WEBVTT - Mea Culpa w/ George Newbern

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<v Speaker 1>Of the law and Order franchises. SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies. These episodes are based on.

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<v Speaker 1>These are our stories.

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<v Speaker 3>Done done, Yay, that's messed up an SVU podcast.

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<v Speaker 1>I'm Lisa Trade said my name wrong. That's a new one.

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<v Speaker 1>That's new.

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<v Speaker 3>Wow.

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<v Speaker 1>It's episode two eighty three. And Lisa said her own

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<v Speaker 1>name wrong like a truck made a noise and I

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<v Speaker 1>got distracted, mother mid name. Well, I am Lisa Trigger

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<v Speaker 1>and we do we talk crime. We do SVU and

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<v Speaker 1>we have guests and that's my co host, Kara Clink

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<v Speaker 1>and I'm Kara Klump. I'm so nice to meet you all. Wait,

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<v Speaker 1>so okay, so first of all, we are we obviously

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<v Speaker 1>chat up top and last week Lisa was telling me

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<v Speaker 1>about how she went to go see Lost Boys and

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<v Speaker 1>then ever since then obviously non stop on my feed,

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<v Speaker 1>Danny Pino saw it.

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<v Speaker 2>What Danny pinow the Lost Boys? I thought he messages

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<v Speaker 2>Oh gosh, no, sorry, no sorry, I could I worded

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<v Speaker 2>that wrong.

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<v Speaker 1>Danny Pino listened to the pod now, so I think

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<v Speaker 1>after he was a guest who was like I've had enough.

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<v Speaker 1>But all these people I've just been seeing go to it,

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<v Speaker 1>and I feel like a lot of them are our

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<v Speaker 1>former guests.

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<v Speaker 2>Well, everyone is going, and now I've learned that like

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<v Speaker 2>a friend's husband is the direct Like everyone's connected. It's

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<v Speaker 2>just like it keeps growing. And then like Marcia and Anderson,

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<v Speaker 2>like people are buying tickets and then Marsha was like,

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<v Speaker 2>that's that's that's word of mouth, like you can't buy

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<v Speaker 2>that kind of you know what I mean. I guess

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<v Speaker 2>we did on Like it's like if something is good

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<v Speaker 2>and people are chatting, like people are gonna go.

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<v Speaker 1>So oh yeah, right, short, anything we talk about at

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<v Speaker 1>the beginning of this podcast is not sponsored, like we

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<v Speaker 1>are just stuff, like we are just telling you things

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<v Speaker 1>we genuinely like or don't like.

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<v Speaker 2>Oh people, people are like really having a good time.

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<v Speaker 2>But I saw Larry Owens was went, and so I

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<v Speaker 2>messaged him like I saw it, I loved it, and

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<v Speaker 2>he goes, okay, vampire diva, and I go I would

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<v Speaker 2>like to be called that from now on. So when

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<v Speaker 2>you saw me get excited about a text is because

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<v Speaker 2>he called me a vampire de vampire diva.

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<v Speaker 1>Love that, So it got me really excited. I actually okay.

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<v Speaker 2>So remember we had all of it on Doctor Olivet

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<v Speaker 2>and she was saying, how Annette Benning's daughter is in

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<v Speaker 2>a play with Hugh Jackman. I saw that on Sunday,

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<v Speaker 2>will say what it's called again, sexual misconduct of the

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<v Speaker 2>middle classes.

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<v Speaker 1>I think, okay.

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<v Speaker 2>So I got invited and I got to I went

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<v Speaker 2>to Minetta Tavern. I went to the show for free,

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<v Speaker 2>so so I we had the best dinner.

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<v Speaker 1>I've never been a Minetta Tavern. So I was like

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<v Speaker 1>so excited. I called at like three something and I

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<v Speaker 1>was like after my Justin Bieber soul cycle. But I

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<v Speaker 1>was like, do you got anything? And they did, so

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<v Speaker 1>I felt really cool. In New Yorky, I will say,

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<v Speaker 1>I have a lot to I got blacked out. It

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<v Speaker 1>was an open bar.

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<v Speaker 2>We went to Hugh Jackman's bar for the after party,

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<v Speaker 2>and at Benning was at Manetta Tavern. We saw her

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<v Speaker 2>walk by, so that was like a thrill for sure.

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<v Speaker 2>So it was like a reception.

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<v Speaker 1>And the show was it like opening night. No, that's

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<v Speaker 1>what they said that. They're like, it's not opening or closing.

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<v Speaker 1>So basically there's this director he's directing three simultaneous shows

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<v Speaker 1>that are happening.

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<v Speaker 2>Corey Stoltz is in one of them. He was at

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<v Speaker 2>the party fucking hot. I like made a lap just

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<v Speaker 2>to look at him, and I was happy.

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<v Speaker 1>I did that.

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<v Speaker 2>And then so Cecily Strong was there, like, I guess

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<v Speaker 2>it's just like something the audible theater is doing Medeta.

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<v Speaker 2>I don't I'm not sure what's happening. I also was like,

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<v Speaker 2>why am I being invited? And then my Michael krus

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<v Speaker 2>Kane's like, the told me to invite cool people, and

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<v Speaker 2>I go, does Hugh Jackman need us?

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<v Speaker 1>Like I don't understand why I get to go for free?

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<v Speaker 1>What's happening?

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<v Speaker 2>And then Hugh Jackman did a speech of like this

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<v Speaker 2>will be the most people here throughout our whole run,

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<v Speaker 2>and I'm like, are you not Wolverine? Like I don't

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<v Speaker 2>understand what's happening? Like is the theater having that hard

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<v Speaker 2>of a time that like, I don't, I don't know.

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<v Speaker 2>Thrilled to be invited, I'll tell you that much confused

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<v Speaker 2>by the event, no idea, what's happening.

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<v Speaker 1>It wasn't for charity. I don't know why I was there.

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<v Speaker 2>Oh, Molly Bernard was there, who I was in the

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<v Speaker 2>horror movie with She's from Younger, so that was exciting

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<v Speaker 2>to we ran.

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<v Speaker 1>Into each other. I have a couple of questions, ask

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<v Speaker 1>me anything you want. Who's Corey Stoltz.

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<v Speaker 2>I hope that's how you say his name. He was

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<v Speaker 2>in House of Cards. He's the bald guy. Him and

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<v Speaker 2>Andrew Reynolds have a love story in Girls. He's like

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<v Speaker 2>the Ball's guy. Is that not his name?

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<v Speaker 4>Cory Stole?

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<v Speaker 1>Okay, okay, so I ad a z so no, sorry

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<v Speaker 1>that I was like that. I was like, is she

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<v Speaker 1>talking about Rick Stolts Like, but no, Corey? So I

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<v Speaker 1>know exactly. You're talking about the guy from House of Cards.

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<v Speaker 2>Yeah.

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<v Speaker 1>What's Hugh Jackman's connection to the plays? He in it?

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<v Speaker 2>He's in it, He's in it. It's him and Anette Benning.

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<v Speaker 2>So daughter's daughter. I'm sorry, I don't know her name,

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<v Speaker 2>but that's your dad.

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<v Speaker 1>I think that's I don't know what to tell you.

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<v Speaker 1>It's something baby Yeah, yeah, I mean she was great,

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<v Speaker 1>she was great. Okay, so this is the thing. And

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<v Speaker 1>Ella baby Ella, she was great. Okay.

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<v Speaker 2>So I'm like trying to figure out how to say

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<v Speaker 2>this all. I hated the first half hour in a

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<v Speaker 2>way you don't understand. I was livid, I was getting

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<v Speaker 2>I just didn't want to be there. I was like, no,

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<v Speaker 2>wonder if Hugh Jackman needs our help. This is a nightmare.

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<v Speaker 2>I go, what is doctor Elivette? Thinking I don't want

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<v Speaker 2>to be here? And then the person I'm next to

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<v Speaker 2>kind of size and we're confused. Then something like hits

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<v Speaker 2>where the person with Marsha's like smart, so like she

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<v Speaker 2>opens the the program for a second, so like I

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<v Speaker 2>clocked that. I was like, okay, so she's looking at

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<v Speaker 2>the program at this moment. I wonder what she's looking for,

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<v Speaker 2>like something's happening. Then there's this kind of twist that's incredible,

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<v Speaker 2>and then then it all makes sense and it's so cool,

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<v Speaker 2>and I'm like, oh, this is cool. And then I

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<v Speaker 2>looked at Marsha after I go what'd you look at?

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<v Speaker 2>And she goes, I knew a woman wrote it. At

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<v Speaker 2>that moment, she goes, I fucking hated it. And then

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<v Speaker 2>I realized a woman wrote it, and I looked it

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<v Speaker 2>up and then like, you realize this stuff. So the

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<v Speaker 2>play is incredible. And then at the party I meet

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<v Speaker 2>the director.

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<v Speaker 1>And I hate him so much.

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<v Speaker 2>And I like, I hated him with my whole being,

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<v Speaker 2>and he made I could tell my friend was uncomfortable

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<v Speaker 2>leaning ants, and I thought that he was friends with

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<v Speaker 2>the people that invited me. So I was more polite

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<v Speaker 2>than I think I would have been. And then she goes, no,

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<v Speaker 2>I just met him. So I was like, I wish

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<v Speaker 2>I was a little bit. I wish I was brutal

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<v Speaker 2>to him. But when I tried to talk about him

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<v Speaker 2>to someone else, I like checked in first, and they

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<v Speaker 2>were like, love him, He's the best. Oh my god.

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<v Speaker 2>I was like, oh, hey, well, I'm glad I checked

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<v Speaker 2>in before, I like. And then so I think he's beloved.

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<v Speaker 2>I think the director is liked. I asked him a question.

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<v Speaker 1>First of all, Brussels sprout warm, weird salad is not

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<v Speaker 1>a party food, and it's definitely not a food to

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<v Speaker 1>chew in my face. I don't want to smell it.

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<v Speaker 1>So to me, I was just like the Brussels sprout

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<v Speaker 1>of it all was like a nightmare.

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<v Speaker 2>The chewing was a nightmare. And then why he picked

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<v Speaker 2>the play, I was like, I want to see it

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<v Speaker 2>with a female director.

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<v Speaker 1>I want to know.

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<v Speaker 2>If the playwright's happy with it. I want to know everything.

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<v Speaker 2>And the reason I hated that. What I hated was

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<v Speaker 2>I think because of him and Hugh Jackman and men

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<v Speaker 2>not understanding stuff. And at the end of the day,

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<v Speaker 2>it is two old men with a young girl. So

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<v Speaker 2>I don't know, but I love art that causes conversation

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<v Speaker 2>and I and there was a lot of conversation and

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<v Speaker 2>then I got blacked out Manhattan's for Free all night

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<v Speaker 2>went to a three AM. I mean we talked like

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<v Speaker 2>I think I smoked eight joints. My throat hurts, and

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<v Speaker 2>but we talked about it most of the night, like

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<v Speaker 2>there was just like a lot to discuss.

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<v Speaker 1>So then I understood why.

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<v Speaker 2>She liked it and why she's so impressed with her,

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<v Speaker 2>like you know, yeah, like her best friend's daughter, Like

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<v Speaker 2>I get it all, and I want to read it,

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<v Speaker 2>and like my acting teacher read it, and we talked

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<v Speaker 2>about it, like I understand it all. But I think

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<v Speaker 2>it's kind of when I found out Noah Bombback was

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<v Speaker 2>like involved in the Barbie movie, and I'm like.

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<v Speaker 1>I see it everywhere. Yeah, you fucking lose. You get

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<v Speaker 1>a beanie on. This guy at a beanie on that

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<v Speaker 1>didn't cover his ears. You know, I don't like that

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<v Speaker 1>eating the brussels.

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<v Speaker 2>There was just a lot and when I asked him,

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<v Speaker 2>I was like, I asked some questions about it, and

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<v Speaker 2>what he was saying was not what I felt. So yeah,

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<v Speaker 2>it was just like it was like a cool night.

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<v Speaker 2>I love living in New York at the end of

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<v Speaker 2>the day.

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<v Speaker 1>So that's that. I guess it was originally directed by

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<v Speaker 1>a woman. But yeah, and I'd love to see that. Yeah,

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<v Speaker 1>and I would love to see that. And then what we.

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<v Speaker 2>Also discussed and it's not something I know, but I

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<v Speaker 2>guess Nabookov is that who wrote Lolita.

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<v Speaker 1>Yeah, right, so like I guess his whole thing. I

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<v Speaker 1>don't know anything about this. I was told this that

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<v Speaker 1>like he had a disclaimer where it was like the

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<v Speaker 1>advertiser like this should never be perceived as sexual, like

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<v Speaker 1>it should never be like the iconography should not be sexual,

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<v Speaker 1>and obviously made Lolita and everything sexual, and that's how

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<v Speaker 1>we felt. Like the photos they're using to sell this

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<v Speaker 1>play are very Lowlita and it's just like that was

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<v Speaker 1>something we talked about. There was just but then the

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<v Speaker 1>twit the play is genius. I will say the play

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<v Speaker 1>is genius. That's funny because I'm right now. I'm looking

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<v Speaker 1>at the cover of the play, like the cover of

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<v Speaker 1>like whatever the play book would have been, and it's

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<v Speaker 1>like just an outline of a body and a person,

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<v Speaker 1>like it's supposed to be a woman, but it's like

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<v Speaker 1>a sort of featureless shape. You the photos that were

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<v Speaker 1>happening at the party, So I'll show you the photo

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<v Speaker 1>I'm talking about. Okay ready, yeah, yeah, so that's uncomfortable, yeah, sexual, right, yes,

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<v Speaker 1>because there's a huge age difference between this girl's young.

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<v Speaker 2>Yeah, it's about a professor and a nineteen year old. Yeah,

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<v Speaker 2>that's what it's about. Yeah, and so and so. Then

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<v Speaker 2>also a bunch of people because I was at the

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<v Speaker 2>party talking. It's like so many women connect.

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<v Speaker 1>To this story. And then I don't know, like for

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<v Speaker 1>some reason, the director thought that the male character was

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<v Speaker 1>interesting and I was like, oh, He's like, I don't know,

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<v Speaker 1>tell me if this isn't. I was like, how did

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<v Speaker 1>you find the play? And he goes like, how did

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<v Speaker 1>I literally find it? Or how did I find it?

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<v Speaker 1>And it's like, oh, I'll choke you right now, ha ha.

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<v Speaker 2>Why would I ask you about how you found your

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<v Speaker 2>own play? Like, I'm not brish I'm also not British.

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<v Speaker 2>Why would I.

0:10:29.320 --> 0:10:32.680
<v Speaker 1>Speak like that? Like, yeah, why would I ask you

0:10:32.720 --> 0:10:35.000
<v Speaker 1>how you thought your play? Did you? Obviously?

0:10:35.320 --> 0:10:38.720
<v Speaker 2>I also hate when plays don't have a distinct start.

0:10:38.800 --> 0:10:41.000
<v Speaker 2>I hate when like characters start just walking and like,

0:10:41.920 --> 0:10:44.239
<v Speaker 2>you know, checking the thing and sitting at the desk.

0:10:44.080 --> 0:10:46.400
<v Speaker 1>Like I don't like. I don't like a slow start

0:10:46.440 --> 0:10:48.319
<v Speaker 1>of a play. I don't like that for any I

0:10:48.360 --> 0:10:50.400
<v Speaker 1>don't like that when I guessed on a podcast and

0:10:50.559 --> 0:10:53.319
<v Speaker 1>I'm like, have we started, and people are like, oh, yeah,

0:10:53.360 --> 0:10:56.320
<v Speaker 1>we started. I'm like, yeah, we do things differently here. Yeah,

0:10:56.480 --> 0:10:58.640
<v Speaker 1>things are a little different. Everything's meant to be shared.

0:10:58.720 --> 0:11:01.160
<v Speaker 1>Fuck you, so whatever. I guess I'm talking shit about

0:11:01.200 --> 0:11:03.479
<v Speaker 1>this man, but like he did cause a lot of conversation,

0:11:03.720 --> 0:11:07.079
<v Speaker 1>and I don't know, I was interested as well. That's cool,

0:11:07.160 --> 0:11:09.559
<v Speaker 1>I mean, and you liked it in the end the.

0:11:09.520 --> 0:11:12.720
<v Speaker 2>Play, Yeah, I followed the play right immediately, and I

0:11:12.840 --> 0:11:15.679
<v Speaker 2>liked all the discussions and there was like certain lines.

0:11:16.760 --> 0:11:23.360
<v Speaker 1>That like hit so hard. Anna Moskovich is the play Canadian, Canadian,

0:11:23.400 --> 0:11:30.400
<v Speaker 1>Canadian having a real real time Canada. I speaking of

0:11:30.520 --> 0:11:36.080
<v Speaker 1>art that causes this conversation. I saw the drama, which

0:11:36.120 --> 0:11:38.400
<v Speaker 1>I'm not going to I don't think. I don't want

0:11:38.400 --> 0:11:40.319
<v Speaker 1>to get into like a full in depth conversation about it,

0:11:40.360 --> 0:11:43.000
<v Speaker 1>because I know you guys get mad when we talk

0:11:43.040 --> 0:11:46.040
<v Speaker 1>about a movie that's been out for or still could

0:11:46.040 --> 0:11:49.240
<v Speaker 1>be playing in any theater anywhere. So I don't want

0:11:49.280 --> 0:11:55.400
<v Speaker 1>to give anything away. I just want everybody to know that, Liza,

0:11:55.520 --> 0:11:59.439
<v Speaker 1>you were correct. And I don't know why. I mean,

0:11:59.440 --> 0:12:01.800
<v Speaker 1>I belie leave you, but you were like, there's no twist,

0:12:01.880 --> 0:12:03.920
<v Speaker 1>and I was like, okay, but everybody's saying there's a

0:12:03.960 --> 0:12:07.280
<v Speaker 1>fucking twist and there's no fucking twist. And it really

0:12:07.360 --> 0:12:10.400
<v Speaker 1>affected the way I saw it, Like it affected the

0:12:10.440 --> 0:12:14.280
<v Speaker 1>way I watched the movie because I kept waiting for

0:12:14.720 --> 0:12:18.640
<v Speaker 1>some major event to happen, even though like not maybe

0:12:18.679 --> 0:12:20.400
<v Speaker 1>not like a icee dead people.

0:12:20.440 --> 0:12:22.280
<v Speaker 2>You know what I always say, I'm like, the words

0:12:22.360 --> 0:12:25.280
<v Speaker 2>mean things, so like yes, Like when people were saying that,

0:12:25.360 --> 0:12:29.400
<v Speaker 2>it's like, no, the the point that moment is advertised,

0:12:30.800 --> 0:12:33.559
<v Speaker 2>the secret reveal is advertised.

0:12:33.040 --> 0:12:35.480
<v Speaker 1>And that's the thing everybody goes, oh no. When I

0:12:35.520 --> 0:12:37.480
<v Speaker 1>went back to people that told me there was a twist,

0:12:37.600 --> 0:12:41.280
<v Speaker 1>they go, I think it's just because the marketing was

0:12:41.640 --> 0:12:44.400
<v Speaker 1>X and the movie was why and I go, I

0:12:44.440 --> 0:12:47.440
<v Speaker 1>didn't see any marketing for it, like that should not

0:12:47.520 --> 0:12:50.520
<v Speaker 1>be part of like the description of the movie, like

0:12:51.040 --> 0:12:52.520
<v Speaker 1>it could be it's one thing to go oh, I

0:12:52.600 --> 0:12:54.880
<v Speaker 1>just expected it to be something different than it was.

0:12:55.000 --> 0:12:57.880
<v Speaker 1>But like, I don't know, it's like all this stuff

0:12:57.920 --> 0:13:01.560
<v Speaker 1>now where it's like the materialists like had like this

0:13:01.720 --> 0:13:04.200
<v Speaker 1>is like another A twenty four, right, casey, that's another

0:13:04.240 --> 0:13:06.720
<v Speaker 1>A twenty four where it's like they had one preview

0:13:06.760 --> 0:13:09.480
<v Speaker 1>that came out that was very like dramatic, and then

0:13:09.520 --> 0:13:11.960
<v Speaker 1>another one that was very rom cammy, And I don't

0:13:12.000 --> 0:13:13.520
<v Speaker 1>know what the point of all this is, Like I

0:13:13.559 --> 0:13:16.920
<v Speaker 1>don't like all of this weird the marketing is part

0:13:16.960 --> 0:13:19.040
<v Speaker 1>of the plot now to the movie, Like I don't

0:13:19.760 --> 0:13:21.800
<v Speaker 1>I don't know. But I had a lot to think

0:13:21.840 --> 0:13:24.400
<v Speaker 1>about after that movie and a lot to say about it,

0:13:25.080 --> 0:13:27.360
<v Speaker 1>But I don't want to get any of it here though.

0:13:27.559 --> 0:13:29.280
<v Speaker 1>I just don't want to see it if it's gonna

0:13:29.400 --> 0:13:32.840
<v Speaker 1>if it's gonna like I don't know, but talk about

0:13:32.840 --> 0:13:35.320
<v Speaker 1>it a few weeks ago, you just not really liking it,

0:13:35.360 --> 0:13:37.280
<v Speaker 1>but you didn't give away any plot points because I

0:13:37.280 --> 0:13:39.000
<v Speaker 1>hadn't seen it and I really wanted to, like go

0:13:39.080 --> 0:13:41.720
<v Speaker 1>in blind and I didn't get spoiled either, Like you

0:13:41.760 --> 0:13:44.600
<v Speaker 1>said you read a spoiler, like I somehow didn't get

0:13:44.600 --> 0:13:47.199
<v Speaker 1>any spoiler, Like I had no it. But like what

0:13:47.280 --> 0:13:50.360
<v Speaker 1>people are perceiving to be the spoiler, like the twist,

0:13:50.440 --> 0:13:52.719
<v Speaker 1>I'm like, that did not shock me when I when

0:13:52.720 --> 0:13:55.720
<v Speaker 1>I heard it, I just yeah, it's so, it's all

0:13:55.840 --> 0:14:00.599
<v Speaker 1>just so good. Yeah, it's a very interesting movie, has it.

0:14:00.800 --> 0:14:04.000
<v Speaker 1>It's like, and I don't know anything that this guy

0:14:04.120 --> 0:14:07.280
<v Speaker 1>has done. But he has also done this movie called

0:14:07.320 --> 0:14:09.280
<v Speaker 1>Sick of Myself that my husband has seen. Have you

0:14:09.320 --> 0:14:11.559
<v Speaker 1>seen that, Casey, No, I haven't seen it. It's a

0:14:11.600 --> 0:14:15.199
<v Speaker 1>Norwegian the guy's Norwegian, and Sick of Myself came out

0:14:15.240 --> 0:14:17.960
<v Speaker 1>and people were seeing it in LA and it's like,

0:14:18.040 --> 0:14:20.640
<v Speaker 1>I think it's about a woman who like can't stop

0:14:20.640 --> 0:14:24.400
<v Speaker 1>getting plastic surgery. She almost has like a she almost

0:14:24.480 --> 0:14:27.320
<v Speaker 1>has like Munchausen's for like, and she just keeps getting

0:14:27.320 --> 0:14:31.160
<v Speaker 1>plastic surgery in a way and like fucking with her face.

0:14:31.200 --> 0:14:32.480
<v Speaker 1>So I was like, I don't think that's for me,

0:14:32.560 --> 0:14:34.520
<v Speaker 1>Like I can't do body horror stuff. But then he

0:14:34.600 --> 0:14:38.000
<v Speaker 1>also did this movie called Dream Scenario that sounds interesting

0:14:38.560 --> 0:14:43.040
<v Speaker 1>that is about Nicholas Cage plays like a schlubby professor

0:14:43.120 --> 0:14:45.680
<v Speaker 1>or something like his life is boring, and then suddenly

0:14:45.800 --> 0:14:48.600
<v Speaker 1>all these people all over the world start having dreams

0:14:48.640 --> 0:14:52.040
<v Speaker 1>about him and he becomes famous, and it's kind of

0:14:52.120 --> 0:14:55.680
<v Speaker 1>like that about dealing with the fame and like this

0:14:55.760 --> 0:14:56.080
<v Speaker 1>and that.

0:14:56.560 --> 0:14:58.680
<v Speaker 2>Well, I don't know, because Michael Sarah's in it. This

0:14:58.720 --> 0:14:59.920
<v Speaker 2>is good for my movie games.

0:15:00.600 --> 0:15:03.600
<v Speaker 1>Yeah, wow, scenario. It's so funny.

0:15:03.640 --> 0:15:05.640
<v Speaker 2>The moment you said the Body Horror wasn't for you

0:15:05.760 --> 0:15:09.560
<v Speaker 2>is the moment I started. You were like, she keeps

0:15:09.560 --> 0:15:11.720
<v Speaker 2>getting plastic surgery, and then as you said it's not

0:15:11.840 --> 0:15:15.080
<v Speaker 2>for me, I was like, oh, I'm going to yeh yeah, yeah.

0:15:14.680 --> 0:15:16.720
<v Speaker 1>Well we definitely could take a look at that. That

0:15:16.760 --> 0:15:20.120
<v Speaker 1>doesn't seem like well and yeah, these kind of weirdo guys.

0:15:20.480 --> 0:15:24.160
<v Speaker 1>I'm into the weirdo guys. I guess let's see something weird.

0:15:25.040 --> 0:15:28.760
<v Speaker 1>I'm just in a mood, you know. Yeah, wa talk

0:15:28.800 --> 0:15:33.240
<v Speaker 1>about I finished Yesteryear. Oh okay, I gotta order it.

0:15:33.280 --> 0:15:34.200
<v Speaker 1>I'm going on Amazon.

0:15:34.720 --> 0:15:37.040
<v Speaker 2>I already gave it to someone. Oh my god, So

0:15:37.080 --> 0:15:40.320
<v Speaker 2>Ashley Hamilton from Good Noticings I she's the only other

0:15:40.320 --> 0:15:42.040
<v Speaker 2>person who that finished it at the moment, So like

0:15:42.120 --> 0:15:44.360
<v Speaker 2>I'm sending her voice notes, I'm writing, I'm all these

0:15:44.400 --> 0:15:44.960
<v Speaker 2>things she's condor.

0:15:45.480 --> 0:15:49.560
<v Speaker 1>Then I see her and Claire interviewed the author. She's

0:15:49.600 --> 0:15:51.560
<v Speaker 1>like with the author, I'm like, this never came up.

0:15:51.560 --> 0:15:53.040
<v Speaker 1>I'm like putting it in the trap. I'm like, you're

0:15:53.040 --> 0:15:54.400
<v Speaker 1>out of your mind. I'm like, you have insight.

0:15:54.480 --> 0:15:56.720
<v Speaker 2>And then she actually asked one of the questions that

0:15:56.760 --> 0:15:58.680
<v Speaker 2>I asked, so I felt really smart and the author

0:15:58.760 --> 0:15:59.720
<v Speaker 2>didn't have an answer.

0:15:59.560 --> 0:16:02.720
<v Speaker 1>So that was annoying. But oh yeah, wait the the

0:16:03.520 --> 0:16:07.360
<v Speaker 1>I've seen this author on my Instagram like feed something

0:16:07.560 --> 0:16:11.200
<v Speaker 1>because well I just followed her so and it's the book. Yeah.

0:16:11.240 --> 0:16:11.440
<v Speaker 5>Yeah.

0:16:11.760 --> 0:16:13.800
<v Speaker 1>One last thing I was going to say about the drama, though,

0:16:14.000 --> 0:16:16.560
<v Speaker 1>is I think the woman that plays the photographer is

0:16:16.640 --> 0:16:20.560
<v Speaker 1>so good and that scene is so funny. I love her.

0:16:20.560 --> 0:16:24.680
<v Speaker 1>Where's she from? Really good? She's in She's in an SVU,

0:16:24.880 --> 0:16:27.480
<v Speaker 1>right or no, I don't think so, but I think

0:16:27.520 --> 0:16:30.880
<v Speaker 1>she's in another wait, hold on, hold on, let me look,

0:16:30.920 --> 0:16:34.560
<v Speaker 1>because I looked her up Zoe Winters, Zoe Witters, and

0:16:34.640 --> 0:16:38.040
<v Speaker 1>she had just been in a Materialists. That's what, yeah, Materialists,

0:16:38.160 --> 0:16:39.160
<v Speaker 1>the movie I just brought.

0:16:39.160 --> 0:16:39.280
<v Speaker 4>I go.

0:16:39.400 --> 0:16:42.120
<v Speaker 1>She was just in another big like indie ish type

0:16:42.160 --> 0:16:46.200
<v Speaker 1>of movie. Yes, oh, succession, and Succession is where she's

0:16:46.240 --> 0:16:48.560
<v Speaker 1>got like a long running part that I don't I

0:16:48.640 --> 0:16:51.400
<v Speaker 1>never watched Succession, but I mean I did, and I

0:16:51.400 --> 0:16:55.520
<v Speaker 1>didn't like it, so I stopped little gust demeanors she's

0:16:55.760 --> 0:16:59.800
<v Speaker 1>she's only been in OG for Law and Order. Unfortunate. Unfortunately,

0:17:00.920 --> 0:17:05.639
<v Speaker 1>she was great. She was really funny. And yeah, I

0:17:05.640 --> 0:17:08.280
<v Speaker 1>don't know, we'll tell I mean maybe in like a

0:17:08.320 --> 0:17:10.240
<v Speaker 1>few weeks when it's out of the theaters and people

0:17:10.280 --> 0:17:11.720
<v Speaker 1>don't get mad at us, we can have a more

0:17:11.720 --> 0:17:13.720
<v Speaker 1>in depth conversation about it. But I feel like we'll

0:17:13.760 --> 0:17:15.919
<v Speaker 1>give people a few more times, Yeah, a few more,

0:17:16.080 --> 0:17:18.080
<v Speaker 1>a little bit more time, but then we'll get into it.

0:17:18.400 --> 0:17:21.359
<v Speaker 1>But also so then I was so drunk the play

0:17:21.440 --> 0:17:25.800
<v Speaker 1>night that then yesterday I really struggled, and so I

0:17:25.920 --> 0:17:28.320
<v Speaker 1>just went down to the coffee shop downstairs to have

0:17:28.359 --> 0:17:31.520
<v Speaker 1>a beer, and I was there for seven hours. I

0:17:31.560 --> 0:17:35.359
<v Speaker 1>would say. The mailman came in. I mean it was

0:17:35.400 --> 0:17:37.120
<v Speaker 1>I truly felt like I was in a sitcom.

0:17:37.160 --> 0:17:39.720
<v Speaker 2>We all were waving to the mailman. We all know

0:17:39.800 --> 0:17:42.600
<v Speaker 2>each other all the regular like it was. And then

0:17:42.640 --> 0:17:48.560
<v Speaker 2>a friend did come meet me, but I just kept.

0:17:47.680 --> 0:17:49.480
<v Speaker 1>I just kept sitting at the coffee shop.

0:17:50.160 --> 0:17:50.520
<v Speaker 4>Nice.

0:17:50.920 --> 0:17:53.959
<v Speaker 1>Hey, you can always use a little day to just

0:17:54.160 --> 0:17:56.800
<v Speaker 1>people watch and pretend getting drunk. I was like, I

0:17:56.840 --> 0:17:58.560
<v Speaker 1>just need two beers because I was like, so I

0:17:58.600 --> 0:18:00.760
<v Speaker 1>couldn't even eat. I was like, I can't even function

0:18:00.840 --> 0:18:02.359
<v Speaker 1>at the moment. Oh you needed a little hair of

0:18:02.400 --> 0:18:04.399
<v Speaker 1>the dog, Damn. I did.

0:18:04.640 --> 0:18:10.159
<v Speaker 2>And I had a lot of tasks. The tasks, tasks.

0:18:09.800 --> 0:18:13.800
<v Speaker 1>Yeah, hopefully the audition I sent in they wanted someone

0:18:14.000 --> 0:18:17.199
<v Speaker 1>that looks haggard, because that's what I delivered. But I

0:18:17.240 --> 0:18:20.639
<v Speaker 1>was gonna say, you know, sometimes a little a little

0:18:20.960 --> 0:18:24.280
<v Speaker 1>drink make you a little nose. Before it was no,

0:18:24.359 --> 0:18:26.000
<v Speaker 1>but I told I was like I just have to

0:18:26.119 --> 0:18:28.439
<v Speaker 1>yeah whatever. I don't know. I'm like so desperate to

0:18:28.440 --> 0:18:32.280
<v Speaker 1>be on a set again. It's just so fun, you know. Yeah, yeah,

0:18:32.440 --> 0:18:35.800
<v Speaker 1>I hear you. Okay, So a couple orders of business

0:18:35.840 --> 0:18:38.159
<v Speaker 1>as always, before we get started. You guys can go

0:18:38.240 --> 0:18:42.920
<v Speaker 1>to the link in our Instagram bio or that's messed

0:18:43.000 --> 0:18:44.920
<v Speaker 1>up live dot com takes you to our merch page

0:18:44.920 --> 0:18:47.919
<v Speaker 1>and we have our cute little Louise Louis Lewis Luis

0:18:47.960 --> 0:18:51.440
<v Speaker 1>Slowis t shirt. You can also you can also check

0:18:51.480 --> 0:18:53.800
<v Speaker 1>out promo codes for all of our ad stuff. If

0:18:53.800 --> 0:18:56.120
<v Speaker 1>you are in the mood for i mean, Mother's days

0:18:56.119 --> 0:18:59.600
<v Speaker 1>coming up, get some get some discounts. Join us over

0:18:59.720 --> 0:19:03.640
<v Speaker 1>on Patreon. It's patreon dot com slash that's messed up.

0:19:03.680 --> 0:19:07.600
<v Speaker 1>We're doing bonus episodes where we talk to fun people

0:19:07.680 --> 0:19:11.800
<v Speaker 1>about SVU. We are actually gonna watch Twilight soon and

0:19:11.920 --> 0:19:14.600
<v Speaker 1>talk about that. We're both Twilight virgins. So if that

0:19:14.680 --> 0:19:17.040
<v Speaker 1>sounds like something fun for you, get on over to

0:19:17.119 --> 0:19:20.439
<v Speaker 1>our Patreon, and of course, thank you so much all

0:19:20.440 --> 0:19:24.560
<v Speaker 1>of our patreons for your support. Lisa's on the road.

0:19:24.680 --> 0:19:27.800
<v Speaker 1>You can go to Glittercheese dot com for all of that.

0:19:28.760 --> 0:19:33.240
<v Speaker 1>You can check out my other podcast, Who's the Bitch,

0:19:33.280 --> 0:19:35.600
<v Speaker 1>where we're get We get so many funny submissions on

0:19:35.640 --> 0:19:37.840
<v Speaker 1>this fucking podcast, you guys. And we're on YouTube now

0:19:38.160 --> 0:19:40.720
<v Speaker 1>at YouTube dot com slash at Who's the Best, so

0:19:41.080 --> 0:19:42.399
<v Speaker 1>you can watch us or listen.

0:19:42.920 --> 0:19:44.520
<v Speaker 2>And I would like to just say that I didn't

0:19:44.520 --> 0:19:46.040
<v Speaker 2>even mention heated rivalry ones.

0:19:48.080 --> 0:19:51.280
<v Speaker 1>That's amazing. I'm just actually we just actually we just

0:19:51.440 --> 0:19:55.600
<v Speaker 1>did an episode on Who's the Bitch where somebody wrote

0:19:55.600 --> 0:19:59.640
<v Speaker 1>in and said, my husband refuses to watch heated rivalry

0:19:59.680 --> 0:20:02.680
<v Speaker 1>with me, and I've asked him a bunch of times,

0:20:02.760 --> 0:20:04.840
<v Speaker 1>and it's worrying me because I feel like it's just

0:20:04.960 --> 0:20:07.919
<v Speaker 1>the gay part of that is the reason. And I

0:20:08.000 --> 0:20:10.159
<v Speaker 1>was like, yeah, I mean you have to grapple with

0:20:10.200 --> 0:20:13.840
<v Speaker 1>that if that's like some kind of internalized homophobia. But like,

0:20:13.840 --> 0:20:15.960
<v Speaker 1>if it's making among like I don't know, why is

0:20:15.960 --> 0:20:18.560
<v Speaker 1>it making him uncomfortable? It's like I think also people

0:20:18.600 --> 0:20:21.280
<v Speaker 1>are talking up the show in a way that makes

0:20:21.320 --> 0:20:24.440
<v Speaker 1>it seem like there are dicks slapping against faces and shit,

0:20:24.600 --> 0:20:26.879
<v Speaker 1>like it's not that graphic, but it doesn't.

0:20:27.000 --> 0:20:28.919
<v Speaker 2>It truly doesn't matter because it's like, h you know

0:20:28.960 --> 0:20:31.920
<v Speaker 2>what HBO is. Yeah, and if it wasn't gay, you'd

0:20:31.960 --> 0:20:34.320
<v Speaker 2>be into it. No, it's totally homophobia. It is one

0:20:34.400 --> 0:20:38.439
<v Speaker 2>hundred percent that, and I I truly judge, like, your

0:20:38.520 --> 0:20:40.760
<v Speaker 2>wife is asking you to watch it if you're just

0:20:40.760 --> 0:20:42.800
<v Speaker 2>like alone, I don't have to do anything, but your

0:20:42.800 --> 0:20:45.160
<v Speaker 2>wife is begging you to watch the thing she loves,

0:20:45.240 --> 0:20:47.560
<v Speaker 2>Like I don't understand. And actually one of the people

0:20:47.560 --> 0:20:49.720
<v Speaker 2>at the party on Sunday, who's like a friend of

0:20:49.720 --> 0:20:53.960
<v Speaker 2>a friend whatever, is talking. He's like, oh, yeah, I

0:20:53.960 --> 0:20:55.720
<v Speaker 2>didn't see that movie. I go, you know, it's a

0:20:55.760 --> 0:20:58.439
<v Speaker 2>TV show. I go, You pretending you think it's a movie?

0:20:58.560 --> 0:21:01.800
<v Speaker 1>Makes me know you are fucking like you were in

0:21:01.840 --> 0:21:03.040
<v Speaker 1>the closet, you know what I mean?

0:21:03.400 --> 0:21:05.480
<v Speaker 2>Oh wait, what is that? I hadn't really heard of it?

0:21:05.520 --> 0:21:08.719
<v Speaker 2>Oh really, Oh really, I was like livid.

0:21:08.920 --> 0:21:13.800
<v Speaker 1>I was truly livid. Oh my god. Okay, well I

0:21:13.960 --> 0:21:19.680
<v Speaker 1>just ordered Yesteryear and it's happening. But also you did

0:21:19.720 --> 0:21:22.800
<v Speaker 1>mention heated rivalry then, so that you don't get the

0:21:22.800 --> 0:21:26.800
<v Speaker 1>credit anymore. We got to start the clock over because

0:21:26.840 --> 0:21:27.840
<v Speaker 1>now we've talked about it now.

0:21:27.840 --> 0:21:31.240
<v Speaker 2>No, but no, it really is weird, because that's what

0:21:31.280 --> 0:21:32.960
<v Speaker 2>I said to the guy. I'm like, it's a sensation.

0:21:33.280 --> 0:21:36.960
<v Speaker 2>You don't want to watch a sensation? Like that's so strange.

0:21:37.119 --> 0:21:38.760
<v Speaker 1>I mean, I can't relate to that, because you know,

0:21:38.800 --> 0:21:40.639
<v Speaker 1>I'll even go see a horror movie if it's like

0:21:40.640 --> 0:21:43.040
<v Speaker 1>gets talked enough about enough, even though that's not my

0:21:43.080 --> 0:21:46.200
<v Speaker 1>favorite thing. You know, like, if something is zeitgeisty enough,

0:21:46.240 --> 0:21:46.879
<v Speaker 1>I gotta see it.

0:21:46.920 --> 0:21:49.399
<v Speaker 2>Well, it's also like you don't trust your life, you

0:21:49.440 --> 0:21:52.239
<v Speaker 2>don't care about connecting your to your wife. It's just

0:21:52.320 --> 0:21:54.840
<v Speaker 2>so much fucking deeper. And I could tell one of

0:21:54.880 --> 0:21:56.439
<v Speaker 2>my friends is annoyed when I'm like, yeah, I'm like,

0:21:56.480 --> 0:21:58.439
<v Speaker 2>I look at your husband differently, Like the fact that

0:21:58.480 --> 0:22:00.879
<v Speaker 2>he won't watch it made it just kind of disgusts me.

0:22:00.920 --> 0:22:03.920
<v Speaker 1>I don't know what to tell you. Yeah, well we

0:22:03.960 --> 0:22:08.840
<v Speaker 1>dive into it over there, but you know, I knew,

0:22:08.880 --> 0:22:12.919
<v Speaker 1>I knew what your take would be. But let's get started.

0:22:13.000 --> 0:22:15.960
<v Speaker 2>But it's when men don't like my stand up, I go, oh,

0:22:16.000 --> 0:22:19.880
<v Speaker 2>well you hate women, because I'm like, very funny. You're

0:22:19.920 --> 0:22:22.240
<v Speaker 2>either religious or hate women, like I don't know why

0:22:22.280 --> 0:22:23.560
<v Speaker 2>else I can't.

0:22:25.240 --> 0:22:29.760
<v Speaker 1>Okay, let's get started. We've got a great episode for

0:22:29.800 --> 0:22:39.960
<v Speaker 1>you guys today. Okay, I thought it was mia culpa.

0:22:40.080 --> 0:22:43.199
<v Speaker 2>You just said maya culpa off screen, and so you

0:22:43.240 --> 0:22:45.080
<v Speaker 2>probably know what it means, right, I didn't look it up.

0:22:45.400 --> 0:22:48.760
<v Speaker 1>I didn't think twice. Maya culpa just means my fault.

0:22:48.840 --> 0:22:50.840
<v Speaker 1>So usually you say it like when you're like, sorry,

0:22:50.920 --> 0:22:56.120
<v Speaker 1>my maya copa my fault, my fault. The word culpability

0:22:56.160 --> 0:23:01.480
<v Speaker 1>would come from Colpa Warren Light get alife. Yeah, or

0:23:01.520 --> 0:23:02.320
<v Speaker 1>is this not him?

0:23:02.359 --> 0:23:05.000
<v Speaker 2>Because it's not the Letters of twenty So who is

0:23:05.040 --> 0:23:05.920
<v Speaker 2>the showrunner here?

0:23:06.080 --> 0:23:06.159
<v Speaker 3>Now?

0:23:06.240 --> 0:23:09.040
<v Speaker 1>No, this isn't him. This is took the year off

0:23:09.560 --> 0:23:12.800
<v Speaker 1>the other guy. Yeow, I have more enemies, more enemies

0:23:12.800 --> 0:23:13.639
<v Speaker 1>with names.

0:23:14.280 --> 0:23:17.080
<v Speaker 2>Okay, so we're in court. Stone is tap dancing. This

0:23:17.119 --> 0:23:20.760
<v Speaker 2>is Peter Stone, friend of the pod. A man is

0:23:20.760 --> 0:23:24.359
<v Speaker 2>saying it was consensual. The judge's agreeing with him and

0:23:24.440 --> 0:23:28.679
<v Speaker 2>gives him remand oh agrees with Stone in remand not

0:23:28.840 --> 0:23:31.879
<v Speaker 2>agrees with the rapist that it was consensual. So the

0:23:31.960 --> 0:23:34.800
<v Speaker 2>rapist is going to jail. Everyone's excited. Chorasey and the

0:23:34.880 --> 0:23:37.000
<v Speaker 2>victim are sitting in the galley and then the woman

0:23:37.040 --> 0:23:39.480
<v Speaker 2>walks out of the courthouse with Stone and Creasy on

0:23:39.560 --> 0:23:42.160
<v Speaker 2>either side of her, and so like, what a fun night,

0:23:42.560 --> 0:23:45.199
<v Speaker 2>and I mean day is an actress just like flanked

0:23:45.200 --> 0:23:46.080
<v Speaker 2>by these guys.

0:23:45.800 --> 0:23:49.399
<v Speaker 1>In suits walking out. Not a bad day. Not a

0:23:49.440 --> 0:23:50.160
<v Speaker 1>bad day.

0:23:51.160 --> 0:23:54.160
<v Speaker 2>Chrisey wants to go out for a beer, but Peterstone

0:23:54.200 --> 0:23:56.800
<v Speaker 2>is not interested, and he wants a hot dog. Love

0:23:56.880 --> 0:24:01.080
<v Speaker 2>that Chicago boy. So a woman recog him from the

0:24:01.119 --> 0:24:04.640
<v Speaker 2>cubs and it's like, damn, it's you, Peter Stone. She says,

0:24:04.720 --> 0:24:07.280
<v Speaker 2>let's get a drink. He goes, hell yeah, hands the

0:24:07.280 --> 0:24:08.560
<v Speaker 2>hot dog back to the man.

0:24:09.920 --> 0:24:13.240
<v Speaker 1>That does That's not gonna happen. But it's like the

0:24:13.240 --> 0:24:14.840
<v Speaker 1>guy made you a hot dog and put it in

0:24:14.880 --> 0:24:16.600
<v Speaker 1>a thing? Did you pay him for it? Like it's

0:24:16.640 --> 0:24:18.760
<v Speaker 1>just really weird to be like, well, I'm about to

0:24:18.760 --> 0:24:20.240
<v Speaker 1>maybe go fuck this girl, and I don't want to

0:24:20.280 --> 0:24:22.240
<v Speaker 1>smell like hot dog, Like I don't know, why are you?

0:24:22.560 --> 0:24:26.920
<v Speaker 1>It's weird. You gotta throw a person or you can't

0:24:26.960 --> 0:24:27.959
<v Speaker 1>take a bit. I don't know.

0:24:28.119 --> 0:24:31.760
<v Speaker 2>I just maybe maybe he gets a hot dog a

0:24:31.760 --> 0:24:34.520
<v Speaker 2>lot after court, like this is his dude, you know,

0:24:36.480 --> 0:24:40.040
<v Speaker 2>but she remembers him. Okay, So we're at a fancy

0:24:40.119 --> 0:24:42.680
<v Speaker 2>place now and Rollin's in the doctor guy.

0:24:43.160 --> 0:24:46.800
<v Speaker 1>Baby Daddy number two. They're they're having dinner. Is she

0:24:46.880 --> 0:24:47.600
<v Speaker 1>pregnant yet? No?

0:24:47.800 --> 0:24:48.000
<v Speaker 5>Right?

0:24:48.560 --> 0:24:50.919
<v Speaker 1>Or she is she is sure had the baby?

0:24:51.720 --> 0:24:53.719
<v Speaker 2>No, I think she might have had it or whatever,

0:24:54.119 --> 0:24:57.359
<v Speaker 2>pregnant baby whatever, who knows, who cares? So they're at dinner.

0:24:57.440 --> 0:25:00.399
<v Speaker 2>It's fancy, he go. He orders one of ever desert

0:25:00.480 --> 0:25:03.240
<v Speaker 2>on the menu. She says, wow, I can get used

0:25:03.240 --> 0:25:05.399
<v Speaker 2>to this, and he's like, well, I actually have a

0:25:05.480 --> 0:25:07.679
<v Speaker 2>question for you. Puts a red box on the table.

0:25:08.160 --> 0:25:10.879
<v Speaker 2>Amanda Rollins is getting stressed, but guess what she opens?

0:25:10.880 --> 0:25:11.720
<v Speaker 2>It is just a key.

0:25:11.880 --> 0:25:13.000
<v Speaker 1>I don't know why you would put it in the

0:25:13.040 --> 0:25:15.320
<v Speaker 1>box like boxes me and things like, it's such a

0:25:15.359 --> 0:25:19.000
<v Speaker 1>stupid trick. This is a doctor sociopath trying to connect

0:25:19.000 --> 0:25:21.280
<v Speaker 1>with like a sense of humor and it's a flop.

0:25:21.880 --> 0:25:24.760
<v Speaker 2>So will you move in with me? She smiles. So

0:25:24.840 --> 0:25:26.760
<v Speaker 2>now we cut back to Stone and the pretty woman

0:25:26.800 --> 0:25:29.879
<v Speaker 2>who like recognized him, and they're in a purple beaded

0:25:30.000 --> 0:25:34.480
<v Speaker 2>curtain shell shaped couch lounge area. It's like very purple,

0:25:35.080 --> 0:25:37.280
<v Speaker 2>and he goes to gret He's like, I'll get another round.

0:25:37.359 --> 0:25:39.680
<v Speaker 1>He goes to the bar. A blonde woman now approaches

0:25:39.760 --> 0:25:42.520
<v Speaker 1>him and goes, what are you doing in New York?

0:25:42.760 --> 0:25:42.960
<v Speaker 3>You?

0:25:43.320 --> 0:25:45.560
<v Speaker 2>And she's like, oh, you don't even remember me, and

0:25:45.600 --> 0:25:49.080
<v Speaker 2>he doesn't. She slaps him and then says you raped me,

0:25:49.160 --> 0:25:53.560
<v Speaker 2>you son of a bitch, stresses him out. So yeah,

0:25:53.560 --> 0:25:57.840
<v Speaker 2>it's understand about and how many how many former athletes

0:25:58.119 --> 0:26:03.920
<v Speaker 2>have become district any niece do you think, Like, I'm just.

0:26:04.240 --> 0:26:06.680
<v Speaker 1>Yeah, they usually buy like car washes or Chick fil

0:26:06.680 --> 0:26:10.119
<v Speaker 1>a is so or like coach or whatever. But like

0:26:10.160 --> 0:26:12.119
<v Speaker 1>it's just so funny to me that it's like he's

0:26:12.280 --> 0:26:14.000
<v Speaker 1>walking from court and it's like you used to play

0:26:14.040 --> 0:26:16.600
<v Speaker 1>for the cubs like I don't know. I guess definitely

0:26:16.640 --> 0:26:21.040
<v Speaker 1>a part of his lore, but yeah, I'm curious. Let

0:26:21.119 --> 0:26:25.080
<v Speaker 1>us know, guys sports nuts, any sports nuts. So he's

0:26:25.080 --> 0:26:28.439
<v Speaker 1>getting up, he's groggy, it's fun. He's like leather couch

0:26:28.800 --> 0:26:31.080
<v Speaker 1>and Finn's standing over him with their drink. It looks

0:26:31.119 --> 0:26:34.320
<v Speaker 1>like maybe some headache medicine for the hangover. But to me,

0:26:34.400 --> 0:26:37.000
<v Speaker 1>I'm like, did you keep partying after the accusation or

0:26:37.040 --> 0:26:39.160
<v Speaker 1>did you go home? Like because he didn't seem that waste,

0:26:39.160 --> 0:26:41.600
<v Speaker 1>like did he get me the sign?

0:26:41.680 --> 0:26:45.600
<v Speaker 2>Felt Jujubi's situation, like did he still try to hang

0:26:45.640 --> 0:26:46.840
<v Speaker 2>out with the other girl?

0:26:47.200 --> 0:26:50.040
<v Speaker 1>And why are you at Finns? Like were you you

0:26:50.080 --> 0:26:51.920
<v Speaker 1>couldn't make it to your own apartment, but you could

0:26:51.920 --> 0:26:54.480
<v Speaker 1>make it to Finns. Like if your hou wants to

0:26:54.480 --> 0:26:57.119
<v Speaker 1>get to the bottom of it, oh okay, because if

0:26:57.160 --> 0:26:59.280
<v Speaker 1>you're out with somebody, I could see, Oh I'm so

0:26:59.320 --> 0:27:00.800
<v Speaker 1>fucked up. I'm just go back to your place, Like

0:27:01.000 --> 0:27:03.000
<v Speaker 1>let's go back to your place or whatever. But not

0:27:03.119 --> 0:27:04.399
<v Speaker 1>if you're like out with a girl and you're just

0:27:04.400 --> 0:27:06.320
<v Speaker 1>like I'm gonna go to my buddy's house, I'm fucked up.

0:27:06.320 --> 0:27:08.760
<v Speaker 2>Like we're after the rape accusation. Did he say bye

0:27:08.760 --> 0:27:11.000
<v Speaker 2>to that girl? Do they still exchange numbers?

0:27:11.200 --> 0:27:14.120
<v Speaker 1>Like, I don't. I just he didn't seem that drunk

0:27:14.119 --> 0:27:17.240
<v Speaker 1>when we met him. Yeah, but I didn't kill the vibe.

0:27:17.280 --> 0:27:19.480
<v Speaker 1>Did the rape accusation kill the vibe? Is what we

0:27:19.560 --> 0:27:19.959
<v Speaker 1>want to know.

0:27:20.640 --> 0:27:24.880
<v Speaker 2>But he tells Finn everything explains what happened, and he's

0:27:25.040 --> 0:27:27.240
<v Speaker 2>he says he didn't do it, but it was twelve

0:27:27.320 --> 0:27:29.600
<v Speaker 2>years ago. It was a last season game against the Mets,

0:27:30.000 --> 0:27:31.760
<v Speaker 2>and a few guys went to the bar. There was

0:27:31.800 --> 0:27:35.679
<v Speaker 2>a woman there. It's the slapper. Obviously he was drunk

0:27:35.880 --> 0:27:38.760
<v Speaker 2>and they all went back to like the hotel. He

0:27:38.840 --> 0:27:41.639
<v Speaker 2>remembers going at it with her hot and heavy. But

0:27:41.720 --> 0:27:43.919
<v Speaker 2>when he woke up, he was in bed alone and

0:27:44.040 --> 0:27:46.320
<v Speaker 2>everyone else was gone. And he called her the next

0:27:46.400 --> 0:27:48.680
<v Speaker 2>day and she said, try to talk to me again,

0:27:48.720 --> 0:27:51.360
<v Speaker 2>and I'll go to the police. And so Finn demands

0:27:51.359 --> 0:27:53.520
<v Speaker 2>to make sure he's not lying, like, tell me the truth,

0:27:53.560 --> 0:27:55.200
<v Speaker 2>tell me the truth, let me know, and he's like,

0:27:55.240 --> 0:27:57.199
<v Speaker 2>I didn't rape anyone, but I also don't remember, so

0:27:57.280 --> 0:27:59.719
<v Speaker 2>like if I did rape someone, eat So then Benson

0:27:59.720 --> 0:28:03.399
<v Speaker 2>and ros are talking to the woman from the beginning

0:28:03.400 --> 0:28:06.320
<v Speaker 2>court case and they send her on her way with

0:28:06.400 --> 0:28:09.200
<v Speaker 2>some comforting words, and Benson direx rowins to go find

0:28:09.200 --> 0:28:12.280
<v Speaker 2>more evidence and surveillance for that case. And now we

0:28:12.359 --> 0:28:15.000
<v Speaker 2>cut to a man being super excited to see Stone.

0:28:15.359 --> 0:28:19.760
<v Speaker 2>He's a bartender, Beard just like two thousand and six.

0:28:19.840 --> 0:28:21.040
<v Speaker 2>I remember the games.

0:28:21.440 --> 0:28:24.280
<v Speaker 1>So I guess this former baseball player he opened a

0:28:24.320 --> 0:28:27.399
<v Speaker 1>bar in New York or manages it. That probably bought

0:28:27.400 --> 0:28:29.760
<v Speaker 1>it with the money. Yeah, right, a sports bar. Yeah

0:28:29.760 --> 0:28:31.800
<v Speaker 1>that makes sense. Yeah, I guess I don't know.

0:28:31.800 --> 0:28:37.560
<v Speaker 2>Okay, So he's like, oh six patron Dan Perion, and

0:28:37.600 --> 0:28:40.640
<v Speaker 2>I'm like, I remember the patron days. And then so

0:28:40.720 --> 0:28:44.440
<v Speaker 2>then he goes, I remember everything that night, and he goes,

0:28:44.560 --> 0:28:47.000
<v Speaker 2>I married her, And so he like married the girl

0:28:47.040 --> 0:28:48.640
<v Speaker 2>he met that night, best night of his life.

0:28:48.840 --> 0:28:52.080
<v Speaker 1>Her name's Wanda, and I love where that went, you

0:28:52.120 --> 0:28:55.040
<v Speaker 1>know what I mean, And then anticipate like a cute

0:28:55.080 --> 0:28:57.720
<v Speaker 1>married night out and the background of his phone's the wife.

0:28:57.800 --> 0:28:58.560
<v Speaker 1>That's just nice.

0:28:58.640 --> 0:29:00.520
<v Speaker 2>So but then they're like, oh my god, do you

0:29:00.520 --> 0:29:03.520
<v Speaker 2>think your wife would have information on this accuser that

0:29:03.560 --> 0:29:07.080
<v Speaker 2>we have, and and she does. So it's Sarah Kent

0:29:07.280 --> 0:29:10.280
<v Speaker 2>and she lives in Bushwick. So we go to Bushwick.

0:29:10.480 --> 0:29:13.200
<v Speaker 2>It looks actually like the suburbs, and Queen's like, I don't,

0:29:14.640 --> 0:29:17.760
<v Speaker 2>but I guess there could be single family homes in

0:29:17.800 --> 0:29:20.120
<v Speaker 2>Bushwick that I don't know about. Obviously I don't really

0:29:20.160 --> 0:29:20.760
<v Speaker 2>go there.

0:29:21.360 --> 0:29:24.320
<v Speaker 1>So I honestly don't know the last time I've been

0:29:24.320 --> 0:29:27.160
<v Speaker 1>to Bushwick. I for I would go there once in

0:29:27.160 --> 0:29:33.080
<v Speaker 1>a while for like that freakin Life show. Oh yeah,

0:29:33.080 --> 0:29:33.840
<v Speaker 1>the Cobra Club.

0:29:33.920 --> 0:29:36.840
<v Speaker 2>Yeah, Cobroo Club, some of the worst bathrooms in New

0:29:36.920 --> 0:29:41.960
<v Speaker 2>York City. Finn is like, are you sure you want

0:29:42.000 --> 0:29:45.080
<v Speaker 2>to do this, and he's like, yeah, I know it's wrong,

0:29:45.360 --> 0:29:47.280
<v Speaker 2>and let's you know, we got to get down to

0:29:47.320 --> 0:29:50.760
<v Speaker 2>the bottom of it. Before Finn goes, Stone asks him

0:29:50.760 --> 0:29:52.880
<v Speaker 2>not to tell Benson about it yet though, and Finn

0:29:52.880 --> 0:29:55.560
<v Speaker 2>go's knocking at Kent's place. She lies to her husband

0:29:55.560 --> 0:29:58.240
<v Speaker 2>and says it's a Jehovah's witness, but steps out to

0:29:58.280 --> 0:30:01.240
<v Speaker 2>talk to Finn after he mentioned stuff. She says, I

0:30:01.280 --> 0:30:03.680
<v Speaker 2>never want to hear that name, and don't come back,

0:30:03.760 --> 0:30:05.800
<v Speaker 2>and then she goes back inside, and then Finn spies

0:30:05.800 --> 0:30:08.680
<v Speaker 2>on her like a ghost of Christmas pass looking at

0:30:08.720 --> 0:30:11.479
<v Speaker 2>like a family enjoying dinner, you know, like questioning all

0:30:11.520 --> 0:30:14.920
<v Speaker 2>his choices, and she is like very mom in the burbs.

0:30:14.960 --> 0:30:17.160
<v Speaker 1>She's wearing black leggings, like all of this is just

0:30:17.240 --> 0:30:19.560
<v Speaker 1>kind of perfect, besides you know, the rape.

0:30:20.200 --> 0:30:23.120
<v Speaker 2>So then Rollins is eating steak leftovers for lunch because

0:30:23.200 --> 0:30:27.520
<v Speaker 2>Al always over orders, she explains, and Carisee's like, ah, fuck,

0:30:27.600 --> 0:30:29.600
<v Speaker 2>I wanted to go to the deli with you. Fuck

0:30:29.640 --> 0:30:33.800
<v Speaker 2>that guy, and she's like so she then tells Carisey like,

0:30:33.880 --> 0:30:37.440
<v Speaker 2>you know, he we're gonna move in together, and he's pissed.

0:30:37.440 --> 0:30:39.640
<v Speaker 2>He's like, after he lied to you? What the fuck?

0:30:39.760 --> 0:30:42.920
<v Speaker 2>I hate this guy? And I don't remember the lying.

0:30:42.960 --> 0:30:45.840
<v Speaker 1>What was the lying? Do you remember anything? There was

0:30:45.880 --> 0:30:48.480
<v Speaker 1>like the time he's cheated on her, I think, and

0:30:48.640 --> 0:30:50.200
<v Speaker 1>like there was like a time where he was like

0:30:50.440 --> 0:30:52.360
<v Speaker 1>I want you back, I love you. And then like

0:30:52.440 --> 0:30:53.800
<v Speaker 1>she goes to the bathroom when she comes back and

0:30:53.840 --> 0:30:55.800
<v Speaker 1>he's like getting a waitress phone number. Like he seems

0:30:55.800 --> 0:30:59.080
<v Speaker 1>like a fuck boy, you know, got it, gotta gotta

0:30:59.120 --> 0:31:02.000
<v Speaker 1>got it. Okay, So Crisey's not into it. He's also

0:31:02.040 --> 0:31:03.480
<v Speaker 1>like fully in love with her. We all know that.

0:31:03.640 --> 0:31:06.600
<v Speaker 2>So and we end up together. It's like I hate

0:31:07.000 --> 0:31:10.360
<v Speaker 2>dealing with certain things sometimes. So Robin's is like, I mean,

0:31:10.400 --> 0:31:11.760
<v Speaker 2>it would be nice to just like live in a

0:31:11.800 --> 0:31:14.440
<v Speaker 2>big apartment with a rich guy. And Creasey's like, shut up,

0:31:14.720 --> 0:31:16.760
<v Speaker 2>like is even going to marry you? And then she

0:31:16.800 --> 0:31:19.760
<v Speaker 2>says shut up. And then he says, you deserve to

0:31:19.800 --> 0:31:22.040
<v Speaker 2>be happy and taken care of, and she goes, he

0:31:22.080 --> 0:31:24.120
<v Speaker 2>does take care of me, and he goes, there's a

0:31:24.160 --> 0:31:26.959
<v Speaker 2>difference between flowers and dinner and being taken care of.

0:31:27.120 --> 0:31:29.719
<v Speaker 2>She brushes him off, and then he proves to her

0:31:29.840 --> 0:31:31.600
<v Speaker 2>how caring he is by saying, I'm going to get

0:31:31.640 --> 0:31:34.320
<v Speaker 2>you a ginger ale because you're gonna have stomach issues

0:31:34.360 --> 0:31:35.560
<v Speaker 2>from your expensive steak.

0:31:35.640 --> 0:31:37.440
<v Speaker 1>Is that what he was getting out? Like, I don't know.

0:31:37.520 --> 0:31:39.440
<v Speaker 1>I thought I thought she was pregnant here, but maybe

0:31:39.480 --> 0:31:41.560
<v Speaker 1>I'm am I crazy. I really thought she was pregnant.

0:31:41.680 --> 0:31:43.640
<v Speaker 2>No, but I'm telling you, like something, I just can't

0:31:43.680 --> 0:31:46.520
<v Speaker 2>deal with certain things. And that's and that's this storyline,

0:31:47.280 --> 0:31:49.440
<v Speaker 2>like I can't do it. I do enough for this

0:31:49.520 --> 0:31:52.760
<v Speaker 2>podcast and learning about when she's pregnant and what al

0:31:52.840 --> 0:31:54.520
<v Speaker 2>said to her part timeline.

0:31:54.840 --> 0:31:57.560
<v Speaker 1>The timelines of Amanda's various pregnancies do not need to

0:31:57.600 --> 0:32:00.200
<v Speaker 1>be involved. It's like every few years It's like she's

0:32:00.240 --> 0:32:03.080
<v Speaker 1>either pregnant, her sister's ruining her life, or she's ruining

0:32:03.120 --> 0:32:06.720
<v Speaker 1>the priescincts life, you know what I mean, Like yeah,

0:32:06.840 --> 0:32:09.560
<v Speaker 1>or Cariese's you know, breaking his heart time after time.

0:32:09.760 --> 0:32:12.400
<v Speaker 1>So anyways, so he goes to get a ginger all

0:32:12.480 --> 0:32:15.600
<v Speaker 1>and now we cut to Stone. He is going to court,

0:32:15.640 --> 0:32:18.240
<v Speaker 1>and Benson and Stone do a gorgeous walk and talk

0:32:18.280 --> 0:32:20.960
<v Speaker 1>through the marble, talking details of the case. And it's

0:32:20.960 --> 0:32:21.880
<v Speaker 1>a drunk situation.

0:32:22.040 --> 0:32:24.440
<v Speaker 2>So nobody believes the girl, obviously, but they believe the

0:32:24.520 --> 0:32:27.240
<v Speaker 2>drunk guy. And Benson goes, do you think she would

0:32:27.280 --> 0:32:28.120
<v Speaker 2>make all this up?

0:32:28.160 --> 0:32:28.240
<v Speaker 5>Like?

0:32:28.280 --> 0:32:30.680
<v Speaker 1>Does this seem fun to you? This investigation? You think

0:32:30.720 --> 0:32:35.280
<v Speaker 1>this trial's just for kicks? And Benson goes, he's guilty Peter,

0:32:35.640 --> 0:32:38.520
<v Speaker 1>and Peter's thinking about his own rape and then Benson's

0:32:38.560 --> 0:32:40.720
<v Speaker 1>a detective and catches it and he blames it on

0:32:40.840 --> 0:32:44.120
<v Speaker 1>lack of sleep. So now the victim's on the stand,

0:32:44.200 --> 0:32:47.440
<v Speaker 1>she's being brave and Stone is helping her through her testimony.

0:32:48.000 --> 0:32:51.000
<v Speaker 1>And now the rapist, I mean, whatever is it mean

0:32:51.040 --> 0:32:51.479
<v Speaker 1>to call her?

0:32:51.520 --> 0:32:51.680
<v Speaker 5>This?

0:32:51.960 --> 0:32:58.120
<v Speaker 2>The blonde butch blonde butch body bitch defense attorney. I

0:32:58.200 --> 0:33:02.200
<v Speaker 2>hate her, so much so like the rapist defense attorney's like,

0:33:02.280 --> 0:33:04.960
<v Speaker 2>you're a drunk bitch, so maybe you did consent and forgot.

0:33:05.040 --> 0:33:05.560
<v Speaker 1>How about that?

0:33:06.000 --> 0:33:08.480
<v Speaker 2>And she's like, fuck you think I want to be here.

0:33:08.520 --> 0:33:10.320
<v Speaker 2>I'm here to try to get my life back by

0:33:10.360 --> 0:33:13.320
<v Speaker 2>confronting the man who did this to me. And this

0:33:13.440 --> 0:33:16.080
<v Speaker 2>really hits Peter and he runs to Benson's apartment in

0:33:16.120 --> 0:33:18.440
<v Speaker 2>the middle of the night. She's in a robe, and

0:33:18.480 --> 0:33:22.240
<v Speaker 2>he's like, hey, listen, I've been accused of sexual assault

0:33:22.240 --> 0:33:25.160
<v Speaker 2>from twelve years ago. I was drunk, but in my bones,

0:33:25.440 --> 0:33:28.440
<v Speaker 2>soul and heart, he did and rape her, That's what

0:33:28.480 --> 0:33:31.600
<v Speaker 2>he says. Benson's like, well, she said you did, and

0:33:31.680 --> 0:33:34.000
<v Speaker 2>he says, well, that's not who I am. Drunk or not,

0:33:34.120 --> 0:33:36.080
<v Speaker 2>I swear to God I didn't do this. And Benson's

0:33:36.080 --> 0:33:39.320
<v Speaker 2>thinking taking it in and he asked if she believes him,

0:33:39.360 --> 0:33:43.640
<v Speaker 2>and she's like yeah, but like not really, so she

0:33:43.720 --> 0:33:46.160
<v Speaker 2>says it's not that simple. He said, oh, because it's

0:33:46.200 --> 0:33:47.880
<v Speaker 2>your job to believe her, and she's like, no, I

0:33:47.920 --> 0:33:49.400
<v Speaker 2>need to talk to her though and see what she

0:33:49.440 --> 0:33:51.640
<v Speaker 2>says to get to the truth. And if you want

0:33:51.640 --> 0:33:54.280
<v Speaker 2>something else, you came to the wrong person. And he goes, no,

0:33:54.400 --> 0:33:56.360
<v Speaker 2>I'm not asking for any of this to go away.

0:33:56.680 --> 0:33:59.800
<v Speaker 2>I want the truth too, I want an open investigation.

0:34:00.520 --> 0:34:04.880
<v Speaker 2>He's gonna regret that. The music's dramatic. Benson's face is beautiful.

0:34:05.320 --> 0:34:07.520
<v Speaker 2>Rollin's Finn and creas here in the break room and

0:34:07.560 --> 0:34:11.160
<v Speaker 2>Finn is questioning Peter and the other two trust Peter,

0:34:11.360 --> 0:34:15.399
<v Speaker 2>and Finn's like, she definitely believes he did it, and Creasey's.

0:34:14.840 --> 0:34:18.080
<v Speaker 1>Like whatever, okay.

0:34:18.120 --> 0:34:21.080
<v Speaker 2>So then Rollins is like, this sucks, but it happens,

0:34:21.239 --> 0:34:24.480
<v Speaker 2>and he's like, no, this you know, if a bus

0:34:24.600 --> 0:34:26.960
<v Speaker 2>full of nuns said that he was somewhere else. In

0:34:27.000 --> 0:34:29.239
<v Speaker 2>the back of my mind, I'll always question.

0:34:29.040 --> 0:34:31.560
<v Speaker 1>If he raped. That's what sucks. Like we need to

0:34:31.600 --> 0:34:33.480
<v Speaker 1>get to the bottom of it, or I'll always have

0:34:33.560 --> 0:34:36.760
<v Speaker 1>this suspicion that he's a rapist. And like, yeah, Creasey's

0:34:36.840 --> 0:34:39.240
<v Speaker 1>just like making it about him, okay. So then Benson

0:34:39.280 --> 0:34:43.520
<v Speaker 1>goes to talk to Sarah. She's livid, but like Benson

0:34:43.560 --> 0:34:46.000
<v Speaker 1>wants to investigate. So there's like nothing Sarah can do,

0:34:46.040 --> 0:34:47.880
<v Speaker 1>and I think she realizes that. So they're at the

0:34:47.920 --> 0:34:50.200
<v Speaker 1>kitchen table and she's like, listen, it was a long

0:34:50.200 --> 0:34:52.840
<v Speaker 1>time ago. We were both drinking and then husband walks in.

0:34:52.880 --> 0:34:53.439
<v Speaker 1>Who is it.

0:34:53.440 --> 0:34:57.480
<v Speaker 2>It's Bruno in one of his five other characters, Kevin Kane,

0:34:58.800 --> 0:35:01.800
<v Speaker 2>friend of the pod. So she tells him about the

0:35:01.880 --> 0:35:05.520
<v Speaker 2>rape and then she's like, you know, we're not pressing

0:35:05.600 --> 0:35:09.040
<v Speaker 2>charges and he's like, the fuck we aren't. We're getting

0:35:09.040 --> 0:35:12.600
<v Speaker 2>this motherfucker. If anyone raped you, we're murdering everyone. And

0:35:12.640 --> 0:35:15.880
<v Speaker 2>then she says sorry. He's like no, sorry, and she's

0:35:15.960 --> 0:35:18.000
<v Speaker 2>like just drop it. And he's like, do you know

0:35:18.040 --> 0:35:21.760
<v Speaker 2>who did it? And then it's silence, and then he goes, well,

0:35:21.800 --> 0:35:23.799
<v Speaker 2>we're gonna do whatever it takes to put this guy

0:35:23.840 --> 0:35:26.319
<v Speaker 2>in jail. So now Carisy and Rollins are at the

0:35:26.360 --> 0:35:29.799
<v Speaker 2>lockers and Sarah and Benson are on their way to

0:35:29.960 --> 0:35:32.000
<v Speaker 2>the precinct. But like, everyone's having a hard time with

0:35:32.040 --> 0:35:34.080
<v Speaker 2>this case. Obviously it's like one of their own. And

0:35:34.120 --> 0:35:37.040
<v Speaker 2>Creasy's like, our job is to believe survivors, but I

0:35:37.080 --> 0:35:40.880
<v Speaker 2>believe him, and like that feels wrong, and Rollins is like, well,

0:35:41.160 --> 0:35:44.360
<v Speaker 2>you know. Rollind tells him that he was right about

0:35:44.400 --> 0:35:48.080
<v Speaker 2>not living with al Okay, he goes, no, no, no,

0:35:48.120 --> 0:35:50.120
<v Speaker 2>don't listen to me. Do what's right for your babies

0:35:50.120 --> 0:35:54.879
<v Speaker 2>and family. Live with this weird rich doctor and yeah,

0:35:54.880 --> 0:35:57.799
<v Speaker 2>I don't know, Wait, why did this switch so fast?

0:35:58.880 --> 0:36:01.360
<v Speaker 2>We never see this guy again this episode? And she's

0:36:01.400 --> 0:36:02.040
<v Speaker 2>switching it up.

0:36:02.840 --> 0:36:06.440
<v Speaker 1>Well, there is another there's a deleted scene from this

0:36:06.520 --> 0:36:09.200
<v Speaker 1>episode that I looked up. Oh my god, Caara, how

0:36:09.200 --> 0:36:11.000
<v Speaker 1>did you know to look it up? What the fuck

0:36:11.120 --> 0:36:14.680
<v Speaker 1>it was in the wiki? So let me send it

0:36:14.719 --> 0:36:17.359
<v Speaker 1>to you right now. It's no, just tell us, I'm

0:36:17.400 --> 0:36:20.319
<v Speaker 1>not watching it. Tell us, tell us. It's two. It's

0:36:20.360 --> 0:36:23.560
<v Speaker 1>a minute and a half long, but it's basically she

0:36:23.680 --> 0:36:28.239
<v Speaker 1>goes to have dinner with Al and there she's making

0:36:28.320 --> 0:36:30.200
<v Speaker 1>fun of like the shitty puts on his burger, like,

0:36:30.320 --> 0:36:32.360
<v Speaker 1>and he's like, even though I'm a doctor and I

0:36:32.360 --> 0:36:34.640
<v Speaker 1>tell people to eat well, I actually love pizza and

0:36:34.640 --> 0:36:37.040
<v Speaker 1>burgers and chicken wings. And it's like, I don't know,

0:36:37.080 --> 0:36:39.040
<v Speaker 1>he's like trying to. It feels like he's trying to

0:36:39.120 --> 0:36:43.080
<v Speaker 1>kind of make himself more Joe Joe public for rollins,

0:36:43.719 --> 0:36:49.400
<v Speaker 1>and she's like seeing through it. But then a girl

0:36:49.400 --> 0:36:52.080
<v Speaker 1>at the table next to them, a little girl, starts choking,

0:36:52.719 --> 0:36:55.040
<v Speaker 1>and Al gets up and like gives her the heimlick.

0:36:55.160 --> 0:36:58.160
<v Speaker 1>It's very un I can see why they cut the scene,

0:36:58.200 --> 0:37:01.600
<v Speaker 1>it's like it looks very staged, like not good, and

0:37:02.080 --> 0:37:05.640
<v Speaker 1>then saves this little girl and the woman's like, thank

0:37:05.680 --> 0:37:07.560
<v Speaker 1>you so much or whatever, and then she sits down

0:37:07.560 --> 0:37:09.600
<v Speaker 1>and goes, so, when can I move any And he

0:37:09.640 --> 0:37:11.120
<v Speaker 1>sits back down and she goes, so, when can I

0:37:11.160 --> 0:37:14.239
<v Speaker 1>move in? So it's like just seeing him be like

0:37:14.800 --> 0:37:18.399
<v Speaker 1>competent and like a caregiver makes her want to move in.

0:37:19.200 --> 0:37:22.879
<v Speaker 1>But then I think later in the episode, I think

0:37:22.920 --> 0:37:24.680
<v Speaker 1>he's in this episode again, isn't he? Don't they have

0:37:24.680 --> 0:37:25.400
<v Speaker 1>another dinner.

0:37:25.600 --> 0:37:27.239
<v Speaker 2>I thought you're gonna tell me something that led to

0:37:27.280 --> 0:37:28.560
<v Speaker 2>her changing her mind.

0:37:29.360 --> 0:37:31.480
<v Speaker 1>That's what I don't know, but that's what I'm saying.

0:37:31.520 --> 0:37:33.239
<v Speaker 1>I think there's another scene that leads her to change

0:37:33.239 --> 0:37:37.399
<v Speaker 1>her mind or something, because in this choking scene, she's

0:37:37.440 --> 0:37:40.080
<v Speaker 1>like all in. But maybe it's just the conversations. Maybe

0:37:40.080 --> 0:37:41.960
<v Speaker 1>that's why they cut it, and they just want Careese

0:37:42.200 --> 0:37:45.000
<v Speaker 1>to be the reason that she's not doing it, like

0:37:45.640 --> 0:37:50.319
<v Speaker 1>cause Careese more like knows, you know. She's like like

0:37:50.360 --> 0:37:52.840
<v Speaker 1>there's all this shit where she's like, oh, we didn't

0:37:52.840 --> 0:37:57.040
<v Speaker 1>really have you know, blah blah blah. Back in Georgia,

0:37:57.200 --> 0:37:59.879
<v Speaker 1>A truffles like they have a whole conversation about truffles, right,

0:38:00.480 --> 0:38:03.239
<v Speaker 1>and she's like more like and he's like shrimp and grits, right,

0:38:03.320 --> 0:38:07.600
<v Speaker 1>Like he's trying to do his homework about who she is. Yeah,

0:38:07.640 --> 0:38:10.080
<v Speaker 1>and I don't think she's buying it, but.

0:38:10.760 --> 0:38:13.000
<v Speaker 2>Because I bet, if I bet if they ended up together,

0:38:13.040 --> 0:38:14.359
<v Speaker 2>he'd be like, you should quit your job.

0:38:14.680 --> 0:38:16.200
<v Speaker 1>Oh yeah, he'd be like, you don't need to work

0:38:16.200 --> 0:38:23.080
<v Speaker 1>anymore for sure. Also, I think it's interesting that Carreese

0:38:23.640 --> 0:38:25.600
<v Speaker 1>is like having such a hard time with this because

0:38:25.600 --> 0:38:27.239
<v Speaker 1>it's like so many guys we know, it's like how

0:38:27.280 --> 0:38:28.879
<v Speaker 1>we talk to guys. And I'm like, if you don't

0:38:28.920 --> 0:38:30.560
<v Speaker 1>think that you're not friends with a bunch of guys

0:38:30.560 --> 0:38:33.040
<v Speaker 1>who have like sexually assaulted a woman before, you're crazy.

0:38:33.360 --> 0:38:34.959
<v Speaker 1>And you can talk to guys that are like, no way,

0:38:35.040 --> 0:38:37.320
<v Speaker 1>not my friends. And like that's kind of like Cariese's

0:38:37.360 --> 0:38:41.400
<v Speaker 1>thing here, even though he's a professional SVU detective turned

0:38:42.040 --> 0:38:45.000
<v Speaker 1>ADA in training or whatever he is at this point. Yeah,

0:38:45.160 --> 0:38:45.880
<v Speaker 1>so annoying.

0:38:50.280 --> 0:38:53.239
<v Speaker 2>Well, and now we're moving right right over to wood

0:38:53.280 --> 0:38:56.080
<v Speaker 2>room blinds from that, and her husband was out of

0:38:56.080 --> 0:38:59.760
<v Speaker 2>town in Hawaii with his dad golfing. That's Kevin Kane

0:38:59.760 --> 0:39:01.600
<v Speaker 2>and so she went out to be slutty with some

0:39:01.640 --> 0:39:07.120
<v Speaker 2>baseball guys. She says Peterstone was so nice, and Benson's like, okay, well,

0:39:07.160 --> 0:39:08.920
<v Speaker 2>you know, walk us through the night and she's like

0:39:08.960 --> 0:39:12.120
<v Speaker 2>having fun, drinking and dancing, flirting. She's like, I remember kissing.

0:39:12.560 --> 0:39:14.279
<v Speaker 2>It was okay at first, but then she's like he

0:39:14.360 --> 0:39:16.200
<v Speaker 2>became different, not as nice.

0:39:16.760 --> 0:39:18.080
<v Speaker 1>And then one of the guys.

0:39:17.800 --> 0:39:20.160
<v Speaker 2>And Peter, they were both on the bed, but we

0:39:20.239 --> 0:39:22.799
<v Speaker 2>don't remember who this other guy is, so we have

0:39:22.880 --> 0:39:25.440
<v Speaker 2>to find him. And then she passed down and she

0:39:25.480 --> 0:39:27.400
<v Speaker 2>said she woke up, she was naked, she knew she

0:39:27.440 --> 0:39:29.239
<v Speaker 2>had sex, and Peter was on the bed and she

0:39:29.280 --> 0:39:32.160
<v Speaker 2>did not say yes. And so Benson asks, are you

0:39:32.280 --> 0:39:35.160
<v Speaker 2>saying Peter Stone assaulted you? And she says, yes, I

0:39:35.160 --> 0:39:37.080
<v Speaker 2>didn't want to have sex. I would never do that

0:39:37.120 --> 0:39:40.399
<v Speaker 2>to Gary. So you know, they were having a rough

0:39:40.440 --> 0:39:43.000
<v Speaker 2>patch and you know they're happy now, but they were

0:39:43.000 --> 0:39:46.759
<v Speaker 2>having issues. And Gary is with Caresy asking advice for

0:39:47.440 --> 0:39:49.680
<v Speaker 2>dopes like him that didn't know their wives were raped.

0:39:50.160 --> 0:39:51.520
<v Speaker 1>I don't know if like dope is the.

0:39:51.480 --> 0:39:55.200
<v Speaker 2>Word, and he's like, wow, seems tough and he and

0:39:55.239 --> 0:39:57.919
<v Speaker 2>he goes, she never told me what does that mean?

0:39:58.400 --> 0:40:00.319
<v Speaker 2>And Carisey's like, well, it doesn't mean she he doesn't

0:40:00.360 --> 0:40:02.160
<v Speaker 2>love or trust you, and He's like, fuck, I was

0:40:02.200 --> 0:40:05.560
<v Speaker 2>golfing at that time, and I'll never forgive myself. He says,

0:40:05.600 --> 0:40:08.840
<v Speaker 2>think about her right now. Thank you, Creesy, Thank you Creesy.

0:40:09.760 --> 0:40:12.160
<v Speaker 2>Think about her right now more than ever. She needs

0:40:12.280 --> 0:40:17.800
<v Speaker 2>your support, right It's not really about yourself. So Benson

0:40:17.880 --> 0:40:20.399
<v Speaker 2>is staring into the distance and Finn's like, you want

0:40:20.440 --> 0:40:22.120
<v Speaker 2>me to do it? And she's like, is it any

0:40:22.160 --> 0:40:24.879
<v Speaker 2>easier for you? So they go do a little knock

0:40:24.960 --> 0:40:28.600
<v Speaker 2>knock Peter's big office. They spoke Sarah. He scoffs, I

0:40:28.600 --> 0:40:31.920
<v Speaker 2>would say basically. Benson's like, Sarah said that you know,

0:40:31.960 --> 0:40:34.120
<v Speaker 2>he rapes her and the husband wants to press charges.

0:40:34.560 --> 0:40:37.080
<v Speaker 2>She's being more cold with him for sure, because you

0:40:37.120 --> 0:40:40.319
<v Speaker 2>know the story is credible. And he says, you said

0:40:40.360 --> 0:40:42.879
<v Speaker 2>you believed me, and she responds, while I also believe her,

0:40:43.280 --> 0:40:45.839
<v Speaker 2>And if this was anybody else, you wouldn't you know,

0:40:45.880 --> 0:40:48.640
<v Speaker 2>we wouldn't be having this convo. And he goes, wow,

0:40:49.080 --> 0:40:51.560
<v Speaker 2>you're just gonna arrest me now, and Benson goes, well,

0:40:51.640 --> 0:40:54.919
<v Speaker 2>I have to. And it's also like, you did this

0:40:55.800 --> 0:40:59.440
<v Speaker 2>you asked for the investigations, like what it is you

0:40:59.560 --> 0:41:02.640
<v Speaker 2>just thought it would be like whambam, you're done.

0:41:03.680 --> 0:41:07.760
<v Speaker 1>Yeah. But this is also so the SVU world of justice,

0:41:07.800 --> 0:41:10.600
<v Speaker 1>where like something that happened twelve years ago, where there's

0:41:10.680 --> 0:41:13.040
<v Speaker 1>kind of like no evidence of it at all. I

0:41:14.400 --> 0:41:15.840
<v Speaker 1>hate to say it, but like, I don't think they

0:41:15.840 --> 0:41:17.560
<v Speaker 1>would be arresting him. I think they'd be like, can

0:41:17.560 --> 0:41:19.759
<v Speaker 1>we bring you in for questioning, can we get your

0:41:19.800 --> 0:41:22.120
<v Speaker 1>side or whatever, like on the record. But I don't

0:41:22.120 --> 0:41:25.280
<v Speaker 1>know if he would be arrested quite yet, just based

0:41:25.280 --> 0:41:28.359
<v Speaker 1>off of a woman's accusation from twelve years ago in

0:41:28.400 --> 0:41:33.640
<v Speaker 1>a different state and city. Yes, yes, yes that's true.

0:41:33.680 --> 0:41:37.360
<v Speaker 1>He'd be extradited to Illinois, damn.

0:41:37.880 --> 0:41:41.200
<v Speaker 2>So Finn is like, you should get a lawyer, and

0:41:41.239 --> 0:41:43.520
<v Speaker 2>he goes, I am a lawyer, and it's like okay,

0:41:43.880 --> 0:41:46.120
<v Speaker 2>semantics like you're not going to you know, you can't

0:41:46.520 --> 0:41:47.040
<v Speaker 2>stop it.

0:41:47.160 --> 0:41:49.960
<v Speaker 1>You need to call a lawyer. She's like, how do

0:41:50.000 --> 0:41:50.560
<v Speaker 1>you want to do this?

0:41:50.640 --> 0:41:53.319
<v Speaker 2>He stands out, grabs his jacket aggressively, and walks out

0:41:53.320 --> 0:41:56.600
<v Speaker 2>the door. So we're at the next morning. Careesy walks

0:41:56.640 --> 0:42:00.279
<v Speaker 2>into the precinct and lets Benson know that Stone been

0:42:00.320 --> 0:42:03.160
<v Speaker 2>released to roar, and she's like, yeah, I've heard, thank you.

0:42:03.400 --> 0:42:04.320
<v Speaker 1>I'm like in charge.

0:42:05.120 --> 0:42:07.480
<v Speaker 2>He asked that she's testifying, and she says, if she

0:42:07.520 --> 0:42:10.120
<v Speaker 2>wants to stay married, she is weird.

0:42:10.920 --> 0:42:14.080
<v Speaker 1>That's a weird comment, Like Gary will divorce her if

0:42:14.080 --> 0:42:17.560
<v Speaker 1>she doesn't prosecute her rapist or testify. That's weird.

0:42:18.239 --> 0:42:20.439
<v Speaker 2>He's acting like a baby, and she's like I hate

0:42:20.440 --> 0:42:23.200
<v Speaker 2>this too, like stop being annoying or not the only one.

0:42:23.320 --> 0:42:25.319
<v Speaker 2>And he's like, come on, can we give him the

0:42:25.320 --> 0:42:27.799
<v Speaker 2>benefit of the doubt? And she goes what about her?

0:42:28.320 --> 0:42:29.359
<v Speaker 2>Like what about what.

0:42:29.440 --> 0:42:30.320
<v Speaker 1>She's going through?

0:42:30.880 --> 0:42:33.399
<v Speaker 2>And she's like, I mean she feels guilty for going

0:42:33.400 --> 0:42:35.520
<v Speaker 2>out and not reporting and do and like doing it

0:42:35.600 --> 0:42:38.000
<v Speaker 2>during a rough patch, and so Crazy's like, well what

0:42:38.040 --> 0:42:39.960
<v Speaker 2>do you mean rough patch? The husband said, they're like

0:42:40.000 --> 0:42:42.800
<v Speaker 2>so madly in love. It's like both can be true.

0:42:42.880 --> 0:42:44.880
<v Speaker 2>This was a while ago, they've been together. It seems

0:42:44.920 --> 0:42:47.680
<v Speaker 2>like for a long time, like I don't know. Everyone

0:42:47.800 --> 0:42:50.120
<v Speaker 2>just seems to like a chunk of their brain goes

0:42:50.120 --> 0:42:53.360
<v Speaker 2>missing at every case, like where they forget everything else,

0:42:53.520 --> 0:42:57.799
<v Speaker 2>Like yes, but yeah, but they they've poke a hole

0:42:57.840 --> 0:42:59.560
<v Speaker 2>through this. Because he didn't mention they were having a

0:42:59.640 --> 0:43:03.319
<v Speaker 2>rough pat that moment. Stone is at the bar and

0:43:03.560 --> 0:43:08.080
<v Speaker 2>who's next to him. It's Gary not good, so he goes, hey,

0:43:08.120 --> 0:43:12.000
<v Speaker 2>I'm Gary Kent and you know, and so then Peter goes,

0:43:12.000 --> 0:43:13.960
<v Speaker 2>for what it's worth, I didn't know she was married.

0:43:15.200 --> 0:43:18.800
<v Speaker 1>Terrible thing to say. He's like, hey, what are you

0:43:18.840 --> 0:43:19.239
<v Speaker 1>gonna do?

0:43:19.719 --> 0:43:22.520
<v Speaker 2>He's like, I didn't do anything to her, and then

0:43:22.680 --> 0:43:25.160
<v Speaker 2>he's like, yeah, you know, all you ballplayers, that's just

0:43:25.239 --> 0:43:28.279
<v Speaker 2>what you do. A different girl in every port. And

0:43:28.320 --> 0:43:30.400
<v Speaker 2>then Stone tries to leave and Gary's like, come on,

0:43:30.480 --> 0:43:33.840
<v Speaker 2>at least have a drink with me, and he starts

0:43:33.880 --> 0:43:37.560
<v Speaker 2>reminiscing about college and meeting her, and he's just like, oh,

0:43:37.600 --> 0:43:39.960
<v Speaker 2>I was staring at the back of her neck. Oh

0:43:39.960 --> 0:43:42.120
<v Speaker 2>when you raped her? What did you see? Her neck?

0:43:42.239 --> 0:43:44.880
<v Speaker 2>Was her hair up? And the bartender beard guy, the friend,

0:43:44.960 --> 0:43:46.960
<v Speaker 2>he's like, hey yo yo yo, friend like chill out,

0:43:47.040 --> 0:43:50.439
<v Speaker 2>chill out, and he stands up drunk, screaming and goes,

0:43:50.600 --> 0:43:53.520
<v Speaker 2>oh cool, he played for the Cubs, and Peter goes

0:43:53.600 --> 0:43:57.560
<v Speaker 2>nobody cares, and he screams, I cared this guy in

0:43:57.600 --> 0:44:02.400
<v Speaker 2>a nice suit raped my wife. And the bartenders like relax,

0:44:02.640 --> 0:44:05.640
<v Speaker 2>and then he goes okay, yeah, nobody cares about my problems,

0:44:06.000 --> 0:44:09.160
<v Speaker 2>and Peter says, I'm gonna go. Gary takes out a gun,

0:44:09.360 --> 0:44:12.120
<v Speaker 2>goes sit down and shut up, So Peter obviously has

0:44:12.120 --> 0:44:14.439
<v Speaker 2>no choice. There is a gun, so he does sit down.

0:44:14.800 --> 0:44:17.520
<v Speaker 2>Gary screams for everybody else to get out, and the

0:44:17.680 --> 0:44:21.319
<v Speaker 2>whole bar empties quickly. Even his bearded friend sprints out

0:44:21.360 --> 0:44:23.560
<v Speaker 2>of there, hops over the bar like.

0:44:23.520 --> 0:44:24.960
<v Speaker 1>He's doing hurdles.

0:44:25.040 --> 0:44:28.920
<v Speaker 2>Okay, and so he screams, that guy that raped my

0:44:29.000 --> 0:44:30.680
<v Speaker 2>wife and I are gonna have a heart to heart.

0:44:30.760 --> 0:44:33.560
<v Speaker 2>As he like empties the bar out, he drinks a

0:44:33.560 --> 0:44:36.280
<v Speaker 2>beer while holding a gun kind of looks cool. Stone

0:44:36.320 --> 0:44:38.400
<v Speaker 2>says I might be a dick, but I'm not a rapist,

0:44:38.480 --> 0:44:40.400
<v Speaker 2>and he goes, okay, so what you're saying is the

0:44:40.440 --> 0:44:44.080
<v Speaker 2>mother of my child just fucked you willingly. And he's like, well,

0:44:44.080 --> 0:44:45.919
<v Speaker 2>I don't really remember, and he goes, of course you don't,

0:44:46.000 --> 0:44:49.880
<v Speaker 2>just sad, nameless and faceless piece of ass, and Peter goes,

0:44:50.000 --> 0:44:51.840
<v Speaker 2>I never said that, and he goes, she meant nothing

0:44:51.840 --> 0:44:53.360
<v Speaker 2>to you, but she's a goddess.

0:44:53.480 --> 0:44:55.880
<v Speaker 1>And it's like a really funny line read like I

0:44:55.880 --> 0:44:58.360
<v Speaker 1>know it's serious. In the smith of a mental collapse,

0:44:58.480 --> 0:45:01.440
<v Speaker 1>but it's just like really funny to me. But he cries,

0:45:01.640 --> 0:45:04.279
<v Speaker 1>and then you know, when she agreed to marry me,

0:45:04.360 --> 0:45:07.319
<v Speaker 1>I almost passed out. I was so happy and I

0:45:07.360 --> 0:45:09.560
<v Speaker 1>couldn't protect her them, but I'm gonna do it now

0:45:09.640 --> 0:45:12.600
<v Speaker 1>by making sure I serve eight years in prison. So

0:45:13.080 --> 0:45:16.640
<v Speaker 1>Stone says, be smart, let the justice system work this out,

0:45:16.640 --> 0:45:20.160
<v Speaker 1>and he goes that, fuck justice, I want revenge. He

0:45:20.200 --> 0:45:22.359
<v Speaker 1>starts saying how he wants his daughter to feel safe

0:45:22.360 --> 0:45:25.400
<v Speaker 1>without guys like him. But it's like, you are waving

0:45:25.440 --> 0:45:28.640
<v Speaker 1>a gun at a bar, like I'm just this is

0:45:28.680 --> 0:45:30.160
<v Speaker 1>the kind of guy you want your daughter to end

0:45:30.200 --> 0:45:33.439
<v Speaker 1>up with. Like you're gonna lose some parental rights, I think. Yeah.

0:45:34.040 --> 0:45:36.800
<v Speaker 2>So the phone rings, Stone's like, well, it's probably the cops.

0:45:37.080 --> 0:45:40.479
<v Speaker 2>The sirens start blaring from outside, so we know things

0:45:40.520 --> 0:45:43.399
<v Speaker 2>are getting moven. Stone's like, the last thing you want

0:45:43.480 --> 0:45:46.600
<v Speaker 2>is a swat team bursting through that door. So he

0:45:46.719 --> 0:45:50.440
<v Speaker 2>lets Stone answer the phone. Peter does it very slowly,

0:45:50.920 --> 0:45:52.920
<v Speaker 2>and I love that they were both on our podcast,

0:45:52.960 --> 0:45:55.320
<v Speaker 2>and then they're both in this intense scene.

0:45:55.600 --> 0:45:58.719
<v Speaker 1>Oh yeah, cool. I don't know if we talk to

0:45:58.760 --> 0:46:00.520
<v Speaker 1>either of them about this one we.

0:46:00.480 --> 0:46:01.959
<v Speaker 2>Talked about all of it because I think I brought

0:46:02.000 --> 0:46:04.520
<v Speaker 2>up this goddess line because it's so humiliating and funny.

0:46:04.560 --> 0:46:04.799
<v Speaker 4>Ha ha.

0:46:05.200 --> 0:46:07.640
<v Speaker 2>But I also watched all these episodes. There's no way

0:46:07.680 --> 0:46:08.560
<v Speaker 2>I didn't bring it up.

0:46:08.600 --> 0:46:10.880
<v Speaker 1>But maybe we have. For Peter Stoney more focused on

0:46:10.920 --> 0:46:12.200
<v Speaker 1>his thresome scenes, you know.

0:46:12.440 --> 0:46:14.960
<v Speaker 5>Yeah, Well for the Kevin Kane episode, do you remember

0:46:15.040 --> 0:46:18.399
<v Speaker 5>he talked about how his brother took a picture of

0:46:18.440 --> 0:46:22.000
<v Speaker 5>the scene where he's holding a beer and a gun

0:46:22.160 --> 0:46:25.080
<v Speaker 5>at somebody, and his brother texted that to him and said,

0:46:25.840 --> 0:46:28.640
<v Speaker 5>this is you whenever somebody tries to leave a party early.

0:46:32.040 --> 0:46:37.680
<v Speaker 1>Good one casey, I don't let you remember that. Hell yeah,

0:46:37.719 --> 0:46:39.479
<v Speaker 1>oh my god, hell yah.

0:46:40.600 --> 0:46:46.440
<v Speaker 2>So anyways, the phones gets answered and Benson's on the scene.

0:46:46.560 --> 0:46:49.319
<v Speaker 2>Sarah and her daughter are there too. Benson meets them.

0:46:49.480 --> 0:46:53.799
<v Speaker 2>Daughter says, my daddy would never hurt anybody. Honey, you

0:46:53.960 --> 0:46:55.839
<v Speaker 2>got a lot to learn. So that I felt like I

0:46:55.920 --> 0:46:56.920
<v Speaker 2>was shocked by the daughter.

0:46:57.000 --> 0:46:58.879
<v Speaker 1>I didn't know they had one, Like, I didn't even

0:46:58.880 --> 0:47:00.960
<v Speaker 1>I think when the daughter shows up there, I was like,

0:47:01.000 --> 0:47:03.600
<v Speaker 1>did they like, did they did we see her before?

0:47:04.120 --> 0:47:04.319
<v Speaker 6>Yeah?

0:47:04.360 --> 0:47:05.200
<v Speaker 1>I knew about the daughter.

0:47:05.200 --> 0:47:06.959
<v Speaker 2>I don't know why or how, but I've also saying

0:47:06.960 --> 0:47:10.120
<v Speaker 2>that I can't tell you, Kara, like I've seen this

0:47:10.160 --> 0:47:12.640
<v Speaker 2>episode so many like did I see it?

0:47:12.800 --> 0:47:15.200
<v Speaker 1>Did I invent it? Did it happen? Did it not?

0:47:15.560 --> 0:47:17.479
<v Speaker 1>I knew the daughter, I know it did the daughter

0:47:17.560 --> 0:47:20.439
<v Speaker 1>shows up and I'm like they had like I thought

0:47:20.440 --> 0:47:22.560
<v Speaker 1>it was a baby the whole time. So I was

0:47:22.680 --> 0:47:25.719
<v Speaker 1>shocked at the age. And it Also she looks kind

0:47:25.760 --> 0:47:28.960
<v Speaker 1>of like Apple Paltrow, Martin or whatever, Like she's like

0:47:29.000 --> 0:47:31.120
<v Speaker 1>a really stunning, young, like.

0:47:32.680 --> 0:47:37.120
<v Speaker 2>Social lite looking person. I would say, but who knows.

0:47:37.120 --> 0:47:40.480
<v Speaker 2>She could be white trash, But I'm just saying she's

0:47:40.560 --> 0:47:44.160
<v Speaker 2>kind of stunning, Like I feel like her mom's let's

0:47:44.160 --> 0:47:45.399
<v Speaker 2>see who her parents are.

0:47:46.040 --> 0:47:49.840
<v Speaker 1>I don't even Oh Carly Connors is her name. Oh yeah,

0:47:49.880 --> 0:47:54.399
<v Speaker 1>she's very beautiful. Oh she was in The Goldfinch, which

0:47:54.400 --> 0:47:56.759
<v Speaker 1>I never saw but I read the book. Oh okay, yeah,

0:47:56.760 --> 0:47:58.520
<v Speaker 1>I don't know what that. Oh she only has two crowds,

0:47:58.560 --> 0:48:01.719
<v Speaker 1>that's all she's done in the gold Bench. She's young,

0:48:01.800 --> 0:48:02.960
<v Speaker 1>kitsy barber yep.

0:48:03.520 --> 0:48:07.680
<v Speaker 2>Maybe oh no, she's where maybe she unts to college.

0:48:07.719 --> 0:48:09.240
<v Speaker 2>But look at wait, what is that photo?

0:48:09.280 --> 0:48:12.120
<v Speaker 1>Is that our brother? Like, oh, that's the Gold Finished premiere?

0:48:12.120 --> 0:48:18.200
<v Speaker 1>Like those look like socialite children, you know what I mean. Yeah, oh,

0:48:18.400 --> 0:48:22.120
<v Speaker 1>she follows. She's followed by Becca who was in the

0:48:22.120 --> 0:48:28.680
<v Speaker 1>Book of Esther and Mike Doyle on Instagram, whoa cute Yeah,

0:48:28.719 --> 0:48:33.200
<v Speaker 1>but she has a private profile. But yeah, almost ten

0:48:33.239 --> 0:48:36.799
<v Speaker 1>thousand dollars should maybe be maybe get back into the game.

0:48:37.560 --> 0:48:42.239
<v Speaker 2>Yeah, it's it's all I understand you thinking like, wait,

0:48:42.280 --> 0:48:43.719
<v Speaker 2>where did she come from? Because I thought it was

0:48:43.760 --> 0:48:45.799
<v Speaker 2>a baby until we saw her. But also like, yeah,

0:48:46.719 --> 0:48:50.440
<v Speaker 2>why is she here? Why are you bringing her to

0:48:50.480 --> 0:48:51.400
<v Speaker 2>a gun shootout?

0:48:52.400 --> 0:48:55.840
<v Speaker 1>Maybe like that maybe making a neighbor, a trusted friend

0:48:55.880 --> 0:48:58.120
<v Speaker 1>we could leave her with back in Bushwick. It's just

0:48:58.160 --> 0:49:00.520
<v Speaker 1>like crazy to bring the daughter as the dad is

0:49:00.560 --> 0:49:03.520
<v Speaker 1>like waving a gun in the air. So the daughter

0:49:03.600 --> 0:49:04.759
<v Speaker 1>is still like stand up for her today.

0:49:04.800 --> 0:49:07.000
<v Speaker 2>Okay, So the Benson goes to the man in charge,

0:49:07.040 --> 0:49:08.520
<v Speaker 2>and I don't I think he was an extra and

0:49:08.600 --> 0:49:10.400
<v Speaker 2>was not allowed to speak because he only like nodded

0:49:10.440 --> 0:49:12.160
<v Speaker 2>and shook his head and stuff from a distance. It's

0:49:12.160 --> 0:49:15.560
<v Speaker 2>in his uniform, Like I think, yeah, they really tried

0:49:15.560 --> 0:49:17.400
<v Speaker 2>hard to make sure they didn't pay this man. So

0:49:19.560 --> 0:49:21.719
<v Speaker 2>Benson's like, this is his wife, his kid, We need

0:49:21.719 --> 0:49:24.719
<v Speaker 2>to speak to him. The man hands over the phone.

0:49:24.920 --> 0:49:27.720
<v Speaker 2>She calls him. She's crying. The phone rings. He's making

0:49:27.760 --> 0:49:30.080
<v Speaker 2>Stone look at photos of them together on his phone,

0:49:30.360 --> 0:49:32.400
<v Speaker 2>talking about how she's the reason he gets up in

0:49:32.440 --> 0:49:32.880
<v Speaker 2>the morning.

0:49:33.239 --> 0:49:35.600
<v Speaker 1>This mel this man is not doing well. I would

0:49:35.640 --> 0:49:37.480
<v Speaker 1>say this man is not doing well. It's a bit much.

0:49:38.200 --> 0:49:40.239
<v Speaker 2>And he's getting ready to shoot Stone. As the phone

0:49:40.280 --> 0:49:42.799
<v Speaker 2>is ringing again, he answers it. Stone's like, hey, it's free.

0:49:42.880 --> 0:49:43.000
<v Speaker 3>Oh.

0:49:43.080 --> 0:49:45.719
<v Speaker 2>She's like it's Sarah, babe, and we'll get through this,

0:49:45.840 --> 0:49:48.840
<v Speaker 2>but don't hurt anybody. Emma's here. She's like, Daddy, I

0:49:48.920 --> 0:49:51.480
<v Speaker 2>love you. This is gonna weigh on her, you know,

0:49:51.520 --> 0:49:54.480
<v Speaker 2>the responsibility of making sure the dad like comes out

0:49:54.480 --> 0:49:57.319
<v Speaker 2>of the hostage situation. So he cries. He loves her too.

0:49:57.840 --> 0:49:59.719
<v Speaker 2>He wants you know, he's sorry, He's sorry, but he

0:49:59.719 --> 0:50:02.200
<v Speaker 2>says he has to go. She doesn't want him to

0:50:02.239 --> 0:50:05.680
<v Speaker 2>hang up. He makes Stone hang the phone back up,

0:50:05.719 --> 0:50:08.120
<v Speaker 2>and I don't think he yeah again, I don't think

0:50:08.120 --> 0:50:12.719
<v Speaker 2>Emma should be here. Grat So Gary also is like,

0:50:12.719 --> 0:50:16.920
<v Speaker 2>why is Emma here? Like me and Gary are on

0:50:16.960 --> 0:50:20.480
<v Speaker 2>the same page here, and Stone is like, because they

0:50:20.520 --> 0:50:22.759
<v Speaker 2>need you and love you and want to be with you,

0:50:23.239 --> 0:50:26.400
<v Speaker 2>and he walks out, arms out, and Emma's screaming daddy,

0:50:26.560 --> 0:50:30.000
<v Speaker 2>but he's like chill as fuck, calm in a flannel chill,

0:50:30.080 --> 0:50:34.600
<v Speaker 2>arrest Sarah and Emma run away. Okay, you waited, you

0:50:34.640 --> 0:50:38.240
<v Speaker 2>brought her and run away for the other direction. Benson

0:50:38.280 --> 0:50:40.960
<v Speaker 2>watches them leave, and then Stone runs out and says like, oh,

0:50:40.960 --> 0:50:44.000
<v Speaker 2>I'm okay. And Benson's at her desk. There's a snow

0:50:44.000 --> 0:50:46.440
<v Speaker 2>globe on her desk, and I like that. Finn walks in.

0:50:46.840 --> 0:50:50.520
<v Speaker 2>Gun wasn't loaded, so that's good. So I think that's

0:50:50.560 --> 0:50:54.280
<v Speaker 2>a lesser charge if the gun's not loaded. Maybe maybe not. Yeah,

0:50:54.360 --> 0:50:56.640
<v Speaker 2>probably he borrowed it from her friend. But Stone's not

0:50:56.680 --> 0:50:59.040
<v Speaker 2>pressing charges. He's like that's a good guy whatever. And

0:50:59.080 --> 0:51:00.359
<v Speaker 2>Finn's like okay, well.

0:51:00.880 --> 0:51:03.120
<v Speaker 1>Like is that how it works? Can you just go

0:51:03.200 --> 0:51:05.799
<v Speaker 1>into a bar and make everybody leave by brandishing a

0:51:05.840 --> 0:51:08.560
<v Speaker 1>gun and then if Stone doesn't press charges, it's all good?

0:51:09.640 --> 0:51:11.800
<v Speaker 1>Like I think he still gets like a weird Maybe

0:51:11.800 --> 0:51:12.960
<v Speaker 1>there's other charges.

0:51:13.360 --> 0:51:16.000
<v Speaker 2>I don't know, right, Yeah, if I was one of

0:51:16.040 --> 0:51:17.719
<v Speaker 2>the people that was had to run out of the

0:51:17.760 --> 0:51:19.919
<v Speaker 2>bar because there was a gun and I was traumatized,

0:51:19.960 --> 0:51:21.360
<v Speaker 2>like maybe I'll press charges.

0:51:21.800 --> 0:51:27.680
<v Speaker 1>Yeah, can I press charges like why only? Yeah, criminal

0:51:27.719 --> 0:51:29.960
<v Speaker 1>mischief something even like low grade. I don't even know

0:51:30.000 --> 0:51:32.120
<v Speaker 1>what it would be. No, maybe something's happening.

0:51:32.760 --> 0:51:35.399
<v Speaker 2>Yeah, I wish we got to the bottom of it.

0:51:35.920 --> 0:51:38.760
<v Speaker 2>So Benson says, you know, Stone asked for this Careesy

0:51:38.880 --> 0:51:41.960
<v Speaker 2>runs in, he goes the Department of Health is online

0:51:42.000 --> 0:51:46.160
<v Speaker 2>one okay. He also calls her Loo for lieutenant, and

0:51:46.200 --> 0:51:48.280
<v Speaker 2>I'd never heard that, and I thought that was cute.

0:51:48.560 --> 0:51:49.560
<v Speaker 1>Yeah, I thought that was cute.

0:51:50.800 --> 0:51:54.360
<v Speaker 2>And then Benson is shady, okay, so she asks for

0:51:54.440 --> 0:51:57.680
<v Speaker 2>Emma's date of birth. So I don't know why, and

0:51:57.840 --> 0:51:59.759
<v Speaker 2>you know what, like when she saw them on the

0:51:59.760 --> 0:52:01.640
<v Speaker 2>scene and I could tell she was looking at them

0:52:01.719 --> 0:52:04.840
<v Speaker 2>extra different. But like, I don't know why this all

0:52:05.000 --> 0:52:08.319
<v Speaker 2>got together in Benson's mind. I've really it's that's why

0:52:08.360 --> 0:52:12.080
<v Speaker 2>she gets that's why she's the lou because I didn't

0:52:12.120 --> 0:52:15.399
<v Speaker 2>catch any of this at all. So so I guess

0:52:15.400 --> 0:52:17.120
<v Speaker 2>the Dad's not the dad is what we're getting. And

0:52:17.160 --> 0:52:19.239
<v Speaker 2>so now we're going to ruin Gary's life some more.

0:52:19.320 --> 0:52:21.960
<v Speaker 2>This is a Will Sasso situation now where I'm like,

0:52:22.080 --> 0:52:25.800
<v Speaker 2>oh Jesus Christ, like this man cannot handle anything else.

0:52:26.320 --> 0:52:29.400
<v Speaker 2>So Benson is back with Sarah and they're chatting, and

0:52:29.440 --> 0:52:32.239
<v Speaker 2>Benson's like, hey, you know, Emma was born eight and

0:52:32.280 --> 0:52:36.320
<v Speaker 2>a half months after your assault, So what's going on, babe.

0:52:36.680 --> 0:52:37.120
<v Speaker 1>And so.

0:52:38.880 --> 0:52:41.120
<v Speaker 2>Again I don't know how she connected it, but Sarah's like,

0:52:41.120 --> 0:52:42.640
<v Speaker 2>we were trying so hard to have a baby. We

0:52:42.640 --> 0:52:45.400
<v Speaker 2>were in a really bad place. She starts crying and

0:52:45.440 --> 0:52:47.800
<v Speaker 2>Benson's like, chill out, like, just tell me what happened.

0:52:48.200 --> 0:52:50.120
<v Speaker 2>So they were partying and a group went back to

0:52:50.160 --> 0:52:52.399
<v Speaker 2>Peter's hotel room, and then her friend left, and when

0:52:52.440 --> 0:52:54.480
<v Speaker 2>she woke up alone in the bed with Peter, her

0:52:54.520 --> 0:52:57.920
<v Speaker 2>clothing was off and she wanted that night to disappear.

0:52:57.960 --> 0:52:58.840
<v Speaker 1>And so she's crying.

0:52:58.880 --> 0:53:01.759
<v Speaker 2>More than six six weeks later, a positive pregnancy test.

0:53:02.320 --> 0:53:04.399
<v Speaker 2>She did not get a DNA test. She just loves

0:53:04.440 --> 0:53:07.000
<v Speaker 2>Gary so much. He wanted a baby so bad she

0:53:07.120 --> 0:53:10.960
<v Speaker 2>couldn't tell him again. It's like another man. It's like

0:53:11.000 --> 0:53:13.560
<v Speaker 2>how everyone else is feeling and stuff. You know, I'm

0:53:13.560 --> 0:53:16.040
<v Speaker 2>thinking about last week's episode and now it's like, I'm

0:53:16.040 --> 0:53:18.200
<v Speaker 2>gonna make sure Gary is a good life and I'm

0:53:18.239 --> 0:53:20.200
<v Speaker 2>going to be tortured with the secret and trauma for

0:53:20.239 --> 0:53:23.239
<v Speaker 2>the rest of my life. It's just like it's so

0:53:23.600 --> 0:53:26.760
<v Speaker 2>twisted and sad, and so she's like, I just couldn't

0:53:26.760 --> 0:53:29.319
<v Speaker 2>tell him. I couldn't do it. So Benson goes, I

0:53:29.320 --> 0:53:32.000
<v Speaker 2>believe you were assaulted. So now we cut to Benson

0:53:32.040 --> 0:53:34.040
<v Speaker 2>and she's going to go talk to this bearded bartender

0:53:34.080 --> 0:53:39.640
<v Speaker 2>guy from earlier, his friend and Kingle style hat. But

0:53:39.680 --> 0:53:42.480
<v Speaker 2>they couldn't they didn't pay for the Kangle logo, so

0:53:42.880 --> 0:53:46.239
<v Speaker 2>just the style and just the style. And Benson's like, well,

0:53:46.280 --> 0:53:49.840
<v Speaker 2>if you say she consented that night, then you know,

0:53:50.840 --> 0:53:54.239
<v Speaker 2>can you do that? And he's like purgery And she's like, well,

0:53:54.239 --> 0:53:56.840
<v Speaker 2>I know, you guys cover for each other, and we

0:53:56.920 --> 0:53:59.320
<v Speaker 2>obviously as an audience know immediately this is a mission

0:53:59.480 --> 0:54:01.799
<v Speaker 2>because Ben and would never you know what I mean.

0:54:02.280 --> 0:54:04.600
<v Speaker 2>So she's like, you know, you could just say you

0:54:04.680 --> 0:54:07.440
<v Speaker 2>heard her consent before you left, and then you know

0:54:07.560 --> 0:54:10.759
<v Speaker 2>he would have a fighting chance. But yeah, so then

0:54:10.800 --> 0:54:14.399
<v Speaker 2>she plays into like what he obviously like she knows

0:54:14.400 --> 0:54:16.480
<v Speaker 2>who he is. So she's like, oh, and in this

0:54:16.600 --> 0:54:20.120
<v Speaker 2>day and age, without your fib, he's gonna lose. Think

0:54:20.160 --> 0:54:22.839
<v Speaker 2>of all the ballplayers that have covered for you. And

0:54:22.880 --> 0:54:24.840
<v Speaker 2>he agrees and says, yeah, sure, why the hell not?

0:54:24.960 --> 0:54:28.400
<v Speaker 2>And Benson goes, thanks, that's a start, and you know,

0:54:28.480 --> 0:54:30.759
<v Speaker 2>we're gonna wait also for the test, the DNA test,

0:54:30.840 --> 0:54:32.320
<v Speaker 2>And he's like, wait, what test? What what are you

0:54:32.360 --> 0:54:34.319
<v Speaker 2>talking about? And she's like, you know, the DNA test.

0:54:34.480 --> 0:54:37.480
<v Speaker 2>I wish I had rhythms so I could do the Lizzo.

0:54:38.120 --> 0:54:39.040
<v Speaker 2>I took a DNA.

0:54:39.239 --> 0:54:42.520
<v Speaker 1>I just took a DNA test. Turns out Peterstone is

0:54:42.560 --> 0:54:46.719
<v Speaker 1>one hundred percent. Maybe the father, I don't know, that

0:54:46.760 --> 0:54:47.319
<v Speaker 1>could be fun.

0:54:47.440 --> 0:54:51.520
<v Speaker 2>I liked her, I liked the riff. Okay, So then

0:54:51.800 --> 0:54:54.319
<v Speaker 2>so then we see, you know, things are weird. But

0:54:55.360 --> 0:54:57.319
<v Speaker 2>she goes, you know, we're just gonna make sure. Is

0:54:57.360 --> 0:55:00.279
<v Speaker 2>he the dad of Sarah's daughter? And the time a

0:55:00.280 --> 0:55:03.120
<v Speaker 2>spot on everything works the husband couldn't get her pregnant,

0:55:03.160 --> 0:55:06.440
<v Speaker 2>and the dramatic music plays, and then the beard he

0:55:06.560 --> 0:55:10.440
<v Speaker 2>gets what's happening. He's not that stupid, so then stares

0:55:10.480 --> 0:55:13.040
<v Speaker 2>at Benson, leans back slowly. It's like he won a

0:55:13.040 --> 0:55:13.680
<v Speaker 2>game of chess.

0:55:13.760 --> 0:55:16.000
<v Speaker 1>I mean lost loss, obviously lost a game of chess,

0:55:16.120 --> 0:55:20.080
<v Speaker 1>leans back slowly against the exposed brick wall, and he goes,

0:55:20.280 --> 0:55:23.279
<v Speaker 1>you know, he says softly, and Benson says, I know

0:55:23.320 --> 0:55:25.319
<v Speaker 1>what a guy who's willing to commit perjury in a

0:55:25.400 --> 0:55:29.880
<v Speaker 1>rape case. Thinks about women boom, and she and he

0:55:29.920 --> 0:55:32.440
<v Speaker 1>married someone, So like what he raped this woman and

0:55:32.480 --> 0:55:35.759
<v Speaker 1>then married the other woman, the friend that she was

0:55:35.800 --> 0:55:36.399
<v Speaker 1>with that night.

0:55:36.480 --> 0:55:38.759
<v Speaker 2>Yeah, and did they not all see each other at

0:55:38.800 --> 0:55:40.880
<v Speaker 2>the wedding? Like, I don't get what's happening.

0:55:40.960 --> 0:55:44.040
<v Speaker 1>So and also Sarah also said that Stone started to

0:55:44.040 --> 0:55:46.080
<v Speaker 1>get mean at the end. So did this guy like

0:55:46.120 --> 0:55:48.240
<v Speaker 1>fucking drug everybody so that he could do whatever?

0:55:48.440 --> 0:55:48.640
<v Speaker 3>Or what?

0:55:49.640 --> 0:55:51.200
<v Speaker 1>Like? Why was Stone being? She was like, he was

0:55:51.280 --> 0:55:52.880
<v Speaker 1>so nice, but then at the end he got different

0:55:52.920 --> 0:55:55.880
<v Speaker 1>and he was jerk, but a jerky Yeah, but that

0:55:55.920 --> 0:55:58.879
<v Speaker 1>doesn't mean full blow. Yeah, maybe he was just passing out.

0:55:59.040 --> 0:56:04.719
<v Speaker 2>Yeah, but so yeah, but you know, Peter Stone passed out,

0:56:04.840 --> 0:56:07.800
<v Speaker 2>didn't he. Benson goes, she was so drunk she didn't

0:56:07.840 --> 0:56:10.480
<v Speaker 2>know what was going on, so she arrests his ass.

0:56:10.760 --> 0:56:16.759
<v Speaker 2>Reggie Griggs turn around, here's some new bracelets, bitch, and

0:56:17.040 --> 0:56:19.640
<v Speaker 2>now it's daytime. We're on the water and Peter is

0:56:19.680 --> 0:56:21.920
<v Speaker 2>met with Benson, who says that Reggie is taking a

0:56:22.000 --> 0:56:25.760
<v Speaker 2>deal with the DA right now and the charges against

0:56:25.760 --> 0:56:28.680
<v Speaker 2>Peter have been dropped. He says, it doesn't let him

0:56:28.719 --> 0:56:30.640
<v Speaker 2>off the hook like it was his hotel room and

0:56:30.680 --> 0:56:34.480
<v Speaker 2>it was his friend. But also in other great news,

0:56:35.239 --> 0:56:38.200
<v Speaker 2>Gary is the father of the baby. Great news for Gary.

0:56:38.280 --> 0:56:40.960
<v Speaker 2>He does not need that. No, I'm really happy. I

0:56:40.960 --> 0:56:42.520
<v Speaker 2>think it would have meant a lot to him. He's

0:56:42.800 --> 0:56:45.040
<v Speaker 2>hanging on by a thread. He honestly needs like a

0:56:45.080 --> 0:56:45.920
<v Speaker 2>weekend in o Hi.

0:56:47.160 --> 0:56:48.239
<v Speaker 1>He needs to get out.

0:56:50.400 --> 0:56:52.839
<v Speaker 2>But she did think Peter was the father the whole time,

0:56:53.000 --> 0:56:57.920
<v Speaker 2>like the So Sarah's free of it too, like they're free.

0:56:59.000 --> 0:57:01.000
<v Speaker 1>Oh you think he would of like grabbed a piece

0:57:01.040 --> 0:57:03.560
<v Speaker 1>of your daughter's hair when she was like three and

0:57:03.600 --> 0:57:06.480
<v Speaker 1>figured it out earlier, just to know that you weren't

0:57:07.280 --> 0:57:10.799
<v Speaker 1>raising your rapist's daughter, you know, and that it was.

0:57:11.000 --> 0:57:12.920
<v Speaker 1>She didn't want to, she didn't watch. She also was

0:57:13.000 --> 0:57:16.840
<v Speaker 1>too scared, too scared. Yeah, she wanted that night to disappear,

0:57:17.040 --> 0:57:19.000
<v Speaker 1>Like didn't want to fucking think about it. And that

0:57:19.040 --> 0:57:21.200
<v Speaker 1>would be really hard to confront actually if that was

0:57:21.240 --> 0:57:24.240
<v Speaker 1>the case. Yeah.

0:57:24.280 --> 0:57:29.240
<v Speaker 2>So, uh, this affects Peter huge because you know, I

0:57:29.280 --> 0:57:31.960
<v Speaker 2>don't know why so Benson apologizes for doubting it. I

0:57:31.960 --> 0:57:34.920
<v Speaker 2>guess I know why So Benson apologizes for doubting it.

0:57:35.960 --> 0:57:39.800
<v Speaker 2>Stone says, no way, don't that's why I work with you.

0:57:40.000 --> 0:57:41.760
<v Speaker 2>When all the noise was coming up, there was a

0:57:41.800 --> 0:57:43.400
<v Speaker 2>moment I doubted myself too.

0:57:44.360 --> 0:57:44.880
<v Speaker 1>He's hot.

0:57:45.200 --> 0:57:47.840
<v Speaker 2>He walks off, She stands at the water, Benson like

0:57:47.880 --> 0:57:49.000
<v Speaker 2>looks into the distance.

0:57:49.080 --> 0:57:53.960
<v Speaker 1>And that's stick Wolf Baby A season twenty gem from

0:57:54.040 --> 0:58:04.600
<v Speaker 1>the Stone Chronicles. So there's two cases that are kicking

0:58:04.600 --> 0:58:07.320
<v Speaker 1>around the internet as being based like the inspiration for

0:58:07.360 --> 0:58:10.520
<v Speaker 1>this episode. And one is like sci fula con case

0:58:10.560 --> 0:58:13.640
<v Speaker 1>which is one of the only college rape cases that's

0:58:13.640 --> 0:58:18.160
<v Speaker 1>gone to court. But it's like it seemed really unrelated

0:58:18.200 --> 0:58:20.040
<v Speaker 1>to this one, but it is interesting, and I wonder

0:58:20.040 --> 0:58:22.800
<v Speaker 1>if there'll be another chance to cover it later because

0:58:22.880 --> 0:58:26.200
<v Speaker 1>this guy was acquitted of rape at school, but then

0:58:26.240 --> 0:58:30.120
<v Speaker 1>his college still kicked him out. Yale still kicked him out,

0:58:30.120 --> 0:58:32.080
<v Speaker 1>and then I think he tried to sue Yale and

0:58:32.240 --> 0:58:35.680
<v Speaker 1>the girl who accused him. He seems maybe like not

0:58:35.760 --> 0:58:37.640
<v Speaker 1>a good person, but I don't know. I need to

0:58:38.000 --> 0:58:39.840
<v Speaker 1>do more research on that, but it doesn't seem like

0:58:39.840 --> 0:58:41.240
<v Speaker 1>it has anything to do with this one, and I

0:58:41.280 --> 0:58:44.160
<v Speaker 1>really want to talk about the other one. So, oh

0:58:44.240 --> 0:58:46.640
<v Speaker 1>my god, I want to talk to you about this.

0:58:46.760 --> 0:58:48.480
<v Speaker 1>We're going back. This is once in a while we

0:58:48.560 --> 0:58:54.280
<v Speaker 1>go back into pre nineteen hundred right wait, no way, Yeah,

0:58:54.320 --> 0:58:57.760
<v Speaker 1>so this is an older, older crime. So this is

0:58:57.840 --> 0:59:01.600
<v Speaker 1>Evelyn Nesbit. This is a famous fucking story. I've never

0:59:01.640 --> 0:59:02.440
<v Speaker 1>heard it before.

0:59:02.760 --> 0:59:05.000
<v Speaker 2>Wait, you know why I'm thinking of the Nesbits because

0:59:05.040 --> 0:59:08.120
<v Speaker 2>that's the name in that SVU where like the brothers.

0:59:08.200 --> 0:59:10.520
<v Speaker 1>Oh, Marilyn Nesbit, the one who doesn't feed her kids.

0:59:10.520 --> 0:59:12.360
<v Speaker 1>That's so sick that I know that I know. But

0:59:12.520 --> 0:59:14.800
<v Speaker 1>well that's what I thought of immediately as well. But

0:59:15.840 --> 0:59:17.920
<v Speaker 1>why have we done that episode? I don't know if

0:59:17.920 --> 0:59:20.680
<v Speaker 1>we've done it. No, we haven't waited based on anything.

0:59:21.040 --> 0:59:22.600
<v Speaker 1>I don't know if it's based on the wet to

0:59:22.640 --> 0:59:26.120
<v Speaker 1>look it up. We got to look it up. Okay. Yeah,

0:59:26.240 --> 0:59:31.000
<v Speaker 1>but that's yeah, that is one to put right down. Okay.

0:59:31.160 --> 0:59:34.280
<v Speaker 1>So this was the crime of the century when it happened.

0:59:34.280 --> 0:59:37.160
<v Speaker 1>So let me just get into the history. So Evelyn

0:59:37.280 --> 0:59:42.120
<v Speaker 1>Nesbit is considered the world's first supermodel. She started modeling it.

0:59:42.680 --> 0:59:48.200
<v Speaker 1>J Dickinson would not want to hear that. She is pissed.

0:59:48.960 --> 0:59:51.480
<v Speaker 1>You better watch out out. But she's like a Comfrey,

0:59:51.680 --> 0:59:56.040
<v Speaker 1>She's like Evelyn Nesbit, shut up, you old bitch. Yeah. No,

0:59:56.320 --> 0:59:59.760
<v Speaker 1>she was fourteen years old in eighteen ninety eight, just

0:59:59.800 --> 1:00:02.160
<v Speaker 1>as his fashion photography was starting to take off, like

1:00:02.400 --> 1:00:05.640
<v Speaker 1>people were starting to use photographs for advertising a lot more.

1:00:05.640 --> 1:00:07.240
<v Speaker 1>And it used to just be like drawings, you know,

1:00:07.320 --> 1:00:10.720
<v Speaker 1>like you'll see old like like drawings of like La

1:00:10.800 --> 1:00:13.120
<v Speaker 1>Chete Noir and stuff like that, like that's kind of

1:00:13.200 --> 1:00:16.120
<v Speaker 1>was the thing. But now people are starting to pose.

1:00:16.320 --> 1:00:18.960
<v Speaker 1>And she was very good at like staying still and

1:00:19.040 --> 1:00:22.000
<v Speaker 1>posing for a long time for photographs or paintings or whatever.

1:00:22.360 --> 1:00:24.880
<v Speaker 1>So she becomes this big model. She quickly rises to

1:00:24.920 --> 1:00:27.880
<v Speaker 1>prominence as a model, and she's very sought after. So

1:00:27.960 --> 1:00:31.640
<v Speaker 1>then in nineteen oh one, when she's around sixteen, she

1:00:31.680 --> 1:00:35.160
<v Speaker 1>becomes a chorus girl on Broadway and one of her

1:00:35.200 --> 1:00:40.400
<v Speaker 1>castmates introduces her to Stanford White, who is a well

1:00:40.440 --> 1:00:43.560
<v Speaker 1>known architect. He's like a very famous architect in Manhattan,

1:00:44.000 --> 1:00:48.120
<v Speaker 1>and he's forty six years old. She's sixteen. Just a reminder, okay.

1:00:48.800 --> 1:00:52.440
<v Speaker 1>So Stanford White invites Evelyn and her cast mate to

1:00:52.520 --> 1:00:55.960
<v Speaker 1>his multi floor apartment on West twenty fourth Street, which

1:00:56.320 --> 1:00:58.200
<v Speaker 1>at the time is right next door to the delivery

1:00:58.320 --> 1:01:00.919
<v Speaker 1>entrance for Fao Schwartz, which is doesn't mean anything, it's

1:01:00.960 --> 1:01:04.960
<v Speaker 1>just kind of a fun tidbit means a lot to me. Yeah,

1:01:05.000 --> 1:01:09.400
<v Speaker 1>And so this guy is loaded multi floor apartment. She's

1:01:09.440 --> 1:01:11.760
<v Speaker 1>really swept off of her feet by like everything that's

1:01:11.800 --> 1:01:15.160
<v Speaker 1>going on there, like the lunch, the expensive furniture, like

1:01:15.400 --> 1:01:18.520
<v Speaker 1>everything about him. He's he's pretty, he's high society, right,

1:01:19.080 --> 1:01:24.080
<v Speaker 1>and he basically becomes her benefactor. He moves her, her brother,

1:01:24.240 --> 1:01:26.920
<v Speaker 1>and her mother into a suite at the Wellington Hotel

1:01:27.120 --> 1:01:29.520
<v Speaker 1>because I think previously her father had died and left

1:01:29.520 --> 1:01:32.040
<v Speaker 1>them penniless, so they had moved to New York to

1:01:32.080 --> 1:01:34.720
<v Speaker 1>try to The mom was trying to make it work

1:01:34.760 --> 1:01:37.560
<v Speaker 1>as like a costumer or like a seamstress, and so

1:01:37.720 --> 1:01:40.680
<v Speaker 1>now the daughter's becoming a model. This rich guy is like,

1:01:40.720 --> 1:01:42.440
<v Speaker 1>I'm gonna pay for you guys like to move into

1:01:42.520 --> 1:01:45.040
<v Speaker 1>this nice hotel. She he pays for the younger brother

1:01:45.080 --> 1:01:47.720
<v Speaker 1>to go to a military school, and he talks the

1:01:47.800 --> 1:01:51.240
<v Speaker 1>mom into taking a trip over to Pittsburgh to visit

1:01:51.280 --> 1:01:54.200
<v Speaker 1>some friends, promising, don't worry, I'll make sure Evelyn is safe.

1:01:54.240 --> 1:01:58.120
<v Speaker 1>But of course he is a predator. So Evelyn reports

1:01:58.160 --> 1:02:04.360
<v Speaker 1>that later when her mother is this is very bad way. Yeah,

1:02:04.400 --> 1:02:07.560
<v Speaker 1>It's like I was like, I'm surprised, I've never seen

1:02:07.600 --> 1:02:09.960
<v Speaker 1>a movie or whatever based on this. It's like really crazy.

1:02:10.040 --> 1:02:11.880
<v Speaker 1>So but there is, there are movies and like other

1:02:11.960 --> 1:02:15.520
<v Speaker 1>things based on this character, this person, real life person.

1:02:16.320 --> 1:02:21.880
<v Speaker 1>So while she's gone, you know, this guy has her

1:02:21.920 --> 1:02:25.080
<v Speaker 1>over for dinner and champagne with him at his home.

1:02:25.480 --> 1:02:27.880
<v Speaker 1>And the last thing she remembers is changing into a

1:02:27.960 --> 1:02:31.080
<v Speaker 1>yellow kimono that White asked her to change into. When

1:02:31.080 --> 1:02:33.760
<v Speaker 1>she woke up, she was naked. There was blood on

1:02:33.800 --> 1:02:35.760
<v Speaker 1>the sheets, which she said meant that she had he

1:02:35.800 --> 1:02:39.960
<v Speaker 1>had taken her virginity. And even though she did recount

1:02:39.960 --> 1:02:43.200
<v Speaker 1>this incident to other people and described it as date rape.

1:02:43.240 --> 1:02:46.160
<v Speaker 1>But then she eventually entered into a relationship with White,

1:02:46.520 --> 1:02:49.040
<v Speaker 1>which we all know could have been for a million reasons,

1:02:49.120 --> 1:02:51.800
<v Speaker 1>like he's rich and powerful, her family didn't have money,

1:02:51.960 --> 1:02:55.640
<v Speaker 1>he's thirty years older than her. You know, this man

1:02:55.720 --> 1:02:58.440
<v Speaker 1>probably could have ruined her life if she didn't like

1:02:58.560 --> 1:03:01.760
<v Speaker 1>consent to what like was altily abuse. But like, they

1:03:02.040 --> 1:03:07.440
<v Speaker 1>eventually became like quote unquote lovers, and as their relationship

1:03:07.520 --> 1:03:09.520
<v Speaker 1>sort of fizzled out, she found out that he had

1:03:09.600 --> 1:03:13.360
<v Speaker 1>many quote unquote affairs with minors, which he recorded all

1:03:13.400 --> 1:03:17.120
<v Speaker 1>of these crimes in a Little Black Book. So I

1:03:17.120 --> 1:03:19.440
<v Speaker 1>feel like that's we've touched on that in several episodes

1:03:19.440 --> 1:03:21.480
<v Speaker 1>of Best View as well, Like this little freak guy

1:03:21.600 --> 1:03:24.040
<v Speaker 1>is like constantly going after young girls. He's in his

1:03:24.120 --> 1:03:29.520
<v Speaker 1>late forties, and he's recording all of it. So another

1:03:29.600 --> 1:03:32.520
<v Speaker 1>little tidbit is that she had a much more age

1:03:32.520 --> 1:03:37.000
<v Speaker 1>appropriate relationship with actor John Barrymore, grandfather of Drew, during

1:03:37.000 --> 1:03:40.640
<v Speaker 1>this time when Barrymore was twenty and Evelyn was sixteen

1:03:40.680 --> 1:03:44.520
<v Speaker 1>or seventeen, and White tried to keep them apart by

1:03:44.520 --> 1:03:47.960
<v Speaker 1>sending her to boarding school. And at one point Barrymore

1:03:48.040 --> 1:03:50.160
<v Speaker 1>proposed to Evelyn and she turned him down, maybe because

1:03:50.160 --> 1:03:53.080
<v Speaker 1>she was too young, or maybe she didn't. I don't know.

1:03:53.160 --> 1:03:55.760
<v Speaker 1>I don't know why, but apparently he describes Evelyn as

1:03:55.800 --> 1:04:00.560
<v Speaker 1>his first love. He did later. So Evelyn eventually moves

1:04:00.720 --> 1:04:04.720
<v Speaker 1>from chorus girl up to a starring role and was

1:04:04.760 --> 1:04:07.760
<v Speaker 1>cast in a Broadway play called The wild Rose. And

1:04:08.480 --> 1:04:12.800
<v Speaker 1>she eventually becomes involved with a guy named Harry Kendall Thaw,

1:04:12.920 --> 1:04:15.880
<v Speaker 1>and he is the son of a Pittsburgh railroad baron,

1:04:16.320 --> 1:04:20.160
<v Speaker 1>heir to a forty million dollar fortune well nineteen who

1:04:20.880 --> 1:04:24.680
<v Speaker 1>so that's a lot right. Thaw had a long history

1:04:24.680 --> 1:04:27.160
<v Speaker 1>of mental instability going back to his childhood. And he

1:04:27.240 --> 1:04:29.320
<v Speaker 1>was a hot mess, and he had seen the wild

1:04:29.400 --> 1:04:32.800
<v Speaker 1>Rose upwards of forty times before he even met Evelyn.

1:04:33.160 --> 1:04:36.919
<v Speaker 1>So he's obsessed, right, and he hates White. He hates

1:04:36.960 --> 1:04:41.000
<v Speaker 1>Stanford White, the architect, right. He thinks that White has.

1:04:40.960 --> 1:04:43.520
<v Speaker 2>Sots, like it's like, I have no idea where this

1:04:43.600 --> 1:04:45.960
<v Speaker 2>is going, like this is it's a wild.

1:04:46.040 --> 1:04:50.880
<v Speaker 1>It's crazy White. He he thinks White stopped him from

1:04:50.920 --> 1:04:54.120
<v Speaker 1>being welcomed into New York City high society. And he

1:04:54.240 --> 1:04:56.640
<v Speaker 1>also knew that he was a womanizer who preyed on

1:04:56.720 --> 1:04:59.320
<v Speaker 1>underage girl. So he like fucking hates this white guy.

1:05:00.000 --> 1:05:03.600
<v Speaker 1>So it's some suspect that one of the reasons that

1:05:03.640 --> 1:05:07.960
<v Speaker 1>thought even pursued Evelyn was because of her rumored relationship

1:05:08.000 --> 1:05:10.400
<v Speaker 1>with White, which like not everyone is clear about, right,

1:05:10.480 --> 1:05:13.000
<v Speaker 1>It's like, oh, benefactor, is something going on? Like no

1:05:13.040 --> 1:05:14.760
<v Speaker 1>one you know, it's like not clear to a lot

1:05:14.760 --> 1:05:18.320
<v Speaker 1>of people. Okay, So now it's nineteen oh three, Evelyn's

1:05:18.320 --> 1:05:20.600
<v Speaker 1>about eighteen, She's at boarding school. She has to have

1:05:20.640 --> 1:05:26.760
<v Speaker 1>an emergency appendectomy, which many speculate is an abortion. Perhaps

1:05:26.840 --> 1:05:31.200
<v Speaker 1>John Barrymore's No one is sure. Thaw is very super

1:05:31.240 --> 1:05:33.600
<v Speaker 1>protective of her and make sure she gets like top

1:05:33.600 --> 1:05:36.000
<v Speaker 1>of the line medical treatment, like the best doctors. Right.

1:05:36.680 --> 1:05:38.919
<v Speaker 1>He pressures her to go on this trip with him

1:05:38.920 --> 1:05:42.600
<v Speaker 1>to Europe to help with her recovery. Her mother went

1:05:42.640 --> 1:05:45.360
<v Speaker 1>along too, so that it wouldn't be like indecent or whatever.

1:05:45.800 --> 1:05:50.560
<v Speaker 1>But then this motherfucker intentionally makes the schedule of travel insane,

1:05:50.680 --> 1:05:52.800
<v Speaker 1>Like the pace of the travel is like so intense

1:05:52.840 --> 1:05:55.520
<v Speaker 1>that eventually Evelyn and her mother start like fighting and

1:05:55.560 --> 1:05:57.840
<v Speaker 1>being stressed out and going at each other until the

1:05:57.880 --> 1:06:02.760
<v Speaker 1>mind like a villa, like what the fuck? Yeah, yeah,

1:06:02.800 --> 1:06:07.040
<v Speaker 1>And he's one of these classic nineteen hundred 's morphine freaks,

1:06:07.080 --> 1:06:09.920
<v Speaker 1>like he's addicted. He's got to get on addictions, you know,

1:06:10.160 --> 1:06:14.080
<v Speaker 1>Like but he's loaded, so it's like no one's calling

1:06:14.120 --> 1:06:17.760
<v Speaker 1>him just like a weirdo and a creep because he's loaded,

1:06:17.800 --> 1:06:20.960
<v Speaker 1>and so he's allowed a certain amount of I don't know,

1:06:21.120 --> 1:06:25.400
<v Speaker 1>you know so status. So basically he causes the mom

1:06:25.400 --> 1:06:27.600
<v Speaker 1>and the daughter to fucking hate each other on this trip,

1:06:27.640 --> 1:06:29.040
<v Speaker 1>and the mom decides I want to go back to

1:06:29.040 --> 1:06:31.480
<v Speaker 1>the States, so they leave the mom's ass in London

1:06:31.560 --> 1:06:34.240
<v Speaker 1>and thought takes Evelyn to Paris alone. And this is

1:06:34.280 --> 1:06:37.520
<v Speaker 1>where he starts pressuring Evelyn to marry him. And but

1:06:37.760 --> 1:06:41.840
<v Speaker 1>Evelyn knows this guy is like pious, like this guy's

1:06:41.920 --> 1:06:46.320
<v Speaker 1>kind of weirdly freakishly religious or like all about purity,

1:06:46.760 --> 1:06:49.600
<v Speaker 1>and he's gonna want a virgin bride. And she's like,

1:06:49.640 --> 1:06:51.600
<v Speaker 1>and I'm not a virgin, like she knows she's not,

1:06:52.280 --> 1:06:57.040
<v Speaker 1>and so she's resisting because yes, it's like so weird.

1:06:57.040 --> 1:06:59.280
<v Speaker 1>It's like this guy is a weird He's on this

1:06:59.320 --> 1:07:02.080
<v Speaker 1>weird more high horse, even though he's like a morphine

1:07:02.080 --> 1:07:04.280
<v Speaker 1>addict and like does all this shit, you know what

1:07:04.320 --> 1:07:06.080
<v Speaker 1>I mean, But women have to be a certain way.

1:07:06.240 --> 1:07:10.840
<v Speaker 1>That's like his vibe, right, So and it gets more

1:07:10.880 --> 1:07:15.040
<v Speaker 1>into how he feels about that. So she's like, oh

1:07:15.040 --> 1:07:17.080
<v Speaker 1>my god, this guy wants like a virgin bride, Like

1:07:17.240 --> 1:07:19.960
<v Speaker 1>that's not me. But he just pushes her and pushes

1:07:20.000 --> 1:07:23.440
<v Speaker 1>her so much that eventually she just comes clean to

1:07:23.520 --> 1:07:26.160
<v Speaker 1>him and tells him about the assault from White, that

1:07:26.280 --> 1:07:30.240
<v Speaker 1>how he like date raped her, and then Thaw accuses

1:07:30.360 --> 1:07:34.560
<v Speaker 1>her mother of being unfit, and like you know, he's

1:07:34.600 --> 1:07:37.120
<v Speaker 1>he's upset when he hears about what happened from White,

1:07:37.160 --> 1:07:39.520
<v Speaker 1>of course, because he also hates fucking white. So then

1:07:39.560 --> 1:07:44.080
<v Speaker 1>they continue their European tour and in some point in Austria,

1:07:44.200 --> 1:07:47.000
<v Speaker 1>Dash hungry it says, I don't know if at one

1:07:47.000 --> 1:07:49.400
<v Speaker 1>point that was considered a place together. I'm not very

1:07:49.400 --> 1:07:53.320
<v Speaker 1>good at geography. He takes her to a gothic Katzenstein

1:07:53.560 --> 1:07:57.200
<v Speaker 1>castle where he locks is going on. He locks Evelyn

1:07:57.240 --> 1:07:59.960
<v Speaker 1>in her room, beats her with a whip and sexualist

1:08:00.680 --> 1:08:03.040
<v Speaker 1>over the period of over a two week period.

1:08:03.360 --> 1:08:06.840
<v Speaker 2>What the fuck I mean? Obviously this wasn't a good

1:08:06.840 --> 1:08:08.760
<v Speaker 2>news guy, but like, fuck.

1:08:09.120 --> 1:08:13.400
<v Speaker 1>I know, and then Evelyn and then afterwards he apologizes,

1:08:13.720 --> 1:08:15.520
<v Speaker 1>and something that I read was like and then he

1:08:15.560 --> 1:08:17.479
<v Speaker 1>was pretty upbeat. I'm like, oh, he's pretty upbeat after

1:08:17.520 --> 1:08:21.760
<v Speaker 1>he apologized for basically terrorizing and torturing a woman for

1:08:21.800 --> 1:08:25.000
<v Speaker 1>two weeks. So when they get back to New York City,

1:08:25.320 --> 1:08:28.160
<v Speaker 1>Evelyn tells some friends about what went down in Europe,

1:08:28.200 --> 1:08:30.439
<v Speaker 1>and they're all like, oh, yeah, girl, that guy's nuts,

1:08:30.479 --> 1:08:33.440
<v Speaker 1>Like everybody knows he's nuts. He's a morphine addict, he's unhinged,

1:08:33.479 --> 1:08:37.519
<v Speaker 1>like everyone knows this. So now Evelyn is freaking out

1:08:37.720 --> 1:08:40.360
<v Speaker 1>because she's kind of worried that if people know the

1:08:40.360 --> 1:08:42.599
<v Speaker 1>full extent of her relationship with White, that no one

1:08:42.640 --> 1:08:46.479
<v Speaker 1>will marry her, right, Like that's this old way of

1:08:46.520 --> 1:08:50.280
<v Speaker 1>thinking that she's she thinks she's like damaged goods. But

1:08:50.360 --> 1:08:53.639
<v Speaker 1>she's also pissed at White for letting her go because

1:08:53.640 --> 1:08:55.640
<v Speaker 1>she's still kind of in touch with White, and she's like,

1:08:55.640 --> 1:08:58.280
<v Speaker 1>why didn't you tell me what a Psychothaw was? Like

1:08:58.400 --> 1:08:59.880
<v Speaker 1>you know who he is, Like, why didn't you tell

1:08:59.920 --> 1:09:03.000
<v Speaker 1>me what a psycho this guy was? So then at

1:09:03.000 --> 1:09:05.000
<v Speaker 1>some point her mom gets remarried, and if you thought

1:09:05.000 --> 1:09:07.719
<v Speaker 1>she was a shitty mom before, well now she's just gone.

1:09:07.760 --> 1:09:11.200
<v Speaker 1>Her mom's like out of the picture. So Thaw is

1:09:11.240 --> 1:09:15.120
<v Speaker 1>continuing to pressure Evelyn into marriage and promised that once

1:09:15.160 --> 1:09:17.320
<v Speaker 1>they get married, he'll be like a Benedictine monk if

1:09:17.360 --> 1:09:20.920
<v Speaker 1>they get married, like and she finally agrees, and his

1:09:21.040 --> 1:09:23.639
<v Speaker 1>family approves of the marriage as long as she gives

1:09:23.720 --> 1:09:26.280
<v Speaker 1>up modeling, gives up acting, and doesn't talk about her

1:09:26.320 --> 1:09:31.360
<v Speaker 1>past at all. Very cool. So they get married April fourth,

1:09:31.439 --> 1:09:34.479
<v Speaker 1>nineteen oh five, and this bitch thinks she's going to

1:09:34.560 --> 1:09:38.040
<v Speaker 1>be traveling and entertaining like a millionaire's wife. But it

1:09:38.120 --> 1:09:41.240
<v Speaker 1>turns out Thaw is kind of like religious and like

1:09:41.320 --> 1:09:44.479
<v Speaker 1>straight edge, like he's not about the party lifestyle, and

1:09:44.640 --> 1:09:48.400
<v Speaker 1>he kind of he goes on this mission to expose

1:09:48.520 --> 1:09:51.320
<v Speaker 1>White and all of his crimes as part of like

1:09:51.360 --> 1:09:55.519
<v Speaker 1>these moral vigilance campaigns. Like this man is evil and

1:09:55.600 --> 1:09:57.760
<v Speaker 1>you know, I mean this is like even before prohibition,

1:09:57.920 --> 1:10:02.760
<v Speaker 1>like people were really on their guy. Yeah, but that

1:10:02.840 --> 1:10:04.759
<v Speaker 1>he's an addict, so I don't even know if he's

1:10:05.920 --> 1:10:09.080
<v Speaker 1>really putting things into perspective. What he does is not

1:10:09.120 --> 1:10:11.320
<v Speaker 1>what she does. And you know, like he's all about

1:10:11.320 --> 1:10:15.400
<v Speaker 1>having this like perfect like clean bride or whatever, like

1:10:15.520 --> 1:10:19.160
<v Speaker 1>women or have to be this certain way. So he

1:10:19.400 --> 1:10:22.800
<v Speaker 1>was paranoid not only that White had start had like

1:10:22.880 --> 1:10:24.800
<v Speaker 1>kept him out of New York society, but also that

1:10:24.840 --> 1:10:27.160
<v Speaker 1>he had hired a gang to kill him. Like he

1:10:27.280 --> 1:10:31.720
<v Speaker 1>was paranoid obviously this man and what's just it's just

1:10:31.760 --> 1:10:35.280
<v Speaker 1>something like this is I'm just sad, I know should

1:10:35.240 --> 1:10:37.720
<v Speaker 1>in no way out. It kind of reminds me of

1:10:37.760 --> 1:10:41.840
<v Speaker 1>the movie Poor Things, Like that's what I keep thinking about. Yeah,

1:10:41.880 --> 1:10:44.679
<v Speaker 1>it was reminding me of like rumors I've heard about

1:10:44.720 --> 1:10:47.599
<v Speaker 1>like young actresses getting sort of like passed around and

1:10:47.680 --> 1:10:49.320
<v Speaker 1>like bad things happening to them, do you know what

1:10:49.400 --> 1:10:51.519
<v Speaker 1>I mean? Like I feel like, that's what I was

1:10:51.600 --> 1:10:55.080
<v Speaker 1>kind of thinking of too. But this guy, Thaw is

1:10:55.120 --> 1:10:57.360
<v Speaker 1>obsessed with White and thinks about him all the time.

1:10:57.520 --> 1:10:59.960
<v Speaker 1>It turns out White doesn't really think about Thaw that much.

1:11:00.160 --> 1:11:02.120
<v Speaker 1>She doesn't really He goes, yeah, I think he's like

1:11:02.160 --> 1:11:04.200
<v Speaker 1>a loser. He's like a peon. He's like not really

1:11:04.240 --> 1:11:05.840
<v Speaker 1>a part of my life. He just does not really

1:11:05.840 --> 1:11:07.800
<v Speaker 1>give that much like credence to this guy at all.

1:11:08.640 --> 1:11:12.080
<v Speaker 1>So now it's June nineteen oh six. Oh and by

1:11:12.080 --> 1:11:13.280
<v Speaker 1>the way, I don't know if I said this. After

1:11:13.320 --> 1:11:16.559
<v Speaker 1>they got married, they basically moved back to the Pittsburgh area.

1:11:16.880 --> 1:11:19.400
<v Speaker 1>So this Evelyn is like, I was a fucking actress

1:11:19.400 --> 1:11:21.679
<v Speaker 1>and a hot model in New York City. I thought

1:11:21.680 --> 1:11:23.320
<v Speaker 1>I was going to marry a millionaire and just start

1:11:23.360 --> 1:11:25.800
<v Speaker 1>living a cool life. Now I have to move to

1:11:25.840 --> 1:11:29.240
<v Speaker 1>Pittsburgh and my only companions are basically my mother in law,

1:11:29.400 --> 1:11:32.080
<v Speaker 1>like Thaw's mom, who is like the matriarch of the

1:11:32.120 --> 1:11:35.839
<v Speaker 1>family and like very sounds very bitchy and very controlling

1:11:35.880 --> 1:11:39.240
<v Speaker 1>of her. So in June of nineteen oh six, Evelyn

1:11:39.320 --> 1:11:42.000
<v Speaker 1>and Thaw stop in New York City before getting on

1:11:42.040 --> 1:11:44.360
<v Speaker 1>a luxury liner to Europe for a vacation, so I

1:11:44.360 --> 1:11:46.080
<v Speaker 1>guess they're traving a little bit, but maybe not as

1:11:46.160 --> 1:11:48.720
<v Speaker 1>much as she'd like. Thaw gets some tickets to the

1:11:48.720 --> 1:11:53.720
<v Speaker 1>premiere of Momzelle Champagne or maybe it's Mamzelle Champagne at

1:11:53.760 --> 1:11:57.280
<v Speaker 1>the rooftop theater of Madison Square Garden, a building which,

1:11:57.360 --> 1:12:01.840
<v Speaker 1>by the way, Stanford White designed. He designed Madison Square Garden.

1:12:02.040 --> 1:12:05.720
<v Speaker 1>This man, what the fuck? Yes, So they go out

1:12:05.760 --> 1:12:09.400
<v Speaker 1>to dinner pre show. Yeah, they go out to a

1:12:09.439 --> 1:12:12.000
<v Speaker 1>little pre show dinner, and they happened to see White

1:12:12.040 --> 1:12:14.439
<v Speaker 1>at the restaurant. And even though it's like June in

1:12:14.479 --> 1:12:17.000
<v Speaker 1>New York City, it's hot, Thaw is wearing a long

1:12:17.040 --> 1:12:19.719
<v Speaker 1>black overcoat over his suxceedo and he wouldn't take it off.

1:12:20.439 --> 1:12:23.800
<v Speaker 1>So now it's eleven PM, the show is wrapping up,

1:12:24.240 --> 1:12:27.120
<v Speaker 1>and for some reason, White walks in with like only

1:12:27.120 --> 1:12:29.479
<v Speaker 1>a few minutes left at the show, and he sits

1:12:29.520 --> 1:12:32.400
<v Speaker 1>down at like a table that is he probably his

1:12:32.439 --> 1:12:35.200
<v Speaker 1>table's He designed the fucking building, So I guess table

1:12:35.680 --> 1:12:39.080
<v Speaker 1>and Thaw approached him apparently a couple times, but then

1:12:39.200 --> 1:12:43.040
<v Speaker 1>kept backing away. And then during the finale number called

1:12:43.160 --> 1:12:47.360
<v Speaker 1>I Could Love a Million Girls, Thaw walks right up

1:12:47.400 --> 1:12:49.760
<v Speaker 1>to White, pulls out a gun and shoots him in

1:12:49.760 --> 1:12:54.479
<v Speaker 1>the face twice from two feet away, and then Thaw

1:12:54.560 --> 1:12:57.920
<v Speaker 1>tells the crowd, I did it because he ruined my wife.

1:12:58.200 --> 1:13:00.960
<v Speaker 1>He had it coming to him, advantage of the girl,

1:13:00.960 --> 1:13:03.320
<v Speaker 1>and then abandon her. You'll never go out with that

1:13:03.439 --> 1:13:08.160
<v Speaker 1>woman again. So this guy is off his rocker. So

1:13:09.360 --> 1:13:12.800
<v Speaker 1>also because of differing witness accounts, some reports say that

1:13:12.840 --> 1:13:15.000
<v Speaker 1>he said you ruined my life, and others heard him

1:13:15.000 --> 1:13:17.680
<v Speaker 1>say you ruined my wife, but no one knows, so

1:13:18.840 --> 1:13:21.719
<v Speaker 1>either way, I guess that's kind of where this connects

1:13:21.760 --> 1:13:24.479
<v Speaker 1>into the SVU episode with the bar and the you know,

1:13:24.880 --> 1:13:28.960
<v Speaker 1>you raped my wife or whatever. So some people in

1:13:29.000 --> 1:13:31.080
<v Speaker 1>the theater thought it was a joke or like part

1:13:31.120 --> 1:13:33.360
<v Speaker 1>of the show. But then it was very obvious, very

1:13:33.400 --> 1:13:36.240
<v Speaker 1>quickly that White was very dead and that was arrested

1:13:36.280 --> 1:13:39.439
<v Speaker 1>by the authorities. His trial was called the Trial of

1:13:39.479 --> 1:13:44.439
<v Speaker 1>the Century. His mother, this crazy millionaire matriarch, did not

1:13:44.600 --> 1:13:47.880
<v Speaker 1>want him to be classified or stigmatized as insane, so

1:13:47.920 --> 1:13:51.880
<v Speaker 1>she urged his defense to pursue a temporary insanity plea

1:13:52.200 --> 1:13:54.439
<v Speaker 1>which is apparently at the time was referred to as

1:13:54.439 --> 1:13:58.720
<v Speaker 1>a brainstorm lol. Being temporary insanity was like, oh, got

1:13:58.760 --> 1:14:01.880
<v Speaker 1>another one of my brainstorm. I thought she did want that. No,

1:14:02.000 --> 1:14:04.120
<v Speaker 1>she wanted him to go under after temporary insanity. They

1:14:04.160 --> 1:14:07.320
<v Speaker 1>didn't want him to be labeled like clinically insane and

1:14:07.400 --> 1:14:12.479
<v Speaker 1>like you know, put away forever. Like she spent over

1:14:12.600 --> 1:14:16.280
<v Speaker 1>five hundred thousand dollars in that time period on doctors

1:14:16.320 --> 1:14:18.720
<v Speaker 1>to work up this defense that this murder was at

1:14:18.800 --> 1:14:21.920
<v Speaker 1>one moment of insanity, even though there's a history of

1:14:21.920 --> 1:14:23.600
<v Speaker 1>mental illness in the family, and there's a history of

1:14:23.640 --> 1:14:27.400
<v Speaker 1>mental illness. Yeah, like in her family, the mother's family,

1:14:27.880 --> 1:14:31.800
<v Speaker 1>many of her relatives have been you know, like she

1:14:32.400 --> 1:14:35.080
<v Speaker 1>had mental illness, and so it's like, yes, your son

1:14:35.200 --> 1:14:37.840
<v Speaker 1>just got that, you know, like, but instead they just

1:14:37.880 --> 1:14:39.840
<v Speaker 1>threw money at the problems all the time. So the

1:14:39.880 --> 1:14:42.360
<v Speaker 1>first trial was in nineteen oh seven Trial the Century.

1:14:42.400 --> 1:14:45.760
<v Speaker 1>Evelyn testified and even detailed her assault by White, which

1:14:45.800 --> 1:14:49.400
<v Speaker 1>she had not told anybody but Thaw. Apparently the press

1:14:49.560 --> 1:14:52.719
<v Speaker 1>was horrible to her. Of course, many of them blamed

1:14:52.760 --> 1:14:55.760
<v Speaker 1>her for this all happening, and that her mother like

1:14:55.800 --> 1:14:58.600
<v Speaker 1>prostituted her by letting her like, you know, be with

1:14:58.680 --> 1:15:01.559
<v Speaker 1>White and all this stuff. A lot of them were

1:15:01.560 --> 1:15:04.479
<v Speaker 1>sympathetic to Thaw because they were like, wow, he was

1:15:04.520 --> 1:15:07.559
<v Speaker 1>just defending his wife's honor, you know. So the lot

1:15:07.560 --> 1:15:09.960
<v Speaker 1>of the press coverage was really fucked up. Like one

1:15:10.040 --> 1:15:12.719
<v Speaker 1>article I read, I actually put it in my show notes,

1:15:12.720 --> 1:15:15.880
<v Speaker 1>but like one of the articles I read is a

1:15:15.920 --> 1:15:19.160
<v Speaker 1>true scan of a paper from that time, and it

1:15:19.280 --> 1:15:22.920
<v Speaker 1>is wild. Like it's like it starts by describing her

1:15:22.920 --> 1:15:26.479
<v Speaker 1>physically her weight and basically was like, I don't know,

1:15:27.040 --> 1:15:29.640
<v Speaker 1>beautiful shock of hair, big eyes? Is that enough for

1:15:29.680 --> 1:15:32.920
<v Speaker 1>getting the electricity? Is the electricity worth it? The electric shock?

1:15:32.960 --> 1:15:36.400
<v Speaker 1>Like basically, is this bitch worth getting the electric chair for? Like,

1:15:36.880 --> 1:15:41.000
<v Speaker 1>you know, they're just talking about her. Imagine like someone's

1:15:42.080 --> 1:15:44.519
<v Speaker 1>testifying at a trial and you're like one hundred and

1:15:44.520 --> 1:15:47.240
<v Speaker 1>three pounds, like you like list the weight in the

1:15:47.360 --> 1:15:49.840
<v Speaker 1>article of the woman on the stand, Like that's the

1:15:49.920 --> 1:15:53.759
<v Speaker 1>kind of time period we're dealing with here. So they're horrible,

1:15:53.800 --> 1:15:58.720
<v Speaker 1>they're shitty. The jury this this trial was so sensationalized

1:15:58.720 --> 1:16:01.520
<v Speaker 1>and people were so obsessed that the jury was sequestered.

1:16:01.560 --> 1:16:03.519
<v Speaker 1>And this is the first time a jury has ever

1:16:03.520 --> 1:16:07.080
<v Speaker 1>been sequestered in US history. This is the I literally

1:16:07.080 --> 1:16:09.599
<v Speaker 1>googled what was the first trial to have sequestered jurors

1:16:09.640 --> 1:16:12.240
<v Speaker 1>after I read this and it's like the murder of

1:16:12.240 --> 1:16:19.760
<v Speaker 1>Stanford White. So this jury is sequestered, and after a

1:16:19.800 --> 1:16:23.240
<v Speaker 1>three month trial and a forty seven hour deliberate deliberation,

1:16:23.600 --> 1:16:27.439
<v Speaker 1>they are deadlocked. Seven of them say guilty, five say

1:16:27.479 --> 1:16:31.120
<v Speaker 1>not guilty. This man shot a man at point blank

1:16:31.160 --> 1:16:34.920
<v Speaker 1>practically range, in front of an audience of people, like

1:16:35.160 --> 1:16:39.080
<v Speaker 1>multiple witnesses, and five people are like, I don't know,

1:16:39.320 --> 1:16:43.000
<v Speaker 1>maybe it's not what we think like or whatever. Maybe

1:16:43.040 --> 1:16:45.760
<v Speaker 1>it had to do with whether they were willing to do.

1:16:46.800 --> 1:16:48.960
<v Speaker 1>I think it was probably whether they were believing that

1:16:49.000 --> 1:16:51.240
<v Speaker 1>he was temporarily insane or not, because that's the plea

1:16:51.320 --> 1:16:53.920
<v Speaker 1>that was actor. So that's probably actually what it was about.

1:16:53.960 --> 1:16:57.600
<v Speaker 1>But they were deadlocked. Thaw was outraged, of course, that

1:16:57.680 --> 1:16:59.479
<v Speaker 1>the jury didn't see what he did as an act

1:16:59.520 --> 1:17:01.679
<v Speaker 1>of chivalry, Like what are you talking about? Like, I'm

1:17:01.720 --> 1:17:05.440
<v Speaker 1>the hero in the story, right. The second trial happens

1:17:05.479 --> 1:17:08.719
<v Speaker 1>in nineteen oh eight the following year, where he pleads

1:17:08.760 --> 1:17:12.280
<v Speaker 1>temporary insanity again and he has found not guilty on

1:17:12.360 --> 1:17:15.599
<v Speaker 1>those grounds, and he was sentenced to involuntary commitment for

1:17:15.760 --> 1:17:21.160
<v Speaker 1>life in Mattawan State Hospital for the criminally insane in Venezua,

1:17:21.280 --> 1:17:26.960
<v Speaker 1>New York. But isn't that what the mom didn't want? Yes, so, obviously,

1:17:27.360 --> 1:17:30.559
<v Speaker 1>because he is beyond loaded, he gets a lot of

1:17:30.600 --> 1:17:34.640
<v Speaker 1>perks and privileges at this place. And immediately from the

1:17:34.680 --> 1:17:37.400
<v Speaker 1>moment he has put into this hospital, he's hiring a

1:17:37.439 --> 1:17:40.200
<v Speaker 1>legal team and assigned all of them to get him

1:17:40.240 --> 1:17:43.120
<v Speaker 1>declared sane, like that is their job. And it took

1:17:43.160 --> 1:17:46.479
<v Speaker 1>a little while. It took so long that in nineteen thirteen,

1:17:46.560 --> 1:17:49.200
<v Speaker 1>after five years in confinement, he escaped the hospital and

1:17:49.240 --> 1:17:52.400
<v Speaker 1>bled to Canada. But he has caught and extradited back

1:17:52.400 --> 1:17:55.040
<v Speaker 1>to the US. But two years later, in nineteen fifteen,

1:17:55.360 --> 1:17:58.559
<v Speaker 1>he is released from custody after being judged sane. They

1:17:58.600 --> 1:18:01.040
<v Speaker 1>did it, The doctors did it. He paid enough money.

1:18:01.240 --> 1:18:03.400
<v Speaker 1>It's classic what we talk about all the time. So

1:18:03.439 --> 1:18:06.800
<v Speaker 1>he had been confined at this mental hospital for seven

1:18:06.880 --> 1:18:11.360
<v Speaker 1>years total for killing this man. Evelyn gave birth to

1:18:11.400 --> 1:18:16.679
<v Speaker 1>a son in nineteen ten, Russell William Thaw in Berlin, Germany,

1:18:16.760 --> 1:18:19.599
<v Speaker 1>and she has always claimed that it was that that

1:18:19.880 --> 1:18:23.040
<v Speaker 1>was Thaw's biological child, conceived during a conjugal visit while

1:18:23.040 --> 1:18:27.559
<v Speaker 1>he was at Mattawan Hospital for the State Hospital for

1:18:27.600 --> 1:18:31.920
<v Speaker 1>the criminally insane in Beacon, New York, and Thaw denied paternity.

1:18:32.000 --> 1:18:35.760
<v Speaker 1>He never would accept this child's paternity or as his

1:18:35.800 --> 1:18:39.280
<v Speaker 1>own child. She divorced him in nineteen fifteen, the same

1:18:39.360 --> 1:18:42.599
<v Speaker 1>year that the child was born, and she went on

1:18:42.800 --> 1:18:46.439
<v Speaker 1>to do silent movies and some vaudeville. She had a

1:18:46.479 --> 1:18:49.679
<v Speaker 1>tough run. I mean, like Thow's family basically cut her off.

1:18:49.720 --> 1:18:51.840
<v Speaker 1>Like at first, they were still giving her money as

1:18:51.840 --> 1:18:54.160
<v Speaker 1>long as she testified in like a favorable way for

1:18:54.280 --> 1:18:56.960
<v Speaker 1>Thaw in the trials, then they would like give her

1:18:57.000 --> 1:18:59.559
<v Speaker 1>these really sporadic payments, and she never knew where any

1:18:59.560 --> 1:19:03.720
<v Speaker 1>money was coming from. And so, you know, and she

1:19:03.920 --> 1:19:06.960
<v Speaker 1>was so infamous now, like the press hounded her. She

1:19:07.200 --> 1:19:09.400
<v Speaker 1>eventually ended up marrying one of her vaudeville partners, but

1:19:09.400 --> 1:19:12.160
<v Speaker 1>then they divorced because he couldn't handle being like mister

1:19:12.240 --> 1:19:16.280
<v Speaker 1>Evelyn nesbit like, because she was so notorious. And then

1:19:16.640 --> 1:19:18.559
<v Speaker 1>she tried to take her life at one point. But

1:19:18.640 --> 1:19:21.880
<v Speaker 1>she did live until eighty two, and she died right

1:19:21.920 --> 1:19:25.080
<v Speaker 1>here in southern California, and she's buried in Culver City.

1:19:26.200 --> 1:19:31.759
<v Speaker 1>So that is the story of the murder of Stanford

1:19:31.760 --> 1:19:35.040
<v Speaker 1>White by Harry Kendallshaw as a result of the rape

1:19:35.040 --> 1:19:38.639
<v Speaker 1>of Evelyn Nesbit. I'm gonna be here for Halloween. I mean,

1:19:39.600 --> 1:19:43.719
<v Speaker 1>I love this outfit. Yeah, it's at the National Gallery

1:19:43.760 --> 1:19:47.080
<v Speaker 1>of Where of Canada. And like her mother never came

1:19:47.120 --> 1:19:49.880
<v Speaker 1>back into her life. Really, her brother had come to

1:19:49.920 --> 1:19:52.200
<v Speaker 1>see White as like a father figure because he sent

1:19:52.280 --> 1:19:54.559
<v Speaker 1>him to military school and blah blah blah, so he

1:19:54.640 --> 1:19:57.439
<v Speaker 1>thought she was lying. And like her brother didn't like

1:19:57.840 --> 1:20:01.519
<v Speaker 1>come to her defense at all. And so this poor

1:20:01.560 --> 1:20:04.720
<v Speaker 1>girl just like thrust into the limelight too young, and

1:20:04.840 --> 1:20:09.120
<v Speaker 1>like do like forced to. It just makes me so

1:20:09.200 --> 1:20:14.679
<v Speaker 1>sad the like trad or like backwards thinking women's movement,

1:20:14.720 --> 1:20:17.719
<v Speaker 1>because it's like, yeah, it's just not a good life

1:20:17.760 --> 1:20:22.080
<v Speaker 1>to be at the hands of these men. Yes, and

1:20:22.160 --> 1:20:25.240
<v Speaker 1>like men who will do as I say, not as

1:20:25.280 --> 1:20:27.120
<v Speaker 1>I do, you know, like they'll do whatever the fuck

1:20:27.160 --> 1:20:29.240
<v Speaker 1>they want. And then she's got to be this like

1:20:29.840 --> 1:20:30.879
<v Speaker 1>proper little flower.

1:20:30.920 --> 1:20:34.880
<v Speaker 2>I love this photo of her. Damn crazy. Wait what

1:20:34.960 --> 1:20:36.640
<v Speaker 2>are these guys' names again? I want to see what

1:20:36.640 --> 1:20:37.120
<v Speaker 2>they look like.

1:20:38.400 --> 1:20:44.719
<v Speaker 1>Oh, Stanford White, Oh my god, it's like mustachio looks

1:20:44.720 --> 1:20:47.840
<v Speaker 1>like a classic guy from like this time. Very cotic. Okay,

1:20:47.960 --> 1:20:52.479
<v Speaker 1>what's then, Harry Kendall Thaw, Yeah, Pittsburgh Cole and.

1:20:53.960 --> 1:20:56.360
<v Speaker 2>I love the photo of him having like a white

1:20:56.479 --> 1:21:00.679
<v Speaker 2>linen table, gorgeous dinner and like the prison behind bars.

1:21:01.080 --> 1:21:05.439
<v Speaker 1>Yeah, yeah, it's crazy. Lots of perks. I mean, it

1:21:05.439 --> 1:21:07.000
<v Speaker 1>looks like he has crystal like one of the pictures

1:21:07.000 --> 1:21:10.760
<v Speaker 1>in front of him looks crystal like. It's nuts. So

1:21:11.040 --> 1:21:12.920
<v Speaker 1>even if he hadn't been able to pay his way

1:21:13.680 --> 1:21:16.439
<v Speaker 1>out of the insane asylum, I think even when he

1:21:16.479 --> 1:21:18.280
<v Speaker 1>was in the insane asylum, he got tons of perks

1:21:18.280 --> 1:21:21.479
<v Speaker 1>and was probably living better than most people in there.

1:21:22.040 --> 1:21:28.720
<v Speaker 1>But that is that on that and that is cinematic.

1:21:28.880 --> 1:21:32.360
<v Speaker 1>I am shock No one's like done anything with that.

1:21:33.840 --> 1:21:37.479
<v Speaker 1>I mean there's like I was looking at, like, you know,

1:21:37.600 --> 1:21:41.280
<v Speaker 1>her thing of like what her portrayal in the media

1:21:41.320 --> 1:21:43.360
<v Speaker 1>has been Like, There's been characters like there was a

1:21:43.439 --> 1:21:46.679
<v Speaker 1>character on Boardwalk Empire that was loosely based on her.

1:21:47.880 --> 1:21:53.320
<v Speaker 1>There's been movies and books that like, oh yeah, I

1:21:53.320 --> 1:21:56.559
<v Speaker 1>guess in the historical novel rag Time, which is I

1:21:56.640 --> 1:21:59.160
<v Speaker 1>believe is what the musical rag Time is based on,

1:21:59.320 --> 1:22:03.000
<v Speaker 1>they refer to murder and the resulting fame for ansbit

1:22:03.040 --> 1:22:07.280
<v Speaker 1>she's a main character in Ragtime. Whoa but oh yeah,

1:22:07.280 --> 1:22:07.880
<v Speaker 1>she's played by.

1:22:07.800 --> 1:22:12.519
<v Speaker 2>Elizabeth Why couldn't she just like live on her own

1:22:12.600 --> 1:22:15.559
<v Speaker 2>with this career? Did she not get paid? Like are

1:22:15.600 --> 1:22:17.400
<v Speaker 2>you just can't be a single woman even if you

1:22:17.400 --> 1:22:20.479
<v Speaker 2>have a career in the arts, Like fuck, I don't.

1:22:20.280 --> 1:22:23.320
<v Speaker 1>Even know she was allowed to have a bank account.

1:22:23.479 --> 1:22:25.880
<v Speaker 1>We could only get credit cards in nineteen seventy or something,

1:22:25.960 --> 1:22:30.160
<v Speaker 1>so like I wonder if it was just like no choice. Yeah,

1:22:30.240 --> 1:22:34.640
<v Speaker 1>she just was so worried about being branded as like

1:22:34.640 --> 1:22:37.680
<v Speaker 1>like untouchable. But from what happened with White that she

1:22:37.880 --> 1:22:43.160
<v Speaker 1>just married this other psycho and then I guess her

1:22:43.160 --> 1:22:45.280
<v Speaker 1>problem kind of got solved after that because one killed

1:22:45.320 --> 1:22:47.720
<v Speaker 1>the other one. But then she got nothing like out

1:22:47.760 --> 1:22:51.880
<v Speaker 1>of that, really, you know. So yeah, it's crazy. This

1:22:52.040 --> 1:22:56.280
<v Speaker 1>is like this is a really nuts story. But I

1:22:56.280 --> 1:22:59.360
<v Speaker 1>had not heard really anything about it. So oh I

1:22:59.400 --> 1:23:02.840
<v Speaker 1>watched this online and it was this guy and he's like,

1:23:02.880 --> 1:23:05.280
<v Speaker 1>you know, we was like, oh, why so much violence? Violence?

1:23:05.280 --> 1:23:07.960
<v Speaker 2>And he goes, Caine killed Abel. He's like like the

1:23:08.040 --> 1:23:10.559
<v Speaker 2>third guy killed the fourth guy. So like murder has

1:23:10.600 --> 1:23:12.640
<v Speaker 2>been around since, like it could they couldn't even make

1:23:12.680 --> 1:23:15.080
<v Speaker 2>it to four guys or five guys.

1:23:14.760 --> 1:23:19.040
<v Speaker 1>You know what I mean. Yeah, And I thought that

1:23:19.160 --> 1:23:22.240
<v Speaker 1>was like funny or sad, whatever you want to I

1:23:22.240 --> 1:23:24.240
<v Speaker 1>don't know. Well, yeah, and it's just kind of like

1:23:24.280 --> 1:23:27.000
<v Speaker 1>this guy was just like carrying a gun and taking

1:23:27.080 --> 1:23:29.280
<v Speaker 1>him to the show like you you obviously planned this out.

1:23:29.280 --> 1:23:31.160
<v Speaker 1>It was like pre meditated. He didn't just like run

1:23:31.160 --> 1:23:32.160
<v Speaker 1>into him in New York.

1:23:32.720 --> 1:23:32.920
<v Speaker 3>You know.

1:23:34.640 --> 1:23:40.639
<v Speaker 1>So money always buys whatever you want. And don't trust

1:23:40.640 --> 1:23:44.240
<v Speaker 1>a man. And definitely not a morphine addict. Not a

1:23:44.280 --> 1:23:49.880
<v Speaker 1>morphine no. But we have a guest, so don't go anywhere.

1:23:56.800 --> 1:24:00.760
<v Speaker 1>Our guest today is an actor that I know, I

1:24:00.840 --> 1:24:04.640
<v Speaker 1>remember from classic films like Father of the Bride and

1:24:04.720 --> 1:24:08.479
<v Speaker 1>Adventures in Babysitting, not to mention it takes two. He

1:24:08.560 --> 1:24:12.639
<v Speaker 1>also had recurring roles on the show Scandal and Designing Women.

1:24:12.840 --> 1:24:16.120
<v Speaker 1>Excuse me, iconic or you might recognize his voice because

1:24:16.120 --> 1:24:19.040
<v Speaker 1>he is the longest running animated Superman voice actor. But

1:24:19.120 --> 1:24:22.240
<v Speaker 1>you know him today as one of Rollin's baby daddies,

1:24:22.439 --> 1:24:30.200
<v Speaker 1>Doctor Al Pollock. Please enjoy our chat with George Newborn. Hi, Jay, Hello, Hello,

1:24:30.760 --> 1:24:34.439
<v Speaker 1>how are nice to meet you? Well, you know you're

1:24:34.479 --> 1:24:40.760
<v Speaker 1>the number one fuck boy in s FU history. Thrilled here.

1:24:42.120 --> 1:24:45.160
<v Speaker 2>It's really rare to see a doctor fuck boy out

1:24:45.200 --> 1:24:47.000
<v Speaker 2>in the well representation.

1:24:47.880 --> 1:24:48.880
<v Speaker 4>Yeah, they are out there.

1:24:48.880 --> 1:24:55.760
<v Speaker 1>Apparently he did a great job. Yeah, how did this?

1:24:56.120 --> 1:24:56.559
<v Speaker 1>How did this?

1:24:56.880 --> 1:24:56.960
<v Speaker 3>Like?

1:24:57.000 --> 1:24:58.559
<v Speaker 1>When you first did this role, did you think it

1:24:58.600 --> 1:25:00.000
<v Speaker 1>was just gonna be like one episode or did you

1:25:00.040 --> 1:25:01.879
<v Speaker 1>always know it was going to be this like longer

1:25:02.080 --> 1:25:03.880
<v Speaker 1>love interest thing with Kelly Giddish.

1:25:03.960 --> 1:25:07.800
<v Speaker 6>Yeah, I knew, well, I I got I got the offer.

1:25:07.840 --> 1:25:09.640
<v Speaker 6>It's it's one of those rare, rare jobs that I

1:25:09.640 --> 1:25:12.799
<v Speaker 6>didn't have to audition, which is just like never happens.

1:25:13.680 --> 1:25:16.599
<v Speaker 6>But I knew and had worked and done a series

1:25:16.680 --> 1:25:20.240
<v Speaker 6>for Michael Chernichen, who was I guess the showrunner at

1:25:20.240 --> 1:25:23.000
<v Speaker 6>the time on the show. I think he was had

1:25:23.000 --> 1:25:24.840
<v Speaker 6>done it for several years and then stopped thinking back

1:25:24.880 --> 1:25:25.479
<v Speaker 6>and back and forth.

1:25:25.520 --> 1:25:28.680
<v Speaker 4>But but yeah, so he said, hey, come you want

1:25:28.680 --> 1:25:31.320
<v Speaker 4>to come be a love interest of this character? And

1:25:31.320 --> 1:25:33.559
<v Speaker 4>I said, sure, man, And I thought it was gonna

1:25:33.560 --> 1:25:35.360
<v Speaker 4>be one or two, and I guess it turned into four,

1:25:36.960 --> 1:25:38.760
<v Speaker 4>and and then I kept thinking, hey, maybe it's like

1:25:38.800 --> 1:25:41.960
<v Speaker 4>he'd know, and the teams for Driver said, I don't worry,

1:25:42.000 --> 1:25:46.000
<v Speaker 4>he's not gonna last. He's like, well, wait wait what Yeah, no, no, no,

1:25:46.000 --> 1:25:47.680
<v Speaker 4>because she's too she's too big of a deal with

1:25:47.720 --> 1:25:48.719
<v Speaker 4>the other the lead characters.

1:25:48.800 --> 1:25:48.960
<v Speaker 3>Yah.

1:25:49.600 --> 1:25:51.200
<v Speaker 4>Yeah, I was like, oh ship.

1:25:51.560 --> 1:25:55.360
<v Speaker 2>So yeah, but I could see you coming back needing

1:25:55.520 --> 1:26:00.440
<v Speaker 2>something from the squad yeah yeah, or or you're involved

1:26:00.760 --> 1:26:02.040
<v Speaker 2>like the patient.

1:26:01.880 --> 1:26:04.400
<v Speaker 4>Something, there's a baby.

1:26:04.560 --> 1:26:06.800
<v Speaker 1>That's what I don't understand that. I don't understand why

1:26:06.840 --> 1:26:09.040
<v Speaker 1>you haven't come back for like a little bit of like, uh,

1:26:09.400 --> 1:26:11.519
<v Speaker 1>I want to spend time with my daughter kind.

1:26:11.320 --> 1:26:13.400
<v Speaker 4>Of, That's what I was thinking.

1:26:13.520 --> 1:26:15.919
<v Speaker 1>Yeah, busy and he's busy making the round.

1:26:15.800 --> 1:26:16.799
<v Speaker 4>Yeah exactly.

1:26:18.280 --> 1:26:21.200
<v Speaker 2>Do you is your character independently wealthy or doctor rich

1:26:22.000 --> 1:26:22.920
<v Speaker 2>and they're just cops?

1:26:23.840 --> 1:26:27.800
<v Speaker 6>I think, you know, I think that maybe he's just

1:26:28.479 --> 1:26:29.800
<v Speaker 6>done okay as being a doctor.

1:26:30.040 --> 1:26:32.640
<v Speaker 4>I'm gonna go with that. Okay.

1:26:32.920 --> 1:26:36.000
<v Speaker 2>Have you ever been at a restaurant and ordered like

1:26:36.120 --> 1:26:38.120
<v Speaker 2>all the dessert or everything on the menu.

1:26:39.120 --> 1:26:42.520
<v Speaker 1>Do you have any personal life? What's your big flashy

1:26:42.600 --> 1:26:43.439
<v Speaker 1>restaurant moment?

1:26:44.360 --> 1:26:45.960
<v Speaker 4>What's my thing flashy?

1:26:46.200 --> 1:26:48.120
<v Speaker 6>You know our flashy restaurants we go to here in

1:26:48.160 --> 1:26:51.200
<v Speaker 6>Eli's three Months, which we love like to sit, like

1:26:51.280 --> 1:26:53.400
<v Speaker 6>to sit at the counter and watch Nancy Silverton come

1:26:53.439 --> 1:26:57.000
<v Speaker 6>in and you know, you know, place that you know,

1:26:57.080 --> 1:27:00.560
<v Speaker 6>compose the plates and stuff and yeah.

1:27:00.280 --> 1:27:02.479
<v Speaker 4>Great one. I love it, love it, love it, love it.

1:27:02.560 --> 1:27:05.120
<v Speaker 6>Yeah yeah, we ordered just lots of matsa rollan, not

1:27:05.160 --> 1:27:05.839
<v Speaker 6>a lot of dessert.

1:27:07.000 --> 1:27:09.400
<v Speaker 1>One of my favorite things about this episode is that

1:27:09.439 --> 1:27:12.920
<v Speaker 1>there's a cut scene where you I don't know if

1:27:12.960 --> 1:27:14.760
<v Speaker 1>you remember this, because I don't know if you watch

1:27:14.800 --> 1:27:16.760
<v Speaker 1>the episodes of like What you Do after you do that?

1:27:16.840 --> 1:27:17.120
<v Speaker 1>I did.

1:27:17.320 --> 1:27:19.439
<v Speaker 4>Sometimes I do and don't, but I did watch these.

1:27:19.479 --> 1:27:22.759
<v Speaker 1>You're busier, you do want a scene of you giving

1:27:22.760 --> 1:27:25.439
<v Speaker 1>the heimlick to a little girl while you're in the

1:27:25.479 --> 1:27:30.280
<v Speaker 1>restaurant with Kelly Yiddish and girl like, it's so funny

1:27:30.280 --> 1:27:33.280
<v Speaker 1>because like it's on YouTube and yeah, you just like

1:27:33.400 --> 1:27:35.360
<v Speaker 1>pop it out real quick and then the little girls

1:27:35.439 --> 1:27:37.320
<v Speaker 1>like thank you, and then you just go back to

1:27:37.360 --> 1:27:37.880
<v Speaker 1>your seat.

1:27:37.960 --> 1:27:39.439
<v Speaker 4>And yeah, I kind of forgot about that.

1:27:39.520 --> 1:27:41.439
<v Speaker 6>I was just trying to humanize him, right because he

1:27:41.560 --> 1:27:43.600
<v Speaker 6>was sort of a dish right for she's kind of

1:27:43.640 --> 1:27:45.479
<v Speaker 6>mean and cheetah, and then he's like just to show hey,

1:27:45.520 --> 1:27:46.000
<v Speaker 6>I'm a good guy.

1:27:46.080 --> 1:27:47.280
<v Speaker 4>Yeah I remember that. It was good.

1:27:47.360 --> 1:27:51.160
<v Speaker 1>Yeah, yeah, yeah, is your character and scandal because like

1:27:51.200 --> 1:27:55.400
<v Speaker 1>to me, you're like, to me, you're like Father of

1:27:55.400 --> 1:27:57.559
<v Speaker 1>the Bride, You're all these like I watched all these

1:27:57.600 --> 1:28:01.240
<v Speaker 1>movies you were in, like even It Takes Two. That's

1:28:01.640 --> 1:28:03.400
<v Speaker 1>back when I was looking at your see that what

1:28:03.560 --> 1:28:05.600
<v Speaker 1>I was when I was a kid that was on

1:28:05.680 --> 1:28:08.320
<v Speaker 1>TV all the time, Like I see like I want

1:28:08.360 --> 1:28:10.599
<v Speaker 1>like Adventures of babysitting. Like you seem like you always

1:28:10.600 --> 1:28:12.000
<v Speaker 1>played kind of like the nice guy.

1:28:12.400 --> 1:28:12.679
<v Speaker 4>Yeah.

1:28:12.800 --> 1:28:14.320
<v Speaker 1>Yeah, and then I don't know, like I don't know

1:28:14.320 --> 1:28:16.439
<v Speaker 1>what your character in Scandal is because I'm sorry, I

1:28:16.479 --> 1:28:17.240
<v Speaker 1>never I'm just like.

1:28:18.600 --> 1:28:21.880
<v Speaker 6>I'll tell you. I played an assassin. He was a

1:28:21.920 --> 1:28:25.200
<v Speaker 6>really bad guy. Yeah, it was a cool part. It's

1:28:25.240 --> 1:28:27.160
<v Speaker 6>one of the coolest parts I've ever gotten to. So

1:28:27.280 --> 1:28:29.599
<v Speaker 6>he was assassin, but he got to be funny and

1:28:29.640 --> 1:28:30.880
<v Speaker 6>I kind of ended up with a girl at the

1:28:30.920 --> 1:28:32.200
<v Speaker 6>end that stayed on in seven years.

1:28:32.240 --> 1:28:32.559
<v Speaker 4>It was.

1:28:32.640 --> 1:28:34.559
<v Speaker 6>It was a great It was a great part, really

1:28:34.600 --> 1:28:37.920
<v Speaker 6>interesting character. But he killed a lot of people, tortured

1:28:37.920 --> 1:28:38.960
<v Speaker 6>with a lot of people.

1:28:38.840 --> 1:28:40.400
<v Speaker 1>And you got to do all those scenes.

1:28:40.720 --> 1:28:43.080
<v Speaker 4>I got to do all that stuff. Yeah, man, it was.

1:28:43.520 --> 1:28:43.880
<v Speaker 4>It was one.

1:28:44.000 --> 1:28:45.920
<v Speaker 6>It was actually I got hired as a guest star

1:28:46.320 --> 1:28:48.760
<v Speaker 6>and I did one episode and then three episodes later,

1:28:48.760 --> 1:28:50.679
<v Speaker 6>I get on another and another, and then my character

1:28:50.760 --> 1:28:53.240
<v Speaker 6>kind of became like this all purpose hit man for

1:28:53.320 --> 1:28:55.040
<v Speaker 6>all the people who were doing all these shitty things

1:28:55.040 --> 1:28:57.360
<v Speaker 6>on the show. And I got to just keep going.

1:28:57.360 --> 1:28:58.559
<v Speaker 6>And I said, well, how am I going to stay

1:28:58.560 --> 1:29:00.439
<v Speaker 6>on this when I getting killed? And I said, I

1:29:00.439 --> 1:29:01.960
<v Speaker 6>got it. I gotta be funny, I gotta do something.

1:29:01.960 --> 1:29:04.200
<v Speaker 6>So I kind of would try to insert little things

1:29:04.240 --> 1:29:07.559
<v Speaker 6>that made me as appealing as possible for bad guys.

1:29:07.600 --> 1:29:10.200
<v Speaker 6>So so I was so as I managed, with some

1:29:10.280 --> 1:29:11.200
<v Speaker 6>help from some writer.

1:29:11.160 --> 1:29:14.160
<v Speaker 4>Friends, to stay on the show. I went to I

1:29:14.160 --> 1:29:14.960
<v Speaker 4>went to that job.

1:29:15.479 --> 1:29:17.519
<v Speaker 6>There were four times where I was dead in the

1:29:17.560 --> 1:29:20.799
<v Speaker 6>morning and by the afternoon they'd kept me alive on

1:29:20.800 --> 1:29:22.120
<v Speaker 6>on four different emicods.

1:29:22.479 --> 1:29:24.760
<v Speaker 4>So yeah, I was. I would sweat every time i'd

1:29:24.800 --> 1:29:25.360
<v Speaker 4>go to the table.

1:29:25.800 --> 1:29:28.280
<v Speaker 1>You have done like you've done. You've been working for

1:29:28.320 --> 1:29:30.320
<v Speaker 1>a long time and you've done all these procedurals. But

1:29:30.640 --> 1:29:34.439
<v Speaker 1>is this little arc as Al Pollock like the first

1:29:34.600 --> 1:29:36.360
<v Speaker 1>Dick Wolf Universe thing you ever did?

1:29:38.080 --> 1:29:40.120
<v Speaker 4>Uh? Hold on, let me think.

1:29:40.280 --> 1:29:42.280
<v Speaker 1>Because I went through your IMDb and like, I didn't

1:29:42.280 --> 1:29:45.760
<v Speaker 1>see any other law and orders or any fires or meds.

1:29:46.240 --> 1:29:48.439
<v Speaker 4>No, wait, hold on, I didn't do the fires or meds.

1:29:48.920 --> 1:29:49.360
<v Speaker 4>I did.

1:29:49.600 --> 1:29:54.040
<v Speaker 6>I did all the uh, shoot, what's what's the thing

1:29:54.040 --> 1:29:54.839
<v Speaker 6>with Billy Peterson?

1:29:55.080 --> 1:29:59.960
<v Speaker 4>All the not csize csize. I did all the CSI

1:30:01.920 --> 1:30:04.040
<v Speaker 4>and then I did look, I did, I did s

1:30:04.120 --> 1:30:05.840
<v Speaker 4>for you. I don't think I didn't know.

1:30:05.880 --> 1:30:08.080
<v Speaker 1>You got some cold cases Boston.

1:30:09.960 --> 1:30:11.080
<v Speaker 4>There's about two years there.

1:30:11.240 --> 1:30:14.360
<v Speaker 6>I was the purp on every show for two years,

1:30:14.800 --> 1:30:16.719
<v Speaker 6>and uh, and then it stopped and then.

1:30:16.640 --> 1:30:20.040
<v Speaker 1>You know, uh, but you have like nice sky face,

1:30:20.160 --> 1:30:23.839
<v Speaker 1>so you're not the first person that people think exactly.

1:30:23.960 --> 1:30:26.160
<v Speaker 4>Yeah, everybody, everybody's going to go through that cycle and

1:30:26.200 --> 1:30:29.600
<v Speaker 4>you come out the other. Yeah. I've been doing it

1:30:29.600 --> 1:30:32.439
<v Speaker 4>a long time, so it's I've been I've been really lucky.

1:30:32.479 --> 1:30:35.920
<v Speaker 6>It's been a little slow these last couple of years, boys,

1:30:35.960 --> 1:30:40.360
<v Speaker 6>since the stay at home and the strikes, strike and stuff. Man,

1:30:40.400 --> 1:30:44.400
<v Speaker 6>it is, it's glacially slow. At the moment it comes wrong,

1:30:44.479 --> 1:30:45.080
<v Speaker 6>it'll come wrong.

1:30:45.200 --> 1:30:51.760
<v Speaker 1>Yeah, you've I mean you've done like that, you've read. Yes,

1:30:51.880 --> 1:30:53.639
<v Speaker 1>you do a lot of voiceover.

1:30:54.080 --> 1:30:55.920
<v Speaker 4>I do a lot of voiceover. I mean I gotta

1:30:55.920 --> 1:30:57.559
<v Speaker 4>stay busy. You gotta stay busy, man.

1:30:57.680 --> 1:31:03.599
<v Speaker 1>Yeah, what are you do you have any like stuff

1:31:03.600 --> 1:31:06.040
<v Speaker 1>of your of Superman? Like, did you get any cool.

1:31:06.400 --> 1:31:08.599
<v Speaker 1>What are they called where it's clear like the film

1:31:08.640 --> 1:31:09.360
<v Speaker 1>with the drawings.

1:31:09.479 --> 1:31:12.439
<v Speaker 4>Oh yeah, how did I do? I have a company?

1:31:12.479 --> 1:31:14.760
<v Speaker 1>I think like animation cells, cells.

1:31:14.520 --> 1:31:16.880
<v Speaker 4>Some animation cells. I have drawings.

1:31:17.280 --> 1:31:20.479
<v Speaker 6>I have some drawings from the animators that that just

1:31:20.560 --> 1:31:23.320
<v Speaker 6>drew stuff for me. I don't have any original cells

1:31:23.360 --> 1:31:27.599
<v Speaker 6>from the shows. But I'm the longest running Superman uh

1:31:27.720 --> 1:31:29.160
<v Speaker 6>in in history.

1:31:29.240 --> 1:31:30.760
<v Speaker 4>Actually, I've just.

1:31:30.680 --> 1:31:33.920
<v Speaker 6>Been doing it for almost twenty twenty years, from from

1:31:33.960 --> 1:31:36.960
<v Speaker 6>all the from all the animated shows, the games, and

1:31:37.000 --> 1:31:38.680
<v Speaker 6>the one off movies. I mean there's been there have

1:31:38.680 --> 1:31:42.120
<v Speaker 6>been another. There's another Superman super in between.

1:31:42.200 --> 1:31:46.920
<v Speaker 1>Christopher Reeve, the newer guy. Horn Sweat's the new guy.

1:31:47.400 --> 1:31:49.519
<v Speaker 4>Oh he's great. I just need any animation.

1:31:49.920 --> 1:31:52.719
<v Speaker 1>Animation Hanry Cavils, the guy was trying to think of no.

1:31:52.600 --> 1:31:55.240
<v Speaker 6>No no in the animated world and the longest running

1:31:55.320 --> 1:31:57.080
<v Speaker 6>you know, yeah, I've been sucked.

1:31:57.720 --> 1:31:59.160
<v Speaker 4>You know, I've been like you to do that games

1:31:59.160 --> 1:32:00.840
<v Speaker 4>and movies and.

1:32:00.240 --> 1:32:02.800
<v Speaker 1>And then you've narrated over five hundred audiobooks.

1:32:03.120 --> 1:32:05.559
<v Speaker 6>It's six hundred at this point.

1:32:06.760 --> 1:32:07.519
<v Speaker 4>I've been there today.

1:32:07.520 --> 1:32:09.760
<v Speaker 6>I've been in the booth right spent four feet for

1:32:09.840 --> 1:32:11.760
<v Speaker 6>me right now, But in there I got to go

1:32:11.760 --> 1:32:13.000
<v Speaker 6>back in when we finish.

1:32:13.400 --> 1:32:15.120
<v Speaker 1>You know, do you ever are you ever narrating an

1:32:15.160 --> 1:32:17.080
<v Speaker 1>audiobook and you're like, this book is bad?

1:32:18.479 --> 1:32:21.040
<v Speaker 6>Oh all about more than half the time. More than

1:32:21.040 --> 1:32:24.760
<v Speaker 6>half the time. Oh yeah, yeah. But it's what's great

1:32:24.760 --> 1:32:26.840
<v Speaker 6>about it is that it for for for me, I've

1:32:26.920 --> 1:32:27.839
<v Speaker 6>just been really fortunate.

1:32:28.520 --> 1:32:29.800
<v Speaker 4>You don't have to have an agent, you don't have

1:32:29.800 --> 1:32:30.080
<v Speaker 4>to wait.

1:32:30.840 --> 1:32:34.040
<v Speaker 6>You have direct relationships with publishers, so I reach out

1:32:34.040 --> 1:32:35.760
<v Speaker 6>to them and I have conversations with the authors and

1:32:35.760 --> 1:32:36.280
<v Speaker 6>the publishers.

1:32:36.320 --> 1:32:38.559
<v Speaker 4>There's no it's it's not a show quote unquote show

1:32:38.600 --> 1:32:39.160
<v Speaker 4>business job.

1:32:39.640 --> 1:32:43.439
<v Speaker 6>It's more like a like a one man it's like

1:32:43.479 --> 1:32:47.479
<v Speaker 6>a stand up or a one one man performance piece

1:32:47.560 --> 1:32:51.519
<v Speaker 6>every time because you're recording, you're directing yourself, you're engineering yourself,

1:32:51.960 --> 1:32:55.200
<v Speaker 6>you're performing it. You're you know, there's some technical aspects

1:32:55.240 --> 1:32:59.599
<v Speaker 6>to this on the computer, but it's solitary. But it's

1:32:59.640 --> 1:33:02.559
<v Speaker 6>a union job, which is great. So it's it's it's

1:33:02.600 --> 1:33:05.880
<v Speaker 6>great to stay I can stay busy in between jobs.

1:33:05.880 --> 1:33:08.080
<v Speaker 4>So it's wonderful. Yeah.

1:33:08.200 --> 1:33:10.080
<v Speaker 6>Yeah, Unfortunately it has been a really long stretch of

1:33:10.160 --> 1:33:13.240
<v Speaker 6>his last batch. But but uh, but it's good. It's

1:33:13.520 --> 1:33:16.400
<v Speaker 6>it's really hard, hard, hard on the heart of my

1:33:16.520 --> 1:33:19.840
<v Speaker 6>voice because I'm I'm talking for six hours a day

1:33:20.479 --> 1:33:23.920
<v Speaker 6>non stop, you know, and and it's really hard, but

1:33:24.320 --> 1:33:28.360
<v Speaker 6>it's keeps your brain active, you know, it's you know, stimulating,

1:33:28.400 --> 1:33:30.160
<v Speaker 6>and it's.

1:33:30.000 --> 1:33:31.320
<v Speaker 4>Like you have to be like an athlete.

1:33:31.360 --> 1:33:34.599
<v Speaker 6>You know, you're you're breathing and you're all of all

1:33:34.600 --> 1:33:36.800
<v Speaker 6>the rest of it.

1:33:35.439 --> 1:33:38.559
<v Speaker 4>It's it's it's definitely disciplined. You know.

1:33:38.840 --> 1:33:40.800
<v Speaker 1>Do you have to read the book or how many

1:33:40.840 --> 1:33:42.640
<v Speaker 1>times before you report it?

1:33:43.400 --> 1:33:46.760
<v Speaker 4>My good god, how could you? I don't know. I mean,

1:33:46.760 --> 1:33:48.639
<v Speaker 4>I'm telling you, I got a four hundred page book.

1:33:48.640 --> 1:33:51.560
<v Speaker 6>I can't possibly read the four hundred page book and

1:33:51.600 --> 1:33:52.840
<v Speaker 6>then reread the I mean.

1:33:53.520 --> 1:33:54.479
<v Speaker 4>There's there's not enough time.

1:33:54.560 --> 1:33:56.880
<v Speaker 6>So you kind of you know, you you scan it,

1:33:57.000 --> 1:33:59.439
<v Speaker 6>you do the do the prep work for it. If

1:33:59.439 --> 1:34:00.920
<v Speaker 6>it's a fiction, you know, you got to stand all

1:34:00.920 --> 1:34:03.560
<v Speaker 6>the one one one of the science fiction things. I

1:34:03.560 --> 1:34:05.720
<v Speaker 6>had two hundred characters and I have to sketch it

1:34:05.720 --> 1:34:07.840
<v Speaker 6>out on a notebook and as a you know, who

1:34:07.880 --> 1:34:09.960
<v Speaker 6>are the main ones, who's you know, who speaks the

1:34:09.960 --> 1:34:13.000
<v Speaker 6>most and where are they from? Do they assign accents

1:34:13.040 --> 1:34:15.200
<v Speaker 6>to it? You can reference this stuff. They're a program

1:34:15.240 --> 1:34:18.559
<v Speaker 6>I've got on my computer, but uh, you have to

1:34:18.560 --> 1:34:20.799
<v Speaker 6>do the prep work. But as I'm reading, and I'm

1:34:20.920 --> 1:34:23.599
<v Speaker 6>generally reading it, you know, for the first time.

1:34:25.240 --> 1:34:28.639
<v Speaker 4>Sense like you know, he's a British guy. It got

1:34:28.800 --> 1:34:31.200
<v Speaker 4>like that. You know, you don't go crazy all the time.

1:34:31.479 --> 1:34:34.120
<v Speaker 4>You not just sort of give it a you give.

1:34:34.040 --> 1:34:37.519
<v Speaker 6>A hint of it unless it's is super pronounced, because

1:34:37.560 --> 1:34:39.920
<v Speaker 6>otherwise it takes the listener out of the book, you know.

1:34:40.200 --> 1:34:42.400
<v Speaker 1>Yeah, and if they're Brits, they know there's like so

1:34:42.560 --> 1:34:45.400
<v Speaker 1>many regional accents they'll know they're wrong.

1:34:45.600 --> 1:34:49.080
<v Speaker 6>Yeah, And you know, I'm sure that I've got about

1:34:49.080 --> 1:34:50.240
<v Speaker 6>four British accents.

1:34:50.760 --> 1:34:52.320
<v Speaker 4>Uh, and they're like hundreds of them.

1:34:52.400 --> 1:34:55.400
<v Speaker 1>But you know, George, you mentioned being from the South,

1:34:55.840 --> 1:34:58.639
<v Speaker 1>and you know, I mean I was looking up your

1:34:59.080 --> 1:35:02.360
<v Speaker 1>your bio and in this age of NEPO babies, you

1:35:02.439 --> 1:35:04.800
<v Speaker 1>seem like you just came from like a pretty non

1:35:04.880 --> 1:35:08.640
<v Speaker 1>Hollywood family in Arkansas. So then it was like the

1:35:08.720 --> 1:35:11.920
<v Speaker 1>next step was northwestern and then starting to act or

1:35:11.960 --> 1:35:14.439
<v Speaker 1>like how did you did you do theater in Chicago?

1:35:14.479 --> 1:35:15.240
<v Speaker 4>For I did?

1:35:15.360 --> 1:35:18.439
<v Speaker 6>I did children's theater out of Little Rock, Arkansas, I

1:35:18.439 --> 1:35:21.720
<v Speaker 6>believe it or not, Since I was thirteenth, I was

1:35:22.200 --> 1:35:24.320
<v Speaker 6>I was doing tons of musicals in Arkansas, and I

1:35:24.400 --> 1:35:26.599
<v Speaker 6>was did a couple of musical tours that actually came

1:35:26.640 --> 1:35:29.280
<v Speaker 6>to New York. I spent some time in the child

1:35:29.320 --> 1:35:32.679
<v Speaker 6>Was Theater in Minneapolis when I was fourteen. I would

1:35:32.880 --> 1:35:36.120
<v Speaker 6>spend a semester up in Minneapolis. But uh, and then

1:35:36.160 --> 1:35:38.880
<v Speaker 6>I went to Northwestern and did a ton of shows

1:35:38.920 --> 1:35:42.240
<v Speaker 6>at school, and I thought, I was, I did you

1:35:42.240 --> 1:35:45.240
<v Speaker 6>know stuff in Equity theaters in Chicago at the time,

1:35:45.960 --> 1:35:47.400
<v Speaker 6>and I thought it was going to end up in

1:35:47.400 --> 1:35:50.760
<v Speaker 6>New York. But I auditioned for this this movie, and

1:35:50.800 --> 1:35:52.519
<v Speaker 6>I got flown out to la when I was a

1:35:52.600 --> 1:35:55.960
<v Speaker 6>junior in college, and it was Back to the Future

1:35:56.080 --> 1:35:58.160
<v Speaker 6>and I got down to the very end of that

1:35:58.200 --> 1:36:02.519
<v Speaker 6>thing between right before Eric Stilts got hired and I did.

1:36:02.680 --> 1:36:05.640
<v Speaker 6>I did a twelve hour screen test with everybody. The

1:36:05.680 --> 1:36:08.080
<v Speaker 6>whole cast had been cast, they built the sets and everything,

1:36:08.600 --> 1:36:11.080
<v Speaker 6>and I just left my you know, my theater class

1:36:11.080 --> 1:36:12.559
<v Speaker 6>at school. I got on an airplane, came out there,

1:36:12.560 --> 1:36:15.040
<v Speaker 6>and what the hell is this? So I kind of

1:36:15.080 --> 1:36:16.720
<v Speaker 6>that event for me. I got so close to it

1:36:16.880 --> 1:36:21.559
<v Speaker 6>and it was really really fun. But that experience sort

1:36:21.600 --> 1:36:23.280
<v Speaker 6>of said we maybe don't go to New York.

1:36:23.200 --> 1:36:26.400
<v Speaker 4>Now, maybe go to LA. And so then I went

1:36:26.479 --> 1:36:28.040
<v Speaker 4>up to LA when I graduating.

1:36:27.760 --> 1:36:30.720
<v Speaker 1>And are your kids in the arts?

1:36:31.200 --> 1:36:31.479
<v Speaker 5>None?

1:36:31.520 --> 1:36:32.640
<v Speaker 4>They want nothing to do with it.

1:36:32.800 --> 1:36:32.840
<v Speaker 3>No.

1:36:36.479 --> 1:36:39.599
<v Speaker 6>My oldest is a she's a works for social media

1:36:39.600 --> 1:36:41.800
<v Speaker 6>for a restaurant group and does events.

1:36:41.840 --> 1:36:44.240
<v Speaker 4>She's she's she had a design degree. My middle girl

1:36:44.960 --> 1:36:46.559
<v Speaker 4>worked for the New York Times for five years. She

1:36:46.600 --> 1:36:47.879
<v Speaker 4>lives in London with her boyfriend.

1:36:47.880 --> 1:36:51.559
<v Speaker 6>And my youngest it lives in Chicago and he's in

1:36:51.600 --> 1:36:53.519
<v Speaker 6>commercial real estate. They don't want anything to do. They

1:36:53.560 --> 1:36:56.080
<v Speaker 6>saw how hard it was with two hours growing. It

1:36:56.120 --> 1:36:59.760
<v Speaker 6>was it's it's a bitch. It's fun, it's really fun,

1:36:59.800 --> 1:37:02.040
<v Speaker 6>but you know, if you want to have like have

1:37:02.080 --> 1:37:04.599
<v Speaker 6>a family and raise kids and stuff, it's just it

1:37:04.680 --> 1:37:07.280
<v Speaker 6>was hard then. I can't imagine how how it is

1:37:07.320 --> 1:37:11.000
<v Speaker 6>now because it could change, you know, dramatically.

1:37:11.240 --> 1:37:15.040
<v Speaker 1>So how did it end up where you became Julius

1:37:15.080 --> 1:37:18.639
<v Speaker 1>sugar Baker's son, because that's like really out of this world.

1:37:19.280 --> 1:37:23.479
<v Speaker 6>A huge Carter fan, that's crazy. So I was when

1:37:23.479 --> 1:37:26.280
<v Speaker 6>I was a senior in high school. They came this

1:37:26.640 --> 1:37:29.840
<v Speaker 6>TV movie came to Arkansas to shoot the Teve movie,

1:37:29.840 --> 1:37:32.040
<v Speaker 6>and I auditioned and I got a part because the

1:37:32.080 --> 1:37:36.080
<v Speaker 6>producer was a football coach, Harry Thomas and who was

1:37:36.120 --> 1:37:38.880
<v Speaker 6>married to Lynda Bloodwork thomasin he was a football coach

1:37:39.520 --> 1:37:43.040
<v Speaker 6>turned producer and just moved to LA and he had

1:37:43.040 --> 1:37:44.840
<v Speaker 6>seen me as a kid and children's theater. So hey

1:37:44.840 --> 1:37:46.599
<v Speaker 6>come out in nodiciably. So yeah, I got my SAG

1:37:46.680 --> 1:37:49.639
<v Speaker 6>card Mi union card. Was a senior in high school.

1:37:49.760 --> 1:37:51.679
<v Speaker 6>And then when I came out to LA after college,

1:37:51.760 --> 1:37:54.840
<v Speaker 6>this is you know whatever. Six years later, my first

1:37:54.920 --> 1:37:56.920
<v Speaker 6>audition was for Designing Women and I walked in the

1:37:56.960 --> 1:38:00.439
<v Speaker 6>room and Harry goes hey, I said, we called you

1:38:00.479 --> 1:38:02.320
<v Speaker 6>and do you remember from Blue Ragams? Oh my god

1:38:02.320 --> 1:38:05.120
<v Speaker 6>of courseriy. So anyway, so I auditioned and I got

1:38:05.120 --> 1:38:10.080
<v Speaker 6>that part. So and I knew I'm close to to

1:38:10.200 --> 1:38:14.479
<v Speaker 6>Harry and Lindon, that whole group and Annie Potts and

1:38:15.080 --> 1:38:19.639
<v Speaker 6>I miss Dixie terribly, terrible, terrible loss.

1:38:19.680 --> 1:38:22.280
<v Speaker 4>But She's was a beautiful woman, wonder wonderful.

1:38:21.960 --> 1:38:24.519
<v Speaker 1>Person, gone too soon. I mean I was so obsessed

1:38:24.560 --> 1:38:26.599
<v Speaker 1>with her, like I love her.

1:38:28.000 --> 1:38:30.479
<v Speaker 4>She was life force man, she was something.

1:38:30.880 --> 1:38:33.120
<v Speaker 1>Yeah like later she came later, she was on Desperate

1:38:33.160 --> 1:38:35.360
<v Speaker 1>Housewives when it was and I was like, she is

1:38:35.520 --> 1:38:39.960
<v Speaker 1>just like the best. Annie Potts is a recurring SVU

1:38:40.280 --> 1:38:41.000
<v Speaker 1>legend as well.

1:38:41.160 --> 1:38:44.000
<v Speaker 4>Sure, sure, yeah, I don't. I don't know. You know,

1:38:44.080 --> 1:38:45.280
<v Speaker 4>you guys watched all that. I don't.

1:38:45.320 --> 1:38:48.200
<v Speaker 6>I don't watch them. I watch all those proceduals that much.

1:38:48.280 --> 1:38:51.360
<v Speaker 6>I know they're super popular. I have the attention span

1:38:51.439 --> 1:38:52.120
<v Speaker 6>of the squirrel.

1:38:52.439 --> 1:38:53.640
<v Speaker 1>Can people recognize you?

1:38:53.680 --> 1:38:56.559
<v Speaker 2>Because these are all shows with such big fandoms? Do

1:38:56.640 --> 1:38:59.160
<v Speaker 2>you ever get like What's in the Street?

1:38:59.240 --> 1:39:00.760
<v Speaker 6>I do a lot of cop I do a lot

1:39:00.800 --> 1:39:04.400
<v Speaker 6>of comic cons for the voice of Superman in this

1:39:04.439 --> 1:39:05.559
<v Speaker 6>other video game character.

1:39:05.640 --> 1:39:07.840
<v Speaker 4>So so the last six years I got to a

1:39:07.840 --> 1:39:08.519
<v Speaker 4>lot of com cons.

1:39:08.520 --> 1:39:10.880
<v Speaker 6>So come to my table, and a lot of people

1:39:10.920 --> 1:39:13.040
<v Speaker 6>do know me from the SPU thing.

1:39:13.040 --> 1:39:15.400
<v Speaker 4>And then it was only four episodes. I'm shocked.

1:39:15.600 --> 1:39:18.680
<v Speaker 1>Yeah, but well you're it's a love interest of one

1:39:18.680 --> 1:39:22.160
<v Speaker 1>of the detectives. It's not like you're some Lucy goosey criminal.

1:39:22.320 --> 1:39:25.000
<v Speaker 1>You're in there and you did her.

1:39:24.920 --> 1:39:28.560
<v Speaker 4>Dirty Kelly So Kelly Kelly. Yeah, so Kelly left the

1:39:28.560 --> 1:39:29.599
<v Speaker 4>show and now she's back on run.

1:39:29.720 --> 1:39:33.320
<v Speaker 2>Yeah, she didn't leave. She definitely was contentious. It was

1:39:33.360 --> 1:39:35.360
<v Speaker 2>like what happened to Maloney after twelve years, they didn't

1:39:35.360 --> 1:39:37.360
<v Speaker 2>want to pay her, so then they fired her and

1:39:37.400 --> 1:39:39.320
<v Speaker 2>then I think the fandom was livid.

1:39:40.040 --> 1:39:42.160
<v Speaker 1>So then and.

1:39:42.080 --> 1:39:45.960
<v Speaker 2>She's still with Caresi, who Peter Scanavino, So that was weird.

1:39:46.320 --> 1:39:49.559
<v Speaker 2>So they made her a professor and then now they

1:39:49.640 --> 1:39:52.160
<v Speaker 2>like use her for help, but they can't afford her

1:39:52.200 --> 1:39:56.439
<v Speaker 2>and Iced Tea right now. So this season they're both

1:39:56.560 --> 1:39:57.479
<v Speaker 2>kind of part.

1:39:57.320 --> 1:40:00.680
<v Speaker 4>Time interesting, interesting and kept up.

1:40:01.080 --> 1:40:02.679
<v Speaker 2>So well, yeah, that would be crazy if you did,

1:40:02.800 --> 1:40:06.160
<v Speaker 2>but Ice See says he's keeping busy anyways, you know

1:40:06.200 --> 1:40:06.880
<v Speaker 2>he'll do it.

1:40:07.439 --> 1:40:11.000
<v Speaker 1>Yeah, like the bag after like ca Scale, I don't

1:40:11.000 --> 1:40:13.439
<v Speaker 1>know if it can like handle, like when someone like

1:40:13.640 --> 1:40:15.439
<v Speaker 1>Iced Tea has been on a show for like twenty

1:40:15.479 --> 1:40:18.960
<v Speaker 1>seven years. It's the longest running show, so like both

1:40:19.040 --> 1:40:22.120
<v Speaker 1>him and then Kelly Ginnish probably also are like expensive

1:40:22.200 --> 1:40:23.840
<v Speaker 1>in terms of like sure.

1:40:23.800 --> 1:40:28.880
<v Speaker 2>But we interviewed her right after that moment and we

1:40:28.880 --> 1:40:31.080
<v Speaker 2>felt like we got an exclusive and it felt like

1:40:31.360 --> 1:40:33.240
<v Speaker 2>she was pissed, so we're happy.

1:40:33.600 --> 1:40:36.640
<v Speaker 4>Yeah, yeah, well that's good and.

1:40:36.880 --> 1:40:43.280
<v Speaker 1>Sure like residuals forever. But was there yeah, like overall

1:40:43.320 --> 1:40:46.280
<v Speaker 1>working on the SVU set, like any little tidbits, any

1:40:46.280 --> 1:40:48.240
<v Speaker 1>little fun things that happened, we just you know, our

1:40:48.320 --> 1:40:49.599
<v Speaker 1>viewers love the inside school.

1:40:49.640 --> 1:40:49.800
<v Speaker 3>You know.

1:40:49.840 --> 1:40:54.800
<v Speaker 6>I've known Mauritia for thirty years. Oh yeah, just as

1:40:54.800 --> 1:40:57.719
<v Speaker 6>an actress, you know, banging around Los Angeles. And she's

1:40:57.800 --> 1:41:00.800
<v Speaker 6>good friends with other good friends of mine h from

1:41:00.880 --> 1:41:03.000
<v Speaker 6>their college years. And one of the guys actually dated

1:41:03.000 --> 1:41:03.679
<v Speaker 6>her for a minute.

1:41:04.920 --> 1:41:06.960
<v Speaker 4>And she and I.

1:41:06.880 --> 1:41:10.840
<v Speaker 6>Tested for she Shut together at CBS once and neither

1:41:10.880 --> 1:41:13.800
<v Speaker 6>one of us got it, although we were, oh, no,

1:41:13.920 --> 1:41:15.800
<v Speaker 6>this is yours to lose, and we go, okay, let's go.

1:41:15.800 --> 1:41:19.400
<v Speaker 4>We going to get both of us bumps. But but

1:41:19.520 --> 1:41:23.280
<v Speaker 4>she's it's been. It's really fun to watch to have

1:41:23.360 --> 1:41:25.160
<v Speaker 4>watched her own sort of evolve on the show and

1:41:25.200 --> 1:41:27.320
<v Speaker 4>it being such a big hit, and for being a

1:41:27.400 --> 1:41:30.280
<v Speaker 4>spokesman and and all for all these things, and uh,

1:41:30.760 --> 1:41:34.720
<v Speaker 4>it's it's it's pretty impressive and unbelievable that that show

1:41:34.760 --> 1:41:36.600
<v Speaker 4>is on for so long. No show has stay on

1:41:36.640 --> 1:41:38.639
<v Speaker 4>that long, you know. Crazy.

1:41:39.120 --> 1:41:41.519
<v Speaker 1>Yeah, she really did it.

1:41:42.680 --> 1:41:44.400
<v Speaker 4>Yeah, she's she's she's a good one.

1:41:44.560 --> 1:41:46.160
<v Speaker 1>What it's coming up for you?

1:41:46.680 --> 1:41:48.080
<v Speaker 6>Well, I did a movie a year and a half

1:41:48.120 --> 1:41:54.920
<v Speaker 6>ago called A Prince with I'm Sorry, Andy Garcia, JK. Simmons,

1:41:55.439 --> 1:41:59.559
<v Speaker 6>Nicholas Cage and who else is in it. Gunning Scott Hayes,

1:41:59.560 --> 1:42:02.880
<v Speaker 6>He's is the lead of it. What's it called The Prince?

1:42:03.800 --> 1:42:06.839
<v Speaker 6>And David Mammont wrote it. David Mammont wrote it.

1:42:06.560 --> 1:42:09.840
<v Speaker 4>So it's so it's good good pedigree. Script is really good.

1:42:10.560 --> 1:42:13.280
<v Speaker 4>It hasn't gotten released, it hasn't gotten distribution as far

1:42:13.280 --> 1:42:15.240
<v Speaker 4>as I know, So I don't.

1:42:15.080 --> 1:42:16.200
<v Speaker 6>Have a big part of it, but I have a

1:42:16.200 --> 1:42:20.000
<v Speaker 6>smaller part. But that's the last bigger thing I did,

1:42:20.560 --> 1:42:22.719
<v Speaker 6>and the rest of it. I've been doing video games

1:42:22.720 --> 1:42:26.280
<v Speaker 6>and narration. And you know, I'm also on an olive farmer.

1:42:26.360 --> 1:42:26.880
<v Speaker 6>We have a farm.

1:42:27.000 --> 1:42:29.000
<v Speaker 1>I know. I was gonna ask you about this in

1:42:29.439 --> 1:42:31.360
<v Speaker 1>you have this olive oil? You are busy?

1:42:31.520 --> 1:42:32.240
<v Speaker 4>What the fuck?

1:42:32.479 --> 1:42:33.120
<v Speaker 1>So many things?

1:42:33.320 --> 1:42:34.880
<v Speaker 4>What listen, What are you gonna do is sit on

1:42:34.880 --> 1:42:37.320
<v Speaker 4>your butt all day? I can't. I gotta do something.

1:42:37.439 --> 1:42:38.719
<v Speaker 1>So you're making olive oil.

1:42:39.520 --> 1:42:42.480
<v Speaker 6>Yeah, we have four hundred trees that we planted, and

1:42:42.600 --> 1:42:44.320
<v Speaker 6>I'm kind of the I kind of do it all.

1:42:44.360 --> 1:42:46.280
<v Speaker 4>Yeah, I've got We've got eight different varietals.

1:42:46.280 --> 1:42:48.760
<v Speaker 1>And how'd you get into it?

1:42:48.800 --> 1:42:53.439
<v Speaker 6>We we had we built this house in the wine

1:42:53.439 --> 1:42:56.479
<v Speaker 6>country north of Santa Barbara about twenty years ago, and

1:42:56.520 --> 1:42:58.400
<v Speaker 6>we put some smaller, all the trees around the house,

1:42:58.400 --> 1:43:00.000
<v Speaker 6>and then they got really big and they started throwing

1:43:00.120 --> 1:43:02.479
<v Speaker 6>off all these islands. And about five years ago it's like, what,

1:43:02.920 --> 1:43:06.400
<v Speaker 6>you know, we do something of this And yeah, then

1:43:06.439 --> 1:43:08.439
<v Speaker 6>I kind of got into I got massively into it,

1:43:08.439 --> 1:43:10.080
<v Speaker 6>and then it just we started planting and planting and

1:43:10.120 --> 1:43:11.200
<v Speaker 6>planting plenty.

1:43:11.479 --> 1:43:14.919
<v Speaker 4>So uh, we have a farm now and it's really beautiful.

1:43:15.040 --> 1:43:17.760
<v Speaker 1>And the olive oil is called hands right.

1:43:18.160 --> 1:43:21.720
<v Speaker 6>Ten hands hands, and it's the quality is insane, it's

1:43:21.720 --> 1:43:24.360
<v Speaker 6>so good. We only made three hundred bttles this year

1:43:24.800 --> 1:43:28.280
<v Speaker 6>and I'm well, we haven't. We are not good with

1:43:28.320 --> 1:43:31.080
<v Speaker 6>the distribution part of this. We have a website, but

1:43:31.280 --> 1:43:33.320
<v Speaker 6>we when we get more to sell, we will put

1:43:33.320 --> 1:43:35.160
<v Speaker 6>it on the website because they sell really quickly.

1:43:35.160 --> 1:43:39.400
<v Speaker 4>When I mentioned it, it just just goes. So but

1:43:39.880 --> 1:43:41.080
<v Speaker 4>when we have more to sell.

1:43:41.080 --> 1:43:43.559
<v Speaker 1>I'm on the site. Okay, I'm ready, Yeah, yeah, We're

1:43:43.560 --> 1:43:44.080
<v Speaker 1>all just.

1:43:44.200 --> 1:43:47.240
<v Speaker 6>We sell it locally. We sell it locally, you know, folks.

1:43:47.280 --> 1:43:49.920
<v Speaker 6>So yeah, you'll love it. You'll love it when you

1:43:49.960 --> 1:43:50.599
<v Speaker 6>got it.

1:43:50.640 --> 1:43:52.640
<v Speaker 1>Sounds like something that needs to go into Arawan, you

1:43:52.640 --> 1:43:54.760
<v Speaker 1>know what I mean. Just charge like one hundred and

1:43:54.760 --> 1:43:55.679
<v Speaker 1>fifty dollars a bottle.

1:43:57.800 --> 1:44:02.840
<v Speaker 4>Jeez, I my daughter. Still that wasn't I understand that?

1:44:03.320 --> 1:44:03.680
<v Speaker 3>Do you?

1:44:05.200 --> 1:44:10.000
<v Speaker 1>I have to ask about Father of the Bride too, Yeah, obviously, Yeah,

1:44:10.240 --> 1:44:12.280
<v Speaker 1>like the Father of the Bride was that like that

1:44:12.360 --> 1:44:14.439
<v Speaker 1>movie just feels maybe it was like the age I

1:44:14.560 --> 1:44:16.280
<v Speaker 1>was when it came out. It was just like such

1:44:16.280 --> 1:44:19.040
<v Speaker 1>a big movie to me, you know. And it's on Delta.

1:44:19.280 --> 1:44:21.080
<v Speaker 1>You can watch it anytime you want on a flight.

1:44:21.240 --> 1:44:21.439
<v Speaker 3>Yeah.

1:44:21.479 --> 1:44:21.880
<v Speaker 1>I love that.

1:44:22.000 --> 1:44:24.280
<v Speaker 6>Yeah, it's it's a great movie. You know, it's just

1:44:24.280 --> 1:44:25.920
<v Speaker 6>a great movie. Both both of them are really good.

1:44:26.040 --> 1:44:28.400
<v Speaker 6>It's just I've done a lot of stinkers, but then

1:44:28.560 --> 1:44:30.880
<v Speaker 6>a lot of kind of classic ones, which is fun.

1:44:31.080 --> 1:44:31.360
<v Speaker 1>Yeah.

1:44:31.400 --> 1:44:33.479
<v Speaker 4>So you know, do.

1:44:33.560 --> 1:44:35.040
<v Speaker 1>People ever come up to you and go, you know,

1:44:35.120 --> 1:44:36.800
<v Speaker 1>twenty two is a little bit young for Annie to

1:44:36.800 --> 1:44:37.519
<v Speaker 1>be getting married.

1:44:38.120 --> 1:44:41.120
<v Speaker 6>Yeah, yeah, yeah, yeah, I get I get it all

1:44:41.120 --> 1:44:44.240
<v Speaker 6>the time in the airport, man, people you know, people

1:44:44.240 --> 1:44:45.880
<v Speaker 6>in LA don't come up to me when I when

1:44:45.920 --> 1:44:46.439
<v Speaker 6>I travel.

1:44:46.600 --> 1:44:49.280
<v Speaker 4>It's like it's like suddenly, like why are people well,

1:44:49.280 --> 1:44:50.120
<v Speaker 4>oh oh that's right.

1:44:50.160 --> 1:44:52.400
<v Speaker 6>I guess usually Fathered Bride had been on a loop

1:44:52.479 --> 1:44:56.000
<v Speaker 6>or something or scandal was just recently honestly, Yeah, yeah, yeah,

1:44:56.160 --> 1:44:57.479
<v Speaker 6>I just sit in my booth all day and I

1:44:57.560 --> 1:44:59.000
<v Speaker 6>don't I don't ever see people.

1:45:00.040 --> 1:45:01.880
<v Speaker 1>And you're in the booth after this, you're just in

1:45:01.920 --> 1:45:05.200
<v Speaker 1>there in the booth. Do you keep in touch with

1:45:05.200 --> 1:45:06.840
<v Speaker 1>all your old scandal pals.

1:45:07.160 --> 1:45:07.519
<v Speaker 4>We do.

1:45:07.560 --> 1:45:09.920
<v Speaker 6>We have a really big text chain on what's happened,

1:45:10.160 --> 1:45:11.040
<v Speaker 6>Probably talked three.

1:45:10.920 --> 1:45:11.439
<v Speaker 4>Times a week.

1:45:11.800 --> 1:45:13.280
<v Speaker 1>Nice. That's amazing.

1:45:15.080 --> 1:45:15.800
<v Speaker 4>That's a great group.

1:45:16.320 --> 1:45:19.200
<v Speaker 1>I love crushing it. I also am just still thinking,

1:45:19.240 --> 1:45:22.360
<v Speaker 1>how like this movie with Nicholas Cage can't get distribution,

1:45:22.560 --> 1:45:25.920
<v Speaker 1>Like what the fuck? Like it's David Mammott, like, let

1:45:26.040 --> 1:45:27.519
<v Speaker 1>us watch it, we want it.

1:45:27.600 --> 1:45:29.799
<v Speaker 4>Well I don't. I don't know that it can't get distribution.

1:45:29.840 --> 1:45:31.880
<v Speaker 6>I don't know if if it's the right distribution, you know,

1:45:31.880 --> 1:45:34.840
<v Speaker 6>I mean, and maybe waiting for a special deal.

1:45:35.200 --> 1:45:36.920
<v Speaker 1>Yeah. I want to watch this.

1:45:37.680 --> 1:45:39.080
<v Speaker 4>Yeah, I need too. I want to see it.

1:45:39.240 --> 1:45:42.160
<v Speaker 1>I want to see it a satirical drama exploring the

1:45:42.200 --> 1:45:45.080
<v Speaker 1>life of a troubled son within a powerful American dynasty,

1:45:45.640 --> 1:45:48.680
<v Speaker 1>like I want Beverly friend of the Pod also on

1:45:48.840 --> 1:45:49.599
<v Speaker 1>sv Oh.

1:45:49.760 --> 1:45:55.679
<v Speaker 2>Yeah, I'm really glad that you came and did this.

1:45:55.960 --> 1:45:58.479
<v Speaker 2>And I'm just think because the fact that you talk

1:45:58.520 --> 1:46:01.080
<v Speaker 2>all day to give us some extra talking, we feel

1:46:01.360 --> 1:46:02.040
<v Speaker 2>You're welcome.

1:46:02.400 --> 1:46:04.879
<v Speaker 4>You're welcome. I have throat coat and pineapple juice.

1:46:05.160 --> 1:46:08.120
<v Speaker 1>Wait, pineapple juice a thing? Tell us more? Wait, no,

1:46:08.280 --> 1:46:10.439
<v Speaker 1>give us we're a stand away. We talk a lot too,

1:46:10.840 --> 1:46:14.000
<v Speaker 1>ye will you be a secret constantly voice?

1:46:14.880 --> 1:46:15.920
<v Speaker 4>Well, I'll tell you.

1:46:15.960 --> 1:46:18.439
<v Speaker 6>So you start out in the morning or earlier in

1:46:18.479 --> 1:46:22.240
<v Speaker 6>the day with throat warm tea, which is throat coat. Yeah,

1:46:23.400 --> 1:46:25.160
<v Speaker 6>and then first you want to hydrate. You want to

1:46:25.200 --> 1:46:26.200
<v Speaker 6>drink a couple of guys of water.

1:46:26.520 --> 1:46:27.120
<v Speaker 1>That's where I'm out.

1:46:27.640 --> 1:46:30.599
<v Speaker 6>Then start with throat coat, and then as the day

1:46:30.640 --> 1:46:33.479
<v Speaker 6>goes on, you want to cool it down and maybe

1:46:33.520 --> 1:46:35.960
<v Speaker 6>throw a little ice in there, and then then start

1:46:36.040 --> 1:46:39.040
<v Speaker 6>adding pineapple juice to the throat coat. And then the

1:46:39.080 --> 1:46:42.759
<v Speaker 6>pineapple juice is is it's an enzyme coach your throat.

1:46:42.920 --> 1:46:47.240
<v Speaker 1>Wow, pineapple juice okay, into the throat coat, iced, and

1:46:47.240 --> 1:46:48.200
<v Speaker 1>then it probably tastes good.

1:46:49.040 --> 1:46:54.240
<v Speaker 4>It tastes great, it tastes great. Yeah, there you go.

1:46:55.880 --> 1:46:57.000
<v Speaker 4>Pineapple juice is the key.

1:46:57.120 --> 1:47:06.000
<v Speaker 1>Pineapple juice like ten people. So I'm excited. Oh oh

1:47:06.040 --> 1:47:07.280
<v Speaker 1>my god. Okay, that was really fun.

1:47:07.320 --> 1:47:10.080
<v Speaker 2>But something did just come into my brain and I'd

1:47:10.120 --> 1:47:14.200
<v Speaker 2>like to discuss someone Yesterday was like who's your favorite

1:47:14.200 --> 1:47:16.000
<v Speaker 2>NEPO And so we were like talking and I finally

1:47:16.000 --> 1:47:18.280
<v Speaker 2>was like, oh, Marishka, like Marishka would be my favorite NEPO.

1:47:19.320 --> 1:47:21.800
<v Speaker 2>That's like it should have come to me faster. And

1:47:21.840 --> 1:47:24.160
<v Speaker 2>then this person said, Juli Louis Dreyfus. I go, she's

1:47:24.200 --> 1:47:27.320
<v Speaker 2>just rich it's not NEPO, and they go, no, Richard

1:47:27.400 --> 1:47:28.559
<v Speaker 2>Dreyfus is the father.

1:47:28.640 --> 1:47:32.519
<v Speaker 1>I go, no, no, and he was just so sure

1:47:32.640 --> 1:47:35.559
<v Speaker 1>and then of course wrong and embarrassed. I go, thank

1:47:35.600 --> 1:47:36.200
<v Speaker 1>god it happened here.

1:47:36.240 --> 1:47:37.880
<v Speaker 2>I'm like, I'm a safe space, like I'm glad it

1:47:37.880 --> 1:47:39.479
<v Speaker 2>happened in front of me and I can just like

1:47:39.520 --> 1:47:40.400
<v Speaker 2>correct you and move on.

1:47:40.560 --> 1:47:43.439
<v Speaker 1>But you would be humiliated in life. They're like fourteen

1:47:43.479 --> 1:47:45.920
<v Speaker 1>years apart. Maybe, Yeah, I was gonna say, they're like

1:47:46.880 --> 1:47:48.760
<v Speaker 1>I'm looking up their ages right now, and I'm like,

1:47:48.800 --> 1:47:52.160
<v Speaker 1>that's not even. They're thirteen years apart from each other

1:47:52.160 --> 1:47:57.240
<v Speaker 1>in age, so it's not impossible, but it's not. No, Yeah,

1:47:57.320 --> 1:47:59.120
<v Speaker 1>I think I thought that when I was like ten

1:47:59.240 --> 1:48:02.000
<v Speaker 1>years old, like Seinfeld was first on, I was like,

1:48:02.200 --> 1:48:04.280
<v Speaker 1>she must be related to Richard Drevis. Their names are

1:48:04.360 --> 1:48:06.360
<v Speaker 1>also spelt differently. Y.

1:48:07.360 --> 1:48:10.280
<v Speaker 2>Yeah, it's like it is you know, embarrassing things happen

1:48:10.479 --> 1:48:13.400
<v Speaker 2>and it's good that I'm a safe space. Yeah yeah,

1:48:13.439 --> 1:48:16.000
<v Speaker 2>but also just so sure to my face and I'm like,

1:48:16.640 --> 1:48:18.680
<v Speaker 2>I I don't know what to tell you.

1:48:18.760 --> 1:48:21.320
<v Speaker 1>It's just like you're just wrong. I thought they were

1:48:21.320 --> 1:48:24.920
<v Speaker 1>gonna argue with you on the on whether it is

1:48:25.040 --> 1:48:28.160
<v Speaker 1>kind of NEPO to just be the child of like

1:48:28.200 --> 1:48:30.160
<v Speaker 1>people with billions of dollars.

1:48:30.200 --> 1:48:33.640
<v Speaker 2>That's definitely a thing. But like in the discussion we,

1:48:33.880 --> 1:48:36.160
<v Speaker 2>like I was having in my head, it's like, what

1:48:36.240 --> 1:48:39.080
<v Speaker 2>are the industry people you know, Like, because I don't

1:48:39.280 --> 1:48:42.200
<v Speaker 2>I respect NEPO, I think more than billionaire.

1:48:42.720 --> 1:48:44.760
<v Speaker 1>Well, I mean cause it's all like related. It's like

1:48:44.800 --> 1:48:47.240
<v Speaker 1>you're getting a leg up. Like a billionaire still knows

1:48:47.240 --> 1:48:49.639
<v Speaker 1>a producer in Hollywood to call to get you an audition,

1:48:49.840 --> 1:48:51.439
<v Speaker 1>you know what I mean, Like even if they are

1:48:51.479 --> 1:48:54.080
<v Speaker 1>in finance, they still know these people. Like it's all

1:48:54.560 --> 1:48:57.479
<v Speaker 1>you know, Like Lena Dunham's parents like one of them,

1:48:57.600 --> 1:48:59.880
<v Speaker 1>Like she's always considered this hugepo and like aren't they

1:49:00.080 --> 1:49:03.200
<v Speaker 1>Like if your mom's a fine artist, that's a famous

1:49:03.200 --> 1:49:05.799
<v Speaker 1>fine artist, but you become an actor writer? Is that NEPO?

1:49:05.960 --> 1:49:09.000
<v Speaker 2>Like, so someone we probably have talked about it on

1:49:09.040 --> 1:49:11.439
<v Speaker 2>this I watched an interview. This isn't like an original take,

1:49:11.600 --> 1:49:14.720
<v Speaker 2>but she was just saying, like with in terms of

1:49:14.800 --> 1:49:17.799
<v Speaker 2>Lena Dunnam, where it's like both your parents are fine artists,

1:49:17.840 --> 1:49:21.000
<v Speaker 2>like just knowing culture, just being able to go to

1:49:21.040 --> 1:49:25.080
<v Speaker 2>stuff like knowing like when when the nepos go, my

1:49:25.200 --> 1:49:27.599
<v Speaker 2>dad was just like a DP and it's like most

1:49:27.640 --> 1:49:29.800
<v Speaker 2>people don't know that that's a job, yeah, you know,

1:49:29.960 --> 1:49:31.960
<v Speaker 2>or that you could build a set, Like most people

1:49:32.000 --> 1:49:35.200
<v Speaker 2>don't know these jobs even exist. It's like even living

1:49:35.280 --> 1:49:38.800
<v Speaker 2>in New York City, like being proximity to culture and

1:49:38.880 --> 1:49:42.559
<v Speaker 2>understanding your parents being super educated, Like there are just

1:49:42.720 --> 1:49:45.120
<v Speaker 2>things that it's it's.

1:49:44.960 --> 1:49:45.519
<v Speaker 1>A good thing.

1:49:45.720 --> 1:49:48.360
<v Speaker 2>It's not like you deserve less, but it's just like

1:49:48.880 --> 1:49:51.040
<v Speaker 2>not understanding that.

1:49:51.120 --> 1:49:52.720
<v Speaker 1>It's kind of when I talk to the lions Gate

1:49:52.720 --> 1:49:54.680
<v Speaker 1>guy who was like, well, everyone gets help, and I'm like, no,

1:49:54.760 --> 1:49:56.400
<v Speaker 1>some people are in foster care, Like what are you

1:49:56.520 --> 1:49:59.320
<v Speaker 1>talking about. So it's this idea because I think about

1:49:59.320 --> 1:50:01.200
<v Speaker 1>it all the time when my immigrant parents like they

1:50:01.240 --> 1:50:04.160
<v Speaker 1>don't they didn't know anything, Like I truly had to

1:50:04.200 --> 1:50:06.120
<v Speaker 1>figure everything out. People are like why'd you go to

1:50:06.160 --> 1:50:07.000
<v Speaker 1>Iowa for college?

1:50:07.040 --> 1:50:09.720
<v Speaker 2>I go because I was seventeen and trusted to my

1:50:09.800 --> 1:50:12.200
<v Speaker 2>own decisions and had no one telling me otherwise, Like

1:50:12.680 --> 1:50:15.640
<v Speaker 2>no one like they and what they were telling me

1:50:17.400 --> 1:50:23.040
<v Speaker 2>irrelevant to my life, like they were teaching me where

1:50:23.040 --> 1:50:25.720
<v Speaker 2>it's just like, yeah, it's nonsense. It's the rich dad,

1:50:25.760 --> 1:50:26.240
<v Speaker 2>poor dad.

1:50:26.280 --> 1:50:26.479
<v Speaker 3>Shit.

1:50:26.640 --> 1:50:28.559
<v Speaker 2>It's like if you know how to invest her, I

1:50:28.600 --> 1:50:30.799
<v Speaker 2>have stocks as a kid, like all of those things.

1:50:31.040 --> 1:50:33.439
<v Speaker 2>Like if your parents are super educator in the art

1:50:33.479 --> 1:50:35.720
<v Speaker 2>world in New York City and you get to go

1:50:35.760 --> 1:50:39.800
<v Speaker 2>to parties or their friends with writers and directors and

1:50:39.840 --> 1:50:43.240
<v Speaker 2>you go to school with Martin Scorsese's daughter, Yeah, that's

1:50:43.240 --> 1:50:44.479
<v Speaker 2>a different fucking life.

1:50:44.800 --> 1:50:47.240
<v Speaker 1>I kind of like talking to George Nubern today because

1:50:47.280 --> 1:50:50.000
<v Speaker 1>I thought it was interesting how he was literally grew

1:50:50.080 --> 1:50:52.120
<v Speaker 1>up in like little Rock, Arkansas.

1:50:52.040 --> 1:50:54.640
<v Speaker 2>With I always tell people, Miname, I'm so grateful to

1:50:54.680 --> 1:50:57.519
<v Speaker 2>my high school theater teacher, Like I am aware enough

1:50:57.560 --> 1:51:00.160
<v Speaker 2>to be like I had the best education and that's

1:51:00.200 --> 1:51:03.519
<v Speaker 2>why I know things because I got to like work

1:51:03.520 --> 1:51:07.280
<v Speaker 2>at a costume shop in high school and know what

1:51:07.320 --> 1:51:09.320
<v Speaker 2>a black box theater is, you know what I mean?

1:51:09.520 --> 1:51:12.320
<v Speaker 2>Like that is also huge, Like some people don't even

1:51:12.360 --> 1:51:14.720
<v Speaker 2>have arts at their high school so I don't know.

1:51:14.880 --> 1:51:18.000
<v Speaker 2>I just like don't know why people don't practice gratitude.

1:51:18.240 --> 1:51:19.599
<v Speaker 2>But yeah, bring it back to George.

1:51:19.680 --> 1:51:20.200
<v Speaker 1>He's great.

1:51:20.280 --> 1:51:22.479
<v Speaker 2>I can't see him as like I only see him

1:51:22.479 --> 1:51:24.200
<v Speaker 2>from Father of the Bride. Even looking at him now

1:51:24.240 --> 1:51:26.000
<v Speaker 2>at his face, I just like see a young little guy,

1:51:26.200 --> 1:51:26.840
<v Speaker 2>like I don't know.

1:51:26.840 --> 1:51:29.400
<v Speaker 1>I know, it's like I gotta watch Scandal that he

1:51:29.720 --> 1:51:33.720
<v Speaker 1>was an assassin, Like that's so wild. But he was

1:51:33.760 --> 1:51:36.000
<v Speaker 1>lovely to talk to and I love that he's just

1:51:36.080 --> 1:51:41.719
<v Speaker 1>reading these fucking books. Yeah book.

1:51:41.880 --> 1:51:44.680
<v Speaker 2>I've done three voiceover auditions that I usually wouldn't do

1:51:44.720 --> 1:51:46.559
<v Speaker 2>because I was like, oh, okay, I want to be

1:51:46.800 --> 1:51:47.599
<v Speaker 2>I like this George.

1:51:47.600 --> 1:51:50.440
<v Speaker 1>I like what George is up to. Oh yeah, voiceover

1:51:50.560 --> 1:51:51.639
<v Speaker 1>is the best I know.

1:51:51.720 --> 1:51:53.680
<v Speaker 2>But my thing is like I'm not going to like

1:51:54.000 --> 1:51:57.280
<v Speaker 2>competing with people that are actually do this, like you

1:51:57.400 --> 1:51:59.680
<v Speaker 2>either have to want me or not, Like I am

1:51:59.760 --> 1:52:01.000
<v Speaker 2>not putting on a voice or not.

1:52:01.160 --> 1:52:04.360
<v Speaker 1>Like it's either you want me or not. Yeah, that's

1:52:04.360 --> 1:52:04.880
<v Speaker 1>what it is.

1:52:04.960 --> 1:52:07.720
<v Speaker 2>So and I've been specific voice yeah yeah, So I've

1:52:07.720 --> 1:52:10.599
<v Speaker 2>been kind of like neglectful about that, and now because

1:52:10.640 --> 1:52:12.519
<v Speaker 2>of George, I've submitted a bunch.

1:52:13.360 --> 1:52:16.720
<v Speaker 1>Hey, I'm always learning from our guests. You're always yeah,

1:52:16.720 --> 1:52:18.519
<v Speaker 1>You're like keep taking note. You should, like we should

1:52:18.520 --> 1:52:20.960
<v Speaker 1>write a book that's like what we learned from our guests.

1:52:20.920 --> 1:52:22.880
<v Speaker 2>Because I actually think about it all the time. I

1:52:22.920 --> 1:52:25.479
<v Speaker 2>have because I have fit conversations with myself because I'm

1:52:25.479 --> 1:52:26.479
<v Speaker 2>alone most of the time.

1:52:26.840 --> 1:52:27.240
<v Speaker 3>And.

1:52:28.880 --> 1:52:31.320
<v Speaker 2>Like I was saying about favorite guests, and like Kelly Who,

1:52:31.360 --> 1:52:32.679
<v Speaker 2>I still think about all the time.

1:52:33.160 --> 1:52:35.639
<v Speaker 1>Oh yeah, I think about how she like sent out

1:52:35.680 --> 1:52:39.600
<v Speaker 1>those cards car Like people had to freaking hustle so

1:52:39.760 --> 1:52:43.240
<v Speaker 1>hard at the beginning of their careers back in the day,

1:52:43.240 --> 1:52:45.080
<v Speaker 1>and you still do, but like you hustle in a

1:52:45.120 --> 1:52:46.879
<v Speaker 1>different way. You like hustle to get followers.

1:52:46.920 --> 1:52:48.920
<v Speaker 2>Now it feels just like yeah, taking out ads and

1:52:49.000 --> 1:52:52.639
<v Speaker 2>variety and running around and like then like her getting

1:52:52.680 --> 1:52:55.120
<v Speaker 2>the maxim sexy cover and then them being like, no,

1:52:55.240 --> 1:52:58.880
<v Speaker 2>we don't want people to think it's Asian yah, and

1:52:58.920 --> 1:53:00.559
<v Speaker 2>like we want a white person with you, and she

1:53:00.640 --> 1:53:02.559
<v Speaker 2>fought for it, and then her cover was the most

1:53:02.640 --> 1:53:05.400
<v Speaker 2>high selling cover ever in history. And it's just like

1:53:05.920 --> 1:53:08.559
<v Speaker 2>thinking about Kelly Who, and then sorry, thinking about like

1:53:08.640 --> 1:53:10.800
<v Speaker 2>Hudson williams Now and all of this is just like

1:53:11.880 --> 1:53:15.679
<v Speaker 2>I don't know, it's time has gone. It's it's cool

1:53:15.720 --> 1:53:20.200
<v Speaker 2>to see things be better so much as bad or

1:53:20.240 --> 1:53:23.360
<v Speaker 2>not moving. So it's just cool to see that they

1:53:23.360 --> 1:53:25.520
<v Speaker 2>wouldn't even put her on the cover of a magazine.

1:53:26.520 --> 1:53:27.519
<v Speaker 2>And now it's.

1:53:27.360 --> 1:53:30.639
<v Speaker 1>Like, yeah, yeah, I think I think about Kelly Who

1:53:30.720 --> 1:53:33.040
<v Speaker 1>a lot. Well, you know I've been thinking about a lot.

1:53:33.120 --> 1:53:39.040
<v Speaker 1>Is Evelyn fucking Nesbit the subject of this true crime

1:53:39.120 --> 1:53:42.360
<v Speaker 1>that we did today, And damn, what a freaking story.

1:53:42.600 --> 1:53:49.080
<v Speaker 1>I mean, fuck so wild and I don't know, like

1:53:49.680 --> 1:53:52.280
<v Speaker 1>it's like I want to do some kind of post mortem.

1:53:52.360 --> 1:53:54.200
<v Speaker 1>Here's what I learned, But it's like, I don't know.

1:53:54.280 --> 1:53:56.200
<v Speaker 1>She was like a fourteen year old model in the

1:53:56.240 --> 1:53:58.360
<v Speaker 1>city with like no one else. You know, you know

1:53:58.439 --> 1:54:04.160
<v Speaker 1>what you learned that is important? Yeah, yes, that's what

1:54:04.200 --> 1:54:07.960
<v Speaker 1>you learn from when like these kinds of satuations after

1:54:08.160 --> 1:54:11.400
<v Speaker 1>bad man but needed them for financial game. I mean

1:54:11.920 --> 1:54:16.600
<v Speaker 1>it's just like any tale about a woman reminds you

1:54:16.680 --> 1:54:20.320
<v Speaker 1>why all women need to be protected at all times. Yeah,

1:54:20.360 --> 1:54:23.800
<v Speaker 1>And like even her own brother was like, I love

1:54:23.840 --> 1:54:26.360
<v Speaker 1>this guy. He sent me to military school because like,

1:54:27.400 --> 1:54:29.439
<v Speaker 1>you know, he doesn't know anybody. He just knows who's

1:54:29.439 --> 1:54:31.800
<v Speaker 1>helping him. Wait, I know I'm late to the game.

1:54:31.920 --> 1:54:35.360
<v Speaker 1>Do you know you know Hassan Piker. Yeah, he's like

1:54:35.480 --> 1:54:42.320
<v Speaker 1>so hot. So well, because Caleb just did his.

1:54:42.320 --> 1:54:45.160
<v Speaker 2>Pods so that's so now he's in my feed because Caleb.

1:54:45.400 --> 1:54:48.400
<v Speaker 2>I'm a Caleb because I'm a Caleb fanatic. And then

1:54:48.480 --> 1:54:53.280
<v Speaker 2>Caleb talked about being on Hassan show, like on less culture,

1:54:53.320 --> 1:54:57.280
<v Speaker 2>so whatever. So now and all his friends are in

1:54:57.360 --> 1:55:01.839
<v Speaker 2>my feed and I'm like, whoa, where's the famous obviously

1:55:02.120 --> 1:55:02.520
<v Speaker 2>well known.

1:55:02.560 --> 1:55:05.840
<v Speaker 1>I got to watch this episode because that sounds like

1:55:05.960 --> 1:55:08.480
<v Speaker 1>a meeting of the minds. Yeah, it was really fun.

1:55:08.840 --> 1:55:11.680
<v Speaker 1>And actually just like I've been watching his onpiker clips

1:55:11.680 --> 1:55:14.280
<v Speaker 1>for a long time, but I just you just realized

1:55:14.280 --> 1:55:16.360
<v Speaker 1>how hot he is. No, no, I just looked him

1:55:16.440 --> 1:55:18.360
<v Speaker 1>up and like got his like found out a little

1:55:18.360 --> 1:55:20.960
<v Speaker 1>bit more about his like history, like that he's like

1:55:21.360 --> 1:55:24.920
<v Speaker 1>this twitch guy and he said some problematic shit in

1:55:24.920 --> 1:55:28.640
<v Speaker 1>the past, but now he's like mostly good and progressive

1:55:28.680 --> 1:55:35.360
<v Speaker 1>and not saying slurs and uh, and he's got good

1:55:35.440 --> 1:55:37.480
<v Speaker 1>people on and I just like whenever he's on like

1:55:37.520 --> 1:55:39.960
<v Speaker 1>Pierce Morgan or whatever, he's just like fucking owning everybody

1:55:39.960 --> 1:55:42.680
<v Speaker 1>and it's very good. He's very good. Yeah, I'm new

1:55:42.680 --> 1:55:45.960
<v Speaker 1>to him. I like it. Yeah, yeah, I don't know.

1:55:46.120 --> 1:55:49.040
<v Speaker 1>I brought him up. No, hey, you know what, never

1:55:49.080 --> 1:55:51.360
<v Speaker 1>too late to bring up a crush on on the

1:55:51.400 --> 1:55:52.160
<v Speaker 1>old TMU.

1:55:52.960 --> 1:55:54.720
<v Speaker 2>I have a question, not really what are those shirts

1:55:54.720 --> 1:55:57.360
<v Speaker 2>cat like Louis Luis, Like, what's that style?

1:55:58.240 --> 1:56:00.960
<v Speaker 1>Like I would say they're like the Ampers shirts, like,

1:56:01.280 --> 1:56:03.360
<v Speaker 1>because that's what those the Amber sam But like, I

1:56:03.400 --> 1:56:07.320
<v Speaker 1>don't really know what that's called. I guess the first

1:56:07.480 --> 1:56:09.839
<v Speaker 1>company to do that was a design company in Amsterdam

1:56:09.920 --> 1:56:11.760
<v Speaker 1>did it with the Beatles in two thousand and one.

1:56:12.360 --> 1:56:14.960
<v Speaker 1>Somebody made a shirt that's ampersand and ambersand and amber

1:56:15.040 --> 1:56:18.480
<v Speaker 1>sand and amber sand in period. So that's very meta.

1:56:19.240 --> 1:56:23.320
<v Speaker 1>All right, let's get going onto our what would sisterpeg Do,

1:56:23.400 --> 1:56:25.360
<v Speaker 1>which is our weekly segment where we direct you to

1:56:27.080 --> 1:56:29.880
<v Speaker 1>an article, a book, a doc, an organization, something to

1:56:29.880 --> 1:56:31.520
<v Speaker 1>give you more info about what we talked about today.

1:56:31.560 --> 1:56:33.680
<v Speaker 1>And this week, I wanted to just point you guys

1:56:33.720 --> 1:56:35.920
<v Speaker 1>to this short doc on YouTube I found called The

1:56:35.920 --> 1:56:40.600
<v Speaker 1>Tragic Life of Evelyn Nesbitt, the Murder that Shocked America.

1:56:40.680 --> 1:56:44.040
<v Speaker 1>This is a dock on the Stories through Time YouTube channel.

1:56:44.120 --> 1:56:46.240
<v Speaker 1>It's a little under an hour. If you wanted to

1:56:46.760 --> 1:56:49.280
<v Speaker 1>put more faces to the names and get some more

1:56:49.280 --> 1:56:52.240
<v Speaker 1>details over the crime that we covered. You can head

1:56:52.280 --> 1:56:56.000
<v Speaker 1>over to the link in our show notes and we

1:56:56.040 --> 1:56:59.960
<v Speaker 1>always post that in our stories the day the episode

1:57:00.120 --> 1:57:01.960
<v Speaker 1>comes out, and then we save all those stories in

1:57:02.000 --> 1:57:05.400
<v Speaker 1>a highlight on our Instagram page called WWSPD, and our

1:57:05.400 --> 1:57:07.960
<v Speaker 1>instagram is That's Messed Up Pod. Go on over there

1:57:08.000 --> 1:57:14.080
<v Speaker 1>and follow for homework and other little SVU memes. Somebody

1:57:14.080 --> 1:57:17.440
<v Speaker 1>with Somebody sent us yesterday the little Hello Kitty SVU

1:57:17.520 --> 1:57:22.000
<v Speaker 1>meme that was really funny. Thank you, I Feel Sharon

1:57:22.080 --> 1:57:25.240
<v Speaker 1>memes over there, Get on over I Feel Connected to

1:57:25.480 --> 1:57:30.400
<v Speaker 1>Humanity memes. They connect us all. And next week we

1:57:30.480 --> 1:57:36.680
<v Speaker 1>will be doing constricted. Wow, old school, old school stuff. Constriction.

1:57:37.600 --> 1:57:41.160
<v Speaker 2>But it's season twenty six, episode four. Also, we didn't

1:57:41.160 --> 1:57:45.000
<v Speaker 2>even talk about Melissa McCarthy. Next week, next week, next week.

1:57:53.480 --> 1:57:55.720
<v Speaker 2>That's Messed Up as an exactly right production.

1:57:56.120 --> 1:57:58.200
<v Speaker 1>If you have compliments you'd like to give us or

1:57:58.280 --> 1:58:00.520
<v Speaker 1>episodes you'd like us to cover, shoot us an email

1:58:00.560 --> 1:58:03.880
<v Speaker 1>at That's Messed uppod at gmail dot com. Listen to

1:58:03.920 --> 1:58:06.840
<v Speaker 1>That's Messed Up on the iHeartRadio app, Apple podcasts, or

1:58:06.840 --> 1:58:10.280
<v Speaker 1>wherever you get your podcasts. Follow the podcast on Instagram

1:58:10.320 --> 1:58:13.520
<v Speaker 1>at That's Messed Up Pod, and follow us personally at

1:58:13.600 --> 1:58:17.080
<v Speaker 1>Kara Klank and at Glitter Cheese. As always, please see

1:58:17.080 --> 1:58:19.360
<v Speaker 1>our show notes for sources and more information.

1:58:19.760 --> 1:58:22.760
<v Speaker 2>Thank you so much to our senior producer Casey O'Brien

1:58:22.920 --> 1:58:25.880
<v Speaker 2>and our associate producer Christina Chamberlain, and.

1:58:25.920 --> 1:58:29.200
<v Speaker 1>To our mixer John Bradley and our guest booker Patrick Cottner,

1:58:29.400 --> 1:58:32.080
<v Speaker 1>and to Henry Kaperski for our theme song and Carly

1:58:32.200 --> 1:58:35.360
<v Speaker 1>gen Andrews for our artwork. Thank you to our executive

1:58:35.400 --> 1:58:39.600
<v Speaker 1>producers Georgia Hardstart, Karen Kilgarriff, Daniel Kramer, and everybody at

1:58:39.600 --> 1:58:40.520
<v Speaker 1>Exactly Right Media.

1:58:41.400 --> 1:58:42.320
<v Speaker 3>Dun dun