19:19,680 --> 01:19:20,679
Speaker 7: All of that, all of the above.

1790
01:19:20,720 --> 01:19:22,439
Speaker 2: Are you impressed with yourself the way you look? No,

1791
01:19:22,640 --> 01:19:26,120
Speaker 2: I don't think I'm good looking at all. That's not true.

1792
01:19:26,160 --> 01:19:27,280
Speaker 2: But be back to Radio City.

1793
01:19:27,320 --> 01:19:28,720
Speaker 7: Yeah, do you ever take a selfie in front of it?

1794
01:19:29,880 --> 01:19:32,040
Speaker 18: It's me No, I just took a picture of it

1795
01:19:32,240 --> 01:19:36,320
Speaker 18: on from my own little uh, my records on the

1796
01:19:36,360 --> 01:19:37,719
Speaker 18: way over here, my records.

1797
01:19:37,800 --> 01:19:39,880
Speaker 2: I sound like I have a put do you file

1798
01:19:40,000 --> 01:19:40,719
Speaker 2: file cabinets?

1799
01:19:41,120 --> 01:19:44,200
Speaker 18: File filing my filing cabinet that I shoved in my

1800
01:19:45,240 --> 01:19:46,760
Speaker 18: escalade with my friend.

1801
01:19:48,000 --> 01:19:53,120
Speaker 2: Rianto. It's Dimitri. So were you watch what Happens?

1802
01:19:53,640 --> 01:19:53,680
Speaker 4: No?

1803
01:19:54,040 --> 01:19:56,640
Speaker 2: Uh, someone was on Watch What Happens Live last night?

1804
01:19:57,080 --> 01:19:57,719
Speaker 2: Megan Trainer?

1805
01:19:58,520 --> 01:19:58,960
Speaker 14: Who that was?

1806
01:19:59,000 --> 01:19:59,680
Speaker 7: Was it last night?

1807
01:20:00,080 --> 01:20:00,360
Speaker 2: It is what?

1808
01:20:01,000 --> 01:20:01,120
Speaker 10: Nate?

1809
01:20:01,360 --> 01:20:01,720
Speaker 12: What night?

1810
01:20:01,840 --> 01:20:03,360
Speaker 2: She was on the other night she was talking about you?

1811
01:20:03,600 --> 01:20:04,920
Speaker 2: What is watch what happened?

1812
01:20:06,160 --> 01:20:11,840
Speaker 4: The day we recorded Marvin Gaye very like romantic song

1813
01:20:13,720 --> 01:20:16,560
Speaker 4: There is Booze and we made out that night in

1814
01:20:16,600 --> 01:20:17,080
Speaker 4: the studio.

1815
01:20:17,640 --> 01:20:22,000
Speaker 2: Wait, hold on, I didn't know what that was. What

1816
01:20:24,400 --> 01:20:28,080
Speaker 2: wait is it? Wait? So wait that was for someone else?

1817
01:20:28,640 --> 01:20:32,160
Speaker 2: That's that's Megan on a podcast. No, I don't think so,

1818
01:20:32,240 --> 01:20:34,639
Speaker 2: I don't think. I don't know what that is. Let's

1819
01:20:34,680 --> 01:20:37,479
Speaker 2: just move on. You want to arm wrestle? What do

1820
01:20:37,520 --> 01:20:42,439
Speaker 2: you want to do? Oh my god? Completely unsolicited? I

1821
01:20:42,479 --> 01:20:46,800
Speaker 2: don't know what. Yeah, that's sure, all right? Back off?

1822
01:20:48,479 --> 01:20:53,240
Speaker 2: Dan and the nicest guy Dan and Share the nicest

1823
01:20:53,280 --> 01:20:58,120
Speaker 2: guys ever, aren't they. I'm trying to move on and

1824
01:20:58,200 --> 01:21:00,840
Speaker 2: you're not letting me move on. It turns Texas read

1825
01:21:03,200 --> 01:21:07,479
Speaker 2: you know from now on, I'm gonna just read my bio. Charlie, pooh,

1826
01:21:08,680 --> 01:21:12,040
Speaker 2: that's not how this works featuring Dan and She in

1827
01:21:12,080 --> 01:21:16,439
Speaker 2: the video featuring Sabrina Carpenter. I mean I quote you

1828
01:21:16,560 --> 01:21:19,000
Speaker 2: you said, I went through many changes musically in my life,

1829
01:21:19,040 --> 01:21:21,320
Speaker 2: but always kept this song in my back pocket because

1830
01:21:21,320 --> 01:21:22,880
Speaker 2: I knew how special it was. I did.

1831
01:21:22,960 --> 01:21:25,920
Speaker 18: I made this song three years ago on Zoom with them,

1832
01:21:26,240 --> 01:21:29,120
Speaker 18: and it kind of nothing ever happened with it. And

1833
01:21:29,960 --> 01:21:32,160
Speaker 18: I'm not in an album cycle right now, but I

1834
01:21:32,200 --> 01:21:35,720
Speaker 18: couldn't let another year go by without this song being out.

1835
01:21:36,160 --> 01:21:38,640
Speaker 2: Charlie then went on to say, when you listen to

1836
01:21:38,720 --> 01:21:40,680
Speaker 2: this song, I hope you feel what I felt when

1837
01:21:40,680 --> 01:21:42,479
Speaker 2: I wrote it, a sense of relief. And I remember

1838
01:21:42,520 --> 01:21:44,160
Speaker 2: you told me that story. Did I say, yes, you

1839
01:21:44,200 --> 01:21:47,599
Speaker 2: did say that. That seems maybe he didn't he did.

1840
01:21:47,920 --> 01:21:52,679
Speaker 2: I hope you feel a sense of relief. Hey, let's

1841
01:21:52,720 --> 01:21:55,200
Speaker 2: talk about Charlie. Charlie makes it record because I know

1842
01:21:55,280 --> 01:21:57,840
Speaker 2: you're excited about this. I can't figure out if I'm

1843
01:21:57,880 --> 01:22:01,400
Speaker 2: gonna call the TV show that or I wanted to

1844
01:22:01,479 --> 01:22:04,320
Speaker 2: call it like note to self, I tell what it

1845
01:22:04,439 --> 01:22:06,360
Speaker 2: is how the rhythm works on the show. I have

1846
01:22:06,479 --> 01:22:09,680
Speaker 2: a TV show on Roku. It's not out yet, but

1847
01:22:09,720 --> 01:22:12,960
Speaker 2: we're gonna start filming soon. That was announced yesterday, and

1848
01:22:13,600 --> 01:22:16,600
Speaker 2: it's what you see on the internet about me, but

1849
01:22:16,800 --> 01:22:19,479
Speaker 2: just a little bit more professionally filmed. Like remember watching

1850
01:22:19,560 --> 01:22:23,000
Speaker 2: the rug Rats and it was twenty minute episodes, and

1851
01:22:23,120 --> 01:22:25,080
Speaker 2: then they have the rug Rats movie, and then you

1852
01:22:25,280 --> 01:22:27,599
Speaker 2: watch the Simpsons and then it was the Simpsons movie

1853
01:22:27,760 --> 01:22:31,280
Speaker 2: and then the animation was just like slightly better. That's

1854
01:22:31,400 --> 01:22:33,680
Speaker 2: what like my show is going to be. It's like

1855
01:22:33,840 --> 01:22:36,280
Speaker 2: not just gonna be me filming with my damn phone.

1856
01:22:36,439 --> 01:22:40,120
Speaker 2: It'll be actual cameras. And you have guests on this

1857
01:22:40,320 --> 01:22:42,320
Speaker 2: thing too. I mean, yeah, you've got some name show

1858
01:22:42,400 --> 01:22:45,519
Speaker 2: stopping by. It's like like an episode could start like

1859
01:22:45,640 --> 01:22:48,120
Speaker 2: this with this hum that's happening from this air conditioner

1860
01:22:48,200 --> 01:22:52,080
Speaker 2: blowing out all this barbecue smell you hear the hum

1861
01:22:52,320 --> 01:22:56,719
Speaker 2: all the I could start my day here with Elvis

1862
01:22:56,800 --> 01:23:01,000
Speaker 2: Duran and then go to a trick lady and make

1863
01:23:01,080 --> 01:23:03,400
Speaker 2: a song and then bring it to like Alicia Keys,

1864
01:23:03,439 --> 01:23:05,519
Speaker 2: and then Alicia will bring it to someone. It's like

1865
01:23:05,600 --> 01:23:09,960
Speaker 2: a whole It's like a scripted reality show. But it's

1866
01:23:10,040 --> 01:23:14,920
Speaker 2: my life. When's it out? Roku? When I probably? I

1867
01:23:14,960 --> 01:23:20,559
Speaker 2: don't know? Never never nah soon not to do it soon? Uh?

1868
01:23:22,000 --> 01:23:27,439
Speaker 2: Daniel's birth Oh scary wearing the beats from twenty and eleven?

1869
01:23:28,439 --> 01:23:30,360
Speaker 9: I had them refer based because I just watched a

1870
01:23:30,400 --> 01:23:32,280
Speaker 9: silver color. How do you know them from twenty eleven?

1871
01:23:32,360 --> 01:23:35,080
Speaker 2: Because I had them in twenty eleven and I still

1872
01:23:35,120 --> 01:23:37,320
Speaker 2: love it. I mean, those are good ones. You were

1873
01:23:37,320 --> 01:23:38,840
Speaker 2: a very rain man when it comes to certain things.

1874
01:23:38,880 --> 01:23:41,360
Speaker 2: You remember things that the rest of us will never remember.

1875
01:23:41,360 --> 01:23:43,280
Speaker 18: All the things I'm supposed to remember, I don't put

1876
01:23:43,280 --> 01:23:45,000
Speaker 18: all the things I don't I'm not supposed to.

1877
01:23:45,240 --> 01:23:48,760
Speaker 2: Here's one you forgot. Do you see the balloons behind you?

1878
01:23:48,960 --> 01:23:52,800
Speaker 2: Those are from a month ago for Daniel's birthday? Oh God,

1879
01:23:53,040 --> 01:23:55,920
Speaker 2: are you gonna like put the helium? Are you gonna

1880
01:23:55,920 --> 01:23:56,200
Speaker 2: put them in?

1881
01:23:56,320 --> 01:23:56,360
Speaker 14: No?

1882
01:23:56,760 --> 01:23:58,639
Speaker 2: No, no, no, I'm not gonna put anything in your mouth.

1883
01:23:58,720 --> 01:24:02,120
Speaker 2: Yeah no, I mean, Danielle said, you know what, we

1884
01:24:02,200 --> 01:24:04,080
Speaker 2: make my birthday great? If Chroni Poth just did a

1885
01:24:04,160 --> 01:24:07,920
Speaker 2: quick little FaceTime of him wishing me happy birthday. Sure,

1886
01:24:08,280 --> 01:24:12,759
Speaker 2: I'll do that for anybody. But who is Danielle? Danielle? Oh, Danielle.

1887
01:24:12,760 --> 01:24:20,160
Speaker 2: I thought you said daniel Danielle. Sure, I'll call Danielle.

1888
01:24:20,200 --> 01:24:22,120
Speaker 2: But like I know Danielle very well, I don't know

1889
01:24:22,160 --> 01:24:25,439
Speaker 2: if she's gonna be very surprised. Daniel daniel And like

1890
01:24:25,520 --> 01:24:26,439
Speaker 2: Danielle loves you.

1891
01:24:26,840 --> 01:24:29,320
Speaker 18: I love Danielle. I've been listening to Danielle and all

1892
01:24:29,400 --> 01:24:30,880
Speaker 18: of you for a very very long time. You have

1893
01:24:30,960 --> 01:24:32,519
Speaker 18: a lot of stickers on your laptop.

1894
01:24:32,600 --> 01:24:36,639
Speaker 7: I do people run out space to advertise.

1895
01:24:37,439 --> 01:24:41,080
Speaker 2: Let's talk about the music. Go the music.

1896
01:24:41,640 --> 01:24:43,800
Speaker 18: Well, I'm working on another album I might come out

1897
01:24:43,880 --> 01:24:46,120
Speaker 18: this year, right, Yeah, it's all R and B.

1898
01:24:47,720 --> 01:24:50,240
Speaker 2: Yeah, because you you hit that really well. You have

1899
01:24:50,360 --> 01:24:51,640
Speaker 2: a great voice for that. Thank you.

1900
01:24:51,920 --> 01:24:59,960
Speaker 18: Yeah, I uh yeah, I'm working on that. That'll probably

1901
01:25:00,120 --> 01:25:04,360
Speaker 18: be out this year. And we have a tour that

1902
01:25:04,479 --> 01:25:06,360
Speaker 18: we have to do and we're probably going to take

1903
01:25:06,400 --> 01:25:07,519
Speaker 18: it to Asia as well.

1904
01:25:07,760 --> 01:25:09,360
Speaker 2: Can I just say this is just an elephant in

1905
01:25:09,360 --> 01:25:12,000
Speaker 2: the room. Can I just say what it's weird interviewing you?

1906
01:25:12,320 --> 01:25:14,360
Speaker 2: Why because we're such a good friends. Well, I don't know,

1907
01:25:14,479 --> 01:25:17,240
Speaker 2: I don't know. It's weird. Why is it weird? Remember

1908
01:25:17,240 --> 01:25:19,439
Speaker 2: when we took the bus to Miami. Yes, I had

1909
01:25:19,439 --> 01:25:21,479
Speaker 2: an interview that night and I could interview you. I

1910
01:25:21,520 --> 01:25:24,320
Speaker 2: can't interview you anymore. Is it because we ran out

1911
01:25:24,320 --> 01:25:26,280
Speaker 2: of things to talk? I don't know, No, there's not.

1912
01:25:26,439 --> 01:25:28,320
Speaker 2: There's a million things. That's why I have to go

1913
01:25:28,360 --> 01:25:30,680
Speaker 2: to this someone else, someone else in the background road.

1914
01:25:30,800 --> 01:25:33,000
Speaker 2: There's so many things that we can't talk about that

1915
01:25:33,160 --> 01:25:35,439
Speaker 2: happened off the mihone not at all.

1916
01:25:35,400 --> 01:25:38,040
Speaker 7: And we know that, we know that you talk about

1917
01:25:38,080 --> 01:25:38,479
Speaker 7: all of them.

1918
01:25:38,600 --> 01:25:41,040
Speaker 2: It's weird. It's just weird. I can't interview you anymore.

1919
01:25:41,439 --> 01:25:45,400
Speaker 2: I get conversations with you because there's like this air

1920
01:25:45,680 --> 01:25:47,840
Speaker 2: of like we have to like hit this point and

1921
01:25:47,880 --> 01:25:49,880
Speaker 2: we have to do this or the label is going

1922
01:25:49,920 --> 01:25:50,680
Speaker 2: to get mad or well.

1923
01:25:50,800 --> 01:25:51,080
Speaker 5: I want.

1924
01:25:51,120 --> 01:25:53,280
Speaker 2: I want to make our friends from the label happy

1925
01:25:53,320 --> 01:25:55,160
Speaker 2: because they're generous enough to be here with you and

1926
01:25:55,280 --> 01:25:57,840
Speaker 2: other artists. I want. I want to hit all those

1927
01:25:57,920 --> 01:26:00,880
Speaker 2: things that I'm supposed to hit it right, but it's

1928
01:26:00,880 --> 01:26:03,400
Speaker 2: hard to do that. I know what you mean, but

1929
01:26:03,760 --> 01:26:06,360
Speaker 2: talk about it. It's I know what you mean, but

1930
01:26:06,439 --> 01:26:08,560
Speaker 2: it's just like we're just like friends. Well I know,

1931
01:26:08,800 --> 01:26:10,799
Speaker 2: and I can have a conversation with you about anything

1932
01:26:10,960 --> 01:26:13,240
Speaker 2: and everything, Like do you have any friends in the

1933
01:26:13,320 --> 01:26:17,040
Speaker 2: music world that you can't perform with because.

1934
01:26:17,720 --> 01:26:23,280
Speaker 18: I I have music friends that I can't believe I'm

1935
01:26:23,560 --> 01:26:27,360
Speaker 18: friends with, Like Elton John being my next door literal

1936
01:26:27,479 --> 01:26:31,320
Speaker 18: nextdoor neighbor is like still it's as much of a

1937
01:26:31,400 --> 01:26:33,800
Speaker 18: trip as like seeing your name on the marquee at

1938
01:26:33,880 --> 01:26:35,639
Speaker 18: the Radio City Music Hall.

1939
01:26:36,360 --> 01:26:38,360
Speaker 2: But you can record with him. I can record without

1940
01:26:38,400 --> 01:26:38,799
Speaker 2: a problem.

1941
01:26:38,960 --> 01:26:41,800
Speaker 18: Yeah, I mean that's that's incredible. And the fact that

1942
01:26:41,880 --> 01:26:45,560
Speaker 18: I can I work with all like these people that

1943
01:26:45,640 --> 01:26:48,519
Speaker 18: I grew up listening to. Is I'm talking like the

1944
01:26:49,160 --> 01:26:51,040
Speaker 18: like I'm on an interview. You ever notice on like

1945
01:26:51,120 --> 01:26:53,320
Speaker 18: a Hot ninety seven they're always like talking like this

1946
01:26:53,439 --> 01:26:55,200
Speaker 18: far away what you're saying.

1947
01:26:55,600 --> 01:26:57,880
Speaker 2: The mic technique is not not an a plus or

1948
01:26:59,320 --> 01:27:01,240
Speaker 2: now I get that. Not here at the Elvis show.

1949
01:27:01,640 --> 01:27:03,320
Speaker 2: See here's what I think it is. It's not you,

1950
01:27:03,640 --> 01:27:06,560
Speaker 2: it's all the other people to interview. What do you

1951
01:27:06,600 --> 01:27:08,800
Speaker 2: talk about with other people? Well, anything and everything. But

1952
01:27:08,920 --> 01:27:12,000
Speaker 2: I feel like I can put a wall oh yeah

1953
01:27:12,120 --> 01:27:14,560
Speaker 2: in front of anyone. I don't know that well. But

1954
01:27:15,080 --> 01:27:16,519
Speaker 2: and you and I we're not best friends. I mean

1955
01:27:16,560 --> 01:27:18,960
Speaker 2: we're friends. We're pretty good friends. Okay.

1956
01:27:20,040 --> 01:27:22,040
Speaker 18: We were sitting next to each other on a plane

1957
01:27:22,240 --> 01:27:26,320
Speaker 18: one time and the turbulence was so horrible. And I'm

1958
01:27:26,439 --> 01:27:30,000
Speaker 18: not a great flyer, like when we're landing, especially in

1959
01:27:30,080 --> 01:27:32,360
Speaker 18: New Jersey and Miami. We just happened to be on

1960
01:27:32,400 --> 01:27:34,320
Speaker 18: a flight to Miami. We were sitting next to each

1961
01:27:34,360 --> 01:27:37,479
Speaker 18: other and the wind was like you know, like when

1962
01:27:37,520 --> 01:27:40,519
Speaker 18: you the plane lands like on an angle. I was

1963
01:27:40,800 --> 01:27:44,759
Speaker 18: like shaking. And this man doesn't care at all what happens.

1964
01:27:44,840 --> 01:27:47,000
Speaker 18: Like the plane could be like landing upside down. He'd

1965
01:27:47,040 --> 01:27:48,720
Speaker 18: be like, it's fine, We're gonna be fine.

1966
01:27:48,840 --> 01:27:50,960
Speaker 7: If we had.

1967
01:27:50,920 --> 01:27:52,559
Speaker 2: Died on that plane, you would get all the headlines.

1968
01:27:52,600 --> 01:27:53,200
Speaker 2: I would be nothing.

1969
01:27:54,040 --> 01:27:54,400
Speaker 12: I'm just.

1970
01:27:57,880 --> 01:28:02,679
Speaker 2: I'm just I'm like shaking. And he's laughing everywhere, even

1971
01:28:02,800 --> 01:28:05,120
Speaker 2: like the stewardess do you call him steward No, no

1972
01:28:05,320 --> 01:28:07,960
Speaker 2: flight attendant, flight attendants. I'm so old school of me.

1973
01:28:08,400 --> 01:28:12,280
Speaker 18: Even the flight attendants are like not super comfortable. And

1974
01:28:12,520 --> 01:28:14,639
Speaker 18: he's like having like a jack and coke, and it's

1975
01:28:14,760 --> 01:28:15,679
Speaker 18: just like llo Ellen.

1976
01:28:15,800 --> 01:28:18,040
Speaker 7: The whole time concern is that it doesn't spill.

1977
01:28:20,800 --> 01:28:26,439
Speaker 2: Had something happened, it would Charlie poof music legendary in

1978
01:28:26,720 --> 01:28:28,559
Speaker 2: local radio disc jockey, No.

1979
01:28:28,640 --> 01:28:28,960
Speaker 14: What was it?

1980
01:28:29,160 --> 01:28:32,120
Speaker 2: Minor celebrity, minor celebrity they called me a minor celebrity

1981
01:28:32,160 --> 01:28:33,240
Speaker 2: in the New York Post the other day, I was

1982
01:28:33,320 --> 01:28:36,280
Speaker 2: so so flabbertying. I see all these things, these prompts

1983
01:28:36,360 --> 01:28:38,440
Speaker 2: behind you is Charlie High.

1984
01:28:39,720 --> 01:28:40,599
Speaker 7: Shut the text off.

1985
01:28:42,160 --> 01:28:44,240
Speaker 2: Yes, he is very I'm always gonna look at what

1986
01:28:44,320 --> 01:28:46,519
Speaker 2: are these live tweets or something? No, no, but what

1987
01:28:46,680 --> 01:28:48,680
Speaker 2: we are seeing people are saying this, this is an

1988
01:28:48,720 --> 01:28:52,000
Speaker 2: interesting interview. I'm not supposed to see that. No, turn

1989
01:28:52,040 --> 01:28:54,479
Speaker 2: it off. It's an interesting interview because it sounds more

1990
01:28:54,560 --> 01:28:57,439
Speaker 2: like a podcast than like, I think that's where but

1991
01:28:57,680 --> 01:28:59,439
Speaker 2: I think that's where things are heading now. I think

1992
01:28:59,520 --> 01:29:01,719
Speaker 2: the hey, so what do you have to promote today?

1993
01:29:03,240 --> 01:29:05,160
Speaker 2: Is like is over?

1994
01:29:05,560 --> 01:29:05,680
Speaker 12: Right?

1995
01:29:05,800 --> 01:29:07,559
Speaker 2: Like I think? Is that what I sound like? Really,

1996
01:29:07,640 --> 01:29:10,560
Speaker 2: it's it's more like about I don't like you.

1997
01:29:10,760 --> 01:29:12,639
Speaker 7: That's none of those guys, those guys.

1998
01:29:12,920 --> 01:29:15,360
Speaker 18: I'm not talking about you. I'm talking about those guys

1999
01:29:15,640 --> 01:29:19,360
Speaker 18: and those ladies. Yes, like them. Like that style of

2000
01:29:19,479 --> 01:29:22,800
Speaker 18: interviewing is over. People want to hear, you know, like

2001
01:29:22,880 --> 01:29:25,719
Speaker 18: the what that call Her Daddy podcast?

2002
01:29:25,800 --> 01:29:27,600
Speaker 2: What is that like? They want to they want they

2003
01:29:27,680 --> 01:29:30,160
Speaker 2: want stuff like that conversation you know who I head

2004
01:29:30,200 --> 01:29:33,639
Speaker 2: in here? Was it two days ago? Keshah, Yeah, she's lovely.

2005
01:29:33,760 --> 01:29:35,680
Speaker 2: I did just just a podcast of one on one

2006
01:29:35,760 --> 01:29:38,880
Speaker 2: with her. It was fascinating. It was the same rhythm

2007
01:29:38,920 --> 01:29:41,599
Speaker 2: as this she and she's just you can just let

2008
01:29:41,680 --> 01:29:44,000
Speaker 2: her start and she's just so and she's She's.

2009
01:29:43,880 --> 01:29:46,960
Speaker 18: One of the most impressive songwriters. I remember the first

2010
01:29:47,000 --> 01:29:50,080
Speaker 18: time I heard I think she was uncredited for some

2011
01:29:50,200 --> 01:29:53,479
Speaker 18: reason on Flow write a song wild one and do

2012
01:29:53,560 --> 01:29:58,080
Speaker 18: you remember, Hey, great song, but like she wasn't or

2013
01:29:58,120 --> 01:29:59,920
Speaker 18: maybe it was featuring her. I don't remember, but I

2014
01:30:00,080 --> 01:30:02,240
Speaker 18: it was like two thousand and nine and room spin

2015
01:30:02,360 --> 01:30:08,880
Speaker 18: Me round, oh right, right, right right right, because right round, yeah,

2016
01:30:08,920 --> 01:30:11,280
Speaker 18: you spin me right round? And I heard that voice

2017
01:30:11,520 --> 01:30:13,920
Speaker 18: like that's a really And then TikTok came out right

2018
01:30:14,320 --> 01:30:16,320
Speaker 18: like a year after, and I'll never forget where I was.

2019
01:30:16,360 --> 01:30:19,640
Speaker 18: I was in Eatontown, New Jersey, at a friend's sleepover,

2020
01:30:20,080 --> 01:30:23,360
Speaker 18: and all of his friends wanted to play that song

2021
01:30:23,439 --> 01:30:25,800
Speaker 18: over and over again. And the last time that I

2022
01:30:25,960 --> 01:30:27,840
Speaker 18: was around people who wanted to play a song over

2023
01:30:27,880 --> 01:30:30,559
Speaker 18: and over again was when I was trading Pokemon cards

2024
01:30:30,600 --> 01:30:34,000
Speaker 18: in nineteen ninety nine with my friend at my grandma's

2025
01:30:34,040 --> 01:30:36,720
Speaker 18: house in Don't ask me why. We were in a

2026
01:30:36,800 --> 01:30:39,840
Speaker 18: basement but that's where we were, and we were listening

2027
01:30:39,880 --> 01:30:41,920
Speaker 18: to hit Me Baby One More Time by Britney Spears

2028
01:30:41,960 --> 01:30:44,479
Speaker 18: over and over again. So it was that song and

2029
01:30:44,880 --> 01:30:46,840
Speaker 18: that song like kind of ten years separated.

2030
01:30:46,920 --> 01:30:48,400
Speaker 2: Do you still have those Pokemon cards?

2031
01:30:48,720 --> 01:30:49,280
Speaker 14: I have?

2032
01:30:49,760 --> 01:30:52,680
Speaker 2: I have one? Charge ar you just doubled your value. Yeah, no,

2033
01:30:53,320 --> 01:30:57,200
Speaker 2: it's not. It's not the original first jet Joe Jonas

2034
01:30:57,240 --> 01:31:00,080
Speaker 2: had a big suitcase.

2035
01:30:59,600 --> 01:31:01,720
Speaker 7: Of handcuffs him to his wrists and nobody gets them.

2036
01:31:02,120 --> 01:31:05,080
Speaker 2: Why does he do that because the originally invaluable? Oh

2037
01:31:05,160 --> 01:31:08,200
Speaker 2: because they're actually well, he probably has like super valuable ones.

2038
01:31:08,280 --> 01:31:10,479
Speaker 2: I just have like I might have like some boot

2039
01:31:10,520 --> 01:31:15,160
Speaker 2: leg her original ones. Yeah. Hey, so other writers Kesha

2040
01:31:15,840 --> 01:31:18,479
Speaker 2: who was another great writer that just isn't getting the

2041
01:31:18,520 --> 01:31:22,439
Speaker 2: credit they deserve. Oh now that's a good question. Finally

2042
01:31:22,439 --> 01:31:24,800
Speaker 2: asked a good question. This is good. We're onto something.

2043
01:31:25,320 --> 01:31:25,960
Speaker 2: We got it.

2044
01:31:26,320 --> 01:31:29,559
Speaker 18: No, no, no, you've asked good questions. A good writer,

2045
01:31:30,200 --> 01:31:34,240
Speaker 18: you know, you know who's they're they're very deserving. You

2046
01:31:34,280 --> 01:31:38,040
Speaker 18: know who's really good is Tie Dollar Sign, the Wow rapper.

2047
01:31:38,080 --> 01:31:40,840
Speaker 18: He's really good at writing pop hooks as well.

2048
01:31:41,280 --> 01:31:44,720
Speaker 2: You never and and kid le Roy is really good

2049
01:31:44,760 --> 01:31:48,519
Speaker 2: at writing the people that you if you're not in

2050
01:31:48,880 --> 01:31:52,920
Speaker 2: the industry every day, you might not think that they're

2051
01:31:53,120 --> 01:31:56,679
Speaker 2: good writers, but they're actually The girl Chloe I worked

2052
01:31:56,720 --> 01:31:59,519
Speaker 2: with once. She's very, very good and quick in the

2053
01:31:59,560 --> 01:32:04,120
Speaker 2: studio as well. So there are others other than you. Yes,

2054
01:32:04,280 --> 01:32:07,400
Speaker 2: there's a lot of people other than me. I'm inspired

2055
01:32:07,439 --> 01:32:08,040
Speaker 2: by everybody.

2056
01:32:08,120 --> 01:32:11,439
Speaker 18: I always want to learn from everybody, and that's so

2057
01:32:11,560 --> 01:32:13,280
Speaker 18: that's how I feel like I'm going to stay around forever.

2058
01:32:14,000 --> 01:32:15,719
Speaker 2: You know, when I know how I know the interview

2059
01:32:15,800 --> 01:32:18,240
Speaker 2: is over because everyone's on their phones. No one's saying,

2060
01:32:18,280 --> 01:32:19,080
Speaker 2: no one's paying attention.

2061
01:32:19,320 --> 01:32:22,000
Speaker 7: I noticed when Nate puts the highlighter on around his neck.

2062
01:32:22,280 --> 01:32:24,519
Speaker 2: Oh, you're wearing the highlighter like it's jewelry. Why are

2063
01:32:24,520 --> 01:32:25,439
Speaker 2: you wearing a highlighter?

2064
01:32:25,680 --> 01:32:26,280
Speaker 12: This is what I do.

2065
01:32:26,600 --> 01:32:29,120
Speaker 2: This is part off. But he only puts the highlight

2066
01:32:29,160 --> 01:32:31,000
Speaker 2: around when it's time to move on? Is that the

2067
01:32:31,080 --> 01:32:31,799
Speaker 2: secret signal?

2068
01:32:31,880 --> 01:32:33,080
Speaker 9: Like pulling my ears?

2069
01:32:35,040 --> 01:32:41,760
Speaker 2: Congratulations? His ears drooping down like Dumbo? Oh you're your

2070
01:32:41,800 --> 01:32:44,439
Speaker 2: ears drooping down like you just what was that that?

2071
01:32:45,520 --> 01:32:50,040
Speaker 2: Never mind? Everyone the joke, move on. It's too early. Congratulations.

2072
01:32:50,160 --> 01:32:52,080
Speaker 2: The song is excellent, We're about to play it. Thank

2073
01:32:52,120 --> 01:32:55,200
Speaker 2: you very much. Also, to see, to see someone who's

2074
01:32:55,280 --> 01:32:57,639
Speaker 2: really cool that you know and you like a lot

2075
01:32:57,680 --> 01:32:59,760
Speaker 2: of tour. It's like you just left the warped tour.

2076
01:32:59,800 --> 01:33:02,879
Speaker 2: You'res are drooping down solo because you have huge gauges

2077
01:33:02,920 --> 01:33:07,360
Speaker 2: in your That was the joke. Nailed to see someone

2078
01:33:07,400 --> 01:33:10,240
Speaker 2: you really admire and have their name upon radio sea

2079
01:33:10,360 --> 01:33:13,000
Speaker 2: music halls like you know, good for me. I have

2080
01:33:13,040 --> 01:33:15,000
Speaker 2: a cool friend. No, it is very very cool, and

2081
01:33:15,200 --> 01:33:18,799
Speaker 2: you're a cool friend for playing the record heavy rotation?

2082
01:33:18,960 --> 01:33:21,639
Speaker 2: Is that what they call it? Heavy rotation? Well, I'm

2083
01:33:21,680 --> 01:33:23,920
Speaker 2: not in charge of that. I just push play. This

2084
01:33:24,080 --> 01:33:26,679
Speaker 2: is the version without Sabrina Carpenter. I was just told

2085
01:33:26,800 --> 01:33:28,640
Speaker 2: this is the version with Dan and Shay and all

2086
01:33:29,320 --> 01:33:31,240
Speaker 2: high letters. You have a different high letter. That's a

2087
01:33:31,320 --> 01:33:34,439
Speaker 2: yellow high lighter. Excellent. He has an orange one. Thank

2088
01:33:34,479 --> 01:33:36,960
Speaker 2: you for coming in, Charlie, Thank you for having me.

2089
01:33:37,160 --> 01:33:39,120
Speaker 2: Next time we see you, I want furniture in that apartment.

2090
01:33:39,400 --> 01:33:42,040
Speaker 2: I have no furniture for a long time. I can't

2091
01:33:42,080 --> 01:33:44,479
Speaker 2: make up my mind. Well, you got to hire someone

2092
01:33:44,520 --> 01:33:46,160
Speaker 2: to make up. I don't know what the fun shuway

2093
01:33:46,280 --> 01:33:48,080
Speaker 2: is going to be. Do you want to borrow Dmitri?

2094
01:33:48,160 --> 01:33:49,360
Speaker 2: He can do it for you, he can drive you

2095
01:33:49,400 --> 01:33:52,120
Speaker 2: to your friend. He can just park in the apartment.

2096
01:33:52,960 --> 01:33:55,960
Speaker 2: What a great song. The words tell us what they

2097
01:33:56,000 --> 01:33:56,400
Speaker 2: really mean.

2098
01:33:56,880 --> 01:34:01,360
Speaker 18: That's not it's it's for everybody to their own spin

2099
01:34:01,640 --> 01:34:03,840
Speaker 18: on it, everything that they've gone through in their life.

2100
01:34:03,880 --> 01:34:05,880
Speaker 2: If we're if you're driving in your car right now,

2101
01:34:05,960 --> 01:34:07,519
Speaker 2: you can relate to this song. I love the song

2102
01:34:07,520 --> 01:34:10,200
Speaker 2: because it's it's It has a level of belligerence to it,

2103
01:34:10,320 --> 01:34:12,479
Speaker 2: which I think is great. Yeah, it's if I knew

2104
01:34:12,479 --> 01:34:14,560
Speaker 2: what that word meant, I would agree with you that

2105
01:34:14,640 --> 01:34:16,320
Speaker 2: I agree with it. Charlie pooths with Dan and Shay.

2106
01:34:16,360 --> 01:34:18,120
Speaker 2: That's now how it works. Thank you for coming in, Charlie.

2107
01:34:18,240 --> 01:34:20,240
Speaker 2: Thank you Here it is should just listen to it.

2108
01:34:21,800 --> 01:34:24,599
Speaker 3: The standard data and messaging race may apply. Elvis Duran

2109
01:34:24,680 --> 01:34:25,439
Speaker 3: in the Morning Show.

2110
01:34:26,320 --> 01:34:29,640
Speaker 2: The Samsung Galaxy S twenty three Ultra is here with

2111
01:34:29,760 --> 01:34:31,880
Speaker 2: a built in s pen that makes it easy to write,

2112
01:34:32,000 --> 01:34:35,080
Speaker 2: draw and capture photos. Share the epic with s pen

2113
01:34:35,160 --> 01:34:37,760
Speaker 2: and S twenty six to three Ultra take advantage of

2114
01:34:37,800 --> 01:34:40,840
Speaker 2: amazing carrier offers now at Samsung dot Com.

2115
01:34:41,200 --> 01:34:42,360
Speaker 3: Duran in the Morning Show.

2116
01:34:45,120 --> 01:34:49,799
Speaker 2: Wow, I just went to hug Charlie, goodbye and cameras

2117
01:34:49,840 --> 01:34:51,800
Speaker 2: came out. They thought we were posing for a photo. No,

2118
01:34:52,160 --> 01:34:56,040
Speaker 2: I just want to hug someone goodbye. Can't we just

2119
01:34:56,120 --> 01:34:57,320
Speaker 2: live in a world where we don't have to have

2120
01:34:57,360 --> 01:34:58,639
Speaker 2: a camera on us at all times.

2121
01:34:58,760 --> 01:35:01,839
Speaker 7: No, everywhere they follow you their motion activated.

2122
01:35:01,920 --> 01:35:02,800
Speaker 2: I'm just exhausted.

2123
01:35:03,439 --> 01:35:03,599
Speaker 14: Hey.

2124
01:35:03,680 --> 01:35:06,479
Speaker 2: So, while rock and Roll Hall of Fame Induction twenty

2125
01:35:06,560 --> 01:35:11,080
Speaker 2: twenty three announcements have been made, so we thought we

2126
01:35:11,120 --> 01:35:14,360
Speaker 2: would go to someone who knows more about the Rock

2127
01:35:14,360 --> 01:35:16,839
Speaker 2: and Roll Hall of Fame than anyone else. John Syke's

2128
01:35:16,840 --> 01:35:21,680
Speaker 2: the chairman of the Rock and Roll Hall of Fame Foundation. Hi. John, Hello, Well,

2129
01:35:21,880 --> 01:35:24,000
Speaker 2: that's my unpaid job. My paid job is to work

2130
01:35:24,040 --> 01:35:26,200
Speaker 2: with you every day at iHeart Radio. But this is

2131
01:35:26,240 --> 01:35:27,920
Speaker 2: I like to spend half my life doing something I

2132
01:35:27,960 --> 01:35:29,680
Speaker 2: don't get paid for. They should pay you more to

2133
01:35:29,760 --> 01:35:33,080
Speaker 2: work with us. There you go, two and two three seven,

2134
01:35:33,200 --> 01:35:36,880
Speaker 2: Set it call that number, he Bob, more money for John. Hey, So,

2135
01:35:37,120 --> 01:35:40,160
Speaker 2: I mean, first of all, to be the chairman of

2136
01:35:40,160 --> 01:35:42,760
Speaker 2: the Rock and Roll Hall of Fame Foundation. So we're

2137
01:35:42,800 --> 01:35:45,040
Speaker 2: not just talking about a group of people who get

2138
01:35:45,040 --> 01:35:47,120
Speaker 2: together and figure out who's gonna be inducted into the

2139
01:35:47,160 --> 01:35:49,040
Speaker 2: Hall of Fame. The foundation does a lot of really

2140
01:35:49,360 --> 01:35:50,719
Speaker 2: great important things.

2141
01:35:51,080 --> 01:35:53,400
Speaker 17: Amazing What it does, I mean, first and foremost, it

2142
01:35:53,560 --> 01:35:56,120
Speaker 17: honors the artist of change music or as we like

2143
01:35:56,200 --> 01:35:58,320
Speaker 17: to say, the sound of young America. Whether you know

2144
01:35:58,400 --> 01:36:01,280
Speaker 17: it's an amalgam of sounds. It's than blues, country rock,

2145
01:36:01,360 --> 01:36:03,920
Speaker 17: I mean, which we'll get to, I'm sure, but also

2146
01:36:04,080 --> 01:36:08,559
Speaker 17: right education programs. A beautiful museum in Cleveland, Iron pay designed,

2147
01:36:09,040 --> 01:36:12,320
Speaker 17: which half a million people walk through every day, but

2148
01:36:12,479 --> 01:36:15,160
Speaker 17: social we reach hundreds of millions through the iHeart I'm

2149
01:36:15,200 --> 01:36:18,280
Speaker 17: through the Rock and Roll Hall of Fame site, and

2150
01:36:18,360 --> 01:36:21,040
Speaker 17: it's really it's a celebration of the sound of young America.

2151
01:36:21,200 --> 01:36:23,439
Speaker 17: They look different, they sound different, but they have one

2152
01:36:23,479 --> 01:36:25,360
Speaker 17: thing in common. They have a spirit and attitude that

2153
01:36:25,400 --> 01:36:26,000
Speaker 17: moves culture.

2154
01:36:26,479 --> 01:36:27,880
Speaker 2: Gandhi, have you been to the Rock and Roll Hall

2155
01:36:27,880 --> 01:36:28,599
Speaker 2: of Fame in Cleveland?

2156
01:36:28,680 --> 01:36:29,160
Speaker 7: Of course I have.

2157
01:36:29,439 --> 01:36:30,120
Speaker 2: Isn't it amazing?

2158
01:36:30,280 --> 01:36:30,479
Speaker 4: Yeah?

2159
01:36:30,720 --> 01:36:32,439
Speaker 7: I love looking at the outfits and I'm like, wow,

2160
01:36:32,600 --> 01:36:34,439
Speaker 7: that's that person's taller than I thought they were. There's

2161
01:36:34,479 --> 01:36:36,280
Speaker 7: so much smaller than I thought they were. It's amazing.

2162
01:36:36,439 --> 01:36:36,920
Speaker 2: Yeah. Yeah.

2163
01:36:36,960 --> 01:36:38,519
Speaker 17: And when you go to the Hall of Fame, if

2164
01:36:38,560 --> 01:36:40,479
Speaker 17: you get like the back room view, if you sign

2165
01:36:40,520 --> 01:36:42,960
Speaker 17: up the back room tour. You see Elvis's jacket he

2166
01:36:43,040 --> 01:36:46,439
Speaker 17: got from the army. You see Prince's amazing purple rain coat.

2167
01:36:46,760 --> 01:36:50,080
Speaker 17: But besides just clothing and lyrics on the wall, they've

2168
01:36:50,160 --> 01:36:53,280
Speaker 17: now gotten into amazing displays. Peter Jackson did a get

2169
01:36:53,360 --> 01:36:57,360
Speaker 17: back installation to celebrate the Beatles. You know, the Beatles,

2170
01:36:57,479 --> 01:37:00,439
Speaker 17: a doc that ran on Disney and the actual built

2171
01:37:00,479 --> 01:37:02,200
Speaker 17: one just for the Hall of Fame in Peter Jackson

2172
01:37:02,360 --> 01:37:05,000
Speaker 17: edited video just for that. So there's a lot going

2173
01:37:05,080 --> 01:37:08,400
Speaker 17: on there. But again, the Hall of Fame is ubiquitous.

2174
01:37:08,400 --> 01:37:10,240
Speaker 17: Whether you live in Cleveland or go to Cleveland. You

2175
01:37:10,240 --> 01:37:13,679
Speaker 17: could live in London, you Phoenix, and you can connect

2176
01:37:13,920 --> 01:37:15,519
Speaker 17: with the artists that you grew up and you love.

2177
01:37:16,040 --> 01:37:18,760
Speaker 2: Another reason why you should love John Sykes. Yes, he

2178
01:37:18,840 --> 01:37:20,559
Speaker 2: sends me Greater's ice cream every year.

2179
01:37:20,720 --> 01:37:22,360
Speaker 7: Oh my god, Greaters is the best thing in the

2180
01:37:22,520 --> 01:37:23,000
Speaker 7: entire world.

2181
01:37:23,240 --> 01:37:25,120
Speaker 17: Okay, it's the heroine of ice cream.

2182
01:37:25,320 --> 01:37:26,600
Speaker 2: It surely is. It really is.

2183
01:37:26,920 --> 01:37:30,280
Speaker 17: And I have about about ten friends in the world

2184
01:37:30,560 --> 01:37:32,560
Speaker 17: who every Christmas, no matter where I could be, like

2185
01:37:32,600 --> 01:37:34,840
Speaker 17: could be in the middle of Tanzania.

2186
01:37:34,439 --> 01:37:35,200
Speaker 2: Send the ice cream.

2187
01:37:35,320 --> 01:37:36,280
Speaker 7: That's why I do do some.

2188
01:37:36,400 --> 01:37:39,599
Speaker 2: Elvis is in there, and it is it's amazing stuff.

2189
01:37:39,800 --> 01:37:41,599
Speaker 7: I feel like I'm a drug dealer. I introduce people

2190
01:37:41,640 --> 01:37:43,080
Speaker 7: to it and then they just keep getting it themselves.

2191
01:37:43,880 --> 01:37:44,439
Speaker 2: First one's free.

2192
01:37:44,560 --> 01:37:44,720
Speaker 4: Yeah.

2193
01:37:45,080 --> 01:37:47,200
Speaker 2: So rock and Roll Hall of Fame induction for this year,

2194
01:37:47,280 --> 01:37:51,360
Speaker 2: twenty twenty three. Today's a big day. You're actually announcing

2195
01:37:51,720 --> 01:37:53,679
Speaker 2: a lot of people are waiting for this announcement, announcing

2196
01:37:53,920 --> 01:37:59,160
Speaker 2: the inductees into the categories of performing and Musical Influence

2197
01:37:59,479 --> 01:38:04,160
Speaker 2: and Musical Excellence and the Urtigon Award as well. Who

2198
01:38:04,320 --> 01:38:05,200
Speaker 2: is going in this year?

2199
01:38:05,640 --> 01:38:09,000
Speaker 17: Well, it's an incredibly diverse list. I mean, go from

2200
01:38:09,040 --> 01:38:11,960
Speaker 17: Willie Nelson to the Spinners, to Missy Elliott, to George

2201
01:38:12,040 --> 01:38:15,439
Speaker 17: Michael to Rage against the Machine Ryl Crow. It shows

2202
01:38:15,479 --> 01:38:18,360
Speaker 17: how rock and roll really covers all four corners. It's

2203
01:38:18,479 --> 01:38:20,800
Speaker 17: not one sound. Sometimes people used to think rock and

2204
01:38:20,920 --> 01:38:22,600
Speaker 17: roll was rock and rock is important part of it,

2205
01:38:23,080 --> 01:38:26,519
Speaker 17: but really it came about in the fifties as a

2206
01:38:26,560 --> 01:38:29,120
Speaker 17: way for teenagers to rebel against their parents, the church

2207
01:38:29,240 --> 01:38:32,120
Speaker 17: and the government, which which today still do. The music

2208
01:38:32,160 --> 01:38:34,599
Speaker 17: we play on Z one hundred is all about young

2209
01:38:34,680 --> 01:38:37,400
Speaker 17: people and some their parents hate it. They should hate

2210
01:38:37,439 --> 01:38:39,360
Speaker 17: it because that's what rock and roll is about. So

2211
01:38:40,240 --> 01:38:43,759
Speaker 17: that's that's a diverse category for performers. Now, these special

2212
01:38:43,800 --> 01:38:47,600
Speaker 17: committee awards that you just mentioned Elvis were we're not

2213
01:38:47,720 --> 01:38:50,920
Speaker 17: voted on by the larger group of voters who vote

2214
01:38:50,960 --> 01:38:54,280
Speaker 17: for the performers. So Don Cornelius, who was really the

2215
01:38:54,360 --> 01:38:57,120
Speaker 17: black Deick Clark. He basically brought black music only to

2216
01:38:57,160 --> 01:38:59,800
Speaker 17: black homes, but to white homes across America. He's getting

2217
01:38:59,840 --> 01:39:03,560
Speaker 17: the at Ergon Award, which is for non performers. And

2218
01:39:04,040 --> 01:39:06,719
Speaker 17: you've got special you have musical excellence, which is Bernie

2219
01:39:06,760 --> 01:39:09,519
Speaker 17: Toppin wrote all this Helton John songs, so he's in

2220
01:39:09,600 --> 01:39:13,759
Speaker 17: its musical excellence along with sha Ka Khan and Al Cooper.

2221
01:39:13,760 --> 01:39:14,040
Speaker 2: If you know.

2222
01:39:14,280 --> 01:39:16,200
Speaker 17: Al Cooper is for old guys like me. He worked

2223
01:39:16,240 --> 01:39:18,679
Speaker 17: on the Bob Dylan records. He founded Blood, Sweat and Tears.

2224
01:39:18,720 --> 01:39:21,519
Speaker 17: He founded Leonard skinnerd So those are like you get

2225
01:39:21,560 --> 01:39:24,400
Speaker 17: special awards for influencing music culture. And then they have

2226
01:39:24,520 --> 01:39:28,000
Speaker 17: one more called musical influence, and that's DJ Coolherk this year,

2227
01:39:28,040 --> 01:39:30,559
Speaker 17: who founded He's the father of hip hop fifty years ago,

2228
01:39:30,680 --> 01:39:34,320
Speaker 17: fifty years wow. And a guy named Link Ray who

2229
01:39:34,479 --> 01:39:38,360
Speaker 17: basically was the wizard of electric guitars that Jimmy Page's

2230
01:39:38,400 --> 01:39:40,439
Speaker 17: first record was a link ray record.

2231
01:39:40,720 --> 01:39:42,439
Speaker 2: Now, so you hear these names, a lot of names

2232
01:39:42,479 --> 01:39:44,360
Speaker 2: you may not recognize because they've been around for a

2233
01:39:44,439 --> 01:39:47,760
Speaker 2: long time, longer than even John Sykes and me. Hard

2234
01:39:47,800 --> 01:39:49,400
Speaker 2: to believe, but something you got to keep in mind

2235
01:39:49,439 --> 01:39:51,840
Speaker 2: when you when you meet the Charlie Pooths of the

2236
01:39:51,920 --> 01:39:55,200
Speaker 2: world and the Ed Sheerance of the world, asked them

2237
01:39:55,360 --> 01:39:59,160
Speaker 2: who their influencers were everyone who was inducted into the

2238
01:39:59,200 --> 01:40:03,240
Speaker 2: Hall of Fame. That's the importance of the Rock and

2239
01:40:03,360 --> 01:40:05,919
Speaker 2: Roll Hall of Fame Hall of Fame. It's the influence

2240
01:40:05,960 --> 01:40:10,920
Speaker 2: of these historical, historical superstars in music. They are the

2241
01:40:11,040 --> 01:40:14,400
Speaker 2: foundation builders of what we listen to today. And any

2242
01:40:14,400 --> 01:40:16,640
Speaker 2: new artists you're going to discover this year, they've been

2243
01:40:16,680 --> 01:40:18,320
Speaker 2: influenced by someone on this list. And if we do

2244
01:40:18,479 --> 01:40:20,280
Speaker 2: this right, we keep evolving.

2245
01:40:20,400 --> 01:40:22,160
Speaker 17: So one day Charlie's in the Rock and Roll of

2246
01:40:22,200 --> 01:40:24,599
Speaker 17: Fame and there's this young, some young fifteen year old

2247
01:40:24,640 --> 01:40:26,680
Speaker 17: kid who loves the music of Charlie Pooth and he

2248
01:40:26,880 --> 01:40:29,240
Speaker 17: or she then wants to follow in his footsteps. So

2249
01:40:30,080 --> 01:40:33,160
Speaker 17: rock and roll is not just nineteen fifty, it's twenty

2250
01:40:33,240 --> 01:40:35,880
Speaker 17: twenty three, because it's the sound of young America, whether

2251
01:40:35,880 --> 01:40:38,920
Speaker 17: it was then or now. So for to remain relevant,

2252
01:40:38,920 --> 01:40:41,040
Speaker 17: the rock and roll fame has to evolve. And that's

2253
01:40:41,040 --> 01:40:43,559
Speaker 17: why you're seeing hip hop artists in the people say

2254
01:40:43,600 --> 01:40:45,040
Speaker 17: why is hip hop and the rock and roll of fame?

2255
01:40:45,320 --> 01:40:47,920
Speaker 17: Hip Hop is rock and roll. It came from rhythm, blues,

2256
01:40:48,040 --> 01:40:50,880
Speaker 17: gospel and from the fifties. If you look at Willie

2257
01:40:50,880 --> 01:40:52,960
Speaker 17: Nelson Country, he's in the rock and roll of fame.

2258
01:40:53,320 --> 01:40:56,600
Speaker 17: So you make a really good point, Elvis, is that

2259
01:40:57,120 --> 01:40:59,439
Speaker 17: is that these are historical figures now and if we

2260
01:40:59,520 --> 01:41:03,080
Speaker 17: do this Charlie and and Rage against the Machine, and

2261
01:41:03,240 --> 01:41:06,000
Speaker 17: Ryl Crow and Kate Bush, they'll be historical figures for

2262
01:41:06,080 --> 01:41:08,800
Speaker 17: the next generation musicians who want to follow in their footsteps.

2263
01:41:08,840 --> 01:41:11,200
Speaker 2: All right, So I know there'll be a big ceremony,

2264
01:41:11,320 --> 01:41:13,320
Speaker 2: there'll be a big concert, and then we'll see it

2265
01:41:13,400 --> 01:41:17,400
Speaker 2: eventually somewhere streaming somewhere. When do we know more? When

2266
01:41:17,560 --> 01:41:20,200
Speaker 2: when can we see it and smell it and taste it? Well,

2267
01:41:20,640 --> 01:41:22,680
Speaker 2: Well we can, we can tell we can see it.

2268
01:41:22,920 --> 01:41:23,920
Speaker 2: You can see it live.

2269
01:41:24,439 --> 01:41:24,559
Speaker 14: Uh.

2270
01:41:24,680 --> 01:41:28,120
Speaker 17: It alternates every year between New York, Cleveland, and Los Angeles.

2271
01:41:28,200 --> 01:41:29,560
Speaker 17: So this year it will be at the Home of

2272
01:41:29,640 --> 01:41:34,479
Speaker 17: hip Hop Brooklyn at the Barkley Center on Friday, November three. Uh,

2273
01:41:34,640 --> 01:41:38,800
Speaker 17: and soon we'll announce a very impressive streaming partner. We'll

2274
01:41:38,800 --> 01:41:40,400
Speaker 17: be able to see it and where you'll be able

2275
01:41:40,439 --> 01:41:42,519
Speaker 17: to hear it. And we have some great partners this year,

2276
01:41:42,600 --> 01:41:45,160
Speaker 17: so it's very exciting. But it's if you've never seen

2277
01:41:45,200 --> 01:41:46,840
Speaker 17: one of these events, I mean, go on right now,

2278
01:41:46,880 --> 01:41:49,360
Speaker 17: you can. They're they're on They're on your favorite, well

2279
01:41:49,720 --> 01:41:52,040
Speaker 17: the other one, the old ones are on HBO, Max

2280
01:41:52,560 --> 01:41:55,160
Speaker 17: h the new one's going to be somewhere else, and uh,

2281
01:41:55,960 --> 01:41:57,920
Speaker 17: you can see what happens on these stage. I mean

2282
01:41:57,960 --> 01:42:01,120
Speaker 17: you've got you know, you'll have You'll have Rob Halford

2283
01:42:01,160 --> 01:42:03,879
Speaker 17: from Judas Priest get up with Dolly Parton, Lenny Kravitz

2284
01:42:03,920 --> 01:42:06,519
Speaker 17: with Leonel Ritchie, Pat Benattar will get up and sing

2285
01:42:06,640 --> 01:42:10,400
Speaker 17: with the Rhythmics. It's the Camarader. Oliver Rodrigo gets up

2286
01:42:10,439 --> 01:42:14,160
Speaker 17: and sings with with does Your Sylvane by Carly Simon.

2287
01:42:14,400 --> 01:42:17,599
Speaker 17: It's it's the actual induction ceremony is an incredible night

2288
01:42:17,640 --> 01:42:20,360
Speaker 17: where the old artists meet the new artists. And now

2289
01:42:20,479 --> 01:42:22,360
Speaker 17: we did that on purpose to show that rock and

2290
01:42:22,520 --> 01:42:25,599
Speaker 17: roll is always evolving, and so when you're a young artist,

2291
01:42:25,680 --> 01:42:27,240
Speaker 17: you want to be there because you know one day

2292
01:42:27,400 --> 01:42:28,320
Speaker 17: that's going to be your home.

2293
01:42:28,479 --> 01:42:31,000
Speaker 2: Wow. And that's what the dream is all about, right,

2294
01:42:31,160 --> 01:42:34,519
Speaker 2: the dreams all about so Wow heavy day. The chairman

2295
01:42:34,640 --> 01:42:36,519
Speaker 2: and of the Rock and Roll Hall of Fame Foundation,

2296
01:42:36,640 --> 01:42:40,839
Speaker 2: John Sykes. Of course, every time you see an iHeart

2297
01:42:41,240 --> 01:42:45,400
Speaker 2: experience on Fox or wherever you see it could be

2298
01:42:45,840 --> 01:42:48,680
Speaker 2: the Awards, it could be the Music Festival whatever, that's

2299
01:42:48,760 --> 01:42:51,479
Speaker 2: John Sykes as well. So you see the influence of

2300
01:42:51,800 --> 01:42:53,280
Speaker 2: what he was talking about on the Rock and Roll

2301
01:42:53,280 --> 01:42:57,080
Speaker 2: Hall of Fame stage on our stages as well. Yeah,

2302
01:42:57,240 --> 01:42:58,800
Speaker 2: you kind of ripped yourself off there a little bit

2303
01:42:59,120 --> 01:42:59,720
Speaker 2: exactly right.

2304
01:43:00,479 --> 01:43:02,519
Speaker 17: You know it's there now we're not on TV. But

2305
01:43:02,560 --> 01:43:04,520
Speaker 17: if I look at it, they say the paranoid schizophontic

2306
01:43:04,560 --> 01:43:08,880
Speaker 17: shout up. He doesn't have to, it's it's but it's

2307
01:43:09,000 --> 01:43:10,960
Speaker 17: it is. Well, the great thing about being here at

2308
01:43:10,960 --> 01:43:13,400
Speaker 17: iHeart is that we're we are we are right in

2309
01:43:13,439 --> 01:43:15,720
Speaker 17: the center of everything that's happening in music. So it's

2310
01:43:15,760 --> 01:43:17,680
Speaker 17: the perfect unpaid job for me to have on the

2311
01:43:17,720 --> 01:43:19,240
Speaker 17: side of the Rock and Hall of Fame because the

2312
01:43:19,320 --> 01:43:21,680
Speaker 17: music you play here today and Z one hundred, like

2313
01:43:21,800 --> 01:43:24,000
Speaker 17: Charlie Pooth. One day they'll be in the Rock and

2314
01:43:24,080 --> 01:43:24,559
Speaker 17: Roll Hall of Fame.

2315
01:43:24,600 --> 01:43:26,720
Speaker 2: And there you have it. What do you want to hear?

2316
01:43:26,800 --> 01:43:28,479
Speaker 2: Missy Elliott Raging go some Machine.

2317
01:43:29,920 --> 01:43:33,439
Speaker 17: Missy Elliott first female hip hop artist ever to be

2318
01:43:33,479 --> 01:43:34,640
Speaker 17: inducted in the Rock and Roll Hall of Fame.

2319
01:43:34,680 --> 01:43:37,840
Speaker 2: Miss Elliott, Congratulations, John Psich, Thank you for coming into that.

2320
01:43:38,240 --> 01:43:49,160
Speaker 3: Thank you very much, Elvis Aran in the Morning Show.

2321
01:43:50,640 --> 01:43:54,000
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2322
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2323
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2324
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2325
01:44:02,160 --> 01:44:05,200
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