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Speaker 1: In the comments, people want to know how we got

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Speaker 1: to this, how we how we how this show came about?

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Speaker 2: Well, if we do, we want to tell the truth.

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Speaker 2: Of course we wanted to tell the truth well before

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Speaker 2: any other rappers was doing sports shows or whatever the

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Speaker 2: thing be. And Jada, it's true, it was we were

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Speaker 2: supposed to do a sports show. Also do a sports

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Speaker 2: show long time ago, a couple of years ago. So

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Speaker 2: this idea came up five years of record. I don't

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Speaker 2: know if it's before every other one. You're taking it,

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Speaker 2: you take it, you're taking it.

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Speaker 1: So were that No, no, all right, I don't know

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Speaker 1: if somebody gonna say.

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Speaker 2: Have you got to stand? Yeah? Did you could come

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Speaker 2: the show? Listen?

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Speaker 3: Listen.

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Speaker 2: What I'm saying is this show has been talked about

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Speaker 2: were supposed to get?

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Speaker 1: Do you know it's a guy since we're talking about

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Speaker 1: that as a guy who think what's my man name?

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Speaker 2: And somebody that think we stole this already? Don't do that.

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Speaker 2: It's not a hit if you don't get somebody. If

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Speaker 2: somebody know I'm upping my lawsuit ship up, like you

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Speaker 2: know they got lawsuit light insurance. Well, it's so much

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Speaker 2: the time I need lawsuit insurance. You know you need

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Speaker 2: lawsuit insurance. I'm not bullshitting you. I'm upping my ship

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Speaker 2: up because it's just lawsuit mania. Like you're right, this

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Speaker 2: ship out of control right now. Like you know, somebody

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Speaker 2: thinks we stole their idea. We might as well not

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Speaker 2: answer that question, right because this ship out of control.

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Speaker 2: Tell me about lawyer. Let me tell you something. I've

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Speaker 2: been watching, you know, everybody to do what they want

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Speaker 2: to do, right, But I've been watching even Joe Schmoe

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Speaker 2: shows with twenty four views and things like that, and

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Speaker 2: they just all like they mad that we get into

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Speaker 2: the bag and they're like, oh, Joe Jaya, they I'm

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Speaker 2: looking at him, Joe Schmoe. These guys they got two

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Speaker 2: cousins watching them. Ye, no, they got two cousins in

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Speaker 2: the aren't watching them. And they over here like that Yo,

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Speaker 2: this that they trying to get clickbait off of us.

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Speaker 2: We came out to get. You knew we was coming

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Speaker 2: right anywhere in this business of entertainment, music, art movie.

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Speaker 2: If it's a bag there, we're coming. If it's if

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Speaker 2: it's rubber duckies, we're coming for the bag. And so

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Speaker 2: you gotta know we got we done? Did this? I

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Speaker 2: asked Jada. He said, authenticity. We're gonna talk about our

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Speaker 2: perspective and what's going on in life, and some people

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Speaker 2: seem to like it. We went number two in the

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Speaker 2: country the first time off of one EP. I'm walking

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Speaker 2: around hall them, I'm walking around the Bronx. They coming

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Speaker 2: up to me. They loving the show. They love what

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Speaker 2: we do. You know, it's room for everybody, right, It's

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Speaker 2: room for everybody, even to Joe Schmoes. One day you

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Speaker 2: might be the biggest in the game. As of right now.

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Speaker 2: Trains coming, Train is coming, baby. That's what I was

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Speaker 2: trying to tell you what I was playing you that

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Speaker 2: saw the train is coming. Favoring the trade, I said,

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Speaker 2: y'all's there's nowhere else to look. I always think about

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Speaker 2: the late great DJ Clark Kit super produced. That's the

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Speaker 2: piece some of King just God's favorite. You know, this

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Speaker 2: guy was the best in the world. He passed away,

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Speaker 2: But I always think about what he said, cause you know,

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Speaker 2: he did it like he was cool with Biggie jay Z,

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Speaker 2: like he put them on and so started with cool. Hurk.

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Speaker 2: He's seen his own ship. He wasn't that old man.

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Speaker 2: He wasn't.

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Speaker 1: He's one of the cool Herks. Original DJ Superman Clarking

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Speaker 1: was down with cool Urk. That's how fall ego about.

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Speaker 2: I met DJ Callen and DJ Nasty at a cool

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Speaker 2: at a clock him battle. He had a battle and

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Speaker 2: we came up. That's how I meant call it online

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Speaker 2: around flow Joe time. And so he said that Biggie

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Speaker 2: and jay Z both his mans and Biggie would be like, yo,

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Speaker 2: why you say jay Z? But he used to tell

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Speaker 2: Biggie that jay Z is better than right, and Biggie

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Speaker 2: would be like, how you think he nicer than me?

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Speaker 2: He'd be like, yo, because you're a rapper. He's in

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Speaker 2: them C He's like a poet. He could you know

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Speaker 2: this early jay Z before all the hits. He's a poet,

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Speaker 2: whatever the case may be. And so to me, the

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Speaker 2: difference of an m C and a rapper is is

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Speaker 2: an m C is and you have huge hits two

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Speaker 2: but you more. You got your hand on the third rail.

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Speaker 2: Tayli Kwali, Jada Kiss Common. These these are m KR

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Speaker 2: res MC's rappers. What he's referring to is the guys

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Speaker 2: on Billboard that crossed over and we think they commercial

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Speaker 2: What do you think about that argument right there that

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Speaker 2: he was having between Big and jay Z, where Big

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Speaker 2: was like, Yo, I'm nicer than Son, but he was like, nah,

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Speaker 2: J nicer than you. He's an MC. Of course this

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Speaker 2: is before success. What do you think the difference between

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Speaker 2: MC and a rapper is? I think a MC is

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Speaker 2: just what it means. You know what I mean.

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Speaker 1: You're controlling the maestro. You can do anything. You have diversity,

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Speaker 1: you have you know, you can do different. Uh, you

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Speaker 1: can do a big commercial, you can do an R

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Speaker 1: and B feature, you can do it all rappers just

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Speaker 1: playing with words, oh, you know, the ability to put

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Speaker 1: words together. MC can control the crowd, he can, he can.

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Speaker 1: He can have the crowd in his hands. He can

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Speaker 1: engage with the crowd.

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Speaker 2: Yeah, but Nelly just the crowd was just Hey, it's

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Speaker 2: all about the funny.

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Speaker 1: Now you're going into being an entertainer, you know what

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Speaker 1: I mean? Is it entertainer, is it rapper?

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Speaker 2: Is it MC? Or is it?

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Speaker 1: So?

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Speaker 2: Right? Now?

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Speaker 1: You got you know, you got people that wrote the

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Speaker 1: song that you might even see here, mama. Yeah. Pack

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Speaker 1: was everything that's bad, raped all the.

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Speaker 2: Dues of everything. He was everything new drama. So you

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Speaker 2: can make music because I'm trying to find out who's

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Speaker 2: the perfect one. Like, so you say pop that's what castle. Yeah,

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Speaker 2: it's like it's the best song right in the game.

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Speaker 2: You got guys like whole with I Love the Dog

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Speaker 2: was talking about you know, we capt the hottest v's

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Speaker 2: then there we played Monopo Leave with Real Cash and

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Speaker 2: that Big come on as Ship. Like, was you ever

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Speaker 2: there for any of them? Like Big Song? I was

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Speaker 2: there for Hypnotized. I was there when he woke with Hypnotize?

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Speaker 2: Was you there for I Love anything like that?

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Speaker 1: I was there for I Love It though, No, he

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Speaker 1: was actually in the.

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Speaker 2: We was in the MIDI room, you know what I mean?

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Speaker 2: They both was there. Yeah, it was none of it

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Speaker 2: was no fucking emails and none of that. There. You

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Speaker 2: had to be there so you seen them both going

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Speaker 2: at it right there.

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Speaker 1: It wasn't battling and none of that. They was trying

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Speaker 1: to make a hit song, which they did. Did you

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Speaker 1: see they we was mad.

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Speaker 2: You see the paper and moms. No, it was at

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Speaker 2: the top. No, listen like I didn't see listen you.

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Speaker 1: Glory, You're not everything I tell is real. You don't

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Speaker 1: got a hood for a reason. Listen, we was in

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Speaker 1: the MIDI room. We was the young locks and Hole

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Speaker 1: Hope kept coming in our room like giving us an

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Speaker 1: update of what's going on, like yo, I'm about to

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Speaker 1: go first this that, and he's like, no, you go

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Speaker 1: in there and kill that ship, you know what I mean.

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Speaker 1: And that's what he was probably going to the bathroom,

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Speaker 1: didn't He's stopping the MIDI kicking with us, you know

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Speaker 1: what I mean. And we actually seen Angela Winbush. That's

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Speaker 1: not a sample. That's hers singing I Love the Dough.

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Speaker 1: We've seen We've seen her laying. We've seen Damn Max laying.

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Speaker 1: Pray and pray for my damn fall. That ain't a

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Speaker 1: sample either. We've seen him record that lot. We wanted

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Speaker 1: a fortunate artist to be featured on Life after Death.

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Speaker 1: There's only a couple of features on there. So he

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Speaker 1: loved big forever, you know what I mean. We thankful

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Speaker 1: to being around for the process of life after death

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Speaker 1: and slightly before that. It was a beautiful thing. But hey,

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Speaker 1: we was in the studio to day they made.

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Speaker 2: I was in the stow for love it Dough.

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Speaker 1: I think I was in the stool even I was

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Speaker 1: dead for a lot of them, or when we would

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Speaker 1: come for our session and we would head what he

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Speaker 1: just did, go on, Kiss good Night a lot of them.

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Speaker 1: Of course we was there for Last Days because we

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Speaker 1: featured on Yeah.

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Speaker 2: But you know, when I think about when we were

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Speaker 2: talking about the perfect MC, the perfect rapper, perfect performer,

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Speaker 2: entertainer came up a lot today. I think DMX shows

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Speaker 2: which one of them you was there every song? Shut

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Speaker 2: him down, open up shot.

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Speaker 1: I don't think he wanted to do that when Swiss

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Speaker 1: first brought it to him, he didn't. He didn't want

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Speaker 1: to do it.

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Speaker 2: He didn't want to do that.

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Speaker 1: I don't think at first. I don't think he was

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Speaker 1: happy to do it into it when it was done.

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Speaker 2: When I tell you, and at this time, I was

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Speaker 2: still halfway in the BRONX. So I'm at the car

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Speaker 2: wash and when I tell you, every single car I

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Speaker 2: don't care it was a Spanish dude that would be

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Speaker 2: playing salsa. They was playing that ship like that song

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Speaker 2: had me the dizziest. You know how you go for them?

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Speaker 2: Bro where you going y'all? Because when you want to

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Speaker 2: see if your record was popping, like Benjamin, you see

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Speaker 2: who's playing?

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Speaker 1: My eye?

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Speaker 2: Man? I have never witness in the history of the Bronx.

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Speaker 2: Start shut him down. Your I was dizzy. It was

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Speaker 2: everywhere Like that was the craziest to me of standing

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Speaker 2: outside trying to hear your song. That was that ship.

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Speaker 2: You the King of New York. You the king everywhere.

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Speaker 2: Let me tell you something, bro, they Fashion Week, everything

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Speaker 2: come down here, everything touch hit. So you know last

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Speaker 2: night you go to the Nick game, they got the car.

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Speaker 2: Dad is all front like this is like, let me

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Speaker 2: tell you something. New York got a lot of stars,

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Speaker 2: like celebrities, big time stars. Like it's like they they

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Speaker 2: putting them up a deck. Now they ain't just court side.

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Speaker 2: Too many. There's too many superstars in New York City.

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Speaker 2: If you look at it, the car Dashers is there,

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Speaker 2: the Bad Bunnies is there, the Cardi Beans, the step Farons,

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Speaker 2: the disc one down that on, the Sopranos, the Dish,

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Speaker 2: the Tina Phase, the disc It's just too many stars

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Speaker 2: in New York City. Now, if we were somewhere else

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Speaker 2: in the b Market or Sea market, that shit opened

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Speaker 2: all day. The court side is open. There's a hard

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Speaker 2: ticket to get, hard to get a ticket, hard to

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Speaker 2: get a ticket. I heard that what was the most

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Speaker 2: expensive ticket for the game with five hundred thousand and

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Speaker 2: thirty thousand. I don't know what it was fifty four

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Speaker 2: thousand to seat the game I went, I was tempted

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Speaker 2: to sell or something like that. I would have never

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Speaker 2: caught a ticket again. You know that ship was fifty

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Speaker 2: four thousand. That's crazy. I never do that. I ain't

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Speaker 2: gonna lie to you. What I ain't fifty four ticket?

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Speaker 2: Why not? Huh? Why not? Well, I've done it. I

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Speaker 2: can do a lot with fifty man.

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Speaker 1: But yeah, yeah, New York nick a game, a nick

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Speaker 1: floor sheet experiences like a bucket list of life that

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Speaker 1: you know you can.

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Speaker 2: Cross that off. That kind of did it for free.

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Speaker 2: So I mean, I tell you, man, you know that's

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Speaker 2: why I would never pay for the ticket. Let me

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Speaker 2: tell you something, man, I've paid that much, even more

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Speaker 2: for boxing matches. You know this ship is crazy because

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Speaker 2: your man aga blanga a little man aga bolanga fight Canelo.

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Speaker 2: I'm out there with my family in Vegas. His manager

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Speaker 2: they gave me some suspect. Suspect for me is I'm

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Speaker 2: not going tenth bro, I'm not going five bro. I

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Speaker 2: gotta be front row because somebody you don't like your

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Speaker 2: enemy gonna come. Sit right, you know what saying? We

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Speaker 2: call that the Joe Button seats. You know what, I'm

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Speaker 2: second row, hoodie, y'all listen them second third row. That

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Speaker 2: ain't I can't do it. I gotta sit it front row.

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Speaker 2: I'll give you my experience. Will you call them seats

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Speaker 2: the Joe Button seats them ship second row? You know,

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Speaker 2: perfect example, him and fifty got some ship and I'm

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Speaker 2: sitting courtside of fifty comes behind, y'all okay, but he's behind.

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Speaker 1: Those were still considered floor seats. Anything list aa and

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Speaker 1: b B.

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Speaker 2: I'm not trying to be disrespectful, but the man had

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Speaker 2: a little something going on with fifty and why God

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Speaker 2: put fifty cent front row and he's in like third row?

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Speaker 2: Like that would bother me if I was Joe Buttons.

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Speaker 2: It happened to me before. That happened to me before,

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Speaker 2: when I just would we just call in the fifth

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Speaker 2: would he have a nice experience a good seat. But

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Speaker 2: the problem is you gotta always expect the enemy might

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Speaker 2: come from ro Yo. No you take tell you the truth.

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Speaker 2: The enemy will come front row. Look what happened to

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Speaker 2: Joe Barton. I'm gonna get you another one. Okay, I

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Speaker 2: went to a Babyface concert. Hold up, I gotta hear,

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Speaker 2: I gotta hear. I'm going to a baby Face concert

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Speaker 2: once again. Fifty cent is the culprit. We just squashed

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Speaker 2: the beef for fifty cent. Everybody's cool. I'm in the

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Speaker 2: second row and the teen ha got me the tickets.

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Speaker 2: I'm second row. The man come and sit in the

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Speaker 2: front row right in front of me. Yo, crack, what's up? Yo?

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Speaker 2: I missus crack this. I was like, oh, never again, Fifth. Yes,

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Speaker 2: it's just Fifth, didn't you No, No, he's just like

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Speaker 2: it's him. I'm telling you he might be like Yo

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Speaker 2: with Jay Dad the her row three C, he'll come

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Speaker 2: to one C. I'm telling you this guy is notorious

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Speaker 2: for this. I learned my lesson that night I was

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Speaker 2: at the baby Face concept. I said, you're on the

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Speaker 2: team that don't ever your I don't care if it's

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Speaker 2: Patty Labelle's Stephanie Mills. I'm front row. I won't go.

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Speaker 2: I feel you call. I feel it that I am

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Speaker 2: not giving the person the opportunity to sit in front

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Speaker 2: of me. It's just I don't know, It's just I

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Speaker 2: won't happen to me, that is what I'm trying to

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Speaker 2: tell you. Like that, man, I went to the let

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Speaker 2: me tell you, I went to the Bologa fight. Thee

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Speaker 2: of cost me. Let's just say close to one hundred

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Speaker 2: thousand or something, right. But the problem was, you know,

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Speaker 2: usually when you get them tickets, somebody sells them tickets.

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Speaker 2: Obviously the person who sold me these sickets I don't

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Speaker 2: know because we buy them online, was Canelo's family. So

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Speaker 2: I'm sitting down against what like this, my wife and

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Speaker 2: my daughter with a hundred Canelo Mexicans. They all had sweatsuits,

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Speaker 2: and I'm like, you got Canelo this, and I'm there

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Speaker 2: like belong God, for sure, I was getting my ass

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Speaker 2: beat that for sure. The cartown was in that motherfucker.

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Speaker 2: I'm sitting there like that. I'm like, how the my line, Chris,

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Speaker 2: I'm like, how the fuck I get these seats? Obviously

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Speaker 2: it was somebody in his crew or his family who

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Speaker 2: sold these seats. But YO, don't go in there. They're like, YO,

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Speaker 2: you gotta be very I told my daughter, I said, YO,

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Speaker 2: be very respectful in here. We might not get out

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Speaker 2: of here. No, I'm talking about saying they got one

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Speaker 2: hundred Canelo front rows were the three seats going for

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Speaker 2: Belonga was surrounded. The wife is here that this this.

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Speaker 2: I'm like, oh, we're gonna get Thank god I wasn't

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Speaker 2: with my friends because we'd got panned it out, you

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Speaker 2: know back in the hip hop news. I'm just telling

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Speaker 2: it crazy Joe, No, no, crazy, Yeah, this is crazy Joe.

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Speaker 2: But the Birdman said he was with Tony Braxon for

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Speaker 2: eighteen years. She convinced him to get married. He did

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Speaker 2: no paperwork, She got a divorce in two weeks and

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Speaker 2: caught him for mega millions. He said the fix was

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Speaker 2: in this birdman saying that he's saying he was with him,

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Speaker 2: no prenup eighteen years.

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Speaker 1: Talking about the guy that don't pay. The producers did

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Speaker 1: the last minute up. Let me stop, I love bird.

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Speaker 2: It's it's almost somebody told me when I when we

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Speaker 2: discussed this story in my house, people, I'm not standing

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Speaker 2: on this. I'm not at the divorce bro. I'm telling

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Speaker 2: you what the streets is saying. And the Birdman said.

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Speaker 2: The Birdman said he was with her for eighteen years,

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Speaker 2: married her. He had no paperwork. She got him. I

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Speaker 2: don't even want to tell you the number. The number

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Speaker 2: is the price of this building? You ain't no regular number.

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Speaker 2: She caught him. Two weeks divorce. He had to give

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Speaker 2: her that check price of this building, like a serious

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Speaker 2: you know the price of the build? No, they're serious,

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Speaker 2: the price of a high rise in New York City.

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Speaker 2: He gave him money like that for two weeks marriage.

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Speaker 2: I don't know what. I don't really have a comment

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Speaker 2: on that because I don't, you know, outside of my

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Speaker 2: pay grade. Right, I'll tell you a crazy story, right,

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Speaker 2: this is crazy, Joe, but this is real reality. I

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Speaker 2: don't want to say no names, but people could pick

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Speaker 2: up on this. He's so, I have a neighbor very successful,

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Speaker 2: like my next door neighbor, very successful. So he wakes

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Speaker 2: me up, says, yo Yo, come over to my house.

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Speaker 2: Were having a celebration. So I go to his house

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Speaker 2: and it's a bunch of people in his house. It

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Speaker 2: almost looked like the movie US. It was just they

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00:19:24,720 --> 00:19:28,479
Speaker 2: were very upscale and they were off color. But they

326
00:19:28,520 --> 00:19:32,240
Speaker 2: were like Phoebe Wallaf of the black community, this badest community.

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Speaker 2: They was out of control. I've never seen people like this, right,

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00:19:35,560 --> 00:19:39,440
Speaker 2: And so I'm up in there and everybody looked like

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Speaker 2: they got a master's degree or some everybody smart whatever

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Speaker 2: this that, And so I go up in there and

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Speaker 2: the man's wife he had just sold his company for

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Speaker 2: like four hundred million, everybody knew was everywhere. And his

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Speaker 2: wife does the kinking kinking with the cup and she

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Speaker 2: gives the most beautiful speech. I love this man, this

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00:20:00,560 --> 00:20:03,760
Speaker 2: man is the greatest ever my husband. I'm so proud,

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Speaker 2: and just like my Norse, my my next door neighbor,

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Speaker 2: We're all the way up and I was like, wow,

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00:20:11,080 --> 00:20:14,840
Speaker 2: this is great. Seven in the morning on Instagram. The

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00:20:14,880 --> 00:20:23,040
Speaker 2: wife fous for divorce. The next day after the speech,

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00:20:23,200 --> 00:20:30,160
Speaker 2: we meditated murder. M hmm. Now you know they're gonna

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00:20:30,160 --> 00:20:32,879
Speaker 2: say I lie, right, they always say I lie. No,

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00:20:33,000 --> 00:20:37,040
Speaker 2: I'm keeping it red. They're gonna say I'm capping. This

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00:20:37,240 --> 00:20:41,399
Speaker 2: is going over. Now you're going I'm just telling we

344
00:20:41,640 --> 00:20:45,560
Speaker 2: going all the way up. They saying they gonna say this,

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00:20:45,760 --> 00:20:49,840
Speaker 2: but it's the truth. This really happened in my life,

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00:20:50,119 --> 00:20:51,919
Speaker 2: Like I really was a part of this, and I

347
00:20:51,960 --> 00:20:55,919
Speaker 2: couldn't understand seven in the morning. I was like, after

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00:20:55,960 --> 00:21:01,040
Speaker 2: this speech, but that four hundred you know, I guess

349
00:21:01,040 --> 00:21:04,600
Speaker 2: that's a version of sleeping with the enemy. Definitely, you

350
00:21:04,600 --> 00:21:07,000
Speaker 2: know what I'm saying. That's like that, that's hard though,

351
00:21:07,160 --> 00:21:16,639
Speaker 2: that's hard to deal with. Ever signed up for a

352
00:21:16,680 --> 00:21:20,640
Speaker 2: phone plan thinking Wow, great price, and then a few

353
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Speaker 2: months later it's like surprise, your bill is higher. With

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Speaker 2: dollars a month as long as they remain active on

365
00:22:09,920 --> 00:22:16,960
Speaker 2: the boost A limited plan. I've been telling my stories

366
00:22:16,960 --> 00:22:19,800
Speaker 2: in the studios and with friends, and I've been telling people,

367
00:22:19,880 --> 00:22:23,639
Speaker 2: y'all turn the cameras off, yoll turn your phone off.

368
00:22:24,080 --> 00:22:27,760
Speaker 2: It's strictly for us. Off of one week of podcasts,

369
00:22:27,840 --> 00:22:30,760
Speaker 2: I turned into the Wendy Williams of podcast I just

370
00:22:30,800 --> 00:22:34,320
Speaker 2: gotta be honest with you. I never knew what am

371
00:22:34,359 --> 00:22:38,760
Speaker 2: I supposed to do. List let me tell you something.

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00:22:38,760 --> 00:22:41,119
Speaker 2: I don't know how to become Wendy Williams of podcasting

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00:22:41,200 --> 00:22:43,719
Speaker 2: in one week. Hey, the like I mean, like my

374
00:22:43,760 --> 00:22:46,879
Speaker 2: phone is off the hook, like every rapper in the world,

375
00:22:47,560 --> 00:22:49,760
Speaker 2: it's hitting me up, Like, Yo, Joe, I don't like

376
00:22:49,800 --> 00:22:51,720
Speaker 2: how you said this. I don't like how you said that.

377
00:22:51,800 --> 00:22:55,000
Speaker 2: I had to hear Angie Martinez, queen the journalist, one

378
00:22:55,000 --> 00:22:56,880
Speaker 2: of the queens, to be like, yo, how you deal

379
00:22:56,920 --> 00:22:59,399
Speaker 2: with this? Because you know, by the way we went

380
00:22:59,560 --> 00:23:02,439
Speaker 2: number one. You know, it ain't easy being number one,

381
00:23:02,480 --> 00:23:05,120
Speaker 2: but somebody got to do it. So the podcast went

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00:23:05,280 --> 00:23:09,280
Speaker 2: number one. So listen, let me. I'm addressed. What happened

383
00:23:10,320 --> 00:23:13,000
Speaker 2: Scott Joe. It's crazy? What did I do? Now?

384
00:23:14,920 --> 00:23:17,800
Speaker 1: Did I agree with before you going to you? Because

385
00:23:17,840 --> 00:23:21,080
Speaker 1: he got something to tell you. But the only thing

386
00:23:21,160 --> 00:23:24,000
Speaker 1: that I did see that I don't think I'm prepared

387
00:23:24,040 --> 00:23:27,960
Speaker 1: for is that when they take they taking stuff and

388
00:23:28,040 --> 00:23:30,840
Speaker 1: switching it around and making the.

389
00:23:30,600 --> 00:23:32,120
Speaker 2: Own you know, so you mean like.

390
00:23:34,080 --> 00:23:38,679
Speaker 1: To listen he arling men interviewing Snoop and if we

391
00:23:38,760 --> 00:23:42,840
Speaker 1: did pull up. Did you ever say Kendrick surpassed Dre

392
00:23:43,119 --> 00:23:44,119
Speaker 1: and Snoop.

393
00:23:43,800 --> 00:23:46,480
Speaker 2: And Cube and all of this. I was talking about

394
00:23:46,640 --> 00:23:52,480
Speaker 2: radio play exactly in the last The King, he's the

395
00:23:52,560 --> 00:23:56,199
Speaker 2: king of hip hop. Like you could pull up a

396
00:23:56,280 --> 00:23:59,800
Speaker 2: fa million interviews where I said, the most famous rapper

397
00:23:59,880 --> 00:24:04,080
Speaker 2: in the universe of rap music, it's Snoop Doggy dog Won.

398
00:24:04,160 --> 00:24:06,520
Speaker 2: Then why did he do that to us? Nah? You

399
00:24:06,600 --> 00:24:08,679
Speaker 2: know we in that space now, Jay, That's what I'm

400
00:24:08,720 --> 00:24:10,439
Speaker 2: trying to tell you. They trying to stick the knife

401
00:24:10,440 --> 00:24:12,800
Speaker 2: in us. Yo, Joe bidden, Let me tell you something.

402
00:24:13,520 --> 00:24:15,959
Speaker 2: You're all my friend. I know you twenty years you've

403
00:24:16,000 --> 00:24:19,040
Speaker 2: been doing this thing. You ain't send us no edible

404
00:24:20,920 --> 00:24:24,439
Speaker 2: send us he didn't send us no edible store, have

405
00:24:24,600 --> 00:24:27,520
Speaker 2: to send us no flying once. He ain't sent us

406
00:24:27,520 --> 00:24:30,600
Speaker 2: no champagne. Where did you get for one?

407
00:24:31,400 --> 00:24:33,720
Speaker 1: Shut up than Joe? Why do you think he's gonna

408
00:24:33,720 --> 00:24:37,880
Speaker 1: sit us anything? After you name the seats behind the seats,

409
00:24:38,240 --> 00:24:41,600
Speaker 1: let's sit to him seeing all of this crazy Joe,

410
00:24:41,640 --> 00:24:44,320
Speaker 1: but we do you think he's gonna send us any.

411
00:24:44,560 --> 00:24:47,960
Speaker 2: Eight hundred episodes? And I gotta salute the brother and

412
00:24:48,200 --> 00:24:50,200
Speaker 2: just we the new guys on the block. We ain't

413
00:24:50,200 --> 00:24:53,840
Speaker 2: got no disrespect for Joe. But now bird man, I

414
00:24:54,040 --> 00:24:57,359
Speaker 2: read that I came into the studio with them talking

415
00:24:57,400 --> 00:25:00,119
Speaker 2: about that on the on the radio. Maybe he's he's

416
00:25:00,160 --> 00:25:03,080
Speaker 2: been my friend twenty years. He don't like me talking

417
00:25:03,119 --> 00:25:06,560
Speaker 2: about him getting divorced. But I got nothing but respect

418
00:25:06,600 --> 00:25:09,320
Speaker 2: and love for the burnment. I'm telling you my phone

419
00:25:09,400 --> 00:25:14,480
Speaker 2: was shaken. I'm not you. We got Joe. We're still active.

420
00:25:14,600 --> 00:25:17,240
Speaker 2: You gotta we got love out of it. You gotta

421
00:25:17,320 --> 00:25:20,520
Speaker 2: keep the love. We gotta keep the love. And yoo,

422
00:25:20,640 --> 00:25:24,240
Speaker 2: I did get love. Prime Time called us. You know

423
00:25:24,280 --> 00:25:27,200
Speaker 2: what I'm saying this. He loves, Yes, he loves how

424
00:25:27,200 --> 00:25:29,600
Speaker 2: we talked about his family, his son and all that.

425
00:25:29,680 --> 00:25:41,840
Speaker 2: He appreciate us. And yeah, we grew up violent. But

426
00:25:42,000 --> 00:25:44,720
Speaker 2: that hurt me because I was like, these was the

427
00:25:44,760 --> 00:25:48,680
Speaker 2: guys putting on for our neighborhood. And couldn't believe somebody

428
00:25:48,800 --> 00:25:53,520
Speaker 2: killed him senseless murder, which was the one that had

429
00:25:53,640 --> 00:25:55,359
Speaker 2: all that hip hop, which is the one that got

430
00:25:55,400 --> 00:25:58,280
Speaker 2: you and you was like wow, like I can't believe

431
00:25:58,359 --> 00:25:59,600
Speaker 2: this happened. By far.

432
00:26:00,160 --> 00:26:03,679
Speaker 1: For me, it's Big, my first time, the Locks, it

433
00:26:03,760 --> 00:26:05,639
Speaker 1: was our first time in l A.

434
00:26:06,640 --> 00:26:09,240
Speaker 2: The Big got killed. So that was out there.

435
00:26:09,280 --> 00:26:11,680
Speaker 1: He was at the party. We was with them before

436
00:26:11,800 --> 00:26:15,359
Speaker 1: the day before. We you know, we was in his like,

437
00:26:16,640 --> 00:26:19,399
Speaker 1: did you have time at one DA?

438
00:26:19,400 --> 00:26:21,560
Speaker 2: Did you not feel like it was dangerous being in

439
00:26:21,800 --> 00:26:24,639
Speaker 2: LA and he had the East Coast West Coast beef

440
00:26:25,320 --> 00:26:26,280
Speaker 2: and I felt.

441
00:26:26,119 --> 00:26:29,240
Speaker 1: It was dangerous. But we really didn't know how to

442
00:26:29,520 --> 00:26:31,879
Speaker 1: we know what I'm saying. We we didn't know what

443
00:26:32,000 --> 00:26:34,640
Speaker 1: was really going on. We knew that ship was going on,

444
00:26:35,160 --> 00:26:37,680
Speaker 1: but we didn't we never been there. We thought we

445
00:26:37,720 --> 00:26:42,080
Speaker 1: was heavily protected. We thought we was good, you know

446
00:26:42,119 --> 00:26:44,120
Speaker 1: what I mean. We thought we was the same way.

447
00:26:44,359 --> 00:26:46,199
Speaker 1: I mean, we kind of was because we was with

448
00:26:46,800 --> 00:26:48,960
Speaker 1: We had bad Boy and we had D in them.

449
00:26:49,080 --> 00:26:51,960
Speaker 1: We had a different kind of arm even gage with us,

450
00:26:52,040 --> 00:26:54,520
Speaker 1: we had extra Actually shout out.

451
00:26:54,400 --> 00:26:56,560
Speaker 2: To D A nice pick. J. You know what, I

452
00:26:56,640 --> 00:26:58,960
Speaker 2: saved my life? I speak, Jay, you saved my life.

453
00:26:59,000 --> 00:27:02,000
Speaker 2: When I heard that story, that's a real story. It

454
00:27:02,040 --> 00:27:04,639
Speaker 2: was gonna get me. And you know, I had a

455
00:27:04,640 --> 00:27:07,119
Speaker 2: lot of beef with the West Coast. I'm probably and

456
00:27:07,200 --> 00:27:09,280
Speaker 2: we're not stirring nothing up, but I'm probably the only

457
00:27:09,400 --> 00:27:14,239
Speaker 2: rapper from New York that had physical beef with the

458
00:27:14,240 --> 00:27:19,359
Speaker 2: West Coast like real physical war. It went down right.

459
00:27:19,480 --> 00:27:22,880
Speaker 2: So when I go over there, me and pun out

460
00:27:22,880 --> 00:27:26,679
Speaker 2: there for the Grammys, there's a million cop cars in

461
00:27:26,680 --> 00:27:30,160
Speaker 2: the street, and you know, it was like gang beef.

462
00:27:30,240 --> 00:27:35,280
Speaker 2: So they had a guy with Jerry Carls a bubble goose.

463
00:27:35,320 --> 00:27:38,879
Speaker 2: It was hot as hell and the gun was to

464
00:27:38,960 --> 00:27:41,399
Speaker 2: his Ay. I don't know how there's one million cops

465
00:27:41,400 --> 00:27:44,440
Speaker 2: out here. They don't see the guy old dog from

466
00:27:44,480 --> 00:27:47,520
Speaker 2: the fucking menace to society, like the man in the

467
00:27:47,560 --> 00:27:50,480
Speaker 2: middle of the street dripping the fucking Jerry Carle juice

468
00:27:50,520 --> 00:27:55,199
Speaker 2: with a machine gun with a bubble goose on in

469
00:27:55,240 --> 00:28:00,000
Speaker 2: the summer, and we don't rat. But I'm looking like geez,

470
00:28:00,000 --> 00:28:02,240
Speaker 2: he says, christ, don't nobody see it? And he looked

471
00:28:02,240 --> 00:28:05,199
Speaker 2: at me like he could not go back to the

472
00:28:05,280 --> 00:28:08,840
Speaker 2: hood without clapping. Fat Joe not clapping killing me. He

473
00:28:08,880 --> 00:28:11,639
Speaker 2: had a machine gun. And so it's a million cops

474
00:28:11,640 --> 00:28:13,840
Speaker 2: out there. I fucked up because we had the man

475
00:28:13,920 --> 00:28:17,479
Speaker 2: saying we had stripp We knew whatever was gonna happen,

476
00:28:18,400 --> 00:28:20,800
Speaker 2: you know, don't go out over there, and we still

477
00:28:21,000 --> 00:28:23,920
Speaker 2: like dummies, went out shout out. My brother tone Patron

478
00:28:24,080 --> 00:28:27,600
Speaker 2: held it down, all of us, and so I'm sitting

479
00:28:27,640 --> 00:28:32,120
Speaker 2: out there and the guy's dead. There's a girl standing

480
00:28:32,200 --> 00:28:34,560
Speaker 2: next to me, and she sees what's going on, and

481
00:28:34,640 --> 00:28:36,840
Speaker 2: she looks at me and says, a girl from New York.

482
00:28:36,920 --> 00:28:40,200
Speaker 2: She said, now, I'm sorry. She was like, Joe, I'm sorry,

483
00:28:40,520 --> 00:28:43,280
Speaker 2: I'm sorry this is happening to you, Like she could

484
00:28:43,280 --> 00:28:46,000
Speaker 2: probably see like deaf in my face. Like the guy was.

485
00:28:46,480 --> 00:28:48,440
Speaker 2: He was trying to figure out how to shoot me

486
00:28:48,720 --> 00:28:51,280
Speaker 2: and get away from the one thousand cops, but he

487
00:28:51,320 --> 00:28:54,440
Speaker 2: couldn't go back to his food without shooting me. So

488
00:28:54,520 --> 00:28:57,360
Speaker 2: he was like he looked like a dog in rage.

489
00:28:57,600 --> 00:28:59,960
Speaker 2: And then out of nowhere, the door opens and Deep

490
00:29:00,080 --> 00:29:03,320
Speaker 2: comes out, and D comes out. He's like, yo, Crack,

491
00:29:03,440 --> 00:29:05,280
Speaker 2: what's up this and that? And I looked at him.

492
00:29:05,320 --> 00:29:11,840
Speaker 2: I said, yo, just D from the rough Riders. He

493
00:29:12,000 --> 00:29:15,880
Speaker 2: looks over there, and General looks over there. He looks

494
00:29:15,880 --> 00:29:18,440
Speaker 2: back and he said, that's for you, Crack. I said, yeah,

495
00:29:18,680 --> 00:29:23,320
Speaker 2: it's for me. He said, yo, ice pick is gonna

496
00:29:23,360 --> 00:29:27,800
Speaker 2: turn this corner in a white van. Y'all better just

497
00:29:27,840 --> 00:29:30,160
Speaker 2: get in there, get out of here, right, So the

498
00:29:30,320 --> 00:29:32,160
Speaker 2: van pull up. Ice pick A didn't even know he

499
00:29:32,240 --> 00:29:34,120
Speaker 2: was saving us, right. He was coming around to get

500
00:29:34,200 --> 00:29:38,080
Speaker 2: d the van pull up. We got in that bitch

501
00:29:38,760 --> 00:29:42,280
Speaker 2: like the fucking painting from Good Times. You remember Good Times,

502
00:29:42,400 --> 00:29:45,800
Speaker 2: they have to sit where everybody was dancing sideways and

503
00:29:45,840 --> 00:29:48,800
Speaker 2: shit like that good time. Like yo, we slid in

504
00:29:48,800 --> 00:29:52,560
Speaker 2: that motherfucker. Yo. God was with us. Was crazy. It

505
00:29:52,680 --> 00:29:55,000
Speaker 2: was like six to seven of us. We got in

506
00:29:55,120 --> 00:29:59,120
Speaker 2: that bitch and left in the van and look back.

507
00:29:59,160 --> 00:30:01,360
Speaker 2: That guy was so confuse. He ain't know where the

508
00:30:01,400 --> 00:30:04,040
Speaker 2: fuck we went because it was like two crowded. We

509
00:30:04,080 --> 00:30:05,680
Speaker 2: got an the van. I was like, yo, I think,

510
00:30:05,800 --> 00:30:08,520
Speaker 2: thank you saved my life. You don't understand this. He

511
00:30:08,600 --> 00:30:10,440
Speaker 2: was like, what happened? I said, you old nigger had

512
00:30:10,440 --> 00:30:13,200
Speaker 2: the machine gun. They ready to clap us this. He

513
00:30:13,400 --> 00:30:15,320
Speaker 2: told us to get in there. So he took us

514
00:30:15,320 --> 00:30:17,600
Speaker 2: to the mansion, which a couple of blocks away. After that,

515
00:30:17,680 --> 00:30:21,520
Speaker 2: we would say we went to the Grammys with guns

516
00:30:21,560 --> 00:30:24,240
Speaker 2: on us, Me and Big Pun. That picture that you

517
00:30:24,280 --> 00:30:27,960
Speaker 2: see us looking like superheroes. We actually had hammers on

518
00:30:28,080 --> 00:30:40,760
Speaker 2: us in the Grammys because that was too much. You know,

519
00:30:40,800 --> 00:30:43,160
Speaker 2: I'm from Florida too, I've been in Miami for twenty

520
00:30:43,200 --> 00:30:46,720
Speaker 2: two years. But you know, Jadad the versus see, I

521
00:30:46,800 --> 00:30:49,720
Speaker 2: thought he just shot him. This is the real New York,

522
00:30:50,920 --> 00:30:54,520
Speaker 2: not the gods that moved down to Florida. I was

523
00:30:55,000 --> 00:30:58,880
Speaker 2: my mouth side with it, not those guys. I'm in

524
00:30:58,920 --> 00:31:02,800
Speaker 2: the crowd like, yo, Jay, you know, like, what's going on, guys, Dude,

525
00:31:02,800 --> 00:31:05,480
Speaker 2: I got to run out this building like he's shooting

526
00:31:05,560 --> 00:31:09,760
Speaker 2: down to God. The migrators is snow bunnies. We moved

527
00:31:09,760 --> 00:31:11,800
Speaker 2: down there for the winter, Yo, Taya. Man, what you

528
00:31:11,840 --> 00:31:14,080
Speaker 2: were staking? You was getting that camera? Like what you

529
00:31:14,240 --> 00:31:16,800
Speaker 2: was thinking when you was taking shots? What? What you

530
00:31:17,120 --> 00:31:18,520
Speaker 2: was out of my mind that day.

531
00:31:18,840 --> 00:31:22,239
Speaker 1: I wasn't on anything, but the zone I was in

532
00:31:22,880 --> 00:31:27,800
Speaker 1: was adderall war mode. It was just it was it

533
00:31:27,880 --> 00:31:30,800
Speaker 1: was a very different space I was in that day.

534
00:31:31,320 --> 00:31:33,080
Speaker 1: You know, I never been there before.

535
00:31:33,760 --> 00:31:35,840
Speaker 2: You know, I always wanted to ask you about that versus.

536
00:31:36,200 --> 00:31:38,840
Speaker 2: Was it personal? No?

537
00:31:39,080 --> 00:31:42,480
Speaker 1: Not really wasn't those is our brothers. It's just you know,

538
00:31:42,720 --> 00:31:46,800
Speaker 1: it was a moment. You know, I feel it's like

539
00:31:46,880 --> 00:31:49,760
Speaker 1: a sports moment. It is it hip hop facts. Let

540
00:31:49,760 --> 00:31:50,480
Speaker 1: me tell you something.

541
00:31:50,480 --> 00:31:54,560
Speaker 2: When I sparred with Ja Rule, I was standing in

542
00:31:54,560 --> 00:31:59,080
Speaker 2: the building in Jersey, Uncle Dan's building. When I hit

543
00:31:59,120 --> 00:32:02,880
Speaker 2: the first floor, the man, the doorman was like, get

544
00:32:02,920 --> 00:32:06,440
Speaker 2: him cracked. I jumped in the car. The FedEx truck

545
00:32:06,480 --> 00:32:10,920
Speaker 2: pulled up, take him to wall, cracked, drag him. By

546
00:32:10,960 --> 00:32:13,160
Speaker 2: the time I got a Madison Square gun, I heard

547
00:32:13,200 --> 00:32:16,920
Speaker 2: so much war like I was possessed. Like I walked up,

548
00:32:16,960 --> 00:32:19,840
Speaker 2: isn't there? I was like, yo, I gotta kill him.

549
00:32:20,200 --> 00:32:24,040
Speaker 2: I got like they hype that must feel like Balanga

550
00:32:24,120 --> 00:32:27,680
Speaker 2: feels like that going to a fight or something like that. Like, no,

551
00:32:27,920 --> 00:32:32,400
Speaker 2: it's the closest thing to fighting. You don't go into

552
00:32:32,440 --> 00:32:35,280
Speaker 2: like a that's what you're said. You was like fucking possessed.

553
00:32:35,960 --> 00:32:47,400
Speaker 2: It's just a lot. It was a lot. Man this week,

554
00:32:47,440 --> 00:32:48,920
Speaker 2: get hit by the history, y'all.

555
00:32:49,560 --> 00:32:55,360
Speaker 1: May nineteenth man DMX drop in nineteen ninety eight The Dog.

556
00:32:58,040 --> 00:32:59,360
Speaker 2: Always Love for the Dog.

557
00:33:00,240 --> 00:33:03,320
Speaker 1: Nineteen ninety eight, he dropped his debut album, It's Dark

558
00:33:03,360 --> 00:33:07,480
Speaker 1: and Hell Is Eye. The importance of that album to

559
00:33:07,600 --> 00:33:10,600
Speaker 1: me is that, you know, he put us on, He

560
00:33:10,680 --> 00:33:13,800
Speaker 1: came and got us, put us, bought us with rough riders,

561
00:33:14,120 --> 00:33:16,600
Speaker 1: told him this is we're starting it off, like you know,

562
00:33:16,920 --> 00:33:20,040
Speaker 1: this is who I want to represent with me, and

563
00:33:20,960 --> 00:33:24,200
Speaker 1: the rest was history. To see where we came from,

564
00:33:24,600 --> 00:33:27,960
Speaker 1: to see where he came from. He was already then

565
00:33:27,960 --> 00:33:31,680
Speaker 1: there like Bruce Springsteen and Yo, we already looked at

566
00:33:31,720 --> 00:33:35,000
Speaker 1: him as like a rock star. Then fast forward him

567
00:33:35,040 --> 00:33:38,960
Speaker 1: being the only one of the only rappers that ever

568
00:33:39,080 --> 00:33:39,960
Speaker 1: do Woodstock.

569
00:33:41,000 --> 00:33:42,880
Speaker 2: That shit is crazy, you know what I mean?

570
00:33:43,040 --> 00:33:47,720
Speaker 1: That video a lot well forever mean the world to

571
00:33:47,880 --> 00:33:50,280
Speaker 1: me because you know what I mean, he gave me

572
00:33:50,320 --> 00:33:51,240
Speaker 1: a chance to.

573
00:33:51,080 --> 00:33:55,840
Speaker 2: Change my family's financial situation. You know, DMX stuck a

574
00:33:55,920 --> 00:33:58,320
Speaker 2: guy up right in front of me. Yeah, Max stuck

575
00:33:58,360 --> 00:34:00,520
Speaker 2: a lot of niggas, yeah Max. No, but he was

576
00:34:00,560 --> 00:34:06,920
Speaker 2: already a star. Yes, just met him and pun in

577
00:34:07,000 --> 00:34:11,640
Speaker 2: the gas station in Brooklyn after a show, thousands of people.

578
00:34:11,719 --> 00:34:13,839
Speaker 2: After the show, we in the gas stations. Dude comes

579
00:34:13,840 --> 00:34:16,080
Speaker 2: with some chains. The DMX was like, y'all, hold up, y'all.

580
00:34:16,640 --> 00:34:19,360
Speaker 2: He went and took his chains, came back and started

581
00:34:19,400 --> 00:34:24,120
Speaker 2: talking to us in the gas station. Yo, DMX, you

582
00:34:24,200 --> 00:34:26,719
Speaker 2: can't even he did so no, no, no, he's done.

583
00:34:26,760 --> 00:34:27,200
Speaker 1: He did.

584
00:34:27,840 --> 00:34:30,120
Speaker 2: I'm just telling you a true story. Like I got

585
00:34:30,120 --> 00:34:33,120
Speaker 2: so many kids, we might have we gotta filter some

586
00:34:33,280 --> 00:34:36,960
Speaker 2: of these stories. I'm telling you you might have got

587
00:34:37,400 --> 00:34:39,839
Speaker 2: incredible I'm not telling you none of them.

588
00:34:39,880 --> 00:34:43,920
Speaker 1: Cut the crazy. Since we gonna I gotta give him story. Look,

589
00:34:44,239 --> 00:34:46,240
Speaker 1: when we shot the John Blade.

590
00:34:45,920 --> 00:34:48,080
Speaker 2: Video, DMX showed up.

591
00:34:48,360 --> 00:34:52,759
Speaker 1: No listen, this is how long ago it was, and

592
00:34:52,840 --> 00:34:56,719
Speaker 1: this how crazy this was. Stash boxes first got invented.

593
00:34:57,120 --> 00:34:58,480
Speaker 1: He wanted to test his ship.

594
00:34:58,560 --> 00:35:01,040
Speaker 2: That was more before that. Forget it was in the

595
00:35:01,080 --> 00:35:02,520
Speaker 2: ages we had stash.

596
00:35:02,840 --> 00:35:05,319
Speaker 1: It wasn't They wasn't doing what the ships was doing

597
00:35:05,560 --> 00:35:12,120
Speaker 1: as the as a technology. He wanted to test his

598
00:35:12,200 --> 00:35:16,040
Speaker 1: own ship out. He drove somebody was driving. He was

599
00:35:16,040 --> 00:35:19,839
Speaker 1: in the passenger, let off a four I don't know

600
00:35:19,880 --> 00:35:27,239
Speaker 1: what it was and wanted to get pulled over. Ain't

601
00:35:27,280 --> 00:35:31,440
Speaker 1: got pulled over. I said, this nigga is nuts.

602
00:35:31,480 --> 00:35:34,040
Speaker 2: Though he is nuts. That was the crazy.

603
00:35:35,480 --> 00:35:35,719
Speaker 3: Yeah.

604
00:35:36,040 --> 00:35:38,120
Speaker 1: Let he had in the con front of the cots.

605
00:35:38,440 --> 00:35:41,839
Speaker 1: Let it off, pull a block of through, pull over.

606
00:35:42,320 --> 00:35:44,920
Speaker 1: Know what you talk about this and they ain't have

607
00:35:45,040 --> 00:35:47,239
Speaker 1: the ship to make it pop out yet, so he was.

608
00:35:47,920 --> 00:35:50,839
Speaker 2: I said, this nigga pun is crazy. I just had

609
00:35:50,880 --> 00:35:53,680
Speaker 2: the bends. The way to explain the way to explain

610
00:35:53,719 --> 00:35:57,759
Speaker 2: it to you, bay is you know how somebody could

611
00:35:57,800 --> 00:36:01,880
Speaker 2: be a genius in something and then in just common sense,

612
00:36:03,480 --> 00:36:05,560
Speaker 2: he just don't know what he's like. I would go

613
00:36:05,600 --> 00:36:09,440
Speaker 2: to his house right and he would have about thirty

614
00:36:09,520 --> 00:36:12,840
Speaker 2: forty guns in his house. If you sat and the

615
00:36:12,920 --> 00:36:15,840
Speaker 2: pillow was a gun, you put your hand on the chicken,

616
00:36:15,920 --> 00:36:17,560
Speaker 2: it was a gun. You hit it. It was just

617
00:36:18,360 --> 00:36:21,839
Speaker 2: And I would sit there because I really came from

618
00:36:21,880 --> 00:36:25,600
Speaker 2: the streets. I know what Rico and Dykesman saw indictments are.

619
00:36:25,680 --> 00:36:27,520
Speaker 2: I know what all this is. I don't came from

620
00:36:27,560 --> 00:36:31,279
Speaker 2: them and be like, They're gonna make a jail just

621
00:36:31,400 --> 00:36:34,960
Speaker 2: for you, buddy. Nah, they don't lock rappers up like that.

622
00:36:35,000 --> 00:36:38,320
Speaker 2: They got swimming pools for rappers and all that tennis courts.

623
00:36:38,360 --> 00:36:41,880
Speaker 2: I'm like, yo, he's think about the futuristic feds what

624
00:36:42,760 --> 00:36:45,880
Speaker 2: And I would tell him, like, you'll plun your crazy broke.

625
00:36:46,200 --> 00:36:48,959
Speaker 2: Then I go around his hood and the cops pulled

626
00:36:49,040 --> 00:36:52,360
Speaker 2: me over like this. Prom one of the only rappers

627
00:36:52,560 --> 00:36:54,960
Speaker 2: who never moved out the hood even til he died.

628
00:36:55,320 --> 00:36:58,000
Speaker 2: He refused to move out the hood. I was already

629
00:36:58,040 --> 00:37:01,720
Speaker 2: in Jersey, Like, yo, come in Jersey, birds of chirping,

630
00:37:01,880 --> 00:37:03,920
Speaker 2: you know, he naw, I'm in the hood. I'm the

631
00:37:03,960 --> 00:37:07,680
Speaker 2: realistic pun at the crib in the hood. Ten benzes,

632
00:37:08,440 --> 00:37:11,520
Speaker 2: exotic twenty thousand dollars dogs and the all types of

633
00:37:11,560 --> 00:37:14,040
Speaker 2: shit like he was big pun double platinum in the house.

634
00:37:15,000 --> 00:37:18,080
Speaker 2: He didn't care, and so I would go to his

635
00:37:18,160 --> 00:37:24,160
Speaker 2: hood and as a respected elder brother, the police pulled

636
00:37:24,200 --> 00:37:26,000
Speaker 2: me over. So I'm like, your officer, while you putting

637
00:37:26,040 --> 00:37:28,640
Speaker 2: yo Joe man, you know that you gotta stop throwing

638
00:37:28,760 --> 00:37:31,360
Speaker 2: eggs at the old ladies in front of the supermarket.

639
00:37:32,040 --> 00:37:34,279
Speaker 2: You know, we know he's the only guy with the

640
00:37:34,280 --> 00:37:37,480
Speaker 2: bends with the water gun shooting the old ladies. I'm like, Yo,

641
00:37:38,640 --> 00:37:42,640
Speaker 2: I go in this house, I start arguing with everybody

642
00:37:42,719 --> 00:37:45,840
Speaker 2: in the house, like your punt, They're gonna put you

643
00:37:45,920 --> 00:37:49,360
Speaker 2: in jail. You shooting the water guns at the old ladies.

644
00:37:49,400 --> 00:37:52,839
Speaker 2: They know, the only guy with a five hundred bends

645
00:37:52,840 --> 00:37:57,600
Speaker 2: in the fucking sound view. It's your punt. You're going now.

646
00:37:57,680 --> 00:38:01,720
Speaker 2: He just didn't he he uh. He would go real

647
00:38:01,880 --> 00:38:05,920
Speaker 2: from genius to common sense, no sense. Like I had

648
00:38:05,920 --> 00:38:08,920
Speaker 2: a real struggle with him and Nori because Nory's also

649
00:38:09,000 --> 00:38:14,759
Speaker 2: my little brother. Oh. They used to see me and

650
00:38:14,800 --> 00:38:18,480
Speaker 2: be like, yo, Joe's the fun killer. He's the fun killer. No,

651
00:38:18,520 --> 00:38:21,560
Speaker 2: I don't want you to go to jail and not

652
00:38:21,680 --> 00:38:24,279
Speaker 2: get to the back, like I know what's going on

653
00:38:24,360 --> 00:38:27,160
Speaker 2: out here. You guys are too crazy. Thank god we

654
00:38:27,200 --> 00:38:31,719
Speaker 2: ain't have I g back then I'll tell you a

655
00:38:31,800 --> 00:38:35,680
Speaker 2: quick story. We had this joint like this two days ago.

656
00:38:35,680 --> 00:38:39,280
Speaker 2: It was hot in New York. I'm outside of uh

657
00:38:40,000 --> 00:38:44,520
Speaker 2: which players the Demodesty Dynasty commanded the wise sponser right,

658
00:38:44,600 --> 00:38:49,400
Speaker 2: dispensary cock diesel. Little Spanish dude is walking through with

659
00:38:49,480 --> 00:38:54,440
Speaker 2: the tank top like this, right, I try to look

660
00:38:54,480 --> 00:38:58,280
Speaker 2: away already know he makes a U turn, Yo, Joe,

661
00:38:58,960 --> 00:39:01,719
Speaker 2: you got me through my I did twenty six years this.

662
00:39:01,719 --> 00:39:05,560
Speaker 2: This that one thing I could tell you before. I

663
00:39:05,719 --> 00:39:08,680
Speaker 2: was a tough guy. When I was five years old,

664
00:39:09,080 --> 00:39:11,359
Speaker 2: I always knew the guys who just came home from

665
00:39:11,440 --> 00:39:17,800
Speaker 2: yail No. Five. You know, these guys got tank tops

666
00:39:18,120 --> 00:39:20,600
Speaker 2: and they walking like you know, they strutting around the thing.

667
00:39:20,960 --> 00:39:23,279
Speaker 2: I knew this guy just came out of jail. They

668
00:39:23,360 --> 00:39:28,239
Speaker 2: had to be the same way, y'all. Five years old,

669
00:39:28,280 --> 00:39:31,600
Speaker 2: I knew that man came ran home from jail, and

670
00:39:31,640 --> 00:39:34,840
Speaker 2: it's preferably just before the summer. They coming out with

671
00:39:34,960 --> 00:39:37,160
Speaker 2: a tank top and all like, well, anyway he did it.

672
00:39:37,560 --> 00:39:41,759
Speaker 2: I grabbed him so fast, hugged him. Yo, thank you,

673
00:39:41,920 --> 00:39:45,040
Speaker 2: I say. You see that is a camera in this store.

674
00:39:45,560 --> 00:39:48,000
Speaker 2: I walked through them two more steps. You see that

675
00:39:48,520 --> 00:39:50,960
Speaker 2: it's a camera. I walked through them two more steps.

676
00:39:51,040 --> 00:39:53,359
Speaker 2: You see that it's a camera. I'm not exaggerated. When

677
00:39:53,360 --> 00:39:54,960
Speaker 2: you come to richest joint, I'm gonna show you. I'm

678
00:39:54,960 --> 00:39:57,560
Speaker 2: gonna show you how I walked them. Maybe halfway to

679
00:39:57,640 --> 00:40:01,600
Speaker 2: the corner, we passed ten cameras. Brother, can't do nothing

680
00:40:01,640 --> 00:40:05,520
Speaker 2: no more. You're going to jail. Look at this, we're

681
00:40:05,600 --> 00:40:09,200
Speaker 2: on camera. That's what Fat Joe's gonna tell you after

682
00:40:09,280 --> 00:40:11,919
Speaker 2: twenty six years. You take that with you if you want.

683
00:40:12,000 --> 00:40:14,879
Speaker 2: You're not getting away because he walking down and now

684
00:40:14,880 --> 00:40:18,759
Speaker 2: he's in the black Aubumn. He's Puerto Rican. Did he ride?

685
00:40:19,160 --> 00:40:22,000
Speaker 2: He just wanted to smoke. I'm just trying to let

686
00:40:22,080 --> 00:40:25,200
Speaker 2: him know you on camera. Bee, I don't give a

687
00:40:25,200 --> 00:40:29,200
Speaker 2: hell what what what hand skills you learned in jail?

688
00:40:29,239 --> 00:40:32,200
Speaker 2: You're going back to Jude fifty two men. Yeah, he

689
00:40:32,360 --> 00:40:37,440
Speaker 2: coming through with us, Say yo, bro, really politely, Look, look, look, look,

690
00:40:37,920 --> 00:40:40,040
Speaker 2: look it's crazy because Remmy came to the thing and

691
00:40:40,080 --> 00:40:41,759
Speaker 2: I told her that story before, and I said, let

692
00:40:41,760 --> 00:40:43,399
Speaker 2: me show you this story me. She said, what you mean?

693
00:40:43,680 --> 00:40:46,520
Speaker 2: She came the other day to Rich's joint. I walked

694
00:40:46,520 --> 00:40:51,000
Speaker 2: her four stores down and there was ten cameras. This sauce.

695
00:40:51,680 --> 00:40:55,120
Speaker 2: I say, y'all, you can't do nothing. You can't do.

696
00:40:55,120 --> 00:40:59,600
Speaker 1: Nothing, cat, somebody is still try.

697
00:41:00,840 --> 00:41:05,839
Speaker 2: Kids, just shoot the place you're on camera. You're not

698
00:41:05,920 --> 00:41:09,680
Speaker 2: getting away with it. You're done gone twenty years. Your

699
00:41:09,760 --> 00:41:12,880
Speaker 2: light in a very vine speacet to it. But with

700
00:41:13,440 --> 00:41:17,000
Speaker 2: we're counseling when you're doing it. We're counseling though. So

701
00:41:17,840 --> 00:41:29,400
Speaker 2: I'm trying to do some positive ship here. The king

702
00:41:29,640 --> 00:41:34,200
Speaker 2: of this podcast ship to me. It's my brother Noriega

703
00:41:34,560 --> 00:41:39,120
Speaker 2: left Racks. When I tell you I don't drink any

704
00:41:39,239 --> 00:41:43,080
Speaker 2: show I got in Miami, his Puerto Rican cousins come

705
00:41:44,080 --> 00:41:47,200
Speaker 2: and no, no, listen, Nigga, listen, you do not really

706
00:41:47,200 --> 00:41:49,399
Speaker 2: have black halted Puerto Rican. But the Puerto Ricans come,

707
00:41:49,800 --> 00:41:52,480
Speaker 2: I mean, Victor, let me say something to you. They

708
00:41:52,840 --> 00:41:57,680
Speaker 2: literally step child me and take over my section, grab

709
00:41:57,760 --> 00:41:59,640
Speaker 2: the bottles and be like, yo, you ain't drinking this.

710
00:41:59,719 --> 00:42:02,399
Speaker 2: They know I don't drink. They just house my ship.

711
00:42:02,480 --> 00:42:05,080
Speaker 2: It's thirty of them and I'm sitting I'm performing live,

712
00:42:05,480 --> 00:42:08,160
Speaker 2: sitting on the corner. If I'm lucky to have this

713
00:42:08,480 --> 00:42:12,960
Speaker 2: inch of the couch to myself. I love them they come,

714
00:42:13,000 --> 00:42:15,359
Speaker 2: but they just come and take over my ship, like yo, yo,

715
00:42:15,480 --> 00:42:19,360
Speaker 2: five move move. You know they saw grabbing the champagne

716
00:42:19,400 --> 00:42:22,000
Speaker 2: and that ain't suspending all. You don't drink, you know

717
00:42:22,080 --> 00:42:27,400
Speaker 2: you don't care this yo. I'm like the entourage ship?

718
00:42:28,160 --> 00:42:31,800
Speaker 2: Is the Entourage ever gonna be dead? Like the nentarage,

719
00:42:31,880 --> 00:42:34,320
Speaker 2: Like you're gonna need some people to travel. You gotta

720
00:42:34,960 --> 00:42:37,479
Speaker 2: you need some people to travel with you. The people

721
00:42:37,520 --> 00:42:41,400
Speaker 2: that they fun fun God to a festival going somewhere,

722
00:42:41,840 --> 00:42:44,200
Speaker 2: four or five people. But back in the days, Deeople

723
00:42:44,400 --> 00:42:46,839
Speaker 2: come with forty to fifty Fat Joe Turble Squad come

724
00:42:46,920 --> 00:42:53,919
Speaker 2: forty fifty is the entage days over over or dodel

725
00:42:54,440 --> 00:42:55,719
Speaker 2: because after you first.

726
00:42:55,480 --> 00:42:57,600
Speaker 1: Get out of the game, anybody, look, I think it's

727
00:42:57,600 --> 00:43:01,359
Speaker 1: the thing. When you first get in, you feel I'm

728
00:43:01,360 --> 00:43:05,080
Speaker 1: bringing the whole block. When you start seeing how I go, now,

729
00:43:05,120 --> 00:43:10,360
Speaker 1: I'm just the hatchet comes out. You're paying for bails,

730
00:43:10,560 --> 00:43:13,960
Speaker 1: You're doing dumb ship, you start asking them off.

731
00:43:15,320 --> 00:43:21,040
Speaker 2: Nowadays, my circle is so small. It's a period only

732
00:43:21,120 --> 00:43:24,000
Speaker 2: God can fin I've been trying to find the cast.

733
00:43:24,520 --> 00:43:27,920
Speaker 2: I'm a trucking the relationship you said, I'm trying to

734
00:43:28,080 --> 00:43:32,200
Speaker 2: find the past code to get in my own so

735
00:43:32,239 --> 00:43:35,719
Speaker 2: swell you forgot. I forgot the past. I still ain't

736
00:43:35,760 --> 00:43:37,880
Speaker 2: get the privilege of the past. It's only God in

737
00:43:37,920 --> 00:43:41,960
Speaker 2: the period. But I can't fuck with circle so small

738
00:43:42,000 --> 00:43:44,560
Speaker 2: as old enough with some guy period. Only God is

739
00:43:44,560 --> 00:43:46,760
Speaker 2: in there. I've been trying to crack the past cold,

740
00:43:47,200 --> 00:43:49,680
Speaker 2: so I have to hop up in that ship. That's

741
00:43:49,719 --> 00:43:50,960
Speaker 2: how small that ship is.

742
00:43:58,280 --> 00:44:02,320
Speaker 3: Blending Vice's signature dynamic storytelling with the high octane world

743
00:44:02,320 --> 00:44:05,759
Speaker 3: of sports, Vice Sports brings an exciting and diverse range

744
00:44:05,800 --> 00:44:08,799
Speaker 3: of programming that goes beyond the game, catch action pack,

745
00:44:09,200 --> 00:44:13,120
Speaker 3: live events, and exclusive sports documentaries and profiles only on

746
00:44:13,200 --> 00:44:13,760
Speaker 3: Vice TV.

747
00:44:18,440 --> 00:44:20,080
Speaker 2: Travis Hunters just got married.

748
00:44:20,680 --> 00:44:23,040
Speaker 1: I don't really like to talk about that kind of stuff,

749
00:44:23,080 --> 00:44:25,960
Speaker 1: but you gave us a story from your neighbor how

750
00:44:26,840 --> 00:44:27,600
Speaker 1: something happened.

751
00:44:27,640 --> 00:44:30,800
Speaker 2: He had a nice you know, one hundreds of million

752
00:44:30,880 --> 00:44:31,480
Speaker 2: dollars lick.

753
00:44:31,600 --> 00:44:35,560
Speaker 1: They they invited the neighbors over toasting, and the thinking

754
00:44:35,600 --> 00:44:38,320
Speaker 1: they next day gets the slip.

755
00:44:38,520 --> 00:44:40,239
Speaker 2: So you don't like to talk about it, which I

756
00:44:40,280 --> 00:44:42,160
Speaker 2: agree with you. But you want to line me up

757
00:44:42,200 --> 00:44:44,200
Speaker 2: to talk about no, no, no, I just want wait

758
00:44:44,280 --> 00:44:47,240
Speaker 2: till you think about trying to shunt to and his babe,

759
00:44:47,760 --> 00:44:50,200
Speaker 2: you know, getting mad? What do you? What does Jadakiss

760
00:44:50,239 --> 00:44:50,840
Speaker 2: think about that?

761
00:44:51,400 --> 00:44:56,280
Speaker 1: I wish of the best. I my success in the NFL,

762
00:44:56,400 --> 00:45:00,879
Speaker 1: and must success and marriage. I just don't believe these

763
00:45:00,960 --> 00:45:02,040
Speaker 1: days in true love.

764
00:45:02,160 --> 00:45:03,719
Speaker 2: No more so I don't.

765
00:45:03,800 --> 00:45:06,920
Speaker 4: I don't believe believe in true love no more like

766
00:45:07,000 --> 00:45:10,879
Speaker 4: that meaning that back in the days, the love our

767
00:45:11,040 --> 00:45:14,440
Speaker 4: parents had, or the love we at least the last

768
00:45:14,480 --> 00:45:17,919
Speaker 4: sprinkle love we had, is different now.

769
00:45:18,080 --> 00:45:21,520
Speaker 1: So now everything's Mike awake, No, everything's a business agreement.

770
00:45:21,520 --> 00:45:25,560
Speaker 2: Instance, they get married, you gotta sit down. I watched

771
00:45:26,160 --> 00:45:28,200
Speaker 2: and this is on the thing. I watched this thing

772
00:45:28,239 --> 00:45:32,680
Speaker 2: on Netflix. O Cho Sinko and this girl who I

773
00:45:32,719 --> 00:45:35,960
Speaker 2: always thought they loved each other to death, and they

774
00:45:36,040 --> 00:45:39,080
Speaker 2: brought the lawyers before the wedding, and the wedding was

775
00:45:39,080 --> 00:45:41,160
Speaker 2: called off because they was like, I want a piece

776
00:45:41,200 --> 00:45:43,240
Speaker 2: of your show, you want a piece of my show.

777
00:45:43,640 --> 00:45:46,799
Speaker 2: I want to just it just turned straight business. And

778
00:45:46,880 --> 00:45:50,359
Speaker 2: so what I'm saying to you is that, unfortunately, especially

779
00:45:50,760 --> 00:45:54,759
Speaker 2: a young athlete, this stigma is not true. Because John

780
00:45:54,800 --> 00:45:57,359
Speaker 2: Beson is my brother. He's a real smart guy. But

781
00:45:57,400 --> 00:46:00,920
Speaker 2: the stigma around young athletes is they know how to

782
00:46:00,920 --> 00:46:03,360
Speaker 2: play the fuck out the sport. They ain't that bright

783
00:46:04,200 --> 00:46:06,280
Speaker 2: and so the girls zero in on them.

784
00:46:06,760 --> 00:46:09,439
Speaker 1: You know it's not they're not that bright. They book

785
00:46:09,480 --> 00:46:12,600
Speaker 1: smart and they athletic when it comes in. They not

786
00:46:12,800 --> 00:46:17,680
Speaker 1: love y'all because they gym rats. They've been in the

787
00:46:17,760 --> 00:46:20,799
Speaker 1: gym or the field or the classroom. They haven't been on.

788
00:46:20,840 --> 00:46:24,920
Speaker 2: Brood with the census is God bless Travis Hunter. But

789
00:46:26,280 --> 00:46:29,560
Speaker 2: my common sense say this won't end right. He's gonna

790
00:46:29,640 --> 00:46:33,400
Speaker 2: end no prenup, no prenupt, This ain't gonna end right.

791
00:46:35,040 --> 00:46:38,080
Speaker 2: And so that's the point where if that's your son,

792
00:46:38,760 --> 00:46:45,280
Speaker 2: that's your nephew, real love though no prenup. Mean, what's

793
00:46:45,360 --> 00:46:49,799
Speaker 2: the last time we saw real love in this generation?

794
00:46:50,200 --> 00:46:54,200
Speaker 2: Like you could say real love unless unfortunately, unless you

795
00:46:54,320 --> 00:46:57,920
Speaker 2: both is broke and you're coming up together. She get

796
00:46:57,920 --> 00:46:59,600
Speaker 2: a good job and you get a job and we

797
00:46:59,680 --> 00:47:02,680
Speaker 2: by have crib together and we do it together. Other

798
00:47:02,800 --> 00:47:05,719
Speaker 2: than that, if you're a guy with a hundred m's

799
00:47:05,800 --> 00:47:10,840
Speaker 2: and all that chance to say, you fucked and big time,

800
00:47:10,920 --> 00:47:13,439
Speaker 2: and let me tell you something, somebody should have jumped

801
00:47:13,480 --> 00:47:16,120
Speaker 2: in front of the battle. Do anybody got something to

802
00:47:16,160 --> 00:47:18,719
Speaker 2: say somebody should somebody should have jumped in front of

803
00:47:18,760 --> 00:47:21,880
Speaker 2: the barrel early, like an uncle or nephew. We hate

804
00:47:21,880 --> 00:47:24,840
Speaker 2: those people, but at least let it be know. I

805
00:47:25,000 --> 00:47:28,480
Speaker 2: got a friend right which I can't really talk him

806
00:47:28,520 --> 00:47:32,400
Speaker 2: too much detail, but I got a friend who was

807
00:47:32,480 --> 00:47:36,120
Speaker 2: once married, and you know they got him. You know

808
00:47:36,120 --> 00:47:37,799
Speaker 2: what I'm saying. They got him for his paper and

809
00:47:37,800 --> 00:47:40,160
Speaker 2: all that. You know, his ex wife got him. She

810
00:47:40,280 --> 00:47:42,480
Speaker 2: took most of the bread. He was back fucked up.

811
00:47:42,560 --> 00:47:47,960
Speaker 2: This that crawled out the dungeons, crawled out out the dungeon.

812
00:47:48,040 --> 00:47:50,319
Speaker 2: When I say dungeons, look when you gonna pick up

813
00:47:50,320 --> 00:47:54,080
Speaker 2: your man. And he got the Hitler mustache, the big

814
00:47:54,120 --> 00:47:56,920
Speaker 2: shit like this, he don't even look like he did,

815
00:47:57,280 --> 00:47:59,640
Speaker 2: like you know, he all fucked up. When you go

816
00:47:59,680 --> 00:48:02,400
Speaker 2: out there, he got water feel and now you know

817
00:48:02,480 --> 00:48:06,239
Speaker 2: the big ship when when you come pull up and

818
00:48:06,239 --> 00:48:10,120
Speaker 2: you're like, you're like, damn bro, like that happened sneaking

819
00:48:10,120 --> 00:48:10,560
Speaker 2: of them up.

820
00:48:10,719 --> 00:48:12,560
Speaker 1: I don't like how what you call him from the

821
00:48:12,600 --> 00:48:16,440
Speaker 1: Indian and somebody on the paces that look like Ron different.

822
00:48:16,560 --> 00:48:25,960
Speaker 5: Yeah, I was like Benjamin Shepherd. He got a rifle

823
00:48:26,080 --> 00:48:29,399
Speaker 5: though by he looks like Ron from the different wood

824
00:48:29,440 --> 00:48:29,759
Speaker 5: out of you.

825
00:48:29,840 --> 00:48:32,160
Speaker 2: I don't like a bunch of them Indiana guys by

826
00:48:32,239 --> 00:48:34,040
Speaker 2: him right there, the guy who come up in there

827
00:48:34,400 --> 00:48:39,960
Speaker 2: to rough different. That's what I mean. That mustache, that mustache,

828
00:48:40,200 --> 00:48:42,920
Speaker 2: you know how you thought? You don't know? But my

829
00:48:42,960 --> 00:48:49,319
Speaker 2: man was fucked up. So we encourage him. Sure enough,

830
00:48:49,680 --> 00:48:52,600
Speaker 2: he gets back on his feet, he starts making a

831
00:48:52,600 --> 00:48:58,400
Speaker 2: bunch of money again, and he's ready to kindle no flame.

832
00:48:59,239 --> 00:49:04,120
Speaker 2: Oh he went back. Yes, listen, listen. But my thing

833
00:49:04,280 --> 00:49:08,719
Speaker 2: is I had because everybody talking to me on his back.

834
00:49:08,800 --> 00:49:11,960
Speaker 2: You got your cow, I got mine. Everybody yo yo yo,

835
00:49:12,080 --> 00:49:14,719
Speaker 2: yo yo yo. I had the balls to pull over

836
00:49:14,800 --> 00:49:16,799
Speaker 2: on the West Side Highway. He gonna know I'm talking

837
00:49:16,840 --> 00:49:21,280
Speaker 2: about him, And I said, Yo, they left you fucked

838
00:49:21,360 --> 00:49:26,160
Speaker 2: up already. Are you sure you want to do that? Nah?

839
00:49:26,280 --> 00:49:27,680
Speaker 2: Joe want to know what I'm doing this? And this?

840
00:49:27,800 --> 00:49:32,800
Speaker 2: I said, Bro, I picked you up with the quarter shield. Nah,

841
00:49:33,239 --> 00:49:35,879
Speaker 2: you know the mustache, the shit, you know, the shit

842
00:49:36,040 --> 00:49:40,400
Speaker 2: like Shepherd from Indiana, that big the fucking free cheese

843
00:49:40,640 --> 00:49:43,400
Speaker 2: your stage. Do you remember them block cheese shits? That

844
00:49:43,520 --> 00:49:46,200
Speaker 2: nigga got that ship right there right So I'm like, yo,

845
00:49:46,840 --> 00:49:51,319
Speaker 2: check this out. I said, you should. I wouldn't have

846
00:49:51,320 --> 00:49:53,320
Speaker 2: been a real one. I wouldn't want to have kept the

847
00:49:53,360 --> 00:49:56,279
Speaker 2: real with myself with my DNA, so I had to

848
00:49:56,320 --> 00:49:58,040
Speaker 2: be He said, Nah, I got this, this and this

849
00:49:58,080 --> 00:50:00,640
Speaker 2: and now, so right you sure. I just want you

850
00:50:00,680 --> 00:50:03,600
Speaker 2: to know I'm bringing this up at this time just

851
00:50:03,640 --> 00:50:07,120
Speaker 2: so that you know that you know I'm not just

852
00:50:07,160 --> 00:50:09,440
Speaker 2: going with I'm just trying to be Nah, Joe, I

853
00:50:09,520 --> 00:50:13,280
Speaker 2: got this. Everybody's happy. It's cool, you know what I'm saying.

854
00:50:13,760 --> 00:50:16,560
Speaker 2: But these guys they want to spend that, they want

855
00:50:16,560 --> 00:50:19,480
Speaker 2: to rekmble that that old flame. I don't know what

856
00:50:19,520 --> 00:50:21,920
Speaker 2: to tell you. It just ain't safe. No more man

857
00:50:22,440 --> 00:50:25,160
Speaker 2: to get married and shit like that. That shit all

858
00:50:25,400 --> 00:50:29,560
Speaker 2: music in the background. Here, where's the love? No, No,

859
00:50:29,600 --> 00:50:34,040
Speaker 2: that's what I'm saying, love, because once you coming in

860
00:50:34,080 --> 00:50:36,880
Speaker 2: the game. You know what I'm saying. It's just a

861
00:50:36,960 --> 00:50:40,040
Speaker 2: dunkin cup. But it's kiss cafe and hand baby. That's right, baby.

862
00:50:40,120 --> 00:50:43,480
Speaker 2: Ks got fake coffee dot fcoffee dot com. We got

863
00:50:43,560 --> 00:50:46,400
Speaker 2: rewinded ten wife fight the time while you can rewind

864
00:50:46,400 --> 00:50:48,879
Speaker 2: the time, Why look fifty three while you can look

865
00:50:48,920 --> 00:50:51,040
Speaker 2: forty three? Why look forty three while you can look

866
00:50:51,040 --> 00:50:54,200
Speaker 2: thirty three? If your wife says she likes you with

867
00:50:54,280 --> 00:50:57,760
Speaker 2: that great bed. She's lying. Guys, get in the game,

868
00:50:57,960 --> 00:51:02,600
Speaker 2: get your stride back, rewind the tad Sally's beauty CBS. Yo, look,

869
00:51:02,680 --> 00:51:09,200
Speaker 2: Sen Kyson Knot right, he must have a Travis should

870
00:51:09,239 --> 00:51:11,920
Speaker 2: have called Kyle. Oh yo.

871
00:51:12,000 --> 00:51:14,480
Speaker 6: He ain't go to the school of Ky. No, he

872
00:51:14,480 --> 00:51:16,000
Speaker 6: ain't go to the school of But you know what.

873
00:51:16,080 --> 00:51:18,799
Speaker 6: Also that tells me about Travis. He ain't got real

874
00:51:18,840 --> 00:51:22,120
Speaker 6: People rather him as much as a dude. Somebody has Prime.

875
00:51:22,200 --> 00:51:26,960
Speaker 1: He got you, They definitely they told dude.

876
00:51:26,760 --> 00:51:29,200
Speaker 2: But in the I think Prime shot them down and

877
00:51:29,239 --> 00:51:31,959
Speaker 2: gave him all the games that one shout out to coach.

878
00:51:32,560 --> 00:51:34,480
Speaker 2: You know, I love he treated him like a son.

879
00:51:34,560 --> 00:51:36,640
Speaker 2: I know he gave him. I know he gave him

880
00:51:37,160 --> 00:51:40,120
Speaker 2: all the tools and the resource move forward any need.

881
00:51:40,360 --> 00:51:43,400
Speaker 2: So I could talk about the funniest shit I've seen since,

882
00:51:43,440 --> 00:51:49,600
Speaker 2: Like Dave Chappelle, this guy Kyson Knot has a class

883
00:51:49,640 --> 00:51:54,080
Speaker 2: for athletes, the audience's athletes making one hundred million, fifty million,

884
00:51:54,120 --> 00:51:56,560
Speaker 2: this and this and that and what not to four

885
00:51:56,680 --> 00:51:59,879
Speaker 2: four with like bad chicks and baddies and all that.

886
00:52:00,080 --> 00:52:02,640
Speaker 2: So they got a girl acting like she you know,

887
00:52:03,560 --> 00:52:07,280
Speaker 2: and then you got a guy, so she calling him like, hey, babe, shoot,

888
00:52:07,640 --> 00:52:10,719
Speaker 2: you're not in front of the classroom. Hey babe, you

889
00:52:10,760 --> 00:52:12,879
Speaker 2: know I'm at the mall and you know I've seen

890
00:52:12,920 --> 00:52:16,479
Speaker 2: this watch, you know, and I cannot leave them all

891
00:52:16,520 --> 00:52:19,880
Speaker 2: without this watch. This is mine. It's just speaks to

892
00:52:19,920 --> 00:52:22,799
Speaker 2: me this, this, that, And then she goes, you know,

893
00:52:22,920 --> 00:52:25,440
Speaker 2: I need to see if you can wire over sixty thousand,

894
00:52:25,560 --> 00:52:28,439
Speaker 2: just sixty thousand, babe, this, So they jump out, wha whah,

895
00:52:28,480 --> 00:52:30,360
Speaker 2: Wait a minute, Wait a minute, wait a minute, hold up,

896
00:52:30,400 --> 00:52:32,680
Speaker 2: let her talk some more. She goes. He goes, what

897
00:52:32,800 --> 00:52:34,560
Speaker 2: kind of did you ask her? What kind of watch?

898
00:52:34,640 --> 00:52:36,840
Speaker 2: She says, what kind of watch? And she says AP.

899
00:52:37,280 --> 00:52:41,720
Speaker 2: He says, this is your out. You absolutely hey, aps.

900
00:52:41,920 --> 00:52:44,880
Speaker 2: You can't see it with aps. This. So he's teaching

901
00:52:44,920 --> 00:52:47,840
Speaker 2: the guy and the girl's like, yeah, well but I

902
00:52:47,920 --> 00:52:50,040
Speaker 2: need I like AP this and this and that, and

903
00:52:50,080 --> 00:52:53,959
Speaker 2: they start telling him, yo, telling your shit is maxed out,

904
00:52:54,160 --> 00:52:57,840
Speaker 2: like you know, you're respect this week's money. It's done,

905
00:52:58,040 --> 00:53:00,440
Speaker 2: and she said, damn, some guys got me like that

906
00:53:00,560 --> 00:53:04,880
Speaker 2: before this this that. I mean, they've given classes on

907
00:53:05,120 --> 00:53:08,480
Speaker 2: how not to get got. I think by a chick.

908
00:53:08,800 --> 00:53:11,239
Speaker 2: I think that we need to oh, no, I should

909
00:53:11,280 --> 00:53:14,280
Speaker 2: be man. I thought it was brilliant. Like I'm watching

910
00:53:14,280 --> 00:53:16,399
Speaker 2: the shit. I'm dying laughing. I'm like, Yo, this shit

911
00:53:16,520 --> 00:53:20,720
Speaker 2: is brilliant because you know, guys out here they're getting gotten.

912
00:53:28,960 --> 00:53:31,880
Speaker 2: Tupac should call one of the most prolific rappers in

913
00:53:31,920 --> 00:53:34,759
Speaker 2: the world. I think the realest rap in the world ever.

914
00:53:35,160 --> 00:53:38,640
Speaker 2: Just my opinion, right. Every time I seen Tupacs, if

915
00:53:38,640 --> 00:53:41,680
Speaker 2: we talk of violence and we're talking that, he was

916
00:53:41,840 --> 00:53:45,240
Speaker 2: in some shit. Every single time I laid the eyes

917
00:53:45,320 --> 00:53:47,600
Speaker 2: on him, I look at him, Yo, you've seen such

918
00:53:47,600 --> 00:53:49,200
Speaker 2: and such pulling up the ham in the middle of

919
00:53:49,239 --> 00:53:53,680
Speaker 2: the club. You over here, they was bootlegging tapes. He

920
00:53:53,800 --> 00:53:56,920
Speaker 2: beat up like twenty five Africans on one twenty fifth.

921
00:53:56,920 --> 00:54:00,160
Speaker 2: I'm watching them broad daylight, putting him work every where

922
00:54:00,360 --> 00:54:02,399
Speaker 2: I go. When I met him, he had a rad

923
00:54:02,440 --> 00:54:04,440
Speaker 2: bandann him with two guns. I didn't even know who

924
00:54:04,520 --> 00:54:07,600
Speaker 2: it was. I'm in Atlanta. He come up your crack.

925
00:54:08,360 --> 00:54:10,440
Speaker 2: I don't know who he is. I'm looking met the

926
00:54:10,480 --> 00:54:12,440
Speaker 2: man is dead. We in the cipher is one of

927
00:54:12,480 --> 00:54:15,719
Speaker 2: them conferences. He pulled at Yo's pot. That's how I

928
00:54:15,800 --> 00:54:18,319
Speaker 2: met two pots of cord. The first time I ever

929
00:54:18,360 --> 00:54:20,640
Speaker 2: seen him. Was in Atlanta too, Jack the rapp Did

930
00:54:20,680 --> 00:54:22,399
Speaker 2: he have two guns? That's where I was at Jack

931
00:54:22,440 --> 00:54:25,719
Speaker 2: To rapping. He didn't do that to you. Hit it

932
00:54:25,760 --> 00:54:32,799
Speaker 2: to me. He was at that Jack was there the

933
00:54:32,840 --> 00:54:34,960
Speaker 2: same one. It had to be the same. When the

934
00:54:34,960 --> 00:54:37,200
Speaker 2: girl was like, I seen your age on the cake,

935
00:54:37,280 --> 00:54:39,080
Speaker 2: I thought you was way younger. You was at the

936
00:54:39,160 --> 00:54:45,359
Speaker 2: Jack To rappings save that he was at the same one.

937
00:54:45,640 --> 00:54:47,759
Speaker 2: I thought you was like ten years behind me.

938
00:54:47,840 --> 00:54:52,799
Speaker 1: Man, he was at He was at the Yount.

939
00:54:53,640 --> 00:54:57,520
Speaker 2: You was there. Listen. We was at the motherfucking the hotel.

940
00:54:57,719 --> 00:55:01,720
Speaker 2: And the girl kept going death frozen, the oh long

941
00:55:01,840 --> 00:55:05,000
Speaker 2: bees call damn. The girl that was in the arm

942
00:55:05,400 --> 00:55:08,440
Speaker 2: in the chronic she was singing that shit out their

943
00:55:08,520 --> 00:55:12,000
Speaker 2: left rows in the huse Long Beach and I was like, yeah,

944
00:55:12,040 --> 00:55:13,759
Speaker 2: you know, we just kept making the scene that but

945
00:55:13,840 --> 00:55:18,399
Speaker 2: Tupac pull up. My point is he gets locked up.

946
00:55:19,320 --> 00:55:23,040
Speaker 2: Let's just say the white people in the record label,

947
00:55:23,360 --> 00:55:25,239
Speaker 2: no matter how much he was selling, no matter how

948
00:55:25,320 --> 00:55:27,919
Speaker 2: much we see them on TV, no matter what, they

949
00:55:27,960 --> 00:55:31,239
Speaker 2: did not go in that bag to bail him out.

950
00:55:32,760 --> 00:55:34,799
Speaker 2: This is the number one rapper at the time. You

951
00:55:34,800 --> 00:55:38,120
Speaker 2: couldn't escape. Tubac was on the news. He was on everything.

952
00:55:38,120 --> 00:55:40,680
Speaker 2: He was selling so many millions of records. They did

953
00:55:40,719 --> 00:55:43,400
Speaker 2: not bail this man out. It took Sugar Knight to

954
00:55:43,400 --> 00:55:47,040
Speaker 2: come from LA to bail out Tupac. That's how he

955
00:55:47,080 --> 00:55:51,000
Speaker 2: got signed to death Row. Right, So if you think

956
00:55:51,040 --> 00:55:54,680
Speaker 2: the record label's coming to bail you out, you know,

957
00:55:54,719 --> 00:55:56,880
Speaker 2: I know they support you at the beginning or whatever.

958
00:55:56,960 --> 00:55:59,960
Speaker 2: You got Little Dirk right now, Little Dirk has faced

959
00:56:00,080 --> 00:56:04,839
Speaker 2: in life. Right. If you think he's thinking, I don't know, man,

960
00:56:04,920 --> 00:56:06,719
Speaker 2: God bless him. If he's thinking the record.

961
00:56:07,239 --> 00:56:09,480
Speaker 1: I don't know about none of that ship. But fast

962
00:56:09,520 --> 00:56:12,719
Speaker 1: forward the times from Pock to dirt Dirt got. He's

963
00:56:12,800 --> 00:56:15,399
Speaker 1: making mad off. He got mad. He's trying to put

964
00:56:15,480 --> 00:56:18,319
Speaker 1: up mad M's buildings. All he's still they.

965
00:56:18,320 --> 00:56:21,879
Speaker 2: Denying his bell does fall Pack didn't have that? They'll

966
00:56:21,920 --> 00:56:22,319
Speaker 2: put up.

967
00:56:22,719 --> 00:56:27,280
Speaker 1: So man listens like a It goes you feel about

968
00:56:27,280 --> 00:56:30,560
Speaker 1: that with the as big as Pack was, look, he

969
00:56:30,600 --> 00:56:32,640
Speaker 1: should have had You don't think he should have been

970
00:56:32,640 --> 00:56:34,919
Speaker 1: able to get listen without shit back.

971
00:56:35,920 --> 00:56:38,239
Speaker 2: He ain't have it. No, but you just said he

972
00:56:38,400 --> 00:56:41,040
Speaker 2: was everywhere on the news on us, but he didn't

973
00:56:41,080 --> 00:56:43,239
Speaker 2: have that bag. He didn't have that bag, or he

974
00:56:43,239 --> 00:56:45,800
Speaker 2: would have bailed himself out. He didn't have the money

975
00:56:46,320 --> 00:56:49,719
Speaker 2: to bail himself out. Sometimes we living day by day,

976
00:56:49,760 --> 00:56:53,320
Speaker 2: We just living by different That's what I'm saying.

977
00:56:53,719 --> 00:56:57,680
Speaker 1: Euation, because Dirt got the money and he can't get tracked.

978
00:56:57,800 --> 00:57:00,000
Speaker 2: You think you checked the check, you working every day,

979
00:57:00,120 --> 00:57:02,600
Speaker 2: checked the check. We checked the check if we buying

980
00:57:02,640 --> 00:57:06,319
Speaker 2: three hundred thousand dollars, watches, house homes and everywhere. We

981
00:57:06,480 --> 00:57:09,520
Speaker 2: checked to keep working. That's why you gotta keep working.

982
00:57:09,520 --> 00:57:13,080
Speaker 1: Everybody, everybody is so rich, and why they ain't fucking

983
00:57:13,160 --> 00:57:13,880
Speaker 1: still working.

984
00:57:14,840 --> 00:57:18,080
Speaker 2: Gotta work. When I see Smoky Robinson and all the

985
00:57:18,120 --> 00:57:21,880
Speaker 2: motherfuckers still at Vegas and line will do it. I'm

986
00:57:21,920 --> 00:57:25,000
Speaker 2: just seeing Rod Stewart about to do something, all right,

987
00:57:25,040 --> 00:57:27,680
Speaker 2: So what does that mean? Does that mean that they

988
00:57:27,760 --> 00:57:29,720
Speaker 2: love to do it? But does it mean like we

989
00:57:29,880 --> 00:57:32,720
Speaker 2: gotta pay the bill? He got kids in college, you

990
00:57:32,800 --> 00:57:36,919
Speaker 2: got all type of shit going on mortgages, you got

991
00:57:37,040 --> 00:57:40,640
Speaker 2: car notes, you got ship Like I mean, guys eighty

992
00:57:40,720 --> 00:57:44,040
Speaker 2: years old still performing touring. I mean just two days

993
00:57:44,080 --> 00:57:49,120
Speaker 2: ago was Patty LaBelle something I would have went. I

994
00:57:49,200 --> 00:57:51,600
Speaker 2: was in Vegas stuff, I had a show Patty LaBelle,

995
00:57:51,720 --> 00:57:53,280
Speaker 2: my girl Stephanie.

996
00:57:52,880 --> 00:57:55,880
Speaker 1: Bell Gladys night shot and counk hm on.

997
00:57:56,280 --> 00:58:00,120
Speaker 2: It's a musty TV. But even they doing it for

998
00:58:00,160 --> 00:58:02,280
Speaker 2: the love and the passion, or they still got to

999
00:58:02,280 --> 00:58:05,360
Speaker 2: get the money to pay these bills, because these bills

1000
00:58:05,400 --> 00:58:09,360
Speaker 2: just keep it stop. The bills don't stop. The bills

1001
00:58:09,440 --> 00:58:13,880
Speaker 2: keep coming. I don't care. That's the bills is coming.

1002
00:58:14,040 --> 00:58:16,880
Speaker 2: Now the train is coming. And so what happens is

1003
00:58:16,960 --> 00:58:19,840
Speaker 2: I don't care how much money we make. It's almost

1004
00:58:19,880 --> 00:58:23,800
Speaker 2: like shampoo, the shit just slipped through your fingers. I'm

1005
00:58:23,840 --> 00:58:27,160
Speaker 2: not safe. No, I'm keeping it real with you. I

1006
00:58:27,200 --> 00:58:29,160
Speaker 2: am not safe with no amount of money. You don't

1007
00:58:29,160 --> 00:58:30,920
Speaker 2: know how many times I made a million dollars and

1008
00:58:30,960 --> 00:58:32,760
Speaker 2: this shit was gone in like a month or two.

1009
00:58:33,440 --> 00:58:36,800
Speaker 2: And it's just regular shit. Yo, Pay the lawyer, pay

1010
00:58:36,840 --> 00:58:40,960
Speaker 2: your insurance, pay this, repeat the process, just this that,

1011
00:58:41,120 --> 00:58:43,200
Speaker 2: and then you turn around and it's like, yo, where's

1012
00:58:43,200 --> 00:58:48,200
Speaker 2: the brad Yo, bro you do Louis Vuitton ain't cheap. Bro.

1013
00:58:48,800 --> 00:58:52,160
Speaker 2: All that shit you're doing out here looking cute, it

1014
00:58:52,200 --> 00:58:57,120
Speaker 2: ain't cheap. And so there's always a check to check.

1015
00:58:57,240 --> 00:59:00,440
Speaker 2: I don't care how much money you make. It blows

1016
00:59:00,560 --> 00:59:03,240
Speaker 2: my mind when I'm sitting down, I'm like Yo, I

1017
00:59:03,360 --> 00:59:05,720
Speaker 2: just made a million dollars last month. How the fuck

1018
00:59:05,720 --> 00:59:08,480
Speaker 2: are you telling me the amex mill? This, this, this, this,

1019
00:59:08,600 --> 00:59:12,040
Speaker 2: the washed up two quarters of the shit, like real

1020
00:59:12,120 --> 00:59:15,439
Speaker 2: quick like and you're thinking you in the fucking When

1021
00:59:15,440 --> 00:59:17,720
Speaker 2: I was in the projects, I thought I could buy

1022
00:59:17,720 --> 00:59:22,400
Speaker 2: a fucking cloud with a million dollars a cloud. I'd

1023
00:59:22,400 --> 00:59:24,280
Speaker 2: be like, yo, I could buy me a cloud a

1024
00:59:24,360 --> 00:59:27,040
Speaker 2: million dollars. You looking at the fucking car too, They

1025
00:59:27,120 --> 00:59:31,360
Speaker 2: going a million dollars. They was acting like you could

1026
00:59:31,360 --> 00:59:42,720
Speaker 2: buy the whole Bronx to that shit like this up there,

1027
00:59:42,800 --> 00:59:46,240
Speaker 2: you know. D Ray Davis raise man, I love you.

1028
00:59:46,920 --> 00:59:50,880
Speaker 2: He posted a video on him and coach. It said

1029
00:59:50,920 --> 00:59:53,360
Speaker 2: it's the first time of twelve years he been in coach.

1030
00:59:53,680 --> 00:59:56,400
Speaker 2: He feels like he got flewed out or something like,

1031
00:59:57,000 --> 00:59:58,920
Speaker 2: what do you feel about flying coach?

1032
01:00:00,080 --> 01:00:03,600
Speaker 1: Period of jet I ain't really happen on the Spirit.

1033
01:00:03,840 --> 01:00:05,880
Speaker 1: I hop on the Jet Blue, hop on the coach

1034
01:00:05,920 --> 01:00:08,640
Speaker 1: for a short flight. You do a quick one, yeah

1035
01:00:08,920 --> 01:00:11,240
Speaker 1: you know what I mean, a short hour or two.

1036
01:00:11,920 --> 01:00:14,000
Speaker 1: Let me tell you I ain't you know, I said

1037
01:00:14,080 --> 01:00:17,080
Speaker 1: I got I'd rather go Jet Blue than like a

1038
01:00:17,200 --> 01:00:21,200
Speaker 1: coach eleven like thirty one E get a stay right

1039
01:00:21,240 --> 01:00:21,720
Speaker 1: in the front.

1040
01:00:21,920 --> 01:00:22,760
Speaker 2: See TV.

1041
01:00:23,120 --> 01:00:25,960
Speaker 1: I watch a few on orders on there, but I

1042
01:00:26,000 --> 01:00:28,720
Speaker 1: can't go to Cali or nowhere. I'm not doing no

1043
01:00:28,840 --> 01:00:30,360
Speaker 1: real hours on coach.

1044
01:00:30,800 --> 01:00:34,400
Speaker 2: I can't do it right. I'm not no, no, no,

1045
01:00:34,840 --> 01:00:42,080
Speaker 2: definitely pray. I literally, this is part of my prayer. God,

1046
01:00:42,280 --> 01:00:46,120
Speaker 2: please don't put me in coach. It's a whole different

1047
01:00:46,160 --> 01:00:48,720
Speaker 2: atmosphere back there. I'm not telling you that for the

1048
01:00:48,760 --> 01:00:52,240
Speaker 2: first class. I got no roule lo. I pray. It's

1049
01:00:52,320 --> 01:00:56,600
Speaker 2: part of my prayers every day. God, please keep me

1050
01:00:56,680 --> 01:01:01,280
Speaker 2: in first class. I went coach one time. Some first.

1051
01:01:01,440 --> 01:01:03,160
Speaker 2: I'm telling you the truth. What you want me to do,

1052
01:01:03,240 --> 01:01:06,280
Speaker 2: I gotta expect to find the things in life we got.

1053
01:01:06,440 --> 01:01:08,920
Speaker 2: It's hard being number one, but somebody gotta do it.

1054
01:01:09,160 --> 01:01:10,840
Speaker 2: So what I'm trying to tell you the one time

1055
01:01:10,880 --> 01:01:14,440
Speaker 2: I had to fly coach, I sat next to the

1056
01:01:14,560 --> 01:01:18,240
Speaker 2: hill Billy Gems, that Beverly hillbilly. When I tell you,

1057
01:01:18,280 --> 01:01:21,520
Speaker 2: these kids was climbing over my shoulder. Some kid threw

1058
01:01:21,560 --> 01:01:23,760
Speaker 2: another kid a back of potato to smack me. In

1059
01:01:23,800 --> 01:01:26,120
Speaker 2: my faith, they will dipping. It's a different type of

1060
01:01:26,160 --> 01:01:32,160
Speaker 2: atmosphere back there. These was white people. This is the

1061
01:01:32,160 --> 01:01:38,040
Speaker 2: Beverly Hills, Billy Hey John shit hit my shits climbing

1062
01:01:38,080 --> 01:01:41,480
Speaker 2: over my shit. Yo. I was praying so much in

1063
01:01:41,600 --> 01:01:44,480
Speaker 2: that seat, and that was the Vegas Oh see, Yo,

1064
01:01:44,640 --> 01:01:47,320
Speaker 2: I was praying. It was the only flight I was praying.

1065
01:01:47,360 --> 01:01:51,520
Speaker 2: I said, God, please, Lord Jesus, I do never want

1066
01:01:51,600 --> 01:01:54,600
Speaker 2: to be on this again. And let me tell you something.

1067
01:01:54,640 --> 01:01:58,600
Speaker 2: I also believe that like the cheaper airlines like Spirit

1068
01:01:58,840 --> 01:02:02,600
Speaker 2: Southwest and all, they pay for fucked up routes out there.

1069
01:02:02,960 --> 01:02:06,360
Speaker 2: They pay for the bottom. Yeah, because they shit always

1070
01:02:06,440 --> 01:02:09,440
Speaker 2: like this. You ever got on a Spirit or they

1071
01:02:09,520 --> 01:02:12,120
Speaker 2: ship like this? Or I think they paid all right,

1072
01:02:12,240 --> 01:02:16,600
Speaker 2: what's the wackets level thirty four thousand feet? It's cheaper. Yes,

1073
01:02:16,880 --> 01:02:19,800
Speaker 2: they buy that route and your ship be like this

1074
01:02:19,880 --> 01:02:22,200
Speaker 2: all the time. You get there safe, but you shit

1075
01:02:22,320 --> 01:02:27,360
Speaker 2: be like this. You how come out? You pay? Listen,

1076
01:02:27,440 --> 01:02:30,000
Speaker 2: you pay for a private They'll tell YO, were going

1077
01:02:30,040 --> 01:02:32,960
Speaker 2: over all. I watched Calid maneuver like y'all. I don't

1078
01:02:33,000 --> 01:02:35,640
Speaker 2: want no bumps. I want you to be like, yes, sir,

1079
01:02:35,680 --> 01:02:38,600
Speaker 2: don't worry, We're gonna go to the west to right.

1080
01:02:38,760 --> 01:02:42,240
Speaker 2: There's no weather in forty seven thousand like you pay

1081
01:02:42,320 --> 01:02:46,560
Speaker 2: for that, heir. There's a reason why Spirit Airline and

1082
01:02:48,520 --> 01:02:52,120
Speaker 2: all them bullshit airlines got that shit going like this,

1083
01:02:53,240 --> 01:02:56,360
Speaker 2: We can forget about getting a sponsorship for Spirit. No, no, no,

1084
01:02:56,520 --> 01:02:59,480
Speaker 2: well we could take the bullshit out right, but just

1085
01:02:59,640 --> 01:03:05,400
Speaker 2: lower level headline, all right. I like that. I like

1086
01:03:05,480 --> 01:03:19,280
Speaker 2: that shit crazy out here, man. But you gotta take

1087
01:03:19,320 --> 01:03:22,760
Speaker 2: care of yourself, man, because it's hard. It's a horror

1088
01:03:22,840 --> 01:03:27,320
Speaker 2: show if you don't. And so we see shit out

1089
01:03:27,360 --> 01:03:32,280
Speaker 2: here sometimes where it just it don't make sense to me.

1090
01:03:32,920 --> 01:03:35,240
Speaker 2: You know, when I see legends looking fucked up, I

1091
01:03:35,240 --> 01:03:37,880
Speaker 2: see people looking fucked up, I see people not taking

1092
01:03:37,920 --> 01:03:41,480
Speaker 2: care of themselves. Man, it's just too much shit. And

1093
01:03:41,560 --> 01:03:43,880
Speaker 2: at certain age you neat that just to take care

1094
01:03:43,880 --> 01:03:46,520
Speaker 2: of you. You can't sniff a mountain of cocaine at

1095
01:03:46,600 --> 01:03:50,200
Speaker 2: fifty something years old. You know you over there thinking

1096
01:03:50,240 --> 01:03:53,680
Speaker 2: you Tony Montana at thirty. I'm not advising that you

1097
01:03:53,760 --> 01:03:57,240
Speaker 2: sniff a mountain of cocaine at fifty because your ass

1098
01:03:57,440 --> 01:03:57,919
Speaker 2: is done.

1099
01:03:58,880 --> 01:04:02,680
Speaker 1: I'm not advising stifferent about the cocaine at any age.

1100
01:04:02,760 --> 01:04:08,680
Speaker 2: I'm in my crib Miami, and I'm always early, right.

1101
01:04:08,760 --> 01:04:10,919
Speaker 2: I think you beat me here today, right, first time

1102
01:04:12,000 --> 01:04:15,280
Speaker 2: he beat me here, But I'm always early, So I'm ready.

1103
01:04:15,320 --> 01:04:17,920
Speaker 2: I'm up, ready to shoot the ship from the house.

1104
01:04:18,440 --> 01:04:20,560
Speaker 2: They're like, yo, Jada is a little lady. I said, why,

1105
01:04:20,600 --> 01:04:23,520
Speaker 2: he said he's in the gym. I had to respect that.

1106
01:04:23,640 --> 01:04:27,000
Speaker 2: I said, damn, this guy's in the gym, and for

1107
01:04:27,120 --> 01:04:29,120
Speaker 2: fifty years old, you could do all that. Ship. I

1108
01:04:29,200 --> 01:04:32,520
Speaker 2: see you up there, push ups and some assaults and

1109
01:04:32,600 --> 01:04:35,920
Speaker 2: ship you doing some shit on it one arm like

1110
01:04:36,000 --> 01:04:40,320
Speaker 2: that ship? What the fuck? What's your pops cock diesel? What? No,

1111
01:04:40,440 --> 01:04:43,600
Speaker 2: I'm asking you so whether you get this ship from

1112
01:04:43,640 --> 01:04:46,360
Speaker 2: doing the ball work? The this that I'm looking at you,

1113
01:04:46,840 --> 01:04:53,480
Speaker 2: Jim Jones, it's cock digel. It's a snowstorm and the

1114
01:04:53,640 --> 01:04:56,600
Speaker 2: snow is doing push ups anyway? Is that something special

1115
01:04:56,680 --> 01:04:58,440
Speaker 2: or something like? He's doing push ups in the snow

1116
01:04:58,800 --> 01:05:02,040
Speaker 2: with fucking the change knowing him as ship, like my

1117
01:05:02,160 --> 01:05:08,240
Speaker 2: thing is this thing is yo? No, I'll be looking

1118
01:05:08,280 --> 01:05:10,800
Speaker 2: at y'all working out. I'm like, Yo, this ship crazy

1119
01:05:11,400 --> 01:05:12,919
Speaker 2: medicine to give it up to you.

1120
01:05:13,200 --> 01:05:16,920
Speaker 1: Man, fist move a little, just do a little move.

1121
01:05:16,240 --> 01:05:20,480
Speaker 2: No move, I'm good. I'm just not cack diesel. I

1122
01:05:20,480 --> 01:05:23,600
Speaker 2: don't believe my body. My body is like Tyson Fury

1123
01:05:25,320 --> 01:05:29,160
Speaker 2: was a good yoh ship. That was the second best

1124
01:05:29,200 --> 01:05:31,200
Speaker 2: thing he ever said. Let me tell you something, he's

1125
01:05:31,200 --> 01:05:35,240
Speaker 2: not he'll knocked you what hell. But he looked flabby

1126
01:05:35,280 --> 01:05:39,040
Speaker 2: and sick, like you're looking at that, Tyson Fury. Now

1127
01:05:39,040 --> 01:05:42,560
Speaker 2: I don't look flabby man. The man looked like he

1128
01:05:43,200 --> 01:05:46,240
Speaker 2: was the chair. He retired. Man can't get a six pack.

1129
01:05:46,320 --> 01:05:47,120
Speaker 2: He knocked.

1130
01:05:49,000 --> 01:05:49,160
Speaker 3: Right.

1131
01:05:49,760 --> 01:05:53,200
Speaker 2: So I'm like that. You know, I'm not diesel, I'm

1132
01:05:53,200 --> 01:05:56,760
Speaker 2: not hanging. Make sure that's the clip, lest I got

1133
01:05:56,800 --> 01:05:59,440
Speaker 2: it be a clip. I'm like Tyson Fury. That was

1134
01:05:59,520 --> 01:06:05,120
Speaker 2: dog trying to keep crazing the surf sun that was

1135
01:06:05,240 --> 01:06:09,480
Speaker 2: saying that that is it's just rack. It just got siding.

1136
01:06:16,640 --> 01:06:18,760
Speaker 2: M hm hm