1 00:00:00,080 --> 00:00:02,400 Speaker 1: Welcome back to Bombing with Ericondre and Eric Andre and 2 00:00:02,440 --> 00:00:05,360 Speaker 1: my coas for this chaos or comedian Nick Rutherford, a. 3 00:00:05,400 --> 00:00:08,559 Speaker 2: Musician, artist Malee Todd. We've got comics. 4 00:00:08,119 --> 00:00:12,480 Speaker 1: Mark Meron and David Borrie along with Alicia bou three 5 00:00:12,560 --> 00:00:15,640 Speaker 1: incredible guests who did not sign up for the fucking 6 00:00:15,760 --> 00:00:19,240 Speaker 1: wicked bullshit we put them through. We gave them PTSD 7 00:00:19,520 --> 00:00:28,680 Speaker 1: and pre STDs. Ladies and gentlemen, tramp in. Let's fart 8 00:00:28,760 --> 00:00:29,520 Speaker 1: the show. 9 00:00:29,920 --> 00:00:42,319 Speaker 3: Blob Bombing with Eric Andre, Ladies and gentlemen, Welcome back 10 00:00:42,360 --> 00:00:45,080 Speaker 3: to Bombing show about the. 11 00:00:46,560 --> 00:00:48,000 Speaker 2: Fucking human misery. 12 00:00:48,159 --> 00:00:49,640 Speaker 1: Give it up for I have a lot of co 13 00:00:49,720 --> 00:00:52,520 Speaker 1: hosts today, comedian you know, I'm friend of the show, 14 00:00:52,600 --> 00:00:57,240 Speaker 1: Nick brutherd everybody, Nick ruther Rick and Morning Yes, and 15 00:00:57,400 --> 00:01:00,200 Speaker 1: a good nighbor, Emmy Award winner. 16 00:01:01,200 --> 00:01:03,280 Speaker 2: And another comedian I love it very much. 17 00:01:03,680 --> 00:01:09,880 Speaker 1: David Bory, everybody, David Bory, followay from cer Leone, God 18 00:01:09,959 --> 00:01:12,960 Speaker 1: bless them. Funny man and we got mainly on sound 19 00:01:12,959 --> 00:01:15,400 Speaker 1: effects we can't afford and mic for her, so she's 20 00:01:15,440 --> 00:01:19,720 Speaker 1: just going to be goofing around now before we get started. 21 00:01:20,160 --> 00:01:24,960 Speaker 1: How where do you live now? You're in You're in Colorado. 22 00:01:24,680 --> 00:01:27,319 Speaker 2: I live in I live here. I thought you moved 23 00:01:27,319 --> 00:01:27,760 Speaker 2: to Colorado. 24 00:01:27,800 --> 00:01:29,960 Speaker 4: Now I just moved to Los Angeles back. 25 00:01:30,200 --> 00:01:31,320 Speaker 2: Yeah what was that? 26 00:01:31,400 --> 00:01:31,520 Speaker 5: Ba? 27 00:01:32,160 --> 00:01:37,240 Speaker 2: Come on, let's go. We love it. We love it now? 28 00:01:37,280 --> 00:01:39,119 Speaker 2: Why did you move back because you realized you made 29 00:01:39,120 --> 00:01:39,920 Speaker 2: a fatal mistake? 30 00:01:40,200 --> 00:01:40,480 Speaker 5: Yeah? 31 00:01:42,760 --> 00:01:44,240 Speaker 2: I just love you. 32 00:01:44,280 --> 00:01:46,479 Speaker 1: Gotta get that mic in your mouth, and you gotta 33 00:01:46,520 --> 00:01:49,920 Speaker 1: do these poppers? Can you do poppers? We're sponsored by Rush? Yeah, 34 00:01:49,960 --> 00:01:53,680 Speaker 1: I was sponsored by Rush. I mean, and you be careful, 35 00:01:54,440 --> 00:01:55,120 Speaker 1: just a little whiff. 36 00:01:58,240 --> 00:02:00,400 Speaker 4: I was just saying, poppers. They make my gut feel 37 00:02:00,440 --> 00:02:01,200 Speaker 4: shaky all the time. 38 00:02:01,280 --> 00:02:02,400 Speaker 2: Yeah, they're crazy. 39 00:02:03,320 --> 00:02:04,400 Speaker 4: Are you gonna do them? 40 00:02:04,800 --> 00:02:06,000 Speaker 2: Once you pop the funding? 41 00:02:06,080 --> 00:02:08,959 Speaker 1: I have a friend from Australia that she didn't know 42 00:02:08,960 --> 00:02:12,639 Speaker 1: what they were. She was at a fun gage after hours. 43 00:02:12,680 --> 00:02:15,440 Speaker 1: People they sure do, but she had never done them 44 00:02:15,960 --> 00:02:18,680 Speaker 1: and people were passing them around and you're supposed. 45 00:02:18,320 --> 00:02:20,480 Speaker 2: To sniff him. She thought it was like a little 46 00:02:20,760 --> 00:02:24,079 Speaker 2: like shot of liquor. She went drank the whole thing 47 00:02:24,280 --> 00:02:26,280 Speaker 2: and she's dead. Now she's not dead, but she went. 48 00:02:26,240 --> 00:02:31,960 Speaker 6: To the r Now she's a power bottom, that's how. 49 00:02:32,960 --> 00:02:33,760 Speaker 2: Yeah, he wasn't fruit. 50 00:02:33,880 --> 00:02:34,120 Speaker 5: No. 51 00:02:35,400 --> 00:02:39,960 Speaker 2: All right, ladies, what Alicia? What show you been on? 52 00:02:40,280 --> 00:02:46,079 Speaker 1: Adian gentlemen, Elijah Bower, everybody, you come. 53 00:02:45,960 --> 00:02:49,079 Speaker 6: Here there and you sit right there on this on the. 54 00:02:49,040 --> 00:02:50,240 Speaker 2: Stane, sit on the stame. 55 00:02:50,480 --> 00:02:54,480 Speaker 1: Wow, gorgeous, sunny, radiant, hungover. 56 00:02:54,600 --> 00:02:55,800 Speaker 6: Do we look kind of related? 57 00:02:55,919 --> 00:02:56,160 Speaker 5: Yeah? 58 00:02:56,280 --> 00:03:03,560 Speaker 2: That's what I've been trying to tell you. Okay, somebody's gold. Hello, Alicia, 59 00:03:04,400 --> 00:03:05,320 Speaker 2: how are you cutie? 60 00:03:05,360 --> 00:03:05,640 Speaker 5: Bye? 61 00:03:05,800 --> 00:03:07,640 Speaker 2: The microphone has to be in your mouth? 62 00:03:07,720 --> 00:03:08,000 Speaker 5: Girl? 63 00:03:08,400 --> 00:03:08,520 Speaker 4: Hi? 64 00:03:08,919 --> 00:03:10,000 Speaker 2: Are you media trained? 65 00:03:10,240 --> 00:03:10,960 Speaker 7: No? 66 00:03:11,440 --> 00:03:12,760 Speaker 2: Okay, you're on a TV show? 67 00:03:12,919 --> 00:03:15,679 Speaker 7: Yeah? What's it called the Buccaneers? 68 00:03:15,720 --> 00:03:16,800 Speaker 2: How did you get on that show? 69 00:03:17,000 --> 00:03:17,520 Speaker 7: You know? I? 70 00:03:17,960 --> 00:03:19,560 Speaker 2: And where's our piece of the pie? How do you 71 00:03:19,560 --> 00:03:20,400 Speaker 2: get us in here? 72 00:03:20,480 --> 00:03:21,200 Speaker 6: For Tampa Bay? 73 00:03:21,480 --> 00:03:23,079 Speaker 4: Yeah? 74 00:03:23,120 --> 00:03:26,800 Speaker 8: So yeah, it's strangely not about football. It's about I 75 00:03:26,880 --> 00:03:29,280 Speaker 8: wear like a corset and my name's Yeah. 76 00:03:33,880 --> 00:03:35,640 Speaker 7: There's nothing to pull up. There's nothing to. 77 00:03:35,640 --> 00:03:36,400 Speaker 2: Pull up the course. 78 00:03:38,520 --> 00:03:38,840 Speaker 7: Yeah. 79 00:03:38,880 --> 00:03:39,960 Speaker 4: What what's uh? 80 00:03:40,200 --> 00:03:41,440 Speaker 2: That's the name of your show? I thought you were 81 00:03:41,480 --> 00:03:43,920 Speaker 2: on like One Life to Live or some ship. No, No, 82 00:03:44,000 --> 00:03:45,360 Speaker 2: it's the old show you did. 83 00:03:45,400 --> 00:03:46,480 Speaker 7: Thirteen Reasons Why. 84 00:03:46,640 --> 00:03:47,520 Speaker 2: I love that show? 85 00:03:47,600 --> 00:03:48,200 Speaker 7: You watched it? 86 00:03:48,240 --> 00:03:49,120 Speaker 2: You were great on it? 87 00:03:49,160 --> 00:03:49,800 Speaker 6: Did you watch it? 88 00:03:49,880 --> 00:03:50,280 Speaker 4: Yeah? 89 00:03:50,360 --> 00:03:51,240 Speaker 7: You never told me that. 90 00:03:51,600 --> 00:03:54,880 Speaker 6: Well I was shy, you were shy? Yeah, yeah, I 91 00:03:55,480 --> 00:03:56,280 Speaker 6: didn't care for it. 92 00:03:56,400 --> 00:03:57,680 Speaker 7: Yeah, you didn't. Why not? 93 00:03:58,240 --> 00:03:59,560 Speaker 6: I thought there wasn't enough reasons. 94 00:03:59,760 --> 00:04:01,360 Speaker 7: No, do you think you need more than thirteen? 95 00:04:01,440 --> 00:04:01,640 Speaker 5: Yeah? 96 00:04:02,040 --> 00:04:03,120 Speaker 7: How many reasons would you like? 97 00:04:03,200 --> 00:04:04,040 Speaker 6: Fifteen or sixteen? 98 00:04:04,120 --> 00:04:05,920 Speaker 7: Fifteen? Why is that the magical number? 99 00:04:06,600 --> 00:04:08,360 Speaker 6: Well, it's an angel numbers. 100 00:04:08,440 --> 00:04:12,240 Speaker 7: It I don't get that. I don't get angel numbers. 101 00:04:12,240 --> 00:04:15,080 Speaker 4: What is what is an angel like angel shots? 102 00:04:15,640 --> 00:04:17,680 Speaker 7: Angel shots is not like the angel shots. 103 00:04:17,760 --> 00:04:19,680 Speaker 6: We're all having different conversations. 104 00:04:19,760 --> 00:04:20,680 Speaker 2: You want to do boppers? 105 00:04:21,240 --> 00:04:25,920 Speaker 1: I mean, hey, we got a guest doing boppers. 106 00:04:28,360 --> 00:04:32,839 Speaker 9: To make it happens, you get we get a headache. 107 00:04:32,880 --> 00:04:34,279 Speaker 6: We could do it together and not yield. 108 00:04:34,880 --> 00:04:38,200 Speaker 7: You want to do it, haven't even eat? 109 00:04:38,440 --> 00:04:40,120 Speaker 2: Don't drink on them. Don't drink it. 110 00:04:40,520 --> 00:04:41,680 Speaker 4: You can't drink on poppers. 111 00:04:41,720 --> 00:04:42,840 Speaker 2: No, no, I mean don't drink. 112 00:04:43,400 --> 00:04:44,080 Speaker 10: Don't drink it. 113 00:04:45,200 --> 00:04:46,560 Speaker 7: Oh my god, you're good. 114 00:04:47,720 --> 00:04:50,160 Speaker 2: You're fun for nine seconds. Then you gotta get a headache. 115 00:04:50,960 --> 00:04:53,039 Speaker 6: I got a headache. Medium, I guess. 116 00:04:53,120 --> 00:04:54,640 Speaker 2: I'm just it's really bad for you. 117 00:04:57,520 --> 00:05:02,960 Speaker 8: It just kind of if you got to take take 118 00:05:03,000 --> 00:05:04,840 Speaker 8: your nail polish off, if you got to clean it. 119 00:05:04,960 --> 00:05:06,760 Speaker 2: A little bit, give her her shine. 120 00:05:07,040 --> 00:05:11,599 Speaker 6: We shouldn't have done that popper. Yeah, I'm scared. Yeah, 121 00:05:11,640 --> 00:05:14,320 Speaker 6: I'm scared, are vibrating? 122 00:05:15,760 --> 00:05:16,520 Speaker 2: Is that what it's called? 123 00:05:16,880 --> 00:05:17,480 Speaker 4: It's night? 124 00:05:18,040 --> 00:05:21,120 Speaker 2: Bring him in, ladies and gentlemen. He's a comedian, Mark 125 00:05:21,200 --> 00:05:25,960 Speaker 2: Barn everybody, God, what's happen it? Baby? 126 00:05:27,080 --> 00:05:27,640 Speaker 4: Good to see you. 127 00:05:27,960 --> 00:05:30,280 Speaker 2: This is Alicia, Nick may Lee, David. 128 00:05:31,520 --> 00:05:32,120 Speaker 4: How's it going? 129 00:05:34,320 --> 00:05:35,960 Speaker 2: We got poppers if you want him. 130 00:05:39,160 --> 00:05:39,240 Speaker 11: That. 131 00:05:39,320 --> 00:05:41,240 Speaker 2: Where are you from? Mark? San Antonio? 132 00:05:41,440 --> 00:05:43,480 Speaker 4: No? Not New Mexico? Yeah, New Mexico. 133 00:05:43,680 --> 00:05:46,520 Speaker 2: I knew it. Albuquerque or Santa. 134 00:05:46,160 --> 00:05:47,280 Speaker 4: Fe or what Albuquerque? 135 00:05:47,480 --> 00:05:48,839 Speaker 2: I grew up there. I fucking knew it. 136 00:05:48,920 --> 00:05:50,320 Speaker 4: I know you did with the shirt. 137 00:05:50,440 --> 00:05:52,320 Speaker 2: No, you have a New Mexico shirt on. 138 00:05:53,080 --> 00:05:55,840 Speaker 4: It's just the vibe you feel it. Yeah, I don't 139 00:05:55,839 --> 00:05:59,320 Speaker 4: know that that's true. I think that that feels that 140 00:05:59,440 --> 00:06:01,520 Speaker 4: I'm pushing with the turquoise. You get to a certain 141 00:06:01,560 --> 00:06:02,960 Speaker 4: age where you like, am I going to be that 142 00:06:03,080 --> 00:06:05,200 Speaker 4: idiot old man with a lot of jewelry and turns out? 143 00:06:05,279 --> 00:06:05,440 Speaker 5: Yep? 144 00:06:06,720 --> 00:06:08,839 Speaker 2: Did you even ask Alicia where she's from? 145 00:06:09,279 --> 00:06:09,880 Speaker 4: Was I supposed to? 146 00:06:09,960 --> 00:06:11,560 Speaker 2: I was just like boxing her out? 147 00:06:11,880 --> 00:06:12,040 Speaker 5: No? 148 00:06:12,160 --> 00:06:13,000 Speaker 4: I don't think I was. 149 00:06:13,080 --> 00:06:13,360 Speaker 5: I was. 150 00:06:14,880 --> 00:06:18,280 Speaker 6: I was very very any icons. 151 00:06:18,640 --> 00:06:20,880 Speaker 4: I didn't know if I'd walk in here, I get 152 00:06:20,920 --> 00:06:25,120 Speaker 4: wet with something like something horrible would happen. Nice to 153 00:06:25,120 --> 00:06:25,400 Speaker 4: see you. 154 00:06:26,720 --> 00:06:29,520 Speaker 2: I know that you're so, Mark, I know that you're so. 155 00:06:29,440 --> 00:06:30,719 Speaker 4: Where are you from me? 156 00:06:31,040 --> 00:06:33,120 Speaker 7: I was born in Norway? 157 00:06:33,320 --> 00:06:35,720 Speaker 4: Where in Norway? Really? 158 00:06:36,880 --> 00:06:39,479 Speaker 7: I don't look Norwegian? Do I look like a skin? 159 00:06:41,080 --> 00:06:42,920 Speaker 4: Where have you been to the main place? 160 00:06:43,080 --> 00:06:43,960 Speaker 7: Where is the main place? 161 00:06:44,480 --> 00:06:44,680 Speaker 4: You know? 162 00:06:44,839 --> 00:06:45,839 Speaker 2: I was right. 163 00:06:48,160 --> 00:06:50,680 Speaker 6: Podcast? 164 00:06:52,920 --> 00:06:55,720 Speaker 2: You won't but will you still the girls? 165 00:06:55,839 --> 00:06:56,000 Speaker 3: Jar? 166 00:06:56,520 --> 00:06:59,520 Speaker 7: I don't know what the I don't want to smell that. 167 00:06:59,680 --> 00:07:00,760 Speaker 2: Do you want to spell it? No? 168 00:07:01,360 --> 00:07:02,320 Speaker 4: You smell it, dud? 169 00:07:02,600 --> 00:07:03,120 Speaker 7: What is that? 170 00:07:03,160 --> 00:07:04,800 Speaker 6: I don't want to I don't want to look at it. 171 00:07:04,839 --> 00:07:05,520 Speaker 2: Well, we're letting it. 172 00:07:05,520 --> 00:07:08,640 Speaker 4: We're letting us up, tasted. Mark, When you came up 173 00:07:08,640 --> 00:07:14,720 Speaker 4: with that, was that a big day? 174 00:07:11,120 --> 00:07:15,680 Speaker 6: Okay, you're coming on the show. 175 00:07:15,840 --> 00:07:17,080 Speaker 2: Thank you coming on the self. 176 00:07:19,400 --> 00:07:22,200 Speaker 6: Yeah, of course, you know it was a pretty big. 177 00:07:25,480 --> 00:07:27,680 Speaker 4: We have a skateboarder, a skateboarding here. 178 00:07:27,760 --> 00:07:30,360 Speaker 2: Yeah you want to see this for me? Yeah? 179 00:07:30,360 --> 00:07:31,280 Speaker 6: You're in trouble and the. 180 00:07:31,280 --> 00:07:36,880 Speaker 7: Kind of sworn off skater. Yeah, yeah, I see when 181 00:07:36,880 --> 00:07:37,320 Speaker 7: I have. 182 00:07:37,360 --> 00:07:37,800 Speaker 5: To make. 183 00:07:39,760 --> 00:07:47,680 Speaker 7: Yeah, that's so wow? 184 00:07:50,440 --> 00:07:51,160 Speaker 2: Did you believe it? 185 00:07:51,720 --> 00:07:52,160 Speaker 7: Alicia? 186 00:07:52,240 --> 00:07:53,400 Speaker 6: Alicia? Get on his back? 187 00:07:54,000 --> 00:07:56,640 Speaker 2: Flip wait, get on his back? Come on man? 188 00:08:00,120 --> 00:08:01,680 Speaker 6: Thank you Tanner Sponsored by. 189 00:08:02,680 --> 00:08:06,080 Speaker 1: Well The Show is about bombing, it's about failure. It's existential, 190 00:08:06,200 --> 00:08:09,080 Speaker 1: it's nihilistic. What do you think is the worst gig 191 00:08:09,160 --> 00:08:12,120 Speaker 1: you've ever had? And I opened that question to the 192 00:08:12,160 --> 00:08:15,680 Speaker 1: two of you ladies. First, what is the worst audition? 193 00:08:16,880 --> 00:08:20,960 Speaker 2: Shoot anything? What is a fucking painful? And you can 194 00:08:21,000 --> 00:08:22,520 Speaker 2: dig deep and if you need a second week and 195 00:08:22,600 --> 00:08:23,080 Speaker 2: pivot to. 196 00:08:23,760 --> 00:08:26,280 Speaker 7: Mark Mark, you can go ahead. 197 00:08:26,560 --> 00:08:31,840 Speaker 6: Really, I mean like she has never she's never had. 198 00:08:34,880 --> 00:08:35,280 Speaker 2: Everything. 199 00:08:36,160 --> 00:08:37,760 Speaker 7: Nothing dramatic has happened. 200 00:08:37,800 --> 00:08:45,880 Speaker 8: I mean like, yeah, I wasn't an actor in Norway African. 201 00:08:46,920 --> 00:08:48,120 Speaker 7: You know what's so funny? Though? 202 00:08:48,120 --> 00:08:51,679 Speaker 8: When I moved from all Slow to the Valley, there 203 00:08:51,720 --> 00:08:55,080 Speaker 8: were more like California, California and Kuga Park. There were 204 00:08:55,200 --> 00:08:57,240 Speaker 8: more black kids and All Slow than there were in 205 00:08:57,280 --> 00:08:58,440 Speaker 8: my elementary school. 206 00:08:58,640 --> 00:08:59,200 Speaker 4: That's okay. 207 00:08:59,320 --> 00:09:00,720 Speaker 6: We don't want to get Rachel here. 208 00:09:03,040 --> 00:09:03,360 Speaker 7: Anyway. 209 00:09:04,240 --> 00:09:05,360 Speaker 2: We don't want to be Rachel here. 210 00:09:05,520 --> 00:09:07,120 Speaker 6: We don't want to get Rachel from Francis. 211 00:09:07,400 --> 00:09:09,840 Speaker 1: And you made your film debut in two thousand and eight, 212 00:09:10,120 --> 00:09:12,720 Speaker 1: did I? In the horror film Amusement. 213 00:09:12,880 --> 00:09:15,040 Speaker 6: I think it did really well as a young. 214 00:09:14,920 --> 00:09:15,959 Speaker 2: Version of Lisa Swan. 215 00:09:16,280 --> 00:09:19,760 Speaker 6: Yes, okay, don't you you never have to work again? 216 00:09:20,040 --> 00:09:21,199 Speaker 7: No? 217 00:09:20,600 --> 00:09:24,880 Speaker 2: Really, Rich is it so? 218 00:09:24,960 --> 00:09:28,120 Speaker 1: But there's no no, it's an easy breeze since you 219 00:09:28,120 --> 00:09:28,600 Speaker 1: came out. 220 00:09:28,440 --> 00:09:32,679 Speaker 8: Of no no God. I mean, like, I guess the 221 00:09:32,720 --> 00:09:35,160 Speaker 8: only thing is, like I went to an audition. 222 00:09:35,440 --> 00:09:36,520 Speaker 7: I did really terribly. 223 00:09:36,760 --> 00:09:38,920 Speaker 8: I went out. I was like, really, France, Like, I 224 00:09:38,960 --> 00:09:40,480 Speaker 8: called my manager. I'm like, I'm going to go back 225 00:09:40,480 --> 00:09:42,080 Speaker 8: in there. I'm going to go back in there. And 226 00:09:42,679 --> 00:09:44,440 Speaker 8: they did, and then I did it exactly the same, 227 00:09:44,480 --> 00:09:46,760 Speaker 8: and they're like, you fucking suck and that's it and 228 00:09:46,760 --> 00:09:48,400 Speaker 8: that's not interesting and you can please. 229 00:09:48,480 --> 00:09:50,800 Speaker 4: Well we had like I think the the what you 230 00:09:50,800 --> 00:09:53,000 Speaker 4: should have done is gone back in there and really 231 00:09:53,040 --> 00:09:56,760 Speaker 4: made everybody uncomfortable and screamed at them. I should have, Yeah, 232 00:09:56,800 --> 00:09:59,320 Speaker 4: but it shows a certain amount of control and ambition 233 00:09:59,400 --> 00:09:59,920 Speaker 4: that you didn't do that. 234 00:10:00,320 --> 00:10:01,280 Speaker 7: I don't have any ambition. 235 00:10:01,559 --> 00:10:02,840 Speaker 4: I apologize for project. 236 00:10:05,400 --> 00:10:06,679 Speaker 6: I'm seeing a little spark here. 237 00:10:06,960 --> 00:10:09,640 Speaker 4: I think it's but it's the wrong kind. I think 238 00:10:10,720 --> 00:10:13,280 Speaker 4: it's the wisest fucking old guy like this. 239 00:10:14,800 --> 00:10:15,800 Speaker 2: Can you pass it around? 240 00:10:16,880 --> 00:10:18,680 Speaker 6: It's actually not it's it's not terrible. 241 00:10:18,679 --> 00:10:23,040 Speaker 4: It smells fishy and thus fun bit though, what what. 242 00:10:23,800 --> 00:10:25,360 Speaker 2: Mark you mark? 243 00:10:25,440 --> 00:10:27,280 Speaker 6: You are an absolute pleasure. 244 00:10:27,480 --> 00:10:28,240 Speaker 2: Life of the party. 245 00:10:29,240 --> 00:10:29,760 Speaker 4: A little bit. 246 00:10:32,440 --> 00:10:33,680 Speaker 6: Like you needs you to. 247 00:10:35,960 --> 00:10:39,520 Speaker 2: Edgar Allan Poe Life of the Party. 248 00:10:39,679 --> 00:10:42,360 Speaker 4: Hey, come on, you asked me to my tail mark. 249 00:10:42,480 --> 00:10:42,880 Speaker 2: Let's go. 250 00:10:45,920 --> 00:10:47,560 Speaker 5: With Adre. 251 00:10:56,679 --> 00:11:00,440 Speaker 2: With are now what did you what's your a bomb? 252 00:11:01,640 --> 00:11:04,480 Speaker 4: Which area do you want the story from? Yeah, they're 253 00:11:04,520 --> 00:11:06,559 Speaker 4: standing up, stand that. 254 00:11:06,559 --> 00:11:09,160 Speaker 1: Was stand up. Then the belly room. Yeah, start out 255 00:11:09,160 --> 00:11:10,560 Speaker 1: with stand up and then go to act. 256 00:11:10,559 --> 00:11:12,439 Speaker 4: Belly room is where the first bomb started. 257 00:11:12,679 --> 00:11:15,240 Speaker 1: Is that true? Yeah, I guess New Mexico. He gets 258 00:11:15,240 --> 00:11:16,880 Speaker 1: the belly room. Well, it is the belly room on 259 00:11:16,920 --> 00:11:17,920 Speaker 1: the back of his shirt. 260 00:11:17,640 --> 00:11:20,480 Speaker 4: I don't think the entire high school experience can be 261 00:11:20,520 --> 00:11:23,120 Speaker 4: categorized as a bomb, but it was close. But the 262 00:11:23,120 --> 00:11:25,440 Speaker 4: belly room. Yeah, when I auditioned for the Comedy Store, 263 00:11:26,000 --> 00:11:26,920 Speaker 4: it was in the belly room. 264 00:11:26,960 --> 00:11:28,120 Speaker 2: What do you mean in the high school experience? 265 00:11:28,240 --> 00:11:30,760 Speaker 4: Well, whatever high school is, it's not generally good. I 266 00:11:30,760 --> 00:11:32,720 Speaker 4: could probably frame it as a bomb. 267 00:11:33,000 --> 00:11:35,319 Speaker 2: Oh yeah, just four years of high school. 268 00:11:35,320 --> 00:11:38,080 Speaker 4: Oh yeah, yeah, that's yeah. Yeah. But when I auditioned 269 00:11:38,080 --> 00:11:40,080 Speaker 4: to the Comedy Store, when I first got to LA 270 00:11:40,160 --> 00:11:43,000 Speaker 4: in the eighties, the guy who was running the show 271 00:11:43,080 --> 00:11:45,040 Speaker 4: up there this comic. He said, if you want to 272 00:11:45,040 --> 00:11:46,920 Speaker 4: perform in the belly room, you got auditioned. I'm like okay, 273 00:11:46,960 --> 00:11:49,120 Speaker 4: and he says, you want to do it now? And 274 00:11:49,160 --> 00:11:54,640 Speaker 4: I go yeah. And it was nineteen eighty nine and 275 00:11:54,679 --> 00:11:56,360 Speaker 4: it was just him. He just stood in the back 276 00:11:56,360 --> 00:11:59,320 Speaker 4: of the belly room and made me do my routine 277 00:11:59,320 --> 00:11:59,640 Speaker 4: for him. 278 00:11:59,640 --> 00:12:00,440 Speaker 2: But you're on the wall. 279 00:12:00,440 --> 00:12:00,880 Speaker 6: It worked. 280 00:12:01,480 --> 00:12:03,480 Speaker 4: Yeah, it took years. It took me a long time 281 00:12:03,480 --> 00:12:03,760 Speaker 4: to get on. 282 00:12:03,920 --> 00:12:05,920 Speaker 2: It can't be the worst one, though. You must have been. 283 00:12:06,480 --> 00:12:08,439 Speaker 2: You must have had stuff thrown at you. You say 284 00:12:08,520 --> 00:12:10,479 Speaker 2: controversial things on stage. 285 00:12:10,160 --> 00:12:12,440 Speaker 4: Well that was That was never why I bombed. I 286 00:12:12,480 --> 00:12:15,240 Speaker 4: walked a couple of people recently, and you know that's 287 00:12:15,320 --> 00:12:17,040 Speaker 4: kind of like a part for the course. If you're 288 00:12:17,080 --> 00:12:19,480 Speaker 4: gonna say ship that offends people. But I was sent 289 00:12:19,559 --> 00:12:22,920 Speaker 4: home from Australia because I bombed so hard. 290 00:12:23,040 --> 00:12:27,120 Speaker 2: It was what do you mean? 291 00:12:26,760 --> 00:12:35,840 Speaker 4: What they It's like, dude, they sent me home and 292 00:12:35,880 --> 00:12:36,839 Speaker 4: I was relieved. 293 00:12:38,920 --> 00:12:41,000 Speaker 2: Why why were you what do you mean? 294 00:12:41,559 --> 00:12:41,719 Speaker 5: Well? 295 00:12:41,880 --> 00:12:43,680 Speaker 4: I was coming out. It was like after I left 296 00:12:43,720 --> 00:12:45,800 Speaker 4: New York in like the late eighties, I moved to 297 00:12:45,840 --> 00:12:48,079 Speaker 4: San Francisco and some guy had seen me at the 298 00:12:48,120 --> 00:12:51,200 Speaker 4: old Improv in New York and booked me for a 299 00:12:51,240 --> 00:12:55,199 Speaker 4: headlining run in Australia, which was like three weeks plus 300 00:12:55,240 --> 00:12:58,000 Speaker 4: a week of previous from a month to headline. I 301 00:12:58,080 --> 00:13:01,040 Speaker 4: had maybe I had a half hour best, and I 302 00:13:01,080 --> 00:13:04,559 Speaker 4: took the fucking gig knowing like like you know when 303 00:13:04,559 --> 00:13:06,319 Speaker 4: you take a gig because you're like you're offered it, 304 00:13:06,559 --> 00:13:07,959 Speaker 4: and then you have enough time to sit there and 305 00:13:08,040 --> 00:13:10,679 Speaker 4: go like, I can't fucking do this. There's no way. 306 00:13:11,400 --> 00:13:16,040 Speaker 2: That's every gain, it's every gig aw years. 307 00:13:15,840 --> 00:13:20,480 Speaker 4: It's the worst. So I'm flying twenty two hours to Australia. 308 00:13:21,840 --> 00:13:26,400 Speaker 4: What it was like eighty I guess again, No, this 309 00:13:26,480 --> 00:13:29,119 Speaker 4: is later. It was like ninety one or ninety. 310 00:13:28,840 --> 00:13:31,360 Speaker 6: Two until we know for sure we can't move on 311 00:13:31,400 --> 00:13:31,599 Speaker 6: with it. 312 00:13:31,760 --> 00:13:36,760 Speaker 4: Well, someone do they nine people here? So so I 313 00:13:36,760 --> 00:13:40,720 Speaker 4: flied Afradia the party. Yeah, I get I get there 314 00:13:40,920 --> 00:13:43,800 Speaker 4: and there's a billboard of me, like a painted billboard 315 00:13:43,800 --> 00:13:47,040 Speaker 4: of me with a fake quote about my act like 316 00:13:47,120 --> 00:13:51,680 Speaker 4: this guy is a star and so right, yeah, right 317 00:13:51,760 --> 00:13:57,440 Speaker 4: right away, I'm like, that's not true. I got thirty 318 00:13:57,520 --> 00:14:00,600 Speaker 4: years and I knew I was gonna have to stretch, 319 00:14:00,640 --> 00:14:02,280 Speaker 4: but I thought I could handle it. I don't even 320 00:14:02,360 --> 00:14:05,080 Speaker 4: like being in a way like I was freaking out 321 00:14:05,080 --> 00:14:07,760 Speaker 4: on all levels. Didn't have a confidence didn't have the act. 322 00:14:08,160 --> 00:14:11,079 Speaker 4: Do not like to travel? Not for three weeks. They 323 00:14:11,080 --> 00:14:14,040 Speaker 4: put me up in this little condo place and it 324 00:14:14,240 --> 00:14:20,640 Speaker 4: just starts. I get to the show, do you I like, 325 00:14:20,800 --> 00:14:25,680 Speaker 4: just you know, multitasking bullshit at home and no, IM 326 00:14:25,680 --> 00:14:27,360 Speaker 4: not an efficiency guy. But it's just like to be 327 00:14:27,440 --> 00:14:34,120 Speaker 4: away for three weeks a nightmare. So anyway I come back. 328 00:14:35,360 --> 00:14:37,520 Speaker 4: You never do long stretches of tour, like a couple 329 00:14:37,560 --> 00:14:41,040 Speaker 4: of weeks, but like, yeah, I try't even if I 330 00:14:41,040 --> 00:14:44,360 Speaker 4: come home for like two days, you know, it sort 331 00:14:44,400 --> 00:14:47,000 Speaker 4: of grounds me. So here I am in Australia, far 332 00:14:47,000 --> 00:14:50,360 Speaker 4: away from everybody, and it's this place called the Last Laugh, 333 00:14:50,400 --> 00:14:53,360 Speaker 4: and I get there and this is the show. Then, 334 00:14:53,400 --> 00:14:56,320 Speaker 4: you know, when you do outside the US, they have intermissions, 335 00:14:56,520 --> 00:14:58,120 Speaker 4: which the first time you deal with that, you're like, 336 00:14:58,120 --> 00:15:00,400 Speaker 4: what the fuck are you doing? You're stopping the whole room. 337 00:15:01,520 --> 00:15:04,320 Speaker 4: So there's a host who's a comic. He brings on 338 00:15:04,400 --> 00:15:06,040 Speaker 4: this act. It's two women that do kind of a 339 00:15:06,040 --> 00:15:09,360 Speaker 4: burlesque thing there. It's like the one has an accordion, 340 00:15:09,400 --> 00:15:11,800 Speaker 4: they got funny hair. To his musical comedy, it's like 341 00:15:17,480 --> 00:15:19,560 Speaker 4: and then they bring up a guy who's like a 342 00:15:19,600 --> 00:15:23,800 Speaker 4: contortionist and his closer is he escapes from a straight 343 00:15:23,880 --> 00:15:27,720 Speaker 4: jacket on a unicycle and then they take a break 344 00:15:28,480 --> 00:15:32,040 Speaker 4: and then there's me. So I'm just sitting there watching 345 00:15:32,120 --> 00:15:37,120 Speaker 4: this show going like fucked. And I go out there 346 00:15:37,160 --> 00:15:39,280 Speaker 4: the first night and struggle. It's okay, you know, I 347 00:15:39,320 --> 00:15:41,520 Speaker 4: stretch at the end, but it's okay. And I go 348 00:15:41,600 --> 00:15:44,480 Speaker 4: through a whole week the previews where it's just getting 349 00:15:44,480 --> 00:15:48,600 Speaker 4: worse and worse, and it's it's weading, but the other 350 00:15:48,640 --> 00:15:50,960 Speaker 4: guy's killing So you're not going to kill you escaping 351 00:15:50,960 --> 00:16:00,560 Speaker 4: from a straight jacket on a unicycle unless you fall down, and. 352 00:16:00,040 --> 00:16:00,960 Speaker 6: It's a perfect act. 353 00:16:01,960 --> 00:16:04,560 Speaker 4: Steve oh, and then I had to do their version 354 00:16:04,560 --> 00:16:09,720 Speaker 4: of Letterman like in the Steve Wiser But this is 355 00:16:10,040 --> 00:16:12,760 Speaker 4: a little bit no. It's like maybe after the first 356 00:16:12,840 --> 00:16:15,720 Speaker 4: night to promote it, and the host isn't there. It's 357 00:16:15,720 --> 00:16:18,120 Speaker 4: a fill in host. I don't know what them. I 358 00:16:18,120 --> 00:16:20,000 Speaker 4: don't know either of them. All he know is that 359 00:16:20,040 --> 00:16:22,240 Speaker 4: is at the in terms of talk shows, that the 360 00:16:22,320 --> 00:16:24,600 Speaker 4: desk was on the wrong side. You know, you get 361 00:16:24,640 --> 00:16:26,960 Speaker 4: very used to watching talk show and the desk is 362 00:16:27,000 --> 00:16:29,720 Speaker 4: on the right side. So I walk out. I'm like, 363 00:16:29,760 --> 00:16:32,320 Speaker 4: it's all upside down here and that, and the other 364 00:16:32,400 --> 00:16:38,840 Speaker 4: guest is Russell Crowe. But God before say no, it's 365 00:16:38,920 --> 00:16:41,640 Speaker 4: way before that. It was right after he was promoting 366 00:16:41,760 --> 00:16:44,400 Speaker 4: Ropper Stomper where he played sorry, the guest. 367 00:16:44,280 --> 00:16:46,560 Speaker 2: On the talk show Lives No. 368 00:16:46,640 --> 00:16:49,280 Speaker 4: He was the guest on the time of Up and Coming, 369 00:16:49,600 --> 00:16:53,360 Speaker 4: and he's talking about getting into character to play this nazi, right, 370 00:16:53,880 --> 00:16:56,240 Speaker 4: and I did. I had done stand up and it 371 00:16:56,280 --> 00:16:59,040 Speaker 4: went okay, And I'm doing panel. He's talking about the 372 00:16:59,040 --> 00:17:02,080 Speaker 4: books he bought to research, you know, being a Nazi. 373 00:17:02,160 --> 00:17:04,159 Speaker 4: So I'm a comic, so I'm like, that sounds like 374 00:17:04,160 --> 00:17:06,879 Speaker 4: my book's at home, like a joke. The entire audience 375 00:17:06,960 --> 00:17:12,159 Speaker 4: is like. 376 00:17:09,880 --> 00:17:11,320 Speaker 6: Steadily going down hill. 377 00:17:12,040 --> 00:17:15,680 Speaker 2: And then I get back to the Are your jew right? 378 00:17:15,760 --> 00:17:16,000 Speaker 5: Yeah? 379 00:17:16,600 --> 00:17:17,800 Speaker 2: Hey, I'm you know, I'm a Jew. 380 00:17:17,880 --> 00:17:19,679 Speaker 4: I didn't think that. All I thought was like this 381 00:17:19,840 --> 00:17:23,240 Speaker 4: is bad. I didn't I didn't think about like reg 382 00:17:24,960 --> 00:17:28,280 Speaker 4: saved it. But I was so paralyzed with insecurity and fear. 383 00:17:28,840 --> 00:17:30,320 Speaker 4: So then I go back to the club and I 384 00:17:30,320 --> 00:17:33,040 Speaker 4: do a few more nights. It keeps getting worse, and 385 00:17:33,080 --> 00:17:35,600 Speaker 4: then you know, finally it's the first real night. It's 386 00:17:35,640 --> 00:17:38,840 Speaker 4: a Saturday night. Places packed, It's like four hundred people. 387 00:17:39,119 --> 00:17:41,440 Speaker 4: You know, the the clowns go on, and then the 388 00:17:42,119 --> 00:17:43,080 Speaker 4: straight jackie guy. 389 00:17:45,160 --> 00:17:47,359 Speaker 2: Then there's a clown Americans. 390 00:17:47,000 --> 00:17:49,800 Speaker 4: And then there's the break and I go out there, dude, 391 00:17:50,040 --> 00:17:52,800 Speaker 4: and I don't like. You know, there's a couple kinds 392 00:17:52,800 --> 00:17:55,199 Speaker 4: of bombing there. You know, as you get older, you 393 00:17:55,240 --> 00:17:57,439 Speaker 4: bomb and you realize it's part of the job and 394 00:17:57,480 --> 00:18:01,000 Speaker 4: you just fight through. But the other type of bombing 395 00:18:01,080 --> 00:18:05,400 Speaker 4: is where you fall into yourself and you have no 396 00:18:05,760 --> 00:18:08,360 Speaker 4: power to change the situation. So I get out there 397 00:18:08,960 --> 00:18:12,960 Speaker 4: and I'm the headliner and I'm smoking you could smoke them, 398 00:18:13,160 --> 00:18:16,280 Speaker 4: and some guy yells, you know, where'd you get that jacket? 399 00:18:16,359 --> 00:18:19,000 Speaker 4: And it was an American dude? And I was and 400 00:18:19,040 --> 00:18:21,439 Speaker 4: I was so fucked up. I was so fucked up 401 00:18:21,440 --> 00:18:23,880 Speaker 4: in my head confidence wise that it just it just 402 00:18:23,920 --> 00:18:26,480 Speaker 4: shut me down. And the jacket it. 403 00:18:28,560 --> 00:18:29,000 Speaker 5: Was okay. 404 00:18:29,040 --> 00:18:32,000 Speaker 4: It was a nice vintage jacket. So here's what happens. 405 00:18:32,160 --> 00:18:33,080 Speaker 2: I want to buy it. 406 00:18:34,480 --> 00:18:35,760 Speaker 6: Australian comedy shows are. 407 00:18:35,680 --> 00:18:43,199 Speaker 4: Like, yeah, yeah, entire before I left, But so you 408 00:18:43,240 --> 00:18:46,160 Speaker 4: go you start imploding, Well you don't. I didn't implode. 409 00:18:46,200 --> 00:18:48,800 Speaker 4: What I felt was like I I left my body. 410 00:18:48,840 --> 00:18:50,439 Speaker 4: There was a point where all I could hear in 411 00:18:50,440 --> 00:18:52,440 Speaker 4: a room full of four hundred was like the embers 412 00:18:52,440 --> 00:18:56,840 Speaker 4: of my cigarette, Burt. You know, there's it's not just 413 00:18:56,880 --> 00:19:01,199 Speaker 4: a silence, there's like a suction to it. And I 414 00:19:01,240 --> 00:19:04,040 Speaker 4: felt myself like leave. My body was literally like I'm 415 00:19:04,040 --> 00:19:07,240 Speaker 4: gonna go watch from over there. And then I get 416 00:19:07,240 --> 00:19:09,359 Speaker 4: off stage and the owner comes up to me and 417 00:19:09,400 --> 00:19:11,119 Speaker 4: he like he has that look of like someone who 418 00:19:11,240 --> 00:19:15,440 Speaker 4: just saw an accident, like yeah, okay, and I'm like, yeah, 419 00:19:15,440 --> 00:19:18,280 Speaker 4: I guess I'm okay. And then the next morning he 420 00:19:18,359 --> 00:19:20,439 Speaker 4: goes and this is a weekend. You know, I'm supposed 421 00:19:20,480 --> 00:19:22,520 Speaker 4: to do three more weeks, and he goes, I don't 422 00:19:22,520 --> 00:19:25,840 Speaker 4: think this is working out, and I'm like, okay, three weeks, 423 00:19:26,520 --> 00:19:30,080 Speaker 4: yeah yeah, yeah, three week run. 424 00:19:30,119 --> 00:19:31,520 Speaker 2: It's gonna be three weeks. 425 00:19:31,680 --> 00:19:32,480 Speaker 5: Yeah. Crazy. 426 00:19:32,640 --> 00:19:34,440 Speaker 4: So he goes, I think, I think maybe you should 427 00:19:34,480 --> 00:19:37,320 Speaker 4: just go home to America. 428 00:19:37,720 --> 00:19:37,960 Speaker 5: Yeah. 429 00:19:38,119 --> 00:19:40,639 Speaker 4: Did you get paid? I don't even fucking know. I didn't. 430 00:19:40,680 --> 00:19:42,800 Speaker 4: I don't even think I cared, like because there was 431 00:19:42,840 --> 00:19:44,879 Speaker 4: part of me I knew that had to play along 432 00:19:44,920 --> 00:19:46,680 Speaker 4: and be like, oh, really you're gonna I mean, I 433 00:19:46,680 --> 00:19:48,800 Speaker 4: think it'll get better. So I said that, but in 434 00:19:48,800 --> 00:19:51,680 Speaker 4: my mind, I'm like, thank fucking god. And I think 435 00:19:51,720 --> 00:19:53,520 Speaker 4: I'd been sober for about a year and on that 436 00:19:53,560 --> 00:19:59,520 Speaker 4: plane right back, totally fucking got ship face. What was 437 00:19:59,520 --> 00:20:03,919 Speaker 4: your drugg choice? Yeah, no, I couldn't get coke from 438 00:20:03,960 --> 00:20:04,680 Speaker 4: the stewardess. 439 00:20:04,720 --> 00:20:07,040 Speaker 1: So what was it when you were when you were 440 00:20:07,119 --> 00:20:10,520 Speaker 1: not sober? What was your when you were fun? 441 00:20:10,640 --> 00:20:15,600 Speaker 4: Coco's weed stuff? But uh yeah, and then yeah, I 442 00:20:15,640 --> 00:20:18,120 Speaker 4: just drank the whole way home and uh and that's 443 00:20:18,680 --> 00:20:20,160 Speaker 4: and that's the story, was not a. 444 00:20:20,680 --> 00:20:23,320 Speaker 2: You'll do have a psychedelic experience before you die. 445 00:20:23,520 --> 00:20:26,320 Speaker 4: I've had them. I think I'm having one now. So 446 00:20:27,280 --> 00:20:29,400 Speaker 4: uh no, No, no, I had them when I wasn't 447 00:20:29,440 --> 00:20:30,960 Speaker 4: sober when you're supposed to have them. 448 00:20:31,000 --> 00:20:33,960 Speaker 2: No, I know, but I'm will I have end of life? 449 00:20:34,040 --> 00:20:36,639 Speaker 4: Will you have a I'm hoping that that that moment 450 00:20:36,720 --> 00:20:39,199 Speaker 4: is pretty psychedelic. I'm sort of banking on the end 451 00:20:39,200 --> 00:20:41,919 Speaker 4: of life, that's true. But you want that you met 452 00:20:42,040 --> 00:20:43,840 Speaker 4: me one that I can come back from like. 453 00:20:43,960 --> 00:20:46,560 Speaker 2: M d M A therapy there, Yeah, psilocy. 454 00:20:48,320 --> 00:20:51,480 Speaker 4: Hero does I mean, what do you think do you 455 00:20:51,480 --> 00:20:54,160 Speaker 4: think that stuff really reconfigures your brain in a way 456 00:20:54,200 --> 00:20:58,880 Speaker 4: that is that lasts or do you think it's. 457 00:20:57,160 --> 00:21:00,800 Speaker 2: I think people that have PTSD from war and firefighters that. 458 00:21:00,720 --> 00:21:02,160 Speaker 4: Have Okay, I had neither of those. 459 00:21:02,480 --> 00:21:06,600 Speaker 2: No, but you have trauma. You have trauma. No, I 460 00:21:06,600 --> 00:21:08,880 Speaker 2: do you have childhood trauma? I'm assuming maybe. 461 00:21:08,680 --> 00:21:11,280 Speaker 4: Not capital t's, but yeah, middle teas. 462 00:21:11,640 --> 00:21:12,720 Speaker 2: Yeah, and they stay in your. 463 00:21:14,680 --> 00:21:17,639 Speaker 1: Need to access your migdala and reshape your neural pathways 464 00:21:17,680 --> 00:21:18,239 Speaker 1: sometimes you need. 465 00:21:18,359 --> 00:21:20,040 Speaker 4: But you can also do that through E M d R. 466 00:21:20,240 --> 00:21:23,760 Speaker 4: I'm not saying just exactly, I'm just saying new neural pathos. 467 00:21:23,840 --> 00:21:24,240 Speaker 2: You up worse. 468 00:21:24,320 --> 00:21:25,640 Speaker 4: I smoked D M T once and I. 469 00:21:25,600 --> 00:21:26,560 Speaker 2: Feel worse for it. 470 00:21:26,960 --> 00:21:30,440 Speaker 4: Well, controlled environment, I would say controlled environment. 471 00:21:31,000 --> 00:21:31,280 Speaker 5: I was. 472 00:21:31,720 --> 00:21:33,560 Speaker 4: I was in a hotel room and I smoked it. 473 00:21:33,600 --> 00:21:34,400 Speaker 4: Was there a doctor there? 474 00:21:34,640 --> 00:21:37,720 Speaker 1: No, This lady said she killed her roommate right after 475 00:21:37,800 --> 00:21:38,320 Speaker 1: I smoked. 476 00:21:38,359 --> 00:21:38,919 Speaker 4: What happened? 477 00:21:41,160 --> 00:21:41,400 Speaker 5: Yeah? 478 00:21:41,640 --> 00:21:42,400 Speaker 2: Yeah, I didn't. 479 00:21:42,480 --> 00:21:45,119 Speaker 4: I understand it was really bad. Yeah. 480 00:21:45,119 --> 00:21:45,920 Speaker 5: I didn't like it at all. 481 00:21:46,080 --> 00:21:47,320 Speaker 2: Do you want a coffee, Alicia? 482 00:21:47,440 --> 00:21:51,360 Speaker 7: I'm good. I don't want to see that. I actually 483 00:21:51,920 --> 00:21:52,560 Speaker 7: are they real? 484 00:21:52,920 --> 00:21:53,120 Speaker 11: Yeah? 485 00:21:53,560 --> 00:21:56,840 Speaker 7: I really know. I actually don't. I'm scared of cockroaches. 486 00:21:58,280 --> 00:21:59,840 Speaker 4: Are they big ones? Yeah? Please? 487 00:22:00,200 --> 00:22:02,720 Speaker 6: Are the cockroaches they're bringing over to Mark? Oh? 488 00:22:02,800 --> 00:22:05,160 Speaker 7: God, let Mark? Let Mark they're not real. 489 00:22:05,400 --> 00:22:08,000 Speaker 4: They're real. Please, you got to go buy these. 490 00:22:08,160 --> 00:22:08,800 Speaker 2: They're not real. 491 00:22:10,160 --> 00:22:11,679 Speaker 7: House that were riddled of conroaches. 492 00:22:12,000 --> 00:22:12,800 Speaker 4: These are giant. 493 00:22:12,920 --> 00:22:14,040 Speaker 2: This is a Norwegian thing. 494 00:22:14,240 --> 00:22:18,159 Speaker 8: No, they were like there was like a cockroach and 495 00:22:18,200 --> 00:22:19,359 Speaker 8: that's under my house. 496 00:22:19,640 --> 00:22:22,280 Speaker 6: And what are they they? 497 00:22:22,560 --> 00:22:24,040 Speaker 4: Where do you get these in the place? 498 00:22:24,400 --> 00:22:24,880 Speaker 7: Where are they? 499 00:22:25,480 --> 00:22:26,880 Speaker 4: These are South American cockroaches? 500 00:22:26,880 --> 00:22:28,400 Speaker 7: Are they hiss? Are the hissing concorde? 501 00:22:29,160 --> 00:22:29,480 Speaker 4: They are? 502 00:22:29,640 --> 00:22:30,359 Speaker 7: Don't thinking about? 503 00:22:31,040 --> 00:22:33,120 Speaker 2: Well, don't bother. I want to hear his Let them 504 00:22:33,119 --> 00:22:33,680 Speaker 2: on the couch. 505 00:22:39,359 --> 00:22:40,280 Speaker 4: Are you gonna eat one? 506 00:22:41,880 --> 00:22:42,760 Speaker 7: You take them out of the cup. 507 00:22:44,040 --> 00:22:45,600 Speaker 6: It's animal trust. You got to keep them in. 508 00:22:52,240 --> 00:22:52,800 Speaker 2: Not that bad. 509 00:22:52,960 --> 00:22:54,240 Speaker 4: The guy's got to return them later. 510 00:22:54,280 --> 00:22:59,160 Speaker 2: You got bad, But like they'll stick to they're not bad. 511 00:22:59,200 --> 00:23:01,080 Speaker 6: Mark Lexit. He's never felt anything. 512 00:23:02,920 --> 00:23:04,760 Speaker 4: That's so funny. Like I just saw that guy out 513 00:23:04,760 --> 00:23:07,199 Speaker 4: there in the in the waiting area and now I 514 00:23:07,240 --> 00:23:08,160 Speaker 4: know he's the bug guy. 515 00:23:08,680 --> 00:23:09,800 Speaker 2: Yeah, he was so sweet. 516 00:23:10,760 --> 00:23:12,640 Speaker 6: The bug Guy is a Sean road. 517 00:23:12,760 --> 00:23:14,800 Speaker 4: Of course it is. 518 00:23:16,640 --> 00:23:18,240 Speaker 7: And I swear to god, I have a phobia. 519 00:23:18,400 --> 00:23:19,920 Speaker 2: Are you doing that for the show? Are you being 520 00:23:19,920 --> 00:23:20,240 Speaker 2: a joke? 521 00:23:20,400 --> 00:23:20,600 Speaker 4: No? 522 00:23:20,760 --> 00:23:21,640 Speaker 7: I have a phobia. 523 00:23:22,680 --> 00:23:26,280 Speaker 8: Yes, I grew up in a house that had a cockroach. 524 00:23:26,680 --> 00:23:29,720 Speaker 8: I know, but then like I just my mom would 525 00:23:29,720 --> 00:23:33,160 Speaker 8: freak out. She'd scream bloody murders. She'd be like, imagine 526 00:23:33,200 --> 00:23:35,360 Speaker 8: being a kid and you're seeing your mom freak out, 527 00:23:35,400 --> 00:23:36,360 Speaker 8: and then I freaked out. 528 00:23:36,520 --> 00:23:38,840 Speaker 7: It would crawl on my toes and get in the shower. 529 00:23:38,880 --> 00:23:39,520 Speaker 7: One would hop on. 530 00:23:39,560 --> 00:23:45,280 Speaker 1: My chest exercise. 531 00:23:47,400 --> 00:23:48,960 Speaker 7: Why are you chill about it? 532 00:23:49,000 --> 00:23:52,040 Speaker 2: I was, Why are you so chill about it? What's 533 00:23:52,080 --> 00:23:54,439 Speaker 2: your phone? What are you afraid of? Uh? 534 00:23:55,040 --> 00:23:59,280 Speaker 4: I was afraid coming here. I know you. 535 00:24:00,000 --> 00:24:01,639 Speaker 2: You think I'm gonna prank you. I'm not going to 536 00:24:01,680 --> 00:24:07,920 Speaker 2: bring conversation. I just needed a little bit of stuff. 537 00:24:08,440 --> 00:24:11,320 Speaker 4: I just stuff my real fears. That's a good question. 538 00:24:11,960 --> 00:24:15,119 Speaker 4: Fire is one fire? Yeah, that's a bad one. Bugs. 539 00:24:15,119 --> 00:24:17,200 Speaker 4: Don't freak me out. I'm a little fire. 540 00:24:17,440 --> 00:24:21,320 Speaker 6: Yeah, Like like your house rinning down. If you ever 541 00:24:21,359 --> 00:24:23,440 Speaker 6: eat alone, you're you afraid you're gonna choke and dialogue? 542 00:24:23,840 --> 00:24:24,960 Speaker 2: No, yea me either. 543 00:24:28,200 --> 00:24:30,720 Speaker 4: I'm afraid of somebody hitting me in the head while 544 00:24:30,720 --> 00:24:37,919 Speaker 4: I'm sleeping, like coming in. Yeah, I don't know, just 545 00:24:37,960 --> 00:24:41,480 Speaker 4: waking up to talk. I don't think you wake up no, 546 00:24:41,960 --> 00:24:43,679 Speaker 4: but I kind of feel like that every morning. But 547 00:24:43,760 --> 00:24:45,800 Speaker 4: I I I do have a weird fear of being 548 00:24:45,960 --> 00:24:48,760 Speaker 4: you know hit. Oh you know what, My biggest fear 549 00:24:48,800 --> 00:24:52,240 Speaker 4: is really being t bone my fucking I get that. 550 00:24:52,600 --> 00:24:55,439 Speaker 4: I get that intersection. 551 00:24:54,960 --> 00:24:57,280 Speaker 2: Because Mark Bowling kept complaining about. 552 00:24:57,080 --> 00:25:01,120 Speaker 4: It and then and then and Adrix, this is much 553 00:25:01,119 --> 00:25:04,280 Speaker 4: better than roaches. I would like to. 554 00:25:04,160 --> 00:25:06,720 Speaker 10: Be my footstool while I introduced myself. 555 00:25:07,080 --> 00:25:11,159 Speaker 7: Be nice to the lady yourself. 556 00:25:13,880 --> 00:25:17,200 Speaker 4: You're coming here with his attitude? Come on, you know. 557 00:25:17,160 --> 00:25:19,520 Speaker 2: Who you got? 558 00:25:19,840 --> 00:25:22,199 Speaker 10: Your mine is to beat you up? 559 00:25:22,560 --> 00:25:26,320 Speaker 2: Yes, thank god we did those poppers. 560 00:25:27,560 --> 00:25:30,760 Speaker 10: You're run, Yeah, you're you're Wow. 561 00:25:32,480 --> 00:25:33,200 Speaker 2: He's a good ship. 562 00:25:33,480 --> 00:25:37,240 Speaker 9: I am goddess kaya Camarada. 563 00:25:37,440 --> 00:25:38,240 Speaker 2: Come, I'll give it. 564 00:25:38,200 --> 00:25:38,399 Speaker 11: Up for. 565 00:25:41,400 --> 00:25:44,199 Speaker 9: I've got some stickers here to give away to everybody, 566 00:25:44,440 --> 00:25:47,080 Speaker 9: and uh, some very fun toys. 567 00:25:47,480 --> 00:25:49,080 Speaker 6: Okay that I'm going to show. 568 00:25:49,240 --> 00:25:50,879 Speaker 10: This is my so much, and. 569 00:25:52,040 --> 00:25:54,439 Speaker 2: I've always wanted to plan on. Mark's been a bit 570 00:25:54,440 --> 00:26:00,280 Speaker 2: of a bad movie. Whoa does this in his ass? No? 571 00:26:00,359 --> 00:26:07,880 Speaker 9: No, I'm not doing any penetration here, I really do well. 572 00:26:07,920 --> 00:26:09,800 Speaker 10: I am wearing a strap on harness. 573 00:26:09,520 --> 00:26:12,240 Speaker 7: Are you wait? Can we get it on? 574 00:26:12,400 --> 00:26:17,400 Speaker 10: I'm just not wearing a dick I want, but that's useless. 575 00:26:17,400 --> 00:26:18,200 Speaker 7: No one needs. 576 00:26:17,960 --> 00:26:21,960 Speaker 1: That, all right, Okay, This is how Mark was being 577 00:26:21,960 --> 00:26:22,560 Speaker 1: a little bit rude. 578 00:26:22,560 --> 00:26:23,160 Speaker 2: At the top of the. 579 00:26:23,280 --> 00:26:24,600 Speaker 10: Mark is being rude. 580 00:26:24,640 --> 00:26:25,520 Speaker 4: He came in, He came in. 581 00:26:25,680 --> 00:26:28,040 Speaker 2: A little bit of a bad and what do we 582 00:26:28,080 --> 00:26:28,800 Speaker 2: do to bad boys? 583 00:26:28,880 --> 00:26:33,160 Speaker 10: Bad boys get spain? Yeah, do you want to spanking 584 00:26:33,240 --> 00:26:34,960 Speaker 10: for being such a bad boy? 585 00:26:35,160 --> 00:26:35,360 Speaker 2: Mark? 586 00:26:35,400 --> 00:26:41,200 Speaker 6: Do you go ahead? 587 00:26:42,480 --> 00:26:42,760 Speaker 2: All right? 588 00:26:44,200 --> 00:26:46,600 Speaker 9: Do I need to move you that way and point 589 00:26:46,600 --> 00:26:48,560 Speaker 9: your ass towards me because we're in a tight space. 590 00:26:48,320 --> 00:26:51,240 Speaker 7: And you should look directly out of the most. 591 00:26:57,880 --> 00:26:59,600 Speaker 4: Isn't a purse though, right, you've been spain. 592 00:26:59,680 --> 00:27:04,440 Speaker 10: Oh, you're pant sounds it's just your boxers. Whoa, You're 593 00:27:04,480 --> 00:27:09,879 Speaker 10: protected by your your genes. Take the wallet out. You 594 00:27:09,920 --> 00:27:14,280 Speaker 10: want your phone, slash to get out of it? Okay, 595 00:27:15,359 --> 00:27:16,160 Speaker 10: get on microphone? 596 00:27:16,720 --> 00:27:21,800 Speaker 4: Microphone? Okay, can I get one? 597 00:27:22,480 --> 00:27:33,480 Speaker 12: Oh yeah, okay, Wow. 598 00:27:33,960 --> 00:27:41,240 Speaker 8: He's moaning that. 599 00:27:41,240 --> 00:27:42,600 Speaker 10: That's just a little hens. 600 00:27:48,359 --> 00:27:50,160 Speaker 2: Are in that. 601 00:27:50,160 --> 00:27:52,639 Speaker 4: That felt exactly like I thought it would feel, and 602 00:27:52,840 --> 00:27:54,439 Speaker 4: you know, it started to sting a little bit, and 603 00:27:54,480 --> 00:27:56,240 Speaker 4: I could understand the feels of it. 604 00:27:56,920 --> 00:28:00,199 Speaker 2: Yes, what's the appeal of that for you? 605 00:28:01,080 --> 00:28:03,280 Speaker 4: It's the first time, so clearly it wasn't really. 606 00:28:03,200 --> 00:28:04,760 Speaker 10: That was the first time you've ever been paddled? 607 00:28:04,880 --> 00:28:10,200 Speaker 4: Yeah, I'm on the microphone. If it was the first 608 00:28:10,200 --> 00:28:13,560 Speaker 4: time I did, it's weird because I dated a dominatrix. 609 00:28:13,600 --> 00:28:17,320 Speaker 4: But it was nothing. You never no, No, I. 610 00:28:17,320 --> 00:28:20,639 Speaker 2: Was, what's she's off the clock? 611 00:28:20,800 --> 00:28:25,239 Speaker 4: Yeah that's yeah, I'm the guy that have the normal relationship. 612 00:28:24,760 --> 00:28:25,840 Speaker 2: With the clock. 613 00:28:25,880 --> 00:28:27,960 Speaker 10: I still like beating people up. This is not just 614 00:28:28,040 --> 00:28:31,080 Speaker 10: a profession, it is a lifestyle. I'm a genuine pervert. 615 00:28:31,240 --> 00:28:31,920 Speaker 4: Yeah, exactly. 616 00:28:31,960 --> 00:28:34,080 Speaker 2: What's some respect on her name? 617 00:28:34,840 --> 00:28:35,800 Speaker 4: Thank you? Thank you. 618 00:28:36,000 --> 00:28:37,920 Speaker 10: I got into it because I'm a fucking pervert. 619 00:28:38,360 --> 00:28:39,360 Speaker 4: Yeah. 620 00:28:39,640 --> 00:28:47,880 Speaker 9: When I was eighteen years old, I was, Yeah, not wrong, 621 00:28:49,320 --> 00:28:50,200 Speaker 9: It's obvious. 622 00:28:50,440 --> 00:28:53,760 Speaker 2: I'm you know, is blue? 623 00:28:53,880 --> 00:28:57,120 Speaker 10: Who fucking cares? A lot of people have bad dads 624 00:28:57,120 --> 00:28:58,400 Speaker 10: and don't beat people up? 625 00:28:58,400 --> 00:29:02,640 Speaker 4: Honey, I respect? Yeah exactly, I think he needs. I'm 626 00:29:02,640 --> 00:29:03,320 Speaker 4: not on trial. 627 00:29:06,840 --> 00:29:09,320 Speaker 10: The thing is is, you don't know what you're into until. 628 00:29:09,040 --> 00:29:09,840 Speaker 7: You try it. 629 00:29:10,040 --> 00:29:12,200 Speaker 10: Right, You just got Spain for the first time. Maybe 630 00:29:12,200 --> 00:29:14,120 Speaker 10: you found yourself kind of liking it. You Maybe if 631 00:29:14,120 --> 00:29:16,240 Speaker 10: I got you alone for an hour, we can find 632 00:29:16,240 --> 00:29:16,560 Speaker 10: out what. 633 00:29:16,520 --> 00:29:17,880 Speaker 2: Else you like it. 634 00:29:18,040 --> 00:29:19,440 Speaker 6: Can we check your woop band and see if your 635 00:29:19,680 --> 00:29:20,520 Speaker 6: right went up during that? 636 00:29:21,040 --> 00:29:25,240 Speaker 1: I am what what is your sexual fetish? 637 00:29:26,320 --> 00:29:29,880 Speaker 4: I don't know. I'm kind of like old school in 638 00:29:29,920 --> 00:29:33,000 Speaker 4: that I just like it to be really good. 639 00:29:33,800 --> 00:29:37,720 Speaker 2: And what do you like that makes it really good? 640 00:29:38,000 --> 00:29:41,040 Speaker 6: Eye contact? Yea reent eye contact? 641 00:29:41,280 --> 00:29:41,640 Speaker 2: Little of that? 642 00:29:41,720 --> 00:29:42,880 Speaker 4: Why you're reading me right? 643 00:29:44,360 --> 00:29:55,040 Speaker 2: How do you maintain a direction? Are you? Do you 644 00:29:55,040 --> 00:29:56,560 Speaker 2: have someone in your life? 645 00:29:56,720 --> 00:29:57,080 Speaker 4: Idea? 646 00:29:57,720 --> 00:30:00,440 Speaker 2: And how long have you guys been together? Years? 647 00:30:00,440 --> 00:30:02,120 Speaker 4: Five years? Okay, that's pretty good. 648 00:30:02,120 --> 00:30:03,840 Speaker 10: How is she gonna feel about you getting paddled by 649 00:30:03,880 --> 00:30:04,600 Speaker 10: a dominatrix? 650 00:30:04,640 --> 00:30:06,800 Speaker 4: Well, well, she's probably gonna be like, do you want 651 00:30:06,840 --> 00:30:07,520 Speaker 4: me to do that? 652 00:30:08,040 --> 00:30:11,600 Speaker 2: And is she black? No? Why wouldn't you a black one? 653 00:30:12,600 --> 00:30:14,600 Speaker 4: I have? I would I have. 654 00:30:14,800 --> 00:30:16,200 Speaker 2: Two and a half black people? Here? 655 00:30:16,360 --> 00:30:18,080 Speaker 4: Come on? Is this the dating game? 656 00:30:19,920 --> 00:30:20,840 Speaker 2: Racial humiliation? 657 00:30:21,200 --> 00:30:25,440 Speaker 6: We don't know what it is. 658 00:30:23,800 --> 00:30:27,280 Speaker 2: You got less cranky. 659 00:30:30,440 --> 00:30:33,720 Speaker 10: Screams, give thinking and all those grumpies have. 660 00:30:33,680 --> 00:30:35,280 Speaker 2: Gone away intimidated? 661 00:30:35,360 --> 00:30:36,560 Speaker 4: But no, no, not I like this? 662 00:30:36,640 --> 00:30:37,280 Speaker 2: But whatcu is your? 663 00:30:37,320 --> 00:30:38,200 Speaker 5: What is your? What? 664 00:30:38,200 --> 00:30:40,240 Speaker 2: What? What do you like? In the bedroom? I think 665 00:30:40,240 --> 00:30:41,120 Speaker 2: everybody wants to know. 666 00:30:42,520 --> 00:30:44,920 Speaker 4: I will what happened? 667 00:30:46,120 --> 00:30:47,160 Speaker 6: Okay we got to make room? 668 00:30:47,480 --> 00:30:53,120 Speaker 2: Oh you got to make room? Yeah, come on in okay, okay, 669 00:30:54,920 --> 00:30:58,000 Speaker 2: so privileged witnessed you? 670 00:30:58,040 --> 00:30:59,360 Speaker 10: Oh? Thank you? 671 00:31:00,400 --> 00:31:01,120 Speaker 2: What a switch? 672 00:31:01,680 --> 00:31:07,880 Speaker 1: Right by the way, she opened up for Mark in Australia. 673 00:31:07,960 --> 00:31:10,360 Speaker 6: Mark different. 674 00:31:14,200 --> 00:31:15,680 Speaker 4: That very true? 675 00:31:16,800 --> 00:31:19,000 Speaker 10: Yeah true, I love this Mark. 676 00:31:19,040 --> 00:31:21,800 Speaker 2: Are you okay with female empowerment wage equality? 677 00:31:22,280 --> 00:31:23,320 Speaker 4: Yeah? 678 00:31:23,520 --> 00:31:28,160 Speaker 2: You don't the ground that weird? Answer that very weird. 679 00:31:28,360 --> 00:31:29,400 Speaker 10: His voice is going up. 680 00:31:29,520 --> 00:31:30,040 Speaker 4: Yeah, of course. 681 00:31:30,400 --> 00:31:32,560 Speaker 1: So you think a woman should earn seventy cents on 682 00:31:32,600 --> 00:31:34,840 Speaker 1: the dollar for the same job and manage it up? 683 00:31:35,640 --> 00:31:37,800 Speaker 1: What do you say, I'm man's plaining feminism. 684 00:31:38,000 --> 00:31:41,200 Speaker 4: No, no, I'm good with the feminism. 685 00:31:41,560 --> 00:31:43,360 Speaker 6: Let's ask, let's crazy. 686 00:31:43,560 --> 00:31:45,720 Speaker 4: I'm talking about why would I have alight? 687 00:31:45,840 --> 00:31:47,240 Speaker 2: Let's pull up the clips. 688 00:31:51,800 --> 00:32:03,760 Speaker 5: With Are with a recondre you. 689 00:32:03,720 --> 00:32:07,240 Speaker 1: Believe in equality, racial equality? 690 00:32:07,560 --> 00:32:10,320 Speaker 4: You're on trial? Yes I do. 691 00:32:10,600 --> 00:32:10,800 Speaker 5: Eric. 692 00:32:11,320 --> 00:32:13,200 Speaker 6: What's one controversial opinion you have? 693 00:32:15,120 --> 00:32:17,160 Speaker 2: You voted for Yahoo reason? 694 00:32:20,200 --> 00:32:23,520 Speaker 10: Have a roll of evil instruments from my dungeon that 695 00:32:23,600 --> 00:32:25,520 Speaker 10: I brought since they said they need people to get 696 00:32:25,560 --> 00:32:29,440 Speaker 10: beat up here, I did bring tools of my trade. 697 00:32:30,200 --> 00:32:31,360 Speaker 4: Whoa, yeah checking out? 698 00:32:31,400 --> 00:32:33,280 Speaker 2: Well, yeah, I mean no time like the president. 699 00:32:33,600 --> 00:32:35,960 Speaker 6: This is how this is how chefs go to work. 700 00:32:36,040 --> 00:32:40,520 Speaker 8: Too pretty, that's beautiful, piggy. 701 00:32:42,080 --> 00:32:42,760 Speaker 2: That's a taser. 702 00:32:43,680 --> 00:32:46,760 Speaker 10: That is a taser zapper. It needs some new double 703 00:32:46,760 --> 00:32:49,920 Speaker 10: A batteries right now because I use it so frequently. 704 00:32:49,960 --> 00:32:50,240 Speaker 5: What's that? 705 00:32:50,320 --> 00:32:54,320 Speaker 7: I want to get tasted? Don't you want to get pigged? 706 00:32:55,680 --> 00:32:56,840 Speaker 6: I think you got to get pigged. 707 00:32:59,880 --> 00:33:06,880 Speaker 4: I could of used that when I was a specialized 708 00:33:06,920 --> 00:33:07,600 Speaker 4: school teacher. 709 00:33:24,360 --> 00:33:30,320 Speaker 12: Yes, oh my god, the poppers are kicking. 710 00:33:34,080 --> 00:33:48,960 Speaker 11: Yeah. Yeah, and you're bilingual, Alicia said, controversial marks calling 711 00:33:48,960 --> 00:33:49,360 Speaker 11: an uber. 712 00:33:54,680 --> 00:34:02,800 Speaker 6: He's firing his agents. What's your favorite's remember that? 713 00:34:03,880 --> 00:34:09,360 Speaker 4: Yeah, I'm going nuts. 714 00:34:09,600 --> 00:34:11,000 Speaker 2: You used to hit the slow kids. 715 00:34:11,360 --> 00:34:14,920 Speaker 4: Nobody I heard it. 716 00:34:15,520 --> 00:34:16,160 Speaker 2: Hey, we heard it. 717 00:34:16,200 --> 00:34:18,719 Speaker 6: And that one's gotta hurt. 718 00:34:19,520 --> 00:34:25,040 Speaker 2: We got it. It's on tape the episode. Wrap it up. 719 00:34:27,680 --> 00:34:30,719 Speaker 10: We're just gonna started, and then you get to walk 720 00:34:30,719 --> 00:34:31,439 Speaker 10: away with love. 721 00:34:32,200 --> 00:34:34,880 Speaker 4: Yeah, remember you by. 722 00:34:35,000 --> 00:34:36,759 Speaker 2: I'll take up. Let me just do it a little. 723 00:34:38,280 --> 00:34:40,600 Speaker 6: I'll take one, well one, Well, yeah. 724 00:34:40,719 --> 00:34:41,280 Speaker 7: I need. 725 00:34:43,400 --> 00:34:46,920 Speaker 2: You if I do these poppers and watch do your poppers? 726 00:34:47,160 --> 00:34:50,120 Speaker 10: Watch be a good pops boy for me? 727 00:34:50,160 --> 00:34:50,920 Speaker 6: What do you need like this? 728 00:34:51,120 --> 00:34:52,520 Speaker 2: Yeah, they're not good. 729 00:34:53,040 --> 00:34:55,279 Speaker 4: You gotta take a big hit, get it up? 730 00:34:55,320 --> 00:34:55,440 Speaker 1: There? 731 00:34:55,960 --> 00:34:57,400 Speaker 4: Would I do it? Have I done it? I have 732 00:34:57,480 --> 00:35:00,719 Speaker 4: done it? I wouldn't do it. It's not go she's 733 00:35:00,719 --> 00:35:02,640 Speaker 4: about that stuff. 734 00:35:08,280 --> 00:35:08,480 Speaker 2: More? 735 00:35:08,960 --> 00:35:11,640 Speaker 10: Oh you said you want one? 736 00:35:11,719 --> 00:35:12,399 Speaker 2: Do you want more? 737 00:35:12,800 --> 00:35:13,040 Speaker 4: Yes? 738 00:35:13,120 --> 00:35:14,760 Speaker 7: He does? 739 00:35:16,680 --> 00:35:20,480 Speaker 2: Can you make nine? Inch nails. Oh fuck, look at 740 00:35:20,480 --> 00:35:28,319 Speaker 2: his ship? Yes, what about the other side? Thank you? 741 00:35:28,360 --> 00:35:30,680 Speaker 2: May do we have any final thoughts on what. 742 00:35:32,840 --> 00:35:35,080 Speaker 6: You're pretty good with the mic. You should maybe start 743 00:35:35,120 --> 00:35:38,759 Speaker 6: doing some podcasting yourself at. 744 00:35:38,120 --> 00:35:41,520 Speaker 2: The game to promote you want to promote anything? 745 00:35:41,960 --> 00:35:43,800 Speaker 4: No, I have nothing to promote. 746 00:35:45,719 --> 00:35:50,080 Speaker 2: Ladies and gentlemen that's been bombing. I want to thank 747 00:35:50,200 --> 00:35:54,520 Speaker 2: Mark Barn, I want to thank Kia Is. Want to 748 00:35:54,560 --> 00:35:55,800 Speaker 2: thank the godness Kaya. 749 00:35:56,239 --> 00:35:59,759 Speaker 1: I want to thank my manager and Alicia, David Male 750 00:35:59,880 --> 00:36:03,640 Speaker 1: and Thick rather burn Lady. 751 00:36:03,719 --> 00:36:05,760 Speaker 5: I'll be with Avery Codre. 752 00:36:06,120 --> 00:36:08,439 Speaker 1: Got a burning story that you're itching to tell about 753 00:36:08,440 --> 00:36:10,680 Speaker 1: when you bombed or absolutely failed in life. 754 00:36:10,840 --> 00:36:13,640 Speaker 2: Now's your chance to tell me all about it, Babel. 755 00:36:13,800 --> 00:36:16,919 Speaker 1: I want to hear your worst, most cringe worthy what 756 00:36:17,000 --> 00:36:20,400 Speaker 1: the fuck was I thinking? What just happened moment? So 757 00:36:20,480 --> 00:36:23,720 Speaker 1: pick up your phone and dial seven one six Bombing. 758 00:36:23,920 --> 00:36:27,480 Speaker 1: That's seven one six two six six twenty four sixty 759 00:36:27,520 --> 00:36:29,920 Speaker 1: four and leave me a voicemail and we might just. 760 00:36:29,920 --> 00:36:31,480 Speaker 2: Play it on a future episode. 761 00:36:31,560 --> 00:36:33,680 Speaker 1: Bombing with Eric Andres brought to you by Will Ferrell's 762 00:36:33,680 --> 00:36:36,720 Speaker 1: Big Money Players Network and iHeart Podcast. Our executive producer 763 00:36:36,800 --> 00:36:40,600 Speaker 1: is Noah abad Our producer's Bei Wang. Our research assistant 764 00:36:40,719 --> 00:36:43,840 Speaker 1: is David Carliner. Our editor and sound designers Andy Harris. 765 00:36:43,840 --> 00:36:46,800 Speaker 1: Our art is by Dylan Vanderberg. His podcast is recorded 766 00:36:46,840 --> 00:36:48,120 Speaker 1: at Sweet Tea Studios.