1 00:00:00,200 --> 00:00:04,600 Speaker 1: Now here's a highlight from Coast to Coast am on iHeartRadio. 2 00:00:04,800 --> 00:00:06,840 Speaker 2: Daniel Well for the break, I asked you the question, 3 00:00:07,600 --> 00:00:11,280 Speaker 2: if we were to live without a doubt that this exists, 4 00:00:11,320 --> 00:00:16,560 Speaker 2: that we can precognitively believe that our dreams will be 5 00:00:16,600 --> 00:00:20,840 Speaker 2: coming true, how would that shape our lives differently? 6 00:00:21,440 --> 00:00:24,759 Speaker 3: Absolutely well. In the book you will find many accounts 7 00:00:24,800 --> 00:00:28,960 Speaker 3: in which people are very clear that this moment, this strength, 8 00:00:28,960 --> 00:00:33,519 Speaker 3: this experience has changed their lives, very specifically, and that 9 00:00:33,600 --> 00:00:36,200 Speaker 3: comes in many different forms. I mean, the more obvious 10 00:00:36,200 --> 00:00:38,000 Speaker 3: one would be part of the title of the book, 11 00:00:38,000 --> 00:00:41,240 Speaker 3: Love at Second Sight. These accounts in which people claim 12 00:00:41,280 --> 00:00:44,040 Speaker 3: to have dreamed of their future lovers ahead of time. 13 00:00:45,520 --> 00:00:48,720 Speaker 3: In many of those cases there is In a number 14 00:00:48,720 --> 00:00:53,479 Speaker 3: of those cases it turns out later that the person 15 00:00:53,520 --> 00:00:56,720 Speaker 3: who was dreaming of their future lover are later told 16 00:00:56,800 --> 00:00:59,400 Speaker 3: by their future lover that they have been dreaming of 17 00:00:59,480 --> 00:01:02,600 Speaker 3: them all. So it was a kind of a reciprocal 18 00:01:02,680 --> 00:01:06,119 Speaker 3: or shared dream, as it were. And in many cases 19 00:01:06,120 --> 00:01:09,240 Speaker 3: this kind of convinces either or both that there is 20 00:01:09,319 --> 00:01:12,280 Speaker 3: a plan in place in the universe, there is a 21 00:01:12,319 --> 00:01:18,679 Speaker 3: destiny of which both of them are apart. And there 22 00:01:18,760 --> 00:01:21,400 Speaker 3: are even cases in the book, for example, where people 23 00:01:21,440 --> 00:01:26,120 Speaker 3: are brought to believe that the ghosts or the afterlife exists, 24 00:01:26,160 --> 00:01:30,280 Speaker 3: or consciousness continues based on these kinds of accounts. For example, 25 00:01:30,319 --> 00:01:34,000 Speaker 3: there was an account of a woman given to an 26 00:01:34,040 --> 00:01:37,640 Speaker 3: author called Jenny Smedley, who when she first met her 27 00:01:37,720 --> 00:01:40,400 Speaker 3: husband to be at an event before they knew each other, 28 00:01:40,640 --> 00:01:42,640 Speaker 3: he had given her his number, which she had thrown 29 00:01:42,640 --> 00:01:45,160 Speaker 3: it away as if she asked, she was quite she 30 00:01:45,240 --> 00:01:46,560 Speaker 3: was in a bit of a rush at the time, 31 00:01:47,120 --> 00:01:49,280 Speaker 3: and a few days later she dreamed of a teenage 32 00:01:49,280 --> 00:01:51,279 Speaker 3: boy who came to her and told her, quote unquote, 33 00:01:51,400 --> 00:01:55,400 Speaker 3: find this man again. So this woman noted, quote unquote, 34 00:01:55,400 --> 00:01:57,400 Speaker 3: I've never been so sure of the truth of anything 35 00:01:57,400 --> 00:02:00,240 Speaker 3: in my life before setting out to find this number. 36 00:02:00,400 --> 00:02:02,120 Speaker 3: And this comes back to you and her death experience, 37 00:02:02,120 --> 00:02:04,760 Speaker 3: where in many of these cases there is this sense 38 00:02:04,800 --> 00:02:09,240 Speaker 3: of truth and kind of you can't necessarily doubt the 39 00:02:09,280 --> 00:02:11,399 Speaker 3: meaning of this moment, and it's something you can't really 40 00:02:11,440 --> 00:02:13,799 Speaker 3: get across to others or listeners unless you've had the 41 00:02:13,840 --> 00:02:18,679 Speaker 3: experience yourself. In any case, the experience continues that when 42 00:02:18,720 --> 00:02:21,040 Speaker 3: she turned up at a different event the following month, 43 00:02:21,600 --> 00:02:24,040 Speaker 3: this man from her this sorry, this person from her 44 00:02:24,080 --> 00:02:26,800 Speaker 3: dream that he had met she had met was there. Surprisingly, 45 00:02:26,840 --> 00:02:29,320 Speaker 3: in a twist worthy of these ancient shared dreams that 46 00:02:29,360 --> 00:02:33,840 Speaker 3: I just mentioned a moment ago, she said, this woman, Sarah, 47 00:02:33,960 --> 00:02:35,520 Speaker 3: She said, I knew you'd be here, and I'm going 48 00:02:35,560 --> 00:02:39,800 Speaker 3: to marry of most interests. However, as she explains, she says, 49 00:02:39,840 --> 00:02:42,239 Speaker 3: we got together, and when I first visited his house, 50 00:02:42,400 --> 00:02:44,600 Speaker 3: I was stunned and surprised to find a picture in 51 00:02:44,639 --> 00:02:46,920 Speaker 3: his room of the same boy who had visited me 52 00:02:47,000 --> 00:02:49,519 Speaker 3: in my dream. In other words, yeah, in other words, 53 00:02:49,600 --> 00:02:52,200 Speaker 3: this boy who had urged her to find this man's 54 00:02:52,280 --> 00:02:55,720 Speaker 3: number again. When she meets with this man, she finds 55 00:02:55,760 --> 00:02:57,760 Speaker 3: a picture of this boy in the man's house, and 56 00:02:57,800 --> 00:02:59,720 Speaker 3: she finds out later that this was his son, who 57 00:02:59,720 --> 00:03:03,280 Speaker 3: had died some years previously in a car accident. Speaking 58 00:03:03,360 --> 00:03:07,760 Speaker 3: and based upon this experience, this woman actually was then 59 00:03:07,840 --> 00:03:11,480 Speaker 3: convinced that of the spirit world itself, of these existence 60 00:03:11,480 --> 00:03:13,600 Speaker 3: of spirits, for example. And that's why I think these 61 00:03:13,680 --> 00:03:17,120 Speaker 3: kinds of desia revet accounts are kind of important, even 62 00:03:17,160 --> 00:03:19,240 Speaker 3: if we don't kind of give credence to them as 63 00:03:19,240 --> 00:03:24,400 Speaker 3: precognitive or telepathic. These are very important cultural experiences and artifacts, 64 00:03:24,400 --> 00:03:31,000 Speaker 3: and that may have informed certain beliefs and rituals and 65 00:03:31,200 --> 00:03:33,919 Speaker 3: ceremonies et cetera, et cetera, across the kind of gamut 66 00:03:33,919 --> 00:03:34,680 Speaker 3: of human experience. 67 00:03:35,000 --> 00:03:36,240 Speaker 2: So did they get married. 68 00:03:37,360 --> 00:03:40,760 Speaker 3: Yes, they did get married eventually, thankfully. That is the 69 00:03:40,800 --> 00:03:43,040 Speaker 3: case in most of the accounts in the books in 70 00:03:43,080 --> 00:03:43,360 Speaker 3: the book. 71 00:03:43,440 --> 00:03:47,680 Speaker 2: Yeah, some accounts, yes, they don't write because you have 72 00:03:47,760 --> 00:03:52,400 Speaker 2: free will and you can choose that universe or another universe. 73 00:03:52,840 --> 00:03:56,280 Speaker 3: Absolutely, And you know, you know, fate is a mysterious thing. 74 00:03:56,320 --> 00:03:58,600 Speaker 3: You know, their life paths are mysterious things. You know 75 00:03:58,560 --> 00:04:02,120 Speaker 3: what I mean. It may be your life path. It 76 00:04:02,200 --> 00:04:04,480 Speaker 3: may be important for you as an individual to go 77 00:04:04,600 --> 00:04:08,640 Speaker 3: through an apparently perfect relationship that then turns out not 78 00:04:08,720 --> 00:04:10,080 Speaker 3: to be you know, I mean, in order to grow 79 00:04:10,120 --> 00:04:12,320 Speaker 3: as a person, in order to discover more about yourself 80 00:04:12,320 --> 00:04:14,640 Speaker 3: and others, and maybe then in order to be better 81 00:04:14,680 --> 00:04:17,479 Speaker 3: equipped to deal with people in the future and to 82 00:04:17,640 --> 00:04:21,839 Speaker 3: kind of love more freely, whether that's yourself or others. 83 00:04:21,839 --> 00:04:23,960 Speaker 3: You know, we, in other words, we shouldn't look at 84 00:04:24,000 --> 00:04:27,159 Speaker 3: these quote unquote negative experiences of this kind. And this 85 00:04:27,240 --> 00:04:30,080 Speaker 3: comes to the near death experience also and kind of 86 00:04:30,200 --> 00:04:32,760 Speaker 3: draw the line there and say they were negative. Therefore, 87 00:04:32,800 --> 00:04:35,920 Speaker 3: they were negative. You know, like anything in life, there's 88 00:04:36,080 --> 00:04:38,440 Speaker 3: much of meaning to be found in suffering, and there's 89 00:04:38,520 --> 00:04:41,000 Speaker 3: much to learn in suffering. There's much to learn in pain, 90 00:04:41,600 --> 00:04:44,760 Speaker 3: and this is something that we should kind of remember before, 91 00:04:45,160 --> 00:04:47,960 Speaker 3: you know, coming to the conclusion that it You know, 92 00:04:48,120 --> 00:04:52,640 Speaker 3: these things are perhaps less meaningful if they initially seem 93 00:04:52,680 --> 00:04:54,200 Speaker 3: to turn out kind of badly. 94 00:04:55,200 --> 00:04:57,760 Speaker 2: Do you hear a lot of experiences, like are you 95 00:04:57,880 --> 00:05:01,479 Speaker 2: asking people to actively reach out to you that have 96 00:05:01,720 --> 00:05:04,720 Speaker 2: had these experiences. 97 00:05:04,120 --> 00:05:08,839 Speaker 3: Like to some extent, not massively, like I would be 98 00:05:08,839 --> 00:05:13,160 Speaker 3: happy to hear people's experiences, absolutely, but I have spoken 99 00:05:13,200 --> 00:05:16,640 Speaker 3: to people online, for example, And a number of the 100 00:05:16,680 --> 00:05:22,039 Speaker 3: accounts in the book were kind of directly asked for 101 00:05:22,240 --> 00:05:24,760 Speaker 3: and spoken about and kind of followed up on in 102 00:05:24,800 --> 00:05:26,760 Speaker 3: a kind of a journalistic fashion. Most of them were 103 00:05:26,800 --> 00:05:29,240 Speaker 3: gathered from and this speaks to my work in general. 104 00:05:30,640 --> 00:05:32,719 Speaker 3: In most of my books, I will include somewhere in 105 00:05:32,760 --> 00:05:36,120 Speaker 3: the region of five hundred issh accounts, and they come 106 00:05:36,160 --> 00:05:40,400 Speaker 3: from the records. They come from the broad sweep and 107 00:05:40,440 --> 00:05:43,279 Speaker 3: span of history. So you'll find a counc from Ancient Greece, 108 00:05:43,400 --> 00:05:46,240 Speaker 3: Roman Egypt, whether it's then through the kind of the 109 00:05:46,360 --> 00:05:49,039 Speaker 3: Romantic period. Then it's into the Middle Ages, et cetera. 110 00:05:49,160 --> 00:05:52,960 Speaker 3: You will find them from ethnological and anthropological records, et cetera, 111 00:05:53,000 --> 00:05:56,960 Speaker 3: et cetera. And that is kind of that kind of 112 00:05:57,040 --> 00:05:59,800 Speaker 3: broad gamut is something that I tried to kind of 113 00:06:00,200 --> 00:06:02,400 Speaker 3: the reader. I want the reader to understand, these are 114 00:06:02,920 --> 00:06:07,279 Speaker 3: very much normal, widespread, ongoing human experiences. Whatever where to 115 00:06:07,320 --> 00:06:10,240 Speaker 3: make of them, they have been reported there. You'll find 116 00:06:10,279 --> 00:06:13,440 Speaker 3: them in the folklore. You'll find them everywhere in this 117 00:06:13,560 --> 00:06:16,039 Speaker 3: in the lives of the saints, for example. And yeah, 118 00:06:16,080 --> 00:06:17,920 Speaker 3: that kind of that's that's the kind of the broad 119 00:06:17,920 --> 00:06:19,000 Speaker 3: sweep that I tried to cover. 120 00:06:19,320 --> 00:06:19,599 Speaker 4: True. 121 00:06:19,960 --> 00:06:22,840 Speaker 2: True, that is true, It is in history, many different 122 00:06:22,960 --> 00:06:27,640 Speaker 2: references in religions and so forth. What drew you to 123 00:06:27,720 --> 00:06:33,320 Speaker 2: this work as a poet, a songwriter, and a background 124 00:06:33,400 --> 00:06:37,840 Speaker 2: in video games, I mean, how did you possibly get 125 00:06:37,920 --> 00:06:38,760 Speaker 2: drawn to this work? 126 00:06:39,720 --> 00:06:42,440 Speaker 3: Well, I will say that I was drawn to this 127 00:06:42,640 --> 00:06:46,640 Speaker 3: specific work for this book for Deja Reva purely based 128 00:06:46,680 --> 00:06:49,520 Speaker 3: on my research for the previous book. So with the 129 00:06:49,520 --> 00:06:54,160 Speaker 3: previous book, Telepathic Tales, which kind of deals with again 130 00:06:55,440 --> 00:07:00,480 Speaker 3: historical and cross cultural accounts, rare accounts of esp It 131 00:07:00,520 --> 00:07:02,760 Speaker 3: was when I was doing the research for that book 132 00:07:03,120 --> 00:07:06,720 Speaker 3: that I kept coming across these accounts. I kept they 133 00:07:06,760 --> 00:07:08,760 Speaker 3: kept kind of coming across my desk, as it were, 134 00:07:09,120 --> 00:07:12,600 Speaker 3: and something about them just truly fascinated me. It's to 135 00:07:12,600 --> 00:07:15,720 Speaker 3: some extent this book compared to the previous too, it's 136 00:07:15,760 --> 00:07:17,720 Speaker 3: almost like a blur, to be honest, when I think 137 00:07:17,720 --> 00:07:21,480 Speaker 3: about writing it and the process and the research, it 138 00:07:22,000 --> 00:07:24,440 Speaker 3: almost feels like it didn't happen. It's very strange. But 139 00:07:24,840 --> 00:07:28,040 Speaker 3: to put it very simply, I came across these accounts, 140 00:07:28,040 --> 00:07:31,120 Speaker 3: I realized how many there were from various sources, and 141 00:07:31,200 --> 00:07:33,320 Speaker 3: I had the sense that they should be compiled, so 142 00:07:33,360 --> 00:07:35,400 Speaker 3: I decided to do it. That's really all it is. 143 00:07:37,040 --> 00:07:41,360 Speaker 2: I wonder if you can prompt the deja vus, so 144 00:07:41,480 --> 00:07:45,720 Speaker 2: you could go into the dream state and ask for 145 00:07:45,840 --> 00:07:50,800 Speaker 2: your soulmate to show themselves, or your future partner or something. 146 00:07:50,840 --> 00:07:52,480 Speaker 2: Have you experimented with that. 147 00:07:53,160 --> 00:07:58,240 Speaker 3: Well, I haven't personally, but I mean this is like, 148 00:07:58,320 --> 00:08:00,640 Speaker 3: this speaks to a lot of things. For example, in 149 00:08:00,680 --> 00:08:04,800 Speaker 3: my own country, Ireland. You know the idea that the 150 00:08:04,880 --> 00:08:09,360 Speaker 3: individual that individuals may dream ahead of time. It wasn't 151 00:08:09,360 --> 00:08:12,320 Speaker 3: a strange idea like there that these types of like 152 00:08:12,360 --> 00:08:14,680 Speaker 3: you asked, could we engender these types of days in 153 00:08:14,680 --> 00:08:17,880 Speaker 3: reve experiences, this was common, but I. 154 00:08:17,800 --> 00:08:19,200 Speaker 5: Know you're going to want some them after hearing this. 155 00:08:19,200 --> 00:08:22,040 Speaker 5: This is an amazing story. We've got Stephen and Malachi 156 00:08:22,160 --> 00:08:26,200 Speaker 5: Gregory in Nelson, New Zealand. Now I understand that Malachi, 157 00:08:26,320 --> 00:08:29,640 Speaker 5: who is eight almost nine years old now, was suffering 158 00:08:29,680 --> 00:08:32,000 Speaker 5: with not just one or two warts, but I mean 159 00:08:32,040 --> 00:08:34,839 Speaker 5: as significant outbreak of warts all over his body, so 160 00:08:34,840 --> 00:08:38,679 Speaker 5: significant it impacted his ability to really function. Yeah. 161 00:08:38,760 --> 00:08:41,439 Speaker 6: Yeah, he was having trouble even holding a pencil to right. 162 00:08:41,800 --> 00:08:44,640 Speaker 6: Ever Tis book. Actually that got me thinking about it. 163 00:08:44,640 --> 00:08:45,480 Speaker 1: I'm not surprised. 164 00:08:45,679 --> 00:08:48,679 Speaker 5: It is an amazing immuno modulator, and so I can 165 00:08:48,679 --> 00:08:51,680 Speaker 5: see that it would work. And so at what point 166 00:08:51,800 --> 00:08:54,600 Speaker 5: did you see that there was actually improvement It's really 167 00:08:54,640 --> 00:08:55,280 Speaker 5: going to work. 168 00:08:55,480 --> 00:08:58,000 Speaker 6: Well, look, we really started to notice it around twelve weeks. 169 00:08:58,720 --> 00:09:02,360 Speaker 6: You can see these things at actually getting smaller and smaller, 170 00:09:02,400 --> 00:09:04,839 Speaker 6: and then going down to the with just a little 171 00:09:04,840 --> 00:09:07,040 Speaker 6: red marks. The whole things are gone and we're talking 172 00:09:07,040 --> 00:09:09,480 Speaker 6: about what's you know one that size for Warner, I thought, 173 00:09:09,600 --> 00:09:13,160 Speaker 6: no way, that's gonna wow. That's just been miraculous to 174 00:09:13,160 --> 00:09:14,680 Speaker 6: see him get into a pair of shoes. 175 00:09:14,960 --> 00:09:16,880 Speaker 5: Yes, how wonderful. 176 00:09:17,040 --> 00:09:17,760 Speaker 6: It's great to see. 177 00:09:17,800 --> 00:09:20,760 Speaker 5: I'm so happy and yet absolutely wonderful. 178 00:09:21,040 --> 00:09:22,959 Speaker 1: Friends that have seen it, that is blown away. 179 00:09:23,240 --> 00:09:24,280 Speaker 3: Hi, this is awesome. 180 00:09:24,360 --> 00:09:25,200 Speaker 1: Yeah, this is awesome. 181 00:09:25,400 --> 00:09:29,240 Speaker 4: Another amazing story. Why we're talking about Carnivora. Call them 182 00:09:29,280 --> 00:09:32,320 Speaker 4: to awaken your immune system and protect yourself now called 183 00:09:32,360 --> 00:09:35,640 Speaker 4: one eight sixty six eight three six eighty seven thirty five. 184 00:09:35,960 --> 00:09:38,880 Speaker 4: That's one eight six six eight three six eighty seven 185 00:09:39,000 --> 00:09:42,719 Speaker 4: thirty five. Or visit Carnivora dot com c A r 186 00:09:42,920 --> 00:09:47,199 Speaker 4: niv O r A carnivora dot com. 187 00:09:47,400 --> 00:09:50,280 Speaker 3: Among the Druids, for example, there is a ceremony called 188 00:09:50,320 --> 00:09:53,600 Speaker 3: the tar of Esh, which is the bull, a type 189 00:09:53,600 --> 00:09:56,960 Speaker 3: of ceremony called the Bull ceremony, the Bull Festival, and 190 00:09:57,000 --> 00:10:00,000 Speaker 3: it invites it's a ceremony which is kind of carry 191 00:10:00,040 --> 00:10:02,720 Speaker 3: out in order to find the future High King of Ireland. 192 00:10:02,920 --> 00:10:04,599 Speaker 3: And the way it's done is that the individual is 193 00:10:04,640 --> 00:10:08,440 Speaker 3: put into a kind of a psychedelically induced sleep of 194 00:10:08,520 --> 00:10:12,760 Speaker 3: sorts and they're put in that state of consciousness specifically 195 00:10:12,800 --> 00:10:15,560 Speaker 3: so that they will dream of who will be the 196 00:10:15,600 --> 00:10:19,360 Speaker 3: future King of Ireland. And it's not it's not a 197 00:10:19,400 --> 00:10:21,360 Speaker 3: dream that has taken to be an unreal thing. The 198 00:10:21,360 --> 00:10:25,520 Speaker 3: individual dreamed of is then later searched for across the country. 199 00:10:26,320 --> 00:10:29,520 Speaker 3: And these kinds of accounts come out all across Europe, 200 00:10:29,600 --> 00:10:33,240 Speaker 3: especially in the early modern period. You'll find it so 201 00:10:33,480 --> 00:10:38,080 Speaker 3: many poems and ditties and charms and things related to, 202 00:10:38,520 --> 00:10:41,800 Speaker 3: you know, methods of divination in which the individual will 203 00:10:41,880 --> 00:10:45,040 Speaker 3: find their future husband or wife like we could. There 204 00:10:45,040 --> 00:10:48,200 Speaker 3: are so many examples, like in Scotland they say, look 205 00:10:48,200 --> 00:10:50,760 Speaker 3: over your left shoulder, pick up an item, gaze at 206 00:10:50,760 --> 00:10:53,240 Speaker 3: the moon and say, for example, new Moon and Moon 207 00:10:53,280 --> 00:10:55,800 Speaker 3: of Truth, tell me without falsehood, in what direction my 208 00:10:55,880 --> 00:10:58,240 Speaker 3: love lies, the clothes that he wears and the color 209 00:10:58,280 --> 00:11:00,640 Speaker 3: of his hair. There are dozens of these poems and 210 00:11:00,800 --> 00:11:02,640 Speaker 3: many of them that I've kind of collected in the book, 211 00:11:02,880 --> 00:11:07,000 Speaker 3: and they speak to exactly your question. These capacities were 212 00:11:07,000 --> 00:11:10,800 Speaker 3: believed in, considered possible, and I believe that much of 213 00:11:10,840 --> 00:11:14,400 Speaker 3: the folklore was was probably informed by these kinds of 214 00:11:14,440 --> 00:11:17,560 Speaker 3: actual experiences. And the recent people took them seriously is 215 00:11:17,640 --> 00:11:22,200 Speaker 3: because as people are still undergoing, these experiences occurred to 216 00:11:22,240 --> 00:11:25,000 Speaker 3: them and they had a profound impact upon them. 217 00:11:25,320 --> 00:11:28,600 Speaker 2: Interesting, well, I mean, have you interviewed people that have 218 00:11:29,559 --> 00:11:34,320 Speaker 2: had the experience of feeling they were abducted where it 219 00:11:34,400 --> 00:11:39,080 Speaker 2: was a visceral experience for them in a dream. 220 00:11:39,120 --> 00:11:43,400 Speaker 3: Specifically, you haven't specifically, but it is a fascinating topic 221 00:11:43,480 --> 00:11:46,400 Speaker 3: and I'm curious were there any connections you're thinking of 222 00:11:46,440 --> 00:11:47,760 Speaker 3: making there with the question? 223 00:11:49,080 --> 00:11:51,320 Speaker 2: I invite our listeners of course to call in with 224 00:11:51,360 --> 00:11:54,400 Speaker 2: their experiences, but we will will do that at the 225 00:11:54,440 --> 00:11:58,160 Speaker 2: top of the hour. But yeah, I'm wondering if these 226 00:11:58,960 --> 00:12:02,280 Speaker 2: these meetings that people have, how do you remember them? 227 00:12:02,320 --> 00:12:05,720 Speaker 2: I mean, how do do you go to sleep with 228 00:12:05,760 --> 00:12:08,200 Speaker 2: the intention to say I want to dream as you 229 00:12:08,320 --> 00:12:13,160 Speaker 2: just said, or are these just accounts of those real 230 00:12:13,760 --> 00:12:16,480 Speaker 2: lucid dreams that you really do remember? 231 00:12:17,240 --> 00:12:24,280 Speaker 3: Yeah, well, in these cases specifically, especially in kind of 232 00:12:24,559 --> 00:12:28,000 Speaker 3: early modern England, across Europe, even in as far as Serbia, 233 00:12:28,000 --> 00:12:30,360 Speaker 3: and even as far south and east as Pakistan for example. 234 00:12:31,480 --> 00:12:34,960 Speaker 3: Like the method is quite similar. It involves it often 235 00:12:34,960 --> 00:12:38,760 Speaker 3: involves a somewhat elaborate ritual, but in other cases it 236 00:12:38,840 --> 00:12:42,640 Speaker 3: simply involves reciting like one of those ditties that I mentioned, 237 00:12:42,679 --> 00:12:46,080 Speaker 3: but along with putting something under your pillow and for me, 238 00:12:47,280 --> 00:12:50,720 Speaker 3: for me, what these but these things are about what? 239 00:12:51,440 --> 00:12:55,199 Speaker 3: It's not so important to focus on the exact contents 240 00:12:55,600 --> 00:12:58,559 Speaker 3: of the poem or the divination for example, or exactly 241 00:12:58,600 --> 00:13:00,880 Speaker 3: what is being put under the pillow. For me, it's 242 00:13:01,040 --> 00:13:03,240 Speaker 3: what I think these people are doing is they're putting 243 00:13:03,240 --> 00:13:06,360 Speaker 3: themselves in a particularly receptive state of mind by whatever 244 00:13:06,440 --> 00:13:09,840 Speaker 3: means works for them. So it's about putting yourself in 245 00:13:09,960 --> 00:13:12,880 Speaker 3: that receptive state of mind in order that you may 246 00:13:12,960 --> 00:13:16,800 Speaker 3: potentially engender or undergo one of these kinds of experiences. 247 00:13:17,400 --> 00:13:21,960 Speaker 3: And you know, again this kind of connects back to 248 00:13:22,040 --> 00:13:24,319 Speaker 3: the kind of research in my work relating to kind 249 00:13:24,320 --> 00:13:28,079 Speaker 3: of indigenous peoples because for them, for example, we I 250 00:13:28,120 --> 00:13:30,640 Speaker 3: look at the example many examples, like in Indonesia, a 251 00:13:30,640 --> 00:13:34,080 Speaker 3: tribe called the Tarajans. Like for them, it's so ordinary 252 00:13:34,640 --> 00:13:38,280 Speaker 3: that while they are sleep that they would leave their bodies. 253 00:13:38,320 --> 00:13:41,240 Speaker 3: Like they it's understood that you can't leave your body. 254 00:13:41,280 --> 00:13:43,400 Speaker 3: You may view the world around you, you may travel, 255 00:13:43,800 --> 00:13:45,960 Speaker 3: you may even visit places while you're a sleep that 256 00:13:45,960 --> 00:13:48,920 Speaker 3: you've never been before while you're awake. So for them, 257 00:13:49,600 --> 00:13:52,800 Speaker 3: when they come across one of these moments, this stage 258 00:13:52,840 --> 00:13:55,559 Speaker 3: of reveal, this even the stage of the it isn't 259 00:13:56,080 --> 00:13:58,760 Speaker 3: as deeply uncanny as it is for us, because the 260 00:13:58,840 --> 00:14:01,960 Speaker 3: explanation comes to their song very quickly. Oh, my soul 261 00:14:02,000 --> 00:14:05,079 Speaker 3: has been here before. That's why I recognize this place. 262 00:14:05,679 --> 00:14:08,720 Speaker 3: So it's really a Western thing as to why it's 263 00:14:08,760 --> 00:14:12,480 Speaker 3: so kind of uncanny and strange and confusing, And yeah, 264 00:14:12,520 --> 00:14:14,880 Speaker 3: I think that's why. You see, you find so many 265 00:14:14,880 --> 00:14:16,760 Speaker 3: of these accounts of people trying to come up with 266 00:14:16,800 --> 00:14:17,960 Speaker 3: these experiences on different mets. 267 00:14:18,080 --> 00:14:21,360 Speaker 2: Is to do it that makes answers. My prior question 268 00:14:21,880 --> 00:14:24,360 Speaker 2: is if we were to live without doubt around this, 269 00:14:24,440 --> 00:14:26,680 Speaker 2: what would our lives be or how would our lives 270 00:14:26,680 --> 00:14:29,760 Speaker 2: be different? And you say there's an entire tribe. Where 271 00:14:29,760 --> 00:14:35,320 Speaker 2: else in history or ancient texts or religion is this referenced? 272 00:14:35,480 --> 00:14:39,360 Speaker 2: Of course, we know it from the culture in India, 273 00:14:41,520 --> 00:14:44,240 Speaker 2: and you mentioned another one in Africa. Are there any 274 00:14:44,240 --> 00:14:47,800 Speaker 2: other texts where this exists where absolutely? 275 00:14:47,840 --> 00:14:50,040 Speaker 3: I mean you mentioned India, like that entire part of 276 00:14:50,080 --> 00:14:54,320 Speaker 3: the world. You know, these kinds of experiences are extremely 277 00:14:54,360 --> 00:14:59,600 Speaker 3: common in Turkey, for example, the Turkish folklore is completely 278 00:14:59,680 --> 00:15:03,840 Speaker 3: packed with experience of this kind and also general experiences 279 00:15:03,880 --> 00:15:07,960 Speaker 3: which are indistinguishable from extra sensory perception. The way I 280 00:15:08,000 --> 00:15:10,880 Speaker 3: like to say it is that in the folklore you 281 00:15:10,920 --> 00:15:14,200 Speaker 3: will find experiences that are indistinguishable from those collected by 282 00:15:14,640 --> 00:15:18,200 Speaker 3: parapsychological researchers. I'm not saying that therefore they're the same, 283 00:15:18,240 --> 00:15:19,920 Speaker 3: but I'm saying that therefore we should look at them 284 00:15:19,960 --> 00:15:23,560 Speaker 3: because they're extremely similar. Like I could pick out one 285 00:15:23,600 --> 00:15:27,000 Speaker 3: example of a case from Turkey, which came from nineteen 286 00:15:27,040 --> 00:15:30,640 Speaker 3: eighty one. A man muzafyr Ozak, working in his bookstore, 287 00:15:31,120 --> 00:15:33,480 Speaker 3: dreamed he's in the middle of a coastal town called 288 00:15:33,520 --> 00:15:36,480 Speaker 3: Bosphorus in a damaged sailing boat during a wild storm. 289 00:15:36,760 --> 00:15:39,280 Speaker 3: A stranger hands him on note explaining how he could 290 00:15:39,320 --> 00:15:42,200 Speaker 3: avoid disaster. Having come back to the shop the following 291 00:15:42,200 --> 00:15:46,360 Speaker 3: morning after the dream. According to this man, he says, 292 00:15:46,400 --> 00:15:48,440 Speaker 3: I saw the very person who had given me the 293 00:15:48,440 --> 00:15:50,640 Speaker 3: paper in my dream passing in front of my shop. 294 00:15:51,280 --> 00:15:53,240 Speaker 3: He went on to dream of this man a couple 295 00:15:53,240 --> 00:15:55,360 Speaker 3: of more times before working up the courage to speak 296 00:15:55,360 --> 00:15:57,040 Speaker 3: to him. He turned out to be this kind of 297 00:15:57,080 --> 00:16:02,000 Speaker 3: important chic, And this man actually became his master, became 298 00:16:02,040 --> 00:16:04,240 Speaker 3: his dervish as teacher, and he studied under him for 299 00:16:04,280 --> 00:16:07,720 Speaker 3: seven years, going on to become a renowned email himself. 300 00:16:08,080 --> 00:16:10,000 Speaker 3: And this again speaks to your previous question. There are 301 00:16:10,040 --> 00:16:12,680 Speaker 3: so many examples of these desa braves in which were 302 00:16:12,760 --> 00:16:15,040 Speaker 3: led to people who are going to be important in 303 00:16:15,040 --> 00:16:15,520 Speaker 3: our lives. 304 00:16:17,640 --> 00:16:20,920 Speaker 1: Listen to more Coast to Coast AM every weeknight at 305 00:16:20,960 --> 00:16:24,200 Speaker 1: one am Eastern, and go to Coast to coastam dot 306 00:16:24,240 --> 00:16:25,000 Speaker 1: com for more