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Speaker 1: Puny virus. What is it? Paruna advisory my stupid and

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Speaker 1: thrown the advisory. It is advised this context and language

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Speaker 1: is not suitable for children. Ship might be said, they

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Speaker 1: might hit you up under the skin, and it might

5
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Speaker 1: be a low blow. But guess what, it's funny. It's

6
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Speaker 1: funny though. We got see that in the building all

7
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Speaker 1: the way from Cincin with your sting. You're gonna be

8
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Speaker 1: in New Year's In with your You're gonna go straight

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Speaker 1: back to work with your sting. Why your kids don't

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Speaker 1: pay with your stag hold on your alternated on work

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Speaker 1: with you? Now you gotta try to cranky with your sting.

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Speaker 1: Here you're gonna be with you're s You ain't gonna

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Speaker 1: don't don't what you're saying. You know, I'm being able

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Speaker 1: to see what the ship to hold the look nigga

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Speaker 1: talking about nin't with this ship. And that's what I

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Speaker 1: book your beach and I'll pay it any time she

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Speaker 1: called me, she gonna get off on telling where you

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Speaker 1: might see me. I'm posted it in the Ain man.

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Speaker 1: I might jump on the plane in Paula love Flant

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Speaker 1: because I got the jokes. I'm may be where you

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Speaker 1: see me with it, Africa. I'm telling jokes and difference.

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Speaker 1: I went to German and felt something different. Titties ain't

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Speaker 1: gonna win the German, and then it felt so different.

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Speaker 1: Titty ain't gonna win the German and felt some different.

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Speaker 1: Smile ain't they round? But feel some different. I like

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Speaker 1: more than weed. I like it anything. I make bitches mad,

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Speaker 1: like DC Young flying now boiling up. I don't give

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Speaker 1: a man found about frisy mite. Give me some of

29
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Speaker 1: that busty baby. Give me some of that pussy girl.

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Speaker 1: Quit being stinging now getting it's some of that busty.

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Speaker 1: You've got enough to share. I won't tell nobody because

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Speaker 1: I know they do not care. Give me some of

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Speaker 1: that bussy baby. Give me some of that pussy girl.

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Speaker 1: They gotta sell. I want busting. I don't know, but

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Speaker 1: I want no what I gotta felt, don't bus. They

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Speaker 1: got to sell, but I won't bust. Got to smell,

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Speaker 1: but they gotta fell, don't Jack, And I ain't paying

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Speaker 1: for yeah five South show, bitch, it's the eighty five

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Speaker 1: South Show. It's the eighty five eighty five eight e

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Speaker 1: my my, what turn me up? A little bit? Turn

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Speaker 1: me up? I need to hear me, man, I need

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Speaker 1: to hear me, man, I need to hear me. Come

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Speaker 1: test to test. No, I need to hear me a

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Speaker 1: note like you didn't rehearse need dar me. Well, now

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Speaker 1: we're gonna see this blues album. I can't hear me

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Speaker 1: no snacking. I gotta fucking hole staking as bitch. What

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Speaker 1: if blues was that I'm seeing it was? But it

48
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Speaker 1: wasn't that they covered it up. They hit it well.

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Speaker 1: I got she be sucking home dicks. She sucked. She's

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Speaker 1: sucking on dick. Come on, now, ain't it like it's sinking?

51
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Speaker 1: Think about when you first found out she was sucking dick.

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Speaker 1: Hold on, cat, go back. That ship sounded Hold on, y'all.

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Speaker 1: We're working on the ship. So the whole ship it

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Speaker 1: sound good. Wait a minute, I'm gonna tell you when

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Speaker 1: my ship sound good like I like it, Make it

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Speaker 1: sound good like I like it. Yeah, But you know,

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Speaker 1: the Blue Songs wasn't nasty, but they didn't go They

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Speaker 1: weren't so obviously in your face with Marvin's seas, googling

59
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Speaker 1: people candy liquor. That whole song was about eating pussy

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Speaker 1: and it never got Volgar eight week Day to the

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Speaker 1: week to eat pussy. Oh, I want to be eight

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Speaker 1: days a week, your kid. I want to make you

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Speaker 1: come shout out to Marvin's season. This nigger said he'll

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Speaker 1: eat the pussy so long because he ain't got ship,

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Speaker 1: he'll us to do this. Nigg is said he ain't

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Speaker 1: got no job. He don't need no job because he

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Speaker 1: ain't got no bills. This nigga is a homeless wondering

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Speaker 1: what was it? Jody, Mr Joy, Jody, that's the dude

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Speaker 1: that come fucking bitch when you ain't around. We're talking

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Speaker 1: about siding and innovators right now, man, Mr Mother, he

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Speaker 1: was a paneeer man. Let's let's go ahead, let'sten like okay,

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Speaker 1: So you're taking it back. So Jody comes through Jody gonna.

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Speaker 1: Jody don't need nothing, Jody ain't human. Jody don't got

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Speaker 1: no job because Jody don't got no bills. Jody ain't

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Speaker 1: Jody don't work nowhere, Jody don't drive, he don't have

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Speaker 1: to eat because and then he's a cocky motherfucker. He

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Speaker 1: got another son on. They said, if you can't keep

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Speaker 1: your woman from me, hey, just leave me alone, all right.

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Speaker 1: Don't come over here with that Hooper out man. You know,

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Speaker 1: I was born and raised motherfucking blue, so I don't

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Speaker 1: know a good but they do. They did a good

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Speaker 1: job had It wasn't ready was about pussy. It wasn't

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Speaker 1: your face, but it wasn't give you another No, I'm

84
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Speaker 1: gonna give you another blue song that was completely about pussy.

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Speaker 1: They went over everybody here to the game. It's this

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Speaker 1: song about mother Tyrone Davis called Mom's apple pack sweets

87
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Speaker 1: Sweets Moms. I called this nigga, said, I call you

88
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Speaker 1: every day at work and you say you can't talk,

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Speaker 1: but you need to make money because you got to

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Speaker 1: pay the bills, So I called you at home. This

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Speaker 1: nigger was really at this lady with this good pussy

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Speaker 1: to the point where she couldn't even go to work.

93
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Speaker 1: And this is back in the day where you actually

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Speaker 1: had to call a land land my nigger, So that

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Speaker 1: work was real fucking inconvenient, Like you you had to

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Speaker 1: come from downstairs and ship it. Hello, you're still trying

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Speaker 1: to fun. Look I got to work. You're sucking up

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Speaker 1: my break? Yeah, like yeah you could. And it wasn't

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Speaker 1: no sneaking. Now, look at R and B trade song

100
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Speaker 1: Before he even sang anything that nigga said, which one

101
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Speaker 1: of y'all coming home with trigger. He didn't even convinced

102
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Speaker 1: the bitch that he didn't nigger yet. I don't know

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Speaker 1: tray songs. Nig I thought, trade, don't trade me, don't

104
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Speaker 1: trade three. You can have all these bitches. You're gonna

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Speaker 1: take my girl. I don't get how this nigg on

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Speaker 1: his seventh album, you puss It right. He on his

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Speaker 1: seventh album, his name Tredy song. That nigger name is

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Speaker 1: three songs. He should have just dropped three songs and

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Speaker 1: went out of legend. Tray song French. If you don't

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Speaker 1: speak it eight eighty ty, he's stupid as fun. This

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Speaker 1: is the eighty five SETH show. I am your man,

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Speaker 1: Carlos Miller. That was just some sad nigger conversation we

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Speaker 1: was having on the sad about politics, a lot of stuff. Man.

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Speaker 1: Should he's back and they goddamn doing out here. Man,

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Speaker 1: you know what it is? Do you understand Mike right

116
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Speaker 1: Why do Mike right here? They don't know how to

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Speaker 1: tell you a big like the mic right here. Make

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Speaker 1: sure you fix your ship the mike right here. All right,

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Speaker 1: We're good, Clayton, you know what it is. Clayton names right, working, working, working, working,

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Speaker 1: working work. You out here working on you know, at

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Speaker 1: the same time or everybody in you know, in the

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Speaker 1: same city. I saw y'all niggas on the subway. Yeah,

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Speaker 1: ship was crazy. Chad was break dancing. They had a

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Speaker 1: little bucket, little chat out, little hat out. Chad always

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Speaker 1: hus we'll hat out. It was showtime, that's what he said.

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Speaker 1: It showtime. And all of a sudden he hit a

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Speaker 1: little play on the boom. You know how Chad get man,

128
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Speaker 1: He getting his little movies and you can't tell them.

129
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Speaker 1: Ain't never been to the city before. Man, the nigga

130
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Speaker 1: showed up at the studio the other day with some

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Speaker 1: band gloves on, talking like pub day, We're about to

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Speaker 1: get it. I was like, nigga, we're getting it already. No,

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Speaker 1: we're about to get it. Get it. I would like,

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Speaker 1: come on, man, just because you say some ship two times,

135
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Speaker 1: don't give it there. It's work. That's exactly what he

136
00:09:02,080 --> 00:09:05,280
Speaker 1: was doing. This work points the rock everywhere like somebody

137
00:09:05,280 --> 00:09:09,080
Speaker 1: who's going to clean this ship up. They're gonna charges

138
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Speaker 1: for this. Oh yeah, Chad, you know chat cat cat

139
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Speaker 1: Cat you cool? You still West coast cat smoking blunts

140
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Speaker 1: from the police. I'm like, put the ship down there

141
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Speaker 1: and you don't know where you Jodah came up and

142
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Speaker 1: got ancho. He came up here, got a puncho. Weird

143
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Speaker 1: at funk. We go to the diner. This nigga order

144
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Speaker 1: New Orleans Linguini. Motherucker had some new to so thick.

145
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Speaker 1: I'm like, the ain't no way he's gonna ain't no

146
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Speaker 1: way he Louisiana fetter Chening. We ain't no fatther Chening. Bro.

147
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Speaker 1: We're getting shipped like burgers and ship. Joe order the

148
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Speaker 1: fucking Louisiana fatty CHENI border from a dining Yeah, because

149
00:09:51,880 --> 00:09:53,679
Speaker 1: you know in New York them dinings, the men you

150
00:09:53,840 --> 00:09:57,440
Speaker 1: be thick as fuck. Yeah, you don't eat all that ship.

151
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Speaker 1: They got all them options. You think they make everything,

152
00:10:00,040 --> 00:10:03,560
Speaker 1: then you were not supposed to order that. That motherfucker's

153
00:10:03,600 --> 00:10:09,199
Speaker 1: had to figure out how to make it. See, you're

154
00:10:09,440 --> 00:10:13,360
Speaker 1: going to fucking dining in order some fancy ship. I

155
00:10:13,400 --> 00:10:15,640
Speaker 1: don't trust them. I don't trust the dining on all that.

156
00:10:16,200 --> 00:10:19,920
Speaker 1: They men you too, so they can't do nothing good.

157
00:10:20,040 --> 00:10:22,800
Speaker 1: They can't make anything. Well, there's too many options on

158
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Speaker 1: the menu. So the nigga. First of all, the nigger.

159
00:10:27,640 --> 00:10:30,120
Speaker 1: It's just a nigga who's saying I need a job.

160
00:10:30,920 --> 00:10:33,360
Speaker 1: This nigga not a cook. Is nigging not a chief?

161
00:10:33,760 --> 00:10:36,199
Speaker 1: He not known for sucking up ship in the kitchen.

162
00:10:37,120 --> 00:10:39,960
Speaker 1: He look, this nigga is an instruction fundler. He got

163
00:10:40,040 --> 00:10:43,679
Speaker 1: his job by begging. Nigga begged him. No, He's like, nigger,

164
00:10:43,760 --> 00:10:45,959
Speaker 1: we need a burger. You know, you know, you know,

165
00:10:45,960 --> 00:10:49,080
Speaker 1: I know to work to grill. Want somebody going there.

166
00:10:49,800 --> 00:10:53,480
Speaker 1: I saw the Mexican dude he left. I see ain't

167
00:10:53,480 --> 00:10:58,240
Speaker 1: nobody in there. I see your backing up. Yeah, nig

168
00:11:00,240 --> 00:11:03,920
Speaker 1: fucking I can't deal with this ship now now I'm

169
00:11:03,960 --> 00:11:06,480
Speaker 1: regretting all this ship because now I know that then

170
00:11:06,520 --> 00:11:08,319
Speaker 1: they are really not a cook, just nig and the

171
00:11:08,440 --> 00:11:11,920
Speaker 1: falling instruction like they we need a burger medium, Well,

172
00:11:12,679 --> 00:11:15,680
Speaker 1: what the fund is that? Nigga? No pink in the middle,

173
00:11:16,520 --> 00:11:18,640
Speaker 1: How the funk? I'm enough pink in the middle. And

174
00:11:18,720 --> 00:11:20,360
Speaker 1: now I don't have to cut this bitch open. I

175
00:11:20,480 --> 00:11:22,160
Speaker 1: cut it open and just put the cheese over, and

176
00:11:22,200 --> 00:11:24,199
Speaker 1: then I don't know how else to tell. I cut

177
00:11:24,240 --> 00:11:26,120
Speaker 1: it in half, off the top. He didn't even grill

178
00:11:26,280 --> 00:11:28,679
Speaker 1: what's some ship that you won't eat like out in

179
00:11:28,920 --> 00:11:31,360
Speaker 1: no fucking restaurants, some ship you only eat. There's a

180
00:11:31,400 --> 00:11:35,440
Speaker 1: matter of cooked at the crib because on my list,

181
00:11:35,640 --> 00:11:38,400
Speaker 1: chicken is slowly becoming some ship that I don't publicly.

182
00:11:38,840 --> 00:11:41,719
Speaker 1: I don't because in the world is biting into a

183
00:11:41,840 --> 00:11:45,200
Speaker 1: pretty as piece of nice fried chicken and ship slamming

184
00:11:45,360 --> 00:11:48,199
Speaker 1: in the middle. Yeah, that's gross. Oh I want to

185
00:11:48,240 --> 00:11:51,880
Speaker 1: beat a bit. That's why I don't really cook your chicken.

186
00:11:51,960 --> 00:11:53,800
Speaker 1: I don't know how to do flats up here cook

187
00:11:53,840 --> 00:11:56,360
Speaker 1: your chicken, right, They don't know about that. That's the thing.

188
00:11:56,440 --> 00:11:58,560
Speaker 1: You go to other places, you find out that your

189
00:11:58,600 --> 00:12:01,079
Speaker 1: ship was regional. Like you get there and you and

190
00:12:01,160 --> 00:12:06,480
Speaker 1: they're like, no, y'all don't like you go to Yellow

191
00:12:06,559 --> 00:12:09,400
Speaker 1: mustard is a myth. I almost swung on the motherfucker.

192
00:12:10,600 --> 00:12:13,120
Speaker 1: I asked for a hot dog with the motherfucking It

193
00:12:13,280 --> 00:12:15,319
Speaker 1: wasn't even a hot dog. It was a fucking catchup.

194
00:12:15,480 --> 00:12:17,079
Speaker 1: I was, I mean a fucking burger. I was like,

195
00:12:17,440 --> 00:12:19,440
Speaker 1: put ketchup and mustard on that bitch, then they can

196
00:12:19,520 --> 00:12:22,000
Speaker 1: put some of that spicy yellow horse radys ship out

197
00:12:22,120 --> 00:12:23,840
Speaker 1: like they I don't eat that bush. So you don't

198
00:12:23,840 --> 00:12:28,600
Speaker 1: you don't like the star like yellow exactly. Gotta say that, man,

199
00:12:28,640 --> 00:12:31,760
Speaker 1: you gotta ask for no, no, we don't want. Then

200
00:12:31,840 --> 00:12:34,920
Speaker 1: he didn't even finish the sentence was made. The ship disrespect. No, No,

201
00:12:35,080 --> 00:12:38,199
Speaker 1: we don't we don't you you gotta I think we

202
00:12:38,280 --> 00:12:41,920
Speaker 1: don't we know we No, no, no, no, we don't know.

203
00:12:43,360 --> 00:12:47,760
Speaker 1: Do you know? But I don't know? No? No. It

204
00:12:47,840 --> 00:12:49,800
Speaker 1: isn't like after they don't have one thing? You want

205
00:12:49,920 --> 00:12:54,319
Speaker 1: uk shop there? No fucking hey man, y'all still no, no,

206
00:12:55,160 --> 00:13:01,280
Speaker 1: you go you want to walk? Glass? No glass? You want?

207
00:13:01,320 --> 00:13:05,600
Speaker 1: You drink out the picture they got you drink the picture? Here,

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Speaker 1: you drink out the picture. You never hear these accents

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Speaker 1: nowhere else in the world. Asking mother where they're from.

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Speaker 1: It's like, body, you know where you are? You? How

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Speaker 1: you how you buy? Why are you call here? The

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Speaker 1: worst ship is when you call it in the motherfucker

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Speaker 1: called you and like, yes, this is the this is

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Speaker 1: the Okay, okay, all right, let me ask you this man.

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Speaker 1: Is it just me or do these uber people be

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Speaker 1: rude as fun? Yeah? They act like they really just

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Speaker 1: like they really just picking you up on their way somewhere.

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Speaker 1: I like I called him. I said, I said, hey, man,

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Speaker 1: where are you at? What I said, man, where are you?

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Speaker 1: I'm on where Look man, that's just your you took it.

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Speaker 1: You pushed yes on your phone. It was fifteen other

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Speaker 1: cars around me. Oh my god, bro, you think that's something.

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Speaker 1: You think you had a lot, You think you had

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Speaker 1: a weird day. I met this this lesbian girl that

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Speaker 1: I know girlfriend, and she's a girl. It's just lesbian.

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Speaker 1: Later then I know and she introduced me to her

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Speaker 1: girlfriend and it's clearly a woman. But this this had

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Speaker 1: like some races burn. I was like, what did you

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Speaker 1: do to yourself to make you have that? Like you

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Speaker 1: you was? I'm like, you was that gay that you

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Speaker 1: wanted razor burn? Bitch? Like out of all the ship

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Speaker 1: that this that is to like you like a scrubby

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Speaker 1: little beard on your woman's face. But that might have

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Speaker 1: just been you know, it might just the beard might

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Speaker 1: have been hers. I don't know. She might have started,

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Speaker 1: you know, like some ladies that got the h hair

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Speaker 1: on the chinn. You with a check with a hair

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Speaker 1: a chance, don't no nigger, how many hairs? How many? Man?

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Speaker 1: Like if it's if it's one, if it's one that

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Speaker 1: could possibly be blocked, but no, you can't have chin hair.

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Speaker 1: Hey man, some ship is a total deal breaker. No

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Speaker 1: chair facial hair period. Okay, so you never ran across

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Speaker 1: the titty with the hair on it? Oh my god?

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Speaker 1: All right, I'm not talking about this story. Is it

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Speaker 1: a big foot titty, because I'm just talking about and

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Speaker 1: that's what was so fucking crazy. It was one longest

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Speaker 1: hair like it was very noticeable, like you see this, like, hey,

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Speaker 1: it's fucking one. It was wrapped around this one. I

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Speaker 1: knew that be no, this one. I knew that this

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Speaker 1: was crazy because clearly she had let them fucking get

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Speaker 1: that long, like she could have easily stopped that month

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Speaker 1: and whenever she wanted to. Was this like a good

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Speaker 1: luck he on this titty. I tried to pluck a

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Speaker 1: titty hair out and then got bit a titty hell

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Speaker 1: one time. I was a young nigger. I tried to

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Speaker 1: make it look like it I sucked it, but I

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Speaker 1: just really bit it because I was like, if this

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Speaker 1: mitch won't do something about it, somebody has to. Damn.

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Speaker 1: Did he get stuck in your No, it was one

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Speaker 1: of those type you didn't have to do that. Put

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Speaker 1: this ship on your tongue and then you know what

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Speaker 1: it was was so fun you know what's so funned up?

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Speaker 1: I kind of I kind of hope she said something

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Speaker 1: about it. How dare you check me up a fucking nipple? Here?

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Speaker 1: Where's my titty hair? Did she account for? Did you

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Speaker 1: buy my titty? Hell? That's where I got my power from.

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Speaker 1: I don't with it, just don't need. I don't. I don't.

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Speaker 1: One time this lady told me she was an alpha female.

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Speaker 1: I was like, well, bet you better go find some

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Speaker 1: gorillas to fight because that ship ain't gonna get you

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Speaker 1: in the real world. The fund is that, Yeah, this

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Speaker 1: is the eight five South Show. This is a podcast

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Speaker 1: for niggas that didn't ever suck a titty with a

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Speaker 1: little hounded man. That's why we're out here. Hey, just

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Speaker 1: do what you can to get that titty out. Talk

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Speaker 1: to him, bro, don't you ain't gotta put I know

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Speaker 1: that ain't gonna fit. But just twisting around every day

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Speaker 1: and then they think that we complaining the list of

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Speaker 1: ship that me and complain about, But it's just that

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Speaker 1: that is despicable. Titty ain't no nigg I don't give

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Speaker 1: an what kind of freaking niggas. Ain't no nigger looking

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Speaker 1: for a hairy titty. No, but that's the thing, like

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Speaker 1: you're so used to titties being the titties that one

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Speaker 1: hair is a lot, you know what I mean? Like

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Speaker 1: one hair is like Wow, we got so much success

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Speaker 1: to is in the comments today world. You gotta let

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Speaker 1: me read these Nigga, my nigga, my nigga channel Perez.

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Speaker 1: That's how. That's how you know we're moved into a

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Speaker 1: different market, he said Carlos with a comma. Let him know.

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Speaker 1: It's like he knows how to write a sentence. Carlos, Comma,

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Speaker 1: If you're gonna bring titties in the building, make sure

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Speaker 1: them titties don't fight back. And have at least seventeen

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Speaker 1: college creators logged in. First of all, I need to

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Speaker 1: apologize for my studio audience because I need apologize to

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Speaker 1: y'all because we did have a loose bird brain das

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Speaker 1: girl on this bit. I don't know what the funk

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Speaker 1: she was talking about, honestly, can I be real as

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Speaker 1: I have been all these episodes. Yeah, that she was dumbing.

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Speaker 1: I didn't tell her to come, but she was fast.

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Speaker 1: She confused. One of them I ain't gonna point nobody

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Speaker 1: out because that's not what we do here as the staff,

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Speaker 1: as a team, as a recollector. We don't we take

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Speaker 1: a fall as a team. No wait, wait, wait, let

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Speaker 1: me say it, Clayton. I'm not finished. I gotta do it.

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Speaker 1: But wait, this is like, this is really really need

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Speaker 1: to be said. We dropped the ball. I said no

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Speaker 1: when I first walked in, and then she got up

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Speaker 1: and walked to the bathroom. I was like, she got

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Speaker 1: a antened we would be at least she could at

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00:19:14,960 --> 00:19:17,479
Speaker 1: least sit there and look good. And then she started

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Speaker 1: talking the whole thing. You know. No, I want to

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00:19:20,160 --> 00:19:22,359
Speaker 1: invite her back, you know the funk you don't I

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Speaker 1: do only because she needs to soak up some sauces. No,

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Speaker 1: she can't come back on this podcast, just off the

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Speaker 1: fact that she said in another nigga lap, you're not

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Speaker 1: I don't you supposed to sit on the nigga lap

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Speaker 1: who at least a part of the show. If a

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Speaker 1: nigga ain't got on this hoodie, well fuck it. She

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Speaker 1: can't come back. But she bro we gotta set a standard, man,

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Speaker 1: right right, matter of fact, I can't even know if

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Speaker 1: they just come on the show that don't like us.

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Speaker 1: If you don't like us, you ain't coming. No, no, no,

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Speaker 1: Datiana a lave No, You're not about to funk with

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Speaker 1: whoever the studio, whoever you see on this show. Just

325
00:20:02,640 --> 00:20:06,440
Speaker 1: know that they're fucking with us. Yeah, you got a man.

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00:20:07,880 --> 00:20:10,560
Speaker 1: You're just out here doing whatever for whatever she was

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Speaker 1: packing on. All right, check out my nigga, Orlando Williams

328
00:20:14,800 --> 00:20:17,600
Speaker 1: Our real life been taking the ship. Carlos say about

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Speaker 1: being a sad nigger, and the platted in my life

330
00:20:20,240 --> 00:20:22,479
Speaker 1: took you this motherfucking loan. I guess I just had

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Speaker 1: to get to the good ship. Young nigga just got

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Speaker 1: some old pussy from back in the day from a

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Speaker 1: twenty six year old chick who was now my sad piece. Okay,

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00:20:33,359 --> 00:20:36,920
Speaker 1: that's old pussy for you, he said, he said, who

335
00:20:36,960 --> 00:20:39,800
Speaker 1: was now my sad piece? Hashtag Nicky said it. I'm

336
00:20:39,840 --> 00:20:41,920
Speaker 1: twenty three and I've been sucking these young holes on

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00:20:42,080 --> 00:20:45,240
Speaker 1: my Wait a minute, Wait a minute, this nigga twenty

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00:20:45,320 --> 00:20:47,480
Speaker 1: three and thing fucking the twenty six year old. I'm

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00:20:47,480 --> 00:20:50,520
Speaker 1: not gonna coming up. Wait, let me get to that,

340
00:20:51,080 --> 00:20:53,880
Speaker 1: let me get to the end. You'll let me get

341
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Speaker 1: to the air, get up out there, young holes. All

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Speaker 1: my life, why ain't nobody telling that they're grown lady

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00:20:59,560 --> 00:21:02,360
Speaker 1: pussy with so glorious Anyway, my nigga colors keep giving

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00:21:02,440 --> 00:21:05,200
Speaker 1: us younger to get sat insight on fucking with single

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00:21:05,280 --> 00:21:07,600
Speaker 1: mother's older business and coogle. But just my agent ain't

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00:21:07,640 --> 00:21:09,639
Speaker 1: getting my attention. Ain't get no more attention for me

347
00:21:09,720 --> 00:21:15,080
Speaker 1: any fast South sat next ship we respected, he still

348
00:21:15,119 --> 00:21:17,680
Speaker 1: got lessons to learn. I feel like that he wanted

349
00:21:17,880 --> 00:21:20,800
Speaker 1: first man. No, I don't think he graduated yet. You know,

350
00:21:20,880 --> 00:21:23,479
Speaker 1: I'm just saying like, when you get some man skills,

351
00:21:23,560 --> 00:21:27,440
Speaker 1: ain't no, his life expectancy is low if he only six,

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00:21:27,560 --> 00:21:30,400
Speaker 1: is the old you don't understand twenty three? Got man?

353
00:21:30,480 --> 00:21:33,560
Speaker 1: You know, I'm probably gonna be gone about twenty eight.

354
00:21:33,760 --> 00:21:36,280
Speaker 1: But then he don't understand the rubies cute but pussy. Yet,

355
00:21:38,480 --> 00:21:41,040
Speaker 1: when you're twenty three, all the pussy you get pretty

356
00:21:41,119 --> 00:21:43,480
Speaker 1: much gonna be in the twenty six and up range.

357
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Speaker 1: You ain't gonna be old. Motherucker's ain't twenty for decades,

358
00:21:48,760 --> 00:21:50,480
Speaker 1: because if you're trying to suck a bit, you've been

359
00:21:50,600 --> 00:21:53,000
Speaker 1: knowing since you was sixteen seventeen, and you ain't suck

360
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Speaker 1: about twenty three. Man, it ain't go happy. Let that

361
00:21:55,800 --> 00:21:57,800
Speaker 1: ship go. You don't know when to get the funk

362
00:21:57,840 --> 00:22:01,040
Speaker 1: out of them, or it will happened when she's felt

363
00:22:01,160 --> 00:22:03,920
Speaker 1: all the way the fun hell on that second, baby,

364
00:22:04,240 --> 00:22:09,080
Speaker 1: and then you go ahead and smash the goost of

365
00:22:09,119 --> 00:22:12,760
Speaker 1: plus and pass pull the yearbook out while you fucker

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00:22:12,920 --> 00:22:14,920
Speaker 1: You ever the bit with who for who? She used

367
00:22:14,960 --> 00:22:18,160
Speaker 1: to be? Yeah, she clearly ain't what you like that first,

368
00:22:18,200 --> 00:22:20,320
Speaker 1: but like nigger, I remember, this used to be the

369
00:22:20,359 --> 00:22:22,200
Speaker 1: bitch that was at the top of the pyramid. But

370
00:22:22,359 --> 00:22:27,680
Speaker 1: clearly she is the whole base by herself now. And

371
00:22:27,840 --> 00:22:30,359
Speaker 1: you ever fucking with a chick like when she was

372
00:22:30,520 --> 00:22:32,880
Speaker 1: a little and then sucked her again when she got

373
00:22:33,040 --> 00:22:37,119
Speaker 1: big we mean size? Yeah, yeah, like sad like she

374
00:22:37,280 --> 00:22:39,480
Speaker 1: was getting it like she was small when you met her,

375
00:22:39,760 --> 00:22:41,760
Speaker 1: and then you don't see her for a little bit,

376
00:22:41,800 --> 00:22:45,000
Speaker 1: and then you suck again when she big. Remember me,

377
00:22:49,200 --> 00:22:59,119
Speaker 1: it's me? Who me? What happened to the other? You? Nick?

378
00:23:00,800 --> 00:23:04,879
Speaker 1: That should be funny though, man having sex, it's funny, bro.

379
00:23:05,200 --> 00:23:07,720
Speaker 1: You ever like to see somebody naked? And like something

380
00:23:07,800 --> 00:23:09,840
Speaker 1: wrong with this ship? What time I school I was

381
00:23:09,880 --> 00:23:12,520
Speaker 1: working with this bies was to have something old. She

382
00:23:12,600 --> 00:23:15,680
Speaker 1: had a tall twist or something. I don't know what

383
00:23:15,880 --> 00:23:17,680
Speaker 1: the funk it was. That ship was just I didn't

384
00:23:17,680 --> 00:23:19,639
Speaker 1: have some bitches that I ain't like how they walked

385
00:23:21,080 --> 00:23:23,760
Speaker 1: like you walked finding clothes. But when you just lay

386
00:23:23,840 --> 00:23:30,159
Speaker 1: down comes in that stop walking around. No, stop it

387
00:23:30,359 --> 00:23:36,480
Speaker 1: right now, it's not the same Naked City. I'm still laughing.

388
00:23:36,600 --> 00:23:41,640
Speaker 1: Shout out the O G Tar Room Man, Naked City Tea.

389
00:23:41,840 --> 00:23:45,200
Speaker 1: Did you hear about this Every Spears ship? Bro? No?

390
00:23:45,520 --> 00:23:47,840
Speaker 1: Was it? Somebody said it on the Um what we're

391
00:23:47,840 --> 00:23:52,400
Speaker 1: doing all All Every Spears was punched or knocked out

392
00:23:52,520 --> 00:23:57,280
Speaker 1: on the Corey Hopum Show podcasts. Just what the rumors

393
00:23:57,320 --> 00:24:02,320
Speaker 1: are saying. So it's like the Death Rower podcast. Now, yes,

394
00:24:02,560 --> 00:24:05,680
Speaker 1: you get knocked out over that. They already didn't give

395
00:24:05,720 --> 00:24:08,800
Speaker 1: a funk about the land. No, man, that's crazy. So

396
00:24:08,920 --> 00:24:11,480
Speaker 1: what can't give it a breakdown or somebody to get

397
00:24:11,600 --> 00:24:14,960
Speaker 1: what working out? Apparently they were drinking brown liquor, and

398
00:24:15,119 --> 00:24:18,200
Speaker 1: you know when nigs drink brown liquor, if the nigga

399
00:24:18,240 --> 00:24:21,400
Speaker 1: is gonna come out and a man, it's a little

400
00:24:21,440 --> 00:24:23,840
Speaker 1: piece of argument back and forth with this comedy. I

401
00:24:23,840 --> 00:24:26,760
Speaker 1: don't I'm not familiar with this comedians Oh Williams though,

402
00:24:27,640 --> 00:24:31,359
Speaker 1: so it was Zoe Williams actually in every spirits that

403
00:24:31,440 --> 00:24:34,800
Speaker 1: they had some type of disagreement. No, they didn't do it.

404
00:24:37,320 --> 00:24:41,480
Speaker 1: There was telling you a story about a fighting he laugh.

405
00:24:42,240 --> 00:24:46,600
Speaker 1: They got to a fighter. It wasn't no fight. There

406
00:24:46,720 --> 00:24:52,240
Speaker 1: wasn't no duking anything, bro, there was no duking man.

407
00:24:53,440 --> 00:24:56,440
Speaker 1: Let me see, you know, I don't have one of

408
00:24:56,480 --> 00:25:00,880
Speaker 1: these fucking things. So O, look, I just want people

409
00:25:00,880 --> 00:25:02,919
Speaker 1: to know the eighty five South shows, as I've been

410
00:25:03,000 --> 00:25:04,800
Speaker 1: working with that pass so long. I didn't did this

411
00:25:04,840 --> 00:25:08,200
Speaker 1: ship with my finger Like nig ship ain't working. If

412
00:25:08,240 --> 00:25:14,119
Speaker 1: you ever got beef with anybody, go ahead and your fingers. Now,

413
00:25:14,200 --> 00:25:16,640
Speaker 1: I don't know what the funk I did eight five

414
00:25:16,680 --> 00:25:20,400
Speaker 1: South show. Look, huh oh, dare go might as well?

415
00:25:20,640 --> 00:25:26,200
Speaker 1: What oh you're gonna we're gonna watch that ship. This

416
00:25:26,320 --> 00:25:28,560
Speaker 1: is the point of the podcast where we would insert

417
00:25:28,640 --> 00:25:31,639
Speaker 1: this video that we are watching, you know, with credit

418
00:25:31,760 --> 00:25:35,240
Speaker 1: to fifty and all of this associates. Shout out to

419
00:25:35,320 --> 00:25:39,639
Speaker 1: Corey hold them and everybody associated with the uh you

420
00:25:39,720 --> 00:25:42,240
Speaker 1: know podcasts. You know, if you think about it, that

421
00:25:42,520 --> 00:25:45,359
Speaker 1: it really goes back to the Jamie Fox Fox Fox

422
00:25:45,400 --> 00:25:49,200
Speaker 1: whole ship, which was you know what we will would

423
00:25:49,240 --> 00:25:51,560
Speaker 1: be considered a podcast now, you know what I mean.

424
00:25:51,680 --> 00:25:54,119
Speaker 1: So they pretty much paneers and they're all right when

425
00:25:54,160 --> 00:25:57,080
Speaker 1: it comes to that. You know XM satellite radio. They've

426
00:25:57,119 --> 00:25:59,240
Speaker 1: been out here. So if it wasn't for the ship

427
00:25:59,320 --> 00:26:01,080
Speaker 1: that they put that, we might not be dropping this

428
00:26:01,240 --> 00:26:03,520
Speaker 1: right now. So big salute to everybody over there phone.

429
00:26:04,480 --> 00:26:07,200
Speaker 1: Are you pill all the wrong? Ship up? He pulled

430
00:26:07,320 --> 00:26:11,320
Speaker 1: up the whole podcast right. We're gonna to watch this

431
00:26:11,600 --> 00:26:14,960
Speaker 1: a whole hour and just to get to the park

432
00:26:15,040 --> 00:26:21,000
Speaker 1: were tried to see skin Nigga, put hands on you, Nigga,

433
00:26:21,040 --> 00:26:24,040
Speaker 1: give you real black eyes. Come and that's the truth.

434
00:26:24,240 --> 00:26:29,560
Speaker 1: Trust me. I've had about enough for your ship. That's

435
00:26:29,600 --> 00:26:31,720
Speaker 1: the truth. Nick. Shut the funk up while I'm out

436
00:26:31,760 --> 00:26:34,160
Speaker 1: of snickers, out of light skin Niggers. Yeah there, we're

437
00:26:34,160 --> 00:26:36,320
Speaker 1: sticking people like that. Will do that work, though, I know,

438
00:26:36,800 --> 00:26:40,879
Speaker 1: go ahead with Nigga. I don't drink, Nigga. I'm very

439
00:26:41,000 --> 00:26:43,800
Speaker 1: clear minded, uh huh, which means I'll funk you, okayle

440
00:26:43,880 --> 00:26:51,240
Speaker 1: more because I'm drunk, Nigga. Hold up right. Thank you

441
00:26:51,359 --> 00:26:56,000
Speaker 1: for keeping me up to date and abreast of the situation. Man,

442
00:26:56,160 --> 00:26:58,680
Speaker 1: we gotta say it again. Rest in pieces of Charlie Murphy.

443
00:26:59,000 --> 00:27:01,359
Speaker 1: We're gonna, We're gon We're gonna keep saying then do

444
00:27:01,520 --> 00:27:07,000
Speaker 1: the Dope ship at the beginning, like like do that, man,

445
00:27:07,680 --> 00:27:10,359
Speaker 1: it's more classic dogs. Don't like how people do it.

446
00:27:10,440 --> 00:27:12,399
Speaker 1: Like I watched the Little Teams Ship and they got

447
00:27:12,480 --> 00:27:15,640
Speaker 1: little corny songs and sho don't know, man, like make

448
00:27:15,680 --> 00:27:17,720
Speaker 1: it you know what I'm saying, Send them off the

449
00:27:17,840 --> 00:27:23,520
Speaker 1: right way? Man? Right? Yeah? H speaking. What's some of

450
00:27:23,560 --> 00:27:27,280
Speaker 1: your favorite Charlie Murphy movie roles? And oh man, I

451
00:27:27,359 --> 00:27:30,880
Speaker 1: got to work with Charlie Murphy had the punchline super cool.

452
00:27:30,920 --> 00:27:33,320
Speaker 1: I told him about Charlie Murphy story. The first first

453
00:27:33,359 --> 00:27:35,800
Speaker 1: time I met him. We split the hours a week. Yeah, No,

454
00:27:36,000 --> 00:27:40,159
Speaker 1: he stays smoking. He stayed smoking and I don't know.

455
00:27:40,240 --> 00:27:41,760
Speaker 1: I called him. I ain't catch him on on the

456
00:27:41,840 --> 00:27:43,679
Speaker 1: live night like he had turned up a little too

457
00:27:43,800 --> 00:27:46,600
Speaker 1: much the night before, they said because they went to

458
00:27:46,640 --> 00:27:49,040
Speaker 1: the Shrip club and everything. He's like, no, I'm cooling

459
00:27:49,160 --> 00:27:51,400
Speaker 1: out tonight. It's like cool, I got you. But he's

460
00:27:51,400 --> 00:27:56,160
Speaker 1: super cool, dude, super cool yeah man, real, yeah, more

461
00:27:56,280 --> 00:28:00,080
Speaker 1: stories than the stories, that's what you That's what he

462
00:28:00,320 --> 00:28:04,360
Speaker 1: never stopped talking. Charlie Murphy isn't in the room. Everybody

463
00:28:04,480 --> 00:28:07,520
Speaker 1: listening to Charlie Murphy talk man, because everybody waiting on

464
00:28:07,600 --> 00:28:09,600
Speaker 1: the next story he's gonna tell. Because it's just like

465
00:28:09,920 --> 00:28:12,840
Speaker 1: he like, you pissed me in water. You're one time, mused,

466
00:28:12,920 --> 00:28:17,040
Speaker 1: motherfucking me freaktion Natre, my brother, we had freaction nat

467
00:28:18,720 --> 00:28:21,359
Speaker 1: freaking get no water like it just started to like

468
00:28:22,400 --> 00:28:24,280
Speaker 1: and then you're thinking in your man like nigga, it

469
00:28:24,400 --> 00:28:27,480
Speaker 1: was somewhere there was a room with Franks Sinnatre, Eddie

470
00:28:27,560 --> 00:28:31,240
Speaker 1: Murphy and Charlie Murphy and they'd be a random nigga

471
00:28:32,240 --> 00:28:37,200
Speaker 1: from four or four. It's like, put this fucking party together, Charlie. No.

472
00:28:37,520 --> 00:28:39,320
Speaker 1: And that's the thing that's almost how you know it

473
00:28:39,440 --> 00:28:42,080
Speaker 1: was a genuine ship, because who could make that up.

474
00:28:42,200 --> 00:28:44,480
Speaker 1: You can't make that type like the people the people

475
00:28:44,520 --> 00:28:47,440
Speaker 1: that doubt that ship, like the people that be like

476
00:28:47,560 --> 00:28:49,360
Speaker 1: I wonder if that really happened, Like first of all

477
00:28:49,440 --> 00:28:52,480
Speaker 1: its interviews with motherfucker's associated with the ships, just to

478
00:28:52,560 --> 00:28:56,360
Speaker 1: back up these stories that he fucking told. So like

479
00:28:57,080 --> 00:28:59,200
Speaker 1: when people doubt that ship, it's like, oh, you've never

480
00:28:59,320 --> 00:29:02,640
Speaker 1: been around him. The fucker that was real and real,

481
00:29:02,760 --> 00:29:04,800
Speaker 1: cause I can't nobody, I don't give an how good

482
00:29:04,840 --> 00:29:06,680
Speaker 1: a con artists you are, can't nobody to make up

483
00:29:06,720 --> 00:29:10,240
Speaker 1: a story with them details and painted its fucking vividly.

484
00:29:10,560 --> 00:29:12,800
Speaker 1: So you know this ship happened, and you watched the

485
00:29:12,840 --> 00:29:16,240
Speaker 1: interviews and people confirmed the ship happening. He I asked

486
00:29:16,320 --> 00:29:18,800
Speaker 1: him about that. I forgot the football player name is

487
00:29:18,880 --> 00:29:22,160
Speaker 1: Darryl something whoever? That guy was in the wheelchair, you know,

488
00:29:22,400 --> 00:29:25,280
Speaker 1: the Dave Chappelle on the extended cut, they tell the

489
00:29:25,360 --> 00:29:27,600
Speaker 1: story about how he was about to beat this dude

490
00:29:27,720 --> 00:29:30,040
Speaker 1: up who was paralyzed. And I was like, Charlie out

491
00:29:30,080 --> 00:29:33,360
Speaker 1: to fucking like the motherfucking killed blinking man, like you

492
00:29:33,440 --> 00:29:36,920
Speaker 1: want to do something? Like how fuck you blink? Like

493
00:29:37,040 --> 00:29:39,360
Speaker 1: you want to do something? And it was like he

494
00:29:39,520 --> 00:29:41,360
Speaker 1: said some shing. He went up and made a threat

495
00:29:41,400 --> 00:29:43,240
Speaker 1: to the nigga and he like they said that nigger

496
00:29:43,280 --> 00:29:45,240
Speaker 1: had a little mobile azed wheelchair and he just can't

497
00:29:45,320 --> 00:29:48,240
Speaker 1: turned the street and wouldn't even look. You know, Charlie

498
00:29:48,360 --> 00:29:52,280
Speaker 1: Murphy was a great nigger man. Yeah, you're a great man,

499
00:29:52,440 --> 00:29:55,720
Speaker 1: great person to be. Remember when he did the show

500
00:29:55,760 --> 00:29:57,560
Speaker 1: at Grahamlin and he went to funk off and told

501
00:29:57,600 --> 00:30:00,400
Speaker 1: the check up and just walked the off stage. Bigger

502
00:30:00,440 --> 00:30:04,000
Speaker 1: man than me. I couldn't have did. I eight my

503
00:30:04,280 --> 00:30:09,840
Speaker 1: ass for that whole time. But take it to check though,

504
00:30:10,040 --> 00:30:15,400
Speaker 1: check check coming out with me. That's right? Why you man,

505
00:30:15,480 --> 00:30:19,720
Speaker 1: tell me about this ship? Tell me about the Netflix show. Man,

506
00:30:20,040 --> 00:30:22,280
Speaker 1: tell me about what I ain't telling you about nothing.

507
00:30:22,360 --> 00:30:24,680
Speaker 1: You better, I don't know what kind of contracts I say,

508
00:30:24,760 --> 00:30:28,600
Speaker 1: I ain't telling you about ship. Well, alright, let me

509
00:30:28,640 --> 00:30:32,160
Speaker 1: talk about the allegedly what we're talking about, allegedly this

510
00:30:32,320 --> 00:30:35,200
Speaker 1: Netflix show. Now we'd say rest in peace to Charli

511
00:30:35,280 --> 00:30:37,320
Speaker 1: Murphy and you on this Netflix show. I've seen you.

512
00:30:37,640 --> 00:30:40,920
Speaker 1: That ain't that's not. That's a horrible allegedly, that's a

513
00:30:40,960 --> 00:30:43,640
Speaker 1: horrible transition. You made it sound like he was like, yeah,

514
00:30:43,800 --> 00:30:46,000
Speaker 1: trying to murders people. No. I had to sum it

515
00:30:46,120 --> 00:30:52,040
Speaker 1: up like, all right, well, no I'm not. I'm shout

516
00:30:52,080 --> 00:30:53,800
Speaker 1: out to love, shout out to all the people that

517
00:30:53,840 --> 00:30:56,120
Speaker 1: work on the show, shout out to your episode, shout out,

518
00:30:56,520 --> 00:30:58,320
Speaker 1: shout out the cod Because I ain't working with PEPSI

519
00:30:59,000 --> 00:31:03,160
Speaker 1: shout out to everybody. Yeah, I'm drinking this ship. So

520
00:31:03,640 --> 00:31:05,040
Speaker 1: I got They called me back and I did some

521
00:31:05,120 --> 00:31:08,640
Speaker 1: more work on the show keeping Damn, this nigga gave

522
00:31:08,720 --> 00:31:11,520
Speaker 1: us the ship, the story like we baby mama, ship

523
00:31:13,920 --> 00:31:16,600
Speaker 1: might do something, they call me back. I don't know

524
00:31:19,400 --> 00:31:24,160
Speaker 1: what you're doing. Char your favorite part of the show man,

525
00:31:24,760 --> 00:31:27,520
Speaker 1: Who is you today? You got to leave it to

526
00:31:27,640 --> 00:31:30,840
Speaker 1: the imagination. I want you to watch the ship you get.

527
00:31:30,880 --> 00:31:34,920
Speaker 1: I don't know how. I don't know how Netflix. I

528
00:31:35,000 --> 00:31:39,080
Speaker 1: think everybody needs to click on it and watch it

529
00:31:39,160 --> 00:31:41,400
Speaker 1: in order for me to get onto the next one.

530
00:31:42,120 --> 00:31:44,360
Speaker 1: If it don't get enough thumbs up, they're not gonna

531
00:31:44,440 --> 00:31:48,040
Speaker 1: call me back. Man. That's what I think. They took

532
00:31:48,080 --> 00:31:50,440
Speaker 1: the stars away on Netflix too. No, but I play.

533
00:31:50,680 --> 00:31:53,080
Speaker 1: I work with this girl. She from Australia. She kind

534
00:31:53,120 --> 00:31:55,840
Speaker 1: of gullible, and I just try to, you know, school,

535
00:31:55,880 --> 00:31:58,400
Speaker 1: and let it know how ship. You know, so on

536
00:31:58,560 --> 00:32:01,320
Speaker 1: the show, you got a job up, I got dropped.

537
00:32:01,600 --> 00:32:04,440
Speaker 1: So you'd be acting acting to be acting like you're working,

538
00:32:04,920 --> 00:32:08,240
Speaker 1: I gotta I don't act like I work because every

539
00:32:08,320 --> 00:32:12,000
Speaker 1: scene we ain't never really working, right. That's dope, man.

540
00:32:12,360 --> 00:32:14,600
Speaker 1: But I wouldn't know if I was working because I'm

541
00:32:14,640 --> 00:32:18,480
Speaker 1: not really working. I'm acting, you understand, exception. I gotta

542
00:32:18,520 --> 00:32:22,840
Speaker 1: get your perspective on this a lot of layers. You're

543
00:32:22,880 --> 00:32:25,920
Speaker 1: fucking with it. What what episode do you want? Because

544
00:32:25,960 --> 00:32:28,640
Speaker 1: you know they're not gonna watch They're not gonna watch

545
00:32:28,680 --> 00:32:30,680
Speaker 1: the whole ship because they're gonna start the season one

546
00:32:30,920 --> 00:32:34,160
Speaker 1: episode six towards the end, and then season three. It

547
00:32:34,160 --> 00:32:37,440
Speaker 1: ain't dropped yet. Yeah, yeah, did you hear about this

548
00:32:37,520 --> 00:32:40,600
Speaker 1: ship United States of America bomb in Syria with the

549
00:32:40,680 --> 00:32:45,800
Speaker 1: biggest bump when they dropped the bomb in Syria, they

550
00:32:45,920 --> 00:32:50,640
Speaker 1: dropped the biggest fucking bomb they dropped Afghani. They dropped

551
00:32:50,680 --> 00:32:53,600
Speaker 1: this twenty one thousand pound bomb. Nigga, How are you

552
00:32:53,600 --> 00:32:55,280
Speaker 1: gonna move this nigga in the middle of the show.

553
00:32:55,320 --> 00:32:59,000
Speaker 1: You just now can't hear the nigga. Oh for the

554
00:32:59,120 --> 00:33:06,360
Speaker 1: people complaining on this ship, who complaining, delete them? Ain't

555
00:33:06,440 --> 00:33:11,000
Speaker 1: fuck down cinema virus. We need more nerds up here.

556
00:33:11,080 --> 00:33:16,320
Speaker 1: This ship ain't. I ain't doing though, you're crazy, it's

557
00:33:16,360 --> 00:33:19,440
Speaker 1: too much. So did you hear about this bomb? The biggest,

558
00:33:19,840 --> 00:33:22,920
Speaker 1: the biggest biggest bomb they got that's not a nuclear

559
00:33:22,960 --> 00:33:27,000
Speaker 1: bomb pounds You should really think it's that bigger bottomer.

560
00:33:27,080 --> 00:33:29,120
Speaker 1: You think they just tied a bunch of bombs together.

561
00:33:29,160 --> 00:33:31,480
Speaker 1: I think that that ship is asking that who was

562
00:33:31,560 --> 00:33:34,480
Speaker 1: the motherfucking making the bomb? And then they get this bitch,

563
00:33:34,560 --> 00:33:38,320
Speaker 1: oh we're up the fifteen thousand pounds, and he like, shit,

564
00:33:38,480 --> 00:33:41,880
Speaker 1: this ain't bigging. We need some mobomb on this motherfucker

565
00:33:43,280 --> 00:33:45,640
Speaker 1: Like who saw the orders? They were like, who isn't

566
00:33:45,640 --> 00:33:48,720
Speaker 1: they right? Motherfucking mad is only down there making ten

567
00:33:48,800 --> 00:33:52,520
Speaker 1: thousand pound bump double them up. I'm convinced we're being

568
00:33:52,640 --> 00:33:56,440
Speaker 1: run by Looney Tunes characters. Country. It's gotta be bro

569
00:33:57,600 --> 00:34:00,200
Speaker 1: dropped the biggest bomb. Why would you drop a um

570
00:34:00,280 --> 00:34:02,400
Speaker 1: that big on the country that ain't even worth that

571
00:34:02,520 --> 00:34:05,320
Speaker 1: guy damn much? What after you dropped that motherfucking then

572
00:34:05,400 --> 00:34:07,720
Speaker 1: what you're gonna just burn the fucking big ass hole

573
00:34:07,800 --> 00:34:09,560
Speaker 1: in the goddamn spot they used to be and be

574
00:34:09,640 --> 00:34:11,560
Speaker 1: like funk that whold he was trying to get rid

575
00:34:11,600 --> 00:34:15,440
Speaker 1: of the Taliban? How big man? The Taliban? Ain't they

576
00:34:15,600 --> 00:34:18,920
Speaker 1: motherfucker's living? Say in a cave? They don't have a car?

577
00:34:19,200 --> 00:34:23,400
Speaker 1: Fun the Taliban. I'm just saying, I think they're not

578
00:34:23,560 --> 00:34:25,799
Speaker 1: using all the technology they got. I think you got

579
00:34:25,920 --> 00:34:28,839
Speaker 1: you got technology. I think is some bitchass niggas because

580
00:34:31,400 --> 00:34:35,240
Speaker 1: look they do some ship like well, just claim responsibility

581
00:34:35,320 --> 00:34:38,440
Speaker 1: for a car bombay? How the fun you claim responsibility

582
00:34:38,520 --> 00:34:40,320
Speaker 1: for some ship like that? You called the news and

583
00:34:40,400 --> 00:34:44,200
Speaker 1: be like, yes, this was us today. Don't get it

584
00:34:44,320 --> 00:34:47,160
Speaker 1: funked up, bitch. We are in these streets. We did it.

585
00:34:48,239 --> 00:34:54,239
Speaker 1: How you I said I we did it. He did it.

586
00:34:55,520 --> 00:34:58,360
Speaker 1: They're gonna they're gonna counsel the South Show. This this

587
00:34:58,560 --> 00:35:01,080
Speaker 1: is the eighty five South Show. This is the podcast

588
00:35:01,160 --> 00:35:03,880
Speaker 1: for niggas who don't believe ship. You gotta see your

589
00:35:03,960 --> 00:35:07,960
Speaker 1: motherfucker walking down the street in your neighborhood like Nickel.

590
00:35:09,239 --> 00:35:12,480
Speaker 1: I then came from the guy down stole seen three

591
00:35:12,560 --> 00:35:14,839
Speaker 1: of them got down. Is lah bla la la lava

592
00:35:14,960 --> 00:35:17,799
Speaker 1: niggas down the street. Nigga the most la la la

593
00:35:17,880 --> 00:35:21,600
Speaker 1: la nigga the hood nigga ship then got really fun, Bro.

594
00:35:22,239 --> 00:35:25,440
Speaker 1: They is not playing with Donald Trump. Nigga La ba

595
00:35:25,480 --> 00:35:28,000
Speaker 1: laa niggas over here. Bro, So who was that? It

596
00:35:28,160 --> 00:35:33,360
Speaker 1: was a lam Lama will allama lama. You know these niggas,

597
00:35:33,840 --> 00:35:36,000
Speaker 1: they got the beer all under their neck with no

598
00:35:36,280 --> 00:35:43,160
Speaker 1: must there them niggas ready for whatever. I don't give

599
00:35:43,160 --> 00:35:47,440
Speaker 1: an that's what's gonna happen. A gag price is gonna go.

600
00:35:47,760 --> 00:35:50,399
Speaker 1: But we created though America creates. I ain't have ship

601
00:35:50,520 --> 00:35:53,759
Speaker 1: to do that. America created though. I said in the

602
00:35:53,840 --> 00:35:55,560
Speaker 1: weed that they try to put us in the world.

603
00:35:57,520 --> 00:35:59,880
Speaker 1: They're gonna They're gonna take this ship off, take it off,

604
00:36:00,040 --> 00:36:04,600
Speaker 1: flag it, take it off. Hold on, Please don't see

605
00:36:04,640 --> 00:36:07,759
Speaker 1: you're gonna see. Niggas don't give here in a while. Man,

606
00:36:08,440 --> 00:36:11,520
Speaker 1: where you being? I gotta I don't give a funk attitude.

607
00:36:11,560 --> 00:36:15,120
Speaker 1: Where the fun you been? Can this ship be snatched away?

608
00:36:15,200 --> 00:36:18,080
Speaker 1: I forgot, nigga, they could take all these opportunities away.

609
00:36:18,320 --> 00:36:20,920
Speaker 1: I came back like a like an athlete who just

610
00:36:21,040 --> 00:36:23,600
Speaker 1: got on probation. Nigga said, you've been going somelone. You

611
00:36:23,719 --> 00:36:28,400
Speaker 1: look like JaVale McGhee. A matter of fact, you know what,

612
00:36:29,480 --> 00:36:33,640
Speaker 1: who said that? Some one of these motherfucker's. No who

613
00:36:33,800 --> 00:36:37,399
Speaker 1: said it? I don't know the name. Didn't go back.

614
00:36:37,480 --> 00:36:41,839
Speaker 1: I don't man, go back. Who said this ship shut

615
00:36:41,880 --> 00:36:44,839
Speaker 1: out the covered customs for them? Crazy as kicks? They

616
00:36:44,960 --> 00:36:47,160
Speaker 1: put me up. Oh no, but JaVale McGee shout out

617
00:36:47,200 --> 00:36:49,200
Speaker 1: to them and all the warriors. Man, let's go. You

618
00:36:49,239 --> 00:36:51,239
Speaker 1: saw the cabs just picked up a big seven foot

619
00:36:51,320 --> 00:36:56,520
Speaker 1: three nigger from the D League? Who man DJ easily?

620
00:36:56,600 --> 00:37:01,000
Speaker 1: You don't shut your little Asian ass up. Well, you know,

621
00:37:01,320 --> 00:37:05,160
Speaker 1: Russell Westbrook just broke the triple double record that nigga

622
00:37:05,239 --> 00:37:08,000
Speaker 1: is a motherfucking dog. But he's still not gonna be

623
00:37:08,080 --> 00:37:13,600
Speaker 1: the m v P. He not. Nope, Nope, Nigga. Lebron

624
00:37:13,760 --> 00:37:16,480
Speaker 1: James too important to the motherucker. Don't even watch the

625
00:37:16,719 --> 00:37:23,200
Speaker 1: NBA viewership Doles right and Charles Barkley ate what how

626
00:37:23,239 --> 00:37:28,480
Speaker 1: many MC doubles? I don't know? Hey, you know why

627
00:37:28,640 --> 00:37:31,320
Speaker 1: Charles Barkley good for TV because he is an old

628
00:37:31,520 --> 00:37:34,080
Speaker 1: Hayden ass nigger. And don't nothing make a nigger who

629
00:37:34,160 --> 00:37:38,640
Speaker 1: athletic played better than an old Hayden nig. Steph Kirk

630
00:37:40,520 --> 00:37:43,319
Speaker 1: everybody only is not Steph Curry want the goodest shoes

631
00:37:43,360 --> 00:37:47,560
Speaker 1: in the NBA. Charles Barkler only one man the Curry

632
00:37:47,920 --> 00:37:53,240
Speaker 1: cobber Man. Hell. I played in college with the guys.

633
00:37:53,320 --> 00:38:00,719
Speaker 1: You bard ball, you know ball, Cobra Brunt and I'm

634
00:38:00,800 --> 00:38:07,360
Speaker 1: Cobra Brock listening. Cobra Brown can play Jamia bo What

635
00:38:07,560 --> 00:38:12,400
Speaker 1: the fund y'alls say? Yea bo? I'm thinking the worst commentary,

636
00:38:12,520 --> 00:38:14,880
Speaker 1: said Magic John Magic Johnson just used to be on

637
00:38:14,960 --> 00:38:25,000
Speaker 1: that and oh rather that, Oh damn the fifth, oh

638
00:38:25,280 --> 00:38:31,440
Speaker 1: thick make this train, man, I played better, bad bro

639
00:38:31,640 --> 00:38:35,200
Speaker 1: when I played with Michael Jordan out there. He just

640
00:38:35,400 --> 00:38:38,440
Speaker 1: got the fall and he did take it. Charles Barklow, Hay,

641
00:38:39,560 --> 00:38:44,840
Speaker 1: you know who else overt? Stephen A Smith? Stephen A

642
00:38:45,040 --> 00:38:50,479
Speaker 1: Smith is let me tell you something. I may tell

643
00:38:50,600 --> 00:38:56,120
Speaker 1: you something. Let the black man say something. Why that

644
00:38:56,280 --> 00:39:05,960
Speaker 1: nigg always sound like he rising on the grave, like

645
00:39:06,040 --> 00:39:09,440
Speaker 1: you gotta wake up to say that ship? Stephen A Smith.

646
00:39:09,520 --> 00:39:13,920
Speaker 1: Don't understand that his goddamn haircut looked like his own backwards.

647
00:39:15,320 --> 00:39:17,879
Speaker 1: That nigger brush his head from the back to the front.

648
00:39:19,960 --> 00:39:23,080
Speaker 1: Stephen A Smith, you get this is not the hairline

649
00:39:23,120 --> 00:39:27,560
Speaker 1: that I asked for. I asked for my hairline to

650
00:39:27,680 --> 00:39:34,160
Speaker 1: be here. For some reason, they decided to come all

651
00:39:34,280 --> 00:39:42,080
Speaker 1: the way back to where the heirline. Doesn't you ever

652
00:39:42,200 --> 00:39:44,879
Speaker 1: noticed when Skip Bayliss got more than two black people

653
00:39:44,960 --> 00:39:46,840
Speaker 1: on the shore and they just get aggressive. He just

654
00:39:46,920 --> 00:39:49,000
Speaker 1: let him have it, like okay, you got it, but

655
00:39:49,239 --> 00:39:51,160
Speaker 1: I got the cops here. When it's two black people

656
00:39:51,200 --> 00:39:56,680
Speaker 1: on that skip set like this, he crossed everything. What

657
00:39:56,800 --> 00:39:59,440
Speaker 1: you think he'd be saying himself in a not still

658
00:39:59,520 --> 00:40:02,440
Speaker 1: be sitting over there, look over there, like, what do

659
00:40:02,560 --> 00:40:05,960
Speaker 1: I have to say to make these niggas fight? He

660
00:40:06,120 --> 00:40:09,040
Speaker 1: already know what to say. Lebron James isn't as good

661
00:40:09,040 --> 00:40:16,080
Speaker 1: as you think he is. Snigger yeah, instigate, Yeah, I

662
00:40:16,160 --> 00:40:20,560
Speaker 1: got one question? What SHO show? Instead? I got one question?

663
00:40:21,280 --> 00:40:24,759
Speaker 1: Who the fuck I was hating? No? Man, Man, We've

664
00:40:24,760 --> 00:40:27,280
Speaker 1: been trying to figure this out, man, because it's gotta stop.

665
00:40:27,760 --> 00:40:30,560
Speaker 1: Who the fuck is this nigga hating on? Man? Man?

666
00:40:30,800 --> 00:40:33,279
Speaker 1: Who I want to know? He's probably a nigger to

667
00:40:33,360 --> 00:40:36,239
Speaker 1: drink one of these size beards, you know who. We

668
00:40:36,280 --> 00:40:38,279
Speaker 1: gotta give a shout out. One of these beards make

669
00:40:38,360 --> 00:40:40,160
Speaker 1: you hate on anybody. We gotta give a shout out

670
00:40:40,200 --> 00:40:42,920
Speaker 1: to Kindred Lamar. He dropped that new album that I

671
00:40:42,960 --> 00:40:44,560
Speaker 1: ain't even got to hear all of yet. From what

672
00:40:44,640 --> 00:40:46,640
Speaker 1: I heard though, the bitch already you know one of

673
00:40:46,719 --> 00:40:54,839
Speaker 1: those sit down, be humble, No have a seat. Bit

674
00:40:56,560 --> 00:41:04,320
Speaker 1: stop speaking of Quabo. Wait one second, Quabo need a

675
00:41:04,400 --> 00:41:09,560
Speaker 1: round of applause? Man Qua Hold up man, Forest Gump,

676
00:41:10,600 --> 00:41:13,440
Speaker 1: That nigger came out of nowhere. This motherfucker is too

677
00:41:13,520 --> 00:41:16,879
Speaker 1: good at too many things did you see him throw

678
00:41:16,920 --> 00:41:20,919
Speaker 1: the football through the basketball hoop. Yes, and I'm gonna

679
00:41:20,960 --> 00:41:22,840
Speaker 1: say it was from a hunch with in thirty yards

680
00:41:22,920 --> 00:41:25,239
Speaker 1: away because they make the stories. I'm gonna tell you

681
00:41:25,320 --> 00:41:28,360
Speaker 1: when I knew the nigga was talented, when the nigger

682
00:41:28,480 --> 00:41:31,719
Speaker 1: had everybody in the world saying trapped out to band Oh,

683
00:41:32,200 --> 00:41:35,840
Speaker 1: trapped out of band Oh, trapping out the house with

684
00:41:36,040 --> 00:41:42,560
Speaker 1: the boys, trapping out the house with the boys. Nigger,

685
00:41:43,000 --> 00:41:46,279
Speaker 1: Come on, man, but first of all, trapped out, the

686
00:41:46,440 --> 00:41:50,480
Speaker 1: band got the first night. Come on, you got work

687
00:41:50,560 --> 00:41:54,040
Speaker 1: like Lindsy low hand nigga. You know he had a conscience,

688
00:41:54,080 --> 00:41:57,960
Speaker 1: apply work. But Lendsy lohand head cocaine every time she

689
00:41:58,160 --> 00:42:00,520
Speaker 1: got pulled over. She never let the at least down

690
00:42:02,880 --> 00:42:07,280
Speaker 1: where the fund is. Lindsay lohand nobody, even as nobody,

691
00:42:07,360 --> 00:42:09,880
Speaker 1: even as you will know who dick, she's sucking cocaine

692
00:42:09,920 --> 00:42:13,279
Speaker 1: off for these days, Linda Lohan, it's Bruce Willing is

693
00:42:13,360 --> 00:42:17,360
Speaker 1: still a laugh. All these white people just where they go.

694
00:42:17,640 --> 00:42:21,600
Speaker 1: What happened to Bruce? Like, I think you can get

695
00:42:21,760 --> 00:42:24,320
Speaker 1: like I think there's a there's a little happy medium

696
00:42:24,440 --> 00:42:26,800
Speaker 1: in Hollywood where you can just get enough money so

697
00:42:26,960 --> 00:42:29,439
Speaker 1: you can get the coke you need to keep fueling you. Yeah,

698
00:42:30,160 --> 00:42:32,719
Speaker 1: as long as you and you stay famous because you're

699
00:42:32,719 --> 00:42:35,440
Speaker 1: being like people TV, because you go get a fucking

700
00:42:35,560 --> 00:42:38,200
Speaker 1: Starbucks and your prious you're a real celebrity because they

701
00:42:38,239 --> 00:42:41,360
Speaker 1: got lists, you know, the list to be list, and

702
00:42:41,840 --> 00:42:45,040
Speaker 1: you know, damn you'd be down there. I'm on the

703
00:42:45,080 --> 00:42:48,040
Speaker 1: specialised list with all the niggers. Now we're on the

704
00:42:48,400 --> 00:42:52,239
Speaker 1: we don't know, we only goddamn like we're on the

705
00:42:52,360 --> 00:42:54,480
Speaker 1: list for this ship that. Man, I don't really want

706
00:42:54,520 --> 00:42:57,759
Speaker 1: to be too famous. I want to get I want

707
00:42:57,800 --> 00:42:59,600
Speaker 1: to get this. I just want to get a little

708
00:42:59,600 --> 00:43:02,560
Speaker 1: bit more famous that. I don't want to be too famous,

709
00:43:02,680 --> 00:43:05,160
Speaker 1: Like I'm not the type of I'm not because I'm

710
00:43:05,200 --> 00:43:08,600
Speaker 1: not a nice nigger. I noticed that. And then people

711
00:43:08,640 --> 00:43:11,320
Speaker 1: say dumb ship, and the comedian in me make me

712
00:43:11,440 --> 00:43:14,200
Speaker 1: say dumb ship back, and that's not healthy. So like

713
00:43:15,080 --> 00:43:18,040
Speaker 1: examples for the people, well not to say to Carlos

714
00:43:18,120 --> 00:43:21,960
Speaker 1: Miller when you see him out, Yeah, don't greet first

715
00:43:22,000 --> 00:43:26,640
Speaker 1: of all, let us pay first, me drank this big

716
00:43:26,680 --> 00:43:29,000
Speaker 1: ass beer. You're gonna follow me in the bathroom. A man,

717
00:43:29,120 --> 00:43:31,080
Speaker 1: I love what you're doing. First of all, that's what

718
00:43:31,200 --> 00:43:34,120
Speaker 1: you like, get your weird ass away first. Don't approach

719
00:43:34,200 --> 00:43:37,279
Speaker 1: me roasting that ain't gonna never make me like, oh yeah,

720
00:43:37,320 --> 00:43:42,239
Speaker 1: you come. Oh goddamn Carlo Land. I'm not. That ain't

721
00:43:42,280 --> 00:43:43,840
Speaker 1: never made me want to be like I want to

722
00:43:43,880 --> 00:43:48,080
Speaker 1: be friendsman, Like when why y'all cool didn't neiggle out?

723
00:43:48,360 --> 00:43:51,480
Speaker 1: Like no nigga, you know i'd be John into. I

724
00:43:51,640 --> 00:43:53,840
Speaker 1: do not give a funk they had like a nigga

725
00:43:53,880 --> 00:43:56,600
Speaker 1: walking around like, who can Joane that I can put

726
00:43:56,640 --> 00:43:59,120
Speaker 1: on this new project I'm working. Yeah, we're not. Uh,

727
00:44:00,040 --> 00:44:06,080
Speaker 1: get the fuck out of him? What else? What you're

728
00:44:06,080 --> 00:44:11,719
Speaker 1: doing in here? I'm doing what the funk everybody else

729
00:44:11,920 --> 00:44:15,400
Speaker 1: is doing in Walmart. Man, I'm bad a motherfucking mountain

730
00:44:15,440 --> 00:44:20,840
Speaker 1: bike and some mountain dew. Bitch, I'm going camping? What

731
00:44:20,960 --> 00:44:24,560
Speaker 1: about this? I'm mad outdoors equipment. Yes, I need a

732
00:44:24,680 --> 00:44:28,880
Speaker 1: cane sade cheeta quilt and some motherfucking Georgia bulldog put

733
00:44:28,920 --> 00:44:31,480
Speaker 1: jumping pants and a bag of orangees. Bitch, wild, get

734
00:44:31,480 --> 00:44:34,120
Speaker 1: out of my best I have I need everything in

735
00:44:34,280 --> 00:44:37,520
Speaker 1: this mother have needs. Call us why you man? Grape

736
00:44:37,560 --> 00:44:40,319
Speaker 1: juice and punk job bitch because I'm going to church,

737
00:44:41,000 --> 00:44:46,880
Speaker 1: so you eat jays yes, and uh not giving me

738
00:44:46,960 --> 00:44:50,120
Speaker 1: the hook up when I come to your job. I

739
00:44:50,160 --> 00:44:52,560
Speaker 1: don't like I get a pitch. Can I get a

740
00:44:53,000 --> 00:44:55,840
Speaker 1: damn discount? You're selling me this dirty is white teeth

741
00:44:55,880 --> 00:44:58,120
Speaker 1: and ship. I don't like that. After the fact, ship,

742
00:44:59,239 --> 00:45:01,040
Speaker 1: Oh man, if I would have known you was, yeah,

743
00:45:01,040 --> 00:45:03,600
Speaker 1: I would have got damn paid for everything. He's gonna

744
00:45:03,640 --> 00:45:09,319
Speaker 1: magically wait till the b Okay. I don't like rude people. Hey,

745
00:45:09,840 --> 00:45:11,800
Speaker 1: uh he not when people who want to talk to

746
00:45:12,280 --> 00:45:14,440
Speaker 1: he all that famous to me, I don't know who

747
00:45:14,520 --> 00:45:17,759
Speaker 1: he is. Let me get a picture. No, you're not

748
00:45:18,000 --> 00:45:20,120
Speaker 1: working with me, but you know what that like like

749
00:45:20,280 --> 00:45:22,320
Speaker 1: some people be trying to get little moments. That's what

750
00:45:22,440 --> 00:45:24,640
Speaker 1: happened with pim C back in the day and then

751
00:45:24,760 --> 00:45:28,640
Speaker 1: in the mall, remember, because then bitches was flexing on

752
00:45:28,800 --> 00:45:33,439
Speaker 1: pimp and saying extra ship like motherfucker, like the dude

753
00:45:33,480 --> 00:45:35,239
Speaker 1: that ran the stones, like you know that's Pimp C.

754
00:45:35,360 --> 00:45:40,160
Speaker 1: And it was like salt nigga stopped being so extra man. Yeah,

755
00:45:40,440 --> 00:45:42,439
Speaker 1: you don't gotta give a nigga six daths. I see

756
00:45:42,480 --> 00:45:44,680
Speaker 1: your nigger. I gotta eat with these hands. I can't

757
00:45:44,760 --> 00:45:48,799
Speaker 1: hold hands with a nigger. I goddamn sucking with your

758
00:45:48,880 --> 00:45:51,600
Speaker 1: long wait, my nigga know me with their music. You

759
00:45:51,680 --> 00:45:54,239
Speaker 1: know that ship man, But what were your music? Ain't

760
00:45:54,280 --> 00:45:56,200
Speaker 1: got it on me, Ain't got no music, ain't got

761
00:45:56,280 --> 00:45:59,800
Speaker 1: no SoundCloud, no goddamn social media or nothing, but nigga,

762
00:46:00,040 --> 00:46:04,000
Speaker 1: My my music, myth is in my main guy of

763
00:46:04,000 --> 00:46:07,040
Speaker 1: the whole album, in my math freestyle. Get the funk

764
00:46:07,120 --> 00:46:12,960
Speaker 1: out of fun out of here, ugly bitches, leave me

765
00:46:13,000 --> 00:46:15,560
Speaker 1: a little. You think I worked this guy in them

766
00:46:15,680 --> 00:46:18,080
Speaker 1: hard and get all this TV to be fucking with

767
00:46:18,840 --> 00:46:20,880
Speaker 1: the niggas who you used to funk. We don't need

768
00:46:21,000 --> 00:46:24,200
Speaker 1: funk with you. You know, like your confidences too. Goddamn

769
00:46:24,560 --> 00:46:29,800
Speaker 1: that ugly bitches lose some of that confidence. But shoot

770
00:46:29,840 --> 00:46:32,120
Speaker 1: your shot because you're not in me though. You never

771
00:46:32,239 --> 00:46:36,319
Speaker 1: know what motherfucker's like. Not never. That's disrespect. You never

772
00:46:36,400 --> 00:46:39,960
Speaker 1: know what you like you're liking it. You know what,

773
00:46:40,120 --> 00:46:43,200
Speaker 1: Maybe I gotta change some things about me because the

774
00:46:43,280 --> 00:46:46,080
Speaker 1: type of that bitches lower that self esteem because I

775
00:46:46,160 --> 00:46:48,920
Speaker 1: really found myself asking that's the only way you ever

776
00:46:48,960 --> 00:46:51,400
Speaker 1: gonna get on what made you think I fun with you? Like?

777
00:46:51,719 --> 00:46:53,640
Speaker 1: When I saw that, I was like, I'm not even

778
00:46:53,719 --> 00:46:55,800
Speaker 1: that type of person. But I felt like, damn, you

779
00:46:55,880 --> 00:46:57,840
Speaker 1: don't listen to none of these funked up things I

780
00:46:57,920 --> 00:47:01,279
Speaker 1: say on the eighty five Halter Show. You haven't decided yet.

781
00:47:01,360 --> 00:47:04,000
Speaker 1: This is like that little nigga crazy, but he works hard,

782
00:47:04,320 --> 00:47:07,560
Speaker 1: so maybe he likes decent women. I'm like, I'm an asshole,

783
00:47:07,640 --> 00:47:10,680
Speaker 1: so I can attract better women. You put that out there,

784
00:47:11,600 --> 00:47:14,400
Speaker 1: Put that out there. No it worked, I'm not. That's

785
00:47:14,440 --> 00:47:17,319
Speaker 1: why I don't even don't don't hollert me, don't even

786
00:47:17,360 --> 00:47:21,560
Speaker 1: holler me. I'm good. Leave me the fucking loon. I

787
00:47:21,680 --> 00:47:23,799
Speaker 1: got some good ship working over here. I didn't get

788
00:47:23,880 --> 00:47:25,719
Speaker 1: I didn't you know. I've been going to watch the

789
00:47:25,840 --> 00:47:28,120
Speaker 1: church on YouTube to found one. I like, I've just

790
00:47:28,200 --> 00:47:31,279
Speaker 1: been watching it over and over again. It ain't It's

791
00:47:31,280 --> 00:47:33,560
Speaker 1: about fat minutes and just church man. I've been going

792
00:47:33,600 --> 00:47:35,719
Speaker 1: to Now let me tell you why. Because the pastor said,

793
00:47:35,760 --> 00:47:38,160
Speaker 1: some ship so real. This, this is how real the

794
00:47:38,160 --> 00:47:40,320
Speaker 1: ship is. I'm gonna put I'm gonna put about twenty

795
00:47:40,360 --> 00:47:42,479
Speaker 1: seconds of it. And this it's straight in the past

796
00:47:42,520 --> 00:47:45,239
Speaker 1: to say. Sometimes I'll just be praying to God and

797
00:47:45,320 --> 00:47:48,040
Speaker 1: I just said, God, do something rideculous in my life.

798
00:47:49,080 --> 00:47:52,360
Speaker 1: I can really relate to that. So that's how I pray. Now,

799
00:47:52,480 --> 00:47:56,759
Speaker 1: I'd be like, God, ain't nobody but me, show your

800
00:47:56,800 --> 00:47:58,640
Speaker 1: ass in my life. Do whatever you need to do,

801
00:47:58,800 --> 00:48:01,120
Speaker 1: like mix it up. Godless me, and however you want

802
00:48:01,160 --> 00:48:03,880
Speaker 1: me to be blessed. I ain't even gonna be specific

803
00:48:03,960 --> 00:48:07,239
Speaker 1: with this prayer. I do your think, Lord, ridiculous, Just

804
00:48:07,360 --> 00:48:11,280
Speaker 1: get ridiculous. Lord, give me some ship. Ridiculous. Lord, bless

805
00:48:11,320 --> 00:48:14,920
Speaker 1: me with six new tires. Yeah, free man to give

806
00:48:14,960 --> 00:48:17,440
Speaker 1: him a whole new personality. The type of what that's what.

807
00:48:17,560 --> 00:48:22,440
Speaker 1: That's what happened. That was a ridiculous prayer. Girl is controlled.

808
00:48:25,960 --> 00:48:29,320
Speaker 1: I need one of these. Makes some ridiculous ship. I

809
00:48:29,360 --> 00:48:32,839
Speaker 1: ain't never seen Gucci main this happy man. That's that's

810
00:48:32,960 --> 00:48:37,320
Speaker 1: that's great. Ship is changing, is really changing, That's what.

811
00:48:37,560 --> 00:48:39,600
Speaker 1: That's that's what. That's what hood niggas do. They give

812
00:48:39,600 --> 00:48:42,759
Speaker 1: a bit some money, then they leave, and then they

813
00:48:42,840 --> 00:48:44,920
Speaker 1: come back and see how much the bitch still got

814
00:48:45,800 --> 00:48:48,000
Speaker 1: and and that, and that's how much that bit really worked.

815
00:48:48,200 --> 00:48:50,680
Speaker 1: You know what I mean, it might work. I mean

816
00:48:50,760 --> 00:48:53,120
Speaker 1: depend how much you give the bit like you give them,

817
00:48:53,360 --> 00:48:55,840
Speaker 1: you give a bit a good amount of money. And

818
00:48:55,920 --> 00:48:59,239
Speaker 1: he'd be like, I'm about. It's about the you know

819
00:48:59,280 --> 00:49:01,359
Speaker 1: what I'm saying. You come back and it's all gone.

820
00:49:03,600 --> 00:49:06,880
Speaker 1: This half of it gone, she ain't ship. Most of

821
00:49:07,360 --> 00:49:09,640
Speaker 1: what if must what if? Most of it gone? Most

822
00:49:09,680 --> 00:49:13,120
Speaker 1: of it gone, She ain't ship. This is the salth Show.

823
00:49:13,360 --> 00:49:15,560
Speaker 1: We're trapping lab out of every band though. It don't

824
00:49:15,560 --> 00:49:19,200
Speaker 1: matter where we go with city we're in or all

825
00:49:19,320 --> 00:49:21,600
Speaker 1: any of that ship. This ship is gonna happen one

826
00:49:21,640 --> 00:49:23,839
Speaker 1: way or the other. Shout out to DC Young Flash

827
00:49:23,920 --> 00:49:26,120
Speaker 1: to loot the Chico to look to the eighty five

828
00:49:26,239 --> 00:49:29,319
Speaker 1: South Show staff company and recollect. We got big ship

829
00:49:29,400 --> 00:49:31,880
Speaker 1: that we've been working on. And I'm really proud of

830
00:49:31,960 --> 00:49:34,000
Speaker 1: the team. My Nigga Clayton been out there l a

831
00:49:34,160 --> 00:49:38,239
Speaker 1: killing it, getting all type of offers and ship like that. Look,

832
00:49:38,360 --> 00:49:43,360
Speaker 1: I know I ain't here all the time, right, So

833
00:49:44,480 --> 00:49:46,920
Speaker 1: where were you going with that all the time? They

834
00:49:47,040 --> 00:49:50,280
Speaker 1: damn show Because some of the videos about four hundred

835
00:49:50,280 --> 00:49:53,279
Speaker 1: thousand viewers, some of them got like, man, y'all don't

836
00:49:53,320 --> 00:49:55,719
Speaker 1: show up all the time. They don't. If we start

837
00:49:55,840 --> 00:49:58,680
Speaker 1: looking at the old little individual file, we find out

838
00:49:58,760 --> 00:50:00,840
Speaker 1: you ain't ship. You know the ship that we post,

839
00:50:00,960 --> 00:50:02,879
Speaker 1: we think the ship gonna do the ship that we think.

840
00:50:02,920 --> 00:50:05,440
Speaker 1: I'm like, they're gonna love that ship. Don't do number four.

841
00:50:08,000 --> 00:50:12,480
Speaker 1: That's whag. We don't like it. Fair wag. Let the

842
00:50:12,560 --> 00:50:16,120
Speaker 1: nigga fuck up three hundred and thirty one thousand in

843
00:50:16,200 --> 00:50:20,320
Speaker 1: the last two hours. Let them mother fucking slipping some

844
00:50:20,440 --> 00:50:25,840
Speaker 1: Dodo viral this ship. This on TMZ Clay Nigga playing

845
00:50:25,880 --> 00:50:32,799
Speaker 1: stupid music. Nigga flolets on the podcast for one hour

846
00:50:32,960 --> 00:50:36,719
Speaker 1: in fifty seven minutes, in thirty eight seconds. Soon as

847
00:50:36,719 --> 00:50:38,800
Speaker 1: a nigga slip up on the world did this nigga

848
00:50:38,840 --> 00:50:42,400
Speaker 1: say flu gaze? I think I got the flu gaze.

849
00:50:42,880 --> 00:50:45,840
Speaker 1: What I think you actually meant to say was flucas

850
00:50:45,920 --> 00:50:48,479
Speaker 1: on and that's not what you said, because you said

851
00:50:48,600 --> 00:50:51,840
Speaker 1: floride And that's a totally different subthing that it has. Nigga,

852
00:50:52,080 --> 00:50:58,120
Speaker 1: what the fuck is clucas Flucas no noise? I'm a

853
00:50:58,280 --> 00:51:04,320
Speaker 1: flucas hashtag fluka ZOI, Yeah, man, that's any motherfucker that

854
00:51:04,480 --> 00:51:07,239
Speaker 1: gets some ships from a fluke. Yeah, like he just

855
00:51:07,440 --> 00:51:09,280
Speaker 1: lucked up and got some pussy that was a flukes

856
00:51:11,760 --> 00:51:14,040
Speaker 1: came up on a little couch through the fluka or

857
00:51:15,239 --> 00:51:16,800
Speaker 1: all right, So this is what they're saying in the

858
00:51:16,920 --> 00:51:21,440
Speaker 1: streets Lisa Smith. Wow. Wow, that's what we get when

859
00:51:21,480 --> 00:51:24,200
Speaker 1: we give you the platform to pedestalize your pussy, to

860
00:51:24,239 --> 00:51:26,360
Speaker 1: put yourself in a place where you won't plumb, that

861
00:51:26,400 --> 00:51:30,239
Speaker 1: you can pilgrimage to a profitable perspective. This is what

862
00:51:30,400 --> 00:51:33,200
Speaker 1: the funk you come with. Clayton is a genius. Yes,

863
00:51:33,360 --> 00:51:36,080
Speaker 1: I did say that. I may not have read it

864
00:51:36,200 --> 00:51:38,560
Speaker 1: like I said it, but I said it. You drunk

865
00:51:38,600 --> 00:51:41,480
Speaker 1: all that bill. It's amazing you can read any motherfucker

866
00:51:41,600 --> 00:51:45,080
Speaker 1: and really drunk all that bill. You Peter Griffin right now?

867
00:51:46,080 --> 00:51:49,640
Speaker 1: You know what the map was over? Peter be drunning. Yeah,

868
00:51:52,360 --> 00:51:56,160
Speaker 1: never do that. What else they're talking about? La la Papa?

869
00:51:58,560 --> 00:52:01,920
Speaker 1: What I don't like that day? I don't like a

870
00:52:02,040 --> 00:52:05,960
Speaker 1: lot of them. La Papa. Can I speak to La

871
00:52:06,040 --> 00:52:13,120
Speaker 1: la papa, La la? Who is that as the La

872
00:52:13,200 --> 00:52:20,440
Speaker 1: la papa? I'm named after my dad? Okay, this is

873
00:52:20,520 --> 00:52:27,400
Speaker 1: my girlfriend, laala Papa. Nice mustache, all right, La la Papa.

874
00:52:27,480 --> 00:52:31,320
Speaker 1: Clayton is the intelligent, no nonsense, directly blunt mind of

875
00:52:31,440 --> 00:52:34,680
Speaker 1: black brothers worldwide. All we need is a real niggas

876
00:52:35,080 --> 00:52:40,480
Speaker 1: keeping ship, real age I concur as real. Let's see

877
00:52:40,520 --> 00:52:46,000
Speaker 1: Chauncey two one seven, This Chauncey Billipson, little Chauncey. It's

878
00:52:46,040 --> 00:52:48,719
Speaker 1: like six niggas named Chauncey left in the world. They

879
00:52:48,960 --> 00:52:54,799
Speaker 1: call little chunks chill Chunk. I look, Chunk, don't never

880
00:52:54,880 --> 00:52:57,000
Speaker 1: fight the nigga named Chunk, he gonna beat your head.

881
00:52:57,080 --> 00:53:01,600
Speaker 1: It's like if your name chun Chaunson, man, the lord

882
00:53:01,719 --> 00:53:04,800
Speaker 1: is on that nigga's ad They named him Chauncey. With you,

883
00:53:04,920 --> 00:53:09,000
Speaker 1: my child, before you face much adversity. You ever got

884
00:53:09,040 --> 00:53:11,239
Speaker 1: into a fight with a motherfucker that you couldn't fun

885
00:53:11,360 --> 00:53:13,560
Speaker 1: with on no level? And it was you didn't realize

886
00:53:13,600 --> 00:53:16,440
Speaker 1: until you got in the fight. Tell me that story.

887
00:53:17,000 --> 00:53:18,840
Speaker 1: You had to get in the fight to realize this

888
00:53:18,960 --> 00:53:21,440
Speaker 1: ain't the motherfucker. I want to be fun Yeah, that

889
00:53:21,520 --> 00:53:24,279
Speaker 1: adrenaline the motherfucker it have you thinking you want to

890
00:53:24,360 --> 00:53:30,160
Speaker 1: do some ship? Hit me? Wow? This motherfucker ship. Wow.

891
00:53:30,520 --> 00:53:32,920
Speaker 1: I had no idea you were that strong when you

892
00:53:33,040 --> 00:53:35,040
Speaker 1: got mad, Sir, if you would hit me like that,

893
00:53:36,480 --> 00:53:40,960
Speaker 1: how do you treat puppies? Man? With them? Comment is

894
00:53:41,040 --> 00:53:46,759
Speaker 1: talking about Chauncey, with chaunce talking about chaunce Shut up

895
00:53:46,760 --> 00:53:49,640
Speaker 1: the little chunce A little chun when you get this

896
00:53:49,680 --> 00:53:53,560
Speaker 1: ship from I got it from little Chauncey. Okay, it

897
00:53:53,680 --> 00:53:57,160
Speaker 1: was little Chauncey from Jersey. You go down there, you

898
00:53:57,200 --> 00:54:00,040
Speaker 1: see little chauncy Or put everything in the trunk. You

899
00:54:00,080 --> 00:54:04,080
Speaker 1: can bring it back here. Everything will be Hey, Chauncey,

900
00:54:04,160 --> 00:54:08,200
Speaker 1: come here, go get us two saucages, some pitches, and

901
00:54:08,600 --> 00:54:12,800
Speaker 1: anybody wants talking to you. Pay attention what he's said.

902
00:54:13,239 --> 00:54:16,480
Speaker 1: Chaunce you got money, You got sucking money, you pocket kid.

903
00:54:16,600 --> 00:54:18,560
Speaker 1: Come here, Let me give you some fucking dog. Come in,

904
00:54:18,800 --> 00:54:21,439
Speaker 1: let me talk to your choices. Fucking kids always fucking

905
00:54:21,520 --> 00:54:24,480
Speaker 1: bro giving his money to pitchers and bros. Hey listening,

906
00:54:25,000 --> 00:54:27,799
Speaker 1: paying for pussy. You know what he did with his money.

907
00:54:27,920 --> 00:54:30,839
Speaker 1: Come on, look at his feet. The fucking Jordan's came out.

908
00:54:30,920 --> 00:54:34,360
Speaker 1: I don't know why he wants to wear shoes waiting

909
00:54:34,440 --> 00:54:40,080
Speaker 1: light with the movie Franks play too much for snickers.

910
00:54:40,400 --> 00:54:43,879
Speaker 1: You know who else didn't wear fucking Jordan's, Fat Joe,

911
00:54:48,280 --> 00:54:51,880
Speaker 1: Fucking fat Joe. He never wears Jordan's anymore. It's always

912
00:54:51,960 --> 00:54:54,839
Speaker 1: fucking air forced once now Galet, on the other hand,

913
00:54:54,960 --> 00:55:01,440
Speaker 1: Callet wearing got it. You better call me, you cocksucker,

914
00:55:01,560 --> 00:55:04,640
Speaker 1: You fucking asshole. You fucking oh, you better fucking call

915
00:55:04,719 --> 00:55:07,960
Speaker 1: me Kalid and stay the puck off the snapchat the

916
00:55:08,080 --> 00:55:12,440
Speaker 1: fucking come on. You know who's watching. Much blessings to

917
00:55:12,560 --> 00:55:16,480
Speaker 1: you and your son. I see he has a position.

918
00:55:16,560 --> 00:55:19,960
Speaker 1: I have two grandsons, you know. Speaking of grand you

919
00:55:20,080 --> 00:55:22,279
Speaker 1: know who. I wouldn't mind giving the old marge old

920
00:55:22,320 --> 00:55:25,279
Speaker 1: tool or stick it to us, stick it with Give

921
00:55:25,360 --> 00:55:28,600
Speaker 1: it though, that old NICKI minaj What is the first name?

922
00:55:28,680 --> 00:55:31,920
Speaker 1: Is it? Nick? Nicky? Shot from the cold? I want

923
00:55:31,960 --> 00:55:36,560
Speaker 1: to fuck the cold? Come and suck my dicky. Yeah,

924
00:55:36,880 --> 00:55:39,919
Speaker 1: she wan't think you on a safari? Okay, Yeah, you'll

925
00:55:39,920 --> 00:55:44,839
Speaker 1: see the fucking giraffes. See the fucking giraffes. You ever

926
00:55:45,000 --> 00:55:48,040
Speaker 1: hit a bit with the giraffe? Wouldn't mind taking my

927
00:55:48,840 --> 00:55:53,000
Speaker 1: tell your sausage and slidding in between the two puns. Hey, hey,

928
00:55:53,120 --> 00:55:56,040
Speaker 1: little Kim, Little hey, little Kim. Look over here, you

929
00:55:56,200 --> 00:55:59,200
Speaker 1: fucking cocksucker. Come in Let me tell him. I know

930
00:55:59,360 --> 00:56:02,800
Speaker 1: your age. Now, don't give me that ship the little

931
00:56:02,920 --> 00:56:05,759
Speaker 1: camp Come here? Can you take a big dick? Huh?

932
00:56:06,760 --> 00:56:10,560
Speaker 1: Do you like giraffes? I got the magic stick over here?

933
00:56:10,760 --> 00:56:15,479
Speaker 1: Hashtag magic stick overhead. Ask if she wants to see

934
00:56:15,520 --> 00:56:19,359
Speaker 1: a giraffe. Nick Louis asking if he wants to see

935
00:56:19,440 --> 00:56:24,440
Speaker 1: a giraffe, Nick overhead. You know who else I wouldn't

936
00:56:24,440 --> 00:56:29,200
Speaker 1: mind giving the old rush. You know who I wouldn't

937
00:56:29,200 --> 00:56:33,520
Speaker 1: mind giving the old business. Just see me, you know

938
00:56:33,719 --> 00:56:35,960
Speaker 1: what I can't brief? Just tell me what's that? That

939
00:56:36,120 --> 00:56:42,880
Speaker 1: little brief, that little colored girl, the one with the

940
00:56:43,040 --> 00:56:47,560
Speaker 1: tits out on the Instagram over there, the little rapper,

941
00:56:47,640 --> 00:56:54,880
Speaker 1: the oh yeah hi, oh yeah, yeah yeah. No, not

942
00:56:55,120 --> 00:57:00,279
Speaker 1: my mom, no, no, not not not no, not not

943
00:57:00,520 --> 00:57:04,640
Speaker 1: the single mother. No young the young, the young. No,

944
00:57:05,239 --> 00:57:08,200
Speaker 1: you know she's got this, you know, just she has

945
00:57:08,320 --> 00:57:12,319
Speaker 1: the rap song. Yeah little does and uh yeah deep

946
00:57:12,400 --> 00:57:16,600
Speaker 1: dot stop ships in rockets, cock ships and rockets whatever

947
00:57:16,680 --> 00:57:21,000
Speaker 1: you know you're talking about? You know, yea you she

948
00:57:21,160 --> 00:57:24,000
Speaker 1: looked like chunks. What about the one with the freckles

949
00:57:24,080 --> 00:57:27,400
Speaker 1: in there in the ass where what about her? You know,

950
00:57:27,560 --> 00:57:31,520
Speaker 1: the one freckles, the one with the freds, the one

951
00:57:31,640 --> 00:57:34,959
Speaker 1: with the she's black, but she's not really black. She's

952
00:57:35,080 --> 00:57:39,439
Speaker 1: like the freckles. She's like a half movie. She's a move,

953
00:57:39,800 --> 00:57:47,960
Speaker 1: she's a half she's she's she's holy. Yeah, yeah, you're

954
00:57:48,000 --> 00:57:51,440
Speaker 1: the one with the two, the two little cinnamon buntits

955
00:57:51,520 --> 00:57:57,040
Speaker 1: over there too, little the little no, no, not the funk.

956
00:57:57,080 --> 00:58:01,080
Speaker 1: I don't funk with canoli. I don't do cannoli. Bro. Yeah,

957
00:58:01,320 --> 00:58:03,280
Speaker 1: you gotta draw the line somewhere. What do I look

958
00:58:03,360 --> 00:58:08,760
Speaker 1: like a fucking douchebag? You know you keep the fucking

959
00:58:08,800 --> 00:58:12,320
Speaker 1: canolies over there? When it looked like a douchebag. Where

960
00:58:12,360 --> 00:58:16,320
Speaker 1: you gotta go? You gotta sucking pep fucking drink a

961
00:58:16,360 --> 00:58:20,960
Speaker 1: whole bit and pisces. We'll get the funk out of here, yo.

962
00:58:21,200 --> 00:58:23,800
Speaker 1: Let mean like, I'll take over. I'll take over from there.

963
00:58:23,880 --> 00:58:27,480
Speaker 1: I got it, I got it over I got it

964
00:58:27,600 --> 00:58:32,680
Speaker 1: over here. We're in most tavern over Okay, okay, listen

965
00:58:32,800 --> 00:58:36,920
Speaker 1: here he well, I'll tell you about my shoes in

966
00:58:37,000 --> 00:58:39,000
Speaker 1: a minute, but listen up here. This is your man

967
00:58:39,120 --> 00:58:42,400
Speaker 1: on Pulley over here taking over there. Ain'ty five south,

968
00:58:42,520 --> 00:58:45,640
Speaker 1: whatever the funk. Listen here these shoes right here. You

969
00:58:45,760 --> 00:58:48,560
Speaker 1: want these? You want some of these? You want to

970
00:58:48,640 --> 00:58:52,520
Speaker 1: be fresh like me? Huh? You want to look good done,

971
00:58:52,560 --> 00:58:56,360
Speaker 1: attention off your ugly ass face. Listen. I'll give you

972
00:58:56,440 --> 00:58:59,200
Speaker 1: the link, I'll give you the plug. I'll post these

973
00:58:59,320 --> 00:59:01,920
Speaker 1: kicks on my Instagram. Right now, I'm gonna get Joe

974
00:59:02,040 --> 00:59:05,520
Speaker 1: to do with a fucking Joe Josie Joey post the

975
00:59:05,640 --> 00:59:09,400
Speaker 1: fucking choose. Well, listen, I'll give you my phone something. Listen,

976
00:59:09,680 --> 00:59:15,560
Speaker 1: I'll posted this covered kicks ku h I T kicks.

977
00:59:16,760 --> 00:59:19,240
Speaker 1: Come on, you cop suckers. She's not gonna give you this.

978
00:59:19,480 --> 00:59:22,600
Speaker 1: You probably could tell him you saw him. Then when

979
00:59:22,640 --> 00:59:25,080
Speaker 1: you get over there, d mm and tell him I

980
00:59:25,200 --> 00:59:28,560
Speaker 1: sent you so we can send me some more. Because yeah,

981
00:59:28,720 --> 00:59:31,680
Speaker 1: we have a kick back over there. I get the

982
00:59:31,760 --> 00:59:36,040
Speaker 1: left shoe free. I know everything that's going on over here.

983
00:59:36,600 --> 00:59:39,320
Speaker 1: When when we post this there will be a link

984
00:59:39,440 --> 00:59:42,880
Speaker 1: over there's something, you know, show some love. Shout out

985
00:59:42,920 --> 00:59:46,000
Speaker 1: to uh, what is this guy? Who is this guy?

986
00:59:46,160 --> 00:59:48,440
Speaker 1: You know it's Jello the one tack it over this

987
00:59:48,520 --> 00:59:54,080
Speaker 1: guy the guy. Well, I got it nowhere Sis nineteen

988
00:59:54,200 --> 00:59:57,360
Speaker 1: eighty two. You like this that over? Yeah? This was

989
00:59:57,600 --> 01:00:00,440
Speaker 1: you like? This is custom. You won't find any anyway.

990
01:00:00,520 --> 01:00:04,560
Speaker 1: You caught sucker. It's over here, hey man. Yeah, but

991
01:00:04,560 --> 01:00:07,200
Speaker 1: shout out to this since two for making it, making

992
01:00:07,240 --> 01:00:11,560
Speaker 1: this dope as head custom for you boy. And of

993
01:00:11,640 --> 01:00:13,520
Speaker 1: course you know we got these jumping at the gym.

994
01:00:13,680 --> 01:00:19,439
Speaker 1: Still if you have not, but you want to. They're

995
01:00:19,440 --> 01:00:22,160
Speaker 1: still time. Get a shot of chat, because then you

996
01:00:22,240 --> 01:00:24,040
Speaker 1: got us on back order. We run out of ship.

997
01:00:24,360 --> 01:00:27,200
Speaker 1: Chad got us on back order like a motherfucker cat.

998
01:00:27,600 --> 01:00:30,360
Speaker 1: Get it up, Get cat the motherfucker who y'all keep

999
01:00:30,360 --> 01:00:34,800
Speaker 1: hearing last? That's him. Stop calling this man a woman cat.

1000
01:00:35,160 --> 01:00:37,000
Speaker 1: Tell him the Chad got us on back order. Keep

1001
01:00:37,040 --> 01:00:40,400
Speaker 1: letting us run out of ship. He's saying, ship trying

1002
01:00:40,440 --> 01:00:43,600
Speaker 1: to do everything anybody itself and be super niggahein saying ship.

1003
01:00:44,480 --> 01:00:46,360
Speaker 1: Then flip the ship on. Joe, Joe, you gotta do

1004
01:00:46,480 --> 01:00:49,120
Speaker 1: self ae cam. Now, we don't know what the funk

1005
01:00:49,200 --> 01:00:52,240
Speaker 1: Joe doing. Joe got all the heat, he's sleepy, he

1006
01:00:52,320 --> 01:00:56,800
Speaker 1: wearing caps, now drinking espresso. It's nigga eating Louisiana fettuccini.

1007
01:00:56,880 --> 01:01:00,280
Speaker 1: Afraido Joe getting weird than the motherfucker. Man, don't know

1008
01:01:00,320 --> 01:01:03,920
Speaker 1: what we're gonna do. Clayton is back. Hell yeah, what

1009
01:01:04,240 --> 01:01:05,880
Speaker 1: how long are we on the time? We're about to

1010
01:01:05,920 --> 01:01:08,200
Speaker 1: wrap up. I gotta go to bed. I have not

1011
01:01:08,320 --> 01:01:14,360
Speaker 1: been to sleep. Nobody hands look at dj Richer, everybody

1012
01:01:14,400 --> 01:01:18,040
Speaker 1: and his mother man the squad, I wake your I

1013
01:01:18,160 --> 01:01:20,880
Speaker 1: think he popped up like a motherucker. Man, the whole

1014
01:01:20,920 --> 01:01:23,600
Speaker 1: squad been going. Um, we've been going home for like

1015
01:01:23,680 --> 01:01:26,040
Speaker 1: the last thirty hours. Ain't nobody been to sleep. That's

1016
01:01:26,080 --> 01:01:29,760
Speaker 1: real life New York. We've been running through the city. Man,

1017
01:01:29,840 --> 01:01:32,160
Speaker 1: We've been working like a motherfucker. While in now season

1018
01:01:32,240 --> 01:01:35,240
Speaker 1: nine is coming soon. We shot one of the dopest

1019
01:01:35,320 --> 01:01:38,760
Speaker 1: episodes and while in our history today, salute the chance

1020
01:01:38,880 --> 01:01:41,520
Speaker 1: to rapp up for coming through. And oh my god,

1021
01:01:42,000 --> 01:01:44,440
Speaker 1: we got some exclusive eighty five South show ship that

1022
01:01:44,520 --> 01:01:47,160
Speaker 1: you're gonna only see on eighty five sell. But we're

1023
01:01:47,160 --> 01:01:48,960
Speaker 1: gonna wait a little bit and we're just gonna sprinkle

1024
01:01:49,040 --> 01:01:51,000
Speaker 1: that ship if you if y'all sucking with us, like

1025
01:01:51,120 --> 01:01:53,040
Speaker 1: we know y'all sucking with us, and we see y'all

1026
01:01:53,080 --> 01:01:55,240
Speaker 1: wucking with us. This is some real ship right here.

1027
01:01:55,560 --> 01:01:58,400
Speaker 1: We know who working with us, We see who names

1028
01:01:58,440 --> 01:02:00,960
Speaker 1: come through and buying our ship, and we're about to

1029
01:02:01,000 --> 01:02:04,640
Speaker 1: go international. If you want some ship sent international only

1030
01:02:04,680 --> 01:02:06,840
Speaker 1: ship is you gonna have to pay that expensive man shipping.

1031
01:02:07,160 --> 01:02:09,200
Speaker 1: It's not that we're taxing you, but we we can't

1032
01:02:09,280 --> 01:02:12,000
Speaker 1: fucking just fucking you know what I'm saying. So if

1033
01:02:12,040 --> 01:02:15,680
Speaker 1: you want some sent talk to him. You come and

1034
01:02:15,760 --> 01:02:20,560
Speaker 1: get it out here, man. Some of y'all rich over

1035
01:02:20,640 --> 01:02:25,479
Speaker 1: there as fuck. And remember what we said us a million,

1036
01:02:26,200 --> 01:02:29,120
Speaker 1: Send us a million eighty five South show. We are

1037
01:02:29,200 --> 01:02:32,720
Speaker 1: taking donation. We like free money, um, because we're independence.

1038
01:02:32,720 --> 01:02:34,680
Speaker 1: So send us some money if you got it with

1039
01:02:34,880 --> 01:02:37,680
Speaker 1: no stipulations, no stipulations, don't ask for us to do ship.

1040
01:02:37,800 --> 01:02:40,680
Speaker 1: Just send us some money. We need some more money

1041
01:02:40,720 --> 01:02:43,160
Speaker 1: in the budget. And yall whoever got that paper, just

1042
01:02:43,240 --> 01:02:45,480
Speaker 1: send us some bread. We're trying to do some big

1043
01:02:45,560 --> 01:02:47,760
Speaker 1: ship and it ain't that we hurt, No, we needed.

1044
01:02:47,880 --> 01:02:49,560
Speaker 1: Just send us some money so we can flip it

1045
01:02:49,720 --> 01:02:52,240
Speaker 1: because we know we can't shout out to New York too.

1046
01:02:52,960 --> 01:02:55,600
Speaker 1: And my boys like just sending. We don't have no

1047
01:02:55,720 --> 01:02:58,040
Speaker 1: budget like we do all this ship like independent of

1048
01:02:58,120 --> 01:03:00,280
Speaker 1: the party. So when we get a budget, we really

1049
01:03:00,320 --> 01:03:03,360
Speaker 1: gonna be a motherfucking beast. No, we in NYC right

1050
01:03:03,360 --> 01:03:07,240
Speaker 1: now we need fun. If anybody, anybody got a bunch

1051
01:03:07,320 --> 01:03:09,040
Speaker 1: of drug money and you don't know what to do

1052
01:03:09,160 --> 01:03:11,840
Speaker 1: with it or some ship, we're gonna give it to

1053
01:03:11,960 --> 01:03:14,400
Speaker 1: my sister and then she's gonna give us Monty and

1054
01:03:14,480 --> 01:03:16,360
Speaker 1: then Monty go to church and she's gonna get the

1055
01:03:16,400 --> 01:03:19,040
Speaker 1: Lord to bless it and we can use it. Someone

1056
01:03:19,120 --> 01:03:25,280
Speaker 1: just asking when we're coming to Florida already June part

1057
01:03:25,320 --> 01:03:28,200
Speaker 1: of Florida west Bombie, No, no't know where do they

1058
01:03:28,280 --> 01:03:30,960
Speaker 1: want us to come in Florida? Because if it's North Florida,

1059
01:03:31,000 --> 01:03:33,240
Speaker 1: tell him to eat a dick. Why North Florida gotta

1060
01:03:33,280 --> 01:03:36,440
Speaker 1: eat the whole man? That North Florida racist in a bit,

1061
01:03:36,880 --> 01:03:39,760
Speaker 1: the further north you go in Florida, the further south

1062
01:03:39,880 --> 01:03:43,880
Speaker 1: you get funk. All that ship motherfucker's still riding around

1063
01:03:43,920 --> 01:03:48,120
Speaker 1: calling motherfucker's niggers at high speed, like they're riding around

1064
01:03:48,160 --> 01:03:53,520
Speaker 1: doing sixty and you nigga like going like some asshole. Yeah,

1065
01:03:53,800 --> 01:03:56,760
Speaker 1: like they slowing down. That's how you know they pussy.

1066
01:03:57,160 --> 01:04:00,480
Speaker 1: That's what I'm saying. Did you say this ship fifteen?

1067
01:04:00,560 --> 01:04:03,120
Speaker 1: Did you hear that the police stole over a million

1068
01:04:03,200 --> 01:04:06,240
Speaker 1: dollars worth of jewelry from Little Boosts? Yes? I heard

1069
01:04:06,400 --> 01:04:11,080
Speaker 1: in that first in Mississippi in Biloxi. Let me be

1070
01:04:11,280 --> 01:04:13,360
Speaker 1: let me give little boost to some of anybody from

1071
01:04:13,400 --> 01:04:16,240
Speaker 1: a nigger from Mississippi. Whatever the police took from you

1072
01:04:16,720 --> 01:04:20,840
Speaker 1: or whatever they did, whatever they did wrong to let

1073
01:04:20,920 --> 01:04:23,600
Speaker 1: that ship go. You and you do not want to

1074
01:04:23,640 --> 01:04:27,200
Speaker 1: get involved with them dirty motherfucker's in Mississippi. Let that

1075
01:04:27,320 --> 01:04:30,120
Speaker 1: ship go. Little Boosy, you were too big of a start,

1076
01:04:30,200 --> 01:04:32,680
Speaker 1: and you know how dirty to got themself here. Man

1077
01:04:33,960 --> 01:04:36,840
Speaker 1: won't go to what you got. He gonna five lawsuits

1078
01:04:37,040 --> 01:04:40,320
Speaker 1: is a civil and a criminal man after the ship

1079
01:04:40,400 --> 01:04:42,120
Speaker 1: he went through. But I won't ever even want my

1080
01:04:42,320 --> 01:04:45,840
Speaker 1: name on the paperwork for nothing. Boosted Bend was some

1081
01:04:45,960 --> 01:04:48,600
Speaker 1: legal ship, That's what I'm saying. And then last ship.

1082
01:04:48,640 --> 01:04:50,439
Speaker 1: I would want to see it some more legal ship.

1083
01:04:50,520 --> 01:04:52,400
Speaker 1: If you got this ship back, drop that ship and

1084
01:04:52,440 --> 01:04:54,000
Speaker 1: get the funk out of there. And didn't never go

1085
01:04:54,120 --> 01:04:58,760
Speaker 1: back but dollars worth of jewelry for three days they

1086
01:04:58,800 --> 01:05:01,160
Speaker 1: didn't know where it was, and no jewelry they didn't see.

1087
01:05:01,200 --> 01:05:04,360
Speaker 1: And then he said they turned up with it at

1088
01:05:04,400 --> 01:05:07,320
Speaker 1: the precinct. Oh, and they said they want him to

1089
01:05:07,360 --> 01:05:08,960
Speaker 1: come get it. He was like, are he not going

1090
01:05:09,040 --> 01:05:11,320
Speaker 1: to get it? He's sending his lawyers to go get it.

1091
01:05:11,920 --> 01:05:13,920
Speaker 1: Here you go. I just have my lawyer with me.

1092
01:05:14,080 --> 01:05:16,000
Speaker 1: I go get my ship. We're gonna have so many

1093
01:05:16,040 --> 01:05:18,360
Speaker 1: goddamn lawyers. I'm a look like Michael Jackson picking this

1094
01:05:18,400 --> 01:05:21,840
Speaker 1: ship up. If he got a million dollar ways, I'm

1095
01:05:21,920 --> 01:05:25,280
Speaker 1: showing up with every goddamn lawyer and Louisian. The motherfucker's

1096
01:05:25,280 --> 01:05:28,120
Speaker 1: been that fit on me. The wind been that blow too,

1097
01:05:28,200 --> 01:05:31,640
Speaker 1: goddamn hard. Nothing. You're getting every lawyer. I'm getting the

1098
01:05:31,760 --> 01:05:35,480
Speaker 1: lawyer all dayers from the commercial nigger, I'm getting the lawyer.

1099
01:05:35,680 --> 01:05:38,400
Speaker 1: All my uncle's coming. They're pulling up with them, smoking

1100
01:05:38,400 --> 01:05:40,960
Speaker 1: as truck, dripping all all up and down. They got

1101
01:05:41,080 --> 01:05:44,560
Speaker 1: them parking lot by the court. Hell you're getting that lawyer.

1102
01:05:44,760 --> 01:05:49,400
Speaker 1: Hell yeah, locked out for something you didn't do? One call,

1103
01:05:49,840 --> 01:05:54,200
Speaker 1: that's all. Did you die in a car accident? Give

1104
01:05:54,320 --> 01:05:56,360
Speaker 1: us how the fund? You're gonna call him? All right?

1105
01:05:57,080 --> 01:05:58,840
Speaker 1: Don't you hate when they try to make the attorneys

1106
01:05:58,840 --> 01:06:03,120
Speaker 1: to peel the black people got locked up? Ride got

1107
01:06:03,240 --> 01:06:07,400
Speaker 1: told called big al big als. Actually a turn in

1108
01:06:07,440 --> 01:06:10,760
Speaker 1: your labor lieber wits. You ever had the police try

1109
01:06:10,800 --> 01:06:12,880
Speaker 1: to convince you to him taking you to jail? Ain't

1110
01:06:12,920 --> 01:06:15,720
Speaker 1: that bad? Look here, Clayton man, I'm just gonna be

1111
01:06:15,800 --> 01:06:18,680
Speaker 1: straight with you. Look, I was searching the vehicle, found

1112
01:06:18,680 --> 01:06:20,760
Speaker 1: a little bit of marijuana. I'm gonna run you in. Yeah,

1113
01:06:20,760 --> 01:06:25,880
Speaker 1: a little just a little tiny no no, no, no, no,

1114
01:06:26,080 --> 01:06:30,640
Speaker 1: Clayton smoked everything that couldn't have been. Can I see it?

1115
01:06:30,840 --> 01:06:32,240
Speaker 1: You can see it. You can see it when we

1116
01:06:32,320 --> 01:06:35,760
Speaker 1: get the jail here, I need to see it. Listen here, buddy,

1117
01:06:35,840 --> 01:06:39,920
Speaker 1: this is this is not a big deal, sir. I'm

1118
01:06:39,960 --> 01:06:42,080
Speaker 1: gonna run you down here. We'll get you right here.

1119
01:06:42,520 --> 01:06:47,800
Speaker 1: You have no weed. No, We're gonna it's nothing major, man,

1120
01:06:47,840 --> 01:06:50,520
Speaker 1: it's missed. The meaner. Go to court, pay a fine

1121
01:06:51,120 --> 01:06:54,160
Speaker 1: six months, comes out your red. Hell you mighty make

1122
01:06:54,240 --> 01:06:59,440
Speaker 1: some friends, nigger. This has been another magnificent episode of

1123
01:06:59,520 --> 01:07:02,840
Speaker 1: the eighty Have South Show. My name is Carlos Miller,

1124
01:07:02,960 --> 01:07:06,360
Speaker 1: and we're trapping out of New York. Oh. Update on

1125
01:07:06,400 --> 01:07:09,920
Speaker 1: the Roach Motel and update on the Roach move til you.

1126
01:07:11,280 --> 01:07:13,800
Speaker 1: I'm chilling that we ain't busting no freestyles, gonna losing

1127
01:07:13,840 --> 01:07:15,600
Speaker 1: my voice. We shot two episodes to day and we

1128
01:07:15,720 --> 01:07:17,480
Speaker 1: had to play a whole bunch of singing ships. So

1129
01:07:18,080 --> 01:07:20,840
Speaker 1: I'm all wrapped out tonight. So check this out. The

1130
01:07:21,000 --> 01:07:27,560
Speaker 1: update on the Roach Motel is but look we're talking

1131
01:07:27,600 --> 01:07:29,480
Speaker 1: to the networks man. That ship is so dope. That

1132
01:07:29,520 --> 01:07:32,120
Speaker 1: ship gotta go on TV man. So we do have

1133
01:07:33,080 --> 01:07:36,880
Speaker 1: um rufus my clip coming soon, you know, what I'm saying,

1134
01:07:36,960 --> 01:07:39,360
Speaker 1: some ship that Jens seen before, mixing it up all

1135
01:07:39,400 --> 01:07:42,400
Speaker 1: of them the Roach. Make sure you'll be checking out

1136
01:07:42,480 --> 01:07:44,760
Speaker 1: these road clips we're gonna drop. We're gonna drop a

1137
01:07:44,880 --> 01:07:47,040
Speaker 1: Roach clips here. We're gonna drop all of them. We'll

1138
01:07:47,120 --> 01:07:49,440
Speaker 1: just when this ship come out, We'll make sure we

1139
01:07:49,560 --> 01:07:52,520
Speaker 1: just dropped all the Roach clips on on the YouTube

1140
01:07:52,560 --> 01:07:55,160
Speaker 1: page like a compilation or something. Ship and we'll be

1141
01:07:55,280 --> 01:07:57,520
Speaker 1: dropping them mall through the Instagram and Twitter and ship

1142
01:07:57,680 --> 01:07:59,840
Speaker 1: social media, so y'all can get familiar with this ship

1143
01:08:00,240 --> 01:08:03,360
Speaker 1: because the project that we got building coming with this

1144
01:08:03,480 --> 01:08:07,480
Speaker 1: road motel, You're gonna love it. Clayton, what you got

1145
01:08:07,560 --> 01:08:11,360
Speaker 1: coming up? Man? I got the ship I'm doing now,

1146
01:08:12,240 --> 01:08:13,960
Speaker 1: So two weeks from now, I gotta have some motion.

1147
01:08:14,440 --> 01:08:17,800
Speaker 1: You always check in from the future anyway, Man, I'm

1148
01:08:17,840 --> 01:08:25,479
Speaker 1: not prepared to go to the future up, nigga, because

1149
01:08:25,479 --> 01:08:26,840
Speaker 1: you know, I got a bit in the past and

1150
01:08:26,920 --> 01:08:30,200
Speaker 1: a bitch in the present. So man, what do you

1151
01:08:30,280 --> 01:08:33,000
Speaker 1: say bitch? What do you mean? Do you mean that offensively?

1152
01:08:33,240 --> 01:08:39,080
Speaker 1: Like I just asked, how are you in New York?

1153
01:08:39,200 --> 01:08:42,880
Speaker 1: You got Hollywood? I'm asking because I know I wanted

1154
01:08:43,000 --> 01:08:45,920
Speaker 1: that was the perfect opportunities to come. No, that was

1155
01:08:46,000 --> 01:08:48,400
Speaker 1: the perfect opportunity for you to say, Niggy, you know

1156
01:08:48,560 --> 01:08:50,639
Speaker 1: the funk I'm not because I know I'm not. When

1157
01:08:50,680 --> 01:08:52,920
Speaker 1: I say bitch, I don't mean like you goofy ads bitch.

1158
01:08:53,000 --> 01:08:56,040
Speaker 1: I mean like you crazy as bitch. I love you sometimes,

1159
01:08:56,120 --> 01:09:00,320
Speaker 1: I mean like goofy ads bit trying to do always

1160
01:09:00,360 --> 01:09:02,280
Speaker 1: just half and half and you're not just you know,

1161
01:09:02,840 --> 01:09:07,560
Speaker 1: arbitraially calling these whole bitches. Yeah, no, um, Arlington, I

1162
01:09:07,600 --> 01:09:10,559
Speaker 1: think it's the improblem coming there. I said, Hold you said, Arlington,

1163
01:09:10,720 --> 01:09:15,599
Speaker 1: that's that's a correlation. Yeah, Improv coming through there. Uh

1164
01:09:16,200 --> 01:09:19,120
Speaker 1: d c. Improv probably already there and we probably already

1165
01:09:19,200 --> 01:09:22,280
Speaker 1: rocked out and we had a great fucking time. Thank

1166
01:09:22,360 --> 01:09:24,200
Speaker 1: you all for coming out and buying up all the

1167
01:09:24,280 --> 01:09:27,760
Speaker 1: goddamn tickets. Man, this ship is so dope. We're in

1168
01:09:27,840 --> 01:09:31,920
Speaker 1: this motherfucker recording their own show eighty five self show.

1169
01:09:32,160 --> 01:09:34,840
Speaker 1: I met this nigga twelve years ago. I met this

1170
01:09:35,000 --> 01:09:38,600
Speaker 1: nigga twelve years ago, and we still motherfucker. Do you know?

1171
01:09:38,720 --> 01:09:41,960
Speaker 1: Niggas don't even last that long. What are you talking about.

1172
01:09:42,479 --> 01:09:45,000
Speaker 1: It's a lot of people that didn't expired. And also

1173
01:09:45,600 --> 01:09:50,479
Speaker 1: and also I'm gonna say this. We're from the South, Atlanta.

1174
01:09:51,400 --> 01:09:53,640
Speaker 1: You did. We came up to New York and we

1175
01:09:53,800 --> 01:09:56,479
Speaker 1: fucking your city up. We're buying up all the ship.

1176
01:09:56,840 --> 01:09:59,640
Speaker 1: We're talking to all the little cute Dominican bitches that

1177
01:10:00,080 --> 01:10:03,000
Speaker 1: laugh with their tongue out all that. You know who

1178
01:10:03,040 --> 01:10:05,040
Speaker 1: the funk I'm talking about. Man, we're out here, we're

1179
01:10:05,080 --> 01:10:08,080
Speaker 1: stepping on niggas tims and we're doing it and it's

1180
01:10:08,120 --> 01:10:10,000
Speaker 1: not out of disrespect, you know who. I want to

1181
01:10:10,040 --> 01:10:12,880
Speaker 1: shout out love because y'all used to come down to

1182
01:10:12,920 --> 01:10:16,479
Speaker 1: the South and shoot on us and talk down. Say

1183
01:10:16,520 --> 01:10:21,080
Speaker 1: we country. We talked slow. Motherfucker's wearing rebox that looked

1184
01:10:21,120 --> 01:10:23,960
Speaker 1: like nurse and shoes, all type of ship you tried

1185
01:10:24,040 --> 01:10:26,639
Speaker 1: to play us. And now we're up here and we're

1186
01:10:26,680 --> 01:10:28,960
Speaker 1: doing it. We love y'all, but we're gonna con tell

1187
01:10:29,000 --> 01:10:30,920
Speaker 1: you to keep sucking it up with the little porter

1188
01:10:31,000 --> 01:10:34,240
Speaker 1: rait and these tall business on the subway. Y'all got

1189
01:10:34,360 --> 01:10:37,160
Speaker 1: shut out to all these pretty bitches with the payless boots.

1190
01:10:37,200 --> 01:10:42,639
Speaker 1: So yes, this podcast is for speak your piece niggas

1191
01:10:42,640 --> 01:10:45,040
Speaker 1: who've been working with the eighty five Self Show. Before

1192
01:10:45,160 --> 01:10:47,719
Speaker 1: there was an eighty five Self Show back when Carlos

1193
01:10:47,760 --> 01:10:50,719
Speaker 1: Miller was on the most nique show, hash that classic,

1194
01:10:51,240 --> 01:10:54,360
Speaker 1: or when Clayton played Peanut on House of Pain, or

1195
01:10:54,439 --> 01:10:56,439
Speaker 1: when DC was just a rapper and he didn't have

1196
01:10:56,520 --> 01:10:58,320
Speaker 1: that dumb ass tattoo in the middle of his face.

1197
01:10:58,720 --> 01:11:01,960
Speaker 1: Ain't no time to play. Still my ship, Oh y'all

1198
01:11:02,040 --> 01:11:05,960
Speaker 1: really inspiration, Keep pushing, hope to see y'all soon one day.

1199
01:11:06,280 --> 01:11:10,920
Speaker 1: That's real as a motherfu fuck. Thank you for having

1200
01:11:10,960 --> 01:11:14,640
Speaker 1: your eyes open. This ship was born in Clayton, English car.

1201
01:11:14,800 --> 01:11:17,800
Speaker 1: We used to talk this ship for hours, driving back

1202
01:11:17,840 --> 01:11:21,280
Speaker 1: and forth the shows, blowing blunts, recording this ship with

1203
01:11:21,400 --> 01:11:25,240
Speaker 1: a motherfucking many recordings. I'm gonna find that ship and

1204
01:11:25,320 --> 01:11:27,240
Speaker 1: see if we can get that ship. But we're gonna

1205
01:11:27,240 --> 01:11:29,560
Speaker 1: find some of that old ship. You got technology that

1206
01:11:29,640 --> 01:11:32,519
Speaker 1: don't work no more. We got technology that don't work

1207
01:11:32,640 --> 01:11:37,000
Speaker 1: no more. Nigga, you remember many this nigga, ain't no

1208
01:11:37,080 --> 01:11:40,160
Speaker 1: way that ship was crystal clish. Sound better than talking

1209
01:11:40,200 --> 01:11:42,280
Speaker 1: to a nigger in person. How the funk we're gonna

1210
01:11:42,360 --> 01:11:46,920
Speaker 1: use that ship there? It's crazy. Well, we're getting the

1211
01:11:46,960 --> 01:11:49,440
Speaker 1: funk out of here. We will continue to be magnificent.

1212
01:11:49,560 --> 01:11:52,479
Speaker 1: Motherfucker's shout out to all the ladies who are interested

1213
01:11:52,520 --> 01:11:55,040
Speaker 1: in the sad nigger just don't look like a sad

1214
01:11:55,120 --> 01:11:57,960
Speaker 1: nigga when you try to approach the one. When we

1215
01:11:58,040 --> 01:12:00,519
Speaker 1: posed a fly like that ship, re what the fund

1216
01:12:00,640 --> 01:12:02,120
Speaker 1: is on it. I'm tired of having to tell you

1217
01:12:02,240 --> 01:12:07,080
Speaker 1: motherfucker's over and over again. May one lab show Arkansas

1218
01:12:07,439 --> 01:12:09,960
Speaker 1: at the lab room, shout out to that nigga, Nate,

1219
01:12:11,080 --> 01:12:13,439
Speaker 1: this is the only promoter who want to be promoted,

1220
01:12:13,920 --> 01:12:15,760
Speaker 1: So I want you to shot me? Then why we

1221
01:12:15,800 --> 01:12:18,920
Speaker 1: gotta shout you out? Because the niggas in Conway are

1222
01:12:19,000 --> 01:12:22,479
Speaker 1: Kansaul don't know me. I'm trying to funk with the

1223
01:12:22,560 --> 01:12:25,479
Speaker 1: niggas in Pine Bluff to look see look, I got

1224
01:12:25,520 --> 01:12:27,160
Speaker 1: into a little ship. It was a little whoop, the

1225
01:12:27,160 --> 01:12:31,320
Speaker 1: whoop hit me. Nigga hit me with the whoop. Nigga

1226
01:12:31,360 --> 01:12:33,680
Speaker 1: hit me with the who the ball. Next thing I know,

1227
01:12:33,800 --> 01:12:37,360
Speaker 1: I feel back. I got a little rather flip moment,

1228
01:12:38,000 --> 01:12:43,760
Speaker 1: nat I said, nigga, this hogwash. Next thing for all

1229
01:12:43,920 --> 01:12:46,800
Speaker 1: that jibber jabbum. Next thing, you know, the police shoot

1230
01:12:46,920 --> 01:12:51,560
Speaker 1: up and throw me in the who scalt. These motherfucker's

1231
01:12:51,720 --> 01:12:56,479
Speaker 1: is in their rubber nicking and goose nicking door stepping

1232
01:12:57,000 --> 01:12:59,560
Speaker 1: if you look at who you want to see and

1233
01:12:59,720 --> 01:13:04,400
Speaker 1: you'll always scratching out it's the washing powder. No it ain't.

1234
01:13:05,400 --> 01:13:08,120
Speaker 1: It's the dode bitch. I knew you was wrong when

1235
01:13:08,200 --> 01:13:13,880
Speaker 1: your chin touch your chest, I knew you was wrong. Yeah,

1236
01:13:13,960 --> 01:13:18,200
Speaker 1: you can tell the nigga land. Nigga lands a motherfucker

1237
01:13:18,320 --> 01:13:21,679
Speaker 1: chin touched their chest that you caught them off guard.

1238
01:13:21,920 --> 01:13:26,000
Speaker 1: Just know that mother's you try to fix it, you can't.

1239
01:13:26,040 --> 01:13:29,559
Speaker 1: You know who else guilty? The who me ass? Nigga?

1240
01:13:29,920 --> 01:13:34,400
Speaker 1: Who me? Yeah, that nigga guilt is a mother. I

1241
01:13:34,479 --> 01:13:38,040
Speaker 1: can't stand with motherucker's still ship that people leave unattended?

1242
01:13:38,320 --> 01:13:42,479
Speaker 1: Who beat? No? No, you ever see somebody try to

1243
01:13:42,640 --> 01:13:46,120
Speaker 1: try to rationalize they steal You ain't ever seen that ship?

1244
01:13:46,200 --> 01:13:48,479
Speaker 1: How they do it be in your house? Like, oh man,

1245
01:13:48,520 --> 01:13:50,040
Speaker 1: you got a lot of roaches in this a straight

1246
01:13:50,080 --> 01:13:52,760
Speaker 1: I'm just gonna take a few for the trap. No,

1247
01:13:53,080 --> 01:13:55,280
Speaker 1: that's half a block. That ain't no road, that ain't

1248
01:13:55,840 --> 01:13:59,360
Speaker 1: that ain't for you for the morning. Clayton got roaches

1249
01:13:59,439 --> 01:14:03,479
Speaker 1: this this on you got to he makes that nigga

1250
01:14:03,560 --> 01:14:05,920
Speaker 1: and he have so many like that. Nigga ain't even

1251
01:14:05,960 --> 01:14:08,880
Speaker 1: gonna miss these motherfucker's. I'm gonna get me two of

1252
01:14:09,000 --> 01:14:11,920
Speaker 1: them bitches. But they'd be like no, man, and then

1253
01:14:12,040 --> 01:14:14,400
Speaker 1: do nothing else come out, you know, most more most

1254
01:14:14,439 --> 01:14:16,560
Speaker 1: of that when the motherucker's say no, they got a

1255
01:14:16,600 --> 01:14:20,479
Speaker 1: little bullshit reason wise no, like no man, I just

1256
01:14:20,600 --> 01:14:22,560
Speaker 1: like my roaches, and I'm gonna keep him. Clayton just

1257
01:14:22,640 --> 01:14:28,960
Speaker 1: be like no, man, I can't give your reason, and

1258
01:14:29,120 --> 01:14:31,560
Speaker 1: then here puts the bullshit stipulations on, Like then you

1259
01:14:31,800 --> 01:14:34,000
Speaker 1: have a man as you want to while you here?

1260
01:14:35,240 --> 01:14:38,400
Speaker 1: What if I wanted? What if? But if you're looking

1261
01:14:38,439 --> 01:14:43,000
Speaker 1: at motherfucker's would get me home? This ain't a circulation.

1262
01:14:46,479 --> 01:14:48,400
Speaker 1: You should have saved you one. No, one time that

1263
01:14:48,520 --> 01:14:50,400
Speaker 1: went over the nigger crib. This one he was saying

1264
01:14:50,400 --> 01:14:52,040
Speaker 1: that he was staying at the old crib that went

1265
01:14:52,120 --> 01:14:54,320
Speaker 1: over the nigger Crible didn't had a whole job of

1266
01:14:54,479 --> 01:14:57,120
Speaker 1: like half smoked bloods. I was like, this is nigga

1267
01:14:57,240 --> 01:15:03,080
Speaker 1: have a weed sponsor something. We gotta get the funk

1268
01:15:03,120 --> 01:15:04,640
Speaker 1: out of here. Man, We've been in these This is

1269
01:15:04,640 --> 01:15:07,120
Speaker 1: the same studio. What got damn little seed's got wrapped?

1270
01:15:07,160 --> 01:15:11,120
Speaker 1: That thing? I think it is, I think it is.

1271
01:15:11,280 --> 01:15:15,200
Speaker 1: It's definitely the studio where Foxy Brown put up pussy

1272
01:15:15,280 --> 01:15:19,280
Speaker 1: on Jay Zigg. I'm telling you when d M Mex

1273
01:15:19,600 --> 01:15:21,880
Speaker 1: was uh you know, when he came up with the

1274
01:15:21,960 --> 01:15:25,080
Speaker 1: second album, he was in one of these little bit

1275
01:15:25,160 --> 01:15:27,360
Speaker 1: as room they record poetry, and this is a little

1276
01:15:27,400 --> 01:15:31,960
Speaker 1: motherfucker d made that. He made the skit where he

1277
01:15:32,080 --> 01:15:36,720
Speaker 1: was like, who stick you sucking right here? Yeah, this

1278
01:15:36,800 --> 01:15:39,160
Speaker 1: is the same studio where our Kellypete on that girl

1279
01:15:39,439 --> 01:15:41,800
Speaker 1: he was eating ass right here in this room is

1280
01:15:41,840 --> 01:15:44,880
Speaker 1: a throwback. This ship nice though. Man, We're gonna keep

1281
01:15:44,920 --> 01:15:46,680
Speaker 1: this ship pushing. It don't matter where the funk we go,

1282
01:15:46,840 --> 01:15:48,680
Speaker 1: whether we're in the trap or we have some nice ship,

1283
01:15:48,960 --> 01:15:50,920
Speaker 1: We're still going to deliver a dope ass show. This

1284
01:15:51,080 --> 01:15:53,840
Speaker 1: is the eighty five South Show. My name is Carlos Miller.

1285
01:15:54,160 --> 01:15:58,040
Speaker 1: That's my motherfucking partners, Salvador Domingo. When you see this

1286
01:15:58,280 --> 01:16:04,240
Speaker 1: motherfucking hammer with eighty fan on and then yeah, also

1287
01:16:04,560 --> 01:16:07,440
Speaker 1: also we got a pyramid scheme for all my scammers,

1288
01:16:08,240 --> 01:16:12,240
Speaker 1: all my scammers breaking New Clayton. We got the half

1289
01:16:12,280 --> 01:16:16,280
Speaker 1: show rolling Trades and I'm talking about Yeah, so make

1290
01:16:16,360 --> 01:16:20,000
Speaker 1: sure next week we gotta pop up flash. Still, I

1291
01:16:20,000 --> 01:16:21,640
Speaker 1: don't know how long the ship that you can get

1292
01:16:22,280 --> 01:16:26,439
Speaker 1: rolling trade as trade lighter whole ship and check this out.

1293
01:16:26,600 --> 01:16:30,080
Speaker 1: Check this out. If we can get if our sales

1294
01:16:30,280 --> 01:16:32,960
Speaker 1: jumped through the summer, we're gonna have some new dope

1295
01:16:33,000 --> 01:16:37,519
Speaker 1: ship for y'all, like like a track tracksuit in the jams.

1296
01:16:37,720 --> 01:16:39,960
Speaker 1: You just you know you want to go ahead and

1297
01:16:40,080 --> 01:16:42,439
Speaker 1: just yeah, because I gotta tell them we're working on

1298
01:16:42,520 --> 01:16:45,479
Speaker 1: the new man. Don't tell them we're working on don't

1299
01:16:46,120 --> 01:16:48,599
Speaker 1: because they got it coming soon. All right, I'm out

1300
01:16:48,640 --> 01:16:56,439
Speaker 1: we out look little girls say you know what the

1301
01:16:56,520 --> 01:16:59,840
Speaker 1: girls said online, sell these eighty five South shirts to

1302
01:17:00,000 --> 01:17:03,080
Speaker 1: white people because that one girl said she thought, um

1303
01:17:03,560 --> 01:17:05,439
Speaker 1: she was like her co worker thought it was for

1304
01:17:05,760 --> 01:17:12,120
Speaker 1: another she thought it was of the flet she said

1305
01:17:12,200 --> 01:17:14,680
Speaker 1: she thought. She said. Also, they made memorial shirts for

1306
01:17:14,760 --> 01:17:17,840
Speaker 1: the for the interstate. This podcast is for the old

1307
01:17:17,960 --> 01:17:22,000
Speaker 1: eighty five South and North. Realized we rolled that bit

1308
01:17:22,160 --> 01:17:25,040
Speaker 1: so much. We wore it down, nigga, like we slam

1309
01:17:25,320 --> 01:17:28,160
Speaker 1: rolled that bit so guy, that's what that's what I run.

1310
01:17:28,400 --> 01:17:31,240
Speaker 1: Niggas thought that we was gonna rad to the wheels fall, Nigga.

1311
01:17:31,800 --> 01:17:33,840
Speaker 1: Now we gotta chain like nigga, We're gonna rad into

1312
01:17:33,840 --> 01:17:37,680
Speaker 1: the roadtail. Yeah, man, hey, hey, you heard it here.

1313
01:17:37,760 --> 01:17:46,280
Speaker 1: First day we're gonna ride to the roadtail back five

1314
01:17:48,040 --> 01:17:53,320
Speaker 1: eighty eighty Type five five