WEBVTT - 85: NIGHT CHAOS With Tom O’Neill

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<v Speaker 1>Welcome to Nightcall, a production of I Heart Radio. It's

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<v Speaker 1>ten pm in the Pine barrens and you're listening to Nightcall. Hello,

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<v Speaker 1>and welcome Tonightcall, a podcast for your strange days and

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<v Speaker 1>lonely nights. My name is Emily Yoshida. I am here

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<v Speaker 1>in Los Angeles, and with me, as always are Tessalynent

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<v Speaker 1>Molly Lambert. We are super excited. This week we have

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<v Speaker 1>a very special guest, Tom O'Neill on to talk about

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<v Speaker 1>his book Chaos, UM, a new book about the Manson

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<v Speaker 1>murders and the CIA conspiracies and all sorts of fun

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<v Speaker 1>stuff that'll be in the second half of the show,

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<v Speaker 1>but for right now, I just wanted to let go

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<v Speaker 1>around and do some recommendations, just like stuff we've been consuming. UM.

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<v Speaker 1>I wanted to point everybody real quick to Criteria, the

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<v Speaker 1>Criterion channel, which if you're not a subscriber, I would

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<v Speaker 1>highly recommend it, and I am not being paid to

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<v Speaker 1>say this. UM. They are doing a little spotlight on

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<v Speaker 1>Susan Pitt, who I feel like is a very Nightcall

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<v Speaker 1>approved animator. UM. She did a film, an animated film

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<v Speaker 1>called Asparagus that used to screen in front of Eraser

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<v Speaker 1>head when it was on its like midnight movie run.

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<v Speaker 1>She's just a very cool, kind of psychedelic um illustrator

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<v Speaker 1>and animator, like doing stuff that's very kind of left

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<v Speaker 1>the center of what when you think of the history

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<v Speaker 1>of American animation, especially in the time she was working,

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<v Speaker 1>which was like the seventies and eighties. Um. And yeah,

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<v Speaker 1>they have a bunch of her short films on Criterion

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<v Speaker 1>right now, so check it out. I saw her stuff

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<v Speaker 1>for the first time at a weird bar in Tokyo,

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<v Speaker 1>so it's like very turned on. What are they Like,

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<v Speaker 1>I'm you've convinced me to subscribe to the Criterion channel,

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<v Speaker 1>but I haven't done it yet. Um, So what's like

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<v Speaker 1>what what is asparagus Like? It's very hard to describe.

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<v Speaker 1>It's sort of there's a lot of asparagus, like kind

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<v Speaker 1>of phallic asparagus. There's a whole sequence where like a

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<v Speaker 1>woman basically like filates in asparagus. It's just sort of

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<v Speaker 1>kind of dreamy and sort of like free association, like

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<v Speaker 1>all these sort of shape sort of melting into each other.

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<v Speaker 1>It's just like, I don't know, it's you kind of

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<v Speaker 1>have to just like watch it to understand it. But

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<v Speaker 1>it does have that very kind of groovy seventies kind

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<v Speaker 1>of zap Comex esque aesthetic and like texture and stuff

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<v Speaker 1>to it, So I can't give a better explanation of

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<v Speaker 1>it than that. Emily, what do you think of The Irishman? Yeah,

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<v Speaker 1>I would definitely recommend watching the short films of Susan

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<v Speaker 1>Pitt because they are short shorter than The Irishman. I

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<v Speaker 1>saw The Irishman. You are totally immune to the charms

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<v Speaker 1>of the Irishman. What charms you were? You were confused.

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<v Speaker 1>I wasn't fused, you were like, what did everybody else?

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<v Speaker 1>I am confused by the general reception to it, though

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<v Speaker 1>I do feel like the more people that see it,

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<v Speaker 1>not to besmirche my former fellow critics, but I do

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<v Speaker 1>feel like the more I talk to people who are

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<v Speaker 1>not critics who have seen it, the more I feel

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<v Speaker 1>a little more, uh, you know, backed up in my

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<v Speaker 1>kind of antipathy towards this movie. It's just so long,

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<v Speaker 1>and it's funny because now it's become such a binary

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<v Speaker 1>thing of either you're like pro Scorsese or your like

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<v Speaker 1>pro comic book movies. Like there's no one between. It's

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<v Speaker 1>like the in between. Yah, he bridged the gap. Well,

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<v Speaker 1>he's now, you know, part of the Star Wars universe.

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<v Speaker 1>In the Star Wars University. Study's never seen any of

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<v Speaker 1>the Star Wars movies, nor any of Jon Favreau's movies.

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<v Speaker 1>He intends, same quote that I don't believe him because

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<v Speaker 1>he always has the same quote anytime people ask him

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<v Speaker 1>about like pop cultural things that are older. He's like,

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<v Speaker 1>I grew up in a tiny village in Bavaria, and

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<v Speaker 1>I never saw any cultures. That's so funny, Like what

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<v Speaker 1>a good troll to say. He says, he never I mean,

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<v Speaker 1>he was just doing I don't know her. He claims

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<v Speaker 1>music until he was eighteen. Like, I'm pretty sure he

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<v Speaker 1>gave me that exact same story when I interviewed him,

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<v Speaker 1>Like it's just one of his it's like in his

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<v Speaker 1>file of things that he says. But um, anyway, I

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<v Speaker 1>believe him that he's never seen Star Wars. Sure, yeah,

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<v Speaker 1>but he also didn't even some quote recently where he's like,

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<v Speaker 1>we have to pay attention to the Kardashians, like we

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<v Speaker 1>must keep our eyes open to like all the horrors

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<v Speaker 1>of our culture. Really he's not wrong, though, Yeah, no, totally.

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<v Speaker 1>I mean that's I feel like that's our philosophy in general.

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<v Speaker 1>Um yeah, no, it's like I even liked like. It's

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<v Speaker 1>not that I'm not even a fan of late period Scorsese,

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<v Speaker 1>although I wasn't a fan of Wolf of Wall Street. Like.

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<v Speaker 1>I actually saw Silence somewhat recently because I didn't think

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<v Speaker 1>I was gonna like it, and I watched it and

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<v Speaker 1>I was like, it's great. He's a great filmmaker, like,

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<v Speaker 1>and he's not my favorite by any stretch of the imagination.

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<v Speaker 1>But this just feels like Netflix paid him a bunch

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<v Speaker 1>of money to like play all the hits. Um wow,

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<v Speaker 1>Silence stand Emily, do not put that on my gravest.

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<v Speaker 1>That is not a defining personality trade of mine. But

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<v Speaker 1>it was disappointing because it's not like I'm I don't

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<v Speaker 1>know I was. I wanted it to be good. I

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<v Speaker 1>don't want to ask test now about a movie that

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<v Speaker 1>she hasn't actually seen yet but closely monitoring her opinions

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<v Speaker 1>on already know a bomb box marriage story. Oh guys,

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<v Speaker 1>how did you know I'd have opinions on this? Did

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<v Speaker 1>you know? Of course, I haven't seen it. Well, I

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<v Speaker 1>put into the universe that it might be a Blue Valentine.

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<v Speaker 1>I'm really upset because I re issued my very important

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<v Speaker 1>Twitter pool asking if people's relationships had been destroyed by

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<v Speaker 1>Blue Valentine. They always lie. I mean, it's like I

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<v Speaker 1>know the truth and I people will email me using

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<v Speaker 1>anonymous email addresses and tell me like my wife and

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<v Speaker 1>I went on our first date to maybe about a

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<v Speaker 1>relationship breaking up painfully. I guess what happened next. But

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<v Speaker 1>marriage Story, I am concerned it's going to have the

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<v Speaker 1>same effect. I'm very concerned that anyone who sees a

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<v Speaker 1>marriage story with their partner will immediately break up. Obviously,

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<v Speaker 1>don't see marriage story with your but isn't it worse

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<v Speaker 1>to see it without in a way, Also, the Cusies

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<v Speaker 1>movies like that except married Couples on Date. Well, soon

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<v Speaker 1>it's going to be available on Netflix, so you'll just

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<v Speaker 1>be able to beam it into your home and ruin

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<v Speaker 1>your marriage from the inside. Well, I think the movie

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<v Speaker 1>that we all actually want marriage story to be is Greenberg,

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<v Speaker 1>which is you know, I've never gotten into Greenberg. Maybe

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<v Speaker 1>I was. I was coming at it from a place

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<v Speaker 1>in my life right it was inaccessible. I was saying,

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<v Speaker 1>like Ben Stiller is a way better stand in for

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<v Speaker 1>Noah bomb Bach than Adam Driver. Sure. Yeah, well, now

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<v Speaker 1>they both seem too young to be a stand in

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<v Speaker 1>for Noah bomb Back, like like Ben Stiller is legitimately

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<v Speaker 1>his contemporary, so it makes a little more sense. I

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<v Speaker 1>love Greenberg so much I'm gonna give it another whirl.

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<v Speaker 1>I wrote about Greenberg on Tumbler back in the day.

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<v Speaker 1>I was like, I am both characters, and isn't that

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<v Speaker 1>how everybody who loves it feel? I used it as

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<v Speaker 1>a verbal lot to Greenberg. I would say, like, oh,

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<v Speaker 1>they got Greenberg nice? Is that mean you'll figure it

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<v Speaker 1>out when you watch? But I watched the movie? What

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<v Speaker 1>is it mean? I don't know, Like like an older

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<v Speaker 1>man was annoying to you, Oh, talk down to you,

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<v Speaker 1>And that's that's now what I say to everything. It

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<v Speaker 1>always works, um. I saw The Squid in the Whale

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<v Speaker 1>when I was on a road trip and we were

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<v Speaker 1>rough one for me, see, I loved the Squid in

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<v Speaker 1>the Whale. I loved it. But I saw it on

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<v Speaker 1>someone's ancient television in like I don't even remember where

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<v Speaker 1>we were, might have even been in like a motel

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<v Speaker 1>or something, and it was in black and white because

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<v Speaker 1>the TV was a black and white TV and I

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<v Speaker 1>was like, what a fine film, beautifully shot in black

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<v Speaker 1>and white. And I only realized it was not shot

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<v Speaker 1>in black and white literally last week. Wow. Really, And

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<v Speaker 1>it's so weird when things like that happen, where there's

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<v Speaker 1>information that's so obvious and you've seen this, Like, how

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<v Speaker 1>did I miss it? How did I miss the list?

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<v Speaker 1>That's incredible. I've been living in a bubble. That's like

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<v Speaker 1>miss hearing a song lyric times a hundred of all

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<v Speaker 1>the movie like he made Francis Hall in black and white? Right,

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<v Speaker 1>hated Francis by the way. That's wild. Oh my god.

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<v Speaker 1>I also think I may not really take to credit apologies.

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<v Speaker 1>I try. I don't know what it is. The cinema

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<v Speaker 1>of New York intellectuals is overrepresented. That could be I

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<v Speaker 1>don't need any more Woody Allen movies. We also don't

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<v Speaker 1>even need the ones we have. Yeah, well see, I

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<v Speaker 1>never I was never into Woody Allen to begin with.

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<v Speaker 1>But I guess it's just like if we, like I

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<v Speaker 1>understand where Scorsese is coming from, if we stopped paying

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<v Speaker 1>tribute to these things, they will fade out of the

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<v Speaker 1>cultural memory. And that's just like what should probably happen

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<v Speaker 1>with a lot of them. Yeah, but it won't if

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<v Speaker 1>people keep going like, we have to make more fake

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<v Speaker 1>Scorsese movies and fake Woody Allen movies because that is

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<v Speaker 1>what we think is movies are Like, I have a

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<v Speaker 1>question that's not related to these things. But Molly had

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<v Speaker 1>looked at Live Science, our favorite website, and found an

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<v Speaker 1>article asking should we splice human and water bear DNA

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<v Speaker 1>for Martian travel? Should answer what would a human water

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<v Speaker 1>bear hybrid look like? Water bears look like? Faceless bears?

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<v Speaker 1>Kind of? If you really look stretched bears, Look, they

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<v Speaker 1>have a bottle face, for sure, they kind of look

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<v Speaker 1>like a like a flesh colored centipede. Sure we would

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<v Speaker 1>a human and a water bear cross look kind of

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<v Speaker 1>like squid? Word? Is that right? So wait? So so

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<v Speaker 1>life science is just like posing this question just like, hey,

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<v Speaker 1>I think what we we do what is normally done

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<v Speaker 1>in science? We see something interesting, let's try it in

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<v Speaker 1>mice first. I don't know that splicing mice with water

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<v Speaker 1>bears is a good idea because I have mice to

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<v Speaker 1>live forever. I mean, it's good for mice. You know,

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<v Speaker 1>mice have had it so rough for so long. I

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<v Speaker 1>think we owe it to mice to give them immortality,

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<v Speaker 1>not their fault that they spread the plague. Like, no,

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<v Speaker 1>they didn't make the plague. So I had to really,

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<v Speaker 1>I had a snake and I had to feed at

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<v Speaker 1>the baby mice. And I still feel so bad about that,

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<v Speaker 1>Like I know that the snake would have eaten the

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<v Speaker 1>mice in the wild, but when you have to face

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<v Speaker 1>it yourself, it's a whole other conundrum. And I have

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<v Speaker 1>the breats. What are we talking about splicing water bears

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<v Speaker 1>in mice, Emily? Okay, let's take a night call about

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<v Speaker 1>a critter of the week, and it's technically a night email,

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<v Speaker 1>but there has a new critter that is very cute.

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<v Speaker 1>Unlike some of the critters that we've covered on this podcast,

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<v Speaker 1>this one is a winner. I I actually really like

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<v Speaker 1>this critter. There have been some where every own's like

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<v Speaker 1>did you see that? And I'm like, how don't you

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<v Speaker 1>know it's it's not it's my atom driver, Like I

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<v Speaker 1>don't care, but this one I do care about. So

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<v Speaker 1>we have a night email from Colleen writing this from

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<v Speaker 1>under the covers as I try to fall back asleep

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<v Speaker 1>after being jarred awake from a faulty fire alarm scare

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<v Speaker 1>at two am. That's another night call to be had.

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<v Speaker 1>Came across this very exciting, scintillating discovery of the silver

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<v Speaker 1>backed chevrotaine on camera in Vietnam, a k a. A

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<v Speaker 1>mouse dear. They are rabbit sized animals that, despite having

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<v Speaker 1>mouse like features, are not rodents. They're hooved and most

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<v Speaker 1>importantly they have fangs. And then she includes some links

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<v Speaker 1>lastly alive in I think this is so cool and

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<v Speaker 1>I will now be kept awake looking at picks of

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<v Speaker 1>extinct chevertrain chevro chevrotaine just risk tricky. Has there been

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<v Speaker 1>any discussion on extinct animals and species you'd wish to encounter? Colleen?

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<v Speaker 1>Thank you, Colleen. This chevrotaine. It's cute. It's really cute.

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<v Speaker 1>It's like a like a more Kauai version of a deer.

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<v Speaker 1>It's just like so little and but fangs. I like

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<v Speaker 1>the deer with fangs, but where I I can't see

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<v Speaker 1>the fangs in the photos which we will link to.

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<v Speaker 1>It's very Yeah, it's very fetching. I like its coloration.

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<v Speaker 1>It's but I don't like how it looks like. I'm

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<v Speaker 1>not a fan of its stance, but I'll let it

0:12:26.200 --> 0:12:29.640
<v Speaker 1>fly because I like its ears. It kind of is jackalopus.

0:12:30.040 --> 0:12:34.600
<v Speaker 1>It's Tod's jackalopus, little cuter. Do you guys have extinct

0:12:34.679 --> 0:12:39.080
<v Speaker 1>animals that you wish were not extinct anymore? That was

0:12:39.120 --> 0:12:42.040
<v Speaker 1>what I was going to say. Was so fun. There's

0:12:42.120 --> 0:12:43.920
<v Speaker 1>so fun. Imagine if you were just like on a

0:12:44.040 --> 0:12:47.760
<v Speaker 1>road trip, you know, and I don't know, the Great Plains,

0:12:47.800 --> 0:12:49.640
<v Speaker 1>and you saw a wooly mammoth, just like a wild

0:12:49.640 --> 0:12:53.080
<v Speaker 1>hooly mammoth, like that would be very exciting. I would

0:12:53.120 --> 0:12:56.160
<v Speaker 1>like those like really giant versions of things that are

0:12:56.200 --> 0:12:58.120
<v Speaker 1>now small, Like you know, there was like a beaver

0:12:58.440 --> 0:13:01.480
<v Speaker 1>that was as big as right, like that giant sloth.

0:13:02.400 --> 0:13:05.000
<v Speaker 1>Beavers are not very friendly. I would be scared to

0:13:05.000 --> 0:13:08.360
<v Speaker 1>see a giant beaver. Were you scared during the full

0:13:08.400 --> 0:13:10.960
<v Speaker 1>beaver Moon? No? I charged. I was made fun of

0:13:11.000 --> 0:13:14.400
<v Speaker 1>actually recently at dinner for charging my crystals and my

0:13:14.520 --> 0:13:18.480
<v Speaker 1>tarot card deck under the beaver moon to get more

0:13:18.520 --> 0:13:22.640
<v Speaker 1>powers to make rain. You kept saying beaver Moon. I

0:13:22.679 --> 0:13:30.840
<v Speaker 1>love that Cristy movie The Beaver Moon. Yeah. My husband

0:13:30.840 --> 0:13:32.360
<v Speaker 1>brought it up in front of my parents and I

0:13:32.400 --> 0:13:35.439
<v Speaker 1>was like, God, stop there don't think I'm so crazy.

0:13:35.760 --> 0:13:37.640
<v Speaker 1>It's like, but I totally I did it, and I

0:13:37.640 --> 0:13:40.520
<v Speaker 1>guess I deserve to be called out. Um My powers

0:13:40.559 --> 0:13:42.840
<v Speaker 1>are increasing, however, and there's a slight chance of rain

0:13:42.960 --> 0:13:45.560
<v Speaker 1>when we were recording this, and there maybe rain next week.

0:13:45.679 --> 0:13:48.320
<v Speaker 1>So thank god for the beaver moon. Thank God for

0:13:48.400 --> 0:13:50.840
<v Speaker 1>the beaver. Should we take a little ad break, Let's

0:13:50.880 --> 0:14:09.400
<v Speaker 1>do it. Hey everybody, and welcome back to Night Call.

0:14:09.720 --> 0:14:12.200
<v Speaker 1>We're gonna talk about something we've been talking about, wanting

0:14:12.200 --> 0:14:15.559
<v Speaker 1>to talk about for as long as we've been podcasting

0:14:16.520 --> 0:14:19.880
<v Speaker 1>The Sopranos. Tess, why don't you tell our listeners about

0:14:19.960 --> 0:14:24.080
<v Speaker 1>your November tradition? Okay, ten years ago I started a tradition,

0:14:24.480 --> 0:14:27.040
<v Speaker 1>and I haven't done it every year. I try to,

0:14:27.280 --> 0:14:30.520
<v Speaker 1>but sometimes, you know, I'm just doing other stuff, as

0:14:30.640 --> 0:14:33.800
<v Speaker 1>one does. But I try to start watching the Sopranos

0:14:33.880 --> 0:14:37.880
<v Speaker 1>right before Thanksgiving, sometimes on Thanksgiving from the beginning. In

0:14:38.120 --> 0:14:40.480
<v Speaker 1>previous years, I start with the pilot and I worked

0:14:40.520 --> 0:14:42.880
<v Speaker 1>my way all the way through and usually I can

0:14:42.960 --> 0:14:44.840
<v Speaker 1>usually get it done by New Year's Like, I'm I'm

0:14:44.880 --> 0:14:48.440
<v Speaker 1>really committed. But this year I took last year off.

0:14:48.560 --> 0:14:50.200
<v Speaker 1>I only dabbled. I didn't watch the whole thing, but

0:14:50.240 --> 0:14:52.480
<v Speaker 1>I watched some this year. I decided that I am

0:14:52.520 --> 0:14:55.360
<v Speaker 1>going to watch it. Well. At first, I was like,

0:14:55.400 --> 0:14:58.800
<v Speaker 1>I might just go with the episodes I remember best

0:14:58.960 --> 0:15:01.240
<v Speaker 1>and then go through all of the episodes and kind

0:15:01.240 --> 0:15:04.480
<v Speaker 1>of a random order and see how that feels. But

0:15:04.600 --> 0:15:07.600
<v Speaker 1>now I think, having watched two of my favorite episodes,

0:15:07.640 --> 0:15:12.120
<v Speaker 1>the finale very divisive obviously, and Kennedy and Heidi, I

0:15:12.160 --> 0:15:14.640
<v Speaker 1>think I might watch the finale that I just watched

0:15:14.640 --> 0:15:19.720
<v Speaker 1>two days ago again and then go backwards through the series. Yeah.

0:15:19.800 --> 0:15:23.440
<v Speaker 1>I know, I'm crazy. I respect this. Thank you. If

0:15:23.480 --> 0:15:27.400
<v Speaker 1>you learn anything new from that, you should tell us immediately.

0:15:27.440 --> 0:15:30.720
<v Speaker 1>That feels like listening to a record back where clocks

0:15:30.760 --> 0:15:34.800
<v Speaker 1>will start, like finning in Revers Twin Peaks, Remix. It

0:15:34.960 --> 0:15:38.840
<v Speaker 1>is um. It's really interesting when you start from a

0:15:38.920 --> 0:15:41.200
<v Speaker 1>strange place in the Sopranos, because it also kind of

0:15:41.200 --> 0:15:44.240
<v Speaker 1>reminds you. I first saw the Sopranos um when I

0:15:44.280 --> 0:15:46.800
<v Speaker 1>was home. I think I might have been in college

0:15:46.880 --> 0:15:50.800
<v Speaker 1>and I was in Connecticut over winter break with my

0:15:50.840 --> 0:15:53.240
<v Speaker 1>mom and she was what she had just gotten really

0:15:53.240 --> 0:15:55.440
<v Speaker 1>into the Sopranos, and it was like on HBO, and

0:15:55.480 --> 0:15:57.800
<v Speaker 1>it was the Tracy episode, which is also one of

0:15:57.840 --> 0:16:00.520
<v Speaker 1>my favorite episodes. And I was like, what is this

0:16:00.560 --> 0:16:03.280
<v Speaker 1>and I sat down and we just watched it kind

0:16:03.280 --> 0:16:05.200
<v Speaker 1>of like even in high school, but anyway, we we

0:16:05.240 --> 0:16:08.040
<v Speaker 1>were like watching it in silence, and it was so

0:16:08.120 --> 0:16:11.440
<v Speaker 1>awkward because the Tracy episode is like, I mean, they're

0:16:11.440 --> 0:16:13.680
<v Speaker 1>all extremely violent, but it was very violent and liked

0:16:13.760 --> 0:16:18.720
<v Speaker 1>to watch Tracy. Oh oh yeah, that's like one of

0:16:18.760 --> 0:16:21.840
<v Speaker 1>the most horrifying. It's a horrifying episode. But it also

0:16:22.480 --> 0:16:26.120
<v Speaker 1>that's the Sopranos for you. That's I think that's that

0:16:26.200 --> 0:16:28.040
<v Speaker 1>might have been one of the first TV episodes that

0:16:28.120 --> 0:16:30.440
<v Speaker 1>ever made me cry. Oh yeah, that was the I

0:16:30.440 --> 0:16:32.760
<v Speaker 1>mean it was so a fact, like it was incredible,

0:16:32.760 --> 0:16:35.000
<v Speaker 1>and I think she's actually a yoga teacher. Now the

0:16:35.040 --> 0:16:38.000
<v Speaker 1>actors who played Tracy every so happened. I'm like, what's

0:16:38.040 --> 0:16:40.880
<v Speaker 1>up with Tracy the actor? Because she's an amazing Actually,

0:16:41.080 --> 0:16:43.360
<v Speaker 1>she's so phenomenal. I don't think i'd seen her in

0:16:43.400 --> 0:16:47.280
<v Speaker 1>anything else since then. Um, but yeah, Tess, you're really

0:16:47.320 --> 0:16:49.960
<v Speaker 1>viewing of the Sopranos made maybe like that's a good idea.

0:16:50.120 --> 0:16:52.680
<v Speaker 1>I'm going to copy you. And then I started doing

0:16:52.680 --> 0:16:56.040
<v Speaker 1>it too. It's a really great holiday thing. Yeah, and

0:16:56.080 --> 0:16:59.200
<v Speaker 1>it's just like I could watch it all the time. Uh,

0:16:59.280 --> 0:17:01.760
<v Speaker 1>and now that we're so far away from it in

0:17:02.400 --> 0:17:06.320
<v Speaker 1>the oversaturated TV world, but like, so few things are

0:17:06.359 --> 0:17:09.520
<v Speaker 1>as good as that. Um, I always say, nothing is

0:17:09.560 --> 0:17:11.960
<v Speaker 1>as good, nothing is as good. But it's always weird

0:17:11.960 --> 0:17:13.879
<v Speaker 1>to me to be like the first batch of shows

0:17:13.920 --> 0:17:16.080
<v Speaker 1>that were prestige shows that I loved, We're all like

0:17:16.440 --> 0:17:19.840
<v Speaker 1>not famous people and just really character driven, we're not

0:17:19.920 --> 0:17:22.120
<v Speaker 1>super high budget, and now it feels like it's turned

0:17:22.119 --> 0:17:24.560
<v Speaker 1>into movies where people are just like whoever spends the

0:17:24.560 --> 0:17:27.000
<v Speaker 1>most is going to win, which also isn't proving to

0:17:27.040 --> 0:17:29.120
<v Speaker 1>be true. And that's one of the things I'm really

0:17:29.119 --> 0:17:32.919
<v Speaker 1>stoked about Elena Smith's show Dickinson doing so well is

0:17:32.960 --> 0:17:36.639
<v Speaker 1>that it is a very specific vision by a specific person,

0:17:37.280 --> 0:17:39.879
<v Speaker 1>which is also what the Sopranos has going forth. So

0:17:40.000 --> 0:17:42.320
<v Speaker 1>you're you guys are going to murder me for saying this,

0:17:42.400 --> 0:17:45.240
<v Speaker 1>but like I did watch I actually started watching Sopranos

0:17:45.359 --> 0:17:48.080
<v Speaker 1>a couple of months ago, and just like watched about

0:17:48.200 --> 0:17:50.000
<v Speaker 1>I think I watched the first season, or maybe I

0:17:50.000 --> 0:17:52.600
<v Speaker 1>didn't get through the entire first season, but like one

0:17:52.600 --> 0:17:54.520
<v Speaker 1>thing that I was struck by because I haven't watched

0:17:54.520 --> 0:17:57.920
<v Speaker 1>it rewatched nearly as much as you guys. But man,

0:17:58.119 --> 0:17:59.879
<v Speaker 1>you don't have to go back too far for this.

0:18:00.240 --> 0:18:03.400
<v Speaker 1>But Sopranos is a great example of it. TV shows

0:18:03.400 --> 0:18:07.679
<v Speaker 1>that are actually shot on film. There's like a nice

0:18:07.760 --> 0:18:10.720
<v Speaker 1>feeling there and you can you can you can taste

0:18:10.800 --> 0:18:13.240
<v Speaker 1>the difference. I mean, it's true. It's also like it

0:18:13.320 --> 0:18:16.919
<v Speaker 1>makes New Jersey look like the most beautiful in the world,

0:18:17.000 --> 0:18:19.359
<v Speaker 1>and New Jersey is beautiful and it's weird. I was

0:18:19.359 --> 0:18:21.640
<v Speaker 1>always trying to convince my folks to move to New

0:18:21.720 --> 0:18:24.840
<v Speaker 1>Jersey because I was like, it's so cool because you

0:18:24.880 --> 0:18:27.120
<v Speaker 1>could just go into New York and then you get

0:18:27.160 --> 0:18:30.000
<v Speaker 1>to be in beautiful New Jersey. And they just like

0:18:30.040 --> 0:18:32.960
<v Speaker 1>relentlessly made fun of me because they were like, yeah,

0:18:32.720 --> 0:18:35.240
<v Speaker 1>you just can't even you can't say that. It's like,

0:18:35.280 --> 0:18:38.200
<v Speaker 1>but it is. It's very beautiful in New Jersey. It's

0:18:38.280 --> 0:18:40.920
<v Speaker 1>just across the river, but it's a thousand miles away.

0:18:40.920 --> 0:18:44.600
<v Speaker 1>It's true. Um, but yeah, we I'm in a force

0:18:44.720 --> 0:18:48.000
<v Speaker 1>Emily and Molly to be watching more Sopranos throughout the

0:18:48.000 --> 0:18:50.600
<v Speaker 1>next couple of months. Um. But I did want to

0:18:50.640 --> 0:18:54.200
<v Speaker 1>recommend if you are just wanting to watch a single episode.

0:18:54.240 --> 0:18:57.600
<v Speaker 1>I'm going to make them recommend which ones they love

0:18:57.680 --> 0:19:00.000
<v Speaker 1>the most, But I'm I'm going to stand for Kennedy

0:19:00.080 --> 0:19:03.080
<v Speaker 1>and Heidi as one of my favorite episodes. It's the

0:19:03.240 --> 0:19:07.040
<v Speaker 1>eighty three I believe episodes. It was in the sixth season. Um,

0:19:07.080 --> 0:19:10.119
<v Speaker 1>but it's great for a number of reasons. It's a

0:19:10.160 --> 0:19:13.960
<v Speaker 1>lot happens, uh and what happened? I dragged my memory

0:19:14.000 --> 0:19:16.200
<v Speaker 1>because it's been a way long time since I watched

0:19:16.200 --> 0:19:19.640
<v Speaker 1>a sixth season of The Sopranos. Okay, spoiler alert, go

0:19:19.720 --> 0:19:22.520
<v Speaker 1>away if you if you don't know anything about The Sopranos,

0:19:22.560 --> 0:19:26.040
<v Speaker 1>go away. It is comfortably numbs is playing in the

0:19:26.080 --> 0:19:30.680
<v Speaker 1>car with Tony and Christopher when Kennedy and Heidi are

0:19:30.720 --> 0:19:33.480
<v Speaker 1>two teens and they just are in this it's titled

0:19:33.560 --> 0:19:36.119
<v Speaker 1>Kennedy and Heidi, but they're just like two teenagers on

0:19:36.160 --> 0:19:39.280
<v Speaker 1>their learners permit driving at night, and you see them

0:19:39.320 --> 0:19:42.280
<v Speaker 1>for a brief second. They're having a conversation, at which

0:19:42.320 --> 0:19:45.840
<v Speaker 1>point Christopher is driving the car. He swerves to avoid them,

0:19:45.840 --> 0:19:50.720
<v Speaker 1>the car rolls over, and then something else happens that

0:19:50.840 --> 0:19:53.280
<v Speaker 1>I just can't bring myself to spoil. It's such an

0:19:53.280 --> 0:19:56.000
<v Speaker 1>interesting one for you to be like, watch the climactic

0:19:56.080 --> 0:19:58.600
<v Speaker 1>point of the series. Well, I don't know if you should.

0:19:58.840 --> 0:20:01.199
<v Speaker 1>If you haven't ever seen in the Sopranos, obviously you

0:20:01.280 --> 0:20:03.320
<v Speaker 1>have to start from the pilot and work your way through.

0:20:03.359 --> 0:20:05.760
<v Speaker 1>But if you've seen the Sopranos and you want to

0:20:05.840 --> 0:20:09.240
<v Speaker 1>like dip back, dip back in, I there's also because

0:20:09.520 --> 0:20:13.120
<v Speaker 1>so Paul, you know, Polly's adopted mother has recently passed away.

0:20:13.160 --> 0:20:15.840
<v Speaker 1>She's having a dueling funeral with another main character who

0:20:15.880 --> 0:20:17.399
<v Speaker 1>has also died. And I feel like there are no

0:20:17.480 --> 0:20:20.159
<v Speaker 1>bad episodes. There are no bad episodes. But also I

0:20:20.160 --> 0:20:24.360
<v Speaker 1>think in Kennedy and Heidi, the cat who stares at

0:20:24.720 --> 0:20:27.560
<v Speaker 1>um a picture and miaw is a lot, I think

0:20:27.560 --> 0:20:29.840
<v Speaker 1>that that or maybe that's in the finale, but that

0:20:29.920 --> 0:20:32.480
<v Speaker 1>was like another one of my favorite elements is like

0:20:32.560 --> 0:20:38.480
<v Speaker 1>the animals who are reincarnations of people who have passed um. Yes, So, anyway,

0:20:38.760 --> 0:20:40.800
<v Speaker 1>we are all going to be watching the Sopranos for

0:20:40.840 --> 0:20:42.720
<v Speaker 1>months and months, and you are invited to join. And

0:20:42.720 --> 0:20:45.080
<v Speaker 1>if you have thoughts about the Sopranos, give us a

0:20:45.080 --> 0:20:47.480
<v Speaker 1>call at two four oh four six night. I think

0:20:47.480 --> 0:20:49.320
<v Speaker 1>I know which one I'm when I rewatch which one,

0:20:49.440 --> 0:20:51.639
<v Speaker 1>which I don't think is a good episode. I picked

0:20:51.640 --> 0:20:54.639
<v Speaker 1>a weird up. I did Mr Ruggierro's Neighborhood, which is

0:20:54.680 --> 0:20:57.760
<v Speaker 1>the season three opener, which is like about the FBI

0:20:57.840 --> 0:21:00.960
<v Speaker 1>bugging the house uh as a aiming device, so it's

0:21:01.040 --> 0:21:04.320
<v Speaker 1>like only intermittently about any of the main characters. But

0:21:04.520 --> 0:21:07.200
<v Speaker 1>it features one of my favorite moments of the whole show,

0:21:07.480 --> 0:21:10.080
<v Speaker 1>which is Tony singing dirty Work by Steely Dan alone

0:21:10.119 --> 0:21:13.800
<v Speaker 1>in his car. It's just like a ten second getaway.

0:21:14.320 --> 0:21:16.719
<v Speaker 1>That's one of the best parts of the show. And

0:21:16.800 --> 0:21:20.880
<v Speaker 1>I watched things around the Sopranos like The Matrix, which

0:21:20.920 --> 0:21:24.280
<v Speaker 1>co stars Joe Pantoliano right of course, and the movie Fallen,

0:21:24.520 --> 0:21:29.840
<v Speaker 1>which co stars Uh, James Candalfeni and Aita Tutuo as

0:21:30.640 --> 0:21:32.639
<v Speaker 1>I love Jannis. The other another really good one is

0:21:32.680 --> 0:21:35.399
<v Speaker 1>the Janis under the Boardwalk thing, but well, yeah, I'll

0:21:35.440 --> 0:21:36.960
<v Speaker 1>get into that later. Emily, what were you going to?

0:21:37.160 --> 0:21:38.960
<v Speaker 1>Which one were you going to start with? I don't

0:21:38.960 --> 0:21:40.960
<v Speaker 1>know the title of the episode off the top of

0:21:41.000 --> 0:21:44.040
<v Speaker 1>my head, but it's the one where Christopher is gonna

0:21:44.160 --> 0:21:48.960
<v Speaker 1>write a movie. Yes, I just remember that. The closing

0:21:48.960 --> 0:21:54.240
<v Speaker 1>credits on that are Cake, Frank Sinatra and for some

0:21:54.320 --> 0:21:56.320
<v Speaker 1>reason that like stuck in my head. I thought that

0:21:56.359 --> 0:21:58.720
<v Speaker 1>was like the most epic like black cut to credits

0:21:58.840 --> 0:22:01.320
<v Speaker 1>that I had ever seen a very they were so good.

0:22:01.359 --> 0:22:04.960
<v Speaker 1>That was one of their their finest little flares. Song

0:22:05.040 --> 0:22:08.520
<v Speaker 1>by Cake. Oh great song. Yeah, put it on many

0:22:08.520 --> 0:22:12.720
<v Speaker 1>A Mix CD. Yeah. Before we wrap up the Sopranos segment,

0:22:12.760 --> 0:22:15.760
<v Speaker 1>we did get a night text I believe. I don't

0:22:15.800 --> 0:22:18.119
<v Speaker 1>know that their night text or gave a name, but

0:22:18.160 --> 0:22:20.600
<v Speaker 1>they say, hey, night call. Just wanted to share that

0:22:20.680 --> 0:22:24.080
<v Speaker 1>people always forget that Polly's car horn is the theme

0:22:24.160 --> 0:22:26.960
<v Speaker 1>from the Godfather, And that's one of my favorite small

0:22:27.000 --> 0:22:30.320
<v Speaker 1>things on the show is that that's a and that's

0:22:30.320 --> 0:22:33.040
<v Speaker 1>a real car horn, Like that's a that's a thing you. Oh,

0:22:33.080 --> 0:22:35.760
<v Speaker 1>you can get a car one that does a song. Yeah. Here,

0:22:35.840 --> 0:22:38.480
<v Speaker 1>there's a cuaracha one you hear sometimes. Yeah, that one's

0:22:38.680 --> 0:22:40.200
<v Speaker 1>that was very common out here, but I feel like

0:22:40.200 --> 0:22:46.960
<v Speaker 1>I've heard the Godfather one in New York. Yeah. Well yeah,

0:22:47.000 --> 0:22:49.240
<v Speaker 1>Well we're going to take a quick break and when

0:22:49.240 --> 0:22:51.800
<v Speaker 1>we come back, we'll be talking with Tom O'Neil. Our

0:22:51.840 --> 0:23:09.560
<v Speaker 1>guest this week joining us now is author Tom O'Neil,

0:23:09.720 --> 0:23:12.760
<v Speaker 1>author of the book Chaos Charles Manson, The CIA and

0:23:12.800 --> 0:23:15.680
<v Speaker 1>the Secret History of the Sixties with co author Dan

0:23:15.800 --> 0:23:20.800
<v Speaker 1>Pipe and Bring and Ring. Welcome Tom, thank you, thanks

0:23:20.800 --> 0:23:24.480
<v Speaker 1>for having me, Thanks for having us, Thanks for taking

0:23:24.560 --> 0:23:27.520
<v Speaker 1>us on this journey. People were suggesting Chaos to us

0:23:27.640 --> 0:23:29.840
<v Speaker 1>before we even picked it as a book club book

0:23:29.840 --> 0:23:31.520
<v Speaker 1>because they were like, you just should talk about this

0:23:31.560 --> 0:23:33.320
<v Speaker 1>book on your show because you talk about all the

0:23:33.359 --> 0:23:36.760
<v Speaker 1>things in it anyway, And then we all just crunched it.

0:23:37.760 --> 0:23:41.040
<v Speaker 1>Thank you, guys, crunched it, finished it today. Perhaps we

0:23:41.080 --> 0:23:43.440
<v Speaker 1>went on the spree. Yeah, so this is our book

0:23:43.440 --> 0:23:47.080
<v Speaker 1>club pick this month for our Patreon and Molly had

0:23:47.080 --> 0:23:49.840
<v Speaker 1>already read it. She's been on a Manson journey UM

0:23:49.880 --> 0:23:52.840
<v Speaker 1>and a Laurel Canyon journey also, so she had read

0:23:52.840 --> 0:23:55.920
<v Speaker 1>the book. But then Emily and I had about two weeks.

0:23:56.119 --> 0:23:59.679
<v Speaker 1>So in a way it worked out really well because

0:24:00.040 --> 0:24:03.560
<v Speaker 1>we two became very obsessed, had no choice. I could

0:24:03.600 --> 0:24:07.280
<v Speaker 1>feel horrible, I mean if I'm responsible, but no, it

0:24:07.400 --> 0:24:10.040
<v Speaker 1>was great. We all I think highly recommend. This is

0:24:10.080 --> 0:24:12.800
<v Speaker 1>a very night call book and it's it's super readable,

0:24:13.880 --> 0:24:21.560
<v Speaker 1>but it also leaves you feeling so confused. Yeah, tell us,

0:24:21.600 --> 0:24:23.480
<v Speaker 1>I mean just for readers who haven't aren't familiar with

0:24:23.480 --> 0:24:26.200
<v Speaker 1>the book yet if you just give us. We were saying,

0:24:26.200 --> 0:24:30.160
<v Speaker 1>this is probably hard, but the elevator pitch on this

0:24:30.280 --> 0:24:34.440
<v Speaker 1>massive book about conspiracies and you know, graph charts and

0:24:34.480 --> 0:24:36.920
<v Speaker 1>everything else that you put together. It didn't begin as

0:24:36.920 --> 0:24:40.760
<v Speaker 1>a conspiracy book and began as a magazine assignment that

0:24:40.960 --> 0:24:44.800
<v Speaker 1>was supposed to commemorate the then thirty anniversary of the

0:24:44.840 --> 0:24:48.959
<v Speaker 1>crimes in and I was just looking at different ways

0:24:49.080 --> 0:24:51.760
<v Speaker 1>to make that story interesting because it had been written

0:24:51.800 --> 0:24:54.879
<v Speaker 1>to death obviously, and I didn't even want to do it,

0:24:54.920 --> 0:24:58.680
<v Speaker 1>but I took it. And the kind of elevator pitch

0:24:58.840 --> 0:25:02.520
<v Speaker 1>is I went on a rabbit hole and never got

0:25:02.560 --> 0:25:09.840
<v Speaker 1>out for years. Exact interviews we set a thousand because

0:25:09.840 --> 0:25:12.200
<v Speaker 1>we decided if I told the true number, I look

0:25:12.240 --> 0:25:15.160
<v Speaker 1>even more crazy. And it's also how do you define

0:25:15.160 --> 0:25:19.040
<v Speaker 1>an interview? Is it like so many people hung up

0:25:19.080 --> 0:25:21.280
<v Speaker 1>at me or shut doors in my face, but I

0:25:21.320 --> 0:25:27.040
<v Speaker 1>get one sentence from them before, but multiple thousands, you know,

0:25:27.560 --> 0:25:30.320
<v Speaker 1>people that I returned to an interviewed again and again

0:25:31.320 --> 0:25:35.480
<v Speaker 1>who agreed to talk. It almost got into a thousand, probably,

0:25:35.560 --> 0:25:39.399
<v Speaker 1>but the one hits are some of them? Yeah, they

0:25:39.440 --> 0:25:42.040
<v Speaker 1>weren't the pleasantest ones, and there's so much that didn't

0:25:42.119 --> 0:25:44.679
<v Speaker 1>end up in the book. But what happened was I

0:25:44.720 --> 0:25:49.080
<v Speaker 1>found out that the prosecutor, Vincent Bugliosi, who became famous

0:25:49.440 --> 0:25:52.440
<v Speaker 1>at the trial and with his book Helter Skelter, which

0:25:52.480 --> 0:25:55.679
<v Speaker 1>to this day is the number one true best selling

0:25:55.720 --> 0:25:58.920
<v Speaker 1>true crime book of all time. Let's say he cut

0:25:58.960 --> 0:26:02.359
<v Speaker 1>some corners. That's a polite way, but the true way

0:26:02.520 --> 0:26:05.480
<v Speaker 1>is he subordined perjury during the during the case and

0:26:06.520 --> 0:26:11.639
<v Speaker 1>hit evidence, fabricated evidence, manipulated witnesses, threatened people, et cetera.

0:26:12.240 --> 0:26:14.480
<v Speaker 1>And when I found that out in the beginning, like

0:26:14.520 --> 0:26:17.399
<v Speaker 1>in the first year, that's when things started taking a

0:26:17.440 --> 0:26:21.560
<v Speaker 1>lot of detours, and I started uncovering other stuff connected

0:26:21.600 --> 0:26:25.520
<v Speaker 1>to other historical events and found out that there was

0:26:25.560 --> 0:26:29.480
<v Speaker 1>a good possibility that there were darker forces at work

0:26:29.560 --> 0:26:32.439
<v Speaker 1>than just a crazy, quote unquote hippie guy who was

0:26:32.560 --> 0:26:35.600
<v Speaker 1>telling his followers what to do for him. That might

0:26:35.720 --> 0:26:37.840
<v Speaker 1>explain it. Yeah, I mean, I think one of the

0:26:37.880 --> 0:26:41.240
<v Speaker 1>things that sets this book apart is how much your

0:26:41.320 --> 0:26:44.280
<v Speaker 1>voice and your own skepticism about what your reporting comes

0:26:44.320 --> 0:26:46.720
<v Speaker 1>through and just you know, by the time you're starting

0:26:46.720 --> 0:26:49.119
<v Speaker 1>to get into the g f K assassination. Even in

0:26:49.480 --> 0:26:52.080
<v Speaker 1>you're in the moment, you're like, oh God, I'm getting

0:26:52.119 --> 0:26:55.240
<v Speaker 1>into the GfK assassination. It just has this thing of

0:26:55.400 --> 0:26:58.040
<v Speaker 1>you note you can see, you know, the next year

0:26:58.080 --> 0:27:00.800
<v Speaker 1>of reporting or more, because it really in ability to

0:27:01.359 --> 0:27:03.840
<v Speaker 1>for us all we've all done some interviewing. Just the

0:27:03.880 --> 0:27:08.199
<v Speaker 1>idea of getting addicted to interviewing people, Yeah, obsessed with

0:27:08.280 --> 0:27:11.640
<v Speaker 1>just reporting, getting addicted to the reporting. Especially when you're

0:27:11.680 --> 0:27:15.399
<v Speaker 1>like a freelance journalist doing celebrity interviews that some of

0:27:15.480 --> 0:27:19.680
<v Speaker 1>us also may have been trying to do something more important.

0:27:19.720 --> 0:27:22.159
<v Speaker 1>You're like, oh, I gotta like that's going to be

0:27:22.200 --> 0:27:25.679
<v Speaker 1>the thing that's going to get me out of this. Yeah, exactly.

0:27:25.800 --> 0:27:31.880
<v Speaker 1>So you also got your haircut three times just to interview. Yeah. Yeah.

0:27:33.200 --> 0:27:36.200
<v Speaker 1>One of the stylists to the Stars, Little Joe, who

0:27:36.440 --> 0:27:40.080
<v Speaker 1>charged a lot of money. But my magazine, which doesn't

0:27:40.119 --> 0:27:42.280
<v Speaker 1>exist anymore, I think I put them out of business.

0:27:42.359 --> 0:27:46.520
<v Speaker 1>To Premiere was a monthly film magazine. They were the

0:27:46.520 --> 0:27:49.560
<v Speaker 1>ones that assigned it. I had an expense account, so

0:27:49.800 --> 0:27:53.520
<v Speaker 1>I told them before. You know, I always would take

0:27:53.520 --> 0:27:55.680
<v Speaker 1>people for meals and stuff like that, but that seemed

0:27:55.720 --> 0:27:58.840
<v Speaker 1>a lot. It is also like you're telling tales of

0:27:58.960 --> 0:28:01.800
<v Speaker 1>like a land are away that none of us have ever.

0:28:02.240 --> 0:28:09.400
<v Speaker 1>Don't magazines give you a budget and they're like, it was, well,

0:28:09.440 --> 0:28:12.760
<v Speaker 1>they didn't. They did in this case, but it wasn't you.

0:28:13.520 --> 0:28:16.040
<v Speaker 1>It was an anomaly that they let me do that

0:28:16.160 --> 0:28:19.080
<v Speaker 1>because I got the editor in chiefs as obsessed as

0:28:19.119 --> 0:28:21.840
<v Speaker 1>I was and as desperate to get out of I

0:28:21.880 --> 0:28:26.160
<v Speaker 1>think entertainment journalism, because he really believed believed in the story.

0:28:26.480 --> 0:28:29.840
<v Speaker 1>But the expense account that I got from Premiere, I

0:28:29.920 --> 0:28:33.000
<v Speaker 1>ended up having to reimburse them for all those hundred

0:28:33.000 --> 0:28:37.600
<v Speaker 1>dollar haircuts and everything else. When the whole thing fell apart. Well,

0:28:37.640 --> 0:28:41.080
<v Speaker 1>I'm still kind of in the process of reimbursing pay

0:28:41.200 --> 0:28:45.400
<v Speaker 1>there's no Premiere anymore. That's actually we'll talk about that.

0:28:45.440 --> 0:28:50.640
<v Speaker 1>When it was complicated, At what point did you become

0:28:50.760 --> 0:28:53.640
<v Speaker 1>obsessed enough and have enough information that was knew that

0:28:53.680 --> 0:28:56.000
<v Speaker 1>you could get your editor in chief to agree that

0:28:56.040 --> 0:28:58.880
<v Speaker 1>this was worth Really just a couple of months in.

0:28:59.200 --> 0:29:01.840
<v Speaker 1>Really I had some big breaks a couple of months in,

0:29:02.560 --> 0:29:05.040
<v Speaker 1>but then you know, stuff will kind of level off

0:29:05.520 --> 0:29:09.520
<v Speaker 1>and then something else would happen. It was a magazine

0:29:09.560 --> 0:29:13.160
<v Speaker 1>story for almost two years, I think eighteen months after

0:29:13.200 --> 0:29:16.600
<v Speaker 1>I missed the first three month deadline. Jim, the editor

0:29:16.600 --> 0:29:18.680
<v Speaker 1>in chief, who believed in this, and really I wouldn't

0:29:18.720 --> 0:29:21.800
<v Speaker 1>be sitting here now if he hadn't. Uh. He just

0:29:21.960 --> 0:29:25.440
<v Speaker 1>gave me an open contract. He paid me monthly to

0:29:25.560 --> 0:29:28.360
<v Speaker 1>keep reporting, so I would report back to him every

0:29:28.360 --> 0:29:31.560
<v Speaker 1>month or two. You know, we blew the thirtieth anniversary

0:29:31.640 --> 0:29:36.640
<v Speaker 1>deadline in the beginning, and it wasn't until he got

0:29:36.680 --> 0:29:41.320
<v Speaker 1>fired from the corporate owners for let's say, probably the

0:29:41.440 --> 0:29:45.200
<v Speaker 1>story that the new guy came in and said we

0:29:45.240 --> 0:29:47.600
<v Speaker 1>wanted in a month or two. And at that point

0:29:47.680 --> 0:29:51.080
<v Speaker 1>I obtained a book agent and I said, I can't

0:29:51.080 --> 0:29:53.719
<v Speaker 1>report this stuff now because I'm giving too much away

0:29:53.840 --> 0:29:57.120
<v Speaker 1>without the answers. So give me another couple of years,

0:29:57.200 --> 0:29:59.440
<v Speaker 1>give me a book deal, and then we'll reimburse Premiere.

0:30:00.040 --> 0:30:02.200
<v Speaker 1>He said, I can get you out of your obligation

0:30:02.280 --> 0:30:05.960
<v Speaker 1>to them, but later we'll have to resolve that. Later

0:30:06.080 --> 0:30:09.520
<v Speaker 1>is now. So this was originally supposed to be, as

0:30:09.560 --> 0:30:11.880
<v Speaker 1>you said, a thirtieth anniversary story, and now it's a

0:30:11.920 --> 0:30:15.000
<v Speaker 1>fiftieth anniversary story. And so you know it being an

0:30:15.000 --> 0:30:18.520
<v Speaker 1>anniversary year of the Tate La Bianca murders and um

0:30:18.560 --> 0:30:21.000
<v Speaker 1>the trial and everything. You know, it's it's been very

0:30:21.080 --> 0:30:23.320
<v Speaker 1>much in the air. Your book is a part of

0:30:23.360 --> 0:30:26.960
<v Speaker 1>a bunch of stuff that's been came out about not

0:30:27.040 --> 0:30:29.760
<v Speaker 1>only the last fifth of the moment. I have to

0:30:29.800 --> 0:30:33.040
<v Speaker 1>say that reading your book really put that movie in

0:30:33.080 --> 0:30:35.200
<v Speaker 1>a new light for me, of like it being just

0:30:35.280 --> 0:30:39.479
<v Speaker 1>such a fairy tale, especially with regards to just Sharon

0:30:39.560 --> 0:30:41.640
<v Speaker 1>and what was going on with her personally at the time,

0:30:42.120 --> 0:30:44.880
<v Speaker 1>and made a lot of sense to me, you know

0:30:44.960 --> 0:30:47.160
<v Speaker 1>that the maybe a pregnant woman wouldn't want to be

0:30:47.200 --> 0:30:50.320
<v Speaker 1>living at like a party house, right, especially with that

0:30:50.400 --> 0:30:53.600
<v Speaker 1>kind of there was violence at that Yeah, but even

0:30:53.640 --> 0:30:55.760
<v Speaker 1>I feel like in some of the other books, like

0:30:55.800 --> 0:30:57.920
<v Speaker 1>I've been reading The Family by Ed Sanders as well,

0:30:58.200 --> 0:31:00.640
<v Speaker 1>just that you know, they sort of loss over that

0:31:00.680 --> 0:31:03.760
<v Speaker 1>aspect of it more because Polanski was still sort of

0:31:03.800 --> 0:31:09.680
<v Speaker 1>playing the grieving husband for a long time. Yeah, obviously

0:31:09.720 --> 0:31:13.160
<v Speaker 1>there's been other things about Polanski that, Yeah, I feel

0:31:13.200 --> 0:31:14.840
<v Speaker 1>like a lot of it is a sort of armchair

0:31:15.000 --> 0:31:18.360
<v Speaker 1>psychology that everybody has about Roman Polansky just being this

0:31:18.440 --> 0:31:20.720
<v Speaker 1>like extraordinarily fucked up person who had a lot of

0:31:20.720 --> 0:31:23.400
<v Speaker 1>fund up stuff happened to him, but also obviously did

0:31:23.400 --> 0:31:25.640
<v Speaker 1>a lot of funked up stuff and you know, wanting

0:31:25.680 --> 0:31:28.719
<v Speaker 1>to understand him as a victim in that in that moment,

0:31:28.840 --> 0:31:32.040
<v Speaker 1>just because it was so horrific. You know, it's obviously

0:31:32.080 --> 0:31:34.640
<v Speaker 1>so much more complicated, and that moment where it's like, oh,

0:31:34.680 --> 0:31:36.920
<v Speaker 1>it wasn't the end of the innocence because like a

0:31:36.960 --> 0:31:42.000
<v Speaker 1>lot of Yeah, what's interesting about the Sharon and Romans

0:31:42.080 --> 0:31:46.760
<v Speaker 1>stuff is UM the UK Publishers, which was Penguin Random House,

0:31:47.600 --> 0:31:51.120
<v Speaker 1>ironically the same company that UM sued me when I

0:31:51.120 --> 0:31:54.120
<v Speaker 1>didn't deliver when it became a book deal. This is

0:31:54.160 --> 0:31:57.520
<v Speaker 1>all in the book if your listeners read it. About

0:31:57.640 --> 0:32:00.400
<v Speaker 1>seven years into that deal, the same thing happened. The

0:32:00.400 --> 0:32:03.680
<v Speaker 1>publisher pulled the plug on it, canceled the project and

0:32:03.720 --> 0:32:06.320
<v Speaker 1>that was devastating, and then they sued me for a

0:32:06.360 --> 0:32:10.680
<v Speaker 1>return of the advance, which was horrible. And but when

0:32:10.680 --> 0:32:16.240
<v Speaker 1>we sold it in seventeen to Little Brown Penguin, actually

0:32:16.280 --> 0:32:18.760
<v Speaker 1>the same publisher who had sued me, and that had

0:32:18.800 --> 0:32:21.640
<v Speaker 1>taken two years to resolve. For the first ones to

0:32:21.680 --> 0:32:24.520
<v Speaker 1>make an offer for it didn't make any sense. I

0:32:24.520 --> 0:32:29.400
<v Speaker 1>thought I was being and they offered exactly as much

0:32:29.440 --> 0:32:31.600
<v Speaker 1>as Little Brown did, and I said to my agent,

0:32:32.560 --> 0:32:35.840
<v Speaker 1>I can't even consider this unless they offer more as

0:32:35.880 --> 0:32:38.560
<v Speaker 1>a sign of good faith. And he said that's reasonable.

0:32:39.360 --> 0:32:41.720
<v Speaker 1>He said how much more? And I said, don't tell them,

0:32:41.720 --> 0:32:43.800
<v Speaker 1>but I'd be even happy with five or ten grand,

0:32:43.880 --> 0:32:48.200
<v Speaker 1>just you know, something symbolic. They wouldn't even do that,

0:32:48.600 --> 0:32:51.400
<v Speaker 1>and I told him to go to hell. So then

0:32:51.440 --> 0:32:55.800
<v Speaker 1>their UK branch bought the UK rights of this, you know,

0:32:56.160 --> 0:32:58.479
<v Speaker 1>so they published it there and the only thing their

0:32:58.560 --> 0:33:01.240
<v Speaker 1>lawyers had a problem within the book, and it was

0:33:01.240 --> 0:33:07.320
<v Speaker 1>a serious problem, was everything about Roman mistreating Sharon. And yeah, well,

0:33:07.360 --> 0:33:09.960
<v Speaker 1>I think I hate to admit this. I had to,

0:33:10.080 --> 0:33:11.840
<v Speaker 1>you know, I had to give in to the lawyers

0:33:11.920 --> 0:33:14.520
<v Speaker 1>over there. The libel laws are much stronger, and he's

0:33:14.520 --> 0:33:18.000
<v Speaker 1>successfully sue advanity fair. I think we've seen also that

0:33:18.080 --> 0:33:20.200
<v Speaker 1>one of the ways that people keep stories like that

0:33:20.280 --> 0:33:22.800
<v Speaker 1>out of the press, it's by being like, well, it's unapprovable.

0:33:24.040 --> 0:33:27.360
<v Speaker 1>How did Weinstein keep anyone from reporting on that on

0:33:27.480 --> 0:33:29.720
<v Speaker 1>his you know, being a rapist for so long? It's

0:33:29.760 --> 0:33:33.800
<v Speaker 1>because they would go after anyone who intimated anything being

0:33:33.800 --> 0:33:38.000
<v Speaker 1>like him. But that also seems so futile, because even

0:33:38.040 --> 0:33:41.200
<v Speaker 1>as recently as last week, there was another rebelligation against

0:33:41.240 --> 0:33:43.880
<v Speaker 1>Herman plants. I know they're like, yeah, I got in touch.

0:33:44.000 --> 0:33:46.479
<v Speaker 1>A woman got in touch with me. A lot of

0:33:46.880 --> 0:33:48.840
<v Speaker 1>people that are kind of crazy get in touch with me.

0:33:48.920 --> 0:33:51.600
<v Speaker 1>Since the book has come out, this woman sounds legit.

0:33:52.160 --> 0:33:54.760
<v Speaker 1>She's gotten some press. She says she was raped by

0:33:54.840 --> 0:33:58.760
<v Speaker 1>him in Hollywood when she was I think fifteen, and

0:33:59.480 --> 0:34:01.800
<v Speaker 1>you know she than sending me stuff. I get a

0:34:01.800 --> 0:34:04.800
<v Speaker 1>lot of that. But you know, they were so scared

0:34:04.840 --> 0:34:08.520
<v Speaker 1>of him over there that I'll tell all of your

0:34:08.560 --> 0:34:10.520
<v Speaker 1>people if they're I don't know. If you have listeners

0:34:10.520 --> 0:34:13.200
<v Speaker 1>in the UK, try to get the United States version

0:34:14.719 --> 0:34:18.000
<v Speaker 1>if they read Polish, even the Poland version, which is

0:34:18.040 --> 0:34:20.840
<v Speaker 1>you know, his home country, and we sold that quickly

0:34:20.920 --> 0:34:24.080
<v Speaker 1>to the rights they didn't ask for any change. Is

0:34:24.239 --> 0:34:27.960
<v Speaker 1>just in UK shocked. The UK libel laws are hard

0:34:27.960 --> 0:34:30.319
<v Speaker 1>because I feel like they published crazy thing. Yeah, well

0:34:30.400 --> 0:34:34.480
<v Speaker 1>you have the tabloids. But that was a compromise I

0:34:34.520 --> 0:34:36.600
<v Speaker 1>had to make. So if your listeners are going to

0:34:36.719 --> 0:34:38.600
<v Speaker 1>get the book and they're in the UK, I don't

0:34:38.640 --> 0:34:41.319
<v Speaker 1>know how easy it is to buy an American version

0:34:41.360 --> 0:34:44.360
<v Speaker 1>on Amazon. I mean imagine it's just more shipping fees.

0:34:45.080 --> 0:34:48.160
<v Speaker 1>Get that one. Maybe you can download the American version

0:34:48.840 --> 0:34:53.399
<v Speaker 1>and give it away from free. Um. Speaking of lawsuits,

0:34:53.440 --> 0:34:56.200
<v Speaker 1>how many? So I know like BULIOSI threatened you with

0:34:56.440 --> 0:35:00.600
<v Speaker 1>what a d million dollars lawsuits? That was one figure

0:35:00.680 --> 0:35:03.080
<v Speaker 1>he threw out, but he basically said you'll be working

0:35:03.120 --> 0:35:05.600
<v Speaker 1>for me the rest of your life. And to Penguin

0:35:06.000 --> 0:35:08.919
<v Speaker 1>who were still was still my publisher, then he said,

0:35:08.960 --> 0:35:12.200
<v Speaker 1>I will own your company and every prophet, any of

0:35:12.200 --> 0:35:16.080
<v Speaker 1>your books made in perpetuity. My family will if you

0:35:16.640 --> 0:35:20.879
<v Speaker 1>published this band's book. So um, yeah, he was trying

0:35:20.920 --> 0:35:24.600
<v Speaker 1>to scare me. I would like to corroborate that Bilioc

0:35:24.880 --> 0:35:26.799
<v Speaker 1>is a crank. According to a friend of mine who

0:35:26.800 --> 0:35:30.319
<v Speaker 1>worked at the Lemley Pasadena, I love these stories, and

0:35:30.320 --> 0:35:32.920
<v Speaker 1>he said Biglio would come in and like throw a

0:35:32.960 --> 0:35:35.200
<v Speaker 1>fit at the staff and be like don't you know

0:35:35.239 --> 0:35:37.839
<v Speaker 1>who I am? Really? Yeah, like all the time, and

0:35:37.880 --> 0:35:42.560
<v Speaker 1>be like read Voltaire, Oh my lord. He was mentally ill.

0:35:42.640 --> 0:35:46.400
<v Speaker 1>I truly believe it. Mentally well, well, all the stuff

0:35:46.400 --> 0:35:49.000
<v Speaker 1>about you know, everything that came out when he what

0:35:49.040 --> 0:35:51.839
<v Speaker 1>was he running for for d A And there were

0:35:51.840 --> 0:35:55.759
<v Speaker 1>two different cases he was involved in and he was

0:35:55.840 --> 0:35:58.839
<v Speaker 1>running for office. I mean he was kind of like

0:35:58.880 --> 0:36:01.000
<v Speaker 1>Trump is now. I mean he was just fearful of

0:36:01.120 --> 0:36:04.680
<v Speaker 1>repercussions and thought he was above the law. And the

0:36:04.760 --> 0:36:08.160
<v Speaker 1>Milkman case and the mistress case both really were the

0:36:08.200 --> 0:36:12.360
<v Speaker 1>reasons he He might not have one anyway, because everybody

0:36:12.480 --> 0:36:16.319
<v Speaker 1>in Los Angeles, especially in law enforcement at the d

0:36:16.320 --> 0:36:19.479
<v Speaker 1>a's office, knew he was crazy. He was only there.

0:36:19.920 --> 0:36:22.440
<v Speaker 1>People don't understand that he was only there like six years.

0:36:22.520 --> 0:36:25.000
<v Speaker 1>He left as soon as he finished this case because

0:36:25.000 --> 0:36:28.480
<v Speaker 1>he wanted to be more famous. But Buck Compton, who

0:36:28.520 --> 0:36:31.360
<v Speaker 1>was the famous uh I forget what they called managing

0:36:32.000 --> 0:36:35.400
<v Speaker 1>d a's guy who assigned the attorneys. I interviewed him

0:36:35.480 --> 0:36:37.400
<v Speaker 1>and he said it was the biggest mistake in my

0:36:37.560 --> 0:36:40.560
<v Speaker 1>career to assign that case. Events. He said, I created

0:36:40.600 --> 0:36:43.319
<v Speaker 1>that monster. Yeah, yeah, I mean I think what you

0:36:43.400 --> 0:36:46.160
<v Speaker 1>do find as a new angle about the case is

0:36:46.239 --> 0:36:50.719
<v Speaker 1>you really address the sort of police corruption and uh

0:36:51.040 --> 0:36:52.920
<v Speaker 1>sort of the and as well just sort of the

0:36:53.040 --> 0:36:56.319
<v Speaker 1>general incompetency of the l A p D is one

0:36:56.320 --> 0:36:58.400
<v Speaker 1>of the things. That's what I was always trying to balance.

0:36:58.960 --> 0:37:02.160
<v Speaker 1>Is it incompetence where is it deliberate? And I had

0:37:02.200 --> 0:37:05.680
<v Speaker 1>this one retired d A. Lou Watt, who told me this,

0:37:05.719 --> 0:37:08.880
<v Speaker 1>and it was so important at that stage of my reporting,

0:37:09.560 --> 0:37:12.120
<v Speaker 1>he said, you know, I'm looking at this. I had

0:37:12.120 --> 0:37:17.080
<v Speaker 1>shown him Manson's federal parole file where he kept getting arrested, released, arrested, release,

0:37:17.719 --> 0:37:19.920
<v Speaker 1>and I had gotten that through a lot of Freedom

0:37:19.960 --> 0:37:22.239
<v Speaker 1>of Information Act request. It took me like two years

0:37:22.280 --> 0:37:24.600
<v Speaker 1>to get it all. I brought it to him and

0:37:24.640 --> 0:37:27.400
<v Speaker 1>he was literally dying. I can't remember where the disease was,

0:37:27.440 --> 0:37:29.520
<v Speaker 1>but he was not a respirator and he's wheezing, and

0:37:29.520 --> 0:37:32.279
<v Speaker 1>he's like, chicken ship, this is all chicken shit, Like

0:37:32.320 --> 0:37:34.040
<v Speaker 1>what do you mean, Mr Wattnick. He goes, well, you know,

0:37:34.160 --> 0:37:38.640
<v Speaker 1>this can sometimes be explained by incompetence, but this was intentional.

0:37:38.719 --> 0:37:41.520
<v Speaker 1>They were releasing him when they should have not only

0:37:41.640 --> 0:37:44.520
<v Speaker 1>violated his parole, convicted him, then sent him back with

0:37:44.600 --> 0:37:46.880
<v Speaker 1>the new New Year's at it one And when you

0:37:46.920 --> 0:37:49.799
<v Speaker 1>sort of make that connection of like, well, like the

0:37:50.120 --> 0:37:52.399
<v Speaker 1>l a p D would probably be stoked if people

0:37:52.440 --> 0:37:55.400
<v Speaker 1>were doing crimes in the name of white supremacy, because

0:37:55.440 --> 0:37:59.640
<v Speaker 1>that's also what they're did. The the part about the

0:38:00.000 --> 0:38:04.359
<v Speaker 1>a up of the you know, you really frame it

0:38:04.360 --> 0:38:06.480
<v Speaker 1>in this great way because I think the sixties, it's

0:38:06.520 --> 0:38:09.040
<v Speaker 1>like the cool people are always very overrepresented, and the

0:38:09.080 --> 0:38:12.040
<v Speaker 1>idea that everybody was like, you know, with it and progressive.

0:38:12.080 --> 0:38:14.120
<v Speaker 1>It's like no, a lot of people were super square

0:38:14.800 --> 0:38:18.440
<v Speaker 1>and they wanted to crush whatever else was happening. I

0:38:18.440 --> 0:38:21.640
<v Speaker 1>guess Tarantino kind of got that in his movie because

0:38:21.760 --> 0:38:26.920
<v Speaker 1>Leo Dicabrio and Brad Pitt's character were old Hollywood. I

0:38:27.040 --> 0:38:29.200
<v Speaker 1>just I wrote the intro for this Eve Babbitt book,

0:38:29.239 --> 0:38:31.879
<v Speaker 1>and she wrote this piece about the Godfather and if

0:38:31.880 --> 0:38:34.400
<v Speaker 1>there's this quote where she's like everybody in l A

0:38:34.480 --> 0:38:37.319
<v Speaker 1>wants guys who look like al Pacino, because in l A,

0:38:37.480 --> 0:38:39.560
<v Speaker 1>like guys who look like Brad Pitt are everywhere and

0:38:39.560 --> 0:38:47.040
<v Speaker 1>they pump your gas. That's exactly what that movie gets, right. Yeah,

0:38:47.160 --> 0:38:49.200
<v Speaker 1>I want her to read my book. I could go

0:38:49.239 --> 0:38:52.359
<v Speaker 1>on to her for a blurb. She's great, Yeah, yeah,

0:38:52.440 --> 0:38:54.759
<v Speaker 1>I mean I think for me that was probably the

0:38:54.800 --> 0:38:57.799
<v Speaker 1>section of the book where I started to go galaxy.

0:38:57.880 --> 0:39:02.240
<v Speaker 1>Mine the whole section about the Sheriff's office and uh

0:39:02.280 --> 0:39:06.359
<v Speaker 1>and all this you know, repeated opportunities that people had

0:39:06.400 --> 0:39:09.160
<v Speaker 1>to put Man's in a jail, between the parole and

0:39:09.200 --> 0:39:11.960
<v Speaker 1>the surveillance they had on the red I found a

0:39:12.080 --> 0:39:15.359
<v Speaker 1>document showing that they knew he was coming back from

0:39:15.400 --> 0:39:18.320
<v Speaker 1>the Bay Area the day that Sharon Tate was killed

0:39:18.360 --> 0:39:21.760
<v Speaker 1>with this runaway girl, and all that was correct, except

0:39:21.760 --> 0:39:23.719
<v Speaker 1>that he was really coming back from Big Sir, which

0:39:23.719 --> 0:39:26.520
<v Speaker 1>is just a little bit below the Bay Area. But

0:39:26.760 --> 0:39:29.760
<v Speaker 1>all that stuff was suppressed and not shared with the defense.

0:39:29.960 --> 0:39:31.959
<v Speaker 1>And one thing that always bugged me about the case

0:39:32.040 --> 0:39:33.880
<v Speaker 1>was I was like, how could they squat on this

0:39:34.000 --> 0:39:37.000
<v Speaker 1>land for so long without anyone getting mad? Because like,

0:39:37.080 --> 0:39:40.080
<v Speaker 1>one thing I know about unoccupied land in Los Angeles

0:39:40.160 --> 0:39:44.400
<v Speaker 1>is that people get fucking furious occupied and you're not

0:39:44.440 --> 0:39:46.719
<v Speaker 1>allowed to Well. Also, I mean they had visited so

0:39:46.719 --> 0:39:48.560
<v Speaker 1>many times and he was on parole, and they knew

0:39:48.560 --> 0:39:51.680
<v Speaker 1>that he had like an arsenal. It's just absolutely not

0:39:51.920 --> 0:39:56.200
<v Speaker 1>underage girls, drugs, a machine gun. Uh. And when the

0:39:56.239 --> 0:39:58.560
<v Speaker 1>cops or sheriff's would come on to spawn rash, she

0:39:58.600 --> 0:40:02.520
<v Speaker 1>threatened their lives. And he said when he lost the

0:40:02.560 --> 0:40:05.120
<v Speaker 1>ammunition for I forget what it's called the banana eclipse

0:40:05.160 --> 0:40:07.759
<v Speaker 1>for a machine gun full off a doom bug, he

0:40:07.800 --> 0:40:10.319
<v Speaker 1>told the cops he wanted it back. He called he's

0:40:10.360 --> 0:40:13.960
<v Speaker 1>on federal parole. I mean, nothing made sense. Yeah, And

0:40:14.000 --> 0:40:16.240
<v Speaker 1>that's a famous line of man since there's no sense

0:40:16.280 --> 0:40:20.160
<v Speaker 1>makes sense. Well, yeah, like putting it in the context

0:40:20.280 --> 0:40:23.000
<v Speaker 1>of all these other sort of operations that we're going

0:40:23.000 --> 0:40:26.120
<v Speaker 1>on at the time to discredit the counterculture and student

0:40:26.160 --> 0:40:28.520
<v Speaker 1>protests and activism and the Black Panthers and all of that,

0:40:28.880 --> 0:40:31.879
<v Speaker 1>it makes you know, I would I would hesitate to say,

0:40:31.880 --> 0:40:34.040
<v Speaker 1>like your thesis, because I think they're still like I

0:40:34.080 --> 0:40:36.239
<v Speaker 1>think there are many questions that are left open at

0:40:36.280 --> 0:40:39.040
<v Speaker 1>the end of the book, but in general, the premise

0:40:39.280 --> 0:40:42.680
<v Speaker 1>that like, it would be very possible if one wanted

0:40:42.719 --> 0:40:46.200
<v Speaker 1>to at this time to create an example out of

0:40:46.239 --> 0:40:49.640
<v Speaker 1>somebody like a Manson like figure um to you know,

0:40:49.840 --> 0:40:54.120
<v Speaker 1>spook everybody out of the out of the sixties basically um.

0:40:54.200 --> 0:40:56.759
<v Speaker 1>And it doesn't feel far fetched when you look at

0:40:56.760 --> 0:40:59.479
<v Speaker 1>stuff that's actually on the record that happened on that time.

0:40:59.600 --> 0:41:01.439
<v Speaker 1>You do have great job of building it, of being

0:41:02.080 --> 0:41:04.719
<v Speaker 1>here's the first thing that kind of didn't seem right,

0:41:04.760 --> 0:41:06.640
<v Speaker 1>and I went into it more and like found all

0:41:06.680 --> 0:41:08.960
<v Speaker 1>these bugs under the rock, you know, so that by

0:41:09.000 --> 0:41:11.520
<v Speaker 1>the time you get to like, here's the JFK assassination,

0:41:12.480 --> 0:41:18.759
<v Speaker 1>I didn't sound as crazy like go with me here, right, Yeah,

0:41:18.800 --> 0:41:20.560
<v Speaker 1>And I think because you're coming at it like you're

0:41:20.560 --> 0:41:23.840
<v Speaker 1>not a true crime person. And that's that was the

0:41:23.880 --> 0:41:26.399
<v Speaker 1>hardest part of the book, was trying to figure out

0:41:26.400 --> 0:41:29.759
<v Speaker 1>the structure. And that's where I got gifted with the

0:41:29.800 --> 0:41:33.520
<v Speaker 1>fantastic collaborator of this young guy Dan, who now has

0:41:33.560 --> 0:41:36.480
<v Speaker 1>the best selling book with Prince Health. He wrote with prints,

0:41:36.480 --> 0:41:39.120
<v Speaker 1>the beautiful one. You're that great thing about writing that

0:41:39.160 --> 0:41:41.720
<v Speaker 1>thing with Prince. Yeah, that's a prologue to the book.

0:41:42.560 --> 0:41:46.680
<v Speaker 1>I mean he got him, damn, because Prince died, so

0:41:46.880 --> 0:41:50.560
<v Speaker 1>you know, everything got halted because the family was dealing.

0:41:51.080 --> 0:41:52.680
<v Speaker 1>I don't want to say fighting, he says, don't say

0:41:52.680 --> 0:41:55.600
<v Speaker 1>fighting there, but they were fighting over the estate and

0:41:55.719 --> 0:41:59.439
<v Speaker 1>the book got stopped. So he had probably he thought

0:41:59.480 --> 0:42:01.440
<v Speaker 1>a year or two years, and I'm like, oh damn,

0:42:01.480 --> 0:42:04.560
<v Speaker 1>it took me twentys, gonna take us five. And he

0:42:04.680 --> 0:42:08.080
<v Speaker 1>was just so kind of self possessed and not in

0:42:08.080 --> 0:42:10.040
<v Speaker 1>an arrogant way. He said, we'll figure out how to

0:42:10.080 --> 0:42:12.160
<v Speaker 1>do it in a year or two and he helped

0:42:12.160 --> 0:42:13.799
<v Speaker 1>me with all. I couldn't have done it without him

0:42:14.080 --> 0:42:16.680
<v Speaker 1>because I had lost my Well, you need someone to

0:42:16.719 --> 0:42:20.719
<v Speaker 1>come in at a certain point, organize the files for you, yeah,

0:42:20.760 --> 0:42:23.120
<v Speaker 1>and tell me what I mean because I lost perspective

0:42:23.160 --> 0:42:26.080
<v Speaker 1>on what was most important, what wasn't We still do.

0:42:26.200 --> 0:42:30.239
<v Speaker 1>We're talking about possibly doing um a second book, and

0:42:30.360 --> 0:42:32.839
<v Speaker 1>I was telling you guys earlier there might be a podcast.

0:42:33.000 --> 0:42:34.920
<v Speaker 1>So I mean, there's so much stuff that I do

0:42:35.120 --> 0:42:37.960
<v Speaker 1>want to get out there into the world that's sitting

0:42:38.040 --> 0:42:40.839
<v Speaker 1>right now into ours. But at least I got this much,

0:42:40.840 --> 0:42:43.239
<v Speaker 1>because there was a lot of years that I thought,

0:42:43.280 --> 0:42:45.480
<v Speaker 1>oh my god, I'm gonna get run over by a bus.

0:42:46.280 --> 0:42:49.480
<v Speaker 1>My family is gonna not I told them, you know

0:42:49.520 --> 0:42:52.120
<v Speaker 1>what's important what's not, But there's too much that they're

0:42:52.120 --> 0:42:55.200
<v Speaker 1>just going to say, all right, crazy brother, do put

0:42:55.200 --> 0:42:57.120
<v Speaker 1>in a dumpster get rid of it. Did you become

0:42:57.160 --> 0:43:00.479
<v Speaker 1>paranoid while you were working on it? I ever, really?

0:43:00.680 --> 0:43:03.120
<v Speaker 1>I mean people everybody asked me that infect you with

0:43:03.160 --> 0:43:06.239
<v Speaker 1>the paranoia? And the only thing I was really frightened of.

0:43:08.120 --> 0:43:09.920
<v Speaker 1>I mean, in the first couple of years of the

0:43:09.960 --> 0:43:12.920
<v Speaker 1>drug guys that I was investigating, who are the big dealers?

0:43:12.960 --> 0:43:16.600
<v Speaker 1>At the time, they were making some pretty serious threats,

0:43:16.600 --> 0:43:18.080
<v Speaker 1>but I kept thinking, and you know, one of them.

0:43:18.080 --> 0:43:20.000
<v Speaker 1>I have a scene in the book. I took him

0:43:20.040 --> 0:43:23.640
<v Speaker 1>to Cocoa's for lines place and he's you know, he's

0:43:23.680 --> 0:43:27.040
<v Speaker 1>in a wheelchair and I have to lift him, Charlie Taco,

0:43:27.160 --> 0:43:28.879
<v Speaker 1>and he's you know, he used to be a very

0:43:28.960 --> 0:43:32.080
<v Speaker 1>big strong man, but he was eight and dying and

0:43:32.120 --> 0:43:34.719
<v Speaker 1>he's threatening me while I'm putting him from my car

0:43:34.960 --> 0:43:38.800
<v Speaker 1>to the wheelchair, and I will kill you on theology, right, Charlie,

0:43:38.800 --> 0:43:41.759
<v Speaker 1>I could just drop you on the drive away. You can't.

0:43:41.760 --> 0:43:43.560
<v Speaker 1>Can you reach that point to where you're like? I

0:43:43.640 --> 0:43:45.719
<v Speaker 1>realized that when someone said they were going to kill

0:43:45.760 --> 0:43:49.160
<v Speaker 1>me or sue me, that man I had gotten yeah, yeah,

0:43:49.280 --> 0:43:51.640
<v Speaker 1>but then scared me. I mean some of the stuff

0:43:51.680 --> 0:43:54.480
<v Speaker 1>I learned that he had done, and as I learned it,

0:43:54.480 --> 0:43:56.200
<v Speaker 1>I hope it comes out in the book. I started

0:43:56.239 --> 0:43:59.360
<v Speaker 1>realizing I wasn't dealing just with somebody who was possibly

0:44:01.560 --> 0:44:03.000
<v Speaker 1>First I thought I was dealing with someone that just

0:44:03.040 --> 0:44:04.719
<v Speaker 1>wanted to make a lot more money by having a

0:44:04.760 --> 0:44:07.799
<v Speaker 1>more sensational case. Then I realized it was something much

0:44:07.840 --> 0:44:10.799
<v Speaker 1>more sinister than that dark and then I saw what

0:44:10.840 --> 0:44:14.360
<v Speaker 1>he did to other people who had caught him and stuff.

0:44:14.400 --> 0:44:17.560
<v Speaker 1>I mean, he went full on attack again like Trump

0:44:17.640 --> 0:44:20.040
<v Speaker 1>kind of does you make the parallels between him and

0:44:20.120 --> 0:44:23.600
<v Speaker 1>Manson too, that they were the same age it's crazy.

0:44:23.840 --> 0:44:25.960
<v Speaker 1>I could never decide who was crazy. But they were

0:44:26.000 --> 0:44:29.719
<v Speaker 1>both like they like thirty four, like thirty two, thirty three,

0:44:29.800 --> 0:44:32.239
<v Speaker 1>I think when the trial started. Yeah, but they're on

0:44:32.400 --> 0:44:35.280
<v Speaker 1>the same. Yeah. It was just such a different version

0:44:35.400 --> 0:44:39.879
<v Speaker 1>of you know, yeah, but just that violent male ego. Yeah,

0:44:40.400 --> 0:44:42.560
<v Speaker 1>the same. You kind of have to be a sociopath

0:44:42.600 --> 0:44:47.120
<v Speaker 1>to be either a cult leader or district attorney. True. Yeah.

0:44:48.560 --> 0:44:52.600
<v Speaker 1>Was there any point at which you just wanted to stop? Yeah,

0:44:52.600 --> 0:44:56.080
<v Speaker 1>I like every other day. At one point you described

0:44:56.200 --> 0:44:58.600
<v Speaker 1>you had a hundred and ninety I think binders in

0:44:58.640 --> 0:45:01.160
<v Speaker 1>your apronment and a white word with the word manson

0:45:01.200 --> 0:45:03.320
<v Speaker 1>in the middle, and then lyne, I'm going out. I

0:45:03.400 --> 0:45:05.120
<v Speaker 1>thought it was very brave of you to put that,

0:45:05.200 --> 0:45:08.759
<v Speaker 1>Like in the photo section in the book. You know,

0:45:08.880 --> 0:45:12.799
<v Speaker 1>my Dan went through some of my personal pictures. He said,

0:45:12.800 --> 0:45:16.080
<v Speaker 1>I want a progression of photos from you aging through

0:45:16.120 --> 0:45:18.440
<v Speaker 1>this and he said, I want to see you have

0:45:18.480 --> 0:45:20.480
<v Speaker 1>a picture of the white board, and I said, I've

0:45:20.520 --> 0:45:23.360
<v Speaker 1>got it, like I think just the first year, so

0:45:23.440 --> 0:45:26.320
<v Speaker 1>you don't see it with like twenty pages of paper

0:45:26.719 --> 0:45:29.840
<v Speaker 1>tacked up around the white board, you know, beyond the perimeter,

0:45:30.680 --> 0:45:32.719
<v Speaker 1>and I you know, I just said, you know what

0:45:32.840 --> 0:45:35.279
<v Speaker 1>I want to be. That's what happened. I created a

0:45:35.280 --> 0:45:37.239
<v Speaker 1>white board as part of the story. Yeah, we'll put

0:45:37.280 --> 0:45:41.600
<v Speaker 1>it in so um. But yeah, I used to. I

0:45:41.680 --> 0:45:46.439
<v Speaker 1>never once, I think, seriously considered stopping. But I would

0:45:46.600 --> 0:45:49.120
<v Speaker 1>think what if? And then I just thought, how can

0:45:49.160 --> 0:45:51.560
<v Speaker 1>I get out of bed? I would have wasted many

0:45:51.640 --> 0:45:54.720
<v Speaker 1>years you were. And it wasn't just that. I also

0:45:54.880 --> 0:45:57.520
<v Speaker 1>wanted people to be accountable, you know. I wanted to

0:45:57.520 --> 0:46:00.680
<v Speaker 1>report what I found to set I know it sounds

0:46:00.680 --> 0:46:03.399
<v Speaker 1>real presumptuous, but to set the record straight about also

0:46:03.480 --> 0:46:06.680
<v Speaker 1>chasing people before they die. It's like that kind of

0:46:06.680 --> 0:46:08.960
<v Speaker 1>the thing about the fiftieth anniversary is you're like, I

0:46:09.000 --> 0:46:10.919
<v Speaker 1>got to get these people while there's still a lot

0:46:11.239 --> 0:46:12.680
<v Speaker 1>and then at the end you're like, I have all

0:46:12.719 --> 0:46:16.200
<v Speaker 1>this evidence, like doesn't mean anything. Yeah, the people that

0:46:16.200 --> 0:46:19.239
<v Speaker 1>could have been held accountable or dead. I know a

0:46:19.280 --> 0:46:21.320
<v Speaker 1>lot of people have accused me. I mean there's a

0:46:21.400 --> 0:46:23.720
<v Speaker 1>lot of people who are not happy with this book.

0:46:23.920 --> 0:46:27.160
<v Speaker 1>The Manson blog people, oh yeah, yeah, the Manson blog people,

0:46:27.280 --> 0:46:31.080
<v Speaker 1>Internet people, but also people who are part of Vince's world.

0:46:31.360 --> 0:46:33.440
<v Speaker 1>He doesn't have a lot of defenders, but I've had

0:46:33.440 --> 0:46:38.320
<v Speaker 1>some serious they've come threats and I know this person

0:46:38.400 --> 0:46:41.000
<v Speaker 1>really is a member of the family because I said

0:46:41.040 --> 0:46:43.880
<v Speaker 1>in one response, and I know I'm not supposed to respond,

0:46:44.239 --> 0:46:46.280
<v Speaker 1>but I'm like, you have to be Vince is relative

0:46:46.280 --> 0:46:49.840
<v Speaker 1>because you're the threats are identical to his, and he

0:46:49.880 --> 0:46:51.520
<v Speaker 1>said he was a member of the family. I was like,

0:46:51.600 --> 0:46:56.279
<v Speaker 1>which one exactly? Um this story? Like, you know, we

0:46:56.560 --> 0:46:58.400
<v Speaker 1>were friends with Crean along Worth who did Death and

0:46:59.080 --> 0:47:03.799
<v Speaker 1>the Poet. Remember this series on Charlie Manson, and I

0:47:03.840 --> 0:47:07.160
<v Speaker 1>think like it's in her series and a lot of

0:47:07.200 --> 0:47:09.359
<v Speaker 1>stuff that we've read, like this is really understood as

0:47:09.480 --> 0:47:12.680
<v Speaker 1>has been understood historically as like a Hollywood story. It's

0:47:12.719 --> 0:47:16.200
<v Speaker 1>a Hollywood crime story, and obviously your book goes into

0:47:16.280 --> 0:47:18.719
<v Speaker 1>how it goes a lot further than that. I mean,

0:47:18.719 --> 0:47:22.200
<v Speaker 1>it's maybe it's a California story, but it's definitely a

0:47:22.239 --> 0:47:25.399
<v Speaker 1>California story. But I kind of wonder, like, having gone

0:47:25.400 --> 0:47:27.399
<v Speaker 1>through all this reporting and having talked to all these

0:47:27.440 --> 0:47:30.440
<v Speaker 1>people and gotten such a kind of cross section of

0:47:30.480 --> 0:47:33.239
<v Speaker 1>like all these different places that people were at in

0:47:33.280 --> 0:47:35.960
<v Speaker 1>the culture in this time period, and like since then,

0:47:36.280 --> 0:47:38.280
<v Speaker 1>can you still even think of it as a Hollywood

0:47:38.280 --> 0:47:41.520
<v Speaker 1>story or is it transcend that. I mean, it kind

0:47:41.560 --> 0:47:44.239
<v Speaker 1>of ruined me for having any kind of perspective on

0:47:44.320 --> 0:47:48.320
<v Speaker 1>it as something that just wasn't so sinister and deep,

0:47:48.760 --> 0:47:52.080
<v Speaker 1>even if I couldn't prove or if I could only

0:47:52.120 --> 0:47:55.919
<v Speaker 1>present a circumstantial case, but it made me lose such

0:47:56.000 --> 0:47:59.120
<v Speaker 1>faith and like stuff that I used. I was never naive.

0:47:59.239 --> 0:48:01.920
<v Speaker 1>I've always been um, you know, raised by lefty parents

0:48:02.040 --> 0:48:06.120
<v Speaker 1>and um. But and I always was a little bit

0:48:06.160 --> 0:48:10.560
<v Speaker 1>careful about authority. But at this point now I feel

0:48:10.600 --> 0:48:13.600
<v Speaker 1>like I don't trust cops. I don't trust the judicial system.

0:48:13.760 --> 0:48:16.719
<v Speaker 1>I don't trust the freeing in a way though I

0:48:16.760 --> 0:48:20.000
<v Speaker 1>guess it is Yeah, do you realize I mean, you know,

0:48:20.040 --> 0:48:21.800
<v Speaker 1>we're talking about the d A earlier, like the current

0:48:21.920 --> 0:48:24.399
<v Speaker 1>d A of l A like hasn't prosecuted any cops

0:48:24.400 --> 0:48:28.160
<v Speaker 1>who've murdered anybody like a decade or something insane. It's

0:48:28.239 --> 0:48:30.399
<v Speaker 1>just like, yeah, if you put your trust in those

0:48:30.440 --> 0:48:33.319
<v Speaker 1>systems to sort of and you really do a good

0:48:33.360 --> 0:48:35.480
<v Speaker 1>job also of talking about the connections between the l

0:48:35.480 --> 0:48:39.160
<v Speaker 1>A p D and the l A times again, something

0:48:39.239 --> 0:48:41.600
<v Speaker 1>I would have suspect, you know, once you said it,

0:48:41.640 --> 0:48:43.880
<v Speaker 1>I was like, oh, yeah, that makes sense. Yeah, And

0:48:43.920 --> 0:48:46.560
<v Speaker 1>there was more there too. I wish well the l

0:48:46.600 --> 0:48:48.319
<v Speaker 1>A Times too. I started looking into like the guy

0:48:48.360 --> 0:48:51.320
<v Speaker 1>who founded the l A. Times. This guy otis total

0:48:51.840 --> 0:48:55.960
<v Speaker 1>citizen Kane. You know, he was like a hearst. I mean,

0:48:56.040 --> 0:49:00.880
<v Speaker 1>you published whatever served his interest. He hated communists, anarchists,

0:49:00.880 --> 0:49:05.160
<v Speaker 1>and the power structure in Los Angeles in the late sixties.

0:49:05.239 --> 0:49:08.399
<v Speaker 1>Was him at the l A. Times. You already who

0:49:08.480 --> 0:49:11.120
<v Speaker 1>was a very right wing mayor Reagan who was the

0:49:11.200 --> 0:49:15.920
<v Speaker 1>governor and H. Nixon became president in January. I mean

0:49:15.960 --> 0:49:18.640
<v Speaker 1>he was elected in the fall, but he was inaugurated

0:49:19.160 --> 0:49:22.040
<v Speaker 1>January sixty nine. And Evil Younger, the d A who

0:49:22.080 --> 0:49:24.680
<v Speaker 1>was in charge of the case, you know, Vince was

0:49:24.719 --> 0:49:28.440
<v Speaker 1>working for him, was an ex oss guy, which is

0:49:28.440 --> 0:49:30.200
<v Speaker 1>what the c I A evolve doubt of it. He

0:49:30.320 --> 0:49:34.160
<v Speaker 1>was a spy and the FBI, and not that that

0:49:34.200 --> 0:49:37.799
<v Speaker 1>makes him automatically, you know, suspicious, but when you look

0:49:37.800 --> 0:49:40.360
<v Speaker 1>at everything else I lay out about what was hidden

0:49:40.400 --> 0:49:43.560
<v Speaker 1>and all that he had to be part like the

0:49:43.600 --> 0:49:46.040
<v Speaker 1>center of that. Whell. Maybe I'm the only person to

0:49:46.080 --> 0:49:50.520
<v Speaker 1>take an optimistic view point away from this book fight Like,

0:49:50.600 --> 0:49:53.400
<v Speaker 1>given all the effort they did put into trying to

0:49:53.480 --> 0:49:56.600
<v Speaker 1>crush leftism and crush counterculture in Los Angeles, like to me,

0:49:56.640 --> 0:49:58.680
<v Speaker 1>the fact that it always comes back in some way.

0:49:58.840 --> 0:50:01.640
<v Speaker 1>You know that you can't crush ship crushed like diverse.

0:50:01.719 --> 0:50:05.040
<v Speaker 1>That's the reasons. Yeah, I'm from l A, so I

0:50:05.080 --> 0:50:09.520
<v Speaker 1>have a in defending it against being like well, I

0:50:09.600 --> 0:50:11.640
<v Speaker 1>was also like it was satisfying to me because there's

0:50:11.680 --> 0:50:14.879
<v Speaker 1>so many like apocalyptic Day of the Locust narratives about

0:50:15.000 --> 0:50:17.840
<v Speaker 1>l A. Reading the Manson murders to be like no,

0:50:18.000 --> 0:50:22.200
<v Speaker 1>this was a like a government engineered Yeah yeah, this

0:50:22.440 --> 0:50:25.160
<v Speaker 1>was not like something that was born out of Yeah

0:50:25.400 --> 0:50:27.680
<v Speaker 1>here again like that I can blame Washington, d C.

0:50:29.640 --> 0:50:31.799
<v Speaker 1>I think the thing that I like was the most

0:50:31.800 --> 0:50:34.600
<v Speaker 1>paranoid about after reading this book was just the idea

0:50:34.600 --> 0:50:36.960
<v Speaker 1>of like what if everybody who ever runs for any

0:50:37.000 --> 0:50:40.560
<v Speaker 1>office is just like being planted there? Like the book

0:50:40.719 --> 0:50:43.399
<v Speaker 1>after this, because I definitely kept going down the hall,

0:50:43.480 --> 0:50:46.040
<v Speaker 1>I read weird scenes in the canyon. I gotta be

0:50:46.040 --> 0:50:49.839
<v Speaker 1>careful with that. That one was like fascinating because that

0:50:49.880 --> 0:50:51.319
<v Speaker 1>one was like I was like, Okay, this is too

0:50:51.360 --> 0:50:53.520
<v Speaker 1>crazy for me, but also that I would like fact

0:50:53.600 --> 0:50:56.200
<v Speaker 1>check things and they'd be true, you know. But he's

0:50:56.239 --> 0:51:00.560
<v Speaker 1>the person who thinks like everybody's in the CI parents,

0:51:00.680 --> 0:51:02.840
<v Speaker 1>so they have to be in. Then he makes the

0:51:02.880 --> 0:51:05.440
<v Speaker 1>first point he makes is like Jim Morrison's dad started

0:51:05.520 --> 0:51:07.719
<v Speaker 1>Vietnam and it turns out to be true, like his

0:51:08.000 --> 0:51:11.520
<v Speaker 1>dad was the navy officer who I don't know if

0:51:11.520 --> 0:51:14.719
<v Speaker 1>I knew that. He said. He's like, oh, yes, Jim

0:51:14.719 --> 0:51:17.480
<v Speaker 1>Morrison's dad was the navy officer in the Gulf of Tonkin.

0:51:17.560 --> 0:51:19.640
<v Speaker 1>And there's a picture of Jim Morrison like with him

0:51:19.640 --> 0:51:22.359
<v Speaker 1>as a kid on a boat, and I don't send

0:51:22.360 --> 0:51:25.560
<v Speaker 1>me down on another rev. I was gonna say, So,

0:51:25.600 --> 0:51:28.200
<v Speaker 1>now that this book is out and then you're talking

0:51:28.200 --> 0:51:30.640
<v Speaker 1>about kind of how to adapt it and what's next

0:51:30.960 --> 0:51:34.560
<v Speaker 1>in that, do you have any desire to look into

0:51:34.719 --> 0:51:39.640
<v Speaker 1>a new mystery? Well, I mean I left substantial reporting

0:51:39.640 --> 0:51:44.680
<v Speaker 1>about the RFK assassination hand, and obviously if people have

0:51:44.760 --> 0:51:47.319
<v Speaker 1>read the book, you see there are parallels. And not

0:51:47.400 --> 0:51:49.640
<v Speaker 1>only that, it was literally a year and like two

0:51:49.640 --> 0:51:53.919
<v Speaker 1>months before the Tate La Bianca more, same city, same DA,

0:51:54.280 --> 0:51:57.239
<v Speaker 1>same cops. Uh and I found out a lot of

0:51:57.280 --> 0:52:00.160
<v Speaker 1>really important information and at one point it was going

0:52:00.200 --> 0:52:02.200
<v Speaker 1>to be part of the book, and then we finally

0:52:02.239 --> 0:52:05.240
<v Speaker 1>decided so that book, I think it's five d some pages.

0:52:05.800 --> 0:52:09.919
<v Speaker 1>Little Brown. The contract only wanted less than three because

0:52:09.920 --> 0:52:14.799
<v Speaker 1>it's hard to sell. I don't think they knew who

0:52:14.800 --> 0:52:16.520
<v Speaker 1>they were dealing with. But they were great. I mean

0:52:16.719 --> 0:52:20.960
<v Speaker 1>when we got to uh, I think about for fifty

0:52:21.120 --> 0:52:24.160
<v Speaker 1>or something or four or sixty, I was so pleased.

0:52:25.080 --> 0:52:27.320
<v Speaker 1>Then I had to do the end notes and they said,

0:52:27.400 --> 0:52:29.920
<v Speaker 1>we'll give you about ten pages and I said, no, no, no,

0:52:30.080 --> 0:52:32.280
<v Speaker 1>I need let the hundred and they said, are you crazy?

0:52:32.320 --> 0:52:34.880
<v Speaker 1>We gave you an extra hundred and fifty. So I

0:52:35.000 --> 0:52:37.759
<v Speaker 1>ended up getting I did a hundred twenty pages. We

0:52:37.880 --> 0:52:40.120
<v Speaker 1>got it to sixty of end notes at the back.

0:52:40.480 --> 0:52:42.080
<v Speaker 1>And that's the most important part of the book to

0:52:42.120 --> 0:52:44.719
<v Speaker 1>me because it shows all my sourcing that and you know,

0:52:44.800 --> 0:52:49.080
<v Speaker 1>the depth of it. But um, the RFK s or

0:52:49.160 --> 0:52:51.600
<v Speaker 1>hands stuff that could be a book in and of itself.

0:52:51.640 --> 0:52:54.960
<v Speaker 1>And there's other stuff that I did find out connected

0:52:55.440 --> 0:52:58.480
<v Speaker 1>to the same scene in Hollywood at sixty nine that

0:52:58.640 --> 0:53:01.000
<v Speaker 1>ended up not having any real events are connection, but

0:53:01.040 --> 0:53:05.000
<v Speaker 1>I found out some amazing singular like standalone story in

0:53:05.080 --> 0:53:08.840
<v Speaker 1>the dead ends are the most interesting part deciding that

0:53:09.080 --> 0:53:14.640
<v Speaker 1>driving around l A you know, and skirts, Yeah, very cinematic,

0:53:14.680 --> 0:53:17.040
<v Speaker 1>and it's like the book is cinematic because it's framed

0:53:17.080 --> 0:53:19.960
<v Speaker 1>that way, like, now I got to drive to this valley, right, Yeah,

0:53:20.680 --> 0:53:25.080
<v Speaker 1>Santa Monica rooftop. Yeah, it's very like a Raymond Chandler novel.

0:53:25.719 --> 0:53:28.960
<v Speaker 1>I like that. That's a nice comparison. The guy who's

0:53:29.000 --> 0:53:31.919
<v Speaker 1>doing the adaptation for the movie spent about a week

0:53:31.960 --> 0:53:34.680
<v Speaker 1>with me about a month ago, and I said, oh

0:53:34.719 --> 0:53:37.440
<v Speaker 1>my god, you're gonna have a nervous breakdown too, and

0:53:37.480 --> 0:53:41.719
<v Speaker 1>he said, I just I don't care this. We're not

0:53:41.760 --> 0:53:44.240
<v Speaker 1>supposed to say this, but I don't care. I wanted

0:53:44.280 --> 0:53:46.759
<v Speaker 1>it to be a limited series. We sold it to Amazon,

0:53:46.920 --> 0:53:49.759
<v Speaker 1>and they wanted to be a feature film. And this

0:53:49.760 --> 0:53:51.520
<v Speaker 1>guy is a big deal and he's like, but I

0:53:51.560 --> 0:53:55.600
<v Speaker 1>don't know how to, you know, compress the story twenty

0:53:55.680 --> 0:53:59.439
<v Speaker 1>years into two hours. And I said, that's my life.

0:53:59.480 --> 0:54:01.200
<v Speaker 1>I mean, that's I didn't know how to do it

0:54:01.239 --> 0:54:03.200
<v Speaker 1>in the book, and now you're trying to figure it out.

0:54:03.600 --> 0:54:06.080
<v Speaker 1>I wanted it to be like a limited series. And

0:54:06.440 --> 0:54:08.560
<v Speaker 1>I actually think he's at the end of the week.

0:54:08.600 --> 0:54:10.360
<v Speaker 1>He had a good angle on it. But now I

0:54:10.360 --> 0:54:13.080
<v Speaker 1>have to wait and see the first draft, and I'm

0:54:13.200 --> 0:54:15.920
<v Speaker 1>not a little nervous about that. We talked about Zodiac

0:54:15.960 --> 0:54:19.040
<v Speaker 1>a lot too. It's like the movie. Yeah, a lot

0:54:19.040 --> 0:54:23.680
<v Speaker 1>of people say that, Um, I guess his obsession was

0:54:23.680 --> 0:54:25.239
<v Speaker 1>that I can't remember enough. It was a copy of

0:54:25.280 --> 0:54:28.239
<v Speaker 1>the Journalists Journalists. But also it's the same thing where

0:54:28.320 --> 0:54:32.640
<v Speaker 1>like it drives everybody to well, it's contagious because once

0:54:32.680 --> 0:54:35.239
<v Speaker 1>you start to realize that this is true, then all

0:54:35.280 --> 0:54:39.600
<v Speaker 1>of a sudden, nothing else. Tom, Tom What do you

0:54:39.600 --> 0:54:41.959
<v Speaker 1>do to decompress? What do you watch in your off

0:54:42.000 --> 0:54:49.040
<v Speaker 1>time when you were doing this? Uh? Rank at had

0:54:49.200 --> 0:54:53.640
<v Speaker 1>like really bad you know, bad partners, anything that could

0:54:53.680 --> 0:54:56.160
<v Speaker 1>really be dramatic enough to make me not think about

0:54:56.200 --> 0:54:59.439
<v Speaker 1>it for a few hours. Um, what do I watch?

0:54:59.480 --> 0:55:02.560
<v Speaker 1>Like on in movies and TV? I kind of like

0:55:02.640 --> 0:55:07.239
<v Speaker 1>detective drama and stuff. I mostly only watched streaming now

0:55:07.320 --> 0:55:10.279
<v Speaker 1>because I need to see stuff that seems as really

0:55:10.320 --> 0:55:14.399
<v Speaker 1>I mean, I finally started watching Succession. Yeah, so I've

0:55:14.400 --> 0:55:17.120
<v Speaker 1>actually got like I'm going to Death Valley tomorrow. I've

0:55:17.160 --> 0:55:19.520
<v Speaker 1>never been to the Barker Ranch where they were captured.

0:55:20.080 --> 0:55:22.600
<v Speaker 1>And the cop if you get near the end of

0:55:22.600 --> 0:55:25.279
<v Speaker 1>the book, Paul Dusty was a cadaver dog cop who

0:55:25.800 --> 0:55:29.640
<v Speaker 1>thinks he has sights in the around the two ranches.

0:55:30.040 --> 0:55:31.640
<v Speaker 1>He's been trying to get me to go there for

0:55:31.719 --> 0:55:34.960
<v Speaker 1>ten years and I finally agreed to go tomorrow. So

0:55:34.960 --> 0:55:37.600
<v Speaker 1>I'm gonna go for two or three days, but I'm

0:55:37.680 --> 0:55:39.480
<v Speaker 1>supposed to go out tonight and I'm like, I'm not

0:55:39.480 --> 0:55:41.680
<v Speaker 1>gonna I'm not gonna finish Succession. I gotta see the

0:55:41.760 --> 0:55:48.640
<v Speaker 1>last couple episodes. Anything really good? Be careful in Death Valley? Yeah, well,

0:55:48.640 --> 0:55:52.000
<v Speaker 1>why would you say be careful? It's called death Valley?

0:55:53.840 --> 0:55:57.400
<v Speaker 1>But something are talking about the elements, but maybe you

0:55:57.400 --> 0:56:01.080
<v Speaker 1>mean Manson family, the haunt, don't fall in the hole.

0:56:02.360 --> 0:56:07.720
<v Speaker 1>I'm looking for the whole. We're all still looking for. Well, Tom,

0:56:07.719 --> 0:56:09.920
<v Speaker 1>thank you so much for joining, Thanks for having me.

0:56:10.719 --> 0:56:13.960
<v Speaker 1>This is fun and uh for our Patreon subscribers, will

0:56:14.000 --> 0:56:16.480
<v Speaker 1>be releasing our book club episode on Chaos, so we'll

0:56:16.520 --> 0:56:18.880
<v Speaker 1>be talking even more about it behind the paywall. But

0:56:19.160 --> 0:56:21.160
<v Speaker 1>good of reason is any to pick up the book

0:56:21.160 --> 0:56:22.680
<v Speaker 1>and check it out if you want me to come

0:56:22.680 --> 0:56:24.960
<v Speaker 1>back for a Q and anything or something when they're

0:56:24.960 --> 0:56:26.839
<v Speaker 1>all done reading the book, If they read it, if

0:56:26.840 --> 0:56:30.080
<v Speaker 1>they get any questions for Tom, you can put them

0:56:30.080 --> 0:56:33.800
<v Speaker 1>through us to four oh four six Night or Nightcall

0:56:33.880 --> 0:56:36.439
<v Speaker 1>Podcast at gmail dot com and we'll pass them to

0:56:36.440 --> 0:56:39.359
<v Speaker 1>Tom and hopefully I've been back on the show. Thank you,

0:56:39.400 --> 0:56:41.879
<v Speaker 1>thanks for having me guys, thanks for picking the book

0:56:41.880 --> 0:56:48.080
<v Speaker 1>as a book club. Yeah. Absolutely, thank you for listening

0:56:48.160 --> 0:56:50.359
<v Speaker 1>Tonight Call. We'll be back again next week. If you'd

0:56:50.360 --> 0:56:52.560
<v Speaker 1>like to follow us on social media, we are Night

0:56:52.600 --> 0:56:56.680
<v Speaker 1>Called Pod on Twitter, Night Called Podcast on Instagram and Facebook.

0:56:57.040 --> 0:56:58.640
<v Speaker 1>Um you can leave us a night call at to

0:56:58.760 --> 0:57:01.120
<v Speaker 1>four oh four six night or a night email at

0:57:01.239 --> 0:57:04.480
<v Speaker 1>Nightcall Podcast at gmail dot com. As always, we would

0:57:04.480 --> 0:57:06.879
<v Speaker 1>love if you would support our Patreon It's patreon dot

0:57:06.880 --> 0:57:09.680
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0:57:09.680 --> 0:57:12.680
<v Speaker 1>tiers available and lots of different bonuses for our supporters,

0:57:12.719 --> 0:57:15.360
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0:57:15.400 --> 0:57:35.600
<v Speaker 1>the pot. We'll see you next week. Nightcall is a

0:57:35.640 --> 0:57:38.520
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0:57:38.640 --> 0:57:42.160
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0:57:42.320 --> 0:57:44.040
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