WEBVTT - Questlove Supreme: Kathleen Hanna

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio.

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<v Speaker 2>Ladies and gentlemen, Welcome to another episode of Quest Love Supreme.

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<v Speaker 1>I'm here of this Quest Love.

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<v Speaker 2>You know, ever since that Willow episode, I gotta say,

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<v Speaker 2>I'm kind of liking this more intimate one on one thing.

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<v Speaker 2>Nothing against the Supreme fan, but you know, these are

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<v Speaker 2>kind of fun for me, and this one especially holds dear.

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<v Speaker 2>I will basically say that this conversation is probably thirty

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<v Speaker 2>years overdue. I'm almost certain that our Yesterday doesn't even

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<v Speaker 2>know the silent impact she's had on my entire organization.

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<v Speaker 1>She'll find out right now, Right Surprises.

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<v Speaker 2>The Bell Right surprise as a bell Our guest is legendary,

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<v Speaker 2>of course, name it bikini Kill. Latigue of the Julie

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<v Speaker 2>Willing pioneered the Riot Girl movement. Magazine publisher, poet, fan

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<v Speaker 2>of cheesy seventies variety shows like Myself, spouse of my

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<v Speaker 2>very first online scrabble rival, New York Times bestselling author

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<v Speaker 2>of the memoir Rebel Girl, My life as a feminist punk.

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<v Speaker 1>You know, if you are a fan of the show or.

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<v Speaker 2>You're familiar with my history, she probably doesn't know it,

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<v Speaker 2>but she was the seed that helped start the Black

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<v Speaker 2>Lily movement that I guess I'm famous for or associated with.

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<v Speaker 2>From my side of the fence, What can I say?

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<v Speaker 2>This is long overdue, Kathleen Hannah, thank you for talking

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<v Speaker 2>to me. I know your husband's going to be upset

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<v Speaker 2>because I know he feels like I'm having everyone but

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<v Speaker 2>him on the show. He will get his turn. He

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<v Speaker 2>will get his turn. How are you today.

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<v Speaker 3>I'm good. I'm so thrilled to be talking to you.

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<v Speaker 3>It does feel like a thousand years overdue. Like I

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<v Speaker 3>feel like you're like Superman and we're always you know,

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<v Speaker 3>you're like Clark kentying out on me, Like I'm like

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<v Speaker 3>where he was just here, Like I feel like we've

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<v Speaker 3>had that for like the past thirty years.

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<v Speaker 2>I lived a life where I used my work and

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<v Speaker 2>my occupation to avoid life.

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<v Speaker 1>And oh really.

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<v Speaker 3>Is that? How come You've like done like three thousand

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<v Speaker 3>things and you're like the total like you know, renaissance

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<v Speaker 3>man goal for every other artist.

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<v Speaker 1>I mean, you know, on paper, it's nice, but.

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<v Speaker 2>You know, I've gone through uh kind of a life

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<v Speaker 2>transformation in the last three years where I now know

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<v Speaker 2>the power of no and vacation and you know, make

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<v Speaker 2>time with my girlfriend, and I think date night, you know,

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<v Speaker 2>game night like things that have nothing to do with working,

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<v Speaker 2>which you know is nothing but distract So let me

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<v Speaker 2>just let you know. And you know, I work on

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<v Speaker 2>a talk show, and oftentimes I know that, especially when

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<v Speaker 2>guests write books or memoirs, I'm almost certain that they

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<v Speaker 2>are under the impression that the person interviewing them has

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<v Speaker 2>not read the entire piece or the entire book. Usually

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<v Speaker 2>like a producer and an assistant will do such a thing.

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<v Speaker 1>This is absolutely not the case.

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<v Speaker 2>I probably finished your book in a record like six

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<v Speaker 2>days and was rather surprised at how parallel our journey

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<v Speaker 2>from here to there sort of ran. There are a

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<v Speaker 2>lot of times in the book in which I was like,

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<v Speaker 2>oh wow. At times, a person thinks that they go

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<v Speaker 2>through something alone, and I was one of those former

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<v Speaker 2>people pleasers that sort of made career decisions based on

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<v Speaker 2>the perception of other people or their approval. You know,

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<v Speaker 2>what happens if we signed this label? Oh god, what

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<v Speaker 2>happens if I do this commercial? What happens if I'm

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<v Speaker 2>seeing with this particular You know, I actually like the

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<v Speaker 2>work of Blah Blah Blah, who's massively popular, but I

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<v Speaker 2>can't be seen with them in public cause people think

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<v Speaker 2>I'm alf you know. Yeah, every aspect of your story

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<v Speaker 2>really really impressed me, which is weird because I mean,

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<v Speaker 2>I want to talk about it so much, but I

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<v Speaker 2>also don't want to alert it for your audience that

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<v Speaker 2>hasn't read it yet or you know, make this the

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<v Speaker 2>paraphrase version of it. So I'll figure out ways to

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<v Speaker 2>ask you specific questions. But I you know, I want

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<v Speaker 2>to start off this episode by letting our audience know

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<v Speaker 2>that this this book's a must.

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<v Speaker 1>Read, an absolute must read. I'll start by asking you

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<v Speaker 1>what is the process.

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<v Speaker 2>Now, I'm a person that's written nine books, but even

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<v Speaker 2>in writing those nine books, I.

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<v Speaker 3>Realized it's like just nuts.

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<v Speaker 2>Well, no, no, no, I'm gonna tell you. Well, the thing

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<v Speaker 2>is is that I journal kind of to keep my sanity.

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<v Speaker 3>Yeah, I know me too. I journal every day.

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<v Speaker 2>Right, and then now that their social media, like oftentimes,

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<v Speaker 2>I'll overspill in a post, and if I do it

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<v Speaker 2>too much, then yeah, my publisher is gonna call and

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<v Speaker 2>be like, hey, dog, can you not give the milk

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<v Speaker 2>away for free? Like all that you did in the

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<v Speaker 2>last three posts could been in the book, And usually

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<v Speaker 2>that's the point where they're telling me, like, channel that

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<v Speaker 2>energy into your contract fulfillment instead of giving it away

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<v Speaker 2>on Instagram. And one of the last things that my

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<v Speaker 2>ex told me was, you know, I can't wait for

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<v Speaker 2>the day in which you write your real first book.

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<v Speaker 1>And I was like, well, I got nine already, Like

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<v Speaker 1>what else can I write about?

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<v Speaker 3>Ouch?

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<v Speaker 2>And she said, come on, now that she's like writing

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<v Speaker 2>about records and breakbeats and you know art, that's your distraction.

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<v Speaker 2>You know when you're going to write the real book.

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<v Speaker 2>So I'll ask you, when.

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<v Speaker 3>Am I going to write the real book?

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<v Speaker 1>No? No, no, no, my god, no. But I want

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<v Speaker 1>to know.

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<v Speaker 3>If there's another real book behind that real book, it's

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<v Speaker 3>going to be really scary. It's like a horror movie.

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<v Speaker 3>I'll just make a horror movie.

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<v Speaker 2>So there's two books I've read this year that were memoirs,

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<v Speaker 2>musical memoirs. One of them nicely danced around specifics to

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<v Speaker 2>sort of protect relationships or maintain them. Yours was very

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<v Speaker 2>blatant and very honest on how you felt about specific people.

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<v Speaker 2>What is the first step in realizing that you're going

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<v Speaker 2>to overspill and share with us your life and.

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<v Speaker 1>How does that affect the people that you write about?

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<v Speaker 3>Yeah, I never thought about it. I just sat down

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<v Speaker 3>and wrote. I really just sat down and wrote and

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<v Speaker 3>wrote and wrote. It was really for me. I didn't

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<v Speaker 3>think about an audience at all, Like when I first

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<v Speaker 3>started writing, which was like, you know, years ago, and

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<v Speaker 3>I knew it was a book, Like I wrote the

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<v Speaker 3>introduction like ten years ago and then ended up I

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<v Speaker 3>changed it all, of course, but I was just sort

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<v Speaker 3>of writing it a little bit, and I didn't have

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<v Speaker 3>a publisher or whatever. And then finally I was like,

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<v Speaker 3>I just need to do this to get to the

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<v Speaker 3>next stage of my life, you know how Like there's

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<v Speaker 3>different like things that you've made that you're known by,

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<v Speaker 3>Like you know, people walk up to you on the

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<v Speaker 3>street and they're like, you know, this is the thing,

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<v Speaker 3>and it's annoying because you're like, I don't want to

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<v Speaker 3>talk about that. Actually, my real love is directing, or

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<v Speaker 3>my real love is you know what I mean. It's

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<v Speaker 3>like you get known as you know, if you're in

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<v Speaker 3>a commercial and someone's like you were in that VW

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<v Speaker 3>commercial for the rest of your life, and it's like

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<v Speaker 3>I was sort of like really trapped in this, like

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<v Speaker 3>riot girl thing and like the like you wrote the

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<v Speaker 3>smell saxteen Spirit line or you know other like weird

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<v Speaker 3>mini scandals I was involved in, and I was like,

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<v Speaker 3>you know, I just I don't want to like not

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<v Speaker 3>talk about that anymore. And part of that is me

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<v Speaker 3>getting over stuff that I never dealt with, and so

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<v Speaker 3>I really kind of wrote it just to get it

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<v Speaker 3>all out on the page, and I wasn't I knew

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<v Speaker 3>that I got to edit it later. You know, I'm

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<v Speaker 3>an adult. I've done like a lot of projects, so

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<v Speaker 3>like I know, I'm not writing this and everybody's going

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<v Speaker 3>to see it, and having the same confidence that I

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<v Speaker 3>had with it that I have with my journal, where

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<v Speaker 3>it's like no one's going to read this, so I

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<v Speaker 3>can write whatever I want. And I had fun with it.

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<v Speaker 3>I was like I would think of a title like

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<v Speaker 3>Benjamin Franklin's Glasses and then you know, you have like

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<v Speaker 3>catchphrases in your life that you used to talk to

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<v Speaker 3>your friends with, where like for me, like the smells

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<v Speaker 3>Like teen Spirit story, which is like I wrote Kurt

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<v Speaker 3>smells like teen Spirit on his wall and then he

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<v Speaker 3>used as a song Like people have asked me about

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<v Speaker 3>that a lot right, and so it's I started calling

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<v Speaker 3>it the you know smells like Benjamin Franklin's glasses, and

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<v Speaker 3>I would be like, it's like I found Benjamin Franklin's

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<v Speaker 3>glasses in the trash. And everybody's like, ooh, there's the

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<v Speaker 3>girl who found Benjamin Franklin's you know glasses in the trash.

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<v Speaker 3>And I was like, I'm actually like a feminist artist

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<v Speaker 3>who's been working for thirty five years and like, I

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<v Speaker 3>have a lot of projects I'd love to talk to

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<v Speaker 3>you about, but they're like, but tell me about Benjamin

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<v Speaker 3>fraid Tight. So I didn't specifically actually write that story

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<v Speaker 3>like to you know, get people off my back or whatever.

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<v Speaker 3>But I did write everything, like everything, and then I

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<v Speaker 3>edited it later and that's when I thought about it

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<v Speaker 3>and I changed. I did change names. I changed almost

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<v Speaker 3>everybody's names unless they were in a positive light, and.

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<v Speaker 1>So they were okay, okay.

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<v Speaker 3>And there were people there's a particular person who who

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<v Speaker 3>is really messed up in the book and basically commits

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<v Speaker 3>crime and against me, and uh, I called that person

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<v Speaker 3>and said, I'm going to tell this story and you

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<v Speaker 3>need to get a therapist and be prepared. I changed

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<v Speaker 3>your name, but some of our friends are going to

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<v Speaker 3>know its you. So I want you to prepare yourself

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<v Speaker 3>and I don't want to make kill themselves, you know

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<v Speaker 3>what I mean.

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<v Speaker 1>What was his reaction?

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<v Speaker 3>You know, I wish I wouldn't have called. That's all

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<v Speaker 3>I can say. I mean, he was like, he's like,

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<v Speaker 3>you know, it's your story and you can tell it.

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<v Speaker 3>I can't stop you. But it was like a big

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<v Speaker 3>pity party of things in his life that have gone

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<v Speaker 3>wrong and that you know, he had a whole new

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<v Speaker 3>story for why the bad incident happened. I was like,

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<v Speaker 3>I can't rewrite it. I already wrote it. So the

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<v Speaker 3>story answer is I didn't think about it. I got

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<v Speaker 3>my butt in the chair and I worked, and then

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<v Speaker 3>I would have these long periods of time where it

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<v Speaker 3>just worked and worked and worked and work, and then

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<v Speaker 3>I would have periods of time where I had a

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<v Speaker 3>nervous breakdown and went to crisis counseling, like for three

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<v Speaker 3>days a week, and then I would get back to work.

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<v Speaker 2>That's what I was going to ask you, because the

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<v Speaker 2>thing is is that unlike my movement, you know, the

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<v Speaker 2>Neo Soul movement, both of our movements, I would say

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<v Speaker 2>start with the the quote the idea of I'm certain

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<v Speaker 2>there was an actual Seattle movement or Northwest movement, but I,

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<v Speaker 2>you know, pretty much even I knew that we were

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<v Speaker 2>responding to the idea of what we thought the Seattle

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<v Speaker 2>movement was things move on and things subside and things.

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<v Speaker 1>Are in your rear view mirror.

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<v Speaker 2>How did it feel to have to unpack that period

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<v Speaker 2>in your life because like, literally chapter after chapter, it's

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<v Speaker 2>one thing to keep a band together, but it's a

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<v Speaker 2>whole other thing where you also have to keep yourself

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<v Speaker 2>together and protect your sanity, but also like organize a movement.

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<v Speaker 2>And I'll say the main difference between you and I,

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<v Speaker 2>luckily because of the development of the Internet. For me

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<v Speaker 2>at least ninety eight ninety nine, you know, I thought

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<v Speaker 2>it was all unique, like the only person in music

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<v Speaker 2>who allows this fan base to curse him out or

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<v Speaker 2>criticize them or say whatever the fuck they want to.

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<v Speaker 1>But that's contained in like this world on the Internet.

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<v Speaker 2>Whereas because you're eight years before you know, you're dealing

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<v Speaker 2>with newsletters and actual people coming you've essentially a pre

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<v Speaker 2>social media pioneer, although it wasn't invented yet because you

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<v Speaker 2>came out so damn early.

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<v Speaker 1>But all the things that happened, like.

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<v Speaker 2>The idea of people spewing out their opinions mid show,

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<v Speaker 2>you know, all the toxic energy you had to have.

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<v Speaker 2>You're juggling like four or five things at once, and

0:12:24.880 --> 0:12:28.880
<v Speaker 2>you're learning lessons. You're learning lessons about feminism, you're learning

0:12:28.920 --> 0:12:32.760
<v Speaker 2>lessons about yourself, you're learning lessons about your health.

0:12:32.559 --> 0:12:33.719
<v Speaker 1>Like all these things.

0:12:34.200 --> 0:12:37.800
<v Speaker 2>But to really put yourself in that position to go

0:12:37.840 --> 0:12:42.200
<v Speaker 2>back and revisit how taxing was that on you today,

0:12:42.400 --> 0:12:45.000
<v Speaker 2>to revisit those periods the.

0:12:44.960 --> 0:12:47.160
<v Speaker 3>Way I would say when I would get home from work,

0:12:47.160 --> 0:12:49.560
<v Speaker 3>because I would be like I just created my face

0:12:49.600 --> 0:12:52.839
<v Speaker 3>with the cheese grater for eight hours. That's what it

0:12:52.880 --> 0:12:55.080
<v Speaker 3>felt like. I felt. I really felt. I was like

0:12:55.720 --> 0:12:58.520
<v Speaker 3>my face was blank, I was dead behind the eyes,

0:12:58.679 --> 0:13:02.120
<v Speaker 3>like I was going in and out of being present.

0:13:02.280 --> 0:13:07.520
<v Speaker 3>Like it was awful. Awful, but so is crisis counseling.

0:13:08.720 --> 0:13:11.960
<v Speaker 3>I mean, And it was basically like I was. I

0:13:12.040 --> 0:13:17.400
<v Speaker 3>saved myself a lot of therapy because I actually sat

0:13:17.400 --> 0:13:20.080
<v Speaker 3>there and wrote down stuff I'd never even admitted to myself,

0:13:20.559 --> 0:13:22.400
<v Speaker 3>and a lot of it didn't There's three hundred extra pages.

0:13:22.440 --> 0:13:24.319
<v Speaker 3>It didn't end up in the book because it originally

0:13:24.440 --> 0:13:28.280
<v Speaker 3>was like Ryacral Hobbit and they were six entred pages long.

0:13:30.600 --> 0:13:32.880
<v Speaker 3>You might get it in a different form. But yeah,

0:13:32.920 --> 0:13:34.240
<v Speaker 3>a lot of a lot of the stories I cut

0:13:34.280 --> 0:13:36.440
<v Speaker 3>out were because they were more visual, Like it was

0:13:36.440 --> 0:13:38.360
<v Speaker 3>like that you had to be their kind of stories

0:13:38.400 --> 0:13:41.480
<v Speaker 3>where it's like, you know, we're on acid and we're

0:13:41.520 --> 0:13:43.640
<v Speaker 3>like running towards the sky in the park. Looks like

0:13:43.679 --> 0:13:45.640
<v Speaker 3>he's juggling. We're like, it's a clown. And then we

0:13:45.679 --> 0:13:47.960
<v Speaker 3>get close to him and we're like, oh shit, he

0:13:48.040 --> 0:13:51.480
<v Speaker 3>has not a ninja. It's a ninja turn around, like

0:13:51.520 --> 0:13:53.160
<v Speaker 3>you know what I mean, Like it doesn't really work

0:13:53.200 --> 0:13:55.680
<v Speaker 3>in a book. Yeah, it was horrible, That's all I

0:13:55.679 --> 0:13:57.800
<v Speaker 3>can say. It was absolutely awful because it was like

0:13:57.880 --> 0:14:00.160
<v Speaker 3>excavating all of the stuff that you know. So I

0:14:00.200 --> 0:14:02.680
<v Speaker 3>had also suppressed and pushed down to keep going to

0:14:02.720 --> 0:14:05.320
<v Speaker 3>the next project, and that was part of the reason

0:14:05.360 --> 0:14:07.720
<v Speaker 3>why I worked so much, you know what I mean.

0:14:07.760 --> 0:14:10.280
<v Speaker 3>And I didn't turn out like a kazilion albums, but

0:14:10.320 --> 0:14:12.560
<v Speaker 3>I was constantly doing projects. Even when I went through

0:14:12.600 --> 0:14:14.720
<v Speaker 3>a long period while I was pretty sick, I was

0:14:14.760 --> 0:14:17.960
<v Speaker 3>still like I wrote a pilot for a TV show

0:14:18.040 --> 0:14:20.240
<v Speaker 3>and you know, I could tell you twenty other things

0:14:20.240 --> 0:14:23.280
<v Speaker 3>that I did while I was still ill, because I

0:14:23.320 --> 0:14:24.800
<v Speaker 3>just had even if it was from bed, if I

0:14:24.840 --> 0:14:27.240
<v Speaker 3>had one good day, I had to use it. And

0:14:27.280 --> 0:14:28.600
<v Speaker 3>part of that is just like I grew up as

0:14:28.600 --> 0:14:31.680
<v Speaker 3>a kid and I felt like I was really a zombie,

0:14:31.720 --> 0:14:34.560
<v Speaker 3>Like I had to turn myself off to live in

0:14:34.560 --> 0:14:37.960
<v Speaker 3>my household. And so when I kind of came to

0:14:38.280 --> 0:14:41.240
<v Speaker 3>when I moved out when I was seventeen, I was

0:14:41.280 --> 0:14:44.760
<v Speaker 3>like living with vengeance. Like I was like, I have

0:14:44.840 --> 0:14:49.040
<v Speaker 3>to pack as much stuff into this one life as possible.

0:14:49.080 --> 0:14:51.000
<v Speaker 3>And also all the people you know that I've lost

0:14:51.000 --> 0:14:56.400
<v Speaker 3>along the way to like drugs, suicide aids, you know,

0:14:56.720 --> 0:14:58.480
<v Speaker 3>it's hard not to feel like you're living for them,

0:14:58.560 --> 0:15:00.320
<v Speaker 3>Like you know, every day you have a part of

0:15:00.360 --> 0:15:02.640
<v Speaker 3>their character with you that comes out and you're like,

0:15:02.960 --> 0:15:06.320
<v Speaker 3>I want to let that part of this person shying today,

0:15:06.400 --> 0:15:09.320
<v Speaker 3>you know, Like, but then that can become this weird

0:15:09.360 --> 0:15:12.960
<v Speaker 3>like toxically positive bullshit that then you have to contend

0:15:12.960 --> 0:15:15.080
<v Speaker 3>with that. So I just try to be in the

0:15:15.120 --> 0:15:18.280
<v Speaker 3>present as much as humanly possible, and writing the book,

0:15:18.560 --> 0:15:20.120
<v Speaker 3>the whole point of it was to get me into

0:15:20.120 --> 0:15:22.280
<v Speaker 3>the present. Was to be like I'm going to grapple

0:15:22.760 --> 0:15:24.960
<v Speaker 3>with this thirty five years or even you know, my

0:15:25.000 --> 0:15:27.680
<v Speaker 3>whole life. I'm going to grapple with that. And then

0:15:27.720 --> 0:15:30.040
<v Speaker 3>I'm going to be like I did that and now

0:15:30.160 --> 0:15:32.200
<v Speaker 3>here I am. And sure I still like have bad

0:15:32.200 --> 0:15:34.880
<v Speaker 3>memories of stuff or like whatever. But the thing that

0:15:35.000 --> 0:15:38.000
<v Speaker 3>was really kind of miraculous was I just realized how

0:15:38.080 --> 0:15:39.840
<v Speaker 3>much I lead with the negative, you know what I mean,

0:15:39.920 --> 0:15:42.960
<v Speaker 3>like a lot. It was so easy. It wasn't easy,

0:15:43.040 --> 0:15:45.080
<v Speaker 3>but it was like I went straight for the juggler.

0:15:45.160 --> 0:15:46.720
<v Speaker 3>Like I was like, I went to all the worst

0:15:46.800 --> 0:15:49.120
<v Speaker 3>moments in my life really quick. And part of it

0:15:49.200 --> 0:15:51.720
<v Speaker 3>was because I needed to. I really needed to do that.

0:15:52.600 --> 0:15:55.520
<v Speaker 3>But then I was like, whoa, no one's going to

0:15:55.600 --> 0:15:57.680
<v Speaker 3>read this. This is going to make people just throw up,

0:15:57.760 --> 0:16:00.600
<v Speaker 3>Like I got to put some joy in here. And

0:16:00.640 --> 0:16:03.960
<v Speaker 3>then I just started being like they started popping out

0:16:04.000 --> 0:16:05.800
<v Speaker 3>like you know, Jack in the Box style, like just

0:16:05.840 --> 0:16:08.240
<v Speaker 3>like joy joy joy, And I was like, oh yeah,

0:16:08.360 --> 0:16:11.160
<v Speaker 3>that guy in Minneapolis who like said I'll record your

0:16:11.160 --> 0:16:13.880
<v Speaker 3>band in my garage. I love what you're doing and

0:16:13.920 --> 0:16:16.240
<v Speaker 3>I and that made me feel like accepted in the

0:16:16.240 --> 0:16:18.680
<v Speaker 3>punk scene, you know what I mean, Like and it

0:16:18.720 --> 0:16:20.920
<v Speaker 3>was just a tiny gesture from this one person that

0:16:20.960 --> 0:16:23.160
<v Speaker 3>probably they didn't even I don't think that guy even

0:16:23.400 --> 0:16:26.240
<v Speaker 3>read the book or knows or remembers. Right, this guy

0:16:26.480 --> 0:16:29.000
<v Speaker 3>to Max said I'll record you, and you know, record

0:16:29.160 --> 0:16:33.760
<v Speaker 3>us and my first touring band, Vibachnevl, And it meant

0:16:33.760 --> 0:16:36.400
<v Speaker 3>the world to me, you know, remembering the first time

0:16:36.440 --> 0:16:41.920
<v Speaker 3>that I heard my vocals sounding good in headphones, Like literally,

0:16:42.040 --> 0:16:44.280
<v Speaker 3>as I was writing it, I was remembering it for

0:16:44.280 --> 0:16:47.720
<v Speaker 3>the first time, and I was sitting in that garage

0:16:48.280 --> 0:16:51.640
<v Speaker 3>listening to my voice with reaverb on it and going, oh,

0:16:51.720 --> 0:16:54.720
<v Speaker 3>my god, this is what I want to do forever. Right,

0:16:55.000 --> 0:16:57.240
<v Speaker 3>What a gift that I had to go through. I

0:16:57.240 --> 0:16:59.120
<v Speaker 3>had to kind of like, you know, dig myself out

0:16:59.160 --> 0:17:01.520
<v Speaker 3>with a shovel. I kept seeing in my head when

0:17:01.520 --> 0:17:04.359
<v Speaker 3>I was writing, like a kind of a newly dug grave,

0:17:04.520 --> 0:17:06.800
<v Speaker 3>like the soil and stuff, and I felt like my

0:17:06.840 --> 0:17:08.960
<v Speaker 3>hand was just sticking out and I had to reach it,

0:17:09.080 --> 0:17:11.000
<v Speaker 3>pull my hand and get me out of the grave.

0:17:11.080 --> 0:17:14.280
<v Speaker 3>And once I dug myself out, I was like, Oh,

0:17:14.320 --> 0:17:17.480
<v Speaker 3>look at all this awesome stuff that happened that maybe

0:17:17.520 --> 0:17:20.040
<v Speaker 3>you didn't fully appreciate in the moment. And I'm able

0:17:20.040 --> 0:17:22.200
<v Speaker 3>to appreciate it now, and in a lot of cases

0:17:22.240 --> 0:17:25.160
<v Speaker 3>I did. I had a great time, like I've had

0:17:25.200 --> 0:17:28.199
<v Speaker 3>an awesome life.

0:17:31.160 --> 0:17:33.600
<v Speaker 2>What I do want to know is, and I know

0:17:33.680 --> 0:17:37.080
<v Speaker 2>that your story is your story alone, but when you

0:17:37.200 --> 0:17:39.639
<v Speaker 2>decide to do the journey man of going in the

0:17:39.640 --> 0:17:45.720
<v Speaker 2>punk scene or the NDE rock scene, it's doing what

0:17:45.920 --> 0:17:49.760
<v Speaker 2>is perceived as you know, major labels and big business

0:17:49.840 --> 0:17:54.360
<v Speaker 2>and all that stuff. Is this typical of what one

0:17:54.400 --> 0:17:59.359
<v Speaker 2>can expect in terms of do it yourself? It's twenty

0:17:59.400 --> 0:18:01.560
<v Speaker 2>four hours a day. You might have a flat tire

0:18:01.640 --> 0:18:04.439
<v Speaker 2>the next day. You don't know whose couch you're going

0:18:04.480 --> 0:18:07.040
<v Speaker 2>to sleep on. Next week you might have bubblegum for dinner.

0:18:07.200 --> 0:18:09.760
<v Speaker 1>Like, is that still.

0:18:09.480 --> 0:18:13.480
<v Speaker 2>The modus operandi now in twenty twenty four is? Or

0:18:13.520 --> 0:18:16.040
<v Speaker 2>did you pioneer it so well that now life is

0:18:16.080 --> 0:18:21.159
<v Speaker 2>easier for those who are sort of in the space.

0:18:22.000 --> 0:18:23.960
<v Speaker 3>I think it's changed in that I don't really know

0:18:23.960 --> 0:18:25.840
<v Speaker 3>because I'm not twenty right now, so I have no idea.

0:18:25.880 --> 0:18:28.480
<v Speaker 3>But we do have really amazing opening bands that have

0:18:28.480 --> 0:18:31.080
<v Speaker 3>been playing for us on tour, and they'll sleep on

0:18:31.119 --> 0:18:33.320
<v Speaker 3>people's couches. I mean usually you know, they'll sleep in

0:18:33.320 --> 0:18:36.920
<v Speaker 3>like a Holiday and Express or a lat Quinta, but or.

0:18:36.920 --> 0:18:39.320
<v Speaker 1>Like would have been five Star does yeah, yeah.

0:18:39.160 --> 0:18:42.440
<v Speaker 3>Yeah, because they had their like a name brand, so

0:18:42.480 --> 0:18:45.040
<v Speaker 3>you could trust the towels. But no, it's like they

0:18:45.720 --> 0:18:48.280
<v Speaker 3>they'll sleep on to them. I think it's different, and

0:18:48.280 --> 0:18:50.920
<v Speaker 3>it's not every single band, but like this one amazing band,

0:18:51.000 --> 0:18:53.280
<v Speaker 3>Sweeping Promises, we were touring with, and it's like I

0:18:53.320 --> 0:18:58.040
<v Speaker 3>think it's also you know, post COVID whatever, people are

0:18:58.040 --> 0:19:01.560
<v Speaker 3>really excited to see each other and so right now

0:19:01.600 --> 0:19:04.040
<v Speaker 3>at this moment, it's a different touring experience where it's like, oh,

0:19:04.040 --> 0:19:07.280
<v Speaker 3>I'm so excited I get to go to Kansas because

0:19:07.320 --> 0:19:09.320
<v Speaker 3>I have these two people that I've been writing to

0:19:09.400 --> 0:19:11.199
<v Speaker 3>on the internet that are going to be there and

0:19:11.240 --> 0:19:13.960
<v Speaker 3>we're going to hook up and hang out afterwards. I

0:19:13.960 --> 0:19:17.360
<v Speaker 3>don't think, and I also think young bands are they're

0:19:17.359 --> 0:19:19.440
<v Speaker 3>still struggling, but they're struggling in different ways. I think

0:19:19.440 --> 0:19:22.879
<v Speaker 3>they struggle with the amount of stuff they have to

0:19:23.240 --> 0:19:27.240
<v Speaker 3>extra unpaid labor of content production on the web that

0:19:27.280 --> 0:19:29.359
<v Speaker 3>they have to do that like I'm lucky that I

0:19:29.359 --> 0:19:31.119
<v Speaker 3>don't have to. I mean, I have to do exact

0:19:31.160 --> 0:19:33.359
<v Speaker 3>a business and stuff, but like I'm just not that

0:19:33.480 --> 0:19:37.400
<v Speaker 3>interested in that, and like I try to figure out

0:19:37.600 --> 0:19:39.880
<v Speaker 3>I've actually learned from the younger generation, like the way

0:19:39.920 --> 0:19:43.320
<v Speaker 3>younger generation where they're like, I, you can't call me

0:19:43.480 --> 0:19:45.800
<v Speaker 3>after business hours, you can't, you know, And I'm like,

0:19:46.040 --> 0:19:48.880
<v Speaker 3>at first, I was like, yeah, I was like exactly.

0:19:48.920 --> 0:19:51.040
<v Speaker 3>I was like, I was like, how dare you have boundaries?

0:19:51.200 --> 0:19:53.720
<v Speaker 3>I have eighteen jobs on different index cards, and I

0:19:53.800 --> 0:19:55.639
<v Speaker 3>look up every day and which one would be funnest

0:19:55.640 --> 0:19:57.679
<v Speaker 3>to work on today, and I do that, but then

0:19:57.720 --> 0:20:00.600
<v Speaker 3>I do like the you know, crappy business financial part

0:20:00.680 --> 0:20:02.919
<v Speaker 3>at the end of the day, and then I was like, no,

0:20:03.520 --> 0:20:06.400
<v Speaker 3>that's awesome. I should have weekends free. It's so hard

0:20:06.440 --> 0:20:08.440
<v Speaker 3>for me to be like I'm gonna have weekends free,

0:20:08.840 --> 0:20:10.240
<v Speaker 3>you know. But now that the book's done, I have

0:20:10.800 --> 0:20:14.159
<v Speaker 3>to protect my weekends, you know. And I have to

0:20:14.200 --> 0:20:17.879
<v Speaker 3>say five o'clock, that's it. Sometimes it ends up being

0:20:17.920 --> 0:20:20.200
<v Speaker 3>seven o'clock. But I try to say five o'clock, that's it.

0:20:20.240 --> 0:20:22.119
<v Speaker 3>And then I try to leave it. And I have

0:20:22.240 --> 0:20:24.760
<v Speaker 3>a firm role and it's hard, it's really hard. But

0:20:24.800 --> 0:20:27.840
<v Speaker 3>like I wake up, I write my journal, I drink

0:20:27.880 --> 0:20:32.200
<v Speaker 3>my first coffee, and I sit in my really fancy

0:20:32.200 --> 0:20:34.120
<v Speaker 3>Eames chair that I bought myself. That is the most

0:20:34.119 --> 0:20:36.920
<v Speaker 3>comfortable chair I've ever seen it in my life. With

0:20:36.960 --> 0:20:40.280
<v Speaker 3>my feet up, and my dog gets on my lap.

0:20:40.800 --> 0:20:42.760
<v Speaker 3>My dog, who smells like a salm in factory, gets

0:20:42.760 --> 0:20:46.400
<v Speaker 3>on my lap, and I pet her, and I pat

0:20:46.480 --> 0:20:49.040
<v Speaker 3>her and pet her and pet her and drink my coffee.

0:20:49.040 --> 0:20:51.400
<v Speaker 3>And I don't look at the computer, and I don't

0:20:51.440 --> 0:20:54.719
<v Speaker 3>look at the phone until I've written in my journal

0:20:54.800 --> 0:20:58.959
<v Speaker 3>and I've pet my dog and she is asleep. So

0:21:00.160 --> 0:21:02.600
<v Speaker 3>I have to start my day like that with And

0:21:02.800 --> 0:21:04.639
<v Speaker 3>right now, we're in this apartment where I have a

0:21:04.720 --> 0:21:07.359
<v Speaker 3>view of the mountains, So I sit in my team

0:21:07.440 --> 0:21:10.200
<v Speaker 3>share and look at the mountains. Sometimes. Do I look

0:21:10.200 --> 0:21:14.040
<v Speaker 3>at Instagram in the morning, Sure, But like I just

0:21:14.080 --> 0:21:18.119
<v Speaker 3>actually took Instagram off my phone again because I'm just like,

0:21:19.040 --> 0:21:21.080
<v Speaker 3>you know, I got to be in real life. You know,

0:21:21.400 --> 0:21:25.680
<v Speaker 3>I miss pre Internet. I'm nostalgic for it. I'm also

0:21:25.800 --> 0:21:27.800
<v Speaker 3>really into all the cool things that you can do

0:21:27.840 --> 0:21:30.440
<v Speaker 3>on it, you know, right, I love that I can,

0:21:30.560 --> 0:21:32.520
<v Speaker 3>you know, keep up with what you're doing on the internet.

0:21:32.600 --> 0:21:34.440
<v Speaker 3>You know, Like I don't live in the same city

0:21:34.480 --> 0:21:36.520
<v Speaker 3>as you, don't hang out, but I can like look

0:21:36.520 --> 0:21:38.719
<v Speaker 3>and be like, oh, what pants is he you know

0:21:38.800 --> 0:21:40.840
<v Speaker 3>listening to and like I can like look them up

0:21:40.880 --> 0:21:43.439
<v Speaker 3>and you know, it's cool. But it's also like you

0:21:43.480 --> 0:21:45.439
<v Speaker 3>can get really addicted to. I mean, dud, this is

0:21:45.440 --> 0:21:47.240
<v Speaker 3>the most boring conversation. You have to cut this part

0:21:47.240 --> 0:21:49.399
<v Speaker 3>out because nobody wants to hear people talking about the Internet.

0:21:49.440 --> 0:21:50.320
<v Speaker 3>I'm so bored of it.

0:21:50.359 --> 0:21:53.760
<v Speaker 2>No, I mean, we're two humans having a normal Some

0:21:53.880 --> 0:21:57.399
<v Speaker 2>of my best episodes are just having a conversation. I

0:21:57.480 --> 0:22:02.280
<v Speaker 2>was going to ask twenty three year old you, like,

0:22:02.320 --> 0:22:05.080
<v Speaker 2>if someone were to come up, all right, let's go

0:22:05.080 --> 0:22:06.840
<v Speaker 2>to twenty five twenty.

0:22:06.560 --> 0:22:08.800
<v Speaker 3>Six, I remember what I was doing then.

0:22:09.520 --> 0:22:12.439
<v Speaker 1>Well, I mean just let's let's say ninety two, ninety three,

0:22:12.560 --> 0:22:15.800
<v Speaker 1>ninety four, around that period in Bikini Hill.

0:22:16.320 --> 0:22:22.840
<v Speaker 2>Yeah, if someone a Jacob Marley figure from the future

0:22:23.440 --> 0:22:27.880
<v Speaker 2>where to tell you, Hey, I'm from twenty twenty four.

0:22:29.000 --> 0:22:32.880
<v Speaker 2>Let me show you a ten minute scissorle reel of

0:22:32.880 --> 0:22:37.679
<v Speaker 2>what life is going to be like in October of

0:22:37.800 --> 0:22:41.199
<v Speaker 2>twenty twenty four, like way past the year two thousand,

0:22:41.480 --> 0:22:45.080
<v Speaker 2>like in ninety three, ninety four, nineteen ninety nine was

0:22:45.119 --> 0:22:45.640
<v Speaker 2>the future?

0:22:46.240 --> 0:22:46.800
<v Speaker 1>You know what I mean?

0:22:47.320 --> 0:22:50.600
<v Speaker 2>Yeah, I couldn't even imagine like two thousand and five,

0:22:50.760 --> 0:22:54.919
<v Speaker 2>let alone twenty twenty five. What would your reaction be

0:22:56.240 --> 0:23:00.960
<v Speaker 2>if someone shows you in nineteen ninety three where we

0:23:01.040 --> 0:23:03.680
<v Speaker 2>are right now thirty years later.

0:23:05.240 --> 0:23:07.239
<v Speaker 3>It's the whole world, not just my life. I think

0:23:07.280 --> 0:23:08.679
<v Speaker 3>if I was looking at if I was sharing my

0:23:08.760 --> 0:23:11.920
<v Speaker 3>life in particular, I would be so happy. I would

0:23:11.920 --> 0:23:14.080
<v Speaker 3>be like, oh my god. First of all, I'm alive.

0:23:14.920 --> 0:23:17.359
<v Speaker 2>Second of all, the irony that your life is the

0:23:17.400 --> 0:23:20.520
<v Speaker 2>best has ever been in the most turbulent times whatsoever.

0:23:20.920 --> 0:23:25.560
<v Speaker 3>Yeah, and I'm finally getting like my sort of like

0:23:26.160 --> 0:23:27.800
<v Speaker 3>I have a feeling you at some point have made

0:23:27.840 --> 0:23:29.880
<v Speaker 3>a pie chart of what you do during the day

0:23:29.960 --> 0:23:31.840
<v Speaker 3>or what you do during the month, to be like

0:23:32.240 --> 0:23:36.080
<v Speaker 3>how much of my time is business stuff that I hate,

0:23:36.359 --> 0:23:39.680
<v Speaker 3>and how much of my time is creative stuff I love?

0:23:39.840 --> 0:23:42.840
<v Speaker 3>And how much of my time is like friendship time,

0:23:43.440 --> 0:23:47.320
<v Speaker 3>relationship time, dog time, like whatever your thing is.

0:23:47.720 --> 0:23:52.679
<v Speaker 2>I've hired a chief of staff. There's so much shame

0:23:52.880 --> 0:23:55.960
<v Speaker 2>in the title. When they're like, oh, you're assistant, I'm like, no,

0:23:56.800 --> 0:24:00.639
<v Speaker 2>I literally hired a chief of staff because I have

0:24:00.720 --> 0:24:01.840
<v Speaker 2>seven managers.

0:24:03.160 --> 0:24:05.200
<v Speaker 3>I mean, I have a part of business, partner now

0:24:05.520 --> 0:24:07.760
<v Speaker 3>you know I have my bands have never had a manager.

0:24:07.880 --> 0:24:10.120
<v Speaker 3>We had a manager for like fifteen minutes and Latra.

0:24:09.960 --> 0:24:13.520
<v Speaker 1>You were the manager. I mean you did everything.

0:24:13.200 --> 0:24:15.200
<v Speaker 3>Kind of well, we split it up. I was I

0:24:15.280 --> 0:24:17.239
<v Speaker 3>don't do all the work, but my band split up

0:24:17.280 --> 0:24:19.679
<v Speaker 3>all of the work. And it's like, you know, we

0:24:19.720 --> 0:24:21.320
<v Speaker 3>have a to do list and we each rip it

0:24:21.359 --> 0:24:25.440
<v Speaker 3>off into three parts, like I don't, I haven't. I

0:24:25.480 --> 0:24:27.640
<v Speaker 3>didn't have a manager until a year and a half ago,

0:24:27.800 --> 0:24:30.760
<v Speaker 3>and it's like more of a business partner. Yeah, who's

0:24:30.800 --> 0:24:33.960
<v Speaker 3>amazing and absolutely adore her, and I couldn't do I

0:24:33.960 --> 0:24:35.879
<v Speaker 3>couldn't be doing this stuff I'm doing right now and

0:24:35.920 --> 0:24:38.040
<v Speaker 3>have finished the book and done the book tour without

0:24:38.080 --> 0:24:40.800
<v Speaker 3>her at all. But like it took me to age

0:24:40.840 --> 0:24:44.000
<v Speaker 3>fifty five to set that up, Like that's how behind

0:24:44.040 --> 0:24:44.760
<v Speaker 3>the times I.

0:24:44.760 --> 0:24:52.639
<v Speaker 1>Am fifty two. We talked about boundaries and.

0:24:51.000 --> 0:24:54.080
<v Speaker 2>And I do feel pathetic that, like yes, even for

0:24:54.320 --> 0:24:58.400
<v Speaker 2>date night, for a movie night, for hangover my friends' night,

0:24:58.640 --> 0:25:01.680
<v Speaker 2>like everyone has to a ask amy.

0:25:01.560 --> 0:25:03.080
<v Speaker 1>You come to come by the studient?

0:25:03.119 --> 0:25:05.680
<v Speaker 2>No no, no, no, let me ask my mommy first, which

0:25:05.720 --> 0:25:09.600
<v Speaker 2>is basically asking my person show me the pie chart,

0:25:09.640 --> 0:25:11.960
<v Speaker 2>Like where can we fit this in, like yeah, but

0:25:12.720 --> 0:25:17.840
<v Speaker 2>I'm also dead serious about boundaries, and the amount of

0:25:17.960 --> 0:25:20.880
<v Speaker 2>nos I've given this year is the most knows I've

0:25:20.920 --> 0:25:22.160
<v Speaker 2>ever given in my life.

0:25:22.760 --> 0:25:25.840
<v Speaker 3>I did a year of no around ninety two when

0:25:25.840 --> 0:25:28.480
<v Speaker 3>Bikini Kill first started getting all of this attention, and

0:25:28.560 --> 0:25:31.399
<v Speaker 3>I was like, I had this extreme guilt because I

0:25:31.440 --> 0:25:33.200
<v Speaker 3>was like, you know, from this kind of taking it

0:25:33.280 --> 0:25:35.800
<v Speaker 3>feminist community and the whole idea is no, you know,

0:25:35.880 --> 0:25:38.879
<v Speaker 3>anti hierarchy, and also in the punk scene, anti hierarchy.

0:25:39.240 --> 0:25:41.679
<v Speaker 3>And I worked behind the scenes like long before I

0:25:41.760 --> 0:25:43.640
<v Speaker 3>was ever in a band, like I didn't see myself.

0:25:43.760 --> 0:25:45.560
<v Speaker 3>I wanted to be a singer, but I didn't really

0:25:45.960 --> 0:25:48.400
<v Speaker 3>think it was possible that i'd be in a band

0:25:48.440 --> 0:25:50.440
<v Speaker 3>because I just always dated people in bands. It was

0:25:50.480 --> 0:25:52.879
<v Speaker 3>best friends with people in bands, but it just didn't

0:25:52.920 --> 0:25:56.000
<v Speaker 3>seem possible. And so I was always like setting up

0:25:56.000 --> 0:25:59.080
<v Speaker 3>shows and doing stuff, you know, the rape relief shelter

0:25:59.240 --> 0:26:02.200
<v Speaker 3>and doing you know, art shows and you know, running

0:26:02.240 --> 0:26:05.840
<v Speaker 3>out random warehouses and putting on doing projects. And then

0:26:05.840 --> 0:26:10.560
<v Speaker 3>when I started doing them, it just rolled and rolled

0:26:10.600 --> 0:26:14.000
<v Speaker 3>and rolled and kept going. And then all of a sudden,

0:26:14.080 --> 0:26:16.200
<v Speaker 3>I was the front person and I was the lead

0:26:16.280 --> 0:26:18.840
<v Speaker 3>who was in the spotlight, and that was very uncomfortable

0:26:18.960 --> 0:26:19.199
<v Speaker 3>for me.

0:26:19.600 --> 0:26:21.520
<v Speaker 2>I was going to ask, were your nose based on

0:26:22.720 --> 0:26:28.919
<v Speaker 2>the fear of getting the attention and being the obviously

0:26:30.040 --> 0:26:34.120
<v Speaker 2>everyone was looking for a Ronald McDonald or a figurehead

0:26:35.760 --> 0:26:39.240
<v Speaker 2>to peg like leader of the movement or that, and

0:26:39.280 --> 0:26:41.800
<v Speaker 2>that comes with imposter syndrome and all that stuff and

0:26:42.440 --> 0:26:42.760
<v Speaker 2>all that.

0:26:42.720 --> 0:26:44.919
<v Speaker 3>Stuff, and if you like you, it's like I've had

0:26:44.960 --> 0:26:48.040
<v Speaker 3>friends who got family quick and didn't have you know,

0:26:48.160 --> 0:26:51.040
<v Speaker 3>the counseling and stuff, didn't have a team of therapist

0:26:51.119 --> 0:26:53.360
<v Speaker 3>with them and ended up you know, leaving this surf

0:26:53.400 --> 0:26:55.439
<v Speaker 3>the way way way too soon. And so I had

0:26:55.440 --> 0:26:57.520
<v Speaker 3>all these cautionary tales that was like, don't go down

0:26:57.520 --> 0:26:59.320
<v Speaker 3>that road because you're going to die. Like I literally

0:26:59.400 --> 0:27:01.680
<v Speaker 3>was like, if you get famous, you die, Like that's

0:27:01.720 --> 0:27:04.399
<v Speaker 3>what I thought, or like, you know, people are always

0:27:04.400 --> 0:27:05.960
<v Speaker 3>like sneaking around the corner trying to get you. And

0:27:06.000 --> 0:27:07.720
<v Speaker 3>I was like, I can't live that life and be

0:27:07.880 --> 0:27:11.159
<v Speaker 3>in community. It also took me out of community. It

0:27:11.240 --> 0:27:13.520
<v Speaker 3>made me a star, so that then I started to

0:27:13.520 --> 0:27:15.639
<v Speaker 3>feel unwelcome in my community because they're like, oh, you

0:27:15.680 --> 0:27:18.080
<v Speaker 3>think you're so great, You're so conceited you know, I

0:27:18.160 --> 0:27:20.000
<v Speaker 3>got some girl walk up to me in a grocery

0:27:20.000 --> 0:27:22.280
<v Speaker 3>store and I was like on my period carrying an

0:27:22.280 --> 0:27:25.440
<v Speaker 3>thing on ice milk, like Neapolitan ice milk, you know,

0:27:25.640 --> 0:27:29.560
<v Speaker 3>beautiful Neapolitan ice milk ons like carrying it. And I

0:27:29.600 --> 0:27:32.479
<v Speaker 3>had a bag of JoJo's Do you remember those from

0:27:32.520 --> 0:27:36.199
<v Speaker 3>the Pacific Northwest. They're like really big French fries and

0:27:36.240 --> 0:27:39.040
<v Speaker 3>they're covered in like shaking bake material. You could get

0:27:39.080 --> 0:27:42.000
<v Speaker 3>them at like Safeway. So I had my JoJo's, my tampons,

0:27:42.320 --> 0:27:45.080
<v Speaker 3>my Neapolitan ice cream, and I'm walking in safe way

0:27:45.080 --> 0:27:46.760
<v Speaker 3>and it's about ninety two, like the time period we're

0:27:46.760 --> 0:27:48.840
<v Speaker 3>talking about, and some punk girl walks up to me

0:27:48.840 --> 0:27:51.320
<v Speaker 3>and she's like, you're ruining the punk scene. You think

0:27:51.359 --> 0:27:53.840
<v Speaker 3>you're so great, blah blah blah. And I'm like having

0:27:53.920 --> 0:27:58.320
<v Speaker 3>cramps and I'm carrying like a pretty embarrassing assortment of items,

0:27:58.359 --> 0:28:01.919
<v Speaker 3>and I'm just like, really right now, you know. And

0:28:01.920 --> 0:28:03.479
<v Speaker 3>so it was that kind of stuff that made me like,

0:28:03.960 --> 0:28:05.959
<v Speaker 3>you know, everyone's going to throw water on your shine,

0:28:05.960 --> 0:28:08.679
<v Speaker 3>so throw water on your shine first. You know, like

0:28:09.040 --> 0:28:10.840
<v Speaker 3>someone's gonna punch you in the face, so punch yourself

0:28:10.840 --> 0:28:12.560
<v Speaker 3>in the face. First, like I don't know what the

0:28:12.600 --> 0:28:16.280
<v Speaker 3>hell I was thinking, So I like I pulled back

0:28:16.320 --> 0:28:18.280
<v Speaker 3>and I was like, I'm just going to do community stuff.

0:28:18.280 --> 0:28:20.840
<v Speaker 3>I was like putting on you know, benefits for harm

0:28:20.880 --> 0:28:23.800
<v Speaker 3>reduction and like doing all this behind the scenes stuff.

0:28:23.800 --> 0:28:26.160
<v Speaker 3>I was answering all my mail, as I always did

0:28:26.200 --> 0:28:27.840
<v Speaker 3>to these kids who are writing, and they're like, I'm

0:28:27.840 --> 0:28:29.560
<v Speaker 3>going to kill myself because I just came out to

0:28:29.560 --> 0:28:31.960
<v Speaker 3>my family and I was rejected or you know a

0:28:31.960 --> 0:28:34.520
<v Speaker 3>lot of people who had rape in and messing violence,

0:28:34.680 --> 0:28:36.560
<v Speaker 3>you know, stuff going on in their lives, and like

0:28:36.760 --> 0:28:38.600
<v Speaker 3>I just put my nose down and did that work,

0:28:38.800 --> 0:28:41.120
<v Speaker 3>you know, And that's why I said no. So I

0:28:41.160 --> 0:28:43.080
<v Speaker 3>said no for the wrong reasons. But I also ended

0:28:43.160 --> 0:28:47.280
<v Speaker 3>up in this really weird predicament where because Bikini Kill

0:28:47.320 --> 0:28:50.120
<v Speaker 3>got so famous so quick for like five minutes, and

0:28:50.160 --> 0:28:52.560
<v Speaker 3>we got put in like all of these like feminist

0:28:52.600 --> 0:28:55.719
<v Speaker 3>academics wanted to like put make classes about us and

0:28:55.760 --> 0:28:58.160
<v Speaker 3>like put us in their books and stuff. I ended

0:28:58.200 --> 0:29:01.400
<v Speaker 3>up being an unpaid assistant or like five different feminist

0:29:01.480 --> 0:29:05.040
<v Speaker 3>professors without my knowledge. They were like from big ivy

0:29:05.080 --> 0:29:07.160
<v Speaker 3>league schools and they call me and they'd be like, oh,

0:29:07.280 --> 0:29:09.600
<v Speaker 3>you know, I'm really trying to put together this you know,

0:29:09.640 --> 0:29:12.760
<v Speaker 3>syllabus or blah blah blah, and I'm like handing.

0:29:12.440 --> 0:29:13.360
<v Speaker 1>Down to research.

0:29:13.560 --> 0:29:15.320
<v Speaker 3>I was doing all this research for them and stuff,

0:29:15.360 --> 0:29:17.560
<v Speaker 3>thinking I'm a part of feminist community and I and

0:29:17.600 --> 0:29:20.160
<v Speaker 3>then one day I was like, wait, they're getting paid

0:29:20.240 --> 0:29:22.840
<v Speaker 3>and they also have an assistant or or ta who's

0:29:22.880 --> 0:29:28.440
<v Speaker 3>getting paid. Why I make music? Right, I'm write, but

0:29:28.520 --> 0:29:31.200
<v Speaker 3>I'm not doing that. I'm doing their job. And so

0:29:31.280 --> 0:29:33.720
<v Speaker 3>I just the next day I woke up and anybody

0:29:33.760 --> 0:29:38.360
<v Speaker 3>asked me for anything any favor. No, no, no, And

0:29:38.400 --> 0:29:42.040
<v Speaker 3>if they weren't jerks about it, and they didn't keep

0:29:42.600 --> 0:29:45.360
<v Speaker 3>I found out everybody in my life who was a

0:29:45.440 --> 0:29:48.880
<v Speaker 3>total toxic nightmare by saying no to everybody. Yeah, and

0:29:48.920 --> 0:29:51.920
<v Speaker 3>then everyone who was a toxic namare was like why

0:29:52.160 --> 0:29:54.800
<v Speaker 3>why not? Why not? What? You don't care about me,

0:29:54.840 --> 0:29:56.480
<v Speaker 3>you don't care about community. And I was like, yeah,

0:29:56.560 --> 0:29:59.160
<v Speaker 3>you're now I'm not only not doing any favor, but

0:29:59.160 --> 0:30:00.880
<v Speaker 3>you're out of my life for ever and I'm never

0:30:00.920 --> 0:30:03.760
<v Speaker 3>returning your calls. And then I found all the people

0:30:03.760 --> 0:30:06.800
<v Speaker 3>who were cool about it. A couple months later, if

0:30:06.800 --> 0:30:08.720
<v Speaker 3>I was like, you know, actually that sounded like fun.

0:30:08.840 --> 0:30:10.400
<v Speaker 3>I'm going to call that person up and see if

0:30:10.400 --> 0:30:13.440
<v Speaker 3>they still want to do something together.

0:30:13.600 --> 0:30:15.760
<v Speaker 1>And so you circle.

0:30:15.800 --> 0:30:17.960
<v Speaker 3>But I didn't do it for the right reasons at all.

0:30:18.040 --> 0:30:19.800
<v Speaker 3>I took a year off. I could have written a

0:30:19.840 --> 0:30:23.640
<v Speaker 3>great record in that year, but I was really too damaged.

0:30:23.640 --> 0:30:25.600
<v Speaker 3>And this was right after also, like you know, a

0:30:25.640 --> 0:30:28.320
<v Speaker 3>lot of people in my life had had just passed

0:30:28.320 --> 0:30:30.560
<v Speaker 3>and I was just really messed up.

0:30:31.720 --> 0:30:34.920
<v Speaker 2>Can I ask, Okay, so you said something in your book,

0:30:35.320 --> 0:30:38.800
<v Speaker 2>So right now I'm working on two projects in which

0:30:39.600 --> 0:30:42.280
<v Speaker 2>and let me start off by saying that, wait, that's it.

0:30:42.240 --> 0:30:44.520
<v Speaker 3>Your only work on two projects? Was wrong with you?

0:30:44.720 --> 0:30:46.080
<v Speaker 1>This two?

0:30:46.160 --> 0:30:47.440
<v Speaker 3>You're in a good community member.

0:30:51.280 --> 0:30:53.800
<v Speaker 2>This is two of the of the eleven I'm trying

0:30:53.840 --> 0:30:57.800
<v Speaker 2>to whittle down to, you know, a simple one. So

0:30:57.840 --> 0:31:01.720
<v Speaker 2>there's two projects I'm doing right now. They both require.

0:31:03.480 --> 0:31:05.400
<v Speaker 2>The shortest way to put it is that both of

0:31:05.440 --> 0:31:10.200
<v Speaker 2>them require for me to be the doctor Melfie to

0:31:10.480 --> 0:31:16.400
<v Speaker 2>their tony soprano. Kind of the insane amount of trauma

0:31:16.480 --> 0:31:21.280
<v Speaker 2>dumping I have to take on getting their stories. It

0:31:21.320 --> 0:31:23.720
<v Speaker 2>got to the point where I, you know, had to

0:31:23.720 --> 0:31:27.560
<v Speaker 2>get a second therapist. When you got to the part

0:31:27.560 --> 0:31:31.000
<v Speaker 2>of the book when you're holding these meetings because you're

0:31:31.080 --> 0:31:36.120
<v Speaker 2>not only producing and writing, but you're also teen rape

0:31:36.160 --> 0:31:39.960
<v Speaker 2>counselor you're holding these feminist meetings to the point where

0:31:40.680 --> 0:31:43.120
<v Speaker 2>even when you discover that there's trouble in Paradise in

0:31:43.200 --> 0:31:47.280
<v Speaker 2>terms of white feminism, and you're putting on so many

0:31:47.320 --> 0:31:50.600
<v Speaker 2>caps at the same time, what was the breaking point

0:31:50.640 --> 0:31:54.680
<v Speaker 2>for you? And I'm only asking this because one.

0:31:54.560 --> 0:31:55.640
<v Speaker 1>Of the subjects.

0:31:57.200 --> 0:31:59.680
<v Speaker 2>No, no, no, Well, the thing is is that my

0:31:59.760 --> 0:32:03.000
<v Speaker 2>version to know had less to do with like, I

0:32:03.080 --> 0:32:05.880
<v Speaker 2>understand that there's some nos where no, we're too cool

0:32:05.880 --> 0:32:08.440
<v Speaker 2>for school, we can't do that, But I also know

0:32:08.560 --> 0:32:12.800
<v Speaker 2>that three years ago I had to discover boundaries. I

0:32:12.840 --> 0:32:16.400
<v Speaker 2>thought being self sacrificing was like, oh, that a mirror

0:32:16.480 --> 0:32:19.840
<v Speaker 2>he's he always works so hard. I got tired of

0:32:19.840 --> 0:32:24.520
<v Speaker 2>being that person, you know, the self sacrificing person, never

0:32:25.040 --> 0:32:27.960
<v Speaker 2>thinking of myself. Now, in one of these particular projects,

0:32:28.920 --> 0:32:33.200
<v Speaker 2>the subject is similar to our story in terms of

0:32:33.240 --> 0:32:38.600
<v Speaker 2>like leading a movement and sacrificing and sacrificing and sacrificing

0:32:39.880 --> 0:32:44.360
<v Speaker 2>and what winds up happening is at the root of

0:32:44.800 --> 0:32:51.000
<v Speaker 2>this particular person's story sort of lies an undealt with

0:32:51.160 --> 0:32:58.360
<v Speaker 2>trauma with his parents, and this person kind of has

0:32:58.800 --> 0:33:02.000
<v Speaker 2>a medical issue with their own life. And I'm always

0:33:02.040 --> 0:33:06.720
<v Speaker 2>a believer that behind every medical issue is an emotional

0:33:07.520 --> 0:33:12.720
<v Speaker 2>component that's not thought out or or dealt with. Could

0:33:12.760 --> 0:33:16.719
<v Speaker 2>you talk about and you know, you're very open about

0:33:16.840 --> 0:33:23.800
<v Speaker 2>the relationship with your father in the beginning years, And

0:33:25.040 --> 0:33:29.280
<v Speaker 2>obviously I felt that your need to save people is

0:33:29.360 --> 0:33:32.960
<v Speaker 2>you seeing yourself in you know, you want to save

0:33:33.040 --> 0:33:35.520
<v Speaker 2>the version of you that wasn't didn't have a protector,

0:33:35.640 --> 0:33:37.840
<v Speaker 2>didn't have someone to advocate for them.

0:33:38.280 --> 0:33:40.760
<v Speaker 1>Yes, but at what point did you.

0:33:40.720 --> 0:33:43.760
<v Speaker 2>Realize Now, the fact that you allowed love in your

0:33:43.800 --> 0:33:49.080
<v Speaker 2>life via Adam was amazing because it took me five

0:33:49.120 --> 0:33:53.200
<v Speaker 2>decades to get to that place. But at what point

0:33:53.400 --> 0:33:58.840
<v Speaker 2>did self care become truly important to you? And that

0:33:58.880 --> 0:34:01.520
<v Speaker 2>you had to what everything else is side? As far

0:34:01.600 --> 0:34:05.360
<v Speaker 2>as like juggling twelve plates at the same time, you know,

0:34:06.080 --> 0:34:12.040
<v Speaker 2>leading a movement, flyers meetings, teachers is unpaid teachers assistant.

0:34:12.719 --> 0:34:14.799
<v Speaker 1>Yeah, what was that breaking point? Like for you?

0:34:15.480 --> 0:34:19.360
<v Speaker 3>I can tell you the exact moment, Okay, Like it's

0:34:19.400 --> 0:34:21.279
<v Speaker 3>it's so funny because while you're talking, I'm like, oh, yeah,

0:34:21.320 --> 0:34:23.920
<v Speaker 3>I know the exact moment I was doing some work

0:34:24.000 --> 0:34:31.000
<v Speaker 3>for a political organization around uh Freemuma Abujamal and I

0:34:31.120 --> 0:34:35.880
<v Speaker 3>was working to help put on a concert and I

0:34:35.920 --> 0:34:37.800
<v Speaker 3>got very, very sick. And this is when I was

0:34:37.840 --> 0:34:39.919
<v Speaker 3>still living in Olympia and I was in Bikini Hill,

0:34:40.000 --> 0:34:44.320
<v Speaker 3>so it was still nineties and I had a temperature

0:34:44.320 --> 0:34:46.279
<v Speaker 3>that was like over one hundred and three and I

0:34:46.360 --> 0:34:50.719
<v Speaker 3>really I ended up being hospitalized. And I had a

0:34:50.840 --> 0:34:53.840
<v Speaker 3>like a you know, just a mattress on the floor.

0:34:53.960 --> 0:34:56.440
<v Speaker 3>Like I don't know what it was that like I

0:34:56.480 --> 0:34:59.919
<v Speaker 3>thought to be like I thought people who had matt

0:35:00.080 --> 0:35:05.279
<v Speaker 3>tress frames were. I was like why, you know, like

0:35:05.280 --> 0:35:06.920
<v Speaker 3>when I look back on how many times I just

0:35:06.960 --> 0:35:08.440
<v Speaker 3>like threw a mattress on the floor and like that

0:35:08.560 --> 0:35:09.840
<v Speaker 3>was it? You know? I mean I was really I

0:35:09.920 --> 0:35:12.000
<v Speaker 3>was that busy that I was like, you know the

0:35:12.040 --> 0:35:14.600
<v Speaker 3>guy who just like any T shirt that's laying on

0:35:14.640 --> 0:35:18.000
<v Speaker 3>the floor, I just like throw it on, right. Yeah. No,

0:35:18.080 --> 0:35:20.440
<v Speaker 3>I mean there were times in my vand where one

0:35:20.480 --> 0:35:22.160
<v Speaker 3>of us would shoke with lipstick on and be like,

0:35:22.160 --> 0:35:24.080
<v Speaker 3>how did you have time to put that on? Because

0:35:24.120 --> 0:35:26.200
<v Speaker 3>we were so busy. It was like, you know, you

0:35:26.239 --> 0:35:28.160
<v Speaker 3>would sleep and then wake up and then start working

0:35:28.160 --> 0:35:32.840
<v Speaker 3>in but I was laying on my mattress in my

0:35:32.880 --> 0:35:35.719
<v Speaker 3>apartment and I had to crawl the bathroom because I

0:35:35.760 --> 0:35:38.960
<v Speaker 3>was that sick. And my phone kept bringing and kept

0:35:39.000 --> 0:35:41.360
<v Speaker 3>bring and kept bringing, and I had an answering machine

0:35:41.480 --> 0:35:45.320
<v Speaker 3>at the time with the mini tape, and this woman

0:35:45.360 --> 0:35:47.399
<v Speaker 3>from the political organization was like, you need to call

0:35:47.440 --> 0:35:48.680
<v Speaker 3>me back. We need to get the sun, we need

0:35:48.680 --> 0:35:50.279
<v Speaker 3>to get the stune. And I had already picked up

0:35:50.320 --> 0:35:52.160
<v Speaker 3>and said, I have one hundred and three y tent

0:35:52.440 --> 0:35:56.600
<v Speaker 3>and I'm really really sick, and she kept calling and

0:35:56.640 --> 0:36:00.480
<v Speaker 3>calling and she was like, she screamed, I picked it up,

0:36:00.480 --> 0:36:05.080
<v Speaker 3>and I was like, dude, I'm like really sick, Like

0:36:05.200 --> 0:36:09.360
<v Speaker 3>I'm crawling to the bathroom and she's like, then, crawl

0:36:09.400 --> 0:36:11.440
<v Speaker 3>to the fucking fact is I had a fax machine.

0:36:11.600 --> 0:36:14.840
<v Speaker 3>Crawl to the fucking fax machine and facts. Eddie Vedder

0:36:14.840 --> 0:36:20.000
<v Speaker 3>and Zach de Larocha was like, and you know what

0:36:20.719 --> 0:36:21.200
<v Speaker 3>I did it.

0:36:21.800 --> 0:36:23.279
<v Speaker 1>I crawled to the fax.

0:36:23.000 --> 0:36:25.520
<v Speaker 3>Machine and not only did I fax them, I drew

0:36:25.640 --> 0:36:29.200
<v Speaker 3>cute drawings on the facts. You know what I mean?

0:36:29.280 --> 0:36:32.000
<v Speaker 3>Like when you're doing something like as you're crawling and

0:36:32.000 --> 0:36:34.560
<v Speaker 3>then you're getting out the sharpie and you're drawing the

0:36:34.600 --> 0:36:37.680
<v Speaker 3>cute dog picture so that zach de l Rocha notices

0:36:37.760 --> 0:36:42.279
<v Speaker 3>your facts. I'm like, this is you know. And then

0:36:42.320 --> 0:36:44.439
<v Speaker 3>my mom ended up driving from Portland to come get

0:36:44.480 --> 0:36:48.040
<v Speaker 3>me and taking me to the hospital and I was

0:36:48.080 --> 0:36:50.160
<v Speaker 3>really really sick and I was hospitalized and it was

0:36:50.160 --> 0:36:52.239
<v Speaker 3>a bad situation. And the other time it happened was

0:36:52.280 --> 0:36:54.879
<v Speaker 3>when I've had a long term illness which I since

0:36:54.920 --> 0:36:59.240
<v Speaker 3>recovered from, and that was like I was so driving

0:36:59.280 --> 0:37:01.640
<v Speaker 3>at a thousand miles per hour with a break on

0:37:01.760 --> 0:37:04.000
<v Speaker 3>in my life that my body was.

0:37:03.960 --> 0:37:06.200
<v Speaker 1>Like gave out.

0:37:07.000 --> 0:37:10.680
<v Speaker 3>My body was like my drenals were shot, everything was shot.

0:37:10.960 --> 0:37:15.440
<v Speaker 3>I was having like seizures, like it was like really

0:37:15.480 --> 0:37:19.200
<v Speaker 3>bad and when you're like kind of staring at death

0:37:19.280 --> 0:37:20.759
<v Speaker 3>because it was at that point where it was like

0:37:20.800 --> 0:37:23.680
<v Speaker 3>we didn't know what I had and I was really sick. Yes,

0:37:23.800 --> 0:37:29.040
<v Speaker 3>I actually do have a verifiable by tests illness. I

0:37:29.080 --> 0:37:31.200
<v Speaker 3>don't think it would have gotten as out.

0:37:31.040 --> 0:37:36.439
<v Speaker 4>Of control as it did if I hadn't suppressed all

0:37:36.480 --> 0:37:41.839
<v Speaker 4>of this trauma because my trauma body, you know, And

0:37:41.880 --> 0:37:43.400
<v Speaker 4>I do have a theory and people will.

0:37:43.239 --> 0:37:45.359
<v Speaker 3>Probably get mad about it or whatever, but about auto

0:37:45.360 --> 0:37:48.760
<v Speaker 3>because it's autoimmunal oneness. It's like, I don't think people

0:37:48.960 --> 0:37:51.200
<v Speaker 3>make up autoimmune oneness is. I don't think they're fake.

0:37:51.239 --> 0:37:53.160
<v Speaker 3>I don't think they're in your head. But for me,

0:37:53.360 --> 0:37:58.200
<v Speaker 3>my autoimmune oness was definitely made way worse by the

0:37:58.239 --> 0:38:02.600
<v Speaker 3>fact that I completely ignored my body. But I lived

0:38:02.600 --> 0:38:04.960
<v Speaker 3>in a state of hyper arousal from the time that

0:38:05.040 --> 0:38:06.520
<v Speaker 3>I was a kid, Like I would look at my

0:38:06.760 --> 0:38:09.960
<v Speaker 3>how my dad came into the house and be like,

0:38:10.040 --> 0:38:11.200
<v Speaker 3>what's going to happen tonight.

0:38:11.120 --> 0:38:14.799
<v Speaker 2>And adjust to yourself to the dude, and the.

0:38:14.800 --> 0:38:17.720
<v Speaker 3>Same thing, you know, when when as a feminist musician,

0:38:17.760 --> 0:38:20.680
<v Speaker 3>who would walk into a venue and have to deal

0:38:20.719 --> 0:38:23.840
<v Speaker 3>with all these men and not have our own sound person,

0:38:23.960 --> 0:38:26.160
<v Speaker 3>not have a tour manager, we had no one. We

0:38:26.160 --> 0:38:29.560
<v Speaker 3>would have one roadie if that. So I would have

0:38:29.640 --> 0:38:31.839
<v Speaker 3>to kind of, you know, select the d of all

0:38:31.880 --> 0:38:35.520
<v Speaker 3>of these dudes emotionally or psychologically to get them to

0:38:35.680 --> 0:38:38.080
<v Speaker 3>turn my sound up, you know, And it was kind

0:38:38.160 --> 0:38:39.759
<v Speaker 3>And then I'd have an audience full of men who

0:38:39.800 --> 0:38:42.239
<v Speaker 3>were like yelling, you man, hating bitch, you know, shut

0:38:42.239 --> 0:38:44.200
<v Speaker 3>the fuck up, like whatever, and I'm like, I'm just

0:38:44.400 --> 0:38:45.719
<v Speaker 3>I just want to be in a band. I just

0:38:45.719 --> 0:38:47.280
<v Speaker 3>want to be in a band. I really love music.

0:38:47.280 --> 0:38:49.759
<v Speaker 3>I just want to play music, and so dealing with

0:38:49.840 --> 0:38:53.280
<v Speaker 3>that also made me walk into situations and be hyper aroused.

0:38:53.400 --> 0:38:55.600
<v Speaker 3>Every time I would play a show, I'm looking for

0:38:55.680 --> 0:38:57.680
<v Speaker 3>who has a glass or a bottle in their hand

0:38:57.719 --> 0:39:00.279
<v Speaker 3>that they're going to throw at me, or chain or

0:39:00.840 --> 0:39:04.480
<v Speaker 3>even a Setiger wineglass. You know, I had a wine

0:39:04.520 --> 0:39:06.040
<v Speaker 3>glasser in at me and I was like, I could

0:39:06.239 --> 0:39:10.040
<v Speaker 3>see it coming, but I'm really I hope somebody taped it,

0:39:10.480 --> 0:39:12.400
<v Speaker 3>because do you know that really famous moment in that

0:39:12.480 --> 0:39:16.040
<v Speaker 3>Bad Brains video where hr goes like that, it was

0:39:16.160 --> 0:39:19.400
<v Speaker 3>like that, Yes, it was like that I did that,

0:39:19.480 --> 0:39:21.600
<v Speaker 3>And I'm like, did anybody get that on camera? Because

0:39:21.640 --> 0:39:24.120
<v Speaker 3>I really want to like put it next to HRS clip.

0:39:25.640 --> 0:39:27.920
<v Speaker 3>But yeah, I was like in this total state of

0:39:28.000 --> 0:39:30.319
<v Speaker 3>hyper arousal. And I really do feel like in a

0:39:30.360 --> 0:39:32.680
<v Speaker 3>way because what my body does is if I get

0:39:32.680 --> 0:39:35.480
<v Speaker 3>any kind of infection or sick, it goes to crazy,

0:39:35.480 --> 0:39:39.279
<v Speaker 3>out of control fever, right, And it's almost like my

0:39:39.360 --> 0:39:41.840
<v Speaker 3>body's in a state of hyper arousal. So it's like

0:39:42.440 --> 0:39:44.719
<v Speaker 3>my body sees some cells in my body making a

0:39:44.760 --> 0:39:47.560
<v Speaker 3>weird face and start my body starts freaking.

0:39:47.200 --> 0:39:50.560
<v Speaker 1>Out and you're in a constant state of fight or flight.

0:39:50.960 --> 0:39:52.520
<v Speaker 3>Yeah, And I mean, like I had to do nine

0:39:52.520 --> 0:39:55.319
<v Speaker 3>months of IV therapy. This is actually real illness. And

0:39:55.360 --> 0:39:59.279
<v Speaker 3>it's like I have quantifiable proof that I have it,

0:39:59.400 --> 0:40:01.200
<v Speaker 3>so it's it's not all in my head. But there's

0:40:01.200 --> 0:40:04.520
<v Speaker 3>a mind body connection. Who knew, you know, I've been

0:40:04.560 --> 0:40:09.000
<v Speaker 3>living above my head for so long, you know, to

0:40:09.120 --> 0:40:12.600
<v Speaker 3>avoid the trauma that is like residual, like leftover room

0:40:12.640 --> 0:40:14.200
<v Speaker 3>and body. And something I have to say to you,

0:40:14.480 --> 0:40:16.920
<v Speaker 3>my friend, because while you were talking, I thought of this.

0:40:16.920 --> 0:40:18.719
<v Speaker 3>And I don't mean to psychoanalyze you, but I'm going

0:40:18.800 --> 0:40:20.719
<v Speaker 3>to do it fucking anyway, because anybody who said that

0:40:20.719 --> 0:40:24.279
<v Speaker 3>everyone do psychoanalyze you is about to psychoanalyze you. I

0:40:24.280 --> 0:40:27.000
<v Speaker 3>think it's really interesting the when we started talking, you

0:40:27.000 --> 0:40:28.600
<v Speaker 3>talked about your girlfriend, saying when are you going to

0:40:28.640 --> 0:40:33.280
<v Speaker 3>write the real book and be vulnerable about your own life?

0:40:33.760 --> 0:40:36.839
<v Speaker 3>And then you've gotten involved with these two projects where

0:40:37.520 --> 0:40:40.960
<v Speaker 3>especially this one you're talking about, where someone has suppressed

0:40:41.719 --> 0:40:44.160
<v Speaker 3>something that they need to deal with and they're trauma

0:40:44.239 --> 0:40:48.000
<v Speaker 3>dumping on you and and and I know that they're

0:40:48.040 --> 0:40:50.920
<v Speaker 3>probably a super amazing person, and it's not You're not

0:40:50.960 --> 0:40:53.719
<v Speaker 3>saying that with anger or anything. It's like they're they're

0:40:53.719 --> 0:40:54.680
<v Speaker 3>actually telling their lives.

0:40:54.719 --> 0:40:56.879
<v Speaker 1>Oh no, the people I love.

0:40:57.400 --> 0:41:01.040
<v Speaker 3>Yeah, But like I think that that's really interesting and

0:41:01.480 --> 0:41:04.759
<v Speaker 3>that it's something I relate to because you know, I

0:41:04.880 --> 0:41:09.000
<v Speaker 3>wasn't getting help for the abuse that I'd suffered in

0:41:09.480 --> 0:41:12.160
<v Speaker 3>my life, and it kind of went from my house

0:41:12.280 --> 0:41:14.880
<v Speaker 3>to then you know, being raped in high school and

0:41:15.040 --> 0:41:16.919
<v Speaker 3>you know, date rape. I mean, I don't know who

0:41:17.080 --> 0:41:19.520
<v Speaker 3>wasn't date raped at some point in their lives, but

0:41:20.000 --> 0:41:23.520
<v Speaker 3>you know, it's not a unique story. But it's like

0:41:23.719 --> 0:41:25.560
<v Speaker 3>all of these different things happen. And then I have

0:41:25.680 --> 0:41:29.640
<v Speaker 3>this job where I'm constantly sexually harassed and there's no HR.

0:41:29.840 --> 0:41:31.640
<v Speaker 3>There's no HR in punk rock. Who am I going

0:41:31.719 --> 0:41:34.040
<v Speaker 3>to call? You know what I mean? Like HR puff

0:41:34.040 --> 0:41:35.640
<v Speaker 3>and stuff like who's going to help me? No one's

0:41:35.680 --> 0:41:38.120
<v Speaker 3>going to help me? And so it's like I'm in

0:41:38.120 --> 0:41:40.560
<v Speaker 3>a different work environment every day that's abusive, and I

0:41:40.600 --> 0:41:43.480
<v Speaker 3>can't just be like, hey, can you move Bill's desk

0:41:43.520 --> 0:41:46.560
<v Speaker 3>away from me? Because he keeps saying if I don't

0:41:46.560 --> 0:41:49.279
<v Speaker 3>tell him if I'm married or single, he won't give

0:41:49.320 --> 0:41:51.440
<v Speaker 3>me the report, which is what was happening to me

0:41:51.640 --> 0:41:54.120
<v Speaker 3>where I had monitor. Guys wouldn't plug in my monitor

0:41:54.239 --> 0:41:57.480
<v Speaker 3>unless I told them what my status was in terms

0:41:57.520 --> 0:42:01.640
<v Speaker 3>of a man and yeah, and I'm like, why why

0:42:01.760 --> 0:42:02.960
<v Speaker 3>does that? What does it have to do with my

0:42:03.000 --> 0:42:05.600
<v Speaker 3>monitor situation? So I started bringing my own monitor and

0:42:05.640 --> 0:42:08.239
<v Speaker 3>plugging it in myself. And these are extra things that

0:42:08.280 --> 0:42:12.160
<v Speaker 3>people have to do who get treated poorly. And you

0:42:12.200 --> 0:42:13.879
<v Speaker 3>know the other thing, though, I have to look back

0:42:13.920 --> 0:42:16.840
<v Speaker 3>and be like, because of the particular time period and

0:42:16.880 --> 0:42:19.000
<v Speaker 3>place I grew up in with the nineties kind of

0:42:19.040 --> 0:42:22.120
<v Speaker 3>pure punk purist aesthetic, which I now am very critical

0:42:22.160 --> 0:42:24.680
<v Speaker 3>of because I think a lot of it is very

0:42:24.680 --> 0:42:28.799
<v Speaker 3>classist and it's very like upper white, middle class, like

0:42:29.000 --> 0:42:32.799
<v Speaker 3>holier than now. And there's a lot of play. Yeah,

0:42:33.080 --> 0:42:35.920
<v Speaker 3>there's definitely a lot of cosplaying for and there's definitely like,

0:42:36.000 --> 0:42:39.759
<v Speaker 3>you know, the Trustafarians at my school, Like there's just a.

0:42:39.719 --> 0:42:41.680
<v Speaker 1>Lot of Trustians.

0:42:42.440 --> 0:42:49.200
<v Speaker 2>Yeah, that's an amazing Oh god, Yeah, I've never heard Okay.

0:42:48.880 --> 0:42:52.040
<v Speaker 3>But you know what I'm talking about. The white guy

0:42:52.200 --> 0:42:56.560
<v Speaker 3>with redlocks on the subway. I don't who's singing Marley songs.

0:42:56.760 --> 0:43:01.719
<v Speaker 2>There's a schedule on SNL called ros that Andy Samberg

0:43:01.800 --> 0:43:04.120
<v Speaker 2>did about Rastafarian.

0:43:04.640 --> 0:43:06.560
<v Speaker 1>Yeah, I know many of those cats.

0:43:06.640 --> 0:43:14.600
<v Speaker 2>I know many of those cats. So something happened that

0:43:14.680 --> 0:43:19.840
<v Speaker 2>you're probably not even aware. It's ninety five, so and

0:43:19.880 --> 0:43:24.080
<v Speaker 2>it's so weird at how our stories are intertwined. You know,

0:43:24.120 --> 0:43:32.040
<v Speaker 2>we signed to DGC Geffen in ninety three, and this

0:43:32.239 --> 0:43:35.680
<v Speaker 2>was like kind of the height and the madness of

0:43:37.360 --> 0:43:41.000
<v Speaker 2>billions and billions and billions of dollars raked in from

0:43:41.520 --> 0:43:47.200
<v Speaker 2>you know, post Guns n' Roses, residual post Aerosmith residual monies,

0:43:47.400 --> 0:43:51.680
<v Speaker 2>and of course never Mind was just you know, that

0:43:51.800 --> 0:43:56.320
<v Speaker 2>was the cherry on top. And what winds up happening

0:43:56.400 --> 0:44:04.680
<v Speaker 2>is so Geffen doesn't have a black department, a black

0:44:04.800 --> 0:44:11.920
<v Speaker 2>music division, and in the craziest kind of eleventh hour,

0:44:13.320 --> 0:44:15.520
<v Speaker 2>one second left in the game, Hail Mary.

0:44:15.320 --> 0:44:19.359
<v Speaker 3>Throw, I know this story, right, they.

0:44:20.920 --> 0:44:25.319
<v Speaker 2>Offer this amount of money. Yeah, they offered this deal.

0:44:25.480 --> 0:44:28.000
<v Speaker 2>But the most attractive part of this deal was the

0:44:28.040 --> 0:44:32.239
<v Speaker 2>security part of it. And the security part was if

0:44:32.239 --> 0:44:35.560
<v Speaker 2>we made one album, we would have to make the

0:44:35.560 --> 0:44:37.920
<v Speaker 2>second and third album. If we made the fourth album,

0:44:39.200 --> 0:44:40.960
<v Speaker 2>we'd have to make the fourth and the fifth album.

0:44:41.160 --> 0:44:42.160
<v Speaker 1>Like we couldn't get dropped.

0:44:42.160 --> 0:44:45.479
<v Speaker 2>Most most like rap groups have to prove out the Gate,

0:44:46.120 --> 0:44:48.239
<v Speaker 2>you must have a hit single or else that's it.

0:44:49.640 --> 0:44:52.040
<v Speaker 1>And so that's what attracted us.

0:44:52.640 --> 0:44:56.680
<v Speaker 2>Between the period of December and April of ninety four,

0:44:57.400 --> 0:45:02.680
<v Speaker 2>you know, we make this record, and you know, as

0:45:02.760 --> 0:45:06.440
<v Speaker 2>we're talking to the guys that Geffen, you're Eddie Rosenblatz,

0:45:06.440 --> 0:45:08.839
<v Speaker 2>you're Windy gold Scenes like the people that were our

0:45:08.880 --> 0:45:12.600
<v Speaker 2>staff members, it became obvious that, you know, Guns n'

0:45:12.640 --> 0:45:16.279
<v Speaker 2>Roses is not making a follow up record. So called

0:45:16.360 --> 0:45:19.839
<v Speaker 2>Chinese Democracy is going to come any month. Now, Aerosmith

0:45:20.080 --> 0:45:25.200
<v Speaker 2>leaves to go back to Sony and then April comes,

0:45:26.040 --> 0:45:30.920
<v Speaker 2>and when Kirk leaves us, that's a panic signal to

0:45:31.040 --> 0:45:35.960
<v Speaker 2>my manager, who says, I think the honeymoon's over and

0:45:36.239 --> 0:45:39.120
<v Speaker 2>we have to make something happen. So this something straight

0:45:39.120 --> 0:45:42.279
<v Speaker 2>out of a movie. We like, think of the chase

0:45:42.320 --> 0:45:47.160
<v Speaker 2>scene and rest of our dogs. We basically kind of

0:45:47.200 --> 0:45:50.880
<v Speaker 2>stole our budget money out of the bank. So we

0:45:51.080 --> 0:45:55.160
<v Speaker 2>wind up moving in a panic move because we sense

0:45:55.280 --> 0:46:00.600
<v Speaker 2>that their excitement of starting a black music department is

0:46:01.080 --> 0:46:04.440
<v Speaker 2>going to drown out because three of their marquee artists

0:46:04.440 --> 0:46:07.520
<v Speaker 2>are no longer in existence, and so.

0:46:07.640 --> 0:46:13.120
<v Speaker 1>We moved to London and we fish out of water.

0:46:13.480 --> 0:46:16.320
<v Speaker 1>We live in. We get a flat in London.

0:46:17.520 --> 0:46:21.000
<v Speaker 2>And we work out the gym, and it takes about

0:46:21.040 --> 0:46:24.400
<v Speaker 2>a good year and a half before Geffen kind of

0:46:24.400 --> 0:46:26.000
<v Speaker 2>in a move that's sort of like they lost.

0:46:25.760 --> 0:46:29.239
<v Speaker 1>Their keys, Like wait, what some Swiss hey?

0:46:30.080 --> 0:46:31.680
<v Speaker 2>You know, Like literally it's like a year and a

0:46:31.719 --> 0:46:34.480
<v Speaker 2>half later before they realized like, we're the fuck.

0:46:34.280 --> 0:46:34.960
<v Speaker 1>Of the roots.

0:46:35.400 --> 0:46:37.360
<v Speaker 3>They're in London right.

0:46:37.320 --> 0:46:41.640
<v Speaker 2>And literally right before panic Hits were like, ah, look

0:46:41.640 --> 0:46:43.200
<v Speaker 2>at all the press we got, like we did this.

0:46:43.160 --> 0:46:48.840
<v Speaker 1>All on our own, and they were like, oh, you

0:46:48.880 --> 0:46:49.640
<v Speaker 1>guys did all this.

0:46:50.040 --> 0:46:52.120
<v Speaker 2>It's like, yeah, we got our own agent, and we

0:46:52.200 --> 0:46:53.759
<v Speaker 2>got our own tour bus, and we got our own

0:46:53.760 --> 0:46:56.480
<v Speaker 2>apartment and we just and that's all. We were like

0:46:56.560 --> 0:46:58.640
<v Speaker 2>the black hip hop version of the Commitments. I don't

0:46:58.640 --> 0:46:59.600
<v Speaker 2>know if you remember that movie.

0:47:01.640 --> 0:47:03.759
<v Speaker 3>Were you were you working out the material for the

0:47:03.800 --> 0:47:06.920
<v Speaker 3>album live before you recorded it, or were you doing

0:47:06.960 --> 0:47:07.799
<v Speaker 3>it simultaneously.

0:47:07.840 --> 0:47:10.320
<v Speaker 2>I mean, because we started off busking on the streets,

0:47:10.360 --> 0:47:11.879
<v Speaker 2>we kind of knew the songs that were gonna wind

0:47:11.960 --> 0:47:14.839
<v Speaker 2>up on the album, but we made the album. Uh.

0:47:15.400 --> 0:47:20.759
<v Speaker 2>Literally the day that Kirk Loder reported the news of

0:47:20.960 --> 0:47:25.359
<v Speaker 2>Kirk's death, my manager was like, yo, we got three

0:47:25.440 --> 0:47:28.720
<v Speaker 2>days we're gonna in about three to five days.

0:47:28.719 --> 0:47:31.320
<v Speaker 1>We made three videos.

0:47:31.000 --> 0:47:36.040
<v Speaker 2>Shot the album cover, knocked out nine songs, like finished

0:47:36.040 --> 0:47:37.520
<v Speaker 2>the record. We didn't want to get dropped from the

0:47:37.560 --> 0:47:40.840
<v Speaker 2>label because like, we bet the farm on this moment,

0:47:41.680 --> 0:47:44.719
<v Speaker 2>and they were impressed enough, and sure enough, as he predicted,

0:47:44.719 --> 0:47:46.640
<v Speaker 2>they dropped the other eighteen acts.

0:47:46.640 --> 0:47:48.959
<v Speaker 1>But they were like, well, the Roots already completed their record,

0:47:49.000 --> 0:47:52.320
<v Speaker 1>so keep them. So wow.

0:47:52.600 --> 0:47:57.680
<v Speaker 2>So you know, we we worked out in Europe for

0:47:57.760 --> 0:48:00.720
<v Speaker 2>an entire year and they're like, okay, guys, you're eventually

0:48:00.719 --> 0:48:02.040
<v Speaker 2>going to have to come back home. And it's like

0:48:02.120 --> 0:48:06.640
<v Speaker 2>ninety five and we're going to do our first dates

0:48:06.640 --> 0:48:10.120
<v Speaker 2>in the States. Start off in La go to San Francisco,

0:48:11.560 --> 0:48:14.840
<v Speaker 2>work our way to Portland and fourth stop in Seattle

0:48:14.880 --> 0:48:20.480
<v Speaker 2>and then Vancouver and after our Seattle show, like you know,

0:48:20.640 --> 0:48:26.680
<v Speaker 2>in every band's history or their folklore, there's that one

0:48:27.040 --> 0:48:32.000
<v Speaker 2>like crazy person that they meet, like their version of

0:48:32.080 --> 0:48:39.040
<v Speaker 2>Large March from Pewee Herman, like someone just shifting. My

0:48:39.120 --> 0:48:41.239
<v Speaker 2>manager gets on the bus the day that we leave

0:48:41.239 --> 0:48:44.880
<v Speaker 2>for Vancouver is like, yo, man, I met the most

0:48:45.320 --> 0:48:49.239
<v Speaker 2>craziest interesting and he goes.

0:48:49.040 --> 0:48:51.800
<v Speaker 1>On and on and knowing and knowing about.

0:48:50.840 --> 0:48:53.319
<v Speaker 2>He saw someone at that after you know, like we

0:48:53.320 --> 0:48:56.759
<v Speaker 2>would do a show and then you know, we had

0:48:56.800 --> 0:49:02.000
<v Speaker 2>critical buzz, so people are there to see and he

0:49:02.040 --> 0:49:05.000
<v Speaker 2>gets invited to an after party where the other Seattle

0:49:05.080 --> 0:49:09.240
<v Speaker 2>Luminaries are. He talks to you for about two hours

0:49:09.239 --> 0:49:11.000
<v Speaker 2>and you tell him the whole story of what and

0:49:11.040 --> 0:49:16.160
<v Speaker 2>this is ninety five, so everything that you've organized and whatever,

0:49:17.560 --> 0:49:22.799
<v Speaker 2>and he was like whatever you told him. He's like, Yo,

0:49:23.440 --> 0:49:26.520
<v Speaker 2>there needs to be a feminist movement. And I was like, huh,

0:49:26.560 --> 0:49:28.600
<v Speaker 2>we're trying to get on MTV, Like why do we

0:49:28.640 --> 0:49:30.719
<v Speaker 2>have to start a movie. He's like no, man, it's

0:49:30.800 --> 0:49:32.880
<v Speaker 2>like you got to come out think outside the box.

0:49:33.280 --> 0:49:35.839
<v Speaker 2>Like and I was like, what we're rap group? Like

0:49:35.920 --> 0:49:41.520
<v Speaker 2>there's no women in our Like I could not fathom, Like, okay,

0:49:41.560 --> 0:49:45.719
<v Speaker 2>so we're going to be a feminist band now, like

0:49:45.840 --> 0:49:48.279
<v Speaker 2>how does that work in hip hop? Like even I

0:49:48.360 --> 0:49:51.200
<v Speaker 2>was drinking the kool aid of what kind of what

0:49:51.320 --> 0:49:53.120
<v Speaker 2>hip hop was supposed to be and all that stuff,

0:49:53.160 --> 0:49:57.120
<v Speaker 2>and you know, I'm thinking of self preservation. And he

0:49:57.320 --> 0:50:02.319
<v Speaker 2>never lost that legal pad, like he wrote like a

0:50:02.400 --> 0:50:10.120
<v Speaker 2>maniac everything you said. And sure enough, starting in ninety seven,

0:50:10.719 --> 0:50:13.480
<v Speaker 2>the second time I had an interaction with you, the

0:50:13.520 --> 0:50:16.680
<v Speaker 2>two commonalities of it. The thing that impressed him the

0:50:16.760 --> 0:50:22.959
<v Speaker 2>most was that you had a plan, you executed the plan,

0:50:23.840 --> 0:50:28.040
<v Speaker 2>and at both events you famously.

0:50:28.400 --> 0:50:29.200
<v Speaker 1>Cussed out a.

0:50:31.360 --> 0:50:34.160
<v Speaker 2>Figurehead rival of yours that we won't mention her name,

0:50:35.640 --> 0:50:38.080
<v Speaker 2>you know, at both events. The first night he met

0:50:38.160 --> 0:50:41.319
<v Speaker 2>you and then the second time I met you was

0:50:41.440 --> 0:50:45.080
<v Speaker 2>our last day would tourn with the Beastie Boys and

0:50:45.120 --> 0:50:50.800
<v Speaker 2>it's this outdoor. Yes, it wasn't bumpershoed, it wasn't the Gorge.

0:50:52.160 --> 0:50:55.680
<v Speaker 2>It was basically the Beastie Boys, bad brains, the roots

0:50:55.880 --> 0:50:57.399
<v Speaker 2>far side.

0:50:57.600 --> 0:51:01.080
<v Speaker 3>Yeah, that was the night when I I didn't cuss out,

0:51:01.120 --> 0:51:04.279
<v Speaker 3>but I basically, yeah, told them what Ricky Powell was

0:51:04.280 --> 0:51:05.240
<v Speaker 3>doing behind their backs.

0:51:06.680 --> 0:51:10.240
<v Speaker 2>Yo, when when I got to that from their lives

0:51:10.960 --> 0:51:13.360
<v Speaker 2>and I saw you independent of and Rich was like,

0:51:13.480 --> 0:51:15.320
<v Speaker 2>you remember what you remember from Seattle?

0:51:16.520 --> 0:51:17.880
<v Speaker 3>On the phone? Rich and I used to talk on

0:51:17.920 --> 0:51:21.760
<v Speaker 3>the phone. We were like phone friends. I don't remember

0:51:21.760 --> 0:51:23.839
<v Speaker 3>the I don't remember the legal power or the first

0:51:23.840 --> 0:51:25.359
<v Speaker 3>time we met or anything. I just remember that.

0:51:25.280 --> 0:51:27.359
<v Speaker 1>We were because he would hang up and literally.

0:51:27.080 --> 0:51:28.840
<v Speaker 3>Just I really know if he liked me like I

0:51:28.840 --> 0:51:30.880
<v Speaker 3>thought he might like me. But it was like around

0:51:30.880 --> 0:51:33.080
<v Speaker 3>the time when I was meeting Adam. I know he

0:51:33.080 --> 0:51:35.000
<v Speaker 3>didn't like me, but I was kind of like, does

0:51:35.040 --> 0:51:38.400
<v Speaker 3>he like me? Like because and then I was like,

0:51:38.440 --> 0:51:40.600
<v Speaker 3>oh no, this is just a friendship, so sorry for

0:51:40.640 --> 0:51:42.600
<v Speaker 3>your loss. But he was. He was great, and we

0:51:42.640 --> 0:51:45.120
<v Speaker 3>had such amazing phone conversations and.

0:51:45.040 --> 0:51:47.320
<v Speaker 1>It just like you gave us a blueprint. And so

0:51:48.160 --> 0:51:48.799
<v Speaker 1>when we started just.

0:51:48.719 --> 0:51:50.400
<v Speaker 3>Telling him record stores in Portland, I was like, I

0:51:50.480 --> 0:51:51.880
<v Speaker 3>hope they went to that one record store.

0:51:53.760 --> 0:51:56.840
<v Speaker 2>Oh well, you know, I'm I'm a constant record shopper,

0:51:56.840 --> 0:51:58.960
<v Speaker 2>so I'm almost certain that I went to everywhere in

0:51:59.000 --> 0:52:02.879
<v Speaker 2>Portland like Portland's I was my all time favorite place

0:52:02.880 --> 0:52:07.800
<v Speaker 2>on Earth pre pandemic it was. But yeah, I'll say

0:52:07.880 --> 0:52:14.960
<v Speaker 2>that talking us into being accessible, being community based, having

0:52:15.040 --> 0:52:18.320
<v Speaker 2>jam sessions. At first it was the roots Jam session,

0:52:19.200 --> 0:52:23.799
<v Speaker 2>and sure enough, you know, whenever the ladies in our

0:52:23.800 --> 0:52:25.640
<v Speaker 2>circle wanted to get on the mic, it was like

0:52:25.680 --> 0:52:27.760
<v Speaker 2>they would complaining that, you know, you guys are hogging

0:52:27.840 --> 0:52:31.719
<v Speaker 2>up everything and we don't have our like where's our agency?

0:52:31.880 --> 0:52:34.840
<v Speaker 2>And then we morphed it into what we now know

0:52:34.960 --> 0:52:38.160
<v Speaker 2>is Black Lily, which of course was kind of the

0:52:38.200 --> 0:52:41.520
<v Speaker 2>impetus of the spark that Finally, by our fourth album

0:52:41.600 --> 0:52:45.239
<v Speaker 2>had caught on and started a movement. But you know,

0:52:45.600 --> 0:52:50.800
<v Speaker 2>I never ever got to like thank you for kind.

0:52:55.400 --> 0:52:58.040
<v Speaker 3>Yeah, I was like, I didn't even think you knew

0:52:58.040 --> 0:53:00.440
<v Speaker 3>who I was. I was like, can I get on quest?

0:53:00.480 --> 0:53:01.920
<v Speaker 3>I was like, I don't I feel like. I mean,

0:53:01.960 --> 0:53:03.640
<v Speaker 3>we've run into each other, like he came to my

0:53:03.719 --> 0:53:05.840
<v Speaker 3>movie thing, Like I think he's aware of me. But

0:53:05.920 --> 0:53:07.680
<v Speaker 3>you just know so many people that I was like,

0:53:08.000 --> 0:53:10.359
<v Speaker 3>we have friends in common. I was like, maybe if

0:53:10.400 --> 0:53:13.399
<v Speaker 3>you say I'm married toad Rock. I was like, but yeah,

0:53:13.440 --> 0:53:14.840
<v Speaker 3>the fact that you that you're.

0:53:14.680 --> 0:53:17.279
<v Speaker 2>Aware even when I saw and you add together, like

0:53:17.320 --> 0:53:19.439
<v Speaker 2>the various times I've run into you guys, I didn't

0:53:19.440 --> 0:53:21.719
<v Speaker 2>want to freak you out because I was like, yo, dog,

0:53:21.840 --> 0:53:22.600
<v Speaker 2>she doesn't even know.

0:53:23.640 --> 0:53:25.759
<v Speaker 1>And sometimes I don't know these things, Like people will

0:53:25.760 --> 0:53:26.879
<v Speaker 1>tell me things.

0:53:26.600 --> 0:53:30.160
<v Speaker 2>Like you don't even realize that the time you blah

0:53:30.200 --> 0:53:33.759
<v Speaker 2>blah blah blah blah backed in ninety eight, Like now

0:53:33.840 --> 0:53:35.799
<v Speaker 2>that's the part of long life that I'm getting. Where

0:53:36.480 --> 0:53:40.279
<v Speaker 2>people from this college that apparently I did something for

0:53:40.560 --> 0:53:43.680
<v Speaker 2>that you know, you gave me. There was one person

0:53:43.719 --> 0:53:47.000
<v Speaker 2>that said, uh, I guess i'd for senior paper I

0:53:47.040 --> 0:53:50.160
<v Speaker 2>talked to him for three hours and that wound up

0:53:50.840 --> 0:53:52.839
<v Speaker 2>not only getting him an A, but that got him

0:53:52.880 --> 0:53:56.759
<v Speaker 2>like hired at Lucasfilm like stuff that you're you're not

0:53:56.840 --> 0:53:59.920
<v Speaker 2>aware of the residual effect. So I wanted to say

0:54:00.040 --> 0:54:02.560
<v Speaker 2>this platform, No, I was highly aware of who you

0:54:02.600 --> 0:54:08.120
<v Speaker 2>were and follows you throughout the the years, like literally

0:54:08.239 --> 0:54:11.560
<v Speaker 2>you're you're the first. And I don't mean character in

0:54:11.719 --> 0:54:16.279
<v Speaker 2>a reductive way, but you know, when we're arriving in

0:54:16.360 --> 0:54:21.879
<v Speaker 2>Seattle after living in Europe and a John tirolta boy

0:54:21.880 --> 0:54:25.759
<v Speaker 2>in a plastic bubble way like like I didn't meet

0:54:25.760 --> 0:54:29.080
<v Speaker 2>a Wu Tang member until nineteen ninety nine. Like we

0:54:29.080 --> 0:54:31.920
<v Speaker 2>were just we were very much hip hop, but we

0:54:31.920 --> 0:54:35.960
<v Speaker 2>were just separated from what was happening between ninety three

0:54:35.960 --> 0:54:38.319
<v Speaker 2>and ninety nine because we were living in Europe and

0:54:39.200 --> 0:54:41.840
<v Speaker 2>on other tours that weren't hip hop related. And so

0:54:42.960 --> 0:54:47.840
<v Speaker 2>finally using your your blueprint in terms of organizing a

0:54:47.960 --> 0:54:51.600
<v Speaker 2>movement was how we finally like broke through to the

0:54:51.680 --> 0:54:55.920
<v Speaker 2>other side. So you can add that feather to you, cap.

0:54:57.600 --> 0:55:00.520
<v Speaker 3>I hope it didn't cause the problems that it for me,

0:55:00.640 --> 0:55:05.400
<v Speaker 3>because I definitely took on too much, you know, and

0:55:05.520 --> 0:55:07.600
<v Speaker 3>I've never listened to critics, Like I know you're somebody

0:55:07.640 --> 0:55:09.840
<v Speaker 3>who like follows what critics say, and like you know,

0:55:09.880 --> 0:55:13.600
<v Speaker 3>album and sales, and like, I feel really lucky that

0:55:13.600 --> 0:55:17.120
<v Speaker 3>that was just never I came at music making as

0:55:17.160 --> 0:55:19.840
<v Speaker 3>an art practice, like from my other art forms, so

0:55:20.760 --> 0:55:24.560
<v Speaker 3>I had this real thing of like not protecting my creativity.

0:55:24.560 --> 0:55:26.520
<v Speaker 3>But I feel very lucky. Like with one of the

0:55:26.560 --> 0:55:28.480
<v Speaker 3>first questions you asked was like, you know, how did

0:55:28.480 --> 0:55:30.120
<v Speaker 3>you write this book, and like what about the people

0:55:30.160 --> 0:55:31.959
<v Speaker 3>in it? And like how are people? Were you worried

0:55:31.960 --> 0:55:33.719
<v Speaker 3>how people are going to react? And it's like I

0:55:33.760 --> 0:55:36.120
<v Speaker 3>didn't think about it, and like I tried. There's definitely

0:55:36.160 --> 0:55:38.200
<v Speaker 3>been one album that I made that I was thinking

0:55:38.239 --> 0:55:41.920
<v Speaker 3>about that and it was not good. And almost everything

0:55:41.920 --> 0:55:44.120
<v Speaker 3>else I've just been like I'm just making the thing

0:55:44.120 --> 0:55:46.520
<v Speaker 3>I want to make, Like I'm eitherre's something that I

0:55:46.560 --> 0:55:48.600
<v Speaker 3>want to hear or there's something I want to read

0:55:48.640 --> 0:55:50.400
<v Speaker 3>that isn't being written, And You're right, a lot of

0:55:50.440 --> 0:55:52.879
<v Speaker 3>it ended up being I was writing to me when

0:55:52.880 --> 0:55:55.719
<v Speaker 3>I was fifteen, as if I was the adult who

0:55:55.760 --> 0:55:58.360
<v Speaker 3>was saying the things that I needed to hear, or

0:55:58.840 --> 0:56:01.480
<v Speaker 3>I was saying the things that I needed to hear

0:56:01.800 --> 0:56:04.239
<v Speaker 3>that would validate that I wasn't insane, you know what

0:56:04.280 --> 0:56:06.279
<v Speaker 3>I mean that, like, actually the world's crazy and you're

0:56:06.360 --> 0:56:10.000
<v Speaker 3>kind of okay. But it's really funny when your music

0:56:10.040 --> 0:56:12.319
<v Speaker 3>catches up with your life, you know, and then you're

0:56:12.320 --> 0:56:15.320
<v Speaker 3>actually writing about what's happening now and you're not still

0:56:15.800 --> 0:56:17.920
<v Speaker 3>writing about you know, past stuff that you don't even

0:56:17.960 --> 0:56:20.360
<v Speaker 3>know you're writing about. Until for me, you know, my

0:56:20.440 --> 0:56:24.040
<v Speaker 3>band didn't play shows both my buns for like twenty years,

0:56:24.080 --> 0:56:26.640
<v Speaker 3>and then we got back together, and all of a sudden,

0:56:26.680 --> 0:56:29.920
<v Speaker 3>I was like, I am the person that I wrote

0:56:30.120 --> 0:56:33.120
<v Speaker 3>about wanting to be in this song right now, And

0:56:33.400 --> 0:56:35.360
<v Speaker 3>I've realized what all these songs were actually about, and

0:56:35.360 --> 0:56:38.560
<v Speaker 3>that they were about totally different things that I were about.

0:56:38.680 --> 0:56:41.440
<v Speaker 3>You know, like before I ever came out of being

0:56:42.640 --> 0:56:45.080
<v Speaker 3>having been been raped by a friend of mine while

0:56:45.080 --> 0:56:46.879
<v Speaker 3>I was in Bikini Kill, and everybody thought I was.

0:56:46.840 --> 0:56:49.320
<v Speaker 5>Like a strong, tough feminist and you know, I'm always

0:56:49.400 --> 0:56:51.160
<v Speaker 5>like you know, yeapin and blah blah blah, and you

0:56:51.200 --> 0:56:53.880
<v Speaker 5>cut some people out like whatever, But I also was

0:56:53.880 --> 0:56:56.600
<v Speaker 5>actually assaulted by a close friend of mine during that time,

0:56:56.760 --> 0:56:58.200
<v Speaker 5>like right before I went on.

0:56:58.160 --> 0:57:01.480
<v Speaker 3>A really big tour, and the day before I went

0:57:01.520 --> 0:57:04.360
<v Speaker 3>on tour, and what did I do? I played the shows,

0:57:04.520 --> 0:57:07.480
<v Speaker 3>And I'm glad I did because I got to throw

0:57:07.520 --> 0:57:09.799
<v Speaker 3>my whole body and my whole life story into every

0:57:09.840 --> 0:57:13.960
<v Speaker 3>single night, and so I think that kept me alive. Honestly,

0:57:14.560 --> 0:57:20.440
<v Speaker 3>it wasn't always me using it as a distraction, because

0:57:20.520 --> 0:57:22.600
<v Speaker 3>everything else is a distraction in my life. But when

0:57:22.600 --> 0:57:26.440
<v Speaker 3>I'm on stage, that's the main time that I'm a

0:57:26.480 --> 0:57:30.520
<v Speaker 3>real person and that I am who I most really honestly,

0:57:31.520 --> 0:57:35.200
<v Speaker 3>and I'm fully present and I'll bank like every other

0:57:35.240 --> 0:57:37.400
<v Speaker 3>hour of my life just for that hour and a

0:57:37.400 --> 0:57:39.800
<v Speaker 3>half or two hour time period, because to me, live

0:57:39.840 --> 0:57:43.640
<v Speaker 3>performance is the main thing that I crave as a person.

0:57:45.160 --> 0:57:48.520
<v Speaker 3>So yeah, I was going through that kind of stuff,

0:57:48.520 --> 0:57:50.320
<v Speaker 3>and like nobody knew about it, and I feel like

0:57:50.320 --> 0:57:53.080
<v Speaker 3>I couldn't tell people because I didn't want the riot

0:57:53.080 --> 0:57:56.400
<v Speaker 3>Gral people to come after him, because that just wasn't

0:57:56.480 --> 0:57:59.560
<v Speaker 3>the story that I wanted. Like retribution for me holds

0:57:59.600 --> 0:58:01.600
<v Speaker 3>no entry, and it's just taking me off with the

0:58:01.640 --> 0:58:04.040
<v Speaker 3>path of what I want to make and I wasn't

0:58:04.080 --> 0:58:05.680
<v Speaker 3>ready to deal with it, and so I just shut

0:58:05.760 --> 0:58:07.560
<v Speaker 3>it off from my brain and I moved along and

0:58:07.600 --> 0:58:09.040
<v Speaker 3>I was like, you know what, my mission is more

0:58:09.080 --> 0:58:13.120
<v Speaker 3>important than this person. But eventually it came back to

0:58:13.120 --> 0:58:15.840
<v Speaker 3>bite me in the ass and I and it came

0:58:15.880 --> 0:58:17.720
<v Speaker 3>to the fore and I had to deal with it

0:58:17.760 --> 0:58:20.840
<v Speaker 3>and I had to process it. And you know, through

0:58:22.040 --> 0:58:24.240
<v Speaker 3>doing that, that was when I finally fell in love

0:58:24.240 --> 0:58:28.120
<v Speaker 3>with that. That's when I got my cat, David Sue Recipes.

0:58:28.520 --> 0:58:29.680
<v Speaker 3>That's when I finally started.

0:58:29.720 --> 0:58:32.400
<v Speaker 1>I bought a couch, Like I have never heard a

0:58:32.440 --> 0:58:34.800
<v Speaker 1>cat a mattress, you know what I mean.

0:58:34.840 --> 0:58:36.920
<v Speaker 3>Like I had not only a mattress, but I had

0:58:36.920 --> 0:58:37.720
<v Speaker 3>a couch too.

0:58:37.880 --> 0:58:41.960
<v Speaker 1>Yeah, you're adulting. I have two questions to ask, okay.

0:58:42.120 --> 0:58:46.400
<v Speaker 2>So one, you know, thank you for your your your

0:58:46.440 --> 0:58:52.960
<v Speaker 2>honesty and sharing those stories in your book about your assault.

0:58:53.360 --> 0:58:57.160
<v Speaker 2>Knowing what you know now and especially what's been happening

0:58:58.040 --> 0:59:00.960
<v Speaker 2>in the last five years, is a part of you

0:59:02.040 --> 0:59:07.040
<v Speaker 2>wishing that well, First of all, if you go back

0:59:07.320 --> 0:59:09.960
<v Speaker 2>in time. Number one is hope that you never have

0:59:10.040 --> 0:59:11.000
<v Speaker 2>to experience that ever.

0:59:11.520 --> 0:59:12.400
<v Speaker 3>Oh yeah, for sure.

0:59:13.120 --> 0:59:17.200
<v Speaker 2>But in terms of the one particular story that you

0:59:17.360 --> 0:59:21.720
<v Speaker 2>shared about, you know, having a conversation of vulnerability and

0:59:21.840 --> 0:59:23.760
<v Speaker 2>you guys just sitting lying in the bed next to

0:59:23.800 --> 0:59:28.200
<v Speaker 2>each other and talking, and that was the person that

0:59:28.240 --> 0:59:31.840
<v Speaker 2>you trusted, and suddenly it just went.

0:59:31.720 --> 0:59:33.200
<v Speaker 1>One to eighty the other way.

0:59:33.640 --> 0:59:37.880
<v Speaker 2>And you know, as I'm reading this, I'm like, oh God, okay,

0:59:38.280 --> 0:59:39.520
<v Speaker 2>is the rage going to happen?

0:59:39.560 --> 0:59:40.360
<v Speaker 1>Here is it?

0:59:41.320 --> 0:59:43.760
<v Speaker 2>And I understand letting him go, and I understand the

0:59:44.160 --> 0:59:47.720
<v Speaker 2>entire ordeal of reliving that trauma through the legal system,

0:59:47.760 --> 0:59:49.920
<v Speaker 2>and all that stuff was just whatever.

0:59:50.840 --> 0:59:53.640
<v Speaker 3>I mean, I forgot it the second I left.

0:59:54.440 --> 0:59:59.040
<v Speaker 2>Right the way that you painted it, I was like, oh, okay,

0:59:59.200 --> 1:00:01.040
<v Speaker 2>she It was almost like a struggle.

1:00:01.120 --> 1:00:03.680
<v Speaker 1>Oh no, big deal. Okay, well goodbye, see you later.

1:00:04.040 --> 1:00:06.800
<v Speaker 2>Are you fine with the process of how you put

1:00:06.800 --> 1:00:08.000
<v Speaker 2>that in your past?

1:00:08.720 --> 1:00:08.880
<v Speaker 1>Oh?

1:00:08.960 --> 1:00:13.640
<v Speaker 3>Yeah. I mean I'm mad that he hasn't had to

1:00:13.640 --> 1:00:18.720
<v Speaker 3>pay for my therapy because it keeps coming up. And

1:00:18.760 --> 1:00:21.880
<v Speaker 3>I'm like, Jesus Christ, when will this person go away?

1:00:22.120 --> 1:00:24.040
<v Speaker 3>You know what I mean. It's not the person, it's

1:00:24.120 --> 1:00:26.120
<v Speaker 3>like the abuse of trust. And you know, I was

1:00:26.160 --> 1:00:28.520
<v Speaker 3>also at a place in my life where like I

1:00:28.640 --> 1:00:31.440
<v Speaker 3>needed to find a good man. I needed to find

1:00:31.560 --> 1:00:35.960
<v Speaker 3>a man in my life who was a feminist and

1:00:36.040 --> 1:00:38.360
<v Speaker 3>who read books about it and cared about it. To

1:00:38.520 --> 1:00:41.840
<v Speaker 3>prove to me, I've been so disappointed by so many

1:00:41.840 --> 1:00:44.160
<v Speaker 3>men in my life who i'd gotten close to. Like

1:00:44.240 --> 1:00:46.640
<v Speaker 3>I had for a lot of my life a lot

1:00:46.680 --> 1:00:48.480
<v Speaker 3>of guy friends, and I hung out with guys, and

1:00:48.560 --> 1:00:49.960
<v Speaker 3>I was like the kind of person who was like,

1:00:50.280 --> 1:00:54.280
<v Speaker 3>let's go, you know, break bottles down by the railroad track. Yeah, well,

1:00:54.320 --> 1:00:56.440
<v Speaker 3>let's go. Yeah, let's go break into the you know,

1:00:56.880 --> 1:01:01.120
<v Speaker 3>the old prison and you know, smoke pot like stuff

1:01:01.160 --> 1:01:03.120
<v Speaker 3>like that. And so I have these guy friends and

1:01:03.160 --> 1:01:05.120
<v Speaker 3>like the second I wouldn't have a boyfriend, they'd be like, okay,

1:01:05.160 --> 1:01:06.880
<v Speaker 3>let's have sex, and I'd be like, I don't like

1:01:06.960 --> 1:01:10.040
<v Speaker 3>you like that. And then it'd be like, you know,

1:01:10.200 --> 1:01:13.560
<v Speaker 3>either stock er behavior, they're really mad, they're ego is bruises,

1:01:13.560 --> 1:01:16.120
<v Speaker 3>this whole thing, and I was like, god, this is

1:01:16.160 --> 1:01:18.400
<v Speaker 3>so awful. And so I thought I finally thought I

1:01:18.480 --> 1:01:21.600
<v Speaker 3>met this guy who was you know, he's so smart

1:01:21.760 --> 1:01:24.080
<v Speaker 3>and we're like, you know, Briny Angela Davis books together

1:01:24.200 --> 1:01:26.360
<v Speaker 3>and like talking about it and I'm like, this guy's

1:01:26.400 --> 1:01:29.880
<v Speaker 3>so cool. And then he hands up sexually as salting me.

1:01:30.640 --> 1:01:33.840
<v Speaker 3>And I was like the fact that I could ever

1:01:33.920 --> 1:01:36.560
<v Speaker 3>trust anybody again in my life, but you know, is

1:01:37.000 --> 1:01:39.920
<v Speaker 3>kind of like I feel like I'm a walking miracle.

1:01:40.440 --> 1:01:44.080
<v Speaker 2>So well, part two of my question is how did

1:01:44.080 --> 1:01:48.760
<v Speaker 2>you allow yourself the space to open your heart to Adam?

1:01:48.880 --> 1:01:52.520
<v Speaker 2>And kind of part three of that question is behind

1:01:52.680 --> 1:01:56.280
<v Speaker 2>every punk persona is there a cheese ball?

1:01:56.400 --> 1:01:59.880
<v Speaker 1>Because the fact that because the fact that.

1:01:59.880 --> 1:02:03.800
<v Speaker 2>You are corny right now got well, the thing was,

1:02:03.840 --> 1:02:05.720
<v Speaker 2>you gave yourself away with Donnie Marie.

1:02:06.480 --> 1:02:11.040
<v Speaker 1>I fell into you backwards, right your persona.

1:02:10.800 --> 1:02:12.080
<v Speaker 3>You started with Donnie Marie.

1:02:12.400 --> 1:02:14.360
<v Speaker 1>No, no, no, no, I fell into you backwards. And

1:02:14.400 --> 1:02:16.680
<v Speaker 1>so then when I started reading the pool.

1:02:17.360 --> 1:02:20.720
<v Speaker 2>You're us weekly stars are just like us moment, I

1:02:20.880 --> 1:02:23.600
<v Speaker 2>was like, oh, she lived for Donnie Marie on Friday

1:02:23.680 --> 1:02:25.600
<v Speaker 2>nights like I did, like me and my sister did

1:02:25.640 --> 1:02:26.480
<v Speaker 2>on Friday nights.

1:02:26.520 --> 1:02:27.160
<v Speaker 1>That's crazy.

1:02:27.880 --> 1:02:32.120
<v Speaker 2>So no, but the fact that your go to thought

1:02:32.560 --> 1:02:36.400
<v Speaker 2>was Okay, I need a mattress and I need peanut

1:02:36.400 --> 1:02:42.200
<v Speaker 2>butter and jelly, and like I was like yeah, And

1:02:42.320 --> 1:02:45.720
<v Speaker 2>behind every punk persona is a cheese ball.

1:02:45.920 --> 1:02:49.720
<v Speaker 1>And you brought this poster and oh, Dolk and Mike.

1:02:52.200 --> 1:02:54.440
<v Speaker 3>I couldn't make up. So the story is, I can

1:02:54.480 --> 1:02:56.160
<v Speaker 3>tell it from the book just so you know, is

1:02:56.200 --> 1:02:58.360
<v Speaker 3>that I was in love with Adam. I brought Corvi.

1:02:58.360 --> 1:03:02.720
<v Speaker 3>It's from Dusty Boys, and it was pre Internet, so

1:03:02.760 --> 1:03:05.040
<v Speaker 3>I couldn't just look up a picture of him to

1:03:05.120 --> 1:03:09.080
<v Speaker 3>drive apart because we were apart because he lived in

1:03:09.280 --> 1:03:12.360
<v Speaker 3>LA and New York and I lived in Olympia, Washington.

1:03:13.080 --> 1:03:17.560
<v Speaker 3>So I went to the Sam Goodie at the mall.

1:03:18.200 --> 1:03:19.840
<v Speaker 3>I couldn't go to the cool record store.

1:03:20.120 --> 1:03:21.400
<v Speaker 1>I shopped at Sam Goodies.

1:03:21.640 --> 1:03:24.240
<v Speaker 3>Well, you're from Philly. Did they have Waxy Maxis?

1:03:24.840 --> 1:03:26.120
<v Speaker 1>No, because the first the.

1:03:26.080 --> 1:03:30.680
<v Speaker 3>First single I ever bought was pop Music by m

1:03:31.120 --> 1:03:34.240
<v Speaker 3>at Waxy Maxie, and I always loved that name. I

1:03:34.280 --> 1:03:36.160
<v Speaker 3>was like, if I ever started a record store, I'm

1:03:36.160 --> 1:03:39.160
<v Speaker 3>my name of Waxy Maxis. Anyways, I went to like

1:03:39.160 --> 1:03:40.640
<v Speaker 3>Sam Goodie at the mall because I was like, nobody

1:03:40.680 --> 1:03:42.520
<v Speaker 3>will recognize me. It was like the punk like in

1:03:42.600 --> 1:03:45.880
<v Speaker 3>you know, nose and glasses, sneaking into Sam Goodie instead

1:03:45.880 --> 1:03:47.240
<v Speaker 3>of the store.

1:03:48.560 --> 1:03:52.480
<v Speaker 1>On Yeah, and.

1:03:51.200 --> 1:03:53.000
<v Speaker 3>Nobody will see me at the mall because like it's

1:03:53.040 --> 1:03:56.640
<v Speaker 3>a small town. Like seriously. Anytime I was like, you know,

1:03:57.400 --> 1:04:00.440
<v Speaker 3>had a relationship with somebody, everybody knew because we all

1:04:00.480 --> 1:04:02.959
<v Speaker 3>lived in the same apartment building. So I was like, oh,

1:04:03.040 --> 1:04:05.800
<v Speaker 3>I saw so and So leaving her apartment you know

1:04:05.840 --> 1:04:09.080
<v Speaker 3>what I mean, Like that is how every everybody knew everything,

1:04:09.160 --> 1:04:11.080
<v Speaker 3>Like you couldn't. You had to like go into a

1:04:11.080 --> 1:04:13.560
<v Speaker 3>coffee shop five minutes after somebody, so they didn't know

1:04:13.600 --> 1:04:16.480
<v Speaker 3>you were together. Like it was like we lived in

1:04:16.560 --> 1:04:19.600
<v Speaker 3>paparazzi land, even though we were like, you know, just

1:04:19.840 --> 1:04:22.520
<v Speaker 3>kids in like this kind of town run by punks.

1:04:23.960 --> 1:04:25.480
<v Speaker 3>It was pretty amazing to live in a town that

1:04:25.480 --> 1:04:26.920
<v Speaker 3>had it done town. But that's a whole other thing.

1:04:26.960 --> 1:04:29.120
<v Speaker 3>So I go drive to the mall, I get my

1:04:29.160 --> 1:04:32.360
<v Speaker 3>poster of the Beastie Boys, and I'm so psyched that

1:04:32.440 --> 1:04:34.280
<v Speaker 3>I get to look at the most handsome man. And

1:04:34.320 --> 1:04:36.400
<v Speaker 3>this is this is when you were saying, how did

1:04:36.440 --> 1:04:38.360
<v Speaker 3>you manage to open up your heart after these bad

1:04:38.400 --> 1:04:41.960
<v Speaker 3>experiences to this person. I like pretty boys. I just

1:04:42.120 --> 1:04:44.320
<v Speaker 3>like pretty boys. I like pretty girls too, but I

1:04:44.400 --> 1:04:47.800
<v Speaker 3>like pretty boys. And he is a very pretty boy.

1:04:48.200 --> 1:04:52.520
<v Speaker 3>And also he loves records and he loves music. And

1:04:52.560 --> 1:04:57.000
<v Speaker 3>he's very different from me and compliments me like he's

1:04:57.880 --> 1:05:00.120
<v Speaker 3>I'm more like that, I don't know, you know, like

1:05:00.120 --> 1:05:02.680
<v Speaker 3>like the feminist art, you know, person or like whatever.

1:05:02.840 --> 1:05:06.160
<v Speaker 3>And he's much more reserved. But he is funny as hell.

1:05:06.480 --> 1:05:09.800
<v Speaker 3>He is so funny, and that is just the sexiest.

1:05:10.120 --> 1:05:12.480
<v Speaker 3>I mean, he's good looking, and he's funny, and he

1:05:12.800 --> 1:05:16.160
<v Speaker 3>likes good records. Because I have had one night chance

1:05:16.200 --> 1:05:19.920
<v Speaker 3>with people and I've looked at their collection or their CD.

1:05:19.800 --> 1:05:22.360
<v Speaker 1>Collection, you're that person you judge people.

1:05:24.480 --> 1:05:26.880
<v Speaker 3>I'm sorry, but if I find out Dave Matthews CD.

1:05:27.960 --> 1:05:30.120
<v Speaker 3>I slept with this girl and I woke up in

1:05:30.160 --> 1:05:33.000
<v Speaker 3>the morning and she had like Dave Matthews and like,

1:05:33.360 --> 1:05:33.720
<v Speaker 3>I was.

1:05:33.680 --> 1:05:37.120
<v Speaker 1>Like Matthews, I am.

1:05:37.280 --> 1:05:40.920
<v Speaker 3>I was like no. I was just like no, and

1:05:41.080 --> 1:05:43.200
<v Speaker 3>I and I ghosted her. I was like, I.

1:05:43.480 --> 1:05:45.000
<v Speaker 1>Can't, you're that person.

1:05:46.680 --> 1:05:48.600
<v Speaker 3>I bought the poster and I brought it home to

1:05:48.640 --> 1:05:52.160
<v Speaker 3>my apartment and I made out with it. I made

1:05:52.160 --> 1:05:54.120
<v Speaker 3>out with it. I kissed the poster all over and

1:05:54.160 --> 1:05:57.400
<v Speaker 3>I covered Mike and Yowk's faces. That was weird. I

1:05:57.440 --> 1:05:59.880
<v Speaker 3>was like, your bandmates are watching me make out with

1:05:59.920 --> 1:06:02.720
<v Speaker 3>you you And then he found it when he came

1:06:02.760 --> 1:06:04.800
<v Speaker 3>to my apartment and he's like, what's how come the

1:06:04.800 --> 1:06:08.479
<v Speaker 3>mouth it's all mestered right out of like, let's water

1:06:08.560 --> 1:06:10.960
<v Speaker 3>on it. Yeah, it's fair.

1:06:11.120 --> 1:06:13.520
<v Speaker 1>That's the most of romantic story I've ever heard.

1:06:13.720 --> 1:06:13.760
<v Speaker 3>No.

1:06:14.320 --> 1:06:16.000
<v Speaker 1>Here's the thing though, I.

1:06:17.560 --> 1:06:20.480
<v Speaker 2>Used to be used to be well, not steel amb

1:06:21.080 --> 1:06:24.320
<v Speaker 2>I was a member of Columbia House. Oh yeah, I

1:06:24.360 --> 1:06:29.560
<v Speaker 2>was also a lazy member of Columbia House. And the

1:06:29.560 --> 1:06:32.880
<v Speaker 2>way that Columbia House works, of course is yes, for

1:06:32.920 --> 1:06:35.600
<v Speaker 2>those that are listening to our show that were born

1:06:35.920 --> 1:06:39.440
<v Speaker 2>before nineteen ninety three, you didn't.

1:06:39.240 --> 1:06:41.959
<v Speaker 3>Go to school in a pioneer buggy wagon, right.

1:06:42.240 --> 1:06:47.000
<v Speaker 2>So Columbia House was the original Spotify where they would

1:06:47.160 --> 1:06:50.760
<v Speaker 2>entice you in magazines and whatnot. For a penny, you

1:06:50.840 --> 1:06:56.840
<v Speaker 2>get fifteen free albums and then you're instantly signing.

1:06:56.600 --> 1:06:59.520
<v Speaker 1>Up for a subscription service throughout the year. And the

1:06:59.600 --> 1:07:04.520
<v Speaker 1>deal with is that they will send you two.

1:07:03.800 --> 1:07:07.480
<v Speaker 2>To eight records a month based on your taste and

1:07:07.560 --> 1:07:12.440
<v Speaker 2>the algorithm, and if you like the records that you're getting,

1:07:13.000 --> 1:07:15.040
<v Speaker 2>then they just charge you and keep on charging you.

1:07:15.240 --> 1:07:18.400
<v Speaker 2>If you don't like it, you can return it, but

1:07:18.440 --> 1:07:22.440
<v Speaker 2>they're kind of banking on you forgetting to return it.

1:07:22.800 --> 1:07:26.480
<v Speaker 2>And so as a result, which the lazy part comes

1:07:26.480 --> 1:07:29.640
<v Speaker 2>into play because I checked off, I like all types

1:07:29.680 --> 1:07:33.240
<v Speaker 2>of music. I will say that a big part of

1:07:33.240 --> 1:07:38.320
<v Speaker 2>my you eyebrow raising judging me for my record collection

1:07:39.480 --> 1:07:44.280
<v Speaker 2>stems from all the records I didn't return from Columbia House,

1:07:44.960 --> 1:07:46.919
<v Speaker 2>and I would just force myself to listen. I think

1:07:46.920 --> 1:07:50.280
<v Speaker 2>between like twelve Wait a minute, I don't believe.

1:07:50.080 --> 1:07:50.640
<v Speaker 1>That for a minute.

1:07:50.640 --> 1:07:54.680
<v Speaker 2>All right, spew right now five records between twelve and

1:07:54.880 --> 1:07:59.440
<v Speaker 2>seventeen that you wouldn't want any of your friends to

1:07:59.480 --> 1:08:01.680
<v Speaker 2>know that you listen to they.

1:08:04.560 --> 1:08:05.320
<v Speaker 1>Tell the truth.

1:08:05.960 --> 1:08:09.400
<v Speaker 3>It's all. It's all before that, because I mean, by the.

1:08:09.400 --> 1:08:13.840
<v Speaker 2>Time if you watch Donny Marie, I know, but.

1:08:13.360 --> 1:08:15.840
<v Speaker 3>But I'm proud of my Olbinaton John thing. So I

1:08:15.920 --> 1:08:19.400
<v Speaker 3>had totally hot, wait, totally hot.

1:08:19.439 --> 1:08:21.560
<v Speaker 1>I was gonna say totally hot hot.

1:08:21.520 --> 1:08:25.439
<v Speaker 2>Xanadu or like which which car hot totally we all

1:08:25.439 --> 1:08:26.439
<v Speaker 2>felt for totally hot.

1:08:26.920 --> 1:08:30.240
<v Speaker 3>I literally carried it to camp without the vinyl in it,

1:08:30.320 --> 1:08:32.800
<v Speaker 3>so the vinyl didn't get hurt. I just carried the

1:08:33.600 --> 1:08:35.080
<v Speaker 3>and I slept with it under my pillow.

1:08:35.720 --> 1:08:41.200
<v Speaker 2>First fist fight I got into with Mark Rapp in

1:08:41.240 --> 1:08:42.120
<v Speaker 2>the third grade.

1:08:42.240 --> 1:08:44.560
<v Speaker 1>The way that I could get under his skin.

1:08:46.160 --> 1:08:48.800
<v Speaker 2>Was okay, this is like in the video game era,

1:08:50.240 --> 1:08:54.240
<v Speaker 2>where you could write out something longer than three initials

1:08:54.280 --> 1:08:55.280
<v Speaker 2>if you get the high score.

1:08:55.400 --> 1:08:57.479
<v Speaker 3>Oh yeah, yeah, yeah, well I was are.

1:08:57.560 --> 1:09:01.240
<v Speaker 2>Asked, right, but then it was one particular game that

1:09:01.360 --> 1:09:06.040
<v Speaker 2>let you have like twenty characters, and the sure fire

1:09:06.080 --> 1:09:14.439
<v Speaker 2>away to get under Mark's skin was to write Olivia sucks.

1:09:14.760 --> 1:09:16.840
<v Speaker 2>I mean I would spelling it out and he's like,

1:09:16.920 --> 1:09:21.400
<v Speaker 2>if you press into I swear a mirror and run.

1:09:21.479 --> 1:09:22.880
<v Speaker 1>My That was daily.

1:09:23.160 --> 1:09:26.479
<v Speaker 2>But yeah, for Christmas, I remember, Yeah, she had like

1:09:26.640 --> 1:09:29.080
<v Speaker 2>a commercial campaign with the black leather jacket and all

1:09:29.120 --> 1:09:29.439
<v Speaker 2>that shit.

1:09:29.800 --> 1:09:32.840
<v Speaker 3>It was like Sandy from Greece continued.

1:09:32.479 --> 1:09:35.400
<v Speaker 1>Right exactly the same outfit. So yeah, it was so good.

1:09:36.200 --> 1:09:39.320
<v Speaker 3>I had a fancy called Destination Olivia and then there

1:09:39.439 --> 1:09:42.400
<v Speaker 3>we had a party around it to celebrate its lunch,

1:09:42.479 --> 1:09:44.679
<v Speaker 3>and it was a jone Jet versus Olivia and John

1:09:44.720 --> 1:09:45.720
<v Speaker 3>party and you had.

1:09:45.760 --> 1:09:47.440
<v Speaker 1>Joined it or you made the fanzine.

1:09:47.840 --> 1:09:50.679
<v Speaker 3>I made the fancine called the Station Olivia, and then

1:09:50.920 --> 1:09:52.519
<v Speaker 3>a bunch of girls in my town were like, we're

1:09:52.560 --> 1:09:57.160
<v Speaker 3>going to throw this party that is jone Jet versus Olivia,

1:09:58.000 --> 1:10:00.759
<v Speaker 3>and so everybody dressed it's either Joan or Olivia.

1:10:01.760 --> 1:10:04.400
<v Speaker 2>So you're basically it was so and a lot of

1:10:04.400 --> 1:10:08.439
<v Speaker 2>people were Lingerie for now an a win tour of

1:10:09.200 --> 1:10:13.320
<v Speaker 2>music fanzines because you know, like the BC Boys taught

1:10:13.320 --> 1:10:19.120
<v Speaker 2>me everything. I know that I still utilized now in

1:10:19.160 --> 1:10:22.599
<v Speaker 2>my career, even with me creating an OK player and

1:10:23.040 --> 1:10:26.519
<v Speaker 2>being on the internet, Like everything that I implement now

1:10:27.479 --> 1:10:29.960
<v Speaker 2>is from those two months of touring with those guys,

1:10:30.600 --> 1:10:34.960
<v Speaker 2>especially with getting Grand Royal. Probably, like one of my

1:10:35.960 --> 1:10:39.920
<v Speaker 2>prize possessions is that I have ten copies of every

1:10:40.000 --> 1:10:43.920
<v Speaker 2>Grand Royal ever published somewhere in my storage unit. But

1:10:44.040 --> 1:10:48.879
<v Speaker 2>for you talk about the publisher in you, like you

1:10:48.960 --> 1:10:52.080
<v Speaker 2>putting these fanzines together, you putting and I don't mean

1:10:52.160 --> 1:10:55.160
<v Speaker 2>high school, I'm talking about even in your career. How

1:10:55.160 --> 1:10:58.720
<v Speaker 2>do you have the energy to even do that in

1:10:58.760 --> 1:11:01.200
<v Speaker 2>addition to being an artist.

1:11:01.920 --> 1:11:03.680
<v Speaker 3>I mean, you know, when you're in your twenties, it's

1:11:03.720 --> 1:11:05.439
<v Speaker 3>not that big big deal, like and when you live

1:11:05.479 --> 1:11:07.439
<v Speaker 3>in a small town, there was nothing going on. Like

1:11:07.479 --> 1:11:10.320
<v Speaker 3>we were bored kids, and we were really lucky that

1:11:10.400 --> 1:11:15.120
<v Speaker 3>at the time Heroin wasn't around. So yeah, we drank forties,

1:11:15.200 --> 1:11:18.759
<v Speaker 3>but like, and I may have drank too many forties

1:11:18.840 --> 1:11:20.240
<v Speaker 3>a few many times.

1:11:19.880 --> 1:11:20.040
<v Speaker 1>But.

1:11:21.520 --> 1:11:24.559
<v Speaker 3>You know, it was like something to do. So I

1:11:24.640 --> 1:11:27.120
<v Speaker 3>was just like, you know, I was also like really

1:11:27.160 --> 1:11:30.400
<v Speaker 3>stressed out a lot about stuff. And you know when

1:11:30.439 --> 1:11:33.000
<v Speaker 3>you first become a feminist or you first become conscious

1:11:33.040 --> 1:11:35.800
<v Speaker 3>about just like marginalization and oppression and stuff like that.

1:11:36.120 --> 1:11:40.160
<v Speaker 3>Everywhere you look. It's tough for myself. Everywhere I looked,

1:11:40.439 --> 1:11:42.240
<v Speaker 3>I was like, there it is there, it is there,

1:11:42.240 --> 1:11:43.759
<v Speaker 3>it is. I was like, oh my god, this movie

1:11:43.800 --> 1:11:46.200
<v Speaker 3>is so messed up. Like my mind was kind of

1:11:46.240 --> 1:11:48.960
<v Speaker 3>exploding when I was in my twenties with like all

1:11:48.960 --> 1:11:52.000
<v Speaker 3>the stuff I was learning about, like oh wow, you know,

1:11:52.080 --> 1:11:54.360
<v Speaker 3>this is how this group of people is being treated,

1:11:54.400 --> 1:11:56.400
<v Speaker 3>and this is like to keep these people down so

1:11:56.439 --> 1:11:58.439
<v Speaker 3>that they're workers and they don't you know, and I

1:11:58.479 --> 1:12:00.960
<v Speaker 3>was like whoa, you know, kind of freaking out. And

1:12:00.960 --> 1:12:04.120
<v Speaker 3>so fancines were real outlet for me to write poetically

1:12:04.680 --> 1:12:06.760
<v Speaker 3>about that stuff and to be creative about it and

1:12:06.800 --> 1:12:08.720
<v Speaker 3>to sort of like have it like go through the

1:12:08.720 --> 1:12:11.639
<v Speaker 3>computer of my brain and then come out the other

1:12:11.760 --> 1:12:14.640
<v Speaker 3>side as a way for me to talk about it.

1:12:14.680 --> 1:12:16.880
<v Speaker 3>And also, you know, me and my sister were the

1:12:17.040 --> 1:12:20.320
<v Speaker 3>first people in my family, like my mom and I

1:12:20.360 --> 1:12:22.000
<v Speaker 3>didn't go to college, so like we got to go

1:12:22.040 --> 1:12:24.320
<v Speaker 3>to college, and I was like so thrilled, Like I

1:12:24.360 --> 1:12:26.439
<v Speaker 3>felt like I was so lucky I got to be there,

1:12:26.760 --> 1:12:28.920
<v Speaker 3>and I didn't want to, you know, waste it, and

1:12:28.960 --> 1:12:32.280
<v Speaker 3>so I had this real yearning to like the first

1:12:32.280 --> 1:12:34.439
<v Speaker 3>time I read a Bell Hooks book, I wanted to

1:12:34.439 --> 1:12:36.080
<v Speaker 3>share it with my mom, you know, and it was

1:12:36.120 --> 1:12:37.840
<v Speaker 3>like I wanted to share it with other people in

1:12:37.880 --> 1:12:40.680
<v Speaker 3>my family. And so writing these fanzines was also a

1:12:40.720 --> 1:12:43.639
<v Speaker 3>way that I could share the books I was reading

1:12:43.640 --> 1:12:45.840
<v Speaker 3>in college that back then there was no internet, so

1:12:45.880 --> 1:12:47.640
<v Speaker 3>it was a way to put booklists. It was a

1:12:47.680 --> 1:12:49.439
<v Speaker 3>way to talk about the issues that were coming up

1:12:49.479 --> 1:12:52.360
<v Speaker 3>in books I was reading with other people who maybe

1:12:52.360 --> 1:12:54.880
<v Speaker 3>weren't going to college, because the majority of the punk

1:12:54.880 --> 1:12:59.120
<v Speaker 3>scene in Olympia weren't at Evergreen. Like Evergreen that was

1:12:59.160 --> 1:13:03.160
<v Speaker 3>the college that was in my town that I went to,

1:13:03.280 --> 1:13:05.280
<v Speaker 3>and that's why I moved there to Olympia, Washington and

1:13:05.320 --> 1:13:08.000
<v Speaker 3>Evergreen State College, and but most of the punks didn't

1:13:08.000 --> 1:13:10.080
<v Speaker 3>go to that college. They were just like lived in

1:13:10.080 --> 1:13:13.080
<v Speaker 3>the town, you know. So it was like to be

1:13:13.240 --> 1:13:16.800
<v Speaker 3>able to talk about feminism with everybody, not just people

1:13:16.880 --> 1:13:18.960
<v Speaker 3>who were in college, and actually people in my college.

1:13:18.960 --> 1:13:21.679
<v Speaker 3>There was like one feminist class that I took. People

1:13:21.720 --> 1:13:24.360
<v Speaker 3>think it was like this big feminist outbed, but it

1:13:24.439 --> 1:13:26.760
<v Speaker 3>was actually really frowned upon. And when I tried to

1:13:26.800 --> 1:13:32.080
<v Speaker 3>put feminist ideas into my photography. It was like, shut

1:13:32.120 --> 1:13:36.640
<v Speaker 3>the fuck up. So to be able to put that

1:13:36.800 --> 1:13:39.200
<v Speaker 3>out into the world and have people respond to it's

1:13:39.200 --> 1:13:42.360
<v Speaker 3>really important. And you know, when Kurt died, you guys were,

1:13:42.439 --> 1:13:45.720
<v Speaker 3>you know, scrambling to you know, get your record done

1:13:45.720 --> 1:13:47.320
<v Speaker 3>and make sure your contract was shut up. And I

1:13:47.360 --> 1:13:49.880
<v Speaker 3>was writing a fancy called The April Fool's Day about

1:13:49.960 --> 1:13:54.400
<v Speaker 3>quitting drinking. And I was interviewing my friend Mikey's bass

1:13:54.400 --> 1:13:57.400
<v Speaker 3>player Bryan Sparhawk, who I actually just saw him when

1:13:57.400 --> 1:14:00.520
<v Speaker 3>we got the key to the city in Olympia.

1:14:00.680 --> 1:14:02.519
<v Speaker 1>Now you're the establishment a.

1:14:02.439 --> 1:14:04.280
<v Speaker 3>Month ago, I know. I was like, I was like,

1:14:04.320 --> 1:14:07.280
<v Speaker 3>does this mean I can get into the Governor's Inn,

1:14:07.840 --> 1:14:10.040
<v Speaker 3>which is like the local hotels? Can I just use

1:14:10.080 --> 1:14:10.519
<v Speaker 3>this key?

1:14:10.920 --> 1:14:11.080
<v Speaker 1>Right?

1:14:12.800 --> 1:14:15.760
<v Speaker 3>But no, it was like I was interviewing, you know,

1:14:16.000 --> 1:14:19.160
<v Speaker 3>my friend Mikey also he was Kirk's front and he

1:14:19.200 --> 1:14:22.080
<v Speaker 3>was a heroin user, and I was trying to do

1:14:22.160 --> 1:14:25.439
<v Speaker 3>everything I could to talk about addiction in the punk

1:14:25.479 --> 1:14:28.200
<v Speaker 3>scene and to raise awareness and to try to like

1:14:28.560 --> 1:14:32.080
<v Speaker 3>make Kurt's death mean something, you know, because like I can't.

1:14:32.120 --> 1:14:34.559
<v Speaker 3>I couldn't. That's how I deal with things. I'm like,

1:14:34.600 --> 1:14:38.280
<v Speaker 3>this has to mean, something like this has to this

1:14:38.400 --> 1:14:41.240
<v Speaker 3>horrible feeling I'm feeling. How can I channel it into

1:14:41.280 --> 1:14:44.800
<v Speaker 3>something that is not going to push me down a

1:14:44.840 --> 1:14:47.080
<v Speaker 3>bad road and it is going to make me feel

1:14:47.240 --> 1:14:50.920
<v Speaker 3>like I'm a part of something positive, you know what

1:14:50.960 --> 1:14:52.559
<v Speaker 3>I mean? And like I didn't want his death to

1:14:52.720 --> 1:14:55.759
<v Speaker 3>just be oh to member of the twenty seven club,

1:14:55.880 --> 1:15:01.280
<v Speaker 3>Like there were people in my community who were going

1:15:01.400 --> 1:15:03.800
<v Speaker 3>further down the drug road because he had died, and

1:15:03.840 --> 1:15:08.439
<v Speaker 3>they were really depressed, And how could I be a

1:15:08.479 --> 1:15:11.240
<v Speaker 3>part of just starting a conversation? And so I did

1:15:11.240 --> 1:15:14.200
<v Speaker 3>that through a fancy you know that most people don't

1:15:14.200 --> 1:15:16.080
<v Speaker 3>have because it's not a print.

1:15:16.120 --> 1:15:18.400
<v Speaker 2>But what I was going to ask, do you least

1:15:18.439 --> 1:15:20.599
<v Speaker 2>have the master copies?

1:15:21.800 --> 1:15:26.480
<v Speaker 3>It fails. It's like an archive f and white Youth boast.

1:15:26.720 --> 1:15:28.280
<v Speaker 1>So they're somewhere preserved.

1:15:28.520 --> 1:15:30.599
<v Speaker 3>Yeah, they're right across the street from Washington Store Park

1:15:31.200 --> 1:15:33.720
<v Speaker 3>in that library.

1:15:36.720 --> 1:15:38.400
<v Speaker 1>Where do you currently reside now.

1:15:38.640 --> 1:15:40.000
<v Speaker 3>Pasadena, California?

1:15:40.200 --> 1:15:41.240
<v Speaker 1>Really? Yeah?

1:15:41.320 --> 1:15:42.960
<v Speaker 3>My mom moved here because she liked that song A

1:15:43.000 --> 1:15:44.360
<v Speaker 3>Little Old Lady from Pasadena.

1:15:45.400 --> 1:15:45.760
<v Speaker 1>I see.

1:15:46.200 --> 1:15:47.800
<v Speaker 3>I was like, why did you play Pasadena? She's like,

1:15:48.040 --> 1:15:50.040
<v Speaker 3>I almost like that little Old Lady from Pasadena song?

1:15:50.040 --> 1:15:51.599
<v Speaker 3>I was like she's like, I'm a old lady now,

1:15:51.640 --> 1:15:53.280
<v Speaker 3>so I'm a little old lady in Pasadena.

1:15:53.720 --> 1:15:57.080
<v Speaker 2>I lived there for my mom's side of the family

1:15:57.120 --> 1:16:02.559
<v Speaker 2>lived out there, so wow, yeah briefly. Wow, that's where

1:16:03.120 --> 1:16:04.840
<v Speaker 2>my mother's side of the family lived.

1:16:05.080 --> 1:16:05.640
<v Speaker 1>Now I want to.

1:16:05.640 --> 1:16:09.120
<v Speaker 2>Ask de wee questions, what shows are you currently binging?

1:16:11.920 --> 1:16:13.960
<v Speaker 2>I'm getting something cheesy out of you if it's not

1:16:14.000 --> 1:16:14.719
<v Speaker 2>your record collection.

1:16:15.680 --> 1:16:21.000
<v Speaker 3>I mean I binged Hacks, I binged Girls five Ever.

1:16:22.000 --> 1:16:23.519
<v Speaker 1>I think it's so funny, it's hilarious.

1:16:23.640 --> 1:16:29.760
<v Speaker 3>Yeah, but actually I think it's called Stars. There's this

1:16:30.160 --> 1:16:33.480
<v Speaker 3>other one that's about a girl group that happened before,

1:16:33.880 --> 1:16:35.720
<v Speaker 3>and it's got like Brandy.

1:16:36.080 --> 1:16:39.080
<v Speaker 1>Yeah, Stars, but that was only two seasons of it.

1:16:39.160 --> 1:16:42.599
<v Speaker 3>Yeah, it's so but it's like prototype Girls five ever.

1:16:42.800 --> 1:16:45.200
<v Speaker 3>But it just didn't it didn't go hard comedy. It

1:16:45.280 --> 1:16:46.960
<v Speaker 3>meant it went more like so.

1:16:47.200 --> 1:16:50.000
<v Speaker 1>Was sincere right, Yeah it had it was.

1:16:50.120 --> 1:16:55.400
<v Speaker 3>It's actually a really, really, really funny show. But yeah,

1:16:55.439 --> 1:16:59.080
<v Speaker 3>I mean Brandy, do you know wrong?

1:16:59.360 --> 1:17:02.439
<v Speaker 1>I just my favorite harmony stacker of the nineties.

1:17:02.520 --> 1:17:05.759
<v Speaker 3>Yes, incredible, but yeah, it's like it's like chock full

1:17:05.800 --> 1:17:09.120
<v Speaker 3>of literal stars. But it's also about like a nineties,

1:17:09.720 --> 1:17:13.599
<v Speaker 3>kind of like rap singing group that gets back together

1:17:13.880 --> 1:17:16.960
<v Speaker 3>when they're like older and having relationships and stuff like that.

1:17:17.040 --> 1:17:20.040
<v Speaker 3>So I just I binge that, but it ended. That's

1:17:20.080 --> 1:17:22.640
<v Speaker 3>the problem with benching things is that then you're like, oh, no,

1:17:22.720 --> 1:17:24.280
<v Speaker 3>I'll never find out what happened.

1:17:24.000 --> 1:17:27.240
<v Speaker 1>Because yeah, I'm that way with Detroiters.

1:17:27.520 --> 1:17:30.080
<v Speaker 3>We just started watching that dude before.

1:17:30.840 --> 1:17:33.960
<v Speaker 2>I loved him, and I'm happy for his ammy success

1:17:34.000 --> 1:17:39.759
<v Speaker 2>with his Netflix show now, but Detroitters. I called Jason

1:17:39.760 --> 1:17:43.800
<v Speaker 2>Sadekas at least once a month to beg him to

1:17:43.840 --> 1:17:44.639
<v Speaker 2>bring that show back.

1:17:44.640 --> 1:17:45.840
<v Speaker 1>He's one of the producers of it.

1:17:46.600 --> 1:17:54.080
<v Speaker 2>Okay, so there's a couple's question, what is your ideal

1:17:54.320 --> 1:17:58.200
<v Speaker 2>bedroom temperature? I learned in the Pandemic that a couple

1:17:58.320 --> 1:18:03.880
<v Speaker 2>must be equal, yoked in agreement how they want the

1:18:03.920 --> 1:18:04.759
<v Speaker 2>bedroom temperature.

1:18:04.840 --> 1:18:06.400
<v Speaker 3>Eighty three?

1:18:06.600 --> 1:18:10.720
<v Speaker 1>You're Africa hot. You and I are the same person.

1:18:11.080 --> 1:18:15.439
<v Speaker 3>Yeah, eighty three. And Adam's fine with whatever. But my kid,

1:18:15.640 --> 1:18:17.840
<v Speaker 3>because it runs on the same thing. Our kid likes

1:18:17.840 --> 1:18:19.519
<v Speaker 3>it to be freezing cold. He wants it to be

1:18:19.560 --> 1:18:20.240
<v Speaker 3>eighty degrees.

1:18:21.439 --> 1:18:21.679
<v Speaker 1>Yeah.

1:18:21.760 --> 1:18:26.519
<v Speaker 2>I've probably some of the harshest arguments I've had in

1:18:26.560 --> 1:18:29.480
<v Speaker 2>a relationship starts with the temperature.

1:18:29.720 --> 1:18:32.200
<v Speaker 3>Are you going through menopause? Maybe that's it.

1:18:32.920 --> 1:18:37.960
<v Speaker 1>I think I am obviously I am. I think I am. Okay,

1:18:38.040 --> 1:18:42.280
<v Speaker 1>are you a text? Cold call or FaceTime? Person?

1:18:42.960 --> 1:18:46.960
<v Speaker 3>Text? Okay, text and FaceTime, but I faced on my

1:18:47.000 --> 1:18:50.840
<v Speaker 3>mom like only only my mom and Adam, do you am?

1:18:52.360 --> 1:18:54.000
<v Speaker 3>I do Marco Polo with my.

1:18:54.000 --> 1:18:57.400
<v Speaker 2>Friends really just out of nowhere, like you know, they're

1:18:57.400 --> 1:19:00.960
<v Speaker 2>in the shower somewhere, like inconvenient.

1:19:01.880 --> 1:19:03.160
<v Speaker 1>Is that? What is marco polo?

1:19:03.760 --> 1:19:05.799
<v Speaker 3>Oh? So marco polo is where you leave a video,

1:19:06.680 --> 1:19:09.320
<v Speaker 3>so like when it's convenient to me, it's like FaceTime,

1:19:09.320 --> 1:19:11.760
<v Speaker 3>but it's like when it's convenient to me. So it's

1:19:11.800 --> 1:19:15.400
<v Speaker 3>like me and my friend Jim or my friend Kathy,

1:19:15.479 --> 1:19:17.600
<v Speaker 3>like we leave and my friend Dusty we leave like

1:19:18.240 --> 1:19:20.240
<v Speaker 3>videos for each other on this thing called Marco polo.

1:19:20.320 --> 1:19:22.479
<v Speaker 3>So it's like I'll just be doing something and I'm

1:19:22.479 --> 1:19:24.479
<v Speaker 3>backstage and I'm able to talk because I'm not on

1:19:24.600 --> 1:19:26.800
<v Speaker 3>vocal rest, and this is like my ten minutes of

1:19:26.920 --> 1:19:29.720
<v Speaker 3>time that I can talk. So like just here's where

1:19:29.720 --> 1:19:31.439
<v Speaker 3>I am, and here's what's going on. I miss you,

1:19:31.479 --> 1:19:34.760
<v Speaker 3>what's going on in Alaska? Like whatever? And then when

1:19:35.080 --> 1:19:37.320
<v Speaker 3>they feel like it, they leave me one back and

1:19:37.320 --> 1:19:39.040
<v Speaker 3>then I get to check it and I will get

1:19:39.040 --> 1:19:40.840
<v Speaker 3>these like new Marco Polos every day and I can

1:19:40.880 --> 1:19:43.360
<v Speaker 3>check it at my convenience. I just didn't add for

1:19:43.439 --> 1:19:45.560
<v Speaker 3>Marco Polo, so I should get like a million dollars.

1:19:46.000 --> 1:19:47.040
<v Speaker 1>I didn't know Marco Polo.

1:19:47.040 --> 1:19:51.280
<v Speaker 2>I thought you meant Marco Polo as in you just ambush.

1:19:50.160 --> 1:19:55.080
<v Speaker 1>So I thought like it was like the three in

1:19:55.120 --> 1:19:55.519
<v Speaker 1>the morning.

1:19:56.280 --> 1:19:58.479
<v Speaker 3>Yeah, yeah, no, But that's the cool thing is that

1:19:58.520 --> 1:20:00.639
<v Speaker 3>you can just leave the video at in the morning,

1:20:01.000 --> 1:20:02.680
<v Speaker 3>if that's why you're feeling like doing it. Like I

1:20:02.720 --> 1:20:05.720
<v Speaker 3>can't call my've all my three in the morning. Oh,

1:20:05.800 --> 1:20:08.200
<v Speaker 3>I just opened her house because she lives five blocks away.

1:20:08.520 --> 1:20:10.560
<v Speaker 3>I literally don't face on my mom anymore because I

1:20:10.560 --> 1:20:11.639
<v Speaker 3>just walk over to her house.

1:20:12.280 --> 1:20:12.840
<v Speaker 1>Are you kidding?

1:20:12.880 --> 1:20:17.280
<v Speaker 2>My mom will call me at any she doesn't understand

1:20:17.280 --> 1:20:21.240
<v Speaker 2>the word no, or I'm working or I'm taping live

1:20:21.320 --> 1:20:21.679
<v Speaker 2>right now.

1:20:21.720 --> 1:20:23.559
<v Speaker 1>I'll call you after I'm done taping.

1:20:23.760 --> 1:20:26.120
<v Speaker 3>Like she's sitting just at a frame.

1:20:26.960 --> 1:20:31.880
<v Speaker 2>Oh absolutely, Like you see her her nostrils as she's

1:20:31.960 --> 1:20:33.719
<v Speaker 2>like she just got an iPhone.

1:20:33.720 --> 1:20:35.559
<v Speaker 1>So yeah, that's that's that person.

1:20:36.040 --> 1:20:38.360
<v Speaker 3>Yeah, I talked to my mom's crown molding a lot

1:20:38.439 --> 1:20:41.040
<v Speaker 3>on FaceTime. I'm like, there you go, Mom, Really you're

1:20:41.080 --> 1:20:42.559
<v Speaker 3>crowme molding. That's really great.

1:20:45.560 --> 1:20:48.080
<v Speaker 2>Yeah, that sounds about right. When's the last time you've

1:20:48.080 --> 1:20:48.920
<v Speaker 2>been starstruck?

1:20:49.760 --> 1:20:50.160
<v Speaker 1>God?

1:20:50.280 --> 1:20:52.960
<v Speaker 3>I mean, I don't really, Like all my friends are

1:20:53.040 --> 1:20:55.000
<v Speaker 3>like nurses and teachers, so like, I don't really we

1:20:55.040 --> 1:20:57.599
<v Speaker 3>don't really run in celebrity circles so much.

1:20:59.479 --> 1:21:01.559
<v Speaker 1>Person that you meant that you're like, oh, yeah.

1:21:01.400 --> 1:21:04.559
<v Speaker 3>Okay, so Leslie gooor. I met at a party at

1:21:04.600 --> 1:21:11.720
<v Speaker 3>Evensler's house, so Evansler wrote Vagina Monologues. Yeah, and her

1:21:11.800 --> 1:21:13.519
<v Speaker 3>apartment when I went to it, and this is many

1:21:13.600 --> 1:21:16.120
<v Speaker 3>years ago in New York, was painted all red and

1:21:16.160 --> 1:21:18.439
<v Speaker 3>all the furniture was red. I mean it was like

1:21:19.080 --> 1:21:21.360
<v Speaker 3>it's like it's a TV show that rates itself right,

1:21:21.439 --> 1:21:24.840
<v Speaker 3>Like I was. I was like, no, this is so great.

1:21:24.880 --> 1:21:27.200
<v Speaker 3>But it was like every like kind of feminist luminary

1:21:27.320 --> 1:21:30.240
<v Speaker 3>was there and like this, you know, celebrating this activist

1:21:30.320 --> 1:21:33.200
<v Speaker 3>who had just gotten let out of jail after forty years.

1:21:33.320 --> 1:21:35.680
<v Speaker 3>And it was like this big thing and like everybody

1:21:35.720 --> 1:21:39.559
<v Speaker 3>was there and I was back to back with this

1:21:39.600 --> 1:21:43.680
<v Speaker 3>woman and then we turned around and I looked at

1:21:43.720 --> 1:21:47.320
<v Speaker 3>her and I just was like Leslie Gore, and I

1:21:47.320 --> 1:21:49.320
<v Speaker 3>could barely get it out of my mouth.

1:21:49.439 --> 1:21:51.840
<v Speaker 1>And then I just fully met her at a party.

1:21:52.360 --> 1:21:55.479
<v Speaker 3>I met her at a party in a red apartment

1:21:55.520 --> 1:21:58.400
<v Speaker 3>where everything was red, like we were inside a vagina.

1:21:58.600 --> 1:22:00.280
<v Speaker 3>And then I looked at her and I I was

1:22:00.360 --> 1:22:04.120
<v Speaker 3>just I was sobbing and I couldn't get a word out,

1:22:04.160 --> 1:22:07.479
<v Speaker 3>and I'm just bab I love Leslie Bore. I loved

1:22:07.520 --> 1:22:10.080
<v Speaker 3>Leslie Gore since I was a child. Her voice is

1:22:10.200 --> 1:22:13.680
<v Speaker 3>so amazing to me. It's got that like clear as

1:22:13.720 --> 1:22:17.160
<v Speaker 3>a bell kind of quality to it. And I always

1:22:17.240 --> 1:22:19.720
<v Speaker 3>was like, there's something underneath the lyrics going on, There's

1:22:19.720 --> 1:22:21.960
<v Speaker 3>something underneath the lyrics going on. And it turns out

1:22:22.000 --> 1:22:25.640
<v Speaker 3>she was gay. I didn't know that, and yeah, and

1:22:25.680 --> 1:22:27.160
<v Speaker 3>her and her girlfriend were at the party, and I

1:22:27.200 --> 1:22:29.600
<v Speaker 3>was like, I knew it, but you know, her and

1:22:29.680 --> 1:22:35.320
<v Speaker 3>her brother wrote out here on my own k yes,

1:22:35.920 --> 1:22:39.120
<v Speaker 3>and I sang that. I went on stage at a

1:22:39.200 --> 1:22:42.800
<v Speaker 3>high school dance in seventh grade with this girl, Jeanie Staver,

1:22:43.400 --> 1:22:47.360
<v Speaker 3>and this other girl and we took parts singing that

1:22:47.520 --> 1:22:51.479
<v Speaker 3>like we kind of like we made it into a trio.

1:22:52.000 --> 1:22:54.800
<v Speaker 2>Who got the bridge? That's the hard part oh, I did,

1:22:55.200 --> 1:22:56.840
<v Speaker 2>come on, that's.

1:22:57.200 --> 1:22:59.720
<v Speaker 3>The whole thing to get the bridge. But then I

1:22:59.760 --> 1:23:02.200
<v Speaker 3>thought like, I was like, you and your brother wrote

1:23:02.240 --> 1:23:04.840
<v Speaker 3>that song because I interviewed her for Miss magazine after

1:23:04.840 --> 1:23:06.840
<v Speaker 3>I after I stopped crying, I was like, I want to,

1:23:06.880 --> 1:23:08.600
<v Speaker 3>you know, do something with you.

1:23:08.600 --> 1:23:12.600
<v Speaker 1>No, I didn't know she wrote that yeah, oh damn okay.

1:23:12.840 --> 1:23:14.360
<v Speaker 3>Yeah, And I was like, that's so weird because I

1:23:14.640 --> 1:23:17.720
<v Speaker 3>always felt such a connection with that song. And you know,

1:23:17.760 --> 1:23:21.400
<v Speaker 3>Coco the character, I mean, fame was everything, you know

1:23:21.560 --> 1:23:24.599
<v Speaker 3>when I was young, like that movie in Greece. I

1:23:24.720 --> 1:23:27.240
<v Speaker 3>was always like, when Beyonce first came on the scene,

1:23:27.280 --> 1:23:29.240
<v Speaker 3>I was like, they have to do a hip hop

1:23:29.920 --> 1:23:33.519
<v Speaker 3>Grease remake with Beyonce because she's so she'd be so

1:23:33.640 --> 1:23:34.360
<v Speaker 3>good as Sandy.

1:23:35.040 --> 1:23:37.679
<v Speaker 2>But it never happened, and well, they know, they kind

1:23:37.680 --> 1:23:41.559
<v Speaker 2>of almost did. They remade a hip hop version of Carmen.

1:23:42.680 --> 1:23:47.400
<v Speaker 3>Yeah, and Grease the movie with modern stars.

1:23:47.720 --> 1:23:49.160
<v Speaker 2>I thought you were going to tell me that you

1:23:49.160 --> 1:23:51.639
<v Speaker 2>were a Grease too person, not a Grease one person.

1:23:51.720 --> 1:23:57.560
<v Speaker 3>Okay. I do like that song. I don't believe I

1:23:57.680 --> 1:24:00.920
<v Speaker 3>want to cuckol Cucko, right, it's got one good song.

1:24:01.240 --> 1:24:03.360
<v Speaker 3>It's terrible it's terrible.

1:24:03.439 --> 1:24:06.840
<v Speaker 1>Okay, I'm glad you're saying that it's terrible. Grease two.

1:24:06.920 --> 1:24:10.599
<v Speaker 2>People will argue be in the ground that they liked

1:24:11.000 --> 1:24:12.679
<v Speaker 2>Grease two better than Grease one.

1:24:13.000 --> 1:24:15.760
<v Speaker 3>Oh that's a lie, that's a lie. That's just like

1:24:15.800 --> 1:24:18.080
<v Speaker 3>they're just lying to their debtrarians.

1:24:19.360 --> 1:24:21.360
<v Speaker 2>I liked your first album better, or I like the

1:24:21.400 --> 1:24:25.280
<v Speaker 2>demo better than Okay, that's what I thought you were.

1:24:25.640 --> 1:24:28.840
<v Speaker 3>I'm always like that, Like I'm like somebody was like, oh, well,

1:24:28.840 --> 1:24:30.920
<v Speaker 3>Liz Fair and you know Exile and Guida, and I

1:24:30.920 --> 1:24:33.000
<v Speaker 3>was like, yeah, but when she was girly Sounds and

1:24:33.040 --> 1:24:35.400
<v Speaker 3>it was on a cassette, it was so much better.

1:24:36.360 --> 1:24:36.720
<v Speaker 1>I called this.

1:24:37.080 --> 1:24:39.800
<v Speaker 5>I remember meeting Liz Fair at a show at a

1:24:39.840 --> 1:24:41.920
<v Speaker 5>Babes and Twillan show, and she told me she was

1:24:41.960 --> 1:24:45.360
<v Speaker 5>writing a response to the Rolling Stones Exile on Main Street,

1:24:45.400 --> 1:24:46.320
<v Speaker 5>which is one of my.

1:24:46.200 --> 1:24:49.880
<v Speaker 3>Favorite Stones albums. And I was like so blown away

1:24:49.880 --> 1:24:52.240
<v Speaker 3>because I was a huge Stones fan when I was younger.

1:24:52.240 --> 1:24:55.000
<v Speaker 3>I guess that's my embarrassing theme, Like right, I mean,

1:24:55.040 --> 1:24:57.360
<v Speaker 3>it's not embarrassing. I was huge, huge, huge into the

1:24:57.400 --> 1:24:58.720
<v Speaker 3>Stones to the point I was going to get like

1:24:58.760 --> 1:25:01.439
<v Speaker 3>the lips tattooed once at a party and I was like,

1:25:01.479 --> 1:25:03.960
<v Speaker 3>so glad I didn't. And then when I kind of

1:25:04.000 --> 1:25:06.479
<v Speaker 3>like started learning about feminism, and I was like ooh,

1:25:06.720 --> 1:25:10.439
<v Speaker 3>under my thumb, brown sugar, oh you know what I mean.

1:25:10.520 --> 1:25:12.559
<v Speaker 3>Like I was like, this is there's a lot of

1:25:12.600 --> 1:25:15.360
<v Speaker 3>sexism and racism going on in here. And I was

1:25:15.400 --> 1:25:18.479
<v Speaker 3>just like this is not cool. And I literally took

1:25:18.520 --> 1:25:21.200
<v Speaker 3>and I mean now, of course, as a record colicker,

1:25:21.200 --> 1:25:22.880
<v Speaker 3>I don't even want to tell you this, but I

1:25:22.920 --> 1:25:26.200
<v Speaker 3>had like you know, Japanese pressings, and like I had

1:25:26.200 --> 1:25:29.240
<v Speaker 3>a stack this big, all this kind stuff. I went

1:25:29.320 --> 1:25:31.200
<v Speaker 3>down to the record store and I set it on

1:25:31.240 --> 1:25:33.880
<v Speaker 3>the desk and I just was like have it.

1:25:35.000 --> 1:25:35.719
<v Speaker 1>He gave him back.

1:25:37.200 --> 1:25:39.400
<v Speaker 3>I just know there from all over the place. I

1:25:39.439 --> 1:25:40.960
<v Speaker 3>just was like, I was like, I can't have this

1:25:41.040 --> 1:25:43.559
<v Speaker 3>in my house, Like it was contraband, like what is

1:25:43.640 --> 1:25:44.240
<v Speaker 3>wrong with me?

1:25:44.760 --> 1:25:47.600
<v Speaker 2>Like because you think someone's going to the collection and

1:25:47.680 --> 1:25:48.960
<v Speaker 2>judge you.

1:25:48.960 --> 1:25:51.200
<v Speaker 3>No, it was because like I couldn't physically have it

1:25:51.240 --> 1:25:52.920
<v Speaker 3>in my house because it made me so disgusted that

1:25:52.960 --> 1:25:55.920
<v Speaker 3>I loved it so much. And then I was like

1:25:56.200 --> 1:25:59.760
<v Speaker 3>so disappointed and I realized I was so sad and

1:25:59.800 --> 1:26:01.759
<v Speaker 3>I was so upset. I couldn't look at it because

1:26:01.800 --> 1:26:05.120
<v Speaker 3>it made me nuts, and so I just like dropped

1:26:05.160 --> 1:26:06.800
<v Speaker 3>it on. I lived above a record store, so I

1:26:06.880 --> 1:26:09.120
<v Speaker 3>dropped it in the record store and just gave that

1:26:09.160 --> 1:26:10.760
<v Speaker 3>to them as a present to sell. And it was

1:26:10.840 --> 1:26:12.639
<v Speaker 3>just like I don't even want any money for it,

1:26:12.680 --> 1:26:14.479
<v Speaker 3>but like now I can see gray area.

1:26:15.160 --> 1:26:17.519
<v Speaker 2>Yeah, I was like, even the most righteous person, I

1:26:17.520 --> 1:26:21.280
<v Speaker 2>think five percent of their record collection, oh yeah, is

1:26:21.680 --> 1:26:25.599
<v Speaker 2>allowed a problematic faith as long as it's not there

1:26:25.600 --> 1:26:26.120
<v Speaker 2>are some of that.

1:26:26.160 --> 1:26:29.040
<v Speaker 3>I just can't because I can't because it's just like

1:26:29.120 --> 1:26:32.599
<v Speaker 3>I physically feel ill. But it's like you know exact mean,

1:26:32.600 --> 1:26:36.040
<v Speaker 3>you know I love music too much that it's not

1:26:36.080 --> 1:26:38.479
<v Speaker 3>all of a sudden gonna make me do something horrible

1:26:38.479 --> 1:26:40.000
<v Speaker 3>if I listen to it, you know what I.

1:26:40.040 --> 1:26:42.519
<v Speaker 1>Mean, Like you got to be but you're aware of

1:26:42.560 --> 1:26:45.120
<v Speaker 1>it now. But oh I think you see you threw

1:26:45.160 --> 1:26:47.280
<v Speaker 1>that away. I was like, no, don't ever throw Oh.

1:26:47.160 --> 1:26:48.639
<v Speaker 3>No, I would never throw vine normal way.

1:26:48.760 --> 1:26:51.759
<v Speaker 1>God, Okay, what is your secret talent?

1:26:52.760 --> 1:26:54.719
<v Speaker 3>I mean I can put my whole fist in my mouth.

1:26:56.960 --> 1:26:58.400
<v Speaker 1>Okay, that's a secret talent.

1:26:58.960 --> 1:27:04.760
<v Speaker 2>Small hands or not, I'm gonna ask you. And this

1:27:04.880 --> 1:27:08.760
<v Speaker 2>is subjective. Is the grass greener on the other side.

1:27:09.680 --> 1:27:11.880
<v Speaker 2>Oh are you insatiable?

1:27:12.560 --> 1:27:13.920
<v Speaker 3>You mean like that I want more, more and more

1:27:13.920 --> 1:27:14.800
<v Speaker 3>and more all the time.

1:27:14.880 --> 1:27:17.519
<v Speaker 2>Yes, well, I mean my grass greener on the other

1:27:17.600 --> 1:27:21.439
<v Speaker 2>side was okay. So back in our grateful dead jam

1:27:21.520 --> 1:27:25.679
<v Speaker 2>ban two hundred days on the year life, to tell

1:27:25.680 --> 1:27:28.040
<v Speaker 2>me that we're going to Europe for another two months

1:27:28.200 --> 1:27:33.840
<v Speaker 2>was like I'd rather slit my wrists, and God if

1:27:33.880 --> 1:27:36.679
<v Speaker 2>you hear me, Like, can I stay in one place

1:27:36.720 --> 1:27:38.559
<v Speaker 2>and not have to tour ever again and make the

1:27:38.560 --> 1:27:38.960
<v Speaker 2>same mone?

1:27:39.400 --> 1:27:42.080
<v Speaker 1>And then you get it, and now it's like I.

1:27:42.080 --> 1:27:46.240
<v Speaker 2>Would do anything, oh yeah, to go back on the road.

1:27:46.320 --> 1:27:50.400
<v Speaker 3>And you know, I've only been home a month, Like

1:27:50.439 --> 1:27:53.519
<v Speaker 3>I just got off the road. So I came home

1:27:53.560 --> 1:27:55.000
<v Speaker 3>and I was just like, I.

1:27:54.920 --> 1:27:59.400
<v Speaker 2>Hate it here, even doing what I perceived to be

1:27:59.479 --> 1:28:00.840
<v Speaker 2>a victory lap for you.

1:28:01.360 --> 1:28:03.599
<v Speaker 3>It wasn't a victory lab at all. It felt better

1:28:03.680 --> 1:28:06.360
<v Speaker 3>than it felt. I mean, I'm singing.

1:28:06.040 --> 1:28:08.120
<v Speaker 1>Better, Well, that's a victory lab.

1:28:08.200 --> 1:28:10.559
<v Speaker 3>I'm enjoying. Yeah, I'm enjoying the songs. I don't I

1:28:10.600 --> 1:28:12.920
<v Speaker 3>can close my eyes and feel myself in the music

1:28:12.920 --> 1:28:14.599
<v Speaker 3>and not have to look to see if somebody's throwing

1:28:14.640 --> 1:28:17.160
<v Speaker 3>something at me. We have a sound person. We have

1:28:17.200 --> 1:28:19.519
<v Speaker 3>a manager. I mean that's the one when you're talking

1:28:19.560 --> 1:28:21.760
<v Speaker 3>about like going back and what could you what would

1:28:21.760 --> 1:28:24.559
<v Speaker 3>you tell yourself or if you saw the future, like whatever,

1:28:25.120 --> 1:28:29.479
<v Speaker 3>I would tell myself, like get a sound person right away,

1:28:29.920 --> 1:28:31.680
<v Speaker 3>like this. This needs to be a member of your

1:28:31.720 --> 1:28:33.120
<v Speaker 3>This is a member of your band.

1:28:33.479 --> 1:28:34.960
<v Speaker 1>Like oh, the engineer is important.

1:28:35.000 --> 1:28:38.479
<v Speaker 3>That's how people have a sound person. You can't go

1:28:39.080 --> 1:28:42.360
<v Speaker 3>I can't have a man who doesn't like my politics,

1:28:42.760 --> 1:28:47.080
<v Speaker 3>literally controlling my voice like it's just it's it's crazy

1:28:47.120 --> 1:28:49.599
<v Speaker 3>making you can't live that way as as an artist,

1:28:49.680 --> 1:28:52.280
<v Speaker 3>like with the particular kind of like athletic singing that

1:28:52.360 --> 1:28:56.880
<v Speaker 3>I do. And so yeah, I would I would say, also, hey,

1:28:56.960 --> 1:28:59.760
<v Speaker 3>you know, maybe you should get a manager. I wish

1:28:59.800 --> 1:29:03.160
<v Speaker 3>I have known about those jobs sooner and have more education.

1:29:03.240 --> 1:29:04.880
<v Speaker 3>And I think that the internet was around, I would

1:29:04.920 --> 1:29:07.600
<v Speaker 3>have known about that stuff. And maybe you know, a

1:29:07.600 --> 1:29:09.880
<v Speaker 3>lot of stress came in our band and Bikini Kill

1:29:09.920 --> 1:29:11.960
<v Speaker 3>because we didn't have a manager. And so people go

1:29:12.000 --> 1:29:14.200
<v Speaker 3>to the lead singer, and then I would bring stuff

1:29:14.240 --> 1:29:16.040
<v Speaker 3>into the band and I would be like the bearer

1:29:16.040 --> 1:29:18.040
<v Speaker 3>of bad tidings, you know what I mean, I'd be

1:29:18.080 --> 1:29:20.559
<v Speaker 3>the one in practice, who's like, hey, before everybody leaves,

1:29:20.560 --> 1:29:23.960
<v Speaker 3>I have these ten questions, right, And then I'm like,

1:29:24.160 --> 1:29:26.040
<v Speaker 3>you know, because the manager, there's always a point where

1:29:26.040 --> 1:29:27.519
<v Speaker 3>you're rolling your eyes at your mand You're like, God,

1:29:27.560 --> 1:29:29.400
<v Speaker 3>if you asked me to do one more thing, it's

1:29:29.439 --> 1:29:31.559
<v Speaker 3>not their fault. But at the same time, you're like,

1:29:32.400 --> 1:29:34.439
<v Speaker 3>I don't want to do that interviewer. I don't want it,

1:29:34.520 --> 1:29:36.519
<v Speaker 3>you know, like I don't want to do another photo shoot,

1:29:36.640 --> 1:29:38.200
<v Speaker 3>or they don't have any clothes that fit me, like

1:29:39.000 --> 1:29:40.920
<v Speaker 3>you know, like I'm just not in the mood. I

1:29:40.920 --> 1:29:43.800
<v Speaker 3>don't want to be looked at, you know whatever. But

1:29:43.960 --> 1:29:45.800
<v Speaker 3>I do have that thing of like the first day

1:29:45.800 --> 1:29:48.320
<v Speaker 3>after tour, I'm like so happy I don't have soundcheck.

1:29:48.360 --> 1:29:50.519
<v Speaker 3>Like I wake up and I'm like, oh, I don't.

1:29:50.280 --> 1:29:51.840
<v Speaker 1>Have a sound check today, line check.

1:29:51.880 --> 1:29:55.040
<v Speaker 3>Oh my god, I'm so happy I don't have a soundcheck.

1:29:55.240 --> 1:29:58.479
<v Speaker 3>And then I'm like, oh no, I'm not going to

1:29:58.560 --> 1:30:00.960
<v Speaker 3>get that. I'm not going to get the dopamine and

1:30:01.000 --> 1:30:04.880
<v Speaker 3>the adrenaline rush of being on stage and the community

1:30:04.960 --> 1:30:07.800
<v Speaker 3>filling and I'm just going to like go get my

1:30:07.840 --> 1:30:11.439
<v Speaker 3>windshield fixed today. And I'm like I can't live my

1:30:11.479 --> 1:30:14.200
<v Speaker 3>life this way. But now I'm like settling in and

1:30:14.240 --> 1:30:16.720
<v Speaker 3>I'm like, you know, I have ten other projects that

1:30:17.240 --> 1:30:19.360
<v Speaker 3>I have to get to work on, and so I'm

1:30:19.400 --> 1:30:19.920
<v Speaker 3>really busy.

1:30:20.640 --> 1:30:23.519
<v Speaker 2>So this is one area that I see a lot

1:30:23.560 --> 1:30:30.840
<v Speaker 2>of my peers failing spectacularly in, which is if you're

1:30:30.880 --> 1:30:36.040
<v Speaker 2>known as a rebel and you've been here long enough

1:30:36.680 --> 1:30:40.840
<v Speaker 2>walking a path, the path that you made, what happens

1:30:41.200 --> 1:30:45.200
<v Speaker 2>once there's no more struggle? Like do you feel comfortable

1:30:45.800 --> 1:30:48.080
<v Speaker 2>if it's just you and the songs?

1:30:48.120 --> 1:30:48.360
<v Speaker 1>Now?

1:30:48.400 --> 1:30:51.960
<v Speaker 2>Like if there's not something to rebel or fight against.

1:30:52.000 --> 1:30:57.000
<v Speaker 2>I think what's problematic right now, especially politically with a

1:30:57.000 --> 1:31:01.240
<v Speaker 2>lot of my peers that are my age that you

1:31:01.280 --> 1:31:05.920
<v Speaker 2>would hope kind of step to the plate or at

1:31:06.000 --> 1:31:09.400
<v Speaker 2>least live up to the idea of what I thought

1:31:09.439 --> 1:31:11.479
<v Speaker 2>they were when I was listening to them at eighteen

1:31:11.560 --> 1:31:12.080
<v Speaker 2>or nineteen.

1:31:13.040 --> 1:31:15.439
<v Speaker 1>But I realized that, oh, well.

1:31:15.320 --> 1:31:20.280
<v Speaker 2>None of them are going to stand on the political

1:31:20.360 --> 1:31:24.799
<v Speaker 2>rights side of history because that would ruin their brand.

1:31:25.760 --> 1:31:28.320
<v Speaker 2>So I know, on my side of the fence, there's

1:31:28.360 --> 1:31:32.360
<v Speaker 2>a lot of cats that are thinking of brand preservation, Like,

1:31:32.439 --> 1:31:36.240
<v Speaker 2>what does it look like me complying with the system

1:31:36.240 --> 1:31:41.360
<v Speaker 2>that I railed against for thirty years? And I always wondered, like, well,

1:31:41.360 --> 1:31:44.360
<v Speaker 2>do you ever imagine, like thirty years forty years ago,

1:31:44.479 --> 1:31:49.639
<v Speaker 2>when you guys released records that you inspired a twenty

1:31:49.680 --> 1:31:52.439
<v Speaker 2>year old college students to get politically active and then

1:31:52.520 --> 1:31:58.200
<v Speaker 2>become the answer to you know, the problem that faced

1:31:58.280 --> 1:32:01.360
<v Speaker 2>us in the eighties and nineties. So I'll ask you

1:32:02.479 --> 1:32:05.000
<v Speaker 2>if there's no more, And of course I know there's

1:32:05.040 --> 1:32:08.719
<v Speaker 2>plenty of struggle. We're in the this is the fight

1:32:08.760 --> 1:32:13.480
<v Speaker 2>for our life struggle. Yeah, but oftentimes do you imagine

1:32:14.160 --> 1:32:17.120
<v Speaker 2>I don't think it's naive. I do believe that we

1:32:17.320 --> 1:32:24.400
<v Speaker 2>are in a paradigm shift and a lot of the

1:32:24.439 --> 1:32:31.200
<v Speaker 2>air quote fuc shitttery that we're experiencing right now is

1:32:31.400 --> 1:32:35.520
<v Speaker 2>kind of a dying spirit grasping.

1:32:36.200 --> 1:32:38.400
<v Speaker 3>Yeah, they're hanging, They're hanging off of the mountain by

1:32:38.439 --> 1:32:43.200
<v Speaker 3>their fingernails, all this completely crazy stuff, and you have

1:32:43.280 --> 1:32:45.240
<v Speaker 3>to believe that to have any hope. And it's like

1:32:45.280 --> 1:32:46.320
<v Speaker 3>we just have to step on them.

1:32:46.360 --> 1:32:50.439
<v Speaker 1>Oh yeah, I'm a serial manifesto. I have no worries.

1:32:50.520 --> 1:32:53.040
<v Speaker 2>I sleep at night because I know what's going to happen,

1:32:53.800 --> 1:32:57.000
<v Speaker 2>and it's up to us. Those who are gen X,

1:32:58.000 --> 1:33:01.000
<v Speaker 2>those boom are still alive to adjust to it, and

1:33:01.040 --> 1:33:03.799
<v Speaker 2>you're seeing a lot of people not wanting to adjust

1:33:03.840 --> 1:33:07.680
<v Speaker 2>to where we are now in twenty twenty four. But

1:33:08.240 --> 1:33:11.000
<v Speaker 2>for you, do you imagine that there will be a

1:33:11.080 --> 1:33:16.360
<v Speaker 2>day where there will be no more struggle, where righteous

1:33:16.400 --> 1:33:26.280
<v Speaker 2>women are taking the lead and toxic mail energy has eroded? Like,

1:33:26.360 --> 1:33:31.080
<v Speaker 2>do you imagine a future in which it's ideal for you?

1:33:31.640 --> 1:33:33.200
<v Speaker 3>I live in that future because I.

1:33:33.400 --> 1:33:34.280
<v Speaker 1>That's how you survive.

1:33:34.640 --> 1:33:38.640
<v Speaker 3>Yeah, And like I surround myself with positive people a

1:33:38.640 --> 1:33:40.960
<v Speaker 3>lot of times when I experienced sexism now which idea,

1:33:41.000 --> 1:33:42.439
<v Speaker 3>I actually just went through a thing where I had

1:33:42.439 --> 1:33:47.200
<v Speaker 3>to fire somebody, but it was like I was so

1:33:47.360 --> 1:33:50.519
<v Speaker 3>shocked by the there's certain men you just cannot work

1:33:50.520 --> 1:33:56.000
<v Speaker 3>with women, and it's just really wild when you come

1:33:56.080 --> 1:33:57.920
<v Speaker 3>en counter with them. It's sort of like if somebody

1:33:57.920 --> 1:34:02.000
<v Speaker 3>comes to do work at at the house and they're like,

1:34:02.520 --> 1:34:03.880
<v Speaker 3>is the man of the house at home?

1:34:03.960 --> 1:34:05.960
<v Speaker 1>You know, like cas to your husband?

1:34:06.040 --> 1:34:07.960
<v Speaker 3>Yeah, yeah, like that kind of thing, or like people

1:34:08.000 --> 1:34:10.160
<v Speaker 3>who will only talk to Adam and they don't look

1:34:10.160 --> 1:34:12.400
<v Speaker 3>at me, which I actually find totally gratifying because I

1:34:12.520 --> 1:34:14.439
<v Speaker 3>like to just be able. It means I can watch,

1:34:15.200 --> 1:34:17.160
<v Speaker 3>you know, and I'm kind of like I like to observe,

1:34:17.280 --> 1:34:20.360
<v Speaker 3>So I'm fine with that in a way, although you know,

1:34:20.400 --> 1:34:25.160
<v Speaker 3>it can be very annoying. But in my head, I'm

1:34:25.240 --> 1:34:30.760
<v Speaker 3>around all these amazing creative people who that's not the thing.

1:34:30.840 --> 1:34:32.400
<v Speaker 3>Like they're not asking me what it's like to be

1:34:32.400 --> 1:34:34.040
<v Speaker 3>a woman in a band, you know, they don't give

1:34:34.080 --> 1:34:36.559
<v Speaker 3>a shit, Like they're just like, we're making art and

1:34:36.600 --> 1:34:39.480
<v Speaker 3>we're doing this stuff and we're going to you know,

1:34:39.800 --> 1:34:42.760
<v Speaker 3>turn each other on to great art and like do

1:34:42.840 --> 1:34:45.240
<v Speaker 3>all that. So it's like I know what's going I

1:34:45.280 --> 1:34:48.200
<v Speaker 3>know what's going on in the world. I mean not like,

1:34:48.560 --> 1:34:52.000
<v Speaker 3>you know, I'm not a scholar on politics or anything,

1:34:52.000 --> 1:34:55.040
<v Speaker 3>but like I deeply care about what's going on in

1:34:55.120 --> 1:34:57.920
<v Speaker 3>the world and it is really really awful right now

1:34:57.960 --> 1:34:59.720
<v Speaker 3>and I can't separate myself from that. But at the

1:34:59.720 --> 1:35:02.400
<v Speaker 3>same time time in my day to day, when I

1:35:02.479 --> 1:35:04.840
<v Speaker 3>encounter stuff like, you know, really bad sexism, I don't

1:35:04.840 --> 1:35:08.840
<v Speaker 3>even understand what's happening anymore. Like I'm just like, I

1:35:08.840 --> 1:35:12.120
<v Speaker 3>don't even you are you a dinosaur from Jurassic Park?

1:35:12.200 --> 1:35:14.200
<v Speaker 3>Like I don't know what you're talking about. Like it's

1:35:14.200 --> 1:35:17.439
<v Speaker 3>so confusing when it happens, and I think it's it's

1:35:17.520 --> 1:35:20.960
<v Speaker 3>really weird when I've managed to create a tight knit

1:35:21.000 --> 1:35:23.760
<v Speaker 3>group of people who like I just we're not sitting

1:35:23.800 --> 1:35:27.960
<v Speaker 3>around talking about you know, if we're fuckable, you know

1:35:27.920 --> 1:35:28.439
<v Speaker 3>what I mean?

1:35:28.600 --> 1:35:30.240
<v Speaker 1>Like got it?

1:35:30.240 --> 1:35:32.960
<v Speaker 3>It's just like I don't. I just try to live

1:35:33.000 --> 1:35:37.439
<v Speaker 3>in my own fantasy land of like what can be possible.

1:35:37.520 --> 1:35:39.280
<v Speaker 3>And I know from my groups of friends and from

1:35:39.280 --> 1:35:42.280
<v Speaker 3>people that I meet on tour that like that world

1:35:42.360 --> 1:35:45.280
<v Speaker 3>is possible. I believe in that world. But right now,

1:35:45.320 --> 1:35:47.320
<v Speaker 3>we don't live in a post racial society. We don't

1:35:47.320 --> 1:35:50.080
<v Speaker 3>live in a post sexist society. We don't live And

1:35:50.479 --> 1:35:52.519
<v Speaker 3>that's the thing that's really frustrating that a lot of people,

1:35:52.800 --> 1:35:55.320
<v Speaker 3>there's a really big difference from creating something that you

1:35:55.360 --> 1:35:59.280
<v Speaker 3>can survive within, like an artistic community that you're thriving

1:35:59.320 --> 1:36:02.840
<v Speaker 3>and being challenged and pretending that stuff doesn't exist, and

1:36:02.840 --> 1:36:05.000
<v Speaker 3>putting your head in the sand, do you know what

1:36:05.000 --> 1:36:06.840
<v Speaker 3>I mean? Like, like you have to be able to

1:36:06.920 --> 1:36:10.000
<v Speaker 3>kind of traverse between those two different things where you're

1:36:10.040 --> 1:36:12.439
<v Speaker 3>like really yourself as an individual and really a part

1:36:12.439 --> 1:36:14.519
<v Speaker 3>of a community, and the part of you is an

1:36:14.560 --> 1:36:17.400
<v Speaker 3>individual feeds a community, and the community feeds the part

1:36:17.400 --> 1:36:20.160
<v Speaker 3>of youth that's an individual as opposed to seeing it

1:36:20.200 --> 1:36:23.400
<v Speaker 3>as a either or you know, either I'm a total

1:36:23.439 --> 1:36:26.360
<v Speaker 3>hedonistic like you know, Eric Clapton, like jacking off on

1:36:26.400 --> 1:36:30.519
<v Speaker 3>the guitar, or I'm strictly a political activist. It's like

1:36:30.600 --> 1:36:33.320
<v Speaker 3>those things aren't separate in my life anymore. They used

1:36:33.360 --> 1:36:35.160
<v Speaker 3>to be, and that caused me a lot of strife.

1:36:35.360 --> 1:36:38.240
<v Speaker 3>So anytime that I was enjoying it was like, oh,

1:36:38.280 --> 1:36:40.519
<v Speaker 3>somebody's going to and I think it's also psychological. I

1:36:40.520 --> 1:36:42.800
<v Speaker 3>felt like somebody's gonna take this away from me, you know,

1:36:42.880 --> 1:36:45.040
<v Speaker 3>I think it's fascinating. Like writing the book that I

1:36:45.360 --> 1:36:48.040
<v Speaker 3>learned psychological, I was like, you know, it's really funny

1:36:48.280 --> 1:36:50.280
<v Speaker 3>is that I grew up in a family like my

1:36:50.360 --> 1:36:52.920
<v Speaker 3>dad is like it was like very much a person

1:36:52.960 --> 1:36:55.120
<v Speaker 3>who would just when you were right on the top

1:36:55.160 --> 1:36:56.720
<v Speaker 3>of the mountain, he'd like, knock you off, you know

1:36:56.760 --> 1:36:58.559
<v Speaker 3>what I mean. It's like, wait till you're like really

1:36:58.640 --> 1:37:00.320
<v Speaker 3>in a positive place. And so every time I'm in

1:37:00.360 --> 1:37:02.640
<v Speaker 3>a positive place in my life, I'm waiting for to

1:37:02.640 --> 1:37:05.000
<v Speaker 3>get knocked off, right, I'm waiting for the rug to

1:37:05.000 --> 1:37:08.360
<v Speaker 3>get pulled out from sure, I mean, and I but

1:37:08.439 --> 1:37:10.400
<v Speaker 3>I see it now. I see it. I'm like, I'm

1:37:10.479 --> 1:37:13.040
<v Speaker 3>I'm just starting like something great happens to me, and

1:37:13.040 --> 1:37:15.599
<v Speaker 3>I'm like, oh, I'm just waiting for the backlash, which

1:37:15.640 --> 1:37:18.160
<v Speaker 3>is normal awesome, or I'm just waiting for the drug

1:37:18.200 --> 1:37:19.960
<v Speaker 3>to get pulled out from under me and then but

1:37:20.080 --> 1:37:21.559
<v Speaker 3>now I can sit with it and be like, I

1:37:21.600 --> 1:37:24.880
<v Speaker 3>know where that comes from. That comes from growing up

1:37:25.040 --> 1:37:28.240
<v Speaker 3>in this situation. It comes from I start getting attention

1:37:28.840 --> 1:37:32.600
<v Speaker 3>and then my community turns on me. Someone punches me

1:37:32.600 --> 1:37:35.120
<v Speaker 3>in the face and threatens me. You know, people are

1:37:35.160 --> 1:37:37.479
<v Speaker 3>like being like really weird, and I'm super confused. I'm

1:37:37.479 --> 1:37:41.920
<v Speaker 3>watching friends die Like I associated being myself and really

1:37:41.920 --> 1:37:46.040
<v Speaker 3>being large with like getting in trouble, And now I'm

1:37:46.080 --> 1:37:48.680
<v Speaker 3>able to just do that and be like, you know what,

1:37:48.760 --> 1:37:52.360
<v Speaker 3>I can't control other people's behavior. If I'm gonna, you know,

1:37:52.880 --> 1:37:54.599
<v Speaker 3>really be putting out my art the way I want

1:37:54.600 --> 1:37:56.160
<v Speaker 3>to and be doing the things and saying the things

1:37:56.160 --> 1:37:57.479
<v Speaker 3>that I want to, and people are going to come

1:37:57.520 --> 1:37:59.640
<v Speaker 3>after me, so be it. What am I going to

1:37:59.720 --> 1:38:02.320
<v Speaker 3>I can't control other people's behavior anymore, So I'm not

1:38:02.360 --> 1:38:05.360
<v Speaker 3>going to like shrink myself to avoid the rug getting

1:38:05.400 --> 1:38:07.479
<v Speaker 3>pulled out from under me. Go ahead, try to pull

1:38:07.479 --> 1:38:08.920
<v Speaker 3>the rug out from under me. I dare you.

1:38:13.960 --> 1:38:15.520
<v Speaker 1>I have three questions left.

1:38:15.840 --> 1:38:17.640
<v Speaker 3>If you mean the question, I want to talk to

1:38:17.680 --> 1:38:20.760
<v Speaker 3>you about music. I am. We're going to come over

1:38:20.800 --> 1:38:22.640
<v Speaker 3>to your apartment and like sit outside and just like

1:38:22.680 --> 1:38:23.960
<v Speaker 3>sit on your stupid be.

1:38:24.000 --> 1:38:27.920
<v Speaker 1>Like, dude, come back here, talk to me about Tony DeFranco.

1:38:28.920 --> 1:38:29.760
<v Speaker 1>I welcome it.

1:38:31.479 --> 1:38:33.320
<v Speaker 2>If you were given the power to change one thing

1:38:35.120 --> 1:38:37.080
<v Speaker 2>from your past, what would you change?

1:38:38.200 --> 1:38:40.440
<v Speaker 3>I mean, I should just give you the honest answer instead.

1:38:40.120 --> 1:38:43.960
<v Speaker 1>Of like, what's the honest answer?

1:38:44.320 --> 1:38:46.000
<v Speaker 3>See, if I think about it, it's going to be

1:38:46.040 --> 1:38:47.920
<v Speaker 3>something really deep. But the first thing that comes to

1:38:47.960 --> 1:38:54.360
<v Speaker 3>mind is I would have taken more time recording the

1:38:54.400 --> 1:38:58.360
<v Speaker 3>Bikini Hill Records, the first two Bikini Hill records, because

1:38:59.760 --> 1:39:03.240
<v Speaker 3>the idea was like, go in and play like it's

1:39:03.280 --> 1:39:07.320
<v Speaker 3>a live show. Don't put stuff on your voice, because

1:39:07.360 --> 1:39:11.479
<v Speaker 3>that's like putting panteos over your hairy legs or something,

1:39:11.520 --> 1:39:13.120
<v Speaker 3>you know what I mean? Like like that, I was

1:39:13.160 --> 1:39:15.400
<v Speaker 3>like trying to be like so raw that other people

1:39:15.400 --> 1:39:18.040
<v Speaker 3>could relate to it. And it's not that I still

1:39:18.080 --> 1:39:21.400
<v Speaker 3>don't keep like mistakes when they're cool in stuff that

1:39:21.439 --> 1:39:24.800
<v Speaker 3>I put out, but it's like I wish we would

1:39:24.840 --> 1:39:27.880
<v Speaker 3>have taken a little more time because performing those songs

1:39:27.920 --> 1:39:30.800
<v Speaker 3>live and then knowing what they sound like on record,

1:39:30.840 --> 1:39:32.680
<v Speaker 3>Like I can't even listen to them because they're just

1:39:32.720 --> 1:39:35.559
<v Speaker 3>recorded so poorly, especially this one record that was recorded

1:39:35.600 --> 1:39:38.519
<v Speaker 3>on four truck on a tape that somebody else had

1:39:38.600 --> 1:39:41.120
<v Speaker 3>used so you could hear the other band in the band.

1:39:42.040 --> 1:39:44.479
<v Speaker 1>That's so real to me, man, And.

1:39:44.960 --> 1:39:49.400
<v Speaker 3>Like literally we spent seventeen dollars recording this record. It

1:39:49.439 --> 1:39:51.800
<v Speaker 3>was a split record with Huggy Bear, and their side

1:39:51.840 --> 1:39:55.120
<v Speaker 3>sounds fantastic and our side sounds like shit. And like,

1:39:55.439 --> 1:39:57.840
<v Speaker 3>if I could go back and redo those because there's

1:39:57.840 --> 1:39:59.920
<v Speaker 3>all these great songs, some Jigsaw youth I really loved

1:40:00.000 --> 1:40:03.479
<v Speaker 3>performing live, and there's not a great recorded version of it,

1:40:04.280 --> 1:40:06.559
<v Speaker 3>and so like I can't. I don't want to go

1:40:06.600 --> 1:40:09.080
<v Speaker 3>back in the studio and record it. Now that's weird.

1:40:09.720 --> 1:40:12.120
<v Speaker 3>I can't, like, you know, change history. And those records

1:40:12.120 --> 1:40:13.920
<v Speaker 3>sound the way they sound because of the time and

1:40:14.000 --> 1:40:16.799
<v Speaker 3>because of you know, we didn't have any money and whatever.

1:40:17.160 --> 1:40:20.439
<v Speaker 3>But I didn't understand yet that the recording process was

1:40:20.520 --> 1:40:25.200
<v Speaker 3>a different art than live. I was all about the

1:40:25.200 --> 1:40:27.040
<v Speaker 3>live show to the point of like, let's capture the

1:40:27.040 --> 1:40:30.400
<v Speaker 3>live show, like a snapshot, like you know, Henry Braisson,

1:40:30.520 --> 1:40:32.439
<v Speaker 3>Like on the street they taking snapshots of people, like

1:40:32.479 --> 1:40:35.439
<v Speaker 3>I was trying to like get a snapshot. But then

1:40:35.479 --> 1:40:37.600
<v Speaker 3>when I'd learned about the art of recording and I

1:40:37.600 --> 1:40:39.479
<v Speaker 3>got in got my first four track and then my

1:40:39.479 --> 1:40:45.280
<v Speaker 3>first aid track, I was like, oh, this is a

1:40:45.600 --> 1:40:47.240
<v Speaker 3>you know, it's the difference between an essay and a

1:40:47.280 --> 1:40:52.040
<v Speaker 3>play or you know, it's a different thing. And I

1:40:52.120 --> 1:40:56.880
<v Speaker 3>wasn't exploiting what I could do with those songs on

1:40:56.920 --> 1:40:59.200
<v Speaker 3>the record, and so I would go back. I wish

1:40:59.240 --> 1:41:03.840
<v Speaker 3>I had said something really smart about Oh.

1:41:03.640 --> 1:41:06.439
<v Speaker 1>That was honest. Yeah, I except that that's.

1:41:06.280 --> 1:41:09.680
<v Speaker 3>Really that's something that that that bugs me, like you

1:41:09.680 --> 1:41:10.439
<v Speaker 3>know once a week.

1:41:11.400 --> 1:41:19.200
<v Speaker 2>Okay, five non greatest hits, five non box set, five

1:41:19.439 --> 1:41:21.599
<v Speaker 2>non live albums.

1:41:21.800 --> 1:41:24.640
<v Speaker 3>Oh, I'm so bad at lists because I have like

1:41:24.880 --> 1:41:27.439
<v Speaker 3>brain stuff. So I don't know if I can do it.

1:41:27.760 --> 1:41:31.160
<v Speaker 2>Don't say that, just say it. See I used to

1:41:31.160 --> 1:41:34.720
<v Speaker 2>do the House on fire. You can only say five records,

1:41:34.920 --> 1:41:37.479
<v Speaker 2>but it can't be box set, it can't be live,

1:41:37.760 --> 1:41:42.559
<v Speaker 2>and it can't be greatest hits, five albums that are

1:41:42.640 --> 1:41:45.160
<v Speaker 2>in your lifetime capsule.

1:41:45.920 --> 1:41:47.719
<v Speaker 3>I just say an artist because I can never remember

1:41:47.760 --> 1:41:52.080
<v Speaker 3>which album is the one that I really like everything. Okay,

1:41:52.120 --> 1:41:57.400
<v Speaker 3>it would probably be Sharda I probably, or.

1:41:58.360 --> 1:42:00.920
<v Speaker 1>The blue album Stronger and Pride.

1:42:00.800 --> 1:42:03.800
<v Speaker 3>Or the onely Smooth Operator on it.

1:42:04.600 --> 1:42:08.400
<v Speaker 1>Her first debut, the first one did they pronounced? Okay,

1:42:08.400 --> 1:42:10.960
<v Speaker 1>that's number one.

1:42:11.720 --> 1:42:13.120
<v Speaker 3>Yeah. When I was in high school, I was like,

1:42:13.320 --> 1:42:15.040
<v Speaker 3>my mom went to see her and I was like,

1:42:15.080 --> 1:42:19.719
<v Speaker 3>are you going to see Sade? Say so, yeah, probably

1:42:20.280 --> 1:42:21.960
<v Speaker 3>Chardy is somebody who I I just come back to

1:42:22.080 --> 1:42:26.400
<v Speaker 3>over and over and over. The other would be yeas

1:42:26.960 --> 1:42:34.960
<v Speaker 3>upstairs at Eric's, Yeah as you because they had to

1:42:35.040 --> 1:42:37.680
<v Speaker 3>change their name because there's another band, so they were

1:42:38.160 --> 1:42:40.519
<v Speaker 3>Yazdoo and then they were like, yeahs uk or something.

1:42:40.880 --> 1:42:42.240
<v Speaker 1>I got three.

1:42:42.320 --> 1:42:44.280
<v Speaker 3>So that I'm just trying to think of, Like what

1:42:44.400 --> 1:42:46.400
<v Speaker 3>I actually listened listen to?

1:42:46.640 --> 1:42:50.640
<v Speaker 2>Yes, not the impressive the impressed US list? What you

1:42:50.840 --> 1:42:53.080
<v Speaker 2>actually listened to clinic?

1:42:54.200 --> 1:42:56.880
<v Speaker 3>What is the name of the album? It's like, because

1:42:56.920 --> 1:42:59.200
<v Speaker 3>I have all my stuff on shuffle, so I'm never

1:42:59.240 --> 1:43:01.680
<v Speaker 3>sure what that is anymore. The blue album with the

1:43:01.760 --> 1:43:02.679
<v Speaker 3>yellow on it.

1:43:02.720 --> 1:43:06.040
<v Speaker 1>With distortions on it. Oh, the blue album it's blue

1:43:06.080 --> 1:43:07.400
<v Speaker 1>and yellow, not.

1:43:07.320 --> 1:43:09.880
<v Speaker 3>Fantasy that was titled I literally do have like a

1:43:10.960 --> 1:43:11.679
<v Speaker 3>memory problem.

1:43:11.760 --> 1:43:16.720
<v Speaker 2>So Fantasy Island. I've see clinic Fantasy Island. It's blue

1:43:16.760 --> 1:43:17.519
<v Speaker 2>and yellow, but.

1:43:17.640 --> 1:43:19.719
<v Speaker 3>Yeah, okay, that's it. I didn't know it's called fancy Island.

1:43:19.720 --> 1:43:23.240
<v Speaker 3>I had no idea, Okay, that clinic Fanacy Island. Five

1:43:24.120 --> 1:43:28.160
<v Speaker 3>Isaac Cay's Live at the Sierra Sarah.

1:43:29.439 --> 1:43:33.080
<v Speaker 1>Yeah, his uh Ain't No Sunshine is a great cover well,

1:43:33.080 --> 1:43:33.360
<v Speaker 1>and the.

1:43:33.320 --> 1:43:36.120
<v Speaker 3>Whole the I think about the lead in to use

1:43:36.200 --> 1:43:40.920
<v Speaker 3>Me all the time. Yeah, because it's that thing of

1:43:40.960 --> 1:43:45.479
<v Speaker 3>where you're turning something that is supposedly really negative into

1:43:45.479 --> 1:43:47.280
<v Speaker 3>something where he's like, if you're going to use me,

1:43:47.400 --> 1:43:51.000
<v Speaker 3>then so be it, right, And I think about that

1:43:51.080 --> 1:43:52.920
<v Speaker 3>in like the weirdest times of like when I get

1:43:53.320 --> 1:43:55.320
<v Speaker 3>asked to be like the woman on the panel at

1:43:55.360 --> 1:43:58.920
<v Speaker 3>the last minute, right and I'm getting paid like half

1:43:59.080 --> 1:44:00.680
<v Speaker 3>what the men are getting paid, and I'm like, if

1:44:00.720 --> 1:44:03.479
<v Speaker 3>you are going to use me, so be it, as

1:44:03.520 --> 1:44:04.519
<v Speaker 3>long as I get paid.

1:44:05.240 --> 1:44:06.760
<v Speaker 1>Now, that's a classic album. I like it.

1:44:07.200 --> 1:44:08.720
<v Speaker 3>So We're at what are Where are we at?

1:44:08.800 --> 1:44:09.280
<v Speaker 1>That was five?

1:44:09.920 --> 1:44:13.439
<v Speaker 3>Oh God, I could go on forever. But if I

1:44:13.479 --> 1:44:15.879
<v Speaker 3>really was on a desert island, I would need Strawberry

1:44:15.880 --> 1:44:19.439
<v Speaker 3>Shortcake Live at the Big Apple Disco to keep me laughing?

1:44:20.200 --> 1:44:20.759
<v Speaker 1>You lovely?

1:44:20.800 --> 1:44:23.080
<v Speaker 3>Where do you have you heard it?

1:44:23.680 --> 1:44:24.599
<v Speaker 1>I've not heard it.

1:44:25.520 --> 1:44:26.519
<v Speaker 3>I have two copies.

1:44:26.640 --> 1:44:29.799
<v Speaker 1>Strawberry Shortcake made a disco record live at.

1:44:29.680 --> 1:44:32.479
<v Speaker 3>The Big Apple Disco. There's a song called Strawberry SHORTCAKEE

1:44:32.520 --> 1:44:36.800
<v Speaker 3>rap on it. I take this album deadly serious. I

1:44:36.840 --> 1:44:39.360
<v Speaker 3>saw a thirteen year old girl acted out in front

1:44:39.400 --> 1:44:42.640
<v Speaker 3>of me when I was really high, and it was

1:44:42.680 --> 1:44:44.960
<v Speaker 3>one of the best experiences, one of the best after

1:44:45.160 --> 1:44:48.679
<v Speaker 3>show experiences I've ever had. And then I just started

1:44:48.680 --> 1:44:51.759
<v Speaker 3>buying it and every time I see it, I buy it.

1:44:51.760 --> 1:44:54.760
<v Speaker 3>It's so good because like the story she comes from,

1:44:54.800 --> 1:44:57.439
<v Speaker 3>like Strawberry Land to New York City and it's her

1:44:57.439 --> 1:45:00.559
<v Speaker 3>whole story. And then there's this one song where she's

1:45:00.560 --> 1:45:04.599
<v Speaker 3>clearly on PCP on a roof. So I'm just saying I.

1:45:04.520 --> 1:45:09.759
<v Speaker 2>Didn't know her entire like catalog is on Spotify, Okay, great.

1:45:10.439 --> 1:45:12.920
<v Speaker 3>I trolled her on Instagram. That's the only thing I

1:45:12.960 --> 1:45:15.840
<v Speaker 3>do on Instagram is I troll the Strawberry Shortcake account.

1:45:16.160 --> 1:45:18.000
<v Speaker 3>Like they're like, it's like her and her Berry friends.

1:45:18.040 --> 1:45:20.120
<v Speaker 3>They're like riding a bike and they're like, we're riding

1:45:20.160 --> 1:45:22.280
<v Speaker 3>into an empowered future for women, and I was like,

1:45:22.400 --> 1:45:24.400
<v Speaker 3>just don't get pregnant in Texas, Strawberry.

1:45:24.960 --> 1:45:25.280
<v Speaker 1>Nice.

1:45:25.600 --> 1:45:27.880
<v Speaker 3>I'm an adult who's like trolling a car. I love

1:45:27.920 --> 1:45:30.719
<v Speaker 3>the idea of cartoon characters, Like we used to sample

1:45:30.800 --> 1:45:32.360
<v Speaker 3>a lot of stuff from I'm not going to say

1:45:32.360 --> 1:45:35.880
<v Speaker 3>who it is, but from cartoons. Uh in one of

1:45:35.880 --> 1:45:37.640
<v Speaker 3>my bands, and I was like, what are they going

1:45:37.680 --> 1:45:40.599
<v Speaker 3>to do? Sue us? I would picture the cartoon character

1:45:40.720 --> 1:45:45.879
<v Speaker 3>showing up in court. I'd bean like, gonna have deputy

1:45:45.920 --> 1:45:47.479
<v Speaker 3>dogs going to show up and sue me.

1:45:48.360 --> 1:45:49.200
<v Speaker 1>Oh, Trusky.

1:45:49.760 --> 1:45:54.559
<v Speaker 2>The cartoons are litigious. Okay, you married the person that

1:45:55.520 --> 1:45:58.440
<v Speaker 2>started his career making fun.

1:45:58.280 --> 1:45:59.639
<v Speaker 3>Of I knew this was coming.

1:46:01.120 --> 1:46:05.639
<v Speaker 2>You married university started his career making fun of a cake. Anyway,

1:46:06.439 --> 1:46:11.040
<v Speaker 2>last question of everything that you've achieved, Like for you,

1:46:12.360 --> 1:46:16.520
<v Speaker 2>what is the one thing that you're proudest to celebrate

1:46:16.920 --> 1:46:19.759
<v Speaker 2>of what you've done with your life?

1:46:20.800 --> 1:46:23.439
<v Speaker 3>I mean today, I'm pretty proud to know that, Like

1:46:23.840 --> 1:46:25.800
<v Speaker 3>I had an effect on Rich, and then Rich had

1:46:25.800 --> 1:46:28.000
<v Speaker 3>an effect on you, like I would have never in

1:46:28.000 --> 1:46:31.000
<v Speaker 3>a million years guessed that like that I had any

1:46:31.080 --> 1:46:33.559
<v Speaker 3>kind of effect of that on the roots. Like when

1:46:33.600 --> 1:46:35.599
<v Speaker 3>I came to New York, oudam one of our most

1:46:35.680 --> 1:46:37.519
<v Speaker 3>romantic dates that I'll remember for the rest of my

1:46:37.560 --> 1:46:39.160
<v Speaker 3>life was when he took me to see you all

1:46:39.280 --> 1:46:41.880
<v Speaker 3>in New York when I first moved there, and like

1:46:42.080 --> 1:46:45.000
<v Speaker 3>we were like, I mean, I was only thirty, but

1:46:45.040 --> 1:46:48.559
<v Speaker 3>we were like old people slow dancing in the back

1:46:48.680 --> 1:46:52.960
<v Speaker 3>and it was like, you are so good live and

1:46:53.000 --> 1:46:56.400
<v Speaker 3>I was just like it was the best show. And

1:46:56.479 --> 1:47:00.280
<v Speaker 3>like to think that stuff I did had any kind

1:47:00.320 --> 1:47:03.559
<v Speaker 3>of influence on you, and like I followed your career,

1:47:03.560 --> 1:47:07.160
<v Speaker 3>like Summer Soul is like a huge movie in my life.

1:47:07.640 --> 1:47:09.200
<v Speaker 3>You probably didn't see it, but of course I wrote

1:47:09.200 --> 1:47:12.280
<v Speaker 3>you like a huge gushing you know, DM, like just like,

1:47:12.320 --> 1:47:14.840
<v Speaker 3>oh my god, you know, like that footage I can

1:47:14.920 --> 1:47:18.120
<v Speaker 3>watch that a million times is so great. And to

1:47:18.160 --> 1:47:21.040
<v Speaker 3>see somebody who's like I hate branding, I hate the

1:47:21.040 --> 1:47:23.240
<v Speaker 3>phrase using your platform, I hate all that stuff. But

1:47:23.280 --> 1:47:25.600
<v Speaker 3>to see somebody who's able to still be like so

1:47:25.760 --> 1:47:31.040
<v Speaker 3>vital and creative within this like hustle till you die world,

1:47:31.280 --> 1:47:35.880
<v Speaker 3>it's it's really inspirational. So I think inspiring you at

1:47:35.920 --> 1:47:38.600
<v Speaker 3>all and having any kind of bit to do with

1:47:39.320 --> 1:47:43.719
<v Speaker 3>your creativity is kind of those stories that is that

1:47:43.800 --> 1:47:47.280
<v Speaker 3>And like you know a girl who told me. I

1:47:47.320 --> 1:47:51.920
<v Speaker 3>helped her get through you know, her pastor sexually assaulting

1:47:52.000 --> 1:47:55.240
<v Speaker 3>art and that listening to you know, records that I

1:47:55.320 --> 1:47:58.400
<v Speaker 3>was on and reading stuff that I I said in

1:47:58.400 --> 1:48:00.519
<v Speaker 3>interviews made her tell our parents parents, and then her

1:48:00.560 --> 1:48:02.960
<v Speaker 3>parents were really supportive. And then her parents came to

1:48:03.000 --> 1:48:05.040
<v Speaker 3>the show with her and they all thanked me. That

1:48:05.200 --> 1:48:09.519
<v Speaker 3>was a moment. Wow, you know, having a family, having

1:48:09.600 --> 1:48:11.960
<v Speaker 3>a mom say thank you for being there for my daughter.

1:48:12.040 --> 1:48:13.719
<v Speaker 3>I was there for her as much as I could,

1:48:14.000 --> 1:48:16.519
<v Speaker 3>but you were there in this one little spot that

1:48:16.560 --> 1:48:20.720
<v Speaker 3>I couldn't reach, and I was like a family And

1:48:21.200 --> 1:48:23.559
<v Speaker 3>this isn't you know? This is like more modern times

1:48:23.600 --> 1:48:26.960
<v Speaker 3>Like in the past few years. I never you know

1:48:27.000 --> 1:48:29.479
<v Speaker 3>when when Bikini Kill first started, like crazy things happened,

1:48:29.560 --> 1:48:32.320
<v Speaker 3>like a woman who worked at a juvenile detention center

1:48:32.600 --> 1:48:34.640
<v Speaker 3>got all the juvie girls to come to one of

1:48:34.640 --> 1:48:37.479
<v Speaker 3>our shows for a field trip. Like those were the

1:48:37.520 --> 1:48:39.799
<v Speaker 3>kooky things that happened that I was like, this is amazing.

1:48:40.200 --> 1:48:43.680
<v Speaker 3>But nowadays to have to see a family supporting a

1:48:43.800 --> 1:48:49.520
<v Speaker 3>child who has experienced sexual assault is like really gratifying.

1:48:49.560 --> 1:48:51.200
<v Speaker 3>It makes me feel like the world can change and

1:48:51.240 --> 1:48:52.479
<v Speaker 3>can keep changing for the better.

1:48:54.040 --> 1:48:58.080
<v Speaker 1>Kathleen I thank you for this long what would do conversation?

1:48:58.960 --> 1:49:00.760
<v Speaker 3>I want to do one where reach just talk about

1:49:00.800 --> 1:49:03.559
<v Speaker 3>records and talk about music. So I'm gonna I'm going

1:49:03.600 --> 1:49:05.640
<v Speaker 3>to start a podcast and you're gonna be my first time, and.

1:49:05.640 --> 1:49:09.360
<v Speaker 1>Then I'll be your first guest. I promise, I promise. No,

1:49:09.520 --> 1:49:10.360
<v Speaker 1>thank you for doing this.

1:49:10.600 --> 1:49:13.960
<v Speaker 2>Give your regards to Adam, who will be a future

1:49:13.960 --> 1:49:14.719
<v Speaker 2>guest on the show.

1:49:15.680 --> 1:49:17.200
<v Speaker 3>He has lets to say about em.

1:49:18.360 --> 1:49:20.479
<v Speaker 1>And I know, I was like, wow, he puts you

1:49:20.560 --> 1:49:23.160
<v Speaker 1>on the MC sid from and he.

1:49:23.320 --> 1:49:25.160
<v Speaker 3>I had that record and he was like, oh my god,

1:49:25.280 --> 1:49:27.040
<v Speaker 3>how do you have this record? And I was like,

1:49:27.240 --> 1:49:29.639
<v Speaker 3>because I like the cover. He's so cute on the cover.

1:49:32.040 --> 1:49:34.759
<v Speaker 3>But apparently his DJ can eat ten eggs at one sitting,

1:49:35.080 --> 1:49:41.000
<v Speaker 3>so you weirdos. I know whatever. We'll hang out some time.

1:49:41.080 --> 1:49:42.760
<v Speaker 3>But thank you so much for having me on. It's

1:49:42.920 --> 1:49:45.400
<v Speaker 3>joy and I really appreciate it and it's just a

1:49:45.400 --> 1:49:46.400
<v Speaker 3>fun way to spend a day.

1:49:46.880 --> 1:49:47.479
<v Speaker 1>Thank you.

1:49:47.520 --> 1:49:51.599
<v Speaker 2>And on beef of the q S Bam Layah, I'm paid,

1:49:51.640 --> 1:49:55.679
<v Speaker 2>Bill and Sugar Steve and shout out to you written Jake,

1:49:56.080 --> 1:49:58.559
<v Speaker 2>this quest love and we'll see you on the next goroground.

1:49:58.800 --> 1:50:02.839
<v Speaker 2>Thank you, Thank you for listening to the Quest Love Supreme,

1:50:03.200 --> 1:50:08.120
<v Speaker 2>hosted by Amir quest Love Thompson, Liah Saint Clair, Sugar,

1:50:08.200 --> 1:50:13.799
<v Speaker 2>Steve Mandel, and unpaid Bill Sherman. Executive producers are America

1:50:13.840 --> 1:50:18.479
<v Speaker 2>Quest Love Thompson, Sean ch and Brian Calhoun. Produced by

1:50:19.040 --> 1:50:24.920
<v Speaker 2>Brittany Benjamin Cousin, Jake Payne and Liah Saint Clair. Edited

1:50:24.960 --> 1:50:29.080
<v Speaker 2>by Alex Conway. Produced by iHeart by Noel Brown.

1:50:36.920 --> 1:50:44.360
<v Speaker 1>West Love Supreme is a production of Iheartened Radio. For

1:50:44.479 --> 1:50:47.599
<v Speaker 1>more podcasts from iHeart Radio, visit the iHeart Radio app,

1:50:47.800 --> 1:50:51.160
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.