WEBVTT - Hour 3 - QB Playoff Stats, Michael Irvin

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<v Speaker 1>You are listening to The Dan Patrick Show on Fox

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<v Speaker 1>Sports Radio.

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<v Speaker 2>This is the final hour on this Wednesday, Dan and

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<v Speaker 2>the Dan Ats Dan Patrick Show. More phone calls coming up. Also,

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<v Speaker 2>we'll talk to the playmaker, Michael Irvin. He'll stop by.

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<v Speaker 3>Say good morning.

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<v Speaker 2>If you're watching on Peacock, our streaming partner, thank you

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<v Speaker 2>for downloading the app, and our radio affiliates around the

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<v Speaker 2>country numbering nearly four hundred cities. We'll talk about Jason

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<v Speaker 2>Kelsey's fame as he is now retiring from the NFL,

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<v Speaker 2>headed to the Hall of Fame. And we'll also play

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<v Speaker 2>the what is that guy actually saying?

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<v Speaker 3>Game?

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<v Speaker 2>That'll be coming up as well. No coaching developments today.

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<v Speaker 2>You've had Belichick interviewing with the Atlanta Falcons, Jim Harball,

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<v Speaker 2>the Chargers and the Falcons. No word on the Cowboys

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<v Speaker 2>or the Eagles, and those are the two teams that

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<v Speaker 2>could have coaching vacancies by the end of the week.

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<v Speaker 2>Nick Sirianni, the Eagles head coach, is meeting with ownership today.

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<v Speaker 2>Not sure if it's this morning or this afternoon. Age

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<v Speaker 2>seven to seven three DP Show email address Dpadanpatrick dot com,

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<v Speaker 2>Twitter handle at TP show. Our Pole question for the

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<v Speaker 2>final hour this program today is what seedan.

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<v Speaker 4>Dan we got up there right now? Should Michigan give

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<v Speaker 4>Jim Harbaugh guaranteed immunity with a contract a contract extension?

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<v Speaker 3>Right now?

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<v Speaker 4>Sixty two percent of the audience say new.

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<v Speaker 2>I would give it to him if I'm want to

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<v Speaker 2>keep him, if that's part of the you know, the

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<v Speaker 2>sticking points here, Yeah, I'd give it to him. Now,

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<v Speaker 2>you can fire him for performance, but you wouldn't be

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<v Speaker 2>able to fire him because of anything NCAA related. If

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<v Speaker 2>they have sanctions, he gets suspended again. Bill self has

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<v Speaker 2>similar language written into his contract at Kansas. But yeah,

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<v Speaker 2>if if you're all in on Harball, then be all

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<v Speaker 2>in on Harball. So yeah, I'd give it to him,

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<v Speaker 2>But I you know, I'm just curious what he If

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<v Speaker 2>he's this detail oriented with Michigan, what is he asking

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<v Speaker 2>for from the Chargers or the Falcons, Because that would

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<v Speaker 2>interest me as well, because if you're going to go

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<v Speaker 2>back into the NFL, you want to make sure that

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<v Speaker 2>you get everything that you're asking for. And Jim Harball

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<v Speaker 2>has that leverage right now. Mike Rabel doesn't have that leverage.

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<v Speaker 2>Belichick will have that in certain places probably, but Harball

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<v Speaker 2>going in, I would ask for everything that I want.

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<v Speaker 2>And it's not just coaching staff, It's not just salary.

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<v Speaker 2>There's a lot of other things that Harball is reportedly

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<v Speaker 2>asking for from these teams. And you know, the question

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<v Speaker 2>is do the Chargers acquiesce do they give him everything

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<v Speaker 2>he wants? Arthur Blank is swinging for the fences. You

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<v Speaker 2>bring in Belichick, you bring in Harball, you give them whatever.

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<v Speaker 2>It's total autonomy. If you're Carolina, you have to give

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<v Speaker 2>that because you're not going to get a great coach,

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<v Speaker 2>a marquee coach. If I'm Jim Harball, Bill Belichick, I

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<v Speaker 2>would not be entertaining Carolina unless Carolina said twenty million

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<v Speaker 2>dollars and you can be the GM. You get, you

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<v Speaker 2>run everything, And I'm going to be patient and I'm

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<v Speaker 2>not going to get involved, and we're going to look

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<v Speaker 2>at this as a five year window. I'm going to

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<v Speaker 2>give you five years, one hundred million dollars, come in

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<v Speaker 2>and run my organization. What if Washington said that, because

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<v Speaker 2>those are teams where you're going in, you don't have

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<v Speaker 2>your quarterback and you got a little bit of work

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<v Speaker 2>to do. Well, Harball wants to come in. He wants

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<v Speaker 2>to be successful right away. Obviously, Bill Belichick needs to

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<v Speaker 2>be successful right away. Washington does have that second pick

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<v Speaker 2>in the draft, so that's enticing. But no, no news

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<v Speaker 2>right now, but I would think by the end of

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<v Speaker 2>the week we'll probably have a little bit of movement there.

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<v Speaker 2>All right, here's something for you. This is from Matt

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<v Speaker 2>de Sorbo Fantasy Footballers dot Com. Patrick Mahomes has twelve

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<v Speaker 2>playoff wins. If he wins the Super Bowl this year,

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<v Speaker 2>he'll pass Peyton Manning, Steve Young, Brett Farb, John Elway,

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<v Speaker 2>and Terry Bradshaw. He'll be one win short of Joe Montana.

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<v Speaker 2>He will still be twenty wins short of Tom Brady.

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<v Speaker 3>Cow Stanta the Day, STANNAA Day, Statuta Day, scant outa day.

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<v Speaker 3>This is the stant of the.

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<v Speaker 2>Day stat of the Day, brought to you by Penane America,

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<v Speaker 2>the official trading cards of the Dan Patrick Show. This

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<v Speaker 2>quarterback has the same number of playoff wins as the

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<v Speaker 2>Cowboys do in the last twenty five years. This active

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<v Speaker 2>quarterback has the same number of playoff wins as the

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<v Speaker 2>Cowboys do in the last twenty five years.

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<v Speaker 5>PAULI, this sounds especially snarky whatever on the right path.

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<v Speaker 3>Well, depends on your definition of snart.

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<v Speaker 5>I'm going Baker Mayfield.

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<v Speaker 3>No, Oh, that good, guess, Marvin.

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<v Speaker 2>Jared Golf, Yes, Jared Golf came into the league in

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<v Speaker 2>twenty sixteen. He is the same number of playoff wins

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<v Speaker 2>as the Cowboys do in the last twenty five years.

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<v Speaker 4>It's amazing.

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<v Speaker 3>That just hit Marvin. It's like a lightning bolt. Oh,

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<v Speaker 3>Jared got obviously.

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<v Speaker 2>Four playoff wins in the last twenty five years. And

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<v Speaker 2>Jared Goff, Oh yeah.

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<v Speaker 4>Jared Goff just came out of nowhere, enlightening Golf out

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<v Speaker 4>of the ether. Divine intervention.

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<v Speaker 3>Yeah, boom, yeah, don't look at my Google.

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<v Speaker 2>By the way, we were talking about the Emmys. They

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<v Speaker 2>were handed out recently and certain shows got decorated. Succession

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<v Speaker 2>got decorated again, The Bear got decorated again. And you know,

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<v Speaker 2>sometimes when you watch a show, is it how the

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<v Speaker 2>show is shot, how it's filmed? Is that more important?

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<v Speaker 2>Like the feel of it? If you see Uncut Gems

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<v Speaker 2>with Adam Sandler, you can't help but feel you're in

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<v Speaker 2>the room with him in the moment and just that

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<v Speaker 2>frenetic pace. The movie get Out the way it shot it,

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<v Speaker 2>Just like those are things that if you watch it

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<v Speaker 2>the first time get Out uncut Gems, You're not gonna

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<v Speaker 2>have the same reaction as you do if you watch

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<v Speaker 2>it again. If that first time you're like, whoa, whoa,

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<v Speaker 2>what is this? The Bear is shot at a frenetic

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<v Speaker 2>pace like it's it's a kitchen. It's crazy, But you

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<v Speaker 2>know the value of having that or that's almost its

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<v Speaker 2>separate character Breaking Bad was that way the way it's shot.

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<v Speaker 2>And I'm wondering about that. Do we give that enough credit?

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<v Speaker 2>When you're watching something and you're going, oh.

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<v Speaker 4>Man, is that the director doing that?

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<v Speaker 3>Or is that.

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<v Speaker 2>I'm guessing the creator. I don't know if it's the director,

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<v Speaker 2>But then I don't know. You know how that works

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<v Speaker 2>the hierarchy where you go, hey, this is the way

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<v Speaker 2>we're going to shoot this.

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<v Speaker 4>Most of our audience in Los Angeles right now is

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<v Speaker 4>losing their mind. Oh, because we're acting on photography. My

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<v Speaker 4>whole dad wife.

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<v Speaker 3>In this industry, nobody even knows what I do. He's

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<v Speaker 3>the DP, He's the d DP, not you. Oh.

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<v Speaker 5>I remember watching the first season The Bear.

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<v Speaker 3>I apologize to Hollywood.

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<v Speaker 2>I apologize very important because I'm an actor and I

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<v Speaker 2>should know and maybe I do.

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<v Speaker 3>Creator When when you.

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<v Speaker 5>Watch that first season The Bear, they're trying to convey

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<v Speaker 5>the feeling of working in a kitchen, a busy kitchen,

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<v Speaker 5>a frenetic pace, and it does, like if you see

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<v Speaker 5>the reviews, like that's what it's like. People yelling each other,

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<v Speaker 5>screaming each other, and then at the end they kind

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<v Speaker 5>of have a good day. But the tension is the

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<v Speaker 5>star of the show. I think the anxiety.

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<v Speaker 3>Is there anything else that?

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<v Speaker 2>I mean, you know, Jaws famously created this, you know,

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<v Speaker 2>Steven Spielberg, it had that sense of anticipation constantly. You know,

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<v Speaker 2>I'm watching The Godfather Godfather too, and it shot. It's

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<v Speaker 2>so dark in that Lake Tahoe house and you're just

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<v Speaker 2>waiting something's gonna happen. But how you know, the cadence

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<v Speaker 2>of you know, how it's shot is always interesting because

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<v Speaker 2>you're you're kind of leading, leading, leading, leading, boom, something

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<v Speaker 2>big happens. And I was just wondering about that when

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<v Speaker 2>you see some of these shows how it's shot, and

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<v Speaker 2>almost the pace of it because becomes its own character.

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<v Speaker 3>Yeampol.

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<v Speaker 5>The movie The Social Network is about two guys developing

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<v Speaker 5>a social media company. But they had those scenes. Remember

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<v Speaker 5>the scene in Social Network where the rowing guys are

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<v Speaker 5>rowing and they're trying to beat the other rowers and

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<v Speaker 5>the two winkelbost Wins and they're and they're losing their company.

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<v Speaker 5>They're losing this match and the scene is a high

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<v Speaker 5>and with all those moves they got, that's fascinating. Yeah,

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<v Speaker 5>they took kind of a stale topic that made it tense.

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<v Speaker 2>But you also had Trent Reznor, who did the soundtrack

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<v Speaker 2>for that. I mean, there's so many things that go

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<v Speaker 2>into it that you know, if you boil it down,

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<v Speaker 2>how simple is Social Network. It's just like two guys

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<v Speaker 2>and they're trying to create this and then all of

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<v Speaker 2>a sudden they go their separate ways and then there's

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<v Speaker 2>a little you know, there's tension here and then I'm going, Okay.

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<v Speaker 2>When I first heard the premises Social Network, I go,

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<v Speaker 2>I don't know about that, and all of a sudden

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<v Speaker 2>you watch it and a lot of times when you

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<v Speaker 2>think it's about something, it's not about that.

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<v Speaker 3>And just once again, soundtrack played a role.

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<v Speaker 5>Yeah, pulling I'll throw out the movie Whiplash. Miles Teller

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<v Speaker 5>is the drumming student. Yeah, there's scenes of that movie

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<v Speaker 5>where you're like, you need like a break. Remember he

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<v Speaker 5>gets in the car accident, he's running the and you're like,

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<v Speaker 5>I can't believe I'm watching this. The first time you

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<v Speaker 5>watch Whiplash, I think gets an experience.

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<v Speaker 3>Would get out?

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<v Speaker 2>Yes, I would say Whiplash definitely, because you know how

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<v Speaker 2>angry he gets and and he just he can't just god, man,

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<v Speaker 2>would you just stop just chilling? Like, come on, you know,

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<v Speaker 2>doing great? Miles Teller's sweating, and then there's blood and like, no,

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<v Speaker 2>get out, got it, get get in there, and then.

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<v Speaker 4>He tries you no, no, got on, you know, and

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<v Speaker 4>just the face that the actor makes, uh JK Simmons,

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<v Speaker 4>JK Simmons his you know, the way he sort of

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<v Speaker 4>like his mouth tightens and he sort of flares his

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<v Speaker 4>nostrils and you're like, oh, no, was wrong or whatever.

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<v Speaker 2>But then when Miles Teller goes rogue at that performance

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<v Speaker 2>where all of a sudden, JK. Simmons realizes, oh boy, okay,

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<v Speaker 2>and then he starts to embrace what Miles Teller is doing.

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<v Speaker 3>There's some good acting in there.

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<v Speaker 6>Yes.

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<v Speaker 7>Made the Right Thing is another movie where it's just

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<v Speaker 7>like the music, the shots, like the point of view,

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<v Speaker 7>like them talking right to the camera. All that stuff

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<v Speaker 7>just makes even more tense.

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<v Speaker 2>When you're trying to you're trying to create, you know,

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<v Speaker 2>some kind of rhythm of cadence of feel, and it

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<v Speaker 2>sounds easier than what it is where you go, oh,

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<v Speaker 2>you know, throwing some music there, and but but having

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<v Speaker 2>that ability to have the music fit the pace of

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<v Speaker 2>it and you know things are going to happen. But Jaws,

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<v Speaker 2>to me was the one that was like, now, I

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<v Speaker 2>know something bad is going to happen. I don't know when,

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<v Speaker 2>but I know something bad is going to happen. Don't

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<v Speaker 2>go in the water.

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<v Speaker 3>Don't go in the water.

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<v Speaker 2>You know, sometimes you go and an audience is yelling

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<v Speaker 2>at the screen. Yeah, that was me at Jaws.

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<v Speaker 5>Yes, bum there's a great book about the making of Jaws,

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<v Speaker 5>and Steven Spielberg was aware that the technology they don't

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<v Speaker 5>have CGI back then, they didn't have CJACK. They were

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<v Speaker 5>trying to hide the shots.

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<v Speaker 3>When you see it now you go, oh my god,

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<v Speaker 3>kind of hooking.

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<v Speaker 5>Yes, I think the first time the shark makes an

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<v Speaker 5>appearance is when Captain Rody or Chief Rody is on

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<v Speaker 5>the side and this shark just pops out for a

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<v Speaker 5>second and they but that's a one second shot. Yeah,

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<v Speaker 5>it's the first time you see though.

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<v Speaker 2>But that that I don't know what it is, but

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<v Speaker 2>I know it's bad. And and I just remember that

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<v Speaker 2>was so basically two notes. So John Williams has won many, many,

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<v Speaker 2>many Academy Awards. That one's not that difficult. That soundtrack,

0:12:31.800 --> 0:12:35.320
<v Speaker 2>is it? Hey, I got the soundtrack here it is?

0:12:38.360 --> 0:12:41.040
<v Speaker 3>Wait? Is that it? Yeah? Yeah, yeah, that's it.

0:12:41.040 --> 0:12:43.720
<v Speaker 5>It's become such a thing that like if you're especially

0:12:43.720 --> 0:12:45.120
<v Speaker 5>back when you're younger, if you're at the beach with

0:12:45.200 --> 0:12:47.040
<v Speaker 5>friends and you're like, hey, should we go in this water?

0:12:47.120 --> 0:12:49.520
<v Speaker 5>You go, dude, dude, really is that kind of is

0:12:49.559 --> 0:12:49.920
<v Speaker 5>that kind.

0:12:49.800 --> 0:12:51.840
<v Speaker 3>Of beach go skinny dipping?

0:12:52.040 --> 0:12:52.240
<v Speaker 8>Yes?

0:12:52.280 --> 0:12:53.880
<v Speaker 9>Time, And you don't even need to see the shark's

0:12:53.880 --> 0:12:55.040
<v Speaker 9>mouth and teeth, And I think you just see a

0:12:55.080 --> 0:12:57.160
<v Speaker 9>little bit of that fin coming up with that music,

0:12:57.280 --> 0:12:58.320
<v Speaker 9>and that was enough to get you a.

0:12:58.280 --> 0:13:00.320
<v Speaker 3>Little crazy thank you to Yeah, that was like the

0:13:00.400 --> 0:13:00.959
<v Speaker 3>genius of it.

0:13:01.120 --> 0:13:03.319
<v Speaker 2>Yeah, you didn't want to you didn't want to show

0:13:03.520 --> 0:13:05.360
<v Speaker 2>how lame that that shark looked.

0:13:05.720 --> 0:13:05.880
<v Speaker 8>Yeah.

0:13:06.160 --> 0:13:08.079
<v Speaker 4>John Carpenter even did the Halloween theme.

0:13:09.160 --> 0:13:12.520
<v Speaker 3>Mmm. I don't know if I ever watched Halloween.

0:13:14.240 --> 0:13:19.720
<v Speaker 2>The original. I think I prime Jamie Lee. I just

0:13:19.800 --> 0:13:22.200
<v Speaker 2>remember watching a little bit of it. I don't do

0:13:22.520 --> 0:13:23.280
<v Speaker 2>horror movies.

0:13:24.360 --> 0:13:24.760
<v Speaker 3>I've never.

0:13:24.920 --> 0:13:25.280
<v Speaker 10>I never.

0:13:25.440 --> 0:13:29.160
<v Speaker 5>The first one's great, the next seven are hockey. I

0:13:29.160 --> 0:13:31.160
<v Speaker 5>think that's fair, right with Halloween?

0:13:31.360 --> 0:13:31.560
<v Speaker 11>Is that?

0:13:31.640 --> 0:13:33.920
<v Speaker 3>How many Halloween movies there been? I'm going six?

0:13:34.000 --> 0:13:36.400
<v Speaker 2>Or well, Scream is coming up with their seventh. I

0:13:36.440 --> 0:13:39.679
<v Speaker 2>think John Williams, Oh yeah, John.

0:13:40.000 --> 0:13:41.280
<v Speaker 3>Those are totally different people.

0:13:41.400 --> 0:13:44.520
<v Speaker 2>Yeah, okay, I believed you. You sound like you, John Williams.

0:13:44.520 --> 0:13:46.520
<v Speaker 2>I'm like, oh yeah, John Carpet. Oh no, that's a

0:13:46.520 --> 0:13:48.240
<v Speaker 2>different guy.

0:13:48.880 --> 0:13:51.320
<v Speaker 3>How many how many Academy Awards is John Williams?

0:13:51.360 --> 0:13:51.560
<v Speaker 8>Guy?

0:13:51.679 --> 0:13:55.360
<v Speaker 3>Can you check on that? Uh? Patrick in Arizona? Hey, Patrick,

0:13:55.400 --> 0:13:56.120
<v Speaker 3>what's on your mind?

0:13:57.160 --> 0:13:57.400
<v Speaker 11>Hey?

0:13:57.440 --> 0:13:58.120
<v Speaker 1>Good morning guy.

0:13:58.200 --> 0:14:01.400
<v Speaker 12>Hey, shout out to my man. I was an actor

0:14:01.440 --> 0:14:03.600
<v Speaker 12>for you know a little over fifteen years out in

0:14:03.880 --> 0:14:05.760
<v Speaker 12>LA and Marvin I used to talk, but he was

0:14:05.760 --> 0:14:09.200
<v Speaker 12>back answering the phones about my experiences when I had

0:14:09.240 --> 0:14:11.760
<v Speaker 12>my SAG card. One year, I was chosen as an

0:14:11.760 --> 0:14:16.240
<v Speaker 12>Emmy voter, so I got to view everything, watch everything,

0:14:16.880 --> 0:14:19.760
<v Speaker 12>put in my selections for who I thought should win

0:14:19.760 --> 0:14:22.440
<v Speaker 12>the Emmys, and I got to tell you, there was

0:14:22.520 --> 0:14:25.240
<v Speaker 12>so much stuff to watch. It was really just about

0:14:25.240 --> 0:14:27.440
<v Speaker 12>what's popular at that time. And I'm not going to

0:14:27.560 --> 0:14:28.240
<v Speaker 12>just call.

0:14:28.080 --> 0:14:30.720
<v Speaker 13>It just a popularity contest, but that's really what it

0:14:30.760 --> 0:14:33.520
<v Speaker 13>boiled down to, because there was just so much content

0:14:33.600 --> 0:14:35.800
<v Speaker 13>to watch that it's hard to get out there and

0:14:35.840 --> 0:14:37.920
<v Speaker 13>watch shows that might be on the fringe but might

0:14:37.920 --> 0:14:40.040
<v Speaker 13>have been pretty good. So you know, for stuff like

0:14:40.080 --> 0:14:42.720
<v Speaker 13>Better Call Sault, if it doesn't have a huge following

0:14:43.000 --> 0:14:45.520
<v Speaker 13>and there's not a lot of people's talking about it, unfortunately,

0:14:45.520 --> 0:14:48.040
<v Speaker 13>it's just not getting the votes. So it's kind of

0:14:48.040 --> 0:14:49.360
<v Speaker 13>a rough process.

0:14:49.680 --> 0:14:53.359
<v Speaker 2>Yeah, I got it, And yeah, it's a popularity contest.

0:14:53.520 --> 0:14:56.880
<v Speaker 2>I mean even the Sports Emmys. You know, if your

0:14:56.920 --> 0:15:00.280
<v Speaker 2>show has buzz, or that guy has buzz, or that

0:15:00.280 --> 0:15:03.240
<v Speaker 2>that woman has buzz, then you know you're gonna get

0:15:03.600 --> 0:15:04.240
<v Speaker 2>more attention.

0:15:04.880 --> 0:15:07.880
<v Speaker 3>Like I get it. Yes, Boney.

0:15:07.920 --> 0:15:12.520
<v Speaker 5>The composer John Williams, who's a nomination who's over fifty three?

0:15:13.240 --> 0:15:15.000
<v Speaker 3>That would be a Better Call song.

0:15:15.120 --> 0:15:18.720
<v Speaker 5>John Williams is five for fifty three fifty three Academy

0:15:18.760 --> 0:15:22.640
<v Speaker 5>Award nominations as a composer. He won five. Wow, it's

0:15:22.680 --> 0:15:24.360
<v Speaker 5>only that less than ten percent.

0:15:24.760 --> 0:15:28.120
<v Speaker 3>Yeah, surprised. Is that a disappointing career?

0:15:28.200 --> 0:15:30.080
<v Speaker 5>Do you think it's like he got his five and

0:15:30.080 --> 0:15:31.840
<v Speaker 5>they said, let's give it to some other folks.

0:15:32.320 --> 0:15:35.960
<v Speaker 2>I don't know anybody else who does it like I always.

0:15:36.120 --> 0:15:40.760
<v Speaker 2>You know, John Williams has won twenty five g You know,

0:15:41.040 --> 0:15:43.360
<v Speaker 2>John Williams probably never thought he'd be the topic today

0:15:43.400 --> 0:15:46.560
<v Speaker 2>on the show. He's won twenty five Grammy's, five Academy Awards,

0:15:46.600 --> 0:15:50.000
<v Speaker 2>seven British Academy Film Awards, and four Golden Globe Awards.

0:15:50.840 --> 0:15:54.200
<v Speaker 2>He is the oldest Oscar nominee in any category at

0:15:54.240 --> 0:15:55.800
<v Speaker 2>ninety years of age.

0:15:56.000 --> 0:15:56.840
<v Speaker 3>He's done pretty well.

0:15:56.880 --> 0:15:57.960
<v Speaker 5>What do you think his house is?

0:15:58.000 --> 0:15:58.120
<v Speaker 11>Like?

0:15:58.200 --> 0:16:00.640
<v Speaker 5>Is it are they everywhere or are they on location?

0:16:01.240 --> 0:16:05.080
<v Speaker 3>I'd say one location off site. Well, it's like Bob Constance,

0:16:06.560 --> 0:16:09.520
<v Speaker 3>you had to buy an extra house a room.

0:16:09.680 --> 0:16:12.720
<v Speaker 4>Yeah, you like put them in one wall. It's just

0:16:12.800 --> 0:16:14.520
<v Speaker 4>the whole wall, and you're like, yeah, that's right.

0:16:15.200 --> 0:16:17.520
<v Speaker 2>Yeah, And then you get to the point where you're

0:16:17.520 --> 0:16:19.800
<v Speaker 2>hoping you don't win another one because you don't have

0:16:19.840 --> 0:16:24.280
<v Speaker 2>any spaceport. Like I've been to somebody's house who has

0:16:24.280 --> 0:16:30.560
<v Speaker 2>an Academy Award and they had it in the bathroom,

0:16:30.720 --> 0:16:36.400
<v Speaker 2>and I said, okay, and you know, who am I

0:16:36.480 --> 0:16:38.680
<v Speaker 2>to argue with where you put your award? But that

0:16:38.720 --> 0:16:41.760
<v Speaker 2>one almost felt like, yeah, you know, don't need to

0:16:41.760 --> 0:16:45.320
<v Speaker 2>put it out there. And then the person said, well,

0:16:45.400 --> 0:16:48.320
<v Speaker 2>it gives you something to look at if you're spending

0:16:48.320 --> 0:16:49.200
<v Speaker 2>time in the bathroom.

0:16:49.240 --> 0:16:52.320
<v Speaker 4>It's like, you're it means so much to you that

0:16:52.400 --> 0:16:54.440
<v Speaker 4>award that you're trying to show that it doesn't mean

0:16:54.520 --> 0:16:56.360
<v Speaker 4>a lot to you. So you're like, I just put

0:16:56.360 --> 0:16:58.880
<v Speaker 4>it in the bathroom. It's a meaningless award anyway. Yes,

0:16:59.000 --> 0:17:01.840
<v Speaker 4>really it means the world to you. Oh of course

0:17:01.840 --> 0:17:04.600
<v Speaker 4>it does. But you're trying to show like, no, it's

0:17:05.000 --> 0:17:05.840
<v Speaker 4>it doesn't mean anything.

0:17:06.000 --> 0:17:08.360
<v Speaker 2>Hey, there's nothing better than when you get up there

0:17:08.400 --> 0:17:12.560
<v Speaker 2>and you're grabbing that that emmy, you're holding her and

0:17:12.600 --> 0:17:13.520
<v Speaker 2>you're going, yeah.

0:17:13.560 --> 0:17:14.760
<v Speaker 3>It feels pretty good.

0:17:15.280 --> 0:17:19.360
<v Speaker 4>I don't know, I know, but I'd rather just walk

0:17:19.400 --> 0:17:20.439
<v Speaker 4>out early pissed.

0:17:20.680 --> 0:17:20.840
<v Speaker 6>Yeah.

0:17:21.280 --> 0:17:22.920
<v Speaker 3>Another year. That's usually what we do.

0:17:23.640 --> 0:17:26.320
<v Speaker 2>And the category for best daily studio show and the

0:17:26.359 --> 0:17:29.200
<v Speaker 2>winner is Sports Center. I'm waiting for them to go

0:17:29.480 --> 0:17:31.320
<v Speaker 2>it's not the Dan Patrick Show.

0:17:31.920 --> 0:17:34.200
<v Speaker 3>And then we walk out. Then we go to the bar.

0:17:35.560 --> 0:17:40.639
<v Speaker 2>Loser, all right, do we get a sympathetic emmy my

0:17:40.840 --> 0:17:46.200
<v Speaker 2>last year. Do we win that that year after when

0:17:46.200 --> 0:17:46.760
<v Speaker 2>I retire?

0:17:48.400 --> 0:17:50.560
<v Speaker 3>Do you think that we garner sympathy?

0:17:50.680 --> 0:17:52.880
<v Speaker 5>I think we're more likely to get that one this

0:17:53.320 --> 0:17:56.480
<v Speaker 5>round because you announced it last and maybe they didn't

0:17:56.520 --> 0:17:58.280
<v Speaker 5>read all the stories. They think you're leaving sooner than

0:17:58.320 --> 0:18:00.240
<v Speaker 5>like okay, yeah.

0:18:00.359 --> 0:18:02.119
<v Speaker 9>Like a lifetime Lack of Achievement award is.

0:18:06.520 --> 0:18:10.359
<v Speaker 2>All right if that's what it takes, lifetime lack of

0:18:10.400 --> 0:18:13.440
<v Speaker 2>Achievement award in the winner is Dan Patrick?

0:18:13.640 --> 0:18:14.840
<v Speaker 6>All right? Ward's an award?

0:18:14.960 --> 0:18:17.120
<v Speaker 2>Take a break, Michael Irvan next year on The Dan

0:18:17.160 --> 0:18:17.800
<v Speaker 2>Patrick Show.

0:18:18.720 --> 0:18:20.840
<v Speaker 1>Be sure to catch the live edition of The Dan

0:18:20.960 --> 0:18:24.560
<v Speaker 1>Patrick Show weekdays at nine am Eastern six am Pacific

0:18:24.800 --> 0:18:27.800
<v Speaker 1>on Fox Sports Radio and the iHeartRadio app.

0:18:29.480 --> 0:18:30.480
<v Speaker 6>Hey what's up everybody?

0:18:30.480 --> 0:18:33.119
<v Speaker 14>It's me three time pro bowler LeVar Arrington and I

0:18:33.200 --> 0:18:36.800
<v Speaker 14>couldn't be more excited to announce a podcast called Up

0:18:36.840 --> 0:18:37.399
<v Speaker 14>on Game?

0:18:37.680 --> 0:18:38.680
<v Speaker 3>What is Up on Game?

0:18:38.760 --> 0:18:42.320
<v Speaker 14>You assd along with my fellow pro bowler TJ. Huschman

0:18:42.400 --> 0:18:46.719
<v Speaker 14>Zada and Super Bowl champion Yup. That's right, Plexico Burris.

0:18:47.040 --> 0:18:49.240
<v Speaker 14>You can only name a show with that type of

0:18:49.280 --> 0:18:51.960
<v Speaker 14>talent on it. Up on Game We're going to be

0:18:52.040 --> 0:18:56.879
<v Speaker 14>sharing our real life experiences loaded with teachable moments. Listen

0:18:56.960 --> 0:19:00.639
<v Speaker 14>to Up on Game with me LeVar Arrington Today, Human

0:19:00.720 --> 0:19:05.360
<v Speaker 14>Zada and Plexico Birds on the iHeartRadio app, Apple Podcasts

0:19:05.680 --> 0:19:10.760
<v Speaker 14>or wherever you get your podcast from.

0:19:11.000 --> 0:19:14.520
<v Speaker 2>You can watch NFL Network with Michael Irvin on NFL

0:19:14.560 --> 0:19:17.560
<v Speaker 2>Network's NFL Game Day Morning that'll be Saturday. They start

0:19:17.560 --> 0:19:21.120
<v Speaker 2>at noon Eastern. Sunday they will start at eleven am

0:19:21.280 --> 0:19:24.520
<v Speaker 2>Eastern and the playmaker, three time Super Bowl champ Hall

0:19:24.600 --> 0:19:27.520
<v Speaker 2>of Famer, back on the program. Mike, good to see

0:19:27.520 --> 0:19:30.520
<v Speaker 2>you again. Could you have played for Bill Belichick?

0:19:31.680 --> 0:19:34.080
<v Speaker 11>Hey, d I'm not going to let you shine right

0:19:34.119 --> 0:19:37.400
<v Speaker 11>on up in my DM like that right here? Would

0:19:37.400 --> 0:19:40.399
<v Speaker 11>doubt say how much you miss me? And you know

0:19:40.480 --> 0:19:43.719
<v Speaker 11>how much I miss you? Are you joking?

0:19:43.200 --> 0:19:43.400
<v Speaker 13>Dick?

0:19:43.800 --> 0:19:47.120
<v Speaker 6>Come on, man, you know it's so good to talk

0:19:47.200 --> 0:19:49.080
<v Speaker 6>to you, buddy. It is so good.

0:19:49.119 --> 0:19:52.960
<v Speaker 3>It is great to see you. It is great to see.

0:19:53.760 --> 0:19:57.040
<v Speaker 6>Listen. I love I love Belichick.

0:19:57.280 --> 0:20:00.840
<v Speaker 11>I would have loved to play for Belichick, Still could

0:20:01.000 --> 0:20:03.879
<v Speaker 11>play if I could play for Beltian. Let me tell

0:20:03.880 --> 0:20:07.639
<v Speaker 11>you why. Anybody DD that wants to be the best

0:20:07.680 --> 0:20:13.720
<v Speaker 11>at what they do and try to win championships. Yeah,

0:20:13.880 --> 0:20:16.200
<v Speaker 11>you know what belichickis. You know what he's about. He's

0:20:16.240 --> 0:20:19.640
<v Speaker 11>about discipline, he's about little teams, those little things.

0:20:19.560 --> 0:20:22.440
<v Speaker 6>That would surely help you win the championship. Absolutely.

0:20:23.080 --> 0:20:25.679
<v Speaker 2>All right, let me get the question out of the

0:20:25.680 --> 0:20:31.080
<v Speaker 2>way of the Cowboys. What should Jerry Jones do, if anything,

0:20:31.119 --> 0:20:32.240
<v Speaker 2>at the head coaching position.

0:20:33.160 --> 0:20:34.200
<v Speaker 6>This is a tough one.

0:20:34.840 --> 0:20:37.680
<v Speaker 11>You know, it's not like you went from it, and

0:20:39.040 --> 0:20:41.880
<v Speaker 11>I guess that means you're a victim of you all success.

0:20:41.920 --> 0:20:42.920
<v Speaker 6>It's not like you went.

0:20:42.760 --> 0:20:46.720
<v Speaker 11>From eight win nine wins, snuck in the playoffs and

0:20:46.760 --> 0:20:50.439
<v Speaker 11>they had lost, then went to eleven wins, got in

0:20:50.480 --> 0:20:54.399
<v Speaker 11>the playoffs and they went around in it, then go

0:20:54.480 --> 0:20:55.800
<v Speaker 11>to thirteen wins.

0:20:55.920 --> 0:20:58.280
<v Speaker 6>You know what I mean that you saw growth each year.

0:20:58.680 --> 0:21:02.840
<v Speaker 11>You came in twelve wins, out in the first round,

0:21:03.280 --> 0:21:05.600
<v Speaker 11>and then another twelve wins and you get out in

0:21:05.680 --> 0:21:06.680
<v Speaker 11>the second round.

0:21:06.720 --> 0:21:09.000
<v Speaker 6>There another twelve when you're back out in the first round.

0:21:09.920 --> 0:21:13.560
<v Speaker 11>It's about those big moments if you're a player, if

0:21:13.560 --> 0:21:16.160
<v Speaker 11>you are a coach, and the twelve wins are great,

0:21:16.600 --> 0:21:18.600
<v Speaker 11>but if your cheap getting out, you'll.

0:21:18.400 --> 0:21:19.920
<v Speaker 6>Never get to the final goal.

0:21:20.320 --> 0:21:23.240
<v Speaker 11>So I just think that I think it's hard to

0:21:23.320 --> 0:21:27.600
<v Speaker 11>go into next year selling what is sold this year

0:21:27.920 --> 0:21:31.399
<v Speaker 11>to a fan base who has done, who has waited

0:21:31.480 --> 0:21:32.560
<v Speaker 11>patiently in thought.

0:21:33.040 --> 0:21:35.720
<v Speaker 6>Man, if you can't get it any better, then it

0:21:35.880 --> 0:21:36.800
<v Speaker 6>was set up this year.

0:21:36.880 --> 0:21:38.680
<v Speaker 3>Okay, so what are you doing?

0:21:40.160 --> 0:21:44.280
<v Speaker 11>So? I always believe the hope dictated effort.

0:21:44.440 --> 0:21:47.399
<v Speaker 6>You know, more hope. I got the more effort idea.

0:21:48.000 --> 0:21:50.840
<v Speaker 11>And if you take this in the next year, you're

0:21:50.920 --> 0:21:54.240
<v Speaker 11>giving the fan base less hope and you're gonna expect

0:21:54.320 --> 0:21:57.479
<v Speaker 11>less effort. You what I'm saying for They're going to say,

0:21:57.680 --> 0:21:59.800
<v Speaker 11>why am I justing all of my time and all

0:21:59.800 --> 0:22:00.639
<v Speaker 11>of them my money?

0:22:01.480 --> 0:22:03.800
<v Speaker 6>Well, we know what's going to be the end result.

0:22:04.080 --> 0:22:05.440
<v Speaker 6>That's what I'm worried about.

0:22:05.480 --> 0:22:08.280
<v Speaker 11>So yes, I think Jarrett has to see that and

0:22:08.920 --> 0:22:11.719
<v Speaker 11>make it make some decisions on moving forward.

0:22:11.800 --> 0:22:17.160
<v Speaker 2>Okay, someone, but let's say you don't get Belichick. Now,

0:22:17.400 --> 0:22:19.160
<v Speaker 2>are you going to make the move. To make the move?

0:22:19.200 --> 0:22:21.040
<v Speaker 2>You're going to make the move because I know the

0:22:21.080 --> 0:22:24.439
<v Speaker 2>guy coming in is going to be uh bring a

0:22:24.480 --> 0:22:25.560
<v Speaker 2>different culture than we have.

0:22:26.920 --> 0:22:30.359
<v Speaker 11>Well, here is what you're can call fortunate for some

0:22:30.640 --> 0:22:31.760
<v Speaker 11>unfortunate for others.

0:22:32.119 --> 0:22:36.639
<v Speaker 6>There is a number of art very variant.

0:22:37.240 --> 0:22:43.200
<v Speaker 11>Let me drop one more, one more very good coaches

0:22:43.640 --> 0:22:44.240
<v Speaker 11>out here.

0:22:44.600 --> 0:22:48.000
<v Speaker 6>So even if you don't get Belichick, there's a variable.

0:22:48.280 --> 0:22:51.280
<v Speaker 11>There are the other guys out here that can help

0:22:51.359 --> 0:22:54.040
<v Speaker 11>align you with the chind of game. And when I

0:22:54.080 --> 0:22:57.920
<v Speaker 11>think you need here doubts this is not a thing. Well,

0:22:57.960 --> 0:23:00.840
<v Speaker 11>I think the Cowboys don't have the skill. I keep

0:23:00.840 --> 0:23:03.719
<v Speaker 11>telling people why our business is different. It's not just

0:23:03.760 --> 0:23:05.920
<v Speaker 11>about your skill. You going up against.

0:23:05.720 --> 0:23:07.680
<v Speaker 6>Another grown ass man. That's a grown man.

0:23:07.920 --> 0:23:10.320
<v Speaker 11>He'say in a computer, you punch it. You also got

0:23:10.320 --> 0:23:12.840
<v Speaker 11>to have the will. You gotta get your skill in

0:23:13.000 --> 0:23:15.360
<v Speaker 11>your will and you got to go up against a man.

0:23:15.400 --> 0:23:18.480
<v Speaker 11>And some people have great skill but not great will.

0:23:19.000 --> 0:23:21.880
<v Speaker 11>And you can need a coach that can help deepen

0:23:22.000 --> 0:23:25.199
<v Speaker 11>that will. And they are great coaches out there that

0:23:25.240 --> 0:23:26.400
<v Speaker 11>can help deepen your will.

0:23:28.119 --> 0:23:30.560
<v Speaker 3>Could you see Jim Harwoll getting along with Jerry Jones?

0:23:33.840 --> 0:23:37.000
<v Speaker 6>Tell your disappointment, pain sadness.

0:23:38.200 --> 0:23:42.239
<v Speaker 11>It pushes a lot of jump to the side. You

0:23:42.280 --> 0:23:44.639
<v Speaker 11>see what I'm saying about what Jerry can't do.

0:23:44.720 --> 0:23:45.040
<v Speaker 6>We did.

0:23:45.119 --> 0:23:48.400
<v Speaker 11>Jerry can't deal with that. This kind of pain is sadness.

0:23:48.440 --> 0:23:50.960
<v Speaker 11>Just you can you can deal with it. And let's

0:23:51.040 --> 0:23:54.680
<v Speaker 11>be real. Tim Rball, Bill Bell and Jake All of them.

0:23:54.720 --> 0:23:57.119
<v Speaker 11>They doubt what we call because they got that thing

0:23:57.200 --> 0:24:04.960
<v Speaker 11>that's calming all men, three levels e g Oh, and

0:24:05.080 --> 0:24:08.000
<v Speaker 11>what would it be like you, head coach O the

0:24:08.119 --> 0:24:09.240
<v Speaker 11>Dallas Cowboys.

0:24:09.400 --> 0:24:12.720
<v Speaker 6>How good would that be for your e gee?

0:24:13.640 --> 0:24:14.200
<v Speaker 12>Oh?

0:24:14.440 --> 0:24:15.560
<v Speaker 6>Stop messing the rack?

0:24:15.920 --> 0:24:21.320
<v Speaker 2>You know, I worry about Jerry Jones's e g Oh.

0:24:22.040 --> 0:24:22.880
<v Speaker 6>Were you worried about?

0:24:22.880 --> 0:24:24.960
<v Speaker 11>Don't worry about Jared Jones needing to get out of this.

0:24:25.160 --> 0:24:28.040
<v Speaker 11>Let me tell you what you worry. Only worry about

0:24:28.119 --> 0:24:34.919
<v Speaker 11>Jerry Jones. Em oh, dad, why that's what that? He

0:24:35.119 --> 0:24:38.520
<v Speaker 11>bring up the money? You you go get your e

0:24:38.760 --> 0:24:41.480
<v Speaker 11>g O right, because you got Dallas Cowboys, head coach.

0:24:41.760 --> 0:24:44.880
<v Speaker 11>You want to beat Tom Brady. That Dallas Cowboys will

0:24:44.920 --> 0:24:47.800
<v Speaker 11>make your e ge oh right.

0:24:48.080 --> 0:24:49.359
<v Speaker 6>You wanna beat.

0:24:49.240 --> 0:24:54.000
<v Speaker 11>Robert Craft the Dallas Cowboys and make yo e ge

0:24:54.280 --> 0:24:56.680
<v Speaker 11>oh right, y'all wanna beat the Patriot?

0:24:57.080 --> 0:24:58.280
<v Speaker 3>It's the Gallas.

0:24:58.160 --> 0:25:03.879
<v Speaker 15>Cowboys, the real Eric all right, look up, that's all

0:25:04.440 --> 0:25:10.280
<v Speaker 15>Steve y oh, you and g joined us yesterday and

0:25:10.359 --> 0:25:11.159
<v Speaker 15>Steve goes.

0:25:12.240 --> 0:25:17.760
<v Speaker 2>Jerry is the problem. Jerry Jones is the problem. Plus

0:25:18.160 --> 0:25:23.639
<v Speaker 2>the players are already stars before they accomplish something. Their celebrities.

0:25:24.000 --> 0:25:27.520
<v Speaker 2>He said that you should have the Cowboys start the season.

0:25:28.400 --> 0:25:31.760
<v Speaker 2>No stars on the helmet. You get to ten wins,

0:25:31.960 --> 0:25:34.879
<v Speaker 2>you get one star. You win a playoff game, you

0:25:34.960 --> 0:25:38.840
<v Speaker 2>get your other star. He wasn't kidding.

0:25:38.480 --> 0:25:40.080
<v Speaker 6>You know, I love Steve.

0:25:41.160 --> 0:25:41.800
<v Speaker 3>Oh here we go.

0:25:41.880 --> 0:25:43.359
<v Speaker 6>A lot of those boys, you know a lot of

0:25:43.359 --> 0:25:44.320
<v Speaker 6>those boys he got.

0:25:44.600 --> 0:25:47.600
<v Speaker 11>We played in the grass, rolled around in the law

0:25:47.680 --> 0:25:49.679
<v Speaker 11>and all in for why I love.

0:25:49.600 --> 0:25:52.399
<v Speaker 6>The boys, He called me Uncle Martin. They called them

0:25:52.480 --> 0:25:57.480
<v Speaker 6>uncahmart for Steve kill, Steve for past away, that messed

0:25:57.800 --> 0:26:01.080
<v Speaker 6>in for shoot that director.

0:26:01.400 --> 0:26:03.920
<v Speaker 11>No where near the Cowboy, No, no, no, no, no,

0:26:04.240 --> 0:26:04.720
<v Speaker 11>I want you.

0:26:04.800 --> 0:26:07.840
<v Speaker 2>The members are more successful than the Cowboys are.

0:26:09.160 --> 0:26:11.840
<v Speaker 11>Well, it depends on what we're looking at right now. Yes,

0:26:11.880 --> 0:26:14.080
<v Speaker 11>they are right now, still in the playoff. But I

0:26:14.080 --> 0:26:17.600
<v Speaker 11>ain't nobody more successful than that brand of the dollars.

0:26:18.160 --> 0:26:20.120
<v Speaker 3>I agree that the brand.

0:26:20.320 --> 0:26:23.720
<v Speaker 11>Okay, okay, so okay, so so so so. Now let's

0:26:23.720 --> 0:26:25.920
<v Speaker 11>so so so when the sad frame gets up here,

0:26:25.960 --> 0:26:27.440
<v Speaker 11>it's up here, it's up here.

0:26:28.240 --> 0:26:30.600
<v Speaker 6>It's haig. The other people might be out here. Let's say,

0:26:30.600 --> 0:26:34.000
<v Speaker 6>if it's high, what would Dallas cowboy get up here? Yeah,

0:26:35.080 --> 0:26:36.639
<v Speaker 6>it's up here.

0:26:36.720 --> 0:26:38.720
<v Speaker 3>Haven't been up there in thirty years?

0:26:38.760 --> 0:26:41.760
<v Speaker 6>Mike what they've been right here. They just hadn't been

0:26:41.760 --> 0:26:43.639
<v Speaker 6>over the top of a thirty years. And that's what

0:26:43.680 --> 0:26:46.000
<v Speaker 6>we're talking about right now. That's why you got me

0:26:46.040 --> 0:26:48.760
<v Speaker 6>on it, because we're talking about what we need to do. Now.

0:26:48.960 --> 0:26:51.280
<v Speaker 6>Let's just be real. It's only eight teams up.

0:26:51.840 --> 0:26:55.119
<v Speaker 11>So there what another thirty two teams out here, that

0:26:55.600 --> 0:27:03.480
<v Speaker 11>thirty teams out here, that twenty fourteams out here, twenty

0:27:03.560 --> 0:27:07.280
<v Speaker 11>four teams out here. That's still our home, just like

0:27:07.400 --> 0:27:08.960
<v Speaker 11>the Dallas Cowboyds right now.

0:27:09.280 --> 0:27:11.720
<v Speaker 6>So here's what you're gonna do. Hear what everybody else

0:27:11.800 --> 0:27:12.159
<v Speaker 6>going to do.

0:27:12.520 --> 0:27:14.800
<v Speaker 11>Everybody else is going to start talking about, Oh, it's

0:27:14.920 --> 0:27:15.879
<v Speaker 11>just a Dallas cowboard.

0:27:16.240 --> 0:27:18.520
<v Speaker 6>Nobody's gonna talk about them other twenty.

0:27:18.240 --> 0:27:21.359
<v Speaker 11>Fourteen that I got that bus home too, you know what,

0:27:21.880 --> 0:27:26.200
<v Speaker 11>because they're not wait oh here, yeah, well.

0:27:26.160 --> 0:27:30.480
<v Speaker 3>Yeah, but the Cowboys this year, we're at home now.

0:27:30.480 --> 0:27:31.919
<v Speaker 6>Trying to let y'all get somebody.

0:27:32.040 --> 0:27:34.000
<v Speaker 11>I'm trying to let y'all get on the cowboy But

0:27:34.119 --> 0:27:36.000
<v Speaker 11>if you don't try to rip us up, I gotta

0:27:36.040 --> 0:27:36.680
<v Speaker 11>talk about.

0:27:37.240 --> 0:27:38.120
<v Speaker 3>No, no, no, no no.

0:27:38.560 --> 0:27:43.400
<v Speaker 2>Sometimes Mike, you just don't fight because you take the loss,

0:27:44.400 --> 0:27:47.040
<v Speaker 2>you got knocked down, you got knocked out. You were

0:27:47.119 --> 0:27:52.480
<v Speaker 2>Tyson against Buster Douglas. You got knocked out, Mike, you're

0:27:52.560 --> 0:28:04.399
<v Speaker 2>looking for your mouthpiece. You got knocked out. That's all right,

0:28:04.480 --> 0:28:06.280
<v Speaker 2>Let's let's take a breath.

0:28:06.440 --> 0:28:10.600
<v Speaker 3>Let's just take a breath there, take a breath taking.

0:28:13.720 --> 0:28:16.280
<v Speaker 11>I can't even come up. I can't even come up

0:28:16.280 --> 0:28:22.399
<v Speaker 11>with thirty two from the browser somebody last night you

0:28:22.400 --> 0:28:24.720
<v Speaker 11>said it to me, man, Mike, I know I saw

0:28:24.760 --> 0:28:28.160
<v Speaker 11>your crying all Sunday. I said, joke on, still cry,

0:28:28.440 --> 0:28:30.720
<v Speaker 11>what the hell you're talking about?

0:28:33.920 --> 0:28:35.680
<v Speaker 3>So when it's all said and done, who's going to

0:28:35.720 --> 0:28:36.360
<v Speaker 3>be in Vegas?

0:28:36.480 --> 0:28:39.640
<v Speaker 11>But these teams, Man, it looks like it's going to

0:28:39.720 --> 0:28:43.920
<v Speaker 11>be the color of that logo that you were talking about,

0:28:44.280 --> 0:28:48.360
<v Speaker 11>that purple red, that that purple and going red or

0:28:48.360 --> 0:28:52.920
<v Speaker 11>whatever saying fran is in Baltimore. But now this is

0:28:53.000 --> 0:28:56.360
<v Speaker 11>interesting because those these young guys don't know what they

0:28:56.440 --> 0:29:00.880
<v Speaker 11>need to know. And man, Dan, listen, man, that dude

0:29:00.920 --> 0:29:05.280
<v Speaker 11>see they strive that that that that dude right there,

0:29:05.600 --> 0:29:10.680
<v Speaker 11>Jordan Love. Those are two young dudes that's going to

0:29:10.720 --> 0:29:14.200
<v Speaker 11>create habit this weekend. I mean, they're they're going up

0:29:14.240 --> 0:29:17.320
<v Speaker 11>against a tough challenge, but but they'll be up for

0:29:17.360 --> 0:29:20.680
<v Speaker 11>the challenge, and each one of those kids can rise

0:29:20.720 --> 0:29:23.840
<v Speaker 11>above the system. You know, you can get my are

0:29:23.840 --> 0:29:27.200
<v Speaker 11>you can get Miami with that with what Sam fran did.

0:29:27.720 --> 0:29:30.200
<v Speaker 11>But but but but you, but.

0:29:30.200 --> 0:29:30.880
<v Speaker 6>You can't this.

0:29:31.000 --> 0:29:32.960
<v Speaker 11>These kids can ride the buck system. Even if you

0:29:33.000 --> 0:29:36.880
<v Speaker 11>get Sam frank Strout joy of Love, they can ride

0:29:36.920 --> 0:29:37.960
<v Speaker 11>above the system.

0:29:38.280 --> 0:29:40.280
<v Speaker 2>Do you have anything interesting in your office there? I

0:29:40.280 --> 0:29:44.480
<v Speaker 2>don't see any awards any there's no hardware in there.

0:29:44.520 --> 0:29:45.240
<v Speaker 3>What's what's going on?

0:29:45.480 --> 0:29:47.400
<v Speaker 6>Well? What I mean?

0:29:47.480 --> 0:29:49.840
<v Speaker 11>Listen, man, I keep telling my lady, get all this

0:29:49.880 --> 0:29:52.080
<v Speaker 11>stuff out of here. Man, I said, when you win

0:29:52.240 --> 0:29:54.520
<v Speaker 11>one ring and one super Bowl, then you got to

0:29:54.600 --> 0:29:56.040
<v Speaker 11>keep it back there to remind people.

0:29:56.200 --> 0:29:57.840
<v Speaker 6>But when you got as many as I have, you

0:29:58.000 --> 0:29:58.800
<v Speaker 6>know you have them.

0:29:58.880 --> 0:30:01.400
<v Speaker 11>Get all this stuff out of I got more races

0:30:01.400 --> 0:30:06.000
<v Speaker 11>in super Bowl Championship, you see College championship and means

0:30:06.040 --> 0:30:07.920
<v Speaker 11>all this to get all this stuff out of here.

0:30:08.320 --> 0:30:09.920
<v Speaker 6>You know I have them, man, We don't need to

0:30:09.920 --> 0:30:10.680
<v Speaker 6>put them back here.

0:30:10.960 --> 0:30:14.600
<v Speaker 11>But when she said she she said, you you the mule.

0:30:15.040 --> 0:30:17.120
<v Speaker 11>Just go get the money, don't say nothing else. That's

0:30:17.120 --> 0:30:19.480
<v Speaker 11>all you do. So I'm just a mute Dan, That's

0:30:19.560 --> 0:30:19.960
<v Speaker 11>all I do.

0:30:21.120 --> 0:30:25.280
<v Speaker 2>Hey, what do you land what do you what do

0:30:25.320 --> 0:30:28.400
<v Speaker 2>you what are you doing with stunt?

0:30:28.560 --> 0:30:31.000
<v Speaker 3>Did you start a social media app?

0:30:31.720 --> 0:30:31.880
<v Speaker 11>Oh?

0:30:31.960 --> 0:30:34.920
<v Speaker 6>Yeah, yeah, stunt sending me and Dan? You know, you know,

0:30:35.720 --> 0:30:38.040
<v Speaker 6>you know, we go a lot of places. We've been

0:30:38.480 --> 0:30:40.200
<v Speaker 6>a lot of places, Dan, you know some time.

0:30:40.360 --> 0:30:42.360
<v Speaker 3>No, no, no, we have been in wild places.

0:30:43.200 --> 0:30:45.200
<v Speaker 6>We've been a lot of places. That's a wild place

0:30:45.240 --> 0:30:48.520
<v Speaker 6>with a lot of places. Yeah, we weren't there. Well no, no,

0:30:48.600 --> 0:30:50.960
<v Speaker 6>wait wait, don't don't let that make me stop.

0:30:51.040 --> 0:30:54.000
<v Speaker 3>No, no, no, I wasn't there in the ninety Mike.

0:30:54.160 --> 0:30:55.840
<v Speaker 6>I wasn't start a little bit.

0:30:55.920 --> 0:30:57.440
<v Speaker 3>Now, I wasn't there in the nineties.

0:30:57.480 --> 0:31:02.800
<v Speaker 15>I wasn't there with No, we were it was jackson

0:31:02.880 --> 0:31:05.600
<v Speaker 15>Bill But we were at a wild place, Jacksonville.

0:31:06.120 --> 0:31:06.520
<v Speaker 6>I was.

0:31:07.000 --> 0:31:19.560
<v Speaker 2>I was at Dug Club, not Dug Club, Mike. I

0:31:19.760 --> 0:31:21.200
<v Speaker 2>was at a club, not.

0:31:21.440 --> 0:31:26.120
<v Speaker 11>Dog No, forget that. That was the funniest day we've

0:31:26.120 --> 0:31:29.479
<v Speaker 11>ever had. Yeah, hey, I know we're doing this fun

0:31:29.560 --> 0:31:29.840
<v Speaker 11>of people.

0:31:29.960 --> 0:31:30.280
<v Speaker 7>Listen.

0:31:30.320 --> 0:31:32.800
<v Speaker 11>We went one night, Sunday night, we got the Super Bowl.

0:31:33.040 --> 0:31:37.560
<v Speaker 11>It was cracking, it was hat it was beautiful, beautiful crowd.

0:31:38.120 --> 0:31:40.600
<v Speaker 6>We can't that was let us go back that place sometime.

0:31:41.120 --> 0:31:42.640
<v Speaker 3>He was the only white guy in there.

0:31:42.680 --> 0:31:56.440
<v Speaker 2>That night, that crowd was tarking. I'm like, Mike, I'm

0:31:56.440 --> 0:31:57.960
<v Speaker 2>gonna ask for a light beers.

0:31:58.040 --> 0:32:01.280
<v Speaker 3>I don'tkay, I.

0:32:01.200 --> 0:32:02.360
<v Speaker 6>Think you go.

0:32:04.080 --> 0:32:04.280
<v Speaker 11>You go.

0:32:04.520 --> 0:32:05.800
<v Speaker 6>Hey.

0:32:10.360 --> 0:32:12.960
<v Speaker 3>The brothers kept saying, I got cable man, I know

0:32:13.000 --> 0:32:13.560
<v Speaker 3>who you are.

0:32:17.400 --> 0:32:25.400
<v Speaker 15>Oh yo, okay, okay, that's great.

0:32:25.600 --> 0:32:28.040
<v Speaker 11>One of the greatest times I've never had. But we

0:32:28.120 --> 0:32:30.120
<v Speaker 11>had such a good time then. I were all little

0:32:30.120 --> 0:32:34.760
<v Speaker 11>brothers around that. I just kept trying to start stop.

0:32:39.240 --> 0:32:42.040
<v Speaker 2>I sat at the bar and I just nursed my beer,

0:32:42.600 --> 0:32:45.520
<v Speaker 2>you know, And Mike is trying to say, I'm saying

0:32:45.560 --> 0:32:47.280
<v Speaker 2>things about other people in the bar. What did you

0:32:47.320 --> 0:32:49.960
<v Speaker 2>say about them?

0:32:50.200 --> 0:32:54.160
<v Speaker 3>And I got Michael, stop it, stop it? What did

0:32:54.240 --> 0:32:57.120
<v Speaker 3>you say about them? Deepaking like I didn't say anything.

0:33:07.520 --> 0:33:10.080
<v Speaker 6>Oh my god. Oh that.

0:33:11.880 --> 0:33:14.120
<v Speaker 3>You know what, Maybe we'll talk it in Vegas, Mike.

0:33:14.760 --> 0:33:15.880
<v Speaker 6>Oh no, forget that.

0:33:16.400 --> 0:33:17.000
<v Speaker 8>We got.

0:33:20.320 --> 0:33:24.520
<v Speaker 3>Heyat great to talk to you.

0:33:24.960 --> 0:33:28.280
<v Speaker 6>It's always good. We're gonna get back right there.

0:33:28.320 --> 0:33:33.880
<v Speaker 11>We don't get it back right thank you.

0:33:33.080 --> 0:33:35.840
<v Speaker 3>Thank you. Michael. That's Michael IRV and that's the playmaker.

0:33:38.720 --> 0:33:38.920
<v Speaker 11>Yeah.

0:33:38.960 --> 0:33:41.600
<v Speaker 2>He's like, we did Sports Center and he goes, come on,

0:33:41.680 --> 0:33:43.800
<v Speaker 2>we gotta go out. We're in Jacksonville. He goes where

0:33:43.800 --> 0:33:45.920
<v Speaker 2>are we going? He goes, I gotta gotta please, gotta

0:33:45.960 --> 0:33:50.320
<v Speaker 2>club walk in. Not a lot of people. Next thing

0:33:50.360 --> 0:33:53.160
<v Speaker 2>I know, about an hour later, packed I said, Mike,

0:33:54.040 --> 0:33:57.960
<v Speaker 2>I'm the only white guy in here. It's okay, It's okay,

0:33:58.880 --> 0:34:01.479
<v Speaker 2>all right. I sat a bar. I think I had

0:34:01.520 --> 0:34:05.080
<v Speaker 2>a Miller line. I don't think I moved, just like,

0:34:05.160 --> 0:34:11.160
<v Speaker 2>I'm good right here. Let me take a rick back

0:34:11.160 --> 0:34:11.640
<v Speaker 2>after this.

0:34:12.040 --> 0:34:14.920
<v Speaker 1>Fox Sports Radio has the best sports talk lineup in

0:34:14.960 --> 0:34:18.320
<v Speaker 1>the nation. Catch all of our shows at Foxsports Radio

0:34:18.480 --> 0:34:22.560
<v Speaker 1>dot com and within the iHeartRadio app. Search FSR to

0:34:22.680 --> 0:34:28.520
<v Speaker 1>listen live. Michael Irvin makes me sweat. He's fun, never

0:34:28.600 --> 0:34:30.399
<v Speaker 1>quite sure what you're going to get, and he's one

0:34:30.400 --> 0:34:31.040
<v Speaker 1>of those guys.

0:34:31.040 --> 0:34:32.560
<v Speaker 3>There's two guys that I've worked with.

0:34:32.960 --> 0:34:35.719
<v Speaker 2>Once you get them laughing and they get to a

0:34:35.760 --> 0:34:39.799
<v Speaker 2>point of no return, Michael Irvin and Shaan Sulisbury, when

0:34:39.800 --> 0:34:41.960
<v Speaker 2>they start to go, and all I need to do

0:34:42.120 --> 0:34:42.680
<v Speaker 2>is push them a.

0:34:42.680 --> 0:34:44.040
<v Speaker 3>Little bit and then they're gone.

0:34:44.719 --> 0:34:46.880
<v Speaker 2>Michael nearly fell out of his chair at the end

0:34:46.880 --> 0:34:50.879
<v Speaker 2>of that interview, and you know it's early for him.

0:34:51.480 --> 0:34:54.040
<v Speaker 2>He'll probably have a few more in those conversations.

0:34:54.080 --> 0:34:54.440
<v Speaker 3>Today.

0:34:55.280 --> 0:34:57.600
<v Speaker 2>This day in sports History, Last Call for phone calls.

0:34:57.680 --> 0:35:00.440
<v Speaker 2>What we learned and what's in store them. We're going

0:35:00.480 --> 0:35:06.439
<v Speaker 2>to try to accomplish all of that. Let's see Luke

0:35:06.480 --> 0:35:09.160
<v Speaker 2>in Utah. Luke, what do you have for me today?

0:35:10.400 --> 0:35:10.560
<v Speaker 6>Hey?

0:35:10.600 --> 0:35:15.600
<v Speaker 3>Dan ten a hard.

0:35:15.640 --> 0:35:17.920
<v Speaker 12>I've got a pie to the face bet for you

0:35:17.960 --> 0:35:19.359
<v Speaker 12>guys for the super Bowl.

0:35:19.400 --> 0:35:24.279
<v Speaker 3>Okay, I get Green Bay in the Texans. You guys

0:35:24.280 --> 0:35:28.520
<v Speaker 3>get the field. Who doesn't want it? Now?

0:35:28.960 --> 0:35:31.400
<v Speaker 2>Is this to get there or to win it? So

0:35:31.480 --> 0:35:34.440
<v Speaker 2>you're picking to win? Okay, So you get the Texans

0:35:34.480 --> 0:35:37.160
<v Speaker 2>or the Packers. That either of those teams win the

0:35:37.160 --> 0:35:40.200
<v Speaker 2>super Bowl, then whoever takes you up on the bet

0:35:40.239 --> 0:35:41.239
<v Speaker 2>gets a pie to the face?

0:35:42.719 --> 0:35:43.160
<v Speaker 10>Correct?

0:35:43.400 --> 0:35:45.719
<v Speaker 3>Okay, who wants who wants a piece of Luke?

0:35:45.760 --> 0:35:46.040
<v Speaker 6>There?

0:35:47.600 --> 0:35:50.200
<v Speaker 2>Todd, you'll do that, Yeah, let's do it. Okay, So

0:35:50.520 --> 0:35:51.960
<v Speaker 2>Todd's going to take you up on that, Luke?

0:35:53.000 --> 0:35:53.319
<v Speaker 6>All right?

0:35:53.360 --> 0:35:53.560
<v Speaker 14>Tod?

0:35:53.719 --> 0:35:54.160
<v Speaker 6>I like it?

0:35:54.200 --> 0:35:56.959
<v Speaker 3>All right? There you go. Seemed kind of a simple bet,

0:35:57.000 --> 0:35:58.040
<v Speaker 3>but you know, it.

0:35:58.000 --> 0:35:59.640
<v Speaker 9>Would be pretty cool if one or both of those

0:35:59.640 --> 0:36:00.560
<v Speaker 9>teams may but.

0:36:02.120 --> 0:36:05.400
<v Speaker 3>They have to win it. Yeah, that to win the

0:36:05.440 --> 0:36:07.880
<v Speaker 3>super Bowl. I'd like to actually see that, thank you.

0:36:07.880 --> 0:36:09.279
<v Speaker 6>You know I'm going against it in the bet.

0:36:09.360 --> 0:36:10.799
<v Speaker 9>It would be very awesome if one of them wins

0:36:10.840 --> 0:36:11.480
<v Speaker 9>the super Yeah.

0:36:12.080 --> 0:36:15.600
<v Speaker 2>Mark in Texas, Hi, Mark, what's on your mind today?

0:36:15.719 --> 0:36:16.759
<v Speaker 3>Dan uh?

0:36:17.440 --> 0:36:23.120
<v Speaker 10>I am six three A two eighty ish. I heard

0:36:23.120 --> 0:36:26.640
<v Speaker 10>you talking about cigars and our guys at our shop

0:36:27.120 --> 0:36:30.480
<v Speaker 10>have the best cigar that we've created, and I would

0:36:30.520 --> 0:36:32.680
<v Speaker 10>love to share it with you. I wanted to see

0:36:32.680 --> 0:36:35.120
<v Speaker 10>if we could send that to you, and man, would

0:36:35.160 --> 0:36:36.680
<v Speaker 10>I have a talking point every day?

0:36:36.960 --> 0:36:40.120
<v Speaker 2>Okay, next year, We'll put you on hold there. Mark

0:36:40.160 --> 0:36:42.920
<v Speaker 2>and Tyler give you our information if you want to

0:36:42.920 --> 0:36:44.360
<v Speaker 2>send a cigar up here.

0:36:45.239 --> 0:36:48.640
<v Speaker 3>Always love trying new cigars. And it's like wine.

0:36:48.680 --> 0:36:50.600
<v Speaker 2>You go in there and you see the price tag,

0:36:50.680 --> 0:36:52.839
<v Speaker 2>you go, well, that must be good. Or you'll see

0:36:52.960 --> 0:36:55.200
<v Speaker 2>you know, a stick, and there'll be twenty five dollars

0:36:55.239 --> 0:36:57.600
<v Speaker 2>per cigar. You go, man, that must be good. And

0:36:57.640 --> 0:36:59.800
<v Speaker 2>then all of a sudden you have like a Gloria

0:37:00.080 --> 0:37:03.279
<v Speaker 2>Ubano that's not Cuban and it's like, I don't know,

0:37:03.360 --> 0:37:05.520
<v Speaker 2>seven dollars and you're like, damn, this is a good cigar.

0:37:06.120 --> 0:37:09.680
<v Speaker 2>So you can find a lot of good cigars out there.

0:37:10.000 --> 0:37:12.640
<v Speaker 2>Don't have to be Cuban. If you if you haven't

0:37:12.680 --> 0:37:16.239
<v Speaker 2>smoked a Cuban, be careful when you do it your

0:37:16.239 --> 0:37:18.040
<v Speaker 2>first one, because you might turn green.

0:37:18.360 --> 0:37:20.600
<v Speaker 3>Yes, yes, is stick lingo?

0:37:21.040 --> 0:37:21.279
<v Speaker 6>Yeah?

0:37:21.280 --> 0:37:23.680
<v Speaker 3>In the biz, Yeah, that's yeah. For what a cigar?

0:37:23.800 --> 0:37:26.600
<v Speaker 2>Yeah yeah, yeah, it's got it. Yeah, I got it,

0:37:26.680 --> 0:37:27.920
<v Speaker 2>twenty five dollars a stick.

0:37:28.320 --> 0:37:30.120
<v Speaker 3>I go okay, all right? Yeah.

0:37:30.480 --> 0:37:33.680
<v Speaker 2>And man, when you walk into a humidor it was

0:37:33.760 --> 0:37:35.360
<v Speaker 2>walk in humidors, you smell that.

0:37:35.520 --> 0:37:36.920
<v Speaker 3>It's pretty good. That's good stuff.

0:37:38.040 --> 0:37:38.680
<v Speaker 1>Uh.

0:37:38.719 --> 0:37:40.360
<v Speaker 3>This day in sports history Pauli.

0:37:40.200 --> 0:37:43.280
<v Speaker 5>Nineteen sixty three, Will Chamberlain of the San Francisco Warriors

0:37:43.560 --> 0:37:47.640
<v Speaker 5>scored sixty seven points against the LA Lakers. Nineteen seventy two,

0:37:47.719 --> 0:37:50.160
<v Speaker 5>Roger Staubach and Bob Greasy appeared on the cover of

0:37:50.160 --> 0:37:53.239
<v Speaker 5>Time magazine leading after the Super Bowl. And this one

0:37:53.280 --> 0:37:56.439
<v Speaker 5>comes off every year. Nineteen ninety five, the LA Rams

0:37:56.480 --> 0:37:58.200
<v Speaker 5>announced they'd be moving to Saint Louis.

0:37:58.320 --> 0:37:59.800
<v Speaker 2>Oh, I thought you were going to bring up nineteen

0:37:59.800 --> 0:38:04.439
<v Speaker 2>eight eight Ernest Byner fumbles at the Broncos three yard line.

0:38:04.480 --> 0:38:05.120
<v Speaker 5>Too nice for that.

0:38:05.400 --> 0:38:10.040
<v Speaker 3>Yeah, yeah, well Todd brings it up every year. Yeah.

0:38:10.280 --> 0:38:12.400
<v Speaker 2>That was a thirty eight to thirty three in the

0:38:12.440 --> 0:38:16.920
<v Speaker 2>AFC Championship Game. Ernest he was running in for a touchdown.

0:38:17.000 --> 0:38:18.480
<v Speaker 9>Did you give us the right to lose forty two

0:38:18.520 --> 0:38:18.759
<v Speaker 9>to ten.

0:38:18.840 --> 0:38:21.240
<v Speaker 3>Yeah, the Redskins right after that. Yeah.

0:38:21.360 --> 0:38:24.160
<v Speaker 2>By the way, on this day, this player became the

0:38:24.200 --> 0:38:27.719
<v Speaker 2>youngest in NBA history to reach twenty thousand career points. Now,

0:38:27.760 --> 0:38:32.200
<v Speaker 2>I'm not going to give you the year. Okay, youngest

0:38:32.200 --> 0:38:36.239
<v Speaker 2>player NBA history to reach twenty thousand points, Marvin, I'll

0:38:36.239 --> 0:38:43.120
<v Speaker 2>start with you, our resident NBA officionado, Kobe. No, this

0:38:43.120 --> 0:38:47.879
<v Speaker 2>guy broke Kobe's record by more than a year. If

0:38:47.920 --> 0:38:52.520
<v Speaker 2>you said Lebron James, you would be right. Twenty thousand points.

0:38:52.840 --> 0:38:54.879
<v Speaker 2>Do you know that Trey Young just got to ten

0:38:54.880 --> 0:38:59.640
<v Speaker 2>thousand points last night over so he is.

0:39:00.680 --> 0:39:01.839
<v Speaker 3>Let me see this.

0:39:04.719 --> 0:39:08.080
<v Speaker 2>Second youngest player to reach ten thousand career points one

0:39:08.120 --> 0:39:12.840
<v Speaker 2>thousand three pointers made. He is the fastest in history

0:39:13.480 --> 0:39:18.000
<v Speaker 2>to reach ten thousand, thirty five hundred assists and one

0:39:18.080 --> 0:39:23.600
<v Speaker 2>thousand three pointers made. So it's pretty good. Tenth youngest

0:39:23.600 --> 0:39:27.279
<v Speaker 2>player to reach that milestone ten thousand points already at

0:39:27.280 --> 0:39:29.799
<v Speaker 2>the age of twenty five. What's he going to end

0:39:29.880 --> 0:39:32.640
<v Speaker 2>up with? Although we don't talk about him very much

0:39:32.680 --> 0:39:38.160
<v Speaker 2>doing I mean, the team isn't relevant. I don't know

0:39:38.200 --> 0:39:40.279
<v Speaker 2>when's the last time we talked about Trey Young beating

0:39:40.280 --> 0:39:42.920
<v Speaker 2>the Knicks at the Garden? Was he averaging twenty seven?

0:39:43.040 --> 0:39:43.239
<v Speaker 3>Yes?

0:39:43.360 --> 0:39:43.440
<v Speaker 5>Ma?

0:39:44.040 --> 0:39:46.040
<v Speaker 7>Is it because of when he was doing it and

0:39:46.040 --> 0:39:48.000
<v Speaker 7>where he was doing it at If he was beating

0:39:48.000 --> 0:39:51.640
<v Speaker 7>the Timberwolves in the playoffs or the Wizards in the playoffs? Okay, cool,

0:39:51.840 --> 0:39:54.320
<v Speaker 7>but it was leading a whole bunch of radio TV

0:39:54.400 --> 0:39:56.440
<v Speaker 7>shows because he's beating the Knicks at the garden.

0:39:57.280 --> 0:40:00.200
<v Speaker 3>Uh dyl in Virginia, Hidyll? What's on your on?

0:40:02.000 --> 0:40:02.479
<v Speaker 8>Hey DP?

0:40:02.640 --> 0:40:02.920
<v Speaker 9>How you know?

0:40:03.120 --> 0:40:04.200
<v Speaker 3>Good? Good good?

0:40:05.680 --> 0:40:08.600
<v Speaker 8>I just wanted to comment on the topic. I love

0:40:08.640 --> 0:40:12.160
<v Speaker 8>the topic when you're talking about television or movies when

0:40:12.200 --> 0:40:15.600
<v Speaker 8>the scenery is part of it. And the one who's

0:40:15.680 --> 0:40:19.719
<v Speaker 8>leading that right now is Taylor Sheridan with Yellowstone. He

0:40:19.840 --> 0:40:22.400
<v Speaker 8>did a wind river in Hell.

0:40:22.320 --> 0:40:22.960
<v Speaker 10>Or high Water.

0:40:24.480 --> 0:40:26.520
<v Speaker 8>To me, that's one of the best things.

0:40:26.960 --> 0:40:29.040
<v Speaker 2>Yeah yeah, I mean when you get and we're shorter

0:40:29.080 --> 0:40:32.400
<v Speaker 2>on time, thank you, Bill. But just the scenery, but

0:40:32.800 --> 0:40:38.439
<v Speaker 2>also the pace of the movie in creating that anxiety,

0:40:39.000 --> 0:40:41.640
<v Speaker 2>because that's what you have in a lot of these shows.

0:40:41.920 --> 0:40:45.400
<v Speaker 2>I mean, the bear is really about the pace. Is

0:40:45.920 --> 0:40:49.000
<v Speaker 2>a character in the show Let's go around the Room?

0:40:49.040 --> 0:40:50.560
<v Speaker 3>What we learned? Todd? Would you learn today?

0:40:51.080 --> 0:40:53.200
<v Speaker 9>Sean and Tampa knew after the Week two went over

0:40:53.200 --> 0:40:55.719
<v Speaker 9>the Bears at the Bucks were playoff bound somehow.

0:40:55.680 --> 0:40:58.719
<v Speaker 3>Seaton O Connor. Would you learn Michael Iern's high energy,

0:41:00.200 --> 0:41:05.800
<v Speaker 3>Marvin E. G Oh, Pauline.

0:41:05.120 --> 0:41:07.680
<v Speaker 5>I learned that. You asked Michael Irrian some question and

0:41:07.719 --> 0:41:08.680
<v Speaker 5>the answer was this.

0:41:09.320 --> 0:41:11.279
<v Speaker 6>So when the stay a fram gets up here, it's

0:41:11.360 --> 0:41:12.600
<v Speaker 6>up here. It's up here.

0:41:12.800 --> 0:41:13.640
<v Speaker 2>Ha, it's ha.

0:41:14.160 --> 0:41:16.319
<v Speaker 6>The other people might be out here. Let's phrase hot,

0:41:16.600 --> 0:41:18.520
<v Speaker 6>what would Dallas I want to get up here?

0:41:20.080 --> 0:41:23.120
<v Speaker 2>It's a city where spectacle and celebration are woven into

0:41:23.160 --> 0:41:28.360
<v Speaker 2>the fabric of the community. Las Vegas conventional is challenge, unexpected,

0:41:28.400 --> 0:41:28.880
<v Speaker 2>embraced