WEBVTT - Asleep in the Deep

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<v Speaker 1>The Seventh Daughter contains scenes of realistic violence and graphic sexuality.

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<v Speaker 1>It is intended for mature listeners. Have you come seeking knowledge?

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<v Speaker 1>Do you wish to know the truth? Allow me to

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<v Speaker 1>show you. Close your eyes and follow the sound of

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<v Speaker 1>my voice. Allow it to lead you further into the past.

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<v Speaker 1>When I remove my blindfold, you may look into my eyes.

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<v Speaker 1>Don't just look at them, look through them, and you

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<v Speaker 1>will see what they have seen, and all my secrets

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<v Speaker 1>will be revered. The Seventh Daughter h m hm ye.

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<v Speaker 1>From the moment she was born, the seventh child of

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<v Speaker 1>her mother, all of them girls, it was obvious that

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<v Speaker 1>this child was special. No child's future ever seemed to

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<v Speaker 1>shine so bright. She was given the finest education, but

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<v Speaker 1>somehow possessed knowledge that even her tutors had not yet attained.

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<v Speaker 1>She had an uncanny ability to commune with animals, and

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<v Speaker 1>loved nothing more than to wander the shadows of the

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<v Speaker 1>forest or to pick among the stones of the village cemetery.

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<v Speaker 1>Pandora wears a blindfold not so she cannot see you,

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<v Speaker 1>but because her eyes bear the imprint of that dreadful tragedy.

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<v Speaker 1>She carries with her the gaze of Lucifer. To look

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<v Speaker 1>deeply into Pandora's eyes is to see reflected in their

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<v Speaker 1>depths the means of your own death. And for this

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<v Speaker 1>reason is the band of white lace wrapped around her

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<v Speaker 1>eyes soul. Without further ado, allow me to present to

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<v Speaker 1>you the youngest and most brilliant clairvoyant ever to call

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<v Speaker 1>forth spirits from the veil of the beyond, the seventh Daughter, Pandora.

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<v Speaker 1>This evening for your spiritual gratification, Pandora will offer a

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<v Speaker 1>demonstration of her mental prowess. She will call down from

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<v Speaker 1>the heavens, or up from the abyss, the wisdom of

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<v Speaker 1>the spheres, and will provide you with answers to the

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<v Speaker 1>questions that have burdened you, no matter how serious, And

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<v Speaker 1>to prove that her wisdom is a gift from the

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<v Speaker 1>spirits that dwell in the ether that surrounds us, she

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<v Speaker 1>will provide these answers, specific detailed answers, without having been

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<v Speaker 1>asked the question, wait, how could I possibly do that?

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<v Speaker 1>I invite those among you with a pressing spiritual need

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<v Speaker 1>to write it on one of these slips of paper

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<v Speaker 1>and seal it in the envelope. The ushers are moving

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<v Speaker 1>among you to distribute them. We only ask that, as

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<v Speaker 1>a token of your sincerity, you enclose a single coin

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<v Speaker 1>in the envelope with your question. Any coin will do,

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<v Speaker 1>though no copper police. It may be good for conducting electricity,

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<v Speaker 1>but we've found that the spirits traveled more effectively through

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<v Speaker 1>precious metals. These envelopes will remain sealed in full view

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<v Speaker 1>of the audience and will only be opened after she

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<v Speaker 1>has answered the questions. I'm going to provide answers. That's

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<v Speaker 1>right before or I've read the questions, Yes, exactly, But

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<v Speaker 1>you'll read the questions and communicate to me. We'll use

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<v Speaker 1>the alcohol trick. Swab it on the outside so the

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<v Speaker 1>paper becomes transparent and I can read the card inside. No,

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<v Speaker 1>I don't see how I can do it. Then, like

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<v Speaker 1>all good ducker in it is astonishingly simple. The secret

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<v Speaker 1>is the first question is a phony, but all the

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<v Speaker 1>other questions are real. All it requires is the brief

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<v Speaker 1>assistance of one stick in the audience. So we now

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<v Speaker 1>have a stack of envelopes. They are shuffled, and one

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<v Speaker 1>is brought to you. You press it between your palms

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<v Speaker 1>as if you're praying over it. Bow your head, close

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<v Speaker 1>your eyes. Now provide an answer. Wait, what answer? It

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<v Speaker 1>doesn't matter. Just answer a question, any question. So help me, God,

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<v Speaker 1>if you ever give an answer that in front of

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<v Speaker 1>a house. I'm sorry, I'm sorry, I'm just confused. I

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<v Speaker 1>just okay. Answer. I called down the spirits of the

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<v Speaker 1>heavens and asked them to make me a fount of wisdom,

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<v Speaker 1>dislike the thirst of your lonely souls. I feel the

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<v Speaker 1>angels beginning to stir. I feel their breath upon my neck.

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<v Speaker 1>I hear their whispers in my ear. What do they

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<v Speaker 1>tell you, child? How Howard Howell? Mr Howell? And what

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<v Speaker 1>do the spirits wish to tell? Mr? Howell? I am

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<v Speaker 1>in a place of darkness, a tiny space. There's a

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<v Speaker 1>shiny disk here, thicker than a gold coin, but just

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<v Speaker 1>as precious. The shiny round object is hanging from a

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<v Speaker 1>gold chain. It is hidden inside a wall in a kitchen.

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<v Speaker 1>That is what Mr Howell wishes to know. Then our

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<v Speaker 1>stick stands up and says, my name's Howel, Mr Howe.

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<v Speaker 1>Did you submit a card to Pandora? I did open

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<v Speaker 1>the envelope. Pandora, read the Gentleman's question, andorra if you

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<v Speaker 1>please read the Gentleman's question the question on the card,

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<v Speaker 1>But it's impossible. Not the question on the card. I'm confused.

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<v Speaker 1>You already made up an answer. Now make up the

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<v Speaker 1>question where can I find my granddaddy Earl's pocket watch?

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<v Speaker 1>Did you write that? Mr Howell? I did? I did?

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<v Speaker 1>May I congratulate you on the recovery of your missing item?

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<v Speaker 1>You may be seated. The stick sits down and you

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<v Speaker 1>go on to the next one. Now what do I

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<v Speaker 1>do for the duration of the evening? You provide answers,

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<v Speaker 1>then questions for as long as the coins keep arriving.

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<v Speaker 1>So if we use the stick to put over the

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<v Speaker 1>first question, where do I get the second question? You

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<v Speaker 1>already know the second question, I do? You still haven't

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<v Speaker 1>figured it out. You're holding it in your hand. The

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<v Speaker 1>first question you received from the audience when you pretended

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<v Speaker 1>to read where is my grandfather's pocket watch? What did

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<v Speaker 1>that paper actually say? Oh? It said? It said what

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<v Speaker 1>is the capital of Wyoming? Signed Thomas Underwood? So you

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<v Speaker 1>throw that envelope away. Will the volunteer please place a

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<v Speaker 1>new envelop and Pandora's hands there you go. Hold it tightly,

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<v Speaker 1>my dear, concentrate, my child, Allow yourself to be a

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<v Speaker 1>vessel for the spirits and tell us child, the answer

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<v Speaker 1>to the question concealed in the envelope. Chyenne Shane. So

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<v Speaker 1>you understand that you always answer the question that came before,

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<v Speaker 1>but you pretend to be answering the one you've just

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<v Speaker 1>received but not yet opened. And it's the stick by

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<v Speaker 1>taking credit for the first question that allows you to

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<v Speaker 1>see the questions before you provide the answers. But what

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<v Speaker 1>if we get a question that I can't answer, find

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<v Speaker 1>a way, don't want to answer. If you need help,

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<v Speaker 1>speak to me in code. I'll try to respond. An

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<v Speaker 1>envelope has been placed in your hand, Pandora, reveal to

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<v Speaker 1>us now the truth that someone is searching for. My

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<v Speaker 1>vision is clouded. There's a darkening of the heavens. That

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<v Speaker 1>is my baby in heaven. So that the beacon of

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<v Speaker 1>that's the question. Bow your heads and close your eyes,

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<v Speaker 1>ladies and gentlemen, and to let the prayers of this

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<v Speaker 1>congregation always heaven. It's star is shrouded. Oh, my dear child,

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<v Speaker 1>there's no loss more painful than that of someone who

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<v Speaker 1>has lost someone precious. Come along, dear, allow the truth

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<v Speaker 1>to reveal itself. There is among you in the audience one,

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<v Speaker 1>who is I think it should fa an answer. To

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<v Speaker 1>relieve Pandora from the disturbance in the ether, I suggest

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<v Speaker 1>that we allow her to open this envelope and the

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<v Speaker 1>question in this envelope it's a hoax? What is it?

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<v Speaker 1>It's quite all right, my dear. I'm sure they meant

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<v Speaker 1>no harm. We can simply open. Then someone among you

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<v Speaker 1>feels that pretending to have lost a child is an

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<v Speaker 1>amusing way of testing my abilities, Well, I'm afraid your

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<v Speaker 1>test has failed, and I demand that you show yourself

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<v Speaker 1>and face your shame. Are you that much of a coward?

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<v Speaker 1>Show yourself, scoundrel, coward? I'm no coward, Yes, you not?

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<v Speaker 1>I who is deceiving these fine people being no curtain,

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<v Speaker 1>not until this fraud is exposed. If you're going to

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<v Speaker 1>put on a show for these good citizens, you can

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<v Speaker 1>do better than that. Give them a real show. Why

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<v Speaker 1>don't you start by getting out of these? Don't you

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<v Speaker 1>dare touch her? Let's see you get out of these,

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<v Speaker 1>your little witch. The girl's not an a statement, and

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<v Speaker 1>she's not a psychic either. You'll be given the key

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<v Speaker 1>when you are willing to drop to your knees and

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<v Speaker 1>beg for it and confess your sins. You see, ladies

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<v Speaker 1>and gentlemen, my name is hard Dean. I have come

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<v Speaker 1>here at the request of my brother, the Great Podiny,

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<v Speaker 1>who stand some more Chascape at the Riveling Theater on

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<v Speaker 1>Saturday evening. It has been Houdini's personal crusade to rid

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<v Speaker 1>the world of those who would betray the trust of

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<v Speaker 1>good honest Americans. Violinist, geese sharp, are you crazy? Do

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<v Speaker 1>it and hold it as long as you can. You'll

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<v Speaker 1>know when to stop. Well, what do you have to

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<v Speaker 1>say for yourself? Please? I didn't mean any horn. You

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<v Speaker 1>a little todd deceiving good honest people with your devilish tricks.

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<v Speaker 1>Please let me explain. I'm going to destroy you, tear

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<v Speaker 1>you to rippons, and everyone in this theater is going

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<v Speaker 1>to watch and when I'm finished their little plot. But

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<v Speaker 1>before you do, it's important that I show you something.

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<v Speaker 1>When I take off my blindfold, you can look into

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<v Speaker 1>my eyes and see that I'm telling the truth. Lucifer Scape,

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<v Speaker 1>you needn't be afraid afraid. Now you can look look closely.

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<v Speaker 1>Don't look at my eyes, look into my eyes, look

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<v Speaker 1>through them. Do you see it? See what? Give it

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<v Speaker 1>a moment passed through the brown eyes flecked with green.

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<v Speaker 1>Look for a face reflected in the dark pool beneath.

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<v Speaker 1>You see a face there, don't you? Is it my

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<v Speaker 1>left eye or the right? You must concentrate to see

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<v Speaker 1>it with both eyes. Whose face is that reflected in

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<v Speaker 1>the pool? Is it the left or the right? The

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<v Speaker 1>left or the right. You're sinking like a stone asleep

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<v Speaker 1>in the deep. The stone will slide through the depths

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<v Speaker 1>until eventually it settles on the bottom. Tell me, mister Harden,

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<v Speaker 1>will you do anything your brother, the common magician tells

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<v Speaker 1>you to do? If your brother Houdini told you to

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<v Speaker 1>jump off a bridge, would you do it a little louder? Please?

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<v Speaker 1>Would you do it? No? No, of course not. But

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<v Speaker 1>what about me? If I told you to step off

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<v Speaker 1>a bridge, would you do it? Leave your burden of

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<v Speaker 1>disobedience behind hardin? I command you? Now rise up and walk?

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<v Speaker 1>Start walking. That's keep walking for the lights. Stop. That's it,

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<v Speaker 1>Just like that. It's terrifying, isn't it, Standing on the

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<v Speaker 1>ledge looking out into all that darkness, the wind embracing

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<v Speaker 1>your face. But the guilty must be punished, mustn't they Yes,

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<v Speaker 1>the water will be cold Harden very cold. When you

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<v Speaker 1>first penetrate the surface, it will push the breath from

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<v Speaker 1>your lungs, and unable to breathe, you'll sink, sink like

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<v Speaker 1>a stone, and no one, not even Big Brother, will

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<v Speaker 1>be able to save you. Well, what are you waiting for? Goodbye?

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<v Speaker 1>Yah oh and Mr Harden take these to the bottom

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<v Speaker 1>with you. Any breathe are Roughie? Andy? Mm hmm, mother,

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<v Speaker 1>mm hmmm mm hmmm. Can you feel it's all around now? Yes? Please?

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<v Speaker 1>Why are you hiding your face? And I can't look

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<v Speaker 1>at it? It's too powerful to burn me alive. I

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<v Speaker 1>don't not harm you if you treat it with the

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<v Speaker 1>proper respect for trying. Would you like to feel it

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<v Speaker 1>our love? Would you like to learn what? If you

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<v Speaker 1>can't teach you? Yes, then you must allow it to

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<v Speaker 1>come inside you. You must un out it to consume you.

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<v Speaker 1>But they don't understand what it is. No, you cannot

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<v Speaker 1>understand what it is. It is beyond the rension. But

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<v Speaker 1>if you are willing you to under yourself choice, it's frightened.

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<v Speaker 1>I don't think I care. You are stronger than you know.

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<v Speaker 1>Raise your faith from the fog blind? No, No, only

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<v Speaker 1>if you open your eyes, Will you begin to see

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<v Speaker 1>where we have got to? Just lay her there. It's fine,

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<v Speaker 1>she's fine, just overcome by the heat. Thank you. We're

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<v Speaker 1>deeply grateful. What did you do out there? How did

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<v Speaker 1>you know? You? You crucified that bastard right in front

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<v Speaker 1>of everyone. I don't know. I just felt it, and

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<v Speaker 1>and then I knew if I could get him to

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<v Speaker 1>focus on me. No, there must be an explanation if

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<v Speaker 1>it was someone else, maybe but Houdini's own brother. No,

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<v Speaker 1>I didn't know what else to do. Maybe he felt

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<v Speaker 1>sorry for you. That must have been it. Didn't realize

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<v Speaker 1>how young you were until he got on stage, and

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<v Speaker 1>then he saw you had a change of heart. That

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<v Speaker 1>has to be it. I don't know a man like

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<v Speaker 1>that doesn't just lie down and allow himself to be

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<v Speaker 1>publicly humiliated. No, they're up to something. I think it

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<v Speaker 1>was me? What you I think I did it? Excuse me? Yes,

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<v Speaker 1>my card. My name is fried Hair Albert one shrink

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<v Speaker 1>not sink. Perhaps you've heard of me. No, I'm sorry,

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<v Speaker 1>but you'll have to excuse us. Pandora is under tremendous strain.

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<v Speaker 1>I'm a physician. The girl's fine, just over note I'm

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<v Speaker 1>a physician engaged in psychical research. I assist certain prominent

0:20:45.680 --> 0:20:51.800
<v Speaker 1>members of society in locating authentic mediums and spiritists. That

0:20:52.160 --> 0:20:55.920
<v Speaker 1>is a very noble calling. I wish you every client

0:20:56.119 --> 0:21:00.280
<v Speaker 1>of mine, a very important person who would be quite

0:21:00.600 --> 0:21:07.399
<v Speaker 1>interested in engaging your the girl Pandora for a private sitting.

0:21:07.440 --> 0:21:14.800
<v Speaker 1>I'm sure of it. Oh would he or she? I'd

0:21:15.000 --> 0:21:21.600
<v Speaker 1>rather not? She I beg your pardon, your client as

0:21:21.600 --> 0:21:28.080
<v Speaker 1>a woman. Ah, You see, the truth just flows through her.

0:21:28.680 --> 0:21:31.960
<v Speaker 1>It's hard to believe, but Pandora has ways of knowing

0:21:32.320 --> 0:21:36.840
<v Speaker 1>without thinking. Has the girl ever performed a cabinet sitting?

0:21:37.960 --> 0:21:41.080
<v Speaker 1>She has, but I no longer allow her to do

0:21:41.280 --> 0:21:45.359
<v Speaker 1>so because of the extreme physical toll it takes on her.

0:21:46.160 --> 0:21:49.000
<v Speaker 1>You see for yourself the price she pays with her

0:21:49.080 --> 0:21:55.160
<v Speaker 1>body and soul. Money she has performed the seance. That's

0:21:55.280 --> 0:22:03.200
<v Speaker 1>it's successful. Successful. A last time Pandora did a cabinet sitting,

0:22:03.560 --> 0:22:08.240
<v Speaker 1>the clocks in the room chimed thirteen and then suddenly stopped.

0:22:09.280 --> 0:22:14.040
<v Speaker 1>The table wrapped like a hammer, and teleplasm poured from

0:22:14.080 --> 0:22:17.320
<v Speaker 1>every opening of her body, like a fountain of life

0:22:17.760 --> 0:22:23.680
<v Speaker 1>cascading down her body. How soon could she perform I

0:22:23.800 --> 0:22:28.919
<v Speaker 1>told you she's so weak she shouldn't be performing here Nightly.

0:22:29.119 --> 0:22:33.560
<v Speaker 1>Person has to eat. We can't all sponge off of

0:22:34.440 --> 0:22:40.280
<v Speaker 1>prominent members of society. As much as we'd like to

0:22:40.400 --> 0:22:44.800
<v Speaker 1>help you with your research, we're in no position to

0:22:44.960 --> 0:22:50.200
<v Speaker 1>donate our services, no matter how noble the cause. She

0:22:50.400 --> 0:22:54.720
<v Speaker 1>has been probed by physicians and prayed over by ministers,

0:22:55.080 --> 0:22:58.439
<v Speaker 1>and none of them can explain her gift. All they

0:22:58.520 --> 0:23:02.160
<v Speaker 1>can do is acknowledge their They have never seen anyone

0:23:02.880 --> 0:23:07.520
<v Speaker 1>quite like her. They are mystified. They don't know what

0:23:07.680 --> 0:23:10.680
<v Speaker 1>to do, and what can we do? What can we do?

0:23:11.359 --> 0:23:15.480
<v Speaker 1>We have no choice. I help the girl regain her strength.

0:23:15.880 --> 0:23:20.040
<v Speaker 1>We trudge back to the theater and earn our crusts

0:23:20.160 --> 0:23:24.359
<v Speaker 1>of bread. It wouldn't take long. It's a twenty minute

0:23:24.400 --> 0:23:28.080
<v Speaker 1>cab right from here. In the evening, we would have

0:23:28.320 --> 0:23:34.920
<v Speaker 1>to cancel a performance. I can offer money. What you understand?

0:23:35.640 --> 0:23:40.080
<v Speaker 1>If I pay you, then that reduces you to hied entertainers.

0:23:41.680 --> 0:23:45.600
<v Speaker 1>Is there anything wrong with being an entertainer to question

0:23:45.760 --> 0:23:49.720
<v Speaker 1>the integrity of the girl's motives? You see what I mean?

0:23:52.160 --> 0:23:57.600
<v Speaker 1>M hm. That is quite a dilemma, isn't it. Well?

0:23:59.320 --> 0:24:01.400
<v Speaker 1>We wish you the best as you try to work

0:24:01.480 --> 0:24:08.280
<v Speaker 1>that out. May I speak to her? I'm afraid not,

0:24:08.640 --> 0:24:14.520
<v Speaker 1>but if I could just it's more to take a moment, broke.

0:24:15.720 --> 0:24:26.920
<v Speaker 1>You have my card, yes, I do, thank you. The

0:24:27.080 --> 0:24:31.119
<v Speaker 1>current is catching you. You feel it tugging at your legs,

0:24:31.480 --> 0:24:35.359
<v Speaker 1>starting to pull you downstream. You can struggle against the

0:24:35.440 --> 0:24:38.879
<v Speaker 1>current if you want to buy a little time, but

0:24:39.040 --> 0:24:43.399
<v Speaker 1>you'll exhaust yourself. You could try to swim for sure,

0:24:43.960 --> 0:24:46.600
<v Speaker 1>get out of the water and swear never to get

0:24:46.680 --> 0:24:54.160
<v Speaker 1>back in, or or let the current carry you. Navigate

0:24:54.320 --> 0:24:59.040
<v Speaker 1>the waters and prepare for the whirlpool that's waiting downstream.

0:25:00.000 --> 0:25:03.159
<v Speaker 1>I didn't think it would happen so quickly. Neither did I,

0:25:04.520 --> 0:25:08.840
<v Speaker 1>but you exceeded my expectations. It's time that we stopped

0:25:08.880 --> 0:25:14.200
<v Speaker 1>trying to find Corbo. He'll soon find us. It's time

0:25:14.240 --> 0:25:17.720
<v Speaker 1>to begin thinking about what we're going to do once

0:25:17.800 --> 0:25:28.640
<v Speaker 1>we reach him. We me you no reason to be apprehensive.

0:25:28.960 --> 0:25:31.440
<v Speaker 1>There are still things I have yet to teach you.

0:25:33.240 --> 0:25:53.200
<v Speaker 1>H m hmm. You don't open for another two hour.

0:25:54.520 --> 0:25:59.359
<v Speaker 1>I was told to come here. How Stone open for

0:25:59.440 --> 0:26:02.080
<v Speaker 1>another two hours? Okay. I was given this card and

0:26:02.240 --> 0:26:04.560
<v Speaker 1>asked to come here right Go around to the service

0:26:04.760 --> 0:26:07.800
<v Speaker 1>entrance and ring the bell. Look at the card. Mr

0:26:07.880 --> 0:26:13.600
<v Speaker 1>Houdini himself ring the bell. Someone will see you up now,

0:26:13.760 --> 0:26:16.919
<v Speaker 1>Thank you, thank you. Look, lady, the lobby don't open

0:26:17.040 --> 0:26:19.480
<v Speaker 1>till five. You want to get in, you go around back.

0:26:20.080 --> 0:26:22.440
<v Speaker 1>It's not what you think. Please take this card and

0:26:22.520 --> 0:26:32.919
<v Speaker 1>send my regrets to the gentle Wait there, all right,

0:26:32.960 --> 0:26:43.080
<v Speaker 1>Come on a visitor for Mr Houdini. Send her in

0:26:44.520 --> 0:26:51.399
<v Speaker 1>a hello, Mrs Rose Rose? Is that your first or

0:26:51.520 --> 0:26:56.600
<v Speaker 1>last name? It's my professional name, sort of like Houdini.

0:26:57.440 --> 0:27:01.600
<v Speaker 1>Rose is Rose is Rose. Then I invited you here.

0:27:01.760 --> 0:27:06.200
<v Speaker 1>May I get you anything? T I'm fine? Thank you?

0:27:06.920 --> 0:27:10.520
<v Speaker 1>Is the girl with you? No? I try not to

0:27:10.600 --> 0:27:17.680
<v Speaker 1>involve her in the business of our business. Wise, very wise, Well,

0:27:18.680 --> 0:27:21.680
<v Speaker 1>I wanted to speak to you for several reasons. First,

0:27:21.880 --> 0:27:25.320
<v Speaker 1>to apologize for the way my brother interrupted your performance.

0:27:25.760 --> 0:27:30.280
<v Speaker 1>Was he not acting under your instructions? Yes, but he

0:27:30.520 --> 0:27:34.399
<v Speaker 1>can be ah bit over zealous. I hope there are

0:27:34.440 --> 0:27:39.600
<v Speaker 1>no hard feelings. Secondly, I wish to compliment you and

0:27:39.760 --> 0:27:44.439
<v Speaker 1>the girl on the way you manage the situation. Marvelous. Truly,

0:27:45.280 --> 0:27:48.320
<v Speaker 1>most performers would have fled the stage, but she didn't.

0:27:48.400 --> 0:27:53.120
<v Speaker 1>She stood up to him. When I perform my escapes.

0:27:53.680 --> 0:27:56.280
<v Speaker 1>I have to be prepared for any eventuality. No matter

0:27:56.359 --> 0:27:59.480
<v Speaker 1>how thoroughly I rehearse or train myself physically, something can

0:28:00.040 --> 0:28:04.200
<v Speaker 1>and often will go wrong, and when it does, I

0:28:04.280 --> 0:28:06.920
<v Speaker 1>have to figure out a way to overcome it. There's

0:28:06.960 --> 0:28:10.199
<v Speaker 1>no time to think. It has to be instinctual. If

0:28:10.280 --> 0:28:15.760
<v Speaker 1>that instinct fails me, I die. Pandora has that very instinct,

0:28:15.840 --> 0:28:19.520
<v Speaker 1>and it's something that cannot be taught and learned. She

0:28:19.800 --> 0:28:24.320
<v Speaker 1>always maintained the illusion. She's not like other performers. Indeed,

0:28:24.400 --> 0:28:30.080
<v Speaker 1>she is not pandora professional name. I take it like Hoodini.

0:28:31.680 --> 0:28:36.000
<v Speaker 1>I would like to ask Pandora, through you, as her representative,

0:28:36.440 --> 0:28:40.040
<v Speaker 1>if she would be interested in a long term opportunity.

0:28:40.880 --> 0:28:44.360
<v Speaker 1>What do you have in mind. I'm interested in having

0:28:44.440 --> 0:28:47.880
<v Speaker 1>her become part of my act. I was thinking she

0:28:47.960 --> 0:28:50.720
<v Speaker 1>could perform her mentalist act as sort of a prelude

0:28:50.760 --> 0:28:54.720
<v Speaker 1>to mine. It's a basic mind reading, preferably without asking

0:28:54.800 --> 0:28:57.800
<v Speaker 1>for alms, and then afterward I would come on stage

0:28:57.840 --> 0:29:00.760
<v Speaker 1>and reveal the secrets of how her wonder as are performed.

0:29:01.280 --> 0:29:04.040
<v Speaker 1>The public is very interested in the exposure of the

0:29:04.120 --> 0:29:08.320
<v Speaker 1>spirit medium, so you want to try and expose her,

0:29:09.000 --> 0:29:12.600
<v Speaker 1>humiliate her, night after night, do what your brother was

0:29:12.760 --> 0:29:16.240
<v Speaker 1>unable to. If Harden had wanted to expose and humiliate her,

0:29:17.080 --> 0:29:23.600
<v Speaker 1>he would have, so why didn't he Because when she

0:29:23.760 --> 0:29:26.560
<v Speaker 1>faced him down on that stage, he recognized her talent

0:29:26.640 --> 0:29:29.680
<v Speaker 1>as a stage performer and decided that she would be

0:29:29.760 --> 0:29:34.040
<v Speaker 1>more valuable to us with her reputation intact. Rather than

0:29:34.080 --> 0:29:36.560
<v Speaker 1>devalue her in front of six hundred people, he opted

0:29:36.600 --> 0:29:39.680
<v Speaker 1>to humiliate himself. I should think that the girl owes

0:29:39.800 --> 0:29:44.280
<v Speaker 1>him a debt of gratitude. We owe him nothing. Harry

0:29:44.360 --> 0:29:49.960
<v Speaker 1>Hudini invites you to his dressing room, apologizes to you compliments,

0:29:50.040 --> 0:29:53.880
<v Speaker 1>you offers you an opportunity most illusionists would give their

0:29:54.040 --> 0:30:00.160
<v Speaker 1>right arms to have, and you respond with contempt. We

0:30:00.240 --> 0:30:02.480
<v Speaker 1>could guarantee six months of bookings out of the year,

0:30:02.760 --> 0:30:05.000
<v Speaker 1>and you might mention to her that I'll be returning

0:30:05.040 --> 0:30:08.240
<v Speaker 1>to Hollywood this summer to make another moving picture. You

0:30:08.440 --> 0:30:14.320
<v Speaker 1>would be invited to accompany her as her chaperone. Thank

0:30:14.400 --> 0:30:18.640
<v Speaker 1>you for your hospitality and your offer, but I'm afraid

0:30:18.720 --> 0:30:22.239
<v Speaker 1>i must decline. We are currently weighing an offer from

0:30:22.280 --> 0:30:28.480
<v Speaker 1>another individual, one who appreciates Pandora's talents, actually believes in her.

0:30:28.800 --> 0:30:31.480
<v Speaker 1>Oh no, You're not going to let her get mixed

0:30:31.520 --> 0:30:35.280
<v Speaker 1>up with believers, are you. I didn't raise Pandora to

0:30:35.400 --> 0:30:38.880
<v Speaker 1>perform as a fake. You yourself said she has a

0:30:39.000 --> 0:30:43.560
<v Speaker 1>talent that can't be taught. That's right, nor can it

0:30:43.720 --> 0:30:46.520
<v Speaker 1>be bought. I see you'd rather sell her on a

0:30:46.600 --> 0:30:50.800
<v Speaker 1>street corner. Yes, we've been watching you for some time.

0:30:51.880 --> 0:30:55.360
<v Speaker 1>On whose behalf? Are you trying to procure her? Your

0:30:55.400 --> 0:31:00.720
<v Speaker 1>own or someone else's procure her? I'm hoodie me on

0:31:00.840 --> 0:31:03.600
<v Speaker 1>whose behalf but my own? Would I possibly be asking

0:31:03.960 --> 0:31:07.560
<v Speaker 1>a certain blackbird? Perhaps black bird? What is that supposed

0:31:07.560 --> 0:31:12.680
<v Speaker 1>to mean? I'll see myself outs rose one moment plays

0:31:16.280 --> 0:31:21.640
<v Speaker 1>the whole seventh thought of business, considering the blackbirds proclivities.

0:31:21.680 --> 0:31:24.600
<v Speaker 1>You'll permit me to ask, is this really something you

0:31:24.600 --> 0:31:30.640
<v Speaker 1>should be involving Pandora in? Are you actually concerned about

0:31:30.680 --> 0:31:38.280
<v Speaker 1>the girl's well being? Shouldn't someone be goodbye? Mr Houdini? Oh,

0:31:38.480 --> 0:31:41.120
<v Speaker 1>and I do have one favor to ask. Could you

0:31:41.200 --> 0:31:44.560
<v Speaker 1>see your way to choosing a different song to introduce

0:31:44.600 --> 0:31:49.160
<v Speaker 1>her act? You see asleep in the deep is well?

0:31:50.320 --> 0:32:28.120
<v Speaker 1>It's my song? Lord lord, Oh, I must now replace

0:32:28.400 --> 0:32:33.520
<v Speaker 1>my blind hold as my vision begins to fade. Your

0:32:33.600 --> 0:32:40.040
<v Speaker 1>own senses will gradually return, return to the warmth in

0:32:40.160 --> 0:32:48.640
<v Speaker 1>the light of your own reality. The Seventh Daughter is

0:32:48.680 --> 0:32:52.560
<v Speaker 1>a production of I Heart Radio, written and directed by

0:32:52.640 --> 0:32:58.280
<v Speaker 1>Brett Wood, recorded and mixed by Rob Gal, featuring Mica

0:32:58.320 --> 0:33:07.800
<v Speaker 1>Wilkes as Rose and Elizabeth Hunter as Pearl. There you

0:33:07.960 --> 0:33:10.920
<v Speaker 1>may now open your eyes