1 00:00:00,160 --> 00:00:05,359 Speaker 1: The Seventh Daughter contains scenes of realistic violence and graphic sexuality. 2 00:00:05,880 --> 00:00:15,560 Speaker 1: It is intended for mature listeners. Have you come seeking knowledge? 3 00:00:16,760 --> 00:00:20,319 Speaker 1: Do you wish to know the truth? Allow me to 4 00:00:20,360 --> 00:00:25,599 Speaker 1: show you. Close your eyes and follow the sound of 5 00:00:25,640 --> 00:00:32,040 Speaker 1: my voice. Allow it to lead you further into the past. 6 00:00:34,200 --> 00:00:38,040 Speaker 1: When I remove my blindfold, you may look into my eyes. 7 00:00:39,440 --> 00:00:44,120 Speaker 1: Don't just look at them, look through them, and you 8 00:00:44,159 --> 00:00:49,840 Speaker 1: will see what they have seen, and all my secrets 9 00:00:51,479 --> 00:01:19,280 Speaker 1: will be revered. The Seventh Daughter h m hm ye. 10 00:01:46,040 --> 00:01:49,440 Speaker 1: From the moment she was born, the seventh child of 11 00:01:49,440 --> 00:01:53,440 Speaker 1: her mother, all of them girls, it was obvious that 12 00:01:53,520 --> 00:01:57,520 Speaker 1: this child was special. No child's future ever seemed to 13 00:01:57,600 --> 00:02:02,440 Speaker 1: shine so bright. She was given the finest education, but 14 00:02:02,600 --> 00:02:07,120 Speaker 1: somehow possessed knowledge that even her tutors had not yet attained. 15 00:02:07,880 --> 00:02:12,040 Speaker 1: She had an uncanny ability to commune with animals, and 16 00:02:12,240 --> 00:02:15,520 Speaker 1: loved nothing more than to wander the shadows of the 17 00:02:15,639 --> 00:02:19,799 Speaker 1: forest or to pick among the stones of the village cemetery. 18 00:02:20,680 --> 00:02:25,520 Speaker 1: Pandora wears a blindfold not so she cannot see you, 19 00:02:26,280 --> 00:02:31,239 Speaker 1: but because her eyes bear the imprint of that dreadful tragedy. 20 00:02:32,120 --> 00:02:36,880 Speaker 1: She carries with her the gaze of Lucifer. To look 21 00:02:37,040 --> 00:02:42,000 Speaker 1: deeply into Pandora's eyes is to see reflected in their 22 00:02:42,120 --> 00:02:48,040 Speaker 1: depths the means of your own death. And for this 23 00:02:48,120 --> 00:02:51,880 Speaker 1: reason is the band of white lace wrapped around her 24 00:02:51,960 --> 00:02:59,160 Speaker 1: eyes soul. Without further ado, allow me to present to 25 00:02:59,240 --> 00:03:05,280 Speaker 1: you the youngest and most brilliant clairvoyant ever to call 26 00:03:05,480 --> 00:03:13,880 Speaker 1: forth spirits from the veil of the beyond, the seventh Daughter, Pandora. 27 00:03:19,600 --> 00:03:25,080 Speaker 1: This evening for your spiritual gratification, Pandora will offer a 28 00:03:25,160 --> 00:03:29,760 Speaker 1: demonstration of her mental prowess. She will call down from 29 00:03:29,800 --> 00:03:34,200 Speaker 1: the heavens, or up from the abyss, the wisdom of 30 00:03:34,240 --> 00:03:38,680 Speaker 1: the spheres, and will provide you with answers to the 31 00:03:38,800 --> 00:03:43,760 Speaker 1: questions that have burdened you, no matter how serious, And 32 00:03:43,880 --> 00:03:46,720 Speaker 1: to prove that her wisdom is a gift from the 33 00:03:46,840 --> 00:03:51,360 Speaker 1: spirits that dwell in the ether that surrounds us, she 34 00:03:51,560 --> 00:04:00,360 Speaker 1: will provide these answers, specific detailed answers, without having been 35 00:04:00,440 --> 00:04:05,280 Speaker 1: asked the question, wait, how could I possibly do that? 36 00:04:09,320 --> 00:04:13,000 Speaker 1: I invite those among you with a pressing spiritual need 37 00:04:13,200 --> 00:04:16,799 Speaker 1: to write it on one of these slips of paper 38 00:04:17,360 --> 00:04:21,080 Speaker 1: and seal it in the envelope. The ushers are moving 39 00:04:21,160 --> 00:04:24,640 Speaker 1: among you to distribute them. We only ask that, as 40 00:04:24,680 --> 00:04:28,680 Speaker 1: a token of your sincerity, you enclose a single coin 41 00:04:29,120 --> 00:04:33,039 Speaker 1: in the envelope with your question. Any coin will do, 42 00:04:33,680 --> 00:04:38,239 Speaker 1: though no copper police. It may be good for conducting electricity, 43 00:04:38,400 --> 00:04:42,599 Speaker 1: but we've found that the spirits traveled more effectively through 44 00:04:42,640 --> 00:04:48,760 Speaker 1: precious metals. These envelopes will remain sealed in full view 45 00:04:49,040 --> 00:04:53,920 Speaker 1: of the audience and will only be opened after she 46 00:04:54,080 --> 00:04:58,560 Speaker 1: has answered the questions. I'm going to provide answers. That's 47 00:04:58,640 --> 00:05:02,800 Speaker 1: right before or I've read the questions, Yes, exactly, But 48 00:05:03,400 --> 00:05:07,200 Speaker 1: you'll read the questions and communicate to me. We'll use 49 00:05:07,200 --> 00:05:09,880 Speaker 1: the alcohol trick. Swab it on the outside so the 50 00:05:09,920 --> 00:05:13,280 Speaker 1: paper becomes transparent and I can read the card inside. No, 51 00:05:15,920 --> 00:05:18,400 Speaker 1: I don't see how I can do it. Then, like 52 00:05:18,560 --> 00:05:22,359 Speaker 1: all good ducker in it is astonishingly simple. The secret 53 00:05:22,520 --> 00:05:25,400 Speaker 1: is the first question is a phony, but all the 54 00:05:25,440 --> 00:05:28,799 Speaker 1: other questions are real. All it requires is the brief 55 00:05:28,839 --> 00:05:33,960 Speaker 1: assistance of one stick in the audience. So we now 56 00:05:34,040 --> 00:05:37,240 Speaker 1: have a stack of envelopes. They are shuffled, and one 57 00:05:37,360 --> 00:05:40,280 Speaker 1: is brought to you. You press it between your palms 58 00:05:40,360 --> 00:05:44,600 Speaker 1: as if you're praying over it. Bow your head, close 59 00:05:44,720 --> 00:05:52,480 Speaker 1: your eyes. Now provide an answer. Wait, what answer? It 60 00:05:52,520 --> 00:05:58,560 Speaker 1: doesn't matter. Just answer a question, any question. So help me, God, 61 00:05:58,600 --> 00:06:00,760 Speaker 1: if you ever give an answer that in front of 62 00:06:00,760 --> 00:06:04,160 Speaker 1: a house. I'm sorry, I'm sorry, I'm just confused. I 63 00:06:04,320 --> 00:06:12,159 Speaker 1: just okay. Answer. I called down the spirits of the 64 00:06:12,200 --> 00:06:14,920 Speaker 1: heavens and asked them to make me a fount of wisdom, 65 00:06:14,960 --> 00:06:19,279 Speaker 1: dislike the thirst of your lonely souls. I feel the 66 00:06:19,400 --> 00:06:24,280 Speaker 1: angels beginning to stir. I feel their breath upon my neck. 67 00:06:25,040 --> 00:06:28,680 Speaker 1: I hear their whispers in my ear. What do they 68 00:06:28,720 --> 00:06:37,440 Speaker 1: tell you, child? How Howard Howell? Mr Howell? And what 69 00:06:37,880 --> 00:06:41,000 Speaker 1: do the spirits wish to tell? Mr? Howell? I am 70 00:06:41,000 --> 00:06:45,800 Speaker 1: in a place of darkness, a tiny space. There's a 71 00:06:45,880 --> 00:06:49,680 Speaker 1: shiny disk here, thicker than a gold coin, but just 72 00:06:49,839 --> 00:06:53,760 Speaker 1: as precious. The shiny round object is hanging from a 73 00:06:53,800 --> 00:06:58,200 Speaker 1: gold chain. It is hidden inside a wall in a kitchen. 74 00:06:58,880 --> 00:07:02,120 Speaker 1: That is what Mr Howell wishes to know. Then our 75 00:07:02,279 --> 00:07:08,080 Speaker 1: stick stands up and says, my name's Howel, Mr Howe. 76 00:07:09,120 --> 00:07:15,200 Speaker 1: Did you submit a card to Pandora? I did open 77 00:07:15,320 --> 00:07:23,240 Speaker 1: the envelope. Pandora, read the Gentleman's question, andorra if you 78 00:07:23,320 --> 00:07:29,720 Speaker 1: please read the Gentleman's question the question on the card, 79 00:07:30,000 --> 00:07:35,760 Speaker 1: But it's impossible. Not the question on the card. I'm confused. 80 00:07:36,440 --> 00:07:40,080 Speaker 1: You already made up an answer. Now make up the 81 00:07:40,200 --> 00:07:45,080 Speaker 1: question where can I find my granddaddy Earl's pocket watch? 82 00:07:46,440 --> 00:07:50,360 Speaker 1: Did you write that? Mr Howell? I did? I did? 83 00:07:51,640 --> 00:07:56,840 Speaker 1: May I congratulate you on the recovery of your missing item? 84 00:07:56,920 --> 00:08:03,600 Speaker 1: You may be seated. The stick sits down and you 85 00:08:03,680 --> 00:08:05,800 Speaker 1: go on to the next one. Now what do I 86 00:08:05,840 --> 00:08:09,880 Speaker 1: do for the duration of the evening? You provide answers, 87 00:08:10,280 --> 00:08:14,000 Speaker 1: then questions for as long as the coins keep arriving. 88 00:08:14,440 --> 00:08:16,400 Speaker 1: So if we use the stick to put over the 89 00:08:16,440 --> 00:08:20,800 Speaker 1: first question, where do I get the second question? You 90 00:08:20,920 --> 00:08:25,240 Speaker 1: already know the second question, I do? You still haven't 91 00:08:25,280 --> 00:08:30,200 Speaker 1: figured it out. You're holding it in your hand. The 92 00:08:30,280 --> 00:08:34,599 Speaker 1: first question you received from the audience when you pretended 93 00:08:34,640 --> 00:08:38,959 Speaker 1: to read where is my grandfather's pocket watch? What did 94 00:08:39,000 --> 00:08:44,680 Speaker 1: that paper actually say? Oh? It said? It said what 95 00:08:44,840 --> 00:08:48,520 Speaker 1: is the capital of Wyoming? Signed Thomas Underwood? So you 96 00:08:48,559 --> 00:08:53,760 Speaker 1: throw that envelope away. Will the volunteer please place a 97 00:08:53,840 --> 00:08:58,920 Speaker 1: new envelop and Pandora's hands there you go. Hold it tightly, 98 00:08:59,160 --> 00:09:04,080 Speaker 1: my dear, concentrate, my child, Allow yourself to be a 99 00:09:04,160 --> 00:09:08,760 Speaker 1: vessel for the spirits and tell us child, the answer 100 00:09:08,760 --> 00:09:15,520 Speaker 1: to the question concealed in the envelope. Chyenne Shane. So 101 00:09:15,679 --> 00:09:19,640 Speaker 1: you understand that you always answer the question that came before, 102 00:09:20,080 --> 00:09:23,040 Speaker 1: but you pretend to be answering the one you've just 103 00:09:23,200 --> 00:09:27,240 Speaker 1: received but not yet opened. And it's the stick by 104 00:09:27,280 --> 00:09:30,240 Speaker 1: taking credit for the first question that allows you to 105 00:09:30,320 --> 00:09:34,120 Speaker 1: see the questions before you provide the answers. But what 106 00:09:34,160 --> 00:09:36,679 Speaker 1: if we get a question that I can't answer, find 107 00:09:36,720 --> 00:09:39,000 Speaker 1: a way, don't want to answer. If you need help, 108 00:09:39,160 --> 00:09:44,880 Speaker 1: speak to me in code. I'll try to respond. An 109 00:09:45,080 --> 00:09:49,200 Speaker 1: envelope has been placed in your hand, Pandora, reveal to 110 00:09:49,400 --> 00:09:53,840 Speaker 1: us now the truth that someone is searching for. My 111 00:09:54,040 --> 00:09:57,319 Speaker 1: vision is clouded. There's a darkening of the heavens. That 112 00:09:57,679 --> 00:10:00,960 Speaker 1: is my baby in heaven. So that the beacon of 113 00:10:01,280 --> 00:10:06,400 Speaker 1: that's the question. Bow your heads and close your eyes, 114 00:10:06,640 --> 00:10:10,120 Speaker 1: ladies and gentlemen, and to let the prayers of this 115 00:10:10,240 --> 00:10:17,560 Speaker 1: congregation always heaven. It's star is shrouded. Oh, my dear child, 116 00:10:18,240 --> 00:10:20,839 Speaker 1: there's no loss more painful than that of someone who 117 00:10:20,840 --> 00:10:27,320 Speaker 1: has lost someone precious. Come along, dear, allow the truth 118 00:10:27,440 --> 00:10:33,040 Speaker 1: to reveal itself. There is among you in the audience one, 119 00:10:33,080 --> 00:10:36,439 Speaker 1: who is I think it should fa an answer. To 120 00:10:36,640 --> 00:10:41,119 Speaker 1: relieve Pandora from the disturbance in the ether, I suggest 121 00:10:41,280 --> 00:10:45,680 Speaker 1: that we allow her to open this envelope and the 122 00:10:45,800 --> 00:10:53,599 Speaker 1: question in this envelope it's a hoax? What is it? 123 00:10:53,600 --> 00:10:57,040 Speaker 1: It's quite all right, my dear. I'm sure they meant 124 00:10:57,120 --> 00:11:03,280 Speaker 1: no harm. We can simply open. Then someone among you 125 00:11:03,360 --> 00:11:05,560 Speaker 1: feels that pretending to have lost a child is an 126 00:11:05,600 --> 00:11:09,520 Speaker 1: amusing way of testing my abilities, Well, I'm afraid your 127 00:11:09,559 --> 00:11:12,640 Speaker 1: test has failed, and I demand that you show yourself 128 00:11:12,679 --> 00:11:16,600 Speaker 1: and face your shame. Are you that much of a coward? 129 00:11:18,920 --> 00:11:27,199 Speaker 1: Show yourself, scoundrel, coward? I'm no coward, Yes, you not? 130 00:11:27,400 --> 00:11:32,520 Speaker 1: I who is deceiving these fine people being no curtain, 131 00:11:33,000 --> 00:11:36,720 Speaker 1: not until this fraud is exposed. If you're going to 132 00:11:36,720 --> 00:11:38,959 Speaker 1: put on a show for these good citizens, you can 133 00:11:38,960 --> 00:11:42,880 Speaker 1: do better than that. Give them a real show. Why 134 00:11:42,920 --> 00:11:46,040 Speaker 1: don't you start by getting out of these? Don't you 135 00:11:46,440 --> 00:11:49,120 Speaker 1: dare touch her? Let's see you get out of these, 136 00:11:49,200 --> 00:11:53,120 Speaker 1: your little witch. The girl's not an a statement, and 137 00:11:53,240 --> 00:11:56,960 Speaker 1: she's not a psychic either. You'll be given the key 138 00:11:57,040 --> 00:11:59,400 Speaker 1: when you are willing to drop to your knees and 139 00:11:59,520 --> 00:12:04,080 Speaker 1: beg for it and confess your sins. You see, ladies 140 00:12:04,160 --> 00:12:08,120 Speaker 1: and gentlemen, my name is hard Dean. I have come 141 00:12:08,160 --> 00:12:11,520 Speaker 1: here at the request of my brother, the Great Podiny, 142 00:12:15,600 --> 00:12:19,280 Speaker 1: who stand some more Chascape at the Riveling Theater on 143 00:12:19,480 --> 00:12:24,200 Speaker 1: Saturday evening. It has been Houdini's personal crusade to rid 144 00:12:24,280 --> 00:12:26,679 Speaker 1: the world of those who would betray the trust of 145 00:12:26,800 --> 00:12:44,640 Speaker 1: good honest Americans. Violinist, geese sharp, are you crazy? Do 146 00:12:44,840 --> 00:12:47,920 Speaker 1: it and hold it as long as you can. You'll 147 00:12:48,000 --> 00:12:54,559 Speaker 1: know when to stop. Well, what do you have to 148 00:12:54,679 --> 00:13:00,079 Speaker 1: say for yourself? Please? I didn't mean any horn. You 149 00:13:00,120 --> 00:13:04,840 Speaker 1: a little todd deceiving good honest people with your devilish tricks. 150 00:13:05,400 --> 00:13:10,960 Speaker 1: Please let me explain. I'm going to destroy you, tear 151 00:13:11,040 --> 00:13:14,520 Speaker 1: you to rippons, and everyone in this theater is going 152 00:13:14,600 --> 00:13:20,760 Speaker 1: to watch and when I'm finished their little plot. But 153 00:13:20,920 --> 00:13:24,000 Speaker 1: before you do, it's important that I show you something. 154 00:13:26,080 --> 00:13:28,920 Speaker 1: When I take off my blindfold, you can look into 155 00:13:28,960 --> 00:13:33,680 Speaker 1: my eyes and see that I'm telling the truth. Lucifer Scape, 156 00:13:35,120 --> 00:13:42,240 Speaker 1: you needn't be afraid afraid. Now you can look look closely. 157 00:13:43,360 --> 00:13:47,760 Speaker 1: Don't look at my eyes, look into my eyes, look 158 00:13:47,920 --> 00:13:54,719 Speaker 1: through them. Do you see it? See what? Give it 159 00:13:54,800 --> 00:13:59,079 Speaker 1: a moment passed through the brown eyes flecked with green. 160 00:14:00,480 --> 00:14:03,640 Speaker 1: Look for a face reflected in the dark pool beneath. 161 00:14:04,880 --> 00:14:09,120 Speaker 1: You see a face there, don't you? Is it my 162 00:14:09,280 --> 00:14:14,320 Speaker 1: left eye or the right? You must concentrate to see 163 00:14:14,440 --> 00:14:20,120 Speaker 1: it with both eyes. Whose face is that reflected in 164 00:14:20,200 --> 00:14:25,680 Speaker 1: the pool? Is it the left or the right? The 165 00:14:25,920 --> 00:14:34,080 Speaker 1: left or the right. You're sinking like a stone asleep 166 00:14:35,240 --> 00:14:40,600 Speaker 1: in the deep. The stone will slide through the depths 167 00:14:41,520 --> 00:14:51,920 Speaker 1: until eventually it settles on the bottom. Tell me, mister Harden, 168 00:14:52,560 --> 00:14:56,440 Speaker 1: will you do anything your brother, the common magician tells 169 00:14:56,520 --> 00:15:02,160 Speaker 1: you to do? If your brother Houdini told you to 170 00:15:02,240 --> 00:15:08,680 Speaker 1: jump off a bridge, would you do it a little louder? Please? 171 00:15:09,520 --> 00:15:16,000 Speaker 1: Would you do it? No? No, of course not. But 172 00:15:16,160 --> 00:15:19,080 Speaker 1: what about me? If I told you to step off 173 00:15:19,120 --> 00:15:23,200 Speaker 1: a bridge, would you do it? Leave your burden of 174 00:15:23,240 --> 00:15:30,040 Speaker 1: disobedience behind hardin? I command you? Now rise up and walk? 175 00:15:32,200 --> 00:15:42,160 Speaker 1: Start walking. That's keep walking for the lights. Stop. That's it, 176 00:15:43,120 --> 00:15:48,200 Speaker 1: Just like that. It's terrifying, isn't it, Standing on the 177 00:15:48,320 --> 00:15:53,000 Speaker 1: ledge looking out into all that darkness, the wind embracing 178 00:15:53,120 --> 00:16:01,480 Speaker 1: your face. But the guilty must be punished, mustn't they Yes, 179 00:16:02,840 --> 00:16:08,040 Speaker 1: the water will be cold Harden very cold. When you 180 00:16:08,160 --> 00:16:11,440 Speaker 1: first penetrate the surface, it will push the breath from 181 00:16:11,480 --> 00:16:17,160 Speaker 1: your lungs, and unable to breathe, you'll sink, sink like 182 00:16:17,280 --> 00:16:24,520 Speaker 1: a stone, and no one, not even Big Brother, will 183 00:16:24,560 --> 00:16:31,720 Speaker 1: be able to save you. Well, what are you waiting for? Goodbye? 184 00:16:33,920 --> 00:16:40,200 Speaker 1: Yah oh and Mr Harden take these to the bottom 185 00:16:40,280 --> 00:17:00,840 Speaker 1: with you. Any breathe are Roughie? Andy? Mm hmm, mother, 186 00:17:11,000 --> 00:17:26,600 Speaker 1: mm hmmm mm hmmm. Can you feel it's all around now? Yes? Please? 187 00:17:28,760 --> 00:17:32,640 Speaker 1: Why are you hiding your face? And I can't look 188 00:17:32,720 --> 00:17:37,480 Speaker 1: at it? It's too powerful to burn me alive. I 189 00:17:37,720 --> 00:17:41,240 Speaker 1: don't not harm you if you treat it with the 190 00:17:41,359 --> 00:17:47,080 Speaker 1: proper respect for trying. Would you like to feel it 191 00:17:47,240 --> 00:17:51,159 Speaker 1: our love? Would you like to learn what? If you 192 00:17:51,200 --> 00:17:56,639 Speaker 1: can't teach you? Yes, then you must allow it to 193 00:17:56,840 --> 00:18:01,600 Speaker 1: come inside you. You must un out it to consume you. 194 00:18:02,480 --> 00:18:08,359 Speaker 1: But they don't understand what it is. No, you cannot 195 00:18:08,520 --> 00:18:13,800 Speaker 1: understand what it is. It is beyond the rension. But 196 00:18:14,560 --> 00:18:20,480 Speaker 1: if you are willing you to under yourself choice, it's frightened. 197 00:18:21,720 --> 00:18:25,639 Speaker 1: I don't think I care. You are stronger than you know. 198 00:18:28,840 --> 00:18:36,840 Speaker 1: Raise your faith from the fog blind? No, No, only 199 00:18:37,000 --> 00:18:40,560 Speaker 1: if you open your eyes, Will you begin to see 200 00:18:58,200 --> 00:19:02,720 Speaker 1: where we have got to? Just lay her there. It's fine, 201 00:19:03,000 --> 00:19:07,920 Speaker 1: she's fine, just overcome by the heat. Thank you. We're 202 00:19:08,040 --> 00:19:16,320 Speaker 1: deeply grateful. What did you do out there? How did 203 00:19:16,400 --> 00:19:19,680 Speaker 1: you know? You? You crucified that bastard right in front 204 00:19:19,720 --> 00:19:26,040 Speaker 1: of everyone. I don't know. I just felt it, and 205 00:19:27,359 --> 00:19:29,840 Speaker 1: and then I knew if I could get him to 206 00:19:29,960 --> 00:19:35,480 Speaker 1: focus on me. No, there must be an explanation if 207 00:19:35,520 --> 00:19:39,359 Speaker 1: it was someone else, maybe but Houdini's own brother. No, 208 00:19:40,160 --> 00:19:44,320 Speaker 1: I didn't know what else to do. Maybe he felt 209 00:19:44,440 --> 00:19:48,560 Speaker 1: sorry for you. That must have been it. Didn't realize 210 00:19:48,600 --> 00:19:50,639 Speaker 1: how young you were until he got on stage, and 211 00:19:50,720 --> 00:19:53,960 Speaker 1: then he saw you had a change of heart. That 212 00:19:54,080 --> 00:19:57,480 Speaker 1: has to be it. I don't know a man like 213 00:19:57,720 --> 00:20:01,440 Speaker 1: that doesn't just lie down and allow himself to be 214 00:20:01,560 --> 00:20:07,359 Speaker 1: publicly humiliated. No, they're up to something. I think it 215 00:20:07,520 --> 00:20:20,960 Speaker 1: was me? What you I think I did it? Excuse me? Yes, 216 00:20:21,359 --> 00:20:25,320 Speaker 1: my card. My name is fried Hair Albert one shrink 217 00:20:25,440 --> 00:20:29,200 Speaker 1: not sink. Perhaps you've heard of me. No, I'm sorry, 218 00:20:30,119 --> 00:20:33,840 Speaker 1: but you'll have to excuse us. Pandora is under tremendous strain. 219 00:20:34,640 --> 00:20:39,400 Speaker 1: I'm a physician. The girl's fine, just over note I'm 220 00:20:39,480 --> 00:20:45,399 Speaker 1: a physician engaged in psychical research. I assist certain prominent 221 00:20:45,680 --> 00:20:51,800 Speaker 1: members of society in locating authentic mediums and spiritists. That 222 00:20:52,160 --> 00:20:55,920 Speaker 1: is a very noble calling. I wish you every client 223 00:20:56,119 --> 00:21:00,280 Speaker 1: of mine, a very important person who would be quite 224 00:21:00,600 --> 00:21:07,399 Speaker 1: interested in engaging your the girl Pandora for a private sitting. 225 00:21:07,440 --> 00:21:14,800 Speaker 1: I'm sure of it. Oh would he or she? I'd 226 00:21:15,000 --> 00:21:21,600 Speaker 1: rather not? She I beg your pardon, your client as 227 00:21:21,600 --> 00:21:28,080 Speaker 1: a woman. Ah, You see, the truth just flows through her. 228 00:21:28,680 --> 00:21:31,960 Speaker 1: It's hard to believe, but Pandora has ways of knowing 229 00:21:32,320 --> 00:21:36,840 Speaker 1: without thinking. Has the girl ever performed a cabinet sitting? 230 00:21:37,960 --> 00:21:41,080 Speaker 1: She has, but I no longer allow her to do 231 00:21:41,280 --> 00:21:45,359 Speaker 1: so because of the extreme physical toll it takes on her. 232 00:21:46,160 --> 00:21:49,000 Speaker 1: You see for yourself the price she pays with her 233 00:21:49,080 --> 00:21:55,160 Speaker 1: body and soul. Money she has performed the seance. That's 234 00:21:55,280 --> 00:22:03,200 Speaker 1: it's successful. Successful. A last time Pandora did a cabinet sitting, 235 00:22:03,560 --> 00:22:08,240 Speaker 1: the clocks in the room chimed thirteen and then suddenly stopped. 236 00:22:09,280 --> 00:22:14,040 Speaker 1: The table wrapped like a hammer, and teleplasm poured from 237 00:22:14,080 --> 00:22:17,320 Speaker 1: every opening of her body, like a fountain of life 238 00:22:17,760 --> 00:22:23,680 Speaker 1: cascading down her body. How soon could she perform I 239 00:22:23,800 --> 00:22:28,919 Speaker 1: told you she's so weak she shouldn't be performing here Nightly. 240 00:22:29,119 --> 00:22:33,560 Speaker 1: Person has to eat. We can't all sponge off of 241 00:22:34,440 --> 00:22:40,280 Speaker 1: prominent members of society. As much as we'd like to 242 00:22:40,400 --> 00:22:44,800 Speaker 1: help you with your research, we're in no position to 243 00:22:44,960 --> 00:22:50,200 Speaker 1: donate our services, no matter how noble the cause. She 244 00:22:50,400 --> 00:22:54,720 Speaker 1: has been probed by physicians and prayed over by ministers, 245 00:22:55,080 --> 00:22:58,439 Speaker 1: and none of them can explain her gift. All they 246 00:22:58,520 --> 00:23:02,160 Speaker 1: can do is acknowledge their They have never seen anyone 247 00:23:02,880 --> 00:23:07,520 Speaker 1: quite like her. They are mystified. They don't know what 248 00:23:07,680 --> 00:23:10,680 Speaker 1: to do, and what can we do? What can we do? 249 00:23:11,359 --> 00:23:15,480 Speaker 1: We have no choice. I help the girl regain her strength. 250 00:23:15,880 --> 00:23:20,040 Speaker 1: We trudge back to the theater and earn our crusts 251 00:23:20,160 --> 00:23:24,359 Speaker 1: of bread. It wouldn't take long. It's a twenty minute 252 00:23:24,400 --> 00:23:28,080 Speaker 1: cab right from here. In the evening, we would have 253 00:23:28,320 --> 00:23:34,920 Speaker 1: to cancel a performance. I can offer money. What you understand? 254 00:23:35,640 --> 00:23:40,080 Speaker 1: If I pay you, then that reduces you to hied entertainers. 255 00:23:41,680 --> 00:23:45,600 Speaker 1: Is there anything wrong with being an entertainer to question 256 00:23:45,760 --> 00:23:49,720 Speaker 1: the integrity of the girl's motives? You see what I mean? 257 00:23:52,160 --> 00:23:57,600 Speaker 1: M hm. That is quite a dilemma, isn't it. Well? 258 00:23:59,320 --> 00:24:01,400 Speaker 1: We wish you the best as you try to work 259 00:24:01,480 --> 00:24:08,280 Speaker 1: that out. May I speak to her? I'm afraid not, 260 00:24:08,640 --> 00:24:14,520 Speaker 1: but if I could just it's more to take a moment, broke. 261 00:24:15,720 --> 00:24:26,920 Speaker 1: You have my card, yes, I do, thank you. The 262 00:24:27,080 --> 00:24:31,119 Speaker 1: current is catching you. You feel it tugging at your legs, 263 00:24:31,480 --> 00:24:35,359 Speaker 1: starting to pull you downstream. You can struggle against the 264 00:24:35,440 --> 00:24:38,879 Speaker 1: current if you want to buy a little time, but 265 00:24:39,040 --> 00:24:43,399 Speaker 1: you'll exhaust yourself. You could try to swim for sure, 266 00:24:43,960 --> 00:24:46,600 Speaker 1: get out of the water and swear never to get 267 00:24:46,680 --> 00:24:54,160 Speaker 1: back in, or or let the current carry you. Navigate 268 00:24:54,320 --> 00:24:59,040 Speaker 1: the waters and prepare for the whirlpool that's waiting downstream. 269 00:25:00,000 --> 00:25:03,159 Speaker 1: I didn't think it would happen so quickly. Neither did I, 270 00:25:04,520 --> 00:25:08,840 Speaker 1: but you exceeded my expectations. It's time that we stopped 271 00:25:08,880 --> 00:25:14,200 Speaker 1: trying to find Corbo. He'll soon find us. It's time 272 00:25:14,240 --> 00:25:17,720 Speaker 1: to begin thinking about what we're going to do once 273 00:25:17,800 --> 00:25:28,640 Speaker 1: we reach him. We me you no reason to be apprehensive. 274 00:25:28,960 --> 00:25:31,440 Speaker 1: There are still things I have yet to teach you. 275 00:25:33,240 --> 00:25:53,200 Speaker 1: H m hmm. You don't open for another two hour. 276 00:25:54,520 --> 00:25:59,359 Speaker 1: I was told to come here. How Stone open for 277 00:25:59,440 --> 00:26:02,080 Speaker 1: another two hours? Okay. I was given this card and 278 00:26:02,240 --> 00:26:04,560 Speaker 1: asked to come here right Go around to the service 279 00:26:04,760 --> 00:26:07,800 Speaker 1: entrance and ring the bell. Look at the card. Mr 280 00:26:07,880 --> 00:26:13,600 Speaker 1: Houdini himself ring the bell. Someone will see you up now, 281 00:26:13,760 --> 00:26:16,919 Speaker 1: Thank you, thank you. Look, lady, the lobby don't open 282 00:26:17,040 --> 00:26:19,480 Speaker 1: till five. You want to get in, you go around back. 283 00:26:20,080 --> 00:26:22,440 Speaker 1: It's not what you think. Please take this card and 284 00:26:22,520 --> 00:26:32,919 Speaker 1: send my regrets to the gentle Wait there, all right, 285 00:26:32,960 --> 00:26:43,080 Speaker 1: Come on a visitor for Mr Houdini. Send her in 286 00:26:44,520 --> 00:26:51,399 Speaker 1: a hello, Mrs Rose Rose? Is that your first or 287 00:26:51,520 --> 00:26:56,600 Speaker 1: last name? It's my professional name, sort of like Houdini. 288 00:26:57,440 --> 00:27:01,600 Speaker 1: Rose is Rose is Rose. Then I invited you here. 289 00:27:01,760 --> 00:27:06,200 Speaker 1: May I get you anything? T I'm fine? Thank you? 290 00:27:06,920 --> 00:27:10,520 Speaker 1: Is the girl with you? No? I try not to 291 00:27:10,600 --> 00:27:17,680 Speaker 1: involve her in the business of our business. Wise, very wise, Well, 292 00:27:18,680 --> 00:27:21,680 Speaker 1: I wanted to speak to you for several reasons. First, 293 00:27:21,880 --> 00:27:25,320 Speaker 1: to apologize for the way my brother interrupted your performance. 294 00:27:25,760 --> 00:27:30,280 Speaker 1: Was he not acting under your instructions? Yes, but he 295 00:27:30,520 --> 00:27:34,399 Speaker 1: can be ah bit over zealous. I hope there are 296 00:27:34,440 --> 00:27:39,600 Speaker 1: no hard feelings. Secondly, I wish to compliment you and 297 00:27:39,760 --> 00:27:44,439 Speaker 1: the girl on the way you manage the situation. Marvelous. Truly, 298 00:27:45,280 --> 00:27:48,320 Speaker 1: most performers would have fled the stage, but she didn't. 299 00:27:48,400 --> 00:27:53,120 Speaker 1: She stood up to him. When I perform my escapes. 300 00:27:53,680 --> 00:27:56,280 Speaker 1: I have to be prepared for any eventuality. No matter 301 00:27:56,359 --> 00:27:59,480 Speaker 1: how thoroughly I rehearse or train myself physically, something can 302 00:28:00,040 --> 00:28:04,200 Speaker 1: and often will go wrong, and when it does, I 303 00:28:04,280 --> 00:28:06,920 Speaker 1: have to figure out a way to overcome it. There's 304 00:28:06,960 --> 00:28:10,199 Speaker 1: no time to think. It has to be instinctual. If 305 00:28:10,280 --> 00:28:15,760 Speaker 1: that instinct fails me, I die. Pandora has that very instinct, 306 00:28:15,840 --> 00:28:19,520 Speaker 1: and it's something that cannot be taught and learned. She 307 00:28:19,800 --> 00:28:24,320 Speaker 1: always maintained the illusion. She's not like other performers. Indeed, 308 00:28:24,400 --> 00:28:30,080 Speaker 1: she is not pandora professional name. I take it like Hoodini. 309 00:28:31,680 --> 00:28:36,000 Speaker 1: I would like to ask Pandora, through you, as her representative, 310 00:28:36,440 --> 00:28:40,040 Speaker 1: if she would be interested in a long term opportunity. 311 00:28:40,880 --> 00:28:44,360 Speaker 1: What do you have in mind. I'm interested in having 312 00:28:44,440 --> 00:28:47,880 Speaker 1: her become part of my act. I was thinking she 313 00:28:47,960 --> 00:28:50,720 Speaker 1: could perform her mentalist act as sort of a prelude 314 00:28:50,760 --> 00:28:54,720 Speaker 1: to mine. It's a basic mind reading, preferably without asking 315 00:28:54,800 --> 00:28:57,800 Speaker 1: for alms, and then afterward I would come on stage 316 00:28:57,840 --> 00:29:00,760 Speaker 1: and reveal the secrets of how her wonder as are performed. 317 00:29:01,280 --> 00:29:04,040 Speaker 1: The public is very interested in the exposure of the 318 00:29:04,120 --> 00:29:08,320 Speaker 1: spirit medium, so you want to try and expose her, 319 00:29:09,000 --> 00:29:12,600 Speaker 1: humiliate her, night after night, do what your brother was 320 00:29:12,760 --> 00:29:16,240 Speaker 1: unable to. If Harden had wanted to expose and humiliate her, 321 00:29:17,080 --> 00:29:23,600 Speaker 1: he would have, so why didn't he Because when she 322 00:29:23,760 --> 00:29:26,560 Speaker 1: faced him down on that stage, he recognized her talent 323 00:29:26,640 --> 00:29:29,680 Speaker 1: as a stage performer and decided that she would be 324 00:29:29,760 --> 00:29:34,040 Speaker 1: more valuable to us with her reputation intact. Rather than 325 00:29:34,080 --> 00:29:36,560 Speaker 1: devalue her in front of six hundred people, he opted 326 00:29:36,600 --> 00:29:39,680 Speaker 1: to humiliate himself. I should think that the girl owes 327 00:29:39,800 --> 00:29:44,280 Speaker 1: him a debt of gratitude. We owe him nothing. Harry 328 00:29:44,360 --> 00:29:49,960 Speaker 1: Hudini invites you to his dressing room, apologizes to you compliments, 329 00:29:50,040 --> 00:29:53,880 Speaker 1: you offers you an opportunity most illusionists would give their 330 00:29:54,040 --> 00:30:00,160 Speaker 1: right arms to have, and you respond with contempt. We 331 00:30:00,240 --> 00:30:02,480 Speaker 1: could guarantee six months of bookings out of the year, 332 00:30:02,760 --> 00:30:05,000 Speaker 1: and you might mention to her that I'll be returning 333 00:30:05,040 --> 00:30:08,240 Speaker 1: to Hollywood this summer to make another moving picture. You 334 00:30:08,440 --> 00:30:14,320 Speaker 1: would be invited to accompany her as her chaperone. Thank 335 00:30:14,400 --> 00:30:18,640 Speaker 1: you for your hospitality and your offer, but I'm afraid 336 00:30:18,720 --> 00:30:22,239 Speaker 1: i must decline. We are currently weighing an offer from 337 00:30:22,280 --> 00:30:28,480 Speaker 1: another individual, one who appreciates Pandora's talents, actually believes in her. 338 00:30:28,800 --> 00:30:31,480 Speaker 1: Oh no, You're not going to let her get mixed 339 00:30:31,520 --> 00:30:35,280 Speaker 1: up with believers, are you. I didn't raise Pandora to 340 00:30:35,400 --> 00:30:38,880 Speaker 1: perform as a fake. You yourself said she has a 341 00:30:39,000 --> 00:30:43,560 Speaker 1: talent that can't be taught. That's right, nor can it 342 00:30:43,720 --> 00:30:46,520 Speaker 1: be bought. I see you'd rather sell her on a 343 00:30:46,600 --> 00:30:50,800 Speaker 1: street corner. Yes, we've been watching you for some time. 344 00:30:51,880 --> 00:30:55,360 Speaker 1: On whose behalf? Are you trying to procure her? Your 345 00:30:55,400 --> 00:31:00,720 Speaker 1: own or someone else's procure her? I'm hoodie me on 346 00:31:00,840 --> 00:31:03,600 Speaker 1: whose behalf but my own? Would I possibly be asking 347 00:31:03,960 --> 00:31:07,560 Speaker 1: a certain blackbird? Perhaps black bird? What is that supposed 348 00:31:07,560 --> 00:31:12,680 Speaker 1: to mean? I'll see myself outs rose one moment plays 349 00:31:16,280 --> 00:31:21,640 Speaker 1: the whole seventh thought of business, considering the blackbirds proclivities. 350 00:31:21,680 --> 00:31:24,600 Speaker 1: You'll permit me to ask, is this really something you 351 00:31:24,600 --> 00:31:30,640 Speaker 1: should be involving Pandora in? Are you actually concerned about 352 00:31:30,680 --> 00:31:38,280 Speaker 1: the girl's well being? Shouldn't someone be goodbye? Mr Houdini? Oh, 353 00:31:38,480 --> 00:31:41,120 Speaker 1: and I do have one favor to ask. Could you 354 00:31:41,200 --> 00:31:44,560 Speaker 1: see your way to choosing a different song to introduce 355 00:31:44,600 --> 00:31:49,160 Speaker 1: her act? You see asleep in the deep is well? 356 00:31:50,320 --> 00:32:28,120 Speaker 1: It's my song? Lord lord, Oh, I must now replace 357 00:32:28,400 --> 00:32:33,520 Speaker 1: my blind hold as my vision begins to fade. Your 358 00:32:33,600 --> 00:32:40,040 Speaker 1: own senses will gradually return, return to the warmth in 359 00:32:40,160 --> 00:32:48,640 Speaker 1: the light of your own reality. The Seventh Daughter is 360 00:32:48,680 --> 00:32:52,560 Speaker 1: a production of I Heart Radio, written and directed by 361 00:32:52,640 --> 00:32:58,280 Speaker 1: Brett Wood, recorded and mixed by Rob Gal, featuring Mica 362 00:32:58,320 --> 00:33:07,800 Speaker 1: Wilkes as Rose and Elizabeth Hunter as Pearl. There you 363 00:33:07,960 --> 00:33:10,920 Speaker 1: may now open your eyes