1
00:00:09,080 --> 00:00:13,440
Speaker 1: So I got stuck in the shower with a moth

2
00:00:13,640 --> 00:00:14,600
Speaker 1: this morning.

3
00:00:14,560 --> 00:00:15,120
Speaker 2: Right.

4
00:00:16,840 --> 00:00:18,560
Speaker 3: Because I have you know, I have the chair and

5
00:00:18,600 --> 00:00:23,079
Speaker 3: that like it's I need to be sitting down because

6
00:00:23,120 --> 00:00:25,479
Speaker 3: otherwise my knees will slide all the way down, my

7
00:00:26,440 --> 00:00:31,200
Speaker 3: legs actually off, they slid down onto the top of

8
00:00:31,200 --> 00:00:34,080
Speaker 3: my feet and then off my fe Yes.

9
00:00:34,880 --> 00:00:37,839
Speaker 4: I'm sorry, just when you say chair, I'm just because

10
00:00:38,080 --> 00:00:40,040
Speaker 4: like you mean the porch swing.

11
00:00:40,600 --> 00:00:43,640
Speaker 1: Yes, it's a yes, it's not yes.

12
00:00:43,600 --> 00:00:45,319
Speaker 4: I mean it's not on the porch, but it is

13
00:00:45,360 --> 00:00:47,200
Speaker 4: like traditional on the porch.

14
00:00:47,000 --> 00:00:48,680
Speaker 3: And it's not a swing, you know, it's not like

15
00:00:48,720 --> 00:00:51,200
Speaker 3: a wicker or whatever. It's like a you know, sort

16
00:00:51,200 --> 00:00:56,440
Speaker 3: of imitation velvet swing. But it does it does swing around.

17
00:00:56,440 --> 00:00:58,440
Speaker 3: So I don't I never have to be under the

18
00:00:58,480 --> 00:01:01,160
Speaker 3: water for that long. I can sort of swing in

19
00:01:01,160 --> 00:01:01,880
Speaker 3: and out of the water.

20
00:01:02,080 --> 00:01:04,560
Speaker 4: Well, and think about this. You're sitting on a chair

21
00:01:04,680 --> 00:01:08,479
Speaker 4: directly under the water. Somebody flush a toy toy, and

22
00:01:08,640 --> 00:01:13,319
Speaker 4: the hot get too steamy, yes, right, yes, and then

23
00:01:13,480 --> 00:01:16,200
Speaker 4: you can't move unless you The whole point is you

24
00:01:16,240 --> 00:01:18,160
Speaker 4: can't stand up. So now you're stuck in the chair.

25
00:01:18,200 --> 00:01:19,600
Speaker 4: But if you've got to swing.

26
00:01:19,480 --> 00:01:21,959
Speaker 1: I can swing out of the well.

27
00:01:22,000 --> 00:01:25,920
Speaker 4: You grab any one of those chains the water and

28
00:01:25,200 --> 00:01:28,720
Speaker 4: you and you can propel yourself back out of the

29
00:01:28,720 --> 00:01:29,200
Speaker 4: water well.

30
00:01:29,280 --> 00:01:34,039
Speaker 3: So this is actually what I like. I also have

31
00:01:34,080 --> 00:01:39,480
Speaker 3: a porthole in the shower door, which serves multiple functions.

32
00:01:39,520 --> 00:01:41,039
Speaker 3: Actually one is I can look out and see if

33
00:01:41,080 --> 00:01:45,040
Speaker 3: there are any beasties or now yeah, like people spying

34
00:01:45,040 --> 00:01:47,559
Speaker 3: on me. And it's also sort of a honey trap

35
00:01:48,160 --> 00:01:54,640
Speaker 3: because the porthole is at the height of my long associate.

36
00:01:55,160 --> 00:01:59,400
Speaker 3: Were I to be standing up, but it's said anyone

37
00:01:59,480 --> 00:02:01,920
Speaker 3: who's trying to sneak a peek. Oh, but it's a

38
00:02:01,920 --> 00:02:08,240
Speaker 3: porthole and it's actually my disapproving eyes instead just a glower.

39
00:02:08,480 --> 00:02:08,799
Speaker 1: Yes.

40
00:02:09,360 --> 00:02:13,840
Speaker 3: And so I hear somebody outside flush the toy toy,

41
00:02:14,760 --> 00:02:17,160
Speaker 3: and I'm getting very scared. I'm about to be burnt

42
00:02:17,240 --> 00:02:21,840
Speaker 3: up hot steam. So I opened the porthole to to

43
00:02:21,880 --> 00:02:27,000
Speaker 3: scream at them, and in flies this moth that's like

44
00:02:27,120 --> 00:02:30,040
Speaker 3: really big. It's like a really huge one of like

45
00:02:30,080 --> 00:02:36,160
Speaker 3: a like a jungle moth, and it's flying around. Meanwhile,

46
00:02:36,200 --> 00:02:38,160
Speaker 3: I can't open the door because my swing I tried

47
00:02:38,160 --> 00:02:41,520
Speaker 3: to swing away too aggressively. I grabbed the chain and

48
00:02:42,560 --> 00:02:46,800
Speaker 3: accidentally got the swing kind of wedged into ceialing the

49
00:02:46,840 --> 00:02:47,440
Speaker 3: door shut.

50
00:02:47,600 --> 00:02:49,880
Speaker 4: Oh no, I've done that in that space.

51
00:02:51,200 --> 00:02:55,360
Speaker 3: It's well it's a two person swig obviously, so I

52
00:02:55,480 --> 00:03:02,360
Speaker 3: was there, and so the moth is now really having

53
00:03:02,400 --> 00:03:05,120
Speaker 3: his way with a bait in terms of crawling on

54
00:03:05,200 --> 00:03:07,800
Speaker 3: me and eating a hole in my hair.

55
00:03:08,960 --> 00:03:12,880
Speaker 4: I'm screaming. It looks fine, by the way, thank you.

56
00:03:12,880 --> 00:03:14,840
Speaker 4: You like you know, there's a hole, but it almost

57
00:03:14,840 --> 00:03:17,280
Speaker 4: looks like you wanted it. Like it's like a cool

58
00:03:17,560 --> 00:03:20,480
Speaker 4: like remember John Hinson had that skunk patch on his

59
00:03:20,560 --> 00:03:22,000
Speaker 4: head that he just he owned it.

60
00:03:22,360 --> 00:03:24,280
Speaker 1: Yeah, yeah, it looks like you could try to do

61
00:03:24,320 --> 00:03:24,760
Speaker 1: that with this.

62
00:03:25,639 --> 00:03:29,720
Speaker 3: And so I'm screaming, so that the moth is screaming too,

63
00:03:30,720 --> 00:03:34,040
Speaker 3: and eventually like it's not getting wet, it's it's like

64
00:03:34,200 --> 00:03:40,080
Speaker 3: somehow maneuvering through the streams, the water streams to attack me.

65
00:03:40,760 --> 00:03:42,800
Speaker 4: Well it's pretty. It sounds like it's from a rainforest.

66
00:03:42,840 --> 00:03:46,000
Speaker 4: I mean, yes, it's natural abilities, yeah.

67
00:03:45,840 --> 00:03:51,200
Speaker 1: But I know that water is something that can destroy it.

68
00:03:51,280 --> 00:03:51,600
Speaker 1: And so.

69
00:03:53,480 --> 00:03:58,800
Speaker 3: I sel the I stand up, let what my bees

70
00:03:58,840 --> 00:04:05,200
Speaker 3: slide off. It acts as a natural seal for the trade.

71
00:04:05,920 --> 00:04:11,320
Speaker 3: The shower starts filling up and It's like getting up

72
00:04:11,360 --> 00:04:14,960
Speaker 3: to like sort of my nose heighten, but the moth

73
00:04:15,040 --> 00:04:17,719
Speaker 3: is in my hair, so I needed to get that high.

74
00:04:18,200 --> 00:04:21,080
Speaker 3: And as soon as it gets high enough, I opened

75
00:04:21,120 --> 00:04:23,000
Speaker 3: the porthole and I.

76
00:04:22,480 --> 00:04:26,240
Speaker 1: Blast the moth out. It gets sucked out with all

77
00:04:26,320 --> 00:04:29,640
Speaker 1: the with all the water. Oh good, And so that's

78
00:04:29,640 --> 00:04:31,000
Speaker 1: why I'm so clean today.

79
00:04:31,279 --> 00:04:34,440
Speaker 4: Well, i'd like to apologize actually, just because I feel

80
00:04:34,480 --> 00:04:38,480
Speaker 4: partially responsible. You know, when you were out of town,

81
00:04:38,520 --> 00:04:42,200
Speaker 4: I was tending your garden. Obviously, I brought a lot

82
00:04:42,240 --> 00:04:47,880
Speaker 4: of new exotic plants that did have some jungle caterpillars, yes,

83
00:04:48,480 --> 00:04:53,080
Speaker 4: And I thought, oh, what a nice treat. It will

84
00:04:53,160 --> 00:04:58,280
Speaker 4: feel like traveling. I'm gonna leave your home. And uh,

85
00:04:59,480 --> 00:05:01,320
Speaker 4: I did not anticipate that.

86
00:05:01,200 --> 00:05:06,359
Speaker 1: The big banana bunch, I think is what it smelled like,

87
00:05:06,360 --> 00:05:09,400
Speaker 1: A like a banana. It smelled like a banana. Yeah.

88
00:05:09,480 --> 00:05:13,120
Speaker 4: So one of those bananas, I believe was a chrysalis.

89
00:05:14,480 --> 00:05:17,760
Speaker 4: And I didn't anticipate at hatching this quickly or being

90
00:05:17,760 --> 00:05:22,159
Speaker 4: this strong, so uh might be.

91
00:05:23,839 --> 00:05:28,120
Speaker 3: Might be, Hey, welcome to Hollywood Handbook. And so I

92
00:05:28,200 --> 00:05:30,200
Speaker 3: just guide to kicking button dropping names in the red carpet.

93
00:05:30,240 --> 00:05:33,400
Speaker 3: Lampike always had this industry we call showbiz. We would

94
00:05:33,440 --> 00:05:34,880
Speaker 3: love to just get right out of the show, but

95
00:05:35,240 --> 00:05:38,840
Speaker 3: instead we have to talk about something scary and disturbing.

96
00:05:40,120 --> 00:05:44,120
Speaker 4: Yeah, we had, we really wrestled with do we discuss

97
00:05:44,200 --> 00:05:47,760
Speaker 4: this on air? Is it just encouraging? But ultimately, I

98
00:05:47,800 --> 00:05:50,479
Speaker 4: think for our safety, it's better that we just say, like,

99
00:05:50,600 --> 00:05:51,520
Speaker 4: this is going.

100
00:05:51,279 --> 00:05:53,280
Speaker 3: On, yes, And it's not so much about that. It's

101
00:05:53,279 --> 00:05:55,400
Speaker 3: not so much the original person we're addressing, who I

102
00:05:55,440 --> 00:05:57,039
Speaker 3: think is sort of too far out of reach to

103
00:05:58,320 --> 00:06:02,080
Speaker 3: fix at this point. It's a for others who might

104
00:06:02,080 --> 00:06:04,200
Speaker 3: be thinking about doing the same thing that we really

105
00:06:04,240 --> 00:06:06,200
Speaker 3: have to get ahead of and say, no, this is

106
00:06:06,240 --> 00:06:08,760
Speaker 3: not okay, not okay.

107
00:06:09,000 --> 00:06:10,719
Speaker 1: We have to have boundaries.

108
00:06:11,480 --> 00:06:11,800
Speaker 5: Uh.

109
00:06:12,720 --> 00:06:16,200
Speaker 3: There is a listener to the show who goes by

110
00:06:16,520 --> 00:06:21,719
Speaker 3: the name the Gooseman Jewieman, one of those Jeweeman. He's

111
00:06:21,760 --> 00:06:24,559
Speaker 3: a huge fan of the show. We're obviously his favorite show.

112
00:06:25,720 --> 00:06:27,680
Speaker 3: That that's been clear, which is fine, Like you know,

113
00:06:27,800 --> 00:06:30,719
Speaker 3: love that, like listen to the show, enjoy it please.

114
00:06:31,560 --> 00:06:34,840
Speaker 3: What what the goose Man has ended up doing is

115
00:06:35,080 --> 00:06:41,520
Speaker 3: he made these shoes with our faces on them painted on. Yes,

116
00:06:41,760 --> 00:06:44,160
Speaker 3: two shoes to each.

117
00:06:43,960 --> 00:06:46,920
Speaker 4: Of them, shoes each so we each have our own

118
00:06:47,200 --> 00:06:49,320
Speaker 4: full pair, which obviously is.

119
00:06:50,760 --> 00:06:53,240
Speaker 1: Overkill to the extreme.

120
00:06:53,480 --> 00:06:53,720
Speaker 2: Yeah.

121
00:06:53,760 --> 00:06:56,400
Speaker 3: Clear, I mean what clearly what is going on is

122
00:06:56,440 --> 00:07:01,520
Speaker 3: this person is a it's like sort of obsessed with

123
00:07:01,560 --> 00:07:01,919
Speaker 3: the show.

124
00:07:02,720 --> 00:07:07,640
Speaker 4: The amount of time that goes into painting four shoes. Yeah,

125
00:07:07,720 --> 00:07:14,400
Speaker 4: based only on Hayes and I means that I know

126
00:07:14,440 --> 00:07:17,080
Speaker 4: a lot about this person's lifestyle. They don't sleep, they

127
00:07:17,080 --> 00:07:21,360
Speaker 4: don't have a job, they don't have TV, which I

128
00:07:21,560 --> 00:07:22,400
Speaker 4: normally like in.

129
00:07:22,480 --> 00:07:26,520
Speaker 1: Someone who's think it's interesting character trait. They don't. But

130
00:07:26,560 --> 00:07:28,680
Speaker 1: then what you like is that they use it to

131
00:07:28,760 --> 00:07:31,400
Speaker 1: read read the book, that.

132
00:07:31,280 --> 00:07:33,640
Speaker 4: They read the book instead because a lot of times

133
00:07:33,640 --> 00:07:38,000
Speaker 4: the book is better. But instead of that, what he's

134
00:07:38,040 --> 00:07:41,640
Speaker 4: doing is he's spending all his waking hours.

135
00:07:42,560 --> 00:07:45,520
Speaker 3: Painting me and Hayes and I guess what. I guess

136
00:07:45,520 --> 00:07:47,480
Speaker 3: we had talked about him on the show at some

137
00:07:47,520 --> 00:07:48,400
Speaker 3: point before.

138
00:07:48,440 --> 00:07:51,360
Speaker 4: Probably we try to do a nice thing where we'll

139
00:07:51,400 --> 00:07:56,160
Speaker 4: mention our fans, where we'll say somebody like, uh, I

140
00:07:56,200 --> 00:07:58,360
Speaker 4: can't even I'm scared to think of one now, right,

141
00:07:58,520 --> 00:08:01,720
Speaker 4: like just make up of okay, it would be a

142
00:08:01,720 --> 00:08:07,360
Speaker 4: fan uh brog Morgue, you know, and we'll say, oh,

143
00:08:07,480 --> 00:08:08,320
Speaker 4: brock morg.

144
00:08:08,240 --> 00:08:11,160
Speaker 3: Is uh is that his first time sweetie.

145
00:08:13,200 --> 00:08:17,280
Speaker 4: Yeah, well in my mind it's his middle name. So

146
00:08:17,440 --> 00:08:22,040
Speaker 4: brog Morg is a sweetie. And we'll go like, oh uh,

147
00:08:22,080 --> 00:08:24,680
Speaker 4: we saw brock Morg made a comment online. I've never

148
00:08:24,720 --> 00:08:25,240
Speaker 4: been online.

149
00:08:25,280 --> 00:08:28,760
Speaker 1: Yeah, I made a sweet comment. And and and we'll go.

150
00:08:28,800 --> 00:08:30,680
Speaker 3: And here's a hug, and like, here's a hug, and

151
00:08:30,680 --> 00:08:31,160
Speaker 3: we'll be like.

152
00:08:31,240 --> 00:08:34,800
Speaker 4: Mm will pretend to give a big squeezy And I

153
00:08:34,840 --> 00:08:37,760
Speaker 4: know I make an effort in all my ads to

154
00:08:38,040 --> 00:08:41,080
Speaker 4: remind you that I am your friend. Yes, but that

155
00:08:41,440 --> 00:08:45,640
Speaker 4: is in order to sell you a product. I'm saying

156
00:08:45,720 --> 00:08:48,200
Speaker 4: I'm your friend in exchange for money, because that's such

157
00:08:48,200 --> 00:08:51,760
Speaker 4: a thrill to you. You then feel very positive about

158
00:08:51,760 --> 00:08:55,640
Speaker 4: whatever product I mentioned afterwards. Imagine you're friends with me,

159
00:08:56,120 --> 00:08:58,800
Speaker 4: but that's for the ad. That's not real. And so

160
00:08:58,920 --> 00:09:04,319
Speaker 4: Gooseman interpreted this in some weird way. I guess started

161
00:09:04,320 --> 00:09:07,520
Speaker 4: to believe that we were his real friends, and so

162
00:09:07,679 --> 00:09:11,320
Speaker 4: naturally he would make shoes for us, which is I

163
00:09:11,360 --> 00:09:13,720
Speaker 4: don't totally understand the connection to either, Like, I don't

164
00:09:13,720 --> 00:09:14,960
Speaker 4: know how it translates to shoes.

165
00:09:15,000 --> 00:09:18,520
Speaker 1: It's like a podcast and now you were doing shoes.

166
00:09:19,160 --> 00:09:21,160
Speaker 1: It doesn't It's very ineffective for.

167
00:09:21,400 --> 00:09:25,439
Speaker 4: Jeezman is retreated into a sick fantasy world of his

168
00:09:25,480 --> 00:09:32,600
Speaker 4: own design where he has an eye. All run around

169
00:09:32,840 --> 00:09:36,559
Speaker 4: wearing shoes. They're not athletic shoes. I assume they're actually

170
00:09:36,600 --> 00:09:38,439
Speaker 4: for strolling through some sort of.

171
00:09:39,880 --> 00:09:44,640
Speaker 3: Urban What I them being most useful for is grinding rails,

172
00:09:44,720 --> 00:09:47,240
Speaker 3: which I also do not endorse.

173
00:09:47,480 --> 00:09:51,000
Speaker 1: That's private property to jump like.

174
00:09:51,280 --> 00:09:54,280
Speaker 3: We worked very hard on all those people wearing soaps

175
00:09:55,679 --> 00:10:00,480
Speaker 3: and airwalks, who are who are grinding these rails off?

176
00:10:00,760 --> 00:10:03,200
Speaker 4: You think the rails just showed up, guys, or do

177
00:10:03,280 --> 00:10:06,120
Speaker 4: you think that blue collar people like me and Hayes

178
00:10:06,679 --> 00:10:09,840
Speaker 4: threw our hard hats on, grabbed our lunch pails, and

179
00:10:10,000 --> 00:10:11,719
Speaker 4: just putai the fucking.

180
00:10:11,440 --> 00:10:15,120
Speaker 3: Rails with our heads into into shape to the show,

181
00:10:15,120 --> 00:10:16,360
Speaker 3: It wasn't for you to supposed to be.

182
00:10:16,720 --> 00:10:19,160
Speaker 4: It wasn't for you to grind them, Okay, it was

183
00:10:19,200 --> 00:10:20,640
Speaker 4: so that there was a boundary.

184
00:10:22,760 --> 00:10:29,480
Speaker 3: So Gooseman, I guess, has like become a total insane

185
00:10:29,920 --> 00:10:32,800
Speaker 3: maniac stalking us with the shoes.

186
00:10:33,440 --> 00:10:34,760
Speaker 1: Uh.

187
00:10:34,840 --> 00:10:39,120
Speaker 3: He he's being taken care of with respect to the police.

188
00:10:39,120 --> 00:10:42,800
Speaker 3: Are Gooseman has become swim fan?

189
00:10:43,440 --> 00:10:46,560
Speaker 1: Yeah? I mean he's full on swim fan he is

190
00:10:46,720 --> 00:10:51,280
Speaker 1: swim fan with two n's. He's swimt fan. Jeeeman swim fan.

191
00:10:52,559 --> 00:10:55,320
Speaker 3: So he's being dealt with. This is for everyone else

192
00:10:55,320 --> 00:10:57,280
Speaker 3: who we mentioned on the show. And this actually uh

193
00:10:57,480 --> 00:10:59,160
Speaker 3: leads into the other thing that we have to do

194
00:10:59,280 --> 00:11:01,840
Speaker 3: is these donor show We're just gonna say some names

195
00:11:01,840 --> 00:11:04,080
Speaker 3: that people who donated to ear Wolf. This does not

196
00:11:04,320 --> 00:11:08,000
Speaker 3: mean that we have become your best friend just because

197
00:11:08,000 --> 00:11:08,880
Speaker 3: we're saying your name.

198
00:11:09,120 --> 00:11:12,200
Speaker 4: In the past, we have done these donor shoutouts in

199
00:11:12,200 --> 00:11:13,280
Speaker 4: a very positive way where we.

200
00:11:13,280 --> 00:11:15,640
Speaker 1: Go like, hey, thanks for giving us the money. We

201
00:11:15,800 --> 00:11:17,200
Speaker 1: and we love having your support.

202
00:11:17,280 --> 00:11:19,280
Speaker 3: But now we would love to be able to keep

203
00:11:19,559 --> 00:11:21,840
Speaker 3: doing that and to give more squeezes for sweeties, but

204
00:11:22,080 --> 00:11:25,200
Speaker 3: we can't. We just can't afford to be giving out

205
00:11:25,240 --> 00:11:26,000
Speaker 3: squeezes anymore.

206
00:11:26,040 --> 00:11:29,280
Speaker 4: Jeeman has spoiled it for everyone, and so what we

207
00:11:29,360 --> 00:11:32,880
Speaker 4: do have to do instead is say.

208
00:11:31,960 --> 00:11:36,080
Speaker 3: You're not and unfortunately we are also retroactively taking away

209
00:11:36,120 --> 00:11:36,760
Speaker 3: all the squeezes.

210
00:11:36,920 --> 00:11:39,920
Speaker 1: Squeezes. If you are a sweetye who got a big squeeze.

211
00:11:41,240 --> 00:11:43,959
Speaker 4: You bust for take your family down, you know, send

212
00:11:43,960 --> 00:11:48,040
Speaker 4: out a mass voicemail, sit your family down and tell them, Hey,

213
00:11:48,360 --> 00:11:52,120
Speaker 4: the squeezey I told you about I was mistaken. It

214
00:11:52,160 --> 00:11:54,480
Speaker 4: wasn't a real squeeze. And I'm not a real sweetie

215
00:11:54,520 --> 00:11:58,680
Speaker 4: because Jeeman lost his mind.

216
00:11:58,760 --> 00:12:01,480
Speaker 3: And if you re squeeze, if you resqueezied this, the

217
00:12:01,880 --> 00:12:05,679
Speaker 3: you're squeeze too, sweetie in your own life, that also

218
00:12:05,760 --> 00:12:07,800
Speaker 3: needs to be retracted.

219
00:12:08,000 --> 00:12:08,720
Speaker 1: And we're sorry.

220
00:12:08,760 --> 00:12:10,720
Speaker 4: We so on down the line and we're sorry. We

221
00:12:10,720 --> 00:12:13,240
Speaker 4: didn't want to do this, but our hand has been forced.

222
00:12:13,520 --> 00:12:15,720
Speaker 4: So you know, here's the donor shout out in the

223
00:12:15,760 --> 00:12:21,240
Speaker 4: new fashion. What I'll say is, dear Goodmunder Christians, you

224
00:12:21,320 --> 00:12:24,720
Speaker 4: gave us one hundred dollars. Please do it Earwolf dollars. Yeah,

225
00:12:24,720 --> 00:12:26,560
Speaker 4: ear Wolf. Then you don't give a shit about our show.

226
00:12:27,320 --> 00:12:33,960
Speaker 4: Do not draw me, do not dream about me holding

227
00:12:34,080 --> 00:12:38,480
Speaker 4: your hand and we're skipping through the park and there's

228
00:12:38,520 --> 00:12:41,920
Speaker 4: some children playing double Dutch and you and I jump

229
00:12:42,000 --> 00:12:44,440
Speaker 4: in the middle and do like some fun little rhyme

230
00:12:44,559 --> 00:12:47,319
Speaker 4: and it just feels like, oh, what cool young people.

231
00:12:47,360 --> 00:12:50,520
Speaker 4: It's like, no, we can't do that together. Goodmunder.

232
00:12:51,200 --> 00:12:54,800
Speaker 3: Matthew Goat also donated one hundred dollars to Earwolf, the

233
00:12:54,800 --> 00:13:00,000
Speaker 3: Big Corporation. Matthew, do not put me as your emergent

234
00:13:00,280 --> 00:13:04,960
Speaker 3: contact at the doctor. If you get sick at the doctor,

235
00:13:05,160 --> 00:13:08,199
Speaker 3: I will not help you. I'm not your friend. Put

236
00:13:08,640 --> 00:13:10,960
Speaker 3: use your mom as your emergency contact.

237
00:13:11,960 --> 00:13:15,600
Speaker 4: And then the last donor shout out is to someone who,

238
00:13:15,920 --> 00:13:18,080
Speaker 4: in the space where you normally would put your name

239
00:13:19,920 --> 00:13:25,120
Speaker 4: has instead bastardized the entire process and said, Paul should

240
00:13:25,160 --> 00:13:27,160
Speaker 4: do a Buffy contest.

241
00:13:26,920 --> 00:13:29,480
Speaker 3: Podcast, or but I just want to make sure they

242
00:13:29,480 --> 00:13:31,120
Speaker 3: get their one hundred dollars worth.

243
00:13:31,280 --> 00:13:34,840
Speaker 4: Fucking yeah, sorry, content, I don't know Paul should do

244
00:13:34,840 --> 00:13:39,320
Speaker 4: a Buffy podcast. Uh so, I'm sure that's exactly.

245
00:13:38,960 --> 00:13:40,920
Speaker 1: What we don't want to necessarily have to worry. Good

246
00:13:41,040 --> 00:13:42,480
Speaker 1: job by Earworth Management.

247
00:13:42,600 --> 00:13:46,160
Speaker 3: Well, this person is already. It makes me feel like

248
00:13:46,160 --> 00:13:50,320
Speaker 3: we should warn Paul. Yeah, because now this person is

249
00:13:50,400 --> 00:13:55,400
Speaker 3: send won't get to Paul through a donation. I'm sure. Yeah,

250
00:13:55,440 --> 00:14:00,000
Speaker 3: I'm sure two individual shoes per person.

251
00:14:00,920 --> 00:14:03,520
Speaker 4: When they paid one hundred dollars. Now, look, we can

252
00:14:03,559 --> 00:14:06,520
Speaker 4: either assume Look it's probably PAULA Tompkins. It could be

253
00:14:06,520 --> 00:14:11,440
Speaker 4: Paul sheer h When they paid one hundred dollars, they

254
00:14:11,600 --> 00:14:15,120
Speaker 4: definitely didn't want this to come to Hollywood him Like,

255
00:14:15,200 --> 00:14:19,000
Speaker 4: that's so obvious. Paul's not on the fucking show. He's

256
00:14:19,040 --> 00:14:23,480
Speaker 4: on like four other shows. So the fact that it

257
00:14:23,560 --> 00:14:26,760
Speaker 4: came here, I mean, it just gives you a little

258
00:14:26,800 --> 00:14:31,080
Speaker 4: window into what happens at these offices, like who's making

259
00:14:31,120 --> 00:14:34,520
Speaker 4: the decisions and how much thought goes into them. So

260
00:14:35,760 --> 00:14:38,120
Speaker 4: you know, that's what we're dealing with when you don't

261
00:14:38,200 --> 00:14:41,200
Speaker 4: like one of our shows. Episode comes out, you don't

262
00:14:41,240 --> 00:14:44,440
Speaker 4: like it, Hey, maybe it's not all on us. Maybe

263
00:14:44,480 --> 00:14:46,120
Speaker 4: we're not getting a lot of help here.

264
00:14:46,440 --> 00:14:50,280
Speaker 3: Yeah, if it's Sometimes when it's bad, it's an issue

265
00:14:50,320 --> 00:14:53,240
Speaker 3: of all the other cooks that we have in this

266
00:14:53,400 --> 00:14:56,320
Speaker 3: process who are taking our sound file, and honestly, by

267
00:14:56,360 --> 00:14:59,440
Speaker 3: the time it airs, sometimes it's unrecognizable to the thing,

268
00:15:00,160 --> 00:15:03,080
Speaker 3: like all the little tinkerers in here. I do not

269
00:15:03,200 --> 00:15:06,400
Speaker 3: even remember recording an episode there's anything like that, because

270
00:15:06,400 --> 00:15:09,600
Speaker 3: it's just been tampered with first by engineer Ryan, like

271
00:15:09,680 --> 00:15:10,920
Speaker 3: he gets his fingers on it.

272
00:15:11,040 --> 00:15:14,840
Speaker 4: Ryan always does a first pass adding jokes. Oh yeah,

273
00:15:15,080 --> 00:15:18,800
Speaker 4: hundreds of jokes, so much ad R and somebody like, oh,

274
00:15:18,840 --> 00:15:21,280
Speaker 4: I really feel like this. I mean I sat in

275
00:15:21,280 --> 00:15:23,040
Speaker 4: an edit with him once and I just had to

276
00:15:23,080 --> 00:15:28,000
Speaker 4: leave and throw up. But anyway, Engineer Ryan, that's his

277
00:15:28,200 --> 00:15:31,640
Speaker 4: right I mean, he's one of the most powerful engineers

278
00:15:31,640 --> 00:15:36,160
Speaker 4: here to your Wolf and the engineers King. So but

279
00:15:36,200 --> 00:15:38,760
Speaker 4: it goes through Ryan, it goes through Cody, it goes through.

280
00:15:40,480 --> 00:15:43,360
Speaker 3: A Gotta, it goes up the chain of engineers finally

281
00:15:43,560 --> 00:15:43,960
Speaker 3: the way.

282
00:15:46,360 --> 00:15:48,440
Speaker 1: And then often just throw it out.

283
00:15:48,640 --> 00:15:51,560
Speaker 4: Yeah, say start over, there's nothing here I can use.

284
00:15:53,080 --> 00:15:55,840
Speaker 4: And she says, she says that releasing a podcast is

285
00:15:55,880 --> 00:15:58,800
Speaker 4: like birthing a calf. And then she does this panomime

286
00:15:59,120 --> 00:16:01,400
Speaker 4: where she talks about she grew up on like a farm,

287
00:16:01,560 --> 00:16:05,080
Speaker 4: and she put and she puts on these long gloves,

288
00:16:05,120 --> 00:16:09,120
Speaker 4: these huge, long, thick rubber gloves, and Pina's like getting

289
00:16:09,400 --> 00:16:12,760
Speaker 4: like reaching inside almost like catching it as it slips

290
00:16:13,040 --> 00:16:17,600
Speaker 4: out of the cow's cavity, and it's again it is

291
00:16:17,640 --> 00:16:22,560
Speaker 4: a pantomime, but it's so gruesome, like visually it puts

292
00:16:22,560 --> 00:16:23,720
Speaker 4: you in a place you don't want to be.

293
00:16:24,640 --> 00:16:26,320
Speaker 1: The gloves are still wet.

294
00:16:26,560 --> 00:16:27,960
Speaker 4: And I usually don't have a problem with a lot

295
00:16:27,960 --> 00:16:31,600
Speaker 4: of her notes either, but it's just an uncomfortable meeting

296
00:16:31,640 --> 00:16:32,000
Speaker 4: to take.

297
00:16:33,160 --> 00:16:34,720
Speaker 3: So so we have a guest.

298
00:16:34,840 --> 00:16:38,600
Speaker 1: That's so cool, Buffy contest. What was I thinking?

299
00:16:39,760 --> 00:16:42,160
Speaker 3: Howard is here on Hollywood? Had book.

300
00:16:46,800 --> 00:16:55,080
Speaker 4: So Kelvin, you and Sandy Bernhardt are both you know,

301
00:16:55,120 --> 00:17:00,320
Speaker 4: they're going to the Tiesta show. Yeah, and they on

302
00:17:00,360 --> 00:17:02,520
Speaker 4: my doors boor in the morning. I guess he does

303
00:17:02,520 --> 00:17:06,920
Speaker 4: his shows really late and Excelsior Yeah and he uh.

304
00:17:07,359 --> 00:17:10,920
Speaker 4: And they're they're saying like, hey, we need to preview,

305
00:17:11,240 --> 00:17:14,440
Speaker 4: like we need to premiere some new dance moves.

306
00:17:14,480 --> 00:17:17,640
Speaker 1: Like everyone's sick of our ship. Uh huh, Tiesto.

307
00:17:17,680 --> 00:17:22,359
Speaker 4: It's like ready to basically kick us off the tour.

308
00:17:23,800 --> 00:17:25,760
Speaker 3: I don't totally know what their job is. Are they

309
00:17:25,840 --> 00:17:27,760
Speaker 3: rolling at this point or are they like.

310
00:17:28,000 --> 00:17:29,320
Speaker 1: They're rolling their face off?

311
00:17:29,359 --> 00:17:31,720
Speaker 4: Yeah, their feet are covered in Vicks vapo rub and

312
00:17:32,320 --> 00:17:37,080
Speaker 4: they're they have they're blowing that menthol tube into each

313
00:17:37,119 --> 00:17:37,760
Speaker 4: other's faces.

314
00:17:37,840 --> 00:17:38,280
Speaker 2: Uh huh.

315
00:17:39,160 --> 00:17:42,960
Speaker 4: Bring mouthguards yeah, and they're yeah, they're both wearing mouthguards

316
00:17:43,000 --> 00:17:49,480
Speaker 4: and they're they're taking hits off a vape pen. But

317
00:17:49,640 --> 00:17:52,239
Speaker 4: Kelvin keeps going check it out, I can ghost it

318
00:17:52,960 --> 00:17:56,200
Speaker 4: and holding it for too long, uh huh, like way

319
00:17:56,240 --> 00:17:56,680
Speaker 4: too long.

320
00:17:56,760 --> 00:17:59,840
Speaker 3: It comes out his eyes kind of it doesn't.

321
00:17:59,560 --> 00:18:04,960
Speaker 1: Come out of all. So anyway, that's got me nervous.

322
00:18:05,440 --> 00:18:07,160
Speaker 4: So I'm like, what can I do to just get

323
00:18:07,200 --> 00:18:11,680
Speaker 4: these guys out of here, and I start reaching into

324
00:18:11,680 --> 00:18:17,280
Speaker 4: my bag of tricks of legendary dance moves that I

325
00:18:17,280 --> 00:18:19,600
Speaker 4: think Kelvin and Sander can actually do, because as you know,

326
00:18:19,640 --> 00:18:21,960
Speaker 4: they're not as athletic as I am.

327
00:18:23,200 --> 00:18:28,720
Speaker 1: And as I'm doing this, Keith.

328
00:18:35,280 --> 00:18:43,280
Speaker 3: Cool, Keith Cool wakes up, Keith Kharma Cool.

329
00:18:42,359 --> 00:18:48,920
Speaker 4: Wakes up, and you dance to add and he comes

330
00:18:48,960 --> 00:18:51,960
Speaker 4: out of the the poolhouse.

331
00:18:54,160 --> 00:18:56,240
Speaker 1: And start screaming.

332
00:18:57,119 --> 00:19:01,399
Speaker 4: And as he's screaming, he's way even his arms around

333
00:19:01,480 --> 00:19:02,320
Speaker 4: above his head.

334
00:19:02,760 --> 00:19:02,960
Speaker 1: Yeah.

335
00:19:03,680 --> 00:19:04,480
Speaker 3: And as he's.

336
00:19:04,320 --> 00:19:07,400
Speaker 4: Waving his arms around, his hips start to go too.

337
00:19:09,440 --> 00:19:12,800
Speaker 4: And as he's waving his arms and moving his hips,

338
00:19:13,800 --> 00:19:18,199
Speaker 4: his toes get to a tap in the Yeah, and

339
00:19:18,320 --> 00:19:25,840
Speaker 4: Kelvin says, that's it. I've got it, And he passes out.

340
00:19:27,800 --> 00:19:31,800
Speaker 3: That you're alluding to something other that I would love

341
00:19:31,800 --> 00:19:33,840
Speaker 3: to hear more about some time, maybe not now, which

342
00:19:33,840 --> 00:19:39,040
Speaker 3: is Keith's transition into pool Keith, Yes, for the tung.

343
00:19:39,160 --> 00:19:40,600
Speaker 3: I mean this is actually a great segue.

344
00:19:40,680 --> 00:19:40,920
Speaker 6: Yeah.

345
00:19:40,960 --> 00:19:44,000
Speaker 3: So, hey, welcome to Hollywood. Habook an entire guy to

346
00:19:44,080 --> 00:19:45,919
Speaker 3: kicking button, dropping names on the red carpet line back

347
00:19:45,960 --> 00:19:51,760
Speaker 3: hallways at the industry we call showbiz. Wait, Howard is here?

348
00:19:51,840 --> 00:19:57,240
Speaker 3: Howard's Howard made it. Howard Kramer. He's on the other

349
00:19:57,359 --> 00:20:03,080
Speaker 3: show in the family of shows from Earwall. He's in

350
00:20:03,119 --> 00:20:06,360
Speaker 3: your face and he's raw as hell. Deal with it. Yeah,

351
00:20:06,400 --> 00:20:08,280
Speaker 3: it's big to get him now during the summer because

352
00:20:08,320 --> 00:20:09,760
Speaker 3: this is like peak season for you.

353
00:20:10,280 --> 00:20:12,280
Speaker 6: It's true, as you guys got me. Do you say

354
00:20:12,280 --> 00:20:14,080
Speaker 6: what day it is that you tape.

355
00:20:14,800 --> 00:20:17,880
Speaker 3: For Well, A lot of people do their shows very

356
00:20:17,880 --> 00:20:22,600
Speaker 3: far in advance, but with us, it's always right before there,

357
00:20:22,760 --> 00:20:23,720
Speaker 3: three days before it.

358
00:20:24,359 --> 00:20:26,000
Speaker 2: Say what Scott week it is?

359
00:20:26,040 --> 00:20:29,680
Speaker 3: So Scott you'll get it there, you know, like February

360
00:20:29,920 --> 00:20:32,480
Speaker 3: and he'll consul his calendar and then and be like, okay,

361
00:20:32,520 --> 00:20:36,399
Speaker 3: you guys have to pretend that it's like mid May

362
00:20:36,520 --> 00:20:36,840
Speaker 3: this one.

363
00:20:37,240 --> 00:20:38,959
Speaker 2: But he's got you on the delay.

364
00:20:39,280 --> 00:20:41,800
Speaker 3: Yeah, but yeah, you can say what like you can

365
00:20:41,840 --> 00:20:44,440
Speaker 3: say what different days?

366
00:20:44,480 --> 00:20:46,040
Speaker 6: I would say today if you want, well, I want

367
00:20:46,080 --> 00:20:47,679
Speaker 6: to say it's Saturday.

368
00:20:47,560 --> 00:20:49,440
Speaker 1: Okay, and then we don't know if that's true.

369
00:20:49,760 --> 00:20:52,600
Speaker 6: We don't know, but it would illustrate the sacrifice it

370
00:20:52,720 --> 00:20:56,520
Speaker 6: I would make to give up a summer SATs, summer Saturday,

371
00:20:56,280 --> 00:20:58,560
Speaker 6: the late early after doing like this.

372
00:20:58,760 --> 00:21:00,639
Speaker 3: What are some of the things that you'd be doing instead,

373
00:21:00,680 --> 00:21:02,120
Speaker 3: you know Lobster.

374
00:21:02,119 --> 00:21:05,639
Speaker 6: Where they were booking myself on a podcast, getting myself

375
00:21:05,640 --> 00:21:07,879
Speaker 6: booked so I can promote somea No, I would, I would,

376
00:21:08,000 --> 00:21:09,960
Speaker 6: I would, Yeah, I would be out enjoying it.

377
00:21:10,080 --> 00:21:11,560
Speaker 2: I would be out maybe at the beach.

378
00:21:11,920 --> 00:21:14,760
Speaker 3: Do you bathe the part of you must resent some

379
00:21:15,240 --> 00:21:17,280
Speaker 3: you know now that it's become a like a work

380
00:21:17,320 --> 00:21:18,280
Speaker 3: obligation for you.

381
00:21:18,800 --> 00:21:22,000
Speaker 1: Yeah, maybe you know you're taking the thing you love

382
00:21:22,040 --> 00:21:22,920
Speaker 1: and made it your job.

383
00:21:23,880 --> 00:21:27,280
Speaker 2: Well, I you know that is sad.

384
00:21:28,520 --> 00:21:32,000
Speaker 6: Actually, I feel like I've I've avoided that because I

385
00:21:32,040 --> 00:21:35,200
Speaker 6: don't overly promote, like I like, I put stuff out,

386
00:21:35,240 --> 00:21:36,480
Speaker 6: but I don't go after it.

387
00:21:36,560 --> 00:21:39,159
Speaker 1: Okay, So you don't want us to talk about that

388
00:21:39,320 --> 00:21:40,280
Speaker 1: ocula on.

389
00:21:40,280 --> 00:21:41,760
Speaker 2: This Oh no, we could talk about it.

390
00:21:41,800 --> 00:21:44,000
Speaker 6: But I just wanted to be in a in a

391
00:21:44,160 --> 00:21:46,280
Speaker 6: in a free flowing way. We don't have to make

392
00:21:46,320 --> 00:21:47,880
Speaker 6: it feel like a job, Howard.

393
00:21:48,119 --> 00:21:51,840
Speaker 1: Top three beach tivities for you beach.

394
00:21:51,640 --> 00:21:52,439
Speaker 2: Tivities for me.

395
00:21:53,200 --> 00:21:56,360
Speaker 6: I enjoy to walk along the water.

396
00:21:56,400 --> 00:21:59,520
Speaker 4: Without a man, and it's getting on your feet, gets

397
00:21:59,520 --> 00:22:00,240
Speaker 4: on your feet.

398
00:22:01,040 --> 00:22:01,720
Speaker 2: I love that.

399
00:22:02,760 --> 00:22:05,040
Speaker 6: I love to be there at the edge where the

400
00:22:05,040 --> 00:22:09,280
Speaker 6: two where the two climates meet, the water and the.

401
00:22:09,480 --> 00:22:11,520
Speaker 1: Earth, where the water gets on your feet.

402
00:22:11,640 --> 00:22:13,640
Speaker 2: The water gets on your feet, right, h huh.

403
00:22:13,640 --> 00:22:15,679
Speaker 6: But I know that other people like it too, go

404
00:22:15,880 --> 00:22:19,560
Speaker 6: seagulls and all different forms of life. They like to

405
00:22:19,560 --> 00:22:23,560
Speaker 6: be right there where they at the edge where the

406
00:22:23,600 --> 00:22:24,480
Speaker 6: ocean meets the same.

407
00:22:24,640 --> 00:22:26,720
Speaker 1: Are you wearing tivas?

408
00:22:27,320 --> 00:22:31,040
Speaker 2: Tiva's No, I'm not a flip flops guy. Oh yeah.

409
00:22:31,720 --> 00:22:35,000
Speaker 6: I feel like people who are amateurs, they're more of

410
00:22:35,000 --> 00:22:38,600
Speaker 6: the flip flop crew. You wear no bare feet. I'm

411
00:22:38,600 --> 00:22:39,560
Speaker 6: barefoot bear.

412
00:22:40,119 --> 00:22:41,720
Speaker 1: I'm not a flip flops guy either. That's why I

413
00:22:41,720 --> 00:22:43,120
Speaker 1: didn't vote for John McCain.

414
00:22:43,600 --> 00:22:48,320
Speaker 2: Yo. That's right. Sorry that guy. He had a vibe

415
00:22:48,320 --> 00:22:49,960
Speaker 2: about him, right. Oh.

416
00:22:50,359 --> 00:22:53,439
Speaker 3: As a person, I think I think we could finally

417
00:22:53,480 --> 00:22:54,040
Speaker 3: get into this.

418
00:22:55,480 --> 00:22:56,200
Speaker 1: Is it safe?

419
00:22:56,359 --> 00:22:58,920
Speaker 3: I think yeah? I think that was a little nervous

420
00:22:58,960 --> 00:23:00,400
Speaker 3: when you first started talking about it, but I think

421
00:23:00,400 --> 00:23:04,720
Speaker 3: it is okay now, really get it out there. The

422
00:23:04,880 --> 00:23:09,320
Speaker 3: dude had a we I keep getting these texts to

423
00:23:09,359 --> 00:23:11,040
Speaker 3: ask if we're doing it, you know, I know know,

424
00:23:12,480 --> 00:23:22,640
Speaker 3: I Ryan will just we won't include this part, okay,

425
00:23:24,119 --> 00:23:25,760
Speaker 3: So we have to do the howl stuff.

426
00:23:25,800 --> 00:23:31,680
Speaker 2: Jesus, I know, I know.

427
00:23:33,000 --> 00:23:33,919
Speaker 1: How long are we like?

428
00:23:34,480 --> 00:23:36,760
Speaker 3: Well? I have the of Kevin give me the ad

429
00:23:36,840 --> 00:23:39,080
Speaker 3: before we do, you know, before we do, and like

430
00:23:39,560 --> 00:23:44,119
Speaker 3: it's like sixty pages long. And I guess this is punishment,

431
00:23:44,119 --> 00:23:46,679
Speaker 3: you know. Like, so what I heard from Scott, He's like,

432
00:23:46,720 --> 00:23:49,200
Speaker 3: you guys have been selected to do like a special.

433
00:23:49,280 --> 00:23:51,560
Speaker 3: Since we know you love doing howl ads so much,

434
00:23:51,840 --> 00:23:57,040
Speaker 3: You've been selected to do a special entire episode howl ad.

435
00:23:57,160 --> 00:23:58,000
Speaker 1: So he's heard the.

436
00:23:59,560 --> 00:24:02,280
Speaker 3: He's in a lot of them, no I know, but

437
00:24:03,160 --> 00:24:04,879
Speaker 3: he's heard our other ad, he's heard the ones that

438
00:24:04,920 --> 00:24:08,400
Speaker 3: we've done. Yes since and I guess Howard has been

439
00:24:08,440 --> 00:24:09,879
Speaker 3: saying some stuff about Howell.

440
00:24:10,320 --> 00:24:14,800
Speaker 6: Well yeah, I mean they're the just the length of

441
00:24:14,840 --> 00:24:19,920
Speaker 6: these ads, the bullet points and then it's like you

442
00:24:20,040 --> 00:24:22,640
Speaker 6: gotta like you gotta fight your way to the content.

443
00:24:23,440 --> 00:24:23,800
Speaker 2: Yeah.

444
00:24:23,840 --> 00:24:27,240
Speaker 3: And so so he's like, and Howard's gonna come on

445
00:24:27,280 --> 00:24:28,560
Speaker 3: and do the show too, which is great, Like we

446
00:24:28,560 --> 00:24:30,480
Speaker 3: love having having Howard here. I would love to talk

447
00:24:30,520 --> 00:24:35,920
Speaker 3: more about stuff related to some in Howard's career generally,

448
00:24:36,720 --> 00:24:38,719
Speaker 3: but we do have to sort of pivot to how

449
00:24:38,800 --> 00:24:42,560
Speaker 3: it does have to be in an organic way. There

450
00:24:42,600 --> 00:24:45,680
Speaker 3: are a lot of phases to this ad.

451
00:24:45,520 --> 00:24:48,439
Speaker 4: So we're just looking for clean transitions into how among

452
00:24:48,520 --> 00:24:50,280
Speaker 4: our what would normally be our content with her.

453
00:24:50,359 --> 00:24:53,640
Speaker 3: Okay, yes, uh so we can just get back into

454
00:24:53,640 --> 00:24:54,320
Speaker 3: the conversation with.

455
00:24:54,680 --> 00:24:59,280
Speaker 6: Could call me Howell maybe oh that that really it

456
00:24:59,280 --> 00:25:00,720
Speaker 6: could be like like.

457
00:25:00,720 --> 00:25:03,720
Speaker 1: An accident or just whatever works for you.

458
00:25:03,760 --> 00:25:05,959
Speaker 3: Because comedy will do this a lot where they'll like

459
00:25:06,320 --> 00:25:11,960
Speaker 3: say something wrong, but then they'll turn that into and

460
00:25:12,119 --> 00:25:13,720
Speaker 3: that's a T shirt, you know, like.

461
00:25:14,640 --> 00:25:18,840
Speaker 1: They did a Mad TV I remember, Yeah.

462
00:25:18,760 --> 00:25:21,600
Speaker 3: Scott would not like it if you like, but I

463
00:25:21,800 --> 00:25:23,400
Speaker 3: plaid that he was copying for Mad TV.

464
00:25:23,640 --> 00:25:25,560
Speaker 2: Well, I think they they've evolved it, you.

465
00:25:25,480 --> 00:25:30,359
Speaker 4: Know, all great artists steel, you know. But I would say,

466
00:25:30,720 --> 00:25:32,159
Speaker 4: uh that.

467
00:25:32,840 --> 00:25:35,480
Speaker 1: Whatever, Matt TV, comedy big, same show. It doesn't matter.

468
00:25:35,520 --> 00:25:37,280
Speaker 1: But that's not you know, that's not.

469
00:25:37,400 --> 00:25:38,719
Speaker 3: You can say it now. We can say it now.

470
00:25:38,760 --> 00:25:40,199
Speaker 3: It's not gonna be on the show. Matt TV and

471
00:25:40,200 --> 00:25:42,320
Speaker 3: Comedy Bay Bank are the same, the same show.

472
00:25:42,400 --> 00:25:44,919
Speaker 1: You know, people come and do characters, they've got like

473
00:25:44,960 --> 00:25:46,159
Speaker 1: one thing, but they do it for a long time.

474
00:25:46,200 --> 00:25:47,960
Speaker 6: They've never been on at the same time, so.

475
00:25:48,080 --> 00:25:51,760
Speaker 1: Yeah, so never see yet, they've never been in the

476
00:25:51,760 --> 00:25:52,200
Speaker 1: same room.

477
00:25:52,720 --> 00:25:55,000
Speaker 6: I know that mentions is a big thing with this,

478
00:25:55,160 --> 00:25:57,480
Speaker 6: with this stuff. So yeah, if you just keep calling

479
00:25:57,520 --> 00:26:00,160
Speaker 6: me how, you know, it would just be another way

480
00:26:00,160 --> 00:26:01,520
Speaker 6: they get some mentioned.

481
00:26:01,680 --> 00:26:05,199
Speaker 4: Yeah, some weird like NLP thing right, and that is

482
00:26:05,240 --> 00:26:09,199
Speaker 4: actually in the what's what's that neural linguistic programming? Like

483
00:26:09,200 --> 00:26:10,760
Speaker 4: if you're talking to a girl and you want to

484
00:26:10,800 --> 00:26:13,680
Speaker 4: casually use the word penetrate just in a non section

485
00:26:13,720 --> 00:26:15,879
Speaker 4: to get it so that she just has that in

486
00:26:15,880 --> 00:26:18,280
Speaker 4: her mind, like, oh, I'm thinking about penetration, you know, So.

487
00:26:19,280 --> 00:26:24,600
Speaker 3: Anyway that how the word how is the linguistic kill shot.

488
00:26:24,200 --> 00:26:27,080
Speaker 3: We we do have to use the two hundred and

489
00:26:27,080 --> 00:26:32,119
Speaker 3: fifty DIDs in this in this discussion, so we'll get

490
00:26:32,160 --> 00:26:35,000
Speaker 3: back in and just be like having a normal conversation

491
00:26:35,080 --> 00:26:38,919
Speaker 3: about the stuff we were talking about before. But then

492
00:26:38,960 --> 00:26:42,480
Speaker 3: that should blend organically into how stuff with us talking

493
00:26:42,520 --> 00:26:45,520
Speaker 3: about the shows that we you know, like can we.

494
00:26:45,600 --> 00:26:49,280
Speaker 6: Can we like call attention to the like, hey, like

495
00:26:49,359 --> 00:26:51,960
Speaker 6: we can't believe how much how we got to talk

496
00:26:52,000 --> 00:26:52,800
Speaker 6: about or do we?

497
00:26:52,920 --> 00:26:54,280
Speaker 3: I think it should be that we can't believe how

498
00:26:54,359 --> 00:26:56,639
Speaker 3: much great programming there. If there's anything we can't believe,

499
00:26:56,640 --> 00:26:57,879
Speaker 3: it should be that we can't believe how.

500
00:26:58,000 --> 00:27:01,040
Speaker 4: I think for me, it's approaching there seeing what Hayes

501
00:27:01,080 --> 00:27:02,720
Speaker 4: has gone through with some of the ads he's done,

502
00:27:03,359 --> 00:27:05,360
Speaker 4: you know that Scott has made him do when I've

503
00:27:05,400 --> 00:27:08,840
Speaker 4: just happened to be out of the room that I

504
00:27:09,160 --> 00:27:12,240
Speaker 4: think the safest thing is to just be like it's

505
00:27:12,320 --> 00:27:13,159
Speaker 4: we've got howl on the.

506
00:27:13,119 --> 00:27:14,680
Speaker 1: Brain, because I don't know if this happened to you, Howard.

507
00:27:14,720 --> 00:27:21,440
Speaker 3: They sent the master of disguise, Pistachio disguising to impersonate

508
00:27:21,600 --> 00:27:24,360
Speaker 3: me Turtle turtle, Yeah, you know, remember the turtle guy

509
00:27:24,440 --> 00:27:28,680
Speaker 3: Turtle turtle turtle, right. Yeah, but he like he came

510
00:27:28,720 --> 00:27:32,199
Speaker 3: to my home and impersonated me to do do a

511
00:27:32,240 --> 00:27:34,320
Speaker 3: howl ad on my computer.

512
00:27:34,440 --> 00:27:35,040
Speaker 2: Were you there?

513
00:27:35,440 --> 00:27:38,800
Speaker 3: I caught him, Wow, Yes, I caught him in my

514
00:27:38,880 --> 00:27:42,640
Speaker 3: house because he set the alarm off.

515
00:27:43,119 --> 00:27:46,560
Speaker 1: He's a little like a pokey man. Huh, yes he is. Yes,

516
00:27:46,600 --> 00:27:48,960
Speaker 1: he is a lot like a squirtle. Squirtle.

517
00:27:49,200 --> 00:27:51,200
Speaker 2: Yeah, So you would you let him do the ad?

518
00:27:51,240 --> 00:27:51,960
Speaker 2: You let him finish?

519
00:27:52,160 --> 00:27:52,240
Speaker 7: No?

520
00:27:52,280 --> 00:27:55,320
Speaker 3: I told him to get the get the heck out

521
00:27:55,359 --> 00:27:59,080
Speaker 3: of here, busted, And I told him to tell Scott

522
00:27:59,080 --> 00:28:01,480
Speaker 3: that the next one of the funkies he sent my way,

523
00:28:01,520 --> 00:28:04,400
Speaker 3: he's gonna send it back his fucking head.

524
00:28:06,800 --> 00:28:09,160
Speaker 2: That stuff doesn't face good. I don't I don't know why.

525
00:28:09,200 --> 00:28:11,920
Speaker 1: He just energizes him.

526
00:28:12,000 --> 00:28:14,680
Speaker 6: Yeah, well do do you think this stuff? Do you

527
00:28:14,720 --> 00:28:16,960
Speaker 6: ever think is it coming from him or does it

528
00:28:17,000 --> 00:28:19,520
Speaker 6: come from above him somewhere like Scripts?

529
00:28:20,200 --> 00:28:23,560
Speaker 3: Okay, Yeah, I mean I wonder about that. Yeah, I

530
00:28:23,600 --> 00:28:24,840
Speaker 3: haven't seen mister Scripts.

531
00:28:25,800 --> 00:28:28,000
Speaker 4: I saw one of No, I saw one of the

532
00:28:28,160 --> 00:28:32,679
Speaker 4: Script's kids, the like you know, little princes of Hollywood.

533
00:28:32,920 --> 00:28:39,440
Speaker 1: Yeah, Denny Script. And he was riding this scooter. I'm

534
00:28:39,440 --> 00:28:40,800
Speaker 1: gonna have trouble describing it.

535
00:28:40,920 --> 00:28:44,560
Speaker 4: It's like a beach cruiser handle bar handlebars, but he's

536
00:28:44,640 --> 00:28:48,800
Speaker 4: leaned all the way back. Uh, like it's one of

537
00:28:48,840 --> 00:28:50,640
Speaker 4: those old fashioned hogs.

538
00:28:50,800 --> 00:28:51,880
Speaker 3: Yeah.

539
00:28:52,720 --> 00:28:56,520
Speaker 4: And he's riding this thing and he's screaming the wrong

540
00:28:56,640 --> 00:29:01,480
Speaker 4: way down Sunset Boulevard, and everybody's pulling off, just crashing

541
00:29:01,520 --> 00:29:02,520
Speaker 4: into the sidewalk.

542
00:29:02,760 --> 00:29:05,520
Speaker 1: They know that's safer for them, just to crash into

543
00:29:05,560 --> 00:29:07,240
Speaker 1: the sidewalk than to get in.

544
00:29:07,480 --> 00:29:14,320
Speaker 4: To get in, Little Denny Scripts his way, and he had.

545
00:29:14,280 --> 00:29:15,600
Speaker 1: A babe in his lap.

546
00:29:16,120 --> 00:29:17,120
Speaker 3: Yeah she.

547
00:29:17,320 --> 00:29:19,120
Speaker 1: And this is a kid, I mean, you know, Denny's

548
00:29:19,120 --> 00:29:19,640
Speaker 1: only like.

549
00:29:19,920 --> 00:29:23,440
Speaker 3: I mean, I mean he I don't know what it

550
00:29:23,520 --> 00:29:25,160
Speaker 3: is about making it seem like he's a kid. He

551
00:29:25,240 --> 00:29:29,520
Speaker 3: is like forty I would say he's like forty three,

552
00:29:30,760 --> 00:29:34,640
Speaker 3: but it's very important his reputation that he seemed like he's.

553
00:29:34,520 --> 00:29:35,240
Speaker 1: A little kid.

554
00:29:35,440 --> 00:29:38,960
Speaker 3: Okay, yeah, and for you to calm little Denny's like, yeah,

555
00:29:39,000 --> 00:29:41,200
Speaker 3: he's a little Denny's script, but he is like not

556
00:29:42,160 --> 00:29:42,680
Speaker 3: a child.

557
00:29:43,000 --> 00:29:46,920
Speaker 4: No, I guess it worked his actual age, but yeaheah, okay,

558
00:29:47,040 --> 00:29:50,160
Speaker 4: but he had this babe in his lap man. She

559
00:29:50,320 --> 00:29:53,200
Speaker 4: was something else out of this world really yeah.

560
00:29:53,320 --> 00:29:56,160
Speaker 1: Yeah, yeah, she's a girl who played ev On out

561
00:29:56,160 --> 00:30:00,200
Speaker 1: of this world. Okay, should get it?

562
00:30:00,200 --> 00:30:01,120
Speaker 3: Should we get back into it?

563
00:30:01,600 --> 00:30:03,880
Speaker 1: No, Okay, I'm kidding.

564
00:30:05,600 --> 00:30:06,840
Speaker 3: Are you good, Howard?

565
00:30:07,600 --> 00:30:10,480
Speaker 6: Yeah, I'm just you know, just trying to gear up

566
00:30:10,480 --> 00:30:10,760
Speaker 6: for it.

567
00:30:12,200 --> 00:30:18,120
Speaker 3: Okay, yeah, okay, Ryan, Yeah, come back in here.

568
00:30:18,320 --> 00:30:20,960
Speaker 1: Yeah.

569
00:30:21,520 --> 00:30:21,760
Speaker 5: Uh.

570
00:30:21,760 --> 00:30:26,920
Speaker 3: And so the beach uh uh, barbecue in the sand, like,

571
00:30:27,080 --> 00:30:28,560
Speaker 3: is that something that you would be into?

572
00:30:28,720 --> 00:30:33,959
Speaker 6: Sure, clam bake uh, you know, the fire pit huntingdon

573
00:30:34,200 --> 00:30:35,280
Speaker 6: that all that kind of stuff.

574
00:30:35,440 --> 00:30:37,920
Speaker 1: Oh yeah, you hunt any big waves out there?

575
00:30:38,440 --> 00:30:41,520
Speaker 6: You know, I'm not that much of a surfer, but

576
00:30:42,320 --> 00:30:45,040
Speaker 6: I like to I like to cheer him on.

577
00:30:45,240 --> 00:30:47,600
Speaker 4: Sorry, Howard, you started talking about big waves. It just

578
00:30:47,640 --> 00:30:50,520
Speaker 4: reminded me of the new wave of programming coming in

579
00:30:50,560 --> 00:30:53,600
Speaker 4: from How, and how excited I am to sort of

580
00:30:53,960 --> 00:30:56,400
Speaker 4: hop on that get pitted and ride the tube all

581
00:30:56,400 --> 00:30:56,880
Speaker 4: the way in.

582
00:30:57,400 --> 00:30:59,600
Speaker 3: That's so funny. I was actually just listening to How

583
00:30:59,680 --> 00:31:03,080
Speaker 3: on the way here. I'm trying to make my way

584
00:31:03,120 --> 00:31:05,400
Speaker 3: through all this new programming. There's one hundred and fifty

585
00:31:05,440 --> 00:31:11,000
Speaker 3: hours of original program Wow, and it feels like more. Honestly, boyoying.

586
00:31:11,520 --> 00:31:15,120
Speaker 3: That just gave me a hard one.

587
00:31:15,280 --> 00:31:16,000
Speaker 2: Absolutely.

588
00:31:16,120 --> 00:31:21,840
Speaker 6: Yeah, I'm engaged for content, and HOW is the place

589
00:31:21,880 --> 00:31:22,920
Speaker 6: where I go to get it.

590
00:31:24,200 --> 00:31:28,040
Speaker 3: The thing with HOW is there's stuff that I feel

591
00:31:28,040 --> 00:31:30,680
Speaker 3: like is like for me and my friends to listen

592
00:31:30,760 --> 00:31:33,720
Speaker 3: to together, Like, there's stuff that's great for parties to

593
00:31:33,800 --> 00:31:37,360
Speaker 3: like play on the speakers at parties. There's stuff for

594
00:31:37,520 --> 00:31:39,640
Speaker 3: just like when I want to be by myself, there's

595
00:31:39,640 --> 00:31:41,160
Speaker 3: stuff for me to play while I'm going to sleep.

596
00:31:41,200 --> 00:31:43,760
Speaker 3: I can just sort of have a constant flow of

597
00:31:43,800 --> 00:31:46,200
Speaker 3: how A material that's going all the time.

598
00:31:46,280 --> 00:31:49,080
Speaker 4: I'm so glad you mentioned parties because podcasts used to

599
00:31:49,120 --> 00:31:51,760
Speaker 4: be a thing that I think lonely people listen to

600
00:31:51,880 --> 00:31:54,640
Speaker 4: alone and their power at work to feel like they.

601
00:31:54,600 --> 00:31:55,840
Speaker 3: Simulate with friendship.

602
00:31:55,960 --> 00:31:59,880
Speaker 4: Yeah yeah, but now it's really become so much more

603
00:32:00,160 --> 00:32:03,080
Speaker 4: where it is preferable to putting on music at a party,

604
00:32:03,600 --> 00:32:08,840
Speaker 4: to put on something like John Oliver and Brian Posain

605
00:32:09,760 --> 00:32:13,440
Speaker 4: trying to figure out what the tune is to a

606
00:32:13,520 --> 00:32:15,680
Speaker 4: Jack in the box and they're kind of winding the

607
00:32:15,760 --> 00:32:17,760
Speaker 4: thing and it's for a little tink and tink.

608
00:32:17,640 --> 00:32:19,000
Speaker 1: So before pops.

609
00:32:19,160 --> 00:32:20,320
Speaker 3: Yeah, but they're.

610
00:32:20,120 --> 00:32:22,400
Speaker 1: Just going like, what is this? This is so familiar?

611
00:32:22,600 --> 00:32:26,040
Speaker 3: Yeah, because you can honestly bounce to some of these podcasts.

612
00:32:26,120 --> 00:32:29,680
Speaker 1: Oh yeah. And not only can you bounce to them,

613
00:32:29,840 --> 00:32:31,080
Speaker 1: but you almost have.

614
00:32:30,960 --> 00:32:33,840
Speaker 4: To because the rhythms of these people's speech is more

615
00:32:33,880 --> 00:32:36,239
Speaker 4: satisfying than a drum and a bass and all that

616
00:32:36,400 --> 00:32:38,400
Speaker 4: old music that we used to listen to.

617
00:32:38,600 --> 00:32:38,959
Speaker 1: Yeah.

618
00:32:39,000 --> 00:32:42,600
Speaker 6: Absolutely, That's why we say to people you can enjoy

619
00:32:42,640 --> 00:32:46,400
Speaker 6: your summer by listening to Howell, and you can take

620
00:32:46,440 --> 00:32:50,320
Speaker 6: it anywhere. It's portable, and like you were saying, Sean,

621
00:32:52,080 --> 00:32:56,480
Speaker 6: it fits all the different sonic needs. Whether you like music,

622
00:32:56,560 --> 00:32:59,520
Speaker 6: whether you like talking, it's gonna be all there for you.

623
00:32:59,600 --> 00:33:02,000
Speaker 4: And I don't like music anymore. I used to think

624
00:33:02,040 --> 00:33:04,160
Speaker 4: I liked it, but now I like howl instead.

625
00:33:05,200 --> 00:33:07,160
Speaker 3: This is actually that's actually a really great point that

626
00:33:07,200 --> 00:33:10,160
Speaker 3: Howard brings up that how is so light. A lot

627
00:33:10,240 --> 00:33:13,800
Speaker 3: of these other podcast services like Well actually physically make

628
00:33:13,800 --> 00:33:15,360
Speaker 3: your phone very heavy, right.

629
00:33:15,160 --> 00:33:17,120
Speaker 2: Because of the files and sizes.

630
00:33:17,440 --> 00:33:19,600
Speaker 3: Yeah, and people are like, well, then that's like for

631
00:33:19,680 --> 00:33:22,960
Speaker 3: strong people, but how is for.

632
00:33:22,960 --> 00:33:26,440
Speaker 1: Everybody, like, including you know nerds.

633
00:33:26,800 --> 00:33:29,600
Speaker 4: What I love about howel is that I'm actually, even

634
00:33:29,640 --> 00:33:32,960
Speaker 4: though it costs money to get it, I'm actually making

635
00:33:33,000 --> 00:33:36,880
Speaker 4: money just by listening to it because it's making me

636
00:33:36,960 --> 00:33:39,720
Speaker 4: so interesting and fun to be around that I'm so

637
00:33:39,840 --> 00:33:44,200
Speaker 4: much more likely to have a successful job, interview, or

638
00:33:44,360 --> 00:33:47,400
Speaker 4: even just meet someone at a sports bar where they

639
00:33:47,440 --> 00:33:51,120
Speaker 4: play Howel over the TVs instead of sports now, Yeah,

640
00:33:51,160 --> 00:33:54,080
Speaker 4: and be able to connect with someone who then maybe

641
00:33:54,080 --> 00:33:55,800
Speaker 4: would provide me with an opportunity.

642
00:33:56,120 --> 00:33:59,200
Speaker 6: Yeah, I've had people ask me to go. You know,

643
00:33:59,240 --> 00:34:02,240
Speaker 6: you seem a little lighter. Your spirit's a bit lighter now,

644
00:34:02,720 --> 00:34:02,880
Speaker 6: is it?

645
00:34:03,320 --> 00:34:05,640
Speaker 2: Is it how and I? And I say yeah, I'm

646
00:34:05,640 --> 00:34:09,320
Speaker 2: on that now. I'm us like so many others, I get.

647
00:34:09,200 --> 00:34:11,400
Speaker 6: The content that I need when I need it, And

648
00:34:12,360 --> 00:34:14,640
Speaker 6: it's great to just be connected to what people are

649
00:34:14,680 --> 00:34:15,360
Speaker 6: talking about.

650
00:34:15,719 --> 00:34:18,719
Speaker 4: What is it about on demand content that really gets

651
00:34:18,800 --> 00:34:21,359
Speaker 4: me so buzzed that it's better than any drug I've

652
00:34:21,400 --> 00:34:25,280
Speaker 4: ever had? I feel like I'm shooting through the roof,

653
00:34:25,600 --> 00:34:31,040
Speaker 4: just hearing the opening uh tun tune chords of the

654
00:34:31,200 --> 00:34:35,280
Speaker 4: song that leads into gabriis talking to a scientist or something.

655
00:34:36,320 --> 00:34:38,200
Speaker 4: What a fucking cool idea.

656
00:34:38,360 --> 00:34:39,919
Speaker 2: That episode is my ring tone?

657
00:34:40,320 --> 00:34:41,800
Speaker 1: Oh the whole episode?

658
00:34:41,920 --> 00:34:45,040
Speaker 2: Yeah wow, I love I love hearing it. And you

659
00:34:45,040 --> 00:34:46,759
Speaker 2: know you want to pick something. You don't get tired

660
00:34:46,800 --> 00:34:48,480
Speaker 2: of it, so no wonder.

661
00:34:48,280 --> 00:34:50,320
Speaker 4: I can't get you to answer the phone lately.

662
00:34:51,120 --> 00:34:52,760
Speaker 1: You want to hear the ring too much.

663
00:34:53,719 --> 00:34:58,279
Speaker 2: But Sean, I'll tell you, I love every time you

664
00:34:58,360 --> 00:34:58,759
Speaker 2: call me.

665
00:34:59,040 --> 00:35:01,360
Speaker 1: Yes, thanks, It starts.

666
00:35:01,040 --> 00:35:04,239
Speaker 2: Up my favorite thing, my favorite podcast.

667
00:35:04,600 --> 00:35:09,759
Speaker 3: I uh, we do have to do the script and

668
00:35:09,800 --> 00:35:12,680
Speaker 3: I don't I guess it's something. It's like an audition

669
00:35:12,800 --> 00:35:14,319
Speaker 3: or something, because we will have to film it at

670
00:35:14,320 --> 00:35:17,680
Speaker 3: some point. It's like an ad, like a TV ad

671
00:35:17,800 --> 00:35:22,120
Speaker 3: they send us like, yeah, like a whole yeah, Facebook, Yeah,

672
00:35:22,120 --> 00:35:24,080
Speaker 3: I think they are g Oh is that what's happened?

673
00:35:24,120 --> 00:35:25,800
Speaker 3: Is that what this cameras for? Are we going to

674
00:35:25,880 --> 00:35:27,239
Speaker 3: be streaming this ad right now? Ryan?

675
00:35:28,400 --> 00:35:30,560
Speaker 1: Yeah, it's going out live. Oh, it's on, it's on.

676
00:35:30,640 --> 00:35:31,719
Speaker 1: I feeling that it's going on live.

677
00:35:31,920 --> 00:35:34,440
Speaker 3: Okay, not this, but you're gonna trigger you're gonna trigger

678
00:35:34,480 --> 00:35:38,560
Speaker 3: the feed. Yeah, okay, okay, okay, So who is going

679
00:35:38,640 --> 00:35:41,320
Speaker 3: to play King Scripts?

680
00:35:42,600 --> 00:35:44,920
Speaker 1: Okay, there's is it. I might have a type of

681
00:35:44,920 --> 00:35:46,600
Speaker 1: mine sy is Mighty Emperor Scripts.

682
00:35:46,719 --> 00:35:49,279
Speaker 4: Oh okay, yeah, well let's just make it a King

683
00:35:49,440 --> 00:35:50,080
Speaker 4: just it's cleaner.

684
00:35:50,480 --> 00:35:53,400
Speaker 1: Okay. So I don't know, how do you want to

685
00:35:53,400 --> 00:35:55,200
Speaker 1: be King Scripts or I.

686
00:35:55,280 --> 00:35:57,960
Speaker 6: Just I've got to check I'm not I'm not just

687
00:35:58,040 --> 00:36:00,479
Speaker 6: got I'm not sure which ones I'm allowed to play.

688
00:36:00,520 --> 00:36:01,600
Speaker 2: I gotta see what's good.

689
00:36:01,680 --> 00:36:06,439
Speaker 3: Had said he's not letting you play certain characters because

690
00:36:06,440 --> 00:36:09,120
Speaker 3: one of them is you. Are you allowed to play

691
00:36:09,960 --> 00:36:13,160
Speaker 3: the Howard character? I thought is called Howard's Apology?

692
00:36:13,560 --> 00:36:14,640
Speaker 2: Oh yeah, I don't know.

693
00:36:14,719 --> 00:36:17,200
Speaker 6: I've had these restrictions for a little while.

694
00:36:18,120 --> 00:36:18,759
Speaker 2: You guys don't know.

695
00:36:18,880 --> 00:36:21,239
Speaker 4: Okay, then one night I'll be King Scripts. Then if

696
00:36:21,280 --> 00:36:22,880
Speaker 4: it's going to be an issue for the card to

697
00:36:22,920 --> 00:36:24,879
Speaker 4: play that in himself, okay.

698
00:36:24,719 --> 00:36:28,000
Speaker 2: Okay, maybe I can.

699
00:36:28,040 --> 00:36:31,600
Speaker 6: I just maybe i'll hit some of the words like

700
00:36:31,680 --> 00:36:36,960
Speaker 6: I'll just I'll do the sports emphatically or.

701
00:36:36,880 --> 00:36:38,839
Speaker 1: Yeah no, that sounds great.

702
00:36:39,080 --> 00:36:43,120
Speaker 4: Yeah, okay, Sorry, you're asking how if it's okay for

703
00:36:43,160 --> 00:36:45,879
Speaker 4: you to just like, I don't know.

704
00:36:46,600 --> 00:36:48,560
Speaker 1: Some of the words emphatically. That sounds really good to be.

705
00:36:48,960 --> 00:36:51,319
Speaker 6: I don't I don't know if I'm allowed to be

706
00:36:51,400 --> 00:36:51,759
Speaker 6: in it.

707
00:36:51,840 --> 00:36:55,160
Speaker 1: But so then the solution is that you'll hit some

708
00:36:55,200 --> 00:36:56,120
Speaker 1: of the words emphatically.

709
00:36:56,320 --> 00:36:58,640
Speaker 6: I see it like like, because I know when Randy

710
00:36:58,640 --> 00:37:00,719
Speaker 6: and Jason I see him do it when they do

711
00:37:00,840 --> 00:37:01,360
Speaker 6: the ads.

712
00:37:01,960 --> 00:37:04,320
Speaker 2: Still, they'll hit some of those double ups.

713
00:37:04,520 --> 00:37:07,799
Speaker 1: And there it's it's and that's what lets you know

714
00:37:07,840 --> 00:37:08,920
Speaker 1: that it's not repetitive.

715
00:37:08,920 --> 00:37:10,960
Speaker 4: We're not just giving you the same information in sort

716
00:37:11,000 --> 00:37:13,239
Speaker 4: of an adult education style so that you hear it

717
00:37:13,320 --> 00:37:14,560
Speaker 4: enough times that it's ingrained.

718
00:37:14,719 --> 00:37:17,160
Speaker 6: Yeah, and it cuts through the damn it just bangs

719
00:37:17,200 --> 00:37:18,400
Speaker 6: into your into you.

720
00:37:19,040 --> 00:37:23,440
Speaker 3: If you're allowed to do that, that sounds great. Okay, okay,

721
00:37:23,520 --> 00:37:25,040
Speaker 3: and Ryan, will you trigger the feed please?

722
00:37:25,880 --> 00:37:30,279
Speaker 1: All right, here we go a stately king's court.

723
00:37:30,840 --> 00:37:34,520
Speaker 3: Mighty Emperor King Scripts sits at the front of the

724
00:37:34,600 --> 00:37:39,120
Speaker 3: court in a big head thrown I guess it's supposed

725
00:37:39,120 --> 00:37:45,560
Speaker 3: to be like headphones, but the head THROWNE Hello. He

726
00:37:45,640 --> 00:37:48,799
Speaker 3: says hello, So now you say hello.

727
00:37:50,760 --> 00:37:51,120
Speaker 1: Hello.

728
00:37:53,880 --> 00:37:57,040
Speaker 3: He he sounds happy, but he actually looks very upset.

729
00:37:59,600 --> 00:38:07,279
Speaker 3: The the court jester Chris Batted, approaches the king and uh,

730
00:38:07,960 --> 00:38:14,759
Speaker 3: I guess I'll be Chris my leage. Howard Kramer is

731
00:38:14,800 --> 00:38:18,560
Speaker 3: here for his big apology.

732
00:38:19,800 --> 00:38:25,600
Speaker 8: That that bustled. That'll be one big apology if he

733
00:38:25,680 --> 00:38:27,279
Speaker 8: wants to keep his head.

734
00:38:28,920 --> 00:38:35,640
Speaker 3: June Junior, Raphael and Susan Erleen. The palace cards swing

735
00:38:35,760 --> 00:38:42,399
Speaker 3: open the door. Howard enters the court. Susan early kind

736
00:38:42,400 --> 00:38:44,239
Speaker 3: of like wax the back of his legs, so he

737
00:38:44,280 --> 00:38:51,040
Speaker 3: has to drop drop to his knees and he and

738
00:38:51,120 --> 00:38:54,600
Speaker 3: he shuffles up to the to the to the head throne.

739
00:38:54,840 --> 00:38:58,080
Speaker 8: Howard, give me one good reason I shouldn't feed you

740
00:38:58,160 --> 00:38:59,759
Speaker 8: to Andrew t right.

741
00:39:00,040 --> 00:39:12,800
Speaker 6: Wow, hello King my leegh hm, liking this? Thank you

742
00:39:12,880 --> 00:39:14,840
Speaker 6: for gazing upon me.

743
00:39:15,160 --> 00:39:17,640
Speaker 2: I must and be a wretched mess.

744
00:39:18,960 --> 00:39:24,200
Speaker 1: Oh yeah, you said it, not me, for I have been.

745
00:39:24,120 --> 00:39:26,480
Speaker 6: Held unjustly in your dungeon.

746
00:39:28,320 --> 00:39:30,040
Speaker 1: Wait unjustly?

747
00:39:30,080 --> 00:39:30,560
Speaker 3: What do you mean?

748
00:39:32,360 --> 00:39:35,239
Speaker 2: Well? I have no other thing to listen to in there.

749
00:39:38,719 --> 00:39:45,720
Speaker 9: Ah, So the reason you've behaved so insolently is because

750
00:39:45,760 --> 00:39:50,120
Speaker 9: you didn't have good juicy content to squeeze in your

751
00:39:50,120 --> 00:39:51,160
Speaker 9: ears and fill.

752
00:39:51,000 --> 00:39:52,120
Speaker 1: Your brain with fun.

753
00:39:53,719 --> 00:39:58,080
Speaker 2: That is true, my lord. Oh hown, it.

754
00:39:58,040 --> 00:40:01,120
Speaker 8: Appears I am the one who else you an apology.

755
00:40:01,200 --> 00:40:04,480
Speaker 8: Then I didn't give you access to the.

756
00:40:04,520 --> 00:40:06,879
Speaker 3: New howl on a fame app.

757
00:40:09,000 --> 00:40:12,160
Speaker 2: Oh my lord, thank you. You are such a benevolent

758
00:40:12,239 --> 00:40:13,320
Speaker 2: and kind ruler.

759
00:40:13,760 --> 00:40:16,480
Speaker 6: I just spread the word through all the village that

760
00:40:16,600 --> 00:40:19,359
Speaker 6: you are a good and benevolent man.

761
00:40:20,360 --> 00:40:23,799
Speaker 8: Yeah, hit benevolent really hard emphatically.

762
00:40:26,360 --> 00:40:28,920
Speaker 1: Uh And then it says absent opit.

763
00:40:29,200 --> 00:40:31,640
Speaker 3: You can talk about Oculus summer here if you okay,

764
00:40:31,760 --> 00:40:33,000
Speaker 3: as your character.

765
00:40:32,960 --> 00:40:37,560
Speaker 2: I see, got it? Okay, I thought that.

766
00:40:37,640 --> 00:40:40,520
Speaker 1: Was no, but this is so you know.

767
00:40:40,840 --> 00:40:44,000
Speaker 3: Uh yeah, the operation what's your title?

768
00:40:45,040 --> 00:40:45,440
Speaker 1: Production?

769
00:40:45,560 --> 00:40:47,839
Speaker 3: Corideric Kevin is here, and I think that is sort

770
00:40:47,880 --> 00:40:50,720
Speaker 3: of meant to be like an extra set of eyes

771
00:40:50,760 --> 00:40:51,600
Speaker 3: on you personally.

772
00:40:51,840 --> 00:40:52,800
Speaker 1: Scott's always watching.

773
00:40:52,880 --> 00:41:01,960
Speaker 6: Yeah, okay, I'll try to get back into it. Could

774
00:41:02,000 --> 00:41:03,720
Speaker 6: you just don't take the pictures?

775
00:41:07,080 --> 00:41:08,640
Speaker 2: Uh?

776
00:41:08,680 --> 00:41:16,000
Speaker 7: Hey King, Yeah, the weather's becoming so warm outside.

777
00:41:16,920 --> 00:41:19,640
Speaker 8: Oh yeah, that's why I'm wearing this short room.

778
00:41:21,200 --> 00:41:24,239
Speaker 6: Your legs look very defined.

779
00:41:24,800 --> 00:41:25,040
Speaker 1: Yeah.

780
00:41:25,040 --> 00:41:35,439
Speaker 8: I've been doing a bunch of megasquats, megasquats, your highness, Yeah,

781
00:41:35,560 --> 00:41:36,760
Speaker 8: you know what makes it mega?

782
00:41:37,600 --> 00:41:39,160
Speaker 1: I'm doing a motherfucker.

783
00:41:42,000 --> 00:41:42,280
Speaker 5: Oh.

784
00:41:42,360 --> 00:41:45,319
Speaker 6: I am so joyed to be here with you in

785
00:41:45,400 --> 00:41:47,240
Speaker 6: the your kingdom and not th others.

786
00:41:47,560 --> 00:41:49,799
Speaker 3: Sorry, after he says the motherfucker, It says the King

787
00:41:49,840 --> 00:41:51,880
Speaker 3: does the Running Man challenge?

788
00:41:52,200 --> 00:41:52,919
Speaker 2: Oh yeah, you gotta.

789
00:41:53,440 --> 00:41:54,240
Speaker 1: Yeah.

790
00:41:54,280 --> 00:41:56,759
Speaker 3: So I don't know, like do we carve out time

791
00:41:56,800 --> 00:42:01,120
Speaker 3: for that or is that just gonna Do you need

792
00:42:01,239 --> 00:42:04,000
Speaker 3: wild sounds of just him like struggling to do the

793
00:42:04,040 --> 00:42:06,279
Speaker 3: Running Man? Or yeah, how about that we'll put the

794
00:42:06,360 --> 00:42:08,839
Speaker 3: running Man so later, we'll put the running Man.

795
00:42:08,760 --> 00:42:09,600
Speaker 1: Plug in the visual.

796
00:42:09,719 --> 00:42:14,319
Speaker 3: Yeah audio over this, so you do sounds of him

797
00:42:14,360 --> 00:42:16,560
Speaker 3: struggling to do the running Challenge and we'll put the

798
00:42:16,560 --> 00:42:17,880
Speaker 3: audio in later.

799
00:42:18,800 --> 00:42:21,080
Speaker 4: Okay, So yeah, okay, So and if you want to

800
00:42:21,120 --> 00:42:22,319
Speaker 4: feed me any wild noises that.

801
00:42:22,320 --> 00:42:25,160
Speaker 1: You think it would make, I'll take them, you know. Okay, then.

802
00:42:29,840 --> 00:42:32,480
Speaker 8: Over there, I'm running, but I'm not actually a movement.

803
00:42:32,640 --> 00:42:33,359
Speaker 8: That's running Man.

804
00:42:36,040 --> 00:42:37,800
Speaker 1: Be having an old kings. They should be having a

805
00:42:37,880 --> 00:42:40,799
Speaker 1: little more trouble, should.

806
00:42:40,600 --> 00:42:41,040
Speaker 2: Hurt Oh.

807
00:42:42,520 --> 00:42:46,320
Speaker 8: Just this infront of Running Man challenge the trouble?

808
00:42:47,360 --> 00:42:57,799
Speaker 5: Oh okay, is that good?

809
00:42:57,920 --> 00:42:58,120
Speaker 2: Yeah?

810
00:42:58,160 --> 00:42:59,000
Speaker 1: I think that's great.

811
00:42:59,480 --> 00:43:01,759
Speaker 6: Maybe just one that hurts so much he can't he

812
00:43:01,800 --> 00:43:03,040
Speaker 6: can't continue.

813
00:43:02,960 --> 00:43:05,799
Speaker 1: Okay, So and we'll put the music back in and

814
00:43:05,840 --> 00:43:06,759
Speaker 1: now okay, now.

815
00:43:07,320 --> 00:43:13,759
Speaker 5: Then my fucking leg.

816
00:43:15,239 --> 00:43:21,080
Speaker 2: The fucking phone, oh god.

817
00:43:24,400 --> 00:43:26,120
Speaker 6: Roll back up the crock.

818
00:43:29,200 --> 00:43:29,919
Speaker 3: Running Man.

819
00:43:37,520 --> 00:43:40,000
Speaker 1: Okay, that's good for that. Yeah, that's awesome.

820
00:43:41,640 --> 00:43:43,560
Speaker 3: And so yeah now Howard, now we get we're back

821
00:43:43,560 --> 00:43:46,160
Speaker 3: into Howard's.

822
00:43:47,440 --> 00:43:49,359
Speaker 2: King. Is he done with the running Man?

823
00:43:50,320 --> 00:43:50,560
Speaker 3: Yeah?

824
00:43:50,920 --> 00:43:53,600
Speaker 8: Yeah, good running Man had Dudes.

825
00:43:54,360 --> 00:43:57,520
Speaker 2: Siah, you should be refreshed.

826
00:43:58,040 --> 00:44:00,400
Speaker 6: Let me take you to the water's edge to do

827
00:44:00,480 --> 00:44:02,800
Speaker 6: some swimming and to enjoy your summer.

828
00:44:03,680 --> 00:44:06,359
Speaker 1: What a great low impact workout it is.

829
00:44:06,840 --> 00:44:08,680
Speaker 7: And if you don't want to go to the beach

830
00:44:08,719 --> 00:44:12,440
Speaker 7: at all, you can listen to this new album, Oculus Summer,

831
00:44:12,719 --> 00:44:16,800
Speaker 7: which takes you on a virtual reality adventure through summer

832
00:44:17,040 --> 00:44:20,200
Speaker 7: without leaving your home or putting on goggles.

833
00:44:20,280 --> 00:44:28,680
Speaker 6: Sittings only on seed Home. I hope that the pressure

834
00:44:28,840 --> 00:44:33,560
Speaker 6: DUSI rc HODD don't coach my.

835
00:44:33,840 --> 00:44:39,120
Speaker 1: Sole deep I died, I died so deep. It's quiet

836
00:44:39,400 --> 00:44:41,759
Speaker 1: down here, don't hear a peep.

837
00:44:42,200 --> 00:44:45,080
Speaker 2: But I can see so many wild creektures.

838
00:44:45,880 --> 00:44:48,760
Speaker 6: I'm freaking out from their fluorescing feetures.

839
00:44:49,760 --> 00:44:50,080
Speaker 5: Oops.

840
00:44:50,120 --> 00:44:53,959
Speaker 6: I bump into a squid that sleep big, it gets

841
00:44:54,040 --> 00:44:56,839
Speaker 6: mad and it's worths out inaches and that's available on Hell.

842
00:45:00,600 --> 00:45:04,400
Speaker 2: I didn't want to put it on there because people

843
00:45:05,000 --> 00:45:07,600
Speaker 2: they're not used to looking for music back I don't know.

844
00:45:08,320 --> 00:45:12,160
Speaker 3: So, so that I think is maybe why you're here.

845
00:45:13,200 --> 00:45:16,640
Speaker 3: Oh right, yeah, it's all started to kind of come together.

846
00:45:16,840 --> 00:45:21,120
Speaker 3: You're in trouble too, Yeah yeah, okay, yeah, I think

847
00:45:21,160 --> 00:45:21,879
Speaker 3: that's that's great.

848
00:45:22,080 --> 00:45:22,759
Speaker 5: It feels good.

849
00:45:22,880 --> 00:45:25,880
Speaker 3: Yeah, that'll kill on Facebook Live. Yeah, so disengage the

850
00:45:26,120 --> 00:45:30,560
Speaker 3: feed Ryan. Uh and it says we have to plug

851
00:45:32,200 --> 00:45:35,520
Speaker 3: ten our ten favorite shows.

852
00:45:35,719 --> 00:45:40,799
Speaker 1: Oh wow from the new crop. Yeah okay, so, uh

853
00:45:41,440 --> 00:45:43,440
Speaker 1: it just shows. I think just sho.

854
00:45:43,600 --> 00:45:45,719
Speaker 3: I mean, I think we can plug episodes if we

855
00:45:45,880 --> 00:45:46,239
Speaker 3: want to.

856
00:45:48,360 --> 00:45:54,880
Speaker 4: But okay, well, I guess Manson Family Values is a

857
00:45:54,960 --> 00:45:56,320
Speaker 4: new show I'm really excited about.

858
00:45:56,560 --> 00:45:59,960
Speaker 1: Uh, talk to Charlie Squeaky and the whole game.

859
00:46:00,880 --> 00:46:06,879
Speaker 4: Yeah, Robert Evans' home gets broken into in episode one,

860
00:46:08,680 --> 00:46:14,680
Speaker 4: and uh, just because there's grizzly murders involved doesn't mean

861
00:46:14,760 --> 00:46:15,600
Speaker 4: they're not a family.

862
00:46:16,000 --> 00:46:16,200
Speaker 2: Yeah.

863
00:46:17,920 --> 00:46:23,640
Speaker 4: Uh laugh along with all your friends and uh, don't

864
00:46:23,800 --> 00:46:26,239
Speaker 4: forget too. And I don't know if this is the

865
00:46:26,360 --> 00:46:33,880
Speaker 4: right carve a symbol in the year forehead forehead.

866
00:46:33,920 --> 00:46:35,200
Speaker 2: Yeah. Yeah.

867
00:46:37,200 --> 00:46:39,320
Speaker 3: I like there's a new kind of spin off of

868
00:46:39,840 --> 00:46:46,200
Speaker 3: the Cannon, I guess with Chris Dorner's ex wife who

869
00:46:46,520 --> 00:46:48,520
Speaker 3: she's like kind of ranking the Pixar movies.

870
00:46:52,680 --> 00:46:53,080
Speaker 1: It's fun.

871
00:46:53,120 --> 00:46:54,799
Speaker 3: It's just like fun to kind of think about these

872
00:46:54,840 --> 00:46:57,880
Speaker 3: movies in a different way than you than you have before.

873
00:46:59,120 --> 00:47:01,239
Speaker 1: So so that's that's when I'm getting pretty into you.

874
00:47:01,320 --> 00:47:05,440
Speaker 2: Do you have one Howard that you Oh yeah, Jerry Miner,

875
00:47:06,600 --> 00:47:07,920
Speaker 2: he has the one on There.

876
00:47:10,360 --> 00:47:15,600
Speaker 6: Is a single episode I think, but that was it's yeah, yeah,

877
00:47:15,680 --> 00:47:17,520
Speaker 6: you know, he talks about podcasting.

878
00:47:17,600 --> 00:47:19,839
Speaker 2: It's a new thing, and he's gonna do one.

879
00:47:21,040 --> 00:47:24,839
Speaker 3: It's an episode about how he's gonna do a podcast. Yeah,

880
00:47:25,200 --> 00:47:26,200
Speaker 3: it's long too.

881
00:47:26,719 --> 00:47:26,919
Speaker 1: Yeah.

882
00:47:28,680 --> 00:47:30,839
Speaker 4: Yeah, it seems sort of coming up with and then

883
00:47:30,880 --> 00:47:31,880
Speaker 4: abandoning ideas.

884
00:47:32,160 --> 00:47:36,240
Speaker 3: Yeah, that sounds cool. I love the creative process.

885
00:47:38,280 --> 00:47:41,360
Speaker 4: I mean, well, you know that a lot of that obviously,

886
00:47:41,520 --> 00:47:45,279
Speaker 4: add with the King scripts was I got into like

887
00:47:45,400 --> 00:47:48,160
Speaker 4: workout stuff. Yeah, that's a market they're trying to break into,

888
00:47:48,200 --> 00:47:50,560
Speaker 4: you because the one that I am excited for is

889
00:47:51,040 --> 00:47:52,160
Speaker 4: firming up those bunds.

890
00:47:52,760 --> 00:47:55,520
Speaker 1: Mark Furman now has sort of a.

891
00:47:55,560 --> 00:48:00,960
Speaker 4: New new life in the media thanks to that OJ. Yeah.

892
00:48:01,960 --> 00:48:03,080
Speaker 3: Obviously he's very fit.

893
00:48:03,560 --> 00:48:05,960
Speaker 4: Uh he's going to be giving workout tips and walking

894
00:48:06,000 --> 00:48:09,560
Speaker 4: you through an audio workout. Uh huh. He encourages you

895
00:48:09,640 --> 00:48:14,720
Speaker 4: to keep good form and also to keep in mind

896
00:48:15,239 --> 00:48:20,080
Speaker 4: that he's your friend, uh that some of the words

897
00:48:20,360 --> 00:48:24,839
Speaker 4: he used were just words people used back then. And uh,

898
00:48:25,880 --> 00:48:29,240
Speaker 4: he's you know, he's got a great voice, and he's

899
00:48:29,600 --> 00:48:32,160
Speaker 4: going to be a welcome edition to the Howell family.

900
00:48:32,239 --> 00:48:33,280
Speaker 1: Firming up those buns.

901
00:48:34,920 --> 00:48:38,840
Speaker 6: I get all this different shows for that same low.

902
00:48:38,719 --> 00:48:40,040
Speaker 1: Price, the same low price.

903
00:48:40,160 --> 00:48:41,080
Speaker 2: Yeah, what is it?

904
00:48:41,600 --> 00:48:46,800
Speaker 1: Fucking five bucks?

905
00:48:47,000 --> 00:48:49,359
Speaker 3: But with the code Hollywood, I think it's less It's

906
00:48:49,400 --> 00:48:50,800
Speaker 3: either that much or it's less than that.

907
00:48:51,160 --> 00:48:51,359
Speaker 4: Yeah.

908
00:48:53,640 --> 00:48:55,399
Speaker 3: I like that. You know, they're doing some more kind

909
00:48:55,400 --> 00:49:01,120
Speaker 3: of serious political shows with like Katy Kirk and David

910
00:49:01,160 --> 00:49:04,040
Speaker 3: Gregory and stuff like that, which, you know, it's a

911
00:49:04,120 --> 00:49:07,040
Speaker 3: nice change of pace from the comedy stuff. Donna Brazil

912
00:49:07,280 --> 00:49:12,799
Speaker 3: is doing a show. She accidentally turned the voice memo

913
00:49:12,840 --> 00:49:16,000
Speaker 3: functionality on her phone while she was playing Pokemon Go,

914
00:49:17,200 --> 00:49:19,600
Speaker 3: and so it's a lot it's like her sort of

915
00:49:19,760 --> 00:49:23,880
Speaker 3: take on the experience of catching these uh these monsters.

916
00:49:24,040 --> 00:49:28,680
Speaker 3: And she plays, yes, she's she's taping as she plays,

917
00:49:28,920 --> 00:49:31,040
Speaker 3: and so you get to sort of ride with her.

918
00:49:31,400 --> 00:49:38,440
Speaker 3: Is different like Zaptos gets away and you know what

919
00:49:38,600 --> 00:49:40,719
Speaker 3: this sort of her take on what that means, uh

920
00:49:41,080 --> 00:49:46,040
Speaker 3: for the political landscape, and also you know, the triumph

921
00:49:46,120 --> 00:49:49,799
Speaker 3: as uh, you know she she goes to a gym

922
00:49:49,880 --> 00:49:52,399
Speaker 3: and beats a meal or something.

923
00:49:52,560 --> 00:49:54,040
Speaker 1: Oh that's really fucking cool.

924
00:49:54,640 --> 00:49:58,600
Speaker 2: Yeah. I mean you're not going to get that on FM. Uh,

925
00:50:00,120 --> 00:50:02,279
Speaker 2: it's just a it's a whole new right now.

926
00:50:02,600 --> 00:50:07,359
Speaker 1: Yeah, yeah radio. Yeah, I mean this is how FM.

927
00:50:07,440 --> 00:50:09,320
Speaker 3: But I don't think that has anything to do with

928
00:50:09,520 --> 00:50:10,040
Speaker 3: the mistake.

929
00:50:11,719 --> 00:50:13,799
Speaker 1: I just kept it, kept it going.

930
00:50:14,040 --> 00:50:15,359
Speaker 2: What's it got in people's heads?

931
00:50:15,480 --> 00:50:18,400
Speaker 1: How was there another show that you were there's getting

932
00:50:18,440 --> 00:50:18,880
Speaker 1: stoked on?

933
00:50:19,200 --> 00:50:19,920
Speaker 2: There's one here?

934
00:50:20,880 --> 00:50:27,560
Speaker 6: Uh how pay Paywall it's a show I like a lot.

935
00:50:28,000 --> 00:50:31,240
Speaker 4: Oh yeah, that's a really cool We're all really excited

936
00:50:31,280 --> 00:50:32,239
Speaker 4: about Paywall.

937
00:50:33,440 --> 00:50:36,359
Speaker 2: It's they cover all the different.

938
00:50:38,400 --> 00:50:40,879
Speaker 6: Like this is a different construction going on here within

939
00:50:41,239 --> 00:50:45,279
Speaker 6: your wolf and the different you know stuff they're having

940
00:50:45,320 --> 00:50:46,600
Speaker 6: erected here in the office.

941
00:50:46,600 --> 00:50:47,800
Speaker 2: There's always big changes.

942
00:50:48,760 --> 00:50:51,799
Speaker 4: Yeah, it's always a pleasure to come in and see

943
00:50:51,840 --> 00:50:52,400
Speaker 4: that it's different.

944
00:50:53,000 --> 00:50:53,239
Speaker 2: Yeah.

945
00:50:54,680 --> 00:50:57,920
Speaker 6: Yeah, the money is you you may not see it

946
00:50:58,040 --> 00:51:00,000
Speaker 6: in Howell, but you would seeing here in the office.

947
00:51:00,600 --> 00:51:00,799
Speaker 3: Yeah.

948
00:51:00,960 --> 00:51:03,680
Speaker 2: So it's definitely being put to good use.

949
00:51:03,800 --> 00:51:08,680
Speaker 4: Weird little phone call closets, everything you could want, Well,

950
00:51:08,760 --> 00:51:11,279
Speaker 4: we we've got you know. Uh, there's sort of like

951
00:51:11,360 --> 00:51:15,080
Speaker 4: this cool global show coming up. It's Around the World

952
00:51:15,200 --> 00:51:17,920
Speaker 4: with Michael Caned. I think they want you to think

953
00:51:17,960 --> 00:51:21,719
Speaker 4: it's Michael Caine. It's actually Michael Fay. He obviously was

954
00:51:21,760 --> 00:51:25,719
Speaker 4: caned in Singapore for chewing gum doing graffiti ont a car. Yeah,

955
00:51:25,880 --> 00:51:27,759
Speaker 4: well they called that chewing gum. I think he just

956
00:51:27,800 --> 00:51:31,640
Speaker 4: stuck his gum to a car or something. But anyway,

957
00:51:32,320 --> 00:51:36,799
Speaker 4: he got his butt caned, blisters on his butt, butt

958
00:51:36,840 --> 00:51:43,239
Speaker 4: split open, big bamboo rod and the you know, the

959
00:51:43,360 --> 00:51:45,960
Speaker 4: US government was able to negotiate the number of wax

960
00:51:46,000 --> 00:51:49,200
Speaker 4: with the cane down, I think, but ultimately he had

961
00:51:49,239 --> 00:51:52,360
Speaker 4: to take his licks. So who better to sort of

962
00:51:52,480 --> 00:51:56,680
Speaker 4: take you on a tour of Asia Africa and oh

963
00:51:56,719 --> 00:51:57,120
Speaker 4: go ahead.

964
00:51:57,320 --> 00:52:00,600
Speaker 6: I studies are Summer plug because I have a song

965
00:52:00,680 --> 00:52:03,080
Speaker 6: called sum of Gum which is about going there and

966
00:52:03,160 --> 00:52:05,920
Speaker 6: chewing gum and how you're not allowed to and it's

967
00:52:06,000 --> 00:52:09,439
Speaker 6: on my second summer album, have another Summer.

968
00:52:09,920 --> 00:52:13,200
Speaker 4: Well, okay, so maybe Michael will you know, listen to

969
00:52:13,280 --> 00:52:15,120
Speaker 4: that and sort of talk about that. But he goes

970
00:52:15,160 --> 00:52:19,920
Speaker 4: all around and talk about be different customs. It's it's

971
00:52:19,960 --> 00:52:22,000
Speaker 4: a lot, you know. Uh, it's sort of a more

972
00:52:22,040 --> 00:52:23,640
Speaker 4: global version of Hidden America.

973
00:52:24,840 --> 00:52:26,640
Speaker 3: They do have a bunch of more shows with Nation,

974
00:52:26,800 --> 00:52:30,480
Speaker 3: and there's Hard Nation and Fake the Nation just came out.

975
00:52:31,120 --> 00:52:35,440
Speaker 3: There are a few more Nation spon Yeah, spontaneous Nations.

976
00:52:35,640 --> 00:52:35,759
Speaker 5: Uh.

977
00:52:36,280 --> 00:52:40,520
Speaker 3: Scloborough Nation is now going to be Yeah, Scarborough Country

978
00:52:40,680 --> 00:52:42,319
Speaker 3: is rebranded as Nation.

979
00:52:42,480 --> 00:52:44,040
Speaker 1: Realized they missed the opportunity to say Nation.

980
00:52:45,840 --> 00:52:48,080
Speaker 3: Joanahray is hosting a new show called Home Depot Nation,

981
00:52:48,800 --> 00:52:53,400
Speaker 3: where he uh will return your plants for you, Like

982
00:52:53,520 --> 00:52:56,560
Speaker 3: he returns people's plants to Home Depot.

983
00:52:57,120 --> 00:52:57,239
Speaker 4: Uh.

984
00:52:57,360 --> 00:52:59,040
Speaker 3: That I think it's sort of branded as like a

985
00:52:59,200 --> 00:53:02,040
Speaker 3: prank show that he thinks he's like getting away with

986
00:53:02,320 --> 00:53:05,480
Speaker 3: murder essentially because you are allowed to just like return

987
00:53:05,680 --> 00:53:09,040
Speaker 3: plants as many times as you want the Home Depot

988
00:53:09,080 --> 00:53:10,120
Speaker 3: and get new plants.

989
00:53:10,320 --> 00:53:13,400
Speaker 4: Yeah, and you don't necessarily have to have a receipt.

990
00:53:14,080 --> 00:53:16,239
Speaker 4: And so I think like he's sort of winking at

991
00:53:16,280 --> 00:53:17,560
Speaker 4: the camera the whole time, going like.

992
00:53:17,560 --> 00:53:18,800
Speaker 1: I don't even have a receipt for this.

993
00:53:19,200 --> 00:53:19,439
Speaker 2: Yeah.

994
00:53:20,160 --> 00:53:23,600
Speaker 6: There's a great There's there's one that Kumail's on that's

995
00:53:23,640 --> 00:53:24,120
Speaker 6: really good.

996
00:53:25,080 --> 00:53:25,680
Speaker 1: Oh great.

997
00:53:26,160 --> 00:53:27,680
Speaker 3: Yeah, Camille guests on one.

998
00:53:28,000 --> 00:53:28,200
Speaker 2: Yeah.

999
00:53:28,239 --> 00:53:30,760
Speaker 1: Oh I haven't gotten to that yet. That's very exciting.

1000
00:53:30,840 --> 00:53:34,479
Speaker 4: Oh, I'm stoked he's helping him with the plants. Yeah,

1001
00:53:35,280 --> 00:53:35,880
Speaker 4: that's great.

1002
00:53:37,200 --> 00:53:40,279
Speaker 1: And are we are we good? That's ten.

1003
00:53:41,520 --> 00:53:44,200
Speaker 3: It's like I just got a text it that I

1004
00:53:44,320 --> 00:53:48,000
Speaker 3: guess somehow Scott is listening to this Ryan.

1005
00:53:49,200 --> 00:53:55,400
Speaker 2: Oh you know what it's Ryan. Nope, that it was

1006
00:53:55,440 --> 00:53:56,640
Speaker 2: going out the engineers.

1007
00:53:56,760 --> 00:54:00,560
Speaker 6: The engineers because I don't start pretty good yea more

1008
00:54:00,680 --> 00:54:03,920
Speaker 6: because we do the stuff together. They have body cams

1009
00:54:04,000 --> 00:54:07,640
Speaker 6: on the a lot of the engineers. Now that's their

1010
00:54:07,680 --> 00:54:09,920
Speaker 6: way of keeping an eye an eye on things.

1011
00:54:10,800 --> 00:54:13,520
Speaker 3: Because you can't see him. But the size of one

1012
00:54:13,640 --> 00:54:17,120
Speaker 3: of Ryan's pupils is changing. It's like kind of widening

1013
00:54:17,200 --> 00:54:20,640
Speaker 3: in and out, like it's focusing and it's making that

1014
00:54:20,719 --> 00:54:21,360
Speaker 3: little noise.

1015
00:54:21,640 --> 00:54:26,840
Speaker 6: Yeah, he's he's digitally enhanced aperture.

1016
00:54:28,560 --> 00:54:32,040
Speaker 3: Yeah, it's like aperture. So Scott does say that jet aperture.

1017
00:54:33,880 --> 00:54:34,600
Speaker 3: Scott says that.

1018
00:54:34,640 --> 00:54:38,480
Speaker 1: Howard has to do one more of his favorite shows. No,

1019
00:54:38,840 --> 00:54:41,000
Speaker 1: and oh, Howard, I'm sorry.

1020
00:54:43,040 --> 00:54:43,799
Speaker 2: There's a new one.

1021
00:54:45,280 --> 00:54:46,759
Speaker 6: I don't know if the sclors have anything to do

1022
00:54:46,840 --> 00:54:51,520
Speaker 6: with it, but it's sports one. It's the eighty yard

1023
00:54:51,880 --> 00:54:56,000
Speaker 6: Potato Sack Race to the to the earwolf Menstrum.

1024
00:54:57,640 --> 00:55:00,560
Speaker 2: So whenever, like the end or.

1025
00:55:00,600 --> 00:55:04,200
Speaker 6: The workers out there they need to go to the bathroom.

1026
00:55:05,040 --> 00:55:09,760
Speaker 6: We put them in a potato saxe and raise them down.

1027
00:55:09,600 --> 00:55:12,200
Speaker 2: There and it's a you know, it's quite a way.

1028
00:55:13,200 --> 00:55:15,000
Speaker 1: Okay, Scott says, we have to end the show now.

1029
00:55:15,760 --> 00:55:18,760
Speaker 1: Oh really, okay, that was only nine I think bye.

1030
00:55:23,400 --> 00:55:27,280
Speaker 4: Hollywood Handbook is brought to you by Wolf Cool Production

1031
00:55:27,480 --> 00:55:32,760
Speaker 4: to subsidiary of calvineronhobs Ow Baby