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Speaker 1: Hello, and welcome to my favorite murder. That is Georgia Hartstar.

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Speaker 2: That is Karen Kilgariff, and today we are so thrilled

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Speaker 2: to be talking to the two people you might already know.

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Speaker 2: She is a film programmer and historian. He's a filmmaker.

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Speaker 3: And they just ended a critically acclaimed four year run

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Speaker 3: on the podcast I Saw What You Did.

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Speaker 1: And now they're back with a new show.

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Speaker 2: The premiere's Tuesday, January twenty eighth on the Exactly Right Network.

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Speaker 3: It's called Dear Movies, I Love You. Please welcome Millie

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Speaker 3: to Jericho and Casey O'Brien.

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Speaker 1: Guys, could you tell we were reading off a tele prompter?

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Speaker 4: Oh, it's felt really good though.

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Speaker 1: Pros. We're just pros.

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Speaker 2: How would you, guys synopsize what you're doing on your

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Speaker 2: podcast or like, what the you know, what's your elevator

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Speaker 2: pitch of the podcast?

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Speaker 1: Vibe?

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Speaker 4: Yeah, well, you know it's uh, the name of the

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Speaker 4: podcast is Dear Movies, I Love You, So it is

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Speaker 4: kind of you know, we say, it's a you know,

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Speaker 4: having a crush on movies. It's an infatuation with movies.

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Speaker 4: It's a sincere celebration of film and film culture. And

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Speaker 4: we just wanted to be accessible to people because you know,

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Speaker 4: MILLI and I we can get in the weeds about

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Speaker 4: like art house bullshit, but we like but we want

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Speaker 4: to talk about it in a way that's like fun.

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Speaker 4: And we also we like high brown, we like really

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Speaker 4: low brow too, and so we wanted to be like

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Speaker 4: an inviting, fun, cute podcast. Yeah, Millily, anything to add

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Speaker 4: to that.

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Speaker 5: Well, you know, I think I'm going to get deep,

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Speaker 5: perhaps a little deeper than Casey's just real I personally

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Speaker 5: when I was I'm kidding, you're not the himbo of

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Speaker 5: the podcast, by the way, You're fine, You're a film himbos,

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Speaker 5: as I've heard in the past. I really I think

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Speaker 5: over the past couple years, especially during COVID, especially during

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Speaker 5: I don't know, just like living and life and bad

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Speaker 5: news and you know, things happening in the world, I

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Speaker 5: started really thinking about, like my relationship to movies, because

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Speaker 5: you know, as a person who like lives alone and

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Speaker 5: you know a lot of and has worked in movies

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Speaker 5: for over twenty years, I started thinking about, like what,

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Speaker 5: like do I have an emotional relationship with movies? Like,

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Speaker 5: of course they're entertaining, of course it's my job. Of course,

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Speaker 5: it's an intellectual pursuit, I guess, But what's like my

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Speaker 5: emotional relationship to it, Like do they do things for me?

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Speaker 5: Are they my are comfort? Are they my partner for

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Speaker 5: crying a lot? I mean honestly, And I started thinking

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Speaker 5: about it in that way where I was like, I

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Speaker 5: don't know, like I think they are, like it's the

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Speaker 5: one thing that has consistently stayed in my life that

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Speaker 5: has been like my refuge from all the bullshit, right,

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Speaker 5: And there's some kind of I don't know, I have

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Speaker 5: this like you know, deep feeling of appreciation for like

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Speaker 5: what the art form I guess if you want to

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Speaker 5: call it, that has done for my life in that

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Speaker 5: emotional kind of way. And so that's why I think

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Speaker 5: when we were like, how what's the vibe, you know,

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Speaker 5: I was like, I don't know. We just love movies.

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Speaker 5: We're like in love with movies, we like have crushes

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Speaker 5: on movies, and Casey like immediately was like, of course,

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Speaker 5: like I get it, you know, And so I don't know.

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Speaker 5: I think that that's sort of I think what the

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Speaker 5: podcast is also about is it's about sort of like

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Speaker 5: being in love with this wacky world that we're in

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Speaker 5: and you know, just sort of I don't know, like

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Speaker 5: being very earnest and sincere about it.

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Speaker 4: So yeah, and I think there's a lot of like

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Speaker 4: judgment about like what movies you like or like what

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Speaker 4: movies affect you the most. Like it's very easy to

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Speaker 4: be like, oh that's a you know, people will throw

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Speaker 4: you know, I said this even earlier. I was like,

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Speaker 4: this is a stupid movie, Like I can't hardly wait

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Speaker 4: or ten things I heard about you, but those make

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Speaker 4: me feel a certain way and that is meaningful to me.

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Speaker 4: And so I think our movie one, our podcast wants

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Speaker 4: to kind of, you know, ry hold up all types

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Speaker 4: of films and make them, you know, celebrate them equally,

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Speaker 4: and they're meaningful equally. It's more about like how these

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Speaker 4: movies make us feel rather than you know, the intellectual

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Speaker 4: value that something has, if that makes sense.

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Speaker 3: Yeah, And what I love about that too, is it

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Speaker 3: I mean it kind of reminds me of our podcast.

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Speaker 3: And even the True Crime has nothing to do but

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Speaker 3: like guys are doing, but it's finding your people too,

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Speaker 3: who can talk about this one movie for hours even

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Speaker 3: if they don't like it with you And you know, yeah,

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Speaker 3: like the two of you found each other and then

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Speaker 3: your audience and your listeners are going to be like

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Speaker 3: absolutely or no, you're wrong, but you're still connecting in

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Speaker 3: a way that's hard to do these days. It feels

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Speaker 3: like everyone's just kind of having these you know, superficial connections.

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Speaker 3: But if you have this like interest that you're so

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Speaker 3: passionate about, yeah, you can really connect with people.

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Speaker 2: Yeah. I feel like and you know, listeners, when you

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Speaker 2: listen to episode one, like there you'll get that kind

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Speaker 2: of that party. It's like movie party vibe where like

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Speaker 2: the first time I listened to it, just your guys'

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Speaker 2: chit chat where each topic and each movie and each thing.

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Speaker 1: That came up, it was like all in like super interest,

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Speaker 1: super passion.

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Speaker 2: And but then also just like these different takes where

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Speaker 2: it's like you know, waxing poetic about the Magic Mic Trilogy,

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Speaker 2: where it's like I.

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Speaker 1: Never thought about that before.

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Speaker 2: That's really true, Like just that kind of thing where

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Speaker 2: it was like you can be you can be deep

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Speaker 2: and analytical kind of about anything you want as long

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Speaker 2: as you like it enough.

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Speaker 1: And it felt like that, you know.

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Speaker 4: Thank you.

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Speaker 5: Yeah, there's also like an episode that we have coming

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Speaker 5: up that I really love because it we're talking about

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Speaker 5: a movie that Casey is extremely passionate about, and it

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Speaker 5: is like a movie like basically that his the movie

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Speaker 5: that radicalized him, that made him a film person, quote unquote,

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Speaker 5: and it was we and it was a movie that

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Speaker 5: I had a very different opinion on, and we talk

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Speaker 5: all that out in a way that I think is

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Speaker 5: really cool, Like just because there was something that he

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Speaker 5: loves and connects with that didn't really get me in

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Speaker 5: the same way. I was so like interested in just

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Speaker 5: hearing him talk about it and hearing his relationship with

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Speaker 5: it and sort of like what he liked about it.

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Speaker 5: And I don't know, I mean, I feel like that

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Speaker 5: is something that that our podcast is doing and will

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Speaker 5: do really well, is just having that mutual respect for

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Speaker 5: each other's taste, I mean honestly, like, and that's something

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Speaker 5: that I think is a thing that makes uh film

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Speaker 5: people so annoying or intimidating, is that you have, like,

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Speaker 5: like I said, like the wrong taste, You have bad taste,

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Speaker 5: you don't like the right things. And I don't really

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Speaker 5: see it that way ever. I don't ever see people

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Speaker 5: having that Like I don't. I would rather listen and

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Speaker 5: be fascinated by your passion for something than just shitting

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Speaker 5: on you for liking a movie I don't like. Do

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Speaker 5: you know what I mean?

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Speaker 1: Yeah? I love that. Yeah.

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Speaker 2: So, you guys on your podcast usually start by telling

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Speaker 2: each other the movies that you've watched recently.

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Speaker 1: What movies have you watched recently?

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Speaker 4: Millie, you go first?

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Speaker 5: Oh God, I got to pull out my phone.

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Speaker 1: Oh, she's gonna go. She has to be legit.

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Speaker 5: I got to be legit.

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Speaker 1: Did you watch a movie today?

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Speaker 5: I watched a movie last night. In the past, so

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Speaker 5: it's been the past twenty four hours. I watched this

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Speaker 5: movie called better Man. Have you heard of this movie?

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Speaker 4: Is this the Robbie Williams movie.

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Speaker 5: It is the Robbie Williams animatronic He's a monkey. Yes,

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Speaker 5: actually it's not animatronic. It's like weird cgi right. Yeah,

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Speaker 5: that movie, to me was so much better than it

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Speaker 5: had any right to be. I don't know why. I

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Speaker 5: was like expecting to go and it being like this

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Speaker 5: is gonna be one of the most genuinely bizarre, like

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Speaker 5: weird outsider art things of our generation, and I was

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Speaker 5: like it's actually kind of good, like shit.

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Speaker 1: Good, wow, Yeah, good for Robbie. Yeah, I mean he

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Speaker 1: was a superstar.

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Speaker 5: Well that's what I think is so fascinating about it,

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Speaker 5: to be honest, because I'm like, Okay, they let this

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Speaker 5: movie happen, like now where it's like, here's a star

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Speaker 5: who was essentially not as famous here in America as

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Speaker 5: he was, you know in Europe, who hasn't really been

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Speaker 5: around for like twenty years, and he's a monkey, and

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Speaker 5: like I'm like, and it's his life story. I was like, wow,

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Speaker 5: I can't believe that they let that happen. I was

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Speaker 5: actually really impressed that that happened.

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Speaker 4: So anyway, Wow, I feel like the whole narrative with

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Speaker 4: Robbie Williams is like nobody knows about him in America

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Speaker 4: and then like this movie came out and it was

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Speaker 4: like this movie's bombing in America and it's like, we

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Speaker 4: don't know who he is. Why don't we go see

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Speaker 4: this movie?

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Speaker 1: Right?

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Speaker 2: You've never seen this monkey. We don't we can't support

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Speaker 2: this monkey. We don't know him. You see what did

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Speaker 2: you watch recently?

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Speaker 4: Okay, So I watched this movie called and I was

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Speaker 4: really weeping during this movie, truly, madly, deeply. Have you

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Speaker 4: ever seen this movie?

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Speaker 1: It's like my favorite movie of all time.

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Speaker 4: Yes, I had never I had like seen bits of it,

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Speaker 4: but I watched it the other night and it's so

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Speaker 4: beautiful and touching. It came out in like nineteen ninety.

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Speaker 4: It's with Alan Rickman and he told.

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Speaker 1: Me about it. Yeah, Juliet Stevenson, Juliette.

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Speaker 4: Stevenson, and basically the premises her boyfriend Alan Rickman dies,

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Speaker 4: is dead. This is not a spoiler, this happened. This

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Speaker 4: is the beginning of the movie. But he comes back

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Speaker 4: as a ghost and it's so romantic and sweet and silly,

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Speaker 4: and I was like, this is like one of my

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Speaker 4: new favorite movies of all time. I'm not even kidding

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Speaker 4: it was.

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Speaker 1: It was amazing writing it down right now.

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Speaker 2: Well, also because it's so heavy, like they do, they

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Speaker 2: don't try to clean anything up. It's not the American

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Speaker 2: version of If a girl's boyfriend died that she lived

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Speaker 2: with and obviously is her life partner. It is like

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Speaker 2: there's a scene, I think it begins with a scene

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Speaker 2: where she's at the therapist sobbing and trying to explain

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Speaker 2: how isolated she feels because he's gone and she's walking

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Speaker 2: around and all these people are living life and get whatever,

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Speaker 2: and she's ugly crying to a degree where it is

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Speaker 2: like I was like.

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Speaker 1: Who is this woman? Yes, she's incredible, she's such a

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Speaker 1: good actress.

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Speaker 3: It's like showing grief the way it really is, which

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Speaker 3: is so hard for anyone to like do if you

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Speaker 3: don't understand.

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Speaker 2: And the end total no spoiler, but also be careful

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Speaker 2: because of me because I don't keep my promises. But

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Speaker 2: essentially the reveal should I not say the reveal?

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Speaker 1: I don't say the real I don't want to know.

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Speaker 2: Okay, because that reveal When I first watched it in

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Speaker 2: same casey where it was me, my friend Dave Mesmer

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Speaker 2: who we worked at the Gap together, and his friend

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Speaker 2: and she's the one that was like, we have to

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Speaker 2: watch this movie. And all three of us were sobbing

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Speaker 2: at the end, like together sobbing. It was crazy and

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Speaker 2: it was just one of those weird like it's just

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Speaker 2: a perfect nineties like real life.

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Speaker 4: I don't know, yeah, I mean I was immediately when

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Speaker 4: the movie started, and it's like happy tears. I feel

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Speaker 4: like I felt good at the end of it. It's

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Speaker 4: not like a downer, it's a happy.

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Speaker 1: No, I think, Okay, it's beautiful.

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Speaker 4: It's really beautiful, and I really, I truly, madly, deeply

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Speaker 4: loved it.

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Speaker 1: And he's the director. Do you remember off you?

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Speaker 4: Yes, it's Anthony Mangela who did The English Patient and

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Speaker 4: the talented mister Ripley. It was his first movie.

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Speaker 1: Yeow, it's his first movie. Yeah, I'm saying, how did

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Speaker 1: I miss that?

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Speaker 3: As if I haven't missed every single fucking movie that

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Speaker 3: has come out in the past.

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Speaker 2: You're not movie people, which I think is like, this

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Speaker 2: would be a perfect podcast for you because it's I

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Speaker 2: think Casey and Millie kind of pulling people into the

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Speaker 2: movie world, like it's gonna be okay, we're with you.

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Speaker 1: You know what I am.

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Speaker 3: I'm a I find a movie I like and I

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Speaker 3: watch it forty times and there's no other and I

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Speaker 3: don't watch it any other movies, not like I love

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Speaker 3: this director.

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Speaker 1: I'm gonna watch all their movies. I don't do that.

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Speaker 4: I do that too. I do that too. Yeah, there's

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Speaker 4: no shame. That's the thing with podcast, there's no shame.

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Speaker 1: Yeah, we are cringe, but we are free.

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Speaker 4: We say that all the cringe, but we're free.

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Speaker 2: Exactly, Can you guys give individually or together or as

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Speaker 2: a as a team, like three movies that you would

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Speaker 2: recommend to people who love movies but are intimidated by

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Speaker 2: by coming into like a cinema, cinema graphic.

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Speaker 1: Yeah, is that the right words? Like coming into the

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Speaker 1: world of film people, and that's not.

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Speaker 3: So deep and like you have to understand the meaning

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Speaker 3: of but it'll get you to those other movies that

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Speaker 3: then you then you can appreciate because you you know

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Speaker 3: what I.

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Speaker 1: Mean, what do they call them?

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Speaker 5: Like drugs?

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Speaker 1: Yeah?

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Speaker 4: Yeah, Well, I guess I have a question. How do

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Speaker 4: you feel about subtitles? Because for some people that's a

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Speaker 4: big hurdle.

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Speaker 3: I don't mind it, Okay, I think the gateway part though,

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Speaker 3: for like the masses, there shouldn't be so maybe one

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Speaker 3: out of three.

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Speaker 4: One out of three?

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Speaker 1: Okay, what is needed?

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Speaker 4: Uh, Millie? Do you have Did any come to mind? Immediately?

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Speaker 5: Yeah? I'm thinking on it. Well, this might be actually

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Speaker 5: interesting exercise because case and I are I'm a little

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Speaker 5: older than Casey, and I feel like this might be

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Speaker 5: like it's going to be showing our generational roots perhaps,

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Speaker 5: do you know what I'm saying? Because I think about

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Speaker 5: like what kind of got me into sinophilia if you will, Like,

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Speaker 5: what was the movie that was the bridge between Like

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Speaker 5: I don't know sixteen Candles and I don't know three

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Speaker 5: colors red or something. I'm trying to think of something.

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Speaker 4: I mean, I think for me, she's speaking in kind

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Speaker 4: of film gibberish.

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Speaker 5: Yeah, thank you.

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Speaker 4: If you don't understand that, don't worry everybody.

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Speaker 5: Well, I mean to me, I think when I first

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Speaker 5: kind of was like in high school and in college,

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Speaker 5: and I was kind of making that jump. I mean, honestly,

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Speaker 5: I think it was a lot of the American independent

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Speaker 5: stuff from the nineties. So like I'm thinking of things

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Speaker 5: like you know, Jim Framish Stranger than Paradise or Down

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Speaker 5: by Law or you know Alison Anders Gas food Lodging,

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Speaker 5: you know, this kind of stuff that was sort of

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Speaker 5: like in the kind of indie cinema stuff in the nineties.

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Speaker 5: That's what I was kind of like, Oh yeah, there

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Speaker 5: was like you know, SNL comedies, and then there's this, right,

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Speaker 5: and so that's kind of how I started kind of

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Speaker 5: getting into like more of a kind of cinema world, right.

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Speaker 5: But then I also think too, stuff like Stanley Kubrick's

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Speaker 5: like The Shining and that those types of movies that

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Speaker 5: are kind of like horror, but then kind of what

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Speaker 5: they would call maybe like elevated horror now, which drives

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Speaker 5: you crazy, but you know, in a way, it's like,

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Speaker 5: here's a horror movie, which is kind of traditionally a

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Speaker 5: genre that brings in a lot of like young people,

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Speaker 5: it's kind of brought audience stuff, but then like it's

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Speaker 5: a little bit more stylish and is a little bit

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Speaker 5: more open ended in terms of themes. So maybe something

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Speaker 5: like that like The Shining And then for a third,

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Speaker 5: I mean, I gotta say, I mean again, this is

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Speaker 5: sort of like maybe for a little people were a

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Speaker 5: little bit younger, but like those like early Wes Anderson

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Speaker 5: movies like Bah Rocket or like I mean, Rushmore was

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Speaker 5: kind of my favorite out of that stuff. But you know,

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Speaker 5: even like World Town of Moms, I feel like that

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Speaker 5: kind of stuff would take would basically set you up

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Speaker 5: in terms of Okay, so here's like an au tourist

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Speaker 5: director who has who's building a sort of cinema language

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Speaker 5: for his work, you know what I mean, And that's

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Speaker 5: kind of I don't know, maybe if you're kind of

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Speaker 5: getting into that kind of stuff, that would be like

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Speaker 5: a good entry point, so that's perfect.

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Speaker 1: Yeah.

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Speaker 2: Actually, my knee Sophie texted me because she went and

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Speaker 2: saw The Shining at the.

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Speaker 1: Theater and she was like, hey, I just saw The Shiny.

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Speaker 1: You've seen that, right, And I was just like, this

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Speaker 1: is so weird. Of course I was like yes, of course.

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Speaker 2: She's like it was so good, it was crazy, and

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Speaker 2: I'm like, yeah, it was like the cutest kind of

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Speaker 2: discovery moment that she wanted she brought to me because

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Speaker 2: she was like, I feel like you're the kind of

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Speaker 2: person that would appreciate that movie, and I'm like, yes,

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Speaker 2: I do, I really do.

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Speaker 4: Yeah, I would say, I think that's right on. I

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Speaker 4: think there are some like gateway directors that are like

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Speaker 4: kind of like how you know, Cinophile sort of like

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Speaker 4: found their way into movies for my age, you know,

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Speaker 4: Milly mentioned I'm very young that, so like I would say,

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Speaker 4: Paul Thomas Anderson is a really good director to kind

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Speaker 4: of follow his career because he did like Boogie Nights,

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Speaker 4: which is art house film, I would say, but also

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Speaker 4: like a major studio film. But then you know, he

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Speaker 4: did like There Will Be Blood a few years later,

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Speaker 4: which is a lot I would say darker and weirder,

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Speaker 4: and that was like nominated for Best Picture and stuff.

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Speaker 4: But it kind of is a good way to like

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Speaker 4: get into more of the like highbrow, you know, cinephile movies.

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Speaker 4: And then so that's like more on the easier end.

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Speaker 4: And I would say, like, you know, we're recording this today.

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Speaker 4: One of the great film directors died. David Lynch my

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Speaker 4: favorite director, and he's like a great that he's kind

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Speaker 4: of you have to if you want to get into film,

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Speaker 4: you have to see some of his movies. And I

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Speaker 4: would say the entry point for that for him would

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Speaker 4: be Blue Velvet. I would say, it's a weird, but

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Speaker 4: it feels weird. It feels like this is like no

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Speaker 4: other movie I've ever seen, but the plot makes sense

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Speaker 4: and you can understand why things are happening, where that

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Speaker 4: cannot be said for most of his other movies. So

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Speaker 4: that's like a good if you want to get to

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Speaker 4: David Lynch, I would say, start with Blue Velvet.

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Speaker 1: You know, I that's so true.

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Speaker 3: That's why Mulholland Drive is one of my favorite movies

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Speaker 3: of all time is because the first time I watched it,

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Speaker 3: I was like, there's no plot. I don't get it totally,

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Speaker 3: like there's you know, it's just a movie.

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Speaker 1: There's no plot.

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Speaker 3: And then I watched it again and I was like,

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Speaker 3: holy fuck, like the way it blew my mind that

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Speaker 3: when I could finally follow the plot, blew it so

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Speaker 3: hard that nothing has ever lived up to that.

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Speaker 1: Again.

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Speaker 5: Yeah, I totally agree, because we did that movie for

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Speaker 5: like one of the last episodes of I saw What

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Speaker 5: You Did. And I had seen it like maybe twice

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Speaker 5: in the past once when it came out, which I

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Speaker 5: was totally with you, Georgia, like was like, I don't

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Speaker 5: know what's going on. Yeah, it's a vibe. I guess

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Speaker 5: it's a vibe. Yeah, but I don't know anything. And

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Speaker 5: then the second time I watched it, I was, you know,

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Speaker 5: like maybe sort of getting into it a little bit more.

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Speaker 5: But then when we watched it for the episode, I

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Speaker 5: had this like revelation and I know everything about this

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Speaker 5: movie and I want, Like I told Danielle, I was like,

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Speaker 5: we're gonna have to really watch the Clock because I

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Speaker 5: could talk about this movie for like four or five hours.

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Speaker 5: I have so much to say.

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Speaker 1: It's like everything clicks together. Yes, I love it.

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Speaker 5: Yeah.

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Speaker 2: When I saw that movie, my friend Danny and I

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Speaker 2: hated it so much that like five days later we

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Speaker 2: were at a barbecue together and a guy we did

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Speaker 2: not know happened to nearby us say that he liked

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Speaker 2: that movie, and we harangued him until he left the

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Speaker 2: party because they were like, what are you talking about?

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Speaker 2: Which is of course our very very nineties personality, which

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Speaker 2: is it lauded back then when we were just like

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Speaker 2: overtly hostile for no reason to every single person. But

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Speaker 2: it was this thing of like, you know you're talking about.

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Speaker 2: But it's like, of course that's what David Lynch is

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Speaker 2: trying to get you to do. He's like, do you

404
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Speaker 2: like this or do you absolutely hate it? Okay, here's

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Speaker 2: a little more. Like I just think that part of

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Speaker 2: it is making people who maybe wouldn't even think to

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Speaker 2: do it suddenly talk about movies, know what they like

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Speaker 2: about movies, like know that their opinion counts about movies.

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Speaker 1: It's cool, Yeah, totally Rip do a great one.

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Speaker 5: Yeah.

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Speaker 3: Yeah, it spums me out, not as a huge movie person,

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Speaker 3: but just like having a weirdo in the world is

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Speaker 3: like really comforting, you know, like Paul Rubin's kind of

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Speaker 3: a thing where it's like, yeah, it's comforting to other

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Speaker 3: people out there.

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Speaker 1: Doing whatever the fuck they wanted to do.

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Speaker 4: Well. I think David Lynch's special as an artist outside

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Speaker 4: of like the movies he made, because his whole thing

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Speaker 4: was like, you do not need to suffer to make

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Speaker 4: great art. That was like his big message. And I

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Speaker 4: think that a lot of people feel like when you

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Speaker 4: make art or any sort of like project, you're like,

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Speaker 4: you need to die for this, you need to starve yourself,

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Speaker 4: you know, And I feel like David Lynch was very

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Speaker 4: much like, no, you need to be like it's better

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Speaker 4: to be a happy person making art and you can

427
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Speaker 4: still make art about dark things, and god knows he did,

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Speaker 4: but it's like you still need to like take care

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Speaker 4: of yourself. And I think that's a good message.

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Speaker 1: Millie, did you say what your movie most recent was? Yeah?

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Speaker 5: Better Man?

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Speaker 1: Oh so sorry.

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Speaker 2: I got so excited about truly Mad because that's like

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Speaker 2: it's literally like I made that movie. Nobody knows that

435
00:22:17,400 --> 00:22:20,680
Speaker 2: movie ever, and like I'm always telling people you gotta

436
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Speaker 2: watch it.

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Speaker 4: I was shocked. I looked on letterboxed and like, no

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Speaker 4: one I follow has watched it, and I was surprised

439
00:22:26,840 --> 00:22:29,800
Speaker 4: because I was like this. It's just it's an incredible film.

440
00:22:30,200 --> 00:22:33,560
Speaker 5: You, Casey, you have, like in the past, have done

441
00:22:33,760 --> 00:22:36,119
Speaker 5: this very similar thing where you have pulled out like

442
00:22:36,200 --> 00:22:40,160
Speaker 5: this unknown rom com and have become like it's number

443
00:22:40,160 --> 00:22:44,879
Speaker 5: one fan. I think that's lovely about Wow. I'm like, oh,

444
00:22:44,920 --> 00:22:47,600
Speaker 5: this like fucking weird rom com that no one's seen

445
00:22:47,680 --> 00:22:52,040
Speaker 5: in like thirty years, Casey, five stars all letterboxed. Now

446
00:22:52,400 --> 00:22:53,960
Speaker 5: nobody else I know is seen it. And then I'm

447
00:22:54,000 --> 00:22:54,959
Speaker 5: compelled to go watch it.

448
00:22:55,000 --> 00:22:57,840
Speaker 4: So I'm a lover. I'm a feeler and I love

449
00:22:58,200 --> 00:23:00,919
Speaker 4: digging up these these rom toms no one's watching.

450
00:23:01,040 --> 00:23:01,879
Speaker 5: I love it, Casey.

451
00:23:01,960 --> 00:23:05,240
Speaker 3: Are you so excited to finally get some fucking attention

452
00:23:05,440 --> 00:23:07,679
Speaker 3: in this podcasting world since kind.

453
00:23:07,520 --> 00:23:09,840
Speaker 1: Of no longer a producer behind.

454
00:23:09,600 --> 00:23:13,960
Speaker 4: The Finally, Yes, I get to emerge from behind.

455
00:23:13,680 --> 00:23:15,840
Speaker 1: The I don't know, the sweet spots.

456
00:23:16,040 --> 00:23:18,359
Speaker 4: Yeah, no, I mean yeah, I'm thrilled. I mean it

457
00:23:18,400 --> 00:23:22,000
Speaker 4: was such an honor that Milly, you know, reached her

458
00:23:22,000 --> 00:23:24,199
Speaker 4: hand down into the gutter and pulled me out of

459
00:23:24,240 --> 00:23:26,400
Speaker 4: it and uh uh.

460
00:23:28,840 --> 00:23:29,040
Speaker 5: Yeah.

461
00:23:29,400 --> 00:23:32,840
Speaker 2: Anyways, yeah, how did you guys like come to that

462
00:23:33,040 --> 00:23:36,080
Speaker 2: idea that you like, this is a movie podcast?

463
00:23:36,160 --> 00:23:38,280
Speaker 1: Like, what was the thinking behind all of.

464
00:23:38,200 --> 00:23:41,360
Speaker 4: That, well, like I saw what you did was ending,

465
00:23:42,440 --> 00:23:46,600
Speaker 4: and Millie wanted to do another show, and I was

466
00:23:46,680 --> 00:23:49,320
Speaker 4: kind of like, well, I was like, please let me

467
00:23:49,400 --> 00:23:53,800
Speaker 4: produce it. So that was sort of the impetus, just

468
00:23:54,080 --> 00:23:56,879
Speaker 4: you know, Millie making a new movie show.

469
00:23:57,119 --> 00:23:59,879
Speaker 5: Yeah, we joked about this. We joked about this in

470
00:23:59,880 --> 00:24:01,600
Speaker 5: the pilot episode. Actually, I don't know if I should

471
00:24:01,600 --> 00:24:05,880
Speaker 5: say it, but that I was like, basically like Bradley

472
00:24:05,920 --> 00:24:08,240
Speaker 5: Cooper and a Star is Born, and I like found

473
00:24:09,359 --> 00:24:13,240
Speaker 5: Casey the Lady Gaga character, like doing a little burlesque

474
00:24:13,280 --> 00:24:14,880
Speaker 5: in a shitty bar, and I was like.

475
00:24:16,000 --> 00:24:18,000
Speaker 4: Come in my limo. I'm gonna make a start with me.

476
00:24:18,080 --> 00:24:18,119
Speaker 1: No.

477
00:24:18,320 --> 00:24:20,760
Speaker 5: I was like, here's the thing about Casey, Like I

478
00:24:20,880 --> 00:24:25,560
Speaker 5: have heard him on other podcasts before, and he's so charismatic,

479
00:24:25,720 --> 00:24:29,000
Speaker 5: so funny, knows a lot about movies, like has like

480
00:24:29,320 --> 00:24:31,639
Speaker 5: you know when you when you hear people or you

481
00:24:31,680 --> 00:24:33,479
Speaker 5: meet people that have cut like you know you have

482
00:24:33,560 --> 00:24:36,560
Speaker 5: like similar opinions about things, and it's like, yes, they

483
00:24:36,600 --> 00:24:40,800
Speaker 5: get they would get me. Yeah, very crucial for me.

484
00:24:41,040 --> 00:24:43,360
Speaker 5: I just have to say, and by personality, I need

485
00:24:43,400 --> 00:24:45,919
Speaker 5: to be understood. That is like my lot in life.

486
00:24:47,440 --> 00:24:49,960
Speaker 5: And so I was like, Oh, here's somebody who I

487
00:24:50,000 --> 00:24:52,640
Speaker 5: think we line on a lot of similar stuff, and

488
00:24:52,680 --> 00:24:55,040
Speaker 5: we're not like the types to like the same things.

489
00:24:55,160 --> 00:24:57,000
Speaker 5: That's what I'm saying, which I love. I love that

490
00:24:57,040 --> 00:25:01,240
Speaker 5: we don't like the same things necessarily, but our reasons

491
00:25:01,480 --> 00:25:04,080
Speaker 5: for liking and hating things are the same.

492
00:25:04,200 --> 00:25:06,800
Speaker 3: If that makes sense, you respect that the other person's

493
00:25:06,840 --> 00:25:09,240
Speaker 3: wrong essentially, or like.

494
00:25:09,200 --> 00:25:11,639
Speaker 5: The reason why you don't like something is the reason

495
00:25:11,680 --> 00:25:14,399
Speaker 5: why I would like something, right, But though those two

496
00:25:14,440 --> 00:25:16,480
Speaker 5: things probably are different.

497
00:25:16,359 --> 00:25:17,160
Speaker 1: I guess totally.

498
00:25:17,920 --> 00:25:20,440
Speaker 5: Yeah, but I would hear him on these other podcasts

499
00:25:20,480 --> 00:25:22,159
Speaker 5: and yeah, I mean it was just like, well, I

500
00:25:22,280 --> 00:25:24,240
Speaker 5: want to do a show with him? Does he want

501
00:25:24,280 --> 00:25:25,199
Speaker 5: to do a show with me?

502
00:25:25,560 --> 00:25:27,119
Speaker 1: Is the eternal question?

503
00:25:27,280 --> 00:25:30,800
Speaker 4: Totally yeah, Yeah, I mean it was just so funny. Million,

504
00:25:30,840 --> 00:25:32,919
Speaker 4: I feel like, up until recently or like just checking in,

505
00:25:33,080 --> 00:25:34,240
Speaker 4: you want to do this show with me?

506
00:25:34,400 --> 00:25:34,560
Speaker 3: Right?

507
00:25:34,760 --> 00:25:37,840
Speaker 4: And no, I mean I feel like Million and I

508
00:25:37,920 --> 00:25:43,960
Speaker 4: always like we always connected really well, and I wanted

509
00:25:43,960 --> 00:25:45,760
Speaker 4: to keep working with her if she wanted to keep

510
00:25:45,800 --> 00:25:48,920
Speaker 4: making podcasts. So that was sort of the like the

511
00:25:48,960 --> 00:25:51,560
Speaker 4: beginning of the show.

512
00:25:51,640 --> 00:25:53,720
Speaker 2: We want to get a sense of through the move

513
00:25:53,800 --> 00:25:55,760
Speaker 2: We're just trying to do the movie thing along with you.

514
00:25:56,119 --> 00:25:57,439
Speaker 2: We want to get a sense of who you are

515
00:25:57,480 --> 00:26:00,399
Speaker 2: as people. What do you get when you go to

516
00:26:00,440 --> 00:26:03,320
Speaker 2: the movie theater? What is your snack combination?

517
00:26:03,560 --> 00:26:05,520
Speaker 4: This is a great question, And actually I feel like

518
00:26:05,520 --> 00:26:08,000
Speaker 4: a lot of our show is like about the like

519
00:26:08,320 --> 00:26:12,040
Speaker 4: movie watching ritual too, like what we do when we

520
00:26:12,119 --> 00:26:16,440
Speaker 4: watch movies. I always get popcorn and I always try

521
00:26:16,480 --> 00:26:19,080
Speaker 4: to get a cherry coke. Those are kind of my

522
00:26:20,200 --> 00:26:23,200
Speaker 4: go to. It's hard for me to incorporate candy into

523
00:26:23,280 --> 00:26:25,840
Speaker 4: it because if I need the I need the pop

524
00:26:26,320 --> 00:26:29,000
Speaker 4: and then I need but the candy in the pop

525
00:26:29,080 --> 00:26:32,200
Speaker 4: is just too much sweetness. So I don't know. That's

526
00:26:32,320 --> 00:26:34,919
Speaker 4: the popcorn and cherry coke is my go to.

527
00:26:35,160 --> 00:26:36,399
Speaker 1: That's lovely, that's nice.

528
00:26:36,520 --> 00:26:40,760
Speaker 5: The popcorn thing is absolutely like I movie theater popcorn

529
00:26:40,760 --> 00:26:42,520
Speaker 5: always gives me a stomach ache, but I don't care

530
00:26:42,800 --> 00:26:45,080
Speaker 5: me too, Yea's like the problem. I was just like,

531
00:26:45,119 --> 00:26:46,760
Speaker 5: I don't care if I'm on the toilet for like

532
00:26:46,800 --> 00:26:48,720
Speaker 5: three days after this, I have to go. I have

533
00:26:48,800 --> 00:26:50,480
Speaker 5: to eat it, like I don't know what it is.

534
00:26:50,800 --> 00:26:51,600
Speaker 4: Yeah, and then.

535
00:26:51,520 --> 00:26:53,960
Speaker 5: I'm with you, Casey, like what I started. It was

536
00:26:54,000 --> 00:26:57,040
Speaker 5: always for a very long time the peanut M and

537
00:26:57,160 --> 00:27:01,199
Speaker 5: m's on top of the popcorn. Yes, yes, which I

538
00:27:01,240 --> 00:27:05,880
Speaker 5: used to call like trail mix mix sealthie, right, but

539
00:27:05,960 --> 00:27:10,200
Speaker 5: then lately I've been because I, yeah, I don't want

540
00:27:10,240 --> 00:27:14,040
Speaker 5: to get the soda if you're getting candy, so I switch.

541
00:27:14,920 --> 00:27:17,600
Speaker 5: And now it's either that I get the popcorn and

542
00:27:17,680 --> 00:27:23,040
Speaker 5: a coke icy, oh, you know, which is the only

543
00:27:23,119 --> 00:27:27,840
Speaker 5: time I ever drink full flavor coke. I usually do

544
00:27:27,960 --> 00:27:30,280
Speaker 5: not drink. I usually do like diet or coke zero

545
00:27:30,359 --> 00:27:31,480
Speaker 5: or you know.

546
00:27:31,840 --> 00:27:34,199
Speaker 1: But in an icy it's the most delicious I have

547
00:27:34,280 --> 00:27:34,760
Speaker 1: all time.

548
00:27:34,840 --> 00:27:37,800
Speaker 5: I have to. So it's either that and then I

549
00:27:37,840 --> 00:27:40,240
Speaker 5: alternate with them, the peanut and M and m's, but

550
00:27:40,280 --> 00:27:41,119
Speaker 5: always popcorn.

551
00:27:41,320 --> 00:27:43,560
Speaker 1: So can I ask you guys a question? You guys

552
00:27:43,560 --> 00:27:44,560
Speaker 1: are all moviegoers.

553
00:27:45,000 --> 00:27:48,240
Speaker 3: I don't go to the theater, and I've always wondered this,

554
00:27:48,520 --> 00:27:51,760
Speaker 3: Are you supposed to finish your snacks before the movie starts?

555
00:27:52,160 --> 00:27:54,159
Speaker 3: That always blew my mind, where it's like you have

556
00:27:54,240 --> 00:27:57,520
Speaker 3: to save it and you're supposed to eat it before, right.

557
00:27:57,600 --> 00:27:59,400
Speaker 5: I can't help myself sometimes.

558
00:27:59,080 --> 00:28:01,680
Speaker 2: You mean, like in the fifth teen minutes of trailers

559
00:28:01,720 --> 00:28:04,760
Speaker 2: and stuff, Yeah, and then everyone stops eating at the

560
00:28:04,840 --> 00:28:07,080
Speaker 2: when the movie starts, so I feel self conscious chewing

561
00:28:07,880 --> 00:28:09,240
Speaker 2: loudly when.

562
00:28:09,800 --> 00:28:12,119
Speaker 4: Wait, so you feel self conscious chewing when the movie

563
00:28:12,119 --> 00:28:14,800
Speaker 4: has started, you think you need to scarf the food.

564
00:28:15,200 --> 00:28:18,280
Speaker 3: It seems like everyone else has art finishes there. And

565
00:28:18,400 --> 00:28:19,600
Speaker 3: I don't know if it was like a rule that

566
00:28:19,640 --> 00:28:20,520
Speaker 3: I just didn't fucking know.

567
00:28:21,119 --> 00:28:21,520
Speaker 1: I don't.

568
00:28:21,640 --> 00:28:25,399
Speaker 2: I've never finished my snacks before. I mean not to

569
00:28:25,480 --> 00:28:28,440
Speaker 2: say it's like, it's not like I haven't put put

570
00:28:28,480 --> 00:28:31,359
Speaker 2: a serious dents. But to me, part of the joy

571
00:28:31,400 --> 00:28:34,840
Speaker 2: of like the big bucket of popcorn and watching a

572
00:28:34,880 --> 00:28:38,560
Speaker 2: movie is like the zone out and just insane, just

573
00:28:38,640 --> 00:28:42,040
Speaker 2: like okay, just shoveling it into your face in the dark.

574
00:28:42,120 --> 00:28:44,520
Speaker 1: That's the fun of it. Okay, that's good to know.

575
00:28:45,080 --> 00:28:49,200
Speaker 5: I a lot of times I do. I don't know

576
00:28:49,240 --> 00:28:53,320
Speaker 5: if it's too completion, but I I'm like, seventy five percent.

577
00:28:53,440 --> 00:28:56,480
Speaker 4: There we do. That's exactly what I was gonna say.

578
00:28:56,520 --> 00:29:01,720
Speaker 4: I'm seventy there. You know, I'm peaking at the right

579
00:29:01,760 --> 00:29:03,640
Speaker 4: when the movie starts, and then I can pick my

580
00:29:03,760 --> 00:29:05,000
Speaker 4: spots when I.

581
00:29:04,880 --> 00:29:08,080
Speaker 5: Get it's not out of respect though, it's out of

582
00:29:08,160 --> 00:29:12,440
Speaker 5: just being gross, and I'm like I'm starving. Yeah, And

583
00:29:12,480 --> 00:29:15,600
Speaker 5: then sometimes I do a thing where I will, you know,

584
00:29:15,960 --> 00:29:19,680
Speaker 5: go to that seventy five percent and then save the

585
00:29:19,720 --> 00:29:21,960
Speaker 5: twenty five and then we'll dip in like an hour

586
00:29:22,120 --> 00:29:24,800
Speaker 5: into the milk, sure into the film. I'll just like

587
00:29:24,880 --> 00:29:25,800
Speaker 5: pick it back up again.

588
00:29:26,520 --> 00:29:27,680
Speaker 1: Oh yeah, yeah, it's like I.

589
00:29:27,680 --> 00:29:32,560
Speaker 5: Remember I had this, but yeah, I'm housing that shit

590
00:29:32,680 --> 00:29:33,920
Speaker 5: like I'm like, hell, yeah.

591
00:29:33,760 --> 00:29:37,360
Speaker 2: Okay, it's good to know. Honestly, I'm like, I don't

592
00:29:37,400 --> 00:29:39,560
Speaker 2: worry about those other people. I have a follow up

593
00:29:39,600 --> 00:29:41,880
Speaker 2: to that question, which is, who's the most famous person

594
00:29:41,920 --> 00:29:44,800
Speaker 2: you've ever seen? At the concession stand at the arc

595
00:29:44,920 --> 00:29:46,960
Speaker 2: Light here in lasowleh.

596
00:29:46,560 --> 00:29:55,040
Speaker 5: Shit, oh man, Danielle and I saw somebody that was

597
00:29:55,480 --> 00:30:00,160
Speaker 5: on Seinfeld, not as a main character, but some recurr

598
00:30:00,920 --> 00:30:03,440
Speaker 5: And now I can't remember who it was. Was it

599
00:30:03,480 --> 00:30:05,560
Speaker 5: like a Patrick Warburton or something.

600
00:30:05,400 --> 00:30:07,840
Speaker 1: Like that, but yeah, but it was the guy with

601
00:30:07,880 --> 00:30:08,440
Speaker 1: the white hair.

602
00:30:08,640 --> 00:30:13,680
Speaker 5: Yeah, it was definitely some beloved side character from Seinfeld.

603
00:30:13,720 --> 00:30:15,880
Speaker 5: We saw at the Arc Lay.

604
00:30:16,000 --> 00:30:19,480
Speaker 4: The Arc Lay was a good place to spot celebrities.

605
00:30:19,480 --> 00:30:23,480
Speaker 4: I feel like, or like known people. I don't know

606
00:30:23,520 --> 00:30:25,840
Speaker 4: why this guy popped into my head, but I was

607
00:30:25,880 --> 00:30:28,520
Speaker 4: seeing Nope at the Arc Light. I think it was Nope.

608
00:30:28,720 --> 00:30:31,280
Speaker 4: Or it was us one of the Jordan Peele movies

609
00:30:31,320 --> 00:30:34,440
Speaker 4: and Tom Morello was getting popcorn of rage against the

610
00:30:34,480 --> 00:30:38,200
Speaker 4: machine guitarist was popcorn.

611
00:30:38,280 --> 00:30:39,120
Speaker 1: That is a good one.

612
00:30:39,360 --> 00:30:41,720
Speaker 5: I was always so jealous whenever I would hear the

613
00:30:41,840 --> 00:30:45,480
Speaker 5: stories of Keanu Reeves going to the Arc Light. Oh yeah,

614
00:30:45,480 --> 00:30:48,400
Speaker 5: and I was like, when does he go? And how

615
00:30:48,440 --> 00:30:50,320
Speaker 5: come I'm not there? At the same I.

616
00:30:50,320 --> 00:30:52,120
Speaker 3: Saw him at the Beverly Center. You got to go

617
00:30:52,120 --> 00:30:54,040
Speaker 3: to the mall, I know.

618
00:30:55,560 --> 00:30:58,200
Speaker 2: I mean, the only reason I wrote that question in

619
00:30:58,320 --> 00:31:01,080
Speaker 2: it was because I saw Colin Farrell at the end

620
00:31:01,120 --> 00:31:04,880
Speaker 2: of Concession stand. So I reverse engineered that entire thing

621
00:31:05,120 --> 00:31:07,080
Speaker 2: simply to be able to tell that story again.

622
00:31:07,160 --> 00:31:08,920
Speaker 4: Oh man, we're feral for Faral.

623
00:31:09,280 --> 00:31:12,360
Speaker 5: We are right, we're a pro feral podcast. We know that.

624
00:31:12,440 --> 00:31:14,600
Speaker 1: I'm how could you be anti?

625
00:31:14,960 --> 00:31:18,960
Speaker 2: I challenged you, but I swear to god, I felt

626
00:31:19,040 --> 00:31:22,840
Speaker 2: him coming from like five hundred paces. I was just like,

627
00:31:23,200 --> 00:31:25,920
Speaker 2: what's this. There's electricity in the air down here in

628
00:31:25,960 --> 00:31:28,840
Speaker 2: the lower concession area. And then I looked over there

629
00:31:28,840 --> 00:31:33,200
Speaker 2: he was glasses, headband, Oh your workout clothes.

630
00:31:33,480 --> 00:31:35,480
Speaker 1: He absolutely was like the.

631
00:31:36,040 --> 00:31:38,480
Speaker 2: Aura was like twenty feet in front of him. He

632
00:31:38,560 --> 00:31:39,720
Speaker 2: knew it we all knew it.

633
00:31:39,720 --> 00:31:40,760
Speaker 1: It was amazing.

634
00:31:41,240 --> 00:31:45,160
Speaker 2: It's like any movie stars at the movies, like, what

635
00:31:45,200 --> 00:31:45,920
Speaker 2: more do you want?

636
00:31:50,280 --> 00:31:53,200
Speaker 3: You guys, do you have a favorite movie theater moment

637
00:31:53,360 --> 00:31:55,600
Speaker 3: now that we're talking about them, aside finishing all that

638
00:31:55,680 --> 00:31:56,440
Speaker 3: amazing food.

639
00:31:56,360 --> 00:31:58,200
Speaker 1: Well radicalized you in the movie theater.

640
00:32:00,000 --> 00:32:02,600
Speaker 4: We had kind of a crazy one recently. This isn't

641
00:32:02,600 --> 00:32:05,080
Speaker 4: a good memory, but this is something bad that happened

642
00:32:05,080 --> 00:32:07,000
Speaker 4: where someone was doing a yeah.

643
00:32:06,920 --> 00:32:14,120
Speaker 5: Fire firecracker during furio Yes, and it was insane, like

644
00:32:14,200 --> 00:32:16,280
Speaker 5: and did you do it? Oh no, I wish no

645
00:32:16,400 --> 00:32:20,720
Speaker 5: it was it was an hour into Furiosa.

646
00:32:21,240 --> 00:32:22,000
Speaker 1: Oh shut.

647
00:32:22,760 --> 00:32:25,400
Speaker 5: All I know is that it was packed. It was

648
00:32:25,520 --> 00:32:28,040
Speaker 5: like the Thursday that it came out, so it was

649
00:32:28,080 --> 00:32:32,200
Speaker 5: like no empty seat and then all of a sudden

650
00:32:32,320 --> 00:32:35,560
Speaker 5: you would see you saw this like fireball sail through

651
00:32:35,560 --> 00:32:40,520
Speaker 5: the air. Jesus landed in like the first like five

652
00:32:40,640 --> 00:32:44,000
Speaker 5: rows of seats, and then everybody just jumped up. Yeah,

653
00:32:44,080 --> 00:32:46,520
Speaker 5: and every like the whole theater. It was like we

654
00:32:46,520 --> 00:32:49,880
Speaker 5: were in this like frozen moment of we were like

655
00:32:49,960 --> 00:32:52,560
Speaker 5: waiting for an explosion or so. It was like really hard.

656
00:32:52,720 --> 00:32:56,320
Speaker 5: So everybody was like stood up and like kind of

657
00:32:56,440 --> 00:33:00,120
Speaker 5: moving towards the emergency exits, but nobody was. We were

658
00:33:00,200 --> 00:33:02,600
Speaker 5: kind of like frozen waiting to see, like what would

659
00:33:02,640 --> 00:33:09,080
Speaker 5: happen with the fire, Like either was gonna just fizzle out, explode,

660
00:33:09,840 --> 00:33:12,560
Speaker 5: somebody was gonna like get burned. We were just waiting

661
00:33:12,680 --> 00:33:18,080
Speaker 5: for something to happen. And then by the time anything

662
00:33:18,200 --> 00:33:20,600
Speaker 5: was supposed to happen, the fire alarm got pulled and

663
00:33:20,640 --> 00:33:22,640
Speaker 5: every they were like clearing people out, so we had

664
00:33:22,640 --> 00:33:23,040
Speaker 5: to leave.

665
00:33:23,200 --> 00:33:27,440
Speaker 3: Anyways, you can't do that these fucking that's an eighties trick.

666
00:33:27,960 --> 00:33:31,160
Speaker 5: In this movie theater, I'm gonna I'm gonna call it

667
00:33:31,280 --> 00:33:36,840
Speaker 5: this movie theater out in Atlanta. Chronically there's always teenage

668
00:33:37,360 --> 00:33:41,480
Speaker 5: antics at this place, and if you every time, because

669
00:33:41,480 --> 00:33:45,520
Speaker 5: this is not the first time there's been some malarkey here,

670
00:33:46,040 --> 00:33:48,400
Speaker 5: and like, this is the problem with the movies is

671
00:33:48,440 --> 00:33:52,920
Speaker 5: that it's not just teenagers running uh you know, scams,

672
00:33:52,960 --> 00:33:55,640
Speaker 5: but it's like the teenagers run the place, so they're

673
00:33:55,720 --> 00:34:00,000
Speaker 5: in coats and so nothing gets done. There's no policy

674
00:33:59,840 --> 00:34:03,560
Speaker 5: that gets it acted because of this, and so, uh,

675
00:34:04,000 --> 00:34:07,400
Speaker 5: every time something has happened in this movie theater, including

676
00:34:07,400 --> 00:34:12,120
Speaker 5: the fireworks saga, I have asked one of my friends

677
00:34:12,160 --> 00:34:15,080
Speaker 5: that has kids, I was like, is it a school

678
00:34:15,120 --> 00:34:18,800
Speaker 5: holiday and they were like yes, and I'm like, oh yeah.

679
00:34:18,880 --> 00:34:21,480
Speaker 5: So the messaging is that on a school holiday the

680
00:34:21,560 --> 00:34:24,000
Speaker 5: kids go to the movie theater and cause trouble.

681
00:34:24,320 --> 00:34:29,000
Speaker 2: So now yeah, yeah, they're like, that's their way to party.

682
00:34:29,080 --> 00:34:30,520
Speaker 1: This is what I think every movie is, Like, That's

683
00:34:30,520 --> 00:34:31,239
Speaker 1: why I don't got it.

684
00:34:31,640 --> 00:34:38,360
Speaker 2: Yes, it's always firecrackers. Yeah, especially that movies. It's already

685
00:34:38,440 --> 00:34:40,799
Speaker 2: so tense and so much going on.

686
00:34:41,000 --> 00:34:42,880
Speaker 5: Yeah, and it was like we had to get we

687
00:34:42,960 --> 00:34:46,120
Speaker 5: got a pass to come back to see the last

688
00:34:46,200 --> 00:34:49,200
Speaker 5: hour of it, like an hour into it. It was

689
00:34:49,200 --> 00:34:52,919
Speaker 5: so annoying. But I don't know, Casey, what about you?

690
00:34:53,160 --> 00:35:00,160
Speaker 4: Do you have any memorable film or movie theater experience? Uh? Well,

691
00:35:00,200 --> 00:35:01,960
Speaker 4: I mean I kind of talked about this on one

692
00:35:02,000 --> 00:35:04,920
Speaker 4: of our episodes where I had to like yell at

693
00:35:04,920 --> 00:35:07,480
Speaker 4: those old people because they were in my seat. I've

694
00:35:07,480 --> 00:35:09,480
Speaker 4: had a lot of issues with people sitting in my

695
00:35:09,520 --> 00:35:11,600
Speaker 4: seat when it's a reserved seat. I don't know how

696
00:35:11,880 --> 00:35:14,920
Speaker 4: you both feel about the reserve seats in the movie theaters,

697
00:35:14,960 --> 00:35:17,600
Speaker 4: but I like it. I like having a reserve seat

698
00:35:17,640 --> 00:35:20,440
Speaker 4: for myself and my wife and I were in the theater.

699
00:35:20,800 --> 00:35:23,760
Speaker 4: It was like a sold out theater. We were seeing

700
00:35:23,760 --> 00:35:25,879
Speaker 4: The Big Short, and we got there right when the

701
00:35:25,960 --> 00:35:30,920
Speaker 4: movie started, and there were these I go to the

702
00:35:31,480 --> 00:35:32,920
Speaker 4: this is at the arc light and I go to

703
00:35:33,000 --> 00:35:34,880
Speaker 4: like the guy working and I'm like, where are our seats?

704
00:35:34,880 --> 00:35:36,600
Speaker 4: I can't even see it's so dark, and he's like,

705
00:35:36,840 --> 00:35:38,680
Speaker 4: they're up there, but I can see that there's a

706
00:35:38,719 --> 00:35:40,279
Speaker 4: guy sitting in your seat. So you're gonna have to

707
00:35:40,320 --> 00:35:42,920
Speaker 4: ask him to move, and I'm like, oh god. So

708
00:35:43,040 --> 00:35:47,400
Speaker 4: basically it was this elderly couple and they're imagine there

709
00:35:47,400 --> 00:35:50,439
Speaker 4: are four seats and they own they own two of them,

710
00:35:50,719 --> 00:35:53,120
Speaker 4: but they're sitting in the middle, and we own two

711
00:35:53,120 --> 00:35:55,279
Speaker 4: of them, but they're sitting in the middle.

712
00:35:55,120 --> 00:35:57,759
Speaker 1: Too, and so they have to know you can't do that.

713
00:35:58,120 --> 00:35:58,640
Speaker 1: I'm angry.

714
00:35:58,719 --> 00:36:01,759
Speaker 4: They have to scoot over one, you know, to make

715
00:36:01,840 --> 00:36:05,359
Speaker 4: room for us. And so I go up and I'm like, sir,

716
00:36:05,800 --> 00:36:08,640
Speaker 4: you are in my seat and he's like what And

717
00:36:08,640 --> 00:36:11,440
Speaker 4: I was like and the movie has started, and I

718
00:36:11,520 --> 00:36:14,840
Speaker 4: was like, you're oh, you're in my seat. I paid

719
00:36:15,160 --> 00:36:19,319
Speaker 4: for these seats. And his wife is like what's going on?

720
00:36:19,719 --> 00:36:22,600
Speaker 4: And oh my god. I was like please and the

721
00:36:22,640 --> 00:36:25,759
Speaker 4: movie has started and I'm like, please, move over one seat.

722
00:36:25,800 --> 00:36:28,120
Speaker 4: And then the people behind them are like, why are

723
00:36:28,160 --> 00:36:30,759
Speaker 4: these people standing in the middle of the movie, And

724
00:36:30,840 --> 00:36:34,799
Speaker 4: I was like, this is my ticket, move over one.

725
00:36:34,880 --> 00:36:38,040
Speaker 4: And finally they did get the message and move over one.

726
00:36:38,080 --> 00:36:39,839
Speaker 4: But that was a pretty harrowing experience.

727
00:36:39,880 --> 00:36:41,279
Speaker 1: And you have to sit next to them. I have

728
00:36:41,360 --> 00:36:44,360
Speaker 1: to sit next I'm on a second though, just a

729
00:36:44,400 --> 00:36:46,840
Speaker 1: devil's advocate. Okay, why were you so late?

730
00:36:47,080 --> 00:36:49,360
Speaker 4: That's what my mom said to me too. She was like,

731
00:36:49,440 --> 00:36:54,160
Speaker 4: what's your fault? You were late to the movie? So I, I, uh,

732
00:36:54,239 --> 00:36:57,120
Speaker 4: you know, I that's true. I can't deny I was.

733
00:36:57,400 --> 00:36:59,520
Speaker 4: I was wrong for being late to the movie.

734
00:36:59,800 --> 00:37:01,799
Speaker 2: But the last time we went to the movies it

735
00:37:01,840 --> 00:37:04,320
Speaker 2: was a very similar situation, except for I was the

736
00:37:04,400 --> 00:37:07,359
Speaker 2: late one and the movie theater for some it was

737
00:37:07,400 --> 00:37:10,600
Speaker 2: in my hometown. It was so dark inside the movie

738
00:37:10,600 --> 00:37:13,960
Speaker 2: theater that I couldn't find the rose walking like the

739
00:37:14,080 --> 00:37:17,520
Speaker 2: letter row walking up and no idea what the number

740
00:37:17,600 --> 00:37:21,000
Speaker 2: of seat. So my cousin is up there somewhere and

741
00:37:21,560 --> 00:37:24,319
Speaker 2: I walk halfway down and it's pitch black, like I

742
00:37:24,320 --> 00:37:26,480
Speaker 2: can't see anything, and it's one of those ones where

743
00:37:26,800 --> 00:37:29,239
Speaker 2: you know, the newfangled movie theater seats where it's like

744
00:37:29,280 --> 00:37:33,239
Speaker 2: a lazy boy recline. So I'm walking really slow because

745
00:37:33,280 --> 00:37:37,080
Speaker 2: I don't want to slam my shins into a recliner thing.

746
00:37:37,560 --> 00:37:39,759
Speaker 2: And I just am like guessing as to where my

747
00:37:39,920 --> 00:37:42,239
Speaker 2: seat would be or where my cousin is. And I

748
00:37:42,320 --> 00:37:45,560
Speaker 2: so I'm bending over and trying to look into people's faces,

749
00:37:45,680 --> 00:37:48,880
Speaker 2: and I go like halfway down, walking really slow, and

750
00:37:48,920 --> 00:37:52,279
Speaker 2: I just go like Anne, and then this girl just

751
00:37:52,320 --> 00:37:55,239
Speaker 2: goes no, oh no, and then I just so I

752
00:37:55,360 --> 00:37:58,560
Speaker 2: keep going and then I just end up very slowly

753
00:37:58,680 --> 00:38:02,440
Speaker 2: running into the wall. It was one of those small

754
00:38:02,480 --> 00:38:05,600
Speaker 2: theaters and doesn't have stairs on either side. It was

755
00:38:05,760 --> 00:38:08,680
Speaker 2: just like I just got to the end by touching

756
00:38:08,719 --> 00:38:10,359
Speaker 2: my nose to a carpeted wall.

757
00:38:10,440 --> 00:38:12,640
Speaker 1: That hurts me. It was so embarrassing.

758
00:38:12,760 --> 00:38:15,319
Speaker 4: That is just so scary though. It's so it can

759
00:38:15,400 --> 00:38:17,880
Speaker 4: be so dark in there, and there's like, you know,

760
00:38:17,960 --> 00:38:21,040
Speaker 4: there's like dozens of people sitting quietly and you're like

761
00:38:21,120 --> 00:38:23,840
Speaker 4: trying to navigate them. I mean, it's like a horrible movie.

762
00:38:23,480 --> 00:38:25,239
Speaker 2: And they can see you fine because their eyes are

763
00:38:25,239 --> 00:38:28,320
Speaker 2: adjust and it was the beginning of a complete unknown

764
00:38:28,480 --> 00:38:31,960
Speaker 2: where so jupid guys. It's so dark and there in

765
00:38:32,040 --> 00:38:35,560
Speaker 2: a hospital while someone is dying of a degenerative disease,

766
00:38:35,640 --> 00:38:38,640
Speaker 2: and you're like, so when I hit the wall, my

767
00:38:38,760 --> 00:38:41,120
Speaker 2: cousin Sophie is the one that's there, and she goes,

768
00:38:41,280 --> 00:38:43,120
Speaker 2: did you just run into the wall? And I'm like,

769
00:38:43,360 --> 00:38:46,040
Speaker 2: thanks for your help, and she goes, I couldn't see you.

770
00:38:46,280 --> 00:38:48,440
Speaker 1: I didn't know it was you until you started laughing.

771
00:38:48,560 --> 00:38:50,920
Speaker 5: That's so funny you said that because I saw that

772
00:38:50,960 --> 00:38:53,880
Speaker 5: movie in the theater too, and the opening, the first

773
00:38:53,960 --> 00:38:56,960
Speaker 5: like five minutes of a complete note, is so dark

774
00:38:57,480 --> 00:38:59,200
Speaker 5: that I thought I was about to go to the

775
00:38:59,239 --> 00:39:01,759
Speaker 5: projection booth and be like, could you like, I don't

776
00:39:01,800 --> 00:39:05,240
Speaker 5: know if the you know, the movie's playing right or whatever.

777
00:39:05,280 --> 00:39:08,600
Speaker 5: And because there are people just like you who were

778
00:39:08,640 --> 00:39:11,759
Speaker 5: like fumblin' stumbling because it was so I was like,

779
00:39:11,800 --> 00:39:13,680
Speaker 5: why is this gonna be so dark? I don't understand

780
00:39:13,680 --> 00:39:14,319
Speaker 5: where we're at.

781
00:39:15,040 --> 00:39:16,600
Speaker 1: It's crazy.

782
00:39:16,800 --> 00:39:20,080
Speaker 2: Oh my god, wild. Should we let you guys host

783
00:39:20,080 --> 00:39:20,560
Speaker 2: a little bit?

784
00:39:20,800 --> 00:39:23,880
Speaker 1: What you know? You guys host like it's your podcast?

785
00:39:24,120 --> 00:39:29,160
Speaker 4: You go, yeah, we have a few questions here lined up, Millie.

786
00:39:29,200 --> 00:39:31,040
Speaker 4: Do you what what should we start with here?

787
00:39:32,000 --> 00:39:35,560
Speaker 5: Oh gosh, I don't know. You know, this is when

788
00:39:35,600 --> 00:39:38,040
Speaker 5: we were talking about, you know, kind of what we're

789
00:39:38,040 --> 00:39:40,120
Speaker 5: gonna do for this podcast, like how we're going to

790
00:39:40,200 --> 00:39:43,080
Speaker 5: set it up, and what are these like questions that

791
00:39:43,120 --> 00:39:46,799
Speaker 5: we want to ask our guests, right, And one of

792
00:39:46,920 --> 00:39:48,480
Speaker 5: the things that came to mind, I mean again, like

793
00:39:48,520 --> 00:39:51,040
Speaker 5: this this podcast that we're doing is also about like

794
00:39:51,200 --> 00:39:54,960
Speaker 5: movie culture. So you know, we're talking about not just

795
00:39:55,000 --> 00:39:58,400
Speaker 5: like movie theater going, but like like video stores and

796
00:39:58,600 --> 00:40:02,320
Speaker 5: you know, just stuff that if you're into movies or

797
00:40:02,360 --> 00:40:05,120
Speaker 5: there's like these little rituals, these little you know, little

798
00:40:05,880 --> 00:40:09,520
Speaker 5: things that we do. And one of the questions that

799
00:40:09,560 --> 00:40:13,840
Speaker 5: we like to ask is, imagine that you're in a

800
00:40:13,920 --> 00:40:18,719
Speaker 5: video store. And so if you're you know, going through

801
00:40:18,719 --> 00:40:22,720
Speaker 5: the video store, what's like the first VHS or DVD

802
00:40:22,880 --> 00:40:27,760
Speaker 5: cover that comes to mind when you enter into that store?

803
00:40:28,000 --> 00:40:30,440
Speaker 1: Do you have your I do? It's not going to

804
00:40:30,480 --> 00:40:33,160
Speaker 1: be the same, for sure, it'd be amazing if it was.

805
00:40:33,320 --> 00:40:40,040
Speaker 1: At the same time. One, two, three, twins.

806
00:40:40,200 --> 00:40:43,760
Speaker 4: I can see both of those perfectly in my head.

807
00:40:43,880 --> 00:40:45,840
Speaker 4: So absolutely, well, why did that?

808
00:40:46,120 --> 00:40:47,320
Speaker 1: Why is that twins?

809
00:40:47,560 --> 00:40:49,680
Speaker 3: For some reason? That's that's the that's the one with

810
00:40:50,239 --> 00:40:51,920
Speaker 3: Yeah Schwartzenegger.

811
00:40:52,000 --> 00:40:55,320
Speaker 4: Yeah, yeah, Now, what's your relationship with that movie, Georgia,

812
00:40:55,400 --> 00:40:56,600
Speaker 4: do you have a relationship.

813
00:40:56,880 --> 00:41:00,000
Speaker 3: Yes, I was the right age and every other weekend

814
00:41:00,000 --> 00:41:02,560
Speaker 3: at my dad's house, my single dad, and so we

815
00:41:02,600 --> 00:41:07,640
Speaker 3: had a we would have to rent a VCR from

816
00:41:06,960 --> 00:41:09,719
Speaker 3: the d Star, but we have to do that, and

817
00:41:09,800 --> 00:41:10,920
Speaker 3: so we.

818
00:41:10,840 --> 00:41:12,600
Speaker 1: Just fucking love that movie and watch the shit out

819
00:41:12,640 --> 00:41:17,160
Speaker 1: of it. I'm sure it's so inappropriate for children now, Yeah.

820
00:41:17,520 --> 00:41:21,680
Speaker 4: Okay, very good. And Karen, what about A fish called Wanda?

821
00:41:21,719 --> 00:41:23,840
Speaker 4: Do you have any relationship with that movie?

822
00:41:24,040 --> 00:41:26,600
Speaker 2: Well, the first thing I saw was Kevin Klein with

823
00:41:26,680 --> 00:41:29,759
Speaker 2: his like balancing on something, which actually could be from

824
00:41:29,800 --> 00:41:33,680
Speaker 2: a different movie, but I'm picturing him like I feel

825
00:41:33,719 --> 00:41:36,600
Speaker 2: like he had that spate this run of movies from

826
00:41:36,640 --> 00:41:39,200
Speaker 2: like eighty four to ninety five where it was like

827
00:41:39,800 --> 00:41:42,880
Speaker 2: that he would it would be Kevin Klein on the

828
00:41:42,920 --> 00:41:46,480
Speaker 2: spine of a VHS tape, like balancing on a chair

829
00:41:46,760 --> 00:41:48,120
Speaker 2: or like having a mustache.

830
00:41:48,160 --> 00:41:51,000
Speaker 3: Both these movies are posing for the cover. Yeah, Like

831
00:41:51,040 --> 00:41:53,040
Speaker 3: they're not like take a clip from the movie.

832
00:41:53,280 --> 00:41:56,080
Speaker 1: They're like the cast, yeah, closing. I totally see it.

833
00:41:56,040 --> 00:41:59,280
Speaker 2: The visual, the visual part, but I think the Kevin Klein,

834
00:42:00,440 --> 00:42:02,960
Speaker 2: anything he was doing, I wanted to be there for

835
00:42:03,040 --> 00:42:06,600
Speaker 2: it and my family would be too, like f it'sh

836
00:42:06,640 --> 00:42:09,680
Speaker 2: called Wanda made my parents laugh so hard. It was

837
00:42:09,719 --> 00:42:13,239
Speaker 2: one of those kinds of that and the Four Seasons

838
00:42:13,280 --> 00:42:15,480
Speaker 2: like where you're like, what's going on that they like

839
00:42:15,560 --> 00:42:18,160
Speaker 2: this so much? And then it made me pay more

840
00:42:18,200 --> 00:42:21,359
Speaker 2: attention to, like the actual comedy because I was interested in,

841
00:42:21,440 --> 00:42:25,840
Speaker 2: like what was everyone doing that was a listening that response. Yeah,

842
00:42:25,880 --> 00:42:28,080
Speaker 2: they weren't because they were not easy laughers and they

843
00:42:28,080 --> 00:42:31,040
Speaker 2: were like crying laughing. So I think it was that

844
00:42:31,200 --> 00:42:33,640
Speaker 2: piece of it where it's like kind of what our

845
00:42:33,719 --> 00:42:34,960
Speaker 2: family liked a little bit.

846
00:42:35,040 --> 00:42:37,480
Speaker 4: It is funny because I feel like you mentioned that

847
00:42:37,520 --> 00:42:40,600
Speaker 4: they like those are both like posing for the poster,

848
00:42:40,760 --> 00:42:43,160
Speaker 4: and I feel like that's such a lost art. Everything's

849
00:42:43,200 --> 00:42:45,920
Speaker 4: photoshopped now or it's like a still taken from the

850
00:42:45,960 --> 00:42:46,960
Speaker 4: movie or something, but.

851
00:42:47,080 --> 00:42:50,799
Speaker 3: Like very poorly too. It's weird, like it looks like

852
00:42:50,840 --> 00:42:53,120
Speaker 3: a Hallmark movie poster. Yeah, but it's like a big

853
00:42:53,160 --> 00:42:54,640
Speaker 3: budget movie. Yeah.

854
00:42:54,719 --> 00:42:56,719
Speaker 4: I don't know if they just can't be you know,

855
00:42:56,800 --> 00:42:59,719
Speaker 4: these stars can't don't want to get back together for

856
00:42:59,760 --> 00:43:01,680
Speaker 4: a foot or something.

857
00:43:01,400 --> 00:43:04,399
Speaker 1: But right get in front of that white psyche, that's

858
00:43:06,000 --> 00:43:06,680
Speaker 1: sell this thing.

859
00:43:07,200 --> 00:43:10,120
Speaker 4: Well, very good that's I love that, Millie. You know what,

860
00:43:10,160 --> 00:43:12,919
Speaker 4: I don't feel like you have answered that question. What's

861
00:43:13,040 --> 00:43:15,680
Speaker 4: what's like the VHS cover that comes to your mind?

862
00:43:16,360 --> 00:43:20,920
Speaker 5: Well, I mean I was such a video store loser

863
00:43:21,239 --> 00:43:23,480
Speaker 5: as a kid. I mean I was there constantly, and

864
00:43:23,520 --> 00:43:25,879
Speaker 5: it was just like you know, well, first of all,

865
00:43:25,880 --> 00:43:28,399
Speaker 5: my parents never let us go to the movie theater.

866
00:43:28,600 --> 00:43:30,520
Speaker 5: They were too cheap to let us go to first

867
00:43:30,560 --> 00:43:34,160
Speaker 5: run movies, so we were at the video store constantly.

868
00:43:34,600 --> 00:43:38,680
Speaker 5: And I all of my good memories from video stores

869
00:43:38,880 --> 00:43:42,080
Speaker 5: come from the horror movie section. It's just what clicked

870
00:43:42,080 --> 00:43:45,480
Speaker 5: in my brain. And so I think for me, the

871
00:43:45,480 --> 00:43:49,279
Speaker 5: first one that comes to mind is the cover for

872
00:43:49,480 --> 00:43:53,200
Speaker 5: a movie called Happy Birthday to Me, and it's a

873
00:43:53,320 --> 00:44:00,759
Speaker 5: basically a shish kaba obskewer going through guys mouth into

874
00:44:00,760 --> 00:44:01,280
Speaker 5: the back.

875
00:44:01,120 --> 00:44:01,920
Speaker 4: Of his head.

876
00:44:04,600 --> 00:44:05,719
Speaker 1: Happy Birthday to Me.

877
00:44:06,320 --> 00:44:08,200
Speaker 4: I have never even heard of this movie.

878
00:44:08,320 --> 00:44:10,320
Speaker 1: What, oh it's a classic.

879
00:44:10,440 --> 00:44:13,319
Speaker 2: Yeah, oh yeah, yeah, that's it was in the whole

880
00:44:13,400 --> 00:44:16,759
Speaker 2: like a solid horror section, which I wouldn't necessarily be

881
00:44:16,960 --> 00:44:19,239
Speaker 2: that interested in, but you would kind of love the

882
00:44:19,400 --> 00:44:21,400
Speaker 2: like I was thinking, that would always be next to

883
00:44:21,480 --> 00:44:24,799
Speaker 2: like Christine and then like something else, so you'd be like, oh,

884
00:44:25,000 --> 00:44:27,400
Speaker 2: I would watch a Stephen King, Oh my God, Happy

885
00:44:27,440 --> 00:44:30,239
Speaker 2: Birthday to me, or like the one where the like

886
00:44:30,600 --> 00:44:32,919
Speaker 2: she will have her revenge. There was some really dark

887
00:44:33,040 --> 00:44:36,120
Speaker 2: late seventies horror that would get mixed in there, so

888
00:44:36,160 --> 00:44:38,359
Speaker 2: then it would just be like, well, we can't rent that,

889
00:44:38,560 --> 00:44:40,960
Speaker 2: but what is it? Like, what's happening over there?

890
00:44:41,040 --> 00:44:44,120
Speaker 5: There was another one that is in that era, I

891
00:44:44,160 --> 00:44:48,680
Speaker 5: think around that era. The movie was I think the

892
00:44:48,719 --> 00:44:53,279
Speaker 5: movie is called Phenomena by Dario Argento, the you know,

893
00:44:53,920 --> 00:44:57,560
Speaker 5: Italian horror director, but it was called Creepers and it

894
00:44:57,640 --> 00:45:02,600
Speaker 5: was basically the the cover was like illustration of Jennifer Connelly,

895
00:45:02,680 --> 00:45:06,080
Speaker 5: the actress Jennifer Conley, with half of her face being

896
00:45:06,920 --> 00:45:09,160
Speaker 5: ripped off by like insects.

897
00:45:10,040 --> 00:45:14,880
Speaker 4: There's a lot of bugs in Phenomena Creepers.

898
00:45:14,560 --> 00:45:17,280
Speaker 5: And this is just on a shelf. At my height,

899
00:45:17,400 --> 00:45:19,440
Speaker 5: which at the time I was probably three feet tall

900
00:45:19,560 --> 00:45:21,760
Speaker 5: or something. I mean, I was like, and I'm going, yeah,

901
00:45:21,800 --> 00:45:24,480
Speaker 5: this is like totally ruining my life. Like all of

902
00:45:24,520 --> 00:45:29,040
Speaker 5: these little boxes. They were so bocative, so freaky, and

903
00:45:29,080 --> 00:45:31,279
Speaker 5: it just you know, those are the things that I

904
00:45:31,360 --> 00:45:32,600
Speaker 5: kind of gravitated towards.

905
00:45:32,600 --> 00:45:35,200
Speaker 2: I think, yeah, definitely, And you were in there, like

906
00:45:35,320 --> 00:45:37,880
Speaker 2: staring at these boxes like you. It was quiet like

907
00:45:37,920 --> 00:45:40,760
Speaker 2: the library, yes, and you were desperate to pick something

908
00:45:40,760 --> 00:45:43,560
Speaker 2: that would actually entertain you because that was like your

909
00:45:43,640 --> 00:45:45,880
Speaker 2: one chance where it's like, go find something. And then

910
00:45:45,880 --> 00:45:48,280
Speaker 2: it was like, well, well, I pick that will actually

911
00:45:48,600 --> 00:45:49,600
Speaker 2: make me happy.

912
00:45:49,320 --> 00:45:51,319
Speaker 1: And your sibling can't, so you're gonna have you guys

913
00:45:51,360 --> 00:45:53,560
Speaker 1: have to agree on it. Yeah, that's the worst part.

914
00:45:53,880 --> 00:45:57,600
Speaker 4: Fabulous. I love talking about VHS covers in the video

915
00:45:57,680 --> 00:45:59,239
Speaker 4: store because I just think it's like a time. It's

916
00:45:59,239 --> 00:46:03,520
Speaker 4: like when you sort of start learning, like movies become

917
00:46:03,520 --> 00:46:05,480
Speaker 4: evocative to you at a very young age, where you're like,

918
00:46:05,480 --> 00:46:07,480
Speaker 4: what is that? I need to know what that is?

919
00:46:07,600 --> 00:46:08,719
Speaker 4: And I think that's sort of.

920
00:46:08,840 --> 00:46:10,759
Speaker 3: Well, you know, my sister and I snuck into the

921
00:46:11,000 --> 00:46:14,239
Speaker 3: X rated We pushed the curtain inside and ran into

922
00:46:14,239 --> 00:46:18,200
Speaker 3: the X rated video store section, but no one was looking.

923
00:46:20,400 --> 00:46:23,319
Speaker 3: I've read about this in our book. I was like,

924
00:46:23,360 --> 00:46:23,600
Speaker 3: you have.

925
00:46:23,880 --> 00:46:25,440
Speaker 1: I was so overwhelmed. I like, you have to look

926
00:46:25,480 --> 00:46:26,600
Speaker 1: at one and you have to pay attention.

927
00:46:26,680 --> 00:46:28,000
Speaker 3: You have to like focus on it or you're not

928
00:46:28,000 --> 00:46:29,160
Speaker 3: going to see anything, you know, because I was so

929
00:46:29,200 --> 00:46:30,160
Speaker 3: over really.

930
00:46:29,960 --> 00:46:33,960
Speaker 4: Good, that's like a mature thought process going into this.

931
00:46:34,320 --> 00:46:36,520
Speaker 3: It's like circle circles. Just look at something. And so

932
00:46:36,560 --> 00:46:38,480
Speaker 3: I looked at it. It was called naked with shoes on,

933
00:46:39,440 --> 00:46:42,920
Speaker 3: and it blew my mind. She had like tenny you know,

934
00:46:42,960 --> 00:46:45,360
Speaker 3: like la geared tennis shoes and like scrunch socks and

935
00:46:45,520 --> 00:46:48,200
Speaker 3: was like clearly naked everywhere else naked shoes on.

936
00:46:48,360 --> 00:46:51,040
Speaker 1: Was like, oh my god, that's a thing. Like I

937
00:46:51,040 --> 00:46:53,560
Speaker 1: I didn't realize adults were like into it. Naked with

938
00:46:53,600 --> 00:46:54,000
Speaker 1: shoes on.

939
00:46:54,280 --> 00:46:58,360
Speaker 5: Yeah, that is so such a weird concept now that

940
00:46:58,440 --> 00:47:02,480
Speaker 5: I think about it, because like my local video store

941
00:47:02,600 --> 00:47:06,520
Speaker 5: had that section as well, curtained off, so you're particlarly

942
00:47:06,640 --> 00:47:11,080
Speaker 5: like in the family video store with like other people

943
00:47:11,120 --> 00:47:12,520
Speaker 5: in your community, so you're.

944
00:47:12,400 --> 00:47:15,680
Speaker 4: Seeing you're seeing your pastor you're seeing your.

945
00:47:16,440 --> 00:47:18,319
Speaker 5: So it's like then all of a sudden, it's like

946
00:47:18,560 --> 00:47:24,520
Speaker 5: your friend's dad like disappears behind the curtain. And I'm like, yeah,

947
00:47:24,600 --> 00:47:27,320
Speaker 5: that would never like that is such a weird concept.

948
00:47:27,400 --> 00:47:29,719
Speaker 5: I don't know if that would happen these days, Like

949
00:47:29,760 --> 00:47:33,800
Speaker 5: nobody wants to be in the X rated video section

950
00:47:34,000 --> 00:47:38,400
Speaker 5: while people are running twins, right, it's like a different vibe.

951
00:47:39,320 --> 00:47:40,919
Speaker 1: So it's like purvs go in the back.

952
00:47:42,120 --> 00:47:43,719
Speaker 4: They don't want that for themselves.

953
00:47:43,880 --> 00:47:47,680
Speaker 2: No, but they all had that though. It was like

954
00:47:48,040 --> 00:47:51,680
Speaker 2: it was always like beaded curtains, kind of like here's

955
00:47:51,719 --> 00:47:55,040
Speaker 2: the sexy area. Did you ever rent anything when you

956
00:47:55,080 --> 00:47:57,479
Speaker 2: got older in the beaded sexy area?

957
00:47:57,719 --> 00:48:01,959
Speaker 1: No, my god, we neither. Just I just.

958
00:48:01,880 --> 00:48:04,120
Speaker 2: Watched The Cook, the Thief, his wife and her love

959
00:48:04,280 --> 00:48:05,240
Speaker 2: a bunch of times.

960
00:48:05,320 --> 00:48:06,920
Speaker 4: That's a great arthouse movie.

961
00:48:07,000 --> 00:48:07,399
Speaker 2: I love.

962
00:48:07,440 --> 00:48:09,960
Speaker 1: I don't know though. It's very sexy and dirty and

963
00:48:11,880 --> 00:48:13,200
Speaker 1: on naked body.

964
00:48:13,800 --> 00:48:17,680
Speaker 4: I think Helen Mirren is like covered in rotting meat

965
00:48:18,080 --> 00:48:20,360
Speaker 4: completely nude at some point in that film.

966
00:48:20,480 --> 00:48:23,239
Speaker 1: Sexy. Yeah, excellent, but does she have shoes on?

967
00:48:25,239 --> 00:48:27,640
Speaker 2: The idea that they just named it what the thing

968
00:48:27,800 --> 00:48:29,200
Speaker 2: is is the funniest.

969
00:48:29,760 --> 00:48:31,360
Speaker 1: Yeah. I love it so much.

970
00:48:32,000 --> 00:48:33,319
Speaker 3: And I tried to look it up and I can't

971
00:48:33,320 --> 00:48:35,560
Speaker 3: find it. Like I might not exist, really might just

972
00:48:35,600 --> 00:48:37,879
Speaker 3: exist in my mind. I want to ask one last question,

973
00:48:37,960 --> 00:48:40,120
Speaker 3: do you guys have a dream guest? And David lynch

974
00:48:40,320 --> 00:48:43,279
Speaker 3: r I P would have been amazing, But do either

975
00:48:43,320 --> 00:48:44,160
Speaker 3: you have a dream guest?

976
00:48:44,800 --> 00:48:48,040
Speaker 5: I mean Conu Reeves, everybody, I say every.

977
00:48:49,600 --> 00:48:49,880
Speaker 3: We do.

978
00:48:50,360 --> 00:48:54,000
Speaker 5: I always say Kean Reeves, could happen?

979
00:48:54,400 --> 00:48:55,880
Speaker 4: Could love for that to happen.

980
00:48:56,400 --> 00:48:59,359
Speaker 1: He loves movies. He turns out always has.

981
00:48:59,640 --> 00:49:03,359
Speaker 4: I feel like one that I thought I was like

982
00:49:03,719 --> 00:49:06,560
Speaker 4: if we had Martin Scorsese on our podcast. I mean,

983
00:49:06,600 --> 00:49:09,279
Speaker 4: he's like such a movie lover. That's why I feel

984
00:49:09,280 --> 00:49:11,799
Speaker 4: like you would fit in well with our show. But

985
00:49:12,600 --> 00:49:14,640
Speaker 4: so he would be a dream guest of mine.

986
00:49:14,960 --> 00:49:17,359
Speaker 5: Goes out into the universe and I'll appeal to him

987
00:49:17,400 --> 00:49:21,959
Speaker 5: as a fellow Italian American and I will let's start

988
00:49:22,000 --> 00:49:25,759
Speaker 5: talking about you know, Canoli's and other Italian things, and

989
00:49:25,800 --> 00:49:26,520
Speaker 5: hopefully he'll come.

990
00:49:26,880 --> 00:49:31,240
Speaker 2: So, yeah, I watched a documentary forced with my dad

991
00:49:31,360 --> 00:49:34,960
Speaker 2: about the Automat in New York City that he was

992
00:49:35,000 --> 00:49:37,600
Speaker 2: in and talked very passionately about the automat and what

993
00:49:37,680 --> 00:49:38,560
Speaker 2: the automat was like.

994
00:49:38,760 --> 00:49:39,920
Speaker 1: Yeah, it was hilarious.

995
00:49:40,000 --> 00:49:41,640
Speaker 5: Yeah, No, he would be awesome.

996
00:49:42,440 --> 00:49:43,879
Speaker 1: Yeah, that's a good one. We'll get on that here

997
00:49:43,920 --> 00:49:44,560
Speaker 1: at exactly right.

998
00:49:44,680 --> 00:49:47,919
Speaker 2: I do everything we can, All right, do you guys

999
00:49:47,920 --> 00:49:49,520
Speaker 2: have Is there anything I just want to talk about

1000
00:49:49,719 --> 00:49:50,800
Speaker 2: or plug or anything.

1001
00:49:50,880 --> 00:49:53,520
Speaker 5: No, we just really we just really are so thankful

1002
00:49:53,560 --> 00:49:59,040
Speaker 5: for you both for you know, respecting the vision and

1003
00:50:00,080 --> 00:50:03,040
Speaker 5: helping us get it going. And we're just so happy

1004
00:50:03,120 --> 00:50:07,520
Speaker 5: to be back doing film podcasts with exactly right. I mean,

1005
00:50:07,840 --> 00:50:10,160
Speaker 5: I had such a great experience the first time, and

1006
00:50:10,200 --> 00:50:13,120
Speaker 5: like when we were talking about ending, you know, I

1007
00:50:13,120 --> 00:50:16,879
Speaker 5: saw what you did. I was like, no, I want

1008
00:50:16,920 --> 00:50:19,400
Speaker 5: to say, don't pull me out of my dream. So

1009
00:50:19,520 --> 00:50:22,680
Speaker 5: I was, you know, like really really excited that we

1010
00:50:22,800 --> 00:50:24,880
Speaker 5: kind of kept it in the fam, you know, with

1011
00:50:24,960 --> 00:50:28,080
Speaker 5: Casey and I don't know, I'm just really really excited

1012
00:50:28,120 --> 00:50:30,120
Speaker 5: about what we can do and we hope that everybody

1013
00:50:30,200 --> 00:50:32,240
Speaker 5: enjoys it and takes a listen.

1014
00:50:32,400 --> 00:50:34,839
Speaker 3: So yeah, I mean it was an easy hell yes,

1015
00:50:34,960 --> 00:50:38,239
Speaker 3: when we heard the pitch, it was just like fucking absolutely, yeah,

1016
00:50:38,280 --> 00:50:41,760
Speaker 3: I can't wait to see what you guys do, and yeah, it's.

1017
00:50:41,640 --> 00:50:42,959
Speaker 1: Great, exciting, it's great.

1018
00:50:43,000 --> 00:50:45,600
Speaker 2: I will definitely miss I saw what you did because

1019
00:50:45,719 --> 00:50:49,000
Speaker 2: as a film historian and a great writer, Millie, you

1020
00:50:49,120 --> 00:50:52,600
Speaker 2: just would kind of present these the movies that you

1021
00:50:52,640 --> 00:50:54,600
Speaker 2: and Danielle would talk through. It would be like Danielle

1022
00:50:54,600 --> 00:50:57,160
Speaker 2: would just be kind of the person who's like, oh,

1023
00:50:57,200 --> 00:50:58,719
Speaker 2: I just saw this for the first time, and then

1024
00:50:58,760 --> 00:51:00,759
Speaker 2: you would be you would and the kind of the

1025
00:51:00,760 --> 00:51:03,359
Speaker 2: other side of like, well, here all the things I

1026
00:51:03,400 --> 00:51:06,719
Speaker 2: know about this, and it's so deeply interesting to me

1027
00:51:06,880 --> 00:51:09,000
Speaker 2: because you are so good at that and you have

1028
00:51:09,080 --> 00:51:11,319
Speaker 2: been doing it for so long. But listening to the

1029
00:51:11,360 --> 00:51:13,960
Speaker 2: two of you guys talk and it's much more kind

1030
00:51:14,000 --> 00:51:17,080
Speaker 2: of like up to date conversational recommendations, what's.

1031
00:51:16,960 --> 00:51:18,560
Speaker 1: Going on, it's day and date.

1032
00:51:18,719 --> 00:51:21,839
Speaker 2: It's almost like a little it's like your movie newsletter

1033
00:51:22,400 --> 00:51:25,840
Speaker 2: as opposed to your movie thesis, which both so valid.

1034
00:51:26,280 --> 00:51:28,520
Speaker 2: But you guys as a combination is just like so

1035
00:51:28,840 --> 00:51:31,160
Speaker 2: charming and easy to listen to as a podcast.

1036
00:51:31,320 --> 00:51:31,760
Speaker 1: So great.

1037
00:51:31,880 --> 00:51:32,239
Speaker 4: Thank you.

1038
00:51:32,920 --> 00:51:33,080
Speaker 1: Oh.

1039
00:51:33,160 --> 00:51:36,200
Speaker 4: One thing I want to pitch is or a plug

1040
00:51:36,239 --> 00:51:39,640
Speaker 4: I should say, is the Softies. The band the Softies,

1041
00:51:39,840 --> 00:51:42,359
Speaker 4: they do the theme song to our show, and they're

1042
00:51:42,400 --> 00:51:45,480
Speaker 4: one of my favorite bands and we're an inspiration to

1043
00:51:45,600 --> 00:51:47,320
Speaker 4: kind of the vibe of the podcast. So it was

1044
00:51:47,360 --> 00:51:49,319
Speaker 4: like such a thrill to have them do the theme song.

1045
00:51:49,640 --> 00:51:51,920
Speaker 4: So if I'm playing anything, they have a new album,

1046
00:51:52,000 --> 00:51:53,759
Speaker 4: the bet I made, you can listen to that. But

1047
00:51:53,920 --> 00:51:54,520
Speaker 4: they did that.

1048
00:51:54,600 --> 00:51:55,920
Speaker 1: I love them. That's exciting.

1049
00:51:56,239 --> 00:51:59,440
Speaker 2: Yeah, it's a perfect Their theme song is so perfect

1050
00:51:59,480 --> 00:51:59,920
Speaker 2: and lovely.

1051
00:52:00,360 --> 00:52:02,000
Speaker 5: Yeah, I know, it's so cute.

1052
00:52:02,040 --> 00:52:04,840
Speaker 1: You guys, congratulations. We love your show.

1053
00:52:04,920 --> 00:52:06,839
Speaker 2: We can't wait for everyone else to hear it.

1054
00:52:06,840 --> 00:52:07,399
Speaker 1: It's so great.

1055
00:52:07,440 --> 00:52:09,719
Speaker 3: Dear Movies, I Love You launches on January twenty eighth,

1056
00:52:09,760 --> 00:52:11,680
Speaker 3: and new episodes will air every Tuesday.

1057
00:52:11,719 --> 00:52:15,120
Speaker 2: Also, don't forget to listen, subscribe and give that show

1058
00:52:15,200 --> 00:52:16,240
Speaker 2: a five star rating.

1059
00:52:16,280 --> 00:52:19,960
Speaker 1: It really deserves it. And I'll also stay sexy and

1060
00:52:20,080 --> 00:52:31,800
Speaker 1: don't get murdered. Bye bye, Elvis. Do you want a cookie?

1061
00:52:32,360 --> 00:52:35,240
Speaker 1: This has been an exactly right production. Our senior producer

1062
00:52:35,320 --> 00:52:39,160
Speaker 1: is Alejandra Keck. Our managing producers Hannah Kyle Crichton. Our

1063
00:52:39,280 --> 00:52:41,080
Speaker 1: editor is Aristotle Acevedo.

1064
00:52:41,480 --> 00:52:43,879
Speaker 2: This episode was mixed by Leanna Scuillachi.

1065
00:52:44,120 --> 00:52:46,800
Speaker 1: Our researchers are Mareon mcclashan and Ali Elkin.

1066
00:52:47,080 --> 00:52:50,000
Speaker 2: Email your hometowns to My Favorite Murder at gmail dot com.

1067
00:52:50,000 --> 00:52:52,760
Speaker 1: Follow the show on Instagram and Facebook at my Favorite Murder.

1068
00:52:53,480 --> 00:52:53,959
Speaker 1: Bye bye