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Speaker 1: What's up, Y'all's your girl lix peak.

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Speaker 2: And it's your girls Dray and the Cold, and you are.

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Speaker 1: Tuned in to another episode of Poor.

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Speaker 2: Mine, where a drenk mind speaks, so thoughts.

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Speaker 1: We got some guests today.

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Speaker 2: We got some guests today.

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Speaker 1: I am so we're gonna do a little one too.

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Speaker 2: I'm so excited because we don't talk about so much

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Speaker 2: stuff today. So today we have a gel and Isaiah

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Speaker 2: acting extraordinari. Y'all know, y'all have seen them on Snowfall.

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Speaker 2: Y'all gave it up all, so now you one thing

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Speaker 2: about me, y'all gonna learn today.

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Speaker 1: I'm real, real missy. Okay, now I'm.

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Speaker 2: Not too too missy because we don't like it, just

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Speaker 2: a little missy. Now, let me ask y'all this before

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Speaker 2: we get into before we get deep into this, because

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Speaker 2: you know, y'all are in a relationship kind of you

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Speaker 2: know on Snowfall, characters yes, okay, look, I don't even

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Speaker 2: want to ask my question are characters?

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Speaker 1: Yes? Ready, she went to class right before she's got.

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Speaker 2: But I do want to ask that, like, do y'all

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Speaker 2: feel sometimes like the pressure of like being around each

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Speaker 2: other and hanging.

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Speaker 1: Out just because y'all are a couple on the show.

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Speaker 2: No, there's plenty of people on the show we don't

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Speaker 2: hang out with.

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Speaker 1: I love everybody.

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Speaker 2: I love everybody, but I've also done other shows.

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Speaker 1: Right, There's been a time where I didn't like somebody.

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Speaker 2: So, I mean, you see Isaiah Ring, Isaiah is married.

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Speaker 1: H that's a husband. You're a good man.

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Speaker 2: That's why, y'all when I tell you this man walked

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Speaker 2: in here and sat on the.

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Speaker 1: Couch like drunk. That's a good man.

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Speaker 2: Savannah, that's a good man. Okay, Savannah, every man looks.

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Speaker 2: I will say that if you have the wherewithal to

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Speaker 2: not touch right right.

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Speaker 3: Because everybody I said, I see, I know that.

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Speaker 2: Sorry. Okay, So we're gonna ask some questions to get

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Speaker 2: some icebreakers, to get to know y'all. So where are

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Speaker 2: Where are you from? I'm from Stomachwm, Georgia.

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Speaker 1: Oh so you'm from here?

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Speaker 2: I'm home home.

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Speaker 1: This is easy for you.

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Speaker 2: You like work.

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Speaker 1: I knew I liked you where you walked in you from? Where?

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Speaker 1: Oh so you're from me?

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Speaker 2: Yea, I go from Georgia.

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Speaker 1: Okay, okay, So how did y'all get into the acting world?

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Speaker 2: Like, is this something that you always wanted to do

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Speaker 2: or was it something like you kind of stumbled upon

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Speaker 2: For me, I stumbled upon it like I love anything

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Speaker 2: that gives it an adrenaline rush, or anything where you practice, practice, practice,

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Speaker 2: and then you perform and it's a hit or miss.

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Speaker 2: So my senior in high school, I took a drama

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Speaker 2: class with doctor Narker at Stevens in high School, Okay,

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Speaker 2: and I just loved it. I love I thought all

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Speaker 2: the my whole life, I thought I was going to

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Speaker 2: go up be a Dallas Cowboys cheerleader girl. Then I

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Speaker 2: heard they get paid fifty dollars a game. Oh yeah,

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Speaker 2: I said, I don't know if that's sure or not,

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Speaker 2: but ask you this. Do you know there used to

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Speaker 2: be a reality show about the Dallas cow like the dancers.

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Speaker 2: It's crazy because I used to watch it when I

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Speaker 2: was younger, and it just randomly popped up on my

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Speaker 2: TikTok feed last night and I got in a deep

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Speaker 2: rabbit hole. But what was it called. I can't remember

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Speaker 2: the name of it, but that lady was so mean.

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Speaker 2: But they don't get paid nothing, they don't get going

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Speaker 2: basically do it on the.

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Speaker 1: Side, and they had a main job.

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Speaker 2: Yeah.

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Speaker 1: See, I want just one job.

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Speaker 2: My multiple jobs, it's like multiple acting gigs. But yeah,

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Speaker 2: so when I heard that, I said, okay, well I

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Speaker 2: don't want to do that basically derailed my whole career plans.

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Speaker 2: And then I really liked my drama class in high school,

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Speaker 2: so I said, Okay, this is what I want to do.

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Speaker 2: But it wasn't until then, and I still had to

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Speaker 2: go to college. I have an accounting degree, so it

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Speaker 2: wasn't until after college where I was able to actually

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Speaker 2: pursue it. But my senior in high school, I decided, like,

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Speaker 2: I think I'd want to do this. This is fun,

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Speaker 2: this is cool, right, So what about you?

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Speaker 4: I've always wanted to be an actor in a vedin

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Speaker 4: area a vet.

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Speaker 1: Yeah not you love the dogs?

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Speaker 3: Is that something that you're still passionate about, Like do

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Speaker 3: you feel like maybe later in life you would like

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Speaker 3: try to revisit.

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Speaker 4: It, not in the sense of going to school for it,

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Speaker 4: but going.

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Speaker 1: To school with the like fifty to become doctor.

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Speaker 4: They I mean, I thought about like going to college

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Speaker 4: just a few weeks ago, but I was like, you know,

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Speaker 4: what should I don't know? Yeah, but yeah, I've always

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Speaker 4: wanted to be an actor. And then when I went

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Speaker 4: to high school, went to drama class, the failed drama drama.

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Speaker 4: I was only there for a semester, but I feel

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Speaker 4: like you weren't good. No, it wasn't even like meet

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Speaker 4: you as my husband, like laughing.

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Speaker 2: She has been laughing aty.

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Speaker 5: No, she she has been laughing at in her.

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Speaker 1: Defense because I love it sometimes keep them.

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Speaker 4: We didn't even get to the acting part. It was

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Speaker 4: just like technical theater tech, like I.

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Speaker 1: Don't know honology, yeah, stuff like that.

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Speaker 2: I'm like, bro, he has a whole leg with.

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Speaker 4: Animal yeah, like a whole Safari African.

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Speaker 2: Yeah.

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Speaker 3: A drama class in college too. And I feel but

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Speaker 3: but I feel like it's because of my accent. Like

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Speaker 3: I sometimes really think that I want to get into acting,

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Speaker 3: but I feel like I would have to take classes

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Speaker 3: to like really focus on changing.

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Speaker 2: My accent.

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Speaker 3: Because I feel like I'm just South Country in South Houston.

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Speaker 2: Like no matter what we're all, I try to play.

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Speaker 3: I try to be a mobster from New York and

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Speaker 3: I'm gonna be like.

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Speaker 1: Yeah, let us tell you a New York accent, yo,

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Speaker 1: dead ass. Son was like, what the fuck is up?

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Speaker 2: Be fucking for real? Son, Okay, you passed, did I

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Speaker 2: don't know New York I think you passed, but New

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Speaker 2: york Is might be like, nah son, what a pizza?

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Speaker 1: I was convinced, you know what I'm saying.

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Speaker 2: Okay, So I want you to talk about breaking into

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Speaker 2: Hollywood as a black actor and the actress, because even

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Speaker 2: though it's twenty twenty three, I feel like it's still

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Speaker 2: be hard and they'd be like, it's not a lot

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Speaker 2: of roles for people who look like us out there.

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Speaker 2: So talk about like how y'all got past that, and

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Speaker 2: how y'all still have to work through that.

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Speaker 4: For me, like, right before I got Snowfall, I wanted

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Speaker 4: to take a break from acting because I was tired

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Speaker 4: of hearing why did in book? You know, hearing that rejection.

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Speaker 4: But I mean it's still it still is hard, you know,

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Speaker 4: to get into this industry because not only you know,

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Speaker 4: we need more African American roles, but like for me,

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Speaker 4: it's not really a lot of age like characters my

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Speaker 4: age or that I look like, you know, or whatever.

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Speaker 4: So it's always something. So it's always going to be

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Speaker 4: a challenge to get into this industry for sure.

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Speaker 2: And then sometimes the gatekeepers lack creativity and imagination. Yeah,

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Speaker 2: they'll look at Isaiah and he walk in his hair

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Speaker 2: like this, and they can't see him as play a

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Speaker 2: character that he can so easily transform into. And not

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Speaker 2: only is it hard to get in the industry, it's

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Speaker 2: hard to stay in the industry and have longevity and

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Speaker 2: work consistently because okay, now.

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Speaker 1: Snowfall is over now what so for so long?

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Speaker 2: Like so she and Arnold said she didn't work for

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Speaker 2: ten years at the martin fall into a trend and

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Speaker 2: get typecasts and they only see you as that because

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Speaker 2: they don't have the imagination and you could come in

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Speaker 2: there fully the character you walk in. Oh I loved

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Speaker 2: you on Snowfall. You were so great.

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Speaker 1: I'm not here for snowfall.

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Speaker 3: So what's something that you What is something that both

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Speaker 3: of y'all think that you could do to avoid getting

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Speaker 3: type casts?

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Speaker 2: Uh?

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Speaker 4: For me, it's just, you know, be open to recreating yourself.

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Speaker 4: Like for me, like I'm about to lose some weight,

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Speaker 4: about to cut my hair off, like just change my look.

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Speaker 4: I come out here every time I'm done with snow

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Speaker 4: like I cut my here last year and it's already

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Speaker 4: But like just.

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Speaker 1: Stuff like tracks in there.

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Speaker 4: Of course that's from the Scout, straight straight from Scout.

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Speaker 4: But but yeah, I.

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Speaker 2: Mean that's the truth. Like recreating yourself another thing. It

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Speaker 2: was very important to me to book p Valley while

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Speaker 2: I was on Snowfall because I think I needed to

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Speaker 2: create something to redefine myself to the range to show,

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Speaker 2: you know, to be able to get more work. I

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Speaker 2: think that's important. Not being held to one project. It's

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Speaker 2: very hard when you are a series regular, but having

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Speaker 2: to make sure you surround yourself with reps and managers

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Speaker 2: or agents or whomever that will go on your behalf

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Speaker 2: and say like no, we need this lawyers that will

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Speaker 2: fight your contract to be able to get the carve

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Speaker 2: out to where you can do other projects. Because when

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Speaker 2: you are a serious regular, they have whoever you're with,

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Speaker 2: they have the first writer refusal to say no, you

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Speaker 2: can't do that other project, right, Like, nah, even if

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Speaker 2: you're not filming, How does that happen a lot? It

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Speaker 2: happens a lot. Yes, damn well, black people are specially

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Speaker 2: being like black in the industry is already hard.

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Speaker 1: I know the things that we have to deal with.

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Speaker 2: So how is it like if you're on a show

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Speaker 2: as successful as Snowfall, but you're also.

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Speaker 1: Kind of like, you know, y'all are newcomers in the industry.

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Speaker 2: Y'all haven't been, you know, here as long as a

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Speaker 2: lot of people maybe who have been or on the show.

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Speaker 2: How do y'all go about negotiating negotiating your salary and

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Speaker 2: what you get paid? Like, how not that word? My lawyer,

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Speaker 2: I don't even talk to people about money. Okay, we're

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Speaker 2: not even gonna do that. My lawyer will negotiate my

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Speaker 2: agent manager. They get on a call, then they call

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Speaker 2: me and tell me the terms and say, you know,

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Speaker 2: what do you think?

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Speaker 1: What do you want to do? Do you want to

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Speaker 1: take it?

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Speaker 2: But before it even gets to the point where they

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Speaker 2: come back and bring me a deal, my lawyer is

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Speaker 2: already gone. Stephanie Hey entertainment lawyer. She's phenomenal, She's from Atlanta,

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Speaker 2: and she's black. She's gonna give you your time, your

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Speaker 2: attention to focus, but she really gonna fight. I've heard

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Speaker 2: her say numbers and different contractual lines that I thought

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Speaker 2: was absurd, like, damn, if they give us that, you

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Speaker 2: don't go, but it works. Who's going to fight on

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Speaker 2: your behalf? Because it's like what else can we get

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Speaker 2: other than just the money. You know, Let's get some

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Speaker 2: EP credits, Let's get carve out share. We can do

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Speaker 2: other projects. Let's get certain things where we have creative input,

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Speaker 2: different things that mean a lot that maybe the lawyer

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Speaker 2: that comes with your agency may not give you.

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Speaker 1: You know what I'm saying.

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Speaker 2: Or it was very important to me to have someone

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Speaker 2: separate from my manager and my agent, but someone that

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Speaker 2: I know is there on my behalf, right, So for me,

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Speaker 2: the money, I don't I don't talk money with people ever.

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Speaker 2: Yeah what about you?

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Speaker 4: But I like to keep the peace, so I let

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Speaker 4: the people who need to be the It's like.

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Speaker 1: They try to lowball you. And because I know you not.

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Speaker 3: That you can tap into the into the industry and

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Speaker 3: get into the industry if you don't have an agent.

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Speaker 2: Hell yeah yeah yes, but.

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Speaker 3: Like not get played as far as because like y'all said,

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Speaker 3: y'all don't negotiate money. So so somebody who's coming in

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Speaker 3: who doesn't have a team.

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Speaker 1: You gotta ask.

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Speaker 2: You ask other people like and then you can look

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Speaker 2: it up, like you all this stuff they're the sag

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Speaker 2: minimum is online. I think the segmentum last time I checked. Uh,

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Speaker 2: if it's a union project, and you a series regular.

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Speaker 2: I think series regular is seventeen thousy five hundred episode

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Speaker 2: as a series regular segmentium. So you look up the

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Speaker 2: minimums back when I first got on Snowfall, just you too,

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Speaker 2: Like I said, this is my first year, the first

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Speaker 2: season being a series regular on Snowball. Right when I

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Speaker 2: first came on the Snowfall, I might have been getting

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Speaker 2: one thousand dollars and one thousand and eighty dollars an episode.

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Speaker 2: And you was playing you.

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Speaker 1: I knew you were smoking, cracking you wand yeah, and.

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Speaker 2: Then you gotta think from that, I was only getting

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Speaker 2: forty percent of that because.

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Speaker 1: You gotta pay people.

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Speaker 2: Sixty percent goes out the door, of forty to the government,

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Speaker 2: ten to my agent, tend to my manager.

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Speaker 1: So at the time I was literally making no money,

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Speaker 1: you was probably living like wald a little bit. I

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Speaker 1: was n without the crackt.

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Speaker 2: But yeah, when I have to pray. But that's why

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Speaker 2: you can fuel the care. I had another job shoot though,

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Speaker 2: like I had other jobs, so and I was getting uemployment.

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Speaker 2: But so that is the thing of like really under

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Speaker 2: like but all that stuff is online, Like you can

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Speaker 2: look up SAG minimum for a day rate, SAG minimum

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Speaker 2: for a week or sagmenimum for a series regular. So

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Speaker 2: you also to not get yourself played. I think when

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Speaker 2: you don't have an agent or a manager who's very knowledgeable,

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Speaker 2: has that experience, it's about it's up to you to

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Speaker 2: do the research, yeah, and ask questions. So as a

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Speaker 2: because I feel like a lot of times I always

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Speaker 2: go back to this Halle Berry interview she did a

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Speaker 2: long time ago, and she says she feels like when

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Speaker 2: she first came in the industry, they didn't take her

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Speaker 2: seriously because how she looked. They felt like she was

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Speaker 2: too beautiful and she had like she was like I

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Speaker 2: missed out on so many opportunities because people didn't believe

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Speaker 2: in my talent. So do y'all feel like sometimes like

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Speaker 2: being traditionally attractive, because like, you know, y'all are attractive people,

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Speaker 2: Like if y'all walking in right.

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Speaker 1: People and be like who that is with them? Curls,

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Speaker 1: you know what I'm saying.

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Speaker 2: So do you feel like, you know, being an attractive

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Speaker 2: person that makes people not they feel like your role

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Speaker 2: is not like you really like a nigga that's that pretty,

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Speaker 2: It's not gonna be in the hood selling drugs.

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Speaker 4: Honestly, I don't know. I've never heard that.

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Speaker 3: Beforeas being the hood selling drugs.

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Speaker 4: I've always made it a point to where I've never

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Speaker 4: whenever I'm performing, I don't want to worry about attraction,

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Speaker 4: So if I really want to look less attractive, if anything,

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Speaker 4: because it just it just I don't see myself how

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Speaker 4: other people see me. So I just want to just

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Speaker 4: be as relatable and you know, just everything is possible,

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Speaker 4: I don't. I just try to have no vanity with

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Speaker 4: how it looks, you know, So.

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Speaker 2: Yeah, how is it for you?

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Speaker 1: For me?

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Speaker 2: I think I don't feel like my looks really play

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Speaker 2: into like I don't have the Holly Berry problem. I

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00:13:46,240 --> 00:13:48,520
Speaker 2: think I have the age problem, like where they feel

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Speaker 2: that I look younger than I am, or I look

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Speaker 2: younger than I can play. That has helped me back

300
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Speaker 2: from a lot of things. I think with black women

301
00:13:55,920 --> 00:13:58,960
Speaker 2: sometimes we don't peak or get projects of our lives

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00:13:59,000 --> 00:14:02,079
Speaker 2: that really do something for our career until we're older

303
00:14:02,240 --> 00:14:04,560
Speaker 2: and been around for a long time. I agree with that,

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00:14:04,600 --> 00:14:08,320
Speaker 2: So I mean they don't I feel like I don't

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00:14:08,320 --> 00:14:10,760
Speaker 2: get taken as serious because they look at me as

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00:14:10,840 --> 00:14:14,280
Speaker 2: young and uninformed or she can't be that good if.

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00:14:14,120 --> 00:14:15,720
Speaker 1: She that younger, you know what I'm saying.

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00:14:16,240 --> 00:14:19,400
Speaker 2: So I feel that has been crippling a lot, Like

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00:14:19,640 --> 00:14:22,080
Speaker 2: I don't really I don't even get auditions for serious

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Speaker 2: projects like that. Really. Yeah, And it's not that my

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00:14:26,240 --> 00:14:28,880
Speaker 2: reps don't submit me. The casting directors also have to

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00:14:28,920 --> 00:14:31,440
Speaker 2: be willing to allow me to come in an auditions.

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Speaker 2: Some of them just don't invite me for it. So

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Speaker 2: I'm right now just trying to build my rapport with

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Speaker 2: casting directors so they can get to know me as

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00:14:38,240 --> 00:14:41,200
Speaker 2: a person and know my work because I'm not gonna lie.

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00:14:41,240 --> 00:14:45,400
Speaker 2: When you popped up on Pea Valley, everybody was like, Okay,

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00:14:45,520 --> 00:14:47,880
Speaker 2: she's really versatile, like she.

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Speaker 1: Yeah, Because I was like.

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00:14:51,520 --> 00:14:54,720
Speaker 2: Okay, that's the cracking. I sound like pe Valley, grow

321
00:14:54,800 --> 00:14:57,680
Speaker 2: me up. But it was so like, like I used

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Speaker 2: to work in the strip club when I tell you,

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00:15:00,480 --> 00:15:04,000
Speaker 2: I was like, that's how the girls what.

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Speaker 1: I used to work at Dreams in Houston.

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00:15:06,520 --> 00:15:08,720
Speaker 2: Oh okay, so yeah, I lived in Houston for ten years,

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00:15:08,720 --> 00:15:09,120
Speaker 2: so I used to.

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Speaker 1: So like why should you.

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00:15:10,600 --> 00:15:12,880
Speaker 2: I'm very like, I love people Valley, let me just

329
00:15:12,920 --> 00:15:16,080
Speaker 2: say that, but I'm very like hard on it because

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Speaker 2: I was actually in that lifestyle.

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Speaker 1: So I'd be like, okay, this is wrong, this is right,

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Speaker 1: is right.

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00:15:19,760 --> 00:15:25,360
Speaker 2: But when you no, well I had, I had an experienced.

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00:15:26,240 --> 00:15:28,640
Speaker 2: You didn't have the night you didn't like the no,

335
00:15:28,680 --> 00:15:29,840
Speaker 2: not the amateur night. Baby I was.

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00:15:31,360 --> 00:15:33,280
Speaker 1: I wasn't an ambatey.

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00:15:33,280 --> 00:15:34,200
Speaker 2: I was one of those girls.

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00:15:34,200 --> 00:15:35,320
Speaker 1: This is the way it used to be back in

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Speaker 1: the day.

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00:15:35,640 --> 00:15:37,400
Speaker 2: You had a birthday, said you know, this is what

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00:15:37,480 --> 00:15:39,840
Speaker 2: happened you You bartend right and you make a lot

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00:15:39,880 --> 00:15:41,640
Speaker 2: of money. But you see the money that they was making,

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00:15:41,720 --> 00:15:43,680
Speaker 2: so you'd be like, yo, we gotta do this. So

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00:15:43,720 --> 00:15:44,680
Speaker 2: it was like we.

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Speaker 1: Had snuck off the Dallas Okay, that makes sense, snuck

346
00:15:47,200 --> 00:15:48,440
Speaker 1: off out of town. So nobody.

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00:15:48,520 --> 00:15:50,240
Speaker 2: But it was so stupid because when I think about

348
00:15:50,240 --> 00:15:52,000
Speaker 2: that now, we went to the biggest club in Dallas.

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00:15:52,720 --> 00:15:55,480
Speaker 2: Everybody was gonna know there there'd be some cowboys playing

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00:15:55,520 --> 00:15:56,360
Speaker 2: that still.

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00:15:56,200 --> 00:16:04,160
Speaker 1: Know me, you better ask about London night lun But

352
00:16:06,320 --> 00:16:07,960
Speaker 1: what's up, y'all? Is your girl x pee?

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00:16:08,120 --> 00:16:10,240
Speaker 2: And is Sugarls Dray and the cole And I can

354
00:16:10,320 --> 00:16:14,600
Speaker 2: say one thing, shall I am a bus person, But

355
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356
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363
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Speaker 2: Though?

364
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Speaker 1: It was good?

365
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419
00:19:24,359 --> 00:19:25,919
Speaker 3: I used to work in the strip clubs too, and

420
00:19:25,960 --> 00:19:28,639
Speaker 3: I definitely feel like when you watch shows and it

421
00:19:28,720 --> 00:19:31,040
Speaker 3: portrays the strip club being at you know you used

422
00:19:31,040 --> 00:19:33,080
Speaker 3: to work there and you was involved in it, you'd

423
00:19:33,119 --> 00:19:35,439
Speaker 3: be like, Okay, this ain't really how she used to go.

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Speaker 1: There's minor things.

425
00:19:36,680 --> 00:19:38,840
Speaker 2: I've seen, minor things, but because I used to work

426
00:19:38,840 --> 00:19:41,240
Speaker 2: in Onyx as a shooter girl. Also, like when Mercedes

427
00:19:41,280 --> 00:19:43,600
Speaker 2: was outside with her mom going back and forth and

428
00:19:43,640 --> 00:19:46,280
Speaker 2: she was in her full uniform, like with a bag

429
00:19:46,280 --> 00:19:47,840
Speaker 2: of money, I said, somebody would have been a bopt

430
00:19:47,880 --> 00:19:50,000
Speaker 2: her ass over the head. She's not gonna be out

431
00:19:50,040 --> 00:19:53,400
Speaker 2: there like that. You could walk outside, you can't. Well,

432
00:19:53,440 --> 00:19:56,040
Speaker 2: there's like minor things, but I think at the end

433
00:19:56,080 --> 00:19:58,399
Speaker 2: of the day, it's still TV. So for TV purposes,

434
00:19:58,680 --> 00:20:00,960
Speaker 2: you may do certain things like that, like it looks

435
00:20:01,000 --> 00:20:03,400
Speaker 2: more better for her to be out there with her mama,

436
00:20:04,040 --> 00:20:06,320
Speaker 2: because there's more people that haven't worked in the strip

437
00:20:06,359 --> 00:20:08,760
Speaker 2: club than than people have. But I do like that

438
00:20:08,840 --> 00:20:12,199
Speaker 2: they are correct, even when like both with snowfall, they

439
00:20:12,240 --> 00:20:15,760
Speaker 2: may there may be like some minor things where they're like, oh, well,

440
00:20:15,920 --> 00:20:18,040
Speaker 2: they've been selling drugs for this long and we ain't

441
00:20:18,080 --> 00:20:21,400
Speaker 2: seen as many bodies, or we ain't seen the flashiness

442
00:20:21,440 --> 00:20:25,200
Speaker 2: of it, you know, But I think when you're doing TV,

443
00:20:25,320 --> 00:20:27,040
Speaker 2: you have to decide what you want to focus on,

444
00:20:27,359 --> 00:20:29,400
Speaker 2: what's the most importance. And I love that there's people

445
00:20:29,440 --> 00:20:31,399
Speaker 2: who actually been in the strip club that are.

446
00:20:31,280 --> 00:20:33,919
Speaker 1: Like, oh, yeah, that's correct, that's how that go.

447
00:20:34,200 --> 00:20:35,960
Speaker 2: You know what I'm saying, Like the bottle girls dancing

448
00:20:36,000 --> 00:20:38,600
Speaker 2: and stuff, the waitress is dancing, like all of that.

449
00:20:38,600 --> 00:20:41,520
Speaker 2: That's correct real life. So I do love that they

450
00:20:41,600 --> 00:20:43,359
Speaker 2: emphasize a lot of things that are true.

451
00:20:43,560 --> 00:20:45,880
Speaker 1: Okay, it's the minor things that happen, but you.

452
00:20:45,840 --> 00:20:51,840
Speaker 3: Know, the dramatization exactly. I was gonna say, I definitely

453
00:20:51,880 --> 00:20:54,320
Speaker 3: have a question because you know, you made to choke me.

454
00:20:54,440 --> 00:20:59,160
Speaker 5: You were my hoodsbie, So I'm definitely so I.

455
00:20:59,280 --> 00:21:01,679
Speaker 3: Definitely want to ask y'all about that, Like how do

456
00:21:01,760 --> 00:21:04,879
Speaker 3: y'all feel about I guess sometimes like a lot of

457
00:21:04,920 --> 00:21:10,040
Speaker 3: shows using influencers and popular celebrities over like choosing people

458
00:21:10,119 --> 00:21:13,880
Speaker 3: that are really well versed or tryed to actually get

459
00:21:13,920 --> 00:21:14,320
Speaker 3: the job.

460
00:21:16,560 --> 00:21:21,040
Speaker 4: You could answer, I get it as far as it

461
00:21:21,080 --> 00:21:24,640
Speaker 4: being a business move. You know, you're assuming that their

462
00:21:24,720 --> 00:21:27,199
Speaker 4: fan base will attached to yours, so you're trying to

463
00:21:27,200 --> 00:21:29,800
Speaker 4: monetize off of that person. I get it from that standpoint.

464
00:21:30,119 --> 00:21:33,560
Speaker 4: From a creative artist standpoint, I don't agree with.

465
00:21:33,520 --> 00:21:35,360
Speaker 2: It, Yeah, because.

466
00:21:36,640 --> 00:21:39,080
Speaker 4: Unless you just simply don't care about your story or

467
00:21:39,520 --> 00:21:41,920
Speaker 4: how I come out or whatever, because to me, it's

468
00:21:42,000 --> 00:21:45,119
Speaker 4: not I'm all about authenticity. I'm all about like the

469
00:21:45,160 --> 00:21:48,320
Speaker 4: realness and the rawness of what acting is. We're literally

470
00:21:48,359 --> 00:21:52,119
Speaker 4: imitating life, like this is not a game. Like so

471
00:21:52,520 --> 00:21:55,240
Speaker 4: I just feel like, I just feel like it's not

472
00:21:55,280 --> 00:21:58,200
Speaker 4: doing anything cert like a justice you.

473
00:21:58,119 --> 00:22:03,840
Speaker 2: Know, so sacrifice and artistic integrity for two seconds of

474
00:22:04,080 --> 00:22:07,680
Speaker 2: like it's not when Kendrick was on Power he did great,

475
00:22:07,840 --> 00:22:12,439
Speaker 2: right artists, you know, Jill Scott, people like Jennifer Hudson

476
00:22:12,440 --> 00:22:16,840
Speaker 2: has a whole freaking in me, a whole oscar. So

477
00:22:18,840 --> 00:22:21,080
Speaker 2: I just feel like, if they're not good, you kind

478
00:22:21,080 --> 00:22:21,400
Speaker 2: of know.

479
00:22:21,680 --> 00:22:23,320
Speaker 4: And if they're not you know what, I'm gonna add

480
00:22:23,320 --> 00:22:27,399
Speaker 4: this to it, if they're not invested. If they're not invested,

481
00:22:28,160 --> 00:22:30,159
Speaker 4: then that's when you know, it's like, all right, we

482
00:22:30,200 --> 00:22:31,600
Speaker 4: could have got someone who would be.

483
00:22:31,600 --> 00:22:34,320
Speaker 5: In because there are people who really are trying to train.

484
00:22:34,520 --> 00:22:37,560
Speaker 4: And who really are good, you know. So I ain't

485
00:22:37,560 --> 00:22:39,880
Speaker 4: gonna knock those people because at the end of the day,

486
00:22:40,320 --> 00:22:42,359
Speaker 4: there's a lot of people who do a lot of

487
00:22:42,359 --> 00:22:45,280
Speaker 4: things that shouldn't. But if you're you know, an artist

488
00:22:45,359 --> 00:22:47,400
Speaker 4: in another area and you want to tap into acting,

489
00:22:47,480 --> 00:22:49,439
Speaker 4: and if you're good, you're good. If you study, you study.

490
00:22:49,440 --> 00:22:51,840
Speaker 4: I respect it. But it's the people who don't, who

491
00:22:51,920 --> 00:22:54,400
Speaker 4: just want to get on because of what else they doing.

492
00:22:54,640 --> 00:22:59,520
Speaker 2: And it's like, you've been tasked with this responsibility, why

493
00:22:59,600 --> 00:23:01,439
Speaker 2: not take serious? Like why would you want to just

494
00:23:01,480 --> 00:23:03,840
Speaker 2: get And two it's also the directors, because if you

495
00:23:03,920 --> 00:23:07,200
Speaker 2: see my thing is I haven't I don't watch BMF.

496
00:23:07,720 --> 00:23:10,879
Speaker 2: But for everybody who sat there and was in that

497
00:23:11,000 --> 00:23:14,440
Speaker 2: room with Kresha, nobody said nothing. The director didn't even

498
00:23:14,440 --> 00:23:17,960
Speaker 2: redirect her like I'm not understanding, make it make sense.

499
00:23:18,000 --> 00:23:21,720
Speaker 2: And I love the city girls I love, but I

500
00:23:22,320 --> 00:23:26,199
Speaker 2: love the fact that she was laughing about yulout, Like

501
00:23:26,200 --> 00:23:27,440
Speaker 2: you know, it was probably an opportunity.

502
00:23:27,520 --> 00:23:29,280
Speaker 1: We're like, oh, just put like pull up, we're gonna

503
00:23:29,320 --> 00:23:31,119
Speaker 1: have you in this, and it was probably something she

504
00:23:31,200 --> 00:23:31,800
Speaker 1: was excited about.

505
00:23:31,840 --> 00:23:33,560
Speaker 2: But I agree with you, like I would rather her

506
00:23:33,640 --> 00:23:36,639
Speaker 2: went and done rap shit right because I feel like

507
00:23:36,680 --> 00:23:38,639
Speaker 2: that was something she could It's part of her stuff.

508
00:23:38,640 --> 00:23:40,720
Speaker 2: She could have dropped into that a little easier like

509
00:23:40,760 --> 00:23:42,880
Speaker 2: they threw they threw a period piece on her.

510
00:23:43,119 --> 00:23:47,240
Speaker 1: I mean really, yeah, slap.

511
00:23:47,320 --> 00:23:49,320
Speaker 2: She didn't just lie to it, and I think they

512
00:23:49,359 --> 00:23:52,280
Speaker 2: need to think about it.

513
00:23:50,240 --> 00:23:53,880
Speaker 1: It was like.

514
00:23:53,840 --> 00:23:57,440
Speaker 2: There's some actors who act and can't carry a scene,

515
00:23:57,600 --> 00:24:00,840
Speaker 2: so to give it to someone who it's just I mean,

516
00:24:00,880 --> 00:24:01,439
Speaker 2: I'm not gonna lie.

517
00:24:02,440 --> 00:24:04,359
Speaker 3: But like I said, going back to what I was

518
00:24:04,359 --> 00:24:06,840
Speaker 3: saying earlier in the episode, as far as like with me,

519
00:24:07,119 --> 00:24:10,000
Speaker 3: I just feel like certain people like you definitely have

520
00:24:10,119 --> 00:24:12,280
Speaker 3: to take dialog classes and stuff because then it's just

521
00:24:12,320 --> 00:24:13,119
Speaker 3: not believable.

522
00:24:13,240 --> 00:24:14,320
Speaker 1: Yeah, sure, but just.

523
00:24:14,240 --> 00:24:18,000
Speaker 2: Like classes period or just like yeah, get into it,

524
00:24:18,200 --> 00:24:20,119
Speaker 2: Like so how do y'all prepare? It was like you

525
00:24:20,160 --> 00:24:23,560
Speaker 2: ain't from Atlanta, right, No, I'm definitely not you.

526
00:24:23,640 --> 00:24:24,280
Speaker 1: I'm talking about it.

527
00:24:26,080 --> 00:24:28,359
Speaker 2: But I feel like like if I ever got into acting,

528
00:24:28,440 --> 00:24:29,680
Speaker 2: I don't even I don't won't.

529
00:24:29,800 --> 00:24:30,560
Speaker 1: Don't give me.

530
00:24:30,480 --> 00:24:33,800
Speaker 2: No, I got to play somebody like may I can't

531
00:24:33,840 --> 00:24:35,959
Speaker 2: do nothing. I gotta play somebody from New York. If

532
00:24:36,000 --> 00:24:38,880
Speaker 2: it's a goofy role, I'm the home yeah talking ship.

533
00:24:39,440 --> 00:24:41,639
Speaker 2: Give me that role. It's gonna be easy for me.

534
00:24:41,720 --> 00:24:43,960
Speaker 2: I can slotter, slide out, and then you could decide

535
00:24:43,960 --> 00:24:45,440
Speaker 2: if you like it and if it's something you want

536
00:24:45,480 --> 00:24:47,240
Speaker 2: to start studying and get more involved in it.

537
00:24:47,680 --> 00:24:50,000
Speaker 3: Okay, But you say you feel like it was a

538
00:24:50,040 --> 00:24:50,879
Speaker 3: slap in the face.

539
00:24:51,320 --> 00:24:52,679
Speaker 1: I do feel like it's slap in the face when

540
00:24:52,680 --> 00:24:54,800
Speaker 1: they use influencers and people like that for roles.

541
00:24:55,040 --> 00:24:57,080
Speaker 2: I mean, did they not learn? Okay, So there was

542
00:24:57,119 --> 00:25:00,080
Speaker 2: a movie that came out with Sandra Bullock and I

543
00:25:00,119 --> 00:25:02,159
Speaker 2: Forgot a Baby girl name. But I think it was

544
00:25:02,200 --> 00:25:05,080
Speaker 2: with spoken reasons maybe, and it just didn't do good

545
00:25:05,200 --> 00:25:06,879
Speaker 2: that that was their first thing of really trying to

546
00:25:06,880 --> 00:25:08,959
Speaker 2: put an influencer into something.

547
00:25:09,000 --> 00:25:10,800
Speaker 1: Is there another word we could say other than influence?

548
00:25:10,840 --> 00:25:11,439
Speaker 1: I really hate that.

549
00:25:11,560 --> 00:25:14,320
Speaker 2: I hate call it a person a person, a social

550
00:25:14,320 --> 00:25:19,600
Speaker 2: media person, social social like on in that world, thinking

551
00:25:19,600 --> 00:25:21,960
Speaker 2: that it would turn into dollars and it just doesn't work.

552
00:25:22,119 --> 00:25:25,200
Speaker 2: It doesn't like they're following their crowd. It's not coming

553
00:25:25,200 --> 00:25:26,720
Speaker 2: to do that. The best where I felt it was

554
00:25:26,760 --> 00:25:32,560
Speaker 2: successful they put Cardi being that movie with j Lo. Yeah,

555
00:25:32,600 --> 00:25:34,960
Speaker 2: but you know where it started at. It started when

556
00:25:35,119 --> 00:25:41,720
Speaker 2: Tyler Perry put Kim Kardashian in that movie The Marriage Counselor. Yeah,

557
00:25:41,880 --> 00:25:45,680
Speaker 2: that's what it really did, though, I mean it did numbers.

558
00:25:46,520 --> 00:25:48,720
Speaker 3: It was a really popular movie from what I can

559
00:25:49,400 --> 00:25:53,720
Speaker 3: with Taji Journey Journey Journey and.

560
00:25:53,800 --> 00:25:54,679
Speaker 2: Brandy and Lance.

561
00:25:56,200 --> 00:25:58,320
Speaker 1: That was a remember him in it.

562
00:25:58,440 --> 00:26:00,640
Speaker 2: Yeah, Kim was the second. Yeah, she worked at the audio,

563
00:26:01,160 --> 00:26:02,600
Speaker 2: worked at the office. But I think that was the

564
00:26:02,640 --> 00:26:06,280
Speaker 2: first time you saw somebody really take something from the

565
00:26:06,320 --> 00:26:08,199
Speaker 2: internet that they were doing, you know, because at that

566
00:26:08,240 --> 00:26:10,560
Speaker 2: point Kim was big, but she been on camera before,

567
00:26:11,200 --> 00:26:14,199
Speaker 2: she had had that was her like first, but that

568
00:26:14,320 --> 00:26:19,280
Speaker 2: was I mean, she was yeah, yeah, I agree, But

569
00:26:19,320 --> 00:26:22,520
Speaker 2: I do feel like it's kind of like, okay, you know,

570
00:26:22,600 --> 00:26:24,440
Speaker 2: it opened the fog because I feel the same way

571
00:26:24,480 --> 00:26:26,520
Speaker 2: because I'm not gonna lie. It may sound like not

572
00:26:26,640 --> 00:26:29,680
Speaker 2: we not sound like haters, but it'd be like sometimes

573
00:26:29,760 --> 00:26:32,239
Speaker 2: when I watch like the Rolling Loud interviews or when

574
00:26:32,240 --> 00:26:35,000
Speaker 2: people doing interviews and they're hiring these influences, so I'm like, me,

575
00:26:35,000 --> 00:26:37,520
Speaker 2: Andre would kill that shit, Like why y'all don't reach

576
00:26:37,560 --> 00:26:39,720
Speaker 2: out to people who are actually fucking good at this

577
00:26:40,040 --> 00:26:42,159
Speaker 2: and you'll have a viral clip because it's good not

578
00:26:42,240 --> 00:26:45,760
Speaker 2: because people are laughing, but to me, and it's disrespectful

579
00:26:45,800 --> 00:26:47,760
Speaker 2: and it makes people not take I feel like these

580
00:26:47,760 --> 00:26:50,479
Speaker 2: are things where people now are not taking you serious.

581
00:26:50,680 --> 00:26:52,600
Speaker 1: One thing I loved about Snowfall. We didn't do that.

582
00:26:52,760 --> 00:26:54,480
Speaker 2: We wanted to be taken serious, we wanted to be

583
00:26:54,520 --> 00:26:56,760
Speaker 2: held to high esteem. They weren't even trying to really

584
00:26:56,840 --> 00:27:00,199
Speaker 2: bring in name actors because they wanted it to be

585
00:27:00,359 --> 00:27:02,800
Speaker 2: artistic and people to come and view it for the

586
00:27:02,840 --> 00:27:06,120
Speaker 2: work that they started and built the foundational right.

587
00:27:07,000 --> 00:27:09,680
Speaker 3: But unfortunately too, I just feel like in this industry

588
00:27:10,000 --> 00:27:13,280
Speaker 3: it just be about who you know. Sometimes a lot

589
00:27:13,280 --> 00:27:14,960
Speaker 3: of the time it's like it's unfair and it be

590
00:27:15,040 --> 00:27:16,679
Speaker 3: a slept in the face because you like, oh, I

591
00:27:16,720 --> 00:27:19,040
Speaker 3: definitely feel like I could do a better job, or

592
00:27:19,040 --> 00:27:23,359
Speaker 3: I know somebody will say every industry though, but I

593
00:27:23,400 --> 00:27:25,360
Speaker 3: feel like it's different with these set though, Like when

594
00:27:25,400 --> 00:27:28,200
Speaker 3: you get into when you get into entertainment and ship. Yeah,

595
00:27:28,320 --> 00:27:30,520
Speaker 3: I guess I can only say that because at one

596
00:27:30,560 --> 00:27:32,520
Speaker 3: point I used to have like a corporate job and

597
00:27:32,520 --> 00:27:35,200
Speaker 3: I worked in like a regular nine svive type.

598
00:27:35,240 --> 00:27:38,000
Speaker 2: Environment, and I just feel like she be a little different.

599
00:27:38,400 --> 00:27:40,679
Speaker 2: Well on that level, but once you get to like

600
00:27:40,720 --> 00:27:44,679
Speaker 2: the Ceoh, they people having hire jobs, they hire their daughters,

601
00:27:44,720 --> 00:27:50,280
Speaker 2: they are I have friends in the corporate real estate

602
00:27:50,320 --> 00:27:53,159
Speaker 2: world and they've hired assistance to just get in and

603
00:27:53,160 --> 00:27:55,320
Speaker 2: then they've been promoted above her and she's been there

604
00:27:55,440 --> 00:27:57,960
Speaker 2: like years and she does her job and everybody else's job,

605
00:27:58,280 --> 00:28:01,719
Speaker 2: but it's that boys club that knowing that that nepotism.

606
00:28:02,280 --> 00:28:05,760
Speaker 3: Yeah, you said it right there, Babies is definitely something right.

607
00:28:05,840 --> 00:28:08,320
Speaker 2: So we talked about this on the past episode because

608
00:28:08,359 --> 00:28:10,880
Speaker 2: we feel like a lot of times we feel like

609
00:28:11,160 --> 00:28:13,160
Speaker 2: if we have somebody like we want to hire them

610
00:28:13,200 --> 00:28:16,000
Speaker 2: to do something or we want we want to test

611
00:28:16,040 --> 00:28:18,000
Speaker 2: it out, they'd be trying to like hit us over

612
00:28:18,040 --> 00:28:20,159
Speaker 2: the head with a price because they feel like, oh,

613
00:28:20,200 --> 00:28:20,840
Speaker 2: these poor minds.

614
00:28:20,840 --> 00:28:22,639
Speaker 1: I don't seen what y'all. Y'all been on break, if

615
00:28:22,680 --> 00:28:23,480
Speaker 1: y'all went on tour.

616
00:28:23,880 --> 00:28:27,439
Speaker 2: And sometimes I feel like, where's the balance between you know,

617
00:28:27,680 --> 00:28:31,400
Speaker 2: charging your what you're worth but also having an amazing opportunity.

618
00:28:31,560 --> 00:28:33,800
Speaker 2: So has there ever been something on the table where

619
00:28:34,119 --> 00:28:35,919
Speaker 2: you had an opportunity to be with like an a

620
00:28:36,119 --> 00:28:39,600
Speaker 2: list actor like a Denzel or something, but they wasn't

621
00:28:39,600 --> 00:28:41,360
Speaker 2: paying that much, but you was like, you know what,

622
00:28:41,560 --> 00:28:44,720
Speaker 2: maybe I should do this because it's gonna show my

623
00:28:44,880 --> 00:28:47,360
Speaker 2: talent and it's gonna put me in a different box.

624
00:28:47,560 --> 00:28:51,400
Speaker 4: Yeah, I personally haven't been in that situation, but I

625
00:28:51,440 --> 00:28:54,160
Speaker 4: would take the opportunity because money you don't come and go.

626
00:28:54,200 --> 00:28:57,520
Speaker 4: Money is always there to get right, and opportunities aren't.

627
00:28:57,640 --> 00:28:59,520
Speaker 4: So if you feel like this is an opportunity of

628
00:28:59,560 --> 00:29:01,600
Speaker 4: a lifetime them, I would take the opportunity every time.

629
00:29:03,560 --> 00:29:06,280
Speaker 2: And payment is more than just monetary, Like people don't

630
00:29:06,320 --> 00:29:09,800
Speaker 2: be understanding that the exposure that you could get. Like

631
00:29:09,840 --> 00:29:12,600
Speaker 2: I said when I first started and Snowfall, I was

632
00:29:12,680 --> 00:29:16,080
Speaker 2: going home with like a four hundred dollars check. So

633
00:29:16,560 --> 00:29:19,840
Speaker 2: to be put in a position though that gave me shocked.

634
00:29:21,240 --> 00:29:25,000
Speaker 2: You was acting your as you loved her.

635
00:29:24,920 --> 00:29:26,560
Speaker 1: For it all season three.

636
00:29:26,600 --> 00:29:28,760
Speaker 2: I think I was in Games People Played, which was

637
00:29:28,800 --> 00:29:32,080
Speaker 2: a BT TV show and Snowfall, and BT was paying

638
00:29:32,120 --> 00:29:35,080
Speaker 2: me more than ex Yeah, I was.

639
00:29:35,120 --> 00:29:37,760
Speaker 1: Mind blown, right, but you knew.

640
00:29:38,120 --> 00:29:40,040
Speaker 2: But I knew the payout was more than money and

641
00:29:40,040 --> 00:29:41,840
Speaker 2: that it was gonna get it. I just had to

642
00:29:41,920 --> 00:29:43,680
Speaker 2: keep doing it so I could get to the point

643
00:29:43,680 --> 00:29:47,240
Speaker 2: where I could ask for more. But I think sometimes

644
00:29:47,360 --> 00:29:50,720
Speaker 2: other people ruin it right, Like if you want a

645
00:29:50,800 --> 00:29:53,600
Speaker 2: set price, people have been screwed over to where they

646
00:29:53,600 --> 00:29:56,920
Speaker 2: haven't get gotten paid with certain things because the person

647
00:29:57,160 --> 00:30:00,560
Speaker 2: is a social media like or they expect people to

648
00:30:00,600 --> 00:30:02,280
Speaker 2: work for them for free because of who they are,

649
00:30:02,680 --> 00:30:05,320
Speaker 2: and that just needs to be a conversation like Okay,

650
00:30:05,320 --> 00:30:07,680
Speaker 2: what's your budget. Okay, well this is your price. I've

651
00:30:07,680 --> 00:30:10,640
Speaker 2: had people tell me a price and I just didn't

652
00:30:10,640 --> 00:30:12,760
Speaker 2: feel like negotiating back and forth with them, so I.

653
00:30:12,680 --> 00:30:13,600
Speaker 1: Went to somebody else.

654
00:30:14,000 --> 00:30:17,680
Speaker 2: And so when the product came out, they were like, well, damn,

655
00:30:18,400 --> 00:30:19,920
Speaker 2: I said, you told me your price. I couldn't afford

656
00:30:19,960 --> 00:30:22,320
Speaker 2: your friend, there was like I could have did it

657
00:30:22,320 --> 00:30:24,800
Speaker 2: on the volunteer or I could have changed budgeted, Like

658
00:30:24,840 --> 00:30:27,000
Speaker 2: I could have gave you a discount. I felt like

659
00:30:27,040 --> 00:30:28,560
Speaker 2: if you could have gave me that when I said

660
00:30:28,600 --> 00:30:30,080
Speaker 2: that was a lie, I can't afford it, you would

661
00:30:30,080 --> 00:30:33,440
Speaker 2: have offered them right. So I think there's the thing

662
00:30:33,480 --> 00:30:37,479
Speaker 2: of just having that conversation of I can't being first honest,

663
00:30:37,600 --> 00:30:39,920
Speaker 2: like we can't afford that. Like just cause you see

664
00:30:39,960 --> 00:30:41,760
Speaker 2: us out here on Breakfast Club and out on tour,

665
00:30:42,120 --> 00:30:44,320
Speaker 2: they really this tour is also a promotional tour.

666
00:30:44,520 --> 00:30:45,680
Speaker 1: They're really not paying.

667
00:30:45,480 --> 00:30:47,280
Speaker 2: Like a lot of thought times we be coming out

668
00:30:47,320 --> 00:30:49,080
Speaker 2: of pod because you're just trying to do proof of

669
00:30:49,160 --> 00:30:50,160
Speaker 2: com and do it right.

670
00:30:50,320 --> 00:30:52,360
Speaker 1: You know, we're just trying to show you we're good.

671
00:30:52,600 --> 00:30:54,560
Speaker 2: Yeah, So like you said, like, sometimes you're gonna take

672
00:30:54,560 --> 00:30:56,600
Speaker 2: our opportunity just to show people, hey, I'm good and

673
00:30:56,640 --> 00:30:58,720
Speaker 2: I can do this well Black people, we have to

674
00:30:58,760 --> 00:31:00,560
Speaker 2: do that. And you know what, I'm as you said

675
00:31:00,560 --> 00:31:02,880
Speaker 2: that because black people are so scared to talk about

676
00:31:02,920 --> 00:31:03,760
Speaker 2: money with each other.

677
00:31:03,920 --> 00:31:06,200
Speaker 1: Yea, we are, and I hate that when I that's

678
00:31:06,280 --> 00:31:09,120
Speaker 1: why we discussed contracts. You ain't as you should.

679
00:31:09,160 --> 00:31:11,360
Speaker 2: And I'm glad that y'all do that because I remember,

680
00:31:11,400 --> 00:31:13,280
Speaker 2: I mean, I don't you know. I work for myself

681
00:31:13,280 --> 00:31:16,440
Speaker 2: now obviously, but when I had a corporate job the

682
00:31:16,480 --> 00:31:19,200
Speaker 2: first time, I remember having a conversation with the girl

683
00:31:19,560 --> 00:31:23,080
Speaker 2: we used to work the front desk together, and she

684
00:31:23,200 --> 00:31:24,080
Speaker 2: was like how much you make?

685
00:31:24,200 --> 00:31:25,600
Speaker 1: And I remember I got so offended.

686
00:31:25,640 --> 00:31:27,840
Speaker 2: I'm like what I mean? I feel like it used

687
00:31:27,880 --> 00:31:32,840
Speaker 2: to always be. Like we started talking, I realized she

688
00:31:32,920 --> 00:31:34,960
Speaker 2: wasn't asking me to be nosy. She was asking me

689
00:31:34,960 --> 00:31:37,360
Speaker 2: because she's like, I get paid X y Z. You

690
00:31:37,400 --> 00:31:40,040
Speaker 2: have a degree, you should be getting paid more than me.

691
00:31:40,120 --> 00:31:42,880
Speaker 2: Low kid, Like how much are you getting paid? I

692
00:31:42,880 --> 00:31:45,040
Speaker 2: was like oh, And she actually helped me get a raise,

693
00:31:45,640 --> 00:31:47,400
Speaker 2: And I feel like, why are we scared to talk

694
00:31:47,400 --> 00:31:50,480
Speaker 2: about money, like like literally when it comes to making

695
00:31:50,520 --> 00:31:53,040
Speaker 2: money and knowing how money works. I hate to say

696
00:31:53,080 --> 00:31:54,880
Speaker 2: this like this, but we're like at the bottom of

697
00:31:54,880 --> 00:31:57,680
Speaker 2: the totem pole like we are. We're because we ain't

698
00:31:57,800 --> 00:32:00,760
Speaker 2: keeper like we gat with you. Yeah, And that's I

699
00:32:00,800 --> 00:32:03,480
Speaker 2: do think one thing in the black community, we we

700
00:32:03,920 --> 00:32:06,080
Speaker 2: do not allow others to help us. Everybody want to

701
00:32:06,080 --> 00:32:07,600
Speaker 2: get it out of the mud doing on their own.

702
00:32:07,680 --> 00:32:10,400
Speaker 2: I did this by myself, and then we don't want

703
00:32:10,440 --> 00:32:14,080
Speaker 2: to share any information. And it's like what's meant for

704
00:32:14,120 --> 00:32:16,240
Speaker 2: you is meant for you. So regardless of whether you share,

705
00:32:16,680 --> 00:32:20,680
Speaker 2: whether you are like what what are you doing? Yeah,

706
00:32:20,760 --> 00:32:24,240
Speaker 2: because that's gonna help us all get ahead right before

707
00:32:24,240 --> 00:32:26,080
Speaker 2: we get into this next topic that I'm about to

708
00:32:26,120 --> 00:32:33,600
Speaker 2: ask time, Yes, time, because look, talking talking talking today.

709
00:32:34,080 --> 00:32:36,000
Speaker 1: What are we drinking today?

710
00:32:36,160 --> 00:32:36,560
Speaker 2: All right?

711
00:32:36,640 --> 00:32:39,280
Speaker 1: So this one is called the Snowfall Sprits.

712
00:32:39,560 --> 00:32:43,320
Speaker 2: Okay, all right, we are featuring.

713
00:32:42,920 --> 00:32:44,000
Speaker 1: A Black owned.

714
00:32:46,440 --> 00:32:48,800
Speaker 2: That this one. It's featured a black owned wine. It's

715
00:32:48,840 --> 00:32:52,400
Speaker 2: called Michael Lavelle. It's a Rose Rose Iris and they

716
00:32:52,440 --> 00:32:54,480
Speaker 2: also have a red blend. But it's really good. So

717
00:32:54,520 --> 00:32:57,000
Speaker 2: I mixed that with the tequila and we added some

718
00:32:57,040 --> 00:32:59,080
Speaker 2: grapefruit juice, just to bring out some of those you know,

719
00:32:59,120 --> 00:33:01,040
Speaker 2: we like in spring, the like the spring of the

720
00:33:01,080 --> 00:33:02,160
Speaker 2: section here in Atlanta.

721
00:33:02,440 --> 00:33:04,400
Speaker 1: It was hot last week, now it's cold this week.

722
00:33:04,560 --> 00:33:06,320
Speaker 2: So I got a little taste of spring. So we

723
00:33:06,440 --> 00:33:08,360
Speaker 2: used a little bit of grapefruit juice, a little bit

724
00:33:08,400 --> 00:33:10,040
Speaker 2: of lemon juice, and then we put in some of

725
00:33:10,080 --> 00:33:12,440
Speaker 2: that so mixy high biscuits spice syrup.

726
00:33:12,480 --> 00:33:13,680
Speaker 1: That's what's floated at the bottom.

727
00:33:13,920 --> 00:33:23,280
Speaker 4: Okay, yeah, I let it marinate for like, And now.

728
00:33:23,920 --> 00:33:26,200
Speaker 2: See I'm drinking of mocktails. And I told her mocktails

729
00:33:26,200 --> 00:33:28,440
Speaker 2: normally are nasty, but mine is. I know what she

730
00:33:28,560 --> 00:33:35,880
Speaker 2: was like, Hold, okay, so before we move on to

731
00:33:35,920 --> 00:33:37,440
Speaker 2: the next topic, let me ask y' all this real quick,

732
00:33:37,440 --> 00:33:40,640
Speaker 2: cause snowfall is like a major show, is big. When

733
00:33:40,640 --> 00:33:43,720
Speaker 2: did it hit y'all that I'm like, Okay, I mean

734
00:33:43,760 --> 00:33:45,480
Speaker 2: I don't like, I don't put people on pedestals.

735
00:33:45,520 --> 00:33:46,240
Speaker 1: That's just how I am.

736
00:33:46,400 --> 00:33:49,840
Speaker 2: But like, your life isn't normal, your job isn't normal.

737
00:33:49,920 --> 00:33:52,320
Speaker 2: You can't walk through the airport no more. You can't walk,

738
00:33:52,480 --> 00:33:54,720
Speaker 2: you can't go like if we left all four of

739
00:33:54,800 --> 00:33:55,600
Speaker 2: us and went to happy hour.

740
00:33:55,720 --> 00:33:58,080
Speaker 1: Right now, it's about to be like all ship is

741
00:33:58,200 --> 00:33:59,680
Speaker 1: going down, gona.

742
00:33:59,440 --> 00:34:01,080
Speaker 2: Be a little qirry, it's gonna be a little crazy

743
00:34:01,600 --> 00:34:06,040
Speaker 2: everywhere you So, so y'all don't feel different, Like come on,

744
00:34:06,160 --> 00:34:09,120
Speaker 2: you feel different. No, I mean people say stuff.

745
00:34:08,880 --> 00:34:12,080
Speaker 4: But to me, I'm going to I go places assuming

746
00:34:12,400 --> 00:34:14,920
Speaker 4: and I know, like somebody's going to recognize me. But

747
00:34:15,000 --> 00:34:17,440
Speaker 4: it's cool, Like it's always love. So I go, I

748
00:34:17,480 --> 00:34:18,480
Speaker 4: go everywhere, everywhere.

749
00:34:18,680 --> 00:34:19,880
Speaker 2: It'll never be awkward for you.

750
00:34:20,239 --> 00:34:23,120
Speaker 4: Ever, it overwhelms me sometimes like a lot of people

751
00:34:23,200 --> 00:34:25,720
Speaker 4: coming at once, like it is a lot my family.

752
00:34:27,719 --> 00:34:30,879
Speaker 3: My family treat me the same, but like other people thought,

753
00:34:30,920 --> 00:34:32,360
Speaker 3: and I think that that was something that me and

754
00:34:32,440 --> 00:34:34,960
Speaker 3: Lex was actually talking about the other day, Like people

755
00:34:35,000 --> 00:34:38,320
Speaker 3: love to have this idea of like all money, money

756
00:34:38,400 --> 00:34:40,359
Speaker 3: changes the person who is getting the money, And it

757
00:34:40,360 --> 00:34:42,600
Speaker 3: definitely does, I think to a certain extent, because it

758
00:34:42,640 --> 00:34:45,120
Speaker 3: gives you more access and you're able to do more

759
00:34:45,160 --> 00:34:47,480
Speaker 3: things than you used to you know what's able to do.

760
00:34:47,920 --> 00:34:50,239
Speaker 3: But I think it more and so changes the people

761
00:34:50,320 --> 00:34:51,880
Speaker 3: around you and how they treat you.

762
00:34:52,600 --> 00:34:56,200
Speaker 2: Facts which I think is very strangers to like not

763
00:34:56,280 --> 00:34:59,160
Speaker 2: just people, strangers, yeah, because I mean with a stranger,

764
00:34:59,280 --> 00:35:01,600
Speaker 2: they wouldn't give wouldn't care if he was walking by.

765
00:35:01,680 --> 00:35:05,080
Speaker 2: But they you started to get it's like, oh, they

766
00:35:05,160 --> 00:35:08,040
Speaker 2: just I'm they're so weird. They introduced to people that

767
00:35:08,160 --> 00:35:11,280
Speaker 2: have especially guys where they act a little different. Yeah,

768
00:35:11,320 --> 00:35:14,400
Speaker 2: and it's just it's so funny to me because to me,

769
00:35:14,560 --> 00:35:16,880
Speaker 2: I just look at myself and everybody else like, well.

770
00:35:16,719 --> 00:35:18,600
Speaker 3: First of all, you would have me the same guy

771
00:35:18,719 --> 00:35:21,000
Speaker 3: that I used to try to talk to you like

772
00:35:21,080 --> 00:35:23,560
Speaker 3: in the past or didn't like, wasn't interested in the past,

773
00:35:23,600 --> 00:35:25,240
Speaker 3: and not trying to come back around.

774
00:35:25,280 --> 00:35:32,840
Speaker 1: Oh no, I ain't never had the right. I agree

775
00:35:32,920 --> 00:35:33,919
Speaker 1: with this, but.

776
00:35:33,880 --> 00:35:35,680
Speaker 2: You know I have this incident happened. I mean, this

777
00:35:35,719 --> 00:35:37,640
Speaker 2: happens a lot, but I don't know. For some reason,

778
00:35:37,680 --> 00:35:39,160
Speaker 2: I was just aggravated this day because I had a

779
00:35:39,200 --> 00:35:41,759
Speaker 2: lot going on. But like I went to Miami a

780
00:35:41,960 --> 00:35:44,120
Speaker 2: week and a half ago and I was in the

781
00:35:44,120 --> 00:35:47,120
Speaker 2: airport and like everybody was just staring at me. And

782
00:35:47,280 --> 00:35:49,960
Speaker 2: when I say everybody, obviously I'm being dramatic, but it

783
00:35:50,000 --> 00:35:51,759
Speaker 2: was just like I kept and I got to the

784
00:35:51,800 --> 00:35:53,120
Speaker 2: points where I'm like, I'm about to get on the

785
00:35:53,120 --> 00:35:55,799
Speaker 2: fly and I was like, what are you looking at?

786
00:35:56,239 --> 00:35:58,000
Speaker 2: I was like, what are you looking at? You asked somebody,

787
00:35:58,320 --> 00:36:00,960
Speaker 2: because at that point, I'm like, why is like, but

788
00:36:01,040 --> 00:36:02,640
Speaker 2: this is what I always say on the show. If

789
00:36:02,680 --> 00:36:05,839
Speaker 2: you know people, it's very important to say. Just say

790
00:36:05,880 --> 00:36:07,960
Speaker 2: what you have to say and don't stare.

791
00:36:08,280 --> 00:36:12,640
Speaker 1: I'm not but may people record me as if I

792
00:36:12,640 --> 00:36:17,400
Speaker 1: can't see them. And then I felt embarrassed because I.

793
00:36:19,520 --> 00:36:21,960
Speaker 2: Ignore people unless you're gonna, unless you have the courage

794
00:36:22,000 --> 00:36:24,120
Speaker 2: to actually come speak. I'm gonna, I've heard people talk about,

795
00:36:24,160 --> 00:36:26,160
Speaker 2: so yeah, that's the girl. I just ignore it. I

796
00:36:26,200 --> 00:36:28,680
Speaker 2: try to ignore people too, cause it's definitely awkward.

797
00:36:28,800 --> 00:36:31,640
Speaker 3: Like I actually went to the mall yesterday and I

798
00:36:31,800 --> 00:36:33,840
Speaker 3: just got a chemical pill like on Thursday.

799
00:36:34,120 --> 00:36:35,279
Speaker 1: So I feel good they do.

800
00:36:39,280 --> 00:36:41,120
Speaker 2: Thank you, thank you.

801
00:36:41,320 --> 00:36:43,360
Speaker 5: I actually feel like I look crazy, so thank.

802
00:36:43,200 --> 00:36:43,759
Speaker 1: You so much.

803
00:36:44,160 --> 00:36:46,439
Speaker 3: But yes, I just got a chemical pill last week

804
00:36:46,480 --> 00:36:48,719
Speaker 3: and like my face kind of just stopped peeling. But

805
00:36:48,760 --> 00:36:50,680
Speaker 3: I've been having to wear like these sunscreen and it

806
00:36:50,760 --> 00:36:53,719
Speaker 3: puts like this white cast on my face. And so

807
00:36:53,960 --> 00:36:55,640
Speaker 3: I went to the mall yesterday and I was at

808
00:36:55,760 --> 00:36:59,040
Speaker 3: Zara and like this group of people walked past me

809
00:36:59,080 --> 00:37:00,839
Speaker 3: and they was just staring at me, and so I'm

810
00:37:00,840 --> 00:37:02,480
Speaker 3: like going, I'm like, maybe they're just staring at me

811
00:37:02,520 --> 00:37:04,800
Speaker 3: cause I got this fucking white ship on my face.

812
00:37:04,600 --> 00:37:06,680
Speaker 2: And I look crazy, and I mean.

813
00:37:08,440 --> 00:37:12,160
Speaker 3: In public, or maybe they know me from Poor Minds,

814
00:37:12,239 --> 00:37:13,759
Speaker 3: And so they walked by and I'm like, okay, and

815
00:37:13,760 --> 00:37:15,640
Speaker 3: probably they was just looking at me because I looked crazy,

816
00:37:15,760 --> 00:37:18,720
Speaker 3: but then they kept looking bag and then they started pointing.

817
00:37:18,800 --> 00:37:20,640
Speaker 3: So I'm like, okay, well, do y'all know me from

818
00:37:20,719 --> 00:37:23,200
Speaker 3: the show. And then it's like, if you know me

819
00:37:23,239 --> 00:37:26,680
Speaker 3: from the show, just say something something like to.

820
00:37:26,640 --> 00:37:28,800
Speaker 2: Me that be like weirdo she like me?

821
00:37:28,880 --> 00:37:31,360
Speaker 1: Because you know I have like things give me anxiety.

822
00:37:31,480 --> 00:37:33,840
Speaker 2: Yeah, Like, and I'm a person like I try to

823
00:37:33,880 --> 00:37:36,719
Speaker 2: overcompensate a lot of thing. I've learned to kind of chill.

824
00:37:36,840 --> 00:37:39,680
Speaker 2: But and then I start getting nerved. I'm an overthinker

825
00:37:39,719 --> 00:37:44,440
Speaker 2: because I'm like, what are you are? I'm like, what

826
00:37:44,520 --> 00:37:47,719
Speaker 2: are you like? I don't even I've gotten so paranoid.

827
00:37:47,719 --> 00:37:50,000
Speaker 2: I don't even check in bags no more when I travel,

828
00:37:50,560 --> 00:37:54,040
Speaker 2: I don't. I just get I'm paranoid. So I'm like,

829
00:37:54,200 --> 00:37:55,759
Speaker 2: this man is staring at me, let him know I'm

830
00:37:55,760 --> 00:37:57,000
Speaker 2: not I gotta lim know.

831
00:37:57,040 --> 00:37:59,400
Speaker 1: I'm not pussy. I mean, I'm like, what are you

832
00:37:59,440 --> 00:37:59,759
Speaker 1: looking at?

833
00:37:59,760 --> 00:37:59,880
Speaker 6: Who?

834
00:37:59,920 --> 00:38:01,920
Speaker 1: Was like, oh my bed, I'll watch eighty five.

835
00:38:01,960 --> 00:38:04,960
Speaker 2: I'm like, oh damn, now I gotta apologize because you're

836
00:38:04,960 --> 00:38:07,080
Speaker 2: gonna write DC and tell.

837
00:38:06,920 --> 00:38:08,319
Speaker 1: Them like all this shit. So I'm like, let me,

838
00:38:08,440 --> 00:38:09,239
Speaker 1: let me just tell them.

839
00:38:09,280 --> 00:38:11,760
Speaker 2: But it's like I always say this, if you see

840
00:38:11,800 --> 00:38:14,279
Speaker 2: somebody and you know them and you don't have the

841
00:38:14,320 --> 00:38:18,560
Speaker 2: confidence to walk up to them, either stop staring or

842
00:38:18,640 --> 00:38:20,680
Speaker 2: just go say something and say hey, I'm a fan

843
00:38:20,719 --> 00:38:23,439
Speaker 2: of you bl blah blah blah. H y z yeah,

844
00:38:23,440 --> 00:38:26,560
Speaker 2: because well that's why you may not be some people

845
00:38:26,760 --> 00:38:30,000
Speaker 2: who it's not nice when you go speak to them,

846
00:38:30,160 --> 00:38:32,440
Speaker 2: right right. You know I've had that. I've had two

847
00:38:32,480 --> 00:38:34,839
Speaker 2: bad encounters with people where I've spoken to you. Yeah,

848
00:38:34,840 --> 00:38:38,879
Speaker 2: I've got bad encounters as well, But I feel like, yeah,

849
00:38:38,920 --> 00:38:40,879
Speaker 2: spoke to somebody because I mean I used to work

850
00:38:40,880 --> 00:38:43,239
Speaker 2: in the club, so I wasn't even on no trying

851
00:38:43,239 --> 00:38:44,879
Speaker 2: to I don't give a fuck about you. I want

852
00:38:44,920 --> 00:38:47,680
Speaker 2: my money. Yeah, So so I've had But what I'm

853
00:38:47,719 --> 00:38:50,719
Speaker 2: saying is either you're gonna speak and say something or

854
00:38:50,760 --> 00:38:54,480
Speaker 2: you're not, But don't stare at people. It's uncomfortable, like

855
00:38:54,560 --> 00:38:56,040
Speaker 2: for a lot of people. That's why I say, if

856
00:38:56,080 --> 00:38:58,560
Speaker 2: you see me in public. Come on and speak girl,

857
00:38:58,600 --> 00:38:59,400
Speaker 2: because you're staring at me.

858
00:38:59,400 --> 00:38:59,920
Speaker 1: I'm gonna give me.

859
00:39:00,280 --> 00:39:03,560
Speaker 2: Yeah, you spoke to people and they was being rude.

860
00:39:03,640 --> 00:39:05,960
Speaker 1: I spoke to somebody before they were yeah, like recently.

861
00:39:06,040 --> 00:39:09,480
Speaker 2: I mean that's gonna make you twenty I think both

862
00:39:09,480 --> 00:39:12,400
Speaker 2: of you more than twenty fifteen. Okay, yeah, okay. Have

863
00:39:12,480 --> 00:39:15,240
Speaker 2: you ever responded to somebody you seem like you too cool?

864
00:39:15,560 --> 00:39:17,080
Speaker 2: Because I feel like if you try to speak to

865
00:39:17,120 --> 00:39:18,600
Speaker 2: somebody like you see these curls.

866
00:39:18,640 --> 00:39:18,960
Speaker 1: Bitch.

867
00:39:20,960 --> 00:39:23,280
Speaker 4: No, you never had a bad account.

868
00:39:23,719 --> 00:39:25,719
Speaker 2: I have to, but not even as a fan, even

869
00:39:25,719 --> 00:39:27,920
Speaker 2: at like working with somebody, Like how do y'all handle that?

870
00:39:29,480 --> 00:39:32,279
Speaker 4: No, I'm really chill, Like, yeah, I'm so chill.

871
00:39:32,560 --> 00:39:34,680
Speaker 1: You be on set just in the bag, eat yo, cheesy.

872
00:39:34,760 --> 00:39:35,719
Speaker 4: I'll be in my own word.

873
00:39:36,640 --> 00:39:40,360
Speaker 2: You have any problems, God have easy, especially when I

874
00:39:40,360 --> 00:39:42,440
Speaker 2: ain't doing too much like he just be chill, but.

875
00:39:44,000 --> 00:39:46,040
Speaker 4: Is to make everyone's life easier, Like I don't even

876
00:39:46,120 --> 00:39:48,040
Speaker 4: like PA's doing stuff for me on set. I'm like, no, no,

877
00:39:48,080 --> 00:39:48,400
Speaker 4: I got it.

878
00:39:48,520 --> 00:39:50,080
Speaker 2: And that's how I know you're a good actor, because

879
00:39:50,160 --> 00:39:54,319
Speaker 2: leon I be doing a lot, be doing a lot.

880
00:39:55,280 --> 00:39:58,120
Speaker 1: Okay, So now we're gonna get into the.

881
00:39:58,320 --> 00:40:03,799
Speaker 2: Bab bow bowow.

882
00:40:04,400 --> 00:40:08,560
Speaker 1: I love. I cannot wait to talk about the talk

883
00:40:08,680 --> 00:40:09,040
Speaker 1: me too.

884
00:40:09,120 --> 00:40:09,800
Speaker 2: I'm excited.

885
00:40:09,920 --> 00:40:13,319
Speaker 3: So I had been seeing this like ongoing theme on

886
00:40:13,440 --> 00:40:15,920
Speaker 3: social media, which is something that I didn't know. So

887
00:40:15,920 --> 00:40:19,200
Speaker 3: I'm excited to talk to you all about this. But apparently,

888
00:40:19,320 --> 00:40:21,000
Speaker 3: like so I know, we talked about.

889
00:40:20,840 --> 00:40:24,560
Speaker 2: BMF earlier, and in the BMF.

890
00:40:24,080 --> 00:40:26,480
Speaker 3: Episode they came out a few weeks ago.

891
00:40:26,920 --> 00:40:29,400
Speaker 2: You know, a little man, little.

892
00:40:29,160 --> 00:40:36,480
Speaker 7: Me, okay, big meat, his little pen was showing or whatever,

893
00:40:36,960 --> 00:40:39,160
Speaker 7: and like the girls was in a frenzy on social

894
00:40:39,200 --> 00:40:41,400
Speaker 7: media about it because I guess, you know, it was big.

895
00:40:41,440 --> 00:40:43,600
Speaker 2: He looked like he was doing what he needed to do.

896
00:40:44,000 --> 00:40:45,720
Speaker 3: But then it came out that a lot of people

897
00:40:45,719 --> 00:40:47,880
Speaker 3: were saying that, like in sex scenes, people use a

898
00:40:47,920 --> 00:40:49,719
Speaker 3: lot of prosthetics and stuff like that.

899
00:40:50,000 --> 00:40:51,759
Speaker 5: So I definitely wanted to talk about that.

900
00:40:51,880 --> 00:40:55,000
Speaker 3: And then also just like the awkwardness of I guess

901
00:40:55,080 --> 00:40:57,480
Speaker 3: doing a sex scene, because like I said, even though

902
00:40:57,520 --> 00:40:59,359
Speaker 3: I feel like I would kind of want to want

903
00:40:59,440 --> 00:41:01,640
Speaker 3: to get into acting, I've always felt like that's something

904
00:41:01,640 --> 00:41:04,279
Speaker 3: that will make me feel awkward, having to do a

905
00:41:04,320 --> 00:41:04,960
Speaker 3: sex scene and.

906
00:41:05,080 --> 00:41:05,960
Speaker 2: Like act it out.

907
00:41:06,160 --> 00:41:08,839
Speaker 3: So like, how is that and having all of these

908
00:41:08,840 --> 00:41:11,120
Speaker 3: people in the room when you be in such a

909
00:41:11,200 --> 00:41:13,280
Speaker 3: quote unquote intimate moment.

910
00:41:13,920 --> 00:41:17,839
Speaker 4: Well, only one of those questions were for me, So

911
00:41:18,480 --> 00:41:21,439
Speaker 4: I don't. I mean, it is awkward, like people be like, oh,

912
00:41:21,520 --> 00:41:24,120
Speaker 4: like do you really be in the moment? You really

913
00:41:24,120 --> 00:41:28,760
Speaker 4: can't because it's quick takes and like you said, everybody's around.

914
00:41:28,800 --> 00:41:30,960
Speaker 4: It's very technical. Can you move your head here? Can

915
00:41:30,960 --> 00:41:34,560
Speaker 4: you move here? So there's nothing sexy about it. So

916
00:41:34,600 --> 00:41:37,920
Speaker 4: it's like, I mean, it is awkward, but it's nothing

917
00:41:38,040 --> 00:41:41,000
Speaker 4: like I don't see how people really be into it,

918
00:41:41,480 --> 00:41:42,360
Speaker 4: you know, because it's so.

919
00:41:42,560 --> 00:41:44,239
Speaker 2: It's because I mean, you do have a ring on

920
00:41:44,239 --> 00:41:45,759
Speaker 2: your finger. How does your how does your wife feel

921
00:41:45,760 --> 00:41:47,560
Speaker 2: about when you have to do intimate scenes?

922
00:41:48,880 --> 00:41:53,080
Speaker 4: All those were before I got married. So, but like

923
00:41:53,400 --> 00:41:55,279
Speaker 4: when they have to do like any kissing scenes or whatever,

924
00:41:55,320 --> 00:41:57,680
Speaker 4: like she understands the craft. She says, like I've been

925
00:41:57,719 --> 00:41:58,120
Speaker 4: doing this.

926
00:41:58,719 --> 00:42:00,920
Speaker 2: I'm not gonna be on the side of like we're

927
00:42:00,960 --> 00:42:05,400
Speaker 2: not tongueing each other. Okay, Okay, we discussed about Troy. Okay,

928
00:42:05,480 --> 00:42:07,200
Speaker 2: so y'all, y'all gonna be practicing.

929
00:42:08,160 --> 00:42:10,279
Speaker 1: Okay, we don't even do it until they say action

930
00:42:11,239 --> 00:42:16,200
Speaker 1: for the rehearsal get a little key.

931
00:42:16,680 --> 00:42:20,520
Speaker 2: Okay, but okay, So it was awkward saying Isaiah, and

932
00:42:20,600 --> 00:42:23,480
Speaker 2: I don't he's claims that I always eat something nasty

933
00:42:23,520 --> 00:42:24,799
Speaker 2: before we have Now she.

934
00:42:24,840 --> 00:42:25,880
Speaker 1: Got onion breath.

935
00:42:27,320 --> 00:42:29,399
Speaker 4: The first when she first got on snow. For our

936
00:42:29,520 --> 00:42:34,279
Speaker 4: first kissing scene ever, she ate a tuna sandwich.

937
00:42:36,560 --> 00:42:37,760
Speaker 5: You a wild girl?

938
00:42:37,920 --> 00:42:39,400
Speaker 4: Why would you do that to me?

939
00:42:39,600 --> 00:42:40,360
Speaker 2: Like? Why are you?

940
00:42:42,920 --> 00:42:44,719
Speaker 1: I think I didn't know.

941
00:42:44,800 --> 00:42:48,560
Speaker 2: I forgot nothing be tuna right, No, that's why gum

942
00:42:48,680 --> 00:42:52,480
Speaker 2: or I forgot. I forgot. So now we have scenes.

943
00:42:52,480 --> 00:42:53,560
Speaker 2: We'll be in our chair.

944
00:42:53,760 --> 00:43:00,080
Speaker 1: Now seaweed before seaweed. If you hate me, just you

945
00:43:00,200 --> 00:43:00,759
Speaker 1: me just saying that.

946
00:43:01,000 --> 00:43:03,359
Speaker 2: Yeah, okay, So when y'all do the sex scenes, y'all

947
00:43:03,400 --> 00:43:06,840
Speaker 2: be like completely naked. No, so they have things that

948
00:43:06,880 --> 00:43:10,160
Speaker 2: come like pasties on. You have well, if your booth's

949
00:43:10,200 --> 00:43:13,560
Speaker 2: not showing, you have pastis on. We did a sex

950
00:43:13,560 --> 00:43:15,759
Speaker 2: scene and I don't know what season that was. I

951
00:43:15,800 --> 00:43:17,560
Speaker 2: know what it was like he was hitting in front

952
00:43:17,520 --> 00:43:20,959
Speaker 2: of the back. But we you have on certain things

953
00:43:21,000 --> 00:43:23,400
Speaker 2: like I don't know what you had covering your situation.

954
00:43:24,920 --> 00:43:28,319
Speaker 2: Do you have something but you're really like in the

955
00:43:28,360 --> 00:43:31,879
Speaker 2: sex position like you Yeah, it was us it over show.

956
00:43:32,640 --> 00:43:38,160
Speaker 1: But we have something That's what I'm saying. Do you

957
00:43:38,160 --> 00:43:41,680
Speaker 1: have like panties on, like what whole panties on?

958
00:43:42,000 --> 00:43:43,840
Speaker 2: It may not be whole pan, so like the size

959
00:43:43,840 --> 00:43:45,640
Speaker 2: may be like a little fish and rid stream.

960
00:43:45,800 --> 00:43:47,920
Speaker 1: Okay, but there's something covering.

961
00:43:48,440 --> 00:43:51,279
Speaker 2: He's not sitting back there looking at your booty hole. No,

962
00:43:51,400 --> 00:43:55,480
Speaker 2: you know that like a heart shape in the back

963
00:43:55,560 --> 00:43:57,640
Speaker 2: and then it comes in the front and it's like

964
00:43:57,680 --> 00:43:58,360
Speaker 2: a triangle.

965
00:43:58,480 --> 00:44:01,160
Speaker 1: Yeah, okay, that makes where you can at see right.

966
00:44:01,239 --> 00:44:03,839
Speaker 2: We have those and then I think, Isaiah, you gotta

967
00:44:03,880 --> 00:44:07,720
Speaker 2: talk because I feel like help. Always it was inside.

968
00:44:10,560 --> 00:44:12,839
Speaker 4: There's something called a cockshock, and you just put all

969
00:44:12,840 --> 00:44:15,080
Speaker 4: your sock. Yeah, just to think of like a you know,

970
00:44:15,120 --> 00:44:17,920
Speaker 4: like a little bag. You'll put your jewelry in there.

971
00:44:17,920 --> 00:44:18,680
Speaker 2: Different sizes.

972
00:44:19,520 --> 00:44:24,440
Speaker 4: I mean, I'm sure you got different sizes, different colors,

973
00:44:24,480 --> 00:44:26,680
Speaker 4: you know what I'm saying, Like they had a variety.

974
00:44:26,719 --> 00:44:29,040
Speaker 4: But yeah, you do that. You tie the string and

975
00:44:29,080 --> 00:44:29,360
Speaker 4: that'sh it.

976
00:44:29,680 --> 00:44:32,080
Speaker 1: So we put everything in there, everything even your balls.

977
00:44:32,080 --> 00:44:37,360
Speaker 2: Are you better squeeze it all. It's all in there.

978
00:44:38,680 --> 00:44:40,839
Speaker 3: But then if it's not showing on camera, you know,

979
00:44:41,200 --> 00:44:43,000
Speaker 3: y'all just do what y'all doing. But then if it's

980
00:44:43,000 --> 00:44:47,800
Speaker 3: showing on camera, it's surprise statey oh, if it's showing.

981
00:44:47,080 --> 00:44:48,200
Speaker 1: Like do you show your book?

982
00:44:48,200 --> 00:44:50,080
Speaker 2: Because I know there's certain actions that are like no,

983
00:44:50,160 --> 00:44:52,640
Speaker 2: I'll do a stunt double or whatever. So is there

984
00:44:52,719 --> 00:44:54,680
Speaker 2: like every something you're like, no, I'm not showing my

985
00:44:54,719 --> 00:44:57,359
Speaker 2: boobs or are you okay being no? The very first

986
00:44:57,360 --> 00:44:59,800
Speaker 2: thing we shot in Snowfall, they wanted my top. I

987
00:44:59,800 --> 00:45:01,440
Speaker 2: w get paid enough. I was taking home FO one

988
00:45:01,520 --> 00:45:04,480
Speaker 2: hundred dollars. Yeah, I would to show my little for

989
00:45:04,560 --> 00:45:07,680
Speaker 2: four hundred. I was hell No, I said, nah, that

990
00:45:07,680 --> 00:45:10,360
Speaker 2: that one in the because normally they send you a

991
00:45:10,360 --> 00:45:12,320
Speaker 2: breakdown and they say nu to the included must be

992
00:45:12,360 --> 00:45:16,480
Speaker 2: comfortable situations. They didn't put that in the audition thing,

993
00:45:16,520 --> 00:45:18,560
Speaker 2: so I said, no, they didn't. They didn't disclose that,

994
00:45:18,600 --> 00:45:20,440
Speaker 2: and I'm not getting paid enough. I told them one

995
00:45:20,480 --> 00:45:23,680
Speaker 2: thing I specifically told my reps. I said, I'm not

996
00:45:23,760 --> 00:45:27,279
Speaker 2: the East Array of Insecure, Like this isn't my own show,

997
00:45:27,400 --> 00:45:28,879
Speaker 2: and I'm also not the lead.

998
00:45:29,239 --> 00:45:30,960
Speaker 1: Why would I why would I don't want to be

999
00:45:31,000 --> 00:45:31,840
Speaker 1: doing too much.

1000
00:45:32,440 --> 00:45:35,239
Speaker 2: Then when you got you gotta go have somewhere to go, right,

1001
00:45:35,840 --> 00:45:37,719
Speaker 2: So I was like yeah, no, I'm not. I'm not

1002
00:45:37,719 --> 00:45:38,840
Speaker 2: doing it, and we didn't do what we did the

1003
00:45:38,880 --> 00:45:43,520
Speaker 2: scene fully clothed on the sofa. But yeah, it just depends.

1004
00:45:43,560 --> 00:45:45,920
Speaker 2: There's moments where I've of course been new on Pea Valley.

1005
00:45:46,160 --> 00:45:49,319
Speaker 2: I mean not like fully yeah, but over my top.

1006
00:45:50,320 --> 00:45:53,719
Speaker 2: The moment where I supposedly in the I can't remember

1007
00:45:53,760 --> 00:45:56,040
Speaker 2: what room it is, but the extra extra room, the

1008
00:45:56,040 --> 00:45:58,799
Speaker 2: little v I P. Yeah, that was a prosthetic that

1009
00:45:58,840 --> 00:45:59,440
Speaker 2: he pulled out.

1010
00:46:00,880 --> 00:46:02,840
Speaker 1: Okay, yeah, so you have options.

1011
00:46:03,160 --> 00:46:05,799
Speaker 2: He asked, was that rep.

1012
00:46:08,280 --> 00:46:09,920
Speaker 1: Hold on me about it?

1013
00:46:10,000 --> 00:46:11,399
Speaker 5: Because I was like, us, as the.

1014
00:46:11,320 --> 00:46:14,200
Speaker 3: Consumer, we be wondering, how like is it some real

1015
00:46:14,520 --> 00:46:15,280
Speaker 3: always wondering.

1016
00:46:15,440 --> 00:46:18,520
Speaker 2: He was like, they're gonna be Valley.

1017
00:46:18,600 --> 00:46:23,160
Speaker 1: I was like, no, he was given that golf.

1018
00:46:24,640 --> 00:46:28,120
Speaker 2: It's a prosthet me. They came with size. It's like,

1019
00:46:28,120 --> 00:46:29,239
Speaker 2: which size do you want?

1020
00:46:29,880 --> 00:46:31,440
Speaker 1: He was like, I want that one?

1021
00:46:31,360 --> 00:46:36,200
Speaker 2: Yes, that awkward to record that though. No. I mean

1022
00:46:36,719 --> 00:46:39,279
Speaker 2: they do these things when there's intimate scenes, when they

1023
00:46:39,320 --> 00:46:43,160
Speaker 2: have an intimacy coordinator who talks about everything. Come on

1024
00:46:43,239 --> 00:46:45,960
Speaker 2: with TikTok. Yeah that you are you comfortable with? Kiss Indy?

1025
00:46:46,000 --> 00:46:47,799
Speaker 2: You want open mouth? Do you want closed mouth? Do

1026
00:46:47,840 --> 00:46:50,640
Speaker 2: you want you know what, what's your.

1027
00:46:50,600 --> 00:46:51,440
Speaker 1: Level of comfort?

1028
00:46:51,640 --> 00:46:55,080
Speaker 2: Okay, just in case the actors aren't comfortable speaking to

1029
00:46:55,120 --> 00:46:58,600
Speaker 2: one another about it, right, And then they asked, you know,

1030
00:46:58,640 --> 00:46:59,920
Speaker 2: they just asked, what you're willing to do?

1031
00:47:00,040 --> 00:47:00,560
Speaker 4: What you aren't?

1032
00:47:00,600 --> 00:47:02,200
Speaker 1: Where where's the line that we need to cut?

1033
00:47:02,560 --> 00:47:04,719
Speaker 2: Right? And then they also have a close set, so

1034
00:47:04,760 --> 00:47:05,839
Speaker 2: it's not that many people there.

1035
00:47:05,920 --> 00:47:09,400
Speaker 1: Okay, good, but no, I felt it's fine.

1036
00:47:09,560 --> 00:47:10,520
Speaker 2: I felt comfortable with it.

1037
00:47:10,560 --> 00:47:12,400
Speaker 1: I told you that my boyfriend in advanced.

1038
00:47:12,000 --> 00:47:14,200
Speaker 3: Notice, Like, so y'all just be thinking about other people

1039
00:47:14,239 --> 00:47:15,960
Speaker 3: because I feel like that's what I'd be doing if

1040
00:47:15,960 --> 00:47:17,239
Speaker 3: I had to do this, Like do.

1041
00:47:17,280 --> 00:47:19,400
Speaker 2: Y'all have to sign that? Like when you're in the

1042
00:47:19,400 --> 00:47:22,680
Speaker 2: moment and you're acting, are you like channeling? Really do

1043
00:47:22,840 --> 00:47:23,480
Speaker 2: during sex?

1044
00:47:23,760 --> 00:47:24,000
Speaker 1: I do?

1045
00:47:24,440 --> 00:47:27,080
Speaker 4: I mean like that sex scene was so long ago,

1046
00:47:27,160 --> 00:47:31,120
Speaker 4: I don't remember, like yeah, but like in any to

1047
00:47:31,160 --> 00:47:33,480
Speaker 4: me anything, I'll be thinking just about acting, you know

1048
00:47:33,480 --> 00:47:36,840
Speaker 4: what I'm saying, like this performing what my performance is like,

1049
00:47:36,880 --> 00:47:41,000
Speaker 4: I don't even be thinking about nothing else, Like that's

1050
00:47:41,040 --> 00:47:42,160
Speaker 4: all I be thinking about.

1051
00:47:42,239 --> 00:47:45,799
Speaker 2: The truth is yes, because I would be like, let

1052
00:47:45,840 --> 00:47:49,000
Speaker 2: me think about my men channel what I would really do.

1053
00:47:49,120 --> 00:47:51,000
Speaker 2: And there's times where I've seen people's sex scenes and

1054
00:47:51,040 --> 00:47:52,319
Speaker 2: I'm like, oh, yeah, she's not bag.

1055
00:47:52,360 --> 00:47:52,920
Speaker 1: She channeling.

1056
00:47:52,960 --> 00:47:54,560
Speaker 2: I don't know if y'all seen the sex scene from Easter.

1057
00:47:54,680 --> 00:47:59,680
Speaker 1: Ray's really the girl from the bank. Yes, I said, yes,

1058
00:47:59,719 --> 00:47:59,960
Speaker 1: she was.

1059
00:48:01,000 --> 00:48:01,680
Speaker 2: She dropped in.

1060
00:48:02,080 --> 00:48:03,640
Speaker 1: Oh she was serious. Remember.

1061
00:48:04,120 --> 00:48:05,920
Speaker 2: But okay, So before we move on and mask, y'all

1062
00:48:05,920 --> 00:48:08,239
Speaker 2: one more thing, because we've seen movies where actors are

1063
00:48:08,280 --> 00:48:10,839
Speaker 2: starting to start in a movie together and then they

1064
00:48:10,920 --> 00:48:13,240
Speaker 2: later end up dating. For real, I'm falling in love

1065
00:48:13,360 --> 00:48:16,400
Speaker 2: like it happened to Brad Pitt and Angelina like after

1066
00:48:16,400 --> 00:48:21,440
Speaker 2: they recorded. Yeah, but that's what I'm saying, So, y'all,

1067
00:48:21,880 --> 00:48:23,719
Speaker 2: I mean there's been a lot of couples like that.

1068
00:48:24,880 --> 00:48:26,280
Speaker 1: I think they didn't loving basketball.

1069
00:48:26,320 --> 00:48:29,960
Speaker 2: I mean, it's so it's a lot of them what's

1070
00:48:29,960 --> 00:48:32,359
Speaker 2: her name, Molly sorry started dating on somebody off of

1071
00:48:32,440 --> 00:48:35,680
Speaker 2: I mean it's it's like, but anyways, do y'all have

1072
00:48:35,800 --> 00:48:37,600
Speaker 2: that ever happened to y'all where like you were on

1073
00:48:37,680 --> 00:48:40,120
Speaker 2: set and like you developed feelings because like y'all are

1074
00:48:40,160 --> 00:48:42,640
Speaker 2: like in these intimate moments and like you recording something

1075
00:48:42,680 --> 00:48:43,720
Speaker 2: you like, oh bitch, I ain't.

1076
00:48:43,560 --> 00:48:46,120
Speaker 1: Acting no more. This is real, nigga. I love you.

1077
00:48:46,360 --> 00:48:48,160
Speaker 2: Because I feel like that would be me because I

1078
00:48:48,200 --> 00:48:50,280
Speaker 2: love the fall in love. I'm like, are you acting?

1079
00:48:50,280 --> 00:48:50,799
Speaker 2: Because I'm not.

1080
00:48:52,960 --> 00:48:56,719
Speaker 1: I'm a lil the passion I love.

1081
00:48:58,320 --> 00:49:02,920
Speaker 2: That's me. No, you never developed feelings like I had

1082
00:49:02,920 --> 00:49:08,439
Speaker 2: a little crash. Okay, a good man. That's a good man.

1083
00:49:09,480 --> 00:49:14,120
Speaker 2: Come on, be honest, Ga, Gail, be honest. You ain't

1084
00:49:14,160 --> 00:49:16,359
Speaker 2: never like you know, on a sleeping scene and really

1085
00:49:16,400 --> 00:49:19,200
Speaker 2: just started rubbing his nipples for real. No, I never.

1086
00:49:20,360 --> 00:49:21,319
Speaker 2: I don't like acting.

1087
00:49:21,320 --> 00:49:22,000
Speaker 1: I don't like anybody.

1088
00:49:22,400 --> 00:49:25,640
Speaker 2: I don't like anybody in the entertainment industry. So whether

1089
00:49:25,680 --> 00:49:28,520
Speaker 2: it's sports, whether it's acting, whether it's music, I just

1090
00:49:28,560 --> 00:49:30,879
Speaker 2: try to stay clear of that. See. This is why

1091
00:49:30,920 --> 00:49:32,359
Speaker 2: I know I ain't gonna make it, because I'm gonna

1092
00:49:32,360 --> 00:49:35,719
Speaker 2: be like, we love this, my man, y'all shot one

1093
00:49:35,800 --> 00:49:39,799
Speaker 2: scene together. I don't care. Girl. Okay, So no feelings

1094
00:49:40,000 --> 00:49:44,319
Speaker 2: is strictly acting for y'all. But can you understand why

1095
00:49:44,400 --> 00:49:46,320
Speaker 2: people develop feelings?

1096
00:49:46,360 --> 00:49:49,160
Speaker 4: Yes, like from a human standpoint, absolutely, Okay. If you

1097
00:49:49,239 --> 00:49:52,239
Speaker 4: spending time with your brain, like I tell you all

1098
00:49:52,280 --> 00:49:56,560
Speaker 4: the time, your brain can't tell the difference if what's

1099
00:49:56,640 --> 00:49:59,719
Speaker 4: acting and what's real. Okay, got so you know that's

1100
00:49:59,719 --> 00:50:03,880
Speaker 4: why you gotta have the discipline and you gotta focus

1101
00:50:03,960 --> 00:50:06,400
Speaker 4: on whatever you gotta focus on. But from a human standpoint,

1102
00:50:06,400 --> 00:50:08,600
Speaker 4: I surely if you spending time with someone and your

1103
00:50:08,640 --> 00:50:11,520
Speaker 4: brains okay, you're kissing this person, your body's doing the

1104
00:50:11,600 --> 00:50:14,640
Speaker 4: motions of sex, of course it's gonna you know what

1105
00:50:14,680 --> 00:50:16,920
Speaker 4: I'm saying, like everbody's gonna respond to that.

1106
00:50:16,840 --> 00:50:19,799
Speaker 2: Because like on time day, how many hours are y'all

1107
00:50:19,800 --> 00:50:21,359
Speaker 2: spending together, like with your.

1108
00:50:21,440 --> 00:50:25,120
Speaker 4: It's not our shooting schedules, so like random okay, you know.

1109
00:50:25,480 --> 00:50:29,239
Speaker 4: So it wasn't like we had like little spurts, but

1110
00:50:29,280 --> 00:50:30,560
Speaker 4: it wasn't often, gotcha.

1111
00:50:30,560 --> 00:50:30,920
Speaker 2: I don't know.

1112
00:50:30,960 --> 00:50:34,120
Speaker 5: I feel like we'd be overthinking because we had a.

1113
00:50:34,080 --> 00:50:37,400
Speaker 1: Little acting pro Oh my god, y'all, I have.

1114
00:50:37,480 --> 00:50:41,160
Speaker 5: Three income and we had three I have three words,

1115
00:50:42,000 --> 00:50:44,600
Speaker 5: three words, and we have to do this ship like seven.

1116
00:50:44,640 --> 00:50:47,400
Speaker 1: Because because I it was cap on stage.

1117
00:50:47,440 --> 00:50:50,960
Speaker 2: She has this app and it's called church Churchy. It's

1118
00:50:51,080 --> 00:50:52,640
Speaker 2: like it was it was super over for him to

1119
00:50:52,640 --> 00:50:54,000
Speaker 2: even like hit us up to do it. It was

1120
00:50:54,280 --> 00:50:57,040
Speaker 2: literally so small, and I think, what did I have

1121
00:50:57,080 --> 00:51:00,920
Speaker 2: to stand up and say I had because I just

1122
00:51:00,920 --> 00:51:02,640
Speaker 2: stand up and say that's my man. I was like

1123
00:51:02,680 --> 00:51:07,719
Speaker 2: studying my words. I'm in the back like that's my name. No,

1124
00:51:07,840 --> 00:51:09,200
Speaker 2: that's wrong, that's my man.

1125
00:51:09,600 --> 00:51:11,160
Speaker 1: Like I'm literally practicing it was my turn.

1126
00:51:11,200 --> 00:51:15,360
Speaker 2: I stood up. I was like, was like you had three.

1127
00:51:17,200 --> 00:51:18,440
Speaker 2: I was like, I'm sorry, y'all.

1128
00:51:20,800 --> 00:51:22,160
Speaker 5: This ship like seven times.

1129
00:51:22,160 --> 00:51:26,160
Speaker 2: I was like this she hard so funny though, but

1130
00:51:26,200 --> 00:51:27,799
Speaker 2: it's just like that's just how me and Dre are.

1131
00:51:27,880 --> 00:51:29,799
Speaker 2: Like when we shown Arrow was just laughing. We was

1132
00:51:29,920 --> 00:51:32,480
Speaker 2: entertaining everybody like be quiet. We were like, oh, it's

1133
00:51:32,520 --> 00:51:36,799
Speaker 2: my man. We kept getting maybe one day We're not

1134
00:51:36,800 --> 00:51:38,040
Speaker 2: gonna We're not gonna exit out.

1135
00:51:39,000 --> 00:51:41,400
Speaker 1: Don't throw it out completely. Okay, So now we're gonna

1136
00:51:41,440 --> 00:51:48,440
Speaker 1: get into the bie bow wow bow.

1137
00:51:49,000 --> 00:51:49,960
Speaker 2: What you been listening to?

1138
00:51:50,120 --> 00:51:51,000
Speaker 1: What you've been listening to?

1139
00:51:51,120 --> 00:51:55,359
Speaker 2: Because y'all both you know Atlanta, Georgia people, So what's

1140
00:51:55,400 --> 00:51:58,880
Speaker 2: y'all what you been listening to? Me? It's hard. I'll

1141
00:51:58,880 --> 00:51:59,600
Speaker 2: be almost saying.

1142
00:51:59,520 --> 00:52:00,799
Speaker 1: Limp and.

1143
00:52:03,360 --> 00:52:05,480
Speaker 4: I'll be listening to my homie CEO.

1144
00:52:05,280 --> 00:52:10,399
Speaker 2: Trail Ceo Ceo Trail. Okay, So if somebody has never

1145
00:52:10,440 --> 00:52:12,360
Speaker 2: heard of him, like, what is the one song you

1146
00:52:12,400 --> 00:52:13,520
Speaker 2: would say they need to pull up?

1147
00:52:15,400 --> 00:52:15,919
Speaker 4: Any song?

1148
00:52:17,440 --> 00:52:19,560
Speaker 2: Yeah, miap hard and he from here.

1149
00:52:20,360 --> 00:52:22,280
Speaker 4: He's from he grew up in atlant Okay.

1150
00:52:22,120 --> 00:52:24,359
Speaker 2: Got you, Ceo Trail, shout out to you, because I'm

1151
00:52:24,360 --> 00:52:26,239
Speaker 2: gonna listen to ship and if it's trash, I'm gonna

1152
00:52:26,239 --> 00:52:27,000
Speaker 2: send you a DM like B.

1153
00:52:27,960 --> 00:52:31,080
Speaker 4: I don't listen. I'm a I'm a music person. Don't

1154
00:52:31,120 --> 00:52:31,879
Speaker 4: don't test me though.

1155
00:52:36,600 --> 00:52:38,520
Speaker 2: Are you more of a rap or R and B

1156
00:52:39,040 --> 00:52:40,960
Speaker 2: or country rock rap?

1157
00:52:41,080 --> 00:52:41,840
Speaker 1: Okay?

1158
00:52:41,920 --> 00:52:44,560
Speaker 2: I like you because literally my playlist will go from

1159
00:52:44,640 --> 00:52:48,279
Speaker 2: fucking Future to Morgan Wallin Oh I feel you be

1160
00:52:48,440 --> 00:52:51,040
Speaker 2: right here. Okay, what you've been listening to?

1161
00:52:51,160 --> 00:52:56,200
Speaker 1: Gil Suz, I've been listening to what's your favorite song?

1162
00:52:57,760 --> 00:52:58,120
Speaker 2: You love?

1163
00:52:58,400 --> 00:53:00,400
Speaker 1: That's a good one, twenty something.

1164
00:53:00,600 --> 00:53:04,040
Speaker 2: I loved twenty something from from the Control album. I

1165
00:53:04,080 --> 00:53:05,480
Speaker 2: really love all of her songs. Like I listened to

1166
00:53:05,480 --> 00:53:05,880
Speaker 2: Sison No.

1167
00:53:05,880 --> 00:53:07,040
Speaker 1: Skip, no Skill.

1168
00:53:07,160 --> 00:53:09,800
Speaker 2: Yeah, you know what we need another sister Rihanna Clapp

1169
00:53:10,000 --> 00:53:11,800
Speaker 2: because that song was so good.

1170
00:53:12,080 --> 00:53:13,560
Speaker 1: Oh my gosh, it was so good.

1171
00:53:13,680 --> 00:53:13,919
Speaker 2: Yeah.

1172
00:53:14,000 --> 00:53:18,279
Speaker 1: I listened to Lotto and bit Latto the Biggest. I

1173
00:53:18,400 --> 00:53:20,440
Speaker 1: like Lotto too. I fuck with Lotto. I like the

1174
00:53:20,480 --> 00:53:23,879
Speaker 1: song Baby Tait. Do you listen to Baby Tait? Let

1175
00:53:23,880 --> 00:53:24,520
Speaker 1: me tell you something.

1176
00:53:24,560 --> 00:53:26,600
Speaker 2: Baby Tait is so good and so Underrady because she

1177
00:53:26,600 --> 00:53:27,239
Speaker 2: can sing too.

1178
00:53:27,400 --> 00:53:29,040
Speaker 1: She's a phenomenal a lot of people.

1179
00:53:30,080 --> 00:53:32,839
Speaker 2: I really need to go listen to some of her music. Yeah,

1180
00:53:32,960 --> 00:53:35,200
Speaker 2: baby Tait is. I really want her on the show,

1181
00:53:35,440 --> 00:53:39,080
Speaker 2: so you know if you get Yeah, yeah, baby Tait

1182
00:53:39,280 --> 00:53:42,600
Speaker 2: is super good. I really I like that you said that, Like,

1183
00:53:42,680 --> 00:53:46,080
Speaker 2: I really like her. She's She's dope.

1184
00:53:46,360 --> 00:53:46,839
Speaker 1: Earth Game.

1185
00:53:47,880 --> 00:53:49,680
Speaker 2: Let me tell you something. I ran into Earth Gang

1186
00:53:49,719 --> 00:53:51,960
Speaker 2: one time in New York alone time ago, and I

1187
00:53:52,040 --> 00:53:55,120
Speaker 2: was like, because I was actually about to go to

1188
00:53:55,160 --> 00:53:57,160
Speaker 2: their show, but I ended up missing it, and I

1189
00:53:57,280 --> 00:54:00,000
Speaker 2: was so sad. They are so creative, it's so good.

1190
00:54:00,280 --> 00:54:02,600
Speaker 2: They get into a different bag. Now now you're talking

1191
00:54:02,640 --> 00:54:05,360
Speaker 2: about a different bag of music, Like when you really

1192
00:54:05,360 --> 00:54:08,200
Speaker 2: got to listen to people like sir, it's the same way.

1193
00:54:08,320 --> 00:54:09,320
Speaker 1: Jed is the same way.

1194
00:54:09,200 --> 00:54:11,879
Speaker 2: Too, because Jed tells stories like he had a whole

1195
00:54:11,920 --> 00:54:14,000
Speaker 2: story about like how him and his sister were fighting

1196
00:54:14,040 --> 00:54:16,640
Speaker 2: and didn't get along, and he's like taking us through

1197
00:54:16,680 --> 00:54:19,880
Speaker 2: the timeline of things. So it's a different bag of

1198
00:54:19,880 --> 00:54:21,480
Speaker 2: people because you got your people who you can turn

1199
00:54:21,560 --> 00:54:23,600
Speaker 2: up to were getting ready to go to the club.

1200
00:54:23,640 --> 00:54:25,200
Speaker 2: Then you got your people where are like, I'm sad,

1201
00:54:25,239 --> 00:54:26,799
Speaker 2: I want to be in my feelings. I got to

1202
00:54:26,800 --> 00:54:28,919
Speaker 2: listen to the lyrics, and then you got your people

1203
00:54:28,920 --> 00:54:31,759
Speaker 2: who like you know, I'm ruying to that shit because

1204
00:54:31,840 --> 00:54:33,879
Speaker 2: I'm not gonna lie my music. I'm listening to.

1205
00:54:33,920 --> 00:54:36,279
Speaker 1: I'm an R and B girl, but I've been I'm

1206
00:54:36,280 --> 00:54:38,719
Speaker 1: a nineties R and B girl. I haven't gotten to

1207
00:54:38,800 --> 00:54:40,000
Speaker 1: the degeneration of R and B.

1208
00:54:40,160 --> 00:54:42,719
Speaker 2: So I don't listen to sir, give y'all a sayo, Like.

1209
00:54:42,760 --> 00:54:44,719
Speaker 2: I know about all of that, right, but I haven't

1210
00:54:44,719 --> 00:54:47,120
Speaker 2: gotten to the y.

1211
00:54:47,320 --> 00:54:48,239
Speaker 1: I just don't know the song.

1212
00:54:48,320 --> 00:54:50,200
Speaker 2: Yeah, but I'm gonna send you some music. It's a

1213
00:54:50,239 --> 00:54:53,840
Speaker 2: lot of artists, but they're so underrated. I know I

1214
00:54:53,840 --> 00:54:56,120
Speaker 2: can get your vibe. I'm gonna send you a dope

1215
00:54:56,160 --> 00:54:58,239
Speaker 2: ass playlist that I've been working on, and you go.

1216
00:54:58,440 --> 00:54:59,440
Speaker 1: Like twenty one now.

1217
00:55:03,280 --> 00:55:04,240
Speaker 2: Atlanta rappers.

1218
00:55:04,280 --> 00:55:08,359
Speaker 5: I love so I am guilty of it. I love

1219
00:55:08,520 --> 00:55:09,480
Speaker 5: me some moods.

1220
00:55:09,760 --> 00:55:14,760
Speaker 2: I still listen to Gucci girls.

1221
00:55:16,480 --> 00:55:18,560
Speaker 5: White, Yeah, White, that's my she.

1222
00:55:18,760 --> 00:55:21,280
Speaker 1: Okay, what you been listening to? Okay, So I've been listening.

1223
00:55:20,880 --> 00:55:25,480
Speaker 2: To Deserve Me by Kelly Yes. I like the Summer Walker.

1224
00:55:26,160 --> 00:55:28,759
Speaker 2: I love this song. Have they ever been your No?

1225
00:55:29,160 --> 00:55:29,680
Speaker 2: They had me.

1226
00:55:29,800 --> 00:55:32,560
Speaker 3: I'm surprised, Like when I when I was listening to it,

1227
00:55:32,600 --> 00:55:33,759
Speaker 3: I was like, I don't know me.

1228
00:55:34,160 --> 00:55:35,759
Speaker 2: Yeah, I was like, it's giving legs. I don't know

1229
00:55:35,760 --> 00:55:38,399
Speaker 2: if I'm a Summer Walker saying like when it comes

1230
00:55:38,440 --> 00:55:40,600
Speaker 2: to the New the New Age R and B, I

1231
00:55:40,640 --> 00:55:42,239
Speaker 2: don't funk with a lot of them. I'm kind of

1232
00:55:42,280 --> 00:55:46,440
Speaker 2: like you. But summer Walker, she got it, got it,

1233
00:55:46,560 --> 00:55:48,319
Speaker 2: Like those are my two girls, Like they got it,

1234
00:55:48,360 --> 00:55:51,680
Speaker 2: they get it. This was like, like, do you.

1235
00:55:51,680 --> 00:55:57,080
Speaker 1: Listen to k she okay, id jku.

1236
00:55:56,560 --> 00:55:59,480
Speaker 2: Face Okay that I did a long time ago, but

1237
00:55:59,719 --> 00:56:02,919
Speaker 2: I can like, I like Janey get it. I get

1238
00:56:02,960 --> 00:56:06,680
Speaker 2: why she's a superstar, but it's not for me. I

1239
00:56:07,280 --> 00:56:10,080
Speaker 2: don't like the I feel like what New R and

1240
00:56:10,120 --> 00:56:11,920
Speaker 2: B messes up at is because they try to be

1241
00:56:12,040 --> 00:56:16,160
Speaker 2: too relatable. They want to be like, man, fuck these bitches,

1242
00:56:16,280 --> 00:56:22,319
Speaker 2: fuck these niggas, and then they bring a rapper on

1243
00:56:22,480 --> 00:56:25,440
Speaker 2: and now you got like the Mary j and I

1244
00:56:25,480 --> 00:56:27,759
Speaker 2: missed that. So low key. This was not even my

1245
00:56:27,800 --> 00:56:30,400
Speaker 2: bop of the week that I originally had. So eighty

1246
00:56:30,400 --> 00:56:33,200
Speaker 2: five South produces a show called Eddie Vibe. We had

1247
00:56:33,360 --> 00:56:36,160
Speaker 2: Eric Billinger on the show, and it's so crazy because

1248
00:56:36,160 --> 00:56:38,520
Speaker 2: this man is so fucking talented.

1249
00:56:39,520 --> 00:56:39,759
Speaker 1: Music.

1250
00:56:39,880 --> 00:56:41,799
Speaker 2: Let me tell you all, Eric Billinger, I promise you

1251
00:56:41,800 --> 00:56:43,960
Speaker 2: has wrote your favorite R and B song you've heard,

1252
00:56:44,120 --> 00:56:46,080
Speaker 2: you know what I'm saying. And he has this song

1253
00:56:46,160 --> 00:56:49,799
Speaker 2: called Obsession. When I tell you, I just wanted them

1254
00:56:49,840 --> 00:56:53,520
Speaker 2: to keep playing it over and over again because it's like,

1255
00:56:53,920 --> 00:56:56,879
Speaker 2: you know, live music is different. Live music always sound better.

1256
00:56:56,920 --> 00:56:59,399
Speaker 2: When I gotten that co and I cranked that ship up,

1257
00:56:59,640 --> 00:57:00,600
Speaker 2: I said, oh, Eric, you.

1258
00:57:00,640 --> 00:57:04,520
Speaker 1: Got you one. Oh yeah, it's super fire. That was

1259
00:57:04,760 --> 00:57:06,719
Speaker 1: like my bop, Like, well that wasn't my bop of

1260
00:57:06,760 --> 00:57:07,200
Speaker 1: the week.

1261
00:57:07,040 --> 00:57:09,960
Speaker 2: But yeah, Eric Bellinger, his music, I feel like it's

1262
00:57:10,040 --> 00:57:12,680
Speaker 2: super underrated. But he was telling us it's different between

1263
00:57:13,000 --> 00:57:15,160
Speaker 2: being a writer and actually being an artist, you know

1264
00:57:15,200 --> 00:57:17,960
Speaker 2: what I'm saying. So now Lex definitely be getting me

1265
00:57:18,000 --> 00:57:19,680
Speaker 2: in my R and B like new R and B

1266
00:57:19,680 --> 00:57:22,200
Speaker 2: bag because I'm kind of like you. I've been listening

1267
00:57:22,240 --> 00:57:23,800
Speaker 2: to old R and B, and I've been listening to

1268
00:57:23,840 --> 00:57:25,720
Speaker 2: like trap music, like you cannot tell me. I was

1269
00:57:25,760 --> 00:57:28,000
Speaker 2: not a trap nigga in my own life.

1270
00:57:28,120 --> 00:57:29,840
Speaker 3: I was not you can not tell me. I was

1271
00:57:29,880 --> 00:57:31,640
Speaker 3: not stelling brigs like what are you saying?

1272
00:57:31,800 --> 00:57:32,560
Speaker 1: Like I ran the mob?

1273
00:57:32,840 --> 00:57:33,360
Speaker 5: Thank you?

1274
00:57:33,600 --> 00:57:34,560
Speaker 2: But like the Black Mob.

1275
00:57:34,680 --> 00:57:37,320
Speaker 1: I was the head of the like exactly I was.

1276
00:57:37,480 --> 00:57:39,120
Speaker 2: I was that NIA back in the day. So it's

1277
00:57:39,120 --> 00:57:40,600
Speaker 2: like you can't tell me I wasn't.

1278
00:57:40,680 --> 00:57:42,800
Speaker 3: So I don't really be on like a lot of

1279
00:57:42,840 --> 00:57:45,440
Speaker 3: new music like that, except for like when it comes

1280
00:57:45,440 --> 00:57:48,000
Speaker 3: to Atlanta, like I love Little Baby, I.

1281
00:57:47,920 --> 00:57:48,439
Speaker 2: Say that shit.

1282
00:57:48,640 --> 00:57:51,240
Speaker 1: Did you like his album with Little Dirt? Yes?

1283
00:57:51,720 --> 00:57:53,120
Speaker 2: Absolutely, that was like my work.

1284
00:57:53,240 --> 00:57:55,160
Speaker 3: Like this was like last summer, we was about to

1285
00:57:55,200 --> 00:57:56,600
Speaker 3: go on tour and I had needed to lose some

1286
00:57:56,640 --> 00:57:59,000
Speaker 3: weight and I was working out every day and listening

1287
00:57:59,000 --> 00:58:00,640
Speaker 3: to that album and it was like motivating me in

1288
00:58:00,680 --> 00:58:01,200
Speaker 3: the gym.

1289
00:58:02,240 --> 00:58:05,480
Speaker 1: Durky old change your line.

1290
00:58:06,120 --> 00:58:08,920
Speaker 3: Indeed, but yeah, it's like you definitely be putting me

1291
00:58:08,960 --> 00:58:10,240
Speaker 3: on like a lot of new age.

1292
00:58:10,360 --> 00:58:12,400
Speaker 1: R and B said' I.

1293
00:58:12,320 --> 00:58:15,600
Speaker 2: Got I gotta play this working on this like for

1294
00:58:15,680 --> 00:58:17,520
Speaker 2: a minute though, I've been like, but I'm not done

1295
00:58:17,560 --> 00:58:20,440
Speaker 2: with it because it's like it's a lot of research though,

1296
00:58:20,480 --> 00:58:23,160
Speaker 2: you gotta really know. Okay, So we gonna move on

1297
00:58:23,480 --> 00:58:26,720
Speaker 2: because we done got chatty y'all per usual, So we're

1298
00:58:26,720 --> 00:58:29,800
Speaker 2: gonna get into our favorite segment of the week. If

1299
00:58:30,000 --> 00:58:32,240
Speaker 2: you want your advice answered on the show, make sure

1300
00:58:32,280 --> 00:58:36,720
Speaker 2: you email us at ask poor Minds at gmail dot com,

1301
00:58:37,000 --> 00:58:38,760
Speaker 2: ask for minds at gmail dot com. If you're a

1302
00:58:38,800 --> 00:58:41,479
Speaker 2: Patreon member, make sure you put that in the header.

1303
00:58:41,520 --> 00:58:43,800
Speaker 2: You get to skip the line. And of course y'all

1304
00:58:43,800 --> 00:58:45,600
Speaker 2: please keep it to a paragraph because y'll be writing

1305
00:58:45,600 --> 00:58:48,760
Speaker 2: whole essays and big my man got time for that. Okay,

1306
00:58:48,800 --> 00:58:53,479
Speaker 2: thank you, sad do y'all give good advice. Were gonna

1307
00:58:53,520 --> 00:58:59,880
Speaker 2: see all right now, y'all the long one.

1308
00:59:00,080 --> 00:59:01,240
Speaker 1: Y'all know I was on hook thrown?

1309
00:59:01,280 --> 00:59:01,520
Speaker 2: Fine?

1310
00:59:01,720 --> 00:59:05,280
Speaker 1: Do you c's that is? That's what they be doing.

1311
00:59:05,320 --> 00:59:06,880
Speaker 1: We got time, We got a little time.

1312
00:59:06,800 --> 00:59:10,880
Speaker 2: You know one. Alright, A right, let me get myself together, Okay,

1313
00:59:10,880 --> 00:59:11,240
Speaker 2: go ahead.

1314
00:59:11,400 --> 00:59:14,160
Speaker 3: I would like to start by saying, lex P Singing

1315
00:59:14,200 --> 00:59:17,000
Speaker 3: will forever be my bop of the week because Shorty

1316
00:59:17,120 --> 00:59:20,600
Speaker 3: is funny. Drea, please tell TI to start thinning out

1317
00:59:20,640 --> 00:59:23,600
Speaker 3: your drinks, little Drea L O L just playing.

1318
00:59:25,120 --> 00:59:29,560
Speaker 2: Just playing whole nigga. Okay, So to my main issue.

1319
00:59:29,600 --> 00:59:32,080
Speaker 3: I'm a thirty year old woman from Chicago and I

1320
00:59:32,120 --> 00:59:35,000
Speaker 3: have some dating dilemmas. First off, I've been talking to

1321
00:59:35,040 --> 00:59:37,880
Speaker 3: three different men but only having sex with one of them,

1322
00:59:38,120 --> 00:59:41,400
Speaker 3: and he's the main one that I don't like what

1323
00:59:42,240 --> 00:59:42,640
Speaker 3: all right?

1324
00:59:43,280 --> 00:59:45,040
Speaker 2: He has his own everything.

1325
00:59:45,440 --> 00:59:48,160
Speaker 3: He is a BDB, but he is boring and area,

1326
00:59:48,600 --> 00:59:50,680
Speaker 3: which makes me turn up on him.

1327
00:59:50,840 --> 00:59:52,360
Speaker 2: Wait, wait, let me pause, because I don't know if

1328
00:59:52,360 --> 00:59:53,880
Speaker 2: they know what a bd B. A BDB is a

1329
00:59:53,880 --> 00:59:55,920
Speaker 2: big big baller trick nigga. He got the money here,

1330
00:59:56,040 --> 00:59:57,960
Speaker 2: I didn't know the second by.

1331
00:59:57,640 --> 01:00:00,520
Speaker 3: The big big ball Okay, okay, go ahead, so she said,

1332
01:00:00,560 --> 01:00:03,400
Speaker 3: which makes me turn up on him. Second is prison Bay,

1333
01:00:03,680 --> 01:00:06,400
Speaker 3: who I love, but he got me fucked up. He

1334
01:00:06,440 --> 01:00:09,200
Speaker 3: didn't leave a recipe for money making, but wanted to

1335
01:00:09,240 --> 01:00:12,400
Speaker 3: tell me how to make money. Sir, if you were

1336
01:00:12,440 --> 01:00:14,800
Speaker 3: making money initially, why are you asking me to send

1337
01:00:14,800 --> 01:00:17,280
Speaker 3: you snack packs my terminology.

1338
01:00:17,840 --> 01:00:19,840
Speaker 2: Last, but not least is a loud.

1339
01:00:19,600 --> 01:00:23,560
Speaker 3: Pack shorty who is newly divorced, handsome, but working towards

1340
01:00:23,560 --> 01:00:26,880
Speaker 3: his goals. I need help, ladies, because prison Bay will

1341
01:00:26,920 --> 01:00:27,920
Speaker 3: be home in June.

1342
01:00:28,600 --> 01:00:29,600
Speaker 2: I'm sorry in July.

1343
01:00:29,960 --> 01:00:31,760
Speaker 3: And the only way we can be together is if

1344
01:00:31,760 --> 01:00:33,800
Speaker 3: he learns how to let me be without trying to

1345
01:00:33,840 --> 01:00:37,080
Speaker 3: control me. I'm an a queries woman. Second, Bay is

1346
01:00:37,200 --> 01:00:40,320
Speaker 3: just rude. And we say being mean to each other,

1347
01:00:40,800 --> 01:00:42,520
Speaker 3: I mean, we stay being mean to each other. But

1348
01:00:42,640 --> 01:00:45,400
Speaker 3: right back fucking and loud Pack is new, so we

1349
01:00:45,480 --> 01:00:46,760
Speaker 3: really don't have no history.

1350
01:00:46,840 --> 01:00:48,680
Speaker 1: How did fucking if she was only fucking BDB?

1351
01:00:49,080 --> 01:00:51,640
Speaker 2: Yes, she only fucking BDB, but she said second Bay,

1352
01:00:51,760 --> 01:00:55,200
Speaker 2: which is the the She said, Second Bay is just rude,

1353
01:00:55,240 --> 01:00:57,560
Speaker 2: and we stay being mean to each other, but we

1354
01:00:57,680 --> 01:00:58,640
Speaker 2: be right back fucking.

1355
01:00:58,720 --> 01:00:59,840
Speaker 1: Well, I think she might have got him.

1356
01:01:00,480 --> 01:01:02,800
Speaker 2: I think she maybe she maybe typed it out wrong

1357
01:01:03,040 --> 01:01:07,520
Speaker 2: because she can't fuck prison Bay right.

1358
01:01:07,360 --> 01:01:12,000
Speaker 3: And then the other one trying to got.

1359
01:01:10,360 --> 01:01:12,000
Speaker 2: Confused because she can't fuck the new back because she

1360
01:01:12,000 --> 01:01:12,480
Speaker 2: said he's new.

1361
01:01:12,560 --> 01:01:14,240
Speaker 1: She didn't say she sucked him. I think she just

1362
01:01:14,360 --> 01:01:14,959
Speaker 1: wrote it wrong.

1363
01:01:15,040 --> 01:01:17,760
Speaker 3: Okay, Well, she said in loud Pack is new, so

1364
01:01:17,800 --> 01:01:20,600
Speaker 3: we really don't have no history. My biggest connection is

1365
01:01:20,600 --> 01:01:23,240
Speaker 3: with prison Babe, but he is in but he is

1366
01:01:23,320 --> 01:01:26,200
Speaker 3: the dominant aris who just wants to control everything. He

1367
01:01:26,240 --> 01:01:29,600
Speaker 3: gets real aggressive and rude like no other. He said

1368
01:01:29,680 --> 01:01:31,720
Speaker 3: mean things about my past that are hard for me

1369
01:01:31,760 --> 01:01:34,040
Speaker 3: to get over. Also, I have never been the type

1370
01:01:34,040 --> 01:01:36,080
Speaker 3: of woman to take care of a man. I will

1371
01:01:36,120 --> 01:01:38,439
Speaker 3: help at night, but I will not take care of you.

1372
01:01:38,520 --> 01:01:44,680
Speaker 3: What do she mean at night? Okay, I don't please

1373
01:01:44,760 --> 01:01:49,080
Speaker 3: help y'all. I gotta decide quickly. Ps, she said, ps

1374
01:01:49,240 --> 01:01:52,840
Speaker 3: dre yr lip glosses popping like we back in high school. Honey,

1375
01:01:53,280 --> 01:01:57,680
Speaker 3: Love y'all and congress on the new tour. Also thanks

1376
01:01:57,680 --> 01:02:00,480
Speaker 3: to the ship Station coupon code y'all help if you

1377
01:02:00,520 --> 01:02:04,320
Speaker 3: become a bcm be koochie mama, God damn it.

1378
01:02:05,640 --> 01:02:10,120
Speaker 2: First of all, let me say this about the prison Bay.

1379
01:02:13,280 --> 01:02:15,720
Speaker 1: Let me not I don't judge men who.

1380
01:02:15,520 --> 01:02:17,439
Speaker 2: Are in prison. I don't judge women. I don't judge

1381
01:02:17,480 --> 01:02:21,960
Speaker 2: anybody who's in prison. But if you're free and you

1382
01:02:22,000 --> 01:02:24,400
Speaker 2: have your own life, why are you Why.

1383
01:02:24,200 --> 01:02:24,880
Speaker 1: Are you doing that?

1384
01:02:24,960 --> 01:02:27,000
Speaker 2: I never understood that, and I'm not trying to be

1385
01:02:27,040 --> 01:02:27,400
Speaker 2: judge you.

1386
01:02:27,440 --> 01:02:29,040
Speaker 1: But he's you.

1387
01:02:29,040 --> 01:02:30,800
Speaker 2: You said the first thing that was a red flag.

1388
01:02:30,840 --> 01:02:33,040
Speaker 2: He's rude to you. Why why are you talking to

1389
01:02:33,040 --> 01:02:35,160
Speaker 2: somebody who's rude to you? Like the first sign that

1390
01:02:35,200 --> 01:02:37,160
Speaker 2: you're being mean and you're making me feel like you're

1391
01:02:37,200 --> 01:02:39,560
Speaker 2: not nice. I'm out the door. I'm not a woman

1392
01:02:39,600 --> 01:02:43,040
Speaker 2: that likes that asshole shit. I am not attracted to assholes.

1393
01:02:43,200 --> 01:02:46,520
Speaker 2: So prison back to me is out. Prison Bay got

1394
01:02:46,520 --> 01:02:51,200
Speaker 2: three strikes already. He in prison, he mean he broke

1395
01:02:51,520 --> 01:02:54,440
Speaker 2: hello case closed, prison Bay gotta go.

1396
01:02:54,680 --> 01:02:59,280
Speaker 1: He come home in July? Bye, leave that nigga in March.

1397
01:03:00,560 --> 01:03:01,040
Speaker 2: I agree.

1398
01:03:01,160 --> 01:03:04,000
Speaker 3: I agree personae shouldn't have a chance. Are to be

1399
01:03:04,120 --> 01:03:08,520
Speaker 3: honest though, I feel like you have a chance. I

1400
01:03:08,560 --> 01:03:09,520
Speaker 3: think you need to cut all.

1401
01:03:10,040 --> 01:03:11,880
Speaker 2: It's not over start the ross because you said you

1402
01:03:11,960 --> 01:03:14,280
Speaker 2: had the BDB but you don't like him. I don't

1403
01:03:14,280 --> 01:03:16,520
Speaker 2: care how much money a man has if you don't

1404
01:03:16,600 --> 01:03:20,600
Speaker 2: like you don't like him. What got married? Did you

1405
01:03:20,640 --> 01:03:22,960
Speaker 2: feel like women were trying to use you for who

1406
01:03:23,000 --> 01:03:23,320
Speaker 2: you were?

1407
01:03:24,040 --> 01:03:29,680
Speaker 1: Have you ever been used? You don't be tricking. You

1408
01:03:29,720 --> 01:03:30,680
Speaker 1: don't be tricking.

1409
01:03:32,040 --> 01:03:34,880
Speaker 2: So when you met your wife you got it though,

1410
01:03:37,160 --> 01:03:38,880
Speaker 2: I mean because it's different because she's your wife now.

1411
01:03:39,120 --> 01:03:42,120
Speaker 2: But beforehand, like when y'all were dating, did you do

1412
01:03:42,160 --> 01:03:44,400
Speaker 2: a little one to pay a little phone, pay a

1413
01:03:44,400 --> 01:03:48,960
Speaker 2: little card? No, Lorne, So what would you say anybody

1414
01:03:49,760 --> 01:03:52,479
Speaker 2: that did you do like an all expense pay trip?

1415
01:03:53,240 --> 01:03:57,840
Speaker 4: You got to think like I was in relationships? Like

1416
01:03:57,840 --> 01:03:58,439
Speaker 4: you know what I'm saying?

1417
01:03:58,480 --> 01:04:01,160
Speaker 3: Like, so so you you a relationship guy?

1418
01:04:02,480 --> 01:04:05,960
Speaker 1: Oh lord, have mersa Jesus, let's cut the camera.

1419
01:04:09,120 --> 01:04:11,080
Speaker 3: Okay, what would you do that with a girl? If

1420
01:04:11,120 --> 01:04:13,720
Speaker 3: you was dating a girl and she was like, oh my.

1421
01:04:13,640 --> 01:04:19,280
Speaker 4: God, I don't consider chicken if it's my girl, I

1422
01:04:19,320 --> 01:04:22,200
Speaker 4: don't consider tricken, so I wouldn't count that in this conversation.

1423
01:04:22,680 --> 01:04:24,280
Speaker 4: That's right, Big, I'm talking about women.

1424
01:04:25,440 --> 01:04:27,280
Speaker 1: What I'm talking about people will be trying to go

1425
01:04:27,360 --> 01:04:29,280
Speaker 1: half on, trying to ye.

1426
01:04:29,640 --> 01:04:32,640
Speaker 4: That don't count like you're supposed to that. But I'm

1427
01:04:32,680 --> 01:04:33,520
Speaker 4: thinking you're talking.

1428
01:04:35,000 --> 01:04:37,600
Speaker 2: What King, That's all I wanted to know, King.

1429
01:04:37,880 --> 01:04:44,600
Speaker 1: He said, don't play with it, don't it.

1430
01:04:44,640 --> 01:04:47,360
Speaker 2: Don't play with it because I have to let me

1431
01:04:47,440 --> 01:04:49,440
Speaker 2: know because sometimes it'll be like now, I don't like

1432
01:04:49,480 --> 01:04:51,720
Speaker 2: to speak on people's relationship because what works for you

1433
01:04:52,200 --> 01:04:52,720
Speaker 2: works for you.

1434
01:04:52,800 --> 01:04:54,800
Speaker 4: But not every man is in the financial position.

1435
01:04:55,360 --> 01:04:56,080
Speaker 1: Life is hard.

1436
01:04:56,160 --> 01:04:58,360
Speaker 4: It's hard, but you're in a.

1437
01:04:58,240 --> 01:05:01,160
Speaker 2: Financial position, now, sure, I know. And some people they

1438
01:05:01,160 --> 01:05:03,040
Speaker 2: can be in the financial position if they just did

1439
01:05:03,040 --> 01:05:05,000
Speaker 2: better with their finance. Right, But let me ask you this,

1440
01:05:05,240 --> 01:05:07,160
Speaker 2: because you you know you, you gets it. Do you

1441
01:05:07,160 --> 01:05:09,400
Speaker 2: feel like it's hard to meet men and that want

1442
01:05:09,400 --> 01:05:10,880
Speaker 2: to do things for you because they feel like, oh, ship,

1443
01:05:10,960 --> 01:05:13,240
Speaker 2: she got it. No, I've set the standards off jump.

1444
01:05:14,160 --> 01:05:15,920
Speaker 2: My man ain't in the industry, but he paid all

1445
01:05:16,000 --> 01:05:17,400
Speaker 2: the bills. Hear.

1446
01:05:17,800 --> 01:05:19,680
Speaker 1: Yes, they think we just.

1447
01:05:19,640 --> 01:05:23,680
Speaker 2: Have to set the standard of what you expect and

1448
01:05:24,280 --> 01:05:26,040
Speaker 2: also have to like if he was to lose his

1449
01:05:26,120 --> 01:05:27,080
Speaker 2: job or something was to happen.

1450
01:05:27,120 --> 01:05:28,600
Speaker 1: I canhold us down, but you got to get out

1451
01:05:28,600 --> 01:05:29,560
Speaker 1: there and find you another.

1452
01:05:29,520 --> 01:05:31,760
Speaker 2: Right, you know. Look, I got x y Z.

1453
01:05:31,880 --> 01:05:33,600
Speaker 1: I can hold you down for this amount of time.

1454
01:05:33,920 --> 01:05:36,360
Speaker 1: You know, I'm sagittarius.

1455
01:05:36,560 --> 01:05:41,440
Speaker 2: Oh my god, my best friend is at the same

1456
01:05:41,760 --> 01:05:47,080
Speaker 2: serious look you we about look about to have Scorpio.

1457
01:05:47,160 --> 01:05:54,000
Speaker 2: So that energy it's got to be show y'all.

1458
01:05:54,040 --> 01:05:55,360
Speaker 1: It's now mind.

1459
01:05:56,800 --> 01:05:58,720
Speaker 2: Mine, Okay, let me finish up this last one so

1460
01:05:58,760 --> 01:06:00,960
Speaker 2: we can wrap it up. Hey, girls, I've been listening

1461
01:06:00,960 --> 01:06:02,560
Speaker 2: for some years now, and I'm so proud of you

1462
01:06:02,600 --> 01:06:05,560
Speaker 2: guys writing this with my yellow pormone sweats on. I

1463
01:06:05,680 --> 01:06:07,520
Speaker 2: just turned thirty in February, and I just want to

1464
01:06:07,600 --> 01:06:10,200
Speaker 2: change up my life. I want something new. I want

1465
01:06:10,280 --> 01:06:12,960
Speaker 2: to find and walk in my purpose. I'm from Massachusetts.

1466
01:06:13,040 --> 01:06:15,040
Speaker 2: I want to apply to grad school and move to

1467
01:06:15,040 --> 01:06:17,760
Speaker 2: Atlanta next year. Lex you always talk about moving to

1468
01:06:17,800 --> 01:06:18,960
Speaker 2: Atlanta with three dollars.

1469
01:06:19,280 --> 01:06:20,640
Speaker 1: What advice would.

1470
01:06:20,520 --> 01:06:22,480
Speaker 2: Y'all give to someone trying to move to a different

1471
01:06:22,480 --> 01:06:26,960
Speaker 2: place with no prior knowledge to the area, resources, or friends.

1472
01:06:27,040 --> 01:06:29,080
Speaker 2: What advice would you give your younger self to prepare

1473
01:06:29,080 --> 01:06:31,919
Speaker 2: for your move to Atlanta. Well, I'll say this, I moved.

1474
01:06:31,920 --> 01:06:33,640
Speaker 2: I literally moved to Atlanta with three dollars. But I

1475
01:06:33,680 --> 01:06:36,400
Speaker 2: also had someone here who has shit going on. I

1476
01:06:36,480 --> 01:06:38,880
Speaker 2: was living on drea couch for six months. I would

1477
01:06:38,920 --> 01:06:41,960
Speaker 2: not recommend that, you know what I'm saying. But it

1478
01:06:42,000 --> 01:06:44,080
Speaker 2: was like a situation where I didn't have nothing going on.

1479
01:06:44,480 --> 01:06:47,320
Speaker 2: I was depressed as fuck. My friend knew that, and

1480
01:06:47,360 --> 01:06:49,000
Speaker 2: we knew what we kind up. We didn't know what

1481
01:06:49,040 --> 01:06:51,080
Speaker 2: we wanted to do, but like I said, I had

1482
01:06:51,080 --> 01:06:53,480
Speaker 2: somebody there. I knew I had the place to lay

1483
01:06:53,520 --> 01:06:57,720
Speaker 2: my head at at night. Yeah, thank God. I always

1484
01:06:57,880 --> 01:07:00,680
Speaker 2: showed gratitude to the universe and God that it worked

1485
01:07:00,720 --> 01:07:01,280
Speaker 2: out for me.

1486
01:07:01,720 --> 01:07:03,040
Speaker 1: But I would not suggest.

1487
01:07:02,800 --> 01:07:04,360
Speaker 2: That to move to another city, because that's how a

1488
01:07:04,400 --> 01:07:05,960
Speaker 2: lot of people end up home listening on the street.

1489
01:07:06,160 --> 01:07:09,160
Speaker 3: Yeah, I was gonna say, I don't really recommend it.

1490
01:07:09,240 --> 01:07:11,440
Speaker 3: Like when Lex moved here, she knew she had me

1491
01:07:11,680 --> 01:07:13,280
Speaker 3: and I was here and I was kind of good

1492
01:07:13,320 --> 01:07:16,680
Speaker 3: and stuff. But like just moving somewhere on a whim

1493
01:07:16,760 --> 01:07:19,520
Speaker 3: and you ain't got no money, I do not recommend

1494
01:07:19,920 --> 01:07:23,480
Speaker 3: abort me. That's a terrible idea because you're gonna end

1495
01:07:23,560 --> 01:07:25,760
Speaker 3: up back home, right, it's work.

1496
01:07:26,200 --> 01:07:29,000
Speaker 1: You need to say some money, try to get a job.

1497
01:07:29,120 --> 01:07:31,480
Speaker 2: Liker y'all will allow you to transfer or come up

1498
01:07:31,520 --> 01:07:35,160
Speaker 2: here on a visit and do some reconca job.

1499
01:07:35,280 --> 01:07:39,240
Speaker 1: But yeah, I mean I moved to la with no money.

1500
01:07:39,760 --> 01:07:41,560
Speaker 1: What year was this? Twenty thirteen?

1501
01:07:41,720 --> 01:07:45,080
Speaker 2: I had sold my cardo and had that money, and

1502
01:07:45,120 --> 01:07:46,920
Speaker 2: then I bought a car in Arizona and me and

1503
01:07:47,000 --> 01:07:48,720
Speaker 2: my dad drove it down. But I had a support

1504
01:07:48,760 --> 01:07:50,840
Speaker 2: system back home that I knew would like.

1505
01:07:51,000 --> 01:07:54,000
Speaker 3: Saying right, right, And that's what I was gonna say,

1506
01:07:54,000 --> 01:07:57,280
Speaker 3: because when I moved here in twenty sixteen, I think

1507
01:07:57,320 --> 01:08:00,000
Speaker 3: I had I might have had like ten thousand dollars

1508
01:08:00,080 --> 01:08:02,280
Speaker 3: in my bank account. Oh that's a lot, I know,

1509
01:08:02,560 --> 01:08:06,080
Speaker 3: but it got money, no, no, no, but it really

1510
01:08:06,200 --> 01:08:09,560
Speaker 3: wasn't because once I got here, I had to buy furniture,

1511
01:08:09,920 --> 01:08:12,400
Speaker 3: I had to pay my first month rint. I didn't

1512
01:08:12,480 --> 01:08:15,320
Speaker 3: have no job yet, so I'm just like, okay, damn,

1513
01:08:15,400 --> 01:08:17,840
Speaker 3: I had ten thousand, I'm down to two, Like what

1514
01:08:17,880 --> 01:08:19,200
Speaker 3: the fuck I'm gonna do? And I had to go

1515
01:08:19,240 --> 01:08:21,680
Speaker 3: start bartending. So it's like, it's good if you have

1516
01:08:21,760 --> 01:08:24,120
Speaker 3: a trade or something. Then if you move anywhere, you

1517
01:08:24,160 --> 01:08:27,200
Speaker 3: can always find a job. But I didn't really have

1518
01:08:27,280 --> 01:08:28,280
Speaker 3: no money like that, and.

1519
01:08:28,240 --> 01:08:31,439
Speaker 2: You gotta hustle and tell you like trying to move

1520
01:08:31,479 --> 01:08:34,200
Speaker 2: somewhere and not be willing to see. I transferred my job,

1521
01:08:34,280 --> 01:08:35,920
Speaker 2: so when I moved here, I already had a job.

1522
01:08:36,080 --> 01:08:37,880
Speaker 2: I moved here for like three days and I had

1523
01:08:37,880 --> 01:08:38,920
Speaker 2: to go to work on my fourth day.

1524
01:08:39,080 --> 01:08:39,280
Speaker 1: Yeah.

1525
01:08:39,680 --> 01:08:41,480
Speaker 2: Same, have you started working.

1526
01:08:41,240 --> 01:08:43,760
Speaker 3: Like a week after I moved here, because I was

1527
01:08:44,000 --> 01:08:46,200
Speaker 3: my money was dwindling down that quickly.

1528
01:08:46,880 --> 01:08:49,040
Speaker 2: I was your experience with like moving you ever moved

1529
01:08:49,080 --> 01:08:50,000
Speaker 2: like somewhere, it.

1530
01:08:49,920 --> 01:08:52,200
Speaker 4: Was Atlanta, Like so when I go to La I

1531
01:08:52,320 --> 01:08:53,040
Speaker 4: just airbnb.

1532
01:08:54,200 --> 01:08:58,120
Speaker 2: You got money now, so you got money, but so

1533
01:08:58,160 --> 01:09:00,360
Speaker 2: you were. But honestly, being in Atlanta, I feel like

1534
01:09:00,360 --> 01:09:02,800
Speaker 2: Atlanta is kind of like the black Hollywood. So it's

1535
01:09:02,840 --> 01:09:04,880
Speaker 2: like you really can take advantage of being here and

1536
01:09:04,960 --> 01:09:06,760
Speaker 2: just kind of like be back and forth. You can,

1537
01:09:06,840 --> 01:09:08,240
Speaker 2: but you gotta have a plan though.

1538
01:09:08,320 --> 01:09:10,439
Speaker 4: Yeah, there's more so just a space. I like my space.

1539
01:09:10,479 --> 01:09:13,840
Speaker 4: I'm a country boy artist. Yeah, I can't really be

1540
01:09:13,880 --> 01:09:16,160
Speaker 4: out the way in La You gotta be in the

1541
01:09:16,200 --> 01:09:17,760
Speaker 4: mix and a half away to be.

1542
01:09:17,880 --> 01:09:19,439
Speaker 1: Right to really be out the last show.

1543
01:09:19,600 --> 01:09:23,880
Speaker 2: Yeah, okay, so Snowfall is coming to an end, you know,

1544
01:09:24,120 --> 01:09:26,479
Speaker 2: let us know, like what's coming up next for y'all.

1545
01:09:26,479 --> 01:09:29,200
Speaker 2: Where the people can find y'all and all that good stuff.

1546
01:09:30,479 --> 01:09:34,160
Speaker 2: You can find me on Instagram, Gailban on Twitter at

1547
01:09:34,160 --> 01:09:38,280
Speaker 2: Galban and p Valley. Season three will start frombing this summer,

1548
01:09:38,640 --> 01:09:41,920
Speaker 2: so that'll come out twenty twenty four, okay. And then

1549
01:09:41,960 --> 01:09:44,840
Speaker 2: there's a couple of other projects that I can't speak

1550
01:09:44,880 --> 01:09:48,599
Speaker 2: on in the works, so hopefully you'll.

1551
01:09:48,439 --> 01:09:50,040
Speaker 1: Find those soon as well.

1552
01:09:50,200 --> 01:09:52,720
Speaker 2: Okay, So outside of acting, is there anything else that

1553
01:09:52,760 --> 01:09:54,439
Speaker 2: we could be expected from me too?

1554
01:09:54,640 --> 01:09:56,519
Speaker 1: I'm building the house and Ghana. It should be finished

1555
01:09:56,560 --> 01:09:57,360
Speaker 1: by the end of the year.

1556
01:09:57,560 --> 01:10:01,400
Speaker 2: Whoa, the little housewarming over there, I'm coming.

1557
01:10:01,720 --> 01:10:07,640
Speaker 3: Come on, girl like so excited about that.

1558
01:10:08,200 --> 01:10:12,120
Speaker 1: Congratulations, I'm happy about it. Yes, I have a talent.

1559
01:10:12,200 --> 01:10:15,559
Speaker 2: I was being built here, So me and my guy

1560
01:10:16,160 --> 01:10:19,120
Speaker 2: at home very excited about that.

1561
01:10:19,680 --> 01:10:22,519
Speaker 1: And I don't know, I might be engaged by the

1562
01:10:22,600 --> 01:10:28,840
Speaker 1: end of the year. Singing at the wedding.

1563
01:10:30,560 --> 01:10:33,040
Speaker 2: The thing, but you know, you know you can to

1564
01:10:33,120 --> 01:10:33,760
Speaker 2: a cover man.

1565
01:10:33,800 --> 01:10:35,360
Speaker 1: Me and Monica sound just a lot.

1566
01:10:35,479 --> 01:10:37,320
Speaker 5: She's always trying to fit herself in.

1567
01:10:37,400 --> 01:10:39,800
Speaker 1: I'm gonna get in somewhere. So what about you?

1568
01:10:39,920 --> 01:10:42,080
Speaker 2: What you got going on at that Snowfall is over?

1569
01:10:42,160 --> 01:10:43,960
Speaker 2: Outside of acting? What else you got going on? Where

1570
01:10:43,960 --> 01:10:44,880
Speaker 2: we can find you acting?

1571
01:10:45,040 --> 01:10:47,559
Speaker 4: I'm just for me. I feel like I'm in the

1572
01:10:47,600 --> 01:10:50,839
Speaker 4: season of just being a student of life at my craft.

1573
01:10:51,080 --> 01:10:51,400
Speaker 2: M hm.

1574
01:10:51,680 --> 01:10:56,479
Speaker 4: So I'm just like right now reading scripts and just honestly,

1575
01:10:56,600 --> 01:10:59,719
Speaker 4: I've been on a producer like mindset, like I'm thinking

1576
01:10:59,760 --> 01:11:02,880
Speaker 4: of a story that's that's that I feel like it's

1577
01:11:02,920 --> 01:11:04,920
Speaker 4: worth telling. So I've been thinking about that a lot,

1578
01:11:05,000 --> 01:11:08,800
Speaker 4: thinking about a character, developing my own character, and trying

1579
01:11:08,800 --> 01:11:10,519
Speaker 4: to make a story around that. So I just been

1580
01:11:11,040 --> 01:11:12,599
Speaker 4: my mind kind of been all over the place.

1581
01:11:12,479 --> 01:11:14,160
Speaker 1: Right now, Okay, I like that?

1582
01:11:14,200 --> 01:11:16,639
Speaker 2: So where where can the girls? Because the Girls is coming?

1583
01:11:16,680 --> 01:11:20,880
Speaker 2: It's where can the fans find you?

1584
01:11:21,080 --> 01:11:22,799
Speaker 4: Isaiah Cajon on everything?

1585
01:11:23,840 --> 01:11:25,519
Speaker 2: All right, y'all. Now, y'all know it's about to be

1586
01:11:25,640 --> 01:11:28,000
Speaker 2: karaoke times, so y'all want to stay tuned for this.

1587
01:11:28,120 --> 01:11:28,920
Speaker 2: Thank y'all for coming.

1588
01:11:28,920 --> 01:11:32,320
Speaker 1: This was fine, Let's get into it.

1589
01:11:33,280 --> 01:11:35,760
Speaker 2: What's up y'all at your Girl expe it's your girls

1590
01:11:35,840 --> 01:11:37,760
Speaker 2: right in the call, and we are here to talk

1591
01:11:37,800 --> 01:11:40,599
Speaker 2: to y'all about Good Day Since dot Com.

1592
01:11:40,720 --> 01:11:43,880
Speaker 3: Yes, I love me a good candle and good Day

1593
01:11:43,920 --> 01:11:48,120
Speaker 3: Sins candles mills so good and their based candles my face.

1594
01:11:48,280 --> 01:11:51,960
Speaker 2: So there's nothing better than getting your house super clean,

1595
01:11:52,760 --> 01:11:55,880
Speaker 2: my fans sweeping all that good stuff and lighting and candle.

1596
01:11:55,880 --> 01:11:58,840
Speaker 2: And let me tell you, my favorite scent is black love.

1597
01:11:59,160 --> 01:12:01,360
Speaker 2: I like to manifest that in the air because that's

1598
01:12:01,400 --> 01:12:04,960
Speaker 2: what I want. Yeah, and so what's vanilla? I feel

1599
01:12:04,960 --> 01:12:07,200
Speaker 2: like you can never go wrong with the vanilla candle.

1600
01:12:07,320 --> 01:12:09,240
Speaker 2: I mean it's fall time. That's the kind of sense

1601
01:12:09,280 --> 01:12:12,320
Speaker 2: we need. So also, you can use code p O

1602
01:12:12,760 --> 01:12:16,000
Speaker 2: you are that core and get twenty.

1603
01:12:15,720 --> 01:12:17,680
Speaker 1: Five percent off of your orders.

1604
01:12:18,080 --> 01:12:20,720
Speaker 2: So go to Good Day Since dot com and get

1605
01:12:20,720 --> 01:12:24,080
Speaker 2: your candle and use our discount code and have your

1606
01:12:24,080 --> 01:12:28,519
Speaker 2: house smelling good. Yeah, y'all, we end the building with

1607
01:12:28,600 --> 01:12:30,719
Speaker 2: snow minds and we got that new heat for y'all.

1608
01:12:30,720 --> 01:12:32,680
Speaker 1: Ass y'all ready we're ready.

1609
01:12:32,520 --> 01:12:34,040
Speaker 2: Drop that shit hobby.

1610
01:12:36,320 --> 01:12:36,960
Speaker 1: Twenty one?

1611
01:12:37,120 --> 01:12:41,240
Speaker 2: Yeah, can you do Can you hit a little rache

1612
01:12:41,280 --> 01:12:43,160
Speaker 2: flex for me? Twenty one?

1613
01:12:43,640 --> 01:12:45,120
Speaker 1: Can you do some for me?

1614
01:12:45,960 --> 01:12:48,200
Speaker 5: Drop some march am i pus edge for me?

1615
01:12:48,680 --> 01:12:49,320
Speaker 2: Twenty one?

1616
01:12:49,800 --> 01:12:51,280
Speaker 1: Can you do some for me?

1617
01:12:52,200 --> 01:12:55,840
Speaker 4: Can you talk to me twenty one.

1618
01:12:56,240 --> 01:12:59,880
Speaker 1: Your thanks twenty one, do your thing, do your thanks?

1619
01:13:00,040 --> 01:13:03,240
Speaker 4: Only one yellow dumbins in the watch. It should costs

1620
01:13:03,280 --> 01:13:09,000
Speaker 4: a lot. That's how you can do that.

1621
01:13:09,360 --> 01:13:12,759
Speaker 3: Al pot, my panties off and this bestick couldn't apply

1622
01:13:15,920 --> 01:13:24,720
Speaker 3: in the house busted if my ifstrain reffen, They asked.

1623
01:13:21,160 --> 01:13:25,599
Speaker 6: Whause you didn't know to carry he was a gallon?

1624
01:13:25,680 --> 01:13:33,480
Speaker 6: No my watch, yea, that ship all poor minds.

1625
01:13:33,800 --> 01:13:35,519
Speaker 1: I say, you see.

1626
01:13:35,400 --> 01:13:37,639
Speaker 2: Y'all know minds, know my mind.

1627
01:13:37,880 --> 01:13:38,800
Speaker 1: We'll see y'all next week.

1628
01:13:38,880 --> 01:13:39,040
Speaker 2: By